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Speaker 1: I'm real, real celebrity joined the Breakfast Morning. Everybody is

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Speaker 1: DJ Envy, Angela Yee, Charlomagne, the God. We are the

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Speaker 1: Breakfast Club special guests in the building. One of my

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Speaker 1: favorite artists. Highly underrated in my opinion. Yeah, hell you underrated.

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Speaker 1: You sold twenty million records. Now you know why we

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Speaker 1: sold twenty million. I want to say he sold twenty

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Speaker 1: million quietly. There's no sense thing you can back his lyricism.

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Speaker 1: I think we'll say that personal. It sounds like you

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Speaker 1: don't respect all. He couldn't have sold twenty millions quietly

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Speaker 1: if I knew about it. Oh yeah, Yeah, that's a

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Speaker 1: good point right there. That's definitely a good point of

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Speaker 1: food here. It feels good to be back. It feels

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Speaker 1: good to be back. Still, good crew. I like seeing

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Speaker 1: you when you come around because I always see shocker. Yeah. Absolutely,

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Speaker 1: for all the money y'all made, you have thought y'all

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Speaker 1: to fell out. And by the way, we've never had

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Speaker 1: a signed contract ever in our lives. Never, So I know.

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Speaker 1: I know y'all get a lot of artists in here.

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Speaker 1: I'm here to let y'all know we've never signed anything

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Speaker 1: that's loyal. He right, there. That's dope. Absolutely, So what

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Speaker 1: do you get a standard temple? Now he gets a percentage.

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Speaker 1: But you know that's what we don't have to talk about,

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Speaker 1: that he gets a percentage, but the fact of we've

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Speaker 1: never had to do any paperwork, because that's how strong

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Speaker 1: to bind with nobody playing with Ye I mess up,

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Speaker 1: I might How you trust somebody in the beginning? I understand,

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Speaker 1: you know, in the beginning, How do you trust somebody

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Speaker 1: to say that we came from the same humble beginnings,

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Speaker 1: We came from the same radio station. Man, I don't

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Speaker 1: you know what it is. It's like, I literally feel

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Speaker 1: like he's my family. Even though we're not blood, we

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Speaker 1: are family, and I know family goes through certain things.

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Speaker 1: So at the end of the day, it is what

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Speaker 1: it is. But I was right, you know what I mean,

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Speaker 1: We've gone this long and we still don't need any paperwork.

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Speaker 1: I never fight, never tussled, never nothing, nothing. Now we've

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Speaker 1: never had to, never had to. We've had some extremely

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Speaker 1: great conversations where we can agree to disagree on certain things.

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Speaker 1: But in terms of fight, Nah, what shock used to do?

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Speaker 1: The station seven nine? Right? Yeah? Yeah, he was hot

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Speaker 1: ninety seven five. He was the music director. Yeah, yeah,

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Speaker 1: and it was back end of the days when you know,

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Speaker 1: it was like a house, so we didn't have any money.

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Speaker 1: This is right when Radio one started, right, and so

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Speaker 1: there was no money, and you know, we had to

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Speaker 1: kind of keep some keep some things around us. And

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Speaker 1: he used to do to tend to two shifts at night.

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Speaker 1: So of course, you know, it was just like all

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Speaker 1: it wasn't any rules whatsoever. A matter of fact, we're

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Speaker 1: trying to bring up a movie script about that, and

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Speaker 1: so pretty soon we're gonna shed some light on this

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Speaker 1: radio playing all the ludicrous records. That was kind of

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Speaker 1: piola in a way. Nah, noa, it wasn't. That was

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Speaker 1: let me tell you something. That was the day I

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Speaker 1: know I made it because I had to fight so

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Speaker 1: hard to get my records played, not only on the

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Speaker 1: on the station because they made me work for it.

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Speaker 1: The day I knew I made it is when they

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Speaker 1: played my record on the opposing station on the competition.

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Speaker 1: So you know, that's why I was like, I know,

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Speaker 1: oh man, you get too much money for me right now.

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Speaker 1: I don't know, if you work at the station and

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Speaker 1: you're doing music, it kind of feels like we can't

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Speaker 1: just play this guy's record because it Man, that's exactly

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Speaker 1: what it was. It was the exact opposite of what

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Speaker 1: people would think. It's like, you would think they would

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Speaker 1: support me to a degree, but they made me work

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Speaker 1: for it because they didn't want anybody at the station

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Speaker 1: feeling like they just playing his record because he works here,

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Speaker 1: and so you know, that was part of the grind

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Speaker 1: coming up. Anything that I go through makes me a

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Speaker 1: better artist when it comes to, you know, challenging me.

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Speaker 1: That's it your last album, defire. I got one more

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Speaker 1: after this, man, And you know what I'm gonna tell

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Speaker 1: you right now, I will never take five years off

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Speaker 1: to drop an album ever again. They realized it was

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Speaker 1: five years. I didn't realize you have been in the

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Speaker 1: game fifty Yeah, hey man, I missed myself during this time.

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Speaker 1: I hadn't realized it's been that long either. But you know,

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Speaker 1: it's like, besides the fast five, fast, six, fast seven,

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Speaker 1: for the first time in my life, you know, it's

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Speaker 1: like I dropped damn near seven consecutive albums. So with

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Speaker 1: that being said, I just wanted to take a little

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Speaker 1: time off. I wanted to enjoy the fruits of my labor.

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Speaker 1: I wanted to travel the world, you know what I mean.

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Speaker 1: I wanted to spend some of his money, and by

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Speaker 1: doing that, I kind of lost contact a little bit.

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Speaker 1: So I had to kind of bring myself back up.

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Speaker 1: And we all know how the music game is right now.

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Speaker 1: It's like the attention span, out of sight, out of mind.

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Speaker 1: So it's like, of course, people looking at me as

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Speaker 1: more of a movie star than in music right now.

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Speaker 1: And what it was, I had to dig back in.

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Speaker 1: That's why I started putting out all these Luda verses,

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Speaker 1: because once you hear your favorite rapper or a rapper,

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Speaker 1: you can hear it in his tone and in his aggression,

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Speaker 1: whether or not he's still hungry or not. So I

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Speaker 1: had to start doing it. I dropped the EP, and

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Speaker 1: I did that quietly on purpose because I kind of

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Speaker 1: wanted to just build this foundation and build back up.

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Speaker 1: So to me, this is my eighth album, however it

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Speaker 1: feels like it's my first. This is a rebirth. And

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Speaker 1: when you start listening to these records, you will completely

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Speaker 1: understand what the hell I'm talking abofe Hit the hungy

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Speaker 1: and call your bluff. It sounds like you're talking to somebody.

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Speaker 1: Absolutely there's no, there's no one. There's no one person

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Speaker 1: in particular. Man. It just gets to a point in rap,

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Speaker 1: and I know you can relate to this where it's

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Speaker 1: like people they talked so hard behind a microphone, and

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Speaker 1: I'm letting everybody know. I've never claimed to be the

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Speaker 1: hardest artist or the hardest dude. But when it's like

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Speaker 1: when you start messing with a man's family or you

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Speaker 1: start messing with him, that's what I say in the record.

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Speaker 1: It's like, you mess with me, you're messing with my family.

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Speaker 1: And so I hate when people talk so tough on

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Speaker 1: the microphone. But you see him in person, and this

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Speaker 1: happens all the time. See him in person, it's like, oh, no,

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Speaker 1: you know, I ain't mean it like that, or everything's

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Speaker 1: all good, it's just all entertainment. No, it's not. It's

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Speaker 1: not entertainment. No, said, I just told you. I'm not

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Speaker 1: talking about anybody in particularly Me and Drake had our

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Speaker 1: thing though, But you know he came to me and

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Speaker 1: apologize like a man. He said, no, man, you you

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Speaker 1: god body, you got body. That was the first time

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Speaker 1: I heard it. Is the first time I heard somebody

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Speaker 1: to call me god body. I was like, Okay, well, no,

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Speaker 1: it's all good. Me and Drake, Me and Drake. Drake

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Speaker 1: don't study in lessons. I know everybody wants to write

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Speaker 1: Drake office that dude, but we were Okay, how did

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Speaker 1: you feel when he said your name and that? How

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Speaker 1: about now when he said he was playing his music

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Speaker 1: for the chicken and chickens like, turn it off, you're

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Speaker 1: listening a little Yeah? You know what? Nah? You know

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Speaker 1: what's crazy is I think it's it's a little bit

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Speaker 1: of a true story behind that. And his girl was

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Speaker 1: listening to lush. His girl at the time, with all

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Speaker 1: due respect, was probably doing a little bit more than that.

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Speaker 1: But it's a true story. And I think that's why

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Speaker 1: he said that. And you know, people can respect this

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Speaker 1: man for for being very honest, don't record very open. Yeah,

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Speaker 1: and and it was a it was a chick in Toronto.

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Speaker 1: And at the time I didn't even know that she was.

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Speaker 1: You know, I guess I didn't. I didn't know what

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Speaker 1: was going on, But goodness, I know absolutely I did

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Speaker 1: not know. That's really what it comes down, the drudge

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Speaker 1: all the way to the rap game. You know, I

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Speaker 1: don't I don't know what's going on. Man, Like I said,

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Speaker 1: I don't know, but I do remember that that time

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Speaker 1: in the period of my life. Yeah, that was was

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Speaker 1: that the thing when you said you and you know

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Speaker 1: your squashed thing? That was the thing? Yeah? Yeah, yeah.

