WEBVTT - The Jizzard of Oz

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<v Speaker 1>I think it's gay or to not have sex than

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<v Speaker 1>it is to have sex. That's because you've been conditioned

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<v Speaker 1>by media to never get the payoff have sex. Wait,

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<v Speaker 1>that's actually really true. Oh wow, I hate that. You

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<v Speaker 1>know that. I almost named my dog Sunday, who is

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<v Speaker 1>currently in the studio with us. I almost named her Judy. Really,

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<v Speaker 1>there have been a few times since I got her

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<v Speaker 1>that I have felt like I should have done that. Um,

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<v Speaker 1>maybe it's her middle name, but it was in. It

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<v Speaker 1>was going to be an homage to Judy Garland because

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<v Speaker 1>I had a deep, abiding childhood love of the Wizard

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<v Speaker 1>of Oz. It was probably the thing that, more than

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<v Speaker 1>any Disney movie, more than any like cartoon, I was

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<v Speaker 1>obsessed with and like formed a big chunk of my personality.

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<v Speaker 1>Low and Behold. I grew up and I learned that

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<v Speaker 1>that's true for like most queer people. And so today

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<v Speaker 1>we're gonna be talking about the Wizard of Oz and

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<v Speaker 1>all of the Oz inspired media that has spun off from. Yeah,

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<v Speaker 1>the many many many different pieces of tangential I p

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<v Speaker 1>that have a crewed over a time. Yeah, because this

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<v Speaker 1>is like a virgin the show where we give yesterday's

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<v Speaker 1>pop culture today's takes, I'm ros Damo and I'm fran Torado.

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<v Speaker 1>And before we click our heels three times, let's talk

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<v Speaker 1>about what's going on in Kansas. In Kansas, probably something transphobic.

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<v Speaker 1>Was any of the Dropouts set in Kansas? I feel

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<v Speaker 1>like maybe there might have been a scene there. Well.

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<v Speaker 1>I mean, I feel like large corporations, especially very corrupt ones,

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<v Speaker 1>love to like put their bases in random states like

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<v Speaker 1>that because they know they can get away with more,

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<v Speaker 1>either tax wise or just like the government doesn't pay

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<v Speaker 1>attention to or that's where they test people. But I

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<v Speaker 1>think in the Dropout there, we're actually testing people in Arizona,

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<v Speaker 1>R right. And on that point, the finale was excellent.

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<v Speaker 1>What an incredible season of television, A closed loop, incredible

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<v Speaker 1>performance by Amanda Saford, literally so consistent, like virtually, I

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<v Speaker 1>don't I don't have any notes, Like I think it's

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<v Speaker 1>almost difficult to talk about because it was such a

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<v Speaker 1>wonderful kind of like piece of television. I think it's

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<v Speaker 1>my favorite show of the years so far, maybe aside

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<v Speaker 1>from like Euphoria If but like I just like the

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<v Speaker 1>thing to me is in comparison to all the other

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<v Speaker 1>scammer shows that are kind of making the rounds right

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<v Speaker 1>now because they must be compared, Like this was the

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<v Speaker 1>show to pull off what was a very human performance

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<v Speaker 1>that like based absolute absurd. It'st like scammery into a

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<v Speaker 1>reality that you didn't even know existed. Um, I just

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<v Speaker 1>thought it was so well done, especially now that the

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<v Speaker 1>Wee crashed kind of like, uh, we crashed. It has

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<v Speaker 1>not low key fallen off for me, it has high

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<v Speaker 1>key fallen off. It fell off the top of a

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<v Speaker 1>whee crashed. I'm just not interested in the why of

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<v Speaker 1>how this all happened with the dropout, Like I want

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<v Speaker 1>to know how Elizabeth Holmes scammed everyone, and I'm really

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<v Speaker 1>interested in her as a character despite her being so

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<v Speaker 1>obviously evil and psychotic. With We Crashed, I don't care

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<v Speaker 1>about any of that. Yeah, and with these scammer shows,

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<v Speaker 1>like they all made the kind of choice to center

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<v Speaker 1>a lot of the scammer around a romance that you're

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<v Speaker 1>kind of made to root for. And the thing about

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<v Speaker 1>like Amandacy Freed's character, are you meant to root for

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<v Speaker 1>either of them? And We Crashed? I think they're definitely

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<v Speaker 1>farming for empathy. If you have meat cutes, you have like,

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<v Speaker 1>you know, moments where they're like sobbing together because they're

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<v Speaker 1>losing billions of dollars. It's just like, I don't know.

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<v Speaker 1>I actually think it goes a very out of its

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<v Speaker 1>way to spotlight how toxic they are and how from

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<v Speaker 1>their very first interaction he was such a douche bag,

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<v Speaker 1>but she like needed purpose so badly that she latched

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<v Speaker 1>onto him. There's a scene in the most recent episode

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<v Speaker 1>that you haven't watched that kind of like backs my

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<v Speaker 1>argument a little more. But my point is with um

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<v Speaker 1>Elizabeth Holmes and Sonny, like I felt that their relationship

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<v Speaker 1>which is very weird and very bizarre and very hard

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<v Speaker 1>to root for at the beginning, the big At the beginning,

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<v Speaker 1>you're like, this is weird and think it's hard to

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<v Speaker 1>root for the whole time. See no, see I I

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<v Speaker 1>was like, this is uncomfortable and I don't really know

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<v Speaker 1>how how these two characters are going to find chemistry.

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<v Speaker 1>And then by the by the end when they're like

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<v Speaker 1>scamming together, you're kind of like, this feels this, this

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<v Speaker 1>was very real. There was I think, this is what

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<v Speaker 1>I'm actually trying to say, there was realism in the

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<v Speaker 1>romance that exists in the dropout that did not exist

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<v Speaker 1>and we crash her other gam shows. I believed in

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<v Speaker 1>their relationship because because I think, um, it's a very

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<v Speaker 1>good depiction of a word that I think gets thrown

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<v Speaker 1>around a lot right now culturally, which is grooming, and she,

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<v Speaker 1>I think very clearly was groomed by him, at least

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<v Speaker 1>in the way that the facts were presented in the show.

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<v Speaker 1>And I actually thought it was like, one of the

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<v Speaker 1>best scenes in the finale was that scene where they

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<v Speaker 1>are it's either in the office or at their house,

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<v Speaker 1>where they're kind of like making these threats without actually

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<v Speaker 1>making them, and she says something like, you know, I

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<v Speaker 1>was so young when we met. How old was I?

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<v Speaker 1>Do you remember? And it's just it's all right there.

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<v Speaker 1>She knows exactly what she's doing, she knows she's weaponizing

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<v Speaker 1>their past against him, um, and it's it's just so brilliant,

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<v Speaker 1>so brilliantly written, acted directed everything, And also the chilling

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<v Speaker 1>moment when she turns to her mom and she's like

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<v Speaker 1>it bad, um if I can't remember, Like what's the

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<v Speaker 1>truth and what's a lie? Like is it my fault?

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<v Speaker 1>If I can't even remember? And you see almost briefly,

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<v Speaker 1>like a person who has lied to themselves so much,

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<v Speaker 1>but her mother exactly and and and that it was

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<v Speaker 1>what she was taught to do. Just all of the

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<v Speaker 1>different layers of the show worked. Um, I have to

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<v Speaker 1>ask you one thing before we finally hopefully never talked

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<v Speaker 1>about we crashed ever again. Do you think that Anne

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<v Speaker 1>Hathaway is wearing the wrong blush on purpose, as like

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<v Speaker 1>a character choice, or do you think that the makeup

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<v Speaker 1>artist is just bad because the blush is orange? I

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<v Speaker 1>haven't noticed. Okay, it's so orange, and I really I

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<v Speaker 1>can't look at anything else and I don't even notice

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<v Speaker 1>stuff like that. Maybe it's just because I'm starting to

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<v Speaker 1>wear like, you know, makeup and blush and stuff. But

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<v Speaker 1>like I just I felt like it was maybe a

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<v Speaker 1>character choice. I feel like, I'm know, I feel like

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<v Speaker 1>she doesn't do ship like that, especially because of how

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<v Speaker 1>much everyone's talking about Jared Letto and his method acting

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<v Speaker 1>right now. I don't think she cares. I think she's like,

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<v Speaker 1>just you know, do whatever. I would have thought that

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<v Speaker 1>too if it weren't for an Anne Hathaway's also bizarre

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<v Speaker 1>choice to like slightly lower her voice, which I think

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<v Speaker 1>is very unnecessary. But yeah, but at least she's not

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<v Speaker 1>wearing prosthetic teeth. At least she's not wearing prosthetic teeth

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<v Speaker 1>and an anti Semitic like kind of prosthetic nose question mark, Like,

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<v Speaker 1>has anyone ever talked about that? I mean, I don't

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<v Speaker 1>even know. It's all it's all drag, which does quite nicely.

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<v Speaker 1>We're all born naked and the rest is Jared Letto

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<v Speaker 1>is what you're going to say. It does bring us

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<v Speaker 1>quite nicely to what I want to briefly touch on.

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<v Speaker 1>I want to give us like a minute tops to

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<v Speaker 1>talk about drag race. I knew as soon as this

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<v Speaker 1>episode started we were getting a five person finale. I

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<v Speaker 1>did throw my TV out the window when it happened. Um,

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<v Speaker 1>both willow Hill and who was the other one Anigeria?

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<v Speaker 1>They both were bad. They were both bad in that

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<v Speaker 1>lip sync double elimination. I love willow Hill, but honestly,

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<v Speaker 1>she has not been eating recently, and that lip sync

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<v Speaker 1>was a travesty considering the song that they had. It

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<v Speaker 1>was a disgrace against Lady Gaga and Beyonce. I don't

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<v Speaker 1>know if you've heard of them. I agree with the

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<v Speaker 1>with ellipsync Tank. I think that you know, we as

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<v Speaker 1>a community have been waiting for that song to be

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<v Speaker 1>a lip sync for a very long time, and they

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<v Speaker 1>both boofed it. I don't think that, you know, Willow

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<v Speaker 1>has necessarily let me down. I just think that this

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<v Speaker 1>wasn't a very strong episode for me. Even the mouse

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<v Speaker 1>gown I thought good. It felt like a look she

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<v Speaker 1>brought for something else. It was the only thing she

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<v Speaker 1>had left to wear. I loved the concept. I just

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<v Speaker 1>thought that it lacked a little bit of polish. And

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<v Speaker 1>the thing is, there's just no one else to route

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<v Speaker 1>for like Camden is, just like Camden has like that

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<v Speaker 1>would suck so hard. I think she's gonna win. I

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<v Speaker 1>think she's been getting the winners edit. I think she's

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<v Speaker 1>honestly to me. To my mind, the top two Camden

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<v Speaker 1>and Dia because Data has a very good story of

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<v Speaker 1>how she was eliminated. She's grown so much. She had

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<v Speaker 1>that like breakthrough a moment halfway during the season. Now

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<v Speaker 1>she has the diabetes plot line. Well. I loved in

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<v Speaker 1>this episode the part where they invite them all to

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<v Speaker 1>the TikTok lunch to be like, okay, so tell us

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<v Speaker 1>about your tra trauma and one thing I did appreciate

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<v Speaker 1>was that I guess Rue isn't dead naming the Queens anymore.

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<v Speaker 1>Them their childhood photos when they you know, when they

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<v Speaker 1>did got Mick that that season, they were like, we

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<v Speaker 1>have asked your permission to use this photo or whatever,

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<v Speaker 1>which is like you can tell that they're putting better

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<v Speaker 1>people on the team. But um, to me, Okay, Camden

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<v Speaker 1>being a winner or even being in the finale, it's

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<v Speaker 1>just like her place is deserved. It's just she doesn't

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<v Speaker 1>have anything distinctive or ownable about her. It's kind of

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<v Speaker 1>like a Courtney Act problem where it's like, yeah, you're

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<v Speaker 1>just kind of like hitting all the marks and you

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<v Speaker 1>can clearly afford really nice costumes and you're a triple threat.

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<v Speaker 1>But that's like beyond that when you take all of

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<v Speaker 1>that away, like what's left? And I think that when

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<v Speaker 1>you think about, you know, the pillars of the show

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<v Speaker 1>and like charisma, uniqueness, nerve, and talent, it's like Camden

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<v Speaker 1>to me lacks like the charisma and the uniqueness. I

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<v Speaker 1>think she has the nerve, and I think she has

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<v Speaker 1>the talent, but I just I don't think she has

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<v Speaker 1>the first half of like what's required of a star.

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<v Speaker 1>You know what I mean? Yeah, I agree. Well, I'm

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<v Speaker 1>very excited to see Phoebe waller Bridge um win Tracker

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<v Speaker 1>um by which I mean Lady Camden looks like literally

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<v Speaker 1>exactly like her. Unfortunately, Phoebe waller Bridge is not taking

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<v Speaker 1>home one hundred thousand dollars for the Killing Eve Dollar.

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<v Speaker 1>There's the money, but have you seen the swirl of

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<v Speaker 1>controversy that is around the Killing E finale, which, by

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<v Speaker 1>the way, I didn't even know Killing Eve was airing,

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<v Speaker 1>had no idea. I knew it was airing, I didn't

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<v Speaker 1>know that it had ended, but I did see people

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<v Speaker 1>talking about it on Instagram today and just how awful

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<v Speaker 1>the finale. The girls are mad, mad, things are abundant. Okay,

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<v Speaker 1>I'm staying far away from a pink news is today.

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<v Speaker 1>The girls are down bad queer blames. They're like, we'll

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<v Speaker 1>talk about we'll talk about lesbian's one day a year. Absolutely. Um.

