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Speaker 1: R and B Money, Honey, we are.

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Speaker 2: Thank take valotized. We are the authority on all things

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Speaker 2: R and B. Ladies and gentlemen. Money is tank. This

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Speaker 2: is the rmy Money Podcast, the authority on all things

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Speaker 2: R and B.

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Speaker 1: H When you when you do music, you need a

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Speaker 1: place to go, yes, you do. You know you need

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Speaker 1: a venue. You need proper venue.

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Speaker 2: You need proper promotions, You need proper promoters.

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Speaker 1: You need your money on time.

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Speaker 3: You definitely need your money on You know, you need.

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Speaker 2: Proper people in place to make sure that there are

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Speaker 2: platforms in place for you to go and the people

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Speaker 2: to go to celebrate you. And that's what this man

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Speaker 2: has provided for twenty plus years. And were about to

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Speaker 2: get into the magic of how he's doing it and

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Speaker 2: now he continues to do it do while living all

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Speaker 2: give it up for my garden.

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Speaker 4: That's that's an amazing man. I've been looking forward to

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Speaker 4: this one. That amazing.

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Speaker 3: How we have the rmvy Money Podcast and not have

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Speaker 3: Mike This makes sense. Oh, we do too many good things.

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Speaker 1: Just been a fabric in everyone's lives in this music Listen.

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Speaker 2: Some of the greatest nights of my life, you know,

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Speaker 2: some nights, some nights that ended with you know, everyone

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Speaker 2: knows this conversation.

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Speaker 1: If you you in a relationship, what happened to you

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Speaker 1: last night? I don't know. I was that. That's the

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Speaker 1: last thing I remember party a bachelor party was at list?

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Speaker 1: How about that? How about that? I mean a funny

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Speaker 1: story about that too, I been.

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Speaker 2: I don't think you understand, like you know, we're family now,

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Speaker 2: but I don't think you understand the lengths that I

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Speaker 2: would go.

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Speaker 3: To to get here on a Sunday, like it was, yeah, tanked.

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Speaker 3: The event ain't till like Wednesday.

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Speaker 1: Yeah, yeah, but I want to go in a few

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Speaker 1: days early. So you want to be there on Sunday

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Speaker 1: for the event there's Wednesday.

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Speaker 2: Yes, I do, Yes, I do. It's I mean, and

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Speaker 2: you've been doing that? I mean, what do you say?

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Speaker 2: Fifteen years?

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Speaker 4: Wow?

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Speaker 1: Thinks successful years.

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Speaker 2: I like that because that's different, right, because I mean,

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Speaker 2: of course there are hides and lows to everything, right,

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Speaker 2: and I think there are there are levels to the

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Speaker 2: highs and lows. Sometimes when those lows get really low,

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Speaker 2: you can.

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Speaker 1: You can't get into livet.

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Speaker 2: You know, that's what you know, the lows the lows

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Speaker 2: is really low. You know what I'm saying, it's like

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Speaker 2: you used to get in for the loves. I am

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Speaker 2: gonna need that two hundred from you, baby. You know

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Speaker 2: what I'm saying. It's but it's never been like maybe

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Speaker 2: what you consider a low is different than what we

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Speaker 2: consider a low, since you know you're you're you're dealing

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Speaker 2: with the full scope of the thing. But every time

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Speaker 2: I go to live and look at it and I'm

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Speaker 2: standing in this room, the energy is everything that it's

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Speaker 2: supposed to be.

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Speaker 5: Absolutely no, it got its It definitely has its lows,

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Speaker 5: like because for fifteen years, it's nothing is consistent for

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Speaker 5: fifteen years. But you're right, the low may be different

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Speaker 5: for y'all it's and for me it's a little different.

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Speaker 5: It could be the amount of money we making. It

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Speaker 5: could be just the joy that people have when they

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Speaker 5: come to that party, especially if they not consistently coming,

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Speaker 5: because they can come maybe twice a year because we

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Speaker 5: get so many tours live man, so it's not like

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Speaker 5: a consistent crowd.

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Speaker 4: And so you know, you may get someone that come

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Speaker 4: there maybe.

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Speaker 5: Twice a year, and it's popping those two times they

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Speaker 5: come to in their mind is always always popping. It's

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Speaker 5: the greatest part of every but you know, to be honest,

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Speaker 5: we have our moments where it's not ass popping.

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Speaker 4: It's just that the people don't see it.

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Speaker 5: The wrong artist was booked or or there wasn't an

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Speaker 5: artists and it's just you know, because now they have

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Speaker 5: the people have come. They so used to seeing someone

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Speaker 5: there now and it's one of those situations.

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Speaker 4: Like who's there, who's there? And that's not really what

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Speaker 4: I like.

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Speaker 5: As the promoter. I wanted to be about the party.

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Speaker 5: It's not about who's going to be there. And once

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Speaker 5: the point of time it was like that where they

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Speaker 5: was coming to live on Sunday because of living on

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Speaker 5: Sunday because they didn't know who was going to be

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Speaker 5: there and who's going to get up on that stage.

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Speaker 4: I think that's where it real you.

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Speaker 2: Int we got taken, So like I want to, I

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Speaker 2: definitely want to continue to expand on it because I

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Speaker 2: think what you've done with this is legend legendary, completely legendary.

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Speaker 2: Is there a backstory to even how you get into

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Speaker 2: this space, like going back to the beginning, to your

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Speaker 2: hometown and being like I want to be the curator

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Speaker 2: of of legendary musical moments. The basketball mind.

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Speaker 4: Well, I was gonna say, t.

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Speaker 1: It's a thing in the industry, hey man, And I've

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Speaker 1: never even hooved with it, but I know that, Yeah,

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Speaker 1: you know, I gave them.

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Speaker 4: I was gonna say, no, this wasn't something I wanted

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Speaker 4: to do. This just happened.

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Speaker 5: It wasn't that I wanted to be a promoter, I

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Speaker 5: wanted to curate this or that it just ended up happening.

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Speaker 4: And always said this over the years.

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Speaker 5: I feel like I've been blessed to bless others because

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Speaker 5: this wasn't something that I wanted to do.

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Speaker 4: I wanted to be a ball player. I wanted to

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Speaker 4: I wanted to be MIKEE. But it just didn't bad.

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Speaker 4: It just didn't go that way.

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Speaker 1: So where were you playing?

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Speaker 4: I actually came to Miami from Chicago.

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Speaker 5: I came down here and I was playing the University

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Speaker 5: of Miami. I started as a freshman sophomore.

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Speaker 1: The biggest.

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Speaker 5: I said was there with Jack Jack, I'm a little

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Speaker 5: older than What we're not going to do is disclose

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Speaker 5: our age.

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Speaker 4: But I'm older than Jack.

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Speaker 1: Oh, okay, okay, older than Jack.

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Speaker 5: I'm a little older than Jack, though, But nah, I

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Speaker 5: was down here playing and I don't want to say

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Speaker 5: too much about it because I got this documentary coming out.

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Speaker 5: It's going to tell the whole story. What you know,

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Speaker 5: I was down here ball and I came and that's

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Speaker 5: what got me to Miami. I came down here. Uh,

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Speaker 5: they kids, he got in trouble and go ahead, Yeah, yeah,

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Speaker 5: I got in trouble. I got got in the little trouble.

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Speaker 5: It's a great learning experience. See it on the documentary

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Speaker 5: that's coming out. Yeah, but nah, man, I came down

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Speaker 5: here and I got stuck in Miami. Even though once

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Speaker 5: I was down here, I had got suspended off the team.

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Speaker 5: I went back to Chicago, and I was in Chicago

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Speaker 5: just still trying to work out and still pursue these

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Speaker 5: hoop dreams. But it wasn't happening. So I ended up

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Speaker 5: getting my degree from the Paul, came back down to Miami.

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Speaker 1: You finish school.

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Speaker 5: I finished Illinois and yeah, I finished. I got the

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Speaker 5: degree in at the Paul. So congratulations, than you show

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Speaker 5: you know me there? So y'all want me here?

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Speaker 1: Cool? Good luck?

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Speaker 4: Yeah, So it's all good.

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Speaker 5: So I ended up after I got my degree, I

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Speaker 5: was in Chicago doing absolutely nothing and my cousin he

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Speaker 5: had a barber shop called Hell and his barber Shops.

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Speaker 2: Uh.

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Speaker 5: So I end up coming down here because he said, look, man,

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Speaker 5: we grade open up one hundred and fifty barber shops

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Speaker 5: in every corner like Paul Mitch, and I was like, okay, cool.

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Speaker 5: So I came down here and we couldn't get one open,

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Speaker 5: and I was like, damn, I'm just down here doing

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Speaker 5: absolutely nothing. So steady going over to um pursuing my

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Speaker 5: whole dream, working out me, Tim hardaway everybody. I'm still

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Speaker 5: got my pool dreams. But I ain't had no place

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Speaker 5: to live. I ain't had no place to stay. So

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Speaker 5: I ended up living in the back of his barbershop.

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Speaker 5: And I ain't really want to tell my mom and

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Speaker 5: none of them because I was like the the guy

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Speaker 5: that was gonna get us out of this world in

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Speaker 5: the family. So I didn't want to call her and

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Speaker 5: disappoint her, like, you know, your son is living in

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Speaker 5: Miami in the back of a barber shop. So I

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Speaker 5: ain't really want to do that, so I kept that

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Speaker 5: to myself. And he came up with this idea like,

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Speaker 5: hey man, you know all these athletes, you know all

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Speaker 5: the people when you go out, they know who you are,

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Speaker 5: why don't we do a party?

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Speaker 4: And I was like, that's cool, let's let's do a party.

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Speaker 4: And he was like, why don't we do a player's ball?

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Speaker 4: You know how? You know you in Chicago? Man, they

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Speaker 4: got all the pimps and players and all that. And

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Speaker 4: I was like, all right, cool.

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Speaker 5: But I thought originally I thought he was talking about

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Speaker 5: with the athletes, but he was talking about with the

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Speaker 5: real So I reached out to Bishop Don, Magic Wand

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Speaker 5: and then he kind of gave me the connect for

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Speaker 5: Iced Tea, and my very very first party was a

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Speaker 5: player's ball with Bishop Don, Magic Wand and Iced Tea.

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Speaker 1: That was my first party.

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Speaker 3: Pretty much, what you're saying is that Dave's your pails,

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Speaker 3: stole your idea.

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Speaker 4: Tea.

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Speaker 1: It sounds like the same party.

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Speaker 4: Man. Hey, I guess so I ain't gonna say, well,

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Speaker 4: I won't say sold it.

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Speaker 1: But she happened.

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Speaker 4: So the party though, the party was a disaster. It's

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Speaker 4: a disaster, listen, man.

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Speaker 5: This ballroom held about fifteen hundred people, and maybe fifteen

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Speaker 5: people showed up. And that was like me, the cashier,

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Speaker 5: It wasn't absolutely, it wasn't a soul that showed up.

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Speaker 1: Man.

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Speaker 5: I was so disappointed. I was like, maybe this ship

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Speaker 5: ain't for me. But nobody showed up because in my

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Speaker 5: documentary I showed it. This is because I didn't have

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Speaker 5: any tutor to show me how to promote or nothing

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Speaker 5: like that.

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Speaker 4: I had a flyer. It didn't even have the location

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Speaker 4: of the party.

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Speaker 6: No, So I think that's I know, man, nobody didn't

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Speaker 6: invite nobody, nobody, and nobody noticed.

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Speaker 1: That location disclosed soon man.

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Speaker 4: So it was terrible.

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Speaker 1: Man, it's crazy.

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Speaker 4: It was terrible.

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Speaker 5: I got a picture of the fly and I think

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Speaker 5: that's I need to frain it because that was my

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Speaker 5: my very first party. You gotta they didn't have no location,

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Speaker 5: no party here, Nobody noticed it. I'm passed off these flyers.

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Speaker 5: Nobody stopped me and said, Mike, where did the party at?

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Speaker 5: Nobody said ship.

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Speaker 4: They just didn't come super humble.

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Speaker 1: So when did it become When did it become a thing?

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Speaker 1: Did you open some more barbershops first? And then nah?

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Speaker 5: So after that, after that failed, I used my relationships

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Speaker 5: like with Tim Hardaway Lines the Morning, and then some

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Speaker 5: of the guys that that played at UM that was

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Speaker 5: playing at with the Dolphins, like You're till Green Jason

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Speaker 5: Taylor's at Thomas. They let me do a player's ball,

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Speaker 5: another player's ball, but this is with the athletes, and

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Speaker 5: they didn't charge me. So because of the hype of

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Speaker 5: having the NBA players and the NFL players. My second

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Speaker 5: party was a Miami Heat Miami Dolphins, and I ain't

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Speaker 5: really had no expenses because they let.

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Speaker 4: Me use, let me rock and it was a success.

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Speaker 5: So I tasted that success and then that gave me

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Speaker 5: some more confidence, like, shit, I can do this because

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Speaker 5: that player's ball I was. I thought I was gonna

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Speaker 5: be one and done, so they let me do it,

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Speaker 5: got some success, made made some money, and then I

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Speaker 5: was like, maybe I can do this.

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Speaker 4: And then ironically, Peter Thomas, he.

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Speaker 5: Had a club called Bark Cole, and he's like, Mike,

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Speaker 5: why don't you come on and start doing this weekly party.

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Speaker 5: He was the first person to let me do a

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Speaker 5: weekly party and it started from that back in two

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Speaker 5: thousand and one.

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Speaker 2: Now he thought, okay, here's a question, because there's always

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Speaker 2: the Peter Thomas question or what he what he kind

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Speaker 2: of stands on, and I think you can validate this

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Speaker 2: is he the first black promoter to bring black parties

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Speaker 2: to South Beach.

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Speaker 5: Him and Luke him, and let me let me just

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Speaker 5: say what it is him lose. Everything starts with un

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Speaker 5: and we're not going to discredit them. But Peter, Peter

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Speaker 5: had a spot on Fifth Street that he opened up,

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Speaker 5: and it was called Fifth Street and it used to

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Speaker 5: be where cross the street where Play was, remember play,

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Speaker 5: So Peter had a spot across the across the street

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Speaker 5: from Play. Luke maybe five six months after Peter had

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Speaker 5: opened this spot, opened up Luke's on the Beach, and

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Speaker 5: they said in my documentary, So it's what I'm speaking

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Speaker 5: I believe is facts because I won the round back then.

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Speaker 5: But Peter opened his first, then Luke opened his, and

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Speaker 5: what drew more people to come into Miami's because they

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Speaker 5: knew who Luke was as well. So Peter had it

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Speaker 5: for the Caribbean market, so he was catered towards the Jamaicans,

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Speaker 5: the the Trinidadians and all that, and then Luke was

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Speaker 5: catering towards hip hop and American and then that's all

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Speaker 5: they did, and it was crazy house. Peter and Luke said,

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Speaker 5: like we as black people, we had come over to

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Speaker 5: the beach, but stopped right there at Fifth Street. Never

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Speaker 5: came into Washington Avenue Collins Avenue. We only went there

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Speaker 5: and then we went back because you know, we wasn't

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Speaker 5: we want a customer coming out to the beach because

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Speaker 5: if you know, for so long, they wasn't even allowing

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Speaker 5: us to come out on the beach.

