WEBVTT - Jake McDorman

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<v Speaker 1>I think John Alan McDorman as I've gotten older sounds stronger,

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<v Speaker 1>because in my mind when I think of Jake, maybe

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<v Speaker 1>it's because it has no roots in my actual name anywhere.

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<v Speaker 1>But I'm like, that's not a real name. I was

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<v Speaker 1>talking to a co star at one point and I

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<v Speaker 1>was like, I don't know Jake McDorman. This is like

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<v Speaker 1>not too long ago either, like four years ago. So

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<v Speaker 1>I'm deep into the Jake. This is like a conversation

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<v Speaker 1>I had, you know, twenty years ago. But she was like, no,

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<v Speaker 1>Jake mcdormand's great, that's good. I was like, she's like,

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<v Speaker 1>what's your what's your legal name? I was like John

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<v Speaker 1>Allen McDorman and she was like, oh, I take it back,

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<v Speaker 1>that's way better. She was like, Jake McDorman wins, like

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<v Speaker 1>maybe a people's choice. John Allen McDorman wins Academy. I

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<v Speaker 1>was like, I'm fucking I know Jake. John Allen McDormand.

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<v Speaker 1>The fourth rode into Hollywood on a big white horse.

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<v Speaker 1>He said, I'm an actor. I'm here to stay. I'm

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<v Speaker 1>gonna be a big star someday.

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<v Speaker 2>Hi everybody, and welcome back to I would call an

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<v Speaker 2>entrancing and poetic episode of Off the Beat. Just like

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<v Speaker 2>every week, it's me your host, Brian Baumgartner. Now, how

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<v Speaker 2>can I possibly follow a self introduction like that? Well

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<v Speaker 2>with a poem of my own of course, So let's

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<v Speaker 2>see poem introduction beginning now. Jake McDorman a versatile star

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<v Speaker 2>from drama to comedy. He's traveled so far. He came

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<v Speaker 2>to la as just a teen to see his face

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<v Speaker 2>on the big screen. He was first cast in Quintuplets

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<v Speaker 2>and later in Greek landing Gig after Gig on an

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<v Speaker 2>epic streak. He's in Murphy Around Dope, Sick and if

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<v Speaker 2>that wasn't enough, Limitless, shameless and the right stuff, American Sniper,

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<v Speaker 2>what we do in the Shadows. Jake captivates wherever he goes.

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<v Speaker 2>Now you can watch him in Missus Davis and Class

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<v Speaker 2>of Nine and see for yourself his work is divine.

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<v Speaker 2>You know that this episode won't be a bore man

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<v Speaker 2>with my awesome guest, the great Jake McDorman, Hold your

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<v Speaker 2>applause till the end. Here he is Jake McDorman. Bubble

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<v Speaker 2>and Squeak, I love it, Bubble and Squeakna, Bubble and Squeak,

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<v Speaker 2>I could get every moleft over from the ninety before.

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<v Speaker 2>What's up, Jake, Brian, It's so good to meet you.

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<v Speaker 2>It's very nice to meet you. How's it going.

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<v Speaker 1>It's going pretty well, man, going pretty well? Can you

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<v Speaker 1>hear me? Okay, I'm so embarrassed. I was just doing

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<v Speaker 1>a tech setup. I've gotten no better at this in

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<v Speaker 1>the three years we've been doing. I'm a shit millennial.

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<v Speaker 2>Listen. I mean the fact that I can manage it.

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<v Speaker 2>I'm sure you're fine. Let's just let's put it that way.

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<v Speaker 1>I'll go with that.

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<v Speaker 2>I'm seeing you all over my TV left and right.

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<v Speaker 2>We're going to talk about that in a minute, some

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<v Speaker 2>of my favorite shows of last year. But you grew

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<v Speaker 2>up in Dallas? Is that right?

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<v Speaker 1>I did? Yeah? Yeah? Did I see that you're from?

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<v Speaker 1>Are you from Georgia?

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<v Speaker 2>I am from Georgia. But hail to the Red and

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<v Speaker 2>the Blue, the Mustangs of SMU. I spent my formative

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<v Speaker 2>years there.

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<v Speaker 1>Dude, my dad went there. Really yeah, I think I

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<v Speaker 1>have that I but yeah, yeah, I definitely would go.

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<v Speaker 1>This was like a big deal for I have other

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<v Speaker 1>people that were born in like eighty five, eighty six

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<v Speaker 1>whose dads when we were little, would take us to

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<v Speaker 1>play racquetball. I think it was just like a big

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<v Speaker 1>deal for dads born in the fifties that like racquetball

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<v Speaker 1>in the eighties and their thirties probably like you know,

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<v Speaker 1>coked up and drunk on whiskey, was throwing a battle

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<v Speaker 1>around a closed room. But like I'd go to SMU

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<v Speaker 1>with my dad to play racquetball forever. Yeah, it was

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<v Speaker 1>my acci.

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<v Speaker 2>Dad's where I started playing racquetball. Oh shit, man. In college. Yeah,

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<v Speaker 2>we In fact, I think I took like racquetball one

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<v Speaker 2>oh one. And that's not a that's not a course.

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<v Speaker 2>That's not a course.

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<v Speaker 1>When wait, when were you at SMU? Do you know

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<v Speaker 1>when you were there playing racquetball?

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<v Speaker 2>Well, yeah, you would have been young ish. I was

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<v Speaker 2>their early nineties.

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<v Speaker 1>Right, I'm telling you. I think we were we probably,

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<v Speaker 1>I mean I was too young to be playing racketball.

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<v Speaker 1>I think my dad was not great at racketball, and

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<v Speaker 1>it gave him a huge vote of self confidence to

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<v Speaker 1>just eviscerate a ten year old ketball.

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<v Speaker 2>I mean I also, as you know then, the basketball

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<v Speaker 2>courts were right out there. Yeah, so, I mean I

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<v Speaker 2>was trying to hustle people on the basketball courts as

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<v Speaker 2>much as possible, but then eventually it got shoved into

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<v Speaker 2>one of those rooms, the racquetball rooms. But yes, I

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<v Speaker 2>had a great, great time in Dallas, and it sounds

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<v Speaker 2>like you did too. You started well, first off, when

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<v Speaker 2>did you start getting interested in acting or performing?

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<v Speaker 1>You know, I was really reluctant. It started in I'm

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<v Speaker 1>no longer spiritual or really religious or religious, but it

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<v Speaker 1>started in the church I went to, which if you

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<v Speaker 1>went to SMU and you spent some time, you know

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<v Speaker 1>in Dallas, you know that they can mega church like, yeah,

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<v Speaker 1>none other. You know, everything's bigger in Texas, Stephen Jesus.

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<v Speaker 1>So like I went to one of those huge, huge

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<v Speaker 1>megachurches that had these like children's choirs that would put

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<v Speaker 1>on you know, bi annual big musicals and stuff. And

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<v Speaker 1>my mom was really, i think, just based on you

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<v Speaker 1>know the kind of kid I was, which was you know,

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<v Speaker 1>imaginative and running around and playing with action figures, probably

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<v Speaker 1>too old, thought that I'd really like it. And I

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<v Speaker 1>reluctantly kind of joined that, and then in doing that,

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<v Speaker 1>really got bit by it and I thought it was fun.

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<v Speaker 1>So like technically I started in a version of a theater.

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<v Speaker 1>But like you know, for for instance, Betty Gilpin on

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<v Speaker 1>Missus Davis, she's like a proper theater actor. So like

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<v Speaker 1>anytime I say like, oh, yeah, I got my start

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<v Speaker 1>in theater, because technically I was on a big stage

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<v Speaker 1>in front of a thousand people, right, I should be like, oh,

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<v Speaker 1>what did you put up? Like what was the play?

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<v Speaker 3>And I was like, it's called the Amazing Scripture of

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<v Speaker 3>Memory Maze, small production. So like definitely can't you know,

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<v Speaker 3>sit toe to toe with anyone who actually carved their

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<v Speaker 3>teeth on theater. But that was the first I think,

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<v Speaker 3>that feeling of kind of overcoming the nerves of something

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<v Speaker 3>like that, right, and then getting out, you know, with

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<v Speaker 3>a plan with your You had this plan that you'd

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<v Speaker 3>rehearsed with your cast, and you go execute it.

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<v Speaker 1>And in that moment of being in front of all

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<v Speaker 1>those people under the pressure, all you have is each other,

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<v Speaker 1>and the kind of unique bond that creates between all

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<v Speaker 1>of you just became really intoxicating. And I just I

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<v Speaker 1>just knew pretty quickly I wanted to do that. I

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<v Speaker 1>wanted to chase that feeling kind of forever. And I

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<v Speaker 1>don't even think I knew at the time that that's like,

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<v Speaker 1>because I also love TV and movies, Like I grew

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<v Speaker 1>up watching movies and TV. I didn't quite equate those

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<v Speaker 1>two as being the same thing. Okay, that was in

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<v Speaker 1>a box over there, and this was this weird thing

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<v Speaker 1>I was doing over here, and it took a while

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<v Speaker 1>for those to like overlap, and I'm right, yeah.

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<v Speaker 2>But I mean, look, let's be honest. It doesn't matter

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<v Speaker 2>how quote unquote serious the theater that you're doing. I mean,

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<v Speaker 2>having experiences on stage in front of people, that's kind

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<v Speaker 2>of step one. I mean yeah, I mean I think.

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<v Speaker 1>It should be. I think you're lucky it is right

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<v Speaker 1>like that. I feel really grateful it came in that order,

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<v Speaker 1>Like I not, there's there's probably a million different ways

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<v Speaker 1>to crack it. But like I've thought about this a

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<v Speaker 1>lot that, like, I'm glad I got that feeling first

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<v Speaker 1>before I was like ooh, I want to be you

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<v Speaker 1>know Harrison Ford, Like how do I reverse engineer that?

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<v Speaker 1>From a place of like vanity gushing, you know, I mean,

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<v Speaker 1>like he's so cool, I want to be that cool.

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<v Speaker 1>It really came from a place of just that feeling

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<v Speaker 1>and the like connection that you have when you do

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<v Speaker 1>theater was like terrifying and exciting, and then bonus, it's

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<v Speaker 1>also you know the root of all these performances you've

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<v Speaker 1>been enjoying forever.

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<v Speaker 2>Right, so you have this feeling that you want to chase.

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<v Speaker 2>You start studying at the acting studio and is it

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<v Speaker 2>Nancy Charitier?

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<v Speaker 1>She is one of I had two like acting gurus.

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<v Speaker 1>Excuse me. I had two like acting gurus in Dallas

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<v Speaker 1>that like together were like the yin and yang of

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<v Speaker 1>me actually believing maybe I could make a go of it.

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<v Speaker 1>So Nancy was second, but very amazed that you know

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<v Speaker 1>by name. And then uh, the there's the Dallas Young

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<v Speaker 1>Actors Studios Linda Sito and then uh, I think the

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<v Speaker 1>class was called React with Nancy Chardier. And the first

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<v Speaker 1>one my dad. I don't know if you do. You

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<v Speaker 1>remember little Miss Sunshine, Greg Kinnear's character and little Miss Sunshine.

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<v Speaker 1>He'd go around and do these kind of ten steps

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<v Speaker 1>to success. My dad's gonna kill me if you ever

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<v Speaker 1>listens to this. Thank god. He's a complete fucking ludite

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<v Speaker 1>and has no idea how to listen to this podcast.

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<v Speaker 1>I love you, dad, but uh, you know.

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<v Speaker 2>To your phone click podcast podcast.

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<v Speaker 1>Brian, he's not gonna hear these instructions.

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<v Speaker 2>You can't find it.

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<v Speaker 1>But anyway, he would give this seminar every Monday night

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<v Speaker 1>the church, and these people who were in career transition,

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<v Speaker 1>you know, leading one job or seeking another job, or

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<v Speaker 1>had been you know, let go from their own job

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<v Speaker 1>would come and listen to seminar. And an agent from

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<v Speaker 1>a Dallas agency like came up and approached him because

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<v Speaker 1>about his voice. You're like, you're interested in voiceover work,

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<v Speaker 1>and God bless him. He was like, no, not really,

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<v Speaker 1>but my son is an actor. So got me a

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<v Speaker 1>meeting like that way with a local agent. And then

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<v Speaker 1>she was like, sure, we'll take a meeting with him.

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<v Speaker 1>We'll see what he's all about. We'll have him read

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<v Speaker 1>a scene. I must have been like twelve years old

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<v Speaker 1>and had just dyed my hair like hydrogen peroxide eminem

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<v Speaker 1>yellow like the day before, and like walked in there

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<v Speaker 1>with like orange pants from Abercrombie. It's just the worst,

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<v Speaker 1>kind of just the worst. I can't even imagine what

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<v Speaker 1>they thought. And they were like, yeah, no, you should

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<v Speaker 1>go to class. You should definitely go to class. So

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<v Speaker 1>they sent me to those two places and I went

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<v Speaker 1>to the first one for a long time, and it

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<v Speaker 1>really was the first time I learned anything about just

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<v Speaker 1>how to do it. It also put me in a

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<v Speaker 1>kind of tribe of people that also wanted to do this.

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<v Speaker 1>That was a huge part of it. You know, you

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<v Speaker 1>moved to LA and you forget you know, how weird

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<v Speaker 1>of idea this is. In some parts of the country

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<v Speaker 1>or certainly some parts of the world. You know, right La,

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<v Speaker 1>everybody is there's a homogeny to like wanting to do

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<v Speaker 1>something in the entertainment industry, and there it was very

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<v Speaker 1>rare to meet someone who else who someone else who

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<v Speaker 1>wanted to do this. So even putting me in a

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<v Speaker 1>class full of people who like nerd it out about

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<v Speaker 1>the same shit that I did, and like, you know,

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<v Speaker 1>loved the same kind of movies and TV that I did,

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<v Speaker 1>was great. And so yeah, that that class and then

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<v Speaker 1>and then I met Nancy, and Nancy was the people

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<v Speaker 1>in Nancy's class were doing the La thing, were like

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<v Speaker 1>breaking their families in half and sending them to the

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<v Speaker 1>oak Woods, which sounds insane, but at the time it

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<v Speaker 1>was like, oh, I'm breaking my family. Definitely, what's next?

