WEBVTT - S1E12 - Malec 0:00:34.520 --> 0:00:39.239 Hello, Hello, Hello, dum welcome back Hello. Yes, indeed we've 0:00:39.240 --> 0:00:42.120 got an exciting episode this time, we certainly do. And 0:00:42.200 --> 0:00:45.959 welcome back Angels, Shadow fam to return to the Shadows. 0:00:46.400 --> 0:00:51.199 Oh my gosh, we're finally here, finally the episode of 0:00:51.240 --> 0:00:55.240 the piece de resistance of season one. Yep, yep, yep, yep. 0:00:55.560 --> 0:00:59.120 After what did we take two full days filming this 0:00:59.200 --> 0:01:03.400 one scene that this episode culminates in. Yeah, I forgot 0:01:03.400 --> 0:01:07.880 how much glass there was in the studios in season one. 0:01:08.319 --> 0:01:12.679 Just a nightmare. So much glass everywhere, so much class. No, 0:01:13.920 --> 0:01:16.600 I don't know what's interesting is because then I didn't 0:01:16.640 --> 0:01:19.120 I didn't know as much about the technical side of 0:01:19.120 --> 0:01:21.000 filmmaking and the things you have to think about and 0:01:21.040 --> 0:01:23.160 all of that. But thinking back on it now, just 0:01:23.240 --> 0:01:27.520 the reflections alone must have been an absolute nightmare, nightmare 0:01:27.560 --> 0:01:32.440 for for camera department to figure out. Yep, yep, yep, yep. 0:01:32.640 --> 0:01:35.759 Well shall we dive in? Let's so here we are 0:01:35.840 --> 0:01:41.720 dumb at Season one episode twelve, entitled Malik, Very Simply, 0:01:41.959 --> 0:01:47.400 very simply Malick, It aired originally on March. Written by 0:01:47.560 --> 0:01:51.600 the Lovely Michael Reese and directed by James Marshall, guest 0:01:51.600 --> 0:01:55.440 starring Allen Van Sprang, Maxim Roy, David Castro, John Core, 0:01:55.520 --> 0:01:59.640 Stephanie Bennett, and Caitlin Leeb and co starring Stephen our Heart. 0:02:00.400 --> 0:02:04.120 What a full house we have for this episode? What 0:02:04.640 --> 0:02:08.400 a full house? And as for what we're in store for, well, 0:02:08.880 --> 0:02:11.359 what more can be said than All You Need Is Malik. 0:02:11.919 --> 0:02:15.040 On the eve of Alec and Lydia's wedding, relationships are examined. 0:02:15.160 --> 0:02:17.640 The Institute is in full swing as everyone prepares for 0:02:17.680 --> 0:02:20.480 Alec and Lydia's wedding, but not everyone is celebrating. As 0:02:20.520 --> 0:02:23.440 relationships are tested, Clary and Jay struggled to come to 0:02:23.560 --> 0:02:26.520 terms with their newly revealed past. Alec is confused with 0:02:26.520 --> 0:02:29.560 his feelings for Magnus, especially when Magnus won't give up 0:02:29.560 --> 0:02:32.280 on him. Magnus, Clary and Jay search for Ragna Fell, 0:02:32.440 --> 0:02:35.080 a warlock who may in fact hold the antidote to 0:02:35.160 --> 0:02:39.560 wake up Jocelyn. Ragna Fell. I'm so excited. We also 0:02:39.639 --> 0:02:43.280 mentioned that Adam Kenneth Wilson plays Ragna Felt. Yeah, I 0:02:43.320 --> 0:02:48.160 was gonna say, yeah it is. Oh, yeah, you're right, Yeah, 0:02:48.280 --> 0:02:51.880 he is the ghost here. You're absolutely right. Wow, it's 0:02:51.919 --> 0:02:58.919 like you were in the show. So let's dive right in. Yeah, 0:02:58.960 --> 0:03:00.600 we can't really talk about any the book to screen 0:03:00.639 --> 0:03:03.160 stuff yet because it's all spoiler, so we're just going 0:03:03.200 --> 0:03:05.600 to skip. Let's skip that for now, but fun facts 0:03:05.600 --> 0:03:09.480 we can talk about. Shot took place in September, which 0:03:09.560 --> 0:03:11.640 is still it still blows my mind that we were 0:03:11.639 --> 0:03:14.360 filming this such a long time ago. It's getting to 0:03:14.400 --> 0:03:17.160 the stage now where I get recognized for playing Jace 0:03:17.400 --> 0:03:20.720 and they someone goes, oh, you're Jace, right, and it's 0:03:20.720 --> 0:03:23.600 a bit like I was, yeah, many years ago. We're 0:03:23.600 --> 0:03:25.520 getting to that stage where I can actually say that 0:03:26.520 --> 0:03:29.239 Malick was a fan made couple of ship name for 0:03:29.360 --> 0:03:33.160 Magnus