WEBVTT - Sean Gunn Returns!!

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in podcast. We

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<v Speaker 1>are going to run a panel discussion that I had

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<v Speaker 1>with Sean Gunn at the Galaxy con convention in Raleigh,

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<v Speaker 1>North Carolina a little while ago, and I hope you

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<v Speaker 1>enjoy it. Hello, that's kiss you. I am all in

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<v Speaker 1>with Scott Patterson and I Hurt Radio podcast. Ladies and gentlemen,

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<v Speaker 1>Sean gun Scott Patterson. But come we're guys y. Hi everybody. Hi, Hello, gentlemen.

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<v Speaker 1>How has your weekend been so far? It's busy, We're busy.

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<v Speaker 1>Good to be in uh Raleigh, Durham, that's for sure.

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<v Speaker 1>It's been forty one year since I've been in Durham.

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<v Speaker 1>I was a former Durham bulle and it's nice to

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<v Speaker 1>be back and see all these smiling faces. That's cool. Yeah,

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<v Speaker 1>I like being here. I was at a convention here

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<v Speaker 1>like five like six years ago, maybe five or six

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<v Speaker 1>years ago, um, and haven't been back since. But it's wonderful. Um.

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<v Speaker 1>I just got in. I can't wait to explore the

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<v Speaker 1>city a little more. But it's been great, awesome. Wait,

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<v Speaker 1>we're happy to have you guys. Uh. So we'll kind

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<v Speaker 1>of get into it. We kind of have to. That's

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<v Speaker 1>the whole point of this um Gilmore Girls cult phenomenon

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<v Speaker 1>that spans gender age. It's just it's like the show

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<v Speaker 1>that just tapped into a vein that television I think

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<v Speaker 1>almost didn't really expect. Um. Did you guys know that

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<v Speaker 1>right off the page? Did it come to you? Was

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<v Speaker 1>that a parent? Yeah? It was unusually um, you know,

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<v Speaker 1>I don't refer to it as sticky. You know, Amy

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<v Speaker 1>grew up with a father who was a stand up comic,

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<v Speaker 1>and she had all of these legends in her living room,

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<v Speaker 1>Don Rickles and Dom DeLuise and all the leading comedians

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<v Speaker 1>of the day. So and and extends itself into Mazel

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<v Speaker 1>where the character is it's like, get over it already.

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<v Speaker 1>Amy write a show about a stand up comic that's

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<v Speaker 1>a woman, and she did in Gilmore Girls too, because

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<v Speaker 1>Laurela is basically a stand up comic. Because and and

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<v Speaker 1>a lot of other people on the show, Sean being

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<v Speaker 1>one of them, uh and one of the finest physical

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<v Speaker 1>comedians that I've seen, um and unsung, and that aggravates me,

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<v Speaker 1>which is why I have a podcast. And uh, here's

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<v Speaker 1>a secret. I asked Seawan to be my co host.

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<v Speaker 1>But he was, he's so busy being a movie star

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<v Speaker 1>he can't do it, and God bless him, God bless him. Um.

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<v Speaker 1>But I think I think that's unique in any type

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<v Speaker 1>of uh television endeavor where the lead character is just

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<v Speaker 1>doing joke after joke after joke after to joke after

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<v Speaker 1>joke and it kind of makes sense, you know, it's

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<v Speaker 1>not too far afield. So I think that's the secret

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<v Speaker 1>power of the show, amongst all the other obvious reasons. Um,

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<v Speaker 1>But to put it in a sort of uh, you know,

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<v Speaker 1>a sort of a family drama of that kind of

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<v Speaker 1>depth and power and meaning, and especially in a Daniel

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<v Speaker 1>Palladino written episode, I'm finding a pattern where it's everything

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<v Speaker 1>is light and funny and charming, and then at the

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<v Speaker 1>end there's a heavy moment um and he really just

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<v Speaker 1>rips your heart out with it. So I just think

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<v Speaker 1>the writing is unusually uh um powerful, but it's but

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<v Speaker 1>you get to enjoy this all these great jokes. So

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<v Speaker 1>I think that's the uniqueness of it. Yeah, I that's

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<v Speaker 1>interesting calling Lorelia a stand up. It's true, there's it

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<v Speaker 1>really is. There's just a lot there's a large element

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<v Speaker 1>of that, um, you know, Scott was with the show

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<v Speaker 1>from the the very very top, and I came in

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<v Speaker 1>a little bit later. I was on the first episode

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<v Speaker 1>after the pilot. Um and uh. And I didn't know.

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<v Speaker 1>I didn't know anything about the show and I had

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<v Speaker 1>no idea whether it would be successful or not. I

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<v Speaker 1>think if you ask me then I probably would have

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<v Speaker 1>guessed no. Um, but I don't. But not because of

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<v Speaker 1>but but but partially just because I didn't. I didn't

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<v Speaker 1>quite see where it fit, you know. And it was like, um,

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<v Speaker 1>like you can tell by when they were award nominations

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<v Speaker 1>in the first year, it was up for comedy and

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<v Speaker 1>then they changed it to drama or something like that,

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<v Speaker 1>and like the and and and it was like, oh,

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<v Speaker 1>this show doesn't know exactly what it is, which I

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<v Speaker 1>thought at the time might hurt it. But it turns out,

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<v Speaker 1>and we've seen this in television, that audience has had

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<v Speaker 1>much more of a taste for that than people knew.

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<v Speaker 1>So that turned out to be actually one of the

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<v Speaker 1>big strengths of the show, that it that it was

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<v Speaker 1>that it did both, that it really was you know,

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<v Speaker 1>as you were just talking about it would be funny

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<v Speaker 1>and then heavy and it would kind of go back

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<v Speaker 1>and forth, but um, but I really the thing is

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<v Speaker 1>is that you know, great writing will always shine through,

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<v Speaker 1>it will always rise to the rise to the surface

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<v Speaker 1>and and make something really good and this and the

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<v Speaker 1>writing on the show is terrific, so um so looking back,

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<v Speaker 1>I think, I think me now would read it and say, oh,

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<v Speaker 1>this is a surefire hit because the writing is great

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<v Speaker 1>and that's really all you need. Um. But it's been

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<v Speaker 1>a hell of a ride when I just um, elaborate

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<v Speaker 1>a little bit, um and I know we have other questions.

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<v Speaker 1>But when I got on this set for the first

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<v Speaker 1>time in Toronto, in Unionville, where we shot the pilot,

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<v Speaker 1>I went a little bit early because I wanted to

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<v Speaker 1>sort of check out Luke's Diner and what it was

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<v Speaker 1>going to be all about, and spent a little time

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<v Speaker 1>in it, and Lauren and Alexis were sitting there rehearsing

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<v Speaker 1>a scene in the diner, and the chemistry between them

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<v Speaker 1>was so good and so easy and so free that

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<v Speaker 1>I thought, boy, this is this, This might be something,

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<v Speaker 1>you know. And then I remember having a conversation with Lauren.

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<v Speaker 1>Amy would have a Christmas party every year at our

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<v Speaker 1>house is massive palitial estate. Um, And I remember having

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<v Speaker 1>a conversation with with Lauren at that party, you know,

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<v Speaker 1>what do you think it's how long you think it's

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<v Speaker 1>gonna go? And we both kind of agreed that it

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<v Speaker 1>would we would go at least five years. So that

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<v Speaker 1>was my gut reaction that it was gonna We're gonna

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<v Speaker 1>get over a hundred episodes. We're gonna get the cake.

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<v Speaker 1>See the executives come out of their suits and give

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<v Speaker 1>you a cake. If you get a hundred episodes, you know,

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<v Speaker 1>it's like congratulations for your hundred episodes, you know, because

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<v Speaker 1>so few get two hundred episode odes um and and

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<v Speaker 1>so our show amazingly paid for all of their duds.

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<v Speaker 1>They lost money on um UM, but very grateful to

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<v Speaker 1>be a part of it. Um. But yeah, I thought

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<v Speaker 1>it would go about five I remember at the time

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<v Speaker 1>that Will and Grace had gone a hundred episodes and

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<v Speaker 1>all of the all of the actors on the show

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<v Speaker 1>got mercedes to celebrate like that. The network gave them

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<v Speaker 1>as a gift, gave them mercedes, and I'm like, I

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<v Speaker 1>wonder what we're gonna get and I think I got

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<v Speaker 1>an actual tote bag. Oh w B. I mean they

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<v Speaker 1>didn't they just didn't have the budget, you know, God

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<v Speaker 1>bless even a bracelet like a cubic zirconium or something

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<v Speaker 1>and a picture of a car. Yeah right, yeah, Uh,

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<v Speaker 1>well looks like we actually have a question. Let's go

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<v Speaker 1>ahead and go ahead and see we have what's your name? Naomi?

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<v Speaker 1>And I'm enjoying it for a second time watching this

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<v Speaker 1>show with my daughter who was fourteen, So it's a

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<v Speaker 1>lot of fun for me. But to piggyback on what

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<v Speaker 1>you were saying, the banter of the episode is fast paced.

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<v Speaker 1>How often oh I started a line? Now, how many

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<v Speaker 1>takes would it take to get through a typical scene? Uh?

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<v Speaker 1>It varied, but you know, we we had to do

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<v Speaker 1>a lot of takes because it was Um. First of all,

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<v Speaker 1>we shot right next to an airport, um and often

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<v Speaker 1>outside Uh we're right right by Burbank Airport, which is funny.

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<v Speaker 1>But also, you know, the pattern and the rhythm of

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<v Speaker 1>the show is very specific and every thing had to

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<v Speaker 1>be verbatim. Uh and so and if it wasn't, we

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<v Speaker 1>would do it again. Um. And it's in the moment

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<v Speaker 1>it feels, you know, when you're working really long hours

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<v Speaker 1>and whatever, it can be like damn it really you know, Um,

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<v Speaker 1>but but it it. But when you see it in retrospect,

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<v Speaker 1>it had to be that way like it had. The

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<v Speaker 1>show had to work the way that it that it worked.

