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Speaker 1: I am all in.

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Speaker 2: Let's just you. I am all in with Scott Patterson

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Speaker 2: and iHeartRadio podcast.

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Speaker 1: Everybody, Scott Patterson, I am all in podcast, want to

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Speaker 1: leven productions. iHeartRadio, iHeart media, iHeart podcasts. I am joined

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Speaker 1: by my full intrepid crew was less intrepid last week.

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Speaker 1: Now we've got an addition special appearances by Danielle Romo

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Speaker 1: and Tara sud and our stalwarts Suzanne French and Amy Sugarman.

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Speaker 2: And as everybody is here, I.

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Speaker 1: Am kayak hear me roar Seeing seven, Episode fifteen, and

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Speaker 1: let's discuss it briefly here before we synopsize. What did

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Speaker 1: everybody think? Amy? What did you think of this?

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Speaker 2: Like parts and I don't like parts? Yeah? Was that

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Speaker 2: how anyone else feels?

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Speaker 1: I roared in the beginning. I thought there was some

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Speaker 1: highlights and high humor and then long stretches of not

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Speaker 1: very funny at all.

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Speaker 3: Yeah, Like I found it as a whole. It was

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Speaker 3: kind of like a nothing Burger episode for me. Like

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Speaker 3: it ended and I was like, all right.

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Speaker 4: Well I kind of liked it. I kind of liked it, although,

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Speaker 4: but I ended the episode being like, paused, did I

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Speaker 4: miss something I need to rewatch this.

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Speaker 2: I'm so confused. Why did it end this way controversial? Ending? Agree?

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Speaker 2: And I liked, though, we'll break it down. But my

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Speaker 2: pet peeve with it? Oh should I say it now?

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Speaker 2: I guess I will. My pet peeve with it is

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Speaker 2: Richard and Emily.

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Speaker 1: I thought Emily was shrill in this episode, and she's

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Speaker 1: never shrill. Yeah, and I thought, I don't I don't

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Speaker 1: like seeing Emily back on her heels and kind of

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Speaker 1: so out of sorts. And she acts it beautifully, but

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Speaker 1: it didn't provide any real for me anyway, comedic moments

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Speaker 1: between her and Laura, and we saw her, Laura and

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Speaker 1: Emily together for a lot of this.

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Speaker 2: Yeah, we had one really good scene. But then I

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Speaker 2: agree with you, Scott.

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Speaker 1: There was some funny little stuff in the beginning of

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Speaker 1: that whole arc, right, but then it just got kind

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Speaker 1: of tedious with the drinking and the confessional. But it

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Speaker 1: didn't have any humors. It didn't have any impact for

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Speaker 1: me anyway.

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Speaker 2: For I just don't think she was going to be

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Speaker 2: like she's probably look I feel like she should have

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Speaker 2: been so happy that Richard survived, that she wouldn't be

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Speaker 2: as irritated by him and also, she has so much

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Speaker 2: help and they're so awful to the help.

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Speaker 1: Right, it was hard to watch.

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Speaker 2: It was uncomfortable to watch a little cringey Richard.

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Speaker 1: What is happening here?

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Speaker 2: You know?

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Speaker 5: Yeah, Richard was a toddler in this episode, Like he

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Speaker 5: was just so bratty. I didn't understand, Like, I get

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Speaker 5: that he has to make some lifestyle changes and eat

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Speaker 5: different food, but he was just being such a brat

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Speaker 5: about the whole thing. I don't really blame Emily for

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Speaker 5: being the way.

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Speaker 2: She was, because she was probably super what if it

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Speaker 2: didn't track for me?

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Speaker 3: The only reason this is a really specific but as

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Speaker 3: someone who was just recentably injured, there were days where

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Speaker 3: I was just like in such a bad mood where

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Speaker 3: I was like, maybe that's I kind of put myself

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Speaker 3: in the issues, like well and to the extent.

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Speaker 4: Yes, nagging him, yeah, legitimately nagging him. All he wants

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Speaker 4: is spaghetti and steak, like let the man eat.

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Speaker 3: Yeah, And she she kind of she kind of acts

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Speaker 3: though like, well, there's one point where like Emily, He's like, oh,

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Speaker 3: well he is going to die one day, Like she

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Speaker 3: does say that, but I think the way she's acting

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Speaker 3: is like, oh, he's gonna live forever, so I better

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Speaker 3: give him his fish and soup and salad and whatever

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Speaker 3: it is that they're eating.

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Speaker 2: And you can't enjoy life much help? I like me

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Speaker 2: so soup? Like, is it really that bad? Like if

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Speaker 2: I just had a heart attack, I too might not

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Speaker 2: be going for the Rabbi. I don't know.

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Speaker 5: Yeah, I mean you can eat a diet, like a

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Speaker 5: decent diet that's not fish for every single meal. I

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Speaker 5: don't know. It was all, yeah, I can't do a

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Speaker 5: lot of fish.

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Speaker 1: Did it make you irritated? Watching two people be so

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Speaker 1: irritated and then irritated with one another. It's not fun.

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Speaker 2: It's not funny and irritated.

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Speaker 1: I was bored and irritated too, Yeah, but other carts

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Speaker 1: were good. Are we being We are irritated ourselves, aren't we?

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Speaker 1: Are we born? Are we not? Let's not be hypocrites here?

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Speaker 1: I mean, are we boring? And we are irritated a

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Speaker 1: little bit?

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Speaker 2: Are a little irritated? I think we should get into.

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Speaker 1: It, but we are smiling all right? Who's synopsizing? I

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Speaker 1: can't get back anymore?

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Speaker 2: Right after the break. We have to take a break.

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Speaker 1: We have to take a break. We're taking a break.

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Speaker 2: Yeah, right after the break, Danielle will start it.

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Speaker 1: Off and we'll be back after these words with Danielle Romol.

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Speaker 1: Synopsisations iHeart Podcasts. Listen on the iHeartRadio app. All right,

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Speaker 1: we're back, Danielle. Hit us with it.

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Speaker 2: All right.

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Speaker 4: It's season seven, Episode fifteen, I Am Kayak hear me Roor.

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Speaker 4: Air date February twenty, two thousand and seven. Lorlai avoids

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Speaker 4: telling Richard and Emily about her breakup with Christopher, but

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Speaker 4: a drunken night with Emily ends with a surprise reaction

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Speaker 4: to her failed marriage. Meanwhile, Richard is grumpy while recovering

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Speaker 4: from his surgery. Rory celebrates Logan's birthday with Mitcham and

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Speaker 4: gets Huntsburger. Plus t J and Liz stay with Luke

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Speaker 4: for a few days and ask Luke about where he

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Speaker 4: stands with Laura. I bus TJ.

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Speaker 1: He provided some a couple of big laughs. Lock it up.

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Speaker 1: We'll lock it up, Solder.

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Speaker 2: Rich parts that were actually really good in this episode.

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Speaker 2: It's just overall, I was like, all right, Suzanne, what

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Speaker 2: happens first?

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Speaker 5: Okay, So we start out with Laurel I knocking on

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Speaker 5: Rory's door, because Rory doesn't know that she and Christopher

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Speaker 5: broke up. So Paris and Doyle are doing yoga in

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Speaker 5: the living room. It was, yeah, it was it was fine.

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Speaker 5: I don't know. I love Paris and Oyle. I think

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Speaker 5: the two of them.

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Speaker 6: I feel like any scene with them is great.

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Speaker 5: Yeah, totally, I totally agree. So she tells Mary that

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Speaker 5: she wants to go for a drive and they get

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Speaker 5: in the car.

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Speaker 2: I think, can I throw a flag? Yeah?

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Speaker 1: Please please do.

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Speaker 2: Driving acting. First of all, this you never drive like this.

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Speaker 2: You just all hard road So why do driving actors?

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Speaker 1: Because because it's a because it's what's called a process shot,

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Speaker 1: and you're being towed, you're on the back of a

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Speaker 1: flatbed device and you're being towed by uh you know,

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Speaker 1: uh truck.

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Speaker 2: It's no to all actors when just it's hard.

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Speaker 1: It actually is kind of hard to mimic real driving

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Speaker 1: because it's it's it's so the movements are so small.

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Speaker 2: Les more just we know you're driving, we see the car,

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Speaker 2: we see the windows. We got it. I mean, she

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Speaker 2: could even just one arm it like, because this is

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Speaker 2: just so distracting.

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Speaker 1: Well, but yeah, it is a jeep. It is a jeep.

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Speaker 1: It's rack and pinion steering. It's not power steering.

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Speaker 2: So so that was a challenge for me. But if

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Speaker 2: I let that go, okay, they're in the car, continue well.

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Speaker 5: And I did notice that when they ran out of

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Speaker 5: gas and they got out of the car, you could

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Speaker 5: see the shadow of the screen like they were under

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Speaker 5: like a tent or a screen or something, and you

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Speaker 5: could see the shadow of it on the street.

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Speaker 2: Two things in Griffith Park.

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Speaker 4: Yeah, the most unroad out there.

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Speaker 1: The wind was blowing and the fake, fake leaves were

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Speaker 1: blowing by. But it kind of looked.

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Speaker 2: Fall like it didn't It looks maybe foolish, but it

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Speaker 2: didn't look like Connecticut. And did you see the weird

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Speaker 2: make snow on the ground.

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Speaker 1: Yes, yeah, like we Nothing in California is remotely connecticuty.

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Speaker 1: It was so full of greenery and grass and water

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Speaker 1: and massive trees.

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Speaker 2: He literally said, leave the Warner Brothers lot, Jim on

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Speaker 2: the one thirty four exit of Griffith Park and you're good.

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Speaker 5: And you know, did you notice you could see the

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Speaker 5: one thirty four in the where they pulled over, and

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Speaker 5: then the leaves blowing in the street, like none of

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Speaker 5: the leaves on the trees were moving. It was just

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Speaker 5: like somebody with a blower off camera.

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Speaker 2: That took me out a little bit. I'm not gonna lie,

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Speaker 2: and I don't know why, Like who was like you know.

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Speaker 6: What I mean, it's because we've all driven there, like

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Speaker 6: we know where it is. That's why.

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Speaker 5: Yeah, Like I don't know, but this is how we

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Speaker 5: found out that, you know. She tells Rory that they

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Speaker 5: broke up, and Rory says she's not that surprised because

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Speaker 5: she never felt was that right. She kind of changed

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Speaker 5: her tune there a little bit, but I don't know,

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Speaker 5: it was funny, it was okay. I thought I thought

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Speaker 5: it was interesting that that whole thing was the was

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Speaker 5: the opening, like it was the apartment scene and the

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Speaker 5: driving scene. We're both before the credits. It wasn't just

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Speaker 5: one second.

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Speaker 2: Yeah, lengthy the credits.

