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Speaker 1: I leave in I you wanna way back home? Either way,

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Speaker 1: we want to be there. Doesn't matter how much baggage

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Speaker 1: you claim and give us time and a terminol and

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Speaker 1: gaye ad.

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Speaker 2: We want to send you off in style.

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Speaker 1: We wanna welcome you back home.

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Speaker 2: Tell us all about it.

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Speaker 1: We scared her? Was it fine? Malborn? Do you need

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Speaker 1: to ride? Do you need to ride? Do you need

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Speaker 1: to ride? Do you need to ride? Do you need

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Speaker 1: to ride? Do your need to ride?

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Speaker 2: Ride with Karen and Chris? Welcome to Do you need

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Speaker 2: to ride? This is Chris Fairbanks.

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Speaker 1: And this is Karen Kilgareff.

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Speaker 2: Hello, Karen, my friend.

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Speaker 1: Hello Chris. Hi, Hi, let's do acting class exercise. Hi Chris,

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Speaker 1: question mark.

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Speaker 2: I'm cooking burgers and I'm also a policeman. Oh, we

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Speaker 2: aren't doing improv.

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Speaker 1: It's different things. It's fine. I shouldn't block you.

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Speaker 2: Yes, I really wish you would have went with me

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Speaker 2: on that. Sorry, you don't see enough officers grilling these days.

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Speaker 1: I mean to combine an action and an occupation.

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Speaker 2: Yeah, that's what.

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Speaker 1: What is this level for? Improv?

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Speaker 2: I know, I know they let me bypass the introductory

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Speaker 2: levels because I come with that kind of heat.

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Speaker 1: Yeah, yeah. Yeah. They were like, you know what, you

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Speaker 1: don't have to go through the other levels that are

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Speaker 1: also made up. You can go to the made up

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Speaker 1: top level.

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Speaker 3: Yeah.

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Speaker 2: Yeah, it's all made up, isn't it. Well, yeah, I

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Speaker 2: don't want to be controversial and also change the subject.

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Speaker 1: Of but that after that goal that we were just.

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Speaker 2: I know, I know, I am watching Yellow Jackets and

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Speaker 2: it's of course reminds me of alive, and I'm confronted

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Speaker 2: by the fact that I think that I would not

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Speaker 2: have a problem immediately eating people.

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Speaker 1: In an emergency situation, yes, or just any.

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Speaker 2: Oh we're here and that guy's dead. I like day

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Speaker 2: one or two.

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Speaker 1: I really don't think, like yourself get hungry. You wouldn't

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Speaker 1: let like the airplane pretzels run out before you start

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Speaker 1: eating your friend.

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Speaker 2: I wouldn't even be hungry yet. I'd just start prepping

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Speaker 2: and marinating, nervously nibbling.

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Speaker 4: Yeah.

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Speaker 2: Yeah, maybe I'd hide it for a while, but once

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Speaker 2: everyone was like hungry, I'm like, well, these are ready

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Speaker 2: for grilling. It's almost annoying when the guy there's like

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Speaker 2: a coach with them and he's freaking out. Once there's

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Speaker 2: a perfectly baked friend that happens accidentally.

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Speaker 1: This feels like a spoiler alert.

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Speaker 2: It is it is they eat people in yellow jackets,

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Speaker 2: but I swear it's in the trailer. Everyone knows that.

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Speaker 2: It actually takes too long in the storyline. Even I'm like,

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Speaker 2: they should be eating people in episode two, but it

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Speaker 2: takes a while. You have to wait for a second season.

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Speaker 2: There we go. It's a I'm sorry, we're spoiling, but

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Speaker 2: everyone knows.

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Speaker 1: You know you're spoiling.

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Speaker 2: I'm sitting here, you are, we are co hosts. You

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Speaker 2: are in this with me. You're got your spoiling yellow jackets.

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Speaker 2: They eat children.

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Speaker 1: When you spoil, I spoil.

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Speaker 2: Yes, we all for you spoil. Yeah, they eat their

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Speaker 2: high schoolers eat kids. And I would be the first,

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Speaker 2: even as the coach, I'd be like, gather around, we're

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Speaker 2: going to eat. I know where this is going. And

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Speaker 2: maybe I'm I really think I wouldn't have a problem.

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Speaker 2: It's just as bad as meat anyway. Maybe I'm just

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Speaker 2: confronted by animal eating.

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Speaker 1: Well we're combining topics or issues. I mean, but I

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Speaker 1: think I would be like a day fiver. I think

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Speaker 1: I would might even just to avoid because you know,

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Speaker 1: sometimes when you're like you're about to enter bad situation.

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Speaker 1: I think most stand up comics know this feeling where

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Speaker 1: you're like, this won't be good, and I'm doing it

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Speaker 1: anyway at least I have my memorized lines. And then

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Speaker 1: it's like fifteen times worse than you anticipated, and then

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Speaker 1: you're kind of like, oh, this is going to leave

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Speaker 1: true residual psychic damage. I think, knowing how bad that feels,

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Speaker 1: that I would be like, I want to delay cannibalism

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Speaker 1: in my system as long as possible, because I know

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Speaker 1: I'm just going to, like, you know, do over it

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Speaker 1: for no pun, intend it for a long time, just

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Speaker 1: really be bummed out about it. So I would be

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Speaker 1: the one that's like, I heard we can eat the

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Speaker 1: seats of this airplane, you know what I mean? Just

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Speaker 1: like in the meantime, there's other organic matter we could

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Speaker 1: be filling our stomachs.

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Speaker 2: With, I suppose, and berries.

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Speaker 1: If they're berries, what do we do? Why would we

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Speaker 1: even revert to cannibalism.

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Speaker 2: It's because if you watch any episode of Alone, berries

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Speaker 2: only take you so far when you're start. I don't

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Speaker 2: know this. I also don't know. I also don't have

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Speaker 2: a berry manual. I love his work by the way

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Speaker 2: manual copa cabana. There's so many hits by a berry manual,

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Speaker 2: but I do not possess a berry manual. I feel

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Speaker 2: like I'm more scared of eating a poisonous berry than

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Speaker 2: I am being confronted by them morally by eating. I

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Speaker 2: guess if it was a friend, then you just flip

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Speaker 2: them over and take take a chunk of the butt.

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Speaker 2: I guess I'm getting too detailed with this.

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Speaker 1: I think we are so lucky to have today's guest,

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Speaker 1: because there's no way he doesn't have a couple very

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Speaker 1: manual albums seeing because we're to.

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Speaker 2: Save us and change the subject, which is not we

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Speaker 2: are continuing with cannibalism.

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Speaker 1: I mean, we're combining. That's what we do. That's what

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Speaker 1: we do.

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Speaker 2: Our next guest is here to help spoil yellow Jackets

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Speaker 2: for you with us seeing them at clubs and colleges

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Speaker 2: throughout the US and as well as Canada. Everyone put

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Speaker 2: your ears together for our friend, Adam Caton Holland.

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Speaker 3: Hello, thank you for plugging the colleges that I've performed at.

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Speaker 3: Enough people do that, so I appreciate that, because yeah,

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Speaker 3: a lot of people are are just going to colleges

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Speaker 3: on their own seeing if they recognize anyone, and I'm

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Speaker 3: usually there, So thanks for plugging that.

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Speaker 4: Yeah, if you're.

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Speaker 1: Always doing like a tight seven at any community college

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Speaker 1: that you can find.

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Speaker 3: Or'll hit eleven colleges in a day, playing playing my

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Speaker 3: Verry Manual album in the car, the rental car, just

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Speaker 3: powering me between them. I wanted to say, Barry Manual

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Speaker 3: is one of the most impressive. Like people think Rama

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Speaker 3: Manual is impressive, it's Arry Emmanual is like the most

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Speaker 3: impressive brother of that crew.

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Speaker 1: He's a dark horse of that family.

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Speaker 4: No, sure, totally.

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Speaker 1: Aria Manuel, because he's on that strike infographic of all

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Speaker 1: the people in Hollywood that make the most money, and

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Speaker 1: you've probably seen it.

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Speaker 4: I saw that today, Yes, and he makes the most

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Speaker 4: of anybody.

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Speaker 1: He makes like three hundred million dollars.

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Speaker 3: A year by a long shot. Everyone else was like

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Speaker 3: thirty forty fifty. He's multiple hundreds of millions.

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Speaker 1: You're right, yeah, And then when you're looking at those numbers,

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Speaker 1: it's like then you're looking at uh, you know, Rupert

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Speaker 1: Murdoch makes thirty million year and you're like, oh, that's

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Speaker 1: too bad for him. It's so much money.

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Speaker 3: I've said the same thought. I was like, Murdoch's the

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Speaker 3: most evil. He's should have three billion compared to these kids,

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Speaker 3: but not. Yeah, taking it on the chin, that poor guy.

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Speaker 1: You're poor Rupert Murdoch.

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Speaker 2: Yeah, he should be a silhouetted and petting a cat

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Speaker 2: from an evil layer. Yeah, and he probably can't even

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Speaker 2: afford a layer.

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Speaker 3: Nope, layers these days, not in San Francisco, not a chin,

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Speaker 3: no way.

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Speaker 2: Yeah, the fault line and freezing pipes. There's a bunch

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Speaker 2: of reasons.

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Speaker 1: Oh so sorry, wait, so I'm so sorry. I thought

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Speaker 1: that they were both asleep, and I'm like, I'm gonna

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Speaker 1: be able to get away with these dogs staying in here.

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Speaker 1: Now I have to go shut the door. I'm so sorry.

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Speaker 2: That's It's okay. They do the bark upon immediately waking up,

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Speaker 2: they start barking at reality.

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Speaker 4: I'm kind of the same way.

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Speaker 2: Yeah, when you when you're woken up, Adam and someone

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Speaker 2: says this is something that bothers me and it shouldn't.

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Speaker 2: I think it says something about me. But I'm gonna

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Speaker 2: go ahead and admit it. I don't like them when

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Speaker 2: people say good morning. Hearing that first thing really rubs

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Speaker 2: me the wrong way. Please say you're on my side

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Speaker 2: with this.

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Speaker 3: I guess I'm on your side. It's been a while

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Speaker 3: since someone's done.

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Speaker 4: That for me. Most I got, I got two.

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Speaker 3: I got a four year old and two year old,

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Speaker 3: so I just I met with demands from the jump.

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Speaker 1: What's the last one? Can you remember the last time

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Speaker 1: you were woken up by one of your children? What

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Speaker 1: they were saying?

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Speaker 4: Yeah, it's all pretty cute.

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Speaker 3: Like my four year old to come into the room

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Speaker 3: and he can go to the bathroom himself, but he'll

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Speaker 3: walk in and he'll.

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Speaker 4: Whisper, I neat poop and I go go poop, go

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Speaker 4: do it, And he's like, Okay, he just wants to

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Speaker 4: go ahead.

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Speaker 3: You could have done this on your own, little man,

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Speaker 3: but he just wants me to know what's up.

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Speaker 4: And I guess I appreciate that.

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Speaker 2: Yeah, get nice. Yeah, it's nice early poop approval.

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Speaker 4: How do you feel about a rabbit rabbit? Chris?

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Speaker 3: Like on a like a may first rabbit rabbit? Does

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Speaker 3: that annoy you or you kind of appreciate the good tidings?

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Speaker 2: Are you saying rabbit rabbit? No, I'm saying rabbit rabbit. Oh,

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Speaker 2: rabbit rabbit? Would I eat one? Is that what you're saying?

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Speaker 3: Would you want rabbits or a rabbit rabbit instead of

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Speaker 3: a person to delay the flesh consumption?

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Speaker 2: Exactly? I'm all about that. You can always cut around

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Speaker 2: the crazy. I've always said when slaughtering a rabbit rabbit?

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Speaker 1: Have you ever heard of that saying rabbit rabbit on

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Speaker 1: the first day of the month?

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Speaker 4: No?

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Speaker 2: That okay, So.

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Speaker 3: That's a one hundredisode I'm talking about. And now I'm feeling

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Speaker 3: out on an island because I'm glad you have Karen.

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Speaker 4: I do that.

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Speaker 3: It's like a good luck thing. But I have no

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Speaker 3: idea the origin of it.

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Speaker 4: Do you either?

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Speaker 1: Do I?

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Speaker 2: And is it at all affiliated with a loving them?

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Speaker 2: Apparently brings campfire smoke towards you. Do you remember that

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Speaker 2: smoke from a campfire hitting you. You're supposed to say

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Speaker 2: I love rabbits and then it will deter the smoke

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Speaker 2: from being in your face. That is something I knew

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Speaker 2: when I I start talking about it. I know I'm crazy,

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Speaker 2: but I will get personal messages from our listeners that say, yes,

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Speaker 2: I when campfire smoke is engulfing your lungs, you're supposed

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Speaker 2: to say, I love rabbits, and then it goes away.

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Speaker 2: Apparently it's like magic camping magic.

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Speaker 4: No, I gotta get the chat open.

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Speaker 2: According to The Farmer's Almanac, nineteen oh nine, a British

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Speaker 2: periodical featured a girl who said rabbits on the first

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Speaker 2: day of each month for good luck. President Roosevelt also

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Speaker 2: reportedly rabbited every month without fail.

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Speaker 4: What about grass roots movement?

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Speaker 3: This little girl said this one periodical in nineteen oh nine,

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Speaker 3: gets a hold of it. And now I'm saying it

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Speaker 3: on a pod while Chris runs in the other direction

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Speaker 3: and Karen nods approvingly.

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Speaker 1: I'm absolutely behind you. And I've actually gotten upset, like

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Speaker 1: I missed it this month, and I was like, oh,

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Speaker 1: that does not bode well. That's the first thing I

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Speaker 1: think of, like a bad start.

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Speaker 3: The four year old who likes to tell me about

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Speaker 3: pooping when my wife and I meet him with good

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Speaker 3: cheer on the first of the month with a rabbit. Rabbit,

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Speaker 3: he's not having it already, he doesn't. He doesn't like

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Speaker 3: that at all. It's too chipper an upbeat for him.

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Speaker 3: He's not that sort fan.

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Speaker 2: So Key and I have something common. That's the good

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Speaker 2: morning thing man. Yeah, I gotta I gotta chew your

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Speaker 2: kid's brain at some point.

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Speaker 3: And I'm not trying it a yellow jacket.

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Speaker 1: Okay, he's circling it back.

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Speaker 2: I need to converse with him.

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Speaker 3: For you to go at a four year old when

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Speaker 3: there's all those older people, just to be like, I

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Speaker 3: eat veal, I'm Chris Fairbanks.

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Speaker 4: Let's do this.

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Speaker 2: Let's I had no control who was going to board

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Speaker 2: that plane.

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Speaker 3: Sorry, my kid made a varsity girls soccer team at four.

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Speaker 4: He's that good. He's that good toddler.

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Speaker 1: We're combining TV shows, old wives tales, it's all it's

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Speaker 1: all getting mixed up.

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Speaker 3: No riff goes unchecked in this one. Every every rift

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Speaker 3: gets a piece.

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Speaker 1: It's like a beautiful quilt of a conversation.

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Speaker 2: Oh riff mosaic.

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Speaker 1: I've never heard here's the thing in camp There are

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Speaker 1: like I've heard of things similar to that in camping.

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Speaker 1: But for the idea that basically something that is being

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Speaker 1: caused by the wind, like you have to say an

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Speaker 1: incantation to make it stop happening, I think is kind

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Speaker 1: of hilarious.

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Speaker 2: Yeah, yeah, like it's.

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Speaker 1: Just what the wind is doing. Just you just had

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Speaker 1: a haul ass over to the other folding chair across

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Speaker 1: the fire.

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Speaker 2: Yeah, you're trying to control the elements without praying.

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Speaker 3: I also like the idea of like the oldest, wisest

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Speaker 3: prospector in the groups, like I got this and he

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Speaker 3: just yells something at the wind.

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Speaker 1: I love rabbits.

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Speaker 4: Glad we brought this guy. He knows what's up.

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Speaker 1: But it feels like a theme, Like I wonder if

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Speaker 1: rabbits were especially valuable back then, delicious you could use

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Speaker 1: their pelts.

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Speaker 4: Maybe rabbit's foot, for some reason is good luck.

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Speaker 2: Oh yeah, yeah, well right, that's why it's always on

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Speaker 2: someone's keychain. I was never allowed. I was giving a

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Speaker 2: rabbit's foot and my mother confiscated it.

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Speaker 1: She was a big pita person.

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Speaker 2: Yeah, not in our house.

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Speaker 4: It's pretty terrifying.

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Speaker 3: I remember going to, you know, some sort of like

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Speaker 3: store where you'd buy board games and weird little trinkets,

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Speaker 3: and there'd just be a basket of literal rabbits feet

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Speaker 3: and you could go in there and grab one, like

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Speaker 3: I'll take this.

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Speaker 4: That's pretty barbaric.

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Speaker 2: Yeah, it really is.

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Speaker 1: My cousin had one. My cousin Lisa had one on

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Speaker 1: her keys, and I was like, ooh, soft, and then

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Speaker 1: I pushed down a little and then I felt the

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Speaker 1: bones and I was like, I don't want to touch

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Speaker 1: this anymore. It's like, what a trick.

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Speaker 2: Yeah, there's little krembly metatarsals in there.

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Speaker 3: This is already an overshare. And I wish I wasn't

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Speaker 3: saying this, But here we are.