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<v Speaker 1>It's like a it's like a the Rupe Goldberg machine

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<v Speaker 1>or something like that. I was gonna say, it's a

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<v Speaker 1>precision machine. Yeah, it absolutely, Yeah, And so sometimes it

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<v Speaker 1>would take a lot, it would it would take a

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<v Speaker 1>long time, but we generally knew our lines, so it

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<v Speaker 1>was all right. We had one director who will remain nameless,

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<v Speaker 1>who was very good director, really knew where to put

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<v Speaker 1>the camera, which is half the battle um. And we

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<v Speaker 1>referred to that director as take it in mic take

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<v Speaker 1>because we did so many takes with that director. And

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<v Speaker 1>I think that that Jess remember when I pushed Jess

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<v Speaker 1>in the lake, Well, there's a walk and talk before

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<v Speaker 1>that scene. We shot that thirty times. Yeah, yeahs where

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<v Speaker 1>your Mercedes win you're in and all on tape. There

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<v Speaker 1>was a there's a there's a long walk through the

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<v Speaker 1>um through the fake snow and season one that's like

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<v Speaker 1>every like all these towns people is probably the it

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<v Speaker 1>was probably the fourth episode I did, maybe fourth or

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<v Speaker 1>fifth and uh and yeah, that was it was after

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<v Speaker 1>midnight and it was and I think we I think

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<v Speaker 1>we did over forty takes of that of that shot,

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<v Speaker 1>and it was long and all the way through, and

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<v Speaker 1>it was like and that fake snow is not that

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<v Speaker 1>fake snow is like made of of shredded paper. Finally

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<v Speaker 1>shredded paper, which, um, you know, I hope, I hope

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<v Speaker 1>it didn't have any long term health Yeah, right, padding

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<v Speaker 1>fake snow long. I guys, love you both very much,

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<v Speaker 1>love you back. I would love to know what was

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<v Speaker 1>the best and worst advice you got when you were

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<v Speaker 1>starting out as an actor. Best advice on it for

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<v Speaker 1>TV acting is stumble, uh come in talking, which means

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<v Speaker 1>no your lines cold. And the worst advice uh hold

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<v Speaker 1>that thought. I'll do best advice too, because I also

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<v Speaker 1>can't think of worst advice yet. But I think I

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<v Speaker 1>think for me, the best advice is prepare your audition

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<v Speaker 1>as though you've already gotten the job, um, so that

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<v Speaker 1>you're not. I think it's a very very common mistake

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<v Speaker 1>for actors to be like, I just tell me what

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<v Speaker 1>you want and I'll do that, and they think that

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<v Speaker 1>that it's up to somebody else to like to like

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<v Speaker 1>let them know how they're supposed to be UM playing

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<v Speaker 1>a scene when it's just you got to just kind

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<v Speaker 1>of decide and go for it, and then you're either

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<v Speaker 1>right for it or you're not. Generally Um take over

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<v Speaker 1>the room, flip the psychology. You gotta understand something. If

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<v Speaker 1>they're seeing us, you know, they're making offers to names,

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<v Speaker 1>and they're not getting callbacks from their big powerful agents

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<v Speaker 1>in there piste off, and they don't want to see you.

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<v Speaker 1>They're not interested in seeing you. There's twenty of me,

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<v Speaker 1>there's forty of me. They don't care. So you gotta

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<v Speaker 1>do something to get their attention, you know, And that

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<v Speaker 1>that actually I actually did that and it worked. I

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<v Speaker 1>got the job. I believe it. And yeah I was

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<v Speaker 1>just I had an opening for a good line there.

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<v Speaker 1>But but no, He's right, it is you have to

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<v Speaker 1>uh it's like it's it's there always has to be

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<v Speaker 1>something that's going to to single you out. Although what

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<v Speaker 1>I was gonna say is the funny thing is that

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<v Speaker 1>a lot of that that advice is obsolete now because

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<v Speaker 1>nothing's in the room anymore. Everything's on tape. Everything is

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<v Speaker 1>on tape, on tape. All your auditions are on tape.

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<v Speaker 1>Which is I'm going to do that on tape. That's funny.

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<v Speaker 1>Start your tape with can I have a minute? You

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<v Speaker 1>don't ask, you just just turn your back on it.

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<v Speaker 1>I should have done that with the Natalie Portman thing.

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<v Speaker 1>I would have gotten it. Damn, they're just watching the

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<v Speaker 1>room like, is this the last known video of Scott Patterson?

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<v Speaker 1>What's happening? Yeah? Hi? What's your name? Hi? Sorry, my

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<v Speaker 1>name is Sophia UM. I think you both are really awesome.

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<v Speaker 1>But my questions for Scott um with Jess. He was

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<v Speaker 1>supposed to get a reboot for his own show. Were

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<v Speaker 1>you in any part of that? Would you want to

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<v Speaker 1>be in any part of that? If he was able

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<v Speaker 1>to get one. I know it was just rumored. This

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<v Speaker 1>was like forever ago, but I think after season three

0:13:52.960 --> 0:13:55.120
<v Speaker 1>they were thinking about it. When he was in California.

0:13:55.360 --> 0:13:59.560
<v Speaker 1>He did. He did get his own show. They filmed

0:13:59.559 --> 0:14:03.040
<v Speaker 1>a pie that he did a pilot with Um rob

0:14:03.280 --> 0:14:07.280
<v Speaker 1>Estes and it did. It didn't fly. I didn't get

0:14:07.320 --> 0:14:14.560
<v Speaker 1>picked up, So then where did it go? I wanted that? Yes, Scott,

0:14:16.720 --> 0:14:21.960
<v Speaker 1>let me look, I might be in my wallet. If

0:14:22.040 --> 0:14:25.240
<v Speaker 1>Jack Warner a call, will you Scott? It's not in there?

0:14:25.560 --> 0:14:27.200
<v Speaker 1>I don't know. I wish it was. That would be

0:14:27.240 --> 0:14:30.800
<v Speaker 1>really awesome. But I just I mean, just as top

0:14:30.840 --> 0:14:32.800
<v Speaker 1>tier favorites. That's why I was kind of like, that's

0:14:32.800 --> 0:14:34.280
<v Speaker 1>a shame and not didn't rupt you, but it's a

0:14:34.320 --> 0:14:37.320
<v Speaker 1>shame because he's struggling so much now as an actor.

0:14:37.720 --> 0:14:40.800
<v Speaker 1>He can't seem to find any work. He looks like

0:14:40.840 --> 0:14:44.480
<v Speaker 1>he's having fun though, That's what matters, right, whatever happened,

0:14:44.960 --> 0:14:50.960
<v Speaker 1>I don't know, just poor Milo. Yeah, a few other

0:14:51.000 --> 0:14:52.800
<v Speaker 1>actors too. What's the name of the woman who played

0:14:52.840 --> 0:14:56.400
<v Speaker 1>Suki God I think I know it was. It was

0:14:56.840 --> 0:15:05.360
<v Speaker 1>Martina something McConnelly, Molly McConnelly, right, who, thank you so much,

0:15:05.760 --> 0:15:12.400
<v Speaker 1>very very welcome. Like I'm Robert Um. I really love

0:15:12.480 --> 0:15:15.040
<v Speaker 1>Give More Worlds. I watched it when I was younger,

0:15:15.960 --> 0:15:19.640
<v Speaker 1>watched at least two times now actually, So my question

0:15:19.760 --> 0:15:24.240
<v Speaker 1>for Sean as Kirk, what was your favorite role of

0:15:25.400 --> 0:15:30.200
<v Speaker 1>doing his job? Like? What job was your pharaoh? You know?

0:15:30.640 --> 0:15:33.800
<v Speaker 1>The interesting thing is like in life, my favorite stuff

0:15:33.840 --> 0:15:36.560
<v Speaker 1>was when I'm not working, so like I love the

0:15:37.120 --> 0:15:39.840
<v Speaker 1>you know, like my favorite all my favorite Kirk episodes

0:15:39.880 --> 0:15:42.560
<v Speaker 1>are like the one where where Kirk plays Tavia and

0:15:42.600 --> 0:15:45.400
<v Speaker 1>Fiddler on the roof and the one where he's Jesus,

0:15:45.400 --> 0:15:49.320
<v Speaker 1>and the Festival of a Living Art and uh, you know,

0:15:49.440 --> 0:15:52.160
<v Speaker 1>like searching for the eggs and the I don't know

0:15:52.200 --> 0:15:55.480
<v Speaker 1>if any of those are actual jobs, but um, I

0:15:55.520 --> 0:16:02.080
<v Speaker 1>did really enjoy uh announcing the hockey game as a job,

0:16:03.280 --> 0:16:08.640
<v Speaker 1>only because there's some you know, egotistical part of my

0:16:08.680 --> 0:16:10.920
<v Speaker 1>own psyche that believes that I would have been a

0:16:10.920 --> 0:16:13.320
<v Speaker 1>really good sports announcer had I put my mountain, had

0:16:13.360 --> 0:16:15.760
<v Speaker 1>I put my mind to it, and and I got

0:16:15.800 --> 0:16:22.120
<v Speaker 1>to sit down all day at work. So thank you. First,

0:16:22.160 --> 0:16:24.360
<v Speaker 1>I wanted to say thank you. I met you yesterday.

0:16:24.480 --> 0:16:26.200
<v Speaker 1>I was in a totally different get up, so you

0:16:26.280 --> 0:16:30.960
<v Speaker 1>might not recognize me. What did your point to Scott? Hi,

0:16:33.160 --> 0:16:35.960
<v Speaker 1>I was a mathematician. You were very nice. I think

0:16:35.960 --> 0:16:37.920
<v Speaker 1>Gilmore Girls means a lot to a lot of people,

0:16:37.960 --> 0:16:40.160
<v Speaker 1>so I really was grateful that you talked to me.

0:16:40.680 --> 0:16:43.640
<v Speaker 1>Uh And congrats on terminal list. That was amazing. Thank you.

0:16:43.840 --> 0:16:47.680
<v Speaker 1>But my question is, um, what were the friendships that

0:16:47.720 --> 0:16:49.360
<v Speaker 1>you formed on the show. It's a really long show,

0:16:49.400 --> 0:16:51.240
<v Speaker 1>imagine a lot of friendships, and what was it like

0:16:51.360 --> 0:16:58.240
<v Speaker 1>forming those friendships? Any favorite memories? I mean, my friendship

0:16:58.280 --> 0:17:02.240
<v Speaker 1>with Seawan is going in twenty two years now, and uh,

0:17:02.280 --> 0:17:07.840
<v Speaker 1>it just keeps getting better and better. You know it's true. Yeah,

0:17:07.960 --> 0:17:11.280
<v Speaker 1>and others and you know it's yeah. I mean I

0:17:11.280 --> 0:17:16.880
<v Speaker 1>think there's a part of us You're gonna on some level, Um,

0:17:18.440 --> 0:17:22.359
<v Speaker 1>you're gonna be sort of friendly with everybody forever, like

0:17:22.400 --> 0:17:24.200
<v Speaker 1>if you It's like, there are people I haven't seen

0:17:24.240 --> 0:17:26.480
<v Speaker 1>in ten years. But if I saw him and be

0:17:26.520 --> 0:17:29.440
<v Speaker 1>oh my god, and you get my hugging and catch

0:17:29.560 --> 0:17:31.040
<v Speaker 1>up and see what we see what they're up to.

