1 00:00:02,680 --> 00:00:09,000 Speaker 1: This room anywhere Yo Friday that the world's most stagers 2 00:00:09,039 --> 00:00:15,160 Speaker 1: want to show the camera the mother food Greek's jost 3 00:00:15,160 --> 00:00:18,759 Speaker 1: the city shows d J. Henry, the captain of this 4 00:00:19,239 --> 00:00:21,320 Speaker 1: we usually eat. The only one who can keep these 5 00:00:21,320 --> 00:00:25,160 Speaker 1: guys in chests. The boy is. The breath was called 6 00:00:36,400 --> 00:00:39,199 Speaker 1: good morning usca yo yo yo yo yo yo yo 7 00:00:39,280 --> 00:00:40,839 Speaker 1: yo yo yo yo yo yo yo yo yo yo 8 00:00:40,920 --> 00:00:42,640 Speaker 1: yo yo yo yo yo yo yo yo yo yo 9 00:00:42,760 --> 00:00:44,519 Speaker 1: yo yo yo yo yo yo yo yo yo yo 10 00:00:44,640 --> 00:00:47,560 Speaker 1: yo yo yo angela is That was Papa Shola Magne. 11 00:00:47,640 --> 00:00:53,560 Speaker 1: Pace to the planet is Friday. Yes, it's Friday. Good morning, 12 00:00:53,680 --> 00:00:59,800 Speaker 1: Good morning to you. No birds chirping too early for 13 00:00:59,840 --> 00:01:01,760 Speaker 1: the there's no birds are chirping yet, or salute to 14 00:01:01,800 --> 00:01:03,760 Speaker 1: all the birds out there. What's happening? Birds is ready 15 00:01:03,760 --> 00:01:06,120 Speaker 1: to go? Okay, they're going when the breakfast club starts, 16 00:01:06,120 --> 00:01:08,720 Speaker 1: the birds start all right? Goodness, grace, what's happening? How 17 00:01:08,760 --> 00:01:10,880 Speaker 1: you feel? Man? I'm tired, Man, I ain't even gonna lie, 18 00:01:11,040 --> 00:01:13,680 Speaker 1: not me. I am tired. I am blessed, black and 19 00:01:13,720 --> 00:01:16,319 Speaker 1: holly favored. I feel full of energy right now. It's 20 00:01:16,360 --> 00:01:18,800 Speaker 1: not me. Shout to revolt, shout to revolt. I was 21 00:01:18,800 --> 00:01:22,240 Speaker 1: in Atlanta yesterday shooting for something for Revolt, a new 22 00:01:22,240 --> 00:01:23,800 Speaker 1: show that they have coming on, which is going to 23 00:01:23,840 --> 00:01:26,160 Speaker 1: be so it'd be grateful a lot of entrepreneurs or 24 00:01:26,160 --> 00:01:28,319 Speaker 1: people out there that's trying to start their own business 25 00:01:28,400 --> 00:01:30,720 Speaker 1: or people that's uh, you know, just started their new 26 00:01:30,720 --> 00:01:32,600 Speaker 1: business and just starting off and trying to figure out 27 00:01:32,600 --> 00:01:34,760 Speaker 1: how to get things done, how to get financing and 28 00:01:34,880 --> 00:01:37,200 Speaker 1: all that, so shout the Revolt. So I was out 29 00:01:37,240 --> 00:01:40,720 Speaker 1: in Atlanta yesterday, so shooting that show. So I'm excited 30 00:01:40,760 --> 00:01:42,320 Speaker 1: for you guys to see that. I guess that's coming 31 00:01:42,319 --> 00:01:44,720 Speaker 1: out probably early next year. That's dope. I did that. 32 00:01:44,800 --> 00:01:47,640 Speaker 1: You know what's so interesting? I did tonight. My late 33 00:01:47,720 --> 00:01:50,120 Speaker 1: night talk show comes on Comedy Central ten PM. The 34 00:01:50,240 --> 00:01:54,120 Speaker 1: God's on His Truth and my episode tonight is Capitalism 35 00:01:54,280 --> 00:01:57,560 Speaker 1: cap and so I have a doctor Claude Anderson on, 36 00:01:58,120 --> 00:02:01,640 Speaker 1: I have the Master Investor in Dune lap On, and 37 00:02:01,680 --> 00:02:05,440 Speaker 1: I have Kevin hard on. Okay, yeah tonight, so we're 38 00:02:05,440 --> 00:02:08,440 Speaker 1: talking about the same thing. Yeah, So that's that's pretty same. 39 00:02:08,600 --> 00:02:11,320 Speaker 1: Revote is doing a lot now, they ain't doing the 40 00:02:11,360 --> 00:02:13,919 Speaker 1: Breakfast Club. So I walked in here this morning because 41 00:02:13,919 --> 00:02:15,720 Speaker 1: I ain't been in most of the week, and I 42 00:02:15,720 --> 00:02:18,600 Speaker 1: guess Revote cleared out. I'm just realizing like that Revote 43 00:02:18,600 --> 00:02:19,920 Speaker 1: really had a lot of stuff in it. Yeah, they 44 00:02:20,240 --> 00:02:21,960 Speaker 1: that wasn't well. The fact that revolts that he has 45 00:02:22,000 --> 00:02:25,120 Speaker 1: not a revolt that is, I ain't. I'm just tell 46 00:02:25,240 --> 00:02:27,600 Speaker 1: telling now, you're telling family business. You said they're not handled, 47 00:02:27,760 --> 00:02:29,160 Speaker 1: but it ain't because of them. They wanted to be here. 48 00:02:29,200 --> 00:02:31,480 Speaker 1: I don't know nothing the indine out of the work. 49 00:02:31,480 --> 00:02:33,960 Speaker 1: While I'm telling you, sir, hey, don't get an email 50 00:02:33,960 --> 00:02:35,360 Speaker 1: talk about you know, what the hell are you talking about. 51 00:02:35,400 --> 00:02:36,680 Speaker 1: I know I spoke to him. I spoke to him 52 00:02:36,720 --> 00:02:40,440 Speaker 1: last night. Heard both sides. No exactly you know what 53 00:02:40,520 --> 00:02:42,920 Speaker 1: I'm saying. I spoke to the diddy side, though exactly 54 00:02:43,000 --> 00:02:44,960 Speaker 1: I spoke to anything. Did he wrong? I'm just saying, 55 00:02:44,960 --> 00:02:47,000 Speaker 1: you know, I don't know what the work is. But 56 00:02:47,080 --> 00:02:48,600 Speaker 1: Revote wanted to be That's what I'm saying. I don't 57 00:02:48,600 --> 00:02:50,200 Speaker 1: know what happened with the numbers, if it was too little, 58 00:02:50,240 --> 00:02:53,720 Speaker 1: too love mercy. You just chatting, ain't so chatty. I 59 00:02:53,760 --> 00:02:56,639 Speaker 1: just said, don't know it just chat morning. We wanted 60 00:02:56,680 --> 00:02:58,760 Speaker 1: to be how chat they said we're going to wanted 61 00:02:58,800 --> 00:03:00,880 Speaker 1: to be here, right, now you chatting out this morning, 62 00:03:01,520 --> 00:03:04,880 Speaker 1: you chat about, but shout about. Shout to Shari, shout 63 00:03:04,880 --> 00:03:07,799 Speaker 1: to revolt, and everybody had a great time yesterday, good time, 64 00:03:07,880 --> 00:03:10,040 Speaker 1: good time in Atlanta yesterday. I just got back about 65 00:03:10,320 --> 00:03:12,680 Speaker 1: about an hour and a half ago. So okay, shout 66 00:03:12,680 --> 00:03:15,160 Speaker 1: to revolts. All right, see anybody on the show this Morne, 67 00:03:15,320 --> 00:03:21,880 Speaker 1: No right, just mean you holiday? Yes, this is our 68 00:03:21,960 --> 00:03:25,040 Speaker 1: last thing. We're on vacation. Uh we are. Yeah, today's 69 00:03:25,040 --> 00:03:27,400 Speaker 1: the last day and then we we're back after after 70 00:03:27,480 --> 00:03:33,000 Speaker 1: Thanksgiving for real, So we not next week. I knew 71 00:03:33,000 --> 00:03:36,000 Speaker 1: he wasn't ahead next week. Thanksgiving a Friday. Yes, we're 72 00:03:36,000 --> 00:03:39,520 Speaker 1: on vacation all week, all week. Wow the hell I 73 00:03:39,600 --> 00:03:41,280 Speaker 1: came in the day for then? I'm trying to figure 74 00:03:41,320 --> 00:03:44,000 Speaker 1: it out. God, damn No, you don't understand. You're the 75 00:03:44,040 --> 00:03:45,760 Speaker 1: only reason. Well I didn't, gonn say you're the only reason, 76 00:03:45,840 --> 00:03:47,520 Speaker 1: but you're on the reason why I came back. I'm 77 00:03:47,560 --> 00:03:50,520 Speaker 1: like Angele's not here, Charlemagne's gonna be here by himself. 78 00:03:50,600 --> 00:03:53,560 Speaker 1: I'm here for no damn read, Yes you are. Oh 79 00:03:53,600 --> 00:03:55,320 Speaker 1: I have a mercy. Well, God must have a plan 80 00:03:55,440 --> 00:03:57,720 Speaker 1: for the day. I don't know. I'm enjoyed let's hear 81 00:03:57,800 --> 00:03:58,840 Speaker 1: him and get this thing over with. I don't know, 82 00:03:59,360 --> 00:04:02,200 Speaker 1: show play it faster. We start the fafter we can finish. 83 00:04:02,400 --> 00:04:04,119 Speaker 1: All right, Well, when we come back and got front 84 00:04:04,120 --> 00:04:07,920 Speaker 1: page news, Kamala Harris, that's what we're talking you know, 85 00:04:08,040 --> 00:04:10,560 Speaker 1: Kama Harris. Is the name sound familiar? You don't know? 86 00:04:10,640 --> 00:04:16,720 Speaker 1: She's the black woman as vice president? Yeah, you ain't 87 00:04:16,720 --> 00:04:18,280 Speaker 1: seen it at No. I talked to her once since 88 00:04:18,320 --> 00:04:20,880 Speaker 1: she U was VP. No, talk about talk about flip 89 00:04:21,000 --> 00:04:24,440 Speaker 1: the script. She has little approval ratings. So we're gonna 90 00:04:24,480 --> 00:04:27,760 Speaker 1: talk about that and she's gonna explain why where. Oh, 91 00:04:27,880 --> 00:04:30,040 Speaker 1: we'll do the next hopefully. I'm trying to get this 92 00:04:30,120 --> 00:04:33,240 Speaker 1: thing together here. What's your burden over there? We No? 93 00:04:33,839 --> 00:04:36,040 Speaker 1: Is that like weed? No, it's not like weed. Relaxed, 94 00:04:37,600 --> 00:04:40,159 Speaker 1: clearing the room of our negative vintage, setting my attention 95 00:04:40,240 --> 00:04:42,279 Speaker 1: for the day, sir, okay, I don't want to be happy, 96 00:04:42,440 --> 00:04:45,960 Speaker 1: all right? Cool, Lou Haynes socks on there. All right, 97 00:04:46,000 --> 00:04:47,600 Speaker 1: Let's get the show cracking front page news and next 98 00:04:47,640 --> 00:04:50,080 Speaker 1: to the breakfast club go morning this morning. Everybody is 99 00:04:50,120 --> 00:04:53,400 Speaker 1: DJ Envy Angela Yee, Charlemagne the guy. We are to 100 00:04:53,440 --> 00:04:58,120 Speaker 1: breakfast clubless, getting some front page News. The Vice President 101 00:04:58,200 --> 00:05:01,040 Speaker 1: Kamala Harris, Now, she was on Good Morning America and 102 00:05:01,240 --> 00:05:04,720 Speaker 1: she speaks about a lot. So she talks about inflation 103 00:05:04,920 --> 00:05:07,919 Speaker 1: in the chain. Supply was what does she do this yesterday? 104 00:05:08,520 --> 00:05:11,000 Speaker 1: That's one of the highest priorities actually for the President 105 00:05:11,080 --> 00:05:13,760 Speaker 1: and for me, And so we're dealing with this issue 106 00:05:13,800 --> 00:05:15,840 Speaker 1: in a number of ways. Short term, one of the 107 00:05:15,880 --> 00:05:18,560 Speaker 1: issues is the supply chain. We're seeing a bottleneck and 108 00:05:18,600 --> 00:05:21,840 Speaker 1: we need to relieve that bottleneck. So we brought together 109 00:05:22,160 --> 00:05:25,240 Speaker 1: everyone from the teamsters to Target to say, hey, let's 110 00:05:25,240 --> 00:05:28,240 Speaker 1: all bring everyone together, from the truckers to the folks 111 00:05:28,279 --> 00:05:31,280 Speaker 1: who are moving product, and let's open up some of 112 00:05:31,360 --> 00:05:34,520 Speaker 1: our major ports for work twenty four hours a day, 113 00:05:34,520 --> 00:05:37,839 Speaker 1: seven days a week. That's happening and we're seeing great results. 114 00:05:37,960 --> 00:05:40,200 Speaker 1: Long term, we need to bring down the cost of living. 115 00:05:41,040 --> 00:05:44,479 Speaker 1: Unless she also talks about her and Biden's low approval ratings. 116 00:05:44,839 --> 00:05:48,160 Speaker 1: Most Americans don't think the administration is keeping its promises. 117 00:05:48,520 --> 00:05:50,600 Speaker 1: How do you explain that and how do you fix it? 118 00:05:50,960 --> 00:05:54,160 Speaker 1: Polls they go up, they go down. But I think 119 00:05:54,279 --> 00:05:57,880 Speaker 1: what is most important is that we remain consistent with 120 00:05:58,160 --> 00:06:01,159 Speaker 1: what we need to do to deal with the issues 121 00:06:01,200 --> 00:06:04,279 Speaker 1: that we're presented with at this moment, and so let's 122 00:06:04,320 --> 00:06:07,480 Speaker 1: again look at what we accomplished. It's historic in nature, 123 00:06:08,120 --> 00:06:11,599 Speaker 1: at least the biggest investment in infrastructure in a generation 124 00:06:11,800 --> 00:06:15,120 Speaker 1: in America. Polese go up, poles go down. All I 125 00:06:15,200 --> 00:06:16,960 Speaker 1: know is not of the approval rating. Is the load 126 00:06:16,960 --> 00:06:20,200 Speaker 1: they want to pop up and do damage control. No Biden, Okay, 127 00:06:20,360 --> 00:06:22,679 Speaker 1: no Kamala. We don't want to see anything but tangible 128 00:06:22,720 --> 00:06:26,240 Speaker 1: solutions to make the community better. Infrastructure bill cool, all right, 129 00:06:26,640 --> 00:06:29,200 Speaker 1: broadband in real areas. I'm definitely for that. But don't 130 00:06:29,200 --> 00:06:31,400 Speaker 1: forget about that George Floyd policing actor, right, and tell 131 00:06:31,480 --> 00:06:33,840 Speaker 1: y'all get rid of that filibuster all r Actually, y'all 132 00:06:33,880 --> 00:06:37,480 Speaker 1: can properly govern and really put some legislation through. Ain't 133 00:06:37,520 --> 00:06:39,920 Speaker 1: that in shaking for yall? Now? Kamala also talks about 134 00:06:39,960 --> 00:06:43,480 Speaker 1: being underused. They think you can be more helpful than 135 00:06:43,520 --> 00:06:46,560 Speaker 1: you've been asked to be. Do you share that frustration? 136 00:06:46,800 --> 00:06:48,560 Speaker 1: What do you say to your friends who are frustrated? 137 00:06:48,839 --> 00:06:51,840 Speaker 1: This was a good week and this week when we 138 00:06:52,000 --> 00:06:56,720 Speaker 1: got this Bipartisan Infrastructure Act past and signed by the President, 139 00:06:57,200 --> 00:07:00,080 Speaker 1: makes a statement about all of the hard work that 140 00:07:00,160 --> 00:07:02,960 Speaker 1: has gone into it. We're getting things done, and we're 141 00:07:03,040 --> 00:07:06,880 Speaker 1: doing it together, so you don't feel misused or underused. No, 142 00:07:08,520 --> 00:07:12,040 Speaker 1: oh lord, I really wish the Democrats would just let 143 00:07:12,320 --> 00:07:14,800 Speaker 1: Vice President Harris be the bad guy, meaning like, let 144 00:07:14,880 --> 00:07:18,400 Speaker 1: her say the things that you know Joe Biden can't say. 145 00:07:18,600 --> 00:07:20,440 Speaker 1: Let her, let her, let her call out matching and 146 00:07:20,520 --> 00:07:23,280 Speaker 1: put the pressure on Matching in the cinemas of the world. 147 00:07:23,640 --> 00:07:26,679 Speaker 1: Let her be that person or your president. Joe Biden 148 00:07:26,840 --> 00:07:30,480 Speaker 1: is balling. He spent five billion dollars. You wouldn't know 149 00:07:30,520 --> 00:07:32,880 Speaker 1: what he's spilled five billion. Don't say it like that. 150 00:07:32,960 --> 00:07:34,800 Speaker 1: That man ain't got no five million. He spent five 151 00:07:34,840 --> 00:07:38,040 Speaker 1: billion and ten million courses of fires. The covid treatment pill. 152 00:07:38,160 --> 00:07:41,800 Speaker 1: Now this pill is there are ten million courses of 153 00:07:41,880 --> 00:07:45,760 Speaker 1: fires covid treatment pill. It's highly effective in preventing hospitalization 154 00:07:45,840 --> 00:07:48,360 Speaker 1: among high risk adults in the clinical trial in the 155 00:07:48,400 --> 00:07:51,160 Speaker 1: COVID bill. Yeah, that's where you've been. You don't be listening. 156 00:07:51,160 --> 00:07:52,720 Speaker 1: You don't know the covid pill. I didn't know it 157 00:07:52,800 --> 00:07:54,280 Speaker 1: was done. I thought that they was working on it. Yeah, 158 00:07:54,280 --> 00:07:55,760 Speaker 1: they said the delivery of the pill will start at 159 00:07:55,760 --> 00:07:58,680 Speaker 1: the end of this year and continue through twenty twenty two. 160 00:07:58,880 --> 00:08:01,920 Speaker 1: He ain't got time for no more pills, man pills. Yeah, 161 00:08:02,160 --> 00:08:03,920 Speaker 1: so what instead of getting the shot, you get the pill? 162 00:08:04,960 --> 00:08:06,400 Speaker 1: Are you asking me? Bro? I'm just telling you what 163 00:08:06,440 --> 00:08:08,360 Speaker 1: they telling me. You want me to lock, you want 164 00:08:08,360 --> 00:08:09,880 Speaker 1: me to live or not. I'm just telling me what 165 00:08:09,920 --> 00:08:12,920 Speaker 1: they're telling me. You're not. I don't know, but that's 166 00:08:12,960 --> 00:08:14,920 Speaker 1: what the that's what they spent five billy order right 167 00:08:15,640 --> 00:08:16,960 Speaker 1: one thing. If it gets you high, some of these 168 00:08:16,960 --> 00:08:19,240 Speaker 1: people are gonna take it. They're gonna add it right 169 00:08:19,280 --> 00:08:21,840 Speaker 1: there with they perks and they even everything else. That's 170 00:08:21,880 --> 00:08:23,320 Speaker 1: what they need to spread. They need to put out 171 00:08:23,320 --> 00:08:26,040 Speaker 1: a room on the internet that them uh Kovie's then 172 00:08:26,160 --> 00:08:29,600 Speaker 1: Kobe pills get you high in perks. If they say that, 173 00:08:29,880 --> 00:08:32,040 Speaker 1: it's gonna be a lot of people try. I'm telling 174 00:08:32,040 --> 00:08:34,280 Speaker 1: you that right now. All right, well, that is your 175 00:08:34,320 --> 00:08:36,599 Speaker 1: front page news. The last night. The Patriots beat the 176 00:08:36,600 --> 00:08:39,520 Speaker 1: Falcons twenty five to zero. Patriots look good as good 177 00:08:39,559 --> 00:08:41,319 Speaker 1: as my cowboys. But they look good. Now, get it 178 00:08:41,360 --> 00:08:44,200 Speaker 1: off your chest. Eight hundred five eight five one five one. 179 00:08:44,240 --> 00:08:46,160 Speaker 1: If you need to vent, phone line to wide open 180 00:08:46,200 --> 00:08:48,679 Speaker 1: again eight hundred five eight five one on five one, 181 00:08:48,760 --> 00:08:50,920 Speaker 1: Get it off your chests. It's the breakfast Club. Good morning, 182 00:08:51,559 --> 00:09:01,720 Speaker 1: the breakfast Club. I'm I'm telling what you doing if 183 00:09:01,760 --> 00:09:03,320 Speaker 1: this is your time to get it off your chest, 184 00:09:03,480 --> 00:09:06,440 Speaker 1: whether you're mad or blessed. Eight hundred five eight five 185 00:09:06,520 --> 00:09:08,199 Speaker 1: one five one. We want to hear from you on 186 00:09:08,280 --> 00:09:14,400 Speaker 1: the breakfast club. Hello, who's this? They Chanelle? Good morning 187 00:09:14,400 --> 00:09:16,199 Speaker 1: to get it off to chest, Mama. I want to 188 00:09:16,280 --> 00:09:19,040 Speaker 1: know why sock Con still tipsy last night on Versus 189 00:09:19,240 --> 00:09:22,920 Speaker 1: you leave so RockA Con alone now twisted man at one. 190 00:09:23,400 --> 00:09:25,720 Speaker 1: At one point you to them, looked at stuff indoors. 191 00:09:25,760 --> 00:09:27,319 Speaker 1: I was like, aren't you going to help me? I 192 00:09:27,520 --> 00:09:29,880 Speaker 1: was like, oh my god. Stephanie was singing every song 193 00:09:29,960 --> 00:09:32,680 Speaker 1: with Shotgun, every song, every song shot Gun did. Stephanie 194 00:09:32,920 --> 00:09:35,640 Speaker 1: ended up singing all Shoting songs. Shock was a little 195 00:09:35,640 --> 00:09:37,920 Speaker 1: twisted last night. He was a little twisted and on 196 00:09:38,000 --> 00:09:44,160 Speaker 1: that let's RockA Con enjoy her life. Okay, okay, oh yeah, 197 00:09:44,920 --> 00:09:46,679 Speaker 1: oh my goodness, I'm right with thank you, Mama. He 198 00:09:46,800 --> 00:09:49,720 Speaker 1: will love Tito boy. I just see Versus last night. 199 00:09:49,720 --> 00:09:50,800 Speaker 1: I know it was supposed to come on to six 200 00:09:51,040 --> 00:09:52,959 Speaker 1: six pm Eastern tim they so I watched your last 201 00:09:53,040 --> 00:09:56,319 Speaker 1: Name then about seven eight nine I stopped watching that. 202 00:09:56,520 --> 00:09:58,160 Speaker 1: I've seen a DJ battle come out of nowhere. I 203 00:09:58,240 --> 00:10:00,280 Speaker 1: was like, what the hell's going on? Hello, who's this 204 00:10:01,120 --> 00:10:03,440 Speaker 1: Tyrone calling from Miami? How you guys doing the morning? 205 00:10:03,559 --> 00:10:06,240 Speaker 1: Tyrone up? Getting off fat chess? Brother? Man, I just 206 00:10:06,400 --> 00:10:08,719 Speaker 1: wanted to say, Man, I'm blessed. Man. You guys out 207 00:10:08,800 --> 00:10:13,760 Speaker 1: me lasting early this morning. Man, Hey, hey, man, you 208 00:10:13,880 --> 00:10:16,240 Speaker 1: say why you can't to work today? Man, that just 209 00:10:16,360 --> 00:10:20,319 Speaker 1: craped me out. Man. When you he usually is the 210 00:10:20,360 --> 00:10:22,520 Speaker 1: one that take off the friday before we had vacation, 211 00:10:22,600 --> 00:10:24,040 Speaker 1: So when he said he was coming in, I was 212 00:10:24,120 --> 00:10:26,760 Speaker 1: kind of surprised. Angelis off. I see nothing booby trapped 213 00:10:26,760 --> 00:10:28,600 Speaker 1: the strip club last night, and I said I gotta 214 00:10:28,600 --> 00:10:30,000 Speaker 1: come back because I didn't want to leave my brother 215 00:10:30,040 --> 00:10:33,800 Speaker 1: here by himself. I had no idea. I feel you man, Hey, 216 00:10:33,880 --> 00:10:35,880 Speaker 1: but hey DJ Amy Man, I got to tell you, Man, 217 00:10:36,320 --> 00:10:38,000 Speaker 1: I'm gonna be at the car show in Miami when 218 00:10:38,000 --> 00:10:39,880 Speaker 1: you come. Man. That's what it is. Man, he got 219 00:10:39,960 --> 00:10:41,760 Speaker 1: your tickets and everything already. You're bringing the kids in 220 00:10:41,800 --> 00:10:44,360 Speaker 1: the family. Oh of course, Man, I'm bringing off five 221 00:10:44,400 --> 00:10:47,199 Speaker 1: of them. Man, okay, my kid Man, that's what it is. 222 00:10:47,240 --> 00:10:48,640 Speaker 1: We got a lot of fun, man, we got nas 223 00:10:48,760 --> 00:10:52,120 Speaker 1: cars coming through months to trucks. We got celebrity cars 224 00:10:52,360 --> 00:10:54,559 Speaker 1: is amusement rides for the kids. There's gonna be a 225 00:10:54,640 --> 00:10:57,040 Speaker 1: lot of fun, man, So come on out and have 226 00:10:57,120 --> 00:10:59,560 Speaker 1: a family fun day. Brother. And this is my first 227 00:10:59,600 --> 00:11:02,000 Speaker 1: time call all the too. Man. I never get through, man, 228 00:11:02,240 --> 00:11:03,760 Speaker 1: my first time I talk to you. Got but we 229 00:11:03,840 --> 00:11:07,319 Speaker 1: feel good talking to you this morning. Brother. Hey, hey, Sarlomagne, 230 00:11:07,360 --> 00:11:10,440 Speaker 1: you know what you can't You can't send the book, man, 231 00:11:10,520 --> 00:11:13,960 Speaker 1: I do need to. I got you. I'm only think 232 00:11:13,960 --> 00:11:15,800 Speaker 1: I got in here right now is the unapologetic guy 233 00:11:15,800 --> 00:11:18,600 Speaker 1: in the black mental health and Tamika Mallory state of emergency. 