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Speaker 2: I what we're here for.

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Speaker 3: I lived in Spain for a while, I studied abroad

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Speaker 3: and then lived there again in the host's family in

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Speaker 3: Madrid where I lived. The old man and his sons,

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Speaker 3: who were adult men, every Sunday would go out to

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Speaker 3: the outskirts of Madrid and just annihilate rabbits and hares.

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Speaker 3: They would they love doing this. This was how they bonded.

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Speaker 3: They'd bring them back to the tiny apartment we were all in.

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Speaker 3: They'd got them in the kitchen and then I would

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Speaker 3: eat rabbit for a week, and I, having never eat

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Speaker 3: it's well.

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Speaker 4: They didn't had all these little bones in it.

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Speaker 3: So you're taking what looks like a piece of chicken

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Speaker 3: and you're like, cool, I'm gonna.

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Speaker 4: Eat this and it'll be pure meat.

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Speaker 3: Nope, you're extracting twelve bones. And they also the breaking

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Speaker 3: point where I had to say, I'm tired of being polite.

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Speaker 3: I don't want any more. Rabbit was buckshot. There was

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Speaker 3: like bullets and.

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Speaker 4: The rabbit I was putting in my mouth and I

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Speaker 4: was like, that's it. I can't.

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Speaker 3: I just can't with the rabbit anymore. And they were

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Speaker 3: like fine, all good. But I for two months I

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Speaker 3: had grin and beared it in this small Madrelano apartment,

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Speaker 3: just eating eating gunshot and bony rabbits.

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Speaker 2: Yeah, it would be I'm from my time and ply

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Speaker 2: a majorcas y.

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Speaker 4: See.

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Speaker 2: I did notice that it would be a hard place

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Speaker 2: to be a vegetarian. Every storefront had a leg of

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Speaker 2: an animal on a weird vice like and they would

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Speaker 2: just shave meat off of it. You recall that at.

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Speaker 4: Them just yeah, Hamon Serrano, ham on America.

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Speaker 3: There was a place called Museo de Hamon Museum of

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Speaker 3: Ham and you could just buy any one of those

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Speaker 3: legs you're talking about. And people when they're going home.

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Speaker 3: I don't know if the rules have changed. This was

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Speaker 3: a long time ago, but it's just like I got

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Speaker 3: two for gifts. I'm bringing home to pigs legs from

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Speaker 3: Spain for people.

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Speaker 4: I mean, that's that's a thing.

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Speaker 2: Just resting on your shoulder like a baseball bat.

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Speaker 1: In the muse de him was there like a such

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Speaker 1: a sophisticated place. I mean, like, was there any museum

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Speaker 1: element to it? Or is that just what they called it?

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Speaker 3: It was just a store front selling these things, but

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Speaker 3: for some reason museo was their hook, which I think worked.

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Speaker 4: Here. I am twenty years later, I'm still buzzing about it.

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Speaker 3: Yeah, I'm not talking about the Prato like that's what

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Speaker 3: I'm expecting in a museum.

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Speaker 4: But if you go into a museum and it's just a.

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Speaker 3: Bunch of hamhocks on the walls, You're like that this

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Speaker 3: is different and experiential.

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Speaker 2: Yeah. Well, my dad was visiting. We went to the

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Speaker 2: Hollywood Museum and I didn't do any research, didn't know

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Speaker 2: what to expect. One of the first things you see

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Speaker 2: when you walk in there's all the Max Factor old makeup.

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Speaker 2: But then one of the main displays there was clothing

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Speaker 2: from the TV show The Waltons, Oh, which I'm like,

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Speaker 2: that's also I think loose use of the word museum,

361
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Speaker 2: but it is it makes more sense than I'm museum

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Speaker 2: of pig legs, I guess, does it.

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Speaker 4: I don't know.

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Speaker 2: I mean without any history.

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Speaker 1: Are you guys too young to have seen the Waltons?

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Speaker 2: No, John Boy, he had a birthmark mole on his face,

367
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Speaker 2: a lot of tones.

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Speaker 1: Yeah, good because they were on the mountain. Yeah, they

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Speaker 1: just said make do. But at night. And maybe this

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00:18:07,000 --> 00:18:08,920
Speaker 1: is a good question for everybody. How do you feel

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Speaker 1: about everyone in the house yelling good night Grandpa? Right,

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Speaker 1: good night, Mary Ellen, good night, John Boy. The entire

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Speaker 1: house yelled good night to each other.

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Speaker 2: That's all I remember. And it was at the end

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Speaker 2: and it would show the lights going out in the

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Speaker 2: house and a depression would befall me. I yes, that

377
00:18:27,680 --> 00:18:30,840
Speaker 2: show used to bum me out to it. So did

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Speaker 2: Little House on the Prairie. I think they were affiliated

379
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Speaker 2: storyline wise, maybe, or they just played on the same sad,

380
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Speaker 2: sad evening.

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Speaker 1: It was all kind of you know, there's nothing that

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Speaker 1: sexy about living in that time where you're kind of like, oh,

383
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Speaker 1: I'm just I'm a homesteader, I'm out on the prairie.

384
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Speaker 1: I gotta make do. Like there's it doesn't make for

385
00:18:51,320 --> 00:18:56,720
Speaker 1: great storylines. There's a lot of like plague and Coloress storylines,

386
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Speaker 1: you know.

387
00:18:57,600 --> 00:19:01,760
Speaker 3: Yeah, exactly one broken finger leads to death. That's the storyline.

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00:19:01,920 --> 00:19:04,840
Speaker 1: Yeah, Paul, we lost.

389
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Speaker 4: Paul, I did.

390
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Speaker 3: I was too young for those shows, but I do

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Speaker 3: like those settings of shows. To me, it's always there's

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Speaker 3: a character who's coughing in act one. You're like, uh oh, yeah, no,

393
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Speaker 3: you do not cough in this setting.

394
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Speaker 4: That is yeah, that is a bad.

395
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Speaker 2: Yeah, she's got chess rickets.

396
00:19:22,240 --> 00:19:27,520
Speaker 1: There's there's an episode. So we watched The Little houseland Prairie.

397
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Speaker 1: I think it was a Sunday night show. Me and

398
00:19:29,880 --> 00:19:32,320
Speaker 1: my sister were obsessed, and my dad would do this saying.

399
00:19:32,359 --> 00:19:34,119
Speaker 1: So it was an hour long show and it was

400
00:19:34,240 --> 00:19:38,720
Speaker 1: always sad or upsetting in some way, and so in

401
00:19:38,800 --> 00:19:41,040
Speaker 1: like the end, you know, the cliffhanger of Back two

402
00:19:41,080 --> 00:19:44,480
Speaker 1: where it's like Mary's going blind, that was a storyline

403
00:19:44,480 --> 00:19:47,240
Speaker 1: that then for the rest of the run of the show,

404
00:19:47,320 --> 00:19:49,320
Speaker 1: Mary was blind and she married a blind.

405
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Speaker 2: Guy because she fell out of a wagon.

406
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Speaker 1: Right, No, she got scarlet fever.

407
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Speaker 3: I think, oh, okay cough which started with a small

408
00:19:56,800 --> 00:19:58,720
Speaker 3: cough exactly.

409
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Speaker 1: We all saw it coming. But at one point, for

410
00:20:01,560 --> 00:20:03,919
Speaker 1: whatever reason, I can't remember, Laura and we were very

411
00:20:03,920 --> 00:20:06,360
Speaker 1: excited because my sister's name was Laura, so it made

412
00:20:06,440 --> 00:20:10,360
Speaker 1: us like the show more. And Laura decided she did

413
00:20:10,400 --> 00:20:13,400
Speaker 1: something wrong, so she just started walking up a mountain

414
00:20:13,960 --> 00:20:17,560
Speaker 1: and at one point she gets she's like thirsty, everyone's

415
00:20:17,600 --> 00:20:19,960
Speaker 1: looking for She's like in the sun and she's kind

416
00:20:19,960 --> 00:20:22,840
Speaker 1: of just like up in a mountain. And then she's

417
00:20:22,880 --> 00:20:25,080
Speaker 1: looking up at the sun and she's just kind of

418
00:20:25,119 --> 00:20:27,680
Speaker 1: like going to lay down, and then a man steps

419
00:20:27,760 --> 00:20:32,040
Speaker 1: into the sun light in her perspective, and then you're

420
00:20:32,040 --> 00:20:34,880
Speaker 1: supposed to kind of think it's Jesus, Like he has

421
00:20:34,920 --> 00:20:37,600
Speaker 1: a beard and he's like, little girl, you all right,

422
00:20:37,600 --> 00:20:40,680
Speaker 1: and he like kind of saves her, and it's very

423
00:20:40,720 --> 00:20:46,040
Speaker 1: it was very Christian like overtones, like overt Christianity stuff.

424
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Speaker 1: And I just remember like we were watching her like

425
00:20:48,400 --> 00:20:51,520
Speaker 1: crying that Laura was lost. And my dad would do

426
00:20:51,560 --> 00:20:53,679
Speaker 1: this every Sunday night. He would step in and go,

427
00:20:53,960 --> 00:20:55,919
Speaker 1: this is too sad. You girls can't handle it. And

428
00:20:55,920 --> 00:20:57,879
Speaker 1: he would go to turn the channel and we'd be like, no,

429
00:20:58,359 --> 00:21:01,200
Speaker 1: it starts screaming. Every time. He's like, oh, I don't

430
00:21:01,200 --> 00:21:02,879
Speaker 1: like seeing you girls cry. We have to turn the

431
00:21:02,960 --> 00:21:05,520
Speaker 1: channel purely just to upset us.

432
00:21:05,640 --> 00:21:08,720
Speaker 2: What's he uncomfortable with the Christianity that my dad would

433
00:21:08,760 --> 00:21:11,640
Speaker 2: be like, now, don't don't watch this, go go draw

434
00:21:11,760 --> 00:21:13,160
Speaker 2: pentagrams in your notebook.

435
00:21:13,840 --> 00:21:16,000
Speaker 4: You got a dad, you skateboard into the next room.

436
00:21:16,240 --> 00:21:18,520
Speaker 1: Yeah yeah, you're in her near and in her near

437
00:21:19,840 --> 00:21:23,360
Speaker 1: I think my dad just like doing bits with eight

438
00:21:23,400 --> 00:21:25,080
Speaker 1: year olds, you know what I mean? Like, oh, are

439
00:21:25,160 --> 00:21:26,840
Speaker 1: you crying? I'm going to try to make you cry

440
00:21:26,880 --> 00:21:28,480
Speaker 1: even harder as you watch TV.

441
00:21:28,720 --> 00:21:32,080
Speaker 3: That's a good bit, isn't it funny how time changes things,

442
00:21:32,200 --> 00:21:35,120
Speaker 3: Like now I know exactly what you're describing. The guy

443
00:21:35,160 --> 00:21:37,080
Speaker 3: comes in, It's like, Okay, she's gonna faint, but he'll

444
00:21:37,119 --> 00:21:39,280
Speaker 3: help her some way. But now in twenty twenty three,

445
00:21:39,280 --> 00:21:42,000
Speaker 3: if that happens, I'm like, oh no, this kid, this

446
00:21:42,440 --> 00:21:45,399
Speaker 3: girl has passed out in a creep just entered the frame,

447
00:21:45,880 --> 00:21:48,679
Speaker 3: and she's gonna get murdered. And that's that's what thirty

448
00:21:48,760 --> 00:21:50,560
Speaker 3: years does to you. It's like, this is no, there's

449
00:21:50,640 --> 00:21:54,119
Speaker 3: no way this could end positively in my head now, No.

450
00:21:54,200 --> 00:21:57,240
Speaker 1: There's no good bearded stranger on a mountain, is right.

451
00:21:57,240 --> 00:21:58,400
Speaker 4: No good beard, It's strangers.

452
00:21:59,000 --> 00:22:02,440
Speaker 2: What the Walton's Little house? They there would be bandits

453
00:22:02,480 --> 00:22:05,800
Speaker 2: trying to rob them every episode even yeah, it was

454
00:22:05,840 --> 00:22:07,160
Speaker 2: even made ten years later.

455
00:22:07,359 --> 00:22:10,840
Speaker 3: I also love the self flagellation of just making being

456
00:22:10,880 --> 00:22:12,119
Speaker 3: like I got to walk up a mountain.

457
00:22:12,200 --> 00:22:13,000
Speaker 4: I've done wrong.

458
00:22:13,200 --> 00:22:15,119
Speaker 3: I should go be by myself and walk up a

459
00:22:15,119 --> 00:22:16,440
Speaker 3: mountain because I live in Colorado.

460
00:22:16,520 --> 00:22:18,560
Speaker 4: Chris, you're from Montana. We do that stuff.

461
00:22:19,160 --> 00:22:22,760
Speaker 2: Sure, you know to get away? Yeah, you gotta go

462
00:22:22,800 --> 00:22:23,800
Speaker 2: on my shame hike.

463
00:22:25,160 --> 00:22:27,600
Speaker 1: Say it all the time. I'm nine years old. What

464
00:22:27,640 --> 00:22:28,600
Speaker 1: else am I supposed to do?

465
00:22:29,040 --> 00:22:32,800
Speaker 2: Let me get a night's tomorrow's clothing and head up

466
00:22:32,800 --> 00:22:33,160
Speaker 2: a hill.

467
00:22:33,800 --> 00:22:34,840
Speaker 1: Just walk straight up hill.

468
00:22:34,880 --> 00:22:37,119
Speaker 4: Those are tough kids. These kids today get soft.

469
00:22:37,680 --> 00:22:38,040
Speaker 3: Yeah.

470
00:22:38,640 --> 00:22:40,520
Speaker 2: Oh, I could talk about that for hours.

471
00:22:40,760 --> 00:22:43,119
Speaker 3: That's what this podcast is, right, Am I on the

472
00:22:43,119 --> 00:22:43,960
Speaker 3: wrong podcast?

473
00:22:44,240 --> 00:22:46,320
Speaker 4: I thought we're gonna against kids today.

474
00:22:46,680 --> 00:22:47,919
Speaker 1: Yeah, yeah, we children.

475
00:22:48,400 --> 00:22:49,840
Speaker 2: We're very traditionalist.

476
00:22:49,920 --> 00:22:51,920
Speaker 4: Done here, I summoned my boy.

477
00:22:52,040 --> 00:22:55,240
Speaker 3: I'm like, get in here, Chris, want to talk to you.

478
00:22:55,760 --> 00:22:57,240
Speaker 2: Yes, pauh, good morning.

479
00:22:58,880 --> 00:23:01,240
Speaker 4: I'm back from my shame high. I'm ready to podcast.

480
00:23:02,560 --> 00:23:03,480
Speaker 1: He's all sunburned.

481
00:23:03,680 --> 00:23:03,960
Speaker 4: Yep.

482
00:23:06,960 --> 00:23:09,600
Speaker 2: When you described your kid coming to your bed and

483
00:23:09,640 --> 00:23:12,080
Speaker 2: waking you up, I realized I used to do that

484
00:23:12,119 --> 00:23:14,119
Speaker 2: to my dad a lot, and I would always look

485
00:23:14,600 --> 00:23:17,400
Speaker 2: into his closed eyes and see that his eyes were

486
00:23:17,480 --> 00:23:21,080
Speaker 2: darting around. So most of my life I thought that

487
00:23:21,200 --> 00:23:25,080
Speaker 2: as we slapped, our eyes were shooting all over. But

488
00:23:25,160 --> 00:23:27,600
Speaker 2: I think right now I'm realizing he was pretending to

489
00:23:27,760 --> 00:23:29,600
Speaker 2: be asleep and didn't want to deal with me.

490
00:23:30,440 --> 00:23:32,080
Speaker 4: He wanted fifteen more minutes.

491
00:23:32,640 --> 00:23:35,320
Speaker 3: Yeah, perhaps if I trick my son into thinking I'm

492
00:23:35,359 --> 00:23:38,600
Speaker 3: having a seizure, leave the old man alone.

493
00:23:38,960 --> 00:23:41,000
Speaker 1: He was gonna say. He's like a method actor where

494
00:23:41,000 --> 00:23:43,520
Speaker 1: he's like, I really got to sell this to this child.

495
00:23:43,640 --> 00:23:45,680
Speaker 1: He used to believe I'm in rem sleep right now.

496
00:23:45,920 --> 00:23:48,720
Speaker 2: Yeah, yeah, I didn't even. I didn't even. I hadn't

497
00:23:48,720 --> 00:23:51,679
Speaker 2: even listened Ariam yet. I guess I thought he was

498
00:23:51,720 --> 00:23:53,760
Speaker 2: having a nightmare. And I'm like, well, I better or not.

499
00:23:53,880 --> 00:23:57,360
Speaker 2: I better let him see this one through. Yeah, but yeah,

500
00:23:57,400 --> 00:24:00,560
Speaker 2: those eyes darting around, I just he was pretty I

501
00:24:00,600 --> 00:24:01,320
Speaker 2: think that's.

502
00:24:01,200 --> 00:24:02,920
Speaker 3: A good trick. I could take an out of his book.

503
00:24:02,920 --> 00:24:04,560
Speaker 3: I got nothing, I just get right up and start

504
00:24:04,600 --> 00:24:06,399
Speaker 3: doing it. But maybe I'll just maybe I'll just be

505
00:24:06,480 --> 00:24:08,800
Speaker 3: like what year is it? And I'll just run to

506
00:24:08,920 --> 00:24:13,600
Speaker 3: another room, try to sleep on the couch downstairs, terrify

507
00:24:13,680 --> 00:24:15,160
Speaker 3: him into leaving me alone for a little bit.

