1
00:00:06,720 --> 00:00:09,559
Speaker 1: We are producing our own podcast today because no producer

2
00:00:09,560 --> 00:00:09,920
Speaker 1: showed up.

3
00:00:09,920 --> 00:00:13,600
Speaker 2: It's a snow day. So if it sounds bad, that's why.

4
00:00:13,360 --> 00:00:15,160
Speaker 1: It may sound nothing. This may not even be recorded.

5
00:00:15,600 --> 00:00:17,400
Speaker 1: So this will be a small victory if this gets

6
00:00:17,400 --> 00:00:19,480
Speaker 1: in anyone's ears at all. Because there is no Mike,

7
00:00:20,480 --> 00:00:22,720
Speaker 1: who we said Mike don't come. Mike does not have

8
00:00:22,760 --> 00:00:25,800
Speaker 1: a four wheel drive. Kevin, who does have a four

9
00:00:25,840 --> 00:00:29,360
Speaker 1: well drive, didn't show up, but then said he was

10
00:00:29,360 --> 00:00:33,159
Speaker 1: confused because we had the conversation yesterday. I was like

11
00:00:33,159 --> 00:00:35,520
Speaker 1: a fotballe drive. He's like, yes, boom be at the house.

12
00:00:35,760 --> 00:00:39,080
Speaker 2: I don't think he knows that when you have a conversation.

13
00:00:39,640 --> 00:00:42,400
Speaker 2: This is really unique about you. When you have a

14
00:00:42,440 --> 00:00:47,000
Speaker 2: conversation with someone and you say like, hey, maybe we

15
00:00:47,040 --> 00:00:49,720
Speaker 2: can do a podcast tomorrow at the house at whatever time,

16
00:00:50,280 --> 00:00:53,599
Speaker 2: you really mean it, and you're not saying maybe or

17
00:00:54,240 --> 00:00:57,080
Speaker 2: if everything works out, we can do it. I'll confirm

18
00:00:57,120 --> 00:00:59,520
Speaker 2: with you. You really when you say it, you mean it.

19
00:00:59,760 --> 00:01:01,840
Speaker 2: And I've known this for a while because we've known

20
00:01:01,840 --> 00:01:03,720
Speaker 2: each other for a long time. But maybe Kevin doesn't

21
00:01:03,760 --> 00:01:06,360
Speaker 2: know that, and he was waiting for a confirmation text

22
00:01:06,440 --> 00:01:10,400
Speaker 2: that reminded everyone I guess, but I don't say maybe.

23
00:01:10,600 --> 00:01:12,200
Speaker 2: I know you don't you never say maybe. Yeah.

24
00:01:12,200 --> 00:01:14,360
Speaker 1: I say, we're gonna do a podcast at the house

25
00:01:14,360 --> 00:01:17,360
Speaker 1: tomorrow ten o'clock. I don't want anybody to come that

26
00:01:17,400 --> 00:01:20,160
Speaker 1: feels like it's not safe because the snow. And that's

27
00:01:20,200 --> 00:01:22,959
Speaker 1: all I said. And Michael was like, my truck will

28
00:01:23,040 --> 00:01:24,600
Speaker 1: get there, no problem. Kevi's like, well, I got a

29
00:01:24,600 --> 00:01:28,319
Speaker 1: fuhole drive boom see a ten. Yeah, that's it and

30
00:01:28,360 --> 00:01:29,399
Speaker 1: that's it's all you need.

31
00:01:29,760 --> 00:01:31,800
Speaker 2: Yeah. But I think people, I know, you know how

32
00:01:31,840 --> 00:01:33,560
Speaker 2: like when people say like, hey, we should have dinner sometime,

33
00:01:33,840 --> 00:01:36,959
Speaker 2: I never say you don't do that. People do that,

34
00:01:37,040 --> 00:01:40,000
Speaker 2: and I think like if they, like Kevin, may not

35
00:01:40,160 --> 00:01:42,319
Speaker 2: know that when you say stuff like that, you mean it.

36
00:01:42,360 --> 00:01:45,440
Speaker 2: And there's gonna be no confirmation text. He said, because

37
00:01:45,480 --> 00:01:50,480
Speaker 2: I said, uh hey, tenay am. He said, if you

38
00:01:50,520 --> 00:01:52,600
Speaker 2: can have Eddie call me and I can walk through

39
00:01:53,040 --> 00:01:56,320
Speaker 2: figure Eddie may not be coming. I told him I

40
00:01:56,360 --> 00:01:59,120
Speaker 2: was coming, and he said he didn't hear it from

41
00:01:59,160 --> 00:02:04,240
Speaker 2: you either. You hear what the confirmation? Yeah, someone's lying.

42
00:02:04,840 --> 00:02:08,320
Speaker 2: Someone doesn't matter. Hey, so this is a stupid question,

43
00:02:08,960 --> 00:02:11,959
Speaker 2: but did you get Starbucks delivered? I did?

44
00:02:12,080 --> 00:02:18,120
Speaker 1: Now, here's why it is. We're probably four inches of

45
00:02:18,120 --> 00:02:20,880
Speaker 1: snow at this point at a city that doesn't do

46
00:02:20,960 --> 00:02:23,959
Speaker 1: well with winter or snow, and people shouldn't be driving.

47
00:02:25,120 --> 00:02:28,440
Speaker 1: I order this way earlier because it didn't start snowing

48
00:02:28,600 --> 00:02:32,399
Speaker 1: until mid morning, so there's probably an inch on the ground. Secondly,

49
00:02:33,400 --> 00:02:36,040
Speaker 1: if I order from uber eats, it's not forcing someone

50
00:02:36,120 --> 00:02:39,200
Speaker 1: to leave their house, get in their car, go and

51
00:02:39,240 --> 00:02:41,680
Speaker 1: get food and bring it to me. Someone doesn't show up,

52
00:02:41,680 --> 00:02:43,520
Speaker 1: the Uber Eats gun doesn't go to their head and

53
00:02:43,560 --> 00:02:48,000
Speaker 1: go to you make a decision. Yes, it's someone wanting

54
00:02:48,560 --> 00:02:49,400
Speaker 1: to still work.

55
00:02:49,480 --> 00:02:49,679
Speaker 3: Yeah.

56
00:02:49,760 --> 00:02:53,320
Speaker 1: Yeah, So not only did I order, and my wife

57
00:02:53,360 --> 00:02:54,079
Speaker 1: asked me the same thing.

58
00:02:54,080 --> 00:02:56,480
Speaker 2: She said, you ordered Uber eats. You made someone get

59
00:02:56,520 --> 00:02:58,560
Speaker 2: out of bed and get in this terrible weather.

60
00:02:58,960 --> 00:03:03,000
Speaker 1: Not only that, I tip them heavily good. So I

61
00:03:03,000 --> 00:03:05,720
Speaker 1: don't think I would order right now. But again, if

62
00:03:05,760 --> 00:03:07,600
Speaker 1: I did order right now, it's because there are people

63
00:03:08,560 --> 00:03:11,600
Speaker 1: They have gig jobs, meaning they're only getting paid if

64
00:03:11,639 --> 00:03:14,760
Speaker 1: they do the gigs. So I don't feel guilty about that.

65
00:03:14,800 --> 00:03:17,919
Speaker 1: Because someone that can't do it won't be doing.

66
00:03:17,720 --> 00:03:19,519
Speaker 2: It correct, So they shut their app off. They're not

67
00:03:19,560 --> 00:03:22,520
Speaker 2: even available of course, so do they charge more on

68
00:03:22,560 --> 00:03:25,240
Speaker 2: a snow day like this, where like, really they're in demand.

69
00:03:25,520 --> 00:03:28,680
Speaker 2: If they're battling the blizzard, they're in demand. It's a

70
00:03:28,680 --> 00:03:29,280
Speaker 2: great question.

71
00:03:30,160 --> 00:03:32,040
Speaker 1: No, But what they do on the app is if

72
00:03:32,080 --> 00:03:33,840
Speaker 1: it's raining or snowing, and you've seen this, it shows

73
00:03:33,840 --> 00:03:34,320
Speaker 1: a little rain.

74
00:03:34,280 --> 00:03:36,119
Speaker 2: Coming down or snow coming down. I never seen it.

75
00:03:36,120 --> 00:03:38,080
Speaker 1: It just reminds you that there's an element that you

76
00:03:38,080 --> 00:03:39,240
Speaker 1: should tip more on it.

77
00:03:39,680 --> 00:03:40,839
Speaker 2: That's why they put it up there.

78
00:03:40,920 --> 00:03:43,120
Speaker 1: Yeah, especially if it's raining, it remains a lot more

79
00:03:43,160 --> 00:03:45,360
Speaker 1: than it snow's Obviously. Sometimes I don't even know it's

80
00:03:45,440 --> 00:03:47,560
Speaker 1: raining outside, and if I'm going to order something there's

81
00:03:47,560 --> 00:03:49,240
Speaker 1: a little rain on it, I'll put a couple extra

82
00:03:49,240 --> 00:03:54,800
Speaker 1: bucks on there. But I definitely tipped over what I

83
00:03:54,920 --> 00:03:57,080
Speaker 1: paid for the food this morning.

84
00:03:57,200 --> 00:04:00,360
Speaker 2: Shocking that Starbucks was even open or anything is really

85
00:04:00,440 --> 00:04:03,320
Speaker 2: open at that point. It wasn't that bad. Even right now.

86
00:04:03,320 --> 00:04:04,920
Speaker 1: I bet I'm not going to order right now, but

87
00:04:04,920 --> 00:04:06,520
Speaker 1: I bet you can order right now. Probably it's four

88
00:04:06,560 --> 00:04:06,839
Speaker 1: to five.

89
00:04:06,840 --> 00:04:08,400
Speaker 2: You drove over, how about how bad was it? I

90
00:04:08,440 --> 00:04:11,960
Speaker 2: would say it's fifty to fifty. Like I saw some

91
00:04:12,000 --> 00:04:14,760
Speaker 2: people spinning out, and then I saw some people just

92
00:04:14,840 --> 00:04:17,440
Speaker 2: driving like normal. It just depends. I think there are

93
00:04:17,440 --> 00:04:20,760
Speaker 2: people like in Nashville, we're kind of middle of America, right,

94
00:04:20,800 --> 00:04:23,600
Speaker 2: so like there are people from the North that live here,

95
00:04:23,640 --> 00:04:25,520
Speaker 2: and there are people from the South, more south than

96
00:04:25,600 --> 00:04:27,479
Speaker 2: us that live here. So some people know how to

97
00:04:27,520 --> 00:04:29,599
Speaker 2: drive in this and you can tell those people are

98
00:04:29,640 --> 00:04:31,280
Speaker 2: the ones that are out and then the ones that

99
00:04:31,600 --> 00:04:33,279
Speaker 2: really don't know how to drive on it. They're stuck

100
00:04:33,279 --> 00:04:34,920
Speaker 2: on the side of the road spinning their wheels.

101
00:04:35,320 --> 00:04:37,159
Speaker 1: The toughest of the people that move here from the South,

102
00:04:37,720 --> 00:04:39,960
Speaker 1: even more South, yes, because we get one or two

103
00:04:40,000 --> 00:04:42,440
Speaker 1: of these year, and okay, for people to move here

104
00:04:42,480 --> 00:04:46,359
Speaker 1: from Georgia, Alabama, Florida have no idea work, you know,

105
00:04:46,400 --> 00:04:47,240
Speaker 1: because the industry they.

106
00:04:47,160 --> 00:04:47,640
Speaker 2: Have no idea.

107
00:04:47,720 --> 00:04:50,200
Speaker 1: Yeah, a couple things we want to talk about since

108
00:04:50,240 --> 00:04:52,960
Speaker 1: this is music podcast number one. They had a list

109
00:04:52,960 --> 00:04:56,360
Speaker 1: of the biggest selling music catalogs of all time, and

110
00:04:56,600 --> 00:05:01,320
Speaker 1: I don't know which songs are most valued, but I

111
00:05:01,360 --> 00:05:04,320
Speaker 1: do have the catalog prices and I'm gonna do top

112
00:05:04,360 --> 00:05:06,880
Speaker 1: ten back and I thought we would just kind of guess,

113
00:05:07,240 --> 00:05:10,719
Speaker 1: but the most the most valued song of their catalog

114
00:05:10,839 --> 00:05:13,720
Speaker 1: is again I don't have the answer, okay, but at

115
00:05:13,760 --> 00:05:17,000
Speaker 1: number ten selling his entire catalog is Neil Young.

116
00:05:17,400 --> 00:05:17,719
Speaker 2: Wow.

117
00:05:18,480 --> 00:05:21,400
Speaker 1: Now my assumption also is just his songs. It's not

118
00:05:21,440 --> 00:05:23,760
Speaker 1: any of the Crosby Stills, Nashal Young, because he would

119
00:05:23,760 --> 00:05:26,320
Speaker 1: have known all of that, right, And I gotta say

120
00:05:26,320 --> 00:05:28,120
Speaker 1: it just going from my mind before I look up

121
00:05:28,160 --> 00:05:29,040
Speaker 1: a stream song.

122
00:05:29,480 --> 00:05:31,240
Speaker 2: Don't look up any like, yeah, what do you?

123
00:05:31,320 --> 00:05:34,600
Speaker 1: What do you know? I know maybe two. I think

124
00:05:34,640 --> 00:05:36,159
Speaker 1: I would only know the two if you told me

125
00:05:36,200 --> 00:05:40,480
Speaker 1: the two Southern Man. I can't sing it Southern Man.

126
00:05:40,800 --> 00:05:43,680
Speaker 2: And that's what Leonard Skinner is referencing when they say,

127
00:05:43,920 --> 00:05:47,920
Speaker 2: I hope Neil Young will remember Southern Man. Don't need

128
00:05:48,000 --> 00:05:49,200
Speaker 2: him around anyhow.

129
00:05:49,839 --> 00:05:52,880
Speaker 1: Southern Man not on a top five streamed Oh interesting.

130
00:05:52,920 --> 00:05:55,160
Speaker 1: But I wouldn't have guessed that I might know the

131
00:05:55,200 --> 00:05:57,000
Speaker 1: song if I heard about I don't know when you sing, okay.

132
00:05:57,160 --> 00:06:02,320
Speaker 1: Neil Young to me is Bob Dylan's two inch shorter,

133
00:06:02,600 --> 00:06:05,520
Speaker 1: a little facially disconfigured twin brother.

134
00:06:05,600 --> 00:06:07,320
Speaker 2: Yeah, yeah, that's a good like.

135
00:06:07,320 --> 00:06:08,839
Speaker 1: When there are twins and you have like ugly twin

136
00:06:08,880 --> 00:06:12,279
Speaker 1: it's a little off. Yeah, that's NOI Young to me

137
00:06:12,320 --> 00:06:15,040
Speaker 1: and Bob done, And I get it. He's just based

138
00:06:15,080 --> 00:06:18,040
Speaker 1: on the respect he gets from artists. He's a fantastic songwriter.

139
00:06:18,240 --> 00:06:21,760
Speaker 2: Nailed it. Nailed it because as a consumer, he doesn't

140
00:06:21,760 --> 00:06:25,479
Speaker 2: look like much, he doesn't sing like much. And you know,

141
00:06:25,560 --> 00:06:28,080
Speaker 2: if you if you really dissect lyrics or whatever, like, yeah,

142
00:06:28,080 --> 00:06:30,440
Speaker 2: that's pretty good. And then you look at everything he

143
00:06:30,480 --> 00:06:33,080
Speaker 2: did with you know, Crosby, Stills, Nash and Young like,

144
00:06:33,200 --> 00:06:36,880
Speaker 2: obviously he's talented, but artists that know him and collaborate

145
00:06:36,920 --> 00:06:39,120
Speaker 2: with him love him. Yeah.

146
00:06:39,200 --> 00:06:42,320
Speaker 1: Even to join Crosby, Stills and Ash like, those guys

147
00:06:42,320 --> 00:06:46,440
Speaker 1: have to like think you're of extreme value for sure. Okay, no, Young,

148
00:06:46,520 --> 00:06:49,000
Speaker 1: Let's see what we have here. His number one is

149
00:06:49,080 --> 00:06:49,679
Speaker 1: heard of gold.

150
00:06:49,880 --> 00:06:54,640
Speaker 2: Oh yeah, yeah, yeah, you know this one. This is

151
00:06:54,640 --> 00:07:02,200
Speaker 2: familiar hard that's it, right, yeah, uh, I've been to

152
00:07:02,200 --> 00:07:06,200
Speaker 2: the West one. I've been at it.

153
00:07:06,720 --> 00:07:10,679
Speaker 1: I mean, all right, enough enough of harmonica is Dylan,

154
00:07:10,760 --> 00:07:13,000
Speaker 1: although I do think of him wearing the thing like Dylan.

155
00:07:13,440 --> 00:07:15,280
Speaker 2: Let me fast forward a little bit. This is a jam.

156
00:07:15,280 --> 00:07:26,360
Speaker 4: Actually it is good.

157
00:07:27,400 --> 00:07:30,440
Speaker 1: Okay, I would have never got there, but I do

158
00:07:30,560 --> 00:07:34,800
Speaker 1: recognize it. I'll do one more harvest moon. M Are

159
00:07:34,840 --> 00:07:35,360
Speaker 1: you familiar?

160
00:07:35,440 --> 00:07:49,840
Speaker 2: Yeah? Famili maybe maybe no big instrumental for a while.

161
00:07:51,440 --> 00:07:58,880
Speaker 2: We're two minutes into the Yeah, it's very instrumental. Now,

162
00:07:59,160 --> 00:08:02,600
Speaker 2: but what year is that? Is that? Like eighties? To say?

163
00:08:03,080 --> 00:08:07,640
Speaker 1: I can look if I go to view song credits

164
00:08:08,200 --> 00:08:09,320
Speaker 1: it has written by Neil Young.

165
00:08:09,320 --> 00:08:10,840
Speaker 2: I don't have him. I have to google that. Okay.

166
00:08:10,880 --> 00:08:12,840
Speaker 1: So Neil Young at number ten sold his catalog in

167
00:08:12,880 --> 00:08:14,440
Speaker 1: twenty twenty one for one hundred and fifty million.

168
00:08:14,560 --> 00:08:14,920
Speaker 2: Wow.

169
00:08:15,960 --> 00:08:19,240
Speaker 1: Justin Bieber at number nine sold his catalog in twenty

170
00:08:19,240 --> 00:08:20,720
Speaker 1: twenty three for two hundred million.

171
00:08:20,920 --> 00:08:23,200
Speaker 2: Wow. So does that mean that anything he does from

172
00:08:23,240 --> 00:08:26,800
Speaker 2: now on, He's like, no, it's past, that's his Yeah, Okay,

173
00:08:28,680 --> 00:08:32,079
Speaker 2: selling a catalog is things you've done.

174
00:08:32,440 --> 00:08:35,040
Speaker 1: Signing a deal like for what they're going to pay

175
00:08:35,040 --> 00:08:37,160
Speaker 1: you for? Future is your future rights are if you're

176
00:08:37,200 --> 00:08:42,160
Speaker 1: like in a deal with somebody. Okay, Bieber, what do

177
00:08:42,200 --> 00:08:42,679
Speaker 1: you think.

