1 00:00:00,360 --> 00:00:03,160 Speaker 1: Hey guys, thanks for checking out this bonus episode. Before 2 00:00:03,200 --> 00:00:04,320 Speaker 1: we get into it, I want to let you know 3 00:00:04,360 --> 00:00:05,840 Speaker 1: that we get a ton of content for you to 4 00:00:05,920 --> 00:00:08,320 Speaker 1: check out here for the Halloween season. Here in the 5 00:00:08,360 --> 00:00:12,360 Speaker 1: disgrace Land Feed, we just reincarnated our Norwegian black Metal episode, 6 00:00:12,600 --> 00:00:14,480 Speaker 1: which you should see bumped up in the feed with 7 00:00:14,520 --> 00:00:18,360 Speaker 1: all of our other dark, twisted, horrific Halloween episodes that 8 00:00:18,400 --> 00:00:21,320 Speaker 1: we're dropping this week, and over in the Badlands Feed, 9 00:00:21,360 --> 00:00:24,200 Speaker 1: we just dropped an episode on legendary director John Houston, 10 00:00:24,239 --> 00:00:26,239 Speaker 1: which I am very proud of. I think the team 11 00:00:26,280 --> 00:00:28,400 Speaker 1: did a great job on this one. I love digging 12 00:00:28,440 --> 00:00:32,720 Speaker 1: into the classic Hollywood stuff. Check that out. And yeah, 13 00:00:32,840 --> 00:00:35,559 Speaker 1: let's get into some bonus episode content right here in 14 00:00:35,600 --> 00:00:41,159 Speaker 1: the after Party. Hey, discos, need a little more disgrace 15 00:00:41,240 --> 00:00:44,920 Speaker 1: Land in your life, just to touch to get you through. Yeah, 16 00:00:45,000 --> 00:00:48,520 Speaker 1: me too. This is the podcast that comes after the podcast. 17 00:00:48,920 --> 00:01:06,800 Speaker 1: Welcome to Disgraceland the after Party. Welcome to the Disgraceland 18 00:01:06,840 --> 00:01:09,440 Speaker 1: bonus episode. A little thing we like to call the 19 00:01:09,520 --> 00:01:12,560 Speaker 1: after Party. This is the show after the show, the 20 00:01:12,640 --> 00:01:14,960 Speaker 1: party after the party, the bridge to get you from 21 00:01:14,959 --> 00:01:18,360 Speaker 1: one full episode of Disgraceland to the other. The backyard 22 00:01:18,440 --> 00:01:22,600 Speaker 1: to dig into the dirt. On this episode, we are talking, 23 00:01:22,760 --> 00:01:26,960 Speaker 1: among other things, about the spookiest, creepiest, most bone chilling 24 00:01:27,000 --> 00:01:30,520 Speaker 1: episodes of Disgraceland, rock stars, who are in your favorite 25 00:01:30,520 --> 00:01:33,240 Speaker 1: horror movies? And what song is going to be played 26 00:01:33,360 --> 00:01:36,480 Speaker 1: at your funeral? And of course your voicemails, text, dms 27 00:01:36,480 --> 00:01:39,360 Speaker 1: and more, and as always, a whole lot of rosie. 28 00:01:39,560 --> 00:01:54,520 Speaker 1: All right, disc goes, let's get into it alright. October 29 00:01:54,520 --> 00:01:57,480 Speaker 1: twenty twenty three is coming to a close. Halloween is 30 00:01:57,480 --> 00:02:00,280 Speaker 1: a mere five days away, which means we've got five 31 00:02:00,320 --> 00:02:03,760 Speaker 1: more days of frights, and the so called spooky season 32 00:02:03,880 --> 00:02:06,760 Speaker 1: is not dead yet or is it undead? Here in 33 00:02:06,760 --> 00:02:10,520 Speaker 1: Disgrace and have been reanimating, reincarnating the dead, or rather 34 00:02:11,160 --> 00:02:14,840 Speaker 1: getting into these old episodes from the archive, Creepy Crawley episodes, 35 00:02:14,880 --> 00:02:18,120 Speaker 1: the gnarliest, the weirdest, all the strange, all the spine tingling, 36 00:02:18,160 --> 00:02:20,600 Speaker 1: all the stomach turning stories that we've told you over 37 00:02:20,600 --> 00:02:23,120 Speaker 1: the last five years or so. And if you've been 38 00:02:23,120 --> 00:02:24,800 Speaker 1: in the fee this week you know this. You've got 39 00:02:24,840 --> 00:02:27,800 Speaker 1: an archive releases on ACDC in a connection to Richard 40 00:02:27,880 --> 00:02:31,840 Speaker 1: Ramirez aka the knight Stalker, Ozzy Osbourne, the Prince of 41 00:02:31,919 --> 00:02:36,120 Speaker 1: Darkness himself, the great bluesman Robert Johnson, and how that 42 00:02:36,160 --> 00:02:38,560 Speaker 1: deal went down at the Devil's Crossroads or didn't go 43 00:02:38,600 --> 00:02:41,600 Speaker 1: down Led Zeppelins, Jimmy Page so deep into the dark 44 00:02:41,680 --> 00:02:45,320 Speaker 1: arts that he freaked out David Bowie. And today today 45 00:02:45,440 --> 00:02:48,160 Speaker 1: we just dropped an episode from all the way back 46 00:02:48,200 --> 00:02:51,280 Speaker 1: in season one on Norwegian black Metal, which has got 47 00:02:51,280 --> 00:02:54,640 Speaker 1: to be heard to be believed. And then tomorrow through Sunday, 48 00:02:54,720 --> 00:02:58,840 Speaker 1: more episodes, more terrifying tales coming your way from Charles Manson, 49 00:02:58,919 --> 00:03:02,079 Speaker 1: Skip James and Black Sabbath. Six one seven nine oh 50 00:03:02,120 --> 00:03:04,520 Speaker 1: six six six three eight is the voicemail for the 51 00:03:04,560 --> 00:03:07,519 Speaker 1: old school messaging and the new school messaging six one 52 00:03:07,600 --> 00:03:10,200 Speaker 1: seven nine oh six six six three eight For the text, 53 00:03:10,240 --> 00:03:13,040 Speaker 1: it's the same you know at Disgrace Sampods on the 54 00:03:13,080 --> 00:03:17,240 Speaker 1: Socials Disgrace Sampod at gmail dot com on email. I 55 00:03:17,280 --> 00:03:19,400 Speaker 1: cannot wait to hear from you guys this week on 56 00:03:19,520 --> 00:03:23,399 Speaker 1: all things music and true crime. All right, let's get 57 00:03:23,400 --> 00:03:26,760 Speaker 1: straight into your voicemails. Let's dig right in here with 58 00:03:26,960 --> 00:03:29,600 Speaker 1: Matt from the five one oh with a great music 59 00:03:29,639 --> 00:03:30,519 Speaker 1: discovery story. 60 00:03:31,080 --> 00:03:36,280 Speaker 2: Hey Jake, Matt calling from Long Beach, California. I grew 61 00:03:36,360 --> 00:03:40,440 Speaker 2: up a fellow New Englander like yourself, and uh. I 62 00:03:40,440 --> 00:03:43,120 Speaker 2: grew up in small town in New Hampshire, and I 63 00:03:43,160 --> 00:03:48,160 Speaker 2: have a memorable music discovery story for you. So I 64 00:03:48,240 --> 00:03:51,600 Speaker 2: used to get sent to the dump by my parents 65 00:03:52,040 --> 00:03:55,240 Speaker 2: once a week to drop off our trash. People at 66 00:03:55,240 --> 00:03:57,560 Speaker 2: the dump lights to call it the solid waste facility, 67 00:03:57,840 --> 00:04:00,960 Speaker 2: and we're offended if you called it the dump. There 68 00:04:01,000 --> 00:04:03,200 Speaker 2: was one day that I was dropping off trash, driving 69 00:04:03,240 --> 00:04:08,120 Speaker 2: through my mom's car and dropping off trash bags next 70 00:04:08,160 --> 00:04:13,360 Speaker 2: to their giant infinerator. I saw stacks of records that 71 00:04:13,440 --> 00:04:16,679 Speaker 2: were getting ready to be tossed into the incinerator. And 72 00:04:16,760 --> 00:04:20,080 Speaker 2: being the you know, lifelong music junkie that I am, 73 00:04:20,160 --> 00:04:22,479 Speaker 2: I had to take a look and see what the 74 00:04:22,480 --> 00:04:25,320 Speaker 2: records were. I always would go through my dad's records 75 00:04:25,320 --> 00:04:27,960 Speaker 2: and steal his Choos and Chung and led Zeppelin, the 76 00:04:27,960 --> 00:04:31,200 Speaker 2: Who records and everything, so wanted some of my own, 77 00:04:31,520 --> 00:04:34,599 Speaker 2: and lo and behold there was a stack of just 78 00:04:34,720 --> 00:04:39,680 Speaker 2: classic hip hop records, original pressings of Licensed to Ill, 79 00:04:39,760 --> 00:04:42,520 Speaker 2: two copies of the Sheeese Crafty twelve Bench from the 80 00:04:42,520 --> 00:04:45,880 Speaker 2: Beastie Boys, grand Master Flash, all the Run the MC 81 00:04:46,080 --> 00:04:49,000 Speaker 2: records all in great condition. I mean they were like, 82 00:04:49,400 --> 00:04:51,559 Speaker 2: I don't know, thirty or forty records in this stack. 83 00:04:52,600 --> 00:04:55,120 Speaker 2: And so I asked the people they worked at the 84 00:04:55,160 --> 00:04:58,799 Speaker 2: dump if I could take them, save them from getting melted, 85 00:04:59,640 --> 00:05:02,160 Speaker 2: and yeah, they let me. I loaded them into my 86 00:05:02,839 --> 00:05:06,840 Speaker 2: alms trunk and the rest is history. I still have 87 00:05:06,960 --> 00:05:09,680 Speaker 2: all of those records. They're all part of my gigantic 88 00:05:10,160 --> 00:05:12,960 Speaker 2: record collection. Yeah, there was a huge line for me, 89 00:05:13,279 --> 00:05:16,080 Speaker 2: and it got me into some electro stuff and everything 90 00:05:16,080 --> 00:05:19,160 Speaker 2: that I wasn't previously familiar with. So I loved the 91 00:05:19,200 --> 00:05:20,640 Speaker 2: podcast people, some. 92 00:05:20,720 --> 00:05:25,880 Speaker 1: Good work, amazing story, Matt crazy. How sometimes the world 93 00:05:25,960 --> 00:05:28,000 Speaker 1: just gives you things when it comes to music, at 94 00:05:28,080 --> 00:05:31,120 Speaker 1: least it just here it is, Matt, just for you. 95 00:05:31,200 --> 00:05:34,880 Speaker 1: We've got this whole treasure trove of amazing hip hop 96 00:05:34,960 --> 00:05:38,440 Speaker 1: music right here in the middle of this dump. We 97 00:05:38,520 --> 00:05:41,559 Speaker 1: used to call it the dump as well. I've found 98 00:05:41,560 --> 00:05:45,760 Speaker 1: records on the street before, discarded records, more like stuff 99 00:05:45,760 --> 00:05:48,120 Speaker 1: that was just kind of mass printed in the seventies 100 00:05:48,120 --> 00:05:51,279 Speaker 1: and eighties that people just everyone kind of had but 101 00:05:51,360 --> 00:05:55,839 Speaker 1: didn't really want after a while. Carol King's Tapestry The 102 00:05:55,960 --> 00:06:00,760 Speaker 1: Saturday Night Fever soundtrack the Grease soundtrack. These are records 103 00:06:00,800 --> 00:06:04,320 Speaker 1: that you could probably get in any college, moving day, 104 00:06:04,360 --> 00:06:07,960 Speaker 1: on any corner, on any year in Boston, Massachusetts. 