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<v Speaker 1>I have to say, the function of art and how

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<v Speaker 1>we make it is not to make you feel safe

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<v Speaker 1>inside of this, Like like, if you don't feel safe,

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<v Speaker 1>if you don't like watching things that don't make you

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<v Speaker 1>feel safe, you don't have to watch it to tell

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<v Speaker 1>compelling stories, and so it's like to me, it's like

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<v Speaker 1>if you're going to like calling attempt critique as you say, like,

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<v Speaker 1>you're not going to sit here and say this is

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<v Speaker 1>how like this made me feel and it betrayed me

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<v Speaker 1>personally and therefore is bad. You can say that, but

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<v Speaker 1>it just doesn't hold much weight. You should be critiquing

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<v Speaker 1>it because the finale was just bad, you know what

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<v Speaker 1>I mean, Like find ways to talk about how the

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<v Speaker 1>Barrier Gaze trope is like bad because it's repetitive and unoriginal,

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<v Speaker 1>not because you feel betrayed. I also don't think you

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<v Speaker 1>can say that the main character of a TV show

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<v Speaker 1>dying in the last episode of before season show a

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<v Speaker 1>character who was an assassin, is Barrier Gaze. It's not

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<v Speaker 1>you can't just say any queer character who dies is

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<v Speaker 1>Barrier Gaze because what if you're watching a horror movie

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<v Speaker 1>that is literally the function of horror movies just to

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<v Speaker 1>kill people for entertainment. This is a serial murderer thriller,

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<v Speaker 1>Like that is like what I can't I can't I

0:12:58.320 --> 0:13:01.280
<v Speaker 1>get that the I get that the esbians are down bad,

0:13:01.720 --> 0:13:05.920
<v Speaker 1>you know, Find another show, find something, Go read a book,

0:13:06.120 --> 0:13:10.480
<v Speaker 1>go touch grass. Please go outside, go outside, find some

0:13:10.559 --> 0:13:12.960
<v Speaker 1>other queer people in real life and talk to them.

0:13:13.240 --> 0:13:16.480
<v Speaker 1>Go to a community center. Go I don't know, learn

0:13:16.559 --> 0:13:21.360
<v Speaker 1>to knit. I don't do something. Okay, that's true. As

0:13:21.400 --> 0:13:25.040
<v Speaker 1>our producer just said, Lesbian, I just mean, take all

0:13:25.040 --> 0:13:30.800
<v Speaker 1>that energy you use telling people, telling like directors and

0:13:30.880 --> 0:13:35.200
<v Speaker 1>like actors online to kill themselves, and put it towards

0:13:35.600 --> 0:13:39.640
<v Speaker 1>actual queer liberation what whatever, whatever way you can find

0:13:39.640 --> 0:13:43.600
<v Speaker 1>that that is because I'm I am so apologetic to

0:13:43.600 --> 0:13:46.480
<v Speaker 1>tell you that you will never find queer liberation in

0:13:46.480 --> 0:13:49.880
<v Speaker 1>a TV show ever, period. And I have to say,

0:13:49.920 --> 0:13:52.480
<v Speaker 1>if you want to feel liberated, you should go and

0:13:52.520 --> 0:13:59.199
<v Speaker 1>see everything everywhere, all at once. Oh my god, for Angela,

0:13:59.679 --> 0:14:04.000
<v Speaker 1>I I have not had that kind of emotional, cathartic

0:14:04.120 --> 0:14:07.320
<v Speaker 1>moment in a movie, and I like six months it

0:14:07.440 --> 0:14:10.480
<v Speaker 1>was so in at least six the last time I

0:14:10.480 --> 0:14:16.920
<v Speaker 1>watched Frozen, Oh my god, that show. That movie, Like,

0:14:17.559 --> 0:14:21.920
<v Speaker 1>I mean, it exceeded my already impossibly high expectations. Like

0:14:21.960 --> 0:14:25.280
<v Speaker 1>I'm gonna say, better multiverse movie than Spider Man, No Home.

0:14:25.800 --> 0:14:29.800
<v Speaker 1>The new Doctor Strange movie has you know, it's work

0:14:29.840 --> 0:14:33.400
<v Speaker 1>cut out for it, because Michelle, y'all really just it's

0:14:33.400 --> 0:14:37.160
<v Speaker 1>the Scarlet Witch. Oh my god, I would watch that movie.

0:14:37.440 --> 0:14:42.200
<v Speaker 1>I mean the clip circulating right now she is in Marvel, yes, exactly,

0:14:42.400 --> 0:14:45.680
<v Speaker 1>But I think, honestly, I'm thinking about that about her

0:14:45.840 --> 0:14:49.880
<v Speaker 1>role in Marvel as a character that kind of can

0:14:50.400 --> 0:14:52.480
<v Speaker 1>is just one of the many characters that has let

0:14:52.520 --> 0:14:56.240
<v Speaker 1>her down as an actress and and and has failed

0:14:56.240 --> 0:14:59.800
<v Speaker 1>to show her versatility um, despite the fact that she

0:14:59.840 --> 0:15:02.840
<v Speaker 1>has very badass and chan chi. But like, my this

0:15:02.960 --> 0:15:05.680
<v Speaker 1>the clip that's circulating right now of Michelle Yaw kind

0:15:05.680 --> 0:15:07.920
<v Speaker 1>of tearing up and talking about how when she read

0:15:07.960 --> 0:15:10.080
<v Speaker 1>the script she felt that this was the first time

0:15:10.440 --> 0:15:15.160
<v Speaker 1>someone could finally see what she was. But it's so

0:15:15.760 --> 0:15:19.440
<v Speaker 1>true and like this film, which you know, no spoilers,

0:15:19.480 --> 0:15:22.560
<v Speaker 1>but like the premises, it's like Michelle Yaw owns the

0:15:22.600 --> 0:15:27.840
<v Speaker 1>laundromat um with her family and discovers that she belongs

0:15:27.920 --> 0:15:30.520
<v Speaker 1>to a multiverse that she is kind of like the

0:15:30.600 --> 0:15:35.480
<v Speaker 1>chosen one to like save basically, um, it sounds crazy,

0:15:35.600 --> 0:15:38.640
<v Speaker 1>but like you buy into the movie really quickly, which

0:15:38.680 --> 0:15:42.000
<v Speaker 1>I think is honestly. The complexity of the universe that

0:15:42.040 --> 0:15:46.280
<v Speaker 1>they build is so actually quickly understood, which is so

0:15:46.320 --> 0:15:48.400
<v Speaker 1>hard to do. You know, what I mean, Like I

0:15:48.800 --> 0:15:51.480
<v Speaker 1>get so lost in plots like that, and like you

0:15:51.560 --> 0:15:55.280
<v Speaker 1>just understand or the rather you click into it so immediately,

0:15:55.800 --> 0:15:58.640
<v Speaker 1>all of the action, all of the comedy, all of

0:15:58.680 --> 0:16:02.600
<v Speaker 1>the kind of like emotional like resonance of like each

0:16:02.600 --> 0:16:06.000
<v Speaker 1>of these performances just like stuck the landing in every way.

0:16:06.080 --> 0:16:08.280
<v Speaker 1>Like what were your favorite parts from this? Well? I

0:16:08.360 --> 0:16:10.680
<v Speaker 1>thought it was so funny. I laughed so much while

0:16:10.720 --> 0:16:12.760
<v Speaker 1>watching it. Um, the parts that made me the most

0:16:12.760 --> 0:16:18.760
<v Speaker 1>emotional were the rocks. Oh you know, you have to it.

0:16:19.200 --> 0:16:22.200
<v Speaker 1>It was so good, I think. Um, her husband, who's

0:16:22.200 --> 0:16:26.800
<v Speaker 1>played by Kahai Kwon, was so great, and I found

0:16:26.880 --> 0:16:30.160
<v Speaker 1>him very sexy. He was in the scene the universe

0:16:30.200 --> 0:16:31.720
<v Speaker 1>and where he was in the suit where she was

0:16:31.760 --> 0:16:35.880
<v Speaker 1>a singer so hot. Um, and all of these actors

0:16:35.920 --> 0:16:40.080
<v Speaker 1>ability to play so many different selves, like so many

0:16:40.080 --> 0:16:43.440
<v Speaker 1>different versions of the same character, Like the actor. I

0:16:43.480 --> 0:16:46.840
<v Speaker 1>thought her daughter was really good. I, Um, she's in

0:16:46.920 --> 0:16:49.560
<v Speaker 1>Marvelous Mrs Maisel, and I've always thought she was pretty

0:16:49.600 --> 0:16:53.880
<v Speaker 1>good in that as well. Jamie Curtis and Jamie Curtis,

0:16:53.880 --> 0:16:59.920
<v Speaker 1>Oh my god, the Hot Talkends Universe, so goody. It's

0:17:00.080 --> 0:17:02.920
<v Speaker 1>such a such a good movie and I think like,

0:17:03.320 --> 0:17:05.360
<v Speaker 1>and you know we're after this, I want to talk

0:17:05.400 --> 0:17:08.320
<v Speaker 1>about Severance because we both started watching Severance this weekend,

0:17:08.920 --> 0:17:13.160
<v Speaker 1>and I do think like there's something linking these two

0:17:13.160 --> 0:17:18.240
<v Speaker 1>things together because they both do what really good science

0:17:18.240 --> 0:17:21.160
<v Speaker 1>fiction is supposed to do, which is take something that's

0:17:21.280 --> 0:17:27.159
<v Speaker 1>really grounded in reality and really human and blow it

0:17:27.240 --> 0:17:32.000
<v Speaker 1>out through science and technology, like like create a universe

0:17:32.040 --> 0:17:34.719
<v Speaker 1>and that is very like our own, except like humans

0:17:34.720 --> 0:17:37.920
<v Speaker 1>have figured out how to do one thing and here

0:17:37.920 --> 0:17:40.280
<v Speaker 1>like and everything everywhere all at once. It's like this

0:17:40.480 --> 0:17:43.760
<v Speaker 1>central idea of what if, Like what if I had

0:17:43.840 --> 0:17:46.679
<v Speaker 1>made this choice? What if my life had gone this way?

0:17:46.760 --> 0:17:50.040
<v Speaker 1>And that is a very relatable feeling. I think we

0:17:50.119 --> 0:17:52.320
<v Speaker 1>all feel like that from time to time. And on

0:17:52.359 --> 0:17:54.680
<v Speaker 1>that note, like in terms of like the sci fi

0:17:54.880 --> 0:17:57.159
<v Speaker 1>the world building of it all, like we have to

0:17:57.840 --> 0:18:03.199
<v Speaker 1>champion original films because the only things popping off right

0:18:03.240 --> 0:18:08.639
<v Speaker 1>now are like exactly Marvel movies, reboots, sequels, like and

0:18:08.960 --> 0:18:11.600
<v Speaker 1>this is such an annoying and cliche like kind of

0:18:11.960 --> 0:18:14.119
<v Speaker 1>like thing to say, but it's so true, and like

0:18:14.440 --> 0:18:17.720
<v Speaker 1>this is a movie that we as a culture like

0:18:18.000 --> 0:18:22.520
<v Speaker 1>wait for in terms of like a completely novel originality

0:18:22.560 --> 0:18:27.320
<v Speaker 1>that is entirely like like entirely in its own right,

0:18:27.359 --> 0:18:30.520
<v Speaker 1>like beautiful and stunning and like flawless, like I don't

0:18:30.600 --> 0:18:33.440
<v Speaker 1>use that word lightly, even though that's so uninteresting to say. Also,

0:18:33.520 --> 0:18:35.800
<v Speaker 1>Jenny Slate was so good to see, and with the

0:18:35.880 --> 0:18:41.040
<v Speaker 1>dog so good. I don't think I will say I

0:18:41.040 --> 0:18:43.439
<v Speaker 1>don't think it's a perfect movie. There were parts of

0:18:43.480 --> 0:18:45.720
<v Speaker 1>it that I thought, like, I think the end is

0:18:45.760 --> 0:18:50.440
<v Speaker 1>like very the the emotionality like almost becomes a little

0:18:50.480 --> 0:18:53.880
<v Speaker 1>sacharin um, And I think like some of the things

0:18:53.920 --> 0:18:56.720
<v Speaker 1>are wrapped up a little too tidily, but it kind

0:18:56.720 --> 0:18:59.800
<v Speaker 1>of doesn't matter because the strokes are so broad yet

0:18:59.800 --> 0:19:03.919
<v Speaker 1>the emotions are so specific that it all just really works.

0:19:04.359 --> 0:19:07.080
<v Speaker 1>I just, on a taste level, tend to enjoy more

0:19:07.119 --> 0:19:10.840
<v Speaker 1>saccharin things, but regardless, like you and I did sob

0:19:11.000 --> 0:19:14.439
<v Speaker 1>through the last like third thirty minutes at least, and

0:19:14.480 --> 0:19:16.560
<v Speaker 1>then and I saw this movie alone. We both saw.

0:19:18.000 --> 0:19:20.920
<v Speaker 1>I left afterwards, went down to the parking garage, sat

0:19:20.960 --> 0:19:23.920
<v Speaker 1>in my car and cried more because I was thinking

0:19:23.920 --> 0:19:27.879
<v Speaker 1>about my mom. And the movie hits you multiple times

0:19:27.880 --> 0:19:32.480
<v Speaker 1>because there's so many layers to it. It's just a beautiful, beautiful,

0:19:32.520 --> 0:19:35.520
<v Speaker 1>beautiful film. A movie that and you were talking about

0:19:35.560 --> 0:19:37.080
<v Speaker 1>the last time you cried. I just want to quickly

0:19:37.080 --> 0:19:40.520
<v Speaker 1>sneak in um the fact that like this, Uh. I

0:19:40.600 --> 0:19:43.600
<v Speaker 1>watched this movie the day after I saw Coda, which

0:19:43.680 --> 0:19:46.720
<v Speaker 1>was a movie that I quickly discovered was not Belfast.

0:19:48.960 --> 0:19:51.120
<v Speaker 1>I was like, I think I had conflated the two

0:19:51.160 --> 0:19:55.119
<v Speaker 1>in my head as like the white contenders for the Academy,

0:19:55.280 --> 0:19:58.239
<v Speaker 1>you know when, for Best Motion Picture. And so when

0:19:58.280 --> 0:20:00.080
<v Speaker 1>I sat down to watch it, because it was this

0:20:00.160 --> 0:20:03.720
<v Speaker 1>year's Best Picture winner, I had a very emotional experience

0:20:03.760 --> 0:20:06.359
<v Speaker 1>to it. The logline is like a girl is the

0:20:06.440 --> 0:20:10.760
<v Speaker 1>only hearing member of a deaf family, and she really

0:20:10.760 --> 0:20:13.960
<v Speaker 1>loves to sing, and so she is basically deciding whether

0:20:14.560 --> 0:20:16.600
<v Speaker 1>at the end of high school, whether she's going to

0:20:16.680 --> 0:20:19.439
<v Speaker 1>pursue singing as a dream or whether she's going to

0:20:19.520 --> 0:20:22.280
<v Speaker 1>stay with her family to support them because she's the

0:20:22.320 --> 0:20:26.320
<v Speaker 1>only one that can hear. And so, like another movie

0:20:26.320 --> 0:20:28.359
<v Speaker 1>that I like, sobbed through the last thirty minutes of

0:20:28.680 --> 0:20:32.680
<v Speaker 1>actually like a movie that, like I I started crying

0:20:32.840 --> 0:20:35.679
<v Speaker 1>and then like just kind of continually cried. But I

0:20:35.720 --> 0:20:38.400
<v Speaker 1>was also trying to like eat um, like the barbecue

0:20:38.440 --> 0:20:40.560
<v Speaker 1>that I had ordered, and so like, my nose is

0:20:40.600 --> 0:20:43.439
<v Speaker 1>really stuffed up. And then another crying moment happened, and

0:20:43.480 --> 0:20:45.439
<v Speaker 1>so I was like, because my nose was stuffed up,

0:20:45.480 --> 0:20:48.680
<v Speaker 1>I started like sobbing and then choking on my own food.

