WEBVTT - James Scully’s Salvation Mountain Misadventure

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<v Speaker 1>What's that at the bed? It's spooky and jukie. I'm

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<v Speaker 1>pretty sure it's dead. It's coming this way. Wait a minute,

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<v Speaker 1>I ghosted.

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<v Speaker 2>Nandas Pllease hey boo, it's me Ros and welcome to Ghosted.

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<v Speaker 1>By Roz Hernandez, the podcast where I talk to people

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<v Speaker 1>that I like about the para normal You guys, So,

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<v Speaker 1>I saw Oh Mary on Broadway, the hit play, which

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<v Speaker 1>is so funny. Cola Scola is a genius. I mean,

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<v Speaker 1>I just had the time of my life watching this

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<v Speaker 1>play and there was one of the stars, James Scully

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<v Speaker 1>on stage, just just brilliant, and we got to talking

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<v Speaker 1>and I invited him on the pod and we had

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<v Speaker 1>a great time. Okay, I think you're gonna like this one.

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<v Speaker 1>You know, I'm on tour right now, so make sure

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<v Speaker 1>you go see me all over America doing stand up

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<v Speaker 1>comedy and gay bars. Ros Hernandez tour dot com is

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<v Speaker 1>where you can find those tickets. I think we'll just

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<v Speaker 1>skip a story for this intro because we got this

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<v Speaker 1>is a beefy one we get into it. So here

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<v Speaker 1>is my conversation with actor Broadway star James Scully on

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<v Speaker 1>with the show. Oh my god, I don't believe it.

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<v Speaker 1>I feel as if I have manifested the Cutie Convention

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<v Speaker 1>is in town, and I had no clue because I

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<v Speaker 1>am joined today via Skype by James Scully.

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<v Speaker 3>Hello. Hello. I didn't know where that was going.

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<v Speaker 1>I didn't either, clearly.

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<v Speaker 3>I just and then I realized, like, wait, am I

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<v Speaker 3>the Cutie Convention?

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<v Speaker 1>You are the Cuty Convention? But I guess you're not

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<v Speaker 1>technically in town. You're in Are you in New York

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<v Speaker 1>City right now?

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<v Speaker 3>Yeah? I'm in I'm in Romantic Bushwick. Ever heard of this?

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<v Speaker 1>Yeah? I stay there sometimes. I saw you in Oh Mary,

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<v Speaker 1>and I was like, this is incredible. I mean I

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<v Speaker 1>already knew that, like the reviews. The reviews had been

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<v Speaker 1>in by the time I saw it. But then I

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<v Speaker 1>was like, who is this? You were so fantastic, Thank

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<v Speaker 1>you Zarl. Now I'm fully obsessed with you.

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<v Speaker 3>Oh same.

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<v Speaker 1>Is that place haunted? That theater has to be haunted.

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<v Speaker 3>The Lyceum. I have personally never had any experiences there,

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<v Speaker 3>as much as I like walk around in that building alone,

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<v Speaker 3>sort of like making space for a cold gust or

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<v Speaker 3>a chill down my spine. There is a staircase that

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<v Speaker 3>sort of goes up the tower where the dressing rooms are,

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<v Speaker 3>and at the top of the building there's like an

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<v Speaker 3>apartment up there that the Schubert's own that's an archive

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<v Speaker 3>of like artifacts of all of their many contributions to

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<v Speaker 3>the art form. And because we're not allowed up there,

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<v Speaker 3>there's like a gate over the stairwell and then it

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<v Speaker 3>just sort of ascends up into darkness. And while it

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<v Speaker 3>has not happened yet, I am waiting for the day

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<v Speaker 3>that as I walk past to go down to the stage,

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<v Speaker 3>I look up and there on the shadowy landing there's

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<v Speaker 3>just you know, like a pioneer woman, a flapper, a child. Yeah,

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<v Speaker 3>just translucent sort of staring at me. The stage is

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<v Speaker 3>set for that, but you know, I'm sure theater goes.

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<v Speaker 3>They're not just going to show off to anyone.

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<v Speaker 1>Oh, they're safe. I guarantee A chorus member fell down

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<v Speaker 1>that staircase at some point to there.

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<v Speaker 3>I mean, I've fallen down that staircase.

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<v Speaker 1>I didn't die, but I'm sure you know that one

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<v Speaker 1>of these it's always a lady in white at every theater,

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<v Speaker 1>and I'm sure she had her long ass white down

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<v Speaker 1>on and she tripped over it and fell down the stairs.

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<v Speaker 3>Yeah, it's Bianca Lee bless her heart, knocking on Wood's pounds. Hoopskirt,

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<v Speaker 3>isn't she just? Yeah? There is like a legend that

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<v Speaker 3>I forget what the name of the actress is, but

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<v Speaker 3>that her husband, who was a director, there's like a

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<v Speaker 3>like in the in the ceiling of the actual theater space,

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<v Speaker 3>there's like a trap door that opens up to the

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<v Speaker 3>apartment above the theater, and when she would perform, he

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<v Speaker 3>would open the trap door and lean down so he

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<v Speaker 3>could like see down to the stage, and he thought

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<v Speaker 3>she was overacting. He would wave a white handkerchief to

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<v Speaker 3>basically be like, do less. Yeah, film we're going filmic

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<v Speaker 3>with this one. Yeah. And they say that if you

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<v Speaker 3>look up during a performance, then you're not, you know,

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<v Speaker 3>giving what needs to be given. You might see a

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<v Speaker 3>white handkerchief in the dark.

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<v Speaker 1>Yeah, shade from the other side.

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<v Speaker 3>I could not have put it better myself.

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<v Speaker 1>I'm googling Lyceum Theater haunted. This is from playbill dot

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<v Speaker 1>Com during the twenty ten run of The Scottsborough Boys.

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<v Speaker 1>Coleman Domingo, Gee, im right down, Coleman Domingo. We got

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<v Speaker 1>we gotta know someone that can get Coleman Domingo in here.

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<v Speaker 1>I'm a protest with him. Do you know his story

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<v Speaker 1>of how he met his partner? No, I forgot, I'll

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<v Speaker 1>google it. But it's also kind of paranormal. Okay, So

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<v Speaker 1>Coleman Domingo said, quote the Friday of our last weekend,

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<v Speaker 1>things were happening backstage and on stage with the lights

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<v Speaker 1>and the computer equipment. We definitely felt we were in

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<v Speaker 1>the presence of ghosts. All right.

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<v Speaker 3>I love though that he It's like, no, there was

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<v Speaker 3>probably just a power surge. But you can always rely

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<v Speaker 3>on the fun the homosexual to be like, no, it's ghosts.

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<v Speaker 1>Yeah, it's more fun that way, for sure.

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<v Speaker 3>It's absolutely more fun that way. Who cares about bad wiring.

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<v Speaker 3>Let's make a ghost.

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<v Speaker 1>Wait a second, where's where I have another one? I

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<v Speaker 1>just found another one that said something about Bob Fosse.

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<v Speaker 3>I've already made this joke, but I would love Bob

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<v Speaker 3>Fosse to be in here, and all I'm saying.

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<v Speaker 1>Oh my god, zoh.

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<v Speaker 3>Have you seen him? He's really and it's funny because

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<v Speaker 3>his whole approach to art was informed by the fact

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<v Speaker 3>that he was like bald and had weird joints. But

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<v Speaker 3>then you like look at photos of him and you're like,

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<v Speaker 3>that's a fine creative gentleman.

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<v Speaker 1>I mean, I can only imagine the moves he'd be doing. Okay, wait,

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<v Speaker 1>so it says while every theater may claim to have

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<v Speaker 1>a ghost, tales of choreographer Bob Fossey smoking on the

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<v Speaker 1>mezzanine might be a stretch for even the most fervent believer.

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<v Speaker 1>We do believe we have a ghost, says Emily Petrain,

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<v Speaker 1>house manager of the Lyceum Theater. We are just not

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<v Speaker 1>certain that it's mister Fossey.

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<v Speaker 3>Okay, Oh no, I was getting so excited.

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<v Speaker 1>This is from NYC Tourism. It says the Fosse rumors

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<v Speaker 1>began after the premiere of the Visit in twenty fifteen,

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<v Speaker 1>which are Cheeta, rivera kandorinab There was one siding of

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<v Speaker 1>him where Richard Reese looked up and saw him smoking

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<v Speaker 1>in the balcony. But it's the only time we have

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<v Speaker 1>ever seen him. They think the amount of people connected

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<v Speaker 1>to him and that building at the time was enough

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<v Speaker 1>to do it.

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<v Speaker 3>That's kind of beautiful.

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<v Speaker 1>The conjured him.

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<v Speaker 3>I was gonna say he was conjured. He was like

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<v Speaker 3>I got to make sure this show's good. What's going on?

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<v Speaker 3>One of my.

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<v Speaker 1>Girls up to this is what the next conjuring movie

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<v Speaker 1>should be. It's like Cheeta Rivera conjuring up the Ghost

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<v Speaker 1>of Bob Fosse and they share cigarettes.

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<v Speaker 3>And Patrick Wilson and Vera Formiga show up and they're like, actually,

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<v Speaker 3>this is fine. We don't need to do anything about this.

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<v Speaker 3>He can just be here.

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<v Speaker 1>I just do an article that very for Mega is

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<v Speaker 1>releasing a heavy.

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<v Speaker 3>Metal album, Like I'm delighted by that, but I'm not surprised.

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<v Speaker 1>Like to that, I say, your move, Annabelle, what are

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<v Speaker 1>you going to do? I need Annabelle to give us

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<v Speaker 1>like a doge. I don't know. She needs to. She

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<v Speaker 1>needs to get in there and do something.

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<v Speaker 3>Annabelle and Meghan the Robot and one more haunted doll

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<v Speaker 3>need to like do like a like a black pink

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<v Speaker 3>like girl group situation.

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<v Speaker 1>That is not a bad idea, or maybe like a

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<v Speaker 1>Lady marmalade. Uh yeah, so I do feel bad. Two

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<v Speaker 1>future guests Coleman Domingo that I just like glossed over

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<v Speaker 1>his story. So let's let's do that real quick, and

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<v Speaker 1>then let's get back to you, and I want to

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<v Speaker 1>hear your stories because I apologize I'm really hijacking this.

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<v Speaker 3>No, I've met Coleman Domingo and his partner many times

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<v Speaker 3>and they're both loved, but they've never given up the

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<v Speaker 3>paranormal nature. I mean it's not.

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<v Speaker 1>It's my opinion it's sort of paranormal because it's like

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<v Speaker 1>one of these like meant to be.

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<v Speaker 3>Right, sarendipity is I would say, like, yeah, it's paranormal.

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<v Speaker 1>Are you someone that's into that kind of a thing, serendipity?

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<v Speaker 1>If you were a drag queen, would your drag name

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<v Speaker 1>be Sarah Dipity.

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<v Speaker 3>I am into serendipity. I don't know that I would

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<v Speaker 3>choose that as my drag name. But like, watch two

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<v Speaker 3>years from now, you're in a club in LA. You

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<v Speaker 3>look up and there's Sarah Dippity. Actually, Sarah Dippity is funny,

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<v Speaker 3>like misstippity. If you're nasty, that's.

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<v Speaker 1>Cute Dipity dipity.

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<v Speaker 3>I love it, Ladies and Gentlemen's welcome to the stage.

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<v Speaker 1>Okay. So I found this article from Them Them dot

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<v Speaker 1>Us and it says okay. According to Domingo, he was

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<v Speaker 1>at a Walgreens in Berkeley, California, Okay, in the year

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<v Speaker 1>two thousand and five, great year. Getting a face mask,

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<v Speaker 1>not like a COVID mask, like a you.

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<v Speaker 3>Know, like the sheets, like sheet masks that they saw.

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<v Speaker 1>The people weren't doing those in two thousand and five.

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<v Speaker 3>I guess maybe he's after so he was like ahead

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<v Speaker 3>of the curve.

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<v Speaker 1>I bet he gets it.

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<v Speaker 3>He gets it.

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<v Speaker 1>He spotted a beautiful man with shoulder length hair and

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<v Speaker 1>a lip piercing I love that, and the two locked eyes,

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<v Speaker 1>but the man was absorbed into conversation with someone. As

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<v Speaker 1>they both left the walgreens, the two continued to look

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<v Speaker 1>at each other, with the future mister Domingo turning back

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<v Speaker 1>several times to catch a second and third glimpse of Coleman. Later,

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<v Speaker 1>while trying to purchase a used computer, Coleman was scanning

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<v Speaker 1>misconnections ads on Craigslist, thinking that he might post one

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<v Speaker 1>looking for the mysterious man with the shoulder length hair.

