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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama. Girl drama, girl,

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Speaker 2: all about them.

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Speaker 1: High school queens.

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Speaker 3: We'll take you for a ride, and our comic girl

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Speaker 3: shared for the right teams.

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Speaker 4: Drama, queens, my girl fashion, but your tough girl, you

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Speaker 4: could sit with us.

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Speaker 3: Girl drama, Queens drama, Queens drama, Queens drama, drama, Queens

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Speaker 3: drama queens.

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Speaker 1: Mmm my god, these potatoes are.

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Speaker 5: These potatoes are amazing?

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Speaker 2: That's how we start this episode.

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Speaker 5: Yes, you guys, this episode was potatoes.

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Speaker 1: It's so good.

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Speaker 3: Yes, healthy all around, just really filling and like warm,

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Speaker 3: but all the toppings.

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Speaker 5: Yeah mm hmmmm, I had it all.

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Speaker 1: It does feel like a nice mash potato.

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Speaker 5: The mash potato episode.

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Speaker 1: That's the title.

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Speaker 3: Boys and Girls. We are in episode six O one,

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Speaker 3: Season six, Episode one.

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Speaker 6: Touch me.

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Speaker 3: I'm going to scream one.

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Speaker 2: I loved it, me too.

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Speaker 5: You guys, I remember this, do you? I remember bits

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Speaker 5: and pieces of things, but this one could have happened

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Speaker 5: last week?

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Speaker 2: Really sure, my god?

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Speaker 1: Say more? Really?

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Speaker 5: Yeah, one hundred percent. Because we had to do a

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Speaker 5: ton of press at the end of season five for

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Speaker 5: that cliffhanger of who Lucas was gonna pay yeah, and

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Speaker 5: none of us knew. They like wouldn't tell us yeah,

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Speaker 5: because we weren't good enough actors that they trusted us

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Speaker 5: to carry that knowledge and not be like all snarky.

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Speaker 5: And so I just called my shot in those interviews

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Speaker 5: because I was all, like, he's picking me, Like, no question.

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Speaker 5: Why would you guys ask them questions like this. So

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Speaker 5: then when he did, I felt really vindicated.

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Speaker 2: But we'll get there, We'll get there.

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Speaker 5: I just remember feeling really cocky about this, just like, dude,

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Speaker 5: it you shouldn't have.

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Speaker 3: You deserved it, Peyton after all that, after all she's

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Speaker 3: been through. I just need Peyton to be happy.

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Speaker 1: Guys same thanks.

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Speaker 5: Brook have traded places in this episode and feel it's

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Speaker 5: so weird.

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Speaker 3: I know, Okay, let me do the synopsis. Look, the

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Speaker 3: girl of Lucas's dreams shows up at the airport. Duh,

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Speaker 3: it's Peyton.

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Speaker 1: Nay.

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Speaker 3: Danny's comeback is halted by news that could change his career,

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Speaker 3: while Dan's life hangs in the balance. Marvin and Millicon

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Speaker 3: wrestle with leaving tree Hill, and Brooke and Victoria battle

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Speaker 3: over close Over Bros. And it comes to a surprising head.

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Speaker 3: Oh yeah, that's intense.

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Speaker 5: It really was. But this dream sequence that we stop

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Speaker 5: art with, oh, I love it. Let's just get right

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Speaker 5: into that, because that was a hoot.

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Speaker 2: It was I.

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Speaker 3: Felt like I was really watching a great It had

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Speaker 3: all the makings of one of those nineties rom coms.

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Speaker 3: It felt so elevated and uh just felt like new

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Speaker 3: ideas but still comforting and cozy. I loved going through

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Speaker 3: the rotating door and suddenly into his bedroom and then

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Speaker 3: suddenly out on the deck with Lindsey and the terrible

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Speaker 3: green screen, which we can forgive because it was two

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Speaker 3: thousand and whatever, our six and uh, oh, I loved that.

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Speaker 3: I loved it. What do you think?

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Speaker 1: I loved it?

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Speaker 5: So Stuart Gillard is somebody. He did four episodes of

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Speaker 5: our show, but he also did just like he'd charmed.

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Speaker 5: He did all like nine, two and zero. He was

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Speaker 5: like a teen drama dependable guy, and it's so nice

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Speaker 5: when you have big episodes like that. I'm still scrolling

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Speaker 5: through all of his credits. Oh.

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Speaker 7: He did Loansome Dove the series in nineteen ninety four. Oh,

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Speaker 7: this is why we love Stewart Joy jog your memory.

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Speaker 7: He directed five episodes of Avonlea. Oh wow, if you're

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Speaker 7: not an Anna green Gables nerd out there, it was

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Speaker 7: a show that was on in the nineties that all

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Speaker 7: took place in the.

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Speaker 5: World of Avonlea on Prince Edward Island. This is for

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Speaker 5: like history nerd chicks, and we loved him because he

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Speaker 5: had that Canadian wholesome sensibility.

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Speaker 3: I can still see his face in my mind. He's

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Speaker 3: right there.

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Speaker 5: He was the Avonlea director. Yeah, all of his credits

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Speaker 5: we were like, oh my god, you worked with Sarah Pauley.

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Speaker 3: Well, it's probably why he knew how to get this.

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Speaker 3: Everything did feel very sincere in this episode.

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Speaker 1: It did.

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Speaker 3: Yeah, I feel like he's talented at getting He knows

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Speaker 3: how to get that. I don't know how. I mean,

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Speaker 3: I haven't directed enough to be able really know what

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Speaker 3: the skill set requires to be able to grab that

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Speaker 3: and somehow make it consistent in every job that you do.

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Speaker 3: But he does. I feel like he really knows how

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Speaker 3: to grab the sincerity and make it come through.

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Speaker 5: He's really nice, Like there's a it's really easy as

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Speaker 5: a director to sometimes fall into the chaos of the day,

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Speaker 5: like trying to get all the shots a specially on

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Speaker 5: an episode this massive.

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Speaker 3: It is huge.

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Speaker 5: As an actor, you feel that pressure and you're like, oh,

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Speaker 5: I only have like two takes to get this right,

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Speaker 5: and oh god, I gotta get it right. And if

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Speaker 5: the director's a little on edge, you can feel really

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Speaker 5: on edge. And Stewart would just come up and be like.

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Speaker 2: Hey, that was really good.

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Speaker 5: Do you want to try it? Maybe this and that

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Speaker 5: kind of like loving energy.

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Speaker 2: Yeah, I appreciate that's right.

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Speaker 3: It was cozy and relaxing.

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Speaker 1: Well, there's also something I think to be said for

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Speaker 1: positive reinforcement in general, and I think there's you know,

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Speaker 1: we obviously existed on a set where we didn't get

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Speaker 1: as much of that as you could or should. And

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Speaker 1: I think when you're in a high pressure episode like

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Speaker 1: something this big, I mean even like y'all looking at

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Speaker 1: my notes from this, I'm like, Jesus, this is gonna

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Speaker 1: be a long time que.

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Speaker 2: Three page Yeah, Like it's long.

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Speaker 1: But you know, there's something about the positive the way

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Speaker 1: positive reinforcement can also undo the stress that we were

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Speaker 1: all under in a in a premiere episode because of

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Speaker 1: the time constraints, because of the size of the script.

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Speaker 1: Somebody who's just like you guys are nailing it. Let's

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Speaker 1: have fun, and you go okay, yeah, and then and

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Speaker 1: then suddenly, instead of being in a panic that you're

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Speaker 1: running out of time, you kind of feel like you're

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Speaker 1: on an adventure. And I feel like the energy of

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Speaker 1: this being an adventure is in the episode, like these

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Speaker 1: montages of of us being able to watch Lucas being

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Speaker 1: married to each of these three women. It kind of

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Speaker 1: reminds me of beginning of The Princess Bride, like when

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Speaker 1: they're reading the book and you know you're getting into

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Speaker 1: the fantasy. Like Stuart did something with this episode where

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Speaker 1: it felt magical in the way that those movies we

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Speaker 1: grew up on felt magical. Even the card guy, like

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Speaker 1: when you in the airport, I was like, oh my god,

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Speaker 1: I love him. I love the way Chad touched him

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Speaker 1: to see if he was real. Like it all was

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Speaker 1: so sweet and it was.

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Speaker 3: Like everything flowed really well yeah each other, and.

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Speaker 1: None of it felt manufactured, even though it was hyper realism.

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Speaker 1: You know, it was really cool.

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Speaker 3: It's kind of a big deal that they gave Stuart

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Speaker 3: this season opener too, because usually agrees where those episodes

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Speaker 3: were done by somebody in house, meaning one of our

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Speaker 3: producers or somebody who was an editor on the show,

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Speaker 3: or somebody was just already around and sort of in

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Speaker 3: the boys club, and Stuart never had that boy's club

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Speaker 3: energy about him. So actually just really appreciate that they

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Speaker 3: saw his talent, recognized it, and wanted to, you know,

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Speaker 3: let him take the reins on this first episode. It's

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Speaker 3: a big deal.

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Speaker 5: I'm just realizing as we look at our breakdown. You know,

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Speaker 5: I remember there being this buzz that for this opening

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Speaker 5: sequence we had gotten this amazing actor Bill Cobb to

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Speaker 5: come in and play the card guy, you know, the

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Speaker 5: mysterious guy that like encourages Lucas. And I remember, like

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Speaker 5: everybody was going through his credits and they're like, you

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Speaker 5: know him from this, you know him from this, you

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Speaker 5: know him from this, you know him from this. I

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Speaker 5: mean Bill Cobb has one hundred and ninety four credits

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Speaker 5: on IMDb.

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Speaker 2: One hundred and ninety four.

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Speaker 5: He had been in everything, I mean everything, and he

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Speaker 5: brought such like gravitas to what could have been like

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Speaker 5: a cheesy dream sequence. He made it real. He made

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Speaker 5: it really fun. The night at the airport with him

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Speaker 5: and Chad was like a blast. I love that this

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Speaker 5: like really accomplished. Older actor came in and he seemed

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Speaker 5: like he had a good time, Like our show was chaos,

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Speaker 5: and so you want to be on good behavior when

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Speaker 5: we have great guest stars like that. I mean, he

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Speaker 5: was just like, y'all are doing okay, this is fun.

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Speaker 2: Enjoy this And maybe that's.

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Speaker 5: What it was for me. And why I kind of

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Speaker 5: had a sentimental response to this episode is because I

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Speaker 5: remember this older actor at the very very beginning, not

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Speaker 5: just of the episode, but of my last season, and

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Speaker 5: I knew it was going to be my last season

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Speaker 5: being like, like, enjoy this finally, you know, like get

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Speaker 5: whatever you need to get out of it and enjoy it.

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Speaker 5: But I have thoughts on the three different marriages, but

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Speaker 5: I want to hear yours first.

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Speaker 8: Go first.

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Speaker 3: They took you guys to New York for that or

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Speaker 3: was that somewhere in Wilmington.

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Speaker 1: No, that was all in Wilmington. Really, Yeah, so they

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Speaker 1: you know, they used stock footage of New York and

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Speaker 1: then you know, when you first kind of see Brooke

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Speaker 1: and Lucas part of the reason that they show everything

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Speaker 1: so close with traffic and all those rented taxi cabs

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Speaker 1: was to make it look more crowded, and then there's

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Speaker 1: that one shot kind of between two buildings where you

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Speaker 1: see New York the skyline behind us. Those are those

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Speaker 1: two buildings on Front Street, like that old hospital building

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Speaker 1: is on the right, and then whatever's on the corner,

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Speaker 1: it's like a bank or something. And they green screened

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Speaker 1: New York into that little park pathway like when you

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Speaker 1: always go on the Haunted Ghost tours. And then everything

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Speaker 1: else they shot super close, and they had like clothing

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Speaker 1: racks out and all the things to try to make

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Speaker 1: it look like New York. And it's interesting because it

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Speaker 1: gave me real nostalgia for when Brian George came and

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Speaker 1: played the taxi driver with me, and I feel like

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Speaker 1: Brian Brian having that pedigree from like Seinfeld and everything

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Speaker 1: he'd done. It gave me watching the whole Card Dealer

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Speaker 1: sequence gave me Brian George nostalgia and interestingly for me,

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Speaker 1: tied together like a feeling of New York and Brooke

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Speaker 1: that I really as a viewer now, I'm like, oh,

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Speaker 1: I love this.

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Speaker 3: I mean Brook belongs in New York.

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Speaker 1: Yeah, yeah, it works for her, and I loved I

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Speaker 1: really will say, even though Brooke is having through this episode,

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Speaker 1: she's really being tried. You know, she's got a lot

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Speaker 1: of like heavy shit on her plate. I really loved

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Speaker 1: that the writers gave me a lot of funny stuff

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Speaker 1: to do, like the sort of flipouts and the outbursts

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Speaker 1: and all of it felt really hilarious. Even really yeah,

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Speaker 1: just on a rampage and like, you know, Millie, you're

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Speaker 1: always in a good mood. And then it cuts to

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Speaker 1: her screaming. And I even saw it in the dream sequence,

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Speaker 1: like when she shows up and it's you know, Lucas's

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Speaker 1: wife number one, and she hits some flowers, you know,

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Speaker 1: and it's like he's like, well, I'm supposed to get

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Speaker 1: you Flowers's her anniversary.

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Speaker 2: She's like yeah, but I wanted to make sure I

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Speaker 2: liked them.

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Speaker 1: It's like, I love it.

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Speaker 6: I love it.

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Speaker 3: I love seeing a glimpse of what Lucas and Brooke

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Speaker 3: might might have been together. You know, it didn't feel

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Speaker 3: entirely wrong, which we were saying, you know before in

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Speaker 3: the last one, like they've probably made a good partnership.

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Speaker 3: I could see those two characters working well together. Man, though,

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Speaker 3: when he walked through those doors, that the revolving door

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Speaker 3: into his bedroom, because the New York stuff was great

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Speaker 3: and it was glossy and fun and everything that you

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Speaker 3: love about, Like I said, that nineties rom cub thing

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Speaker 3: that gets gives you all the feels. And then those

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Speaker 3: two characters together and we love them so much.

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Speaker 1: Well, and you know what I liked about it, to

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Speaker 1: your point, Joy, is that it doesn't quite work. Like

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Speaker 1: you see how they'd make a good partnership, and it's

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Speaker 1: glossy and it's fun, and like she's got her company

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Speaker 1: and he's got his book tour and they're this cute

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Speaker 1: power couple, but neither of them is really getting what

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Speaker 1: they need. Like he wants more intimacy and time, he

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Speaker 1: wants to go home. She wants a big city life.

