1 00:00:01,760 --> 00:00:04,760 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:06,640 Speaker 1: just to touch to get you through. 3 00:00:07,400 --> 00:00:10,479 Speaker 2: Yeah me too. This is the podcast that comes after 4 00:00:10,520 --> 00:00:11,200 Speaker 2: the podcast. 5 00:00:11,600 --> 00:00:29,480 Speaker 1: Welcome to Disgraceland, the after Party. Welcome to the Disgraceland 6 00:00:29,520 --> 00:00:32,000 Speaker 1: bonus episode, a little thing we like to call the 7 00:00:32,040 --> 00:00:34,640 Speaker 1: after party. This is the show after the show, the 8 00:00:34,680 --> 00:00:37,040 Speaker 1: party after the party, the bridge to get you from 9 00:00:37,040 --> 00:00:39,960 Speaker 1: one full episode of Disgraceland to the other. The backyard, 10 00:00:40,000 --> 00:00:43,040 Speaker 1: to dig into the dirt, our mission to uncover the truth, 11 00:00:43,080 --> 00:00:45,120 Speaker 1: to confront the myth, to reclaim the story. On this 12 00:00:45,200 --> 00:00:48,320 Speaker 1: bonus episode, all the things that annoy you about the 13 00:00:48,400 --> 00:00:50,839 Speaker 1: rock and Roll Hall of Fame. So we're starting our 14 00:00:50,880 --> 00:00:52,880 Speaker 1: own rock and Roll Hall of Fame, and we're getting 15 00:00:52,880 --> 00:00:54,800 Speaker 1: into your answers to the question of the week from 16 00:00:54,880 --> 00:00:57,480 Speaker 1: last week that's spun out of our Grace Jones episode, 17 00:00:57,800 --> 00:01:03,600 Speaker 1: and previewing our next new episode on Depeche Mode, your emails, comments, dms, 18 00:01:03,640 --> 00:01:06,280 Speaker 1: and as always, a whole lot of Rosie. This is 19 00:01:06,319 --> 00:01:09,280 Speaker 1: the podcast for the musically obsessed, the outsiders, the independent 20 00:01:09,280 --> 00:01:10,200 Speaker 1: thinkers who. 21 00:01:10,040 --> 00:01:12,800 Speaker 2: Know that the best history is the history that gets buried. 22 00:01:13,080 --> 00:01:15,560 Speaker 1: Disgraceland is where I tell the stories they didn't want 23 00:01:15,640 --> 00:01:18,720 Speaker 1: told the kind you'll end up telling someone else. All right, discos, 24 00:01:19,080 --> 00:01:35,280 Speaker 1: let's get into it. Greetings, Disgraceland listeners. Happy to be 25 00:01:35,319 --> 00:01:38,720 Speaker 1: talking to you today because it was announced this week 26 00:01:38,840 --> 00:01:43,160 Speaker 1: that Oasis along with Wu Tang Clan, are being inducted 27 00:01:43,200 --> 00:01:45,759 Speaker 1: into the Rock and Roll Hall of Fame in twenty 28 00:01:45,880 --> 00:01:49,559 Speaker 1: twenty six. And I mentioned both of these groups, both 29 00:01:49,600 --> 00:01:53,720 Speaker 1: of these nominees up front because I feel like of 30 00:01:53,760 --> 00:01:56,760 Speaker 1: all the inductees, these two artists might have the most 31 00:01:56,760 --> 00:01:59,920 Speaker 1: appeal to Disgraceland listeners. Actually, Joy Division Slash new Or 32 00:02:00,400 --> 00:02:03,880 Speaker 1: was also inducted. I probably should have mentioned them up 33 00:02:04,000 --> 00:02:09,280 Speaker 1: up front as well. Phil Collins, Billie Idol, Shade, Iron Maiden, 34 00:02:09,400 --> 00:02:12,520 Speaker 1: and Luther Vandros are also going into the Rock and 35 00:02:12,600 --> 00:02:15,880 Speaker 1: Roll Hall of Fame this year. The list of artists 36 00:02:15,880 --> 00:02:21,080 Speaker 1: nominated who were not inducted, who aren't being inducted the snubs, 37 00:02:21,320 --> 00:02:25,840 Speaker 1: if you will, is the following Black Crows, Jeff Buckley, 38 00:02:26,320 --> 00:02:33,480 Speaker 1: Pink Shakira, Lauren Hill, Mariah Carey, and Melissa Ethridge. This process, 39 00:02:33,600 --> 00:02:37,200 Speaker 1: the nomination process, the inductee process for the Rock and 40 00:02:37,320 --> 00:02:40,239 Speaker 1: Roll Hall of Fame is a head scratcher every year. 41 00:02:41,240 --> 00:02:41,680 Speaker 2: It feels like. 42 00:02:41,720 --> 00:02:43,959 Speaker 1: Someone's always upset, and I'm usually one of these people 43 00:02:44,000 --> 00:02:49,160 Speaker 1: who's always upset. This constant source of frustration around rock 44 00:02:49,160 --> 00:02:52,760 Speaker 1: and Roll Hall of Fame inductees is for me, not 45 00:02:52,880 --> 00:02:56,880 Speaker 1: so much who gets in and who gets snubbed. It's 46 00:02:56,919 --> 00:03:01,200 Speaker 1: more about what is and what is in rock and roll. 47 00:03:01,520 --> 00:03:04,600 Speaker 1: Now some people and no offense, but mainly really old people, 48 00:03:04,639 --> 00:03:07,359 Speaker 1: people who came of age listening to rock and roll 49 00:03:07,960 --> 00:03:11,600 Speaker 1: sort of before punk rock and before hip hop. A 50 00:03:11,639 --> 00:03:13,320 Speaker 1: lot of these folks, not all of them, but a 51 00:03:13,360 --> 00:03:18,720 Speaker 1: lot of them, often argue against inductees being nominated whose 52 00:03:18,720 --> 00:03:21,799 Speaker 1: styles don't align to the more traditional guitar based rock 53 00:03:21,800 --> 00:03:24,840 Speaker 1: and roll of the seventies, the sixties, the fifties, your 