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<v Speaker 1>He says, I go to page two of them, and

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<v Speaker 1>I'm reading and I see quote saw you outside the

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<v Speaker 1>Walgreens Berkeley. He placed an ad for me two hours

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<v Speaker 1>before he described me with my faux haawk. It was

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<v Speaker 1>two thousand and five, and I was like, get out

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<v Speaker 1>of here. So we met up three days later and

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<v Speaker 1>had our first date. I was trying to be a

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<v Speaker 1>good boy and go home. He said, can you stay over?

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<v Speaker 1>I said, sure, let's just cuddle. We cuddled. I thought

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<v Speaker 1>he was asleep. Four o'clock in the morning. I couldn't sleep,

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<v Speaker 1>and I said, I think I love you and you're

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<v Speaker 1>about to change my life. And we've been together for

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<v Speaker 1>nineteen years.

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<v Speaker 3>Yeah, I mean I wouldn't call it like paranormal feels

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<v Speaker 3>like too spooky a word to describe it.

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<v Speaker 1>So but it's like men's like bee.

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<v Speaker 3>Yeah, it's magical. It is its genre. To be sure,

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<v Speaker 3>it's it's okay.

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<v Speaker 1>Maybe it's not paranorma.

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<v Speaker 3>That's well, I don't know. Maybe we can also like

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<v Speaker 3>I don't don't let me put a negative connotation on paranormal.

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<v Speaker 3>Paranormal can definitely be romantic. Why not. Yeah, either way,

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<v Speaker 3>that's statistically anomalous. And I mean imagine being Coleman. You

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<v Speaker 3>go to look and then it's it's actually there. You're

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<v Speaker 3>like reading about yourself from that perspective.

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<v Speaker 1>I mean, that's like something that a psychic would do

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<v Speaker 1>or something like, Yeah, yeah, and you try saying that

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<v Speaker 1>psychics aren't paranormal. Good luck with that. Oh no, you

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<v Speaker 1>don't want to get on the bad side of psychics.

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<v Speaker 1>Been there, done.

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<v Speaker 3>That, No, what happened just like bad dreams for a

0:13:47.720 --> 0:13:48.280
<v Speaker 3>long time.

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<v Speaker 1>Oh, I've got every crystal in the book. They try,

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<v Speaker 1>they try, they can into me. Do you believe in psychics?

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<v Speaker 3>I guess yes, ultimately, would be my answer to that,

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<v Speaker 3>because I definitely believed in sort of like intuition, especially

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<v Speaker 3>between two people who are very close that goes beyond

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<v Speaker 3>verbal communication or even like physical cues, like I do

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<v Speaker 3>feel like me and my roommate, especially, there are moments

0:14:20.640 --> 0:14:23.400
<v Speaker 3>where it's like, I think you just read my mind.

0:14:23.440 --> 0:14:26.240
<v Speaker 3>I think you actually knew the thought I was having

0:14:26.480 --> 0:14:30.000
<v Speaker 3>before I even knew what I was about to say.

0:14:30.720 --> 0:14:33.560
<v Speaker 3>I also really believe in kindred spirits, that you can

0:14:33.600 --> 0:14:36.520
<v Speaker 3>meet a person and it's like, Okay, we are like

0:14:36.640 --> 0:14:39.920
<v Speaker 3>made of the same we originated from the same atoms

0:14:40.000 --> 0:14:43.440
<v Speaker 3>like out in wherever, and we are like bonded in

0:14:43.480 --> 0:14:48.520
<v Speaker 3>a way beyond just like you know, mutual interests and taste.

0:14:49.240 --> 0:14:51.760
<v Speaker 3>And so I think if you meet someone like that

0:14:51.920 --> 0:14:54.040
<v Speaker 3>out in the world and they happen to be working

0:14:54.040 --> 0:14:57.800
<v Speaker 3>as a psychic. I think they definitely could tell you

0:14:57.880 --> 0:14:59.680
<v Speaker 3>something about yourself you didn't already know.

0:15:00.440 --> 0:15:03.800
<v Speaker 1>Oh so people that are how did you wear that?

0:15:03.920 --> 0:15:07.640
<v Speaker 1>Like made from the same Would you say star stuff?

0:15:07.840 --> 0:15:09.880
<v Speaker 3>I didn't want to be tweet. I think I said atoms,

0:15:09.880 --> 0:15:11.760
<v Speaker 3>But what I wanted to say was star stuff.

0:15:11.960 --> 0:15:15.000
<v Speaker 1>Star stuff. Now this is the place to talk about it.

0:15:15.160 --> 0:15:15.840
<v Speaker 3>Okay, good.

0:15:16.360 --> 0:15:19.120
<v Speaker 1>That sounds way cuter than what I always think because

0:15:19.120 --> 0:15:21.080
<v Speaker 1>I'm always like, like if I meet a bitch with

0:15:21.160 --> 0:15:24.480
<v Speaker 1>bangs and like I could tell she likes the same

0:15:24.520 --> 0:15:26.920
<v Speaker 1>kind of music as me and like the same movies,

0:15:27.000 --> 0:15:30.280
<v Speaker 1>or I'm always like, we're like the same subspecies of human.

0:15:30.360 --> 0:15:32.640
<v Speaker 1>We're like the same, right, But I think it's like

0:15:32.680 --> 0:15:35.880
<v Speaker 1>the exact same thing. It just when I don't I

0:15:35.960 --> 0:15:39.360
<v Speaker 1>need a new thing to say instead of subspecies because

0:15:39.400 --> 0:15:40.480
<v Speaker 1>that just sounds stupid.

0:15:40.800 --> 0:15:42.360
<v Speaker 3>I think subspecies is great.

0:15:42.880 --> 0:15:44.720
<v Speaker 1>What about a dom species?

0:15:45.480 --> 0:15:47.680
<v Speaker 3>But let's talk about that.

0:15:51.200 --> 0:15:52.880
<v Speaker 1>Oh, tell me a ghost story now.

0:15:54.360 --> 0:15:57.240
<v Speaker 3>I was on a road trip with my friends and

0:15:57.680 --> 0:16:00.640
<v Speaker 3>we were sort of going down across the country from

0:16:00.640 --> 0:16:03.920
<v Speaker 3>where we were at school together from Ohio, and we

0:16:04.000 --> 0:16:07.480
<v Speaker 3>went sort of to like the bottom left hand corner

0:16:07.600 --> 0:16:12.360
<v Speaker 3>of California, stopping along the way and then went up the.

0:16:12.280 --> 0:16:14.680
<v Speaker 1>Ones that's a long way, and then went a bunch.

0:16:14.560 --> 0:16:18.320
<v Speaker 3>Of other places. But the story I'm telling today concerns

0:16:18.880 --> 0:16:24.320
<v Speaker 3>a little known monument in I think the Californian desert

0:16:25.000 --> 0:16:29.840
<v Speaker 3>called a Salvation Mountain. Ah, this do you know about

0:16:29.880 --> 0:16:30.760
<v Speaker 3>Salvation Mountain?

0:16:31.120 --> 0:16:35.360
<v Speaker 1>I've never been there. I feel like, was it Kesha

0:16:35.480 --> 0:16:39.320
<v Speaker 1>or somebody like ten years ago or something. I feel

0:16:39.320 --> 0:16:43.760
<v Speaker 1>like she did something there and it had its moment

0:16:44.000 --> 0:16:44.560
<v Speaker 1>for sure.

0:16:45.160 --> 0:16:48.560
<v Speaker 3>Yeah. Well, because the man who made it has been

0:16:48.760 --> 0:16:50.560
<v Speaker 3>and by the time we went there, and this was

0:16:50.640 --> 0:16:55.680
<v Speaker 3>in two thoy thirteen, I believe, and back then he

0:16:55.720 --> 0:16:59.000
<v Speaker 3>had already been passed for a while. Also, something to

0:16:59.160 --> 0:17:02.000
<v Speaker 3>know about Salve Mountain is a it's very near a

0:17:02.040 --> 0:17:05.240
<v Speaker 3>brimstone lake. Like I remember waking up in the car

0:17:05.320 --> 0:17:08.800
<v Speaker 3>and being like it reeks of sulfur and brimstone in

0:17:08.840 --> 0:17:11.160
<v Speaker 3>the car, Like what is going on? And it's because

0:17:11.160 --> 0:17:14.320
<v Speaker 3>there's this huge to the point where in prepping for this,

0:17:14.520 --> 0:17:16.880
<v Speaker 3>I went back and I was like, was I high?

0:17:16.920 --> 0:17:19.400
<v Speaker 3>Did I hallucinate that? What was going on? And there

0:17:19.560 --> 0:17:24.280
<v Speaker 3>is a sulfric lake very near Salvation Mountain that like

0:17:24.440 --> 0:17:26.879
<v Speaker 3>everything in it is dead because the pH of the

0:17:26.920 --> 0:17:29.480
<v Speaker 3>water is just crazy. So just setting the scene that

0:17:29.560 --> 0:17:32.240
<v Speaker 3>it's like we're in the middle of the desert. We're

0:17:32.320 --> 0:17:35.480
<v Speaker 3>driving along the edge of this brimstone lake. It's already

0:17:35.520 --> 0:17:37.960
<v Speaker 3>getting spooky. We're not even at Salvation Mountain yet.

0:17:38.000 --> 0:17:40.720
<v Speaker 1>And Salvation Mountain, I don't know, y'all have to tell

0:17:40.800 --> 0:17:43.320
<v Speaker 1>us more. All I know is that it's like everything's

0:17:43.440 --> 0:17:45.920
<v Speaker 1>painted all colorful in Jesus. Ye right.

0:17:46.400 --> 0:17:49.879
<v Speaker 3>Well, and that's the thing, is our friend, because we

0:17:49.960 --> 0:17:51.879
<v Speaker 3>all sort of got to pick, like, hey, this is

0:17:51.880 --> 0:17:53.920
<v Speaker 3>something I want to do, this is something I want

0:17:53.960 --> 0:17:56.359
<v Speaker 3>to do. Along the course of the road trip, she

0:17:57.440 --> 0:17:59.480
<v Speaker 3>really wanted to go to Salvation Mountain and when she

0:17:59.520 --> 0:18:02.520
<v Speaker 3>pitched it, she was like, it's like a religious unity

0:18:02.880 --> 0:18:06.640
<v Speaker 3>monument and we were like, great, But I love that

0:18:07.240 --> 0:18:09.480
<v Speaker 3>you have to drive through a little town to get

0:18:09.480 --> 0:18:14.040
<v Speaker 3>out there. The town. I'm sure that people do live there.

0:18:14.320 --> 0:18:17.560
<v Speaker 3>I heard dogs, there was an elementary school. I saw

0:18:17.640 --> 0:18:20.400
<v Speaker 3>toys in the yards. I did not see a single

0:18:20.520 --> 0:18:23.639
<v Speaker 3>human person. It was giving that. It was giving, like

0:18:23.720 --> 0:18:25.560
<v Speaker 3>we're in the middle of the middle of the middle

0:18:25.560 --> 0:18:29.199
<v Speaker 3>of nowhere. There's a brimstone lake, I see houses, I

0:18:29.240 --> 0:18:37.000
<v Speaker 3>see no people, I feel eerie. We get to Salvation Mountain.

0:18:37.600 --> 0:18:43.160
<v Speaker 3>It is not a religious unity monument. It is about Jesus, okay,

0:18:43.840 --> 0:18:47.680
<v Speaker 3>and it is this man in a moment of revelation

0:18:47.800 --> 0:18:50.760
<v Speaker 3>in his life sort of abandoned everything he knew and

0:18:50.840 --> 0:18:55.399
<v Speaker 3>had and moved out into the desert because this one scripture,

0:18:55.640 --> 0:18:58.359
<v Speaker 3>one piece of scripture which I should have looked it

0:18:58.480 --> 0:19:01.920
<v Speaker 3>up and I didn't. But listeners, you can google it

0:19:01.960 --> 0:19:04.679
<v Speaker 3>your own discretion and learn the lore of Salvation Mountain

0:19:05.080 --> 0:19:09.680
<v Speaker 3>came into his brain and he just really latched onto it.

0:19:09.960 --> 0:19:14.400
<v Speaker 3>And so the whole sort of installation, which is mostly

0:19:14.480 --> 0:19:18.120
<v Speaker 3>like hay bales and tires that he stacked and then

0:19:18.240 --> 0:19:24.199
<v Speaker 3>coated and paint to create this like mountain, has that

0:19:24.240 --> 0:19:28.040
<v Speaker 3>piece of scripture like over and over and over again

0:19:28.520 --> 0:19:32.679
<v Speaker 3>all over the place. Yeah, if you google it, if

0:19:32.720 --> 0:19:36.199
<v Speaker 3>you google like Salvation Mountain scripture, it'll be you'll know

0:19:36.400 --> 0:19:39.320
<v Speaker 3>right away. And it's also it's not just the mountain.