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<v Speaker 1>You guys are to hold on tight we're going to

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<v Speaker 1>the oak Woods. So yeah, that was like the beginning

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<v Speaker 1>of starting to actually have conversations about like, okay, we're

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<v Speaker 1>doing this in Dallas. It wasn't an overnight decision. There's

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<v Speaker 1>now like five years of moving in this direction and

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<v Speaker 1>getting representation locally and then meeting other parents who have

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<v Speaker 1>like kind of done the pilot season thing, which I

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<v Speaker 1>don't even know if that's a thing anymore, but it

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<v Speaker 1>certainly was, you know, when you and I were coming up,

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<v Speaker 1>and so eventually I wore them down to let me

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<v Speaker 1>try it for like a few months.

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<v Speaker 2>Now. For those of you who don't know the oak Woods,

0:12:39.240 --> 0:12:41.040
<v Speaker 2>I don't know if we've talked about this, this is

0:12:41.080 --> 0:12:42.320
<v Speaker 2>a legendary place.

0:12:42.520 --> 0:12:45.400
<v Speaker 1>Oh my god, it needs to be an HBO series.

0:12:45.760 --> 0:12:50.599
<v Speaker 2>It really does. The oak Woods is an apartment complex

0:12:51.400 --> 0:12:56.600
<v Speaker 2>kind of directly adjacent to both Universal and Warner Brothers

0:12:56.960 --> 0:13:02.720
<v Speaker 2>kind in this up in the hill, which sounds very romantic,

0:13:03.000 --> 0:13:06.439
<v Speaker 2>but it's not. At that time at least, it was

0:13:06.600 --> 0:13:10.319
<v Speaker 2>like a commune for people who would come out for

0:13:10.400 --> 0:13:13.240
<v Speaker 2>pilot season for as you said, like a month, two months,

0:13:13.280 --> 0:13:18.160
<v Speaker 2>three months, and like commune together, like yeah together, yeah,

0:13:18.240 --> 0:13:19.360
<v Speaker 2>do auditions, right.

0:13:19.360 --> 0:13:21.920
<v Speaker 1>Do auditions for like three months to give people an

0:13:21.960 --> 0:13:25.280
<v Speaker 1>idea of the size of this compound. There was a

0:13:25.360 --> 0:13:28.880
<v Speaker 1>North Clubhouse, a South Clubhouse, three entrances from different streets

0:13:29.400 --> 0:13:33.000
<v Speaker 1>and buildings, three stories for every letter of the alphabet.

0:13:33.280 --> 0:13:35.880
<v Speaker 1>So it's massive. You don't need to leave. In fact,

0:13:35.920 --> 0:13:38.360
<v Speaker 1>there was people who had been there since Oakwood opened.

0:13:38.360 --> 0:13:40.719
<v Speaker 1>I remember Lou had some guy named Lou had his

0:13:40.840 --> 0:13:43.840
<v Speaker 1>ninetieth birthday at South Clubhouse, right, So it's like old

0:13:44.000 --> 0:13:46.920
<v Speaker 1>Hollywood kind of, you know, a group of people that

0:13:47.080 --> 0:13:48.839
<v Speaker 1>lived there and like never left. They went to the

0:13:48.920 --> 0:13:51.280
<v Speaker 1>salon there, and they would like go to the pool

0:13:51.440 --> 0:13:54.000
<v Speaker 1>and all this stuff. There was a convenience store that

0:13:54.040 --> 0:13:56.280
<v Speaker 1>we used to get beer and cigarettes from when we

0:13:56.360 --> 0:13:59.199
<v Speaker 1>were way too young. Like I mean, it was it

0:13:59.360 --> 0:14:03.840
<v Speaker 1>was overrun with musicians touring, elderly people that had been

0:14:03.880 --> 0:14:07.920
<v Speaker 1>there since the sixties, child actors and stage moms and securities.

0:14:08.240 --> 0:14:13.040
<v Speaker 2>It's like the villages, yes, for it's like the villages

0:14:14.200 --> 0:14:17.520
<v Speaker 2>for young people who are trying to be musicians and

0:14:17.600 --> 0:14:19.560
<v Speaker 2>actors really and their families.

0:14:20.000 --> 0:14:22.520
<v Speaker 1>Yeah, that's the perfect that is the perfect analogy. It

0:14:22.600 --> 0:14:25.360
<v Speaker 1>is exactly the villages. It's a democratic.

0:14:24.880 --> 0:14:29.640
<v Speaker 2>Probably mostly Yeah, were you and So how old were

0:14:29.720 --> 0:14:32.040
<v Speaker 2>you when you finally went out.

0:14:31.920 --> 0:14:34.560
<v Speaker 1>To the So we couldn't stay in the oak Woods

0:14:34.560 --> 0:14:36.320
<v Speaker 1>because those were fancy, but my girlfriend at the time

0:14:36.400 --> 0:14:38.360
<v Speaker 1>lived there, and I spent all my time there. I

0:14:38.400 --> 0:14:40.640
<v Speaker 1>mean it was like even even if you you know,

0:14:40.760 --> 0:14:43.200
<v Speaker 1>didn't live there and you were an actor that you know,

0:14:43.960 --> 0:14:45.720
<v Speaker 1>was out there auditioning for past season, you just have

0:14:45.840 --> 0:14:47.880
<v Speaker 1>your mom drop you off there for like the day

0:14:48.280 --> 0:14:50.160
<v Speaker 1>and you'd run around with nothing to do with a

0:14:50.200 --> 0:14:52.440
<v Speaker 1>bunch of actor kids. That was when I was sixteen,

0:14:52.560 --> 0:14:55.600
<v Speaker 1>So twenty and three, twenty years ago. Wow, this is

0:14:55.680 --> 0:14:58.080
<v Speaker 1>twenty years as of this spring. Yeah.

0:14:58.720 --> 0:15:01.880
<v Speaker 2>Well you know what's crazy is I actually landed in

0:15:02.160 --> 0:15:06.240
<v Speaker 2>La the exact time you did two three.

0:15:06.000 --> 0:15:07.960
<v Speaker 1>So you must have seen me at the raquetball courts.

0:15:09.440 --> 0:15:12.920
<v Speaker 1>I'm gonna follow Zach. I'm gonna creepy way, not in

0:15:12.960 --> 0:15:13.640
<v Speaker 1>a creepy way.

0:15:13.800 --> 0:15:17.000
<v Speaker 2>Well, let's hold not. Yeah, I'm going to travel around

0:15:17.080 --> 0:15:21.160
<v Speaker 2>the country and eventually, when when, when Jake is on

0:15:21.280 --> 0:15:22.640
<v Speaker 2>the move, that I am too.

0:15:23.280 --> 0:15:26.080
<v Speaker 1>This is a long play. I'm proud of you here.

0:15:26.320 --> 0:15:29.920
<v Speaker 2>Yeah, now we're finally meeting twenty years later. It's been

0:15:30.000 --> 0:15:34.720
<v Speaker 2>going on forty years. Not quite Uh, your name. By

0:15:34.760 --> 0:15:37.160
<v Speaker 2>the way, I have to mention your name is John.

0:15:38.200 --> 0:15:42.240
<v Speaker 2>I heard a story about your name becoming Jake. Tell it.

0:15:42.800 --> 0:15:45.320
<v Speaker 1>Oh, I'm so curious. It's this is the story you've heard?

0:15:45.960 --> 0:15:50.320
<v Speaker 1>Uh So, my name is John Alan McDormand the force.

0:15:51.160 --> 0:15:55.000
<v Speaker 1>My dad. This is the third. I'm his only son.

0:15:55.080 --> 0:15:57.760
<v Speaker 1>He had two daughters before I was born and a

0:15:57.840 --> 0:16:00.440
<v Speaker 1>third after I was born. And I think just the

0:16:00.560 --> 0:16:05.400
<v Speaker 1>weight of continuing the progeny made him name me on

0:16:05.560 --> 0:16:09.400
<v Speaker 1>paper John the Fourth. But he didn't want to name

0:16:09.440 --> 0:16:15.400
<v Speaker 1>me John, so uh he there was I've heard it.

0:16:15.440 --> 0:16:17.400
<v Speaker 1>I've actually heard a couple of versions of this between

0:16:17.400 --> 0:16:20.440
<v Speaker 1>my parents, depending on how drunk they are. The story

0:16:20.560 --> 0:16:22.960
<v Speaker 1>that's kind of where it comes from, is that, like

0:16:23.080 --> 0:16:25.800
<v Speaker 1>I guess in the eighties, saying you got that right,

0:16:25.960 --> 0:16:30.040
<v Speaker 1>Jake was a saying and he was like, and you know,

0:16:30.200 --> 0:16:32.960
<v Speaker 1>Jake from Chinatown. So when I cry as a baby,

0:16:33.400 --> 0:16:37.280
<v Speaker 1>he'd tell me, relax, Jake, it's just Chinatown. When I'm

0:16:37.320 --> 0:16:39.120
<v Speaker 1>butchering Jacknickilson's.

0:16:38.520 --> 0:16:40.920
<v Speaker 2>Line, No, that was pretty close story.

0:16:41.000 --> 0:16:41.280
<v Speaker 1>I heard.

0:16:41.960 --> 0:16:43.480
<v Speaker 2>Relaxed, Jake, it's Chinatown.

0:16:43.840 --> 0:16:44.080
<v Speaker 3>Yeah.

0:16:44.600 --> 0:16:46.880
<v Speaker 1>Yeah, And then it stuck and now I'm an actor

0:16:47.080 --> 0:16:49.520
<v Speaker 1>and everyone thinks it's a stage name. It just has.

0:16:49.800 --> 0:16:53.360
<v Speaker 1>It's been a pain in the ass at airports and

0:16:54.920 --> 0:16:58.160
<v Speaker 1>security gates, at Warner Brothers and anywhere else and explaining

0:16:58.200 --> 0:16:59.640
<v Speaker 1>it to people where I'm like, oh, well, my real

0:16:59.760 --> 0:17:02.240
<v Speaker 1>name is John, that's what's on my license, and they're like, oh,

0:17:02.320 --> 0:17:04.680
<v Speaker 1>so you're you go by Jake as a stage name, Like, no,

0:17:05.320 --> 0:17:08.400
<v Speaker 1>my dad just thought he'd fuck with me eternally by

0:17:08.920 --> 0:17:11.480
<v Speaker 1>me going as Jake my whole life. I think, So,

0:17:11.600 --> 0:17:15.120
<v Speaker 1>you've got a great name, Brian Baumgardner, that's a that's

0:17:15.160 --> 0:17:18.480
<v Speaker 1>a that's a cool name. Oh it sounds cool, man.

0:17:18.520 --> 0:17:21.879
<v Speaker 1>It could be like, yeah, I'm jealous. I think John

0:17:22.320 --> 0:17:27.399
<v Speaker 1>Alan McDorman, as i've gotten older, sounds stronger because in

0:17:27.520 --> 0:17:30.920
<v Speaker 1>my mind when I think of Jake, maybe it's because

0:17:30.960 --> 0:17:33.720
<v Speaker 1>it has no roots and my actual name anywhere, But

0:17:33.800 --> 0:17:35.800
<v Speaker 1>I'm like, that's not a real name. I was talking

0:17:35.840 --> 0:17:38.480
<v Speaker 1>to a co star at one point and I was like,

0:17:38.560 --> 0:17:41.520
<v Speaker 1>I don't know Jake McDorman. This is like not too

0:17:41.600 --> 0:17:43.440
<v Speaker 1>long ago either, like four years ago. So I'm deep

0:17:43.520 --> 0:17:46.680
<v Speaker 1>into the Jake. This isn't like a conversation I had,

0:17:46.840 --> 0:17:48.840
<v Speaker 1>you know, twenty years ago. But she was like, no,

0:17:49.040 --> 0:17:51.480
<v Speaker 1>Jake mcdormand's great, that's good. I was like, she's like,

0:17:51.520 --> 0:17:53.400
<v Speaker 1>what's your what's your legal name? I was like John

0:17:53.480 --> 0:17:56.040
<v Speaker 1>Allan McDorman and she was like, oh, I take it back,

0:17:56.840 --> 0:18:01.040
<v Speaker 1>that's way better. She was like, Jake Dorman wins like

0:18:01.400 --> 0:18:06.800
<v Speaker 1>maybe a people's choice. John Allen McDorman wins a cab.

0:18:07.320 --> 0:18:12.480
<v Speaker 1>I was like, I fucking I know. So.

0:18:12.640 --> 0:18:16.160
<v Speaker 2>Yeah, so you one of your first roles, you get

0:18:16.200 --> 0:18:18.440
<v Speaker 2>cast on Run of the House. Now was this during

0:18:18.480 --> 0:18:20.760
<v Speaker 2>a time you were just visiting this was my first

0:18:20.840 --> 0:18:23.639
<v Speaker 2>pilot season, your first pilot season, you get cast?

0:18:24.200 --> 0:18:24.440
<v Speaker 4>Yeah.

0:18:24.560 --> 0:18:26.680
<v Speaker 1>I was had the fear of God that I would

0:18:26.920 --> 0:18:29.320
<v Speaker 1>not get something, and you know, have to kind of

0:18:30.320 --> 0:18:32.399
<v Speaker 1>face all the decisions that I had made about like

0:18:32.440 --> 0:18:35.399
<v Speaker 1>pulling myself out of school, because you know, the different

0:18:35.600 --> 0:18:38.840
<v Speaker 1>the levels of commitment that go into a pilot season

0:18:38.880 --> 0:18:40.800
<v Speaker 1>when you're in the middle of like public school system.

