1 00:00:00,000 --> 00:00:02,600 Speaker 1: Hey everybody, Scott Patterson, I am all in podcast. We 2 00:00:02,640 --> 00:00:07,120 Speaker 1: are going to run a panel discussion that I had 3 00:00:07,120 --> 00:00:13,280 Speaker 1: with Sean Gunn at the Galaxy con convention in Raleigh, 4 00:00:13,320 --> 00:00:17,079 Speaker 1: North Carolina a little while ago, and I hope you 5 00:00:17,120 --> 00:00:31,840 Speaker 1: enjoy it. Hello, that's kiss you. I am all in 6 00:00:32,159 --> 00:00:36,960 Speaker 1: with Scott Patterson and I Hurt Radio podcast. Ladies and gentlemen, 7 00:00:37,440 --> 00:00:59,920 Speaker 1: Sean gun Scott Patterson. But come we're guys y. Hi everybody. Hi, Hello, gentlemen. 8 00:01:00,040 --> 00:01:03,600 Speaker 1: How has your weekend been so far? It's busy, We're busy. 9 00:01:03,880 --> 00:01:06,640 Speaker 1: Good to be in uh Raleigh, Durham, that's for sure. 10 00:01:07,400 --> 00:01:09,920 Speaker 1: It's been forty one year since I've been in Durham. 11 00:01:09,959 --> 00:01:14,679 Speaker 1: I was a former Durham bulle and it's nice to 12 00:01:14,720 --> 00:01:19,399 Speaker 1: be back and see all these smiling faces. That's cool. Yeah, 13 00:01:19,400 --> 00:01:22,920 Speaker 1: I like being here. I was at a convention here 14 00:01:23,600 --> 00:01:25,679 Speaker 1: like five like six years ago, maybe five or six 15 00:01:25,760 --> 00:01:30,200 Speaker 1: years ago, um, and haven't been back since. But it's wonderful. Um. 16 00:01:30,240 --> 00:01:32,880 Speaker 1: I just got in. I can't wait to explore the 17 00:01:32,920 --> 00:01:37,880 Speaker 1: city a little more. But it's been great, awesome. Wait, 18 00:01:37,920 --> 00:01:42,440 Speaker 1: we're happy to have you guys. Uh. So we'll kind 19 00:01:42,440 --> 00:01:44,280 Speaker 1: of get into it. We kind of have to. That's 20 00:01:44,319 --> 00:01:48,360 Speaker 1: the whole point of this um Gilmore Girls cult phenomenon 21 00:01:48,480 --> 00:01:53,680 Speaker 1: that spans gender age. It's just it's like the show 22 00:01:53,760 --> 00:01:57,400 Speaker 1: that just tapped into a vein that television I think 23 00:01:57,400 --> 00:02:01,360 Speaker 1: almost didn't really expect. Um. Did you guys know that 24 00:02:01,920 --> 00:02:04,040 Speaker 1: right off the page? Did it come to you? Was 25 00:02:04,080 --> 00:02:09,720 Speaker 1: that a parent? Yeah? It was unusually um, you know, 26 00:02:09,800 --> 00:02:12,680 Speaker 1: I don't refer to it as sticky. You know, Amy 27 00:02:13,200 --> 00:02:16,320 Speaker 1: grew up with a father who was a stand up comic, 28 00:02:16,400 --> 00:02:20,399 Speaker 1: and she had all of these legends in her living room, 29 00:02:20,760 --> 00:02:24,800 Speaker 1: Don Rickles and Dom DeLuise and all the leading comedians 30 00:02:24,800 --> 00:02:28,480 Speaker 1: of the day. So and and extends itself into Mazel 31 00:02:28,960 --> 00:02:32,080 Speaker 1: where the character is it's like, get over it already. 32 00:02:32,120 --> 00:02:34,440 Speaker 1: Amy write a show about a stand up comic that's 33 00:02:34,440 --> 00:02:38,960 Speaker 1: a woman, and she did in Gilmore Girls too, because 34 00:02:39,080 --> 00:02:43,040 Speaker 1: Laurela is basically a stand up comic. Because and and 35 00:02:43,080 --> 00:02:45,840 Speaker 1: a lot of other people on the show, Sean being 36 00:02:46,080 --> 00:02:49,040 Speaker 1: one of them, uh and one of the finest physical 37 00:02:49,160 --> 00:02:57,040 Speaker 1: comedians that I've seen, um and unsung, and that aggravates me, 38 00:02:57,080 --> 00:03:00,440 Speaker 1: which is why I have a podcast. And uh, here's 39 00:03:00,440 --> 00:03:02,960 Speaker 1: a secret. I asked Seawan to be my co host. 40 00:03:03,080 --> 00:03:05,120 Speaker 1: But he was, he's so busy being a movie star 41 00:03:05,200 --> 00:03:11,200 Speaker 1: he can't do it, and God bless him, God bless him. Um. 42 00:03:11,240 --> 00:03:14,800 Speaker 1: But I think I think that's unique in any type 43 00:03:14,800 --> 00:03:19,560 Speaker 1: of uh television endeavor where the lead character is just 44 00:03:19,600 --> 00:03:21,959 Speaker 1: doing joke after joke after joke after to joke after 45 00:03:22,080 --> 00:03:25,440 Speaker 1: joke and it kind of makes sense, you know, it's 46 00:03:25,480 --> 00:03:28,440 Speaker 1: not too far afield. So I think that's the secret 47 00:03:28,440 --> 00:03:32,400 Speaker 1: power of the show, amongst all the other obvious reasons. Um, 48 00:03:32,440 --> 00:03:34,600 Speaker 1: But to put it in a sort of uh, you know, 49 00:03:34,639 --> 00:03:37,560 Speaker 1: a sort of a family drama of that kind of 50 00:03:37,600 --> 00:03:41,320 Speaker 1: depth and power and meaning, and especially in a Daniel 51 00:03:41,320 --> 00:03:45,400 Speaker 1: Palladino written episode, I'm finding a pattern where it's everything 52 00:03:45,520 --> 00:03:48,280 Speaker 1: is light and funny and charming, and then at the 53 00:03:48,360 --> 00:03:52,520 Speaker 1: end there's a heavy moment um and he really just 54 00:03:52,680 --> 00:03:54,839 Speaker 1: rips your heart out with it. So I just think 55 00:03:54,880 --> 00:04:01,160 Speaker 1: the writing is unusually uh um powerful, but it's but 56 00:04:01,280 --> 00:04:03,960 Speaker 1: you get to enjoy this all these great jokes. So 57 00:04:04,000 --> 00:04:07,360 Speaker 1: I think that's the uniqueness of it. Yeah, I that's 58 00:04:07,400 --> 00:04:11,200 Speaker 1: interesting calling Lorelia a stand up. It's true, there's it 59 00:04:11,280 --> 00:04:14,160 Speaker 1: really is. There's just a lot there's a large element 60 00:04:14,200 --> 00:04:17,839 Speaker 1: of that, um, you know, Scott was with the show 61 00:04:17,880 --> 00:04:21,000 Speaker 1: from the the very very top, and I came in 62 00:04:21,120 --> 00:04:23,040 Speaker 1: a little bit later. I was on the first episode 63 00:04:23,080 --> 00:04:27,520 Speaker 1: after the pilot. Um and uh. And I didn't know. 64 00:04:27,640 --> 00:04:30,080 Speaker 1: I didn't know anything about the show and I had 65 00:04:30,160 --> 00:04:32,640 Speaker 1: no idea whether it would be successful or not. I 66 00:04:32,680 --> 00:04:34,359 Speaker 1: think if you ask me then I probably would have 67 00:04:34,400 --> 00:04:38,919 Speaker 1: guessed no. Um, but I don't. But not because of 68 00:04:39,600 --> 00:04:43,839 Speaker 1: but but but partially just because I didn't. I didn't 69 00:04:43,920 --> 00:04:48,480 Speaker 1: quite see where it fit, you know. And it was like, um, 70 00:04:49,320 --> 00:04:52,520 Speaker 1: like you can tell by when they were award nominations 71 00:04:52,520 --> 00:04:54,440 Speaker 1: in the first year, it was up for comedy and 72 00:04:54,440 --> 00:04:57,000 Speaker 1: then they changed it to drama or something like that, 73 00:04:57,120 --> 00:04:59,200 Speaker 1: and like the and and and it was like, oh, 74 00:04:59,240 --> 00:05:01,800 Speaker 1: this show doesn't know exactly what it is, which I 75 00:05:01,800 --> 00:05:04,760 Speaker 1: thought at the time might hurt it. But it turns out, 76 00:05:04,839 --> 00:05:07,160 Speaker 1: and we've seen this in television, that audience has had 77 00:05:07,279 --> 00:05:09,600 Speaker 1: much more of a taste for that than people knew. 78 00:05:09,920 --> 00:05:11,480 Speaker 1: So that turned out to be actually one of the 79 00:05:11,480 --> 00:05:13,960 Speaker 1: big strengths of the show, that it that it was 80 00:05:14,360 --> 00:05:16,919 Speaker 1: that it did both, that it really was you know, 81 00:05:17,000 --> 00:05:19,559 Speaker 1: as you were just talking about it would be funny 82 00:05:19,560 --> 00:05:21,839 Speaker 1: and then heavy and it would kind of go back 83 00:05:21,880 --> 00:05:26,640 Speaker 1: and forth, but um, but I really the thing is 84 00:05:26,640 --> 00:05:31,360 Speaker 1: is that you know, great writing will always shine through, 85 00:05:31,640 --> 00:05:35,040 Speaker 1: it will always rise to the rise to the surface 86 00:05:35,120 --> 00:05:37,800 Speaker 1: and and make something really good and this and the 87 00:05:37,880 --> 00:05:41,760 Speaker 1: writing on the show is terrific, so um so looking back, 88 00:05:41,960 --> 00:05:44,640 Speaker 1: I think, I think me now would read it and say, oh, 89 00:05:44,680 --> 00:05:47,159 Speaker 1: this is a surefire hit because the writing is great 90 00:05:47,240 --> 00:05:50,880 Speaker 1: and that's really all you need. Um. But it's been 91 00:05:50,880 --> 00:05:55,560 Speaker 1: a hell of a ride when I just um, elaborate 92 00:05:55,600 --> 00:05:58,279 Speaker 1: a little bit, um and I know we have other questions. 93 00:05:58,320 --> 00:06:00,799 Speaker 1: But when I got on this set for the first 94 00:06:00,800 --> 00:06:04,159 Speaker 1: time in Toronto, in Unionville, where we shot the pilot, 95 00:06:04,560 --> 00:06:06,880 Speaker 1: I went a little bit early because I wanted to 96 00:06:06,880 --> 00:06:08,760 Speaker 1: sort of check out Luke's Diner and what it was 97 00:06:08,800 --> 00:06:10,560 Speaker 1: going to be all about, and spent a little time 98 00:06:10,560 --> 00:06:13,040 Speaker 1: in it, and Lauren and Alexis were sitting there rehearsing 99 00:06:13,040 --> 00:06:16,600 Speaker 1: a scene in the diner, and the chemistry between them 100 00:06:16,640 --> 00:06:19,120 Speaker 1: was so good and so easy and so free that 101 00:06:19,160 --> 00:06:22,120 Speaker 1: I thought, boy, this is this, This might be something, 102 00:06:22,680 --> 00:06:25,239 Speaker 1: you know. And then I remember having a conversation with Lauren. 