Spain and Alec Lightwood. That's interesting. Was it surely 0:03:33.200 --> 0:03:36.160 from the books? Though originally that must have been where 0:03:36.160 --> 0:03:38.000 it came from. Definitely, all of the most of our 0:03:38.040 --> 0:03:41.000 ship names, Yeah, with the exception of, you know, some 0:03:41.040 --> 0:03:43.080 of the ones we created that we'll get into in 0:03:43.120 --> 0:03:46.720 season two. And Um, a lot of these ship names 0:03:46.800 --> 0:03:51.560 came from the book fandom Um. Magnus is talking about 0:03:51.600 --> 0:03:54.840 siblings who are attracted to each other. He says, I 0:03:54.880 --> 0:03:57.080 want to know a couple in ancient Egypt. This is 0:03:57.120 --> 0:04:00.280 a likely reference to Cleopatra whose famous romances may have 0:04:00.440 --> 0:04:04.000 included more than one sibling, most famously and confirmed her brother, 0:04:04.360 --> 0:04:08.400 whom she married Gross I didn't know that that's grim 0:04:08.800 --> 0:04:11.000 because Constantine Film does not own the rights to the 0:04:11.000 --> 0:04:16.000 bain chronicles mentioned of in Mars, the musician from Perue 0:04:16.000 --> 0:04:19.080 who had a fling with Magnus bain In was technically 0:04:19.160 --> 0:04:21.000 not allowed. So I wonder how we managed to get 0:04:21.040 --> 0:04:22.719 away with that, because people tend to be very on 0:04:22.839 --> 0:04:26.880 top of like when you make mistakes. I guess maybe 0:04:26.880 --> 0:04:29.039 because it was just a fleeting mention and we didn't 0:04:29.040 --> 0:04:31.560 discuss the character in any way, I think so. And 0:04:31.600 --> 0:04:34.920 also because he's a historical figure. Um, I think, well, 0:04:35.000 --> 0:04:36.479 let me put it this way, if he really is 0:04:36.600 --> 0:04:38.919 a musician from Perue, you know, in the way that 0:04:38.960 --> 0:04:40.760 we pull in Cleopatra and the way that we pull 0:04:40.839 --> 0:04:45.240 in was it Diplow that we said was a or 0:04:45.240 --> 0:04:49.320 something Calvin Harris, Yeah, there you go, So, you know 0:04:49.400 --> 0:04:51.719 we if it was one of those folks, then obviously 0:04:51.960 --> 0:04:53.880 it's you know, it has nothing to do with the books, 0:04:53.880 --> 0:04:55.320 and it's a bit fair game. But if it was 0:04:55.320 --> 0:04:57.720 a book character that was created, that would be interesting. 0:04:58.120 --> 0:05:00.960 But then I wonder, because I know that is, yeah, 0:05:01.080 --> 0:05:04.760 is it really? It's funny. Well, so the first thing 0:05:04.839 --> 0:05:08.440 I typed in a Marsu Peru musician. All it comes 0:05:08.480 --> 0:05:12.719 up with is Umasu and Magnus Pain. The first like 0:05:12.839 --> 0:05:15.440 twenty results are just that well, I mean it was 0:05:15.480 --> 0:05:18.520 Magnus beIN a real person. The shadow film will prevailed down. 0:05:18.600 --> 0:05:22.719 We know this, yeah, well, exactly during the wedding scene, 0:05:22.800 --> 0:05:26.560 the necklace of Lydia keeps disappearing and reappearing. This is 0:05:26.640 --> 0:05:29.480 until she finally gets the necklace from Alec. That is 0:05:29.920 --> 0:05:31.920 hysterical and I'm going to keep an eye out for 0:05:31.960 --> 0:05:34.440 that when we're watching it. That's so funny. I've never 0:05:34.480 --> 0:05:37.840 known well spotted whoever spotted that that is. It's just 0:05:38.040 --> 0:05:40.760 it's one of those things that happened sometimes. Like wedding 0:05:40.839 --> 0:05:43.120 rings is another one that's always a nightmare, especially if 0:05:43.120 --> 0:05:45.880 you're married in real life. You forget to take off 0:05:45.920 --> 0:05:48.040 the real one and put on the you know whatever, 0:05:48.080 --> 0:05:51.000 the fake one. But that's interesting, eglid fans keep an 0:05:51.000 --> 0:05:53.839 eye out for that. Um, we can't talk about book 0:05:53.880 --> 0:05:55.800 to screen as of yet, so let's just dive in. So, 0:05:55.880 --> 0:05:58.880 although there is one thing we can mention when Hodge 0:05:59.000 --> 0:06:02.040 shows the picture of It's