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Speaker 1: The credits were. They nailed it on the credits. The

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Speaker 1: credits were really good. Great song, great great shots. The

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Speaker 1: credits were.

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Speaker 5: So it's so early, like right and Rury's dry showered,

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Speaker 5: She's ready to go.

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Speaker 3: It's well, she did make a comment that she gets

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Speaker 3: she got up because Doyle and Paris were up.

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Speaker 5: Yeah, but she was like ready to go, like she

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Speaker 5: was true.

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Speaker 2: Do you know any college students that are like, you

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Speaker 2: know what I'm going to do? Get up at six?

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Speaker 2: Like in college, you're like, I have a ten to

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Speaker 2: thirty class. I'm going to get up at ten twenty

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Speaker 2: two and run. Yeah.

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Speaker 1: No matter no matter how drab and opening we have,

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Speaker 1: it's always going to be a great opening because we

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Speaker 1: have the credits and we have that song.

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Speaker 2: Right, that's true. That does get you in the mood.

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Speaker 1: Gets you in the mood. I mean, that's that's the trick.

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Speaker 2: Do you not hit skip?

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Speaker 6: Do you let it play every time?

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Speaker 1: I watched it this time?

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Speaker 5: Okay?

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Speaker 1: Yeah, because I was too late. I was too late

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Speaker 1: on the skip, and the skip disappeared.

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Speaker 3: And it goes away.

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Speaker 1: The skipp goes away.

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Speaker 2: Okay.

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Speaker 5: So then then we go to Emily and Richard's house

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Speaker 5: and we have the whispering housekeeper. Now, does if you're

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Speaker 5: whispering gibberish, does that count as having lines?

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Speaker 2: And the thing so that.

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Speaker 1: I thought they could have used. I thought they could

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Speaker 1: have ut I thought they were setting us up for

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Speaker 1: some really great stuff with the whispering, because somewhere it

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Speaker 1: felt like there was going to be some payoff with that,

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Speaker 1: and there never was.

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Speaker 5: Yeah, other than her hiding Emily looking for her and

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Speaker 5: like looking under the furniture and stuff. That was a

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Speaker 5: little amusing.

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Speaker 2: But it's almost little amusing. I have a lot of amusing.

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Speaker 5: But I have to compliment the wardrobe in this scene,

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Speaker 5: because all three women were wearing lovely shades of blue.

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Speaker 5: Emily had that nice like kind of peacock colored sweater.

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Speaker 5: I liked the I liked all of their outfits in

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Speaker 5: this scene.

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Speaker 2: I still was like, h this is not a home

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Speaker 2: run for me right now.

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Speaker 5: No, it wasn't. They're serving non alcoholic drinks. This is

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Speaker 5: where we meet Francette, the nurse, who Emily seems to

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Speaker 5: not understand what a nurse does. It was a little annoying.

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Speaker 5: I don't know if they were just trying to show that,

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Speaker 5: you know, Emily thinks she's so far above everybody else

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Speaker 5: that anyone below her no matter what they do, they're

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Speaker 5: just all the same category to her. I don't know.

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Speaker 1: Yeah, this especially made both Gilmore's look bad. Yes, it

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Speaker 1: was not a good look for either one of them.

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Speaker 6: No, agree, whatever a random question.

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Speaker 2: I looks good in this episode, Like she's very you know,

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Speaker 2: helping the family. She comes across well, and so does

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Speaker 2: Rory Prankley.

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Speaker 1: But like and Laurel, I had like most of the

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Speaker 1: really strong lines. Yeah, I mean she provided a lot

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Speaker 1: of the last.

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Speaker 6: I have a random question. I know what Shirley Temple is,

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Speaker 6: but what's a Roy Rogers.

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Speaker 2: Hope it's just a grenadine and coke and coke. Yeah,

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Speaker 2: Shirley Temple's grenadine and seven up? Oh Roy Rogers is

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Speaker 2: if you don't want the seven up your coke and grenadine?

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Speaker 1: Oh yeah.

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Speaker 2: I love with the cherry Marashino. So I say Maraschino cherry.

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Speaker 2: Does anybody say Maraschino?

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Speaker 1: No?

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Speaker 2: Yeah, I say the same.

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Speaker 5: I think that's the best part of the whole drink.

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Speaker 5: I love those as I as a.

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Speaker 4: Kid, like your straw and like try to spear it

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Speaker 4: at the bottom of the guy.

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Speaker 6: I still get Shirley Temples, but you, Charlie, that's.

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Speaker 5: Just a dirty anyway. Okay. Richard comes down in his robe.

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Speaker 5: That was sort of an odd visual thing, like we

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Speaker 5: I don't know if we've ever seen Richard well.

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Speaker 2: Maybe once or twice seen him in the bed, but yeah,

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Speaker 2: we saw him in bed. We've seen him at clothes

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Speaker 2: in a while.

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Speaker 5: And he's ticked off about golf.

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Speaker 2: He's like watching old golf.

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Speaker 6: Yeah, I thought, there's he said, sixty nine?

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Speaker 5: Is that what he's well?

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Speaker 6: What's he watching on? Like an old tape that they were.

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Speaker 1: Going ESPN and the Golf Channel, like old PGA championships

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Speaker 1: and masked old masters. Chance.

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Speaker 2: I'm happy that he just doesn't need to be so

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Speaker 2: grouchy and neither is Yeah.

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Speaker 4: Is that a thing? Guys do watch old games?

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Speaker 2: Yeah? Oh probably, yeah, maybe some.

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Speaker 1: I actually confess to watching old golf matches. I do.

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Speaker 1: I identify with Richard on that.

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Speaker 5: Do you whint about fish while you're doing that?

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Speaker 1: I love fish.

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Speaker 3: I never want him, only if it's not pared right

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Speaker 3: then interrupt you watching?

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Speaker 1: She does, yes, but she's not irritated like that.

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Speaker 5: So I had a realization.

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Speaker 1: I watched golf eat fish and we laugh all day there.

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Speaker 1: It's wonderful.

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Speaker 5: So they were talking about the four hundred Corners game

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Speaker 5: Hens and I had I think I messed in the

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Speaker 5: last episode, or maybe the one before when Richard had

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Speaker 5: the heart attack. I had completely forgotten about this party

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Speaker 5: that Emily is planning for Christopher and Laurel. I so

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Speaker 5: that kind of got, you know, pushed to the side

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Speaker 5: because of Richard's heart attack. But now we've circled back to,

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Speaker 5: you know, that wedding party that they had the big

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Speaker 5: fight about, and now it's Emily's circling back to planning

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Speaker 5: for which I had.

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Speaker 2: Completely cornish game hens. Do you eat too so? Or

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Speaker 2: is it to assume there were four hundred people going

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Speaker 2: to that party?

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Speaker 5: Yeah? Four hundred people. I don't know.

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Speaker 1: Were they having the party at the house?

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Speaker 2: No, some country, A couple.

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Speaker 5: They were at that hotel.

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Speaker 2: Who's had a cornish game frequently?

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Speaker 1: Cornish game hens are wonderful.

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Speaker 5: They like chicken.

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Speaker 2: I've never had one.

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Speaker 5: Yeah, yeah, there's like little chicken.

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Speaker 1: They're like a pound and a half. Maybe they're all

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Speaker 1: smaller than yourself. I wouldn't say that. I mean if

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Speaker 1: you're if you're hungry, yeah, which is let's talk about

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Speaker 1: twenty four ounces of steak that ror ate at dinner. No, sorry,

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Speaker 1: nobody's eating like, sorry, that's a pound and a half

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Speaker 1: of meat. She just consumed. No, she did not.

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Speaker 5: And when when Richard asked Laurlai if Christopher was coming,

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Speaker 5: Emily had a look on her face.

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Speaker 2: I don't know if you guys know, you know, there's

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Speaker 2: trouble in Paradise, all right, yeah, yeah.

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Speaker 5: Yeah, So that was that was significant.

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Speaker 1: I didn't really feel like any of this was set

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Speaker 1: up that well where anybody would care that much or

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Speaker 1: be that surprised anyway, So why drag it out right,

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Speaker 1: Because it's not a focal point of the show. I

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Speaker 1: mean it's it's definitely part of the show, but it's

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Speaker 1: to base an episode around, and to think that the

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Speaker 1: fans are so invested in this whole relationship anyways.

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Speaker 4: We have been cringe since a lot would argue before,

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Speaker 4: but definitely since Paris.

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Speaker 1: Right right, right, So it's there was a good.

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Speaker 5: There was a good joke in there when well I

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Speaker 5: thought it was good when Rory was telling Lorelai she

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Speaker 5: has to tell Emily that they broke up because otherwise

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Speaker 5: Emily is going to kill four hundred corners game hands,

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Speaker 5: probably with her bare hands.

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Speaker 1: Yeah, as an attempted humor.

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Speaker 5: Yes, yes, there was also a Shakespeare joke in there

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Speaker 5: about Richard.

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Speaker 1: Oh that was good. That was the Richard the third

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Speaker 1: with the golf. That was really good. The way she

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Speaker 1: hunched over It's like, that's really good.

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Speaker 5: So that there was a little bright light in there.

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Speaker 1: Yeah. It was like, finally a laugh I can laugh now.

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Speaker 5: Yeah, right, and Emily's talking listing all the different fishy

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Speaker 5: fish that was that got old.

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Speaker 1: I can so agree. It was just dragging. Oh my god.

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Speaker 5: I know.

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Speaker 2: I was sort of like, is something wrong with me?

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Speaker 2: But I'm so happy.

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Speaker 1: Oh no, it's like he's cut back to laurel Ie

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Speaker 1: so she can be funny, give me.

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Speaker 2: More Logan in the birthday thing, I was just like,

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Speaker 2: this is.

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Speaker 1: See, that's another thing. Anyway, we'll get to it.

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Speaker 5: Okay, so we can get there right now, because the

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Speaker 5: next scene is at Logan's apartment, where Rory has made

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Speaker 5: him breakfast in bed. Please.

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Speaker 2: Logan with all his money loves a studio.

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Speaker 4: Oh yeah, mikasing to living in New York though.

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Speaker 2: You think he's got separate rooms, but no, everything in

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Speaker 2: the same room.

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Speaker 5: When she decorated there there they were in like a

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Speaker 5: living room kind of room, so I think it was

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Speaker 5: all just a big flat like.

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Speaker 2: Yeah, I assumed.

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Speaker 6: I assumed it was the others like another angle.

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00:19:19,960 --> 00:19:22,320
Speaker 2: Yeah, yeah, it's all the same room.

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Speaker 3: It's the same thing though about the studio, I'm like,

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Speaker 3: you're spending all this money on you know your.

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Speaker 2: Company at Yale. At Yale, he had the same thing.