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Speaker 1: And I mean he had said some things in public,

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Speaker 1: but then you know, he apologized privately, and I was like, well,

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Speaker 1: you need to apologize in public the same way you know,

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Speaker 1: you said it in public. And that was the issue

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Speaker 1: that I had with him. And I'm one of those

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Speaker 1: artists that anybody that knows me. Again, I don't claim

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Speaker 1: to be the hardest, but it's like, I'm a man,

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Speaker 1: you know, like you gotta it's about respect. Man. You

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Speaker 1: can't go and do something publicly and then come and

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Speaker 1: quietly say, oh, you know, I'm sorry. You gotta apologize

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Speaker 1: as a man and say it the same format you

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Speaker 1: put it out on. That's the same format you need

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Speaker 1: to continue on or I'm gonna do the same thing.

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Speaker 1: But I'd rather just get swung on. Hey, I'm not

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Speaker 1: mad at that either. I'm down for that too. Is

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Speaker 1: that why you took it to the Hey, look, mister

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Speaker 1: Jimmy swing on me. I'm talking about in general, I

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Speaker 1: apologize and didn't say the same thing I say, and

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Speaker 1: you swing on this morning. There's so many people that

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Speaker 1: go to the gym that will get they asked Woods

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Speaker 1: on a daily basis, because muscles don't mean a damn thing.

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Speaker 1: I can walk to walk up to you and kick

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Speaker 1: you in your knee and the fight is almost over

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Speaker 1: because you can't. You don't out of your balance. So period,

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Speaker 1: that's the bad thing with rich guys. They've been all

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Speaker 1: around the world. He might be over in China studying

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Speaker 1: some old pressure points. But now we talked about this man.

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Speaker 1: You over here messing with some some some some street

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Speaker 1: marshal arts. You know. I'm messing with some street things too,

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Speaker 1: So you know I respect that. Now. Is that why

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Speaker 1: you in the call You Bluff video you took it

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Speaker 1: back to the street, to the aid to let people know,

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Speaker 1: like looking, man, listen, if it's anything that I love

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Speaker 1: right now is taking it back like I called it.

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Speaker 1: This album is back to the basics. So again I

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Speaker 1: listened to the fans when they say they want the

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Speaker 1: old Loot. I get that, you know. It's like I

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Speaker 1: can always do that, But at the same time, I

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Speaker 1: have to be the new Looder. I have to be progressive.

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Speaker 1: I have to evolve. There are new things that have

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Speaker 1: happened in my life that I always have to you know,

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Speaker 1: I pretty much have to talk about. But at the

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Speaker 1: same time, this album is like the old Louder mixed

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Speaker 1: with the new Looder emerging it perfectly together. Can you

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Speaker 1: really give them old looted or like you can't be

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Speaker 1: twenty five against different? Listen to the album No, No,

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Speaker 1: I see what you're saying, because there's different things to

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Speaker 1: talk about. However, I think what they're talking about isression

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Speaker 1: and kind of like the flow patterns and and doing

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Speaker 1: different things. So when you hear call your bluff and

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Speaker 1: you hear me instantly come on there and just start

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Speaker 1: going crazy and just beasting out on people, that's really

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Speaker 1: what it's about. Because I watched the show and I

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Speaker 1: hear y'all constantly talking about how the game is forever

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Speaker 1: changing and ever evolving. And right now we're in an

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Speaker 1: era where you can pretty much put out just content,

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Speaker 1: music with content, and just flow and just do you.

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Speaker 1: You don't necessarily have to worry so much about I

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Speaker 1: need a radio record or I need something that spends

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Speaker 1: this this much. Dudes, back to rapping exactly. So that's

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Speaker 1: what this album is. It's back to rapping. It's not

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Speaker 1: trying to format one record to be like this or

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Speaker 1: one record to be like this. This is something you

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Speaker 1: can listen to from beginning to the end, and it's

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Speaker 1: what everybody's wanting me to do. And just beast the

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Speaker 1: hell out. You ever sound like Good Loving and then

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Speaker 1: you have a song like call your Bluff, Yeah, completely different.

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Speaker 1: See Good Loving was on the EP and it just

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Speaker 1: carried over because of its popularity. So that's about. That's

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Speaker 1: probably the only record on the album that I would

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Speaker 1: consider you know that carried over. But everything else is

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Speaker 1: that was a very reflective song for you. It definitely was.

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Speaker 1: I think everybody can relate to that because you know,

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Speaker 1: it's it's it's being honest and men talking about their

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Speaker 1: feelings in relationships because you don't hear that from a

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Speaker 1: man's perspective. So I get more guys coming up to

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Speaker 1: me like randomly saying, yo, I really feel that record

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Speaker 1: than I do girls. And that's crazy because, like I said,

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Speaker 1: you know, guys don't want to admit when they break

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Speaker 1: up with somebody that, look, I didn't mean to break

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Speaker 1: your heart, you know what? I mean, and when you

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Speaker 1: in retrospect, some guys do purposely just completely mess something up.

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Speaker 1: But then there are times where you look in retrospecting

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Speaker 1: you like, I didn't just purposely mean to break you

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Speaker 1: like that. And that's really what that record is all about.

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Speaker 1: It's just basically telling you a lot of guys were different,

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Speaker 1: you know what I'm saying. In relationships, we're going through life,

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Speaker 1: we're living in the fast lane, and we don't really

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Speaker 1: understand what we've done until years later and we look

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Speaker 1: back and like, damn, that was kind of messed up,

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Speaker 1: you know what I'm saying, at least about how good

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Speaker 1: absolutely making radio formatted record, yeah, kind of hard. If

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Speaker 1: you got Shocker, who's a formal music director, right, he'd

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Speaker 1: probably the person telling you gotta make a radio record.

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Speaker 1: You gotta make a radio record, No man, Shaka, you

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Speaker 1: gotta understand even though radio hits too, I did. And

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Speaker 1: that's that's the thing. Like, that's part of the reason

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Speaker 1: being in the game fifteen years, and we're coming up

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Speaker 1: on the fifteen year anniversary in October, being in this

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Speaker 1: game for so long, having so many radio hits, having

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Speaker 1: so many Grammys, having so many you know, awards and

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Speaker 1: just accolades. It's like I've done that and I don't

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Speaker 1: necessarily have to do that again. I just want to

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Speaker 1: give the people what it is that they're asking for,

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Speaker 1: especially since I have one more album after this one

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Speaker 1: on deaf Jam. Let's go to want to talk deaf Jam,

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Speaker 1: because you talk about let's do it. You got through

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Speaker 1: unions when they're not there anymore. So yeah, after this,

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Speaker 1: my contracts still the same. I know you, But for you,

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Speaker 1: when your contract is over, does it make sense financially

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Speaker 1: to keep loot because you know they can't afford the

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Speaker 1: big count. I mean you was grandfather did almost Yeah,

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Speaker 1: you know what, I'm not gonna give it away, but

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Speaker 1: I just feel like there are so many other opportunities

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Speaker 1: out there, so they would have to really entice me

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Speaker 1: in order for me to continue on. And like we

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Speaker 1: always talk about how the game is changing, I just

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Speaker 1: feel like it's it's new. It's there's some new things

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Speaker 1: going on and it's going to completely change the entire

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Speaker 1: music industry. And I like to stay afloat of what's new,

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Speaker 1: especially because the timing is coming up on me coming

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Speaker 1: out of my contract. Has anybody disrespected you and asked

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Speaker 1: you to sign a three sixty deal. Hell no, that's

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Speaker 1: when we would have to swing on somebody for real.

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Speaker 1: Don't don't ever disrespect me with the three sixty. Luckily,

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Speaker 1: I came into the game, and a lot of people

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Speaker 1: don't talk about this. I came into the music game

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Speaker 1: where I feel like artists got the most out of

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Speaker 1: juicing the industry in terms of I came into the

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Speaker 1: music game where I could sell def jam forecasting me

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Speaker 1: to sell half a million records on my first album

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Speaker 1: back for the first time. I went on to sell

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Speaker 1: three million, second album, three million album, three million. People

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Speaker 1: of course are not selling three million records anymore, so

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Speaker 1: during this era, I could not be more blessed and

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Speaker 1: more thankful that I came into the game at a

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Speaker 1: time where everybody was selling records, getting money from those records,

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Speaker 1: and also doing so many different things because nowadays it's

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Speaker 1: not considered smart to just be a rapper, right, you

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Speaker 1: can't do that. That's why I didn't even know that

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Speaker 1: you hadn't put on music in five years, because like, honestly,

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Speaker 1: how important is music now when you're doing movies, when

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Speaker 1: you're doing network television. Yeah, you got a brand it is,

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Speaker 1: But I do feel like music is still important because

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Speaker 1: this was it was. It's what got me here. You

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Speaker 1: know what I'm saying, Absolutely extremely passionate, and I can

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Speaker 1: never forget what got me here in the first place,

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Speaker 1: and I'll never take four or five years to drop

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Speaker 1: an album ever again. Now it has to be difficult

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Speaker 1: for you because you've been all over the blogs and

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Speaker 1: the tabloids and absolute and I know you're not used

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Speaker 1: to that because you are normally a pretty private person, yeah,

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Speaker 1: you know, minding your business when it comes to your

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Speaker 1: personal life. How has that been for you to have

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Speaker 1: to deal with all this public life going to cored.