234 00:11:18,840 --> 00:11:21,520 Speaker 1: But I'm gonna send him to you, Okay, Okay, appreciate you. 235 00:11:22,760 --> 00:11:24,440 Speaker 1: I say, Hi. She's not done this point. I can't 236 00:11:24,480 --> 00:11:26,800 Speaker 1: talk though, but her name is Angela. Ye what you 237 00:11:26,880 --> 00:11:34,240 Speaker 1: call him? Yea? I said ye. All right, y'a. I'm 238 00:11:34,240 --> 00:11:37,480 Speaker 1: not gonna mess me up. Man. I know you said Lee. 239 00:11:37,800 --> 00:11:40,240 Speaker 1: I know what you said. I heard you, king man, 240 00:11:40,480 --> 00:11:43,800 Speaker 1: I heard you getting no sleep. You need to take that. 241 00:11:44,360 --> 00:11:46,520 Speaker 1: I need to taking that. Okay, Yeah, we have a 242 00:11:46,600 --> 00:11:48,480 Speaker 1: go when I do needed that though, all right, I 243 00:11:48,600 --> 00:11:50,319 Speaker 1: know it because you're not you can't even hear me 244 00:11:50,400 --> 00:11:54,560 Speaker 1: right now. I have a blessed day, sir. Oh, hello, 245 00:11:54,679 --> 00:11:58,839 Speaker 1: who's this? Good morning? Every good morning, Angela, good morning, Charlomagne, 246 00:11:59,120 --> 00:12:02,240 Speaker 1: peace King was get off your chest. Not much, man, 247 00:12:02,240 --> 00:12:04,480 Speaker 1: I just want to say bless thank you God, thank 248 00:12:04,520 --> 00:12:06,480 Speaker 1: you guys for everything you guys do, thank you for 249 00:12:06,600 --> 00:12:08,959 Speaker 1: my wife and m djam. I just wanted to talk 250 00:12:08,960 --> 00:12:12,120 Speaker 1: to you about son, about my grandpa. He actually has 251 00:12:12,200 --> 00:12:14,679 Speaker 1: the mensa right now. And I know that your mother 252 00:12:14,720 --> 00:12:16,240 Speaker 1: in law used to have it. Want to say that 253 00:12:16,320 --> 00:12:19,679 Speaker 1: it's very hard to see someone that you love, you know, 254 00:12:19,800 --> 00:12:23,160 Speaker 1: go through that, and I just wanted to talk. I 255 00:12:23,320 --> 00:12:25,000 Speaker 1: just wanted to ask if you guys have a baby 256 00:12:25,120 --> 00:12:27,559 Speaker 1: name for you and Gia, but you got a name 257 00:12:27,600 --> 00:12:30,480 Speaker 1: for us well, I have a recommendation. So basically it's 258 00:12:30,520 --> 00:12:32,880 Speaker 1: for a tribute to Guia's mother. You guys can do 259 00:12:33,200 --> 00:12:35,280 Speaker 1: the city that she was born in. I thought it 260 00:12:35,640 --> 00:12:37,960 Speaker 1: like yo, That's what I thought, But they don't want 261 00:12:38,000 --> 00:12:39,679 Speaker 1: to use that name. That's what I want to That's 262 00:12:39,760 --> 00:12:41,839 Speaker 1: that's the name. I was gonna wait, Kingston. You know 263 00:12:42,320 --> 00:12:45,160 Speaker 1: she's from Kingston, Kingston, Jamaican. But I was like Kingston 264 00:12:45,240 --> 00:12:46,960 Speaker 1: to be cute, but My wife was like, it might 265 00:12:46,960 --> 00:12:48,800 Speaker 1: be a little masculine, but I'm like, Kingston is dope. 266 00:12:48,840 --> 00:12:51,120 Speaker 1: Was just a dope name, and man, at the end 267 00:12:51,160 --> 00:12:52,720 Speaker 1: of the day, it's always going to be her decision. 268 00:12:52,760 --> 00:12:55,000 Speaker 1: But that is a pretty good idea that that's the 269 00:12:55,120 --> 00:12:57,280 Speaker 1: same thing you might You might have just pushed it 270 00:12:57,320 --> 00:12:58,640 Speaker 1: over the edge. Man. I'm gonna be like, this is 271 00:12:58,679 --> 00:13:01,199 Speaker 1: a sign. How would you know that? All right? Man? 272 00:13:01,640 --> 00:13:03,959 Speaker 1: I don't know. Man. It's God's only God, really, man. 273 00:13:04,000 --> 00:13:05,360 Speaker 1: And I just want to say thank you as well 274 00:13:05,480 --> 00:13:07,400 Speaker 1: for my wife. She's been pushing me through all the 275 00:13:07,440 --> 00:13:09,679 Speaker 1: struck we've been going through. She helped me with my 276 00:13:09,800 --> 00:13:11,680 Speaker 1: new job. I didn't go to college and I still 277 00:13:11,720 --> 00:13:14,680 Speaker 1: got a really good job. So that's what women know best. 278 00:13:14,800 --> 00:13:16,840 Speaker 1: That's all I can say. Shout your queen out, man. 279 00:13:16,880 --> 00:13:20,720 Speaker 1: What's her name? Her name is Gabrella, Gabriella? Larry? All right, brother, 280 00:13:20,800 --> 00:13:22,120 Speaker 1: well you have a we have a good weekend, man, 281 00:13:22,240 --> 00:13:24,839 Speaker 1: be safe. I have a good Thanksgiving. Thank you, Thank 282 00:13:24,840 --> 00:13:27,320 Speaker 1: you all, bro get it off your chests. Eight hundred 283 00:13:27,440 --> 00:13:29,760 Speaker 1: five eight five one on five one. If you need 284 00:13:29,840 --> 00:13:31,760 Speaker 1: to vent, hit this up now. It's the Breakfast Club. 285 00:13:31,800 --> 00:13:38,480 Speaker 1: Good morning, The Breakfast Club. This is your time to 286 00:13:38,520 --> 00:13:42,319 Speaker 1: get it off your chest. Whether you're man. Thank you 287 00:13:42,400 --> 00:13:44,640 Speaker 1: from you on the breakfast club. You got something on 288 00:13:44,720 --> 00:13:51,560 Speaker 1: your mind? Let hello, Hello, it's from Georgia. Hey Monique 289 00:13:51,600 --> 00:13:56,640 Speaker 1: from GA. What was happening your chest? So this is 290 00:13:56,679 --> 00:13:59,079 Speaker 1: a little much, But I have a seven year old 291 00:13:59,160 --> 00:14:04,120 Speaker 1: son in first and his school is restraining him. What 292 00:14:04,320 --> 00:14:08,120 Speaker 1: you mean like putting a mat on the floor, laying 293 00:14:08,280 --> 00:14:11,480 Speaker 1: him down, holding him by his risk and by his feet. Why, 294 00:14:11,760 --> 00:14:13,559 Speaker 1: let me give you a little bit of backstory. He 295 00:14:14,440 --> 00:14:17,600 Speaker 1: when he was fied, he was in a traumatic situation. 296 00:14:17,760 --> 00:14:21,280 Speaker 1: So he's a traumatized child now at this point, right, 297 00:14:21,840 --> 00:14:25,000 Speaker 1: So he doesn't trust anybody when it comes to schools 298 00:14:25,040 --> 00:14:28,040 Speaker 1: and things like that. But instead of them responding to 299 00:14:28,200 --> 00:14:32,000 Speaker 1: him as if he if a traumatized child who you 300 00:14:32,080 --> 00:14:37,080 Speaker 1: know has severe anxiety ADHD things like that, they respond 301 00:14:37,160 --> 00:14:41,480 Speaker 1: with strength and then they can justify it and say, oh, 302 00:14:41,640 --> 00:14:43,840 Speaker 1: he's a harm to himself or a harm to others. 303 00:14:44,240 --> 00:14:48,280 Speaker 1: And that's why you need actual mental you know, healthcare 304 00:14:48,520 --> 00:14:51,600 Speaker 1: professionals in these schools. You need people that specialize in 305 00:14:51,720 --> 00:14:54,800 Speaker 1: sel that specialize in you know, mental health literacy to 306 00:14:54,920 --> 00:14:56,440 Speaker 1: know how to deal with a young man like that 307 00:14:56,800 --> 00:14:59,800 Speaker 1: where you from, and they have zero in their schools 308 00:15:00,040 --> 00:15:02,960 Speaker 1: the way it's a predominantly white school and I'm actually 309 00:15:03,120 --> 00:15:06,080 Speaker 1: forty five miles from Runs with Georgia where they killed 310 00:15:06,080 --> 00:15:09,920 Speaker 1: Tomorrow Hartbred. Okay, wow, so let that scene again. Yes, 311 00:15:10,400 --> 00:15:13,040 Speaker 1: I don't know why you sound so calm. I mean, 312 00:15:13,160 --> 00:15:16,720 Speaker 1: I respect the fact I respect that you sound so calm, 313 00:15:16,800 --> 00:15:20,560 Speaker 1: but damn listen, it's hard. I go through this daily 314 00:15:20,640 --> 00:15:22,880 Speaker 1: with them, and then it's kind of like you go 315 00:15:23,040 --> 00:15:24,520 Speaker 1: to the school and you don't want to be the 316 00:15:24,600 --> 00:15:27,720 Speaker 1: angry black parent, but they push you to be the 317 00:15:27,800 --> 00:15:29,960 Speaker 1: angry black parent. You know what I'm saying. Look, can 318 00:15:30,000 --> 00:15:31,400 Speaker 1: I give you some advice what you need to do. 319 00:15:31,840 --> 00:15:33,640 Speaker 1: You need to call a local school board and call 320 00:15:33,720 --> 00:15:35,520 Speaker 1: the principle and explain to them what's going on with 321 00:15:35,600 --> 00:15:39,040 Speaker 1: your son. They will um. They will probably book an 322 00:15:39,040 --> 00:15:41,120 Speaker 1: appointment for you or write you write down something on 323 00:15:41,160 --> 00:15:42,760 Speaker 1: a piece of paper. You take it to a doctor 324 00:15:43,360 --> 00:15:45,880 Speaker 1: and a lot of parents with what does he ask 325 00:15:46,120 --> 00:15:50,080 Speaker 1: he has ADHD move disorder, TRUMP, severe trauma and anxiety. 326 00:15:50,280 --> 00:15:53,240 Speaker 1: Does the doctor give him medicine for it? Yes he does. Yeah, 327 00:15:53,240 --> 00:15:55,480 Speaker 1: there's no way they should restrain your child. They have 328 00:15:55,640 --> 00:15:59,480 Speaker 1: they shouldn't restrain your child period. Now have documentation that 329 00:15:59,680 --> 00:16:04,160 Speaker 1: he had to adopt. They have a doctor's psychological evaluations 330 00:16:04,280 --> 00:16:07,160 Speaker 1: saying what he has, and they still do it. No, 331 00:16:07,560 --> 00:16:10,640 Speaker 1: they have special teachers and special school districts that's supposed 332 00:16:10,640 --> 00:16:12,640 Speaker 1: to be helping those kids with that. You should really 333 00:16:12,680 --> 00:16:15,160 Speaker 1: reach out to the school district whoever, whoever runs that 334 00:16:15,240 --> 00:16:17,600 Speaker 1: school district. You should send them an email. You should 335 00:16:17,640 --> 00:16:21,520 Speaker 1: definitely write letters. They have money allocated just for students 336 00:16:21,600 --> 00:16:23,920 Speaker 1: like your son. Yeah, do you know how long I've 337 00:16:23,960 --> 00:16:27,040 Speaker 1: been fighting this school for over a year to try 338 00:16:27,080 --> 00:16:30,320 Speaker 1: to help my fund. I just was able to even 339 00:16:30,480 --> 00:16:33,000 Speaker 1: get like an ip. But the problem is even you 340 00:16:33,040 --> 00:16:35,600 Speaker 1: should put all the plans in place. If you don't 341 00:16:35,720 --> 00:16:39,920 Speaker 1: follow them and you're not, you're dealing with a child traumatized. Okay, 342 00:16:39,960 --> 00:16:42,800 Speaker 1: it's not just a child with the behavioral problem, because 343 00:16:42,880 --> 00:16:44,920 Speaker 1: that's how they do. They write it up like he's 344 00:16:45,040 --> 00:16:48,520 Speaker 1: just a problem. Yeah right, not that. Oh, he's traumatized 345 00:16:48,520 --> 00:16:53,200 Speaker 1: in Charlottage. You said it, yesterday's trauma response fight or flight, Right, 346 00:16:53,600 --> 00:16:56,600 Speaker 1: So when when he sees y'all coming, he knows what's 347 00:16:56,640 --> 00:17:00,400 Speaker 1: about to happen. Yeah, he definitely fights his way out 348 00:17:00,480 --> 00:17:03,320 Speaker 1: of it, and then they'll say, oh, he's aggressive, and 349 00:17:03,360 --> 00:17:05,240 Speaker 1: then people will be like, oh, he attacked us. No, 350 00:17:05,480 --> 00:17:09,240 Speaker 1: that's the natural response that your body has to feeling 351 00:17:09,320 --> 00:17:12,320 Speaker 1: threatened the stress exactly. I think you need to take 352 00:17:12,359 --> 00:17:14,879 Speaker 1: your kids out that school personally, But that's just because 353 00:17:15,119 --> 00:17:16,640 Speaker 1: you know they didn't put their hands on your child. 354 00:17:16,640 --> 00:17:18,760 Speaker 1: Your child ain't gonna never feel safe there. Yeah, you 355 00:17:18,880 --> 00:17:22,520 Speaker 1: might school district like, that's what they want me to do. 356 00:17:23,160 --> 00:17:25,600 Speaker 1: They keep doing it. It's kind of like a maybe 357 00:17:25,640 --> 00:17:28,520 Speaker 1: if we keep doing this enough out so you feel 358 00:17:28,560 --> 00:17:30,119 Speaker 1: like that school is a good school district, But they 359 00:17:30,119 --> 00:17:35,280 Speaker 1: don't want your black child exactly exactly when you're celebrated 360 00:17:35,320 --> 00:17:39,680 Speaker 1: now where you're tolerated. Absolutely, you're right, you're right, we'll see. 361 00:17:39,680 --> 00:17:41,479 Speaker 1: I'm trying to look at to other things for him. 362 00:17:41,520 --> 00:17:44,119 Speaker 1: It's very limited around here. When I did try to 363 00:17:44,320 --> 00:17:48,000 Speaker 1: pull him out last year, they sabotaged him. They worked 364 00:17:48,119 --> 00:17:51,000 Speaker 1: in contact with the new school, putting things in his 365 00:17:51,160 --> 00:17:54,280 Speaker 1: file that they had never even shown me, like, basically 366 00:17:54,359 --> 00:17:57,280 Speaker 1: sabotage me. He lasted two weeks at the school. Damn 367 00:17:57,480 --> 00:18:00,160 Speaker 1: my goodness. All right, mother, And if you know any 368 00:18:00,200 --> 00:18:04,760 Speaker 1: body Charlottagne who cant help or you know I absolutely 369 00:18:04,920 --> 00:18:07,680 Speaker 1: do date on anything. Please sit on my way, no 370 00:18:07,960 --> 00:18:10,000 Speaker 1: absolute hold on. I'm gonna get your info right now. 371 00:18:10,000 --> 00:18:12,840 Speaker 1: I'm sending your email right now. Okay, okay, get it 372 00:18:12,920 --> 00:18:15,320 Speaker 1: off your chest. Eight hundred five eight five one on 373 00:18:15,480 --> 00:18:17,320 Speaker 1: five for one. Now when we come back, we have 374 00:18:17,560 --> 00:18:20,879 Speaker 1: rumors we're gonna be talking versus Shaker Coorshaka, let me 375 00:18:21,000 --> 00:18:24,879 Speaker 1: rocket Shatka and Queen Stephanie Mills. Stephanie Mill be disrespecting 376 00:18:24,920 --> 00:18:28,080 Speaker 1: my people. Get to Stephanie Mills, nah yo, you're nah y'all. 377 00:18:28,160 --> 00:18:30,520 Speaker 1: You put all that sauce on Shaka and I love Shoku. 378 00:18:31,359 --> 00:18:33,000 Speaker 1: Don't do that. Let me rocket shatter car. Now, I 379 00:18:33,000 --> 00:18:35,080 Speaker 1: was gonna get the Stephanie Miles. I don't like that. 380 00:18:35,480 --> 00:18:37,920 Speaker 1: Do to step step step step step Stephanie mails to 381 00:18:38,600 --> 00:18:40,960 Speaker 1: Stephanie mail meals, let me rock. It's that's not so 382 00:18:41,200 --> 00:18:43,280 Speaker 1: you want to rock her. That was Shaka cons sing. 383 00:18:43,320 --> 00:18:45,760 Speaker 1: Stephanie Mills, soll right fast something in the way you 384 00:18:45,920 --> 00:18:50,320 Speaker 1: make me feel right, So we're gonna do something versus Chaka, 385 00:18:51,000 --> 00:18:53,040 Speaker 1: let me rock, you shocka co Let me rock your 386 00:18:53,040 --> 00:18:55,360 Speaker 1: Shota can, let me rocket Shotka can. So we'll get 387 00:18:55,359 --> 00:18:56,920 Speaker 1: it into that next It's the Breakfast Club. Good morning, 388 00:18:57,560 --> 00:19:05,400 Speaker 1: the Breakfast Club morning. Everybody's d e j Envy, Angela Yee, Charlomagne, 389 00:19:05,440 --> 00:19:07,880 Speaker 1: the guy. We are the breakfasts happening. Good morning, y'all. 390 00:19:08,040 --> 00:19:10,119 Speaker 1: Let's get to the rumors. Let's talk versus last night. 391 00:19:13,160 --> 00:19:16,240 Speaker 1: She's filling the tea. This is the rumor report with 392 00:19:16,440 --> 00:19:20,560 Speaker 1: Angela Yee on the Breakfast Club. All right now. Last 393 00:19:20,640 --> 00:19:23,560 Speaker 1: night was another edition of versus this with Shaka Shaka 394 00:19:23,800 --> 00:19:27,000 Speaker 1: let me Rocket Shaka Khan versus Stephanie Mills, Queen Stephanie 395 00:19:27,040 --> 00:19:29,680 Speaker 1: Mills dropping the clues bombs and Stephanie Mills dropping the 396 00:19:29,720 --> 00:19:34,120 Speaker 1: Clui Bonms and Queen Shaka Khan too, two diva's two 397 00:19:34,359 --> 00:19:38,280 Speaker 1: legends to like you. Only God can give you what 398 00:19:38,400 --> 00:19:41,120 Speaker 1: Shaka Khan and Stephanie Mills have. Now, they were saying 399 00:19:41,200 --> 00:19:43,960 Speaker 1: that it's supposed to start at six pm Eastern time, 400 00:19:44,000 --> 00:19:45,320 Speaker 1: but they had the times messed up. But it was 401 00:19:45,320 --> 00:19:48,640 Speaker 1: actually supposed to start at nine, but it started at ten, 402 00:19:48,760 --> 00:19:52,080 Speaker 1: so that the divas were a little late. U Shaka 403 00:19:52,119 --> 00:19:54,760 Speaker 1: Khan has been trending all morning long for her performances, 404 00:19:55,000 --> 00:19:58,280 Speaker 1: so Roka Khan dropped on the clues bombs from Auntie Saraka. 405 00:19:59,359 --> 00:20:01,480 Speaker 1: Now I can get to see it because I was 406 00:20:01,560 --> 00:20:03,520 Speaker 1: ready at six pm and by that time I was 407 00:20:03,560 --> 00:20:06,479 Speaker 1: already working. All right, so let's hear uh they said, Uh, 408 00:20:06,600 --> 00:20:09,080 Speaker 1: it started off with a bunch of technical issues. Right, 409 00:20:09,480 --> 00:20:13,040 Speaker 1: we're gonna start from the beginning of my my career. 410 00:20:13,520 --> 00:20:18,480 Speaker 1: E Q hit me eque? What second? What second? What second? 411 00:20:18,520 --> 00:20:22,240 Speaker 1: We got? We're gonna supposed to go into what's going 412 00:20:22,400 --> 00:20:34,120 Speaker 1: this girl is on fire? We all fire. I don't 413 00:20:34,119 --> 00:20:36,720 Speaker 1: know why he's supposed to go into He's one down, 414 00:20:36,960 --> 00:20:40,240 Speaker 1: he's one down the road. Okay, So it started with 415 00:20:40,240 --> 00:20:43,639 Speaker 1: a little technical difficulties, but then uh they got to 416 00:20:43,760 --> 00:20:50,360 Speaker 1: singing and into my life a stranger you CAPTI fi. 417 00:20:53,880 --> 00:21:03,040 Speaker 1: Now I've got to face the danger. I'm just start that. 418 00:21:03,160 --> 00:21:11,760 Speaker 1: I couldn't make a Stephanie Mills, damn dropping the clues 419 00:21:11,800 --> 00:21:16,199 Speaker 1: mothers right now, shocking con She sang a little bit too, 420 00:21:16,240 --> 00:21:25,440 Speaker 1: because we get some much shotka singing. I can't let's 421 00:21:25,520 --> 00:21:42,960 Speaker 1: go an what you say dropping the clues? Bobs. I 422 00:21:43,119 --> 00:21:45,040 Speaker 1: love it. I love it because that's how I like 423 00:21:45,160 --> 00:21:47,280 Speaker 1: my old gs is in the family reunit of Auntie 424 00:21:47,280 --> 00:21:49,399 Speaker 1: and Uncle didn't have too much to drink. That's what 425 00:21:49,480 --> 00:21:51,959 Speaker 1: I like. Okay, shock ain't got nothing to prove to nobody. 426 00:21:52,000 --> 00:21:54,120 Speaker 1: We know who Shocking con is. We know what she's done. 427 00:21:54,600 --> 00:21:58,040 Speaker 1: All right, shot out there living her best life. Let's 428 00:21:58,119 --> 00:22:00,200 Speaker 1: go out. I'm right there in the kitchen. D don't 429 00:22:00,240 --> 00:22:02,760 Speaker 1: quit you. Let's go, right, you absolutely right? Sing it 430 00:22:02,840 --> 00:22:08,600 Speaker 1: off key where let's go? All right, let's go. They 431 00:22:08,640 --> 00:22:11,240 Speaker 1: also did talk about R and B or black radio. 432 00:22:11,600 --> 00:22:14,840 Speaker 1: I think that we have to take black radio back. 433 00:22:15,240 --> 00:22:17,760 Speaker 1: We have to get black radio to play more R 434 00:22:17,840 --> 00:22:20,680 Speaker 1: and B. I think for that, I think, but you know, 435 00:22:20,920 --> 00:22:23,240 Speaker 1: because you don't hear a lot of new R and 436 00:22:23,320 --> 00:22:25,880 Speaker 1: B songs. They played the same ones over and over 437 00:22:25,920 --> 00:22:27,680 Speaker 1: and over and over again. But back in the day 438 00:22:27,720 --> 00:22:32,440 Speaker 1: when we were coming through, they played everybody, everybody. Yes, 439 00:22:32,560 --> 00:22:35,560 Speaker 1: that's right they did. I don't disagree with that, Auntie. 