1 00:00:01,240 --> 00:00:04,320 Speaker 1: A note to the listener. The following story contains some 2 00:00:04,400 --> 00:00:18,880 Speaker 1: adult content and language. Once was a square, such a square, 3 00:00:18,960 --> 00:00:24,160 Speaker 1: little square, and he loved the trim triangle. But she 4 00:00:24,320 --> 00:00:27,400 Speaker 1: was a flirt, and around a skirt vainly she made 5 00:00:27,480 --> 00:00:31,160 Speaker 1: him dangle. Oh, he wanted the wed, and he had 6 00:00:31,240 --> 00:00:34,199 Speaker 1: no dread at the mess that woes and wrangles, for 7 00:00:34,400 --> 00:00:37,680 Speaker 1: he thought that his fate was to pro cuiriate cute 8 00:00:37,680 --> 00:00:45,279 Speaker 1: little squares and triangles. That's a good one. Girl has 9 00:00:45,320 --> 00:00:49,000 Speaker 1: a dream. Girl moves to tinseltown. Girl gets a day 10 00:00:49,080 --> 00:00:53,360 Speaker 1: job where girl meets doctor, renowned playboy doctor. The doctor 11 00:00:53,400 --> 00:00:55,920 Speaker 1: falls for the girl. Maybe the girl rejects the doctor. 12 00:00:56,000 --> 00:00:58,160 Speaker 1: The doctor doesn't like that because the doctor is used 13 00:00:58,200 --> 00:01:00,800 Speaker 1: to getting what he wants. The girl is later found 14 00:01:00,800 --> 00:01:03,800 Speaker 1: dissected in a parking lot. Must have been the doctor. 15 00:01:05,319 --> 00:01:07,400 Speaker 1: That's the only theory that I've ever read about the 16 00:01:07,440 --> 00:01:11,480 Speaker 1: prime suspect in the Angel of Vine case. And unfortunately 17 00:01:11,520 --> 00:01:13,840 Speaker 1: for Dr Adler Harrison, it was the only theory that 18 00:01:13,880 --> 00:01:17,920 Speaker 1: anyone read. Montgomery, Palmer and the detectives in the investigation 19 00:01:18,400 --> 00:01:22,080 Speaker 1: had nothing. They were grasping at straws from the get go, 20 00:01:22,600 --> 00:01:25,520 Speaker 1: and due to the geographic happenstance of Marlene and Adler's 21 00:01:25,560 --> 00:01:30,440 Speaker 1: respective workplaces. Adler was the longest straw, and so the 22 00:01:30,480 --> 00:01:32,920 Speaker 1: media paid more attention to the possibility of his guilt 23 00:01:32,920 --> 00:01:37,039 Speaker 1: than his actual exoneration. This led to the end of 24 00:01:37,040 --> 00:01:40,800 Speaker 1: a prominent medical career and any aspirations as a Hollywood socialite. 25 00:01:41,840 --> 00:01:45,360 Speaker 1: Harrison was doctor to the Stars. He ran with the 26 00:01:45,360 --> 00:01:48,200 Speaker 1: original rat pack, which did not include Sammy and Dean. 27 00:01:48,280 --> 00:01:52,560 Speaker 1: By the way, Sinatra recall Bogard, Hepburn, Spencer, Tracy. The 28 00:01:52,600 --> 00:01:57,920 Speaker 1: list goes on. He was hob nobbing with royalty, but 29 00:01:58,000 --> 00:02:01,120 Speaker 1: once Confidential magazine to follow up off piece labeling him 30 00:02:01,160 --> 00:02:06,240 Speaker 1: the Surgeon Slasher, he became an instant pariah, ousted from 31 00:02:06,280 --> 00:02:10,080 Speaker 1: high society as well as their annual physicals, and so 32 00:02:10,160 --> 00:02:13,400 Speaker 1: Adler Harrison disappeared from the public eye along with his practice. 33 00:02:14,800 --> 00:02:18,480 Speaker 1: But if Adler Harrison really is innocent, then why is 34 00:02:18,520 --> 00:02:20,320 Speaker 1: he standing in the office of the man who might 35 00:02:20,400 --> 00:02:22,480 Speaker 1: know where Marlene Marie Evans was the night of her 36 00:02:22,520 --> 00:02:32,519 Speaker 1: death from Vox Populai and the Los Angeles. Harold, this 37 00:02:32,840 --> 00:02:41,960 Speaker 1: is the Angel of Vine. My old heart ain't gaining 38 00:02:42,320 --> 00:03:02,200 Speaker 1: no ground because my angels appies here. Drop up the script. 