508
00:24:15,760 --> 00:24:17,200
Speaker 2: You never pretend you're asleep.

509
00:24:17,640 --> 00:24:19,639
Speaker 4: Nah, man, he sees through all my bullshit. He just

510
00:24:19,680 --> 00:24:23,800
Speaker 4: knows there's no way. He's very savvy already. It's disconcerting

511
00:24:23,800 --> 00:24:24,960
Speaker 4: how quickly that happened.

512
00:24:25,720 --> 00:24:28,080
Speaker 1: Yes, he's mine, melded to you.

513
00:24:28,200 --> 00:24:28,440
Speaker 4: Yes.

514
00:24:29,400 --> 00:24:32,359
Speaker 3: And he's also, like I said, he doesn't like us,

515
00:24:32,359 --> 00:24:35,120
Speaker 3: say rabbit rabbit. For a while, we would try like, hey,

516
00:24:35,119 --> 00:24:37,399
Speaker 3: what what are you grateful for today? Just to be like,

517
00:24:37,440 --> 00:24:39,239
Speaker 3: what's a nice thing about today? At dinner and he's

518
00:24:39,280 --> 00:24:42,040
Speaker 3: already like, nope, he'll throw He either won't do it,

519
00:24:42,160 --> 00:24:45,160
Speaker 3: or he'll like throw some nonsense joke that he's been

520
00:24:45,160 --> 00:24:46,560
Speaker 3: doing riffing on for a few days.

521
00:24:46,600 --> 00:24:49,120
Speaker 4: He won't do like a real gratitude at all.

522
00:24:49,200 --> 00:24:51,760
Speaker 3: So I kind of like that he's just blowing our

523
00:24:51,800 --> 00:24:52,840
Speaker 3: spot up immediately.

524
00:24:53,880 --> 00:24:54,720
Speaker 1: He's a little cynic.

525
00:24:54,880 --> 00:24:56,280
Speaker 4: He has a very good jokes.

526
00:24:56,720 --> 00:24:59,680
Speaker 2: Do you see the comedian in him? And secretly hope

527
00:24:59,680 --> 00:25:00,840
Speaker 2: he sus it? Wow?

528
00:25:00,920 --> 00:25:03,119
Speaker 3: Yeah, but at this point it doesn't. It's so not

529
00:25:03,200 --> 00:25:05,280
Speaker 3: the type of comedian I am though. It's just goofy,

530
00:25:05,520 --> 00:25:07,199
Speaker 3: like the stuff. The way I try to make him

531
00:25:07,280 --> 00:25:11,440
Speaker 3: laugh is with goofy pratfalls, voices, weird stuff, and so he'll.

532
00:25:11,280 --> 00:25:13,439
Speaker 4: Do that back but you know it's odd.

533
00:25:13,520 --> 00:25:15,959
Speaker 3: I'm teaching him odd things, and he's definitely got an

534
00:25:15,960 --> 00:25:18,880
Speaker 3: odd sense of humor already, so that that's a good

535
00:25:18,880 --> 00:25:21,520
Speaker 3: comedian makes We can be broad for a long time.

536
00:25:21,560 --> 00:25:23,719
Speaker 4: But let's definitely come at it from an odd place.

537
00:25:24,440 --> 00:25:28,000
Speaker 1: Let's not lean on the broad That's easy. Yes, let's

538
00:25:28,000 --> 00:25:29,240
Speaker 1: try to hone something here.

539
00:25:29,440 --> 00:25:31,880
Speaker 3: All your buddies are doing fart and poop. Let's talk

540
00:25:31,920 --> 00:25:33,320
Speaker 3: about eyeballs and teeth.

541
00:25:33,880 --> 00:25:36,719
Speaker 2: Yeah, you want him at the forefront of the second

542
00:25:36,760 --> 00:25:38,800
Speaker 2: wave of alternative comedy.

543
00:25:39,720 --> 00:25:43,119
Speaker 3: Yeah, he's doing laundromats and garages and stuff.

544
00:25:43,160 --> 00:25:44,520
Speaker 4: He's already out of the clubs.

545
00:25:47,080 --> 00:25:50,760
Speaker 1: You can do those bits anywhere, is he? So he's

546
00:25:50,760 --> 00:25:52,160
Speaker 1: in that's preschool age.

547
00:25:52,280 --> 00:25:55,240
Speaker 3: Yeah, yeah, preschool age. And then I got a two

548
00:25:55,280 --> 00:25:58,399
Speaker 3: year old. I'll tell you a scary preschool story. I

549
00:25:58,480 --> 00:26:01,520
Speaker 3: dropped him off yesterday. The school was like, here's a

550
00:26:01,560 --> 00:26:04,000
Speaker 3: fun pamphlet for you to all the parents in our class.

551
00:26:04,000 --> 00:26:04,720
Speaker 4: I go, oh, what's this?

552
00:26:05,320 --> 00:26:09,400
Speaker 3: And one of the children in Malcolm's class has pinworms.

553
00:26:10,160 --> 00:26:11,000
Speaker 4: Do you know what that is?

554
00:26:11,280 --> 00:26:11,440
Speaker 1: Oh?

555
00:26:11,760 --> 00:26:15,840
Speaker 2: I had it. You had times as a child, many times.

556
00:26:15,880 --> 00:26:19,040
Speaker 3: I had never heard of this in my life until

557
00:26:19,320 --> 00:26:20,200
Speaker 3: my kid's good.

558
00:26:20,520 --> 00:26:22,879
Speaker 4: But there's a doctor. We're all like, what are pinworms?

559
00:26:22,880 --> 00:26:27,440
Speaker 3: Some parents knew, but they're just like bacterial infection worms.

560
00:26:27,800 --> 00:26:29,879
Speaker 3: And the doctor, dad and the class next to me,

561
00:26:29,880 --> 00:26:31,439
Speaker 3: he's like, you know the test for that? I go, no,

562
00:26:31,520 --> 00:26:33,399
Speaker 3: what's the test for that? And he's like, stick a

563
00:26:33,400 --> 00:26:36,000
Speaker 3: piece of scotch tape on their butthole. If you pull

564
00:26:36,000 --> 00:26:38,000
Speaker 3: it off and there's worms, they got.

565
00:26:37,800 --> 00:26:42,720
Speaker 2: It, and little news for the two of you. I

566
00:26:42,840 --> 00:26:47,959
Speaker 2: vividly remember my mother putting tape on my anus multiple times.

567
00:26:48,359 --> 00:26:51,119
Speaker 2: Like I said before, apparently it was a real issue

568
00:26:51,160 --> 00:26:53,479
Speaker 2: in my household, and it took a while for us

569
00:26:53,520 --> 00:26:55,840
Speaker 2: to realize. It's because I was playing in the sandbox

570
00:26:55,880 --> 00:26:59,000
Speaker 2: where the cat also went to the bathroom. A lot

571
00:26:59,119 --> 00:27:05,440
Speaker 2: o building in me an immunity, I believe to where

572
00:27:05,520 --> 00:27:07,800
Speaker 2: I didn't miss it. I was never sick as a

573
00:27:07,880 --> 00:27:11,680
Speaker 2: child because I went straight to penworms in kindergarten and

574
00:27:11,760 --> 00:27:15,080
Speaker 2: I have an attendance certificate. Never missed a day of

575
00:27:15,119 --> 00:27:18,000
Speaker 2: school from kindergarten through fifth grade. Not one day, wow,

576
00:27:18,200 --> 00:27:21,160
Speaker 2: no one sick day. And it's because I was. I

577
00:27:21,200 --> 00:27:29,040
Speaker 2: was filled with bacteria that was fighting everything. I think, yes, everywhere.

578
00:27:29,119 --> 00:27:31,160
Speaker 1: Oh, it's so intense to have worms.

579
00:27:31,200 --> 00:27:32,639
Speaker 4: It's just it really is.

580
00:27:32,720 --> 00:27:35,800
Speaker 3: It's it's such a violation to have worms in your body.

581
00:27:35,960 --> 00:27:39,119
Speaker 3: It's not something you anticipated.

582
00:27:38,680 --> 00:27:39,000
Speaker 4: Is there.

583
00:27:40,240 --> 00:27:41,960
Speaker 2: They had a pamphlet like was there.

584
00:27:41,880 --> 00:27:45,840
Speaker 3: Now one kid had it. They said they've cleaned the class. No,

585
00:27:46,680 --> 00:27:49,000
Speaker 3: it's all good, but just a heads up. A kid

586
00:27:49,040 --> 00:27:51,160
Speaker 3: in the class had it. And this was on a Monday,

587
00:27:51,200 --> 00:27:55,000
Speaker 3: So I'm hoping the kid contracted over the weekend elsewhere something,

588
00:27:55,000 --> 00:27:56,560
Speaker 3: but it was it was all due caution, and so

589
00:27:56,600 --> 00:27:59,320
Speaker 3: they came with like letters in formats of that, along

590
00:27:59,359 --> 00:28:02,199
Speaker 3: with CDC and information with how to deal with this crap.

591
00:28:02,560 --> 00:28:05,760
Speaker 3: And it was just like, wow, it's Monday at eight

592
00:28:05,800 --> 00:28:08,080
Speaker 3: am and now this is where I'm at.

593
00:28:08,440 --> 00:28:09,320
Speaker 1: Yeah.

594
00:28:09,400 --> 00:28:09,880
Speaker 2: Wow.

595
00:28:10,200 --> 00:28:12,359
Speaker 3: But I asked the doctor. I was like, how do

596
00:28:12,400 --> 00:28:15,080
Speaker 3: you know if your kid like has signs? And he's like, oh,

597
00:28:15,119 --> 00:28:18,160
Speaker 3: they will be furiously scratching their asshole, like there will

598
00:28:18,160 --> 00:28:21,679
Speaker 3: be no mistake. Whether this is a little bit, you

599
00:28:21,760 --> 00:28:24,760
Speaker 3: will know big time. And Chris, you can probably talk

600
00:28:24,760 --> 00:28:25,159
Speaker 3: about that.

601
00:28:25,520 --> 00:28:29,879
Speaker 2: Yeah, yeah, I'm gonna. I'm sorry, Yeah, I have to

602
00:28:29,920 --> 00:28:32,840
Speaker 2: back that up. I think there was some furious scratching

603
00:28:32,880 --> 00:28:36,920
Speaker 2: and I remember doing that and probably my friends noticed

604
00:28:37,000 --> 00:28:41,040
Speaker 2: and and but it wasn't my fault, you know, it

605
00:28:41,240 --> 00:28:43,760
Speaker 2: just it's just something I's dealing with. It was so itchy,

606
00:28:43,960 --> 00:28:44,480
Speaker 2: you guys, just.

607
00:28:44,480 --> 00:28:48,000
Speaker 1: Don't go back. Don't go back. You're here.

608
00:28:48,400 --> 00:28:52,000
Speaker 2: Yeah, you used to give me fevers. Oh man, so

609
00:28:52,040 --> 00:28:55,800
Speaker 2: many worms? Oh they're little and white.

610
00:28:55,960 --> 00:28:59,160
Speaker 3: Okay, So there's your little House on the Prairie episode.

611
00:28:59,320 --> 00:29:03,440
Speaker 1: There, there's the pinworms end of like the finale should

612
00:29:03,440 --> 00:29:05,000
Speaker 1: have been. Everyone gets pinworms?

613
00:29:06,520 --> 00:29:07,640
Speaker 4: What is scotch tape?

614
00:29:09,280 --> 00:29:09,680
Speaker 1: There's no.

615
00:29:13,600 --> 00:29:18,560
Speaker 2: Adhesives other than horse of oil had been invented yet.

616
00:29:18,480 --> 00:29:21,840
Speaker 3: That's right, which is a terrible spackling process. It's hot,

617
00:29:21,880 --> 00:29:23,480
Speaker 3: you have to eat it up and just.

618
00:29:23,440 --> 00:29:26,160
Speaker 1: Really yeah, it's really not nice.

619
00:29:26,160 --> 00:29:27,680
Speaker 4: Frontier Medicine guys.

620
00:29:28,000 --> 00:29:31,320
Speaker 2: Yeah, that's to be a continued episode. They don't even

621
00:29:31,360 --> 00:29:32,120
Speaker 2: know how to end that one.

622
00:29:32,160 --> 00:29:34,160
Speaker 4: Yeah, it's a season finale cliffhanger.

623
00:29:35,960 --> 00:29:38,160
Speaker 1: I'm racking my brain trying to think of like a

624
00:29:38,280 --> 00:29:41,680
Speaker 1: childhood you know, like I remember when a girl down

625
00:29:41,720 --> 00:29:45,200
Speaker 1: the street got lce because her parents had a really

626
00:29:45,200 --> 00:29:49,560
Speaker 1: beautiful black bottom swimming pool. And I remember we were

627
00:29:49,640 --> 00:29:52,400
Speaker 1: we had just seen eat and we came back to

628
00:29:52,400 --> 00:29:55,440
Speaker 1: swim in her pool, and she swam by me and

629
00:29:55,480 --> 00:29:58,120
Speaker 1: I was like, she's got paint flex in her hair

630
00:29:58,320 --> 00:30:00,800
Speaker 1: and I was like, that's weird. And I went home

631
00:30:01,200 --> 00:30:03,800
Speaker 1: and then like half an hour later, her mom called.

632
00:30:03,840 --> 00:30:06,080
Speaker 1: My mom was like, well, it turns out that she

633
00:30:06,280 --> 00:30:09,640
Speaker 1: has lice. And so my mom, like my mom was

634
00:30:09,680 --> 00:30:12,600
Speaker 1: a nurse, and normally, like any medical thing, she just

635
00:30:12,640 --> 00:30:14,400
Speaker 1: didn't give a shit, Like you could be like, Mom,

636
00:30:14,440 --> 00:30:16,000
Speaker 1: I fell down. I think I broke my arm, and

637
00:30:16,040 --> 00:30:18,800
Speaker 1: she'd be like, yeah, put some ice on it, you're fine, Like, yeah,

638
00:30:18,840 --> 00:30:22,080
Speaker 1: you couldn't raise the alarm unless like bone was protruding

639
00:30:22,080 --> 00:30:24,960
Speaker 1: out of your and she was like she was like

640
00:30:25,000 --> 00:30:26,840
Speaker 1: all right, well we'll take a look at it. Thanks

641
00:30:26,840 --> 00:30:29,360
Speaker 1: so much, and hangs up the phone. She goes now, girls,

642
00:30:29,520 --> 00:30:31,440
Speaker 1: because Laura, my sister, had a friend over, and she

643
00:30:31,520 --> 00:30:34,800
Speaker 1: was like, girls, don't overreact, but the girl down the

644
00:30:34,800 --> 00:30:37,080
Speaker 1: street has lice, and we all start screaming, and she

645
00:30:37,160 --> 00:30:40,200
Speaker 1: goes strip the beds, get the thing, vacuum that thing,

646
00:30:40,280 --> 00:30:42,560
Speaker 1: and she just started screaming at the top like she

647
00:30:42,600 --> 00:30:45,560
Speaker 1: could only stay calm for like the first forty five seconds,

648
00:30:45,600 --> 00:30:47,680
Speaker 1: and then it just started to set in of like

649
00:30:47,760 --> 00:30:50,600
Speaker 1: we do not want lice in this ouse. It was

650
00:30:50,640 --> 00:30:52,160
Speaker 1: really hilarious and we didn't get it.

651
00:30:52,720 --> 00:30:54,640
Speaker 2: Yeah, I wonder if I had something to do with

652
00:30:54,680 --> 00:30:56,360
Speaker 2: the chlorine and that swimming pool.

653
00:30:56,760 --> 00:30:59,680
Speaker 1: Yeah, like keeping me lives free. Yeah, since eighty three, So.

654
00:30:59,640 --> 00:31:01,959
Speaker 2: Why would is it painted black? Does that help heat?

655
00:31:02,000 --> 00:31:05,480
Speaker 4: Yeah that's pretty cool. Yeah, yes, because.

656
00:31:05,200 --> 00:31:07,640
Speaker 1: The sun it does naturally help heat it. I think

657
00:31:07,640 --> 00:31:10,240
Speaker 1: they also had solar. But it looked awesome, like when

658
00:31:10,320 --> 00:31:13,720
Speaker 1: you were under the water you could see much clearer.

659
00:31:14,400 --> 00:31:17,200
Speaker 1: Like it just was really cool and fun. It looked

660
00:31:17,320 --> 00:31:19,920
Speaker 1: like kind of more natural, I guess, almost like it

661
00:31:19,960 --> 00:31:23,000
Speaker 1: was like like lava rock, but it wasn't. Actually, it

662
00:31:23,040 --> 00:31:23,600
Speaker 1: was just paint.

663
00:31:23,960 --> 00:31:25,000
Speaker 4: Yeah, it sounds amazing.

664
00:31:25,440 --> 00:31:28,160
Speaker 3: I remember going to a pretty rich kid's house and

665
00:31:28,200 --> 00:31:30,720
Speaker 3: they had an all tile bathroom, but it was all black.

