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Speaker 1: Thirteen Days of Halloween Tenants, a co production of iHeart

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Speaker 1: three D Audio Blumhouse Television and Grim and Mild from

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Speaker 1: Aaron Yankey. Headphones recommended. Listener discretion advised.

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Speaker 2: Oh yeah, the.

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Speaker 3: Oh shit?

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Speaker 4: Okay, three minutes, plenty of time.

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Speaker 5: You have three new messages.

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Speaker 4: Okay, could be worse.

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Speaker 3: I called yesterday to talk about my warranty.

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Speaker 5: I talked to a woman.

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Speaker 4: I think her name shouldn't be me and no ed.

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Speaker 5: We talked about my quarranty, did we? But I say

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Speaker 5: I've had any questions about my warranty?

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Speaker 4: Jesus. I'll call back looking forward Friday.

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Speaker 5: March twenty second, at seven thirty three pm.

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Speaker 6: We understand your business is important to you, and that's

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Speaker 6: why it's important.

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Speaker 5: To protect it.

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Speaker 4: Not my business is not important to me.

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Speaker 5: No one likes to think about the.

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Speaker 4: Unforeseen, literally impossible.

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Speaker 5: But what if I told you you don't have.

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Speaker 7: To today at six fifty seven am?

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Speaker 4: Nikes? What did you call from a fallout shelter and

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Speaker 4: of messages?

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Speaker 7: Okay, not too bad? Maybe this day won't be a

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Speaker 7: complete shit shell.

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Speaker 8: Hi, do you work here?

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Speaker 7: Well, my shirt matches the walls, so that's a good guess.

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Speaker 7: But actually we're not open for another.

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Speaker 8: This will only take a second to I smell coffee.

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Speaker 4: Yeah, that's for customers.

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Speaker 5: How considerate.

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Speaker 4: There's a little paper.

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Speaker 8: Cups, no need, I brought my own.

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Speaker 4: That's a giant thermos.

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Speaker 5: We have a long drive.

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Speaker 7: Okay, so what can I help you with?

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Speaker 5: It's just you here.

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Speaker 7: Like I said, we just opened sugar in the cabinet

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Speaker 7: under right.

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Speaker 4: So did you need assistance.

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Speaker 5: Or well, not quite.

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Speaker 8: I was just curious if your boss was in that.

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Speaker 5: See I have a.

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Speaker 4: Return a return, well we don't really take.

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Speaker 9: Well, that's why I wanted to come in person, sort

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Speaker 9: of a special circumstance.

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Speaker 2: Right.

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Speaker 7: Well, I don't know exactly if when the manager will

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Speaker 7: be back in today, but you could come back another day.

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Speaker 9: And oh, unfortunately I'm on a schedule. If you could

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Speaker 9: just take a look and tell me if I've got

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Speaker 9: a case, it would be a tremendous hy.

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Speaker 4: Okay, where is it in my car? Your car?

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Speaker 8: Well, I couldn't carry it myself back.

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Speaker 5: Why that's strong.

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Speaker 7: Yeah, Columbian blend should be pretty easy for you.

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Speaker 8: I'm parked right out front.

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Speaker 4: Right sure? Why not?

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Speaker 7: This is me the unmarked windowless murder van you're wicked.

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Speaker 4: Hi, now.

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Speaker 5: You better?

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Speaker 10: What hu Jesus?

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Speaker 4: What is this place?

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Speaker 9: Wait?

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Speaker 4: Why am I handcuffed? What am I doing here? Am

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Speaker 4: I under arrest?

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Speaker 5: What?

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Speaker 7: What for?

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Speaker 5: What did he say?

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Speaker 4: Who are you people?

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Speaker 11: Wait?

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Speaker 4: Why are you doing this?

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Speaker 6: Stop?

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Speaker 4: Stop?

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Speaker 3: Let me go.

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Speaker 4: I didn't do anything.

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Speaker 2: Turn to the left.

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Speaker 4: What am I doing here?

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Speaker 5: Turn to the right.

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Speaker 7: If I am under arrest, you have to tell me

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Speaker 7: what I'm charged with, face me else this is unlawful imprisonment.

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Speaker 5: Smile.

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Speaker 4: Oh, you've gotta be kidding me. Left hand, first finger,

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Speaker 4: roll it over in the press it down on the scanner.

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Speaker 4: Wait what are we waiting for.

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Speaker 5: The machine to match them up?

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Speaker 4: Max them up with what? I've never been arrested for anything?

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Speaker 5: Left hand, middle finger, roll it over in the ink.

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Speaker 5: Press it down on the scanner.

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Speaker 4: Wait, this is going to take forever.

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Speaker 12: We have the time requisition of resident alpha SAE one five,

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Speaker 12: six to zero.

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Speaker 4: Inventory. What is happening to me?

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Speaker 12: Inventory? One pair of black sunglasses, missing nosebies, A collection

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Speaker 12: of keys hung from what looks like a shoelace.

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Speaker 4: I haven't done anything wrong.

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Speaker 12: One lighter does not appear to work. One pack of

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Speaker 12: juicy fruits coustrip, fluff, credit card, debit card, photo ID,

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Speaker 12: keep on pro free sandwich.

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Speaker 4: I need those loose bills and.

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Speaker 12: Change totaling two twenty two fifty correction twenty two to forty.

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Speaker 3: That's a bunch.

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Speaker 4: Okay, so you're robbing me too? Is that it?

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Speaker 12: One necklace imitation silver in the shape of a half moon,

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Speaker 12: waxing gibbus, one black jacket, cleather, one jacket, fu leather pants,

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Speaker 12: denim ripped, one belt, one pair of black boots what

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Speaker 12: I call combat boots, flannel overshirt, cotton T shirt, socks

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Speaker 12: for zier underbands.

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Speaker 8: And that's you.

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Speaker 4: Sign air.

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Speaker 7: You can't take my property before you tell me what

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Speaker 7: I'm accused of. This is unlawful search and seizure.

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Speaker 12: You may submit a petition to have these items returned

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Speaker 12: to you, but you have to sign for them first.

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Speaker 4: Well, can I fill out that petition? Please?

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Speaker 12: You'll have to visit the Resident relations office.

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Speaker 4: Okay, where is that? Not here?

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Speaker 3: Temperate to a ninety six point six, A little.

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Speaker 4: Low and after such a warm reception.

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Speaker 13: Okay, see the light on the end of my pen.

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Speaker 13: Just follow it with your eyes, keep your head still

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Speaker 13: to the left, to the right.

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Speaker 4: Tell me what I'm doing here?

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Speaker 3: An optitude test?

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Speaker 8: First?

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Speaker 3: Your vision good? Now, this may be cold.

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Speaker 14: Now, oh, just preaze is Oh tell me where I

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Speaker 14: am in the clinic.

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Speaker 3: Cough the clinic where no fluid in the lungs, no

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Speaker 3: signor bronchitis?

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Speaker 5: Good?

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Speaker 4: No, say, I don't understand why no one will answer me.

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Speaker 10: Ah?

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Speaker 3: Good, okay, now make a fist.

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Speaker 13: Wow, your heart rate is rather high.

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Speaker 3: You're right handed?

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Speaker 4: Left handed?

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Speaker 3: Interest? Why smoke, drink? Take drugs?

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Speaker 7: Well?

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Speaker 4: I could use all the above right now.

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Speaker 3: Any history of illness?

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Speaker 4: I was feeling fine until Have.

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Speaker 3: You been vaccinated for tetanus?

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Speaker 4: Just tetanus?

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Speaker 3: Probably time for a booster. Any history of rubella, rheumatism, mumps, measles, consumption.

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Speaker 4: Do people still get that smallpox?

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Speaker 3: Curvy scarlet fever?

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Speaker 5: Yeah?

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Speaker 4: Maybe playing Oregon trail.

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Speaker 3: Migrains, blurred vision, associative thoughts, associative non psychoses, grass and

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Speaker 3: drum walking, corpse.

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Speaker 4: Foll you dear, I've never even heard of that.

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Speaker 13: Have you ever fainted? When's the last time you cried?