105 00:06:08,520 --> 00:06:08,839 Speaker 3: Uh. 106 00:06:09,200 --> 00:06:12,480 Speaker 1: Peter Frampton Frampton Comes Alive. That's another one. But it 107 00:06:12,640 --> 00:06:15,919 Speaker 1: sounds like you you just got, like you know, mona 108 00:06:15,960 --> 00:06:18,440 Speaker 1: from heaven, like the gods just you know, reached down 109 00:06:18,520 --> 00:06:20,760 Speaker 1: and said, here, here you go. We're going to turn 110 00:06:20,800 --> 00:06:23,120 Speaker 1: you on and keep you turned on with this amazing 111 00:06:23,200 --> 00:06:26,440 Speaker 1: hip hop record collection. So good for you, Matt, love 112 00:06:26,480 --> 00:06:28,960 Speaker 1: it all right. Let's hear from a new listener, Angie 113 00:06:28,960 --> 00:06:29,960 Speaker 1: from the four four three. 114 00:06:31,040 --> 00:06:35,520 Speaker 3: I dig It's Angie. Been thinking about Colin for a 115 00:06:35,600 --> 00:06:39,400 Speaker 3: long time. I love this Grace lampod and I love 116 00:06:39,520 --> 00:06:43,720 Speaker 3: the bonus episode just as much. I kind of got 117 00:06:43,880 --> 00:06:47,320 Speaker 3: started late. I've been binging for the past two months 118 00:06:47,320 --> 00:06:51,080 Speaker 3: and I'm not call it up yet, but somehow Spotify 119 00:06:51,240 --> 00:06:53,760 Speaker 3: sed me some of the latest episodes. So I had 120 00:06:53,760 --> 00:06:56,320 Speaker 3: a topic that I wanted to talk about, kind of 121 00:06:56,320 --> 00:06:59,039 Speaker 3: related to what I do, and I'm a hospice nurse. 122 00:06:59,400 --> 00:07:01,919 Speaker 3: I listened mostly on my puput, which is a couple 123 00:07:01,920 --> 00:07:06,080 Speaker 3: of hours, and you had mentioned do you wanted a 124 00:07:06,120 --> 00:07:09,600 Speaker 3: certain songs played at your funeral, and I was wondering 125 00:07:10,000 --> 00:07:13,880 Speaker 3: what songs people would like to listen to as they're dying, 126 00:07:14,560 --> 00:07:16,680 Speaker 3: or what songs mean the most of them that they 127 00:07:16,680 --> 00:07:19,320 Speaker 3: think they might like. That's all. Thank you keep doing 128 00:07:19,360 --> 00:07:21,440 Speaker 3: what you do it. I love it, love it, love it. 129 00:07:21,600 --> 00:07:25,400 Speaker 1: Bye, Angie, thank you for calling in. Appreciate you stoke 130 00:07:25,440 --> 00:07:27,760 Speaker 1: to welcome new listeners into the show. Awesome to hear 131 00:07:27,800 --> 00:07:30,440 Speaker 1: what you do for a living as well. Dark topic 132 00:07:30,520 --> 00:07:32,400 Speaker 1: you bring up here, Angie, but I get it. I 133 00:07:32,480 --> 00:07:35,720 Speaker 1: mentioned this. I mentioned the same topic from time to 134 00:07:35,800 --> 00:07:39,160 Speaker 1: time to my wife whenever we hear the song Wildflowers 135 00:07:39,200 --> 00:07:42,040 Speaker 1: by Tom Petty, because that is the song that I 136 00:07:42,040 --> 00:07:46,360 Speaker 1: would have playing at my funeral. But Angie, you have 137 00:07:46,680 --> 00:07:49,920 Speaker 1: prompted a question of the week here and I thank 138 00:07:49,960 --> 00:07:53,640 Speaker 1: you for it. So listeners, yeah, I mean six one 139 00:07:53,720 --> 00:07:55,680 Speaker 1: seven nine six six six three eight, let's just jump 140 00:07:55,760 --> 00:07:59,480 Speaker 1: off what Angie's putting down here. What song do you 141 00:07:59,480 --> 00:08:01,840 Speaker 1: want playing your funeral? Let us know six one seven 142 00:08:01,920 --> 00:08:04,520 Speaker 1: nine six six six three eight. In the meantime, let's 143 00:08:04,600 --> 00:08:07,360 Speaker 1: check in with another Jake, Jake from the three eight five. 144 00:08:08,080 --> 00:08:12,280 Speaker 2: Hey, Jake, it's Jake from the four three five. I 145 00:08:12,320 --> 00:08:16,320 Speaker 2: wanted to let you know I like that. Oh, I 146 00:08:16,360 --> 00:08:18,000 Speaker 2: can't remember what the name of it is. Is Ah 147 00:08:19,280 --> 00:08:23,480 Speaker 2: with the Trucks Come into Life and their album was 148 00:08:23,520 --> 00:08:26,720 Speaker 2: based on it. Anyways, Thanks Jake, Bye. 149 00:08:26,560 --> 00:08:29,239 Speaker 1: Bye, Jake. You're talking about the movie, the horror movie 150 00:08:29,520 --> 00:08:34,040 Speaker 1: Maximum Overdrive, written and directed by Stephen King. Yes, kind 151 00:08:34,040 --> 00:08:37,840 Speaker 1: of cheesy, but in a great kind of way. I 152 00:08:37,880 --> 00:08:40,480 Speaker 1: love this movie. And the soundtrack is the soundtrack that 153 00:08:40,480 --> 00:08:43,599 Speaker 1: you're mentioning is ac DC's Who Made Who, which is 154 00:08:43,720 --> 00:08:46,560 Speaker 1: kind of the greatest hits, but it's but there's a 155 00:08:46,559 --> 00:08:48,480 Speaker 1: single on it. The title track Who Made Who was 156 00:08:48,480 --> 00:08:50,600 Speaker 1: a new single that they did for this album. I 157 00:08:50,600 --> 00:08:53,920 Speaker 1: think there might have been another another couple of new songs. 