666
00:31:31,000 --> 00:31:33,720
Speaker 3: The toilet was black, the sink was black, and I

667
00:31:33,840 --> 00:31:37,040
Speaker 3: never forgot that. I was like, that is that's some

668
00:31:37,160 --> 00:31:41,600
Speaker 3: next level Murdock stuff. All Yeah, black tile bathroom.

669
00:31:41,960 --> 00:31:42,320
Speaker 4: I don't know.

670
00:31:42,320 --> 00:31:44,080
Speaker 3: I haven't got there yet, but it is a goal

671
00:31:44,120 --> 00:31:46,480
Speaker 3: of mine. Yeah, you'll get there.

672
00:31:46,760 --> 00:31:50,200
Speaker 2: I vividly remember, yeah, those those first black toilets. I

673
00:31:50,640 --> 00:31:53,160
Speaker 2: remember saying I could do a tour of my hometown

674
00:31:53,760 --> 00:31:56,880
Speaker 2: showing you nothing but black toilets. It's not a fun tour.

675
00:32:00,120 --> 00:32:02,160
Speaker 4: I'll take it. I'd take It's a great idea.

676
00:32:02,360 --> 00:32:03,240
Speaker 1: I love that tour.

677
00:32:03,440 --> 00:32:05,920
Speaker 3: Yeah, just to hang out. I mean, then to see

678
00:32:05,920 --> 00:32:09,280
Speaker 3: some of the sites, but mostly to hang mostly.

679
00:32:09,120 --> 00:32:11,680
Speaker 1: Just you know, be with friends and look at toilets.

680
00:32:11,800 --> 00:32:14,560
Speaker 1: That's fun. I went and looked at a house one time,

681
00:32:14,680 --> 00:32:17,520
Speaker 1: and I made Alan Strickl and Williams go with me

682
00:32:17,960 --> 00:32:19,680
Speaker 1: because he and I were getting coffee. And then I'm like,

683
00:32:19,680 --> 00:32:21,560
Speaker 1: can we go look at this house just really quick?

684
00:32:22,320 --> 00:32:24,200
Speaker 1: This is a little bit of my obsession. And we

685
00:32:24,280 --> 00:32:26,520
Speaker 1: go into it's in the hills. We go in and

686
00:32:26,520 --> 00:32:30,120
Speaker 1: it's just like a pretty house. We're just like, look

687
00:32:30,160 --> 00:32:31,840
Speaker 1: at this, look at that. And then we go into

688
00:32:31,840 --> 00:32:35,360
Speaker 1: the master bathroom and it had side by side toilets. Whoa,

689
00:32:35,440 --> 00:32:38,080
Speaker 1: and we just walked in them. We're like, holy shit.

690
00:32:38,240 --> 00:32:41,040
Speaker 1: We're just like, what the fuck is going on? Like,

691
00:32:41,080 --> 00:32:43,560
Speaker 1: what has gone on in this house? What is going on?

692
00:32:43,640 --> 00:32:46,280
Speaker 4: It wasn't adet toilet, It was not a bi day.

693
00:32:46,600 --> 00:32:47,239
Speaker 1: We checked it.

694
00:32:47,400 --> 00:32:50,320
Speaker 2: Were they side by side or you know, back to

695
00:32:50,400 --> 00:32:53,680
Speaker 2: back like the toilet for Lovers sketched from ACNL?

696
00:32:53,720 --> 00:32:56,080
Speaker 4: I believe right right, No, they were.

697
00:32:56,240 --> 00:32:59,000
Speaker 1: I would say, two feet apart, side by side. We

698
00:32:59,040 --> 00:33:00,840
Speaker 1: were actually making jokes where it's like it seems like

699
00:33:00,880 --> 00:33:03,280
Speaker 1: you could hold hands if you were if you were

700
00:33:04,320 --> 00:33:07,640
Speaker 1: sitting there at the same time. But it was, you know,

701
00:33:07,720 --> 00:33:10,240
Speaker 1: it almost looked like someone had taken the stall down

702
00:33:11,000 --> 00:33:13,320
Speaker 1: and you know what I mean, like a public bathroom.

703
00:33:13,720 --> 00:33:15,480
Speaker 4: Yeah, did you and Alan go for it?

704
00:33:16,400 --> 00:33:21,080
Speaker 1: No way. We were both highly creeped out, like just

705
00:33:21,160 --> 00:33:23,320
Speaker 1: kind of like it was almost like we suddenly saw,

706
00:33:24,080 --> 00:33:26,959
Speaker 1: you know, a box of porn or something, or just

707
00:33:26,960 --> 00:33:28,200
Speaker 1: like what is this.

708
00:33:28,400 --> 00:33:30,760
Speaker 3: Maybe if you'd sat on the same time, they'd like

709
00:33:30,960 --> 00:33:33,360
Speaker 3: sink into the floor and suddenly it's like this hidden

710
00:33:33,440 --> 00:33:37,000
Speaker 3: passage you're in a mad scientist lab beneath the floors

711
00:33:37,040 --> 00:33:37,280
Speaker 3: of that.

712
00:33:38,000 --> 00:33:40,600
Speaker 1: We should have seen it for what it was. It

713
00:33:40,640 --> 00:33:45,280
Speaker 1: was the key that would unlock the secret layer. Damn it.

714
00:33:45,480 --> 00:33:48,200
Speaker 3: Were you just going because you're like a real estate nerd,

715
00:33:48,280 --> 00:33:51,040
Speaker 3: you weren't in the market for Yeah, No, I love that,

716
00:33:51,240 --> 00:33:52,920
Speaker 3: Like an open I'm a sucker for an open house.

717
00:33:52,960 --> 00:33:53,680
Speaker 3: That's a lot of fun.

718
00:33:54,320 --> 00:33:57,480
Speaker 1: Especially I think houses in the hills in Los Angeles

719
00:33:57,480 --> 00:34:00,160
Speaker 1: because so many lunatic people have lived here that have

720
00:34:00,280 --> 00:34:03,040
Speaker 1: like come into money and they think they're going to

721
00:34:03,080 --> 00:34:06,760
Speaker 1: have money forever. So like truly, that bathroom looked like

722
00:34:06,800 --> 00:34:09,120
Speaker 1: they went in and went, we need to the way

723
00:34:09,160 --> 00:34:12,160
Speaker 1: we live. We need to so people can go with

724
00:34:13,280 --> 00:34:14,760
Speaker 1: our weird sexual quirk.

725
00:34:16,160 --> 00:34:18,120
Speaker 2: We need to toilet side by side.

726
00:34:18,440 --> 00:34:19,040
Speaker 4: Yeah.

727
00:34:19,080 --> 00:34:21,799
Speaker 2: I drove by a house you showed me before you

728
00:34:21,880 --> 00:34:24,440
Speaker 2: got the house you're living. And we went up some

729
00:34:24,719 --> 00:34:27,120
Speaker 2: road that just had a mountain side on one side

730
00:34:27,160 --> 00:34:30,720
Speaker 2: and there was a little blue picket fence type house

731
00:34:30,800 --> 00:34:33,600
Speaker 2: and I just drove by it. You drove me past

732
00:34:33,640 --> 00:34:36,680
Speaker 2: it like you you take your friends to look at houses.

733
00:34:36,760 --> 00:34:38,839
Speaker 2: We just drove past kind of slow and then took

734
00:34:38,880 --> 00:34:39,359
Speaker 2: off like.

735
00:34:39,320 --> 00:34:43,120
Speaker 1: We I was like, and because for a long time

736
00:34:44,680 --> 00:34:46,480
Speaker 1: I was I was looking for a house and it

737
00:34:46,560 --> 00:34:48,640
Speaker 1: was just like Zillow, And it was when we were

738
00:34:48,680 --> 00:34:50,600
Speaker 1: on the road a lot. So I just sit in

739
00:34:50,640 --> 00:34:52,880
Speaker 1: like a hotel room bed and just be like I

740
00:34:52,920 --> 00:34:55,080
Speaker 1: would never live there, d D and just go through

741
00:34:55,160 --> 00:34:58,600
Speaker 1: Zillow like crazy. But then I realized it's so much

742
00:34:58,680 --> 00:35:02,600
Speaker 1: more fun to go in to these places because oftentimes

743
00:35:02,640 --> 00:35:05,240
Speaker 1: I'd be like, I would never spend this much money,

744
00:35:05,280 --> 00:35:08,360
Speaker 1: like especially in Los Angeles, these houses are so fucking

745
00:35:08,400 --> 00:35:13,440
Speaker 1: expensive and so crazy, and you can kind of almost

746
00:35:13,480 --> 00:35:16,919
Speaker 1: like imagine these crazy lives where it's like you must

747
00:35:16,920 --> 00:35:20,960
Speaker 1: have gotten a you got like a pilot, a TV pilot,

748
00:35:21,040 --> 00:35:23,040
Speaker 1: and you thought, I'm going to be rich forever. So

749
00:35:23,120 --> 00:35:26,160
Speaker 1: then you like got this house put in your toilet

750
00:35:26,280 --> 00:35:28,759
Speaker 1: or whatever thing, and then you know.

751
00:35:29,560 --> 00:35:31,360
Speaker 3: And that's been going on for hundreds of years, you

752
00:35:31,440 --> 00:35:33,600
Speaker 3: know what I mean, Like, yeah, there's so many. Yeah,

753
00:35:33,760 --> 00:35:36,000
Speaker 3: it's like you were a detective for the studio that

754
00:35:36,080 --> 00:35:37,920
Speaker 3: had to murder girlfriends like this.

755
00:35:38,080 --> 00:35:40,800
Speaker 4: It'said all sorts of weird lives.

756
00:35:40,400 --> 00:35:43,400
Speaker 3: That have been lived in Hollywood, and the architecture is

757
00:35:43,440 --> 00:35:45,680
Speaker 3: so disparate. It's just like that, how does that house

758
00:35:45,960 --> 00:35:47,520
Speaker 3: even fit into that space?

759
00:35:47,560 --> 00:35:50,880
Speaker 4: With weird polls? LA Architecture's wild crazy.

760
00:35:51,360 --> 00:35:53,600
Speaker 1: There's some you know, those ones like in Laurel Canyon

761
00:35:53,640 --> 00:35:55,759
Speaker 1: that are more modern. This was one of the first

762
00:35:55,760 --> 00:35:58,640
Speaker 1: houses I ever went to that wasn't my apartment when

763
00:35:58,680 --> 00:36:01,239
Speaker 1: I moved to LA in ninety four, and it was

764
00:36:01,440 --> 00:36:04,760
Speaker 1: Dave rats old house and it was it was literally

765
00:36:04,800 --> 00:36:08,799
Speaker 1: like cinder What am I trying to say? It was

766
00:36:08,920 --> 00:36:13,560
Speaker 1: just like the width of an apartment stacked three high,

767
00:36:13,840 --> 00:36:16,000
Speaker 1: so like you walked up the stairs and that was

768
00:36:16,040 --> 00:36:18,319
Speaker 1: Todd Glasses room, and then you walked up the moor

769
00:36:18,360 --> 00:36:21,239
Speaker 1: stairs and then that was somebody else's level of a room,

770
00:36:21,280 --> 00:36:24,040
Speaker 1: and then the third level was where the kitchen and

771
00:36:24,120 --> 00:36:27,040
Speaker 1: living room and like one other bedroom was. But it's

772
00:36:27,120 --> 00:36:30,200
Speaker 1: like because there's no space except for going up, like

773
00:36:30,239 --> 00:36:33,000
Speaker 1: there's a mountain directly behind it and the streets in

774
00:36:33,000 --> 00:36:36,239
Speaker 1: front of it. So it's just like this weird. I mean,

775
00:36:36,280 --> 00:36:38,120
Speaker 1: like I'd never been in a house like that before.

776
00:36:38,239 --> 00:36:41,520
Speaker 1: We're just like, okay, you guys, like you had to

777
00:36:41,560 --> 00:36:44,680
Speaker 1: take your grocery straight up like this, like it's a walk.

778
00:36:44,520 --> 00:36:48,080
Speaker 3: Up kitchen on the third floor is a weird one. Yeah,

779
00:36:48,920 --> 00:36:50,880
Speaker 3: oh I don't care for it there it is.

780
00:36:51,600 --> 00:36:54,400
Speaker 1: That's a no, no thanks past Adam's not going to

781
00:36:54,440 --> 00:36:55,080
Speaker 1: buy that house.

782
00:36:55,120 --> 00:36:57,840
Speaker 3: Not buy that home if you were no shipping containers

783
00:36:57,920 --> 00:36:58,760
Speaker 3: or something funky.

784
00:36:59,000 --> 00:37:01,440
Speaker 4: Maybe I'm not into it anymore.

785
00:37:01,520 --> 00:37:05,239
Speaker 2: That's the only because it's so unrealistic for me that

786
00:37:05,320 --> 00:37:07,800
Speaker 2: I think I might have to buy a plot of

787
00:37:07,920 --> 00:37:10,520
Speaker 2: land and either do the shipping container thing, or they

788
00:37:10,520 --> 00:37:14,560
Speaker 2: have these yurts where you can put cement pour cement

789
00:37:14,640 --> 00:37:17,360
Speaker 2: into like a not a yurt, but like a dome house.

790
00:37:17,600 --> 00:37:19,880
Speaker 2: Like I think I want to build a weird house

791
00:37:19,920 --> 00:37:24,360
Speaker 2: made of cement domes and storage containers, You should.

792
00:37:24,120 --> 00:37:27,200
Speaker 3: Go to Earthship Cool. Have you been a Toaus, New Mexico?

793
00:37:27,320 --> 00:37:30,839
Speaker 3: Those earth Ship houses? No Fairbanks, This is right up

794
00:37:30,880 --> 00:37:34,520
Speaker 3: your rally. It's just houses. It's all green and sustainable,

795
00:37:34,520 --> 00:37:36,520
Speaker 3: but it's all made out of trash. And it's a

796
00:37:36,560 --> 00:37:40,080
Speaker 3: community called Earthship and it's outside of Tows, New Mexico.

797
00:37:40,160 --> 00:37:44,120
Speaker 3: And they're all very spiritual, strange people. I was Kurt Brown,

798
00:37:44,600 --> 00:37:45,879
Speaker 3: and I used to be like, that is a place

799
00:37:45,920 --> 00:37:47,799
Speaker 3: if you could forget to do comedy shows there, just

800
00:37:47,800 --> 00:37:52,600
Speaker 3: like a weird festival or something. But I think Earthship

801
00:37:52,640 --> 00:37:54,919
Speaker 3: look it up, dude, you might just pack up ship

802
00:37:55,000 --> 00:37:57,000
Speaker 3: right now and move out there. You might be done.

803
00:37:57,520 --> 00:37:57,800
Speaker 4: Yeah.

804
00:37:58,000 --> 00:38:01,000
Speaker 2: Actually, when I one of the times and you, yeah,

805
00:38:01,200 --> 00:38:06,239
Speaker 2: you guys have always not to sidetrack, But early in

806
00:38:06,280 --> 00:38:09,480
Speaker 2: my career, you guys would bring me to Denver, and

807
00:38:09,840 --> 00:38:11,920
Speaker 2: that's how I got to know you. It's one of

808
00:38:11,960 --> 00:38:16,239
Speaker 2: the only scenes where you know you're not possessive of

809
00:38:16,280 --> 00:38:19,120
Speaker 2: your stage time and you want other comics to come

810
00:38:19,160 --> 00:38:22,000
Speaker 2: to Denver and I was lucky to be one of them.

811
00:38:22,000 --> 00:38:23,600
Speaker 2: But one of the times I was there, I stayed

812
00:38:23,640 --> 00:38:28,560
Speaker 2: with Kavon and he was running for mayor. That's right, yeah,

813
00:38:28,120 --> 00:38:32,960
Speaker 2: and we look he was looking at little sustainable tiny

814
00:38:33,000 --> 00:38:35,840
Speaker 2: homes because he wanted Denver to have and you have

815
00:38:35,960 --> 00:38:38,279
Speaker 2: a lot of that there, the tiny homes that people

816
00:38:38,280 --> 00:38:40,399
Speaker 2: can live in for a few weeks and then they

817
00:38:40,880 --> 00:38:44,560
Speaker 2: someone some move on. But but we were looking at

818
00:38:44,600 --> 00:38:47,880
Speaker 2: domes and container houses. That was like what he was

819
00:38:47,920 --> 00:38:50,960
Speaker 2: looking at online when I was staying there with his cats.

820
00:38:52,640 --> 00:38:54,759
Speaker 3: Now it's blown up, secrets out and now every now

821
00:38:54,760 --> 00:38:57,680
Speaker 3: it's just like the tiny home costs a million dollars now.

822
00:38:57,719 --> 00:38:59,560
Speaker 4: But it was a good vision once.

823
00:39:00,360 --> 00:39:03,040
Speaker 3: So oh really it kind of what happened with that?

824
00:39:03,160 --> 00:39:06,480
Speaker 3: They exist then they exist. I just in the past

825
00:39:06,520 --> 00:39:09,800
Speaker 3: twenty years, this city has blown up. I've gotten jokes.

826
00:39:09,800 --> 00:39:12,640
Speaker 3: Now it's like Denver's jumped the shark. This it's a

827
00:39:12,760 --> 00:39:16,919
Speaker 3: it's the lifestyle has been commodified and sold back to us.

828
00:39:16,960 --> 00:39:20,279
Speaker 3: And here we are, Like, there's this store I passed there.