0:19:39.600 --> 0:19:42.399
<v Speaker 3>There's then sort of this like side piece that's like

0:19:42.440 --> 0:19:46.600
<v Speaker 3>a little labyrinthian that goes off around the edge that's

0:19:46.760 --> 0:19:51.280
<v Speaker 3>very sort of like the Beatles Yellow Submarine animated film.

0:19:51.400 --> 0:19:55.399
<v Speaker 3>Coded there's like car doors embedded in the walls, and

0:19:55.480 --> 0:19:58.399
<v Speaker 3>like there's a lot of like bottle top art, you

0:19:58.440 --> 0:20:01.680
<v Speaker 3>know what I'm saying. It gives kind of like burning

0:20:01.760 --> 0:20:06.719
<v Speaker 3>man art installation in the middle of the California desert.

0:20:07.280 --> 0:20:09.760
<v Speaker 1>Yes, that's sort of funky.

0:20:09.840 --> 0:20:14.280
<v Speaker 3>Yeah yeah, very technic color. But while there was a

0:20:14.320 --> 0:20:17.760
<v Speaker 3>gentleman staying in a trailer on the property who sort

0:20:17.760 --> 0:20:19.880
<v Speaker 3>of just like waved at us as we pulled up.

0:20:20.400 --> 0:20:22.760
<v Speaker 3>I don't know if he's like the official grounds keeper.

0:20:23.200 --> 0:20:27.560
<v Speaker 3>He is not the man who built the installation. The

0:20:27.640 --> 0:20:29.800
<v Speaker 3>car that the man lived in, which is just like

0:20:29.920 --> 0:20:32.560
<v Speaker 3>kind of an old beat down truck with a little

0:20:32.600 --> 0:20:35.560
<v Speaker 3>tiny house on the back. And by a little tiny house,

0:20:35.600 --> 0:20:38.600
<v Speaker 3>I mean like that's troof over the bed of the truck. Yeah,

0:20:38.600 --> 0:20:41.080
<v Speaker 3>you see it, tiny place to live. That's where he

0:20:41.160 --> 0:20:43.960
<v Speaker 3>lived until he passed, and that's where he stayed when

0:20:43.960 --> 0:20:48.040
<v Speaker 3>he was out there by himself building this monument, which

0:20:48.080 --> 0:20:51.679
<v Speaker 3>is like the religious conviction of that, the spiritual conviction

0:20:51.800 --> 0:20:55.200
<v Speaker 3>of that is beautiful, but it's also like what had

0:20:55.280 --> 0:20:58.080
<v Speaker 3>gripped this man that he was like I must go

0:20:58.200 --> 0:21:00.439
<v Speaker 3>into the middle of the desert and live as a

0:21:00.440 --> 0:21:02.760
<v Speaker 3>hermit and build this thing.

0:21:03.480 --> 0:21:04.040
<v Speaker 2>Jesus.

0:21:04.400 --> 0:21:07.320
<v Speaker 3>Yeah, Jesus was like, hey, I haven't done a miracle.

0:21:07.800 --> 0:21:09.119
<v Speaker 1>How's that Peyton doing?

0:21:09.560 --> 0:21:13.760
<v Speaker 3>Yeah, I have all those fumes treating yet I'm just.

0:21:13.160 --> 0:21:17.520
<v Speaker 1>Picturing Jesus up looking down being like, so you've been

0:21:17.560 --> 0:21:19.760
<v Speaker 1>out there for a couple of weeks. You haven't gotten

0:21:19.760 --> 0:21:21.520
<v Speaker 1>that far. Just a couple of hay bows and so

0:21:21.640 --> 0:21:24.159
<v Speaker 1>paint what's going on here? You love me or what?

0:21:25.000 --> 0:21:29.359
<v Speaker 3>Yeah, I'm not feeling I'm not feeling the commitment. So

0:21:29.520 --> 0:21:33.080
<v Speaker 3>we get there and he again the man who made it,

0:21:33.160 --> 0:21:35.720
<v Speaker 3>Like we're like googling it as we're pulling up. It's like, oh,

0:21:35.760 --> 0:21:37.760
<v Speaker 3>he's been dead at this point for like five or

0:21:37.800 --> 0:21:42.200
<v Speaker 3>eight years, so no shade to what he has accomplished.

0:21:42.440 --> 0:21:46.040
<v Speaker 3>But it's gotten a little dusty. There is an air

0:21:46.119 --> 0:21:50.240
<v Speaker 3>of I would say, neglect, and you know the vibe

0:21:50.240 --> 0:21:53.399
<v Speaker 3>when you like look at pictures of like like churches

0:21:53.520 --> 0:21:55.840
<v Speaker 3>that have like collapsed and or rotting in the middle

0:21:55.880 --> 0:21:59.119
<v Speaker 3>of the woods somewhere, and it's like this used to

0:21:59.119 --> 0:22:05.159
<v Speaker 3>be a place for like spiritual reflection and gathering. NOI

0:22:05.600 --> 0:22:08.359
<v Speaker 3>you know that's a little creepy deep Dutch.

0:22:08.520 --> 0:22:11.600
<v Speaker 1>It's sort of like on the dating apps, what you

0:22:11.680 --> 0:22:14.960
<v Speaker 1>see the person in person you go, oh, I can

0:22:15.000 --> 0:22:18.240
<v Speaker 1>tell you that you you were in the picture.

0:22:18.280 --> 0:22:20.919
<v Speaker 3>Where was that picture from? Yeah? When was that that

0:22:21.080 --> 0:22:24.440
<v Speaker 3>was from? That was also from twenty thirteen, and it's

0:22:24.480 --> 0:22:28.199
<v Speaker 3>twenty twenty five. So like, for example, just off the

0:22:28.240 --> 0:22:32.120
<v Speaker 3>main mountain, there were three rooms, one of them full

0:22:32.160 --> 0:22:35.240
<v Speaker 3>of Bibles, all open to the same page on which

0:22:35.320 --> 0:22:40.400
<v Speaker 3>the piece of scripture he used was. But these bibles

0:22:40.440 --> 0:22:43.080
<v Speaker 3>have been sitting in the California desert, so they're not

0:22:43.240 --> 0:22:48.600
<v Speaker 3>doing great. So you're like, okay, it's a little carry

0:22:49.080 --> 0:22:52.320
<v Speaker 3>a la Stephen King energy in here. The next room

0:22:53.119 --> 0:22:57.280
<v Speaker 3>was a shrine where people had brought IDs. It was

0:22:57.320 --> 0:22:59.840
<v Speaker 3>a lot of IDs. It was a lot of like drivers,

0:22:59.880 --> 0:23:04.760
<v Speaker 3>like licenses and passports and like little notes and like

0:23:04.880 --> 0:23:08.239
<v Speaker 3>just like lining the walls of this room. We were

0:23:08.280 --> 0:23:11.920
<v Speaker 3>the only people there by the way, just for clarity,

0:23:11.920 --> 0:23:14.520
<v Speaker 3>it was just like me and my two friends. She

0:23:14.760 --> 0:23:18.159
<v Speaker 3>was having a gay old time. My other friend was like,

0:23:18.760 --> 0:23:21.520
<v Speaker 3>you know, walking around looking at things. So we're having

0:23:21.560 --> 0:23:24.159
<v Speaker 3>a solo experience basically. So I'm looking at all of

0:23:24.200 --> 0:23:27.560
<v Speaker 3>these IDs and I don't have the context. It's like

0:23:28.119 --> 0:23:31.920
<v Speaker 3>are these people dead? Are they missing? Were they left

0:23:31.960 --> 0:23:37.640
<v Speaker 3>here as a curse? Like what inspire somebody to bring

0:23:38.080 --> 0:23:41.399
<v Speaker 3>a piece of identification, because it's like, presumably if the

0:23:41.440 --> 0:23:45.040
<v Speaker 3>person's driver's license was available to be left in the

0:23:45.080 --> 0:23:48.439
<v Speaker 3>middle of the desert, I feel like that's that doesn't

0:23:48.440 --> 0:23:52.280
<v Speaker 3>bode well for whoever is on that ID, you know

0:23:52.320 --> 0:23:54.919
<v Speaker 3>what I mean. It's like if they don't need their

0:23:54.960 --> 0:23:58.360
<v Speaker 3>driver's license anymore, what happened to them is what I

0:23:58.400 --> 0:24:02.680
<v Speaker 3>had to ask. Yeah, and then the final little room

0:24:03.080 --> 0:24:05.919
<v Speaker 3>is like a winged angel statue, but the head has

0:24:05.960 --> 0:24:08.240
<v Speaker 3>been knocked off and one of the wings is missing.

0:24:08.720 --> 0:24:09.320
<v Speaker 1>Terrifying.

0:24:09.960 --> 0:24:16.479
<v Speaker 3>Yeah, it's getting heavy, like the nun abandoned church energy.

0:24:17.440 --> 0:24:22.280
<v Speaker 3>I go off to the side. There's also four texture.

0:24:23.160 --> 0:24:28.199
<v Speaker 3>Lots of cats, Oh, lots of cats just sort of

0:24:28.640 --> 0:24:30.800
<v Speaker 3>out and about. You see them sleeping and napping in

0:24:30.840 --> 0:24:32.359
<v Speaker 3>the sun. They're up on the hay bales.

0:24:32.560 --> 0:24:37.560
<v Speaker 1>They're jellico say that. Wait, now I have a question. Yeah,

0:24:37.720 --> 0:24:39.000
<v Speaker 1>is the sun still out?

0:24:39.280 --> 0:24:42.200
<v Speaker 3>It is, but it is beginning to set.

0:24:42.440 --> 0:24:44.320
<v Speaker 1>Oh, you better get out of there quick.

0:24:44.960 --> 0:24:48.160
<v Speaker 3>The clock is ticking on that. Off to the side

0:24:48.160 --> 0:24:50.240
<v Speaker 3>of the mountain, there's like sort of this like little

0:24:50.280 --> 0:24:53.800
<v Speaker 3>sort of like maze thing, this like art installation. I'm

0:24:53.800 --> 0:24:56.280
<v Speaker 3>walking around. I'm looking, and part of it is this

0:24:56.400 --> 0:25:02.000
<v Speaker 3>big cone structure, like very large, and going up through

0:25:02.000 --> 0:25:05.440
<v Speaker 3>the middle of it is a desiccated tree. And then

0:25:05.640 --> 0:25:08.160
<v Speaker 3>he had sort of made a cone of painted hay

0:25:08.160 --> 0:25:12.719
<v Speaker 3>bales around a desicated tree. So you walk in and

0:25:12.760 --> 0:25:15.439
<v Speaker 3>you sort of have to do a walk around the

0:25:15.480 --> 0:25:18.680
<v Speaker 3>desicated tree to sort of take in that whole space.

0:25:19.320 --> 0:25:22.040
<v Speaker 3>And on the outside, it's painted, it's colorful, it's beautiful.

0:25:22.080 --> 0:25:25.240
<v Speaker 3>It's a little sun faded, but it truly is astonishing

0:25:25.280 --> 0:25:27.200
<v Speaker 3>that he was able to build all of this himself.

0:25:27.600 --> 0:25:30.040
<v Speaker 3>On the inside you can see that it's just hay

0:25:30.080 --> 0:25:34.280
<v Speaker 3>bales and they're stacked sort of like bricks. I'm already

0:25:34.320 --> 0:25:37.840
<v Speaker 3>at this point, you know, the sun is setting. I

0:25:37.880 --> 0:25:41.600
<v Speaker 3>am sort of like a gay and a monument to Jesus.

0:25:41.720 --> 0:25:44.920
<v Speaker 3>I'm having a lot of complicated feelings. The angel saise

0:25:44.960 --> 0:25:47.359
<v Speaker 3>you didn't have a head. The bibles are rotting. I

0:25:47.359 --> 0:25:51.000
<v Speaker 3>don't know where the IDs came from. I'm feeling feelings.