158 00:08:53,960 --> 00:08:56,200 Speaker 1: I can't remember now now, but I know it feels 159 00:08:56,200 --> 00:08:58,440 Speaker 1: like Stephen King got a budget to do a movie 160 00:08:58,480 --> 00:09:00,480 Speaker 1: that he's going to direct. He was finally in charge. 161 00:09:00,960 --> 00:09:03,199 Speaker 1: No one was going to fuck up his his ip 162 00:09:03,679 --> 00:09:06,360 Speaker 1: talking to you, Stanley Kubrick, at least from Stephen King's 163 00:09:06,360 --> 00:09:07,880 Speaker 1: point of view. And he goes to direct this movie 164 00:09:07,920 --> 00:09:09,040 Speaker 1: and he's like, I know what I'll do. I'll get 165 00:09:09,040 --> 00:09:13,120 Speaker 1: my favorite band of all time, ACDC, to do the soundtrack. 166 00:09:14,080 --> 00:09:15,720 Speaker 1: And they were like, yeah, here's a bunch of old 167 00:09:15,720 --> 00:09:18,320 Speaker 1: songs and uh, here's a new one to boot. I 168 00:09:18,320 --> 00:09:20,600 Speaker 1: think that's what happened. I'm just guessing. I've never read 169 00:09:20,600 --> 00:09:22,520 Speaker 1: anything about the making of that record, but I just 170 00:09:22,520 --> 00:09:24,880 Speaker 1: feel like that's how it went down. I saw them 171 00:09:24,880 --> 00:09:26,840 Speaker 1: on that tour, by the way, I was in the 172 00:09:26,960 --> 00:09:30,559 Speaker 1: sixth grade, I believe, uh, and they were incredible. It 173 00:09:30,679 --> 00:09:34,560 Speaker 1: was you know that movie Maximum Overdrive is partly responsible 174 00:09:34,559 --> 00:09:37,440 Speaker 1: for my my still to this day and my deep, deep, 175 00:09:37,480 --> 00:09:40,800 Speaker 1: deep reservoir of love for ACDC. All right, guys six 176 00:09:40,880 --> 00:09:43,720 Speaker 1: one seven, nine oh six, six six three eight, with 177 00:09:43,800 --> 00:09:47,520 Speaker 1: your voicemails and your text ac DC and Stephen King's 178 00:09:47,520 --> 00:09:50,600 Speaker 1: Maximum Overdrive brings up a good question. What's the best 179 00:09:50,920 --> 00:09:54,560 Speaker 1: rock star slash horror movie crossover? Is it ac DC 180 00:09:54,760 --> 00:09:58,000 Speaker 1: with Stephen King and Maximum Overdrive? Is it Studio six 181 00:09:58,120 --> 00:10:00,880 Speaker 1: six six and Foo Fighters? Do you love Rob Zombie 182 00:10:00,880 --> 00:10:03,440 Speaker 1: as a filmmaker? So what movie do I need to watch? 183 00:10:03,480 --> 00:10:06,400 Speaker 1: Is it Tom Waits and Bram Stroker's Dracula? Is it 184 00:10:06,480 --> 00:10:09,040 Speaker 1: kiss In Scooby Doo? It's not Kissing Scooby Doo, But 185 00:10:09,320 --> 00:10:10,680 Speaker 1: I had to bring that up. It's on the mine 186 00:10:10,679 --> 00:10:13,640 Speaker 1: because my son's watching that one. What rockstar killed it 187 00:10:13,679 --> 00:10:15,120 Speaker 1: in horror movie? That's what I want to know? Six 188 00:10:15,160 --> 00:10:17,200 Speaker 1: one seven, nine oh six sixty six three eight on 189 00:10:17,280 --> 00:10:20,320 Speaker 1: voicemail or text. Also, Angie, my new friend. I haven't 190 00:10:20,320 --> 00:10:22,679 Speaker 1: forget about the question of the week that you prompted either. Guys, 191 00:10:22,920 --> 00:10:25,600 Speaker 1: you can only choose one song to play at your funeral? 192 00:10:25,640 --> 00:10:28,360 Speaker 1: What is it? I want to know? It's dark, but 193 00:10:28,400 --> 00:10:30,880 Speaker 1: it's the dark season six one, seven nine oh six 194 00:10:30,960 --> 00:10:51,960 Speaker 1: six six three eight Back in a moment with your texts, 195 00:10:54,800 --> 00:10:56,760 Speaker 1: all right? This one from the two five to two, 196 00:10:56,840 --> 00:10:59,840 Speaker 1: This text coming in saying, uh, hey there, Jake, just 197 00:11:00,240 --> 00:11:02,839 Speaker 1: to the Robert Johnson episode. It's been a few years 198 00:11:02,880 --> 00:11:05,160 Speaker 1: and it's as good as it was back then. Good work. 199 00:11:05,440 --> 00:11:07,400 Speaker 1: I know you read, but you probably have a backlist 200 00:11:07,440 --> 00:11:09,360 Speaker 1: of books people send you to read. This is true. 201 00:11:10,240 --> 00:11:12,280 Speaker 1: The two five to two goes on to say, if 202 00:11:12,280 --> 00:11:14,880 Speaker 1: you do, go ahead and throw Spider's Kiss on the list. 203 00:11:14,880 --> 00:11:18,640 Speaker 1: It's by Harlan Ellison, one of history's greatest writers. You 204 00:11:18,760 --> 00:11:21,160 Speaker 1: never heard of. The story is so good, really really 205 00:11:21,200 --> 00:11:23,720 Speaker 1: really really good. And if Harland was still alive, he 206 00:11:23,760 --> 00:11:26,600 Speaker 1: would like your show, especially this Robert Johnson episode. I know, 207 00:11:26,679 --> 00:11:28,800 Speaker 1: I know you're busy, but thanks for doing all you do. 208 00:11:28,880 --> 00:11:31,040 Speaker 1: You got a two fight too. I like the recommendation there. 