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Speaker 2: He just loves a big loft, a big yeah, yeah great,

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Speaker 2: it screams same set designer to me.

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Speaker 4: Not enough in the studio and this is all the

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Speaker 4: space we have in our sound stage.

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Speaker 2: Yeah whatever, cool apartment. I like his place.

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Speaker 5: Did you did you notice next to the window that

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Speaker 5: was very early two thousand?

376
00:20:01,160 --> 00:20:04,840
Speaker 2: Yeah, and I saw that that soldier what do you

377
00:20:04,840 --> 00:20:06,000
Speaker 2: call that ten suit?

378
00:20:07,160 --> 00:20:07,480
Speaker 5: Yeah?

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00:20:07,560 --> 00:20:09,040
Speaker 1: Yeah, coat of arms?

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00:20:09,359 --> 00:20:12,680
Speaker 2: Thank you he was that was from his other apartment. Yeah,

381
00:20:12,720 --> 00:20:13,159
Speaker 2: he took that.

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00:20:14,440 --> 00:20:16,960
Speaker 5: I had a red flag on Rory's voice. She was

383
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Speaker 5: like really she had that baby voice. The people I noticed.

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Speaker 6: I noticed that.

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Speaker 2: I noticed that it's in.

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Speaker 5: Yeah, it was weird. And she's I don't.

387
00:20:25,160 --> 00:20:29,840
Speaker 2: Know something about her cinnamon to those look yummy covered

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Speaker 2: in the frosting.

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Speaker 5: They did look good. And he's inching off the little, tiny,

390
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Speaker 5: tiniest possible piece.

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Speaker 2: Of crumbs like day like sorry, uh Christopher eating that muffin.

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00:20:40,240 --> 00:20:43,399
Speaker 2: David suggy like can you take a bite, dude, just

393
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Speaker 2: take a bye, like.

394
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Speaker 6: Uh, frosting's messy though.

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Speaker 2: Yeah, she did pretty good with that.

396
00:20:49,920 --> 00:20:53,680
Speaker 5: Yeah it looked goodyeral, but so then we found out

397
00:20:53,800 --> 00:20:58,520
Speaker 5: Hunsburgers didn't really celebrate birthdays, and she said, you didn't

398
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Speaker 5: have parties and he said, well, not with kid that

399
00:21:00,280 --> 00:21:02,760
Speaker 5: I knew. And it made me think of that party

400
00:21:02,840 --> 00:21:07,640
Speaker 5: that Emily threw for Rory, all the high school kids

401
00:21:07,680 --> 00:21:10,639
Speaker 5: that Rory didn't know any of them, So my brain

402
00:21:10,760 --> 00:21:13,960
Speaker 5: connected those dots. But then we also find out Logan

403
00:21:14,040 --> 00:21:16,720
Speaker 5: closed his big deal that he's been working on and

404
00:21:16,800 --> 00:21:18,520
Speaker 5: it's gonna there was a press release sent to the

405
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Speaker 5: Wall Street Journal, So there's a move the plot forward

406
00:21:21,280 --> 00:21:21,960
Speaker 5: a little bit there.

407
00:21:22,080 --> 00:21:22,280
Speaker 2: Yeah.

408
00:21:24,359 --> 00:21:27,720
Speaker 5: Then Emily calls Laurel I freaking out about the pharmacy.

409
00:21:28,280 --> 00:21:30,800
Speaker 5: I took that a little personally. No, I didn't really,

410
00:21:31,160 --> 00:21:36,240
Speaker 5: that's how far the are. And then the okay, this

411
00:21:36,320 --> 00:21:39,600
Speaker 5: is where Emily again with treating the nurse like the maid.

412
00:21:39,640 --> 00:21:44,040
Speaker 5: I can't tell the difference between them whatever. And then

413
00:21:44,080 --> 00:21:46,199
Speaker 5: they're always being helpful. She says she'll go pick up

414
00:21:46,280 --> 00:21:50,320
Speaker 5: Richard's meds. And then I did like the scene after

415
00:21:50,359 --> 00:21:54,080
Speaker 5: Emily hung up on her and Laurel I said Richard Christopher, Ye,

416
00:21:54,480 --> 00:21:56,639
Speaker 5: why that was?

417
00:21:56,920 --> 00:21:57,000
Speaker 1: That?

418
00:21:57,119 --> 00:21:59,600
Speaker 2: Actually was funny. That made me giggle too. I don't

419
00:21:59,640 --> 00:22:02,280
Speaker 2: have any real criticism of Lauren Graham in this episode.

420
00:22:02,440 --> 00:22:06,160
Speaker 1: No right, yeah, yeah, she was nailing everything.

421
00:22:07,640 --> 00:22:09,719
Speaker 2: Get her star on the Walk of Fame. Everybody, did

422
00:22:09,760 --> 00:22:14,000
Speaker 2: you see that she is? She's in the what is

423
00:22:14,000 --> 00:22:16,800
Speaker 2: it the twenty twenty five class or whatever where.

424
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Speaker 1: I'm really really, really really happy for her because the

425
00:22:23,040 --> 00:22:27,400
Speaker 1: year after year she was snubbed right by Emmy's by

426
00:22:27,520 --> 00:22:30,720
Speaker 1: I think she was nominated for a Golden Globe though, right,

427
00:22:31,040 --> 00:22:36,959
Speaker 1: wasn't she probably or something? I mean also, in seven years,

428
00:22:37,040 --> 00:22:39,960
Speaker 1: all those awards shows have an opportunity to nominate her

429
00:22:40,000 --> 00:22:44,560
Speaker 1: for her work and maybe one or two noums and

430
00:22:44,680 --> 00:22:48,880
Speaker 1: no wins. It's it's absurd, So very happy, so very

431
00:22:48,920 --> 00:22:52,119
Speaker 1: happy for her that that she's getting a star on

432
00:22:52,160 --> 00:22:54,560
Speaker 1: the Walk of Fame because it's much deserved and over

433
00:22:54,600 --> 00:22:56,080
Speaker 1: and long overdue.

434
00:22:55,600 --> 00:22:59,040
Speaker 2: By the way, totally totally yeah, I agree.

435
00:22:59,760 --> 00:23:03,440
Speaker 5: So then we go to Luke Steiner. Now this scene

436
00:23:03,520 --> 00:23:06,399
Speaker 5: was a shining star for me. I loved this entire

437
00:23:06,440 --> 00:23:11,360
Speaker 5: scene with Babbett and Miss Patty talking about talking and and.

438
00:23:11,320 --> 00:23:11,920
Speaker 6: The hen.

439
00:23:13,359 --> 00:23:17,119
Speaker 5: Very the rooster and then Kirk thinks it's all literal.

440
00:23:18,320 --> 00:23:23,639
Speaker 5: That was very good, classic stars hollow for me, it

441
00:23:23,760 --> 00:23:24,720
Speaker 5: needs to be with the.

442
00:23:26,600 --> 00:23:29,159
Speaker 2: That was good. That was good to use them again

443
00:23:29,280 --> 00:23:30,240
Speaker 2: and like that was good.

444
00:23:30,520 --> 00:23:33,760
Speaker 5: And then listen TJ come barging in with every single

445
00:23:34,040 --> 00:23:36,240
Speaker 5: piece of baby equipment known to man.

446
00:23:36,359 --> 00:23:39,280
Speaker 3: It's so funny when that happened. For some reason, We're like,

447
00:23:39,320 --> 00:23:40,879
Speaker 3: are they dropping off the baby again?

448
00:23:41,560 --> 00:23:42,919
Speaker 2: Do you remember when they just barged?

449
00:23:43,080 --> 00:23:47,480
Speaker 6: I was like, are we repeating this? But that wasn't it?

450
00:23:46,200 --> 00:23:46,360
Speaker 3: Yeah?

451
00:23:50,359 --> 00:23:55,720
Speaker 7: Mom, Yeah, I cringed a lot of the things that

452
00:23:56,640 --> 00:24:03,280
Speaker 7: TJ and oh my Liz Lizen TJ were doing a

453
00:24:03,280 --> 00:24:07,600
Speaker 7: lot of cringe, like putting the car seat in a snowsuit, like.

454
00:24:09,160 --> 00:24:10,000
Speaker 2: A snow suit.

455
00:24:10,680 --> 00:24:13,000
Speaker 4: It's just a lot of bad stuff. I'm like, oh man,

456
00:24:13,840 --> 00:24:16,240
Speaker 4: the safety of this child is not.

457
00:24:17,560 --> 00:24:21,200
Speaker 1: What are the chances gonna make it? Baby is not

458
00:24:21,200 --> 00:24:21,880
Speaker 1: gonna make it.

459
00:24:22,040 --> 00:24:23,399
Speaker 2: No, this baby was legit.

460
00:24:23,640 --> 00:24:26,080
Speaker 4: It blinked.

461
00:24:27,359 --> 00:24:29,840
Speaker 1: You wouldn't believe how how realistic.

462
00:24:29,400 --> 00:24:34,040
Speaker 2: These rubber babies. The rubber baby. Do you guys remember

463
00:24:34,040 --> 00:24:39,919
Speaker 2: when Luke's like, hi, doulah, that funny.

464
00:24:40,320 --> 00:24:43,399
Speaker 4: It was just funny. It's so matter of fact instead

465
00:24:43,400 --> 00:24:44,200
Speaker 4: of laughing.

466
00:24:45,760 --> 00:24:48,520
Speaker 5: Yeah, that was good. The TJ had a funny line

467
00:24:48,560 --> 00:24:51,280
Speaker 5: in there. It was kind of risque about how moths

468
00:24:51,320 --> 00:24:53,000
Speaker 5: are just loser butterflies.

469
00:24:53,760 --> 00:24:54,000
Speaker 1: Right.

470
00:24:55,440 --> 00:24:57,199
Speaker 5: Anyways, I won't finish the line because it's a.

471
00:24:57,200 --> 00:25:00,159
Speaker 1: Little no no, but that that what the finish it.

472
00:25:00,160 --> 00:25:03,320
Speaker 1: It's okay, you it was, you're safe here.

473
00:25:04,119 --> 00:25:09,520
Speaker 5: I don't have the right if they couldn't get lad

474
00:25:09,600 --> 00:25:11,840
Speaker 5: if they had one hundred dollars bill tied to there

475
00:25:12,119 --> 00:25:17,919
Speaker 5: and then he got cut off. So that bit.

476
00:25:17,720 --> 00:25:20,199
Speaker 1: Of getting that's what That's what I love about this

477
00:25:20,280 --> 00:25:23,840
Speaker 1: show because it's it's actually an edgy show. They just

478
00:25:23,880 --> 00:25:26,480
Speaker 1: don't go all the way. Yeah, I suggest it, which

479
00:25:26,520 --> 00:25:28,440
Speaker 1: is brilliant, brilliant, Like.