39 00:03:02,400 --> 00:03:04,000 Speaker 1: Oh no, no, need to get up. I could just 40 00:03:04,040 --> 00:03:09,280 Speaker 1: hand it right to it. I'm sorry, he just ship. 41 00:03:10,120 --> 00:03:14,160 Speaker 1: Should I call security? You're Adler, Harrison Adler. Should I 42 00:03:14,200 --> 00:03:16,320 Speaker 1: call security? No? Not if you want to keep your 43 00:03:16,400 --> 00:03:18,800 Speaker 1: job you want. I don't think Leonard shouted be too 44 00:03:18,800 --> 00:03:20,880 Speaker 1: happy to know that just any random stranger could get 45 00:03:20,919 --> 00:03:24,960 Speaker 1: into his office. All right, just calm down, that won't 46 00:03:25,000 --> 00:03:27,839 Speaker 1: be necessary, imagin Just close the door and go back 47 00:03:27,840 --> 00:03:35,080 Speaker 1: to work. Yes, Adler, who are you? Doesn't concern you, 48 00:03:36,080 --> 00:03:39,120 Speaker 1: says the man who's breaking and entering. What are you 49 00:03:39,160 --> 00:03:42,080 Speaker 1: doing here? You don't get to ask the questions right now? 50 00:03:42,400 --> 00:03:44,840 Speaker 1: You're not supposed to be in here? What were you 51 00:03:44,880 --> 00:03:47,320 Speaker 1: looking for in there? Where the hell do you get 52 00:03:47,360 --> 00:03:50,560 Speaker 1: off telling me where I am and am not supposed 53 00:03:50,600 --> 00:03:53,800 Speaker 1: to be? So you're saying, that's Leonard Show secretary. That's 54 00:03:53,800 --> 00:03:55,960 Speaker 1: what you're telling me. Sure you want to stick to 55 00:03:56,080 --> 00:04:02,280 Speaker 1: that story. That's not show secretary. That is Mr Shaw's secretary. 56 00:04:03,200 --> 00:04:06,360 Speaker 1: Why wouldn't you think she was his girl? His girl? 57 00:04:07,080 --> 00:04:09,120 Speaker 1: You Hollywood people have got a strange way of thinking. 58 00:04:10,880 --> 00:04:14,880 Speaker 1: Because she calls you Adler genius twice, you should tell 59 00:04:14,920 --> 00:04:18,520 Speaker 1: your lookout to be a little more formal. Mr Harrison 60 00:04:20,800 --> 00:04:25,800 Speaker 1: ah Shaw is not going to improve of this. Have 61 00:04:25,920 --> 00:04:30,280 Speaker 1: you two shacking up? Shall send you to spy on me? No, 62 00:04:30,520 --> 00:04:34,840 Speaker 1: you didn't send me, but she'll get caught eventually. Actually 63 00:04:34,880 --> 00:04:38,679 Speaker 1: never met the man towards the plan you do ransack 64 00:04:38,760 --> 00:04:42,400 Speaker 1: in the office running away together. What if you don't 65 00:04:42,560 --> 00:04:45,960 Speaker 1: tell me why you're here? I may change my mind 66 00:04:45,960 --> 00:04:52,920 Speaker 1: about that call to security. What the hell I'm invested 67 00:04:52,960 --> 00:04:57,279 Speaker 1: getting a murder? Yeah? Funny, I should find you here, 68 00:04:57,279 --> 00:05:00,520 Speaker 1: don't you thank you? Murder? Well? What the hell would 69 00:05:00,560 --> 00:05:03,360 Speaker 1: Leonard Shawn know about a murder? I don't know yet, 70 00:05:03,920 --> 00:05:05,680 Speaker 1: but I wouldn't share that with you if I did. 71 00:05:06,960 --> 00:05:09,719 Speaker 1: Fair enough, I went she I'm going to be back. 72 00:05:10,440 --> 00:05:14,400 Speaker 1: I don't know. Well, seeing as I'm already here, maybe 73 00:05:14,440 --> 00:05:16,880 Speaker 1: you can clear up a few things for me. I 74 00:05:16,880 --> 00:05:20,279 Speaker 1: would rather we do this elsewhere. You're afraid of image 75 00:05:20,320 --> 00:05:23,040 Speaker 1: and all of a sudden, we can talk to my office. 76 00:05:24,360 --> 00:05:27,680 Speaker 1: Your office, Yes, my office. I'm the studios doctor, not 77 00:05:27,800 --> 00:05:33,960 Speaker 1: a damn production liey. Congratulations, Yeah, sure, I can't wait 78 00:05:33,960 --> 00:05:43,960 Speaker 1: to see what you've done with the place. From here, 79 00:05:44,040 --> 00:05:46,719 Speaker 1: they take a long, silent walk across the lot to 80 00:05:46,760 --> 00:05:50,640 Speaker 1: Adler's office. All you can hear are their footsteps and 81 00:05:50,760 --> 00:05:53,400 Speaker 1: a bicycle ball at one point, to which Adler responds, 82 00:05:54,040 --> 00:05:58,440 Speaker 1: good morning. It felt very intense, and I'll admit that 83 00:05:58,839 --> 00:06:01,400 Speaker 1: that maybe that's because of all the questions running rampant 84 00:06:01,400 --> 00:06:03,360 Speaker 1: through my mind while listening to it for the first time. 85 00:06:04,480 --> 00:06:07,719 Speaker 1: But why wouldn't it be tense? This man was a 86 00:06:07,760 --> 00:06:11,200 Speaker 1: potential killer who had either a sixth