Speaker 1: The Seventh Daughter contains scenes of realistic violence and graphic sexuality.
Speaker 1: It is intended for mature listeners. Have you come seeking knowledge?
Speaker 1: Do you wish to know the truth? Allow me to
Speaker 1: show you. Close your eyes and follow the sound of
Speaker 1: my voice. Allow it to lead you further into the past.
Speaker 1: When I remove my blindfold, you may look into my eyes.
Speaker 1: Don't just look at them, look through them, and you
Speaker 1: will see what they have seen, and all my secrets
Speaker 1: will be revealed. The Seventh Daughter. You are, ladies decent
Speaker 1: here at the knees. Girls that question, speak for yourself, Joan,
Speaker 1: come on in, Backs, don't let me interrupt. Just stopped
Speaker 1: by to say hello and introduced myself to the new girl.
Speaker 1: That was quite a number. You dance tonight, Red You
Speaker 1: really put it over. Thank you, Mrs Miss Baxter. But
Speaker 1: everyone calls me backs for short. Joon't ever tell you
Speaker 1: about me? Um No, she hasn't, Joan, I'm hurt. You see,
Speaker 1: I'm a talent spotter, A talent spotter sort of like
Speaker 1: an agent, only I don't take I'd like the sound
Speaker 1: of that. Yeah, I thought you might cigarette No, thank
Speaker 1: you gotta sing later. She sings too, and how so
Speaker 1: what I do is discover promising talent and put them
Speaker 1: in contact with agents, producers, songwriters, and other people who
Speaker 1: appreciate fine talent when they see it. Seeing any fine
Speaker 1: talent lately? Looking at some right now? Yes, indeed, well,
Speaker 1: I need to go get dressed for our next number.
Speaker 1: Don't mind me one of the girls you know? Of course,
Speaker 1: get a load of her, one of the girls, She says,
Speaker 1: what's your name, sweetie, Trudy? Glad to know you, Trudy.
Speaker 1: So you interested in doing anything besides hoffing? I told
Speaker 1: you I sing what else? I'm not going to be
Speaker 1: in the line forever. I'll break the legs sooner or later.
Speaker 1: Let's break that leg tonight, and maybe not the way
Speaker 1: you're thinking. You see, I have an opportunity, And the
Speaker 1: more I see of you, the more I realize you
Speaker 1: could be the right girl for the job. What kind
Speaker 1: of a job? A friend of mine is throwing a
Speaker 1: little part tonight. Nobody's talking to you, Joan. I'm merely
Speaker 1: extending an invitation. Nobody's twisting anybody's arm. Yet, what does
Speaker 1: she mean by that? Don't mind her, Trudy, she's just jealous.
Speaker 1: I got her an audition once only she didn't make
Speaker 1: the grade. That's why the sour grace you had your chance, Blondie?
Speaker 1: Is he the gentleman I'm representing as a yen for redheads.
Speaker 1: You can tolerate blondes, except those deceptive blondes with dark roots.
Speaker 1: All right, curtain in to two minutes. Let's get those
Speaker 1: hands and gams out where they belong. Ladies, listen, Trudy.
Speaker 1: I ain't going to tell you what to do. You're
Speaker 1: a big girl. But if you go with Baxter here,
Speaker 1: singing and anson will not be on the bill. The
Speaker 1: truth is the gentleman is something of a spiritualist, and
Speaker 1: he's looking for someone to provide him with inspiration. Oh,
Speaker 1: like an artist model. Exactly will I get paid for coming? Absolutely, Trudy,
Speaker 1: shake a leg. I gotta go. Should I stick around? Sure,
Speaker 1: I'll have the car here at eleven, I'll be ready.
Speaker 1: Is this real silk, the finest silk. He brought it
Speaker 1: back from China himself. No woman has ever worn this robe, Trudy,
Speaker 1: Yours are the only hips that has swaddled, the only
Speaker 1: breasts it has caressed. Is this too much lip rouge?
Speaker 1: It's what he wants here? Drape these around your neck?
Speaker 1: Are these real rubies? I told you his moon is
Speaker 1: rising in a new phase. Red is his color. Right
Speaker 1: now here, slide this onto your arm, Beautiful? Is it
Speaker 1: a snake? It is? And yes, it's a real gold.