0:17:31.119 --> 0:17:33.159
<v Speaker 1>But yeah, I'm friends with Scott and I'm friends with

0:17:33.800 --> 0:17:43.280
<v Speaker 1>um Sebastian Bach, I'd run the other way. He's like, right, um,

0:17:43.320 --> 0:17:46.240
<v Speaker 1>and I'm I'm I'm friends now with Amy and Dan

0:17:46.280 --> 0:17:48.680
<v Speaker 1>in a way that I wasn't then. Really, I think

0:17:48.960 --> 0:17:50.919
<v Speaker 1>they scared me when I was a young actor, and

0:17:51.000 --> 0:17:54.800
<v Speaker 1>now I think I think that I know them a

0:17:54.800 --> 0:17:59.320
<v Speaker 1>little better. Um Uh. John Cabrero, who's who played Brian,

0:17:59.400 --> 0:18:02.159
<v Speaker 1>has been one of my closest friends since college, so

0:18:02.200 --> 0:18:06.520
<v Speaker 1>that actually pre dates Gilmore Girls and Keiko and I

0:18:06.520 --> 0:18:08.679
<v Speaker 1>are good friends anyway. But you know, I don't know,

0:18:08.840 --> 0:18:15.280
<v Speaker 1>it's They're all great. Thank you, Hi, um Sean. I

0:18:15.320 --> 0:18:18.800
<v Speaker 1>love your pants They're awesome. Thank you. Um, I just

0:18:18.880 --> 0:18:22.240
<v Speaker 1>had a question about I think the there was some

0:18:22.359 --> 0:18:25.080
<v Speaker 1>mixed reviews about the ending of Gilmore Girls, and I

0:18:25.119 --> 0:18:28.560
<v Speaker 1>wanted to see what your thoughts were, if you liked

0:18:28.600 --> 0:18:31.240
<v Speaker 1>the ending, if you wanted it to continue, or how

0:18:31.440 --> 0:18:36.879
<v Speaker 1>how you liked where it ended up originally or in

0:18:36.920 --> 0:18:42.520
<v Speaker 1>the in the after we did the A year in

0:18:42.520 --> 0:18:46.399
<v Speaker 1>the for a year in the Life. You mean, I

0:18:46.400 --> 0:18:48.679
<v Speaker 1>don't know, what do you think. I don't like what

0:18:48.720 --> 0:19:01.360
<v Speaker 1>they did to Rory. I I can I get a hallelujah, hallellujah.

0:19:01.400 --> 0:19:04.160
<v Speaker 1>I think you respect ed herman. You give him half

0:19:04.240 --> 0:19:08.119
<v Speaker 1>the first episode two mourn and to go through that process,

0:19:08.160 --> 0:19:10.199
<v Speaker 1>and then you do three and a half episodes of

0:19:10.240 --> 0:19:13.359
<v Speaker 1>a huge wedding, and I just it's for me. It

0:19:13.440 --> 0:19:15.840
<v Speaker 1>was a big missed opportunity to sort of introduce all

0:19:15.880 --> 0:19:21.920
<v Speaker 1>of those machinations and shenanigans that would have occurred, uh

0:19:22.040 --> 0:19:24.800
<v Speaker 1>the run up to the everybody behind schedule and screwing

0:19:24.880 --> 0:19:26.760
<v Speaker 1>up and falling in. I mean, it just would have

0:19:26.760 --> 0:19:30.280
<v Speaker 1>been great. Um, And I think the fans really deserve

0:19:30.400 --> 0:19:33.320
<v Speaker 1>something that was that on the nose, because Amy and

0:19:33.400 --> 0:19:36.560
<v Speaker 1>Dan don't write things that are on the nose. They

0:19:36.600 --> 0:19:40.040
<v Speaker 1>they they go big when you expect them to go small,

0:19:40.080 --> 0:19:42.320
<v Speaker 1>and vice versa. So that's kind of the beauty of

0:19:42.320 --> 0:19:45.760
<v Speaker 1>what they do. One of the aspects of what they do, UM,

0:19:45.800 --> 0:19:49.080
<v Speaker 1>that few people do. UM. But I think in that

0:19:49.200 --> 0:19:52.359
<v Speaker 1>situation it was warranted because it was just so obvious

0:19:53.040 --> 0:19:55.480
<v Speaker 1>what the fans wanted. And I just think that was

0:19:55.520 --> 0:19:57.120
<v Speaker 1>the time you got to give the fans what they want.

0:19:57.119 --> 0:20:01.320
<v Speaker 1>And maybe they will I don't know eventually. So those

0:20:01.359 --> 0:20:08.600
<v Speaker 1>are my two main points. I and I get all.

0:20:09.359 --> 0:20:12.480
<v Speaker 1>I Yeah, I don't. I kind of a difficult time

0:20:12.920 --> 0:20:18.240
<v Speaker 1>sometimes being sort of uh critical, you know, in the

0:20:18.359 --> 0:20:21.520
<v Speaker 1>in the non pejorative sense of the word, like really

0:20:21.520 --> 0:20:24.600
<v Speaker 1>being able to sort of judge what when I'm in

0:20:24.760 --> 0:20:27.640
<v Speaker 1>something like that when I'm so close to it. Um,

0:20:27.920 --> 0:20:30.720
<v Speaker 1>I tend to know by the audience reaction, like if

0:20:30.760 --> 0:20:34.919
<v Speaker 1>everybody hates it, it was probably a problem, you know,

0:20:35.520 --> 0:20:39.800
<v Speaker 1>Game of Thrones, um. But if but if every and

0:20:39.840 --> 0:20:41.959
<v Speaker 1>if everyone likes it, it was it was a good decision,

0:20:41.960 --> 0:20:43.960
<v Speaker 1>whether I thought so at the time or not. UM,

0:20:44.560 --> 0:20:47.760
<v Speaker 1>I don't know, really, I know I was sort of

0:20:47.800 --> 0:20:52.520
<v Speaker 1>felt like the original ending of the series when we

0:20:52.520 --> 0:20:55.919
<v Speaker 1>were done in two thousand seven, was so unsatisfying personally

0:20:55.960 --> 0:20:58.040
<v Speaker 1>because we weren't even sure it was ending. I mean,

0:20:58.119 --> 0:21:01.080
<v Speaker 1>maybe you know, it was like it was like a

0:21:01.200 --> 0:21:04.960
<v Speaker 1>half ending where we might do another something, but we

0:21:05.080 --> 0:21:06.920
<v Speaker 1>might not, And so they kind of tried to leave

0:21:06.920 --> 0:21:09.800
<v Speaker 1>it open ended. Plus Amy and Dan and we're gone

0:21:09.840 --> 0:21:12.720
<v Speaker 1>by that point and uh, and so there was something

0:21:12.760 --> 0:21:16.800
<v Speaker 1>always unsatisfying about that. And I know that Amy ended

0:21:16.800 --> 0:21:20.439
<v Speaker 1>it the way she wanted to end it originally, and uh,

0:21:20.920 --> 0:21:24.320
<v Speaker 1>I don't know. I don't I I never really questioned

0:21:24.320 --> 0:21:29.320
<v Speaker 1>that too much, so I sort of feel like it was. Um.

0:21:29.359 --> 0:21:33.040
<v Speaker 1>I thought the episodes were good, So I don't know.

0:21:33.200 --> 0:21:34.960
<v Speaker 1>I don't know what I would have done differently, But

0:21:35.080 --> 0:21:38.200
<v Speaker 1>I always believe that's your opinion about that is better

0:21:38.200 --> 0:21:44.240
<v Speaker 1>than mine is. Thank you. Hi, my name is Jesse. Um.

0:21:44.280 --> 0:21:46.639
<v Speaker 1>I think the real question on everyone's mind is the

0:21:46.640 --> 0:21:53.280
<v Speaker 1>one I'm about to ask Dean Logan, Jess, which team

0:21:53.320 --> 0:22:01.560
<v Speaker 1>are you on? I don't care. I was expecting Jets.

0:22:04.600 --> 0:22:07.320
<v Speaker 1>I am team Rory does not need a man to

0:22:07.400 --> 0:22:19.320
<v Speaker 1>define her Sean, I think you should run for office. Yeah, yeah,

0:22:19.359 --> 0:22:25.200
<v Speaker 1>the non diplomatic answer, Um, but I would only rate

0:22:25.240 --> 0:22:28.919
<v Speaker 1>them by how I actually know. I I don't know,

0:22:29.160 --> 0:22:31.320
<v Speaker 1>I thought. I was kind of thought, honestly, if I

0:22:31.320 --> 0:22:35.119
<v Speaker 1>did have to choose, I was probably Team Logan. I had.

0:22:35.160 --> 0:22:39.840
<v Speaker 1>I had Ted Ted Rooney on who played more brilliantly

0:22:39.840 --> 0:22:42.560
<v Speaker 1>played more? I had him on my podcast because I

0:22:42.600 --> 0:22:45.280
<v Speaker 1>do a rewatch podcast. If you didn't know on Gilmark

0:22:45.400 --> 0:22:49.560
<v Speaker 1>So uh and so one of the questions that I am,

0:22:49.600 --> 0:22:51.560
<v Speaker 1>you know, we kind of came up with and they

0:22:51.880 --> 0:22:54.639
<v Speaker 1>my heart came up with was you know at the

0:22:54.760 --> 0:22:57.399
<v Speaker 1>end it's called rapid fire. And asked him serious question,

0:22:57.760 --> 0:23:00.639
<v Speaker 1>do you drink coffee? How many cups? Did? Are your

0:23:00.640 --> 0:23:03.720
<v Speaker 1>Team Logan? Jess? So we got to that part of it,

0:23:03.840 --> 0:23:06.520
<v Speaker 1>and I asked him about who he preferred to be

0:23:06.600 --> 0:23:09.800
<v Speaker 1>the baby daddy, and Ted Rooney's reaction was the funniest

0:23:09.800 --> 0:23:12.399
<v Speaker 1>thing I've ever seen. And he just goes, Oh God,

0:23:12.520 --> 0:23:21.160
<v Speaker 1>that's gross. Who cares? I love Ted Rooney. We're a

0:23:21.200 --> 0:23:24.000
<v Speaker 1>comic com though, so you gotta say the Wookie is

0:23:24.040 --> 0:23:29.280
<v Speaker 1>your is your choice for them? Did you have a

0:23:29.280 --> 0:23:39.600
<v Speaker 1>fling with a Wookie? Yeah? More gold from the episodes. Hi,

0:23:39.760 --> 0:23:42.199
<v Speaker 1>it's nice to meet you both. Um. I have a

0:23:42.280 --> 0:23:45.760
<v Speaker 1>question about the year in the life, So, how did

0:23:45.760 --> 0:23:48.720
<v Speaker 1>it feel like going back to the Warner Brothers studio.