0:20:48.920 --> 0:20:53.160
<v Speaker 1>Like wow, I was crying. A very visceral experience. Yeah,

0:20:53.200 --> 0:20:57.000
<v Speaker 1>it was, but it definitely, definitely, definitely see that movie.

0:20:57.160 --> 0:20:59.480
<v Speaker 1>I think it's worth, you know, a month of Apple

0:20:59.520 --> 0:21:03.040
<v Speaker 1>Apple TV Plus if you subscribe, So I pay for

0:21:03.080 --> 0:21:07.400
<v Speaker 1>Apple TV Plus. It's um, And so it was very

0:21:07.400 --> 0:21:09.520
<v Speaker 1>easy for me to once I saw that everyone was

0:21:09.560 --> 0:21:13.360
<v Speaker 1>talking about the show Severance, to decide to give it

0:21:13.800 --> 0:21:16.720
<v Speaker 1>give it a go um, which actually is like a

0:21:16.800 --> 0:21:18.199
<v Speaker 1>very hard thing for me to do because I do

0:21:18.280 --> 0:21:21.359
<v Speaker 1>not just like try out new TV shows without feeling

0:21:21.359 --> 0:21:24.920
<v Speaker 1>pretty confident that I'm going to like them. And I

0:21:24.960 --> 0:21:27.239
<v Speaker 1>was kind of, I guess, the way the people were

0:21:27.280 --> 0:21:30.199
<v Speaker 1>talking about it and some of the like stills I

0:21:30.240 --> 0:21:32.840
<v Speaker 1>was seeing on Twitter, I was kind of expecting a

0:21:32.960 --> 0:21:37.360
<v Speaker 1>succession vibe for some reasons. I guess I thought like, oh,

0:21:37.400 --> 0:21:41.600
<v Speaker 1>this is Apple TV's succession and it's so not. It

0:21:41.760 --> 0:21:46.040
<v Speaker 1>is okay to give you the logline. Severance takes place

0:21:46.080 --> 0:21:50.320
<v Speaker 1>in a world where people can have a procedure done

0:21:50.359 --> 0:21:54.120
<v Speaker 1>called severance, where when they go to work they completely

0:21:54.240 --> 0:21:58.960
<v Speaker 1>forget their outside lives and become this blank slate persona,

0:21:59.400 --> 0:22:02.040
<v Speaker 1>and when they leave work, they can't remember ever anything

0:22:02.080 --> 0:22:05.359
<v Speaker 1>that happened there. So it's essentially like bifurcating these people

0:22:05.400 --> 0:22:08.200
<v Speaker 1>and like kind of lobotomizing them literally. It's it's starring

0:22:08.240 --> 0:22:14.520
<v Speaker 1>Adam Scott, Patricia arquette Um and directed by Ben Mark.

0:22:14.640 --> 0:22:16.840
<v Speaker 1>He's been working on it for like five or six

0:22:16.920 --> 0:22:19.560
<v Speaker 1>years or yeah, and it's really creepy. I think the

0:22:19.680 --> 0:22:23.720
<v Speaker 1>cinematography is really beautiful and the show, if you watch

0:22:23.760 --> 0:22:27.120
<v Speaker 1>the trailer, the trailer very succinctly kind of shows you

0:22:27.200 --> 0:22:29.359
<v Speaker 1>a little bit of what you're trying to sign up for.

0:22:29.800 --> 0:22:34.360
<v Speaker 1>And I thought that it would maybe be more ham

0:22:34.400 --> 0:22:38.480
<v Speaker 1>fisted in its critique of, like, you know, the workforce,

0:22:38.600 --> 0:22:41.280
<v Speaker 1>or in its critique on like capital and our relationships

0:22:41.320 --> 0:22:45.040
<v Speaker 1>to like our work. But I actually feel like what

0:22:45.200 --> 0:22:49.879
<v Speaker 1>the show tries to say about work is not too

0:22:49.960 --> 0:22:54.520
<v Speaker 1>heavy because it prioritizes the suspended tention totally. It's much

0:22:54.520 --> 0:22:57.640
<v Speaker 1>more about the storytelling that about any sort of like

0:22:57.960 --> 0:23:01.520
<v Speaker 1>think PC metaphors. Yes, to be totally honest, this show

0:23:01.680 --> 0:23:04.960
<v Speaker 1>is maybe not as much to my taste, because the

0:23:05.040 --> 0:23:07.320
<v Speaker 1>suspended attention is something that like, I feel like I

0:23:07.320 --> 0:23:09.160
<v Speaker 1>need a buddy while I'm watching it. It is actually

0:23:09.320 --> 0:23:12.600
<v Speaker 1>very very spooky, It's very tense. The show reminds me

0:23:12.760 --> 0:23:17.439
<v Speaker 1>a little bit of how you experience wand division in

0:23:17.520 --> 0:23:21.200
<v Speaker 1>that when you go into it for a lot of

0:23:21.240 --> 0:23:24.000
<v Speaker 1>the a lot of time you're kind of like, what

0:23:24.040 --> 0:23:26.960
<v Speaker 1>am I watching? Like you spend a lot of time

0:23:27.119 --> 0:23:30.040
<v Speaker 1>trying to figure out the world a lot of cogs

0:23:30.080 --> 0:23:31.840
<v Speaker 1>or in your if and if you don't have context,

0:23:31.840 --> 0:23:35.639
<v Speaker 1>it's like you're kind of just along for the ride.

0:23:35.680 --> 0:23:40.040
<v Speaker 1>You kind of concede yourself to these the TV makers

0:23:40.520 --> 0:23:45.200
<v Speaker 1>And obviously they're very different shows. But I'll be interested

0:23:45.240 --> 0:23:48.240
<v Speaker 1>to see how severance pays off. Yes, I really want

0:23:48.240 --> 0:24:05.000
<v Speaker 1>to know what's coming at the end. One of my

0:24:05.119 --> 0:24:13.960
<v Speaker 1>earliest childhood memories is tying an afghan that my grandma

0:24:14.000 --> 0:24:16.680
<v Speaker 1>had made me around my body, like like you would

0:24:16.640 --> 0:24:20.240
<v Speaker 1>a towel, you know, like to like a feminizing of

0:24:20.320 --> 0:24:23.639
<v Speaker 1>Cowe moment as queers, I want to do to I

0:24:23.760 --> 0:24:26.400
<v Speaker 1>want to swap themselves in fabric of some kind um

0:24:26.400 --> 0:24:30.359
<v Speaker 1>and I would, you know, imagine myself wearing a blue

0:24:30.400 --> 0:24:34.600
<v Speaker 1>and white and gingham dress. Because all I wanted when

0:24:34.640 --> 0:24:39.240
<v Speaker 1>I was a little child, childer neutral charm um was

0:24:39.320 --> 0:24:41.639
<v Speaker 1>to be Dorothy and the Wizard of Oz. Of course,

0:24:41.880 --> 0:24:47.080
<v Speaker 1>I mean she's she is the archetype. Um. I also

0:24:47.240 --> 0:24:49.879
<v Speaker 1>feel like I really wanted to be Dorothy. This is

0:24:49.920 --> 0:24:52.160
<v Speaker 1>an interesting episode of both of us, and that neither

0:24:52.240 --> 0:24:54.879
<v Speaker 1>of us are virgins, but this was very formative to

0:24:55.000 --> 0:24:57.439
<v Speaker 1>us personally and therefore is worth talking. And that's our

0:24:57.480 --> 0:24:59.359
<v Speaker 1>podcast and will do whatever the funk we want, do

0:24:59.359 --> 0:25:02.720
<v Speaker 1>whatever the we want. Um, you know, on the note

0:25:02.800 --> 0:25:06.720
<v Speaker 1>quickly of queer swath I slapping themselves in fabric, I think, like,

0:25:06.880 --> 0:25:09.479
<v Speaker 1>what is that? What? Why is it a queer right

0:25:09.560 --> 0:25:14.000
<v Speaker 1>of passage to wear a blanket as a dress or

0:25:14.040 --> 0:25:16.040
<v Speaker 1>to like pull it over as a cable you just

0:25:16.119 --> 0:25:18.640
<v Speaker 1>send a staircase to like you know, let it fill,

0:25:20.119 --> 0:25:27.120
<v Speaker 1>or like yeah, exactly exactly, Um, but yeah no similarly, um,

0:25:27.119 --> 0:25:30.080
<v Speaker 1>the Wizard of Oz was just one of the most

0:25:30.160 --> 0:25:34.600
<v Speaker 1>prominent things of my childhood. I read the book over

0:25:34.680 --> 0:25:37.439
<v Speaker 1>and over and over again in like, I don't know,

0:25:37.480 --> 0:25:38.800
<v Speaker 1>what when do you read those books? Like first or

0:25:38.840 --> 0:25:41.040
<v Speaker 1>second grade? I was more of a movie girl. It

0:25:41.200 --> 0:25:46.080
<v Speaker 1>was about the movie. For me, it was Judy Garland

0:25:46.840 --> 0:25:52.280
<v Speaker 1>Margaret Hamilton's Down, you know, the girls were girling. I

0:25:52.320 --> 0:25:56.520
<v Speaker 1>would I probably watched The Wizard of Oz every day

0:25:56.800 --> 0:25:59.520
<v Speaker 1>when I was a kid. I had a book that

0:25:59.760 --> 0:26:04.000
<v Speaker 1>had the script and also lots of like photos and

0:26:04.040 --> 0:26:07.320
<v Speaker 1>behind the scenes stuff, and I would page through it

0:26:07.480 --> 0:26:10.200
<v Speaker 1>as I watched the movie, and I would like color

0:26:10.240 --> 0:26:12.560
<v Speaker 1>in it and make notes. It was The Wizard of

0:26:12.560 --> 0:26:15.040
<v Speaker 1>Oz was my whole life. I was obsessed with it.

0:26:15.160 --> 0:26:18.439
<v Speaker 1>There there were these porcelain dolls that were sold at

0:26:18.440 --> 0:26:21.040
<v Speaker 1>do you remember the Franklin Mint. There's a store in

0:26:21.080 --> 0:26:24.960
<v Speaker 1>the mall that sold collectibles, and they had a um

0:26:25.480 --> 0:26:28.359
<v Speaker 1>a line of Wizard of Oz porcelain dolls and like

0:26:28.680 --> 0:26:32.399
<v Speaker 1>that sounds haunting, and I needed to have them. And

0:26:32.440 --> 0:26:37.439
<v Speaker 1>like obviously, like I was a and dolls were like

0:26:37.640 --> 0:26:41.120
<v Speaker 1>not were frowned upon, but I like kicked and screamed

0:26:41.160 --> 0:26:43.520
<v Speaker 1>so much that I have the Dorothy one and I

0:26:43.520 --> 0:26:45.919
<v Speaker 1>had the Wicked Witch one. I and I might have

0:26:45.960 --> 0:26:48.400
<v Speaker 1>made them kiss one of my of course, of course,

0:26:48.440 --> 0:26:52.280
<v Speaker 1>as we always do. One of my earliest Halloween costumes

0:26:52.480 --> 0:26:56.040
<v Speaker 1>was the Tin Man and my cousin was Dorothy, and

0:26:56.080 --> 0:27:01.240
<v Speaker 1>I remember being like just see the jealousy that I

0:27:01.240 --> 0:27:03.639
<v Speaker 1>had to be this ugly, asked him, men with this

0:27:03.920 --> 0:27:07.960
<v Speaker 1>ugly ass mask. Um, maybe I think this is finally

0:27:08.040 --> 0:27:10.760
<v Speaker 1>the year that I'm Dorothy for Halloween because now my

0:27:10.880 --> 0:27:15.680
<v Speaker 1>dog looks like Toto. Oh my god, Rose, I didn't

0:27:15.680 --> 0:27:19.240
<v Speaker 1>even think about that component. Thank god it's April. I

0:27:19.280 --> 0:27:21.280
<v Speaker 1>don't have to think about Halloween. But can the dress

0:27:21.320 --> 0:27:24.760
<v Speaker 1>be like, you know, like' or something. We're going classic?

0:27:25.000 --> 0:27:28.359
<v Speaker 1>Come on, you're not gonna do it like Harry Style

0:27:28.440 --> 0:27:31.960
<v Speaker 1>is doing that Gucci Dorothy dress as we say, as

0:27:32.000 --> 0:27:37.800
<v Speaker 1>we say in the industry megap However, his single oh Yeah,

0:27:37.800 --> 0:27:40.920
<v Speaker 1>we didn't talk about it as it was we are

0:27:41.119 --> 0:27:45.720
<v Speaker 1>we are newly we are newly radicalized Harry Styles. I've

0:27:45.760 --> 0:27:48.679
<v Speaker 1>never listened to a Harry Styles album before, but I was, like,

0:27:48.760 --> 0:27:51.280
<v Speaker 1>I have been listening to this over and over because

0:27:51.280 --> 0:27:53.040
<v Speaker 1>it's so short and has like it's one of those

0:27:53.080 --> 0:27:56.240
<v Speaker 1>TikTok songs that has no actual emotional, like cathartic payoff,

0:27:56.320 --> 0:27:57.960
<v Speaker 1>so you have to listen to it seventy two times

0:27:58.000 --> 0:28:01.040
<v Speaker 1>in order to feel because the catharsis um. But I was,

0:28:01.200 --> 0:28:03.159
<v Speaker 1>I was, you know, taking a late night trip to

0:28:03.400 --> 0:28:05.920
<v Speaker 1>Sweet Green as I often do picking up my Sweet

0:28:05.960 --> 0:28:08.480
<v Speaker 1>Green and the Harry Styles song played, and I thought

0:28:08.520 --> 0:28:10.960
<v Speaker 1>of you, and it was anyway, it's going to go

0:28:11.000 --> 0:28:16.680
<v Speaker 1>back to oz. Um. I okay, So Wizard of Oz

0:28:17.359 --> 0:28:21.000
<v Speaker 1>the thing I loved most as a child, come come

0:28:21.040 --> 0:28:25.960
<v Speaker 1>to find out as a queer adult that it's like

0:28:26.000 --> 0:28:28.480
<v Speaker 1>the gayest thing in the world. Oh, I thought you were.

