WEBVTT - Mystery Cults, Part 3

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 2>is Robert Lamb.

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<v Speaker 3>And I am Joe McCormick, and we're back with Part

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<v Speaker 3>three in our discussion of the mystery cults of the

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<v Speaker 3>ancient Mediterranean. Mystery cults are religions that are differentiated from

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<v Speaker 3>the mainstream public cults of the Greco Roman world because,

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<v Speaker 3>instead of focusing on the regular transactional tending to the

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<v Speaker 3>needs of the gods through ritual and sacrifice, mystery cults

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<v Speaker 3>were centered around the performance of secret mystic rites, which

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<v Speaker 3>were usually revealed only to the cult's initiates, and which

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<v Speaker 3>were often described as intense sensory experiences involving direct contact

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<v Speaker 3>with the power of the gods. In Part one of

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<v Speaker 3>this series, we talked mainly about the historical context of

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<v Speaker 3>the mysteries and how they differed from the most common

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<v Speaker 3>religious practices of Greek and Roman polytheism, and then in

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<v Speaker 3>Part two we looked at a couple of specific examples.

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<v Speaker 3>We looked at Mythraism, a mystery cult that flourished in

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<v Speaker 3>the Roman Empire, especially among members of the Roman army,

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<v Speaker 3>from roughly the first through the fourth century CE, and

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<v Speaker 3>then also we started talking about what was the most

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<v Speaker 3>famous and probably the most revered mystery cult for hundreds

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<v Speaker 3>of years among the Greeks and Romans, which was the

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<v Speaker 3>festival of the Eleusinian Mysteries, the Secret Rites, which took

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<v Speaker 3>place in Eleusis, which was about twenty three kilometers west

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<v Speaker 3>of the center of ancient Athens. And we are back

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<v Speaker 3>today to talk.

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<v Speaker 2>About more, all right.

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<v Speaker 3>So in the last episode we had to leave off

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<v Speaker 3>in the middle of our discussion of the Eleusinian Mysteries

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<v Speaker 3>because we ran out of time. So I think that's

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<v Speaker 3>where we should jump back in today. We can start

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<v Speaker 3>off with that subject. We already talked last time about

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<v Speaker 3>the story of Demeter and Persephone, which is the primary

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<v Speaker 3>myth associated with the cult. Particularly we're focused on the

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<v Speaker 3>version told in the sixth or seventh century BCE Dactylic

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<v Speaker 3>Hexamit or poem known as the Homeric Hymn to Demeter,

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<v Speaker 3>and I'll do a brief summary to refresh. In this story,

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<v Speaker 3>Demeter's daughter Demeter is the goddess of course of grain

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<v Speaker 3>and agriculture. Demeter's daughter Persephone, called Cory meaning maiden in

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<v Speaker 3>inscriptions associated with Eleusis is kidnapped to the underworld by Hades,

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<v Speaker 3>the god of the dead, and the grief stricken Demeter

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<v Speaker 3>searches for her around the world in vain. Along the way,

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<v Speaker 3>she has interactions with the royal family of Eleusis, including

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<v Speaker 3>a thwarted attempt to transform a baby prince named Demophoon

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<v Speaker 3>into an immortal, after which Demeter demands that the people

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<v Speaker 3>of that place build her a temple and perform special

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<v Speaker 3>rites for her, which they are not allowed to depart from,

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<v Speaker 3>ask questions about, or broadcast to the uninitiated. Eventually, in

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<v Speaker 3>the story the Daughter Corey or again that's the same

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<v Speaker 3>character as Persephone and other tellings, Corey is permitted to

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<v Speaker 3>leave the underworld, but because she has eaten of the

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<v Speaker 3>fruit of Hades, she cannot leave forever and must spend

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<v Speaker 3>part of every year back in the realm of the dead.

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<v Speaker 3>And this myth is often tied to seasonal cycles of

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<v Speaker 3>growth and harvest.

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<v Speaker 2>Yeah, we can't stress in enough everyone, if you venture

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<v Speaker 2>into a spirit realm, don't eat anything.

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<v Speaker 3>Yeah, exactly comes.

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<v Speaker 2>Up time and time again.

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<v Speaker 3>You gotta know the rules of the underworld. This came

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<v Speaker 3>up in another ancient poem we were talking about. Oh,

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<v Speaker 3>I think it's the poem of Gilgamesh and Ki Dou

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<v Speaker 3>in the Nether World, where in key Dou loses some

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<v Speaker 3>stuff down like it falls into the nether world and

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<v Speaker 3>he has to go down to get it, and Gilgamesh

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<v Speaker 3>is like, look, you gotta do all these things right.

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<v Speaker 3>You don't wear certain kinds of clothes, you don't clap

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<v Speaker 3>too loud or shout too loud. All this stuff will

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<v Speaker 3>attract negative attention down there. And then in Keto just

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<v Speaker 3>does it all wrong and he gets stuck. I don't

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<v Speaker 3>know what the other rules for persephone would have been,

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<v Speaker 3>apart from donate a pomegranate seed, but presumably there are

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<v Speaker 3>other rules as well. But anyway, we also talked last time,

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<v Speaker 3>not just about the myth itself, but about some things

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<v Speaker 3>ancient writers said about the effect of taking part in

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<v Speaker 3>the rights of ilusis. Many writers are, of course, reluctant

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<v Speaker 3>to share anything about the secret rituals themselves lest they

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<v Speaker 3>profane them. You don't talk about the mysteries. That's part

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<v Speaker 3>of what Demeter said, no talking about this, but they

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<v Speaker 3>do mention that the effect on the person who takes

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<v Speaker 3>part is a profound one and a positive one. To

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<v Speaker 3>illustrate that, I found the following passage from a dialogue

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<v Speaker 3>of Cis called on the Laws, where a character in

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<v Speaker 3>this dialogue is talking about the mysteries and says as follows,

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<v Speaker 3>much that is excellent and divine does Athens seem to

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<v Speaker 3>me to have produced and added to our life, But

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<v Speaker 3>nothing better than those mysteries by which we are formed

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<v Speaker 3>and molded from a rude and savage state of humanity.

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<v Speaker 3>And indeed, in the mysteries we perceive the real principles

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<v Speaker 3>of life and learn not only to live happily, but

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<v Speaker 3>to die with a fairer hope. So what does taking

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<v Speaker 3>part in the mysteries do for us? It seems that

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<v Speaker 3>it causes us to ascend from a rough, crude state

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<v Speaker 3>of existence, maybe an animalistic state of existence, into a

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<v Speaker 3>more refined type of being. Maybe it civilizes us in

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<v Speaker 3>some way. And this connects to something I've seen in

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<v Speaker 3>a few other sources having to do with the grain

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<v Speaker 3>and agriculture significance of the myth, that there's something about

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<v Speaker 3>the mysteries which is tied to the gift of agriculture,

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<v Speaker 3>of growing grain and the fruits of the harvest to

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<v Speaker 3>humans from the gods, and thus it's sort of like

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<v Speaker 3>perceived that that is the thing which separates us from

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<v Speaker 3>the animals. But beyond that, the mysteries also show us

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<v Speaker 3>what life is really about, or sort of the originating

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<v Speaker 3>principles of life. It makes us happier in this life,

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<v Speaker 3>and it makes us hope for better things after death.

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<v Speaker 3>And the last point has an interesting resonance. I don't

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<v Speaker 3>know if we alluded to this when we were talking

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<v Speaker 3>about the myth in full, but of course Persephone known

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<v Speaker 3>as Corey in the inscriptions at ilusis she is the

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<v Speaker 3>queen of the underworld, you know, so she's going to

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<v Speaker 3>be down there at least part of the year in

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<v Speaker 3>the nether world. I wonder if that has something to

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<v Speaker 3>do with the relationship between the mysteries and the fate

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<v Speaker 3>of the dead.

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<v Speaker 2>Yeah. Yeah, she ends up with a like a foot

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<v Speaker 2>in both worlds, in the agricultural world and then also

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<v Speaker 2>in the world of death in the afterlife. That's who

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<v Speaker 2>you want to get in good with a transitional being

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<v Speaker 2>that understands your world as well as the next world.

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<v Speaker 3>Though to be fair, that connection might just be a coincidence.

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<v Speaker 3>I mean it is possible also that those who have

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<v Speaker 3>experienced the mysteries might expect a better fate in the

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<v Speaker 3>afterlife simply because they have some kind of deeper connection

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<v Speaker 3>with the power of the gods. They have more God

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<v Speaker 3>intimacy in general than people who have not had who

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<v Speaker 3>have not gone through the mysteries.

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<v Speaker 2>Yeah. Yeah, or I mean, you know, to sort of

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<v Speaker 2>couch it in some sort of modern language, we could

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<v Speaker 2>say that at least while you're going through these rights,

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<v Speaker 2>you're very much living in the now. So that's got

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<v Speaker 2>to at least have a temporary effect on any anxieties

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<v Speaker 2>you have about the future.

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<v Speaker 3>Well, certainly, yeah, while you're doing the rights themselves. But

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<v Speaker 3>I mean to be clear, these authors do talk about

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<v Speaker 3>it as having a lasting effect, one that follows you home.

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<v Speaker 2>Yeah yeah, And I think, you know, there's probably a

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<v Speaker 2>case to be made that if you couple a sensational

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<v Speaker 2>experience with those elements of at least temporarily exiting your anxieties,

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<v Speaker 2>this could be the essentially the cocktail recipe for some

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<v Speaker 2>sort of lasting change.

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<v Speaker 3>Now, before I move on, I want to mention a

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<v Speaker 3>couple of my major sources. One is a book we've

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<v Speaker 3>already talked about in this series by a scholar named

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<v Speaker 3>Hugh Bowden, called Mystery Cults in the Ancient World The

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<v Speaker 3>Times and Hudson twenty twenty three edition, Bowden being an

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<v Speaker 3>ancient historian affiliated with King's College, London. But I also

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<v Speaker 3>wanted to point to a chapter in The Wily Companion

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<v Speaker 3>to Greek Religion edited by Daniel Ogden. The chapter is

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<v Speaker 3>called the Mysteries of Demeter and Corey, and it is

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<v Speaker 3>by Kevin Clinton, who is a professor emeritus of Classics

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<v Speaker 3>at Cornell. Both very good resources on the Elusinian mysteries,

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<v Speaker 3>and I'll refer back to both authors several more times. Now,

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<v Speaker 3>moving beyond what we've already talked about the myth and

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<v Speaker 3>the effect on people, what do we actually know and

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<v Speaker 3>what can we reasonably guess about the form the mysteries took?

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<v Speaker 3>What were these powerful rites? Well, there are some things,

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<v Speaker 3>the sort of public elements of the festival, the associated festival,

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<v Speaker 3>that we do know with a good bit of certainty,

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<v Speaker 3>and we'll we'll move from what we know more about

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<v Speaker 3>what we know less about. The Eleusinian mysteries were celebrated

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<v Speaker 3>in stages that took place at different times of the year.

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<v Speaker 3>So scholars think there was a primary stage of celebration

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<v Speaker 3>known as the Lesser Mysteries, which were held at a

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<v Speaker 3>place called Agrai within the city of Athens around the

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<v Speaker 3>end of the winter beginning of spring, so our February

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<v Speaker 3>March season, and that was a different, separate thing, but

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<v Speaker 3>people usually did this before the main thing, which was

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<v Speaker 3>the Greater Mysteries, which took place between Athens and Eleusis

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<v Speaker 3>during the autumn around our months of September October. Clues

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<v Speaker 3>from the literature of the time indicate that people generally

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<v Speaker 3>participated in the lesser Mysteries before doing the Greater Mysteries,

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<v Speaker 3>and the total festival of the Greater Mysteries lasted eight

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<v Speaker 3>days and began with public events. So when we talk

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<v Speaker 3>about the secret rights, it's not like the whole thing

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<v Speaker 3>of the Eleusinian Mysteries were secret rights. It was just

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<v Speaker 3>like one sort of climactic part of the festival. It

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<v Speaker 3>was made up of the secret rights. You had lots

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<v Speaker 3>of public events that included sacrifices to various gods. There

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<v Speaker 3>was a process of preparation and purification of the initiates,

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<v Speaker 3>the people who wanted to be initiated into the cult,

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<v Speaker 3>there was a solemn march from the center of Athens

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<v Speaker 3>to Eleusis, and then finally you would get to the

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<v Speaker 3>secret rights inside a closed hall of initiation called the Telesterion,

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<v Speaker 3>which was the sort of big central building inside the

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<v Speaker 3>sanctuary of Demeter and Corey in Ilusis. It's hard to

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<v Speaker 3>say exactly when these festivals began and when they ended

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<v Speaker 3>in history, but we know a couple of things to

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<v Speaker 3>sort of set the maximal boundaries in time. While the

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<v Speaker 3>archaeological record in the area directly around the sanctuary goes

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<v Speaker 3>all the way back to the Bronze Age, it appears

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<v Speaker 3>to have been abandoned for some time around twelve hundred BCE,

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<v Speaker 3>and then the site was continuously occupied beginning sometime in

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<v Speaker 3>the eighth century BCE for hundreds of years after that,

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<v Speaker 3>and then we know that the rites probably continued no

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<v Speaker 3>later than the end of the fourth century CE, when

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<v Speaker 3>Illusis was destroyed by the Goths, and after this there

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<v Speaker 3>appears to have been no attempt to rebuild the sanctuary.

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<v Speaker 3>By this time, the Roman Empire would have been largely

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<v Speaker 3>Christian anyway, and you know that would have produced some

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<v Speaker 3>severe friction for the cult of Iluses.

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<v Speaker 2>And we'll come back to the twilight of the mystery

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<v Speaker 2>cults here in a bit. Now.