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Speaker 1: Like I sort of liked that. It was sweet, but

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Speaker 1: you can also see it's not quite right. And I

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Speaker 1: thought that's why it was really smart to start on

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Speaker 1: Lucas and Brook, because I forgot that that's how the

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Speaker 1: episode started. Dude.

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Speaker 9: We all just were like, well, like you guys, at

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Speaker 9: all the three of us were like, what is happening?

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Speaker 9: This is weird, Like what's going on? In a way,

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Speaker 9: it's like, oh, yeah, the shoe almost fits, but it doesn't.

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Speaker 1: Half size too small.

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Speaker 3: He goes through that revolving door into his bedroom and

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Speaker 3: suddenly there's Peyton, and it's all is right with the world,

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Speaker 3: maybe for small Hillary. You're glowing in this episode. Your

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Speaker 3: skin looks amazing, your hair makeup looks amazing, your clothes

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Speaker 3: look amazing. You just were It was like you were

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Speaker 3: in a hole on a whole other level, very personally too.

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Speaker 1: Well, that's it, remember you, guys.

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Speaker 5: I was like finally single. I was like going to

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Speaker 5: and we just came back from a hiatus and like, yeah,

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Speaker 5: you just had been fun.

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Speaker 1: You know, Like isn't it kind of wild though when

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Speaker 1: people look at you and are like god, you just

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Speaker 1: look so good, Like what's going on with you? And

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Speaker 1: you're like, I got out of the wrong relationship. I

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Speaker 1: do look great. My skin looks amazing, doesn't it.

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Speaker 5: That's what happens when you don't have stress hormones in

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Speaker 5: your body.

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Speaker 1: Yeah, less cortisol makes you gorgeous. You looked gorgeous.

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Speaker 5: And it felt fun to just be like fun and

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Speaker 5: flirty with someone because that's what I was getting to

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Speaker 5: do in real life. It was just like I don't

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Speaker 5: even have to act like this is I'm just having

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Speaker 5: the best time ever.

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Speaker 3: It so came through and it felt so good seeing

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Speaker 3: those two together.

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Speaker 5: But then like the Lindsay thing made sense too.

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Speaker 1: And you know what I liked about that is that

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Speaker 1: Brooke and Lucas don't quite fit. It's like square peg

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Speaker 1: round they love each other. But eh, then you see

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Speaker 1: Peyton and Joy you said it, it's like a brother

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Speaker 1: of fresh air. You go, oh, that makes sense, and

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Speaker 1: they look good together and there's like a sweetness and

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Speaker 1: there's a humor and an ease. And then you see

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Speaker 1: Lindsay and you really go, oh the view into the

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Speaker 1: dynamic of each of those couples. I thought it was

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Speaker 1: so smart that their dialogue was it's easy with us,

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Speaker 1: isn't it? Yeah, the easiest, And you go, oh, the easiest,

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Speaker 1: Like who's he gonna pick? Of these two women, who's

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Speaker 1: he gonna pick? Like it gave me pause for a second.

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Speaker 1: I was like, does Lindsay come to the airport and

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Speaker 1: then does everything blow up? Or is it Peyton? I

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Speaker 1: don't remember, I'm stressed.

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Speaker 8: Yeah, I just love It's like definitely Peyton because she's

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Speaker 8: everyone else has like a life, right, everyone else is

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Speaker 8: like I've got my business and.

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Speaker 5: Lindsay's like, you know, we're gonna go do my world.

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Speaker 5: You know we're gonna wear navy and white and played

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Speaker 5: tennis and yep, you know.

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Speaker 2: God coun crags clubs.

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Speaker 1: Yeah yeah.

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Speaker 5: Paton's like, no, dude, not only am I going to

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Speaker 5: be at home fires burning, but I'm going to be

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Speaker 5: in your mom's home.

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Speaker 1: Nothing, baby, I will come to you. Yeah. By the way,

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Speaker 1: it's perfect because in the dream sequence, Lucas tells Brookie

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Speaker 1: missus tree Hill, and then Peyton is with him in

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Speaker 1: his childhood home. But nothing is more home than that.

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Speaker 3: That's right. The thing about Lucas and Lindsay, as much

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Speaker 3: as I see positive things in their relationship, they really

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Speaker 3: do come from two totally different worlds and upbringings and backgrounds,

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Speaker 3: and it I like the way that they interact and

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Speaker 3: it feels like they have a lot to learn from

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Speaker 3: each other. But I don't see like fun playful that

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Speaker 3: the knowing each other you when you kind of come

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Speaker 3: from the same place, the same stuff, even if it's

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Speaker 3: different countries, different walks of life, different cultures, there's a

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Speaker 3: through line when you grow up with It's like your

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Speaker 3: bag's match. It's a relationship thing. I tend to say,

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Speaker 3: like you could fit with somebody, but it's not. The

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00:17:18,480 --> 00:17:21,040
Speaker 3: baggage kind of has to match, like your bags to match,

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Speaker 3: you know what I mean? You got to like understand

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Speaker 3: each other's baggage. And I feel like Lucas and lindsay do,

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Speaker 3: I mean, Lucas and Peyton do Lucas and Lindsay don't.

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Speaker 1: Yeah, that's a good point.

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Speaker 5: I think more than anything, I hated like dating and

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Speaker 5: people would be like, oh my god, what's your favorite band?

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Speaker 5: Because it's like this answer is going to change in

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Speaker 5: six months. Yeah, like let's not weigh this.

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Speaker 3: Yeah.

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Speaker 5: And Jeffrey was the first person I met that was like,

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Speaker 5: what's your trauma? Where do you want to live in

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Speaker 5: ten years? And I was like, okay, mister, because we

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Speaker 5: were both we were both oldest kids. We were both

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Speaker 5: overachievers and people pleasers that then like kind of crashed

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Speaker 5: and burned and we both just wanted to disappear into

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Speaker 5: the wilderness. And it was like, oh great, we don't

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Speaker 5: have anything in common really except for the stuff that

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Speaker 5: matters and.

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Speaker 3: The most important things. Yeah, the fundamental building blocks of

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Speaker 3: who we are.

356
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Speaker 5: Peyton and Lucas have both grown up just like never

357
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Speaker 5: quite fitting in but having to pretend like they did.

358
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Speaker 5: And they're both sad but also optimistic and the same

359
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Speaker 5: way I.

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Speaker 3: Just fighting their way through everything, just like trying to

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Speaker 3: make their own way in the world.

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Speaker 5: I don't think I knew that it was going to

363
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Speaker 5: be Peyton until we got the script like a couple

364
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Speaker 5: of weeks before. Just loved it well.

365
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Speaker 1: By the way. I remember getting the script and opening it,

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00:18:43,840 --> 00:18:47,760
Speaker 1: do you guys it's Lucas in New York And I

367
00:18:47,840 --> 00:18:51,560
Speaker 1: was like, what, Like, you gotta be kidding me, This

368
00:18:51,680 --> 00:18:54,239
Speaker 1: makes no sense. I just like I immediately was like,

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Speaker 1: I'm just gonna get so much on the message boards.

370
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Speaker 1: People are going to be so many Lucas anst Jesus.

371
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Speaker 1: I don't want to deal with this. And then it

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00:19:02,320 --> 00:19:04,760
Speaker 1: was like, oh, this makes sense. So I remember how

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Speaker 1: misdirected we all felt, being like we.

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Speaker 2: Didn't freak you out, dude.

375
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Speaker 5: But the whole montage of like Hayley and Nathan and

376
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Speaker 5: Jamie and all the gross thing just pick one, just beah.

377
00:19:16,200 --> 00:19:18,359
Speaker 1: But I think what I like so much about it

378
00:19:18,400 --> 00:19:22,679
Speaker 1: is this sometimes the relationship stuff on our show is like,

379
00:19:23,000 --> 00:19:27,119
Speaker 1: you know, it's TV drama, It's not realistic. It's it's fantastical,

380
00:19:27,160 --> 00:19:29,800
Speaker 1: and we all at times were like, Wow, that got me.

381
00:19:29,840 --> 00:19:31,800
Speaker 1: And at other times we're like this is insane, Like

382
00:19:32,160 --> 00:19:34,439
Speaker 1: how did we ever act these words and make them

383
00:19:34,440 --> 00:19:40,520
Speaker 1: feel believable? But what I loved about this was that

384
00:19:42,160 --> 00:19:45,840
Speaker 1: it all felt so real and to your point about

385
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Speaker 1: how you figure out how to align with the right person.

386
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Speaker 3: It's like.

387
00:19:53,119 --> 00:19:57,000
Speaker 1: The idea, like you're like you were saying, joy, Like

388
00:19:57,920 --> 00:20:02,000
Speaker 1: Lucas and Lindsey they have a lot in common, but

389
00:20:02,040 --> 00:20:07,159
Speaker 1: it's not necessarily the right stuff. They're aligned in their careers,

390
00:20:07,240 --> 00:20:11,119
Speaker 1: they're aligned in like mission. They might want to build

391
00:20:11,200 --> 00:20:14,720
Speaker 1: the same sort of world, but like, can they sit

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Speaker 1: at home and talk about where they come from and

393
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Speaker 1: where their pain is and what they want to be

394
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Speaker 1: in the quiet moments? Hill like you're saying you can

395
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Speaker 1: do with Jeff, Like this is something I think that

396
00:20:26,240 --> 00:20:29,120
Speaker 1: is so human and I mean, my god, we've all

397
00:20:29,119 --> 00:20:31,520
Speaker 1: witnessed each other trying to figure this out for twenty

398
00:20:31,600 --> 00:20:36,000
Speaker 1: years in our friendships. Like you get in the arena,

399
00:20:36,560 --> 00:20:38,840
Speaker 1: you get in the ring, you throw it in and

400
00:20:39,560 --> 00:20:42,919
Speaker 1: see if it's going to work. But if it's not,

401
00:20:43,640 --> 00:20:46,679
Speaker 1: if you're not aligned in the right place, it's just

402
00:20:46,760 --> 00:20:49,960
Speaker 1: not going to work forever. And I like getting to

403
00:20:50,119 --> 00:20:56,639
Speaker 1: see somebody figure that out, like what the proper alignment

404
00:20:56,760 --> 00:20:59,320
Speaker 1: is In all the dumb shit we ever did on

405
00:20:59,359 --> 00:21:01,879
Speaker 1: this show, I think that this is like one of

406
00:21:01,880 --> 00:21:04,960
Speaker 1: the truest things we've ever done. Yeah, And I think

407
00:21:05,000 --> 00:21:07,800
Speaker 1: that's why when you walked into the airport and you

408
00:21:07,880 --> 00:21:11,040
Speaker 1: were like I could feel your heart fluttering through the screen,

409
00:21:11,119 --> 00:21:13,400
Speaker 1: I burst into tears. You guys like friends at all.

410
00:21:13,840 --> 00:21:16,600
Speaker 1: We watched this episode and Hillary walked into that airport

411
00:21:16,880 --> 00:21:19,920
Speaker 1: to run toward Chad, and I was like, what is happening?

412
00:21:20,080 --> 00:21:26,399
Speaker 1: I just sobbed because romantic, so romantic and so true,

413
00:21:26,560 --> 00:21:29,760
Speaker 1: and I was like, that's it. Yeah, it is satisfying.

414
00:21:29,800 --> 00:21:30,560
Speaker 1: It was beautiful.

415
00:21:31,480 --> 00:21:35,280
Speaker 5: I think I had stayed away from Chad intentionally when

416
00:21:35,320 --> 00:21:40,120
Speaker 5: we were shooting that because I know we were both

417
00:21:40,240 --> 00:21:43,359
Speaker 5: excited that it was Lucas and Peyton like you didn't

418
00:21:43,400 --> 00:21:47,520
Speaker 5: know that he knew either, And we had really fallen

419
00:21:47,520 --> 00:21:50,200
Speaker 5: into a good rhythm with one another in the previous

420
00:21:50,240 --> 00:21:53,680
Speaker 5: seasons with the work that we've done, and I think

421
00:21:53,720 --> 00:21:56,600
Speaker 5: we were excited to finally just like buckle down and

422
00:21:56,680 --> 00:22:01,400
Speaker 5: do the damn thing and have less drama. I remember

423
00:22:02,400 --> 00:22:07,080
Speaker 5: really feeling excited that I got to run through that

424
00:22:07,160 --> 00:22:10,360
Speaker 5: airport and like run up to him, like we were

425
00:22:10,480 --> 00:22:13,760
Speaker 5: so fucking pomped to be able to real be together.

426
00:22:13,840 --> 00:22:16,840
Speaker 5: It really and there was nothing romantic going on in

427
00:22:16,880 --> 00:22:20,920
Speaker 5: our friendship at all. It was just we were excited

428
00:22:20,920 --> 00:22:23,200
Speaker 5: because we knew the fans weren't going to be excited,

429
00:22:23,240 --> 00:22:26,000
Speaker 5: and we couldn't wait to just like bring it to life.

430
00:22:26,600 --> 00:22:30,080
Speaker 5: I don't miss a lot about acting, but moments like

431
00:22:30,119 --> 00:22:33,320
Speaker 5: that where your teammate and you are just like at

432
00:22:33,320 --> 00:22:34,280
Speaker 5: the same place.

433
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Speaker 3: You've been investing in something for so long, You've been

434
00:22:36,880 --> 00:22:40,080
Speaker 3: watching you know, you have been building these characters for

435
00:22:40,160 --> 00:22:42,920
Speaker 3: so long that to see something happen for those characters

436
00:22:42,920 --> 00:22:44,800
Speaker 3: that you've fallen in love with, investing so much of

437
00:22:44,800 --> 00:22:47,280
Speaker 3: your heart and soul and guts into to see them

438
00:22:47,320 --> 00:22:49,119
Speaker 3: get what they want, it feels good.

439
00:22:49,640 --> 00:22:52,600
Speaker 5: And I I mean I ran through that airport. I

440
00:22:52,640 --> 00:22:54,359
Speaker 5: was like, y'all need to get out of the way.

441
00:22:55,480 --> 00:22:57,959
Speaker 5: Move And the only other time I've done that in

442
00:22:58,000 --> 00:23:00,800
Speaker 5: my adult life was at my wedding when everyone's like

443
00:23:01,040 --> 00:23:06,080
Speaker 5: you walked down the aisle really really fast.

444
00:23:05,600 --> 00:23:07,200
Speaker 2: And be like, I gotta get up there.

445
00:23:07,240 --> 00:23:11,200
Speaker 5: To him, I gotta get there. Yeah, there's that moment.

446
00:23:11,720 --> 00:23:14,200
Speaker 5: The sense of urgency is. I think what is exciting

447
00:23:14,320 --> 00:23:16,200
Speaker 5: to me because when you're a girl.