440 00:22:35,600 --> 00:22:37,680 Speaker 1: But they got this thing called screaming. Now, that's right. Okay, 441 00:22:37,720 --> 00:22:40,399 Speaker 1: you can pull up any black artists. You want a 442 00:22:40,480 --> 00:22:43,000 Speaker 1: lot of R and B on the Screaming service. Well, 443 00:22:43,040 --> 00:22:46,640 Speaker 1: here's some let's let's hear some more. That's my favorite girl, 444 00:22:46,720 --> 00:22:49,240 Speaker 1: right then, Yes, it's not it's you know what, it's 445 00:22:49,280 --> 00:22:52,359 Speaker 1: not ministances. That's true in this business that can get 446 00:22:52,440 --> 00:22:57,600 Speaker 1: together without stupid ass competition, right, because this is not 447 00:22:57,720 --> 00:23:01,159 Speaker 1: our competition. This is sister love right here, that's what 448 00:23:01,240 --> 00:23:03,719 Speaker 1: it's about. I can compete with you anywhere you got 449 00:23:03,760 --> 00:23:09,000 Speaker 1: tim Grammy's girl. Let's get that at here. I don't 450 00:23:09,119 --> 00:23:13,040 Speaker 1: work for Grammys. I don't sing for Grammars, right, I 451 00:23:13,240 --> 00:23:16,439 Speaker 1: sing for love for love Now. They said that Shotka 452 00:23:16,480 --> 00:23:18,359 Speaker 1: Kun came out in heels and then decided that she 453 00:23:18,560 --> 00:23:20,359 Speaker 1: won't wear her heel. You're damn right, AUNTI don't want 454 00:23:20,359 --> 00:23:22,960 Speaker 1: to win her heels. Well, Auntie Flash, they said, the 455 00:23:23,720 --> 00:23:25,800 Speaker 1: fat man. Somebody had to bring out Auntie Flash and 456 00:23:25,840 --> 00:23:27,800 Speaker 1: they want now. And then when it was finally over, 457 00:23:27,920 --> 00:23:34,159 Speaker 1: Shotka said, you know what, f that ish shot I 458 00:23:34,200 --> 00:23:36,000 Speaker 1: don't know what y'all complaining about. I saw y'all on 459 00:23:36,080 --> 00:23:37,880 Speaker 1: social media last night complaining. I don't know what y'all 460 00:23:37,920 --> 00:23:41,560 Speaker 1: was complaining about. That's exactly what I wanted, That's exactly 461 00:23:41,640 --> 00:23:43,919 Speaker 1: what I expected. Okay, Auntie can't have a few drinks 462 00:23:44,119 --> 00:23:47,200 Speaker 1: and come out then and perform and live her best life? Huh? 463 00:23:47,440 --> 00:23:49,320 Speaker 1: She sure did come on now, she had she had, 464 00:23:49,480 --> 00:23:51,520 Speaker 1: she had Stephanie out there, Queen Stephanie. I did, holding 465 00:23:51,520 --> 00:23:53,640 Speaker 1: her up, making sure she don't embarrass herself too bad. 466 00:23:53,680 --> 00:23:55,400 Speaker 1: That's the way. Tell me they ain't a family, real, 467 00:23:55,600 --> 00:23:57,480 Speaker 1: that is a family here? Come on now, Yes, you 468 00:23:57,560 --> 00:23:59,960 Speaker 1: got one person had too much to drink, another person 469 00:24:00,240 --> 00:24:02,480 Speaker 1: holding him up, making sure they don't brass himself too bad. 470 00:24:02,800 --> 00:24:04,880 Speaker 1: Everybody had a good time. Good night. But that's usually 471 00:24:04,880 --> 00:24:06,280 Speaker 1: at the end of the night, at the beginning of 472 00:24:06,359 --> 00:24:09,520 Speaker 1: the Now you don't walk all right, And then we 473 00:24:09,640 --> 00:24:12,880 Speaker 1: knew Aunti Shaka was coming like that. Okay, okay, we've 474 00:24:12,920 --> 00:24:16,480 Speaker 1: been here before. Now in some sad news. I don't 475 00:24:16,480 --> 00:24:18,240 Speaker 1: know if you've seen this. He's seen an x X 476 00:24:18,400 --> 00:24:21,240 Speaker 1: NFL player get into an argument with his ex girlfriend. 477 00:24:21,320 --> 00:24:23,560 Speaker 1: And how do you go from that? Versus did that 478 00:24:24,320 --> 00:24:25,800 Speaker 1: right now? Not right now? Not right now? If you 479 00:24:25,960 --> 00:24:27,320 Speaker 1: do that later. But he was arrested. I just want 480 00:24:27,320 --> 00:24:28,760 Speaker 1: to say he was arrested because he was on the run. 481 00:24:28,800 --> 00:24:31,280 Speaker 1: He was finally arrested in Florida and it is currently 482 00:24:31,480 --> 00:24:34,840 Speaker 1: in jail now. This is just days after he got 483 00:24:34,880 --> 00:24:37,919 Speaker 1: into an altercation with his ex girlfriend. He punched us 484 00:24:37,920 --> 00:24:40,920 Speaker 1: several times and threw her into the television with their 485 00:24:41,040 --> 00:24:44,800 Speaker 1: five month old son sitting right there. He deserves to 486 00:24:44,840 --> 00:24:47,760 Speaker 1: be in jail for a long time. He's as to 487 00:24:47,800 --> 00:24:50,240 Speaker 1: slam his ass thro chair, table or whatever the hell 488 00:24:50,240 --> 00:24:52,159 Speaker 1: it was. Yeah, they were announce saying that he was 489 00:24:52,280 --> 00:24:56,080 Speaker 1: charged with two felonies agg aggravated assault in criminal mischief. 490 00:24:57,080 --> 00:24:58,800 Speaker 1: He deserves to sit in jail for a long time. 491 00:25:00,119 --> 00:25:02,440 Speaker 1: All right, after you get his ass beat. You're gonna 492 00:25:02,440 --> 00:25:04,679 Speaker 1: get it that beat in jail though as well. He's 493 00:25:04,680 --> 00:25:06,359 Speaker 1: a football player, so he'll be able to hold his own. 494 00:25:06,359 --> 00:25:08,360 Speaker 1: But Dad, they should jump out in jail. Yeah, they 495 00:25:08,520 --> 00:25:10,640 Speaker 1: need to jump his ass, all right, because you tuthing 496 00:25:10,640 --> 00:25:12,720 Speaker 1: like that with a woman, don't mean that you could 497 00:25:12,880 --> 00:25:14,480 Speaker 1: do that to him. Man, you're right. Why are you 498 00:25:14,520 --> 00:25:17,480 Speaker 1: burning that ag because you start talking about that crazy 499 00:25:17,520 --> 00:25:19,960 Speaker 1: story after we just was in here talking about aunties 500 00:25:20,000 --> 00:25:22,119 Speaker 1: and having a good time. Okay, all right, all right, 501 00:25:22,160 --> 00:25:24,359 Speaker 1: well that's your rumor report. When we come back, we 502 00:25:24,440 --> 00:25:27,840 Speaker 1: got front page news and I'll produces telling us we 503 00:25:27,880 --> 00:25:31,439 Speaker 1: got a special announcement and this ain't say Polysanto. Alright, 504 00:25:31,640 --> 00:25:33,560 Speaker 1: we have a special announcement. When we come back. Angela 505 00:25:33,760 --> 00:25:36,480 Speaker 1: is out as the Breakfast Club. Come on the Breakfast Club. 506 00:25:36,600 --> 00:25:39,960 Speaker 1: Your mornings will never be the same. You want a 507 00:25:40,000 --> 00:25:42,680 Speaker 1: Brother Pictures presents King Richard, based on a true story 508 00:25:42,720 --> 00:25:45,280 Speaker 1: that will inspire the world. Watch will Smith's portrayal of 509 00:25:45,359 --> 00:25:48,080 Speaker 1: Richard Williams, father of two of the greatest sports legends, 510 00:25:48,200 --> 00:25:50,960 Speaker 1: Venus Serena, and a Plan for Greatness in theaters and 511 00:25:51,040 --> 00:25:54,560 Speaker 1: on HBO Max King Richard, November nineteenth, rated, pg. Thirteen. 512 00:25:56,400 --> 00:25:58,439 Speaker 1: All right, all right, out right out writer, right, give 513 00:25:58,440 --> 00:26:00,720 Speaker 1: me a drum roll or something. Listen, let's this baby live, 514 00:26:01,440 --> 00:26:04,600 Speaker 1: be live. What happened? We got a special announcement. Powerhouse 515 00:26:04,640 --> 00:26:06,760 Speaker 1: twenty twenty one goes down Sunday, November twenty first, at 516 00:26:06,800 --> 00:26:09,920 Speaker 1: the Predential Center in New York, New Jersey. If you 517 00:26:09,960 --> 00:26:11,600 Speaker 1: haven't got to ticket, you better get your tickets. If 518 00:26:11,600 --> 00:26:13,080 Speaker 1: you could fly, you better fly. If you could drive, 519 00:26:13,080 --> 00:26:14,680 Speaker 1: you could drive, Take a bus, whereever you whatever you 520 00:26:14,760 --> 00:26:15,960 Speaker 1: need to do to get the Jersey, you need to 521 00:26:15,960 --> 00:26:19,520 Speaker 1: be there. Bus. We already told you, Cappella, great spend 522 00:26:19,560 --> 00:26:22,080 Speaker 1: King and friends, Polo g Sweedie, money back your meges, 523 00:26:22,200 --> 00:26:24,320 Speaker 1: Roddy rich and let me tell us who his friends, 524 00:26:24,359 --> 00:26:25,920 Speaker 1: Baby Spen King, you need to tell us who his 525 00:26:26,000 --> 00:26:33,400 Speaker 1: friends and just announced Bobby Smurder through these checks till 526 00:26:33,400 --> 00:26:36,440 Speaker 1: I pasted out, cast side shooty getting neck till I'm 527 00:26:36,480 --> 00:26:39,600 Speaker 1: past out out. What God, all I do is cash 528 00:26:39,720 --> 00:26:42,080 Speaker 1: out and if you win up. You know about my 529 00:26:42,200 --> 00:26:46,960 Speaker 1: tram file selling like the fifth Freak really never meant 530 00:26:47,240 --> 00:26:49,200 Speaker 1: bobby s murder will be in the building, brother, Bobbys 531 00:26:49,200 --> 00:26:51,639 Speaker 1: s murder. I can't wait till we can announce Bobby's 532 00:26:51,680 --> 00:26:55,960 Speaker 1: murder and play something else other than hot n word. Okay, Bobby, 533 00:26:56,000 --> 00:26:57,960 Speaker 1: we need some music, my brother. Yeah, Bobby, we was 534 00:26:58,000 --> 00:26:59,720 Speaker 1: trying to come up here this week, but we need 535 00:26:59,800 --> 00:27:01,600 Speaker 1: some about a couple of days. He was out a 536 00:27:01,640 --> 00:27:04,120 Speaker 1: couple of days. So yeah, shout the Bobby Smart. He's 537 00:27:04,160 --> 00:27:06,600 Speaker 1: just he would be added to Powerhouse twenty twenty one. 538 00:27:06,600 --> 00:27:08,760 Speaker 1: You could get your tickets at ticketmaster dot com. All 539 00:27:08,840 --> 00:27:10,800 Speaker 1: right now, let's get in the front page news. We 540 00:27:10,880 --> 00:27:15,119 Speaker 1: get into it right now, All right now. Travis McMichael, Now, 541 00:27:15,200 --> 00:27:20,320 Speaker 1: yesterday Angelie played him testifying, uh against well, what happened 542 00:27:20,400 --> 00:27:22,359 Speaker 1: during that night with a mad r bicker. You have 543 00:27:22,440 --> 00:27:27,200 Speaker 1: that audio. Obviously he was attacking me that if he 544 00:27:27,240 --> 00:27:29,720 Speaker 1: would have gotten the shotgun from me, then it was 545 00:27:30,840 --> 00:27:33,399 Speaker 1: I was the life for depth situation. Remember that yesterday 546 00:27:35,119 --> 00:27:37,520 Speaker 1: at that was called Fighter flight, sir. That is a 547 00:27:37,640 --> 00:27:41,760 Speaker 1: natural response to when somebody is uh stretched out or frightened. 548 00:27:41,920 --> 00:27:43,959 Speaker 1: So if a bunch of Santa Claude looking white men 549 00:27:44,040 --> 00:27:46,119 Speaker 1: was chasing me with guns, I would be stretched out 550 00:27:46,160 --> 00:27:48,720 Speaker 1: and frightened too, and I would try to defend myself. Okay, 551 00:27:48,880 --> 00:27:51,159 Speaker 1: fight a flight, sir. Now, yesterday he was on the 552 00:27:51,240 --> 00:27:54,240 Speaker 1: stand again and he said he was never verbally threatened, 553 00:27:59,080 --> 00:28:03,440 Speaker 1: and he never yelled at you guys, never threatened you 554 00:28:03,520 --> 00:28:07,920 Speaker 1: at all. Didn't brandish any weapons, no, ma'am, didn't plout 555 00:28:07,920 --> 00:28:13,200 Speaker 1: any guns, didn't plout any knife. Dail never reached her anything, 556 00:28:13,280 --> 00:28:17,399 Speaker 1: did he No, he just ran. Yes, he was just 557 00:28:17,480 --> 00:28:20,920 Speaker 1: from basically Ahmad Aubrey was no threat to us at all, 558 00:28:21,000 --> 00:28:24,760 Speaker 1: but your honor, he was black. He's being black, knight 559 00:28:24,840 --> 00:28:28,080 Speaker 1: A thread enough right now we have some some more 560 00:28:28,200 --> 00:28:31,439 Speaker 1: audio of him testifying. She said, you've had a lot 561 00:28:31,480 --> 00:28:34,560 Speaker 1: of trouble with thieves. It just worries me because my 562 00:28:34,680 --> 00:28:38,080 Speaker 1: daddy is slapt, old, crazy, Lol. He's oldest, dirty, doesn't 563 00:28:38,120 --> 00:28:41,160 Speaker 1: care about jail. And you responded, that's what this world 564 00:28:41,320 --> 00:28:43,680 Speaker 1: needs more of. My old man is the same way. 565 00:28:45,480 --> 00:28:48,920 Speaker 1: And then the next line is you said, hell, I'm 566 00:28:49,000 --> 00:28:51,760 Speaker 1: getting that way. I did say that. She said, have 567 00:28:51,920 --> 00:28:55,160 Speaker 1: to make an example out of somebody. You said, that's right, Hope, 568 00:28:55,240 --> 00:28:59,520 Speaker 1: y'all catch the vermin? Correct? I did? Damn So you 569 00:28:59,600 --> 00:29:03,120 Speaker 1: called him vermint. And that's why I have no problem 570 00:29:03,240 --> 00:29:06,640 Speaker 1: letting crack a ass cracker fly out of my mouth. Okay, 571 00:29:07,280 --> 00:29:09,440 Speaker 1: I know a crack ass cracking one. I see one 572 00:29:09,680 --> 00:29:12,120 Speaker 1: and hear one, and that was definitely one I've seen 573 00:29:12,200 --> 00:29:15,680 Speaker 1: and heard. Okay, Okay, I agree with you on this one. 574 00:29:16,480 --> 00:29:19,160 Speaker 1: All right, can we let one fly just just in case? Rack, 575 00:29:19,200 --> 00:29:22,760 Speaker 1: I ask cracking music to Mike is all Friday morning? 576 00:29:23,080 --> 00:29:26,000 Speaker 1: Well call them what they oh? That is your front page. 577 00:29:26,160 --> 00:29:28,800 Speaker 1: Good white people, y'all gotta call them what they are too. 578 00:29:28,880 --> 00:29:30,760 Speaker 1: You gotta draw told y'all already. You gotta draw a 579 00:29:30,800 --> 00:29:32,640 Speaker 1: line in the sand. If we're gonna really de crackify 580 00:29:32,760 --> 00:29:35,040 Speaker 1: this country, it starts with us. If you're a good 581 00:29:35,080 --> 00:29:36,720 Speaker 1: white person, you gotta draw a line in the sand, 582 00:29:36,720 --> 00:29:38,480 Speaker 1: and you gotta say that is what I am not. 583 00:29:38,840 --> 00:29:41,680 Speaker 1: I am a good white person. That is that racist Biggert. 584 00:29:42,240 --> 00:29:45,200 Speaker 1: That calling black people vermint and chasing black people down 585 00:29:45,280 --> 00:29:47,600 Speaker 1: for no reason and killing them, That is a crack 586 00:29:47,680 --> 00:29:52,280 Speaker 1: ass cracker, crack ass cracking, all right, make my shoulders 587 00:29:52,320 --> 00:29:54,360 Speaker 1: loose when I hear that, Well, that is your front 588 00:29:54,400 --> 00:29:59,120 Speaker 1: page of my side. One more ready crack ass crack 589 00:29:59,320 --> 00:30:02,600 Speaker 1: oh my next year cracked? Thank you? Alright? Alright, alright, 590 00:30:02,680 --> 00:30:04,440 Speaker 1: let's clear everything out. You want to burn some more saves. 591 00:30:04,480 --> 00:30:05,840 Speaker 1: I don't need to burn it. That was all I said. 592 00:30:05,920 --> 00:30:07,760 Speaker 1: I need. That was probably something that was so healing 593 00:30:07,800 --> 00:30:09,720 Speaker 1: for me to hear that. Okay, all right, well it 594 00:30:09,840 --> 00:30:11,400 Speaker 1: is a friday. Make me feel good. Plent me something 595 00:30:11,440 --> 00:30:20,360 Speaker 1: to make me feel good, right, guss, it's holiday season, 596 00:30:20,680 --> 00:30:36,080 Speaker 1: hey season? Alright, let's not another drink. You are ice. 597 00:30:36,280 --> 00:30:39,600 Speaker 1: Let's play with this for a little five eight five, 598 00:30:39,680 --> 00:30:42,040 Speaker 1: one oh five one. I know we all have drunk auntie, 599 00:30:42,240 --> 00:30:45,800 Speaker 1: drunk uncle, drunk cousin, dr grandmas, or even your drunk 600 00:30:45,840 --> 00:30:50,680 Speaker 1: parents sometimes. How do you deal god drunk? That is me? 601 00:30:50,960 --> 00:30:53,240 Speaker 1: All right? Well, how do you deal within it? Off key, dancing, 602 00:30:53,280 --> 00:30:55,080 Speaker 1: off beat? I do that when I'm not drunk drunk 603 00:30:55,280 --> 00:30:57,280 Speaker 1: a drunk uncle during the holidays? How do you deal 604 00:30:57,320 --> 00:30:58,880 Speaker 1: with it? Right? How do you control that? In your family? 605 00:30:58,920 --> 00:31:00,960 Speaker 1: You know they're gonna barrass you. They ain't not embarrassing? 606 00:31:01,080 --> 00:31:03,560 Speaker 1: How they embras. They're not embarrassing nobody. They're having a 607 00:31:03,640 --> 00:31:06,120 Speaker 1: good time. Oh yes they are. They're embarrassing everybody, breaking 608 00:31:06,120 --> 00:31:08,520 Speaker 1: the move. People over and they talking too much life 609 00:31:08,560 --> 00:31:12,440 Speaker 1: for the party. No, no, up, life for the party. 610 00:31:13,840 --> 00:31:15,760 Speaker 1: They don't throw up at that age. You know, I'm 611 00:31:15,800 --> 00:31:17,800 Speaker 1: some respect. They don't. Hell No, you don't think I 612 00:31:17,840 --> 00:31:21,320 Speaker 1: could come through up? Absolutely not. She had right now. 613 00:31:23,160 --> 00:31:27,600 Speaker 1: You got up right now, eight and sh up right now. 614 00:31:27,680 --> 00:31:30,400 Speaker 1: Eight hundred five eight five one on five one eight. Now, 615 00:31:30,520 --> 00:31:32,760 Speaker 1: how do you deal with the drunk a drunk uncle 616 00:31:32,880 --> 00:31:35,360 Speaker 1: during the holidays? Let's talk about it. I played one 617 00:31:35,400 --> 00:31:36,880 Speaker 1: more time and then we could go play commercials and 618 00:31:36,920 --> 00:31:38,920 Speaker 1: we'll take some calls. Right, made me feel good all 619 00:31:38,920 --> 00:31:58,680 Speaker 1: the time. Man went out. I feel like CROSSI shocked. 620 00:32:00,560 --> 00:32:02,640 Speaker 1: I look at you drop one of clues box with 621 00:32:02,760 --> 00:32:05,800 Speaker 1: the rock and con damn it. I love Auntie Shocker. 622 00:32:05,880 --> 00:32:07,520 Speaker 1: You hear me. We'll take your cals. We'll come you 623 00:32:07,560 --> 00:32:09,360 Speaker 1: bit act like you know who that is ten Grammys, 624 00:32:09,360 --> 00:32:12,160 Speaker 1: twenty two nominations. Don't play with earth. It's the breakfast Club. 625 00:32:12,240 --> 00:32:21,040 Speaker 1: Good morning, the Breakfast Club. It's topic time on the 626 00:32:21,120 --> 00:32:25,120 Speaker 1: phone called eight hundred five eight five one oh five. 627 00:32:25,200 --> 00:32:27,280 Speaker 1: Want to join it to the discussion with the Breakfast club. 628 00:32:27,640 --> 00:32:32,600 Speaker 1: Talk about it morning. Everybody is stej Mvy Angela ye, 629 00:32:32,880 --> 00:32:35,880 Speaker 1: Charlomagne the guy we are the breakfast club. Angela is out. 630 00:32:36,000 --> 00:32:39,320 Speaker 1: Last night was versus and Shatka con she got busy 631 00:32:39,440 --> 00:32:45,200 Speaker 1: last night. Can we here a little bit? I can't 632 00:32:45,360 --> 00:33:04,360 Speaker 1: love sis fie. Now, I'm gonna be honest with you, man, 633 00:33:05,000 --> 00:33:08,640 Speaker 1: I don't like this disrespect you showing this morning. Okay, 634 00:33:09,040 --> 00:33:11,880 Speaker 1: shot Khan got ten grammys. Yeah she does. Shaka Khan 635 00:33:12,000 --> 00:33:14,760 Speaker 1: is a divine talent. Only God can give you what 636 00:33:14,840 --> 00:33:18,440 Speaker 1: Shaka Khan has had historically. Okay, absolutely, If Shaka wants 637 00:33:18,480 --> 00:33:21,040 Speaker 1: to get drunk, have a great time with Queen Stephanie 638 00:33:21,120 --> 00:33:23,440 Speaker 1: Mills sing off key, she can do that. She has 639 00:33:23,480 --> 00:33:26,800 Speaker 1: earned the right to do that. Correct. Okay, and don't 640 00:33:26,840 --> 00:33:30,120 Speaker 1: act like we don't all like the drunk Auntie, especially me. 641 00:33:30,160 --> 00:33:33,520 Speaker 1: I like drunk aunties. Drunk uncle is a little little silly. 642 00:33:33,600 --> 00:33:35,120 Speaker 1: Might have to punch your drunk uncle in the fath 643 00:33:35,360 --> 00:33:38,560 Speaker 1: Drunk Aunties they come over, they act just like that, 644 00:33:38,720 --> 00:33:41,560 Speaker 1: They sing off key, they dance, they have a good time. 645 00:33:41,600 --> 00:33:44,480 Speaker 1: They the life with a party, fall asleep on the couch, right, 646 00:33:44,840 --> 00:33:46,880 Speaker 1: what's the problem, you know, you know a Christmas right, 647 00:33:47,160 --> 00:33:48,640 Speaker 1: and I feel bad for my aunties, right, you know, 648 00:33:48,800 --> 00:33:50,640 Speaker 1: you know Auntie. Sometimes they take the little pills. They 649 00:33:50,640 --> 00:33:52,720 Speaker 1: got to take the high high blood pressure pills. They're 650 00:33:52,720 --> 00:33:54,480 Speaker 1: not supposed to mix it with alcohol. But I give 651 00:33:54,520 --> 00:33:57,520 Speaker 1: everybody shots. So after the second shot, all my aunties 652 00:33:57,560 --> 00:34:00,440 Speaker 1: be that's right, that's right, that's right, the bra off 653 00:34:00,440 --> 00:34:01,720 Speaker 1: because they gotta let it breath a little. Now. I 654 00:34:01,720 --> 00:34:04,720 Speaker 1: don't know about all that. Ain't about all that. I 655 00:34:04,760 --> 00:34:07,000 Speaker 1: ain't never seen that. I've never been party with my aunties. 