0:28:28.520 --> 0:28:30.120
<v Speaker 1>I thought you were going to say that the entire

0:28:30.200 --> 0:28:33.600
<v Speaker 1>production was curse. Oh yeah, we I think we all

0:28:33.800 --> 0:28:35.800
<v Speaker 1>know that. Okay, good, that's what I thought. I feel

0:28:35.800 --> 0:28:37.320
<v Speaker 1>like people that know the Wizard of ozin no, we

0:28:37.359 --> 0:28:40.000
<v Speaker 1>all know about like the guy hanging in the cornfield,

0:28:40.200 --> 0:28:43.160
<v Speaker 1>which apparently wasn't a real thing that wasn't real was

0:28:43.200 --> 0:28:46.120
<v Speaker 1>an ostrich. I'm sure there's a YouTube video you can

0:28:46.160 --> 0:28:49.720
<v Speaker 1>watch about it. Honestly, if you just watched Duty starring

0:28:50.760 --> 0:28:54.720
<v Speaker 1>m Rene's what's her name, sorry, Renee's Alwigger. Like, I

0:28:54.760 --> 0:28:57.040
<v Speaker 1>do actually think that contextualizes a lot of the really

0:28:57.080 --> 0:28:59.840
<v Speaker 1>horrible things that happened on set, which like we'll get

0:28:59.840 --> 0:29:02.480
<v Speaker 1>into the duty of it all. But what about the movie,

0:29:03.440 --> 0:29:06.160
<v Speaker 1>So you said, like, um, you were talking about how

0:29:06.280 --> 0:29:09.640
<v Speaker 1>like maybe it's this innate kind of gaines queerness that

0:29:09.800 --> 0:29:12.240
<v Speaker 1>is in the movie like if I don't know, I

0:29:12.520 --> 0:29:15.760
<v Speaker 1>don't know if it's about like the any like subtext

0:29:15.800 --> 0:29:18.600
<v Speaker 1>or metaphors. I think I just loved the fantasy. I

0:29:18.640 --> 0:29:20.600
<v Speaker 1>loved the story. I wanted to go away to the

0:29:20.600 --> 0:29:25.160
<v Speaker 1>magical land of Oz and really I wanted to be Dorothy.

0:29:25.280 --> 0:29:30.160
<v Speaker 1>She was it. She was to me, Judy Garland, Dorothy Gale,

0:29:30.720 --> 0:29:35.320
<v Speaker 1>the pinnacle of feminine beauty that like I, as a

0:29:35.360 --> 0:29:40.480
<v Speaker 1>little burgeoning tranny, wanted to inhabit. And the thing about that,

0:29:40.600 --> 0:29:43.320
<v Speaker 1>and we on this podcast firmly believed that the word

0:29:43.400 --> 0:29:48.240
<v Speaker 1>camp is overused and often misused all the time. But

0:29:48.680 --> 0:29:54.040
<v Speaker 1>Judy's Dorothy is the definition and the beginning of like

0:29:54.080 --> 0:29:57.440
<v Speaker 1>an era of like women in film that would do

0:29:58.000 --> 0:30:02.000
<v Speaker 1>a kind of camp performance, an emotionality that is like

0:30:02.200 --> 0:30:06.400
<v Speaker 1>over the top and yet like deeply unaware of, like

0:30:06.480 --> 0:30:09.000
<v Speaker 1>you know, how much it goes. I don't know that

0:30:09.080 --> 0:30:12.160
<v Speaker 1>I agree with that. I mean, I've I think I

0:30:12.240 --> 0:30:14.920
<v Speaker 1>feel like I've read so many like you know whatever.

0:30:15.120 --> 0:30:16.960
<v Speaker 1>I know, I think there's an argument to be made

0:30:17.000 --> 0:30:19.800
<v Speaker 1>either way, and like, certainly this podcast is not about

0:30:19.800 --> 0:30:22.560
<v Speaker 1>debating what is camping, But I think I see it

0:30:22.600 --> 0:30:25.960
<v Speaker 1>more as like she understood the movie she was in

0:30:26.080 --> 0:30:29.160
<v Speaker 1>and like a big well did she like big MGM

0:30:29.200 --> 0:30:31.640
<v Speaker 1>spectacles of the time, Like that was the kind of

0:30:31.680 --> 0:30:34.959
<v Speaker 1>heightened like the kind of heightened performance that she needed

0:30:35.000 --> 0:30:37.960
<v Speaker 1>to give. I think it's actually like pretty self aware.

0:30:38.240 --> 0:30:40.959
<v Speaker 1>I and she also was like being plied with like

0:30:41.080 --> 0:30:43.960
<v Speaker 1>pills um you know. Yeah, that's what I'm saying. She

0:30:44.080 --> 0:30:46.240
<v Speaker 1>definitely I don't think that. Then in that case, I

0:30:46.240 --> 0:30:48.360
<v Speaker 1>don't think there's self awareness. And I don't think she

0:30:48.440 --> 0:30:52.960
<v Speaker 1>knew what movies she wasn't, you know? She was my point.

0:30:53.160 --> 0:30:55.920
<v Speaker 1>So here's the thing. I know why you're resistant to

0:30:56.040 --> 0:30:58.719
<v Speaker 1>like even talking to even talking about Duty and Alexa

0:30:58.760 --> 0:31:01.080
<v Speaker 1>kind of camp. But I think that because she predated

0:31:01.480 --> 0:31:04.040
<v Speaker 1>resistant to talking about Judy. I'm talking resistant to having

0:31:04.040 --> 0:31:06.680
<v Speaker 1>a conversation about what is camp or not? But I

0:31:06.720 --> 0:31:09.680
<v Speaker 1>think I think the reason and I agree, I also

0:31:09.800 --> 0:31:11.320
<v Speaker 1>just don't really care about it. But I think the

0:31:11.320 --> 0:31:14.120
<v Speaker 1>reason I bring it up is because a lot of

0:31:14.200 --> 0:31:17.680
<v Speaker 1>camp that exists today is deeply aware of itself. It's

0:31:17.760 --> 0:31:21.520
<v Speaker 1>it's part of a camp factory or the manufacturing of camp,

0:31:21.880 --> 0:31:26.680
<v Speaker 1>and like Judy's performance is camp in its purest form,

0:31:26.880 --> 0:31:29.680
<v Speaker 1>you know what I mean? She didn't know that the

0:31:29.720 --> 0:31:32.080
<v Speaker 1>way she would make her eyes all gooey, or the

0:31:32.120 --> 0:31:35.600
<v Speaker 1>way she would like wall like every time something was wrong,

0:31:35.680 --> 0:31:39.280
<v Speaker 1>or the way her eyes are really good, always on

0:31:39.320 --> 0:31:43.040
<v Speaker 1>the brink of tears, which always Judy was going through

0:31:43.800 --> 0:31:46.680
<v Speaker 1>literally and she was being tortured on that can you

0:31:46.760 --> 0:31:49.320
<v Speaker 1>imagine this movie? She was fighting for her life? And

0:31:49.360 --> 0:31:51.480
<v Speaker 1>I don't And I mean that both joking way in

0:31:51.520 --> 0:31:53.800
<v Speaker 1>a literal way, but like it couldn't have been anyone else,

0:31:53.800 --> 0:31:56.720
<v Speaker 1>Like could you have imagined this movie if Shirley Temple

0:31:56.880 --> 0:32:02.800
<v Speaker 1>was Dorothy and stud which like like can you imagine?

0:32:03.240 --> 0:32:06.120
<v Speaker 1>But that's but I love I love her drink. I

0:32:06.160 --> 0:32:07.840
<v Speaker 1>think the point I would like to order what I

0:32:07.840 --> 0:32:11.200
<v Speaker 1>feel like I was responding to a kind of a

0:32:11.360 --> 0:32:14.840
<v Speaker 1>kind of emotional self that I really wanted, you know

0:32:14.880 --> 0:32:17.080
<v Speaker 1>what I mean, Like I think that we're you know,

0:32:17.280 --> 0:32:20.160
<v Speaker 1>we're often taught to be like ashamed of like our

0:32:20.200 --> 0:32:22.680
<v Speaker 1>emotions and like how we react to the world. And

0:32:22.720 --> 0:32:25.920
<v Speaker 1>like Judy was so you know, inordinately herself. But that

0:32:26.120 --> 0:32:29.800
<v Speaker 1>I mean, the movie is is fucking gay, Like it

0:32:29.920 --> 0:32:33.320
<v Speaker 1>is the source material is gay. I actually like I

0:32:33.360 --> 0:32:35.440
<v Speaker 1>didn't read the Oz books as a kid. I recently

0:32:35.480 --> 0:32:37.640
<v Speaker 1>found out because of a TikTok that I sent you.

0:32:37.760 --> 0:32:41.440
<v Speaker 1>I don't know if you watched it. Um about how Ozma,

0:32:41.640 --> 0:32:46.040
<v Speaker 1>who is one of the rulers of oz is canonically trans. Wait,

0:32:46.200 --> 0:32:50.320
<v Speaker 1>how so she is um put in the body of

0:32:50.320 --> 0:32:55.440
<v Speaker 1>a boy because like some kind of royal shenanigans um

0:32:55.480 --> 0:33:01.280
<v Speaker 1>and then like discovers her and her woman. But it's

0:33:01.400 --> 0:33:04.920
<v Speaker 1>it's like it is cannon that she is trans That's

0:33:04.960 --> 0:33:10.960
<v Speaker 1>amazing and honestly, like it makes so I read UM.

0:33:11.000 --> 0:33:13.440
<v Speaker 1>I think that like at least two, if not three

0:33:13.480 --> 0:33:15.520
<v Speaker 1>of the books, I don't remember anything. I just remember

0:33:15.560 --> 0:33:18.960
<v Speaker 1>loving them as a kid, and I do know that

0:33:19.000 --> 0:33:23.760
<v Speaker 1>like they were all very dark and very violent. They

0:33:23.800 --> 0:33:26.760
<v Speaker 1>got um. I think initial criticism found the books actually

0:33:26.880 --> 0:33:30.680
<v Speaker 1>too violent, and so they actually like waned in violence

0:33:30.720 --> 0:33:33.959
<v Speaker 1>as he started making more and more literally murder someone

0:33:34.240 --> 0:33:37.960
<v Speaker 1>and Dorothy murders two people. Yes, And well, I think

0:33:38.000 --> 0:33:40.120
<v Speaker 1>that's also the magic of the film is the film

0:33:40.160 --> 0:33:43.840
<v Speaker 1>is able to render something that's actually really violent as

0:33:43.880 --> 0:33:46.600
<v Speaker 1>like you know, fantastical and silient, like you know, the

0:33:46.600 --> 0:33:48.560
<v Speaker 1>way the Witch of the East has these you know,

0:33:49.400 --> 0:33:53.840
<v Speaker 1>striped stockings on that make it fierce fierce um. And

0:33:53.880 --> 0:33:57.840
<v Speaker 1>so I think that, you know, the movie um renders

0:33:57.880 --> 0:34:01.080
<v Speaker 1>all of that darkness and violence in a very pristine

0:34:01.200 --> 0:34:05.479
<v Speaker 1>MGM way. And so I think it's interesting to see

0:34:05.520 --> 0:34:09.080
<v Speaker 1>things like Returned to Oz or the Whiz adaptation of

0:34:09.080 --> 0:34:13.000
<v Speaker 1>the movie that really leaned into the original L. Frank

0:34:13.040 --> 0:34:16.120
<v Speaker 1>Baum like kind of vision, which was darkness violence like

0:34:16.200 --> 0:34:19.880
<v Speaker 1>kids can handle. Oh yeah, because you have only experienced

0:34:19.920 --> 0:34:22.440
<v Speaker 1>Return to Oz for the first time today. For me,

0:34:23.120 --> 0:34:29.800
<v Speaker 1>Returned to Oz was one of the most formative pieces

0:34:29.840 --> 0:34:33.160
<v Speaker 1>of media in my childhood. UM. So, Returned to Oz

0:34:33.239 --> 0:34:37.680
<v Speaker 1>came out starring for a ball. It's it's about Dorothy

0:34:37.760 --> 0:34:39.960
<v Speaker 1>going back to Oz and Oz is all fucked up,

0:34:40.520 --> 0:34:48.239
<v Speaker 1>and it is an incredibly dark, twisted, beautiful fantasy. Um

0:34:48.280 --> 0:34:51.880
<v Speaker 1>it's so weird. It has one of I think one

0:34:51.920 --> 0:34:54.280
<v Speaker 1>of the most iconic villains of all time, Queen Mombi,

0:34:54.760 --> 0:34:59.240
<v Speaker 1>who is a which who is a hall of women's

0:34:59.400 --> 0:35:03.000
<v Speaker 1>severed that she keeps so that she can wear a

0:35:03.000 --> 0:35:06.360
<v Speaker 1>new head every time. She's like feeling herself, which also

0:35:06.400 --> 0:35:10.200
<v Speaker 1>feels very trans to me, very trans. The movie opens

0:35:10.239 --> 0:35:17.080
<v Speaker 1>with Dorothy's um and uncle being so like shook about her,

0:35:17.120 --> 0:35:20.040
<v Speaker 1>talking about, you know, like her visit to Oz, that

0:35:20.080 --> 0:35:23.680
<v Speaker 1>they commit her to a mental institution where she received

0:35:23.680 --> 0:35:27.520
<v Speaker 1>where she almost undergoes shock therapy. Can I I this

0:35:27.600 --> 0:35:31.200
<v Speaker 1>is not this is not a drag. I watched the

0:35:31.239 --> 0:35:33.880
<v Speaker 1>movie specifically because you told me how formative it was

0:35:33.920 --> 0:35:37.160
<v Speaker 1>to you. And within the first five minutes of this film,

0:35:37.200 --> 0:35:43.400
<v Speaker 1>I understood everything about what you know because there is something.