480
00:25:28,480 --> 00:25:30,600
Speaker 2: The bit of getting them to move in with Luke

481
00:25:30,680 --> 00:25:35,400
Speaker 2: for a minute because it brings them together. Yeah, some

482
00:25:35,520 --> 00:25:39,040
Speaker 2: pretty good scenes and the talking about him at night

483
00:25:39,160 --> 00:25:41,840
Speaker 2: like that actually was clever and really good.

484
00:25:42,480 --> 00:25:45,520
Speaker 5: Yeah, it was. It was. It was a big build

485
00:25:45,600 --> 00:25:49,280
Speaker 5: up though, just for the payoff of seeing Luke thinking

486
00:25:49,280 --> 00:25:52,400
Speaker 5: about Lorelei again, like it was a big setup.

487
00:25:53,640 --> 00:25:57,159
Speaker 1: You know, here's a little behind the scenes. They weren't

488
00:25:57,280 --> 00:26:00,240
Speaker 1: They weren't actually in the room doing the dialogue on

489
00:26:00,320 --> 00:26:03,440
Speaker 1: my close up of that show when I shot that

490
00:26:03,560 --> 00:26:05,919
Speaker 1: later part of it. Yeah, that was after the fact,

491
00:26:06,400 --> 00:26:09,879
Speaker 1: and the dialogue was being read to me by I

492
00:26:09,920 --> 00:26:14,840
Speaker 1: think George Bell. Our scripts are are are not. He's

493
00:26:14,880 --> 00:26:18,520
Speaker 1: not the script supervisor. He's the dialogue dialogue coach. Yeah,

494
00:26:18,840 --> 00:26:21,320
Speaker 1: and a good actor, a fine actor in his own right,

495
00:26:21,440 --> 00:26:25,080
Speaker 1: so he he was doing both sides of that sort.

496
00:26:26,119 --> 00:26:28,480
Speaker 3: I've always wondered that, is that what usually happens on

497
00:26:28,600 --> 00:26:31,480
Speaker 3: sets when there's okay yeah, so when someone.

498
00:26:31,400 --> 00:26:33,560
Speaker 1: Say something like that, yeah, where it's like.

499
00:26:33,640 --> 00:26:34,480
Speaker 2: You have to react.

500
00:26:34,720 --> 00:26:37,560
Speaker 1: But the thing is they can schedule that my shot

501
00:26:37,760 --> 00:26:42,399
Speaker 1: at any time that really works for them scheduling wise,

502
00:26:42,520 --> 00:26:47,080
Speaker 1: So it's often not when the other two actors are working.

503
00:26:46,440 --> 00:26:49,200
Speaker 2: Because also they are guest actors. Would they only maybe

504
00:26:49,240 --> 00:26:52,040
Speaker 2: come for a couple of days and you're there all week?

505
00:26:52,440 --> 00:26:54,359
Speaker 5: Yeah, so they want to shoot all their scenes the

506
00:26:54,400 --> 00:26:54,800
Speaker 5: same day.

507
00:26:54,920 --> 00:26:55,960
Speaker 2: Yeah, makes sense.

508
00:26:57,359 --> 00:27:00,520
Speaker 5: Interesting, that's cool, very yeah, And that's how they do it,

509
00:27:00,520 --> 00:27:03,719
Speaker 5: Like with telephone calls, right where there's it's coming back

510
00:27:03,760 --> 00:27:05,399
Speaker 5: and forth between two people on the phone.

511
00:27:05,680 --> 00:27:06,040
Speaker 4: Yeah.

512
00:27:06,119 --> 00:27:09,760
Speaker 1: Yeah, you're rarely talking to the other actor or even

513
00:27:09,800 --> 00:27:11,959
Speaker 1: hearing the other actor because they're not there that day.

514
00:27:12,000 --> 00:27:14,000
Speaker 1: They're not working that day. So it's so it's always

515
00:27:14,040 --> 00:27:17,840
Speaker 1: like a scripty is doing it, script supervisor, dialogue coach

516
00:27:17,880 --> 00:27:20,919
Speaker 1: is doing it, or another you know, somebody's doing it

517
00:27:21,000 --> 00:27:26,360
Speaker 1: but it ain't but it ain't. Yeah, interesting, interesting.

518
00:27:26,119 --> 00:27:31,439
Speaker 5: Very cool. Okay, So then we go back to Emily

519
00:27:31,480 --> 00:27:34,000
Speaker 5: and Richards and we're gonna yell about the boots some more.

520
00:27:35,119 --> 00:27:37,960
Speaker 5: I did notice that the candles weren't hard.

521
00:27:38,040 --> 00:27:38,879
Speaker 2: I don't like I could have.

522
00:27:38,880 --> 00:27:42,840
Speaker 3: Just cut out yeah, yeah, like what's so bad about soup?

523
00:27:43,560 --> 00:27:48,080
Speaker 2: And yeah, and then it's prepared by a five starship.

524
00:27:47,920 --> 00:27:54,960
Speaker 5: And he suggests a sandwich and Richard loses his mind. Right, okay,

525
00:27:55,040 --> 00:27:58,240
Speaker 5: so dinner's dinner is not good. The candles weren't lit

526
00:27:58,280 --> 00:28:00,399
Speaker 5: in this one, which I thought was interesting because Emily

527
00:28:00,440 --> 00:28:04,520
Speaker 5: is usually so like everything has to be exactly perfect the.

528
00:28:04,440 --> 00:28:05,480
Speaker 6: Time script.

529
00:28:08,240 --> 00:28:10,080
Speaker 1: Somebody, somebody.

530
00:28:11,359 --> 00:28:16,080
Speaker 2: And then they were busy lighting over at Logan's studio

531
00:28:16,280 --> 00:28:19,080
Speaker 2: to make sure that birthday.

532
00:28:18,680 --> 00:28:21,320
Speaker 1: Decorations, well, they ran out of candles because of the

533
00:28:21,359 --> 00:28:23,600
Speaker 1: dinner scene with mister Huntspurd, that's true.

534
00:28:23,960 --> 00:28:26,560
Speaker 5: They were busy assembling the suit of armor, I guess.

535
00:28:28,800 --> 00:28:34,760
Speaker 5: So Richard's yelling at the chef, and Laurel I shows

536
00:28:34,840 --> 00:28:38,160
Speaker 5: up with Richard's medication and tries to calm Emily down.

537
00:28:38,200 --> 00:28:41,160
Speaker 5: And then we have Suki showing up too with you

538
00:28:41,200 --> 00:28:44,160
Speaker 5: know healthy food for richards, so that that seems just

539
00:28:44,160 --> 00:28:44,920
Speaker 5: a hot mess.

540
00:28:46,280 --> 00:28:49,480
Speaker 1: It's just so many people getting pissed off all the time.

541
00:28:49,520 --> 00:28:51,480
Speaker 5: Everybody was pussy, everybody was yelling.

542
00:28:51,880 --> 00:28:56,400
Speaker 1: You know, I'm watching a serials not to do unsolicited

543
00:28:56,480 --> 00:28:59,040
Speaker 1: plug but I'm watching a series now on Netflix called

544
00:28:59,160 --> 00:29:00,920
Speaker 1: Call My Agent, and it's a French show. It's a

545
00:29:00,960 --> 00:29:04,840
Speaker 1: comedy and there's a lot of people flipping out all

546
00:29:04,880 --> 00:29:08,120
Speaker 1: the time. But it's so funny because it's all set

547
00:29:08,200 --> 00:29:10,760
Speaker 1: up so beautifully and it's so interconnected. It's not like

548
00:29:10,880 --> 00:29:13,000
Speaker 1: ambling and kind of out of the blue.

549
00:29:13,080 --> 00:29:15,240
Speaker 3: And another show that's like that right now is The Bear.

550
00:29:15,440 --> 00:29:17,840
Speaker 3: Like I feel like sometimes stressed out watching that show.

551
00:29:18,480 --> 00:29:21,560
Speaker 3: But I agree, but I agree like this just felt

552
00:29:21,560 --> 00:29:24,800
Speaker 3: like unnecessary when other shows I think it works.

553
00:29:24,960 --> 00:29:28,800
Speaker 1: But I think the difference is that that single camera

554
00:29:29,240 --> 00:29:34,560
Speaker 1: comedies are different from Gilmour because it was a dramedy,

555
00:29:34,800 --> 00:29:41,400
Speaker 1: right it what, So it's just that it's Watch Call

556
00:29:41,480 --> 00:29:44,040
Speaker 1: My Agent. Watch watch a couple of episodes in the

557
00:29:44,040 --> 00:29:46,400
Speaker 1: first season. You'll see what I mean. These people are

558
00:29:46,440 --> 00:29:47,280
Speaker 1: stressed out.

559
00:29:48,200 --> 00:29:52,120
Speaker 2: Yeah, and the show can really make you feel agivate

560
00:29:52,120 --> 00:29:52,640
Speaker 2: where you're.

561
00:29:52,480 --> 00:29:54,880
Speaker 1: Like no, but this show doesn't because they know how

562
00:29:54,880 --> 00:29:58,920
Speaker 1: to let you release it, because they it's all always

563
00:29:58,960 --> 00:30:04,120
Speaker 1: the right tone. You buy into, you buy into the way.

564
00:30:04,120 --> 00:30:06,520
Speaker 1: It's like, it's almost like seasons. Part of Season seven

565
00:30:06,680 --> 00:30:09,040
Speaker 1: is we've for six seasons, we've bought into this world.

566
00:30:09,080 --> 00:30:12,160
Speaker 1: We know it's funny. We've defined everything, the parameters of

567
00:30:12,200 --> 00:30:14,640
Speaker 1: this world, how things are set up and how they're

568
00:30:14,680 --> 00:30:17,440
Speaker 1: paid off. But Season seven doesn't seem to be following

569
00:30:17,480 --> 00:30:20,160
Speaker 1: those rules at times. And I think this is one

570
00:30:20,200 --> 00:30:24,760
Speaker 1: of those times.

571
00:30:25,080 --> 00:30:28,880
Speaker 2: I think you're right, it's got too much, too much irritant,

572
00:30:29,400 --> 00:30:31,360
Speaker 2: not enough release, right.

573
00:30:31,280 --> 00:30:33,160
Speaker 1: It's just not how we want to see the Gilmour's

574
00:30:33,240 --> 00:30:37,160
Speaker 1: not in that situation. I mean, it's already a serious

575
00:30:37,280 --> 00:30:42,800
Speaker 1: enough situation with recovering from what triple bypass surgery, right,

576
00:30:42,840 --> 00:30:46,120
Speaker 1: so lighten it up, make it fun and make it funny.

577
00:30:46,240 --> 00:30:46,400
Speaker 1: You know.

