WEBVTT - Ludacris Interview

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<v Speaker 1>I'm real, real celebrity joined the Breakfast Morning. Everybody is

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<v Speaker 1>DJ Envy, Angela Yee, Charlomagne, the God. We are the

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<v Speaker 1>Breakfast Club special guests in the building. One of my

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<v Speaker 1>favorite artists. Highly underrated in my opinion. Yeah, hell you underrated.

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<v Speaker 1>You sold twenty million records. Now you know why we

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<v Speaker 1>sold twenty million. I want to say he sold twenty

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<v Speaker 1>million quietly. There's no sense thing you can back his lyricism.

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<v Speaker 1>I think we'll say that personal. It sounds like you

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<v Speaker 1>don't respect all. He couldn't have sold twenty millions quietly

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<v Speaker 1>if I knew about it. Oh yeah, Yeah, that's a

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<v Speaker 1>good point right there. That's definitely a good point of

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<v Speaker 1>food here. It feels good to be back. It feels

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<v Speaker 1>good to be back. Still, good crew. I like seeing

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<v Speaker 1>you when you come around because I always see shocker. Yeah. Absolutely,

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<v Speaker 1>for all the money y'all made, you have thought y'all

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<v Speaker 1>to fell out. And by the way, we've never had

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<v Speaker 1>a signed contract ever in our lives. Never, So I know.

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<v Speaker 1>I know y'all get a lot of artists in here.

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<v Speaker 1>I'm here to let y'all know we've never signed anything

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<v Speaker 1>that's loyal. He right, there. That's dope. Absolutely, So what

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<v Speaker 1>do you get a standard temple? Now he gets a percentage.

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<v Speaker 1>But you know that's what we don't have to talk about,

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<v Speaker 1>that he gets a percentage, but the fact of we've

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<v Speaker 1>never had to do any paperwork, because that's how strong

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<v Speaker 1>to bind with nobody playing with Ye I mess up,

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<v Speaker 1>I might How you trust somebody in the beginning? I understand,

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<v Speaker 1>you know, in the beginning, How do you trust somebody

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<v Speaker 1>to say that we came from the same humble beginnings,

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<v Speaker 1>We came from the same radio station. Man, I don't

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<v Speaker 1>you know what it is. It's like, I literally feel

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<v Speaker 1>like he's my family. Even though we're not blood, we

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<v Speaker 1>are family, and I know family goes through certain things.

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<v Speaker 1>So at the end of the day, it is what

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<v Speaker 1>it is. But I was right, you know what I mean,

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<v Speaker 1>We've gone this long and we still don't need any paperwork.

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<v Speaker 1>I never fight, never tussled, never nothing, nothing. Now we've

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<v Speaker 1>never had to, never had to. We've had some extremely

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<v Speaker 1>great conversations where we can agree to disagree on certain things.

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<v Speaker 1>But in terms of fight, Nah, what shock used to do?

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<v Speaker 1>The station seven nine? Right? Yeah? Yeah, he was hot

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<v Speaker 1>ninety seven five. He was the music director. Yeah, yeah,

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<v Speaker 1>and it was back end of the days when you know,

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<v Speaker 1>it was like a house, so we didn't have any money.

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<v Speaker 1>This is right when Radio one started, right, and so

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<v Speaker 1>there was no money, and you know, we had to

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<v Speaker 1>kind of keep some keep some things around us. And

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<v Speaker 1>he used to do to tend to two shifts at night.

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<v Speaker 1>So of course, you know, it was just like all

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<v Speaker 1>it wasn't any rules whatsoever. A matter of fact, we're

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<v Speaker 1>trying to bring up a movie script about that, and

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<v Speaker 1>so pretty soon we're gonna shed some light on this

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<v Speaker 1>radio playing all the ludicrous records. That was kind of

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<v Speaker 1>piola in a way. Nah, noa, it wasn't. That was

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<v Speaker 1>let me tell you something. That was the day I

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<v Speaker 1>know I made it because I had to fight so

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<v Speaker 1>hard to get my records played, not only on the

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<v Speaker 1>on the station because they made me work for it.

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<v Speaker 1>The day I knew I made it is when they

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<v Speaker 1>played my record on the opposing station on the competition.

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<v Speaker 1>So you know, that's why I was like, I know,

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<v Speaker 1>oh man, you get too much money for me right now.

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<v Speaker 1>I don't know, if you work at the station and

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<v Speaker 1>you're doing music, it kind of feels like we can't

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<v Speaker 1>just play this guy's record because it Man, that's exactly

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<v Speaker 1>what it was. It was the exact opposite of what

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<v Speaker 1>people would think. It's like, you would think they would

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<v Speaker 1>support me to a degree, but they made me work

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<v Speaker 1>for it because they didn't want anybody at the station

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<v Speaker 1>feeling like they just playing his record because he works here,

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<v Speaker 1>and so you know, that was part of the grind

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<v Speaker 1>coming up. Anything that I go through makes me a

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<v Speaker 1>better artist when it comes to, you know, challenging me.

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<v Speaker 1>That's it your last album, defire. I got one more

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<v Speaker 1>after this, man, And you know what I'm gonna tell

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<v Speaker 1>you right now, I will never take five years off

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<v Speaker 1>to drop an album ever again. They realized it was

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<v Speaker 1>five years. I didn't realize you have been in the

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<v Speaker 1>game fifty Yeah, hey man, I missed myself during this time.

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<v Speaker 1>I hadn't realized it's been that long either. But you know,

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<v Speaker 1>it's like, besides the fast five, fast, six, fast seven,

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<v Speaker 1>for the first time in my life, you know, it's

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<v Speaker 1>like I dropped damn near seven consecutive albums. So with

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<v Speaker 1>that being said, I just wanted to take a little

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<v Speaker 1>time off. I wanted to enjoy the fruits of my labor.

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<v Speaker 1>I wanted to travel the world, you know what I mean.

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<v Speaker 1>I wanted to spend some of his money, and by

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<v Speaker 1>doing that, I kind of lost contact a little bit.

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<v Speaker 1>So I had to kind of bring myself back up.

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<v Speaker 1>And we all know how the music game is right now.

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<v Speaker 1>It's like the attention span, out of sight, out of mind.

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<v Speaker 1>So it's like, of course, people looking at me as

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<v Speaker 1>more of a movie star than in music right now.

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<v Speaker 1>And what it was, I had to dig back in.

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<v Speaker 1>That's why I started putting out all these Luda verses,

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<v Speaker 1>because once you hear your favorite rapper or a rapper,

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<v Speaker 1>you can hear it in his tone and in his aggression,

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<v Speaker 1>whether or not he's still hungry or not. So I

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<v Speaker 1>had to start doing it. I dropped the EP, and

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<v Speaker 1>I did that quietly on purpose because I kind of

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<v Speaker 1>wanted to just build this foundation and build back up.

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<v Speaker 1>So to me, this is my eighth album, however it

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<v Speaker 1>feels like it's my first. This is a rebirth. And

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<v Speaker 1>when you start listening to these records, you will completely

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<v Speaker 1>understand what the hell I'm talking abofe Hit the hungy

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<v Speaker 1>and call your bluff. It sounds like you're talking to somebody.

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<v Speaker 1>Absolutely there's no, there's no one. There's no one person

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<v Speaker 1>in particular. Man. It just gets to a point in rap,

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<v Speaker 1>and I know you can relate to this where it's

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<v Speaker 1>like people they talked so hard behind a microphone, and

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<v Speaker 1>I'm letting everybody know. I've never claimed to be the

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<v Speaker 1>hardest artist or the hardest dude. But when it's like

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<v Speaker 1>when you start messing with a man's family or you

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<v Speaker 1>start messing with him, that's what I say in the record.

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<v Speaker 1>It's like, you mess with me, you're messing with my family.

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<v Speaker 1>And so I hate when people talk so tough on

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<v Speaker 1>the microphone. But you see him in person, and this

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<v Speaker 1>happens all the time. See him in person, it's like, oh, no,

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<v Speaker 1>you know, I ain't mean it like that, or everything's

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<v Speaker 1>all good, it's just all entertainment. No, it's not. It's

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<v Speaker 1>not entertainment. No, said, I just told you. I'm not

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<v Speaker 1>talking about anybody in particularly Me and Drake had our

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<v Speaker 1>thing though, But you know he came to me and

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<v Speaker 1>apologize like a man. He said, no, man, you you

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<v Speaker 1>god body, you got body. That was the first time

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<v Speaker 1>I heard it. Is the first time I heard somebody

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<v Speaker 1>to call me god body. I was like, Okay, well, no,

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<v Speaker 1>it's all good. Me and Drake, Me and Drake. Drake

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<v Speaker 1>don't study in lessons. I know everybody wants to write

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<v Speaker 1>Drake office that dude, but we were Okay, how did

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<v Speaker 1>you feel when he said your name and that? How

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<v Speaker 1>about now when he said he was playing his music

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<v Speaker 1>for the chicken and chickens like, turn it off, you're

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<v Speaker 1>listening a little Yeah? You know what? Nah? You know

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<v Speaker 1>what's crazy is I think it's it's a little bit

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<v Speaker 1>of a true story behind that. And his girl was

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<v Speaker 1>listening to lush. His girl at the time, with all

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<v Speaker 1>due respect, was probably doing a little bit more than that.

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<v Speaker 1>But it's a true story. And I think that's why

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<v Speaker 1>he said that. And you know, people can respect this

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<v Speaker 1>man for for being very honest, don't record very open. Yeah,

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<v Speaker 1>and and it was a it was a chick in Toronto.

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<v Speaker 1>And at the time I didn't even know that she was.

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<v Speaker 1>You know, I guess I didn't. I didn't know what

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<v Speaker 1>was going on, But goodness, I know absolutely I did

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<v Speaker 1>not know. That's really what it comes down, the drudge

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<v Speaker 1>all the way to the rap game. You know, I

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<v Speaker 1>don't I don't know what's going on. Man, Like I said,

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<v Speaker 1>I don't know, but I do remember that that time

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<v Speaker 1>in the period of my life. Yeah, that was was

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<v Speaker 1>that the thing when you said you and you know

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<v Speaker 1>your squashed thing? That was the thing? Yeah? Yeah, yeah.

