WEBVTT - Paradise

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<v Speaker 1>The Seventh Daughter contains scenes of realistic violence and graphic sexuality.

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<v Speaker 1>It is intended for mature listeners. Have you come seeking knowledge?

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<v Speaker 1>Do you wish to know the truth? Allow me to

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<v Speaker 1>show you. Close your eyes and follow the sound of

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<v Speaker 1>my voice. Allow it to lead you further into the past.

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<v Speaker 1>When I remove my blindfold, you may look into my eyes.

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<v Speaker 1>Don't just look at them, look through them, and you

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<v Speaker 1>will see what they have seen, and all my secrets

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<v Speaker 1>will be revealed. The Seventh Daughter. You are, ladies decent

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<v Speaker 1>here at the knees. Girls that question, speak for yourself, Joan,

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<v Speaker 1>come on in, Backs, don't let me interrupt. Just stopped

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<v Speaker 1>by to say hello and introduced myself to the new girl.

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<v Speaker 1>That was quite a number. You dance tonight, Red You

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<v Speaker 1>really put it over. Thank you, Mrs Miss Baxter. But

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<v Speaker 1>everyone calls me backs for short. Joon't ever tell you

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<v Speaker 1>about me? Um No, she hasn't, Joan, I'm hurt. You see,

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<v Speaker 1>I'm a talent spotter, A talent spotter sort of like

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<v Speaker 1>an agent, only I don't take I'd like the sound

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<v Speaker 1>of that. Yeah, I thought you might cigarette No, thank

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<v Speaker 1>you gotta sing later. She sings too, and how so

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<v Speaker 1>what I do is discover promising talent and put them

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<v Speaker 1>in contact with agents, producers, songwriters, and other people who

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<v Speaker 1>appreciate fine talent when they see it. Seeing any fine

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<v Speaker 1>talent lately? Looking at some right now? Yes, indeed, well,

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<v Speaker 1>I need to go get dressed for our next number.

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<v Speaker 1>Don't mind me one of the girls you know? Of course,

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<v Speaker 1>get a load of her, one of the girls, She says,

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<v Speaker 1>what's your name, sweetie, Trudy? Glad to know you, Trudy.

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<v Speaker 1>So you interested in doing anything besides hoffing? I told

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<v Speaker 1>you I sing what else? I'm not going to be

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<v Speaker 1>in the line forever. I'll break the legs sooner or later.

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<v Speaker 1>Let's break that leg tonight, and maybe not the way

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<v Speaker 1>you're thinking. You see, I have an opportunity, And the

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<v Speaker 1>more I see of you, the more I realize you

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<v Speaker 1>could be the right girl for the job. What kind

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<v Speaker 1>of a job? A friend of mine is throwing a

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<v Speaker 1>little part tonight. Nobody's talking to you, Joan. I'm merely

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<v Speaker 1>extending an invitation. Nobody's twisting anybody's arm. Yet, what does

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<v Speaker 1>she mean by that? Don't mind her, Trudy, she's just jealous.

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<v Speaker 1>I got her an audition once only she didn't make

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<v Speaker 1>the grade. That's why the sour grace you had your chance, Blondie?

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<v Speaker 1>Is he the gentleman I'm representing as a yen for redheads.

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<v Speaker 1>You can tolerate blondes, except those deceptive blondes with dark roots.

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<v Speaker 1>All right, curtain in to two minutes. Let's get those

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<v Speaker 1>hands and gams out where they belong. Ladies, listen, Trudy.

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<v Speaker 1>I ain't going to tell you what to do. You're

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<v Speaker 1>a big girl. But if you go with Baxter here,

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<v Speaker 1>singing and anson will not be on the bill. The

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<v Speaker 1>truth is the gentleman is something of a spiritualist, and

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<v Speaker 1>he's looking for someone to provide him with inspiration. Oh,

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<v Speaker 1>like an artist model. Exactly will I get paid for coming? Absolutely, Trudy,

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<v Speaker 1>shake a leg. I gotta go. Should I stick around? Sure,

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<v Speaker 1>I'll have the car here at eleven, I'll be ready.

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<v Speaker 1>Is this real silk, the finest silk. He brought it

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<v Speaker 1>back from China himself. No woman has ever worn this robe, Trudy,

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<v Speaker 1>Yours are the only hips that has swaddled, the only

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<v Speaker 1>breasts it has caressed. Is this too much lip rouge?

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<v Speaker 1>It's what he wants here? Drape these around your neck?

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<v Speaker 1>Are these real rubies? I told you his moon is

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<v Speaker 1>rising in a new phase. Red is his color. Right

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<v Speaker 1>now here, slide this onto your arm, Beautiful? Is it

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<v Speaker 1>a snake? It is? And yes, it's a real gold.