0:18:41.640 --> 0:18:44.159
<v Speaker 1>Like I wasn't some savant. I wasn't some Ronan pharaoh

0:18:44.240 --> 0:18:47.240
<v Speaker 1>that graduated early like and could go run off to you,

0:18:47.520 --> 0:18:49.080
<v Speaker 1>you know, a good college. At some point it was

0:18:49.480 --> 0:18:52.240
<v Speaker 1>very much like, all right, you're just ending your education,

0:18:53.080 --> 0:18:56.600
<v Speaker 1>and like it was there was there was some you know,

0:18:56.760 --> 0:19:00.600
<v Speaker 1>I had gotten like a homeschool program that a lot

0:19:00.640 --> 0:19:03.440
<v Speaker 1>of child actors were going to a lot of headshots

0:19:03.480 --> 0:19:08.720
<v Speaker 1>on that wall. And there was even another like accredited

0:19:09.040 --> 0:19:11.840
<v Speaker 1>diploma that you could test out of school so that

0:19:12.440 --> 0:19:15.000
<v Speaker 1>a studio could hire you without having to hire an

0:19:15.040 --> 0:19:18.800
<v Speaker 1>onset tutor. But like that that was the goal marketability,

0:19:18.920 --> 0:19:21.520
<v Speaker 1>not education. It was like, get get this out of

0:19:21.560 --> 0:19:24.960
<v Speaker 1>the way, you want to be hireable, right. So I

0:19:25.080 --> 0:19:27.800
<v Speaker 1>had made those decisions quick because like before we even

0:19:27.840 --> 0:19:29.600
<v Speaker 1>hit the ground running for a first pilot season, like

0:19:29.680 --> 0:19:32.000
<v Speaker 1>did the get rid of the education and be like,

0:19:32.119 --> 0:19:36.440
<v Speaker 1>you know, completely no strings attached. So I was really really,

0:19:36.560 --> 0:19:39.720
<v Speaker 1>really really hyper aware that if this didn't work out,

0:19:40.119 --> 0:19:42.720
<v Speaker 1>at least work out enough to send the signal that

0:19:42.760 --> 0:19:45.680
<v Speaker 1>we should try it, you know, continue, that I was

0:19:45.720 --> 0:19:47.639
<v Speaker 1>going to have to like go back to school with

0:19:47.720 --> 0:19:52.200
<v Speaker 1>all my friends with my head held low and rejoin

0:19:52.240 --> 0:19:56.080
<v Speaker 1>a grade beneath them now, right, So yeah, I think

0:19:56.119 --> 0:20:00.720
<v Speaker 1>I tested for a handful that first year. Didn't get

0:20:00.760 --> 0:20:03.119
<v Speaker 1>any of the things I tested for, which was like

0:20:03.440 --> 0:20:06.159
<v Speaker 1>really devastating at the time. I didn't I didn't have

0:20:06.240 --> 0:20:08.600
<v Speaker 1>any gauge for how good or well I was doing

0:20:08.680 --> 0:20:12.800
<v Speaker 1>other than like get something or you're going home, So

0:20:13.000 --> 0:20:15.399
<v Speaker 1>callbacks or you know, any of the other Bellweathers that like,

0:20:15.440 --> 0:20:17.720
<v Speaker 1>you know, oh it's going well, just didn't compute. I

0:20:17.800 --> 0:20:21.320
<v Speaker 1>didn't know what to you know, invest that kind of

0:20:21.440 --> 0:20:25.480
<v Speaker 1>hope in. So I got this this co star on pilot.

0:20:25.560 --> 0:20:28.800
<v Speaker 1>This is back when CW was actually WB with the

0:20:28.840 --> 0:20:31.159
<v Speaker 1>Singing Frog yep, and it went for a season. They

0:20:31.200 --> 0:20:33.119
<v Speaker 1>brought me back for one episode after the pilot. But

0:20:33.160 --> 0:20:35.320
<v Speaker 1>that was enough. That was enough for my agents that

0:20:35.480 --> 0:20:37.560
<v Speaker 1>had like kind of they were doing like a dry

0:20:37.680 --> 0:20:40.080
<v Speaker 1>run with me, be like, well, sign you proper sing

0:20:40.240 --> 0:20:42.320
<v Speaker 1>with my manager at the time, and the signals send

0:20:42.359 --> 0:20:44.560
<v Speaker 1>the signal to my folks that like I can I

0:20:44.600 --> 0:20:46.600
<v Speaker 1>can maybe do this. It was great.

0:20:46.800 --> 0:21:09.119
<v Speaker 2>It was a sitcom yeah, live audience fun. Ye, your

0:21:09.200 --> 0:21:13.240
<v Speaker 2>first main role you get cast on Quintuplets. Do you

0:21:13.320 --> 0:21:17.000
<v Speaker 2>feel like at that point your life is transitioning into

0:21:17.080 --> 0:21:20.480
<v Speaker 2>a totally new direction, Like do you feel the weight

0:21:20.560 --> 0:21:22.520
<v Speaker 2>of it? Is it a big deal for you?

0:21:23.080 --> 0:21:27.000
<v Speaker 1>Oh? Yeah, oh yeah definitely. That was also I was

0:21:27.040 --> 0:21:30.560
<v Speaker 1>able to pay my parents back with that, and I

0:21:30.640 --> 0:21:33.359
<v Speaker 1>think that was when, you know, because that would have

0:21:33.400 --> 0:21:36.200
<v Speaker 1>required I was seventeen when I did Quintuplets and it

0:21:36.280 --> 0:21:37.840
<v Speaker 1>was going to go for a full season. Yeah, I

0:21:37.840 --> 0:21:39.600
<v Speaker 1>don't know when we got our back nine again for

0:21:39.680 --> 0:21:43.960
<v Speaker 1>people listening, you know, the pilot to first Order to

0:21:44.080 --> 0:21:47.280
<v Speaker 1>back nine might be weird now, but it shows back

0:21:47.320 --> 0:21:50.520
<v Speaker 1>then did like twenty two full episode seasons. And once

0:21:50.880 --> 0:21:53.159
<v Speaker 1>it was clear that that was going to happen, you know,

0:21:53.280 --> 0:21:54.720
<v Speaker 1>my family had to stop because it's me and my

0:21:54.800 --> 0:21:56.919
<v Speaker 1>mom out here and my dad and my sister in Texas,

0:21:57.000 --> 0:21:59.840
<v Speaker 1>and that split just was untenable. So I got emancipated

0:22:00.040 --> 0:22:04.760
<v Speaker 1>and I was turning turning eighteen soon just to legally

0:22:05.040 --> 0:22:07.280
<v Speaker 1>let my mom go back and I could start living

0:22:07.320 --> 0:22:09.159
<v Speaker 1>on my own in seventeen. So yes, I mean that

0:22:09.680 --> 0:22:14.480
<v Speaker 1>not only you know, bolstered confidence being having the set

0:22:14.520 --> 0:22:17.280
<v Speaker 1>experience of being like a series regular and having a

0:22:17.320 --> 0:22:18.800
<v Speaker 1>place to show up too, that's going to pay you

0:22:18.960 --> 0:22:21.320
<v Speaker 1>and have you learn as much as something like that,

0:22:21.400 --> 0:22:23.440
<v Speaker 1>but also just living on my own for the first time.

0:22:23.880 --> 0:22:26.920
<v Speaker 2>How was How was that? Was that was that difficult?

0:22:27.480 --> 0:22:27.520
<v Speaker 1>Like?

0:22:27.640 --> 0:22:31.479
<v Speaker 2>Looking back, were you able to manage it? Okay?

0:22:32.359 --> 0:22:35.320
<v Speaker 1>Look looking at the time, Yeah, I mean I really

0:22:35.840 --> 0:22:38.359
<v Speaker 1>And again there was there was there's a lot of

0:22:38.480 --> 0:22:42.159
<v Speaker 1>structure baked in with a with a show yes, so, like,

0:22:42.280 --> 0:22:44.240
<v Speaker 1>you know, having a place to report to, it would

0:22:44.240 --> 0:22:46.639
<v Speaker 1>be a little different. I think if I had, you know,

0:22:46.960 --> 0:22:48.920
<v Speaker 1>just moved out there, got an apartment at eighteen, and

0:22:49.040 --> 0:22:51.000
<v Speaker 1>was trying to get an agent, because that's really like

0:22:51.640 --> 0:22:53.359
<v Speaker 1>then you'd have to find structure in a job and

0:22:53.440 --> 0:22:55.639
<v Speaker 1>find something part time that would allow you auditions. So

0:22:55.920 --> 0:22:58.080
<v Speaker 1>I got to kind of circumvent that mess and have

0:22:58.240 --> 0:23:01.199
<v Speaker 1>somewhere to report to. It is mind blowing. I mean,

0:23:01.280 --> 0:23:03.920
<v Speaker 1>just having the like, I think the there's a level

0:23:04.000 --> 0:23:06.200
<v Speaker 1>of tell me what you think about this, there's a

0:23:06.280 --> 0:23:09.400
<v Speaker 1>level of like hubris that has to come. Like I'm

0:23:09.440 --> 0:23:14.000
<v Speaker 1>almost grateful that I started as a teenager when I

0:23:14.119 --> 0:23:17.359
<v Speaker 1>was stupid enough to think that this was a good idea,

0:23:17.800 --> 0:23:20.320
<v Speaker 1>you know. Like so like in hindsight, I'm kind of

0:23:20.440 --> 0:23:23.959
<v Speaker 1>mind blown because now I'm just so much more pragmatic

0:23:24.000 --> 0:23:28.720
<v Speaker 1>about things that something that kind of outrageous would I

0:23:28.760 --> 0:23:30.439
<v Speaker 1>don't know, I'd just be hyper aware of how much

0:23:30.480 --> 0:23:32.720
<v Speaker 1>I'd be putting everyone out in the likelihood and this

0:23:32.840 --> 0:23:36.200
<v Speaker 1>and that. So like at the time, I was so

0:23:36.720 --> 0:23:39.640
<v Speaker 1>I was laser focused on this and moving this forward.

0:23:40.160 --> 0:23:43.639
<v Speaker 1>But in retrospect, it just feels like bizarre.

0:23:43.920 --> 0:23:46.520
<v Speaker 2>Yeah, I have a similar story as what I mean,

0:23:46.640 --> 0:23:49.600
<v Speaker 2>not similar at all. But by the time I got

0:23:49.880 --> 0:23:53.000
<v Speaker 2>to La and I got the Office, and even though

0:23:53.160 --> 0:23:57.560
<v Speaker 2>The Office was almost canceled like fourteen times, there was

0:23:57.720 --> 0:24:01.639
<v Speaker 2>sort of this weird like, oh no, this is this

0:24:01.800 --> 0:24:03.640
<v Speaker 2>is going to go like everything's going to be good,

0:24:03.680 --> 0:24:06.199
<v Speaker 2>right and I'm going to be fired. It's all going

0:24:06.280 --> 0:24:09.359
<v Speaker 2>to be like I bought a house after like three episodes,

0:24:09.800 --> 0:24:14.159
<v Speaker 2>which which was ridiculous. No, I mean, like totally ridiculous,

0:24:15.200 --> 0:24:18.280
<v Speaker 2>which is like, you know, in retrospect, it's like, what

0:24:18.560 --> 0:24:22.720
<v Speaker 2>this is something I would vehemently argue anyone who told

0:24:22.800 --> 0:24:24.600
<v Speaker 2>me that was the choice that they were going to make.

0:24:25.080 --> 0:24:26.159
<v Speaker 2>When when was that?

0:24:26.400 --> 0:24:28.520
<v Speaker 1>So you came out two thousand and three? When was

0:24:28.600 --> 0:24:30.520
<v Speaker 1>the pilot of The Office.

0:24:30.760 --> 0:24:34.840
<v Speaker 2>Two thousand and four? January, oh, February January, February of

0:24:34.840 --> 0:24:39.800
<v Speaker 2>two thousand and four, and then yeah, like really yeah.

0:24:40.000 --> 0:24:42.159
<v Speaker 2>Then we weren't on the air until spring of two.

0:24:42.200 --> 0:24:45.320
<v Speaker 2>We were mid season of two thousand and five, so

0:24:46.040 --> 0:24:49.040
<v Speaker 2>there was a long time in there. But I bought

0:24:49.240 --> 0:24:51.280
<v Speaker 2>a house before the show had aired.

0:24:52.520 --> 0:24:53.159
<v Speaker 1>That's crazy.

0:24:53.760 --> 0:24:58.240
<v Speaker 2>I mean, it's yeah, well done. No, it's really stupid.

0:24:58.760 --> 0:25:01.359
<v Speaker 2>I mean, again, in retrospec it all sort of worked out,

0:25:01.400 --> 0:25:04.560
<v Speaker 2>I guess, but of course, but yeah, no, I kind

0:25:04.600 --> 0:25:07.359
<v Speaker 2>of know what you And I'm really only telling that

0:25:07.440 --> 0:25:09.359
<v Speaker 2>story because I kind of get what you're saying. Like

0:25:09.520 --> 0:25:13.320
<v Speaker 2>looking back, like you were laser focused. I was certainly

0:25:13.400 --> 0:25:15.800
<v Speaker 2>laser focused and thought, Okay, well this is gonna this

0:25:15.960 --> 0:25:18.760
<v Speaker 2>is gonna all be fine. Yeah, but yeah, that's it's

0:25:19.080 --> 0:25:19.640
<v Speaker 2>that's fast.

0:25:19.680 --> 0:25:21.320
<v Speaker 1>You kind of have to I mean, you kind of.