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<v Speaker 1>And I mean he had said some things in public,

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<v Speaker 1>but then you know, he apologized privately, and I was like, well,

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<v Speaker 1>you need to apologize in public the same way you know,

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<v Speaker 1>you said it in public. And that was the issue

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<v Speaker 1>that I had with him. And I'm one of those

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<v Speaker 1>artists that anybody that knows me. Again, I don't claim

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<v Speaker 1>to be the hardest, but it's like, I'm a man,

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<v Speaker 1>you know, like you gotta it's about respect. Man. You

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<v Speaker 1>can't go and do something publicly and then come and

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<v Speaker 1>quietly say, oh, you know, I'm sorry. You gotta apologize

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<v Speaker 1>as a man and say it the same format you

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<v Speaker 1>put it out on. That's the same format you need

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<v Speaker 1>to continue on or I'm gonna do the same thing.

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<v Speaker 1>But I'd rather just get swung on. Hey, I'm not

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<v Speaker 1>mad at that either. I'm down for that too. Is

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<v Speaker 1>that why you took it to the Hey, look, mister

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<v Speaker 1>Jimmy swing on me. I'm talking about in general, I

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<v Speaker 1>apologize and didn't say the same thing I say, and

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<v Speaker 1>you swing on this morning. There's so many people that

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<v Speaker 1>go to the gym that will get they asked Woods

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<v Speaker 1>on a daily basis, because muscles don't mean a damn thing.

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<v Speaker 1>I can walk to walk up to you and kick

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<v Speaker 1>you in your knee and the fight is almost over

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<v Speaker 1>because you can't. You don't out of your balance. So period,

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<v Speaker 1>that's the bad thing with rich guys. They've been all

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<v Speaker 1>around the world. He might be over in China studying

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<v Speaker 1>some old pressure points. But now we talked about this man.

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<v Speaker 1>You over here messing with some some some some street

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<v Speaker 1>marshal arts. You know. I'm messing with some street things too,

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<v Speaker 1>So you know I respect that. Now. Is that why

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<v Speaker 1>you in the call You Bluff video you took it

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<v Speaker 1>back to the street, to the aid to let people know,

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<v Speaker 1>like looking, man, listen, if it's anything that I love

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<v Speaker 1>right now is taking it back like I called it.

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<v Speaker 1>This album is back to the basics. So again I

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<v Speaker 1>listened to the fans when they say they want the

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<v Speaker 1>old Loot. I get that, you know. It's like I

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<v Speaker 1>can always do that, But at the same time, I

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<v Speaker 1>have to be the new Looder. I have to be progressive.

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<v Speaker 1>I have to evolve. There are new things that have

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<v Speaker 1>happened in my life that I always have to you know,

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<v Speaker 1>I pretty much have to talk about. But at the

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<v Speaker 1>same time, this album is like the old Louder mixed

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<v Speaker 1>with the new Looder emerging it perfectly together. Can you

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<v Speaker 1>really give them old looted or like you can't be

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<v Speaker 1>twenty five against different? Listen to the album No, No,

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<v Speaker 1>I see what you're saying, because there's different things to

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<v Speaker 1>talk about. However, I think what they're talking about isression

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<v Speaker 1>and kind of like the flow patterns and and doing

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<v Speaker 1>different things. So when you hear call your bluff and

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<v Speaker 1>you hear me instantly come on there and just start

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<v Speaker 1>going crazy and just beasting out on people, that's really

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<v Speaker 1>what it's about. Because I watched the show and I

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<v Speaker 1>hear y'all constantly talking about how the game is forever

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<v Speaker 1>changing and ever evolving. And right now we're in an

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<v Speaker 1>era where you can pretty much put out just content,

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<v Speaker 1>music with content, and just flow and just do you.

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<v Speaker 1>You don't necessarily have to worry so much about I

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<v Speaker 1>need a radio record or I need something that spends

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<v Speaker 1>this this much. Dudes, back to rapping exactly. So that's

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<v Speaker 1>what this album is. It's back to rapping. It's not

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<v Speaker 1>trying to format one record to be like this or

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<v Speaker 1>one record to be like this. This is something you

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<v Speaker 1>can listen to from beginning to the end, and it's

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<v Speaker 1>what everybody's wanting me to do. And just beast the

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<v Speaker 1>hell out. You ever sound like Good Loving and then

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<v Speaker 1>you have a song like call your Bluff, Yeah, completely different.

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<v Speaker 1>See Good Loving was on the EP and it just

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<v Speaker 1>carried over because of its popularity. So that's about. That's

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<v Speaker 1>probably the only record on the album that I would

0:09:56.559 --> 0:09:59.920
<v Speaker 1>consider you know that carried over. But everything else is

0:10:00.080 --> 0:10:02.760
<v Speaker 1>that was a very reflective song for you. It definitely was.

0:10:03.360 --> 0:10:06.000
<v Speaker 1>I think everybody can relate to that because you know,

0:10:06.040 --> 0:10:08.920
<v Speaker 1>it's it's it's being honest and men talking about their

0:10:08.960 --> 0:10:11.280
<v Speaker 1>feelings in relationships because you don't hear that from a

0:10:11.320 --> 0:10:14.720
<v Speaker 1>man's perspective. So I get more guys coming up to

0:10:14.800 --> 0:10:17.439
<v Speaker 1>me like randomly saying, yo, I really feel that record

0:10:17.440 --> 0:10:20.360
<v Speaker 1>than I do girls. And that's crazy because, like I said,

0:10:20.400 --> 0:10:22.480
<v Speaker 1>you know, guys don't want to admit when they break

0:10:22.559 --> 0:10:25.839
<v Speaker 1>up with somebody that, look, I didn't mean to break

0:10:25.880 --> 0:10:27.079
<v Speaker 1>your heart, you know what? I mean, and when you

0:10:27.200 --> 0:10:31.160
<v Speaker 1>in retrospect, some guys do purposely just completely mess something up.

0:10:31.200 --> 0:10:34.040
<v Speaker 1>But then there are times where you look in retrospecting

0:10:34.080 --> 0:10:37.360
<v Speaker 1>you like, I didn't just purposely mean to break you

0:10:37.440 --> 0:10:39.800
<v Speaker 1>like that. And that's really what that record is all about.

0:10:39.840 --> 0:10:43.040
<v Speaker 1>It's just basically telling you a lot of guys were different,

0:10:43.080 --> 0:10:45.800
<v Speaker 1>you know what I'm saying. In relationships, we're going through life,

0:10:45.800 --> 0:10:47.960
<v Speaker 1>we're living in the fast lane, and we don't really

0:10:48.040 --> 0:10:51.240
<v Speaker 1>understand what we've done until years later and we look

0:10:51.320 --> 0:10:53.679
<v Speaker 1>back and like, damn, that was kind of messed up,

0:10:53.720 --> 0:10:55.560
<v Speaker 1>you know what I'm saying, at least about how good

0:10:56.120 --> 0:11:01.080
<v Speaker 1>absolutely making radio formatted record, yeah, kind of hard. If

0:11:01.080 --> 0:11:03.680
<v Speaker 1>you got Shocker, who's a formal music director, right, he'd

0:11:03.679 --> 0:11:06.240
<v Speaker 1>probably the person telling you gotta make a radio record.

0:11:06.240 --> 0:11:08.640
<v Speaker 1>You gotta make a radio record, No man, Shaka, you

0:11:08.640 --> 0:11:11.880
<v Speaker 1>gotta understand even though radio hits too, I did. And

0:11:11.920 --> 0:11:13.600
<v Speaker 1>that's that's the thing. Like, that's part of the reason

0:11:13.760 --> 0:11:15.960
<v Speaker 1>being in the game fifteen years, and we're coming up

0:11:15.960 --> 0:11:18.760
<v Speaker 1>on the fifteen year anniversary in October, being in this

0:11:18.800 --> 0:11:21.240
<v Speaker 1>game for so long, having so many radio hits, having

0:11:21.240 --> 0:11:24.680
<v Speaker 1>so many Grammys, having so many you know, awards and

0:11:24.720 --> 0:11:28.680
<v Speaker 1>just accolades. It's like I've done that and I don't

0:11:28.720 --> 0:11:31.240
<v Speaker 1>necessarily have to do that again. I just want to

0:11:31.240 --> 0:11:33.640
<v Speaker 1>give the people what it is that they're asking for,

0:11:33.840 --> 0:11:36.280
<v Speaker 1>especially since I have one more album after this one

0:11:36.320 --> 0:11:38.679
<v Speaker 1>on deaf Jam. Let's go to want to talk deaf Jam,

0:11:38.720 --> 0:11:43.040
<v Speaker 1>because you talk about let's do it. You got through

0:11:43.320 --> 0:11:46.840
<v Speaker 1>unions when they're not there anymore. So yeah, after this,

0:11:47.040 --> 0:11:49.920
<v Speaker 1>my contracts still the same. I know you, But for you,

0:11:52.040 --> 0:11:54.920
<v Speaker 1>when your contract is over, does it make sense financially

0:11:54.960 --> 0:11:56.839
<v Speaker 1>to keep loot because you know they can't afford the

0:11:57.360 --> 0:11:59.920
<v Speaker 1>big count. I mean you was grandfather did almost Yeah,

0:12:00.080 --> 0:12:02.680
<v Speaker 1>you know what, I'm not gonna give it away, but

0:12:02.720 --> 0:12:05.280
<v Speaker 1>I just feel like there are so many other opportunities

0:12:05.280 --> 0:12:08.560
<v Speaker 1>out there, so they would have to really entice me

0:12:08.720 --> 0:12:11.200
<v Speaker 1>in order for me to continue on. And like we

0:12:11.240 --> 0:12:13.320
<v Speaker 1>always talk about how the game is changing, I just

0:12:13.400 --> 0:12:16.920
<v Speaker 1>feel like it's it's new. It's there's some new things

0:12:16.960 --> 0:12:19.640
<v Speaker 1>going on and it's going to completely change the entire

0:12:19.720 --> 0:12:22.400
<v Speaker 1>music industry. And I like to stay afloat of what's new,

0:12:22.520 --> 0:12:25.040
<v Speaker 1>especially because the timing is coming up on me coming

0:12:25.040 --> 0:12:27.360
<v Speaker 1>out of my contract. Has anybody disrespected you and asked

0:12:27.360 --> 0:12:32.920
<v Speaker 1>you to sign a three sixty deal. Hell no, that's

0:12:32.920 --> 0:12:35.920
<v Speaker 1>when we would have to swing on somebody for real.