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Speaker 1: I didn't know that.

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Speaker 5: Yeah, they they wasn't allowing black people to really to

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Speaker 5: come out on the beach unless you was a worker

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Speaker 5: or if you had an ID card.

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Speaker 4: Saying that you was working out here. Like it's a

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Speaker 4: it's a deep story of leak Miami Beach.

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Speaker 5: Man, it's crazy. Gotta might want to do some history that.

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Speaker 5: It's kind of like, let me see your hotel room,

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Speaker 5: let me see your hotel.

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Speaker 2: Make Miami Beach great again, make Miamy these drives listen,

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Speaker 2: they don't.

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Speaker 1: They don't at this point, they don't care.

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Speaker 2: I guess the just you know, in this life saving

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Speaker 2: the adventure, when you got that Miami Dolphins Miami heat

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Speaker 2: uh player's ball with no overhead.

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Speaker 1: Correct that had that had to be very substantial.

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Speaker 4: It was, and that's what gave me the confidence and

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Speaker 4: like I can do.

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Speaker 1: This, and the funding to move on to your next thing.

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Speaker 1: Would making up for the first party.

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Speaker 5: Making up for the first part because it was a

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Speaker 5: it was a it was a ball player that played

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Speaker 5: with you, and he had just got drafted, so he

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Speaker 5: had he had some fresh money. He had a couple

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Speaker 5: of million dollars had I ain't gonna say who he is,

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Speaker 5: but he signed a multi million dollar deal in the NFL,

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Speaker 5: and he gave me the money to form my first party,

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Speaker 5: and I lost all this money. So of course my

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Speaker 5: thing is I got to get this guy's money back,

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Speaker 5: so that the Miami Heat and Dolphins party gave me

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Speaker 5: a little bit of money to give him some money,

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Speaker 5: but then hold some money to do another part.

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Speaker 4: And I just kept doing them and stayed with it.

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Speaker 4: And then Peter, like I said, gave me.

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Speaker 5: A chance to do a weekly party because he was like,

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Speaker 5: you're putting in all this this work for one party.

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Speaker 4: Just keep it going. And it started to beat that.

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Speaker 1: So was it under the Headliner Monica?

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Speaker 4: Then now it was under.

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Speaker 5: It was it was still called Headliner, but I called it, uh,

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Speaker 5: it was under Professional Businessmen Association because I was having

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Speaker 5: problems getting in the clubs, you know, as far as

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Speaker 5: like you know, because back then a lot of people

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Speaker 5: was using entertainment or this group, that group. So I

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Speaker 5: went in thinking that I was going trick. I'm like, oh,

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Speaker 5: this company is called Professional Businessmen Association.

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Speaker 4: They want to do a party. But it wasn't working.

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Speaker 4: Man that it wasn't working. None of that was work.

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Speaker 4: And then and then when when you walk in and

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Speaker 4: see okay it's headlined.

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Speaker 5: Then and because of my cousin's barbershop, I just uh,

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Speaker 5: I just I just ran with that. But I put

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Speaker 5: the spin on it by saying Headlina Market Group got

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Speaker 5: it just went from there.

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Speaker 2: Okay, I don't want to steal too much out of

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Speaker 2: the documentary, but I gotta know how how you stumbled

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Speaker 2: into We gotta know how you stumble in to Live

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Speaker 2: on Sunday.

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Speaker 1: We gotta we gotta know how you get in there.

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Speaker 4: Well, I mean, I'm gonna tell you so.

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Speaker 5: And then they when they can it can be validated

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Speaker 5: with the doc so they can see it in the

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Speaker 5: dock and they because I got a lot of content

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Speaker 5: and a lot of footage on how this happened and

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00:17:31,119 --> 00:17:35,719
Speaker 5: how it played out, So how I how I end

335
00:17:35,840 --> 00:17:39,960
Speaker 5: up getting in too live. Me and Louis Oliver was

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Speaker 5: doing Soul Kitchen Sundays.

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Speaker 4: Yeah, you know.

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Speaker 5: So we had a nice little four year run over there,

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Speaker 5: and Live was about to open up, uh in the

340
00:17:51,359 --> 00:17:54,639
Speaker 5: found Blue, So mow Garcia.

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Speaker 4: Mo was a was a staple and Live for He.

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Speaker 5: Then moved and down He's now running being a face

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Speaker 5: out in Vegas at the Farm Blue out there. But

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Speaker 5: Mo reached out to me like he knew my history,

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Speaker 5: he knew what I was capable of doing because he

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00:18:15,200 --> 00:18:18,120
Speaker 5: I've done parties with him, and so he was one

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00:18:18,240 --> 00:18:22,800
Speaker 5: that wanted me to come and to live. They was

348
00:18:22,880 --> 00:18:25,800
Speaker 5: like five months into Open and Live, and he was

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Speaker 5: reaching out to me about doing a Thursday party at

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Speaker 5: Live because I was me and Lewis was at the

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Speaker 5: Forge on Sundays already, but so he was reaching out

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Speaker 5: to me. And then I think Dave Grumman was talking

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Speaker 5: to Lewis, but Dave and Moe didn't know that Dave

354
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Speaker 5: was talking about a Sunday. Moe was talking about a Thursday.

355
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Speaker 5: But we already sat at the Forge. But the Forge

356
00:18:50,560 --> 00:18:56,280
Speaker 5: then was gray closed and going into renovation. So me

357
00:18:56,359 --> 00:18:59,080
Speaker 5: and Lewis talked about it, like you know, we can

358
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Speaker 5: go over to Live because people are already accustomed coming

359
00:19:02,359 --> 00:19:03,080
Speaker 5: out on Sunday.

360
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Speaker 4: The forger is right around the corner from the Found Blue.

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Speaker 4: It'll be an easy thing.

362
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Speaker 5: But one of my reservations with it was the Forge

363
00:19:12,160 --> 00:19:14,560
Speaker 5: was like a dinner party first, then it turned into

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Speaker 5: a club.

365
00:19:15,560 --> 00:19:21,520
Speaker 4: It was amazing, experienced, man, it was. It was amazing.

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Speaker 4: I can't lie it was amazing. It was.

367
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Speaker 1: It was.

368
00:19:23,720 --> 00:19:24,400
Speaker 4: It was amazing.

369
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Speaker 5: But when we went over to Live, Live had just

370
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Speaker 5: just while it wasn't a restaurant or intimate dinner party

371
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Speaker 5: that turned into a club.

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Speaker 4: It was just like this massive club. But I said

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Speaker 4: to Louis, like.

374
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Speaker 5: If we do come to Live, we do know what

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Speaker 5: it's going to do, because think about it, they wasn't.

376
00:19:49,560 --> 00:19:52,440
Speaker 5: It wasn't like Live waited until they was going on

377
00:19:52,600 --> 00:19:55,520
Speaker 5: there downfall and like, all right, let's let's.

378
00:19:55,359 --> 00:19:57,720
Speaker 4: Let these niggas in here. And you know what I'm saying.

379
00:19:59,119 --> 00:20:03,280
Speaker 5: They was they were gonna fresh, They was ready, they

380
00:20:03,359 --> 00:20:05,000
Speaker 5: was opening. And I think that was one of the

381
00:20:05,080 --> 00:20:09,919
Speaker 5: things that played a great success in the Live because

382
00:20:10,160 --> 00:20:12,720
Speaker 5: it was new, and you know, we always feel like,

383
00:20:13,000 --> 00:20:16,159
Speaker 5: you know, in the stigma of being in Miami, we

384
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Speaker 5: couldn't go to these type of venues.

385
00:20:19,119 --> 00:20:22,560
Speaker 4: We couldn't be in these type of venues. So to

386
00:20:22,680 --> 00:20:24,399
Speaker 4: be in the Found Blue, that was.

387
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Speaker 5: One of the biggest accomplishments because even thinking about back

388
00:20:28,960 --> 00:20:31,080
Speaker 5: in the day where when you had Sammy Davis in

389
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Speaker 5: the Rad Pack and all that going over the Found Blue,

390
00:20:33,480 --> 00:20:35,679
Speaker 5: but they couldn't stay at the Found Blue. They had

391
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Speaker 5: to go into Overtown to stay in the hotels there.

392
00:20:38,840 --> 00:20:41,120
Speaker 5: So it was a big thing of us going into

393
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Speaker 5: the Found Blue. And then when we signed that deal,

394
00:20:45,600 --> 00:20:49,160
Speaker 5: it was like, oh shit, it's gonna happen for real, real,

395
00:21:01,800 --> 00:21:04,359
Speaker 5: and you know it was. It took a minute. It

396
00:21:04,359 --> 00:21:07,080
Speaker 5: didn't just blow up now. It took a minute because

397
00:21:07,080 --> 00:21:10,720
Speaker 5: a lot of people still had some doubt, like we

398
00:21:10,800 --> 00:21:13,359
Speaker 5: can go into the Final Blue. They letting us in there.

399
00:21:13,600 --> 00:21:16,080
Speaker 5: So it took a minute before it got going. But

400
00:21:16,200 --> 00:21:18,040
Speaker 5: when it got going, it's going.

401
00:21:18,400 --> 00:21:21,040
Speaker 1: Do you remember who the first artist you had, the.

402
00:21:21,160 --> 00:21:23,720
Speaker 5: Very the very first person on the that we did

403
00:21:24,040 --> 00:21:27,480
Speaker 5: was Making Good. I had made a good host a

404
00:21:27,520 --> 00:21:32,200
Speaker 5: party and Megan was was my first host.

405
00:21:33,000 --> 00:21:36,119
Speaker 4: I lived and uh and a DJ and it was

406
00:21:36,160 --> 00:21:41,560
Speaker 4: a chick DJ named DJ Kiss Making Good and djis.

407
00:21:41,840 --> 00:21:45,479
Speaker 2: I got the Fly Party got oh sure, I had

408
00:21:45,520 --> 00:21:48,520
Speaker 2: a first in Miami. Did I was the I was

409
00:21:48,560 --> 00:21:51,520
Speaker 2: the first artist to host King of Diamonds.

410
00:21:52,320 --> 00:21:56,000
Speaker 1: I know that's right. She want to throw that out there. Uh,

411
00:21:57,119 --> 00:21:58,879
Speaker 1: shout out to Pops and everybody who brought me in.

412
00:21:59,119 --> 00:22:03,040
Speaker 3: The Monday night who as as Wayne would say King

413
00:22:03,080 --> 00:22:03,920
Speaker 3: of Diamonds.

414
00:22:04,000 --> 00:22:05,720
Speaker 2: Who gave me the money to give back to him.

415
00:22:06,560 --> 00:22:10,400
Speaker 2: I didn't manage that well. The girls look so yeah,

416
00:22:11,160 --> 00:22:11,920
Speaker 2: it's so good.

417
00:22:12,000 --> 00:22:13,639
Speaker 1: I've been. I've I've been with you. Man.

418
00:22:13,680 --> 00:22:15,280
Speaker 3: When they when they hand when they hand you the

419
00:22:15,720 --> 00:22:17,600
Speaker 3: money for the strip club and then you give it

420
00:22:17,720 --> 00:22:21,440
Speaker 3: back to the strip club, I'm like no.

421
00:22:22,160 --> 00:22:23,680
Speaker 1: Then they asked me like how much of this do

422
00:22:23,760 --> 00:22:26,120
Speaker 1: you want? In once? I'm like, how much can I get?

423
00:22:28,400 --> 00:22:30,480
Speaker 1: And then it turns into Jay, what you got on you?

424
00:22:38,520 --> 00:22:41,639
Speaker 2: I'm gonna give you. I'm gonna give you like me

425
00:22:41,840 --> 00:22:48,480
Speaker 2: walking in to live and sing all of Cash Money

426
00:22:49,520 --> 00:22:51,119
Speaker 2: in Young Money and.

427
00:22:54,520 --> 00:22:55,080
Speaker 1: And I was like.

428
00:22:57,240 --> 00:23:01,160
Speaker 2: And sing the venue itself. I hadn't seen a club

429
00:23:01,359 --> 00:23:04,280
Speaker 2: like that, and I literally walked in. I was like,

430
00:23:04,440 --> 00:23:09,720
Speaker 2: what the fuck is this? And when I say it

431
00:23:09,880 --> 00:23:12,280
Speaker 2: was up, I got there when it was up. So

432
00:23:12,359 --> 00:23:14,000
Speaker 2: I didn't you know, as you say, you had the

433
00:23:14,080 --> 00:23:16,960
Speaker 2: humble beginnings even in that spot. I never I never

434
00:23:17,080 --> 00:23:19,159
Speaker 2: saw that. When I got there, it was.

435
00:23:20,880 --> 00:23:21,639
Speaker 1: Scrag me too.

436
00:23:22,760 --> 00:23:25,520
Speaker 2: It was like every LA party all in one. It

437
00:23:25,640 --> 00:23:31,200
Speaker 2: was like guys and dolls, colony, everything all in one room.

438
00:23:32,080 --> 00:23:34,720
Speaker 1: Wow. I was like, I have to be here. Now

439
00:23:34,880 --> 00:23:38,240
Speaker 1: here's here's a question for you. Did you start? I mean,

440
00:23:39,640 --> 00:23:42,359
Speaker 1: did you start the hip hop residency.

441
00:23:43,440 --> 00:23:48,320
Speaker 5: Got We started from scratch and there was nothing before us.

442
00:23:49,520 --> 00:23:53,680
Speaker 5: It was it was, it was, it was Yeah, from

443
00:23:54,040 --> 00:23:54,520
Speaker 5: day one.

444
00:23:54,600 --> 00:23:55,040
Speaker 1: It was us.

445
00:23:56,720 --> 00:23:59,840
Speaker 2: Did you hear that, folks, the first hip hop res

446
00:24:00,240 --> 00:24:02,240
Speaker 2: see We'll say it figure dog ain't gonna need you

447
00:24:02,320 --> 00:24:02,840
Speaker 2: got to tell you who?

448
00:24:02,880 --> 00:24:08,680
Speaker 1: It was? Right here? Yeah, right here. I felt that though.

449
00:24:08,840 --> 00:24:12,159
Speaker 2: I appreciate that because then it started moving about and

450
00:24:12,240 --> 00:24:16,479
Speaker 2: everybody now has residencies with you know, Zaid rappers had

451
00:24:16,520 --> 00:24:19,440
Speaker 2: singers and all that stuff. But I remember specifically that

452
00:24:19,600 --> 00:24:23,320
Speaker 2: you had some fixtures in there that made sure that

453
00:24:23,400 --> 00:24:26,920
Speaker 2: every time we went to live it was an experience.