54 00:03:24,880 --> 00:03:28,320 Speaker 1: Led Zeppelin's Eagles, that sort of thing, you know, more 55 00:03:28,400 --> 00:03:31,240 Speaker 1: traditional guitar based rock and traditional R and B and 56 00:03:31,320 --> 00:03:36,040 Speaker 1: soul like your Otis Redding's, Aretha Franklin's, etc. So most 57 00:03:36,040 --> 00:03:39,920 Speaker 1: of these folks don't think that hip hop or punk artists, 58 00:03:39,960 --> 00:03:42,440 Speaker 1: or heavy metal artists like Iron Maiden, than any of 59 00:03:42,480 --> 00:03:43,800 Speaker 1: these folks should be. 60 00:03:43,760 --> 00:03:44,440 Speaker 2: In the Hall of Fame. 61 00:03:45,680 --> 00:03:49,800 Speaker 1: Never mind pop artists who have been inducted, like Madonna 62 00:03:49,960 --> 00:03:53,960 Speaker 1: or George Michael but I don't necessarily agree with that 63 00:03:54,280 --> 00:03:57,400 Speaker 1: at all. My definition of who should and shouldn't be 64 00:03:57,440 --> 00:04:00,200 Speaker 1: in the Rock and Roll Hall of Fame doesn't so 65 00:04:00,280 --> 00:04:02,880 Speaker 1: much to do with genre or style. I don't think 66 00:04:02,920 --> 00:04:07,000 Speaker 1: that shouldn't matter. Rock hip hop, pop, R and B 67 00:04:07,200 --> 00:04:12,360 Speaker 1: quote unquote, rock and roll, rock and roll. It's not 68 00:04:12,440 --> 00:04:16,200 Speaker 1: just two guitars and like a long haired front man 69 00:04:16,320 --> 00:04:20,599 Speaker 1: up there singing on stage making records. It's to me, 70 00:04:20,760 --> 00:04:24,360 Speaker 1: rock and roll is more just about popular music that 71 00:04:24,560 --> 00:04:28,599 Speaker 1: young hip counterculture kids listen to rock and roll from 72 00:04:28,600 --> 00:04:31,599 Speaker 1: its earliest days. It's an outdated term now, sure, but 73 00:04:31,640 --> 00:04:35,520 Speaker 1: from its earliest days it was all about counterculture and 74 00:04:35,560 --> 00:04:36,200 Speaker 1: the best of it. 75 00:04:36,279 --> 00:04:37,120 Speaker 2: No matter how. 76 00:04:37,080 --> 00:04:41,120 Speaker 1: Popular it was, it always adhered to this definition, this 77 00:04:41,240 --> 00:04:46,600 Speaker 1: sort of combative anti authority type of thing. And if 78 00:04:46,640 --> 00:04:49,760 Speaker 1: you were a combative anti authority type of kid, that's 79 00:04:49,760 --> 00:04:52,120 Speaker 1: what you gravitated toward. So if you're listening to Wu 80 00:04:52,160 --> 00:04:56,200 Speaker 1: Tang Clan when they first hit, or Nirvana or Madonna earlier, 81 00:04:56,320 --> 00:05:00,440 Speaker 1: or the Fujis, yes, these artists were massively pop popular, 82 00:05:00,440 --> 00:05:02,480 Speaker 1: but they were also a little bit dangerous, a little 83 00:05:02,480 --> 00:05:05,560 Speaker 1: bit subversive, and young. Like I said, young hip kids. 84 00:05:05,800 --> 00:05:08,640 Speaker 1: No matter how suburban or normy. They may have been, 85 00:05:08,760 --> 00:05:11,400 Speaker 1: or should I say we may have been. We were 86 00:05:11,440 --> 00:05:17,960 Speaker 1: listening to cool bands, both mainstream and alternative. Okay, Nirvana 87 00:05:18,320 --> 00:05:25,160 Speaker 1: super mainstream, also alternative. Madonna too, super mainstream, also super subversive. 88 00:05:26,040 --> 00:05:30,279 Speaker 1: Both those bands, Nirvana and Madonna, despite guitars or pop music, 89 00:05:30,320 --> 00:05:35,479 Speaker 1: whatever it is, they were listened to broadly across the 90 00:05:35,600 --> 00:05:39,599 Speaker 1: counterculture in the same way that I don't know Elvis 91 00:05:39,640 --> 00:05:44,200 Speaker 1: Presley and Aretha Franklin were decades prior. It's the same 92 00:05:44,240 --> 00:05:48,520 Speaker 1: thing to me now. I love Phil Collins and Shade, 93 00:05:49,040 --> 00:05:51,880 Speaker 1: two artists who are going in this year, but. 94 00:05:52,080 --> 00:05:56,159 Speaker 2: Rock and roll. Come on, they're not rock and roll. 95 00:05:56,160 --> 00:06:00,240 Speaker 1: When I was a kid listening to again Nirvana, Madonnaanah 96 00:06:00,880 --> 00:06:05,440 Speaker 1: Wu Tang, Phil Collins and Shade, that was music that 97 00:06:05,480 --> 00:06:08,719 Speaker 1: my parents listen to, not me. Okay, you get it. 98 00:06:08,760 --> 00:06:10,600 Speaker 1: This is my definition. I know you guys get it, 99 00:06:10,640 --> 00:06:13,599 Speaker 1: you're smart, but that's just me. I want to know 100 00:06:13,640 --> 00:06:17,279 Speaker 1: what you guys actually think specifically, Okay, I want you. 101 00:06:17,400 --> 00:06:19,600 Speaker 1: I want to know who do you think should be 102 00:06:19,640 --> 00:06:21,120 Speaker 1: in the Rock and Roll Hall of Fame that is 103 00:06:21,160 --> 00:06:23,560 Speaker 1: not six one seven nine h six six sixty three 104 00:06:23,600 --> 00:06:25,520 Speaker 1: eight call me, leave me a voicemail or send me 105 00:06:25,560 --> 00:06:28,400 Speaker 1: a text. Email me at Disgrace lamp Pod, hit me 106 00:06:28,440 --> 00:06:31,640 Speaker 1: on the socials at Disgrace Lampod on Instagram, and what 107 00:06:31,720 --> 00:06:34,200 Speaker 1: I want to