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Speaker 1: At State Farm, we're committed to uplifting black futures. In

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Speaker 1: collaboration with organizations like one hundred Black Men and National

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Speaker 1: Urban League, State Farm provides high school students with the

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Speaker 1: opportunity to learn and apply best practice strategies for saving

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Speaker 1: and investing, all while offering academic support, life skills, and

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Speaker 1: exposure to college access programs to prepare these students for

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Speaker 1: life after high school. Check out one hundred black Men

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Speaker 1: dot org and NUL dot org to donate and learn more.

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Speaker 1: Like a good neighbor, State Farm is there, yo, Yo,

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Speaker 1: Welcome towards up their podcast. I am your active and

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Speaker 1: attractive hosts for another episode of the fastest growing podcasts

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Speaker 1: on the market. Right now. If you are listening, head

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Speaker 1: over to Patreon dot com. If you want to view

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Speaker 1: the whole videos www dot patreon dot com. Slt's just

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Speaker 1: up there podcast. We'll get right into the show. Welcome

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Speaker 1: to the new listeners. Shout out there everybody that's been

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Speaker 1: sharing my stuff everywhere all these platforms. It's the engagement

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Speaker 1: is up in a way that we should be proud of. See.

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Speaker 1: It's one thing to thank you doing this and that,

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Speaker 1: and thank you a powerful in the space and think

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Speaker 1: that you may have an opportunity, and then it's another

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Speaker 1: thing for the community to respond to you a certain way.

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Speaker 1: And so I'm just dealing with the response of the community.

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Speaker 1: Take years for niggas to understand the things that the

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Speaker 1: things that the game has the awful, but some kind

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Speaker 1: of way I'm able to put it in a way

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Speaker 1: that it's more digestible for the people that's listening and

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Speaker 1: viewing me on the dayla in a weekly basis. Hold on,

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Speaker 1: before we go in it further, I got to announce

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Speaker 1: that Will Smith just smacked Chris Rock live at the

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Speaker 1: Oscars on national television. There's no way I could have

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Speaker 1: waited to next week because I know that by next

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Speaker 1: week it won't be as fresh of a topic for me.

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Speaker 1: So I want to add this into the podcast. So

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Speaker 1: right now we are dealing with Will Smith smacking Chris Rock.

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Speaker 1: Let's see what happened. He's praying that Will Smith West like, please, Lord, Jada,

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Speaker 1: I love you, g I Jane two can't wait to

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Speaker 1: see it all right? That was like, that was a

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Speaker 1: nice one. Okay, I'm out here, oh Richard and Dad,

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Speaker 1: ladies in general, and just change perspective that just changed

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Speaker 1: white folks perspective right there, let's hit let's see that again.

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Speaker 1: And that was like that was a nice one. Okay,

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Speaker 1: I'm out here, Oh Richard, Oh wow wow worst, old wow.

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Speaker 1: He'sa a wow, he said, old wow. Man, what kind

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Speaker 1: of bat a message? That's what I say, man, And

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Speaker 1: I understand both sides, right, So let me, you know,

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Speaker 1: bring this back in something because I do know that

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Speaker 1: I do got to communicate with a certain level of consistency, right,

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Speaker 1: so people, do you know it's cool? It's cool. So

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Speaker 1: I gotta address both sides. I understand comment a joke

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Speaker 1: is a joke, but I also understand frustration and the

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Speaker 1: tipping point. And e Strata broke the cameras back and

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Speaker 1: all the mothers says they go on the other side

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Speaker 1: of that. But when I say, this just chained perspective

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Speaker 1: because see one thing about black people. We know you

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Speaker 1: don't play about the wife and the money. You understand me.

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Speaker 1: And so for me, white people now get to view

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Speaker 1: this and see will Smith interact the way that we

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Speaker 1: understand the interact on certain things. Certain things call for

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Speaker 1: certain reactions, and that don't matter the outcome of those things, right,

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Speaker 1: And so You're not gonna continue to drill me and

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Speaker 1: drill me and drill me. Let's look at that again though,

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Speaker 1: this praying that will Smith please Lord Jada, I love you,

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Speaker 1: Gi Jame two. Can't wait to see it. That was like,

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Speaker 1: that was a nice one. Okay, I'm out here, oh Richard,

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Speaker 1: Oh wow, yes, sir, and we don't come back out

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Speaker 1: of me name out your fucking mother. Wow, dude, And

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Speaker 1: that's a completion a g I Jangel, my name out

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Speaker 1: your fucking I'm going to Okay, I beat you in. Okay,

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Speaker 1: that was greatest night in the history of television. Okay, Okay,

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Speaker 1: now that right there, ladies and gentlemen, shifty culture. You know,

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Speaker 1: I do feel that Chris Rock is in an unfortunate

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Speaker 1: city to be a trophy of source. Right, what you

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Speaker 1: experienced in that moment. It's how to metaverse is starting

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Speaker 1: to affect reality, see because what they do on the

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Speaker 1: Internet and what we do see because again, I think

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Speaker 1: Coach is just different on the other side, especially dealing

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Speaker 1: with comedy. Comedy is comedy is comedy for them, right.

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Speaker 1: And I'm a fan of Joe Rogan, a fan of Bird,

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Speaker 1: a fan of Tom So. I get it. You can

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Speaker 1: joke on some of the craziest things on that side

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Speaker 1: of the street before black people. You don't talk about

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Speaker 1: black people, especially their wife. And he tried to laugh

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Speaker 1: it off, but I've seen Jada and she looked away,

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Speaker 1: and she probably looked away. And see, when you've been

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Speaker 1: married and around somebody for so long, a look tell

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Speaker 1: you everything, right, So you look at your wife and

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Speaker 1: then you get a certain looking here here it is.

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Speaker 1: You know, you get to deal with how I'm gonna

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Speaker 1: feel about how you've just done that. And the Internet

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Speaker 1: is such a weird place that it makes me think, like, Yo,

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Speaker 1: look what you niggas do? Man, Look look what y'all do. First,

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Speaker 1: it's a had tag what about to protect Black women?

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Speaker 1: Has tag? What about to protect Black women? Has tag?

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Speaker 1: Don't nobody to scream at no more? That didn't mean

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Speaker 1: nothing in that moment. You understand me, now? Do I

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Speaker 1: think that? Yo? See when you public with the disrespect,

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Speaker 1: I got to be public with the addressing of the

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Speaker 1: hags tag all around, protect black women, protect black women.

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Speaker 1: And then this is this man wife in that moment,

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Speaker 1: and she probably been tired of getting don't make my

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Speaker 1: disease to buddy, your joke, my boy, and the white

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Speaker 1: is gonna come out. I know there is and say, Yo,

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Speaker 1: it's a joke, it's comedy. But he doesn't. Du doesn't

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Speaker 1: had enough for the jokes. Yeah enough for the jokes.

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Speaker 1: Yeah yeah, enough for the lad And that my expense.

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Speaker 1: And I'm on my protect black women vibes, this black

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Speaker 1: woman in particular, this my black woman. We together, we're

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Speaker 1: a union, this my family. I gotta protect this one.

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Speaker 1: So for whatever that's worth, I gotta figure out how

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Speaker 1: to do that. And in that moment, I know I

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Speaker 1: can't talk to you dudes behind the scenes. You dudes don't.

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Speaker 1: I probably haven't already made it clear. Don't do that

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Speaker 1: because what all have they said about Will online? They

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Speaker 1: bring up the August thing, everything Jada do. I told

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Speaker 1: y'all what they did. Once again, it's about Jada. He

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Speaker 1: gotta every he ain't had a ain't no mustard, don't

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Speaker 1: dude jacket from nowhere. Everything he'd had to do then

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Speaker 1: came on behalf for Jada in regards to even invoking

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Speaker 1: that kind of emotion. It then came on behalf for

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Speaker 1: his wife. And that's what it calls for. That level

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Speaker 1: of attention when it's someone that you've committed the rest

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Speaker 1: of your life too. And so when we approached to

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Speaker 1: protect black women, thing, white people and other people gonna

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Speaker 1: have to excuse us as we readjust how people have

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Speaker 1: positioned black women, You're gonna have to just excuse us. Right.

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Speaker 1: Some of our approach to it may be odd, it

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Speaker 1: may be unconventional because we don't know how to fix it,

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Speaker 1: but we know it needs to be fixed. We know

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Speaker 1: certain things need to be off women, certain things. Right,

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Speaker 1: So in regards to whatever, if you see me make

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Speaker 1: a joke about her, right, then it's clear that me

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Speaker 1: and her, that's my wife. Whatever. When you know what

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Speaker 1: I'm saying, you can't do that, bro, You just can't.

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Speaker 1: I don't think you can do that, especially in the

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Speaker 1: climate that Will is in. He trying to get out

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Speaker 1: of that vibe right, not in the head enough And

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Speaker 1: here it is and now you now hold up, man.

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Speaker 1: Now the rappers they're getting it off, the rap dudes.

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Speaker 1: I smack one of the rap dudes. It's gonna be

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Speaker 1: for show violence. But now they got you up here

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Speaker 1: saying something. Yeah they got yet now it's got to

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Speaker 1: stop today. Yeah, yeah, this got to stop to date

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Speaker 1: we put it in the you understand, but again, white

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Speaker 1: people and other people in the culture, other people in

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Speaker 1: the world watching. I think again it shifted culture because

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Speaker 1: now white people gotta ask, or people that's not of

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Speaker 1: the culture gotta ask, why would he takes take such

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Speaker 1: a brass why would he make such a brass decision

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Speaker 1: and smack him on live television? And the black community

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Speaker 1: is over It's overstood. You understand, the black community is overstood. Right,

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Speaker 1: But then you got a factor in jokes, comedy, all

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Speaker 1: these things, and y know, the fact that Wills made

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Speaker 1: a lot of money off, you know, acting and being

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Speaker 1: in this kind of metaverse right in regards to putting

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Speaker 1: movies out where he's died or shot of jumping off building.

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Speaker 1: So he's he's he's activated those characters us, right, Will

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Speaker 1: Smith and Jada, they've been activated in the metaverse. And

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Speaker 1: so people think they're attacking the metaverse. But now you're

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Speaker 1: talking about her disease, so then that that's a whole

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Speaker 1: different thing. And if that's my wife, I gotta deal

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Speaker 1: with that, and I can't. I don't know if I

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Speaker 1: can wait till the end THEO I'm gonna try everything.

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Speaker 1: I can't wait till the end there. But it's the

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Speaker 1: fourteenth time that I didn't had to say, don't do that.

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Speaker 1: And then I just look over at her, and she

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Speaker 1: got the match. You understand. I got a steam hanging

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Speaker 1: out of my head in regard to I'm a five cracker.

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Speaker 1: You understanding, she got a match. So if I look

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Speaker 1: over and you don't really offend it my wife or

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Speaker 1: the woman I love, you don't win. We got to

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Speaker 1: handle That's it activates some minihim. He got up and

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Speaker 1: he smacked him. Comedians, right, they operate in the space

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Speaker 1: where you don't really have to have You don't really

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Speaker 1: have to have no nuts to be saying what you're saying,

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Speaker 1: you know, as long as it's funny. We accepted in

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Speaker 1: the black community. If you're gonna be calling that rappers

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Speaker 1: and saying certain things in your comedy, you gotta have

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Speaker 1: a certain kind of fight game about you. You know,

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Speaker 1: you can't be in our culture operating with no you know,

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Speaker 1: and I'm saying, tripping over your own feet and then

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Speaker 1: making jokes about people wives and children. Now, if he

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Speaker 1: was up there with a squabble game, if you know,

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Speaker 1: running up, that's smacking him it's for show, gonna get

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Speaker 1: down right here. He might have still done it because again,

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Speaker 1: I think it activates a certain courage when you deal

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Speaker 1: with the people you love no matter what. So I

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Speaker 1: believe that. But at the end of the day, I

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Speaker 1: think that he would have been in a situation where

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Speaker 1: it would have been some violence. Right then, you see

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Speaker 1: what I'm saying. But I think white people will allow

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Speaker 1: you to not be tough. And so for a black dude,

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Speaker 1: if you up there saying certain certain jokes that's offensive

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Speaker 1: to people, you better be tough. You better be tough.

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Speaker 1: You see what Mike Tyson had to go through the

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Speaker 1: DoD they do pull the gun out on it. He

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Speaker 1: had been trying to do a little set or whatever

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Speaker 1: he doing on stay like in the black community, if

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Speaker 1: you're kicking that tough shit, niggas is gonna see if

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Speaker 1: you're tough, that's just how they go. And then you're

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Speaker 1: doing it in my face, man, like you know that

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Speaker 1: means you just totally disrespecting me. So you're dealing want

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Speaker 1: to do. There's been publicly humiliated, right, dude's been trying

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Speaker 1: to use his wife as an example of what not

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Speaker 1: to do in a marriage. In regards to respecting your husband.

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Speaker 1: You see what I'm saying, And man, I know that

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Speaker 1: the level of scrutiny he's been under, he didn't got

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Speaker 1: sick of. So we've gonna change that out and ask

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Speaker 1: the publicist, how do you change or what do we do?

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Speaker 1: We've been quiet? What can we do to change the image?

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Speaker 1: Because I ain't done none. It's just my wife and

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Speaker 1: they've been trying to get at hub. But I love hustle.

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Speaker 1: I'm riding with her thinking then, you know, ain't no

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Speaker 1: smug on my jacket. I ain't done nothing about none,

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Speaker 1: been in none ever. Everything been about her and it's

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Speaker 1: gonna continue to be about her because this is who

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Speaker 1: I said my life pardon is? So I asked the publicist,

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Speaker 1: how do we clean it up? How do we stop

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Speaker 1: this from being a thing? How do we They don't know,

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Speaker 1: they don't try. I don't paid. They didn't try. So

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Speaker 1: now here we is ain't been in nothing. Here we is.

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Speaker 1: I don't came out. They ain't been no cheating in

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Speaker 1: my marriage, just done that the other week. I'm steady

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Speaker 1: cleaning this up with my wife done. I'm steady coming

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Speaker 1: through with certain things, trying to clean it up. She

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Speaker 1: didn't kind of said certain things. So I'm cleaning it up.

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Speaker 1: Here comes something nigga gonna stay by what my wife

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Speaker 1: Alapecia look like. He got to be the toughest nigga

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Speaker 1: in America had just done that. Sometimes I get a

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Speaker 1: phone call about what nigga's done and I think to myself, boy,

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Speaker 1: we're dealing with the toughest nigga in America. He just

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Speaker 1: did that. You mean, tell me he did what he said?

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Speaker 1: A joke about her disease something she can't hip in

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Speaker 1: front of her husband. Boys, showed me that nigga. I

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Speaker 1: know he's six, say, three hundred and fifty pounds, built

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Speaker 1: like an action figure. I know that's a big nigga.

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Speaker 1: You for the brain guy and it's Chris Rock. Yeah

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Speaker 1: na na na yeah na na na ween. Never gonna

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Speaker 1: let Chris Rock gettle you feel me? So guess what

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Speaker 1: I'm gonna change this. I'm gonna and nobody probably I

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Speaker 1: wouldn't have anybody ever done that in his face like that.

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Speaker 1: Anything about her disease like that, you know, on the

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Speaker 1: internet to find it if if so. But he took

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Speaker 1: his speech. Let's let's see what he said by what

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Speaker 1: God is calling on me to do and be in

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Speaker 1: this world. Oh man. And before we do that, let

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Speaker 1: me say this too, congratulations on best lead actor. I

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Speaker 1: don't want to get sidetracked from the public scuff for

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Speaker 1: or anything, so I want to just say congratulations on

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Speaker 1: lead actor Chris Rocking the clips. I saw you did

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Speaker 1: a pretty good job in regards to hosting the event. Um,

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Speaker 1: I think comedy operates on that thin line wade offensive

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Speaker 1: or not offensive. Richard Williams was a fierce defender of

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Speaker 1: his family in this time in my life, in this moment,

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Speaker 1: I am overwhelmed by what God is calling on me

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Speaker 1: to do and be in this world. Making this film,

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Speaker 1: I got to protect are new Ellis, who was one

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Speaker 1: of the most the strongest, most delicate people I've ever met.

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Speaker 1: I got to protect Senaya and Demi, the two actresses

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Speaker 1: to play Venus and Serena. I'm being called on in

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Speaker 1: my life to love people and to protect people, and

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Speaker 1: to be a river to my people. As I told you,

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Speaker 1: it's nothing he's done. It has him in the circumstances

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Speaker 1: to do what we do. You got to be able

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Speaker 1: to take abuse, You gotta be able to have people

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Speaker 1: talk crazy about you. In this business, you gotta be

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Speaker 1: able to have people disrespecting you, and you gotta smile

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Speaker 1: and you gotta pretend like that's okay. But Richard Williams

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Speaker 1: and what I loved, thank you, Dae. Denzel said to

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Speaker 1: me a few minutes ago. He said, at your highest moment,

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Speaker 1: be careful. That's when the devil comes for you. So

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Speaker 1: that Dinze big Gang, gid with Denzel Washington ladies and

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Speaker 1: gentleman big game and give up. You know he's dealing

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Speaker 1: with informason. It's like, I want to be a vessel

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Speaker 1: for love. I want to say thank you to Venus

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Speaker 1: and Serena. I just said, I hope they didn't see

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Speaker 1: that on TV. I want to say thank you to

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Speaker 1: Venus and Serena and Attire William's family for entrusting me

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Speaker 1: with your story. That's what I want to do. I

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Speaker 1: want to be an ambassador of that kind of love

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Speaker 1: and care and concern. Um. I want to apologize to

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Speaker 1: the Academy. I want to apologize to my all, my

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Speaker 1: fellow nominees. Um, this is a beautiful moment and I'm

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Speaker 1: not I'm not I'm not crying winning an award. It's not.

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Speaker 1: It's not about winning an award. For me, It's about

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Speaker 1: being able to shine light on all of the people

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Speaker 1: tim And and Trevor and Zach and Senaya and Demi

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Speaker 1: and Angenue and the entire cast and crew of King

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Speaker 1: Richard and Venus and Serena, the entire William's family. Um,

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Speaker 1: art imitates life. I look like the crazy fatherless like

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Speaker 1: they said, I look like crazy father, just like they

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Speaker 1: said about Richard Williams. Um, but love will make you

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Speaker 1: do crazy things. Ladies in jail, there's Jada Picanos, my mother. UM,

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Speaker 1: A lot of this moment is really complicated for me.

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Speaker 1: But to to my mother, UM, she didn't want to

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Speaker 1: come out. She's had her knitting friend. She has a

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Speaker 1: knitting crew that she's saying, Philly watching watching with um. Uh,

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Speaker 1: I'm being able to love and care for my mother

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Speaker 1: and my family, my wife. UM, I'm taking up too

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Speaker 1: much time. Thank you for this honor, thank you for

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Speaker 1: this moment, and thank you on behalf of Richard and

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Speaker 1: or seeing the entire Williams family. UM, thank you. Hooking

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Speaker 1: Academy invites me back. Thank you. That dude is that

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Speaker 1: that dude is tired. Bro them ain't none of the

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Speaker 1: dude battles that the gain't got no end. The Gain

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Speaker 1: had no problem. Say that, man, they had no problems. Man,

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Speaker 1: you hear what he said. He said that he did.

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Speaker 1: He basically said what I just said. And I haven't

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Speaker 1: even saw these things, right, I'm just plugging it's in

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Speaker 1: the podcast. But he said what I basically said, Yo,

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Speaker 1: he come to protect. That's what he does, going to protect.

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Speaker 1: He never said, Yo, I got myself in this and

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Speaker 1: got to do my best at getting out. It's like, Yo,

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Speaker 1: they are attacking her now. I don't care what she

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Speaker 1: said about what we do in our private life. You're

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Speaker 1: not gonna attack her. Desis like I just he just

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Speaker 1: had enough And I know he know, man, what they

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Speaker 1: just put at risk or the gamble that that was.

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Speaker 1: He didn't know in that moment. Okay, in that moment,

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Speaker 1: but after that, I know he's digesting, Like, Yo, that

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Speaker 1: was just a moment. It aligned our coach. Our coach

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Speaker 1: is aligned with not the this, not you know, publicly

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Speaker 1: embarrassing and all of that, because I know that side

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Speaker 1: of the media is gonna come about the public embarrassment

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Speaker 1: and this and that and that and this. But I

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Speaker 1: would always tell them to reference hash tag protect black women,

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Speaker 1: and I think the lines become blurred because now the

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Speaker 1: things that happened in the metaverse are affecting the universe

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Speaker 1: something saying, so we gotta dance in between those and

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Speaker 1: will just as Yo, feel like he under attacked for

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Speaker 1: things he ain't even contributed to, you understand, and hey,

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Speaker 1: I feel him, I feel him, And so we'll probably

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Speaker 1: talk about it next week from a different standpoint. But

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Speaker 1: it literally just happened right now. So I wanted to

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Speaker 1: plug this in. Let's get to the rest of the show.

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Speaker 1: Of course, you know, when you're dealing with me, I

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Speaker 1: watch a lot of things, right, So this week I've

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Speaker 1: been watching interviews because I got a big interview coming

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Speaker 1: up with some relationship kind of people, right, So I've

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Speaker 1: been kind of watching interviews with people who are big

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Speaker 1: in that space to good rules in that space. And

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Speaker 1: I was interested in something because every time I see

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Speaker 1: some of these guys, and for me, communication is so important.

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Speaker 1: So I don't just listen to people and say, Yo,

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Speaker 1: there they're just talking. I listen to how they're crafting

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Speaker 1: it up, right, because words are important, and understanding those

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Speaker 1: words are even more important than that. Right. So when

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Speaker 1: they're talking, I'm listening to him and I'm trying to

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Speaker 1: figure out, Okay, where you going with this, and Heigh's

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Speaker 1: crafting it up. And what I'm noticing it what a

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Speaker 1: lot of those relationship people is. And you guys, tell

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Speaker 1: me what you think. But what I'm noticing is that

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Speaker 1: they are not They don't call their wife their wife, right,

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Speaker 1: they call about her name. Let's just say her name's Nikki,

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Speaker 1: and Nick is my wife, and Nick is beautiful, and

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Speaker 1: she's a millionaire. And Nick is a kind of girl

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Speaker 1: that blow your mind in every sense of the word. Right,

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Speaker 1: Nick is one of the things that he worked hard,

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Speaker 1: in his opinion, to obtain when he speaks about her. Right.

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Speaker 1: So let's say he's in a conversation, all of them

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Speaker 1: do this, and I think that doing that because maybe

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Speaker 1: there's a possession kind of connotation attached to saying my wife.

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Speaker 1: Because see why I'm from. You got women that they

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Speaker 1: don't even call they dude by their name. That's my man,

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Speaker 1: my husband, my husband, my man, my dude, my man,

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Speaker 1: my husband. That's how they They don't say terrel or

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Speaker 1: or or alex or Todd or Jason they don't. They

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Speaker 1: don't say that. They say my man or my husband,

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Speaker 1: my dude. Right, So when I'm listening to them talk

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Speaker 1: and they say, well, me and Terrel or me and

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Speaker 1: Tamika or me and Tad, was you know, working so

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Speaker 1: hard are trying to? Sometimes I'm lost. I'm like, who's Nikki.

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Speaker 1: By the context of the conversation, I'm able to put

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Speaker 1: together that he's talking about his wife, and I'm like, oh,

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Speaker 1: so he don't. He didn't say my wife. And I'm

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Speaker 1: just wondering, what is that about? Do women feel like

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Speaker 1: that comes off as possessive if you say my wife

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Speaker 1: or my husband? Like that was just interesting, interesting to me,

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Speaker 1: and I wanted to run that of cross y'all before

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Speaker 1: we get into the show. The first thing we're gonna

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Speaker 1: get into the day though, it's t I. T I

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Speaker 1: sat with No Jumper and he said a few things.

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Speaker 1: Shout out no Jumper again. When you know, when when

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Speaker 1: when you know certain things about the space, you view

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00:26:41,240 --> 00:26:43,639
Speaker 1: it in a certain way, Right, So I imagine Tia

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00:26:43,720 --> 00:26:48,560
Speaker 1: to be approach with certain deals and approach with certain opportunities.

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Speaker 1: That makes him preview to kind of how the business works.

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Speaker 1: And he said some disparaging things about his experience with podcasting,

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Speaker 1: and he can definitely have that, and I just want

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Speaker 1: to come and examine what it's like to be in

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Speaker 1: this space, you know, and how it feels. But before

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Speaker 1: we get to that, he also said something, and we

393
00:27:13,320 --> 00:27:17,240
Speaker 1: hear the same song from different artists, right, he said

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00:27:17,320 --> 00:27:20,800
Speaker 1: that he didn't own Family Hustle. Let's hear what he's

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Speaker 1: Let's hear what he said on No Jump, I create

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Speaker 1: something new. I don't see myself more so. I don't

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00:27:27,920 --> 00:27:33,560
Speaker 1: see myself as much as a rapper than I do

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00:27:33,760 --> 00:27:38,720
Speaker 1: a builder of brands, like I create IPAs, you know

399
00:27:38,720 --> 00:27:43,280
Speaker 1: what I mean. I build ipeas and I leverage the

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00:27:43,400 --> 00:27:48,200
Speaker 1: success of those IPAs for money. And I maintained ownership

401
00:27:48,240 --> 00:27:51,239
Speaker 1: of those ipeas except for Family Hustle. I fucked up

402
00:27:51,240 --> 00:27:53,840
Speaker 1: on that when they caught me slipping. So what um

403
00:27:54,400 --> 00:27:58,480
Speaker 1: yeah yeah, yeah, yeah yeah, Vico on that. That's cool though, Yeah,

404
00:28:00,440 --> 00:28:02,600
Speaker 1: because I was getting out of prison, you know what

405
00:28:02,600 --> 00:28:04,800
Speaker 1: I mean. And for me, I didn't think it. I

406
00:28:04,840 --> 00:28:06,480
Speaker 1: didn't see it being so big. I saw it as

407
00:28:06,480 --> 00:28:09,800
Speaker 1: like a commercial for people to see something other than

408
00:28:10,520 --> 00:28:13,439
Speaker 1: the guy who went back to prison. So that was

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Speaker 1: it was sort of like a It was a an

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Speaker 1: image of re rebranding, representing of you did what I'm saying.

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Speaker 1: And once it worked like that, you know the deal

412
00:28:26,280 --> 00:28:29,880
Speaker 1: was already kind done and I didn't. I just didn't.

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Speaker 1: I didn't see that one. You didn't know you're gonna

414
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Speaker 1: still be thinking about it. I was thinking about it exactly.

415
00:28:35,119 --> 00:28:40,280
Speaker 1: I had no way of fathoming what these young people

416
00:28:40,400 --> 00:28:45,320
Speaker 1: and Tamika would would would you know, put on screen

417
00:28:45,480 --> 00:28:49,720
Speaker 1: to add to what I already had and kind compensate

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Speaker 1: for what I was, what I had missing. I never

419
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Speaker 1: could have imagined that. So they caught me shlippers. The

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Speaker 1: number one thing I want to get your perspective on

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Speaker 1: it is like, so as hear him say that, and

422
00:29:01,000 --> 00:29:03,600
Speaker 1: as we heard Steve Harvey earn your leaves your last

423
00:29:03,640 --> 00:29:09,000
Speaker 1: week speak about how America's got talent, basically kind of

424
00:29:09,840 --> 00:29:14,920
Speaker 1: got his idea, got him out of there, hired all

425
00:29:14,920 --> 00:29:19,120
Speaker 1: the people from his first season, and package that in

426
00:29:19,200 --> 00:29:22,880
Speaker 1: the way where it was sellable. See, when you get

427
00:29:22,880 --> 00:29:25,320
Speaker 1: further than this game, you say, oh, it ain't about

428
00:29:25,360 --> 00:29:28,960
Speaker 1: telling us about how all this shit is packaged. It's

429
00:29:29,000 --> 00:29:31,200
Speaker 1: about how it's packaged. What do you do for the

430
00:29:31,280 --> 00:29:35,840
Speaker 1: game right, what do you add to the algorithm. Don't

431
00:29:35,840 --> 00:29:38,760
Speaker 1: nobody care about how good you can talk, how many

432
00:29:38,840 --> 00:29:43,760
Speaker 1: views you got? What do you add to the algorithm? Right?

433
00:29:44,240 --> 00:29:47,520
Speaker 1: And then it becomes an add conversation. Are you radioactive?

434
00:29:47,560 --> 00:29:50,880
Speaker 1: What happens with that? Right? So all these things you

435
00:29:50,920 --> 00:29:55,040
Speaker 1: gotta you gotta consider. But we hear something about pioneers

436
00:29:55,080 --> 00:30:01,480
Speaker 1: speak about not owning. I p see I. I negotiate

437
00:30:01,560 --> 00:30:06,360
Speaker 1: from a position of not wanting no money, no upfront money. Right,

438
00:30:06,880 --> 00:30:12,400
Speaker 1: And that's that's how you negotiate and own something, if

439
00:30:12,400 --> 00:30:15,479
Speaker 1: you take a big chunk up front, like you hear

440
00:30:15,520 --> 00:30:18,720
Speaker 1: a rapper say, I ain't dropping nothing else till I

441
00:30:18,760 --> 00:30:21,520
Speaker 1: get advanced. He putting himself more and more in debt.

442
00:30:22,320 --> 00:30:24,960
Speaker 1: This is why I like that earn your leisure slogan,

443
00:30:25,080 --> 00:30:27,880
Speaker 1: or that slogan that comes from from us or from

444
00:30:27,880 --> 00:30:32,560
Speaker 1: our culture. That earn your leisure heads. Right, assets over

445
00:30:32,640 --> 00:30:35,440
Speaker 1: liabilities When you think about it, niggas to protect their

446
00:30:35,480 --> 00:30:38,840
Speaker 1: liability and won't protect their ass sets. You gotta protect

447
00:30:38,920 --> 00:30:41,360
Speaker 1: your IP, You gotta protect what it is that you

448
00:30:41,480 --> 00:30:45,600
Speaker 1: call your business, what it is to keep your boat floating.

449
00:30:45,640 --> 00:30:49,440
Speaker 1: You gotta protect that nigga had they been in the

450
00:30:49,560 --> 00:30:54,120
Speaker 1: garage Nigga had fourteen thousand spots to put cars that

451
00:30:55,480 --> 00:31:00,760
Speaker 1: and won't do nothing to protect his assets. Nick got

452
00:31:00,800 --> 00:31:03,000
Speaker 1: all the insurance in the world on this house. Ain't

453
00:31:03,080 --> 00:31:07,400
Speaker 1: checked on the mental health, but see it ain't on us.

454
00:31:07,440 --> 00:31:09,720
Speaker 1: I think it's about we always searching for something that

455
00:31:09,840 --> 00:31:14,719
Speaker 1: look pretty old Benley old new Benley looked beautifull outside.

456
00:31:15,040 --> 00:31:17,720
Speaker 1: I better put insurance on this. And Paul, y'all, don't

457
00:31:17,800 --> 00:31:21,240
Speaker 1: let nobody drive get away from that. But the inside

458
00:31:21,280 --> 00:31:25,200
Speaker 1: of yourself you can't see, so you you just ignore

459
00:31:25,240 --> 00:31:29,640
Speaker 1: your mental health. But we gotta do a better job

460
00:31:29,640 --> 00:31:33,160
Speaker 1: at protecting the assets. And that's why information is so important.

461
00:31:33,200 --> 00:31:35,560
Speaker 1: That's why it's so important that I tap in every

462
00:31:35,600 --> 00:31:38,080
Speaker 1: week as I try to learn stuff from some of

463
00:31:38,120 --> 00:31:42,320
Speaker 1: the greatest minds that the culture has and abroad, because man,

464
00:31:42,360 --> 00:31:45,440
Speaker 1: I'm going outside the culture to grab some of this information,

465
00:31:47,160 --> 00:31:49,280
Speaker 1: kick it with some of these people. I'm going outside

466
00:31:49,280 --> 00:31:52,240
Speaker 1: the culture because I gotta bring it back and spread

467
00:31:52,280 --> 00:31:55,920
Speaker 1: the poorer job. You understand, and if you don't get that,

468
00:31:56,120 --> 00:31:58,680
Speaker 1: you ain't want to mind. It's a rough space to

469
00:31:58,720 --> 00:32:01,000
Speaker 1: be in because they say that on the negotiate with need.

470
00:32:01,120 --> 00:32:03,480
Speaker 1: But in that time it's like, all right, what are

471
00:32:03,520 --> 00:32:05,760
Speaker 1: you expecting? I just not getting out of jail. I

472
00:32:05,800 --> 00:32:07,719
Speaker 1: need defolk to look at me a certain way. Then

473
00:32:07,720 --> 00:32:09,920
Speaker 1: it's probably a check attest to it because they're paying

474
00:32:09,920 --> 00:32:15,600
Speaker 1: me like a worker. You get paid up front. The

475
00:32:15,640 --> 00:32:19,200
Speaker 1: workers get paid first, you know what I'm saying. The

476
00:32:19,280 --> 00:32:23,440
Speaker 1: back end is where the bosses get paid, and ownership

477
00:32:23,520 --> 00:32:26,120
Speaker 1: go with that, you know what I'm saying. So it's

478
00:32:26,120 --> 00:32:28,920
Speaker 1: just about can you hold on a little while. But

479
00:32:29,000 --> 00:32:31,720
Speaker 1: the thing about me and information is I'm addicted to

480
00:32:31,800 --> 00:32:34,880
Speaker 1: finding out how these things work, why they work that way,

481
00:32:35,200 --> 00:32:38,520
Speaker 1: who's doing the right thing, who's not? Who's talking like

482
00:32:38,640 --> 00:32:41,880
Speaker 1: they big dogs? But they relaming getting no money out

483
00:32:41,880 --> 00:32:45,080
Speaker 1: of this, And it's money in this, dude. It's showing

484
00:32:45,160 --> 00:32:48,840
Speaker 1: you it's money in this. You understand me. But first

485
00:32:48,880 --> 00:32:50,920
Speaker 1: of all, why you don't got a trade? More like

486
00:32:51,000 --> 00:32:54,240
Speaker 1: I had a guy right now? It's up. Their podcasts

487
00:32:54,280 --> 00:32:58,840
Speaker 1: popped up. So my lawyers reach out to me, Yo,

488
00:32:58,960 --> 00:33:03,040
Speaker 1: there's as up the podcast that just popped up. That's

489
00:33:03,120 --> 00:33:05,040
Speaker 1: not me. I don't know what that is. We gotta

490
00:33:05,080 --> 00:33:08,840
Speaker 1: hit him with a cease and this is boom, he

491
00:33:08,960 --> 00:33:11,840
Speaker 1: take it down. You know what I'm saying, but it's

492
00:33:11,840 --> 00:33:14,840
Speaker 1: certain things. You gotta hear your shit together in this business,

493
00:33:14,960 --> 00:33:18,160
Speaker 1: or it's gonna get took from me. Just interesting to

494
00:33:18,200 --> 00:33:20,400
Speaker 1: see some of the minds in the culture, right, and

495
00:33:20,440 --> 00:33:22,800
Speaker 1: how we maneuver through it, and what we get from it,

496
00:33:22,840 --> 00:33:26,280
Speaker 1: and how much we give to receive what on the

497
00:33:26,320 --> 00:33:28,440
Speaker 1: front end and what comes from the back end, how

498
00:33:28,520 --> 00:33:31,800
Speaker 1: we learn from each other. The information is no good

499
00:33:31,800 --> 00:33:35,720
Speaker 1: if only one man has it right. It's a reason

500
00:33:35,800 --> 00:33:40,280
Speaker 1: they started to print books and encyclopedias, and is because

501
00:33:40,320 --> 00:33:43,680
Speaker 1: the value is in how far the information can be spread,

502
00:33:44,400 --> 00:33:47,080
Speaker 1: how many people can you affect with the information, Not

503
00:33:47,200 --> 00:33:49,640
Speaker 1: that you the smartest and you got all the information.

504
00:33:50,000 --> 00:33:53,120
Speaker 1: Every time I go around, people are going to bluetooth mold.

505
00:33:54,160 --> 00:33:57,080
Speaker 1: A lot of people don't even get this. This person

506
00:33:57,120 --> 00:34:00,200
Speaker 1: at the podcast getting me. A lot of people people

507
00:34:00,240 --> 00:34:02,400
Speaker 1: don't get that because I'm not in that mold where

508
00:34:02,400 --> 00:34:04,920
Speaker 1: I'm firing. I'm firing, I'm chilling most of the time.

509
00:34:04,920 --> 00:34:09,000
Speaker 1: I'm just I'm cooling. I ain't doing, I'm just cooling them.

510
00:34:09,719 --> 00:34:13,280
Speaker 1: Certain environments like I was just in there with parlaying

511
00:34:13,280 --> 00:34:18,000
Speaker 1: in the aid the other day. Certain environments where it's

512
00:34:18,000 --> 00:34:20,640
Speaker 1: just niggas that we're just kicking it. I might something

513
00:34:20,719 --> 00:34:23,520
Speaker 1: just might in. I might go, I start going, you

514
00:34:23,560 --> 00:34:25,719
Speaker 1: know what I'm saying and giving game out. But other

515
00:34:25,760 --> 00:34:30,560
Speaker 1: times I'm just chilling man, and it's a different approaching it. Imagine,

516
00:34:30,680 --> 00:34:32,920
Speaker 1: aren't the writing a book and he kimp it in

517
00:34:32,960 --> 00:34:37,200
Speaker 1: his room? You know, we need to receive that. Trust me,

518
00:34:37,960 --> 00:34:43,160
Speaker 1: people going champion where they got the information from those

519
00:34:43,280 --> 00:34:46,360
Speaker 1: just running off instilling information and acting like it's them.

520
00:34:46,400 --> 00:34:49,320
Speaker 1: Don't worry about them. They're fall by the wayside soon.

521
00:34:50,680 --> 00:34:53,760
Speaker 1: Those we don't worry about. But those they're really really

522
00:34:53,800 --> 00:34:58,000
Speaker 1: putting real game and information out. People are gonna champion

523
00:34:58,000 --> 00:35:00,040
Speaker 1: where they got there that they look at the a

524
00:35:00,280 --> 00:35:02,680
Speaker 1: certain way. It's receipts affecting them in a way where

525
00:35:02,680 --> 00:35:05,400
Speaker 1: they want people to know about that. And so t

526
00:35:05,640 --> 00:35:08,680
Speaker 1: I was also on No Jumping. He spoke about podcasting.

527
00:35:08,760 --> 00:35:11,839
Speaker 1: You know, if anybody to speak about podcasting, I'm coming

528
00:35:11,880 --> 00:35:13,680
Speaker 1: to get some game about it. I want to speak

529
00:35:13,719 --> 00:35:17,120
Speaker 1: about it because I'm in it. I'm on it, and

530
00:35:17,200 --> 00:35:21,600
Speaker 1: the seven on my hat stands for seven figure deals

531
00:35:21,600 --> 00:35:26,960
Speaker 1: are better and I'm on the line with the guy

532
00:35:27,000 --> 00:35:29,399
Speaker 1: that getting money out of this game, were getting money

533
00:35:29,400 --> 00:35:34,399
Speaker 1: out of podcasting. It's money and podcasting if you do

534
00:35:34,440 --> 00:35:36,759
Speaker 1: it all right, you know, but you gotta know what

535
00:35:36,840 --> 00:35:38,920
Speaker 1: you're doing and you gotta know what you're up against.

536
00:35:38,920 --> 00:35:42,040
Speaker 1: But t I went on the no Jumper and said

537
00:35:42,080 --> 00:35:45,360
Speaker 1: some things about his experience with podcasting. Let's listen to

538
00:35:45,400 --> 00:35:50,960
Speaker 1: what he said. It's infinite, like there's always a million

539
00:35:51,000 --> 00:35:52,839
Speaker 1: different people to talk to and a million different things

540
00:35:52,840 --> 00:35:57,080
Speaker 1: to talk about, and not really now, I ain't like it.

541
00:35:57,160 --> 00:35:59,040
Speaker 1: I ain't like it. I like it for a week

542
00:35:59,200 --> 00:36:02,840
Speaker 1: or two really three, I feel like everybody it became

543
00:36:02,880 --> 00:36:05,319
Speaker 1: a job, like motherfucker like, Hey, I gotta read these ads,

544
00:36:05,320 --> 00:36:08,080
Speaker 1: gotta read these ads. Hey gotta be here this time. Hey,

545
00:36:08,160 --> 00:36:11,719
Speaker 1: you gotta man fu. I ain't got I'm talking abo

546
00:36:11,760 --> 00:36:15,319
Speaker 1: because I never got I never received the spoils that

547
00:36:15,520 --> 00:36:19,120
Speaker 1: came with it, right, I never really, I ain't never

548
00:36:19,200 --> 00:36:21,480
Speaker 1: get no money. How us to see other motherfuckers like

549
00:36:21,600 --> 00:36:26,320
Speaker 1: uh shit, Charlemagne and you and Joe Rogan and Gilly

550
00:36:26,320 --> 00:36:29,319
Speaker 1: and Wallow. I ain't never get that, right, you know.