209 00:11:31,080 --> 00:11:33,760 Speaker 1: I will check it out. The three ZHO three rights 210 00:11:33,760 --> 00:11:36,400 Speaker 1: in I love do comments on Justin Trudeau and Jada 211 00:11:36,440 --> 00:11:40,040 Speaker 1: Pinkett Smith three oh three is referring to a couple 212 00:11:40,040 --> 00:11:41,719 Speaker 1: little rants I had. I believe those in the pre 213 00:11:41,840 --> 00:11:46,560 Speaker 1: party and uh yeah, fuck Justin Trudeau. Let's see at 214 00:11:46,600 --> 00:11:48,520 Speaker 1: the age six to two rights in your rant on 215 00:11:48,640 --> 00:11:53,360 Speaker 1: boomer attitudes was really uncalled for. Just as millennials gen X, 216 00:11:53,400 --> 00:11:55,840 Speaker 1: gen Z don't want to be grouped together as general 217 00:11:55,880 --> 00:12:00,200 Speaker 1: practitioners of assholary, neither do boomers. All people are not 218 00:12:00,480 --> 00:12:03,319 Speaker 1: like in a generation. I thought you knew that. Congrats 219 00:12:03,360 --> 00:12:06,640 Speaker 1: for being part of the intergenerational problem. All right. I 220 00:12:06,640 --> 00:12:08,600 Speaker 1: don't mind a little criticism, I don't mind a little heat, 221 00:12:08,640 --> 00:12:10,600 Speaker 1: but I'm gonna I'm gonna stick up for myself. Here 222 00:12:10,600 --> 00:12:12,920 Speaker 1: at eight six two, you are writing in response to 223 00:12:13,040 --> 00:12:15,800 Speaker 1: my rant and the pre party on Yon Winner, and 224 00:12:16,480 --> 00:12:19,480 Speaker 1: I wasn't grouping all boomers together. I was very clear 225 00:12:19,600 --> 00:12:24,960 Speaker 1: if I do recall on how that generation in particular 226 00:12:25,520 --> 00:12:29,760 Speaker 1: has had a particular type of narcissism. But I did 227 00:12:30,080 --> 00:12:33,520 Speaker 1: qualify it. I'm almost positive I did, because I usually do. 228 00:12:33,679 --> 00:12:36,680 Speaker 1: But if by some chance I did not. If I 229 00:12:36,720 --> 00:12:39,840 Speaker 1: did not, then I was mistaken. And uh I would 230 00:12:39,880 --> 00:12:41,920 Speaker 1: ask you, age six to two to look at your 231 00:12:41,920 --> 00:12:44,720 Speaker 1: generation with the same bit of nuance that I look 232 00:12:44,800 --> 00:12:47,880 Speaker 1: at mine. You know, Gen xers, we think we're all badass, 233 00:12:47,960 --> 00:12:49,600 Speaker 1: we think we were raised by wolves, we think we 234 00:12:49,640 --> 00:12:53,040 Speaker 1: can stand anything. But deep down, we're just as emotional 235 00:12:53,080 --> 00:12:56,000 Speaker 1: and sensitive as everybody else. And we're not all one group. 236 00:12:56,120 --> 00:12:58,559 Speaker 1: I know that. I know that I'm not suggesting we are. 237 00:12:59,000 --> 00:13:01,240 Speaker 1: We are the greatest generation, next of course to the 238 00:13:01,280 --> 00:13:04,120 Speaker 1: greatest generation. All right, let's get into some more texts. 239 00:13:04,120 --> 00:13:07,360 Speaker 1: Here seven oh five writing in on an old question 240 00:13:07,480 --> 00:13:11,440 Speaker 1: here on sad sack music. This question, what favorite seventy 241 00:13:11,480 --> 00:13:13,560 Speaker 1: sad sack music do you guys get into? Didn't get 242 00:13:13,559 --> 00:13:15,760 Speaker 1: a lot of traction, but I don't care. I want 243 00:13:15,760 --> 00:13:16,240 Speaker 1: to get into it. 244 00:13:16,280 --> 00:13:16,400 Speaker 3: Here. 245 00:13:16,440 --> 00:13:18,840 Speaker 1: My favorite seventy sad sack music is Casey in the 246 00:13:18,880 --> 00:13:22,199 Speaker 1: Sunshine Band Please Don't Go. Favorite Jim Crochey album is 247 00:13:22,240 --> 00:13:25,720 Speaker 1: Photographs and Memories. Favorite alter ego would be Vincent Funnier 248 00:13:25,760 --> 00:13:29,679 Speaker 1: aka Alice Cooper. Favorite Halloween music is Jack the Ripper 249 00:13:29,679 --> 00:13:32,160 Speaker 1: by screaming Lord such and that's all I got for now. 250 00:13:32,200 --> 00:13:36,000 Speaker 1: That's a lot. That is a lot, and I dig it, 251 00:13:36,240 --> 00:13:39,360 Speaker 1: I dig it. But is Casey in the Sunshine Band 252 00:13:40,000 --> 00:13:42,760 Speaker 1: Sad Sack Music seven to two four writes in Hey Jake, 253 00:13:42,760 --> 00:13:45,600 Speaker 1: it's Anthony. You asked about bands to listen to around Halloween, 254 00:13:45,960 --> 00:13:48,280 Speaker 1: and I was curious what your opinion on Ice nine 255 00:13:48,360 --> 00:13:50,960 Speaker 1: Kills was, since they do songs based on horror movies, games, 256 00:13:50,960 --> 00:13:54,320 Speaker 1: and books. Anthony, I've never heard of Ice nine Kills, 257 00:13:54,559 --> 00:13:56,640 Speaker 1: so I'm gonna have to check that out, or if 258 00:13:56,640 --> 00:13:59,040 Speaker 1: you want something a little different. This is Anthony continuing. 