do. Listen, Let's start our own rock 108 00:06:34,240 --> 00:06:38,360 Speaker 1: and roll Hall of Fame, our own alternative indie millennial 109 00:06:38,400 --> 00:06:42,360 Speaker 1: gen x with awesome classic boomer case of music, our 110 00:06:42,400 --> 00:06:45,280 Speaker 1: own utopian rock and roll Hall of Fame. Okay, let's 111 00:06:45,279 --> 00:06:47,800 Speaker 1: just use the rock and roll Hall of Fame criteria, 112 00:06:47,920 --> 00:06:50,839 Speaker 1: just this one of having to have released your first 113 00:06:50,920 --> 00:06:54,160 Speaker 1: music twenty five years ago to be nominated. Okay, that's 114 00:06:54,320 --> 00:06:57,479 Speaker 1: that's their benchmark. And I like that benchmark twenty five 115 00:06:57,560 --> 00:07:01,560 Speaker 1: years since your first release. And let's induct music that 116 00:07:01,600 --> 00:07:03,880 Speaker 1: we listened to when we were skipping school and we 117 00:07:03,880 --> 00:07:05,720 Speaker 1: were drinking up by the railroad tracks and we were 118 00:07:05,760 --> 00:07:08,800 Speaker 1: cruising around in our Volkswagen Jettas or in our cool 119 00:07:08,839 --> 00:07:10,480 Speaker 1: friends uncle's muscle car or. 120 00:07:11,280 --> 00:07:12,040 Speaker 2: You know whatever. 121 00:07:12,080 --> 00:07:14,920 Speaker 1: This should be the criteria by which we are judging 122 00:07:15,120 --> 00:07:17,920 Speaker 1: our rock and Roll Hall of Fame inductees. Okay, as 123 00:07:17,960 --> 00:07:20,880 Speaker 1: well as music that we bought on little plastic compact 124 00:07:20,960 --> 00:07:24,000 Speaker 1: discs and cassettes and tower records that we read about 125 00:07:24,040 --> 00:07:27,120 Speaker 1: and spin that we maybe read about for first before 126 00:07:27,200 --> 00:07:28,760 Speaker 1: we read it, and Spin we read about them, and 127 00:07:28,880 --> 00:07:31,560 Speaker 1: Maximum rock and Roll that we watched on Beavis and 128 00:07:31,600 --> 00:07:31,960 Speaker 1: butt Head. 129 00:07:31,960 --> 00:07:33,800 Speaker 2: We watched vis about it to make fun of these artists. 130 00:07:33,840 --> 00:07:36,600 Speaker 1: We watched them on one hundred and twenty Minutes Headbangers Ball, 131 00:07:36,840 --> 00:07:38,760 Speaker 1: heard them on Beverly Hills nine O two one oh 132 00:07:39,040 --> 00:07:40,960 Speaker 1: or later on Dawson's Creek whatever it is. 133 00:07:41,000 --> 00:07:42,600 Speaker 2: You know the type of music I'm talking about. 134 00:07:42,800 --> 00:07:46,480 Speaker 1: Okay, let's induct the awesome musicians who aren't yet in 135 00:07:46,560 --> 00:07:48,080 Speaker 1: the rock and Roll Hall of Fame and create our 136 00:07:48,120 --> 00:07:49,880 Speaker 1: own little rock and roll Hall of Fame. I'll go 137 00:07:49,960 --> 00:07:53,480 Speaker 1: first my first nominee. Okay, right here, Fugazi. Their influence 138 00:07:53,600 --> 00:07:57,600 Speaker 1: is undeniable, and they'd probably insist on tickets for the 139 00:07:57,640 --> 00:07:59,720 Speaker 1: ceremony being no more than five bucks and make it 140 00:08:00,040 --> 00:08:03,080 Speaker 1: all ages event as conditions for their appearance. So this 141 00:08:03,120 --> 00:08:07,120 Speaker 1: one would be subversive and just like I said, completely influential. 142 00:08:07,400 --> 00:08:09,600 Speaker 1: They deserve to be in there now. Next thing I 143 00:08:09,640 --> 00:08:11,240 Speaker 1: want to do, I want to write this year is 144 00:08:11,400 --> 00:08:13,120 Speaker 1: wrong right off the bat, and I want to put 145 00:08:13,160 --> 00:08:13,960 Speaker 1: Jeff Buckley and. 146 00:08:14,040 --> 00:08:15,800 Speaker 2: Lauren Hill, who were both snubbed this year. 147 00:08:15,800 --> 00:08:17,920 Speaker 1: I want to put them in our Rock and Roll 148 00:08:17,960 --> 00:08:22,680 Speaker 1: Hall of Fame again, both massively influential artists. If Coldplay, 149 00:08:22,800 --> 00:08:25,640 Speaker 1: I swear to god, if Coldplay gets in before Jeff 150 00:08:25,640 --> 00:08:29,320 Speaker 1: Buckley and if Shakira gets in before Lauren Hill, we 151 00:08:29,360 --> 00:08:33,280 Speaker 1: are in trouble people. But that's just my own smart 152 00:08:33,280 --> 00:08:38,320 Speaker 1: ass gen X bias. So Joy Division slash New Order. 153 00:08:38,559 --> 00:08:41,440 Speaker 1: Despite how much I can't stand the hybrid nature of 154 00:08:41,520 --> 00:08:45,040 Speaker 1: the nomination, I get it, I understand it, and I 155 00:08:45,080 --> 00:08:47,120 Speaker 1: love both. I mean it's really the same group, just 156 00:08:47,200 --> 00:08:50,760 Speaker 1: different singer. I love Joydvision slash New Order. So score 157 00:08:50,800 --> 00:08:53,000 Speaker 1: one for the eighties deserve they should be in. 158 00:08:53,040 --> 00:08:53,360 Speaker 2: Okay? 159 00:08:53,880 --> 00:08:56,080 Speaker 1: Can we score one for the nineties now though, and 160 00:08:56,160 --> 00:09:00,120 Speaker 1: put Jane's Addiction in three all time classic no soh 161 00:09:00,280 --> 00:09:04,880 Speaker 1: skip albums from Jane's Addiction plus the band's frontman started 162 00:09:04,920 --> 00:09:08,480 Speaker 1: a music festival that defined pop culture in the early 163 00:09:08,600 --> 00:09:10,840 Speaker 1: nineteen nineties, and in a lot of ways, it's still 164 00:09:10,840 --> 00:09:11,880 Speaker 1: defining pop culture. 