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<v Speaker 1>Push it up a little higher, and for this arm

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<v Speaker 1>a bird. Now, slip these onto your wrists. He likes

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<v Speaker 1>to hear you when you move. I think I have enough.

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<v Speaker 1>You can never have enough to suit his tastes. He

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<v Speaker 1>will want you shimmering with gold, dripping with jewels like

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<v Speaker 1>so mm hmmm, how do I look like the scarlet

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<v Speaker 1>whore herself, the mother of prostitutes and abomination? What I'm

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<v Speaker 1>flattering you, Trudy? Take the compliment. So what is it

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<v Speaker 1>exactly that I'm supposed to do? It's all the working, working,

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<v Speaker 1>a working, like a ritual. You're not afraid of the

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<v Speaker 1>spirit world, are you, Trudy? The spirit world? I guess

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<v Speaker 1>not not a girl. Well, what we do here is

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<v Speaker 1>called sex magic. So what will happen? He's going to

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<v Speaker 1>take you into his room, admire you and undress you.

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<v Speaker 1>The air will be heavy with incense. I don't think

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<v Speaker 1>I should be doing this. You know who Clive Marks is,

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<v Speaker 1>don't you? The choreographer. Of course like to meet him.

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<v Speaker 1>I do anything to meet Clive Marks. Well, that's why

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<v Speaker 1>I chose you for this assignment, my sweetness, Clive is

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<v Speaker 1>a member of our little circle. When I laid eyes

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<v Speaker 1>on you, my thought, how can I get this beautiful

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<v Speaker 1>girl noticed by Clive Marks? And this is it? And

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<v Speaker 1>it's not just Clive, but a number of big Broadway

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<v Speaker 1>producers are in our group, moving picture people, casting directors.

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<v Speaker 1>It would be a shame if a girl with such

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<v Speaker 1>promise should let old fashioned prudery stand in the way

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<v Speaker 1>of her dancing career. Is it only dancing you want

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<v Speaker 1>to do, sweetness, or maybe acting? Yes? Both either. We

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<v Speaker 1>think of this as a sort of audition. Show him

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<v Speaker 1>you know how to take direction? And what will he

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<v Speaker 1>ask me to do? He won't ask, He will tell you,

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<v Speaker 1>and he will be expected to obey. I'm sorry, yes

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<v Speaker 1>I will. You will allow yourself to be touched. He

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<v Speaker 1>may wish to pose or manipulate your body like a massage,

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<v Speaker 1>and if he wants it, you will manipulate him. Do

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<v Speaker 1>you understand? I understand right, and now this is important.

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<v Speaker 1>During it all, he will instruct you to hold a

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<v Speaker 1>thought in your mind what kind thought that's up to you?

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<v Speaker 1>Think of something you desire, something big, something almost beyond

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<v Speaker 1>your imagination. Will you do that for me? Yes, sir,

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<v Speaker 1>good good, and I shall do the same. Tell me

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<v Speaker 1>when you have something, Yes, I do, Then we'll begin.

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<v Speaker 1>Aren't you going to remove your mask? Why does it

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<v Speaker 1>frighten you a little? Don't you think it suits me?

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<v Speaker 1>I am positively realist. I just I don't know how

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<v Speaker 1>you're looking at me. I can't see your eyes and

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<v Speaker 1>makes me uncomfortable. Reach up with your left hand and

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<v Speaker 1>stroke the feathers of my head. Perhaps it will relax you.

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<v Speaker 1>Am I hurting you? It's fine, I'm fine. Move your

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<v Speaker 1>right foot further out. That's it. How does this feel,

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<v Speaker 1>my dear? Mm hmmm mmm mm hmm. Give me your hand. Yes,

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<v Speaker 1>that's right, that's right. Just like that. Squeeze and relax.

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<v Speaker 1>She's now concentrate, My dear, hold the thought. Now reach

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<v Speaker 1>over and hand me the chalice, the chalice, the cop,

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<v Speaker 1>the gold cop. Sorry wait wait, wait wait wait, not

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<v Speaker 1>just just a moment. Now, you asked me what my

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<v Speaker 1>intention was. Aren't you curious? You're what my intention? The

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<v Speaker 1>thought I'm holding in my mind while we performed the working.

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<v Speaker 1>What is it you want more than anything? The virgin Mary.

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<v Speaker 1>I don't understand, No, I don't suppose you do. Please concentrate,

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<v Speaker 1>little song bird, hold the cop that' no, no, no,

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<v Speaker 1>I didn't know what I was supposed to do. You

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<v Speaker 1>were supposed to do what I commanded you to do.