0:35:43.440 --> 0:35:47.279
<v Speaker 1>I mean, it is somehow very archetypal, but also like

0:35:47.400 --> 0:35:51.080
<v Speaker 1>it's so so dark two wheelers, the guys who have

0:35:51.080 --> 0:35:53.560
<v Speaker 1>wheels for hands. No, but I mean, I'm so scary,

0:35:53.760 --> 0:35:55.480
<v Speaker 1>so very scary. But I'm talking about the act and

0:35:55.480 --> 0:35:59.440
<v Speaker 1>the talking chicken also sucked up. The actual conceit of

0:35:59.480 --> 0:36:03.480
<v Speaker 1>the movie is like like to to be and it

0:36:03.680 --> 0:36:06.520
<v Speaker 1>is like on paper it was trying to be a

0:36:06.520 --> 0:36:09.799
<v Speaker 1>sequel to Judy Garland's Wizard of Oz. Like they had

0:36:09.840 --> 0:36:13.040
<v Speaker 1>to pay but it's not a musical. They had to

0:36:13.160 --> 0:36:16.239
<v Speaker 1>pay MGM, like an inordinate amount of money just for

0:36:16.280 --> 0:36:19.240
<v Speaker 1>the rights to say the word like ruby slippers, because

0:36:19.280 --> 0:36:22.000
<v Speaker 1>that was original to the movie. Wasn't in the books,

0:36:22.560 --> 0:36:27.080
<v Speaker 1>um and the like. But to have to start a

0:36:27.120 --> 0:36:31.040
<v Speaker 1>movie that's like and M and all the people people

0:36:31.120 --> 0:36:34.279
<v Speaker 1>you love don't believe that entire thing that happened to you.

0:36:34.320 --> 0:36:37.760
<v Speaker 1>They think you're crazy. They think you are crazy, the committed.

0:36:37.880 --> 0:36:41.359
<v Speaker 1>They have you committed for electronic shock therapy. And here

0:36:41.400 --> 0:36:43.760
<v Speaker 1>you are trying to tell people about like your friends

0:36:43.760 --> 0:36:45.319
<v Speaker 1>and this like kind of traumatic thing that you went

0:36:45.360 --> 0:36:47.400
<v Speaker 1>to the and it went through, and they're all telling

0:36:47.440 --> 0:36:50.239
<v Speaker 1>you that it's not believe you. Um, and you get

0:36:50.280 --> 0:36:52.760
<v Speaker 1>sent to a magical fantasy land with your talking chicken

0:36:53.080 --> 0:36:54.600
<v Speaker 1>and a woman wants to cut your head off so

0:36:54.640 --> 0:36:57.600
<v Speaker 1>she can wear it. Yeah. But my point in that is,

0:36:57.640 --> 0:37:00.439
<v Speaker 1>like the fact that these were trying to be more

0:37:00.480 --> 0:37:03.120
<v Speaker 1>true to the darkness of the al frank Baum's Bomb

0:37:03.200 --> 0:37:05.759
<v Speaker 1>books was something that I really appreciated as an O

0:37:05.960 --> 0:37:09.319
<v Speaker 1>G lover of the books, and like I uh did

0:37:09.320 --> 0:37:12.640
<v Speaker 1>a little google about like when these books came out,

0:37:12.680 --> 0:37:15.319
<v Speaker 1>and he like al frank Baum was trying to kind

0:37:15.360 --> 0:37:18.600
<v Speaker 1>of change children's books a little bit. He like loved

0:37:18.640 --> 0:37:21.640
<v Speaker 1>kind of Hans Christian Anderson books, but he thought that

0:37:21.680 --> 0:37:24.600
<v Speaker 1>the fact that they taught kids like lessons and morals

0:37:24.680 --> 0:37:27.480
<v Speaker 1>was really unnecessary. Like he didn't see the function of that,

0:37:27.680 --> 0:37:29.600
<v Speaker 1>even though like The Wizard of Oz is filled with

0:37:29.640 --> 0:37:35.120
<v Speaker 1>these like populist allegories. Um. But the uh the within

0:37:35.160 --> 0:37:38.760
<v Speaker 1>a decade span when The Wizard of Oz came out,

0:37:39.920 --> 0:37:43.600
<v Speaker 1>the books that also came out were like Beatrix Potters,

0:37:43.640 --> 0:37:46.879
<v Speaker 1>like you know, Peter Rabbit or whatever, all of Jack

0:37:46.920 --> 0:37:50.239
<v Speaker 1>London's books, The Little Princess, and of Green Gables, The

0:37:50.360 --> 0:37:53.319
<v Speaker 1>Secret Garden, Wind in the Willows, Peter Pan like all

0:37:53.360 --> 0:37:57.440
<v Speaker 1>of these was this boom h yeah, the boom and children,

0:37:58.360 --> 0:38:01.080
<v Speaker 1>all of these people trying to kind of turn and

0:38:01.160 --> 0:38:05.280
<v Speaker 1>revolutionize and change the kind of story on kids books.

0:38:05.600 --> 0:38:07.920
<v Speaker 1>I think is very interesting in the context of like

0:38:07.960 --> 0:38:10.920
<v Speaker 1>The Wizard of Oz, because it really was trying to

0:38:12.400 --> 0:38:15.239
<v Speaker 1>make kids feel more like adults or rather, or rather

0:38:15.320 --> 0:38:18.960
<v Speaker 1>it wasn't trying to pander to kids. It was it

0:38:19.080 --> 0:38:22.240
<v Speaker 1>felt like kids could handle the level of fear, because

0:38:22.320 --> 0:38:28.240
<v Speaker 1>I think it explores in a really um profound way

0:38:28.960 --> 0:38:32.920
<v Speaker 1>the terror of being a child. Ah. That is such

0:38:33.000 --> 0:38:36.600
<v Speaker 1>a good way of because being a child is terrifying, terrifying,

0:38:36.640 --> 0:38:40.640
<v Speaker 1>It's terrifying and wonderful and equal measure, and I think

0:38:40.760 --> 0:38:45.440
<v Speaker 1>that's something the Wizard of Oz and any good Oz

0:38:45.520 --> 0:38:50.040
<v Speaker 1>property understands. And I actually liked in Return to Oz

0:38:50.040 --> 0:38:52.440
<v Speaker 1>that Dorothy was younger that she had been in the

0:38:52.440 --> 0:38:59.719
<v Speaker 1>Wizard of Oz because it makes more sense for the story.

0:39:08.040 --> 0:39:12.080
<v Speaker 1>Al Frank Balm al Frank bam Road two editorials asserting

0:39:12.160 --> 0:39:15.600
<v Speaker 1>that like the only way like to like white victory

0:39:15.760 --> 0:39:18.319
<v Speaker 1>was like for the wholesale genocide of like native people

0:39:18.400 --> 0:39:21.680
<v Speaker 1>in this country in the nine literally. I mean, nothing's

0:39:21.680 --> 0:39:24.080
<v Speaker 1>about that is surprising, But as I always say, it's

0:39:24.120 --> 0:39:27.400
<v Speaker 1>just like, you know, let history stick to create the

0:39:27.440 --> 0:39:30.799
<v Speaker 1>creators of the things that you love. Um, did you

0:39:30.840 --> 0:39:34.160
<v Speaker 1>ever watch The Whiz? Like the movie adaptation? I have

0:39:34.320 --> 0:39:37.560
<v Speaker 1>watched The Whiz. I've also seen, you know, a production

0:39:37.600 --> 0:39:39.560
<v Speaker 1>of it. I've always wanted. Was when I was in

0:39:39.640 --> 0:39:42.719
<v Speaker 1>high school my freshman year, thought was our musical for

0:39:42.760 --> 0:39:44.640
<v Speaker 1>the year. Oh, I thought you meant a real production?

0:39:44.960 --> 0:39:48.920
<v Speaker 1>I was also, I was. I was in The Whiz

0:39:49.200 --> 0:39:51.560
<v Speaker 1>in my predominantly white high school. I was in a

0:39:51.600 --> 0:39:54.080
<v Speaker 1>production of The Whiz as um one of the you know,

0:39:54.160 --> 0:39:56.399
<v Speaker 1>one of the bricks in the Yellow Brick Road. It's

0:39:56.440 --> 0:39:59.279
<v Speaker 1>not I will say it's not one of my favorite musicals.

0:39:59.320 --> 0:40:02.719
<v Speaker 1>I mean there's some great songs in it. Um. You know,

0:40:02.880 --> 0:40:06.239
<v Speaker 1>I have seen at probably every theater competition or like

0:40:06.320 --> 0:40:11.000
<v Speaker 1>audition I've gone to, I've seen someone try to do home. Yeah,

0:40:11.640 --> 0:40:14.920
<v Speaker 1>I mean, it's a perfect song. I The Whiz is

0:40:15.000 --> 0:40:17.879
<v Speaker 1>one of my favorite musicals, and I think that's part

0:40:17.920 --> 0:40:21.000
<v Speaker 1>of the reason why I actually don't love a lot

0:40:21.040 --> 0:40:23.080
<v Speaker 1>of the movie. Um, but what I was going to

0:40:23.160 --> 0:40:25.319
<v Speaker 1>say to your earlier point is that something that I

0:40:25.400 --> 0:40:30.040
<v Speaker 1>did really like about the film adaptation was that they

0:40:30.120 --> 0:40:33.200
<v Speaker 1>kind of, you know, made Dorothy, I think, a thirty

0:40:33.239 --> 0:40:35.600
<v Speaker 1>year old like school teacher who lived in Harlem, and

0:40:35.640 --> 0:40:38.520
<v Speaker 1>the the kind of Kinsey is like she's never you know,

0:40:38.600 --> 0:40:41.240
<v Speaker 1>been south of Harlem and and all of a sudden

0:40:41.320 --> 0:40:42.839
<v Speaker 1>she's in Oz, which I think is like a really

0:40:42.880 --> 0:40:46.120
<v Speaker 1>smart and adult way to to kind of update the

0:40:46.160 --> 0:40:48.680
<v Speaker 1>story of The Whiz. Although it's like sad to know

0:40:48.760 --> 0:40:50.760
<v Speaker 1>that the reason they did that is because like Dana

0:40:50.840 --> 0:40:53.279
<v Speaker 1>Ross was just like too old to play Dorothy by

0:40:53.280 --> 0:40:56.280
<v Speaker 1>the time they hired her, but she had just campaign

0:40:56.360 --> 0:40:58.560
<v Speaker 1>for the movie. Apparently the movie really would not have

0:40:58.560 --> 0:41:01.040
<v Speaker 1>gotten made of Diana Ross hadn't, I guess, fought so

0:41:01.080 --> 0:41:03.600
<v Speaker 1>hard for it and they really wanted to replace her

0:41:03.680 --> 0:41:07.000
<v Speaker 1>with Stephanie Mills the o G. But I guess she

0:41:07.120 --> 0:41:09.400
<v Speaker 1>just like had a big, big power play. But I

0:41:09.440 --> 0:41:13.600
<v Speaker 1>watched it recently because I had read an interview where

0:41:13.800 --> 0:41:17.760
<v Speaker 1>Molina Mitsukas had said that she had floated the idea

0:41:17.840 --> 0:41:22.040
<v Speaker 1>of a Whiz adaptation to Solange, which, like Milina Mitzukaus

0:41:22.120 --> 0:41:25.360
<v Speaker 1>is like one of my favor kind of like visual artists,

0:41:25.360 --> 0:41:30.360
<v Speaker 1>creative director people, and I think Solange in The Whiz

0:41:30.440 --> 0:41:36.279
<v Speaker 1>would be her kind of like Mini Ripperton, kind of

0:41:36.320 --> 0:41:39.960
<v Speaker 1>like voice would lend itself so well to like the

0:41:40.080 --> 0:41:43.200
<v Speaker 1>musical stylings of this film, and like, I honestly think

0:41:43.239 --> 0:41:46.200
<v Speaker 1>that was a part of why I'm curious to hear

0:41:46.239 --> 0:41:48.879
<v Speaker 1>what you thought about The Whiz, because I felt like

0:41:49.360 --> 0:41:53.040
<v Speaker 1>the music is kind of the best part of this entity,

0:41:53.120 --> 0:41:57.240
<v Speaker 1>and the music was not really championed in the movie

0:41:57.360 --> 0:41:59.120
<v Speaker 1>outside of like can You Feel Brand New Day, which

0:41:59.120 --> 0:42:01.640
<v Speaker 1>I think is really well done, and also Home obviously

0:42:01.719 --> 0:42:04.440
<v Speaker 1>was well done. But I don't think the musical lends

0:42:04.520 --> 0:42:08.200
<v Speaker 1>itself to Diana's voice as much as I wanted it

0:42:08.239 --> 0:42:11.200
<v Speaker 1>to at that stage career. I mean, I have to

0:42:11.239 --> 0:42:14.840
<v Speaker 1>be honest, I'm just kind of ambivalent about The Whiz.

0:42:15.320 --> 0:42:17.400
<v Speaker 1>I don't have a lot of emotional stakes in it.

0:42:17.440 --> 0:42:20.440
<v Speaker 1>I think the music is fine for the most part,

0:42:20.960 --> 0:42:23.040
<v Speaker 1>um I don't think a lot of it's very memorable

0:42:23.160 --> 0:42:26.799
<v Speaker 1>at least for me. Um, Yeah, it just doesn't do

0:42:26.840 --> 0:42:28.920
<v Speaker 1>it for me. It's okay, I will I will do

0:42:29.000 --> 0:42:31.759
<v Speaker 1>all of the Whiz standing for us because it meant

0:42:31.800 --> 0:42:34.160
<v Speaker 1>I think it meant a lot to my high school career.