0:12:36.000 --> 0:12:38.360
<v Speaker 1>Don't don't ever disrespect me with the three sixty. Luckily,

0:12:38.800 --> 0:12:40.760
<v Speaker 1>I came into the game, and a lot of people

0:12:40.760 --> 0:12:43.040
<v Speaker 1>don't talk about this. I came into the music game

0:12:43.040 --> 0:12:46.080
<v Speaker 1>where I feel like artists got the most out of

0:12:46.240 --> 0:12:49.160
<v Speaker 1>juicing the industry in terms of I came into the

0:12:49.240 --> 0:12:52.440
<v Speaker 1>music game where I could sell def jam forecasting me

0:12:52.480 --> 0:12:55.160
<v Speaker 1>to sell half a million records on my first album

0:12:55.200 --> 0:12:56.760
<v Speaker 1>back for the first time. I went on to sell

0:12:56.880 --> 0:13:01.880
<v Speaker 1>three million, second album, three million album, three million. People

0:13:02.120 --> 0:13:04.720
<v Speaker 1>of course are not selling three million records anymore, so

0:13:05.280 --> 0:13:07.600
<v Speaker 1>during this era, I could not be more blessed and

0:13:07.679 --> 0:13:09.880
<v Speaker 1>more thankful that I came into the game at a

0:13:09.920 --> 0:13:13.720
<v Speaker 1>time where everybody was selling records, getting money from those records,

0:13:13.720 --> 0:13:16.439
<v Speaker 1>and also doing so many different things because nowadays it's

0:13:16.480 --> 0:13:19.240
<v Speaker 1>not considered smart to just be a rapper, right, you

0:13:19.280 --> 0:13:20.920
<v Speaker 1>can't do that. That's why I didn't even know that

0:13:20.960 --> 0:13:23.200
<v Speaker 1>you hadn't put on music in five years, because like, honestly,

0:13:23.240 --> 0:13:25.400
<v Speaker 1>how important is music now when you're doing movies, when

0:13:25.400 --> 0:13:29.040
<v Speaker 1>you're doing network television. Yeah, you got a brand it is,

0:13:29.080 --> 0:13:31.440
<v Speaker 1>But I do feel like music is still important because

0:13:31.440 --> 0:13:33.360
<v Speaker 1>this was it was. It's what got me here. You

0:13:33.440 --> 0:13:37.160
<v Speaker 1>know what I'm saying, Absolutely extremely passionate, and I can

0:13:37.200 --> 0:13:39.079
<v Speaker 1>never forget what got me here in the first place,

0:13:39.120 --> 0:13:41.840
<v Speaker 1>and I'll never take four or five years to drop

0:13:41.840 --> 0:13:43.960
<v Speaker 1>an album ever again. Now it has to be difficult

0:13:43.960 --> 0:13:46.679
<v Speaker 1>for you because you've been all over the blogs and

0:13:46.800 --> 0:13:49.160
<v Speaker 1>the tabloids and absolute and I know you're not used

0:13:49.160 --> 0:13:52.120
<v Speaker 1>to that because you are normally a pretty private person, yeah,

0:13:52.160 --> 0:13:53.720
<v Speaker 1>you know, minding your business when it comes to your

0:13:53.840 --> 0:13:56.960
<v Speaker 1>personal life. How has that been for you to have

0:13:57.040 --> 0:13:59.160
<v Speaker 1>to deal with all this public life going to cored.

0:13:59.440 --> 0:14:01.840
<v Speaker 1>That's a great question. And what you just said was

0:14:01.880 --> 0:14:03.680
<v Speaker 1>I'm not used to it, and I don't like being

0:14:03.720 --> 0:14:06.400
<v Speaker 1>in those in those tabloids in that way. And I

0:14:06.440 --> 0:14:09.320
<v Speaker 1>think that each of us here and everybody watching for

0:14:09.400 --> 0:14:12.560
<v Speaker 1>that matter, no matter what you don't really like, I

0:14:12.600 --> 0:14:15.319
<v Speaker 1>feel like the world is going to force you to

0:14:17.000 --> 0:14:20.320
<v Speaker 1>deal with You gotta address it at least once. Yeah, no,

0:14:20.400 --> 0:14:22.800
<v Speaker 1>you do, and I completely understand that. But basically what

0:14:22.840 --> 0:14:26.280
<v Speaker 1>I'm saying is I never was that person, and now

0:14:26.320 --> 0:14:29.920
<v Speaker 1>this has forced me to become a person that has

0:14:29.960 --> 0:14:32.960
<v Speaker 1>to kind of sit back and I love how people

0:14:33.080 --> 0:14:35.440
<v Speaker 1>hear all these different things and some of them are true,

0:14:35.840 --> 0:14:38.960
<v Speaker 1>don't get it twisted. However, a lot of them are untrue.

0:14:39.200 --> 0:14:41.560
<v Speaker 1>And so since I sit back and just watch, it

0:14:41.840 --> 0:14:45.400
<v Speaker 1>allows me to have a position of people are judging

0:14:45.440 --> 0:14:48.120
<v Speaker 1>me based off a lot of things that are not true,

0:14:48.200 --> 0:14:49.800
<v Speaker 1>and you know what's crazy about that? You know what,

0:14:50.160 --> 0:14:53.080
<v Speaker 1>you know what's crazy about that? I absolutely love it

0:14:53.480 --> 0:14:56.840
<v Speaker 1>because I know the truth. God knows the truth. And

0:14:56.840 --> 0:14:59.680
<v Speaker 1>as long as as long as that's the case, then

0:15:00.000 --> 0:15:02.440
<v Speaker 1>it's almost like you get to watch and let people

0:15:02.560 --> 0:15:04.800
<v Speaker 1>judge you based off of things that you know are

0:15:04.880 --> 0:15:07.200
<v Speaker 1>not true. Does it affect your relationship with with your

0:15:07.240 --> 0:15:10.160
<v Speaker 1>home life? Absolutely not. That's the best because we know

0:15:10.240 --> 0:15:13.160
<v Speaker 1>the truth. Let me just say that, myself, my wife,

0:15:13.400 --> 0:15:15.280
<v Speaker 1>and God, we but we all know the truth. So

0:15:15.680 --> 0:15:18.600
<v Speaker 1>with that being said, it's almost entertaining. It's just as

0:15:18.680 --> 0:15:21.920
<v Speaker 1>entertaining as everybody looking at me being entertained by what

0:15:21.960 --> 0:15:25.840
<v Speaker 1>they are saying about me. We're just as entertained watching

0:15:25.880 --> 0:15:29.720
<v Speaker 1>you judge me by listening to this false information. Sometimes

0:15:29.760 --> 0:15:32.400
<v Speaker 1>it has to make you want to retaliate, like sometimes

0:15:32.400 --> 0:15:39.200
<v Speaker 1>in your head you have there you yeah, I love.

0:15:39.240 --> 0:15:41.320
<v Speaker 1>I love that I love. No, it's it comes through

0:15:41.320 --> 0:15:43.920
<v Speaker 1>the music, you know. I think we all have situations

0:15:43.920 --> 0:15:47.080
<v Speaker 1>where we have to we have to use, uh like

0:15:47.120 --> 0:15:49.120
<v Speaker 1>it's therapy to go do certain things. Some go to

0:15:49.160 --> 0:15:52.040
<v Speaker 1>the gun range, some go you know, practice martial arts,

0:15:52.040 --> 0:15:55.360
<v Speaker 1>and some go box, some go running and exercise. But

0:15:55.480 --> 0:15:59.520
<v Speaker 1>for me, somewhere else. And yeah, but I put it

0:15:59.520 --> 0:16:01.200
<v Speaker 1>through my music. Man, I put it through that as

0:16:01.440 --> 0:16:02.880
<v Speaker 1>a man. I don't know what you did wrong. I mean,

0:16:02.920 --> 0:16:04.200
<v Speaker 1>if the story is what I heard, you had a

0:16:04.200 --> 0:16:07.200
<v Speaker 1>baby on a break for what, let me tell you something.

0:16:07.560 --> 0:16:10.200
<v Speaker 1>I've said this before. I'm not perfect, and I know

0:16:10.280 --> 0:16:12.560
<v Speaker 1>a lot of people out there. No one is perfect. However,

0:16:12.640 --> 0:16:15.800
<v Speaker 1>everything that I'm going through is perfect for me, and

0:16:15.840 --> 0:16:17.840
<v Speaker 1>it's made me a better person. It's made me a

0:16:17.880 --> 0:16:21.040
<v Speaker 1>better man. And what's to come, it's going to be

0:16:21.280 --> 0:16:24.440
<v Speaker 1>the absolute best thing that could ever happen. And it

0:16:24.560 --> 0:16:27.400
<v Speaker 1>already has happened because a blessing came out of it.

0:16:27.880 --> 0:16:30.880
<v Speaker 1>And I can't necessarily talk, you know, specifics, because anything

0:16:30.920 --> 0:16:33.560
<v Speaker 1>I say can and will be used against me in

0:16:33.600 --> 0:16:36.600
<v Speaker 1>the court of the law, because there's still current litigation

0:16:36.680 --> 0:16:38.160
<v Speaker 1>going on. But at the end of the day, just

0:16:38.240 --> 0:16:41.240
<v Speaker 1>generally speaking, the best thing that's ever happened to me

0:16:41.280 --> 0:16:44.040
<v Speaker 1>in my entire life. On the way I do, I'm

0:16:44.040 --> 0:16:45.840
<v Speaker 1>trying to catch up with you, like this is my goal.

0:16:45.960 --> 0:16:49.880
<v Speaker 1>Like I'm trying to catch up with envy. And that's

0:16:49.920 --> 0:16:52.480
<v Speaker 1>really what it came down to. Mad. You know, it's

0:16:52.480 --> 0:16:54.920
<v Speaker 1>crazy because like I had an endorsement deal from this

0:16:54.960 --> 0:16:58.960
<v Speaker 1>company called Breakaway Condoms, and then they just they pulled out.

0:16:59.000 --> 0:17:00.600
<v Speaker 1>They pulled out on me at the last minute. So

0:17:00.640 --> 0:17:09.480
<v Speaker 1>I don't but it's just the last moment they pulled

0:17:09.480 --> 0:17:11.840
<v Speaker 1>out on me. Can you believe that? Can you believe it?

0:17:11.840 --> 0:17:13.920
<v Speaker 1>We made the man who made what's your fantasy when

0:17:13.920 --> 0:17:16.359
<v Speaker 1>you talk about having sex in about a thousand different places,

0:17:16.520 --> 0:17:19.399
<v Speaker 1>finally lock it down and getting married. Man. You know

0:17:19.440 --> 0:17:22.000
<v Speaker 1>what I always say this, I think life is about timing.