0:25:51.480 --> 0:25:54.360
<v Speaker 3>I get around to the far side of the tree

0:25:54.480 --> 0:25:57.439
<v Speaker 3>and in the wall of hay bales, there is a

0:25:57.480 --> 0:26:01.520
<v Speaker 3>spot where one hay bale is missing that just goes

0:26:01.560 --> 0:26:04.879
<v Speaker 3>into a dark hole. There's just sort of like a

0:26:05.080 --> 0:26:09.320
<v Speaker 3>black square vacuum in the middle of all of these haybills,

0:26:09.520 --> 0:26:12.760
<v Speaker 3>and there's still light coming in from outside from the

0:26:13.080 --> 0:26:16.000
<v Speaker 3>top of the conical structure. So I'm looking at this

0:26:16.480 --> 0:26:20.399
<v Speaker 3>dark spot and I'm like, where does this go? What

0:26:20.640 --> 0:26:23.159
<v Speaker 3>is this? Does it go into the ground? Like what

0:26:23.280 --> 0:26:27.240
<v Speaker 3>am I looking at? And I remember sort of around

0:26:27.359 --> 0:26:31.240
<v Speaker 3>the periphery of that hole, there's like a crumpled up

0:26:31.520 --> 0:26:36.440
<v Speaker 3>gallon jug of water, there's wrappers, and there's just this

0:26:36.880 --> 0:26:41.840
<v Speaker 3>dark space, and I just stand there for a while,

0:26:42.720 --> 0:26:48.200
<v Speaker 3>just staring into it. Have you had a paranormal experience

0:26:48.200 --> 0:26:48.920
<v Speaker 3>in your life?

0:26:49.160 --> 0:26:51.480
<v Speaker 1>Maybe? Right, I think so?

0:26:52.119 --> 0:26:55.520
<v Speaker 3>Who knows, right, But when something weird and unexpected like

0:26:55.560 --> 0:26:59.359
<v Speaker 3>that is happening, your brain, like I just my cognitive

0:26:59.400 --> 0:27:02.080
<v Speaker 3>function just slowed down, and you're just sort of like,

0:27:02.760 --> 0:27:04.520
<v Speaker 3>not me, not right now.

0:27:05.080 --> 0:27:08.480
<v Speaker 1>I can tell you I've definitely stared into some confusing

0:27:08.520 --> 0:27:10.120
<v Speaker 1>looking holes in my day.

0:27:10.840 --> 0:27:16.360
<v Speaker 3>I was staring into It wasn't unlike that experience. I'm

0:27:16.359 --> 0:27:20.560
<v Speaker 3>sure I was staring into the abyss, and the abyss

0:27:20.600 --> 0:27:23.960
<v Speaker 3>was staring back into me, and I, you know, increasingly

0:27:24.000 --> 0:27:26.920
<v Speaker 3>got to a place of like I don't really want

0:27:26.960 --> 0:27:29.439
<v Speaker 3>to take my eyes off of this thing. I do

0:27:29.520 --> 0:27:32.480
<v Speaker 3>not want to put my back to it to leave

0:27:32.880 --> 0:27:37.240
<v Speaker 3>the space, but I had to, so I turn around.

0:27:37.840 --> 0:27:40.280
<v Speaker 3>And you know that feeling when you're a little kid,

0:27:40.720 --> 0:27:43.080
<v Speaker 3>when you're coming back from the bathroom from getting a

0:27:43.119 --> 0:27:45.159
<v Speaker 3>drink of water or going pea in the middle of

0:27:45.200 --> 0:27:47.639
<v Speaker 3>the night and you're walking back down the hall to

0:27:47.680 --> 0:27:51.800
<v Speaker 3>your room and you're like, I can't run because if

0:27:51.840 --> 0:27:55.679
<v Speaker 3>I run, the thing, whatever it is, will know that

0:27:55.720 --> 0:27:58.880
<v Speaker 3>I'm afraid and will know that I know that it's

0:27:58.920 --> 0:28:01.960
<v Speaker 3>there is when it will decide to get me.

0:28:02.480 --> 0:28:07.320
<v Speaker 1>When I'm a kid last I had that last night twice.

0:28:07.960 --> 0:28:11.119
<v Speaker 3>Well, maybe look into some tras adone. I'm worried about you.

0:28:11.240 --> 0:28:13.160
<v Speaker 3>I want you to get good sleep and relaxed.

0:28:13.280 --> 0:28:16.600
<v Speaker 1>Terrif I peel out when I sleep, I don't worry.

0:28:16.680 --> 0:28:18.760
<v Speaker 1>I get up and do it in the bathroom where

0:28:18.760 --> 0:28:19.720
<v Speaker 1>I'm supposed.

0:28:19.359 --> 0:28:20.840
<v Speaker 3>To, no judgment either way.

0:28:20.960 --> 0:28:24.520
<v Speaker 1>But I am terrified every single time.

0:28:24.760 --> 0:28:26.879
<v Speaker 3>Yeah, I'm still scared of the dark. I don't I

0:28:26.920 --> 0:28:30.240
<v Speaker 3>don't love it. I don't love absolutely darkness. So you

0:28:30.320 --> 0:28:32.960
<v Speaker 3>know that like body lock that you get where you're like,

0:28:33.400 --> 0:28:37.160
<v Speaker 3>I'm walking, but it's very casual. I'm just walking. I'm

0:28:37.200 --> 0:28:37.760
<v Speaker 3>just walking.

0:28:38.240 --> 0:28:38.520
<v Speaker 1>Yep.

0:28:38.640 --> 0:28:41.920
<v Speaker 3>I start to walk away around the other side of

0:28:41.960 --> 0:28:45.960
<v Speaker 3>the desiccated tree. And as sure as I am sitting

0:28:46.000 --> 0:28:50.400
<v Speaker 3>here with you on this scene right now, in my

0:28:50.600 --> 0:28:55.640
<v Speaker 3>right ear, as though someone was standing just over my

0:28:55.760 --> 0:29:00.680
<v Speaker 3>right shoulder, I hear whispered, ever so quietly and with

0:29:00.760 --> 0:29:07.480
<v Speaker 3>the definite smirk in the voice. Hi. Two things happen

0:29:07.880 --> 0:29:11.040
<v Speaker 3>when I hear that one. You know, I would not

0:29:11.200 --> 0:29:14.680
<v Speaker 3>come on this podcast to bullshit you. You can. I

0:29:14.760 --> 0:29:16.760
<v Speaker 3>can have my friends send in their testimony.

0:29:17.160 --> 0:29:20.120
<v Speaker 1>This is what happened, Okay, I trust you.

0:29:20.520 --> 0:29:25.440
<v Speaker 3>I hear that voice. All of the cats, all of them,

0:29:25.600 --> 0:29:29.720
<v Speaker 3>at least a dozen cats start yowling all at once,

0:29:30.080 --> 0:29:33.760
<v Speaker 3>that like bad cat scream where you're like, that cat

0:29:33.840 --> 0:29:37.040
<v Speaker 3>is fighting for its life somewhere something bad is happening

0:29:37.040 --> 0:29:41.640
<v Speaker 3>to that cat. A chorus, if you will, of cacophonous

0:29:41.680 --> 0:29:48.200
<v Speaker 3>atonal cat screams erupts around the compound, and I fucking

0:29:48.680 --> 0:29:52.400
<v Speaker 3>book it out there. I'm like, goodbye, no more walking

0:29:52.440 --> 0:29:54.200
<v Speaker 3>for me. I don't care if the thing sees me.

0:29:54.360 --> 0:29:58.200
<v Speaker 3>I'm running out. We're running. I hope the monster, the

0:29:58.200 --> 0:30:01.840
<v Speaker 3>ghoul the hills have eyes. Character living in that haybail

0:30:02.280 --> 0:30:05.240
<v Speaker 3>has track shoes. On because we're.

0:30:04.520 --> 0:30:06.200
<v Speaker 1>Thatching throw a cat at it.

0:30:06.480 --> 0:30:12.959
<v Speaker 3>Run I run back out into the like main space.

0:30:13.000 --> 0:30:17.560
<v Speaker 3>I just sprint out, frantic. The gentleman is standing outside

0:30:18.200 --> 0:30:21.680
<v Speaker 3>his trailer looking at me. My girlfriend, whose idea this was,

0:30:21.920 --> 0:30:23.840
<v Speaker 3>is standing up on the mountain looking down at me,

0:30:24.000 --> 0:30:27.440
<v Speaker 3>and my other gay friend is already standing by the car,

0:30:27.720 --> 0:30:31.800
<v Speaker 3>looking quite pale. The sun is now much closer to

0:30:31.840 --> 0:30:34.720
<v Speaker 3>the horizon, and I just sort of stop, and everyone's

0:30:34.800 --> 0:30:37.120
<v Speaker 3>just sort of looking at me, and I just like

0:30:37.160 --> 0:30:39.360
<v Speaker 3>look up at my girlfriend and she looks at the

0:30:39.400 --> 0:30:42.640
<v Speaker 3>guy standing outside his trailer and she's like, haha, sorry,

0:30:42.680 --> 0:30:45.000
<v Speaker 3>I think he got like a little scared or something.

0:30:45.640 --> 0:30:48.959
<v Speaker 3>And I look over at the man and I'm like,

0:30:49.480 --> 0:30:51.040
<v Speaker 3>I just don't know what to say. He's just sort

0:30:51.080 --> 0:30:53.520
<v Speaker 3>of smiling at me. He was, by the way, giving

0:30:53.680 --> 0:30:57.200
<v Speaker 3>very like you got yourself a real purty mouth. And

0:30:57.280 --> 0:31:00.320
<v Speaker 3>then she's no shade to him, but he was that.

0:31:00.360 --> 0:31:03.040
<v Speaker 3>He was a character. He was kind of in retrospect.

0:31:04.400 --> 0:31:07.520
<v Speaker 3>I kind of would under other circumstances, but it was

0:31:07.560 --> 0:31:09.720
<v Speaker 3>not the moment for that. No. So I look over

0:31:09.800 --> 0:31:15.400
<v Speaker 3>at him and I say, sir, I think something's upset

0:31:15.440 --> 0:31:20.280
<v Speaker 3>your cats. And I, you know, Unfortunately, I can't remember

0:31:20.480 --> 0:31:23.120
<v Speaker 3>exactly what it is that he said back to me,

0:31:24.040 --> 0:31:27.760
<v Speaker 3>probably because I know I should have just like scripted something,

0:31:27.800 --> 0:31:31.320
<v Speaker 3>but I really want this again. All this actually happened

0:31:31.360 --> 0:31:33.840
<v Speaker 3>as I'm describing it, so I really racked my brain

0:31:33.920 --> 0:31:36.560
<v Speaker 3>trying to be like, what is the because I remember

0:31:36.720 --> 0:31:40.080
<v Speaker 3>it was something eerie. It was like he had like

0:31:40.200 --> 0:31:42.640
<v Speaker 3>a script of like and then when the gay runs

0:31:42.640 --> 0:31:44.760
<v Speaker 3>out into the middle of the field, this is what

0:31:44.840 --> 0:31:47.520
<v Speaker 3>I say to him about the cats. He smiles his like,

0:31:47.680 --> 0:31:50.280
<v Speaker 3>you know, missing a couple of teeth, smile at me,

0:31:50.880 --> 0:31:54.400
<v Speaker 3>and he says something like, yeah, they don't take too

0:31:54.480 --> 0:32:00.240
<v Speaker 3>kindly to guests sometimes or something. It was something like

0:32:00.720 --> 0:32:05.000
<v Speaker 3>kind of charming, a little hokey, but ultimately very sinister.

0:32:05.440 --> 0:32:08.720
<v Speaker 3>And I was like, so, you know, like, you know that,

0:32:08.840 --> 0:32:10.680
<v Speaker 3>I know that, you know that I know that I

0:32:10.840 --> 0:32:14.440
<v Speaker 3>just had an experience in your art installation, which again

0:32:14.480 --> 0:32:17.760
<v Speaker 3>I'm unclear you are now the proprietor of, Like, I

0:32:17.760 --> 0:32:20.720
<v Speaker 3>don't know how this works. Are you related to the

0:32:20.760 --> 0:32:23.920
<v Speaker 3>man who built it? What's the story? I didn't stop

0:32:23.960 --> 0:32:27.520
<v Speaker 3>to ask. I said thank you so much and walked

0:32:27.560 --> 0:32:30.160
<v Speaker 3>back over to the car where my friend Ian was standing.

0:32:30.680 --> 0:32:33.719
<v Speaker 3>I make eye contact with him, and I'm like, I

0:32:33.760 --> 0:32:35.760
<v Speaker 3>think that we should get out of here right now.

0:32:35.800 --> 0:32:38.360
<v Speaker 3>And Ian's like, yeah, why do you think I'm already

0:32:38.400 --> 0:32:41.480
<v Speaker 3>standing by the fucking car. Let's go. We get a

0:32:41.520 --> 0:32:43.480
<v Speaker 3>picture of my other friend up on the top of

0:32:43.480 --> 0:32:45.920
<v Speaker 3>the mountain. She's like having a really good time. She

0:32:46.000 --> 0:32:50.680
<v Speaker 3>comes down. Oh, she's she's kind of like visibly bothered

0:32:50.720 --> 0:32:54.440
<v Speaker 3>that we're both having like a harrowing emotional experience of

0:32:54.480 --> 0:32:58.600
<v Speaker 3>her little side quest. We get back in the car.