454
00:24:29,080 --> 00:24:29,400
Speaker 1: Go ahead.

455
00:24:29,520 --> 00:24:32,360
Speaker 4: I don't take that credit due, but now you should sure.

456
00:24:34,240 --> 00:24:37,560
Speaker 2: First time I saw it exactly remembering clubs all over

457
00:24:37,600 --> 00:24:40,360
Speaker 2: the world. First time I ever saw something consistent where

458
00:24:40,400 --> 00:24:44,000
Speaker 2: it's like, oh they're they're the DJ. He's that Like

459
00:24:44,440 --> 00:24:48,080
Speaker 2: all of that was fixed I knew what I was

460
00:24:48,119 --> 00:24:50,080
Speaker 2: getting when I came to live for sure, and if

461
00:24:50,080 --> 00:24:54,640
Speaker 2: there were any extras, And it was like that fixture

462
00:24:54,840 --> 00:25:02,879
Speaker 2: was so ginormous that it made everybody I want to

463
00:25:03,040 --> 00:25:05,920
Speaker 2: want to fall in line. Right, I kind of equated this,

464
00:25:06,000 --> 00:25:07,400
Speaker 2: and this is gonna be a weird analogy.

465
00:25:07,840 --> 00:25:07,959
Speaker 6: Uh.

466
00:25:08,040 --> 00:25:09,920
Speaker 2: There's a spot I used to eat that in Maryland

467
00:25:10,240 --> 00:25:14,040
Speaker 2: called the Chesapeake Based Seafood House. And at the Chesapeak

468
00:25:14,040 --> 00:25:16,800
Speaker 2: bas Seafood House, there was all you can eat menu, right,

469
00:25:17,320 --> 00:25:19,240
Speaker 2: and at the top of the all you can eat

470
00:25:19,280 --> 00:25:22,720
Speaker 2: menu there was the crab legs, the most expensive item

471
00:25:22,760 --> 00:25:24,440
Speaker 2: on the on the thing, but if you got the

472
00:25:24,520 --> 00:25:27,240
Speaker 2: crab legs, you can get everything underneath the menu.

473
00:25:27,320 --> 00:25:28,040
Speaker 1: For All you can Eat.

474
00:25:28,960 --> 00:25:31,959
Speaker 2: Your fixture was the crab legs, the most epicsive thing

475
00:25:32,000 --> 00:25:36,280
Speaker 2: on the menu. So at that point, everything underneath the

476
00:25:36,359 --> 00:25:39,280
Speaker 2: menu would fall in line with the top of what's

477
00:25:39,320 --> 00:25:40,800
Speaker 2: on the top of the menu, of course, because you

478
00:25:40,920 --> 00:25:43,679
Speaker 2: at the top of the food chain already in the building.

479
00:25:44,680 --> 00:25:46,639
Speaker 2: So everybody else under all you can Eat menu was like,

480
00:25:46,720 --> 00:25:48,040
Speaker 2: we have to be in there. We have to because

481
00:25:48,080 --> 00:25:50,720
Speaker 2: we want to be on the play too. We want

482
00:25:50,760 --> 00:25:51,640
Speaker 2: to be part of All you can.

483
00:25:51,600 --> 00:25:52,359
Speaker 4: Eat is it working.

484
00:25:52,640 --> 00:25:58,320
Speaker 1: No, it's not. It's not. It's not I want it

485
00:25:58,400 --> 00:26:01,680
Speaker 1: to work. It wasn't my guy and I wanted to work.

486
00:26:02,320 --> 00:26:04,080
Speaker 1: I don't know how live in crab legs.

487
00:26:10,680 --> 00:26:13,560
Speaker 3: I want to get down to the business side of yes, right,

488
00:26:13,640 --> 00:26:17,400
Speaker 3: because the reason why you're here obviously you're our guy,

489
00:26:17,600 --> 00:26:20,000
Speaker 3: and we you know, we want to celebrate you in

490
00:26:20,760 --> 00:26:23,080
Speaker 3: what you've done in this game, but we also want

491
00:26:23,160 --> 00:26:26,680
Speaker 3: you to give the information to like these young promoters

492
00:26:27,760 --> 00:26:29,639
Speaker 3: or even even promoters that's in it that might not

493
00:26:29,760 --> 00:26:31,720
Speaker 3: be doing it right, Like how do you get to

494
00:26:31,840 --> 00:26:34,520
Speaker 3: this space? What do you feel like are the important

495
00:26:34,720 --> 00:26:37,800
Speaker 3: or just a couple of the important keys to being

496
00:26:37,840 --> 00:26:40,840
Speaker 3: a successful promotion company.

497
00:26:41,720 --> 00:26:42,000
Speaker 6: M h.

498
00:26:43,240 --> 00:26:47,920
Speaker 5: I'm always willing to to share that that information, so

499
00:26:48,000 --> 00:26:50,200
Speaker 5: it ain't no secret. Like for me, I've always said

500
00:26:50,920 --> 00:26:53,200
Speaker 5: to those who maybe reach out to me in DM

501
00:26:53,480 --> 00:26:55,320
Speaker 5: or they'll stop me in the middle of the club

502
00:26:55,520 --> 00:26:58,639
Speaker 5: or whatnot, I always say, man, it's just being humble,

503
00:26:59,320 --> 00:27:01,080
Speaker 5: because you got to understand that in this.

504
00:27:01,240 --> 00:27:05,479
Speaker 4: Game, we need the people. The people don't need us.

505
00:27:05,720 --> 00:27:08,720
Speaker 5: It's not like I'm selling gasoline or power, Like where

506
00:27:09,520 --> 00:27:11,280
Speaker 5: you need me, they don't need me. They can go

507
00:27:11,359 --> 00:27:13,440
Speaker 5: to any other club, any other party they want. So

508
00:27:13,600 --> 00:27:17,639
Speaker 5: it's just just main maintaining the level of humbleness and

509
00:27:19,080 --> 00:27:23,280
Speaker 5: being yourself. Like I this night life can get you

510
00:27:23,440 --> 00:27:26,080
Speaker 5: caught up, man, Like it can get you caught up.

511
00:27:26,240 --> 00:27:28,160
Speaker 1: Were you ever one of the promoters who would jump

512
00:27:28,160 --> 00:27:28,520
Speaker 1: on the mic.

513
00:27:29,080 --> 00:27:31,720
Speaker 4: No, because I wouldn't jump on the mic.

514
00:27:32,800 --> 00:27:34,239
Speaker 5: I don't even know if me and this brother got

515
00:27:34,280 --> 00:27:37,720
Speaker 5: a picture like that was never my thing though, But

516
00:27:37,880 --> 00:27:38,560
Speaker 5: that's interesting.

517
00:27:38,600 --> 00:27:39,359
Speaker 1: I've never thought about it.

518
00:27:39,880 --> 00:27:43,040
Speaker 5: But I'm trying to I don't know if we I

519
00:27:43,080 --> 00:27:46,800
Speaker 5: don't well whatever I say that to say, like, just

520
00:27:47,160 --> 00:27:51,280
Speaker 5: just being you and not getting caught up in this game.

521
00:27:51,440 --> 00:27:54,760
Speaker 4: Because this this this night life, it's.

522
00:27:56,720 --> 00:27:57,440
Speaker 1: It is what it is.

523
00:27:57,800 --> 00:28:00,520
Speaker 4: It can be full of. See, it can be full of.

524
00:28:02,080 --> 00:28:07,920
Speaker 5: When you mixing alcohol, ego, money, celebrities, women late night.

525
00:28:09,520 --> 00:28:14,640
Speaker 5: If you don't be humble and stay grounded, it'll tear

526
00:28:14,680 --> 00:28:17,640
Speaker 5: your ass up, like because I've seen it. I've seen

527
00:28:17,680 --> 00:28:19,600
Speaker 5: it with so many different people and a lot of

528
00:28:19,680 --> 00:28:21,480
Speaker 5: promo some promoters, I ain't gonna say a lot of them.

529
00:28:21,560 --> 00:28:24,440
Speaker 5: Some promoters come in this for the women. Some of

530
00:28:24,480 --> 00:28:28,119
Speaker 5: them come in it for the hype. Oh I can

531
00:28:28,200 --> 00:28:29,520
Speaker 5: get you into this party. I can get you in

532
00:28:29,600 --> 00:28:32,520
Speaker 5: that party. But I've always maintained like for me, it's

533
00:28:32,600 --> 00:28:34,960
Speaker 5: just been about business, you know what I mean, Like

534
00:28:35,040 --> 00:28:38,800
Speaker 5: I wanna this is a I've been I've been blessed

535
00:28:38,840 --> 00:28:41,040
Speaker 5: to do this, so I want to treat it like

536
00:28:41,200 --> 00:28:41,720
Speaker 5: a business.

537
00:28:41,880 --> 00:28:44,360
Speaker 4: Like I try not to get caught up into the

538
00:28:46,160 --> 00:28:47,000
Speaker 4: the hype of it.

539
00:28:47,840 --> 00:28:50,000
Speaker 5: And that's why I say, like, sometimes I very seldom

540
00:28:50,040 --> 00:28:52,840
Speaker 5: take pictures like I got this little funny story real quick,

541
00:28:52,920 --> 00:28:55,920
Speaker 5: like it was a it was a I ain't gonna

542
00:28:56,000 --> 00:28:58,200
Speaker 5: say how long ago it was because I don't really

543
00:28:58,280 --> 00:29:02,120
Speaker 5: I vaguely remember, but I remember one time I had

544
00:29:02,160 --> 00:29:04,400
Speaker 5: went to give Future his money.

545
00:29:04,520 --> 00:29:05,400
Speaker 4: Now I've done.

546
00:29:06,760 --> 00:29:09,600
Speaker 5: So many parties with Future up until this point, but

547
00:29:09,880 --> 00:29:14,040
Speaker 5: me and Future never really met. So it was one

548
00:29:14,120 --> 00:29:16,920
Speaker 5: time when I end up having to take him his

549
00:29:17,080 --> 00:29:20,360
Speaker 5: money myself. And when he's seen me, he was like,

550
00:29:21,160 --> 00:29:24,720
Speaker 5: you might I thought you was white, And that shit

551
00:29:24,760 --> 00:29:30,640
Speaker 5: blew my mind because he couldn't he couldn't see a

552
00:29:30,720 --> 00:29:33,960
Speaker 5: black man. The done live like on the on the

553
00:29:34,120 --> 00:29:36,600
Speaker 5: level and we talk about it right now, so it

554
00:29:37,080 --> 00:29:38,440
Speaker 5: ain't no big secret.

555
00:29:38,520 --> 00:29:39,600
Speaker 4: But and that kind of.

556
00:29:41,120 --> 00:29:43,320
Speaker 5: That kind of made me be like, well, wait a minute,

557
00:29:43,720 --> 00:29:46,320
Speaker 5: am I doing something wrong or do I need to

558
00:29:46,440 --> 00:29:49,280
Speaker 5: let it be no more because it can't affect the

559
00:29:49,400 --> 00:29:53,080
Speaker 5: business when people don't know who's really doing it, because

560
00:29:53,120 --> 00:29:54,960
Speaker 5: that opens up the door for others to come in

561
00:29:55,160 --> 00:29:56,400
Speaker 5: and the like.

562
00:29:59,720 --> 00:30:03,360
Speaker 2: It being you a black man gives give valid gives

563
00:30:03,760 --> 00:30:07,320
Speaker 2: validation to other black men coming up correct trying to

564
00:30:07,400 --> 00:30:07,640
Speaker 2: do that.

565
00:30:07,960 --> 00:30:11,880
Speaker 1: It's very much important that they know it is you are.

566
00:30:12,160 --> 00:30:14,680
Speaker 3: And and something to and something to look up to

567
00:30:15,080 --> 00:30:18,360
Speaker 3: and something to aspire to, right because I'll speak from

568
00:30:19,040 --> 00:30:23,760
Speaker 3: the business side, right of the business, from from their

569
00:30:23,840 --> 00:30:26,640
Speaker 3: artists standpoint of me dealing with tank and dealing with

570
00:30:26,760 --> 00:30:27,680
Speaker 3: artists that I've worked with.

571
00:30:28,280 --> 00:30:34,120
Speaker 1: And having to deal with promoters. It is usually.

572
00:30:35,480 --> 00:30:40,680
Speaker 3: The hardest part for us because it's very it's very

573
00:30:40,840 --> 00:30:46,960
Speaker 3: seldom you find real businessmen and business women who are

574
00:30:47,000 --> 00:30:49,920
Speaker 3: about their business right that who handle their business who

575
00:30:50,320 --> 00:30:53,400
Speaker 3: the money is never funny. You're not chasing this promoter

576
00:30:53,520 --> 00:30:58,120
Speaker 3: throughout the club. They're not drunk, you know what I mean.

577
00:30:58,680 --> 00:30:59,040
Speaker 4: They don't.

578
00:30:59,040 --> 00:31:01,520
Speaker 3: They don't come to your room smelling like we trying

579
00:31:01,560 --> 00:31:03,800
Speaker 3: to drop off the money that looks like you don't

580
00:31:03,840 --> 00:31:07,760
Speaker 3: know where it came from, like seriously, like because as

581
00:31:07,880 --> 00:31:12,360
Speaker 3: black people, we also have to we have to audit ourselves,

582
00:31:13,160 --> 00:31:15,920
Speaker 3: and a lot of times we try to get past.

583
00:31:15,760 --> 00:31:18,960
Speaker 1: That of like, nah, man, that's just a no. Business

584
00:31:19,080 --> 00:31:19,640
Speaker 1: is business.

585
00:31:19,720 --> 00:31:22,720
Speaker 3: Business is business, and we should handle ourselves accordingly and

586
00:31:22,840 --> 00:31:26,320
Speaker 3: we should like in my phone, I would listen. This

587
00:31:26,480 --> 00:31:28,640
Speaker 3: is something I've never said before, but in my phone

588
00:31:29,160 --> 00:31:34,240
Speaker 3: there is a do not do business section. Oh wow,

589
00:31:34,640 --> 00:31:38,920
Speaker 3: I literally have people in my phone that I will

590
00:31:39,000 --> 00:31:44,600
Speaker 3: not do business with HM. And we've had that and Mike,

591
00:31:44,680 --> 00:31:48,840
Speaker 3: you know me, I am an upfront person. If they

592
00:31:48,920 --> 00:31:51,120
Speaker 3: call me, I tell them that now we can't do

593
00:31:51,240 --> 00:31:54,720
Speaker 3: we can't do that, Champ. And they try to figure

594
00:31:54,720 --> 00:31:58,280
Speaker 3: out a way to call Tank, who didn't calls me

595
00:31:58,480 --> 00:32:00,800
Speaker 3: and I'm like, Tank, do you remember up in A

596
00:32:00,920 --> 00:32:02,760
Speaker 3: B and C and a BBNC And He's like, ah.

597
00:32:02,760 --> 00:32:05,320
Speaker 1: Yeah, that was Bro.