0:17:22.560 --> 0:17:24.480
<v Speaker 1>And what I mean by that is there's a time

0:17:24.560 --> 0:17:26.479
<v Speaker 1>where you could get married and it's not gonna be right,

0:17:26.520 --> 0:17:28.880
<v Speaker 1>and you could be the same person and years later

0:17:28.920 --> 0:17:30.760
<v Speaker 1>you get married and I know, you know what I'm

0:17:30.800 --> 0:17:32.639
<v Speaker 1>talking about it and it's gonna be right. It was

0:17:32.640 --> 0:17:35.240
<v Speaker 1>just the right timing for me. So you know it

0:17:35.240 --> 0:17:37.280
<v Speaker 1>took me seventeen years. I'm the same girl seventeen years

0:17:37.320 --> 0:17:41.440
<v Speaker 1>finally didn't September damn. Okay, look when I say timing,

0:17:41.480 --> 0:17:49.080
<v Speaker 1>I don't mean that. Damn damn that. Yeah, applaud you

0:17:49.119 --> 0:17:51.399
<v Speaker 1>were married already anyway. It was always rooming. Oh they

0:17:51.440 --> 0:17:54.600
<v Speaker 1>already gotten me again, that's all, you know, people putting

0:17:54.600 --> 0:17:57.159
<v Speaker 1>stuff out, and we never feel the need to have

0:17:57.200 --> 0:18:00.720
<v Speaker 1>to always defend ourselves because it's entertaining just watching people

0:18:00.800 --> 0:18:03.840
<v Speaker 1>judges based off or whatever. But with that being said,

0:18:03.880 --> 0:18:06.440
<v Speaker 1>it's like it was that time, man, and I can

0:18:06.480 --> 0:18:08.760
<v Speaker 1>honestly say that so far, so good, and I hope

0:18:08.760 --> 0:18:10.679
<v Speaker 1>it continues so far so good for you, or you

0:18:10.720 --> 0:18:15.040
<v Speaker 1>just don't know yet. Oh man, I don't know. I'm

0:18:15.080 --> 0:18:18.160
<v Speaker 1>waiting to find out my damn self. Yeah, I heard

0:18:18.160 --> 0:18:20.239
<v Speaker 1>you got upset in my little bro Pete Davidson at

0:18:20.240 --> 0:18:22.600
<v Speaker 1>the Just to Be Be Comedy Central rules. Oh man,

0:18:22.840 --> 0:18:25.280
<v Speaker 1>you made some Paul Walker jewel. Yeah, let me tell

0:18:25.320 --> 0:18:28.159
<v Speaker 1>you something. And I wouldn't even repeat those jokes because

0:18:28.200 --> 0:18:31.760
<v Speaker 1>of how disrespectful I feel they were. But I was

0:18:31.760 --> 0:18:34.879
<v Speaker 1>definitely upset about that, and you know, like I was

0:18:34.960 --> 0:18:36.320
<v Speaker 1>to the point where I was about to go a

0:18:36.400 --> 0:18:38.080
<v Speaker 1>little crazy, and then all of a sudden, all the

0:18:38.119 --> 0:18:42.080
<v Speaker 1>executives and producers started lining up coming to me, apologizing

0:18:42.119 --> 0:18:44.160
<v Speaker 1>and assuring me that they were going to take those

0:18:44.240 --> 0:18:47.080
<v Speaker 1>jokes out. So you know, I can respect that. And

0:18:47.640 --> 0:18:49.320
<v Speaker 1>at the end of the day, those jokes will never

0:18:49.359 --> 0:18:51.160
<v Speaker 1>see the light of day. And Tyre said, you guys

0:18:51.160 --> 0:18:52.880
<v Speaker 1>had a conversation, and he was like, it's a good

0:18:52.920 --> 0:18:55.480
<v Speaker 1>thing I wasn't there, because ye know the reason would

0:18:56.400 --> 0:18:58.400
<v Speaker 1>again reason is not that type of person. But when

0:18:58.400 --> 0:19:00.320
<v Speaker 1>it comes to Paul with either one of us, because

0:19:00.359 --> 0:19:02.560
<v Speaker 1>I don't think people know how close we really were

0:19:02.640 --> 0:19:05.679
<v Speaker 1>too Paul, me and Re started in too fast, too furious,

0:19:05.760 --> 0:19:08.119
<v Speaker 1>and so this was twelve years ago. That was in

0:19:08.160 --> 0:19:11.159
<v Speaker 1>two thousand and three, And I mean, I always tell people,

0:19:11.320 --> 0:19:13.680
<v Speaker 1>you know, this dude's birthday was one day after mine.

0:19:13.680 --> 0:19:15.720
<v Speaker 1>We were virgos. We had the most in common out

0:19:15.720 --> 0:19:18.040
<v Speaker 1>of everybody. Me and Tyres are close. For me and

0:19:18.040 --> 0:19:20.600
<v Speaker 1>Paul were extremely close. And he was one of those

0:19:20.640 --> 0:19:23.960
<v Speaker 1>individuals where he just wanted to be regular. Even though

0:19:23.960 --> 0:19:25.960
<v Speaker 1>he got these Hollywood checks, think about it, you would

0:19:26.000 --> 0:19:28.600
<v Speaker 1>never really see him out and about it different functions

0:19:28.640 --> 0:19:30.720
<v Speaker 1>or trying to be a certain way. He just liked

0:19:30.720 --> 0:19:32.640
<v Speaker 1>to be regularly. He loved to have fun. He liked

0:19:32.640 --> 0:19:35.080
<v Speaker 1>to surf. He had a place out in Santa Barbara

0:19:35.160 --> 0:19:37.720
<v Speaker 1>away from everything. He wanted to keep away from all

0:19:37.760 --> 0:19:40.959
<v Speaker 1>of the bs. And so I'm the same type of way. Man.

0:19:41.000 --> 0:19:43.240
<v Speaker 1>When you see this album covering, you see me driving

0:19:43.240 --> 0:19:46.000
<v Speaker 1>this ninety three accurate legend and still having that plane

0:19:46.000 --> 0:19:47.679
<v Speaker 1>in there. But at the end of the day, I

0:19:47.720 --> 0:19:50.360
<v Speaker 1>just feel like we had so much in common. And yeah,

0:19:50.400 --> 0:19:52.240
<v Speaker 1>if Tyrese was there, it would have been a problem.

0:19:55.080 --> 0:20:02.480
<v Speaker 1>A jet man looted on guy five million. Bro. I'm

0:20:02.480 --> 0:20:04.760
<v Speaker 1>glad he said that, because y'all everybody messing with me

0:20:04.800 --> 0:20:06.640
<v Speaker 1>about having a private plane. And I think I said

0:20:06.640 --> 0:20:08.280
<v Speaker 1>this last time I was on here. I was like

0:20:08.600 --> 0:20:12.639
<v Speaker 1>sometimes we were land in different private airports and I'm like, damn,

0:20:12.640 --> 0:20:15.040
<v Speaker 1>look at how much bigger that private plane is than mine.

0:20:15.400 --> 0:20:18.200
<v Speaker 1>And my chef looked at me and said, man, either

0:20:18.280 --> 0:20:26.840
<v Speaker 1>you in from seven. My seven looked at me and said, man,

0:20:26.920 --> 0:20:28.960
<v Speaker 1>either you're in the plane game or you're not in

0:20:29.000 --> 0:20:31.440
<v Speaker 1>the plane game. And I can respect that, so I understand.

0:20:31.440 --> 0:20:33.360
<v Speaker 1>But yeah, I don't know what what's going on with Crefalo.

0:20:33.400 --> 0:20:35.600
<v Speaker 1>I think he just wants a bigger jet. He has one.

0:20:35.800 --> 0:20:37.560
<v Speaker 1>I guarantee he has one. He said it was old

0:20:37.600 --> 0:20:41.199
<v Speaker 1>and something happened to mechanics. Yeah, so it come to

0:20:41.200 --> 0:20:42.919
<v Speaker 1>the road. You know, that's the energy of a roast.

0:20:43.359 --> 0:20:45.160
<v Speaker 1>No I do. And I hadn't seen that many roles

0:20:45.200 --> 0:20:47.160
<v Speaker 1>before I did that one, So I'm gonna be honest

0:20:47.200 --> 0:20:50.080
<v Speaker 1>with you. It's like I checked out little little bits

0:20:50.080 --> 0:20:52.600
<v Speaker 1>here and there, but apart from the Paul Walker jokes,

0:20:53.000 --> 0:20:55.520
<v Speaker 1>great roast, and I think it's I think it's a

0:20:55.600 --> 0:20:58.480
<v Speaker 1>great thing for people to get roasted because a lot

0:20:58.520 --> 0:21:00.959
<v Speaker 1>of people are scared to be made fun of. And

0:21:00.960 --> 0:21:03.000
<v Speaker 1>I don't take myself too seriously, and I'm just gonna

0:21:03.000 --> 0:21:05.080
<v Speaker 1>tell y'all like this, it's definitely one of the best roast,

0:21:05.080 --> 0:21:08.320
<v Speaker 1>if not the best roast that comedy centrals had, because

0:21:08.840 --> 0:21:11.840
<v Speaker 1>nobody was safe, like everyone was free game, and we

0:21:12.080 --> 0:21:15.040
<v Speaker 1>cracked on Justin Bieber for hours and hours of time.

0:21:15.080 --> 0:21:17.760
<v Speaker 1>This was four hours worth of material. They had to

0:21:17.760 --> 0:21:20.639
<v Speaker 1>condense it down to I think two hours for television.

0:21:20.680 --> 0:21:23.560
<v Speaker 1>So you know, once we were roasting him, he got

0:21:23.560 --> 0:21:25.320
<v Speaker 1>a chance at the end to go back and get

0:21:25.320 --> 0:21:28.159
<v Speaker 1>everybody else. So you know, there it was some low blows.