0:42:34.200 --> 0:42:37.239
<v Speaker 1>It was something that I just really loved. Um. But

0:42:37.280 --> 0:42:42.879
<v Speaker 1>I guess another reason why the movie. Well, first of all,

0:42:42.920 --> 0:42:46.160
<v Speaker 1>I have to say that Diana Ross is home like

0:42:46.280 --> 0:42:49.160
<v Speaker 1>in this movie. When I watched it for the first

0:42:49.160 --> 0:42:53.239
<v Speaker 1>time recently, I was like, this is the precedent, like

0:42:53.280 --> 0:42:58.120
<v Speaker 1>the predecessor, or maybe even the reference for Anne Hathaway's

0:42:58.160 --> 0:43:01.000
<v Speaker 1>I Dreamed a Dream because she does that move the

0:43:01.080 --> 0:43:03.239
<v Speaker 1>Cheeta does that song all one take on like a

0:43:03.280 --> 0:43:06.799
<v Speaker 1>black screen behind her with a very tight close up

0:43:06.800 --> 0:43:08.959
<v Speaker 1>on her face. Yeah, and Diana Russ did the exact

0:43:08.960 --> 0:43:11.880
<v Speaker 1>same thing, which is extremely difficult to do as an

0:43:11.880 --> 0:43:15.279
<v Speaker 1>actor and even more difficult to do as like someone

0:43:15.320 --> 0:43:17.759
<v Speaker 1>who's singing and acting. You know what I mean. I

0:43:17.800 --> 0:43:19.600
<v Speaker 1>think that those parts of the movie are things that

0:43:19.640 --> 0:43:23.840
<v Speaker 1>I loved. But um, the Whiz was like famously, like

0:43:23.920 --> 0:43:28.919
<v Speaker 1>the movie was famously a huge flop, because huge mega

0:43:28.960 --> 0:43:33.520
<v Speaker 1>flop do Docaca because it was so amped up. I

0:43:33.560 --> 0:43:37.480
<v Speaker 1>think it was an I p that's obviously so culturally beloved,

0:43:37.719 --> 0:43:41.719
<v Speaker 1>and I think that having all these stars set up

0:43:41.760 --> 0:43:44.960
<v Speaker 1>in the movie did not really give the audience what

0:43:45.000 --> 0:43:47.840
<v Speaker 1>they wanted because all of the stars are covered in

0:43:48.000 --> 0:43:51.280
<v Speaker 1>prospect extent and like you can't really see Michael Jackson

0:43:51.280 --> 0:43:54.120
<v Speaker 1>in this like Scarecrow, Like you can't really and and

0:43:54.160 --> 0:43:56.839
<v Speaker 1>also again the movie really leaned into like L. Frank

0:43:56.880 --> 0:44:00.440
<v Speaker 1>Baum's kind of like darknesses, um And I felt like

0:44:00.480 --> 0:44:02.719
<v Speaker 1>that was off putting to a lot of audiences at

0:44:02.760 --> 0:44:05.680
<v Speaker 1>the time. But I think that creative director, in terms

0:44:05.719 --> 0:44:08.640
<v Speaker 1>of the creative direction of the movie, it is much

0:44:08.680 --> 0:44:12.000
<v Speaker 1>like Return to Oz, very brilliant and very adult and

0:44:12.120 --> 0:44:15.000
<v Speaker 1>very ahead of its time. You know, it is so

0:44:15.280 --> 0:44:20.279
<v Speaker 1>weird and polarizing and like, um, uncomfortable at times, and

0:44:20.320 --> 0:44:23.440
<v Speaker 1>I felt like that was a strength of the film overall,

0:44:23.560 --> 0:44:27.680
<v Speaker 1>that is not necessarily commercially viable, and honestly reminded me

0:44:27.719 --> 0:44:30.200
<v Speaker 1>a lot of um, did you see that where the

0:44:30.239 --> 0:44:33.800
<v Speaker 1>Wild Things are? Adaptation the Dave Eggers one. It reminded

0:44:33.840 --> 0:44:36.879
<v Speaker 1>me a lot of that because here you have like

0:44:37.000 --> 0:44:41.560
<v Speaker 1>a filmmaker taking a globally beloved I P, like an

0:44:41.560 --> 0:44:44.759
<v Speaker 1>i P that is like so important to a lot

0:44:44.840 --> 0:44:47.920
<v Speaker 1>of people from a children's perspective that if you do

0:44:47.960 --> 0:44:51.120
<v Speaker 1>a single thing to cross it, it's a betrayal, you know,

0:44:51.280 --> 0:44:53.879
<v Speaker 1>to to go back to an earlier theme and so

0:44:54.160 --> 0:44:56.759
<v Speaker 1>what and then for the filmmaker to take this and

0:44:56.840 --> 0:45:02.600
<v Speaker 1>to kind of warp into like a weird, dark existential

0:45:02.800 --> 0:45:06.279
<v Speaker 1>movie that has a lot of like adult themes and

0:45:06.360 --> 0:45:09.000
<v Speaker 1>some great music by Karen O and some great music

0:45:09.040 --> 0:45:12.120
<v Speaker 1>by Karen Oh. Like, both the films kind of delivered

0:45:12.160 --> 0:45:14.919
<v Speaker 1>something that the audiences didn't sign up for. But that's

0:45:14.960 --> 0:45:17.880
<v Speaker 1>not a fault of the filmmaker or even the audience,

0:45:17.960 --> 0:45:19.600
<v Speaker 1>you know what I mean. It's just kind of was

0:45:19.640 --> 0:45:23.080
<v Speaker 1>like a disconnect and how the film maybe the films

0:45:23.120 --> 0:45:26.439
<v Speaker 1>were either marketed or like kind of ramped up where

0:45:26.440 --> 0:45:28.680
<v Speaker 1>the wild things are. And also the Whiz just basically

0:45:28.719 --> 0:45:33.120
<v Speaker 1>made like a big, like a weird, long, scary arthouse film.

0:45:33.160 --> 0:45:36.840
<v Speaker 1>But something that was extremely commercially successful and continues to

0:45:36.880 --> 0:45:41.840
<v Speaker 1>be continues to be until we die is Wicked the Musical,

0:45:42.239 --> 0:45:45.840
<v Speaker 1>which we have talked about on this podcast before. Yes,

0:45:46.400 --> 0:45:51.640
<v Speaker 1>um too much. According to producer Phoebe, well, you know what,

0:45:51.840 --> 0:45:55.680
<v Speaker 1>I I drink my coffee out of my Wicked the

0:45:55.760 --> 0:45:59.600
<v Speaker 1>Musical mug every morning. Phoebe's in the booth right now,

0:46:00.440 --> 0:46:07.640
<v Speaker 1>hurling tomatoes at us stage. You know, I think every

0:46:07.680 --> 0:46:14.160
<v Speaker 1>generation it has its Wizard of Oz retelling, and that's

0:46:14.200 --> 0:46:18.080
<v Speaker 1>just like a um that's just like a hallmark of

0:46:18.080 --> 0:46:23.040
<v Speaker 1>culture now because it now is public domain, because it's

0:46:23.080 --> 0:46:26.520
<v Speaker 1>public domain. So that's why we see it reinterpreted in

0:46:26.560 --> 0:46:29.440
<v Speaker 1>so many ways over and over again. And I think,

0:46:30.360 --> 0:46:32.239
<v Speaker 1>you know, we've seen so many versions of it through

0:46:32.280 --> 0:46:36.640
<v Speaker 1>many different lenses, like through like different cultures, through different

0:46:36.719 --> 0:46:41.240
<v Speaker 1>like musical styles. And I think the reason why Wicked

0:46:41.640 --> 0:46:45.000
<v Speaker 1>is so successful is because the framing of it is

0:46:45.080 --> 0:46:49.200
<v Speaker 1>just like through it started this whole craze of wanting

0:46:49.239 --> 0:46:52.640
<v Speaker 1>to give like a villain origin story like Wicked, I

0:46:52.680 --> 0:46:58.040
<v Speaker 1>think is the originally not not just the musical, but

0:46:58.120 --> 0:47:01.440
<v Speaker 1>the book by Gregory McGuire, which which the musical is

0:47:01.440 --> 0:47:04.320
<v Speaker 1>based on, and like is much more it's much weirder

0:47:04.360 --> 0:47:08.720
<v Speaker 1>and like more political and gayer than the musical. Before

0:47:08.719 --> 0:47:10.440
<v Speaker 1>I even knew it was going to be musical, I

0:47:10.440 --> 0:47:13.200
<v Speaker 1>read the book because I saw it in like Borders

0:47:13.280 --> 0:47:15.200
<v Speaker 1>or Barnes and Noble, and like, of course I was

0:47:15.200 --> 0:47:19.319
<v Speaker 1>obsessed with the Wizard of Oz and like especially the

0:47:19.320 --> 0:47:21.719
<v Speaker 1>Wicked Witch of the West, which is I think like

0:47:21.800 --> 0:47:25.279
<v Speaker 1>an interesting dichotomy on buying personality. Is as much as

0:47:25.320 --> 0:47:27.239
<v Speaker 1>I was obsessed with Dorothy when I was a kid,

0:47:27.719 --> 0:47:30.720
<v Speaker 1>I was just as obsessed with the Witch. Oh yeah,

0:47:30.760 --> 0:47:34.120
<v Speaker 1>of course, because I'm a bad girl. I was really

0:47:34.160 --> 0:47:36.080
<v Speaker 1>scared of her as a kid and fell in love

0:47:36.080 --> 0:47:38.440
<v Speaker 1>with her through Wicked. If we were to place ourselves

0:47:38.480 --> 0:47:42.560
<v Speaker 1>in time during the Wicked craze of two thousand three,

0:47:42.880 --> 0:47:45.640
<v Speaker 1>I can remember it so vividly. What are some things

0:47:45.719 --> 0:47:48.439
<v Speaker 1>you remember? I I know I was in UM show

0:47:48.520 --> 0:47:51.359
<v Speaker 1>choir and then musicals at the time, so everyone in

0:47:51.440 --> 0:47:55.280
<v Speaker 1>my show choir was obsessed with it. Like we even

0:47:55.360 --> 0:47:58.680
<v Speaker 1>sang a song from it um I think for our teacher,

0:47:58.719 --> 0:48:03.000
<v Speaker 1>as like our our senior song. Long but obviously Okay,

0:48:03.120 --> 0:48:05.759
<v Speaker 1>let me tell you where I was. So I was.

0:48:05.880 --> 0:48:07.759
<v Speaker 1>I went to it an art school. I was a

0:48:07.800 --> 0:48:11.160
<v Speaker 1>theater major. I was like the my whole life revolved

0:48:11.160 --> 0:48:14.160
<v Speaker 1>around theater when we heard about Wicked the Musical, because like,

0:48:14.200 --> 0:48:16.920
<v Speaker 1>we were very up to date on what was happening

0:48:17.440 --> 0:48:22.040
<v Speaker 1>in theater. Immediately, I was on the Wicked the Musical

0:48:22.320 --> 0:48:27.000
<v Speaker 1>website every day, listening over and over to the snippets

0:48:27.040 --> 0:48:29.920
<v Speaker 1>they had of the song oh my God, not this,

0:48:30.160 --> 0:48:33.160
<v Speaker 1>and then the snippets and I had them memorized. And

0:48:33.160 --> 0:48:37.520
<v Speaker 1>then it transferred to Broadway and I would go on

0:48:37.719 --> 0:48:40.640
<v Speaker 1>Broadway dot com or maybe it was like Broadway World

0:48:40.760 --> 0:48:44.320
<v Speaker 1>dot com and I would watch the like clip packages

0:48:44.360 --> 0:48:47.040
<v Speaker 1>that they had that had footage from the show over

0:48:47.120 --> 0:48:50.320
<v Speaker 1>and over and over again. And then for my sixteenth birthday,

0:48:50.520 --> 0:48:53.960
<v Speaker 1>my birthday trip was a trip with me, my friend Angelina,

0:48:54.080 --> 0:48:56.480
<v Speaker 1>and my mom to go to New York City and

0:48:56.600 --> 0:49:00.800
<v Speaker 1>see Wicked the Musical and I saw it on Kristen

0:49:00.880 --> 0:49:06.640
<v Speaker 1>China with enormalate Leobutts his last performance, and it was iconic.

0:49:06.800 --> 0:49:09.480
<v Speaker 1>I was obsessed with it because I was a fag,

0:49:09.719 --> 0:49:12.399
<v Speaker 1>but I wasn't in the fandom the way you were. Well,

0:49:12.480 --> 0:49:15.360
<v Speaker 1>let's be honest about it. The music is not great.

0:49:15.760 --> 0:49:18.160
<v Speaker 1>There are some of it. There's some of it that's good,

0:49:18.160 --> 0:49:23.520
<v Speaker 1>but Stephen Schwartz is like very hit or miss um.

0:49:23.560 --> 0:49:25.600
<v Speaker 1>It has not aged well. I don't mean that in

0:49:25.640 --> 0:49:28.399
<v Speaker 1>that it's like problematic or doesn't hold up. I mean

0:49:28.480 --> 0:49:32.000
<v Speaker 1>it's literally been running too long. My friend Ryan and

0:49:32.040 --> 0:49:33.560
<v Speaker 1>I saw it a couple of years ago. We won

0:49:33.600 --> 0:49:36.360
<v Speaker 1>the lottery and as we were leaving, we're like, Okay,

0:49:36.440 --> 0:49:39.040
<v Speaker 1>this needs to close, and then like a new production

0:49:39.080 --> 0:49:41.520
<v Speaker 1>of it can open as a revival six months later,

0:49:41.880 --> 0:49:44.439
<v Speaker 1>but we need to change things up again. But then,

0:49:45.280 --> 0:49:47.560
<v Speaker 1>like a month ago, I went to see a touring

0:49:47.560 --> 0:49:50.479
<v Speaker 1>production of it in Costa Mesa, and what you talked

0:49:50.480 --> 0:49:52.360
<v Speaker 1>about on the pod, which I did talk about on

0:49:52.400 --> 0:49:55.880
<v Speaker 1>the podcast, but it did revide my love for Wicked.

0:49:56.520 --> 0:50:01.360
<v Speaker 1>For I didn't mean to cut off your thought. I'm sorry.