0:32:59.120 --> 0:33:02.120
<v Speaker 3>We're driving out of there. The sun has set. We

0:33:02.520 --> 0:33:05.840
<v Speaker 3>have to stop at a railroad crossing, so the arm

0:33:05.960 --> 0:33:08.560
<v Speaker 3>comes down. It's the middle of the desert. The red

0:33:08.600 --> 0:33:11.760
<v Speaker 3>lights are flashing, the train is pouring by. We're just

0:33:11.760 --> 0:33:14.320
<v Speaker 3>sitting in the car in silence. There's now a big,

0:33:14.440 --> 0:33:17.719
<v Speaker 3>swollen yellow moon up in the sky, and I'm just

0:33:17.800 --> 0:33:21.360
<v Speaker 3>looking in the rear view mirror, just like waiting, waiting

0:33:21.480 --> 0:33:25.120
<v Speaker 3>for something to come out of the night. And it didn't.

0:33:25.200 --> 0:33:27.920
<v Speaker 3>We made it out of there. You know, probably did

0:33:28.000 --> 0:33:33.360
<v Speaker 3>irreparable damage to my cardiovascular system. Certainly. Still, the thought

0:33:33.400 --> 0:33:35.080
<v Speaker 3>of it keeps me up at night, the thought of

0:33:35.120 --> 0:33:38.240
<v Speaker 3>that voice, the glee in that little voice, that little

0:33:38.880 --> 0:33:40.120
<v Speaker 3>high wait.

0:33:40.320 --> 0:33:44.560
<v Speaker 1>But what happened to your friend? Why was your gay

0:33:44.640 --> 0:33:46.040
<v Speaker 1>friend so like, oh.

0:33:46.240 --> 0:33:51.040
<v Speaker 3>He because he was having First of all, again, we

0:33:51.040 --> 0:33:54.000
<v Speaker 3>were promised that we were going to an art installation

0:33:54.160 --> 0:34:00.760
<v Speaker 3>that's like Hinduism, Judaism, right, Christianity, Islam, like the Buddha.

0:34:00.800 --> 0:34:02.880
<v Speaker 3>And it's like, no, it wasn't that. It was this

0:34:03.000 --> 0:34:07.840
<v Speaker 3>gentleman experiencing said with love a certain level of sort

0:34:07.840 --> 0:34:14.399
<v Speaker 3>of like religious fervor medical professionals might say mania and

0:34:14.560 --> 0:34:18.520
<v Speaker 3>building basically like a huge shrine in the desert, which

0:34:18.520 --> 0:34:20.960
<v Speaker 3>then I think, you know, I think his body was

0:34:21.000 --> 0:34:23.400
<v Speaker 3>somewhere on the premises.

0:34:24.239 --> 0:34:27.080
<v Speaker 1>Guess where, But do you think it was in the hole?

0:34:28.760 --> 0:34:30.359
<v Speaker 3>It's always in the hole, isn't it.

0:34:30.560 --> 0:34:33.640
<v Speaker 1>I think those cats knew exactly what was going on,

0:34:33.840 --> 0:34:38.319
<v Speaker 1>and they knew that there was a Jesus Man that

0:34:38.400 --> 0:34:39.480
<v Speaker 1>was buried under there.

0:34:39.920 --> 0:34:42.480
<v Speaker 3>That's what was scary about whatever the man in the

0:34:42.520 --> 0:34:46.200
<v Speaker 3>trailer said to me. Again, I don't remember what exactly

0:34:46.239 --> 0:34:48.520
<v Speaker 3>his words were, because you don't remember what a person says,

0:34:48.560 --> 0:34:52.640
<v Speaker 3>You just remember how they make you feel. But whatever

0:34:52.680 --> 0:34:58.240
<v Speaker 3>he said implied the presence of like a third body

0:34:58.400 --> 0:35:01.239
<v Speaker 3>in this conversation. Like whatever his response to me was,

0:35:01.480 --> 0:35:04.839
<v Speaker 3>it was like there's you, there's the cats, and then

0:35:04.880 --> 0:35:09.400
<v Speaker 3>there's you know, I'm making vague reference to another person

0:35:09.520 --> 0:35:11.920
<v Speaker 3>who's here with us, and I'm like, they're here with it,

0:35:12.000 --> 0:35:14.080
<v Speaker 3>Like they're in the trailer, Like we're gonna like we're

0:35:14.080 --> 0:35:17.040
<v Speaker 3>going to meet them, like is it your wife? My

0:35:17.160 --> 0:35:19.640
<v Speaker 3>friend Ian who was by the car, he just too

0:35:19.880 --> 0:35:22.319
<v Speaker 3>had picked up that there was I mean, look it is.

0:35:22.920 --> 0:35:26.399
<v Speaker 3>It's an inherently spooky, uoky place. And then on top

0:35:26.400 --> 0:35:31.799
<v Speaker 3>of that we had a spooky uky experience. Yeah, I know,

0:35:32.360 --> 0:35:36.520
<v Speaker 3>and it's Look, I only read books about magic and aliens.

0:35:36.880 --> 0:35:40.400
<v Speaker 3>I don't like realistic fiction. I want the world to

0:35:40.560 --> 0:35:44.080
<v Speaker 3>be I'm I'm walking, I'm doing laps in the lyceum,

0:35:44.160 --> 0:35:47.640
<v Speaker 3>being like if you're here, please, you know, come shrieking

0:35:47.640 --> 0:35:48.879
<v Speaker 3>out of the wall at me, like.

0:35:49.120 --> 0:35:51.400
<v Speaker 1>But don't be two thirsty ear else they're going to

0:35:51.480 --> 0:35:52.680
<v Speaker 1>be like ugh no.

0:35:52.680 --> 0:35:54.719
<v Speaker 3>Right, that's why they're not showing up, because they're like

0:35:54.760 --> 0:35:59.400
<v Speaker 3>this little this little queer, she's going to get baptized

0:35:59.440 --> 0:36:00.680
<v Speaker 3>by us. Not likely.

0:36:00.960 --> 0:36:03.359
<v Speaker 1>You just got to be like, uh whatever, if you're

0:36:03.400 --> 0:36:06.200
<v Speaker 1>if you're here, fine, I don't I don't, I don't

0:36:06.239 --> 0:36:07.080
<v Speaker 1>care either way.

0:36:07.800 --> 0:36:10.879
<v Speaker 3>Don't text the ghosts back, start a seance, and then

0:36:10.960 --> 0:36:14.120
<v Speaker 3>just sort of like stop replying, play hard to get

0:36:14.239 --> 0:36:17.240
<v Speaker 3>with the other side. No, which is why I say,

0:36:17.520 --> 0:36:20.080
<v Speaker 3>you know it. So nothing has happened before this, and

0:36:20.120 --> 0:36:23.040
<v Speaker 3>nothing has happened after, even though I've looked for it,

0:36:23.080 --> 0:36:24.759
<v Speaker 3>and even though I've wanted it, which is why I

0:36:24.800 --> 0:36:28.160
<v Speaker 3>feel such conviction in this story that it's like, no,

0:36:28.400 --> 0:36:29.360
<v Speaker 3>that did happen.

0:36:30.040 --> 0:36:33.120
<v Speaker 1>This feels like a very trustworthy source right now.

0:36:33.480 --> 0:36:35.719
<v Speaker 3>And again, if you're hearing this and you're like, well,

0:36:35.760 --> 0:36:39.160
<v Speaker 3>I went to Salvation Mountain and I had a great

0:36:39.239 --> 0:36:41.600
<v Speaker 3>time and I felt awakened. I'm glad that that was

0:36:41.600 --> 0:36:44.080
<v Speaker 3>your experience, and I want to leave space for that

0:36:44.120 --> 0:36:47.200
<v Speaker 3>to be other people's experience, but you know this was

0:36:47.239 --> 0:36:48.080
<v Speaker 3>my experience.

0:36:48.760 --> 0:36:53.360
<v Speaker 1>Well, they probably went after you after the demon leapt

0:36:53.400 --> 0:36:56.120
<v Speaker 1>out and latched onto you, so it's probably like great

0:36:56.200 --> 0:36:59.719
<v Speaker 1>there now, it's probably very clean and clear and.

0:37:00.080 --> 0:37:04.359
<v Speaker 3>Claud you reckon. Yeah, I took the darkness with me, but.

0:37:06.040 --> 0:37:07.600
<v Speaker 1>Now I don't think and.

0:37:07.480 --> 0:37:11.520
<v Speaker 3>That's why now I'm a gay actor. That's how I

0:37:11.600 --> 0:37:12.239
<v Speaker 3>ended up this.

0:37:12.160 --> 0:37:17.759
<v Speaker 1>Way, you know, speaking of reliable sources, which I do,

0:37:17.880 --> 0:37:22.120
<v Speaker 1>I do feel very convinced that no, it was very

0:37:22.200 --> 0:37:25.360
<v Speaker 1>good and you're a very amazing storyteller.

0:37:25.640 --> 0:37:27.400
<v Speaker 3>Oh, thank you. I was like, this is going to

0:37:27.440 --> 0:37:29.040
<v Speaker 3>take a second for me to get out, and I

0:37:29.080 --> 0:37:31.560
<v Speaker 3>really wanted to give you the full picture. So thank

0:37:31.560 --> 0:37:35.160
<v Speaker 3>you for giving me the time to do it.

0:37:36.480 --> 0:37:38.880
<v Speaker 1>Wait. You know another thing. I was thinking, Scully, do

0:37:38.920 --> 0:37:40.600
<v Speaker 1>you ever hear X Files?

0:37:40.719 --> 0:37:42.839
<v Speaker 3>Oh? All the time when I was in second grade,

0:37:42.880 --> 0:37:45.960
<v Speaker 3>when that show was sort of having its its cultural peak.

0:37:46.520 --> 0:37:50.520
<v Speaker 3>I didn't appreciate the parallel because I knew that Scully

0:37:50.600 --> 0:37:55.160
<v Speaker 3>was the girl and already, you know, second grade South Texas.

0:37:55.600 --> 0:37:58.920
<v Speaker 3>I'm like, girl, bad way good me girl, no no

0:37:59.360 --> 0:38:03.000
<v Speaker 3>me man me noo girl meno talk with hands me

0:38:03.080 --> 0:38:07.960
<v Speaker 3>no wear pink meno. Jillian Anderson. Well, now, in retrospect,

0:38:07.960 --> 0:38:12.200
<v Speaker 3>I'm like to be compared to Jillian Anderson at seven

0:38:12.280 --> 0:38:15.000
<v Speaker 3>years old, I should be so fucking lucky, you know

0:38:15.040 --> 0:38:15.520
<v Speaker 3>what I mean.

0:38:15.960 --> 0:38:20.360
<v Speaker 1>She always came up for me because she is from

0:38:20.520 --> 0:38:23.880
<v Speaker 1>the same hometown as me. So people would be like,

0:38:23.920 --> 0:38:26.440
<v Speaker 1>the lady from the X Files is from here, you know,

0:38:27.120 --> 0:38:29.440
<v Speaker 1>which is where Grand Rapids, Michigan.

0:38:29.960 --> 0:38:32.880
<v Speaker 3>Oh, I love that sounds like a theme park. Come on,

0:38:34.960 --> 0:38:38.200
<v Speaker 3>it's a fun thing about The X Files, which you've

0:38:38.239 --> 0:38:39.439
<v Speaker 3>watched I assume.

0:38:39.840 --> 0:38:44.240
<v Speaker 1>Yeah, I've not every single episode.

0:38:42.520 --> 0:38:47.799
<v Speaker 3>But yeah, that's a scary. Sometimes it's fun, but it's

0:38:47.840 --> 0:38:50.120
<v Speaker 3>there are some scary episodes in there. The fun thing

0:38:50.120 --> 0:38:53.600
<v Speaker 3>about the X Files is, you know, her character's name

0:38:53.640 --> 0:38:58.440
<v Speaker 3>is Dana Scully. My brother, sweet Connor, sweet Ronoch, the Barbarian,

0:38:58.960 --> 0:39:03.359
<v Speaker 3>his long time I'm partner is named Dana. I know.

0:39:03.600 --> 0:39:06.239
<v Speaker 3>And so we're like, look, people should get married or

0:39:06.280 --> 0:39:09.040
<v Speaker 3>not get married based on their own prerogatives, and people

0:39:09.080 --> 0:39:13.239
<v Speaker 3>should certainly only exchange last names if it feels right,

0:39:13.880 --> 0:39:16.600
<v Speaker 3>especially if it's you know, the obligation is on the

0:39:16.640 --> 0:39:23.120
<v Speaker 3>woman to rearrange her monogram. That said, we are sort

0:39:23.120 --> 0:39:25.200
<v Speaker 3>of like, and I feel like Dana is sort of

0:39:25.239 --> 0:39:28.160
<v Speaker 3>leading the charge on this. She's like, if we did,

0:39:28.680 --> 0:39:32.439
<v Speaker 3>and I did, my name would be Dana Scully. I mean,

0:39:33.040 --> 0:39:35.680
<v Speaker 3>let's celebrate that iconic. Yeah.