165 00:09:12,760 --> 00:09:14,200 Speaker 2: You know why Jaan's Addiction is not in? 166 00:09:14,400 --> 00:09:16,760 Speaker 1: This is my theory. The Hall does not want to 167 00:09:16,760 --> 00:09:22,280 Speaker 1: have to deal with Perry Ferrell. Perry Ferrell is a lot, Okay, 168 00:09:22,360 --> 00:09:24,520 Speaker 1: He's a handful, and I think They just feel like 169 00:09:24,559 --> 00:09:26,160 Speaker 1: he's going to show up with like the Jim Rose 170 00:09:26,200 --> 00:09:29,000 Speaker 1: circus in tow and like three methed out edm DJs 171 00:09:29,320 --> 00:09:30,400 Speaker 1: trailing behind him when he. 172 00:09:30,400 --> 00:09:33,160 Speaker 2: Goes up to accept his award. That's what I think 173 00:09:33,200 --> 00:09:33,720 Speaker 2: is going on here. 174 00:09:33,760 --> 00:09:37,560 Speaker 1: There's no excuse for why Jane's Addiction is not in 175 00:09:37,600 --> 00:09:41,360 Speaker 1: the Rock and Roll Hall of Fame compared to the 176 00:09:41,400 --> 00:09:43,800 Speaker 1: other artists that are in, even Oasis, who I love, 177 00:09:43,800 --> 00:09:46,000 Speaker 1: and I'm happy they're in there, but still Jane's addiction 178 00:09:46,400 --> 00:09:49,640 Speaker 1: way just way more influential on pop culture, all right. 179 00:09:49,720 --> 00:09:54,160 Speaker 1: In twenty twenty two, a Lotis morris Set declined an 180 00:09:54,240 --> 00:09:56,319 Speaker 1: invitation to perform at the Rock and Roll Hall of 181 00:09:56,360 --> 00:09:59,160 Speaker 1: Fame induction ceremony, claiming that she didn't want to be 182 00:09:59,200 --> 00:10:02,040 Speaker 1: part of an event that reduced women. And this is 183 00:10:02,160 --> 00:10:05,920 Speaker 1: the exact reason Alanis Morissett needs to be inducted into 184 00:10:05,920 --> 00:10:08,200 Speaker 1: the Rock and Roll Hall of Fame. What's the first 185 00:10:08,360 --> 00:10:12,200 Speaker 1: rule of rock stardom? What's the first rule of being 186 00:10:12,280 --> 00:10:14,760 Speaker 1: a rock star? The first rule of being a rock 187 00:10:14,760 --> 00:10:18,480 Speaker 1: star is to be a rock star. Okay, I think 188 00:10:18,520 --> 00:10:20,280 Speaker 1: I just made that up, but you know what I'm saying, 189 00:10:20,640 --> 00:10:23,760 Speaker 1: We should be celebrating the anti heroes in rock and roll. 190 00:10:23,800 --> 00:10:27,280 Speaker 1: We should be celebrating the truly subversive as opposed to 191 00:10:27,320 --> 00:10:31,200 Speaker 1: the boot lickers who are campaigning for votes behind the scenes. Next, 192 00:10:31,480 --> 00:10:34,679 Speaker 1: Bikini Kill, because if you're going to nominate Melissa Ethridge 193 00:10:34,880 --> 00:10:39,520 Speaker 1: and recognize the whole Lilith Fair influence on nineties pop culture, 194 00:10:39,880 --> 00:10:42,920 Speaker 1: then you have to recognize the Riot Girl influence on 195 00:10:42,960 --> 00:10:44,000 Speaker 1: that same decade. 196 00:10:44,320 --> 00:10:45,920 Speaker 2: And Bikini Kill is the. 197 00:10:45,800 --> 00:10:50,520 Speaker 1: Sonic boom of that moment. New York Dolls, New York Dolls, 198 00:10:50,760 --> 00:10:52,920 Speaker 1: New York Dolls. I should have led with New York Dolls. 199 00:10:53,160 --> 00:10:56,880 Speaker 1: New York Dolls might be of all the artists I've mentioned, yet, 200 00:10:57,120 --> 00:10:58,760 Speaker 1: they might be the most influential. 201 00:10:58,800 --> 00:11:00,679 Speaker 2: Who is not in the Rock and Roll Hall of Fame. 202 00:11:00,720 --> 00:11:03,120 Speaker 1: You don't get punk rock, guys without the New York 203 00:11:03,120 --> 00:11:05,840 Speaker 1: for Dolls, and without punk rock, you don't get grunge, 204 00:11:06,040 --> 00:11:07,600 Speaker 1: and you don't get whatever the hell it is we're 205 00:11:07,640 --> 00:11:08,760 Speaker 1: listening to nowadays. 206 00:11:08,920 --> 00:11:10,920 Speaker 2: Okay, New York Dolls need. 207 00:11:10,640 --> 00:11:12,200 Speaker 1: To be in the Rock and Roll Hall of Fame 208 00:11:12,360 --> 00:11:15,800 Speaker 1: full stop. Also, I'm from Boston, so forgive me Jay 209 00:11:15,840 --> 00:11:16,520 Speaker 1: Giles band. 210 00:11:16,720 --> 00:11:19,439 Speaker 2: What are we doing? No love for Boston? Why? Why 211 00:11:20,360 --> 00:11:22,760 Speaker 2: I'm biased. I know I am, but just listen. 