829
00:39:20,360 --> 00:39:22,360
Speaker 3: It's called Young in the Mountains. Was the name of

830
00:39:22,400 --> 00:39:22,880
Speaker 3: the store?

831
00:39:23,960 --> 00:39:25,000
Speaker 4: Young in the Mountains.

832
00:39:25,000 --> 00:39:26,239
Speaker 2: You're kidding me, not at all?

833
00:39:26,320 --> 00:39:29,279
Speaker 3: And I have Young Coma in the Mountains, yes, like no,

834
00:39:29,440 --> 00:39:32,240
Speaker 3: just no comma, Like if you're not Julie Andrews spinning

835
00:39:32,239 --> 00:39:33,480
Speaker 3: in an alpine field.

836
00:39:33,640 --> 00:39:37,120
Speaker 4: Don't do not come to the store. So I've been joking.

837
00:39:37,160 --> 00:39:38,560
Speaker 3: I was like, I want to open a store called

838
00:39:38,640 --> 00:39:40,719
Speaker 3: forty two and worried about air quality.

839
00:39:43,560 --> 00:39:46,399
Speaker 2: So it's becoming a like a parody of itself, like.

840
00:39:46,600 --> 00:39:50,239
Speaker 3: Somewat or somewhat it's very much a hazy ipa with

841
00:39:50,280 --> 00:39:54,320
Speaker 3: a beard and grown ephic designers zipping around on their scooters.

842
00:39:54,320 --> 00:39:57,000
Speaker 3: It's it's all every every American city is kind of

843
00:39:57,000 --> 00:39:57,680
Speaker 3: going through the same thing.

844
00:39:57,719 --> 00:39:59,960
Speaker 4: If it's doing well right now.

845
00:40:00,360 --> 00:40:03,719
Speaker 1: Well and also when when that it's so livable, like

846
00:40:03,840 --> 00:40:06,160
Speaker 1: I you know, I've only spent a little bit of

847
00:40:06,200 --> 00:40:08,799
Speaker 1: time there, but and one of the times was doing

848
00:40:08,920 --> 00:40:11,800
Speaker 1: High Planes Festival. But it's like the vibe is so good.

849
00:40:12,000 --> 00:40:14,439
Speaker 1: It's that feeling of like, oh, if I lived here,

850
00:40:14,520 --> 00:40:16,640
Speaker 1: these would be my friends, if I lived here, this

851
00:40:16,640 --> 00:40:18,960
Speaker 1: would be my bar if I love and it's so

852
00:40:20,000 --> 00:40:23,640
Speaker 1: nice and like that, I can see why people are

853
00:40:23,680 --> 00:40:25,839
Speaker 1: just like, yeah, I want to be young in the mountains. Yes,

854
00:40:26,040 --> 00:40:28,799
Speaker 1: I don't want to be fucking old and mediocre in

855
00:40:28,960 --> 00:40:31,200
Speaker 1: la I want to I wanted to be in a

856
00:40:31,239 --> 00:40:33,719
Speaker 1: place where there is a there's a thing to be

857
00:40:33,880 --> 00:40:36,040
Speaker 1: doing that's like, you know, kind.

858
00:40:35,840 --> 00:40:39,120
Speaker 3: Of pays off, totally totally. And I just was born here,

859
00:40:39,160 --> 00:40:40,720
Speaker 3: so I was like, I was young in the mountains

860
00:40:40,719 --> 00:40:42,240
Speaker 3: and none of you were here.

861
00:40:46,760 --> 00:40:48,760
Speaker 1: You're the nine year old up in the mountains.

862
00:40:48,360 --> 00:40:51,080
Speaker 4: Bike.

863
00:40:52,440 --> 00:40:53,920
Speaker 1: Young in the mountains.

864
00:40:54,239 --> 00:40:56,759
Speaker 4: It's a fine story. They got cool jewelry, but it's like,

865
00:40:56,880 --> 00:40:58,279
Speaker 4: come on, let's do better here.

866
00:40:59,120 --> 00:41:02,360
Speaker 2: Yeah that is Yeah, that's on the nose name or

867
00:41:02,480 --> 00:41:05,160
Speaker 2: is it? It's pretty random. That's an insane name.

868
00:41:05,360 --> 00:41:06,640
Speaker 4: It stopped me dead in my tracks.

869
00:41:06,680 --> 00:41:09,279
Speaker 3: I literally stopped walking and I was like, no fucking way,

870
00:41:09,360 --> 00:41:10,239
Speaker 3: that's what we're going with.

871
00:41:10,960 --> 00:41:11,400
Speaker 2: Yeah.

872
00:41:11,480 --> 00:41:11,719
Speaker 4: Yeah.

873
00:41:11,760 --> 00:41:15,960
Speaker 2: There was a store in Butte, Montana called your Father's Mustache,

874
00:41:16,000 --> 00:41:19,239
Speaker 2: and I really didn't find out what they sold there.

875
00:41:19,320 --> 00:41:23,520
Speaker 2: Black toilets, black toilets, and hair wax.

876
00:41:23,760 --> 00:41:31,520
Speaker 1: Yeah yeah, yeah, wall to wall toilets, cocaine, your father's mustache.

877
00:41:32,400 --> 00:41:35,160
Speaker 2: But yeah, if I would, I've thought many times that

878
00:41:35,239 --> 00:41:37,680
Speaker 2: I could live in Denver. It totally makes sense that

879
00:41:37,920 --> 00:41:41,759
Speaker 2: you're staying there and your decision to stay. Were you

880
00:41:42,360 --> 00:41:45,360
Speaker 2: when you were doing those who can't Were you just

881
00:41:45,480 --> 00:41:48,080
Speaker 2: traveling or did you have a place here or how

882
00:41:48,120 --> 00:41:48,920
Speaker 2: were you doing that?

883
00:41:49,000 --> 00:41:51,359
Speaker 3: I got to do LA the best possible because when

884
00:41:51,360 --> 00:41:53,080
Speaker 3: we did Those Who Can't, we would write the show

885
00:41:53,120 --> 00:41:55,319
Speaker 3: there and film it there, so I'd pack up my

886
00:41:55,360 --> 00:41:58,359
Speaker 3: car and drive out for like five six months, pay

887
00:41:58,400 --> 00:42:00,239
Speaker 3: somebody to house sit and rent a place so I

888
00:42:00,280 --> 00:42:02,760
Speaker 3: could so one. And we only did that three years.

889
00:42:02,800 --> 00:42:04,759
Speaker 3: But one year I tried Echo Park. It was so

890
00:42:04,840 --> 00:42:07,239
Speaker 3: cool to live there. One year I did Studio City

891
00:42:07,280 --> 00:42:09,600
Speaker 3: to be closer to our offices whatever, and then the

892
00:42:09,680 --> 00:42:13,120
Speaker 3: last year I did Eagle Rock, which ruled, so you know,

893
00:42:13,200 --> 00:42:15,200
Speaker 3: I got to be in LA and have boots on

894
00:42:15,239 --> 00:42:17,799
Speaker 3: the ground, but I had a job I wasn't, you know.

895
00:42:18,200 --> 00:42:20,680
Speaker 4: And I got to have a leaving date as well.

896
00:42:20,800 --> 00:42:23,200
Speaker 3: So I love LA because it was really like a

897
00:42:23,280 --> 00:42:26,520
Speaker 3: playground for me to make a fun show with my buddies.

898
00:42:26,920 --> 00:42:29,360
Speaker 3: And I always love going there. I'm like nostalgic for

899
00:42:29,440 --> 00:42:32,080
Speaker 3: it all the time, but I definitely love living here

900
00:42:32,120 --> 00:42:33,920
Speaker 3: and feel very lucky we got to do it.

901
00:42:33,960 --> 00:42:35,880
Speaker 4: I got to do it that way, you know. Yeah.

902
00:42:36,040 --> 00:42:38,120
Speaker 1: Yeah, And it was such a good show.

903
00:42:38,280 --> 00:42:39,279
Speaker 4: Oh I love that show.

904
00:42:39,880 --> 00:42:40,959
Speaker 2: Yeah, so good.

905
00:42:41,160 --> 00:42:43,239
Speaker 4: It was a good It was a very good time.

906
00:42:43,280 --> 00:42:45,080
Speaker 4: We had a lot of fun with that way.

907
00:42:45,120 --> 00:42:47,600
Speaker 2: If people want to watch that not then it's plug

908
00:42:47,640 --> 00:42:50,400
Speaker 2: in time. But do you have to stay on topic?

909
00:42:51,239 --> 00:42:53,880
Speaker 4: It's gone. I can't find it anywhere for me.

910
00:42:54,120 --> 00:42:54,560
Speaker 1: It was.

911
00:42:54,800 --> 00:42:57,040
Speaker 4: You may say that it was on you know, it's

912
00:42:57,080 --> 00:42:58,239
Speaker 4: true TV did it.

913
00:42:58,239 --> 00:43:00,920
Speaker 3: It was on HBO Max and then it disappeared from

914
00:43:00,960 --> 00:43:03,120
Speaker 3: there and was on Hulu and now it's disappeared and

915
00:43:03,160 --> 00:43:04,759
Speaker 3: I can't get a hold of anyone at True to

916
00:43:04,800 --> 00:43:05,799
Speaker 3: try to figure this out.

917
00:43:05,800 --> 00:43:07,160
Speaker 4: And it's very frustrating.

918
00:43:07,200 --> 00:43:09,440
Speaker 3: But once there was a great show my friends and

919
00:43:09,480 --> 00:43:12,560
Speaker 3: I made, And if you follow me online, I'll draw

920
00:43:12,600 --> 00:43:18,000
Speaker 3: you a picture of my favorite scenes.

921
00:43:16,840 --> 00:43:17,359
Speaker 1: I saw it.

922
00:43:17,880 --> 00:43:20,160
Speaker 3: We can back it up, yeah, Karen, Karen might draw

923
00:43:20,200 --> 00:43:23,280
Speaker 3: you a picture as well of some of the favorite

924
00:43:23,360 --> 00:43:25,360
Speaker 3: characters and maybe some dialogue bubbles.

925
00:43:25,400 --> 00:43:26,399
Speaker 4: We'll recreate it.

926
00:43:26,800 --> 00:43:28,760
Speaker 1: We'll see, we'll see what we can get down on paper.

927
00:43:28,840 --> 00:43:31,120
Speaker 3: I'm sure it'll it'll. I'll find it. We'll figure it

928
00:43:31,120 --> 00:43:34,239
Speaker 3: out somewhere. It's currently lost in the ether, and it'll yeah,

929
00:43:34,280 --> 00:43:38,719
Speaker 3: it'll reserve it. It'll resurface somewhere. Yeah, it's so email me.

930
00:43:38,760 --> 00:43:41,200
Speaker 3: I'll give you all the files. I'll send you some venmos.

931
00:43:42,000 --> 00:43:44,399
Speaker 1: Just like those the hard copy scripts. Send them out

932
00:43:44,440 --> 00:43:45,440
Speaker 1: to anyone who wants.

933
00:43:45,280 --> 00:43:46,680
Speaker 3: Them and if you want to punch them up, I

934
00:43:46,680 --> 00:43:49,200
Speaker 3: don't care if it's done. I always am looking.

935
00:43:49,000 --> 00:43:50,040
Speaker 4: To improve.

936
00:43:51,120 --> 00:43:51,759
Speaker 1: Fan fic.

937
00:43:51,960 --> 00:43:54,160
Speaker 4: Yeah, fan fake my my previous work.

938
00:43:56,040 --> 00:43:59,200
Speaker 2: Yeah, it's hard to I was on a True TV

939
00:43:59,280 --> 00:44:02,600
Speaker 2: show round that same time, just risting that's right, and

940
00:44:02,840 --> 00:44:07,600
Speaker 2: I can't. It's unavailable. It's just existed, and you have

941
00:44:07,680 --> 00:44:09,800
Speaker 2: to take my word for it. Everybody.

942
00:44:10,440 --> 00:44:12,839
Speaker 3: Well, if I get an email from somebody over there

943
00:44:12,880 --> 00:44:17,280
Speaker 3: who's just feeding VHS's of and practical jokers into the machine,

944
00:44:17,600 --> 00:44:20,480
Speaker 3: oh yeah, I'll let you know the email.

945
00:44:20,680 --> 00:44:23,560
Speaker 2: All in with those guys. I did watch it the

946
00:44:23,600 --> 00:44:26,600
Speaker 2: other day because I've never given those guys a chance,

947
00:44:26,640 --> 00:44:28,320
Speaker 2: and I did laugh through the whole.

948
00:44:28,239 --> 00:44:31,799
Speaker 3: They're the nicest dudes. Volcano the other day being like,

949
00:44:31,840 --> 00:44:33,520
Speaker 3: do you have an email of anyone at True? But

950
00:44:33,760 --> 00:44:35,759
Speaker 3: I say that not even sarcastically. I feel like, if

951
00:44:35,760 --> 00:44:39,040
Speaker 3: you watch that network now, that's what's on all the time.

952
00:44:39,200 --> 00:44:41,400
Speaker 3: So yeah, trying to get to get an email of

953
00:44:41,400 --> 00:44:42,759
Speaker 3: whoever's putting the tapes.

954
00:44:42,480 --> 00:44:46,240
Speaker 2: In it just it just blows my mind. Their journey

955
00:44:46,320 --> 00:44:49,080
Speaker 2: from being Court TV where we all were glued to

956
00:44:49,120 --> 00:44:54,160
Speaker 2: the OJ trial to me introducing you know, some dad

957
00:44:54,200 --> 00:44:56,440
Speaker 2: taking it in the nuts on a slip and slide?

958
00:44:57,160 --> 00:44:58,800
Speaker 1: Is that what Truchie Who was before?

959
00:44:59,040 --> 00:44:59,239
Speaker 3: Yes?

960
00:45:00,280 --> 00:45:04,799
Speaker 2: Yeah, And they gradually, I guess because it was kind

961
00:45:04,840 --> 00:45:10,440
Speaker 2: of documentary and then they went to like internet video footage.

962
00:45:10,600 --> 00:45:12,880
Speaker 2: I don't, I don't. Maybe at one point it was

963
00:45:12,920 --> 00:45:18,640
Speaker 2: half crime, half here's some bloopers, some cops bloopers. And

964
00:45:18,680 --> 00:45:20,279
Speaker 2: then we got to be.

965
00:45:20,239 --> 00:45:22,960
Speaker 3: Their first scripted comedy. We were their first like half

966
00:45:23,000 --> 00:45:26,040
Speaker 3: hour sitcom. So that was very cool and it was

967
00:45:26,040 --> 00:45:28,800
Speaker 3: like a huge opportunity for us. So I'm forever grateful.

968
00:45:29,160 --> 00:45:31,080
Speaker 3: But man, do I want that show back on the

969
00:45:31,120 --> 00:45:33,719
Speaker 3: air because it's become a little cult classic and it's

970
00:45:33,719 --> 00:45:36,759
Speaker 3: got Kyle Knane and Rory Scovill in it and it

971
00:45:36,840 --> 00:45:39,360
Speaker 3: was just a lot of lot of fun.

972
00:45:40,080 --> 00:45:44,480
Speaker 2: Yeah. Anyway, Yeah, it'll it'll come back. I'm just gonna

973
00:45:44,480 --> 00:45:46,640
Speaker 2: say that, put it and puts it out there.

974
00:45:47,320 --> 00:45:49,320
Speaker 1: There's no episodes like on YouTube.

975
00:45:49,440 --> 00:45:50,320
Speaker 4: Uh not really know.

976
00:45:50,360 --> 00:45:53,040
Speaker 3: There's some one if you have like old school television,

977
00:45:53,120 --> 00:45:55,759
Speaker 3: then you on demand those who can't, there's not all

978
00:45:55,800 --> 00:45:57,239
Speaker 3: of them, but there are some up there.

979
00:45:57,360 --> 00:45:58,480
Speaker 4: I'm telling you, Karen, I'm.

980
00:45:58,360 --> 00:46:01,839
Speaker 3: Very frustrated with like it's gone, Like you can't even

981
00:46:01,880 --> 00:46:03,839
Speaker 3: you can't even buy it, like you can't, I.

982
00:46:03,760 --> 00:46:04,200
Speaker 4: Want to buy it.

983
00:46:04,760 --> 00:46:09,880
Speaker 2: The thing's get their demand. Please guys, me go to

984
00:46:09,920 --> 00:46:12,680
Speaker 2: my It's on my dad's TV. Everyone, we could just

985
00:46:12,719 --> 00:46:16,839
Speaker 2: go there. That's where reality bites back. It's also if

986
00:46:16,840 --> 00:46:18,280
Speaker 2: you email me, I'll send you the scripts.

987
00:46:18,280 --> 00:46:20,720
Speaker 3: If you come to my home, I have dvr'd every

988
00:46:20,800 --> 00:46:23,520
Speaker 3: one of them, and so we can sit down and

989
00:46:23,560 --> 00:46:26,160
Speaker 3: we can watch the commercials together and all of it.

990
00:46:26,239 --> 00:46:28,759
Speaker 2: Like say, if you come to my home, I'll act

991
00:46:28,760 --> 00:46:29,600
Speaker 2: them out, which I.

992
00:46:29,719 --> 00:46:33,719
Speaker 4: Yes, yeah, I mean it depends on what's going on that.

993
00:46:33,719 --> 00:46:37,280
Speaker 1: Day, Adam. Are you still hosting comedy shows?

994
00:46:37,840 --> 00:46:38,080
Speaker 4: Yes.