0:23:48.960 --> 0:23:53.520
<v Speaker 1>Did you feel like filming that four episodes like series

0:23:53.640 --> 0:23:55.960
<v Speaker 1>was like? Did you feel like you picked up where

0:23:56.000 --> 0:23:59.280
<v Speaker 1>you left off? Was that chemistry sold there between everyone

0:23:59.680 --> 0:24:03.880
<v Speaker 1>or just how did you process that? I? I thought

0:24:03.920 --> 0:24:08.359
<v Speaker 1>it was great. Uh. The diner Luke's Diners specifically, was

0:24:09.240 --> 0:24:13.480
<v Speaker 1>really it was like a two point oh version of it.

0:24:13.480 --> 0:24:16.480
<v Speaker 1>It was brighter, it was better. The floor was spongey

0:24:16.600 --> 0:24:19.280
<v Speaker 1>because the sound department said, make a spongey floor. We're

0:24:19.320 --> 0:24:21.959
<v Speaker 1>tired of the squeaks and the cracking and the stuff

0:24:22.359 --> 0:24:26.560
<v Speaker 1>wrecking the takes. And it was all just better, you know.

0:24:26.760 --> 0:24:29.359
<v Speaker 1>One of the good things about Netflix. And it wasn't

0:24:29.400 --> 0:24:30.960
<v Speaker 1>all good, but it was a lot of good. One

0:24:30.960 --> 0:24:33.280
<v Speaker 1>of the good things about Netflix coming is they spent

0:24:33.320 --> 0:24:37.480
<v Speaker 1>a lot of money on the production UM and the

0:24:37.560 --> 0:24:40.480
<v Speaker 1>technology had changed over the years since we last for

0:24:40.600 --> 0:24:44.760
<v Speaker 1>their filming, So in nine years or whatever it was UM,

0:24:44.800 --> 0:24:47.840
<v Speaker 1>I mean, the camera equipment, all aspects of the of

0:24:47.920 --> 0:24:52.240
<v Speaker 1>how you make a film were vastly superior. UM. So

0:24:52.280 --> 0:24:56.760
<v Speaker 1>it was really exciting to come back, and yes we did. Uh.

0:24:56.840 --> 0:24:59.760
<v Speaker 1>I at least I felt back into the flow u

0:25:00.000 --> 0:25:02.840
<v Speaker 1>of the acting with those actors pretty easily. Yeah, it

0:25:02.920 --> 0:25:06.399
<v Speaker 1>was wonderful. Yeah, I felt the same way. It was

0:25:06.520 --> 0:25:09.560
<v Speaker 1>nice to have a little a little more space to

0:25:09.760 --> 0:25:12.520
<v Speaker 1>like to do what we wanted to do. It was like,

0:25:12.840 --> 0:25:15.920
<v Speaker 1>you know, we had a little more time, um, which

0:25:16.000 --> 0:25:19.440
<v Speaker 1>was which was really cool. I was definitely like from

0:25:19.440 --> 0:25:22.360
<v Speaker 1>a personal standpoint, I was I was nervous going back

0:25:22.400 --> 0:25:24.560
<v Speaker 1>into it. I was like, I was like, I don't

0:25:24.600 --> 0:25:27.800
<v Speaker 1>know if I'm like, I'm not sure where this lives

0:25:27.920 --> 0:25:31.000
<v Speaker 1>in my brain. And it was really like the second

0:25:31.040 --> 0:25:33.440
<v Speaker 1>take of the first day that I was like, oh,

0:25:33.560 --> 0:25:36.360
<v Speaker 1>there's pa Keys right there. There's no it was not

0:25:36.440 --> 0:25:38.960
<v Speaker 1>It was not difficult at all. It was like it

0:25:39.040 --> 0:25:41.119
<v Speaker 1>was like putting on a pair of slippers that that

0:25:41.280 --> 0:25:51.600
<v Speaker 1>you've owned forever, you know, think you both hi? Um So,

0:25:51.800 --> 0:25:55.120
<v Speaker 1>my mom and sister like watch Yelmore girls like every

0:25:55.200 --> 0:25:58.639
<v Speaker 1>day it feels like anyway, I want to ask what

0:25:58.680 --> 0:26:01.919
<v Speaker 1>your favorite cereal is? What's your favorite cereal? Come on?

0:26:02.200 --> 0:26:12.879
<v Speaker 1>Come on? Uh? I like those um the Quaker Squares

0:26:13.280 --> 0:26:16.440
<v Speaker 1>life No, no, the the actual the Quaker ones, the

0:26:16.480 --> 0:26:20.160
<v Speaker 1>Quicker Oat Squares, the little ones, the like, I forget

0:26:20.200 --> 0:26:22.160
<v Speaker 1>what they call. I gotta be honest with you. I'm

0:26:22.200 --> 0:26:26.960
<v Speaker 1>not a serial guy. I go right through the eggs.

0:26:27.880 --> 0:26:31.040
<v Speaker 1>I'm an egg guy. All right, thank you my favorite

0:26:31.040 --> 0:26:38.440
<v Speaker 1>bourbon you said, um probably uh hey, Um, I'm Brittany.

0:26:39.000 --> 0:26:42.200
<v Speaker 1>My question is so Gilmore girls, I think for probably

0:26:42.200 --> 0:26:45.120
<v Speaker 1>a lot of us is are like anxiety show. Sometimes

0:26:45.119 --> 0:26:48.960
<v Speaker 1>my husband's like, my gosh, you're watching it again? You okay? Um?

0:26:49.119 --> 0:26:53.840
<v Speaker 1>So what would y'all's anxiety show be? Or a movie

0:26:53.920 --> 0:26:55.480
<v Speaker 1>if you all have one that you go to to

0:26:55.720 --> 0:27:00.960
<v Speaker 1>feel comfortable. If I want to like hill myself out, yeah,

0:27:01.520 --> 0:27:10.200
<v Speaker 1>Rick and Morty, Yeah, I love that. Um. Recently it's

0:27:10.240 --> 0:27:18.600
<v Speaker 1>been Seinfeld. Okay, very cool, thank you, just full of laughs. Hi.

0:27:18.880 --> 0:27:23.040
<v Speaker 1>I'm Caitlin. So my question is for Scott. So a

0:27:23.080 --> 0:27:26.760
<v Speaker 1>lot of us are romantics here. So when you and

0:27:26.880 --> 0:27:30.080
<v Speaker 1>Lauren had to figure out how to put the chemistry

0:27:30.080 --> 0:27:32.439
<v Speaker 1>that you guys have been running around for, you know,

0:27:32.480 --> 0:27:35.439
<v Speaker 1>seasons and put that into your episode where you finally

0:27:35.480 --> 0:27:39.640
<v Speaker 1>define your relationship, how was that for you? It's just there,

0:27:40.400 --> 0:27:43.840
<v Speaker 1>there's no work put into that. That's just the two

0:27:44.240 --> 0:27:48.560
<v Speaker 1>personalities coming together and something ignites, something happens, and you

0:27:48.600 --> 0:27:53.320
<v Speaker 1>can't it can't be manufactured. It's just it's either there,

0:27:53.400 --> 0:27:56.000
<v Speaker 1>it's not you know, one of the great lessons I

0:27:56.119 --> 0:28:01.480
<v Speaker 1>learned from acting class in New York was we could

0:28:01.520 --> 0:28:04.920
<v Speaker 1>always tell the guy and the girl that was doing

0:28:04.920 --> 0:28:08.280
<v Speaker 1>the scene together that slept together because there was no

0:28:08.359 --> 0:28:10.919
<v Speaker 1>tension in the scene and we were all like, you know,

0:28:11.160 --> 0:28:15.720
<v Speaker 1>bored out of our minds. Um, So I'm not really

0:28:15.720 --> 0:28:20.359
<v Speaker 1>trying to imply anything here, gang, but uh, if there's

0:28:20.480 --> 0:28:26.280
<v Speaker 1>energy between people that translate naturally without any effort, that

0:28:26.320 --> 0:28:29.280
<v Speaker 1>translates onto the screen, you know that camera is a

0:28:29.320 --> 0:28:38.320
<v Speaker 1>truth machine. You can't fool it. Thank you, Hiam casey Um.

0:28:38.360 --> 0:28:42.040
<v Speaker 1>What was the biggest acting challenge for you in either series,

0:28:42.040 --> 0:28:44.560
<v Speaker 1>either comedic or dramatic where you read the script and

0:28:44.600 --> 0:28:47.960
<v Speaker 1>you're like, how am I going to do that? I

0:28:48.400 --> 0:28:50.719
<v Speaker 1>can say that I remember the one time that I

0:28:50.920 --> 0:28:53.480
<v Speaker 1>and I bring it up as my favorite episode, so

0:28:53.840 --> 0:28:55.800
<v Speaker 1>I can remember what There's one time I went to

0:28:56.840 --> 0:29:00.160
<v Speaker 1>Edward Herman, the Great Great Edward Herman and asked for

0:29:00.200 --> 0:29:02.479
<v Speaker 1>his advice, And it was for the episode The Fiddler

0:29:02.480 --> 0:29:05.240
<v Speaker 1>in the Roof episode where where Kirk is playing Tavia

0:29:05.440 --> 0:29:09.640
<v Speaker 1>and I'm like, and I was like, I had this weird.

0:29:11.040 --> 0:29:16.760
<v Speaker 1>I'm like, should I be bad at it? Like the singing?

0:29:16.880 --> 0:29:19.240
<v Speaker 1>Like when I have to sing the song. Should I

0:29:19.320 --> 0:29:24.120
<v Speaker 1>do it poorly for comedy purposes or just do it

0:29:24.160 --> 0:29:25.640
<v Speaker 1>as well as I can? And I'm not a great

0:29:25.680 --> 0:29:29.760
<v Speaker 1>singer anyway, so it will be pooring like this just

0:29:29.840 --> 0:29:31.920
<v Speaker 1>not like it's like, don't sound like much of a

0:29:32.000 --> 0:29:33.680
<v Speaker 1>choice show anither you're bad at it or you're bad

0:29:33.680 --> 0:29:36.400
<v Speaker 1>at it. But now I couldn't kind of couldn't really,

0:29:37.800 --> 0:29:40.360
<v Speaker 1>I couldn't couldn't really decide what the exact sort of

0:29:40.480 --> 0:29:44.800
<v Speaker 1>right way to play that was. And Edward was like, like,

0:29:45.000 --> 0:29:48.760
<v Speaker 1>just totally go for it, just completely go for it,

0:29:49.320 --> 0:29:54.640
<v Speaker 1>and uh, and he was absolutely right, So that sticks out. Uh,

0:29:54.920 --> 0:30:00.080
<v Speaker 1>my experience with that, your question is it was I

0:30:00.120 --> 0:30:03.760
<v Speaker 1>don't know. I think the first episode back from it

0:30:03.920 --> 0:30:08.320
<v Speaker 1>was episode two, season one at Warner Brothers and it

0:30:08.440 --> 0:30:10.840
<v Speaker 1>was six am and Lauren and I were in the

0:30:10.880 --> 0:30:14.200
<v Speaker 1>makeup trailer and one of the p a's just dropped

0:30:14.200 --> 0:30:17.400
<v Speaker 1>off a new scene hot off the press is just

0:30:17.760 --> 0:30:20.720
<v Speaker 1>yeah and you've been there, and it was ten pages,

0:30:22.640 --> 0:30:27.440
<v Speaker 1>we're adding this, we're shooting. It's first up, and it

0:30:27.520 --> 0:30:30.440
<v Speaker 1>was like, you know, you know, Lauren is all black ink,

0:30:30.520 --> 0:30:33.280
<v Speaker 1>It's just chunks of dialogue. And then Luke Michael hoo.