sense of humor 87 00:06:11,640 --> 00:06:14,600 Speaker 1: or an involuntary sense of irony, because the only thing 88 00:06:14,640 --> 00:06:17,479 Speaker 1: he asked Hank on the walk was this, have you 89 00:06:17,520 --> 00:06:22,040 Speaker 1: seen that new picture? Twelve angry men? I have not. Mhm, 90 00:06:23,160 --> 00:06:29,520 Speaker 1: you should? Everyone should. I want to take a moment 91 00:06:29,600 --> 00:06:31,880 Speaker 1: here to acknowledge those of you who have followed the 92 00:06:31,880 --> 00:06:34,280 Speaker 1: angel le Vine prior to this podcast and have been 93 00:06:34,279 --> 00:06:38,320 Speaker 1: waiting very patiently for this part of the story. Immediately 94 00:06:38,360 --> 00:06:42,440 Speaker 1: following our first episode, I started getting tweets and emails 95 00:06:42,480 --> 00:06:45,320 Speaker 1: like it was Dr Harrison, wasn't it? Oh, come on, 96 00:06:45,400 --> 00:06:48,159 Speaker 1: you can tell me? Or is there anything new with 97 00:06:48,200 --> 00:06:52,279 Speaker 1: Adler Harrison. The most popular sentiment by far was similar 98 00:06:52,320 --> 00:06:54,839 Speaker 1: to this, please tell me there's a tape of Adler 99 00:06:54,880 --> 00:06:59,120 Speaker 1: Harrison's confession. Please. Almost every character of that tweet was 100 00:06:59,240 --> 00:07:02,720 Speaker 1: any and I get it even I jumped the gun 101 00:07:02,800 --> 00:07:05,080 Speaker 1: and brought up Adler's involvement more than a few times 102 00:07:05,120 --> 00:07:08,120 Speaker 1: prior to this episode. Actually, I would cite his name 103 00:07:08,120 --> 00:07:11,440 Speaker 1: while recording these little transitions, and my producer would tell 104 00:07:11,480 --> 00:07:14,400 Speaker 1: me I couldn't because anyone unfamiliar with the case wouldn't 105 00:07:14,440 --> 00:07:17,720 Speaker 1: understand what the hell I was talking about. Well, here 106 00:07:17,760 --> 00:07:20,240 Speaker 1: we are. We're finally going to get everyone caught up. 107 00:07:21,400 --> 00:07:25,080 Speaker 1: It's the attraction to the unknown. Here, the what if. 108 00:07:26,560 --> 00:07:29,000 Speaker 1: Let's say that everything that we can research in this 109 00:07:29,040 --> 00:07:32,480 Speaker 1: case about dr Adler Harrison is analogous to your typical 110 00:07:32,520 --> 00:07:35,840 Speaker 1: Sunday flea market. Right. You go back, maybe not every week, 111 00:07:35,920 --> 00:07:38,920 Speaker 1: but often enough that you're sure you've seen everything it 112 00:07:38,960 --> 00:07:43,880 Speaker 1: has to offer. Um rusted soft drink signs, stainless steel lighters, 113 00:07:43,920 --> 00:07:47,640 Speaker 1: and loose pezz Dispenser's restored mid century living room set, 114 00:07:47,640 --> 00:07:50,760 Speaker 1: a radio flyer full of old toys. But you you 115 00:07:50,800 --> 00:07:53,160 Speaker 1: can't help but look around, just in case there's something 116 00:07:53,200 --> 00:07:56,520 Speaker 1: you may have missed, maybe some unknown treasure, something that 117 00:07:56,560 --> 00:07:59,360 Speaker 1: looks like junk, but it it's actually worth a fortune. 118 00:07:59,480 --> 00:08:01,840 Speaker 1: The seven all our oil painting that turned out to 119 00:08:01,840 --> 00:08:07,680 Speaker 1: be an original renoir. But that's the thing. No matter 120 00:08:07,720 --> 00:08:10,440 Speaker 1: how many times you go back, there's never a rent war. 121 00:08:11,440 --> 00:08:15,600 Speaker 1: It's always the same information as before. But there is 122 00:08:15,640 --> 00:08:20,680 Speaker 1: an almost rabid fascination with Adler. Theorists and self proclaimed 123 00:08:20,720 --> 00:08:23,160 Speaker 1: fanatics of this case have gone as far as to 124 00:08:23,200 --> 00:08:26,760 Speaker 1: create anagrams from his name, as if that were going 125 00:08:26,800 --> 00:08:30,040 Speaker 1: to uncover some long lost clue. And if you can 126 00:08:30,080 --> 00:08:34,280 Speaker 1: tell me the significance of overran harmless adrenaline, I will 127 00:08:34,360 --> 00:08:37,160 Speaker 1: personally let you host the final episode of this podcast. 