259 00:13:59,160 --> 00:14:02,720 Speaker 1: There's a German new Danish folk band called Hilung that 260 00:14:02,840 --> 00:14:06,360 Speaker 1: uses Viking in German ruins from the Iron Age. That 261 00:14:06,440 --> 00:14:08,760 Speaker 1: sounds incredible. I don't really know what that is, but 262 00:14:08,840 --> 00:14:11,560 Speaker 1: that sounds nuts. You also asked about that seventy Sound 263 00:14:11,559 --> 00:14:13,200 Speaker 1: and Jim Croche and I don't know if this falls in, 264 00:14:13,240 --> 00:14:16,600 Speaker 1: but I really enjoy Gordon Lightfoot, especially his album's Summertime Dream, 265 00:14:17,240 --> 00:14:20,520 Speaker 1: And in terms of favorite Halloween disgrace in that episode, 266 00:14:20,560 --> 00:14:22,640 Speaker 1: I do like the Jim Morrison one best. Big Lyrich 267 00:14:22,720 --> 00:14:25,520 Speaker 1: is my second. Keep on keeping on in later days, mate, 268 00:14:25,600 --> 00:14:29,800 Speaker 1: you got it? Seven two four. Uh, yeah, that's a lot. 269 00:14:30,280 --> 00:14:32,920 Speaker 1: That's a lot. You know that big lyrich episode's coming 270 00:14:32,960 --> 00:14:34,480 Speaker 1: at you seven to two four in a couple of days, 271 00:14:34,560 --> 00:14:37,520 Speaker 1: all right, two four to eight, writes in again this 272 00:14:37,720 --> 00:14:42,240 Speaker 1: also on sad Sack music. You asked about soft music. 273 00:14:42,240 --> 00:14:44,280 Speaker 1: The seventies are my formative years. I had such a 274 00:14:44,320 --> 00:14:47,400 Speaker 1: crush on Neil Diamond, wore out his Hot August Night 275 00:14:47,480 --> 00:14:50,440 Speaker 1: Vinyl Love Cat Stevens as well played Carol King Tapestry 276 00:14:50,440 --> 00:14:53,440 Speaker 1: and James Taylor Sweet Baby James eight tracks over and over, 277 00:14:53,760 --> 00:14:56,960 Speaker 1: still love them all seven oh nine, writing in, let's 278 00:14:56,960 --> 00:14:59,200 Speaker 1: cap this out with another discovery story. That's where we 279 00:14:59,200 --> 00:15:02,200 Speaker 1: started this whole age thing, with seven oh nine rights saying, hey, Jake, 280 00:15:02,240 --> 00:15:04,560 Speaker 1: you asked how we got into music. Like most nineties kids, 281 00:15:04,560 --> 00:15:07,560 Speaker 1: early on, it was whatever my parents listened to, country, 282 00:15:07,920 --> 00:15:10,960 Speaker 1: Irish traditional until high school, when I was introduced to 283 00:15:11,000 --> 00:15:14,040 Speaker 1: all ages punk shows by my high school crush. Every 284 00:15:14,080 --> 00:15:16,520 Speaker 1: Sunday I'd hang out with different people, and then, in 285 00:15:16,560 --> 00:15:18,760 Speaker 1: the early days of non dial up internet used pure 286 00:15:18,840 --> 00:15:21,640 Speaker 1: volume to find pop punk emo bands. Now, in my thirties, 287 00:15:21,680 --> 00:15:24,080 Speaker 1: I've evolved to listen to a variety of Music seven 288 00:15:24,120 --> 00:15:27,800 Speaker 1: o nine. I remember pure volume, good text, appreciate it. 289 00:15:28,160 --> 00:15:30,120 Speaker 1: I wonder what you think of the whole emo revival, 290 00:15:30,200 --> 00:15:32,880 Speaker 1: the pop punk emo revival. I'm sure you're into it 291 00:15:32,920 --> 00:15:33,320 Speaker 1: as we are. 292 00:15:33,320 --> 00:15:33,600 Speaker 2: All right. 293 00:15:33,640 --> 00:15:35,280 Speaker 1: One more here from the six oh nine, Hey Jake, 294 00:15:35,320 --> 00:15:37,560 Speaker 1: Mary from the six oh nine. Top Halloween songs for 295 00:15:37,680 --> 00:15:40,800 Speaker 1: me or anything by John Carpenter, especially the Halloween theme. 296 00:15:41,120 --> 00:15:43,080 Speaker 1: Saw him and his son do a show of all 297 00:15:43,160 --> 00:15:45,320 Speaker 1: his songs a few years ago and it was awesome. 298 00:15:45,520 --> 00:15:47,680 Speaker 1: He is such a vibe that sounds incredible. I'd love 299 00:15:47,680 --> 00:15:51,480 Speaker 1: to see John Carpenter put on a concert that sounds amazing. 300 00:15:52,040 --> 00:15:54,600 Speaker 1: All right, That's what we got six one seven, nine 301 00:15:54,600 --> 00:15:57,160 Speaker 1: oh six six six three eight. That's how you get 302 00:15:57,160 --> 00:15:58,960 Speaker 1: in touch with me. That's how you leave your voicemails, 303 00:15:59,000 --> 00:16:01,080 Speaker 1: That's how you send you text. That's how we engage 304 00:16:01,080 --> 00:16:03,240 Speaker 1: here in Disgraceland. I want to know what you're thinking 305 00:16:03,280 --> 00:16:05,600 Speaker 1: about I want to know what you think about this. 306 00:16:05,800 --> 00:16:07,360 Speaker 1: I've been thinking a lot about this. I've been thinking 307 00:16:07,360 --> 00:16:09,800 Speaker 1: a lot about Halloween music. We've been talking about Halloween music. 