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<v Speaker 3>An interesting thing is that during the time the cult

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<v Speaker 3>was in operation, lots of famous people in the ancient world,

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<v Speaker 3>including authors that we would read, including multiple Roman emperors

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<v Speaker 3>like Augustus Hadrian and Marcus Aurelius, made the trip to

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<v Speaker 3>Ilusus to be initiated into the mysteries, and that in

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<v Speaker 3>itself kind of highlights a curious fact. While the core

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<v Speaker 3>rights themselves, the mysteries were secret and you couldn't share

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<v Speaker 3>them with outsiders, people would come from all over to

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<v Speaker 3>be initiated, so it seems that the secret rituals were

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<v Speaker 3>in a way more kind of open, more kind of

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<v Speaker 3>globally open to participation than many of the public the

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<v Speaker 3>so called public cults of the Greco Roman world would be,

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<v Speaker 3>which many of which were quite locally focused. So for

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<v Speaker 3>most of the time the mysteries existed, it seems that

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<v Speaker 3>anyone from anywhere was allowed to come and be initiated

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<v Speaker 3>as long as they met a couple of criteria. They

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<v Speaker 3>had to speak Greek or be a Roman later on

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<v Speaker 3>under the Roman Empire, and they had to have not

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<v Speaker 3>committed murder, and if you met those criteria, you could

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<v Speaker 3>you could be initiated, you could learn the you could

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<v Speaker 3>learn the secrets, you could take part in the mysteries.

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<v Speaker 2>And I assume you could lie about the second one,

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<v Speaker 2>or it could be left up to your interpretation what

0:13:20.880 --> 0:13:24.080
<v Speaker 2>murder was. It's not like you had like a designated

0:13:24.120 --> 0:13:25.880
<v Speaker 2>punch card that you would have to show.

0:13:26.200 --> 0:13:28.280
<v Speaker 3>Yeah, I guess, I guess. The question is like, do

0:13:29.000 --> 0:13:31.480
<v Speaker 3>local people know that you committed murder?

0:13:31.640 --> 0:13:31.800
<v Speaker 2>Right?

0:13:32.000 --> 0:13:34.120
<v Speaker 3>Did you commit murder anywhere around Athens?

0:13:34.360 --> 0:13:35.040
<v Speaker 2>Yeah?

0:13:35.080 --> 0:13:36.880
<v Speaker 3>Okay? So what else do we know about what took

0:13:36.960 --> 0:13:40.760
<v Speaker 3>place around the mysteries? Here again, I'm drawing largely from Bowden,

0:13:41.360 --> 0:13:44.400
<v Speaker 3>trying to pull together all these facts. One thing is that,

0:13:45.559 --> 0:13:47.240
<v Speaker 3>going back to what I was just saying about people

0:13:47.240 --> 0:13:50.480
<v Speaker 3>coming from all over before the festivities began in the autumn,

0:13:50.880 --> 0:13:54.040
<v Speaker 3>a truce went out through through the Greek cities ensuring

0:13:54.160 --> 0:13:57.560
<v Speaker 3>that anyone who wanted to be able to come to

0:13:57.600 --> 0:14:00.600
<v Speaker 3>the mysteries could travel safely to Athens to take part.

0:14:00.960 --> 0:14:03.720
<v Speaker 3>So a kind of period of sanctuary on travel around

0:14:03.760 --> 0:14:07.360
<v Speaker 3>the area. We also know something about the rights involving

0:14:07.440 --> 0:14:12.720
<v Speaker 3>specific sacred objects called heira or hyra. I'm sorry I

0:14:12.760 --> 0:14:14.480
<v Speaker 3>did not look up which way to say that it's

0:14:14.640 --> 0:14:19.360
<v Speaker 3>hi era. I'm going to say hira for now. These

0:14:19.360 --> 0:14:24.160
<v Speaker 3>were carried in enclosed vessels tied with a red ribbon,

0:14:24.800 --> 0:14:28.720
<v Speaker 3>and they were carried in a ceremonial procession by the

0:14:28.720 --> 0:14:32.120
<v Speaker 3>priests of Eleusis, first two Athens at the beginning of

0:14:32.120 --> 0:14:35.680
<v Speaker 3>the festival, and then back to Iluses for the end.

0:14:36.240 --> 0:14:40.400
<v Speaker 3>So what were these sacred hidden objects? That was one

0:14:40.400 --> 0:14:44.200
<v Speaker 3>of the secrets you don't get to know. Inside the telesterion.

0:14:44.360 --> 0:14:48.520
<v Speaker 3>The objects would probably be shown and interacted with in

0:14:48.560 --> 0:14:52.080
<v Speaker 3>some way by the initiates, but writers sympathetic to the

0:14:52.120 --> 0:14:55.320
<v Speaker 3>mysteries do not tell us what these sacred objects were.

0:14:56.200 --> 0:15:00.360
<v Speaker 3>Bowden argues that the hira were probably not stacked choose

0:15:00.400 --> 0:15:02.920
<v Speaker 3>of Demeter and Corey like you might get with other cults.

0:15:02.920 --> 0:15:05.600
<v Speaker 3>I mean, it would be very common for other public

0:15:05.600 --> 0:15:08.240
<v Speaker 3>cults in the Greco Roman world to have a cult

0:15:08.360 --> 0:15:11.440
<v Speaker 3>statue that you might even in some cases if it

0:15:11.520 --> 0:15:14.800
<v Speaker 3>was small enough like take out and carry in a parade.

0:15:15.400 --> 0:15:18.120
<v Speaker 3>That doesn't seem to be the case here. Instead, the

0:15:18.160 --> 0:15:22.880
<v Speaker 3>priests were probably bearing some collection of small sacred objects

0:15:22.920 --> 0:15:27.680
<v Speaker 3>which represented the goddesses in some way. One Christian writer

0:15:27.760 --> 0:15:31.880
<v Speaker 3>from the ancient world writing against so called heresies, claims

0:15:31.960 --> 0:15:35.400
<v Speaker 3>that the main secret object was an ear of grain.

0:15:35.960 --> 0:15:37.760
<v Speaker 3>So we don't know if this is correct or not,

0:15:37.880 --> 0:15:40.840
<v Speaker 3>but that would not be weird for grain imagery to

0:15:40.840 --> 0:15:42.880
<v Speaker 3>be used in these rituals, given the role of demeter.

0:15:43.040 --> 0:15:44.000
<v Speaker 3>It seems plausible.

0:15:44.440 --> 0:15:46.920
<v Speaker 2>Yeah, it feels like the ritual and the storytelling would

0:15:46.960 --> 0:15:49.320
<v Speaker 2>really have to do the heavy lifting if the sacred

0:15:49.320 --> 0:15:51.840
<v Speaker 2>object was just the grain, though there had to be

0:15:51.920 --> 0:15:55.000
<v Speaker 2>other objects as well. Right, here's a piece of wheat.

0:15:55.240 --> 0:15:58.080
<v Speaker 3>Yeah, I mean, but something we'll get into in a

0:15:58.080 --> 0:16:01.240
<v Speaker 3>minute here is you can present a a sheaf of

0:16:01.280 --> 0:16:05.000
<v Speaker 3>wheat in a much more or much less dramatic fashion.

0:16:05.320 --> 0:16:08.920
<v Speaker 2>That's right. The presentation is everything. Yes.

0:16:09.680 --> 0:16:12.400
<v Speaker 3>Another thing we know is that the procession of the

0:16:12.440 --> 0:16:16.440
<v Speaker 3>sacred objects between the cities got an armed escort made

0:16:16.440 --> 0:16:18.920
<v Speaker 3>of young men from Athens, so they were well guarded,

0:16:20.200 --> 0:16:23.800
<v Speaker 3>and the initiates were generally understood to have to do

0:16:23.880 --> 0:16:27.320
<v Speaker 3>some stuff beforehand before you go into the greater mysteries.

0:16:28.280 --> 0:16:31.600
<v Speaker 3>I don't know if it was actually required, but it

0:16:31.680 --> 0:16:35.480
<v Speaker 3>seems at least customary that people would usually go through

0:16:35.560 --> 0:16:39.480
<v Speaker 3>the lesser mysteries at Agri first. Agra is another place nearby,

0:16:39.560 --> 0:16:43.760
<v Speaker 3>sort of within the city of Athens, and people seemingly

0:16:43.760 --> 0:16:47.200
<v Speaker 3>did these other things before they went to the greater mysteries.

0:16:47.200 --> 0:16:49.840
<v Speaker 3>But it is hard to say for sure. There's a

0:16:49.880 --> 0:16:52.760
<v Speaker 3>lot we don't know about the lesser mysteries. They're kind

0:16:52.760 --> 0:16:54.960
<v Speaker 3>of passing references to them. This is one thing I

0:16:55.000 --> 0:16:56.800
<v Speaker 3>brought up in the last episode, where like in a

0:16:56.920 --> 0:17:02.480
<v Speaker 3>dialogue of Plato, Socrates just says to somebody by point

0:17:02.480 --> 0:17:06.040
<v Speaker 3>of comparison that like they figured out something big before

0:17:06.080 --> 0:17:09.280
<v Speaker 3>they figured out something small. They say, oh, you know,

0:17:09.359 --> 0:17:12.560
<v Speaker 3>you've been initiated to the greater mysteries before the lesser mysteries.

0:17:12.560 --> 0:17:13.600
<v Speaker 3>I didn't know you could do that.

0:17:15.640 --> 0:17:17.639
<v Speaker 2>You know, this is not the first time I was

0:17:17.680 --> 0:17:20.320
<v Speaker 2>reminded of this. I've thought about this a little bit

0:17:20.320 --> 0:17:23.600
<v Speaker 2>in the last episode, but I was thinking about side shows.

0:17:24.600 --> 0:17:27.120
<v Speaker 2>You know, you would have your main circus, and then

0:17:27.119 --> 0:17:29.760
<v Speaker 2>you would have the side show, which might have things

0:17:29.760 --> 0:17:35.679
<v Speaker 2>that were a little more specialized in maybe less public interest.

0:17:35.760 --> 0:17:38.040
<v Speaker 2>They might be, you know, have more to do with

0:17:39.000 --> 0:17:43.720
<v Speaker 2>you know, human abnormalities or other curios or you know,

0:17:43.800 --> 0:17:49.879
<v Speaker 2>fake specimens of imaginary creatures. And it seems like you

0:17:49.880 --> 0:17:51.560
<v Speaker 2>could at least compare this a little bit to the

0:17:51.600 --> 0:17:55.320
<v Speaker 2>idea of lesser and greater mysteries. You go through one,

0:17:55.400 --> 0:17:58.240
<v Speaker 2>then you go through the other, And there are variations

0:17:58.280 --> 0:18:02.880
<v Speaker 2>of this in other elements of entertainment. We kept talking

0:18:02.920 --> 0:18:06.720
<v Speaker 2>about haunted attractions or haunted houses, and one of the

0:18:06.760 --> 0:18:10.480
<v Speaker 2>big ones we have in the Atlanta area has almost

0:18:10.520 --> 0:18:13.320
<v Speaker 2>always two houses. There's the one larger house, and then

0:18:13.359 --> 0:18:16.199
<v Speaker 2>there's a smaller secondary house, which is generally like a

0:18:16.200 --> 0:18:18.679
<v Speaker 2>little harder in its horror, a lot more chainsaws and

0:18:18.680 --> 0:18:24.120
<v Speaker 2>blood and stuff. So you know, you have one set

0:18:24.480 --> 0:18:27.560
<v Speaker 2>of sensational experiences you might have, and then there's like

0:18:27.680 --> 0:18:30.680
<v Speaker 2>another the next level you go to if you dare

0:18:31.200 --> 0:18:31.680
<v Speaker 2>that's right.

0:18:31.720 --> 0:18:34.480
<v Speaker 3>And again I do not have direct evidence, and none

0:18:34.520 --> 0:18:37.680
<v Speaker 3>of the authors I read seem to indicate that we

0:18:37.920 --> 0:18:41.679
<v Speaker 3>know you had to do the lesser mysteries first. Instead,

0:18:41.720 --> 0:18:44.080
<v Speaker 3>it seems more like it was just understood that if

0:18:44.119 --> 0:18:45.760
<v Speaker 3>you were going to do them both, you would do

0:18:45.840 --> 0:18:47.879
<v Speaker 3>the lesser first. There was no reason to do the

0:18:47.920 --> 0:18:49.560
<v Speaker 3>greater and then do the lesser.

0:18:49.960 --> 0:18:54.000
<v Speaker 2>Yeah, lacking full context and understanding again of the mysteries,

0:18:54.320 --> 0:18:56.359
<v Speaker 2>it seems like I feel like a jerk if I

0:18:56.400 --> 0:18:59.280
<v Speaker 2>just did the greater mysteries enough the lesser mysteries, or

0:18:59.280 --> 0:19:01.320
<v Speaker 2>if I've done the less mysteries before, I might want

0:19:01.359 --> 0:19:04.639
<v Speaker 2>to like refresh. It's like watching season one before season

0:19:04.640 --> 0:19:07.919
<v Speaker 2>two comes out, right, you want to rewatch it? Yeah.

0:19:08.160 --> 0:19:11.399
<v Speaker 3>According to Plutarch, there is this it seemed to me

0:19:11.440 --> 0:19:15.240
<v Speaker 3>at least hilarious incident where a Hellenistic king named Demetrius,

0:19:15.280 --> 0:19:18.040
<v Speaker 3>who was ruling in the fourth to the third centuries BCE,

0:19:19.400 --> 0:19:23.560
<v Speaker 3>had the Athenians officially alter their calendar, the calendar of

0:19:23.600 --> 0:19:25.840
<v Speaker 3>the year, so that he could do the lesser and

0:19:25.880 --> 0:19:28.639
<v Speaker 3>then the greater mysteries back to back within a few days.