656 00:34:07,000 --> 00:34:09,359 Speaker 1: And they just took their bro not not that ain't 657 00:34:09,400 --> 00:34:11,640 Speaker 1: never happened, not the missile swinging, but under this shirt 658 00:34:11,680 --> 00:34:13,480 Speaker 1: they took the bras. I've never seen that. Where did 659 00:34:13,480 --> 00:34:14,880 Speaker 1: they put the brows in? Did they hang them up 660 00:34:14,880 --> 00:34:17,200 Speaker 1: with the coach? That's never happened. When you just made 661 00:34:17,239 --> 00:34:18,680 Speaker 1: that up, you didn't made it up for no reason, 662 00:34:18,800 --> 00:34:20,680 Speaker 1: Like just for no reason, you just made that up 663 00:34:20,840 --> 00:34:26,439 Speaker 1: had never happened. Good morning on V don't care. Wow, Wow, 664 00:34:27,360 --> 00:34:29,120 Speaker 1: all right, let's get now, Quard. Let's go to the 665 00:34:29,200 --> 00:34:36,960 Speaker 1: phone once. Hello, who's this Matro the Metro Colombia. You 666 00:34:37,000 --> 00:34:42,239 Speaker 1: sound like you run. You sound like you the drug auntie. No, 667 00:34:42,600 --> 00:34:45,960 Speaker 1: my sipster is a drunk aunt Okay, why are you 668 00:34:46,080 --> 00:34:49,479 Speaker 1: judging the last on me? Mad? We just stopped cool. 669 00:34:49,520 --> 00:34:51,160 Speaker 1: It's like you just put that on me like last 670 00:34:51,200 --> 00:34:53,839 Speaker 1: weekend because she was drunk. But it's gonna go through waves. 671 00:34:53,840 --> 00:34:55,719 Speaker 1: He's gonna have a good time. You're gonna have to 672 00:34:55,840 --> 00:34:59,040 Speaker 1: carry her out or you gonna have to fight your ead. Well, 673 00:34:59,080 --> 00:35:00,680 Speaker 1: you don't fight too all often. You just got to 674 00:35:00,719 --> 00:35:03,400 Speaker 1: threaten her with with some hands, that's all. No, Like 675 00:35:03,520 --> 00:35:05,200 Speaker 1: I'll be feeling my dad, but you don't. You have 676 00:35:05,320 --> 00:35:06,719 Speaker 1: to give the hands on time to see you do 677 00:35:06,920 --> 00:35:09,759 Speaker 1: cool much? You gonna kill me after this, but it's 678 00:35:09,800 --> 00:35:12,480 Speaker 1: our good. We're gonna drink again, turn up again. That's right. 679 00:35:12,560 --> 00:35:15,239 Speaker 1: Thanksgiving next week. We were in holiday season. Baby. We 680 00:35:15,280 --> 00:35:18,040 Speaker 1: ain't got time for nothing but fun, right, but I 681 00:35:18,200 --> 00:35:20,279 Speaker 1: have that y'all drop the kids off. That stood so girl, 682 00:35:20,320 --> 00:35:22,239 Speaker 1: y'all have a good job, all right, Tell the kids 683 00:35:22,280 --> 00:35:27,120 Speaker 1: I said peace? Hello. Who's this's trao trash from Bill Florida. 684 00:35:27,360 --> 00:35:29,960 Speaker 1: What's up brother Jackson? Bill Tario? What's upcake? Are you 685 00:35:30,000 --> 00:35:32,440 Speaker 1: the drunk uncle? Brother? What's up? Man? What's up? In 686 00:35:33,520 --> 00:35:36,239 Speaker 1: you drink. You drunk right now? Brother man shot out 687 00:35:36,280 --> 00:35:41,279 Speaker 1: on three crazy stallus right now already? Man, cool man, 688 00:35:41,320 --> 00:35:42,920 Speaker 1: i'd be up three o'clock and I'm going to wait 689 00:35:42,920 --> 00:35:45,120 Speaker 1: when y'all to come on. Why old brother, why are 690 00:35:45,120 --> 00:35:50,000 Speaker 1: you drinking yourself? I can't sweep this saw me. Have 691 00:35:50,160 --> 00:35:52,759 Speaker 1: you had breakfast? Yeah? I don't eat already. Yeah, you 692 00:35:52,800 --> 00:35:54,520 Speaker 1: need a therapist. Brother. You need to sit down and 693 00:35:54,600 --> 00:35:56,600 Speaker 1: talk to somebody and figure that out. You can't. You can't. 694 00:35:56,760 --> 00:36:00,319 Speaker 1: You sound like yourself medicating. No, not just I really 695 00:36:00,360 --> 00:36:01,680 Speaker 1: want to talk with you about something, but I want 696 00:36:01,719 --> 00:36:03,920 Speaker 1: to trip y'all out though about this right talking to me? 697 00:36:04,080 --> 00:36:07,040 Speaker 1: It was last weekend. You tim me came to town 698 00:36:07,760 --> 00:36:10,400 Speaker 1: and it was my uncle's birthday, and I'm gonna tell 699 00:36:10,400 --> 00:36:12,080 Speaker 1: you how to deal with two drunks at one time. 700 00:36:12,680 --> 00:36:15,439 Speaker 1: I don't drink Look, I drink beer, okay, and didn't 701 00:36:15,480 --> 00:36:17,840 Speaker 1: make a long story short. We end up watching the 702 00:36:17,880 --> 00:36:20,840 Speaker 1: show great show, Some Time is good, and man, I 703 00:36:21,080 --> 00:36:24,480 Speaker 1: tried got to be the hell coler drinking absolute buckle 704 00:36:24,880 --> 00:36:27,920 Speaker 1: and that wasn't my category. So I had to apologize 705 00:36:27,960 --> 00:36:31,000 Speaker 1: to the family. But I got another person that gets 706 00:36:31,080 --> 00:36:33,920 Speaker 1: drunk too, and he was right behind him, but they 707 00:36:34,000 --> 00:36:36,239 Speaker 1: see I bashed the whole family. Yeah, I don't think 708 00:36:36,280 --> 00:36:38,279 Speaker 1: you should judge when you didn't drink all this malt 709 00:36:38,360 --> 00:36:41,120 Speaker 1: liquor at at seven o'clock in the morning. Bro, what's 710 00:36:41,120 --> 00:36:43,799 Speaker 1: your favorite? R and B sothing? Bro? Who? Man? Yeah? 711 00:36:44,600 --> 00:36:47,000 Speaker 1: I like on more audition lost the lord saying for 712 00:36:47,120 --> 00:36:49,560 Speaker 1: us one time? Brother, Come on, man, I don't know 713 00:36:49,600 --> 00:36:52,399 Speaker 1: how the same. I bet hey, I bet you stink 714 00:36:52,400 --> 00:36:56,520 Speaker 1: when you sweat. He said he could wrap though, y'all 715 00:36:56,600 --> 00:36:58,400 Speaker 1: crazy schelo Maine. I need to get with you on 716 00:36:58,560 --> 00:37:00,880 Speaker 1: some O books, and I I tup someone to say 717 00:37:00,880 --> 00:37:02,840 Speaker 1: because I'm gonna trying to get what you'll hold on? 718 00:37:02,880 --> 00:37:07,000 Speaker 1: What's your favorite? Who's your favorite? Florida? But when don't 719 00:37:07,040 --> 00:37:10,640 Speaker 1: never hear nothing about the bronze on your dunkeys other day? 720 00:37:10,920 --> 00:37:13,360 Speaker 1: First of all, you have nothing to say to nobody 721 00:37:13,400 --> 00:37:14,640 Speaker 1: when you call up here and you didn't have three 722 00:37:14,680 --> 00:37:16,839 Speaker 1: crazy styllies and it's only seven o'clock in the morning, 723 00:37:16,840 --> 00:37:19,040 Speaker 1: And then you wonder why I got to stay Florida's 724 00:37:19,040 --> 00:37:23,160 Speaker 1: crazy all the time? Who was your favorite? Rapper? Broad 725 00:37:23,400 --> 00:37:26,719 Speaker 1: spits some two pot lyrics for us. Man, gone with that, man, 726 00:37:27,239 --> 00:37:28,799 Speaker 1: go on with that? Leave that man alone, that man 727 00:37:28,960 --> 00:37:33,880 Speaker 1: drunk man, leave him alone. It's man buzzing off crazy stallion. Hey, brother, 728 00:37:34,480 --> 00:37:36,160 Speaker 1: I want you to find somebody to talk to. Many 729 00:37:36,200 --> 00:37:38,359 Speaker 1: don't want yourself medicating like that early this morning. Man, 730 00:37:38,760 --> 00:37:43,120 Speaker 1: let me get yours, Let me get your buck. I'm 731 00:37:43,120 --> 00:37:45,000 Speaker 1: gonna send you. I actually am gonna send you the 732 00:37:45,120 --> 00:37:48,120 Speaker 1: Unapologetic Guy, The Black Mental Health by doctor Rea Walker. 733 00:37:48,160 --> 00:37:49,680 Speaker 1: I'm dead stairs. I'm gonna send you that. You stay 734 00:37:49,800 --> 00:37:52,560 Speaker 1: you put you stay on hold. Okay, all right, that's 735 00:37:52,560 --> 00:37:55,200 Speaker 1: what's good morning fellas. Brother. We'll send you two bucks 736 00:37:55,239 --> 00:37:57,920 Speaker 1: if you can spell receipt. Tell him stop playing with you. 737 00:38:00,120 --> 00:38:02,160 Speaker 1: You sound like you're saying I N D E P 738 00:38:02,480 --> 00:38:08,600 Speaker 1: E and D E and T. Yeah that's me. Hey, 739 00:38:08,760 --> 00:38:11,240 Speaker 1: I want to do this one time for y'all. Go listen. 740 00:38:11,640 --> 00:38:13,359 Speaker 1: I want to get shouts out to the farm there Acro. 741 00:38:13,480 --> 00:38:15,839 Speaker 1: We got our reunion and you gotta. Y'all look out 742 00:38:15,880 --> 00:38:18,480 Speaker 1: for Lefty Guns, V and G Black and Mile. I'm 743 00:38:18,520 --> 00:38:20,360 Speaker 1: on that song. I'm on I'm on song with the 744 00:38:20,840 --> 00:38:23,279 Speaker 1: Black and Mile and it's on all platform. Y'all got 745 00:38:23,360 --> 00:38:25,000 Speaker 1: to grow up. Oh my goodness, let me hear you 746 00:38:25,120 --> 00:38:29,839 Speaker 1: rap your verse. How old are you on four to seven. 747 00:38:30,360 --> 00:38:31,759 Speaker 1: I just said you need to grow up. Then, I 748 00:38:31,800 --> 00:38:33,080 Speaker 1: just said you need to grow UPO. Let me hear 749 00:38:33,160 --> 00:38:36,680 Speaker 1: your verse. Go ahead, wrap your verse, go man, I 750 00:38:36,760 --> 00:38:39,520 Speaker 1: ain't got con for that. Have a blessed day. Have 751 00:38:39,640 --> 00:38:42,920 Speaker 1: a blessed day, my brother. All yeah, I'm gonna get 752 00:38:42,920 --> 00:38:44,920 Speaker 1: your address to send you this unapologizic guy to Black 753 00:38:44,960 --> 00:38:48,399 Speaker 1: mental health. That's all right, good well, I love my people. 754 00:38:49,160 --> 00:38:51,680 Speaker 1: We need help. Five A five one on five one 755 00:38:51,760 --> 00:38:56,080 Speaker 1: based on Shaka con last night. We're talking drunk aunties 756 00:38:56,120 --> 00:38:59,080 Speaker 1: and drunk uncles. How do you handle them during the holidays. 757 00:38:59,160 --> 00:39:09,839 Speaker 1: Let's talk about it as was club the morning. Call 758 00:39:10,040 --> 00:39:15,120 Speaker 1: me your opinions to the Breakfast Club top on five 759 00:39:15,160 --> 00:39:20,239 Speaker 1: one five one morning. Everybody is cj Envy and Jela Uee, 760 00:39:20,320 --> 00:39:22,799 Speaker 1: Charlomagne the guy. We are the Breakfast Club. Now if 761 00:39:22,840 --> 00:39:25,480 Speaker 1: you just joined us. We're talking about Shaka Color let 762 00:39:25,480 --> 00:39:27,359 Speaker 1: me Rocket Shaka Khan. It was the verses last night, 763 00:39:27,360 --> 00:39:30,040 Speaker 1: and we're talking about Queen Stephanie Mills as well. But 764 00:39:30,200 --> 00:39:33,840 Speaker 1: we're talking about Shaka because Chaka was the drunk auntie 765 00:39:33,880 --> 00:39:35,279 Speaker 1: at the party. And I don't see the problem. I 766 00:39:35,360 --> 00:39:37,720 Speaker 1: feel like Shota has earned the right to get drunk 767 00:39:37,840 --> 00:39:40,200 Speaker 1: and get on that stage and have a great time 768 00:39:40,360 --> 00:39:42,640 Speaker 1: with Queen Stephanie Mills. If she wanted to sing off key, 769 00:39:42,680 --> 00:39:44,600 Speaker 1: she has earned that right. But let's hear a little 770 00:39:44,640 --> 00:40:02,200 Speaker 1: bit of it. I guess. Come on now, I wish 771 00:40:02,239 --> 00:40:04,319 Speaker 1: I was out there with her drunk singing off key. 772 00:40:07,760 --> 00:40:11,640 Speaker 1: Oh my goodness. Okay, Hello, who's this Hi? It's from 773 00:40:12,320 --> 00:40:14,799 Speaker 1: Angie from Brooklyn. How do you deal with your drunk 774 00:40:14,880 --> 00:40:17,360 Speaker 1: hunts and drunk uncles at a party? Number One, I 775 00:40:17,480 --> 00:40:20,319 Speaker 1: give them a disclaimer. I call them before and say, 776 00:40:20,400 --> 00:40:27,399 Speaker 1: don't start that bars us and don't that's number one. 777 00:40:27,840 --> 00:40:29,879 Speaker 1: Number Two. If I see it starting to get loose, 778 00:40:29,960 --> 00:40:33,120 Speaker 1: you wild, especially at my house, I put them looking 779 00:40:33,239 --> 00:40:35,920 Speaker 1: in my room and I lock it up. Cut everybody 780 00:40:36,000 --> 00:40:40,680 Speaker 1: walk Why because it's annoying, Charlottagne. I don't want to 781 00:40:40,719 --> 00:40:43,960 Speaker 1: be the only soaker one following behind somebody that's drunk. 782 00:40:44,360 --> 00:40:46,719 Speaker 1: That's annoying. I still have a turkey to take care of. 783 00:40:47,120 --> 00:40:49,600 Speaker 1: I'm with you, but man, we wouldn't have these stories 784 00:40:49,680 --> 00:40:51,520 Speaker 1: to tell if it wasn't for the drunk uncles and 785 00:40:51,640 --> 00:40:54,279 Speaker 1: nunties and some of us. I have another stormy to 786 00:40:54,360 --> 00:41:02,920 Speaker 1: last much Benner tonight. Thank you baby. Hello, who's this Hello? 787 00:41:03,239 --> 00:41:07,600 Speaker 1: This is Ramone m Good morning, Ramode, good morning, Good morning. 788 00:41:08,360 --> 00:41:11,440 Speaker 1: Now your mom is a drunk auntie. Yeah, yeah, my 789 00:41:11,560 --> 00:41:14,640 Speaker 1: mom's drunk auntie. How you deal with moms? Then? I mean, 790 00:41:14,960 --> 00:41:17,000 Speaker 1: you know she sus me sorry, So she under right, 791 00:41:17,480 --> 00:41:21,320 Speaker 1: you goddamn right. She got four kids, she be tired, 792 00:41:21,640 --> 00:41:24,160 Speaker 1: so she has a corona more than the average person. 793 00:41:25,200 --> 00:41:26,520 Speaker 1: I'm gonna be honest with you. I don't like the 794 00:41:26,560 --> 00:41:29,040 Speaker 1: bear drinking the bed drinkers in the cigarette smokers. That's 795 00:41:29,080 --> 00:41:32,160 Speaker 1: just nasty, Okay. I like a classic person drinking on 796 00:41:32,200 --> 00:41:38,200 Speaker 1: some yak or something killer killer. But I love to Yeah, 797 00:41:39,560 --> 00:41:42,200 Speaker 1: anything can happen anytime I'm with it. That Yeah, give 798 00:41:42,200 --> 00:41:44,080 Speaker 1: me some yaking, some to killer, That's what I like. 799 00:41:44,640 --> 00:41:47,000 Speaker 1: And I like wine. I like wine drinking people that 800 00:41:47,080 --> 00:41:50,759 Speaker 1: can drink all that. Bill. Hello, who's this? Hey? You're 801 00:41:50,840 --> 00:41:53,760 Speaker 1: born in breakfast club? Is Eric down in Charleston, South Carolina? 802 00:41:53,800 --> 00:41:57,359 Speaker 1: How you doing? Four three? What's happening? Eight four three? 803 00:41:57,600 --> 00:42:00,000 Speaker 1: Z ninety three jams back in the day and charlote 804 00:42:00,080 --> 00:42:02,680 Speaker 1: man being on the air calling people, but booky by 805 00:42:02,719 --> 00:42:08,560 Speaker 1: bouncid by bunk by Blunkie. You are but bunky me 806 00:42:08,640 --> 00:42:13,960 Speaker 1: and whack boy that boy bunky any bookie as you asked, 807 00:42:14,040 --> 00:42:17,000 Speaker 1: you know people, that's as you booky. So you've been 808 00:42:17,080 --> 00:42:19,279 Speaker 1: as you've been into asses a long time. Now shut 809 00:42:19,400 --> 00:42:21,680 Speaker 1: up now, Eric ahead, man to tell us how you 810 00:42:21,800 --> 00:42:24,640 Speaker 1: dealing with the drunk uncles and drunk us. Man. You 811 00:42:24,719 --> 00:42:26,680 Speaker 1: know what, when you got a drunk uncle, you gotta 812 00:42:26,760 --> 00:42:29,040 Speaker 1: respect the drunk if that big thing you sense. Man, 813 00:42:29,560 --> 00:42:32,040 Speaker 1: You know, we had this uncle by the name of Whui, 814 00:42:32,120 --> 00:42:35,160 Speaker 1: and all he did was he loved him, the wild 815 00:42:35,200 --> 00:42:38,120 Speaker 1: Irish rose man. And when he gets lit, you get 816 00:42:38,200 --> 00:42:40,800 Speaker 1: respected drunk and you just dance with a man, you know, 817 00:42:40,880 --> 00:42:43,520 Speaker 1: and just make memories. That's what I'm saying. If I 818 00:42:43,640 --> 00:42:45,480 Speaker 1: was with shot Ga, I'd have been dancing with us, 819 00:42:45,480 --> 00:42:48,120 Speaker 1: singing with us. We all got that drunk uncle auntie. 820 00:42:48,200 --> 00:42:50,880 Speaker 1: We just make him turn up. Go uncle, go Auntie. 821 00:42:51,160 --> 00:42:53,719 Speaker 1: That's all. I have a good time. Man. And by 822 00:42:53,760 --> 00:42:56,000 Speaker 1: the way, were the drunk uncles and aunties. Now, how 823 00:42:56,040 --> 00:42:58,359 Speaker 1: do you think we're looking? We drunk around our kids 824 00:42:58,400 --> 00:43:00,200 Speaker 1: and knock if you buck, come on you right, we 825 00:43:00,320 --> 00:43:02,719 Speaker 1: look just like that. You got right? You got don't 826 00:43:02,760 --> 00:43:05,640 Speaker 1: play Marj Blige New adition I'm drinking. That was me 827 00:43:05,840 --> 00:43:08,640 Speaker 1: yesterday on set and I wasn't even drinking yet. Let 828 00:43:08,920 --> 00:43:11,640 Speaker 1: let Mary J. Blige my life. Come on, Mary J. Blige, 829 00:43:11,760 --> 00:43:14,600 Speaker 1: be happy and don't let that fantasia when I see 830 00:43:14,640 --> 00:43:18,120 Speaker 1: you drop one time? Come on, now, come on, now 831 00:43:18,160 --> 00:43:20,640 Speaker 1: it happens. We start closing our eyes and we raised 832 00:43:20,719 --> 00:43:23,399 Speaker 1: glasses bigger. I think I'll be thinking I have hand 833 00:43:24,239 --> 00:43:30,439 Speaker 1: just just out you hit me. Let that tever camel 834 00:43:30,520 --> 00:43:36,840 Speaker 1: ring off. Oh, can't we talk for a minute, girl, 835 00:43:37,480 --> 00:43:43,680 Speaker 1: one to know your name? Come on now, allright, we 836 00:43:43,760 --> 00:43:47,560 Speaker 1: didn't drunk uncle's and aunties. Right now, I'm telling you, 837 00:43:47,960 --> 00:43:51,080 Speaker 1: I think you shout out to Uncle Wee what Yeah, 838 00:43:51,440 --> 00:43:53,839 Speaker 1: God bless his name. Man, he'll be what. Uncle We' 839 00:43:53,920 --> 00:43:56,440 Speaker 1: not with us anymore. No, he's not with us, man, 840 00:43:56,480 --> 00:43:58,160 Speaker 1: but he gave us memories of laugh of the last 841 00:43:58,200 --> 00:44:00,200 Speaker 1: of lifetime. Man, so we love him. Rest in peace, 842 00:44:00,280 --> 00:44:03,800 Speaker 1: Uncle we Hey four three all day. Man. Let me 843 00:44:03,840 --> 00:44:06,000 Speaker 1: tell you something. You don't realize you the drunk uncle 844 00:44:06,560 --> 00:44:10,359 Speaker 1: auntie until you've had one too many drinks and your error. 845 00:44:10,440 --> 00:44:13,440 Speaker 1: Come on, When them nineties R and B songs start flying, 846 00:44:13,760 --> 00:44:16,439 Speaker 1: when that trunk music starts flying, that's when you become 847 00:44:16,480 --> 00:44:18,279 Speaker 1: the drunk uncle and auntie. And that's when the kids 848 00:44:18,320 --> 00:44:20,800 Speaker 1: start going in eight rooms and looking at y'all like 849 00:44:20,920 --> 00:44:24,880 Speaker 1: y'all crazy. Right, I'm telling you right now, stupid, we 850 00:44:24,920 --> 00:44:27,040 Speaker 1: look drunk at forty some of years old bankhead bouncing 851 00:44:30,280 --> 00:44:36,600 Speaker 1: doing the fishing pole. Didn't kids start getting worried? Should 852 00:44:36,600 --> 00:44:40,320 Speaker 1: we call them? Body? Should we call one one? My goodness? 853 00:44:40,920 --> 00:44:44,279 Speaker 1: All right? Well when we come back, man, like, why 854 00:44:44,400 --> 00:44:48,360 Speaker 1: is this old mules? Sad man? It's Friday? We have 855 00:44:48,440 --> 00:44:52,320 Speaker 1: anything positive? Nobody had a baby? No, Lord, have mercy. 856 00:44:52,520 --> 00:44:54,000 Speaker 1: All right, when we come back, we got to talk 857 00:44:54,080 --> 00:44:55,880 Speaker 1: young Dolph. All right, we'll get into it. Next to 858 00:44:55,880 --> 00:45:04,080 Speaker 1: the breakfast clog. Morning ah, good morning, everybody, Good morning, everybody, Yes, morning, 859 00:45:04,120 --> 00:45:07,400 Speaker 1: everybody's DJ mvy angela Ye, Charlomagne and the guy we 860 00:45:07,480 --> 00:45:12,200 Speaker 1: are the breakfast club. Happy Friday. It is Friday, that's right. 861 00:45:12,280 --> 00:45:14,800 Speaker 1: This is our last day for until we had no 862 00:45:14,880 --> 00:45:16,960 Speaker 1: idea for a week off next week for vacation. I 863 00:45:17,040 --> 00:45:18,960 Speaker 1: really had no idea. I thought the vacation started, you know, 864 00:45:19,400 --> 00:45:22,319 Speaker 1: on Thanksgiving Day and Friday, and then I'm actually taking 865 00:45:22,360 --> 00:45:25,080 Speaker 1: a couple of days after that. Yeah, I know. I 866 00:45:25,200 --> 00:45:28,440 Speaker 1: ran into somebody that told me about that too. I'll 867 00:45:28,440 --> 00:45:30,680 Speaker 1: tell you off there. Yeah, I don't know I tell 868 00:45:30,680 --> 00:45:32,759 Speaker 1: you about what. I'll tell you off fair. I don't 869 00:45:32,760 --> 00:45:34,920 Speaker 1: know what they What could they tell you by me 870 00:45:35,480 --> 00:45:38,120 Speaker 1: about you? By me what I didn't even know. I 871 00:45:38,280 --> 00:45:40,000 Speaker 1: didn't even know I had off. So how somebody gonna 872 00:45:40,000 --> 00:45:45,920 Speaker 1: tell me tell you about me being off? Anyway? Tomorrow, uh, 873 00:45:46,080 --> 00:45:48,480 Speaker 1: Most corner, South Carolina, dropping a clue box from my hometown, 874 00:45:48,520 --> 00:45:51,080 Speaker 1: the eight four three Slooth to Z ninety three jams 875 00:45:51,120 --> 00:45:53,040 Speaker 1: in Charleston. You know the breakfast club is on there. 876 00:45:53,239 --> 00:45:56,040 Speaker 1: I'm doing my annual turkey giveaway from one to three 877 00:45:56,080 --> 00:45:58,960 Speaker 1: pm at the Berkeley High School student parking lot, full 878 00:45:59,120 --> 00:46:02,880 Speaker 1: six West Main Street from one to three pm. Okay, 879 00:46:03,239 --> 00:46:06,160 Speaker 1: turkeys will be there while supplies last. And it's a 880 00:46:06,239 --> 00:46:07,759 Speaker 1: drive through, so all you gotta do is pull up 881 00:46:08,000 --> 00:46:09,960 Speaker 1: and you know my team at third eye away and 882 00:46:10,000 --> 00:46:11,359 Speaker 1: it's just throw them in your trunk and you keep 883 00:46:11,400 --> 00:46:13,560 Speaker 1: it moving. We put the birds in your chunk, legal 884 00:46:13,600 --> 00:46:15,520 Speaker 1: birds and your chunk, and keep it moving. Okay, one 885 00:46:15,560 --> 00:46:18,840 Speaker 1: to three pm, Berkeley High School Student parking Lot tomorrow 886 00:46:19,080 --> 00:46:21,239 Speaker 1: in the most point of South Carolina. Okay, shout out 887 00:46:21,280 --> 00:46:23,279 Speaker 1: to season. Shout to PC while we do the same 888 00:46:23,400 --> 00:46:26,120 Speaker 1: thing in New Jersey, Pacic. So we're gonna do it 889 00:46:26,160 --> 00:46:28,480 Speaker 1: at the Dignity House. I'm gonna cluse mom for season. 