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Speaker 13: How many sexual partners.

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Speaker 3: Have you had?

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Speaker 4: Okay, we're done here.

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Speaker 3: That is just the first page of the questionnaire.

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Speaker 6: Hello, ah, yes, yes, should be any minute now, thank you.

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Speaker 6: You can wit in the hall perfectly. We don't expect

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Speaker 6: any excitement, do we. I buzz you when we're ready.

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Speaker 6: I'll be right with you. Yes, yes, exactly this morning.

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Speaker 6: Actually here with me now in fact, will do?

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Speaker 3: Will do? Okay?

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Speaker 6: Be seeing you?

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Speaker 4: Oh?

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Speaker 6: Quite sorry about that, you know, always racing around to

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Speaker 6: catch up here. Okay, let's start at the beginning, shall

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Speaker 6: we Siuri Rodriguez. No, I'm beg your pardoner.

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Speaker 4: That is not my name.

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Speaker 6: You're not.

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Speaker 4: I am Siuri Martinez.

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Speaker 6: Definitely Rodriguez in our files. Well, we'll just call you

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Speaker 6: Siary then, Siary. I am aiden, your case worker. Should

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Speaker 6: you have any questions, I am to be your first

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Speaker 6: point here?

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Speaker 4: Where is here?

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Speaker 6: Well? This is my office. I know it's small, but

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Speaker 6: there are a lot of other cases and thus a

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Speaker 6: lot of other case workers.

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Speaker 4: No, no, this place? Where am I?

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Speaker 6: Why? This is the Pendleton, the Pendleton Rehabilitation Center. Why

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Speaker 6: are you saying you don't remember how you got here?

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Speaker 3: Oh?

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Speaker 4: I remember being kidnapped.

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Speaker 7: I'm asking why because it seems like you went looking

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Speaker 7: for Rodriguez but ended up with Martinez by mistake.

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Speaker 6: In that case. Why do you think we wanted her.

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Speaker 4: What How should I know? I guess because she committed

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Speaker 4: some crime?

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Speaker 6: And what crime might that mean?

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Speaker 4: How the fuck would I know that?

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Speaker 6: Would you?

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Speaker 4: What I mean?

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Speaker 6: I keeped him on the desk, But such a small desk,

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Speaker 6: and with so many cases all open at once, and

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Speaker 6: each with more paperwork than the last, I need all

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Speaker 6: the space I can get just to try to keep

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Speaker 6: things organized. Would you like one?

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Speaker 4: No?

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Speaker 6: Alrighty? You know they have lost some of their mintias,

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Speaker 6: so Sayuri Martinez Rodriguez.

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Speaker 4: Martinez Garcia Ilgaras Cruz.

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Speaker 6: Born Beaumont Hospital, May twenty second, nineteen eighty nine. Oh

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Speaker 6: that's one twenty three pm.

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Speaker 4: I'm not sure.

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Speaker 6: Mother of philosophy teacher, father at exoplanetology biologists.

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Speaker 4: Well the other way around?

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Speaker 6: How's that?

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Speaker 4: Professor dad? Doctor mom?

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Speaker 6: One point sixty three meters in heights.

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Speaker 7: I'm more comfortable with Imperial fifty three kilogram size seven shoes.

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Speaker 6: Didn't you notice that your new clothes fit perfectly the

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Speaker 6: first time you tried them on?

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Speaker 4: You mean the jumpsuit and sandals. Yeah, like a bad dream.

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Speaker 6: You broke your left arm in the sixth grade.

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Speaker 4: Right arm eighth grade.

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Speaker 6: Was that before or after you were suspended for smoking

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Speaker 6: in the girl's bathroom.

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Speaker 4: Hey h I think that was high school.

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Speaker 6: Some thirty one credits accumulated in various higher learning programs,

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Speaker 6: no degrees? Is that correct?

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Speaker 4: What's it to you?

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Speaker 6: Your favorite cat was named spot Neck. At least if

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Speaker 6: the answers to your security questions can be trusted in

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Speaker 6: all your life, You've only left the United States once

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Speaker 6: to visit the Toronto Airport. You're allergic to pineapple, and

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Speaker 6: you are the fourth owner of a nineteen ninety six

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Speaker 6: Chevy Corsica with one green fender, or you were. My

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Speaker 6: point sary is whatever you'd like to call yourself, we

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Speaker 6: already know far more than we could expect you to

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Speaker 6: tell us, and whatever contradictions you feel compelled to share,

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Speaker 6: it would be very difficult to surprise me.

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Speaker 4: Okay, suppose you're wrong.

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Speaker 7: Hope for the sake of argument, that these addictions are

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Speaker 7: not clerical errors but indicate something else.

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Speaker 4: And what's that That you've got the wrong guy?

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Speaker 6: Well, then I'd say you have nothing to worry about.

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Speaker 6: The smallest er, unfathomable as that is, would certainly be

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Speaker 6: rectified before the completion of your E ando, B and

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Speaker 6: O evaluation. And observation.

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Speaker 4: How long does that last.

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Speaker 6: Until you are properly evaluated and observed? Needless to say,

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Speaker 6: anyone who had been improperly admitted and quartered as you

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Speaker 6: are suggesting, would be detected, have their intake records modified

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Speaker 6: and amended, and be summarily extricated from the facility.

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Speaker 4: Has that ever happened before?

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Speaker 6: Not to my knowledge.

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Speaker 4: But if it did, if.

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Speaker 7: You locked someone up despite substantial evidence disputing their guilt,

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Speaker 7: wouldn't you be compelled to act upon it?

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Speaker 4: Wouldn't your conscience?

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Speaker 6: What you must understand is that each of us is

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Speaker 6: but a cog, a single functionary point in an intricate machine.

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Speaker 6: I'm confined to the authority granted by the boundaries of

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Speaker 6: my position, with limited influence beyond the walls in this room. I'm,

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Speaker 6: in fact subject to the same unyielding hierarchy to which

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Speaker 6: you now find yourself bound. In fact, in many ways,

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Speaker 6: I am in a much lower position than yourself. So

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Speaker 6: there is no acting on one's conscience as you suggest.

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Speaker 6: There's simply scope.

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Speaker 7: Okay, rapid fire around. Am I under arrest?

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Speaker 6: We don't like to use that word.

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Speaker 4: Can I leave of my own free will?

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Speaker 7: Not?

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Speaker 6: At this time?

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Speaker 4: On what grounds are you holding me?

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Speaker 6: The ground of the Pendleton rehability?

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Speaker 4: What is my charge?

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Speaker 6: None at this time?

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Speaker 4: No charge. How can you detain me if there is no.

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Speaker 6: Charge under suspicion?

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Speaker 3: Suspicion of what?

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Speaker 6: Being dangerous?

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Speaker 4: Dangerous? What the hell does that mean? Dangerous? How am

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Speaker 4: I dangerous? Do I seem dangerous to you? Do you

278
00:14:00,080 --> 00:14:00,920
Speaker 4: feel threatened?

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Speaker 6: A little help in here?

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Speaker 5: It's the problem.

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Speaker 4: I don't know who you think I am, but you've

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Speaker 4: got the wrong person.

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Speaker 7: I demand to be shown the evidence against me, she demands.

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Speaker 7: I demand to be read by Miranda Rights. I demand

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Speaker 7: to be given my phone call. I demand to speak

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Speaker 7: to a lawyer. I demand to see my files.

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Speaker 6: Move wait a moment. First days are hard for everyone,

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Speaker 6: and I know it can seem like a lot right now,

289
00:14:31,960 --> 00:14:34,800
Speaker 6: but this can be a very nice place for you

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00:14:35,440 --> 00:14:38,640
Speaker 6: if you let it. Crimes in Carill are going to

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Speaker 6: take you to your habitation. You'll end the day or

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Speaker 6: the night to settle in, and we'll try again tomorrow.

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Speaker 15: Do you.

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Speaker 4: What about my phone call?

295
00:15:15,840 --> 00:15:18,160
Speaker 5: What about it?

296
00:15:18,760 --> 00:15:23,400
Speaker 4: Hey, come back here. You can't leave me like this. Hello.