551
00:36:29,560 --> 00:36:33,839
Speaker 1: It was just a bunch of motherfucking appointments. But I

552
00:36:33,880 --> 00:36:36,200
Speaker 1: had great conversation, I meant great people and I and

553
00:36:36,440 --> 00:36:39,239
Speaker 1: I feel like I enjoyed that part of it. I

554
00:36:39,320 --> 00:36:42,640
Speaker 1: enjoyed it while I was doing it, Yeah, like in

555
00:36:42,680 --> 00:36:45,040
Speaker 1: the moment of it. But when I get the call,

556
00:36:45,160 --> 00:36:50,080
Speaker 1: like what, man, ain't no money in that right? And

557
00:36:50,160 --> 00:36:52,799
Speaker 1: I had other visions that I felt like I could

558
00:36:52,880 --> 00:36:59,160
Speaker 1: be spending time. I got, like the craziest podcasting contract.

559
00:36:59,200 --> 00:37:01,600
Speaker 1: I think I remember talking to Ben Baller about how

560
00:37:01,680 --> 00:37:05,400
Speaker 1: much promotion is You didn't get some crazy contract. I

561
00:37:05,400 --> 00:37:08,239
Speaker 1: don't know what you mean, Like, what what crazy contract? Well,

562
00:37:08,280 --> 00:37:09,920
Speaker 1: you know you're hear about Joe Rogan getting one hundred

563
00:37:09,920 --> 00:37:13,919
Speaker 1: million dollars from small never happened. I never happened. I've

564
00:37:13,920 --> 00:37:17,439
Speaker 1: got no more than tens of thousands of dollars. Really, yes,

565
00:37:17,840 --> 00:37:19,680
Speaker 1: as a musician, the money seemed a little slow in

566
00:37:19,719 --> 00:37:23,919
Speaker 1: comparison with the amount of work and exposure that came

567
00:37:23,960 --> 00:37:26,760
Speaker 1: with it. Yeah, I mean thinking something like Joe Budden,

568
00:37:26,840 --> 00:37:29,719
Speaker 1: He's doing six hours a week through two different three

569
00:37:29,760 --> 00:37:32,279
Speaker 1: hour episodes of him just talking to his friends. You

570
00:37:32,400 --> 00:37:34,279
Speaker 1: love talking to your friends, but at a certain point

571
00:37:34,320 --> 00:37:36,000
Speaker 1: that's got to start feeling like a job, you know.

572
00:37:36,120 --> 00:37:38,879
Speaker 1: I mean, man, you gotta really love it to keep going.

573
00:37:38,960 --> 00:37:40,520
Speaker 1: I'm not saying I couldn't do it. Again or I

574
00:37:40,520 --> 00:37:42,799
Speaker 1: wouldn't do it again. I would love to continue to

575
00:37:42,840 --> 00:37:45,680
Speaker 1: have stimulating conversations with people that push the culture. For

576
00:37:45,840 --> 00:37:50,080
Speaker 1: wouldn't that matter to the generation. It's not the part

577
00:37:50,160 --> 00:37:54,439
Speaker 1: that I didn't like about it. I just, for one,

578
00:37:54,560 --> 00:37:55,799
Speaker 1: I think if I did it again, it would be

579
00:37:55,800 --> 00:37:58,359
Speaker 1: a panel. I think all of the best podcasts kind

580
00:37:58,360 --> 00:38:00,360
Speaker 1: of have you have people bouncing idea is off of

581
00:38:00,400 --> 00:38:03,160
Speaker 1: each other like drink champs. You know what I'm saying. Like,

582
00:38:03,320 --> 00:38:06,120
Speaker 1: if it's just me and the guests, that's more like

583
00:38:07,320 --> 00:38:11,480
Speaker 1: fucking sixty minutes some shit. You know what I'm saying.

584
00:38:11,480 --> 00:38:13,640
Speaker 1: It's a different thing that one on one I'm gonna

585
00:38:13,719 --> 00:38:17,440
Speaker 1: dig into your brain and just find out everything that

586
00:38:17,480 --> 00:38:20,319
Speaker 1: makes you chick. I mean that that was a very

587
00:38:20,400 --> 00:38:25,399
Speaker 1: formal way, you know when I think, be careful who

588
00:38:25,440 --> 00:38:28,200
Speaker 1: you're listening to when you're dealing with this amount of

589
00:38:28,239 --> 00:38:32,880
Speaker 1: motherfucking money. All right, be careful who you listen to

590
00:38:33,040 --> 00:38:36,440
Speaker 1: when you're dealing with this amount of money. Now, first

591
00:38:36,440 --> 00:38:40,279
Speaker 1: of all, all due respect that Adam, you're sitting there

592
00:38:40,320 --> 00:38:42,839
Speaker 1: saying that when you podcast more than I'm gonna send

593
00:38:42,880 --> 00:38:46,560
Speaker 1: itbody on the planet. That's number one, Number two teas

594
00:38:46,640 --> 00:38:50,239
Speaker 1: a brilliant mind. But it's interesting to me that there's

595
00:38:50,280 --> 00:38:53,640
Speaker 1: one thing that he failed to mention. Number One, Charlemagne

596
00:38:53,680 --> 00:38:59,040
Speaker 1: doesn't do podcasting, that's leading away. He's running the podcast network.

597
00:38:59,120 --> 00:39:03,680
Speaker 1: That's a little different, right with actively with several contracts

598
00:39:03,680 --> 00:39:07,400
Speaker 1: in motion, so that that's a little more lucrative position

599
00:39:07,440 --> 00:39:09,920
Speaker 1: to be in, and t I can definitely put himself

600
00:39:09,960 --> 00:39:12,319
Speaker 1: in that position if he wanted to. But if we

601
00:39:12,440 --> 00:39:14,800
Speaker 1: just ripped that away and set that to the side

602
00:39:14,800 --> 00:39:19,800
Speaker 1: and just speak to Charlemagne being paid for his podcast

603
00:39:19,880 --> 00:39:22,759
Speaker 1: and he's also does that right, So now when we

604
00:39:22,800 --> 00:39:24,719
Speaker 1: deal with the fruits of the label, one thing that

605
00:39:24,800 --> 00:39:27,640
Speaker 1: he failed to mention, especially when you deal with Wallow

606
00:39:27,640 --> 00:39:31,560
Speaker 1: and Gill is a unique case, but our culture has

607
00:39:31,600 --> 00:39:33,640
Speaker 1: that impact. I'm about to show you what this up

608
00:39:33,640 --> 00:39:37,160
Speaker 1: that podcast. Right, once these things are directed through the

609
00:39:37,239 --> 00:39:41,280
Speaker 1: right channels and the right conversations. I had put yourself

610
00:39:41,440 --> 00:39:43,960
Speaker 1: in a situation to get with an ad right, it's

611
00:39:44,000 --> 00:39:46,080
Speaker 1: it's just a way to do it, and we're about

612
00:39:46,120 --> 00:39:49,400
Speaker 1: to do it. But one thing that he failed to

613
00:39:49,440 --> 00:39:52,400
Speaker 1: mention about all those people is there's years of podcasting

614
00:39:52,480 --> 00:39:58,560
Speaker 1: involved in that. Rogan is ten eleven, twelve years in right,

615
00:39:58,600 --> 00:40:03,160
Speaker 1: Charlemagne been Alreadio ten twelve years. Gill and Wallow are

616
00:40:03,239 --> 00:40:06,719
Speaker 1: just they're crushing it over there with Boss Stood. Bass

617
00:40:06,719 --> 00:40:09,799
Speaker 1: Stood believes in them standing behind them. And also they're

618
00:40:09,960 --> 00:40:13,319
Speaker 1: they're they're there to give them the ads they're giving them. See,

619
00:40:13,360 --> 00:40:15,160
Speaker 1: this is another thing you can get in the ad

620
00:40:15,280 --> 00:40:18,399
Speaker 1: situation where they just don't give you ads. I look

621
00:40:18,440 --> 00:40:20,759
Speaker 1: at academics sometimes and I listen to a show, I

622
00:40:20,840 --> 00:40:24,200
Speaker 1: hear no ads that says to me, you gotta split there.

623
00:40:24,760 --> 00:40:27,520
Speaker 1: I know this, I know how the business works. So

624
00:40:27,920 --> 00:40:30,480
Speaker 1: if you gotta split and your whole show goes by

625
00:40:30,560 --> 00:40:33,200
Speaker 1: and there's no ads, that's a problem because you get

626
00:40:33,239 --> 00:40:36,320
Speaker 1: paid based on right when you see that bill board

627
00:40:36,360 --> 00:40:38,879
Speaker 1: that comes out of something that's a marketing and shit

628
00:40:39,000 --> 00:40:42,759
Speaker 1: happening that you are counting for somewhere down the line. Right.

629
00:40:43,040 --> 00:40:46,600
Speaker 1: But when you listen to Roguing, you hit AD on top.

630
00:40:46,800 --> 00:40:49,080
Speaker 1: When you listening to Rogan, you hit ten ads. You

631
00:40:49,120 --> 00:40:52,960
Speaker 1: gotta go through right quick. Then they're the plane somewhere

632
00:40:52,960 --> 00:40:56,600
Speaker 1: along the lines in there again there's another ten ads. Right,

633
00:40:56,719 --> 00:40:58,560
Speaker 1: that's the split you want to be and you want

634
00:40:58,600 --> 00:41:00,680
Speaker 1: the company to really, but put you in a p

635
00:41:00,880 --> 00:41:03,600
Speaker 1: if we're gonna play the ad game. Let's really give

636
00:41:03,600 --> 00:41:06,000
Speaker 1: me some ad reads and really get them in a

637
00:41:06,040 --> 00:41:09,759
Speaker 1: situation where I'm making money because that's what looks like

638
00:41:09,840 --> 00:41:12,279
Speaker 1: what Willow and Gilly is doing it. Then outside of that,

639
00:41:12,360 --> 00:41:14,680
Speaker 1: they're doing a whole bunch of other things, and that's

640
00:41:14,719 --> 00:41:19,239
Speaker 1: the blueprint of it. Joe Button was able to move

641
00:41:19,320 --> 00:41:21,359
Speaker 1: his fan base prior to the break up, a lot

642
00:41:21,400 --> 00:41:24,120
Speaker 1: of them on Patreon, so he gets a certain amount

643
00:41:24,160 --> 00:41:26,359
Speaker 1: of income just based on that every month, which I

644
00:41:26,400 --> 00:41:28,560
Speaker 1: think that's a good way to go about it as well.

645
00:41:28,640 --> 00:41:33,279
Speaker 1: From a video perspective, Drink Champs, they just crush it.

646
00:41:33,840 --> 00:41:36,680
Speaker 1: The game wants to come to Drink Champs like the

647
00:41:37,280 --> 00:41:40,960
Speaker 1: legends the people they do it. They want to come

648
00:41:40,960 --> 00:41:44,319
Speaker 1: to Dream Champs. When you deal with big facts, the

649
00:41:44,320 --> 00:41:47,160
Speaker 1: South want to come highlight them. They want to come

650
00:41:47,200 --> 00:41:49,759
Speaker 1: sit with Baby Jay, Scream and Bank. They want to

651
00:41:49,800 --> 00:41:54,360
Speaker 1: come down. Then give some game out eighty five South show,

652
00:41:56,080 --> 00:41:59,759
Speaker 1: killing it on the roll three four different facets of

653
00:41:59,800 --> 00:42:01,959
Speaker 1: the been and making a lot of money, earn your leaders.

654
00:42:02,000 --> 00:42:05,040
Speaker 1: You're killing it, making a lot of money. Two or

655
00:42:05,080 --> 00:42:09,120
Speaker 1: three deals from one show spin off, getting nineteen keys,

656
00:42:09,200 --> 00:42:11,720
Speaker 1: getting do this that in the third right it's dudes

657
00:42:11,840 --> 00:42:19,840
Speaker 1: killing it Andrew shows killing it from a podcast killing it.

658
00:42:19,880 --> 00:42:21,680
Speaker 1: But you gotta know the game to know what the

659
00:42:21,760 --> 00:42:24,359
Speaker 1: money that. I always say, you can have as much

660
00:42:24,400 --> 00:42:26,040
Speaker 1: dope as you want to if you stand on the

661
00:42:26,040 --> 00:42:28,880
Speaker 1: interstate's gonna be slow, but you gotta go to what

662
00:42:29,040 --> 00:42:33,040
Speaker 1: a band dough. You gotta know what a band ads

663
00:42:33,080 --> 00:42:36,000
Speaker 1: and what they're doing with the podcast ship. And when

664
00:42:36,040 --> 00:42:38,879
Speaker 1: I hear somebody like t I say something like that,

665
00:42:39,360 --> 00:42:41,840
Speaker 1: it lets me know he didn't have the information of

666
00:42:41,960 --> 00:42:44,360
Speaker 1: what to do with the celebrity in that space. And

667
00:42:44,440 --> 00:42:50,480
Speaker 1: it became frustrating, right what y'all doing with my brain

668
00:42:50,600 --> 00:42:53,480
Speaker 1: and my name? You heard them speak about the exposure.

669
00:42:53,560 --> 00:42:57,040
Speaker 1: That means that I'm being seen and heard a lot,

670
00:42:57,760 --> 00:43:01,080
Speaker 1: and I'm not sure I'm being paid, like the rate

671
00:43:01,160 --> 00:43:04,719
Speaker 1: of travel. But also when I'm dealing with tr thing

672
00:43:04,800 --> 00:43:07,040
Speaker 1: like all right, you've been rich for a long time

673
00:43:07,239 --> 00:43:13,040
Speaker 1: and we're dealing with tired legs. Everybody say, yo, let's

674
00:43:13,040 --> 00:43:14,880
Speaker 1: make it up the mountain. Man, you gotta make it

675
00:43:14,960 --> 00:43:18,759
Speaker 1: up the mountain. Then stand up and then put your

676
00:43:18,760 --> 00:43:20,680
Speaker 1: hands up. You ever seen it at the top of

677
00:43:20,680 --> 00:43:23,239
Speaker 1: the mountain? Do that that's on top of climb in

678
00:43:23,239 --> 00:43:28,359
Speaker 1: that mountain. You gotta do that right. So I don't

679
00:43:28,360 --> 00:43:31,640
Speaker 1: think that he's interested in the building process that it

680
00:43:31,680 --> 00:43:35,600
Speaker 1: takes to sustain some of these things that podcasts getting

681
00:43:35,600 --> 00:43:40,359
Speaker 1: off of you, you understand. I think that he's been

682
00:43:40,480 --> 00:43:43,560
Speaker 1: rich and being paid in a way in some of

683
00:43:43,560 --> 00:43:49,319
Speaker 1: these different areas that just like in common, you see

684
00:43:49,360 --> 00:43:52,400
Speaker 1: him hijack the process. He's used to hijacking the process

685
00:43:52,440 --> 00:43:55,719
Speaker 1: and things and then podcasting. That's some building that has

686
00:43:55,760 --> 00:43:58,480
Speaker 1: to happen. But once you build it, you're in a

687
00:43:58,480 --> 00:44:03,279
Speaker 1: powerful situation because you really have a media company if

688
00:44:03,320 --> 00:44:06,080
Speaker 1: you do it the right way. And it's an upstream battle,

689
00:44:06,120 --> 00:44:09,040
Speaker 1: it's an uphill thing. It ain't an see I'll understand

690
00:44:09,120 --> 00:44:11,239
Speaker 1: one thing that if you're going down here, that means

691
00:44:11,280 --> 00:44:15,280
Speaker 1: shit getting easier for you. So anytime things feel easy,

692
00:44:15,400 --> 00:44:17,719
Speaker 1: you might consider that you're going down. I need to

693
00:44:17,719 --> 00:44:20,960
Speaker 1: go upstream. The generational curses on the other side of

694
00:44:21,040 --> 00:44:23,960
Speaker 1: the information. The information is on the other side of

695
00:44:24,040 --> 00:44:27,399
Speaker 1: where they place me, right, So I'm hiding something where

696
00:44:27,440 --> 00:44:29,600
Speaker 1: I gotta get to the other side of that. But

697
00:44:29,680 --> 00:44:35,359
Speaker 1: see somebody like Brothers already broken that he's already been

698
00:44:35,480 --> 00:44:38,600
Speaker 1: able to raise his children in a situation behind a

699
00:44:38,719 --> 00:44:41,600
Speaker 1: gate and things like that. So that's not that you're

700
00:44:41,640 --> 00:44:44,239
Speaker 1: not enthused to build something in a way that some

701
00:44:44,400 --> 00:44:47,400
Speaker 1: of I keep telling your innovation comes from the middle

702
00:44:48,160 --> 00:44:52,040
Speaker 1: or the bottom. The ones that top, they can't. They

703
00:44:52,040 --> 00:44:55,000
Speaker 1: could benefit from the innovation if they place themselves in

704
00:44:55,040 --> 00:44:57,759
Speaker 1: a business situation to be able to do so, But

705
00:44:57,840 --> 00:44:59,960
Speaker 1: it's gonna come from the middle or the bottom, and they'

706
00:45:00,080 --> 00:45:02,400
Speaker 1: gonna never come from the top. As you dealing with

707
00:45:02,480 --> 00:45:06,000
Speaker 1: tired legs, I don't understanding podcasting, Loane, gotta go against

708
00:45:06,239 --> 00:45:10,400
Speaker 1: see how like Willow and Gilly, let's say them for instance,

709
00:45:12,560 --> 00:45:16,839
Speaker 1: everybody loved a podcasts. I love their podcast, right, so

710
00:45:16,880 --> 00:45:19,120
Speaker 1: I look at it, But I understand something, all right,

711
00:45:19,200 --> 00:45:22,200
Speaker 1: So in this space, dog I got, I'm looking for

712
00:45:22,200 --> 00:45:25,239
Speaker 1: the money, just like them. Right, So I'm saying, all right,

713
00:45:25,280 --> 00:45:27,480
Speaker 1: how do you compete with Willow and gillis? So now

714
00:45:27,480 --> 00:45:31,280
Speaker 1: I gotta compete with Willow, Gilling and Dirk, Willow, Gilli

715
00:45:31,400 --> 00:45:34,759
Speaker 1: and Kodak not from her. I'm just saying, this week

716
00:45:34,840 --> 00:45:38,759
Speaker 1: they're dropping their episode with dirt, I'm dropping my episode

717
00:45:38,800 --> 00:45:41,839
Speaker 1: with just me. I gotta find a way to how

718
00:45:41,880 --> 00:45:44,359
Speaker 1: to compete with that. So but gets what I know.

719
00:45:45,560 --> 00:45:48,000
Speaker 1: If a nigga just depending on that, which I know

720
00:45:48,080 --> 00:45:51,759
Speaker 1: they ain't. But if the people in front of you

721
00:45:51,760 --> 00:45:54,359
Speaker 1: are only depending on that status, you ain't got nothing

722
00:45:54,360 --> 00:45:59,000
Speaker 1: to worry about, because that means they no longer working.

723
00:46:00,200 --> 00:46:02,600
Speaker 1: You understand, if all they got left in front of

724
00:46:02,640 --> 00:46:06,799
Speaker 1: you is they status. You write where they had with telling,

725
00:46:06,920 --> 00:46:08,919
Speaker 1: You write where they had with the bidiness, You write

726
00:46:08,920 --> 00:46:11,440
Speaker 1: where they had with everything they got going, The only

727
00:46:11,480 --> 00:46:14,360
Speaker 1: thing they got left is status. Don't you worry about that,

728
00:46:14,560 --> 00:46:17,879
Speaker 1: especially if that's how they depending on. If they ain't

729
00:46:17,880 --> 00:46:20,400
Speaker 1: got no innovation involved with what they're doing, don't you

730
00:46:20,440 --> 00:46:25,239
Speaker 1: worry about their status? Being cool is fragile. There's an

731
00:46:25,239 --> 00:46:29,480
Speaker 1: old saying right, this says, and on his feet can

732
00:46:29,560 --> 00:46:32,400
Speaker 1: do more than an elephant on his back and heating

733
00:46:32,600 --> 00:46:38,440
Speaker 1: his own their back. Man, When all you motherfucking depending

734
00:46:38,520 --> 00:46:41,400
Speaker 1: on is your status on me, boy, you're doing underestimated

735
00:46:41,440 --> 00:46:46,040
Speaker 1: my ability to innovating this motherfucking space. Boy, you're nothing.

736
00:46:46,200 --> 00:46:50,480
Speaker 1: Underestimated the great one because I'm I'm placed in a

737
00:46:50,560 --> 00:46:55,640
Speaker 1: position where all I had was information. The budded pass

738
00:46:55,719 --> 00:46:59,840
Speaker 1: they didn't sell them. While we're from you had to

739
00:47:00,040 --> 00:47:02,680
Speaker 1: get the regular flight out of this motherfucker want no

740
00:47:02,800 --> 00:47:08,040
Speaker 1: buddet pass and unfortunate for them. I love to do this,

741
00:47:09,440 --> 00:47:11,520
Speaker 1: and that's where the problem comes in there for them,

742
00:47:11,520 --> 00:47:14,840
Speaker 1: because I just told you, if people are only depending

743
00:47:14,880 --> 00:47:17,000
Speaker 1: on their status ahead of you, my nigga, don't you

744
00:47:17,040 --> 00:47:24,239
Speaker 1: worry about that. I'm outwork to ea nigga. I'm gonna

745
00:47:24,239 --> 00:47:26,359
Speaker 1: get up earlier than any nigga. I'm gonna do more

746
00:47:26,400 --> 00:47:28,880
Speaker 1: than any nigga. I'm gonna give my people more. Because

747
00:47:28,960 --> 00:47:33,560
Speaker 1: what happens with a long form podcast right and I

748
00:47:33,600 --> 00:47:37,799
Speaker 1: watched it and I noticed for a fact is that

749
00:47:37,920 --> 00:47:39,920
Speaker 1: you lose a lot of your listeners right in an

750
00:47:39,960 --> 00:47:44,399
Speaker 1: hour one a week. At the week, you gain more

751
00:47:44,440 --> 00:47:53,160
Speaker 1: than went two hours in and now eight years from them,

752
00:47:53,320 --> 00:47:55,759
Speaker 1: you got all your real people that's with you, that

753
00:47:56,000 --> 00:47:58,440
Speaker 1: really doesn't listen, didn't know who you are and know

754
00:47:58,560 --> 00:48:01,960
Speaker 1: how you rock you building you begin with the end

755
00:48:02,000 --> 00:48:06,520
Speaker 1: of it, mine man, and podcasting. For me, it's weird

756
00:48:08,239 --> 00:48:10,680
Speaker 1: because I respect the game so much, and I've read

757
00:48:10,760 --> 00:48:13,280
Speaker 1: all these old books to four day Law, to power,

758
00:48:13,360 --> 00:48:16,680
Speaker 1: all these four agreements, these things that people read and

759
00:48:16,840 --> 00:48:20,000
Speaker 1: think that the geniuses as old game. You need to

760
00:48:20,120 --> 00:48:22,839
Speaker 1: update your game. That's an old game. Although it's still

761
00:48:22,840 --> 00:48:31,279
Speaker 1: a word and it's still impactful. It's still word. They

762
00:48:31,360 --> 00:48:37,040
Speaker 1: of a reading I'm reading right now again outliers, right,

763
00:48:37,080 --> 00:48:39,840
Speaker 1: So certain things you got to revisit once your status

764
00:48:39,840 --> 00:48:43,680
Speaker 1: and where your vision catches up with your understanding, and

765
00:48:43,719 --> 00:48:46,279
Speaker 1: so you revisit some of these things to replant some

766
00:48:46,360 --> 00:48:48,920
Speaker 1: of these seeds to make sure you understand. Because I understand,

767
00:48:49,040 --> 00:48:52,439
Speaker 1: loan your outlier and it will buy mistake. You got

768
00:48:52,440 --> 00:48:56,400
Speaker 1: good at this. This ship will buy mistake. But was

769
00:48:56,440 --> 00:48:59,560
Speaker 1: it by mistake because you got all these hours in

770
00:48:59,760 --> 00:49:02,480
Speaker 1: doing something that had nothing to do with this, but

771
00:49:02,600 --> 00:49:05,480
Speaker 1: had everything to do with this. This shit is kind

772
00:49:05,520 --> 00:49:09,719
Speaker 1: of weird, but that's That's another thing. In podcasting, I

773
00:49:09,920 --> 00:49:15,440
Speaker 1: understand position, not even in podcasting, in business, I understand position.

774
00:49:15,520 --> 00:49:19,480
Speaker 1: Just understanding position. It's primary for me because I understand.

775
00:49:19,560 --> 00:49:24,919
Speaker 1: Number one, people get offended when you when they think

776
00:49:24,960 --> 00:49:28,360
Speaker 1: you trying to outshine the master, right, and this is

777
00:49:28,440 --> 00:49:32,960
Speaker 1: for their law the power game. I think when people

778
00:49:33,000 --> 00:49:35,319
Speaker 1: get close to you and you seem to not be

779
00:49:35,440 --> 00:49:39,879
Speaker 1: subs subservient to whatever's happening, they may come off a

780
00:49:39,920 --> 00:49:42,840
Speaker 1: certain way. But I need to speak to the youngsters

781
00:49:42,840 --> 00:49:45,279
Speaker 1: out there that need the information or even the old heads,

782
00:49:45,360 --> 00:49:49,560
Speaker 1: even anybody that's in a space where it's competitive and

783
00:49:49,640 --> 00:49:52,919
Speaker 1: it's an uphill battlem I need to speak to y'all

784
00:49:52,920 --> 00:49:57,160
Speaker 1: because I need y'all to understand that just because you

785
00:49:57,280 --> 00:50:02,480
Speaker 1: leave the race don't mean you win the race. Now,

786
00:50:02,680 --> 00:50:05,640
Speaker 1: you might have to work harder than your than the

787
00:50:05,719 --> 00:50:07,680
Speaker 1: people that's ahead of you. You may have to go

788
00:50:07,800 --> 00:50:10,360
Speaker 1: further than them. You may have the book, hotels that

789
00:50:10,440 --> 00:50:14,560
Speaker 1: they may would never sleep in to get it done.

790
00:50:16,200 --> 00:50:18,759
Speaker 1: But one thing for show, two things for certain that

791
00:50:18,840 --> 00:50:21,200
Speaker 1: if you just go get it done, you're gonna make

792
00:50:21,280 --> 00:50:23,480
Speaker 1: You're gonna be on the other side or the losers.

793
00:50:23,960 --> 00:50:27,320
Speaker 1: But even in podcasting, I understand position. I tell myself,

794
00:50:27,320 --> 00:50:29,759
Speaker 1: just because you leave the race don't don't mean you

795
00:50:29,800 --> 00:50:32,920
Speaker 1: win the race. Loan, just keep swimming. Head down, Just

796
00:50:33,000 --> 00:50:35,719
Speaker 1: keep swimming, Just keep swimming. They're gonna they're gonna say

797
00:50:35,719 --> 00:50:38,080
Speaker 1: you lose it. You're losing real bad. Don't look like

798
00:50:38,160 --> 00:50:41,600
Speaker 1: you never can win. Head down, keep swimming. Don't look

799
00:50:41,640 --> 00:50:44,080
Speaker 1: like they're gonna let you. Boy, they killing y'all there.

800
00:50:44,239 --> 00:50:48,560
Speaker 1: Head down, Keep swimming, We don't him. Head down, Keep swimming,

801
00:50:48,600 --> 00:50:51,600
Speaker 1: eyes on your own paper, keep swimming, because I know

802
00:50:51,640 --> 00:50:53,600
Speaker 1: we're dealing with a new industry and I know we're

803
00:50:53,600 --> 00:50:56,760
Speaker 1: dealing with a new space. And guess what that says

804
00:50:56,800 --> 00:50:59,840
Speaker 1: to me that these things are process. But the people

805
00:50:59,880 --> 00:51:05,000
Speaker 1: ahead of you, and I'm speaking of big companies, the

806
00:51:05,160 --> 00:51:08,400
Speaker 1: big companies right in this space, the people ahead of you,

807
00:51:08,440 --> 00:51:10,640
Speaker 1: and want you to believe there ain't no need you're

808
00:51:10,640 --> 00:51:13,160
Speaker 1: coming on the other side. Ain't nothing there for you.

809
00:51:13,160 --> 00:51:18,800
Speaker 1: You're too far behind. But I understand process. They're convinced

810
00:51:18,840 --> 00:51:22,200
Speaker 1: you that because they leading the race, that they already won.

811
00:51:22,320 --> 00:51:26,160
Speaker 1: And that's not true. Head down, keep swimming. It's almost

812
00:51:26,200 --> 00:51:33,680
Speaker 1: like Christopher Columbus or whoever they said, discover America or

813
00:51:33,680 --> 00:51:39,760
Speaker 1: whatever story that they tell us or what they teach us. Again,

814
00:51:39,840 --> 00:51:43,560
Speaker 1: I've heard several different stories that that wasn't the case.

815
00:51:43,640 --> 00:51:46,200
Speaker 1: But again, let's set that to the side and just

816
00:51:46,280 --> 00:51:49,440
Speaker 1: deal with the analogy of Hey, some of these podcast

817
00:51:49,520 --> 00:51:52,160
Speaker 1: guys were just here earlier. They just or the Christopher

818
00:51:52,200 --> 00:51:56,120
Speaker 1: Columbuss of this space, and so why it seems they

819
00:51:56,160 --> 00:51:59,120
Speaker 1: may have started this so they may have won. Boy,

820
00:51:59,200 --> 00:52:02,239
Speaker 1: we look up and I think the more important thing

821
00:52:02,440 --> 00:52:05,080
Speaker 1: is the three hundred four hundred years of free labor

822
00:52:05,160 --> 00:52:10,319
Speaker 1: that they got, not them in Christopher Columbus, but them

823
00:52:10,640 --> 00:52:13,360
Speaker 1: in whoever put the structure in place, because them the

824
00:52:13,400 --> 00:52:15,680
Speaker 1: guys who won. So now we're in a new industry.

825
00:52:15,920 --> 00:52:18,960
Speaker 1: My things. I need to be responsible for putting some

826
00:52:19,080 --> 00:52:23,760
Speaker 1: innovation in place right in this space, because fix a problem,

827
00:52:24,760 --> 00:52:27,600
Speaker 1: figure it out, fix a problem. But some people look

828
00:52:27,640 --> 00:52:30,239
Speaker 1: at it and they teach They teach you that the

829
00:52:30,280 --> 00:52:33,000
Speaker 1: most important thing, or it's even more important when you

830
00:52:33,080 --> 00:52:37,680
Speaker 1: deal with Christopher Columbus, because he discovered America. He was

831
00:52:37,719 --> 00:52:40,640
Speaker 1: the first one to realize that this land was a

832
00:52:40,840 --> 00:52:44,879
Speaker 1: land that we can use for something. When you ask

833
00:52:45,000 --> 00:52:48,560
Speaker 1: Loan Loan, say, the more important story of that time

834
00:52:48,719 --> 00:52:51,839
Speaker 1: was the four hundred years of free working that you got.

835
00:52:55,600 --> 00:52:58,879
Speaker 1: And then this new podcast in space it's the same thing.

836
00:53:00,160 --> 00:53:02,640
Speaker 1: It's a different thing from who discovered that this was

837
00:53:02,680 --> 00:53:06,080
Speaker 1: a beautiful place to make money? And who're gonna be

838
00:53:06,120 --> 00:53:09,480
Speaker 1: the people to put destruction in place? Who're gonna be

839
00:53:09,520 --> 00:53:14,640
Speaker 1: the people that eat off this ship? And they won't

840
00:53:14,640 --> 00:53:17,080
Speaker 1: work us this time for four hundred years before we

841
00:53:17,120 --> 00:53:18,759
Speaker 1: figure out how to get some money out of this.

842
00:53:18,800 --> 00:53:21,680
Speaker 1: It's not even I mean, not me, but even in

843
00:53:21,719 --> 00:53:26,360
Speaker 1: this space. You gotta build this out, You gotta build

844
00:53:26,360 --> 00:53:29,280
Speaker 1: this out, So you gotta be innovative in your approach. Again,

845
00:53:29,320 --> 00:53:31,719
Speaker 1: if they only depending on status, you ain't got nothing

846
00:53:31,760 --> 00:53:34,279
Speaker 1: to worry about. Because there's some people on the other

847
00:53:34,320 --> 00:53:37,920
Speaker 1: side that that's innovative with what they're doing. They approach

848
00:53:37,960 --> 00:53:41,279
Speaker 1: ain't nothing like. No, hey man, we depending on See

849
00:53:41,280 --> 00:53:43,640
Speaker 1: I always tell people when I'm in these means, your

850
00:53:43,680 --> 00:53:46,680
Speaker 1: wain't depending on these guys to come. And they name

851
00:53:46,800 --> 00:53:49,480
Speaker 1: to be hot old though. We're gonna participate in that too.

852
00:53:49,520 --> 00:53:52,080
Speaker 1: I know they hope I don't because if I don't,

853
00:53:52,360 --> 00:53:54,640
Speaker 1: then they can always say they're bigger than me because

854
00:53:54,640 --> 00:53:57,160
Speaker 1: the hottest niggas come right at that time. So I'm

855
00:53:57,200 --> 00:54:00,239
Speaker 1: gonna get in that ball field as well. But I

856
00:54:00,280 --> 00:54:03,799
Speaker 1: know it's more about the conversation this head. I know

857
00:54:03,880 --> 00:54:06,240
Speaker 1: it's more about what we're talking about, how we're getting

858
00:54:06,239 --> 00:54:08,959
Speaker 1: to the information, what's really coming out of this. That's

859
00:54:09,000 --> 00:54:12,320
Speaker 1: what it's about. And then you gotta mix entertainment in

860
00:54:12,520 --> 00:54:15,080
Speaker 1: with that. Put the medicine in the can, then make

861
00:54:15,120 --> 00:54:18,480
Speaker 1: sure that you do it's two. It's a lot, and

862
00:54:18,600 --> 00:54:20,399
Speaker 1: that's why you hit t I say it ain't worth

863
00:54:20,440 --> 00:54:22,319
Speaker 1: it because it's heavy for him. He hasn't done this

864
00:54:22,400 --> 00:54:26,400
Speaker 1: for route, I've done this in TV. You know what

865
00:54:26,400 --> 00:54:28,360
Speaker 1: I'm saying. You haven't done this a few times. But

866
00:54:29,080 --> 00:54:31,680
Speaker 1: don't worry it. Don't worry a rope, figure it out.

867
00:54:33,280 --> 00:54:41,760
Speaker 1: Let me speak about this. Kanye was again I always

868
00:54:41,760 --> 00:54:46,200
Speaker 1: tell you guys, I gotta watch how everything happens in

869
00:54:46,200 --> 00:54:48,520
Speaker 1: this space, man. Just like the Joe Rogan thing with

870
00:54:48,560 --> 00:54:51,680
Speaker 1: the cancer culture, I viewed Kanye in the same way

871
00:54:51,719 --> 00:54:54,320
Speaker 1: in regards to saying, Yo, I gotta watch highs happening

872
00:54:54,400 --> 00:54:58,680
Speaker 1: around here, because everything that happens in your industry, it's

873
00:54:58,719 --> 00:55:03,480
Speaker 1: soon to happen to you. I'm not naive to those expectations.

874
00:55:03,800 --> 00:55:06,640
Speaker 1: I understand that we are in a game that and

875
00:55:06,760 --> 00:55:09,040
Speaker 1: any point you can be a victim of the things

876
00:55:09,080 --> 00:55:13,319
Speaker 1: that you have been a supporter of. And so for me, man,

877
00:55:13,400 --> 00:55:19,279
Speaker 1: it's always tricky, slippery riding through and coming through this

878
00:55:19,360 --> 00:55:22,640
Speaker 1: game with giving your opinion and information and trying to

879
00:55:22,680 --> 00:55:26,720
Speaker 1: speak with or in a way that's not offensive but informative.

880
00:55:27,880 --> 00:55:31,240
Speaker 1: And so it's a thin line between offensive and informative,

881
00:55:31,360 --> 00:55:35,759
Speaker 1: especially when you have opposite ideas. And so for me,

882
00:55:35,840 --> 00:55:38,640
Speaker 1: I think it's important to see what the world at

883
00:55:38,719 --> 00:55:42,640
Speaker 1: this point wants to do with bad ideas. So a

884
00:55:42,640 --> 00:55:45,480
Speaker 1: lot of these things don't harm people that bad ideas

885
00:55:45,560 --> 00:55:48,080
Speaker 1: right now, I think that when we deal with each

886
00:55:48,080 --> 00:55:51,319
Speaker 1: other's family, let's take that off the table and only

887
00:55:51,360 --> 00:55:54,040
Speaker 1: consider some of these other things, although I think they

888
00:55:54,040 --> 00:55:59,520
Speaker 1: are ineffective at worst. I think that bad ideas. When

889
00:55:59,520 --> 00:56:03,480
Speaker 1: we're dealing with Kanye West right sometime, his approach is

890
00:56:03,520 --> 00:56:06,520
Speaker 1: the juice worth the squeeze. I always ask, yo, is

891
00:56:06,560 --> 00:56:11,840
Speaker 1: what Kanye doing? Is it effective or is it ineffective?

892
00:56:12,960 --> 00:56:16,879
Speaker 1: I know it's unconventional, but is it working? At some point,

893
00:56:16,920 --> 00:56:19,480
Speaker 1: I think I'm gonna have a few bad ideas myself,

894
00:56:20,640 --> 00:56:25,040
Speaker 1: not intentionally, but I think this is a human being attribute.

895
00:56:25,120 --> 00:56:28,359
Speaker 1: I think this is a human being characteristic and so yeah,

896
00:56:28,360 --> 00:56:32,200
Speaker 1: I'm watching what they do with people with bad ideas. Kanye'

897
00:56:32,200 --> 00:56:35,799
Speaker 1: is worth billions of dollars. I'm also watching what they're

898
00:56:35,800 --> 00:56:39,000
Speaker 1: doing with the African American, one of my sisters over

899
00:56:39,040 --> 00:56:44,719
Speaker 1: in Russia. I think there hasn't been enough coverage on that.

900
00:56:44,840 --> 00:56:47,400
Speaker 1: I think we have said that to the side of me,

901
00:56:47,480 --> 00:56:50,719
Speaker 1: including and I apologize publicly for that. I gotta get it.

902
00:56:50,760 --> 00:56:52,719
Speaker 1: I gotta get a segment on that, and I'm gonna

903
00:56:52,760 --> 00:56:56,480
Speaker 1: do that. But I'm dealing with Kanye and the cancel

904
00:56:56,600 --> 00:56:59,200
Speaker 1: culture thing right now. When I say to myself, Loan,

905
00:57:00,719 --> 00:57:02,759
Speaker 1: you know, at some point you're gonna say something that

906
00:57:02,840 --> 00:57:05,080
Speaker 1: someone's gonna paint in a way and you're gonna be

907
00:57:05,120 --> 00:57:07,360
Speaker 1: on the other side of what they're talking about it,

908
00:57:07,360 --> 00:57:10,040
Speaker 1: and it ain't gonna be favorable for you. You talk

909
00:57:10,080 --> 00:57:12,040
Speaker 1: a whole lot, So it's gonna be a point where

910
00:57:12,040 --> 00:57:14,200
Speaker 1: they're gonna be able to paint you or try to

911
00:57:14,520 --> 00:57:18,880
Speaker 1: in a way that they the best, and it misrepresents

912
00:57:18,920 --> 00:57:21,520
Speaker 1: what the point that you was trying to make any

913
00:57:22,160 --> 00:57:25,680
Speaker 1: removes context, but that don't change the fact that you

914
00:57:25,760 --> 00:57:30,360
Speaker 1: gotta deal with it. So your motherfucking right, my eyes

915
00:57:30,440 --> 00:57:32,600
Speaker 1: open with how they do Kanye West when they want

916
00:57:32,640 --> 00:57:36,800
Speaker 1: them to shut up, how to label won't meet meal

917
00:57:36,880 --> 00:57:39,160
Speaker 1: to shut up? What they do all you see how

918
00:57:39,160 --> 00:57:41,520
Speaker 1: they've done the last album because he won't shut up.

919
00:57:44,480 --> 00:57:46,520
Speaker 1: How do people do when they when they want you

920
00:57:46,560 --> 00:57:49,560
Speaker 1: to not say nothing, to just sit there and be quiet.