890 00:46:28,560 --> 00:46:30,279 Speaker 1: Season used to eat all the turkeys. Now he gives 891 00:46:30,320 --> 00:46:32,640 Speaker 1: them away. There you go, there you go. So we're 892 00:46:32,640 --> 00:46:35,680 Speaker 1: giving away turkeys for everybody. So come on out, first coming, 893 00:46:35,719 --> 00:46:38,680 Speaker 1: first serve, and uh yeah, turkeys at eighty dollars a 894 00:46:38,760 --> 00:46:40,480 Speaker 1: bird now. I don't know how much they call it. 895 00:46:41,600 --> 00:46:44,239 Speaker 1: I know that inflation made the price. You don't even 896 00:46:44,280 --> 00:46:46,120 Speaker 1: get turkeys like twenty dollars, but now they're like eighty 897 00:46:46,160 --> 00:46:48,800 Speaker 1: dollars a bird. Yeah. So for people that be online 898 00:46:48,880 --> 00:46:51,480 Speaker 1: hayting saying stupid stuff like, oh, y'all wouldn't give away 899 00:46:51,480 --> 00:46:53,440 Speaker 1: them dry ass turkeys all the time, even though y'all 900 00:46:53,440 --> 00:46:56,840 Speaker 1: don't give away nothing to your communities, Yes, this is 901 00:46:56,880 --> 00:47:01,160 Speaker 1: one of those years where they definitely definitely will appreciate 902 00:47:01,239 --> 00:47:04,359 Speaker 1: that expensive ass eighty dollars turkeys. Yeah. So we're doing 903 00:47:04,400 --> 00:47:06,600 Speaker 1: at the Dignity House in Pasagon, New Jersey. So can't 904 00:47:06,600 --> 00:47:08,520 Speaker 1: wait to see you guys Sunday from two to six. 905 00:47:08,600 --> 00:47:10,680 Speaker 1: Come get your birds. They've doubled, they've the price is 906 00:47:10,719 --> 00:47:15,000 Speaker 1: definitely doubled our triples. Yes, absolutely at sixteen pound bird 907 00:47:15,120 --> 00:47:18,640 Speaker 1: was not no goddamn seventy dollars, no way, oh way, yeah, 908 00:47:18,960 --> 00:47:20,480 Speaker 1: but it is what it is. You make a commitment 909 00:47:20,480 --> 00:47:22,400 Speaker 1: to your community or something you do every year, you know, 910 00:47:22,880 --> 00:47:26,920 Speaker 1: keep it going. That's right. And listen also tonight, speaking 911 00:47:27,000 --> 00:47:30,120 Speaker 1: of inflation, we're gonna be talking about inflation on my 912 00:47:30,239 --> 00:47:32,279 Speaker 1: late night talk show, The Gods on His Truth, ten 913 00:47:32,360 --> 00:47:35,600 Speaker 1: pm on Comedy Central. Actually the episode is titled is 914 00:47:35,680 --> 00:47:40,719 Speaker 1: Capitalism cap And we have a special guest mogul. We 915 00:47:40,760 --> 00:47:43,440 Speaker 1: can't even just call Kevin Hardam a comedian anymore. He's 916 00:47:43,440 --> 00:47:45,799 Speaker 1: a mogul. Can't call him a comedian, can't call him 917 00:47:45,800 --> 00:47:49,799 Speaker 1: an actor. He's a mogul, so business mogul, Kevin Hart 918 00:47:49,960 --> 00:47:51,640 Speaker 1: He'll be on The Gods on His Truth tonight at 919 00:47:51,680 --> 00:47:53,640 Speaker 1: ten pm on Comedy Central. And I got my man 920 00:47:54,280 --> 00:47:56,600 Speaker 1: Ian Dunlap and one of my odgs, one of my 921 00:47:56,680 --> 00:47:59,960 Speaker 1: elders who I love talking to often, doctor Claude Anderson. 922 00:48:00,040 --> 00:48:02,560 Speaker 1: They'll be on the Gods on His Truth tonight on 923 00:48:02,719 --> 00:48:05,480 Speaker 1: Comedy Central at ten pm. So tune in, all right 924 00:48:05,680 --> 00:48:07,160 Speaker 1: now when we come back, we got your rumors. We 925 00:48:07,160 --> 00:48:09,120 Speaker 1: gotta talk Young Dolph. It's the breakfast Club. Come on, 926 00:48:12,400 --> 00:48:23,120 Speaker 1: oh Ma, if you haven't heard, yesterday Memphis Police Department 927 00:48:23,200 --> 00:48:28,200 Speaker 1: they released surveillance photos of the two people that assassinated 928 00:48:28,239 --> 00:48:30,919 Speaker 1: and killed Young Dolph and they're hoping that somebody will 929 00:48:30,960 --> 00:48:33,480 Speaker 1: maybe know to something and possibly give them up. And 930 00:48:33,560 --> 00:48:36,480 Speaker 1: also yesterday they released a picture of the car the 931 00:48:36,640 --> 00:48:39,480 Speaker 1: drive away the getaway car, which is a white Mercedes 932 00:48:39,560 --> 00:48:42,520 Speaker 1: Benz E Class Coop. Yeah. I told y'all yesterday, man, 933 00:48:42,560 --> 00:48:44,479 Speaker 1: you gotta call crime stoppers. And the reason you gotta 934 00:48:44,480 --> 00:48:46,680 Speaker 1: call crimestoppers is because you gotta get that element off 935 00:48:46,680 --> 00:48:49,480 Speaker 1: the street. You don't break those cycles until you break 936 00:48:49,560 --> 00:48:51,640 Speaker 1: those cycles. Because all that all those two guys are 937 00:48:51,640 --> 00:48:52,880 Speaker 1: going to do if they would pull up to a 938 00:48:53,160 --> 00:48:57,479 Speaker 1: media's cookie spot and shoot that plase Mkeita's cookie spot 939 00:48:57,719 --> 00:49:01,640 Speaker 1: and said Mkeita's cookies spot and shoot that place up 940 00:49:01,719 --> 00:49:05,319 Speaker 1: like that in broad daylight. They'll do that any where 941 00:49:05,800 --> 00:49:08,440 Speaker 1: into anybody and the next person that may happen to 942 00:49:08,520 --> 00:49:10,080 Speaker 1: maybe you or somebody you love. You gotta get them 943 00:49:10,120 --> 00:49:12,959 Speaker 1: off the screek. Yeah. And also a young Dope's wife, 944 00:49:13,040 --> 00:49:15,600 Speaker 1: she left the comment on what she pulled off the post. 945 00:49:15,640 --> 00:49:18,000 Speaker 1: She said, thank you to everyone for all your prayers, love, support, 946 00:49:18,080 --> 00:49:20,400 Speaker 1: calls and messages. I may not see them all, but 947 00:49:20,560 --> 00:49:22,399 Speaker 1: when my eyes are not full of tears, I catch 948 00:49:22,440 --> 00:49:25,400 Speaker 1: a feel. Nonetheless, all the genuine positive vibes, energy and 949 00:49:25,480 --> 00:49:28,960 Speaker 1: prayers are welcome because Lord knows I need them. And 950 00:49:29,120 --> 00:49:32,120 Speaker 1: she said God to give me strength. Adolph, I love 951 00:49:32,160 --> 00:49:34,279 Speaker 1: you with all my heart. Question is how am I 952 00:49:34,360 --> 00:49:37,640 Speaker 1: gonna tell my babies their dad is never coming home? 953 00:49:39,320 --> 00:49:42,000 Speaker 1: Definitely sending her healing energy. Send the healing energy to 954 00:49:42,239 --> 00:49:46,839 Speaker 1: the whole family. All right. Now, Soldier Boy got into 955 00:49:46,880 --> 00:49:49,839 Speaker 1: it with Trouble. Who's another artist because Soldier Boy released 956 00:49:49,880 --> 00:49:52,000 Speaker 1: Soldier got to knock it off. He released the record. 957 00:49:52,400 --> 00:49:54,640 Speaker 1: The record is called stretched something. He said the record 958 00:49:54,800 --> 00:49:57,040 Speaker 1: was released a long time ago, but they're saying the 959 00:49:57,120 --> 00:50:00,920 Speaker 1: record was actually released a day ago. You're a had 960 00:50:00,920 --> 00:50:03,320 Speaker 1: snip of the record. Oh really? With somebody getting a 961 00:50:03,560 --> 00:50:10,440 Speaker 1: stress all hell, bringing prasshall, bringing frasshall, I'm hanging with 962 00:50:12,040 --> 00:50:14,239 Speaker 1: all right. He got back and he went back and 963 00:50:14,280 --> 00:50:16,640 Speaker 1: forth with Trouble. He got a little disrespectful, and we 964 00:50:16,719 --> 00:50:19,800 Speaker 1: don't have to play that. I love Soldier, but I 965 00:50:19,840 --> 00:50:21,279 Speaker 1: don't play with none of that. King. You know what 966 00:50:21,320 --> 00:50:24,000 Speaker 1: I'm saying somebody lost their life. You know that's what 967 00:50:24,120 --> 00:50:27,480 Speaker 1: that's when you gotta know when you know where everybody's 968 00:50:27,520 --> 00:50:31,840 Speaker 1: performing right, and everybody's entertaining on social media, but you 969 00:50:31,920 --> 00:50:34,920 Speaker 1: gotta know when to stop entertaining and gotta know when 970 00:50:35,239 --> 00:50:38,279 Speaker 1: to stop performing. Somebody lost their life, King, Mike, come on, 971 00:50:38,560 --> 00:50:42,040 Speaker 1: cut that out. Now. The Millennium Tour was actually stopped 972 00:50:42,080 --> 00:50:45,480 Speaker 1: to perform. They would stopped to schedule to perform this weekend, 973 00:50:45,600 --> 00:50:48,440 Speaker 1: but they took Soldier Boy off of that date just 974 00:50:48,560 --> 00:50:50,920 Speaker 1: because of everything that's been going on. And Soldier Boy 975 00:50:51,040 --> 00:50:55,160 Speaker 1: responds to that, cut the mother Shenanigans. Don't be acting 976 00:50:55,280 --> 00:50:58,120 Speaker 1: like you took no money out of my pocket talking 977 00:50:58,120 --> 00:51:00,440 Speaker 1: about all you farm with the bag. First of all, 978 00:51:00,920 --> 00:51:04,560 Speaker 1: still getting paid, so y'all, Oh, y'all, deals make my 979 00:51:04,719 --> 00:51:07,719 Speaker 1: job easier. I don't gotta come and I'm still getting paid, 980 00:51:08,040 --> 00:51:11,480 Speaker 1: so thank you. Second of all, I will be on 981 00:51:11,560 --> 00:51:14,439 Speaker 1: the next show. Yeah, I mean that's for the best, 982 00:51:14,520 --> 00:51:16,719 Speaker 1: and I'm happy and I'm happy he's still getting paid. 983 00:51:16,800 --> 00:51:19,439 Speaker 1: But your soldier stopped performing for those idiots online because 984 00:51:19,440 --> 00:51:22,360 Speaker 1: I'm seeing all of these videos and people saying Soldier 985 00:51:22,440 --> 00:51:25,439 Speaker 1: Boy did X Y and Z Soldier boy had nothing 986 00:51:25,480 --> 00:51:27,120 Speaker 1: to do with that situation, you know what I mean. 987 00:51:27,200 --> 00:51:30,160 Speaker 1: But these idiots in the street will see that stuff 988 00:51:30,160 --> 00:51:33,160 Speaker 1: online and think he did have something with that situation 989 00:51:33,440 --> 00:51:36,759 Speaker 1: and be retaliating for no damn reason. Like, cut it out, man, 990 00:51:37,600 --> 00:51:40,160 Speaker 1: stop it knowing to distance yourself from silly stuff like that. 991 00:51:40,560 --> 00:51:43,040 Speaker 1: That's just bad energy. Now I hate people like this. 992 00:51:43,239 --> 00:51:47,120 Speaker 1: Now let's move on. Antonio Brown allegedly sought out a 993 00:51:47,239 --> 00:51:50,799 Speaker 1: fake COVID nineteen vaccination car. Now the NFL is investigating. Now, 994 00:51:50,840 --> 00:51:53,879 Speaker 1: this is how he allegedly got caught. The claim comes 995 00:51:53,920 --> 00:51:57,920 Speaker 1: from Antonio Brown's former live in chef that's saying at 996 00:51:57,960 --> 00:52:00,640 Speaker 1: him and Antonio Brown got into an argument, you're fired 997 00:52:00,840 --> 00:52:02,719 Speaker 1: and now he uh They said they got into a 998 00:52:02,800 --> 00:52:06,399 Speaker 1: argument over unpaid services. And now the chef allegedly told 999 00:52:06,440 --> 00:52:09,120 Speaker 1: the NFL that he has a fake COVID nineteen card. Now, 1000 00:52:09,120 --> 00:52:10,640 Speaker 1: how can you prove that? What if my card real? 1001 00:52:10,719 --> 00:52:11,960 Speaker 1: But you're just saying it is fake just because you 1002 00:52:12,000 --> 00:52:15,040 Speaker 1: hate Why you go through that, like we got a disagreement. 1003 00:52:15,080 --> 00:52:16,759 Speaker 1: There's a problem. It's me and your problem. You're gonna 1004 00:52:16,760 --> 00:52:18,319 Speaker 1: go to my job and say got a fake card. 1005 00:52:18,400 --> 00:52:19,960 Speaker 1: That is a good one though, No it's not. It 1006 00:52:20,160 --> 00:52:23,680 Speaker 1: is though, it's it's fresh, it's new, you know what 1007 00:52:23,719 --> 00:52:26,000 Speaker 1: I mean. That's a really good new insult. That's a 1008 00:52:26,160 --> 00:52:28,279 Speaker 1: new way to get at somebody gotta fake COVID card. 1009 00:52:28,480 --> 00:52:30,880 Speaker 1: But now that's new. That's right now, I get investigated, 1010 00:52:30,880 --> 00:52:33,400 Speaker 1: I could get suspended. I'm gonna start using that one. 1011 00:52:33,920 --> 00:52:35,920 Speaker 1: I'm gonna start thurning people. I'm like, right now, I'm 1012 00:52:35,960 --> 00:52:37,600 Speaker 1: I'm gonna tell people that you gotta fake COVID car. 1013 00:52:38,160 --> 00:52:41,440 Speaker 1: That's wha I like it. Give me drop on a 1014 00:52:41,480 --> 00:52:44,440 Speaker 1: clues bomb for him just doing something new. Stop, that's 1015 00:52:44,480 --> 00:52:47,200 Speaker 1: a new one because we hear the same old ones 1016 00:52:47,280 --> 00:52:49,960 Speaker 1: all the time. When when somebody gets mad at somebody, 1017 00:52:50,000 --> 00:52:52,080 Speaker 1: that's a new one, and that's a good one. Gotta 1018 00:52:52,400 --> 00:52:56,520 Speaker 1: gotta fake COVID card. Yeah, get you in a lot 1019 00:52:56,560 --> 00:52:58,480 Speaker 1: of trouble. I like that. Definitely get your lives like that. 1020 00:52:58,600 --> 00:53:00,880 Speaker 1: I like it. I like it. You're being created, all right. 1021 00:53:00,920 --> 00:53:04,040 Speaker 1: And lastly, Mike Tyson, he's doing he did something that 1022 00:53:04,160 --> 00:53:07,200 Speaker 1: most boxes didn't do. He allegedly needed sex before fights 1023 00:53:07,320 --> 00:53:11,160 Speaker 1: or he said he would kill his opponents. Most boxes 1024 00:53:11,200 --> 00:53:12,759 Speaker 1: say they have to not have sex for a couple 1025 00:53:12,800 --> 00:53:15,359 Speaker 1: of months. He said he had sex right before the fight. 1026 00:53:16,480 --> 00:53:19,880 Speaker 1: M interesting. I mean, I'm sitting there thinking because I 1027 00:53:19,920 --> 00:53:22,040 Speaker 1: know that Mike lost fights. He said, I had girls 1028 00:53:22,120 --> 00:53:25,040 Speaker 1: tucked away in bathrooms and changing rooms. He says, if 1029 00:53:25,080 --> 00:53:27,360 Speaker 1: I didn't get laid, I would kill his guy. But 1030 00:53:27,680 --> 00:53:29,440 Speaker 1: it really doesn't make me think about the fights that 1031 00:53:29,600 --> 00:53:32,759 Speaker 1: Mike lost. So if that was his routine before the fights, 1032 00:53:32,800 --> 00:53:36,880 Speaker 1: did those that sex helper hurt him? He said? Sometimes 1033 00:53:36,920 --> 00:53:38,840 Speaker 1: I go in with them for a minute being the 1034 00:53:38,960 --> 00:53:42,080 Speaker 1: iss out of him, and then snap his neck and say, Okay, 1035 00:53:42,360 --> 00:53:45,480 Speaker 1: this guy is going to live live tonight. But what 1036 00:53:45,560 --> 00:53:47,560 Speaker 1: about I'm really just thinking about the times he lost? 1037 00:53:47,600 --> 00:53:49,120 Speaker 1: What about the times he lost? I don't know that 1038 00:53:49,520 --> 00:53:50,800 Speaker 1: same thing, but he lost him and he lost a 1039 00:53:50,840 --> 00:53:52,279 Speaker 1: few times. Maybe he didn't have sex that thing. I 1040 00:53:52,320 --> 00:53:55,120 Speaker 1: don't know. I'd like, maybe at too much sex. I 1041 00:53:55,120 --> 00:53:56,600 Speaker 1: don't know. That's what I'm saying. Thanks, So did the 1042 00:53:56,640 --> 00:53:58,799 Speaker 1: sex helper hurt in the situations in the times he lost? 1043 00:53:58,840 --> 00:54:00,719 Speaker 1: That's what I would like to know, I do. Dude, 1044 00:54:00,880 --> 00:54:03,799 Speaker 1: All right, Well that is your room report. ANGELI is out, 1045 00:54:03,960 --> 00:54:06,279 Speaker 1: but coming up next shot. I like how you role 1046 00:54:06,360 --> 00:54:08,200 Speaker 1: played Mike Tyson having sex. I could tell you've done 1047 00:54:08,239 --> 00:54:11,759 Speaker 1: that before. What did you did? You did it very effortlessly. Well, 1048 00:54:11,760 --> 00:54:13,759 Speaker 1: we're gonna talk about Kinks next hour too. I don't 1049 00:54:13,760 --> 00:54:17,239 Speaker 1: want to talk about kings. You gotta king in my neck? 1050 00:54:17,280 --> 00:54:21,480 Speaker 1: Would you like to come rubb it out? Who got king? No? 1051 00:54:21,560 --> 00:54:23,080 Speaker 1: I gotta kink in my neck? King? You want to 1052 00:54:23,080 --> 00:54:25,560 Speaker 1: come rubb it out that you're asking about it? I'm good, huh, Nope, 1053 00:54:26,040 --> 00:54:28,440 Speaker 1: I passed. Donkey of the Day is going to Travis 1054 00:54:28,560 --> 00:54:30,279 Speaker 1: mc michael. We need Travis McMichael to come to the 1055 00:54:30,320 --> 00:54:32,120 Speaker 1: front of the congregation. We like to have a world 1056 00:54:32,160 --> 00:54:34,120 Speaker 1: with him. Police. All right, we'll get into that next. 1057 00:54:34,280 --> 00:54:35,440 Speaker 1: I just want to say one thing. Run. I was 1058 00:54:35,440 --> 00:54:36,799 Speaker 1: talking to the producer produce. I was like, you got 1059 00:54:36,880 --> 00:54:38,759 Speaker 1: the kicks. He was like, I don't eat, but I 1060 00:54:38,920 --> 00:54:42,120 Speaker 1: just don't like he did. He went crazy. He just 1061 00:54:42,239 --> 00:54:44,879 Speaker 1: told on himself. Dann say his name Dan, Damn. Dann 1062 00:54:44,920 --> 00:54:46,919 Speaker 1: was like, I don't eat, but what I just don't 1063 00:54:46,960 --> 00:54:48,960 Speaker 1: like to look at button. He said nothing about that. 1064 00:54:49,560 --> 00:54:51,040 Speaker 1: All we asked is you have a kick in your 1065 00:54:51,440 --> 00:54:54,839 Speaker 1: and he went crazy. Lost my mind in this room, Dann, 1066 00:54:56,000 --> 00:54:59,200 Speaker 1: you want to talk now? Later later he said, later, 1067 00:54:59,280 --> 00:55:02,239 Speaker 1: all righty dunking the days up next. It's the breakfast Club. 1068 00:55:02,280 --> 00:55:05,680 Speaker 1: Goal morning, the breakfast Club. Your mornings will never be 1069 00:55:05,840 --> 00:55:09,040 Speaker 1: the same. I've been saying it for weeks, Charlomane, that 1070 00:55:09,120 --> 00:55:12,400 Speaker 1: you can find anything in everything on TikTok, I hear you. 1071 00:55:12,520 --> 00:55:15,080 Speaker 1: I saw this video with some random presson within Central 1072 00:55:15,120 --> 00:55:17,160 Speaker 1: Park and overheard a group of people talking smack about 1073 00:55:17,200 --> 00:55:19,120 Speaker 1: a girl named Marissa. So he posted it and this girl, 1074 00:55:19,200 --> 00:55:21,560 Speaker 1: Marissa actually found out and reached out to him. TikTok. 1075 00:55:21,640 --> 00:55:28,600 Speaker 1: You have to see it. This is a miracle, there 1076 00:55:28,800 --> 00:55:31,640 Speaker 1: is no question, and there are problems in this country 1077 00:55:31,880 --> 00:55:37,480 Speaker 1: between police and community. Yes, you are a donkey to 1078 00:55:37,560 --> 00:55:39,520 Speaker 1: the latest on that police killing of a black man. 1079 00:55:39,640 --> 00:55:42,000 Speaker 1: Now a new developments in the deadly Spaw shooting rampage, 1080 00:55:42,239 --> 00:55:43,520 Speaker 1: and if it was a really bad day for him 1081 00:55:43,560 --> 00:55:45,719 Speaker 1: and this is what he did, and so we are 1082 00:55:45,880 --> 00:55:50,160 Speaker 1: in a state of emergency. Okay. White supremacist violence is 1083 00:55:50,400 --> 00:55:53,360 Speaker 1: always have been the number one threat to otracide. But 1084 00:55:54,239 --> 00:55:58,560 Speaker 1: very proud of my wife was whe the breakfast club. Bitches, 1085 00:55:59,600 --> 00:56:02,520 Speaker 1: please tell me why was I your donkey of the day. 1086 00:56:02,960 --> 00:56:05,560 Speaker 1: Donkey of the Day for Friday in November nineteenth goes 1087 00:56:05,560 --> 00:56:08,279 Speaker 1: to Travis McMichael. Travis McMichael is one of the crack 1088 00:56:08,360 --> 00:56:14,320 Speaker 1: ass crackers who cost Ahmad Aubrey his life. Okay, look man, uncle, Shalah, brother, Lenard, 1089 00:56:14,400 --> 00:56:16,280 Speaker 1: whatever you want to call me. I'm sick of America 1090 00:56:16,360 --> 00:56:18,120 Speaker 1: acting like we don't know what it is, all right, 1091 00:56:18,160 --> 00:56:20,880 Speaker 1: Stop being politically correct when it comes to racism and 1092 00:56:20,920 --> 00:56:23,600 Speaker 1: bigotry in this country, all right. The d crack offication 1093 00:56:24,160 --> 00:56:27,799 Speaker 1: of America will not begin until we properly identify crack 1094 00:56:27,880 --> 00:56:31,160 Speaker 1: ass crackers and crack ass cracker behavior. We know there 1095 00:56:31,280 --> 00:56:34,000 Speaker 1: is a difference between good white people and crack ass crackers. 1096 00:56:34,040 --> 00:56:37,719 Speaker 1: But if you good white people cannot see that, Travis McMichael, 1097 00:56:38,239 --> 00:56:41,440 Speaker 1: his daddy, Greg McMichael, and then Nabor are just racist 1098 00:56:41,480 --> 00:56:43,680 Speaker 1: ass crack ass crackers. I don't know what to tell you, 1099 00:56:43,960 --> 00:56:46,759 Speaker 1: all right, but we've heard Travis McMichael understand the past 1100 00:56:46,840 --> 00:56:49,560 Speaker 1: couple of days, and I have some thoughts. Now, this 1101 00:56:49,840 --> 00:56:53,359 Speaker 1: is him explaining about how he felt he was being 1102 00:56:53,440 --> 00:56:57,719 Speaker 1: attacked by Amaud Aubrey. Listen, there obviously that he was 1103 00:56:57,719 --> 00:56:59,680 Speaker 1: attacking me. That if he would have gotten the shotgun 1104 00:56:59,719 --> 00:57:03,680 Speaker 1: from then it was that's the life or death situation. 