308 00:16:09,800 --> 00:16:13,240 Speaker 1: We've been talking about Halloween playlists. But that's got me 309 00:16:13,280 --> 00:16:16,800 Speaker 1: thinking what music you brought up? John, Carpenter What music 310 00:16:17,320 --> 00:16:21,760 Speaker 1: scares you? John Carpenter makes some scary fucking music, the 311 00:16:21,880 --> 00:16:24,640 Speaker 1: soundtrack for The Fog in particular. But it doesn't have 312 00:16:24,640 --> 00:16:28,120 Speaker 1: to be horror themed compositions. It doesn't have to be 313 00:16:28,200 --> 00:16:30,720 Speaker 1: from horror directors, doesn't have to have anything to do 314 00:16:30,840 --> 00:16:36,080 Speaker 1: with Halloween. Just like what music actually scares you, like 315 00:16:36,160 --> 00:16:39,880 Speaker 1: freaks you out. Like you're driving late at night. It's dark, 316 00:16:40,440 --> 00:16:43,480 Speaker 1: maybe it's foggy, maybe this is a little miss in 317 00:16:43,520 --> 00:16:46,720 Speaker 1: the air. You can see the white lines on the 318 00:16:46,800 --> 00:16:48,840 Speaker 1: sides of the roads, but you can't really make out 319 00:16:48,880 --> 00:16:51,680 Speaker 1: the dotted line in the middle. You're driving about twenty 320 00:16:51,680 --> 00:16:55,360 Speaker 1: miles slower than you normally do, and that song comes 321 00:16:55,400 --> 00:16:58,880 Speaker 1: on the radio and you're into it. At first, it's 322 00:16:58,920 --> 00:17:02,160 Speaker 1: a vibe. It fits with the fog and the mist 323 00:17:02,200 --> 00:17:05,959 Speaker 1: and the darkness of it all. But then something turns 324 00:17:06,000 --> 00:17:10,040 Speaker 1: and it's it's actually a different feeling. It's fucking fear. 325 00:17:10,760 --> 00:17:13,640 Speaker 1: What is that music? What is that music that will 326 00:17:13,680 --> 00:17:16,800 Speaker 1: transform your environment and scare the shit out of you. 327 00:17:17,320 --> 00:17:20,240 Speaker 1: It can be anything. It can be sad sax seventies music, 328 00:17:20,359 --> 00:17:24,520 Speaker 1: it can be James Taylor. For me, it's like weirdly 329 00:17:24,960 --> 00:17:27,800 Speaker 1: Donovan and I think that's because of the David Fincher 330 00:17:27,840 --> 00:17:33,000 Speaker 1: movie The Zodiac. I blame David Fincher for Donovan being scary, 331 00:17:33,359 --> 00:17:37,600 Speaker 1: but also Echo and the Bunny Man, Massie Starr scary 332 00:17:37,640 --> 00:17:40,800 Speaker 1: shit six one seven nine oh six six six three eight. 333 00:17:40,920 --> 00:17:44,520 Speaker 1: Let me know what music scares you for real? Also, 334 00:17:44,880 --> 00:17:47,199 Speaker 1: a ton of great questions have been prompted just in 335 00:17:47,240 --> 00:17:49,240 Speaker 1: this after party, from your voicemails and your text in 336 00:17:49,240 --> 00:17:52,119 Speaker 1: this little conversation we have going. What song is playing 337 00:17:52,119 --> 00:17:54,879 Speaker 1: at your funeral? What rock star killed it in that 338 00:17:54,920 --> 00:17:57,440 Speaker 1: horror movie that you love? What music freaks you out? 339 00:17:57,440 --> 00:17:58,840 Speaker 1: Like I said, is it Echo and the Bunny Man? 340 00:17:58,880 --> 00:18:00,800 Speaker 1: Is it Donovan Hurdy Gurdy Man as he star? Like 341 00:18:00,800 --> 00:18:02,960 Speaker 1: I said, all of that freaks me out. I want 342 00:18:02,960 --> 00:18:06,240 Speaker 1: to know what freaks you out? All right? Also, Angie, 343 00:18:06,440 --> 00:18:10,040 Speaker 1: first time caller, prompted this idea, Why does Angie get 344 00:18:10,040 --> 00:18:11,920 Speaker 1: to have all the fun What questions do you guys 345 00:18:11,960 --> 00:18:14,280 Speaker 1: have for each other? Not necessarily for me, but for 346 00:18:14,359 --> 00:18:16,919 Speaker 1: each other. Why do Angie and I have to do everything? Well, 347 00:18:16,960 --> 00:18:20,439 Speaker 1: that's what I'm asking. Hit me with your questions. What 348 00:18:20,480 --> 00:18:23,280 Speaker 1: would make for a good question of the week, all right? 349 00:18:23,359 --> 00:18:25,920 Speaker 1: Something related to true crime and music. Yes, perhaps horror, 350 00:18:25,960 --> 00:18:27,919 Speaker 1: because that's what we're in right now. But you know 351 00:18:27,960 --> 00:18:30,080 Speaker 1: what we're all talking about in here. What do you 352 00:18:30,119 --> 00:18:32,080 Speaker 1: want to have answered? It can be anything. It can 353 00:18:32,119 --> 00:18:34,320 Speaker 1: be a general question, it can be a specific question. 