0:25:21.520 --> 0:25:24.280
<v Speaker 1>I mean even even I mean, there's still an element

0:25:24.359 --> 0:25:26.800
<v Speaker 1>of that that's you know, hasn't shaken. I mean, I

0:25:26.840 --> 0:25:31.280
<v Speaker 1>think it's twenty years later. You have more experience and

0:25:31.359 --> 0:25:33.639
<v Speaker 1>you've seen you know, peaks and valleys and all the

0:25:33.640 --> 0:25:36.440
<v Speaker 1>stuff that everybody talks about. But I mean there's still

0:25:36.560 --> 0:25:39.520
<v Speaker 1>has to be kind of an irrational burning for it, right,

0:25:39.680 --> 0:25:42.440
<v Speaker 1>like it still lives and it doesn't quite live irrational.

0:25:42.880 --> 0:25:48.480
<v Speaker 2>No, that's true. And you know I was for my

0:25:48.680 --> 0:25:53.160
<v Speaker 2>age way more responsible when I was seventeen now really

0:25:53.760 --> 0:25:56.680
<v Speaker 2>just like just like for my A, I was mature

0:25:56.840 --> 0:25:59.360
<v Speaker 2>and blah blah blah. And I don't say that like bragging.

0:25:59.480 --> 0:26:03.359
<v Speaker 2>I was boring in a way. But I can't sitting

0:26:03.440 --> 0:26:05.960
<v Speaker 2>here now, I can't imagine living on my own in

0:26:06.040 --> 0:26:07.280
<v Speaker 2>Los Angeles seventeen.

0:26:07.640 --> 0:26:09.800
<v Speaker 1>Yeah, it was a lot of you know, I'll say too,

0:26:09.840 --> 0:26:12.160
<v Speaker 1>because like I had met my it was my first

0:26:12.320 --> 0:26:14.800
<v Speaker 1>my first girlfriend lived out here, and I met her

0:26:14.920 --> 0:26:17.879
<v Speaker 1>in Nancy Chardier's class, So we met in Dallas, and

0:26:18.000 --> 0:26:20.280
<v Speaker 1>she was actually one of the one of the students

0:26:20.560 --> 0:26:22.159
<v Speaker 1>who was an example of someone that would go back

0:26:22.200 --> 0:26:24.040
<v Speaker 1>and forth from pilot season and I would hear she

0:26:24.040 --> 0:26:26.680
<v Speaker 1>would like come back from La and regaleus with stories

0:26:26.920 --> 0:26:29.639
<v Speaker 1>and it sounded like such a magical place. Obviously La

0:26:29.800 --> 0:26:32.800
<v Speaker 1>is very dangerous and not magical, but like the in

0:26:32.880 --> 0:26:35.320
<v Speaker 1>these kind of like you know, rose colored glasses in

0:26:35.400 --> 0:26:38.200
<v Speaker 1>an acting class, focusing on that specific element of like, wow,

0:26:38.600 --> 0:26:40.800
<v Speaker 1>here's somebody that I put up scenes with that just

0:26:40.800 --> 0:26:42.680
<v Speaker 1>went and did a pilot with Chevy Chase, you know,

0:26:42.840 --> 0:26:45.520
<v Speaker 1>like it just sounded like too good to be true.

0:26:45.680 --> 0:26:48.640
<v Speaker 1>And Oakwood. Honestly, this is something else I look back

0:26:48.680 --> 0:26:53.000
<v Speaker 1>on retrospect, but at the time Oakwood sounded like Sherwood forest,

0:26:53.280 --> 0:26:56.680
<v Speaker 1>like it was incredible, sound like all the stuff they'd

0:26:56.720 --> 0:26:58.600
<v Speaker 1>get into and just all this, Like, you know, if

0:26:58.760 --> 0:27:01.159
<v Speaker 1>I felt like I had found the tribe in a

0:27:01.280 --> 0:27:04.280
<v Speaker 1>pocket of Dallas that had a few acting classes right

0:27:04.560 --> 0:27:07.200
<v Speaker 1>Oakwood and Los Angeles felt like the mecca, Like it

0:27:07.359 --> 0:27:10.560
<v Speaker 1>just felt like right And obviously it's a sixteen year

0:27:10.560 --> 0:27:13.760
<v Speaker 1>old's idealized version of this place. Sure, but then to

0:27:13.960 --> 0:27:17.119
<v Speaker 1>right on the heels of idealizing it, get to be

0:27:17.720 --> 0:27:21.320
<v Speaker 1>of it and among it was. I think it helped

0:27:21.359 --> 0:27:23.560
<v Speaker 1>that I had a built in again, kind of a

0:27:23.640 --> 0:27:27.200
<v Speaker 1>built in community through her and her circle of friends.

0:27:27.520 --> 0:27:30.119
<v Speaker 1>She'd been doing this since even younger. I mean to

0:27:30.200 --> 0:27:34.120
<v Speaker 1>give you an idea, sixteen in retrospect is so young

0:27:34.520 --> 0:27:37.280
<v Speaker 1>that it blows my mind that I was even allowed

0:27:37.320 --> 0:27:39.359
<v Speaker 1>to do that. But I remember the feeling when I

0:27:39.440 --> 0:27:41.880
<v Speaker 1>got here at sixteen, looking around at all the other

0:27:42.000 --> 0:27:43.600
<v Speaker 1>kids that had been doing it since they were eight,

0:27:43.680 --> 0:27:46.840
<v Speaker 1>and being like fuck too old. Like I had that

0:27:47.040 --> 0:27:49.200
<v Speaker 1>thought where I was like, I can't believe I waited

0:27:49.320 --> 0:27:53.159
<v Speaker 1>till I'm an old man. Right sixteen, Now I can

0:27:53.359 --> 0:27:57.840
<v Speaker 1>drive like it's just you were. I was, so you know,

0:27:58.240 --> 0:28:01.040
<v Speaker 1>just enmeshed in that kind of you know, world and

0:28:01.160 --> 0:28:05.399
<v Speaker 1>culture socially that I think it was part of what

0:28:05.680 --> 0:28:10.000
<v Speaker 1>made my parents be like, oh, okay, he's not that

0:28:10.119 --> 0:28:12.520
<v Speaker 1>the child actor circle of Los Angeles is like, oh

0:28:12.600 --> 0:28:13.320
<v Speaker 1>he'll be fine.

0:28:13.760 --> 0:28:14.320
<v Speaker 2>Yeah, but.

0:28:17.760 --> 0:28:26.440
<v Speaker 1>Have you ever heard Yeah, exactly, exactly, name me what. Meanwhile,

0:28:26.480 --> 0:28:28.000
<v Speaker 1>they're depositing money in my cougan.

0:28:29.800 --> 0:28:36.000
<v Speaker 2>In two thousand and seven, you're now fully la and

0:28:36.640 --> 0:28:42.160
<v Speaker 2>you get your first multi year, multiple season run of

0:28:42.240 --> 0:28:43.880
<v Speaker 2>a little show called.

0:28:43.960 --> 0:28:47.200
<v Speaker 1>Greek Brian My only, my one and only.

0:28:47.800 --> 0:28:49.080
<v Speaker 4>You're oh, that's the only?

0:28:49.440 --> 0:28:55.760
<v Speaker 2>Well yes, yes, okay, so so far sure, fine, maybe technically,

0:28:55.920 --> 0:28:59.480
<v Speaker 2>but I mean we'll you know, we'll talk about that

0:28:59.560 --> 0:29:02.959
<v Speaker 2>in a minute. But wow, okay, so that's that's your

0:29:03.120 --> 0:29:06.960
<v Speaker 2>one and only. Well, first off, how did you get cast?

0:29:07.040 --> 0:29:12.480
<v Speaker 2>You audition? This was yeah, Greek, I'm talking about Greek. Yes, Greek.

0:29:12.680 --> 0:29:16.520
<v Speaker 1>Greek is was on ABC Family Now I think it's

0:29:16.600 --> 0:29:20.960
<v Speaker 1>free form, And yes, it was in between Quintuplets and Greek.

0:29:21.000 --> 0:29:24.320
<v Speaker 1>I had gone to Australia to shoot a movie called Aquamarine, which,

0:29:24.400 --> 0:29:27.520
<v Speaker 1>by the way, is having a very bizarre to me,

0:29:27.960 --> 0:29:29.920
<v Speaker 1>not bizarre. I understand why it's happening. I guess it's

0:29:29.960 --> 0:29:32.120
<v Speaker 1>a kids movie and they've grown up now, but it's

0:29:32.160 --> 0:29:34.560
<v Speaker 1>having a little bit of like a weird resurgence. Mm hmm,

0:29:34.840 --> 0:29:37.480
<v Speaker 1>Like I get sent tiktoks a lot that are acha

0:29:37.560 --> 0:29:40.880
<v Speaker 1>marine centered. So did that in between, and then came

0:29:41.280 --> 0:29:43.600
<v Speaker 1>back to La and got on Greek And yeah, it

0:29:43.720 --> 0:29:46.680
<v Speaker 1>was an audition, but every character on that show, we

0:29:46.800 --> 0:29:49.680
<v Speaker 1>all auditioned for different parts of me played without exception,

0:29:50.000 --> 0:29:51.600
<v Speaker 1>every single one. So it was a little bit of

0:29:51.640 --> 0:29:54.320
<v Speaker 1>a mixed match and we got to know each other

0:29:54.480 --> 0:29:55.920
<v Speaker 1>through that process. I think.

0:29:56.360 --> 0:29:56.680
<v Speaker 2>No, I know.

0:29:56.800 --> 0:29:58.920
<v Speaker 1>Originally I had gone like all the way to the mat,

0:29:59.080 --> 0:30:01.000
<v Speaker 1>like all the way to student a network test for

0:30:01.360 --> 0:30:04.880
<v Speaker 1>the role of Cappy, which was like the complete inversion

0:30:04.920 --> 0:30:07.480
<v Speaker 1>of the character I got. He's like the fun John

0:30:07.520 --> 0:30:11.240
<v Speaker 1>Belushi animal house like you know, fraternity guy, right, and

0:30:11.720 --> 0:30:17.120
<v Speaker 1>I'm the more clean cut, preppy fraternity president. And so yeah,

0:30:17.280 --> 0:30:20.960
<v Speaker 1>they mixed this around, and I was really interested in

0:30:21.080 --> 0:30:23.280
<v Speaker 1>playing that part. So when they came back and were like,

0:30:23.320 --> 0:30:25.000
<v Speaker 1>how would you like to play the opposite of that part?

0:30:25.600 --> 0:30:28.560
<v Speaker 1>It was strange, it was but they kind of they

0:30:28.560 --> 0:30:29.960
<v Speaker 1>didn't have to test for it, so it was like,

0:30:30.080 --> 0:30:32.400
<v Speaker 1>in a weird way, it's not technically an offer, like

0:30:32.520 --> 0:30:35.880
<v Speaker 1>I did audition for another role, but but it was

0:30:35.960 --> 0:30:38.360
<v Speaker 1>the first time that they were like, you've already gone

0:30:38.400 --> 0:30:40.880
<v Speaker 1>through the steps. If you're interested, we'd like you to

0:30:41.000 --> 0:30:42.960
<v Speaker 1>play this role. Read it and see what you think

0:30:43.000 --> 0:30:45.120
<v Speaker 1>of that? And I was like, yeah, maybe that could

0:30:45.120 --> 0:30:50.200
<v Speaker 1>be fun. So did that here in LA for four years?

0:30:50.440 --> 0:30:53.480
<v Speaker 1>I think? And just I mean, you know, you know

0:30:53.800 --> 0:30:57.120
<v Speaker 1>how quickly you become a family with a cast that

0:30:57.480 --> 0:31:00.320
<v Speaker 1>you get to do more than one season of let

0:31:00.360 --> 0:31:02.960
<v Speaker 1>alone four because these are all still like my best

0:31:03.000 --> 0:31:04.240
<v Speaker 1>friends from that show.

0:31:04.400 --> 0:31:08.360
<v Speaker 2>Yeah, but it also I mean just clearly young people

0:31:08.760 --> 0:31:11.560
<v Speaker 2>all sort of in as you have referred to in

0:31:11.680 --> 0:31:15.920
<v Speaker 2>this tribe. This everyone's sort of there in their own place.

0:31:16.160 --> 0:31:21.080
<v Speaker 2>No one hugely broken out at that point, right, And yeah,

0:31:21.120 --> 0:31:24.160
<v Speaker 2>it seems like totally that you would you would form

0:31:24.320 --> 0:31:25.520
<v Speaker 2>this family that you're referring to.

0:31:26.160 --> 0:31:28.360
<v Speaker 1>Yeah, yeah, I mean it's it's the only people that

0:31:28.600 --> 0:31:31.680
<v Speaker 1>know the I mean, you spend fourteen hours a day

0:31:31.720 --> 0:31:34.200
<v Speaker 1>with these people, like a weird amount of time that

0:31:34.200 --> 0:31:36.560
<v Speaker 1>you wouldn't even spend with your you don't even usually

0:31:36.640 --> 0:31:39.280
<v Speaker 1>get to because of this job, spend with your partner. Right,

0:31:39.360 --> 0:31:42.080
<v Speaker 1>So they've become such a constant in your life. And

0:31:42.120 --> 0:31:44.959
<v Speaker 1>then you're navigating press, which is always weird. And then

0:31:45.000 --> 0:31:47.120
<v Speaker 1>to have like a circle of eight people to go

0:31:47.200 --> 0:31:50.360
<v Speaker 1>through that process with brings you closer or not. I mean,

0:31:50.440 --> 0:31:53.000
<v Speaker 1>I know that we're really lucky that we had like

0:31:53.280 --> 0:31:56.120
<v Speaker 1>a good group of personalities, because that doesn't always happen.