921
00:57:49,600 --> 00:57:52,200
Speaker 1: You damn right, I'm watching that. I know if my

922
00:57:52,320 --> 00:57:55,320
Speaker 1: neighbor coming, tell me, yo, they're still in Amazon packages.

923
00:57:55,560 --> 00:57:58,240
Speaker 1: They got me for two just today. I know that

924
00:57:58,320 --> 00:58:01,000
Speaker 1: it's a chance one of my packages may come up missing,

925
00:58:01,160 --> 00:58:04,840
Speaker 1: and we neighbors in this space. You black, I'm black.

926
00:58:04,880 --> 00:58:07,760
Speaker 1: We're looking at money. We're trying to evolve and understand

927
00:58:07,840 --> 00:58:10,600
Speaker 1: how to be innovative and fix a problem, because the

928
00:58:10,680 --> 00:58:12,840
Speaker 1: only way they're gonna let us get money is we

929
00:58:12,920 --> 00:58:15,480
Speaker 1: gotta fix a problem that they don't have patents on

930
00:58:15,600 --> 00:58:18,480
Speaker 1: because they're pattns shit before it even become a problem.

931
00:58:20,240 --> 00:58:24,080
Speaker 1: So they're whoop us after we've innovated something, and oh

932
00:58:24,200 --> 00:58:27,200
Speaker 1: we own that? How you own that? With this contract

933
00:58:27,200 --> 00:58:30,920
Speaker 1: speaks to any spinoff that has anything to do like, yo, bro,

934
00:58:31,040 --> 00:58:34,800
Speaker 1: shit is crazy. So we gotta be extremely innovative in

935
00:58:34,880 --> 00:58:37,760
Speaker 1: our approach. I think Kanye should get with a major

936
00:58:38,640 --> 00:58:41,160
Speaker 1: media outlet. I know he's gonna build one up, he

937
00:58:41,240 --> 00:58:42,920
Speaker 1: got the money to build one up. But I think

938
00:58:42,920 --> 00:58:45,720
Speaker 1: he should get what a revote like he should give

939
00:58:45,760 --> 00:58:48,080
Speaker 1: what a revote or something like that that's able to

940
00:58:48,120 --> 00:58:51,920
Speaker 1: really really really give him those outlets on a major

941
00:58:52,040 --> 00:58:55,280
Speaker 1: level like that, you know, because what's gonna happen, or

942
00:58:55,320 --> 00:58:58,320
Speaker 1: what's happening is is he has no fighting power back

943
00:59:00,320 --> 00:59:02,440
Speaker 1: like a motherfucking for him on the internet. When we

944
00:59:02,560 --> 00:59:05,960
Speaker 1: can like when he just ain't super wrong we're fighting

945
00:59:06,000 --> 00:59:07,760
Speaker 1: for him on the internet, but he got to get

946
00:59:07,760 --> 00:59:11,840
Speaker 1: with a powerhouse that's able to get that out there. All.

947
00:59:11,880 --> 00:59:16,040
Speaker 1: We gotta be a one us up It's up there podcast.

948
00:59:16,080 --> 00:59:19,480
Speaker 1: We gotta build something up to whatnot. They gotta respect

949
00:59:19,600 --> 00:59:22,000
Speaker 1: us in mainstream media on here. That's why you don't

950
00:59:22,040 --> 00:59:24,080
Speaker 1: see me on my show doing a whole bunch of

951
00:59:24,160 --> 00:59:27,200
Speaker 1: drinking or nothing, because I know, hey, yo, I gotta

952
00:59:27,240 --> 00:59:29,280
Speaker 1: go Bay to sit down with certain people. They gotta

953
00:59:29,360 --> 00:59:33,320
Speaker 1: view this in a certain way, and this serious business. Yeah,

954
00:59:33,320 --> 00:59:35,760
Speaker 1: this ain't just no talking and cussing loud and I'll

955
00:59:35,840 --> 00:59:39,200
Speaker 1: let we serious business talking on this side. So y'all

956
00:59:39,200 --> 00:59:42,480
Speaker 1: gotta respect that. But if he's gonna stay effective online,

957
00:59:42,480 --> 00:59:44,280
Speaker 1: he's gonna have to get with a powerhouse. But he

958
00:59:44,360 --> 00:59:46,959
Speaker 1: may switch it. It looks like he's switching. It looks

959
00:59:47,040 --> 00:59:49,360
Speaker 1: like he's saying, you know what, they suspending my account.

960
00:59:49,480 --> 00:59:52,240
Speaker 1: Fuck them people, I ain't getting back on this ship.

961
00:59:53,160 --> 00:59:55,280
Speaker 1: He might pop out with his own you never know,

962
00:59:55,440 --> 00:59:57,440
Speaker 1: or he might have took those couple days off and

963
00:59:57,480 --> 00:59:59,520
Speaker 1: been like, man, you know what, I'm doing too much

964
00:59:59,520 --> 01:00:02,720
Speaker 1: about this shit. This shit ain't really worth nothing. But

965
01:00:03,040 --> 01:00:05,760
Speaker 1: if you're a comedian and they start picking comedians up

966
01:00:05,760 --> 01:00:09,160
Speaker 1: and chopping their head, or you better understand that, man,

967
01:00:09,200 --> 01:00:13,680
Speaker 1: I'm somewhere on that list. Or because I'm a comedian,

968
01:00:13,760 --> 01:00:15,760
Speaker 1: I may fall on that list. So when they when

969
01:00:15,760 --> 01:00:18,720
Speaker 1: they deal with content creators a certain way, I got

970
01:00:18,720 --> 01:00:22,120
Speaker 1: the view and look and see what's happening over when

971
01:00:22,160 --> 01:00:24,640
Speaker 1: Steve Harvey said, man, they have my shit together and

972
01:00:25,000 --> 01:00:28,360
Speaker 1: America's got talent, or they run off with my shit.

973
01:00:30,160 --> 01:00:32,840
Speaker 1: When you hit t I say, yo, family hustle. I

974
01:00:32,840 --> 01:00:35,680
Speaker 1: didn't have nothing to do. Man, I got to be

975
01:00:35,760 --> 01:00:38,480
Speaker 1: paying attention cause I'm one of them. I'm one of

976
01:00:38,480 --> 01:00:41,120
Speaker 1: them dudes in this space creating shit. So it's important.

977
01:00:41,120 --> 01:00:44,120
Speaker 1: And that's that why I say the conversations so important,

978
01:00:44,120 --> 01:00:46,800
Speaker 1: because sometimes we will never speak to the people we affit.

979
01:00:47,880 --> 01:00:51,480
Speaker 1: I'm not gonna lie when you're dealing with your when

980
01:00:51,480 --> 01:00:56,160
Speaker 1: you're dealing with your your wife or your woman, you

981
01:00:56,240 --> 01:01:01,880
Speaker 1: put a lot into I expect some unconventional reactions to

982
01:01:03,920 --> 01:01:07,400
Speaker 1: You're going to get the complete opposite from me, and

983
01:01:07,480 --> 01:01:11,480
Speaker 1: it would weigh on me as a guy, in which

984
01:01:11,520 --> 01:01:16,840
Speaker 1: I think that probably would result in behavior unlike you

985
01:01:16,840 --> 01:01:20,080
Speaker 1: would expect from me, right, right or wrong or indifferent.

986
01:01:20,120 --> 01:01:22,920
Speaker 1: I'm not sure to depend on the circumstance, I think,

987
01:01:22,960 --> 01:01:29,480
Speaker 1: but Kanye has to be careful not to be canceled,

988
01:01:32,080 --> 01:01:34,600
Speaker 1: and we got to be careful that we don't let

989
01:01:34,600 --> 01:01:38,280
Speaker 1: them cancel Kanye, and not because we believe in what

990
01:01:38,400 --> 01:01:41,720
Speaker 1: Kanye says, but he is one of one of the

991
01:01:41,800 --> 01:01:44,880
Speaker 1: powerful ones that we have and one of our fearless ones.

992
01:01:45,800 --> 01:01:48,480
Speaker 1: Now he can't use that against us, but we have

993
01:01:48,640 --> 01:01:55,680
Speaker 1: to delegate a certain amount of patients to the ones

994
01:01:55,760 --> 01:02:00,400
Speaker 1: that could be as impactful as someone like Yeah, I

995
01:02:00,440 --> 01:02:04,560
Speaker 1: do think we also got to hold them accountable and

996
01:02:04,640 --> 01:02:09,960
Speaker 1: responsible for the damages that they do to us and

997
01:02:10,040 --> 01:02:12,400
Speaker 1: how dumb they make us look when we ride with them,

998
01:02:12,400 --> 01:02:18,840
Speaker 1: because sometimes we ride regardless of the circumstances. But I'm

999
01:02:18,880 --> 01:02:21,160
Speaker 1: a strong believe when you don't get that far to

1000
01:02:21,200 --> 01:02:25,400
Speaker 1: give it away and leading the race ain't winning the race.

1001
01:02:28,360 --> 01:02:31,040
Speaker 1: But on the other side again, I make the point again,

1002
01:02:31,080 --> 01:02:34,960
Speaker 1: if my neighbor come and say, Yo, they're steal in

1003
01:02:35,040 --> 01:02:37,720
Speaker 1: Amazon packages. They got me, and they got the next

1004
01:02:37,800 --> 01:02:40,760
Speaker 1: neighbor over. I mean this neighborhood. So I got to

1005
01:02:40,840 --> 01:02:44,960
Speaker 1: think they gonna give me, so I gotta watch it.

1006
01:02:45,920 --> 01:02:51,000
Speaker 1: But see, Rogan ain't canceled because Number one, he didn't

1007
01:02:51,000 --> 01:02:53,440
Speaker 1: say those things as being the races. I know that

1008
01:02:53,480 --> 01:02:56,640
Speaker 1: because I've watched all of them in four even the

1009
01:02:56,680 --> 01:03:03,800
Speaker 1: ones deleted. We have them. Number two, he has a

1010
01:03:03,840 --> 01:03:06,960
Speaker 1: big platform that says no, we and and you get

1011
01:03:07,040 --> 01:03:09,880
Speaker 1: again it's about packaging. You gotta know how to package it.

1012
01:03:09,960 --> 01:03:13,920
Speaker 1: You gotta package what you're doing under free speech. Kanye's

1013
01:03:13,960 --> 01:03:17,400
Speaker 1: attempt that that was the art thing. Oh this is

1014
01:03:17,440 --> 01:03:21,160
Speaker 1: my art, So y'all gonna tell me I can't do art?

1015
01:03:21,880 --> 01:03:24,160
Speaker 1: And none of us got behind them. None of the

1016
01:03:24,240 --> 01:03:27,880
Speaker 1: media stood tall behind them and understood. See, they can't

1017
01:03:27,880 --> 01:03:30,120
Speaker 1: tell us what they're doing, because if it's on record

1018
01:03:30,160 --> 01:03:33,560
Speaker 1: that they we just gotta move in formation. But it

1019
01:03:33,680 --> 01:03:37,600
Speaker 1: gotta be more communication, and we gotta spread the money out.

1020
01:03:40,280 --> 01:03:42,960
Speaker 1: You don't get the dolls to move, man. You come

1021
01:03:43,000 --> 01:03:44,720
Speaker 1: out of the house with some with some food for

1022
01:03:44,800 --> 01:03:47,800
Speaker 1: them dolls in the backyard, See how they move. Kanye

1023
01:03:47,960 --> 01:03:50,800
Speaker 1: was removed off the Grammars following that Jay Prince had

1024
01:03:50,880 --> 01:03:53,720
Speaker 1: something to say. Let's listen to what Jay Prince had

1025
01:03:53,760 --> 01:03:55,760
Speaker 1: to say, and we'll come back with some game hip

1026
01:03:55,800 --> 01:03:59,800
Speaker 1: hop versus the Grammars. I've been watching the Grammars con

1027
01:04:00,120 --> 01:04:03,240
Speaker 1: Role and dictate our culture to the I've benefit up

1028
01:04:03,280 --> 01:04:06,760
Speaker 1: close and personal for the past thirty years that I've

1029
01:04:06,800 --> 01:04:11,480
Speaker 1: been in the music business, and all the artists, managers,

1030
01:04:11,720 --> 01:04:16,040
Speaker 1: executives would do is complain, but never had the nuts

1031
01:04:16,200 --> 01:04:20,040
Speaker 1: to come together and do anything about it. Even though

1032
01:04:20,080 --> 01:04:23,880
Speaker 1: the latest episode deals with Trevor nor in the counseling

1033
01:04:24,440 --> 01:04:29,040
Speaker 1: of Kanye, this racist act is so much bigger than them.

1034
01:04:30,280 --> 01:04:34,640
Speaker 1: Let's just start with the mindset of the words counsel

1035
01:04:35,040 --> 01:04:39,640
Speaker 1: and counsel where the grammars is concerned, and compare them

1036
01:04:40,040 --> 01:04:45,440
Speaker 1: to rehabilitation and legal slavery where the penitentiary is concerned.

1037
01:04:46,520 --> 01:04:51,000
Speaker 1: If we begin with counsel and rehabilitation and the grammars

1038
01:04:51,280 --> 01:04:56,280
Speaker 1: all the penitentiary, the truth is that they really don't exist.

1039
01:04:57,080 --> 01:05:01,520
Speaker 1: They're just fancy lized. But on other hand, if we

1040
01:05:01,560 --> 01:05:06,800
Speaker 1: look at the words council and legal slavery punishment, those

1041
01:05:06,800 --> 01:05:13,520
Speaker 1: words are true, real and exist today. For example, for

1042
01:05:13,560 --> 01:05:16,160
Speaker 1: those of you that never took the time to read

1043
01:05:16,200 --> 01:05:20,919
Speaker 1: the thirteen Amendment, it clearly says that slavery was abolished

1044
01:05:21,600 --> 01:05:26,520
Speaker 1: except for use as punishment for a crime you've been

1045
01:05:26,560 --> 01:05:32,640
Speaker 1: convicted of. So, therefore, according to the thirteen Amendment of

1046
01:05:32,720 --> 01:05:37,560
Speaker 1: the Constitution, everyone in the prison system and those that

1047
01:05:37,600 --> 01:05:41,000
Speaker 1: are out of prison that have been convicted of a

1048
01:05:41,040 --> 01:05:45,200
Speaker 1: crime or considered slaves in the United States and under

1049
01:05:45,200 --> 01:05:50,000
Speaker 1: its jurisdiction. In twenty twenty two, not only did they

1050
01:05:50,080 --> 01:05:54,720
Speaker 1: make slavery law for by an amendment, they then created

1051
01:05:54,760 --> 01:05:59,760
Speaker 1: the laws by which people would be enslaved. They did

1052
01:05:59,800 --> 01:06:03,360
Speaker 1: that sit back then, and they're still doing it today.

1053
01:06:04,680 --> 01:06:08,280
Speaker 1: This background is important to know because of the mentality

1054
01:06:08,680 --> 01:06:12,680
Speaker 1: of those that control both the Grammys and the prison

1055
01:06:12,800 --> 01:06:17,320
Speaker 1: systems in the United States. This is a slave master punish,

1056
01:06:17,320 --> 01:06:21,960
Speaker 1: a nigga mentality and act to remind us that no

1057
01:06:22,000 --> 01:06:26,120
Speaker 1: matter how much money we have, we are still niggas

1058
01:06:26,160 --> 01:06:31,440
Speaker 1: in their eyes. So they cancel Kanye and discriminated against

1059
01:06:31,560 --> 01:06:36,920
Speaker 1: Drake the Weekend, Nicki Minaj and many others over the years.

1060
01:06:38,000 --> 01:06:41,520
Speaker 1: This will only be broken by us uniting our powers

1061
01:06:42,000 --> 01:06:46,400
Speaker 1: to bring about change moving forward, how do we bring

1062
01:06:46,400 --> 01:06:51,160
Speaker 1: about change? I'm glad, y'all acts. I recommend that the

1063
01:06:51,320 --> 01:06:56,080
Speaker 1: artists I've mentioned above and more come together in laws

1064
01:06:56,240 --> 01:06:59,960
Speaker 1: Vegas and perform at the same time as the Grammar

1065
01:07:00,600 --> 01:07:06,160
Speaker 1: on a special network and streaming platform to prove that

1066
01:07:06,360 --> 01:07:09,800
Speaker 1: ratings will change. Where the Grammars are concerned when the

1067
01:07:09,920 --> 01:07:16,000
Speaker 1: number one selling genre in music, hip hop come together,

1068
01:07:17,280 --> 01:07:23,720
Speaker 1: because there's power in numbers. The powers that be will

1069
01:07:23,800 --> 01:07:28,080
Speaker 1: be mad at me about this one, but fuck them.

1070
01:07:28,120 --> 01:07:34,360
Speaker 1: I love the culture. The seed has been planted. Let's water.

1071
01:07:41,560 --> 01:07:45,600
Speaker 1: That was supreme game by the the Great J Prince.

1072
01:07:48,520 --> 01:07:52,120
Speaker 1: You see the prison system in CEI a brain that together, right,

1073
01:07:52,720 --> 01:07:55,680
Speaker 1: so dudes can understand the oppression involved. I think that

1074
01:07:55,800 --> 01:07:58,480
Speaker 1: was an important way to present that. And I can

1075
01:07:58,520 --> 01:08:00,880
Speaker 1: tell he's been working on his book writing skills and

1076
01:08:00,920 --> 01:08:03,200
Speaker 1: he's getting better and better. Shout out Jay Prince on

1077
01:08:03,280 --> 01:08:06,160
Speaker 1: that message. If we were able to do that, I

1078
01:08:06,240 --> 01:08:11,600
Speaker 1: think that would be a powerful get together. I see

1079
01:08:11,600 --> 01:08:13,880
Speaker 1: a couple of things keeping that from being the case.

1080
01:08:14,480 --> 01:08:18,160
Speaker 1: But if we were able to do that bro right,

1081
01:08:18,360 --> 01:08:21,400
Speaker 1: same time, same day, all our people go over there,

1082
01:08:21,800 --> 01:08:24,120
Speaker 1: that's how you really start to do it. But I

1083
01:08:24,240 --> 01:08:26,080
Speaker 1: want to go back and study, and I think I'm

1084
01:08:26,120 --> 01:08:28,040
Speaker 1: a do it here soon, especially when I get with

1085
01:08:28,120 --> 01:08:33,320
Speaker 1: some of these powerhouse companies black people that we maybe

1086
01:08:33,320 --> 01:08:37,040
Speaker 1: can build something. But I want to go back and steady.

1087
01:08:37,080 --> 01:08:40,760
Speaker 1: How the Grammars even got prestigious in that way. I

1088
01:08:40,880 --> 01:08:43,920
Speaker 1: think at the beginning, you take you take you you know,

1089
01:08:44,040 --> 01:08:48,240
Speaker 1: you have some real strict criteria and make it seem like,

1090
01:08:48,360 --> 01:08:51,160
Speaker 1: you know, you know, it's some game being put down,

1091
01:08:51,160 --> 01:08:54,000
Speaker 1: because really ain't nothing and sit ain't number supreme game,

1092
01:08:54,040 --> 01:08:58,240
Speaker 1: the Grammars ain't number game. Man. The people here man

1093
01:08:58,280 --> 01:09:00,800
Speaker 1: were voting. This is the most prestige just award, and

1094
01:09:00,840 --> 01:09:04,040
Speaker 1: once you get one of these, it's game. We just

1095
01:09:04,080 --> 01:09:06,799
Speaker 1: gotta figure out what game they put down and follow

1096
01:09:06,840 --> 01:09:10,479
Speaker 1: that blue print, because they're not gonna tell us. He

1097
01:09:10,520 --> 01:09:16,800
Speaker 1: imagine that we don't have one award, one award that

1098
01:09:17,120 --> 01:09:23,160
Speaker 1: is mobilized by black people and that is prestigious for

1099
01:09:23,320 --> 01:09:28,480
Speaker 1: black people in entertainment at all. And we run entertainment

1100
01:09:28,520 --> 01:09:33,320
Speaker 1: and sports at all, and we run sports. Every award

1101
01:09:33,400 --> 01:09:39,160
Speaker 1: that we get that's actually means something, not only to

1102
01:09:40,640 --> 01:09:45,559
Speaker 1: the artists, are the athletes to the market. Because see

1103
01:09:45,560 --> 01:09:48,000
Speaker 1: that's how that's part of the game. They don't tag

1104
01:09:48,160 --> 01:09:50,639
Speaker 1: in they award with what they do to the market

1105
01:09:50,720 --> 01:09:53,280
Speaker 1: for your price and your booking fee and all that.

1106
01:09:53,280 --> 01:09:56,200
Speaker 1: That's what we gotta do. We gotta have an award

1107
01:09:56,760 --> 01:10:01,760
Speaker 1: that ties in to the market and make out war

1108
01:10:01,880 --> 01:10:04,160
Speaker 1: was prestigious and come on the end with it. I

1109
01:10:04,200 --> 01:10:06,120
Speaker 1: think Jay Prince was on the right role. We had

1110
01:10:06,160 --> 01:10:08,240
Speaker 1: to really really drill let down and figure out how

1111
01:10:08,240 --> 01:10:10,760
Speaker 1: to do it because the performance will do good and

1112
01:10:10,760 --> 01:10:13,559
Speaker 1: it hurt their ratings for that one time. But I

1113
01:10:13,600 --> 01:10:19,160
Speaker 1: don't know if that's um a long forum explanation to

1114
01:10:20,439 --> 01:10:23,479
Speaker 1: the Grammar's approach and and and the void that it

1115
01:10:23,960 --> 01:10:27,559
Speaker 1: may feel for some of those artists not to now

1116
01:10:27,640 --> 01:10:29,599
Speaker 1: be in the running to get some of those things,

1117
01:10:29,600 --> 01:10:31,800
Speaker 1: because you gotta think because Jay had it, because Mike

1118
01:10:31,840 --> 01:10:34,439
Speaker 1: had it, because these people hated it, makes it in

1119
01:10:34,520 --> 01:10:36,720
Speaker 1: a way what these new artists want to have one

1120
01:10:37,120 --> 01:10:39,559
Speaker 1: and j Jay Prince was hit the right nail, right

1121
01:10:39,600 --> 01:10:41,800
Speaker 1: on the head, right, so he mentioned all those artists,

1122
01:10:41,840 --> 01:10:43,600
Speaker 1: and those artists are great, I think Jay and then

1123
01:10:43,720 --> 01:10:47,519
Speaker 1: won't be involved because of that situation with fifteen o

1124
01:10:47,720 --> 01:10:52,960
Speaker 1: one Rock Nation, his company Rock Nation, because I won't

1125
01:10:53,000 --> 01:10:55,080
Speaker 1: call it a jay Z situation because it's not a

1126
01:10:55,200 --> 01:10:59,000
Speaker 1: jay Z situation, but the Rock Nation in fifteen o

1127
01:10:59,200 --> 01:11:02,960
Speaker 1: one with Carl Crawford and now Jay Princes on the

1128
01:11:03,040 --> 01:11:06,080
Speaker 1: side of Carl Crawford and some contract disputes and things happened.

1129
01:11:06,120 --> 01:11:08,520
Speaker 1: A matter of fact, let's go ahead and move on

1130
01:11:08,600 --> 01:11:11,679
Speaker 1: to that subject. So for those of you underwell called

1131
01:11:11,720 --> 01:11:15,600
Speaker 1: Crawford and Magna Styllium, we're going back and forth about

1132
01:11:17,520 --> 01:11:20,160
Speaker 1: her record label contract. Let's see if I can find it.

1133
01:11:21,120 --> 01:11:25,559
Speaker 1: So speaking of the situation with fifteen oh one and

1134
01:11:26,960 --> 01:11:31,960
Speaker 1: Magna Stallion with Carl Crawford, this tweet came out shout

1135
01:11:31,960 --> 01:11:36,439
Speaker 1: out Hollywood a record label. Fifteen oh one Certified Entertainment sues.

1136
01:11:36,520 --> 01:11:40,320
Speaker 1: Magna Styllion claimed she owes them more money and more recordings,

1137
01:11:41,720 --> 01:11:45,759
Speaker 1: as it was previously reported to rappers, shoot fifteen old

1138
01:11:45,880 --> 01:11:49,840
Speaker 1: one back in February to declare her twenty twenty one

1139
01:11:50,360 --> 01:11:53,760
Speaker 1: record fulfilled her contract, meaning the album she put out

1140
01:11:53,760 --> 01:11:56,640
Speaker 1: in twenty twenty one, Something for the Hottas, should have

1141
01:11:56,640 --> 01:12:00,280
Speaker 1: fulfilled a contract with fifteen oh one. However, in a

1142
01:12:00,360 --> 01:12:04,160
Speaker 1: countersuit file Monday, the label argues that her project Some

1143
01:12:04,400 --> 01:12:08,720
Speaker 1: for the Hotties did not have sufficient material to be

1144
01:12:08,840 --> 01:12:13,880
Speaker 1: considered a real album. Fifteen O one reportedly claims that

1145
01:12:13,960 --> 01:12:16,639
Speaker 1: the record is nothing more than a compilation of old

1146
01:12:16,680 --> 01:12:21,880
Speaker 1: previously recorded material. Label says Something is a made up

1147
01:12:21,920 --> 01:12:26,400
Speaker 1: of twenty one recordings that include spoken interlude recordings on

1148
01:12:26,439 --> 01:12:30,120
Speaker 1: which MTS does not appear, as well as several previously

1149
01:12:30,200 --> 01:12:35,280
Speaker 1: released recordings. The documentation by TMZ states fifteen o one

1150
01:12:35,439 --> 01:12:39,920
Speaker 1: also says that they're just twenty nine minutes worth of it,

1151
01:12:40,040 --> 01:12:42,640
Speaker 1: and to them, that's just not enough to qualify as

1152
01:12:42,640 --> 01:12:49,360
Speaker 1: an album under her deal. And let me just speak

1153
01:12:49,400 --> 01:12:52,839
Speaker 1: on that fourth second, because that's where it gets tricky

1154
01:12:52,880 --> 01:12:55,320
Speaker 1: at because you play the streaming game. It's just what

1155
01:12:55,400 --> 01:12:57,240
Speaker 1: I'm saying, Good lawyers find a way to get through

1156
01:12:57,240 --> 01:12:59,840
Speaker 1: those contracts because you played the streaming game in the

1157
01:13:00,040 --> 01:13:02,080
Speaker 1: you move this song to there, and then that counts

1158
01:13:02,080 --> 01:13:05,080
Speaker 1: because that song's on there, which you know was funded.

1159
01:13:05,120 --> 01:13:07,040
Speaker 1: And then like it's a it's a thing. But labels

1160
01:13:07,080 --> 01:13:09,479
Speaker 1: don't want you to use the same song. They won't

1161
01:13:09,520 --> 01:13:12,599
Speaker 1: count it. If you use the same song on multiple albums,

1162
01:13:12,600 --> 01:13:15,080
Speaker 1: it won't count towards your contract. You can do it

1163
01:13:15,120 --> 01:13:17,040
Speaker 1: and we'll eat off of it and split the money

1164
01:13:17,040 --> 01:13:20,160
Speaker 1: with you and everything, but towards your contract, it won't count.

1165
01:13:20,400 --> 01:13:24,640
Speaker 1: And then shortly after that, Magna Stallion tweets this, She

1166
01:13:24,800 --> 01:13:27,599
Speaker 1: calls Carl Crawford greedy and fire's back at fifteen oh

1167
01:13:27,720 --> 01:13:30,639
Speaker 1: one lawsuit lord, free me from this joke as label

1168
01:13:33,640 --> 01:13:36,679
Speaker 1: and Magna Stallion tweets first Demand over my label said,

1169
01:13:36,720 --> 01:13:39,560
Speaker 1: I don't make him any money. Now he counters in

1170
01:13:39,680 --> 01:13:42,400
Speaker 1: trying to keep me on this label because he wants

1171
01:13:42,600 --> 01:13:47,519
Speaker 1: to make more money off me. If it ain't making

1172
01:13:47,560 --> 01:13:52,719
Speaker 1: you no money, why not just drop it? M sound

1173
01:13:52,840 --> 01:13:55,000
Speaker 1: that and that that's an interesting point. Sound like some

1174
01:13:55,080 --> 01:13:58,160
Speaker 1: good game to me. That sound pretty logical. It says,

1175
01:13:58,240 --> 01:14:00,880
Speaker 1: let me go l ol greedy as man, l O L.

1176
01:14:01,880 --> 01:14:05,160
Speaker 1: But you know a contract is the contract. It also says,

1177
01:14:05,200 --> 01:14:08,960
Speaker 1: my lawyer asked him for an expense report, meaning money

1178
01:14:09,000 --> 01:14:12,519
Speaker 1: that fifteen oh one has spent on me grown as man.

1179
01:14:12,600 --> 01:14:14,920
Speaker 1: Put his jury in chains on the lawd free me

1180
01:14:15,000 --> 01:14:17,719
Speaker 1: from this joke as label. This is what Megna Stallion

1181
01:14:17,800 --> 01:14:20,360
Speaker 1: is saying on Twitter. I choose not to say nothing

1182
01:14:20,360 --> 01:14:23,160
Speaker 1: back about court and a dress online, but I'm getting

1183
01:14:23,160 --> 01:14:29,439
Speaker 1: tired of being painted as the bad guy to forty seven.

1184
01:14:29,760 --> 01:14:32,640
Speaker 1: The last girl on fifteen on one man at this

1185
01:14:32,760 --> 01:14:35,160
Speaker 1: man as well. She must have been twenty four to seven,

1186
01:14:35,439 --> 01:14:37,639
Speaker 1: so I'm yeah, I think it's what she man. I'm

1187
01:14:37,640 --> 01:14:39,479
Speaker 1: tired of being painted as a bad guy twenty four

1188
01:14:39,479 --> 01:14:42,320
Speaker 1: to seven. The last girl that was on fifteen oh

1189
01:14:42,400 --> 01:14:44,280
Speaker 1: one was mad at this man as well, And I

1190
01:14:44,320 --> 01:14:46,080
Speaker 1: think that girl came out and said, Yo, you know

1191
01:14:46,200 --> 01:14:47,760
Speaker 1: my name. You could have tagged me. I could have

1192
01:14:47,880 --> 01:14:52,479
Speaker 1: used that pub Then she says she responds to a

1193
01:14:52,479 --> 01:14:54,439
Speaker 1: fan and said, at this point, Meg's gonna have to

1194
01:14:54,439 --> 01:14:57,680
Speaker 1: show us the bullet wound or something. So this is

1195
01:14:57,960 --> 01:15:00,639
Speaker 1: this is just the fans being frustrated with knowing what's

1196
01:15:00,680 --> 01:15:05,360
Speaker 1: going on with the Tory thing. Meg tweets back, sitches

1197
01:15:05,720 --> 01:15:11,840
Speaker 1: I'm gonna use CRYPTMC word. Meg tweets back. She said,

1198
01:15:11,960 --> 01:15:15,519
Speaker 1: bees like this have actual come for brads Frank Eaton

1199
01:15:15,640 --> 01:15:19,559
Speaker 1: as bees. My hospital records are public record. The DA

1200
01:15:19,600 --> 01:15:21,800
Speaker 1: has made a statement, y'all choosing to be dumb at

1201
01:15:21,800 --> 01:15:23,760
Speaker 1: this point, you better hope a man never assaults she

1202
01:15:23,760 --> 01:15:29,559
Speaker 1: would nobody, especially women, believe you and see when they

1203
01:15:29,600 --> 01:15:31,559
Speaker 1: say things like that. It's harder. You don't know what

1204
01:15:31,680 --> 01:15:34,080
Speaker 1: side of the street to fall on. Man. It's really rough,

1205
01:15:34,200 --> 01:15:39,920
Speaker 1: this little situation. Then she also tweeted to Carl Crawford, Car,

1206
01:15:40,040 --> 01:15:42,040
Speaker 1: I don't want to be signed to your peal popping

1207
01:15:42,160 --> 01:15:44,400
Speaker 1: ass you're talking about. I ain't paid for a show

1208
01:15:44,400 --> 01:15:47,120
Speaker 1: and you sound slow. I'm the artist. I don't pay

1209
01:15:47,120 --> 01:15:50,040
Speaker 1: you directly. Maybe fight with the man you signed to him.

1210
01:15:50,160 --> 01:15:53,120
Speaker 1: You may see some money for you fucking power ahead,

1211
01:15:53,479 --> 01:15:57,800
Speaker 1: you hiding behind Jay, Prince Carl. You got a whole

1212
01:15:57,880 --> 01:16:00,160
Speaker 1: contract with three hundred and talking shit to me like

1213
01:16:00,200 --> 01:16:02,559
Speaker 1: I got your money. You are attacking me? Why because

1214
01:16:02,600 --> 01:16:04,880
Speaker 1: you want to be famous not rich? Ask Kevin Lows

1215
01:16:04,920 --> 01:16:07,920
Speaker 1: where your money? As stupid. Now she's saying that, Yo,

1216
01:16:08,120 --> 01:16:10,639
Speaker 1: you're coming at me and the people bought me out

1217
01:16:10,680 --> 01:16:13,360
Speaker 1: the contract. Your business is now with them, now with me.

1218
01:16:16,120 --> 01:16:18,200
Speaker 1: Your business is now with them, now with me. So

1219
01:16:18,240 --> 01:16:20,040
Speaker 1: I don't know why you stayed the more coming at

1220
01:16:20,080 --> 01:16:23,160
Speaker 1: me said and text don't said this, and I'm not

1221
01:16:23,200 --> 01:16:25,280
Speaker 1: sure if y'all seen it, but text Don't said that.

1222
01:16:26,439 --> 01:16:28,680
Speaker 1: Meg gotta get with a street dude because they're to

1223
01:16:28,760 --> 01:16:33,320
Speaker 1: stop all that dudes coming at her, said Nicki Minaj

1224
01:16:33,400 --> 01:16:35,680
Speaker 1: went through the same thing with dudes, was foot on

1225
01:16:35,720 --> 01:16:37,599
Speaker 1: the gas coming at her, coming at us, and then

1226
01:16:37,600 --> 01:16:40,080
Speaker 1: she got with dude and it all stopped. I don't know,

1227
01:16:40,360 --> 01:16:42,360
Speaker 1: I said why. They kind of make a little sense. Now,

1228
01:16:42,439 --> 01:16:44,519
Speaker 1: y'all think about that and tell me what you think.

1229
01:16:45,000 --> 01:16:49,479
Speaker 1: But Meg, yo, Meg is if she do come out

1230
01:16:49,520 --> 01:16:53,439
Speaker 1: the champion of all these bros, gonna be dope because

1231
01:16:53,840 --> 01:16:56,760
Speaker 1: it's a lot going home with me the style, you man,

1232
01:16:56,880 --> 01:16:59,639
Speaker 1: it's a lot of people like on waiting on her

1233
01:16:59,720 --> 01:17:03,599
Speaker 1: to like fall right way on how to get here

1234
01:17:03,680 --> 01:17:06,000
Speaker 1: accountable for the Tory thing, some kind of way that

1235
01:17:06,240 --> 01:17:09,320
Speaker 1: they've been able to, you know, based on the lack

1236
01:17:09,360 --> 01:17:12,400
Speaker 1: of information, on the information that's out, it's been able

1237
01:17:12,439 --> 01:17:14,360
Speaker 1: to kind of spend the narrative a little bit and

1238
01:17:14,439 --> 01:17:17,040
Speaker 1: the voices on the other side of getting a little louder,

1239
01:17:17,640 --> 01:17:20,759
Speaker 1: because when it first happened, it was smashed down on Tory.

1240
01:17:20,880 --> 01:17:24,320
Speaker 1: Nobody fuck with Tory, and it seemed like more and more,

1241
01:17:24,360 --> 01:17:26,599
Speaker 1: it seemed like it's just been getting more and more,

1242
01:17:27,520 --> 01:17:30,160
Speaker 1: a little bit more acceptant of Tory, a little bit

1243
01:17:30,160 --> 01:17:32,920
Speaker 1: more accepting of things with me, people being a little

1244
01:17:32,920 --> 01:17:35,960
Speaker 1: bit more vocal on how they feel about it, and yo,

1245
01:17:36,040 --> 01:17:38,400
Speaker 1: how music ain't really this? And now at that, And

1246
01:17:38,439 --> 01:17:41,000
Speaker 1: it's been loud voices in the in the game that's

1247
01:17:41,000 --> 01:17:44,479
Speaker 1: been saying these things, and we all know that people

1248
01:17:44,520 --> 01:17:47,240
Speaker 1: know how powerful their voice is. They ain't talking without

1249
01:17:48,240 --> 01:17:53,759
Speaker 1: understanding the impact of their voice. Their mang The Stallion

1250
01:17:53,760 --> 01:17:56,320
Speaker 1: tweets this, also, how can I owe you any of

1251
01:17:56,360 --> 01:17:59,479
Speaker 1: my money outside of music? Where your team can't even

1252
01:17:59,520 --> 01:18:03,080
Speaker 1: provide actual statements of what I owe. You also haven't

1253
01:18:03,160 --> 01:18:06,760
Speaker 1: paid me since twenty nineteen. Your team signed off on

1254
01:18:06,800 --> 01:18:09,400
Speaker 1: something for the Hotties to count as an album. Now,

1255
01:18:09,479 --> 01:18:14,519
Speaker 1: it's not jokes. People love bringing up rock Nation like,

1256
01:18:14,560 --> 01:18:16,720
Speaker 1: hell yeah, my team is great. Am I supposed to

1257
01:18:16,720 --> 01:18:20,320
Speaker 1: have a bad one and what about it be? But

1258
01:18:20,479 --> 01:18:22,679
Speaker 1: I'm not speaking to nobody else on here, see y'all

1259
01:18:22,680 --> 01:18:26,600
Speaker 1: in court. Carl Crawford then response, it's been. It was

1260
01:18:26,640 --> 01:18:28,400
Speaker 1: a back and forth thing, and we'll try to get

1261
01:18:28,439 --> 01:18:30,840
Speaker 1: some information out of it. Again, that's what we're here for,

1262
01:18:30,920 --> 01:18:33,760
Speaker 1: to try to get information out of these things, not

1263
01:18:33,840 --> 01:18:37,200
Speaker 1: necessarily deal with these things as they as it pertains

1264
01:18:37,200 --> 01:18:41,160
Speaker 1: to both individuals involved. Again, not interested in these people

1265
01:18:41,200 --> 01:18:43,200
Speaker 1: as much as we are in the process and the

1266
01:18:43,280 --> 01:18:47,040
Speaker 1: information because we understand one or two things. They will

1267
01:18:47,120 --> 01:18:49,959
Speaker 1: never be. They're not the first person in that position,

1268
01:18:50,200 --> 01:18:52,000
Speaker 1: and they're not the last one that's gonna be in

1269
01:18:52,000 --> 01:18:55,200
Speaker 1: that position. So for us, we must understand what it

1270
01:18:55,240 --> 01:18:57,920
Speaker 1: looks like to come out on the other side of

1271
01:18:58,040 --> 01:19:01,120
Speaker 1: something that's so so difficult code for a human being

1272
01:19:01,120 --> 01:19:05,000
Speaker 1: to get through. Carl Crawford then responds and tweets this, Hey,

1273
01:19:05,040 --> 01:19:08,200
Speaker 1: y'all believe that bullshit all y'all want to. I don't

1274
01:19:08,240 --> 01:19:10,320
Speaker 1: got Twitter fingers, so I'm not about to type all

1275
01:19:10,400 --> 01:19:13,080
Speaker 1: that shit all day. But I promise everything said about

1276
01:19:13,120 --> 01:19:17,280
Speaker 1: me about that matter, it's a lie and the truth

1277
01:19:17,280 --> 01:19:21,280
Speaker 1: will come out soon enough. And see all the years

1278
01:19:21,320 --> 01:19:23,800
Speaker 1: that's been going by, Man, you gotta ask yourself, like,

1279
01:19:27,560 --> 01:19:30,040
Speaker 1: is all this stuff affecting her brand? She was in

1280
01:19:30,080 --> 01:19:33,519
Speaker 1: a very very very very and still winning a lot

1281
01:19:33,520 --> 01:19:38,280
Speaker 1: of awards, but they've affected her brand, if we're being honest,

1282
01:19:39,200 --> 01:19:41,920
Speaker 1: her brand has been affected by all these things that's

1283
01:19:41,960 --> 01:19:46,080
Speaker 1: happening and that there has been. And I saw Tory

1284
01:19:46,120 --> 01:19:48,640
Speaker 1: fighting for his voice or his side of things to

1285
01:19:48,720 --> 01:19:52,120
Speaker 1: be more presented back when the water was really hot.