578
00:30:46,520 --> 00:30:50,480
Speaker 5: Well, this scene, for me, basically it was just like

579
00:30:50,520 --> 00:30:53,200
Speaker 5: a carbon copy of the scene we already saw at

580
00:30:53,240 --> 00:30:58,320
Speaker 5: dinner twice. You know, It's like, well, sometimes less is more,

581
00:30:58,400 --> 00:31:10,960
Speaker 5: So I didn't I didn't really need that scene. While

582
00:31:11,040 --> 00:31:13,520
Speaker 5: Laura I is still in the kitchen at Emily's, Rory

583
00:31:13,560 --> 00:31:16,120
Speaker 5: calls her and starts asking about all of her birthday parties,

584
00:31:16,160 --> 00:31:18,000
Speaker 5: and then we get that was kind of cute like

585
00:31:19,680 --> 00:31:23,120
Speaker 5: that Laura I has planned for Rari over the years,

586
00:31:23,320 --> 00:31:26,240
Speaker 5: and I thought, oh, that's cute, Like I didn't do

587
00:31:26,280 --> 00:31:30,160
Speaker 5: stuff like that. He was cute and we always the

588
00:31:30,200 --> 00:31:33,080
Speaker 5: easy way out on parties. But Emily I had the

589
00:31:33,160 --> 00:31:34,000
Speaker 5: list of it all.

590
00:31:34,120 --> 00:31:36,160
Speaker 2: I won't wore everybody, but I had the list of

591
00:31:36,200 --> 00:31:38,480
Speaker 2: it all somewhere of all the different things.

592
00:31:38,840 --> 00:31:45,280
Speaker 5: Yeah, a space party and yeah, so Emily I can't

593
00:31:45,320 --> 00:31:48,800
Speaker 5: keep their names straight. Rory is, you know, feeling bad

594
00:31:48,840 --> 00:31:51,600
Speaker 5: that Logan didn't have these experiences in his own childhood,

595
00:31:51,640 --> 00:31:54,760
Speaker 5: so she's trying to create one giant birthday party with

596
00:31:54,840 --> 00:31:55,880
Speaker 5: all of these experiences.

597
00:31:55,920 --> 00:31:59,680
Speaker 2: It was cute, are painful. I'll get to that when

598
00:31:59,720 --> 00:32:00,400
Speaker 2: we get to that.

599
00:32:00,880 --> 00:32:05,880
Speaker 5: Yeah, and then Logan calls and drops the bomb that

600
00:32:05,920 --> 00:32:11,480
Speaker 5: they're going out to dinner with his dad for his birthday.

601
00:32:10,520 --> 00:32:15,560
Speaker 5: All right, So then we see Liz making her jewelry.

602
00:32:16,320 --> 00:32:17,920
Speaker 5: Wasn't that attractive?

603
00:32:18,120 --> 00:32:19,000
Speaker 2: Fishing line?

604
00:32:19,440 --> 00:32:25,440
Speaker 5: Fishing line and the feathers, and then I thought it

605
00:32:25,480 --> 00:32:28,320
Speaker 5: was cute. TJ wearing the baby. I thought that was adorable.

606
00:32:30,840 --> 00:32:33,240
Speaker 5: And then so this is where they start talking about

607
00:32:33,280 --> 00:32:33,800
Speaker 5: Laura I.

608
00:32:33,960 --> 00:32:37,440
Speaker 1: And Liz the biggest laugh of the show.

609
00:32:39,880 --> 00:32:40,400
Speaker 5: Oh, TJ.

610
00:32:40,800 --> 00:32:42,320
Speaker 1: I mean I already did it. I'm not gonna do

611
00:32:42,800 --> 00:32:47,080
Speaker 1: but it's like, thank god for TJ. I mean, just

612
00:32:47,120 --> 00:32:51,840
Speaker 1: the facial expressions that the delivery yeah, so good.

613
00:32:52,280 --> 00:32:54,440
Speaker 2: Be redundant, but I do like them all in their

614
00:32:54,480 --> 00:32:58,320
Speaker 2: scene together. Yeah, it's enjoyable.

615
00:32:59,080 --> 00:33:02,040
Speaker 5: It was. It was good, like brother sister banter between

616
00:33:02,120 --> 00:33:04,360
Speaker 5: Luke and like, aren't you going to call her? No,

617
00:33:04,440 --> 00:33:08,200
Speaker 5: I'm not going to call her, and then TJ like,

618
00:33:08,240 --> 00:33:09,360
Speaker 5: don't get back together with her.

619
00:33:09,680 --> 00:33:10,200
Speaker 1: It was good.

620
00:33:10,360 --> 00:33:14,200
Speaker 5: I just I didn't have any any issues.

621
00:33:13,960 --> 00:33:16,440
Speaker 4: And I love that, Like TJ is so protective of

622
00:33:16,600 --> 00:33:20,320
Speaker 4: Luke weirdly, you know, he's kind of just being like, no,

623
00:33:20,760 --> 00:33:22,320
Speaker 4: you don't need it, you don't need it.

624
00:33:22,640 --> 00:33:23,560
Speaker 2: Yeah right.

625
00:33:23,680 --> 00:33:24,360
Speaker 4: I liked that.

626
00:33:27,000 --> 00:33:28,080
Speaker 6: This is kind of random, but.

627
00:33:28,360 --> 00:33:29,320
Speaker 4: They've come a long way.

628
00:33:29,840 --> 00:33:30,160
Speaker 2: They have.

629
00:33:30,640 --> 00:33:35,040
Speaker 5: Yeah, since TJ called him a dick.

630
00:33:35,360 --> 00:33:36,320
Speaker 2: This is kind of random.

631
00:33:36,360 --> 00:33:44,240
Speaker 3: But I'm rewatching the Resident, which is obviously logan but yeah,

632
00:33:44,280 --> 00:33:47,200
Speaker 3: Matt Zuker. But I didn't know until I was rewatching

633
00:33:47,200 --> 00:33:50,600
Speaker 3: it that Missus, Kim and Liz our guests make guest

634
00:33:50,640 --> 00:33:51,880
Speaker 3: appearances on the show.

635
00:33:53,520 --> 00:33:53,680
Speaker 5: Too.

636
00:33:53,800 --> 00:33:54,920
Speaker 2: I watched every episode.

637
00:33:55,040 --> 00:33:56,600
Speaker 3: Oh no, I've watched it too, but it's been so

638
00:33:56,760 --> 00:33:58,320
Speaker 3: long that I was like, I have forgot there on

639
00:33:58,360 --> 00:33:59,440
Speaker 3: the show. So I was like, oh, I like the

640
00:33:59,440 --> 00:34:01,080
Speaker 3: Gilmore crossing.

641
00:34:01,000 --> 00:34:02,520
Speaker 2: As I just remember so much from Er.

642
00:34:03,440 --> 00:34:06,320
Speaker 5: There was a Yes, that's where I knew her from first.

643
00:34:06,480 --> 00:34:08,400
Speaker 2: So when I saw her in Guilty, was like Anthony

644
00:34:08,480 --> 00:34:11,040
Speaker 2: edward sister I think or something? Was she Anthony Edward's

645
00:34:11,040 --> 00:34:14,160
Speaker 2: sister on it? She had a drug problem, she was

646
00:34:14,200 --> 00:34:17,319
Speaker 2: Susan Soon she was Sherry Stringfields. Yeah, yeah, yeah, you're right.

647
00:34:17,440 --> 00:34:20,760
Speaker 5: Yeah, but going back resident for a minute, I haven't

648
00:34:20,800 --> 00:34:23,879
Speaker 5: watched it, but i've seen it posted. There was there

649
00:34:23,920 --> 00:34:27,279
Speaker 5: was an actual Gilmore callback in that show. There was

650
00:34:27,320 --> 00:34:30,200
Speaker 5: a photograph of a T shirt or something.

651
00:34:30,600 --> 00:34:34,600
Speaker 2: Yeah, they did on Supernatural. They did that on Supernatural too, Scott,

652
00:34:34,600 --> 00:34:36,800
Speaker 2: did you know that there's a scene I think Jared

653
00:34:37,040 --> 00:34:41,560
Speaker 2: and uh, oh my god, don't say it acles Jensen

654
00:34:41,600 --> 00:34:48,600
Speaker 2: Ackles are driving somehow on the lot in a tour. Yeah,

655
00:34:48,600 --> 00:34:49,080
Speaker 2: it's good.

656
00:34:49,640 --> 00:34:54,439
Speaker 1: Speaking of Jared, I just texted him today his show

657
00:34:54,520 --> 00:34:55,120
Speaker 1: got canceled.

658
00:34:55,200 --> 00:34:58,000
Speaker 2: I felt he forgot about it. He spoke out.

659
00:34:58,239 --> 00:35:02,600
Speaker 1: I did. He wasn't thrilled. Yeah, no, what he's his

660
00:35:02,680 --> 00:35:04,840
Speaker 1: best work is in front of him. It's going to

661
00:35:04,920 --> 00:35:06,600
Speaker 1: be exciting to see what he goes on to do.

662
00:35:06,800 --> 00:35:09,600
Speaker 1: You know, he's still young. He's still like in his twenties,

663
00:35:09,680 --> 00:35:13,640
Speaker 1: or he's like twenties, he's but he's such a still

664
00:35:13,719 --> 00:35:16,480
Speaker 1: looks so young. It's so crazy. I'm looking up how

665
00:35:16,880 --> 00:35:18,960
Speaker 1: in twenty four years I met him when he was eighteen.

666
00:35:19,000 --> 00:35:22,239
Speaker 6: He forty one.

667
00:35:23,080 --> 00:35:24,280
Speaker 2: Jensen about the same.

668
00:35:24,719 --> 00:35:27,439
Speaker 4: I just a beautiful forty one year old.

669
00:35:29,960 --> 00:35:31,680
Speaker 1: He's a good man, good man.

670
00:35:32,160 --> 00:35:33,279
Speaker 4: Jensen is forty six.

671
00:35:33,960 --> 00:35:36,440
Speaker 2: Yeah, I knew Jensen was close to my age.

672
00:35:37,200 --> 00:35:40,360
Speaker 5: So we go to the restaurant where Rory and Logan

673
00:35:40,440 --> 00:35:45,080
Speaker 5: are having and Mitcham are having dinner. And I liked

674
00:35:45,200 --> 00:35:49,319
Speaker 5: Rory in the scene. I thought she did a good

675
00:35:49,400 --> 00:35:52,799
Speaker 5: job because Mitcham all of a sudden, is very complimentary,

676
00:35:52,880 --> 00:35:54,920
Speaker 5: and so she's kind of like, rest what is your deal?

677
00:35:56,520 --> 00:36:02,359
Speaker 5: And she I guess, actually, technically that's the next restaurant scene.