0:19:28.840 --> 0:19:31.000
<v Speaker 3>So it's kind of like I'm going to make the

0:19:31.040 --> 0:19:34.600
<v Speaker 3>Americans change their calendars so i can do Halloween, Christmas,

0:19:34.680 --> 0:19:39.479
<v Speaker 3>and then Valentine's Day all on a weekend. Demetrius, by

0:19:39.520 --> 0:19:41.399
<v Speaker 3>the way, he went all the way. He did another

0:19:41.480 --> 0:19:46.159
<v Speaker 3>thing called the epoptica, which meant seeing the greater mysteries

0:19:46.240 --> 0:19:50.280
<v Speaker 3>for a second time. And this is another thing referenced

0:19:50.280 --> 0:19:52.360
<v Speaker 3>commonly in the ancient world. It seems that you were

0:19:52.359 --> 0:19:55.480
<v Speaker 3>not fully initiated until you had taken part in the

0:19:55.520 --> 0:19:59.040
<v Speaker 3>greater mysteries twice, and you had a different role. It

0:19:59.119 --> 0:20:01.800
<v Speaker 3>seems the second time you were there. I'll talk more

0:20:01.840 --> 0:20:13.520
<v Speaker 3>about that in a minute. So at the beginning of

0:20:13.560 --> 0:20:16.160
<v Speaker 3>the festival you get a big announcement in the Agora

0:20:16.240 --> 0:20:20.199
<v Speaker 3>of Athens, than people wishing to be initiated would go

0:20:20.240 --> 0:20:23.639
<v Speaker 3>down to the sea with a young pig, wash it

0:20:23.640 --> 0:20:27.160
<v Speaker 3>in the water, and then they would sacrifice it. And

0:20:27.440 --> 0:20:30.520
<v Speaker 3>this was in some cases done by like thousands of

0:20:30.520 --> 0:20:32.919
<v Speaker 3>initiates at a time, so you can imagine the scene

0:20:32.920 --> 0:20:38.080
<v Speaker 3>as pretty bananas. At some point, new initiates would be

0:20:38.119 --> 0:20:41.640
<v Speaker 3>paired with a sort of guide figure called a mystic

0:20:41.640 --> 0:20:45.360
<v Speaker 3>goo goos, essentially like a sponsor. This would be somebody

0:20:45.640 --> 0:20:47.960
<v Speaker 3>who already knew what was going on or was initiated,

0:20:47.960 --> 0:20:51.000
<v Speaker 3>who would guide the newbie in the coming rights. On

0:20:51.040 --> 0:20:54.840
<v Speaker 3>the following days, there would be more sacrifices in Athens

0:20:55.119 --> 0:20:57.879
<v Speaker 3>to the Elusinian goddesses, and then beginning later in the

0:20:57.920 --> 0:21:00.680
<v Speaker 3>history of the festival, also to a Scleep, the god

0:21:00.720 --> 0:21:03.240
<v Speaker 3>of healing and medicine. There was like a tradition here

0:21:03.280 --> 0:21:06.560
<v Speaker 3>involving a sacred snake, and then after several days of

0:21:06.600 --> 0:21:10.480
<v Speaker 3>preparation and sacrifices, you'd get the procession going back from

0:21:10.600 --> 0:21:14.640
<v Speaker 3>Athens to eleusis to the cult center, and this would

0:21:14.640 --> 0:21:18.080
<v Speaker 3>have one group made of priests transporting the concealed sacred

0:21:18.119 --> 0:21:21.240
<v Speaker 3>objects the Hira underguard, and then there would be another

0:21:21.280 --> 0:21:25.240
<v Speaker 3>group that was made up of the initiates to the cult.

0:21:25.480 --> 0:21:28.080
<v Speaker 3>And the walk between the cities was pretty long. It

0:21:28.119 --> 0:21:31.080
<v Speaker 3>was like twenty two or twenty three kilometers, and at

0:21:31.119 --> 0:21:33.680
<v Speaker 3>one special place near the end of the journey, Bowden

0:21:33.760 --> 0:21:38.040
<v Speaker 3>mentions that the initiates endured a form of ritual mockery

0:21:38.200 --> 0:21:43.520
<v Speaker 3>by onlookers called the gepherismas, which I don't know that

0:21:43.640 --> 0:21:45.520
<v Speaker 3>stuck with me. I want to come back to that

0:21:45.560 --> 0:21:47.760
<v Speaker 3>in a minute. It's interesting. So it's like it's just

0:21:47.840 --> 0:21:50.399
<v Speaker 3>understood as part of it. You're taking part. People are

0:21:50.480 --> 0:21:53.479
<v Speaker 3>going to mock you, insult you, her whole things at

0:21:53.520 --> 0:21:54.280
<v Speaker 3>you as you go by.

0:21:54.600 --> 0:21:56.520
<v Speaker 2>It's like a roast, a mini roast.

0:21:57.119 --> 0:22:01.040
<v Speaker 3>Then finally you reach the sanctuary complex of Demeter and Corey,

0:22:01.280 --> 0:22:03.800
<v Speaker 3>and here there's like dancing that takes place outside and

0:22:03.800 --> 0:22:08.120
<v Speaker 3>then you would go inside for what lies beyond. Now,

0:22:08.160 --> 0:22:12.320
<v Speaker 3>how did this sanctuary compare to other religious sanctuaries in

0:22:12.359 --> 0:22:15.920
<v Speaker 3>the Greek world seemed to be a few differences. Bowden

0:22:15.960 --> 0:22:19.640
<v Speaker 3>mentions that there was probably no cult statue of the goddesses,

0:22:19.680 --> 0:22:21.520
<v Speaker 3>at least that we know of, not like we had

0:22:21.760 --> 0:22:25.480
<v Speaker 3>in other famous temples, and it also does not seem

0:22:25.560 --> 0:22:30.520
<v Speaker 3>that animal sacrifices were made on the altar here. The

0:22:30.560 --> 0:22:34.680
<v Speaker 3>central building was again the one I mentioned earlier, the Telesterion,

0:22:34.840 --> 0:22:39.119
<v Speaker 3>the Hall of Mysteries, and this was the big square

0:22:39.160 --> 0:22:42.520
<v Speaker 3>building that was clearly rebuilt and expanded a couple of

0:22:42.520 --> 0:22:45.680
<v Speaker 3>times in its history. In its largest form, it could

0:22:45.680 --> 0:22:47.960
<v Speaker 3>hold thousands of people at a time, maybe like three

0:22:48.040 --> 0:22:51.679
<v Speaker 3>thousand people inside, and had a sort of tiered stadium

0:22:51.800 --> 0:22:54.520
<v Speaker 3>standing room area so that people further in the back

0:22:54.560 --> 0:22:56.560
<v Speaker 3>could see, so you can think of it as a

0:22:56.640 --> 0:23:00.359
<v Speaker 3>kind of big square theater. And then in side the

0:23:00.400 --> 0:23:05.800
<v Speaker 3>Telesterion was a smaller building called the Nacteraron, which means palace.

0:23:06.480 --> 0:23:08.960
<v Speaker 3>So the initiates got a day of rest after they

0:23:09.080 --> 0:23:12.520
<v Speaker 3>arrived at the sanctuary complex, and during the stay it's

0:23:12.760 --> 0:23:15.280
<v Speaker 3>not certain what they did, but they may have fasted

0:23:16.000 --> 0:23:21.360
<v Speaker 3>and possibly also consumed a prepared liquid that we talked

0:23:21.400 --> 0:23:25.080
<v Speaker 3>about in the last episode called Kukion spelled k y

0:23:25.240 --> 0:23:28.560
<v Speaker 3>k e n. Now that came up in the last

0:23:28.600 --> 0:23:32.000
<v Speaker 3>episode because it featured in the Homeric Hymn to Demeter.

0:23:32.200 --> 0:23:36.440
<v Speaker 3>That poem we talked about. The context was Demeter arrives

0:23:36.480 --> 0:23:40.040
<v Speaker 3>at King Celius's home in disguise and she is offered

0:23:40.119 --> 0:23:43.560
<v Speaker 3>wine by the Queen Medonaira, but she refuses it and

0:23:43.640 --> 0:23:46.800
<v Speaker 3>instead she drinks coukion. And that's supposed to be a

0:23:46.840 --> 0:23:52.720
<v Speaker 3>beverage or maybe a gruel made from grain, water and herbs.

0:23:53.720 --> 0:23:56.240
<v Speaker 3>Last time I mentioned mint, but I've also seen penny

0:23:56.280 --> 0:24:00.480
<v Speaker 3>royal indicated here. And there appear to be different versions

0:24:00.600 --> 0:24:04.199
<v Speaker 3>of kukon described in ancient literature. Sometimes it's just this

0:24:04.400 --> 0:24:08.640
<v Speaker 3>grain gruel. Sometimes it was mixed with wine and perhaps cheese.

0:24:09.119 --> 0:24:13.080
<v Speaker 3>Sometimes it is described as intoxicating in nature. Sometimes it

0:24:13.160 --> 0:24:16.560
<v Speaker 3>is not described that way. Sometimes it appears to have

0:24:16.600 --> 0:24:20.720
<v Speaker 3>been a mundane drink consumed by peasants, and other times,

0:24:20.760 --> 0:24:24.840
<v Speaker 3>mainly here, it seems to have deep ritual significance. And

0:24:24.920 --> 0:24:30.560
<v Speaker 3>so kokion has attracted a lot of attention, even from

0:24:30.560 --> 0:24:33.600
<v Speaker 3>people who are not primarily interested in ancient history, but

0:24:33.640 --> 0:24:38.320
<v Speaker 3>from people who are interested in questions of speculative religious pharmacology.

0:24:39.000 --> 0:24:42.679
<v Speaker 2>That's right. Yeah, Over the past several decades there's been

0:24:42.680 --> 0:24:44.679
<v Speaker 2>a recurring question, and that question is still out there

0:24:44.800 --> 0:24:49.200
<v Speaker 2>is still battering around in contemporary literature, the question being

0:24:49.880 --> 0:24:54.480
<v Speaker 2>was cook on a psychedelic substance of some sort? And

0:24:54.520 --> 0:24:57.639
<v Speaker 2>this idea has been explored by various commentators over the years,

0:24:57.680 --> 0:25:04.040
<v Speaker 2>including Robert Graves, storian and author, Albert Hoffman, the chemist,

0:25:04.440 --> 0:25:10.720
<v Speaker 2>and also ethnobotanist and mystic Terrence McKenna. Specifically, I had

0:25:10.720 --> 0:25:13.240
<v Speaker 2>to bust out my copy of Terrence McKinnon's Food of

0:25:13.240 --> 0:25:16.960
<v Speaker 2>the Gods because McKennon gets into this. He points out

0:25:16.960 --> 0:25:20.320
<v Speaker 2>that the Graves Robert Graves suggested the possibility of the

0:25:20.320 --> 0:25:28.399
<v Speaker 2>psychedelic mushroom psilocybin being involved and kind of initially champion

0:25:28.440 --> 0:25:32.880
<v Speaker 2>this idea, while Albert Hoffman and R. Gordon Lawson presented

0:25:32.960 --> 0:25:37.320
<v Speaker 2>the theory of ergotized beer brewed from a strain of

0:25:37.359 --> 0:25:40.800
<v Speaker 2>the ergot fungus, those being two of the main sort

0:25:40.840 --> 0:25:44.399
<v Speaker 2>of theories regarding what this could have been if it

0:25:44.560 --> 0:25:47.879
<v Speaker 2>was a psychedelic substance. And there are some problems, especially

0:25:47.920 --> 0:25:53.000
<v Speaker 2>with the ergotized beer examples we'll get into, and Balbin

0:25:53.000 --> 0:25:55.199
<v Speaker 2>discusses some of this in the book as well. He

0:25:55.280 --> 0:25:57.880
<v Speaker 2>points out that, Okay, this is an idea that's never

0:25:57.920 --> 0:26:02.000
<v Speaker 2>been particularly well received by expert and historians, though it

0:26:02.040 --> 0:26:05.200
<v Speaker 2>continues to generate a lot of interest in scholarship, and

0:26:05.520 --> 0:26:10.520
<v Speaker 2>he outlines two primary objections, the first practical in the

0:26:10.560 --> 0:26:14.960
<v Speaker 2>second theoretical. So, first of all, the practical objection concerning

0:26:15.000 --> 0:26:18.120
<v Speaker 2>specific theories that the mysteries in question depended on an

0:26:18.240 --> 0:26:22.520
<v Speaker 2>ergot derived psychedelic which would have been similar to LSD.

0:26:22.960 --> 0:26:27.720
<v Speaker 2>So as a reminder, ergot doesn't contain LSD, but contains

0:26:27.880 --> 0:26:32.400
<v Speaker 2>lysergic acid as well as the precursor to LSD, Ergotyminge.

0:26:32.760 --> 0:26:35.760
<v Speaker 2>But the main problem here, the practical objection, is that

0:26:36.280 --> 0:26:40.000
<v Speaker 2>psychedelic doses of ergot itself would result in just terrible

0:26:40.040 --> 0:26:45.199
<v Speaker 2>illness and death rather than a temporary experience something that

0:26:45.240 --> 0:26:48.320
<v Speaker 2>you would then you know that would be this defining

0:26:48.320 --> 0:26:51.480
<v Speaker 2>moment of your life. Perhaps we did episodes on ergotism

0:26:51.640 --> 0:26:53.920
<v Speaker 2>for stuff to boil your mind back in twenty fifteen,

0:26:54.520 --> 0:26:58.440
<v Speaker 2>and yet generally it does not sound like an afternoon

0:26:58.440 --> 0:26:59.160
<v Speaker 2>of Enlightenment.