178
00:08:43,240 --> 00:08:46,960
Speaker 2: Baby baby baby, baby baby.

179
00:08:46,720 --> 00:08:49,160
Speaker 1: Bay first song was baby. I bet you that's not

180
00:08:49,559 --> 00:08:52,640
Speaker 1: the most valuable. I don't know the answer. Again, it's

181
00:08:52,720 --> 00:08:55,680
Speaker 1: not an argument, it's a probably, and it's not his

182
00:08:55,760 --> 00:08:59,120
Speaker 1: number one streaming song, but probably the one. Edgearon wrote

183
00:08:59,480 --> 00:09:02,080
Speaker 1: your mama, Yeah, my MoMA don't like you.

184
00:09:02,360 --> 00:09:06,040
Speaker 2: She loves everyone. That is love yourself.

185
00:09:06,120 --> 00:09:12,839
Speaker 1: It's got two billion streams. Here's the video at Saron

186
00:09:12,840 --> 00:09:14,520
Speaker 1: and Bennie Blanco riding this in the back of the bus.

187
00:09:14,559 --> 00:09:16,000
Speaker 2: You know, it's really really cool.

188
00:09:16,040 --> 00:09:18,160
Speaker 1: Yeah, because that she is on it, but he's not

189
00:09:18,760 --> 00:09:20,199
Speaker 1: all the way there, and Bennie Blanco is back in

190
00:09:20,240 --> 00:09:21,520
Speaker 1: the back of the bus and like the room in

191
00:09:21,520 --> 00:09:21,920
Speaker 1: the back.

192
00:09:21,880 --> 00:09:23,480
Speaker 2: Uh huh and have a studio in the back.

193
00:09:24,240 --> 00:09:25,960
Speaker 1: Is it kind of like a yeah, like one they

194
00:09:25,960 --> 00:09:28,079
Speaker 1: built with a couple of things, you know, it's not

195
00:09:28,120 --> 00:09:29,880
Speaker 1: like a built in studio. But yeah, Bennie Blanco's got

196
00:09:29,920 --> 00:09:31,439
Speaker 1: his little kid there and he's like, what if you

197
00:09:31,480 --> 00:09:33,880
Speaker 1: want to? And that's Oh, it's really cool to watch

198
00:09:33,920 --> 00:09:38,760
Speaker 1: like that moment happen. It's when the Beatles are doing

199
00:09:39,160 --> 00:09:40,520
Speaker 1: on the Disney Plus series.

200
00:09:41,760 --> 00:09:43,880
Speaker 2: There isn't the bosom and.

201
00:09:44,000 --> 00:09:46,520
Speaker 1: He's almost got that and he doesn't quite have and

202
00:09:46,559 --> 00:09:49,760
Speaker 1: then he starts to stumble in and get back and

203
00:09:49,840 --> 00:09:50,760
Speaker 1: you watch it happen.

204
00:09:50,880 --> 00:09:52,000
Speaker 2: That's really cool. It's kind of that.

205
00:09:52,040 --> 00:09:54,880
Speaker 1: And I'm not comparing, Yeah, I kind of am, because

206
00:09:54,920 --> 00:09:56,319
Speaker 1: I think for this generation this.

207
00:09:56,360 --> 00:09:59,800
Speaker 2: Is that that. Oh you're saying like you're not comparing

208
00:09:59,800 --> 00:10:01,000
Speaker 2: beat And I wasn't.

209
00:10:00,800 --> 00:10:02,200
Speaker 1: At first, and then I was like I should have,

210
00:10:02,200 --> 00:10:04,360
Speaker 1: but then I did they're creating I and they're both

211
00:10:04,400 --> 00:10:05,240
Speaker 1: massive for their time.

212
00:10:05,360 --> 00:10:09,040
Speaker 2: Yeah, uh sorry, is up in the top five? Oh

213
00:10:09,040 --> 00:10:11,360
Speaker 2: that's a jam, that's a jam. I'm not too late

214
00:10:11,400 --> 00:10:15,720
Speaker 2: to say. Sorry. What about peaches? Did he write? Is that?

215
00:10:15,800 --> 00:10:16,640
Speaker 2: Is that his catalog?

216
00:10:16,960 --> 00:10:17,000
Speaker 4: Is?

217
00:10:17,040 --> 00:10:19,800
Speaker 2: That's the jam too? Twenty twenty three? So that been

218
00:10:19,800 --> 00:10:20,360
Speaker 2: part of it? Yeah?

219
00:10:20,440 --> 00:10:22,920
Speaker 1: Yeah, I don't know there'd be one of the three. See,

220
00:10:23,000 --> 00:10:24,920
Speaker 1: I feel those songs are so massive. I mean, they're

221
00:10:24,960 --> 00:10:27,040
Speaker 1: all extremely valuable. There are two hundred million bucks. Every

222
00:10:27,040 --> 00:10:28,560
Speaker 1: song is very valuable, you feel what.

223
00:10:29,240 --> 00:10:31,760
Speaker 2: I feel like I'd rather buy his than Neil Young's

224
00:10:31,800 --> 00:10:33,160
Speaker 2: and make more money off beavers.

225
00:10:33,320 --> 00:10:36,600
Speaker 1: Well, they're also not saying what part of the catalog

226
00:10:36,720 --> 00:10:38,560
Speaker 1: is if you don't write it? Obviously it's you don't

227
00:10:38,559 --> 00:10:40,640
Speaker 1: own the publishing, but you have the mechanical right, It's

228
00:10:40,679 --> 00:10:42,920
Speaker 1: like the voice part of it, the singing point.

229
00:10:42,840 --> 00:10:44,920
Speaker 2: Is that not good? That goes into the catalog. It

230
00:10:44,920 --> 00:10:48,080
Speaker 2: can all be parts of the catalog. Katie Perry at

231
00:10:48,160 --> 00:10:51,240
Speaker 2: number eight, lots of hits, who under twenty five million?

232
00:10:51,960 --> 00:10:55,640
Speaker 2: Fire firework? Maybe you're five your work?

233
00:10:56,840 --> 00:11:00,560
Speaker 1: Yeah, I'd say that's probably her most known. Her first

234
00:11:00,559 --> 00:11:03,160
Speaker 1: song ever was I Kissed a Girl but first song,

235
00:11:03,800 --> 00:11:07,960
Speaker 1: especially for artists, they become Megas stars. They don't peak

236
00:11:08,000 --> 00:11:11,440
Speaker 1: at their first song. It's just a strong introduction. I

237
00:11:11,440 --> 00:11:12,480
Speaker 1: would say firework too.

238
00:11:12,720 --> 00:11:16,920
Speaker 2: Firework. And then there's the last Fat Day Night. That's

239
00:11:16,920 --> 00:11:18,480
Speaker 2: the gym. That's a good one.

240
00:11:18,880 --> 00:11:21,880
Speaker 1: Also the one because when Katy Perry was popping, like

241
00:11:22,000 --> 00:11:24,240
Speaker 1: I was in pop popping.

242
00:11:24,280 --> 00:11:26,080
Speaker 2: I was in pop. Yeah, you were popping and pop.

243
00:11:26,120 --> 00:11:26,880
Speaker 2: I was popping and pop.

244
00:11:27,600 --> 00:11:33,920
Speaker 1: And so when she was having her peak, hot hot, Hot,

245
00:11:34,160 --> 00:11:34,640
Speaker 1: You're hot?

246
00:11:34,720 --> 00:11:36,240
Speaker 2: Didn't you cold? You're yes?

247
00:11:37,360 --> 00:11:41,320
Speaker 1: That was a big one, the one about Vegas.

248
00:11:42,280 --> 00:11:42,920
Speaker 2: Vegas.

249
00:11:43,559 --> 00:11:45,680
Speaker 1: I'm having to try to dig back into the memories here,

250
00:11:45,800 --> 00:11:51,400
Speaker 1: but it was like and I think, oh, wide Awake

251
00:11:51,520 --> 00:11:52,680
Speaker 1: was goodwake.

252
00:11:54,080 --> 00:11:56,640
Speaker 2: That's the gym. That's Friday Night was all California girls

253
00:11:56,679 --> 00:11:59,480
Speaker 2: are snooping. Oh yeah, good one. Katie and my lady.

254
00:11:59,640 --> 00:12:01,880
Speaker 1: Yeah, I still think Firework. I think we're both there

255
00:12:01,880 --> 00:12:03,679
Speaker 1: on Firework. I swear to god.

256
00:12:03,760 --> 00:12:07,680
Speaker 2: She had a song about Vegas. There's the roar one

257
00:12:07,840 --> 00:12:13,560
Speaker 2: right here, you roar waking up in Vegas.

258
00:12:14,160 --> 00:12:17,200
Speaker 1: If you remember this one, and it may have been

259
00:12:17,200 --> 00:12:18,560
Speaker 1: big when I was there, and why I remember it.

260
00:12:18,600 --> 00:12:19,280
Speaker 2: But when you're.

261
00:12:19,120 --> 00:12:27,600
Speaker 1: Popping him pop that's popping and pop. Hold on, now

262
00:12:27,600 --> 00:12:29,760
Speaker 1: that I hear it, I remember being a single.

263
00:12:29,480 --> 00:12:29,640
Speaker 3: But.

264
00:12:31,360 --> 00:12:33,920
Speaker 2: That's not it. Yeah, I don't remember. That sucks. That's

265
00:12:33,960 --> 00:12:36,320
Speaker 2: a different sound though than most of her stuff. Yeah,

266
00:12:36,360 --> 00:12:37,920
Speaker 2: I don't know why I thought that that came into

267
00:12:37,920 --> 00:12:38,240
Speaker 2: my head.

268
00:12:38,480 --> 00:12:41,160
Speaker 1: Yeah, Katy Perry coming in at number eight on the

269
00:12:41,160 --> 00:12:44,720
Speaker 1: old catalog, number seven for two hundred and fifty million dollars.

270
00:12:44,880 --> 00:12:48,160
Speaker 1: In twenty twenty two, the David Bowie estate sold the

271
00:12:48,240 --> 00:12:51,560
Speaker 1: David Bowie kattow okay now for me without pulling it up.

272
00:12:51,640 --> 00:12:54,800
Speaker 1: I do feel I'm a little more educated David Boye

273
00:12:54,800 --> 00:12:57,840
Speaker 1: than Neil Young, because David Boye was a pop star. Sure,

274
00:12:58,920 --> 00:13:02,280
Speaker 1: But the Vanilla I song under Pressure, it's only became

275
00:13:02,679 --> 00:13:03,439
Speaker 1: Ice Ice Baby.

276
00:13:03,960 --> 00:13:05,960
Speaker 2: That was a big one, and that was him and

277
00:13:06,080 --> 00:13:10,200
Speaker 2: Queen Right. Was that a collab? Yeah, that one comes

278
00:13:10,240 --> 00:13:14,760
Speaker 2: to mind. First, what you uh, major ground control control

279
00:13:14,880 --> 00:13:18,240
Speaker 2: to ma, that song is a jam? That song is

280
00:13:18,280 --> 00:13:21,240
Speaker 2: so good. Then the movies. Yeah, yeah, yeah, it's such

281
00:13:21,240 --> 00:13:24,600
Speaker 2: a good song. It's such a theatrical song. I guess

282
00:13:24,679 --> 00:13:26,520
Speaker 2: kind of why you say it's good the movies, but

283
00:13:26,920 --> 00:13:29,080
Speaker 2: also two changes you remember changes.

284
00:13:29,440 --> 00:13:34,040
Speaker 1: Yes, because it's sampled a bunch any commercials.

285
00:13:36,160 --> 00:13:38,440
Speaker 2: Changes. Yeah, that's a good one.

286
00:13:38,520 --> 00:13:41,760
Speaker 1: He, like low Ki, has massive songs that people wouldn't

287
00:13:41,760 --> 00:13:43,520
Speaker 1: know were his because didn't.

288
00:13:45,440 --> 00:13:45,720
Speaker 2: He have.

289
00:13:47,679 --> 00:13:51,040
Speaker 1: I'm getting food Fighters mixed up with there goes my

290
00:13:51,240 --> 00:13:54,400
Speaker 1: hero his heroes. He's a hero song.

291
00:13:55,480 --> 00:13:55,880
Speaker 2: M m.

292
00:13:57,360 --> 00:13:57,720
Speaker 1: M hm.

293
00:13:58,480 --> 00:14:03,439
Speaker 2: Yes, something sounds really familiar here it is. Oh, oh,

294
00:14:03,440 --> 00:14:07,440
Speaker 2: it's the one the Wallflowers covered. We can be heroes

295
00:14:08,120 --> 00:14:11,280
Speaker 2: just one days. It was like Godzilla.

296
00:14:11,320 --> 00:14:13,600
Speaker 1: They cover it for like the Godzilla movie, And then

297
00:14:13,640 --> 00:14:15,520
Speaker 1: I found out David Bowie did the original.

298
00:14:15,880 --> 00:14:19,360
Speaker 2: Yes, we can be heroes, but just one day.

299
00:14:19,520 --> 00:14:24,800
Speaker 1: Is there one about a red dress? But probably, and

300
00:14:24,840 --> 00:14:27,760
Speaker 1: I'll look it up. But there's also Let's dance.

301
00:14:27,560 --> 00:14:30,240
Speaker 2: Oh, let's dance, Let's hold on you? Is that the

302
00:14:30,280 --> 00:14:38,240
Speaker 2: one one hold on your red dress some day? Yes? Yeah,

303
00:14:38,280 --> 00:14:40,440
Speaker 2: this is so good. The boy so ahead of his time.

304
00:14:42,200 --> 00:14:44,520
Speaker 1: But don't that he's one of the few now And

305
00:14:44,560 --> 00:14:46,000
Speaker 1: I'm just now putting him on this list. In my

306
00:14:46,040 --> 00:14:49,760
Speaker 1: mind that if he came out today exactly the same

307
00:14:50,080 --> 00:14:54,360
Speaker 1: would still be wildly successful and famous. Absolutely, there are

308
00:14:54,360 --> 00:14:55,960
Speaker 1: a few I'll put on the list. I'll put Queen

309
00:14:56,000 --> 00:14:57,680
Speaker 1: on the list. We mentioned them earlier. I think if

310
00:14:57,760 --> 00:15:01,080
Speaker 1: Queen came out with the same exact sound. They would

311
00:15:01,120 --> 00:15:03,320
Speaker 1: be monsters because they were so good and that sound

312
00:15:05,800 --> 00:15:09,840
Speaker 1: it still sounds contemporary. I would also put Biggie on there,

313
00:15:10,400 --> 00:15:15,000
Speaker 1: because nobody has sounded like Biggie. No one's really even

314
00:15:15,040 --> 00:15:17,480
Speaker 1: tried to emulate Biggie because he sounded so original. Those

315
00:15:17,440 --> 00:15:18,640
Speaker 1: would be the three that I would put on there.

316
00:15:18,640 --> 00:15:20,040
Speaker 1: What do you find it he did?

317
00:15:20,080 --> 00:15:24,960
Speaker 2: Rebel Rebel? Oh yeah yeah, And we did talk about

318
00:15:24,960 --> 00:15:26,000
Speaker 2: it because something else sounds like.

319
00:15:26,000 --> 00:15:29,480
Speaker 1: This young song had to end up crediting them as

320
00:15:29,520 --> 00:15:31,400
Speaker 1: a writer because that guitar riff.

321
00:15:36,160 --> 00:15:37,760
Speaker 2: Yeah yeah, David Bowie.

322
00:15:37,960 --> 00:15:40,800
Speaker 1: I think it took me, being an adult to understand

323
00:15:40,800 --> 00:15:45,520
Speaker 1: and respect really how good he was. Number six Paul Simon,

324
00:15:46,080 --> 00:15:48,920
Speaker 1: So many good ones twenty twenty one, Oh my goodness,

325
00:15:49,040 --> 00:15:50,760
Speaker 1: for two hundred and fifty million dollars.

326
00:15:51,240 --> 00:15:53,880
Speaker 2: I love Paul Simon, Come on, bones, what's your number? One? Well?

327
00:15:53,880 --> 00:15:56,360
Speaker 1: I still love Simon and Garfunkle, but I love Paul Simon.

328
00:15:57,720 --> 00:16:01,600
Speaker 1: The one album Graceland for me does all the Paul

329
00:16:01,640 --> 00:16:04,120
Speaker 1: Simon like. I like other things too, But I've listened

330
00:16:04,160 --> 00:16:05,920
Speaker 1: to that album so many times.

331
00:16:06,000 --> 00:16:08,960
Speaker 2: Graceland's phenomenal album, right but.

332
00:16:08,800 --> 00:16:10,640
Speaker 1: Is that is that what the poser says, because I'm

333
00:16:10,920 --> 00:16:13,000
Speaker 1: not no.

334
00:16:12,080 --> 00:16:15,560
Speaker 2: No, no no, the poster says. The greatest hits is the best, Okay,

335
00:16:16,320 --> 00:16:18,560
Speaker 2: Like if you know an album that you're not a

336
00:16:18,600 --> 00:16:21,840
Speaker 2: poser like Grace Lands, that's that is his staple album.

337
00:16:22,320 --> 00:16:26,280
Speaker 1: The song that is super fun Still I like to

338
00:16:26,320 --> 00:16:27,680
Speaker 1: sing along too, as you can call me out when

339
00:16:27,680 --> 00:16:31,000
Speaker 1: I see someone cover it, like Ben Rector covers it

340
00:16:31,080 --> 00:16:33,640
Speaker 1: on stage, Matt Cornie covers it on stage and they dance,

341
00:16:33,720 --> 00:16:36,000
Speaker 1: and you know that the video is iconic as Chevy

342
00:16:36,040 --> 00:16:36,640
Speaker 1: Chase wasn't it.

343
00:16:37,080 --> 00:16:38,720
Speaker 2: Was he playing like a trombone or something, yeah, or

344
00:16:38,760 --> 00:16:39,680
Speaker 2: saxophone or something.

345
00:16:39,760 --> 00:16:42,320
Speaker 1: Yeah, it can't be my body guy, and I can

346
00:16:42,400 --> 00:16:48,920
Speaker 1: be a long lost bat so jam you can call

347
00:16:48,960 --> 00:16:53,800
Speaker 1: me ol. But then also like songs like Me and Julio, which.

348
00:16:53,680 --> 00:16:56,280
Speaker 2: Me and Julio down in the school yard dude, like so.

349
00:16:56,400 --> 00:16:59,040
Speaker 1: Good, like a movie kind of rebrought that back to life.

350
00:16:59,080 --> 00:16:59,960
Speaker 2: Which movie do you remember?

351
00:17:00,120 --> 00:17:02,480
Speaker 1: It was one of the Yeah, one of the the

352
00:17:02,480 --> 00:17:05,640
Speaker 1: Twin Boys Ben Ben Stiller, the to Twin Boys wear

353
00:17:06,040 --> 00:17:06,800
Speaker 1: track suits.

354
00:17:08,640 --> 00:17:08,920
Speaker 2: Lander.