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Speaker 3: Hello.

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Speaker 4: They can't do this to me. They can't and they

299
00:15:31,280 --> 00:15:33,800
Speaker 4: know they can't. I just need to show them that

300
00:15:33,840 --> 00:15:36,080
Speaker 4: I'm not who they think I am, that I am

301
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Speaker 4: who I say I am, And really it should be

302
00:15:38,400 --> 00:15:41,760
Speaker 4: easy because I am me. But how do I prove it?

303
00:15:41,800 --> 00:15:44,760
Speaker 4: How does anyone actually prove that they are who they

304
00:15:44,760 --> 00:15:49,040
Speaker 4: say they are? Who's that?

305
00:15:51,000 --> 00:15:51,200
Speaker 16: I know?

306
00:15:51,240 --> 00:15:53,480
Speaker 4: There's someone there. I can hear you in the next cell.

307
00:15:54,320 --> 00:15:54,800
Speaker 4: Mm hmm.

308
00:15:55,840 --> 00:16:02,200
Speaker 5: Habitation what don't call themselves? Say? Habitations are simply rooms.

309
00:16:02,720 --> 00:16:04,480
Speaker 7: I don't know what it looks like on your side

310
00:16:04,520 --> 00:16:07,640
Speaker 7: of the wall, but my eight foot cube has metal

311
00:16:07,680 --> 00:16:10,160
Speaker 7: bars for a door, a bed frame bolted to the floor,

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00:16:10,680 --> 00:16:13,880
Speaker 7: shelf chains to the wall, and combination toilet sinc with

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Speaker 7: no seat.

314
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Speaker 4: And no window.

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Speaker 5: It also has a mirror.

316
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Speaker 4: What's that supposed to mean?

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00:16:19,480 --> 00:16:19,560
Speaker 1: That?

318
00:16:19,640 --> 00:16:21,240
Speaker 5: It's clearly your first.

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Speaker 7: Day, but you have to understand there's been a mistake.

320
00:16:23,680 --> 00:16:25,200
Speaker 4: I really don't belong here.

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00:16:25,280 --> 00:16:27,920
Speaker 5: Listen. I've been living in this eight foot cube for

322
00:16:27,960 --> 00:16:30,880
Speaker 5: a long time, the one you currently occupy, seeing a

323
00:16:30,880 --> 00:16:33,920
Speaker 5: lot of visitors with a lot of sad stories. They come,

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00:16:34,000 --> 00:16:36,280
Speaker 5: they go, and new ones come in their place. But

325
00:16:36,320 --> 00:16:39,160
Speaker 5: there has to be I'm not your Virgil Dante. I

326
00:16:39,240 --> 00:16:41,240
Speaker 5: learned this lesson hard, and you'd be well off to

327
00:16:41,320 --> 00:16:43,920
Speaker 5: learn it sooner. The only way through this is to

328
00:16:43,920 --> 00:16:47,360
Speaker 5: be strong and keep to yourself. Don't make friends.

329
00:16:49,280 --> 00:16:51,680
Speaker 4: So this is a prison, then what the pen?

330
00:16:52,600 --> 00:16:55,000
Speaker 5: No, it's a rehabilitation center.

331
00:16:55,680 --> 00:16:58,400
Speaker 4: Rehabilitation for what if you're here?

332
00:16:58,760 --> 00:17:03,640
Speaker 5: There's a reason, even if you don't see it yet.

333
00:17:04,560 --> 00:17:07,520
Speaker 4: How much more time do you have?

334
00:17:08,560 --> 00:17:08,879
Speaker 5: Ever?

335
00:17:09,640 --> 00:17:10,040
Speaker 4: Oh?

336
00:17:11,359 --> 00:17:14,520
Speaker 5: Everyone in the Pendleton served a life sentence?

337
00:17:14,760 --> 00:17:14,840
Speaker 6: What?

338
00:17:15,680 --> 00:17:16,240
Speaker 4: But why?

339
00:17:16,800 --> 00:17:19,760
Speaker 5: The reason for your captivity may not be the thing

340
00:17:19,840 --> 00:17:23,240
Speaker 5: to focus on in a way, it doesn't matter.

341
00:17:23,920 --> 00:17:26,560
Speaker 4: Then what does what you do next?

342
00:17:27,520 --> 00:17:30,800
Speaker 5: I'm going to get out, and how may I ask?

343
00:17:30,960 --> 00:17:32,240
Speaker 5: Or are you going to do that?

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Speaker 7: I'll call my lawyer, your lawyer, Well, I'll find a lawyer,

345
00:17:37,240 --> 00:17:39,440
Speaker 7: and eddy lawyer who hears about my case is sure

346
00:17:39,480 --> 00:17:42,720
Speaker 7: to take it. I've been unlawfully imprisoned. My civil liberties

347
00:17:42,760 --> 00:17:45,880
Speaker 7: have been violated. We could take down the whole establishment.

348
00:17:51,680 --> 00:17:56,920
Speaker 5: Okay, short of mounting a groundbreaking legal defense, what's your

349
00:17:56,960 --> 00:17:57,720
Speaker 5: backup plan?

350
00:17:59,000 --> 00:17:59,520
Speaker 4: Escape?

351
00:18:00,160 --> 00:18:00,600
Speaker 5: Come again?

352
00:18:01,720 --> 00:18:02,160
Speaker 4: Escape?

353
00:18:03,080 --> 00:18:06,880
Speaker 5: You don't have to whisper that word doesn't stoke much

354
00:18:06,920 --> 00:18:13,000
Speaker 5: fear around here, Lieutenant Grimes, Lieutenant Carrill for it. Resident,

355
00:18:13,840 --> 00:18:19,000
Speaker 5: Just letting you know I'm planning my next escape. Good luck,

356
00:18:20,560 --> 00:18:21,639
Speaker 5: you see anything dealing.

357
00:18:24,800 --> 00:18:26,240
Speaker 4: Surely people try to escape.

358
00:18:26,920 --> 00:18:33,200
Speaker 5: Generally they're caught, then punished by whatever the pen considers

359
00:18:33,320 --> 00:18:35,159
Speaker 5: a proportional response.

360
00:18:36,480 --> 00:18:36,840
Speaker 4: Hmmm.

361
00:18:37,520 --> 00:18:41,600
Speaker 7: So whatever the goal of this inhumane experiment, the results

362
00:18:41,960 --> 00:18:43,160
Speaker 7: are arousing success.

363
00:18:43,600 --> 00:18:45,000
Speaker 4: Everyone's spirits have been broken.

364
00:18:45,600 --> 00:18:49,640
Speaker 5: No, not everyone. But in all my time here, I've

365
00:18:49,680 --> 00:18:53,440
Speaker 5: only known one who never gave in. In fact, it

366
00:18:53,520 --> 00:18:56,800
Speaker 5: was the fellow that used to have your room. Tell

367
00:18:56,840 --> 00:18:59,800
Speaker 5: me is his name still written on the wall.

368
00:19:00,240 --> 00:19:02,160
Speaker 4: There's graffiti all over this place, but.

369
00:19:02,600 --> 00:19:10,560
Speaker 5: Right above the door, carved into the stone. Covalis Caval,

370
00:19:11,560 --> 00:19:15,919
Speaker 5: a Frenchman, always on a plot, and that was the

371
00:19:15,960 --> 00:19:16,800
Speaker 5: word he used for it.

372
00:19:17,720 --> 00:19:19,960
Speaker 4: What was he in for escaping?

373
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Speaker 5: Prison?

374
00:19:20,720 --> 00:19:23,160
Speaker 4: Oh? So this is not a prison, but it's where

375
00:19:23,200 --> 00:19:25,040
Speaker 4: you get sent when a prison can't hold you.

376
00:19:25,680 --> 00:19:29,359
Speaker 5: Because I understand Caval did time in some of the

377
00:19:29,400 --> 00:19:33,720
Speaker 5: worst lockups known to humanity and managed to slip out

378
00:19:33,760 --> 00:19:37,480
Speaker 5: of every cage that held him until he reached the pin.