1105 00:57:04,400 --> 00:57:07,680 Speaker 1: I shot again because I was still. I was still fighting. 1106 00:57:07,840 --> 00:57:10,000 Speaker 1: I was still he was all over me, he was 1107 00:57:10,040 --> 00:57:13,560 Speaker 1: still all over the shotgun, and he was not relenting, 1108 00:57:14,120 --> 00:57:17,920 Speaker 1: so I had shot again to stop him. No, sir, No, sir, 1109 00:57:18,040 --> 00:57:19,760 Speaker 1: that's not how that works. Okay, y'all know, I'm a 1110 00:57:19,840 --> 00:57:22,120 Speaker 1: huge mental health advocate. I've done a lot of work 1111 00:57:22,160 --> 00:57:24,760 Speaker 1: on myself over the years. I'm no expert at nothing. 1112 00:57:25,000 --> 00:57:26,960 Speaker 1: I am not the strongest avengeing, nor am I the 1113 00:57:27,000 --> 00:57:29,160 Speaker 1: highest grade of weed in the dispensary. But there is 1114 00:57:29,280 --> 00:57:31,720 Speaker 1: things that I haven't learned that I can observe in 1115 00:57:31,880 --> 00:57:34,400 Speaker 1: certain situations and see what they are because I've been 1116 00:57:34,400 --> 00:57:36,920 Speaker 1: in those situations myself. Okay, I am sharp and bright 1117 00:57:37,040 --> 00:57:40,960 Speaker 1: enough to know that Ahmad wasn't attacking Travis McMichael, not 1118 00:57:41,040 --> 00:57:44,240 Speaker 1: at all. What you saw in that very traumatizing video 1119 00:57:44,640 --> 00:57:48,400 Speaker 1: was to fight a flight response, which is an automatic 1120 00:57:48,640 --> 00:57:52,560 Speaker 1: physiological reaction to an a bait that your body perceives 1121 00:57:52,760 --> 00:57:57,560 Speaker 1: as scressful, are frightening. The perception of a threat activates 1122 00:57:57,720 --> 00:58:00,520 Speaker 1: the sympathetic nervous system and triggers in a que stress 1123 00:58:00,600 --> 00:58:02,760 Speaker 1: response that prepares the body to fight a flight. I'm 1124 00:58:02,800 --> 00:58:05,360 Speaker 1: no therapist. I just see one on the regular okay, 1125 00:58:05,600 --> 00:58:08,560 Speaker 1: But if a couple of white Santa Claus looking dudes 1126 00:58:08,680 --> 00:58:11,920 Speaker 1: was chasing me with guns, I could easily see why 1127 00:58:12,040 --> 00:58:14,720 Speaker 1: my fight or flight response would kick in. And these 1128 00:58:14,800 --> 00:58:19,240 Speaker 1: crackers got nerve nerve. This is what Michael Mex was 1129 00:58:19,280 --> 00:58:20,920 Speaker 1: talking about when he said the media is the most 1130 00:58:20,960 --> 00:58:23,360 Speaker 1: powerful entity on earth. They have the power to make 1131 00:58:23,400 --> 00:58:26,720 Speaker 1: the innocent guilty and to make the guilty innocent and 1132 00:58:26,920 --> 00:58:30,400 Speaker 1: nash power. You chased Ahmad Aubrey with guns for no 1133 00:58:30,640 --> 00:58:34,320 Speaker 1: reason and play picked them when he naturally defends himself 1134 00:58:34,520 --> 00:58:38,200 Speaker 1: against a pale faced threat. It doesn't stop there, all right, 1135 00:58:38,280 --> 00:58:41,439 Speaker 1: Travis McMichael was on the stand, and this is where 1136 00:58:41,480 --> 00:58:44,320 Speaker 1: the logic don't even be logic, and he admitted that 1137 00:58:44,480 --> 00:58:50,480 Speaker 1: Ahmad Aubrey posed absolutely no threat to them. You can't 1138 00:58:50,520 --> 00:58:57,240 Speaker 1: make this kind of stuff up listening. And he never 1139 00:58:57,720 --> 00:59:02,320 Speaker 1: yelled at you, guys, never threatened you at all. Didn't 1140 00:59:02,320 --> 00:59:08,280 Speaker 1: brandish any weapons, no, man, didn't plot any guns an knife, 1141 00:59:09,880 --> 00:59:14,680 Speaker 1: never reached her anything, did he No, he just ran. Yes, 1142 00:59:14,760 --> 00:59:22,200 Speaker 1: he was just running case close. I agree, But what 1143 00:59:22,400 --> 00:59:25,240 Speaker 1: else is tend to discuss? Nothing? See, we all have eyes. 1144 00:59:25,680 --> 00:59:27,880 Speaker 1: We all saw that a Mad Aubrey pose no threat 1145 00:59:27,920 --> 00:59:29,960 Speaker 1: in the video. But we have to do this silly 1146 00:59:30,040 --> 00:59:32,120 Speaker 1: song and dance in America where people try to tell 1147 00:59:32,200 --> 00:59:34,200 Speaker 1: us what we saw isn't what it is. Yes, it 1148 00:59:34,280 --> 00:59:36,040 Speaker 1: was a modern day lynching. Yes, the only thread of 1149 00:59:36,120 --> 00:59:38,800 Speaker 1: mod poles was he was black. But we knew this already, 1150 00:59:38,960 --> 00:59:42,160 Speaker 1: all right. Travis McMichael literally said what we all saw. 1151 00:59:42,280 --> 00:59:45,040 Speaker 1: The question that a mad Aubrey yelled at you are 1152 00:59:45,120 --> 00:59:49,560 Speaker 1: brandish a weapon before the deadly encounter. Travis McMichael replied, no, 1153 00:59:50,240 --> 00:59:53,360 Speaker 1: he was just running. That's exactly what we saw in 1154 00:59:53,480 --> 00:59:56,120 Speaker 1: the video. You suspected that man was up to no 1155 00:59:56,280 --> 00:59:59,200 Speaker 1: good simply because of the color of his skin, because 1156 00:59:59,240 --> 01:00:01,480 Speaker 1: he was black. He thought he was a burglar, and 1157 01:00:01,600 --> 01:00:04,760 Speaker 1: there was no evidence he stole anything. Now he's dead 1158 01:00:05,120 --> 01:00:09,400 Speaker 1: because of your fear of blackness, which I will never understand. 1159 01:00:09,440 --> 01:00:13,360 Speaker 1: I will never understand how racist bigot cracker ass crackers 1160 01:00:13,520 --> 01:00:16,160 Speaker 1: have been doing things like this for years, since the 1161 01:00:16,360 --> 01:00:19,800 Speaker 1: beginning of time, since we got here. Yet where the 1162 01:00:19,920 --> 01:00:23,760 Speaker 1: ones perceived the threats black people? How did they convinced 1163 01:00:23,760 --> 01:00:26,080 Speaker 1: the world that black is what you should feel when 1164 01:00:26,160 --> 01:00:30,240 Speaker 1: Native ones doing all the carnage. Not only that him 1165 01:00:30,280 --> 01:00:32,840 Speaker 1: and his father had a text Corvo and listen to 1166 01:00:32,920 --> 01:00:36,160 Speaker 1: them talking about being racist and getting rid of vermin. Listen, 1167 01:00:36,600 --> 01:00:38,720 Speaker 1: she said, We've had a lot of trouble with thieves. 1168 01:00:39,280 --> 01:00:42,800 Speaker 1: It's just worries me because my daddy is slap old crazy. Lol. 1169 01:00:43,080 --> 01:00:45,560 Speaker 1: He's oldest Dirton doesn't care about jail. And you responded, 1170 01:00:46,080 --> 01:00:48,880 Speaker 1: that's what this world needs more of. My old man 1171 01:00:49,160 --> 01:00:53,160 Speaker 1: is the same way room, And then the next line 1172 01:00:53,280 --> 01:00:57,720 Speaker 1: is you said, hell, I'm getting that way. She said, 1173 01:00:57,840 --> 01:01:00,800 Speaker 1: have to make an example out of Somebody said, that's right, 1174 01:01:01,040 --> 01:01:06,720 Speaker 1: hook y'all catch the vermin cracks America? Can we stop 1175 01:01:06,760 --> 01:01:10,400 Speaker 1: playing it's Friday? Can we stop playing? All right? We 1176 01:01:10,600 --> 01:01:12,320 Speaker 1: know where the crack of ass carnage is coming from. 1177 01:01:12,360 --> 01:01:14,960 Speaker 1: Can we stop playing so we can really decrackify this country? 1178 01:01:15,040 --> 01:01:17,680 Speaker 1: Can we? Huh? Can those of us that are on 1179 01:01:17,800 --> 01:01:21,040 Speaker 1: the right side of history finally start calling these crackers 1180 01:01:21,120 --> 01:01:23,240 Speaker 1: what they are? Can we can good white people start 1181 01:01:23,280 --> 01:01:26,440 Speaker 1: calling not the crack ass crackers? Can they? Huh? Maya 1182 01:01:26,520 --> 01:01:29,360 Speaker 1: Angelou once said, when someone shows you who they are, 1183 01:01:29,800 --> 01:01:33,640 Speaker 1: will leave them the first time. Leonard mckelby Charlomagne the 1184 01:01:33,720 --> 01:01:36,240 Speaker 1: God says, when crack ass crackers have shown you who 1185 01:01:36,320 --> 01:01:40,560 Speaker 1: they are, for fall four hundreds and hundreds of years. Okay, 1186 01:01:40,960 --> 01:01:47,600 Speaker 1: believe them and punish them for it. Okay, please give 1187 01:01:47,680 --> 01:01:51,479 Speaker 1: Travis McMichael. Let Kathy Griffin give Travis McMichael the biggest hell. 1188 01:01:51,520 --> 01:01:53,680 Speaker 1: Please please give this giant jar of male the the 1189 01:01:53,880 --> 01:01:59,280 Speaker 1: biggest hehaw. Let Chelsea hand look at some of that too, 1190 01:01:59,680 --> 01:02:03,480 Speaker 1: heh hehaw. That is way too much. Dan mayonnets my 1191 01:02:03,560 --> 01:02:06,120 Speaker 1: poly signtos, hold on. Let me let my polysantos before you, 1192 01:02:06,200 --> 01:02:09,320 Speaker 1: like the Chris Rock fly hold on, I mean like 1193 01:02:09,400 --> 01:02:13,360 Speaker 1: my polysianntos man. Here you go, here you go. It's 1194 01:02:13,440 --> 01:02:19,760 Speaker 1: burning in buc mm hmm. All right, Okay, now I 1195 01:02:19,880 --> 01:02:23,520 Speaker 1: let Chris Rock crack i ass Cracker music to my 1196 01:02:25,160 --> 01:02:28,600 Speaker 1: healing energy, to all the sense healing energy tell America, 1197 01:02:29,200 --> 01:02:33,920 Speaker 1: healing energy to America. Okay, all the black people, all 1198 01:02:33,960 --> 01:02:36,800 Speaker 1: the Latinos, all the good white people, Okay, all the 1199 01:02:36,880 --> 01:02:42,600 Speaker 1: Jewish people. It's gotta be us against them crack ass crackers. Okay, alright, 1200 01:02:42,680 --> 01:02:46,680 Speaker 1: one more, one more, one more red crack i ass Cracker. 1201 01:02:46,760 --> 01:02:48,560 Speaker 1: All right. I just really wanted to piss George off. 1202 01:02:48,960 --> 01:02:50,480 Speaker 1: That was for George. I know they get really mad 1203 01:02:50,560 --> 01:02:53,160 Speaker 1: in the land on, right, Louisvie. They get really mad. 1204 01:02:53,240 --> 01:02:55,200 Speaker 1: Shout out to Louis Vie. What up, Louis Vie, good lording. 1205 01:02:55,360 --> 01:02:57,240 Speaker 1: I'm sure you get some emails today. I love it 1206 01:02:57,560 --> 01:02:59,880 Speaker 1: all right. Now it's Friday, so you know what that made. 1207 01:03:00,040 --> 01:03:04,880 Speaker 1: It's freaky, freaking freaky Friday. All right. So there was 1208 01:03:04,880 --> 01:03:07,160 Speaker 1: an artist, her name is Sophia. She said, I gotta 1209 01:03:07,200 --> 01:03:10,040 Speaker 1: go to the bathroom. Is there anybody out there that 1210 01:03:10,400 --> 01:03:13,520 Speaker 1: will let me pee on them? And somebody said, yes me, 1211 01:03:13,800 --> 01:03:16,960 Speaker 1: come pe on me, pe on me. So she brought 1212 01:03:17,040 --> 01:03:19,680 Speaker 1: him on stage and he laid down on stage and 1213 01:03:19,800 --> 01:03:22,400 Speaker 1: then she uh stood over her like this, and she 1214 01:03:22,520 --> 01:03:25,040 Speaker 1: pulled out her pants and then she gave that man 1215 01:03:25,120 --> 01:03:26,720 Speaker 1: what he asked for. You don't gotta make up stories 1216 01:03:26,720 --> 01:03:28,920 Speaker 1: for entertainment, but so much stuff going on in the world. No, 1217 01:03:29,040 --> 01:03:41,000 Speaker 1: we have audio. Let's hit the audio. Yeah, she did it. 1218 01:03:41,880 --> 01:03:43,240 Speaker 1: First of all. I don't even know who. Some fears 1219 01:03:43,280 --> 01:03:48,040 Speaker 1: was saluted her. What's her last name? What? Look down? 1220 01:03:48,120 --> 01:03:53,360 Speaker 1: Read the damn paper your rest to feel your RESTA Yeah, 1221 01:03:53,400 --> 01:03:56,080 Speaker 1: she pete on the fan. It was disgusting. It was nasty, 1222 01:03:56,160 --> 01:03:58,840 Speaker 1: But why is it disgusting? Because it was in front 1223 01:03:58,840 --> 01:04:00,680 Speaker 1: of everybody. I don't want to see her pin on somebody, 1224 01:04:00,720 --> 01:04:04,480 Speaker 1: did you did? I mean she asked for volunteers. Somebody volunteer. 1225 01:04:04,520 --> 01:04:06,080 Speaker 1: I don't see the problems, not like she's forced him 1226 01:04:06,080 --> 01:04:08,160 Speaker 1: to get peen on. Well, she apologized after, but we're 1227 01:04:08,240 --> 01:04:11,640 Speaker 1: asking eight eight under for pin on him in front everybody. 1228 01:04:11,680 --> 01:04:13,000 Speaker 1: She said it was discusting. Her band said it was 1229 01:04:13,080 --> 01:04:14,520 Speaker 1: nasty and discussed. So why does she want to do it? 1230 01:04:14,600 --> 01:04:16,280 Speaker 1: You don't know it's gonna be disgusting before you did it. 1231 01:04:16,440 --> 01:04:18,280 Speaker 1: I don't know. But he's the guy. Seemed like he 1232 01:04:18,400 --> 01:04:19,480 Speaker 1: liked it. And it was a lot of pe too. 1233 01:04:19,480 --> 01:04:20,720 Speaker 1: It wasn't like a little tinkle tinkle. It was like 1234 01:04:20,840 --> 01:04:23,120 Speaker 1: launch ain't even faragers, ain't thating wrong? All right? So 1235 01:04:23,200 --> 01:04:25,840 Speaker 1: it could be different. Eight hundred five A five one 1236 01:04:25,920 --> 01:04:28,040 Speaker 1: oh five one. Do you have any kinks? Is there 1237 01:04:28,120 --> 01:04:29,760 Speaker 1: something in the bedroom that you liked that you might 1238 01:04:29,800 --> 01:04:32,080 Speaker 1: be a little shamed about. Our producer Dare said he 1239 01:04:32,200 --> 01:04:33,960 Speaker 1: does not like to eat butt. He said he's against 1240 01:04:34,000 --> 01:04:37,400 Speaker 1: the button. He don't mess with the button. He huh, 1241 01:04:39,320 --> 01:04:41,200 Speaker 1: All right, we'll get to the next It's the Breakfast Club, 1242 01:04:41,600 --> 01:04:47,920 Speaker 1: but Freaky Friday, Goddamn the Breakfast club. How do you 1243 01:04:48,000 --> 01:04:51,600 Speaker 1: see j Envy Angela Yee, Charlomagne the guy we are 1244 01:04:51,680 --> 01:04:53,840 Speaker 1: the breakfast club. It's Frida see you know what that means. 1245 01:04:53,880 --> 01:04:58,560 Speaker 1: It's freaky freaky freaky Friday. Freaky freaky freaky Friday. Question 1246 01:04:58,640 --> 01:05:01,560 Speaker 1: that we're talking about Kinks. Now, that's comes from Sophia 1247 01:05:01,760 --> 01:05:05,160 Speaker 1: your resta. She is an artist. She was performing and 1248 01:05:05,240 --> 01:05:07,120 Speaker 1: she had to go to the bathroom and she asked, uh, 1249 01:05:07,480 --> 01:05:09,920 Speaker 1: would anybody like to get pete on? So somebody came 1250 01:05:09,960 --> 01:05:12,120 Speaker 1: and said, hey me me, I'll p p on me. 1251 01:05:12,600 --> 01:05:14,000 Speaker 1: She said, well, I gotta p I can't make it 1252 01:05:14,040 --> 01:05:16,440 Speaker 1: to the bathroom. So somebody came on stage and she 1253 01:05:17,360 --> 01:05:20,200 Speaker 1: h stood over, squatted over him and peat on him. 1254 01:05:30,080 --> 01:05:32,680 Speaker 1: I don't see the problem. I mean she she volunt 1255 01:05:32,760 --> 01:05:37,040 Speaker 1: She asked for volunteers. Somebody volunteered. It was consensual. I 1256 01:05:37,120 --> 01:05:39,440 Speaker 1: don't see what the issue is. Is there an issue? 1257 01:05:40,320 --> 01:05:41,800 Speaker 1: I mean it's kind of nasty. You come to stage, 1258 01:05:41,800 --> 01:05:43,680 Speaker 1: you don't seem somebody compete on. I don't know what's 1259 01:05:43,840 --> 01:05:46,360 Speaker 1: nasty and two dollars twenty one man, it seemed like 1260 01:05:46,440 --> 01:05:49,360 Speaker 1: anything goes. Let see coup to me. Oh you're just 1261 01:05:49,400 --> 01:05:51,600 Speaker 1: gonna avoid this question. What hold on? Hold on, w 1262 01:05:51,640 --> 01:05:53,400 Speaker 1: hold on one second, sir, But so what are your 1263 01:05:53,480 --> 01:05:55,720 Speaker 1: king Charlemagne? I'm not allowed to talk about nothing, not 1264 01:05:55,800 --> 01:05:58,240 Speaker 1: doing the bedroom with my wife anymore on this radio. 1265 01:05:58,560 --> 01:06:00,360 Speaker 1: You got in trouble before last time. I don't I 1266 01:06:00,440 --> 01:06:02,960 Speaker 1: think I did what was it the finger? But I 1267 01:06:03,040 --> 01:06:04,920 Speaker 1: don't remember the thumb on the pink? I don't know 1268 01:06:05,000 --> 01:06:07,240 Speaker 1: what I got kids, ain't. I ain't got no business 1269 01:06:07,280 --> 01:06:09,080 Speaker 1: hand about my kinks. I gotta can't get my neck 1270 01:06:09,120 --> 01:06:10,680 Speaker 1: if you want to come rub it out for me, don't. No, 1271 01:06:11,320 --> 01:06:12,800 Speaker 1: I do have a kink in my hamscring. I'm not 1272 01:06:12,840 --> 01:06:15,400 Speaker 1: gonna lie my handshrink by hurting. You want to come 1273 01:06:15,880 --> 01:06:18,800 Speaker 1: from my handscrnk. We can role play like I'm a 1274 01:06:18,840 --> 01:06:22,800 Speaker 1: football player and you my training little what you mean? 1275 01:06:23,040 --> 01:06:29,440 Speaker 1: Because kids know this is football football? Hello, sir? Yes, sir? 1276 01:06:29,760 --> 01:06:32,080 Speaker 1: Do you have a kick? Sounds like you have a kink? 1277 01:06:32,520 --> 01:06:35,360 Speaker 1: Yes I do. My name is Mike. I love your show. Um. 1278 01:06:36,000 --> 01:06:39,240 Speaker 1: I like them for jelly beans white, spooty, and then 1279 01:06:39,400 --> 01:06:45,520 Speaker 1: suck them out. Okay, what kind of jelly beans beans? Whatever? One? 1280 01:06:46,480 --> 01:06:50,440 Speaker 1: It don't matter to come out brown. I pick out free. 1281 01:06:51,000 --> 01:06:55,560 Speaker 1: And what happened one time I slept too jelly beans? 1282 01:06:55,920 --> 01:07:00,040 Speaker 1: And what's the reason, sir? Is there a reason? I 1283 01:07:00,120 --> 01:07:01,800 Speaker 1: don't know. I don't know. I've been looking for that 1284 01:07:01,920 --> 01:07:04,480 Speaker 1: third jelly bean. Oh you pulled out a Tucci roll, 1285 01:07:04,520 --> 01:07:08,480 Speaker 1: a poop not sure to be honest, the butterfly. Oh 1286 01:07:08,640 --> 01:07:12,200 Speaker 1: that's old. Let me see that roll. Yeah, never found 1287 01:07:12,280 --> 01:07:14,439 Speaker 1: the third jelly bean. I look every day. I still 1288 01:07:14,480 --> 01:07:16,800 Speaker 1: ain't found that third jelly bean. That's pretty nasty, sir. 1289 01:07:16,920 --> 01:07:19,200 Speaker 1: But that's not that's not nasty at all. I'm shocked 1290 01:07:19,200 --> 01:07:22,120 Speaker 1: a dud to turn waist. But I respect your kink. 1291 01:07:22,760 --> 01:07:25,640 Speaker 1: I'm not a kink shamer. I'm respecting your king. It 1292 01:07:25,800 --> 01:07:28,080 Speaker 1: might have been a third, you know, but she's she's 1293 01:07:28,080 --> 01:07:31,040 Speaker 1: a hot Columbian, so you know it was all right. 1294 01:07:31,320 --> 01:07:34,080 Speaker 1: I made it work, brother, Say that makes you sleep 1295 01:07:34,120 --> 01:07:38,560 Speaker 1: in love King, love kink? Hello? Who's this? This is 1296 01:07:38,600 --> 01:07:42,800 Speaker 1: an earl from Wilson, North Carolina. Girl. What's happening? What's 1297 01:07:42,880 --> 01:07:45,040 Speaker 1: what's it? What's the kick that you like? Earl? We 1298 01:07:45,240 --> 01:07:49,200 Speaker 1: pee back and forth, both on each other. Damn, we've 1299 01:07:49,240 --> 01:07:52,080 Speaker 1: been together forever years. We leave it, so what do 1300 01:07:52,120 --> 01:07:54,840 Speaker 1: you'll do it in the shower on the bed both 1301 01:07:55,200 --> 01:07:57,160 Speaker 1: if we go if we go through a whole deal, 1302 01:07:57,560 --> 01:08:00,880 Speaker 1: I do a private contract, so I have like the 1303 01:08:01,400 --> 01:08:04,680 Speaker 1: plastic drop clouds that I keep in the closet. If 1304 01:08:04,760 --> 01:08:07,160 Speaker 1: we decided to do that that night, I covered the pain. 1305 01:08:07,280 --> 01:08:09,360 Speaker 1: We go. It's going down? Well, listen, how did this 1306 01:08:09,520 --> 01:08:12,920 Speaker 1: urinary war start? Like? Like, who started it? Who initiated 1307 01:08:13,000 --> 01:08:17,080 Speaker 1: it first? Damn? How did it start? I'm not sure 1308 01:08:17,160 --> 01:08:19,240 Speaker 1: how to start. I know I tried it one time 1309 01:08:19,320 --> 01:08:22,479 Speaker 1: with my first baby mom, and we didn't really get 1310 01:08:22,560 --> 01:08:24,840 Speaker 1: into it like that. But me and my deal then, 1311 01:08:24,880 --> 01:08:27,479 Speaker 1: I can't remember. How What is it about? Peace? Sir? 1312 01:08:27,960 --> 01:08:33,479 Speaker 1: It's hot? Okay, good question? No Carolina, No Carolina, not 1313 01:08:33,560 --> 01:08:34,960 Speaker 1: hot enough for you that you ever heard of a 1314 01:08:35,040 --> 01:08:38,200 Speaker 1: warm shower? Hot showers? He doesn't, Man, when it's going 1315 01:08:38,320 --> 01:08:41,200 Speaker 1: down going, Hey, look what's crazy about it? It's neither 1316 01:08:41,320 --> 01:08:44,240 Speaker 1: one of us, dude with like hard drugs and stuff 1317 01:08:44,320 --> 01:08:46,840 Speaker 1: like that. We just smoked weed every night and then 1318 01:08:46,960 --> 01:08:50,080 Speaker 1: blow on those nights. We might throw a little adderall 1319 01:08:50,240 --> 01:08:53,200 Speaker 1: or something then and it gets it's crazy. I wonder 1320 01:08:53,240 --> 01:08:55,280 Speaker 1: how that feels to love somebody so much, to be like, man, 1321 01:08:55,280 --> 01:08:57,680 Speaker 1: I can't wait to pee on her to nay. I 1322 01:08:57,800 --> 01:09:02,240 Speaker 1: often think of it clearly, you do well. You enjoy it. Man, 1323 01:09:02,320 --> 01:09:03,640 Speaker 1: You have a good you have a good weekend. Man, 1324 01:09:03,640 --> 01:09:06,040 Speaker 1: I have a blessed day. King. All y'all, thank you. 1325 01:09:06,600 --> 01:09:08,720 Speaker 1: And what's your name? Earl, North Carolina. Don't sleep on 1326 01:09:08,800 --> 01:09:10,760 Speaker 1: Earl's bed, bro Ladies and gentlemen, if you if you got, 1327 01:09:10,840 --> 01:09:15,400 Speaker 1: if you're a family, don't sleep on Earl's bed. I 1328 01:09:15,479 --> 01:09:18,000 Speaker 1: thought you was going eight hundred five eight five one 1329 01:09:18,080 --> 01:09:20,519 Speaker 1: on five one were asked, what are you into? What 1330 01:09:20,720 --> 01:09:22,800 Speaker 1: kinks do you like? We gotta call Joey and here 1331 01:09:22,880 --> 01:09:25,880 Speaker 1: Joey is. Joey works here at the Breakfast club. Joy 1332 01:09:26,000 --> 01:09:28,120 Speaker 1: just sent me something that somebody sent him. I'm gonna 1333 01:09:28,200 --> 01:09:30,479 Speaker 1: let him tell his own story though. All right, Joey, 1334 01:09:31,439 --> 01:09:35,120 Speaker 1: it's the Breakfast Club. Good morning morning. Everybody is DJ Envy, 1335 01:09:35,280 --> 01:09:38,360 Speaker 1: Angela Yee, Charlemagne the guy. We are to breakfast clubs Priday, 1336 01:09:38,400 --> 01:09:41,160 Speaker 1: so you know what that means. It's freaky freaky freaky Friday. 