355
00:17:09,119 --> 00:17:10,840
Speaker 1: Nah, I'll find it. I've seen it. It's one of

356
00:17:10,880 --> 00:17:13,320
Speaker 1: the movies I've seen a few times. Oh yeah, dude,

357
00:17:13,320 --> 00:17:17,199
Speaker 1: me and Julio. Do you remember like Coda Chrome in

358
00:17:17,240 --> 00:17:18,120
Speaker 1: fifty leeby Lover.

359
00:17:18,320 --> 00:17:21,639
Speaker 2: Oh my gosh, get off the back jack taking new stand,

360
00:17:23,480 --> 00:17:27,360
Speaker 2: No need to be coy roy Okay, so that the movie.

361
00:17:29,520 --> 00:17:32,639
Speaker 1: With Ben Stiller. I know people are yelling at the

362
00:17:32,640 --> 00:17:35,880
Speaker 1: the Royal ten of Bombs. Oh yeah, patros in it. Yes,

363
00:17:35,920 --> 00:17:38,360
Speaker 1: Gwyneth Paltrow, Owen Wilson.

364
00:17:39,080 --> 00:17:40,520
Speaker 2: Uh.

365
00:17:41,040 --> 00:17:44,240
Speaker 1: If I had to pick a favorite song, it's probably

366
00:17:44,320 --> 00:17:46,600
Speaker 1: Diamonds on the Soles of his Shoes so good, and

367
00:17:46,640 --> 00:17:50,960
Speaker 1: I like it's you know, it starts She's a rich girl,

368
00:17:51,119 --> 00:17:51,359
Speaker 1: know this?

369
00:17:52,119 --> 00:17:53,960
Speaker 2: Oh yeah, yeah?

370
00:17:54,000 --> 00:17:56,359
Speaker 1: What So watch him do this live too when he

371
00:17:56,400 --> 00:17:56,639
Speaker 1: has this?

372
00:17:56,720 --> 00:17:57,200
Speaker 2: You saw it?

373
00:17:57,560 --> 00:18:00,840
Speaker 1: I mean I wasn't there. I've seen like YouTube like

374
00:18:00,880 --> 00:18:01,679
Speaker 1: the choir now.

375
00:18:03,119 --> 00:18:08,480
Speaker 2: Diamonds so yeah, God is so good dude. And Graceland.

376
00:18:08,520 --> 00:18:10,959
Speaker 2: Of course I'm going to Graceland. Graceland.

377
00:18:11,200 --> 00:18:14,720
Speaker 1: I wonder if, like the Simon and Garfunkel, if like

378
00:18:14,880 --> 00:18:17,800
Speaker 1: his part of Simon and Garfunkle could be sold in.

379
00:18:17,840 --> 00:18:21,160
Speaker 2: That, man, I mean, then that's that's money. Yeah.

380
00:18:21,200 --> 00:18:23,760
Speaker 1: I don't know if it's it's just Paul Simon, if

381
00:18:23,760 --> 00:18:27,240
Speaker 1: that means anything he has, including half of Simon and Garfunkel.

382
00:18:27,320 --> 00:18:29,439
Speaker 2: Gosh. I would think he'd have about the same of

383
00:18:29,480 --> 00:18:31,879
Speaker 2: his own stuff than he does with Simon and Garfunkle.

384
00:18:32,480 --> 00:18:36,720
Speaker 1: I think pop culture wise, probably the Simon and Garfunkle

385
00:18:36,760 --> 00:18:39,240
Speaker 1: have a few songs that are bigger than the rest

386
00:18:39,240 --> 00:18:41,560
Speaker 1: of the Paul Simon stuff. But maybe all together the

387
00:18:41,560 --> 00:18:44,199
Speaker 1: Paul Simon stuff, yeah, because there's a lot. There's a

388
00:18:44,200 --> 00:18:48,960
Speaker 1: lot of him. I do like slip sliding away, slip.

389
00:18:48,680 --> 00:18:50,359
Speaker 2: Slide in a way that's Paul Simon.

390
00:18:50,680 --> 00:18:53,440
Speaker 1: Aqua Lung ended up covering it really yeah, and again

391
00:18:53,480 --> 00:18:56,359
Speaker 1: that's I think Aqua Lung was what I listened to

392
00:18:56,400 --> 00:18:58,400
Speaker 1: first and was like, oh, that's also a Paul Simon cover.

393
00:18:59,040 --> 00:19:00,640
Speaker 2: Matt Matt Hill is super cool.

394
00:19:01,160 --> 00:19:02,680
Speaker 1: He came to the studio. I found a picture of us.

395
00:19:02,840 --> 00:19:05,120
Speaker 1: He came to the studio because he produced. He maybe

396
00:19:05,840 --> 00:19:07,520
Speaker 1: in a country and he was in the green room.

397
00:19:07,800 --> 00:19:10,080
Speaker 1: He wasn't even as Aqualong the artist. They were like,

398
00:19:10,280 --> 00:19:13,879
Speaker 1: so this acid I was like Aqualung and they were like,

399
00:19:14,200 --> 00:19:15,879
Speaker 1: I'm like, dude, about a massive I went to watch it.

400
00:19:16,520 --> 00:19:18,840
Speaker 1: I went to a theater for like a thousand people

401
00:19:18,840 --> 00:19:22,960
Speaker 1: and bought tickets to go watch Aqua long. Yeah, the Boxer,

402
00:19:23,560 --> 00:19:26,240
Speaker 1: but in the Boxer was originally Simon and Garth Simon Garfunkle,

403
00:19:26,560 --> 00:19:28,200
Speaker 1: but looking at songs that he wrote, I mean it

404
00:19:28,280 --> 00:19:31,520
Speaker 1: Sounds of Silence Dude, which again Simon and Garfunkle, but

405
00:19:32,600 --> 00:19:37,000
Speaker 1: and that group mostly was Garfunkel singing but Simon riding

406
00:19:37,040 --> 00:19:39,720
Speaker 1: because Simon was a bit shy, right, Yes, wasn't that

407
00:19:39,720 --> 00:19:41,119
Speaker 1: the of that group?

408
00:19:41,800 --> 00:19:43,720
Speaker 2: And then I guess he got over it because after

409
00:19:43,800 --> 00:19:46,920
Speaker 2: they broke up, man, he took off and Garfunkel really

410
00:19:46,960 --> 00:19:49,920
Speaker 2: never did know and they got back together. I think

411
00:19:50,080 --> 00:19:55,679
Speaker 2: there they still played together. Bridge over Trouble, Water like

412
00:19:55,960 --> 00:19:59,959
Speaker 2: a bridge, Oh a trouble. It's it's the funeral song.

413
00:20:00,440 --> 00:20:01,240
Speaker 2: What am I missing?

414
00:20:01,320 --> 00:20:05,200
Speaker 1: There's one maybe Sounds of Silence Missus Robinson's yeah, massive

415
00:20:05,320 --> 00:20:08,400
Speaker 1: Missus Robinson. Simon and Garfunkle definitely had the bigger pop

416
00:20:08,440 --> 00:20:12,360
Speaker 1: culture songs. Yes, if you just go, let's list Paul

417
00:20:12,359 --> 00:20:15,080
Speaker 1: Simon's biggest songs ever, the songs with Simon and Garfunkle

418
00:20:15,119 --> 00:20:18,639
Speaker 1: the biggest, but way more songs from himself that were

419
00:20:18,680 --> 00:20:21,840
Speaker 1: critically acclaimed and nerds like us love them. I think

420
00:20:21,920 --> 00:20:24,119
Speaker 1: they'll pick one of all they if you only got

421
00:20:24,160 --> 00:20:25,040
Speaker 1: to listen to one today?

422
00:20:25,200 --> 00:20:28,439
Speaker 2: What would it be? Uh, Paul Simon, and it can

423
00:20:28,560 --> 00:20:30,840
Speaker 2: be Simon whatever you wanted to be, or Missus Robinson.

424
00:20:31,359 --> 00:20:32,960
Speaker 2: I can listen to that song over and over. It's

425
00:20:33,000 --> 00:20:33,400
Speaker 2: so good.

426
00:20:33,480 --> 00:20:37,280
Speaker 1: I would do Diamond on would I guess it depends

427
00:20:37,280 --> 00:20:39,320
Speaker 1: the movie, but yeah, that one, and then the most

428
00:20:39,440 --> 00:20:44,160
Speaker 1: universal it's fun is you can call me out, that's

429
00:20:44,200 --> 00:20:47,280
Speaker 1: just fun. Staying at number five, three hundred million dollars.

430
00:20:47,760 --> 00:20:51,280
Speaker 2: That's got to include the police. Yeah, it has to

431
00:20:51,400 --> 00:20:54,520
Speaker 2: include place, because the only one I can think of

432
00:20:54,600 --> 00:20:56,239
Speaker 2: that he did outside of the police was the one

433
00:20:56,280 --> 00:21:02,440
Speaker 2: where with the there's a female like, oh yeah, yeah,

434
00:21:03,720 --> 00:21:05,320
Speaker 2: I don't know what it's called, but that's all I

435
00:21:05,400 --> 00:21:12,280
Speaker 2: remember of it. Keep doing that Desert Maybe. I couldn't

436
00:21:12,280 --> 00:21:13,720
Speaker 2: even tell you the name of that song.

437
00:21:13,720 --> 00:21:16,280
Speaker 1: Because we played that when I was popping on pop.

438
00:21:17,280 --> 00:21:21,920
Speaker 2: I think this is it. Maybe let's see what's that called?

439
00:21:21,960 --> 00:21:30,000
Speaker 2: Desert Rose? That's it? Yeah?

440
00:21:30,760 --> 00:21:37,440
Speaker 1: Yeah, And this is Sting solo Desert Rose, just sting.

441
00:21:37,560 --> 00:21:38,919
Speaker 1: But let's do the police.

442
00:21:39,359 --> 00:21:43,600
Speaker 2: Uh rocks in. Oh, come on, monster, every breath you

443
00:21:43,720 --> 00:21:46,280
Speaker 2: take a monster? Monster? For sure?

444
00:21:48,280 --> 00:21:50,600
Speaker 1: Do you have a list of just sting stuff? I

445
00:21:50,720 --> 00:21:53,119
Speaker 1: will pull one up. I looked up Desert Rose to

446
00:21:53,119 --> 00:21:58,880
Speaker 1: make sure that. Yeah, Sting's biggest streaming songs, number one,

447
00:22:00,520 --> 00:22:04,000
Speaker 1: that's the greatest hits. Okay, we go number one. Fields

448
00:22:04,000 --> 00:22:04,480
Speaker 1: of Gold.

449
00:22:04,880 --> 00:22:07,400
Speaker 2: That's what we just did, right. Oh no, you said

450
00:22:07,440 --> 00:22:10,119
Speaker 2: Desert Rose. Okay, then okay, that was does it Rose? Idiot?

451
00:22:10,160 --> 00:22:11,760
Speaker 2: But well you don't know fields of Gold? To okay,

452
00:22:12,359 --> 00:22:16,840
Speaker 2: the fields of Gold. This feels like it should have

453
00:22:16,840 --> 00:22:24,800
Speaker 2: been like a Disneys Tarzan. Sounds familiar. Oh yeah, yea, yeah,

454
00:22:24,800 --> 00:22:30,440
Speaker 2: I've heard this fields of Gold. I'm bad. That's number

455
00:22:30,480 --> 00:22:33,040
Speaker 2: one on just him. Shape of My Heart is number two.

456
00:22:34,480 --> 00:22:38,440
Speaker 2: Take it? Take another little Shape of my Heart? Not it? Okay? Okay,

457
00:22:39,280 --> 00:22:47,720
Speaker 2: I never heard it? Yeah either, if that's number you

458
00:22:47,760 --> 00:22:48,520
Speaker 2: said that was number two.

459
00:22:48,640 --> 00:22:51,719
Speaker 1: Three hundred eighty million, wow, englishman in New York, three

460
00:22:51,800 --> 00:22:52,960
Speaker 1: hundred and eighty million.

461
00:22:54,160 --> 00:23:02,040
Speaker 2: No, Oh, this sounds familiar. Sounds fmi or does it

462
00:23:02,119 --> 00:23:07,360
Speaker 2: just sound like the Police? I bet if we get

463
00:23:07,359 --> 00:23:12,520
Speaker 2: to the chorus, we'll know it. I don't. I don't

464
00:23:12,560 --> 00:23:13,520
Speaker 2: know this. No, I don't either.

465
00:23:13,880 --> 00:23:16,399
Speaker 1: I think it just sounded because it looked. The album

466
00:23:16,480 --> 00:23:18,880
Speaker 1: art looks old, so I think it's probably fresh out

467
00:23:18,880 --> 00:23:20,360
Speaker 1: of the Police. So still holding on to a little

468
00:23:20,359 --> 00:23:21,679
Speaker 1: bit of that police. But let's go to the police.

469
00:23:22,080 --> 00:23:25,159
Speaker 1: This hasked for that money has to be the police

470
00:23:25,480 --> 00:23:27,680
Speaker 1: because he probably wrote that stuff and it's all the publishing.

471
00:23:28,400 --> 00:23:31,000
Speaker 5: Let's take a quick pause for a message from our sponsor,

472
00:23:39,880 --> 00:23:42,080
Speaker 5: and we're back on the Bobby Cast.

473
00:23:42,560 --> 00:23:44,000
Speaker 1: We think the number we talked about the song, but

474
00:23:44,040 --> 00:23:44,760
Speaker 1: what's the number one song?

475
00:23:44,840 --> 00:23:45,600
Speaker 2: Every Breath You Take?

476
00:23:45,720 --> 00:23:51,600
Speaker 1: Yeah, it is two billion streams? Jamia Jam Every Move

477
00:23:51,680 --> 00:23:54,000
Speaker 1: You Made? It's a stalker song. Yeah, it is more

478
00:23:54,040 --> 00:23:54,680
Speaker 1: than a love song.

479
00:23:55,359 --> 00:23:58,600
Speaker 2: Have his deputy move make. I'll be watching you.

480
00:23:58,720 --> 00:24:00,480
Speaker 1: When you think of it that way, it's it is

481
00:24:00,560 --> 00:24:02,480
Speaker 1: creepy when you don't you think it's a love song.

482
00:24:02,560 --> 00:24:08,720
Speaker 2: It feels like a love song. Number two rock Sand Yeah,

483
00:24:09,960 --> 00:24:13,720
Speaker 2: Jam Rock sand Number three. I am a sham.

484
00:24:13,800 --> 00:24:15,400
Speaker 1: Didn't think of the song because I love this song.

485
00:24:15,600 --> 00:24:17,640
Speaker 1: It's five hundred and fifty Million's a massive song, for sure,

486
00:24:17,680 --> 00:24:17,920
Speaker 1: you know it.

487
00:24:19,160 --> 00:24:21,480
Speaker 2: Every little thing she does is magic. Great song. But no,

488
00:24:21,520 --> 00:24:23,680
Speaker 2: abo's number four, OK. I forgot about that too. That's

489
00:24:23,680 --> 00:24:26,200
Speaker 2: a great song too. Give me another one, Dang, I

490
00:24:26,240 --> 00:24:27,760
Speaker 2: don't know if I have another one. The police have

491
00:24:27,840 --> 00:24:28,280
Speaker 2: so many hits.

492
00:24:28,320 --> 00:24:30,159
Speaker 1: When I look at this let me see, and I

493
00:24:30,200 --> 00:24:32,000
Speaker 1: could have I could have gotten there with these better

494
00:24:32,040 --> 00:24:35,840
Speaker 1: taking a minute, the bottle one yes, message and badle.

495
00:24:36,880 --> 00:24:38,200
Speaker 1: How this song starts too.

496
00:24:38,520 --> 00:24:45,520
Speaker 2: And then it's so good. I sat that, but nothing

497
00:24:46,040 --> 00:24:47,800
Speaker 2: I wonder. I don't know much about the police, but

498
00:24:47,880 --> 00:24:50,480
Speaker 2: I wonder what the root is and why he sang

499
00:24:50,760 --> 00:24:53,359
Speaker 2: like he was Jamaican as a brit I.

500
00:24:53,480 --> 00:24:55,639
Speaker 1: Never thought that was Jamaican's sounding until I did it.

501
00:24:56,800 --> 00:24:59,040
Speaker 1: It is, it is, and even the music is the

502
00:24:59,400 --> 00:25:01,439
Speaker 1: Have you ever heard that addressed? I mean like a reggae?

503
00:25:01,800 --> 00:25:03,520
Speaker 2: I never never.

504
00:25:04,560 --> 00:25:05,760
Speaker 1: Every little thing she does is magic.

505
00:25:05,840 --> 00:25:09,440
Speaker 2: Oh yeah, I think they got a raw deal. He

506
00:25:09,480 --> 00:25:11,040
Speaker 2: should have got another hundred million out of this one.

507
00:25:12,760 --> 00:25:16,960
Speaker 2: They have a lot of things. She does this magica.

508
00:25:17,280 --> 00:25:20,040
Speaker 2: Do what else you got? Number five? Monster? Jam? No,

509
00:25:20,160 --> 00:25:22,679
Speaker 2: I don't, I'm out. You may have said this already.

510
00:25:25,480 --> 00:25:30,040
Speaker 2: Don't stand so don't stand, so don't stand so close

511
00:25:30,119 --> 00:25:30,399
Speaker 2: to me.

512
00:25:30,680 --> 00:25:34,680
Speaker 1: God so good, dude, that's the police are so good.

513
00:25:35,800 --> 00:25:38,160
Speaker 1: You see there's anything else? Oh, the King of payn

514
00:25:38,680 --> 00:25:39,080
Speaker 1: don't know it?

515
00:25:39,280 --> 00:25:47,000
Speaker 2: You do? Oh yeah you do? No, No, I do

516
00:25:47,200 --> 00:25:47,399
Speaker 2: know it.

517
00:25:47,920 --> 00:25:53,080
Speaker 1: I'm saving a lot of this sist the key, Oh man.

518
00:25:53,440 --> 00:25:55,359
Speaker 2: The police are so good. Do you ever go with

519
00:25:55,480 --> 00:25:58,639
Speaker 2: your wife Do you ever say like, hey, you probably

520
00:25:58,720 --> 00:26:01,879
Speaker 2: don't know the police, but let me give you, let

521
00:26:01,920 --> 00:26:03,600
Speaker 2: me give you a rundout of these songs and how

522
00:26:03,640 --> 00:26:05,600
Speaker 2: good they are. She hates when I play history lesson

523
00:26:05,680 --> 00:26:05,879
Speaker 2: with her.

524
00:26:06,000 --> 00:26:09,960
Speaker 1: Really yeah, and sometimes when I do history lesson music

525
00:26:10,040 --> 00:26:12,680
Speaker 1: she sings it back to me. My wife has and

526
00:26:12,760 --> 00:26:15,359
Speaker 1: I'm not exaggerating. She has a photographic memory. She get

527
00:26:15,400 --> 00:26:16,960
Speaker 1: her something one and a half times and know the

528
00:26:17,000 --> 00:26:18,920
Speaker 1: whole thing. She can read something and memorize it. I

529
00:26:18,960 --> 00:26:21,840
Speaker 1: don't know anybody with that skill like she has. And

530
00:26:22,000 --> 00:26:24,960
Speaker 1: I'll be singing a song and she'll jump in and

531
00:26:25,040 --> 00:26:27,119
Speaker 1: start singing it like the Strokes or something, and I'm like,

532
00:26:27,160 --> 00:26:30,120
Speaker 1: how do you know that? And her answer is rock band?