Speaker 1: Push it up a little higher, and for this arm
Speaker 1: a bird. Now, slip these onto your wrists. He likes
Speaker 1: to hear you when you move. I think I have enough.
Speaker 1: You can never have enough to suit his tastes. He
Speaker 1: will want you shimmering with gold, dripping with jewels like
Speaker 1: so mm hmmm, how do I look like the scarlet
Speaker 1: whore herself, the mother of prostitutes and abomination? What I'm
Speaker 1: flattering you, Trudy? Take the compliment. So what is it
Speaker 1: exactly that I'm supposed to do? It's all the working, working,
Speaker 1: a working, like a ritual. You're not afraid of the
Speaker 1: spirit world, are you, Trudy? The spirit world? I guess
Speaker 1: not not a girl. Well, what we do here is
Speaker 1: called sex magic. So what will happen? He's going to
Speaker 1: take you into his room, admire you and undress you.
Speaker 1: The air will be heavy with incense. I don't think
Speaker 1: I should be doing this. You know who Clive Marks is,
Speaker 1: don't you? The choreographer. Of course like to meet him.
Speaker 1: I do anything to meet Clive Marks. Well, that's why
Speaker 1: I chose you for this assignment, my sweetness, Clive is
Speaker 1: a member of our little circle. When I laid eyes
Speaker 1: on you, my thought, how can I get this beautiful
Speaker 1: girl noticed by Clive Marks? And this is it? And
Speaker 1: it's not just Clive, but a number of big Broadway
Speaker 1: producers are in our group, moving picture people, casting directors.
Speaker 1: It would be a shame if a girl with such
Speaker 1: promise should let old fashioned prudery stand in the way
Speaker 1: of her dancing career. Is it only dancing you want
Speaker 1: to do, sweetness, or maybe acting? Yes? Both either. We
Speaker 1: think of this as a sort of audition. Show him
Speaker 1: you know how to take direction? And what will he
Speaker 1: ask me to do? He won't ask, He will tell you,
Speaker 1: and he will be expected to obey. I'm sorry, yes
Speaker 1: I will. You will allow yourself to be touched. He
Speaker 1: may wish to pose or manipulate your body like a massage,
Speaker 1: and if he wants it, you will manipulate him. Do
Speaker 1: you understand? I understand right, and now this is important.
Speaker 1: During it all, he will instruct you to hold a
Speaker 1: thought in your mind what kind thought that's up to you?
Speaker 1: Think of something you desire, something big, something almost beyond
Speaker 1: your imagination. Will you do that for me? Yes, sir,
Speaker 1: good good, and I shall do the same. Tell me
Speaker 1: when you have something, Yes, I do, Then we'll begin.
Speaker 1: Aren't you going to remove your mask? Why does it
Speaker 1: frighten you a little? Don't you think it suits me?
Speaker 1: I am positively realist. I just I don't know how
Speaker 1: you're looking at me. I can't see your eyes and
Speaker 1: makes me uncomfortable. Reach up with your left hand and
Speaker 1: stroke the feathers of my head. Perhaps it will relax you.
Speaker 1: Am I hurting you? It's fine, I'm fine. Move your
Speaker 1: right foot further out. That's it. How does this feel,
Speaker 1: my dear? Mm hmmm mmm mm hmm. Give me your hand. Yes,
Speaker 1: that's right, that's right. Just like that. Squeeze and relax.
Speaker 1: She's now concentrate, My dear, hold the thought. Now reach
Speaker 1: over and hand me the chalice, the chalice, the cop,
Speaker 1: the gold cop. Sorry wait wait, wait wait wait, not
Speaker 1: just just a moment. Now, you asked me what my
Speaker 1: intention was. Aren't you curious? You're what my intention? The
Speaker 1: thought I'm holding in my mind while we performed the working.
Speaker 1: What is it you want more than anything? The virgin Mary.
Speaker 1: I don't understand, No, I don't suppose you do. Please concentrate,
Speaker 1: little song bird, hold the cop that' no, no, no,
Speaker 1: I didn't know what I was supposed to do. You
Speaker 1: were supposed to do what I commanded you to do.
Speaker 1: What is so difficult about that? Baxter? Baxter, Yes, Lord,
Speaker 1: this imbecile has split the elixir? All right? Send this
Speaker 1: inbred halfway back to the barnyard where you found her.