1337 01:09:42,080 --> 01:09:45,599 Speaker 1: And the freaky freaky freaky Friday. Question is we're talking kinks? Now? 1338 01:09:45,680 --> 01:09:49,600 Speaker 1: This came from Sophia your Resta. She's an artist. She 1339 01:09:49,720 --> 01:09:51,560 Speaker 1: had to go to the bathroom right when she was 1340 01:09:51,560 --> 01:09:53,479 Speaker 1: performing the last song she said, I gotta pee. I 1341 01:09:53,560 --> 01:09:55,679 Speaker 1: can't make it to the bathroom. She asked if anybody 1342 01:09:55,720 --> 01:09:57,400 Speaker 1: wanted to come on stage and accept her pee, and 1343 01:09:57,439 --> 01:09:59,640 Speaker 1: a gentleman came and said, pee all over me, and 1344 01:09:59,680 --> 01:10:02,280 Speaker 1: that's she did. She squatted and pete all over him 1345 01:10:02,439 --> 01:10:05,639 Speaker 1: live on stage. Were talking Kinks this morning. We're talking 1346 01:10:05,720 --> 01:10:09,200 Speaker 1: Kinks this morning. Now, Joey's here, Joey at the breakfast club. 1347 01:10:09,479 --> 01:10:12,439 Speaker 1: Joey sent me a text, Joey telling your story. Okay, 1348 01:10:12,600 --> 01:10:14,920 Speaker 1: so this guy this morning hit me up on grinder. 1349 01:10:15,080 --> 01:10:16,960 Speaker 1: Shout out to him. He was anonymous, and he said, 1350 01:10:17,280 --> 01:10:20,120 Speaker 1: quote looking to pay someone one hundred dollars to come 1351 01:10:20,160 --> 01:10:22,840 Speaker 1: to my hotel to d and break some pencils with 1352 01:10:22,960 --> 01:10:26,000 Speaker 1: their cans. And I'm like, break pencils and he said, 1353 01:10:26,040 --> 01:10:29,840 Speaker 1: it's an odd fetish. I have to break pencil pencil apparently, 1354 01:10:30,040 --> 01:10:33,280 Speaker 1: so breaking pencils is a thing we don't kink shame 1355 01:10:33,320 --> 01:10:35,639 Speaker 1: around here. But what do you do? You break pencil 1356 01:10:35,720 --> 01:10:38,200 Speaker 1: pencils on his penis? So he just breaking it. I 1357 01:10:38,240 --> 01:10:40,040 Speaker 1: don't know. At first I thought he was referring to 1358 01:10:40,120 --> 01:10:44,280 Speaker 1: it as a pencil, and I was like, but then 1359 01:10:44,320 --> 01:10:45,880 Speaker 1: I'm not even showing up. Even if it's for a 1360 01:10:46,000 --> 01:10:50,000 Speaker 1: hundred dollars five hundred at least, But you charge Joey, 1361 01:10:50,560 --> 01:10:53,840 Speaker 1: I means, damn, we gotta start paying you more at 1362 01:10:53,840 --> 01:10:56,840 Speaker 1: the break. I would donate it, though, would use it 1363 01:10:56,880 --> 01:10:59,519 Speaker 1: for a good cause. Okay, the sugar baby fun. It 1364 01:10:59,640 --> 01:11:01,760 Speaker 1: was good baby fun. And break that down. It's a 1365 01:11:01,880 --> 01:11:05,559 Speaker 1: possible business venture I'm thinking of making where sex workers 1366 01:11:05,680 --> 01:11:09,840 Speaker 1: donate all their things to good causes. Oh so instead 1367 01:11:09,840 --> 01:11:13,719 Speaker 1: of the sugar dadd of you to sugar baby? Yeah? Actually, 1368 01:11:14,400 --> 01:11:16,840 Speaker 1: oh I like that. But then you're just having sex 1369 01:11:16,920 --> 01:11:18,960 Speaker 1: for fun. It's not supposed to be, right, I mean, 1370 01:11:19,080 --> 01:11:23,960 Speaker 1: it is fun, true, Okay, Okay, naked there except for him, 1371 01:11:24,040 --> 01:11:26,400 Speaker 1: except for him, except for him. We don't do pencils 1372 01:11:26,720 --> 01:11:31,680 Speaker 1: or breaking pencils. How okay? All right, well, thank you, Jo, Yeah, 1373 01:11:31,840 --> 01:11:35,800 Speaker 1: no problem. Hopefully he's okay. All right, Well, Julie, just 1374 01:11:35,840 --> 01:11:37,400 Speaker 1: tell you about the kid. We used to pencil fighting 1375 01:11:37,400 --> 01:11:39,880 Speaker 1: in school. Remember the pencil fights. That sounds wild right now? 1376 01:11:41,520 --> 01:11:43,680 Speaker 1: Now he's the pencil you remembers the pencil fight? Yes, yeah, 1377 01:11:43,680 --> 01:11:45,000 Speaker 1: we used to pencil fighting in school. Now, if you 1378 01:11:45,040 --> 01:11:46,519 Speaker 1: want to pencil fight me, it goals a different way. 1379 01:11:46,560 --> 01:11:48,760 Speaker 1: So fight. We used to a pencil fight nowadays, in 1380 01:11:48,840 --> 01:11:53,840 Speaker 1: twenty twenty one, My goodness, Hello, who's this? Does he 1381 01:11:53,960 --> 01:11:59,680 Speaker 1: know what? Oh? Good morning, mama? So God bless you, 1382 01:12:01,320 --> 01:12:06,200 Speaker 1: God bless you. You got to kick tiss you so 1383 01:12:06,439 --> 01:12:10,639 Speaker 1: in the bedroom. I like to be slap around, going around, choking, spitting, 1384 01:12:10,760 --> 01:12:14,400 Speaker 1: all that kind of stuff you're from. I am, I know. 1385 01:12:14,479 --> 01:12:15,880 Speaker 1: I don't know why you're trying to hide that. Don't 1386 01:12:15,920 --> 01:12:18,400 Speaker 1: tuck that guiche and I hate that guichi. You don't 1387 01:12:18,439 --> 01:12:21,360 Speaker 1: want people to know who you is? Huh No, so 1388 01:12:21,520 --> 01:12:22,800 Speaker 1: you said you like them boy to box you on 1389 01:12:22,840 --> 01:12:28,000 Speaker 1: your mountain, slap on your bookie and stuff that. So 1390 01:12:28,120 --> 01:12:29,720 Speaker 1: what are you saying? You said, spit on your spit 1391 01:12:29,800 --> 01:12:41,320 Speaker 1: on your wear? Oh you nasty? Any I'm not king shaming. Okay, 1392 01:12:41,560 --> 01:12:46,799 Speaker 1: all right, mama. Hello, who's this? Hey it's Shade, Hey Shade. 1393 01:12:46,840 --> 01:12:49,160 Speaker 1: Now now what kins? What are you into? Mama? So 1394 01:12:50,320 --> 01:12:52,320 Speaker 1: my king is getting paid for what I do. I 1395 01:12:52,439 --> 01:12:55,880 Speaker 1: must submiss them. So anything that I do beside scatt play, 1396 01:12:55,960 --> 01:12:59,880 Speaker 1: I get paid for scat players do. Yeah, so I 1397 01:13:00,120 --> 01:13:02,880 Speaker 1: do everything besides that. Like, what, what's the craziest thing 1398 01:13:02,920 --> 01:13:06,280 Speaker 1: you've done? The most creative thing? I would guess I'd 1399 01:13:06,280 --> 01:13:09,519 Speaker 1: say I've been shung up from the ceiling with clamp 1400 01:13:09,880 --> 01:13:13,439 Speaker 1: or my nipples and my nipple you got hanging from 1401 01:13:13,439 --> 01:13:15,840 Speaker 1: the ceiling from the nipples. No, no, no, no, I 1402 01:13:15,920 --> 01:13:18,920 Speaker 1: have clamps, so I'm hanging. I'm in ropes, hanging from 1403 01:13:18,960 --> 01:13:21,719 Speaker 1: the ceiling. Listen, I have clamps or in the nipples 1404 01:13:21,800 --> 01:13:23,840 Speaker 1: in the nipple ring. Let me managine questions. So basically 1405 01:13:23,880 --> 01:13:26,680 Speaker 1: your turn on is just getting paid. Yes. So have 1406 01:13:26,760 --> 01:13:30,160 Speaker 1: you ever heard of a job? I have a job. 1407 01:13:30,479 --> 01:13:33,559 Speaker 1: I'm actually I actually have a great job. I'm in mortgage. 1408 01:13:33,680 --> 01:13:41,519 Speaker 1: Do you orgasm on pay day? Not particularly? Okay, So 1409 01:13:41,640 --> 01:13:44,160 Speaker 1: it's not necessarily the money, it's the everything that comes 1410 01:13:44,200 --> 01:13:46,760 Speaker 1: along with the money, Like do you wear high heels 1411 01:13:46,760 --> 01:13:50,760 Speaker 1: and step on guys testicles and stuff like that? No? Sometimes, 1412 01:13:51,040 --> 01:13:53,479 Speaker 1: but I try not to. But no, so I must play. Now, 1413 01:13:53,840 --> 01:13:55,840 Speaker 1: So are you a professional prostitute and you just play 1414 01:13:55,920 --> 01:14:00,960 Speaker 1: one on TV? What do you do? Are this your thing? Yeah? 1415 01:14:01,240 --> 01:14:04,439 Speaker 1: My thing? It's really funny. You guys should try it. Pass. 1416 01:14:04,600 --> 01:14:08,960 Speaker 1: Why would I try? Not gonna clant Monday? Now? Not 1417 01:14:09,000 --> 01:14:10,679 Speaker 1: gonna hang me from Miss Clan and clant my nipple 1418 01:14:10,720 --> 01:14:12,280 Speaker 1: doesn't sound like a good time to me? Would you 1419 01:14:12,360 --> 01:14:13,720 Speaker 1: want to You want to give your information out, You 1420 01:14:13,760 --> 01:14:17,559 Speaker 1: want to tell people where to find you. But my dad, 1421 01:14:18,720 --> 01:14:20,880 Speaker 1: oh got you, got you, got you, got you. You 1422 01:14:20,960 --> 01:14:23,680 Speaker 1: never know, Dad might be into that man. Shut up. 1423 01:14:23,760 --> 01:14:27,840 Speaker 1: Not not that hard dad, her dad, say Lord, have mercy, 1424 01:14:27,840 --> 01:14:29,840 Speaker 1: all right, have a blessed day. You know that is 1425 01:14:29,840 --> 01:14:32,439 Speaker 1: a big fetish, like dudes knocking up their step mom 1426 01:14:32,479 --> 01:14:34,280 Speaker 1: and stuff like that. In the step sisters don't have 1427 01:14:34,360 --> 01:14:35,840 Speaker 1: nothing to do with What the hell are you talking about? You? 1428 01:14:36,160 --> 01:14:38,200 Speaker 1: That's a daughter and the father. What's the mother story? 1429 01:14:38,400 --> 01:14:40,519 Speaker 1: The more the stories is freaking freaky Friday. There's no 1430 01:14:40,640 --> 01:14:44,400 Speaker 1: more to story. When we come back, it's new music Friday, 1431 01:14:44,880 --> 01:14:46,400 Speaker 1: so we'll get into some new music. So don't go. 1432 01:14:46,400 --> 01:14:55,479 Speaker 1: It's to Breakfast Local Morning, the breakfast Club. Too sexy 1433 01:14:55,560 --> 01:14:59,439 Speaker 1: for not too sexy form or not too sexy former 1434 01:14:59,560 --> 01:15:02,840 Speaker 1: or not Yeah? Yeah, all right, morning everybody. We all 1435 01:15:02,880 --> 01:15:05,200 Speaker 1: the breakfast club. Angela's out. Let's get to the rumors. 1436 01:15:05,240 --> 01:15:09,719 Speaker 1: Let's talk new music. This is the rumor report with Angela. 1437 01:15:09,840 --> 01:15:17,759 Speaker 1: Yet what we got? What we got? New music Friday? 1438 01:15:17,840 --> 01:15:20,599 Speaker 1: Put me onto something? All right? New music Friday? Now 1439 01:15:20,720 --> 01:15:25,439 Speaker 1: French Montana he releases, Uh they got amnesia all right 1440 01:15:25,960 --> 01:15:28,920 Speaker 1: that that's his new album as twenty one joints on it. 1441 01:15:29,000 --> 01:15:30,680 Speaker 1: So let's play some snippets off of that. Let's play 1442 01:15:30,720 --> 01:15:34,599 Speaker 1: Touch the Sky feature in John legend Rick raw Sky 1443 01:15:41,520 --> 01:15:45,479 Speaker 1: the clowns my head in the clouds. Whoever she regretting 1444 01:15:45,680 --> 01:15:47,760 Speaker 1: that I thought, you know, when I heard that, I'm like, 1445 01:15:47,800 --> 01:15:51,360 Speaker 1: this sounds very um Rose. Yeah, very Rosea. So it 1446 01:15:51,400 --> 01:15:53,000 Speaker 1: made sense to hear that may back music in here 1447 01:15:53,080 --> 01:15:57,880 Speaker 1: Rose on the now. Also, uh, handstand with those your 1448 01:15:57,960 --> 01:16:06,360 Speaker 1: cat and Saweedie popped up for me. Do a histap 1449 01:16:06,600 --> 01:16:14,360 Speaker 1: for me, do a histad project training that wagon red 1450 01:16:14,479 --> 01:16:18,800 Speaker 1: one fifty Okay, so that's French Montana Amnesia they got 1451 01:16:18,840 --> 01:16:23,160 Speaker 1: Amnesia's out today now. Also Snoop Dog all right, algorithm 1452 01:16:23,880 --> 01:16:25,960 Speaker 1: that's out today. He has a let's play a joint 1453 01:16:25,960 --> 01:16:28,960 Speaker 1: off of there. Let's play Eric Bellinger Snoop Dog Sha 1454 01:16:29,640 --> 01:16:34,240 Speaker 1: say this used to be I used to dream of 1455 01:16:34,320 --> 01:16:37,080 Speaker 1: being on records that they played at the barnecue tennis 1456 01:16:37,120 --> 01:16:41,200 Speaker 1: to speis and had dramatical Mormon may feel make us 1457 01:16:41,240 --> 01:16:43,200 Speaker 1: to clash that something of the best of the best. 1458 01:16:44,880 --> 01:16:47,080 Speaker 1: I want to include the bombs for Malaya too. Man 1459 01:16:47,160 --> 01:16:51,360 Speaker 1: Malay is on that Snoop Dogg Algorithm project, phenomenal talent 1460 01:16:51,560 --> 01:16:54,000 Speaker 1: she sings with. She got a record on they called 1461 01:16:54,000 --> 01:16:56,760 Speaker 1: The Anxiety. That's phenomenal. I think we played that when 1462 01:16:56,800 --> 01:16:59,720 Speaker 1: A Snoop was here a few weeks ago. Yeah, I did. Now, 1463 01:17:00,200 --> 01:17:03,519 Speaker 1: Untila he has a Christmas project and uh, this is 1464 01:17:03,720 --> 01:17:07,960 Speaker 1: Lonely Christmas featuring Justin Bieber and Pooh Beer. It's gonna 1465 01:17:08,080 --> 01:17:26,800 Speaker 1: bely christ Chris, what no Masses and kissing God like Chris? Yeah, 1466 01:17:28,160 --> 01:17:30,439 Speaker 1: what's up with that depression as Christmas song? Why gonna 1467 01:17:30,439 --> 01:17:33,519 Speaker 1: be a lonely Christmas? Did hardly leave Justin as up? 1468 01:17:34,040 --> 01:17:36,240 Speaker 1: What the hell is going on? What kind of uplifting 1469 01:17:36,320 --> 01:17:37,960 Speaker 1: Christmas song is that supposed to be? It's gonna be 1470 01:17:38,000 --> 01:17:40,160 Speaker 1: a lonely Christmas. Ain't no gifts, Ain't no family, Ain't 1471 01:17:40,160 --> 01:17:43,000 Speaker 1: no mistletoe. It's gonna be be Jehober Witness. If you 1472 01:17:43,040 --> 01:17:45,800 Speaker 1: want to be Jehoba Witness, justin just say that, all right? Well? 1473 01:17:45,880 --> 01:17:49,439 Speaker 1: Adele released a new God. Uh it's our first album 1474 01:17:49,479 --> 01:17:51,719 Speaker 1: in six years. We don't have a joint off Adele's 1475 01:17:51,720 --> 01:17:55,200 Speaker 1: album Thope, but it's out today. Isaiah was shot. He 1476 01:17:55,280 --> 01:17:58,080 Speaker 1: releases a deluxe version of the House's Burden called Joby's 1477 01:17:58,120 --> 01:18:02,360 Speaker 1: begged Bucy b Ass. He pushed his album back. Now 1478 01:18:02,439 --> 01:18:05,040 Speaker 1: some singles came out today Willow Smith and Kid Cutty 1479 01:18:05,080 --> 01:18:07,160 Speaker 1: and Travis Barker. We don't have that, but we do 1480 01:18:07,280 --> 01:18:10,240 Speaker 1: have Freddy Gibbs and Jada Kiss Black Illuminati to do 1481 01:18:10,400 --> 01:18:13,240 Speaker 1: with different game. Now. I don't rep about get something 1482 01:18:13,320 --> 01:18:15,320 Speaker 1: at his name that I'm shame how they black ball? 1483 01:18:15,439 --> 01:18:17,519 Speaker 1: Can they expressed my name out? I pushed it longer 1484 01:18:17,560 --> 01:18:20,240 Speaker 1: than I expected to get my name. They want to 1485 01:18:20,320 --> 01:18:23,160 Speaker 1: take me out this game like Chicari, Black Illuminati touched 1486 01:18:23,160 --> 01:18:26,280 Speaker 1: Big Rabbit. Streets need a body, all right now, so 1487 01:18:26,439 --> 01:18:28,519 Speaker 1: the boy Big DRAKEO two is out to right, that's 1488 01:18:28,520 --> 01:18:30,680 Speaker 1: out today as well. All right, and there's some of 1489 01:18:30,800 --> 01:18:34,000 Speaker 1: your new music. Okay, and that's your rum. I want 1490 01:18:34,000 --> 01:18:36,800 Speaker 1: to hear Jadakiss on that Black Illuminati Freddy Freddy got busy. 1491 01:18:36,920 --> 01:18:38,519 Speaker 1: I'm gonna listen to that when I get in the car. 1492 01:18:38,760 --> 01:18:40,960 Speaker 1: All right, Well, I get in the call, People's Choice 1493 01:18:41,000 --> 01:18:43,639 Speaker 1: mixes up, VEX, get your requested. It's the Breakfast Club, 1494 01:18:43,680 --> 01:18:47,120 Speaker 1: Go Morning, So Breakfast Club, your mornings will never be 1495 01:18:47,320 --> 01:18:51,479 Speaker 1: the same. Angela Hair talking about my friends at the 1496 01:18:51,520 --> 01:18:55,160 Speaker 1: General insurance. They offer flexible payment plans and the ability 1497 01:18:55,200 --> 01:18:57,280 Speaker 1: to choose your payment date. Plus, they let you choose 1498 01:18:57,320 --> 01:18:59,519 Speaker 1: how you pay, whether that's with cash, card or a 1499 01:18:59,600 --> 01:19:01,840 Speaker 1: chat on eight hundred General or visit the General dot 1500 01:19:01,880 --> 01:19:09,439 Speaker 1: com to learn more. Today, some restrictions apply the Breakfast 1501 01:19:09,479 --> 01:19:15,559 Speaker 1: Club Angel and Charlomagne the God Morning. Everybody is DJ 1502 01:19:16,080 --> 01:19:19,320 Speaker 1: Envy ANGELA ye, Charlomagne the guy. We are the Breakfast Club. 1503 01:19:19,360 --> 01:19:21,639 Speaker 1: So I've got another call show coming up, this time 1504 01:19:21,760 --> 01:19:26,320 Speaker 1: in Miami, December twelfth, Right, celebrity cars, exotic cars. You 1505 01:19:26,400 --> 01:19:28,439 Speaker 1: need to get down there. Well, this is the perfect 1506 01:19:28,439 --> 01:19:30,200 Speaker 1: time to head down to Miami, now that we're getting 1507 01:19:30,200 --> 01:19:31,920 Speaker 1: in the winter. What else you're gonna down there? Well, 1508 01:19:31,960 --> 01:19:34,400 Speaker 1: you know where I went to get some ideas. TikTok. 1509 01:19:34,720 --> 01:19:37,240 Speaker 1: There's so much to watch. I could just look at 1510 01:19:37,240 --> 01:19:40,000 Speaker 1: the Miami videos for days. Remember what I was showing 1511 01:19:40,000 --> 01:19:42,000 Speaker 1: you the other day. Yeah, you got tiktoks with people 1512 01:19:42,040 --> 01:19:44,040 Speaker 1: taking you on a tour through Miami. You got Miami 1513 01:19:44,120 --> 01:19:47,240 Speaker 1: food recommendations, tiktoks with people flying over the city in 1514 01:19:47,280 --> 01:19:51,120 Speaker 1: a helicopter, Miami dogs and cats and alligators, people making jokes, 1515 01:19:51,160 --> 01:19:53,840 Speaker 1: people getting married and yes, people in Miami posing with 1516 01:19:53,920 --> 01:19:56,760 Speaker 1: their lambos and listen, you always hear me say some 1517 01:19:56,840 --> 01:19:58,680 Speaker 1: of the craziest people come from the Bronx and all 1518 01:19:58,720 --> 01:20:00,720 Speaker 1: the Florida and you can see some videos proving that. 1519 01:20:00,840 --> 01:20:04,680 Speaker 1: Point yep, everything you're into, even things you're not into yet, 1520 01:20:04,760 --> 01:20:07,320 Speaker 1: it's all on TikTok. We've been talking about TikTok for 1521 01:20:07,360 --> 01:20:09,840 Speaker 1: a while now and I get it now, I'm on board. Okay, Well, 1522 01:20:09,880 --> 01:20:12,560 Speaker 1: December twelve, I have some more tiktoks to show you 1523 01:20:12,680 --> 01:20:15,320 Speaker 1: straight from my Miami car show Badia and check out 1524 01:20:15,439 --> 01:20:19,839 Speaker 1: Miami Cars, celebrity cars and more so much more on TikTok. 1525 01:20:19,880 --> 01:20:23,720 Speaker 1: You have to see it. Everybody's DJ v Angela Yee, 1526 01:20:23,880 --> 01:20:25,840 Speaker 1: Charlomagne the guy. We are to Breakfast Club. We got 1527 01:20:25,920 --> 01:20:28,360 Speaker 1: a special guest in the building. We have the CMO 1528 01:20:28,520 --> 01:20:32,240 Speaker 1: of b ET. We have Kim Paige. Welcome, Welcome, Thank 1529 01:20:32,280 --> 01:20:34,680 Speaker 1: you guys, give her all her acronyms E VP and 1530 01:20:35,520 --> 01:20:39,040 Speaker 1: not the initial and thank you guys. But I don't 1531 01:20:39,080 --> 01:20:42,679 Speaker 1: know what are your responsibilities at b ET uh Really? 