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Speaker 1: That's a great question. And what you just said was

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Speaker 1: I'm not used to it, and I don't like being

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Speaker 1: in those in those tabloids in that way. And I

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Speaker 1: think that each of us here and everybody watching for

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Speaker 1: that matter, no matter what you don't really like, I

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Speaker 1: feel like the world is going to force you to

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Speaker 1: deal with You gotta address it at least once. Yeah, no,

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Speaker 1: you do, and I completely understand that. But basically what

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Speaker 1: I'm saying is I never was that person, and now

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Speaker 1: this has forced me to become a person that has

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Speaker 1: to kind of sit back and I love how people

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Speaker 1: hear all these different things and some of them are true,

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Speaker 1: don't get it twisted. However, a lot of them are untrue.

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Speaker 1: And so since I sit back and just watch, it

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Speaker 1: allows me to have a position of people are judging

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Speaker 1: me based off a lot of things that are not true,

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Speaker 1: and you know what's crazy about that? You know what,

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Speaker 1: you know what's crazy about that? I absolutely love it

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Speaker 1: because I know the truth. God knows the truth. And

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Speaker 1: as long as as long as that's the case, then

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Speaker 1: it's almost like you get to watch and let people

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Speaker 1: judge you based off of things that you know are

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Speaker 1: not true. Does it affect your relationship with with your

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Speaker 1: home life? Absolutely not. That's the best because we know

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Speaker 1: the truth. Let me just say that, myself, my wife,

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Speaker 1: and God, we but we all know the truth. So

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Speaker 1: with that being said, it's almost entertaining. It's just as

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Speaker 1: entertaining as everybody looking at me being entertained by what

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Speaker 1: they are saying about me. We're just as entertained watching

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Speaker 1: you judge me by listening to this false information. Sometimes

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Speaker 1: it has to make you want to retaliate, like sometimes

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Speaker 1: in your head you have there you yeah, I love.

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Speaker 1: I love that I love. No, it's it comes through

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Speaker 1: the music, you know. I think we all have situations

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Speaker 1: where we have to we have to use, uh like

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Speaker 1: it's therapy to go do certain things. Some go to

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Speaker 1: the gun range, some go you know, practice martial arts,

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Speaker 1: and some go box, some go running and exercise. But

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Speaker 1: for me, somewhere else. And yeah, but I put it

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Speaker 1: through my music. Man, I put it through that as

347
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Speaker 1: a man. I don't know what you did wrong. I mean,

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Speaker 1: if the story is what I heard, you had a

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Speaker 1: baby on a break for what, let me tell you something.

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Speaker 1: I've said this before. I'm not perfect, and I know

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Speaker 1: a lot of people out there. No one is perfect. However,

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00:16:12,640 --> 00:16:15,800
Speaker 1: everything that I'm going through is perfect for me, and

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Speaker 1: it's made me a better person. It's made me a

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Speaker 1: better man. And what's to come, it's going to be

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Speaker 1: the absolute best thing that could ever happen. And it

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Speaker 1: already has happened because a blessing came out of it.

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Speaker 1: And I can't necessarily talk, you know, specifics, because anything

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Speaker 1: I say can and will be used against me in

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Speaker 1: the court of the law, because there's still current litigation

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Speaker 1: going on. But at the end of the day, just

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Speaker 1: generally speaking, the best thing that's ever happened to me

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Speaker 1: in my entire life. On the way I do, I'm

363
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Speaker 1: trying to catch up with you, like this is my goal.

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Speaker 1: Like I'm trying to catch up with envy. And that's

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Speaker 1: really what it came down to. Mad. You know, it's

366
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Speaker 1: crazy because like I had an endorsement deal from this

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Speaker 1: company called Breakaway Condoms, and then they just they pulled out.

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Speaker 1: They pulled out on me at the last minute. So

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Speaker 1: I don't but it's just the last moment they pulled

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Speaker 1: out on me. Can you believe that? Can you believe it?

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Speaker 1: We made the man who made what's your fantasy when

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Speaker 1: you talk about having sex in about a thousand different places,

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Speaker 1: finally lock it down and getting married. Man. You know

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Speaker 1: what I always say this, I think life is about timing.

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Speaker 1: And what I mean by that is there's a time

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Speaker 1: where you could get married and it's not gonna be right,

377
00:17:26,520 --> 00:17:28,880
Speaker 1: and you could be the same person and years later

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Speaker 1: you get married and I know, you know what I'm

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Speaker 1: talking about it and it's gonna be right. It was

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Speaker 1: just the right timing for me. So you know it

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Speaker 1: took me seventeen years. I'm the same girl seventeen years

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Speaker 1: finally didn't September damn. Okay, look when I say timing,

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Speaker 1: I don't mean that. Damn damn that. Yeah, applaud you

384
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Speaker 1: were married already anyway. It was always rooming. Oh they

385
00:17:51,440 --> 00:17:54,600
Speaker 1: already gotten me again, that's all, you know, people putting

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Speaker 1: stuff out, and we never feel the need to have

387
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Speaker 1: to always defend ourselves because it's entertaining just watching people

388
00:18:00,800 --> 00:18:03,840
Speaker 1: judges based off or whatever. But with that being said,

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Speaker 1: it's like it was that time, man, and I can

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Speaker 1: honestly say that so far, so good, and I hope

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00:18:08,760 --> 00:18:10,679
Speaker 1: it continues so far so good for you, or you

392
00:18:10,720 --> 00:18:15,040
Speaker 1: just don't know yet. Oh man, I don't know. I'm

393
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Speaker 1: waiting to find out my damn self. Yeah, I heard

394
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Speaker 1: you got upset in my little bro Pete Davidson at

395
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Speaker 1: the Just to Be Be Comedy Central rules. Oh man,

396
00:18:22,840 --> 00:18:25,280
Speaker 1: you made some Paul Walker jewel. Yeah, let me tell

397
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Speaker 1: you something. And I wouldn't even repeat those jokes because

398
00:18:28,200 --> 00:18:31,760
Speaker 1: of how disrespectful I feel they were. But I was

399
00:18:31,760 --> 00:18:34,879
Speaker 1: definitely upset about that, and you know, like I was

400
00:18:34,960 --> 00:18:36,320
Speaker 1: to the point where I was about to go a

401
00:18:36,400 --> 00:18:38,080
Speaker 1: little crazy, and then all of a sudden, all the

402
00:18:38,119 --> 00:18:42,080
Speaker 1: executives and producers started lining up coming to me, apologizing

403
00:18:42,119 --> 00:18:44,160
Speaker 1: and assuring me that they were going to take those

404
00:18:44,240 --> 00:18:47,080
Speaker 1: jokes out. So you know, I can respect that. And

405
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Speaker 1: at the end of the day, those jokes will never

406
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Speaker 1: see the light of day. And Tyre said, you guys

407
00:18:51,160 --> 00:18:52,880
Speaker 1: had a conversation, and he was like, it's a good

408
00:18:52,920 --> 00:18:55,480
Speaker 1: thing I wasn't there, because ye know the reason would

409
00:18:56,400 --> 00:18:58,400
Speaker 1: again reason is not that type of person. But when

410
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Speaker 1: it comes to Paul with either one of us, because

411
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Speaker 1: I don't think people know how close we really were

412
00:19:02,640 --> 00:19:05,679
Speaker 1: too Paul, me and Re started in too fast, too furious,

413
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Speaker 1: and so this was twelve years ago. That was in

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Speaker 1: two thousand and three, And I mean, I always tell people,

415
00:19:11,320 --> 00:19:13,680
Speaker 1: you know, this dude's birthday was one day after mine.

416
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Speaker 1: We were virgos. We had the most in common out

417
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Speaker 1: of everybody. Me and Tyres are close. For me and

418
00:19:18,040 --> 00:19:20,600
Speaker 1: Paul were extremely close. And he was one of those

419
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Speaker 1: individuals where he just wanted to be regular. Even though

420
00:19:23,960 --> 00:19:25,960
Speaker 1: he got these Hollywood checks, think about it, you would

421
00:19:26,000 --> 00:19:28,600
Speaker 1: never really see him out and about it different functions

422
00:19:28,640 --> 00:19:30,720
Speaker 1: or trying to be a certain way. He just liked

423
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Speaker 1: to be regularly. He loved to have fun. He liked

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00:19:32,640 --> 00:19:35,080
Speaker 1: to surf. He had a place out in Santa Barbara

425
00:19:35,160 --> 00:19:37,720
Speaker 1: away from everything. He wanted to keep away from all

426
00:19:37,760 --> 00:19:40,959
Speaker 1: of the bs. And so I'm the same type of way. Man.

427
00:19:41,000 --> 00:19:43,240
Speaker 1: When you see this album covering, you see me driving

428
00:19:43,240 --> 00:19:46,000
Speaker 1: this ninety three accurate legend and still having that plane

429
00:19:46,000 --> 00:19:47,679
Speaker 1: in there. But at the end of the day, I

430
00:19:47,720 --> 00:19:50,360
Speaker 1: just feel like we had so much in common. And yeah,

431
00:19:50,400 --> 00:19:52,240
Speaker 1: if Tyrese was there, it would have been a problem.