0:31:56.320 --> 0:31:59.320
<v Speaker 1>But like, yeah, it was great, and I learned so

0:31:59.560 --> 0:32:03.600
<v Speaker 1>much just about being on the set. Those two classes

0:32:03.640 --> 0:32:05.640
<v Speaker 1>I was talking about earlier did a really good job

0:32:05.680 --> 0:32:08.680
<v Speaker 1>of preparing me. And they had like studio sets built,

0:32:08.760 --> 0:32:11.520
<v Speaker 1>like you learned how to do a multi cam sitcom.

0:32:11.640 --> 0:32:14.600
<v Speaker 1>They had like a you know, a film summer camp

0:32:14.680 --> 0:32:18.760
<v Speaker 1>where you're essentially working half the time as cast, half

0:32:18.840 --> 0:32:21.640
<v Speaker 1>the time's crew. So to their credit, like I was

0:32:22.440 --> 0:32:25.360
<v Speaker 1>maybe more used to the feeling of being on a

0:32:25.440 --> 0:32:28.480
<v Speaker 1>single camp than somebody who's just completely fresh off the boat,

0:32:28.600 --> 0:32:32.440
<v Speaker 1>but getting four years of you know, the hours and

0:32:32.600 --> 0:32:36.480
<v Speaker 1>watching a character develop, trying things that fucking don't work,

0:32:37.040 --> 0:32:39.240
<v Speaker 1>you know. And that's like one of the things I'm

0:32:39.280 --> 0:32:41.760
<v Speaker 1>most grateful for about it is the Greek has its

0:32:41.920 --> 0:32:44.480
<v Speaker 1>like pocketive fan It as like a cult, you know,

0:32:44.640 --> 0:32:46.480
<v Speaker 1>following of people who watched it when they were either

0:32:46.880 --> 0:32:48.800
<v Speaker 1>you know, in college or about to go to college.

0:32:49.520 --> 0:32:51.520
<v Speaker 1>But it was never like a breakout hit like a

0:32:51.600 --> 0:32:54.240
<v Speaker 1>Gossip Girl or something else at that time. And I'm

0:32:54.520 --> 0:32:59.800
<v Speaker 1>kind of just super grateful it wasn't, because like I learned,

0:33:00.480 --> 0:33:02.720
<v Speaker 1>like I knew how to act, but then there's so

0:33:02.880 --> 0:33:06.440
<v Speaker 1>many things that you just get from trying stuff and

0:33:06.680 --> 0:33:09.880
<v Speaker 1>watching it and cringing it that you tried that, and

0:33:10.000 --> 0:33:12.720
<v Speaker 1>to be able to kind of have it be like

0:33:13.280 --> 0:33:17.040
<v Speaker 1>a school in real time just sharpened me up a lot.

0:33:17.320 --> 0:33:19.200
<v Speaker 1>And I think if I was under this, if I

0:33:19.280 --> 0:33:22.800
<v Speaker 1>was under the scrutiny of like everyone in America is watching,

0:33:22.920 --> 0:33:25.400
<v Speaker 1>that would have been devastating, you know.

0:33:26.160 --> 0:33:32.080
<v Speaker 2>Yeah, I think that time time with a character, having

0:33:32.160 --> 0:33:37.120
<v Speaker 2>the ability to explore that character with the same tribe

0:33:37.160 --> 0:33:40.440
<v Speaker 2>of people with the same ensemble for such a long time. Yeah,

0:33:40.520 --> 0:33:44.440
<v Speaker 2>it teaches you. You get comfortable with those things that

0:33:44.520 --> 0:33:47.320
<v Speaker 2>are so difficult when you're starting out, and then it

0:33:47.480 --> 0:33:51.200
<v Speaker 2>allows you, I feel, to go deeper into Okay, I'm

0:33:51.240 --> 0:33:53.680
<v Speaker 2>not worrying about my mark anymore. I'm not worried about

0:33:53.720 --> 0:33:56.360
<v Speaker 2>the lights or the camera or the crew walking around

0:33:56.520 --> 0:34:00.000
<v Speaker 2>or getting touched every fifteen seconds by a different person,

0:34:00.120 --> 0:34:03.120
<v Speaker 2>and like all that stuff sort of goes away and

0:34:03.240 --> 0:34:06.440
<v Speaker 2>you're able to sort of go go deeper. And what

0:34:06.560 --> 0:34:07.680
<v Speaker 2>a gift, right, Oh?

0:34:07.720 --> 0:34:09.520
<v Speaker 1>I agree? And it's like, really, and I don't know

0:34:09.680 --> 0:34:12.520
<v Speaker 1>how else you would break through that without just an

0:34:12.560 --> 0:34:14.920
<v Speaker 1>insane amount of hours doing it. Yeah, you know, like

0:34:15.040 --> 0:34:17.280
<v Speaker 1>they come with a multi season kind of situation.

0:34:18.120 --> 0:34:20.640
<v Speaker 2>You've done comedy and drama. I want to talk a

0:34:20.680 --> 0:34:23.560
<v Speaker 2>little bit about what we do in the Shadows. Talk

0:34:23.600 --> 0:34:25.680
<v Speaker 2>to me about playing Jeff. And had you seen the

0:34:25.800 --> 0:34:26.480
<v Speaker 2>movie before?

0:34:27.280 --> 0:34:29.560
<v Speaker 1>Yes? Yeah, yeah, I was. I was a big fan

0:34:29.640 --> 0:34:31.840
<v Speaker 1>of the movie. Okay going into this and I didn't

0:34:31.880 --> 0:34:34.160
<v Speaker 1>actually I was, so this is you know, Alison Jones?

0:34:34.360 --> 0:34:36.719
<v Speaker 4>Yeah, obviously, so this is.

0:34:36.719 --> 0:34:38.799
<v Speaker 1>An Alison Jones. I was actually reading. I've known her

0:34:38.840 --> 0:34:41.920
<v Speaker 1>since I was sixteen. I was reading for I know,

0:34:42.040 --> 0:34:44.520
<v Speaker 1>it's crazy. There's a few casting directors here that have

0:34:44.840 --> 0:34:48.440
<v Speaker 1>that have literally watched me grow up. It's really it's

0:34:48.480 --> 0:34:51.239
<v Speaker 1>a it's a crazy thing. So this is Alison. She

0:34:51.560 --> 0:34:55.040
<v Speaker 1>was casting something else for FX that I was going

0:34:55.120 --> 0:34:59.040
<v Speaker 1>in for a couple of times, and I was close

0:34:59.120 --> 0:35:00.800
<v Speaker 1>on that thing, but it didn't look like it was

0:35:00.840 --> 0:35:04.480
<v Speaker 1>going to happen. And while I was there on like

0:35:04.560 --> 0:35:07.080
<v Speaker 1>the third callback for it, she just pivoted in the

0:35:07.200 --> 0:35:10.560
<v Speaker 1>rooms like would you be interested in reading something for

0:35:11.480 --> 0:35:13.200
<v Speaker 1>what we do in the Shadows? And I was like

0:35:13.680 --> 0:35:15.600
<v Speaker 1>the sequel, Like what is this? She's like, well, they're

0:35:15.600 --> 0:35:19.160
<v Speaker 1>making a series in America and I'm always I was

0:35:19.239 --> 0:35:21.040
<v Speaker 1>like this with the British Office, so hats off to

0:35:21.080 --> 0:35:23.360
<v Speaker 1>you guys, where I was like, I'm a complete snob

0:35:23.400 --> 0:35:26.160
<v Speaker 1>where I'm like, oh, it's perfect, it can't be improved upon.

0:35:26.719 --> 0:35:29.640
<v Speaker 1>There's no point in trying. How american of us, you know.

0:35:30.440 --> 0:35:32.680
<v Speaker 1>So I was kind of like, I don't know, Alison,

0:35:33.280 --> 0:35:35.480
<v Speaker 1>what is it? Is it? Who's involved is it? You know,

0:35:35.520 --> 0:35:38.360
<v Speaker 1>like like I had any power, and she was like,

0:35:38.520 --> 0:35:41.200
<v Speaker 1>it's it's Tiken Jimmy. I was like wow, I was like,

0:35:41.440 --> 0:35:44.719
<v Speaker 1>and no, it's like it's like an addition to the movie.

0:35:44.760 --> 0:35:46.880
<v Speaker 1>They're not carrying the characters. It's like a whole new thing.

0:35:47.160 --> 0:35:49.879
<v Speaker 1>But she just had me sight reading, so just gave

0:35:49.920 --> 0:35:52.520
<v Speaker 1>me the sides in the room I had. I watched

0:35:52.560 --> 0:35:55.239
<v Speaker 1>the movie so much. I didn't like know it like

0:35:55.440 --> 0:35:57.440
<v Speaker 1>line for line, but I knew all the characters from

0:35:57.480 --> 0:36:00.760
<v Speaker 1>it and really really was a fan. And the couple

0:36:00.800 --> 0:36:03.560
<v Speaker 1>of lines I had in the audition were like from

0:36:03.600 --> 0:36:06.160
<v Speaker 1>that first encounter in the first episode where like I

0:36:06.320 --> 0:36:09.120
<v Speaker 1>meet Nada and we'd like, you know, she thinks I'm

0:36:09.640 --> 0:36:12.400
<v Speaker 1>the reincarnation of this beheaded lover of hers from ten

0:36:12.480 --> 0:36:14.920
<v Speaker 1>thousand years ago, like that that's it, and he has

0:36:14.960 --> 0:36:17.879
<v Speaker 1>like five lines in this audition. So all I thought

0:36:17.920 --> 0:36:20.879
<v Speaker 1>about I was like, remember that character from the movie Stu,

0:36:21.360 --> 0:36:24.040
<v Speaker 1>the guy that like clearly wasn't an actor, you know,

0:36:24.320 --> 0:36:26.440
<v Speaker 1>like that that like they all like love him in

0:36:26.520 --> 0:36:28.640
<v Speaker 1>the movie. And I think I've heard some interview with

0:36:28.680 --> 0:36:31.400
<v Speaker 1>Tayka talking about how that's just somebody's mate in New

0:36:31.520 --> 0:36:33.080
<v Speaker 1>Zealand that they asked to be in the film. I

0:36:33.200 --> 0:36:34.880
<v Speaker 1>was like, I feel like this character's got to be

0:36:35.040 --> 0:36:38.040
<v Speaker 1>like Stu, Like just don't act, don't try to be funny.

0:36:38.280 --> 0:36:40.640
<v Speaker 1>That would be the death, Like just don't be an

0:36:40.680 --> 0:36:42.680
<v Speaker 1>actor at all, Like try to try to be the

0:36:42.719 --> 0:36:46.000
<v Speaker 1>most boring, no offense to this. But I was like,

0:36:46.120 --> 0:36:47.719
<v Speaker 1>just try to just try to strip it down. And

0:36:47.880 --> 0:36:50.279
<v Speaker 1>so I read it like that, and she threw me

0:36:50.320 --> 0:36:53.759
<v Speaker 1>on tape and then like heard later that day that

0:36:53.880 --> 0:36:57.440
<v Speaker 1>I got it, which was so insane. It's so crazy.

0:36:58.000 --> 0:37:01.440
<v Speaker 2>I mean, by the way, I I have not in

0:37:01.640 --> 0:37:04.719
<v Speaker 2>all of the conversations that I've had on this podcast

0:37:04.840 --> 0:37:09.279
<v Speaker 2>or any other what you just talked about. Why does

0:37:09.400 --> 0:37:14.359
<v Speaker 2>that happen so often that you're in this happens a lot. Yeah,

0:37:14.400 --> 0:37:17.920
<v Speaker 2>that you're in for something else. Yeah, and you haven't

0:37:18.239 --> 0:37:21.840
<v Speaker 2>been granted an audition on this other project. But a

0:37:21.920 --> 0:37:25.520
<v Speaker 2>good a good casting director will see it or see

0:37:25.640 --> 0:37:30.480
<v Speaker 2>something right. Suddenly you're getting just like a full on

0:37:30.880 --> 0:37:35.440
<v Speaker 2>offer cast in something I know, I know, this is insane.

0:37:35.760 --> 0:37:37.600
<v Speaker 5>Wow, oh this is what I'm This is pretty this

0:37:37.640 --> 0:37:39.880
<v Speaker 5>is what I miss about going in rooms on Yes,

0:37:40.040 --> 0:37:42.000
<v Speaker 5>not that that can't happen in a zoom and not

0:37:42.120 --> 0:37:44.600
<v Speaker 5>that you know, Allison doesn't have the dexterity to make

0:37:44.680 --> 0:37:47.360
<v Speaker 5>that happen outside of a room, but just that is

0:37:47.440 --> 0:37:50.200
<v Speaker 5>one of those like, you know moments where it's like, look,

0:37:50.239 --> 0:37:52.320
<v Speaker 5>you're here, you drove all the way here, would you

0:37:52.400 --> 0:37:53.800
<v Speaker 5>mind reading this new pressure?

0:37:54.080 --> 0:37:56.200
<v Speaker 1>And it's just one of those kind of serendipitous kismet

0:37:56.280 --> 0:37:57.239
<v Speaker 1>things that works out.

0:37:57.800 --> 0:38:01.680
<v Speaker 2>It happens all the time, all it's wild the time.

0:38:01.920 --> 0:38:05.440
<v Speaker 1>Also, I had that one scene. They called me to

0:38:05.480 --> 0:38:08.840
<v Speaker 1>say you got it. They say, your first day is tomorrow,

0:38:09.040 --> 0:38:11.600
<v Speaker 1>let's send you the full script. And in the scene

0:38:11.600 --> 0:38:14.720
<v Speaker 1>that precedes that scene, I'm jerking off in bed.

0:38:16.280 --> 0:38:22.200
<v Speaker 2>Like, oh okay, she didn't have any audition that No, no.