212 00:11:23,160 --> 00:11:26,280 Speaker 1: You know how you got artists from your hometown and 213 00:11:27,120 --> 00:11:30,679 Speaker 1: you know they're big, but you're so clouded by the 214 00:11:30,679 --> 00:11:33,960 Speaker 1: context of being so close to them your whole life 215 00:11:34,040 --> 00:11:35,800 Speaker 1: that you can't tell how big they are. That's what 216 00:11:35,840 --> 00:11:40,080 Speaker 1: the Jay Giles Band is from me. On the one hand, 217 00:11:40,120 --> 00:11:43,760 Speaker 1: they seem huge. I mean, Peter Wolf was married to 218 00:11:44,320 --> 00:11:48,040 Speaker 1: Faye Dunaway, Okay, and at a time when Faye Dunaway 219 00:11:48,120 --> 00:11:52,800 Speaker 1: was like, you know, at the absolute you know, pinnacle 220 00:11:52,840 --> 00:11:56,240 Speaker 1: of the zeitgeist. So I don't know, I mean, but 221 00:11:56,280 --> 00:11:58,840 Speaker 1: I still see, like you know, if you're from Boston, 222 00:11:59,280 --> 00:12:02,120 Speaker 1: you know you run into Peter Wolf all the time. Anyhow, 223 00:12:02,240 --> 00:12:04,840 Speaker 1: I just think Jay Giles Band, like, just okay, just 224 00:12:05,240 --> 00:12:07,840 Speaker 1: try this for a test. Put the Jay Gaales Band on. 225 00:12:08,520 --> 00:12:11,160 Speaker 1: Next time you and your friends are hanging out partying, 226 00:12:11,520 --> 00:12:14,360 Speaker 1: drinking you know, beer, shitty beer out of red solo 227 00:12:14,400 --> 00:12:17,160 Speaker 1: cups and playing quarters or whatever. Put Jay Guiles on, 228 00:12:17,280 --> 00:12:19,760 Speaker 1: Put centerfold on or freeze frame or must have got lost, 229 00:12:20,040 --> 00:12:21,760 Speaker 1: and try not having a good time. 230 00:12:21,800 --> 00:12:23,720 Speaker 2: You cannot. It's impossible. 231 00:12:24,200 --> 00:12:28,040 Speaker 1: These these songs were stone cold hits, and these hits 232 00:12:28,040 --> 00:12:31,040 Speaker 1: like number one hits, by the way, came after the 233 00:12:31,080 --> 00:12:35,680 Speaker 1: band already had a decade of blowing faces out touring 234 00:12:35,720 --> 00:12:39,200 Speaker 1: across America with the Stones, Thin Lizzie, Stevie Wonder and others. 235 00:12:39,240 --> 00:12:40,920 Speaker 2: Just put Jay Giles in the Rock and Roll Hall 236 00:12:40,920 --> 00:12:42,040 Speaker 2: of Fame. Make Peter Wolf happy. 237 00:12:42,040 --> 00:12:44,400 Speaker 1: Okay, Let's make the rock and roll gods happy here 238 00:12:44,480 --> 00:12:48,400 Speaker 1: and induct the Replacements and Big Star on the same ballot. 239 00:12:48,480 --> 00:12:50,760 Speaker 1: Ram went into the Hall in two thousand and seven. 240 00:12:51,280 --> 00:12:53,360 Speaker 1: They wouldn't have even have been a band without the 241 00:12:53,360 --> 00:12:57,600 Speaker 1: Replacements or Big Star. And while we're at it, Eric 242 00:12:57,640 --> 00:13:00,920 Speaker 1: being rocking an Iced Tea both need to be in. 243 00:13:01,280 --> 00:13:03,319 Speaker 1: It's This is like a New York Dolls saying these 244 00:13:03,320 --> 00:13:05,080 Speaker 1: guys they need to be in like last week. 245 00:13:05,760 --> 00:13:07,559 Speaker 2: It's hard. I can't imagine. 246 00:13:07,320 --> 00:13:10,240 Speaker 1: Nineties hip hop without either of these hip hop artists, 247 00:13:11,000 --> 00:13:14,199 Speaker 1: and and any hip hop that came after these these, 248 00:13:14,320 --> 00:13:15,400 Speaker 1: after Eric B and Rock. 249 00:13:15,360 --> 00:13:18,720 Speaker 2: Him and after Iced Tea would not be the same. Okay. 250 00:13:18,800 --> 00:13:23,120 Speaker 1: Their influence is massive, different types of influence completely. I 251 00:13:23,120 --> 00:13:25,600 Speaker 1: can make an argument for Tri Tribe cloll Quest as well. 252 00:13:26,080 --> 00:13:29,960 Speaker 1: Those those three records were everywhere. They were everywhere everywhere 253 00:13:29,960 --> 00:13:32,160 Speaker 1: you went in the nineties. You would hear tribecloll Quest. 254 00:13:32,200 --> 00:13:34,440 Speaker 1: Everyone listened to them, not just hip hop kids. The 255 00:13:34,520 --> 00:13:36,960 Speaker 1: band truly crossed over. And if we're gonna have the 256 00:13:36,960 --> 00:13:38,439 Speaker 1: Beastie Boys in the rock and roll Hall of Fame, 257 00:13:38,480 --> 00:13:40,319 Speaker 1: and we absolutely should, we should have a tribe call 258 00:13:40,400 --> 00:13:42,400 Speaker 1: Quest as well as well as Iced Tea and Eric 259 00:13:42,400 --> 00:13:44,640 Speaker 1: being rock him. So what do you think of our 260 00:13:44,679 --> 00:13:48,559 Speaker 1: little gen X millennial great taste in boomer music rock 261 00:13:48,600 --> 00:13:50,079 Speaker 1: and roll Hall of Fame that we got going here? 262 00:13:50,080 --> 00:13:53,720 Speaker 1: I think it's shaping up pretty well. But then again, 263 00:13:53,720 --> 00:13:56,280 Speaker 1: I don't really care because I'm a disaffected, latch key 264 00:13:56,360 --> 00:13:59,439 Speaker 1: kid who's just, you know, riddled with apathy and indifference 265 00:13:59,480 --> 00:14:03,000 Speaker 1: and whatever. Never mind, No, I do care. I'm kidding, 266 00:14:03,040 --> 00:14:04,400 Speaker 1: and I want to know what you guys think. 267 00:14:04,800 --> 00:14:05,280 Speaker 2: Seriously. 