432
00:19:55,080 --> 00:20:02,480
Speaker 1: A jet man looted on guy five million. Bro. I'm

433
00:20:02,480 --> 00:20:04,760
Speaker 1: glad he said that, because y'all everybody messing with me

434
00:20:04,800 --> 00:20:06,640
Speaker 1: about having a private plane. And I think I said

435
00:20:06,640 --> 00:20:08,280
Speaker 1: this last time I was on here. I was like

436
00:20:08,600 --> 00:20:12,639
Speaker 1: sometimes we were land in different private airports and I'm like, damn,

437
00:20:12,640 --> 00:20:15,040
Speaker 1: look at how much bigger that private plane is than mine.

438
00:20:15,400 --> 00:20:18,200
Speaker 1: And my chef looked at me and said, man, either

439
00:20:18,280 --> 00:20:26,840
Speaker 1: you in from seven. My seven looked at me and said, man,

440
00:20:26,920 --> 00:20:28,960
Speaker 1: either you're in the plane game or you're not in

441
00:20:29,000 --> 00:20:31,440
Speaker 1: the plane game. And I can respect that, so I understand.

442
00:20:31,440 --> 00:20:33,360
Speaker 1: But yeah, I don't know what what's going on with Crefalo.

443
00:20:33,400 --> 00:20:35,600
Speaker 1: I think he just wants a bigger jet. He has one.

444
00:20:35,800 --> 00:20:37,560
Speaker 1: I guarantee he has one. He said it was old

445
00:20:37,600 --> 00:20:41,199
Speaker 1: and something happened to mechanics. Yeah, so it come to

446
00:20:41,200 --> 00:20:42,919
Speaker 1: the road. You know, that's the energy of a roast.

447
00:20:43,359 --> 00:20:45,160
Speaker 1: No I do. And I hadn't seen that many roles

448
00:20:45,200 --> 00:20:47,160
Speaker 1: before I did that one, So I'm gonna be honest

449
00:20:47,200 --> 00:20:50,080
Speaker 1: with you. It's like I checked out little little bits

450
00:20:50,080 --> 00:20:52,600
Speaker 1: here and there, but apart from the Paul Walker jokes,

451
00:20:53,000 --> 00:20:55,520
Speaker 1: great roast, and I think it's I think it's a

452
00:20:55,600 --> 00:20:58,480
Speaker 1: great thing for people to get roasted because a lot

453
00:20:58,520 --> 00:21:00,959
Speaker 1: of people are scared to be made fun of. And

454
00:21:00,960 --> 00:21:03,000
Speaker 1: I don't take myself too seriously, and I'm just gonna

455
00:21:03,000 --> 00:21:05,080
Speaker 1: tell y'all like this, it's definitely one of the best roast,

456
00:21:05,080 --> 00:21:08,320
Speaker 1: if not the best roast that comedy centrals had, because

457
00:21:08,840 --> 00:21:11,840
Speaker 1: nobody was safe, like everyone was free game, and we

458
00:21:12,080 --> 00:21:15,040
Speaker 1: cracked on Justin Bieber for hours and hours of time.

459
00:21:15,080 --> 00:21:17,760
Speaker 1: This was four hours worth of material. They had to

460
00:21:17,760 --> 00:21:20,639
Speaker 1: condense it down to I think two hours for television.

461
00:21:20,680 --> 00:21:23,560
Speaker 1: So you know, once we were roasting him, he got

462
00:21:23,560 --> 00:21:25,320
Speaker 1: a chance at the end to go back and get

463
00:21:25,320 --> 00:21:28,159
Speaker 1: everybody else. So you know, there it was some low blows.

464
00:21:28,200 --> 00:21:30,480
Speaker 1: You know, they got me. I got some people, you know,

465
00:21:30,520 --> 00:21:32,920
Speaker 1: you think about this. Snoop was in there, Shaq was

466
00:21:32,960 --> 00:21:35,600
Speaker 1: in there, Martha Stewart was in there. Everybody was talking

467
00:21:35,600 --> 00:21:38,000
Speaker 1: about how old she was and how dry Snatch was,

468
00:21:38,080 --> 00:21:39,240
Speaker 1: you know what I mean, Like it was some It

469
00:21:39,280 --> 00:21:41,240
Speaker 1: was some low blows around this piece. Trust me. Was

470
00:21:41,280 --> 00:21:43,960
Speaker 1: there any hesitation to jump on Bieble's record back in

471
00:21:44,000 --> 00:21:47,680
Speaker 1: the day, I mean, a little white pop singer. That's

472
00:21:47,680 --> 00:21:49,800
Speaker 1: a damn good question. And I'm gonna tell you why

473
00:21:50,040 --> 00:21:52,760
Speaker 1: there was no hesitation. It is because I'm one of

474
00:21:52,760 --> 00:21:54,879
Speaker 1: those artists and I'm one of those individuals that I

475
00:21:54,920 --> 00:21:58,040
Speaker 1: don't care so much what people think about the decisions

476
00:21:58,080 --> 00:22:00,800
Speaker 1: that I make. I make decisions based off of how

477
00:22:00,840 --> 00:22:04,919
Speaker 1: I feel. And when I heard that record coming from radio,

478
00:22:05,160 --> 00:22:07,920
Speaker 1: I knew that it was a hit record. It didn't

479
00:22:07,920 --> 00:22:11,440
Speaker 1: matter to me that he was, you know, twelve or

480
00:22:11,480 --> 00:22:13,639
Speaker 1: thirteen years old. It didn't matter to me that he

481
00:22:13,720 --> 00:22:15,800
Speaker 1: was white boy. It didn't matter to me any of

482
00:22:15,800 --> 00:22:18,400
Speaker 1: that stuff. I just listened to the music, and so

483
00:22:18,560 --> 00:22:21,080
Speaker 1: all of us here it's like, you know, it's not

484
00:22:21,160 --> 00:22:23,520
Speaker 1: just limited to rap music and hip hop, you know,

485
00:22:23,600 --> 00:22:25,359
Speaker 1: we listened to all kinds of music. I listened to

486
00:22:25,480 --> 00:22:27,719
Speaker 1: rock and roll, I listened to eighties hair metal sometime,

487
00:22:28,320 --> 00:22:31,879
Speaker 1: so I mean, like, it's never about the person or

488
00:22:31,880 --> 00:22:34,240
Speaker 1: how old they are, it's about the music and let

489
00:22:34,240 --> 00:22:37,359
Speaker 1: alone this this song went on to make history. And

490
00:22:37,400 --> 00:22:40,959
Speaker 1: with that being said, till this day, after I endorsed

491
00:22:41,040 --> 00:22:44,359
Speaker 1: Justin Bieber, then all everyone else started endorsing them. You

492
00:22:44,400 --> 00:22:47,000
Speaker 1: know what I mean. You got Kanye Wu, Tang Clay.

493
00:22:47,119 --> 00:22:49,280
Speaker 1: Everybody's like cool with Justin Bieber all of a sudden,

494
00:22:49,359 --> 00:22:52,679
Speaker 1: So you gave him that first shot. He caught it

495
00:22:52,720 --> 00:22:54,560
Speaker 1: messing with me. Yeah, there you have it. Well, then

496
00:22:54,600 --> 00:22:56,560
Speaker 1: on purpose that you decided to put out Lutiverse at

497
00:22:56,560 --> 00:22:59,200
Speaker 1: the same time Fast and Furious seven, did you say

498
00:22:59,240 --> 00:23:01,720
Speaker 1: timing White great idea? It just it kind of just

499
00:23:01,760 --> 00:23:04,520
Speaker 1: worked out that way because a lot of people don't

500
00:23:04,600 --> 00:23:07,240
Speaker 1: understand that this movie shut down. The production shut down

501
00:23:07,240 --> 00:23:10,000
Speaker 1: for like four to five months because of Paul Walker's

502
00:23:10,040 --> 00:23:12,719
Speaker 1: untimely death. So if I had planned to put it

503
00:23:12,720 --> 00:23:16,000
Speaker 1: out before that, but this entire four to five months

504
00:23:16,000 --> 00:23:19,480
Speaker 1: of production shutting down, it just shifted my entire schedule

505
00:23:20,280 --> 00:23:23,720
Speaker 1: an entire year because once production shut down, then we

506
00:23:23,920 --> 00:23:26,080
Speaker 1: had to go back and start shooting the movie again,

507
00:23:26,240 --> 00:23:29,240
Speaker 1: and that took another four to five months, So my

508
00:23:29,520 --> 00:23:32,800
Speaker 1: entire life was kind of shaking. But again, everything happens

509
00:23:32,840 --> 00:23:34,800
Speaker 1: for a reason, and it happened for the better. And

510
00:23:35,000 --> 00:23:37,480
Speaker 1: I what I don't think people really understand also is

511
00:23:37,520 --> 00:23:40,639
Speaker 1: that he was about eighty five percent done shooting his

512
00:23:40,720 --> 00:23:44,040
Speaker 1: parts in the film before his untimely death. And yeah,

513
00:23:44,080 --> 00:23:46,280
Speaker 1: I know people have heard that his brothers stepped in

514
00:23:46,320 --> 00:23:48,960
Speaker 1: and there was a lot of cgi and things that

515
00:23:49,000 --> 00:23:50,840
Speaker 1: they had to do in order to finish the film.