0:30:33.360 --> 0:30:36.600
<v Speaker 1>You know, well, I don't know. And then I had

0:30:36.680 --> 0:30:39.320
<v Speaker 1>some a couple of chunks, but he she had chunk chunk, chunk,

0:30:39.400 --> 0:30:42.000
<v Speaker 1>chunk chunk. The challenge for her is obvious. A challenge

0:30:42.040 --> 0:30:45.280
<v Speaker 1>for me was not to screw up her chunks. So

0:30:45.320 --> 0:30:48.240
<v Speaker 1>it's all timing, right, So that's the terror when you

0:30:48.280 --> 0:30:50.920
<v Speaker 1>have little like who and what what's it? You know,

0:30:51.280 --> 0:30:53.440
<v Speaker 1>your timing can be off and it just messes up

0:30:53.480 --> 0:30:56.320
<v Speaker 1>their flow. But we did it. We put our heads

0:30:56.360 --> 0:30:58.520
<v Speaker 1>together and we did it, and we went and nailed it.

0:30:58.720 --> 0:31:01.000
<v Speaker 1>And so from that moment and we knew we could

0:31:01.040 --> 0:31:04.000
<v Speaker 1>just do it. I got one more kind of funny one,

0:31:04.040 --> 0:31:06.760
<v Speaker 1>which is that there's an episode where Kirk does the

0:31:07.200 --> 0:31:10.440
<v Speaker 1>It's in the the Town is It Challenge show or

0:31:10.440 --> 0:31:13.200
<v Speaker 1>something where he he does the evolution of man and

0:31:13.240 --> 0:31:15.800
<v Speaker 1>he goes through and he does the whole thing, and

0:31:15.920 --> 0:31:18.280
<v Speaker 1>I read that is Remember everything in the script is

0:31:18.360 --> 0:31:20.720
<v Speaker 1>verbat him all the time, so every every single thing

0:31:20.800 --> 0:31:23.320
<v Speaker 1>is mapped out. But in that case, all all it

0:31:23.400 --> 0:31:27.120
<v Speaker 1>says is literally just that Kirk, you know, does a

0:31:27.320 --> 0:31:30.480
<v Speaker 1>mime that is the evolution of man going from being

0:31:30.480 --> 0:31:33.160
<v Speaker 1>a baby to death, and that's all it's said. And

0:31:33.240 --> 0:31:34.920
<v Speaker 1>I was like, this is interesting. I wonder, like what

0:31:34.920 --> 0:31:37.440
<v Speaker 1>we're gonna do here, and and showing up and like

0:31:37.960 --> 0:31:40.400
<v Speaker 1>going to rehearsals that morning for that scene we're gonna

0:31:40.440 --> 0:31:44.760
<v Speaker 1>shoot and talking Dan Palladino was directing that episode and saying, okay, Dan,

0:31:44.840 --> 0:31:46.240
<v Speaker 1>tell me, like what are you thinking here? What do

0:31:46.240 --> 0:31:48.800
<v Speaker 1>you got? And he's just like, I don't know, man,

0:31:49.000 --> 0:31:57.479
<v Speaker 1>Just he goes, he goes, just do what you do,

0:31:58.320 --> 0:32:05.040
<v Speaker 1>Just do your do your thing. It's like, okay, well,

0:32:05.120 --> 0:32:06.880
<v Speaker 1>I know, so now for better or for worse, if

0:32:06.880 --> 0:32:09.320
<v Speaker 1>you ever see that scene again, I guess that's my thing.

0:32:11.200 --> 0:32:17.240
<v Speaker 1>Thank you. I um My question is was there a

0:32:17.320 --> 0:32:20.720
<v Speaker 1>cast member in particular that you knew shooting with them

0:32:20.960 --> 0:32:27.640
<v Speaker 1>would take multiple takes or make you break character. He

0:32:27.680 --> 0:32:30.920
<v Speaker 1>would make me laugh a lot, and it was sometimes

0:32:31.000 --> 0:32:33.280
<v Speaker 1>it was really hard. And when he was in the

0:32:33.320 --> 0:32:37.520
<v Speaker 1>hot dog suit, that was a tough scene because it

0:32:37.600 --> 0:32:39.640
<v Speaker 1>was just like I think everybody in this scene was

0:32:39.720 --> 0:32:43.760
<v Speaker 1>cracking up because it was just such a bizarre um visual,

0:32:44.200 --> 0:32:48.080
<v Speaker 1>you know, right from the cat go. So that was tough.

0:32:48.280 --> 0:32:50.480
<v Speaker 1>It really is. Honestly, I think it's the scenes with

0:32:50.520 --> 0:32:54.040
<v Speaker 1>Scott because we did the like the Kirk's on the

0:32:54.080 --> 0:32:56.040
<v Speaker 1>first date and we're doing that and he's given him

0:32:56.040 --> 0:32:59.480
<v Speaker 1>advice and they start talking about Duckie and and uh

0:33:00.160 --> 0:33:03.440
<v Speaker 1>was it in uh pretty and pink and I don't know.

0:33:03.600 --> 0:33:09.719
<v Speaker 1>I just remember like those scenes when you're like if

0:33:09.720 --> 0:33:11.680
<v Speaker 1>you're if you're cracking up over and over again, it

0:33:11.720 --> 0:33:14.680
<v Speaker 1>gets dumb, it gets like performative, but like you know,

0:33:14.760 --> 0:33:17.520
<v Speaker 1>it's right when like the first the first time you

0:33:17.600 --> 0:33:20.800
<v Speaker 1>hit the rhythm perfectly, you can't help but like the

0:33:21.040 --> 0:33:23.120
<v Speaker 1>laugh because it's like, oh that's it, it's right there,

0:33:23.680 --> 0:33:27.160
<v Speaker 1>and uh, those are good feelings for sure. Thank you,

0:33:27.480 --> 0:33:33.760
<v Speaker 1>thank you. Hi. Um. Gilmore Girls has an amazing main

0:33:33.840 --> 0:33:37.400
<v Speaker 1>cast and then also has some really cool recurring characters,

0:33:38.040 --> 0:33:41.760
<v Speaker 1>uh you know, actors and guest stars. Um. And actually

0:33:41.880 --> 0:33:45.800
<v Speaker 1>Rob Estes played Jesse's a strange father, and then you

0:33:45.840 --> 0:33:48.800
<v Speaker 1>went on his shown two on oh and played someone

0:33:48.880 --> 0:33:52.800
<v Speaker 1>he was a surrogate father too. Matt Lantern's characters a

0:33:52.880 --> 0:33:57.320
<v Speaker 1>strange father, which I thought was a cool switcher. Um.

0:33:57.400 --> 0:34:01.600
<v Speaker 1>My question is if you would, through hair and makeup magic,

0:34:01.800 --> 0:34:04.440
<v Speaker 1>play any of the recurring characters or guest stars that

0:34:04.560 --> 0:34:11.400
<v Speaker 1>came on Gilmar Girls. Um, who would you want to play?

0:34:12.600 --> 0:34:16.279
<v Speaker 1>I think you just blew their minds. It's to me,

0:34:16.440 --> 0:34:25.040
<v Speaker 1>I'm area. That is a rare example of both a

0:34:25.080 --> 0:34:31.719
<v Speaker 1>good question and one I have not gotten before. Or

0:34:31.760 --> 0:34:42.760
<v Speaker 1>what's your favorite bourbon Jamison? Probably not Michael Winters because

0:34:42.760 --> 0:34:44.480
<v Speaker 1>he was too close to Luke, you know, he was

0:34:44.719 --> 0:34:55.600
<v Speaker 1>kind of Lukey. I think I think Rory because she

0:34:55.760 --> 0:34:59.880
<v Speaker 1>was so completely vulnerable and sweet, and she threw a

0:35:00.000 --> 0:35:02.680
<v Speaker 1>all of her lines away in such a way that

0:35:02.719 --> 0:35:06.880
<v Speaker 1>it was almost instructive because she had no acting experience,

0:35:07.040 --> 0:35:10.760
<v Speaker 1>so she had, you know, she brought a very fresh

0:35:10.800 --> 0:35:15.120
<v Speaker 1>approach to her work and I always admired that, Um,

0:35:15.160 --> 0:35:19.200
<v Speaker 1>the simplicity and and but it was also very rich

0:35:19.800 --> 0:35:22.279
<v Speaker 1>what she did. And she never pushed, you know, she

0:35:22.400 --> 0:35:25.040
<v Speaker 1>just never pushed. UM. So I think I would like

0:35:25.080 --> 0:35:28.160
<v Speaker 1>to try because it would be an interesting dynamic with Lauren.

0:35:32.239 --> 0:35:34.040
<v Speaker 1>You I want to be your boyfriend anymore, I want

0:35:34.040 --> 0:35:40.640
<v Speaker 1>to be your daughter. Speaking of kid Thrones, I read

0:35:40.680 --> 0:35:44.280
<v Speaker 1>too much ancient history. UM, you know what, I would

0:35:44.280 --> 0:35:51.080
<v Speaker 1>probably choose Paris because because I feel pretty well suited

0:35:51.120 --> 0:35:54.040
<v Speaker 1>for the character that I played, and Paris is probably

0:35:54.080 --> 0:35:57.840
<v Speaker 1>the most lateral move from from character. She's like the

0:35:58.400 --> 0:36:02.120
<v Speaker 1>She's more like a sort of mail counterpart in her

0:36:02.600 --> 0:36:06.839
<v Speaker 1>her weirdness and how how much anxiety she feels over

0:36:06.920 --> 0:36:10.080
<v Speaker 1>tiny little things. Um and uh, and I think that

0:36:10.120 --> 0:36:16.080
<v Speaker 1>would be a lot of fun. Thank you, Hi, I'm Sam.