interesting going back to the 0:06:02.040 --> 0:06:05.719 whole emassw thing in different book properties, because there are 0:06:05.720 --> 0:06:08.520 three warlocks that show up at a certain point. And 0:06:08.880 --> 0:06:10.760 another thing a lot of the book fans caught is 0:06:10.839 --> 0:06:14.200 that one of them was was Ragnar Fell, the other 0:06:14.360 --> 0:06:17.080 was Tessa Gray, and the other was Caterine a Loss. 0:06:17.440 --> 0:06:21.440 Who are all warlocks from the books, particularly from the 0:06:21.440 --> 0:06:24.520 Infernal Devices, although they are mentioned in the Moral Instruments, 0:06:24.520 --> 0:06:25.800 And maybe that's so we've got to wear with it. 0:06:26.360 --> 0:06:29.880 I don't know, Yeah, I mean, I I don't know. 0:06:30.960 --> 0:06:33.680 I don't know how legality works with intellectual property, like 0:06:34.360 --> 0:06:36.279 because you wrote these characters, but they were in more 0:06:36.279 --> 0:06:38.760 than one version of that stimulus. But if we're not 0:06:38.760 --> 0:06:41.360 allowed to use a version of the stimulus that includes 0:06:41.400 --> 0:06:44.760 those characters, then are we allowed to use those characters 0:06:44.800 --> 0:06:46.679 because they were in another stimulus or we're not allowed 0:06:46.680 --> 0:06:50.440 to touch them at all? Who knows the legalities of this? Exhausting, 0:06:50.560 --> 0:06:55.359 quite frankly. Anyway, shall we dive into the episode please. 0:06:55.680 --> 0:06:58.800 Let's so. The episode starts with a very cross Jase, 0:06:59.400 --> 0:07:03.800 so cross, so scary, grumpy, crumpy Chase. Yeah, I am 0:07:03.839 --> 0:07:07.080 a crosspatch. I'm a crosspatch bunny today, and I think 0:07:07.160 --> 0:07:13.920 largely because I'm a crosspatch bunny. Cross bunny before a 0:07:13.920 --> 0:07:17.160 crosspatch bunny. Well, there you go. But yes he is crosspatch. 0:07:17.280 --> 0:07:19.480 You can tell because my jaw is doing that thing 0:07:19.600 --> 0:07:23.800 that does across I'm doing the jaw clench. Yeah, there's 0:07:23.800 --> 0:07:27.960 been many occasions where because the other thing is because 0:07:27.960 --> 0:07:29.520 you're taught to do it on you when you're doing 0:07:29.560 --> 0:07:33.280 stunts like if you're falling or if you're being dropped, 0:07:33.320 --> 0:07:34.720 or if you're landing on your back with your front 0:07:34.760 --> 0:07:36.880 or whatever, they tell you to lock your draw into 0:07:36.960 --> 0:07:39.840 place so you don't when you hit you don't close 0:07:39.880 --> 0:07:43.120 your drawer in your tongue and bite your tongue. That's advice, 0:07:43.680 --> 0:07:46.400 solid advice. I'm yet to do that, but yeah, as 0:07:46.440 --> 0:07:50.920 a result of that and constantly being crosspatch, jas has 0:07:50.920 --> 0:07:53.640 a tight jaw. He has a clenchy jaw. Well, we'll 0:07:53.640 --> 0:07:56.200 get Jason face massage at the end of this episode 0:07:56.360 --> 0:07:58.800 because he's gonna there's a lot more attention to go 0:08:00.800 --> 0:08:03.720 before then we have There are some smiles that are 0:08:03.760 --> 0:08:07.480 coming next, but it's a from an unlikely source, so 0:08:07.520 --> 0:08:10.640 we Alec and Clary have a little bit of a reconciliation. 0:08:11.880 --> 0:08:15.800 So Clary is watching over her mother and this This 0:08:15.880 --> 0:08:20.240 is why I love working with Matt because he there's 0:08:20.360 --> 0:08:24.920 there's so much spontaneity in little moments and little things 0:08:24.920 --> 0:08:27.040 that he'll do and little mannerisms that he'll have. And 0:08:27.080 --> 0:08:28.360 I know you, I mean, you got to work with 0:08:28.400 --> 0:08:31.440 him so much. There's it makes it fun because you 0:08:31.440 --> 0:08:33.600 always know he's going to bring something and bound something 0:08:33.600 --> 0:08:36.040 in there. And this scene was the first time I 0:08:36.080 --> 0:08:39.000 got to have a real conversation in a scene with 0:08:39.080 --> 0:08:42.680 Matt without fighting with him. And uh, it's you know, 0:08:42.679 --> 