598
00:32:05,480 --> 00:32:08,600
Speaker 3: We can't do business no more, right because I don't

599
00:32:08,720 --> 00:32:13,240
Speaker 3: want to have my business partner in those type of situations.

600
00:32:14,160 --> 00:32:17,000
Speaker 3: I don't want him looking for the promoter and Jay,

601
00:32:17,080 --> 00:32:20,680
Speaker 3: did you did you talk to and did they? Because

602
00:32:20,720 --> 00:32:24,880
Speaker 3: we already know for three or four times because it

603
00:32:25,240 --> 00:32:26,800
Speaker 3: hasn't just been some people where it's just like oh

604
00:32:26,840 --> 00:32:29,880
Speaker 3: it's a one time thing. You show grace and we have.

605
00:32:30,080 --> 00:32:32,760
Speaker 3: We've done that multiple times with multiple people. We've shown grace,

606
00:32:32,800 --> 00:32:34,080
Speaker 3: but then it gets to a point where it's just

607
00:32:34,160 --> 00:32:36,240
Speaker 3: like you just don't do business.

608
00:32:38,440 --> 00:32:38,720
Speaker 4: Listen.

609
00:32:38,920 --> 00:32:41,960
Speaker 5: I don't know if it's because it's a party. And

610
00:32:42,120 --> 00:32:46,400
Speaker 5: sometimes you know, people get confused that, oh it's they

611
00:32:46,520 --> 00:32:49,520
Speaker 5: thinking it's just a party. They don't think it of

612
00:32:49,640 --> 00:32:51,920
Speaker 5: it as business. They don't look at it as business,

613
00:32:52,000 --> 00:32:58,360
Speaker 5: and they think that they can just handle it at

614
00:32:58,400 --> 00:33:01,320
Speaker 5: their own pace time like, and I try not to

615
00:33:01,400 --> 00:33:04,800
Speaker 5: do that with y'all, man, not just with with Tank,

616
00:33:04,880 --> 00:33:08,080
Speaker 5: but with everyone, because there's a level of consistency that

617
00:33:08,160 --> 00:33:11,480
Speaker 5: you got to have when you conducting business. But I've

618
00:33:11,520 --> 00:33:13,960
Speaker 5: always said it, man, people think this party shop is

619
00:33:14,120 --> 00:33:14,760
Speaker 5: just a party.

620
00:33:14,800 --> 00:33:17,680
Speaker 4: They don't look at it as a business.

621
00:33:17,880 --> 00:33:21,120
Speaker 5: Like the liquor got to be paid, the lights got

622
00:33:21,240 --> 00:33:23,760
Speaker 5: to be paid, the DJ got to be paid, the waitresses,

623
00:33:23,880 --> 00:33:27,600
Speaker 5: the security, those couches.

624
00:33:27,240 --> 00:33:28,240
Speaker 4: Ain't free, like.

625
00:33:32,600 --> 00:33:36,040
Speaker 1: Somebody got to pay. Somebody got to pay for it.

626
00:33:36,120 --> 00:33:40,560
Speaker 4: But it's it's, it's it's I don't complain though, man, Yeah,

627
00:33:40,600 --> 00:33:41,960
Speaker 4: but I'm happy. I'm in a good space.

628
00:33:42,040 --> 00:33:46,040
Speaker 5: Man. I'm blessed and thankful for the opportunities I have, man,

629
00:33:46,240 --> 00:33:49,960
Speaker 5: especially and be surrounded and acknowledged by brothers like y'all.

630
00:33:50,040 --> 00:33:51,600
Speaker 4: Man, I definitely appreciate.

631
00:33:51,160 --> 00:33:55,000
Speaker 5: It that that they can see that they can expand

632
00:33:55,080 --> 00:33:58,160
Speaker 5: outside of the club, outside of business, because I want

633
00:33:58,200 --> 00:34:01,480
Speaker 5: to say, like to both of y'all man, like you know,

634
00:34:01,640 --> 00:34:05,120
Speaker 5: as the promoter, sometimes we don't we don't get the

635
00:34:06,040 --> 00:34:09,360
Speaker 5: just due of like, not only are we promoting the artists,

636
00:34:09,400 --> 00:34:10,280
Speaker 5: we're paying the artists.

637
00:34:10,480 --> 00:34:11,400
Speaker 4: It works for everyone.

638
00:34:11,520 --> 00:34:15,000
Speaker 5: But I want to commend y'all forgiven me this moment

639
00:34:16,080 --> 00:34:18,839
Speaker 5: of this because it says a lot, man, especially when

640
00:34:19,120 --> 00:34:20,800
Speaker 5: I've been doing this for twenty two years. This is

641
00:34:20,800 --> 00:34:24,000
Speaker 5: the first time I think that I've ever had a real.

642
00:34:23,920 --> 00:34:24,800
Speaker 1: One on one.

643
00:34:26,960 --> 00:34:31,560
Speaker 5: Publicly with someone that I've been doing business with for

644
00:34:31,680 --> 00:34:33,799
Speaker 5: so long. So I want to I want to thank

645
00:34:33,880 --> 00:34:35,120
Speaker 5: y'all for this opportunity.

646
00:34:35,239 --> 00:34:35,319
Speaker 4: Man.

647
00:34:35,480 --> 00:34:41,680
Speaker 2: Straight absolutely, let's speak about expansion, you know, because.

648
00:34:41,640 --> 00:34:45,719
Speaker 3: Before we go expansion, I'm gonna tell you when I realize,

649
00:34:46,560 --> 00:34:50,920
Speaker 3: all right, I can make some things move get I

650
00:34:51,000 --> 00:34:54,239
Speaker 3: get a text one night and this is this is

651
00:34:54,400 --> 00:34:57,319
Speaker 3: This is interesting too, because this is when you kind

652
00:34:57,360 --> 00:35:02,480
Speaker 3: of realize, you know, you've had an impactful relationship with somebody,

653
00:35:02,840 --> 00:35:07,440
Speaker 3: sometimes without even knowing. Years back years years back, I

654
00:35:07,480 --> 00:35:12,000
Speaker 3: get I get a text. Young lady text me it's

655
00:35:12,080 --> 00:35:15,920
Speaker 3: one of those weekends in Miami and it's crazy and

656
00:35:16,120 --> 00:35:17,120
Speaker 3: I'm not in Miami.

657
00:35:17,600 --> 00:35:22,160
Speaker 1: And the text says, hey, you think you can help

658
00:35:22,200 --> 00:35:26,759
Speaker 1: me get in to live? What a text? Right?

659
00:35:28,320 --> 00:35:31,040
Speaker 3: And I'm like, and this is literally just just a homegirl.

660
00:35:31,080 --> 00:35:33,399
Speaker 3: What no, no, nothing had I could have I could

661
00:35:33,440 --> 00:35:37,440
Speaker 3: have completely ignored her. But I'm like, she' the homie.

662
00:35:37,480 --> 00:35:38,200
Speaker 3: She cool people.

663
00:35:40,360 --> 00:35:41,280
Speaker 1: I text Mike.

664
00:35:42,719 --> 00:35:44,920
Speaker 3: And at this point like, me and Mike cool, but

665
00:35:45,160 --> 00:35:48,200
Speaker 3: you know, and you've said it Mallyon times, I don't

666
00:35:48,200 --> 00:35:52,359
Speaker 3: really come outside as much, so sometimes they don't even

667
00:35:52,440 --> 00:35:56,719
Speaker 3: know I'm the actual manager, right, So because there's some

668
00:35:56,840 --> 00:35:59,359
Speaker 3: guys who say they managed Tank that don't manage Tank.

669
00:36:00,719 --> 00:36:06,880
Speaker 1: So Mike kissed me back. I text him. I'm like, like,

670
00:36:07,680 --> 00:36:10,200
Speaker 1: you know, I can tell he busy, you know what

671
00:36:10,200 --> 00:36:14,239
Speaker 1: I mean? But he's like, what's her name? What she

672
00:36:14,320 --> 00:36:14,680
Speaker 1: looked like?

673
00:36:15,280 --> 00:36:18,000
Speaker 3: I said my picture of her? Right, He's like, all right, cool,

674
00:36:18,160 --> 00:36:21,120
Speaker 3: I got her. He go out to look for the

675
00:36:21,160 --> 00:36:23,640
Speaker 3: funniest shit. He go out to look for he can't

676
00:36:23,719 --> 00:36:25,920
Speaker 3: find her. I text her back, I'm like, my guy's

677
00:36:25,920 --> 00:36:28,040
Speaker 3: looking for you, blah blah blah. She text me back

678
00:36:28,400 --> 00:36:31,400
Speaker 3: she's already walked into the club, which said basketball player.

679
00:36:34,600 --> 00:36:34,840
Speaker 2: You know what.

680
00:36:34,920 --> 00:36:42,440
Speaker 1: I text Mike back, high girl summer. I still like

681
00:36:42,840 --> 00:36:44,120
Speaker 1: it's the funniest.

682
00:36:44,320 --> 00:36:46,279
Speaker 3: But I was like the fact that the fact that

683
00:36:46,360 --> 00:36:49,160
Speaker 3: Mike would do that for me though, I was like,

684
00:36:50,000 --> 00:36:52,040
Speaker 3: he really rock with me. He really rock with me.

685
00:36:52,480 --> 00:36:54,640
Speaker 3: You know, I made an impact. I'm good in my hand.

686
00:36:57,280 --> 00:36:58,840
Speaker 3: Now let's talk about expansion.

687
00:36:59,080 --> 00:36:59,880
Speaker 1: Expansion.

688
00:37:02,680 --> 00:37:06,000
Speaker 2: You know, I'm in my mind, I'm like, I'm the

689
00:37:06,160 --> 00:37:07,400
Speaker 2: general of R and B.

690
00:37:08,840 --> 00:37:11,320
Speaker 1: I am I am. I am part of the revolution.

691
00:37:11,760 --> 00:37:12,840
Speaker 1: You say in your mind.

692
00:37:14,600 --> 00:37:15,080
Speaker 4: Who you are?

693
00:37:15,239 --> 00:37:18,840
Speaker 1: No, I'm saying this ship for you.

694
00:37:19,320 --> 00:37:22,440
Speaker 2: I'm going back to the time to where he was expanding,

695
00:37:23,200 --> 00:37:25,520
Speaker 2: and I'm like, I am R and B. I am

696
00:37:25,680 --> 00:37:29,279
Speaker 2: him at its core, and we are you know, we

697
00:37:29,400 --> 00:37:31,960
Speaker 2: are just kind of you know, spotting doing R and

698
00:37:32,040 --> 00:37:33,960
Speaker 2: B parties and DJ and stuff like that. And I've

699
00:37:34,000 --> 00:37:40,040
Speaker 2: seen something come across my uh you know, my algorithms

700
00:37:40,719 --> 00:37:44,120
Speaker 2: do wop, Who's.

701
00:37:43,880 --> 00:37:45,120
Speaker 1: Doing this, Who's doing.

702
00:37:46,760 --> 00:37:50,759
Speaker 2: Who's and what does it mean if you and Mike

703
00:37:50,840 --> 00:37:53,879
Speaker 2: him be like like, listen, man, you got to pull

704
00:37:53,960 --> 00:37:56,360
Speaker 2: up to I do man all day? R and B

705
00:37:56,520 --> 00:37:59,400
Speaker 2: party is something you need to see. I said, it

706
00:37:59,520 --> 00:38:02,280
Speaker 2: is something I need to see you in my area.

707
00:38:03,719 --> 00:38:06,480
Speaker 1: And I remember was that the around the time he

708
00:38:06,560 --> 00:38:12,480
Speaker 1: was doing drink chaps that you did? Was it for that?

709
00:38:12,600 --> 00:38:15,279
Speaker 3: But it was at it was at a spot, yes,

710
00:38:15,400 --> 00:38:19,400
Speaker 3: yeahfore and so I can't remember what day it was.

711
00:38:19,960 --> 00:38:22,080
Speaker 2: I just happened to be there and it was a

712
00:38:22,160 --> 00:38:25,040
Speaker 2: due up going on, and I said, Mike, I'm pulling

713
00:38:25,120 --> 00:38:26,400
Speaker 2: up and about I'm coming over.

714
00:38:26,480 --> 00:38:28,520
Speaker 1: He said, don't worry about nothing. We got you.

715
00:38:30,160 --> 00:38:34,240
Speaker 2: And you know, the car stopped short line is crazy,

716
00:38:34,440 --> 00:38:36,920
Speaker 2: you know, like what is this? He's like, come on,

717
00:38:37,120 --> 00:38:39,400
Speaker 2: I got you. Were walking in. I think you walked

718
00:38:39,440 --> 00:38:42,720
Speaker 2: me through the front. He walks me through the front

719
00:38:42,840 --> 00:38:46,920
Speaker 2: of the club, just to make sure I see what's happening.

720
00:38:47,719 --> 00:38:49,200
Speaker 2: Woll this ron Eisley.

721
00:38:48,960 --> 00:38:56,440
Speaker 1: Song is yeah, and that time the club anyway, I'm walking,

722
00:38:56,840 --> 00:39:02,440
Speaker 1: I'm like, this is a B party. He's like this.

723
00:39:05,600 --> 00:39:12,600
Speaker 1: I said, cut me in and cut it out. Hey man,

724
00:39:12,680 --> 00:39:15,640
Speaker 1: you were so excited. I want to be in. What

725
00:39:15,840 --> 00:39:17,000
Speaker 1: do you need me to do?

726
00:39:17,640 --> 00:39:17,839
Speaker 4: Yeah?

727
00:39:17,960 --> 00:39:20,680
Speaker 1: Fly, I play some of my songs. I'm singing tonight.

728
00:39:21,520 --> 00:39:24,080
Speaker 1: I was off, but I'm willing to work.

729
00:39:25,719 --> 00:39:28,320
Speaker 2: And and I just you know, and I appreciate you

730
00:39:28,480 --> 00:39:31,360
Speaker 2: because you know that is that is your thing. That

731
00:39:31,560 --> 00:39:33,600
Speaker 2: is that it's something that you guys created and put

732
00:39:33,640 --> 00:39:36,560
Speaker 2: together that I just thought was so amazing that I

733
00:39:36,760 --> 00:39:41,320
Speaker 2: just I just jumped on the truck. I just I

734
00:39:41,480 --> 00:39:43,160
Speaker 2: just said, man, I'm getting in the car, Man open

735
00:39:43,280 --> 00:39:45,120
Speaker 2: up me in And I just jumped in the car

736
00:39:45,480 --> 00:39:48,640
Speaker 2: and I'm just along for the ride. And I appreciate

737
00:39:48,760 --> 00:39:51,560
Speaker 2: you allowing me just to be along for this do

738
00:39:51,719 --> 00:39:55,239
Speaker 2: wop ride. Can you just speak to even the conversation

739
00:39:55,560 --> 00:39:58,880
Speaker 2: to get to expand into that R and B space.