448
00:23:16,119 --> 00:23:19,160
Speaker 6: Who tries really hard to like be cool, just be cool, man,

449
00:23:19,280 --> 00:23:22,760
Speaker 6: be cool, when you feel that sense of urgency that

450
00:23:22,800 --> 00:23:27,000
Speaker 6: makes you look like a huge dork, like you.

451
00:23:26,960 --> 00:23:28,720
Speaker 1: Want to bottle that. What a feeling.

452
00:23:29,200 --> 00:23:32,959
Speaker 2: Yeah, you make me want to dork out and move fast.

453
00:23:34,640 --> 00:23:36,760
Speaker 3: So they go to Wait, they go to Vegas.

454
00:23:37,200 --> 00:23:37,720
Speaker 2: I love that.

455
00:23:37,800 --> 00:23:40,919
Speaker 5: He wasn't even like, baby, let's date right, He was like,

456
00:23:41,040 --> 00:23:42,920
Speaker 5: let's get we're already dated.

457
00:23:43,400 --> 00:23:46,120
Speaker 3: Yeah, yeah, come on, you guys knew each other well enough.

458
00:23:46,240 --> 00:23:46,280
Speaker 10: No.

459
00:23:46,440 --> 00:23:50,480
Speaker 1: I love it you've proposed you've broken up, Like, we come.

460
00:23:50,359 --> 00:23:53,240
Speaker 3: On, we're ready, let's ask me to marry you, which

461
00:23:53,280 --> 00:23:55,399
Speaker 3: she doesn't even give him a chance to do. But wait, okay,

462
00:23:55,480 --> 00:23:57,760
Speaker 3: so they go to Vegas. The Vegas set's amazing. The

463
00:23:57,800 --> 00:23:59,000
Speaker 3: guy looks just like Elvis.

464
00:23:59,119 --> 00:24:00,919
Speaker 1: The Vegas set is really good.

465
00:24:01,320 --> 00:24:02,840
Speaker 3: I wish they'd left that up. I feel like we

466
00:24:02,840 --> 00:24:06,320
Speaker 3: could have milked that for a lot long. Yeah so good.

467
00:24:07,200 --> 00:24:09,760
Speaker 5: Yeah, that should have been like a Honey Grove episode,

468
00:24:09,800 --> 00:24:11,840
Speaker 5: like we should have all gone to Vegas.

469
00:24:12,240 --> 00:24:15,680
Speaker 3: Yes, like friends I loved the Vegas set.

470
00:24:16,000 --> 00:24:18,480
Speaker 5: I didn't see anything wrong with it. So when everyone was.

471
00:24:18,440 --> 00:24:19,960
Speaker 2: Like, isn't this cheesy, I was.

472
00:24:19,920 --> 00:24:21,600
Speaker 3: Like, Oh, yeah, it's Vegas.

473
00:24:21,840 --> 00:24:21,919
Speaker 5: No.

474
00:24:22,040 --> 00:24:24,399
Speaker 1: I thought it was perfect. Also, I got to say,

475
00:24:24,920 --> 00:24:27,720
Speaker 1: for as much as we had many an experience where

476
00:24:27,720 --> 00:24:30,480
Speaker 1: we'd come into a set and be like why, Like,

477
00:24:30,560 --> 00:24:31,879
Speaker 1: for me, in my start, I was like, why is

478
00:24:31,880 --> 00:24:35,560
Speaker 1: everything purple? Like who picks Barney Purple for like a

479
00:24:35,640 --> 00:24:38,560
Speaker 1: high end clothing store? What is happening? You guys walked

480
00:24:38,560 --> 00:24:40,240
Speaker 1: into that Vegas hotel room and I was like, that

481
00:24:40,280 --> 00:24:43,000
Speaker 1: looks exactly like a hotel room in Vegas. Set Deck

482
00:24:43,200 --> 00:24:45,560
Speaker 1: nailed it. Like they nailed it.

483
00:24:45,680 --> 00:24:46,840
Speaker 2: I really felt like.

484
00:24:46,760 --> 00:24:49,679
Speaker 1: We were there and I loved it. I want to

485
00:24:49,680 --> 00:24:51,760
Speaker 1: give them. I want to give them credit where credit

486
00:24:51,880 --> 00:24:53,200
Speaker 1: is due. They really killed it.

487
00:24:53,400 --> 00:24:56,240
Speaker 3: Wait, but how did Peyton and Lucas get to Lam?

488
00:24:56,440 --> 00:24:58,160
Speaker 3: Did they drive? And we did I miss a scene

489
00:24:58,200 --> 00:24:59,280
Speaker 3: of them driving in the car?

490
00:24:59,320 --> 00:25:01,919
Speaker 5: Did they They got a rental car and then they

491
00:25:01,920 --> 00:25:02,720
Speaker 5: were in the car.

492
00:25:02,760 --> 00:25:06,840
Speaker 1: And actually, one of my favorite moments in the whole

493
00:25:06,840 --> 00:25:10,160
Speaker 1: episode is that it cuts from like a creepy moment

494
00:25:10,200 --> 00:25:13,600
Speaker 1: with Nanny Carey and Dan, but you hear Peyton laughing

495
00:25:14,440 --> 00:25:17,080
Speaker 1: and Lucas while they're driving to La and Lucas says,

496
00:25:17,119 --> 00:25:19,880
Speaker 1: I missed that laugh, and she says me too, And

497
00:25:19,920 --> 00:25:24,959
Speaker 1: I was like, oh that, I know that feeling, like

498
00:25:25,000 --> 00:25:27,880
Speaker 1: when you hear yourself get your joy back and you go,

499
00:25:28,119 --> 00:25:33,359
Speaker 1: oh my god. I had that experience here in the

500
00:25:33,359 --> 00:25:36,840
Speaker 1: city the other night at dinner with friends and I

501
00:25:36,920 --> 00:25:40,560
Speaker 1: we were cackling, and when I tell you, I heard

502
00:25:40,720 --> 00:25:43,160
Speaker 1: my own laugh before I realized it was coming out

503
00:25:43,160 --> 00:25:47,080
Speaker 1: of my mouth. And I was like, oh my god,

504
00:25:47,200 --> 00:25:53,600
Speaker 1: that feels nice. Like that feels nice, and it really,

505
00:25:53,720 --> 00:25:56,359
Speaker 1: it really made me feel emotional to see that like

506
00:25:56,480 --> 00:26:00,360
Speaker 1: represented for you. And after all the Peyton's been through

507
00:26:00,400 --> 00:26:02,520
Speaker 1: and all the sadness and the up and downs with

508
00:26:02,560 --> 00:26:06,040
Speaker 1: this relationship and like the book throwing and the torture

509
00:26:06,160 --> 00:26:11,879
Speaker 1: with her and Lucas, to have not only him acknowledge

510
00:26:12,359 --> 00:26:14,960
Speaker 1: her joy, but for her to say I missed this

511
00:26:15,080 --> 00:26:18,240
Speaker 1: version of myself. That made me very emotional.

512
00:26:18,760 --> 00:26:21,000
Speaker 5: I mean that's what the episode's about, though, right because

513
00:26:21,040 --> 00:26:25,600
Speaker 5: Haley says the same thing. Haley's like, I nailed it

514
00:26:25,600 --> 00:26:28,639
Speaker 5: in the studio and Nathan says, bitness, grizzy, I'm no

515
00:26:29,280 --> 00:26:29,520
Speaker 5: ed it.

516
00:26:29,480 --> 00:26:30,040
Speaker 6: On the Cord.

517
00:26:30,240 --> 00:26:34,199
Speaker 1: You know everyone, Yeah, yeah, everybody's.

518
00:26:33,680 --> 00:26:37,680
Speaker 5: Getting their sense of self back, and You're right, that does.

519
00:26:38,320 --> 00:26:42,680
Speaker 5: It catches us by surprise, and it's what those are,

520
00:26:42,680 --> 00:26:48,480
Speaker 5: the moments that like, you really remember yourself. And I'm

521
00:26:48,520 --> 00:26:50,639
Speaker 5: glad all the kids are getting to have these little

522
00:26:51,240 --> 00:26:52,760
Speaker 5: these bursts of glory.

523
00:26:53,880 --> 00:26:56,040
Speaker 3: Brook's definitely getting her sense of self back. I mean,

524
00:26:56,040 --> 00:26:59,199
Speaker 3: with Victoria coming in, I feel like this is the

525
00:26:59,240 --> 00:27:02,520
Speaker 3: first time I've seen Brooke stand up to Victoria in

526
00:27:02,520 --> 00:27:05,600
Speaker 3: a way that feels real, like woman to woman and

527
00:27:05,640 --> 00:27:08,240
Speaker 3: not like a little girl yelling at her mom. Felt

528
00:27:08,280 --> 00:27:11,399
Speaker 3: much more like, listen, I'm actually not going to do

529
00:27:11,480 --> 00:27:13,120
Speaker 3: this with you. This is my company.

530
00:27:14,600 --> 00:27:18,560
Speaker 1: It isn't lost on me. Like the ways that everyone

531
00:27:18,680 --> 00:27:23,720
Speaker 1: is finding themselves, like, it's really special that in their healthy,

532
00:27:24,800 --> 00:27:28,520
Speaker 1: long relationship Nathan and Haley, I wrote it down that

533
00:27:28,520 --> 00:27:32,160
Speaker 1: they're each getting back to themselves individually and it's making

534
00:27:32,240 --> 00:27:35,920
Speaker 1: their marriage healthier. And then you've got Peyton and Lucas

535
00:27:36,160 --> 00:27:38,720
Speaker 1: getting back to the core of everything that's always been

536
00:27:38,720 --> 00:27:42,600
Speaker 1: good about them and they get to be more themselves

537
00:27:42,640 --> 00:27:46,399
Speaker 1: because they're together. And Brooke has really been on this

538
00:27:46,520 --> 00:27:52,200
Speaker 1: journey to find herself without anyone else defining her without

539
00:27:52,600 --> 00:27:56,560
Speaker 1: a romantic partner, now potentially without a business partner, like

540
00:27:57,119 --> 00:27:59,960
Speaker 1: really truly finally being able to say no, this is

541
00:28:00,200 --> 00:28:05,880
Speaker 1: for me and it's let me tell you it hits

542
00:28:05,920 --> 00:28:10,639
Speaker 1: like I get it and I love I love that

543
00:28:10,680 --> 00:28:14,200
Speaker 1: we're getting these versions essentially of us, the three of us,

544
00:28:14,240 --> 00:28:19,400
Speaker 1: of three women in different ways, each really clicking into

545
00:28:19,400 --> 00:28:22,280
Speaker 1: the core of who they are. Even though their journeys

546
00:28:22,280 --> 00:28:27,040
Speaker 1: are different. The similarity is like the results and it

547
00:28:27,080 --> 00:28:31,520
Speaker 1: feels very cool.

548
00:28:36,440 --> 00:28:40,880
Speaker 5: Your comedy in the midst of the chaos with Victoria,

549
00:28:41,960 --> 00:28:45,760
Speaker 5: Like you had to cry a lot in all episode,

550
00:28:46,560 --> 00:28:49,480
Speaker 5: and that's not fun, but you made it look pretty

551
00:28:50,040 --> 00:28:50,360
Speaker 5: and you.

552
00:28:50,360 --> 00:28:51,840
Speaker 1: Made it look really like good.

553
00:28:52,240 --> 00:28:55,120
Speaker 5: But also you're not doing like the Peyton cry thing

554
00:28:55,160 --> 00:28:58,960
Speaker 5: where you're just sad. You're also like being real funny

555
00:28:59,000 --> 00:29:02,120
Speaker 5: first or later we're in the midst of it.

556
00:29:03,600 --> 00:29:06,480
Speaker 3: Yeah, it's a lot. You're hitting all the emotional I

557
00:29:06,520 --> 00:29:09,560
Speaker 3: love that Brooke does that. It's a little emotional rollercoaster

558
00:29:09,720 --> 00:29:12,840
Speaker 3: for her, but she so authentically dropped into her body

559
00:29:12,880 --> 00:29:15,640
Speaker 3: at all times, like one hundred percent whatever she's feeling,

560
00:29:15,680 --> 00:29:18,200
Speaker 3: it's just what's on her sleeve, which is so fun

561
00:29:18,240 --> 00:29:22,160
Speaker 3: to watch. And also looked amazing, your make up, your

562
00:29:22,200 --> 00:29:24,920
Speaker 3: hair looked great. Your that blue silk shirt with the

563
00:29:25,000 --> 00:29:28,040
Speaker 3: roses eye. I loved the outside for so good.

564
00:29:28,120 --> 00:29:30,840
Speaker 1: I loved it, and that my creepy bob was finally

565
00:29:30,880 --> 00:29:32,520
Speaker 1: starting to grow out and hit like a length that

566
00:29:32,600 --> 00:29:33,560
Speaker 1: was better for my face.

567
00:29:33,720 --> 00:29:33,960
Speaker 11: Y'all.

568
00:29:34,000 --> 00:29:37,320
Speaker 5: We're talking about it while we watched the episode. It's like, oh,

569
00:29:37,400 --> 00:29:40,479
Speaker 5: oh better, hair, better, oh better? We got our summer break.

570
00:29:40,800 --> 00:29:43,920
Speaker 5: Do we still find that your biological clock is like

571
00:29:44,320 --> 00:29:47,200
Speaker 5: a school year because we went pretty much straight from

572
00:29:47,200 --> 00:29:50,200
Speaker 5: like graduating high school yes, to doing this show where

573
00:29:50,200 --> 00:29:54,040
Speaker 5: we shot September through May, and my biological clock is like, well,

574
00:29:54,080 --> 00:29:54,960
Speaker 5: it's September.

575
00:29:55,080 --> 00:29:56,880
Speaker 2: We went to work in July.

576
00:29:57,760 --> 00:30:00,440
Speaker 1: And when people ask me, like, what year was, I'm like,

577
00:30:00,480 --> 00:30:03,239
Speaker 1: I don't know. It was season six, yeah, which by

578
00:30:03,280 --> 00:30:06,680
Speaker 1: the way, spans over two calendar years. So anytime anybody

579
00:30:06,720 --> 00:30:10,320
Speaker 1: asks me a question about linear time, I'm like, I

580
00:30:10,360 --> 00:30:14,120
Speaker 1: can't answer that. I'm so sorry. I spent the first

581
00:30:14,160 --> 00:30:16,280
Speaker 1: thirty years of my life on a school calendar. I

582
00:30:16,320 --> 00:30:18,400
Speaker 1: don't know what year anything has ever happened yet.