379
00:19:38,480 --> 00:19:40,560
Speaker 4: Okay, but what was his crime in the first place?

380
00:19:41,720 --> 00:19:42,879
Speaker 5: That's a great question.

381
00:19:45,760 --> 00:19:47,879
Speaker 4: So did he ever escape?

382
00:19:48,680 --> 00:19:49,000
Speaker 5: Yes?

383
00:19:49,720 --> 00:19:50,600
Speaker 4: How did he do it?

384
00:19:51,320 --> 00:19:52,760
Speaker 5: You don't have to whisper?

385
00:19:53,240 --> 00:19:56,920
Speaker 10: Everybody knows by now, okay, fine, what did he do?

386
00:19:57,200 --> 00:19:58,240
Speaker 5: He never stopped trying.

387
00:19:58,359 --> 00:19:59,399
Speaker 4: But what did he try?

388
00:20:00,119 --> 00:20:00,320
Speaker 11: Say?

389
00:20:00,400 --> 00:20:02,080
Speaker 5: Just about everything under the sun.

390
00:20:02,200 --> 00:20:04,320
Speaker 4: Okay, you're not really giving me much to work with here.

391
00:20:04,359 --> 00:20:08,440
Speaker 5: What are you hoping for? Exactly instructions that the first

392
00:20:08,440 --> 00:20:12,359
Speaker 5: person you meet here will miraculously give you everything you

393
00:20:12,560 --> 00:20:13,840
Speaker 5: need to make a break.

394
00:20:14,520 --> 00:20:17,399
Speaker 4: Okay, Look, I'm only just first of all, forget it.

395
00:20:17,960 --> 00:20:21,639
Speaker 5: Forget what the idea of getting out? You're not, I'm not,

396
00:20:22,200 --> 00:20:23,000
Speaker 5: none of us are.

397
00:20:23,880 --> 00:20:25,720
Speaker 4: Well, you don't have to be mean about it.

398
00:20:28,000 --> 00:20:32,600
Speaker 5: At this point, I've spent more time inside than out.

399
00:20:33,280 --> 00:20:33,920
Speaker 4: I'm sorry.

400
00:20:34,119 --> 00:20:37,520
Speaker 5: Well, don't be That's not your way to bear. My

401
00:20:37,680 --> 00:20:41,000
Speaker 5: point is what you've seen of the Pendleton is only

402
00:20:41,040 --> 00:20:46,960
Speaker 5: a fragment. It's a labyrinth designed to be disrienting as

403
00:20:47,000 --> 00:20:52,280
Speaker 5: a suppression technique. They say it's impossible to memorize, which

404
00:20:52,840 --> 00:20:56,560
Speaker 5: I believe. And you can't get out if you don't

405
00:20:56,560 --> 00:20:59,680
Speaker 5: know where you're going here. You can walk a straight

406
00:20:59,720 --> 00:21:03,560
Speaker 5: line and end up back where you started, retrace your

407
00:21:03,640 --> 00:21:07,399
Speaker 5: steps to somewhere you've never been before, passed through a door,

408
00:21:08,359 --> 00:21:10,720
Speaker 5: and immediately lose track of the other side.

409
00:21:11,480 --> 00:21:12,280
Speaker 4: That's impossible.

410
00:21:12,840 --> 00:21:14,120
Speaker 5: What does it matter? Oh?

411
00:21:14,240 --> 00:21:15,680
Speaker 4: Do the laws of physics matter?

412
00:21:16,080 --> 00:21:18,480
Speaker 5: As someone who was a physicist in a former life.

413
00:21:18,520 --> 00:21:21,600
Speaker 5: I've learned to separate the rules of the outside from

414
00:21:21,640 --> 00:21:23,000
Speaker 5: those inside the pen.

415
00:21:24,400 --> 00:21:27,160
Speaker 4: Former life, were you also studying reincarnation?

416
00:21:28,160 --> 00:21:33,040
Speaker 5: No building nuclear reactors? Oh so the first thing to

417
00:21:33,160 --> 00:21:35,680
Speaker 5: understand is the tricks that get you out of other

418
00:21:35,720 --> 00:21:39,760
Speaker 5: prisons don't work in the pen. But he tried them

419
00:21:39,760 --> 00:21:45,119
Speaker 5: all caval. Whatever you may be dreaming up now, maybe

420
00:21:45,160 --> 00:21:46,720
Speaker 5: his experience will dissuade you.

421
00:21:47,840 --> 00:21:50,480
Speaker 4: Well, I'm all yours.

422
00:21:51,240 --> 00:21:54,280
Speaker 5: Coval was the hell of a lock thick and it

423
00:21:54,320 --> 00:21:58,840
Speaker 5: didn't take much twisted hairpin, misshapen paper clip, rusty spoon.

424
00:22:00,000 --> 00:22:04,679
Speaker 5: Problem is this place is full of doors, doors that

425
00:22:04,760 --> 00:22:07,080
Speaker 5: lead to car doors, full of doors that lead to

426
00:22:07,520 --> 00:22:12,720
Speaker 5: other car doors, full of other doors, doors, doors everywhere,

427
00:22:12,760 --> 00:22:13,880
Speaker 5: but hardly any windows.

428
00:22:14,680 --> 00:22:16,040
Speaker 4: Isn't that a skylight up there?

429
00:22:16,800 --> 00:22:21,200
Speaker 5: Aren't you observant? Look and tell me what you see. Nothing,

430
00:22:21,400 --> 00:22:27,840
Speaker 5: It's dark, exactly dead ends all of them. Govall was

431
00:22:27,880 --> 00:22:31,480
Speaker 5: a cut purse. A pickpocket could get his hands down

432
00:22:31,520 --> 00:22:35,960
Speaker 5: anyone's trousers, but there was always a crap shoot. Use

433
00:22:36,119 --> 00:22:39,080
Speaker 5: handkerchiefs half done to do lists on a good day,

434
00:22:39,119 --> 00:22:42,199
Speaker 5: a couple of bucks and some loose leaf smut. On

435
00:22:42,320 --> 00:22:47,199
Speaker 5: a really good day keys. Govall found loose keys of

436
00:22:47,280 --> 00:22:52,600
Speaker 5: every style, two sided, four sided, padlocked skeleton, things that

437
00:22:52,640 --> 00:22:56,359
Speaker 5: were clearly machine cut, others that had to be hand forged.

438
00:22:57,040 --> 00:22:59,960
Speaker 5: He tried each one by one all around the pan,

439
00:23:00,520 --> 00:23:04,399
Speaker 5: but never managed to turn a single lock. Where do

440
00:23:04,440 --> 00:23:08,000
Speaker 5: you start with that many keys? By finding somewhere to

441
00:23:08,080 --> 00:23:12,080
Speaker 5: hide them? Solid rock, all of it cinder block on

442
00:23:12,160 --> 00:23:16,879
Speaker 5: a cement slab didn't stop Kaval from trying. Trying what

443
00:23:17,520 --> 00:23:20,840
Speaker 5: to dig, usually with a spoon. Maybe he smuggle set

444
00:23:20,880 --> 00:23:27,240
Speaker 5: of nail clippers, at worst the sharpened butt of his toothbrush.

445
00:23:27,720 --> 00:23:32,480
Speaker 5: Cavall left half finished tunnels all over the pendleton, some

446
00:23:32,640 --> 00:23:37,560
Speaker 5: no bigger than a hole to hide contraband others. Who knows.

447
00:23:38,119 --> 00:23:41,960
Speaker 5: Most were discovered, but I imagine there's a few around

448
00:23:42,000 --> 00:23:46,879
Speaker 5: that they never managed to fill in. Tell me in

449
00:23:46,960 --> 00:23:50,639
Speaker 5: your room, is one brick different than the others?

450
00:23:51,680 --> 00:24:00,679
Speaker 4: Yes, it's got no graffiti. That was caval. His tunnels, ever,

451
00:24:00,760 --> 00:24:01,720
Speaker 4: lead to the outside.