0:26:59.760 --> 0:27:03.080
<v Speaker 3>No, so, I certainly don't have expertise in this area,

0:27:03.080 --> 0:27:05.240
<v Speaker 3>but from what I can tell, this seems like a

0:27:05.280 --> 0:27:06.720
<v Speaker 3>pretty reasonable objection.

0:27:07.520 --> 0:27:10.440
<v Speaker 2>Yeah, yeah, I mean, we're if memory serves getting into

0:27:10.440 --> 0:27:13.240
<v Speaker 2>the details of ergotism. We're talking in times like flesh

0:27:13.240 --> 0:27:17.360
<v Speaker 2>peeling madness, so nothing that's again seems like it would

0:27:17.359 --> 0:27:22.959
<v Speaker 2>be part of an overall positive spiritual experience. And in

0:27:23.200 --> 0:27:25.840
<v Speaker 2>Food of the Gods, Terence McKinnon also addressed this, joking

0:27:25.840 --> 0:27:29.200
<v Speaker 2>that quote clearly unpleasant experiences may lie ahead for those

0:27:29.240 --> 0:27:32.040
<v Speaker 2>who set out to prove by self experiment the Wasson

0:27:32.040 --> 0:27:37.359
<v Speaker 2>Hoffman theory concerning Elusius. But then he also presents a

0:27:37.400 --> 0:27:41.560
<v Speaker 2>couple of ideas that we're out there regarding, on one hand,

0:27:41.600 --> 0:27:45.120
<v Speaker 2>a particular species or erga that might yield less toxicity

0:27:45.200 --> 0:27:49.280
<v Speaker 2>and higher psychoactive results, as well as the notion presented

0:27:49.280 --> 0:27:53.359
<v Speaker 2>by Wasson and Hoffman that if you were to properly

0:27:53.680 --> 0:27:57.199
<v Speaker 2>macerate the argotized grain in water, you might have been

0:27:57.200 --> 0:28:01.520
<v Speaker 2>able to separate the water soluble psychoactive alkaloids. But again

0:28:01.920 --> 0:28:04.320
<v Speaker 2>McKenna stressed that the burden of proof is on those

0:28:04.320 --> 0:28:07.639
<v Speaker 2>who assert, and no one at that point and sense

0:28:07.680 --> 0:28:09.199
<v Speaker 2>has sufficiently proven any of this.

0:28:09.680 --> 0:28:12.399
<v Speaker 3>But you can see why the example of the Lucian

0:28:12.480 --> 0:28:15.760
<v Speaker 3>mysteries would be incredibly appealing to people who have a

0:28:15.840 --> 0:28:19.679
<v Speaker 3>general theory that like psychedelics play some major role in

0:28:19.720 --> 0:28:22.199
<v Speaker 3>the establishment of religious practices.

0:28:22.160 --> 0:28:26.199
<v Speaker 2>Right right, And certainly that is the case with McKenna's

0:28:26.240 --> 0:28:31.800
<v Speaker 2>overall thesis the role that psychedelics may have played and

0:28:31.960 --> 0:28:36.600
<v Speaker 2>the evolution of humans into their current state, as well

0:28:36.640 --> 0:28:43.040
<v Speaker 2>as the advancement of human civilization. But his discussion of

0:28:43.040 --> 0:28:45.240
<v Speaker 2>this is interesting and I think ultimately a lot more

0:28:46.080 --> 0:28:50.480
<v Speaker 2>balanced than some might expect. Overall, I think Food of

0:28:50.520 --> 0:28:53.880
<v Speaker 2>the Gods is the scholarship is a lot better than

0:28:53.960 --> 0:28:56.520
<v Speaker 2>some might think, because I don't want to overstress things,

0:28:56.560 --> 0:28:59.480
<v Speaker 2>because I think with mckinna, you're dealing with someone who

0:28:59.760 --> 0:29:05.000
<v Speaker 2>was a visionary, animistic and definitely has some key arguments

0:29:05.080 --> 0:29:09.080
<v Speaker 2>for the about the trajectory of human civilization, what has

0:29:09.080 --> 0:29:12.320
<v Speaker 2>gone wrong and what needs to be corrected, a number

0:29:12.360 --> 0:29:15.280
<v Speaker 2>of opinions that I don't think are really all that

0:29:15.400 --> 0:29:18.680
<v Speaker 2>off track. But we also shouldn't like overstate what Food

0:29:18.720 --> 0:29:22.480
<v Speaker 2>of the Gods is compared to other works of dedicated scholarship.

0:29:23.240 --> 0:29:25.760
<v Speaker 2>And I mean he does stress that again, there are

0:29:25.760 --> 0:29:28.720
<v Speaker 2>a number of mysteries in play here, including just you know,

0:29:29.360 --> 0:29:32.240
<v Speaker 2>what are we talking about here? Was it even something tangible?

0:29:32.880 --> 0:29:37.000
<v Speaker 2>He references an example that was presented by Wilson and

0:29:37.040 --> 0:29:41.360
<v Speaker 2>Hoffman in their thesis and all of this that there's

0:29:41.440 --> 0:29:45.800
<v Speaker 2>this four fifteen BCE example in which an Athenian noble,

0:29:46.880 --> 0:29:48.320
<v Speaker 2>a noble that we're going to come back to that

0:29:48.440 --> 0:29:52.960
<v Speaker 2>is sometimes described as quote a flamboyant Athenian playboy. His

0:29:53.120 --> 0:29:59.360
<v Speaker 2>name is Alcibiades, and he's recorded as having been fine

0:29:59.520 --> 0:30:04.320
<v Speaker 2>for bringing the Eleusinian sacrament home for entertainment purposes with friends.

0:30:05.320 --> 0:30:07.560
<v Speaker 2>And the argument here is, well, this would seem to

0:30:07.560 --> 0:30:11.000
<v Speaker 2>suggest that it was not only tangible, but perhaps something

0:30:11.240 --> 0:30:15.720
<v Speaker 2>entertaining in and of itself. Now, the theoretical objection to

0:30:16.120 --> 0:30:21.320
<v Speaker 2>psychedelic theories concerning the kokion is referenced by Bowden. The

0:30:21.320 --> 0:30:24.320
<v Speaker 2>theoretical objection basically blows down to the fact that drugs

0:30:24.600 --> 0:30:28.800
<v Speaker 2>are not strictly necessary for these rights as we understand them.

0:30:29.240 --> 0:30:34.200
<v Speaker 2>The ancient Greeks had plenty other tricks up their sleeves

0:30:34.200 --> 0:30:38.040
<v Speaker 2>to create the experience, many based in performance and even

0:30:38.040 --> 0:30:43.480
<v Speaker 2>mechanical theatrical effects, and so he stresses that even say,

0:30:43.520 --> 0:30:48.120
<v Speaker 2>the nocturnal bachic revels of the Dionysus mystery cults might

0:30:48.200 --> 0:30:52.160
<v Speaker 2>not have depended on wine. So if wine wasn't needed

0:30:52.360 --> 0:30:55.760
<v Speaker 2>for the revels of bacchus, then do we really need

0:30:55.800 --> 0:31:02.040
<v Speaker 2>psychedelic substances for these to work? That being that they

0:31:02.120 --> 0:31:04.840
<v Speaker 2>might have had wine. And it's also very possible that

0:31:05.400 --> 0:31:08.400
<v Speaker 2>the rights were discussing here involve substances of one form

0:31:08.480 --> 0:31:11.480
<v Speaker 2>or another, either as a whole or at different points

0:31:11.600 --> 0:31:15.880
<v Speaker 2>that they were laid out. But I think this is

0:31:16.040 --> 0:31:18.320
<v Speaker 2>an excellent point about and raise this, and I think

0:31:18.360 --> 0:31:21.400
<v Speaker 2>one way to think about it is to think about

0:31:21.440 --> 0:31:24.320
<v Speaker 2>another like the modern version of like the spectacle that

0:31:24.360 --> 0:31:27.600
<v Speaker 2>we indulge in with other people, that being going to

0:31:27.680 --> 0:31:30.040
<v Speaker 2>a concert, like think of a big concert you went,

0:31:30.160 --> 0:31:32.600
<v Speaker 2>or even a small concert, just a noteworthy concert you

0:31:32.640 --> 0:31:35.960
<v Speaker 2>went to. If you've been to a concert at all

0:31:36.080 --> 0:31:40.680
<v Speaker 2>over the past, I don't know, several decades, no doubt

0:31:40.880 --> 0:31:44.280
<v Speaker 2>you've encountered folks that have imbibed in say alcohol that

0:31:44.400 --> 0:31:47.560
<v Speaker 2>is generally sold freely at most of these events, or

0:31:47.600 --> 0:31:52.520
<v Speaker 2>perhaps individuals who've imbibed in some level of illicit drug use,

0:31:52.600 --> 0:31:56.760
<v Speaker 2>be it you know, simple marijuana or some psychedelic or stimulant.

0:31:57.320 --> 0:32:00.920
<v Speaker 2>And you know, the question that raises is okay, well,

0:32:01.200 --> 0:32:03.320
<v Speaker 2>is the resulting mental state from taking any of these

0:32:03.320 --> 0:32:07.960
<v Speaker 2>substances going to enhance the experience of the show. Well,

0:32:08.080 --> 0:32:11.000
<v Speaker 2>certainly a strong a case or a strong case can

0:32:11.040 --> 0:32:12.720
<v Speaker 2>be made, like even if you're just talking about, Hey,

0:32:12.720 --> 0:32:14.560
<v Speaker 2>I had a cup of coffee to help keep me

0:32:14.600 --> 0:32:18.040
<v Speaker 2>awake until the headliner came on. Fair enough, But is

0:32:18.080 --> 0:32:22.080
<v Speaker 2>any of this strictly necessary for a great time? And

0:32:22.360 --> 0:32:25.120
<v Speaker 2>I realized that this sounds like a question posed in

0:32:25.200 --> 0:32:29.320
<v Speaker 2>a dare program from high school for many people. But

0:32:29.840 --> 0:32:31.840
<v Speaker 2>if we think about it logically, I think it works out.

0:32:31.880 --> 0:32:35.880
<v Speaker 2>You know, all the technical, theatrical, social aspects of a

0:32:35.960 --> 0:32:41.120
<v Speaker 2>concert are in place. They're generally very potent. You've probably

0:32:41.160 --> 0:32:44.120
<v Speaker 2>bought that ticket and gone out to the show because

0:32:44.160 --> 0:32:47.880
<v Speaker 2>you already have some invested interest in the spectacle. And

0:32:48.200 --> 0:32:52.080
<v Speaker 2>as such substances they might be helpful in one regard

0:32:52.240 --> 0:32:55.280
<v Speaker 2>or another, they might enhance things, but the spectacle is

0:32:55.320 --> 0:32:58.960
<v Speaker 2>already the spectacle, the lights, the music, the communal energy,

0:32:59.040 --> 0:32:59.680
<v Speaker 2>and so forth.

0:33:00.080 --> 0:33:02.640
<v Speaker 3>Yeah, and imagine if you were approaching the concert with

0:33:02.720 --> 0:33:05.440
<v Speaker 3>the knowledge that what happened there was was secret and

0:33:05.440 --> 0:33:06.360
<v Speaker 3>couldn't be revealed.

0:33:06.840 --> 0:33:10.240
<v Speaker 2>Yeah, yeah, which is just going to enhance everything. And

0:33:10.600 --> 0:33:12.720
<v Speaker 2>certainly that's I mean, anytime you have any kind of

0:33:12.760 --> 0:33:18.160
<v Speaker 2>a theatrical presentation, you know, either mildly theatrical or overtly theatrical.

0:33:18.520 --> 0:33:20.560
<v Speaker 2>If there's a secrecy to it, oh well, that just

0:33:20.640 --> 0:33:23.080
<v Speaker 2>makes it all the more special. Think about a speakeasy.

0:33:23.120 --> 0:33:25.600
<v Speaker 2>Any of you have ever been to one of the

0:33:25.640 --> 0:33:29.200
<v Speaker 2>modern speakeasies, not like a Prohibition era speakeasy, but if

0:33:29.200 --> 0:33:31.680
<v Speaker 2>you if you did go to a Prohibition era speakeasy,

0:33:31.720 --> 0:33:34.840
<v Speaker 2>you know, kudos to you for being up on podcasts

0:33:34.840 --> 0:33:37.479
<v Speaker 2>and so forth. But you know, it's like there's generally

0:33:37.480 --> 0:33:39.360
<v Speaker 2>this level of like, oh I had to go through

0:33:39.360 --> 0:33:42.320
<v Speaker 2>a secret door to get into this bar. You know,

0:33:42.480 --> 0:33:44.320
<v Speaker 2>it just makes everything all the more exciting.

0:33:44.400 --> 0:33:46.040
<v Speaker 3>Right, I want to come back to that in a

0:33:46.080 --> 0:33:46.720
<v Speaker 3>minute here.

0:33:46.960 --> 0:33:49.200
<v Speaker 2>So Abouden writes, quote, if we are to look for

0:33:49.240 --> 0:33:53.640
<v Speaker 2>an external explanation for the Elusinian experience, the theater seems

0:33:53.640 --> 0:33:56.600
<v Speaker 2>a better place to look than the kitchen or brewery.

0:33:56.960 --> 0:34:00.240
<v Speaker 3>Again, that seems quite reasonable to me. You can't totally

0:34:00.520 --> 0:34:04.320
<v Speaker 3>rule out a pharmacological influence, but I don't think we

0:34:04.520 --> 0:34:06.920
<v Speaker 3>need to go there to explain anything.