128 00:08:39,040 --> 00:08:43,160 Speaker 1: So why, hm, why are we so sure that he 129 00:08:43,200 --> 00:08:46,400 Speaker 1: did it? It isn't because the press of the police 130 00:08:46,440 --> 00:08:51,439 Speaker 1: told us that he was the most logical suspect. It's 131 00:08:51,480 --> 00:08:59,040 Speaker 1: because he was the most logical suspect exhibiting. Marlen Murray 132 00:08:59,040 --> 00:09:02,240 Speaker 1: Evans worked part time as a receptionist for a pediatrist 133 00:09:02,360 --> 00:09:06,560 Speaker 1: in the same medical building that housed Adler's practice. What 134 00:09:06,720 --> 00:09:10,760 Speaker 1: got the attention of the police was Exhibit B numerous 135 00:09:10,760 --> 00:09:13,720 Speaker 1: accounts of Marlene and Adler seen together around the common 136 00:09:13,720 --> 00:09:19,199 Speaker 1: areas of the building Exhibit C. One very specific account 137 00:09:19,240 --> 00:09:21,800 Speaker 1: was that of Anderson Lobli, one of the security guards 138 00:09:21,800 --> 00:09:26,080 Speaker 1: at Midway Hospital. He recalls Adler visibly upset while talking 139 00:09:26,080 --> 00:09:28,400 Speaker 1: to Marlene He said he remembered thinking he would have 140 00:09:28,440 --> 00:09:31,920 Speaker 1: to intervene when Adler grabbed her by the arm. But 141 00:09:32,000 --> 00:09:35,960 Speaker 1: Exhibit D was what led to his arrest, the fact 142 00:09:36,000 --> 00:09:40,439 Speaker 1: that he wasn't just any old doctor. One. He had 143 00:09:40,480 --> 00:09:44,240 Speaker 1: access to both pentobarbital and cicco barbatal, the drugs found 144 00:09:44,240 --> 00:09:49,360 Speaker 1: in marlene system. Two. Adler's father, Dr Richard Harrison, was 145 00:09:49,400 --> 00:09:53,120 Speaker 1: a neurosurgeon who studied under one of the pioneers of neurosurgery, 146 00:09:53,160 --> 00:09:55,679 Speaker 1: Harvey Cushing, so we can assume that from an early 147 00:09:55,720 --> 00:10:00,280 Speaker 1: age Adler was exposed to knowledge of the human spine. Three. 148 00:10:01,200 --> 00:10:03,839 Speaker 1: Adler was set to follow in his father's footsteps after 149 00:10:03,880 --> 00:10:07,679 Speaker 1: medical school, so he would have been well versed in anatomy, dissection, 150 00:10:07,840 --> 00:10:13,040 Speaker 1: and the ability to deftly wield sharp surgical instruments. Four. 151 00:10:14,280 --> 00:10:18,800 Speaker 1: Neurosurgery was in its infant stage. Back surgery required large 152 00:10:18,880 --> 00:10:22,800 Speaker 1: posterior incisions, or more graphically, cutting through the muscle and 153 00:10:22,840 --> 00:10:26,280 Speaker 1: tissue of the back. It's a reach, but it was 154 00:10:26,320 --> 00:10:28,959 Speaker 1: similar enough to the way Marley Marie Evans was mutilated 155 00:10:29,200 --> 00:10:32,280 Speaker 1: that the detectives arrested Adler in his office three days 156 00:10:32,320 --> 00:10:35,760 Speaker 1: after she was found. But with a lack of evidence 157 00:10:36,120 --> 00:10:38,160 Speaker 1: and a decent alibi that placed him out of town 158 00:10:38,200 --> 00:10:42,040 Speaker 1: at the time of the murder. They couldn't hold him. 159 00:10:42,080 --> 00:10:45,240 Speaker 1: Adler Harrison was released from police custody and became a 160 00:10:45,280 --> 00:10:47,400 Speaker 1: dead end the moment he walked out of that precinct. 161 00:10:51,679 --> 00:10:54,680 Speaker 1: So where were are you at night? You're not even 162 00:10:54,840 --> 00:10:58,520 Speaker 1: slightly amazing. I wasn't trying to be Okay, who are you, 163 00:10:59,360 --> 00:11:03,360 Speaker 1: thank brag. I'm a private investigator who hired you. Where 164 00:11:03,360 --> 00:11:06,800 Speaker 1: were you the night of the murder? You're kidding? You said, 165 00:11:06,840 --> 00:11:09,640 Speaker 1: wait until we were in your office. We're in your office. Now, 166 00:11:09,640 --> 00:11:13,200 Speaker 1: where were you? I was cleared, not by me, you weren't. 167 00:11:14,240 --> 00:11:23,520 Speaker 1: Don't make me ask you again. I was in Phoenix. Yeah, yeah, 168 00:11:23,600 --> 00:11:26,120 Speaker 1: I read the statement from the surgeon at Northern Mount Hospital. 169 00:11:26,160 --> 00:11:28,280 Speaker 1: What the part I missed was what you were doing there? 