452
00:24:02,720 --> 00:24:07,080
Speaker 5: One very nearly did went missing a week before some

453
00:24:07,440 --> 00:24:10,399
Speaker 5: dumb ass Cohn on janitorial duty heard or rumble in

454
00:24:10,400 --> 00:24:13,040
Speaker 5: the ceiling and reported it to a supervisor.

455
00:24:13,520 --> 00:24:14,159
Speaker 4: It was Caval.

456
00:24:14,920 --> 00:24:17,480
Speaker 5: He'd been up in the air ducks, living off candy

457
00:24:17,480 --> 00:24:19,439
Speaker 5: bars and drinking collected condensation.

458
00:24:20,240 --> 00:24:21,760
Speaker 4: I'm guessing he couldn't find an exit.

459
00:24:22,200 --> 00:24:25,440
Speaker 5: Should have an intake right where air flows in from

460
00:24:25,480 --> 00:24:28,840
Speaker 5: the outside. Whether you can make it out or not

461
00:24:29,080 --> 00:24:32,720
Speaker 5: is another question. But Caval said he never caught a

462
00:24:32,760 --> 00:24:38,080
Speaker 5: speck of sunlight, which confirmed a bleak suspicion we'd long

463
00:24:38,160 --> 00:24:43,679
Speaker 5: held about the pen. It's a closed system, totally disconnected

464
00:24:43,720 --> 00:24:45,160
Speaker 5: from the outside world.

465
00:24:45,720 --> 00:24:46,560
Speaker 4: Like no internet.

466
00:24:47,080 --> 00:24:51,440
Speaker 5: Please phone maybe if you want to make an inside call.

467
00:24:51,960 --> 00:24:53,119
Speaker 4: What about television?

468
00:24:53,240 --> 00:24:57,399
Speaker 5: Closed circuit mail? You can write it, they'll screen it

469
00:24:57,480 --> 00:25:01,720
Speaker 5: and throw it away. Newspapers sides the occasional new resident.

470
00:25:02,280 --> 00:25:06,399
Speaker 5: Very little comes into the pen, far less ever leaves.

471
00:25:07,760 --> 00:25:12,560
Speaker 7: Doesn't anyone protests, demand fair treatment, petition the warden for

472
00:25:12,600 --> 00:25:13,600
Speaker 7: basic human rights.

473
00:25:13,720 --> 00:25:17,320
Speaker 5: Oh, nobody talks to the warden. Nobody, not that I

474
00:25:17,359 --> 00:25:21,640
Speaker 5: know of, never even seen them. Caval would agree with you,

475
00:25:22,359 --> 00:25:25,960
Speaker 5: But what can you change when you hold none of

476
00:25:26,000 --> 00:25:29,919
Speaker 5: the power to fight from the inside. You have to

477
00:25:29,960 --> 00:25:31,240
Speaker 5: become one of the warders.

478
00:25:32,440 --> 00:25:34,040
Speaker 4: I don't get it is that some kind of metaphor.

479
00:25:36,280 --> 00:25:39,520
Speaker 5: Caval had been on a stint in the hole. No

480
00:25:39,600 --> 00:25:42,600
Speaker 5: one had seen him in a month. Then one day

481
00:25:42,640 --> 00:25:45,480
Speaker 5: it lights up. There's a new guard on the block,

482
00:25:46,280 --> 00:25:50,639
Speaker 5: tall and muscular with a full red beard. I didn't

483
00:25:50,680 --> 00:25:56,280
Speaker 5: think much of it until the guy called rolled in

484
00:25:56,359 --> 00:25:57,199
Speaker 5: a French accent.

485
00:25:58,080 --> 00:26:01,600
Speaker 4: Wait wait, wait, wait, you're saying solitary.

486
00:26:01,640 --> 00:26:04,960
Speaker 5: He faked some kind of injury, got the attending guard

487
00:26:05,000 --> 00:26:07,919
Speaker 5: alone in the cell, then knocked the bastard out, stole

488
00:26:07,960 --> 00:26:10,720
Speaker 5: his clothes, his keys, and detained them in a stead

489
00:26:11,280 --> 00:26:15,280
Speaker 5: Squez managed to access areas of the pen he'd never

490
00:26:15,320 --> 00:26:19,720
Speaker 5: seen before, but nothing special, locker room, lounge, the john,

491
00:26:20,320 --> 00:26:24,760
Speaker 5: and still he couldn't find an exit. By the next morning,

492
00:26:24,760 --> 00:26:27,679
Speaker 5: the jig was up and Gavall was back in solitary,

493
00:26:27,800 --> 00:26:30,480
Speaker 5: serving an extended sentence that.

494
00:26:30,560 --> 00:26:33,440
Speaker 4: Is absolutely insane. Gutsy though.

495
00:26:33,800 --> 00:26:38,240
Speaker 5: And then there was the gun gun fake gun quittled

496
00:26:38,280 --> 00:26:40,680
Speaker 5: with a spoon out of a block of balts of wood.

497
00:26:40,920 --> 00:26:45,480
Speaker 5: Pretty rough but convincing enough to hold his caseworker hostage.

498
00:26:47,680 --> 00:26:50,879
Speaker 5: Was going okay until he pretended to cock him and

499
00:26:50,960 --> 00:26:52,160
Speaker 5: broke the barrel in half.

500
00:26:53,440 --> 00:26:54,800
Speaker 4: These seems to be getting more.

501
00:26:54,680 --> 00:27:00,560
Speaker 5: And more desperate. Well, he also tried seduction. Don't no much.

502
00:27:00,600 --> 00:27:04,080
Speaker 5: He didn't like to talk about it, as I understand,

503
00:27:04,119 --> 00:27:08,960
Speaker 5: he didn't discriminate, but beyond receiving a better portion lunch

504
00:27:09,000 --> 00:27:12,800
Speaker 5: tray or first choice for work detail. Like everything else,

505
00:27:12,840 --> 00:27:15,800
Speaker 5: these liaisons led only to dead ends.

506
00:27:16,480 --> 00:27:17,679
Speaker 4: This is getting kind of sad.

507
00:27:18,400 --> 00:27:22,800
Speaker 5: It gets sadder. There was his hunger strike lasted forty days,

508
00:27:23,280 --> 00:27:26,800
Speaker 5: ended with a feeding tube jammed down his throat. And

509
00:27:26,880 --> 00:27:30,080
Speaker 5: there were the fake illnesses castor oil in the eyes

510
00:27:30,119 --> 00:27:33,280
Speaker 5: to make them look infected. That type of thing ended

511
00:27:33,359 --> 00:27:35,200
Speaker 5: up getting him in more trouble than it was worth.

512
00:27:35,960 --> 00:27:36,760
Speaker 4: Did he go blind?

513
00:27:37,200 --> 00:27:40,600
Speaker 5: The eye healed up fine. But the doctor have you

514
00:27:40,640 --> 00:27:40,959
Speaker 5: met her?

515
00:27:41,600 --> 00:27:41,919
Speaker 4: Yep?

516
00:27:42,119 --> 00:27:46,080
Speaker 5: She it is no joke, runs that infirmary like her

517
00:27:46,080 --> 00:27:50,159
Speaker 5: own personal laboratory with patients for guinea pigs. After too

518
00:27:50,200 --> 00:27:52,960
Speaker 5: many times crying wolf, she took a special interest in

519
00:27:53,080 --> 00:27:57,600
Speaker 5: caval developed a course of treatment just for him. What

520
00:27:57,640 --> 00:28:03,720
Speaker 5: do you mean, constant inva of examinations, courses of experimental drugs,

521
00:28:03,960 --> 00:28:07,800
Speaker 5: complete psychological remapping, in a word, brainwashing.

522
00:28:08,040 --> 00:28:08,880
Speaker 4: Were you serious?

523
00:28:09,400 --> 00:28:13,240
Speaker 5: The pen recognized him as a threat to neutralize it,

524
00:28:13,280 --> 00:28:17,120
Speaker 5: they needed to reprogram him. That's what he was here for.

525
00:28:17,720 --> 00:28:19,280
Speaker 5: That's what we're all here for.

526
00:28:20,119 --> 00:28:20,399
Speaker 6: Really.