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<v Speaker 1>What is so difficult about that? Baxter? Baxter, Yes, Lord,

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<v Speaker 1>this imbecile has split the elixir? All right? Send this

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<v Speaker 1>inbred halfway back to the barnyard where you found her.

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<v Speaker 1>Come on, you, little foible. You get an opportunity like

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<v Speaker 1>that any chorus girl's dream, and you completely tell me

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<v Speaker 1>about the cup. I didn't know. There's plenty you don't know.

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<v Speaker 1>For example, your dancing career is now officially over. I

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<v Speaker 1>don't say a word gets around about this. You're finished?

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<v Speaker 1>Please backs, please, Mr, Please Mr. Give me a chance.

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<v Speaker 1>I'll do anything you want. You do. Realize, my dear,

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<v Speaker 1>the interruption of a working is a very serious matter now,

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<v Speaker 1>and I'm sorry. A girl might even be whipped for

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<v Speaker 1>having done this. Would you agree, Baxter? She certainly has

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<v Speaker 1>a coming. Lord the cane, Baxter, bring me the cane.

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<v Speaker 1>I will be done. Yes, the interruption of a working

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<v Speaker 1>might warrant a severe thrashing? Would you agree? What's a

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<v Speaker 1>damn name, Trudy? Sir Trudy, do you deserve a severe thrashing? Trudy?

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<v Speaker 1>Don't look at her? Could me? I can't see your eyes. No,

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<v Speaker 1>and you shall not. I'll ask you again, do you

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<v Speaker 1>deserve a severe thrashing? Trudy? I? Yes, yes, she knows

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<v Speaker 1>she does well. I shall not give you one, sir. No,

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<v Speaker 1>I could never lift my hand in violence towards a woman.

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<v Speaker 1>It would be ungentlemanly, Thank you, sir lord. It wouldn't

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<v Speaker 1>be right for me to inflame the freckles sprinkled across

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<v Speaker 1>such delicate shoulders. So I will ask Baxter if she

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<v Speaker 1>would do the honors. Nothing would give me greater pleasure,

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<v Speaker 1>my Lord, I don't understand. Wonderful, wonderful, And I shall

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<v Speaker 1>just remain perched here on my arm chair and observe

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<v Speaker 1>to be sure the punishment is properly administered. Thank you,

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<v Speaker 1>Mamord for entrusting me with such responsibility. Shall we say

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<v Speaker 1>seven strokes? Oh? No, no, for interrupting of working? I

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<v Speaker 1>prescribe no less than ten. They will be done, can I? Yes?

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<v Speaker 1>May I still hold in my mind the thing I

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<v Speaker 1>wish for Ah. She is a clever one. After all,

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<v Speaker 1>Perhaps there may be a more permanent spot for you

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<v Speaker 1>in our little circle. Hold that thought, yes, yes, and

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<v Speaker 1>may your while a stream come true. I think there

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<v Speaker 1>is still hope for her redemption. Yes, I agree, carry

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<v Speaker 1>on back, start, allow truly's personal reformation to commence. Step

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<v Speaker 1>my dream, Come along, purl. It's this way. What is

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<v Speaker 1>this place? What does it look like? I don't know.

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<v Speaker 1>I've never seen anything like it. Paradise Park. You'll get

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<v Speaker 1>a better look from the inside. We're going in. Is

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<v Speaker 1>that a roller coaster? It's gorgeous. It's making me dizzy

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<v Speaker 1>just to look at it. Have you ever been on one?

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<v Speaker 1>Not on your life? What about that? I've everyvere like

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<v Speaker 1>gracious Rose, try to keep up. You have to drive

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<v Speaker 1>to come on the first horses on the hawks, step

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<v Speaker 1>right up, step right up, nickel and roll. When he

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<v Speaker 1>tries every when everyone put exhibited inside brother, when she

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<v Speaker 1>starts with only far veils, then there's a lot more

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<v Speaker 1>to see. Take it from me. The part to the

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<v Speaker 1>Egyptian prince dead princes have crossed the dead to behold

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<v Speaker 1>her from marxuous farm righting the blood, not that he

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<v Speaker 1>and boys he shaken electric, placed an electric chair, and

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<v Speaker 1>his body ignited with what the thousand bolts of Edison's

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<v Speaker 1>finest see. Prince Ella met the swordsman nail his assistant

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<v Speaker 1>to a cross with blades of steel. Here at the

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<v Speaker 1>paradise Palace of Mystery, high a rose. Just fine, Wally?