516
00:23:50,880 --> 00:23:53,040
Speaker 1: But for the most part, that's only like two scenes

517
00:23:53,080 --> 00:23:55,199
Speaker 1: in the movie. So when they see this, then the

518
00:23:55,280 --> 00:23:57,560
Speaker 1: integrity is there. And I guarantee when you watch this

519
00:23:57,600 --> 00:24:00,440
Speaker 1: movie his how we honor him, and it's it's an

520
00:24:00,560 --> 00:24:03,360
Speaker 1: entire it's just the movie is dedicated to this man.

521
00:24:03,440 --> 00:24:06,280
Speaker 1: But the way that it ends, even the gangster of

522
00:24:06,320 --> 00:24:08,080
Speaker 1: all gangs is gonna be well enough. At the end

523
00:24:08,119 --> 00:24:09,800
Speaker 1: of this damn movie. He basically tell him as he

524
00:24:09,800 --> 00:24:13,120
Speaker 1: dies in the movie, Nah, he don't die in the movie. Okay,

525
00:24:13,600 --> 00:24:15,320
Speaker 1: you're making me give it away right now, But he

526
00:24:15,400 --> 00:24:17,640
Speaker 1: doesn't die in the movie. But that's what I'm saying.

527
00:24:17,640 --> 00:24:20,080
Speaker 1: It's done in such a creative way that you still

528
00:24:20,119 --> 00:24:24,439
Speaker 1: gonna you're gonna feel a certain type several times throughout

529
00:24:24,440 --> 00:24:26,920
Speaker 1: the movie. Man, I'm gonna tell you straight up, I'm

530
00:24:26,960 --> 00:24:28,960
Speaker 1: a grown man. But because I knew him the way

531
00:24:28,960 --> 00:24:31,040
Speaker 1: that I knew him, the way that they showcased him.

532
00:24:31,040 --> 00:24:32,840
Speaker 1: At the end of this movie, it was over, and

533
00:24:32,880 --> 00:24:34,879
Speaker 1: I took my thirteen year old daughter to see the

534
00:24:34,920 --> 00:24:38,320
Speaker 1: premier in Atlanta. We was both in tears. Period. Does

535
00:24:38,359 --> 00:24:40,800
Speaker 1: it Does it feel real? Because I mean, for me,

536
00:24:40,800 --> 00:24:42,719
Speaker 1: I don't deal with death well because it feel I'm

537
00:24:42,760 --> 00:24:44,400
Speaker 1: the same, like going to funerals, none of that, because

538
00:24:44,400 --> 00:24:45,600
Speaker 1: I don't want to. That's not the last time I

539
00:24:45,640 --> 00:24:47,679
Speaker 1: want to be And you have more in common than

540
00:24:47,720 --> 00:24:51,680
Speaker 1: I thought. Man, doesn't feel real. It didn't feel real

541
00:24:51,760 --> 00:24:54,680
Speaker 1: at first. And then when when we flew to LA

542
00:24:54,880 --> 00:24:57,320
Speaker 1: and went to the crash site where I know y'all

543
00:24:57,359 --> 00:25:00,879
Speaker 1: heard about like fans coming out and ringing candles and

544
00:25:00,920 --> 00:25:03,600
Speaker 1: all these different things, and then the family was there,

545
00:25:03,680 --> 00:25:08,720
Speaker 1: that's when it hit us and me Tyrese then everybody

546
00:25:08,760 --> 00:25:12,320
Speaker 1: breaking down and it just I mean, it hurts, man,

547
00:25:12,359 --> 00:25:15,240
Speaker 1: It hurts to know because it just didn't feel real.

548
00:25:15,280 --> 00:25:17,719
Speaker 1: And when that moment hit us, we just realized that

549
00:25:17,760 --> 00:25:20,920
Speaker 1: this is this is it is what it is. How

550
00:25:20,920 --> 00:25:23,400
Speaker 1: are we going to deal with this? Asked the same question.

551
00:25:23,520 --> 00:25:25,560
Speaker 1: Is it hard to heal now? Because you want the

552
00:25:25,600 --> 00:25:27,960
Speaker 1: promo toil? You see the commercials all the time, people

553
00:25:27,960 --> 00:25:29,840
Speaker 1: asking you about them. It's hard to heal. But the

554
00:25:29,880 --> 00:25:33,200
Speaker 1: most important thing of why it's the hardest is to

555
00:25:33,240 --> 00:25:35,480
Speaker 1: see the end of this movie. I don't think that

556
00:25:35,920 --> 00:25:38,560
Speaker 1: you know how you know they say time heals all wounds.

557
00:25:39,000 --> 00:25:41,240
Speaker 1: I'm telling you, like this, if I watched this movie

558
00:25:41,240 --> 00:25:43,360
Speaker 1: and watch the end of this movie, no matter how

559
00:25:43,359 --> 00:25:45,919
Speaker 1: many times I see it, it's going to get it's

560
00:25:45,960 --> 00:25:49,040
Speaker 1: going to get the same emotional feeling from me. Like

561
00:25:49,080 --> 00:25:51,040
Speaker 1: talking about it, I'm starting to feel a certain way.

562
00:25:51,600 --> 00:25:54,000
Speaker 1: But yeah, it's it's definitely hard to deal with. So

563
00:25:54,400 --> 00:25:56,280
Speaker 1: I was reading. Also, there's going to be like the

564
00:25:56,760 --> 00:26:00,359
Speaker 1: possibly three more after this. Yeah. First of all, let

565
00:26:00,400 --> 00:26:02,359
Speaker 1: me just make note. I don't know if Tyrese said this,

566
00:26:02,800 --> 00:26:04,720
Speaker 1: I'm glad that the two black men in the movie

567
00:26:04,840 --> 00:26:10,080
Speaker 1: have not died yet. Yeah, because nah, But think about this,

568
00:26:10,160 --> 00:26:12,280
Speaker 1: if you look at all the different ones everyone else

569
00:26:12,280 --> 00:26:14,800
Speaker 1: has died and some of them have come back, they

570
00:26:14,840 --> 00:26:17,560
Speaker 1: were in there, like this is a beautiful thing. Right now,

571
00:26:19,440 --> 00:26:22,080
Speaker 1: we're not dead yet we keep it in alive and

572
00:26:22,119 --> 00:26:27,199
Speaker 1: another thing. That's why I'm here. That's why I'm at

573
00:26:27,200 --> 00:26:31,679
Speaker 1: the breakfast club right now. So was ducking us for

574
00:26:31,720 --> 00:26:34,600
Speaker 1: a little while him, No, hell now, I was just

575
00:26:34,640 --> 00:26:37,119
Speaker 1: being a father for them. I kept seeing Ludacris is

576
00:26:37,119 --> 00:26:41,280
Speaker 1: in New York, he's here, He's I would never duck y'all. Man,

577
00:26:41,480 --> 00:26:43,959
Speaker 1: I come from the radio game, so I completely understand it.

578
00:26:44,000 --> 00:26:47,520
Speaker 1: But nah, man, like I I, we always let the

579
00:26:47,560 --> 00:26:51,040
Speaker 1: fans dictate if there's going to be another one, and

580
00:26:51,080 --> 00:26:53,320
Speaker 1: we always listen to what they're saying. And right now,

581
00:26:53,600 --> 00:26:56,359
Speaker 1: it's one of those times where you respect like respectfully

582
00:26:56,359 --> 00:26:58,679
Speaker 1: have to give kind of a moment of silence. You

583
00:26:58,720 --> 00:27:00,680
Speaker 1: can't just at the end of this movie be like okay,

584
00:27:00,680 --> 00:27:03,239
Speaker 1: and here it comes the next one. It's everything just

585
00:27:03,280 --> 00:27:04,960
Speaker 1: needs to Like when you see the end of the movie,

586
00:27:05,000 --> 00:27:07,359
Speaker 1: you'll understand what I'm saying. It's just like, let's just

587
00:27:07,440 --> 00:27:09,919
Speaker 1: chill for a second. If there is to be another

588
00:27:09,960 --> 00:27:12,679
Speaker 1: Fast and Furious, then let let a little time go

589
00:27:12,800 --> 00:27:15,040
Speaker 1: pass before we just up and just go back and

590
00:27:15,080 --> 00:27:18,200
Speaker 1: do it. Now, let's let's talk sports. Floyd Mayweather, Yeah,

591
00:27:19,920 --> 00:27:23,080
Speaker 1: listen to me. This is gonna be a tough one. No,

592
00:27:23,200 --> 00:27:25,520
Speaker 1: I do. I love that, but I'm a little biased,

593
00:27:25,520 --> 00:27:28,120
Speaker 1: and I'll tell you why. I did a video with

594
00:27:28,320 --> 00:27:30,920
Speaker 1: Roger Mayweather and Floyd away back, and I was able

595
00:27:31,000 --> 00:27:33,520
Speaker 1: to train with Roger Mayweather and I was able to

596
00:27:33,560 --> 00:27:35,800
Speaker 1: go to the gym. And this was maybe about five

597
00:27:35,920 --> 00:27:38,679
Speaker 1: or six years ago. So fast forward. I had a

598
00:27:38,680 --> 00:27:41,520
Speaker 1: show in Vegas about three weeks ago, and I went

599
00:27:41,720 --> 00:27:43,840
Speaker 1: back to the gym to go hollid at everybody. And

600
00:27:43,880 --> 00:27:46,880
Speaker 1: when I went there, it just so happened that Floyd

601
00:27:47,080 --> 00:27:49,000
Speaker 1: was in there about to spar with somebody. And I

602
00:27:49,040 --> 00:27:51,199
Speaker 1: didn't know who, but I see the gym filled up.