1286
01:19:53,200 --> 01:19:57,479
Speaker 1: And I don't know, man, I don't know how what

1287
01:19:57,560 --> 01:19:59,880
Speaker 1: her career looks like on the other side of the

1288
01:20:00,120 --> 01:20:06,599
Speaker 1: is jury verdict. You know, what does her career look

1289
01:20:06,640 --> 01:20:13,800
Speaker 1: like post Tory and Meg criminal court case? Like, what

1290
01:20:13,920 --> 01:20:18,720
Speaker 1: does it look like for her as an entertainer? I

1291
01:20:18,720 --> 01:20:22,720
Speaker 1: don't know. It's just weird again that it's up there podcast.

1292
01:20:22,800 --> 01:20:27,120
Speaker 1: You know, we operate without any knows, but we operate

1293
01:20:27,160 --> 01:20:33,120
Speaker 1: with understanding. We operate with information the culture needs for

1294
01:20:33,240 --> 01:20:37,160
Speaker 1: us to provide a run way to have the conversation

1295
01:20:37,280 --> 01:20:41,960
Speaker 1: needed to forward some of the information that is had

1296
01:20:42,040 --> 01:20:47,280
Speaker 1: by some of the people who may can't execute at

1297
01:20:47,280 --> 01:20:51,280
Speaker 1: a high level anymore. Right, once you wore your audience out,

1298
01:20:51,320 --> 01:20:53,919
Speaker 1: that's a thing. That's a thing to ware your audience

1299
01:20:53,960 --> 01:21:00,439
Speaker 1: out right again being coolish, fragile. So when we deal

1300
01:21:00,479 --> 01:21:03,559
Speaker 1: with this space, man, this space is is not as

1301
01:21:03,600 --> 01:21:08,400
Speaker 1: beautiful as everybody think it is. It's not as lucrative

1302
01:21:08,439 --> 01:21:10,680
Speaker 1: if as everybody think it is. Then it's a lot

1303
01:21:10,720 --> 01:21:12,479
Speaker 1: of money here, but you gotta know what you're doing

1304
01:21:12,520 --> 01:21:17,880
Speaker 1: to get the money. It's almost like working for Apple. Yeah,

1305
01:21:17,880 --> 01:21:20,080
Speaker 1: you got people that work for Apple to make all

1306
01:21:20,160 --> 01:21:23,120
Speaker 1: way from twenty eight dollars an hour all way up

1307
01:21:23,160 --> 01:21:26,800
Speaker 1: to Sydney eight million a year or whatever you did

1308
01:21:26,880 --> 01:21:28,920
Speaker 1: what I'm saying. So there's a range of people that

1309
01:21:29,000 --> 01:21:31,479
Speaker 1: work at the same company because it's less about the

1310
01:21:31,560 --> 01:21:35,720
Speaker 1: company and more about the functionality of the person that

1311
01:21:35,960 --> 01:21:39,920
Speaker 1: warrants whatever kind of payout that they get. As we

1312
01:21:40,000 --> 01:21:43,240
Speaker 1: say on this up the podcast, strategy is better than strength.

1313
01:21:44,320 --> 01:21:49,520
Speaker 1: So you gotta strategize your way through the game, strategize

1314
01:21:49,520 --> 01:21:54,439
Speaker 1: your way to the top. And for women it's even

1315
01:21:54,479 --> 01:21:59,800
Speaker 1: that much more difficult women find themselves in a way. Well,

1316
01:22:00,920 --> 01:22:04,920
Speaker 1: so you gotta think, man, your dream. Sometimes you gotta

1317
01:22:04,960 --> 01:22:08,400
Speaker 1: think what they testing in me? And even with motivational speaking.

1318
01:22:08,520 --> 01:22:11,559
Speaker 1: That's why as I go further in this game, and

1319
01:22:11,640 --> 01:22:15,120
Speaker 1: I branch out to not doing motivational speaking, but speaking

1320
01:22:16,200 --> 01:22:20,240
Speaker 1: because I'm able to penetrate those football guys. I'm able

1321
01:22:20,240 --> 01:22:23,160
Speaker 1: to penetrate some of these people in a way that

1322
01:22:23,200 --> 01:22:25,759
Speaker 1: other people may not. I've been blessed with a certain

1323
01:22:25,800 --> 01:22:30,120
Speaker 1: trajectory of voice and infliction and understanding how to do things,

1324
01:22:30,160 --> 01:22:32,840
Speaker 1: and so whenever I do spend off, one of my

1325
01:22:32,920 --> 01:22:38,040
Speaker 1: biggest goal is to find a black woman motivational speaker,

1326
01:22:39,800 --> 01:22:42,160
Speaker 1: because a lot of times, the biggest voice in this

1327
01:22:42,280 --> 01:22:45,799
Speaker 1: game and in this motivational speaker type world and game

1328
01:22:46,400 --> 01:22:49,280
Speaker 1: is a male speaking to a male about how he

1329
01:22:49,400 --> 01:22:52,759
Speaker 1: gets through the wars and the lion in the nobody

1330
01:22:52,880 --> 01:22:57,720
Speaker 1: never speak about the cheetah. The cheetah is important in

1331
01:22:57,800 --> 01:23:01,559
Speaker 1: the jungle as well, right, And that's just that's just

1332
01:23:01,720 --> 01:23:05,160
Speaker 1: a that's just a whole another song for a different

1333
01:23:05,200 --> 01:23:07,880
Speaker 1: studio session. But I'm telling you that's one of my goals.

1334
01:23:08,160 --> 01:23:11,280
Speaker 1: But in this game, when you speak in this game,

1335
01:23:11,320 --> 01:23:14,439
Speaker 1: when you hit the motivation of people speak you him

1336
01:23:14,479 --> 01:23:17,639
Speaker 1: say you give your dream y'all. You give your dream

1337
01:23:17,720 --> 01:23:22,320
Speaker 1: everything you got. You you throw yourself at your dream.

1338
01:23:22,439 --> 01:23:25,080
Speaker 1: You put in your sweat equ where your sweat equity,

1339
01:23:25,120 --> 01:23:27,479
Speaker 1: your blood, your sweat, your tears, you give it all

1340
01:23:27,600 --> 01:23:32,840
Speaker 1: you got. And while that is an application for a

1341
01:23:32,880 --> 01:23:36,200
Speaker 1: man that is effective, when we look at woman, that's

1342
01:23:36,200 --> 01:23:41,240
Speaker 1: where it gets slippery, because on the other side that

1343
01:23:41,360 --> 01:23:44,559
Speaker 1: you have a woman that doesn't understand that her sex

1344
01:23:44,600 --> 01:23:47,920
Speaker 1: should be off the table when it comes to interacting

1345
01:23:48,000 --> 01:23:53,720
Speaker 1: about business. Now, that's your car. You let who drive you,

1346
01:23:53,800 --> 01:23:56,439
Speaker 1: let whoever you want you dry that car yours because

1347
01:23:56,479 --> 01:24:00,280
Speaker 1: that title belong to you. But you should never be

1348
01:24:00,320 --> 01:24:03,479
Speaker 1: in a position in which you can frame it where

1349
01:24:03,479 --> 01:24:09,919
Speaker 1: it feels like that there is some kind of swap

1350
01:24:10,040 --> 01:24:16,040
Speaker 1: going on, and where you give me six and I

1351
01:24:16,200 --> 01:24:20,280
Speaker 1: give you nix. Because we have a podcast and so

1352
01:24:20,320 --> 01:24:24,519
Speaker 1: we speak about these things and sometimes we compartmentalize when

1353
01:24:24,560 --> 01:24:27,360
Speaker 1: we talk about them in hopes that people understand that

1354
01:24:27,720 --> 01:24:30,160
Speaker 1: we're doing this for the sake of podcasts. And then

1355
01:24:30,200 --> 01:24:36,760
Speaker 1: please don't remove context and be not deceived. But sometimes

1356
01:24:36,800 --> 01:24:40,120
Speaker 1: on the other side of your dream, they think they

1357
01:24:40,160 --> 01:24:43,000
Speaker 1: put you in a peculiar situation because they show you

1358
01:24:43,720 --> 01:24:45,560
Speaker 1: they got out the buttons to make it work. So

1359
01:24:45,640 --> 01:24:48,800
Speaker 1: a lot of alleged that she finds herself in that

1360
01:24:49,000 --> 01:24:52,720
Speaker 1: situation on Big Boys Shout out big Boy. I'll be

1361
01:24:52,760 --> 01:24:55,800
Speaker 1: in LA this week, shout out big Boy on the

1362
01:24:55,800 --> 01:24:58,960
Speaker 1: West Coast Big Boy Radio. But a lot of one

1363
01:24:59,040 --> 01:25:02,680
Speaker 1: up there, and explain what it was like dealing with

1364
01:25:02,880 --> 01:25:07,760
Speaker 1: an unknown artist in regards to get the feature on

1365
01:25:07,760 --> 01:25:12,320
Speaker 1: an album. Let's listen to what she said. I don't

1366
01:25:12,360 --> 01:25:15,040
Speaker 1: know what's to come yet. Yeah, do you get frustrated

1367
01:25:15,800 --> 01:25:18,040
Speaker 1: still to this day? Yeah? Yeah? Why do you say

1368
01:25:18,040 --> 01:25:21,799
Speaker 1: still to this day? Um? You know you got let downs,

1369
01:25:21,840 --> 01:25:24,439
Speaker 1: you got you know, being a female rapper. Like I'm

1370
01:25:24,520 --> 01:25:27,000
Speaker 1: clearing my album right now, and it's been like difficult

1371
01:25:27,040 --> 01:25:30,240
Speaker 1: to deal with these men. You know what I'm saying

1372
01:25:30,320 --> 01:25:32,479
Speaker 1: that they don't know how to keep it business and

1373
01:25:32,520 --> 01:25:34,439
Speaker 1: then they want to like what do you mean by that?

1374
01:25:34,960 --> 01:25:38,280
Speaker 1: So like I don't care, Like baby, I'm gonna just

1375
01:25:38,320 --> 01:25:40,439
Speaker 1: keep it one honey, it's a feature on my album.

1376
01:25:40,800 --> 01:25:43,240
Speaker 1: Um that it was like it was difficult to clear

1377
01:25:43,320 --> 01:25:46,080
Speaker 1: and they like trying to drop their nuts on me

1378
01:25:46,280 --> 01:25:50,320
Speaker 1: because I won't respond to a DM wild is it

1379
01:25:50,800 --> 01:25:52,760
Speaker 1: and without saying the name, but is it artists or

1380
01:25:52,840 --> 01:25:57,960
Speaker 1: producer or somebody? Yeah, and they'll still be on the album. Yeah,

1381
01:25:58,000 --> 01:26:00,280
Speaker 1: just because I love a song so much and I

1382
01:26:00,320 --> 01:26:02,280
Speaker 1: had to turn it in yesterday, so I didn't really

1383
01:26:02,280 --> 01:26:03,880
Speaker 1: have a choice. So I was like back into a

1384
01:26:03,920 --> 01:26:06,479
Speaker 1: corner like Bully. But I wish more females would speak

1385
01:26:06,520 --> 01:26:08,200
Speaker 1: up on stuff, I know, like the labeling and stuff

1386
01:26:08,200 --> 01:26:11,479
Speaker 1: they say, you know, don't don't do that bad business whatever. Man,

1387
01:26:11,520 --> 01:26:14,280
Speaker 1: these folks be trying to drop nuts on female rappers

1388
01:26:14,280 --> 01:26:16,799
Speaker 1: and I'm not gonna shut up about it. Also, too, Lotto,

1389
01:26:16,960 --> 01:26:20,040
Speaker 1: it's like you you got to expose the game too, Yeah,

1390
01:26:20,080 --> 01:26:23,160
Speaker 1: because there's somebody that's coming up either next to you,

1391
01:26:23,240 --> 01:26:25,240
Speaker 1: behind you are right, you know, it could be a

1392
01:26:25,320 --> 01:26:29,040
Speaker 1: year or two and sometimes Lotto, we think that that's

1393
01:26:29,040 --> 01:26:31,040
Speaker 1: the way it's supposed to be. Like some people probably

1394
01:26:31,080 --> 01:26:32,800
Speaker 1: think like, oh, that's how you get into business, right,

1395
01:26:33,120 --> 01:26:35,240
Speaker 1: that's how you get us We tolerate too much. We

1396
01:26:35,360 --> 01:26:37,240
Speaker 1: think like, oh, well that just come with the game

1397
01:26:37,320 --> 01:26:39,120
Speaker 1: being a female rapper. No it shit it though, right

1398
01:26:40,360 --> 01:26:43,400
Speaker 1: because they definitely wouldn't do that to pick any you know,

1399
01:26:43,520 --> 01:26:45,960
Speaker 1: you know you ain't doing that to your fellow male rapp.

1400
01:26:46,080 --> 01:26:48,400
Speaker 1: Yeah you're hating future, Like, hey man, what's happening? Man?

1401
01:26:48,439 --> 01:26:51,479
Speaker 1: Come on? Yeah, come on, damn. Are you a fan

1402
01:26:51,560 --> 01:26:54,920
Speaker 1: of that person first? Like like, oh man, I was

1403
01:26:54,960 --> 01:26:57,280
Speaker 1: a fan. Like I mean, well, I will say this

1404
01:26:57,400 --> 01:26:59,519
Speaker 1: everybody on my album, I don't. I don't like go

1405
01:26:59,640 --> 01:27:02,000
Speaker 1: seek features if I don't listen to the music or

1406
01:27:02,040 --> 01:27:04,160
Speaker 1: I meant something too. So it meant something to me

1407
01:27:04,200 --> 01:27:06,800
Speaker 1: for sure, Like I was definitely rubbed the wrong way.

1408
01:27:06,840 --> 01:27:08,639
Speaker 1: But I love the song so much and I didn't

1409
01:27:08,640 --> 01:27:10,439
Speaker 1: want to not put it on my album. So I'm like,

1410
01:27:10,960 --> 01:27:12,559
Speaker 1: I don't hand no choice, and I didn't have time

1411
01:27:12,600 --> 01:27:15,320
Speaker 1: to record it. We already got weeie with with with

1412
01:27:15,479 --> 01:27:18,679
Speaker 1: twenty one. Yeah right, so it's not twenty one. It's

1413
01:27:18,720 --> 01:27:29,960
Speaker 1: not down and I started I don't say today. Now

1414
01:27:30,000 --> 01:27:32,320
Speaker 1: I'm sitting here, I'm like, dude, who the physicist? I

1415
01:27:32,439 --> 01:27:34,479
Speaker 1: tell you, i'll camera. I don't give and you know

1416
01:27:34,840 --> 01:27:37,040
Speaker 1: when you tell me if camera, I'll keep it off camera.

1417
01:27:37,439 --> 01:27:39,960
Speaker 1: But it's gonna be flame though it's lame, like how

1418
01:27:39,960 --> 01:27:43,120
Speaker 1: the ain't do female rappers. It's so lame, like because

1419
01:27:43,120 --> 01:27:46,080
Speaker 1: I won't respond to your dam for real, trying to

1420
01:27:46,080 --> 01:27:49,439
Speaker 1: hold the record up. Yeah, man, this person is probably

1421
01:27:49,560 --> 01:27:52,000
Speaker 1: hoping because you got to think. I don't know who

1422
01:27:52,000 --> 01:27:54,559
Speaker 1: we who were speaking about and how much shine they

1423
01:27:54,600 --> 01:27:57,920
Speaker 1: already had. But then you're looking at the next great

1424
01:27:58,040 --> 01:28:02,240
Speaker 1: champ right and now, and now I can't wait. Look,

1425
01:28:02,439 --> 01:28:08,640
Speaker 1: I can't wait to step on you down because I

1426
01:28:08,720 --> 01:28:12,040
Speaker 1: cannot wait. But you already. And it's crazy because you

1427
01:28:12,080 --> 01:28:14,280
Speaker 1: say when I get in that position, but you so

1428
01:28:14,560 --> 01:28:17,559
Speaker 1: positioned for greatness already. You know what I'm saying, and

1429
01:28:17,720 --> 01:28:20,720
Speaker 1: you can tell people I wonder what made us say that.

1430
01:28:20,880 --> 01:28:22,800
Speaker 1: I can't wait to getting it because I'm gonna step

1431
01:28:22,840 --> 01:28:25,800
Speaker 1: on you And that sound like I don't know, but

1432
01:28:26,200 --> 01:28:30,439
Speaker 1: that's an unfortunate place to fire yourself in, um to

1433
01:28:30,600 --> 01:28:35,719
Speaker 1: feel that way. After that, the Internet went up in arms,

1434
01:28:36,200 --> 01:28:40,720
Speaker 1: accusing Kodak Black, saying, Yo, we gotta be Kodak, Yo,

1435
01:28:40,800 --> 01:28:43,519
Speaker 1: we gotta be Kodak. And we've heard Kodak say things.

1436
01:28:43,560 --> 01:28:46,080
Speaker 1: That's why I always tell y'all that that shit on

1437
01:28:46,120 --> 01:28:49,559
Speaker 1: the internet don't mean nothing until it means something, right,

1438
01:28:49,600 --> 01:28:52,080
Speaker 1: So we've heard him play around say little things that

1439
01:28:52,120 --> 01:28:55,360
Speaker 1: people saying. Now he ain't playing now, but they wait

1440
01:28:55,479 --> 01:28:58,880
Speaker 1: till they can apply it to something. It don't mean

1441
01:28:59,080 --> 01:29:03,080
Speaker 1: nothing until it mean something. So Latto after that went

1442
01:29:03,080 --> 01:29:05,760
Speaker 1: on Breakfast Club, and you know, Charlemagne and Envy and

1443
01:29:05,800 --> 01:29:09,880
Speaker 1: Angela y, they they're gonna ask, like, yo, who was it.

1444
01:29:10,080 --> 01:29:12,360
Speaker 1: She's like, I'm not gonna say the name. I'm not

1445
01:29:12,439 --> 01:29:15,000
Speaker 1: gonna say the name. I shouldn't. I just I'm not

1446
01:29:15,040 --> 01:29:18,200
Speaker 1: gonna say the name. My first initial thought was, yo,

1447
01:29:18,280 --> 01:29:22,320
Speaker 1: I know she know the Internet is blaming Kodak. She should, yo,

1448
01:29:22,479 --> 01:29:25,920
Speaker 1: she should clear dude name if that's not due. So

1449
01:29:26,000 --> 01:29:28,280
Speaker 1: when she didn't clear his name and said damn, I

1450
01:29:28,720 --> 01:29:31,960
Speaker 1: thinking like, Dan, that's petty because in my mind I

1451
01:29:31,960 --> 01:29:37,160
Speaker 1: ain't thinking it's Kodak. But then more things came out,

1452
01:29:37,160 --> 01:29:41,160
Speaker 1: and Kodak Black took to the Internet and said this, okay,

1453
01:29:41,160 --> 01:29:43,479
Speaker 1: but but hold on, but before we look at what

1454
01:29:43,560 --> 01:29:47,240
Speaker 1: Kodak said on this IG Live, we're gonna look at

1455
01:29:47,760 --> 01:29:51,400
Speaker 1: Lato being asked the question on Breakfast Club and what

1456
01:29:51,560 --> 01:29:55,719
Speaker 1: Kodak Black said in response to that. Again, everybody probably

1457
01:29:55,720 --> 01:29:58,080
Speaker 1: thought that wherever Lato went that after that, she was

1458
01:29:58,120 --> 01:30:00,559
Speaker 1: gonna clear Kodak because man, if he on the album,

1459
01:30:00,600 --> 01:30:04,320
Speaker 1: that's her homie and they're probably clear that up. But

1460
01:30:04,439 --> 01:30:09,240
Speaker 1: this is what she said on Breakfast Club. I don't

1461
01:30:09,280 --> 01:30:12,160
Speaker 1: want to say who it was. Yeah, I just feel

1462
01:30:12,160 --> 01:30:14,680
Speaker 1: like because it's gonna distract from the music and my

1463
01:30:14,720 --> 01:30:17,080
Speaker 1: attentions is not to get anyone dragged or anything. I

1464
01:30:17,120 --> 01:30:19,439
Speaker 1: just wanted to speak from, like what do I deal with?

1465
01:30:19,680 --> 01:30:23,519
Speaker 1: I don't specifically want someone to, you know, get dragged

1466
01:30:23,600 --> 01:30:26,360
Speaker 1: or that cancel culture. Shit? Is a mother? Did other

1467
01:30:26,400 --> 01:30:30,200
Speaker 1: female artists? And so Kodak said the mulatto girls not

1468
01:30:30,320 --> 01:30:34,000
Speaker 1: talking about me, homie. I see y'all steady reaching laware shout.

1469
01:30:34,040 --> 01:30:36,040
Speaker 1: Ain't even say a nigga name on that shit. I

1470
01:30:36,080 --> 01:30:39,320
Speaker 1: don't know why y'all trying to make a niggaway that jacket.

1471
01:30:39,320 --> 01:30:41,559
Speaker 1: I'm too fly for that ship home again. You've seen

1472
01:30:41,640 --> 01:30:44,400
Speaker 1: Charlottagne asks yo, is it Kodak? The internet going Chris

1473
01:30:44,520 --> 01:30:46,840
Speaker 1: saying Kodak, And you know if she don't say no,

1474
01:30:46,960 --> 01:30:51,920
Speaker 1: it mean yo. In my opinion, you see what I'm saying.

1475
01:30:51,960 --> 01:30:54,040
Speaker 1: If you want up, ask a woman, hey, how you doing?

1476
01:30:54,120 --> 01:30:59,280
Speaker 1: Do you have a boyfriend? Anything outside of yeah is no.

1477
01:31:00,080 --> 01:31:02,400
Speaker 1: Because and the only reason I say that is because

1478
01:31:02,400 --> 01:31:04,439
Speaker 1: she made it clear with twenty one Savage when they

1479
01:31:04,439 --> 01:31:06,760
Speaker 1: were asked, is it twenty one. Now, it's not twenty one.

1480
01:31:06,800 --> 01:31:09,160
Speaker 1: So if you say no, man, if I keep asking you,

1481
01:31:09,479 --> 01:31:11,519
Speaker 1: if you don't say no, it means yet. So then

1482
01:31:11,600 --> 01:31:13,920
Speaker 1: after that, Kodak Black went on live and said this

1483
01:31:15,080 --> 01:31:23,559
Speaker 1: her first goal. Man bro and listen, I may in

1484
01:31:23,600 --> 01:31:28,080
Speaker 1: my tweety I should say the other day that shit

1485
01:31:28,240 --> 01:31:33,439
Speaker 1: said that it was not talking about mean periodity. It

1486
01:31:33,560 --> 01:31:39,160
Speaker 1: ain't no no kind of screenshot, no kind of motherfucking

1487
01:31:39,280 --> 01:31:41,880
Speaker 1: no kind of nothing that said. I was trying to

1488
01:31:41,880 --> 01:31:46,040
Speaker 1: test a bit or I was trying to get goings. Oh,

1489
01:31:46,120 --> 01:31:48,520
Speaker 1: I was trying to be on any of that shipment,

1490
01:31:49,120 --> 01:31:51,880
Speaker 1: any of that ship with man and keep it ze

1491
01:31:52,040 --> 01:31:54,559
Speaker 1: on that and no more what the years ago when

1492
01:31:54,560 --> 01:31:56,760
Speaker 1: we've been on that ship years ago for that ship

1493
01:31:56,840 --> 01:32:01,200
Speaker 1: was even fothering like that Roman So kid that ship

1494
01:32:01,439 --> 01:32:03,800
Speaker 1: and the shit ain't never say that nigga. I ain't

1495
01:32:03,880 --> 01:32:06,320
Speaker 1: wanting so y'all kill that ship. The niggas you know

1496
01:32:07,120 --> 01:32:10,040
Speaker 1: that ship, So y'all kill some care of that ship.

1497
01:32:10,120 --> 01:32:12,320
Speaker 1: I'm gonna trying to play it like a nigga and

1498
01:32:12,479 --> 01:32:15,720
Speaker 1: start playing well any big gm my jump in where

1499
01:32:15,760 --> 01:32:18,120
Speaker 1: they five back on me like any bit. I'm talking

1500
01:32:18,120 --> 01:32:21,519
Speaker 1: about like five real beaches like bitches with real money,

1501
01:32:21,800 --> 01:32:24,560
Speaker 1: buses with way more men in talking out like I

1502
01:32:24,640 --> 01:32:27,880
Speaker 1: got the beaches for real, I'm can win it for real,

1503
01:32:27,920 --> 01:32:29,840
Speaker 1: the fun I'm being out. You been doing this shit

1504
01:32:29,960 --> 01:32:33,280
Speaker 1: like I've been getting money for a long time. I've

1505
01:32:33,320 --> 01:32:35,000
Speaker 1: been doing this shit for a long time. On you

1506
01:32:35,040 --> 01:32:40,240
Speaker 1: know the ship. Yeah, and there's a lot of little

1507
01:32:40,640 --> 01:32:42,320
Speaker 1: a lot of the users. They go to get them,

1508
01:32:42,320 --> 01:32:44,559
Speaker 1: playing them all. That's why, that's why girls can never

1509
01:32:44,600 --> 01:32:47,479
Speaker 1: be in control of the world, or I have authority

1510
01:32:47,520 --> 01:32:49,800
Speaker 1: over what you called it, Cada go to getting a

1511
01:32:49,800 --> 01:32:52,559
Speaker 1: little a little shit and y'all just got some old

1512
01:32:52,600 --> 01:32:55,240
Speaker 1: water chill and I had business. Why I'm being crushing

1513
01:32:55,240 --> 01:32:57,800
Speaker 1: it on me? Go back, go getting them a little

1514
01:32:57,800 --> 01:32:59,400
Speaker 1: mining and go to try to play like a nigga,

1515
01:32:59,479 --> 01:33:01,799
Speaker 1: like like stop on one in me eat, I sain't

1516
01:33:01,840 --> 01:33:03,720
Speaker 1: gonna try to talk her down on me, try to

1517
01:33:03,720 --> 01:33:07,160
Speaker 1: talk acting like yad can't do this nigga. I'm gonna

1518
01:33:07,160 --> 01:33:10,720
Speaker 1: funning that ship, so y'all kill kill of that ship.

1519
01:33:10,800 --> 01:33:12,840
Speaker 1: I'm gonna trying to play it like a nigga and

1520
01:33:13,120 --> 01:33:16,320
Speaker 1: started playing well any pol y'all care the shit it's

1521
01:33:16,320 --> 01:33:18,640
Speaker 1: about coming my name on that fuck ship though, And

1522
01:33:18,800 --> 01:33:22,760
Speaker 1: then they ain't know on no ship, my fuck Dan,

1523
01:33:23,280 --> 01:33:27,080
Speaker 1: So that eventually be all that Rod Savage broke, damn

1524
01:33:27,120 --> 01:33:29,240
Speaker 1: my fac I'm net twenty month bro, no family man

1525
01:33:29,560 --> 01:33:32,519
Speaker 1: one oh boy, Well, y'all this shit that he's not

1526
01:33:32,600 --> 01:33:34,800
Speaker 1: trying to text you girls? Stop? Man, mean she know

1527
01:33:34,840 --> 01:33:38,960
Speaker 1: that what she's he no name, no, but y'all tricking rope.

1528
01:33:39,000 --> 01:33:41,880
Speaker 1: I'm saying, my engineer, he just sows some ship, like

1529
01:33:41,920 --> 01:33:43,640
Speaker 1: all right, it looked like a big plane with my

1530
01:33:43,680 --> 01:33:47,080
Speaker 1: little dog. So that's why eat jumping on there like man,

1531
01:33:47,120 --> 01:33:50,200
Speaker 1: because he knows where it is, don't. I'm saying, girl

1532
01:33:50,560 --> 01:33:53,760
Speaker 1: that See, everybody responded shit different sall responded to that

1533
01:33:53,800 --> 01:33:56,439
Speaker 1: shit like, man, know what she ain't talking about me more.

1534
01:33:56,479 --> 01:33:59,200
Speaker 1: I kept the cords because all this summer fact up

1535
01:33:59,240 --> 01:34:03,800
Speaker 1: and fly bro a man all right, saying how I

1536
01:34:04,000 --> 01:34:07,479
Speaker 1: be a mail on whatever iver whatever. I'm saying, So

1537
01:34:07,520 --> 01:34:12,599
Speaker 1: what man, but Hiver like you didn't a nigga out

1538
01:34:14,160 --> 01:34:17,439
Speaker 1: confirmed and she so, y'all kids of ships about coming

1539
01:34:17,439 --> 01:34:22,040
Speaker 1: in my name? All right. Then Kodak Black's engineer came

1540
01:34:22,040 --> 01:34:23,880
Speaker 1: out and said this, let me fill you in on

1541
01:34:24,320 --> 01:34:27,080
Speaker 1: the bullshit with Lado and what it's all about. She

1542
01:34:27,160 --> 01:34:30,080
Speaker 1: asked for a feature while back, we charged her normal rate.

1543
01:34:31,520 --> 01:34:34,720
Speaker 1: She wanted to swap since her verse wasn't really do

1544
01:34:34,800 --> 01:34:37,320
Speaker 1: anything for us. We asked for a swap for a

1545
01:34:37,479 --> 01:34:42,639
Speaker 1: female artist and charged her less. She declined and says

1546
01:34:42,680 --> 01:34:45,200
Speaker 1: she was going to not use the record. Out the blue,

1547
01:34:45,240 --> 01:34:49,120
Speaker 1: she decides to accept a higher fee and still not

1548
01:34:49,280 --> 01:34:52,680
Speaker 1: off for a swap for our artists. Talk about empowering

1549
01:34:53,040 --> 01:34:56,439
Speaker 1: fellow female rappers. Now she's on some bullshit that she

1550
01:34:57,400 --> 01:35:00,479
Speaker 1: was made uncomfortable in holding up your Eye album. I

1551
01:35:00,560 --> 01:35:03,759
Speaker 1: know you're not talking about us. You're on your diva

1552
01:35:03,840 --> 01:35:07,639
Speaker 1: ship when no one is getting in the car playing

1553
01:35:07,680 --> 01:35:13,000
Speaker 1: your records. Your whole album had legal issues. I'm on

1554
01:35:13,040 --> 01:35:17,439
Speaker 1: the email change. Stop trying to pull this empathy car

1555
01:35:17,560 --> 01:35:20,360
Speaker 1: for sales. You try to assassinate my brother's character. I'm

1556
01:35:20,400 --> 01:35:25,240
Speaker 1: gonna destroy yours. DM and us non stop asking for

1557
01:35:25,280 --> 01:35:27,599
Speaker 1: a feature and then make it seem like we're pressed.

1558
01:35:27,640 --> 01:35:30,400
Speaker 1: Ain't gonna lie, Ain't gonna let you lie on us

1559
01:35:30,479 --> 01:35:33,719
Speaker 1: like that for sympathy. Every everyone is always super friendly

1560
01:35:33,760 --> 01:35:36,439
Speaker 1: when he comes to asking for a verse. Just say

1561
01:35:36,439 --> 01:35:39,560
Speaker 1: you're upset that we didn't like your super Grimlin remix.

1562
01:35:40,479 --> 01:35:43,519
Speaker 1: So that was both sides of you know, the lotto

1563
01:35:43,640 --> 01:35:50,479
Speaker 1: and Kodak black shit, and for me, dog, you know,

1564
01:35:50,520 --> 01:35:55,040
Speaker 1: I always like to see the interactions of how we

1565
01:35:55,080 --> 01:35:57,360
Speaker 1: interact with each other when we have a dispute or

1566
01:35:57,360 --> 01:36:02,840
Speaker 1: a problem or that seems to be a misunderstanding or

1567
01:36:02,920 --> 01:36:05,400
Speaker 1: the communication that's went a ride, right, I like to

1568
01:36:06,000 --> 01:36:08,600
Speaker 1: watch how we communicate with each other, and so I

1569
01:36:08,720 --> 01:36:11,559
Speaker 1: watch stuff like that. You know, I know that dudes

1570
01:36:12,080 --> 01:36:16,760
Speaker 1: have a hard time communicating with women, and so they

1571
01:36:16,800 --> 01:36:19,280
Speaker 1: try to use things. And this is off Kodak, This

1572
01:36:19,360 --> 01:36:22,240
Speaker 1: is just me talking about relationships and just regular shit

1573
01:36:22,320 --> 01:36:27,320
Speaker 1: at this point. But do you dudes use things the

1574
01:36:27,360 --> 01:36:30,160
Speaker 1: same way women use things. We all are using things

1575
01:36:30,200 --> 01:36:35,640
Speaker 1: in order to provide you with an understanding of what

1576
01:36:35,720 --> 01:36:42,160
Speaker 1: I value is you see what I'm saying, Um, just

1577
01:36:42,240 --> 01:36:44,400
Speaker 1: like I've seen what Winter went online and say, yo,

1578
01:36:44,479 --> 01:36:47,320
Speaker 1: I wan big clothes because I don't want I don't

1579
01:36:47,320 --> 01:36:49,720
Speaker 1: want my ass all out showing my ad Like I

1580
01:36:49,720 --> 01:36:52,760
Speaker 1: don't like people staring at me and me I like

1581
01:36:52,920 --> 01:36:55,960
Speaker 1: for the women that's stick, that got that kind of

1582
01:36:56,040 --> 01:36:59,720
Speaker 1: body that just that's just shy about it like that,

1583
01:37:00,080 --> 01:37:03,280
Speaker 1: Like I can appreciate that. I don't like to see

1584
01:37:03,320 --> 01:37:05,920
Speaker 1: the woman with that kind of body with I ass

1585
01:37:05,960 --> 01:37:10,720
Speaker 1: out at the little boys football game. Everything got a

1586
01:37:10,800 --> 01:37:13,080
Speaker 1: place and I ain't talking about it. You just stick

1587
01:37:13,160 --> 01:37:16,960
Speaker 1: so no matter what you were you think, I'm just

1588
01:37:17,040 --> 01:37:20,160
Speaker 1: talking about like the tie you got on right now

1589
01:37:20,320 --> 01:37:24,760
Speaker 1: these kids basketball game looks like the tie that I

1590
01:37:24,800 --> 01:37:27,240
Speaker 1: can really pick you up and take you to a

1591
01:37:27,280 --> 01:37:31,120
Speaker 1: decent restaurant right now. You know you turning me on

1592
01:37:31,320 --> 01:37:33,559
Speaker 1: with that on. If I'm your nigging pull up and

1593
01:37:33,600 --> 01:37:36,559
Speaker 1: you push up on me with that on, I'm feeling that.

1594
01:37:37,200 --> 01:37:40,600
Speaker 1: I just think around children or around and I'd be

1595
01:37:40,640 --> 01:37:43,519
Speaker 1: seeing some people come to Churchill. I'd be like, good God,

1596
01:37:45,560 --> 01:37:49,880
Speaker 1: no pun intended. Let's talk about this. Joe Budden said

1597
01:37:49,920 --> 01:37:53,960
Speaker 1: that there's no better feeling. Let me see if I

1598
01:37:53,960 --> 01:37:55,920
Speaker 1: can find a tweet because it was a tweet where

1599
01:37:56,400 --> 01:37:59,439
Speaker 1: people are people are saying that this was direct led

1600
01:37:59,520 --> 01:38:03,599
Speaker 1: ruraling mom. Joe Budden says this on Twitter. No better

1601
01:38:03,600 --> 01:38:05,840
Speaker 1: feeling than making sure your people get rich, even if

1602
01:38:05,880 --> 01:38:09,920
Speaker 1: you never speak to them again afterward. Then someone named

1603
01:38:09,920 --> 01:38:13,320
Speaker 1: at Joe Brody say, bro you fired them and they

1604
01:38:13,360 --> 01:38:15,920
Speaker 1: discovered the actual worth in the open market. That's not

1605
01:38:16,000 --> 01:38:18,479
Speaker 1: you getting them a bag, that's you dropping two bags,

1606
01:38:19,160 --> 01:38:21,479
Speaker 1: and then Joe Budden responds to him and says, that's

1607
01:38:21,479 --> 01:38:24,320
Speaker 1: your version. People went to asking me what do I

1608
01:38:24,320 --> 01:38:27,840
Speaker 1: feel about that? I do think Joe spread it out

1609
01:38:27,920 --> 01:38:31,800
Speaker 1: some of his influence, some of his power, and I

1610
01:38:31,920 --> 01:38:34,400
Speaker 1: think I think you gotta be in this game to

1611
01:38:34,560 --> 01:38:36,960
Speaker 1: know that. But I think that it happened without him

1612
01:38:36,960 --> 01:38:38,680
Speaker 1: knowing it, right. I think it was a hell of

1613
01:38:38,680 --> 01:38:41,760
Speaker 1: a marriage and it was one thing used the other right.

1614
01:38:41,840 --> 01:38:44,679
Speaker 1: So they did it at first win Joe Budden Caschet

1615
01:38:44,880 --> 01:38:48,640
Speaker 1: was down, but because they did a good job and

1616
01:38:48,680 --> 01:38:51,400
Speaker 1: he was a celebrity, they did a great job on

1617
01:38:51,560 --> 01:38:55,800
Speaker 1: the pard. It raised his cache and gave him the

1618
01:38:55,880 --> 01:38:58,240
Speaker 1: ability to branch out and go do the love and

1619
01:38:58,320 --> 01:39:00,160
Speaker 1: hip hop and go do to this and go do

1620
01:39:00,280 --> 01:39:05,280
Speaker 1: that with a different leveraging, with a different negotiation standpoint,

1621
01:39:06,280 --> 01:39:08,360
Speaker 1: you know. So he was able to negotiate love and

1622
01:39:08,439 --> 01:39:10,439
Speaker 1: hip hop different than some of these things he were

1623
01:39:10,479 --> 01:39:15,120
Speaker 1: able to do. I'm talking about post podcast If you

1624
01:39:15,160 --> 01:39:17,800
Speaker 1: look at pre podcasting, he wasn't getting no hell of

1625
01:39:17,840 --> 01:39:21,280
Speaker 1: a lot of money, but Posts they respected it in

1626
01:39:21,320 --> 01:39:26,439
Speaker 1: a different way. Then Spotify came in. Then that changed everything, right,

1627
01:39:26,520 --> 01:39:31,439
Speaker 1: and so it was unintentional in regards to as much

1628
01:39:31,520 --> 01:39:34,679
Speaker 1: impact as it did, because I've always said that Joe

1629
01:39:34,720 --> 01:39:39,120
Speaker 1: Button did give his audience to Rory and Mall in

1630
01:39:39,200 --> 01:39:43,040
Speaker 1: regards to the rap audience, right, I ain't talking about

1631
01:39:43,040 --> 01:39:45,439
Speaker 1: the sports audience. I ain't talking about the college audience.

1632
01:39:45,479 --> 01:39:48,519
Speaker 1: I'm talking about the rap audience. He gave them that

1633
01:39:50,920 --> 01:39:53,840
Speaker 1: the same way academics gave Joe Button a lot of

1634
01:39:53,880 --> 01:39:56,519
Speaker 1: his audience. You know what I'm saying. This is how

1635
01:39:56,560 --> 01:39:59,280
Speaker 1: you let him again, in the same way Charlemagne gave

1636
01:39:59,360 --> 01:40:03,400
Speaker 1: Joe something his audience and Joe gay rural remark. Right,

1637
01:40:03,439 --> 01:40:05,800
Speaker 1: It's a it's an audience share thing that's happening. And

1638
01:40:05,920 --> 01:40:09,920
Speaker 1: you gotta understand that because all of us share fans. Right,

1639
01:40:10,360 --> 01:40:13,120
Speaker 1: the same people that like me like big Facts, they

1640
01:40:13,200 --> 01:40:16,639
Speaker 1: like Wallow and Gilly, they like eighty five South, they

1641
01:40:16,720 --> 01:40:19,880
Speaker 1: like I am athlete, they like you know, the same people.