0:34:06.880 --> 0:34:09.520
<v Speaker 2>Right, and it does create As McKenna pointed out, an

0:34:09.520 --> 0:34:14.759
<v Speaker 2>additional burden of proof is that is required. Now. I

0:34:14.760 --> 0:34:20.040
<v Speaker 2>looked at some more recent articles exploring the various psychedelic

0:34:20.080 --> 0:34:24.360
<v Speaker 2>theories regarding the Lyusinian mysteries, and you do see proponents

0:34:24.360 --> 0:34:27.880
<v Speaker 2>still arguing that some of these theories, at least the

0:34:27.880 --> 0:34:31.879
<v Speaker 2>psychotropic mushroom one, the mushroom theory, seems to be more

0:34:32.160 --> 0:34:37.399
<v Speaker 2>valid and less fraught with complications compared to the aragot beer.

0:34:39.280 --> 0:34:41.480
<v Speaker 2>You know that one may be in the mix still,

0:34:41.880 --> 0:34:43.440
<v Speaker 2>but at the end of the day, all we can

0:34:43.520 --> 0:34:45.839
<v Speaker 2>really do is speculate, and again it just adds an

0:34:45.840 --> 0:34:49.120
<v Speaker 2>additional level of evidence that would be required, evidence that

0:34:49.200 --> 0:34:53.719
<v Speaker 2>we do not have, but certainly more possible, fewer complications

0:34:53.719 --> 0:35:05.360
<v Speaker 2>than saying maybe it was aliens by all means.

0:35:06.400 --> 0:35:09.040
<v Speaker 3>All right, So whether or not the people engaged in

0:35:09.080 --> 0:35:14.120
<v Speaker 3>this were consuming hallucinogenic barley mush again, no reason to

0:35:14.440 --> 0:35:17.080
<v Speaker 3>assume they needed to do that to explain anything we know,

0:35:17.239 --> 0:35:20.040
<v Speaker 3>but who knows maybe whether or not that was happening

0:35:20.680 --> 0:35:23.040
<v Speaker 3>after the public rituals at the end of the festival.

0:35:23.600 --> 0:35:25.200
<v Speaker 3>Not quite at the end, actually there was a little

0:35:25.200 --> 0:35:27.760
<v Speaker 3>bit after this, but basically the climax of the festival.

0:35:27.800 --> 0:35:31.320
<v Speaker 3>Once night had fallen, you would get to the big deal,

0:35:31.400 --> 0:35:34.680
<v Speaker 3>the secret rites inside the closed hall of mysteries, the

0:35:34.719 --> 0:35:38.600
<v Speaker 3>Telesterion so what was going on there? Well, here's where

0:35:38.640 --> 0:35:42.440
<v Speaker 3>we know a lot less, because, as we've discussed, those

0:35:42.560 --> 0:35:45.719
<v Speaker 3>who had not been initiated were not supposed to know,

0:35:46.360 --> 0:35:49.520
<v Speaker 3>and those who had been initiated were not supposed to tell.

0:35:50.320 --> 0:35:54.960
<v Speaker 3>But we have some clues. So there are ancient references

0:35:55.000 --> 0:36:01.760
<v Speaker 3>to the mysteries inside the Telesterion as quote things, things shown,

0:36:02.120 --> 0:36:06.160
<v Speaker 3>and things said, which is sort of vague, but that

0:36:06.239 --> 0:36:08.239
<v Speaker 3>still tells you a bit. It suggests there is a

0:36:08.320 --> 0:36:13.799
<v Speaker 3>visual display things shown, a physically enacted element, things done,

0:36:13.920 --> 0:36:18.640
<v Speaker 3>and a recited element things said aloud. The second to

0:36:18.719 --> 0:36:23.600
<v Speaker 3>third century Christian Church father Clement of Alexandria claims that

0:36:23.800 --> 0:36:26.759
<v Speaker 3>initiates to the Eleusinian mysteries had to recite a kind

0:36:26.760 --> 0:36:32.640
<v Speaker 3>of passphrase which translates too. I fasted, I drank the kookion,

0:36:33.160 --> 0:36:36.080
<v Speaker 3>I took from the chest, and having worked with the

0:36:36.120 --> 0:36:39.719
<v Speaker 3>sacred implements, I removed them into the basket and from

0:36:39.760 --> 0:36:44.319
<v Speaker 3>the basket into the chest. Which that last part sounds like, oh,

0:36:44.680 --> 0:36:47.080
<v Speaker 3>the kind of activity that would just thrill my toddler

0:36:47.200 --> 0:36:50.440
<v Speaker 3>right now. Is that a common thing for kids at

0:36:50.440 --> 0:36:50.879
<v Speaker 3>this age?

0:36:51.040 --> 0:36:52.960
<v Speaker 2>I don't know, I mean, does it ever go away?

0:36:52.960 --> 0:36:55.399
<v Speaker 2>I love putting things in little boxes and taking things

0:36:55.440 --> 0:36:58.320
<v Speaker 2>out of boxes. Yeah. I mean people watch whole videos

0:36:58.320 --> 0:36:59.919
<v Speaker 2>online just to see unboxings.

0:37:00.160 --> 0:37:02.880
<v Speaker 3>Right, so out of this box, into that box and

0:37:02.920 --> 0:37:03.680
<v Speaker 3>then back again.

0:37:03.920 --> 0:37:04.160
<v Speaker 2>Yeah.

0:37:05.000 --> 0:37:08.120
<v Speaker 3>Anyway, as for the things shown in that phrase, a

0:37:08.200 --> 0:37:11.280
<v Speaker 3>lot of ancient sources, while not saying what was shown,

0:37:11.880 --> 0:37:16.200
<v Speaker 3>really emphasized the idea of the mysteries as a visual display.

0:37:16.320 --> 0:37:20.240
<v Speaker 3>In fact, the priest of Demeter is known as the hyrafant,

0:37:20.360 --> 0:37:24.080
<v Speaker 3>which means that name translates to a person who shows

0:37:24.280 --> 0:37:28.520
<v Speaker 3>or displays sacred things. Now, this might be a good

0:37:28.520 --> 0:37:30.759
<v Speaker 3>place to talk a bit about the idea of the

0:37:31.120 --> 0:37:34.280
<v Speaker 3>profanation of the mysteries. Bowden's book has a good little

0:37:34.280 --> 0:37:37.320
<v Speaker 3>subsection on this, and you were alluding to it earlier

0:37:37.760 --> 0:37:42.000
<v Speaker 3>with the idea of that guy Alcibiades, the fifth century

0:37:42.040 --> 0:37:47.400
<v Speaker 3>BCE Athens based general who he got in trouble because

0:37:47.520 --> 0:37:49.640
<v Speaker 3>the deal was he was like right about to head

0:37:49.640 --> 0:37:53.120
<v Speaker 3>off for a naval campaign to Sicily, so they're getting

0:37:53.160 --> 0:37:57.319
<v Speaker 3>ready to go to launch this expedition, and suddenly he

0:37:57.480 --> 0:38:01.040
<v Speaker 3>is accused by enemies of having revealed the mysteries of

0:38:01.040 --> 0:38:05.000
<v Speaker 3>Eleusis to non initiates, and in fact, the idea was

0:38:05.040 --> 0:38:08.319
<v Speaker 3>not just that he told secrets, but that he sort

0:38:08.320 --> 0:38:12.280
<v Speaker 3>of privatized the mysteries by recreating them in his house

0:38:12.360 --> 0:38:16.600
<v Speaker 3>with non initiated guests. I was trying to figure out,

0:38:16.640 --> 0:38:20.239
<v Speaker 3>like what exactly was the spirit of this recreation of

0:38:20.280 --> 0:38:22.920
<v Speaker 3>the mysteries, Like was he was he trying to get

0:38:22.920 --> 0:38:25.720
<v Speaker 3>his own mysteries going, or was it in a spirit

0:38:25.760 --> 0:38:29.360
<v Speaker 3>of mockery or irony. I'm not quite sure there.

0:38:29.800 --> 0:38:31.560
<v Speaker 2>Or kind of like being It could have been a

0:38:31.600 --> 0:38:33.560
<v Speaker 2>sense of he was like just a superfan. He's like,

0:38:33.600 --> 0:38:36.239
<v Speaker 2>I love this stuff so much, you know, he's just

0:38:36.280 --> 0:38:38.279
<v Speaker 2>s geeking out about it, wanting to share it with

0:38:38.360 --> 0:38:41.800
<v Speaker 2>his buddies. But then in doing so, you know, commits

0:38:41.960 --> 0:38:45.040
<v Speaker 2>at least minor heresy. You know, these things can get

0:38:45.040 --> 0:38:46.800
<v Speaker 2>out of control sometimes.

0:38:46.840 --> 0:38:50.480
<v Speaker 3>But this accusation is received as quite serious, like it

0:38:50.480 --> 0:38:54.360
<v Speaker 3>would be a grave offense which would lead to divine punishment.

0:38:54.400 --> 0:38:56.560
<v Speaker 3>The kind of implication is, if you know, you send

0:38:56.560 --> 0:38:59.960
<v Speaker 3>out a general out to war who has just profane

0:39:00.080 --> 0:39:03.600
<v Speaker 3>and the secret rights, the gods are going to work

0:39:03.640 --> 0:39:07.400
<v Speaker 3>their wrath on him with defeat in battle. And so

0:39:07.520 --> 0:39:09.200
<v Speaker 3>maybe this is a good place to come back and

0:39:09.280 --> 0:39:12.160
<v Speaker 3>explore the idea of the secrecy of the rights a

0:39:12.160 --> 0:39:14.719
<v Speaker 3>little more. We talked about this a minute ago, and

0:39:15.320 --> 0:39:17.600
<v Speaker 3>I had some more thoughts about this. Specifically. I was

0:39:17.680 --> 0:39:20.920
<v Speaker 3>reading about it in that book chapter by Kevin Clinton,

0:39:21.000 --> 0:39:26.400
<v Speaker 3>where he cites a passage by Aristotle which makes reference

0:39:26.440 --> 0:39:30.200
<v Speaker 3>to the mysteries, and I thought this was interesting. Aristotle says,

0:39:30.400 --> 0:39:36.320
<v Speaker 3>in translation quote, the initiates are not supposed to learn anything,

0:39:36.600 --> 0:39:40.520
<v Speaker 3>but rather to experience and to be disposed in a

0:39:40.560 --> 0:39:46.839
<v Speaker 3>certain way, that is, becoming manifestly fit or deserving. So

0:39:47.120 --> 0:39:51.560
<v Speaker 3>the cult has secrets which are only revealed to initiates.

0:39:51.920 --> 0:39:54.680
<v Speaker 3>But according to Aristotle at least, and I trust he

0:39:54.719 --> 0:39:57.600
<v Speaker 3>probably knew what he was talking about, the initiates are

0:39:57.640 --> 0:40:01.600
<v Speaker 3>not supposed to learn any thing. That's not the point.

0:40:02.040 --> 0:40:04.359
<v Speaker 3>Coming back to something we talked about in an earlier part,

0:40:04.400 --> 0:40:07.560
<v Speaker 3>that the point of the cult is not an information puzzle.

0:40:07.640 --> 0:40:11.799
<v Speaker 3>It's not to learn the secret password. Instead, you are

0:40:11.880 --> 0:40:16.600
<v Speaker 3>supposed to have an experience. And even more interestingly about

0:40:16.600 --> 0:40:20.279
<v Speaker 3>what Aristotle says here, You're supposed to have an experience

0:40:20.360 --> 0:40:26.239
<v Speaker 3>and by virtue of that experience to become worthy. Now,

0:40:26.239 --> 0:40:30.279
<v Speaker 3>according to Clinton, the Greek word Aristotle uses for experience

0:40:30.360 --> 0:40:32.920
<v Speaker 3>here does mean what we mean by experience, but it

0:40:33.000 --> 0:40:38.200
<v Speaker 3>also means to suffer. And Clinton argues that the secrecy

0:40:38.280 --> 0:40:41.879
<v Speaker 3>of the mystery cults was not originally understood as the

0:40:41.960 --> 0:40:45.680
<v Speaker 3>point of them. Rather, it came to be perceived as

0:40:45.719 --> 0:40:49.440
<v Speaker 3>a defining aspect of them, sort of because of the

0:40:49.520 --> 0:40:53.960
<v Speaker 3>drama it implied, especially to non initiates, and because of

0:40:54.000 --> 0:40:58.080
<v Speaker 3>the severe penalties for violation of those secrets. It seems

0:40:58.160 --> 0:41:01.840
<v Speaker 3>this wasn't the case always is, because you can find counterexamples.