170 00:11:30,280 --> 00:11:32,680 Speaker 1: I can't answer that. Don't give me that doctor patient 171 00:11:32,760 --> 00:11:36,679 Speaker 1: confidentiality speech you gave the detectives. I'm not a cup 172 00:11:37,240 --> 00:11:41,160 Speaker 1: and I don't have to behave like one. How would 173 00:11:41,160 --> 00:11:47,320 Speaker 1: you like drink talk? My patient was shooting a movie 174 00:11:47,600 --> 00:11:50,880 Speaker 1: on location and felt ill. Then I have doctors in Phoenix. 175 00:11:51,400 --> 00:11:55,880 Speaker 1: You must know who some of my patients were, and 176 00:11:56,000 --> 00:11:58,360 Speaker 1: it is essential to them, not only to them, to 177 00:11:58,440 --> 00:12:03,600 Speaker 1: their employers at their reputations remain protective. I don't care 178 00:12:03,600 --> 00:12:06,440 Speaker 1: about patients, studios, and reputations. The only thing I care 179 00:12:06,480 --> 00:12:08,440 Speaker 1: about right now is that I'm not talking to the 180 00:12:08,440 --> 00:12:10,640 Speaker 1: man who killed an innocent woman. Oh Christ, will you 181 00:12:10,679 --> 00:12:16,280 Speaker 1: shut your trap already? Bonanza Airlines round trip. I wasn't 182 00:12:16,320 --> 00:12:20,440 Speaker 1: anywhere near Los Angeles. You told me to shoot anything again, 183 00:12:20,480 --> 00:12:25,840 Speaker 1: and you're gonna taste that disk. You always keep your 184 00:12:25,840 --> 00:12:29,680 Speaker 1: boarding passes? Uh No, But under the whirlwind of circumstances 185 00:12:29,679 --> 00:12:31,200 Speaker 1: I returned to I thought it would be best to 186 00:12:31,240 --> 00:12:35,640 Speaker 1: hold onto that one. Smart. It was an emergency appendect 187 00:12:35,640 --> 00:12:38,880 Speaker 1: to me. Okay, while they were filming, my patient experienced 188 00:12:38,880 --> 00:12:41,480 Speaker 1: an abdominal pain severe enough that he fell off his horse. 189 00:12:42,559 --> 00:12:45,520 Speaker 1: Why wouldn't you just tell the cops that, Oh come on, 190 00:12:45,679 --> 00:12:47,839 Speaker 1: and he was a leading man, a cowboy falling off 191 00:12:47,840 --> 00:12:51,720 Speaker 1: his horse. Can you imagine Hopper's headlines? No, I took 192 00:12:51,840 --> 00:12:56,800 Speaker 1: my job very seriously, and I still do what happened 193 00:12:56,800 --> 00:13:00,480 Speaker 1: that day you grabbed Marline. I never grabbed her. I 194 00:13:00,480 --> 00:13:03,480 Speaker 1: don't know why Anderson. I don't know why he would 195 00:13:03,480 --> 00:13:08,719 Speaker 1: say that, other than he's yearning for the spotlight. You 196 00:13:08,760 --> 00:13:11,040 Speaker 1: know how it is when you rent a cops. But 197 00:13:11,200 --> 00:13:17,160 Speaker 1: you did have an altercation. She was always flirtatious, a 198 00:13:17,240 --> 00:13:22,079 Speaker 1: lovely smile. I thought we were flirtatious. It was wrong, 199 00:13:22,120 --> 00:13:25,280 Speaker 1: I guess she uh if you had heard about my reputation, 200 00:13:25,360 --> 00:13:28,000 Speaker 1: went too many stories about nights out on the strip. 201 00:13:28,080 --> 00:13:30,839 Speaker 1: And she wouldn't accompany me to dinner. She was afraid 202 00:13:30,840 --> 00:13:33,040 Speaker 1: that people would immediately assume the wrong idea of her. 203 00:13:33,600 --> 00:13:37,640 Speaker 1: I told her she was being ridiculous. She didn't deserve that, 204 00:13:39,200 --> 00:13:41,560 Speaker 1: and she just left the way she was. You saw 205 00:13:41,600 --> 00:13:46,920 Speaker 1: the crime scene photos, Yeah, the first thing they showed 206 00:13:46,920 --> 00:13:52,719 Speaker 1: me when they brought me in to quote Detective Perkins, 207 00:13:53,480 --> 00:13:57,920 Speaker 1: Maybe this will shake you up. What can you tell 208 00:13:57,960 --> 00:14:00,319 Speaker 1: me about Leonard Shaw? What do you I don't know. 209 00:14:01,120 --> 00:14:05,880 Speaker 1: He's quite the entertainer I hear, mm hmm. It was 210 00:14:06,720 --> 00:14:08,640 Speaker 1: not for a while now, Well then it must be 211 00:14:08,679 --> 00:14:10,800 Speaker 1: pretty quiet and bell air these days from what I 212 00:14:10,880 --> 00:14:18,280 Speaker 1: heard about those parties. What what was that? What that's smirk? 