995
00:46:38,280 --> 00:46:40,840
Speaker 3: I do a monthly show with the guys who I

996
00:46:40,920 --> 00:46:44,560
Speaker 3: did Those Who Can with called the Gralics. Chris has

997
00:46:44,560 --> 00:46:46,400
Speaker 3: done it a number of times, and we have a

998
00:46:46,520 --> 00:46:49,520
Speaker 3: podcast that Girlic Saves the World shameless plug. But we

999
00:46:49,600 --> 00:46:53,080
Speaker 3: do a monthly show and it's the best. We we

1000
00:46:53,160 --> 00:46:56,640
Speaker 3: fly out a guest. Chris has done it before and

1001
00:46:56,760 --> 00:46:58,560
Speaker 3: it's great. It keeps us honest because all three of

1002
00:46:58,640 --> 00:47:01,480
Speaker 3: us headline all over but our rule there's a lot

1003
00:47:01,520 --> 00:47:03,680
Speaker 3: of repeat fans, so every month each of us has

1004
00:47:03,719 --> 00:47:06,560
Speaker 3: to have ten new minutes. So I mean that keeps

1005
00:47:06,560 --> 00:47:09,160
Speaker 3: you writing, and it also keeps the nerves up. So

1006
00:47:09,239 --> 00:47:10,719
Speaker 3: we get to the show and we're like, you got

1007
00:47:10,719 --> 00:47:12,839
Speaker 3: ten new? Have you run it anywhere before? And we're

1008
00:47:12,880 --> 00:47:16,200
Speaker 3: all just pacing trying to remember it, which is like

1009
00:47:16,680 --> 00:47:18,680
Speaker 3: what it was like to be a really young comic.

1010
00:47:19,040 --> 00:47:21,160
Speaker 3: And we kind of get that feeling every month. So yeah,

1011
00:47:21,160 --> 00:47:21,920
Speaker 3: we're still doing that.

1012
00:47:22,280 --> 00:47:24,799
Speaker 2: Oh so there's pressure for you guys to actually do

1013
00:47:25,160 --> 00:47:26,440
Speaker 2: new material.

1014
00:47:27,160 --> 00:47:30,399
Speaker 3: It's self imposed, but a lot of repeat fans come,

1015
00:47:30,520 --> 00:47:33,480
Speaker 3: so the people sort of know these guys are trying

1016
00:47:33,600 --> 00:47:36,360
Speaker 3: ten new and we fly in a headliner who's like,

1017
00:47:36,360 --> 00:47:40,000
Speaker 3: don't worry, there's somebody great. At the end, we give

1018
00:47:40,400 --> 00:47:42,920
Speaker 3: a local spot and they can do their ten minutes

1019
00:47:42,920 --> 00:47:45,040
Speaker 3: of tried and tested gold, but the three of us

1020
00:47:45,120 --> 00:47:47,600
Speaker 3: host it together, and then each of us has a

1021
00:47:47,600 --> 00:47:50,359
Speaker 3: ten minute set of what we wrote that month. So

1022
00:47:51,080 --> 00:47:53,279
Speaker 3: you do that for a year. That's one hundred and

1023
00:47:53,320 --> 00:47:55,719
Speaker 3: twenty minutes. You know, if half of it's decent, Now

1024
00:47:55,719 --> 00:47:59,239
Speaker 3: you got a new hour. It's a good system.

1025
00:47:59,680 --> 00:48:00,399
Speaker 1: Yeah, it's great.

1026
00:48:00,680 --> 00:48:03,319
Speaker 2: Do you also do I in the beginning where you're

1027
00:48:03,320 --> 00:48:04,680
Speaker 2: doing like self improvement?

1028
00:48:06,480 --> 00:48:08,919
Speaker 4: The podcast The Galk Saves the World is.

1029
00:48:08,840 --> 00:48:12,480
Speaker 2: Okay, I see they have the same name Growling. Okay,

1030
00:48:12,600 --> 00:48:13,840
Speaker 2: that's where.

1031
00:48:13,640 --> 00:48:16,640
Speaker 3: I What people should know is that Chris drew the

1032
00:48:16,800 --> 00:48:18,760
Speaker 3: art for our podcast, and it's awesome.

1033
00:48:18,760 --> 00:48:21,720
Speaker 4: It's one of my favorite drawings. It's really fun.

1034
00:48:22,280 --> 00:48:27,080
Speaker 2: It's curious how I gave you all amazing muscular labs.

1035
00:48:28,000 --> 00:48:33,319
Speaker 2: I got obsessed. I really, it was like, I just

1036
00:48:33,400 --> 00:48:37,120
Speaker 2: turn you all into Greek gods in the calf department.

1037
00:48:37,440 --> 00:48:39,239
Speaker 4: The grolic Saves the World and Chris's art.

1038
00:48:39,239 --> 00:48:41,640
Speaker 3: We're all holding up a globe like at Liss and

1039
00:48:41,680 --> 00:48:45,759
Speaker 3: we're crouded, and we looked jacked and like, if I

1040
00:48:45,760 --> 00:48:48,040
Speaker 3: could use it as a headshot, I would. I've got

1041
00:48:48,080 --> 00:48:51,240
Speaker 3: more hair than I have. My calves are fucking great.

1042
00:48:52,000 --> 00:48:52,799
Speaker 3: I'm into it.

1043
00:48:53,640 --> 00:48:55,920
Speaker 1: Wait that you know what for the do you need

1044
00:48:55,960 --> 00:48:59,920
Speaker 1: to ride logo or whatever? You did? You drew me

1045
00:49:00,200 --> 00:49:03,000
Speaker 1: like a fucking supermodel. Like every time I look at him,

1046
00:49:03,320 --> 00:49:05,440
Speaker 1: Oh look at that. That's nice.

1047
00:49:05,680 --> 00:49:08,919
Speaker 2: I hurt Doug Benson's feelings once with a with a

1048
00:49:08,960 --> 00:49:11,759
Speaker 2: caricature portrait of him, and I learned from that day

1049
00:49:11,800 --> 00:49:19,759
Speaker 2: on top to only augment Yeah really direction, Yeah.

1050
00:49:20,160 --> 00:49:21,200
Speaker 4: You're such a nice dude.

1051
00:49:21,200 --> 00:49:23,000
Speaker 3: But when I saw that, I was like, I wish

1052
00:49:23,080 --> 00:49:26,640
Speaker 3: I could see me through Chris Fairbanks's eyes because I don't.

1053
00:49:26,960 --> 00:49:28,919
Speaker 4: I don't see anything like this at all.

1054
00:49:29,120 --> 00:49:31,919
Speaker 1: And I stared Chris Fairbanks just staring at your cow,

1055
00:49:32,400 --> 00:49:33,920
Speaker 1: just like look at him.

1056
00:49:34,200 --> 00:49:36,719
Speaker 3: Because of him rejecting these ghoulish ones. He's like, I

1057
00:49:36,719 --> 00:49:38,080
Speaker 3: can't Doug Benson at him.

1058
00:49:38,480 --> 00:49:39,520
Speaker 2: This is how I see him.

1059
00:49:39,520 --> 00:49:41,360
Speaker 4: But I got again.

1060
00:49:42,440 --> 00:49:45,080
Speaker 2: It's funny. Yeah, it does feel good. Even when I

1061
00:49:45,160 --> 00:49:47,919
Speaker 2: was in that sketch or is the brunch one where

1062
00:49:48,120 --> 00:49:51,880
Speaker 2: Den was like he had thoughts about my body, He's like, oh,

1063
00:49:51,920 --> 00:49:54,200
Speaker 2: he must work out a lot. You don't get those

1064
00:49:54,239 --> 00:49:59,319
Speaker 2: striations just from whatever it's lying. I remember watching that

1065
00:49:59,400 --> 00:50:01,880
Speaker 2: and I was so flattered, even though it was a

1066
00:50:01,960 --> 00:50:05,879
Speaker 2: made up comedy moment. I was like, oh, man, Ben

1067
00:50:05,960 --> 00:50:07,279
Speaker 2: thinks I work out a lot.

1068
00:50:07,760 --> 00:50:08,799
Speaker 4: We're all insecure.

1069
00:50:08,800 --> 00:50:10,720
Speaker 2: It's my body that makes me feel great.

1070
00:50:10,760 --> 00:50:14,080
Speaker 3: We're all insecure, and men uplifting men goes a long way.

1071
00:50:14,200 --> 00:50:17,120
Speaker 3: I appreciate. I appreciate the lovely drawing. It's the great,

1072
00:50:17,280 --> 00:50:18,520
Speaker 3: great art for our podcast.

1073
00:50:18,600 --> 00:50:19,480
Speaker 4: We all dig it.

1074
00:50:19,920 --> 00:50:23,279
Speaker 2: Well, I'll send you the ones where it's pretty much uh,

1075
00:50:23,600 --> 00:50:28,400
Speaker 2: Tom's of Finland like erotic, like, uh, you guys have

1076
00:50:28,480 --> 00:50:30,760
Speaker 2: short haircuts and you're oh boy.

1077
00:50:30,920 --> 00:50:33,960
Speaker 4: Nice, Sure, we'll put that on our Patreon. They'll eat

1078
00:50:34,000 --> 00:50:34,319
Speaker 4: it up.

1079
00:50:34,760 --> 00:50:38,960
Speaker 1: Yeah, one foot up on the wall, just all hanging out, crawlics,

1080
00:50:39,239 --> 00:50:40,720
Speaker 1: trolling growlicks.

1081
00:50:41,320 --> 00:50:42,960
Speaker 4: Just taking a steam like we do.

1082
00:50:45,400 --> 00:50:46,880
Speaker 1: Yeah, have you ever I have?

1083
00:50:47,600 --> 00:50:50,080
Speaker 2: I've gone to a couple nude beaches and there's always

1084
00:50:50,080 --> 00:50:52,399
Speaker 2: someone that's kind of like the ring leader and there

1085
00:50:52,840 --> 00:50:55,160
Speaker 2: they come over to vet you a little. This happened

1086
00:50:55,160 --> 00:50:58,440
Speaker 2: in Hawaii. And there's also a little beach in a

1087
00:50:58,520 --> 00:51:00,960
Speaker 2: river in Montana. There is one naked guy that always

1088
00:51:01,000 --> 00:51:03,120
Speaker 2: comes over and puts his leg up on a rock

1089
00:51:03,800 --> 00:51:05,879
Speaker 2: and just lets you see it all. And he's like, hey,

1090
00:51:05,960 --> 00:51:09,200
Speaker 2: what brought you to our little spot here? Like trying

1091
00:51:09,200 --> 00:51:14,440
Speaker 2: to see if you're down for their chicanery. And I've

1092
00:51:14,440 --> 00:51:17,960
Speaker 2: always averted my eye, but I appreciate. I appreciate. At

1093
00:51:17,960 --> 00:51:20,000
Speaker 2: this point, I'd like to see that.

1094
00:51:20,040 --> 00:51:24,440
Speaker 1: I have some follow up questions Chris from that story. Yeah, yeah,

1095
00:51:24,520 --> 00:51:28,759
Speaker 1: So are you happening upon nude beaches or are you

1096
00:51:28,920 --> 00:51:30,960
Speaker 1: like this is where I can really be myself.

1097
00:51:31,440 --> 00:51:36,279
Speaker 2: Both times I was brought by friends, girlfriends that are

1098
00:51:36,400 --> 00:51:40,279
Speaker 2: friend childhood friends that wanted to go there, and I

1099
00:51:40,680 --> 00:51:43,080
Speaker 2: was the one that was trying not to laugh because

1100
00:51:43,080 --> 00:51:45,640
Speaker 2: I saw a guy surfing and that's such a big

1101
00:51:46,000 --> 00:51:49,919
Speaker 2: dick and it was flopping around. Me's surfing, and deep down,

1102
00:51:50,200 --> 00:51:52,560
Speaker 2: if I see a naked guy surfing and his dick's

1103
00:51:52,560 --> 00:51:56,040
Speaker 2: flopping around, I will laugh. I couldn't stop laughing because

1104
00:51:56,080 --> 00:51:59,839
Speaker 2: I am a child. Yeah, and I was the only

1105
00:51:59,880 --> 00:52:02,680
Speaker 2: one who didn't get naked. I just kept my shorts on,

1106
00:52:02,719 --> 00:52:04,919
Speaker 2: so I look like some kind of a nudity narc.

1107
00:52:05,719 --> 00:52:05,959
Speaker 4: Yeah.

1108
00:52:06,040 --> 00:52:08,360
Speaker 2: Even thinking about it now, I get uncomfortable.

1109
00:52:08,640 --> 00:52:10,800
Speaker 4: Isn't this how the movie Point Break ends?

1110
00:52:11,440 --> 00:52:15,880
Speaker 3: Yeah, Swayze's out, dick out going towards the final wave,

1111
00:52:16,040 --> 00:52:18,680
Speaker 3: and there's a nark on the beach, not nude.

1112
00:52:18,920 --> 00:52:21,000
Speaker 4: And he got away. The dude got you. The criminal

1113
00:52:21,000 --> 00:52:21,480
Speaker 4: got away.

1114
00:52:21,880 --> 00:52:25,560
Speaker 2: Yeah, yeah, because he recognized. Yeah, they had the police

1115
00:52:25,640 --> 00:52:28,560
Speaker 2: drawings of their genitalia. That's how they caught him.

1116
00:52:29,280 --> 00:52:33,280
Speaker 1: Their genitalia with a Reagan mask on it, A little

1117
00:52:33,320 --> 00:52:35,240
Speaker 1: tiny Reagan mask, little one.

1118
00:52:35,360 --> 00:52:37,959
Speaker 3: I always like to riff got. It's such a good documentary.

1119
00:52:38,040 --> 00:52:41,600
Speaker 3: Like I don't understand fiction and like real movies, I

1120
00:52:41,680 --> 00:52:43,800
Speaker 3: love that documentary about surfing Point Break.

1121
00:52:44,120 --> 00:52:47,680
Speaker 4: They really got to the essence of it.

1122
00:52:47,680 --> 00:52:51,720
Speaker 1: It's so intense, So how they surf and rub banks

1123
00:52:52,120 --> 00:52:52,680
Speaker 1: out there?

1124
00:52:53,040 --> 00:52:56,480
Speaker 2: Are you too very familiar with the point break live?

1125
00:52:56,680 --> 00:52:59,960
Speaker 2: It's very random to me, but it's like a common

1126
00:53:00,400 --> 00:53:05,200
Speaker 2: reenactment where I think, much like that David and Lisa

1127
00:53:05,239 --> 00:53:08,040
Speaker 2: Dinner Theater we were talking about a few episodes back,

1128
00:53:08,920 --> 00:53:12,760
Speaker 2: audience members have to read like I think the Keanu

1129
00:53:12,800 --> 00:53:16,120
Speaker 2: Reeves part, I'm not different. People are taken from the

1130
00:53:16,160 --> 00:53:19,440
Speaker 2: audience to be Keanu Reeves. But it's the guy that

1131
00:53:19,600 --> 00:53:22,640
Speaker 2: started that has a big, beautiful place in Venice. Like

1132
00:53:22,719 --> 00:53:26,600
Speaker 2: it's a wildly popular based on the most random movie ever.

1133
00:53:27,480 --> 00:53:29,400
Speaker 4: It just goes to it all. I'd love to see that.

1134
00:53:29,560 --> 00:53:32,720
Speaker 2: There's no bad ideas. Yeah, it's it's like a live

1135
00:53:32,840 --> 00:53:35,640
Speaker 2: touring show. It's like improvised shakes.

1136
00:53:35,760 --> 00:53:38,719
Speaker 1: It's such a good idea. But they but they also don't.

1137
00:53:38,760 --> 00:53:40,960
Speaker 1: They like throw buckets of water on people and stuff

1138
00:53:40,960 --> 00:53:43,879
Speaker 1: like that when they're doing these scenes, they like try

1139
00:53:43,920 --> 00:53:46,880
Speaker 1: to bring it to life oh wow on stage essentially

1140
00:53:46,920 --> 00:53:51,120
Speaker 1: like they're trying to do bad theater, you know, effects

1141
00:53:51,120 --> 00:53:53,920
Speaker 1: and stuff as they do it. It's I've seen clips

1142
00:53:53,920 --> 00:53:55,440
Speaker 1: and it seems hilarious.

1143
00:53:55,760 --> 00:53:58,360
Speaker 2: I think they still do it. It's been going since

1144
00:53:58,440 --> 00:54:02,120
Speaker 2: the movie. I think it's helped keep that movie valid.

1145
00:54:02,880 --> 00:54:04,000
Speaker 2: Is that movie valid?

1146
00:54:04,080 --> 00:54:07,680
Speaker 3: I just rewatched that movie. It is definitely valid. Yeah, yeah,

1147
00:54:07,719 --> 00:54:10,440
Speaker 3: I hadn't seen it for years. But we do a

1148
00:54:10,719 --> 00:54:14,000
Speaker 3: podcast within our podcast called boy Crazy where we ranked

1149
00:54:14,000 --> 00:54:16,520
Speaker 3: the hunkiness of hunks of Yesteryear. So we had Canane

1150
00:54:16,520 --> 00:54:18,399
Speaker 3: on and we had to it was a hunk off

1151
00:54:18,440 --> 00:54:19,520
Speaker 3: between the two of them.