1642
01:40:20,439 --> 01:40:23,360
Speaker 1: They kind of like the same things in the same vein, Right,

1643
01:40:23,360 --> 01:40:25,799
Speaker 1: And we and we understand that we don't shy away

1644
01:40:25,880 --> 01:40:28,840
Speaker 1: or run from that. That's part of the game. Competition

1645
01:40:29,000 --> 01:40:32,080
Speaker 1: is gonna be bred by that, just because the fans

1646
01:40:32,080 --> 01:40:34,719
Speaker 1: are gonna being to comment saying certain things. I think

1647
01:40:34,760 --> 01:40:36,920
Speaker 1: both things are true. I think Joe Budden got them

1648
01:40:37,040 --> 01:40:40,120
Speaker 1: rich and he dropped the bags. Because what I see

1649
01:40:40,120 --> 01:40:43,639
Speaker 1: for Joe Budden is this is how you make all

1650
01:40:43,680 --> 01:40:45,479
Speaker 1: not all the money, but this is how you make

1651
01:40:45,520 --> 01:40:48,599
Speaker 1: a bigger portion of the money. Not only would you

1652
01:40:48,760 --> 01:40:51,000
Speaker 1: gave them a little bit more. I'm not sure if

1653
01:40:51,000 --> 01:40:53,240
Speaker 1: I would have done. I don't know what in regards

1654
01:40:53,320 --> 01:40:55,920
Speaker 1: to the numbers, I don't know it played out how

1655
01:40:55,960 --> 01:40:58,280
Speaker 1: it played out. But just look at it from the

1656
01:40:58,280 --> 01:41:00,200
Speaker 1: other side, and what if Joe Budden would have been

1657
01:41:00,280 --> 01:41:03,800
Speaker 1: able to keep Royal ram mall and since they were

1658
01:41:03,880 --> 01:41:07,639
Speaker 1: high priced or they were negotiating from a standpoint of, hey,

1659
01:41:07,760 --> 01:41:09,640
Speaker 1: we kind of want more money. I'll tell you what

1660
01:41:09,680 --> 01:41:12,439
Speaker 1: we'll do, y'all. Two times a week. We'll do ISSH

1661
01:41:12,479 --> 01:41:15,680
Speaker 1: and Ice four times a week. That makes me do

1662
01:41:15,840 --> 01:41:18,960
Speaker 1: six days a week. Now, what's consistent in all six

1663
01:41:19,080 --> 01:41:22,600
Speaker 1: days is Joe Button. So now this is how you

1664
01:41:22,680 --> 01:41:25,160
Speaker 1: build the network out. You had two shows going on

1665
01:41:25,280 --> 01:41:27,280
Speaker 1: at the same time. That would have been beautiful, but

1666
01:41:27,320 --> 01:41:31,080
Speaker 1: the chips didn't fall that way. Royal Ramall got out

1667
01:41:31,160 --> 01:41:35,000
Speaker 1: of them and Joe built it back up with Ish

1668
01:41:35,040 --> 01:41:39,240
Speaker 1: and Ice. I wonder how long that'll be the fore man,

1669
01:41:39,320 --> 01:41:41,400
Speaker 1: I'm not sure. I think he I think he might

1670
01:41:41,479 --> 01:41:43,519
Speaker 1: have an idea what to do next. I'm not sure

1671
01:41:43,560 --> 01:41:45,400
Speaker 1: a lot of people in this space. Man, you just

1672
01:41:45,479 --> 01:41:49,720
Speaker 1: gotta You're just pushing and pulling. And let me let

1673
01:41:49,760 --> 01:41:52,160
Speaker 1: me say this just to get you know, I was

1674
01:41:52,200 --> 01:41:56,000
Speaker 1: watching a movie and it made me think about this.

1675
01:41:56,400 --> 01:42:00,120
Speaker 1: Let me say this to all the the women and

1676
01:42:00,200 --> 01:42:02,519
Speaker 1: the guys out there, all the guys and the women

1677
01:42:02,600 --> 01:42:07,040
Speaker 1: out there. It's in relationships and may fall victim like

1678
01:42:07,080 --> 01:42:10,080
Speaker 1: because I know the Internet is ruined a lot of relationships.

1679
01:42:11,600 --> 01:42:14,240
Speaker 1: The Internet has been at the forefront of making a

1680
01:42:14,360 --> 01:42:22,360
Speaker 1: relationship go from his peak to his destruction. The Internet

1681
01:42:22,400 --> 01:42:27,200
Speaker 1: offers you a reality that just you can't sustain. When

1682
01:42:27,200 --> 01:42:29,240
Speaker 1: you look at some of these people, and some of

1683
01:42:29,240 --> 01:42:32,760
Speaker 1: these people are presenting you, they highlight reels and what

1684
01:42:32,840 --> 01:42:35,559
Speaker 1: it is that you're doing with me, right, so you

1685
01:42:35,560 --> 01:42:40,080
Speaker 1: can be a pure deregular individual. Got a man busting

1686
01:42:40,160 --> 01:42:44,200
Speaker 1: his ass doing everything he can to provide. Mike got

1687
01:42:44,200 --> 01:42:47,400
Speaker 1: two three felons working two three jobs at a minimum

1688
01:42:47,400 --> 01:42:51,759
Speaker 1: in regards to pay raid but trying his best to provide.

1689
01:42:51,800 --> 01:42:54,000
Speaker 1: But you holding them up against the standard that you're

1690
01:42:54,040 --> 01:42:56,960
Speaker 1: chasing on the internet. Right, he might say, Man, he

1691
01:42:57,040 --> 01:42:58,800
Speaker 1: needs you to pay the light bill, and if that

1692
01:42:58,880 --> 01:43:02,080
Speaker 1: ain't your speed, then you shouldn't never got in that vehicle, right,

1693
01:43:02,120 --> 01:43:08,120
Speaker 1: I'm telling you after you had already signed up. Now

1694
01:43:08,200 --> 01:43:17,560
Speaker 1: you've allowed somebody's virtual reality to influence your actual reality,

1695
01:43:19,800 --> 01:43:23,320
Speaker 1: and separating the two is instrumental. It's the ingredients in

1696
01:43:23,360 --> 01:43:27,160
Speaker 1: regards to figuring out how to go somewhere in your

1697
01:43:27,200 --> 01:43:31,599
Speaker 1: real life, giving your time self to evolve. I tell

1698
01:43:31,720 --> 01:43:36,840
Speaker 1: women all the time, baby, make it obvious. You ain't

1699
01:43:36,880 --> 01:43:38,920
Speaker 1: got to tell me to marry I'm gonna marry you

1700
01:43:39,000 --> 01:43:41,960
Speaker 1: when you make it obvious. When I tell myself I can't. Man,

1701
01:43:42,040 --> 01:43:44,519
Speaker 1: I got to state what I'd be a fool to

1702
01:43:44,680 --> 01:43:49,080
Speaker 1: let somebody else get that make it obvious. One thing

1703
01:43:49,120 --> 01:43:53,000
Speaker 1: a man don't like to do is loud. The problem

1704
01:43:53,240 --> 01:43:55,760
Speaker 1: is a lot of men can categorize you when in

1705
01:43:55,800 --> 01:43:58,759
Speaker 1: regards to when he's dealing with you. Right, you've allowed

1706
01:43:58,840 --> 01:44:04,920
Speaker 1: Joe characteristics to show that would allow him to characterize

1707
01:44:04,960 --> 01:44:09,960
Speaker 1: you as not pleasant. Let's just say that, and anything

1708
01:44:10,080 --> 01:44:13,920
Speaker 1: not pleasant from a man that can consider being on

1709
01:44:13,960 --> 01:44:17,320
Speaker 1: the other side of that will always choose the other

1710
01:44:17,360 --> 01:44:20,240
Speaker 1: side of that. I've saw I've saw women being their

1711
01:44:20,280 --> 01:44:24,160
Speaker 1: friend groups and dudes being their friend groups, and people

1712
01:44:24,200 --> 01:44:28,040
Speaker 1: being their friend groups, and they being cheered on, and

1713
01:44:28,080 --> 01:44:30,840
Speaker 1: they being applauded, and they've being asked to do things

1714
01:44:30,880 --> 01:44:36,160
Speaker 1: that other people wouldn't do. I've heard things if I

1715
01:44:36,200 --> 01:44:40,640
Speaker 1: wouldn't be with a man that travels that much, I

1716
01:44:40,680 --> 01:44:43,479
Speaker 1: couldn't be what a woman that talks to me that way.

1717
01:44:43,520 --> 01:44:46,479
Speaker 1: I couldn't mess with a woman that never cooks, and

1718
01:44:47,439 --> 01:44:50,000
Speaker 1: I couldn't deal with a man that wouldn't pay half

1719
01:44:50,040 --> 01:44:54,000
Speaker 1: the bills. And all you gotta do is examining their

1720
01:44:54,120 --> 01:44:58,720
Speaker 1: real situation. That proof is in the pudding. Examine their

1721
01:44:58,760 --> 01:45:02,040
Speaker 1: real life. The proof is into pudding. The youngsters called

1722
01:45:02,120 --> 01:45:05,880
Speaker 1: that doing it for the Graham. They'll tell you to

1723
01:45:05,960 --> 01:45:10,840
Speaker 1: leave someone that they wouldn't leave, no matter what the circumstances. Well,

1724
01:45:12,560 --> 01:45:15,000
Speaker 1: if they were placed in the same position, they had

1725
01:45:15,040 --> 01:45:18,760
Speaker 1: the same guy that you have under no circumstances where

1726
01:45:18,760 --> 01:45:22,880
Speaker 1: they consider leaving him. But on the sideline, it's easy

1727
01:45:22,960 --> 01:45:27,120
Speaker 1: to say, ain't no way out. Whatever the problem becomes

1728
01:45:27,760 --> 01:45:30,680
Speaker 1: is when somebody fall victim to that. Right, when you

1729
01:45:30,760 --> 01:45:36,680
Speaker 1: start doing stuff to strengthen how you look outside the relationship, right,

1730
01:45:36,720 --> 01:45:41,240
Speaker 1: you know people are watching. So now you go to

1731
01:45:41,360 --> 01:45:44,120
Speaker 1: telling your friends, or you go to telling whoever it

1732
01:45:44,160 --> 01:45:47,760
Speaker 1: is that you Now I'm changing how I view this

1733
01:45:47,880 --> 01:45:50,639
Speaker 1: is what you don't know is a lot of people, right,

1734
01:45:50,720 --> 01:45:53,559
Speaker 1: people make agreements in their head. They ain't got nothing

1735
01:45:53,560 --> 01:45:56,680
Speaker 1: to do with you. A lot of times, if you

1736
01:45:56,760 --> 01:45:59,439
Speaker 1: find a guy that's not cheating on this girl in

1737
01:45:59,560 --> 01:46:05,760
Speaker 1: my it's literally out of extreme paranoia of hurting her, right,

1738
01:46:06,000 --> 01:46:09,519
Speaker 1: because it ain't that he don't see other women and

1739
01:46:09,640 --> 01:46:13,040
Speaker 1: find them attractive. It ain't that that'll be against its

1740
01:46:13,160 --> 01:46:17,200
Speaker 1: human nature. Right, That ain't the case. It's the fact that, boy,

1741
01:46:17,240 --> 01:46:20,320
Speaker 1: if you get caught doing that, what level is that

1742
01:46:20,479 --> 01:46:24,040
Speaker 1: going right? What level is surely gonna go to in

1743
01:46:24,120 --> 01:46:27,720
Speaker 1: regards to how she expressed how her she is like,

1744
01:46:27,880 --> 01:46:29,920
Speaker 1: you know what I'm saying, So it be it be

1745
01:46:29,960 --> 01:46:32,479
Speaker 1: a level of that going on, meaning it ain't worth

1746
01:46:32,600 --> 01:46:35,439
Speaker 1: what's going on. It ain't worth for me to cheat. Right,

1747
01:46:35,760 --> 01:46:38,759
Speaker 1: Water happened if I get caught, ain't worth water happened

1748
01:46:39,320 --> 01:46:41,800
Speaker 1: if I go through with it. And when a man

1749
01:46:42,000 --> 01:46:44,479
Speaker 1: is dealing with a woman, and I can only speak

1750
01:46:44,479 --> 01:46:48,439
Speaker 1: on that behalf right, I'm not sure I would assume

1751
01:46:48,520 --> 01:46:51,240
Speaker 1: with women, but I'm speaking about what I know to

1752
01:46:51,360 --> 01:46:55,400
Speaker 1: be true on the man's side. But when a man

1753
01:46:55,600 --> 01:46:59,679
Speaker 1: is dealing with a woman, he's computing everything's happening. It's

1754
01:46:59,720 --> 01:47:02,599
Speaker 1: like some video game. Right, every little thing she say,

1755
01:47:02,720 --> 01:47:04,280
Speaker 1: what does she mean, if he want to, if he

1756
01:47:04,360 --> 01:47:06,680
Speaker 1: a counsel or something where you want to, he's a

1757
01:47:06,760 --> 01:47:12,960
Speaker 1: thinking individual. Every little thing that happened goes into the algorithm. Right.

1758
01:47:13,040 --> 01:47:14,920
Speaker 1: He gets to a point where, oh, she said that,

1759
01:47:15,040 --> 01:47:17,280
Speaker 1: I remember she said that. That means when she'd done

1760
01:47:17,320 --> 01:47:21,080
Speaker 1: that eight months ago, that wasn't true because what she

1761
01:47:21,200 --> 01:47:23,280
Speaker 1: said eight months ago was this, and that didn't add

1762
01:47:23,320 --> 01:47:25,720
Speaker 1: up to what she just said right then, right. And

1763
01:47:25,840 --> 01:47:30,000
Speaker 1: the only reason is is because the level of distraction

1764
01:47:30,080 --> 01:47:33,519
Speaker 1: that being hurt is. That's why a lot of people

1765
01:47:33,600 --> 01:47:36,439
Speaker 1: in a pristine position don't want to be in a

1766
01:47:36,560 --> 01:47:42,519
Speaker 1: position to hurt, because it distracts you. Whatever it is

1767
01:47:42,560 --> 01:47:45,200
Speaker 1: you do, I don't give a damn what job you gotta.

1768
01:47:45,320 --> 01:47:47,840
Speaker 1: Who is around. Once you get in a position of

1769
01:47:47,960 --> 01:47:51,120
Speaker 1: where some love has been lost or something is going

1770
01:47:51,200 --> 01:47:53,439
Speaker 1: on in regards to that, it hurts from a different

1771
01:47:53,479 --> 01:47:56,360
Speaker 1: standpoint and it kind of shuts some of that down.

1772
01:47:57,560 --> 01:48:01,000
Speaker 1: It affects it at the bare minimum. But I find

1773
01:48:01,000 --> 01:48:03,840
Speaker 1: it interesting when women or men or people try to

1774
01:48:04,560 --> 01:48:09,160
Speaker 1: justify their relationship to people outside the relationship. So you

1775
01:48:09,280 --> 01:48:13,719
Speaker 1: may be in a situation where you overheard your your

1776
01:48:13,760 --> 01:48:16,600
Speaker 1: girlfriend or your or your whoever you dating you, You

1777
01:48:16,760 --> 01:48:19,439
Speaker 1: ever heard them say something in the other room to

1778
01:48:19,520 --> 01:48:21,559
Speaker 1: their friend like I mean, if he won't to go,

1779
01:48:21,760 --> 01:48:26,320
Speaker 1: he can go ahead. Now that was harmless. And she

1780
01:48:26,479 --> 01:48:29,320
Speaker 1: may have done that to look a certain way in

1781
01:48:29,360 --> 01:48:31,479
Speaker 1: the eyes of the person that she's speaking to on

1782
01:48:31,520 --> 01:48:34,200
Speaker 1: the phone. But what they just did to the algorithm

1783
01:48:34,640 --> 01:48:37,559
Speaker 1: was sent it to the other side, meaning oh so

1784
01:48:37,720 --> 01:48:42,000
Speaker 1: she can stand if if you know, like, she won't

1785
01:48:42,040 --> 01:48:46,080
Speaker 1: be that hurt you dig And if if a dude

1786
01:48:46,160 --> 01:48:48,679
Speaker 1: think that he can cheat on you and it won't matter,

1787
01:48:50,200 --> 01:48:52,920
Speaker 1: then he gonna probably do it. You know what I'm saying,

1788
01:48:52,960 --> 01:48:56,200
Speaker 1: because ain't no expectation, right if you like, if you

1789
01:48:56,280 --> 01:48:58,720
Speaker 1: don't care. See, I can do both. I can be

1790
01:48:58,800 --> 01:49:03,680
Speaker 1: with somebody that don't kill and it's cool. You understand me,

1791
01:49:03,760 --> 01:49:06,520
Speaker 1: and and it's the same love, it's the same respect,

1792
01:49:06,600 --> 01:49:08,960
Speaker 1: but it's an understanding that I can do what I

1793
01:49:09,000 --> 01:49:11,960
Speaker 1: want to do. Yeah, it take it take a lot

1794
01:49:11,960 --> 01:49:15,200
Speaker 1: of bait to get a big fish, you know, it

1795
01:49:15,280 --> 01:49:17,240
Speaker 1: takes a lot of bait to get a big fish,

1796
01:49:17,320 --> 01:49:19,160
Speaker 1: or if she got a trout over, you need to

1797
01:49:19,160 --> 01:49:22,719
Speaker 1: be talking to somebody that got a big fish because

1798
01:49:22,720 --> 01:49:24,720
Speaker 1: they can relate to what it calls and what it

1799
01:49:24,840 --> 01:49:27,519
Speaker 1: takes to deal with it. They everybody can't deal with it,

1800
01:49:27,600 --> 01:49:32,920
Speaker 1: but everybody can't speak on it. See, everybody can't deal

1801
01:49:33,000 --> 01:49:36,920
Speaker 1: with it, so everybody can't speak on it. You can't

1802
01:49:36,920 --> 01:49:39,799
Speaker 1: speak on what it's like to have something that everybody won't.

1803
01:49:41,320 --> 01:49:43,120
Speaker 1: You can't speak on what it liked to be with

1804
01:49:43,240 --> 01:49:46,120
Speaker 1: a girl to get a meal and likes and all

1805
01:49:46,120 --> 01:49:48,160
Speaker 1: that old kind of niggas. Man, you don't know what

1806
01:49:48,240 --> 01:49:51,400
Speaker 1: it like. Man, your girl get eight likes. The encounter

1807
01:49:51,560 --> 01:49:55,679
Speaker 1: is different, the experiences different, therefore the expectations it's different.

1808
01:49:56,200 --> 01:49:59,599
Speaker 1: And so when all thads are different, everybody can't speak

1809
01:49:59,640 --> 01:50:05,320
Speaker 1: on it. But do not catch yourself or have yourself

1810
01:50:05,320 --> 01:50:07,759
Speaker 1: in a situation where you don't win the trick bag

1811
01:50:08,360 --> 01:50:11,240
Speaker 1: for your homies or your home girls, and then you

1812
01:50:11,320 --> 01:50:14,200
Speaker 1: didn't put off, you don't put off for a certain

1813
01:50:14,280 --> 01:50:16,640
Speaker 1: vibe to the person that really hold the keys to

1814
01:50:16,720 --> 01:50:19,799
Speaker 1: the situation, and then then you gotta deal with them.

1815
01:50:20,120 --> 01:50:24,680
Speaker 1: Making you live in your reality what you've been portraying

1816
01:50:24,680 --> 01:50:29,880
Speaker 1: in your virtual reality. See me, I know y'all selling

1817
01:50:30,000 --> 01:50:33,080
Speaker 1: saying like it's brown sugar. So I know y'all in

1818
01:50:33,120 --> 01:50:35,920
Speaker 1: the metaverse without that balling because I ran into you

1819
01:50:36,000 --> 01:50:39,760
Speaker 1: and you look like shit. I know, I know all

1820
01:50:39,840 --> 01:50:43,320
Speaker 1: you're balling and all that come out the metaverse because

1821
01:50:43,360 --> 01:50:46,240
Speaker 1: when I saw you, niggas in real life, you look horrible.

1822
01:50:47,320 --> 01:50:50,479
Speaker 1: So yeah, we're balling in real life. So now we're

1823
01:50:50,479 --> 01:50:54,160
Speaker 1: gonna start making niggas live in their reality what they

1824
01:50:54,280 --> 01:50:57,640
Speaker 1: portraying in their virtual reality. Because I'm doing business in

1825
01:50:57,680 --> 01:50:59,800
Speaker 1: the game. And why a lot of people don't want

1826
01:50:59,800 --> 01:51:03,160
Speaker 1: to say across from me because you can't tell me anything.

1827
01:51:03,240 --> 01:51:06,639
Speaker 1: He's rough to tell me anything. What you're gonna tell

1828
01:51:06,680 --> 01:51:08,920
Speaker 1: me when I'm looking at it and doing it my cell?

1829
01:51:09,479 --> 01:51:11,439
Speaker 1: All right, let me let me speak about this and

1830
01:51:11,479 --> 01:51:16,599
Speaker 1: then we'll take a break. Soldier Boy offered Harvey from

1831
01:51:16,640 --> 01:51:22,000
Speaker 1: Tim's a pair of his shoes. First, first of all,

1832
01:51:22,040 --> 01:51:23,880
Speaker 1: before we go in and further, let me say this,

1833
01:51:23,960 --> 01:51:27,400
Speaker 1: congratulations to Soldier Ball being a pioneer in regards to

1834
01:51:28,000 --> 01:51:31,439
Speaker 1: putting his best foot forward in the hustle. Right, So

1835
01:51:31,520 --> 01:51:34,240
Speaker 1: you're going you know you spread your wings in regards

1836
01:51:34,240 --> 01:51:37,240
Speaker 1: to doing a shoeing. He running around getting that shoe,

1837
01:51:37,360 --> 01:51:39,760
Speaker 1: you know, using this promo game. You did what I'm

1838
01:51:39,760 --> 01:51:42,479
Speaker 1: saying and taking kid bidding, and like I said, there's

1839
01:51:42,520 --> 01:51:44,519
Speaker 1: some big respect on that. I'd like to see a

1840
01:51:44,600 --> 01:51:49,479
Speaker 1: young nigga hustle. So that's number one. Let's look at

1841
01:51:49,479 --> 01:51:53,360
Speaker 1: this interaction with Harvey at TMZ and come back with

1842
01:51:53,439 --> 01:52:06,080
Speaker 1: some game that Kanye shoes uglies don't follow as Soldier

1843
01:52:06,120 --> 01:52:15,240
Speaker 1: stars Brandon Gang and Kanye know his shoes ugly, bron

1844
01:52:19,520 --> 01:52:25,520
Speaker 1: he only getting money because y'all buying them. Tell Kanye,

1845
01:52:26,000 --> 01:52:31,040
Speaker 1: I said, my shoes look better than his. Stopped putting

1846
01:52:31,080 --> 01:52:39,280
Speaker 1: them ugly ass shoes out. That's why you got skip

1847
01:52:39,360 --> 01:52:43,000
Speaker 1: running all around town with Kim because you keep putting

1848
01:52:43,000 --> 01:52:49,519
Speaker 1: them ugly ass shoes out. By what happened? What happened?

1849
01:52:51,120 --> 01:52:55,360
Speaker 1: Turn me apartment, put them in the closet. At least

1850
01:52:56,040 --> 01:52:59,280
Speaker 1: I've stopped putting shit in the closet the one you

1851
01:52:59,360 --> 01:53:01,160
Speaker 1: know what I found. I ain't crazy when you watch

1852
01:53:01,280 --> 01:53:04,240
Speaker 1: something like that and shout out to Tims. Y'all have

1853
01:53:04,320 --> 01:53:07,639
Speaker 1: no issue with none of that, right. I understand the business.

1854
01:53:07,640 --> 01:53:09,800
Speaker 1: I understand the bid and madel I know what I'm

1855
01:53:09,800 --> 01:53:12,080
Speaker 1: looking at. I know what it's worth and what it calls,

1856
01:53:12,080 --> 01:53:16,920
Speaker 1: and I understand that it's virtual reality, right, the metaverse.

1857
01:53:17,000 --> 01:53:19,400
Speaker 1: Y'all doing the hell of a job being able to

1858
01:53:19,439 --> 01:53:23,639
Speaker 1: call out a position in that space in media, in

1859
01:53:23,640 --> 01:53:26,880
Speaker 1: that very niche space right there, being able to get

1860
01:53:26,920 --> 01:53:29,479
Speaker 1: big in that space. And I think a lot of

1861
01:53:29,520 --> 01:53:33,000
Speaker 1: people are modeled to be in the vein of being

1862
01:53:33,040 --> 01:53:36,280
Speaker 1: as big as Tims in regards to media, right, and

1863
01:53:36,400 --> 01:53:39,680
Speaker 1: I'm speaking of to reach the worldwide reach the validity

1864
01:53:39,920 --> 01:53:42,559
Speaker 1: certain things like that they come with it, right if

1865
01:53:42,560 --> 01:53:45,240
Speaker 1: they said, people believe it and they expect the video,

1866
01:53:45,400 --> 01:53:48,640
Speaker 1: if it's legit, to come from them. Something to be

1867
01:53:48,720 --> 01:53:53,320
Speaker 1: said about that. But it's interesting for me when I

1868
01:53:53,400 --> 01:54:01,000
Speaker 1: think about Soldier Boys interaction with Harvey. Harvey is a

1869
01:54:01,040 --> 01:54:05,080
Speaker 1: white guy, and I hate to see rappers, O pioneers

1870
01:54:05,120 --> 01:54:09,400
Speaker 1: have to dumb it down in a way that almost

1871
01:54:09,400 --> 01:54:14,400
Speaker 1: seems and comes off his timid to them guy. Fortunately

1872
01:54:14,560 --> 01:54:18,559
Speaker 1: for us, we can kind of identify that he's not

1873
01:54:18,720 --> 01:54:22,280
Speaker 1: being itself in that moment because when I've seen him

1874
01:54:22,360 --> 01:54:24,280
Speaker 1: kind of ask him to take the shoe and doing

1875
01:54:24,320 --> 01:54:26,160
Speaker 1: it in such a way, I say, yo, that ain't

1876
01:54:26,200 --> 01:54:29,800
Speaker 1: the same soldier boy cussing Kanye West South if you

1877
01:54:29,960 --> 01:54:32,680
Speaker 1: dropping the shoe, who's better than a line yourself with Kanye?

1878
01:54:32,880 --> 01:54:36,720
Speaker 1: Why you? What's you go crazy on Kanye? And then

1879
01:54:36,800 --> 01:54:40,000
Speaker 1: as Harvey to take your shoe almost like like you

1880
01:54:40,040 --> 01:54:44,640
Speaker 1: ain't rich. I feel like I'm coming out. If I

1881
01:54:44,760 --> 01:54:46,760
Speaker 1: had just closed my eyes and listen to that, it

1882
01:54:46,800 --> 01:54:49,839
Speaker 1: would almost feel like I'm coming out the gas station

1883
01:54:49,920 --> 01:54:53,040
Speaker 1: and something. Nigga, No, I'm rich and I'm coming out

1884
01:54:53,040 --> 01:54:55,760
Speaker 1: to get heat, like yo, loan uh if you don't mind, man,

1885
01:54:55,800 --> 01:54:57,800
Speaker 1: take a pair of your shoes. Bro. You know, I

1886
01:54:57,840 --> 01:55:00,800
Speaker 1: know you're wam somewhare. It's like, Yo, you sold you boy?

1887
01:55:00,840 --> 01:55:03,440
Speaker 1: You the nigga that because Kanye out and Kanye said

1888
01:55:03,520 --> 01:55:07,480
Speaker 1: most sneakers than anybody. Harvey can't do nothing with the sneakers.

1889
01:55:07,520 --> 01:55:12,880
Speaker 1: He turned them down. So you know, it makes me

1890
01:55:12,960 --> 01:55:16,200
Speaker 1: examine what makes us go at each other with such

1891
01:55:16,320 --> 01:55:19,200
Speaker 1: force and then when we deal with them be so

1892
01:55:19,360 --> 01:55:22,560
Speaker 1: timid that it almost feel like they don't sucked out.

1893
01:55:22,560 --> 01:55:25,160
Speaker 1: The superpower was out for you. You ain't got none.

1894
01:55:25,240 --> 01:55:27,320
Speaker 1: You go to this dude, man, just take them, man

1895
01:55:27,360 --> 01:55:29,360
Speaker 1: to collect deside him. You're trying to give him a

1896
01:55:29,400 --> 01:55:31,960
Speaker 1: reason to take a shoot that he's denying to take

1897
01:55:32,080 --> 01:55:35,600
Speaker 1: from you. And then Kanye on the other side, you

1898
01:55:35,720 --> 01:55:37,880
Speaker 1: bringing his wife and Pete and all of them up.

1899
01:55:37,920 --> 01:55:41,640
Speaker 1: We gotta stay consistent. And what that showing me. Your

1900
01:55:41,680 --> 01:55:44,720
Speaker 1: interaction with Timz shows me that you were being a

1901
01:55:44,760 --> 01:55:48,480
Speaker 1: little bit to try to get what you need to

1902
01:55:48,600 --> 01:55:51,640
Speaker 1: get a certain level of visibility. So why you didn't

1903
01:55:51,680 --> 01:55:54,400
Speaker 1: being with Kanye Because if somebody don't Ben, then they

1904
01:55:54,440 --> 01:55:58,600
Speaker 1: don't be in. But but but but man, I hate

1905
01:55:58,600 --> 01:56:01,400
Speaker 1: to see niggas interact with them people like it. Man.

1906
01:56:02,400 --> 01:56:04,800
Speaker 1: Now I'm gonna interact with white folks in a way

1907
01:56:05,080 --> 01:56:07,680
Speaker 1: like I got some sense too. If it's some paper

1908
01:56:07,680 --> 01:56:11,720
Speaker 1: on the other side. But I ain't coming here to

1909
01:56:11,760 --> 01:56:14,760
Speaker 1: give you my product free for you to tell me no, homie,

1910
01:56:15,800 --> 01:56:17,720
Speaker 1: and then I'm trying to double down for you to

1911
01:56:17,800 --> 01:56:21,760
Speaker 1: give it to somebody or put it somewhere. Just take it. Nah, Man,

1912
01:56:22,400 --> 01:56:25,160
Speaker 1: you don't even wear the ease. It's kind of gagster

1913
01:56:25,280 --> 01:56:28,240
Speaker 1: for Harvard to ken't be gangster. Man, I don't fuck

1914
01:56:28,280 --> 01:56:30,840
Speaker 1: around with shit like this. Man, what are you trying

1915
01:56:30,880 --> 01:56:33,800
Speaker 1: to do? So it's if that was a nigga, that'd

1916
01:56:33,840 --> 01:56:35,920
Speaker 1: have been a nigga saying, Man, what you're doing right now?

1917
01:56:36,040 --> 01:56:38,440
Speaker 1: Where that shit? The yo? Bro? Don't try to do

1918
01:56:38,520 --> 01:56:40,640
Speaker 1: what are you trying to come home? Man? I ain't

1919
01:56:41,840 --> 01:56:44,080
Speaker 1: you know what I'm saying. He just can't be gangster man.

1920
01:56:44,120 --> 01:56:46,280
Speaker 1: I'm not taking those shoes. And I've been doing this

1921
01:56:46,360 --> 01:56:48,360
Speaker 1: a long time. I don't put shit in the closet

1922
01:56:48,400 --> 01:56:51,280
Speaker 1: no more. That's when you first start now and you

1923
01:56:51,280 --> 01:56:55,920
Speaker 1: you luck it happy to meet niggas man high. Yeah,

1924
01:56:55,960 --> 01:56:58,960
Speaker 1: you're taking everything home. You got shit from everybody at

1925
01:56:59,000 --> 01:57:04,120
Speaker 1: home now. Man, I'm not taking nothing home, man. And

1926
01:57:04,200 --> 01:57:08,240
Speaker 1: it's just unfortunate to see you or to see Soldier

1927
01:57:08,280 --> 01:57:13,120
Speaker 1: Boy to see us because he's still want us. It's

1928
01:57:13,200 --> 01:57:15,960
Speaker 1: unfortunate to see us interact with each other and deal

1929
01:57:16,000 --> 01:57:18,800
Speaker 1: with each other in a way where we're hard, or

1930
01:57:18,840 --> 01:57:22,840
Speaker 1: we were tough to each other, we cussing each other out.

1931
01:57:22,920 --> 01:57:29,240
Speaker 1: It's just yo. I talk about all things on my podcast, right.

1932
01:57:30,200 --> 01:57:33,400
Speaker 1: I try not to offend anyone because I'm always speaking

1933
01:57:33,440 --> 01:57:37,160
Speaker 1: about information and searching for information, So I try not

1934
01:57:37,240 --> 01:57:40,920
Speaker 1: to offend when I speak. But I'm also not gonna

1935
01:57:40,960 --> 01:57:47,320
Speaker 1: compromise the show for anyone, right, So I'm not gonna

1936
01:57:47,560 --> 01:57:50,240
Speaker 1: be hard on these people and not speak on these

1937
01:57:50,280 --> 01:57:53,200
Speaker 1: people or not, because I don't mean no malice in

1938
01:57:53,280 --> 01:57:56,800
Speaker 1: my communication. My thing is to learn from the game

1939
01:57:56,960 --> 01:58:01,600
Speaker 1: because it's millions of us and we gotta be informative

1940
01:58:01,880 --> 01:58:05,280
Speaker 1: for us to elevate. And anyone that goes against that,

1941
01:58:05,280 --> 01:58:07,440
Speaker 1: they let me know that they selfish and they in

1942
01:58:07,480 --> 01:58:09,800
Speaker 1: the deep day in the dog placing, they don't even know.

1943
01:58:10,320 --> 01:58:13,680
Speaker 1: Anytime you only think about yourself, you're in a dog placing.

1944
01:58:13,800 --> 01:58:18,960
Speaker 1: You don't even know it. So it's important to understand

1945
01:58:18,960 --> 01:58:22,200
Speaker 1: and identify how to move up, when the move, when

1946
01:58:22,240 --> 01:58:24,960
Speaker 1: to hold them and whin the fold them. But I

1947
01:58:25,040 --> 01:58:29,040
Speaker 1: just I don't like to see, you know. That's just

1948
01:58:29,120 --> 01:58:31,120
Speaker 1: like a nigga cuss this girl a lot and didn't

1949
01:58:31,160 --> 01:58:34,480
Speaker 1: get out there with them niggas and he quiet them.

1950
01:58:34,560 --> 01:58:37,800
Speaker 1: Niggas just got him walking to the store. They won't

1951
01:58:37,800 --> 01:58:39,720
Speaker 1: even let him use the car. They make him walk

1952
01:58:39,840 --> 01:58:42,000
Speaker 1: to the store and get the sick dogs and he

1953
01:58:42,160 --> 01:58:45,560
Speaker 1: can't smoke, you know what I'm saying. And then he

1954
01:58:45,640 --> 01:58:48,360
Speaker 1: soon he get home, he cussing this girl a lout. Now, man,

1955
01:58:48,880 --> 01:58:51,520
Speaker 1: you know, if you're gonna like, I just, I don't know, bro,

1956
01:58:51,600 --> 01:58:53,360
Speaker 1: I hate to see that. I don't want them to

1957
01:58:53,440 --> 01:58:56,120
Speaker 1: think we and we don't gotta We don't gotta dumb

1958
01:58:56,160 --> 01:58:59,720
Speaker 1: myself down. We're not district. It's not disrespectful to be

1959
01:59:00,040 --> 01:59:03,160
Speaker 1: who you are, man, and I gotta learn that, and

1960
01:59:03,200 --> 01:59:06,120
Speaker 1: I gotta continue to tell my children and not district.

1961
01:59:06,160 --> 01:59:10,160
Speaker 1: Don't be disrespectful. But it ain't disrespectful to where I

1962
01:59:10,360 --> 01:59:13,240
Speaker 1: coachure on our sleeve. And if I'm this way with Kanye,

1963
01:59:13,400 --> 01:59:16,120
Speaker 1: I'm this way with Harvey Lemon or whatever it is,

1964
01:59:16,400 --> 01:59:21,120
Speaker 1: whatever his name here, like I'm this way with everybody,

1965
01:59:21,600 --> 01:59:24,640
Speaker 1: you know what I'm saying, and um or I'm a

1966
01:59:24,680 --> 01:59:28,120
Speaker 1: little bit rough on on them other people, you know,

1967
01:59:28,240 --> 01:59:30,800
Speaker 1: because there ain't no connection really there, so they may

1968
01:59:30,880 --> 01:59:33,200
Speaker 1: take some of the things I'm saying in a certain way.

1969
01:59:33,280 --> 01:59:36,080
Speaker 1: Either way. I just hate to see that, you know

1970
01:59:36,080 --> 01:59:38,760
Speaker 1: what I'm saying. And I think you should get with

1971
01:59:38,880 --> 01:59:41,840
Speaker 1: Kanye on your shoe and let Kanye elevate that if

1972
01:59:41,840 --> 01:59:44,360
Speaker 1: he could, you did what I'm saying. I think it's

1973
01:59:44,400 --> 01:59:47,360
Speaker 1: more value doing that than doing it the other way.

1974
01:59:47,600 --> 01:59:49,600
Speaker 1: We're gonna take a quick break, man, and then we'll

1975
01:59:49,680 --> 01:59:51,720
Speaker 1: be back, all right. So we're back from break. I

1976
01:59:51,760 --> 01:59:53,840
Speaker 1: want to talk about something because I was really just

1977
01:59:54,680 --> 01:59:57,680
Speaker 1: talking to myself or or you know, listening to music

1978
01:59:57,760 --> 02:00:00,000
Speaker 1: like I do priud to me recording, and I'm thinking,

1979
02:00:00,000 --> 02:00:05,040
Speaker 1: thinking like, whenever I'm able to tell the real story

1980
02:00:05,160 --> 02:00:07,600
Speaker 1: or how it really came up and done, this shit,

1981
02:00:08,720 --> 02:00:12,520
Speaker 1: it's gonna fuck the world up. I'm not on the

1982
02:00:12,560 --> 02:00:15,120
Speaker 1: other side, but I'm in the tunnel. It's like a tonne.

1983
02:00:15,240 --> 02:00:17,880
Speaker 1: You get in right and you work your way on

1984
02:00:17,920 --> 02:00:21,680
Speaker 1: the other side. Niggas, niggas that's still stuck in this

1985
02:00:21,840 --> 02:00:28,400
Speaker 1: tunnel that was on their way to liberation or on

1986
02:00:28,600 --> 02:00:31,320
Speaker 1: their way to being rich enough to change some things.

1987
02:00:32,600 --> 02:00:34,600
Speaker 1: But in this tunnel, you get a few things. You

1988
02:00:34,680 --> 02:00:39,240
Speaker 1: get famed, you get followers, you get likes, You get

1989
02:00:39,280 --> 02:00:41,960
Speaker 1: girls that have never had would have thought about you.

1990
02:00:42,720 --> 02:00:45,560
Speaker 1: You get cause that ain't yours, that people let you

1991
02:00:45,640 --> 02:00:48,440
Speaker 1: borrow because of your name. You get a lifestyle that

1992
02:00:48,520 --> 02:00:51,680
Speaker 1: you can't maintain because you having provided it for yourself,

1993
02:00:51,760 --> 02:00:54,200
Speaker 1: so therefore you don't know how to provide it. So

1994
02:00:54,280 --> 02:00:56,200
Speaker 1: there's a lot of things that happen as you in

1995
02:00:56,240 --> 02:00:59,520
Speaker 1: this tunnel. But you gotta see for me. I'm coming

1996
02:00:59,560 --> 02:01:02,800
Speaker 1: from the tree with him, so everything got had from

1997
02:01:02,840 --> 02:01:04,760
Speaker 1: the street I come into they let me in the

1998
02:01:04,800 --> 02:01:09,080
Speaker 1: tunnel with you understand, And that's why the new brand

1999
02:01:09,080 --> 02:01:11,080
Speaker 1: I got it. The fids didn't get mad because I

2000
02:01:11,160 --> 02:01:14,960
Speaker 1: stopped that. It's over right, And but the coat ain't clear.

2001
02:01:15,040 --> 02:01:18,320
Speaker 1: What happens is you get in the tunnel and you

2002
02:01:18,440 --> 02:01:20,880
Speaker 1: gotta make it to the other side. You're gonna get

2003
02:01:20,920 --> 02:01:23,120
Speaker 1: a lot of things. You're gonna get people coming out

2004
02:01:23,120 --> 02:01:24,720
Speaker 1: of I mean a whole ship. A lot of shit

2005
02:01:24,880 --> 02:01:27,360
Speaker 1: gonna happen, But you gotta stay focused. I know, I

2006
02:01:27,400 --> 02:01:30,600
Speaker 1: don't let I've been had enough to understand what I

2007
02:01:30,720 --> 02:01:33,960
Speaker 1: understand that therefore I'm able to explain it. So as

2008
02:01:33,960 --> 02:01:35,880
Speaker 1: you go through the tunnel, and as I'm going through

2009
02:01:35,920 --> 02:01:38,960
Speaker 1: the tunnel, on your way up, you run across the

2010
02:01:39,040 --> 02:01:42,640
Speaker 1: niggas that went up far and now they dine here.

2011
02:01:43,280 --> 02:01:45,320
Speaker 1: You know, niggas that might have had hit records in

2012
02:01:45,400 --> 02:01:48,760
Speaker 1: the early two thousands, you know, but they couldn't sustain.