1532 01:20:43,080 --> 01:20:46,439 Speaker 1: Quite honestly, it's about marketing, right, is the strategy behind 1533 01:20:46,479 --> 01:20:48,639 Speaker 1: what we do. It's supporting all of our shows across 1534 01:20:48,680 --> 01:20:51,439 Speaker 1: all of our platforms from the linear side of the 1535 01:20:51,479 --> 01:20:53,720 Speaker 1: cable side, let me cable side of the business, to 1536 01:20:53,880 --> 01:20:57,600 Speaker 1: digital to you know, streaming. We just launched BT Studios, 1537 01:20:57,840 --> 01:20:59,840 Speaker 1: which is like a huge play that we're doing with Kenya, 1538 01:21:00,439 --> 01:21:03,040 Speaker 1: so really kind of setting up the whole strategy behind that, 1539 01:21:03,120 --> 01:21:05,559 Speaker 1: how the brand shows up, how we get people excited 1540 01:21:05,600 --> 01:21:07,360 Speaker 1: about the content, you know, all of the things that 1541 01:21:07,400 --> 01:21:09,560 Speaker 1: we're doing in the marketplace. So yeah, so it's and 1542 01:21:09,640 --> 01:21:11,680 Speaker 1: I get to work with awesome team. You know. I 1543 01:21:12,200 --> 01:21:14,920 Speaker 1: saw when you first started working at BT and they 1544 01:21:15,000 --> 01:21:17,960 Speaker 1: actually hired you from outside of media, So tell me 1545 01:21:18,040 --> 01:21:20,760 Speaker 1: how all of that happened, because you came from Coca Cola, right, 1546 01:21:20,920 --> 01:21:24,200 Speaker 1: So I started really traditional like brand management tracks. So 1547 01:21:24,360 --> 01:21:26,280 Speaker 1: started at P and G. That's where you start if 1548 01:21:26,320 --> 01:21:27,880 Speaker 1: that's what you want to do, you know, because it's 1549 01:21:27,920 --> 01:21:30,439 Speaker 1: really known for training and control and gamble, Proctor and Gamble, 1550 01:21:30,800 --> 01:21:33,080 Speaker 1: and then from there went to Coke. Worked at Coke 1551 01:21:33,200 --> 01:21:36,519 Speaker 1: for probably the bulk of my career, about seventeen years 1552 01:21:36,560 --> 01:21:39,360 Speaker 1: at Coke, but really ran the sprite business for a 1553 01:21:39,560 --> 01:21:43,320 Speaker 1: very very long time at both nationally and internationally, and 1554 01:21:43,400 --> 01:21:46,439 Speaker 1: then from beverages. From beverages that I transitioned to beauty, 1555 01:21:47,040 --> 01:21:50,800 Speaker 1: so moved to New York from Atlanta. Was a cmo at. 1556 01:21:50,880 --> 01:21:54,240 Speaker 1: Cody ran a number of our businesses, ran the Shay 1557 01:21:54,280 --> 01:21:57,320 Speaker 1: Moisture business for a while while it was acquired by Unilever, 1558 01:21:57,920 --> 01:22:00,920 Speaker 1: and then got the call from from BT. So I've 1559 01:22:00,920 --> 01:22:03,720 Speaker 1: always danced around media and entertainment, you know. Again, when 1560 01:22:03,720 --> 01:22:06,320 Speaker 1: I was a coach brand, the relationship with the NBA, 1561 01:22:06,520 --> 01:22:08,479 Speaker 1: Lebron Drake, all of the all of you know, all 1562 01:22:08,520 --> 01:22:10,640 Speaker 1: the talent that we had, especially on Sprite, we had 1563 01:22:10,680 --> 01:22:12,800 Speaker 1: a lot of you know, connection to culture and hip 1564 01:22:12,800 --> 01:22:16,599 Speaker 1: hop specifically. But yeah, it was you know, the call 1565 01:22:16,680 --> 01:22:19,080 Speaker 1: to kind of jump straight into media, which was you 1566 01:22:19,160 --> 01:22:20,880 Speaker 1: know to me, it couldn't have been at a better 1567 01:22:20,960 --> 01:22:23,120 Speaker 1: time if you think about all the stuff that's been happening, 1568 01:22:23,560 --> 01:22:25,800 Speaker 1: you know, for like the last two years, and I think, um, 1569 01:22:26,400 --> 01:22:29,240 Speaker 1: you know, so for us to think specifically a bat 1570 01:22:29,600 --> 01:22:32,439 Speaker 1: you know, I've always kind of looked at it was 1571 01:22:32,640 --> 01:22:35,280 Speaker 1: a client for like seventeen years. So now on the 1572 01:22:35,360 --> 01:22:37,160 Speaker 1: other side of the table, and it'd be a part 1573 01:22:37,200 --> 01:22:39,840 Speaker 1: of something that you know, really is rooted in I 1574 01:22:39,920 --> 01:22:42,040 Speaker 1: think what we do because for us, you know, black 1575 01:22:42,120 --> 01:22:43,880 Speaker 1: lives have always mattered you know, if you think about 1576 01:22:43,920 --> 01:22:46,439 Speaker 1: when it was started over forty years ago. But in 1577 01:22:46,520 --> 01:22:49,759 Speaker 1: addition to content, I think, well, we are really committed 1578 01:22:49,800 --> 01:22:52,400 Speaker 1: to changing outcomes for the community. And so if you 1579 01:22:52,439 --> 01:22:54,559 Speaker 1: think about all that was happening over the last two years, 1580 01:22:54,720 --> 01:22:56,760 Speaker 1: like we were like we felt like we were on 1581 01:22:56,800 --> 01:22:59,639 Speaker 1: the front lines, right so between COVID and managing all 1582 01:22:59,640 --> 01:23:02,320 Speaker 1: of the things that were happening to our community and 1583 01:23:02,439 --> 01:23:05,040 Speaker 1: our audience. I mean, we felt a deep sense of 1584 01:23:05,120 --> 01:23:08,960 Speaker 1: responsibility and obligations. So you started right before the pandemic, no, no, no, 1585 01:23:09,040 --> 01:23:12,240 Speaker 1: So I started about six months before who is yeah, 1586 01:23:12,520 --> 01:23:15,200 Speaker 1: yeah crazy, there was no job. So how difficult is 1587 01:23:15,240 --> 01:23:17,360 Speaker 1: it for like companies? I know one time it was 1588 01:23:17,560 --> 01:23:19,920 Speaker 1: it was difficult for BT to get the same amount 1589 01:23:19,920 --> 01:23:23,120 Speaker 1: of sponsorship dillars from these corporations as in some of 1590 01:23:23,160 --> 01:23:25,479 Speaker 1: these other networks. Is it's still that difficult, you know, 1591 01:23:25,680 --> 01:23:28,000 Speaker 1: it's it's well, we're in a moment right now, I say, 1592 01:23:28,000 --> 01:23:31,960 Speaker 1: everybody's shaping black, so you know, so thankfully the you know, 1593 01:23:32,080 --> 01:23:33,920 Speaker 1: the business is doing really really well. But you know 1594 01:23:34,000 --> 01:23:36,960 Speaker 1: it's always been difficult, you know, sadly, right, because we 1595 01:23:37,080 --> 01:23:40,000 Speaker 1: are always trying to you know, champion and advocate for 1596 01:23:40,120 --> 01:23:42,960 Speaker 1: our community and for our audience. And I think you know, 1597 01:23:43,200 --> 01:23:45,240 Speaker 1: even you know, while I was at Coke, we always 1598 01:23:45,280 --> 01:23:47,639 Speaker 1: had to make the case for action, Like even on sprite, 1599 01:23:47,680 --> 01:23:49,120 Speaker 1: like why do you want to support hiphop? Was like, 1600 01:23:49,120 --> 01:23:50,760 Speaker 1: what are you talking about? You know, we're here to 1601 01:23:50,800 --> 01:23:53,479 Speaker 1: advance and contribute to the community. But I do think 1602 01:23:53,560 --> 01:23:56,599 Speaker 1: that it continues to be you know, an interesting conversation, 1603 01:23:57,160 --> 01:24:01,400 Speaker 1: I said, this continues even yes, exactly, so that that 1604 01:24:01,720 --> 01:24:03,639 Speaker 1: is kind of always a chance, you know, the challenge, 1605 01:24:03,720 --> 01:24:06,160 Speaker 1: because it's like, you know, this is not something that 1606 01:24:06,240 --> 01:24:08,400 Speaker 1: you just kind of come in and coopt and you know, 1607 01:24:08,560 --> 01:24:10,800 Speaker 1: try to you know, connect and you know, with our 1608 01:24:10,840 --> 01:24:13,040 Speaker 1: culture when it's convenient for you, right, and so but 1609 01:24:13,120 --> 01:24:16,400 Speaker 1: we've been able to demonstrate that, you know, our culture 1610 01:24:16,560 --> 01:24:19,240 Speaker 1: is culture, right, and so if you're you're trying to 1611 01:24:19,320 --> 01:24:21,759 Speaker 1: whether you sell wine or widges, if you're not connecting 1612 01:24:21,800 --> 01:24:24,400 Speaker 1: with our audience, you're not relevant because there's such a 1613 01:24:24,439 --> 01:24:27,479 Speaker 1: strong connection between culture and commerce, right. And so I 1614 01:24:27,640 --> 01:24:30,559 Speaker 1: think the story that we've been able to really champion 1615 01:24:30,640 --> 01:24:33,960 Speaker 1: intel at BT has just been consistent, right in terms 1616 01:24:34,000 --> 01:24:36,519 Speaker 1: of that messaging, because we value the audience so much 1617 01:24:36,560 --> 01:24:40,120 Speaker 1: and so really trying to to your point, show advertises 1618 01:24:40,160 --> 01:24:42,559 Speaker 1: the value of this audience, right, And so I often 1619 01:24:42,640 --> 01:24:46,719 Speaker 1: talk a lot about you know, when return you know ROI, 1620 01:24:47,000 --> 01:24:49,400 Speaker 1: but it's return on influences. Why do you think artists 1621 01:24:49,400 --> 01:24:51,720 Speaker 1: A lot of artists don't take pride in BT like 1622 01:24:51,800 --> 01:24:54,640 Speaker 1: they should. Like you look at thingstance to BT hip 1623 01:24:54,680 --> 01:24:57,559 Speaker 1: Hop Awards, right, and you think about the five biggest 1624 01:24:57,640 --> 01:25:00,280 Speaker 1: hip hop artists, and I don't think they would, Yeah, 1625 01:25:00,320 --> 01:25:01,519 Speaker 1: you know what I mean. But then you look at 1626 01:25:01,560 --> 01:25:03,240 Speaker 1: the Grammys and then they'll show up at the Grammys 1627 01:25:03,320 --> 01:25:05,160 Speaker 1: or they'll show up at the Rock and Roll Hall 1628 01:25:05,200 --> 01:25:07,680 Speaker 1: of Fame, but when it comes to home, it's like 1629 01:25:07,840 --> 01:25:10,559 Speaker 1: we don't get the necessary support from our own Yeah, 1630 01:25:10,680 --> 01:25:13,519 Speaker 1: you know, that's a real conversation and I think you know, 1631 01:25:13,720 --> 01:25:16,280 Speaker 1: we talk about it a lot um and so one, 1632 01:25:16,320 --> 01:25:18,360 Speaker 1: I just want to thank you guys for the partnership 1633 01:25:18,400 --> 01:25:20,280 Speaker 1: and the support and the love that that you that 1634 01:25:20,439 --> 01:25:23,080 Speaker 1: you give us. You know, it's an interesting conversation, you know, 1635 01:25:23,240 --> 01:25:26,479 Speaker 1: around where you really feel validated and valued. And I 1636 01:25:26,600 --> 01:25:28,519 Speaker 1: think for us, you know, for us to your point 1637 01:25:28,560 --> 01:25:31,519 Speaker 1: around being home, there's so many like first that have 1638 01:25:31,600 --> 01:25:34,360 Speaker 1: happened on that BT stage, right, you know, and then 1639 01:25:34,960 --> 01:25:37,240 Speaker 1: you know, after you know, you know, become you know, 1640 01:25:37,320 --> 01:25:39,280 Speaker 1: big big stars, there there is this kind of a 1641 01:25:39,360 --> 01:25:41,160 Speaker 1: little bit of a disconnect and we talk about it 1642 01:25:41,240 --> 01:25:43,479 Speaker 1: a lot, and sometimes we even call it a black tax, right, 1643 01:25:43,800 --> 01:25:46,960 Speaker 1: like like we you know, we get taxed um in 1644 01:25:47,040 --> 01:25:49,800 Speaker 1: a certain way. But my my perspective is, you know, 1645 01:25:50,000 --> 01:25:52,439 Speaker 1: let's take that tax to a luxury like because you're 1646 01:25:52,439 --> 01:25:54,320 Speaker 1: always going to be welcome back home, right, and so 1647 01:25:54,600 --> 01:25:56,639 Speaker 1: when things happen, we you know, it's a place where 1648 01:25:56,680 --> 01:25:58,760 Speaker 1: you come back to, which is why I love when 1649 01:25:58,800 --> 01:26:01,200 Speaker 1: I see you know, a lot of our big big stars, 1650 01:26:01,400 --> 01:26:03,320 Speaker 1: you know, whether it's you know, beyond your kindred when 1651 01:26:03,320 --> 01:26:06,000 Speaker 1: they come back, it's just huge rum. But it is. 1652 01:26:06,040 --> 01:26:08,720 Speaker 1: It is an interesting conversation, m right. You know, I'm 1653 01:26:08,720 --> 01:26:11,920 Speaker 1: playing all the time about oh the grammy shouldn't matter. Yeah, 1654 01:26:12,160 --> 01:26:15,280 Speaker 1: you we are not showing up and the soul Chrain 1655 01:26:15,360 --> 01:26:16,680 Speaker 1: of Wars because I want to make sure we get 1656 01:26:16,760 --> 01:26:19,160 Speaker 1: into that because this is exciting too, and I love 1657 01:26:19,200 --> 01:26:20,800 Speaker 1: the soul train of wards. I actually have had the 1658 01:26:20,840 --> 01:26:23,080 Speaker 1: opportunity to go a couple of times, but it's going 1659 01:26:23,120 --> 01:26:24,720 Speaker 1: to be in New York for the first time at 1660 01:26:24,800 --> 01:26:27,320 Speaker 1: the Apollo, So what is it thinking behind that. Yeah, 1661 01:26:27,400 --> 01:26:30,920 Speaker 1: so one everybody loves Soul Right Awards. I mean, honestly, 1662 01:26:30,920 --> 01:26:33,040 Speaker 1: it really is like just this big, big party. And 1663 01:26:33,080 --> 01:26:35,960 Speaker 1: if you think about like Don Cornelius and what he 1664 01:26:36,120 --> 01:26:37,960 Speaker 1: was doing back at that time, you know, it was 1665 01:26:38,000 --> 01:26:40,519 Speaker 1: just pretty pretty amazing. So, you know, we've been having 1666 01:26:40,520 --> 01:26:43,080 Speaker 1: a lot of conversations, you know, literally the last two years, 1667 01:26:43,120 --> 01:26:46,040 Speaker 1: we've been you know, reimagining BT. You know, it's like, 1668 01:26:46,240 --> 01:26:48,880 Speaker 1: you know, let's let's be you know, bold and disruptive, 1669 01:26:49,160 --> 01:26:51,640 Speaker 1: and so everything's on the table by way of conversations. 1670 01:26:51,720 --> 01:26:54,639 Speaker 1: And so coming off of the hills of Beat Awards, 1671 01:26:54,680 --> 01:26:57,080 Speaker 1: which I honestly think we set a standard of excellence 1672 01:26:57,160 --> 01:26:59,600 Speaker 1: like no awards show has been able to do, you 1673 01:26:59,680 --> 01:27:01,920 Speaker 1: know what we've done. And Connie, you know, and the team, 1674 01:27:02,000 --> 01:27:04,679 Speaker 1: they're just amazing, right, And so we were talking about 1675 01:27:04,720 --> 01:27:06,519 Speaker 1: how do we kind of keep this renewed sense of 1676 01:27:06,680 --> 01:27:09,960 Speaker 1: energy in the shows. The idea came up to moving 1677 01:27:10,000 --> 01:27:12,639 Speaker 1: it to New York again, on the hills of all 1678 01:27:12,680 --> 01:27:14,960 Speaker 1: of the things that you know, New York specifically has 1679 01:27:14,960 --> 01:27:17,800 Speaker 1: gone through during the pandemic. And then we started talking 1680 01:27:17,800 --> 01:27:21,720 Speaker 1: about Apollo and that even internally when we were having 1681 01:27:21,760 --> 01:27:24,600 Speaker 1: these conversations there were just so much excitement because we 1682 01:27:24,720 --> 01:27:26,800 Speaker 1: just knew, like that's going to bring just a different 1683 01:27:26,880 --> 01:27:29,599 Speaker 1: level of energy to the show itself. And then all 1684 01:27:29,640 --> 01:27:31,799 Speaker 1: the things that we're doing, you know, for the weekend, 1685 01:27:32,040 --> 01:27:34,400 Speaker 1: you know, in terms of supporting the community. So we're 1686 01:27:34,479 --> 01:27:36,519 Speaker 1: just kind of like, you know, really excited about it, 1687 01:27:37,000 --> 01:27:39,479 Speaker 1: all right, and you know, to the point of working 1688 01:27:39,560 --> 01:27:43,080 Speaker 1: with these small businesses and also supporting the black community 1689 01:27:43,280 --> 01:27:46,200 Speaker 1: and being felt and not just seeing you also have 1690 01:27:46,280 --> 01:27:50,439 Speaker 1: an initiative that you're doing that we're actually participating in. Yes. Yes, 1691 01:27:50,600 --> 01:27:55,880 Speaker 1: so your money for the yes. So over the last 1692 01:27:55,920 --> 01:27:58,000 Speaker 1: couple of years, such as the last two years, we 1693 01:27:58,160 --> 01:28:01,040 Speaker 1: really have been intentional about supporting black businesses, especially during 1694 01:28:01,080 --> 01:28:03,240 Speaker 1: the pandemic. And so as part of our effort this 1695 01:28:03,439 --> 01:28:06,120 Speaker 1: this weekend with Soul Train Awards, we are doing the 1696 01:28:06,200 --> 01:28:09,040 Speaker 1: same thing. We're supporting black businesses. And so as as 1697 01:28:09,080 --> 01:28:10,800 Speaker 1: a thank you to you guys and in support of 1698 01:28:10,840 --> 01:28:13,160 Speaker 1: all the things that you're doing, one would love to 1699 01:28:13,560 --> 01:28:16,080 Speaker 1: know your favorite black owned restaurant because we want on 1700 01:28:16,479 --> 01:28:19,599 Speaker 1: your behalf gives each other restaurants ten thousand dollars apiece. 1701 01:28:19,920 --> 01:28:23,360 Speaker 1: What yeah, yeah, oh my god, ten thousand dollars. Wow. 1702 01:28:23,720 --> 01:28:27,360 Speaker 1: I got so many restaurants. I don't want to choose 1703 01:28:27,439 --> 01:28:34,080 Speaker 1: character a couple restaurants one one one M get mad 1704 01:28:34,120 --> 01:28:35,439 Speaker 1: at me. I know, we gotta That's why we gotta 1705 01:28:35,439 --> 01:28:39,240 Speaker 1: do this off the air, because like, okay, you guys, 1706 01:28:39,360 --> 01:28:40,920 Speaker 1: let us know. But I think again, that's just the 1707 01:28:40,960 --> 01:28:42,920 Speaker 1: spirit of what we're trying to do. Um, just give 1708 01:28:42,960 --> 01:28:45,360 Speaker 1: a little nod, a big hug to to New York 1709 01:28:45,479 --> 01:28:49,240 Speaker 1: and all the small businesses for their strength and you know, resiliency. 1710 01:28:49,479 --> 01:28:51,880 Speaker 1: So so thank you guys. All right, well, we're so 1711 01:28:52,000 --> 01:28:53,639 Speaker 1: happy that you came back. I know you're super busy, 1712 01:28:53,680 --> 01:28:55,800 Speaker 1: but the Soul Train Awards coming up, and I know 1713 01:28:55,880 --> 01:28:57,120 Speaker 1: it was a lot to each other there, Like she 1714 01:28:57,200 --> 01:28:59,559 Speaker 1: has stuff before this, she has stuff after this. Last 1715 01:28:59,560 --> 01:29:03,360 Speaker 1: squeeze it in Camp Page e VP and Chief Marketing 1716 01:29:03,479 --> 01:29:07,120 Speaker 1: Officer for BT. I really do appreciate it, you know. 1717 01:29:07,200 --> 01:29:08,640 Speaker 1: I know it's not easy to get you up here, 1718 01:29:08,720 --> 01:29:10,960 Speaker 1: especially during this crunch time. No no, and I was 1719 01:29:11,000 --> 01:29:13,280 Speaker 1: just again, thank you guys. But in addition to all 1720 01:29:13,320 --> 01:29:15,080 Speaker 1: the amazing things that we're gonna do, whether you know 1721 01:29:15,200 --> 01:29:18,160 Speaker 1: the show on Saturday, all the community stuff we're doing 1722 01:29:18,200 --> 01:29:20,600 Speaker 1: on Sunday, we're trying to break the Guinness Book of 1723 01:29:20,680 --> 01:29:23,960 Speaker 1: Records for the longest soul train line, Ed Marcus. You 1724 01:29:24,000 --> 01:29:28,000 Speaker 1: know Godre Park and so Harlem. Everybody come out. Starts 1725 01:29:28,040 --> 01:29:31,320 Speaker 1: around noon. But yeah, so the record is held somewhere 1726 01:29:31,360 --> 01:29:33,160 Speaker 1: where it shouldn't be held. I don't even know where. 1727 01:29:33,160 --> 01:29:35,920 Speaker 1: It's hell. We want we want the nerve, right, we 1728 01:29:36,200 --> 01:29:39,040 Speaker 1: want we want to hold the record, and so really 1729 01:29:39,240 --> 01:29:41,120 Speaker 1: just want to invite everyone to come out were it's 1730 01:29:41,160 --> 01:29:43,840 Speaker 1: gonna be music and fun and you know, bring the 1731 01:29:43,920 --> 01:29:45,960 Speaker 1: whole family out so everybody can go to that and 1732 01:29:46,040 --> 01:29:52,000 Speaker 1: then come to Powerhouse afterwards. That's right, that's right. Thank you, 1733 01:29:52,560 --> 01:29:55,679 Speaker 1: back at you, back at you. Heyy did you graduate 1734 01:29:55,720 --> 01:29:59,400 Speaker 1: from him? Yes? Okay, make it sure. I will thank 1735 01:29:59,400 --> 01:30:01,639 Speaker 1: you Camp Paige for joining us now. Also, don't forget 1736 01:30:01,720 --> 01:30:03,160 Speaker 1: my car show. That's right. It goes down and I 1737 01:30:03,200 --> 01:30:06,200 Speaker 1: think three weeks Miami. Get your tickets. That's right. Shanlemon, 1738 01:30:06,240 --> 01:30:08,040 Speaker 1: you got a positive note for people. I do have 1739 01:30:08,120 --> 01:30:10,160 Speaker 1: a positive note. But first I want to tell everybody. Man, 1740 01:30:10,200 --> 01:30:13,799 Speaker 1: if you're in Monk's Corner tomorrow one to three pm, 1741 01:30:13,880 --> 01:30:16,320 Speaker 1: pull up to the Berkeley High School student parking lot, 1742 01:30:16,640 --> 01:30:19,839 Speaker 1: Monk's Corner, South Carolina. I'm doing my eighth annual Turkey giveaway. 1743 01:30:20,000 --> 01:30:21,800 Speaker 1: It's a drive through, so all you gotta do is 1744 01:30:21,880 --> 01:30:25,559 Speaker 1: pull up one pm to three pm. And also tonight, 1745 01:30:26,160 --> 01:30:28,800 Speaker 1: make sure you tune in the Comedy Central at ten 1746 01:30:28,960 --> 01:30:31,920 Speaker 1: pm my late night talk show, The Gods on His Truth. 1747 01:30:32,640 --> 01:30:36,320 Speaker 1: We're asking the question tonight is capitalism cap And we 1748 01:30:36,479 --> 01:30:40,479 Speaker 1: have a very rich mogulon named Kevin Hart, as well 1749 01:30:40,520 --> 01:30:43,560 Speaker 1: as the author of Power No Nomics, doctor Claude Anderson, 1750 01:30:43,960 --> 01:30:47,320 Speaker 1: and my guy to master invested Ian Dunlap. So make 1751 01:30:47,360 --> 01:30:50,400 Speaker 1: sure you tune in tonight at ten pm on Comedy Central, 1752 01:30:50,600 --> 01:30:53,639 Speaker 1: The Gods on His Truth. All right, now, the positive 1753 01:30:53,720 --> 01:30:56,160 Speaker 1: note is simply this, and it's really simple. Lord. If 1754 01:30:56,200 --> 01:30:58,640 Speaker 1: there's no purpose in it, please take me away from it.