1152
00:54:19,800 --> 00:54:21,240
Speaker 4: And that's quite an episode.

1153
00:54:21,400 --> 00:54:23,319
Speaker 3: So but I had I rewatched Point Break and had

1154
00:54:23,800 --> 00:54:26,440
Speaker 3: it doesn't stand up, but I was thrilled to be

1155
00:54:26,480 --> 00:54:27,560
Speaker 3: watching it the entire time.

1156
00:54:27,600 --> 00:54:31,399
Speaker 2: But it is peak swazy baby big time, yeah, big

1157
00:54:31,440 --> 00:54:34,239
Speaker 2: time and Gary Busey best use of Gary Busey of

1158
00:54:34,280 --> 00:54:36,080
Speaker 2: all time for real.

1159
00:54:36,360 --> 00:54:39,120
Speaker 1: Wait, let's go. Let's go around and everyone els to pick.

1160
00:54:39,160 --> 00:54:42,600
Speaker 1: Who is your pick? Keano or Patrick Swayze. Yes, Adam,

1161
00:54:42,680 --> 00:54:44,200
Speaker 1: you're the guest. Please go first.

1162
00:54:44,840 --> 00:54:48,759
Speaker 3: I went with Keanu in that and when we did that,

1163
00:54:48,800 --> 00:54:51,040
Speaker 3: and I'm going with Keanu again just because it was

1164
00:54:51,120 --> 00:54:55,320
Speaker 3: before he had had any personality and it was pure hunk,

1165
00:54:55,680 --> 00:55:00,399
Speaker 3: and Swazy was personality and hunk, which may be that's

1166
00:55:00,440 --> 00:55:02,719
Speaker 3: a better comboa, but I like, I don't want any brains.

1167
00:55:02,880 --> 00:55:04,960
Speaker 4: I just want hunk and he was given. He was

1168
00:55:05,000 --> 00:55:06,040
Speaker 4: given it in that film.

1169
00:55:06,719 --> 00:55:09,879
Speaker 2: Yeah, I think I have to defy that a little

1170
00:55:09,920 --> 00:55:12,840
Speaker 2: and go Swayze just because my whole childhood he saved

1171
00:55:12,840 --> 00:55:16,080
Speaker 2: the Day and read Dawn. He was the leader of

1172
00:55:16,120 --> 00:55:19,640
Speaker 2: a pack of hunks in The Outsiders. These are movies

1173
00:55:19,719 --> 00:55:24,160
Speaker 2: that I grew I grew up with swayzey all Daisy

1174
00:55:24,440 --> 00:55:27,000
Speaker 2: and I and a lot of people bring up a roadhouse.

1175
00:55:27,280 --> 00:55:28,160
Speaker 2: It's also good.

1176
00:55:28,480 --> 00:55:31,760
Speaker 1: He's just a badass and roadhouses forever.

1177
00:55:32,120 --> 00:55:35,200
Speaker 2: Yeah, he's I mean, I just watched John Wick three.

1178
00:55:35,239 --> 00:55:39,560
Speaker 2: It's terrific. I thoroughly enjoyed it. But man, if that

1179
00:55:39,760 --> 00:55:41,799
Speaker 2: was Patrick Swayzee in that.

1180
00:55:44,040 --> 00:55:46,680
Speaker 1: I'm gonna come in with the tiebreak and I'm gonna

1181
00:55:46,680 --> 00:55:47,960
Speaker 1: go Keanu Wow.

1182
00:55:48,400 --> 00:55:49,799
Speaker 4: Yes, yeah, why is that?

1183
00:55:49,880 --> 00:55:53,520
Speaker 1: Because? Well, first of all, I had an Outsiders poster

1184
00:55:53,640 --> 00:55:56,080
Speaker 1: on my wall. I was all about the Outsiders. We

1185
00:55:56,160 --> 00:55:58,239
Speaker 1: read the books after we saw the movie and we're like,

1186
00:55:58,560 --> 00:56:00,279
Speaker 1: this is the world we need to live in and

1187
00:56:00,680 --> 00:56:03,799
Speaker 1: so exciting. But he always seems really old to me,

1188
00:56:04,280 --> 00:56:06,040
Speaker 1: Like I was always like, why is this guy hanging

1189
00:56:06,080 --> 00:56:09,480
Speaker 1: around the Soda pop and Pony Boy's house. Just get

1190
00:56:09,520 --> 00:56:10,839
Speaker 1: him out of it. He needs to get a job,

1191
00:56:11,960 --> 00:56:14,000
Speaker 1: so he had that, you know, he had that vibe

1192
00:56:14,000 --> 00:56:16,880
Speaker 1: to him, whereas Keanu and I don't know if you

1193
00:56:16,920 --> 00:56:21,400
Speaker 1: guys remember him from the movie Parenthood or he's the

1194
00:56:21,480 --> 00:56:22,160
Speaker 1: drag racer.

1195
00:56:22,200 --> 00:56:23,280
Speaker 2: He's into drag racing.

1196
00:56:23,840 --> 00:56:27,280
Speaker 1: Man. He is the best in that movie. And he's

1197
00:56:27,320 --> 00:56:30,239
Speaker 1: so like he so seems so real, Like he is

1198
00:56:30,320 --> 00:56:33,200
Speaker 1: the most real person in that entire movie. And that's

1199
00:56:33,200 --> 00:56:35,920
Speaker 1: saying something because there's some great people in that movie,

1200
00:56:35,920 --> 00:56:39,359
Speaker 1: but it's like a movie where a guy from your

1201
00:56:39,400 --> 00:56:41,799
Speaker 1: high school makes it into a movie and you're just like,

1202
00:56:42,200 --> 00:56:45,239
Speaker 1: look at him. He's so like he's not pretty, he's

1203
00:56:45,280 --> 00:56:48,640
Speaker 1: not like you know, he's not like normal movie start.

1204
00:56:48,719 --> 00:56:53,120
Speaker 1: He's like some dude. Yeah, but he also is insanely beautiful.

1205
00:56:53,640 --> 00:56:56,880
Speaker 4: You're right, Like, now everyone's it's like Keanu is so cool.

1206
00:56:56,920 --> 00:57:00,160
Speaker 3: He rides the subway, he's got this you know, heart,

1207
00:57:00,160 --> 00:57:04,120
Speaker 3: and he's had for decades. He's nuanced in his performances.

1208
00:57:04,160 --> 00:57:06,040
Speaker 3: But back then it was like, how is this guy

1209
00:57:06,120 --> 00:57:09,719
Speaker 3: fucking acting? It was just it was but there was

1210
00:57:09,760 --> 00:57:13,359
Speaker 3: something there, and I like seeing that embryonic period of him.

1211
00:57:13,840 --> 00:57:15,960
Speaker 2: Yeah, I mean I want to hang out with him

1212
00:57:16,000 --> 00:57:18,920
Speaker 2: the most most, mostly because he's the one that's still

1213
00:57:18,960 --> 00:57:21,560
Speaker 2: with us. But uh when I there was some talk

1214
00:57:21,560 --> 00:57:24,200
Speaker 2: show where they they asked what his favorite song was,

1215
00:57:24,240 --> 00:57:27,000
Speaker 2: and he said, oh, Joy Division Level tear us apart.

1216
00:57:27,480 --> 00:57:29,720
Speaker 2: And I'm like, oh wait, he's cool, dude. He's like

1217
00:57:30,280 --> 00:57:32,040
Speaker 2: he's like the kid that I wanted to hang out

1218
00:57:32,080 --> 00:57:35,760
Speaker 2: with in grade school. Also, ah yeah, okay, I like

1219
00:57:35,840 --> 00:57:36,320
Speaker 2: him both.

1220
00:57:36,760 --> 00:57:39,200
Speaker 1: His acting, though, I think, is the kind of thing

1221
00:57:39,240 --> 00:57:41,640
Speaker 1: where you think, when you're watching movies, you're like you

1222
00:57:41,960 --> 00:57:44,040
Speaker 1: I like to think, oh, like, well, that's not very

1223
00:57:44,080 --> 00:57:47,400
Speaker 1: good acting. But he's the most believed. I feel like

1224
00:57:47,440 --> 00:57:49,840
Speaker 1: he's a guy that walked in and started talking on

1225
00:57:49,880 --> 00:57:52,680
Speaker 1: the set, whereas everyone else is doing a bunch of

1226
00:57:52,760 --> 00:57:55,520
Speaker 1: stuff and acting like this and that and having gestures

1227
00:57:55,520 --> 00:57:58,480
Speaker 1: where he's like no, and it's the most real thing

1228
00:57:58,520 --> 00:58:01,160
Speaker 1: you've ever seen, or like, after a while, I started

1229
00:58:01,160 --> 00:58:03,760
Speaker 1: to go, oh, wait, no, that's what good acting is.

1230
00:58:03,760 --> 00:58:06,360
Speaker 1: Is that you you seem like you were already in

1231
00:58:06,400 --> 00:58:08,360
Speaker 1: the room and all the actors came in to do

1232
00:58:08,400 --> 00:58:08,840
Speaker 1: a scene.

1233
00:58:09,600 --> 00:58:12,000
Speaker 3: Yeah, you're saying, stripped away the sort of theatrics of

1234
00:58:12,040 --> 00:58:12,880
Speaker 3: it and just was right.

1235
00:58:13,280 --> 00:58:16,560
Speaker 2: You see that. That's why everyone freaked out about James

1236
00:58:16,600 --> 00:58:19,400
Speaker 2: Dean or Marlon Brando when it back in movies when

1237
00:58:19,440 --> 00:58:22,880
Speaker 2: people talk like this, and then they were like, yeah,

1238
00:58:22,880 --> 00:58:25,520
Speaker 2: what if I just talk normal like I do, you know,

1239
00:58:26,360 --> 00:58:29,400
Speaker 2: out in these streets or at parties and they and

1240
00:58:29,440 --> 00:58:31,520
Speaker 2: they changed acting. I think those.

1241
00:58:31,600 --> 00:58:34,360
Speaker 3: Yeah, if you watch season one of our TV show

1242
00:58:34,440 --> 00:58:36,840
Speaker 3: with three comedians acting for the first time ever, all

1243
00:58:36,880 --> 00:58:41,360
Speaker 3: the other real actors were moving their arms and doing actions,

1244
00:58:41,400 --> 00:58:43,520
Speaker 3: and we just stood with our arms at the side

1245
00:58:43,560 --> 00:58:45,880
Speaker 3: delivering our lines like some real people.

1246
00:58:46,480 --> 00:58:48,920
Speaker 2: Yes, but you were all great in it. That was

1247
00:58:48,920 --> 00:58:51,080
Speaker 2: one of the first things I noticed. You are just

1248
00:58:51,120 --> 00:58:51,800
Speaker 2: being yourself.

1249
00:58:52,000 --> 00:58:53,920
Speaker 3: I refer to season one as the season where none

1250
00:58:53,960 --> 00:58:55,640
Speaker 3: of us knew what to do with our arms.

1251
00:58:55,800 --> 00:58:57,840
Speaker 4: And then that's one of the hardest to cut it

1252
00:58:57,880 --> 00:58:58,680
Speaker 4: out a little bit.

1253
00:58:58,840 --> 00:59:00,760
Speaker 1: Did you find your hips and drands there?

1254
00:59:01,160 --> 00:59:03,320
Speaker 3: I was the king of Like my character stirs his

1255
00:59:03,440 --> 00:59:06,440
Speaker 3: coffee all the time. He's got the coffee and he's

1256
00:59:06,560 --> 00:59:07,720
Speaker 3: stir in the coffee.

1257
00:59:07,760 --> 00:59:10,560
Speaker 4: That's it, boy, he likes coffee, very stirred.

1258
00:59:10,760 --> 00:59:13,480
Speaker 2: And that was we're stirring a lot of coffee in that.

1259
00:59:13,520 --> 00:59:15,400
Speaker 1: The creamer will not break down.

1260
00:59:16,080 --> 00:59:18,320
Speaker 4: The cheap creamer in this school.

1261
00:59:20,200 --> 00:59:21,200
Speaker 1: Save our schools.

1262
00:59:21,520 --> 00:59:26,600
Speaker 3: Yes, and that's why I'm on this podcast. Today's teachers

1263
00:59:26,640 --> 00:59:28,800
Speaker 3: can't teach without appropriate creamers.

1264
00:59:30,200 --> 00:59:30,760
Speaker 1: That's right.

1265
00:59:31,040 --> 00:59:31,959
Speaker 4: I've been Adam Katon.

1266
00:59:36,320 --> 00:59:40,120
Speaker 2: Adam, will you confirm for me whether or not I

1267
00:59:40,240 --> 00:59:41,920
Speaker 2: dreamt this or if it exists?

1268
00:59:42,040 --> 00:59:42,400
Speaker 4: Sure?

1269
00:59:43,080 --> 00:59:45,920
Speaker 2: Is there surrounded by fancy homes in the middle of

1270
00:59:45,960 --> 00:59:51,000
Speaker 2: Denver a polo court where people are actively playing polo

1271
00:59:51,160 --> 00:59:55,760
Speaker 2: and hitting it with mallets, pull on horses, on horses.

1272
00:59:56,360 --> 00:59:58,440
Speaker 4: No, that's not that's not a swear.

1273
00:59:58,520 --> 00:59:59,080
Speaker 2: I saw it.

1274
00:59:59,200 --> 01:00:01,000
Speaker 1: I swear is it you dreamed it?

1275
01:00:01,320 --> 01:00:04,360
Speaker 3: There is an area of town called the called Polo Club,

1276
01:00:04,600 --> 01:00:07,800
Speaker 3: and maybe before, long before you or I were born,

1277
01:00:08,200 --> 01:00:10,800
Speaker 3: maybe there was horse. It's it's like near a country club.

1278
01:00:10,800 --> 01:00:11,640
Speaker 3: It's a rich area.

1279
01:00:12,040 --> 01:00:13,240
Speaker 4: It's called Polo Club.

1280
01:00:13,240 --> 01:00:16,919
Speaker 2: But certainly one p nineteen ninety two.

1281
01:00:17,200 --> 01:00:19,080
Speaker 4: Nobody, no way, really.

1282
01:00:19,440 --> 01:00:21,200
Speaker 1: Because you you dreamed history.

1283
01:00:21,480 --> 01:00:23,600
Speaker 2: Maybe I just saw a horse on the way to

1284
01:00:23,680 --> 01:00:26,600
Speaker 2: Denver and then someone said the word polo.

1285
01:00:27,200 --> 01:00:29,600
Speaker 1: You're thinking of that big blue horse outside the airport.

1286
01:00:29,960 --> 01:00:32,240
Speaker 2: That's what it is. That's I got up on top

1287
01:00:32,280 --> 01:00:34,360
Speaker 2: of that when I was drunk, when I was holding

1288
01:00:34,360 --> 01:00:34,840
Speaker 2: a hammer.

1289
01:00:34,960 --> 01:00:37,480
Speaker 3: I don't have time for every asshole that saw a

1290
01:00:37,520 --> 01:00:40,720
Speaker 3: horse on the way to Denver. Chris, I can't you

1291
01:00:40,760 --> 01:00:43,280
Speaker 3: know how many people have that experience.

1292
01:00:43,880 --> 01:00:47,480
Speaker 2: In my defense, it's really forty eight minutes away from Denver.

1293
01:00:48,080 --> 01:00:52,520
Speaker 2: That airport is nowhere near Denver needs to be moved closer. Also,

1294
01:00:52,680 --> 01:00:56,400
Speaker 2: that horse could fall down at any minute. It didn't

1295
01:00:56,440 --> 01:00:57,440
Speaker 2: it already fall down.

1296
01:00:57,560 --> 01:01:00,680
Speaker 4: Karen, Karen, please illuminate, like you know.

1297
01:01:01,360 --> 01:01:05,680
Speaker 1: The artist who who sculpted that horse, right, it was

1298
01:01:05,760 --> 01:01:07,520
Speaker 1: like a he made it out of iron or.

1299
01:01:07,520 --> 01:01:11,320
Speaker 3: Whatever, blue mustang people call it, Blucifer, Blucifer.

1300
01:01:12,040 --> 01:01:14,160
Speaker 1: He was killed by it. It fell over on him

1301
01:01:14,440 --> 01:01:16,840
Speaker 1: and he was killed by that horse.

1302
01:01:16,920 --> 01:01:19,880
Speaker 4: It's exactly right. He was mounting the head.

1303
01:01:19,960 --> 01:01:22,400
Speaker 3: It was near completion, and I remember it was like

1304
01:01:22,440 --> 01:01:27,400
Speaker 3: a thing because the airport was legendarily over budget, took forever,

1305
01:01:27,800 --> 01:01:30,480
Speaker 3: and this was some gaudy price for the statue, and

1306
01:01:30,480 --> 01:01:32,920
Speaker 3: everyone's like, get us the statue artist, and he was

1307
01:01:33,040 --> 01:01:36,520
Speaker 3: rushing to do it, and the head fell on him,

1308
01:01:36,800 --> 01:01:37,320
Speaker 3: crushed him.

1309
01:01:37,560 --> 01:01:39,160
Speaker 2: No, they were rushing him.