0:08:45.000 it's this really nice moment and it's sort of foreshadows 0:08:45.000 --> 0:08:47.880 this friendship that that Alec and Clary build because they're 0:08:47.920 --> 0:08:52.440 both stuck emotionally in different places right now and being 0:08:52.480 --> 0:08:56.040 pulled between different forces and there's an odd and they've 0:08:56.040 --> 0:08:58.439 both made mistakes and they've both made poor choices and 0:08:58.640 --> 0:09:01.880 and you know the fact that they're able to take 0:09:01.880 --> 0:09:04.320 a moment and acknowledge that it's a it's a nice 0:09:04.559 --> 0:09:07.120 different color out of the both of them is Yeah, 0:09:07.280 --> 0:09:10.600 it really is. What was what was Matt like? Did 0:09:10.640 --> 0:09:14.319 you have a similar I guess impression when you did trust? 0:09:14.520 --> 0:09:17.920 Was it called trust? Yeah, it's called trust. Yeah. Well, 0:09:17.920 --> 0:09:19.840 what's interesting in that movie is the two of us 0:09:19.880 --> 0:09:22.640 were playing entirely different characters, and so it was a 0:09:22.640 --> 0:09:26.240 completely we We had become so accustomed to the sort 0:09:26.240 --> 0:09:29.360 of butting heads brothers sister lee character relationship. We sort 0:09:29.400 --> 0:09:31.800 of had to go is there? Because he called me 0:09:31.880 --> 0:09:34.040 when he got offered the film and he's like, are 0:09:34.080 --> 0:09:36.680 you sure we can do this? Because I don't know 0:09:36.720 --> 0:09:38.920 if we can seriously look at each other in the 0:09:38.960 --> 0:09:41.880 eye and flirt. And I was like, no, no, we 0:09:41.920 --> 0:09:43.840 got this. And it turned out to be so fun 0:09:43.920 --> 0:09:48.640 because after working with someone for so long, you work 0:09:48.679 --> 0:09:50.880 with them on something else and you automatically have a 0:09:51.040 --> 0:09:54.160 kind of technical shorthand of and especially with indie movies 0:09:54.200 --> 0:09:57.120 things you're always crunched on time and you're always trying to, 0:09:57.200 --> 0:10:00.720 you know, make it work more efficiently. And with Matt, 0:10:00.760 --> 0:10:02.600 we're going, okay, so this is how we can do 0:10:02.679 --> 0:10:04.520 and then if we and if I stand and you 0:10:04.600 --> 0:10:07.280 go and okay, And even with the characters, it's just 0:10:07.360 --> 0:10:09.400 nice to have someone that you, for lack of a 0:10:09.400 --> 0:10:12.440 better word, trust and just can bounce things off of 0:10:12.760 --> 0:10:14.640 and know that you can play and that that other 0:10:14.679 --> 0:10:17.000 person is going to give you back the same sort 0:10:17.000 --> 0:10:19.120 of energy that you're putting out there. Um, that's so 0:10:19.240 --> 0:10:23.240 interesting that also I have another, I think, fun trust 0:10:23.600 --> 0:10:28.440 bit of information. Yeah, Lucien, Lucien. I'm sure he won't 0:10:28.480 --> 0:10:32.120 remember me. British rights from Manchester or he's from up 0:10:32.120 --> 0:10:35.960 north somewhere. Yeah, so Lancashire, Yeah he is. He's from Lankshire. 0:10:36.080 --> 0:10:39.040 Solution was one of the first British people I ever 0:10:39.080 --> 0:10:41.920 met in l a and we won't he won't remember me, 0:10:42.360 --> 0:10:45.360 but I remember cracking up. We were testing for something together, 0:10:45.720 --> 0:10:47.719 or maybe just auditioning for something together. I can't remember that. 0:10:47.920 --> 0:10:50.080 And it was just like the two of us and 0:10:50.080 --> 0:10:51.360 he went off and got a glass of water and 0:10:51.360 --> 0:10:52.920 then came back in and was like, you know when 0:10:52.960 --> 0:10:55.560 you drink water wrong and you're like choking, And it 0:10:55.640 --> 0:10:58.120 was like the funniest thing. I thought, it was so funny. 