0:21:28.200 --> 0:21:30.480
<v Speaker 1>You know, they got me. I got some people, you know,

0:21:30.520 --> 0:21:32.920
<v Speaker 1>you think about this. Snoop was in there, Shaq was

0:21:32.960 --> 0:21:35.600
<v Speaker 1>in there, Martha Stewart was in there. Everybody was talking

0:21:35.600 --> 0:21:38.000
<v Speaker 1>about how old she was and how dry Snatch was,

0:21:38.080 --> 0:21:39.240
<v Speaker 1>you know what I mean, Like it was some It

0:21:39.280 --> 0:21:41.240
<v Speaker 1>was some low blows around this piece. Trust me. Was

0:21:41.280 --> 0:21:43.960
<v Speaker 1>there any hesitation to jump on Bieble's record back in

0:21:44.000 --> 0:21:47.680
<v Speaker 1>the day, I mean, a little white pop singer. That's

0:21:47.680 --> 0:21:49.800
<v Speaker 1>a damn good question. And I'm gonna tell you why

0:21:50.040 --> 0:21:52.760
<v Speaker 1>there was no hesitation. It is because I'm one of

0:21:52.760 --> 0:21:54.879
<v Speaker 1>those artists and I'm one of those individuals that I

0:21:54.920 --> 0:21:58.040
<v Speaker 1>don't care so much what people think about the decisions

0:21:58.080 --> 0:22:00.800
<v Speaker 1>that I make. I make decisions based off of how

0:22:00.840 --> 0:22:04.919
<v Speaker 1>I feel. And when I heard that record coming from radio,

0:22:05.160 --> 0:22:07.920
<v Speaker 1>I knew that it was a hit record. It didn't

0:22:07.920 --> 0:22:11.440
<v Speaker 1>matter to me that he was, you know, twelve or

0:22:11.480 --> 0:22:13.639
<v Speaker 1>thirteen years old. It didn't matter to me that he

0:22:13.720 --> 0:22:15.800
<v Speaker 1>was white boy. It didn't matter to me any of

0:22:15.800 --> 0:22:18.400
<v Speaker 1>that stuff. I just listened to the music, and so

0:22:18.560 --> 0:22:21.080
<v Speaker 1>all of us here it's like, you know, it's not

0:22:21.160 --> 0:22:23.520
<v Speaker 1>just limited to rap music and hip hop, you know,

0:22:23.600 --> 0:22:25.359
<v Speaker 1>we listened to all kinds of music. I listened to

0:22:25.480 --> 0:22:27.719
<v Speaker 1>rock and roll, I listened to eighties hair metal sometime,

0:22:28.320 --> 0:22:31.879
<v Speaker 1>so I mean, like, it's never about the person or

0:22:31.880 --> 0:22:34.240
<v Speaker 1>how old they are, it's about the music and let

0:22:34.240 --> 0:22:37.359
<v Speaker 1>alone this this song went on to make history. And

0:22:37.400 --> 0:22:40.959
<v Speaker 1>with that being said, till this day, after I endorsed

0:22:41.040 --> 0:22:44.359
<v Speaker 1>Justin Bieber, then all everyone else started endorsing them. You

0:22:44.400 --> 0:22:47.000
<v Speaker 1>know what I mean. You got Kanye Wu, Tang Clay.

0:22:47.119 --> 0:22:49.280
<v Speaker 1>Everybody's like cool with Justin Bieber all of a sudden,

0:22:49.359 --> 0:22:52.679
<v Speaker 1>So you gave him that first shot. He caught it

0:22:52.720 --> 0:22:54.560
<v Speaker 1>messing with me. Yeah, there you have it. Well, then

0:22:54.600 --> 0:22:56.560
<v Speaker 1>on purpose that you decided to put out Lutiverse at

0:22:56.560 --> 0:22:59.200
<v Speaker 1>the same time Fast and Furious seven, did you say

0:22:59.240 --> 0:23:01.720
<v Speaker 1>timing White great idea? It just it kind of just

0:23:01.760 --> 0:23:04.520
<v Speaker 1>worked out that way because a lot of people don't

0:23:04.600 --> 0:23:07.240
<v Speaker 1>understand that this movie shut down. The production shut down

0:23:07.240 --> 0:23:10.000
<v Speaker 1>for like four to five months because of Paul Walker's

0:23:10.040 --> 0:23:12.719
<v Speaker 1>untimely death. So if I had planned to put it

0:23:12.720 --> 0:23:16.000
<v Speaker 1>out before that, but this entire four to five months

0:23:16.000 --> 0:23:19.480
<v Speaker 1>of production shutting down, it just shifted my entire schedule

0:23:20.280 --> 0:23:23.720
<v Speaker 1>an entire year because once production shut down, then we

0:23:23.920 --> 0:23:26.080
<v Speaker 1>had to go back and start shooting the movie again,

0:23:26.240 --> 0:23:29.240
<v Speaker 1>and that took another four to five months, So my

0:23:29.520 --> 0:23:32.800
<v Speaker 1>entire life was kind of shaking. But again, everything happens

0:23:32.840 --> 0:23:34.800
<v Speaker 1>for a reason, and it happened for the better. And

0:23:35.000 --> 0:23:37.480
<v Speaker 1>I what I don't think people really understand also is

0:23:37.520 --> 0:23:40.639
<v Speaker 1>that he was about eighty five percent done shooting his

0:23:40.720 --> 0:23:44.040
<v Speaker 1>parts in the film before his untimely death. And yeah,

0:23:44.080 --> 0:23:46.280
<v Speaker 1>I know people have heard that his brothers stepped in

0:23:46.320 --> 0:23:48.960
<v Speaker 1>and there was a lot of cgi and things that

0:23:49.000 --> 0:23:50.840
<v Speaker 1>they had to do in order to finish the film.

0:23:50.880 --> 0:23:53.040
<v Speaker 1>But for the most part, that's only like two scenes

0:23:53.080 --> 0:23:55.199
<v Speaker 1>in the movie. So when they see this, then the

0:23:55.280 --> 0:23:57.560
<v Speaker 1>integrity is there. And I guarantee when you watch this

0:23:57.600 --> 0:24:00.440
<v Speaker 1>movie his how we honor him, and it's it's an

0:24:00.560 --> 0:24:03.360
<v Speaker 1>entire it's just the movie is dedicated to this man.

0:24:03.440 --> 0:24:06.280
<v Speaker 1>But the way that it ends, even the gangster of

0:24:06.320 --> 0:24:08.080
<v Speaker 1>all gangs is gonna be well enough. At the end

0:24:08.119 --> 0:24:09.800
<v Speaker 1>of this damn movie. He basically tell him as he

0:24:09.800 --> 0:24:13.120
<v Speaker 1>dies in the movie, Nah, he don't die in the movie. Okay,

0:24:13.600 --> 0:24:15.320
<v Speaker 1>you're making me give it away right now, But he

0:24:15.400 --> 0:24:17.640
<v Speaker 1>doesn't die in the movie. But that's what I'm saying.

0:24:17.640 --> 0:24:20.080
<v Speaker 1>It's done in such a creative way that you still

0:24:20.119 --> 0:24:24.439
<v Speaker 1>gonna you're gonna feel a certain type several times throughout

0:24:24.440 --> 0:24:26.920
<v Speaker 1>the movie. Man, I'm gonna tell you straight up, I'm

0:24:26.960 --> 0:24:28.960
<v Speaker 1>a grown man. But because I knew him the way

0:24:28.960 --> 0:24:31.040
<v Speaker 1>that I knew him, the way that they showcased him.

0:24:31.040 --> 0:24:32.840
<v Speaker 1>At the end of this movie, it was over, and

0:24:32.880 --> 0:24:34.879
<v Speaker 1>I took my thirteen year old daughter to see the

0:24:34.920 --> 0:24:38.320
<v Speaker 1>premier in Atlanta. We was both in tears. Period. Does

0:24:38.359 --> 0:24:40.800
<v Speaker 1>it Does it feel real? Because I mean, for me,

0:24:40.800 --> 0:24:42.719
<v Speaker 1>I don't deal with death well because it feel I'm

0:24:42.760 --> 0:24:44.400
<v Speaker 1>the same, like going to funerals, none of that, because

0:24:44.400 --> 0:24:45.600
<v Speaker 1>I don't want to. That's not the last time I

0:24:45.640 --> 0:24:47.679
<v Speaker 1>want to be And you have more in common than

0:24:47.720 --> 0:24:51.680
<v Speaker 1>I thought. Man, doesn't feel real. It didn't feel real

0:24:51.760 --> 0:24:54.680
<v Speaker 1>at first. And then when when we flew to LA

0:24:54.880 --> 0:24:57.320
<v Speaker 1>and went to the crash site where I know y'all

0:24:57.359 --> 0:25:00.879
<v Speaker 1>heard about like fans coming out and ringing candles and

0:25:00.920 --> 0:25:03.600
<v Speaker 1>all these different things, and then the family was there,

0:25:03.680 --> 0:25:08.720
<v Speaker 1>that's when it hit us and me Tyrese then everybody

0:25:08.760 --> 0:25:12.320
<v Speaker 1>breaking down and it just I mean, it hurts, man,

0:25:12.359 --> 0:25:15.240
<v Speaker 1>It hurts to know because it just didn't feel real.

0:25:15.280 --> 0:25:17.719
<v Speaker 1>And when that moment hit us, we just realized that

0:25:17.760 --> 0:25:20.920
<v Speaker 1>this is this is it is what it is. How

0:25:20.920 --> 0:25:23.400
<v Speaker 1>are we going to deal with this? Asked the same question.

0:25:23.520 --> 0:25:25.560
<v Speaker 1>Is it hard to heal now? Because you want the

0:25:25.600 --> 0:25:27.960
<v Speaker 1>promo toil? You see the commercials all the time, people

0:25:27.960 --> 0:25:29.840
<v Speaker 1>asking you about them. It's hard to heal. But the

0:25:29.880 --> 0:25:33.200
<v Speaker 1>most important thing of why it's the hardest is to

0:25:33.240 --> 0:25:35.480
<v Speaker 1>see the end of this movie. I don't think that

0:25:35.920 --> 0:25:38.560
<v Speaker 1>you know how you know they say time heals all wounds.

0:25:39.000 --> 0:25:41.240
<v Speaker 1>I'm telling you, like this, if I watched this movie

0:25:41.240 --> 0:25:43.360
<v Speaker 1>and watch the end of this movie, no matter how

0:25:43.359 --> 0:25:45.919
<v Speaker 1>many times I see it, it's going to get it's

0:25:45.960 --> 0:25:49.040
<v Speaker 1>going to get the same emotional feeling from me. Like

0:25:49.080 --> 0:25:51.040
<v Speaker 1>talking about it, I'm starting to feel a certain way.