Speaker 1: Come on, you, little foible. You get an opportunity like
Speaker 1: that any chorus girl's dream, and you completely tell me
Speaker 1: about the cup. I didn't know. There's plenty you don't know.
Speaker 1: For example, your dancing career is now officially over. I
Speaker 1: don't say a word gets around about this. You're finished?
Speaker 1: Please backs, please, Mr, Please Mr. Give me a chance.
Speaker 1: I'll do anything you want. You do. Realize, my dear,
Speaker 1: the interruption of a working is a very serious matter now,
Speaker 1: and I'm sorry. A girl might even be whipped for
Speaker 1: having done this. Would you agree, Baxter? She certainly has
Speaker 1: a coming. Lord the cane, Baxter, bring me the cane.
Speaker 1: I will be done. Yes, the interruption of a working
Speaker 1: might warrant a severe thrashing? Would you agree? What's a
Speaker 1: damn name, Trudy? Sir Trudy, do you deserve a severe thrashing? Trudy?
Speaker 1: Don't look at her? Could me? I can't see your eyes. No,
Speaker 1: and you shall not. I'll ask you again, do you
Speaker 1: deserve a severe thrashing? Trudy? I? Yes, yes, she knows
Speaker 1: she does well. I shall not give you one, sir. No,
Speaker 1: I could never lift my hand in violence towards a woman.
Speaker 1: It would be ungentlemanly, Thank you, sir lord. It wouldn't
Speaker 1: be right for me to inflame the freckles sprinkled across
Speaker 1: such delicate shoulders. So I will ask Baxter if she
Speaker 1: would do the honors. Nothing would give me greater pleasure,
Speaker 1: my Lord, I don't understand. Wonderful, wonderful, And I shall
Speaker 1: just remain perched here on my arm chair and observe
Speaker 1: to be sure the punishment is properly administered. Thank you,
Speaker 1: Mamord for entrusting me with such responsibility. Shall we say
Speaker 1: seven strokes? Oh? No, no, for interrupting of working? I
Speaker 1: prescribe no less than ten. They will be done, can I? Yes?
Speaker 1: May I still hold in my mind the thing I
Speaker 1: wish for Ah. She is a clever one. After all,
Speaker 1: Perhaps there may be a more permanent spot for you
Speaker 1: in our little circle. Hold that thought, yes, yes, and
Speaker 1: may your while a stream come true. I think there
Speaker 1: is still hope for her redemption. Yes, I agree, carry
Speaker 1: on back, start, allow truly's personal reformation to commence. Step
Speaker 1: my dream, Come along, purl. It's this way. What is
Speaker 1: this place? What does it look like? I don't know.
Speaker 1: I've never seen anything like it. Paradise Park. You'll get
Speaker 1: a better look from the inside. We're going in. Is
Speaker 1: that a roller coaster? It's gorgeous. It's making me dizzy
Speaker 1: just to look at it. Have you ever been on one?
Speaker 1: Not on your life? What about that? I've everyvere like
Speaker 1: gracious Rose, try to keep up. You have to drive
Speaker 1: to come on the first horses on the hawks, step
Speaker 1: right up, step right up, nickel and roll. When he
Speaker 1: tries every when everyone put exhibited inside brother, when she
Speaker 1: starts with only far veils, then there's a lot more
Speaker 1: to see. Take it from me. The part to the
Speaker 1: Egyptian prince dead princes have crossed the dead to behold
Speaker 1: her from marxuous farm righting the blood, not that he
Speaker 1: and boys he shaken electric, placed an electric chair, and
Speaker 1: his body ignited with what the thousand bolts of Edison's
Speaker 1: finest see. Prince Ella met the swordsman nail his assistant
Speaker 1: to a cross with blades of steel. Here at the
Speaker 1: paradise Palace of Mystery, high a rose. Just fine, Wally?
Speaker 1: Is Aggie inside? Sure? Go on through, stay close to me.
Speaker 1: You see the clairvoyance table, Go sit down, show her
Speaker 1: your palm. Let's see what she can divine from the
Speaker 1: land in your hand. Yes, ma'am, I'll stay back here
Speaker 1: so she doesn't see me. Here it is solid iron.