0:36:16.120 --> 0:36:18.560
<v Speaker 1>I have a question for Scott. But first I wanted

0:36:18.600 --> 0:36:21.759
<v Speaker 1>to say, Sean, I absolutely love what Kirk, what you

0:36:21.800 --> 0:36:24.319
<v Speaker 1>bring to the show. I feel like it just it

0:36:24.440 --> 0:36:27.560
<v Speaker 1>just makes it so Yeah, I really I just wanted

0:36:27.600 --> 0:36:31.120
<v Speaker 1>to say that. But Scott, I wanted to know, specifically

0:36:31.480 --> 0:36:36.360
<v Speaker 1>on the first kiss scene with Lorla, how many takes

0:36:36.760 --> 0:36:39.400
<v Speaker 1>did it take you to film that? And was because

0:36:39.440 --> 0:36:42.719
<v Speaker 1>it was so perfectly done between the two of you

0:36:42.800 --> 0:36:44.560
<v Speaker 1>and the bands are back and forth of like would

0:36:44.560 --> 0:36:47.640
<v Speaker 1>you just stand still? And then would you just stand still?

0:36:48.160 --> 0:36:50.560
<v Speaker 1>So how many takes did it take to do that? Well?

0:36:50.640 --> 0:37:01.919
<v Speaker 1>I I purposely blew a lot of takes because you know, yeah, yeah,

0:37:02.080 --> 0:37:07.880
<v Speaker 1>was it awkward at all? Uh? You know, you know, honestly,

0:37:08.160 --> 0:37:12.719
<v Speaker 1>it wasn't awkward, but we knew it was the It

0:37:12.840 --> 0:37:15.480
<v Speaker 1>was gonna be a huge moment for us, maybe the

0:37:15.480 --> 0:37:19.879
<v Speaker 1>biggest moment thus far, obviously, and we were both very

0:37:19.880 --> 0:37:22.719
<v Speaker 1>nervous because we wanted to get it right, you know,

0:37:22.800 --> 0:37:25.239
<v Speaker 1>we really really wanted to get it right, because if

0:37:25.280 --> 0:37:28.399
<v Speaker 1>you if you screw that one up, you know that's

0:37:28.600 --> 0:37:31.160
<v Speaker 1>there's there's no coming back from that. So we really

0:37:31.160 --> 0:37:33.239
<v Speaker 1>and and and you could hear a pin drop on

0:37:33.280 --> 0:37:36.000
<v Speaker 1>this set and it was just it was it was

0:37:36.280 --> 0:37:40.840
<v Speaker 1>filled with energy electricity. That scene. Yeah, well you nailed it,

0:37:40.960 --> 0:37:47.360
<v Speaker 1>So thank you for that's had a lot of practice.

0:37:48.040 --> 0:37:51.520
<v Speaker 1>Hi um, I'm sure you guys have gotten this question

0:37:51.640 --> 0:37:54.400
<v Speaker 1>a lot before. But well, first off, you've both watched

0:37:54.440 --> 0:38:01.560
<v Speaker 1>the show full through or I I never watched the show,

0:38:02.160 --> 0:38:04.880
<v Speaker 1>and I have a podcast now where I'm watching the

0:38:04.880 --> 0:38:07.080
<v Speaker 1>show for the first time and then we're breaking down

0:38:07.080 --> 0:38:11.440
<v Speaker 1>the episodes. I never watched a show. I made the sausage.

0:38:11.480 --> 0:38:15.760
<v Speaker 1>I didn't want to eat it. I'm I mostly watched

0:38:15.840 --> 0:38:17.960
<v Speaker 1>I I would say I watched the show in general,

0:38:18.600 --> 0:38:21.000
<v Speaker 1>and I always watching my own stuff, which a lot

0:38:21.040 --> 0:38:23.480
<v Speaker 1>of actors don't. But I'm like, I like want to

0:38:23.520 --> 0:38:29.040
<v Speaker 1>break down what I did and I'm maning acting. So

0:38:29.200 --> 0:38:38.480
<v Speaker 1>then what were you team Luke or team Christopher Luke?

0:38:46.239 --> 0:38:55.040
<v Speaker 1>Luke Luke Luke. That was my favorite reaction time. I

0:38:55.120 --> 0:38:58.000
<v Speaker 1>was I'm a little I'm almost appalled that you even asked.

0:39:01.080 --> 0:39:06.879
<v Speaker 1>Thank you. I am kelln and um just piggyback off

0:39:06.880 --> 0:39:08.719
<v Speaker 1>her a little bit. I watched with my mom and

0:39:08.760 --> 0:39:11.799
<v Speaker 1>my brother, who were wrongly team Christopher while I was

0:39:11.840 --> 0:39:15.719
<v Speaker 1>Team Luke. So people can just bow for them. But

0:39:16.120 --> 0:39:18.920
<v Speaker 1>I have a very generic question. Did you take anything

0:39:18.920 --> 0:39:23.759
<v Speaker 1>from set? And if so, what was it. I took

0:39:23.800 --> 0:39:29.960
<v Speaker 1>a great deal. You deserved it. I feel that I did.

0:39:30.800 --> 0:39:33.279
<v Speaker 1>It was a negotiating tactic. I was going to hold

0:39:33.320 --> 0:39:36.720
<v Speaker 1>it hostage for more money per episode, and it worked out.

0:39:36.840 --> 0:39:40.880
<v Speaker 1>Actually it was a bridge midnight. There was an exchange,

0:39:41.080 --> 0:39:46.040
<v Speaker 1>you know. Yeah, No, I I too. You know, my chair,

0:39:47.040 --> 0:39:48.840
<v Speaker 1>the back of my chair, if that's the only thing

0:39:48.880 --> 0:39:50.879
<v Speaker 1>I ever take from Did they let you take things

0:39:50.920 --> 0:39:56.320
<v Speaker 1>from your work? Um? I have a lot of analyst

0:39:56.360 --> 0:39:58.640
<v Speaker 1>and I take like a lot of our office supplies.

0:39:58.760 --> 0:40:02.319
<v Speaker 1>Fair enough, Yeah, okay, yeah socks, that's my whole. Like

0:40:02.360 --> 0:40:05.439
<v Speaker 1>I'm that's about as as bold as I get, as

0:40:05.480 --> 0:40:08.600
<v Speaker 1>i'll as i'll. I'll leave my old sox and take

0:40:08.640 --> 0:40:11.359
<v Speaker 1>the new ones that Wardrobe gave for me. That's about

0:40:11.360 --> 0:40:13.120
<v Speaker 1>as far as I can go. Otherwise I feel like

0:40:13.120 --> 0:40:21.200
<v Speaker 1>I'm gonna get in trouble. Thank you both. Did you

0:40:21.640 --> 0:40:25.920
<v Speaker 1>have a lot of fun working with your daughter Gi

0:40:27.040 --> 0:40:30.040
<v Speaker 1>and the tog and Poole when you were supposed to

0:40:30.040 --> 0:40:35.800
<v Speaker 1>marry Lauren? What what was that light where you upset

0:40:35.880 --> 0:40:43.239
<v Speaker 1>that it took so long for you to marry her? No,

0:40:43.440 --> 0:40:46.839
<v Speaker 1>I think it contributed to building the tension for the

0:40:46.880 --> 0:40:50.560
<v Speaker 1>show over those four seasons that it took. I don't think,

0:40:51.120 --> 0:40:53.239
<v Speaker 1>you know, you give the audience what they think they

0:40:53.320 --> 0:40:56.160
<v Speaker 1>want and then they don't come back. But so you

0:40:56.280 --> 0:40:58.840
<v Speaker 1>gotta milk that. So that's that's good. That was a

0:40:58.880 --> 0:41:01.080
<v Speaker 1>good thing. You know, I would have milked it for

0:41:01.120 --> 0:41:05.520
<v Speaker 1>another couple of seasons, you know, yeah, why not? Right? Um?

0:41:05.560 --> 0:41:08.800
<v Speaker 1>But g was that my daughter's name in the show

0:41:08.960 --> 0:41:14.520
<v Speaker 1>was nickname. Uh So the question was did I like

0:41:15.040 --> 0:41:21.400
<v Speaker 1>having a daughter? I know, I loved her. She was

0:41:21.440 --> 0:41:23.960
<v Speaker 1>such a pro and she was so classy, and she

0:41:24.120 --> 0:41:28.600
<v Speaker 1>was so smart precocious. I geah, I think she is.

0:41:28.920 --> 0:41:32.520
<v Speaker 1>And her sister got a record deal as a teena three,

0:41:33.000 --> 0:41:35.200
<v Speaker 1>like a thirteen year old with Warner Brothers Records and

0:41:35.719 --> 0:41:38.880
<v Speaker 1>made some albums and you know, that's a very talented family.

0:41:39.360 --> 0:41:41.279
<v Speaker 1>Very I love her, and I know the fans had

0:41:41.320 --> 0:41:44.440
<v Speaker 1>an odd reaction to her. They didn't, you know, like

0:41:44.520 --> 0:41:47.960
<v Speaker 1>how Luke was and what it made him do and

0:41:48.160 --> 0:41:51.200
<v Speaker 1>act like towards Laurela and the withholding of it and

0:41:51.200 --> 0:41:53.080
<v Speaker 1>all that. But I loved working with her. I thought

0:41:53.120 --> 0:41:55.640
<v Speaker 1>it gave him another dimension and I really liked it.