740
00:39:59,840 --> 00:40:05,200
Speaker 5: I I mean after doing Live and Story and all

741
00:40:05,280 --> 00:40:07,200
Speaker 5: these parties for so long, I mean, we get older.

742
00:40:08,400 --> 00:40:10,040
Speaker 5: And that's what happened with me. I got older and

743
00:40:10,160 --> 00:40:15,760
Speaker 5: to the point to where especially Live on Sunday became

744
00:40:17,360 --> 00:40:21,680
Speaker 5: just live on Sunday. It's this business. And not saying

745
00:40:21,680 --> 00:40:27,000
Speaker 5: that I didn't enjoy myself there still, but it just

746
00:40:27,160 --> 00:40:31,160
Speaker 5: I wanted something different, especially fifteen years later, and what

747
00:40:31,320 --> 00:40:32,080
Speaker 5: do I do at home?

748
00:40:32,160 --> 00:40:35,680
Speaker 4: I listened to R and B. I drink my wine.

749
00:40:35,719 --> 00:40:38,280
Speaker 4: I listened to I want to have a good time.

750
00:40:38,200 --> 00:40:41,719
Speaker 3: Now You're Chicago bro like that people Chicago and R

751
00:40:41,760 --> 00:40:45,080
Speaker 3: and B music like it's a real thing.

752
00:40:46,200 --> 00:40:48,640
Speaker 1: You could be the most gangster nigga in.

753
00:40:48,719 --> 00:40:52,520
Speaker 3: The world from do I got the wild Huntings of

754
00:40:52,719 --> 00:40:54,920
Speaker 3: Chicago and you're still gonna be playing.

755
00:40:54,680 --> 00:40:57,920
Speaker 1: Some R and B music that it just is what

756
00:40:58,000 --> 00:40:58,239
Speaker 1: it is.

757
00:40:58,440 --> 00:41:01,200
Speaker 5: It is what it is, man, And I think that's

758
00:41:01,400 --> 00:41:03,800
Speaker 5: just in me because I was I was born in

759
00:41:04,320 --> 00:41:07,920
Speaker 5: in in Centralia, Illinois. And I know you're from Milwaukee, right,

760
00:41:09,000 --> 00:41:11,040
Speaker 5: that Midwest because I used to live in Milwaukee too.

761
00:41:11,520 --> 00:41:13,200
Speaker 5: I was living in Milwaukee for a couple of years

762
00:41:13,239 --> 00:41:14,799
Speaker 5: I lived and they know how you a couple of years.

763
00:41:14,840 --> 00:41:17,759
Speaker 5: My mom was like a she was like a rolling

764
00:41:17,800 --> 00:41:21,560
Speaker 5: stone for real. But so I got that that Midwest

765
00:41:21,640 --> 00:41:23,600
Speaker 5: inmy It's embedded in me.

766
00:41:23,680 --> 00:41:24,640
Speaker 4: But I'm gonna get your.

767
00:41:26,320 --> 00:41:30,239
Speaker 1: Get him now because you have to Milwaukee now.

768
00:41:32,760 --> 00:41:39,120
Speaker 2: Time man, Clippers, it's crazy Clippers lebron stand Okay, it's

769
00:41:39,200 --> 00:41:39,920
Speaker 2: just okay.

770
00:41:41,440 --> 00:41:46,480
Speaker 1: Time Jersey on the way here.

771
00:41:48,520 --> 00:41:50,560
Speaker 4: Heavy statement, but I say that.

772
00:41:52,160 --> 00:41:54,920
Speaker 5: I just wanted to create something that I can enjoy

773
00:41:55,560 --> 00:41:58,960
Speaker 5: and and then give it back to the people like you.

774
00:41:59,239 --> 00:42:03,000
Speaker 5: You you came to my Overtime Music and Arts festival,

775
00:42:03,080 --> 00:42:06,440
Speaker 5: and that festival it was free to the community, but

776
00:42:06,560 --> 00:42:11,480
Speaker 5: it was really arm be Overton and just to see

777
00:42:11,520 --> 00:42:12,800
Speaker 5: the joy on people's faces.

778
00:42:12,880 --> 00:42:13,040
Speaker 1: Man.

779
00:42:13,120 --> 00:42:16,960
Speaker 5: And this was back then, and so I wanted to

780
00:42:17,080 --> 00:42:20,279
Speaker 5: create that in a party setting, and I've tried it

781
00:42:20,520 --> 00:42:22,560
Speaker 5: in the past, but a lot of the club owners

782
00:42:23,680 --> 00:42:26,960
Speaker 5: they wasn't They wasn't buying it, they wasn't hearing it.

783
00:42:26,960 --> 00:42:30,160
Speaker 5: They didn't want to If I ain't doing these live numbers,

784
00:42:30,440 --> 00:42:33,520
Speaker 5: then it didn't make sense to them.

785
00:42:33,600 --> 00:42:36,920
Speaker 4: But my man Angel over a racket. He gave me

786
00:42:37,000 --> 00:42:37,359
Speaker 4: a shot.

787
00:42:37,760 --> 00:42:39,680
Speaker 5: He was like, I'm gonna let you come in and

788
00:42:39,800 --> 00:42:43,600
Speaker 5: do it so and I told him it's gonna work.

789
00:42:43,960 --> 00:42:46,239
Speaker 5: It may take some time, but it's gonna work. But

790
00:42:46,400 --> 00:42:49,720
Speaker 5: that first night, man, that first that first day, because

791
00:42:50,080 --> 00:42:53,000
Speaker 5: it was a day party, because I know with us

792
00:42:53,120 --> 00:42:56,200
Speaker 5: being older and those that I felt that would come out,

793
00:42:56,800 --> 00:42:58,680
Speaker 5: let me get you in here earlier. If you have

794
00:42:58,760 --> 00:43:01,239
Speaker 5: a good time, you can go home like you ain't

795
00:43:01,280 --> 00:43:03,000
Speaker 5: missing shit. You ain't got to stay out until three

796
00:43:03,040 --> 00:43:06,000
Speaker 5: four o'clock in the morning. But that very first one,

797
00:43:07,080 --> 00:43:11,120
Speaker 5: it was money and I felt like we had something.

798
00:43:11,920 --> 00:43:15,960
Speaker 5: And because just seeing that people dance and sing along

799
00:43:16,160 --> 00:43:18,239
Speaker 5: and having a good time, there ain't no stress. You

800
00:43:18,239 --> 00:43:19,800
Speaker 5: ain't got worried about it. If you gotta buy a

801
00:43:19,880 --> 00:43:22,960
Speaker 5: table or nothing. You just coming in there genuinely to

802
00:43:23,120 --> 00:43:26,440
Speaker 5: have a good time. And it went from that from

803
00:43:26,560 --> 00:43:29,520
Speaker 5: being once a month to okay, now let me expand it,

804
00:43:29,600 --> 00:43:33,640
Speaker 5: let me go on the road. And I have always

805
00:43:33,719 --> 00:43:36,440
Speaker 5: said this, I want to say it now on your platform.

806
00:43:37,680 --> 00:43:41,840
Speaker 5: This brother, right here is what little Wayne was for

807
00:43:41,960 --> 00:43:46,480
Speaker 5: living on Sunday by stamping it. He's what he is

808
00:43:46,760 --> 00:43:49,480
Speaker 5: to the doot is what Lil Wayne. And so I'm

809
00:43:49,520 --> 00:43:51,840
Speaker 5: indebted to you, just as I am with Wayne for

810
00:43:51,920 --> 00:43:52,839
Speaker 5: living on Sunday.

811
00:43:52,520 --> 00:43:54,120
Speaker 4: Because you came in and you stamped it.

812
00:43:54,200 --> 00:43:57,040
Speaker 5: Man, I appreciate when y'all talk about it on the show,

813
00:43:57,080 --> 00:43:58,160
Speaker 5: even when I'm not here.

814
00:43:58,280 --> 00:44:01,880
Speaker 4: Y'all you y'all support that do wop. So I man,

815
00:44:01,920 --> 00:44:02,839
Speaker 4: I'm thankful for y'all.

816
00:44:02,920 --> 00:44:04,640
Speaker 1: So he is the.

817
00:44:07,320 --> 00:44:13,359
Speaker 5: Unofficial official founder president of the So he was like, shit,

818
00:44:13,920 --> 00:44:14,520
Speaker 5: it ain't nothing.

819
00:44:14,560 --> 00:44:16,319
Speaker 4: I can't. I can't do it without him.

820
00:44:16,560 --> 00:44:19,600
Speaker 5: So he if it's something that he say, ain't Mike, Man,

821
00:44:19,920 --> 00:44:21,480
Speaker 5: we're gonna make this as a du wop.

822
00:44:22,239 --> 00:44:24,680
Speaker 4: I'm almost gonna have to do it. Like I can't

823
00:44:24,719 --> 00:44:26,759
Speaker 4: say no to him. I can't at this point.

824
00:44:27,160 --> 00:44:29,799
Speaker 5: Now, you as the manager, you may be like Hey,

825
00:44:29,840 --> 00:44:33,359
Speaker 5: hold up, Mike said, you can't say no, so ship

826
00:44:34,800 --> 00:44:36,400
Speaker 5: his birthday January first.

827
00:44:36,800 --> 00:44:41,920
Speaker 4: Man, I gotta be careful how I say that. But no, Man,

828
00:44:42,000 --> 00:44:44,200
Speaker 4: that that due Man. I love that due Man Me

829
00:44:44,280 --> 00:44:44,919
Speaker 4: and fly Guy.

830
00:44:45,560 --> 00:44:49,600
Speaker 5: It's just something Guy, It's just it's amazing, man like

831
00:44:49,800 --> 00:44:53,160
Speaker 5: and being able to go back and seeing some of

832
00:44:53,200 --> 00:44:56,840
Speaker 5: the footage. Man, and you genuinely was just having a

833
00:44:56,920 --> 00:45:00,440
Speaker 5: good time. It wasn't about nothing like and I'd use

834
00:45:00,520 --> 00:45:02,359
Speaker 5: the clip a couple of times in the promotion where

835
00:45:03,360 --> 00:45:05,239
Speaker 5: you was like, listen, man, I just came to have

836
00:45:05,320 --> 00:45:08,000
Speaker 5: a good time. But if you play one of my songs,

837
00:45:08,040 --> 00:45:11,360
Speaker 5: I may be compelled to. And it just took off, man,

838
00:45:11,400 --> 00:45:14,480
Speaker 5: because people wasn't expecting it. And now so when I

839
00:45:14,600 --> 00:45:17,719
Speaker 5: do the do wop, they don't know who's going to

840
00:45:17,760 --> 00:45:20,160
Speaker 5: be there, what's going to happen, and it just happened.

841
00:45:20,320 --> 00:45:20,920
Speaker 4: The only time I.

842
00:45:21,000 --> 00:45:23,880
Speaker 5: Really do a host is in a large enough space,

843
00:45:24,600 --> 00:45:27,239
Speaker 5: but when I'm in a small intimate spot, it's just

844
00:45:27,320 --> 00:45:29,840
Speaker 5: a do wop and they come because they want to

845
00:45:29,880 --> 00:45:30,480
Speaker 5: have a good time.

846
00:45:30,640 --> 00:45:31,719
Speaker 1: It's always a good time.

847
00:45:43,840 --> 00:45:43,880
Speaker 4: You.

848
00:45:44,080 --> 00:45:46,360
Speaker 2: You are a busy man. We appreciate the time. We

849
00:45:46,480 --> 00:45:50,279
Speaker 2: appreciate you pulling up. But you know, there's there's a

850
00:45:50,320 --> 00:45:53,000
Speaker 2: little more information I think we need from you right

851
00:45:53,040 --> 00:45:55,080
Speaker 2: before you get out of here. As you as you

852
00:45:55,200 --> 00:45:57,400
Speaker 2: say you listen to this R and B. That's what

853
00:45:57,480 --> 00:46:00,520
Speaker 2: he said, you know, he said when he goes home Wine.

854
00:46:01,760 --> 00:46:03,960
Speaker 2: That's what he says. That's a mixtape that we do

855
00:46:04,080 --> 00:46:08,319
Speaker 2: together for the Wopping Wine and R and B send

856
00:46:08,400 --> 00:46:10,399
Speaker 2: it by the do Wop. I'm just spitballing him.

857
00:46:10,400 --> 00:46:18,160
Speaker 1: Okay. We gotta have a genius wine. You know, we

858
00:46:18,400 --> 00:46:26,640
Speaker 1: just spitballing. Okay, Mike Gardner, mm hmm. Who are your

859
00:46:26,840 --> 00:46:29,600
Speaker 1: top five R and B artists?

860
00:46:31,000 --> 00:46:33,239
Speaker 5: Listen, man, that's an easy question, and it's it's a

861
00:46:33,280 --> 00:46:35,799
Speaker 5: little bit more than five. So if you're on mind,

862
00:46:35,880 --> 00:46:38,160
Speaker 5: let me just say who they are. And I'm gonna

863
00:46:38,160 --> 00:46:41,239
Speaker 5: start out number one with you. Then I'm gonna say Neil.

864
00:46:41,520 --> 00:46:45,120
Speaker 5: Then i'm gonna say Mario. Then i'm gonna say Trey Yeah,

865
00:46:45,360 --> 00:46:51,359
Speaker 5: say Chris yeah, and you know, more recent, I also

866
00:46:51,520 --> 00:46:55,919
Speaker 5: gotta say Jamie yeah yeah. And then i'm gonna say Brent,

867
00:46:57,320 --> 00:46:58,560
Speaker 5: and I'm gonna say bryceon Taylor.

868
00:47:00,640 --> 00:47:02,239
Speaker 4: You really want to know why I say those?

869
00:47:03,880 --> 00:47:08,160
Speaker 5: Look, I say those because they all participated in the

870
00:47:08,239 --> 00:47:10,960
Speaker 5: doo and they support me, so I'm gonna support them.

871
00:47:11,200 --> 00:47:12,880
Speaker 4: So those are my top R.

872
00:47:12,880 --> 00:47:16,319
Speaker 1: And B top eight eight. Yeah, I don't know how many,

873
00:47:17,600 --> 00:47:20,440
Speaker 1: It doesn't matter. You know my calculator, you know what

874
00:47:20,440 --> 00:47:24,319
Speaker 1: I mean? Those gates, those are my those are mine.

875
00:47:24,600 --> 00:47:26,879
Speaker 5: So I got I just gotta, I just gotta put

876
00:47:26,960 --> 00:47:30,200
Speaker 5: that out there. But you know, I am a I'm

877
00:47:30,239 --> 00:47:36,320
Speaker 5: a I'm a I'm a big Kelly fan, I'm a

878
00:47:36,360 --> 00:47:37,399
Speaker 5: big Marvin Gay fan.

879
00:47:38,600 --> 00:47:44,920
Speaker 1: And uh, I just but those are my top Okay,

880
00:47:45,040 --> 00:47:45,719
Speaker 1: I appreciate that.