1310
01:01:39,320 --> 01:01:41,360
Speaker 3: I mean there was like I remember people being like,

1311
01:01:41,400 --> 01:01:43,360
Speaker 3: can you believe they haven't even got the horse statue

1312
01:01:43,400 --> 01:01:46,040
Speaker 3: up yet? And then his son finished the job and

1313
01:01:46,080 --> 01:01:48,960
Speaker 3: now it sits outside d I a with a with

1314
01:01:49,040 --> 01:01:52,480
Speaker 3: a very graphic horseball sack that you can see as

1315
01:01:52,480 --> 01:01:55,880
Speaker 3: you drive by with veins and stuff.

1316
01:01:56,480 --> 01:01:58,800
Speaker 2: Wow, you're kidding, not at all, not at all.

1317
01:01:58,840 --> 01:02:01,520
Speaker 3: And that is the story. And it's like our welcome

1318
01:02:01,560 --> 01:02:06,560
Speaker 3: to town sculpture like it. Don't ask too many questions,

1319
01:02:06,600 --> 01:02:07,640
Speaker 3: just go skiing.

1320
01:02:08,840 --> 01:02:10,520
Speaker 1: He has red eyes, right.

1321
01:02:10,360 --> 01:02:13,160
Speaker 4: Yeah, that glow. He's got glowing red eyes. It's a terar.

1322
01:02:13,280 --> 01:02:16,720
Speaker 3: I mean, the airport in Denver is all these conspiracy

1323
01:02:16,760 --> 01:02:20,400
Speaker 3: theories abound about it, and that statue is not helping

1324
01:02:20,520 --> 01:02:22,120
Speaker 3: to bunk any of them.

1325
01:02:22,440 --> 01:02:25,120
Speaker 1: You're actually putting a nice cherry on top of those

1326
01:02:25,160 --> 01:02:26,680
Speaker 1: conspiracy theories. Right.

1327
01:02:26,760 --> 01:02:28,960
Speaker 2: Yeah, when you see that horse, you do get a

1328
01:02:29,040 --> 01:02:32,040
Speaker 2: vibe that it killed its creator just from those eyes.

1329
01:02:32,520 --> 01:02:33,840
Speaker 4: Yes, that's so sad.

1330
01:02:33,920 --> 01:02:34,880
Speaker 2: His son finished it.

1331
01:02:35,040 --> 01:02:36,080
Speaker 4: His son finished it up.

1332
01:02:36,120 --> 01:02:38,960
Speaker 3: I think he's a he's an artist as well, and

1333
01:02:38,960 --> 01:02:41,240
Speaker 3: he finished his dad sculpture and gave it to the

1334
01:02:41,280 --> 01:02:44,040
Speaker 3: city of Denver. And now it's there out on the

1335
01:02:44,080 --> 01:02:46,960
Speaker 3: prairie as you're rushing to get on southwest.

1336
01:02:49,240 --> 01:02:51,600
Speaker 2: The balls probably weren't on it. That was a little

1337
01:02:51,600 --> 01:02:53,160
Speaker 2: payback for killing his father.

1338
01:02:53,880 --> 01:02:56,120
Speaker 3: I'm telling you, if you, if you come to Denver,

1339
01:02:56,680 --> 01:02:58,240
Speaker 3: try to get a peek at that nutsack.

1340
01:02:58,320 --> 01:02:59,880
Speaker 4: It's like very detailed.

1341
01:03:00,280 --> 01:03:02,760
Speaker 2: I'm never close enough. Do you have to like skip

1342
01:03:02,800 --> 01:03:03,640
Speaker 2: through the meadow?

1343
01:03:03,960 --> 01:03:06,360
Speaker 3: You can see it on the highway if you're looking,

1344
01:03:06,720 --> 01:03:08,240
Speaker 3: you gotta be looking for it.

1345
01:03:08,760 --> 01:03:11,120
Speaker 1: Also, Chris, it looks a lot like that guy from

1346
01:03:11,160 --> 01:03:13,320
Speaker 1: The Nude Beaches Nut Sack. So you don't really know.

1347
01:03:13,720 --> 01:03:16,360
Speaker 2: I've been trained to eyes. I don't want to get

1348
01:03:16,400 --> 01:03:21,400
Speaker 2: into another giggle fit. Nothing makes you giggle like of

1349
01:03:21,560 --> 01:03:24,000
Speaker 2: all said so funny.

1350
01:03:24,040 --> 01:03:30,560
Speaker 1: Still, you've done a couple very natural plugs. Congratulations.

1351
01:03:30,600 --> 01:03:33,120
Speaker 4: Yes, I'm sorry. I just organically threw him in there.

1352
01:03:33,680 --> 01:03:36,880
Speaker 1: It's your true pro thank you. Clearly trained by the

1353
01:03:36,920 --> 01:03:37,800
Speaker 1: true TV team.

1354
01:03:38,160 --> 01:03:42,160
Speaker 3: I'm a classically trained plug professional. I'm kind of old

1355
01:03:42,200 --> 01:03:44,640
Speaker 3: school with it. I just I just fade them in there.

1356
01:03:45,160 --> 01:03:47,680
Speaker 1: Yeah, but do you have any other ones in closing?

1357
01:03:47,680 --> 01:03:50,640
Speaker 1: Because we've gone overtime so fast.

1358
01:03:51,720 --> 01:03:54,760
Speaker 3: I'm in New York at Union Hall, one of my

1359
01:03:54,760 --> 01:03:58,439
Speaker 3: favorite venues, on June eighth, Come see me do comedy there.

1360
01:03:58,680 --> 01:03:59,640
Speaker 4: Love that place.

1361
01:04:00,280 --> 01:04:01,919
Speaker 2: Going to a couple of days too.

1362
01:04:02,960 --> 01:04:04,800
Speaker 4: Oh nice. I wish we would overlap. We could go

1363
01:04:04,840 --> 01:04:06,520
Speaker 4: look for black toilets around the.

1364
01:04:06,560 --> 01:04:09,880
Speaker 2: Same overlapping with with Kyle Kanane. We're going to hang

1365
01:04:09,920 --> 01:04:12,480
Speaker 2: out in New York and quickilly jump off fire, escapes

1366
01:04:12,520 --> 01:04:15,240
Speaker 2: into piles of garbage, or that's why I did last time.

1367
01:04:16,480 --> 01:04:18,320
Speaker 4: Well, that'd be great too, that'd be great time.

1368
01:04:18,640 --> 01:04:20,960
Speaker 2: Right, Are you going to write another book?

1369
01:04:21,400 --> 01:04:22,200
Speaker 4: You know I wrote?

1370
01:04:22,440 --> 01:04:22,680
Speaker 1: Uh?

1371
01:04:23,160 --> 01:04:26,640
Speaker 3: I spent COVID writing a movie version of my book

1372
01:04:26,720 --> 01:04:32,000
Speaker 3: Tragedy plus time again seamlessly plugging things, which is a book.

1373
01:04:31,760 --> 01:04:32,520
Speaker 4: I'm very proud of.

1374
01:04:32,560 --> 01:04:35,800
Speaker 3: It's a serious book about losing my little sister to

1375
01:04:36,120 --> 01:04:37,560
Speaker 3: suicide and mental illness.

1376
01:04:37,560 --> 01:04:39,520
Speaker 4: And I wrote a movie of it.

1377
01:04:39,480 --> 01:04:43,760
Speaker 3: And it's it's being made and I'm absolutely thrilled about it,

1378
01:04:43,800 --> 01:04:45,840
Speaker 3: and I do it's you know, it's shooting in a

1379
01:04:45,920 --> 01:04:47,920
Speaker 3: year and where it's Hollywood. You guys can be like

1380
01:04:48,160 --> 01:04:51,360
Speaker 3: things can fall apart, but the team is amazing and

1381
01:04:51,400 --> 01:04:55,200
Speaker 3: I'm like, I'm just so excited. So that'll be out sometime.

1382
01:04:55,320 --> 01:04:57,440
Speaker 3: I bet I have been working pretty hard on that.

1383
01:04:58,080 --> 01:05:01,360
Speaker 2: I think that, Yeah, that was worth bringing up. Congratulations.

1384
01:05:01,440 --> 01:05:02,280
Speaker 4: Yeah, but it's not.

1385
01:05:02,560 --> 01:05:04,360
Speaker 3: I'm more just telling you guys because I'm mumped about it,

1386
01:05:04,400 --> 01:05:06,520
Speaker 3: and that's kind of what I've been working working hard on.

1387
01:05:06,560 --> 01:05:08,880
Speaker 4: But it's I don't want to really.

1388
01:05:08,840 --> 01:05:11,280
Speaker 3: Publicly be like, yeah, so you'll see it at your

1389
01:05:11,280 --> 01:05:16,160
Speaker 3: AMC twelve, Like I don't know, but it's it's all

1390
01:05:16,200 --> 01:05:17,120
Speaker 3: going really well.

1391
01:05:16,920 --> 01:05:20,360
Speaker 4: And that's alrighting so great, buddy, Thanks thanks very.

1392
01:05:20,320 --> 01:05:21,360
Speaker 1: Much, beautiful best.

1393
01:05:21,400 --> 01:05:23,439
Speaker 3: That's beautiful And I'd love to write another book sometime,

1394
01:05:23,480 --> 01:05:25,520
Speaker 3: but I'm gonna wait till till pure inspiration.

1395
01:05:25,560 --> 01:05:26,480
Speaker 4: I was trying to force one.

1396
01:05:26,520 --> 01:05:28,000
Speaker 3: I was like, this is not the way to write

1397
01:05:28,000 --> 01:05:30,080
Speaker 3: a book, because you want to write a second book, like,

1398
01:05:30,080 --> 01:05:32,760
Speaker 3: wait till, wait till you got that sparking. I'm just

1399
01:05:32,800 --> 01:05:36,120
Speaker 3: doing comedy and podcasting and trying to write screenplays and stuff.

1400
01:05:36,600 --> 01:05:38,960
Speaker 2: Yeah, you're a great writer. I mean, I know just

1401
01:05:39,040 --> 01:05:42,880
Speaker 2: from early on articles you had written and stuff. You're

1402
01:05:42,920 --> 01:05:44,840
Speaker 2: you're a very good writer. You But you went to

1403
01:05:44,840 --> 01:05:46,600
Speaker 2: school for filmmaking, right.

1404
01:05:47,120 --> 01:05:47,760
Speaker 4: I did.

1405
01:05:47,800 --> 01:05:49,440
Speaker 3: I went to I got a film degree, and they

1406
01:05:50,280 --> 01:05:52,760
Speaker 3: like they taught me nothing and all those skills meant

1407
01:05:52,760 --> 01:05:55,320
Speaker 3: nothing like everything I learned and nothing at all. You

1408
01:05:55,320 --> 01:05:57,000
Speaker 3: could I should have just gone to Hollywood and like

1409
01:05:57,080 --> 01:05:59,440
Speaker 3: tried to write scripts. But you know, I saw a

1410
01:05:59,480 --> 01:06:01,120
Speaker 3: lot of I saw a lot of cool movies, saw

1411
01:06:01,120 --> 01:06:01,480
Speaker 3: a lot of.

1412
01:06:01,400 --> 01:06:04,160
Speaker 2: All the videos you guys made as a group with

1413
01:06:04,240 --> 01:06:08,000
Speaker 2: a girlics. I think that ultimately your experience is why

1414
01:06:08,120 --> 01:06:09,960
Speaker 2: you ended up with a TV show.

1415
01:06:09,960 --> 01:06:13,360
Speaker 3: Like it for sure, just like just like all comedy,

1416
01:06:13,520 --> 01:06:15,680
Speaker 3: just you know, learn by doing is kind of how

1417
01:06:15,720 --> 01:06:18,320
Speaker 3: I'm doing it, and it's been it's been working so far,

1418
01:06:18,400 --> 01:06:21,320
Speaker 3: so I don't I don't see myself quitting. I think

1419
01:06:21,320 --> 01:06:23,080
Speaker 3: I'm forty two. It'd be pretty weird to be like,

1420
01:06:23,120 --> 01:06:24,959
Speaker 3: all right, it's architecture time.

1421
01:06:25,240 --> 01:06:28,080
Speaker 2: It's time to be a professional baseball player.

1422
01:06:29,440 --> 01:06:32,440
Speaker 3: Yeah, but uh yeah, all's going well. Great, and it's

1423
01:06:32,600 --> 01:06:34,240
Speaker 3: nice to catch up with you guys. Nice to catch

1424
01:06:34,280 --> 01:06:34,840
Speaker 3: up with both you.

1425
01:06:35,160 --> 01:06:37,840
Speaker 2: Yeah, great, it's very good to catch up. I had

1426
01:06:37,920 --> 01:06:41,760
Speaker 2: one last query one did when you threw that pitch

1427
01:06:41,800 --> 01:06:42,520
Speaker 2: for the Rockies?

1428
01:06:42,600 --> 01:06:45,200
Speaker 4: Was it a strike? Strike?

1429
01:06:47,000 --> 01:06:48,840
Speaker 2: I just knew it would be, and I've never asked

1430
01:06:48,840 --> 01:06:49,400
Speaker 2: you that.

1431
01:06:49,440 --> 01:06:53,120
Speaker 3: I brought my baseball glove and took it very seriously.

1432
01:06:53,160 --> 01:06:55,800
Speaker 3: Had I not thrown a strike, there was an army

1433
01:06:55,800 --> 01:06:56,920
Speaker 3: of haters ready to go.

1434
01:06:57,840 --> 01:06:59,960
Speaker 4: But because that I peppered it.

1435
01:07:00,080 --> 01:07:03,040
Speaker 2: The crowd, that was a crowd source to like you.

1436
01:07:03,440 --> 01:07:07,280
Speaker 3: Yeah, I just I've bombard at the Rockies Twitter for

1437
01:07:07,320 --> 01:07:09,240
Speaker 3: two years, being like, let me throw out a pitch.

1438
01:07:09,600 --> 01:07:12,600
Speaker 3: I had a hashtag ach first pitch. I finally want

1439
01:07:12,640 --> 01:07:14,920
Speaker 3: It had been years in the making. So if I'd

1440
01:07:14,920 --> 01:07:17,560
Speaker 3: gone out there and just like you know, threw it

1441
01:07:17,560 --> 01:07:20,280
Speaker 3: in the dirt or what, so I really brought it.

1442
01:07:20,320 --> 01:07:23,360
Speaker 3: I played junior varsity baseball, and I summoned all of

1443
01:07:23,360 --> 01:07:24,560
Speaker 3: that skill set.

1444
01:07:24,760 --> 01:07:26,920
Speaker 2: And did you practice for days before that?

1445
01:07:27,120 --> 01:07:27,360
Speaker 4: Yeah?

1446
01:07:27,440 --> 01:07:30,240
Speaker 3: Yeah, my dad and I got ready. I told the

1447
01:07:30,280 --> 01:07:32,439
Speaker 3: catcher I was coming in hot, and I gave him all.

1448
01:07:33,000 --> 01:07:36,240
Speaker 3: I gave him all sixty seven mph I had and

1449
01:07:36,280 --> 01:07:37,680
Speaker 3: he felt Really.

1450
01:07:37,440 --> 01:07:40,439
Speaker 2: They timed it. You that's pretty that's a good throw.

1451
01:07:40,840 --> 01:07:43,200
Speaker 3: I mean, if I did that now it's six years later,

1452
01:07:43,560 --> 01:07:46,160
Speaker 3: my arm would follow the ball to the to the plate.

1453
01:07:46,800 --> 01:07:48,680
Speaker 4: That's so much. But I really nailed it.

1454
01:07:49,080 --> 01:07:52,760
Speaker 2: Well, that's why I drew you like an erotic comic book.

1455
01:07:52,800 --> 01:07:56,160
Speaker 1: Sex machine earned, entirely earned.

1456
01:07:56,480 --> 01:07:58,800
Speaker 2: Thanks, Bud, it's great talking to you today.

1457
01:07:58,880 --> 01:07:59,680
Speaker 1: Yeah, good to see you.

1458
01:08:00,000 --> 01:08:01,640
Speaker 4: Thanks for this ride from the airport.

1459
01:08:02,080 --> 01:08:05,360
Speaker 2: Yes, and now get out sound effect sound where I

1460
01:08:05,400 --> 01:08:05,919
Speaker 2: need to be.

1461
01:08:06,160 --> 01:08:12,840
Speaker 3: Bye, guys, don't let the horseballs hit Joe on your

1462
01:08:12,840 --> 01:08:13,760
Speaker 3: way out of town.

1463
01:08:14,720 --> 01:08:16,719
Speaker 2: You've been listening to Do you need a Ride?

1464
01:08:17,000 --> 01:08:18,680
Speaker 4: D Y N A R.

1465
01:08:26,120 --> 01:08:28,160
Speaker 2: This has been an exactly right.

1466
01:08:28,120 --> 01:08:30,920
Speaker 1: Production produced by Annalise Nelson.

1467
01:08:30,920 --> 01:08:32,360
Speaker 2: Mixed by Edson Choy.

1468
01:08:32,760 --> 01:08:34,679
Speaker 1: Our talent booker is Patrick Cottner.

1469
01:08:34,920 --> 01:08:36,920
Speaker 2: Theme song by Karen Kilgarrett.

1470
01:08:37,320 --> 01:08:40,840
Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

1471
01:08:40,880 --> 01:08:45,240
Speaker 1: and Facebook at dinar podcast That's d y n ar Podcast.

1472
01:08:45,680 --> 01:08:49,240
Speaker 2: For more information, go to exactly rightmedia dot com.

1473
01:08:49,280 --> 01:08:51,519
Speaker 1: Thank you, Oh, You're welcome.