678
00:36:02,360 --> 00:36:04,440
Speaker 5: But this is this scene is where she mentions the

679
00:36:04,480 --> 00:36:06,160
Speaker 5: rest and fellowship, So that is.

680
00:36:06,120 --> 00:36:09,759
Speaker 2: Going to be right right important note Rory applies for

681
00:36:09,840 --> 00:36:14,919
Speaker 2: the James Reston Journalism Fellowship. That will be importantly to yes.

682
00:36:15,920 --> 00:36:19,000
Speaker 5: So they do a little toast it was kind of

683
00:36:19,040 --> 00:36:21,680
Speaker 5: cute and then irritating.

684
00:36:21,920 --> 00:36:24,200
Speaker 2: This was not irritating, you know what I mean, Like

685
00:36:24,360 --> 00:36:27,319
Speaker 2: I found them to be fine, and even though like

686
00:36:27,480 --> 00:36:32,239
Speaker 2: Mitcham was full of bloney, it was I did not

687
00:36:32,520 --> 00:36:34,680
Speaker 2: mind this not irritating.

688
00:36:34,880 --> 00:36:39,279
Speaker 4: But but I was very much like, Okay, what's what's

689
00:36:39,360 --> 00:36:40,879
Speaker 4: the deal? What's you know.

690
00:36:40,840 --> 00:36:44,640
Speaker 1: What's the right? You know, something's up with like why

691
00:36:44,719 --> 00:36:46,160
Speaker 1: is he being so nice? Right?

692
00:36:46,320 --> 00:36:46,520
Speaker 5: Right?

693
00:36:48,120 --> 00:36:51,759
Speaker 1: But he's just he just owns that role so much.

694
00:36:51,800 --> 00:36:53,120
Speaker 1: It's so fun to watch him.

695
00:36:53,239 --> 00:36:56,600
Speaker 2: I could have used more of that dinner and less

696
00:36:56,760 --> 00:36:58,160
Speaker 2: of the dinner at the game.

697
00:36:58,560 --> 00:37:02,080
Speaker 3: So yeah, a little bit more of like Logan's birthday

698
00:37:02,200 --> 00:37:03,799
Speaker 3: at the apartment something like.

699
00:37:03,960 --> 00:37:06,480
Speaker 1: Right, And I think I think the bar has been

700
00:37:06,560 --> 00:37:10,799
Speaker 1: set so high on Friday night dinners that when it

701
00:37:10,880 --> 00:37:13,319
Speaker 1: doesn't come through, it's just all the more disappointing.

702
00:37:13,400 --> 00:37:17,040
Speaker 2: Right, Yeah, yes, yes, because you think back of that

703
00:37:17,200 --> 00:37:22,840
Speaker 2: scene that uh Kenny or Tega directed with the camera

704
00:37:22,920 --> 00:37:24,520
Speaker 2: going around, and you're like, this is the best thing

705
00:37:24,520 --> 00:37:26,720
Speaker 2: ever happened on the show, and then this one, I'm.

706
00:37:26,560 --> 00:37:28,640
Speaker 1: Like, oh, I mean, you could do a highlight reel.

707
00:37:28,640 --> 00:37:31,680
Speaker 1: You could do a twenty hour highlight reel just on

708
00:37:31,760 --> 00:37:35,239
Speaker 1: Friday night dinners. Ye yeah, yeah, and your stomach would

709
00:37:35,360 --> 00:37:38,440
Speaker 1: hurt bad food. But I'm just saying from the last

710
00:37:38,520 --> 00:37:39,480
Speaker 1: you know, right right.

711
00:37:40,000 --> 00:37:43,320
Speaker 5: So then we go back to Emily and Richardson. Thankfully

712
00:37:43,400 --> 00:37:46,440
Speaker 5: we are not at the dinner table, but Lorla is

713
00:37:46,480 --> 00:37:49,600
Speaker 5: helping Emily with the business stuff, so there was good.

714
00:37:49,640 --> 00:37:52,640
Speaker 5: This guy was a good string or good Yeah. Yeah,

715
00:37:52,840 --> 00:37:55,400
Speaker 5: Emily like reaches behind the books and pulls out the

716
00:37:55,440 --> 00:38:00,440
Speaker 5: alcohy some nuts or something. I think, yeah, Scena similar.

717
00:38:02,080 --> 00:38:04,239
Speaker 1: Sorry this didn't improve things for me at all.

718
00:38:04,320 --> 00:38:07,319
Speaker 2: Oh really, I actually thought this was quite enjoyable them

719
00:38:07,760 --> 00:38:15,160
Speaker 2: kind of getting drunk and then bonding and really having.

720
00:38:13,080 --> 00:38:14,440
Speaker 4: To a new analogy.

721
00:38:16,800 --> 00:38:18,880
Speaker 1: See that's what I like. I like the canoe and

722
00:38:18,880 --> 00:38:19,680
Speaker 1: the kayak thing.

723
00:38:19,880 --> 00:38:25,239
Speaker 5: And then it was all this sought it was coming up,

724
00:38:26,000 --> 00:38:29,200
Speaker 5: that wasn't There's like a couple of these scenes right

725
00:38:29,239 --> 00:38:32,200
Speaker 5: clicking the whole thing. Yeah, so I thought it was cute,

726
00:38:32,200 --> 00:38:35,600
Speaker 5: like Laurlay was teaching her how to do the computer stuff.

727
00:38:35,680 --> 00:38:36,640
Speaker 5: I thought it was.

728
00:38:37,080 --> 00:38:41,680
Speaker 2: And then the Emily understands like Richard learned that Laura

729
00:38:41,920 --> 00:38:47,240
Speaker 2: is super successful and runs a big business and.

730
00:38:45,880 --> 00:38:48,239
Speaker 1: He showed her love and respect. You know.

731
00:38:48,320 --> 00:38:52,040
Speaker 4: It was importantly independent, you know, and that's not anything

732
00:38:52,080 --> 00:38:53,160
Speaker 4: that Allie has.

733
00:38:53,520 --> 00:38:56,040
Speaker 2: Also, Laura is like an n b A, right, she went,

734
00:38:56,120 --> 00:38:58,240
Speaker 2: did she go? What did she?

735
00:38:58,239 --> 00:38:58,480
Speaker 5: She has?

736
00:38:59,000 --> 00:39:02,080
Speaker 2: Just college? Okay? Sorry, yeah, so that was just her

737
00:39:02,120 --> 00:39:05,120
Speaker 2: finishing college right, right.

738
00:39:06,560 --> 00:39:09,480
Speaker 5: So the first the first time we see them in

739
00:39:09,600 --> 00:39:13,040
Speaker 5: Richard's study is where Laurel I says that she and

740
00:39:13,120 --> 00:39:16,200
Speaker 5: Christopher split up. Like she she drinks the vodka and

741
00:39:16,239 --> 00:39:18,239
Speaker 5: you can see her, like she gets her courage up

742
00:39:18,239 --> 00:39:23,280
Speaker 5: and she just blurts it out. And it was funny

743
00:39:23,280 --> 00:39:25,920
Speaker 5: when Emily said I don't know what to say, and

744
00:39:27,000 --> 00:39:30,080
Speaker 5: Laurel I said that's great, like.

745
00:39:34,880 --> 00:39:38,040
Speaker 2: Yeah, learning that Richard and Emily own windmills out by

746
00:39:38,080 --> 00:39:44,000
Speaker 2: Palm Springs because I know what those windmills? You know,

747
00:39:44,040 --> 00:39:44,759
Speaker 2: you're almost there?

748
00:39:45,160 --> 00:39:49,040
Speaker 5: Yeah, And then uh, then we go back to the

749
00:39:49,080 --> 00:39:52,000
Speaker 5: restaurant and Logan gets a call from Hong Kong because

750
00:39:52,040 --> 00:39:54,719
Speaker 5: you know, he's a big businessman now. And this is

751
00:39:54,800 --> 00:40:00,120
Speaker 5: when Mitcham compliments Rory and and basically attributes logan and

752
00:40:00,440 --> 00:40:04,880
Speaker 5: success to Rory's influence. And she called him out on it,

753
00:40:04,920 --> 00:40:06,960
Speaker 5: which I like, She's like, you know, you told me

754
00:40:07,040 --> 00:40:09,120
Speaker 5: I didn't have it, And he's like, oh, you know,

755
00:40:09,239 --> 00:40:11,759
Speaker 5: I was wrong, things change, whatever, but.

756
00:40:11,800 --> 00:40:14,520
Speaker 1: That's what he was. But he wasn't talking about journalism.

757
00:40:14,560 --> 00:40:16,279
Speaker 1: He was talking about.

758
00:40:16,080 --> 00:40:18,800
Speaker 4: With Logan, relation to the family.

759
00:40:18,920 --> 00:40:21,319
Speaker 1: His son and his ultimately his family. Yeah.

760
00:40:21,400 --> 00:40:24,359
Speaker 5: Yeah, I proud that she said that to him and

761
00:40:24,480 --> 00:40:25,799
Speaker 5: didn't and he.

762
00:40:25,880 --> 00:40:28,080
Speaker 2: Didn't have to make it like a little like she

763
00:40:28,160 --> 00:40:28,720
Speaker 2: did before.

764
00:40:28,840 --> 00:40:32,160
Speaker 4: Oh do we think that Rory understood what he was saying,

765
00:40:32,200 --> 00:40:34,400
Speaker 4: because part of me made me think that in this

766
00:40:34,520 --> 00:40:40,040
Speaker 4: scene she thought that he was changing his viewpoint on her.

767
00:40:40,360 --> 00:40:43,239
Speaker 4: But I took it as he was saying, well, now

768
00:40:43,280 --> 00:40:44,960
Speaker 4: that I'm kind of forced.

769
00:40:44,719 --> 00:40:46,759
Speaker 2: I think she got it. I think I think so

770
00:40:47,680 --> 00:40:50,279
Speaker 2: what do you think she gets that? He does think

771
00:40:50,360 --> 00:40:53,839
Speaker 2: she's good for Logan. He's not lying about that. He

772
00:40:53,880 --> 00:40:57,240
Speaker 2: does think she's good for Logan, Yes, but he doesn't

773
00:40:57,320 --> 00:41:00,279
Speaker 2: still respect her as like a journalist person.

774
00:41:00,640 --> 00:41:04,920
Speaker 4: Because him saying, oh, you circumstances right, his wife is

775
00:41:04,960 --> 00:41:05,880
Speaker 4: good for him.

776
00:41:06,320 --> 00:41:08,840
Speaker 2: He wants Rory to guide Logan, right.

777
00:41:08,680 --> 00:41:12,640
Speaker 1: So as long as she's in that traditional yeah, female

778
00:41:12,800 --> 00:41:19,879
Speaker 1: role subservient to the man with her, I don't I.