533
00:26:31,520 --> 00:26:32,240
Speaker 2: That's terrible.

534
00:26:33,800 --> 00:26:36,960
Speaker 1: She was a kid, her and her sister, her dad, Wow,

535
00:26:37,160 --> 00:26:41,520
Speaker 1: and she'd play I can call her and she'd play

536
00:26:41,600 --> 00:26:43,720
Speaker 1: the maybe maybe her dad would play the drums.

537
00:26:43,880 --> 00:26:46,280
Speaker 2: That's hilarious. The whole family would play a rock band.

538
00:26:47,000 --> 00:26:47,960
Speaker 2: She has a sister and her brother.

539
00:26:49,520 --> 00:26:51,560
Speaker 1: Because there are some songs that I'm like, this is crazy,

540
00:26:51,680 --> 00:26:54,200
Speaker 1: like side alternative that only I would know. Yeah, Hey,

541
00:26:54,240 --> 00:26:55,800
Speaker 1: we're recording right now. We have a question for you,

542
00:26:55,880 --> 00:27:00,720
Speaker 1: Eddie and I no, no, no, hy Caitlin, Hi Eddie,

543
00:27:01,160 --> 00:27:07,760
Speaker 1: what instrument did you play in rock band? I sing, Oh,

544
00:27:07,840 --> 00:27:09,200
Speaker 1: you were the singer. That's how you would know the

545
00:27:09,320 --> 00:27:12,920
Speaker 1: songs got it. We were talking about the police and

546
00:27:13,040 --> 00:27:15,399
Speaker 1: Eddie said, does Caitlyn like it when you take music

547
00:27:15,680 --> 00:27:17,080
Speaker 1: old music and like teach it to her?

548
00:27:17,119 --> 00:27:18,200
Speaker 2: And I'm like, no, she hates history.

549
00:27:20,359 --> 00:27:22,320
Speaker 3: I hate it when I'm listening to a song and

550
00:27:22,400 --> 00:27:24,640
Speaker 3: he'll be like, well, you know who this person got

551
00:27:24,680 --> 00:27:25,399
Speaker 3: the inspiration for.

552
00:27:27,880 --> 00:27:28,720
Speaker 2: You're such a nerd.

553
00:27:29,359 --> 00:27:31,679
Speaker 1: And I don't do that to annoy her, but I'm like, oh,

554
00:27:32,280 --> 00:27:34,320
Speaker 1: the original lead singer of this band, because I feel

555
00:27:34,320 --> 00:27:35,919
Speaker 1: like I have knowledge I need to share.

556
00:27:36,480 --> 00:27:39,119
Speaker 2: And she's like, I don't care, but songs will come on.

557
00:27:39,280 --> 00:27:40,200
Speaker 2: What was this song? Like?

558
00:27:40,280 --> 00:27:41,720
Speaker 1: What songs do you think of when you think about

559
00:27:41,720 --> 00:27:43,159
Speaker 1: singing rock band?

560
00:27:43,240 --> 00:27:43,640
Speaker 2: Video game?

561
00:27:43,640 --> 00:27:45,640
Speaker 1: And who played what instrument first? In the family band,

562
00:27:48,880 --> 00:27:50,480
Speaker 1: people would switch on and off guitar.

563
00:27:50,800 --> 00:27:53,320
Speaker 3: Sometimes I would play guitar. I think my dad liked

564
00:27:53,359 --> 00:27:55,640
Speaker 3: to play the drums, and like I remember when Christmas,

565
00:27:55,720 --> 00:27:57,560
Speaker 3: my dad and my uncle would kind of fight over

566
00:27:57,640 --> 00:28:01,920
Speaker 3: who got to play the drums. Maps is a song

567
00:28:02,000 --> 00:28:02,880
Speaker 3: that I like to sing.

568
00:28:03,119 --> 00:28:05,640
Speaker 2: Yeah, yes, yeah, maps yeah.

569
00:28:05,680 --> 00:28:07,320
Speaker 1: She's just singing it one day because it comes on

570
00:28:07,440 --> 00:28:10,040
Speaker 1: and I'm like, how do you know this song? Like

571
00:28:10,280 --> 00:28:11,959
Speaker 1: I thought she was like hiding from me, like her

572
00:28:12,080 --> 00:28:14,639
Speaker 1: secret early two thousands rock love And I was like,

573
00:28:14,680 --> 00:28:16,879
Speaker 1: this is perfect, We're even more compatible. And she's like,

574
00:28:16,920 --> 00:28:18,280
Speaker 1: I don't know who this is singing it. I just

575
00:28:18,359 --> 00:28:21,920
Speaker 1: know it from rock band. Okay, cool, thank you.

576
00:28:22,040 --> 00:28:24,680
Speaker 2: Wait wait wait, Caitlin, is there anything that he that

577
00:28:25,119 --> 00:28:27,359
Speaker 2: Bobby brought to you? And You're like, actually, this is

578
00:28:27,359 --> 00:28:28,879
Speaker 2: pretty good. I'm gonna never she wont to admit it.

579
00:28:29,560 --> 00:28:35,199
Speaker 2: Let me see. Yeah, yeah, okay Linger Cranberries.

580
00:28:34,600 --> 00:28:37,080
Speaker 1: Okay, I want to This is not she's not being

581
00:28:37,119 --> 00:28:39,560
Speaker 1: completely honest, because it is a great song and she

582
00:28:39,640 --> 00:28:40,920
Speaker 1: loves it. But it's not because I brought it to her.

583
00:28:40,920 --> 00:28:43,200
Speaker 1: It's because it was covered again by a new artist.

584
00:28:43,320 --> 00:28:44,480
Speaker 2: Oh no, that's not true.

585
00:28:44,480 --> 00:28:46,160
Speaker 3: I already knew it when it was covered by Royal

586
00:28:46,200 --> 00:28:49,320
Speaker 3: Otis because you had played it whenever you would win cards.

587
00:28:49,360 --> 00:28:50,040
Speaker 3: It was on your list.

588
00:28:50,160 --> 00:28:52,640
Speaker 1: But I don't think you liked it, or you did,

589
00:28:52,840 --> 00:28:54,800
Speaker 1: you would admit to me you liked it because of me.

590
00:28:55,880 --> 00:28:59,280
Speaker 3: Can't you just take my word, like I'm telling you

591
00:28:59,400 --> 00:29:01,480
Speaker 3: what the person and with the feelings, with the experience

592
00:29:01,560 --> 00:29:02,320
Speaker 3: that I liked it.

593
00:29:02,600 --> 00:29:03,960
Speaker 1: I know you didn't share it with me because you

594
00:29:03,960 --> 00:29:05,400
Speaker 1: feel like that gives me power and you hate when

595
00:29:05,400 --> 00:29:06,040
Speaker 1: I have power.

596
00:29:07,760 --> 00:29:09,760
Speaker 2: You every time that I wish you would play that song.

597
00:29:10,040 --> 00:29:12,600
Speaker 1: Okay, she you know what she doesn't like though, because

598
00:29:12,640 --> 00:29:15,720
Speaker 1: she Okay, she does like Linger She does not like

599
00:29:15,880 --> 00:29:17,560
Speaker 1: their other massive it Zombie.

600
00:29:18,000 --> 00:29:22,400
Speaker 2: Oh, you know, Zombie's acquired taste different. Zombie is awesome.

601
00:29:22,480 --> 00:29:27,960
Speaker 2: It's different though than Lingers. Still her going is that

602
00:29:28,080 --> 00:29:28,720
Speaker 2: the part you don't like?

603
00:29:28,840 --> 00:29:33,400
Speaker 3: Caitlyn and the little two Evanescence for me, Oh, Evanescence,

604
00:29:33,560 --> 00:29:34,360
Speaker 3: what a reference?

605
00:29:34,520 --> 00:29:39,680
Speaker 1: Wowanessence is awesome though for like two songs too though, Yeah, okay,

606
00:29:40,920 --> 00:29:41,320
Speaker 1: and I.

607
00:29:41,400 --> 00:29:44,440
Speaker 2: Love her talking about the family band. If no one

608
00:29:44,560 --> 00:29:46,120
Speaker 2: knew that she was talking about rock band, it would

609
00:29:46,160 --> 00:29:48,520
Speaker 2: sound like, oh, who's this talking? Like this is some

610
00:29:48,760 --> 00:29:50,560
Speaker 2: artists that I want to hear about. How she started

611
00:29:50,600 --> 00:29:51,200
Speaker 2: playing music?

612
00:29:52,000 --> 00:29:54,160
Speaker 1: What was your inspiration that got you into music, Kaitlin? Like,

613
00:29:54,200 --> 00:29:56,120
Speaker 1: why did you decide to start singing and playing guitar?

614
00:29:56,200 --> 00:29:56,960
Speaker 2: What took you to it?

615
00:29:58,520 --> 00:30:00,520
Speaker 3: Made it pretty easy? Whenever it was is right there

616
00:30:00,560 --> 00:30:01,040
Speaker 3: on the screen.

617
00:30:01,280 --> 00:30:10,480
Speaker 2: Are all right, thank you? She's like, yeah, my dad's

618
00:30:10,720 --> 00:30:14,560
Speaker 2: dad's on the drums, video game Partridge Family.

619
00:30:15,840 --> 00:30:17,960
Speaker 1: Let me say there's any more police stuff, then I

620
00:30:18,040 --> 00:30:20,200
Speaker 1: want to play maps for everybody who knows, because you'll,

621
00:30:20,200 --> 00:30:21,560
Speaker 1: even if you don't know what, you probably know it

622
00:30:21,600 --> 00:30:22,400
Speaker 1: without knowing what it is.

623
00:30:24,040 --> 00:30:28,840
Speaker 2: Uh man. The Police have so many songs m anymore

624
00:30:29,040 --> 00:30:32,120
Speaker 2: that we would know. None that scream out to me.

625
00:30:32,720 --> 00:30:34,239
Speaker 1: But they have a song called every Bomb You Make,

626
00:30:34,600 --> 00:30:36,680
Speaker 1: which feels I don't know it, but every Bomb You

627
00:30:37,880 --> 00:30:38,600
Speaker 1: That's what I think.

628
00:30:40,720 --> 00:30:43,960
Speaker 2: You know what? I got an idea you've already written

629
00:30:44,000 --> 00:30:45,080
Speaker 2: that song no follow me here?

630
00:30:46,760 --> 00:30:50,239
Speaker 1: Yeah, I think that's And if you're a hardcore police fan,

631
00:30:50,320 --> 00:30:51,520
Speaker 1: you're like, why did you mention this song?

632
00:30:51,680 --> 00:30:52,560
Speaker 2: Sorry? Sorry about that.

633
00:30:52,760 --> 00:30:54,680
Speaker 1: We are not claiming to be ex no, no, no,

634
00:30:55,480 --> 00:30:57,200
Speaker 1: but yeah, a lot of police songs. I'm gonna say it,

635
00:30:57,240 --> 00:30:59,520
Speaker 1: back to the list, okay, maps, but.

636
00:30:59,640 --> 00:31:12,960
Speaker 2: Yeah, yeah, yeah songs. They fast forward a little. And

637
00:31:13,040 --> 00:31:14,479
Speaker 2: when I hear her singing this song, I'm like, how

638
00:31:14,520 --> 00:31:24,680
Speaker 2: do you know that name? Hey? They love you? They're

639
00:31:24,720 --> 00:31:28,040
Speaker 2: like a live version were yeah, yeah, yeah, it's big No, okay,

640
00:31:28,480 --> 00:31:35,120
Speaker 2: because I'm that song I remember that song they no like,

641
00:31:35,200 --> 00:31:37,880
Speaker 2: were they talk? Were they popping in and pop? No?

642
00:31:38,120 --> 00:31:39,600
Speaker 1: I don't think we ever played them on pop. I

643
00:31:39,720 --> 00:31:41,200
Speaker 1: just was an alternative nerd.

644
00:31:41,480 --> 00:31:41,720
Speaker 2: Yeah.

645
00:31:42,280 --> 00:31:44,480
Speaker 1: Uh, their biggest songs. Again, they didn't sell their catalog

646
00:31:44,520 --> 00:31:45,000
Speaker 1: or anything, so.

647
00:31:45,720 --> 00:31:47,200
Speaker 2: Yeah that they're not on the line. Maybe they did

648
00:31:47,280 --> 00:31:47,640
Speaker 2: sell them.

649
00:31:47,680 --> 00:31:48,000
Speaker 4: I don't know.

650
00:31:48,520 --> 00:31:49,800
Speaker 2: But like if I were to look at their songs,

651
00:31:49,840 --> 00:31:52,920
Speaker 2: just if we know any more of them? Yeah, yeah, yeah,

652
00:31:56,160 --> 00:32:07,880
Speaker 2: heads will roll at number two, three hundred two million. Nope, yeah,

653
00:32:08,000 --> 00:32:08,240
Speaker 2: I don't.

654
00:32:08,520 --> 00:32:10,320
Speaker 1: I don't really know the backstory. I would not give

655
00:32:10,360 --> 00:32:13,760
Speaker 1: her a history less than that. Yeah, yeah, yes, number four,

656
00:32:14,560 --> 00:32:18,200
Speaker 1: Phil Collins and Genesis three hundred million dollars.

657
00:32:18,720 --> 00:32:20,000
Speaker 2: I feel like you would know a lot of these

658
00:32:20,600 --> 00:32:21,160
Speaker 2: love both.

659
00:32:23,240 --> 00:32:25,320
Speaker 1: I think I was introduced to Genesis though, because a

660
00:32:25,400 --> 00:32:28,440
Speaker 1: lot of my old school music love of like sixties

661
00:32:28,440 --> 00:32:29,800
Speaker 1: and seventies music comes from Arkansas.

662
00:32:29,880 --> 00:32:30,040
Speaker 2: Keith.

663
00:32:30,280 --> 00:32:32,600
Speaker 1: There was a radio station called Cold ninety five because

664
00:32:32,600 --> 00:32:34,480
Speaker 1: nobody in my family played music. My grandma played guitar

665
00:32:34,480 --> 00:32:36,280
Speaker 1: in church, but it was Pentecostal and there was no

666
00:32:36,400 --> 00:32:39,760
Speaker 1: other music other than religious music. There was she shred

667
00:32:39,880 --> 00:32:42,000
Speaker 1: or was she just like now just chic guitar with

668
00:32:42,120 --> 00:32:44,800
Speaker 1: her it was gospel stuff, an old, old old country

669
00:32:44,920 --> 00:32:47,800
Speaker 1: that wasn't on the radio got it and church songs.

670
00:32:48,080 --> 00:32:51,560
Speaker 1: So I didn't really learn anything other than Andy Griffith

671
00:32:51,680 --> 00:32:53,000
Speaker 1: was the guy on TV. But he was also the

672
00:32:53,000 --> 00:32:55,040
Speaker 1: gospel singer because my grandma played record all the time

673
00:32:55,440 --> 00:32:57,640
Speaker 1: and like Ray Charles moderns out of country music, Like

674
00:32:57,680 --> 00:32:59,920
Speaker 1: I knew that from her. But Arkansas, Keith was my

675
00:33:00,120 --> 00:33:03,080
Speaker 1: music guy because we would It's tough for a stepdad

676
00:33:03,120 --> 00:33:07,600
Speaker 1: and a son to bond because not you're you can

677
00:33:07,640 --> 00:33:10,640
Speaker 1: grow up with them, and I'm like twelve. So he'd

678
00:33:10,680 --> 00:33:12,720
Speaker 1: put it on Cool ninety five. And there were two

679
00:33:12,760 --> 00:33:16,880
Speaker 1: things we talked about. One, identify the song. He'd be like,

680
00:33:17,680 --> 00:33:19,280
Speaker 1: check it out and he'd tell me a story about

681
00:33:19,320 --> 00:33:22,720
Speaker 1: sixties seventies and it come on again. I can identify it,

682
00:33:22,760 --> 00:33:24,320
Speaker 1: and he would do it tot he'd teach me the

683
00:33:24,400 --> 00:33:26,520
Speaker 1: history lesson. So that was the way that we wonded.

684
00:33:26,520 --> 00:33:27,920
Speaker 1: We'd listen to Cool ninety five and I would try

685
00:33:27,920 --> 00:33:30,720
Speaker 1: to name the song and like this is the this

686
00:33:30,920 --> 00:33:33,800
Speaker 1: is the Hollies, you know, this is uh she was

687
00:33:33,920 --> 00:33:36,680
Speaker 1: a long, cool woman in a black dress, you know

688
00:33:36,760 --> 00:33:37,000
Speaker 1: all that.

689
00:33:37,200 --> 00:33:40,280
Speaker 2: Yeah. The other was baseball old baseball. But he's a

690
00:33:40,320 --> 00:33:42,800
Speaker 2: Cubs fan too, right yeah, yeah, that's the reason I'm

691
00:33:42,800 --> 00:33:45,880
Speaker 2: like Goes fan. But Genesis. The first song ever saw

692
00:33:45,880 --> 00:33:47,800
Speaker 2: for Genesis was the music video and they got back together,

693
00:33:47,920 --> 00:33:48,360
Speaker 2: which was.

694
00:33:48,800 --> 00:33:53,840
Speaker 1: I can't dance, that can't Yeah, only thing about me

695
00:33:54,040 --> 00:33:57,440
Speaker 1: as well. So that's when they were they had been famous,

696
00:33:57,760 --> 00:34:00,560
Speaker 1: Phil Collins had broken off, they got back together, and

697
00:34:00,640 --> 00:34:02,360
Speaker 1: I was like, oh, this is interesting, and then I

698
00:34:02,560 --> 00:34:08,640
Speaker 1: kind of did rewind. So Phil Collins biggest song, right, yeah,

699
00:34:08,680 --> 00:34:09,160
Speaker 1: I would.

700
00:34:09,040 --> 00:34:14,399
Speaker 2: At Felix coming in there, and I would I would

701
00:34:14,400 --> 00:34:16,320
Speaker 2: think that'd be his number one, and that's Phil Collins.

702
00:34:16,360 --> 00:34:18,879
Speaker 1: That's Phil Collins in the Air Tonight, which has had

703
00:34:18,920 --> 00:34:22,200
Speaker 1: a few lives, meaning it was a single hit it

704
00:34:22,400 --> 00:34:24,360
Speaker 1: and then a couple of movies have made a wildly popular,

705
00:34:24,480 --> 00:34:26,239
Speaker 1: the last probably being Hangover.

706
00:34:26,640 --> 00:34:29,440
Speaker 2: And even more than that, I think it's the It

707
00:34:29,560 --> 00:34:31,760
Speaker 2: was the introt to Monday Night foot Monday Night Football,

708
00:34:32,239 --> 00:34:33,400
Speaker 2: Chris Stapleton singing.