0:10:58.120 --> 0:10:59.439 You just put everyone in the room at ease. It 0:10:59.480 --> 0:11:01.640 was such a nice guy. And he like choked a 0:11:01.640 --> 0:11:03.480 little and got better and he went fucking I thought 0:11:03.480 --> 0:11:05.000 that was the end of me. I was going to 0:11:05.120 --> 0:11:08.000 die there just from drinking some water. And it was 0:11:08.840 --> 0:11:11.240 it was just like everyone was just at ease from then, 0:11:11.280 --> 0:11:13.000 and I've always remembered him for that, Like he's a 0:11:13.000 --> 0:11:17.400 really really nice, really nice guy. So no, he was lovely. 0:11:17.440 --> 0:11:19.120 It was such a fun film because we had a 0:11:19.160 --> 0:11:22.840 whole cast of folks and and it was it was nice. 0:11:22.920 --> 0:11:25.320 Everyone was kind of down to play. And but we're 0:11:25.320 --> 0:11:28.319 not talking about that right now. We've got different issues 0:11:28.360 --> 0:11:31.120 to deal with it. We we do, we do. It's 0:11:31.120 --> 0:11:34.800 not about trust. It's about Malick, and it's always about Malick. 0:11:35.200 --> 0:11:38.360 Magnus is such a great character in the sense because 0:11:38.400 --> 0:11:43.720 he's so all knowing and so wise and so beyond 0:11:43.880 --> 0:11:46.920 his you know, beyond everyone else in in his wisdom, 0:11:47.040 --> 0:11:52.560 but he still falls victim to very human vulnerabilities and tendencies. 0:11:52.679 --> 0:11:55.640 And when Alec was to see him in this next scene, 0:11:56.520 --> 0:12:00.640 he's clearly as sexy as he's ever been and he's 0:12:00.640 --> 0:12:02.480 going to drink in his hand. He set the mood 0:12:02.559 --> 0:12:05.679 and it just makes me so happy. Yeah, it's you know, 0:12:05.920 --> 0:12:09.600 it's a fun it's a fun leading scene. Of course, 0:12:09.640 --> 0:12:12.560 anyone who's read the books knows. Any fans of our 0:12:12.559 --> 0:12:14.840 show that read the book, they know, they know where 0:12:14.880 --> 0:12:17.040 this episode is going, they know what's going to happen. 0:12:17.080 --> 0:12:18.920 They don't know how it's going to happen or but 0:12:19.000 --> 0:12:21.240 they know that sort of this new partnership is going 0:12:21.320 --> 0:12:26.080 to spring. And I guess for the the audience, it's 0:12:26.360 --> 0:12:29.280 the audience that hadn't read the books, which I I 0:12:29.880 --> 0:12:32.080 really enjoy talking to those people because they don't have 0:12:32.160 --> 0:12:35.080 these sort of preconceived notions or these expectations of the 0:12:35.120 --> 0:12:37.760 show or the relationships. So it's really interesting to talk 0:12:37.800 --> 0:12:40.600 to those people and they go, oh, yeah, that was 0:12:40.640 --> 0:12:43.480 one of my favorite episodes because we didn't know what 0:12:43.559 --> 0:12:45.600 he was going to choose, like we didn't know that, 0:12:45.640 --> 0:12:47.959 And that's a real testament to the two of them, 0:12:48.480 --> 0:12:53.240 Harry and Matt. Matt for showing this like fortitude in 0:12:53.240 --> 0:12:55.680 alec No, my decision is made. It's this is difficult, 0:12:55.720 --> 0:12:58.040 but this is my decision. I'm doing this. And then 0:12:58.080 --> 0:13:01.280 Harry with this like frustration with the sort of tempting 0:13:01.280 --> 0:13:04.240 and flirting and the understanding of what it's like to 0:13:04.280 --> 0:13:07.320 be a young gay man trying to live I guess 0:13:07.320 --> 0:13:09.600 in shoes that don't fit him. So the two of 0:13:09.640 --> 0:13:12.640 them do this this really wonderful like dance, and it's 0:13:12.640 --> 0:13:15.280 interesting talking to fans who didn't know how this was 0:13:15.280 --> 0:13:18.160 going to end. Who say, yeah, we genuinely didn't know 0:13:18.320 --> 0:13:20.720 in this episode. We had no idea which way this 0:13:20.800 --> 0:13:23.760 was going to end. Um which is great. Good on 0:13:23.800 --> 0:13:26.520 you guys, and it's great, and we'll talk more about 0:13:26.520 --> 0:13:29.360 that when we get to the moment to which you're referring. 