213 00:14:18,840 --> 00:14:23,320 Speaker 1: Let's smirk? You smirk just now? What didn't smirked? What 214 00:14:23,400 --> 00:14:26,520 Speaker 1: aren't you telling me you are out of here? Don't 215 00:14:26,560 --> 00:14:34,800 Speaker 1: you ship ad at me? What? Doctor patient confidentiality. He's sick, yeah, 216 00:14:35,840 --> 00:14:38,480 Speaker 1: and he pays me a lot of money to make 217 00:14:38,520 --> 00:14:41,400 Speaker 1: sure that stays out of the papers. Well, I need 218 00:14:41,440 --> 00:14:44,240 Speaker 1: to see him. Well, I wish you the best of 219 00:14:44,320 --> 00:14:48,080 Speaker 1: luck in your endeavors. I need to ask him some questions, Adler, 220 00:14:49,360 --> 00:14:51,600 Speaker 1: And you want me to do? What? Interrupt his ranting 221 00:14:51,640 --> 00:14:54,520 Speaker 1: to say, Oh, Leonard, this p I just broke into 222 00:14:54,520 --> 00:14:55,840 Speaker 1: your office and he wants to give you the third 223 00:14:55,840 --> 00:14:58,200 Speaker 1: degree in the privacy of your own home. I think 224 00:14:58,200 --> 00:15:01,360 Speaker 1: you should hear him out. I mean, m hm. He 225 00:15:01,480 --> 00:15:04,320 Speaker 1: would certainly find the energy to crack a Brandy snifter 226 00:15:04,400 --> 00:15:06,800 Speaker 1: across my skull. I don't really care how you get 227 00:15:06,840 --> 00:15:10,640 Speaker 1: me in there. Give him this and tell him I 228 00:15:10,680 --> 00:15:13,680 Speaker 1: won't take up much of his time. What could he 229 00:15:14,000 --> 00:15:28,480 Speaker 1: possibly have to offer you? Sorry, investigator client confidentiality. Now, 230 00:15:28,560 --> 00:15:33,160 Speaker 1: to all the devotees, theorists and fanatics, I don't know 231 00:15:33,200 --> 00:15:35,800 Speaker 1: what to tell you, and I have a feeling many 232 00:15:35,840 --> 00:15:37,960 Speaker 1: of you maybe in doubt after all, and I'm playing 233 00:15:37,960 --> 00:15:41,360 Speaker 1: devil's advocate here. We can't see what Adler placed on 234 00:15:41,400 --> 00:15:44,440 Speaker 1: the desk. We don't know if the boarding pass was real, 235 00:15:44,600 --> 00:15:50,720 Speaker 1: right it was his alibi checked out? And you don't 236 00:15:50,760 --> 00:15:57,520 Speaker 1: have to take my word for it. Take Hanks. Oh no, 237 00:15:58,400 --> 00:15:59,880 Speaker 1: there's no way you're getting me up in one of 238 00:16:00,000 --> 00:16:07,360 Speaker 1: those things. He sunny legs, looking better. Yeah, the old 239 00:16:07,440 --> 00:16:09,840 Speaker 1: lady says, you can hardly notice a limp anymore. How's 240 00:16:09,880 --> 00:16:13,160 Speaker 1: she doing? Same? Old ready to pop? I tell you, 241 00:16:14,280 --> 00:16:16,480 Speaker 1: hoping for a little boy, just out for healthy with 242 00:16:16,520 --> 00:16:20,000 Speaker 1: ten fingers and ten toes. You know it. Hank's staying 243 00:16:20,000 --> 00:16:22,720 Speaker 1: out of trouble. You know who I am. The more bars, 244 00:16:23,160 --> 00:16:26,840 Speaker 1: the more more cop bars. Anyway, Well that makes two 245 00:16:26,840 --> 00:16:29,680 Speaker 1: of us. How's that doing it? I haven't heard from him. 246 00:16:30,480 --> 00:16:32,400 Speaker 1: Yanked him right off the street after all of that, 247 00:16:32,760 --> 00:16:35,600 Speaker 1: stuck him trapped in a box. Those guys were killed. 248 00:16:36,600 --> 00:16:39,360 Speaker 1: It wasn't gonna let that happen. You're a good kid, 249 00:16:40,120 --> 00:16:43,200 Speaker 1: always been a good kid. You just gotta stop stepping 250 00:16:43,200 --> 00:16:45,720 Speaker 1: in piles of trouble. No more of that for me, Hank. 251 00:16:46,080 --> 00:16:49,480 Speaker 1: I promised you guys, straight and narrow, good boy. I mean, 252 00:16:50,320 --> 00:16:55,880 Speaker 1: other than this, this doesn't count. Do you get the list? Yep? 253 00:16:58,640 --> 00:17:02,800 Speaker 1: That's the one. YEA got it? What can I see? 254 00:17:02,800 --> 00:17:09,199 Speaker 1: It's Sonny? Oh oh yeah, yeah, and uh he got 255 00:17:09,240 --> 00:17:12,240 Speaker 1: what you're looking for, the son of a bitch was 256 00:17:12,280 --> 00:17:18,960 Speaker 1: in Phoenix. Yeah, yeah, it does here you go for 257 00:17:19,000 --> 00:17:23,160 Speaker 1: your troubles. Oh yeah, if I spotty? Are you sure 258 00:17:23,920 --> 00:17:26,359 Speaker 1: you're better? Positive? Before I changed my mind? Put that 259 00:17:26,400 --> 00:17:29,960 Speaker 1: list back where you found it. You gotta heck, let's 260 00:17:29,960 --> 00:17:32,639 Speaker 1: see how to add for me, will you? And thanks? 