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<v Speaker 1>Is Aggie inside? Sure? Go on through, stay close to me.

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<v Speaker 1>You see the clairvoyance table, Go sit down, show her

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<v Speaker 1>your palm. Let's see what she can divine from the

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<v Speaker 1>land in your hand. Yes, ma'am, I'll stay back here

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<v Speaker 1>so she doesn't see me. Here it is solid iron.

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<v Speaker 1>Are you seeking guidance, my girl? Yes? Where shall we look? Ah,

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<v Speaker 1>your past, your present, or your future? Lately I've been

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<v Speaker 1>bothered by a sense of dread and I don't know

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<v Speaker 1>it's cause, and I hoped you might be able to

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<v Speaker 1>help me. Together. We will set things right if you

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<v Speaker 1>will make an offering in this box. I will read

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<v Speaker 1>what is written in the constellation of your pal That's fine.

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<v Speaker 1>Let me see nice soft hands. Someone who what is it? Madam?

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<v Speaker 1>Who sent you? What? Do you have any idea? What

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<v Speaker 1>would happen if someone found you here? Get out? I

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<v Speaker 1>only wanted pout, and if you know it's good for you,

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<v Speaker 1>you will never come back. Bravo, Agnes. Your vision is

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<v Speaker 1>keen as ever, Bendora, Will you kindly step outside for

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<v Speaker 1>a moment and allow us to negotiate? Yes, Man Rose,

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<v Speaker 1>Why in God's name have you brought her here professional consultation? No, No, Agnes,

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<v Speaker 1>You've got nothing to worry about. Once you talk to her.

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<v Speaker 1>You're in broad daylight. Who's watching, Aggie? You know who's

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<v Speaker 1>watching where? Nobody's Agnes. Nobody has heard of her. Nobody

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<v Speaker 1>remembers me. Yeah, with Some people have better memories than

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<v Speaker 1>you realize. Besides, I've heard of her. You have really

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<v Speaker 1>how the word gets around? Wipe that smile off your face?

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<v Speaker 1>Do you think this is a game? It is, And

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<v Speaker 1>with your help, we're going to checkmate a certain someone.

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<v Speaker 1>You're mad, Oh, I have good reason to be mad, don't.

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<v Speaker 1>You couldn't just leave her head. A girl has a

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<v Speaker 1>right to live, but you have no right to put

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<v Speaker 1>her in danger. I've trained her well. I can only

0:18:37.040 --> 0:18:41.160
<v Speaker 1>imagine that damage you've done to her. You can see

0:18:41.200 --> 0:18:44.240
<v Speaker 1>for yourself. She is well, but we have come to

0:18:44.320 --> 0:18:49.240
<v Speaker 1>the limit of my abilities. She needs advanced instruction. No

0:18:49.320 --> 0:18:53.439
<v Speaker 1>good can come of this Rose. The best thing you

0:18:53.480 --> 0:18:56.960
<v Speaker 1>can do for that girl is to send her far away,

0:18:57.320 --> 0:19:01.439
<v Speaker 1>where she can start a new life and never know

0:19:01.640 --> 0:19:19.440
<v Speaker 1>the things we know, and never know us. Pandora, come

0:19:19.440 --> 0:19:28.760
<v Speaker 1>out and meet your tutor, Agnes. This is Pandora, the

0:19:28.880 --> 0:19:34.960
<v Speaker 1>seventh Daughter. Look deeply into her eyes, Agnes. Where have

0:19:35.080 --> 0:19:44.240
<v Speaker 1>you seen eyes like those before? Agnes? It's not merely illusions,

0:19:44.280 --> 0:19:48.480
<v Speaker 1>Agnes will teach you, but skills for survival. In a

0:19:48.600 --> 0:19:55.200
<v Speaker 1>world of letchers, predators would be saviors. Men who feel

0:19:55.320 --> 0:19:58.280
<v Speaker 1>it is their privilege to put their hands on a woman.

0:19:59.320 --> 0:20:04.159
<v Speaker 1>Some and feel it is their privilege to search a

0:20:04.200 --> 0:20:09.520
<v Speaker 1>woman thoroughly before a performance to ensure that she is

0:20:09.560 --> 0:20:15.560
<v Speaker 1>not hiding anything. How thoroughly, they are limited only by

0:20:15.600 --> 0:20:19.200
<v Speaker 1>their modesty. I have yet to find a modest one

0:20:19.200 --> 0:20:22.800
<v Speaker 1>in the bunch. They will remove your hairpins and combs,

0:20:22.840 --> 0:20:27.000
<v Speaker 1>You will undress and wear robes which they provide. What

0:20:27.119 --> 0:20:30.560
<v Speaker 1>will they be searching me for tools of the trade?