603
00:27:51,520 --> 00:27:53,840
Speaker 1: I know this is his second week of training camp,

604
00:27:54,320 --> 00:27:56,200
Speaker 1: and I'm kind of like, you know, this is gonna

605
00:27:56,200 --> 00:27:58,280
Speaker 1: be as hard as fight. So as soon as I

606
00:27:58,359 --> 00:28:00,679
Speaker 1: walk in there, I see Zab over there to the

607
00:28:00,680 --> 00:28:03,520
Speaker 1: side putting his gloves on. Yeah, so I'm looking and

608
00:28:03,560 --> 00:28:05,320
Speaker 1: I'm like, okay, so that's what's going on. I happen

609
00:28:05,359 --> 00:28:07,159
Speaker 1: to get there right on time, because as soon as

610
00:28:07,160 --> 00:28:08,880
Speaker 1: I got there, two minutes later, they in the ring.

611
00:28:09,560 --> 00:28:12,680
Speaker 1: So of course you all know that zab Jui South Paul,

612
00:28:13,119 --> 00:28:16,639
Speaker 1: so we know that he's fought this man before. And again,

613
00:28:16,720 --> 00:28:18,840
Speaker 1: this was only three rounds because they just sparning, they

614
00:28:18,840 --> 00:28:21,520
Speaker 1: got the head gear on, they got everything. So I'm

615
00:28:21,520 --> 00:28:23,919
Speaker 1: in the side of the ring and I'm just watching

616
00:28:23,920 --> 00:28:25,879
Speaker 1: this fight and I'm just extremely happy that I just

617
00:28:25,920 --> 00:28:27,400
Speaker 1: so happened to come on the day in the time

618
00:28:27,440 --> 00:28:29,000
Speaker 1: when both of these are fighting, because I just wanted

619
00:28:29,000 --> 00:28:31,199
Speaker 1: to see I wanted to look in Floyd's eyes. I

620
00:28:31,240 --> 00:28:33,000
Speaker 1: got a chance to say what up to him. And

621
00:28:33,040 --> 00:28:35,240
Speaker 1: it's like the same way I keep talking about rappers.

622
00:28:35,240 --> 00:28:37,080
Speaker 1: When you hear their tone and they aggression, you can

623
00:28:37,119 --> 00:28:39,240
Speaker 1: tell whether they're hungry or not. When you look in

624
00:28:39,320 --> 00:28:42,240
Speaker 1: the fighter's eyes and you feel that energy, you realize

625
00:28:42,240 --> 00:28:44,239
Speaker 1: where he's at. Floyd has never been a punk when

626
00:28:44,280 --> 00:28:48,440
Speaker 1: it comes to training camp period. I have never in

627
00:28:48,480 --> 00:28:51,640
Speaker 1: my life seen him this focused and training this hard.

628
00:28:51,840 --> 00:28:54,400
Speaker 1: So let's just say if he usually runs five or

629
00:28:54,440 --> 00:28:57,560
Speaker 1: six miles a day, he's running eight or nine miles

630
00:28:57,560 --> 00:28:59,800
Speaker 1: a day. If he usually is in the gym and

631
00:29:00,120 --> 00:29:02,760
Speaker 1: sparring and he's you know, working out and exercising for

632
00:29:03,600 --> 00:29:06,920
Speaker 1: four or five hours, he's doing six seven hours. He

633
00:29:07,000 --> 00:29:12,800
Speaker 1: knows that everything is on the line. Okay, I'll tell

634
00:29:12,800 --> 00:29:14,720
Speaker 1: you whatever's hap. I don't know if this I saw

635
00:29:14,760 --> 00:29:16,959
Speaker 1: the TV camera, So I don't know if I'm if

636
00:29:17,000 --> 00:29:18,800
Speaker 1: I'm gonna get in trouble for telling what's happening, or

637
00:29:18,840 --> 00:29:20,440
Speaker 1: if it's actually gonna come on one of them twenty

638
00:29:20,440 --> 00:29:24,320
Speaker 1: four seven joints. But the first round Floyd did like

639
00:29:24,360 --> 00:29:27,000
Speaker 1: he always does in a real fight, took it easy,

640
00:29:27,280 --> 00:29:29,840
Speaker 1: kind of study. See where fill it out, See where

641
00:29:29,920 --> 00:29:32,800
Speaker 1: Zaba is at. Second round you start to see zab

642
00:29:32,920 --> 00:29:35,600
Speaker 1: jue to getting a little fatigued, and then you know

643
00:29:35,960 --> 00:29:38,120
Speaker 1: Floyd started getting a little more aggressive and getting a

644
00:29:38,120 --> 00:29:42,920
Speaker 1: little more comfortable. Third round it's a rap Za I mean,

645
00:29:43,080 --> 00:29:46,160
Speaker 1: Zab is definitely all the way fatigued and Zach I mean,

646
00:29:46,320 --> 00:29:49,000
Speaker 1: and then Floyd Mayweather is just just taking advantage of him.

647
00:29:49,000 --> 00:29:52,040
Speaker 1: At that point he actually started round And that's what

648
00:29:52,080 --> 00:29:53,600
Speaker 1: I was gonna say. I'm telling you like this, The

649
00:29:53,680 --> 00:29:55,840
Speaker 1: thing about this fight is we all know that the

650
00:29:55,880 --> 00:29:58,600
Speaker 1: first three rounds Floyd Mayweather, he kind of takes it

651
00:29:58,640 --> 00:30:02,120
Speaker 1: easy and he studies. But the only thing about this

652
00:30:02,160 --> 00:30:05,400
Speaker 1: fight is he has to be a little more aggressive

653
00:30:05,680 --> 00:30:08,120
Speaker 1: because we all know that Pakia is going to throw

654
00:30:08,200 --> 00:30:11,040
Speaker 1: punches and this is about points, and so if he's

655
00:30:11,120 --> 00:30:13,640
Speaker 1: not going to knock this man, out, then you have

656
00:30:13,760 --> 00:30:17,280
Speaker 1: to get more points than him. So Pakia is gonna

657
00:30:17,280 --> 00:30:19,440
Speaker 1: be throwing, and I feel like Floyd knows that he

658
00:30:19,520 --> 00:30:22,240
Speaker 1: has to throw some stuff too. And if Pakia wants

659
00:30:22,240 --> 00:30:24,880
Speaker 1: to knock Mayweather out, it has to happen in the

660
00:30:24,880 --> 00:30:27,320
Speaker 1: first three rounds. If you're going to stagger him, if

661
00:30:27,320 --> 00:30:29,880
Speaker 1: you're going to do anything that is going to completely

662
00:30:29,920 --> 00:30:32,520
Speaker 1: mess up the rest of the round, it has to

663
00:30:32,640 --> 00:30:37,760
Speaker 1: be in the first three round period. I mean, I

664
00:30:37,800 --> 00:30:39,400
Speaker 1: got kids take care of. I ain't putting up no

665
00:30:39,480 --> 00:30:41,640
Speaker 1: money right now. I'm good. I ain't betting on this one.

666
00:30:41,760 --> 00:30:44,320
Speaker 1: You know, I always wondered about you Loud, did ye

667
00:30:44,760 --> 00:30:47,080
Speaker 1: or did you and your team? I will say, let's

668
00:30:47,400 --> 00:30:52,000
Speaker 1: cross over? Or did everything happen organically? I think, honestly, um,

669
00:30:52,320 --> 00:30:54,520
Speaker 1: I don't. We never said we need to cross over.

670
00:30:54,600 --> 00:30:57,040
Speaker 1: I think everything happened organically, Like when I got in

671
00:30:57,120 --> 00:31:00,280
Speaker 1: the studio with Timberland and did roll Out and that

672
00:31:00,480 --> 00:31:02,560
Speaker 1: was like a crossover song, Or when I got in

673
00:31:02,640 --> 00:31:05,000
Speaker 1: the studio with Kanye and I did Stand Up and

674
00:31:05,080 --> 00:31:07,800
Speaker 1: that crossed over. It was all organic in the studio.