709
00:34:33,280 --> 00:34:35,960
Speaker 1: It, oh this last year or two yeah, recently, which

710
00:34:35,960 --> 00:34:38,719
Speaker 1: is kind of cool Phil Collins. So I would say

711
00:34:38,800 --> 00:34:41,600
Speaker 1: that's probably him and them's biggest song. But we can

712
00:34:41,640 --> 00:34:43,520
Speaker 1: go through some of the Genesis stuff. But what's interesting

713
00:34:43,560 --> 00:34:46,200
Speaker 1: about this is he was the drummer of the band,

714
00:34:46,239 --> 00:34:47,320
Speaker 1: not the original lead singer.

715
00:34:47,719 --> 00:34:51,600
Speaker 2: The original lead singer was Peter Gabriel. Yeah, not a drummer.

716
00:34:52,239 --> 00:34:52,840
Speaker 2: Not a drummer.

717
00:34:53,239 --> 00:34:56,600
Speaker 1: Peter Gabriel leeds to go solo. Yeah, they look for

718
00:34:56,680 --> 00:34:59,360
Speaker 1: a singer, they don't really find one they like. So

719
00:34:59,400 --> 00:35:01,759
Speaker 1: Phil Collins starts singing and he don't ways had a

720
00:35:01,760 --> 00:35:05,080
Speaker 1: microphone in front of him like those Henley Yeah, and

721
00:35:05,120 --> 00:35:06,920
Speaker 1: so he starts being a lead singer from the drums.

722
00:35:07,040 --> 00:35:10,360
Speaker 2: Crazy and I don't know how anyone does that. Levon

723
00:35:10,440 --> 00:35:11,640
Speaker 2: Helm is one of those guys.

724
00:35:12,000 --> 00:35:14,120
Speaker 1: And later he moved from the kit and did just

725
00:35:14,200 --> 00:35:16,799
Speaker 1: sing with Genesis a bit. Yeah, but the first part

726
00:35:16,840 --> 00:35:19,640
Speaker 1: he sang in the drum kit, that's pretty sure. It's

727
00:35:19,640 --> 00:35:21,959
Speaker 1: a very wild It's like playing the bass and singing.

728
00:35:21,960 --> 00:35:23,879
Speaker 1: I don't know how Paul McCartney did it or still

729
00:35:23,960 --> 00:35:28,040
Speaker 1: does it. I don't play guitar really at the level

730
00:35:28,440 --> 00:35:30,080
Speaker 1: anyone here it does, or even you do. But when

731
00:35:30,120 --> 00:35:31,640
Speaker 1: I first started playing guitars, like how do you strum

732
00:35:31,680 --> 00:35:33,600
Speaker 1: and sing at the same time, it meant that felt difficult.

733
00:35:33,640 --> 00:35:36,279
Speaker 1: It's just different muscles, like different parts of your brain

734
00:35:36,360 --> 00:35:41,040
Speaker 1: having to work another day in Paradise, It's another day

735
00:35:42,480 --> 00:35:44,240
Speaker 1: on the other song, you know, you know the song.

736
00:35:44,160 --> 00:35:50,880
Speaker 2: I'm thinking of uh thing twice? Oh yeah, dead and parodied,

737
00:35:51,080 --> 00:35:57,239
Speaker 2: yes ding twice. Against all odds, I gotta say this one,

738
00:35:57,320 --> 00:36:02,160
Speaker 2: this song is awesome. Oh yeah, yeah, yeah, of course

739
00:36:05,920 --> 00:36:06,960
Speaker 2: I would think if he could.

740
00:36:06,800 --> 00:36:08,520
Speaker 1: Rename that song, he could, because I think most people

741
00:36:08,520 --> 00:36:09,799
Speaker 1: would know what to take a look at me now.

742
00:36:11,920 --> 00:36:13,680
Speaker 2: Yeah. I always wonder why people try to get all

743
00:36:13,760 --> 00:36:17,080
Speaker 2: fancy with their titles. Name it what We're all going

744
00:36:17,160 --> 00:36:19,480
Speaker 2: to remember it by it, and it's usually the first

745
00:36:19,520 --> 00:36:24,719
Speaker 2: line of the cars. Yeah right, yeah, let's go to Genesis.

746
00:36:25,000 --> 00:36:30,040
Speaker 2: Was Genesis on Cool ninety Life? No, I don't think

747
00:36:30,120 --> 00:36:31,320
Speaker 2: it is more classic.

748
00:36:31,680 --> 00:36:37,160
Speaker 1: Yeah the sixties, Yeah, although they probably were into the

749
00:36:37,200 --> 00:36:39,360
Speaker 1: sixties right, Like, I don't know the Genesis, yeah.

750
00:36:39,280 --> 00:36:43,120
Speaker 2: Dude, seventies anything about Genesis. The only thing my memory

751
00:36:43,160 --> 00:36:45,759
Speaker 2: of Genesis is my dad bought this used car and

752
00:36:46,080 --> 00:36:47,879
Speaker 2: we were driving it around for like the first time

753
00:36:47,920 --> 00:36:51,760
Speaker 2: he got it, and I hit the CD player eject

754
00:36:51,920 --> 00:36:54,200
Speaker 2: like just because I don't I don't know, just pushing buttons,

755
00:36:54,440 --> 00:36:57,040
Speaker 2: and a Genesis CD came out. So whoever sold in

756
00:36:57,120 --> 00:37:00,200
Speaker 2: the car at a Genesis c legging there. I mean really,

757
00:37:00,239 --> 00:37:05,440
Speaker 2: I didn't even know who they were. Yes, she just

758
00:37:05,560 --> 00:37:10,600
Speaker 2: in the that's so tells you what parts? That's a Genesis.

759
00:37:10,640 --> 00:37:17,839
Speaker 1: That's a Phil Collins sung Genesis song. Okay, don't now

760
00:37:17,960 --> 00:37:20,040
Speaker 1: this might Let's listen and see WHI late singer.

761
00:37:20,080 --> 00:37:21,920
Speaker 2: That says because I know the song, you could tell

762
00:37:22,280 --> 00:37:25,040
Speaker 2: the difference. I think so right, I don't know. It's

763
00:37:25,239 --> 00:37:28,120
Speaker 2: just the same, that's all. That's the song here.

764
00:37:29,400 --> 00:37:30,719
Speaker 1: I think there's no Collins.

765
00:37:32,040 --> 00:37:32,600
Speaker 3: Just to say.

766
00:37:34,920 --> 00:37:35,800
Speaker 2: I can't tell.

767
00:37:37,640 --> 00:37:38,240
Speaker 3: Me the same.

768
00:37:38,520 --> 00:37:41,799
Speaker 2: It's just a shame, that's all. He does. Go higher

769
00:37:42,280 --> 00:37:44,640
Speaker 2: later he does. Let's see if we can name who

770
00:37:44,719 --> 00:37:49,000
Speaker 2: this is. There're going something Peter Gabrol. It's Peter. I

771
00:37:49,080 --> 00:37:57,480
Speaker 2: don't know. Well that's both my head DAPs, my toes

772
00:37:58,320 --> 00:38:00,960
Speaker 2: sounds like Phil Collins. Let's make let's make a bet

773
00:38:02,040 --> 00:38:04,919
Speaker 2: to go Peter Gabriel is the main singer. Okay, that's

774
00:38:05,040 --> 00:38:09,800
Speaker 2: all Genesis singer and I know nothing.

775
00:38:11,600 --> 00:38:14,879
Speaker 1: Phil Collins drums, percussion, vocals, but that doesn't mean he's

776
00:38:14,880 --> 00:38:18,200
Speaker 1: the lead singer. That's all is a song by the

777
00:38:18,239 --> 00:38:21,160
Speaker 1: English rock band Genesis. It's a group composition. It appears

778
00:38:21,320 --> 00:38:23,960
Speaker 1: as the second track in nineteen eighty three. That's lending

779
00:38:24,000 --> 00:38:27,640
Speaker 1: more toward your guy. It was the album second single

780
00:38:27,719 --> 00:38:32,719
Speaker 1: after Mama. The song was intended as an attempt to

781
00:38:32,719 --> 00:38:34,640
Speaker 1: write a simple pop song with a melody and style

782
00:38:34,680 --> 00:38:35,320
Speaker 1: of the Beatles.

783
00:38:35,480 --> 00:38:35,719
Speaker 2: Cool.

784
00:38:36,400 --> 00:38:38,640
Speaker 1: The song begins with Tony Banks playing the main reff

785
00:38:38,680 --> 00:38:39,200
Speaker 1: of the song.

786
00:38:43,040 --> 00:38:43,960
Speaker 2: Music video.

787
00:38:46,600 --> 00:38:49,240
Speaker 1: Songwriters Phil Collins, Tony Banks and Mike Rutherford.

788
00:38:49,719 --> 00:38:52,040
Speaker 2: So, I bet you as Phil Collins because because he's

789
00:38:52,040 --> 00:38:54,560
Speaker 2: the only one credit as vocals, no, as he's.

790
00:38:56,080 --> 00:38:58,200
Speaker 1: The other singer, is not even listened as a writer

791
00:38:59,280 --> 00:39:02,520
Speaker 1: lyricists film Collins, so he wrote the lyrics. Still doesn't

792
00:39:02,600 --> 00:39:06,080
Speaker 1: mean for sure that that's not Peter Gabriel. Let's see,

793
00:39:06,120 --> 00:39:07,600
Speaker 1: did Phil Collins sing that's all?

794
00:39:10,040 --> 00:39:11,920
Speaker 2: This is the game we I still play with my

795
00:39:12,000 --> 00:39:13,360
Speaker 2: kids with the Beatles. Who's singing?

796
00:39:19,640 --> 00:39:23,200
Speaker 1: That's also song by Genesis? Man it maybe they don't

797
00:39:23,200 --> 00:39:28,920
Speaker 1: want us to know Genesis. That's all music video. Okay,

798
00:39:29,440 --> 00:39:31,840
Speaker 1: that'll tell you. Okay, there's a commercial with Gronk on it.

799
00:39:31,920 --> 00:39:35,920
Speaker 1: So he did not sing the USA. Okay, here we

800
00:39:36,040 --> 00:39:39,640
Speaker 1: go unless it's like a concept video, I know where

801
00:39:39,680 --> 00:39:40,480
Speaker 1: they're not even in it.

802
00:39:42,719 --> 00:39:43,719
Speaker 2: Here we go, We got it up.

803
00:39:44,719 --> 00:39:46,960
Speaker 1: That's probably man, the quality is so bad. Of those

804
00:39:47,000 --> 00:39:49,640
Speaker 1: eighties videos, that's probably Phil Collins.

805
00:39:49,760 --> 00:39:52,080
Speaker 2: Uh, he's warned, that's Phil Collins, one of those hats

806
00:39:52,400 --> 00:39:57,520
Speaker 2: those think, yes, that's Phil Collins. Okay, you win? Is

807
00:39:57,560 --> 00:39:58,680
Speaker 2: Phil Collins? You win? Yeah?

808
00:39:58,719 --> 00:40:00,959
Speaker 1: But I wouldn't have bet anything. I wouldn't bet anything

809
00:40:01,000 --> 00:40:03,800
Speaker 1: on that one because they do sound a bit similar.

810
00:40:04,239 --> 00:40:05,440
Speaker 1: Let's see other songs.

811
00:40:05,920 --> 00:40:13,120
Speaker 2: I can't dance land of Confusion, you know this, you

812
00:40:13,280 --> 00:40:25,520
Speaker 2: know this for sure? Nothing so far really m what

813
00:40:25,640 --> 00:40:31,520
Speaker 2: a sound though, mm hmm oh, I'm surprised. Nothing I

814
00:40:31,600 --> 00:40:32,000
Speaker 2: ever heard that.

815
00:40:32,360 --> 00:40:33,799
Speaker 1: Well, you got Neil Young on me, I got Landed

816
00:40:33,840 --> 00:40:35,879
Speaker 1: Confusion on you. We'll do one more into deep.

817
00:40:38,640 --> 00:40:44,720
Speaker 2: Let'll be fast forward. Dude, you know he was getting

818
00:40:44,800 --> 00:40:50,000
Speaker 2: massive chicks Phil Collins. I don't know that. You know

819
00:40:50,080 --> 00:40:51,879
Speaker 2: that one. No, I don't know that one.

820
00:40:51,960 --> 00:40:54,520
Speaker 1: Hither because he's a lead singer of a massive rock band.

821
00:40:54,800 --> 00:40:57,360
Speaker 1: But also sings like right, songs like that and sings

822
00:40:57,400 --> 00:40:58,920
Speaker 1: like that like.

823
00:40:59,640 --> 00:41:03,200
Speaker 2: Yeah good Phil, That's what your mind goes like. They

824
00:41:03,239 --> 00:41:05,800
Speaker 2: able to do it all. Bob Dylan number three publishing

825
00:41:05,840 --> 00:41:08,520
Speaker 2: only three hundred fifty million bucks. That what does that mean?

826
00:41:08,600 --> 00:41:09,920
Speaker 2: Publishing only just writing?

827
00:41:10,040 --> 00:41:13,000
Speaker 1: No, not mechanicals not his voice, okay, but all the

828
00:41:13,080 --> 00:41:18,320
Speaker 1: songwriting that to me is a good goodbye can I

829
00:41:18,960 --> 00:41:21,400
Speaker 1: I haven't pulled up anything. You're way more of a

830
00:41:21,480 --> 00:41:24,640
Speaker 1: Dylan fan. I've read a Dylan book, the one he wrote,

831
00:41:26,160 --> 00:41:28,920
Speaker 1: No you't you want to? The one here one about him.

832
00:41:29,040 --> 00:41:32,239
Speaker 2: It's funny. He wrote one and it was like volume one,

833
00:41:32,480 --> 00:41:33,960
Speaker 2: as if he was going to do more. He's never

834
00:41:34,000 --> 00:41:37,839
Speaker 2: done more. That's hilarious. He's never done more.

835
00:41:38,520 --> 00:41:43,040
Speaker 1: I think of nag knog knocking on heavens due, Yeah, okay,

836
00:41:43,360 --> 00:41:45,839
Speaker 1: I think of well now, it's unfair because I think

837
00:41:45,840 --> 00:41:47,640
Speaker 1: a wagon will because but that I wouldn't think of

838
00:41:47,680 --> 00:41:48,560
Speaker 1: that if it weren't.

839
00:41:48,360 --> 00:41:50,600
Speaker 2: Like that would be included Will as a writer. Yeah,

840
00:41:51,440 --> 00:41:55,359
Speaker 2: in this, in this, okay, let me search. Gosh bones,

841
00:41:55,400 --> 00:41:58,399
Speaker 2: there's so many without you not going Heavens or number

842
00:41:58,400 --> 00:42:00,120
Speaker 2: one though without even looking? Did you already look? Just

843
00:42:00,320 --> 00:42:02,279
Speaker 2: not the first one? Okay? What there's one that you

844
00:42:02,440 --> 00:42:04,480
Speaker 2: mentioned every time you talk about you talk about Dylan,

845
00:42:05,680 --> 00:42:08,359
Speaker 2: not one that he really made famous. Someone else made

846
00:42:08,520 --> 00:42:12,560
Speaker 2: really famous a long long time ago. Oh probably uh

847
00:42:14,360 --> 00:42:14,920
Speaker 2: Jimmy Hendricks.

848
00:42:15,000 --> 00:42:19,960
Speaker 1: Yeah, when cries Mary No, uh no, uhh, come on baby,

849
00:42:21,280 --> 00:42:22,120
Speaker 1: all along the Watchout.

850
00:42:22,160 --> 00:42:25,960
Speaker 2: That's it. Yeah, that's it, got it? Yeah, that's it too.

851
00:42:26,520 --> 00:42:28,680
Speaker 2: That's a good one. You know, the one that Garth

852
00:42:28,719 --> 00:42:29,200
Speaker 2: Brooks sings.

853
00:42:30,400 --> 00:42:34,320
Speaker 1: Adele sang it too. Yep, Hope floats, yep. Let me

854
00:42:34,400 --> 00:42:36,160
Speaker 1: get all those are right. I gotta get to it

855
00:42:36,200 --> 00:42:38,759
Speaker 1: cause Garth Brooks sanging and Hope floats and Adele just

856
00:42:38,920 --> 00:42:40,319
Speaker 1: to feel my love.

857
00:42:40,480 --> 00:42:43,320
Speaker 2: That's it. That's a great due when the world is it,

858
00:42:43,920 --> 00:42:46,080
Speaker 2: that's it. There's I mean, I'm telling you. When you

859
00:42:46,280 --> 00:42:49,279
Speaker 2: look at that catalog, Oh my gosh, there are so

860
00:42:49,440 --> 00:42:56,160
Speaker 2: many songs. How about like Rolling Stone? Of course? Yeah,

861
00:42:58,280 --> 00:43:02,080
Speaker 2: the times they are a change in Yeah, I know that.

862
00:43:02,080 --> 00:43:04,520
Speaker 2: I wouldn't have got there though. I don't think if

863
00:43:04,600 --> 00:43:09,920
Speaker 2: you and every door. But it ain't me, babe, Oh no, no,

864
00:43:10,360 --> 00:43:15,760
Speaker 2: it ain't me, babe. You know that one mm hurricane? Hurricane?

865
00:43:17,000 --> 00:43:20,759
Speaker 2: Is this one? I don't know? Is this the chorus? No,

866
00:43:20,920 --> 00:43:23,600
Speaker 2: well it's it's there's only one chorus and the chorus

867
00:43:23,760 --> 00:43:27,719
Speaker 2: is here comes the story of the hurricane. Oh think

868
00:43:27,760 --> 00:43:30,560
Speaker 2: I know it. This is the story of a boxer

869
00:43:30,800 --> 00:43:34,600
Speaker 2: in New Jersey that got framed. Dude. This song is amazing. Oh,

870
00:43:34,680 --> 00:43:36,560
Speaker 2: it's a story. It's a it's a real story, and

871
00:43:36,640 --> 00:43:38,839
Speaker 2: it was. It was a it wasn't really a big

872
00:43:38,920 --> 00:43:40,840
Speaker 2: news story, but he got he got sent to prison

873
00:43:40,920 --> 00:43:43,239
Speaker 2: for murder, but he never did the murder. It was

874
00:43:43,320 --> 00:43:47,000
Speaker 2: just a racial profiling thing. And he was never able

875
00:43:47,080 --> 00:43:49,440
Speaker 2: to box because he's spent half his life in prison.

876
00:43:49,760 --> 00:43:52,080
Speaker 2: But because of this song and the awareness, he got out.

877
00:43:53,200 --> 00:43:56,080
Speaker 1: So that's basically our version of a true crime podcast

878
00:43:56,120 --> 00:43:59,319
Speaker 1: where they solve totally and in that song he tells

879
00:43:59,400 --> 00:43:59,960
Speaker 1: the whole story.

880
00:44:00,160 --> 00:44:02,440
Speaker 2: So the podcast will free people. That song did that

881
00:44:02,840 --> 00:44:05,879
Speaker 2: told the story and freed the guy. I never knew that. Yeah,

882
00:44:05,920 --> 00:44:10,040
Speaker 2: I thought it was about a natural event. Right now.