583
00:30:18,480 --> 00:30:21,600
Speaker 3: Yeah, I can go buy haircuts and colors. Really.

584
00:30:24,120 --> 00:30:26,600
Speaker 5: When Brooke was on the phone with Victoria. And then

585
00:30:27,920 --> 00:30:30,880
Speaker 5: and Victory's being so rude, and there's this thing that

586
00:30:30,920 --> 00:30:33,240
Speaker 5: she says, right when she comes into Brooks apartment. She says,

587
00:30:33,640 --> 00:30:37,000
Speaker 5: I don't know why you've been such a snot, and

588
00:30:37,120 --> 00:30:40,560
Speaker 5: that kind of maternal gas lighting where it's like, I've

589
00:30:40,600 --> 00:30:43,120
Speaker 5: told you what's wrong. I've told you what's wrong. I've

590
00:30:43,120 --> 00:30:45,600
Speaker 5: told you what's wrong. And when you come to me

591
00:30:45,640 --> 00:30:49,280
Speaker 5: and say I don't know why you're upset with me, Oh,

592
00:30:49,800 --> 00:30:52,400
Speaker 5: that is one more assault because it means that all

593
00:30:52,440 --> 00:30:55,240
Speaker 5: the energy and work I put into telling.

594
00:30:54,960 --> 00:30:57,960
Speaker 3: You and trying to communicate in a mature way.

595
00:30:58,440 --> 00:31:01,560
Speaker 5: I worked myself up to be brave enough to tell

596
00:31:01,600 --> 00:31:04,200
Speaker 5: you all the things that hurt, and you said.

597
00:31:06,080 --> 00:31:07,120
Speaker 1: I don't hear any of it.

598
00:31:08,520 --> 00:31:12,719
Speaker 5: He didn't register. Yeah, well sorry Victoria. And then you

599
00:31:12,760 --> 00:31:14,200
Speaker 5: call her a botox vampire.

600
00:31:14,760 --> 00:31:15,560
Speaker 1: I loved it.

601
00:31:15,760 --> 00:31:18,040
Speaker 2: And Frank and Mom Frank and Mom.

602
00:31:20,000 --> 00:31:23,080
Speaker 1: Botox vampires. I was like, Oh, that's where it comes from.

603
00:31:23,160 --> 00:31:23,840
Speaker 1: I love it.

604
00:31:24,080 --> 00:31:28,320
Speaker 5: They got like an insult generator, or they hired somebody.

605
00:31:28,280 --> 00:31:30,400
Speaker 5: I like, I got another one.

606
00:31:30,680 --> 00:31:33,479
Speaker 1: It was just so good. And it is interesting what

607
00:31:33,520 --> 00:31:36,760
Speaker 1: you're saying, hell, because when somebody when you work on

608
00:31:36,800 --> 00:31:38,600
Speaker 1: a relationship, with someone.

609
00:31:39,280 --> 00:31:43,440
Speaker 3: Tire, I think you are yeah for years and then

610
00:31:43,480 --> 00:31:44,640
Speaker 3: they say, I don't know.

611
00:31:45,200 --> 00:31:46,920
Speaker 1: This is the first I've ever heard that you're upset.

612
00:31:46,960 --> 00:31:49,360
Speaker 1: It makes you feel crazy, it does. It makes you

613
00:31:49,360 --> 00:31:52,720
Speaker 1: feel like an insane person. And I think what was

614
00:31:52,800 --> 00:31:58,320
Speaker 1: really interesting for me about this dynamic with her was

615
00:31:59,040 --> 00:32:03,840
Speaker 1: trying to, you know, ask people questions about what it

616
00:32:03,880 --> 00:32:09,479
Speaker 1: would be like to have a toxic maternal relationship and interestingly, like,

617
00:32:10,040 --> 00:32:11,800
Speaker 1: and I hope she doesn't mind me talking a little

618
00:32:11,800 --> 00:32:17,160
Speaker 1: bit about this, but going through the Victoria storyline really

619
00:32:17,240 --> 00:32:22,200
Speaker 1: made in my own family. My mom really revealed some

620
00:32:22,240 --> 00:32:24,960
Speaker 1: things to me about how she grew up and when

621
00:32:25,040 --> 00:32:29,960
Speaker 1: her parents split up. There really did become a dynamic

622
00:32:30,080 --> 00:32:32,320
Speaker 1: with my mom and my grandmother where my grandmother was

623
00:32:32,360 --> 00:32:35,600
Speaker 1: really jealous of my mom and like put her through

624
00:32:35,640 --> 00:32:39,840
Speaker 1: a lot of shit in her teenage years. And I

625
00:32:39,960 --> 00:32:45,400
Speaker 1: remember this time in my life talking about how weird

626
00:32:45,440 --> 00:32:48,120
Speaker 1: it was to try to have this horrible maternal dynamic

627
00:32:48,120 --> 00:32:50,520
Speaker 1: because I didn't grow up like that, and my mom

628
00:32:50,640 --> 00:32:52,600
Speaker 1: sharing some shit with me that I just was like,

629
00:32:53,920 --> 00:32:57,440
Speaker 1: I remember the shock at I don't know what were

630
00:32:57,440 --> 00:33:00,680
Speaker 1: we twenty five twenty six at the time, looking at

631
00:33:00,680 --> 00:33:05,880
Speaker 1: my mom who like, duh, I know, my mom's a person. Yeah,

632
00:33:05,920 --> 00:33:08,480
Speaker 1: but it was the first time that I went, oh,

633
00:33:08,480 --> 00:33:12,680
Speaker 1: my god, like, you're not this sort of omniscient parent.

634
00:33:12,840 --> 00:33:17,800
Speaker 1: You're not just this grown up You're You're a girl

635
00:33:17,840 --> 00:33:19,840
Speaker 1: who's been through shit, and like you went through that

636
00:33:19,960 --> 00:33:24,360
Speaker 1: with your own mom. It was this really wild sort

637
00:33:24,360 --> 00:33:26,400
Speaker 1: of experience. And I think because my mom and I

638
00:33:26,440 --> 00:33:29,280
Speaker 1: are close and Daphne and I were so close in

639
00:33:29,320 --> 00:33:33,400
Speaker 1: a way, this sort of accidental revelation that the brook

640
00:33:33,440 --> 00:33:36,320
Speaker 1: in Victoria storyline caused for me and my own mother,

641
00:33:36,520 --> 00:33:39,320
Speaker 1: like it changed my relationship with my mom in this

642
00:33:39,400 --> 00:33:43,880
Speaker 1: incredible way. And so it's funny when fans are like, god,

643
00:33:43,960 --> 00:33:45,959
Speaker 1: you know, you always play these characters or these toxic

644
00:33:46,000 --> 00:33:49,320
Speaker 1: maternal relationships. I'm like, interesting thing about acting a toxic

645
00:33:49,360 --> 00:33:51,600
Speaker 1: maternal relationship is like, can you gorgeous things for your

646
00:33:51,600 --> 00:33:57,840
Speaker 1: own family? Everybody does therapy, Yeah, but like I had

647
00:33:57,880 --> 00:34:02,400
Speaker 1: like a visceral memory of that, maybe because I just

648
00:34:02,400 --> 00:34:04,440
Speaker 1: went on that trip with my parents, but it was

649
00:34:04,480 --> 00:34:07,720
Speaker 1: like really surreal to be like, man, I remember, I

650
00:34:07,720 --> 00:34:11,040
Speaker 1: remember how this deepened my relationship in my own family.

651
00:34:11,880 --> 00:34:15,359
Speaker 3: It's just like a part of growing up. Yeah, people

652
00:34:15,440 --> 00:34:17,800
Speaker 3: are more complicated than the boxes we put them in

653
00:34:17,840 --> 00:34:20,359
Speaker 3: when we're young, because we love to compartmentalize things and

654
00:34:20,440 --> 00:34:24,400
Speaker 3: you know, assign roles. And I felt that way in

655
00:34:24,400 --> 00:34:26,880
Speaker 3: my own family too, and having those moments with my mom.

656
00:34:26,920 --> 00:34:30,880
Speaker 3: And it's actually interesting to think about the Victoria storyline

657
00:34:30,920 --> 00:34:34,160
Speaker 3: that way and think of where did she come from?

658
00:34:34,239 --> 00:34:37,200
Speaker 3: Who who is her mother? Like what happened with her?

659
00:34:37,360 --> 00:34:39,719
Speaker 5: Do we ever see a Brook grandma in any of

660
00:34:39,719 --> 00:34:45,160
Speaker 5: the weddings or anything interesting? It's Glenn Close. It's like

661
00:34:45,320 --> 00:34:46,240
Speaker 5: Eula Deville.

662
00:34:46,320 --> 00:34:47,200
Speaker 1: Oh you know what I mean?

663
00:34:47,600 --> 00:34:47,839
Speaker 3: Good?

664
00:34:47,960 --> 00:34:53,200
Speaker 1: Yes, well not to you know, be too revealing. But

665
00:34:53,520 --> 00:34:55,600
Speaker 1: when we were talking about some of the dynamics of

666
00:34:55,640 --> 00:34:58,680
Speaker 1: things we witnessed in Wilmington as young people, Yeah, like

667
00:34:59,239 --> 00:35:05,200
Speaker 1: that culture of certain families putting their young daughters kind

668
00:35:05,200 --> 00:35:11,280
Speaker 1: of out for these off right Yeah. Like I wonder

669
00:35:11,280 --> 00:35:14,000
Speaker 1: if that was a bit of the dynamic for Victoria,

670
00:35:14,520 --> 00:35:16,319
Speaker 1: Like did she grow up in a space where her

671
00:35:17,080 --> 00:35:20,200
Speaker 1: household told her that her only worth was to bag

672
00:35:20,360 --> 00:35:21,720
Speaker 1: like a successful husband.

673
00:35:21,960 --> 00:35:24,560
Speaker 5: Oh dude, that was the narrative when I was growing up.

674
00:35:24,600 --> 00:35:27,799
Speaker 5: You went to college to get your mrs. Oh, Like

675
00:35:29,120 --> 00:35:31,840
Speaker 5: I was like oldest of my friends. That wasn't married

676
00:35:32,440 --> 00:35:34,880
Speaker 5: because everyone else just got married right out of college.

677
00:35:35,440 --> 00:35:39,400
Speaker 5: And I hope that's not still a prevalent thing. But

678
00:35:40,120 --> 00:35:43,480
Speaker 5: that kind of culture where it's like, oh, man, she's eighteen,

679
00:35:43,600 --> 00:35:45,600
Speaker 5: she should either get married or go to school to

680
00:35:45,680 --> 00:35:50,400
Speaker 5: get married was kind of normal, and like, if you

681
00:35:50,440 --> 00:35:52,440
Speaker 5: had bagged a dude by the time you were eighteen,

682
00:35:52,480 --> 00:35:56,799
Speaker 5: there was no reason to go into debt with school.

683
00:35:57,040 --> 00:35:59,640
Speaker 1: Oh my god, that takes my breath away.

684
00:36:00,080 --> 00:36:00,279
Speaker 11: Dude.

685
00:36:00,320 --> 00:36:02,440
Speaker 5: When I got dropped off at college, I was going

686
00:36:02,520 --> 00:36:04,759
Speaker 5: to a really great school that was attached to a

687
00:36:04,800 --> 00:36:07,719
Speaker 5: law school, and I remember like going on the orientation

688
00:36:07,800 --> 00:36:12,399
Speaker 5: tour with my parents and being told like, well, hang

689
00:36:12,440 --> 00:36:14,000
Speaker 5: out where the law school kids hang out, and you

690
00:36:14,040 --> 00:36:16,799
Speaker 5: can find a husband there. And I was like, or

691
00:36:16,960 --> 00:36:18,720
Speaker 5: I could just be the lawyer.

692
00:36:18,880 --> 00:36:19,480
Speaker 3: But it's.

693
00:36:21,120 --> 00:36:25,319
Speaker 11: Yeah, totally fine. It's a culture thing, and it is

694
00:36:26,120 --> 00:36:30,600
Speaker 11: hopefully that tide has turned. I didn't marry a lawyer,

695
00:36:30,640 --> 00:36:32,080
Speaker 11: you guys, you sure did not.

696
00:36:32,640 --> 00:36:35,040
Speaker 3: We got an invitation now that we're down here in

697
00:36:35,080 --> 00:36:38,440
Speaker 3: the South. We got an invitation for Maria to join Katillian.

698
00:36:38,480 --> 00:36:39,919
Speaker 3: You know. It comes in the mail in a nice

699
00:36:40,000 --> 00:36:44,040
Speaker 3: envelope and all the little RSVP things, and it's beautiful

700
00:36:44,080 --> 00:36:48,400
Speaker 3: gold lettering and all the nice reading through this invitation.

701
00:36:48,440 --> 00:36:51,640
Speaker 2: Maria's like, ooh, what's that. I said, Oh, it's Katillian.

702
00:36:51,239 --> 00:36:54,800
Speaker 3: And she was like what you know, we were watching

703
00:36:54,800 --> 00:36:59,560
Speaker 3: Gilmore Girls, so she's been oh yeah, and she's like, mom,

704
00:37:00,160 --> 00:37:02,239
Speaker 3: if you make me go to that, I will get

705
00:37:02,280 --> 00:37:02,759
Speaker 3: kicked out.

706
00:37:02,960 --> 00:37:03,279
Speaker 5: I will.

707
00:37:03,440 --> 00:37:05,239
Speaker 3: I will get myself kicked out.

708
00:37:05,960 --> 00:37:06,440
Speaker 5: Yeah.

709
00:37:06,600 --> 00:37:07,200
Speaker 3: I love her.

710
00:37:07,800 --> 00:37:11,759
Speaker 1: I love that kid. Y, don't worry.

711
00:37:11,840 --> 00:37:13,840
Speaker 3: I'm not I'm not. I'm not putting you on the market.

712
00:37:14,320 --> 00:37:16,120
Speaker 3: I mean, there's a lot of great things that come

713
00:37:16,120 --> 00:37:16,920
Speaker 3: from Junior League.

714
00:37:16,920 --> 00:37:20,160
Speaker 5: There's all kinds of pretty dressed to others. You know,

715
00:37:20,440 --> 00:37:24,480
Speaker 5: you know, there are plenty of reasons to wear a

716
00:37:24,560 --> 00:37:25,560
Speaker 5: dress in those world.

717
00:37:25,920 --> 00:37:29,040
Speaker 3: Yeah, well, Ashley Ricards wants to wear a dress. She

718
00:37:29,120 --> 00:37:33,280
Speaker 3: tries to steal one store. And I'm so super excited

719
00:37:33,280 --> 00:37:35,719
Speaker 3: to see her showing up on screen because she's a

720
00:37:35,719 --> 00:37:38,000
Speaker 3: meaty storyline coming up and really great actors.