0:39:36.040 --> 0:39:41.359
<v Speaker 1>Going back to reliable sources, I have I have got

0:39:42.600 --> 0:39:45.640
<v Speaker 1>a haunted doll currently for sale.

0:39:45.400 --> 0:39:47.440
<v Speaker 3>On eBay that you're selling.

0:39:47.880 --> 0:39:50.759
<v Speaker 1>No, but it's just one that I found. I like

0:39:50.800 --> 0:39:53.440
<v Speaker 1>to feature a different one every single episode. Can I

0:39:53.480 --> 0:39:53.919
<v Speaker 1>show you?

0:39:54.440 --> 0:39:55.200
<v Speaker 3>Yes? Please?

0:39:55.719 --> 0:40:02.880
<v Speaker 1>It's time for the dolls are living? Okay, So I

0:40:02.920 --> 0:40:05.040
<v Speaker 1>just go to eBay here's the thing. A lot of

0:40:05.080 --> 0:40:10.640
<v Speaker 1>people don't know this. Thousands of haunted eBay alleged haunted

0:40:10.680 --> 0:40:14.080
<v Speaker 1>eBay dolls for sale at all times.

0:40:14.360 --> 0:40:16.680
<v Speaker 3>But you think some of those people are cloud chasing.

0:40:17.000 --> 0:40:18.319
<v Speaker 3>Not all of those dolls are.

0:40:19.080 --> 0:40:23.200
<v Speaker 1>Yeah, well, there's a lot of different situations. Listen. I've

0:40:23.280 --> 0:40:27.080
<v Speaker 1>spent hours looking at these, and there's a lot of

0:40:27.160 --> 0:40:31.359
<v Speaker 1>situations going on here. I don't believe a lot of them,

0:40:31.560 --> 0:40:35.160
<v Speaker 1>but I will say because it's it's really coincidental to

0:40:35.239 --> 0:40:39.240
<v Speaker 1>have you on, because particularly all the ways you laid out,

0:40:39.280 --> 0:40:42.960
<v Speaker 1>like why your story is real. I actually feel that

0:40:43.000 --> 0:40:46.160
<v Speaker 1>way about this one for the exact same reason, which

0:40:46.200 --> 0:40:50.000
<v Speaker 1>is rare, okay, because usually it's like these people are like, oh,

0:40:50.160 --> 0:40:52.520
<v Speaker 1>this doll does this, and it does that, and here's

0:40:52.560 --> 0:40:55.160
<v Speaker 1>its name and here's what it does whatever, and then

0:40:55.239 --> 0:40:57.160
<v Speaker 1>you go to their profile and like they have forty

0:40:57.200 --> 0:41:00.400
<v Speaker 1>seven other ones that they are trying to sell. Sometimes

0:41:00.400 --> 0:41:04.880
<v Speaker 1>it's giving the same copy and pasted bio. It gets lazy. Okay,

0:41:05.560 --> 0:41:08.239
<v Speaker 1>this one, I looked at the person's profile. They didn't

0:41:08.239 --> 0:41:12.440
<v Speaker 1>have any other haunted dolls they were selling, like just

0:41:12.640 --> 0:41:15.920
<v Speaker 1>random junk from their house. So I was kind of like,

0:41:16.600 --> 0:41:17.759
<v Speaker 1>that's a good sign for me.

0:41:18.040 --> 0:41:19.560
<v Speaker 3>Yeah, that's a great flag for sure.

0:41:19.960 --> 0:41:23.280
<v Speaker 1>Okay, her name is Anna. She's going for one hundred

0:41:23.320 --> 0:41:28.560
<v Speaker 1>and twenty dollars. Jaha, show us Anna plays you got

0:41:28.560 --> 0:41:31.840
<v Speaker 1>it ras? Oh that's Anna.

0:41:32.800 --> 0:41:36.360
<v Speaker 3>You know what. It's kind of giving. It's giving, Like

0:41:36.480 --> 0:41:38.879
<v Speaker 3>the energy of this on the space is giving, sort

0:41:38.920 --> 0:41:40.600
<v Speaker 3>of like can I hit your dame.

0:41:43.440 --> 0:41:46.960
<v Speaker 1>With flavors that I don't even care? Let me just

0:41:47.000 --> 0:41:51.320
<v Speaker 1>try it. Yeah, give me goodies for sure. Well, she's

0:41:51.360 --> 0:41:55.840
<v Speaker 1>got like she's got like a short Lady Diana haircut,

0:41:55.880 --> 0:41:58.040
<v Speaker 1>and then I can't tell what's going on on top

0:41:58.120 --> 0:42:03.799
<v Speaker 1>of it. Yeah, there's life a just random high pony situation.

0:42:04.160 --> 0:42:06.960
<v Speaker 3>Half up, half down arianky.

0:42:06.920 --> 0:42:10.360
<v Speaker 1>I guess. But the hair's very short.

0:42:10.760 --> 0:42:11.400
<v Speaker 3>No, it's not.

0:42:11.600 --> 0:42:14.759
<v Speaker 1>Yeah, I don't know what that is. But she does

0:42:14.840 --> 0:42:18.480
<v Speaker 1>have sort of a honestly and oh Mary kind of

0:42:18.640 --> 0:42:19.600
<v Speaker 1>air address on.

0:42:19.840 --> 0:42:24.799
<v Speaker 3>It's it's not not giving. Yeah, Like like if Mary

0:42:24.840 --> 0:42:29.320
<v Speaker 3>Todd Lincoln had a sister who was plagued by spiritual visions,

0:42:29.400 --> 0:42:30.880
<v Speaker 3>I do feel like this is sort of what she

0:42:30.880 --> 0:42:31.520
<v Speaker 3>would look like.

0:42:31.880 --> 0:42:35.920
<v Speaker 1>Yes, a sister with a heavy hand on the blush

0:42:35.960 --> 0:42:39.000
<v Speaker 1>and forgot to put lipstick on the top lip. But

0:42:39.320 --> 0:42:40.600
<v Speaker 1>certainly did the bottom.

0:42:41.080 --> 0:42:44.560
<v Speaker 3>I will say, her face though, she's like she's struggling

0:42:44.600 --> 0:42:47.600
<v Speaker 3>with the hair, but her beat has stayed. I don't know,

0:42:47.800 --> 0:42:50.680
<v Speaker 3>I don't know what that is. That's like honestasy of

0:42:50.680 --> 0:42:54.880
<v Speaker 3>Beverly Hills. Or the eyes are clean, you know, the

0:42:54.960 --> 0:42:56.000
<v Speaker 3>cheeks are rouged.

0:42:56.800 --> 0:43:01.520
<v Speaker 1>Yeah, it's a it's a really good setting spray. Okay.

0:43:01.560 --> 0:43:03.160
<v Speaker 1>So here's what it says, because they all come with

0:43:03.200 --> 0:43:06.800
<v Speaker 1>like a little bio so one hundred and twenty dollars Anna,

0:43:07.040 --> 0:43:12.440
<v Speaker 1>So it says a lost human spirit seems to have

0:43:12.600 --> 0:43:18.560
<v Speaker 1>transferred over to this doll. Anna. Nothing too evil has

0:43:18.680 --> 0:43:23.080
<v Speaker 1>really happened with Anna as far as I know, but

0:43:23.200 --> 0:43:27.279
<v Speaker 1>there have been some strange occurrences. It rained when she

0:43:27.440 --> 0:43:31.799
<v Speaker 1>was taken outside two times, a picture fell off the

0:43:31.880 --> 0:43:35.399
<v Speaker 1>wall when I took her in my office, okay, and

0:43:35.600 --> 0:43:39.560
<v Speaker 1>some people feel a sudden rush of sadness when they

0:43:39.640 --> 0:43:46.719
<v Speaker 1>see her. I mean, the doll is apparently capable of

0:43:46.760 --> 0:43:50.520
<v Speaker 1>moving on her own. Apparent. This is just hearsay, according

0:43:50.560 --> 0:43:51.879
<v Speaker 1>to the person selling this.

0:43:52.280 --> 0:43:55.000
<v Speaker 3>Yeah, I love that, they say, apparently, as though it's like,

0:43:55.120 --> 0:43:57.319
<v Speaker 3>so did someone just tell you that?

0:43:57.800 --> 0:44:00.560
<v Speaker 1>Yeah, where are you getting your second get a hand?

0:44:00.560 --> 0:44:03.560
<v Speaker 3>News? Said it gets a little lazy, but I kind

0:44:03.600 --> 0:44:05.680
<v Speaker 3>of love that it gets a little lazy.

0:44:05.840 --> 0:44:08.880
<v Speaker 1>It says, I am not a hundred present sure, but

0:44:09.040 --> 0:44:15.799
<v Speaker 1>I do think I saw her move a couple of times. Okay,

0:44:16.800 --> 0:44:19.200
<v Speaker 1>I am not a big believer in things like this,

0:44:19.719 --> 0:44:21.400
<v Speaker 1>but I'm starting to now.

0:44:22.000 --> 0:44:25.440
<v Speaker 3>Okay, so yeah, so very me and that it's like

0:44:25.520 --> 0:44:28.280
<v Speaker 3>I want to believe very ex files. I want to believe,

0:44:28.360 --> 0:44:31.560
<v Speaker 3>but I've never seen proof. But like, now there's the stall.

0:44:31.520 --> 0:44:34.879
<v Speaker 1>But like, apparently she moves. I think I saw her,

0:44:34.960 --> 0:44:38.560
<v Speaker 1>but I'm not really sure. I really appreciate this person,

0:44:38.640 --> 0:44:39.240
<v Speaker 1>to be honest.

0:44:39.680 --> 0:44:43.120
<v Speaker 3>No, that the coyness, the sort of like humble, demure

0:44:43.239 --> 0:44:47.200
<v Speaker 3>nature of the description, I agree, does lend itself to

0:44:47.320 --> 0:44:48.560
<v Speaker 3>an air of integrity.

0:44:48.840 --> 0:44:51.480
<v Speaker 1>Yeah, because most of these as they're trying to make

0:44:51.560 --> 0:44:56.399
<v Speaker 1>some extra coin. They're like, if you buy this doll,

0:44:56.600 --> 0:44:59.680
<v Speaker 1>she will slap you in your sleep, just so you

0:44:59.800 --> 0:45:04.560
<v Speaker 1>know you've been warned. And this person is like, honestly,

0:45:04.640 --> 0:45:08.040
<v Speaker 1>I think I think apparently she moves. I don't know.

0:45:08.480 --> 0:45:11.320
<v Speaker 3>It's also like she has the ability to control the weather.

0:45:12.280 --> 0:45:16.080
<v Speaker 3>One hundred and twenty dollars. That's a modest that's a

0:45:16.239 --> 0:45:20.360
<v Speaker 3>modest sum for a doll that can literally make it rain. Truly,

0:45:21.120 --> 0:45:23.600
<v Speaker 3>somebody in La needs to buy her for the next

0:45:23.719 --> 0:45:25.759
<v Speaker 3>drought and then just sit her out on there and

0:45:25.800 --> 0:45:28.040
<v Speaker 3>their patio. Do your work. Anna.

0:45:28.440 --> 0:45:31.840
<v Speaker 1>It says she comes from an abandoned house that my

0:45:32.000 --> 0:45:35.319
<v Speaker 1>friend just bought. I am not sure if she is

0:45:35.400 --> 0:45:37.560
<v Speaker 1>good or bad, but I still want her to go

0:45:37.640 --> 0:45:40.720
<v Speaker 1>to a good home. She is still dusty and dirty,

0:45:41.400 --> 0:45:44.640
<v Speaker 1>just the way she was found. Thanks for looking. Please

0:45:44.719 --> 0:45:47.960
<v Speaker 1>check out the other items in my store. Okay, hang

0:45:48.000 --> 0:45:50.480
<v Speaker 1>on a second. So your friend just bought a new house.

0:45:51.120 --> 0:45:52.600
<v Speaker 3>Yeah, an abandoned house.

0:45:53.280 --> 0:45:56.400
<v Speaker 1>I found this doll, and then you are now selling

0:45:56.400 --> 0:45:58.320
<v Speaker 1>it for one hundred and twenty dollars.