675
00:31:07,840 --> 00:31:09,520
Speaker 1: We weren't just sitting there saying we want to we

676
00:31:09,560 --> 00:31:11,760
Speaker 1: want to cross over. None of that ever happened. So

677
00:31:12,240 --> 00:31:14,560
Speaker 1: I think it was just a combination of me doing

678
00:31:14,560 --> 00:31:17,760
Speaker 1: a lot of feature you know, feature songs, and just

679
00:31:17,840 --> 00:31:20,000
Speaker 1: me doing me. That's the one thing that I can

680
00:31:20,080 --> 00:31:21,959
Speaker 1: say is that we never were like, we need to

681
00:31:22,000 --> 00:31:24,200
Speaker 1: do this type of record, yeah, because you know, none

682
00:31:24,200 --> 00:31:27,320
Speaker 1: of those were traditional radio records. Move bitch exactly what

683
00:31:27,360 --> 00:31:31,120
Speaker 1: opitality stand up? Those aren't singing song hooky traditional And

684
00:31:31,120 --> 00:31:33,440
Speaker 1: that's where the best music comes from, when someone is

685
00:31:33,520 --> 00:31:36,280
Speaker 1: not trying to make a specific type of record, in

686
00:31:36,360 --> 00:31:39,360
Speaker 1: my opinion, and that's when people change music is when

687
00:31:39,400 --> 00:31:42,000
Speaker 1: you are doing you like I feel like Kendrick Lamar

688
00:31:42,080 --> 00:31:44,560
Speaker 1: is one of those individuals, and it's like now he's

689
00:31:44,560 --> 00:31:47,520
Speaker 1: got a certain amount of followers where now he can

690
00:31:47,880 --> 00:31:49,680
Speaker 1: put out whatever he wants and people are pretty much

691
00:31:49,720 --> 00:31:52,320
Speaker 1: gonna follow it. But you think about putting out albums

692
00:31:52,360 --> 00:31:53,960
Speaker 1: that you can listen to from beginning to end and

693
00:31:54,000 --> 00:31:56,600
Speaker 1: putting out content, that's what it's about right now. So

694
00:31:56,640 --> 00:31:58,360
Speaker 1: the last time you asked me kind of like what

695
00:31:58,440 --> 00:32:01,000
Speaker 1: I wanted to be remembered by, you know, how I

696
00:32:01,040 --> 00:32:03,840
Speaker 1: want to be known, And it's versatile, so if times

697
00:32:03,920 --> 00:32:06,080
Speaker 1: change up, I can change up with the times, and

698
00:32:06,120 --> 00:32:08,080
Speaker 1: when I tell you this Luti Versal album is a

699
00:32:08,120 --> 00:32:11,320
Speaker 1: testament of how extremely hungry and how great I can

700
00:32:11,400 --> 00:32:14,680
Speaker 1: change with the times in terms of being myself and

701
00:32:14,760 --> 00:32:18,120
Speaker 1: still being fluid and beasting out. That's what this is

702
00:32:18,160 --> 00:32:20,640
Speaker 1: all about. And speaking of beasting, you know, we're talking

703
00:32:20,680 --> 00:32:23,280
Speaker 1: about sports and all that I had Mars Shawn Lynch.

704
00:32:23,840 --> 00:32:26,040
Speaker 1: You know, we just shot a video to a song

705
00:32:26,080 --> 00:32:28,520
Speaker 1: called beast Mode that's on my album and literally there's

706
00:32:28,560 --> 00:32:32,800
Speaker 1: no hook. It's just all bars, bars, metaphors and everything.

707
00:32:32,800 --> 00:32:35,120
Speaker 1: It's three minutes straight. So we shot a video. I

708
00:32:35,200 --> 00:32:36,880
Speaker 1: met this dude for the first time. It felt like

709
00:32:36,920 --> 00:32:38,600
Speaker 1: I known him for all of my life. So I

710
00:32:38,640 --> 00:32:40,240
Speaker 1: have a new friend. We were just out in La

711
00:32:40,320 --> 00:32:43,640
Speaker 1: together and this is another guy that inspires me so

712
00:32:43,720 --> 00:32:46,080
Speaker 1: the same way he's, you know, mowing down people on

713
00:32:46,160 --> 00:32:47,880
Speaker 1: the field. That's how I felt like I do in

714
00:32:48,120 --> 00:32:50,160
Speaker 1: the rap game. And we were shooting this video and

715
00:32:50,200 --> 00:32:52,160
Speaker 1: I had to ask him. I was like, Yo, why

716
00:32:52,160 --> 00:32:57,200
Speaker 1: didn't they give you the damn ball? Was like, I

717
00:32:57,240 --> 00:32:59,120
Speaker 1: don't know, I don't know why they didn't give me

718
00:32:59,120 --> 00:33:01,560
Speaker 1: the damn ball. I was one during the same damn thing,

719
00:33:02,120 --> 00:33:05,120
Speaker 1: So you know, it's it's just funny man. It's it's

720
00:33:05,160 --> 00:33:09,160
Speaker 1: it's interesting to get prospective from so many different people.

721
00:33:09,280 --> 00:33:11,480
Speaker 1: And I love that I'm friends with people that I

722
00:33:11,520 --> 00:33:16,440
Speaker 1: look up to and that inspired me because he was.

723
00:33:16,560 --> 00:33:18,640
Speaker 1: He just inspired it. And I was just like, everybody

724
00:33:18,720 --> 00:33:21,080
Speaker 1: say they want Luda Chris to be stout and beast out.

725
00:33:21,080 --> 00:33:23,000
Speaker 1: So I was like, let me just beast molded, let

726
00:33:23,040 --> 00:33:25,040
Speaker 1: me just let me just go out. Do you tell

727
00:33:25,040 --> 00:33:27,720
Speaker 1: anybody though, because I was watching, Yeah, a lot of

728
00:33:27,720 --> 00:33:29,680
Speaker 1: people I was watching because I was watching the old

729
00:33:29,720 --> 00:33:33,200
Speaker 1: YouTube video of that old show Methron Redhead. Yeah, but

730
00:33:33,240 --> 00:33:35,160
Speaker 1: I was trying to explain to somebody how punk stole

731
00:33:35,240 --> 00:33:38,320
Speaker 1: that I did from they did man, thank you, thank you? Yeah,

732
00:33:38,320 --> 00:33:40,000
Speaker 1: And I'm like, why a little at told him to

733
00:33:40,040 --> 00:33:41,440
Speaker 1: be was white? Let me tell you. Let me tell

734
00:33:41,440 --> 00:33:43,880
Speaker 1: you why because I was. I was fresh in the game.

735
00:33:44,280 --> 00:33:46,600
Speaker 1: I had just got started. And if there were any

736
00:33:46,680 --> 00:33:50,600
Speaker 1: two individuals that I looked up to more, there's nobody

737
00:33:50,640 --> 00:33:53,480
Speaker 1: that I feel like like Red Man was is and

738
00:33:53,720 --> 00:33:56,240
Speaker 1: was one of my favorite rapps off that tree. Absolutely

739
00:33:56,320 --> 00:33:59,760
Speaker 1: that in common. So with method Man and Red Man

740
00:33:59,800 --> 00:34:02,000
Speaker 1: to together, I was in it. I was kind of

741
00:34:02,000 --> 00:34:04,960
Speaker 1: in a fan zone. So I wanted to believe that

742
00:34:05,000 --> 00:34:06,920
Speaker 1: they wanted me on this record R and so this

743
00:34:06,960 --> 00:34:08,359
Speaker 1: is how they premised it, and this is how they

744
00:34:08,480 --> 00:34:11,840
Speaker 1: edited edited that particular version to make it seem to

745
00:34:11,960 --> 00:34:13,560
Speaker 1: make me believe it. But then when you saw it

746
00:34:13,560 --> 00:34:15,840
Speaker 1: on TV, it just made me look a little crazy. However,

747
00:34:16,280 --> 00:34:17,680
Speaker 1: so they told me they was like, this is for

748
00:34:17,760 --> 00:34:20,960
Speaker 1: the movie how high. So everybody's smoking weed in this

749
00:34:21,040 --> 00:34:24,280
Speaker 1: particular scene, so it makes sense for it to be crazy,

750
00:34:24,320 --> 00:34:25,799
Speaker 1: and you hear a frog noise. So this is how

751
00:34:25,800 --> 00:34:28,040
Speaker 1: they premised it. But then when they showed it on television,

752
00:34:28,040 --> 00:34:29,400
Speaker 1: they cut through all of that stuff and it it was

753
00:34:29,400 --> 00:34:31,839
Speaker 1: just like Ludacris rapping over a frog beat. And that's

754
00:34:31,840 --> 00:34:34,399
Speaker 1: how I did. But they made me believe it. Yeah,

755
00:34:34,480 --> 00:34:36,840
Speaker 1: I'm telling you. I remember reading that Man was supposed

756
00:34:36,840 --> 00:34:39,080
Speaker 1: to have that role you had in Um and Fast

757
00:34:39,120 --> 00:34:42,319
Speaker 1: and Furious originally. I don't know. I never heard that.

758
00:34:42,320 --> 00:34:46,799
Speaker 1: I don't know. Hey, man, Look, if there's anything I

759
00:34:46,840 --> 00:34:49,040
Speaker 1: can say is that I'm sure any actor would kill

760
00:34:49,080 --> 00:34:50,960
Speaker 1: to be in a franchise like this where you know,

761
00:34:51,040 --> 00:34:53,200
Speaker 1: you got another paycheck on the way without you really

762
00:34:53,239 --> 00:34:57,160
Speaker 1: having to do anything. But is it retirement money? Man? Definitely? Man,

763
00:34:57,239 --> 00:34:58,520
Speaker 1: you know it, don't you know what. At the end

764
00:34:58,520 --> 00:35:00,120
Speaker 1: of the day, it depends on what people do with

765
00:35:00,120 --> 00:35:02,640
Speaker 1: their money. People can have millions, tens of millions, hundreds

766
00:35:02,640 --> 00:35:04,920
Speaker 1: of millions of dollars. It's not about how much money

767
00:35:04,960 --> 00:35:07,359
Speaker 1: you make. It's about how much money you spend. Man.