261 00:17:37,119 --> 00:17:41,280 Speaker 1: Come on, Hank, thank you. Headler didn't do it, then, 262 00:17:41,280 --> 00:17:48,119 Speaker 1: who the hell did? That's the sixty four question, sounder, bitch, 263 00:17:50,400 --> 00:17:56,240 Speaker 1: Let's see how much of this we got left? No Shaw, 264 00:17:57,200 --> 00:18:04,159 Speaker 1: no more Adler, no their leads. The five tapes that 265 00:18:04,240 --> 00:18:09,800 Speaker 1: follow are of Hank from his office. He's talking to himself, pacing, cursing, 266 00:18:10,359 --> 00:18:13,040 Speaker 1: racking his brain to the point of mental exhaustion. On 267 00:18:13,040 --> 00:18:15,399 Speaker 1: one tape, he falls asleep, and it's nothing but snoring 268 00:18:15,440 --> 00:18:19,080 Speaker 1: for four hours. He tries to make sense out of 269 00:18:19,240 --> 00:18:23,159 Speaker 1: literally nothing, everything short of anagrams of Adler's name. He 270 00:18:23,280 --> 00:18:27,200 Speaker 1: goes over every detail we've covered so far, and then 271 00:18:27,200 --> 00:18:30,719 Speaker 1: he goes over all of it again. He reads the autopsy, 272 00:18:30,800 --> 00:18:35,040 Speaker 1: Perkins crime scene report, picks apart every sentence of Adler's file, 273 00:18:35,119 --> 00:18:37,960 Speaker 1: and the only conclusion that he comes to is that someone, 274 00:18:38,320 --> 00:18:42,720 Speaker 1: at one point everyone is lying to him. He starts 275 00:18:42,720 --> 00:18:45,639 Speaker 1: to sound a little desperate and juvenile, sometimes drunk and 276 00:18:45,680 --> 00:18:51,480 Speaker 1: incredibly onely. I felt sorry for him, but that faded 277 00:18:51,560 --> 00:18:53,800 Speaker 1: quickly when I remember that Hank had a family through 278 00:18:53,840 --> 00:18:58,280 Speaker 1: all of this, his wife Lois, seven year old Phillis, 279 00:18:58,320 --> 00:19:02,440 Speaker 1: and her younger sister Arlene. In my own mental exhaustion, 280 00:19:02,560 --> 00:19:06,960 Speaker 1: my marathon of listening to tape after tape, I still 281 00:19:07,040 --> 00:19:09,120 Speaker 1: had no idea how long it had been since he'd 282 00:19:09,160 --> 00:19:14,040 Speaker 1: been home, and I remembered my exchange with Phyllis. My 283 00:19:14,119 --> 00:19:16,479 Speaker 1: mother used to say, all he cared about was that 284 00:19:16,560 --> 00:19:20,360 Speaker 1: dead girl met and Angel. It makes more sense now. 285 00:19:21,600 --> 00:19:27,440 Speaker 1: Gi was a tough cookie, all right, Maybe the mccombo 286 00:19:27,560 --> 00:19:31,960 Speaker 1: or the truck. Are you kidding me? It's gonna have 287 00:19:32,000 --> 00:19:35,160 Speaker 1: any idea? What the hell you're talking about it? You're 288 00:19:35,280 --> 00:19:47,040 Speaker 1: an idiot, damn it. Two little girls you've fostered. Calm down, 289 00:19:47,200 --> 00:19:49,399 Speaker 1: What the hell did you? You don't forget about me? 290 00:19:49,440 --> 00:19:51,399 Speaker 1: I don't care about me. You can tell me to 291 00:19:51,480 --> 00:19:52,960 Speaker 1: go to hell for all though. All I care about 292 00:19:53,040 --> 00:19:56,159 Speaker 1: but what they missed? You working, always working for? What? 293 00:19:56,840 --> 00:19:59,800 Speaker 1: Take her home? What you like? Other propos lives better 294 00:19:59,840 --> 00:20:04,000 Speaker 1: than yours? This of this, piles and piles of ship 295 00:20:07,680 --> 00:20:10,560 Speaker 1: and who's watching the kids look at this thing. Damn it. 296 00:20:10,680 --> 00:20:13,200 Speaker 1: This wasn't cheap, the kids of the dotty It's not 297 00:20:13,320 --> 00:20:15,280 Speaker 1: been the damn thing. Well, why do you even need 298 00:20:15,320 --> 00:20:17,119 Speaker 1: to turn it on? You had