0:20:31.760 --> 0:20:35.440
<v Speaker 1>If they search me that thoroughly, where could I possibly

0:20:35.520 --> 0:20:41.639
<v Speaker 1>hide something? A capsule identical to this one was owned

0:20:41.840 --> 0:20:45.160
<v Speaker 1>by your mother. I had the machine myself, so their

0:20:45.160 --> 0:20:54.080
<v Speaker 1>manufact you knew my mother. The outside is perfectly smooth,

0:20:54.160 --> 0:20:58.200
<v Speaker 1>and it locks tight. The grooves are on the inside.

0:21:01.520 --> 0:21:04.040
<v Speaker 1>You can learn to open it with one hand and

0:21:04.200 --> 0:21:09.600
<v Speaker 1>fill it with whatever you wish to hide, in this case, cotton, wool, horsehair,

0:21:09.840 --> 0:21:14.560
<v Speaker 1>rolled pieces of paper. They will not examine the contents

0:21:14.680 --> 0:21:18.800
<v Speaker 1>of your stomach until after a sitting, and if they did,

0:21:18.840 --> 0:21:22.960
<v Speaker 1>pump your stomach before a skilled practitioner could hold the

0:21:23.080 --> 0:21:26.320
<v Speaker 1>capsule in her cheek. I'm supposed to hold that in

0:21:26.400 --> 0:21:32.960
<v Speaker 1>my mouth. No, you swallow it. They examine your mouth

0:21:33.920 --> 0:21:36.879
<v Speaker 1>once inside the cabinet, you cough it up. There's no

0:21:36.960 --> 0:21:45.000
<v Speaker 1>way I can swallow that. No, but I will teach you.

0:21:45.000 --> 0:21:48.200
<v Speaker 1>You will learn in small steps. You will begin with

0:21:48.280 --> 0:21:53.560
<v Speaker 1>something the size of your small toe. I can't make

0:21:53.600 --> 0:21:56.359
<v Speaker 1>myself vomit, and if I did, there would be a

0:21:56.440 --> 0:22:02.000
<v Speaker 1>mason pearl, just like I did, just like your mother did.

0:22:03.160 --> 0:22:07.040
<v Speaker 1>They may seem like parla tricks, but master these skills,

0:22:07.480 --> 0:22:11.160
<v Speaker 1>learn to use them to your advantage, and you'll never

0:22:11.240 --> 0:22:16.960
<v Speaker 1>go hungry. It looks silly in the light of day,

0:22:17.720 --> 0:22:21.040
<v Speaker 1>a thick rope of cotton, all the scrap of netting.

0:22:22.160 --> 0:22:25.600
<v Speaker 1>The secret is in the way you present it, the

0:22:25.680 --> 0:22:29.720
<v Speaker 1>way you reveal it, tease it out before their eyes

0:22:29.760 --> 0:22:32.400
<v Speaker 1>in such a way that they cannot believe what they

0:22:32.400 --> 0:22:37.160
<v Speaker 1>are seeing in the dark, in the dim red lamp light,

0:22:37.359 --> 0:22:41.800
<v Speaker 1>choking them with the smell of incense, ethereal music playing

0:22:41.920 --> 0:22:46.440
<v Speaker 1>our voices, lulling them into a trance. And then they

0:22:46.560 --> 0:22:51.760
<v Speaker 1>see it, a cloud of thick, shapeless substance pushing its

0:22:51.800 --> 0:22:56.479
<v Speaker 1>way out of your nostrils. Then you lean forward, open up,

0:23:03.640 --> 0:23:08.560
<v Speaker 1>and another column of this other worldly teleplasm oozes out

0:23:08.600 --> 0:23:19.120
<v Speaker 1>and lowers itself into your lap. When they see it,

0:23:19.440 --> 0:23:23.119
<v Speaker 1>they will be too afraid to speak. If we do

0:23:23.200 --> 0:23:28.040
<v Speaker 1>it right, they will be completely awestruck. And you have

0:23:28.119 --> 0:23:31.000
<v Speaker 1>to keep them that way throughout the sales. Never give

0:23:31.040 --> 0:23:33.480
<v Speaker 1>them a moment to think, to wonder how you achieve

0:23:33.560 --> 0:23:38.040
<v Speaker 1>this illusion? Watch their faces, keep them in the state

0:23:38.119 --> 0:23:45.240
<v Speaker 1>of constant rapture. That's it. That's it. Think of it

0:23:45.359 --> 0:23:48.720
<v Speaker 1>like a puppet. Don't just move it, allow it to