768
00:35:07,400 --> 00:35:10,120
Speaker 1: That's the one thing that anybody with money has to learn. Absolutely.

769
00:35:10,160 --> 00:35:13,040
Speaker 1: And as y'all continue to get four, five, six, seven

770
00:35:13,160 --> 00:35:15,359
Speaker 1: jobs a piece, I'm sure you understand what the hell

771
00:35:15,400 --> 00:35:17,160
Speaker 1: I'm talking about. The kids to take it though, I'm

772
00:35:17,160 --> 00:35:19,120
Speaker 1: telling take it. But all them cars, you gotta take

773
00:35:19,160 --> 00:35:23,799
Speaker 1: it to man. Man, Man, if anything depreciates, it's them

774
00:35:23,880 --> 00:35:25,600
Speaker 1: damn cars when you drive them off the lot. So

775
00:35:25,640 --> 00:35:30,440
Speaker 1: you need to chill out. Man. Let me let me.

776
00:35:30,480 --> 00:35:31,800
Speaker 1: Let let me tell you something. I follow all of

777
00:35:31,840 --> 00:35:34,000
Speaker 1: y'all our Instagram. I had to stop following Nvy and

778
00:35:34,000 --> 00:35:35,759
Speaker 1: I'm just gonna tell it to his face right now.

779
00:35:36,160 --> 00:35:39,000
Speaker 1: I apologize to you. It's too many damn advertisements on

780
00:35:39,040 --> 00:35:43,040
Speaker 1: this dude's Instagram. Man, I see, But you know what

781
00:35:43,080 --> 00:35:45,440
Speaker 1: it's you know with me, it's big business, like you know,

782
00:35:45,880 --> 00:35:48,080
Speaker 1: especially with the dealerships. You know is if you're a

783
00:35:48,200 --> 00:35:51,000
Speaker 1: DJ and you have a strong following and you could

784
00:35:51,040 --> 00:35:53,520
Speaker 1: promote their dealership, they might give you a call for you.

785
00:35:53,920 --> 00:35:56,480
Speaker 1: I agree. So you know, sometimes it's not what you

786
00:35:56,600 --> 00:35:58,960
Speaker 1: think somebody spending on. It's them being smart. No, and

787
00:35:59,160 --> 00:36:01,440
Speaker 1: that is smart. That though, that is my real man.

788
00:36:01,480 --> 00:36:03,200
Speaker 1: Would never let a man let them have a call

789
00:36:03,239 --> 00:36:10,080
Speaker 1: for a year, you know. Okay, on that subject, let

790
00:36:10,120 --> 00:36:12,840
Speaker 1: me say one thing. I'm just gonna I'm gonna divulge

791
00:36:12,840 --> 00:36:15,080
Speaker 1: a secret to everyone in the industry about money. I

792
00:36:15,080 --> 00:36:17,120
Speaker 1: don't usually do this, but this is the breakfast Club,

793
00:36:17,160 --> 00:36:19,239
Speaker 1: so I fail to need to do this, and I'm

794
00:36:19,239 --> 00:36:21,360
Speaker 1: gonna let you in on a real secret. You know,

795
00:36:21,440 --> 00:36:24,120
Speaker 1: people make fun of individuals and rap music for leasing

796
00:36:24,160 --> 00:36:27,040
Speaker 1: cars in the music industry. If you are a rapper

797
00:36:27,040 --> 00:36:29,279
Speaker 1: and you travel a lot, lease in a car is

798
00:36:29,320 --> 00:36:31,920
Speaker 1: the smartest thing that you could ever do. Let me

799
00:36:31,960 --> 00:36:34,560
Speaker 1: tell you why, because they only give you a certain

800
00:36:34,600 --> 00:36:36,879
Speaker 1: amount of miles to drive, and it's way lower than

801
00:36:36,920 --> 00:36:41,080
Speaker 1: actually buying the car. Ludacris, I own a lot of cars. However,

802
00:36:41,600 --> 00:36:43,480
Speaker 1: I lease a lot of cars too. You know why,

803
00:36:43,600 --> 00:36:45,920
Speaker 1: because I'm on the road so much. I never use

804
00:36:46,040 --> 00:36:47,839
Speaker 1: the amount of miles that they want me to use.

805
00:36:47,840 --> 00:36:49,560
Speaker 1: Because the only way they can charge you money is

806
00:36:49,560 --> 00:36:52,719
Speaker 1: if you go over those miles and then second in

807
00:36:52,760 --> 00:36:55,279
Speaker 1: the next two years, you're gonna want the new car

808
00:36:55,400 --> 00:36:58,040
Speaker 1: any damn way, So what are you talking about. That's

809
00:36:58,040 --> 00:37:00,000
Speaker 1: the only that's all I'm giving y'all right now, that's

810
00:37:00,040 --> 00:37:02,200
Speaker 1: for that same reason, because I know, I go ahead

811
00:37:02,200 --> 00:37:03,640
Speaker 1: and Lisa car for two years and get the new

812
00:37:03,640 --> 00:37:05,960
Speaker 1: one and two more. I have a two dolland three

813
00:37:06,080 --> 00:37:12,799
Speaker 1: escalated escalad. You had one. You haven't leave it at

814
00:37:12,840 --> 00:37:14,680
Speaker 1: that that is probably too broken down on the on

815
00:37:14,719 --> 00:37:16,440
Speaker 1: the side of the block over there. Yeah, man, you

816
00:37:16,440 --> 00:37:18,640
Speaker 1: have another. You have some nice you have And meanwhile

817
00:37:18,640 --> 00:37:20,319
Speaker 1: he's talking about Liason cars, but he had a twelve

818
00:37:20,360 --> 00:37:23,360
Speaker 1: thousand dollars bottle of liquor on Instagram. Oh man, that

819
00:37:23,480 --> 00:37:28,120
Speaker 1: was amazing that McCallan, m like age fifty years plus.

820
00:37:28,680 --> 00:37:31,080
Speaker 1: That's my new thing. By the way, what's that? That's

821
00:37:31,160 --> 00:37:35,640
Speaker 1: my that's my vice, like buying like the liquors that

822
00:37:35,760 --> 00:37:38,279
Speaker 1: have been aged in barrels for so damn long. I know,

823
00:37:38,440 --> 00:37:40,040
Speaker 1: I know you got the Remy, the Remy V and

824
00:37:40,080 --> 00:37:42,080
Speaker 1: then I know, you know what's the what's the top

825
00:37:42,120 --> 00:37:45,120
Speaker 1: of the line Remmy that y'all get seventeen seventeen thirty eight.

826
00:37:45,200 --> 00:37:48,880
Speaker 1: So look, every alcohol has different top of the line joints.

827
00:37:49,040 --> 00:37:51,239
Speaker 1: So while people out here, you know, drinking thirteen actually

828
00:37:51,280 --> 00:37:52,960
Speaker 1: at the top of the line for Louis the thirteenth,

829
00:37:52,960 --> 00:37:55,440
Speaker 1: but they have the Louis cast, which is the black bottle,

830
00:37:55,640 --> 00:37:57,799
Speaker 1: which is like thirty thousand dollars. Thats why I'm telling

831
00:37:57,800 --> 00:38:00,880
Speaker 1: you about. That's that's my vice. I have to drink

832
00:38:00,920 --> 00:38:03,080
Speaker 1: that and people will call me stupid for that, but

833
00:38:03,160 --> 00:38:06,120
Speaker 1: damn it, it's just it's that's my vide. I remember first,

834
00:38:06,520 --> 00:38:09,920
Speaker 1: remember's birthday, Shocka's birthday. We were all drinking. He has

835
00:38:09,960 --> 00:38:12,520
Speaker 1: some type of bottle stashed away with the bartender that

836
00:38:12,600 --> 00:38:14,319
Speaker 1: no one else. He'd be over that because he on

837
00:38:14,400 --> 00:38:18,359
Speaker 1: that tequila. Man, what is it? The the nineteen forty

838
00:38:18,400 --> 00:38:20,680
Speaker 1: two He was like, can you get me in nineteen

839
00:38:20,680 --> 00:38:22,360
Speaker 1: forty two? I asked, and they were like, it's this

840
00:38:22,440 --> 00:38:26,560
Speaker 1: for Shoka. That's his castle. Drag on that. There you go,

841
00:38:27,080 --> 00:38:31,080
Speaker 1: this tequila. This is great. Let you got the movie in.

842
00:38:31,719 --> 00:38:34,279
Speaker 1: Let's do that. We can do that on camera the

843
00:38:34,280 --> 00:38:37,879
Speaker 1: Botlet want to open this right now. Special occasions. Man.

844
00:38:38,440 --> 00:38:40,200
Speaker 1: At this point, listen, it's like they take all of

845
00:38:40,200 --> 00:38:42,640
Speaker 1: the impurities out of stuff. It's more like medicine. It's

846
00:38:42,640 --> 00:38:45,040
Speaker 1: not even it's not even alcohol. You wake up the

847
00:38:45,080 --> 00:38:46,920
Speaker 1: next day feeling better than you did if you did

848
00:38:46,960 --> 00:38:49,920
Speaker 1: not drink anything. All right, well, let's do it. It's

849
00:38:49,960 --> 00:38:51,120
Speaker 1: the Breakfast Club, it's Luda