no business bringing it 299 00:20:17,240 --> 00:20:19,639 Speaker 1: down here. And I'm on a case. Hen turn that 300 00:20:19,800 --> 00:20:22,479 Speaker 1: thing off. I think better with it on. There's too 301 00:20:22,480 --> 00:20:24,919 Speaker 1: many thoughts to connect that I don't know when something's 302 00:20:24,920 --> 00:20:28,560 Speaker 1: gonna click. You're worry me, man, This this is the work. 303 00:20:28,960 --> 00:20:31,680 Speaker 1: Ain't not gonna worry about what says? You've been hold 304 00:20:31,720 --> 00:20:35,280 Speaker 1: maybe five times in the past month. It's able. Have 305 00:20:35,400 --> 00:20:37,960 Speaker 1: you been sleeping here when I got to explain myself 306 00:20:38,040 --> 00:20:44,240 Speaker 1: to you now too? And I had a lead. Go home, Hank, 307 00:20:45,600 --> 00:21:10,720 Speaker 1: see your daughters, and this is the work. Yeah. I 308 00:21:10,760 --> 00:21:13,399 Speaker 1: can only assume that Hank made an occasional appearance at 309 00:21:13,440 --> 00:21:16,240 Speaker 1: home because there were no further visits from Lois or ed. 310 00:21:17,520 --> 00:21:21,000 Speaker 1: That said, the next eleven tapes of Hank are more 311 00:21:21,080 --> 00:21:23,679 Speaker 1: of the same of what I described earlier. He sounds 312 00:21:23,720 --> 00:21:28,600 Speaker 1: almost manic at times as he airs his frustrations. Eleven 313 00:21:28,720 --> 00:21:33,000 Speaker 1: tapes weeks of self imposed mental torture over a lack 314 00:21:33,080 --> 00:21:35,600 Speaker 1: of clairvoyance. What am I missing? What am I not seeing? 315 00:21:37,600 --> 00:21:40,600 Speaker 1: What he couldn't have seen were the two looming phone 316 00:21:40,640 --> 00:22:03,119 Speaker 1: calls that would change everything. Hey Briggs Hello. The Angel 317 00:22:03,200 --> 00:22:06,479 Speaker 1: Levine is a podcast produced by Vox Populi on behalf 318 00:22:06,560 --> 00:22:10,639 Speaker 1: of the Los Angeles Harold. Thank you for listening to 319 00:22:10,680 --> 00:22:13,040 Speaker 1: the Angel of Vine. If you'd like to support us, 320 00:22:13,359 --> 00:22:16,040 Speaker 1: please leave us a review and tell your friends to subscribe. 321 00:22:16,840 --> 00:22:20,720 Speaker 1: The Angel of Vine is available on Apple Podcasts, Spotify, Stitcher, 322 00:22:20,960 --> 00:22:23,760 Speaker 1: and all major podcast apps. If you want more of 323 00:22:23,840 --> 00:22:26,600 Speaker 1: the Angel of Vine, please check out our bonus episodes 324 00:22:26,680 --> 00:22:31,600 Speaker 1: and extended episodes available exclusively on Stitcher Premium, including cast interviews, 325 00:22:31,720 --> 00:22:35,440 Speaker 1: behind the scenes stories, journeys through Old Hollywood, and much more. 326 00:22:35,760 --> 00:22:38,639 Speaker 1: Go to Stitcher Premium dot com slash Angel and use 327 00:22:38,720 --> 00:22:41,520 Speaker 1: promo code Angel to get your first month of Stitcher 328 00:22:41,600 --> 00:22:45,000 Speaker 1: Premium free. The Angel of Vine is directed by E 329 00:22:45,160 --> 00:22:48,920 Speaker 1: Ryan Martz, written by Oliver Vacare, Story by e Ryan Marts, 330 00:22:49,000 --> 00:22:52,639 Speaker 1: Jason Salwalt and Oliver Vacare. Sound designed by Joel Robbie 331 00:22:52,640 --> 00:22:56,560 Speaker 1: and Matt Tamarillo. Produced by Vox Populi in association with 332 00:22:56,640 --> 00:23:01,600 Speaker 1: Forever Dog Podcast Network. This episode's performances is by Joe Manganello, 333 00:23:01,880 --> 00:23:07,760 Speaker 1: Constant Zimmer Camilla Luddington, Mike Colter, Misha Collins, Matthew Mercer, 334 00:23:08,160 --> 00:23:13,840 Speaker 1: Rebecca Field, Delaney, Helen Cree, Summer, and Oliver Vakare. Angelis 335 00:23:13,920 --> 00:23:17,280 Speaker 1: is performed by Desy Dennis Dylan piano and arrangement by 336 00:23:17,400 --> 00:23:21,200 Speaker 1: James Harper. Composed by Matt Dennis, lyrics by Earl Brent 337 00:23:23,359 --> 00:23:27,480 Speaker 1: from downtown Los Angeles. This has been the angel le Vine. 338 00:23:27,960 --> 00:23:40,160 Speaker 1: You'll hear more from us soon. Oh is my a Joe? 339 00:23:41,160 --> 00:24:01,760 Speaker 1: Excuse me? While live DEEPPI. His is