0:38:22.600 --> 0:38:25.880
<v Speaker 1>Not so much, all right, but yeah, that was and

0:38:26.000 --> 0:38:27.440
<v Speaker 1>that was the first scene I shot. It was like

0:38:27.560 --> 0:38:31.040
<v Speaker 1>midnight on Paramount with Taiko and Jamaine and Alwakie Talkie

0:38:31.120 --> 0:38:34.919
<v Speaker 1>giving me like instructions on like how to jerk off camera. Yeah,

0:38:34.960 --> 0:38:36.120
<v Speaker 1>it was, it was. It was great.

0:38:38.080 --> 0:38:40.359
<v Speaker 2>I love that. I love that, and I love her

0:38:40.719 --> 0:38:43.000
<v Speaker 2>for that. I mean, I'm not I don't mean to

0:38:43.040 --> 0:38:45.960
<v Speaker 2>say that it's typical like it. It just it happens

0:38:46.080 --> 0:38:49.839
<v Speaker 2>all the time. I mean, it's just it's just nothing.

0:38:49.880 --> 0:38:53.800
<v Speaker 1>I really, but you feel really lucky anytime that just

0:38:54.040 --> 0:38:56.680
<v Speaker 1>something you do. Like because again, that other project all

0:38:56.719 --> 0:38:58.440
<v Speaker 1>of a sudden didn't matter at all. Like not that

0:38:58.520 --> 0:39:00.600
<v Speaker 1>it wasn't a good project is really good project, but

0:39:00.760 --> 0:39:02.880
<v Speaker 1>like we just fell into this and it felt right

0:39:03.400 --> 0:39:04.439
<v Speaker 1>and it just took off.

0:39:04.719 --> 0:39:06.239
<v Speaker 4>I mean, I read it the Office, wasn't it.

0:39:06.440 --> 0:39:32.400
<v Speaker 2>It was it was the Office or Parson rect I

0:39:32.520 --> 0:39:36.759
<v Speaker 2>talked to your your mate John Huganaker not too long ago,

0:39:37.680 --> 0:39:41.600
<v Speaker 2>Dope Sick what one of, if not my favorite show

0:39:41.640 --> 0:39:44.320
<v Speaker 2>of the last year. I was just talking to someone

0:39:44.560 --> 0:39:47.520
<v Speaker 2>this morning when I said I was going to be

0:39:47.600 --> 0:39:51.040
<v Speaker 2>talking to you, and just the relevance of that movie,

0:39:51.120 --> 0:39:54.680
<v Speaker 2>the power of that movie, the currency of that movie,

0:39:55.400 --> 0:40:04.239
<v Speaker 2>and the compassion that that movie showed towards people who

0:40:04.360 --> 0:40:09.320
<v Speaker 2>are truly struggling with addiction for a very specific reason.

0:40:09.760 --> 0:40:13.080
<v Speaker 2>Is is changing, I mean in the best way that

0:40:13.360 --> 0:40:18.759
<v Speaker 2>art can change people's mind. There's such a stigma behind it.

0:40:18.840 --> 0:40:21.960
<v Speaker 2>There has been such a stigma for so many years

0:40:22.080 --> 0:40:26.680
<v Speaker 2>about people who are drug addicts, right, even just a phrase,

0:40:26.800 --> 0:40:29.680
<v Speaker 2>even the way you say it, drug addicts, but just

0:40:30.160 --> 0:40:34.680
<v Speaker 2>the way that that story was told from the kids

0:40:34.719 --> 0:40:37.200
<v Speaker 2>in high school addicted to the doctor, to you know,

0:40:37.320 --> 0:40:40.560
<v Speaker 2>to everybody, talk to me a little bit about your

0:40:40.880 --> 0:40:43.439
<v Speaker 2>experience working on of course I'm talking about Dope Sick.

0:40:44.000 --> 0:40:48.160
<v Speaker 1>Yes, everything you're saying, Strong agree. And that was the

0:40:48.200 --> 0:40:51.680
<v Speaker 1>biggest thing I took away from you know, Danny Strong

0:40:51.840 --> 0:40:57.040
<v Speaker 1>has such an ability to take complex information and synthesize

0:40:57.080 --> 0:41:01.040
<v Speaker 1>it through overlapping the storylines. Being able to do that

0:41:01.160 --> 0:41:04.360
<v Speaker 1>with something like Dope Sick, which spans so many different timeframes,

0:41:04.719 --> 0:41:09.040
<v Speaker 1>and he even put together connected some dots that weren't explicit,

0:41:09.400 --> 0:41:11.640
<v Speaker 1>you know that he had to kind of use by

0:41:11.760 --> 0:41:14.920
<v Speaker 1>talking to different people and different characters in the story

0:41:15.560 --> 0:41:18.440
<v Speaker 1>to put together and put into the show with their permission. So,

0:41:18.520 --> 0:41:21.520
<v Speaker 1>I mean, it was really just an incredible investigative reporting

0:41:21.600 --> 0:41:24.800
<v Speaker 1>from Danny and then being able to like synthesize it

0:41:24.960 --> 0:41:28.239
<v Speaker 1>and put it into an art But exactly what you

0:41:28.360 --> 0:41:32.560
<v Speaker 1>said was I talked to John about this, was yeah,

0:41:32.600 --> 0:41:36.279
<v Speaker 1>we all have that connotation with drug addicts, and we

0:41:36.360 --> 0:41:38.680
<v Speaker 1>all came up with that, you know, feeling like the

0:41:39.239 --> 0:41:41.680
<v Speaker 1>impetus is on them to change, not knowing that that's

0:41:41.680 --> 0:41:44.480
<v Speaker 1>a narrative that was perpetuated and in many cases just

0:41:44.600 --> 0:41:49.279
<v Speaker 1>completely fabricated by pharmaceutical companies when they were knowingly getting

0:41:49.320 --> 0:41:51.919
<v Speaker 1>people hooked. So the fact that you know, not only

0:41:52.040 --> 0:41:55.160
<v Speaker 1>is a drug addict someone that's sick and needs medical care,

0:41:55.640 --> 0:41:57.319
<v Speaker 1>that the fact that they're even hooked in the first

0:41:57.320 --> 0:42:00.480
<v Speaker 1>place is something a lot more sinister than a lack

0:42:00.520 --> 0:42:05.240
<v Speaker 1>of control or genetic predisposition. So yeah, it's all pretty

0:42:06.400 --> 0:42:12.880
<v Speaker 1>just dark and sinister from you know, the pharmaceutical aspect

0:42:13.120 --> 0:42:16.920
<v Speaker 1>of it. Getting to work on it creatively was great.

0:42:17.440 --> 0:42:19.279
<v Speaker 1>It was also coming out of that I went through

0:42:19.400 --> 0:42:21.000
<v Speaker 1>like I think, I don't know a lot of people

0:42:21.040 --> 0:42:25.439
<v Speaker 1>I've talked to went through this post twenty sixteen into

0:42:25.560 --> 0:42:29.120
<v Speaker 1>like the next few years, Like even I know we

0:42:29.160 --> 0:42:32.360
<v Speaker 1>skipped over this, but it's like doing Murphy Brown was

0:42:32.360 --> 0:42:35.439
<v Speaker 1>the other one where it was felt like I felt

0:42:35.560 --> 0:42:39.400
<v Speaker 1>relieved that I could act in something that's like a

0:42:39.520 --> 0:42:42.279
<v Speaker 1>creative release for me. That still felt like it was

0:42:42.360 --> 0:42:44.799
<v Speaker 1>having conversations that I in my personal life were having

0:42:44.840 --> 0:42:46.360
<v Speaker 1>for the first time and trying to work through and

0:42:46.480 --> 0:42:50.480
<v Speaker 1>or frustrated about politically and otherwise. Murphy Brown was that

0:42:51.080 --> 0:42:54.440
<v Speaker 1>and Dope Sick even more pointedly was that. So to

0:42:54.560 --> 0:42:58.040
<v Speaker 1>be able to shine a light on this stuff and

0:42:58.400 --> 0:43:02.120
<v Speaker 1>also work with people like John and Peter and Danny

0:43:02.520 --> 0:43:04.560
<v Speaker 1>just was really really edifying. We were coming out of

0:43:04.600 --> 0:43:06.919
<v Speaker 1>the pandemic too, so it was a really weird time,

0:43:07.480 --> 0:43:09.960
<v Speaker 1>you know, where there was a lot of question about

0:43:10.360 --> 0:43:15.000
<v Speaker 1>pharma and doctors and how important it is, you know,

0:43:15.120 --> 0:43:17.800
<v Speaker 1>in a pandemic to be able to trust your doctors

0:43:17.840 --> 0:43:21.239
<v Speaker 1>and trust vaccines, which was obviously you know where I

0:43:21.320 --> 0:43:23.279
<v Speaker 1>stand with those things. But at the same time, have

0:43:23.400 --> 0:43:27.800
<v Speaker 1>these examples where you're like, Okay, well, you're we're building

0:43:27.840 --> 0:43:30.360
<v Speaker 1>a show based around the real truth that you can't

0:43:30.840 --> 0:43:34.440
<v Speaker 1>always you know, trust these companies, and and just the

0:43:34.480 --> 0:43:37.920
<v Speaker 1>fact that it went as high as it did, Juliani, right,

0:43:38.640 --> 0:43:40.840
<v Speaker 1>It's just it's yeah, it was, it was. It was

0:43:41.440 --> 0:43:44.000
<v Speaker 1>I feel really fortunate to you know, be part of

0:43:44.040 --> 0:43:44.880
<v Speaker 1>that for sure.

0:43:45.280 --> 0:43:50.160
<v Speaker 2>Playing the real life attorney John Brownlee. Did you talk

0:43:50.239 --> 0:43:50.640
<v Speaker 2>to John?

0:43:50.920 --> 0:43:54.600
<v Speaker 1>I didn't talk to John. Danny talked to John. Danny

0:43:54.600 --> 0:43:57.359
<v Speaker 1>would sometimes be Danny talk to all these people a lot,

0:43:57.640 --> 0:43:59.720
<v Speaker 1>but uh no, we didn't talk directly.

0:44:00.280 --> 0:44:02.880
<v Speaker 2>Did you feel a responsibility or were you creating a

0:44:03.080 --> 0:44:07.239
<v Speaker 2>character that just well, that just did what he did?

0:44:07.520 --> 0:44:11.800
<v Speaker 1>You know, honestly, Danny's writing was so good, like and

0:44:12.040 --> 0:44:15.479
<v Speaker 1>is so good that you know, he puts these things

0:44:15.520 --> 0:44:18.080
<v Speaker 1>together in a way that I think he's he's cleared

0:44:18.600 --> 0:44:21.879
<v Speaker 1>his conscience by talking to all these people. So it's

0:44:22.040 --> 0:44:24.680
<v Speaker 1>it's set up. I mean, it works like a swift swatch,

0:44:24.840 --> 0:44:28.000
<v Speaker 1>you know, like and it's all based on the hours

0:44:28.040 --> 0:44:29.919
<v Speaker 1>and hours and hours that Danny's talk to these people

0:44:29.960 --> 0:44:34.200
<v Speaker 1>on the phone. So I always, for sure you have

0:44:34.520 --> 0:44:36.400
<v Speaker 1>like a little bit of ans or I do have

0:44:36.480 --> 0:44:38.719
<v Speaker 1>like a little bit of anxiety. This was the case

0:44:38.800 --> 0:44:42.320
<v Speaker 1>in American Sniper. And anytime I've played someone who you

0:44:42.400 --> 0:44:44.160
<v Speaker 1>know isn't just a character on the page, but is

0:44:44.200 --> 0:44:47.440
<v Speaker 1>actually being you know, is somebody from real life, there

0:44:47.520 --> 0:44:50.160
<v Speaker 1>is a level of responsibility that otherwise wouldn't be there.

0:44:51.320 --> 0:44:54.040
<v Speaker 1>But but Danny's script did such a service to him

0:44:54.480 --> 0:44:58.800
<v Speaker 1>and his efforts and Rick and Randy like that that.

0:44:58.960 --> 0:45:01.320
<v Speaker 1>I think, you know, I was all I had to

0:45:01.400 --> 0:45:03.319
<v Speaker 1>do is stay on track. There was nothing I felt

0:45:03.360 --> 0:45:04.840
<v Speaker 1>like I could do to mess it up. You know,

0:45:04.920 --> 0:45:06.640
<v Speaker 1>it was written so air tight.

0:45:07.320 --> 0:45:12.600
<v Speaker 2>Yeah, fourteen Emmy nominations. What was that like for you

0:45:12.840 --> 0:45:15.120
<v Speaker 2>in the cast? I mean was it? I mean it

0:45:15.320 --> 0:45:19.200
<v Speaker 2>sounds self evident. But when you're involved in something that

0:45:20.760 --> 0:45:23.759
<v Speaker 2>is recognized because other people think it's great, that's one thing.

0:45:23.880 --> 0:45:28.719
<v Speaker 2>But when you yourself feel positive about the work and

0:45:29.400 --> 0:45:31.839
<v Speaker 2>the story that you're telling, it's got to be even

0:45:32.040 --> 0:45:33.239
<v Speaker 2>more gratifying, right.

0:45:33.719 --> 0:45:39.759
<v Speaker 1>Yeah, for sure. I mean it's also typically awards for us.