354 00:18:34,680 --> 00:18:36,840 Speaker 1: Six one seven, nine oh six six six three eight 355 00:18:36,880 --> 00:18:39,280 Speaker 1: voicemail text. I'll pose it on the next after party. 356 00:18:39,480 --> 00:18:56,560 Speaker 1: All right, quick break back in the flash. All right, 357 00:18:56,600 --> 00:19:00,159 Speaker 1: welcome back again. Six one seven nine six six. Let 358 00:19:00,200 --> 00:19:02,760 Speaker 1: me know what music scares you, What music terrifies you, 359 00:19:02,800 --> 00:19:04,720 Speaker 1: What makes you check the locks on your doors, what 360 00:19:04,800 --> 00:19:07,040 Speaker 1: makes you drive faster? What makes you slow down? I 361 00:19:07,119 --> 00:19:09,159 Speaker 1: want to know what it is. Let me know what 362 00:19:09,359 --> 00:19:12,080 Speaker 1: song is playing at your funeral, what rocks are killed 363 00:19:12,080 --> 00:19:13,879 Speaker 1: it in that horror movie that you love? And what 364 00:19:14,000 --> 00:19:16,520 Speaker 1: questions do you have for your fellow Disgrace LAM listeners 365 00:19:16,640 --> 00:19:20,040 Speaker 1: or just the world in general. Let this be your platform, 366 00:19:20,320 --> 00:19:23,119 Speaker 1: Let this be your town square. You can hit me 367 00:19:23,200 --> 00:19:25,120 Speaker 1: up here six one seven, nine oh six six six 368 00:19:25,240 --> 00:19:27,440 Speaker 1: three eight. You can hit me up at Disgrace Lampod 369 00:19:27,520 --> 00:19:30,960 Speaker 1: on Instagram, Twitter and Facebook. Excuse me x not Twitter, 370 00:19:31,160 --> 00:19:34,560 Speaker 1: and Disgrace Lampod at gmail dot com. For the emails, 371 00:19:34,600 --> 00:19:38,199 Speaker 1: I answer those and the pre parties on Mondays. That's it, 372 00:19:38,320 --> 00:19:40,280 Speaker 1: That's all I got. Let me know what you got. 373 00:19:40,440 --> 00:19:42,960 Speaker 1: We're gonna recap real quick number one right now in 374 00:19:43,000 --> 00:19:47,280 Speaker 1: your feed. Halloween episodes on ac DC, Ozzy Osbourne, Robert Johnson, 375 00:19:47,320 --> 00:19:51,320 Speaker 1: led Zeppelin, Norwegian Black Metal episodes on Charles Manson, Skip James, 376 00:19:51,320 --> 00:19:53,159 Speaker 1: and Black Sabbath, all coming to you the rest of 377 00:19:53,200 --> 00:19:55,400 Speaker 1: this week. Number two. Over in the bad Lands Feed, 378 00:19:55,400 --> 00:19:57,879 Speaker 1: we've got a brand new episode on John Houston and 379 00:19:57,880 --> 00:20:00,359 Speaker 1: what crime forced them to leave the United States, Hustle 380 00:20:00,400 --> 00:20:02,440 Speaker 1: for spare change on the streets of London. You're gonna 381 00:20:02,440 --> 00:20:05,040 Speaker 1: want to hear that story. Number three next week in 382 00:20:05,080 --> 00:20:08,400 Speaker 1: the disgrace Land Feed, more horror business with reincarnated archive 383 00:20:08,480 --> 00:20:11,239 Speaker 1: releases on Big Lurch and the Misfits. To wrap up 384 00:20:11,280 --> 00:20:15,920 Speaker 1: our Halloween extravaganza, Number four, My number six one, seven, 385 00:20:16,000 --> 00:20:17,760 Speaker 1: nine oh six sixty six three eight call me on 386 00:20:17,800 --> 00:20:19,919 Speaker 1: the telephone or text me number five. Remember, no one 387 00:20:19,960 --> 00:20:22,560 Speaker 1: cares about music that you love more than you do. 388 00:20:22,760 --> 00:20:24,840 Speaker 1: And well that's a disgrace, all right. My moment of 389 00:20:24,880 --> 00:20:28,800 Speaker 1: bliss me reading you the phone book from Wittier, California 390 00:20:28,840 --> 00:20:31,360 Speaker 1: in nineteen eighty five, the very location in the very 391 00:20:31,440 --> 00:20:38,359 Speaker 1: year where Richard Ramirez killed. Benjamin Shirley one four nine 392 00:20:38,400 --> 00:20:42,480 Speaker 1: four three East Gagley Drive nine four four five one 393 00:20:42,600 --> 00:20:48,360 Speaker 1: four six, Benjamin Wesley ten forty five North Asusa Avenue 394 00:20:48,720 --> 00:20:52,119 Speaker 1: eight one eight, three, three, two, nine, eight nine five 395 00:20:53,080 --> 00:20:57,840 Speaker 1: Benjamins Ernesto C three oh four North Larkin Drive eight 396 00:20:57,880 --> 00:21:01,800 Speaker 1: one eight nine six, six seven six three two Benjamin's 397 00:21:01,880 --> 00:21:05,960 Speaker 1: Hardwood Floors eight one eight, seven, nine, seven, five two 398 00:21:06,200 --> 00:21:10,440 Speaker 1: four five eighty Benjamins k N four fifty six East 399 00:21:10,520 --> 00:21:14,440 Speaker 1: Italia Corner eight one eight nine six, seven, four five 400 00:21:14,600 --> 00:21:19,320 Speaker 1: three seven eight nineteen Mountains one two three three three, 401 00:21:19,320 --> 00:21:23,720 Speaker 1: Start Floor, wod you sixty nine one two two, Show 402 00:21:24,119 --> 00:21:25,280 Speaker 1: vendred four. 403 00:21:25,160 --> 00:21:25,880 Speaker 3: One two two. 404 00:21:31,359 --> 00:21:33,840 Speaker 1: Quit talking and start mixing