527
00:28:21,240 --> 00:28:25,280
Speaker 5: Oh yes, they have many ways to do it, some

528
00:28:25,640 --> 00:28:29,360
Speaker 5: so subtle you won't notice. Anything is happening, others well

529
00:28:29,520 --> 00:28:33,680
Speaker 5: more forthright. But no matter what you think you can handle,

530
00:28:33,960 --> 00:28:37,159
Speaker 5: who you think you are, they will get to you

531
00:28:37,200 --> 00:28:40,880
Speaker 5: sooner or later, by hook or by crook, They get

532
00:28:40,920 --> 00:28:44,400
Speaker 5: to everyone. Cavall came to the conclusion that if there

533
00:28:44,440 --> 00:28:48,480
Speaker 5: was no way to slip out peacefully, the only alternative

534
00:28:48,520 --> 00:28:51,760
Speaker 5: would be to take the pen by force. And so,

535
00:28:51,880 --> 00:28:55,440
Speaker 5: one day, like every day, a few minutes before five,

536
00:28:55,480 --> 00:28:59,840
Speaker 5: the head lieutenant called dinner. Everyone lined up outside their

537
00:29:00,440 --> 00:29:04,400
Speaker 5: even more promptly than usual, to the meck Hall march,

538
00:29:05,600 --> 00:29:10,719
Speaker 5: but not a soul stirred on the double. The lieutenant barked.

539
00:29:11,960 --> 00:29:16,600
Speaker 5: Every resident held their place, and then the guards saw

540
00:29:16,640 --> 00:29:21,360
Speaker 5: what they were up against. Weapons one in the hands

541
00:29:21,400 --> 00:29:26,760
Speaker 5: of every con daggers fashioned from rusty spoons and plastic combs,

542
00:29:27,160 --> 00:29:30,200
Speaker 5: swords and spears made out of chair legs and mob handles,

543
00:29:30,400 --> 00:29:35,160
Speaker 5: padlocks and tube socks, swung his maces, shoelaces and electrical cords,

544
00:29:35,480 --> 00:29:38,840
Speaker 5: even tangles of floss stretched fists to fist like choke wire.

545
00:29:39,640 --> 00:29:43,920
Speaker 5: Hold your ranks, the lieutenant cried. To this day, people

546
00:29:44,040 --> 00:29:46,760
Speaker 5: argue about who broke the line first, but the guards

547
00:29:46,760 --> 00:29:50,840
Speaker 5: were outnumbered. Most fled, some were taken hostage. The doors

548
00:29:50,880 --> 00:29:53,880
Speaker 5: to the ward were barricaded at both sides, and in

549
00:29:53,920 --> 00:29:57,720
Speaker 5: a few short minutes the sea block belonged to the prisoners.

550
00:29:58,600 --> 00:29:59,680
Speaker 4: Don't you mean residents?

551
00:30:00,120 --> 00:30:04,800
Speaker 5: That's what I said, right. No one knows exactly how

552
00:30:04,840 --> 00:30:08,000
Speaker 5: the guards got back in, and I imagine it was

553
00:30:08,040 --> 00:30:13,440
Speaker 5: those damn doors. I don't know where or how, but

554
00:30:13,560 --> 00:30:19,040
Speaker 5: I believe they're secret doors all over this place, not

555
00:30:19,200 --> 00:30:22,320
Speaker 5: too good at letting anyone out, but for someone who

556
00:30:22,960 --> 00:30:26,720
Speaker 5: understands how they work, they can be used to get

557
00:30:26,720 --> 00:30:31,680
Speaker 5: into just about anywhere anywhere.

558
00:30:37,240 --> 00:30:37,880
Speaker 4: What did they do?

559
00:30:39,120 --> 00:30:41,320
Speaker 5: In the middle of the night, An army of armed

560
00:30:41,320 --> 00:30:44,720
Speaker 5: guards poured unto the floor. Seemed like they appeared from nowhere,

561
00:30:44,760 --> 00:30:48,000
Speaker 5: but I suspect they came in a few at a

562
00:30:48,040 --> 00:30:51,200
Speaker 5: time through different spots all over the block, dressed as

563
00:30:51,240 --> 00:30:54,840
Speaker 5: prisoners and masqueraded as part of the rebellion, taking up

564
00:30:54,880 --> 00:30:58,440
Speaker 5: residents and empty cells until they were sufficient in number,

565
00:30:58,920 --> 00:31:03,760
Speaker 5: and all at once, they took a decisive strike. As

566
00:31:03,760 --> 00:31:06,560
Speaker 5: far as I know, they didn't have any evidence against

567
00:31:06,720 --> 00:31:11,360
Speaker 5: caval but still the warden pegged him as the mastermind.

568
00:31:12,520 --> 00:31:14,640
Speaker 5: They hauled him off and threw him in solitary.

569
00:31:16,120 --> 00:31:17,400
Speaker 4: How long was he there for.

570
00:31:18,240 --> 00:31:22,560
Speaker 5: That time a year or was it too Jesus Christ?

571
00:31:22,760 --> 00:31:25,120
Speaker 5: They wanted to make an example of him, and I'd

572
00:31:25,120 --> 00:31:28,280
Speaker 5: say it worked. Nothing like that has been attempted since.

573
00:31:29,840 --> 00:31:31,080
Speaker 4: How was he when he got out?

574
00:31:32,040 --> 00:31:36,640
Speaker 5: Skinnier paler the red Beard was back? Took him a

575
00:31:36,680 --> 00:31:40,800
Speaker 5: while to get on his feet. The real problem, the

576
00:31:40,880 --> 00:31:47,440
Speaker 5: reason every plot failed, was they didn't have an exit strategy.

577
00:31:47,480 --> 00:31:51,160
Speaker 5: However far he got, he'd still be searching for a

578
00:31:51,200 --> 00:31:54,920
Speaker 5: way out, without knowing where it could be, even what

579
00:31:54,960 --> 00:31:58,960
Speaker 5: it would look like. The question becomes, how can the

580
00:31:59,000 --> 00:32:06,960
Speaker 5: guards navigate the pen but the cons can't. I don't

581
00:32:07,000 --> 00:32:10,920
Speaker 5: think the answer is intelligent, which led to a rumor

582
00:32:11,560 --> 00:32:14,240
Speaker 5: that the guards carry a map.

583
00:32:15,040 --> 00:32:18,040
Speaker 4: A map, wouldn't that make it too easy?

584
00:32:18,840 --> 00:32:21,640
Speaker 5: I didn't believe it either until one day our master

585
00:32:21,760 --> 00:32:24,640
Speaker 5: pickpocket had got his hands on one. At least that's

586
00:32:24,720 --> 00:32:25,719
Speaker 5: what he thought it was.

587
00:32:26,400 --> 00:32:27,160
Speaker 4: Did you see it?

588
00:32:27,760 --> 00:32:28,680
Speaker 5: I did?

589
00:32:29,080 --> 00:32:29,920
Speaker 4: What did it look like?

590
00:32:30,880 --> 00:32:36,720
Speaker 5: Palm sized circular, a lightweight disc like a big aluminum coin.

591
00:32:37,840 --> 00:32:43,400
Speaker 5: The content was a mess concentric circles and intersecting lines,

592
00:32:43,960 --> 00:32:48,360
Speaker 5: boxes and arrows, and squiggles and squares, superimposed with symbols

593
00:32:48,480 --> 00:32:54,680
Speaker 5: like invented hieroglyphics, and naturally there was no key. Honestly,

594
00:32:54,720 --> 00:32:57,120
Speaker 5: the image hardly seemed to resemble a map at all,

595
00:32:58,000 --> 00:33:00,760
Speaker 5: but Cavall became convinced he could use it to get

596
00:33:00,760 --> 00:33:07,240
Speaker 5: out the stone. Yeah, maybe he was onto something over

597
00:33:07,280 --> 00:33:09,080
Speaker 5: my head, says.

598
00:33:08,880 --> 00:33:10,320
Speaker 4: The nuclear physicist.