Speaker 1: Are you seeking guidance, my girl? Yes? Where shall we look? Ah,
Speaker 1: your past, your present, or your future? Lately I've been
Speaker 1: bothered by a sense of dread and I don't know
Speaker 1: it's cause, and I hoped you might be able to
Speaker 1: help me. Together. We will set things right if you
Speaker 1: will make an offering in this box. I will read
Speaker 1: what is written in the constellation of your pal That's fine.
Speaker 1: Let me see nice soft hands. Someone who what is it? Madam?
Speaker 1: Who sent you? What? Do you have any idea? What
Speaker 1: would happen if someone found you here? Get out? I
Speaker 1: only wanted pout, and if you know it's good for you,
Speaker 1: you will never come back. Bravo, Agnes. Your vision is
Speaker 1: keen as ever, Bendora, Will you kindly step outside for
Speaker 1: a moment and allow us to negotiate? Yes, Man Rose,
Speaker 1: Why in God's name have you brought her here professional consultation? No, No, Agnes,
Speaker 1: You've got nothing to worry about. Once you talk to her.
Speaker 1: You're in broad daylight. Who's watching, Aggie? You know who's
Speaker 1: watching where? Nobody's Agnes. Nobody has heard of her. Nobody
Speaker 1: remembers me. Yeah, with Some people have better memories than
Speaker 1: you realize. Besides, I've heard of her. You have really
Speaker 1: how the word gets around? Wipe that smile off your face?
Speaker 1: Do you think this is a game? It is, And
Speaker 1: with your help, we're going to checkmate a certain someone.
Speaker 1: You're mad, Oh, I have good reason to be mad, don't.
Speaker 1: You couldn't just leave her head. A girl has a
Speaker 1: right to live, but you have no right to put
Speaker 1: her in danger. I've trained her well. I can only
Speaker 1: imagine that damage you've done to her. You can see
Speaker 1: for yourself. She is well, but we have come to
Speaker 1: the limit of my abilities. She needs advanced instruction. No
Speaker 1: good can come of this Rose. The best thing you
Speaker 1: can do for that girl is to send her far away,
Speaker 1: where she can start a new life and never know
Speaker 1: the things we know, and never know us. Pandora, come
Speaker 1: out and meet your tutor, Agnes. This is Pandora, the
Speaker 1: seventh Daughter. Look deeply into her eyes, Agnes. Where have
Speaker 1: you seen eyes like those before? Agnes? It's not merely illusions,
Speaker 1: Agnes will teach you, but skills for survival. In a
Speaker 1: world of letchers, predators would be saviors. Men who feel
Speaker 1: it is their privilege to put their hands on a woman.
Speaker 1: Some and feel it is their privilege to search a
Speaker 1: woman thoroughly before a performance to ensure that she is
Speaker 1: not hiding anything. How thoroughly, they are limited only by
Speaker 1: their modesty. I have yet to find a modest one
Speaker 1: in the bunch. They will remove your hairpins and combs,
Speaker 1: You will undress and wear robes which they provide. What
Speaker 1: will they be searching me for tools of the trade?
Speaker 1: If they search me that thoroughly, where could I possibly
Speaker 1: hide something? A capsule identical to this one was owned
Speaker 1: by your mother. I had the machine myself, so their
Speaker 1: manufact you knew my mother. The outside is perfectly smooth,
Speaker 1: and it locks tight. The grooves are on the inside.
Speaker 1: You can learn to open it with one hand and
Speaker 1: fill it with whatever you wish to hide, in this case, cotton, wool, horsehair,
Speaker 1: rolled pieces of paper. They will not examine the contents
Speaker 1: of your stomach until after a sitting, and if they did,
Speaker 1: pump your stomach before a skilled practitioner could hold the
Speaker 1: capsule in her cheek. I'm supposed to hold that in
Speaker 1: my mouth. No, you swallow it. They examine your mouth
Speaker 1: once inside the cabinet, you cough it up. There's no
Speaker 1: way I can swallow that. No, but I will teach you.
Speaker 1: You will learn in small steps. You will begin with
Speaker 1: something the size of your small toe. I can't make
Speaker 1: myself vomit, and if I did, there would be a
Speaker 1: mason pearl, just like I did, just like your mother did.
Speaker 1: They may seem like parla tricks, but master these skills,
Speaker 1: learn to use them to your advantage, and you'll never
Speaker 1: go hungry. It looks silly in the light of day,
Speaker 1: a thick rope of cotton, all the scrap of netting.