779
00:41:19,800 --> 00:41:23,040
Speaker 2: Didn't get it as subservient. I'm getting it as you

780
00:41:23,719 --> 00:41:26,960
Speaker 2: have power and influence over my son. So I'm going

781
00:41:27,000 --> 00:41:29,839
Speaker 2: to exert power and influence over you, so you will

782
00:41:29,880 --> 00:41:31,920
Speaker 2: tell him to do what I want him to do.

783
00:41:31,960 --> 00:41:32,680
Speaker 1: Right, exactly.

784
00:41:33,120 --> 00:41:37,840
Speaker 5: Yeah, they'll set her up manipulative where she wants to be.

785
00:41:38,200 --> 00:41:41,040
Speaker 5: I don't think he was expecting her to not work

786
00:41:41,080 --> 00:41:42,400
Speaker 5: and to just be the society.

787
00:41:43,239 --> 00:41:46,720
Speaker 2: But Scott's right when he said the word manipulative. Mitcham

788
00:41:46,800 --> 00:41:50,400
Speaker 2: is manipulating the situation. And now he knows this woman

789
00:41:50,840 --> 00:41:53,640
Speaker 2: can control my son, so I'm going to tell her

790
00:41:53,680 --> 00:41:54,440
Speaker 2: what I want.

791
00:41:56,280 --> 00:42:00,239
Speaker 1: It's like, it's like mister Huntsberger is operating on a

792
00:42:00,280 --> 00:42:07,840
Speaker 1: completely different level, not on a really an emotional level

793
00:42:08,360 --> 00:42:11,040
Speaker 1: as what's really good for his son. In terms of

794
00:42:11,120 --> 00:42:16,160
Speaker 1: his relationship with with Rory. Yeah, it's this is good

795
00:42:16,280 --> 00:42:19,880
Speaker 1: for my son's business. It's good for my business. Yeah,

796
00:42:20,040 --> 00:42:24,000
Speaker 1: And so ultimately, I'm going to continue to use you, Rory,

797
00:42:24,680 --> 00:42:27,520
Speaker 1: and manipulate you. And here's any job you want at

798
00:42:27,520 --> 00:42:31,120
Speaker 1: any newspaper, which is just like a massive insult. Right

799
00:42:31,200 --> 00:42:34,760
Speaker 1: doesn't care about like he values her in a way

800
00:42:34,840 --> 00:42:38,600
Speaker 1: that is entirely under his control.

801
00:42:39,520 --> 00:42:42,400
Speaker 4: The cheers to the same page, maybe want to vomit.

802
00:42:42,480 --> 00:42:45,920
Speaker 4: I'm like, oh, like you knew what he was doing.

803
00:42:46,400 --> 00:42:51,080
Speaker 5: I mean his his interactions with Logan have always been

804
00:42:51,600 --> 00:42:55,279
Speaker 5: about the business and about Logan, you know, growing up

805
00:42:55,320 --> 00:42:58,520
Speaker 5: and being a man. And you know not it's never

806
00:42:58,640 --> 00:43:02,920
Speaker 5: been It was Shira and the grandfather that care about

807
00:43:02,960 --> 00:43:08,520
Speaker 5: who Logan partners up with. Mitcham never cared about that.

808
00:43:08,600 --> 00:43:10,839
Speaker 5: He's always been about the business. Not so much like

809
00:43:10,880 --> 00:43:13,400
Speaker 5: Amy you just said. He doesn't care about Logan's happiness.

810
00:43:13,400 --> 00:43:16,239
Speaker 5: He just he just wants Logan to be a businessman

811
00:43:16,520 --> 00:43:19,440
Speaker 5: and you know, represent the family in the business.

812
00:43:19,640 --> 00:43:21,800
Speaker 2: Danielle, give your flag and then I'll read the line.

813
00:43:22,320 --> 00:43:24,600
Speaker 4: My little flag is I do think he kind of

814
00:43:24,640 --> 00:43:28,319
Speaker 4: does care about who he's with, because wasn't it wasn't

815
00:43:28,360 --> 00:43:31,239
Speaker 4: it Mitcham that told Richard like, well, the Gilmore's are

816
00:43:31,360 --> 00:43:34,040
Speaker 4: here and the hunts Burghers are here, Like, wasn't that

817
00:43:34,200 --> 00:43:34,799
Speaker 4: his thing?

818
00:43:35,560 --> 00:43:35,680
Speaker 2: Jo?

819
00:43:35,920 --> 00:43:37,480
Speaker 5: That was Shira that?

820
00:43:37,719 --> 00:43:40,080
Speaker 2: No, it was also Mitcham in the bathroom. It was

821
00:43:40,120 --> 00:43:43,120
Speaker 2: a little bit of Mitcham in the bathroom. But the

822
00:43:43,239 --> 00:43:46,200
Speaker 2: line that Mitcham says is you've been a real asset

823
00:43:46,280 --> 00:43:49,400
Speaker 2: to Logan and our family. So what he learned is

824
00:43:50,400 --> 00:43:55,120
Speaker 2: over the course of their relationship that she is guiding

825
00:43:55,200 --> 00:43:58,520
Speaker 2: him in a good way. And now they Mitcham sees that,

826
00:43:58,560 --> 00:44:00,719
Speaker 2: so he's glomming onto Rory even though he didn't give

827
00:44:00,760 --> 00:44:03,560
Speaker 2: two hoops about her earlier.

828
00:44:04,120 --> 00:44:06,839
Speaker 5: Yeah, it was shere's the one that said something like

829
00:44:06,960 --> 00:44:10,120
Speaker 5: there's our money and then there's your money. That was

830
00:44:10,160 --> 00:44:11,800
Speaker 5: at that Da R event.

831
00:44:12,840 --> 00:44:15,880
Speaker 2: And then when Richard and Mitcham had the fight in

832
00:44:15,920 --> 00:44:21,200
Speaker 2: the bathroom, it got kind of yeah, h yeah, Mitcham's

833
00:44:21,239 --> 00:44:23,919
Speaker 2: an ass, but he's still an ass. He just knows

834
00:44:23,960 --> 00:44:26,239
Speaker 2: that Rory is good for Logan anyway.

835
00:44:25,960 --> 00:44:30,320
Speaker 5: Right, right, So then we go we have that scene

836
00:44:30,320 --> 00:44:32,920
Speaker 5: we touched on it in the in Luke's apartment where

837
00:44:32,960 --> 00:44:35,279
Speaker 5: they're they're all in bed. Luke is lying there awake

838
00:44:35,320 --> 00:44:37,840
Speaker 5: and he's listening to TJ and Liz kind of you know,

839
00:44:37,920 --> 00:44:45,040
Speaker 5: whisper whisper about him. And then good scene. Okay, so

840
00:44:45,200 --> 00:44:48,600
Speaker 5: now this now we get to the scene, the kayak scene,

841
00:44:48,760 --> 00:44:52,839
Speaker 5: so Lorlin Emily, they've they've put down a few and

842
00:44:52,880 --> 00:44:55,200
Speaker 5: they're still trying to figure out how to use the computer.

843
00:44:56,000 --> 00:45:01,080
Speaker 5: And this is a scene where I'm reaches behind the

844
00:45:01,120 --> 00:45:06,440
Speaker 5: books and pulls out this random bowl of nuts. I like,

845
00:45:06,560 --> 00:45:08,279
Speaker 5: just I don't know, really, she just keeps him back

846
00:45:08,280 --> 00:45:13,799
Speaker 5: there and I really liked the canoe kayak analogy. I

847
00:45:13,800 --> 00:45:18,440
Speaker 5: thought that was that was pretty spot on, and personally,

848
00:45:18,520 --> 00:45:21,919
Speaker 5: I love finally, like we started to talk about I

849
00:45:21,960 --> 00:45:26,880
Speaker 5: loved Emily finally acknowledging that, you know, maybe Lauralai's path

850
00:45:26,920 --> 00:45:30,360
Speaker 5: that she chose is okay, and it's okay that she

851
00:45:30,520 --> 00:45:35,600
Speaker 5: didn't pick Emily's lifestyle and she seemed maybe a little jealous.

852
00:45:35,800 --> 00:45:40,040
Speaker 2: That so painful and she changes her tune at the end.

853
00:45:40,080 --> 00:45:40,879
Speaker 2: It's so pained that.

854
00:45:41,080 --> 00:45:42,920
Speaker 3: That's what I think is Danielle, Is that what you

855
00:45:42,960 --> 00:45:44,759
Speaker 3: were talking about where you felt like you missed the part?

856
00:45:45,400 --> 00:45:49,479
Speaker 4: Yeah and yeah. And also it's because it was such

857
00:45:49,480 --> 00:45:54,160
Speaker 4: a like when Lorelai told her that she broke up

858
00:45:54,160 --> 00:45:58,960
Speaker 4: with Christopher, it was very much like, oh, okay, we're

859
00:45:59,480 --> 00:46:02,839
Speaker 4: lost in over it and Emily bringing it back up

860
00:46:03,200 --> 00:46:06,000
Speaker 4: with a little bit of disdain for it. But then

861
00:46:06,040 --> 00:46:08,920
Speaker 4: I'm like, I can't I feel like she played it

862
00:46:09,000 --> 00:46:12,120
Speaker 4: super well because you can't tell what she's really thinking.

863
00:46:12,680 --> 00:46:14,919
Speaker 1: Is she upset or.

864
00:46:14,880 --> 00:46:18,359
Speaker 4: Is she kind of just being like, we're doing this,

865
00:46:18,600 --> 00:46:22,320
Speaker 4: We're doing this right, We're canceling this. Like I couldn't

866
00:46:22,440 --> 00:46:24,600
Speaker 4: figure out what she was actually trying to say.

867
00:46:25,400 --> 00:46:37,080
Speaker 5: Yeah, then we go back to Logan's apartment and we

868
00:46:37,160 --> 00:46:41,520
Speaker 5: see that Rory's got the whole apartment decorated for every

869
00:46:41,600 --> 00:46:46,359
Speaker 5: birthday from zero to twenty five, and Logan is very

870
00:46:46,400 --> 00:46:51,200
Speaker 5: excited to see it. And this is where they have

871
00:46:51,280 --> 00:46:54,799
Speaker 5: the conversation about what happened to dinner, and Logan says,

872
00:46:54,800 --> 00:46:57,360
Speaker 5: you got hutsburgered, And it reminded me of that scene

873
00:46:57,840 --> 00:47:00,160
Speaker 5: with Luke and Emily where Laurel I tells him you

874
00:47:00,200 --> 00:47:01,000
Speaker 5: got gilboard.

875
00:47:01,360 --> 00:47:02,120
Speaker 2: Yeah.