0:13:30.000 --> 0:13:32.160 It's this been It's been such a nice arc over 0:13:32.200 --> 0:13:35.079 these last few episodes to see the push and pull 0:13:35.200 --> 0:13:37.840 and and and to see a lot of these vulnerabilities 0:13:37.840 --> 0:13:40.600 in both of these characters, and and kind of I 0:13:40.640 --> 0:13:43.000 think it sets the foundation for much in the same 0:13:43.040 --> 0:13:45.800 way that it sets the foundation for the parable relationship, 0:13:46.400 --> 0:13:48.760 the trials and tribulations you've been through, it sort of 0:13:48.800 --> 0:13:51.360 sets the foundation for the future of these two characters 0:13:51.360 --> 0:13:55.160 as well, know very much. So. Um So, after our 0:13:55.240 --> 0:14:00.160 little fun flirty moment between the two of them, we 0:14:00.160 --> 0:14:04.439 we dive into a Simon Clary scene which she doesn't 0:14:04.440 --> 0:14:08.240 waste much time, does she bloody hell, like, just found 0:14:08.280 --> 0:14:10.280 out that the love of my life can't happen. So 0:14:10.320 --> 0:14:12.760 she's like, Hey, I know another date that I can 0:14:12.800 --> 0:14:17.160 invite to this wedding. Crikey. Honestly, good for Simon, good 0:14:17.240 --> 0:14:23.240 for you, mate, But I think what that actually is 0:14:23.480 --> 0:14:26.080 it's it's less about oh, one day it's gone, let 0:14:26.080 --> 0:14:27.680 me find another one. And I think it more comes 0:14:27.680 --> 0:14:31.160 from the fact of Clari and Jace are both reeling 0:14:31.280 --> 0:14:36.120 because they clearly both thought one perception of this relationship 0:14:36.160 --> 0:14:38.920 and then suddenly going, oh, it's my brother, so no, 0:14:39.120 --> 0:14:41.200 that can't happen, and sort of pushing that away and 0:14:41.240 --> 0:14:44.840 shutting that door because otherwise it doesn't make any sense, 0:14:44.920 --> 0:14:48.000 and and just needing some comfort. She needs some something 0:14:48.040 --> 0:14:50.920 that feels normal, something that kind of grounds her, especially 0:14:50.920 --> 0:14:53.240 since her mother is still stuck and we don't really 0:14:53.280 --> 0:14:56.080 know what's happening with that and could potentially be gone forever. 0:14:56.200 --> 0:14:59.400 At this point, you need someone who who knows you, 0:14:59.440 --> 0:15:02.080 and she's trying it desperately to still hang on to 0:15:02.200 --> 0:15:05.000 who she was and who she is, and some semblance 0:15:05.040 --> 0:15:07.480 of comfort for lack of a better word, and that's 0:15:07.480 --> 0:15:11.760 Simon's always Simon, Poor Simon, always a bridesmaid. Until the 0:15:11.840 --> 0:15:14.520 end of season three. We'll get there. We'll get there 0:15:14.560 --> 0:15:18.640 for you, buddy, We'll get their buddy. Bless him. They like, 0:15:19.760 --> 0:15:21.840 is he paler in season one than he was in 0:15:21.920 --> 0:15:24.480 season two? Is that a change we made? So all 0:15:24.520 --> 0:15:27.000 the vampires are. They did the vampire makeup a little 0:15:27.000 --> 0:15:29.600 differently in season one because and you see it most 0:15:29.640 --> 0:15:32.200 on David Castro. You see it mostly on him in 0:15:32.720 --> 0:15:35.560 his first episode because it was very white and then 0:15:35.600 --> 0:15:37.520 so it's one of those things like the Ruins and 0:15:37.520 --> 0:15:39.920 the swords. They slowly but truly figured it out. It's 0:15:39.920 --> 0:15:44.080 an interesting transition because he's got quite olive's skin naturally, 0:15:44.160 --> 0:15:46.640 David Castro has quite sort of olive colored skin. So 0:15:46.680 --> 0:15:48.920 it's that's that's the one for me where I see 0:15:48.960 --> 0:15:51.320 it very much, so, especially in those early episodes. But 0:15:51.400 --> 0:15:53.320 I just noticed it in Alberto a little there. I 0:15:53.400 --> 0:15:57.200 was like, good buddy on the video games, you need 0:15:57.280 --> 0:16:00.400 to get outside. Man, you're like a little pale. I mean, 0:16:00.440 --> 0:16:03.120 we all got a little pale. It was try seriously, yeah, 0:16:03.200 --> 0:16:07.720 that first season like only saw the sun when I 0:16:07.760 --> 0:16:10.880 was when they decided we were going to film during 0:16:10.880 --> 0:16:13.640 the day outside. Actually, this is one of the very 0:16:13.640 --> 0:16:16.040 few episodes that we filmed during the war that I 0:16:16.160 --> 0:16:19.120 filmed early on. You and Matt and Alberto had quite 0:16:19.160 --> 0:16:23.120 a few daytime outdoor scenes, but I didn't have very 0:16:23.120 --> 0:16:26.440 many at all in this season, and this episode we do. 0:16:26.560 --> 0:16:29.680 We went to that that house you remember, Yeah, we 0:16:29.840 --> 0:16:52.760 just gorgeous out. So what happens next time? Next we 0:16:52.840 --> 0:16:56.040 move into plan mode again. We need to get into 0:16:56.080 --> 0:16:59.760 planned mode. Ah how just Ted talk? Just Ted talks. 