599
00:33:10,600 --> 00:33:13,600
Speaker 5: What he was planning, he never said, but I knew

600
00:33:13,600 --> 00:33:16,760
Speaker 5: he wouldn't hesitate if there was any chance for freedom.

601
00:33:17,320 --> 00:33:20,360
Speaker 5: The day he found that map would be his last.

602
00:33:21,480 --> 00:33:25,080
Speaker 5: That night, like any other, the cells were locked at

603
00:33:25,120 --> 00:33:30,040
Speaker 5: exactly seven. I laid in my bunk, still as a stone,

604
00:33:30,600 --> 00:33:34,200
Speaker 5: listening for any sign that caval was making his way,

605
00:33:34,840 --> 00:33:43,360
Speaker 5: but nothing. The clock chimed eight nine, ten eleven midnight,

606
00:33:44,920 --> 00:33:49,040
Speaker 5: and then it happened, a terrible sound, so loud it

607
00:33:49,080 --> 00:33:52,680
Speaker 5: shook the bars, and shrill, like the tearing of metal, hard,

608
00:33:52,840 --> 00:33:56,240
Speaker 5: like the breaking of stone. Suddenly the entire cell block

609
00:33:56,320 --> 00:34:02,320
Speaker 5: was flooded with light, not sickly fluorescence, soft blue daylight

610
00:34:03,000 --> 00:34:07,360
Speaker 5: so bright had burned my eyes. That skylight overhead that

611
00:34:07,560 --> 00:34:11,040
Speaker 5: no one could ever hope to reach, had burst wide open.

612
00:34:12,360 --> 00:34:13,520
Speaker 4: But I thought you said it was midnight.

613
00:34:14,320 --> 00:34:18,000
Speaker 5: Why I trust a thing like time? While I maintenance

614
00:34:18,080 --> 00:34:21,719
Speaker 5: crew welded the skylight shut from a scissor lift. Roll

615
00:34:21,880 --> 00:34:26,799
Speaker 5: was called. Of course, Covall was missing. The pen organized

616
00:34:26,800 --> 00:34:31,759
Speaker 5: a search, scoured every cell, office, car, door, conduit and

617
00:34:31,920 --> 00:34:35,400
Speaker 5: dark corner they could think of, questioned each resident, and

618
00:34:35,440 --> 00:34:37,759
Speaker 5: I imagine every guard and member of the staff too,

619
00:34:38,480 --> 00:34:42,160
Speaker 5: but no one knew anything. Even I didn't really except

620
00:34:42,239 --> 00:34:45,399
Speaker 5: I truly believed that he had made it.

621
00:34:45,480 --> 00:34:49,880
Speaker 4: Wow, Wow, Where did he go?

622
00:34:51,160 --> 00:34:53,440
Speaker 5: I don't know, none of us do.

623
00:34:55,280 --> 00:34:57,920
Speaker 4: I wish I could ask him.

624
00:34:57,960 --> 00:34:58,600
Speaker 5: You can try.

625
00:34:59,640 --> 00:35:00,319
Speaker 4: What do you mean?

626
00:35:02,440 --> 00:35:06,440
Speaker 5: Okay? If she comes with me for a walk, Bromuka,

627
00:35:07,600 --> 00:35:13,319
Speaker 5: where down to deep block? God would boom? You're going

628
00:35:13,400 --> 00:35:14,120
Speaker 5: to behave.

629
00:35:14,440 --> 00:35:15,040
Speaker 2: Mm hmm.

630
00:35:24,040 --> 00:35:32,640
Speaker 5: This way?

631
00:35:34,680 --> 00:35:38,439
Speaker 4: So caval you mean to say he's still here?

632
00:35:39,320 --> 00:35:42,040
Speaker 5: Twenty eight days? He made it on the outside before

633
00:35:42,040 --> 00:35:42,560
Speaker 5: they caught.

634
00:35:42,480 --> 00:35:45,200
Speaker 4: Him, So he didn't escape.

635
00:35:45,600 --> 00:35:49,240
Speaker 5: Long enough to see the lunar cycle, but not happily

636
00:35:49,239 --> 00:35:49,760
Speaker 5: ever after.

637
00:35:50,560 --> 00:35:51,720
Speaker 4: Where did they find him?

638
00:35:52,280 --> 00:35:55,040
Speaker 5: I don't know, but I'm sure it wasn't in here.

639
00:35:56,000 --> 00:35:58,200
Speaker 4: Well, what happened after they caught him?

640
00:35:58,520 --> 00:36:01,640
Speaker 5: What happens to everyone who tries to escape down to

641
00:36:01,680 --> 00:36:05,480
Speaker 5: the dungeon? The dungeon solitary confinement?

642
00:36:06,080 --> 00:36:08,840
Speaker 4: Oh oh, so you don't mean like an actual.

643
00:36:09,000 --> 00:36:12,400
Speaker 8: Like a literal due I do, okay?

644
00:36:13,719 --> 00:36:15,400
Speaker 4: Is he still down there?

645
00:36:16,000 --> 00:36:18,840
Speaker 5: No? Eventually they gave him a room in d the

646
00:36:19,320 --> 00:36:20,800
Speaker 5: Special Project's.

647
00:36:20,360 --> 00:36:23,600
Speaker 4: Ward, and you never asked him how it worked or

648
00:36:23,640 --> 00:36:23,960
Speaker 4: what he.

649
00:36:23,920 --> 00:36:30,080
Speaker 5: Saw I did. But maybe you'll have better luck.

650
00:36:39,600 --> 00:36:46,920
Speaker 4: I'm sorry if it's okay, I wanted to ask you

651
00:36:46,920 --> 00:36:51,160
Speaker 4: a question. Is that okay? I wanted to ask uh?

652
00:36:52,280 --> 00:37:00,600
Speaker 4: When you escaped? What did you see? I'm sorry. I

653
00:37:01,040 --> 00:37:02,399
Speaker 4: don't speak French or the.

654
00:37:02,360 --> 00:37:04,480
Speaker 9: Boss, but the block, look at the gods, steal the clothes,

655
00:37:04,480 --> 00:37:06,000
Speaker 9: get the key, get the map.

656
00:37:06,040 --> 00:37:07,200
Speaker 4: But you can't read the map.

657
00:37:07,400 --> 00:37:09,000
Speaker 8: You need to be able to read the map.

658
00:37:09,040 --> 00:37:10,399
Speaker 5: If you can't read the map, you.

659
00:37:10,360 --> 00:37:12,080
Speaker 8: Have to take the door without knowing where it goes.

660
00:37:12,160 --> 00:37:13,719
Speaker 8: If you take the door without knowing where it goes,

661
00:37:13,760 --> 00:37:14,160
Speaker 8: you want the.

662
00:37:14,080 --> 00:37:15,799
Speaker 4: Way you'll go where he'll go.

663
00:37:16,320 --> 00:37:17,600
Speaker 8: And when you get there, you wont know how to

664
00:37:17,600 --> 00:37:19,840
Speaker 8: get back, but they will. They will find you.

665
00:37:20,120 --> 00:37:21,399
Speaker 4: Then they will bring you back.

666
00:37:21,520 --> 00:37:22,080
Speaker 6: But which one?

667
00:37:22,120 --> 00:37:24,560
Speaker 8: Only one way up and many ways back? Always lead back,

668
00:37:24,640 --> 00:37:25,560
Speaker 8: always lead back?

669
00:37:25,920 --> 00:37:26,720
Speaker 4: Is he always?

670
00:37:27,560 --> 00:37:30,439
Speaker 8: How can I rest? If he's out there?

671
00:37:31,080 --> 00:37:32,000
Speaker 10: How can he go?

672
00:37:32,480 --> 00:37:33,960
Speaker 8: If I'm in here.

673
00:37:34,320 --> 00:37:35,680
Speaker 5: I am alone, but not alone.

674
00:37:36,000 --> 00:37:37,799
Speaker 8: I will never be alone, just like he will never

675
00:37:37,800 --> 00:37:42,240
Speaker 8: be alone. Alone but not alone alone but on cave.

676
00:37:42,920 --> 00:37:45,480
Speaker 4: When you made it out, when you escaped? Can you

677
00:37:45,520 --> 00:37:49,120
Speaker 4: tell me anything, anything at all? How did you do it?