721
00:37:39,080 --> 00:37:41,880
Speaker 1: I know, it's so fun and and it reminded me

722
00:37:41,920 --> 00:37:43,960
Speaker 1: when she came on. I was like, wait a second,

723
00:37:44,560 --> 00:37:47,000
Speaker 1: when does Brook get beat up? I can't believe it

724
00:37:47,040 --> 00:37:49,480
Speaker 1: was at the end of the first episode, but you know,

725
00:37:49,520 --> 00:37:52,200
Speaker 1: the dynamic Ashley Recards coming in this is when we

726
00:37:52,239 --> 00:37:56,759
Speaker 1: get Evan Peters of American horror story fame, and you know,

727
00:37:56,800 --> 00:37:59,399
Speaker 1: it's it's the dynamic of these two kids and then

728
00:37:59,520 --> 00:38:06,080
Speaker 1: Xavier the whole sort of weird, toxic I I really

729
00:38:06,120 --> 00:38:09,320
Speaker 1: did of all the things I had visceral memories about

730
00:38:09,360 --> 00:38:11,600
Speaker 1: in this episode, some of it was a surprise. I

731
00:38:11,600 --> 00:38:13,160
Speaker 1: was like, Oh, what's happening now? Oh my god.

732
00:38:13,920 --> 00:38:18,280
Speaker 5: Yeah, it's the upside down when like, really Peyton's super

733
00:38:18,320 --> 00:38:23,120
Speaker 5: happy and Brooke is dealing with like you basically have

734
00:38:23,200 --> 00:38:25,799
Speaker 5: your own Ellie situation right now, where you're like.

735
00:38:25,800 --> 00:38:28,480
Speaker 2: I don't have a mother, lay me aloud, yeah.

736
00:38:28,280 --> 00:38:31,080
Speaker 5: And then you get beat up by some dude.

737
00:38:31,440 --> 00:38:34,280
Speaker 1: Yeah. Well yeah, they they sort of are just giving

738
00:38:34,320 --> 00:38:36,719
Speaker 1: me like Ellie and psychoederic.

739
00:38:39,520 --> 00:38:40,720
Speaker 3: Yeah, what do we do with Brooke?

740
00:38:41,800 --> 00:38:43,440
Speaker 5: Can we just read it like it worked.

741
00:38:43,280 --> 00:38:44,080
Speaker 1: Really well last time?

742
00:38:44,160 --> 00:38:47,480
Speaker 5: Let's hit her, dude, But hey, here's the deal. That

743
00:38:47,560 --> 00:38:50,719
Speaker 5: kind of shrugs me, because I do feel like that

744
00:38:50,960 --> 00:38:54,759
Speaker 5: was a punchline they knew would always work. It was like,

745
00:38:55,040 --> 00:38:57,320
Speaker 5: we don't really know what we should do with this girl.

746
00:38:57,840 --> 00:38:59,440
Speaker 2: I know, let's hit her.

747
00:39:00,120 --> 00:39:02,239
Speaker 1: Yeah it's kind of dark, and you know what I

748
00:39:02,280 --> 00:39:06,480
Speaker 1: will say was I remembered as it was happening, I

749
00:39:06,480 --> 00:39:08,080
Speaker 1: had the shock of like, oh, that's the end of

750
00:39:08,120 --> 00:39:13,200
Speaker 1: the first episode that she gets attacked. I remember the

751
00:39:13,360 --> 00:39:17,200
Speaker 1: amount of effort because there was so much clamoring about

752
00:39:17,200 --> 00:39:19,080
Speaker 1: what was going to happen because of the three way

753
00:39:19,120 --> 00:39:23,239
Speaker 1: phone call at the end of season five, people were

754
00:39:23,560 --> 00:39:26,719
Speaker 1: out in the streets every day trying to figure out

755
00:39:26,719 --> 00:39:31,480
Speaker 1: who Lucas picked. And they tented close over Bros that

756
00:39:31,640 --> 00:39:35,840
Speaker 1: night to shoot the assault because they didn't want anyone

757
00:39:35,880 --> 00:39:38,880
Speaker 1: to know Brooke was getting assaulted. But then when we

758
00:39:38,920 --> 00:39:44,840
Speaker 1: did the turnaround and he comes in and pushes me

759
00:39:44,880 --> 00:39:48,480
Speaker 1: over the display and I hit the ground, and all

760
00:39:48,520 --> 00:39:51,200
Speaker 1: those angles are looking out at the street. They had

761
00:39:51,200 --> 00:39:53,080
Speaker 1: taken the tents down and there were like two hundred

762
00:39:53,080 --> 00:39:55,279
Speaker 1: people outside, so everybody saw it.

763
00:39:55,640 --> 00:39:57,480
Speaker 2: So the whole internet was like, oh my god, Brooke

764
00:39:57,520 --> 00:39:58,040
Speaker 2: got attacked.

765
00:39:58,080 --> 00:40:01,399
Speaker 1: And I was like, oh, guys, why didn't we lock

766
00:40:01,520 --> 00:40:04,200
Speaker 1: up the street and make sure people couldn't be out

767
00:40:04,200 --> 00:40:08,600
Speaker 1: there watching? Like you made the crew ten the whole store,

768
00:40:09,120 --> 00:40:11,120
Speaker 1: and then you just took it down for the reverse

769
00:40:11,760 --> 00:40:12,200
Speaker 1: and everything.

770
00:40:12,239 --> 00:40:15,839
Speaker 3: I really took an extra like, oh god, it was

771
00:40:15,920 --> 00:40:16,560
Speaker 3: so silly.

772
00:40:16,600 --> 00:40:20,560
Speaker 1: I was like, this was not well planned. You know

773
00:40:20,600 --> 00:40:23,839
Speaker 1: what I did think was very well planned. And we've

774
00:40:23,840 --> 00:40:26,359
Speaker 1: talked about this before that Jackson showing up last year,

775
00:40:26,480 --> 00:40:31,080
Speaker 1: like having a kid on set opened up this whole beautiful,

776
00:40:31,360 --> 00:40:36,399
Speaker 1: like new room of experiences. And because Jackson loved all

777
00:40:36,440 --> 00:40:39,279
Speaker 1: the music we were all listening to and we would like,

778
00:40:39,600 --> 00:40:41,799
Speaker 1: you know, take him out, and he always wanted to

779
00:40:41,880 --> 00:40:45,760
Speaker 1: dance in the hair and makeup trailer them putting Jamie

780
00:40:45,840 --> 00:40:51,000
Speaker 1: learning to dance from Quentin in this episode, like oh

781
00:40:51,520 --> 00:40:54,440
Speaker 1: and when we get to the end and he's teaching you,

782
00:40:54,560 --> 00:40:57,399
Speaker 1: joy I was like, I'm unwell, like my ovaries hurt.

783
00:40:57,719 --> 00:41:03,200
Speaker 1: This is so precious. Sides are melting, like Robbie teaching

784
00:41:03,320 --> 00:41:05,960
Speaker 1: Jackson a dance and then Jackson teaching you and it

785
00:41:06,080 --> 00:41:10,560
Speaker 1: being this sort of through line. Everyone's just there's something

786
00:41:10,600 --> 00:41:14,640
Speaker 1: about like all the basketball storyline stuff feels like season one,

787
00:41:14,840 --> 00:41:19,920
Speaker 1: like it's healthy and sweet and nostalgic and everyone is

788
00:41:20,040 --> 00:41:25,360
Speaker 1: so happy and oh man, that really that brought me

789
00:41:25,400 --> 00:41:26,120
Speaker 1: a lot of joy.

790
00:41:26,400 --> 00:41:29,280
Speaker 3: I love seeing Quentin integrate himself into the team more

791
00:41:29,400 --> 00:41:32,640
Speaker 3: like this, like really his ego is starting to die

792
00:41:32,719 --> 00:41:34,960
Speaker 3: down and yeah, he's come such a long wave. And

793
00:41:34,960 --> 00:41:36,680
Speaker 3: from when we first met him when he was so

794
00:41:36,800 --> 00:41:41,160
Speaker 3: angry and above everyone else. To see him not just

795
00:41:41,200 --> 00:41:43,600
Speaker 3: integrate with the team, but coming down onto the level

796
00:41:43,640 --> 00:41:47,080
Speaker 3: of a young person and really getting in with Jackson

797
00:41:47,160 --> 00:41:50,720
Speaker 3: and Jamie and spending time and investing in him, it's

798
00:41:50,760 --> 00:41:52,160
Speaker 3: just so great.

799
00:41:52,520 --> 00:41:55,359
Speaker 5: Yeah, we have to talk about the song change though,

800
00:41:55,400 --> 00:41:57,680
Speaker 5: you guys, because I was sitting here the whole time

801
00:41:57,760 --> 00:42:01,000
Speaker 5: watching it, Like I thought it was a Superman's song.

802
00:42:01,480 --> 00:42:02,960
Speaker 3: I was like, which got familiar.

803
00:42:03,400 --> 00:42:06,279
Speaker 5: I also don't know the words too, so if you

804
00:42:06,520 --> 00:42:09,920
Speaker 5: had to clear it up for me, you guys, it's gross.

805
00:42:10,520 --> 00:42:13,960
Speaker 1: Well, that song had come out whatever year this was

806
00:42:13,960 --> 00:42:17,320
Speaker 1: two thousand and eight, I guess, and they were playing

807
00:42:17,360 --> 00:42:20,640
Speaker 1: it a lot, like all the boys playing basketball, and

808
00:42:20,760 --> 00:42:24,440
Speaker 1: Jackson loved it. And I remember one of James's charity

809
00:42:24,520 --> 00:42:26,279
Speaker 1: games it was on and Jackson was like doing the

810
00:42:26,360 --> 00:42:28,400
Speaker 1: dance and whatever, and so I think they wanted to

811
00:42:28,440 --> 00:42:31,560
Speaker 1: put it in the episode. And then I'm pretty sure

812
00:42:31,680 --> 00:42:34,239
Speaker 1: Antoine was like, do y'all know what those lyrics mean?

813
00:42:34,760 --> 00:42:36,040
Speaker 1: Like do you know what Superman?

814
00:42:36,200 --> 00:42:36,239
Speaker 9: Like?

815
00:42:36,640 --> 00:42:36,719
Speaker 5: Me?

816
00:42:36,960 --> 00:42:38,040
Speaker 3: Definitely, Antiine.

817
00:42:38,040 --> 00:42:40,719
Speaker 1: And then he told everyone and they were like, we

818
00:42:40,880 --> 00:42:44,120
Speaker 1: will be changing the song in the episode. We cannot

819
00:42:44,120 --> 00:42:47,000
Speaker 1: have a five year old dancing to a song about

820
00:42:47,320 --> 00:42:51,640
Speaker 1: ejaculate Like this is not appropriate. I don't really want

821
00:42:51,640 --> 00:42:53,000
Speaker 1: to say any more about it. So if you want

822
00:42:53,000 --> 00:42:54,520
Speaker 1: to know what the song is about friends at home,

823
00:42:54,560 --> 00:42:57,160
Speaker 1: please look it up and gonna make it up. We're

824
00:42:57,160 --> 00:42:58,320
Speaker 1: going to change the subject.

825
00:43:00,640 --> 00:43:03,799
Speaker 3: God we change. Thank God that song got change. But

826
00:43:03,840 --> 00:43:07,759
Speaker 3: it was fun to see them dancing. I liked seeing it.

827
00:43:07,960 --> 00:43:08,160
Speaker 6: You know.

828
00:43:08,400 --> 00:43:09,879
Speaker 3: It was nice to sort of set up too that

829
00:43:10,280 --> 00:43:11,880
Speaker 3: Nathan and Haley were going to take a little back

830
00:43:11,920 --> 00:43:14,000
Speaker 3: seat for a while so we could focus on all

831
00:43:14,000 --> 00:43:16,880
Speaker 3: these other storylines because we know that they're good like it.

832
00:43:17,000 --> 00:43:19,160
Speaker 3: Just it was nice to just see, Hey, you know

833
00:43:19,239 --> 00:43:21,919
Speaker 3: what they've been through. It's all good that we've worked

834
00:43:21,920 --> 00:43:23,839
Speaker 3: through everything with them. Right now we're going to take

835
00:43:23,840 --> 00:43:27,640
Speaker 3: a break, yeah, regularly scheduled drama with these two and

836
00:43:27,719 --> 00:43:29,880
Speaker 3: let them enjoy their life a little bit. And I

837
00:43:29,920 --> 00:43:33,839
Speaker 3: loved seeing them just enjoying their time as a family together, just.

838
00:43:33,800 --> 00:43:39,560
Speaker 1: Being safe, Yeah, feeling safe, having humor, Like even how powerful.

839
00:43:40,440 --> 00:43:43,600
Speaker 1: Think about how short a scene it was between Quentin

840
00:43:43,640 --> 00:43:46,799
Speaker 1: and Nathan when they're you know, shooting at the end

841
00:43:47,040 --> 00:43:49,799
Speaker 1: and he says, I'm taking it easy on you because

842
00:43:49,800 --> 00:43:52,480
Speaker 1: you're back and he's like, yeah, my back's fine. It's

843
00:43:52,600 --> 00:43:56,759
Speaker 1: so quick. But you see the work, you see the mentorship,

844
00:43:56,920 --> 00:44:01,040
Speaker 1: and like when our writers really nail how to communicate

845
00:44:01,080 --> 00:44:04,480
Speaker 1: a journey, whether a scene was long for some characters

846
00:44:04,480 --> 00:44:07,719
Speaker 1: that needed it, or a scene was very short. Like

847
00:44:08,600 --> 00:44:12,680
Speaker 1: the flow of the episode worked so well, and it

848
00:44:12,800 --> 00:44:17,719
Speaker 1: was nice to see Nathan and Haley progressing through the

849
00:44:17,760 --> 00:44:21,279
Speaker 1: episode and then getting these moments of unexpected humor, like

850
00:44:21,840 --> 00:44:24,760
Speaker 1: watching James and Barbara do that scene where she's topless

851
00:44:24,760 --> 00:44:25,160
Speaker 1: in the pool.

852
00:44:25,200 --> 00:44:26,360
Speaker 3: It was so funny.

853
00:44:26,760 --> 00:44:29,880
Speaker 1: They were so funny. And then you coming in Joy

854
00:44:30,320 --> 00:44:32,760
Speaker 1: and cracking a joke about naked Nanny's in the pool,

855
00:44:32,840 --> 00:44:35,359
Speaker 1: Like I did not expect Haley to make that joke

856
00:44:35,480 --> 00:44:38,200
Speaker 1: and I loved it, and you could tell that he

857
00:44:38,280 --> 00:44:42,120
Speaker 1: loved it, and like it was just, Yeah, everything feels

858
00:44:42,360 --> 00:44:46,120
Speaker 1: very secure with you guys, and it's refreshing.