0:16:59.760 --> 0:17:02.320 So there are three people sat at a table at 0:17:02.320 --> 0:17:04.400 the institute who do not want to be sat at 0:17:04.400 --> 0:17:08.000 a table in the center of the institute, Jason and 0:17:08.119 --> 0:17:13.320 Clary for very obvious reasons. And Magnus is in the 0:17:13.359 --> 0:17:15.320 one place that he does not want to be right now. 0:17:15.400 --> 0:17:19.440 He does not want to be surrounded by this enamoring 0:17:19.520 --> 0:17:23.360 young man's wedding plans. He does not want to see 0:17:23.400 --> 0:17:26.840 Alec after their previous conversation. So it's three people in 0:17:26.840 --> 0:17:29.440 a very uncomfortable state and Hodge ignoring that and talking 0:17:29.480 --> 0:17:32.680 about the mission. Bless him, Hodges, and I just love 0:17:32.760 --> 0:17:37.000 how John Core approaches this because he's so excited to 0:17:37.080 --> 0:17:39.639 have information and to be able to teach and share, 0:17:39.720 --> 0:17:42.280 and it's it's like that teacher that always makes you 0:17:42.320 --> 0:17:44.840 excited to go to class and excited to learn things 0:17:44.880 --> 0:17:48.199 because they're into it. And yet everybody else is just 0:17:48.480 --> 0:17:53.320 Freddie foreshadowing again, Freddy foreshadowing again. Hodge is such a 0:17:53.400 --> 0:17:56.640 nice guy. Oh yeah, Hodges the best We love Hodge. 0:17:56.840 --> 0:17:59.480 Don't you love Hodge. We all love Hodge, We trust Hodge, 0:17:59.520 --> 0:18:04.879 we would try by Hodge. We all want more. John Core, Um, 0:18:04.960 --> 0:18:07.280 I just saw the image that you were talking about 0:18:07.280 --> 0:18:11.119 with these three warlocks. Um. He actually he does an 0:18:11.160 --> 0:18:15.560 amazing job with the so the the screens that we use, 0:18:15.680 --> 0:18:18.679 those screens in the institute, those big screens and all 0:18:18.720 --> 0:18:21.760 of the iPads and everything. None of those were touch 0:18:21.840 --> 0:18:23.720 screen in any way, shape or form. They were all 0:18:23.760 --> 0:18:26.719 just TV screens, that's all they were. So everything we 0:18:26.800 --> 0:18:29.840 did there was a graphic that played on the screen 0:18:30.320 --> 0:18:33.240 that we had to time with everything else. And John 0:18:33.280 --> 0:18:36.280 is one of the ones who made it look really effortless. 0:18:36.359 --> 0:18:38.480 He made it look like there at no point in 0:18:38.560 --> 0:18:40.640 I like, oh, there's that weird delay where it didn't 0:18:40.680 --> 0:18:43.440 quite happen right away. He always got that timing exactly 0:18:43.600 --> 0:18:46.760 right and makes it look really really good. And what 0:18:46.840 --> 0:18:52.080 he's pulled up is the three of your of your warlocks, 0:18:52.200 --> 0:18:55.000 it's Katrina lost Ragna Fell and her name's cut off, 0:18:55.040 --> 0:18:57.280 But did you say Tessa Gray was the other one. 0:18:58.640 --> 0:19:01.200 And there are three warlocks and we're trying to figure 0:19:01.200 --> 0:19:03.840 out which one is more powerful than Magnus pain, and 0:19:03.920 --> 0:19:07.920 which one could have cast this charm the spell made 0:19:07.960 --> 0:19:12.720 this potion for Jocelyn that she drank and green and 0:19:12.720 --> 0:19:16.280 in a bubble when all green and bubbly. It's just 0:19:16.640 --> 0:19:19.800 so much awkward in this scene. And I had forgotten 0:19:19.840 --> 0:19:23.440 how awkward the awkward because we got so far past 0:19:23.480 --> 0:19:25.960 it by