268 00:14:05,480 --> 00:14:10,120 Speaker 1: I think that nineties music right now, there's already been 269 00:14:10,160 --> 00:14:12,240 Speaker 1: a resurgence, but I think that resurgence is going to 270 00:14:12,240 --> 00:14:15,200 Speaker 1: get even greater. I think the influence of nineties on 271 00:14:15,440 --> 00:14:19,160 Speaker 1: popular culture it's it's really I think this is the 272 00:14:19,200 --> 00:14:21,360 Speaker 1: beginning of its peak. But we got a ways to go, 273 00:14:22,080 --> 00:14:24,320 Speaker 1: and I think we're going to start to see more 274 00:14:24,480 --> 00:14:28,520 Speaker 1: music that I listened to as a kid in junior 275 00:14:28,600 --> 00:14:31,480 Speaker 1: high and in high school and in college. I think 276 00:14:31,520 --> 00:14:34,800 Speaker 1: we're going to start to see more of that influence 277 00:14:34,880 --> 00:14:37,280 Speaker 1: on modern day pop culture. And I think a lot 278 00:14:37,280 --> 00:14:38,560 Speaker 1: more of these artists are going to go into the 279 00:14:38,600 --> 00:14:41,480 Speaker 1: Rock and Roll Hall of Fame in fairly short order, hopefully. 280 00:14:41,640 --> 00:14:43,080 Speaker 1: But again, I want to know what you guys think. 281 00:14:43,880 --> 00:14:46,120 Speaker 1: Six one seven nine oh six six six three eight. 282 00:14:46,240 --> 00:14:48,360 Speaker 1: Leave me a voicemail, semi a text, and you might 283 00:14:48,400 --> 00:14:51,480 Speaker 1: hear yourself and your answer on next week's after Party 284 00:14:51,600 --> 00:14:54,120 Speaker 1: Bonus episode. And you can also hit me up in 285 00:14:54,200 --> 00:14:56,600 Speaker 1: the chat on Patreon and get into this conversation with 286 00:14:56,640 --> 00:14:58,880 Speaker 1: your fellow discos. But to do so, you got to 287 00:14:58,880 --> 00:15:01,360 Speaker 1: be a disgrace Lant All Access member. Go to disgrace 288 00:15:01,400 --> 00:15:04,160 Speaker 1: slampod dot com to sign up, and I will be 289 00:15:04,240 --> 00:15:07,720 Speaker 1: eternally grateful. Now if you become an all Access member, 290 00:15:07,800 --> 00:15:11,200 Speaker 1: not only do you get access to the ongoing music 291 00:15:11,240 --> 00:15:14,680 Speaker 1: and movies conversation with myself and your fellow discos, the 292 00:15:14,680 --> 00:15:16,560 Speaker 1: one that we're having over in the chat, you also 293 00:15:16,560 --> 00:15:20,560 Speaker 1: get ad free listening on all Disgraceland in Hollywoodland content, 294 00:15:20,640 --> 00:15:25,480 Speaker 1: plus extra exclusive content every week and month, like the 295 00:15:25,520 --> 00:15:28,320 Speaker 1: bonus section of this Yere Bonus episode today, whereas Eth 296 00:15:28,360 --> 00:15:31,040 Speaker 1: and I are going to be discussing in more detail 297 00:15:31,280 --> 00:15:34,280 Speaker 1: this year's Hall of Fame inductees. We made some picks 298 00:15:34,320 --> 00:15:37,600 Speaker 1: a couple weeks back. We're gonna grade ourselves. We're gonna 299 00:15:37,600 --> 00:15:40,080 Speaker 1: see how we did. Okay, I'm not gonna give anything 300 00:15:40,080 --> 00:15:42,000 Speaker 1: away here, but you're gonna want to check that out. 301 00:15:42,320 --> 00:15:44,640 Speaker 1: Go to disgrace lampod dot com to sign up become 302 00:15:44,640 --> 00:15:48,360 Speaker 1: a Disgrace Slant All Access member today now discos. Grace 303 00:15:48,440 --> 00:15:51,200 Speaker 1: Jones is not in the Rock and Roll Hall of Fame, 304 00:15:51,720 --> 00:15:55,160 Speaker 1: but she is the newest subject of Disgraceland because she 305 00:15:55,520 --> 00:15:59,200 Speaker 1: was not just a multiiphon icon of the nineteen eighties, 306 00:15:59,680 --> 00:16:03,800 Speaker 1: she is also a walking true crime. Her story is scary, 307 00:16:04,680 --> 00:16:09,120 Speaker 1: it's harrowing, it's surprising. I didn't know a lot of 308 00:16:09,160 --> 00:16:12,000 Speaker 1: this going into this story. It's also inspiring, and you 309 00:16:12,040 --> 00:16:14,560 Speaker 1: can hear it now if you haven't already, as it 310 00:16:14,600 --> 00:16:17,720 Speaker 1: is the latest episode in your feed right before this 311 00:16:17,840 --> 00:16:20,120 Speaker 1: here bonus eep that we're doing right now that you're 312 00:16:20,160 --> 00:16:22,840 Speaker 1: listening to that I'm creating that you're hearing right now. 313 00:16:23,560 --> 00:16:26,200 Speaker 1: Coming up next though in your feed, next our rewind 314 00:16:26,240 --> 00:16:29,200 Speaker 1: episode on the Beastie Boys and if you want to 315 00:16:29,240 --> 00:16:32,360 Speaker 1: hear how the Beastie is inspired in actual crime wave 316 00:16:32,600 --> 00:16:35,320 Speaker 1: and overcame becoming the dick joke that they were trying 317 00:16:35,320 --> 00:16:37,760 Speaker 1: to make. Well, you need to listen to this classic 318 00:16:37,800 --> 00:16:40,120 Speaker 1: episode of Disgrace Slam and that's going to hit your 319 00:16:40,120 --> 00:16:44,560 Speaker 1: feed this coming Sunday. Next week, our next new episode 320 00:16:44,560 --> 00:16:46,520 Speaker 1: that's on Depeche Mode. It's gonna be coming your way 321 00:16:46,640 --> 00:16:50,400 Speaker 1: on Tuesday. Debauchery, excess, near death experiences in some of 322 00:16:50,440 --> 00:16:55,200 Speaker 1: the sexiest music evert that all hits next week. Guys, 323 00:16:55,200 --> 00:16:57,920 Speaker 1: I'm gonna have myself a little depeche Mode weekend. Actually, 324 00:16:57,960 --> 00:17:02,560 Speaker 1: in preparation, I'm gonna listen Violator on CD, Yes on CD, 325 00:17:02,680 --> 00:17:05,520 Speaker 1: because it sounds incredible. It's one of the best sounding 326 00:17:05,680 --> 00:17:10,119 Speaker 1: albums of all time. Depeche modes Violator, It's just incredible. 