0:41:55.920 --> 0:42:02.839
<v Speaker 1>Her name was April. Oh, so I'm gonna stick with

0:42:02.880 --> 0:42:06.520
<v Speaker 1>that answer. April. That's right. I was like, that is

0:42:06.560 --> 0:42:09.959
<v Speaker 1>not bringing a bell. I did pretty good, though, didn't

0:42:10.000 --> 0:42:16.240
<v Speaker 1>I Hi, This question isn't really related to um Gilmore Girls,

0:42:16.400 --> 0:42:20.960
<v Speaker 1>but um, Sean Gun, you play the physical embodiment of

0:42:21.080 --> 0:42:25.880
<v Speaker 1>Rocket in the m c U. What's that like? Uhuh,

0:42:26.080 --> 0:42:30.160
<v Speaker 1>it's probably for another panel, but I uh, it's um

0:42:30.200 --> 0:42:32.480
<v Speaker 1>it's a very unusual job. It ended up being the

0:42:32.480 --> 0:42:36.960
<v Speaker 1>next sort of you know, I I don't know how

0:42:36.960 --> 0:42:40.359
<v Speaker 1>to describe that. I'm I'm a very physical actor. That's

0:42:40.360 --> 0:42:43.720
<v Speaker 1>where I can make the segue from from Gilmore Girls

0:42:43.760 --> 0:42:47.440
<v Speaker 1>Too to doing Rocket is that I've always been I'm

0:42:47.560 --> 0:42:51.680
<v Speaker 1>very limber, and I very and I hopefully you know,

0:42:51.760 --> 0:42:55.480
<v Speaker 1>I used my body as expressively as I can, partially

0:42:55.520 --> 0:42:58.279
<v Speaker 1>because I was born with such a strange body. And

0:42:58.560 --> 0:43:02.960
<v Speaker 1>uh and you know, um, and I've always loved doing

0:43:02.960 --> 0:43:05.600
<v Speaker 1>physical comedy, and then when it came time to do Rocket,

0:43:06.000 --> 0:43:08.239
<v Speaker 1>it was like to put me on the I just

0:43:08.280 --> 0:43:11.120
<v Speaker 1>got down on my hands and knees and started doing

0:43:11.160 --> 0:43:14.000
<v Speaker 1>it from a crouch position. And now you know, now

0:43:14.000 --> 0:43:16.560
<v Speaker 1>I've done six movies. Is rocket and it's uh and

0:43:16.600 --> 0:43:19.719
<v Speaker 1>it's a it's a hell of a job. Thank you,

0:43:19.840 --> 0:43:22.520
<v Speaker 1>Thank you. All Right, we got about five more minutes,

0:43:22.560 --> 0:43:24.080
<v Speaker 1>so we're gonna try and do is. See, we can't

0:43:24.160 --> 0:43:26.239
<v Speaker 1>rapid fire through as many as we can, so I

0:43:26.280 --> 0:43:27.839
<v Speaker 1>apologize that we can't get to your question. But if

0:43:27.840 --> 0:43:30.239
<v Speaker 1>we don't, like I said, they have booths, you guys

0:43:30.239 --> 0:43:33.160
<v Speaker 1>can come and get your answers personally there. Okay, all right,

0:43:33.239 --> 0:43:37.520
<v Speaker 1>let's start. Um So this is actually for him again

0:43:38.239 --> 0:43:43.360
<v Speaker 1>because he wanted to ask two questions. But um, as Kraiglin,

0:43:43.400 --> 0:43:45.960
<v Speaker 1>when you were playing in Um Door Love and Thunder,

0:43:46.080 --> 0:43:53.280
<v Speaker 1>you married a woman you just met. How's that going good?

0:43:55.160 --> 0:43:59.279
<v Speaker 1>All right? Thank you for your question. Hi, my name

0:43:59.360 --> 0:44:01.680
<v Speaker 1>is Michelle, and this question is more for Scott Cushn.

0:44:01.719 --> 0:44:03.920
<v Speaker 1>You kind of already answered it for the revival. You

0:44:04.000 --> 0:44:05.480
<v Speaker 1>kind of gave it a thumbs down. What do you

0:44:05.520 --> 0:44:08.480
<v Speaker 1>think they could have done differently? Well, like I said,

0:44:08.719 --> 0:44:11.680
<v Speaker 1>you know, honor ed and his passing and all he

0:44:11.800 --> 0:44:14.840
<v Speaker 1>meant to that show. Give it a half to a

0:44:14.920 --> 0:44:17.200
<v Speaker 1>full episode and then the other three or three and

0:44:17.239 --> 0:44:22.000
<v Speaker 1>a half to a big wedding. I don't know. I

0:44:22.080 --> 0:44:27.600
<v Speaker 1>don't know, I don't know. I don't thank you. Okay,

0:44:28.400 --> 0:44:30.840
<v Speaker 1>So I've been watching the show since I was five

0:44:31.040 --> 0:44:34.959
<v Speaker 1>and it's really helped me grow. My question is, UM,

0:44:35.000 --> 0:44:40.080
<v Speaker 1>if the characters were cast two different actors, do you

0:44:40.120 --> 0:44:43.040
<v Speaker 1>think the show would have gone differently or do you

0:44:43.040 --> 0:44:53.080
<v Speaker 1>think no big failure, huge failure? First episode canceled by Hi,

0:44:53.239 --> 0:44:55.520
<v Speaker 1>my name is Isabella. UM. I kind of grew up

0:44:55.560 --> 0:44:57.840
<v Speaker 1>watching you guys as well. My grandma has the biggest

0:44:57.880 --> 0:45:01.920
<v Speaker 1>crush on you, like on Scott Um. My question is,

0:45:01.960 --> 0:45:05.959
<v Speaker 1>even like before um filmmaker roles, what was your first

0:45:05.960 --> 0:45:08.440
<v Speaker 1>impressions on like what did you think, like how it

0:45:08.480 --> 0:45:13.359
<v Speaker 1>would go? If that makes sense. As soon as I

0:45:13.400 --> 0:45:16.680
<v Speaker 1>walked into the room and met Amy and Leslie, Lincoln

0:45:16.719 --> 0:45:21.400
<v Speaker 1>Gladder who was directing the pilot, and Gavin Polone, I

0:45:21.520 --> 0:45:24.840
<v Speaker 1>felt like I had finally, honestly finally walked into the

0:45:24.960 --> 0:45:28.000
<v Speaker 1>right room. Because when you walk into rooms a lot

0:45:28.719 --> 0:45:31.680
<v Speaker 1>and there used to be a designated pilot season back then,

0:45:31.719 --> 0:45:33.799
<v Speaker 1>where it was just a specific amount of time during

0:45:33.840 --> 0:45:36.600
<v Speaker 1>the year where they cast pilots. You walk into a

0:45:36.640 --> 0:45:39.480
<v Speaker 1>lot of rooms and you don't feel comfortable and they're

0:45:39.480 --> 0:45:41.680
<v Speaker 1>not the right people, so that just means it's a

0:45:41.719 --> 0:45:45.480
<v Speaker 1>gut reaction. But with Amy and Gavin and and Leslie,

0:45:45.480 --> 0:45:48.319
<v Speaker 1>it was the right room, so I knew it was

0:45:48.719 --> 0:45:50.680
<v Speaker 1>I kind of almost instinctively knew it was going to

0:45:50.760 --> 0:45:56.239
<v Speaker 1>work out. Yeah, Gimba girls. Well, when I auditioned, I

0:45:56.280 --> 0:45:59.040
<v Speaker 1>was auditioning for a coast, a one day co star

0:45:59.160 --> 0:46:05.840
<v Speaker 1>role to play DSL installer um and I um My.

0:46:05.840 --> 0:46:08.000
<v Speaker 1>My agent at the time wanted me to pass on

0:46:08.040 --> 0:46:11.759
<v Speaker 1>the audition and not go because they because they thought, no,

0:46:11.880 --> 0:46:14.120
<v Speaker 1>you're only doing guest stars. Now, you're not doing co

0:46:14.239 --> 0:46:17.719
<v Speaker 1>stars anymore. And my but my manager was friends with

0:46:18.080 --> 0:46:20.120
<v Speaker 1>Mark Casey, one of the one of the casting directors,

0:46:20.120 --> 0:46:22.399
<v Speaker 1>and said, let's do this favor from R and going

0:46:22.440 --> 0:46:24.360
<v Speaker 1>and read the thing. I'm like, I'm like, I'm not

0:46:24.520 --> 0:46:27.759
<v Speaker 1>too good, Like I'm still struggling actor and I'm like,

0:46:27.800 --> 0:46:29.520
<v Speaker 1>I'm not too good for anything. Let me read the scene.

0:46:29.520 --> 0:46:31.200
<v Speaker 1>If I like the scene, I'll go in and read.

0:46:31.239 --> 0:46:33.399
<v Speaker 1>If it's if I'm saying, you know, can I get

0:46:33.400 --> 0:46:35.440
<v Speaker 1>your cup of coffee and leaving then I won't do it.

0:46:35.600 --> 0:46:36.960
<v Speaker 1>And I and I read the scene, I'm like, oh,

0:46:36.960 --> 0:46:39.520
<v Speaker 1>this is funny, and I understand this material. This is

0:46:39.560 --> 0:46:43.320
<v Speaker 1>like old old school comedy. This is like pressent sturge is.

0:46:43.400 --> 0:46:46.479
<v Speaker 1>It's like, I know exactly how this should work, and

0:46:46.640 --> 0:46:49.920
<v Speaker 1>uh and and it is one of the auditions that

0:46:50.120 --> 0:46:53.399
<v Speaker 1>I I went in and read and read and did

0:46:53.440 --> 0:46:56.520
<v Speaker 1>the scene and I just it was right there. Like

0:46:56.640 --> 0:46:58.279
<v Speaker 1>when I walked out, I was like, you guys can

0:46:58.360 --> 0:47:01.920
<v Speaker 1>go home. I just booked that role. I was there

0:47:01.960 --> 0:47:03.680
<v Speaker 1>when he came out of the room and I went home.

0:47:05.880 --> 0:47:10.280
<v Speaker 1>Thank you. Hi. My name is Amber, And I'm just wondering,

0:47:10.280 --> 0:47:13.960
<v Speaker 1>what's the most awkward or hilarious fan interaction you've ever had,

0:47:17.600 --> 0:47:23.800
<v Speaker 1>if you're legally allowed to share it. There was somebody

0:47:23.840 --> 0:47:26.880
<v Speaker 1>waiting when I bought a house. Finally, in two thousand

0:47:26.880 --> 0:47:31.120
<v Speaker 1>and three, I left my little rent controlled studio apartment

0:47:31.160 --> 0:47:33.960
<v Speaker 1>that was five and fifty a month for all you know,

0:47:34.000 --> 0:47:37.640
<v Speaker 1>with it included everything, and I just I wasn't leaving.

0:47:38.120 --> 0:47:40.040
<v Speaker 1>But my accountant said, well, do you want to write

0:47:40.120 --> 0:47:42.000
<v Speaker 1>this amount of money to the I R S? Or

0:47:42.000 --> 0:47:43.640
<v Speaker 1>do you want to own a house and get the deductions?