2013
02:01:49,440 --> 02:01:53,440
Speaker 1: You know, niggas that signed with niggas that was brilliant minds.

2014
02:01:54,040 --> 02:01:57,920
Speaker 1: And so therefore they become fruits off that tree, right,

2015
02:01:57,960 --> 02:02:00,280
Speaker 1: and they able to eat in that way. And just

2016
02:02:00,400 --> 02:02:04,040
Speaker 1: understanding that who was able to sustain and get really

2017
02:02:04,080 --> 02:02:06,160
Speaker 1: to the other side of the tunnel, because the fame

2018
02:02:06,600 --> 02:02:08,480
Speaker 1: is one of the first things you get in when

2019
02:02:08,480 --> 02:02:11,400
Speaker 1: you're getting in the tunnel. And the tunnel I'm speaking

2020
02:02:11,440 --> 02:02:17,040
Speaker 1: about again, it just feels like going from regular working

2021
02:02:17,120 --> 02:02:21,360
Speaker 1: civilian to a million Now you see what I'm saying.

2022
02:02:21,960 --> 02:02:24,760
Speaker 1: It's a tunnel that you go in righting. Things happen

2023
02:02:24,920 --> 02:02:28,120
Speaker 1: and you gotta know how to navigate around it. But

2024
02:02:28,200 --> 02:02:30,520
Speaker 1: for me, I'm just like Loan, you gotta survive, you

2025
02:02:30,560 --> 02:02:32,920
Speaker 1: gotta make it to the other side. It ain't shit

2026
02:02:33,040 --> 02:02:36,240
Speaker 1: to celebrate about. I got deals on the table, shit happening.

2027
02:02:36,400 --> 02:02:39,040
Speaker 1: Everybody's saying, it's the truth, let's get it. I got

2028
02:02:39,080 --> 02:02:41,120
Speaker 1: a lot of support, but I gotta get to the

2029
02:02:41,120 --> 02:02:46,480
Speaker 1: other side of this shit, right. I ain't clear jet

2030
02:02:46,920 --> 02:02:49,440
Speaker 1: And I think these niggas thing is a joke, like

2031
02:02:49,480 --> 02:02:52,280
Speaker 1: because they playing, they come in the game playing, So

2032
02:02:52,640 --> 02:02:55,400
Speaker 1: I really come out of the street, right, I really

2033
02:02:55,440 --> 02:02:57,320
Speaker 1: had to do it a certain way, And it's like,

2034
02:02:58,240 --> 02:03:00,320
Speaker 1: you mean to tell me I'm really feeling. Get on

2035
02:03:00,360 --> 02:03:04,600
Speaker 1: the other side of this and hopefully you know that

2036
02:03:04,680 --> 02:03:12,040
Speaker 1: happens and you're able to just stay focused. I think

2037
02:03:12,080 --> 02:03:15,080
Speaker 1: everybody finds a groove in their life at some point.

2038
02:03:15,800 --> 02:03:18,680
Speaker 1: I think The ones that take it to the next

2039
02:03:18,720 --> 02:03:22,440
Speaker 1: level are the ones that's able to stay focused in

2040
02:03:22,480 --> 02:03:27,680
Speaker 1: the midst of the storm. Understand that this is why

2041
02:03:27,720 --> 02:03:30,920
Speaker 1: you appreciate the rain, so you don't wish for the

2042
02:03:30,960 --> 02:03:32,880
Speaker 1: storm to go or where you wish for the strength

2043
02:03:32,880 --> 02:03:38,240
Speaker 1: to make it through the storm. You know what I'm saying.

2044
02:03:40,200 --> 02:03:42,560
Speaker 1: When you sit back and you prayer, you ask God

2045
02:03:42,640 --> 02:03:45,920
Speaker 1: and you say yo, loan or I say yo yo.

2046
02:03:46,360 --> 02:03:50,760
Speaker 1: You know this loan God? This me like yo. Just

2047
02:03:50,880 --> 02:03:55,760
Speaker 1: get me understanding, Just penetrate through the universe enough understanding

2048
02:03:55,800 --> 02:04:00,120
Speaker 1: that I'm able to engage in things that all for

2049
02:04:00,240 --> 02:04:06,480
Speaker 1: my life sanctity, right, and I'm able to disregard all

2050
02:04:06,680 --> 02:04:08,920
Speaker 1: things that's trying to take me to a place of

2051
02:04:10,240 --> 02:04:17,360
Speaker 1: negativity or loss or even gambling for with with what

2052
02:04:17,520 --> 02:04:21,320
Speaker 1: I shouldn't even risk, right, Just certain things that put

2053
02:04:21,360 --> 02:04:26,320
Speaker 1: me in a situation because I have to fight against

2054
02:04:26,440 --> 02:04:31,320
Speaker 1: my my teachings. Why I come from. The first thing

2055
02:04:31,400 --> 02:04:34,000
Speaker 1: you got was you can't letting nobody. If they play

2056
02:04:34,040 --> 02:04:36,360
Speaker 1: with you, it's over with. They're gonna pick on you,

2057
02:04:36,400 --> 02:04:38,400
Speaker 1: and they're gonna play with you for a long time.

2058
02:04:39,320 --> 02:04:43,840
Speaker 1: And that's a rough life. That ass whooping. You can

2059
02:04:43,880 --> 02:04:47,120
Speaker 1: get over that one. So get it done, you know

2060
02:04:47,160 --> 02:04:50,960
Speaker 1: what I'm saying. And so they teach you to be,

2061
02:04:51,680 --> 02:04:55,000
Speaker 1: you know, so masculine that you can't even engage with

2062
02:04:55,600 --> 02:04:58,880
Speaker 1: conversations from a from a from a standpoint where you

2063
02:04:58,880 --> 02:05:02,320
Speaker 1: can be emotionally or well what was happening? And for

2064
02:05:02,400 --> 02:05:05,640
Speaker 1: me that's a problem because at some point you want

2065
02:05:05,640 --> 02:05:07,800
Speaker 1: to be able to feel. I tell people out of

2066
02:05:07,800 --> 02:05:11,720
Speaker 1: the time I'm living right now, but it's like I'm

2067
02:05:11,760 --> 02:05:17,480
Speaker 1: not experiencing anything. I'm so taking in all this other

2068
02:05:17,520 --> 02:05:20,400
Speaker 1: information that with my own life I was just telling

2069
02:05:20,480 --> 02:05:24,280
Speaker 1: niggas saved from November to right now. Bro, I've haven't

2070
02:05:24,320 --> 02:05:27,800
Speaker 1: done some of the most craziest things. It meant, some

2071
02:05:27,880 --> 02:05:32,000
Speaker 1: of the most famous people and being co signed by

2072
02:05:32,040 --> 02:05:35,280
Speaker 1: some of the greatest minds in the business right and

2073
02:05:35,400 --> 02:05:38,160
Speaker 1: I haven't even been able because every time it's something else,

2074
02:05:38,240 --> 02:05:40,880
Speaker 1: it's something else, and it's like God's in the universe's

2075
02:05:40,920 --> 02:05:45,440
Speaker 1: blessing me from a standpoint, or you don't got room enough.

2076
02:05:46,240 --> 02:05:49,960
Speaker 1: But it makes me paranoal because it makes me away

2077
02:05:49,960 --> 02:05:55,160
Speaker 1: that you win the tunnel, you win the tunnel, all

2078
02:05:55,160 --> 02:05:57,640
Speaker 1: this shit happening in all these people. That's some on

2079
02:05:57,680 --> 02:06:00,000
Speaker 1: the other side some I'm still in the tunnel, something

2080
02:06:00,040 --> 02:06:03,200
Speaker 1: stuck in the tunnel, some directing traffic in the tunnel

2081
02:06:03,200 --> 02:06:05,280
Speaker 1: and all kinds of shit. But you were in the

2082
02:06:05,280 --> 02:06:11,360
Speaker 1: tunnel now because all this shit is happening. So now

2083
02:06:11,560 --> 02:06:14,680
Speaker 1: for me, it's like, oh shit, nigga, look alive. Pay

2084
02:06:14,720 --> 02:06:17,360
Speaker 1: attention because this is you got These next couple of

2085
02:06:17,400 --> 02:06:20,840
Speaker 1: moves gonna cost everything, gonna mean something. You got work

2086
02:06:20,920 --> 02:06:22,720
Speaker 1: to put in, but you gotta put the work in

2087
02:06:22,800 --> 02:06:26,400
Speaker 1: in the real place, right so you gotta pardoner somewhere

2088
02:06:26,440 --> 02:06:28,880
Speaker 1: to make sure. It's the only way to kind of

2089
02:06:29,200 --> 02:06:31,640
Speaker 1: in my opinion, And I understand the game enough to

2090
02:06:31,720 --> 02:06:35,120
Speaker 1: understand the game, so there's a way I gotta do it.

2091
02:06:35,200 --> 02:06:37,760
Speaker 1: Without saying it, there's a way I gotta do it.

2092
02:06:38,080 --> 02:06:44,320
Speaker 1: And it's happening, but it ain't shit to celebrate about

2093
02:06:45,760 --> 02:06:48,200
Speaker 1: because we gotta get to the other side of the goal.

2094
02:06:49,200 --> 02:06:53,040
Speaker 1: And I was just thinking about that. Man. You know,

2095
02:06:53,120 --> 02:06:58,440
Speaker 1: sometimes my mind goes and this part of the part,

2096
02:06:58,480 --> 02:07:00,920
Speaker 1: I could just talk. A lot of people come for

2097
02:07:01,760 --> 02:07:06,560
Speaker 1: certain things, and these really this part of the podcast

2098
02:07:06,640 --> 02:07:08,840
Speaker 1: really what the clips be coming from. When I'm really

2099
02:07:08,880 --> 02:07:13,120
Speaker 1: able to just kind of speak what's on my mind

2100
02:07:13,120 --> 02:07:16,680
Speaker 1: and get it out, you understand, it kind of provides

2101
02:07:16,800 --> 02:07:21,040
Speaker 1: me with a luxury man to get them clips people

2102
02:07:21,120 --> 02:07:23,400
Speaker 1: be liking and people like, yo, he would talk about

2103
02:07:23,400 --> 02:07:26,120
Speaker 1: some real shit, right then, So I think the people

2104
02:07:26,160 --> 02:07:29,080
Speaker 1: that's able to make it just stay focused and I

2105
02:07:29,160 --> 02:07:30,960
Speaker 1: want to let me, let me build a little bit

2106
02:07:31,000 --> 02:07:34,800
Speaker 1: more on that tunnel analogy that I was just saying

2107
02:07:34,840 --> 02:07:41,120
Speaker 1: in the tunnel too, right, because failing is not necessarily

2108
02:07:41,200 --> 02:07:47,520
Speaker 1: the end of the role. It depends on where you

2109
02:07:47,640 --> 02:07:50,800
Speaker 1: stand in your own process, right, Because if you're not

2110
02:07:50,920 --> 02:07:53,600
Speaker 1: instrumental in the process, and you're like a piece of

2111
02:07:53,600 --> 02:07:57,600
Speaker 1: it that can be inserted or deleted from the process,

2112
02:07:57,720 --> 02:08:00,800
Speaker 1: then the process to keep moving and in certain new

2113
02:08:00,880 --> 02:08:03,360
Speaker 1: rapper or in certain new comic or in certain new

2114
02:08:03,440 --> 02:08:06,400
Speaker 1: whatever it may be in that industry. But if you're

2115
02:08:06,440 --> 02:08:10,640
Speaker 1: instrumental in the process and the creativity of what's really

2116
02:08:10,680 --> 02:08:14,560
Speaker 1: happening on and off the camera, then what happens is

2117
02:08:15,240 --> 02:08:18,280
Speaker 1: it scares you if you're in the tunnel, right, Because again,

2118
02:08:18,320 --> 02:08:20,920
Speaker 1: in the tunnel, you also get some money. You don't

2119
02:08:20,960 --> 02:08:24,680
Speaker 1: get enough to change your life, although it may feel

2120
02:08:24,680 --> 02:08:27,920
Speaker 1: that way because there's no information attached to the money

2121
02:08:27,960 --> 02:08:31,480
Speaker 1: you're getting, and your lifestyle is changing so dramatically that

2122
02:08:31,600 --> 02:08:35,520
Speaker 1: you spend at a high rate most people. Right, So

2123
02:08:35,600 --> 02:08:37,920
Speaker 1: what you gotta do is you gotta have information to

2124
02:08:38,000 --> 02:08:41,480
Speaker 1: be able to sustain the lifestyle. See, it ain't boy

2125
02:08:41,600 --> 02:08:44,920
Speaker 1: getting the lifestyle. It's about sustaining it. And that's why

2126
02:08:44,960 --> 02:08:47,240
Speaker 1: a lot of people get rich and then fall off

2127
02:08:47,600 --> 02:08:52,040
Speaker 1: because sustaining it is the trick. But it scares you

2128
02:08:52,120 --> 02:08:54,800
Speaker 1: if you're in the tunnel like I'm looking at dudes

2129
02:08:54,840 --> 02:08:57,760
Speaker 1: I run across as I'm up coming up the lodder

2130
02:08:57,880 --> 02:09:01,000
Speaker 1: rank dude stuck or coming down a ladder, I'm running

2131
02:09:01,000 --> 02:09:04,800
Speaker 1: across them all. Yea, he ain't that swift or he

2132
02:09:05,000 --> 02:09:06,600
Speaker 1: must ain't had nothing to do with it. I could

2133
02:09:06,600 --> 02:09:09,800
Speaker 1: tell just by I interaction. He ain't talking by nothing,

2134
02:09:09,920 --> 02:09:12,120
Speaker 1: so I can kind of see why he didn't and

2135
02:09:12,240 --> 02:09:14,760
Speaker 1: oh yeah, he don't know nothing. Them dudes is they

2136
02:09:14,800 --> 02:09:17,080
Speaker 1: ain't rill up on game, right I'm talking about But

2137
02:09:17,160 --> 02:09:19,360
Speaker 1: it scare you. You see a nigga dyne here in

2138
02:09:19,440 --> 02:09:22,880
Speaker 1: this tunnel that on his way back down, that got

2139
02:09:22,920 --> 02:09:25,959
Speaker 1: out all the information and he's swift and he crack Chrisman,

2140
02:09:26,000 --> 02:09:31,000
Speaker 1: then you want to hight that scare you bo If

2141
02:09:31,000 --> 02:09:33,880
Speaker 1: you if you can identify why most of these people

2142
02:09:33,960 --> 02:09:39,400
Speaker 1: are probably not the CEO or the company. Then sometimes

2143
02:09:39,400 --> 02:09:42,880
Speaker 1: you can sleep a little better. Or boy, when you

2144
02:09:42,960 --> 02:09:44,880
Speaker 1: come in that tunnel and it's a bunch of great

2145
02:09:44,960 --> 02:09:48,040
Speaker 1: minds and people that's just been ostracized and kicked out

2146
02:09:48,080 --> 02:09:50,960
Speaker 1: the industry because they was just yo. That a spook

2147
02:09:51,040 --> 02:09:52,839
Speaker 1: you out. And there's a lot of people selling tickets

2148
02:09:52,840 --> 02:09:54,680
Speaker 1: to the tunnel. It's a lot of people that say, well,

2149
02:09:54,680 --> 02:09:56,960
Speaker 1: I can get you in that tunnel. Now, I ain't

2150
02:09:57,000 --> 02:09:58,680
Speaker 1: for sure what could happened if you can get to

2151
02:09:58,720 --> 02:10:01,320
Speaker 1: the other side. Before to write them out, I get

2152
02:10:01,320 --> 02:10:03,360
Speaker 1: you to the dough and get you in there. Some

2153
02:10:03,400 --> 02:10:05,280
Speaker 1: people saying for the right amount, I get you to

2154
02:10:05,360 --> 02:10:08,800
Speaker 1: the doll You gotta get yourself in there. But once

2155
02:10:08,840 --> 02:10:11,600
Speaker 1: you get in this tunnel, in the tunnel again, it's

2156
02:10:11,680 --> 02:10:20,120
Speaker 1: like going from regular dude, you know, to really financially wealthy.

2157
02:10:20,160 --> 02:10:22,040
Speaker 1: And that's on the other side of the tunnel. But

2158
02:10:22,120 --> 02:10:25,200
Speaker 1: in the tunnel, you get your celebrity status, you get

2159
02:10:25,200 --> 02:10:29,160
Speaker 1: your million Instagram likes and follow all. Let come with it,

2160
02:10:29,680 --> 02:10:32,200
Speaker 1: But that don't signify the other end of the tunnel.

2161
02:10:32,240 --> 02:10:34,080
Speaker 1: I think that's anotherity and I gotta build on them,

2162
02:10:34,080 --> 02:10:35,800
Speaker 1: because again I don't have a note, so I just

2163
02:10:35,880 --> 02:10:38,560
Speaker 1: kind of be going off the head with that kind

2164
02:10:38,600 --> 02:10:40,520
Speaker 1: of ship. But I think that's a good way to

2165
02:10:43,200 --> 02:10:46,640
Speaker 1: quantify what happens and what I'm when I'm identifying right

2166
02:10:46,640 --> 02:10:49,240
Speaker 1: and I'm only identifying it by what's happening to me,

2167
02:10:49,360 --> 02:10:52,120
Speaker 1: and I'm saying, oh shit, this is happening that. Oh shit, nigga,

2168
02:10:52,160 --> 02:10:57,320
Speaker 1: you was you in that place where you here? Right?

2169
02:10:57,400 --> 02:11:01,160
Speaker 1: So now you gotta understand how to swim in this water.

2170
02:11:01,240 --> 02:11:05,040
Speaker 1: This water here gets it's a little shallow because in

2171
02:11:05,120 --> 02:11:07,840
Speaker 1: this water right here, it might look look like but

2172
02:11:07,960 --> 02:11:10,520
Speaker 1: it's heavy, and it might look like you could stand up,

2173
02:11:10,960 --> 02:11:14,760
Speaker 1: but the water deep, and if you're not paying attention,

2174
02:11:14,800 --> 02:11:18,480
Speaker 1: you'r drown, you know what I'm saying, And and and

2175
02:11:18,480 --> 02:11:22,000
Speaker 1: and again, watch you boat, you get on, watch all

2176
02:11:22,080 --> 02:11:25,040
Speaker 1: this shit in this tunnel, because boy, the wrong move

2177
02:11:25,120 --> 02:11:27,160
Speaker 1: in this tunnel or set you back in The right

2178
02:11:27,200 --> 02:11:30,680
Speaker 1: move was set you straight. So it's just it's just

2179
02:11:30,720 --> 02:11:34,160
Speaker 1: a game going on. Let's talk about the documentary I've

2180
02:11:34,200 --> 02:11:40,560
Speaker 1: been watching. There's a new documentary on HBO Max about

2181
02:11:40,600 --> 02:11:47,040
Speaker 1: the Lakers, and I'm not far into the documentary, but

2182
02:11:47,120 --> 02:11:49,600
Speaker 1: I like the documentary, so I'm gonna speak on it

2183
02:11:49,600 --> 02:11:52,880
Speaker 1: a little bit. I have been hearing that that's missing

2184
02:11:52,880 --> 02:11:57,200
Speaker 1: backlass from Magic Johnson and several people who are saying

2185
02:11:57,240 --> 02:12:01,080
Speaker 1: that don't support the documentary. It does not it does

2186
02:12:01,160 --> 02:12:06,160
Speaker 1: not express their story, right. And I heard Joe Buddon

2187
02:12:06,200 --> 02:12:12,560
Speaker 1: over at Joe Buddon Podcast speak about how unique it

2188
02:12:12,600 --> 02:12:15,600
Speaker 1: is that someone can tell your story while you alive,

2189
02:12:15,840 --> 02:12:19,560
Speaker 1: although you disagree with it. What's the laws, what's you know?

2190
02:12:19,440 --> 02:12:22,640
Speaker 1: You know everything surrounding that, And there's a large conversation

2191
02:12:22,720 --> 02:12:26,600
Speaker 1: to be had in that space. Right. They got Britney

2192
02:12:26,680 --> 02:12:31,280
Speaker 1: Spear documentaries that come out while Britney Spears is still living.

2193
02:12:31,640 --> 02:12:33,920
Speaker 1: And I was the first to say, Yo, I really

2194
02:12:33,960 --> 02:12:37,840
Speaker 1: believe that the Netflix documentaries, some of those Surviving Our

2195
02:12:37,960 --> 02:12:41,800
Speaker 1: Killers and some of those Epstein documentaries, some of these

2196
02:12:41,840 --> 02:12:45,680
Speaker 1: documentaries come out and they do influence cases. And I

2197
02:12:45,680 --> 02:12:48,240
Speaker 1: also think there's a conversation to be had there whether

2198
02:12:48,840 --> 02:12:52,800
Speaker 1: not that's good or bad. You know, someone touching children,

2199
02:12:52,960 --> 02:12:55,360
Speaker 1: we want them to be caught. Let me be clear

2200
02:12:55,400 --> 02:12:57,640
Speaker 1: on my stands again. The Internet is a place that

2201
02:12:57,720 --> 02:13:01,520
Speaker 1: they take these ten bits of information, mash them together,

2202
02:13:01,880 --> 02:13:04,640
Speaker 1: and they point you out as being one of the enemies.

2203
02:13:04,640 --> 02:13:06,920
Speaker 1: So I gotta be clear every time I say something

2204
02:13:06,960 --> 02:13:09,480
Speaker 1: like that, and it's the most tedious, nerve racking thing

2205
02:13:10,480 --> 02:13:12,640
Speaker 1: that I have to do while I'm on the mic. Right,

2206
02:13:12,760 --> 02:13:16,960
Speaker 1: But when documentaries come out and they do expose some

2207
02:13:17,040 --> 02:13:20,200
Speaker 1: of the information that may be out side of what's

2208
02:13:20,320 --> 02:13:25,839
Speaker 1: in the courtroom, from an entertainment standpoint, it's always a delight.

2209
02:13:27,360 --> 02:13:30,240
Speaker 1: But when it starts to affect the case, I think

2210
02:13:30,320 --> 02:13:33,920
Speaker 1: that that goes against the outlines that they had in place,

2211
02:13:34,040 --> 02:13:37,520
Speaker 1: or the structure that they had in places, or the

2212
02:13:37,600 --> 02:13:41,320
Speaker 1: rules that we perceive them to be trying to go by.

2213
02:13:41,760 --> 02:13:45,160
Speaker 1: You know, I even understand that depending on who's asking,

2214
02:13:45,200 --> 02:13:49,480
Speaker 1: it depends on the rules. Yeah, the government is for sale,

2215
02:13:49,680 --> 02:13:52,520
Speaker 1: for the government is single depending on who you asking.

2216
02:13:53,640 --> 02:13:56,440
Speaker 1: You understand me, Like I see the mandates being lifted

2217
02:13:56,440 --> 02:14:01,120
Speaker 1: in New York, then I here's a baseball thing. I said, See,

2218
02:14:01,520 --> 02:14:05,160
Speaker 1: you know what level of phone call was made? Yeah,

2219
02:14:05,160 --> 02:14:07,720
Speaker 1: so you know there's some there's some information on the

2220
02:14:07,760 --> 02:14:09,839
Speaker 1: other side of that. And then the person that's saying

2221
02:14:09,880 --> 02:14:12,000
Speaker 1: all the shit, ain't the nigga that gets the call.

2222
02:14:13,760 --> 02:14:16,320
Speaker 1: The face of it is now never the source of it,

2223
02:14:16,880 --> 02:14:21,400
Speaker 1: because the face of it can stand killing the source

2224
02:14:21,440 --> 02:14:25,160
Speaker 1: of it must be protected. But they but it was

2225
02:14:25,200 --> 02:14:28,760
Speaker 1: just funny that they were speaking on like, Yo, how

2226
02:14:28,800 --> 02:14:32,280
Speaker 1: can they bring a documentary out about you while you're alive? Bro?

2227
02:14:32,440 --> 02:14:36,160
Speaker 1: And you you can't stop it. That's what I'm saying.

2228
02:14:36,200 --> 02:14:39,040
Speaker 1: That fair use thing is a motherfucker, man, especially if

2229
02:14:39,040 --> 02:14:41,280
Speaker 1: you got the right lawyers that know how to argue it,

2230
02:14:41,280 --> 02:14:43,440
Speaker 1: and they know how to tape it. From a standpoint

2231
02:14:43,480 --> 02:14:46,440
Speaker 1: of like it's they even use footage that ain't theres

2232
02:14:47,240 --> 02:14:49,360
Speaker 1: and depending on who you are, you asked for a

2233
02:14:49,440 --> 02:14:54,000
Speaker 1: check there till you fuck yourself and they're fair use

2234
02:14:54,120 --> 02:14:58,360
Speaker 1: you out. But watching this documentary and I'm only like

2235
02:14:58,440 --> 02:15:01,000
Speaker 1: one or two episodes in, again, I just think it's

2236
02:15:01,040 --> 02:15:03,840
Speaker 1: it's a to me. It's one of them documentaries that

2237
02:15:03,880 --> 02:15:07,400
Speaker 1: you'd be like, Yo, this is dope. I'm only one

2238
02:15:07,480 --> 02:15:14,280
Speaker 1: or two episodes in, but I'm enjoying it. Um. They

2239
02:15:14,320 --> 02:15:16,960
Speaker 1: had a water bed and that always took me back, man,

2240
02:15:17,080 --> 02:15:20,560
Speaker 1: Like I remember my auntie having a water bed and

2241
02:15:20,640 --> 02:15:22,400
Speaker 1: that was a view that was supposed to be some

2242
02:15:22,560 --> 02:15:25,920
Speaker 1: kind of sign of luxury back in the day. That

2243
02:15:26,080 --> 02:15:28,600
Speaker 1: one I'm trying to tell you, man, do you understand

2244
02:15:28,640 --> 02:15:31,400
Speaker 1: that they what they said you anything. They had folks

2245
02:15:31,480 --> 02:15:35,360
Speaker 1: sleeping on a water bed. Man. People were baying, big

2246
02:15:35,440 --> 02:15:39,560
Speaker 1: elaborate water beds nigga, that move when they talk when

2247
02:15:39,600 --> 02:15:43,120
Speaker 1: they lay down. I mean you in the bed and

2248
02:15:43,240 --> 02:15:45,920
Speaker 1: you're doing some of the most I mean, it's just,

2249
02:15:46,120 --> 02:15:49,240
Speaker 1: I mean, it's gone. It's you in the bed trying

2250
02:15:49,280 --> 02:15:51,880
Speaker 1: to do How was they fucking on them back then?

2251
02:15:53,720 --> 02:15:56,800
Speaker 1: Water beds nigga? That one. I'm trying to tell you,

2252
02:15:56,840 --> 02:15:59,600
Speaker 1: if it's packaged right in America, you can set in.

2253
02:15:59,680 --> 02:16:03,360
Speaker 1: It ain't And everybody think America this big bad wolf

2254
02:16:03,360 --> 02:16:06,280
Speaker 1: and people won't attack us because we some strong army.

2255
02:16:06,520 --> 02:16:11,360
Speaker 1: Now it's because America is the trap. America is the

2256
02:16:11,440 --> 02:16:14,320
Speaker 1: trap house for all these other spaces. Then folks ain't

2257
02:16:14,320 --> 02:16:16,560
Speaker 1: gonna come up with nothing. But boy, you can sell

2258
02:16:16,600 --> 02:16:20,560
Speaker 1: them anything if it's packaged right. I've seen some of

2259
02:16:20,560 --> 02:16:23,600
Speaker 1: the best packaging on some cleaning product. I don't say, man,

2260
02:16:23,640 --> 02:16:26,760
Speaker 1: I'm from the grab bed cleaning. You know they're effective.

2261
02:16:27,560 --> 02:16:31,200
Speaker 1: They didn't got this shit down to a t in America,

2262
02:16:31,520 --> 02:16:34,120
Speaker 1: you know, with the cereal boxes is certain things. They

2263
02:16:34,120 --> 02:16:36,240
Speaker 1: didn't got it down to a t. But when I'm

2264
02:16:36,240 --> 02:16:38,600
Speaker 1: looking at that documentary, I said, man, they never sold

2265
02:16:38,720 --> 02:16:41,800
Speaker 1: us water bids and hate us in the ghetto badly

2266
02:16:41,959 --> 02:16:45,400
Speaker 1: surviving just for a symbol, almost like the beans and

2267
02:16:45,480 --> 02:16:49,360
Speaker 1: all these other shits, just a symbol of luxury. We'll

2268
02:16:49,400 --> 02:16:51,680
Speaker 1: go get the water bid. And they had to be

2269
02:16:51,720 --> 02:16:55,920
Speaker 1: some of the worst sleeping knowing the man ain't no

2270
02:16:56,000 --> 02:16:58,000
Speaker 1: where in the here like a sleep moving like that.

2271
02:16:59,360 --> 02:17:01,320
Speaker 1: And all of sudden it went out and that shit

2272
02:17:01,400 --> 02:17:04,720
Speaker 1: a bus man. You can bust a water bed man,

2273
02:17:05,920 --> 02:17:08,080
Speaker 1: you know what I'm saying. So now I don't know

2274
02:17:08,160 --> 02:17:11,080
Speaker 1: how they've done that. Man, that was bam man. Man.

2275
02:17:11,120 --> 02:17:12,680
Speaker 1: That what I'm trying to tell here. I got to

2276
02:17:12,680 --> 02:17:15,200
Speaker 1: get in. Man. They think I'm gonna be on the

2277
02:17:15,320 --> 02:17:17,840
Speaker 1: out on the consumer side of them shit, and they're

2278
02:17:17,879 --> 02:17:22,280
Speaker 1: selling people shit like water beds. Man, I'm gonna get in.

2279
02:17:22,440 --> 02:17:24,920
Speaker 1: I got something for sale. They got me fucked up.

2280
02:17:25,200 --> 02:17:28,879
Speaker 1: And so Magic Johnson didn't want anyone supporting and I

2281
02:17:28,920 --> 02:17:32,040
Speaker 1: think because his image and shout out to Magic Johnson

2282
02:17:32,080 --> 02:17:34,280
Speaker 1: one of the most brilliant minds that we have in

2283
02:17:34,360 --> 02:17:39,800
Speaker 1: regards to business men. When we talk about assets over liabilities,

2284
02:17:40,360 --> 02:17:44,640
Speaker 1: shout out Eyl. We definitely gotta involve Magic Johnson in

2285
02:17:44,680 --> 02:17:50,000
Speaker 1: that conversation when we deal with high level execution. See,

2286
02:17:50,240 --> 02:17:52,640
Speaker 1: everybody want to talk, and what I'm saying, I need

2287
02:17:52,640 --> 02:17:54,600
Speaker 1: to be next to the executors. And so when we

2288
02:17:54,640 --> 02:17:57,480
Speaker 1: look at Magic Johnson, he wanted them. And so I

2289
02:17:57,520 --> 02:18:01,840
Speaker 1: think what happened was when Netflix, it won't to be

2290
02:18:03,000 --> 02:18:07,240
Speaker 1: portrayed as like having an issue with women because he

2291
02:18:07,360 --> 02:18:10,040
Speaker 1: already had a big fight with AIDS, right, and then

2292
02:18:10,600 --> 02:18:15,320
Speaker 1: from lack of a better term, beat Aids in my opinion,

2293
02:18:15,480 --> 02:18:18,199
Speaker 1: or I mean, from the looks of it, right, beat

2294
02:18:18,280 --> 02:18:23,000
Speaker 1: beat as so I view him as like had went

2295
02:18:23,040 --> 02:18:25,320
Speaker 1: through that. So he didn't want to be viewed as

2296
02:18:25,360 --> 02:18:28,600
Speaker 1: a womanis or someone that was chasing women. Although there's

2297
02:18:28,640 --> 02:18:31,520
Speaker 1: a lot of stories about him and an old Will

2298
02:18:32,879 --> 02:18:35,480
Speaker 1: or is it Kareem now I was Will. It's a

2299
02:18:35,480 --> 02:18:37,760
Speaker 1: lot of stories about him and old Will. Then how

2300
02:18:37,800 --> 02:18:42,879
Speaker 1: they like women, and so we can agree. Man, See,

2301
02:18:42,879 --> 02:18:45,800
Speaker 1: for me, it ain't no shame. It ain't no shame

2302
02:18:45,879 --> 02:18:48,480
Speaker 1: in making a mistake. It ain't no shaming. Being broke

2303
02:18:48,520 --> 02:18:50,800
Speaker 1: it's a shame. And staying broke it's a shame. And

2304
02:18:50,920 --> 02:18:55,000
Speaker 1: keep making the same mistake you did. What I'm saying,

2305
02:18:55,040 --> 02:18:58,400
Speaker 1: if being broke as your destination, that's when you're shamed.

2306
02:18:59,280 --> 02:19:01,440
Speaker 1: But if being broke is part of the process of

2307
02:19:01,560 --> 02:19:04,080
Speaker 1: bootstrapping the company as a part of what needs to

2308
02:19:04,160 --> 02:19:06,320
Speaker 1: happen to head to the next level, of the things

2309
02:19:06,320 --> 02:19:09,360
Speaker 1: are just part of what's necessary. So for me, I

2310
02:19:09,400 --> 02:19:12,360
Speaker 1: don't view them as failures. I view them as speed

2311
02:19:12,400 --> 02:19:15,280
Speaker 1: bumps in a long role that's lucrative from me. So

2312
02:19:15,600 --> 02:19:18,080
Speaker 1: I just look at it a different way. See, I

2313
02:19:18,160 --> 02:19:22,120
Speaker 1: know how the story activates other people, So you're looking

2314
02:19:22,160 --> 02:19:25,280
Speaker 1: at me, and I've never been invited into none of

2315
02:19:25,280 --> 02:19:28,800
Speaker 1: the parties with their elites. I'm only dealing with the

2316
02:19:28,879 --> 02:19:33,360
Speaker 1: stories being told by the greats. I'm only being I'm

2317
02:19:33,400 --> 02:19:36,959
Speaker 1: only dealing with the information being left out by the

2318
02:19:37,000 --> 02:19:39,480
Speaker 1: grates and the tip bits of things that happens when

2319
02:19:39,480 --> 02:19:42,120
Speaker 1: they drop a book here over on this white boy

2320
02:19:42,240 --> 02:19:45,640
Speaker 1: platform they don't know nobody listening to because on their book.

2321
02:19:45,720 --> 02:19:48,880
Speaker 1: So I got that book right. So I'm dealing with

2322
02:19:48,920 --> 02:19:52,560
Speaker 1: the little information that's left out by people. And so

2323
02:19:53,200 --> 02:19:55,680
Speaker 1: look what they gotta deal with with me. So imagine

2324
02:19:55,720 --> 02:19:58,280
Speaker 1: if someone cutting it all way down and giving it

2325
02:19:58,320 --> 02:20:03,039
Speaker 1: to them medicine in the candy that's effective. I know

2326
02:20:03,120 --> 02:20:08,879
Speaker 1: it activates certain people, and then the people them people

2327
02:20:09,040 --> 02:20:11,720
Speaker 1: on my side of the town. They come from where

2328
02:20:11,720 --> 02:20:14,879
Speaker 1: I come from, and we lack the information to get

2329
02:20:14,920 --> 02:20:16,600
Speaker 1: to the other side of the tunnel. And for me,

2330
02:20:16,680 --> 02:20:20,120
Speaker 1: it's important that I understand loan. Currently you are in

2331
02:20:20,280 --> 02:20:26,080
Speaker 1: the tunnel, grab hold of what you can, but keep moving.

2332
02:20:26,120 --> 02:20:28,440
Speaker 1: Don't you get stuck down here because they got you

2333
02:20:28,480 --> 02:20:31,720
Speaker 1: in the club free and they say your name live

2334
02:20:31,800 --> 02:20:33,520
Speaker 1: when you come in the club. Don't you get stuck

2335
02:20:33,560 --> 02:20:36,119
Speaker 1: in this part of the game. Don't you fall in

2336
02:20:36,120 --> 02:20:38,200
Speaker 1: love with that bullshit. You gotta get to the other

2337
02:20:38,240 --> 02:20:44,519
Speaker 1: side of this. This is about staying power with Nigga.

2338
02:20:44,680 --> 02:20:47,680
Speaker 1: It ain't no good to visit the Airbnb. In my opinion,

2339
02:20:47,680 --> 02:20:49,720
Speaker 1: I want the house I want to live in one

2340
02:20:49,720 --> 02:20:53,879
Speaker 1: of these motherfuckers. It's about staying power for me. The

2341
02:20:53,959 --> 02:20:56,880
Speaker 1: only reason I go on Airbnbs, and my people will

2342
02:20:56,959 --> 02:20:59,520
Speaker 1: tell you if I go on the Airbnb is because

2343
02:20:59,560 --> 02:21:02,440
Speaker 1: I won't that kind of house and if I can't

2344
02:21:02,480 --> 02:21:04,480
Speaker 1: afford it at that time. It's just so I can

2345
02:21:04,560 --> 02:21:07,800
Speaker 1: get the feel of it manifested from a real perspective,

2346
02:21:11,080 --> 02:21:15,359
Speaker 1: manifestation worse for some, for others, it's just simply your imagination.

2347
02:21:15,440 --> 02:21:19,080
Speaker 1: But hey, man, if it's just simply your imagination. You

2348
02:21:19,120 --> 02:21:21,320
Speaker 1: ain't one a man because, in my opinion, I got

2349
02:21:21,400 --> 02:21:26,600
Speaker 1: to wheel these things into existence, and so magic didn't

2350
02:21:26,600 --> 02:21:28,920
Speaker 1: want to be viewed a certain way. You know, I

2351
02:21:29,040 --> 02:21:31,760
Speaker 1: think that we all can agree that women are addictive

2352
02:21:33,520 --> 02:21:36,520
Speaker 1: to a straight man. A woman is addictive you just

2353
02:21:36,680 --> 02:21:38,240
Speaker 1: you know it make you just look at a woman

2354
02:21:38,240 --> 02:21:44,160
Speaker 1: and say, oh, look at you. One of my most

2355
02:21:44,240 --> 02:21:49,400
Speaker 1: prized possessions. Gotta be the most beautiful motherfucker I've ever

2356
02:21:49,440 --> 02:21:51,920
Speaker 1: seen in my life. Ain't nothing like you and can't

2357
02:21:51,959 --> 02:21:55,280
Speaker 1: be replaced, can't be duplicated or look at you? Who

2358
02:21:55,360 --> 02:22:00,960
Speaker 1: would you know? You? Just so sometimes for me and

2359
02:22:01,000 --> 02:22:03,080
Speaker 1: then then it for straight men, we look at women

2360
02:22:03,080 --> 02:22:06,840
Speaker 1: and say, yo, they really are addictive. Bro. It ain't

2361
02:22:06,840 --> 02:22:09,960
Speaker 1: a situation that, in my opinion, that we gotta shun

2362
02:22:10,040 --> 02:22:12,840
Speaker 1: or we gotta act like. Ain't the thing? I think

2363
02:22:12,879 --> 02:22:16,879
Speaker 1: that sometimes this is a This is back in the day.

2364
02:22:17,440 --> 02:22:20,720
Speaker 1: So I was wondering and thinking to myself, like, it's

2365
02:22:20,800 --> 02:22:27,160
Speaker 1: this one of them old fashioned sayings like money only

2366
02:22:27,240 --> 02:22:32,320
Speaker 1: magnifies who you are. Right? So was it his love

2367
02:22:32,400 --> 02:22:36,920
Speaker 1: of women in combination with him getting rich at that time,

2368
02:22:36,959 --> 02:22:40,800
Speaker 1: which then led to his access to women that got

2369
02:22:40,879 --> 02:22:45,360
Speaker 1: him in that situation to get that horrible disease right,

2370
02:22:45,440 --> 02:22:51,359
Speaker 1: because it's almost like I've even seen this in the neighborhood.

2371
02:22:51,440 --> 02:22:54,440
Speaker 1: To take it off magic and just deal with again,

2372
02:22:54,640 --> 02:22:57,720
Speaker 1: it wasn't this isn't about magic, but the information just

2373
02:22:58,440 --> 02:23:00,960
Speaker 1: that's something that we pulled from to try to learn from.