881
00:47:45,800 --> 00:47:47,399
Speaker 4: I don't want to I don't want to dumb it down.

882
00:47:47,440 --> 00:47:48,160
Speaker 4: Those are my top.

883
00:47:49,000 --> 00:47:58,680
Speaker 1: Yes, sir, that's your world, your world. Top five R

884
00:47:58,680 --> 00:47:59,840
Speaker 1: and B songs.

885
00:48:00,080 --> 00:48:01,280
Speaker 4: Top five arm B songs.

886
00:48:01,440 --> 00:48:04,279
Speaker 5: I thought about this because I've been asked this question

887
00:48:04,440 --> 00:48:06,840
Speaker 5: so many times over the years since doing this du

888
00:48:06,960 --> 00:48:12,960
Speaker 5: op and it's genuinely hard to say. And I know

889
00:48:13,040 --> 00:48:15,919
Speaker 5: I gotta answer it because you're asking me. But it's hard, brother,

890
00:48:16,239 --> 00:48:20,920
Speaker 5: it's a hard thing. So like off the top of

891
00:48:20,960 --> 00:48:24,840
Speaker 5: my head, like i'm a let me, let me, nah, man.

892
00:48:24,719 --> 00:48:28,520
Speaker 4: That's gonna be hard. That's gonna be hard. That's gonna

893
00:48:28,520 --> 00:48:32,759
Speaker 4: be hard. You have to hear women say that again.

894
00:48:32,920 --> 00:48:36,280
Speaker 1: Five songs that you have to hear at the opper.

895
00:48:36,360 --> 00:48:39,080
Speaker 3: You're gonna go and text somebody or go literally cut

896
00:48:39,200 --> 00:48:41,320
Speaker 3: somebody out because you record you was looking.

897
00:48:41,120 --> 00:48:43,360
Speaker 5: For Okay, So if it's if it's if it's like that,

898
00:48:43,560 --> 00:48:46,200
Speaker 5: let me let me, let me say it then. So

899
00:48:46,400 --> 00:48:49,920
Speaker 5: my top five songs that you gotta play at the duop.

900
00:48:50,280 --> 00:48:54,480
Speaker 5: You gotta play Yearning for Your Love. Come on, Yeah,

901
00:48:55,480 --> 00:48:59,400
Speaker 5: I gotta hear My Life for Mary Jay. You gotta

902
00:48:59,480 --> 00:49:04,480
Speaker 5: play Usher Superstar, Yes, I gotta play R Kelly. Seems

903
00:49:04,520 --> 00:49:07,640
Speaker 5: like you're ready and you gotta play when we.

904
00:49:08,239 --> 00:49:16,120
Speaker 2: Ah man, Yeah, you like, I don't know if you

905
00:49:16,239 --> 00:49:18,560
Speaker 2: know what. I made two lists today. Just you know,

906
00:49:19,760 --> 00:49:24,279
Speaker 2: good things are happening on the horizon. You know, I

907
00:49:24,320 --> 00:49:26,200
Speaker 2: don't know what I'm gonna do after this, you know,

908
00:49:27,640 --> 00:49:29,120
Speaker 2: hang out on the beach yourself. You know.

909
00:49:29,239 --> 00:49:30,520
Speaker 1: That's that's how I'm feeling.

910
00:49:30,320 --> 00:49:31,680
Speaker 4: Right, I know that's right.

911
00:49:32,920 --> 00:49:34,799
Speaker 2: I love all those songs too. And and I've been

912
00:49:34,880 --> 00:49:37,800
Speaker 2: there when you've when we not only made the request,

913
00:49:37,840 --> 00:49:45,719
Speaker 2: but you pressed the button. Now now, oh my wife,

914
00:49:45,719 --> 00:49:51,520
Speaker 2: because about about to play, Let's do a Vultron. A

915
00:49:51,640 --> 00:49:54,719
Speaker 2: Vultron is your super R and B artist, The R

916
00:49:54,800 --> 00:49:56,840
Speaker 2: and B artist that you make. We want to know

917
00:49:56,960 --> 00:49:59,399
Speaker 2: who you would get the vocal from, who you would

918
00:49:59,400 --> 00:50:02,360
Speaker 2: get the performance style from, who you would get the

919
00:50:02,480 --> 00:50:05,320
Speaker 2: styling from, and who you would get the passion of

920
00:50:05,400 --> 00:50:08,360
Speaker 2: the artists from you're making your super R and B artist.

921
00:50:08,800 --> 00:50:11,200
Speaker 2: Who is the one artist you would get the vocal from?

922
00:50:13,520 --> 00:50:13,759
Speaker 1: Does it?

923
00:50:15,480 --> 00:50:16,919
Speaker 4: Does it matter if they living?

924
00:50:20,000 --> 00:50:21,279
Speaker 1: Just mix it up whatever you want to do.

925
00:50:22,480 --> 00:50:24,440
Speaker 4: That's a tough can we just can we can?

926
00:50:24,480 --> 00:50:24,960
Speaker 1: We can?

927
00:50:25,000 --> 00:50:27,359
Speaker 5: We say male, then female? Because I got my vote

928
00:50:27,400 --> 00:50:29,719
Speaker 5: tron men. Then I got my vote tron women.

929
00:50:29,840 --> 00:50:30,479
Speaker 1: I like your style.

930
00:50:31,480 --> 00:50:33,000
Speaker 5: Let me let me, let me let me say my

931
00:50:33,360 --> 00:50:39,520
Speaker 5: my men. I like Neil hm hmm yeah vocally and

932
00:50:39,600 --> 00:50:41,480
Speaker 5: I'm going with current.

933
00:50:42,800 --> 00:50:46,160
Speaker 1: Whatever you want to do, Neil. Okay, now performance style.

934
00:50:46,320 --> 00:50:49,839
Speaker 4: Performance style, c B yeah, yeah yeah?

935
00:50:50,040 --> 00:50:51,000
Speaker 1: Who you feed? Young man?

936
00:50:51,640 --> 00:50:51,759
Speaker 6: Uh?

937
00:50:53,160 --> 00:50:53,640
Speaker 1: Styling?

938
00:50:54,760 --> 00:50:57,560
Speaker 4: Styling you okay?

939
00:50:57,719 --> 00:50:59,080
Speaker 1: Alright, silky. I say that.

940
00:51:00,560 --> 00:51:03,440
Speaker 5: A lot of the shows I've gone to that you

941
00:51:03,640 --> 00:51:06,600
Speaker 5: have been to, I mean that you participated in and

942
00:51:07,200 --> 00:51:11,439
Speaker 5: some of the others that I've seen, You're gonna make

943
00:51:11,880 --> 00:51:15,920
Speaker 5: them appreciate looking at you, and I say that humbly.

944
00:51:16,120 --> 00:51:17,759
Speaker 5: I'm a grown man, so I can say it ain't

945
00:51:18,239 --> 00:51:20,800
Speaker 5: it is what it is so the styling of it.

946
00:51:21,880 --> 00:51:27,000
Speaker 5: And we're not talking about colorful costume performances, hats, and

947
00:51:27,280 --> 00:51:30,480
Speaker 5: it's just your you're flying this with it?

948
00:51:31,680 --> 00:51:34,160
Speaker 1: What else? Passion?

949
00:51:35,120 --> 00:51:37,920
Speaker 4: The passion, I don't know about that one.

950
00:51:38,120 --> 00:51:41,400
Speaker 5: That's a tough one because because because I see I

951
00:51:41,520 --> 00:51:44,560
Speaker 5: see so much passion and a lot of the and

952
00:51:44,800 --> 00:51:48,239
Speaker 5: in these artists man, like especially with R and B. Now,

953
00:51:48,280 --> 00:51:50,000
Speaker 5: if this was hip hop, I will tell you I

954
00:51:50,120 --> 00:51:54,200
Speaker 5: can't answer it. I'm because of I don't see that.

955
00:51:54,640 --> 00:51:57,720
Speaker 5: It's just I don't want to say the wrong answer.

956
00:51:57,840 --> 00:52:01,480
Speaker 4: Right, it ain't wrong. It may be a wrong answer

957
00:52:01,560 --> 00:52:01,799
Speaker 4: to me.

958
00:52:02,120 --> 00:52:06,080
Speaker 1: No wrong answers. It's just today. It may change tomorrow,

959
00:52:06,080 --> 00:52:06,200
Speaker 1: you know.

960
00:52:07,280 --> 00:52:09,520
Speaker 4: Yeah, Hey man, that's a tough one. Man.

961
00:52:10,360 --> 00:52:12,160
Speaker 1: Did somebody you know that really mean it?

962
00:52:12,840 --> 00:52:15,800
Speaker 3: Somebody you notice up there sweating and somebody working hard

963
00:52:16,800 --> 00:52:17,080
Speaker 3: that you.

964
00:52:17,280 --> 00:52:18,000
Speaker 1: Like, you know what?

965
00:52:18,280 --> 00:52:21,719
Speaker 5: He he deserved this spot, that he because he really

966
00:52:21,840 --> 00:52:25,080
Speaker 5: wanted this. Oh then I'm gonna have to say, Tank Brown,

967
00:52:26,320 --> 00:52:27,480
Speaker 5: Tank Brown.

968
00:52:34,880 --> 00:52:40,200
Speaker 7: This isn't gonna be doing damn you, Chris Babs, you know,

969
00:52:40,360 --> 00:52:42,000
Speaker 7: you know, you know you know what I mean?

970
00:52:42,360 --> 00:52:45,040
Speaker 1: Answer now? You know me and me and Chris Brown,

971
00:52:46,680 --> 00:52:49,040
Speaker 1: we work together, yall.

972
00:52:49,120 --> 00:52:51,080
Speaker 4: My guys man as well.

973
00:52:51,200 --> 00:52:53,000
Speaker 1: You mean, listen, he means it so much.

974
00:52:53,040 --> 00:52:55,920
Speaker 2: He's so dedicated to the crimean it's it's so in

975
00:52:56,040 --> 00:53:01,440
Speaker 2: his heart. He can't stop, right, he won't stop. I

976
00:53:01,600 --> 00:53:06,759
Speaker 2: just hurd thirteen new song thirteen. I know, man, he

977
00:53:06,920 --> 00:53:09,719
Speaker 2: picked those thirteen from one thousand. I'm just telling you,

978
00:53:09,920 --> 00:53:12,360
Speaker 2: like that he did in two weeks.

979
00:53:15,239 --> 00:53:20,320
Speaker 1: He means it. We do. Okay, let's go. Let's go

980
00:53:20,400 --> 00:53:22,480
Speaker 1: to the to the to the.

981
00:53:22,520 --> 00:53:26,440
Speaker 4: Young lady, to the young lady. Yes, yes, vocally, I'm

982
00:53:26,440 --> 00:53:30,200
Speaker 4: gonna go with Whitney. Yes, I think I can.

983
00:53:30,920 --> 00:53:35,600
Speaker 5: I think I can say that performing style, performing style.

984
00:53:35,640 --> 00:53:42,680
Speaker 5: I think I can go with b Yeah. Yeah, the styling.

985
00:53:44,160 --> 00:53:47,279
Speaker 4: And and it ain't my style, but I know she

986
00:53:48,600 --> 00:53:55,000
Speaker 4: that's her thing and it's a what's the word connected style.

987
00:53:55,960 --> 00:53:57,160
Speaker 4: I would have to go with Erica.

988
00:53:57,640 --> 00:54:01,719
Speaker 1: I think I thought that. I've just seen a video

989
00:54:01,800 --> 00:54:09,840
Speaker 1: of her performing the other day. She had the chicks out, shout.

990
00:54:09,680 --> 00:54:12,520
Speaker 4: Out, and then the passion.

991
00:54:15,480 --> 00:54:18,160
Speaker 5: And I thought about this because you know, and I

992
00:54:18,280 --> 00:54:21,839
Speaker 5: felt like this would be a question which which who

993
00:54:21,920 --> 00:54:24,840
Speaker 5: has the passion in regards to the women.

994
00:54:25,360 --> 00:54:30,480
Speaker 4: We're gonna go with Mary Franklin. With frank Franklin.

995
00:54:32,920 --> 00:54:37,400
Speaker 1: I think you're the first to create two hybrids. Bro,

996
00:54:43,640 --> 00:54:47,000
Speaker 1: that's fire. Come on. Yeah.

997
00:54:47,080 --> 00:54:49,680
Speaker 3: So before we let you go, yes, we got to

998
00:54:49,719 --> 00:54:53,319
Speaker 3: get to this important part. Uh brought to you by

999
00:54:53,920 --> 00:54:54,799
Speaker 3: the valance.

1000
00:54:57,040 --> 00:54:59,759
Speaker 1: Smell so beautiful? Don't you agree? It won't blow out

1001
00:55:06,360 --> 00:55:12,160
Speaker 1: just watching lines? It wasn't here at the beginning that episode.

1002
00:55:13,239 --> 00:55:15,120
Speaker 3: I got a text for management that's here. Put your

1003
00:55:15,120 --> 00:55:18,759
Speaker 3: goddamn can on the table. But we got this very

1004
00:55:18,800 --> 00:55:20,799
Speaker 3: important segment of the show. It's called I ain't saying

1005
00:55:20,840 --> 00:55:25,040
Speaker 3: no names. You tell us a story funny or fucked up?

1006
00:55:25,520 --> 00:55:28,719
Speaker 3: Are funny and fucked up? The only rule to the

1007
00:55:28,840 --> 00:55:30,560
Speaker 3: game is you can't say no names.

1008
00:55:30,880 --> 00:55:33,839
Speaker 4: That's that's a that's I got many of those. Yea.

1009
00:55:34,040 --> 00:55:36,640
Speaker 4: I'm gonna point this one now because and because you

1010
00:55:36,719 --> 00:55:39,840
Speaker 4: can't say the name. Okay, okay, it's be up to

1011
00:55:39,960 --> 00:55:43,719
Speaker 4: the to the gear of the person who hears this. Yes, man,

1012
00:55:43,800 --> 00:55:48,520
Speaker 4: I seen this guy. Damn. I already gave a little

1013
00:55:48,520 --> 00:55:50,000
Speaker 4: bit of it the way by saying it was a guy.

1014
00:55:50,320 --> 00:55:55,520
Speaker 5: But I seen this guy man physically assault another guy,

1015
00:55:56,400 --> 00:55:57,200
Speaker 5: another artist.

1016
00:56:00,440 --> 00:56:03,960
Speaker 4: It was fucked up. I leave it at that.

1017
00:56:05,560 --> 00:56:06,320
Speaker 1: For no reason.

1018
00:56:06,800 --> 00:56:10,320
Speaker 5: Nah, I mean, we we all know what the reason was.

1019
00:56:10,400 --> 00:56:12,160
Speaker 5: I think the public knows what the reason was. But

1020
00:56:12,239 --> 00:56:14,680
Speaker 5: I'm just going along with this game, y'all playing what

1021
00:56:14,920 --> 00:56:15,440
Speaker 5: was the center?