0:25:51.600 --> 0:25:54.000
<v Speaker 1>But yeah, it's it's definitely hard to deal with. So

0:25:54.400 --> 0:25:56.280
<v Speaker 1>I was reading. Also, there's going to be like the

0:25:56.760 --> 0:26:00.359
<v Speaker 1>possibly three more after this. Yeah. First of all, let

0:26:00.400 --> 0:26:02.359
<v Speaker 1>me just make note. I don't know if Tyrese said this,

0:26:02.800 --> 0:26:04.720
<v Speaker 1>I'm glad that the two black men in the movie

0:26:04.840 --> 0:26:10.080
<v Speaker 1>have not died yet. Yeah, because nah, But think about this,

0:26:10.160 --> 0:26:12.280
<v Speaker 1>if you look at all the different ones everyone else

0:26:12.280 --> 0:26:14.800
<v Speaker 1>has died and some of them have come back, they

0:26:14.840 --> 0:26:17.560
<v Speaker 1>were in there, like this is a beautiful thing. Right now,

0:26:19.440 --> 0:26:22.080
<v Speaker 1>we're not dead yet we keep it in alive and

0:26:22.119 --> 0:26:27.199
<v Speaker 1>another thing. That's why I'm here. That's why I'm at

0:26:27.200 --> 0:26:31.679
<v Speaker 1>the breakfast club right now. So was ducking us for

0:26:31.720 --> 0:26:34.600
<v Speaker 1>a little while him, No, hell now, I was just

0:26:34.640 --> 0:26:37.119
<v Speaker 1>being a father for them. I kept seeing Ludacris is

0:26:37.119 --> 0:26:41.280
<v Speaker 1>in New York, he's here, He's I would never duck y'all. Man,

0:26:41.480 --> 0:26:43.959
<v Speaker 1>I come from the radio game, so I completely understand it.

0:26:44.000 --> 0:26:47.520
<v Speaker 1>But nah, man, like I I, we always let the

0:26:47.560 --> 0:26:51.040
<v Speaker 1>fans dictate if there's going to be another one, and

0:26:51.080 --> 0:26:53.320
<v Speaker 1>we always listen to what they're saying. And right now,

0:26:53.600 --> 0:26:56.359
<v Speaker 1>it's one of those times where you respect like respectfully

0:26:56.359 --> 0:26:58.679
<v Speaker 1>have to give kind of a moment of silence. You

0:26:58.720 --> 0:27:00.680
<v Speaker 1>can't just at the end of this movie be like okay,

0:27:00.680 --> 0:27:03.239
<v Speaker 1>and here it comes the next one. It's everything just

0:27:03.280 --> 0:27:04.960
<v Speaker 1>needs to Like when you see the end of the movie,

0:27:05.000 --> 0:27:07.359
<v Speaker 1>you'll understand what I'm saying. It's just like, let's just

0:27:07.440 --> 0:27:09.919
<v Speaker 1>chill for a second. If there is to be another

0:27:09.960 --> 0:27:12.679
<v Speaker 1>Fast and Furious, then let let a little time go

0:27:12.800 --> 0:27:15.040
<v Speaker 1>pass before we just up and just go back and

0:27:15.080 --> 0:27:18.200
<v Speaker 1>do it. Now, let's let's talk sports. Floyd Mayweather, Yeah,

0:27:19.920 --> 0:27:23.080
<v Speaker 1>listen to me. This is gonna be a tough one. No,

0:27:23.200 --> 0:27:25.520
<v Speaker 1>I do. I love that, but I'm a little biased,

0:27:25.520 --> 0:27:28.120
<v Speaker 1>and I'll tell you why. I did a video with

0:27:28.320 --> 0:27:30.920
<v Speaker 1>Roger Mayweather and Floyd away back, and I was able

0:27:31.000 --> 0:27:33.520
<v Speaker 1>to train with Roger Mayweather and I was able to

0:27:33.560 --> 0:27:35.800
<v Speaker 1>go to the gym. And this was maybe about five

0:27:35.920 --> 0:27:38.679
<v Speaker 1>or six years ago. So fast forward. I had a

0:27:38.680 --> 0:27:41.520
<v Speaker 1>show in Vegas about three weeks ago, and I went

0:27:41.720 --> 0:27:43.840
<v Speaker 1>back to the gym to go hollid at everybody. And

0:27:43.880 --> 0:27:46.880
<v Speaker 1>when I went there, it just so happened that Floyd

0:27:47.080 --> 0:27:49.000
<v Speaker 1>was in there about to spar with somebody. And I

0:27:49.040 --> 0:27:51.199
<v Speaker 1>didn't know who, but I see the gym filled up.

0:27:51.520 --> 0:27:53.840
<v Speaker 1>I know this is his second week of training camp,

0:27:54.320 --> 0:27:56.200
<v Speaker 1>and I'm kind of like, you know, this is gonna

0:27:56.200 --> 0:27:58.280
<v Speaker 1>be as hard as fight. So as soon as I

0:27:58.359 --> 0:28:00.679
<v Speaker 1>walk in there, I see Zab over there to the

0:28:00.680 --> 0:28:03.520
<v Speaker 1>side putting his gloves on. Yeah, so I'm looking and

0:28:03.560 --> 0:28:05.320
<v Speaker 1>I'm like, okay, so that's what's going on. I happen

0:28:05.359 --> 0:28:07.159
<v Speaker 1>to get there right on time, because as soon as

0:28:07.160 --> 0:28:08.880
<v Speaker 1>I got there, two minutes later, they in the ring.

0:28:09.560 --> 0:28:12.680
<v Speaker 1>So of course you all know that zab Jui South Paul,

0:28:13.119 --> 0:28:16.639
<v Speaker 1>so we know that he's fought this man before. And again,

0:28:16.720 --> 0:28:18.840
<v Speaker 1>this was only three rounds because they just sparning, they

0:28:18.840 --> 0:28:21.520
<v Speaker 1>got the head gear on, they got everything. So I'm

0:28:21.520 --> 0:28:23.919
<v Speaker 1>in the side of the ring and I'm just watching

0:28:23.920 --> 0:28:25.879
<v Speaker 1>this fight and I'm just extremely happy that I just

0:28:25.920 --> 0:28:27.400
<v Speaker 1>so happened to come on the day in the time

0:28:27.440 --> 0:28:29.000
<v Speaker 1>when both of these are fighting, because I just wanted

0:28:29.000 --> 0:28:31.199
<v Speaker 1>to see I wanted to look in Floyd's eyes. I

0:28:31.240 --> 0:28:33.000
<v Speaker 1>got a chance to say what up to him. And

0:28:33.040 --> 0:28:35.240
<v Speaker 1>it's like the same way I keep talking about rappers.

0:28:35.240 --> 0:28:37.080
<v Speaker 1>When you hear their tone and they aggression, you can

0:28:37.119 --> 0:28:39.240
<v Speaker 1>tell whether they're hungry or not. When you look in

0:28:39.320 --> 0:28:42.240
<v Speaker 1>the fighter's eyes and you feel that energy, you realize

0:28:42.240 --> 0:28:44.239
<v Speaker 1>where he's at. Floyd has never been a punk when

0:28:44.280 --> 0:28:48.440
<v Speaker 1>it comes to training camp period. I have never in

0:28:48.480 --> 0:28:51.640
<v Speaker 1>my life seen him this focused and training this hard.

0:28:51.840 --> 0:28:54.400
<v Speaker 1>So let's just say if he usually runs five or

0:28:54.440 --> 0:28:57.560
<v Speaker 1>six miles a day, he's running eight or nine miles

0:28:57.560 --> 0:28:59.800
<v Speaker 1>a day. If he usually is in the gym and

0:29:00.120 --> 0:29:02.760
<v Speaker 1>sparring and he's you know, working out and exercising for

0:29:03.600 --> 0:29:06.920
<v Speaker 1>four or five hours, he's doing six seven hours. He

0:29:07.000 --> 0:29:12.800
<v Speaker 1>knows that everything is on the line. Okay, I'll tell

0:29:12.800 --> 0:29:14.720
<v Speaker 1>you whatever's hap. I don't know if this I saw

0:29:14.760 --> 0:29:16.959
<v Speaker 1>the TV camera, So I don't know if I'm if

0:29:17.000 --> 0:29:18.800
<v Speaker 1>I'm gonna get in trouble for telling what's happening, or

0:29:18.840 --> 0:29:20.440
<v Speaker 1>if it's actually gonna come on one of them twenty

0:29:20.440 --> 0:29:24.320
<v Speaker 1>four seven joints. But the first round Floyd did like

0:29:24.360 --> 0:29:27.000
<v Speaker 1>he always does in a real fight, took it easy,

0:29:27.280 --> 0:29:29.840
<v Speaker 1>kind of study. See where fill it out, See where

0:29:29.920 --> 0:29:32.800
<v Speaker 1>Zaba is at. Second round you start to see zab

0:29:32.920 --> 0:29:35.600
<v Speaker 1>jue to getting a little fatigued, and then you know

0:29:35.960 --> 0:29:38.120
<v Speaker 1>Floyd started getting a little more aggressive and getting a

0:29:38.120 --> 0:29:42.920
<v Speaker 1>little more comfortable. Third round it's a rap Za I mean,

0:29:43.080 --> 0:29:46.160
<v Speaker 1>Zab is definitely all the way fatigued and Zach I mean,

0:29:46.320 --> 0:29:49.000
<v Speaker 1>and then Floyd Mayweather is just just taking advantage of him.

0:29:49.000 --> 0:29:52.040
<v Speaker 1>At that point he actually started round And that's what

0:29:52.080 --> 0:29:53.600
<v Speaker 1>I was gonna say. I'm telling you like this, The

0:29:53.680 --> 0:29:55.840
<v Speaker 1>thing about this fight is we all know that the

0:29:55.880 --> 0:29:58.600
<v Speaker 1>first three rounds Floyd Mayweather, he kind of takes it

0:29:58.640 --> 0:30:02.120
<v Speaker 1>easy and he studies. But the only thing about this

0:30:02.160 --> 0:30:05.400
<v Speaker 1>fight is he has to be a little more aggressive

0:30:05.680 --> 0:30:08.120
<v Speaker 1>because we all know that Pakia is going to throw

0:30:08.200 --> 0:30:11.040
<v Speaker 1>punches and this is about points, and so if he's

0:30:11.120 --> 0:30:13.640
<v Speaker 1>not going to knock this man, out, then you have

0:30:13.760 --> 0:30:17.280
<v Speaker 1>to get more points than him. So Pakia is gonna

0:30:17.280 --> 0:30:19.440
<v Speaker 1>be throwing, and I feel like Floyd knows that he

0:30:19.520 --> 0:30:22.240
<v Speaker 1>has to throw some stuff too. And if Pakia wants

0:30:22.240 --> 0:30:24.880
<v Speaker 1>to knock Mayweather out, it has to happen in the

0:30:24.880 --> 0:30:27.320
<v Speaker 1>first three rounds. If you're going to stagger him, if

0:30:27.320 --> 0:30:29.880
<v Speaker 1>you're going to do anything that is going to completely

0:30:29.920 --> 0:30:32.520
<v Speaker 1>mess up the rest of the round, it has to

0:30:32.640 --> 0:30:37.760
<v Speaker 1>be in the first three round period. I mean, I

0:30:37.800 --> 0:30:39.400
<v Speaker 1>got kids take care of. I ain't putting up no

0:30:39.480 --> 0:30:41.640
<v Speaker 1>money right now. I'm good. I ain't betting on this one.