859
00:44:46,960 --> 00:44:49,480
Speaker 3: Yeah, well, we need a secure place because everything else

860
00:44:49,480 --> 00:44:55,680
Speaker 3: has been so volatile, including Dan we're going to go to.

861
00:44:57,360 --> 00:45:00,200
Speaker 5: I can't believe Carrie hit Dan before before we go

862
00:45:00,239 --> 00:45:04,120
Speaker 5: to Dan. I just have to say that the basketball banter.

863
00:45:04,760 --> 00:45:08,600
Speaker 5: I love bench talk when the boys are like talking

864
00:45:08,640 --> 00:45:09,480
Speaker 5: in the midst.

865
00:45:09,160 --> 00:45:10,440
Speaker 1: Of action and.

866
00:45:11,960 --> 00:45:18,040
Speaker 5: Skills asking me if his mom seemed satisfied. Satisfied I

867
00:45:18,800 --> 00:45:22,600
Speaker 5: goes down in O th h history one of the

868
00:45:22,840 --> 00:45:30,480
Speaker 5: bulls er just But it's to Antoine's credit. All of

869
00:45:30,520 --> 00:45:33,520
Speaker 5: the stuff that he's having to talk about could come

870
00:45:33,560 --> 00:45:38,160
Speaker 5: off as like creepy and like I don't know, just

871
00:45:38,160 --> 00:45:42,680
Speaker 5: like macho dude stuff, and instead he asks these questions

872
00:45:42,760 --> 00:45:46,359
Speaker 5: with so much like earnest curiosity, like.

873
00:45:47,880 --> 00:45:50,759
Speaker 3: It yeah, kind of insecurity.

874
00:45:51,000 --> 00:45:54,799
Speaker 5: Yes, he cares what this woman thinks about him. And

875
00:45:55,760 --> 00:45:58,000
Speaker 5: you know, he didn't have a relationship with her growing

876
00:45:58,120 --> 00:46:00,279
Speaker 5: up because by the time he joined the basketball team,

877
00:46:00,360 --> 00:46:02,719
Speaker 5: Nathan wasn't even living at home anymore. It's not like

878
00:46:02,800 --> 00:46:05,799
Speaker 5: she's a mom that he knew. She's just like a

879
00:46:05,800 --> 00:46:10,080
Speaker 5: brand new person to him pretty much. And their dynamic

880
00:46:10,400 --> 00:46:16,040
Speaker 5: is so cute, and I love that that Barbara and

881
00:46:16,080 --> 00:46:20,000
Speaker 5: Antoine love it as much as Skills and deb loved it.

882
00:46:20,760 --> 00:46:22,799
Speaker 5: The behind the scenes makes it so much more fun

883
00:46:22,840 --> 00:46:25,120
Speaker 5: to watch because they had the best time ever.

884
00:46:25,680 --> 00:46:28,799
Speaker 3: Yeah, they really did. It's true. I loved that Any

885
00:46:28,840 --> 00:46:31,040
Speaker 3: day that the two of those guys are on set,

886
00:46:31,120 --> 00:46:33,759
Speaker 3: they just had so much fun together. It was a

887
00:46:33,800 --> 00:46:39,160
Speaker 3: really well matched personality combo on screen. And off screen

888
00:46:39,719 --> 00:46:40,120
Speaker 3: nailed it.

889
00:46:40,200 --> 00:46:43,200
Speaker 5: Yeah. I mean to go from Dan Scott to the

890
00:46:43,239 --> 00:46:47,160
Speaker 5: clown at the birthday party to Skills is quite a

891
00:46:47,200 --> 00:46:48,280
Speaker 5: trajectory for Deb.

892
00:46:49,080 --> 00:46:51,799
Speaker 3: I wish it had lasted, because honestly, there's a world

893
00:46:51,800 --> 00:46:54,040
Speaker 3: where I see Deb and Skills just being like, you

894
00:46:54,040 --> 00:46:56,719
Speaker 3: know what, this actually really works for us? Perfect, Yes,

895
00:46:57,680 --> 00:46:58,640
Speaker 3: let's just do it.

896
00:46:59,200 --> 00:46:59,719
Speaker 1: Let's go on.

897
00:47:00,520 --> 00:47:06,319
Speaker 3: Nathan would have been calling Skills daddy daddy. I don't

898
00:47:06,360 --> 00:47:14,319
Speaker 3: think he ever would have actually been calling him daddy.

899
00:47:16,120 --> 00:47:19,040
Speaker 5: All right, Dan, Dan Dan, I interrupted the Dan.

900
00:47:18,920 --> 00:47:19,440
Speaker 1: Of it all.

901
00:47:19,440 --> 00:47:27,960
Speaker 5: But hi, yeah, yeah, yah, yeah, daddy misery. Oh this

902
00:47:28,120 --> 00:47:29,520
Speaker 5: was so Kathy baits.

903
00:47:29,760 --> 00:47:33,359
Speaker 1: I was just about to say, Tory is doing the

904
00:47:33,400 --> 00:47:37,480
Speaker 1: most incredible job that is insane material, and yeah, she

905
00:47:37,600 --> 00:47:41,279
Speaker 1: is just giving Kathy baits. It's so fun to watch her.

906
00:47:41,520 --> 00:47:45,359
Speaker 3: I gotta say, though, Look this girl is so psycho

907
00:47:45,920 --> 00:47:47,880
Speaker 3: and the best thing she can come up with is

908
00:47:47,880 --> 00:47:48,720
Speaker 3: a hot fork.

909
00:47:49,160 --> 00:47:51,719
Speaker 1: Yeah. It was weird, like.

910
00:47:52,120 --> 00:47:54,520
Speaker 5: How utensils are bad news.

911
00:47:54,920 --> 00:47:57,040
Speaker 2: But she's she's like I was at a hospital.

912
00:47:57,120 --> 00:47:59,720
Speaker 3: She's just since she has scalpels and teeth.

913
00:48:00,440 --> 00:48:01,880
Speaker 2: But she's not. She's in her house.

914
00:48:02,040 --> 00:48:04,000
Speaker 3: No, but I mean that she stole him from a hospital.

915
00:48:04,080 --> 00:48:07,000
Speaker 1: What I will say I liked about it is I

916
00:48:07,080 --> 00:48:11,080
Speaker 1: thought this is fucking weird. It does give you a

917
00:48:11,239 --> 00:48:14,040
Speaker 1: clue that this hospital is not what we think it is,

918
00:48:14,080 --> 00:48:15,600
Speaker 1: because at this point we don't know that they're in

919
00:48:15,680 --> 00:48:16,160
Speaker 1: her house.

920
00:48:16,920 --> 00:48:19,160
Speaker 2: And if that's where.

921
00:48:19,000 --> 00:48:22,399
Speaker 1: She's starting, I'm like, where is she gonna go?

922
00:48:23,040 --> 00:48:25,640
Speaker 3: Oh yeah, because all the jamming of the needles was really.

923
00:48:25,600 --> 00:48:27,880
Speaker 5: Next was down Nanny Needle.

924
00:48:28,480 --> 00:48:30,840
Speaker 1: That's my nickname for Nanny Needle.

925
00:48:31,120 --> 00:48:35,240
Speaker 5: She was just like so needle crazy in this episode.

926
00:48:35,239 --> 00:48:37,000
Speaker 1: And if you're someone like me that hates.

927
00:48:36,719 --> 00:48:39,120
Speaker 5: Needles, I just was like, all right, well it's time

928
00:48:39,160 --> 00:48:39,880
Speaker 5: to look at my phone.

929
00:48:39,920 --> 00:48:40,759
Speaker 1: Now I'm gonna have.

930
00:48:40,719 --> 00:48:42,960
Speaker 5: To do some other Well she turns this out.

931
00:48:43,200 --> 00:48:44,560
Speaker 1: Oh I did not like that at all.

932
00:48:44,880 --> 00:48:49,680
Speaker 5: No, My favorite part was her sham and the needle

933
00:48:49,680 --> 00:48:52,160
Speaker 5: into his arm. It should have gone through his arm

934
00:48:53,440 --> 00:48:56,480
Speaker 5: with how hard she jabbed it in, and then she

935
00:48:56,640 --> 00:48:59,920
Speaker 5: does this little like wiggle when she fixes her skirt.

936
00:49:00,760 --> 00:49:04,840
Speaker 5: The fixing of the skirt was such a nice little

937
00:49:05,040 --> 00:49:10,120
Speaker 5: punctuation to the scene. And I like that Tory Pepper's

938
00:49:10,160 --> 00:49:13,960
Speaker 5: her performance with those kinds of details, because while Nanny

939
00:49:14,000 --> 00:49:17,520
Speaker 5: Carey is a psycho, she's also kind of proper about.

940
00:49:17,600 --> 00:49:20,560
Speaker 3: She's very put together, she's playing her part. She doesn't

941
00:49:20,600 --> 00:49:27,239
Speaker 3: get anything out of place. Yeah, so interesting Dan. It's

942
00:49:27,280 --> 00:49:30,640
Speaker 3: delicious because we all want to see Dan Zuffer and

943
00:49:30,719 --> 00:49:33,520
Speaker 3: yet also it's so painful to watch Dan Zuffer.

944
00:49:34,800 --> 00:49:38,040
Speaker 1: It is really interesting that the character who is essentially

945
00:49:38,120 --> 00:49:41,839
Speaker 1: the most hated on our show becomes someone you want

946
00:49:41,840 --> 00:49:46,680
Speaker 1: to root for because she's even worse like that. That

947
00:49:46,800 --> 00:49:51,920
Speaker 1: required well, I mean, she's a psychopath who kidnapped a child, but.

948
00:49:51,920 --> 00:49:52,960
Speaker 2: She didn't kill her brother.

949
00:49:54,560 --> 00:49:56,200
Speaker 1: She did kill her dad.

950
00:49:57,120 --> 00:50:00,600
Speaker 5: Yeah, I was taking care of daddy, and you know,

951
00:50:01,239 --> 00:50:02,360
Speaker 5: he did end up dying.

952
00:50:02,480 --> 00:50:03,320
Speaker 2: But whatever.

953
00:50:04,000 --> 00:50:08,280
Speaker 1: I was like, Oh, maybe these two really just deserve

954
00:50:08,320 --> 00:50:10,400
Speaker 1: each other. Wouldn't it have been funny if in another

955
00:50:10,440 --> 00:50:12,920
Speaker 1: world they fell in love while he was in that bed? Guys?

956
00:50:13,239 --> 00:50:16,320
Speaker 5: I thought that's what was gonna happen. When really filming

957
00:50:16,360 --> 00:50:21,120
Speaker 5: all this, I for sure like thought Stockholm syndrome like

958
00:50:21,800 --> 00:50:22,879
Speaker 5: gonna end up Like.

959
00:50:23,480 --> 00:50:25,960
Speaker 3: Yeah, that would have been interesting. Actually, I think that

960
00:50:26,239 --> 00:50:29,040
Speaker 3: if they had taken more time with that, it could

961
00:50:29,040 --> 00:50:30,840
Speaker 3: have been really interesting to see that happen.

962
00:50:32,440 --> 00:50:32,960
Speaker 2: Loved it.

963
00:50:33,320 --> 00:50:36,799
Speaker 5: Nanny Needle is totally my vibe. I loved the mouth

964
00:50:36,840 --> 00:50:40,360
Speaker 5: and Millie stuff. Oh, like, yes, all the wholesomeness in

965
00:50:40,400 --> 00:50:44,360
Speaker 5: this episode mixed with the crazy violence is giving me

966
00:50:44,400 --> 00:50:46,799
Speaker 5: a little bit of whiplash. But I'm not mad at it.

967
00:50:47,120 --> 00:50:48,440
Speaker 2: But weirdly it worked.

968
00:50:48,760 --> 00:50:50,000
Speaker 3: Yeah, they just send it all up.

969
00:50:50,120 --> 00:50:52,160
Speaker 1: I can't believe how much we fit in the episode.

970
00:50:52,200 --> 00:50:55,920
Speaker 1: And weirdly everything worked, and even some of the little

971
00:50:55,920 --> 00:50:58,840
Speaker 1: through lines of humor, like joy you had it and

972
00:51:00,160 --> 00:51:02,400
Speaker 1: had it. You both said you got chills when me

973
00:51:02,480 --> 00:51:06,480
Speaker 1: and Milly said Victoria to you, like little callbacks of

974
00:51:06,560 --> 00:51:12,239
Speaker 1: the jokes, and yeah, it's wild how much color was

975
00:51:12,280 --> 00:51:12,640
Speaker 1: in this.

976
00:51:13,400 --> 00:51:13,720
Speaker 3: Yeah.

977
00:51:14,200 --> 00:51:17,759
Speaker 1: And I wanted Milly to stay with me, and I

978
00:51:17,800 --> 00:51:20,279
Speaker 1: also wanted her to go. And I was like, I

979
00:51:20,320 --> 00:51:23,640
Speaker 1: was like, oh, man, I remember, I mean just honestly,

980
00:51:23,680 --> 00:51:27,000
Speaker 1: I loved Lisa so much. I remember when we shot

981
00:51:27,040 --> 00:51:29,120
Speaker 1: that scene where I tell her she's fired, and like

982
00:51:29,760 --> 00:51:31,240
Speaker 1: neither of us could stop crying.

983
00:51:32,320 --> 00:51:35,399
Speaker 5: Did we really think that like we were losing Lee

984
00:51:36,200 --> 00:51:36,760
Speaker 5: and Lisa.

985
00:51:37,640 --> 00:51:42,000
Speaker 1: I don't remember. I knew because Mikayla had started working

986
00:51:42,080 --> 00:51:46,040
Speaker 1: on SVU, she had been hired as Familiar. We were

987
00:51:46,080 --> 00:51:48,600
Speaker 1: so pumped for her because obviously we all love that show,

988
00:51:49,400 --> 00:51:52,640
Speaker 1: and that was also like the era of Larne Order

989
00:51:52,640 --> 00:51:53,080
Speaker 1: rest of You.

990
00:51:53,640 --> 00:51:56,040
Speaker 5: So I used to make up lyrics to the theme

991
00:51:56,120 --> 00:51:58,520
Speaker 5: song because it doesn't have lyrics, and we used to

992
00:51:58,560 --> 00:52:02,240
Speaker 5: just like, yeah, we were just made up different lyrics

993
00:52:02,440 --> 00:52:04,080
Speaker 5: while we were waiting to shoot our seats.