883
00:44:10,239 --> 00:44:14,640
Speaker 2: Reuben Hurricane Carter was the boxer. How about I do

884
00:44:14,840 --> 00:44:16,920
Speaker 2: know him? Mister tambourine man.

885
00:44:17,239 --> 00:44:21,880
Speaker 1: This song from me, you know, subtraining Homesick Blues from

886
00:44:21,920 --> 00:44:23,520
Speaker 1: the video where he's flopping.

887
00:44:23,200 --> 00:44:25,920
Speaker 2: The signs signs. Yeah. Let me play a little bit

888
00:44:25,920 --> 00:44:30,600
Speaker 2: of that black and white video. He's keeping up all

889
00:44:30,640 --> 00:44:35,839
Speaker 2: the words going yeah, yeah, you're a big Dylan guy.

890
00:44:35,920 --> 00:44:36,839
Speaker 2: I love Bob Dylan.

891
00:44:37,040 --> 00:44:40,920
Speaker 1: I am not I respect it, not drawn to it

892
00:44:41,040 --> 00:44:42,879
Speaker 1: to listen what else comes to your mind?

893
00:44:44,320 --> 00:44:50,479
Speaker 2: So you said knocking on Heaven's door. I like gosh,

894
00:44:50,520 --> 00:44:53,200
Speaker 2: what have we already said? I'm saying, if I know

895
00:44:53,280 --> 00:44:57,600
Speaker 2: any other songs from the top, just like a woman.

896
00:44:58,120 --> 00:45:03,520
Speaker 2: How's that go? She hey, just like a woman. Maybe

897
00:45:03,600 --> 00:45:06,920
Speaker 2: don't think twice. Don't think twice. It's all right. Twice.

898
00:45:07,239 --> 00:45:09,400
Speaker 2: I don't know those are those are old ones when

899
00:45:09,480 --> 00:45:11,600
Speaker 2: it was just him and an acoustic guitar. But have

900
00:45:11,680 --> 00:45:13,680
Speaker 2: you seen the movie. I have not seen the movie.

901
00:45:13,960 --> 00:45:16,160
Speaker 2: It's not it's not streaming yet, I know, so I'm

902
00:45:16,160 --> 00:45:18,359
Speaker 2: not really gonna go to the movies watch. But I mean,

903
00:45:18,400 --> 00:45:20,600
Speaker 2: everyone says it's good. Mike Decaid was good. I saw

904
00:45:20,760 --> 00:45:22,440
Speaker 2: Adam Dirrett so the kind of crows saying it was

905
00:45:22,480 --> 00:45:25,600
Speaker 2: one of the best movies I've ever seen. Really, hey, guys,

906
00:45:26,280 --> 00:45:29,120
Speaker 2: it's Adam. It's one of the best. That's exactly what

907
00:45:29,239 --> 00:45:30,160
Speaker 2: he did. Number two.

908
00:45:30,360 --> 00:45:34,279
Speaker 1: Bruce Springsteen five hundred and fifty million dollars. I also am.

909
00:45:34,920 --> 00:45:37,120
Speaker 1: I respect it. I'm not a Bruce Springsteen guy. I

910
00:45:37,200 --> 00:45:39,440
Speaker 1: feel like most of the people that I know or

911
00:45:39,920 --> 00:45:42,880
Speaker 1: that I listened to talk about Bruce are wildly.

912
00:45:42,640 --> 00:45:45,920
Speaker 2: Rooted in the Northeast. I think you can be a fan, sure.

913
00:45:45,960 --> 00:45:47,759
Speaker 1: I like the people that are die hard are either

914
00:45:48,080 --> 00:45:50,840
Speaker 1: crazy songwriters that respect how good of a songwriter he is,

915
00:45:51,239 --> 00:45:53,440
Speaker 1: or if they're not into music, it's because that's the

916
00:45:53,520 --> 00:45:58,000
Speaker 1: culture of like geographically where they're from, and he's from Yeah,

917
00:45:58,040 --> 00:45:59,920
Speaker 1: he's from Lake Jersey, right, which is that New York,

918
00:46:00,000 --> 00:46:04,560
Speaker 1: New Jersey Northeast area. I think with him, it's it's

919
00:46:04,680 --> 00:46:08,920
Speaker 1: what's very obvious about him is that he was never

920
00:46:09,000 --> 00:46:11,080
Speaker 1: going to do anything else in his life, Like he

921
00:46:11,400 --> 00:46:16,800
Speaker 1: truly loves making music, playing music, performing music, all of it.

922
00:46:17,360 --> 00:46:20,839
Speaker 1: Because again it's he's had shows that have gone over

923
00:46:20,960 --> 00:46:23,840
Speaker 1: three hours. He continues to play, Like I.

924
00:46:23,920 --> 00:46:26,160
Speaker 2: Feel like he's gonna be the Willie Nelson where he's

925
00:46:26,200 --> 00:46:28,960
Speaker 2: gonna be one hundred years old still playing shows.

926
00:46:29,000 --> 00:46:30,880
Speaker 1: I mean he did a Broadway show. Yeah, of just

927
00:46:30,960 --> 00:46:32,759
Speaker 1: his song like it just loves he just loves it.

928
00:46:32,920 --> 00:46:34,719
Speaker 1: Do you think the number one song is Born in

929
00:46:34,760 --> 00:46:35,200
Speaker 1: the USA?

930
00:46:35,480 --> 00:46:36,000
Speaker 2: Number five?

931
00:46:37,040 --> 00:46:38,759
Speaker 1: That's the song that I knew first because that was

932
00:46:38,800 --> 00:46:40,920
Speaker 1: a radio song. Okay, I think it was even a

933
00:46:40,960 --> 00:46:44,279
Speaker 1: little little before me. But that is also not a

934
00:46:44,360 --> 00:46:47,400
Speaker 1: patriotic song, protest song as a protest song, which you

935
00:46:47,480 --> 00:46:47,920
Speaker 1: taught me that.

936
00:46:49,400 --> 00:46:53,279
Speaker 2: Give me another one? Born to run in the top five,

937
00:46:53,360 --> 00:46:59,920
Speaker 2: but not one, not number one, number four. Okay, God,

938
00:47:00,200 --> 00:47:02,480
Speaker 2: give me, give me a word, Give me a word

939
00:47:02,520 --> 00:47:02,960
Speaker 2: in that song.

940
00:47:03,280 --> 00:47:04,440
Speaker 1: I won't give you a word, but I can tell

941
00:47:04,440 --> 00:47:06,960
Speaker 1: you about the music video made somebody else famous.

942
00:47:07,680 --> 00:47:10,960
Speaker 2: Oh no, I don't know.

943
00:47:11,600 --> 00:47:13,200
Speaker 1: She got on stage and danced with him in the

944
00:47:13,239 --> 00:47:16,080
Speaker 1: music video. Oh, it's a Courtney Cox and it's dancing

945
00:47:16,080 --> 00:47:26,000
Speaker 1: in the dark. Yes, that's number one, nine seven million.

946
00:47:26,360 --> 00:47:29,120
Speaker 1: Santa Claus is coming to town. I mean that is

947
00:47:29,160 --> 00:47:31,640
Speaker 1: above it, but only because it's right after Christmas? Oh

948
00:47:31,760 --> 00:47:34,080
Speaker 1: is that it moves like that? Yeah, but it does

949
00:47:34,120 --> 00:47:36,560
Speaker 1: have near as many streams overall, but it trends.

950
00:47:36,920 --> 00:47:39,160
Speaker 2: But that version is so good. It's live. Yeah, and

951
00:47:39,239 --> 00:47:42,400
Speaker 2: he's that clearance. Santa couldn't give you a saxophone for Christmas?

952
00:47:44,320 --> 00:47:47,480
Speaker 2: Go with number two. Guess another one. Uh so what

953
00:47:47,560 --> 00:47:52,120
Speaker 2: I've already said is not number two. Gosh, why am

954
00:47:52,160 --> 00:47:58,040
Speaker 2: I thinking slower? Now you're gonna know, you're gonna have

955
00:47:58,200 --> 00:48:06,920
Speaker 2: I'm blank, mammal fire, I'm on fire. Yeah, I don't

956
00:48:06,960 --> 00:48:08,360
Speaker 2: think I know that one. You do. You have to

957
00:48:08,400 --> 00:48:11,800
Speaker 2: know this or you have to leave. Hey didn't, but

958
00:48:11,920 --> 00:48:14,680
Speaker 2: don't you talk to me. We didn't losing a booze

959
00:48:14,719 --> 00:48:18,080
Speaker 2: of the Boodoos. Okay, I know it. I know it.

960
00:48:18,080 --> 00:48:20,719
Speaker 2: I'm kidding, right, No, I know, but but I know it,

961
00:48:20,800 --> 00:48:23,440
Speaker 2: but it's not it's not a huge one to me. Really.

962
00:48:23,600 --> 00:48:26,879
Speaker 2: Uh uh, all right, let's sing. Let's get I'm singing

963
00:48:26,920 --> 00:48:28,440
Speaker 2: on here. I might go to the bathroom and that

964
00:48:28,520 --> 00:48:32,680
Speaker 2: one if I was at the show Way, I know it.

965
00:48:34,560 --> 00:48:47,200
Speaker 2: Oh no, yeah. And then Street's Philadelphia. Oh that's a

966
00:48:47,200 --> 00:48:48,840
Speaker 2: great one to do with that movie. I need to

967
00:48:48,880 --> 00:48:51,719
Speaker 2: catch it. I can't. That was well, it was just

968
00:48:51,840 --> 00:48:53,279
Speaker 2: it was just big because it was it was part

969
00:48:53,320 --> 00:48:56,240
Speaker 2: of that movie, and that movie was so important because

970
00:48:56,280 --> 00:48:59,040
Speaker 2: it was a movie at Aids. Tom Hankston, Zel Washington.

971
00:48:59,160 --> 00:49:00,680
Speaker 2: I'm not catching this by this. I don't know if

972
00:49:00,719 --> 00:49:06,759
Speaker 2: I know the song on the Streets Feeling Street. I

973
00:49:06,800 --> 00:49:08,640
Speaker 2: don't think I know this one. I'd probably go to

974
00:49:08,640 --> 00:49:12,600
Speaker 2: the bathroom. I probably go that first one you'd go

975
00:49:12,640 --> 00:49:14,000
Speaker 2: on this one. I'll probably get a beer. I don't

976
00:49:14,000 --> 00:49:18,279
Speaker 2: even drink. I guess I'm gonna go get a beer. Oh,

977
00:49:18,520 --> 00:49:20,960
Speaker 2: he has to have Where's Born to Run and all that. Like.

978
00:49:21,440 --> 00:49:23,440
Speaker 1: I'm sure they only put the top five here. So

979
00:49:23,520 --> 00:49:25,919
Speaker 1: if I go into Greatest Hits, I'm sure we're gonna

980
00:49:26,120 --> 00:49:30,319
Speaker 1: have twenty that were like, oh, yeah, it's perfect dancing

981
00:49:30,320 --> 00:49:32,000
Speaker 1: in the directions Philadelphia.

982
00:49:31,840 --> 00:49:36,920
Speaker 2: Born to Run, there we go. Yeah, of course, stud

983
00:49:38,400 --> 00:49:41,959
Speaker 2: that's a good one. Baby, we were born under round.

984
00:49:42,760 --> 00:49:44,240
Speaker 1: I even like Secret Garden.

985
00:49:44,920 --> 00:49:46,440
Speaker 2: I don't know that, let me see. And because they

986
00:49:46,520 --> 00:49:48,720
Speaker 2: ended up remaking it for Jerry Maguire with like words,

987
00:49:48,760 --> 00:49:51,960
Speaker 2: oh you complete me? Yeah? Did you know that? Human

988
00:49:52,040 --> 00:49:56,680
Speaker 2: brain but in a sea? Great God, thank you for

989
00:49:56,760 --> 00:49:58,320
Speaker 2: reminding me. I'm gonna I'm gonna watch that one my

990
00:49:58,400 --> 00:50:00,920
Speaker 2: son this week. You think Jerry mc get a hold

991
00:50:00,960 --> 00:50:10,880
Speaker 2: out Jerry maguire, Yeah, I think so, Jerry. I told

992
00:50:10,920 --> 00:50:12,200
Speaker 2: you I loved you. I don't care what you do.

993
00:50:14,280 --> 00:50:18,439
Speaker 1: Those words songs were massive for about four solid years,

994
00:50:18,960 --> 00:50:22,319
Speaker 1: like every ballad because it was movie clips, and then

995
00:50:22,320 --> 00:50:24,160
Speaker 1: it became like a nine to eleven they did in class,

996
00:50:24,239 --> 00:50:25,359
Speaker 1: he wrote, they like nine to eleven.

997
00:50:25,600 --> 00:50:30,320
Speaker 2: Those were those were a big thing. The River Do

998
00:50:30,360 --> 00:50:32,320
Speaker 2: you know the river? This feels like Bob Dylan. I

999
00:50:32,400 --> 00:50:32,920
Speaker 2: know the song, but.

1000
00:50:36,800 --> 00:50:39,640
Speaker 1: Dude, maybe I don't know a lot of the Bruce springs.

1001
00:50:40,480 --> 00:50:41,880
Speaker 1: This one for sure, this is this is one of

1002
00:50:41,960 --> 00:50:44,440
Speaker 1: his better songs. If you're I think a lot of

1003
00:50:44,440 --> 00:50:46,439
Speaker 1: people say thunder Roads maybe one of his best songs

1004
00:50:46,600 --> 00:50:47,399
Speaker 1: for me at thunder Roads.

1005
00:50:47,400 --> 00:50:48,560
Speaker 2: Fine. I like thunder Road Fine.

1006
00:50:48,600 --> 00:50:52,960
Speaker 1: See like my super good songwriter friends think this is

1007
00:50:53,000 --> 00:50:53,880
Speaker 1: one of the greatest songs ever.

1008
00:50:53,920 --> 00:51:03,440
Speaker 2: Okay, it's fast forwarding anything to you. Yeah, it sounds familiar. This,

1009
00:51:03,560 --> 00:51:05,640
Speaker 2: This sounds old. This sounds like some of his early stuff,

1010
00:51:05,800 --> 00:51:07,440
Speaker 2: very old. This one you will know vigil Or at

1011
00:51:07,520 --> 00:51:13,200
Speaker 2: the jam. Oh yeah yeah, Glory Day Glory Days, of

1012
00:51:13,239 --> 00:51:18,240
Speaker 2: course one is a mom now Glory Days, Glory Days.

1013
00:51:19,880 --> 00:51:23,680
Speaker 2: Did you know that Conan O'Brien's drummer was his drummer Max,

1014
00:51:23,800 --> 00:51:28,239
Speaker 2: Max Wine, Max Weinberg, Yeah, Max Weinberg, Yeah, I just

1015
00:51:28,280 --> 00:51:29,800
Speaker 2: thought that one. When I found out, it was like,

1016
00:51:30,080 --> 00:51:32,319
Speaker 2: that's wait a minute, Yeah, I think I saw him

1017
00:51:32,320 --> 00:51:34,120
Speaker 2: on Conan and Bryan. First I knew him from Conan

1018
00:51:34,120 --> 00:51:35,680
Speaker 2: and Bryan. Then I saw him on stage with Ruce

1019
00:51:35,719 --> 00:51:38,200
Speaker 2: Ringsteen for sure, me too, And they're like, wait.

1020
00:51:38,320 --> 00:51:39,880
Speaker 1: I wasn't cool enough when Cony came out to go,

1021
00:51:40,000 --> 00:51:43,080
Speaker 1: that's Bruce's drummer. I knew Max Weinberg seven or whatever

1022
00:51:43,120 --> 00:51:44,480
Speaker 1: it was, and I was like attracted back.

1023
00:51:44,600 --> 00:51:46,000
Speaker 2: Pretty cool. Okay, that's number two.

1024
00:51:46,000 --> 00:51:48,000
Speaker 1: Do you want to take a shot at the the

1025
00:51:48,120 --> 00:51:50,279
Speaker 1: number one artist before we get to number one, So

1026
00:51:50,360 --> 00:51:53,880
Speaker 1: the Bob Dylan, the mechanical recordings were number eleven overall,

1027
00:51:54,400 --> 00:51:56,560
Speaker 1: so it's publishing went for that amount, but number eleven

1028
00:51:56,600 --> 00:52:00,759
Speaker 1: his mechanical recordings and his voice hundred fifty million.

1029
00:52:01,000 --> 00:52:02,759
Speaker 2: Wow, And I'll roll down some of these before we

1030
00:52:02,760 --> 00:52:04,719
Speaker 2: get to one. Motley Crue at twelve one.

1031
00:52:04,640 --> 00:52:07,440
Speaker 1: Point fifty million, all our million interesting Chili Peppers at

1032
00:52:07,480 --> 00:52:08,600
Speaker 1: thirteen one hundred and forty million.

1033
00:52:08,680 --> 00:52:11,680
Speaker 2: That's a lot of songs. Chili Peppers are awesome, a

1034
00:52:11,760 --> 00:52:12,640
Speaker 2: lot of great songs.

1035
00:52:12,840 --> 00:52:14,920
Speaker 1: And the story about the Chili Peppers, because now you're

1036
00:52:14,920 --> 00:52:17,640
Speaker 1: getting into things I cared about because I consume them

1037
00:52:17,680 --> 00:52:20,279
Speaker 1: early on so I wanted to learn more, is that

1038
00:52:21,440 --> 00:52:25,320
Speaker 1: their lead singer couldn't really sing when they started, Anthony Keiatis, which.

1039
00:52:25,160 --> 00:52:26,239
Speaker 2: Is why they did a lot of.

1040
00:52:28,120 --> 00:52:28,160
Speaker 4: That.

1041
00:52:28,640 --> 00:52:31,000
Speaker 1: He had to learn how to sing really, so was

1042
00:52:31,080 --> 00:52:32,840
Speaker 1: not a good singer at all. Didn't even try to

1043
00:52:32,840 --> 00:52:33,959
Speaker 1: fake it like it was a bad singer.

1044
00:52:34,040 --> 00:52:34,239
Speaker 2: Wow.

1045
00:52:34,960 --> 00:52:37,200
Speaker 1: But that's one of those stories of somebody not having

1046
00:52:37,239 --> 00:52:38,840
Speaker 1: a skill, so we has to develop something else that

1047
00:52:38,920 --> 00:52:42,240
Speaker 1: makes them stand out so much that it becomes so original.

1048
00:52:42,560 --> 00:52:45,719
Speaker 1: And his singing voice it developed and.

1049
00:52:45,800 --> 00:52:47,600
Speaker 2: It all started kind of with under the Bridge, right

1050
00:52:48,719 --> 00:52:51,040
Speaker 2: kind of because that was their big Yeah, that was

1051
00:52:51,040 --> 00:52:52,520
Speaker 2: a hit that kind of got them hit.