0:45:58.800 --> 0:46:01.399
<v Speaker 3>Yeah, I'm I guess a lot of these reports must

0:46:01.440 --> 0:46:04.759
<v Speaker 3>have come from the friend who purchased the house. And

0:46:04.800 --> 0:46:06.960
<v Speaker 3>it is sort of like, and I'm filling in some

0:46:07.000 --> 0:46:10.000
<v Speaker 3>blanks here, I'm projecting, I'm assuming a lot, but it

0:46:10.080 --> 0:46:12.560
<v Speaker 3>is kind of intriguing that It's like the friend was like,

0:46:13.239 --> 0:46:17.160
<v Speaker 3>I don't want this anywhere, Please take this away from me.

0:46:17.760 --> 0:46:19.600
<v Speaker 1>And then this person said, well, I'm going to make

0:46:19.640 --> 0:46:21.480
<v Speaker 1>some money if I'm going to have to take this.

0:46:21.920 --> 0:46:25.480
<v Speaker 3>Yeah, this person said, you know, I have my eyes on.

0:46:25.719 --> 0:46:28.160
<v Speaker 3>What's something that would cost one hundred and twenty dollars

0:46:28.400 --> 0:46:29.480
<v Speaker 3>in this economy?

0:46:29.560 --> 0:46:31.640
<v Speaker 1>I need some new sneakers.

0:46:32.000 --> 0:46:35.680
<v Speaker 3>I don't know, I need some I need some White

0:46:35.760 --> 0:46:38.680
<v Speaker 3>Air Force ones. And with tax, that comes out to

0:46:38.920 --> 0:46:41.759
<v Speaker 3>just about one hundred and twenty dollars. So that's what

0:46:41.840 --> 0:46:45.719
<v Speaker 3>this doll is going for. Oh imagine this doll with

0:46:45.760 --> 0:46:48.400
<v Speaker 3>some tiny White Air Force ones on her. She pulls

0:46:48.440 --> 0:46:50.799
<v Speaker 3>up her little skirt. She's like, you like the sneakers.

0:46:51.080 --> 0:46:53.319
<v Speaker 1>I think when it comes to making it rain, I

0:46:53.360 --> 0:46:55.680
<v Speaker 1>think the person that's selling this is trying to make

0:46:55.719 --> 0:46:57.279
<v Speaker 1>it rain on them.

0:46:58.000 --> 0:46:59.879
<v Speaker 3>Yeah, they're like, I would like some rain?

0:47:00.440 --> 0:47:02.440
<v Speaker 1>Can I play you some ghost voices?

0:47:03.239 --> 0:47:05.000
<v Speaker 3>Please play me some ghost voices.

0:47:05.680 --> 0:47:15.000
<v Speaker 1>It's time for EVP or ev please okay. The term

0:47:15.080 --> 0:47:21.080
<v Speaker 1>EVP electronic voice phenomenal. Okay. So this is when people

0:47:21.120 --> 0:47:24.120
<v Speaker 1>believe they've captured a ghost speaking.

0:47:24.200 --> 0:47:27.400
<v Speaker 3>That wasn't audible to the human ear, but they like

0:47:27.520 --> 0:47:28.600
<v Speaker 3>put up a recording.

0:47:28.920 --> 0:47:33.920
<v Speaker 1>Pretty much, gotcha. It has shown up upon further inspection.

0:47:35.320 --> 0:47:39.760
<v Speaker 1>So these are two that I found on this website

0:47:39.840 --> 0:47:41.800
<v Speaker 1>phone called it's called YouTube.

0:47:41.960 --> 0:47:43.239
<v Speaker 3>Oh I've not heard of that.

0:47:43.440 --> 0:47:46.479
<v Speaker 1>Check it out. People go on YouTube and they will

0:47:46.520 --> 0:47:51.280
<v Speaker 1>post a ghost saying all kinds of shit. I've got

0:47:51.840 --> 0:47:54.640
<v Speaker 1>two of them for you right here. This first one

0:47:55.000 --> 0:47:59.760
<v Speaker 1>is from Shanley Hotel eighty two eighty five.

0:48:00.480 --> 0:48:02.279
<v Speaker 3>Shout out to you, Shanley.

0:48:02.320 --> 0:48:04.920
<v Speaker 1>This is a famous haunted hotel.

0:48:05.400 --> 0:48:06.880
<v Speaker 3>Okay, it like is what.

0:48:06.960 --> 0:48:09.239
<v Speaker 1>I don't think you can stay at it. I think

0:48:09.280 --> 0:48:11.880
<v Speaker 1>it's just like a place that people go to to

0:48:12.040 --> 0:48:17.000
<v Speaker 1>like ghost hunt and it's a NAPA knock, New York.

0:48:17.480 --> 0:48:20.080
<v Speaker 1>I want you to tell me if you hear anything, okay,

0:48:20.200 --> 0:48:24.080
<v Speaker 1>and I'm going to give you an ABCD. And one

0:48:24.080 --> 0:48:27.319
<v Speaker 1>of those is what they believe it says. Okay, what

0:48:27.520 --> 0:48:28.960
<v Speaker 1>is this ghost saying?

0:48:32.160 --> 0:48:36.480
<v Speaker 3>Can I hear one more time? What do you think

0:48:37.200 --> 0:48:43.640
<v Speaker 3>I just one more time? It sounds like the last

0:48:43.760 --> 0:48:48.959
<v Speaker 3>word sounds like shut to me. Now I'm thinking Lord

0:48:49.000 --> 0:48:53.880
<v Speaker 3>of the Rings, the way it's shut. But it sounds

0:48:53.920 --> 0:48:58.080
<v Speaker 3>like the something is the something something is shut. It's

0:48:58.160 --> 0:49:04.520
<v Speaker 3>like the well, now it doesn't sound like that, so well.

0:49:04.440 --> 0:49:06.880
<v Speaker 1>Let me give you some options. One of these is

0:49:06.920 --> 0:49:11.719
<v Speaker 1>what allegedly the ghost is saying. Is it saying A,

0:49:12.600 --> 0:49:17.120
<v Speaker 1>I'm so cute and hot? Okay, B I'm still looking

0:49:17.200 --> 0:49:24.960
<v Speaker 1>on okay, see absolutely not? Or D I'm a super top.

0:49:26.160 --> 0:49:28.360
<v Speaker 1>All right, it's one of those let me play it again.

0:49:30.840 --> 0:49:34.279
<v Speaker 3>Okay, this is funny because I love all of those

0:49:34.280 --> 0:49:37.759
<v Speaker 3>options obviously, and I'm a little relieved that it's not

0:49:38.000 --> 0:49:41.120
<v Speaker 3>the way is shut, because whoever was hearing that in

0:49:41.160 --> 0:49:44.040
<v Speaker 3>that moment, that's like bad news for them. I do

0:49:44.120 --> 0:49:48.560
<v Speaker 3>think it's absolutely not. And I love, you know, imagining

0:49:48.680 --> 0:49:52.799
<v Speaker 3>that specter coming across whatever the recording device is and

0:49:52.920 --> 0:49:55.400
<v Speaker 3>just being like, absolutely.

0:49:54.800 --> 0:49:56.319
<v Speaker 1>Not, absolutely not.

0:49:56.480 --> 0:49:58.720
<v Speaker 3>It's like, I'm not doing this. You think I died

0:49:58.840 --> 0:50:01.560
<v Speaker 3>and stayed tied to the mortal realm so you could

0:50:01.600 --> 0:50:04.520
<v Speaker 3>like record me on your iPhone thirteen.

0:50:04.920 --> 0:50:07.600
<v Speaker 1>Yeah. Absolutely, I already know this is gonna end up

0:50:07.640 --> 0:50:15.759
<v Speaker 1>on a podcast at some point. Absolutely not. No interviews. Okay,

0:50:15.760 --> 0:50:18.040
<v Speaker 1>I've got one more for you, And this one is

0:50:18.080 --> 0:50:23.400
<v Speaker 1>like a more organic kind of a grass fact, the

0:50:23.440 --> 0:50:27.720
<v Speaker 1>more granola. It's just sort of a to the naked ear.

0:50:27.920 --> 0:50:32.120
<v Speaker 1>It's sort of a talking Okay. This one was posted

0:50:32.120 --> 0:50:35.320
<v Speaker 1>by this guy who has really good EVPs and stuff.

0:50:35.719 --> 0:50:39.640
<v Speaker 1>His name is Brandon Elvis and it's at a place

0:50:39.680 --> 0:50:47.319
<v Speaker 1>called Andre Spico Adobe in Mission Hills, California. Okay, what

0:50:47.560 --> 0:50:50.600
<v Speaker 1>is this ghost, say Jaggs Gully.

0:50:52.160 --> 0:51:02.880
<v Speaker 3>No, no, okay, that's how I heard y'all please help troubling?

0:51:04.680 --> 0:51:09.440
<v Speaker 3>No coming, Yeah, y'all, please help me? Is what it

0:51:09.480 --> 0:51:12.920
<v Speaker 3>sounded like to me. I'm not even coming. Do you

0:51:12.960 --> 0:51:16.320
<v Speaker 3>hear what I'm saying? And the sort of the whatever

0:51:16.360 --> 0:51:20.040
<v Speaker 3>that pitter pattern is, it's like, yeah, it's really unchanteling.

0:51:20.560 --> 0:51:23.920
<v Speaker 1>Well, let me just add this person that posted this

0:51:24.239 --> 0:51:28.399
<v Speaker 1>did say that the floor is currently tile and it's

0:51:28.760 --> 0:51:31.560
<v Speaker 1>it picked up on the sound. It sounded like footsteps

0:51:31.560 --> 0:51:39.240
<v Speaker 1>on wood, right, spooky. Well, let me give you some options. Okay,

0:51:39.760 --> 0:51:47.200
<v Speaker 1>is it a yah? Quay? Is y'all still is that

0:51:47.360 --> 0:51:49.560
<v Speaker 1>still in the in the culture.

0:51:50.200 --> 0:51:55.160
<v Speaker 3>I think we're quickly approaching that we got so oversaturated

0:51:55.200 --> 0:51:58.640
<v Speaker 3>with it that it became passe. Not me a white

0:51:58.719 --> 0:52:01.839
<v Speaker 3>cistender gay man citing what words people get to say.

0:52:02.080 --> 0:52:03.160
<v Speaker 1>I think it'll be back.

0:52:03.320 --> 0:52:04.960
<v Speaker 3>No, I think we're circling back around.

0:52:05.040 --> 0:52:11.640
<v Speaker 1>Okay, is it B No, this can't be? Is it

0:52:11.880 --> 0:52:20.480
<v Speaker 1>c so cold or d? Yeah, it's called t okay

0:52:21.480 --> 0:52:30.560
<v Speaker 1>no to those options again, Yeah, it's called t.

0:52:36.360 --> 0:52:41.640
<v Speaker 3>What's funny is that in my understanding of gave an

0:52:41.719 --> 0:52:48.560
<v Speaker 3>ocular absolutely not for our last is to me absolutely so.

0:52:48.719 --> 0:52:51.960
<v Speaker 3>I was ready for this one yes, yes, it's called

0:52:52.000 --> 0:52:53.360
<v Speaker 3>T is option D.

0:52:54.239 --> 0:52:55.440
<v Speaker 1>Yeah, it's called T.

0:52:57.760 --> 0:53:01.560
<v Speaker 3>Imagining all of the fertile moments which a ghost could

0:53:01.600 --> 0:53:03.200
<v Speaker 3>say that see.

0:53:03.360 --> 0:53:07.480
<v Speaker 1>I pictured that being like the ghost of a lady

0:53:07.520 --> 0:53:09.560
<v Speaker 1>that has seen a couple of episodes of drag Race,

0:53:09.840 --> 0:53:13.239
<v Speaker 1>and she's trying to explain to another friend, like what

0:53:13.280 --> 0:53:17.399
<v Speaker 1>you just saw is called tea. That's what they call it.

0:53:18.040 --> 0:53:20.279
<v Speaker 3>Or the ghost hunters are sort of like in a

0:53:20.360 --> 0:53:23.840
<v Speaker 3>moment of revelation, They're like, and she hasn't been seen

0:53:23.920 --> 0:53:27.160
<v Speaker 3>in over twenty five years, and the ghost.

0:53:26.880 --> 0:53:32.920
<v Speaker 1>Says, no, yeah, it's called tea.

0:53:33.760 --> 0:53:37.440
<v Speaker 3>I want to choose one of the fun options. Unfortunately,

0:53:37.520 --> 0:53:42.080
<v Speaker 3>I I do think it's what was the second option?