103 00:06:25,320 --> 00:06:27,400 Speaker 1: Amy would have a Christmas party every year at our 104 00:06:27,400 --> 00:06:34,080 Speaker 1: house is massive palitial estate. Um, And I remember having 105 00:06:34,080 --> 00:06:37,120 Speaker 1: a conversation with with Lauren at that party, you know, 106 00:06:37,160 --> 00:06:38,600 Speaker 1: what do you think it's how long you think it's 107 00:06:38,600 --> 00:06:41,159 Speaker 1: gonna go? And we both kind of agreed that it 108 00:06:41,160 --> 00:06:43,440 Speaker 1: would we would go at least five years. So that 109 00:06:43,560 --> 00:06:46,200 Speaker 1: was my gut reaction that it was gonna We're gonna 110 00:06:46,279 --> 00:06:48,800 Speaker 1: get over a hundred episodes. We're gonna get the cake. 111 00:06:49,440 --> 00:06:51,480 Speaker 1: See the executives come out of their suits and give 112 00:06:51,480 --> 00:06:54,159 Speaker 1: you a cake. If you get a hundred episodes, you know, 113 00:06:54,240 --> 00:06:58,000 Speaker 1: it's like congratulations for your hundred episodes, you know, because 114 00:06:58,040 --> 00:07:02,120 Speaker 1: so few get two hundred episode odes um and and 115 00:07:02,200 --> 00:07:08,039 Speaker 1: so our show amazingly paid for all of their duds. 116 00:07:08,200 --> 00:07:12,200 Speaker 1: They lost money on um UM, but very grateful to 117 00:07:12,200 --> 00:07:13,920 Speaker 1: be a part of it. Um. But yeah, I thought 118 00:07:13,960 --> 00:07:16,600 Speaker 1: it would go about five I remember at the time 119 00:07:16,640 --> 00:07:19,160 Speaker 1: that Will and Grace had gone a hundred episodes and 120 00:07:19,200 --> 00:07:21,000 Speaker 1: all of the all of the actors on the show 121 00:07:21,040 --> 00:07:25,320 Speaker 1: got mercedes to celebrate like that. The network gave them 122 00:07:25,360 --> 00:07:28,200 Speaker 1: as a gift, gave them mercedes, and I'm like, I 123 00:07:28,200 --> 00:07:30,400 Speaker 1: wonder what we're gonna get and I think I got 124 00:07:30,400 --> 00:07:41,960 Speaker 1: an actual tote bag. Oh w B. I mean they 125 00:07:41,960 --> 00:07:45,040 Speaker 1: didn't they just didn't have the budget, you know, God 126 00:07:45,040 --> 00:07:49,720 Speaker 1: bless even a bracelet like a cubic zirconium or something 127 00:07:51,360 --> 00:07:57,680 Speaker 1: and a picture of a car. Yeah right, yeah, Uh, 128 00:07:57,760 --> 00:07:59,320 Speaker 1: well looks like we actually have a question. Let's go 129 00:07:59,320 --> 00:08:02,280 Speaker 1: ahead and go ahead and see we have what's your name? Naomi? 130 00:08:02,960 --> 00:08:05,400 Speaker 1: And I'm enjoying it for a second time watching this 131 00:08:05,440 --> 00:08:07,480 Speaker 1: show with my daughter who was fourteen, So it's a 132 00:08:07,560 --> 00:08:09,560 Speaker 1: lot of fun for me. But to piggyback on what 133 00:08:09,600 --> 00:08:13,600 Speaker 1: you were saying, the banter of the episode is fast paced. 134 00:08:13,680 --> 00:08:18,200 Speaker 1: How often oh I started a line? Now, how many 135 00:08:18,320 --> 00:08:24,960 Speaker 1: takes would it take to get through a typical scene? Uh? 136 00:08:25,040 --> 00:08:29,600 Speaker 1: It varied, but you know, we we had to do 137 00:08:29,640 --> 00:08:33,200 Speaker 1: a lot of takes because it was Um. First of all, 138 00:08:33,240 --> 00:08:37,280 Speaker 1: we shot right next to an airport, um and often 139 00:08:37,320 --> 00:08:40,840 Speaker 1: outside Uh we're right right by Burbank Airport, which is funny. 140 00:08:41,000 --> 00:08:44,440 Speaker 1: But also, you know, the pattern and the rhythm of 141 00:08:44,440 --> 00:08:49,360 Speaker 1: the show is very specific and every thing had to 142 00:08:49,400 --> 00:08:53,560 Speaker 1: be verbatim. Uh and so and if it wasn't, we 143 00:08:53,600 --> 00:08:57,480 Speaker 1: would do it again. Um. And it's in the moment 144 00:08:57,640 --> 00:09:00,600 Speaker 1: it feels, you know, when you're working really long hours 145 00:09:00,600 --> 00:09:05,360 Speaker 1: and whatever, it can be like damn it really you know, Um, 146 00:09:05,400 --> 00:09:09,160 Speaker 1: but but it it. But when you see it in retrospect, 147 00:09:09,240 --> 00:09:11,600 Speaker 1: it had to be that way like it had. The 148 00:09:11,640 --> 00:09:14,280 Speaker 1: show had to work the way that it that it worked. 149 00:09:14,320 --> 00:09:18,240 Speaker 1: It's like a it's like a the Rupe Goldberg machine 150 00:09:18,360 --> 00:09:19,959 Speaker 1: or something like that. I was gonna say, it's a 151 00:09:20,040 --> 00:09:24,240 Speaker 1: precision machine. Yeah, it absolutely, Yeah, And so sometimes it 152 00:09:24,280 --> 00:09:26,200 Speaker 1: would take a lot, it would it would take a 153 00:09:26,200 --> 00:09:29,440 Speaker 1: long time, but we generally knew our lines, so it 154 00:09:29,520 --> 00:09:33,880 Speaker 1: was all right. We had one director who will remain nameless, 155 00:09:33,880 --> 00:09:37,120 Speaker 1: who was very good director, really knew where to put 156 00:09:37,120 --> 00:09:41,120 Speaker 1: the camera, which is half the battle um. And we 157 00:09:41,200 --> 00:09:43,560 Speaker 1: referred to that director as take it in mic take 158 00:09:44,440 --> 00:09:47,560 Speaker 1: because we did so many takes with that director. And 159 00:09:47,600 --> 00:09:50,520 Speaker 1: I think that that Jess remember when I pushed Jess 160 00:09:50,520 --> 00:09:52,600 Speaker 1: in the lake, Well, there's a walk and talk before 161 00:09:52,679 --> 00:09:57,680 Speaker 1: that scene. We shot that thirty times. Yeah, yeahs where 162 00:09:57,679 --> 00:10:03,000 Speaker 1: your Mercedes win you're in and all on tape. There 163 00:10:03,080 --> 00:10:05,320 Speaker 1: was a there's a there's a long walk through the 164 00:10:06,160 --> 00:10:12,240 Speaker 1: um through the fake snow and season one that's like 165 00:10:12,360 --> 00:10:15,600 Speaker 1: every like all these towns people is probably the it 166 00:10:15,720 --> 00:10:18,400 Speaker 1: was probably the fourth episode I did, maybe fourth or 167 00:10:18,440 --> 00:10:23,040 Speaker 1: fifth and uh and yeah, that was it was after 168 00:10:23,160 --> 00:10:26,760 Speaker 1: midnight and it was and I think we I think 169 00:10:26,760 --> 00:10:29,480 Speaker 1: we did over forty takes of that of that shot, 170 00:10:29,640 --> 00:10:31,560 Speaker 1: and it was long and all the way through, and 171 00:10:31,600 --> 00:10:34,080 Speaker 1: it was like and that fake snow is not that 172 00:10:34,160 --> 00:10:39,800 Speaker 1: fake snow is like made of of shredded paper. Finally 173 00:10:39,800 --> 00:10:45,080 Speaker 1: shredded paper, which, um, you know, I hope, I hope 174 00:10:45,160 --> 00:10:50,600 Speaker 1: it didn't have any long term health Yeah, right, padding 175 00:10:52,920 --> 00:10:58,040 Speaker 1: fake snow long. I guys, love you both very much, 176 00:10:58,160 --> 00:11:01,040 Speaker 1: love you back. I would love to know what was 177 00:11:01,160 --> 00:11:04,360 Speaker 1: the best and worst advice you got when you were 178 00:11:04,360 --> 00:11:09,360 Speaker 1: starting out as an actor. Best advice on it for 179 00:11:09,520 --> 00:11:20,560 Speaker 1: TV acting is stumble, uh come in talking, which means 180 00:11:20,600 --> 00:11:26,320 Speaker 1: no your lines cold. And the worst advice uh hold 181 00:11:26,320 --> 00:11:28,440 Speaker 1: that thought. I'll do best advice too, because I also 182 00:11:28,480 --> 00:11:31,600 Speaker 1: can't think of worst advice yet. But I think I 183 00:11:31,640 --> 00:11:34,640 Speaker 1: think for me, the best advice is prepare your audition 184 00:11:34,679 --> 00:11:38,200 Speaker 1: as though you've already gotten the job, um, so that 185 00:11:38,280 --> 00:11:41,040 Speaker 1: you're not. I think it's a very very common mistake 186 00:11:41,360 --> 00:11:44,679 Speaker 1: for actors to be like, I just tell me what 187 00:11:44,720 --> 00:11:47,880 Speaker 1: you want and I'll do that, and they think that 188 00:11:47,880 --> 00:11:50,240 Speaker 1: that it's up to somebody else to like to like 189 00:11:50,440 --> 00:11:53,040 Speaker 1: let them know how they're supposed to be UM playing 190 00:11:53,040 --> 00:11:54,600 Speaker 1: a scene when it's just you got to just kind 191 00:11:54,600 --> 00:11:57,080 Speaker 1: of decide and go for it, and then you're either 192 00:11:57,280 --> 00:12:01,240 Speaker 1: right for it or you're not. Generally Um take over 193 00:12:01,280 --> 00:12:06,400 Speaker 1: the room, flip the psychology. You gotta understand something. If 194 00:12:06,440 --> 00:12:10,800 Speaker 1: they're seeing us, you know, they're making offers to names, 195 00:12:11,440 --> 00:12:16,439 Speaker 1: and they're not getting callbacks from their big powerful agents 196 00:12:16,440 --> 00:12:19,280 Speaker 1: in there piste off, and they don't want to see you. 197 00:12:20,200 --> 00:12:22,920 Speaker 1: They're not interested in seeing you. There's twenty of me, 198 00:12:23,040 --> 00:12:26,760 Speaker 1: there's forty of me. They don't care. So you gotta 199 00:12:26,800 --> 00:12:30,520 Speaker 1: do something to get their attention, you know, And that 200 00:12:30,520 --> 00:12:33,280 Speaker 1: that actually I actually did that and it worked. I 201 00:12:33,320 --> 00:12:36,440 Speaker 1: got the job. I believe it. And yeah I was 202 00:12:36,520 --> 00:12:38,719 Speaker 1: just I had an opening for a good line there. 203 00:12:38,760 --> 00:12:41,199 Speaker 1: But but no, He's right, it is you have to 204 00:12:41,520 --> 00:12:44,080 Speaker 1: uh it's like it's it's there always has to be 205 00:12:44,160 --> 00:12:46,480 Speaker 1: something that's going to to single you out. Although what 206 00:12:46,520 --> 00:12:48,079 Speaker 1: I was gonna say is the funny thing is that 207 00:12:48,240 --> 00:12:50,880 Speaker 1: a lot of that that advice is obsolete now because 208 00:12:50,880 --> 00:12:54,560 Speaker 1: nothing's in the room anymore. Everything's on tape. Everything is 209 00:12:54,600 --> 00:12:56,640 Speaker 1: on tape, on tape. All your auditions are on tape. 210 00:12:56,760 --> 00:13:03,680 Speaker 1: Which is I'm going to do that on tape. That's funny. 211 00:13:05,040 --> 00:13:08,400 Speaker 1: Start your tape with can I have a minute? You 212 00:13:08,559 --> 00:13:12,480 Speaker 1: don't ask, you just just turn your back on it. 213 00:13:13,679 --> 00:13:15,679 Speaker 1: I should have done that with the Natalie Portman thing. 214 00:13:15,679 --> 00:13:18,839 Speaker 1: I would have gotten it. Damn, they're just watching the 215 00:13:18,920 --> 00:13:21,960 Speaker 1: room like, is this the last known video of Scott Patterson? 