0:41:01.880 --> 0:41:03.960
<v Speaker 3>But it looks like, at least in some cases, the

0:41:04.000 --> 0:41:08.200
<v Speaker 3>punishment was supposed to be death. So, given the assumption

0:41:08.400 --> 0:41:11.960
<v Speaker 3>that the mystery cult was not actually about secrecy, the

0:41:12.880 --> 0:41:18.600
<v Speaker 3>secrecy was not the point, Clinton asks an interesting question quote,

0:41:18.640 --> 0:41:22.920
<v Speaker 3>we may then legitimately ask what actually was the point

0:41:23.160 --> 0:41:27.440
<v Speaker 3>of the secrecy? But first one must consider what is

0:41:27.520 --> 0:41:30.800
<v Speaker 3>so special about a secret? A secret is a fact

0:41:30.960 --> 0:41:34.120
<v Speaker 3>or a representation of a human act that cannot be

0:41:34.160 --> 0:41:38.040
<v Speaker 3>disclosed beyond a certain group. What could be so exciting

0:41:38.080 --> 0:41:40.839
<v Speaker 3>about a fact or an act that could draw thousands

0:41:40.840 --> 0:41:43.439
<v Speaker 3>of people from all over the Greek world each year

0:41:43.560 --> 0:41:46.160
<v Speaker 3>to the mysteria? And of course we do get some

0:41:46.200 --> 0:41:48.279
<v Speaker 3>attempts in the ancient world to kind of frame the

0:41:48.320 --> 0:41:52.440
<v Speaker 3>secret of the Elusinian mysteries as something that would be

0:41:52.960 --> 0:41:56.120
<v Speaker 3>concealed for a reason of it being i don't know,

0:41:56.200 --> 0:41:59.839
<v Speaker 3>scandalous or titillating. And some of these reports come from

0:42:00.080 --> 0:42:02.760
<v Speaker 3>from early Christian writers, and that kind of makes sense,

0:42:02.880 --> 0:42:06.239
<v Speaker 3>like they would be maybe hostile to other religious practices

0:42:06.280 --> 0:42:09.920
<v Speaker 3>and not worried about profaning them. But it's also unclear

0:42:10.000 --> 0:42:12.839
<v Speaker 3>how accurate these these claims are and whether we should

0:42:12.840 --> 0:42:16.520
<v Speaker 3>believe their descriptions. But one example is that Clinton mentions

0:42:16.600 --> 0:42:20.600
<v Speaker 3>that some Christian authors claimed the big secret of the

0:42:20.600 --> 0:42:23.520
<v Speaker 3>Elysian mysteries is you got to watch a priest and

0:42:23.560 --> 0:42:24.760
<v Speaker 3>a priestess have sex.

0:42:26.600 --> 0:42:28.920
<v Speaker 2>Again, I come back to the idea of some sort

0:42:28.960 --> 0:42:32.640
<v Speaker 2>of a sideshow tent. You go into the back and

0:42:32.680 --> 0:42:34.919
<v Speaker 2>you get to see like a little something extra that's

0:42:34.960 --> 0:42:37.280
<v Speaker 2>not for everyone who came to the main circus.

0:42:37.520 --> 0:42:40.520
<v Speaker 3>Yeah, so again we have no way of knowing that's

0:42:40.560 --> 0:42:43.319
<v Speaker 3>not true. But Clinton kind of argues against it. He

0:42:43.400 --> 0:42:46.319
<v Speaker 3>says this would not be sufficient to attract the kind

0:42:46.360 --> 0:42:49.480
<v Speaker 3>of attention and like draw the kind of crowds from

0:42:49.520 --> 0:42:52.399
<v Speaker 3>all around like are described like for one thing, it's

0:42:52.440 --> 0:42:56.279
<v Speaker 3>not that unique, And to me it just sounds kind

0:42:56.280 --> 0:42:58.520
<v Speaker 3>of like a like a slander that one religion says

0:42:58.520 --> 0:43:01.360
<v Speaker 3>about another, And there were of slander's going the opposite

0:43:01.360 --> 0:43:05.799
<v Speaker 3>way too, Slanders Greek and Roman polytheists accused Christians of

0:43:05.840 --> 0:43:09.319
<v Speaker 3>being immoral, of engaging in cannibalism and incest and all

0:43:09.400 --> 0:43:10.040
<v Speaker 3>kinds of stuff.

0:43:10.360 --> 0:43:12.959
<v Speaker 2>Yeah, if you just wanted to see a sexual act

0:43:13.040 --> 0:43:15.600
<v Speaker 2>or sexual act for performance, there are surely other shows

0:43:15.640 --> 0:43:18.799
<v Speaker 2>in town. So yeah, this does sort of ring of

0:43:18.880 --> 0:43:21.600
<v Speaker 2>some sort of a slander, doesn't it, right?

0:43:21.719 --> 0:43:25.400
<v Speaker 3>So instead, Clinton argues that the purpose of the secrecy

0:43:25.920 --> 0:43:29.640
<v Speaker 3>was in order to make the experience of the solemn

0:43:29.760 --> 0:43:35.080
<v Speaker 3>rituals feel extraordinary. And I mean this rings true to me.

0:43:35.320 --> 0:43:41.800
<v Speaker 3>That that which we receive as common knowledge feels trivial,

0:43:42.719 --> 0:43:47.080
<v Speaker 3>that which is hidden and is specially revealed to us

0:43:47.600 --> 0:43:51.120
<v Speaker 3>feels like it gets an automatic leg up in profundity.

0:43:51.520 --> 0:43:55.279
<v Speaker 3>You know, it's just so much easier to interpret a

0:43:55.360 --> 0:43:59.040
<v Speaker 3>secret revealed to you as something that is meaningful in itself,

0:43:59.080 --> 0:44:03.400
<v Speaker 3>when in fact it doesn't need to be. And you

0:44:03.440 --> 0:44:06.759
<v Speaker 3>know that got me thinking, like, I don't mean to

0:44:06.840 --> 0:44:11.400
<v Speaker 3>insult the mysteries by this or profound religious experiences in general,

0:44:11.880 --> 0:44:14.520
<v Speaker 3>but I kind of can't help make the comparison to

0:44:14.800 --> 0:44:18.520
<v Speaker 3>a common sort of influencer who exists today that I

0:44:19.080 --> 0:44:23.640
<v Speaker 3>would characterize as like the influencer mystic, a person who

0:44:23.800 --> 0:44:28.200
<v Speaker 3>ostensibly traffics in insights somebody who is out there and

0:44:28.520 --> 0:44:30.640
<v Speaker 3>maybe they've got media channels or whatever, and they do

0:44:30.719 --> 0:44:36.880
<v Speaker 3>commentary and analysis or life advice. But their insights, at

0:44:36.960 --> 0:44:40.080
<v Speaker 3>least as I judge, might not be especially interesting or

0:44:40.120 --> 0:44:43.960
<v Speaker 3>seem especially valid if they were just presented in written

0:44:44.040 --> 0:44:48.080
<v Speaker 3>form or paraphrased into plain language. But this kind of

0:44:48.360 --> 0:44:52.400
<v Speaker 3>influencer mystic can achieve a fan base because they're able

0:44:52.480 --> 0:44:55.280
<v Speaker 3>to talk in a way that makes whatever they're saying

0:44:55.400 --> 0:44:59.359
<v Speaker 3>feel like a great occult secret is being unearthed, and

0:44:59.400 --> 0:45:02.120
<v Speaker 3>by listening to them, you are the first witness to

0:45:02.160 --> 0:45:06.319
<v Speaker 3>an unveiling of truths, which is an intoxicating feeling if

0:45:06.360 --> 0:45:09.440
<v Speaker 3>somebody can pull it off. And so, of course I'm

0:45:09.440 --> 0:45:12.360
<v Speaker 3>speaking with a little bit of derision about these modern examples,

0:45:12.400 --> 0:45:15.640
<v Speaker 3>but you could also, at the same time use the

0:45:15.640 --> 0:45:20.239
<v Speaker 3>theatrics of the unveiled secret to increase the salience of genuine,

0:45:20.280 --> 0:45:23.759
<v Speaker 3>profound insights and experiences. So I'm not suggesting the Eleusinian

0:45:23.840 --> 0:45:28.560
<v Speaker 3>mysteries were necessarily hollow at their core or anything like that. Again,

0:45:28.600 --> 0:45:30.520
<v Speaker 3>there's just a lot we don't know about their core.

0:45:30.880 --> 0:45:34.120
<v Speaker 2>It's really interesting to think about this too in terms

0:45:34.200 --> 0:45:39.800
<v Speaker 2>of the secular modern world and even the religious modern

0:45:39.800 --> 0:45:44.160
<v Speaker 2>world in many respects, Like we are so accustomed to

0:45:44.239 --> 0:45:47.200
<v Speaker 2>the idea that you can skip to the end and read,

0:45:48.360 --> 0:45:51.880
<v Speaker 2>read the finish, read the conclusion, it would get a

0:45:51.880 --> 0:45:54.960
<v Speaker 2>bullet list of the main things that are important. And

0:45:55.000 --> 0:45:57.560
<v Speaker 2>so the idea that there would be levels to something

0:45:58.080 --> 0:46:01.040
<v Speaker 2>or some sort of a secret reveal that it is

0:46:01.120 --> 0:46:03.799
<v Speaker 2>not for everyone else to know it does kind of

0:46:03.840 --> 0:46:08.440
<v Speaker 2>run counter to sort of the informational DNA that a

0:46:08.480 --> 0:46:09.040
<v Speaker 2>lot of us have.

0:46:09.760 --> 0:46:12.240
<v Speaker 3>Yeah, and so while I think in the modern world

0:46:12.280 --> 0:46:15.840
<v Speaker 3>this is often used for ill, it wouldn't necessarily have

0:46:15.920 --> 0:46:17.480
<v Speaker 3>to be used for ill. But I think you can

0:46:17.520 --> 0:46:21.759
<v Speaker 3>get you can get a lot of persuasive and attentional

0:46:21.800 --> 0:46:25.320
<v Speaker 3>mileage just by framing your opinion or whatever you're about

0:46:25.320 --> 0:46:28.120
<v Speaker 3>to say as a secret that is being unveiled to

0:46:28.200 --> 0:46:30.400
<v Speaker 3>someone you know, Like I'm going to pull back the

0:46:30.400 --> 0:46:31.000
<v Speaker 3>curtain now.

0:46:31.600 --> 0:46:34.800
<v Speaker 2>I think the place, weirdly enough, where it is often

0:46:34.960 --> 0:46:40.880
<v Speaker 2>the most respected is in terms of narrative storytelling, particularly

0:46:40.920 --> 0:46:44.400
<v Speaker 2>with movies and the idea of no spoilers. You know,

0:46:45.320 --> 0:46:47.040
<v Speaker 2>not only don't spoil this for me, but I think

0:46:47.080 --> 0:46:49.359
<v Speaker 2>more profoundly, when you have an experience where there's some

0:46:49.360 --> 0:46:51.800
<v Speaker 2>sort of a film out there and either is particularly

0:46:51.800 --> 0:46:54.759
<v Speaker 2>well crafted or it does involve a particularly innovative twist

0:46:55.200 --> 0:46:58.520
<v Speaker 2>or effective twist, or an emotional twist, and people will stress,

0:46:58.760 --> 0:47:01.360
<v Speaker 2>don't read the spoilers, go into this without you know,

0:47:01.400 --> 0:47:03.800
<v Speaker 2>don't watch the trailer, go into it so that everything

0:47:03.840 --> 0:47:07.359
<v Speaker 2>is a surprise, you know. Outside of that, like, there's

0:47:07.400 --> 0:47:10.840
<v Speaker 2>not much that we're we're we generally engage in where

0:47:10.640 --> 0:47:13.440
<v Speaker 2>we're open to that sort of experience. I mean, I

0:47:13.480 --> 0:47:15.719
<v Speaker 2>guess in some respects we are like like, you know,

0:47:15.760 --> 0:47:17.560
<v Speaker 2>some one might say, have a child. You don't know

0:47:17.600 --> 0:47:19.360
<v Speaker 2>how this is going to turn out, but you're in

0:47:20.120 --> 0:47:22.200
<v Speaker 2>the long run, it's gonna be it's gonna be a surprise.

0:47:22.239 --> 0:47:24.880
<v Speaker 2>There's gonna be some twists you're not expecting. It's true,

0:47:25.000 --> 0:47:27.759
<v Speaker 2>but you know, the parenthood and movies, those are the

0:47:27.760 --> 0:47:30.160
<v Speaker 2>two examples that come to mind. But when it comes

0:47:30.200 --> 0:47:32.360
<v Speaker 2>to religion, we're more of the mind, well, what are

0:47:32.400 --> 0:47:34.719
<v Speaker 2>they believe in? Give me a list? Is there a

0:47:34.719 --> 0:47:36.680
<v Speaker 2>Holy book? All right? I'm gonna skip to the end

0:47:36.800 --> 0:47:38.920
<v Speaker 2>is maybe there's some cliff notes on it and so forth.

0:47:39.440 --> 0:47:41.719
<v Speaker 3>Well, I mean, and that goes back to something we

0:47:41.760 --> 0:47:44.600
<v Speaker 3>talked about in the first episode of the series about

0:47:45.160 --> 0:47:49.440
<v Speaker 3>that anthropological framework of the doctrinal religious model versus the

0:47:49.440 --> 0:47:54.400
<v Speaker 3>imagistic or religious model. Bowden makes reference to these ideas,

0:47:54.800 --> 0:47:59.040
<v Speaker 3>and the short version is that doctrinal modes of worship

0:47:59.120 --> 0:48:03.879
<v Speaker 3>worship tend to be frequent, regular, low intensity, but also

0:48:04.080 --> 0:48:07.920
<v Speaker 3>have clear meaning and function. You can kind of have

0:48:07.960 --> 0:48:12.480
<v Speaker 3>a systematic explanation of what the purpose and meaning of

0:48:12.520 --> 0:48:16.960
<v Speaker 3>the rituals are, versus what's known as the imagistic model

0:48:17.040 --> 0:48:22.480
<v Speaker 3>of religious practice, where rituals tend to be rare, strange,

0:48:22.960 --> 0:48:26.479
<v Speaker 3>high intensity, and more ambiguous in terms of meaning. Maybe

0:48:26.480 --> 0:48:29.279
<v Speaker 3>nobody's even telling you what to make of the experience

0:48:29.320 --> 0:48:32.839
<v Speaker 3>you had now, I guess the implication is that mysteries

0:48:32.880 --> 0:48:36.040
<v Speaker 3>such as the mysteries of ill Usis would be much

0:48:36.080 --> 0:48:39.479
<v Speaker 3>more firmly in the imagistic mode of worship. That there's

0:48:40.320 --> 0:48:44.920
<v Speaker 3>something profound, high intensity going on, and it may well

0:48:44.960 --> 0:48:48.840
<v Speaker 3>be very ambiguous, very open to your own contemplation and interpretation.