0:30:41.760 --> 0:30:44.320
<v Speaker 1>You know, I always wondered about you Loud, did ye

0:30:44.760 --> 0:30:47.080
<v Speaker 1>or did you and your team? I will say, let's

0:30:47.400 --> 0:30:52.000
<v Speaker 1>cross over? Or did everything happen organically? I think, honestly, um,

0:30:52.320 --> 0:30:54.520
<v Speaker 1>I don't. We never said we need to cross over.

0:30:54.600 --> 0:30:57.040
<v Speaker 1>I think everything happened organically, Like when I got in

0:30:57.120 --> 0:31:00.280
<v Speaker 1>the studio with Timberland and did roll Out and that

0:31:00.480 --> 0:31:02.560
<v Speaker 1>was like a crossover song, Or when I got in

0:31:02.640 --> 0:31:05.000
<v Speaker 1>the studio with Kanye and I did Stand Up and

0:31:05.080 --> 0:31:07.800
<v Speaker 1>that crossed over. It was all organic in the studio.

0:31:07.840 --> 0:31:09.520
<v Speaker 1>We weren't just sitting there saying we want to we

0:31:09.560 --> 0:31:11.760
<v Speaker 1>want to cross over. None of that ever happened. So

0:31:12.240 --> 0:31:14.560
<v Speaker 1>I think it was just a combination of me doing

0:31:14.560 --> 0:31:17.760
<v Speaker 1>a lot of feature you know, feature songs, and just

0:31:17.840 --> 0:31:20.000
<v Speaker 1>me doing me. That's the one thing that I can

0:31:20.080 --> 0:31:21.959
<v Speaker 1>say is that we never were like, we need to

0:31:22.000 --> 0:31:24.200
<v Speaker 1>do this type of record, yeah, because you know, none

0:31:24.200 --> 0:31:27.320
<v Speaker 1>of those were traditional radio records. Move bitch exactly what

0:31:27.360 --> 0:31:31.120
<v Speaker 1>opitality stand up? Those aren't singing song hooky traditional And

0:31:31.120 --> 0:31:33.440
<v Speaker 1>that's where the best music comes from, when someone is

0:31:33.520 --> 0:31:36.280
<v Speaker 1>not trying to make a specific type of record, in

0:31:36.360 --> 0:31:39.360
<v Speaker 1>my opinion, and that's when people change music is when

0:31:39.400 --> 0:31:42.000
<v Speaker 1>you are doing you like I feel like Kendrick Lamar

0:31:42.080 --> 0:31:44.560
<v Speaker 1>is one of those individuals, and it's like now he's

0:31:44.560 --> 0:31:47.520
<v Speaker 1>got a certain amount of followers where now he can

0:31:47.880 --> 0:31:49.680
<v Speaker 1>put out whatever he wants and people are pretty much

0:31:49.720 --> 0:31:52.320
<v Speaker 1>gonna follow it. But you think about putting out albums

0:31:52.360 --> 0:31:53.960
<v Speaker 1>that you can listen to from beginning to end and

0:31:54.000 --> 0:31:56.600
<v Speaker 1>putting out content, that's what it's about right now. So

0:31:56.640 --> 0:31:58.360
<v Speaker 1>the last time you asked me kind of like what

0:31:58.440 --> 0:32:01.000
<v Speaker 1>I wanted to be remembered by, you know, how I

0:32:01.040 --> 0:32:03.840
<v Speaker 1>want to be known, And it's versatile, so if times

0:32:03.920 --> 0:32:06.080
<v Speaker 1>change up, I can change up with the times, and

0:32:06.120 --> 0:32:08.080
<v Speaker 1>when I tell you this Luti Versal album is a

0:32:08.120 --> 0:32:11.320
<v Speaker 1>testament of how extremely hungry and how great I can

0:32:11.400 --> 0:32:14.680
<v Speaker 1>change with the times in terms of being myself and

0:32:14.760 --> 0:32:18.120
<v Speaker 1>still being fluid and beasting out. That's what this is

0:32:18.160 --> 0:32:20.640
<v Speaker 1>all about. And speaking of beasting, you know, we're talking

0:32:20.680 --> 0:32:23.280
<v Speaker 1>about sports and all that I had Mars Shawn Lynch.

0:32:23.840 --> 0:32:26.040
<v Speaker 1>You know, we just shot a video to a song

0:32:26.080 --> 0:32:28.520
<v Speaker 1>called beast Mode that's on my album and literally there's

0:32:28.560 --> 0:32:32.800
<v Speaker 1>no hook. It's just all bars, bars, metaphors and everything.

0:32:32.800 --> 0:32:35.120
<v Speaker 1>It's three minutes straight. So we shot a video. I

0:32:35.200 --> 0:32:36.880
<v Speaker 1>met this dude for the first time. It felt like

0:32:36.920 --> 0:32:38.600
<v Speaker 1>I known him for all of my life. So I

0:32:38.640 --> 0:32:40.240
<v Speaker 1>have a new friend. We were just out in La

0:32:40.320 --> 0:32:43.640
<v Speaker 1>together and this is another guy that inspires me so

0:32:43.720 --> 0:32:46.080
<v Speaker 1>the same way he's, you know, mowing down people on

0:32:46.160 --> 0:32:47.880
<v Speaker 1>the field. That's how I felt like I do in

0:32:48.120 --> 0:32:50.160
<v Speaker 1>the rap game. And we were shooting this video and

0:32:50.200 --> 0:32:52.160
<v Speaker 1>I had to ask him. I was like, Yo, why

0:32:52.160 --> 0:32:57.200
<v Speaker 1>didn't they give you the damn ball? Was like, I

0:32:57.240 --> 0:32:59.120
<v Speaker 1>don't know, I don't know why they didn't give me

0:32:59.120 --> 0:33:01.560
<v Speaker 1>the damn ball. I was one during the same damn thing,

0:33:02.120 --> 0:33:05.120
<v Speaker 1>So you know, it's it's just funny man. It's it's

0:33:05.160 --> 0:33:09.160
<v Speaker 1>it's interesting to get prospective from so many different people.

0:33:09.280 --> 0:33:11.480
<v Speaker 1>And I love that I'm friends with people that I

0:33:11.520 --> 0:33:16.440
<v Speaker 1>look up to and that inspired me because he was.

0:33:16.560 --> 0:33:18.640
<v Speaker 1>He just inspired it. And I was just like, everybody

0:33:18.720 --> 0:33:21.080
<v Speaker 1>say they want Luda Chris to be stout and beast out.

0:33:21.080 --> 0:33:23.000
<v Speaker 1>So I was like, let me just beast molded, let

0:33:23.040 --> 0:33:25.040
<v Speaker 1>me just let me just go out. Do you tell

0:33:25.040 --> 0:33:27.720
<v Speaker 1>anybody though, because I was watching, Yeah, a lot of

0:33:27.720 --> 0:33:29.680
<v Speaker 1>people I was watching because I was watching the old

0:33:29.720 --> 0:33:33.200
<v Speaker 1>YouTube video of that old show Methron Redhead. Yeah, but

0:33:33.240 --> 0:33:35.160
<v Speaker 1>I was trying to explain to somebody how punk stole

0:33:35.240 --> 0:33:38.320
<v Speaker 1>that I did from they did man, thank you, thank you? Yeah,

0:33:38.320 --> 0:33:40.000
<v Speaker 1>And I'm like, why a little at told him to

0:33:40.040 --> 0:33:41.440
<v Speaker 1>be was white? Let me tell you. Let me tell

0:33:41.440 --> 0:33:43.880
<v Speaker 1>you why because I was. I was fresh in the game.

0:33:44.280 --> 0:33:46.600
<v Speaker 1>I had just got started. And if there were any

0:33:46.680 --> 0:33:50.600
<v Speaker 1>two individuals that I looked up to more, there's nobody

0:33:50.640 --> 0:33:53.480
<v Speaker 1>that I feel like like Red Man was is and

0:33:53.720 --> 0:33:56.240
<v Speaker 1>was one of my favorite rapps off that tree. Absolutely

0:33:56.320 --> 0:33:59.760
<v Speaker 1>that in common. So with method Man and Red Man

0:33:59.800 --> 0:34:02.000
<v Speaker 1>to together, I was in it. I was kind of

0:34:02.000 --> 0:34:04.960
<v Speaker 1>in a fan zone. So I wanted to believe that

0:34:05.000 --> 0:34:06.920
<v Speaker 1>they wanted me on this record R and so this

0:34:06.960 --> 0:34:08.359
<v Speaker 1>is how they premised it, and this is how they

0:34:08.480 --> 0:34:11.840
<v Speaker 1>edited edited that particular version to make it seem to

0:34:11.960 --> 0:34:13.560
<v Speaker 1>make me believe it. But then when you saw it

0:34:13.560 --> 0:34:15.840
<v Speaker 1>on TV, it just made me look a little crazy. However,

0:34:16.280 --> 0:34:17.680
<v Speaker 1>so they told me they was like, this is for

0:34:17.760 --> 0:34:20.960
<v Speaker 1>the movie how high. So everybody's smoking weed in this

0:34:21.040 --> 0:34:24.280
<v Speaker 1>particular scene, so it makes sense for it to be crazy,

0:34:24.320 --> 0:34:25.799
<v Speaker 1>and you hear a frog noise. So this is how

0:34:25.800 --> 0:34:28.040
<v Speaker 1>they premised it. But then when they showed it on television,

0:34:28.040 --> 0:34:29.400
<v Speaker 1>they cut through all of that stuff and it it was

0:34:29.400 --> 0:34:31.839
<v Speaker 1>just like Ludacris rapping over a frog beat. And that's

0:34:31.840 --> 0:34:34.399
<v Speaker 1>how I did. But they made me believe it. Yeah,

0:34:34.480 --> 0:34:36.840
<v Speaker 1>I'm telling you. I remember reading that Man was supposed

0:34:36.840 --> 0:34:39.080
<v Speaker 1>to have that role you had in Um and Fast

0:34:39.120 --> 0:34:42.319
<v Speaker 1>and Furious originally. I don't know. I never heard that.