216 00:13:23,280 --> 00:13:31,040 Speaker 1: What's happening? Yeah? Hi? What's your name? Hi? Sorry, my 217 00:13:31,120 --> 00:13:33,560 Speaker 1: name is Sophia UM. I think you both are really awesome. 218 00:13:33,600 --> 00:13:37,160 Speaker 1: But my questions for Scott um with Jess. He was 219 00:13:37,160 --> 00:13:41,400 Speaker 1: supposed to get a reboot for his own show. Were 220 00:13:41,440 --> 00:13:45,040 Speaker 1: you in any part of that? Would you want to 221 00:13:45,080 --> 00:13:46,760 Speaker 1: be in any part of that? If he was able 222 00:13:46,800 --> 00:13:48,880 Speaker 1: to get one. I know it was just rumored. This 223 00:13:48,920 --> 00:13:52,439 Speaker 1: was like forever ago, but I think after season three 224 00:13:52,960 --> 00:13:55,120 Speaker 1: they were thinking about it. When he was in California. 225 00:13:55,360 --> 00:13:59,560 Speaker 1: He did. He did get his own show. They filmed 226 00:13:59,559 --> 00:14:03,040 Speaker 1: a pie that he did a pilot with Um rob 227 00:14:03,280 --> 00:14:07,280 Speaker 1: Estes and it did. It didn't fly. I didn't get 228 00:14:07,320 --> 00:14:14,560 Speaker 1: picked up, So then where did it go? I wanted that? Yes, Scott, 229 00:14:16,720 --> 00:14:21,960 Speaker 1: let me look, I might be in my wallet. If 230 00:14:22,040 --> 00:14:25,240 Speaker 1: Jack Warner a call, will you Scott? It's not in there? 231 00:14:25,560 --> 00:14:27,200 Speaker 1: I don't know. I wish it was. That would be 232 00:14:27,240 --> 00:14:30,800 Speaker 1: really awesome. But I just I mean, just as top 233 00:14:30,840 --> 00:14:32,800 Speaker 1: tier favorites. That's why I was kind of like, that's 234 00:14:32,800 --> 00:14:34,280 Speaker 1: a shame and not didn't rupt you, but it's a 235 00:14:34,320 --> 00:14:37,320 Speaker 1: shame because he's struggling so much now as an actor. 236 00:14:37,720 --> 00:14:40,800 Speaker 1: He can't seem to find any work. He looks like 237 00:14:40,840 --> 00:14:44,480 Speaker 1: he's having fun though, That's what matters, right, whatever happened, 238 00:14:44,960 --> 00:14:50,960 Speaker 1: I don't know, just poor Milo. Yeah, a few other 239 00:14:51,000 --> 00:14:52,800 Speaker 1: actors too. What's the name of the woman who played 240 00:14:52,840 --> 00:14:56,400 Speaker 1: Suki God I think I know it was. It was 241 00:14:56,840 --> 00:15:05,360 Speaker 1: Martina something McConnelly, Molly McConnelly, right, who, thank you so much, 242 00:15:05,760 --> 00:15:12,400 Speaker 1: very very welcome. Like I'm Robert Um. I really love 243 00:15:12,480 --> 00:15:15,040 Speaker 1: Give More Worlds. I watched it when I was younger, 244 00:15:15,960 --> 00:15:19,640 Speaker 1: watched at least two times now actually, So my question 245 00:15:19,760 --> 00:15:24,240 Speaker 1: for Sean as Kirk, what was your favorite role of 246 00:15:25,400 --> 00:15:30,200 Speaker 1: doing his job? Like? What job was your pharaoh? You know? 247 00:15:30,640 --> 00:15:33,800 Speaker 1: The interesting thing is like in life, my favorite stuff 248 00:15:33,840 --> 00:15:36,560 Speaker 1: was when I'm not working, so like I love the 249 00:15:37,120 --> 00:15:39,840 Speaker 1: you know, like my favorite all my favorite Kirk episodes 250 00:15:39,880 --> 00:15:42,560 Speaker 1: are like the one where where Kirk plays Tavia and 251 00:15:42,600 --> 00:15:45,400 Speaker 1: Fiddler on the roof and the one where he's Jesus, 252 00:15:45,400 --> 00:15:49,320 Speaker 1: and the Festival of a Living Art and uh, you know, 253 00:15:49,440 --> 00:15:52,160 Speaker 1: like searching for the eggs and the I don't know 254 00:15:52,200 --> 00:15:55,480 Speaker 1: if any of those are actual jobs, but um, I 255 00:15:55,520 --> 00:16:02,080 Speaker 1: did really enjoy uh announcing the hockey game as a job, 256 00:16:03,280 --> 00:16:08,640 Speaker 1: only because there's some you know, egotistical part of my 257 00:16:08,680 --> 00:16:10,920 Speaker 1: own psyche that believes that I would have been a 258 00:16:10,920 --> 00:16:13,320 Speaker 1: really good sports announcer had I put my mountain, had 259 00:16:13,360 --> 00:16:15,760 Speaker 1: I put my mind to it, and and I got 260 00:16:15,800 --> 00:16:22,120 Speaker 1: to sit down all day at work. So thank you. First, 261 00:16:22,160 --> 00:16:24,360 Speaker 1: I wanted to say thank you. I met you yesterday. 262 00:16:24,480 --> 00:16:26,200 Speaker 1: I was in a totally different get up, so you 263 00:16:26,280 --> 00:16:30,960 Speaker 1: might not recognize me. What did your point to Scott? Hi, 264 00:16:33,160 --> 00:16:35,960 Speaker 1: I was a mathematician. You were very nice. I think 265 00:16:35,960 --> 00:16:37,920 Speaker 1: Gilmore Girls means a lot to a lot of people, 266 00:16:37,960 --> 00:16:40,160 Speaker 1: so I really was grateful that you talked to me. 267 00:16:40,680 --> 00:16:43,640 Speaker 1: Uh And congrats on terminal list. That was amazing. Thank you. 268 00:16:43,840 --> 00:16:47,680 Speaker 1: But my question is, um, what were the friendships that 269 00:16:47,720 --> 00:16:49,360 Speaker 1: you formed on the show. It's a really long show, 270 00:16:49,400 --> 00:16:51,240 Speaker 1: imagine a lot of friendships, and what was it like 271 00:16:51,360 --> 00:16:58,240 Speaker 1: forming those friendships? Any favorite memories? I mean, my friendship 272 00:16:58,280 --> 00:17:02,240 Speaker 1: with Seawan is going in twenty two years now, and uh, 273 00:17:02,280 --> 00:17:07,840 Speaker 1: it just keeps getting better and better. You know it's true. Yeah, 274 00:17:07,960 --> 00:17:11,280 Speaker 1: and others and you know it's yeah. I mean I 275 00:17:11,280 --> 00:17:16,880 Speaker 1: think there's a part of us You're gonna on some level, Um, 276 00:17:18,440 --> 00:17:22,359 Speaker 1: you're gonna be sort of friendly with everybody forever, like 277 00:17:22,400 --> 00:17:24,200 Speaker 1: if you It's like, there are people I haven't seen 278 00:17:24,240 --> 00:17:26,480 Speaker 1: in ten years. But if I saw him and be 279 00:17:26,520 --> 00:17:29,440 Speaker 1: oh my god, and you get my hugging and catch 280 00:17:29,560 --> 00:17:31,040 Speaker 1: up and see what we see what they're up to. 281 00:17:31,119 --> 00:17:33,159 Speaker 1: But yeah, I'm friends with Scott and I'm friends with 282 00:17:33,800 --> 00:17:43,280 Speaker 1: um Sebastian Bach, I'd run the other way. He's like, right, um, 283 00:17:43,320 --> 00:17:46,240 Speaker 1: and I'm I'm I'm friends now with Amy and Dan 284 00:17:46,280 --> 00:17:48,680 Speaker 1: in a way that I wasn't then. Really, I think 285 00:17:48,960 --> 00:17:50,919 Speaker 1: they scared me when I was a young actor, and 286 00:17:51,000 --> 00:17:54,800 Speaker 1: now I think I think that I know them a 287 00:17:54,800 --> 00:17:59,320 Speaker 1: little better. Um Uh. John Cabrero, who's who played Brian, 288 00:17:59,400 --> 00:18:02,159 Speaker 1: has been one of my closest friends since college, so 289 00:18:02,200 --> 00:18:06,520 Speaker 1: that actually pre dates Gilmore Girls and Keiko and I 290 00:18:06,520 --> 00:18:08,679 Speaker 1: are good friends anyway. But you know, I don't know, 291 00:18:08,840 --> 00:18:15,280 Speaker 1: it's They're all great. Thank you, Hi, um Sean. I 292 00:18:15,320 --> 00:18:18,800 Speaker 1: love your pants They're awesome. Thank you. Um, I just 293 00:18:18,880 --> 00:18:22,240 Speaker 1: had a question about I think the there was some 294 00:18:22,359 --> 00:18:25,080 Speaker 1: mixed reviews about the ending of Gilmore Girls, and I 295 00:18:25,119 --> 00:18:28,560 Speaker 1: wanted to see what your thoughts were, if you liked 296 00:18:28,600 --> 00:18:31,240 Speaker 1: the ending, if you wanted it to continue, or how 297 00:18:31,440 --> 00:18:36,879 Speaker 1: how you liked where it ended up originally or in 298 00:18:36,920 --> 00:18:42,520 Speaker 1: the in the after we did the A year in 299 00:18:42,520 --> 00:18:46,399 Speaker 1: the for a year in the Life. You mean, I 300 00:18:46,400 --> 00:18:48,679 Speaker 1: don't know, what do you think. I don't like what 301 00:18:48,720 --> 00:19:01,360 Speaker 1: they did to Rory. I I can I get a hallelujah, hallellujah. 302 00:19:01,400 --> 00:19:04,160 Speaker 1: I think you respect ed herman. You give him half 303 00:19:04,240 --> 00:19:08,119 Speaker 1: the first episode two mourn and to go through that process, 304 00:19:08,160 --> 00:19:10,199 Speaker 1: and then you do three and a half episodes of 305 00:19:10,240 --> 00:19:13,359 Speaker 1: a huge wedding, and I just it's for me. It 306 00:19:13,440 --> 00:19:15,840 Speaker 1: was a big missed opportunity to sort of introduce all 307 00:19:15,880 --> 00:19:21,920 Speaker 1: of those machinations and shenanigans that would have occurred, uh 308 00:19:22,040 --> 00:19:24,800 Speaker 1: the run up to the everybody behind schedule and screwing 309 00:19:24,880 --> 00:19:26,760 Speaker 1: up and falling in. I mean, it just would have 310 00:19:26,760 --> 00:19:30,280 Speaker 1: been great. Um, And I think the fans really deserve 311 00:19:30,400 --> 00:19:33,320 Speaker 1: something that was that on the nose, because Amy and 312 00:19:33,400 --> 00:19:36,560 Speaker 1: Dan don't write things that are on the nose. They 313 00:19:36,600 --> 00:19:40,040 Speaker 1: they they go big when you expect them to go small, 314 00:19:40,080 --> 00:19:42,320 Speaker 1: and vice versa. So that's kind of the beauty of 315 00:19:42,320 --> 00:19:45,760 Speaker 1: what they do. One of the aspects of what they do, UM, 316 00:19:45,800 --> 00:19:49,080 Speaker 1: that few people do. UM. But I think in that 317 00:19:49,200 --> 00:19:52,359 Speaker 1: situation it was warranted because it was just so obvious 318 00:19:53,040 --> 00:19:55,480 Speaker 1: what the fans wanted. And I just think that was 319 00:19:55,520 --> 00:19:57,120 Speaker 1: the time you got to give the fans what they want. 320 00:19:57,119 --> 00:20:01,320 Speaker 1: And maybe they will I don't know eventually. So those 321 00:20:01,359 --> 00:20:08,600 Speaker 1: are my two main points. I and I get all. 322 00:20:09,359 --> 00:20:12,480 Speaker 1: I Yeah, I don't. I kind of a difficult time 323 00:20:12,920 --> 00:20:18,240 Speaker 1: sometimes being sort of uh critical, you know, in the 324 00:20:18,359 --> 00:20:21,520 Speaker 1: in the non pejorative sense of the word, like really 325 00:20:21,520 --> 00:20:24,600 Speaker 1: being able to sort of judge what when I'm in 326 00:20:24,760 --> 00:20:27,640 Speaker 1: something like that when I'm so close to it. Um, 327 00:20:27,920 --> 00:20:30,720 Speaker 1: I tend to know by the audience reaction, like if 328 00:20:30,760 --> 00:20:34,919 Speaker 1: everybody hates it, it was probably a problem, you know, 329 00:20:35,520 --> 00:20:39,800 Speaker 1: Game of Thrones, um. But if but if every and 330 00:20:39,840 --> 00:20:41,959 Speaker 1: if everyone likes it, it was it was a good decision, 331 00:20:41,960 --> 00:20:43,960 Speaker 1: whether I thought so at the time or not. UM, 332 00:20:44,560 --> 00:20:47,760 Speaker 1: I don't know, really, I know I was sort of 333 00:20:47,800 --> 00:20:52,520 Speaker 1: felt like the original ending of the series when we 334 00:20:52,520 --> 00:20:55,919 Speaker 1: were done in two thousand seven, was so unsatisfying personally 335 00:20:55,960 --> 00:20:58,040 Speaker 1: because we weren't even sure it was ending. I mean, 336 00:20:58,119 --> 00:21:01,080 Speaker 1: maybe you know, it was like it was like a 337 00:21:01,200 --> 00:21:04,960 Speaker 1: half ending where we might do another something, but we 338 00:21:05,080 --> 00:21:06,920 Speaker 1: might not, And so they kind of tried to leave 339 00:21:06,920 --> 00:21:09,800 Speaker 1: it open ended. Plus Amy and Dan and we're gone 340 00:21:09,840 --> 00:21:12,720 Speaker 1: by that point and uh, and so there was something 341 00:21:12,760 --> 00:21:16,800 Speaker 1: always unsatisfying about that. And I know that Amy ended 342 00:21:16,800 --> 00:21:20,439 Speaker 1: it the way she wanted to end it originally, and uh, 343 00:21:20,920 --> 00:21:24,320 Speaker 1: I don't know. I don't I I never really questioned 344 00:21:24,320 --> 00:21:29,320 Speaker 1: that too much, so I sort of feel like it was. Um. 345 00:21:29,359 --> 00:21:33,040 Speaker 1: I thought the episodes were good, So I don't know. 346 00:21:33,200 --> 00:21:34,960 Speaker 1: I don't know what I would have done differently, But 347 00:21:35,080 --> 00:21:38,200 Speaker 1: I always believe that's your opinion about that is better 348 00:21:38,200 --> 00:21:44,240 Speaker 1: than mine is. Thank you. Hi, my name is Jesse. Um. 349 00:21:44,280 --> 00:21:46,639 Speaker 1: I think the real question on everyone's mind is the 350 00:21:46,640 --> 00:21:53,280 Speaker 1: one I'm about to ask Dean Logan, Jess, which team 351 00:21:53,320 --> 00:22:01,560 Speaker 1: are you on? I don't care. I was expecting Jets. 352 00:22:04,600 --> 00:22:07,320 Speaker 1: I am team Rory does not need a man to 353 00:22:07,400 --> 00:22:19,320 Speaker 1: define her Sean, I think you should run for office. Yeah, yeah, 354 00:22:19,359 --> 00:22:25,200 Speaker 1: the non diplomatic answer, Um, but I would only rate 355 00:22:25,240 --> 00:22:28,919 Speaker 1: them by how I actually know. I I don't know, 356 00:22:29,160 --> 00:22:31,320 Speaker 1: I thought. I was kind of thought, honestly, if I 357 00:22:31,320 --> 00:22:35,119 Speaker 1: did have to choose, I was probably Team Logan. I had. 358 00:22:35,160 --> 00:22:39,840 Speaker 1: I had Ted Ted Rooney on who played more brilliantly 359 00:22:39,840 --> 00:22:42,560 Speaker 1: played more? I had him on my podcast because I 360 00:22:42,600 --> 00:22:45,280 Speaker 1: do a rewatch podcast. If you didn't know on Gilmark 361 00:22:45,400 --> 00:22:49,560 Speaker 1: So uh and so one of the questions that I am, 362 00:22:49,600 --> 00:22:51,560 Speaker 1: you know, we kind of came up with and they 363 00:22:51,880 --> 00:22:54,639 Speaker 1: my heart came up with was you know at the 364 00:22:54,760 --> 00:22:57,399 Speaker 1: end it's called rapid fire. And asked him serious question, 365 00:22:57,760 --> 00:23:00,639 Speaker 1: do you drink coffee? How many cups? Did? Are your 366 00:23:00,640 --> 00:23:03,720 Speaker 1: Team Logan? Jess? So we got to that part of it, 367 00:23:03,840 --> 00:23:06,520 Speaker 1: and I asked him about who he preferred to be 368 00:23:06,600 --> 00:23:09,800 Speaker 1: the baby daddy, and Ted Rooney's reaction was the funniest 369 00:23:09,800 --> 00:23:12,399 Speaker 1: thing I've ever seen. And he just goes, Oh God, 370 00:23:12,520 --> 00:23:21,160 Speaker 1: that's gross. Who cares? I love Ted Rooney. We're a 371 00:23:21,200 --> 00:23:24,000 Speaker 1: comic com though, so you gotta say the Wookie is 372 00:23:24,040 --> 00:23:29,280 Speaker 1: your is your choice for them? Did you have a 373 00:23:29,280 --> 00:23:39,600 Speaker 1: fling with a Wookie? Yeah? More gold from the episodes. Hi, 374 00:23:39,760 --> 00:23:42,199 Speaker 1: it's nice to meet you both. Um. I have a 375 00:23:42,280 --> 00:23:45,760 Speaker 1: question about the year in the life, So, how did 376 00:23:45,760 --> 00:23:48,720 Speaker 1: it feel like going back to the Warner Brothers studio. 377 00:23:48,960 --> 00:23:53,520 Speaker 1: Did you feel like filming that four episodes like series 378 00:23:53,640 --> 00:23:55,960 Speaker 1: was like? Did you feel like you picked up where 379 00:23:56,000 --> 00:23:59,280 Speaker 1: you left off? Was that chemistry sold there between everyone 380 00:23:59,680 --> 00:24:03,880 Speaker 1: or just how did you process that? I? I thought 381 00:24:03,920 --> 00:24:08,359 Speaker 1: it was great. Uh. The diner Luke's Diners specifically, was 382 00:24:09,240 --> 00:24:13,480 Speaker 1: really it was like a two point oh version of it. 383 00:24:13,480 --> 00:24:16,480 Speaker 1: It was brighter, it was better. The floor was spongey 384 00:24:16,600 --> 00:24:19,280 Speaker 1: because the sound department said, make a spongey floor. We're 385 00:24:19,320 --> 00:24:21,959 Speaker 1: tired of the squeaks and the cracking and the stuff 386 00:24:22,359 --> 00:24:26,560 Speaker 1: wrecking the takes. And it was all just better, you know. 387 00:24:26,760 --> 00:24:29,359 Speaker 1: One of the good things about Netflix. And it wasn't 388 00:24:29,400 --> 00:24:30,960 Speaker 1: all good, but it was a lot of good. One 389 00:24:30,960 --> 00:24:33,280 Speaker 1: of the good things about Netflix coming is they spent 390 00:24:33,320 --> 00:24:37,480 Speaker 1: a lot of money on the production UM and the 391 00:24:37,560 --> 00:24:40,480 Speaker 1: technology had changed over the years since we last for 392 00:24:40,600 --> 00:24:44,760 Speaker 1: their filming, So in nine years or whatever it was UM, 393 00:24:44,800 --> 00:24:47,840 Speaker 1: I mean, the camera equipment, all aspects of the of 394 00:24:47,920 --> 00:24:52,240 Speaker 1: how you make a film were vastly superior. UM. So 395 00:24:52,280 --> 00:24:56,760 Speaker 1: it was really exciting to come back, and yes we did. Uh. 396 00:24:56,840 --> 00:24:59,760 Speaker 1: I at least I felt back into the flow u 397 00:25:00,000 --> 00:25:02,840 Speaker 1: of the acting with those actors pretty easily. Yeah, it 398 00:25:02,920 --> 00:25:06,399 Speaker 1: was wonderful. Yeah, I felt the same way. It was 399 00:25:06,520 --> 00:25:09,560 Speaker 1: nice to have a little a little more space to 400 00:25:09,760 --> 00:25:12,520 Speaker 1: like to do what we wanted to do. It was like, 401 00:25:12,840 --> 00:25:15,920 Speaker 1: you know, we had a little more time, um, which 402 00:25:16,000 --> 00:25:19,440 Speaker 1: was which was really cool. I was definitely like from 403 00:25:19,440 --> 00:25:22,360 Speaker 1: a personal standpoint, I was I was nervous going back 404 00:25:22,400 --> 00:25:24,560 Speaker 1: into it. I was like, I was like, I don't 405 00:25:24,600 --> 00:25:27,800 Speaker 1: know if I'm like, I'm not sure where this lives 406 00:25:27,920 --> 00:25:31,000 Speaker 1: in my brain. And it was really like the second 407 00:25:31,040 --> 00:25:33,440 Speaker 1: take of the first day that I was like, oh, 408 00:25:33,560 --> 00:25:36,360 Speaker 1: there's pa Keys right there. There's no it was not 409 00:25:36,440 --> 00:25:38,960 Speaker 1: It was not difficult at all. It was like it 410 00:25:39,040 --> 00:25:41,119 Speaker 1: was like putting on a pair of slippers that that 411 00:25:41,280 --> 00:25:51,600 Speaker 1: you've owned forever, you know, think you both hi? Um So, 412 00:25:51,800 --> 00:25:55,120 Speaker 1: my mom and sister like watch Yelmore girls like every 413 00:25:55,200 --> 00:25:58,639 Speaker 1: day it feels like anyway, I want to ask what 414 00:25:58,680 --> 00:26:01,919 Speaker 1: your favorite cereal is? What's your favorite cereal? Come on? 415 00:26:02,200 --> 00:26:12,879 Speaker 1: Come on? Uh? I like those um the Quaker Squares 416 00:26:13,280 --> 00:26:16,440 Speaker 1: life No, no, the the actual the Quaker ones, the 417 00:26:16,480 --> 00:26:20,160 Speaker 1: Quicker Oat Squares, the little ones, the like, I forget 418 00:26:20,200 --> 00:26:22,160 Speaker 1: what they call. I gotta be honest with you. I'm 419 00:26:22,200 --> 00:26:26,960 Speaker 1: not a serial guy. I go right through the eggs. 420 00:26:27,880 --> 00:26:31,040 Speaker 1: I'm an egg guy. All right, thank you my favorite 421 00:26:31,040 --> 00:26:38,440 Speaker 1: bourbon you said, um probably uh hey, Um, I'm Brittany. 