1052
00:52:52,880 --> 00:52:56,560
Speaker 1: Yes, like mainstream success pop radio. Yeah, but like that

1053
00:52:56,760 --> 00:53:00,480
Speaker 1: whole Blood Sugar Sex Magic album. I Love the Children,

1054
00:53:00,520 --> 00:53:03,640
Speaker 1: Like that's our age. I got that from like random

1055
00:53:03,719 --> 00:53:06,280
Speaker 1: health or like you know, oh yeah, you're a Penn

1056
00:53:06,360 --> 00:53:09,560
Speaker 1: CDs for any I think I still all like four dollars,

1057
00:53:09,960 --> 00:53:14,360
Speaker 1: you know what? I think I did too, Shakira Imagine

1058
00:53:14,440 --> 00:53:16,000
Speaker 1: Dragons both at one hundred million.

1059
00:53:16,200 --> 00:53:16,439
Speaker 2: Wow.

1060
00:53:17,440 --> 00:53:19,680
Speaker 1: Stevie Nicks thought it'd be more, but I guess she

1061
00:53:20,080 --> 00:53:23,200
Speaker 1: would probably only own a part of Fleetwood Mac Fleetwood Mac,

1062
00:53:24,120 --> 00:53:27,359
Speaker 1: The Beach Boys at seventeen Wow, gosh, that's that's low.

1063
00:53:27,840 --> 00:53:32,719
Speaker 1: Zz Top at eighteen ninety million, James Brown of State

1064
00:53:32,960 --> 00:53:35,680
Speaker 1: nineteen ninety million, A Tina Turner at number twenty.

1065
00:53:35,960 --> 00:53:37,680
Speaker 2: She told her catalog of twenty twenty one for fifty

1066
00:53:37,719 --> 00:53:40,720
Speaker 2: million dollars. Let me ask you this, when do people

1067
00:53:40,920 --> 00:53:42,280
Speaker 2: decide to sell their catalog?

1068
00:53:43,120 --> 00:53:45,279
Speaker 1: Like, MI can just tell you have friends that have

1069
00:53:45,360 --> 00:53:50,160
Speaker 1: done it, and mostly it's if somebody makes them a

1070
00:53:50,239 --> 00:53:53,680
Speaker 1: great offer when they're not listing it. One of my

1071
00:53:53,840 --> 00:53:56,800
Speaker 1: friends sold theirs for like seven million bucks pretty recently

1072
00:53:57,360 --> 00:54:00,440
Speaker 1: didn't have their catalog listed to sell, but I think

1073
00:54:00,480 --> 00:54:01,800
Speaker 1: there was a grab. It was a time when it

1074
00:54:01,840 --> 00:54:04,200
Speaker 1: was pretty hot to try to grab catalogs. I have

1075
00:54:04,239 --> 00:54:07,080
Speaker 1: a songwriter friend who sold theirs for about ten wow,

1076
00:54:07,560 --> 00:54:09,239
Speaker 1: and he has like forty number one.

1077
00:54:09,400 --> 00:54:10,960
Speaker 2: So do you start looking at like, Okay, this is

1078
00:54:11,000 --> 00:54:12,960
Speaker 2: how much I make off my catalog my owning it.

1079
00:54:13,440 --> 00:54:17,239
Speaker 1: Or it's also like if I sell it, what can

1080
00:54:17,320 --> 00:54:19,840
Speaker 1: I make if the money sits in this kind of

1081
00:54:19,840 --> 00:54:22,680
Speaker 1: account and just draws interest versus Yeah, so you're doing

1082
00:54:22,719 --> 00:54:25,400
Speaker 1: that math too, and you're having to have a like

1083
00:54:25,640 --> 00:54:28,120
Speaker 1: a specialist come in and guess with you. And sometimes

1084
00:54:28,200 --> 00:54:30,359
Speaker 1: too it's just like i'd like the lump sum, sure,

1085
00:54:30,880 --> 00:54:34,280
Speaker 1: I'd like it now to buy stuff. I mean sometimes

1086
00:54:34,360 --> 00:54:36,520
Speaker 1: it's just that elementary as well. But then once you

1087
00:54:36,640 --> 00:54:39,120
Speaker 1: sell it, you don't own it anymore. Like they can

1088
00:54:39,160 --> 00:54:40,560
Speaker 1: put in a commercial, they can do anything, and it's

1089
00:54:40,719 --> 00:54:43,440
Speaker 1: that's crazy. Now you can put stipulations in a contract

1090
00:54:43,800 --> 00:54:45,560
Speaker 1: that says you can't use it for porn or stuff

1091
00:54:45,600 --> 00:54:47,720
Speaker 1: like that, but then it may make it less valuable

1092
00:54:47,719 --> 00:54:48,400
Speaker 1: to somebody buying it.

1093
00:54:48,560 --> 00:54:51,120
Speaker 2: Yeah, but mostly you sell it, wow, and it's not

1094
00:54:51,280 --> 00:54:55,920
Speaker 2: used to say save by bye, but I mean everyone

1095
00:54:55,920 --> 00:54:57,920
Speaker 2: will always think it's still yours anyway, and its kind

1096
00:54:57,920 --> 00:54:58,680
Speaker 2: of by bye anyway.

1097
00:54:58,880 --> 00:55:00,960
Speaker 1: Like once you release, it just kind of exists everywhere,

1098
00:55:01,520 --> 00:55:03,560
Speaker 1: and if someone wanted to use it, they would. You'd

1099
00:55:03,640 --> 00:55:09,920
Speaker 1: make your thousands of dollars each time. But lucrative obviously

1100
00:55:09,960 --> 00:55:12,160
Speaker 1: if you have hits. Yeah, and like Al Dean sold

1101
00:55:12,200 --> 00:55:14,719
Speaker 1: his catalog, I don't know, I'm gonna guess around twenty

1102
00:55:14,760 --> 00:55:16,680
Speaker 1: million when I remember, but he doesn't write a lot

1103
00:55:16,719 --> 00:55:19,360
Speaker 1: of songs, he just sings them. So he sold his mechanics,

1104
00:55:19,360 --> 00:55:22,560
Speaker 1: you know, his his voice, his voice, Yeah, the number one.

1105
00:55:22,600 --> 00:55:25,279
Speaker 1: You wanna take a shot at it. The Beatles, I

1106
00:55:25,360 --> 00:55:27,840
Speaker 1: don't think they They did sell their calog, but it

1107
00:55:27,880 --> 00:55:29,360
Speaker 1: was a long time ago. Michael Jacks Michael.

1108
00:55:29,200 --> 00:55:31,239
Speaker 2: Jackson, right, and I think then Apple bought it.

1109
00:55:31,280 --> 00:55:34,040
Speaker 1: Back, but I don't know that it's been recent where

1110
00:55:34,040 --> 00:55:35,719
Speaker 1: it was an elevated price, right.

1111
00:55:35,800 --> 00:55:40,840
Speaker 2: Ooh okay, so they're not number one, Michael Jackson number.

1112
00:55:40,640 --> 00:55:43,520
Speaker 1: One, Yeah, seven hundred and fifty million. I wonder what

1113
00:55:43,600 --> 00:55:46,240
Speaker 1: the Beatles before we get to Jackson's the Beatles music

1114
00:55:48,120 --> 00:55:53,440
Speaker 1: catalog price, Oh gosh, it's been valued, but it hasn't

1115
00:55:53,560 --> 00:55:56,000
Speaker 1: been sold. It's valued now at one billion.

1116
00:55:56,239 --> 00:55:57,759
Speaker 2: One billion dollars and who owns it?

1117
00:55:59,360 --> 00:56:04,640
Speaker 1: Seven years after Michael Jackson died, Sony ATV agreed to

1118
00:56:04,680 --> 00:56:08,279
Speaker 1: pay and they're not for sure, but they only own

1119
00:56:08,320 --> 00:56:10,640
Speaker 1: a part of the steak. And I think Paul McCartney

1120
00:56:10,680 --> 00:56:12,560
Speaker 1: bought some of it. He tried, he tried to buy something.

1121
00:56:12,560 --> 00:56:13,800
Speaker 1: He tried to buy it from Michael Jackson.

1122
00:56:13,880 --> 00:56:16,480
Speaker 2: Yeah, I think it's the story. Michael Jackson outbid him

1123
00:56:16,520 --> 00:56:16,680
Speaker 2: for it.

1124
00:56:17,239 --> 00:56:19,799
Speaker 1: I think Michael Jackson told him about it and then

1125
00:56:19,880 --> 00:56:21,120
Speaker 1: ended up outbidding him for it.

1126
00:56:21,320 --> 00:56:21,560
Speaker 2: Wow.

1127
00:56:22,000 --> 00:56:25,040
Speaker 1: But the whole catalog has not been sold to one person,

1128
00:56:25,080 --> 00:56:26,520
Speaker 1: which is why is not on the list. But for

1129
00:56:26,640 --> 00:56:29,399
Speaker 1: half of the catalog, Sony ATV agreed to pay seven

1130
00:56:29,480 --> 00:56:34,360
Speaker 1: hundred and fifty million dollars, it's worth an excess of

1131
00:56:34,360 --> 00:56:35,240
Speaker 1: over a billion dollars.

1132
00:56:35,280 --> 00:56:38,480
Speaker 2: Oh yeah, altogether, and that'll continue to make money for

1133
00:56:38,719 --> 00:56:42,439
Speaker 2: years and years and years. Michael Jackson complete catalog seven

1134
00:56:42,480 --> 00:56:43,279
Speaker 2: hundred fifty million bucks.

1135
00:56:43,560 --> 00:56:46,560
Speaker 1: Wow, biggest song. I mean, he's got a ruler.

1136
00:56:47,520 --> 00:56:56,399
Speaker 2: I was going to go beat it, no, Bill Jean,

1137
00:56:56,600 --> 00:57:00,680
Speaker 2: Billy Jean. I wouldn't argue it.

1138
00:57:00,800 --> 00:57:03,040
Speaker 1: I would go I would guess Billy Jean for the

1139
00:57:03,200 --> 00:57:07,719
Speaker 1: song Thriller for the culture, because that was a seven

1140
00:57:07,760 --> 00:57:11,080
Speaker 1: minute music video. They showed a movie theater and with

1141
00:57:11,160 --> 00:57:13,600
Speaker 1: the iconic always make money on that in the Halloween

1142
00:57:13,680 --> 00:57:15,960
Speaker 1: time always. But let's say if we can get to

1143
00:57:16,040 --> 00:57:16,680
Speaker 1: top five songs.

1144
00:57:16,800 --> 00:57:20,120
Speaker 2: Okay, I'm gonna let's see how many Michael Jackson's songs

1145
00:57:20,160 --> 00:57:21,800
Speaker 2: we know? Fun game.

1146
00:57:21,880 --> 00:57:24,480
Speaker 1: I like it because it's got to be thirty. It's

1147
00:57:24,480 --> 00:57:25,560
Speaker 1: got to be if you think we can come up

1148
00:57:25,600 --> 00:57:27,520
Speaker 1: with thirty? Oh you mean before I look?

1149
00:57:27,600 --> 00:57:29,560
Speaker 2: Yeah, yeah, you and I Oh, I don't know. I

1150
00:57:29,680 --> 00:57:30,480
Speaker 2: bet we can do ten.

1151
00:57:30,880 --> 00:57:44,320
Speaker 6: Okay, the Bobby cast will be right back. This is

1152
00:57:44,480 --> 00:57:47,480
Speaker 6: the Bobby Cast, Uh, Billy Jean.

1153
00:57:47,920 --> 00:57:53,520
Speaker 1: We'll take turns and then you have thriller. Really And

1154
00:57:53,560 --> 00:57:54,840
Speaker 1: I'm gonna go with bad.

1155
00:57:56,040 --> 00:58:01,760
Speaker 2: Beat it black or white? Black? Black, no, no, no?

1156
00:58:01,960 --> 00:58:04,560
Speaker 1: Does a matter of yeah, black and white. I don't

1157
00:58:04,560 --> 00:58:06,040
Speaker 1: know if it's black or black an, but it's black

1158
00:58:06,120 --> 00:58:08,560
Speaker 1: or I think it's a black or yeah white tea good.

1159
00:58:09,320 --> 00:58:13,840
Speaker 2: I'm gonna go with do you remember the time, We're

1160
00:58:13,840 --> 00:58:16,000
Speaker 2: gonna go more than ten? Then when we fell in love?

1161
00:58:16,040 --> 00:58:22,440
Speaker 2: Remember the time? Go ahead, don't stop? Do you get enough? Good.

1162
00:58:22,480 --> 00:58:24,960
Speaker 2: Don't stop till you get enough? Who don't stop till

1163
00:58:24,960 --> 00:58:31,160
Speaker 2: you get enough? Now the question is can I do so?

1164
00:58:31,560 --> 00:58:33,880
Speaker 2: ABC gotta be Jacksonphone's got to be part of it?

1165
00:58:34,480 --> 00:58:35,880
Speaker 2: Did you right? I don't know if he wrote any those,

1166
00:58:35,920 --> 00:58:38,400
Speaker 2: but I'm saying, do we count that in our game?

1167
00:58:38,760 --> 00:58:41,360
Speaker 2: Michael Jackson? I said, let's just go Michael Jackson. No, jacksonpone. Okay,

1168
00:58:41,400 --> 00:58:42,320
Speaker 2: so is it back over to me?

1169
00:58:43,400 --> 00:58:43,760
Speaker 4: Can I do?

1170
00:58:43,840 --> 00:58:47,280
Speaker 2: Say? Say? Say, what's that? Him and Paul McCartney? Yeah? Right,

1171
00:58:47,760 --> 00:58:49,640
Speaker 2: Uh sure? How does that one go? I don't think

1172
00:58:49,680 --> 00:58:50,040
Speaker 2: I know that one.

1173
00:58:50,040 --> 00:58:52,480
Speaker 1: I don't know if it's him or Palmy. You will

1174
00:58:52,480 --> 00:58:54,520
Speaker 1: and I know when I play it, but I don't

1175
00:58:54,520 --> 00:58:55,160
Speaker 1: know if it's.

1176
00:58:57,360 --> 00:58:58,640
Speaker 2: Hey. If you do that, we gotta do. We are

1177
00:58:58,680 --> 00:58:58,960
Speaker 2: the world.

1178
00:58:59,000 --> 00:59:03,680
Speaker 1: Then he read he read that he did with Lionel Richie.

1179
00:59:04,040 --> 00:59:06,720
Speaker 1: So this is Paul McCarney. Michael Jackson, say say, say.

1180
00:59:14,200 --> 00:59:16,080
Speaker 2: You'll know that? Maybe do you know this? You recognize this?

1181
00:59:16,800 --> 00:59:27,880
Speaker 2: You may know the chorus? Yeah, come on, I think

1182
00:59:27,880 --> 00:59:30,600
Speaker 2: you were waiting for it. That's Paul.

1183
00:59:32,320 --> 00:59:35,040
Speaker 1: Say say say that's how it goes. But if it

1184
00:59:35,080 --> 00:59:39,840
Speaker 1: never gets there, I can't find it. Well, Okay, stop

1185
00:59:39,840 --> 00:59:47,080
Speaker 1: with the Bob Dylan. That's it's Neil Young, dude, whatever,

1186
00:59:47,120 --> 00:59:49,400
Speaker 1: I'm not doing that. Let me if he wrote it,

1187
00:59:49,440 --> 00:59:49,960
Speaker 1: can it count?

1188
00:59:50,120 --> 00:59:57,520
Speaker 2: Yes? Who wrote? Say say say, say, say say.

1189
00:59:57,520 --> 00:59:59,600
Speaker 1: It was written about Michael Jackson and Paul McCartney. So

1190
00:59:59,640 --> 01:00:00,400
Speaker 1: I'm gonna count that.

1191
01:00:00,600 --> 01:00:00,880
Speaker 2: Let's go.

1192
01:00:01,160 --> 01:00:05,120
Speaker 1: Okay, man in the mirror, I'm gonna go Ebanie and

1193
01:00:05,160 --> 01:00:10,000
Speaker 1: Ivory Ebany and I think that's Pau mcartney, Michael Jackson again, And.

1194
01:00:10,480 --> 01:00:13,800
Speaker 2: No, that's Stevie Wonder. Dude. Are you sure? No?

1195
01:00:14,320 --> 01:00:17,200
Speaker 1: It's Ebony and Ivory, Paul McCarney and Stevie Wonder. I

1196
01:00:17,280 --> 01:00:21,200
Speaker 1: got my famous soul singers mixed up. Okay, I gotta

1197
01:00:21,200 --> 01:00:23,760
Speaker 1: get another one. Then, So you said man in the

1198
01:00:23,800 --> 01:00:26,160
Speaker 1: Mirror and I missed that Ebanie. I thought Michael Jackson.

1199
01:00:26,160 --> 01:00:30,160
Speaker 1: I'd have it five hundred bucks. I think I probably

1200
01:00:30,200 --> 01:00:33,520
Speaker 1: got that, and say say say in the same blur. Okay,

1201
01:00:33,600 --> 01:00:37,280
Speaker 1: So we're back to me and I'm I'm out.

1202
01:00:37,400 --> 01:00:41,160
Speaker 2: I think I'm out. Do we do beat it? We did?

1203
01:00:41,440 --> 01:00:41,880
Speaker 1: And bad?

1204
01:00:42,000 --> 01:00:44,640
Speaker 2: We do bad? The list it's literally right in front

1205
01:00:44,640 --> 01:00:50,200
Speaker 2: of it even time, and I think we haven't done Jackson.

1206
01:00:50,400 --> 01:00:52,440
Speaker 2: We are the world. Yeah, you gotta put that in there.

1207
01:00:52,480 --> 01:00:55,840
Speaker 2: But okay, but I didn't. I didn't get that one though.

1208
01:00:55,920 --> 01:00:59,120
Speaker 2: It's okay. We're in the world collective now we can

1209
01:00:59,160 --> 01:01:05,040
Speaker 2: work together because I'm out thinking of Michael Jackson eighty oh,

1210
01:01:05,200 --> 01:01:09,479
Speaker 2: walking on the there's a walk in something right, walking

1211
01:01:09,520 --> 01:01:12,960
Speaker 2: on the ceiling, dancing on the ceilings, Linel Richie mm hmm,

1212
01:01:13,880 --> 01:01:14,640
Speaker 2: same timeframe.

1213
01:01:17,480 --> 01:01:22,360
Speaker 1: Okay, I'm gonna pull them up because we only got six, seven, eight, nine, ten,

1214
01:01:22,520 --> 01:01:27,760
Speaker 1: eleven before we needed help. You're snapping, Oh gosh, what

1215
01:01:27,880 --> 01:01:31,680
Speaker 1: is that song? Hmmm, we're about to be angry with ourselves.

1216
01:01:31,680 --> 01:01:33,360
Speaker 2: Are you doing anything with Whitney Houston? I just know it.

1217
01:01:34,280 --> 01:01:37,280
Speaker 2: They hang out. No, no, like like a song, like

1218
01:01:37,320 --> 01:01:38,480
Speaker 2: a song. Do they do something together?

1219
01:01:38,640 --> 01:01:40,880
Speaker 1: Oh dude, we're stupid. We missed to the top five.