327 00:17:11,000 --> 00:17:12,040 Speaker 2: And what else. 328 00:17:12,720 --> 00:17:18,639 Speaker 1: There's a recent depeche Mode live like concert film. I 329 00:17:18,680 --> 00:17:23,359 Speaker 1: think it's called M Mode. Depeche Mode M is it 330 00:17:23,400 --> 00:17:26,119 Speaker 1: called M I'm looking here and I can't quite tell, but. 331 00:17:26,119 --> 00:17:26,560 Speaker 2: I've seen it. 332 00:17:26,560 --> 00:17:28,480 Speaker 1: It's easy to get and it's great, and these guys 333 00:17:28,520 --> 00:17:33,359 Speaker 1: are super old and they lost nothing nothing. And there's 334 00:17:33,359 --> 00:17:36,400 Speaker 1: also the Depeche Mode one oh one, which I think 335 00:17:36,400 --> 00:17:38,960 Speaker 1: that's the more classic depeche Mode concert film. 336 00:17:38,960 --> 00:17:39,200 Speaker 2: I don't know. 337 00:17:39,200 --> 00:17:43,320 Speaker 1: I'm gonna get in someto depeche Mode concert films this weekend. 338 00:17:43,359 --> 00:17:45,800 Speaker 1: Delve into some proper rock stardom to get ready for 339 00:17:45,800 --> 00:17:49,280 Speaker 1: Tuesday's episode. When you're listening to our new depeche Mode story, 340 00:17:49,880 --> 00:17:54,879 Speaker 1: be thinking about their song Personal Jesus. Great song, A 341 00:17:54,920 --> 00:17:58,040 Speaker 1: song that upset my mother to no end. That video, 342 00:17:58,320 --> 00:18:02,000 Speaker 1: Oh my goodness, it it just drove her nuts. I 343 00:18:02,040 --> 00:18:05,480 Speaker 1: still don't know why. When you're listening to depeche Mode 344 00:18:05,520 --> 00:18:10,240 Speaker 1: and you're thinking about Personal Jesus, think about not their version, 345 00:18:10,480 --> 00:18:12,480 Speaker 1: think about the Johnny Cash version. 346 00:18:13,200 --> 00:18:14,000 Speaker 2: It's such an. 347 00:18:14,000 --> 00:18:18,000 Speaker 1: Unlikely cover song. I remember when that came out, we were. 348 00:18:17,840 --> 00:18:20,640 Speaker 2: Like, what what the fuck? 349 00:18:21,160 --> 00:18:25,040 Speaker 1: It made no sense, But then again quickly it made 350 00:18:25,200 --> 00:18:27,960 Speaker 1: all the sense in the world. My point is that 351 00:18:28,000 --> 00:18:31,920 Speaker 1: it's a very unlikely cover, and I love unlikely covers, 352 00:18:31,920 --> 00:18:35,960 Speaker 1: and I love the conversation around unlikely covers. And that's 353 00:18:36,000 --> 00:18:39,200 Speaker 1: gonna be our new question of the week. That's gonna 354 00:18:39,240 --> 00:18:40,760 Speaker 1: be we're gonna be talking about next week. So call 355 00:18:40,840 --> 00:18:42,960 Speaker 1: me six one seven, nine oh six, six sixt three 356 00:18:43,040 --> 00:18:46,359 Speaker 1: eight and let me know what songs you've come across 357 00:18:46,520 --> 00:18:51,560 Speaker 1: in your music listening experience that are great unlikely covers. 358 00:18:52,280 --> 00:18:57,320 Speaker 1: Marilyn Manson's Uh Sweet Dreams by the Rhythmics comes to mind, 359 00:18:58,720 --> 00:19:02,040 Speaker 1: Beck covering rat Bury Beret. There's a whole bunch here. 360 00:19:02,480 --> 00:19:06,199 Speaker 1: Let me know some of your favorite unlikely cover songs. 361 00:19:06,560 --> 00:19:09,000 Speaker 1: You know which familiar song did you hear covered by 362 00:19:09,040 --> 00:19:12,160 Speaker 1: an artist that made you go Six one seven nine 363 00:19:12,160 --> 00:19:14,760 Speaker 1: oh six six six three eight. Leave me a voicemail 364 00:19:14,760 --> 00:19:17,480 Speaker 1: with your answers. Text me with your answers. Email me 365 00:19:17,560 --> 00:19:20,719 Speaker 1: at Disgrace Lampod at gmail dot com with your answers. 366 00:19:20,760 --> 00:19:24,160 Speaker 1: Hit me on Instagram and Facebook and elsewhere at Disgrace 367 00:19:24,240 --> 00:19:28,240 Speaker 1: Lampod with your answers. I will be back right after 368 00:19:28,280 --> 00:19:31,480 Speaker 1: this with you got it your answers to last week's 369 00:19:31,600 --> 00:19:53,200 Speaker 1: question of the week. All right, guys, six one seven 370 00:19:53,280 --> 00:19:55,120 Speaker 1: nine oh six six six three eight. You know where 371 00:19:55,119 --> 00:19:56,640 Speaker 1: I'm at, Iam in the phone booth. It's the one 372 00:19:56,680 --> 00:19:58,520 Speaker 1: across the hall. I'm hanging on the telephone with all 373 00:19:58,520 --> 00:20:01,280 Speaker 1: your beautiful Disgraceland listeners. This goes last week's question of 374 00:20:01,320 --> 00:20:04,159 Speaker 1: the week in relation to our most recent episode on 375 00:20:04,280 --> 00:20:08,640 Speaker 1: Grace Jones was which musicians do you love who made 376 00:20:08,720 --> 00:20:12,200 Speaker 1: the transition to acting or which actors do you love 377 00:20:12,240 --> 00:20:15,960 Speaker 1: who made the transition to music. Let's hear from Amy in. 378 00:20:15,960 --> 00:20:16,880 Speaker 2: The four one four. 379 00:20:17,640 --> 00:20:20,320 Speaker 3: Hey, Jake, this is Amy. I'm calling to tell you 380 00:20:20,359 --> 00:20:26,120 Speaker 3: that my favorite actor slash musician is Tom White and 381 00:20:26,440 --> 00:20:29,199 Speaker 3: he popped. There's two of them. They're both profees of 382 00:20:29,320 --> 00:20:32,320 Speaker 3: Jim Jarmush, who is one of my favorite directors. I 383 00:20:32,359 --> 00:20:35,359 Speaker 3: love the work that Tom White has done, and by 384 00:20:35,480 --> 00:20:41,760 Speaker 3: love that Bill Die I think it is and other things, 385 00:20:41,760 --> 00:20:43,000 Speaker 3: Oh dractul love he was amazing. 