422 00:26:39,000 --> 00:26:42,200 Speaker 1: My question is so Gilmore girls, I think for probably 423 00:26:42,200 --> 00:26:45,120 Speaker 1: a lot of us is are like anxiety show. Sometimes 424 00:26:45,119 --> 00:26:48,960 Speaker 1: my husband's like, my gosh, you're watching it again? You okay? Um? 425 00:26:49,119 --> 00:26:53,840 Speaker 1: So what would y'all's anxiety show be? Or a movie 426 00:26:53,920 --> 00:26:55,480 Speaker 1: if you all have one that you go to to 427 00:26:55,720 --> 00:27:00,960 Speaker 1: feel comfortable. If I want to like hill myself out, yeah, 428 00:27:01,520 --> 00:27:10,200 Speaker 1: Rick and Morty, Yeah, I love that. Um. Recently it's 429 00:27:10,240 --> 00:27:18,600 Speaker 1: been Seinfeld. Okay, very cool, thank you, just full of laughs. Hi. 430 00:27:18,880 --> 00:27:23,040 Speaker 1: I'm Caitlin. So my question is for Scott. So a 431 00:27:23,080 --> 00:27:26,760 Speaker 1: lot of us are romantics here. So when you and 432 00:27:26,880 --> 00:27:30,080 Speaker 1: Lauren had to figure out how to put the chemistry 433 00:27:30,080 --> 00:27:32,439 Speaker 1: that you guys have been running around for, you know, 434 00:27:32,480 --> 00:27:35,439 Speaker 1: seasons and put that into your episode where you finally 435 00:27:35,480 --> 00:27:39,640 Speaker 1: define your relationship, how was that for you? It's just there, 436 00:27:40,400 --> 00:27:43,840 Speaker 1: there's no work put into that. That's just the two 437 00:27:44,240 --> 00:27:48,560 Speaker 1: personalities coming together and something ignites, something happens, and you 438 00:27:48,600 --> 00:27:53,320 Speaker 1: can't it can't be manufactured. It's just it's either there, 439 00:27:53,400 --> 00:27:56,000 Speaker 1: it's not you know, one of the great lessons I 440 00:27:56,119 --> 00:28:01,480 Speaker 1: learned from acting class in New York was we could 441 00:28:01,520 --> 00:28:04,920 Speaker 1: always tell the guy and the girl that was doing 442 00:28:04,920 --> 00:28:08,280 Speaker 1: the scene together that slept together because there was no 443 00:28:08,359 --> 00:28:10,919 Speaker 1: tension in the scene and we were all like, you know, 444 00:28:11,160 --> 00:28:15,720 Speaker 1: bored out of our minds. Um, So I'm not really 445 00:28:15,720 --> 00:28:20,359 Speaker 1: trying to imply anything here, gang, but uh, if there's 446 00:28:20,480 --> 00:28:26,280 Speaker 1: energy between people that translate naturally without any effort, that 447 00:28:26,320 --> 00:28:29,280 Speaker 1: translates onto the screen, you know that camera is a 448 00:28:29,320 --> 00:28:38,320 Speaker 1: truth machine. You can't fool it. Thank you, Hiam casey Um. 449 00:28:38,360 --> 00:28:42,040 Speaker 1: What was the biggest acting challenge for you in either series, 450 00:28:42,040 --> 00:28:44,560 Speaker 1: either comedic or dramatic where you read the script and 451 00:28:44,600 --> 00:28:47,960 Speaker 1: you're like, how am I going to do that? I 452 00:28:48,400 --> 00:28:50,719 Speaker 1: can say that I remember the one time that I 453 00:28:50,920 --> 00:28:53,480 Speaker 1: and I bring it up as my favorite episode, so 454 00:28:53,840 --> 00:28:55,800 Speaker 1: I can remember what There's one time I went to 455 00:28:56,840 --> 00:29:00,160 Speaker 1: Edward Herman, the Great Great Edward Herman and asked for 456 00:29:00,200 --> 00:29:02,479 Speaker 1: his advice, And it was for the episode The Fiddler 457 00:29:02,480 --> 00:29:05,240 Speaker 1: in the Roof episode where where Kirk is playing Tavia 458 00:29:05,440 --> 00:29:09,640 Speaker 1: and I'm like, and I was like, I had this weird. 459 00:29:11,040 --> 00:29:16,760 Speaker 1: I'm like, should I be bad at it? Like the singing? 460 00:29:16,880 --> 00:29:19,240 Speaker 1: Like when I have to sing the song. Should I 461 00:29:19,320 --> 00:29:24,120 Speaker 1: do it poorly for comedy purposes or just do it 462 00:29:24,160 --> 00:29:25,640 Speaker 1: as well as I can? And I'm not a great 463 00:29:25,680 --> 00:29:29,760 Speaker 1: singer anyway, so it will be pooring like this just 464 00:29:29,840 --> 00:29:31,920 Speaker 1: not like it's like, don't sound like much of a 465 00:29:32,000 --> 00:29:33,680 Speaker 1: choice show anither you're bad at it or you're bad 466 00:29:33,680 --> 00:29:36,400 Speaker 1: at it. But now I couldn't kind of couldn't really, 467 00:29:37,800 --> 00:29:40,360 Speaker 1: I couldn't couldn't really decide what the exact sort of 468 00:29:40,480 --> 00:29:44,800 Speaker 1: right way to play that was. And Edward was like, like, 469 00:29:45,000 --> 00:29:48,760 Speaker 1: just totally go for it, just completely go for it, 470 00:29:49,320 --> 00:29:54,640 Speaker 1: and uh, and he was absolutely right, So that sticks out. Uh, 471 00:29:54,920 --> 00:30:00,080 Speaker 1: my experience with that, your question is it was I 472 00:30:00,120 --> 00:30:03,760 Speaker 1: don't know. I think the first episode back from it 473 00:30:03,920 --> 00:30:08,320 Speaker 1: was episode two, season one at Warner Brothers and it 474 00:30:08,440 --> 00:30:10,840 Speaker 1: was six am and Lauren and I were in the 475 00:30:10,880 --> 00:30:14,200 Speaker 1: makeup trailer and one of the p a's just dropped 476 00:30:14,200 --> 00:30:17,400 Speaker 1: off a new scene hot off the press is just 477 00:30:17,760 --> 00:30:20,720 Speaker 1: yeah and you've been there, and it was ten pages, 478 00:30:22,640 --> 00:30:27,440 Speaker 1: we're adding this, we're shooting. It's first up, and it 479 00:30:27,520 --> 00:30:30,440 Speaker 1: was like, you know, you know, Lauren is all black ink, 480 00:30:30,520 --> 00:30:33,280 Speaker 1: It's just chunks of dialogue. And then Luke Michael hoo. 481 00:30:33,360 --> 00:30:36,600 Speaker 1: You know, well, I don't know. And then I had 482 00:30:36,680 --> 00:30:39,320 Speaker 1: some a couple of chunks, but he she had chunk chunk, chunk, 483 00:30:39,400 --> 00:30:42,000 Speaker 1: chunk chunk. The challenge for her is obvious. A challenge 484 00:30:42,040 --> 00:30:45,280 Speaker 1: for me was not to screw up her chunks. So 485 00:30:45,320 --> 00:30:48,240 Speaker 1: it's all timing, right, So that's the terror when you 486 00:30:48,280 --> 00:30:50,920 Speaker 1: have little like who and what what's it? You know, 487 00:30:51,280 --> 00:30:53,440 Speaker 1: your timing can be off and it just messes up 488 00:30:53,480 --> 00:30:56,320 Speaker 1: their flow. But we did it. We put our heads 489 00:30:56,360 --> 00:30:58,520 Speaker 1: together and we did it, and we went and nailed it. 490 00:30:58,720 --> 00:31:01,000 Speaker 1: And so from that moment and we knew we could 491 00:31:01,040 --> 00:31:04,000 Speaker 1: just do it. I got one more kind of funny one, 492 00:31:04,040 --> 00:31:06,760 Speaker 1: which is that there's an episode where Kirk does the 493 00:31:07,200 --> 00:31:10,440 Speaker 1: It's in the the Town is It Challenge show or 494 00:31:10,440 --> 00:31:13,200 Speaker 1: something where he he does the evolution of man and 495 00:31:13,240 --> 00:31:15,800 Speaker 1: he goes through and he does the whole thing, and 496 00:31:15,920 --> 00:31:18,280 Speaker 1: I read that is Remember everything in the script is 497 00:31:18,360 --> 00:31:20,720 Speaker 1: verbat him all the time, so every every single thing 498 00:31:20,800 --> 00:31:23,320 Speaker 1: is mapped out. But in that case, all all it 499 00:31:23,400 --> 00:31:27,120 Speaker 1: says is literally just that Kirk, you know, does a 500 00:31:27,320 --> 00:31:30,480 Speaker 1: mime that is the evolution of man going from being 501 00:31:30,480 --> 00:31:33,160 Speaker 1: a baby to death, and that's all it's said. And 502 00:31:33,240 --> 00:31:34,920 Speaker 1: I was like, this is interesting. I wonder, like what 503 00:31:34,920 --> 00:31:37,440 Speaker 1: we're gonna do here, and and showing up and like 504 00:31:37,960 --> 00:31:40,400 Speaker 1: going to rehearsals that morning for that scene we're gonna 505 00:31:40,440 --> 00:31:44,760 Speaker 1: shoot and talking Dan Palladino was directing that episode and saying, okay, Dan, 506 00:31:44,840 --> 00:31:46,240 Speaker 1: tell me, like what are you thinking here? What do 507 00:31:46,240 --> 00:31:48,800 Speaker 1: you got? And he's just like, I don't know, man, 508 00:31:49,000 --> 00:31:57,479 Speaker 1: Just he goes, he goes, just do what you do, 509 00:31:58,320 --> 00:32:05,040 Speaker 1: Just do your do your thing. It's like, okay, well, 510 00:32:05,120 --> 00:32:06,880 Speaker 1: I know, so now for better or for worse, if 511 00:32:06,880 --> 00:32:09,320 Speaker 1: you ever see that scene again, I guess that's my thing. 512 00:32:11,200 --> 00:32:17,240 Speaker 1: Thank you. I um My question is was there a 513 00:32:17,320 --> 00:32:20,720 Speaker 1: cast member in particular that you knew shooting with them 514 00:32:20,960 --> 00:32:27,640 Speaker 1: would take multiple takes or make you break character. He 515 00:32:27,680 --> 00:32:30,920 Speaker 1: would make me laugh a lot, and it was sometimes 516 00:32:31,000 --> 00:32:33,280 Speaker 1: it was really hard. And when he was in the 517 00:32:33,320 --> 00:32:37,520 Speaker 1: hot dog suit, that was a tough scene because it 518 00:32:37,600 --> 00:32:39,640 Speaker 1: was just like I think everybody in this scene was 519 00:32:39,720 --> 00:32:43,760 Speaker 1: cracking up because it was just such a bizarre um visual, 520 00:32:44,200 --> 00:32:48,080 Speaker 1: you know, right from the cat go. So that was tough. 