876
00:47:02,200 --> 00:47:04,759
Speaker 6: Yeah.

877
00:47:04,800 --> 00:47:09,560
Speaker 5: And this is when we find out that the whole

878
00:47:09,600 --> 00:47:13,920
Speaker 5: business thing has collapsed, Like I didn't pass so whatever.

879
00:47:14,600 --> 00:47:19,320
Speaker 2: This was so brutal because you find that out Rory's

880
00:47:19,360 --> 00:47:22,040
Speaker 2: got this whole plan, and I actually felt for Logan

881
00:47:22,080 --> 00:47:25,120
Speaker 2: because he's baking it with her. Yes, okay, let's go.

882
00:47:25,200 --> 00:47:28,080
Speaker 1: And I'm like, oh, you know, that's that's very well,

883
00:47:28,160 --> 00:47:30,759
Speaker 1: that's well researched. Because the thing that you find in

884
00:47:30,840 --> 00:47:33,600
Speaker 1: Silicon Valley and big tech and medium tech and small

885
00:47:33,680 --> 00:47:37,680
Speaker 1: tech is the big guys and everybody is always stealing

886
00:47:37,719 --> 00:47:41,440
Speaker 1: from the small innovative companies. It's always a patent infringement lawsuit.

887
00:47:41,480 --> 00:47:44,480
Speaker 1: They always wait for a big guy to profit huge

888
00:47:44,560 --> 00:47:47,680
Speaker 1: from the their theft from your company. So that you

889
00:47:47,719 --> 00:47:53,080
Speaker 1: can see the crap out of them. And so it was.

890
00:47:53,200 --> 00:47:57,760
Speaker 1: It was. It was a very very believable outcome. Tragic

891
00:47:57,960 --> 00:47:59,640
Speaker 1: for Yeah, yeah, Logan.

892
00:48:00,320 --> 00:48:02,080
Speaker 3: I also felt bad the guy called him on his

893
00:48:02,080 --> 00:48:04,080
Speaker 3: birthday and then the call with happy birthday, and I

894
00:48:04,160 --> 00:48:06,080
Speaker 3: was like, dude.

895
00:48:06,120 --> 00:48:09,720
Speaker 5: Like really yeah, like poor Yeah, But the fact.

896
00:48:09,560 --> 00:48:12,360
Speaker 4: That Logan was just gonna carry on, I don't know,

897
00:48:12,400 --> 00:48:13,640
Speaker 4: I feel like most people.

898
00:48:15,680 --> 00:48:18,560
Speaker 3: Yeah, yeah, because if roles were reversed, it was rory.

899
00:48:18,680 --> 00:48:21,080
Speaker 3: She wouldn't she would have been upset the.

900
00:48:21,080 --> 00:48:24,279
Speaker 1: Rest of the night. Well, she would said something I did.

901
00:48:24,600 --> 00:48:26,279
Speaker 5: I did have a red flag that they were going

902
00:48:26,360 --> 00:48:28,719
Speaker 5: to go ice skating in Central Park. It's like ten

903
00:48:28,719 --> 00:48:29,440
Speaker 5: o'clock at night.

904
00:48:29,880 --> 00:48:30,560
Speaker 2: It's a little late.

905
00:48:30,680 --> 00:48:34,240
Speaker 4: They haven't been late in Central Park at two am.

906
00:48:34,440 --> 00:48:36,959
Speaker 6: I was gonna say, uh.

907
00:48:39,960 --> 00:48:44,400
Speaker 4: Late, have been on Central Park ice skating two am?

908
00:48:45,239 --> 00:48:48,520
Speaker 6: And the Rockefeller goes until like midnight, right, yeah.

909
00:48:48,280 --> 00:48:53,520
Speaker 5: Yeah, Okay. So then very quick scene in Luke's apartment,

910
00:48:53,640 --> 00:48:55,719
Speaker 5: Lizen TJ. You're cleaning up a big mess, and we

911
00:48:55,800 --> 00:48:58,719
Speaker 5: find out that the moths are gone. They've served their

912
00:48:58,760 --> 00:49:01,279
Speaker 5: purpose in the plot, and now they can go back

913
00:49:01,320 --> 00:49:02,840
Speaker 5: to their own apartment.

914
00:49:03,480 --> 00:49:05,440
Speaker 6: That made me feel like there were no moths.

915
00:49:05,480 --> 00:49:09,720
Speaker 4: They just they just wanted a vacation.

916
00:49:10,760 --> 00:49:12,960
Speaker 5: But we get the to the two second shot of

917
00:49:13,040 --> 00:49:15,520
Speaker 5: Luke looking at the phone, so you know he's thinking

918
00:49:15,560 --> 00:49:17,520
Speaker 5: because Liz had been telling him to call Laura.

919
00:49:17,480 --> 00:49:19,120
Speaker 2: I So we kind of see those Yeah, that was

920
00:49:19,239 --> 00:49:19,960
Speaker 2: very cute.

921
00:49:20,440 --> 00:49:23,319
Speaker 5: And then back to Emily and Richards. Now it's the

922
00:49:23,320 --> 00:49:26,040
Speaker 5: next morning and this is this was where you know

923
00:49:26,080 --> 00:49:27,560
Speaker 5: Emily's true colors.

924
00:49:27,840 --> 00:49:28,920
Speaker 2: I did not like this.

925
00:49:28,960 --> 00:49:32,040
Speaker 5: Come back again, Like we had that nice moment when

926
00:49:32,040 --> 00:49:34,720
Speaker 5: they're all liquored up, and now that she's sober again,

927
00:49:34,880 --> 00:49:37,800
Speaker 5: she's back to back to Emily.

928
00:49:38,160 --> 00:49:42,000
Speaker 4: Yeah, I mean, I don't know if it was mean though, I.

929
00:49:42,000 --> 00:49:45,560
Speaker 1: Don't hung over. She's just hung over, you know, and

930
00:49:45,600 --> 00:49:48,839
Speaker 1: now she's taking what her life has become. I didn't

931
00:49:48,880 --> 00:49:49,839
Speaker 1: think she was being mean.

932
00:49:50,000 --> 00:49:52,520
Speaker 5: I thought she was just being Yeah, she was a

933
00:49:52,560 --> 00:49:57,759
Speaker 5: little snotty, well a lot snotty. I don't know. It's

934
00:49:57,760 --> 00:49:59,840
Speaker 5: like you feel like they had made some progress, and

935
00:49:59,840 --> 00:50:01,759
Speaker 5: then the next morning you're like, oh, okay, maybe they

936
00:50:01,800 --> 00:50:03,120
Speaker 5: didn't really make any progress.

937
00:50:05,200 --> 00:50:06,279
Speaker 4: Let's bring this maybe back.

938
00:50:06,920 --> 00:50:10,319
Speaker 2: Yeah took me back to not liking the episode. All right,

939
00:50:10,360 --> 00:50:12,479
Speaker 2: so like what are.

940
00:50:12,400 --> 00:50:15,759
Speaker 1: We uh, what are we going to rate it? Uhara,

941
00:50:16,000 --> 00:50:17,959
Speaker 1: what do you think? What do you what's your measuring stick.

942
00:50:19,560 --> 00:50:21,520
Speaker 2: I'm gonna give it.

943
00:50:22,880 --> 00:50:23,440
Speaker 6: It wasn't bad.

944
00:50:23,480 --> 00:50:27,800
Speaker 3: It just wasn't my favorite. I'm gonna give it seven moths.

945
00:50:28,080 --> 00:50:31,640
Speaker 1: I thought you were going to say, sorry, Dantelle, what

946
00:50:31,920 --> 00:50:32,720
Speaker 1: rice moths?

947
00:50:33,080 --> 00:50:33,360
Speaker 6: Sure?

948
00:50:33,520 --> 00:50:39,600
Speaker 4: Yeahell eight point one five Rogers.

949
00:50:39,320 --> 00:50:42,440
Speaker 1: Well you liked it is on.

950
00:50:43,120 --> 00:50:44,240
Speaker 2: I liked this episode.

951
00:50:44,239 --> 00:50:48,200
Speaker 5: I'm going to give it eight point five Random bowls

952
00:50:48,200 --> 00:50:49,319
Speaker 5: of Nuts from Behind the.

953
00:50:49,239 --> 00:50:51,040
Speaker 1: Books eight five?

954
00:50:51,440 --> 00:50:52,720
Speaker 5: Yeah, I liked the episode.

955
00:50:52,840 --> 00:50:56,279
Speaker 2: Okay, uh seven pin the tail on the donkeys? I

956
00:50:56,320 --> 00:50:57,840
Speaker 2: think there was a pin the tail on the donkey

957
00:50:57,840 --> 00:51:00,000
Speaker 2: in there on the moose on the movie.

958
00:51:00,239 --> 00:51:07,879
Speaker 1: Yeah, okay, I'm gonna I think I'm on the low

959
00:51:08,000 --> 00:51:14,080
Speaker 1: end with Tara with the seven. Uh classic PGA nineteen

960
00:51:14,120 --> 00:51:21,879
Speaker 1: eighty six, that's funny. Golfree runs honey, and we all

961
00:51:21,920 --> 00:51:23,919
Speaker 1: know what the favorite. Everybody's favorite line is the same.

962
00:51:23,960 --> 00:51:27,320
Speaker 1: It was TJ's lock it up, Luke, lock it up? Yeah,

963
00:51:27,400 --> 00:51:30,839
Speaker 1: Solder it shut, there's no and the Richard the third

964
00:51:30,880 --> 00:51:33,960
Speaker 1: line from Laurele I, you know, mocking golfers.

965
00:51:35,080 --> 00:51:37,960
Speaker 5: I had a different favorite TJ line when they were

966
00:51:38,080 --> 00:51:40,840
Speaker 5: leaving and he told Luke, your cosa is my casa.

967
00:51:41,360 --> 00:51:50,040
Speaker 1: Yeah right, oh yes, anyway, that's going to wrap it up. Kids.

968
00:51:50,040 --> 00:51:55,440
Speaker 1: Thank you, ladies, TaRaSu, Daniel Romo, Susan French, Amy Sugarman.

969
00:51:55,760 --> 00:52:01,839
Speaker 1: Another rollicking episode. Thank you for your cards, letters and downloads.

970
00:52:01,840 --> 00:52:04,440
Speaker 1: We love you, we need you, we miss you, and

971
00:52:04,600 --> 00:52:36,960
Speaker 1: remember we and I am all In, Stay saber, Hey everybody,

972
00:52:36,960 --> 00:52:40,279
Speaker 1: and don't forget. Follow us on Instagram at I Am

973
00:52:40,400 --> 00:52:45,320
Speaker 1: all In podcast and email us at Gilmore at iHeartRadio

974
00:52:45,640 --> 00:52:57,840
Speaker 1: dot com