1022
00:56:15,520 --> 00:56:16,320
Speaker 1: What led to it?

1023
00:56:18,320 --> 00:56:26,200
Speaker 4: Outside? Yeah, I lead that lead right here. You said funny.

1024
00:56:26,560 --> 00:56:29,800
Speaker 4: It wasn't funny, it was fucked up. It was fucked

1025
00:56:29,880 --> 00:56:30,840
Speaker 4: up that it happened.

1026
00:56:32,760 --> 00:56:35,600
Speaker 5: Now a funny one, then get off that because it's

1027
00:56:35,640 --> 00:56:39,960
Speaker 5: silent in here, man, making me nervous.

1028
00:56:40,080 --> 00:56:42,600
Speaker 4: Man, I got to like.

1029
00:56:44,680 --> 00:56:46,880
Speaker 1: You're talking about I can think of.

1030
00:56:48,360 --> 00:56:50,520
Speaker 4: Talking about silent.

1031
00:56:51,880 --> 00:56:52,120
Speaker 1: Man.

1032
00:56:52,360 --> 00:56:55,600
Speaker 4: That's that's that's too silent man. But funny, Let me

1033
00:56:55,719 --> 00:56:56,839
Speaker 4: let me get a funny one out.

1034
00:56:56,880 --> 00:56:57,040
Speaker 1: Man.

1035
00:56:57,080 --> 00:57:02,680
Speaker 5: The funny one I think is saying no names. Guy

1036
00:57:02,800 --> 00:57:06,840
Speaker 5: trying to get up on the stage and live, and

1037
00:57:07,000 --> 00:57:07,840
Speaker 5: he took a tumble.

1038
00:57:09,400 --> 00:57:10,000
Speaker 4: That was funny.

1039
00:57:10,200 --> 00:57:11,719
Speaker 5: It was fucked up that it happened, But it was

1040
00:57:11,800 --> 00:57:14,560
Speaker 5: funny because of the guy who somebody took.

1041
00:57:15,320 --> 00:57:18,040
Speaker 4: Yeah, trying to get up on that stage to do

1042
00:57:19,160 --> 00:57:21,320
Speaker 4: here's a hard thing, sing took a tumble.

1043
00:57:21,440 --> 00:57:24,520
Speaker 2: The question is, yeah, did they tumbled back into the

1044
00:57:24,640 --> 00:57:26,240
Speaker 2: djo they take the.

1045
00:57:26,440 --> 00:57:30,360
Speaker 5: Long tumble down to the Now they took the tumble

1046
00:57:30,440 --> 00:57:33,200
Speaker 5: back into the booth. I think they missed that step.

1047
00:57:33,400 --> 00:57:37,920
Speaker 5: So as they got up the Yeah, they tumbled backwards

1048
00:57:38,240 --> 00:57:41,520
Speaker 5: because that tumble to that tumble to the different would

1049
00:57:41,560 --> 00:57:44,800
Speaker 5: have been definitely way different. That would have been different.

1050
00:57:44,960 --> 00:57:49,160
Speaker 3: It would turn the funny to fucked up complete after

1051
00:57:49,240 --> 00:57:49,920
Speaker 3: the ambulance.

1052
00:57:50,080 --> 00:57:55,160
Speaker 2: Yeah, here's my question, because every time I'm like sitting

1053
00:57:55,160 --> 00:57:59,320
Speaker 2: in the booth, I'm looking at those stairs and I'm like,

1054
00:58:00,360 --> 00:58:05,000
Speaker 2: those stairs are fire hazard for anyone who's had two

1055
00:58:05,120 --> 00:58:06,080
Speaker 2: to three beverages.

1056
00:58:06,800 --> 00:58:12,240
Speaker 1: Has anyone taken that long for you fall all long?

1057
00:58:16,720 --> 00:58:18,240
Speaker 5: They didn't make it all the way down, but they

1058
00:58:18,760 --> 00:58:23,680
Speaker 5: I've seen it, and it's now that's funny because it's

1059
00:58:23,720 --> 00:58:24,200
Speaker 5: fucked up.

1060
00:58:25,960 --> 00:58:26,520
Speaker 4: It's funny.

1061
00:58:27,120 --> 00:58:32,560
Speaker 5: And this one particular female, man, it's she took the

1062
00:58:32,680 --> 00:58:35,680
Speaker 5: tumble and and a little bit of that hair got

1063
00:58:36,080 --> 00:58:38,920
Speaker 5: got caught up in that stair, and it was it

1064
00:58:39,040 --> 00:58:39,680
Speaker 5: was coming off.

1065
00:58:40,000 --> 00:58:42,560
Speaker 4: Has she got down a few more, it would have

1066
00:58:42,640 --> 00:58:48,320
Speaker 4: been off. She was able to the stairs held it. Now,

1067
00:58:48,400 --> 00:58:51,600
Speaker 4: that was funny. If it would have came off, it

1068
00:58:51,600 --> 00:58:52,640
Speaker 4: would have been sucked up.

1069
00:58:53,040 --> 00:58:57,120
Speaker 3: We got something though, and this is something that I

1070
00:58:57,320 --> 00:58:59,960
Speaker 3: was Man, I almost did not bring this up, almost

1071
00:59:00,040 --> 00:59:03,440
Speaker 3: forgot to bring it up. One of the greatest parties

1072
00:59:03,480 --> 00:59:08,520
Speaker 3: I have ever been to Jamie Fox's fiftieth birthday.

1073
00:59:08,600 --> 00:59:13,000
Speaker 1: Oh, Jamie Fox.

1074
00:59:14,320 --> 00:59:23,640
Speaker 3: Birthday, live on Sunday, not at live on Sunday. And

1075
00:59:23,800 --> 00:59:27,360
Speaker 3: what I mean by that, people is somehow these men,

1076
00:59:28,000 --> 00:59:35,960
Speaker 3: these amazing men, recreated live on a studio lot in

1077
00:59:36,120 --> 00:59:39,600
Speaker 3: Los Angeles for Jamie Fox's fifty birthday.

1078
00:59:40,760 --> 00:59:44,240
Speaker 1: I will never forget that night. Absolutely, I had a time.

1079
00:59:45,480 --> 00:59:46,680
Speaker 1: I had a time. Man.

1080
00:59:46,760 --> 00:59:49,120
Speaker 2: Can you please see the idea was coming up when

1081
00:59:49,160 --> 00:59:51,000
Speaker 2: it was talking about the idea, Yeah, And I said,

1082
00:59:51,040 --> 00:59:55,080
Speaker 2: Brie and shout out to Bri. I said, Brewn, you

1083
00:59:55,160 --> 00:59:58,880
Speaker 2: know you gotta call Mike already. So you gotta you

1084
00:59:59,440 --> 01:00:01,400
Speaker 2: gotta call Mike. You got you know you gotta call

1085
01:00:01,560 --> 01:00:02,760
Speaker 2: Oh no, we are.

1086
01:00:05,160 --> 01:00:07,880
Speaker 1: Right now, I said, because there's no way there's to

1087
01:00:08,040 --> 01:00:12,720
Speaker 1: live anywhere in the world without my card. There's no way,

1088
01:00:13,360 --> 01:00:17,160
Speaker 1: there's no way. By I literally recreated the club man.

1089
01:00:17,200 --> 01:00:19,680
Speaker 5: It was amazing and it and what he's saying is

1090
01:00:19,720 --> 01:00:22,000
Speaker 5: true because I got him in just in the dot

1091
01:00:22,200 --> 01:00:24,640
Speaker 5: mm hmm. That scene is a scene in the documentary

1092
01:00:24,680 --> 01:00:26,040
Speaker 5: where he was telling Brionn like.

1093
01:00:26,600 --> 01:00:29,240
Speaker 4: Hey man, listen, Fox called me.

1094
01:00:30,040 --> 01:00:32,320
Speaker 5: He's saying he was thinking about we're gonna do live

1095
01:00:32,840 --> 01:00:36,680
Speaker 5: in l A And he said, I told Fox, I said,

1096
01:00:37,440 --> 01:00:40,360
Speaker 5: I don't think you can do live with ourt headliner.

1097
01:00:41,000 --> 01:00:45,240
Speaker 4: I'm gonna be forever and then to you, brother, forever.

1098
01:00:46,320 --> 01:00:48,840
Speaker 4: So to see him recreate that, man, that was.

1099
01:00:49,120 --> 01:00:50,680
Speaker 5: That was one of those moments where I was like,

1100
01:00:52,640 --> 01:00:54,640
Speaker 5: do I open up my shirt and shoulder ass on

1101
01:00:54,760 --> 01:00:57,400
Speaker 5: my chest from that one because that was that was like, man,

1102
01:00:57,440 --> 01:01:02,080
Speaker 5: he recreated a whole party and it was amazing, man,

1103
01:01:02,200 --> 01:01:06,240
Speaker 5: and the borderline kind of looked like Live Man, Little Spider.

1104
01:01:05,960 --> 01:01:07,680
Speaker 1: Ship in the sky. It was.

1105
01:01:08,040 --> 01:01:09,600
Speaker 4: It was everything, man.

1106
01:01:09,720 --> 01:01:12,280
Speaker 5: It was the two levels, the couches in the middle

1107
01:01:12,280 --> 01:01:15,400
Speaker 5: of the DJ booth, they even had the makeshift stairs.

1108
01:01:16,720 --> 01:01:18,320
Speaker 4: It was that shit was dope.

1109
01:01:18,360 --> 01:01:20,120
Speaker 1: No to the point where like Tank was like I'm

1110
01:01:20,120 --> 01:01:24,280
Speaker 1: going to the stage and I'm like I'm not. I'm

1111
01:01:24,360 --> 01:01:25,000
Speaker 1: just gonna watch.

1112
01:01:25,640 --> 01:01:27,440
Speaker 3: I literally just stayed at the table and I was

1113
01:01:27,520 --> 01:01:30,200
Speaker 3: just like, Yo, this is insane. The craziest sh it is.

1114
01:01:30,920 --> 01:01:34,600
Speaker 3: This was at the same time that Snowfall had just

1115
01:01:34,680 --> 01:01:37,840
Speaker 3: come out. Around the same time Snowfall just come out,

1116
01:01:38,440 --> 01:01:44,120
Speaker 3: and it was the kid Dampson Damnson and then the easy,

1117
01:01:44,480 --> 01:01:47,680
Speaker 3: the easy little kid from Snowfall. I'm sorry, brother, I'm

1118
01:01:47,680 --> 01:01:52,280
Speaker 3: forgetting your name they were at the table, but they

1119
01:01:53,280 --> 01:01:56,480
Speaker 3: were just kind of walking around because nobody really knew

1120
01:01:56,520 --> 01:01:58,800
Speaker 3: them yet, right, And you know that moment, that's that

1121
01:01:59,000 --> 01:02:02,520
Speaker 3: that real l a worldwide club ship where it's just

1122
01:02:02,600 --> 01:02:04,400
Speaker 3: like oh yeah yeah, and then somebody taps you and

1123
01:02:04,480 --> 01:02:06,880
Speaker 3: goes yo, you know this is oh shit, I saw

1124
01:02:06,960 --> 01:02:08,880
Speaker 3: you on the Okay man gets something drink.

1125
01:02:08,920 --> 01:02:09,080
Speaker 4: Man.

1126
01:02:09,400 --> 01:02:11,360
Speaker 3: It was one of the moments and I'm thinking to myself,

1127
01:02:11,360 --> 01:02:14,760
Speaker 3: I'm like that nigga became the biggest thing in the world.

1128
01:02:15,320 --> 01:02:16,560
Speaker 1: This show became you know what I mean.

1129
01:02:16,800 --> 01:02:21,200
Speaker 3: All this was at this Jamie Fox lived fiftieth birthday

1130
01:02:22,200 --> 01:02:25,120
Speaker 3: and I'm literally just I'm watching the stage from from

1131
01:02:25,160 --> 01:02:28,600
Speaker 3: our from our table, and I'm just I'm just a spectator.

1132
01:02:28,960 --> 01:02:30,240
Speaker 1: I'm like, I'm not going up there.

1133
01:02:30,160 --> 01:02:32,240
Speaker 3: Man, I'm gonna stay here and I'm gonna enjoy the

1134
01:02:32,320 --> 01:02:34,560
Speaker 3: show and all the shit that's going on around.

1135
01:02:34,800 --> 01:02:39,480
Speaker 4: It was dope and and how it was curated.

1136
01:02:39,960 --> 01:02:42,400
Speaker 5: It was like Live on Sunday, like where all the

1137
01:02:42,480 --> 01:02:45,960
Speaker 5: artists get on stage and you don't know who performed.

1138
01:02:46,280 --> 01:02:51,320
Speaker 4: Because even for me at that party, I've never.

1139
01:02:51,280 --> 01:02:54,040
Speaker 5: Seen ice Cube perform at the club. And when ice

1140
01:02:54,120 --> 01:02:57,840
Speaker 5: Cube came out, man, I lost my mind, man.

1141
01:02:59,040 --> 01:03:05,200
Speaker 4: And it was it was it was cute, man, It

1142
01:03:05,320 --> 01:03:08,440
Speaker 4: was that was no that party was crazy.

1143
01:03:08,560 --> 01:03:11,600
Speaker 5: And I think that's just again, that's just the testaments

1144
01:03:11,640 --> 01:03:15,920
Speaker 5: to the support that the people give. And you know him,

1145
01:03:16,360 --> 01:03:19,920
Speaker 5: you know, whether he wanted to do it or it

1146
01:03:20,040 --> 01:03:22,160
Speaker 5: was an idea, he still went through with it and

1147
01:03:22,320 --> 01:03:25,200
Speaker 5: made it happen. It was it just, man, that type

1148
01:03:25,200 --> 01:03:26,520
Speaker 5: of ship be meaning a lot to me.

1149
01:03:28,000 --> 01:03:30,160
Speaker 1: Well, brother, Mike, you are.

1150
01:03:32,080 --> 01:03:37,040
Speaker 2: You are the curator at the highest level of making

1151
01:03:37,160 --> 01:03:41,600
Speaker 2: sure that the music has has has a beautiful place

1152
01:03:41,640 --> 01:03:44,960
Speaker 2: to live, man, and has a beautiful place to live.

1153
01:03:45,000 --> 01:03:48,439
Speaker 1: Did you hear what I doing right there? You wrote

1154
01:03:48,440 --> 01:03:50,640
Speaker 1: a song with you and you're like, oh, it's just

1155
01:03:50,880 --> 01:03:54,680
Speaker 1: roll just you know, but then you.

1156
01:03:56,320 --> 01:03:58,680
Speaker 2: But then you expanding and growing into that R and

1157
01:03:58,760 --> 01:04:04,160
Speaker 2: B space. Man, I can't thank you enough. I can't

1158
01:04:04,200 --> 01:04:07,120
Speaker 2: thank you enough for that. And like I know you

1159
01:04:07,240 --> 01:04:09,240
Speaker 2: see the pod, but even off of the pod, you

1160
01:04:09,280 --> 01:04:12,320
Speaker 2: don't know how many R and B singers we tell

1161
01:04:12,560 --> 01:04:14,000
Speaker 2: or producers, Hey.