0:45:40.360 --> 0:45:42.840
<v Speaker 1>It's like the longer I've done this, the more you

0:45:43.000 --> 0:45:47.000
<v Speaker 1>realize that translates in our industry to like career mileage,

0:45:47.480 --> 0:45:49.840
<v Speaker 1>you know, like, oh, okay, you just got some miles

0:45:49.840 --> 0:45:51.920
<v Speaker 1>because you're a part of this thing. This was the

0:45:52.040 --> 0:45:57.560
<v Speaker 1>first one that like that meant so much less than

0:45:58.000 --> 0:46:01.400
<v Speaker 1>the fact that, you know, awards have an ability to

0:46:01.440 --> 0:46:03.719
<v Speaker 1>put things on the map and to bring awareness to

0:46:04.200 --> 0:46:07.359
<v Speaker 1>a cause like dope sick. You know, I don't think

0:46:07.960 --> 0:46:10.200
<v Speaker 1>people didn't know the Sackler family. You know, they had

0:46:10.239 --> 0:46:13.080
<v Speaker 1>done a pretty good job and worked pretty hard to

0:46:13.280 --> 0:46:16.759
<v Speaker 1>even admist the kind of trials that were going on,

0:46:16.880 --> 0:46:21.560
<v Speaker 1>staying under the radar. And I think most people now

0:46:22.040 --> 0:46:25.080
<v Speaker 1>when you hear Richard Sackler because of things like Dope Sick,

0:46:25.120 --> 0:46:27.439
<v Speaker 1>because of like reporting in the Times, in the Post,

0:46:27.560 --> 0:46:29.839
<v Speaker 1>and you know other outlets that kind of really nailed them.

0:46:30.440 --> 0:46:30.960
<v Speaker 2>That's more.

0:46:31.440 --> 0:46:34.040
<v Speaker 1>You know commentates, everyone knows who you're talking about and

0:46:34.160 --> 0:46:36.439
<v Speaker 1>notes that they have a little bit of a scarlet letter.

0:46:36.520 --> 0:46:40.200
<v Speaker 2>Now, yeah, well, congratulations. I really think in terms of

0:46:40.320 --> 0:46:46.200
<v Speaker 2>building awareness, empathy, compassion toward people struggling, you guys did

0:46:47.080 --> 0:46:48.279
<v Speaker 2>did an amazing job.

0:46:48.480 --> 0:46:49.759
<v Speaker 4>So thanks congrats on that.

0:46:51.040 --> 0:46:56.560
<v Speaker 2>Your newest show out now, Hey on a peacock near you,

0:46:57.239 --> 0:47:06.960
<v Speaker 2>missus Davis the Mad Scientist confusing genius Damon Lindelof's show

0:47:08.440 --> 0:47:12.719
<v Speaker 2>with You, a nun and a rebel walk into a

0:47:12.800 --> 0:47:20.319
<v Speaker 2>bar and chase down AI. People amazing reviews and audiences

0:47:20.440 --> 0:47:24.000
<v Speaker 2>are loving it. What was it like? Well, what was

0:47:24.040 --> 0:47:26.320
<v Speaker 2>it like for you working with Damon again? And was

0:47:26.400 --> 0:47:29.920
<v Speaker 2>this was this a situation where he said come and

0:47:30.040 --> 0:47:32.360
<v Speaker 2>join me or was it where you auditioning again?

0:47:33.120 --> 0:47:37.120
<v Speaker 1>I was auditioning, but I mean it definitely had I

0:47:37.200 --> 0:47:39.960
<v Speaker 1>mean we had worked together on Watchman and on Watchman

0:47:41.040 --> 0:47:43.800
<v Speaker 1>the episode I was a part of was Jovon a

0:47:43.840 --> 0:47:47.080
<v Speaker 1>Depot's episode. Yes, and Jovon had worked with Damon on Leftovers,

0:47:47.239 --> 0:47:50.840
<v Speaker 1>as had Regina, and they were very That was like,

0:47:50.960 --> 0:47:53.520
<v Speaker 1>you know, they did Leftovers and now Damon had asked

0:47:53.560 --> 0:47:56.200
<v Speaker 1>them to come do this, and just that kind of

0:47:56.440 --> 0:48:00.160
<v Speaker 1>community Damon builds with his players was something that was

0:48:00.560 --> 0:48:03.960
<v Speaker 1>just so cool to watch jove On have that experience

0:48:04.000 --> 0:48:06.040
<v Speaker 1>on Watchmen. So I had always you know, been like, Wow,

0:48:06.080 --> 0:48:08.040
<v Speaker 1>that'd be really cool if that were to happen with

0:48:08.160 --> 0:48:10.759
<v Speaker 1>me because I love I'm such a fan of all

0:48:10.800 --> 0:48:14.200
<v Speaker 1>of Demon's work, and Watchman was such a great experience.

0:48:14.280 --> 0:48:17.400
<v Speaker 1>It was like one of the best experiences professionally at

0:48:17.400 --> 0:48:18.640
<v Speaker 1>the time that I had ever had.

0:48:18.840 --> 0:48:21.480
<v Speaker 2>I'm gonna be honest, I haven't watched Watchmen, but I'm

0:48:21.560 --> 0:48:25.560
<v Speaker 2>going to now because The left I mean, I've heard

0:48:25.560 --> 0:48:27.920
<v Speaker 2>about it forever, but you're going You're making me. I'm

0:48:27.960 --> 0:48:30.960
<v Speaker 2>gonna watch it. The Leftovers. I freaking loved that show.

0:48:31.120 --> 0:48:35.239
<v Speaker 2>I mean, I loved that show and like this weird

0:48:35.360 --> 0:48:39.840
<v Speaker 2>humble brag thing, it was, you know, like an Emmy party.

0:48:40.600 --> 0:48:44.080
<v Speaker 2>I ran into those guys and I like spent the

0:48:44.400 --> 0:48:49.120
<v Speaker 2>entire time just telling them how amazing it was, to

0:48:49.239 --> 0:48:51.600
<v Speaker 2>the point where I think they all left me and

0:48:51.680 --> 0:48:53.720
<v Speaker 2>went to the bar because I could not stop talking.

0:48:54.680 --> 0:48:58.440
<v Speaker 2>No way talking about the leftovers, but anyway, I interrupted,

0:48:58.520 --> 0:48:59.520
<v Speaker 2>But no, but that's you.

0:48:59.520 --> 0:49:01.440
<v Speaker 1>Know, honestly, I guarantee you they did not leave you

0:49:01.480 --> 0:49:02.919
<v Speaker 1>and go to the bar, because that's it does feel

0:49:02.960 --> 0:49:05.359
<v Speaker 1>like That's the one thread of everybody that I've met

0:49:05.440 --> 0:49:07.960
<v Speaker 1>that's worked on a Damon show or with Damon is

0:49:08.000 --> 0:49:11.560
<v Speaker 1>that you you become such a fan of it, you know,

0:49:11.680 --> 0:49:13.279
<v Speaker 1>like it's it's fun to me an actor. You're a

0:49:13.360 --> 0:49:15.520
<v Speaker 1>cog and a big machine, right, and to be such

0:49:15.560 --> 0:49:18.719
<v Speaker 1>a fan of the machine as a whole. It is

0:49:18.840 --> 0:49:22.080
<v Speaker 1>something that I've found with everybody that's worked with him,

0:49:22.120 --> 0:49:24.440
<v Speaker 1>one common thread is like we all like nerding out

0:49:24.480 --> 0:49:25.200
<v Speaker 1>and talking about it.

0:49:25.400 --> 0:49:25.560
<v Speaker 2>Yeah.

0:49:25.840 --> 0:49:28.400
<v Speaker 1>I always love when I meet someone who's kind of

0:49:28.440 --> 0:49:30.800
<v Speaker 1>gotten deep obsessed over the materials, which as like we

0:49:30.960 --> 0:49:35.760
<v Speaker 1>have left Efver is amazing. You should check out Watchman.

0:49:35.800 --> 0:49:37.280
<v Speaker 1>It's it's a great series.

0:49:37.360 --> 0:49:37.640
<v Speaker 4>I will.

0:49:37.680 --> 0:49:39.880
<v Speaker 1>Are you a fan of the graphic novel?

0:49:40.040 --> 0:49:43.960
<v Speaker 2>Sure? I mean novel? Yeah, I don't read, but yeah, no,

0:49:44.120 --> 0:49:49.759
<v Speaker 2>I it's no Bran, it's it's pictures. I know you

0:49:49.880 --> 0:49:53.000
<v Speaker 2>love picture I do love pictures. Yeah, I know I

0:49:53.120 --> 0:49:55.560
<v Speaker 2>need to pick that up. I hear this all the time,

0:49:55.640 --> 0:49:56.000
<v Speaker 2>but I.

0:49:56.200 --> 0:50:00.680
<v Speaker 1>I yeah, I read it in preparation for or that.

0:50:01.160 --> 0:50:03.680
<v Speaker 1>I had read it once forever ago, when I was

0:50:03.719 --> 0:50:05.680
<v Speaker 1>really really little, And I don't think even like, I

0:50:05.719 --> 0:50:07.319
<v Speaker 1>don't even think I read it because it's really it's

0:50:07.360 --> 0:50:10.440
<v Speaker 1>a proper graphic novel. It's like thicks a lot of texts.

0:50:10.800 --> 0:50:12.720
<v Speaker 1>The only time I read it, like top to bottom

0:50:12.920 --> 0:50:15.840
<v Speaker 1>was before shooting the show. But I actually really enjoyed

0:50:15.840 --> 0:50:19.200
<v Speaker 1>even I think before before I read it, I'd seen

0:50:19.280 --> 0:50:21.360
<v Speaker 1>Zack Snyder's movie and I even really liked that, just

0:50:21.440 --> 0:50:23.040
<v Speaker 1>the concept of it there. So anyway, I went into

0:50:23.120 --> 0:50:25.160
<v Speaker 1>that like a pretty big fan of it and it

0:50:25.239 --> 0:50:27.800
<v Speaker 1>was a really great experience. When Missus Davis came around,

0:50:28.560 --> 0:50:31.120
<v Speaker 1>I knew I wanted to make a tape for it.

0:50:31.760 --> 0:50:35.400
<v Speaker 1>It was an audition. I was working on something in Atlanta, actually,

0:50:36.080 --> 0:50:40.720
<v Speaker 1>and it was such it was such tricky material, especially

0:50:40.800 --> 0:50:44.279
<v Speaker 1>without a script. I couldn't I couldn't tell which way

0:50:44.400 --> 0:50:47.040
<v Speaker 1>to lean. I think they had described it. Vicky Thomas

0:50:47.320 --> 0:50:50.319
<v Speaker 1>in the casting notes had kind of described it as

0:50:50.680 --> 0:50:54.080
<v Speaker 1>taking place in a heightened reality similar to Watchman, and

0:50:54.200 --> 0:50:57.840
<v Speaker 1>Watchman has a lot of opportunities for you know, dark comedy.

0:50:58.400 --> 0:51:00.960
<v Speaker 1>So I was like, I think it's funny. It feels

0:51:01.040 --> 0:51:03.880
<v Speaker 1>like it could be funny or I'm completely off and

0:51:03.960 --> 0:51:06.879
<v Speaker 1>it should be you know, deadly serious. I couldn't tell

0:51:07.040 --> 0:51:09.719
<v Speaker 1>exactly what the tone was, and you know, if you've

0:51:09.760 --> 0:51:12.560
<v Speaker 1>watched the show, it really does strike this weird tone

0:51:12.880 --> 0:51:17.239
<v Speaker 1>that kind of oscillates between you know, slapstick and serious drama. Yeah,

0:51:17.360 --> 0:51:20.840
<v Speaker 1>so they snuck me a script, maybe two scripts, and

0:51:20.960 --> 0:51:23.640
<v Speaker 1>once I read those, I was like, oh wow, I'm

0:51:23.800 --> 0:51:24.480
<v Speaker 1>so on board.

0:51:24.600 --> 0:51:25.000
<v Speaker 4>I get it.

0:51:25.480 --> 0:51:28.279
<v Speaker 1>But even still hitting that target felt hard. And I

0:51:28.320 --> 0:51:30.799
<v Speaker 1>don't know, but sometimes when you're working on something else,

0:51:31.040 --> 0:51:32.840
<v Speaker 1>like making a tape for another thing, can be just

0:51:33.000 --> 0:51:35.719
<v Speaker 1>it's just it's really disorienting and takes a little bit

0:51:35.760 --> 0:51:39.319
<v Speaker 1>of an extra you know. And so I failed at

0:51:39.400 --> 0:51:41.279
<v Speaker 1>making a tape to just get it the way I

0:51:41.360 --> 0:51:44.360
<v Speaker 1>wanted to, like two times, and then on my third try,

0:51:45.239 --> 0:51:47.400
<v Speaker 1>with my sister, who was like ready to kill me,

0:51:47.560 --> 0:51:49.160
<v Speaker 1>I made a tape that I felt like, Okay, I

0:51:49.239 --> 0:51:52.600
<v Speaker 1>think this is it and sent it off did like

0:51:52.680 --> 0:51:57.120
<v Speaker 1>a zoom callback with Damon and Tara and Owen and Vicki,

0:51:57.600 --> 0:52:02.120
<v Speaker 1>and after that callback got it, it just kept you know, man,

0:52:02.320 --> 0:52:06.520
<v Speaker 1>it's it's like, I I've done this long enough, and

0:52:07.200 --> 0:52:09.200
<v Speaker 1>I feel like I've seen things that I have read

0:52:09.239 --> 0:52:12.360
<v Speaker 1>the scripts for turn out not as great as the script.

0:52:12.440 --> 0:52:16.360
<v Speaker 1>It's so easy to have something as ambitious as Missus Davis,

0:52:16.880 --> 0:52:20.240
<v Speaker 1>or even half as ambitious as Missus Davis somewhere along

0:52:20.320 --> 0:52:23.480
<v Speaker 1>the process just get completely fucked up and lose its way,

0:52:23.640 --> 0:52:26.200
<v Speaker 1>Like it could come from a million different directions, but

0:52:26.360 --> 0:52:29.560
<v Speaker 1>by the time you you know, say action on day

0:52:29.600 --> 0:52:32.279
<v Speaker 1>one to like that's a wrap on post, it just

0:52:32.880 --> 0:52:35.719
<v Speaker 1>doesn't have the same just doesn't pack the same punch

0:52:35.760 --> 0:52:37.360
<v Speaker 1>that it did in the script. So I was like

0:52:37.920 --> 0:52:43.080
<v Speaker 1>apprehensive because I loved the scripts so much, but I

0:52:43.640 --> 0:52:47.600
<v Speaker 1>wasn't sure about Peacock and how much they were behind it.