678
00:37:49,920 --> 00:37:52,919
Speaker 4: What did you see? Where did you think you were?

679
00:37:53,760 --> 00:37:55,280
Speaker 4: Anything would be helpful. Please.

680
00:37:55,840 --> 00:37:58,279
Speaker 7: If I can't know why I'm here, at least I

681
00:37:58,360 --> 00:37:59,799
Speaker 7: need to know where here is.

682
00:38:01,719 --> 00:38:06,160
Speaker 10: I know you you do the people who talk, well.

683
00:38:06,160 --> 00:38:07,960
Speaker 4: I'm sorry, I don't understand.

684
00:38:10,000 --> 00:38:10,040
Speaker 10: You.

685
00:38:10,280 --> 00:38:12,520
Speaker 8: Sure, I have been here a long time.

686
00:38:13,400 --> 00:38:14,560
Speaker 4: I just got here today.

687
00:38:15,200 --> 00:38:18,680
Speaker 8: So it seems so, it seems so, it seems so.

688
00:38:18,800 --> 00:38:21,680
Speaker 5: It seems so. It seems so. It seems so it seems.

689
00:38:21,800 --> 00:38:25,360
Speaker 9: Do you mean that what it seems is not what

690
00:38:25,480 --> 00:38:28,560
Speaker 9: it seems?

691
00:38:29,040 --> 00:38:29,120
Speaker 5: Man?

692
00:38:29,960 --> 00:38:33,280
Speaker 7: Wait, do you mean you've seen someone else who looks

693
00:38:33,320 --> 00:38:34,680
Speaker 7: like me?

694
00:38:35,880 --> 00:38:38,400
Speaker 16: It seems that you, like me, are not alone, like

695
00:38:38,520 --> 00:38:41,319
Speaker 16: he is not alone, like he is not alone, like

696
00:38:41,480 --> 00:38:45,759
Speaker 16: we are not alone, all of us, none of us,

697
00:38:45,800 --> 00:38:48,240
Speaker 16: not now, not there, never to be alone again.

698
00:38:48,960 --> 00:38:49,560
Speaker 8: See said to.

699
00:38:55,480 --> 00:39:09,080
Speaker 5: Show you the way back, Like I said, navigating this

700
00:39:09,160 --> 00:39:11,520
Speaker 5: place can be confusing.

701
00:39:12,400 --> 00:39:13,480
Speaker 4: What happened to him?

702
00:39:14,160 --> 00:39:17,080
Speaker 5: I don't know. In a way I don't want to know.

703
00:39:17,960 --> 00:39:20,640
Speaker 5: It's sad, but in here it really is better to

704
00:39:20,719 --> 00:39:23,760
Speaker 5: keep your expectations of other people low.

705
00:39:24,920 --> 00:39:34,600
Speaker 17: Frip, Rodriguez Martinez lights out in your habitations now, Jorge mus.

706
00:39:35,360 --> 00:39:36,640
Speaker 5: Ride, I'm slip.

707
00:39:36,680 --> 00:39:41,839
Speaker 17: I'm full of them. You knew here, so I'll say

708
00:39:41,880 --> 00:39:48,160
Speaker 17: it once. No talking, It's about going on with you,

709
00:39:49,280 --> 00:39:50,480
Speaker 17: sweet dreams.

710
00:39:57,160 --> 00:40:00,560
Speaker 5: Ten hours to the morning. The first night is the

711
00:40:00,640 --> 00:40:02,080
Speaker 5: longest hanging there.

712
00:40:03,480 --> 00:40:05,120
Speaker 4: I thought you weren't going to be my Virgil.

713
00:40:05,920 --> 00:40:10,279
Speaker 5: Keep your expectations low. I will too get through the

714
00:40:10,400 --> 00:40:13,960
Speaker 5: night sleep. If you can join me for breakfast in

715
00:40:14,000 --> 00:40:18,160
Speaker 5: the morning six am sharp, you'll meet people who will

716
00:40:18,160 --> 00:40:20,240
Speaker 5: tell you things I never could.

717
00:40:22,400 --> 00:40:50,760
Speaker 4: Okay, thank you, good night Frip. Hour one hour, two hour,

718
00:40:51,239 --> 00:41:20,200
Speaker 4: three hour, four or five. Somebody's out there, mm hmmm, hello.

719
00:41:21,440 --> 00:41:37,040
Speaker 11: Oh yeah, yah, I go ma, I say ma, hi

720
00:41:37,680 --> 00:41:39,839
Speaker 11: sign What are you doing here?

721
00:41:41,719 --> 00:41:42,719
Speaker 4: Why are you barefoot?

722
00:41:51,680 --> 00:41:51,919
Speaker 15: Oh?

723
00:41:52,080 --> 00:42:07,360
Speaker 2: Yeah?

724
00:42:07,880 --> 00:42:14,040
Speaker 1: Thirteen Days of Halloween Pennance starring Natalie Morales. Episode one Detainment,

725
00:42:14,360 --> 00:42:18,400
Speaker 1: written by Alexander Williams, editing and sound design by Jesse

726
00:42:18,520 --> 00:42:22,560
Speaker 1: Funk and rima Ilkayali, featuring the voices of Joseph Whipp,

727
00:42:22,840 --> 00:42:28,359
Speaker 1: Alex Bowling, Jeff Bauser, Raphael Corekil, Jay Jones, Lauren Vogelbaum,

728
00:42:28,600 --> 00:42:33,760
Speaker 1: Miguel Perez, Steve b Green, Laura Shine, Blair, Chandler Wilber

729
00:42:33,840 --> 00:42:39,640
Speaker 1: Fitzgerald and Anna Hammler. Directed by Alexander Williams. Executive producers

730
00:42:39,680 --> 00:42:44,759
Speaker 1: Aaron Mankey, Noah Feinberg, Chris Dicky, Matt Frederick and Alexander Williams.

731
00:42:44,920 --> 00:42:49,640
Speaker 1: Supervising producers Trevor Young and Josh Thaine. Producers Jesse funk

732
00:42:49,800 --> 00:42:55,000
Speaker 1: rima Ilkayali, Noami Griffin, Chandler Mays, and Cassby Bias. Script

733
00:42:55,080 --> 00:42:59,320
Speaker 1: editing by Lauren Vogelbaum. Story consultants Ben Bolan and Matthew Riddle.

734
00:42:59,600 --> 00:43:04,120
Speaker 1: Casti by Sunday Bowling CSA and Meg Mormon CSA. Production

735
00:43:04,200 --> 00:43:09,640
Speaker 1: coordinator Wayna Calderanz. Production assistants Jenna Johnson and Winona Lowe.

736
00:43:09,719 --> 00:43:13,680
Speaker 1: Theme music by Rose Aserti with vocals by Anna Hummler,

737
00:43:14,040 --> 00:43:18,400
Speaker 1: recorded at This Is Sound Design Studios in Burbank, California.

738
00:43:18,480 --> 00:43:23,600
Speaker 1: Engineered by Ross aeronaut Special thanks to Romelia Osorio, Nathan Rule,

739
00:43:23,840 --> 00:43:27,840
Speaker 1: Glenn Nishida and Rob Mosca. Thirteen Days of Halloween was

740
00:43:27,880 --> 00:43:31,319
Speaker 1: created by Matt Frederick and Alexander Williams and is a

741
00:43:31,320 --> 00:43:35,280
Speaker 1: production of iHeart Podcasts, Blumhouse Television and Grimm and Mild

742
00:43:35,400 --> 00:43:38,960
Speaker 1: from Aaron Makey Learn more about the show at Grimandmild

743
00:43:39,040 --> 00:43:42,560
Speaker 1: dot com. Slash thirteen days and find more podcasts from

744
00:43:42,600 --> 00:43:46,760
Speaker 1: iHeartRadio by visiting the iHeartRadio app, Apple Podcasts, or wherever

745
00:43:46,840 --> 00:43:49,880
Speaker 1: you listen to your favorite shows. Happy Halloween,