0:23:48.960 --> 0:23:54.600
<v Speaker 1>come alive. Every spirit must have its own personality, so

0:23:54.680 --> 0:23:58.159
<v Speaker 1>you can react to it. Coo at it as if

0:23:58.200 --> 0:24:03.119
<v Speaker 1>it were a baby. Don't be frightened. Let the little

0:24:03.119 --> 0:24:06.560
<v Speaker 1>spirit be shy, or me be angry or or stricken

0:24:06.680 --> 0:24:10.000
<v Speaker 1>with grief. I'll protect you. I just want to look

0:24:10.040 --> 0:24:13.879
<v Speaker 1>at you, see how beautiful you are. You're not just

0:24:14.080 --> 0:24:19.240
<v Speaker 1>unstuffing a lot of teleplasm. You're bringing a fragile creature

0:24:19.320 --> 0:24:23.720
<v Speaker 1>to life, allowing it to breathe. And you are beautiful,

0:24:24.960 --> 0:24:34.080
<v Speaker 1>just waiting for someone to love you. God. God. No

0:24:34.119 --> 0:24:38.760
<v Speaker 1>matter how clever you are, how dexterous you become, there

0:24:38.760 --> 0:24:41.440
<v Speaker 1>are other tools of the trade with which you must

0:24:41.480 --> 0:24:47.520
<v Speaker 1>become acquainted. When it comes time to confront Corbot, you

0:24:47.600 --> 0:24:54.040
<v Speaker 1>will need weapons. This is a widow's dress address. You

0:24:54.119 --> 0:24:56.400
<v Speaker 1>may not be a widow when you put it on,

0:24:56.600 --> 0:25:01.919
<v Speaker 1>but by the time you take it off, Yes, we'll

0:25:01.920 --> 0:25:07.000
<v Speaker 1>have one fitted just for you. This button here, the

0:25:07.119 --> 0:25:12.840
<v Speaker 1>black one. See it is attached to a wire that

0:25:13.000 --> 0:25:16.119
<v Speaker 1>runs around the waistline of the bodice. You can't see

0:25:16.160 --> 0:25:20.520
<v Speaker 1>it because it's inside the scene, But if you pull

0:25:20.680 --> 0:25:29.840
<v Speaker 1>this button, the wire slides out. When someone could search

0:25:29.880 --> 0:25:33.600
<v Speaker 1>your clothing and never find it. What is the wire for?

0:25:34.920 --> 0:25:40.879
<v Speaker 1>It is a garage, a means of strangulation. Pull it

0:25:41.000 --> 0:25:43.240
<v Speaker 1>tightly and the victim won't be able to get their

0:25:43.280 --> 0:25:53.760
<v Speaker 1>fingers under it without cutting the neck to ribbons. This

0:25:54.240 --> 0:25:57.359
<v Speaker 1>is a whale bone corset. Above each of the stays

0:25:57.480 --> 0:26:00.359
<v Speaker 1>is a small opening, so you can push the whale

0:26:00.359 --> 0:26:06.360
<v Speaker 1>bones out. Only instead of bone, it is metal. It's

0:26:06.359 --> 0:26:10.680
<v Speaker 1>a knife, more of a dagger really for stabbing. The

0:26:10.760 --> 0:26:15.280
<v Speaker 1>knives are further around the side, only sharpened on one side, serrated.

0:26:16.320 --> 0:26:20.080
<v Speaker 1>Feel it, oh, I feel it. It can be used

0:26:20.080 --> 0:26:24.120
<v Speaker 1>as a saw, hardened enough to cut through most metals,

0:26:25.359 --> 0:26:30.840
<v Speaker 1>and then from the seam underneath, pull the pearl bead

0:26:32.240 --> 0:26:41.159
<v Speaker 1>right there. That's it happens, six off them. This is

0:26:41.240 --> 0:26:46.160
<v Speaker 1>also terrifying, I know, wonderful. I was going to say,

0:26:48.040 --> 0:26:50.639
<v Speaker 1>why would a woman have a dress like this? Who

0:26:50.760 --> 0:26:53.800
<v Speaker 1>is it designed for? It was more common than you

0:26:53.880 --> 0:26:57.720
<v Speaker 1>might imagine. I suppose one moda Harry or another might

0:26:57.720 --> 0:27:00.840
<v Speaker 1>have worn one, but it was usually just a woman

0:27:01.600 --> 0:27:05.920
<v Speaker 1>living without the protection of a man, a woman traveling

0:27:05.960 --> 0:27:11.359
<v Speaker 1>in an unfriendly country without a reliable guide. It isn't much,

0:27:12.040 --> 0:27:14.800
<v Speaker 1>no match for the revolvers that so many men carry

0:27:14.840 --> 0:27:19.640
<v Speaker 1>these days, But a widow's dress caney justice deadly all.