0:50:01.800 --> 0:50:05.080
<v Speaker 1>I don't think it's a good musical, but it's a

0:50:05.080 --> 0:50:12.399
<v Speaker 1>great musical. You you don't think it's you don't think

0:50:12.400 --> 0:50:14.680
<v Speaker 1>I said what I said. You don't know, I said,

0:50:14.800 --> 0:50:17.239
<v Speaker 1>I don't. It does not need any further explanation. I

0:50:17.280 --> 0:50:19.200
<v Speaker 1>don't think it's a good musical, but I think it's

0:50:19.200 --> 0:50:22.279
<v Speaker 1>a great musical. I I actually understand innately what you're

0:50:22.280 --> 0:50:24.920
<v Speaker 1>trying to say. What is my favorite song? You asked,

0:50:25.080 --> 0:50:30.000
<v Speaker 1>cutting me off, Um, I would say my favorite song

0:50:30.080 --> 0:50:38.239
<v Speaker 1>or either the bridge in Thank Goodness where where um

0:50:38.480 --> 0:50:42.120
<v Speaker 1>Glinda has her little moment. That's why I couldn't be

0:50:42.280 --> 0:50:48.560
<v Speaker 1>happri um or I mean the Wizard and I obviously

0:50:50.360 --> 0:50:53.120
<v Speaker 1>you know that's the moment that's that's the moment that

0:50:53.400 --> 0:50:56.280
<v Speaker 1>when I was, you know, a sophomore in high school,

0:50:56.320 --> 0:50:59.240
<v Speaker 1>my friend and I would put the Wicked CD into

0:50:59.560 --> 0:51:02.480
<v Speaker 1>the D player in her Honda Civic and we would

0:51:02.920 --> 0:51:07.640
<v Speaker 1>both scream the words too, and we would be like,

0:51:07.680 --> 0:51:11.720
<v Speaker 1>you're a pitchy, you're a flat I hope you're happy. Um,

0:51:11.719 --> 0:51:13.520
<v Speaker 1>And she'd be like, and we would like get to

0:51:13.760 --> 0:51:15.120
<v Speaker 1>as long as your mind to be like, you have

0:51:15.160 --> 0:51:18.000
<v Speaker 1>to do the boy parts. Oh of course, wow, that

0:51:18.120 --> 0:51:21.879
<v Speaker 1>is the fatal that is honestly such a funk you. Um.

0:51:22.120 --> 0:51:25.440
<v Speaker 1>I My favorite song was Popular, which like perfectly popular

0:51:25.520 --> 0:51:28.800
<v Speaker 1>is the most fun. It also like just perfectly set

0:51:28.880 --> 0:51:32.160
<v Speaker 1>up the dichotomy between these two characters. But also I

0:51:32.239 --> 0:51:35.960
<v Speaker 1>just see myself in Glinda so innately. Well, when it

0:51:36.000 --> 0:51:40.080
<v Speaker 1>comes to this podcast, You're the Glinda, I'm the alphabet.

0:51:40.320 --> 0:51:42.480
<v Speaker 1>We all know this to be true. I feel like

0:51:42.560 --> 0:51:46.160
<v Speaker 1>every queer relationship has like a well, okay, have you

0:51:46.160 --> 0:51:48.759
<v Speaker 1>ever heard that, Like every gay relationship has a C

0:51:48.920 --> 0:51:51.600
<v Speaker 1>three P O and an R two D two? Have

0:51:52.080 --> 0:51:56.080
<v Speaker 1>never heard that? Okay, Well, it's true, like I'm you Well,

0:51:56.080 --> 0:51:59.799
<v Speaker 1>I was, well, I was gonna say that, like I do,

0:52:00.040 --> 0:52:01.600
<v Speaker 1>I do believe that to be true, I think every

0:52:01.600 --> 0:52:03.480
<v Speaker 1>gay relationship has an R T D two and C

0:52:03.600 --> 0:52:05.600
<v Speaker 1>three b O. But I think like maybe like every

0:52:05.640 --> 0:52:08.520
<v Speaker 1>like T for T relationship has an alphabet, and Glinda

0:52:08.680 --> 0:52:12.439
<v Speaker 1>like I think that relationship has an alphabetic. Oh, that

0:52:12.520 --> 0:52:15.880
<v Speaker 1>makes much more sense because they are gay. But but Glinda,

0:52:16.160 --> 0:52:19.200
<v Speaker 1>as you've said before, is like a little trans like

0:52:19.320 --> 0:52:22.799
<v Speaker 1>has a slightly trans is born into something that she

0:52:22.840 --> 0:52:26.320
<v Speaker 1>didn't choose and but everyone demonizes her for it. Also

0:52:26.360 --> 0:52:32.200
<v Speaker 1>in the book, alphabet is possibly intersects. Yeah, um, there's

0:52:32.680 --> 0:52:35.799
<v Speaker 1>it's a whole thing. Okay. But of the Wizard of

0:52:35.800 --> 0:52:43.279
<v Speaker 1>Oz characters, who are we I think I am? This

0:52:43.320 --> 0:52:46.120
<v Speaker 1>is I mean, I'm not the cowardly Lion. I think

0:52:46.280 --> 0:52:49.280
<v Speaker 1>I'm either the tin man or the scare I'm the scarecrow.

0:52:49.920 --> 0:52:52.320
<v Speaker 1>I'm kind of an idiot and I love life because

0:52:52.320 --> 0:52:56.200
<v Speaker 1>of that, you know, like I I really actually, um

0:52:57.040 --> 0:53:00.400
<v Speaker 1>for the most part, like blissed out when I choose

0:53:00.480 --> 0:53:03.719
<v Speaker 1>not to kind of subscribe to a certain termoil or

0:53:03.800 --> 0:53:08.319
<v Speaker 1>problematizing of things. Okay, And who am I I mean?

0:53:08.600 --> 0:53:12.480
<v Speaker 1>I think I mean if you're no, actually I think

0:53:12.480 --> 0:53:15.240
<v Speaker 1>if you're not Dorothy, I do think you're the cowardly Lion.

0:53:15.360 --> 0:53:20.319
<v Speaker 1>I think that's I think never even considered that. I

0:53:20.360 --> 0:53:22.719
<v Speaker 1>think I would. I think I would. So I have

0:53:22.840 --> 0:53:25.400
<v Speaker 1>male energy, is what you're saying. Well, you know the

0:53:25.440 --> 0:53:30.160
<v Speaker 1>Cowardly Lion. Do they really have a gender because in

0:53:30.239 --> 0:53:33.480
<v Speaker 1>the movie when she's getting listen within the movie, when

0:53:33.480 --> 0:53:36.000
<v Speaker 1>she's getting buffed and puffed, honey, when she is like

0:53:36.080 --> 0:53:38.280
<v Speaker 1>in OZ and she's getting her nails done, she's getting

0:53:38.280 --> 0:53:40.759
<v Speaker 1>her main done, she's like sitting down that little she's

0:53:40.840 --> 0:53:43.399
<v Speaker 1>like having her you know, her self care day. Like

0:53:43.680 --> 0:53:47.439
<v Speaker 1>I remember as a child, not adult, I remember as

0:53:47.520 --> 0:53:51.000
<v Speaker 1>a child, as a tourist child like looking at that

0:53:51.080 --> 0:53:54.960
<v Speaker 1>image and being like that has to be so amazing.

0:53:55.400 --> 0:53:57.799
<v Speaker 1>Like I love the makeover montage when they go to

0:53:57.800 --> 0:54:00.400
<v Speaker 1>the Emerald City. Okay, wait, one thing we do know

0:54:00.520 --> 0:54:02.759
<v Speaker 1>for sure is while Dorothy was like asleep when they

0:54:02.760 --> 0:54:04.880
<v Speaker 1>were on the Yellow A Road, the tin Man, the

0:54:04.920 --> 0:54:09.399
<v Speaker 1>Cowardly Lion, and the Scarecrow were sucking and sucking. They

0:54:09.400 --> 0:54:12.120
<v Speaker 1>were gonna exaust Well, I think maybe it started out

0:54:12.160 --> 0:54:14.960
<v Speaker 1>as just being the tin Man and the scarecrow, and

0:54:15.000 --> 0:54:16.960
<v Speaker 1>then the Cowardly Lion like woke up one night and

0:54:17.040 --> 0:54:19.279
<v Speaker 1>was like, what's going on? And they were like, all right,

0:54:19.440 --> 0:54:23.320
<v Speaker 1>coming actually dissect the dynamic between these four characters, because

0:54:23.320 --> 0:54:26.680
<v Speaker 1>it is actually really weird. The movie, like kind of

0:54:27.440 --> 0:54:30.480
<v Speaker 1>the movie kind of leads you to believe that Dorothy

0:54:30.840 --> 0:54:33.520
<v Speaker 1>thinks the Scarecrow is like her faith. There's a there's

0:54:33.520 --> 0:54:36.600
<v Speaker 1>a romantic undertone and there should not be. Well, I

0:54:36.640 --> 0:54:39.600
<v Speaker 1>mean when she's saying goodbye and she's like I'm gonna

0:54:39.600 --> 0:54:41.600
<v Speaker 1>miss you most of all, and the other ones are like,

0:54:42.040 --> 0:54:45.120
<v Speaker 1>excuse me, what a fuck you? What a fucking bit?

0:54:45.360 --> 0:54:49.120
<v Speaker 1>That's actually like that. It was right here, girl, your

0:54:49.160 --> 0:54:53.920
<v Speaker 1>balloon has been taken off yet like text her later, girl, like,

0:54:54.000 --> 0:54:56.120
<v Speaker 1>don't say that in front of these other girls. I

0:54:56.160 --> 0:54:58.160
<v Speaker 1>was trying to figure out. But they're dynamic to them.

0:54:58.320 --> 0:55:01.520
<v Speaker 1>For the three of them is like so interesting. It's

0:55:01.520 --> 0:55:04.719
<v Speaker 1>supposed to be kind of like three stoog z. Yeah,

0:55:04.880 --> 0:55:08.839
<v Speaker 1>like a band of of underdogs kind of moment. And

0:55:08.880 --> 0:55:12.080
<v Speaker 1>they all all each of them possess skill sets that

0:55:12.160 --> 0:55:14.600
<v Speaker 1>the others lack, which I think is like, you know,

0:55:14.719 --> 0:55:18.560
<v Speaker 1>the mix of like really good like character dynamics. Okay,

0:55:18.640 --> 0:55:24.440
<v Speaker 1>of their three, whose song would you cut? I immediately

0:55:24.440 --> 0:55:27.160
<v Speaker 1>thought of the Whiz unfortunately, and how the Tin Men's

0:55:27.160 --> 0:55:32.120
<v Speaker 1>song is so subpar um. But going off the MGM movie,

0:55:32.200 --> 0:55:38.120
<v Speaker 1>off of the MGM, I would cut the tin Man's again. Yeah,

0:55:38.160 --> 0:55:40.800
<v Speaker 1>because the scarecrows if I only had a brain is

0:55:40.960 --> 0:55:44.480
<v Speaker 1>cannon now. And it even informs like you know, euphemisms,

0:55:44.480 --> 0:55:45.960
<v Speaker 1>like things that we say in culture, like if I

0:55:46.000 --> 0:55:48.600
<v Speaker 1>only had a brain, And the cowardly line, like his

0:55:49.160 --> 0:55:53.640
<v Speaker 1>line delivery of courage, you know what I mean, is phenomenal, Like,

0:55:53.680 --> 0:55:55.799
<v Speaker 1>I think that's an amazing character. If I could cut

0:55:55.800 --> 0:55:57.879
<v Speaker 1>one song, it would be the Cowardly Lion song. Why

0:55:57.960 --> 0:56:01.080
<v Speaker 1>I hate it? It comes to in the movie because

0:56:01.239 --> 0:56:03.319
<v Speaker 1>it happens when they're at the Emerald City. It does

0:56:03.360 --> 0:56:06.160
<v Speaker 1>and like, baby, we're past the whole thing where we're

0:56:06.160 --> 0:56:08.880
<v Speaker 1>talking about what we need, like yeah, we gotta we

0:56:08.960 --> 0:56:11.080
<v Speaker 1>gotta go kill this witch. Let's get moving. But that's

0:56:11.080 --> 0:56:13.680
<v Speaker 1>a movie structure problem. I think the song, actually, I

0:56:13.920 --> 0:56:17.239
<v Speaker 1>think the songs I don't even know. See, well that's

0:56:17.239 --> 0:56:19.839
<v Speaker 1>the other thing. Okay, here's that thing actually is it's

0:56:19.880 --> 0:56:22.839
<v Speaker 1>not even really a song. It's this actor kind of

0:56:23.080 --> 0:56:27.640
<v Speaker 1>doing very very specific character choices that I think are

0:56:28.600 --> 0:56:32.799
<v Speaker 1>totally like original, Like who like for him to be like, yeah,

0:56:32.840 --> 0:56:36.920
<v Speaker 1>I'm gonna go in and like gargle, like my lines,

0:56:37.120 --> 0:56:39.480
<v Speaker 1>like for him to do the kind of you know

0:56:39.520 --> 0:56:43.480
<v Speaker 1>what I'm talking about? How he was how yeah, yeah exactly.

0:56:43.600 --> 0:56:45.839
<v Speaker 1>How you know when we when I go home from here,

0:56:46.239 --> 0:56:49.839
<v Speaker 1>I'm gonna look up ten Man Scarecrow fan fiction. Oh

0:56:50.160 --> 0:56:53.000
<v Speaker 1>don't do that, and you know what, there's gonna be

0:56:53.040 --> 0:57:14.640
<v Speaker 1>a lot of it, and it's gonna be It's gonna be. Okay. So,

0:57:15.160 --> 0:57:17.919
<v Speaker 1>as I said earlier, like L. Frank Baum like did

0:57:17.960 --> 0:57:21.200
<v Speaker 1>not want to learn lessons in this movie, or rather

0:57:21.320 --> 0:57:25.120
<v Speaker 1>learn lessons from his books, but the movie does try

0:57:25.160 --> 0:57:28.120
<v Speaker 1>to teach you a lot of things. I feel, Okay,

0:57:28.160 --> 0:57:29.920
<v Speaker 1>what did you learn from it? Well, I was going

0:57:29.960 --> 0:57:31.880
<v Speaker 1>to ask you that, like what I just asked you,

0:57:31.920 --> 0:57:35.800
<v Speaker 1>So you have to go first, Okay. I feel like

0:57:36.040 --> 0:57:39.360
<v Speaker 1>with all four of the kind of heroes, the movie

0:57:39.400 --> 0:57:41.960
<v Speaker 1>is trying to show you that you are in and

0:57:42.000 --> 0:57:46.080
<v Speaker 1>of yourself like a whole person, Like you possess everything

0:57:46.120 --> 0:57:51.240
<v Speaker 1>you need to love and accomplish like your life, and

0:57:51.640 --> 0:57:55.520
<v Speaker 1>are kind of tendency to see everything that we don't

0:57:55.600 --> 0:57:58.480
<v Speaker 1>have makes us feel not like whole people and like

0:57:58.520 --> 0:57:59.880
<v Speaker 1>we can't do what we need to do, when in

0:58:00.040 --> 0:58:01.800
<v Speaker 1>reality we fully can't do what we need to do.