0:34:42.320 --> 0:34:46.799
<v Speaker 1>I don't know. Hey, man, Look, if there's anything I

0:34:46.840 --> 0:34:49.040
<v Speaker 1>can say is that I'm sure any actor would kill

0:34:49.080 --> 0:34:50.960
<v Speaker 1>to be in a franchise like this where you know,

0:34:51.040 --> 0:34:53.200
<v Speaker 1>you got another paycheck on the way without you really

0:34:53.239 --> 0:34:57.160
<v Speaker 1>having to do anything. But is it retirement money? Man? Definitely? Man,

0:34:57.239 --> 0:34:58.520
<v Speaker 1>you know it, don't you know what. At the end

0:34:58.520 --> 0:35:00.120
<v Speaker 1>of the day, it depends on what people do with

0:35:00.120 --> 0:35:02.640
<v Speaker 1>their money. People can have millions, tens of millions, hundreds

0:35:02.640 --> 0:35:04.920
<v Speaker 1>of millions of dollars. It's not about how much money

0:35:04.960 --> 0:35:07.359
<v Speaker 1>you make. It's about how much money you spend. Man.

0:35:07.400 --> 0:35:10.120
<v Speaker 1>That's the one thing that anybody with money has to learn. Absolutely.

0:35:10.160 --> 0:35:13.040
<v Speaker 1>And as y'all continue to get four, five, six, seven

0:35:13.160 --> 0:35:15.359
<v Speaker 1>jobs a piece, I'm sure you understand what the hell

0:35:15.400 --> 0:35:17.160
<v Speaker 1>I'm talking about. The kids to take it though, I'm

0:35:17.160 --> 0:35:19.120
<v Speaker 1>telling take it. But all them cars, you gotta take

0:35:19.160 --> 0:35:23.799
<v Speaker 1>it to man. Man, Man, if anything depreciates, it's them

0:35:23.880 --> 0:35:25.600
<v Speaker 1>damn cars when you drive them off the lot. So

0:35:25.640 --> 0:35:30.440
<v Speaker 1>you need to chill out. Man. Let me let me.

0:35:30.480 --> 0:35:31.800
<v Speaker 1>Let let me tell you something. I follow all of

0:35:31.840 --> 0:35:34.000
<v Speaker 1>y'all our Instagram. I had to stop following Nvy and

0:35:34.000 --> 0:35:35.759
<v Speaker 1>I'm just gonna tell it to his face right now.

0:35:36.160 --> 0:35:39.000
<v Speaker 1>I apologize to you. It's too many damn advertisements on

0:35:39.040 --> 0:35:43.040
<v Speaker 1>this dude's Instagram. Man, I see, But you know what

0:35:43.080 --> 0:35:45.440
<v Speaker 1>it's you know with me, it's big business, like you know,

0:35:45.880 --> 0:35:48.080
<v Speaker 1>especially with the dealerships. You know is if you're a

0:35:48.200 --> 0:35:51.000
<v Speaker 1>DJ and you have a strong following and you could

0:35:51.040 --> 0:35:53.520
<v Speaker 1>promote their dealership, they might give you a call for you.

0:35:53.920 --> 0:35:56.480
<v Speaker 1>I agree. So you know, sometimes it's not what you

0:35:56.600 --> 0:35:58.960
<v Speaker 1>think somebody spending on. It's them being smart. No, and

0:35:59.160 --> 0:36:01.440
<v Speaker 1>that is smart. That though, that is my real man.

0:36:01.480 --> 0:36:03.200
<v Speaker 1>Would never let a man let them have a call

0:36:03.239 --> 0:36:10.080
<v Speaker 1>for a year, you know. Okay, on that subject, let

0:36:10.120 --> 0:36:12.840
<v Speaker 1>me say one thing. I'm just gonna I'm gonna divulge

0:36:12.840 --> 0:36:15.080
<v Speaker 1>a secret to everyone in the industry about money. I

0:36:15.080 --> 0:36:17.120
<v Speaker 1>don't usually do this, but this is the breakfast Club,

0:36:17.160 --> 0:36:19.239
<v Speaker 1>so I fail to need to do this, and I'm

0:36:19.239 --> 0:36:21.360
<v Speaker 1>gonna let you in on a real secret. You know,

0:36:21.440 --> 0:36:24.120
<v Speaker 1>people make fun of individuals and rap music for leasing

0:36:24.160 --> 0:36:27.040
<v Speaker 1>cars in the music industry. If you are a rapper

0:36:27.040 --> 0:36:29.279
<v Speaker 1>and you travel a lot, lease in a car is

0:36:29.320 --> 0:36:31.920
<v Speaker 1>the smartest thing that you could ever do. Let me

0:36:31.960 --> 0:36:34.560
<v Speaker 1>tell you why, because they only give you a certain

0:36:34.600 --> 0:36:36.879
<v Speaker 1>amount of miles to drive, and it's way lower than

0:36:36.920 --> 0:36:41.080
<v Speaker 1>actually buying the car. Ludacris, I own a lot of cars. However,

0:36:41.600 --> 0:36:43.480
<v Speaker 1>I lease a lot of cars too. You know why,

0:36:43.600 --> 0:36:45.920
<v Speaker 1>because I'm on the road so much. I never use

0:36:46.040 --> 0:36:47.839
<v Speaker 1>the amount of miles that they want me to use.

0:36:47.840 --> 0:36:49.560
<v Speaker 1>Because the only way they can charge you money is

0:36:49.560 --> 0:36:52.719
<v Speaker 1>if you go over those miles and then second in

0:36:52.760 --> 0:36:55.279
<v Speaker 1>the next two years, you're gonna want the new car

0:36:55.400 --> 0:36:58.040
<v Speaker 1>any damn way, So what are you talking about. That's

0:36:58.040 --> 0:37:00.000
<v Speaker 1>the only that's all I'm giving y'all right now, that's

0:37:00.040 --> 0:37:02.200
<v Speaker 1>for that same reason, because I know, I go ahead

0:37:02.200 --> 0:37:03.640
<v Speaker 1>and Lisa car for two years and get the new

0:37:03.640 --> 0:37:05.960
<v Speaker 1>one and two more. I have a two dolland three

0:37:06.080 --> 0:37:12.799
<v Speaker 1>escalated escalad. You had one. You haven't leave it at

0:37:12.840 --> 0:37:14.680
<v Speaker 1>that that is probably too broken down on the on

0:37:14.719 --> 0:37:16.440
<v Speaker 1>the side of the block over there. Yeah, man, you

0:37:16.440 --> 0:37:18.640
<v Speaker 1>have another. You have some nice you have And meanwhile

0:37:18.640 --> 0:37:20.319
<v Speaker 1>he's talking about Liason cars, but he had a twelve

0:37:20.360 --> 0:37:23.360
<v Speaker 1>thousand dollars bottle of liquor on Instagram. Oh man, that

0:37:23.480 --> 0:37:28.120
<v Speaker 1>was amazing that McCallan, m like age fifty years plus.

0:37:28.680 --> 0:37:31.080
<v Speaker 1>That's my new thing. By the way, what's that? That's

0:37:31.160 --> 0:37:35.640
<v Speaker 1>my that's my vice, like buying like the liquors that

0:37:35.760 --> 0:37:38.279
<v Speaker 1>have been aged in barrels for so damn long. I know,

0:37:38.440 --> 0:37:40.040
<v Speaker 1>I know you got the Remy, the Remy V and

0:37:40.080 --> 0:37:42.080
<v Speaker 1>then I know, you know what's the what's the top

0:37:42.120 --> 0:37:45.120
<v Speaker 1>of the line Remmy that y'all get seventeen seventeen thirty eight.

0:37:45.200 --> 0:37:48.880
<v Speaker 1>So look, every alcohol has different top of the line joints.

0:37:49.040 --> 0:37:51.239
<v Speaker 1>So while people out here, you know, drinking thirteen actually

0:37:51.280 --> 0:37:52.960
<v Speaker 1>at the top of the line for Louis the thirteenth,

0:37:52.960 --> 0:37:55.440
<v Speaker 1>but they have the Louis cast, which is the black bottle,

0:37:55.640 --> 0:37:57.799
<v Speaker 1>which is like thirty thousand dollars. Thats why I'm telling

0:37:57.800 --> 0:38:00.880
<v Speaker 1>you about. That's that's my vice. I have to drink

0:38:00.920 --> 0:38:03.080
<v Speaker 1>that and people will call me stupid for that, but

0:38:03.160 --> 0:38:06.120
<v Speaker 1>damn it, it's just it's that's my vide. I remember first,

0:38:06.520 --> 0:38:09.920
<v Speaker 1>remember's birthday, Shocka's birthday. We were all drinking. He has

0:38:09.960 --> 0:38:12.520
<v Speaker 1>some type of bottle stashed away with the bartender that

0:38:12.600 --> 0:38:14.319
<v Speaker 1>no one else. He'd be over that because he on

0:38:14.400 --> 0:38:18.359
<v Speaker 1>that tequila. Man, what is it? The the nineteen forty

0:38:18.400 --> 0:38:20.680
<v Speaker 1>two He was like, can you get me in nineteen

0:38:20.680 --> 0:38:22.360
<v Speaker 1>forty two? I asked, and they were like, it's this

0:38:22.440 --> 0:38:26.560
<v Speaker 1>for Shoka. That's his castle. Drag on that. There you go,

0:38:27.080 --> 0:38:31.080
<v Speaker 1>this tequila. This is great. Let you got the movie in.

0:38:31.719 --> 0:38:34.279
<v Speaker 1>Let's do that. We can do that on camera the

0:38:34.280 --> 0:38:37.879
<v Speaker 1>Botlet want to open this right now. Special occasions. Man.

0:38:38.440 --> 0:38:40.200
<v Speaker 1>At this point, listen, it's like they take all of

0:38:40.200 --> 0:38:42.640
<v Speaker 1>the impurities out of stuff. It's more like medicine. It's

0:38:42.640 --> 0:38:45.040
<v Speaker 1>not even it's not even alcohol. You wake up the

0:38:45.080 --> 0:38:46.920
<v Speaker 1>next day feeling better than you did if you did

0:38:46.960 --> 0:38:49.920
<v Speaker 1>not drink anything. All right, well, let's do it. It's

0:38:49.960 --> 0:38:51.120
<v Speaker 1>the Breakfast Club, it's Luda