0:27:19.720 --> 0:27:26.000
<v Speaker 1>You will have our blades, wires, needles, but for someone

0:27:26.200 --> 0:27:31.320
<v Speaker 1>like you, you can become the very personification of death.

0:27:47.800 --> 0:27:50.560
<v Speaker 1>You'll be can't be know any faster. My perst practrew

0:27:50.680 --> 0:27:53.000
<v Speaker 1>the floor. Don't worry. We'll get there. But if you

0:27:53.040 --> 0:27:55.000
<v Speaker 1>don't get there before man helps make up, they'll be

0:27:55.240 --> 0:27:58.400
<v Speaker 1>l to bang. They to throw you out. Worried too much?

0:27:58.440 --> 0:28:01.680
<v Speaker 1>Conc you don't worry up. Come out to the boat house.

0:28:01.720 --> 0:28:03.679
<v Speaker 1>All the game will be there. We'll have you home

0:28:03.760 --> 0:28:16.919
<v Speaker 1>by midnight. We'll be lucky if we get there before sunrise. Hey,

0:28:23.040 --> 0:28:26.320
<v Speaker 1>are you okay? Baby? What was that? Look? I could

0:28:26.320 --> 0:28:29.520
<v Speaker 1>ghost or something. Did we hit her? No? I don't

0:28:29.560 --> 0:28:34.879
<v Speaker 1>think so. I mean no, I'm sure we didn't. We

0:28:34.960 --> 0:28:38.000
<v Speaker 1>gotta go make sure she's okay. What you have to

0:28:38.560 --> 0:28:41.400
<v Speaker 1>I have to fine, I'll go. We don't even know

0:28:41.440 --> 0:28:45.440
<v Speaker 1>if she was real. No, wait, i'll go, I'll go.

0:28:45.600 --> 0:28:59.000
<v Speaker 1>Just give me a second. I don't see anything. That's

0:28:59.040 --> 0:29:02.480
<v Speaker 1>because it's dark. Come on, I'm going. I'm going. Okay,

0:29:02.520 --> 0:29:08.280
<v Speaker 1>I'm going. I'm sure it was nothing. Casus, just a

0:29:08.320 --> 0:29:12.000
<v Speaker 1>little further, there's no one else. We both saw her,

0:29:12.080 --> 0:29:24.680
<v Speaker 1>duke you know it? Hello? Hello, I hear something. H

0:29:26.960 --> 0:29:30.040
<v Speaker 1>it's coming from over there in the ravine. Anybody there?

0:29:30.480 --> 0:29:34.560
<v Speaker 1>Are you hurt? It sounds like a like a hurt

0:29:34.600 --> 0:29:41.080
<v Speaker 1>animal or something. Can you hear us? He destroyed me.

0:29:42.680 --> 0:29:46.080
<v Speaker 1>I took my gifted. Okay, it's okay. We see thought

0:29:46.120 --> 0:29:49.000
<v Speaker 1>you were a ghost. Come on, we'll take you back

0:29:49.000 --> 0:29:52.640
<v Speaker 1>to town. And allowed myself to be corrupted. I am

0:29:52.720 --> 0:29:57.600
<v Speaker 1>going to Zore. Where is that? I have been to Sawdom,

0:29:57.640 --> 0:29:59.920
<v Speaker 1>I have seen the more, and I have a lot

0:30:00.240 --> 0:30:03.160
<v Speaker 1>myself to be corrupted by the sin and the sacrilege

0:30:03.200 --> 0:30:05.880
<v Speaker 1>upon which they feast. It's okay, lady, just take Lord

0:30:05.960 --> 0:30:10.360
<v Speaker 1>shall reign upon and upon Gomorrah, brimstone and fire from

0:30:10.360 --> 0:30:13.160
<v Speaker 1>the Lord out of heaven, and I shall not be

0:30:13.280 --> 0:30:19.760
<v Speaker 1>there to witness. He shall and all the inhabitants of

0:30:19.760 --> 0:30:24.200
<v Speaker 1>the cities, and that which grows upon three weeks app

0:30:24.840 --> 0:30:29.720
<v Speaker 1>of the Lord of me. I'm believing in the and

0:30:29.760 --> 0:30:31.840
<v Speaker 1>the Maybe she got away from the kidnappers, and I'm

0:30:31.880 --> 0:30:37.080
<v Speaker 1>looking for her now right there shall be the second

0:30:36.600 --> 0:30:42.160
<v Speaker 1>And where are you taking? We're going back to Steel City.