0:58:02.840 --> 0:58:06.640
<v Speaker 1>What do you think I The Wizard of Oz made

0:58:06.640 --> 0:58:08.960
<v Speaker 1>me transh that's my answer, and I don't have a

0:58:08.960 --> 0:58:11.200
<v Speaker 1>deeper answer than that. It's just the Wizard of Oz

0:58:11.720 --> 0:58:16.480
<v Speaker 1>is absolutely the thing that made me realize that like

0:58:16.800 --> 0:58:20.880
<v Speaker 1>I was or wanted to be a girl when I

0:58:20.920 --> 0:58:23.600
<v Speaker 1>was little. Is there You said, you don't have a

0:58:23.600 --> 0:58:25.560
<v Speaker 1>deeper answer to that, And yeah, I am farming for

0:58:25.600 --> 0:58:29.160
<v Speaker 1>a deeper answer. What other good luck we've we've alluded

0:58:29.200 --> 0:58:33.919
<v Speaker 1>to to um trans subtext in The Wizard of Oz?

0:58:33.960 --> 0:58:37.040
<v Speaker 1>I p in general, like what what what do you

0:58:37.120 --> 0:58:40.320
<v Speaker 1>think you saw in the story or in the characters

0:58:40.360 --> 0:58:42.480
<v Speaker 1>where you were like I understand this to be or

0:58:42.560 --> 0:58:46.160
<v Speaker 1>rather I'm trance because of this, I just wanted to

0:58:46.200 --> 0:58:50.800
<v Speaker 1>be Judy Garland. I mean, she is the perfect archetype

0:58:50.800 --> 0:58:55.000
<v Speaker 1>of a very specific kind of femininity that I wanted

0:58:55.040 --> 0:58:58.320
<v Speaker 1>to be and loving that movie helped me access it.

0:58:58.480 --> 0:59:02.040
<v Speaker 1>A pure heroine. And and what's interesting about the character

0:59:02.120 --> 0:59:06.360
<v Speaker 1>of Dorothy is she's not interesting like she on paper.

0:59:06.520 --> 0:59:11.120
<v Speaker 1>Now she has a plint with upon other things. And

0:59:11.120 --> 0:59:15.120
<v Speaker 1>and they say, you know, obviously, like these um metrics

0:59:15.160 --> 0:59:18.160
<v Speaker 1>didn't exist at the dawn of filmmaking. Which The Wizard

0:59:18.200 --> 0:59:21.280
<v Speaker 1>of Oz is largely kind of like seen as this

0:59:21.440 --> 0:59:25.800
<v Speaker 1>like the dawn of contemporary Yeah, um, even though this

0:59:25.880 --> 0:59:28.800
<v Speaker 1>didn't exist. Like they always say, like a bad bad

0:59:28.880 --> 0:59:32.920
<v Speaker 1>character writing is when characters don't make any decisions and

0:59:33.000 --> 0:59:36.440
<v Speaker 1>things just happen to them. And that is exactly Dorothy,

0:59:36.520 --> 0:59:39.680
<v Speaker 1>like she doesn't know her what she wants drives the

0:59:39.840 --> 0:59:41.840
<v Speaker 1>entire movie. She wants to go home, but she doesn't

0:59:41.840 --> 0:59:44.640
<v Speaker 1>make any decisions. That's not true. She decides to go

0:59:44.720 --> 0:59:48.320
<v Speaker 1>to the Emerald City. No, the Witch tells her to

0:59:48.360 --> 0:59:50.680
<v Speaker 1>do it. Dorothy says, I want to go home, and

0:59:50.760 --> 0:59:53.240
<v Speaker 1>the and Glinda says, well, then you have to go

0:59:53.280 --> 0:59:57.360
<v Speaker 1>see the Wizard. Dorothy's if desire to go home drives

0:59:57.360 --> 0:59:59.920
<v Speaker 1>the entire plot of the movie. If I may fin

1:00:00.040 --> 1:00:02.520
<v Speaker 1>is my point, which I think you will actually agree with.

1:00:03.320 --> 1:00:06.840
<v Speaker 1>Things really do just happen to her, And that is

1:00:07.000 --> 1:00:10.160
<v Speaker 1>in a lot of like screenwriting considered bad writing or whatever.

1:00:10.440 --> 1:00:16.200
<v Speaker 1>And yet Judy Garland's performance like is so like magnanimous

1:00:16.240 --> 1:00:19.400
<v Speaker 1>and sucks up like every single kind of like moment

1:00:19.680 --> 1:00:23.000
<v Speaker 1>that you it doesn't even matter that plot wise, she

1:00:23.160 --> 1:00:26.560
<v Speaker 1>really isn't doing anything because the emotional steaks are in

1:00:26.880 --> 1:00:31.200
<v Speaker 1>every scene. I unfortunately fundamentally disagree with you because I

1:00:31.240 --> 1:00:36.200
<v Speaker 1>think she has the most class. I mean, it's somewhere

1:00:36.240 --> 1:00:38.320
<v Speaker 1>over the rainbow. So there's a thing in musical it's

1:00:38.360 --> 1:00:40.400
<v Speaker 1>called the I Want song, and it's at the beginning

1:00:40.440 --> 1:00:43.680
<v Speaker 1>of a musical where the lead sings a song that

1:00:44.240 --> 1:00:46.760
<v Speaker 1>tells you what it is they want. And somewhere over

1:00:46.760 --> 1:00:49.959
<v Speaker 1>the rainbow, what Dorothy wants is she wants to get

1:00:50.000 --> 1:00:53.000
<v Speaker 1>out of her life and like find something more magical

1:00:53.040 --> 1:00:57.480
<v Speaker 1>than it. And she gets that, and then she realizes

1:00:57.520 --> 1:00:59.480
<v Speaker 1>that she wants to go home. And she spends the

1:00:59.600 --> 1:01:03.200
<v Speaker 1>rest of the movie doing everything she can, literally murdering

1:01:03.240 --> 1:01:06.120
<v Speaker 1>people so she can achieve what she wants. She didn't murder,

1:01:07.080 --> 1:01:10.400
<v Speaker 1>but but she she didn't murder either of the witches.

1:01:10.520 --> 1:01:12.760
<v Speaker 1>Pose no, but she does what she has to do

1:01:12.880 --> 1:01:17.160
<v Speaker 1>to get what she wants. So I I will, respectfully,

1:01:17.520 --> 1:01:20.960
<v Speaker 1>but she does. The movie is driven by her desire.

1:01:21.080 --> 1:01:24.120
<v Speaker 1>Is that the desire is not an action, So what

1:01:24.360 --> 1:01:26.680
<v Speaker 1>is this is so stupid? But like, what are the

1:01:26.760 --> 1:01:30.080
<v Speaker 1>actions that she takes? She follows the Yellow Brick Road.

1:01:30.240 --> 1:01:34.040
<v Speaker 1>There's literally a song about it because Glinda told her to.

1:01:34.160 --> 1:01:36.680
<v Speaker 1>She didn't make that decision but she still makes the

1:01:36.720 --> 1:01:40.520
<v Speaker 1>action she could have not. I'm not even nagging the movie.

1:01:40.600 --> 1:01:43.880
<v Speaker 1>I'm actually giving, like Judy Garland a huge compliment. I

1:01:43.920 --> 1:01:45.880
<v Speaker 1>think that what I'm not saying, you're nagging the movie.

1:01:45.920 --> 1:01:49.240
<v Speaker 1>I just think we have you have different viewpoints on this.

1:01:49.520 --> 1:01:51.840
<v Speaker 1>My point is, and I think it's very clearly laid

1:01:51.840 --> 1:01:54.960
<v Speaker 1>out in like the song lyrics and the text of

1:01:55.000 --> 1:01:59.480
<v Speaker 1>the movie, that Dorothy makes decisions. I think we were

1:01:59.600 --> 1:02:03.360
<v Speaker 1>I think we're potentially both right. Um. I and I

1:02:03.400 --> 1:02:05.640
<v Speaker 1>feel like I see what you mean about her being

1:02:05.760 --> 1:02:08.720
<v Speaker 1>very reactive, like I didn't mean to kill her, my

1:02:08.800 --> 1:02:13.640
<v Speaker 1>house fell on her. Like Dorothy is placed in circumstances

1:02:14.280 --> 1:02:18.800
<v Speaker 1>and and without like trying to be but based on

1:02:18.880 --> 1:02:23.360
<v Speaker 1>the circumstances, she makes decisions and actions that drive the

1:02:23.400 --> 1:02:26.520
<v Speaker 1>plot forward. And I and I disagree, but I but

1:02:26.600 --> 1:02:30.720
<v Speaker 1>I I think my my point is that that none

1:02:30.720 --> 1:02:33.360
<v Speaker 1>of that matters. And I think that it's a testament

1:02:33.440 --> 1:02:37.320
<v Speaker 1>how brilliant the film is that a character that is

1:02:37.440 --> 1:02:41.680
<v Speaker 1>so flatly written still has emotional stakes and like every

1:02:41.680 --> 1:02:44.440
<v Speaker 1>single component of the film because of the performance and

1:02:44.480 --> 1:02:46.400
<v Speaker 1>because of the music, and because of all of the

1:02:46.480 --> 1:02:48.120
<v Speaker 1>things that make the Wizard. I mean, how could she

1:02:48.400 --> 1:02:50.200
<v Speaker 1>have action? When the Witch gets set on fire, she

1:02:50.280 --> 1:02:52.080
<v Speaker 1>throws a thing of water on her and kills her

1:02:52.520 --> 1:02:54.680
<v Speaker 1>on But she doesn't do it, she doesn't do it

1:02:54.680 --> 1:02:57.480
<v Speaker 1>on purpose. But still it's still an action that she takes. You.

1:02:57.800 --> 1:03:01.200
<v Speaker 1>It's not a decision to say she actually tries to

1:03:01.240 --> 1:03:04.280
<v Speaker 1>save her life. You are, you are? You are actually

1:03:04.320 --> 1:03:07.840
<v Speaker 1>sit show telling the Virgins. I think this actually conversation

1:03:07.920 --> 1:03:09.880
<v Speaker 1>is perfect and it says a lot about both of

1:03:09.960 --> 1:03:13.439
<v Speaker 1>us as people. I'm not saying you're wrong, I'm I'm

1:03:13.480 --> 1:03:17.440
<v Speaker 1>but I am saying that I'm also right. I think

1:03:17.440 --> 1:03:18.760
<v Speaker 1>they can both be true. And I think that's the

1:03:19.240 --> 1:03:22.600
<v Speaker 1>wonderful thing about The Wonderful Wizard of Oz is that

1:03:23.040 --> 1:03:27.320
<v Speaker 1>it came out almost a hundred years ago and we

1:03:27.360 --> 1:03:29.760
<v Speaker 1>can still have this kind of discussion about it. And

1:03:29.840 --> 1:03:37.320
<v Speaker 1>that's amazing and that's our show. But so I'm going

1:03:37.360 --> 1:03:40.880
<v Speaker 1>to click my heels three times and We're going to

1:03:41.120 --> 1:03:44.840
<v Speaker 1>go back to Los Angeles. We were in Oz this

1:03:44.840 --> 1:03:49.360
<v Speaker 1>whole time. We were Why it wasn't I warned? We'll

1:03:49.400 --> 1:03:52.360
<v Speaker 1>be back next week to talk about the horny gay

1:03:52.520 --> 1:03:54.920
<v Speaker 1>Dumbledore movie that is going to be the best queer

1:03:54.960 --> 1:03:59.600
<v Speaker 1>representation on screen. Get this sty so excited. Let's let's

1:03:59.680 --> 1:04:04.160
<v Speaker 1>keep the expectations are real high. Absolutely, yeah. Yeah. So

1:04:04.280 --> 1:04:07.680
<v Speaker 1>if you want to go see, uh, you know, the

1:04:07.760 --> 1:04:10.680
<v Speaker 1>Secrets of Dumbledore, please do. If you want to pirate

1:04:10.720 --> 1:04:12.880
<v Speaker 1>it and not give jk Rowling your money, do that.

1:04:12.960 --> 1:04:14.160
<v Speaker 1>If you don't want to do any of them and

1:04:14.200 --> 1:04:16.400
<v Speaker 1>you just want to hear us talk about it, that's

1:04:16.440 --> 1:04:18.920
<v Speaker 1>fine too. Tell us what you want us to talk

1:04:18.960 --> 1:04:21.360
<v Speaker 1>about next, whether it's a show, a book, a cultural

1:04:21.360 --> 1:04:23.960
<v Speaker 1>phenomenon we want to hear from you. You can call

1:04:24.040 --> 1:04:26.760
<v Speaker 1>to confess at three to three pennants. That's three to

1:04:26.960 --> 1:04:31.280
<v Speaker 1>three seven three six two six two three. Leave us

1:04:31.320 --> 1:04:33.600
<v Speaker 1>a review on Apple podcast It helps us a lot,

1:04:33.680 --> 1:04:36.200
<v Speaker 1>even if it's a little spicy. I'm your co host,

1:04:36.360 --> 1:04:39.720
<v Speaker 1>Rose domn You. You can find me online at Rose

1:04:39.760 --> 1:04:41.960
<v Speaker 1>Domin I've rander Otta. You can find me at friends,

1:04:41.960 --> 1:04:44.840
<v Speaker 1>squish co anywhere you want. You can subscribe to Like

1:04:44.840 --> 1:04:47.200
<v Speaker 1>a Virgin anywhere you listen to podcasts, and please leave

1:04:47.280 --> 1:04:50.320
<v Speaker 1>us a rating on Spotify and a review on Apple Podcasts.

1:04:50.320 --> 1:04:52.480
<v Speaker 1>Like a Virgin is an I Heart radio production. Our

1:04:52.520 --> 1:04:56.800
<v Speaker 1>producers BB with support from Lindsay Hoffman, Julian Weller, Jess Crane,

1:04:56.840 --> 1:04:59.840
<v Speaker 1>chitch and Nikki etre until next week. See you later

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<v Speaker 1>for Rgins made Somewhare Gonna Rimba