521 00:32:48,280 --> 00:32:50,480 Speaker 1: It really is. Honestly, I think it's the scenes with 522 00:32:50,520 --> 00:32:54,040 Speaker 1: Scott because we did the like the Kirk's on the 523 00:32:54,080 --> 00:32:56,040 Speaker 1: first date and we're doing that and he's given him 524 00:32:56,040 --> 00:32:59,480 Speaker 1: advice and they start talking about Duckie and and uh 525 00:33:00,160 --> 00:33:03,440 Speaker 1: was it in uh pretty and pink and I don't know. 526 00:33:03,600 --> 00:33:09,719 Speaker 1: I just remember like those scenes when you're like if 527 00:33:09,720 --> 00:33:11,680 Speaker 1: you're if you're cracking up over and over again, it 528 00:33:11,720 --> 00:33:14,680 Speaker 1: gets dumb, it gets like performative, but like you know, 529 00:33:14,760 --> 00:33:17,520 Speaker 1: it's right when like the first the first time you 530 00:33:17,600 --> 00:33:20,800 Speaker 1: hit the rhythm perfectly, you can't help but like the 531 00:33:21,040 --> 00:33:23,120 Speaker 1: laugh because it's like, oh that's it, it's right there, 532 00:33:23,680 --> 00:33:27,160 Speaker 1: and uh, those are good feelings for sure. Thank you, 533 00:33:27,480 --> 00:33:33,760 Speaker 1: thank you. Hi. Um. Gilmore Girls has an amazing main 534 00:33:33,840 --> 00:33:37,400 Speaker 1: cast and then also has some really cool recurring characters, 535 00:33:38,040 --> 00:33:41,760 Speaker 1: uh you know, actors and guest stars. Um. And actually 536 00:33:41,880 --> 00:33:45,800 Speaker 1: Rob Estes played Jesse's a strange father, and then you 537 00:33:45,840 --> 00:33:48,800 Speaker 1: went on his shown two on oh and played someone 538 00:33:48,880 --> 00:33:52,800 Speaker 1: he was a surrogate father too. Matt Lantern's characters a 539 00:33:52,880 --> 00:33:57,320 Speaker 1: strange father, which I thought was a cool switcher. Um. 540 00:33:57,400 --> 00:34:01,600 Speaker 1: My question is if you would, through hair and makeup magic, 541 00:34:01,800 --> 00:34:04,440 Speaker 1: play any of the recurring characters or guest stars that 542 00:34:04,560 --> 00:34:11,400 Speaker 1: came on Gilmar Girls. Um, who would you want to play? 543 00:34:12,600 --> 00:34:16,279 Speaker 1: I think you just blew their minds. It's to me, 544 00:34:16,440 --> 00:34:25,040 Speaker 1: I'm area. That is a rare example of both a 545 00:34:25,080 --> 00:34:31,719 Speaker 1: good question and one I have not gotten before. Or 546 00:34:31,760 --> 00:34:42,760 Speaker 1: what's your favorite bourbon Jamison? Probably not Michael Winters because 547 00:34:42,760 --> 00:34:44,480 Speaker 1: he was too close to Luke, you know, he was 548 00:34:44,719 --> 00:34:55,600 Speaker 1: kind of Lukey. I think I think Rory because she 549 00:34:55,760 --> 00:34:59,880 Speaker 1: was so completely vulnerable and sweet, and she threw a 550 00:35:00,000 --> 00:35:02,680 Speaker 1: all of her lines away in such a way that 551 00:35:02,719 --> 00:35:06,880 Speaker 1: it was almost instructive because she had no acting experience, 552 00:35:07,040 --> 00:35:10,760 Speaker 1: so she had, you know, she brought a very fresh 553 00:35:10,800 --> 00:35:15,120 Speaker 1: approach to her work and I always admired that, Um, 554 00:35:15,160 --> 00:35:19,200 Speaker 1: the simplicity and and but it was also very rich 555 00:35:19,800 --> 00:35:22,279 Speaker 1: what she did. And she never pushed, you know, she 556 00:35:22,400 --> 00:35:25,040 Speaker 1: just never pushed. UM. So I think I would like 557 00:35:25,080 --> 00:35:28,160 Speaker 1: to try because it would be an interesting dynamic with Lauren. 558 00:35:32,239 --> 00:35:34,040 Speaker 1: You I want to be your boyfriend anymore, I want 559 00:35:34,040 --> 00:35:40,640 Speaker 1: to be your daughter. Speaking of kid Thrones, I read 560 00:35:40,680 --> 00:35:44,280 Speaker 1: too much ancient history. UM, you know what, I would 561 00:35:44,280 --> 00:35:51,080 Speaker 1: probably choose Paris because because I feel pretty well suited 562 00:35:51,120 --> 00:35:54,040 Speaker 1: for the character that I played, and Paris is probably 563 00:35:54,080 --> 00:35:57,840 Speaker 1: the most lateral move from from character. She's like the 564 00:35:58,400 --> 00:36:02,120 Speaker 1: She's more like a sort of mail counterpart in her 565 00:36:02,600 --> 00:36:06,839 Speaker 1: her weirdness and how how much anxiety she feels over 566 00:36:06,920 --> 00:36:10,080 Speaker 1: tiny little things. Um and uh, and I think that 567 00:36:10,120 --> 00:36:16,080 Speaker 1: would be a lot of fun. Thank you, Hi, I'm Sam. 568 00:36:16,120 --> 00:36:18,560 Speaker 1: I have a question for Scott. But first I wanted 569 00:36:18,600 --> 00:36:21,759 Speaker 1: to say, Sean, I absolutely love what Kirk, what you 570 00:36:21,800 --> 00:36:24,319 Speaker 1: bring to the show. I feel like it just it 571 00:36:24,440 --> 00:36:27,560 Speaker 1: just makes it so Yeah, I really I just wanted 572 00:36:27,600 --> 00:36:31,120 Speaker 1: to say that. But Scott, I wanted to know, specifically 573 00:36:31,480 --> 00:36:36,360 Speaker 1: on the first kiss scene with Lorla, how many takes 574 00:36:36,760 --> 00:36:39,400 Speaker 1: did it take you to film that? And was because 575 00:36:39,440 --> 00:36:42,719 Speaker 1: it was so perfectly done between the two of you 576 00:36:42,800 --> 00:36:44,560 Speaker 1: and the bands are back and forth of like would 577 00:36:44,560 --> 00:36:47,640 Speaker 1: you just stand still? And then would you just stand still? 578 00:36:48,160 --> 00:36:50,560 Speaker 1: So how many takes did it take to do that? Well? 579 00:36:50,640 --> 00:37:01,919 Speaker 1: I I purposely blew a lot of takes because you know, yeah, yeah, 580 00:37:02,080 --> 00:37:07,880 Speaker 1: was it awkward at all? Uh? You know, you know, honestly, 581 00:37:08,160 --> 00:37:12,719 Speaker 1: it wasn't awkward, but we knew it was the It 582 00:37:12,840 --> 00:37:15,480 Speaker 1: was gonna be a huge moment for us, maybe the 583 00:37:15,480 --> 00:37:19,879 Speaker 1: biggest moment thus far, obviously, and we were both very 584 00:37:19,880 --> 00:37:22,719 Speaker 1: nervous because we wanted to get it right, you know, 585 00:37:22,800 --> 00:37:25,239 Speaker 1: we really really wanted to get it right, because if 586 00:37:25,280 --> 00:37:28,399 Speaker 1: you if you screw that one up, you know that's 587 00:37:28,600 --> 00:37:31,160 Speaker 1: there's there's no coming back from that. So we really 588 00:37:31,160 --> 00:37:33,239 Speaker 1: and and and you could hear a pin drop on 589 00:37:33,280 --> 00:37:36,000 Speaker 1: this set and it was just it was it was 590 00:37:36,280 --> 00:37:40,840 Speaker 1: filled with energy electricity. That scene. Yeah, well you nailed it, 591 00:37:40,960 --> 00:37:47,360 Speaker 1: So thank you for that's had a lot of practice. 592 00:37:48,040 --> 00:37:51,520 Speaker 1: Hi um, I'm sure you guys have gotten this question 593 00:37:51,640 --> 00:37:54,400 Speaker 1: a lot before. But well, first off, you've both watched 594 00:37:54,440 --> 00:38:01,560 Speaker 1: the show full through or I I never watched the show, 595 00:38:02,160 --> 00:38:04,880 Speaker 1: and I have a podcast now where I'm watching the 596 00:38:04,880 --> 00:38:07,080 Speaker 1: show for the first time and then we're breaking down 597 00:38:07,080 --> 00:38:11,440 Speaker 1: the episodes. I never watched a show. I made the sausage. 598 00:38:11,480 --> 00:38:15,760 Speaker 1: I didn't want to eat it. I'm I mostly watched 599 00:38:15,840 --> 00:38:17,960 Speaker 1: I I would say I watched the show in general, 600 00:38:18,600 --> 00:38:21,000 Speaker 1: and I always watching my own stuff, which a lot 601 00:38:21,040 --> 00:38:23,480 Speaker 1: of actors don't. But I'm like, I like want to 602 00:38:23,520 --> 00:38:29,040 Speaker 1: break down what I did and I'm maning acting. So 603 00:38:29,200 --> 00:38:38,480 Speaker 1: then what were you team Luke or team Christopher Luke? 604 00:38:46,239 --> 00:38:55,040 Speaker 1: Luke Luke Luke. That was my favorite reaction time. I 605 00:38:55,120 --> 00:38:58,000 Speaker 1: was I'm a little I'm almost appalled that you even asked. 606 00:39:01,080 --> 00:39:06,879 Speaker 1: Thank you. I am kelln and um just piggyback off 607 00:39:06,880 --> 00:39:08,719 Speaker 1: her a little bit. I watched with my mom and 608 00:39:08,760 --> 00:39:11,799 Speaker 1: my brother, who were wrongly team Christopher while I was 609 00:39:11,840 --> 00:39:15,719 Speaker 1: Team Luke. So people can just bow for them. But 610 00:39:16,120 --> 00:39:18,920 Speaker 1: I have a very generic question. Did you take anything 611 00:39:18,920 --> 00:39:23,759 Speaker 1: from set? And if so, what was it. I took 612 00:39:23,800 --> 00:39:29,960 Speaker 1: a great deal. You deserved it. I feel that I did. 613 00:39:30,800 --> 00:39:33,279 Speaker 1: It was a negotiating tactic. I was going to hold 614 00:39:33,320 --> 00:39:36,720 Speaker 1: it hostage for more money per episode, and it worked out. 615 00:39:36,840 --> 00:39:40,880 Speaker 1: Actually it was a bridge midnight. There was an exchange, 616 00:39:41,080 --> 00:39:46,040 Speaker 1: you know. Yeah, No, I I too. You know, my chair, 617 00:39:47,040 --> 00:39:48,840 Speaker 1: the back of my chair, if that's the only thing 618 00:39:48,880 --> 00:39:50,879 Speaker 1: I ever take from Did they let you take things 619 00:39:50,920 --> 00:39:56,320 Speaker 1: from your work? Um? I have a lot of analyst 620 00:39:56,360 --> 00:39:58,640 Speaker 1: and I take like a lot of our office supplies. 621 00:39:58,760 --> 00:40:02,319 Speaker 1: Fair enough, Yeah, okay, yeah socks, that's my whole. Like 622 00:40:02,360 --> 00:40:05,439 Speaker 1: I'm that's about as as bold as I get, as 623 00:40:05,480 --> 00:40:08,600 Speaker 1: i'll as i'll. I'll leave my old sox and take 624 00:40:08,640 --> 00:40:11,359 Speaker 1: the new ones that Wardrobe gave for me. That's about 625 00:40:11,360 --> 00:40:13,120 Speaker 1: as far as I can go. Otherwise I feel like 626 00:40:13,120 --> 00:40:21,200 Speaker 1: I'm gonna get in trouble. Thank you both. Did you 627 00:40:21,640 --> 00:40:25,920 Speaker 1: have a lot of fun working with your daughter Gi 628 00:40:27,040 --> 00:40:30,040 Speaker 1: and the tog and Poole when you were supposed to 629 00:40:30,040 --> 00:40:35,800 Speaker 1: marry Lauren? What what was that light where you upset 630 00:40:35,880 --> 00:40:43,239 Speaker 1: that it took so long for you to marry her? No, 631 00:40:43,440 --> 00:40:46,839 Speaker 1: I think it contributed to building the tension for the 632 00:40:46,880 --> 00:40:50,560 Speaker 1: show over those four seasons that it took. I don't think, 633 00:40:51,120 --> 00:40:53,239 Speaker 1: you know, you give the audience what they think they 634 00:40:53,320 --> 00:40:56,160 Speaker 1: want and then they don't come back. But so you 635 00:40:56,280 --> 00:40:58,840 Speaker 1: gotta milk that. So that's that's good. That was a 636 00:40:58,880 --> 00:41:01,080 Speaker 1: good thing. You know, I would have milked it for 637 00:41:01,120 --> 00:41:05,520 Speaker 1: another couple of seasons, you know, yeah, why not? Right? Um? 638 00:41:05,560 --> 00:41:08,800 Speaker 1: But g was that my daughter's name in the show 639 00:41:08,960 --> 00:41:14,520 Speaker 1: was nickname. Uh So the question was did I like 640 00:41:15,040 --> 00:41:21,400 Speaker 1: having a daughter? I know, I loved her. She was 641 00:41:21,440 --> 00:41:23,960 Speaker 1: such a pro and she was so classy, and she 642 00:41:24,120 --> 00:41:28,600 Speaker 1: was so smart precocious. I geah, I think she is. 643 00:41:28,920 --> 00:41:32,520 Speaker 1: And her sister got a record deal as a teena three, 644 00:41:33,000 --> 00:41:35,200 Speaker 1: like a thirteen year old with Warner Brothers Records and 645 00:41:35,719 --> 00:41:38,880 Speaker 1: made some albums and you know, that's a very talented family. 