0:53:42.239 --> 0:53:45.920
<v Speaker 3>This no one know, this can't be, which is also

0:53:46.680 --> 0:53:50.440
<v Speaker 3>kind of gay. The pageantry of that, the pageantry of

0:53:50.560 --> 0:53:54.320
<v Speaker 3>like be, that's what like a sort of like David

0:53:54.360 --> 0:53:58.640
<v Speaker 3>Bowie coated queer in Brooklyn looks down and realized that

0:53:58.680 --> 0:54:02.440
<v Speaker 3>they've spilt their muck Damien Latte on their shirt, on

0:54:02.480 --> 0:54:05.799
<v Speaker 3>their blouse, and they say, no, this cannot be.

0:54:06.640 --> 0:54:11.840
<v Speaker 1>Yes, absolutely, I can see that scenario. I will say

0:54:12.640 --> 0:54:15.200
<v Speaker 1>when I listen to the full one, which I have

0:54:15.440 --> 0:54:19.520
<v Speaker 1>edited down because there's a long pause, and then it

0:54:19.640 --> 0:54:22.440
<v Speaker 1>very much sounds like it goes, no, this can't be,

0:54:23.040 --> 0:54:28.280
<v Speaker 1>and then it goes really and I'm like listening to it, thinking,

0:54:28.760 --> 0:54:30.440
<v Speaker 1>oh my god, it kind of sounds like a ghost

0:54:30.520 --> 0:54:33.320
<v Speaker 1>being like, oh my god, am I dad, You're.

0:54:33.239 --> 0:54:37.520
<v Speaker 3>Just so sad, like their dying moment, like them waking

0:54:37.600 --> 0:54:40.800
<v Speaker 3>up or yeah, I guess just like realizing the moment

0:54:40.840 --> 0:54:43.640
<v Speaker 3>of clarity that they're like, oh I'm not. I have

0:54:43.800 --> 0:54:46.520
<v Speaker 3>shuffled not all the way off this mortal coil, but.

0:54:48.360 --> 0:54:51.200
<v Speaker 1>Yeah, and now you're gonna record me and put me

0:54:51.239 --> 0:54:54.239
<v Speaker 1>on the internet. Wait, now that we know it's no,

0:54:54.360 --> 0:55:00.239
<v Speaker 1>this can't be, let me play it one more time. No, okay,

0:55:00.360 --> 0:55:03.400
<v Speaker 1>what like, let me offer an e an e option.

0:55:05.880 --> 0:55:06.080
<v Speaker 3>Yo.

0:55:06.440 --> 0:55:19.520
<v Speaker 1>That's campy, Yo, that's camp campy y. That's campy, James Scully,

0:55:19.560 --> 0:55:20.040
<v Speaker 1>that's all.

0:55:20.560 --> 0:55:23.359
<v Speaker 3>This was delightful. I'm going to go to dinner with

0:55:23.400 --> 0:55:26.239
<v Speaker 3>my friends and Williamsburg tonight. I think I'm going to

0:55:26.320 --> 0:55:30.239
<v Speaker 3>walk there and I'm going to be available to you know,

0:55:30.320 --> 0:55:33.520
<v Speaker 3>I'm going to be looking around sort of like maybe.

0:55:33.400 --> 0:55:36.440
<v Speaker 1>Yes, maybe, you know, just be open.

0:55:36.800 --> 0:55:40.400
<v Speaker 3>Yeah. Although again, like we said, they're like, no, not

0:55:40.520 --> 0:55:46.040
<v Speaker 3>that one. He wants it too bad, I know for

0:55:46.080 --> 0:55:46.680
<v Speaker 3>a haunting.

0:55:47.360 --> 0:55:51.640
<v Speaker 1>Yeah, it's sort of like that polyamorous couple that it's like,

0:55:51.719 --> 0:55:54.000
<v Speaker 1>oh god, they're coming. They're coming over here. Okay, Like

0:55:54.040 --> 0:56:00.399
<v Speaker 1>they're like you, they're tooth, like, let me come to you, right.

0:56:00.480 --> 0:56:02.520
<v Speaker 3>They said, hey, we saw you from across the bar.

0:56:03.160 --> 0:56:07.279
<v Speaker 1>Yeah, have already seen them work in the whole room.

0:56:07.440 --> 0:56:09.719
<v Speaker 1>They're going up to everyone, and now they've made their

0:56:09.719 --> 0:56:10.120
<v Speaker 1>way to me.

0:56:10.640 --> 0:56:14.640
<v Speaker 3>Oh here worse than when you're like, okay, I saw

0:56:15.560 --> 0:56:19.000
<v Speaker 3>I saw myself be your third choice. You know what

0:56:19.040 --> 0:56:22.719
<v Speaker 3>I mean? You think I didn't notice you talking?

0:56:22.719 --> 0:56:25.520
<v Speaker 1>You get this straight. You're in a committed relationship with

0:56:25.560 --> 0:56:29.279
<v Speaker 1>each other, so you already have that, and then you

0:56:29.320 --> 0:56:31.600
<v Speaker 1>wanted another person, you didn't get them, you didn't get

0:56:31.600 --> 0:56:34.200
<v Speaker 1>the next person, and now you're going to settle for me.

0:56:34.920 --> 0:56:36.480
<v Speaker 1>Mm hmm, I don't think so.

0:56:36.840 --> 0:56:37.120
<v Speaker 3>Yeah.

0:56:37.320 --> 0:56:39.759
<v Speaker 1>No, you know what I say to that, No, this

0:56:39.880 --> 0:56:45.040
<v Speaker 1>can't be or wait, or I say another thing, which

0:56:45.080 --> 0:56:46.000
<v Speaker 1>is this right here?

0:56:49.640 --> 0:56:52.640
<v Speaker 3>Absolutely not. I've already said to a person in a club.

0:56:52.920 --> 0:56:55.560
<v Speaker 3>I'm sure at one point or another in a case,

0:56:55.719 --> 0:57:01.560
<v Speaker 3>I've said absolutely not. But the next time, next time.

0:57:02.080 --> 0:57:05.200
<v Speaker 3>All loved to the polyamorous community, A couple comes up

0:57:05.200 --> 0:57:07.320
<v Speaker 3>to me to scout me as talent. I'm going to

0:57:07.360 --> 0:57:11.719
<v Speaker 3>say no, this can't be and I'll see what they

0:57:11.719 --> 0:57:14.080
<v Speaker 3>do with that. Maybe if they respond, well, I'll be like,

0:57:14.320 --> 0:57:16.720
<v Speaker 3>you know what, this is the screening process, and you passed.

0:57:16.800 --> 0:57:17.680
<v Speaker 3>Let's get out of here.

0:57:18.120 --> 0:57:21.360
<v Speaker 1>Jame Scully ros where do you want people to find you?

0:57:21.800 --> 0:57:23.320
<v Speaker 1>What's going on in your life?

0:57:23.680 --> 0:57:28.400
<v Speaker 4>Well, at the time this airs, I will be in

0:57:28.520 --> 0:57:34.800
<v Speaker 4>the juicy hot middle of my and Conrad, Rick Amora

0:57:35.320 --> 0:57:41.200
<v Speaker 4>and one Dame Cola Scolas returned to Oh Mary, Oh

0:57:41.240 --> 0:57:42.000
<v Speaker 4>you going back?

0:57:42.120 --> 0:57:43.360
<v Speaker 3>Oh yeah, we're all going back.

0:57:43.680 --> 0:57:45.520
<v Speaker 1>Oh my god.

0:57:45.600 --> 0:57:48.240
<v Speaker 3>So we are going back to tread the boards once more.

0:57:48.840 --> 0:57:52.360
<v Speaker 1>Well, you know that person who stepped into your shoes?

0:57:52.800 --> 0:57:58.360
<v Speaker 3>Oh, dear dear friend of the pod. I'm sure Chris Renfrow.

0:57:58.080 --> 0:57:59.919
<v Speaker 1>Chris Renfro has been on this pod.

0:58:00.640 --> 0:58:03.920
<v Speaker 3>Yes, I mean how I cont Yeah.

0:58:03.720 --> 0:58:05.840
<v Speaker 1>We're gonna get We're gonna get everyone from the show

0:58:06.200 --> 0:58:07.040
<v Speaker 1>one way or another.

0:58:07.520 --> 0:58:10.840
<v Speaker 3>I know Cole likes dolls, and I'm sure at least

0:58:10.880 --> 0:58:13.000
<v Speaker 3>one of Cole's dolls is haunted.

0:58:13.360 --> 0:58:15.720
<v Speaker 1>Please just put it in a good word.

0:58:16.080 --> 0:58:20.400
<v Speaker 3>I oh, I absolutely will. I'm sure. I'm sure they

0:58:20.440 --> 0:58:23.800
<v Speaker 3>have a ghost story for you. I wonder if they

0:58:23.880 --> 0:58:26.560
<v Speaker 3>believe in the paranormal. I'm going to text them and ask.

0:58:28.680 --> 0:58:31.320
<v Speaker 1>I'm obsessed. You know what, I'm gonna I'll be there

0:58:31.360 --> 0:58:33.520
<v Speaker 1>this summer. I'll have to come right back let.

0:58:33.400 --> 0:58:35.040
<v Speaker 3>Me know, because we didn't get to have a backstage

0:58:35.080 --> 0:58:35.920
<v Speaker 3>moment last time.

0:58:36.120 --> 0:58:38.520
<v Speaker 1>I'm going to keep going until i have the whole

0:58:38.560 --> 0:58:41.600
<v Speaker 1>thing memorized. I'mn to be one of those megafan people

0:58:41.720 --> 0:58:43.880
<v Speaker 1>where it's like Lady Gogat dancing with the kid that

0:58:43.960 --> 0:58:45.320
<v Speaker 1>knows every move. That'll be me.

0:58:45.560 --> 0:58:51.080
<v Speaker 3>If anyone needs you're shouting the lines, Oh god, no.

0:58:51.200 --> 0:58:56.400
<v Speaker 1>I don't want to do that. Well, you know, I'm

0:58:56.440 --> 0:58:57.520
<v Speaker 1>so happy we did this.

0:58:58.000 --> 0:59:01.080
<v Speaker 3>I really am too. It's an honor and a privilege

0:59:01.640 --> 0:59:06.120
<v Speaker 3>and a pleasure. And look, I hope I hope those

0:59:06.160 --> 0:59:07.000
<v Speaker 3>cats don't get me.

0:59:07.600 --> 0:59:16.160
<v Speaker 1>Absolutely not. Thank you so much to James Scully. Oh

0:59:16.560 --> 0:59:21.280
<v Speaker 1>that was fun. Hey, I love you all, both living

0:59:21.320 --> 0:59:23.880
<v Speaker 1>and dead. But if I didn't ask you to haunt me,

0:59:24.400 --> 0:59:35.160
<v Speaker 1>don't haunt me, gay By. This has been an exactly

0:59:35.280 --> 0:59:39.480
<v Speaker 1>right production. Want to share your paranormal experience on the podcast.

0:59:39.880 --> 0:59:43.720
<v Speaker 1>I read stories out loud and sometimes I'll even call you,

0:59:44.040 --> 0:59:48.120
<v Speaker 1>so email me at Ghosted by Roz at gmail dot com.

0:59:48.240 --> 0:59:50.720
<v Speaker 1>You can send a DM or voice message to the

0:59:50.720 --> 0:59:54.640
<v Speaker 1>show's Instagram at Ghosted by Roz. Give us a follow

0:59:54.680 --> 0:59:58.880
<v Speaker 1>while you're there, and follow me Roz on Instagram at

0:59:59.040 --> 1:00:03.520
<v Speaker 1>Roz Hernandez, and on TikTok and Twitter at It's Roz Hernandez.

1:00:04.080 --> 1:00:09.400
<v Speaker 1>My senior producer is the startling Jiha Lee. Associate producer

1:00:09.560 --> 1:00:14.520
<v Speaker 1>is the alarming Christina Chamberlain. This episode was mixed and

1:00:14.600 --> 1:00:19.440
<v Speaker 1>sound designed by the eerie Edson Choi. My guest booker

1:00:19.520 --> 1:00:23.960
<v Speaker 1>is the petrifying Patrick Kuttner. My theme music is by

1:00:24.000 --> 1:00:29.560
<v Speaker 1>the spine chilling Brendan Lynch Salomon. Artwork by the spooky

1:00:30.040 --> 1:00:37.720
<v Speaker 1>Vanessa Lilac. Photography by the terrifying Elizabeth Karen. Executive produced

1:00:37.960 --> 1:00:43.800
<v Speaker 1>by the chilling Karen Kilgaireff, the spooky Georgia hart Stark,

1:00:44.080 --> 1:00:49.840
<v Speaker 1>and the frightening Danielle Kramer. Listen to Ghosted by Roz

1:00:49.920 --> 1:00:55.880
<v Speaker 1>Hernandez on the iHeartRadio app, Apple Podcasts, or wherever you

1:00:55.960 --> 1:00:57.200
<v Speaker 1>get your podcasts.