0:52:48.160 --> 0:52:50.520
<v Speaker 1>You know, watching was on HBO, which just has, you know,

0:52:50.640 --> 0:52:53.719
<v Speaker 1>a reputation for taking big sweetens like this, So I

0:52:53.880 --> 0:52:56.640
<v Speaker 1>was kind of waiting for something to jump out and

0:52:56.760 --> 0:52:59.080
<v Speaker 1>expose itself as like, oh, this is going to actually suck,

0:52:59.200 --> 0:53:03.560
<v Speaker 1>and you're like ah, and it just didn't happen. Like

0:53:04.280 --> 0:53:06.480
<v Speaker 1>meeting Betty was a big part of that. I don't

0:53:06.480 --> 0:53:08.640
<v Speaker 1>know if you're a fan of Betty Gop and you shouldn't,

0:53:09.360 --> 0:53:14.719
<v Speaker 1>but she's incredible. That elevated everything. Then meeting Owen and

0:53:14.840 --> 0:53:17.360
<v Speaker 1>like what he planned to do with just the set design.

0:53:17.440 --> 0:53:21.440
<v Speaker 1>He brought in his set designer and his costume designer

0:53:21.800 --> 0:53:24.600
<v Speaker 1>from London and all of them were on this same

0:53:24.840 --> 0:53:29.319
<v Speaker 1>kind of like Looney Tunes live action page and then

0:53:29.400 --> 0:53:31.640
<v Speaker 1>props in one by one. It's just like a domino effect.

0:53:31.760 --> 0:53:35.600
<v Speaker 1>As before we got to like the actual sets, it

0:53:35.760 --> 0:53:37.480
<v Speaker 1>was like, holy shit, I think they're actually going to

0:53:37.520 --> 0:53:40.000
<v Speaker 1>go for this, And and to Peacock's credit, they were

0:53:40.160 --> 0:53:42.800
<v Speaker 1>so bhying the whole time. I think one of my

0:53:42.840 --> 0:53:45.239
<v Speaker 1>favorite things I see certain people say, like when I'm

0:53:45.320 --> 0:53:48.600
<v Speaker 1>like trawling Twitter or something, is like, how the fuck

0:53:48.680 --> 0:53:51.359
<v Speaker 1>did this get made? It's amazing. I'm like, ah, yes,

0:53:51.880 --> 0:53:55.080
<v Speaker 1>I know. More more encouragement for people to take big swings,

0:53:55.320 --> 0:53:59.239
<v Speaker 1>especially people in like Peacock's position, where you know it

0:53:59.320 --> 0:54:01.520
<v Speaker 1>really does come to on to the bottom line. You know,

0:54:01.600 --> 0:54:04.080
<v Speaker 1>will really take big risks like this because it's so

0:54:04.200 --> 0:54:04.839
<v Speaker 1>fun to watch.

0:54:06.320 --> 0:54:10.960
<v Speaker 2>Well, congratulations, I don't want you to give any spoiler alerts.

0:54:11.000 --> 0:54:14.040
<v Speaker 2>We're getting there to the end. But I do want

0:54:14.080 --> 0:54:16.080
<v Speaker 2>to ask your opinion. What do you think that the

0:54:16.239 --> 0:54:26.439
<v Speaker 2>show says about AI versus faith man or to you at.

0:54:26.440 --> 0:54:30.840
<v Speaker 1>Least maybe that there's a place for both. Okay, that

0:54:30.920 --> 0:54:33.520
<v Speaker 1>sounds like a shitty Press answer, doesn't it, Brian? I'm sorry,

0:54:36.040 --> 0:54:38.560
<v Speaker 1>I don't know what's the show?

0:54:38.960 --> 0:54:40.680
<v Speaker 2>Okay? All right? Fair enough?

0:54:41.120 --> 0:54:44.920
<v Speaker 1>Yeah, yeah, Well, you know it has faith and technology,

0:54:45.000 --> 0:54:47.240
<v Speaker 1>it also has magic. I think one of the things

0:54:47.400 --> 0:54:49.879
<v Speaker 1>to be deadly serious that I didn't think about when

0:54:49.920 --> 0:54:52.480
<v Speaker 1>it comes to AI until our show was just if

0:54:52.560 --> 0:54:56.040
<v Speaker 1>you have, you know, something that can legitimately answer all

0:54:56.080 --> 0:54:59.000
<v Speaker 1>your prayers, like an algorithm, you know, with access to

0:54:59.080 --> 0:55:03.200
<v Speaker 1>the internet, cumulative knowledge of everything. Ever, what happens to

0:55:03.360 --> 0:55:06.800
<v Speaker 1>things that rely on mystification like magic, Like magic's a

0:55:06.800 --> 0:55:09.279
<v Speaker 1>big element in the show, and never thought about that,

0:55:09.440 --> 0:55:11.880
<v Speaker 1>or probability like in poker and gambling like that all

0:55:11.960 --> 0:55:13.880
<v Speaker 1>kind of falls away when when you have the answers

0:55:13.920 --> 0:55:17.280
<v Speaker 1>to everything, it's you lose a little bit of life. Spark.

0:55:17.400 --> 0:55:19.400
<v Speaker 1>I guess this sounds like another Press answer, kill me.

0:55:19.440 --> 0:55:21.600
<v Speaker 1>I don't fucking no. No.

0:55:21.800 --> 0:55:24.719
<v Speaker 2>I think that's very no. I think that's very interesting.

0:55:25.239 --> 0:55:28.239
<v Speaker 2>I think that's very interesting. I mean that that really is.

0:55:28.640 --> 0:55:31.960
<v Speaker 1>It wasn't until we were, you know, maybe halfway through

0:55:32.120 --> 0:55:35.000
<v Speaker 1>shooting the show that those pieces kind of fell in

0:55:35.120 --> 0:55:37.080
<v Speaker 1>place for me where I was like, that's not a

0:55:37.200 --> 0:55:40.719
<v Speaker 1>question I had even thought about. Strange because now I

0:55:40.719 --> 0:55:43.520
<v Speaker 1>think we're we're all talking about it. Now we're seeing

0:55:43.560 --> 0:55:46.279
<v Speaker 1>that happen, and I feel like it's you can see

0:55:46.360 --> 0:55:50.960
<v Speaker 1>the snowball effect of thinking this, this this like corner

0:55:51.239 --> 0:55:55.200
<v Speaker 1>of our paradigm is safe from rapidly accelerating AI. And

0:55:55.239 --> 0:55:57.000
<v Speaker 1>then you realize like none of it is, Like you

0:55:57.080 --> 0:55:59.640
<v Speaker 1>can really you can really imagine a world where it

0:55:59.680 --> 0:56:03.920
<v Speaker 1>can come kind of take over everything, or do improve anything,

0:56:04.080 --> 0:56:06.880
<v Speaker 1>or or improve to a fault everything, you know, Like,

0:56:07.080 --> 0:56:10.680
<v Speaker 1>so these are all things we're talking about and thinking

0:56:10.680 --> 0:56:13.600
<v Speaker 1>about now. When we were making this show seven months

0:56:13.640 --> 0:56:17.560
<v Speaker 1>ago or whatever it was, this was less on everybody's.

0:56:17.480 --> 0:56:20.919
<v Speaker 2>Yeah, that's what makes That's what makes the man. He's

0:56:21.080 --> 0:56:25.560
<v Speaker 2>a very very smart man. He sees it coming. No,

0:56:25.760 --> 0:56:29.600
<v Speaker 2>but I you know, it's something that faith is something

0:56:29.640 --> 0:56:34.600
<v Speaker 2>that is important to well to everyone, not necessarily religious faith,

0:56:34.680 --> 0:56:39.280
<v Speaker 2>but the idea in believing in something that you can't

0:56:39.560 --> 0:56:44.680
<v Speaker 2>prove or that is improbable totally be it religion, be

0:56:44.800 --> 0:56:48.160
<v Speaker 2>it sports, be it anything like.

0:56:48.640 --> 0:56:51.279
<v Speaker 1>Brian like we were talking about before, even this, I

0:56:51.360 --> 0:56:55.080
<v Speaker 1>mean like it takes a little bit of faith despite

0:56:55.160 --> 0:56:59.359
<v Speaker 1>the odds and despite knowing better right that it's still

0:56:59.480 --> 0:57:03.760
<v Speaker 1>worse jumping in and giving it a shot. Yeah, it's

0:57:03.880 --> 0:57:05.359
<v Speaker 1>it's very human faith.

0:57:06.000 --> 0:57:10.200
<v Speaker 2>And if everything can be proven right, where does that leave.

0:57:10.280 --> 0:57:15.920
<v Speaker 2>Faith's fascinating to me. If an amazing show with Damon

0:57:16.000 --> 0:57:19.760
<v Speaker 2>Lindelof is not enough, you also have with Kate Marra

0:57:20.080 --> 0:57:25.040
<v Speaker 2>an FX series Class of Nine out, Now, go check

0:57:25.240 --> 0:57:29.919
<v Speaker 2>that out. I mean you you're just like in my brain.

0:57:30.040 --> 0:57:34.000
<v Speaker 2>You're in my eyeballs and my brain now anywhere I look.

0:57:34.080 --> 0:57:37.960
<v Speaker 2>It doesn't matter what channel. I'm gonna talk to your

0:57:38.040 --> 0:57:42.439
<v Speaker 2>agent about exclusivity because you don't. Never sign up for exclusivity.

0:57:43.280 --> 0:57:45.640
<v Speaker 1>This is why you do two shows about AI so

0:57:45.760 --> 0:57:48.120
<v Speaker 1>you get the algorithms on your side. See a Class

0:57:48.120 --> 0:57:50.439
<v Speaker 1>of nine is about AI, Missus Davis is about AI.

0:57:51.800 --> 0:57:53.200
<v Speaker 1>That's how you stay in the zeitgeist.

0:57:54.760 --> 0:57:57.800
<v Speaker 2>You're current, that's all I know. You don't know how

0:57:57.840 --> 0:58:03.800
<v Speaker 2>to set up a zoom meeting. You're currently. You're current, exactly.

0:58:04.320 --> 0:58:09.600
<v Speaker 2>Congratulations on all of your success. I have really enjoyed

0:58:09.720 --> 0:58:13.360
<v Speaker 2>chatting with you today. I wish you nothing but the best.

0:58:13.520 --> 0:58:17.120
<v Speaker 2>I'm a I'm a big fan, and You're welcome back anytime.

0:58:17.520 --> 0:58:20.920
<v Speaker 2>So next month when you have another show, come out,

0:58:21.560 --> 0:58:24.600
<v Speaker 2>come back, come back, and we'll chat about that.

0:58:24.720 --> 0:58:26.960
<v Speaker 1>I would love to Brian, I'm such a fan. I

0:58:27.080 --> 0:58:29.240
<v Speaker 1>was so excited that you asked me to do this,

0:58:29.400 --> 0:58:31.880
<v Speaker 1>so thank you man. I'd love to come back anytime

0:58:31.920 --> 0:58:32.400
<v Speaker 1>you'd have me.

0:58:33.080 --> 0:58:43.439
<v Speaker 2>Awesome. Jake McDorman, everybody, John Allen Doorman, Congratulations my friend.

0:58:43.760 --> 0:58:58.160
<v Speaker 4>Thanks buddy, Jake, my new friend.

0:58:58.360 --> 0:58:59.160
<v Speaker 2>This was a delight.

0:58:59.760 --> 0:58:59.960
<v Speaker 1>Thank you.

0:59:00.000 --> 0:59:03.000
<v Speaker 2>Thank you for bringing your insight. Now I'm not going

0:59:03.080 --> 0:59:05.600
<v Speaker 2>to do that again. Thank you for coming on, Jake.

0:59:05.720 --> 0:59:09.760
<v Speaker 2>That was very, very fun sharing your story. I'm looking

0:59:09.840 --> 0:59:16.520
<v Speaker 2>forward to owning you on the racquetball court sometimes very soon. Listeners,

0:59:17.320 --> 0:59:19.280
<v Speaker 2>if you haven't already, be sure to catch up on

0:59:19.440 --> 0:59:24.560
<v Speaker 2>Missus Davis and Class of Nine. Missus Davis fascinating show.

0:59:24.720 --> 0:59:28.040
<v Speaker 2>I highly recommend, and that should keep you busy until

0:59:28.120 --> 0:59:30.800
<v Speaker 2>next week when guess what. I'm going to be back

0:59:31.120 --> 0:59:36.160
<v Speaker 2>with another amazing an old friend from HR.

0:59:36.840 --> 0:59:37.760
<v Speaker 4>We'll see you next week.

0:59:44.600 --> 0:59:47.520
<v Speaker 2>Off the Beat is hosted and executive produced by me

0:59:47.880 --> 0:59:52.360
<v Speaker 2>Brian Baumgartner, alongside our executive producer Lang Lee. Our senior

0:59:52.440 --> 0:59:56.520
<v Speaker 2>producer is Diego Tapia. Our producers are Liz Hayes, Hannah

0:59:56.560 --> 1:00:01.280
<v Speaker 2>Harris and Emily Carr. Our talent producer is Ryan Papa Zachary,

1:00:01.520 --> 1:00:05.200
<v Speaker 2>and our intern is Sammy Katz. Our theme song Bubble

1:00:05.320 --> 1:00:09.280
<v Speaker 2>and Squeak, performed by the one and only Creed Bratton,