646 00:41:39,360 --> 00:41:41,279 Speaker 1: Very I love her, and I know the fans had 647 00:41:41,320 --> 00:41:44,440 Speaker 1: an odd reaction to her. They didn't, you know, like 648 00:41:44,520 --> 00:41:47,960 Speaker 1: how Luke was and what it made him do and 649 00:41:48,160 --> 00:41:51,200 Speaker 1: act like towards Laurela and the withholding of it and 650 00:41:51,200 --> 00:41:53,080 Speaker 1: all that. But I loved working with her. I thought 651 00:41:53,120 --> 00:41:55,640 Speaker 1: it gave him another dimension and I really liked it. 652 00:41:55,920 --> 00:42:02,839 Speaker 1: Her name was April. Oh, so I'm gonna stick with 653 00:42:02,880 --> 00:42:06,520 Speaker 1: that answer. April. That's right. I was like, that is 654 00:42:06,560 --> 00:42:09,959 Speaker 1: not bringing a bell. I did pretty good, though, didn't 655 00:42:10,000 --> 00:42:16,240 Speaker 1: I Hi, This question isn't really related to um Gilmore Girls, 656 00:42:16,400 --> 00:42:20,960 Speaker 1: but um, Sean Gun, you play the physical embodiment of 657 00:42:21,080 --> 00:42:25,880 Speaker 1: Rocket in the m c U. What's that like? Uhuh, 658 00:42:26,080 --> 00:42:30,160 Speaker 1: it's probably for another panel, but I uh, it's um 659 00:42:30,200 --> 00:42:32,480 Speaker 1: it's a very unusual job. It ended up being the 660 00:42:32,480 --> 00:42:36,960 Speaker 1: next sort of you know, I I don't know how 661 00:42:36,960 --> 00:42:40,359 Speaker 1: to describe that. I'm I'm a very physical actor. That's 662 00:42:40,360 --> 00:42:43,720 Speaker 1: where I can make the segue from from Gilmore Girls 663 00:42:43,760 --> 00:42:47,440 Speaker 1: Too to doing Rocket is that I've always been I'm 664 00:42:47,560 --> 00:42:51,680 Speaker 1: very limber, and I very and I hopefully you know, 665 00:42:51,760 --> 00:42:55,480 Speaker 1: I used my body as expressively as I can, partially 666 00:42:55,520 --> 00:42:58,279 Speaker 1: because I was born with such a strange body. And 667 00:42:58,560 --> 00:43:02,960 Speaker 1: uh and you know, um, and I've always loved doing 668 00:43:02,960 --> 00:43:05,600 Speaker 1: physical comedy, and then when it came time to do Rocket, 669 00:43:06,000 --> 00:43:08,239 Speaker 1: it was like to put me on the I just 670 00:43:08,280 --> 00:43:11,120 Speaker 1: got down on my hands and knees and started doing 671 00:43:11,160 --> 00:43:14,000 Speaker 1: it from a crouch position. And now you know, now 672 00:43:14,000 --> 00:43:16,560 Speaker 1: I've done six movies. Is rocket and it's uh and 673 00:43:16,600 --> 00:43:19,719 Speaker 1: it's a it's a hell of a job. Thank you, 674 00:43:19,840 --> 00:43:22,520 Speaker 1: Thank you. All Right, we got about five more minutes, 675 00:43:22,560 --> 00:43:24,080 Speaker 1: so we're gonna try and do is. See, we can't 676 00:43:24,160 --> 00:43:26,239 Speaker 1: rapid fire through as many as we can, so I 677 00:43:26,280 --> 00:43:27,839 Speaker 1: apologize that we can't get to your question. But if 678 00:43:27,840 --> 00:43:30,239 Speaker 1: we don't, like I said, they have booths, you guys 679 00:43:30,239 --> 00:43:33,160 Speaker 1: can come and get your answers personally there. Okay, all right, 680 00:43:33,239 --> 00:43:37,520 Speaker 1: let's start. Um So this is actually for him again 681 00:43:38,239 --> 00:43:43,360 Speaker 1: because he wanted to ask two questions. But um, as Kraiglin, 682 00:43:43,400 --> 00:43:45,960 Speaker 1: when you were playing in Um Door Love and Thunder, 683 00:43:46,080 --> 00:43:53,280 Speaker 1: you married a woman you just met. How's that going good? 684 00:43:55,160 --> 00:43:59,279 Speaker 1: All right? Thank you for your question. Hi, my name 685 00:43:59,360 --> 00:44:01,680 Speaker 1: is Michelle, and this question is more for Scott Cushn. 686 00:44:01,719 --> 00:44:03,920 Speaker 1: You kind of already answered it for the revival. You 687 00:44:04,000 --> 00:44:05,480 Speaker 1: kind of gave it a thumbs down. What do you 688 00:44:05,520 --> 00:44:08,480 Speaker 1: think they could have done differently? Well, like I said, 689 00:44:08,719 --> 00:44:11,680 Speaker 1: you know, honor ed and his passing and all he 690 00:44:11,800 --> 00:44:14,840 Speaker 1: meant to that show. Give it a half to a 691 00:44:14,920 --> 00:44:17,200 Speaker 1: full episode and then the other three or three and 692 00:44:17,239 --> 00:44:22,000 Speaker 1: a half to a big wedding. I don't know. I 693 00:44:22,080 --> 00:44:27,600 Speaker 1: don't know, I don't know. I don't thank you. Okay, 694 00:44:28,400 --> 00:44:30,840 Speaker 1: So I've been watching the show since I was five 695 00:44:31,040 --> 00:44:34,959 Speaker 1: and it's really helped me grow. My question is, UM, 696 00:44:35,000 --> 00:44:40,080 Speaker 1: if the characters were cast two different actors, do you 697 00:44:40,120 --> 00:44:43,040 Speaker 1: think the show would have gone differently or do you 698 00:44:43,040 --> 00:44:53,080 Speaker 1: think no big failure, huge failure? First episode canceled by Hi, 699 00:44:53,239 --> 00:44:55,520 Speaker 1: my name is Isabella. UM. I kind of grew up 700 00:44:55,560 --> 00:44:57,840 Speaker 1: watching you guys as well. My grandma has the biggest 701 00:44:57,880 --> 00:45:01,920 Speaker 1: crush on you, like on Scott Um. My question is, 702 00:45:01,960 --> 00:45:05,959 Speaker 1: even like before um filmmaker roles, what was your first 703 00:45:05,960 --> 00:45:08,440 Speaker 1: impressions on like what did you think, like how it 704 00:45:08,480 --> 00:45:13,359 Speaker 1: would go? If that makes sense. As soon as I 705 00:45:13,400 --> 00:45:16,680 Speaker 1: walked into the room and met Amy and Leslie, Lincoln 706 00:45:16,719 --> 00:45:21,400 Speaker 1: Gladder who was directing the pilot, and Gavin Polone, I 707 00:45:21,520 --> 00:45:24,840 Speaker 1: felt like I had finally, honestly finally walked into the 708 00:45:24,960 --> 00:45:28,000 Speaker 1: right room. Because when you walk into rooms a lot 709 00:45:28,719 --> 00:45:31,680 Speaker 1: and there used to be a designated pilot season back then, 710 00:45:31,719 --> 00:45:33,799 Speaker 1: where it was just a specific amount of time during 711 00:45:33,840 --> 00:45:36,600 Speaker 1: the year where they cast pilots. You walk into a 712 00:45:36,640 --> 00:45:39,480 Speaker 1: lot of rooms and you don't feel comfortable and they're 713 00:45:39,480 --> 00:45:41,680 Speaker 1: not the right people, so that just means it's a 714 00:45:41,719 --> 00:45:45,480 Speaker 1: gut reaction. But with Amy and Gavin and and Leslie, 715 00:45:45,480 --> 00:45:48,319 Speaker 1: it was the right room, so I knew it was 716 00:45:48,719 --> 00:45:50,680 Speaker 1: I kind of almost instinctively knew it was going to 717 00:45:50,760 --> 00:45:56,239 Speaker 1: work out. Yeah, Gimba girls. Well, when I auditioned, I 718 00:45:56,280 --> 00:45:59,040 Speaker 1: was auditioning for a coast, a one day co star 719 00:45:59,160 --> 00:46:05,840 Speaker 1: role to play DSL installer um and I um My. 720 00:46:05,840 --> 00:46:08,000 Speaker 1: My agent at the time wanted me to pass on 721 00:46:08,040 --> 00:46:11,759 Speaker 1: the audition and not go because they because they thought, no, 722 00:46:11,880 --> 00:46:14,120 Speaker 1: you're only doing guest stars. Now, you're not doing co 723 00:46:14,239 --> 00:46:17,719 Speaker 1: stars anymore. And my but my manager was friends with 724 00:46:18,080 --> 00:46:20,120 Speaker 1: Mark Casey, one of the one of the casting directors, 725 00:46:20,120 --> 00:46:22,399 Speaker 1: and said, let's do this favor from R and going 726 00:46:22,440 --> 00:46:24,360 Speaker 1: and read the thing. I'm like, I'm like, I'm not 727 00:46:24,520 --> 00:46:27,759 Speaker 1: too good, Like I'm still struggling actor and I'm like, 728 00:46:27,800 --> 00:46:29,520 Speaker 1: I'm not too good for anything. Let me read the scene. 729 00:46:29,520 --> 00:46:31,200 Speaker 1: If I like the scene, I'll go in and read. 730 00:46:31,239 --> 00:46:33,399 Speaker 1: If it's if I'm saying, you know, can I get 731 00:46:33,400 --> 00:46:35,440 Speaker 1: your cup of coffee and leaving then I won't do it. 732 00:46:35,600 --> 00:46:36,960 Speaker 1: And I and I read the scene, I'm like, oh, 733 00:46:36,960 --> 00:46:39,520 Speaker 1: this is funny, and I understand this material. This is 734 00:46:39,560 --> 00:46:43,320 Speaker 1: like old old school comedy. This is like pressent sturge is. 735 00:46:43,400 --> 00:46:46,479 Speaker 1: It's like, I know exactly how this should work, and 736 00:46:46,640 --> 00:46:49,920 Speaker 1: uh and and it is one of the auditions that 737 00:46:50,120 --> 00:46:53,399 Speaker 1: I I went in and read and read and did 738 00:46:53,440 --> 00:46:56,520 Speaker 1: the scene and I just it was right there. Like 739 00:46:56,640 --> 00:46:58,279 Speaker 1: when I walked out, I was like, you guys can 740 00:46:58,360 --> 00:47:01,920 Speaker 1: go home. I just booked that role. I was there 741 00:47:01,960 --> 00:47:03,680 Speaker 1: when he came out of the room and I went home. 742 00:47:05,880 --> 00:47:10,280 Speaker 1: Thank you. Hi. My name is Amber, And I'm just wondering, 743 00:47:10,280 --> 00:47:13,960 Speaker 1: what's the most awkward or hilarious fan interaction you've ever had, 744 00:47:17,600 --> 00:47:23,800 Speaker 1: if you're legally allowed to share it. There was somebody 745 00:47:23,840 --> 00:47:26,880 Speaker 1: waiting when I bought a house. Finally, in two thousand 746 00:47:26,880 --> 00:47:31,120 Speaker 1: and three, I left my little rent controlled studio apartment 747 00:47:31,160 --> 00:47:33,960 Speaker 1: that was five and fifty a month for all you know, 748 00:47:34,000 --> 00:47:37,640 Speaker 1: with it included everything, and I just I wasn't leaving. 