994
00:52:04,480 --> 00:52:08,640
Speaker 1: I gotta love it. So I know that we knew

995
00:52:08,760 --> 00:52:12,240
Speaker 1: we'd lost her, you know, to this regular job on NBC.

996
00:52:12,360 --> 00:52:15,960
Speaker 1: But I don't remember what was going on with Lisa

997
00:52:16,040 --> 00:52:16,920
Speaker 1: and Lee if.

998
00:52:16,880 --> 00:52:21,480
Speaker 3: Everything was always so insecure with our jobs, always even

999
00:52:21,520 --> 00:52:23,920
Speaker 3: this far into the show, and knowing they're bringing new

1000
00:52:23,960 --> 00:52:26,440
Speaker 3: characters on and knowing at some point Paul went from

1001
00:52:26,480 --> 00:52:29,680
Speaker 3: being a series regular to being recurring because of the budget,

1002
00:52:29,840 --> 00:52:32,520
Speaker 3: and I think, yeah, we probably just had no idea

1003
00:52:32,560 --> 00:52:34,880
Speaker 3: what was going to happen. Plus Lee. That might have

1004
00:52:34,880 --> 00:52:36,320
Speaker 3: been around the same time he was going off to

1005
00:52:36,360 --> 00:52:39,719
Speaker 3: shoot Zodiac. You remember exactly when, but you know that

1006
00:52:39,800 --> 00:52:40,960
Speaker 3: might have been part of that too.

1007
00:52:41,200 --> 00:52:42,719
Speaker 1: Yeah, so they needed to get him out for a

1008
00:52:42,719 --> 00:52:43,560
Speaker 1: couple of years.

1009
00:52:43,760 --> 00:52:46,280
Speaker 3: That could have been in. But I did love them.

1010
00:52:46,800 --> 00:52:49,400
Speaker 1: I loved them, and I just loved the nostalgia of it.

1011
00:52:49,480 --> 00:52:54,440
Speaker 1: I loved seeing how sweet they were sort of prepping

1012
00:52:54,480 --> 00:52:57,239
Speaker 1: for this future, and I loved that they're prepping for

1013
00:52:57,320 --> 00:52:59,919
Speaker 1: their future. Let Mouth and Brook be so nostalgic about

1014
00:53:00,040 --> 00:53:03,840
Speaker 1: their past. Ye, him coming in with that boy Toy fire,

1015
00:53:03,960 --> 00:53:05,680
Speaker 1: I was like, oh god, here we go.

1016
00:53:07,200 --> 00:53:13,240
Speaker 5: Lo, I have his boy Toy trading card. You do?

1017
00:53:13,480 --> 00:53:18,840
Speaker 5: He was Peyton's date. Get him in the Uh what

1018
00:53:19,040 --> 00:53:20,680
Speaker 5: was it? Remember like the game that we played for

1019
00:53:20,719 --> 00:53:23,520
Speaker 5: boy Toy When did we do the boy draft and

1020
00:53:23,560 --> 00:53:26,600
Speaker 5: Peyton called Mouth? Peyton was like, I want Mouth and

1021
00:53:26,600 --> 00:53:27,239
Speaker 5: then we wrote go.

1022
00:53:27,640 --> 00:53:29,960
Speaker 3: It was a different thing, but yeah.

1023
00:53:29,360 --> 00:53:31,920
Speaker 1: That was on that that partner game night where like

1024
00:53:32,000 --> 00:53:35,239
Speaker 1: Brooke was with Felix and Peyton was with Mouth. Oh yeah,

1025
00:53:35,400 --> 00:53:38,600
Speaker 1: but I took him from the Boy Toy auction and

1026
00:53:38,680 --> 00:53:40,120
Speaker 1: you know, we went in the limo and we went

1027
00:53:40,160 --> 00:53:43,319
Speaker 1: to the strip club and we did all that as well.

1028
00:53:43,360 --> 00:53:46,920
Speaker 1: You know, I still think we would have been great.

1029
00:53:47,080 --> 00:53:49,360
Speaker 1: But yeah. The other thing that made me sob in

1030
00:53:49,400 --> 00:53:51,680
Speaker 1: this episode was Goodbye Scarecrow. I was like, oh, no,

1031
00:53:51,719 --> 00:53:53,280
Speaker 1: it's happening again. I'm crying again.

1032
00:53:53,840 --> 00:53:57,160
Speaker 5: Yeah, because that's I felt for Brook in that moment,

1033
00:53:57,280 --> 00:54:00,680
Speaker 5: because there's no worse feeling than like, think everything's going

1034
00:54:00,719 --> 00:54:02,839
Speaker 5: to be good again. She's made this huge move from

1035
00:54:02,840 --> 00:54:05,600
Speaker 5: New York City back home. Everything's finally good with all

1036
00:54:05,640 --> 00:54:10,120
Speaker 5: her friends. Her environment is like stable. She's building there

1037
00:54:10,360 --> 00:54:13,760
Speaker 5: and then the people she came down there for are leaving,

1038
00:54:14,160 --> 00:54:19,080
Speaker 5: and it just feels a little like w and she's

1039
00:54:19,120 --> 00:54:21,880
Speaker 5: trying so hard to be brave about it. I have

1040
00:54:21,920 --> 00:54:23,480
Speaker 5: to leave to go get my son, but I just

1041
00:54:23,480 --> 00:54:28,560
Speaker 5: want to say. My honorable mention is Lucas telling Peyton,

1042
00:54:28,800 --> 00:54:30,319
Speaker 5: I want to be selfish with you.

1043
00:54:31,080 --> 00:54:32,399
Speaker 2: Yes, I wrote that down too.

1044
00:54:33,400 --> 00:54:36,440
Speaker 5: I have carried that with me when I met Jeffrey,

1045
00:54:36,640 --> 00:54:38,600
Speaker 5: and I was like, I'm not going to introduce you

1046
00:54:38,680 --> 00:54:41,719
Speaker 5: to anyone. I'm not introducing you to my parents or

1047
00:54:41,800 --> 00:54:44,560
Speaker 5: my brothers or any of my friends. I am just

1048
00:54:44,640 --> 00:54:49,240
Speaker 5: making this decision for me. And it feels so good

1049
00:54:49,680 --> 00:54:52,680
Speaker 5: to be selfish for the first time in my life.

1050
00:54:52,719 --> 00:54:55,359
Speaker 5: And so when I heard that, it just like set

1051
00:54:55,360 --> 00:54:58,160
Speaker 5: off all the bells and whistles and I was like, yes.

1052
00:54:58,640 --> 00:55:03,560
Speaker 1: Yes, I agree, I agree. That's also my honorable mention.

1053
00:55:03,800 --> 00:55:04,399
Speaker 1: I loved it.

1054
00:55:04,600 --> 00:55:08,279
Speaker 2: I'm off to the middle school, Middle.

1055
00:55:08,040 --> 00:55:15,040
Speaker 3: Earth, Goodbye. I had a random memory, So, okay, when

1056
00:55:15,120 --> 00:55:18,000
Speaker 3: you first see Haley and Jamie jumps up into my

1057
00:55:18,160 --> 00:55:21,120
Speaker 3: arms and I'm like swinging him back and forth and talking. Yeah,

1058
00:55:21,120 --> 00:55:22,959
Speaker 3: when you're in that cub we did. That was because

1059
00:55:22,960 --> 00:55:25,840
Speaker 3: we ran out of time during the day. Yeah, we

1060
00:55:25,960 --> 00:55:28,520
Speaker 3: ran out of time during the day and we didn't

1061
00:55:28,520 --> 00:55:30,960
Speaker 3: have time for his coverage, so we were they were

1062
00:55:31,000 --> 00:55:32,360
Speaker 3: trying to figure out, like how are we going to

1063
00:55:32,440 --> 00:55:34,239
Speaker 3: do this? And I was like, hang on, hang on, kid,

1064
00:55:34,320 --> 00:55:36,759
Speaker 3: jump up. So because they were over my shoulder on

1065
00:55:36,920 --> 00:55:39,080
Speaker 3: him and they were like, what how are we gonna

1066
00:55:39,200 --> 00:55:41,000
Speaker 3: I was like, can I solve this problem for you? Please?

1067
00:55:41,280 --> 00:55:43,359
Speaker 3: He jumps up in my arms and I'm like, I'm

1068
00:55:43,360 --> 00:55:45,160
Speaker 3: gonna say my line when I face the camera, and

1069
00:55:45,160 --> 00:55:47,160
Speaker 3: then I'm gonna twist and you're gonna say your line,

1070
00:55:47,239 --> 00:55:48,960
Speaker 3: and then I'm gonna twist again and say my line.

1071
00:55:49,040 --> 00:55:52,200
Speaker 3: So that's why I'm hugging him and swaying back, swinging

1072
00:55:52,239 --> 00:55:56,719
Speaker 3: ever love. It's just so weird the memories that pop up.

1073
00:55:56,760 --> 00:55:58,799
Speaker 3: But also I just think that's interesting for people at

1074
00:55:58,840 --> 00:56:01,960
Speaker 3: home who have no idea how this stuff gets shot

1075
00:56:02,000 --> 00:56:04,200
Speaker 3: and why you see Sometimes you see something that you

1076
00:56:04,239 --> 00:56:09,120
Speaker 3: think is totally normal, just acting movement, but it's actually

1077
00:56:09,560 --> 00:56:11,160
Speaker 3: running out of time during the day totally.

1078
00:56:11,360 --> 00:56:13,680
Speaker 1: I mean, remember Joy, like you were saying earlier about

1079
00:56:13,719 --> 00:56:16,759
Speaker 1: when we all started directing, Like remember the times where

1080
00:56:16,800 --> 00:56:18,920
Speaker 1: we would just look at each other and be like,

1081
00:56:19,560 --> 00:56:21,360
Speaker 1: I just need you to do this for the shot.

1082
00:56:21,680 --> 00:56:25,200
Speaker 1: We're running out of time, and like suddenly we were like,

1083
00:56:25,320 --> 00:56:28,839
Speaker 1: oh now we really understand what the directors are up

1084
00:56:28,840 --> 00:56:33,239
Speaker 1: against sometimes and how refreshing it is when someone will

1085
00:56:33,239 --> 00:56:35,480
Speaker 1: look at you and be like, we just need this

1086
00:56:35,480 --> 00:56:38,520
Speaker 1: for camera. I don't actually if you can do whatever

1087
00:56:38,560 --> 00:56:40,799
Speaker 1: you want that feels good in any other moment, but

1088
00:56:40,840 --> 00:56:42,520
Speaker 1: in this moment so I can get from this scene

1089
00:56:42,560 --> 00:56:44,160
Speaker 1: to this scene, I need a transition and I just

1090
00:56:44,200 --> 00:56:46,640
Speaker 1: need you to walk here, and you're like, oh cool.

1091
00:56:46,960 --> 00:56:48,520
Speaker 1: I love knowing the technical stuff.

1092
00:56:48,760 --> 00:56:51,080
Speaker 3: It's so easy. I love that so much because we

1093
00:56:51,120 --> 00:56:55,000
Speaker 3: get treated with kid gloves so much as actors, and

1094
00:56:55,239 --> 00:56:57,799
Speaker 3: it's amazing. I have seen so many directors come up

1095
00:56:57,840 --> 00:57:02,719
Speaker 3: and do just gymnastic trying to justify a shot or

1096
00:57:02,800 --> 00:57:05,759
Speaker 3: some kind of something, and I'm like, I really, you know,

1097
00:57:05,800 --> 00:57:07,160
Speaker 3: I'll go there because I'm like, if we're going to

1098
00:57:07,200 --> 00:57:10,480
Speaker 3: have a conversation about this character and their reasons behind

1099
00:57:10,480 --> 00:57:13,120
Speaker 3: what they're doing, yes, let's talk about it. But if

1100
00:57:13,160 --> 00:57:14,960
Speaker 3: it's just like you just need this shot for camera,

1101
00:57:15,120 --> 00:57:17,479
Speaker 3: like I'm a big girl, just tell me so much

1102
00:57:17,480 --> 00:57:18,840
Speaker 3: you need well.

1103
00:57:19,080 --> 00:57:21,320
Speaker 1: And what I like about it, you know, it's some

1104
00:57:21,440 --> 00:57:24,680
Speaker 1: of what we're talking about, even in the material of

1105
00:57:24,720 --> 00:57:28,160
Speaker 1: this episode is like this is big, fundamental life stuff

1106
00:57:28,200 --> 00:57:32,160
Speaker 1: we're talking about. And you're you're doing good scenes, You're

1107
00:57:32,200 --> 00:57:36,200
Speaker 1: making good TV. Like the technical side you know, of

1108
00:57:36,760 --> 00:57:39,640
Speaker 1: the directing or the camera work is yeah, you're making art.

1109
00:57:39,960 --> 00:57:43,280
Speaker 1: Like you're building a chair. And the chair could be

1110
00:57:43,840 --> 00:57:46,479
Speaker 1: like an arm Jacobsen like will be famous for eighty

1111
00:57:46,560 --> 00:57:49,080
Speaker 1: years egg chair, but like it also has to just

1112
00:57:49,080 --> 00:57:52,640
Speaker 1: hold a human in it, you know, like it's art,

1113
00:57:52,720 --> 00:57:53,400
Speaker 1: but it's a chair.

1114
00:57:53,800 --> 00:57:54,800
Speaker 2: Like that's kind of it.

1115
00:57:54,800 --> 00:57:58,000
Speaker 1: It's like, yeah, I have character motivation and like, also,

1116
00:57:58,120 --> 00:57:59,680
Speaker 1: where do you need my face for.

1117
00:57:59,680 --> 00:58:04,840
Speaker 3: The But just tell me, just tell me. I know, well,

1118
00:58:04,960 --> 00:58:09,200
Speaker 3: I don't. I guess my honorable mention. It was such

1119
00:58:09,200 --> 00:58:13,760
Speaker 3: a fun episode. I really loved that opening. I guess,

1120
00:58:13,920 --> 00:58:15,800
Speaker 3: you know, I think maybe Stuart's going to get my

1121
00:58:15,840 --> 00:58:19,160
Speaker 3: honorable mention just as the director. He really got He

1122
00:58:19,200 --> 00:58:23,240
Speaker 3: really showed up and made something beautiful. It would have

1123
00:58:23,240 --> 00:58:26,080
Speaker 3: been easy to make it choppy and and weird, but

1124
00:58:26,720 --> 00:58:31,080
Speaker 3: the script was good. But I think that his abilities

1125
00:58:31,200 --> 00:58:34,440
Speaker 3: to make everything feel very fluid and follow the music

1126
00:58:34,440 --> 00:58:37,120
Speaker 3: in a way. The music of the movement in our

1127
00:58:37,240 --> 00:58:43,480
Speaker 3: storylines made it great.