2374
02:23:01,000 --> 02:23:03,880
Speaker 1: But even in the hood, I see where there'll be

2375
02:23:03,920 --> 02:23:06,760
Speaker 1: a little lady or a dude that would be on drugs,

2376
02:23:06,840 --> 02:23:09,800
Speaker 1: maybe mal for coke or something like that, and they

2377
02:23:09,840 --> 02:23:12,920
Speaker 1: got a budget or they got a selling of money

2378
02:23:12,920 --> 02:23:15,959
Speaker 1: that they can get their hands on in regards to

2379
02:23:16,040 --> 02:23:18,600
Speaker 1: every day, they might go see a plasma or blood

2380
02:23:18,680 --> 02:23:21,039
Speaker 1: or something get a their day, but that's about all

2381
02:23:21,040 --> 02:23:24,039
Speaker 1: they're gonna work up on, you know, unless she's doing

2382
02:23:24,040 --> 02:23:26,520
Speaker 1: some prostitute or something. She gonna get her a to

2383
02:23:26,600 --> 02:23:28,680
Speaker 1: a day. But some kind of way they're gonna get

2384
02:23:28,920 --> 02:23:31,240
Speaker 1: a to a day. But them saying, people hit the

2385
02:23:31,320 --> 02:23:34,000
Speaker 1: numbers or hit the lotto and then they do so

2386
02:23:34,080 --> 02:23:37,880
Speaker 1: much and then they end up overdosing, you know what

2387
02:23:37,959 --> 02:23:41,600
Speaker 1: I'm saying. So because they had more access to the

2388
02:23:41,640 --> 02:23:49,600
Speaker 1: thing that they didn't have control over, that access caused

2389
02:23:49,600 --> 02:23:53,600
Speaker 1: them to be in a situation where they would indulge

2390
02:23:54,040 --> 02:23:59,800
Speaker 1: without restraint, And you gotta be careful with anything that

2391
02:23:59,879 --> 02:24:04,640
Speaker 1: you indulge in without restraint. You know, I love my woman,

2392
02:24:04,720 --> 02:24:06,880
Speaker 1: but I gotta have some restraint when I'm dealing with

2393
02:24:06,920 --> 02:24:09,160
Speaker 1: that puss. I can't lay um and funk all day.

2394
02:24:10,440 --> 02:24:12,680
Speaker 1: I lay him and funk all day. The more I

2395
02:24:12,800 --> 02:24:15,000
Speaker 1: do it is the less I do of everything else.

2396
02:24:15,000 --> 02:24:17,160
Speaker 1: So I got to find a way to As much

2397
02:24:17,160 --> 02:24:19,879
Speaker 1: as I love to fuck you, I gotta find a

2398
02:24:19,879 --> 02:24:22,160
Speaker 1: way to do some other things with my time, or

2399
02:24:22,160 --> 02:24:24,400
Speaker 1: fucking you ain't gonna be the same, right because you

2400
02:24:24,440 --> 02:24:27,320
Speaker 1: ain't turned on. I always wonder, That's why I was

2401
02:24:27,360 --> 02:24:29,520
Speaker 1: talking about the Kim and things. I always wonder, how

2402
02:24:29,560 --> 02:24:34,160
Speaker 1: can you fuck me doing all I'm doing? And then

2403
02:24:34,240 --> 02:24:36,200
Speaker 1: if we don't fuck around him, or you go fuck

2404
02:24:36,280 --> 02:24:39,240
Speaker 1: with somebody that ain't doing nothing that I'm doing, or

2405
02:24:39,280 --> 02:24:42,000
Speaker 1: ain't the kind of guy that complete opposite, that throws

2406
02:24:42,080 --> 02:24:44,640
Speaker 1: me off. But let's get back to Let's get back

2407
02:24:44,640 --> 02:24:46,880
Speaker 1: to what I was speaking about. And so I think

2408
02:24:46,959 --> 02:24:51,240
Speaker 1: Magic didn't want to be viewed as him having an

2409
02:24:51,240 --> 02:24:55,120
Speaker 1: issue with being able to restrain himself from dealing with

2410
02:24:55,160 --> 02:25:00,760
Speaker 1: different women. But there was new black money, you know,

2411
02:25:00,840 --> 02:25:04,280
Speaker 1: back then, they ain't had no access to none. You

2412
02:25:04,360 --> 02:25:10,320
Speaker 1: go overindulge, you see what I'm saying. And they even

2413
02:25:10,360 --> 02:25:13,320
Speaker 1: had a scene on there. Well, and this happens because

2414
02:25:13,320 --> 02:25:17,160
Speaker 1: I've been in this situation. On God, they had a

2415
02:25:17,200 --> 02:25:21,920
Speaker 1: scene in this documentary where Magic Johnson was being discussed

2416
02:25:21,920 --> 02:25:25,640
Speaker 1: at a beauty shop, and that this particular beauty shop.

2417
02:25:26,040 --> 02:25:33,400
Speaker 1: These girls were in competition right to get with Magic,

2418
02:25:33,920 --> 02:25:39,720
Speaker 1: but there was no hostility. They were in competition, but

2419
02:25:39,800 --> 02:25:43,600
Speaker 1: there was no hostility. You know, one girl say yeah,

2420
02:25:43,600 --> 02:25:46,320
Speaker 1: because I think this about him and it's the best

2421
02:25:46,360 --> 02:25:48,880
Speaker 1: thing that you know, and he probably notn't hit up

2422
02:25:48,920 --> 02:25:51,640
Speaker 1: before somebody else said nothing. Guy. I got the thinking,

2423
02:25:51,720 --> 02:25:57,480
Speaker 1: like before women fall in love, when it's just all right,

2424
02:25:57,600 --> 02:26:00,400
Speaker 1: this is the popping guy, especially back then to be rich.

2425
02:26:00,720 --> 02:26:04,920
Speaker 1: Back then, this is the rich guy. And they say

2426
02:26:04,959 --> 02:26:08,640
Speaker 1: he liked fucking. And so they all basically were just

2427
02:26:09,360 --> 02:26:13,200
Speaker 1: saying what they felt and kind of him being a

2428
02:26:13,280 --> 02:26:15,640
Speaker 1: topic of the conversation. But it was interesting to me

2429
02:26:15,760 --> 02:26:17,960
Speaker 1: that there was no hostility. And the dudes can do

2430
02:26:18,040 --> 02:26:22,000
Speaker 1: that when nobody is actually having sex with the girl,

2431
02:26:22,840 --> 02:26:25,000
Speaker 1: you know, but if there's someone having sex with the

2432
02:26:25,080 --> 02:26:29,400
Speaker 1: girl in that conversation, and then everybody is like, man, yeah,

2433
02:26:29,400 --> 02:26:31,520
Speaker 1: because man, she come in. I got to sit there there,

2434
02:26:31,720 --> 02:26:33,480
Speaker 1: and man, I'm a man because I think, man, when

2435
02:26:33,480 --> 02:26:35,520
Speaker 1: I'm gonna get in, I'm gonna take over the cowboy

2436
02:26:35,560 --> 02:26:39,959
Speaker 1: and the dudes having a different outlook. But women are

2437
02:26:40,000 --> 02:26:41,720
Speaker 1: just being like, all right, well, let the best woman

2438
02:26:41,800 --> 02:26:44,440
Speaker 1: win and I'm gonna get at him. And that was

2439
02:26:44,600 --> 02:26:48,520
Speaker 1: very interesting to me. Also saw the old nigga, Donald Sterling,

2440
02:26:49,680 --> 02:26:51,720
Speaker 1: and then I got to remember and he was one

2441
02:26:51,720 --> 02:26:54,119
Speaker 1: of the ones that was one of the first people

2442
02:26:54,120 --> 02:26:58,600
Speaker 1: with the council coaching thing. For those of you underwear

2443
02:26:58,640 --> 02:27:01,280
Speaker 1: who Donald Sterling nis. Donald Sterling is the guy that

2444
02:27:01,360 --> 02:27:03,960
Speaker 1: owned the clippers that was on the phone call about

2445
02:27:04,000 --> 02:27:08,160
Speaker 1: Magic Johnson. See this documentary Ties in the Jerry Bus

2446
02:27:08,320 --> 02:27:11,560
Speaker 1: Genie Buss, all the people and how they went with

2447
02:27:11,680 --> 02:27:14,520
Speaker 1: Magic instead of going with the guy who everybody thought

2448
02:27:14,560 --> 02:27:16,879
Speaker 1: they had bird on there and buried in Magic Like.

2449
02:27:16,920 --> 02:27:19,480
Speaker 1: It's a telling you man. It goes down through that.

2450
02:27:19,800 --> 02:27:22,200
Speaker 1: It even has racial shit in and it shows you

2451
02:27:22,280 --> 02:27:26,800
Speaker 1: how even though you were black and a better player,

2452
02:27:27,400 --> 02:27:29,600
Speaker 1: they would try to find a way to paint it

2453
02:27:30,000 --> 02:27:33,800
Speaker 1: that it'll be uneffective to put so much money and

2454
02:27:33,840 --> 02:27:36,680
Speaker 1: place you in a role in which you were empowered

2455
02:27:36,680 --> 02:27:39,039
Speaker 1: with to make decisions on behalf for the team. It

2456
02:27:39,120 --> 02:27:43,600
Speaker 1: just was a it shows that. It highlights that, but

2457
02:27:45,080 --> 02:27:47,160
Speaker 1: showed me Donald Sterling, I said, he one of the

2458
02:27:47,160 --> 02:27:50,440
Speaker 1: first people that got canceled. See Donald Sterling was on

2459
02:27:50,480 --> 02:27:53,480
Speaker 1: the phone with his girlfriend, see the billing. That nigg

2460
02:27:53,560 --> 02:27:56,720
Speaker 1: on the phone with his girlfriend telling her, listen, you

2461
02:27:56,840 --> 02:27:59,800
Speaker 1: keep bringing Magic Johnson around. They say, you fucking him.

2462
02:27:59,800 --> 02:28:01,760
Speaker 1: I don't care if you fuck him. I don't care

2463
02:28:01,800 --> 02:28:04,400
Speaker 1: if you kiss him, hug him and suck it. Just

2464
02:28:04,440 --> 02:28:08,280
Speaker 1: don't bring him to the games. Don't bring the black

2465
02:28:08,320 --> 02:28:11,720
Speaker 1: people to the games. He said, some bullshit like ya,

2466
02:28:11,840 --> 02:28:14,720
Speaker 1: don't bring the nigga to the games. He said some

2467
02:28:14,840 --> 02:28:17,880
Speaker 1: bullshit like yeah, they got him out of here, But

2468
02:28:18,000 --> 02:28:21,080
Speaker 1: this is where you play the corporate game man, because

2469
02:28:21,160 --> 02:28:24,400
Speaker 1: although they we thought they got him out of here

2470
02:28:24,520 --> 02:28:29,119
Speaker 1: from a mass media standpoint, you thought it was effective

2471
02:28:29,160 --> 02:28:31,280
Speaker 1: what they did to him. He only put the team

2472
02:28:31,320 --> 02:28:34,879
Speaker 1: in the name of someone in his family. And I

2473
02:28:35,000 --> 02:28:37,160
Speaker 1: just told you, nigga, I don't gotta be there for

2474
02:28:37,200 --> 02:28:41,200
Speaker 1: the job to get done. So it's again, they always

2475
02:28:41,280 --> 02:28:43,600
Speaker 1: leave a loophole for themselves to get out of things.

2476
02:28:43,640 --> 02:28:47,119
Speaker 1: So it's loopholes in almost everything out there. But I'm

2477
02:28:47,120 --> 02:28:50,480
Speaker 1: gonna watch the rest of this. I've been watching bell

2478
02:28:50,560 --> 02:28:53,520
Speaker 1: Lee of course, broke down a little bit of that

2479
02:28:53,560 --> 02:28:56,480
Speaker 1: the other week. I like bell Lell none need some

2480
02:28:56,520 --> 02:28:59,119
Speaker 1: more shows and shit to watch him finding myself trying

2481
02:28:59,120 --> 02:29:02,960
Speaker 1: to relax a little bit instead of going so hard

2482
02:29:03,040 --> 02:29:07,480
Speaker 1: all the time, you know. So we'll figure that out.

2483
02:29:07,760 --> 02:29:12,600
Speaker 1: Let's talk about the game and fifty cent. So, the

2484
02:29:12,680 --> 02:29:20,400
Speaker 1: game had run across Jimmy Ivene at the game no

2485
02:29:20,480 --> 02:29:25,760
Speaker 1: pun intended. So they went the layer game and ran

2486
02:29:25,840 --> 02:29:29,960
Speaker 1: into each other, and Jimmy iven literally walked past the game.

2487
02:29:31,520 --> 02:29:33,360
Speaker 1: Now I'm not gonna say that it was because he

2488
02:29:33,440 --> 02:29:37,360
Speaker 1: wasn't paying attention or head down walked through, you know,

2489
02:29:37,520 --> 02:29:40,039
Speaker 1: because when you sometimes you don't want to be spoken to.

2490
02:29:40,240 --> 02:29:42,840
Speaker 1: So and it ain't about the game, it's about nobody.

2491
02:29:42,840 --> 02:29:45,000
Speaker 1: I just want to kind of get through hell. But

2492
02:29:45,120 --> 02:29:48,520
Speaker 1: everybody rich on that bottom level. Let me just show

2493
02:29:48,560 --> 02:29:51,920
Speaker 1: you guys the video, and this is how fifty cent

2494
02:29:52,000 --> 02:29:55,039
Speaker 1: got involved in and him and game even start talking

2495
02:29:55,040 --> 02:29:58,000
Speaker 1: crazy to each other. So if you're looking at the

2496
02:29:58,000 --> 02:30:03,920
Speaker 1: screen right now, here's the video of Jimmy Ivene and

2497
02:30:04,040 --> 02:30:08,360
Speaker 1: the game. So as you see game walking Jimmy Vine

2498
02:30:08,440 --> 02:30:12,880
Speaker 1: seems to be have seems to be walking past him.

2499
02:30:13,600 --> 02:30:22,600
Speaker 1: Always explain to people that this game is vicious, Like

2500
02:30:22,720 --> 02:30:26,320
Speaker 1: this ain't one of them kiddy pools. You're fucking with

2501
02:30:26,480 --> 02:30:30,039
Speaker 1: the deep end over here. Niggas can make millions out

2502
02:30:30,080 --> 02:30:33,640
Speaker 1: of you, man, and you will never meet them. Niggas

2503
02:30:33,640 --> 02:30:36,280
Speaker 1: can make money with you, man, and they won't let

2504
02:30:36,320 --> 02:30:38,560
Speaker 1: you in the club. This is just like the NFL.

2505
02:30:39,120 --> 02:30:42,800
Speaker 1: We've seen what they locked me now, man, We're done

2506
02:30:42,840 --> 02:30:46,520
Speaker 1: with you. You understand me. Men, never put his life

2507
02:30:46,560 --> 02:30:48,800
Speaker 1: on the line. You know a lot of times about

2508
02:30:48,800 --> 02:30:51,840
Speaker 1: the Titans, but sometimes that's how it goes in the industry.

2509
02:30:51,879 --> 02:30:56,200
Speaker 1: It's unfortunate, but it's reality. And somewhere along the lines

2510
02:30:56,320 --> 02:31:00,240
Speaker 1: you gotta cross them too and figure out which one

2511
02:31:00,320 --> 02:31:03,000
Speaker 1: you want to deal with. You want to cry about

2512
02:31:03,000 --> 02:31:07,360
Speaker 1: it or you want to maneuver around it. So the

2513
02:31:07,400 --> 02:31:12,720
Speaker 1: industry is very parasitic. See I'm in the industry, but

2514
02:31:12,800 --> 02:31:15,520
Speaker 1: I'm not of the industry, so i can identify some

2515
02:31:15,600 --> 02:31:19,520
Speaker 1: of the things that's happening. And I'm here for a

2516
02:31:19,600 --> 02:31:23,360
Speaker 1: long time. I ain't here to play the little game.

2517
02:31:23,440 --> 02:31:26,440
Speaker 1: I'm here to really really put the legacy down because

2518
02:31:26,480 --> 02:31:28,560
Speaker 1: a lot of people been in the industry so long

2519
02:31:29,120 --> 02:31:31,840
Speaker 1: they never they never had to endure pain like me,

2520
02:31:31,959 --> 02:31:34,440
Speaker 1: and pain meaning that you put you all into something

2521
02:31:34,440 --> 02:31:36,200
Speaker 1: and they tell you it's not read it. It's not

2522
02:31:36,280 --> 02:31:38,480
Speaker 1: that you shouldn't do it. You're probably not. It's not

2523
02:31:38,560 --> 02:31:42,320
Speaker 1: gonna work. That's pain when you're dealing with a creator.

2524
02:31:44,160 --> 02:31:46,720
Speaker 1: But see me, I had to shut everything off, the good,

2525
02:31:47,040 --> 02:31:50,120
Speaker 1: the good, compliments, the bad. All this shit is shut off.

2526
02:31:50,200 --> 02:31:52,720
Speaker 1: I'm just working. I don't care who say what about it.

2527
02:31:53,440 --> 02:31:56,279
Speaker 1: But I'm in the industry and I'm not of the industry,

2528
02:31:56,360 --> 02:32:01,119
Speaker 1: So my views and my standpoints are extremely different than

2529
02:32:01,240 --> 02:32:04,120
Speaker 1: those of people that have operated in the space for

2530
02:32:04,200 --> 02:32:07,160
Speaker 1: a while. And hearing yes to know, it's something that

2531
02:32:07,280 --> 02:32:09,400
Speaker 1: all of us have to go through, right, I've heard

2532
02:32:09,480 --> 02:32:12,959
Speaker 1: no a lot. I'm hearing yes now, but I've heard

2533
02:32:13,720 --> 02:32:18,800
Speaker 1: a lot. But you no ideal with words, and I'm

2534
02:32:18,920 --> 02:32:22,000
Speaker 1: specific with words. So when I said yes and no,

2535
02:32:22,120 --> 02:32:26,760
Speaker 1: it's something we have to hear. It's different hearing yes

2536
02:32:26,800 --> 02:32:31,200
Speaker 1: and no or being told yes or no. Some of

2537
02:32:31,320 --> 02:32:33,560
Speaker 1: us are hearing it, but but we're hearing it because

2538
02:32:33,560 --> 02:32:36,440
Speaker 1: we're the ones that saying it. So we don't know

2539
02:32:36,480 --> 02:32:39,840
Speaker 1: what it's like on the other side, for you know,

2540
02:32:39,920 --> 02:32:42,000
Speaker 1: the impact of that, No, they don't know what they

2541
02:32:42,120 --> 02:32:44,920
Speaker 1: know does to the person on the other side. Hopefully,

2542
02:32:45,480 --> 02:32:48,199
Speaker 1: if you create that hard, it only turns the light

2543
02:32:48,280 --> 02:32:51,840
Speaker 1: on in you and knows that and activates a part

2544
02:32:51,879 --> 02:32:55,440
Speaker 1: of you that they could never take from you because

2545
02:32:55,480 --> 02:32:59,520
Speaker 1: the information go along with the failure, the hijacking of

2546
02:32:59,600 --> 02:33:02,800
Speaker 1: the problem says, mean the car take controlling. You gotta

2547
02:33:02,879 --> 02:33:06,400
Speaker 1: just hope and pray it don't spin out. So you

2548
02:33:06,480 --> 02:33:09,440
Speaker 1: gotta be weary of that sometime. But some people are

2549
02:33:09,440 --> 02:33:11,360
Speaker 1: on the side of giving the yes and on the

2550
02:33:11,400 --> 02:33:13,360
Speaker 1: side of giving the note right, so they on the

2551
02:33:13,360 --> 02:33:15,840
Speaker 1: side of giving the check, on the side of not

2552
02:33:16,000 --> 02:33:17,840
Speaker 1: giving the check, So they don't know what it's like

2553
02:33:18,480 --> 02:33:21,280
Speaker 1: for their check to mean whether or not we live

2554
02:33:21,320 --> 02:33:23,800
Speaker 1: in a full bed room or whether or not we

2555
02:33:23,920 --> 02:33:27,879
Speaker 1: live in a two bed room apartment. So what I'm

2556
02:33:27,879 --> 02:33:31,120
Speaker 1: saying you got creators living in them kind of standards.

2557
02:33:31,120 --> 02:33:33,640
Speaker 1: And that's why I'm saying in that tunnel, you better

2558
02:33:33,720 --> 02:33:37,800
Speaker 1: always stay a well. Do not never ever play the

2559
02:33:37,879 --> 02:33:44,640
Speaker 1: game stay a well. When people ask me, yo loan,

2560
02:33:45,840 --> 02:33:48,360
Speaker 1: why you think Jimmy walked past him like that. I

2561
02:33:48,440 --> 02:33:53,080
Speaker 1: just think he doesn't resonate to him in a way

2562
02:33:53,120 --> 02:33:56,280
Speaker 1: that stops him in his tracks. And that's why Fifty

2563
02:33:56,320 --> 02:33:59,760
Speaker 1: got involved, because you know, Game took a shot to

2564
02:34:00,040 --> 02:34:03,400
Speaker 1: the Weekend Fifty about something. You know, he said he

2565
02:34:03,520 --> 02:34:07,000
Speaker 1: liked the he liked the power, I like your episodes.

2566
02:34:07,040 --> 02:34:09,440
Speaker 1: I like what you do with power. But his shot

2567
02:34:09,480 --> 02:34:12,000
Speaker 1: was at Eminem and Drey didn't do nothing for him,

2568
02:34:12,040 --> 02:34:14,120
Speaker 1: and Kanye did more for him, and he didn't get

2569
02:34:14,160 --> 02:34:17,959
Speaker 1: on the super Bowl. So Fifty posted summon, says what's

2570
02:34:18,040 --> 02:34:20,720
Speaker 1: this about? And then Games said, last time you win

2571
02:34:20,800 --> 02:34:24,879
Speaker 1: in me? You know I d g uni. So you

2572
02:34:24,920 --> 02:34:27,440
Speaker 1: know fifty, one of them dudes him, don't play short game.

2573
02:34:27,520 --> 02:34:29,840
Speaker 1: He played a long game. He had counseled like me.

2574
02:34:30,800 --> 02:34:33,280
Speaker 1: So we played a long game. You gotta be careful

2575
02:34:33,360 --> 02:34:35,520
Speaker 1: dealing with us. So fifty came in and said this,

2576
02:34:38,240 --> 02:34:41,480
Speaker 1: lare the man look at him. Man didn't even look

2577
02:34:41,480 --> 02:34:45,040
Speaker 1: at him. Fifty said this, lare the man didn't even

2578
02:34:45,040 --> 02:34:47,240
Speaker 1: look at him. Get this guy out of here, man.

2579
02:34:47,320 --> 02:34:53,760
Speaker 1: Fifty wrote the records. And then Game comes back and

2580
02:34:53,840 --> 02:35:00,080
Speaker 1: says to Fifty, nigga ain't even see mister burns. And

2581
02:35:00,080 --> 02:35:02,440
Speaker 1: if you wrote my records, right, you once today and

2582
02:35:02,480 --> 02:35:04,720
Speaker 1: put it out, nigga, your rap career dad with him

2583
02:35:04,800 --> 02:35:08,280
Speaker 1: lollipop strap tank tops. You are actor and that's why

2584
02:35:08,320 --> 02:35:10,400
Speaker 1: you ran the TV. Give us season two of that

2585
02:35:10,520 --> 02:35:12,840
Speaker 1: Tommy Bullis shit and lead the rap shit to niggas

2586
02:35:12,879 --> 02:35:17,800
Speaker 1: who can spare correctly and actually got bass. Goofit, nigga,

2587
02:35:17,920 --> 02:35:23,120
Speaker 1: He's gonna delete this comment. So they going at it,

2588
02:35:25,160 --> 02:35:28,320
Speaker 1: and so it ignites an old beef between Game and fifty.

2589
02:35:28,360 --> 02:35:32,480
Speaker 1: And I think Game was I told you, I think

2590
02:35:32,480 --> 02:35:35,720
Speaker 1: he was responsible for hurting the brand. He didn't hurt

2591
02:35:35,760 --> 02:35:39,800
Speaker 1: fifty hurt. He hurt the entourage. Fifty brand was so

2592
02:35:40,560 --> 02:35:43,520
Speaker 1: sketched in stone that I don't think he hurt fifties brand.

2593
02:35:43,520 --> 02:35:45,560
Speaker 1: But I think he did kind of chip it that

2594
02:35:45,800 --> 02:35:49,039
Speaker 1: entourage in a way that was a little bit effective.

2595
02:35:52,800 --> 02:35:54,920
Speaker 1: I don't know. I don't really I don't know. I

2596
02:35:54,920 --> 02:35:59,280
Speaker 1: don't really want to cover the the beef side of it,

2597
02:35:59,440 --> 02:36:02,160
Speaker 1: you know. So after that, let's see what Game says.

2598
02:36:02,480 --> 02:36:06,439
Speaker 1: Then the Game tweets hit the Swiss Beach and timberland

2599
02:36:06,520 --> 02:36:09,000
Speaker 1: a sap stopped running from the verses, Oh and tell

2600
02:36:09,040 --> 02:36:12,200
Speaker 1: your girl stay out my DM if she don't want

2601
02:36:12,200 --> 02:36:15,760
Speaker 1: a man, overweight, fattish, fuck hanging upside down like a

2602
02:36:15,879 --> 02:36:19,400
Speaker 1: rotisserie chicken. At the Super Bowl come to he tagged

2603
02:36:19,440 --> 02:36:23,760
Speaker 1: this new album leave me Alone. I'm being watching Power.

2604
02:36:24,120 --> 02:36:27,600
Speaker 1: It's the hashest tag. Then he put up a DM

2605
02:36:27,640 --> 02:36:32,560
Speaker 1: with Cuban link, which is supposedly fitty cents girl. Well

2606
02:36:33,080 --> 02:36:35,600
Speaker 1: is fitty cents girl and says video girl keep me

2607
02:36:35,640 --> 02:36:39,240
Speaker 1: in mind and has a number. And so she responds

2608
02:36:39,280 --> 02:36:43,879
Speaker 1: to that, says naha man from twenty fifteen, when everybody

2609
02:36:43,920 --> 02:36:47,440
Speaker 1: wanted to be a video girl, you irrelevant, fucking bozo.

2610
02:36:47,600 --> 02:36:51,120
Speaker 1: You thought you ate with that one. So he put

2611
02:36:51,120 --> 02:36:53,400
Speaker 1: out the old you know, she says she was at

2612
02:36:53,480 --> 02:36:56,440
Speaker 1: him a long time ago, when you know, being a

2613
02:36:56,560 --> 02:36:58,879
Speaker 1: video girl was a thing when people were trying to

2614
02:36:58,879 --> 02:37:01,000
Speaker 1: get in contact. Would Doe was like him to get

2615
02:37:01,000 --> 02:37:05,680
Speaker 1: in them videos and to keep it pe you know,

2616
02:37:05,760 --> 02:37:07,840
Speaker 1: before I even kind of speak on that, to keep

2617
02:37:07,879 --> 02:37:10,879
Speaker 1: it pea nigga. Them labors don't give a fuck about

2618
02:37:10,959 --> 02:37:17,320
Speaker 1: game or fitted they can give a fuck less about

2619
02:37:17,360 --> 02:37:19,600
Speaker 1: game than they do fitted, but they really don't give

2620
02:37:19,600 --> 02:37:21,640
Speaker 1: a fuck about them. And one of them niggas, if

2621
02:37:21,640 --> 02:37:25,080
Speaker 1: we're really cooking in the kitchen about it. The industry,

2622
02:37:25,120 --> 02:37:27,160
Speaker 1: don't give a fuck about Dad and one of them niggas,

2623
02:37:27,160 --> 02:37:32,480
Speaker 1: and we're being around because the way the contracts and

2624
02:37:32,560 --> 02:37:39,360
Speaker 1: shiit set up, it is what it is. Then I

2625
02:37:39,400 --> 02:37:44,560
Speaker 1: got to thinking, dude, niggas see niggas care you heard

2626
02:37:44,640 --> 02:37:47,680
Speaker 1: Dirk speak. Niggas care about that kind of shit. I

2627
02:37:47,680 --> 02:37:50,200
Speaker 1: don't think something like that to hurt her, but to

2628
02:37:50,280 --> 02:37:53,760
Speaker 1: take it out fitted and Cuban link. Do you care

2629
02:37:54,120 --> 02:37:56,600
Speaker 1: what your girl did and who she was entertained and

2630
02:37:56,680 --> 02:38:01,360
Speaker 1: prior to you? You know, do you care if she

2631
02:38:01,560 --> 02:38:08,360
Speaker 1: was willing and ready prior to your motherfucking arrival? You

2632
02:38:08,480 --> 02:38:10,480
Speaker 1: know how you feel about help me and willing and

2633
02:38:10,640 --> 02:38:13,760
Speaker 1: ready prior to your arrival. From a standpoint of their,

2634
02:38:13,879 --> 02:38:16,920
Speaker 1: niggas can use that against you to say, man, to

2635
02:38:16,959 --> 02:38:19,400
Speaker 1: get your girl out, my DM, man, get your girl made.

2636
02:38:19,400 --> 02:38:22,080
Speaker 1: Your girl was man. I had your gel made, your

2637
02:38:22,080 --> 02:38:26,000
Speaker 1: girl would have drove two hundred miles. Man, you understand me?

2638
02:38:26,720 --> 02:38:28,879
Speaker 1: You know what do you do for that? What do

2639
02:38:28,959 --> 02:38:33,879
Speaker 1: you do? I think we expect everybody to have a pass.

2640
02:38:34,440 --> 02:38:36,640
Speaker 1: I think as long as your pass don't affect my

2641
02:38:36,720 --> 02:38:39,240
Speaker 1: present meaning how I'm feeling. I don't want to be

2642
02:38:40,000 --> 02:38:42,560
Speaker 1: mocked and shit nigga don't want to be mocked fucking

2643
02:38:42,600 --> 02:38:45,920
Speaker 1: with nobody and feel like yo, damn le folk got

2644
02:38:45,920 --> 02:38:49,920
Speaker 1: me feeling bad. No motherfucking fucking with you, man, I

2645
02:38:49,920 --> 02:38:52,640
Speaker 1: don't want to fucking with you, man. But see sometimes

2646
02:38:52,640 --> 02:38:55,000
Speaker 1: I told y'all the other day, if she nastered another

2647
02:38:55,160 --> 02:39:00,640
Speaker 1: nigga cut his whole emotional system down. Nigga was shut

2648
02:39:00,680 --> 02:39:03,800
Speaker 1: down his thinking system. If she naster enough, if she

2649
02:39:04,000 --> 02:39:08,240
Speaker 1: thick and nasty enough, boys shut his mental capacity down.

2650
02:39:09,080 --> 02:39:14,080
Speaker 1: Nigga go offline comment says all this shit offline. All

2651
02:39:14,160 --> 02:39:16,240
Speaker 1: he want to do now he watch your ass and

2652
02:39:16,320 --> 02:39:20,359
Speaker 1: get behind that as and fuck on her. He don't win. Yeah,

2653
02:39:20,360 --> 02:39:23,840
Speaker 1: So now, man, you gotta know, you know, you gotta man.

2654
02:39:23,959 --> 02:39:27,360
Speaker 1: You gotta pay attention, you know. But I don't know

2655
02:39:27,400 --> 02:39:29,520
Speaker 1: how how I will feel. You know what I'm saying.

2656
02:39:29,560 --> 02:39:32,879
Speaker 1: I think it depends on our bond too and me

2657
02:39:32,920 --> 02:39:36,080
Speaker 1: and shortly locked into what I can look nigga her

2658
02:39:36,200 --> 02:39:38,520
Speaker 1: mom in the face and say a nigga can't get her.

2659
02:39:39,680 --> 02:39:44,119
Speaker 1: I know for a fact she own smash. Nigga cannot

2660
02:39:44,160 --> 02:39:48,360
Speaker 1: fuck with her. She's not gonna go and you know

2661
02:39:48,400 --> 02:39:51,640
Speaker 1: what I mean, she ain't gonna go, man, nigga, you see.

2662
02:39:52,760 --> 02:39:55,119
Speaker 1: Oh but if it ain't like that, it can't get

2663
02:39:55,120 --> 02:39:57,080
Speaker 1: a little slippery and nigga get the thing in a

2664
02:39:57,080 --> 02:39:59,280
Speaker 1: little bad a am you was in his dn What

2665
02:39:59,440 --> 02:40:01,959
Speaker 1: was that about? But if we've been locked in for

2666
02:40:02,000 --> 02:40:04,680
Speaker 1: a while, we should be able to move around. They compolding, No,

2667
02:40:04,879 --> 02:40:09,520
Speaker 1: man surely is not going man, Man, don't post that man.

2668
02:40:09,640 --> 02:40:13,039
Speaker 1: We know, surely not going man, surely noting the risk

2669
02:40:13,160 --> 02:40:17,480
Speaker 1: that man come home. Yeah, let's talk about this. Ram

2670
02:40:17,480 --> 02:40:20,480
Speaker 1: and Mark shout out. Ram and Marshy went over to

2671
02:40:20,560 --> 02:40:28,039
Speaker 1: the homie drink Champs um and put some game down,

2672
02:40:28,200 --> 02:40:31,000
Speaker 1: you know, and had a great time and did a

2673
02:40:31,160 --> 02:40:33,200
Speaker 1: one two over there. You know, when I look at

2674
02:40:33,320 --> 02:40:37,039
Speaker 1: drink Champs right now, I'm studying they lightning, see lightning

2675
02:40:37,080 --> 02:40:40,520
Speaker 1: and something I don't understand it. We got a lot

2676
02:40:40,520 --> 02:40:42,880
Speaker 1: of lightning and we got lights and shit, but it's

2677
02:40:42,879 --> 02:40:45,400
Speaker 1: something I don't get. I don't get it's something. It's

2678
02:40:45,400 --> 02:40:47,840
Speaker 1: something I don't get and I'm trying to understand it.

2679
02:40:47,920 --> 02:40:50,640
Speaker 1: So I'm studying a couple of people, Him and be

2680
02:40:50,879 --> 02:40:54,480
Speaker 1: Marshall got the kind of super good lightning. You know,

2681
02:40:54,560 --> 02:40:58,200
Speaker 1: it's like a soft light but it's regardless, that's that's

2682
02:40:58,280 --> 02:41:00,960
Speaker 1: checked out, but Drink Champs does a great job with

2683
02:41:01,120 --> 02:41:05,160
Speaker 1: bringing our artists that and again that welcoming to the conversation.

2684
02:41:05,240 --> 02:41:07,039
Speaker 1: And I think as long as we can have that

2685
02:41:07,160 --> 02:41:10,160
Speaker 1: relationship with the people that sit down and the people

2686
02:41:10,200 --> 02:41:12,720
Speaker 1: that they're sitting down with, I think that we can

2687
02:41:12,760 --> 02:41:15,400
Speaker 1: always bring content and take it to the next level

2688
02:41:16,480 --> 02:41:19,560
Speaker 1: and control our own narrative. It's important that when we

2689
02:41:19,600 --> 02:41:23,720
Speaker 1: sit with each other that we have an inviting spirit.

2690
02:41:25,000 --> 02:41:27,200
Speaker 1: It's important that when we sit with each other that

2691
02:41:27,280 --> 02:41:32,840
Speaker 1: we're not irritable in the approach of the interview or

2692
02:41:32,879 --> 02:41:36,160
Speaker 1: the person that's trying to get the information, because distance

2693
02:41:36,200 --> 02:41:38,640
Speaker 1: is less about them and more about getting it out

2694
02:41:38,680 --> 02:41:43,720
Speaker 1: to the people that look forward to hearing from you. Therefore,

2695
02:41:43,720 --> 02:41:46,360
Speaker 1: I'm just a highway to you getting your message out

2696
02:41:46,360 --> 02:41:48,879
Speaker 1: to the people. I'm just here to let you know

2697
02:41:49,879 --> 02:41:54,120
Speaker 1: you know, or here to offer some kind of assistance

2698
02:41:55,000 --> 02:41:58,160
Speaker 1: and you getting there. And I think that any interview,

2699
02:41:58,280 --> 02:42:01,160
Speaker 1: that's that's the position you take, and I gotta figure

2700
02:42:01,160 --> 02:42:04,520
Speaker 1: out a way to incorporate that in my approach as well,

2701
02:42:04,600 --> 02:42:07,120
Speaker 1: and so I'll get better with time, and that's just

2702
02:42:07,240 --> 02:42:09,920
Speaker 1: part of the game. So Riman went there and she

2703
02:42:10,000 --> 02:42:12,400
Speaker 1: spoke on a list of things. You know, she has

2704
02:42:12,400 --> 02:42:15,400
Speaker 1: a new battle rap. The Ain't going Riman has always

2705
02:42:15,400 --> 02:42:20,440
Speaker 1: been a staple in female hip hop. She's been a

2706
02:42:20,440 --> 02:42:25,040
Speaker 1: staple or went to jail. Kiby gangster Pappoose as a husband. He's,

2707
02:42:25,160 --> 02:42:29,360
Speaker 1: you know, one of them spitters respected up top, you know.

2708
02:42:29,440 --> 02:42:34,720
Speaker 1: So it's a situation where she has the credibility that

2709
02:42:34,840 --> 02:42:40,280
Speaker 1: most women can obtain, right, because once you cross over

2710
02:42:40,320 --> 02:42:43,840
Speaker 1: to get the street credibility, you gotta do some street shit.

2711
02:42:43,959 --> 02:42:46,480
Speaker 1: And most women ain't really done that. They can talk

2712
02:42:46,480 --> 02:42:49,040
Speaker 1: it good, but when you gotta do it and stand

2713
02:42:49,120 --> 02:42:51,520
Speaker 1: on it. See, that's even a two step process, because

2714
02:42:51,520 --> 02:42:53,520
Speaker 1: some of y'all are doing it won't stand on it.

2715
02:42:53,920 --> 02:42:56,440
Speaker 1: But when you do it and stand on it, you cross.

2716
02:42:56,879 --> 02:42:59,520
Speaker 1: You go past certain men in regards to what you're

2717
02:42:59,520 --> 02:43:03,160
Speaker 1: willing to endure about, what you're willing to stand up on,

2718
02:43:03,959 --> 02:43:07,200
Speaker 1: what you've done, what you've encountered, right, what you wanted

2719
02:43:07,240 --> 02:43:09,760
Speaker 1: to tell the universe that what the universe has for

2720
02:43:09,840 --> 02:43:13,640
Speaker 1: me is man, good, bad, and different. Some people are

2721
02:43:13,640 --> 02:43:15,760
Speaker 1: not willing to do that. They want to make trade

2722
02:43:15,760 --> 02:43:19,199
Speaker 1: offs when it's available, They want to cheat the system

2723
02:43:19,240 --> 02:43:21,600
Speaker 1: and things of that nature. So when you see someone

2724
02:43:22,840 --> 02:43:26,720
Speaker 1: being those kind of situations, you always applaud them, and

2725
02:43:26,959 --> 02:43:32,920
Speaker 1: I've done so with Rim and Ma. With Rim and Ma. Um,

2726
02:43:33,000 --> 02:43:34,720
Speaker 1: let's listen to a little bit of what she said

2727
02:43:34,720 --> 02:43:37,720
Speaker 1: on Drain Chumps and then we'll move forward with some game.

2728
02:43:40,959 --> 02:43:45,680
Speaker 1: So we establish the problem with Joe. We spoke about

2729
02:43:45,720 --> 02:43:50,120
Speaker 1: Sita a little bit earlier and its correlation, but we

2730
02:43:50,240 --> 02:43:54,000
Speaker 1: never actually spoke. But what you and Nikki ever like friends?

2731
02:43:54,240 --> 02:43:57,320
Speaker 1: Do you ever consider her your friends? Consider her your colleague?

2732
02:43:57,600 --> 02:44:00,400
Speaker 1: I don't. I don't. Like friends are such a world.

2733
02:44:00,440 --> 02:44:06,440
Speaker 1: But like like we had conversations, we're like I do

2734
02:44:07,160 --> 02:44:09,280
Speaker 1: I do, I don't. I don't have that relationship. We

2735
02:44:09,400 --> 02:44:11,560
Speaker 1: never got a chance to get there. But because we're happening,

2736
02:44:11,560 --> 02:44:14,959
Speaker 1: because old footage of Niki right back in the days,

2737
02:44:15,040 --> 02:44:20,240
Speaker 1: y'all sitting there right then, this we have no idea.

2738
02:44:20,720 --> 02:44:23,080
Speaker 1: But for the first of all, it's been five years,

2739
02:44:23,120 --> 02:44:26,199
Speaker 1: like literally like two days ago. Three is amazing, sheet

2740
02:44:26,320 --> 02:44:29,360
Speaker 1: up like I came up. It seems like more close

2741
02:44:29,400 --> 02:44:31,280
Speaker 1: than that. But it's been five years just because people

2742
02:44:31,320 --> 02:44:32,959
Speaker 1: keep bringing it up and see close up, but it's

2743
02:44:33,160 --> 02:44:37,520
Speaker 1: five years ago. But um, I never saw that one coming.