749 00:47:38,120 --> 00:47:40,040 Speaker 1: But my accountant said, well, do you want to write 750 00:47:40,120 --> 00:47:42,000 Speaker 1: this amount of money to the I R S? Or 751 00:47:42,000 --> 00:47:43,640 Speaker 1: do you want to own a house and get the deductions? 752 00:47:43,680 --> 00:47:46,160 Speaker 1: I said, up by a house. So I bought this 753 00:47:46,239 --> 00:47:48,440 Speaker 1: house and it had of this breezeway had it was 754 00:47:48,480 --> 00:47:51,560 Speaker 1: gated head of breezeway. It's very private. And coming home 755 00:47:51,600 --> 00:47:55,080 Speaker 1: from work one night there was a German girl who 756 00:47:55,120 --> 00:47:58,920 Speaker 1: was asleep in my breeze way. Um, and she found 757 00:47:58,920 --> 00:48:01,719 Speaker 1: out obviously where I lived. And you know, I I 758 00:48:01,760 --> 00:48:03,799 Speaker 1: woke her up and I said, are you okay? And 759 00:48:03,840 --> 00:48:06,640 Speaker 1: what's going on? And she started speaking to me. I 760 00:48:06,640 --> 00:48:09,319 Speaker 1: mean all Germans, most Germans learned English growing up, so 761 00:48:09,360 --> 00:48:11,720 Speaker 1: she spoke English and she said, oh, look, look, look look, 762 00:48:12,480 --> 00:48:14,360 Speaker 1: And I said, listen, this is I'm not going to 763 00:48:14,480 --> 00:48:17,160 Speaker 1: call the police and it's not you know, just don't 764 00:48:17,200 --> 00:48:21,320 Speaker 1: do this. This is my private home. Um um. And 765 00:48:21,400 --> 00:48:24,719 Speaker 1: then I said, but do you Mike Schnitzel, come on it. No, no, 766 00:48:24,960 --> 00:48:29,520 Speaker 1: I uh but so she laughed and you know that 767 00:48:29,719 --> 00:48:32,359 Speaker 1: that was probably the most awkward, strange encounter I've had 768 00:48:32,640 --> 00:48:37,799 Speaker 1: so far. They're usually very very pleasant encounters. They're all great, 769 00:48:37,960 --> 00:48:42,759 Speaker 1: you know, thank you mine is um. One of the 770 00:48:42,800 --> 00:48:46,520 Speaker 1: first conventions I did after the after UH Guardians, I 771 00:48:46,680 --> 00:48:50,919 Speaker 1: was with Michael Rooker and a young woman. UM. Yeah, 772 00:48:51,360 --> 00:48:57,600 Speaker 1: you know, I'm I'm I'm sorry. UM. Anyway, but this 773 00:48:57,840 --> 00:49:02,200 Speaker 1: this young woman, UM had rooker and I signed her 774 00:49:02,440 --> 00:49:04,880 Speaker 1: arm and then she came back the next day and 775 00:49:05,080 --> 00:49:10,759 Speaker 1: I had our signature's tattooed on her arm. Okay, did 776 00:49:10,800 --> 00:49:15,960 Speaker 1: you have a German accent? Oh? Yeah, thank you, thank you. 777 00:49:16,360 --> 00:49:18,880 Speaker 1: All right, there's no pressure. But this is unfortunately has 778 00:49:18,920 --> 00:49:20,520 Speaker 1: to be our final question. But we can do it. 779 00:49:20,640 --> 00:49:23,000 Speaker 1: We'll doing fast. We'll doing fast, real fast, real fast, 780 00:49:23,200 --> 00:49:25,680 Speaker 1: real fast. Scott, you've been able to play a lot 781 00:49:25,719 --> 00:49:27,840 Speaker 1: of different roles, not only a romantic lead here on 782 00:49:28,120 --> 00:49:31,560 Speaker 1: More Girls, but you've been a cop on the Sol series. 783 00:49:31,600 --> 00:49:34,760 Speaker 1: You've had all these different roles and somehow you've managed 784 00:49:34,800 --> 00:49:37,520 Speaker 1: to not be typecast. And how in the world did 785 00:49:37,560 --> 00:49:42,200 Speaker 1: you pull it off? Um? I don't know. I just 786 00:49:42,440 --> 00:49:44,600 Speaker 1: I just played the role that I'm given and I 787 00:49:44,920 --> 00:49:53,000 Speaker 1: try to make it real. Answer is talent. Next you 788 00:49:53,040 --> 00:49:55,320 Speaker 1: can do this? Hi, guys, my name's Will. A question 789 00:49:55,360 --> 00:49:57,080 Speaker 1: for both of you. What was it like working with 790 00:49:57,920 --> 00:50:01,440 Speaker 1: ed Herman and Kelly Bishop where they like very demanding 791 00:50:01,719 --> 00:50:04,719 Speaker 1: or um, especially when she was girling loop? What was 792 00:50:04,800 --> 00:50:10,560 Speaker 1: that like? They're both geniuses? Seriously, I mean I don't 793 00:50:10,600 --> 00:50:13,319 Speaker 1: think I like, right? Is there anything else to say 794 00:50:13,800 --> 00:50:15,840 Speaker 1: the first time I worked was working with that, I 795 00:50:15,960 --> 00:50:18,080 Speaker 1: was nervous and I don't get nervous, and it was like, 796 00:50:18,239 --> 00:50:20,600 Speaker 1: I'm working with a legend today at a golf course 797 00:50:20,640 --> 00:50:25,640 Speaker 1: and that was really cool. Yeah, that's great. Next, Hi, 798 00:50:25,880 --> 00:50:29,160 Speaker 1: I'm Sammy. Um I my rush is for both of you. 799 00:50:29,400 --> 00:50:31,440 Speaker 1: I guess Go More Girls has always been a comfort 800 00:50:31,480 --> 00:50:32,879 Speaker 1: show to me, which I think a couple of people 801 00:50:32,880 --> 00:50:34,600 Speaker 1: have said, and I think one of the reasons is 802 00:50:34,640 --> 00:50:37,640 Speaker 1: such a comfort show for people is the sense of 803 00:50:37,760 --> 00:50:42,080 Speaker 1: community because of the like large cast of consistent, like 804 00:50:42,600 --> 00:50:46,960 Speaker 1: smaller characters. I guess that feels very much like a family. Um. 805 00:50:47,480 --> 00:50:52,400 Speaker 1: But that's kind of controversial in real life because people, so, 806 00:50:52,640 --> 00:50:54,520 Speaker 1: would you ever want to live in a small town 807 00:50:54,600 --> 00:50:56,560 Speaker 1: like that where everyone actually like knows your business and 808 00:50:56,680 --> 00:50:58,719 Speaker 1: involved in everything, or would you actually hate to live 809 00:50:58,760 --> 00:51:02,000 Speaker 1: somewhere like that in real life? I would like it, actually, 810 00:51:02,719 --> 00:51:05,000 Speaker 1: But the thing that appeals to me most is just 811 00:51:05,480 --> 00:51:08,200 Speaker 1: first of all, being able to walk everywhere and um 812 00:51:08,640 --> 00:51:10,839 Speaker 1: and just knowing my neighbors. It doesn't mean I want 813 00:51:10,880 --> 00:51:13,480 Speaker 1: him in my business, but like the sense that you 814 00:51:14,360 --> 00:51:17,160 Speaker 1: have an extended family beyond your own home to the 815 00:51:17,200 --> 00:51:19,640 Speaker 1: people that are in your vicinity is something that is 816 00:51:19,680 --> 00:51:28,719 Speaker 1: appealing to me. Yeah, Scott agrees. Next, Hey, fellas my 817 00:51:28,840 --> 00:51:30,640 Speaker 1: question here. I talked about the fact that you came 818 00:51:30,680 --> 00:51:35,200 Speaker 1: in on that one episode, but you had another role 819 00:51:35,320 --> 00:51:38,680 Speaker 1: before you find ended up with Kirk. Can you talked 820 00:51:38,840 --> 00:51:41,040 Speaker 1: talked to us a little bit about that. It really 821 00:51:41,200 --> 00:51:43,399 Speaker 1: was just a matter of Amy forgot that she gave 822 00:51:43,520 --> 00:51:46,440 Speaker 1: my character a name and that first episode because in 823 00:51:46,520 --> 00:51:49,719 Speaker 1: the script he was DSL Installer and so she thought, oh, 824 00:51:49,760 --> 00:51:51,840 Speaker 1: this character doesn't have a name yet, and then a 825 00:51:51,920 --> 00:51:55,920 Speaker 1: few episodes later she had him introduce himself as kirk Um. 826 00:51:56,320 --> 00:51:59,160 Speaker 1: But what about Swan guy, Right, it's the same thing, 827 00:51:59,320 --> 00:52:02,160 Speaker 1: so Swan guy. So it was DSL installer, and then 828 00:52:02,200 --> 00:52:05,360 Speaker 1: it was Swan delivery guy. And then I did the 829 00:52:05,440 --> 00:52:09,279 Speaker 1: episode where where I was Kirk, and in Amy's mind, 830 00:52:09,360 --> 00:52:11,360 Speaker 1: she just hadn't given the character a name yet, and 831 00:52:11,440 --> 00:52:13,040 Speaker 1: then gave him the name of Kirk, not knowing that 832 00:52:13,080 --> 00:52:15,760 Speaker 1: I had introduced myself as Mick in the first episode. 833 00:52:16,160 --> 00:52:19,520 Speaker 1: To me, I was, I was. I thought I would 834 00:52:19,680 --> 00:52:23,160 Speaker 1: like playing sort of the same character, but not exactly, 835 00:52:23,280 --> 00:52:28,120 Speaker 1: like it's some weird you know, like uh interterimensional like 836 00:52:28,400 --> 00:52:31,759 Speaker 1: uh multiverse thing or something like that. Like I didn't know, 837 00:52:31,920 --> 00:52:34,239 Speaker 1: and I was too afraid to ask, so I just 838 00:52:34,400 --> 00:52:36,360 Speaker 1: like I was like, Okay, I'm just gonna roll with it. 839 00:52:37,040 --> 00:52:39,560 Speaker 1: And but you can see Kirk changes a little over 840 00:52:39,640 --> 00:52:42,080 Speaker 1: the course of those first few episodes as I was 841 00:52:42,200 --> 00:52:45,200 Speaker 1: kind of figuring it out. He doesn't really become really 842 00:52:45,320 --> 00:52:50,279 Speaker 1: Kirk until about episode like three or four. Yeah, all right, 843 00:52:50,360 --> 00:52:55,480 Speaker 1: thank you, thank you very much. I don't think there's 844 00:52:55,480 --> 00:52:57,680 Speaker 1: anywhere else to say you definitely yeah, your answers right here. 845 00:52:57,800 --> 00:53:00,680 Speaker 1: They they're definitely happy to see you. Thank you so much. 846 00:53:00,719 --> 00:53:36,000 Speaker 1: Scott Patterson Shotgun, Thank you guys, Thank you guys. Hey everybody, 847 00:53:36,040 --> 00:53:39,319 Speaker 1: and don't forget follow us on Instagram at I Am 848 00:53:39,440 --> 00:53:43,880 Speaker 1: all In podcast and Emailie at Gilmore at I Heart 849 00:53:44,040 --> 00:53:47,160 Speaker 1: radio dot com. Oh you Gilmore fans. If you're looking 850 00:53:47,160 --> 00:53:48,880 Speaker 1: for the best cup of coffee in the world, go 851 00:53:49,040 --> 00:53:52,759 Speaker 1: to my website for my company Scott ep dot com, 852 00:53:52,920 --> 00:53:55,279 Speaker 1: s CEO, t t y P dot com, scotty p 853 00:53:55,440 --> 00:53:58,520 Speaker 1: dot com. Grade one Specialty Coffee