1162
01:04:14,160 --> 01:04:14,960
Speaker 1: You need to get to that.

1163
01:04:15,160 --> 01:04:18,200
Speaker 2: Du I told baby baby Face you better get down

1164
01:04:18,200 --> 01:04:20,880
Speaker 2: to that. Do I'm telling you, Charlie Wilson, you better

1165
01:04:20,960 --> 01:04:22,400
Speaker 2: get to that. Do Walp I'm trying to take you,

1166
01:04:22,760 --> 01:04:26,000
Speaker 2: like just letting everybody know, you know, like there is

1167
01:04:26,080 --> 01:04:31,560
Speaker 2: a place, there is a place, a magical place where

1168
01:04:31,680 --> 01:04:37,040
Speaker 2: our music is. King and Queen, I promise you, and

1169
01:04:37,280 --> 01:04:41,360
Speaker 2: and you've done that, man, so we thank you. Yes, sir,

1170
01:04:41,920 --> 01:04:44,520
Speaker 2: you know, of course it's always home for you. This

1171
01:04:44,640 --> 01:04:46,680
Speaker 2: is you know, your family. So whatever you need, if

1172
01:04:46,720 --> 01:04:48,240
Speaker 2: you need us to put one of your you know,

1173
01:04:48,400 --> 01:04:49,959
Speaker 2: one of your promotional items right.

1174
01:04:51,560 --> 01:04:52,840
Speaker 1: Right next to the canto we.

1175
01:04:52,920 --> 01:04:56,720
Speaker 4: Got because it's my turn. I like that.

1176
01:04:56,880 --> 01:04:59,480
Speaker 5: I do want to say though, like you know what

1177
01:04:59,600 --> 01:05:02,240
Speaker 5: you say in regards to the R and B and

1178
01:05:04,120 --> 01:05:06,440
Speaker 5: you can just let me get forty seven seconds to

1179
01:05:06,560 --> 01:05:09,800
Speaker 5: clear this up. Like I never I don't feel like

1180
01:05:09,920 --> 01:05:13,760
Speaker 5: we started the R and B parties when we started

1181
01:05:13,800 --> 01:05:15,640
Speaker 5: to do because I was doing the R and B

1182
01:05:15,760 --> 01:05:18,200
Speaker 5: party back in two thousand and five. But it's what

1183
01:05:18,640 --> 01:05:21,360
Speaker 5: I think has happened though, which is great for everyone,

1184
01:05:21,560 --> 01:05:25,400
Speaker 5: including all the R and B artists and everything. It's

1185
01:05:25,480 --> 01:05:28,360
Speaker 5: just been this movement now of R and B parties,

1186
01:05:28,800 --> 01:05:31,240
Speaker 5: and I think it's great and I command all the

1187
01:05:31,320 --> 01:05:34,600
Speaker 5: promoters across the world that's taking their chance to do

1188
01:05:34,760 --> 01:05:37,760
Speaker 5: these R and B parties because it's given life tonight,

1189
01:05:37,880 --> 01:05:41,120
Speaker 5: life as opposed to just going standing on couch is

1190
01:05:41,120 --> 01:05:43,880
Speaker 5: spending money, throwing money. Now we can get back to

1191
01:05:43,920 --> 01:05:47,760
Speaker 5: the essence of having a good time. And whether I

1192
01:05:47,880 --> 01:05:50,240
Speaker 5: want to take the credit of starting it, I'm not,

1193
01:05:50,640 --> 01:05:53,360
Speaker 5: but I know that, you know, a lot of the

1194
01:05:53,400 --> 01:05:57,240
Speaker 5: promoters that I see doing it now they feel like

1195
01:05:57,360 --> 01:06:00,360
Speaker 5: it's okay because they see that I took a chance

1196
01:06:00,440 --> 01:06:04,760
Speaker 5: on doing it coming from a place of Live on Sunday. Yeah,

1197
01:06:04,960 --> 01:06:07,280
Speaker 5: so I think with the R and B parties, man,

1198
01:06:07,480 --> 01:06:10,640
Speaker 5: it's good for everybody and uh and and it's good

1199
01:06:10,720 --> 01:06:12,640
Speaker 5: for night life. So I did want to say that

1200
01:06:12,720 --> 01:06:14,720
Speaker 5: because I don't want a lot of people thinking that

1201
01:06:14,840 --> 01:06:17,520
Speaker 5: I'm taking the credit for these R and B parties.

1202
01:06:17,560 --> 01:06:21,120
Speaker 4: I'm just stamping my my my place in it.

1203
01:06:21,240 --> 01:06:22,960
Speaker 2: What the beauty of what your of your R and

1204
01:06:23,040 --> 01:06:25,040
Speaker 2: B party is that it's it's really an R and

1205
01:06:25,120 --> 01:06:28,160
Speaker 2: B party. And even even though the party lives on

1206
01:06:28,240 --> 01:06:31,200
Speaker 2: its own, when you when you book artists for your

1207
01:06:31,360 --> 01:06:33,960
Speaker 2: R and B party, you book actual R and B

1208
01:06:34,320 --> 01:06:36,640
Speaker 2: artists because.

1209
01:06:36,440 --> 01:06:37,280
Speaker 1: There is a difference.

1210
01:06:37,840 --> 01:06:40,400
Speaker 2: You're right, and I want to encourage you know, everybody

1211
01:06:40,520 --> 01:06:43,000
Speaker 2: is doing these parties, you know, all the all over

1212
01:06:43,040 --> 01:06:44,960
Speaker 2: the world all over the country as you're getting to

1213
01:06:45,040 --> 01:06:45,480
Speaker 2: this space.

1214
01:06:45,920 --> 01:06:49,120
Speaker 3: Book of the R and B artists, Yeah, there's nothing

1215
01:06:49,160 --> 01:06:51,520
Speaker 3: wrong with Carling l de Bars to pull up and

1216
01:06:51,640 --> 01:06:54,840
Speaker 3: ke baby Face to pull up, you know what I mean,

1217
01:06:55,240 --> 01:06:56,960
Speaker 3: And getting Charlie Wilson to company.

1218
01:06:57,720 --> 01:06:58,439
Speaker 4: Yeah, it's cool.

1219
01:06:58,520 --> 01:07:01,000
Speaker 3: Like listen, we love all the new young artists too,

1220
01:07:01,120 --> 01:07:06,040
Speaker 3: and absolutely booked them. But don't forget about the legends

1221
01:07:06,080 --> 01:07:08,000
Speaker 3: in this game. They start that can pull up and

1222
01:07:08,000 --> 01:07:13,520
Speaker 3: get busy, Johnny Gil coming that mother fucking crazy, you

1223
01:07:13,560 --> 01:07:16,360
Speaker 3: know what I mean. So it's like, why y'all booking

1224
01:07:16,400 --> 01:07:18,640
Speaker 3: these parties and why y'all putting together this whole R

1225
01:07:18,720 --> 01:07:23,280
Speaker 3: and B space for the party? Think about that because

1226
01:07:23,280 --> 01:07:25,560
Speaker 3: I feel like a lot of times within the hip

1227
01:07:25,600 --> 01:07:28,680
Speaker 3: hop party, a lot of the four files of hip hop,

1228
01:07:29,200 --> 01:07:32,560
Speaker 3: they didn't get booked for those corrects. But in R

1229
01:07:32,600 --> 01:07:35,360
Speaker 3: and B, this music it just hit different. This music

1230
01:07:35,440 --> 01:07:38,960
Speaker 3: hits different. I'm waiting to see Tavin Gamble Tevin Campbell

1231
01:07:39,000 --> 01:07:41,680
Speaker 3: on the on the flyer for for R and B party.

1232
01:07:42,280 --> 01:07:44,959
Speaker 3: I'm telling Mike right now, you got to book Tavin

1233
01:07:45,000 --> 01:07:47,720
Speaker 3: Campbell because we know what that can we talk, do

1234
01:07:49,120 --> 01:07:49,680
Speaker 3: you know what I mean?

1235
01:07:51,000 --> 01:07:53,160
Speaker 1: We know what that do at the club. So we need.

1236
01:07:55,760 --> 01:07:58,520
Speaker 4: Yeah, we're looking for.

1237
01:08:00,080 --> 01:08:03,439
Speaker 1: Looking for break it down. Come on, break it down.

1238
01:08:04,240 --> 01:08:06,800
Speaker 1: We need John b the next ques. You know what

1239
01:08:06,840 --> 01:08:07,120
Speaker 1: I mean.

1240
01:08:07,480 --> 01:08:08,959
Speaker 4: John is one of my top two.

1241
01:08:08,880 --> 01:08:14,000
Speaker 1: Because as well Stephen Trup in there. You know, I mean,

1242
01:08:14,080 --> 01:08:18,640
Speaker 1: turn that thing up, jacket, come on once well a.

1243
01:08:21,080 --> 01:08:26,599
Speaker 3: J John, Come on listen these things and these people

1244
01:08:26,760 --> 01:08:30,320
Speaker 3: still got their pipes and can still sing. It's gonna

1245
01:08:30,360 --> 01:08:32,479
Speaker 3: show up for you and have a good time, y'all

1246
01:08:32,560 --> 01:08:34,840
Speaker 3: throwing like this is what we need to start seeing

1247
01:08:34,880 --> 01:08:36,800
Speaker 3: this around the country, around the world.

1248
01:08:37,280 --> 01:08:40,640
Speaker 1: Y'all don't got to book the same five artists. I

1249
01:08:40,720 --> 01:08:42,000
Speaker 1: don't have five artists.

1250
01:08:42,200 --> 01:08:43,400
Speaker 4: I like that. I like that.

1251
01:08:43,720 --> 01:08:46,640
Speaker 5: So you know, look, and me and my man, we

1252
01:08:46,720 --> 01:08:50,160
Speaker 5: went to because what you said is true, man, book up,

1253
01:08:50,600 --> 01:08:53,639
Speaker 5: book up R and B artists. We went to this again,

1254
01:08:53,800 --> 01:08:56,679
Speaker 5: say no names. We went to this one party, man,

1255
01:08:56,880 --> 01:08:58,920
Speaker 5: and it was called R and B such and such day.

1256
01:09:00,200 --> 01:09:03,960
Speaker 5: And we went in there, man, and they weren't playing

1257
01:09:04,000 --> 01:09:04,479
Speaker 5: no R and B.

1258
01:09:05,080 --> 01:09:07,640
Speaker 4: And he said to me, no, it was. It was

1259
01:09:07,760 --> 01:09:11,800
Speaker 4: an R and B party. It was wrapping bitches. I was, man,

1260
01:09:12,360 --> 01:09:16,040
Speaker 4: I was like, damn, that's cold. He said, it was

1261
01:09:16,160 --> 01:09:16,960
Speaker 4: just rapping like.

1262
01:09:19,439 --> 01:09:19,719
Speaker 1: Ship.

1263
01:09:21,560 --> 01:09:22,000
Speaker 4: Hey, but.

1264
01:09:24,560 --> 01:09:27,479
Speaker 1: That was my first time hearing that. I've heard ribs

1265
01:09:27,479 --> 01:09:34,680
Speaker 1: and barbecue party was.

1266
01:09:36,400 --> 01:09:44,200
Speaker 2: Make sure the party is rhythm. And for the love

1267
01:09:44,320 --> 01:09:50,080
Speaker 2: of God, we appreciate you, brother, very point blank. We

1268
01:09:50,120 --> 01:09:51,120
Speaker 2: thank you for coming. Man.

1269
01:09:51,200 --> 01:09:52,639
Speaker 1: We know your time is precious. Man.

1270
01:09:52,680 --> 01:09:56,479
Speaker 2: You are continuing to uh to build and and and

1271
01:09:56,600 --> 01:09:59,240
Speaker 2: do what you do. Man, We we pray for We

1272
01:09:59,320 --> 01:10:01,439
Speaker 2: pray for as many years as you want. You know

1273
01:10:01,479 --> 01:10:04,040
Speaker 2: what I means, as many as many more years as

1274
01:10:04,080 --> 01:10:06,920
Speaker 2: you want to be successful. That's what we pray God

1275
01:10:07,000 --> 01:10:08,960
Speaker 2: gives you, man, and We're going to always be here

1276
01:10:09,400 --> 01:10:13,280
Speaker 2: to support and champion how you however, you know what

1277
01:10:13,320 --> 01:10:15,560
Speaker 2: I'm saying. You know, anytime, you know, we want to

1278
01:10:15,560 --> 01:10:20,080
Speaker 2: get back on that basketball court. I've been out a

1279
01:10:20,120 --> 01:10:25,080
Speaker 2: little lot this guy, but I feel like I.

1280
01:10:25,120 --> 01:10:26,840
Speaker 1: Still been trying to get him to come back. And

1281
01:10:27,920 --> 01:10:31,200
Speaker 1: don't do that because I got hurt. That's exactly why

1282
01:10:31,240 --> 01:10:31,840
Speaker 1: I stop hooping.

1283
01:10:32,120 --> 01:10:32,839
Speaker 4: That's possible.

1284
01:10:32,920 --> 01:10:36,840
Speaker 1: But I'm already back. Oh he back hooping. He ain't learning.

1285
01:10:38,840 --> 01:10:40,240
Speaker 1: I'm going out the way I came in.

1286
01:10:48,880 --> 01:10:52,040
Speaker 2: And this is the Everybody Podcast, the authority on all

1287
01:10:52,200 --> 01:10:56,040
Speaker 2: things R and B. And we have a place, we

1288
01:10:56,160 --> 01:10:59,160
Speaker 2: have a home we have a curator. We got a

1289
01:10:59,240 --> 01:11:01,920
Speaker 2: boss man Headline Entertainment Man, shut up.

1290
01:11:01,880 --> 01:11:07,400
Speaker 1: To Mike, R and B Money.

1291
01:11:08,560 --> 01:11:10,320
Speaker 3: R and B Money is a production of the Black

1292
01:11:10,360 --> 01:11:15,120
Speaker 3: Effect podcast Network. For more podcasts from iHeartRadio, visit the

1293
01:11:15,280 --> 01:11:19,080
Speaker 3: iHeartRadio app, Apple Podcasts, or wherever you listen to your

1294
01:11:19,120 --> 01:11:23,000
Speaker 3: favorite shows. Don't forget to subscribe to and rate our show,

1295
01:11:23,320 --> 01:11:25,920
Speaker 3: and you can connect with us on social media at

1296
01:11:26,040 --> 01:11:30,240
Speaker 3: jy Valentine and at the Real Tank. For the extended episode,

1297
01:11:30,360 --> 01:11:34,560
Speaker 3: subscribe to YouTube dot com, forward Slash, R and B

1298
01:11:34,680 --> 01:11:34,920
Speaker 3: Money