2744
02:44:38,600 --> 02:44:41,959
Speaker 1: I never because I felt like we had a conversation well,

2745
02:44:42,000 --> 02:44:44,959
Speaker 1: because I've been in this predicament before where I was

2746
02:44:44,959 --> 02:44:47,440
Speaker 1: a girl just coming in even though I had been

2747
02:44:47,440 --> 02:44:49,000
Speaker 1: out before. When I came home, it was like a

2748
02:44:49,280 --> 02:44:54,680
Speaker 1: me commentation and I was just like, just give me

2749
02:44:54,680 --> 02:44:59,520
Speaker 1: another cup, roll, keep cups. I was like, here we

2750
02:44:59,520 --> 02:45:04,760
Speaker 1: got coup Yeah, I got wonderful thing. I just always

2751
02:45:04,800 --> 02:45:07,440
Speaker 1: felt like anything I say, people are gonna say I'm

2752
02:45:07,480 --> 02:45:09,440
Speaker 1: talking about hard. Anything you say, people want say I'm

2753
02:45:09,440 --> 02:45:11,800
Speaker 1: talking about me. So let's make an agreement that we

2754
02:45:12,000 --> 02:45:17,160
Speaker 1: never talking about each other like you like the conversations,

2755
02:45:17,160 --> 02:45:19,360
Speaker 1: like just telling us like a conversation back and forth.

2756
02:45:19,840 --> 02:45:23,120
Speaker 1: And I feel like any woman should you're supposed to

2757
02:45:23,120 --> 02:45:24,800
Speaker 1: feel like you should were supposed to get on a

2758
02:45:24,840 --> 02:45:26,640
Speaker 1: song like yeah, I'm number two, or I'm never to

2759
02:45:26,720 --> 02:45:28,480
Speaker 1: be like no, I'm supposed to talk like you that

2760
02:45:28,520 --> 02:45:31,560
Speaker 1: bit you the ship. Just let's lever, let it get there.

2761
02:45:31,720 --> 02:45:34,560
Speaker 1: And it was just a certain shit that that transpired

2762
02:45:34,640 --> 02:45:37,160
Speaker 1: behind the scenes, messages that I've seen that I know

2763
02:45:37,480 --> 02:45:40,480
Speaker 1: wasn't like, you know, fabricated, And I was just like

2764
02:45:40,480 --> 02:45:45,840
Speaker 1: like nah, like because it take one moment to change somebody.

2765
02:45:45,840 --> 02:45:47,920
Speaker 1: This whole career and the ship. Like what I'm saying,

2766
02:45:47,959 --> 02:45:51,360
Speaker 1: Like I've seen people where after certain shit happened, they

2767
02:45:51,520 --> 02:45:53,960
Speaker 1: they're deemed as a specific type where they was never

2768
02:45:54,000 --> 02:45:56,800
Speaker 1: looked at like that before. And I was like, I'm

2769
02:45:56,800 --> 02:45:59,200
Speaker 1: not letting it happened to me, like it's just not

2770
02:45:59,280 --> 02:46:02,160
Speaker 1: it's just gonna have because that what was the I

2771
02:46:02,200 --> 02:46:05,039
Speaker 1: can't even think of his fucking name less of Biggie's

2772
02:46:05,080 --> 02:46:07,440
Speaker 1: lyrics and niggas act like he was the worst fucking

2773
02:46:07,560 --> 02:46:12,560
Speaker 1: rapper and the fucking playing it. No, not though right

2774
02:46:12,800 --> 02:46:16,400
Speaker 1: right like fire, like I really like I was listening,

2775
02:46:16,440 --> 02:46:18,120
Speaker 1: I was somewhere and it was like playing ah, So

2776
02:46:18,360 --> 02:46:20,000
Speaker 1: I was like, nah, he really was firing. They just

2777
02:46:20,000 --> 02:46:22,320
Speaker 1: really trying to cancel him because he messed up my

2778
02:46:22,400 --> 02:46:24,920
Speaker 1: lyrics from a fucking artist from my whole life. So

2779
02:46:24,959 --> 02:46:28,480
Speaker 1: she's she's speaking about about Nicki Minaj and why hunt

2780
02:46:28,560 --> 02:46:32,240
Speaker 1: Nicki Minaj got into it. You say anything, you cancel.

2781
02:46:33,000 --> 02:46:35,080
Speaker 1: I don't know why I'm not because I'd be saying

2782
02:46:35,640 --> 02:46:39,720
Speaker 1: I don't even be care like I don't know, you

2783
02:46:39,760 --> 02:46:42,160
Speaker 1: don't know. I don't well, I like I said, a

2784
02:46:42,240 --> 02:46:45,120
Speaker 1: certain ship from behind the scenes, but would cause the ship.

2785
02:46:45,440 --> 02:46:50,920
Speaker 1: I don't know, but y'all now, um not that I

2786
02:46:51,040 --> 02:46:55,720
Speaker 1: know of space. I mean in my opinion, not from

2787
02:46:55,760 --> 02:46:57,600
Speaker 1: my my stand point. Like like I said, I'm in

2788
02:46:57,640 --> 02:46:59,720
Speaker 1: a different place in my life. I'm not trying to

2789
02:46:59,760 --> 02:47:04,359
Speaker 1: fire nobody. I'm not looking for nobody like I really am,

2790
02:47:04,560 --> 02:47:08,040
Speaker 1: like just in a different way after a certain time

2791
02:47:08,800 --> 02:47:12,000
Speaker 1: Nicky's and right now and I know that store doesn't

2792
02:47:12,040 --> 02:47:14,560
Speaker 1: exists no more. That's the reason. What the hell is that?

2793
02:47:14,760 --> 02:47:18,320
Speaker 1: That's my next question? What is that was like Macy's

2794
02:47:18,320 --> 02:47:25,320
Speaker 1: before Macy's Either all right, Dad, it's right, all right,

2795
02:47:25,400 --> 02:47:28,000
Speaker 1: bird dof good man, y'all bird dog good men? Or

2796
02:47:28,080 --> 02:47:35,000
Speaker 1: what was it? What's the other ship? Sacks and you

2797
02:47:35,120 --> 02:47:39,560
Speaker 1: walk in and it's you and Pat and it's Nikki

2798
02:47:40,040 --> 02:47:46,360
Speaker 1: and Zoo love right. I mean, I don't I don't

2799
02:47:46,400 --> 02:47:52,600
Speaker 1: see anybody acting crazy. You're all rich really no, Like

2800
02:47:52,920 --> 02:47:55,560
Speaker 1: I don't, I don't see it. But like I don't

2801
02:47:56,440 --> 02:48:01,360
Speaker 1: we pray for peace. I've never been You're not trying

2802
02:48:01,400 --> 02:48:03,360
Speaker 1: to be funny, like I've never been anywhere with me

2803
02:48:03,400 --> 02:48:06,080
Speaker 1: and Badman, anybody did anything to us. Like it's like

2804
02:48:06,879 --> 02:48:09,240
Speaker 1: not saying like we're this big gast, like we get

2805
02:48:09,280 --> 02:48:11,879
Speaker 1: a certain amount of respect and we give respect. And

2806
02:48:11,920 --> 02:48:15,440
Speaker 1: I think that's why I specificated, But um, I don't

2807
02:48:15,480 --> 02:48:19,400
Speaker 1: see like like what would be the reason this at

2808
02:48:19,440 --> 02:48:22,000
Speaker 1: this point? But and like I said, I don't take

2809
02:48:22,240 --> 02:48:27,879
Speaker 1: rap beef seriously, I don't, William, even in life, I don't.

2810
02:48:28,120 --> 02:48:30,360
Speaker 1: I don't have beef with anybody right now. How bad

2811
02:48:30,400 --> 02:48:34,160
Speaker 1: beef in a long time, like beef for like the

2812
02:48:34,200 --> 02:48:36,880
Speaker 1: fucking garbageman when he fucking decides it was to come

2813
02:48:36,920 --> 02:48:39,560
Speaker 1: at seven one day, nine the other day, twe like

2814
02:48:39,600 --> 02:48:42,040
Speaker 1: go beef for him, Like I feel the way about that,

2815
02:48:44,440 --> 02:48:51,959
Speaker 1: sound like Magan the Stallion, ramy Ma, Nicki Minaje, dose

2816
02:48:52,040 --> 02:48:58,400
Speaker 1: your cat. A lot of city girls, a lot of

2817
02:48:58,760 --> 02:49:06,160
Speaker 1: city girls. I shouldn't be fired. But let me tell

2818
02:49:06,200 --> 02:49:10,279
Speaker 1: you something I've done. And you know, if you understand

2819
02:49:10,360 --> 02:49:14,279
Speaker 1: something right, it's crazy to see what her and Nikki

2820
02:49:14,440 --> 02:49:17,440
Speaker 1: landed and what they could have been together. See, it's

2821
02:49:17,480 --> 02:49:20,960
Speaker 1: always interesting how you play your cards. You're gonna be

2822
02:49:21,000 --> 02:49:23,920
Speaker 1: dealt the hell of a hand. You're gonna be dealt

2823
02:49:23,920 --> 02:49:26,680
Speaker 1: a head and then well, man, damn, this teen gonna

2824
02:49:26,760 --> 02:49:30,879
Speaker 1: walk this time. You understand me, And um, you're also

2825
02:49:30,920 --> 02:49:33,560
Speaker 1: gonna be dealt to hand where the king ain't no

2826
02:49:33,720 --> 02:49:36,800
Speaker 1: good this hand. You did what I'm saying, so you

2827
02:49:36,879 --> 02:49:39,280
Speaker 1: gotta know what you want to do. But she's speaking

2828
02:49:39,320 --> 02:49:44,360
Speaker 1: about navigating outside of the beef with Nikki manage that

2829
02:49:44,440 --> 02:49:46,960
Speaker 1: they had and where they are now, and she really

2830
02:49:47,000 --> 02:49:50,280
Speaker 1: can't speak to it because there's no communication money out here.

2831
02:49:50,760 --> 02:49:53,640
Speaker 1: It's enough space for everybody to be who they are.

2832
02:49:53,720 --> 02:49:55,680
Speaker 1: But I feel, like I said, I feel like a

2833
02:49:55,720 --> 02:49:58,320
Speaker 1: lot of the fans do that a lot of times.

2834
02:49:58,360 --> 02:50:00,720
Speaker 1: Just the labeling in this off the way they were

2835
02:50:00,760 --> 02:50:02,720
Speaker 1: trying to project you as an artist. We don't want

2836
02:50:02,720 --> 02:50:05,680
Speaker 1: to mess you with this artist, just chat if unless

2837
02:50:05,680 --> 02:50:09,400
Speaker 1: we feel like it's beneficial. So, um, that's crazy. We

2838
02:50:09,440 --> 02:50:12,400
Speaker 1: even say, don't mess you with this artist. Yeah, like

2839
02:50:12,480 --> 02:50:17,400
Speaker 1: girls is crazy, This is stupid. Like but I literally

2840
02:50:17,440 --> 02:50:19,240
Speaker 1: I just did a record recently. I took all the

2841
02:50:19,280 --> 02:50:21,000
Speaker 1: girls that was on my rap league and I had

2842
02:50:21,040 --> 02:50:23,039
Speaker 1: them all do eight bars and put it together. I'm

2843
02:50:23,040 --> 02:50:25,360
Speaker 1: gonna let you here before this. She's out so crazy.

2844
02:50:25,760 --> 02:50:29,720
Speaker 1: It's literally eight girl. So if you haven't saw an interview,

2845
02:50:30,120 --> 02:50:32,200
Speaker 1: you know, go check that out. We're gonna speak about

2846
02:50:32,200 --> 02:50:34,080
Speaker 1: this last topic. Can we'll get out of here for

2847
02:50:34,720 --> 02:50:39,240
Speaker 1: this episode. A young fourteen year old boy fell off

2848
02:50:39,240 --> 02:50:42,400
Speaker 1: for a ride at an amusement park. Let's listen to

2849
02:50:42,480 --> 02:50:50,320
Speaker 1: what happened. Fourteen year old Tyree Sampson of Saint Louis, Missouri,

2850
02:50:50,600 --> 02:50:56,240
Speaker 1: failed from an Orlando free fall ride, described as operators

2851
02:50:56,400 --> 02:51:02,959
Speaker 1: as the world's largest free standing drop tower. The Orange

2852
02:51:02,959 --> 02:51:09,560
Speaker 1: County Sheriff Office said, first, I want to start saying,

2853
02:51:09,680 --> 02:51:15,080
Speaker 1: RPD that young man. I think it's unfortunate that he

2854
02:51:15,200 --> 02:51:18,800
Speaker 1: lost his life in such a way, being so young,

2855
02:51:20,840 --> 02:51:28,680
Speaker 1: so vulnerable, and so afraid. It scares me because I

2856
02:51:28,800 --> 02:51:33,920
Speaker 1: got children, and I understand man that, like I gotta

2857
02:51:34,000 --> 02:51:38,200
Speaker 1: install certain things into them. Man, Let's take a look

2858
02:51:38,240 --> 02:51:43,520
Speaker 1: a little bit at at at a news coverage video

2859
02:51:43,600 --> 02:51:45,840
Speaker 1: clip about what happened that night, and we'll come back

2860
02:51:45,840 --> 02:51:53,440
Speaker 1: with some game. Right now with six an amusement ride

2861
02:51:53,560 --> 02:51:59,360
Speaker 1: gone wrong, nothing in the world, the painful cries from

2862
02:51:59,360 --> 02:52:01,520
Speaker 1: the father of the fourteen year old boy who fell

2863
02:52:01,600 --> 02:52:04,680
Speaker 1: to his death on an Orlando ride last night, and

2864
02:52:04,760 --> 02:52:09,680
Speaker 1: the lingering questions about how it happened. The Orlando Freefall

2865
02:52:09,760 --> 02:52:12,680
Speaker 1: ride at Icon Park remains closed as investigators try to

2866
02:52:12,720 --> 02:52:15,480
Speaker 1: figure out how this all happened. Good evening on Vanessa

2867
02:52:15,480 --> 02:52:18,560
Speaker 1: Ekl's Anna Martha Sigowski. This is just a horrific story.

2868
02:52:18,600 --> 02:52:21,200
Speaker 1: That ride officially opened just a few months ago. This

2869
02:52:21,280 --> 02:52:24,280
Speaker 1: is video of the scene today. You can see those

2870
02:52:24,320 --> 02:52:27,400
Speaker 1: inspectors assessing the seat which is believed to be the

2871
02:52:27,440 --> 02:52:32,119
Speaker 1: seat that that fourteen year old boy was in. Also tonight,

2872
02:52:32,120 --> 02:52:34,320
Speaker 1: we do have live team coverage on this tragedy. Channel

2873
02:52:34,320 --> 02:52:37,920
Speaker 1: On investigative reporter Christopher Heath is digging into how often

2874
02:52:37,920 --> 02:52:41,279
Speaker 1: this ride gets inspected and looking at those inspection reports.

2875
02:52:41,480 --> 02:52:43,920
Speaker 1: But we begin tonight with Channel On Shannon Butler, who's

2876
02:52:43,920 --> 02:52:47,600
Speaker 1: been working all day to find out just how this happened. Shannon,

2877
02:52:47,800 --> 02:52:50,680
Speaker 1: the Orange County CHEFF, says, this appears to be just

2878
02:52:50,720 --> 02:52:55,520
Speaker 1: a tragic accident. Well, he does, and witnesses that we're

2879
02:52:55,600 --> 02:52:58,040
Speaker 1: here last night told me they watched the ride go

2880
02:52:58,160 --> 02:53:00,880
Speaker 1: up and it didn't seem like any thing was wrong.

2881
02:53:00,959 --> 02:53:03,160
Speaker 1: They said, it went up to the top, it came

2882
02:53:03,200 --> 02:53:06,000
Speaker 1: back down, came to that stop like it always does.

2883
02:53:06,480 --> 02:53:09,520
Speaker 1: That's when they say that the fourteen year old came

2884
02:53:09,760 --> 02:53:13,520
Speaker 1: underneath one of those blue harnesses and fell to the ground.

2885
02:53:13,640 --> 02:53:18,000
Speaker 1: Dispatchers trying to get people to give him CBR, but

2886
02:53:18,160 --> 02:53:21,000
Speaker 1: those callers to nine one one said it was too

2887
02:53:21,120 --> 02:53:25,880
Speaker 1: late Gary Winthrope was at Icon Park last night watching

2888
02:53:25,959 --> 02:53:29,000
Speaker 1: the free Fall ride. The ride goes up and it

2889
02:53:29,200 --> 02:53:30,800
Speaker 1: kind of it comes it goes up. We're kind of

2890
02:53:30,840 --> 02:53:35,039
Speaker 1: watching it next, you know, screaming. You a normal you know,

2891
02:53:35,120 --> 02:53:37,120
Speaker 1: ride type of thing. He never thought he would see

2892
02:53:37,120 --> 02:53:39,440
Speaker 1: what hoppened next it comes down. You know, I guess

2893
02:53:39,440 --> 02:53:41,240
Speaker 1: it halted on the brakes, you know, because you know,

2894
02:53:41,240 --> 02:53:44,320
Speaker 1: it comes kind of closer and then he slides right out.

2895
02:53:44,320 --> 02:53:47,000
Speaker 1: Fourteen year old Tyree Sampson was on the ride around

2896
02:53:47,000 --> 02:53:49,440
Speaker 1: eleven o'clock last night when he fell to his death.

2897
02:53:49,959 --> 02:53:53,200
Speaker 1: People called nine one one trying to help him. The

2898
02:53:53,200 --> 02:53:55,440
Speaker 1: thing went down the drop and like it when they

2899
02:53:55,480 --> 02:53:58,120
Speaker 1: got closer to the bottom, one hits a break, fell

2900
02:53:58,240 --> 02:54:03,560
Speaker 1: right out of the sea and straight through. The Sheriff's

2901
02:54:03,560 --> 02:54:06,600
Speaker 1: office said that he was here from Missouri with another

2902
02:54:06,640 --> 02:54:10,000
Speaker 1: family on vacation. Today, investigators were out measuring the seat

2903
02:54:10,040 --> 02:54:11,840
Speaker 1: he was riding in as they worked to try to

2904
02:54:11,879 --> 02:54:15,080
Speaker 1: figure out what went wrong. Today, the Sheriff's office says

2905
02:54:15,120 --> 02:54:18,680
Speaker 1: early findings show that this was just a tragic accident,

2906
02:54:19,000 --> 02:54:21,840
Speaker 1: but it is still unclear how and why Sampson was

2907
02:54:21,879 --> 02:54:24,640
Speaker 1: thrown from the ride. The sheriff said that workers that

2908
02:54:24,680 --> 02:54:27,720
Speaker 1: were interviewed did not see anything wrong before the ride

2909
02:54:27,720 --> 02:54:30,800
Speaker 1: went up, and you can hear the workers after the

2910
02:54:30,840 --> 02:54:41,080
Speaker 1: fall saying that those checks were done. Now right now,

2911
02:54:41,120 --> 02:54:44,359
Speaker 1: you can see this ride is shut down as investigators

2912
02:54:44,400 --> 02:54:48,199
Speaker 1: continue to try to figure out what went wrong here.

2913
02:54:48,560 --> 02:54:53,200
Speaker 1: It is unclear when this ride will reopen. As for

2914
02:54:53,280 --> 02:54:56,520
Speaker 1: the family, they say he was here on spring break.

2915
02:54:56,840 --> 02:54:59,440
Speaker 1: He is a fierce football player, they said, and a

2916
02:54:59,440 --> 02:55:03,480
Speaker 1: good student. They are devastated by what's happened here. We

2917
02:55:03,560 --> 02:55:06,199
Speaker 1: are live in Orlando, shann about their Channel nine Eyewitness

2918
02:55:06,320 --> 02:55:09,360
Speaker 1: News and knew this hour we are hearing from that

2919
02:55:09,560 --> 02:55:12,400
Speaker 1: heartbroken father of the fourteen year old killed. He says

2920
02:55:12,440 --> 02:55:15,200
Speaker 1: when he heard what happened, it knocked the wind out

2921
02:55:15,200 --> 02:55:18,320
Speaker 1: of him. Sorry, he's not going to take it back.

2922
02:55:19,320 --> 02:55:23,879
Speaker 1: And no Moneys know nothing in the world to replace

2923
02:55:24,000 --> 02:55:31,800
Speaker 1: the young man. And I just said, it's said a

2924
02:55:31,879 --> 02:55:34,879
Speaker 1: young man, bright future been taken away from him and

2925
02:55:35,879 --> 02:55:40,320
Speaker 1: over ride or newsm part. That father says, the pain

2926
02:55:40,400 --> 02:55:44,480
Speaker 1: he's feeling is never going to go away. The company

2927
02:55:44,480 --> 02:55:47,240
Speaker 1: behind the Orlando Freefall at Icon Park says it's the

2928
02:55:47,320 --> 02:55:50,200
Speaker 1: tallest free standing drop tower in the world at four

2929
02:55:50,280 --> 02:55:52,800
Speaker 1: hundred and thirty feet tall. It can hold thirty riders

2930
02:55:52,800 --> 02:55:54,920
Speaker 1: at once. When they get to the top of the tower,

2931
02:55:55,040 --> 02:55:58,640
Speaker 1: riders are tilted forward thirty degrees toward the ground. Then

2932
02:55:58,680 --> 02:56:01,440
Speaker 1: they free fall nearly four hundred feet, reaching speeds of

2933
02:56:01,520 --> 02:56:03,959
Speaker 1: seventy five miles per hour. Now take a look at this.

2934
02:56:03,959 --> 02:56:05,840
Speaker 1: This is video from the day the ride opened. This

2935
02:56:05,920 --> 02:56:08,800
Speaker 1: was in late December. You can see employees there were

2936
02:56:08,840 --> 02:56:11,360
Speaker 1: going around so to keep in contexts to ride has

2937
02:56:11,440 --> 02:56:14,560
Speaker 1: only been out since December. Before they were hoisted into

2938
02:56:14,560 --> 02:56:17,520
Speaker 1: the air. Rides like this they're subjected to inspections by

2939
02:56:17,520 --> 02:56:20,320
Speaker 1: the state Department of Agriculture. They're required to have a

2940
02:56:20,360 --> 02:56:23,959
Speaker 1: certificate of insurance and an annual affidavit of compliance and

2941
02:56:24,000 --> 02:56:28,640
Speaker 1: testing performed by a professional engineer or qualified into That

2942
02:56:28,720 --> 02:56:30,960
Speaker 1: ride would have had it been inspected before it opened

2943
02:56:30,959 --> 02:56:33,160
Speaker 1: in December, but since it's only been up for a

2944
02:56:33,160 --> 02:56:36,400
Speaker 1: few months, it wasn't yet to due for any reinspections.

2945
02:56:36,640 --> 02:56:39,680
Speaker 1: Childling un investigative reporter Christopher Heath obtained the US and

2946
02:56:39,760 --> 02:56:43,359
Speaker 1: international patents for the ride and continues our team coverage

2947
02:56:43,360 --> 02:56:47,280
Speaker 1: with more details about the attraction. The thing we are

2948
02:56:47,280 --> 02:56:50,000
Speaker 1: looking for is information about the seats in the United States.

2949
02:56:50,040 --> 02:56:53,039
Speaker 1: There are three of these large four hundred foot dropped towers,

2950
02:56:53,200 --> 02:56:56,080
Speaker 1: two built by giving some game old both of what

2951
02:56:56,280 --> 02:56:59,119
Speaker 1: is supposed to be an extended straight to the seat

2952
02:56:59,400 --> 02:57:04,680
Speaker 1: that was company and it has no such belt. The

2953
02:57:04,800 --> 02:57:07,280
Speaker 1: ride that claimed at teen's life in Orlando had only

2954
02:57:07,320 --> 02:57:10,360
Speaker 1: been in operation for a few months. The state was

2955
02:57:10,480 --> 02:57:14,359
Speaker 1: required to inspect it before opening. Today, crews were inspecting

2956
02:57:14,360 --> 02:57:17,640
Speaker 1: the ride again, testing the seats. You can see here

2957
02:57:17,760 --> 02:57:21,320
Speaker 1: men walking from chair to chair, checking the shoulder restraints.

2958
02:57:21,800 --> 02:57:25,600
Speaker 1: State law requires daily inspections, which spokesman John Stein says

2959
02:57:25,640 --> 02:57:29,959
Speaker 1: the company was doing. We work with the Florida Department

2960
02:57:30,000 --> 02:57:33,680
Speaker 1: of Agriculture. They do their inspections. We do a daily

2961
02:57:33,720 --> 02:57:36,880
Speaker 1: inspection on our rides before we open. In documents released

2962
02:57:36,879 --> 02:57:40,040
Speaker 1: to Eyewitness News from the Florida Department of Agriculture, you

2963
02:57:40,080 --> 02:57:43,600
Speaker 1: can see here the ride was inspected on Monday, December

2964
02:57:43,640 --> 02:57:47,199
Speaker 1: the twentieth, that's less than four months ago. It passed,

2965
02:57:47,280 --> 02:57:51,000
Speaker 1: with state inspection specialist Mark Gonzalez signing off on the ride.

2966
02:57:51,200 --> 02:57:54,200
Speaker 1: As for the ride itself, the manufacturers a company called

2967
02:57:54,240 --> 02:57:57,920
Speaker 1: fun Time. The Austrian company has a series of US

2968
02:57:57,959 --> 02:58:01,199
Speaker 1: and international patents for the ride. Most that we found

2969
02:58:01,320 --> 02:58:03,880
Speaker 1: deal with the tower with just one mention of seats

2970
02:58:03,920 --> 02:58:07,480
Speaker 1: or harnesses, but no specifics as for how the heart

2971
02:58:07,480 --> 02:58:10,440
Speaker 1: has failed or if it was never secured properly in

2972
02:58:10,480 --> 02:58:13,160
Speaker 1: the first place. That will be determined by a series

2973
02:58:13,160 --> 02:58:16,480
Speaker 1: of inspections across several levels of the government. It is

2974
02:58:16,560 --> 02:58:20,879
Speaker 1: ongoing and we are working with Orange Scotney Sheriff's Office

2975
02:58:21,040 --> 02:58:24,360
Speaker 1: as well as other agencies that have yet to be

2976
02:58:24,400 --> 02:58:28,360
Speaker 1: engaged but will be engaged. Christopher Heath Channel nine Eyewitness News.

2977
02:58:29,200 --> 02:58:32,000
Speaker 1: This young man's tragic death has drawn attention from all

2978
02:58:32,080 --> 02:58:35,000
Speaker 1: over and the rides being closed at icon Park also

2979
02:58:35,280 --> 02:58:38,360
Speaker 1: that has people talking as well. Channel Nice. Nick Pepintonis

2980
02:58:38,400 --> 02:58:40,760
Speaker 1: continues our live team coverage at icon Park and Nick,

2981
02:58:40,800 --> 02:58:43,640
Speaker 1: people weren't necessarily there to see it, but everyone you've

2982
02:58:43,640 --> 02:58:47,920
Speaker 1: talked with has been affected in some way. Now. There's

2983
02:58:47,920 --> 02:58:50,080
Speaker 1: been a steady stream of people here at icon Park

2984
02:58:50,240 --> 02:58:54,360
Speaker 1: looking up toward the sky, trying to picture their friends

2985
02:58:54,520 --> 02:58:58,920
Speaker 1: or family members or children even riding this ride in

2986
02:58:58,920 --> 02:59:03,200
Speaker 1: that teenager's place, thrown from a ride at icon Park,

2987
02:59:03,560 --> 02:59:09,920
Speaker 1: being remembered as a gentle giant who loved football. The

2988
02:59:10,040 --> 02:59:12,959
Speaker 1: young man had a bright future. New Tonight a focus

2989
02:59:13,000 --> 02:59:22,680
Speaker 1: on safety. Video shows concerned writers questioning protocol. Yeah, Fox

2990
02:59:22,680 --> 02:59:28,640
Speaker 1: threty five investigates how this could happen. So here's what

2991
02:59:28,720 --> 02:59:31,320
Speaker 1: we know so far. Orange County Deputy say that Tyree

2992
02:59:31,360 --> 02:59:34,480
Speaker 1: Sampson fell from the Orlando free Fall just after eleven

2993
02:59:34,480 --> 02:59:41,040
Speaker 1: o'clock last night. So it was unfortunate, right, It's unfortunate

2994
02:59:41,120 --> 02:59:44,080
Speaker 1: the young man lost his life that way. I was

2995
02:59:44,120 --> 02:59:46,920
Speaker 1: seeing videos online and I don't know if they're true

2996
02:59:47,000 --> 02:59:50,280
Speaker 1: or not, so I want to remove them from the

2997
02:59:50,400 --> 02:59:52,360
Speaker 1: young man that lost his life at the hands of

2998
02:59:52,440 --> 02:59:55,360
Speaker 1: that ride. And I just want to speak to the

2999
02:59:55,400 --> 03:00:01,960
Speaker 1: overall circumstances surrounding our young men, as I have children

3000
03:00:02,879 --> 03:00:06,600
Speaker 1: that have to navigate this world under the pressure that

3001
03:00:06,680 --> 03:00:12,360
Speaker 1: I can identify young men being under this young man

3002
03:00:13,440 --> 03:00:21,040
Speaker 1: from what videos I saw, people are saying that he

3003
03:00:21,120 --> 03:00:24,879
Speaker 1: was kind of questioning if he was gonna be good

3004
03:00:24,920 --> 03:00:28,320
Speaker 1: in here, and Yo, this ride ain't feeling okay or

3005
03:00:28,440 --> 03:00:32,400
Speaker 1: you yo, it ain't strapped like yo, bro, y'all serious?

3006
03:00:35,200 --> 03:00:37,280
Speaker 1: And now all I can think about is, Loan, Bro,

3007
03:00:39,400 --> 03:00:43,119
Speaker 1: you gotta install in your children the ability to identify

3008
03:00:43,240 --> 03:00:49,560
Speaker 1: when to be a disruptor right at that moment, like yo,

3009
03:00:49,640 --> 03:00:52,720
Speaker 1: if it don't feel right, yo, my man, Yo, whoa, whoa, whoa, Hey,

3010
03:00:53,400 --> 03:00:55,720
Speaker 1: I don't give a fuck off his finnis start nigga.

3011
03:00:55,800 --> 03:01:01,480
Speaker 1: This don't feel like his own right, say nigga. I

3012
03:01:01,520 --> 03:01:04,360
Speaker 1: don't get nigga out on everybody, right the nigga. They

3013
03:01:04,360 --> 03:01:07,920
Speaker 1: can have a president next to me. Yeah, I got

3014
03:01:07,920 --> 03:01:12,080
Speaker 1: the yo. So sometimes it's like, yo, man, you can't

3015
03:01:12,120 --> 03:01:14,760
Speaker 1: just be quiet for the sake. You got to say something.

3016
03:01:16,280 --> 03:01:18,000
Speaker 1: You know what I'm saying. I got the install and

3017
03:01:18,120 --> 03:01:21,080
Speaker 1: my kids. You gotta be a disruptor sometimes, man, Like

3018
03:01:21,120 --> 03:01:24,199
Speaker 1: well when when when they come to things like that,

3019
03:01:24,920 --> 03:01:27,240
Speaker 1: I just pray to God that y'all don't sit there

3020
03:01:27,280 --> 03:01:31,280
Speaker 1: for the sake of just hoping on a miracle. You

3021
03:01:31,320 --> 03:01:33,360
Speaker 1: know what I'm saying. Like, if you feel like yo,

3022
03:01:33,440 --> 03:01:37,400
Speaker 1: this may not be saved, Yo, say something in people. Hey, yo, yo,

3023
03:01:37,480 --> 03:01:44,400
Speaker 1: mind didn't click? Hey my ship didn't click? You know

3024
03:01:44,400 --> 03:01:47,080
Speaker 1: what I'm saying. They might come over where they don't click? Man,

3025
03:01:47,080 --> 03:01:50,360
Speaker 1: what you mean it don't click? How this don't click? Man,

3026
03:01:50,400 --> 03:01:53,480
Speaker 1: I ain't riding this shit that don't click? How And

3027
03:01:53,560 --> 03:01:55,400
Speaker 1: if that's how I feel, like, get up and get

3028
03:01:55,440 --> 03:01:57,840
Speaker 1: off regardless of what they everybody to say, but when

3029
03:01:57,840 --> 03:02:01,280
Speaker 1: you're a kid like that, you ain't gonna make You're

3030
03:02:01,280 --> 03:02:03,000
Speaker 1: gonna go on up just on the hope, boy, it

3031
03:02:03,040 --> 03:02:05,120
Speaker 1: ain't you know. I'm probably seeing people get on it

3032
03:02:05,240 --> 03:02:07,480
Speaker 1: get off it right in front you. If you've been

3033
03:02:07,520 --> 03:02:11,080
Speaker 1: at the park all day, you know, man, shit, just hey, yo,

3034
03:02:11,160 --> 03:02:14,760
Speaker 1: that's next level. But I think, like I say, man,

3035
03:02:15,640 --> 03:02:20,039
Speaker 1: I just I just hope because I know me, I'm

3036
03:02:20,040 --> 03:02:26,080
Speaker 1: gonna say something, hey, some burning like I ain't gonna

3037
03:02:26,080 --> 03:02:32,480
Speaker 1: wait because anybody in here think they're cool. You understand me, everybody, nigga,

3038
03:02:32,520 --> 03:02:35,199
Speaker 1: if the boats say eight, if the boats say eighty,

3039
03:02:35,320 --> 03:02:37,720
Speaker 1: people could be on the yacht, nigga, and I look

3040
03:02:37,760 --> 03:02:40,200
Speaker 1: around it look like one hundred and fifty. Nigga. I'm

3041
03:02:40,200 --> 03:02:44,080
Speaker 1: gonna say something, hey, y'all know it pol to be

3042
03:02:44,200 --> 03:02:46,640
Speaker 1: eight on here, just so everybody a way that this

3043
03:02:46,840 --> 03:02:50,160
Speaker 1: motherfucker might go under. But I ain't gonna just be

3044
03:02:50,320 --> 03:02:54,600
Speaker 1: quiet and bela somebody to know its pole b eight. Nah.

3045
03:02:54,680 --> 03:02:57,000
Speaker 1: I got to say something, man, I hate that for

3046
03:02:57,080 --> 03:02:59,080
Speaker 1: that young man. The young man was and he was

3047
03:02:59,120 --> 03:03:01,959
Speaker 1: a bigger boy. That's why a man like yo, I

3048
03:03:02,000 --> 03:03:04,400
Speaker 1: don't know, son, I don't ride shit like it. I

3049
03:03:04,400 --> 03:03:08,040
Speaker 1: don't pay people to scare me. No, I don't watch

3050
03:03:08,080 --> 03:03:11,720
Speaker 1: scary movies. I don't, I don't do I'll let I

3051
03:03:11,800 --> 03:03:16,200
Speaker 1: don't even invite them kind of spirits into my situation. See,

3052
03:03:16,200 --> 03:03:18,440
Speaker 1: because I'm way more serious than a lot of y'all.

3053
03:03:18,520 --> 03:03:20,560
Speaker 1: Y'all can turn that kind of shit on and off.

3054
03:03:21,040 --> 03:03:25,360
Speaker 1: I've been in the start living like Batman. You know,

3055
03:03:25,440 --> 03:03:28,000
Speaker 1: I've been to start coming out of the house talking low,

3056
03:03:28,720 --> 03:03:30,640
Speaker 1: you know what I'm saying. So, no, I can't just

3057
03:03:30,720 --> 03:03:34,320
Speaker 1: keep indulging in all that old you know that. That's

3058
03:03:34,320 --> 03:03:36,680
Speaker 1: why I gotta watch power for people and shit, and

3059
03:03:37,280 --> 03:03:39,160
Speaker 1: you know what I'm saying. I got to always engage

3060
03:03:39,160 --> 03:03:42,040
Speaker 1: in those things, because hey man, I'm one of them.

3061
03:03:42,120 --> 03:03:45,320
Speaker 1: Whatever I'm on, I'm on, you see what I'm saying.

3062
03:03:45,320 --> 03:03:47,360
Speaker 1: And so I got to make sure I'm always staying

3063
03:03:47,360 --> 03:03:51,160
Speaker 1: on something that's elevation involved. But I hate to see

3064
03:03:51,160 --> 03:03:54,000
Speaker 1: that young man go out like that. Man, Like I say, Man,

3065
03:03:54,040 --> 03:03:57,080
Speaker 1: we are we send our prayers to his family, you

3066
03:03:57,160 --> 03:03:59,600
Speaker 1: know from its up that podcast. We send our prayers

3067
03:03:59,680 --> 03:04:03,600
Speaker 1: and adoles is to his family. I think that I

3068
03:04:03,600 --> 03:04:07,600
Speaker 1: would just wish man, And I'm gonna tell my children too. Man,

3069
03:04:07,720 --> 03:04:11,879
Speaker 1: Like I don't care who get offended. If you feel spooked,

3070
03:04:12,520 --> 03:04:20,560
Speaker 1: say something. Nigga self preservation gotta kick in. You feel

3071
03:04:20,600 --> 03:04:23,720
Speaker 1: what I'm saying. If you think he posted clicking it,

3072
03:04:23,840 --> 03:04:27,240
Speaker 1: don't got no click. That was my deal breaker because

3073
03:04:27,280 --> 03:04:29,600
Speaker 1: in my man for me to feel safe, I'm post

3074
03:04:29,640 --> 03:04:32,440
Speaker 1: to her to click and you told me it don't click.

3075
03:04:32,680 --> 03:04:36,880
Speaker 1: I don't feel safe, man, So I'm outfit what I'm

3076
03:04:36,920 --> 03:04:39,320
Speaker 1: getting by doing this. Man, I'm going up in the

3077
03:04:39,320 --> 03:04:42,959
Speaker 1: air nine. Don't nah man, No, you feel me so

3078
03:04:43,160 --> 03:04:46,480
Speaker 1: nah man? So nah, you know what I'm saying. Nah,

3079
03:04:46,640 --> 03:04:49,960
Speaker 1: y'all ain't gonna na. Man. You know what I'm saying.

3080
03:04:49,959 --> 03:04:52,520
Speaker 1: Fourteen years old going through that. So man, it's just

3081
03:04:52,640 --> 03:04:56,960
Speaker 1: unfortunate for that young man, you know. So you know

3082
03:04:57,000 --> 03:05:00,480
Speaker 1: it's been another episode of the fastest growing part casts

3083
03:05:01,360 --> 03:05:04,120
Speaker 1: in the world. Right now, if you made it to

3084
03:05:04,240 --> 03:05:07,560
Speaker 1: this part, I want to thank you for video. You

3085
03:05:07,680 --> 03:05:10,840
Speaker 1: head over the Patreon dot com. It's up there podcast.

3086
03:05:10,879 --> 03:05:13,840
Speaker 1: It's where you're gonna find the full video every Monday.

3087
03:05:14,720 --> 03:05:16,720
Speaker 1: If you want to see clips, you go to fog

3088
03:05:16,920 --> 03:05:19,520
Speaker 1: Fo TV on YouTube. You'll see clips of it. Then

3089
03:05:20,120 --> 03:05:23,720
Speaker 1: episodes are dropped like four weeks behind or something like

3090
03:05:23,760 --> 03:05:27,480
Speaker 1: that just so people can actually get them. Um, we

3091
03:05:27,560 --> 03:05:30,039
Speaker 1: got new merch at man, go get that merch man.

3092
03:05:30,160 --> 03:05:33,520
Speaker 1: Tap in with that merch Only the real survive, you

3093
03:05:33,520 --> 03:05:36,080
Speaker 1: know what I'm saying. And so the first line is

3094
03:05:36,120 --> 03:05:39,600
Speaker 1: the FIDS didn't get mine got the It's up There podcast.

3095
03:05:39,640 --> 03:05:42,480
Speaker 1: It's part of it. It's up There podcast season one,

3096
03:05:43,280 --> 03:05:47,240
Speaker 1: you know, and we got I'm dealing with information, you

3097
03:05:47,280 --> 03:05:48,840
Speaker 1: know what I'm saying. So go get you some of

3098
03:05:48,840 --> 03:05:51,360
Speaker 1: them shirts, man, and show show people what you fucking

3099
03:05:51,400 --> 03:05:53,120
Speaker 1: with and who you fucking with because we hear, we

3100
03:05:53,200 --> 03:05:57,480
Speaker 1: hear the stay for shit show. But It's up There podcast, man.

3101
03:05:57,480 --> 03:05:59,879
Speaker 1: We appreciate it about it. Locked in with us man,

3102
03:06:00,720 --> 03:06:03,000
Speaker 1: it's always a pleasure. The biggest