Speaker 1: The secret is in the way you present it, the
Speaker 1: way you reveal it, tease it out before their eyes
Speaker 1: in such a way that they cannot believe what they
Speaker 1: are seeing in the dark, in the dim red lamp light,
Speaker 1: choking them with the smell of incense, ethereal music playing
Speaker 1: our voices, lulling them into a trance. And then they
Speaker 1: see it, a cloud of thick, shapeless substance pushing its
Speaker 1: way out of your nostrils. Then you lean forward, open up,
Speaker 1: and another column of this other worldly teleplasm oozes out
Speaker 1: and lowers itself into your lap. When they see it,
Speaker 1: they will be too afraid to speak. If we do
Speaker 1: it right, they will be completely awestruck. And you have
Speaker 1: to keep them that way throughout the sales. Never give
Speaker 1: them a moment to think, to wonder how you achieve
Speaker 1: this illusion? Watch their faces, keep them in the state
Speaker 1: of constant rapture. That's it. That's it. Think of it
Speaker 1: like a puppet. Don't just move it, allow it to
Speaker 1: come alive. Every spirit must have its own personality, so
Speaker 1: you can react to it. Coo at it as if
Speaker 1: it were a baby. Don't be frightened. Let the little
Speaker 1: spirit be shy, or me be angry or or stricken
Speaker 1: with grief. I'll protect you. I just want to look
Speaker 1: at you, see how beautiful you are. You're not just
Speaker 1: unstuffing a lot of teleplasm. You're bringing a fragile creature
Speaker 1: to life, allowing it to breathe. And you are beautiful,
Speaker 1: just waiting for someone to love you. God. God. No
Speaker 1: matter how clever you are, how dexterous you become, there
Speaker 1: are other tools of the trade with which you must
Speaker 1: become acquainted. When it comes time to confront Corbot, you
Speaker 1: will need weapons. This is a widow's dress address. You
Speaker 1: may not be a widow when you put it on,
Speaker 1: but by the time you take it off, Yes, we'll
Speaker 1: have one fitted just for you. This button here, the
Speaker 1: black one. See it is attached to a wire that
Speaker 1: runs around the waistline of the bodice. You can't see
Speaker 1: it because it's inside the scene, But if you pull
Speaker 1: this button, the wire slides out. When someone could search
Speaker 1: your clothing and never find it. What is the wire for?
Speaker 1: It is a garage, a means of strangulation. Pull it
Speaker 1: tightly and the victim won't be able to get their
Speaker 1: fingers under it without cutting the neck to ribbons. This
Speaker 1: is a whale bone corset. Above each of the stays
Speaker 1: is a small opening, so you can push the whale
Speaker 1: bones out. Only instead of bone, it is metal. It's
Speaker 1: a knife, more of a dagger really for stabbing. The
Speaker 1: knives are further around the side, only sharpened on one side, serrated.
Speaker 1: Feel it, oh, I feel it. It can be used
Speaker 1: as a saw, hardened enough to cut through most metals,
Speaker 1: and then from the seam underneath, pull the pearl bead
Speaker 1: right there. That's it happens, six off them. This is
Speaker 1: also terrifying, I know, wonderful. I was going to say,
Speaker 1: why would a woman have a dress like this? Who
Speaker 1: is it designed for? It was more common than you
Speaker 1: might imagine. I suppose one moda Harry or another might
Speaker 1: have worn one, but it was usually just a woman
Speaker 1: living without the protection of a man, a woman traveling
Speaker 1: in an unfriendly country without a reliable guide. It isn't much,
Speaker 1: no match for the revolvers that so many men carry
Speaker 1: these days, But a widow's dress caney justice deadly all.
Speaker 1: You will have our blades, wires, needles, but for someone
Speaker 1: like you, you can become the very personification of death.
Speaker 1: You'll be can't be know any faster. My perst practrew
Speaker 1: the floor. Don't worry. We'll get there. But if you
Speaker 1: don't get there before man helps make up, they'll be
Speaker 1: l to bang. They to throw you out. Worried too much?
Speaker 1: Conc you don't worry up. Come out to the boat house.
Speaker 1: All the game will be there. We'll have you home
Speaker 1: by midnight. We'll be lucky if we get there before sunrise. Hey,
Speaker 1: are you okay? Baby? What was that? Look? I could
Speaker 1: ghost or something. Did we hit her? No? I don't
Speaker 1: think so. I mean no, I'm sure we didn't. We
Speaker 1: gotta go make sure she's okay. What you have to
Speaker 1: I have to fine, I'll go. We don't even know
Speaker 1: if she was real. No, wait, i'll go, I'll go.