1220
01:01:41,760 --> 01:01:43,280
Speaker 1: I'm telling you, I'm thinking of the one that you

1221
01:01:43,680 --> 01:01:44,000
Speaker 1: just saw.

1222
01:01:44,640 --> 01:01:46,560
Speaker 2: You're not thinking of this one, but you will know it.

1223
01:01:47,000 --> 01:01:49,240
Speaker 2: I want to rock with you. That's I wasn't thinking

1224
01:01:49,240 --> 01:01:53,320
Speaker 2: of it with this, Oh no, dancing to the sun

1225
01:01:54,160 --> 01:01:58,320
Speaker 2: and then did the don did the don't dune you? Okay?

1226
01:01:58,520 --> 01:01:59,040
Speaker 3: No? No?

1227
01:01:59,360 --> 01:02:03,680
Speaker 2: Oh yeah, okay, it's a smooth criminal dang.

1228
01:02:03,760 --> 01:02:06,360
Speaker 1: And that's two, which was covered later by alien Ant Farm.

1229
01:02:09,240 --> 01:02:18,880
Speaker 2: Dude, what am I thinking of? Oh lady with high

1230
01:02:19,120 --> 01:02:27,280
Speaker 2: his own way you move? Just the way I get that.

1231
01:02:27,400 --> 01:02:35,240
Speaker 2: Come on, Oh, come on, gotta help me. It's just

1232
01:02:35,440 --> 01:02:37,800
Speaker 2: the way. That's it, the way you move, the way

1233
01:02:37,840 --> 01:02:40,760
Speaker 2: you move. Okay, that's it. Come on, I'm not there,

1234
01:02:41,000 --> 01:02:44,120
Speaker 2: but I'm positive that's it. Billy Jean rock with you.

1235
01:02:44,200 --> 01:02:47,000
Speaker 2: We got that beat it Remember the time I'll talk

1236
01:02:47,000 --> 01:02:47,600
Speaker 2: to you good enough?

1237
01:02:47,960 --> 01:02:48,080
Speaker 5: Oh?

1238
01:02:48,080 --> 01:02:49,120
Speaker 2: What about from Free Willie?

1239
01:02:49,760 --> 01:02:52,000
Speaker 1: Oh gosh, what was the name of that song? Because

1240
01:02:52,000 --> 01:02:54,080
Speaker 1: that was the jam? Yes, it was, and I haven't

1241
01:02:54,080 --> 01:02:57,320
Speaker 1: pulled it. There's the way you make me feel.

1242
01:02:57,880 --> 01:02:59,880
Speaker 2: That's the way you make me feel, not make me move.

1243
01:03:00,320 --> 01:03:02,160
Speaker 2: That's it. What did I say, make me move? Okay,

1244
01:03:02,240 --> 01:03:03,720
Speaker 2: that's okay. I mean we were still trying to figure

1245
01:03:03,720 --> 01:03:05,960
Speaker 2: it out. The way you made me feel? Free Willy.

1246
01:03:06,040 --> 01:03:08,320
Speaker 2: What's the name of that song? Everyone's yelling, everyone's yelling.

1247
01:03:08,840 --> 01:03:11,960
Speaker 2: They they say human nature, black or white?

1248
01:03:12,280 --> 01:03:12,520
Speaker 3: Bad?

1249
01:03:13,480 --> 01:03:15,280
Speaker 1: The Girl is Mine with Paul McCartney. I think that

1250
01:03:15,400 --> 01:03:16,160
Speaker 1: was the other one I was thinking.

1251
01:03:16,320 --> 01:03:20,240
Speaker 2: When you're thinking of instead of Ebony yep Man in

1252
01:03:20,280 --> 01:03:27,320
Speaker 2: the mirror, Dirty Diana, Do you remember that? No, I

1253
01:03:27,440 --> 01:03:31,880
Speaker 2: bet you do. This kind of sounds familiar already. I'm

1254
01:03:31,880 --> 01:03:34,760
Speaker 2: gonna fess yeah, because it sounds like thriller. That's what

1255
01:03:34,800 --> 01:03:42,320
Speaker 2: I'm thinking of it. Oh, crap, went to the wrong one. Whatever, whatever,

1256
01:03:42,800 --> 01:03:47,880
Speaker 2: Dirty Diana do. What's the Free Willy one? We gotta

1257
01:03:47,920 --> 01:03:54,440
Speaker 2: come up with that one that was something together. Get dude,

1258
01:03:56,240 --> 01:04:09,280
Speaker 2: dud dude, come on, we gotta find something free, free,

1259
01:04:09,840 --> 01:04:13,040
Speaker 2: something together. If it's just called Free Willy, maybe it's

1260
01:04:13,200 --> 01:04:18,000
Speaker 2: called Free Willie. We're idiots. It's called Oh my God,

1261
01:04:18,080 --> 01:04:20,280
Speaker 2: will you be There? Oh? I would have never gotten

1262
01:04:20,320 --> 01:04:31,520
Speaker 2: maybe maybe, but I know this song? Will you be there? This,

1263
01:04:32,520 --> 01:04:35,160
Speaker 2: this song is so freaking good man. I don't think

1264
01:04:35,160 --> 01:04:36,600
Speaker 2: my kids know that one. I'm gonna show them this

1265
01:04:36,640 --> 01:04:39,200
Speaker 2: one today. You're gonna make them watch Jerry Maguire and

1266
01:04:39,200 --> 01:04:47,800
Speaker 2: Free Willie. No, no, we're not watching Free Willy Top

1267
01:04:47,840 --> 01:04:52,200
Speaker 2: five Michael Jacksonson. I take Top five Michael Jackson song.

1268
01:04:52,360 --> 01:04:53,240
Speaker 2: I don't know about all that.

1269
01:04:56,520 --> 01:04:59,000
Speaker 1: God dang, that's a good song. And Free Willy was

1270
01:04:59,040 --> 01:05:01,040
Speaker 1: a fair movie. Sure, it's pretty good for the time.

1271
01:05:01,040 --> 01:05:03,160
Speaker 2: Who actually, I don't think I ever watched it. Phrase

1272
01:05:03,200 --> 01:05:05,720
Speaker 2: Free in the Whale? What is the name of that

1273
01:05:05,800 --> 01:05:08,760
Speaker 2: song again? Will you be there? Will you be there?

1274
01:05:10,120 --> 01:05:11,920
Speaker 1: So we had about twenty that we got.

1275
01:05:12,160 --> 01:05:13,959
Speaker 2: That's pretty good. I thought ten, two, three.

1276
01:05:13,920 --> 01:05:16,920
Speaker 1: Four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen,

1277
01:05:16,960 --> 01:05:17,560
Speaker 1: fourteen fifty.

1278
01:05:17,560 --> 01:05:19,920
Speaker 2: We got sixteen pretty impressive, and we stopped. We did

1279
01:05:20,040 --> 01:05:22,800
Speaker 2: no No Jackson five songs? Oh man, do we even

1280
01:05:22,800 --> 01:05:25,280
Speaker 2: want to go there? I wanted to start bragging.

1281
01:05:25,360 --> 01:05:29,560
Speaker 1: Now, well you do the hits first, ABC. Sure, I

1282
01:05:29,680 --> 01:05:31,400
Speaker 1: want you back Rock and Robbin? Do they write rock

1283
01:05:31,480 --> 01:05:31,840
Speaker 1: and rock rock?

1284
01:05:31,840 --> 01:05:31,920
Speaker 3: Oh?

1285
01:05:31,920 --> 01:05:32,400
Speaker 2: I don't think so.

1286
01:05:32,680 --> 01:05:34,160
Speaker 1: That's got to be a cover, but it also could

1287
01:05:34,160 --> 01:05:36,640
Speaker 1: be the mechanical parts Rock and Robin. Yeah, I was

1288
01:05:36,680 --> 01:05:39,720
Speaker 1: written before that, but Michael Jackson it's on his twentieth

1289
01:05:41,480 --> 01:05:44,520
Speaker 1: written by Leon Renee under the pseudonym Jimmy Thomas.

1290
01:05:45,760 --> 01:05:46,440
Speaker 2: What would You Do? Then?

1291
01:05:46,480 --> 01:05:48,760
Speaker 1: Recorded by Bobby Day in nineteen fifty eight, that's the

1292
01:05:48,840 --> 01:05:49,200
Speaker 1: one we know.

1293
01:05:50,080 --> 01:05:52,840
Speaker 2: Yeah, rocks in the tree top all day long. But

1294
01:05:52,880 --> 01:05:58,680
Speaker 2: then the kid, Michael Jackson kind of crushed it. Oh yeah, dude, yeah, yeah,

1295
01:05:59,080 --> 01:05:59,880
Speaker 2: he kind of crushed it.

1296
01:06:00,120 --> 01:06:01,800
Speaker 1: That's like the sequel being as good as the original.

1297
01:06:02,480 --> 01:06:06,960
Speaker 1: It's hard to do, did it? That's the biggest selling catalogs.

1298
01:06:07,360 --> 01:06:08,040
Speaker 1: What are you gonna say?

1299
01:06:08,160 --> 01:06:11,120
Speaker 2: Are you trying to think of other Jackson five? Oh yeah, yeah,

1300
01:06:11,120 --> 01:06:15,200
Speaker 2: I can like just pull them up. ABC. Oh what

1301
01:06:15,280 --> 01:06:15,680
Speaker 2: about them?

1302
01:06:15,840 --> 01:06:18,200
Speaker 1: Imagine little brother like you, you've spent your whole life,

1303
01:06:18,240 --> 01:06:21,480
Speaker 1: You're nineteen, whole life, it's a long time relevant speaking.

1304
01:06:21,560 --> 01:06:22,800
Speaker 1: And then your six year old brothers is the most

1305
01:06:22,800 --> 01:06:24,320
Speaker 1: famous person in the band. You want to kick him

1306
01:06:24,320 --> 01:06:24,720
Speaker 1: in the head of it.

1307
01:06:24,720 --> 01:06:26,680
Speaker 2: And what I've thought about though, is that what if

1308
01:06:26,760 --> 01:06:29,600
Speaker 2: you had that voice too when you were five or

1309
01:06:29,800 --> 01:06:33,120
Speaker 2: you know, however old Michael was and like, but they

1310
01:06:33,160 --> 01:06:35,320
Speaker 2: didn't decide to do a band until you were like thirteen.

1311
01:06:36,480 --> 01:06:39,680
Speaker 2: He and he's the lead singer too. Yeah, so here

1312
01:06:39,760 --> 01:06:39,920
Speaker 2: you go.

1313
01:06:40,560 --> 01:06:45,400
Speaker 1: Uh, I want you back yep, ABC, ah be there

1314
01:06:46,680 --> 01:06:50,480
Speaker 1: be there jam. Little Michael's singing that yeah, man, so good.

1315
01:06:51,560 --> 01:06:51,720
Speaker 4: Uh.

1316
01:06:51,840 --> 01:06:54,680
Speaker 1: They have a lot of Christmas songs, Oh, of course,

1317
01:06:55,040 --> 01:06:57,760
Speaker 1: a lot of Christmas. I saw Mamas sitting Santa Claus

1318
01:06:57,800 --> 01:07:00,480
Speaker 1: their number one song right now. Well because but to

1319
01:07:00,560 --> 01:07:02,400
Speaker 1: be fair, Christmas is sure still top in the last year.

1320
01:07:02,520 --> 01:07:04,600
Speaker 1: Santa Claus is coming Town three and thirty six million,

1321
01:07:04,920 --> 01:07:09,440
Speaker 1: Frosty the Snowman. But their main songs I want you

1322
01:07:09,520 --> 01:07:13,040
Speaker 1: back at number one, ABC, I'll be there at three,

1323
01:07:13,520 --> 01:07:14,720
Speaker 1: Who's Loving You at four?

1324
01:07:14,960 --> 01:07:20,760
Speaker 2: I don't know that one. Come on, play at Tito, Tito,

1325
01:07:20,800 --> 01:07:21,840
Speaker 2: play piano. I have no idea.

1326
01:07:23,280 --> 01:07:24,960
Speaker 1: It's funny there's a Randy Jackson in it, but it's

1327
01:07:25,000 --> 01:07:26,320
Speaker 1: not the Randy Jackson American idol.

1328
01:07:28,400 --> 01:07:32,880
Speaker 2: God dang, gosh, Michael, it must be.

1329
01:07:32,920 --> 01:07:34,160
Speaker 1: It has to be a cover though, right that that

1330
01:07:34,200 --> 01:07:35,400
Speaker 1: sounds like somethings are in the fifties.

1331
01:07:35,480 --> 01:07:40,920
Speaker 2: Yes, yes, huh. I'm gonna look at one more thing here.

1332
01:07:41,000 --> 01:07:43,960
Speaker 2: This is the Jackson five and this was all? Was

1333
01:07:44,000 --> 01:07:46,920
Speaker 2: this all Quincy Jones? Do you know? I don't have

1334
01:07:46,960 --> 01:07:49,080
Speaker 2: the answer to that. Obviously a lot was.

1335
01:07:49,160 --> 01:07:51,120
Speaker 1: I think a lot of Jackson five was Quincy Jones

1336
01:07:51,160 --> 01:07:52,760
Speaker 1: dancing machine and I don't know if I was.

1337
01:07:53,880 --> 01:07:56,400
Speaker 2: Oh, they have a ton of songs that are probably covers.

1338
01:07:56,480 --> 01:08:00,320
Speaker 2: But let's see, you know, dancing, dancing, dance, I'm a

1339
01:08:00,400 --> 01:08:03,919
Speaker 2: dancing machine. Oh gosh, this must have been older Jackson five.

1340
01:08:06,720 --> 01:08:09,840
Speaker 2: Jam Little Bitty Pretty One has gotta be a cover

1341
01:08:09,960 --> 01:08:13,840
Speaker 2: of the Big Bobber though, right, maybe it's not.

1342
01:08:14,000 --> 01:08:14,440
Speaker 6: Maybe it's not.

1343
01:08:17,000 --> 01:08:20,400
Speaker 2: If that's the one that's definitely a cover, Little Bitty

1344
01:08:20,479 --> 01:08:24,080
Speaker 2: Pretty One, Yeah, it's a song cover it cover it's

1345
01:08:24,120 --> 01:08:28,280
Speaker 2: Bobby Day as well. Oh little Pretty one. Yeah, I'm

1346
01:08:28,280 --> 01:08:31,560
Speaker 2: being the Totino's commercial. That's what this is. Yeah, the

1347
01:08:31,720 --> 01:08:32,560
Speaker 2: four Tonys.

1348
01:08:33,120 --> 01:08:35,760
Speaker 1: Yeah, that's how I obviously we know the song from

1349
01:08:35,800 --> 01:08:37,960
Speaker 1: back in the day. But they had a commercial it's

1350
01:08:38,000 --> 01:08:39,920
Speaker 1: the four Tonys in the first guy it's a pizza

1351
01:08:42,600 --> 01:08:44,559
Speaker 1: and the next because it's the sound you make when pizza.

1352
01:08:44,560 --> 01:08:45,160
Speaker 1: Something's gonna eat.

1353
01:08:45,320 --> 01:08:48,280
Speaker 2: Yeah, then.

1354
01:08:50,040 --> 01:08:53,360
Speaker 1: That's funny. All I do is think you darling, dear

1355
01:08:53,560 --> 01:08:55,559
Speaker 1: sugar d I don't know those I want you back obviously.

1356
01:08:57,800 --> 01:09:00,479
Speaker 1: I guess they had four or five like big pop song, hmmm,

1357
01:09:01,200 --> 01:09:02,880
Speaker 1: rock and Robin. Then they goes to the live stuff.

1358
01:09:04,520 --> 01:09:06,799
Speaker 1: All right, Well, there's the number number one catleg microphone,

1359
01:09:07,479 --> 01:09:10,720
Speaker 1: and I'm gonna announce that I bought it. I mean,

1360
01:09:10,960 --> 01:09:13,560
Speaker 1: I was using this to let everyone know that I

1361
01:09:13,640 --> 01:09:14,240
Speaker 1: bought the catalog.

1362
01:09:14,280 --> 01:09:16,080
Speaker 2: Which one would you buy it? Well, I mean, I

1363
01:09:16,120 --> 01:09:18,600
Speaker 2: mean you'd obviously buy number one, but you.

1364
01:09:18,680 --> 01:09:20,760
Speaker 1: Mean for personal Just if I could buy it and

1365
01:09:20,800 --> 01:09:22,400
Speaker 1: nobody else could listen to it's only mine, I could

1366
01:09:22,439 --> 01:09:24,280
Speaker 1: listen as yours man, and I'm not mine.

1367
01:09:24,439 --> 01:09:26,479
Speaker 2: Gosh, and no one else can ever hear it again,

1368
01:09:26,840 --> 01:09:28,080
Speaker 2: and I'm not monetizing it.

1369
01:09:28,320 --> 01:09:33,559
Speaker 1: Of those, now that I replan back, maybe the Police.

1370
01:09:34,160 --> 01:09:37,000
Speaker 1: I mean, dude, there was a lot of because that

1371
01:09:37,160 --> 01:09:38,720
Speaker 1: kind of made me go, oh, I forgot how really

1372
01:09:38,760 --> 01:09:41,240
Speaker 1: good this stuff is. The Police is good maybe for

1373
01:09:41,479 --> 01:09:43,920
Speaker 1: like the Chili Peppers that didn't make Top ten, but

1374
01:09:43,960 --> 01:09:46,200
Speaker 1: it was like of my personal I probably listen to

1375
01:09:46,240 --> 01:09:48,080
Speaker 1: the Chili Peppers more than anything else on that list

1376
01:09:48,160 --> 01:09:48,719
Speaker 1: through my life.

1377
01:09:49,960 --> 01:09:53,800
Speaker 2: But yeah, probably that you probably Paul Simon, Paul Simon, Yeah, Paul,

1378
01:09:54,000 --> 01:09:55,880
Speaker 2: probably three or four for me. Bob Dylan's great and

1379
01:09:55,960 --> 01:09:57,960
Speaker 2: I love it and I respect it, and I really

1380
01:09:58,040 --> 01:10:00,320
Speaker 2: really love what he does. But I think listening to

1381
01:10:00,400 --> 01:10:02,200
Speaker 2: that over and over would drive me a little nuts,

1382
01:10:03,920 --> 01:10:05,880
Speaker 2: just because you know, he's not a great singer. Yeah,

1383
01:10:07,000 --> 01:10:10,679
Speaker 2: thank you everyone for listening to this episode the Bobby Cast.

1384
01:10:11,120 --> 01:10:13,639
Speaker 2: It is. You think it's snowed a lot more since

1385
01:10:13,960 --> 01:10:18,240
Speaker 2: it hasn't stopped falling, so it's still going small flakes though, Yeah,

1386
01:10:18,280 --> 01:10:21,599
Speaker 2: a little little bitty flakes. Yeah, little bitty bitty flakes.

1387
01:10:22,800 --> 01:10:25,240
Speaker 2: Thank you, guys, and we'll see you next time. Thanks

1388
01:10:25,320 --> 01:10:27,439
Speaker 2: for listening to a Bobby Cast production.