the end. But it's you could cut that 0:19:26.040 --> 0:19:31.800 tension with that nice oh yeah, yeah, how's your doing? God? Yes, 0:19:31.840 --> 0:19:33.760 this is one of those days where it's like, oh, 0:19:34.359 --> 0:19:38.800 I was so sore. Yeah, not happy. Nobody's happy except 0:19:38.840 --> 0:19:42.040 for except for Hodge, who's just oblivious to all of it. 0:19:42.240 --> 0:19:45.520 Bless him. He's just living his life. Yeah, And then, 0:19:45.560 --> 0:19:48.440 of course you just to make matters worse. It would 0:19:48.440 --> 0:19:50.520 be far too easy if Magnus Spain would have gotten 0:19:50.560 --> 0:19:53.359 in and out of the institute without bumping into the 0:19:53.400 --> 0:19:57.879 happy couples. Of course, and again credit to Stephanie because 0:19:57.960 --> 0:20:01.960 she once again is plays this kind of delicate situation 0:20:02.040 --> 0:20:06.040 in such a lovely way of trying to be gracious 0:20:06.119 --> 0:20:10.560 and trying to not make it awkward, and yet everyone 0:20:10.840 --> 0:20:14.720 is sort of arrested by the tension in the room. Yeah, 0:20:14.800 --> 0:20:18.479 we have more attention by adding more characters than nobody 0:20:18.520 --> 0:20:20.800 wants to talk to each other. There's like eight people 0:20:20.840 --> 0:20:23.160 in this room right now, and four of them don't 0:20:23.160 --> 0:20:25.000 want to talk to the other four. And there's all 0:20:25.040 --> 0:20:30.960 these crossed purposes. Bloody nightmare, a nightmare. Good Lord, attention. 0:20:31.200 --> 0:20:33.600 That's enough, Thank God. The scenes over and we're done. 0:20:34.400 --> 0:20:37.040 Let's move on. Let's move on submission stuff. No more 0:20:37.160 --> 0:20:39.960 tension for me, Oh yeah, no more attention. Missions are 0:20:40.080 --> 0:20:44.320 never tense. Let's let's go out into the English countryside 0:20:44.640 --> 0:20:48.080 and go out. Honestly, that's Jason's like wheelhouse, Like I 0:20:48.160 --> 0:20:50.560 don't think he gets tense, like watch him like this 0:20:50.760 --> 0:20:53.280 is This is something that Darren and I discussed this 0:20:53.359 --> 0:20:57.840 pretty fervently about how Jason's movements and the way he 0:20:58.000 --> 0:21:00.680 fights is like has this flu medity to it, so 0:21:00.760 --> 0:21:04.959 it has this um he's it's like walking or like breathing, 0:21:05.040 --> 0:21:08.120 like it's that's that is where he's the most comfortable. Um. 0:21:08.320 --> 0:21:10.440 And I can't remember if it was Darren and myself 0:21:10.480 --> 0:21:12.359 who brought it up. We wanted it to be like 0:21:12.480 --> 0:21:15.520 you know how Captain Jack Sparrow walks on land and 0:21:15.640 --> 0:21:17.800 he walks like he's drunk, but when he walks on 0:21:17.840 --> 0:21:20.080 a boat, he walks perfectly, and that's because he spent 0:21:20.160 --> 0:21:22.120 so much time on a boat that he feels comfortable 0:21:22.160 --> 0:21:23.720 on a boat, and when he gets on land it 0:21:23.760 --> 0:21:26.160 feels weird that there isn't that motion, and we kind 0:21:26.160 --> 0:21:29.040 of wanted an element of that with Jace, where he 0:21:29.320 --> 0:21:32.480 is most comfortable when he's holding his sword, when he's 0:21:32.520 --> 0:21:34.640 about to go into action, like that's what makes sense 0:21:34.680 --> 0:21:36.520 to him. That's all that makes sense to him. So 0:21:36.640 --> 0:21:38.920 I think it's funny that you say, like, you know, 0:21:39.000 --> 0:21:42.040 the battle fields never tense. It's always tense because it's battle, 0:21:42.160 --> 0:21:45.440 but like in Jason's head, that is that's like that's 0:21:45.720 --> 0:21:47.880 the norm, Like that's where I feel most at home. 0:21:48.040 --> 0:21:51.159 Is it is when I'm charging into you know, potentially 0:21:51.200 --> 0:21:54.359 certain death. Yeah, well it's pretty you know what to 0:21:54.480 --> 0:21:56.720 expect you're not going to get because that's where as 0:21:56.760 --> 0:21:58.520 you said, that's where Jakes is comfortable. And it's the 0:21:58.560 --> 0:22:01.280