0:48:48.920 --> 0:48:51.040
<v Speaker 3>Maybe nobody tells you what it means or even what

0:48:51.080 --> 0:48:54.319
<v Speaker 3>it's doing. But that does bring us back to the

0:48:54.360 --> 0:48:57.960
<v Speaker 3>Secret Rights themselves. So what else can we guess about

0:48:58.000 --> 0:49:01.000
<v Speaker 3>the content of the mysteries? And here I'm going to

0:49:01.320 --> 0:49:06.040
<v Speaker 3>synthesize from multiple accounts, including Clinton's and Bowden's and a

0:49:06.080 --> 0:49:09.480
<v Speaker 3>few other things I've read. But it seems that, for

0:49:09.560 --> 0:49:15.799
<v Speaker 3>one thing, the Secret Rights probably involved some reenactment of

0:49:15.880 --> 0:49:21.080
<v Speaker 3>the myth of Demeter and Corey. Now it's questionable to

0:49:21.200 --> 0:49:24.799
<v Speaker 3>what extent it followed the story completely, which parts of

0:49:24.840 --> 0:49:27.840
<v Speaker 3>the story were represented, and what version of the story

0:49:27.840 --> 0:49:31.120
<v Speaker 3>you got, but there are multiple clues pointing to the

0:49:31.200 --> 0:49:35.240
<v Speaker 3>idea that some version of this story is being re enacted,

0:49:35.360 --> 0:49:39.000
<v Speaker 3>at least in part in these rituals. This could include

0:49:39.080 --> 0:49:43.960
<v Speaker 3>wandering around in the darkness, like searching for the kidnapped

0:49:44.040 --> 0:49:48.520
<v Speaker 3>daughter after her disappearance, possibly witnessing or hearing the grief

0:49:48.560 --> 0:49:52.800
<v Speaker 3>stricken cries of Demeter. For at least part of the ritual,

0:49:53.320 --> 0:49:56.760
<v Speaker 3>initiates may have been blindfolded or shrouded with a hood.

0:49:56.800 --> 0:50:00.480
<v Speaker 3>Ancient authors make reference to something about this where they

0:50:00.520 --> 0:50:03.120
<v Speaker 3>would probably be guided by their mystagogue, you know, the

0:50:03.520 --> 0:50:06.799
<v Speaker 3>more experienced guide would would show them the way to

0:50:06.840 --> 0:50:10.160
<v Speaker 3>go while they were baffled, and you know, and they

0:50:10.160 --> 0:50:12.400
<v Speaker 3>didn't know where to go, stumbling around in the dark,

0:50:13.520 --> 0:50:16.800
<v Speaker 3>and all of this before the initiates were eventually made

0:50:16.880 --> 0:50:20.319
<v Speaker 3>aware somehow of the reunion of mother and daughter of

0:50:20.320 --> 0:50:23.279
<v Speaker 3>Demeter and Corey at the end of the myth, and

0:50:23.320 --> 0:50:27.160
<v Speaker 3>then finally brought into the hall, like coming out of

0:50:27.200 --> 0:50:31.200
<v Speaker 3>the darkness into a hall brightly illuminated by torches for

0:50:31.360 --> 0:50:36.120
<v Speaker 3>a celebration and revealing of things hidden. Now again, those

0:50:36.200 --> 0:50:39.120
<v Speaker 3>last parts are they seem reasonable based on what we know,

0:50:39.200 --> 0:50:41.359
<v Speaker 3>but we don't know for sure. That's the form it took.

0:50:41.640 --> 0:50:43.920
<v Speaker 3>Torches seem to play a role. There are a lot

0:50:44.120 --> 0:50:47.680
<v Speaker 3>There are a lot of mentions of darkness and blindfoldedness

0:50:47.680 --> 0:50:51.040
<v Speaker 3>and agony and struggles in the darkness and then coming

0:50:51.080 --> 0:50:51.680
<v Speaker 3>into the light.

0:50:52.239 --> 0:50:54.680
<v Speaker 2>You know. This brings me back. We talked again talking

0:50:54.680 --> 0:50:58.520
<v Speaker 2>about haunted attractions and how you do encounter some that

0:50:58.600 --> 0:51:02.040
<v Speaker 2>are church affiliated. I have distinct memories of going to

0:51:02.080 --> 0:51:05.360
<v Speaker 2>one as when I was a youth, as a rural

0:51:06.760 --> 0:51:11.919
<v Speaker 2>southern church affiliated haunted house. And at the end, as

0:51:11.960 --> 0:51:15.560
<v Speaker 2>you wandered or perhaps rushed out of the darkness, pursued

0:51:15.600 --> 0:51:19.000
<v Speaker 2>by chainsaws and the like, where do you enter into

0:51:19.080 --> 0:51:22.080
<v Speaker 2>you enter into a tent where a preacher is then

0:51:22.160 --> 0:51:26.560
<v Speaker 2>going to speak to you and sell you on eternal

0:51:26.600 --> 0:51:31.000
<v Speaker 2>salvation and of course the alternatives that you just witnessed

0:51:31.000 --> 0:51:31.800
<v Speaker 2>in the Haunted House.

0:51:32.640 --> 0:51:36.920
<v Speaker 3>Yeah, so that high contrast creates an intensity, like an

0:51:36.920 --> 0:51:42.279
<v Speaker 3>emotional motivation and intensity of experience that really I don't

0:51:42.280 --> 0:51:45.360
<v Speaker 3>know in this case, again, we've already noted the difference

0:51:45.400 --> 0:51:49.080
<v Speaker 3>between like the Christian hell House or whatever variation there

0:51:49.120 --> 0:51:53.000
<v Speaker 3>where the goal is to I don't want to oversimplify,

0:51:53.040 --> 0:51:54.959
<v Speaker 3>but I think it's fair to say usually at least

0:51:54.960 --> 0:51:56.920
<v Speaker 3>the goal there is going to be to convert you

0:51:57.040 --> 0:51:59.840
<v Speaker 3>into the doctrinal form of that religion, to say, like,

0:52:00.200 --> 0:52:03.440
<v Speaker 3>you belong to us. Now you've been convinced by witnessing

0:52:03.440 --> 0:52:06.319
<v Speaker 3>these horrors, you need to go to our church. That

0:52:06.400 --> 0:52:11.560
<v Speaker 3>does not necessarily seem to be the goal here. I

0:52:11.600 --> 0:52:15.080
<v Speaker 3>don't detect based on what I've read that the purpose

0:52:15.480 --> 0:52:18.799
<v Speaker 3>of the mysteries is a persuasive one that you need

0:52:18.840 --> 0:52:22.359
<v Speaker 3>to like join the cult of ill usis though. I mean,

0:52:22.400 --> 0:52:24.480
<v Speaker 3>I guess the people who are who go through as

0:52:24.560 --> 0:52:28.480
<v Speaker 3>mistas the first time, and this is a distinction the

0:52:28.520 --> 0:52:30.879
<v Speaker 3>first time you are initiated to the mysteries. You were

0:52:30.880 --> 0:52:34.319
<v Speaker 3>known as mistys or mistace, a term which seems to

0:52:34.360 --> 0:52:38.040
<v Speaker 3>derive from the concept of having one's eyes closed, and

0:52:38.080 --> 0:52:41.520
<v Speaker 3>then you would usually come back a second time and

0:52:41.560 --> 0:52:44.160
<v Speaker 3>then you would be known as epop dase, which means

0:52:44.239 --> 0:52:48.160
<v Speaker 3>look or viewer. So there is a kind of return

0:52:49.680 --> 0:52:52.160
<v Speaker 3>and the difference between those terms is interesting too, by

0:52:52.200 --> 0:52:55.680
<v Speaker 3>the way, because the difference between like mistace meaning eyes

0:52:55.719 --> 0:52:59.000
<v Speaker 3>closed and a pop dase meaning looking or viewing, that

0:52:59.040 --> 0:53:01.120
<v Speaker 3>could of course be little role like maybe the first

0:53:01.120 --> 0:53:03.440
<v Speaker 3>time you do it you are blindfolded or hooded, and

0:53:03.640 --> 0:53:06.480
<v Speaker 3>the second time you can look, or maybe there are

0:53:06.760 --> 0:53:11.279
<v Speaker 3>particular elements that two time initiates are particular permitted to

0:53:11.320 --> 0:53:14.360
<v Speaker 3>look upon the first time initiates or not. But this

0:53:14.440 --> 0:53:16.879
<v Speaker 3>difference could also just refer to a kind of metaphorical

0:53:16.960 --> 0:53:19.719
<v Speaker 3>perspective on what is happening, the same way that we

0:53:19.760 --> 0:53:23.400
<v Speaker 3>say to have previous experience with something is to go

0:53:23.560 --> 0:53:25.080
<v Speaker 3>into it with open eyes.

0:53:27.560 --> 0:53:29.880
<v Speaker 2>For anyone out there who's listening with I don't know

0:53:29.920 --> 0:53:31.720
<v Speaker 2>if this is really a listen with the whole family

0:53:31.760 --> 0:53:34.160
<v Speaker 2>sort of episode, but in the case event that you are,

0:53:34.360 --> 0:53:38.239
<v Speaker 2>I'm about to throw out some Christmas spoilers so feel

0:53:38.239 --> 0:53:42.520
<v Speaker 2>free to skip a bit if you wish. But this

0:53:42.600 --> 0:53:47.160
<v Speaker 2>also reminds me of the way that some parents approach

0:53:47.440 --> 0:53:51.800
<v Speaker 2>Santa Claus and Christmas traditions, the idea being that instead

0:53:51.800 --> 0:53:55.480
<v Speaker 2>of just not doing them, or trying to keep the

0:53:55.840 --> 0:53:59.680
<v Speaker 2>myth and the or the fiction of Santa Claus going

0:54:00.120 --> 0:54:04.880
<v Speaker 2>like well beyond it's a healthy phase, instead you kind

0:54:04.880 --> 0:54:07.200
<v Speaker 2>of break it down like this, where it is kind

0:54:07.200 --> 0:54:09.480
<v Speaker 2>of treated like a mystery when the child is young,

0:54:09.560 --> 0:54:11.839
<v Speaker 2>and then when the child reaches a certain age, it's like,

0:54:11.960 --> 0:54:14.319
<v Speaker 2>now you were part of the mystery, and now you

0:54:14.360 --> 0:54:18.120
<v Speaker 2>can help create this mystery for perhaps younger siblings, other

0:54:18.160 --> 0:54:21.240
<v Speaker 2>young people you know in the family or in the community,

0:54:21.280 --> 0:54:23.840
<v Speaker 2>and so forth. And perhaps this is like a less

0:54:23.960 --> 0:54:29.000
<v Speaker 2>doctrinal example compared to the Haunted House thing, because I

0:54:29.000 --> 0:54:32.880
<v Speaker 2>guess there's not really a doctrine regarding Santa that is

0:54:33.520 --> 0:54:35.319
<v Speaker 2>being pursued in the long run, though it is of

0:54:35.360 --> 0:54:38.759
<v Speaker 2>course more certainly like narrative and so forth. And I

0:54:38.760 --> 0:54:41.400
<v Speaker 2>guess perhaps the Santa Claus example is better than the

0:54:41.440 --> 0:54:43.799
<v Speaker 2>Haunted House example because Santa Claus, there's not really a

0:54:43.840 --> 0:54:46.640
<v Speaker 2>doctrine there that we're trying to drive home into children

0:54:46.920 --> 0:54:49.040
<v Speaker 2>aside from be good or else, I guess.

0:54:48.880 --> 0:54:52.600
<v Speaker 3>Yeah, Oh, but I guess I got sidetracked there talking

0:54:52.600 --> 0:54:56.719
<v Speaker 3>about the mistakes versus the apoptaes from talking about how

0:54:56.960 --> 0:54:59.239
<v Speaker 3>generally it seems like there is a difference between the

0:54:59.480 --> 0:55:03.560
<v Speaker 3>hell house model and the mystery religion model because, or

0:55:03.560 --> 0:55:07.360
<v Speaker 3>at least this particular case, because in the all Usinian mysteries,

0:55:07.400 --> 0:55:10.640
<v Speaker 3>it's like the experience is the point. It's not just

0:55:10.719 --> 0:55:13.520
<v Speaker 3>like a persuasive act to get you to do something

0:55:13.600 --> 0:55:18.640
<v Speaker 3>else different right. Another interesting passage that is often cited

0:55:18.680 --> 0:55:23.520
<v Speaker 3>in historical writing about the mystery religions is from Plutarch.

0:55:24.239 --> 0:55:29.320
<v Speaker 3>Or Plutarch characterizes the mysteries generally by way of metaphor.