Speaker 1: Just give me a second. I don't see anything. That's
Speaker 1: because it's dark. Come on, I'm going. I'm going. Okay,
Speaker 1: I'm going. I'm sure it was nothing. Casus, just a
Speaker 1: little further, there's no one else. We both saw her,
Speaker 1: duke you know it? Hello? Hello, I hear something. H
Speaker 1: it's coming from over there in the ravine. Anybody there?
Speaker 1: Are you hurt? It sounds like a like a hurt
Speaker 1: animal or something. Can you hear us? He destroyed me.
Speaker 1: I took my gifted. Okay, it's okay. We see thought
Speaker 1: you were a ghost. Come on, we'll take you back
Speaker 1: to town. And allowed myself to be corrupted. I am
Speaker 1: going to Zore. Where is that? I have been to Sawdom,
Speaker 1: I have seen the more, and I have a lot
Speaker 1: myself to be corrupted by the sin and the sacrilege
Speaker 1: upon which they feast. It's okay, lady, just take Lord
Speaker 1: shall reign upon and upon Gomorrah, brimstone and fire from
Speaker 1: the Lord out of heaven, and I shall not be
Speaker 1: there to witness. He shall and all the inhabitants of
Speaker 1: the cities, and that which grows upon three weeks app
Speaker 1: of the Lord of me. I'm believing in the and
Speaker 1: the Maybe she got away from the kidnappers, and I'm
Speaker 1: looking for her now right there shall be the second
Speaker 1: And where are you taking? We're going back to Steel City.
Speaker 1: No no, no, no no, I won't go there. The
Speaker 1: wrath of God is going to descend upon that place,
Speaker 1: and I am the one who brought it. It's all
Speaker 1: my fault. I was the Holy One, the earthly delegate
Speaker 1: of our Lord and Savior, and I betrayed him. No, no, no, no,
Speaker 1: come on, get up. From there, you'll be trained all
Speaker 1: of them. We need to take her to adopt doctor.
Speaker 1: Come on to help her. Share my confession, and forgive
Speaker 1: my train compression and allow me to die. Nobody's gonna die.
Speaker 1: We're just gonna take you to the hospital or something.
Speaker 1: Oh God, forgive me. I listened, Duke. Go back up
Speaker 1: the car and we'll load her in the back. Sure,
Speaker 1: whatever you say, not from the celestial bodies, but the
Speaker 1: glowing embers of hell, a constellation of filth and sacrilege.
Speaker 1: And I accepted my place. I wouldn't have done it.
Speaker 1: I wouldn't have done it. They gave me something to drink.
Speaker 1: I was drugged. I'm sure of it, because I never
Speaker 1: would have done all. Right, here's the car. Not for
Speaker 1: all the money, not for all the power. You feel better,
Speaker 1: I promise, No, No, get your hands off. I haven't
Speaker 1: finished my confession. Okay, okay, you can confess in the car.
Speaker 1: Better yet, we'll take you to the police if that's
Speaker 1: what you want. No police, No police, remember other arm,
Speaker 1: will you Connie? I can't. I can't go with you.
Speaker 1: I can never go back. Get out of the street.
Speaker 1: Does a truck coming Stop squirming and get in the car.
Speaker 1: Halry jokey doesn't see us. No, No, I'm trying. I'm trying,
Speaker 1: but she won't come. Fine, everything hear, everything's fine, okay, good, alright, good, alright, fine,
Speaker 1: you're just worried. There for a second hand, I cann
Speaker 1: my spirits us, I didn't she just run out of
Speaker 1: the street. I must now replace my blind fold. As
Speaker 1: my vision begins to fade, your own senses will gradually return,
Speaker 1: Return to the warmth in the light of your own reality.
Speaker 1: The Seventh Daughter is a production of I Heart Radio,
Speaker 1: written and directed by Brett Wood, recorded and mixed by
Speaker 1: Rob Galo, featuring Minco Wilts as Rose, Elizabeth Hunter as Pearl,
Speaker 1: and Kevin Godly as Corbo. There, you may now open
Speaker 1: your eyes.