1128
00:58:44,640 --> 00:58:48,480
Speaker 12: Hey, it's Danielle Fischel right or Strong and Willfordell. But

1129
00:58:48,560 --> 00:58:50,440
Speaker 12: you know what's best as Tapanga.

1130
00:58:50,200 --> 00:58:52,720
Speaker 13: Sean and Eric from Boy Meets World.

1131
00:58:52,680 --> 00:58:55,400
Speaker 12: And now Pod Meets World, the podcast where we've been

1132
00:58:55,440 --> 00:58:58,120
Speaker 12: sitting down weekly to rewatch the show we starred in

1133
00:58:58,160 --> 00:59:01,680
Speaker 12: His Kids, and we've been unpacking well a lot.

1134
00:59:01,640 --> 00:59:03,840
Speaker 10: And we've been taking the show on the road with

1135
00:59:03,920 --> 00:59:06,160
Speaker 10: the Kids Want to Jump Tour, where every stop in

1136
00:59:06,200 --> 00:59:09,760
Speaker 10: cities across the US has been totally different and pretty hilarious,

1137
00:59:09,760 --> 00:59:10,840
Speaker 10: if I do say so myself.

1138
00:59:10,920 --> 00:59:12,680
Speaker 13: But we know not everyone could join us. So we're

1139
00:59:12,680 --> 00:59:15,520
Speaker 13: happy to announce that our recent thirtieth anniversary of the show,

1140
00:59:15,720 --> 00:59:18,960
Speaker 13: Live from the met in Philadelphia, will now be available

1141
00:59:19,000 --> 00:59:20,800
Speaker 13: to stream no matter where you live.

1142
00:59:21,120 --> 00:59:24,400
Speaker 12: Our biggest show yet in the hometown of the Matthews,

1143
00:59:24,600 --> 00:59:29,640
Speaker 12: featuring appearances by Trina, Angela McGee, Matthew Lawrence aka Jack Hunter,

1144
00:59:29,960 --> 00:59:34,040
Speaker 12: Tony Mister Turner, Quinn, and Danny Harley McNulty, who makes

1145
00:59:34,080 --> 00:59:35,840
Speaker 12: a very special surprise visit.

1146
00:59:36,120 --> 00:59:38,600
Speaker 10: It was so much fun and now you can experience

1147
00:59:38,640 --> 00:59:39,959
Speaker 10: it from the comfort of your own home.

1148
00:59:40,320 --> 00:59:43,520
Speaker 13: It will be available on December eleventh at five pm Pacific.

1149
00:59:43,720 --> 00:59:45,440
Speaker 13: You can learn more about how you can watch at

1150
00:59:45,480 --> 00:59:47,640
Speaker 13: veeps Dot Events slash Pod meets World.

1151
00:59:47,760 --> 00:59:50,040
Speaker 2: December eleventh, your birthday.

1152
00:59:50,560 --> 00:59:53,840
Speaker 12: Let's boy get all the info on streaming the live

1153
00:59:53,960 --> 00:59:56,080
Speaker 12: Pod meets World show so you don't miss out, go

1154
00:59:56,160 --> 01:00:00,000
Speaker 12: to Veeps, veeps Dot Events, slash Pod meets World.

1155
01:00:00,200 --> 01:00:04,960
Speaker 3: Now, we have a question from Lexi before we go,

1156
01:00:05,040 --> 01:00:07,920
Speaker 3: you guys, She says, if you were in Nathan's shoes

1157
01:00:08,320 --> 01:00:12,360
Speaker 3: with your parent dating your really close friend. I know

1158
01:00:12,400 --> 01:00:14,840
Speaker 3: people that this has happened with, how do you think

1159
01:00:14,880 --> 01:00:16,720
Speaker 3: you would react to the news.

1160
01:00:18,120 --> 01:00:20,560
Speaker 1: Oh, I'm uncomfortable.

1161
01:00:20,760 --> 01:00:22,120
Speaker 3: I'm so uncomfortable.

1162
01:00:22,760 --> 01:00:24,440
Speaker 1: So you have friends who this has happened to.

1163
01:00:24,720 --> 01:00:28,480
Speaker 3: Yeah, yeah, where their parent has dated someone who's like

1164
01:00:28,600 --> 01:00:32,400
Speaker 3: their friend. It's usually the dad dating. That's what I

1165
01:00:32,440 --> 01:00:33,680
Speaker 3: was going to say, And then you're kind of like,

1166
01:00:33,760 --> 01:00:36,120
Speaker 3: what is this weird friendship? I don't know, this is

1167
01:00:36,200 --> 01:00:39,520
Speaker 3: I don't know. I mean, in some circumstances it's worked.

1168
01:00:41,920 --> 01:00:44,120
Speaker 3: I've heard of that once. I can think of a

1169
01:00:44,160 --> 01:00:45,000
Speaker 3: specific couple.

1170
01:00:45,200 --> 01:00:47,320
Speaker 1: You're like, one time on Earth it's worked and it

1171
01:00:47,400 --> 01:00:50,960
Speaker 1: was great. Yeah, ii ya yai.

1172
01:00:51,680 --> 01:00:53,320
Speaker 3: I would stop hanging out with my friend.

1173
01:00:53,400 --> 01:00:54,720
Speaker 2: Is that a horrible thing to say?

1174
01:00:54,880 --> 01:00:56,400
Speaker 3: I just don't know that I would be able to.

1175
01:00:57,440 --> 01:01:00,320
Speaker 2: I don't know. I'd be like, ah, I want us

1176
01:01:00,360 --> 01:01:01,200
Speaker 2: to all hang out.

1177
01:01:01,040 --> 01:01:03,040
Speaker 3: And go to dinner. It might take me a minute.

1178
01:01:03,680 --> 01:01:05,840
Speaker 3: Eventually I'd come around if it was a real thing,

1179
01:01:06,000 --> 01:01:07,760
Speaker 3: Like if they really were falling in love and it

1180
01:01:07,840 --> 01:01:11,680
Speaker 3: was for real, Yeah, okay, great, but it would be

1181
01:01:11,720 --> 01:01:14,280
Speaker 3: really weird at the beginning. What would you do? I

1182
01:01:15,440 --> 01:01:16,320
Speaker 3: really don't know.

1183
01:01:17,640 --> 01:01:22,000
Speaker 1: It makes me feel uncomfortable, but again, like I don't know,

1184
01:01:22,120 --> 01:01:23,720
Speaker 1: I don't know who any of us are to judge

1185
01:01:23,720 --> 01:01:30,400
Speaker 1: anyone else's joy. I think let people give it a shot, like,

1186
01:01:30,920 --> 01:01:35,000
Speaker 1: let them jump in and see. And I think, you know,

1187
01:01:35,680 --> 01:01:38,000
Speaker 1: we've all been in situations where we've watched people we

1188
01:01:38,080 --> 01:01:40,880
Speaker 1: love do and been like, I hope it works, but

1189
01:01:40,920 --> 01:01:43,360
Speaker 1: I feel like it's not gonna I'll be around whenever

1190
01:01:43,400 --> 01:01:45,160
Speaker 1: you decide you want to talk about it.

1191
01:01:45,760 --> 01:01:48,080
Speaker 3: You know, I just had that conversation with a friend

1192
01:01:48,120 --> 01:01:48,600
Speaker 3: this morning.

1193
01:01:49,080 --> 01:01:52,200
Speaker 2: Yeah. Yeah, like we.

1194
01:01:52,200 --> 01:01:54,000
Speaker 1: Both just like we've been on both ends of that.

1195
01:01:54,760 --> 01:01:55,400
Speaker 3: Yeah.

1196
01:01:55,640 --> 01:01:58,680
Speaker 1: I just like when you talk about your baggage kind

1197
01:01:58,720 --> 01:02:03,080
Speaker 1: of needing to match, Like, what would someone my dad's

1198
01:02:03,120 --> 01:02:06,520
Speaker 1: age have to say to you at your age.

1199
01:02:06,760 --> 01:02:09,800
Speaker 3: So I'm saying, yeah, come on, I think it would

1200
01:02:09,800 --> 01:02:13,840
Speaker 3: be an extraordinary circumstance where two people such an age

1201
01:02:13,840 --> 01:02:17,000
Speaker 3: difference would really be compatible. So yeah, it's like, I

1202
01:02:17,000 --> 01:02:19,000
Speaker 3: don't want to I don't want to judge what's making

1203
01:02:19,040 --> 01:02:22,560
Speaker 3: somebody happy. But also you can sometimes you can tell,

1204
01:02:22,680 --> 01:02:24,600
Speaker 3: especially if you know people and it's your family and

1205
01:02:24,640 --> 01:02:27,840
Speaker 3: your friend, you know what someone's motivation is or what

1206
01:02:27,880 --> 01:02:30,240
Speaker 3: they're deal like, what's going on. I don't know, there

1207
01:02:30,240 --> 01:02:32,280
Speaker 3: would be a lot of conversations. There'd be a lot

1208
01:02:32,320 --> 01:02:36,040
Speaker 3: of conversations. Oh boy, wow, thanks Lexie. What a strange

1209
01:02:36,080 --> 01:02:37,360
Speaker 3: thing to think about it. I don't ever want to think

1210
01:02:37,360 --> 01:02:37,880
Speaker 3: about that again.

1211
01:02:38,000 --> 01:02:39,880
Speaker 1: Sorry, Lexi. She's like Jesus, I didn't know we were

1212
01:02:39,880 --> 01:02:42,160
Speaker 1: going to go to therapy today.

1213
01:02:43,120 --> 01:02:44,200
Speaker 2: Oh, should we spend.

1214
01:02:44,000 --> 01:02:45,480
Speaker 1: A real let's spend a wheel.

1215
01:02:52,680 --> 01:02:54,680
Speaker 2: Oh that's cute. Go ahead.

1216
01:02:54,720 --> 01:02:57,200
Speaker 1: So is most likely to appear on a kiss cam

1217
01:02:57,200 --> 01:02:59,440
Speaker 1: at a sporting event. I love that.

1218
01:02:59,840 --> 01:03:03,520
Speaker 3: I mean I feel like it's definitely brooken whatever cutie

1219
01:03:03,560 --> 01:03:04,280
Speaker 3: she's dating.

1220
01:03:04,520 --> 01:03:09,120
Speaker 1: Yeah, absolutely absolutely, I love that.

1221
01:03:09,880 --> 01:03:13,560
Speaker 3: Yeah. I mean probably you too, Like I'm sure you're

1222
01:03:14,040 --> 01:03:16,400
Speaker 3: whatever cutie is up your up your alley go to

1223
01:03:16,440 --> 01:03:18,640
Speaker 3: a Lakers game and there're canna be all over you.

1224
01:03:18,760 --> 01:03:22,080
Speaker 1: Honestly, yes, like everyone knows. I love nothing more than

1225
01:03:22,120 --> 01:03:24,919
Speaker 1: live sports, and like now is the you know, one

1226
01:03:24,920 --> 01:03:27,640
Speaker 1: of the ownership group members of a soccer team, Like

1227
01:03:28,160 --> 01:03:30,000
Speaker 1: oh my god, I can't wait to be on a

1228
01:03:30,040 --> 01:03:31,720
Speaker 1: QTE date and like make out it a game?

1229
01:03:31,840 --> 01:03:32,600
Speaker 2: Bye?

1230
01:03:33,120 --> 01:03:34,560
Speaker 3: Do you guys do kiss cams?

1231
01:03:35,280 --> 01:03:38,600
Speaker 1: I mean no, we do like cute fan cam stuff,

1232
01:03:38,720 --> 01:03:40,720
Speaker 1: but we could.

1233
01:03:41,240 --> 01:03:44,400
Speaker 2: I'll make a suggestion. I know I know a gal Okay.

1234
01:03:44,280 --> 01:03:46,560
Speaker 3: Yeah, you know where you can make that happen.

1235
01:03:46,760 --> 01:03:49,200
Speaker 1: Yeah, oh I think I kiss cam is cutie? Okay,

1236
01:03:49,400 --> 01:03:52,200
Speaker 1: next week. I still can't believe we're in season six.

1237
01:03:52,240 --> 01:03:54,760
Speaker 1: Why is this so shocking to me? Like it's just linear.

1238
01:03:55,480 --> 01:03:58,760
Speaker 1: But next week is season six, episode two, one million,

1239
01:03:59,000 --> 01:04:03,600
Speaker 1: billionth of a million a second on a Sunday morning. Okay,

1240
01:04:04,160 --> 01:04:06,120
Speaker 1: these titles are getting wild.

1241
01:04:09,280 --> 01:04:11,320
Speaker 3: I wonder what's gonna happen. At least we'll start to

1242
01:04:11,320 --> 01:04:12,360
Speaker 3: get some of this wrapped up.

1243
01:04:13,320 --> 01:04:13,480
Speaker 5: Uh.

1244
01:04:14,160 --> 01:04:17,200
Speaker 3: Hey, thanks for joining us. Everybody, love you guys.

1245
01:04:17,240 --> 01:04:20,000
Speaker 1: See you next week. See you have a good one.

1246
01:04:20,360 --> 01:04:21,520
Speaker 3: Hey, thanks for listening.

1247
01:04:21,640 --> 01:04:23,880
Speaker 1: Don't forget to leave us a review. You can also

1248
01:04:23,960 --> 01:04:27,120
Speaker 1: follow us on Instagram at Drama Queen's ot H.

1249
01:04:27,600 --> 01:04:31,760
Speaker 5: Or email us at Drama Queens at iHeartRadio dot com.

1250
01:04:32,000 --> 01:04:33,040
Speaker 1: See you next time.

1251
01:04:34,240 --> 01:04:37,640
Speaker 2: We all about that high school drama. Girl, Drama Girl,

1252
01:04:37,720 --> 01:04:38,480
Speaker 2: all about them.

1253
01:04:38,400 --> 01:04:41,600
Speaker 1: High school queens. We'll take you for a ride at

1254
01:04:41,600 --> 01:04:44,360
Speaker 1: our comic Girl Shared for the right teams

1255
01:04:44,440 --> 01:04:48,480
Speaker 4: Drama Queens, my up girl Fashion with your tough girl,

1256
01:04:48,560 --> 01:04:51,240
Speaker 4: you could sit with us Girl Drama Queens, Drama, Queense,

1257
01:04:51,320 --> 01:04:55,360
Speaker 4: Drama Queens Drama Drama Queens, Drama Queens