0:47:43.680 --> 0:47:46.160
<v Speaker 1>I said, up by a house. So I bought this

0:47:46.239 --> 0:47:48.440
<v Speaker 1>house and it had of this breezeway had it was

0:47:48.480 --> 0:47:51.560
<v Speaker 1>gated head of breezeway. It's very private. And coming home

0:47:51.600 --> 0:47:55.080
<v Speaker 1>from work one night there was a German girl who

0:47:55.120 --> 0:47:58.920
<v Speaker 1>was asleep in my breeze way. Um, and she found

0:47:58.920 --> 0:48:01.719
<v Speaker 1>out obviously where I lived. And you know, I I

0:48:01.760 --> 0:48:03.799
<v Speaker 1>woke her up and I said, are you okay? And

0:48:03.840 --> 0:48:06.640
<v Speaker 1>what's going on? And she started speaking to me. I

0:48:06.640 --> 0:48:09.319
<v Speaker 1>mean all Germans, most Germans learned English growing up, so

0:48:09.360 --> 0:48:11.720
<v Speaker 1>she spoke English and she said, oh, look, look, look look,

0:48:12.480 --> 0:48:14.360
<v Speaker 1>And I said, listen, this is I'm not going to

0:48:14.480 --> 0:48:17.160
<v Speaker 1>call the police and it's not you know, just don't

0:48:17.200 --> 0:48:21.320
<v Speaker 1>do this. This is my private home. Um um. And

0:48:21.400 --> 0:48:24.719
<v Speaker 1>then I said, but do you Mike Schnitzel, come on it. No, no,

0:48:24.960 --> 0:48:29.520
<v Speaker 1>I uh but so she laughed and you know that

0:48:29.719 --> 0:48:32.359
<v Speaker 1>that was probably the most awkward, strange encounter I've had

0:48:32.640 --> 0:48:37.799
<v Speaker 1>so far. They're usually very very pleasant encounters. They're all great,

0:48:37.960 --> 0:48:42.759
<v Speaker 1>you know, thank you mine is um. One of the

0:48:42.800 --> 0:48:46.520
<v Speaker 1>first conventions I did after the after UH Guardians, I

0:48:46.680 --> 0:48:50.919
<v Speaker 1>was with Michael Rooker and a young woman. UM. Yeah,

0:48:51.360 --> 0:48:57.600
<v Speaker 1>you know, I'm I'm I'm sorry. UM. Anyway, but this

0:48:57.840 --> 0:49:02.200
<v Speaker 1>this young woman, UM had rooker and I signed her

0:49:02.440 --> 0:49:04.880
<v Speaker 1>arm and then she came back the next day and

0:49:05.080 --> 0:49:10.759
<v Speaker 1>I had our signature's tattooed on her arm. Okay, did

0:49:10.800 --> 0:49:15.960
<v Speaker 1>you have a German accent? Oh? Yeah, thank you, thank you.

0:49:16.360 --> 0:49:18.880
<v Speaker 1>All right, there's no pressure. But this is unfortunately has

0:49:18.920 --> 0:49:20.520
<v Speaker 1>to be our final question. But we can do it.

0:49:20.640 --> 0:49:23.000
<v Speaker 1>We'll doing fast. We'll doing fast, real fast, real fast,

0:49:23.200 --> 0:49:25.680
<v Speaker 1>real fast. Scott, you've been able to play a lot

0:49:25.719 --> 0:49:27.840
<v Speaker 1>of different roles, not only a romantic lead here on

0:49:28.120 --> 0:49:31.560
<v Speaker 1>More Girls, but you've been a cop on the Sol series.

0:49:31.600 --> 0:49:34.760
<v Speaker 1>You've had all these different roles and somehow you've managed

0:49:34.800 --> 0:49:37.520
<v Speaker 1>to not be typecast. And how in the world did

0:49:37.560 --> 0:49:42.200
<v Speaker 1>you pull it off? Um? I don't know. I just

0:49:42.440 --> 0:49:44.600
<v Speaker 1>I just played the role that I'm given and I

0:49:44.920 --> 0:49:53.000
<v Speaker 1>try to make it real. Answer is talent. Next you

0:49:53.040 --> 0:49:55.320
<v Speaker 1>can do this? Hi, guys, my name's Will. A question

0:49:55.360 --> 0:49:57.080
<v Speaker 1>for both of you. What was it like working with

0:49:57.920 --> 0:50:01.440
<v Speaker 1>ed Herman and Kelly Bishop where they like very demanding

0:50:01.719 --> 0:50:04.719
<v Speaker 1>or um, especially when she was girling loop? What was

0:50:04.800 --> 0:50:10.560
<v Speaker 1>that like? They're both geniuses? Seriously, I mean I don't

0:50:10.600 --> 0:50:13.319
<v Speaker 1>think I like, right? Is there anything else to say

0:50:13.800 --> 0:50:15.840
<v Speaker 1>the first time I worked was working with that, I

0:50:15.960 --> 0:50:18.080
<v Speaker 1>was nervous and I don't get nervous, and it was like,

0:50:18.239 --> 0:50:20.600
<v Speaker 1>I'm working with a legend today at a golf course

0:50:20.640 --> 0:50:25.640
<v Speaker 1>and that was really cool. Yeah, that's great. Next, Hi,

0:50:25.880 --> 0:50:29.160
<v Speaker 1>I'm Sammy. Um I my rush is for both of you.

0:50:29.400 --> 0:50:31.440
<v Speaker 1>I guess Go More Girls has always been a comfort

0:50:31.480 --> 0:50:32.879
<v Speaker 1>show to me, which I think a couple of people

0:50:32.880 --> 0:50:34.600
<v Speaker 1>have said, and I think one of the reasons is

0:50:34.640 --> 0:50:37.640
<v Speaker 1>such a comfort show for people is the sense of

0:50:37.760 --> 0:50:42.080
<v Speaker 1>community because of the like large cast of consistent, like

0:50:42.600 --> 0:50:46.960
<v Speaker 1>smaller characters. I guess that feels very much like a family. Um.

0:50:47.480 --> 0:50:52.400
<v Speaker 1>But that's kind of controversial in real life because people, so,

0:50:52.640 --> 0:50:54.520
<v Speaker 1>would you ever want to live in a small town

0:50:54.600 --> 0:50:56.560
<v Speaker 1>like that where everyone actually like knows your business and

0:50:56.680 --> 0:50:58.719
<v Speaker 1>involved in everything, or would you actually hate to live

0:50:58.760 --> 0:51:02.000
<v Speaker 1>somewhere like that in real life? I would like it, actually,

0:51:02.719 --> 0:51:05.000
<v Speaker 1>But the thing that appeals to me most is just

0:51:05.480 --> 0:51:08.200
<v Speaker 1>first of all, being able to walk everywhere and um

0:51:08.640 --> 0:51:10.839
<v Speaker 1>and just knowing my neighbors. It doesn't mean I want

0:51:10.880 --> 0:51:13.480
<v Speaker 1>him in my business, but like the sense that you

0:51:14.360 --> 0:51:17.160
<v Speaker 1>have an extended family beyond your own home to the

0:51:17.200 --> 0:51:19.640
<v Speaker 1>people that are in your vicinity is something that is

0:51:19.680 --> 0:51:28.719
<v Speaker 1>appealing to me. Yeah, Scott agrees. Next, Hey, fellas my

0:51:28.840 --> 0:51:30.640
<v Speaker 1>question here. I talked about the fact that you came

0:51:30.680 --> 0:51:35.200
<v Speaker 1>in on that one episode, but you had another role

0:51:35.320 --> 0:51:38.680
<v Speaker 1>before you find ended up with Kirk. Can you talked

0:51:38.840 --> 0:51:41.040
<v Speaker 1>talked to us a little bit about that. It really

0:51:41.200 --> 0:51:43.399
<v Speaker 1>was just a matter of Amy forgot that she gave

0:51:43.520 --> 0:51:46.440
<v Speaker 1>my character a name and that first episode because in

0:51:46.520 --> 0:51:49.719
<v Speaker 1>the script he was DSL Installer and so she thought, oh,

0:51:49.760 --> 0:51:51.840
<v Speaker 1>this character doesn't have a name yet, and then a

0:51:51.920 --> 0:51:55.920
<v Speaker 1>few episodes later she had him introduce himself as kirk Um.

0:51:56.320 --> 0:51:59.160
<v Speaker 1>But what about Swan guy, Right, it's the same thing,

0:51:59.320 --> 0:52:02.160
<v Speaker 1>so Swan guy. So it was DSL installer, and then

0:52:02.200 --> 0:52:05.360
<v Speaker 1>it was Swan delivery guy. And then I did the

0:52:05.440 --> 0:52:09.279
<v Speaker 1>episode where where I was Kirk, and in Amy's mind,

0:52:09.360 --> 0:52:11.360
<v Speaker 1>she just hadn't given the character a name yet, and

0:52:11.440 --> 0:52:13.040
<v Speaker 1>then gave him the name of Kirk, not knowing that

0:52:13.080 --> 0:52:15.760
<v Speaker 1>I had introduced myself as Mick in the first episode.

0:52:16.160 --> 0:52:19.520
<v Speaker 1>To me, I was, I was. I thought I would

0:52:19.680 --> 0:52:23.160
<v Speaker 1>like playing sort of the same character, but not exactly,

0:52:23.280 --> 0:52:28.120
<v Speaker 1>like it's some weird you know, like uh interterimensional like

0:52:28.400 --> 0:52:31.759
<v Speaker 1>uh multiverse thing or something like that. Like I didn't know,

0:52:31.920 --> 0:52:34.239
<v Speaker 1>and I was too afraid to ask, so I just

0:52:34.400 --> 0:52:36.360
<v Speaker 1>like I was like, Okay, I'm just gonna roll with it.

0:52:37.040 --> 0:52:39.560
<v Speaker 1>And but you can see Kirk changes a little over

0:52:39.640 --> 0:52:42.080
<v Speaker 1>the course of those first few episodes as I was

0:52:42.200 --> 0:52:45.200
<v Speaker 1>kind of figuring it out. He doesn't really become really

0:52:45.320 --> 0:52:50.279
<v Speaker 1>Kirk until about episode like three or four. Yeah, all right,

0:52:50.360 --> 0:52:55.480
<v Speaker 1>thank you, thank you very much. I don't think there's

0:52:55.480 --> 0:52:57.680
<v Speaker 1>anywhere else to say you definitely yeah, your answers right here.

0:52:57.800 --> 0:53:00.680
<v Speaker 1>They they're definitely happy to see you. Thank you so much.

0:53:00.719 --> 0:53:36.000
<v Speaker 1>Scott Patterson Shotgun, Thank you guys, Thank you guys. Hey everybody,

0:53:36.040 --> 0:53:39.319
<v Speaker 1>and don't forget follow us on Instagram at I Am

0:53:39.440 --> 0:53:43.880
<v Speaker 1>all In podcast and Emailie at Gilmore at I Heart

0:53:44.040 --> 0:53:47.160
<v Speaker 1>radio dot com. Oh you Gilmore fans. If you're looking

0:53:47.160 --> 0:53:48.880
<v Speaker 1>for the best cup of coffee in the world, go

0:53:49.040 --> 0:53:52.759
<v Speaker 1>to my website for my company Scott ep dot com,

0:53:52.920 --> 0:53:55.279
<v Speaker 1>s CEO, t t y P dot com, scotty p

0:53:55.440 --> 0:53:58.520
<v Speaker 1>dot com. Grade one Specialty Coffee