0:30:42.280 --> 0:30:44.840
<v Speaker 1>No no, no, no no, I won't go there. The

0:30:44.880 --> 0:30:47.320
<v Speaker 1>wrath of God is going to descend upon that place,

0:30:47.360 --> 0:30:50.920
<v Speaker 1>and I am the one who brought it. It's all

0:30:51.000 --> 0:30:56.240
<v Speaker 1>my fault. I was the Holy One, the earthly delegate

0:30:56.280 --> 0:31:01.440
<v Speaker 1>of our Lord and Savior, and I betrayed him. No, no, no, no,

0:31:01.480 --> 0:31:03.720
<v Speaker 1>come on, get up. From there, you'll be trained all

0:31:03.760 --> 0:31:07.080
<v Speaker 1>of them. We need to take her to adopt doctor.

0:31:07.680 --> 0:31:11.280
<v Speaker 1>Come on to help her. Share my confession, and forgive

0:31:11.320 --> 0:31:14.840
<v Speaker 1>my train compression and allow me to die. Nobody's gonna die.

0:31:15.640 --> 0:31:17.560
<v Speaker 1>We're just gonna take you to the hospital or something.

0:31:17.600 --> 0:31:22.320
<v Speaker 1>Oh God, forgive me. I listened, Duke. Go back up

0:31:22.360 --> 0:31:24.640
<v Speaker 1>the car and we'll load her in the back. Sure,

0:31:24.720 --> 0:31:28.360
<v Speaker 1>whatever you say, not from the celestial bodies, but the

0:31:28.440 --> 0:31:34.080
<v Speaker 1>glowing embers of hell, a constellation of filth and sacrilege.

0:31:34.600 --> 0:31:38.280
<v Speaker 1>And I accepted my place. I wouldn't have done it.

0:31:38.600 --> 0:31:41.160
<v Speaker 1>I wouldn't have done it. They gave me something to drink.

0:31:41.440 --> 0:31:43.680
<v Speaker 1>I was drugged. I'm sure of it, because I never

0:31:43.720 --> 0:31:45.280
<v Speaker 1>would have done all. Right, here's the car. Not for

0:31:45.360 --> 0:31:49.600
<v Speaker 1>all the money, not for all the power. You feel better,

0:31:49.640 --> 0:31:53.080
<v Speaker 1>I promise, No, No, get your hands off. I haven't

0:31:53.120 --> 0:31:55.880
<v Speaker 1>finished my confession. Okay, okay, you can confess in the car.

0:31:56.400 --> 0:31:58.920
<v Speaker 1>Better yet, we'll take you to the police if that's

0:31:58.920 --> 0:32:01.840
<v Speaker 1>what you want. No police, No police, remember other arm,

0:32:01.880 --> 0:32:04.000
<v Speaker 1>will you Connie? I can't. I can't go with you.

0:32:04.160 --> 0:32:06.160
<v Speaker 1>I can never go back. Get out of the street.

0:32:06.200 --> 0:32:08.960
<v Speaker 1>Does a truck coming Stop squirming and get in the car.

0:32:09.080 --> 0:32:12.880
<v Speaker 1>Halry jokey doesn't see us. No, No, I'm trying. I'm trying,

0:32:12.920 --> 0:32:19.880
<v Speaker 1>but she won't come. Fine, everything hear, everything's fine, okay, good, alright, good, alright, fine,

0:32:20.560 --> 0:32:25.280
<v Speaker 1>you're just worried. There for a second hand, I cann

0:32:25.360 --> 0:32:40.800
<v Speaker 1>my spirits us, I didn't she just run out of

0:32:40.840 --> 0:33:09.080
<v Speaker 1>the street. I must now replace my blind fold. As

0:33:09.120 --> 0:33:14.440
<v Speaker 1>my vision begins to fade, your own senses will gradually return,

0:33:16.560 --> 0:33:23.720
<v Speaker 1>Return to the warmth in the light of your own reality.

0:33:25.560 --> 0:33:28.560
<v Speaker 1>The Seventh Daughter is a production of I Heart Radio,

0:33:29.080 --> 0:33:33.200
<v Speaker 1>written and directed by Brett Wood, recorded and mixed by

0:33:33.320 --> 0:33:39.160
<v Speaker 1>Rob Galo, featuring Minco Wilts as Rose, Elizabeth Hunter as Pearl,

0:33:39.800 --> 0:33:48.360
<v Speaker 1>and Kevin Godly as Corbo. There, you may now open

0:33:48.640 --> 0:33:49.240
<v Speaker 1>your eyes.