0:55:29.719 --> 0:55:32.560
<v Speaker 3>What he's actually talking about is what happens to the

0:55:32.560 --> 0:55:35.400
<v Speaker 3>soul at the end of life. But he's sort of saying,

0:55:35.560 --> 0:55:37.080
<v Speaker 3>you know, what happens to the soul at the end

0:55:37.080 --> 0:55:39.320
<v Speaker 3>of life is much like what you all know happens

0:55:39.360 --> 0:55:43.399
<v Speaker 3>after you're initiated into the mysteries. And to be clear,

0:55:43.440 --> 0:55:46.360
<v Speaker 3>he doesn't say specifically he's talking about the Eleusinian mysteries,

0:55:46.400 --> 0:55:49.480
<v Speaker 3>but he probably is. These were the most famous. So

0:55:49.520 --> 0:55:54.120
<v Speaker 3>what Plutarch says is quote wandering astray in the beginning,

0:55:54.400 --> 0:55:58.600
<v Speaker 3>tiresome walkings in circles, some frightening paths in darkness that

0:55:58.719 --> 0:56:01.920
<v Speaker 3>lead nowhere. Then, and immediately before the end, all the

0:56:02.000 --> 0:56:06.440
<v Speaker 3>terrible things, panic and shivering and sweat and bewilderment. And

0:56:06.480 --> 0:56:10.080
<v Speaker 3>then some wonderful light comes to meet you. Purer regions

0:56:10.120 --> 0:56:12.840
<v Speaker 3>and meadows are there to greet you with sounds and

0:56:12.960 --> 0:56:17.239
<v Speaker 3>dances and solemn sacred words and holy views. And they're

0:56:17.360 --> 0:56:20.520
<v Speaker 3>the initiate, perfect by now set free and loose from

0:56:20.560 --> 0:56:24.319
<v Speaker 3>all bondage, walks about, crowned with a wreath, celebrating the

0:56:24.360 --> 0:56:27.600
<v Speaker 3>festival together with the other sacred and pure people. And

0:56:27.640 --> 0:56:31.399
<v Speaker 3>he looks down on the uninitiated, unpurified crowd in this

0:56:31.440 --> 0:56:34.520
<v Speaker 3>world in mud and fog beneath his feet.

0:56:35.480 --> 0:56:36.960
<v Speaker 2>Oh wow, So.

0:56:37.760 --> 0:56:40.880
<v Speaker 3>That square somewhat with what we've already talked about, like

0:56:40.960 --> 0:56:44.760
<v Speaker 3>this feeling of lightness and sort of ascension that comes

0:56:44.800 --> 0:56:47.800
<v Speaker 3>with having gone through the mysteries. There is some lasting

0:56:47.840 --> 0:56:50.320
<v Speaker 3>effect on people that they cite that they say is

0:56:50.440 --> 0:56:54.400
<v Speaker 3>very powerful and makes them feel better, makes them feel unafraid,

0:56:54.800 --> 0:56:59.279
<v Speaker 3>set loose in some way, perfected in some way. But

0:56:59.320 --> 0:57:01.400
<v Speaker 3>I also like that the first half of this passage,

0:57:01.800 --> 0:57:05.720
<v Speaker 3>where it seems to be more describing, just in general

0:57:05.760 --> 0:57:08.560
<v Speaker 3>and emotional terms, what the experience of going through the

0:57:08.600 --> 0:57:13.960
<v Speaker 3>mysteries is like. And it's one that begins with confusion, bafflement,

0:57:14.160 --> 0:57:18.920
<v Speaker 3>exhaustion and suffering and ends with hope and cathartic relief.

0:57:29.480 --> 0:57:31.200
<v Speaker 3>And so I guess this brings us to the question

0:57:31.320 --> 0:57:34.880
<v Speaker 3>of what did the mysteries mean to the people who

0:57:34.920 --> 0:57:40.200
<v Speaker 3>practiced them Abouten explores this at length in his book Discussing.

0:57:40.280 --> 0:57:43.600
<v Speaker 3>As we've already alluded to the possibility that the meaning

0:57:43.800 --> 0:57:47.960
<v Speaker 3>of the mysteries was not made explicit. Instead, like the

0:57:48.000 --> 0:57:52.560
<v Speaker 3>standard model of the imagistic mode of religion, it's sort

0:57:52.600 --> 0:57:57.320
<v Speaker 3>of left ambiguous. It invites participants to reflect later and

0:57:57.400 --> 0:58:00.160
<v Speaker 3>contemplate to figure out for themself what it means. And

0:58:01.240 --> 0:58:03.560
<v Speaker 3>that's very interesting to me too, because I mean, a

0:58:03.720 --> 0:58:08.760
<v Speaker 3>huge part actually of what religion is, at least in

0:58:08.800 --> 0:58:12.720
<v Speaker 3>my experience, is exegesis on what things mean. It's like,

0:58:12.760 --> 0:58:17.640
<v Speaker 3>you know, religions have, or many religions have, you know,

0:58:17.680 --> 0:58:20.960
<v Speaker 3>they have contents, they may have texts and stories, they

0:58:20.960 --> 0:58:25.200
<v Speaker 3>may have physical objects or places, they have rituals, and

0:58:25.240 --> 0:58:30.360
<v Speaker 3>there's just so much effort devoted to clarifying what everything means,

0:58:30.440 --> 0:58:32.880
<v Speaker 3>and that that's what a lot of people want out

0:58:32.880 --> 0:58:35.480
<v Speaker 3>of religion today. You know, they want to understand how, what,

0:58:35.720 --> 0:58:38.280
<v Speaker 3>why we do it? What how to make sense of it?

0:58:38.880 --> 0:58:41.480
<v Speaker 3>But this version of religion may have been a kind

0:58:41.480 --> 0:58:45.520
<v Speaker 3>of different one where it's like, instead, you witness something

0:58:45.840 --> 0:58:50.360
<v Speaker 3>and you go through something that is strange and overwhelming

0:58:50.440 --> 0:58:52.840
<v Speaker 3>and powerful, and then you're kind of just sent home

0:58:52.920 --> 0:58:54.160
<v Speaker 3>to make your own sense of it.

0:58:54.480 --> 0:58:58.160
<v Speaker 2>Yeah. I mean, it's kind of like abstract art and

0:58:58.200 --> 0:59:02.200
<v Speaker 2>abstract cinema at its best right, where there's you go

0:59:02.280 --> 0:59:05.520
<v Speaker 2>into it without any kind of expectations, you leave it

0:59:05.600 --> 0:59:11.440
<v Speaker 2>without any i would say, prescribed interpretations. You know, you're

0:59:11.520 --> 0:59:14.160
<v Speaker 2>left to try and figure out what it possibly meant

0:59:14.160 --> 0:59:16.600
<v Speaker 2>all on your own, and maybe it meant nothing, but

0:59:16.680 --> 0:59:17.480
<v Speaker 2>you won't forget it.

0:59:18.840 --> 0:59:21.920
<v Speaker 3>Kevin Clinton, in his chapter writes, relying in part on

0:59:21.960 --> 0:59:25.760
<v Speaker 3>his own hypothetical reconstruction of the rituals. So the following

0:59:25.800 --> 0:59:30.680
<v Speaker 3>passage does include some assumptions based on guesses, but reasonable guesses,

0:59:31.640 --> 0:59:36.040
<v Speaker 3>so Clinton writes, quote, the mysteria revealed simple things like

0:59:36.080 --> 0:59:38.840
<v Speaker 3>the return of a lost daughter to her mother, a

0:59:38.920 --> 0:59:44.000
<v Speaker 3>goddess in suffering parentheses, an extraordinary state for a Greek

0:59:44.040 --> 0:59:47.960
<v Speaker 3>god or goddess, joy that accompanies the appearance of grain,

0:59:48.640 --> 0:59:53.800
<v Speaker 3>the grain that is plutos, meaning wealth, the agrarian prosperity

0:59:53.880 --> 0:59:58.000
<v Speaker 3>that sustains family and clan, all simple things that at

0:59:58.000 --> 1:00:01.919
<v Speaker 3>the same time had profound signs magnificance. The impact lay

1:00:01.960 --> 1:00:05.600
<v Speaker 3>in part in the dramatic presentation, which was an essential

1:00:05.680 --> 1:00:10.840
<v Speaker 3>aspect of the experience, And that kind of takes me

1:00:10.920 --> 1:00:13.680
<v Speaker 3>to another place, which is it makes me think I've

1:00:13.720 --> 1:00:16.200
<v Speaker 3>been thinking about this primarily from the point of view

1:00:16.320 --> 1:00:19.760
<v Speaker 3>of the new initiate, the mistas or the apoptes, you know,

1:00:19.840 --> 1:00:22.240
<v Speaker 3>who's for the first or second time going through the

1:00:22.240 --> 1:00:25.280
<v Speaker 3>greater mysteries and experiencing it and seeing what it means.

1:00:26.200 --> 1:00:28.280
<v Speaker 3>But this kind of makes me think about it from

1:00:28.280 --> 1:00:30.640
<v Speaker 3>the point of view of the priesthood. Say you are

1:00:30.960 --> 1:00:33.520
<v Speaker 3>a hierofant or you're one of the people whose job

1:00:33.520 --> 1:00:37.640
<v Speaker 3>it is to put on the show of the Eleusinian mysteries,

1:00:38.120 --> 1:00:40.960
<v Speaker 3>it seems actually there's quite a burden. There's quite a

1:00:40.960 --> 1:00:45.280
<v Speaker 3>burden to put on a good show because people are

1:00:45.320 --> 1:00:48.040
<v Speaker 3>sort of relying on the fact that you put on

1:00:48.080 --> 1:00:51.919
<v Speaker 3>a good show in order to find meaning in their life,

1:00:51.960 --> 1:00:55.000
<v Speaker 3>to escape their fear of death, to feel like their

1:00:55.000 --> 1:00:58.240
<v Speaker 3>life will have blessings yet to come, and they fit

1:00:58.360 --> 1:01:02.160
<v Speaker 3>in a divine order, which is fascinating. And I guess

1:01:02.200 --> 1:01:05.640
<v Speaker 3>something that people I don't know religious performers and in

1:01:05.760 --> 1:01:10.280
<v Speaker 3>other situations probably do feel a similar kind of obligation.

1:01:11.360 --> 1:01:14.560
<v Speaker 3>But it again made all the more alluring in this

1:01:14.640 --> 1:01:17.439
<v Speaker 3>case because of the power of the secrecy, because there

1:01:17.520 --> 1:01:19.320
<v Speaker 3>I think, we still don't know. There's some things we

1:01:19.360 --> 1:01:21.480
<v Speaker 3>don't know. We don't know exactly what they were doing,

1:01:21.520 --> 1:01:23.880
<v Speaker 3>and it's like it's agonizing. You want to know, but

1:01:24.320 --> 1:01:24.760
<v Speaker 3>we can't.

1:01:25.080 --> 1:01:27.040
<v Speaker 2>Yeah, we want it all laid out, Like from a

1:01:27.120 --> 1:01:31.640
<v Speaker 2>historical standpoint, from an anthropology of religion standpoint, we want

1:01:31.680 --> 1:01:33.640
<v Speaker 2>to know what were the things that were believe, what

1:01:33.680 --> 1:01:36.520
<v Speaker 2>were the things that were enacted, and what was the

1:01:36.560 --> 1:01:40.480
<v Speaker 2>import of those things, and for varying reasons, we have

1:01:40.520 --> 1:01:43.520
<v Speaker 2>a lot of holes. All right, Well, on that note,

1:01:43.560 --> 1:01:45.280
<v Speaker 2>we're going to go ahead and close out this episode,

1:01:45.320 --> 1:01:48.040
<v Speaker 2>but we have decided we will come back with at

1:01:48.160 --> 1:01:51.400
<v Speaker 2>least a fourth episode on the Mystery Cults, and it

1:01:51.440 --> 1:01:53.520
<v Speaker 2>may not be the next episode of Stuff to Blow

1:01:53.560 --> 1:01:57.720
<v Speaker 2>your mind, It may occur after that. So in the

1:01:57.760 --> 1:02:01.280
<v Speaker 2>not too distant future, you will under a fourth episode

1:02:01.280 --> 1:02:04.720
<v Speaker 2>and we'll continue this fascinating discussion. There are so many

1:02:04.800 --> 1:02:06.680
<v Speaker 2>different mystery cults and we're not going to be able

1:02:06.680 --> 1:02:08.640
<v Speaker 2>to discuss all of them, and we're of course not

1:02:08.680 --> 1:02:12.720
<v Speaker 2>going to get into everything that Balden discusses in his book. Again,

1:02:13.280 --> 1:02:15.240
<v Speaker 2>we do highly recommend you check that out if you

1:02:15.280 --> 1:02:17.840
<v Speaker 2>are interested in the topic. The title of that book again,

1:02:17.880 --> 1:02:21.440
<v Speaker 2>his Mystery Cults in the Ancient World by Hugh Bowden.

1:02:22.440 --> 1:02:25.080
<v Speaker 2>In the meantime, we'd like to remind everyone that's Stuff

1:02:25.080 --> 1:02:27.800
<v Speaker 2>to Blow Your Mind is primarily a science and culture podcast,

1:02:27.840 --> 1:02:30.640
<v Speaker 2>with core episodes on Tuesdays and Thursdays. We have a

1:02:30.680 --> 1:02:33.240
<v Speaker 2>short form episode on Wednesdays, and on Fridays we set

1:02:33.280 --> 1:02:35.920
<v Speaker 2>aside most serious concerns to just talk about a weird

1:02:36.040 --> 1:02:38.280
<v Speaker 2>film on Weird House Cinema.

1:02:38.640 --> 1:02:42.120
<v Speaker 3>Huge things, as always to our excellent audio producer JJ Posway.

1:02:42.480 --> 1:02:43.960
<v Speaker 3>If you would like to get in touch with us

1:02:43.960 --> 1:02:46.360
<v Speaker 3>with feedback on this episode or any other, to suggest

1:02:46.440 --> 1:02:48.479
<v Speaker 3>a topic for the future, or just to say hello,

1:02:48.800 --> 1:02:51.560
<v Speaker 3>you can email us at contact Stuff to Blow your

1:02:51.560 --> 1:03:00.240
<v Speaker 3>Mind dot com.

1:03:00.400 --> 1:03:03.320
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

1:03:03.440 --> 1:03:07.240
<v Speaker 1>more podcasts, from iHeartRadio, visit the iHeartRadio app, Apple podcasts,

1:03:07.320 --> 1:03:22.680
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