386 00:20:43,040 --> 00:20:43,479 Speaker 4: And Dracula. 387 00:20:43,480 --> 00:20:46,120 Speaker 3: He was actually the best actor in the nineties Dracula 388 00:20:46,160 --> 00:20:47,880 Speaker 3: because really nobody else is very. 389 00:20:47,760 --> 00:20:48,080 Speaker 5: Good in it. 390 00:20:48,920 --> 00:20:51,560 Speaker 3: I think that answers your question, So have a great night. 391 00:20:51,720 --> 00:20:54,880 Speaker 2: Bye, Amy, Thank you for your message. I love Tom 392 00:20:54,920 --> 00:20:55,600 Speaker 2: Waite so much. 393 00:20:55,840 --> 00:20:58,280 Speaker 1: You know, when I was making music back in the day, 394 00:20:58,359 --> 00:21:00,680 Speaker 1: my dream was that if we ever got a big 395 00:21:00,680 --> 00:21:02,600 Speaker 1: record deal, like a huge record deal. You know, this 396 00:21:02,640 --> 00:21:04,720 Speaker 1: is the nineties when they spent millions of dollars on 397 00:21:04,840 --> 00:21:08,960 Speaker 1: videos and we had a gigantic you know, if we 398 00:21:09,000 --> 00:21:11,840 Speaker 1: were giving a gigantic video budget, my dream is to 399 00:21:11,920 --> 00:21:16,080 Speaker 1: hire Tom Waits to act in our video sadly though 400 00:21:16,200 --> 00:21:16,959 Speaker 1: it never happened. 401 00:21:16,960 --> 00:21:18,399 Speaker 2: But I am with you, I hear you. 402 00:21:19,119 --> 00:21:23,199 Speaker 1: I love Tom Waits and well for basically everything, but 403 00:21:23,359 --> 00:21:25,399 Speaker 1: I love you mentioned a couple good roles, but I 404 00:21:25,400 --> 00:21:27,960 Speaker 1: love him in The Outsiders as well. It's a brief, 405 00:21:28,240 --> 00:21:32,439 Speaker 1: brief role, Buck Merril. He's also great as the limo 406 00:21:32,520 --> 00:21:36,760 Speaker 1: driver in Robert Altman's shortcuts. Basically, anytime the guy comes 407 00:21:36,760 --> 00:21:38,880 Speaker 1: on screen, I like you get excited. 408 00:21:38,880 --> 00:21:40,480 Speaker 2: So thank you for your call. Appreciate you. 409 00:21:41,000 --> 00:21:43,960 Speaker 1: Let's check out Abby from the five oh five on 410 00:21:44,119 --> 00:21:47,359 Speaker 1: our question of great music memoirs. 411 00:21:47,800 --> 00:21:50,399 Speaker 5: Hey, Jake Tabby call in from the five oh five 412 00:21:51,720 --> 00:21:57,359 Speaker 5: talking about great biographies. Of course, Keith richards autobiography is 413 00:21:57,400 --> 00:22:02,800 Speaker 5: phenomenal and the all time classic Hammer of Gods led Zeppelin, 414 00:22:03,480 --> 00:22:07,879 Speaker 5: and I really also enjoyed Zayan's conversations with Tom Petty 415 00:22:08,640 --> 00:22:11,480 Speaker 5: oldies but goodies keep him coming. 416 00:22:11,960 --> 00:22:16,480 Speaker 1: Thanks Abby, thanks for the call. Keith Richard's life fantastic 417 00:22:16,640 --> 00:22:19,440 Speaker 1: and all timer. In all the conversation however, that we've 418 00:22:19,440 --> 00:22:22,320 Speaker 1: had over this week and last about great music memoirs, 419 00:22:22,440 --> 00:22:24,520 Speaker 1: you are the first to bring up Hammer of the Gods, 420 00:22:25,520 --> 00:22:29,879 Speaker 1: which what a controversial book when it came out. I 421 00:22:29,880 --> 00:22:33,480 Speaker 1: think I was, I don't know, fourteen when I read 422 00:22:33,520 --> 00:22:36,160 Speaker 1: that book. I should not have read it at fourteen. 423 00:22:36,840 --> 00:22:39,480 Speaker 1: I hope my kids don't read it at fourteen. That's 424 00:22:39,480 --> 00:22:40,000 Speaker 1: a great one. 425 00:22:40,080 --> 00:22:43,040 Speaker 2: And I love I love, love love. 426 00:22:43,240 --> 00:22:47,800 Speaker 1: Tom Petty the book he did with Warren Zan's. It's fantastic. 427 00:22:47,880 --> 00:22:51,639 Speaker 1: It's so good. Thank you for those recks. Let's hear 428 00:22:52,280 --> 00:22:54,480 Speaker 1: from the four to eight. 429 00:22:54,600 --> 00:22:59,359 Speaker 4: Oh hey, Jake, this is Sue and Georgia responding to 430 00:22:59,440 --> 00:23:04,240 Speaker 4: your requests for how we listen to podcasts. What podcasts 431 00:23:04,280 --> 00:23:08,520 Speaker 4: we listen to. I prefer a storytelling podcast. I want 432 00:23:08,520 --> 00:23:11,840 Speaker 4: to be told a story, a good story. My first 433 00:23:12,000 --> 00:23:16,560 Speaker 4: was This American Life, and from there I have accumulated 434 00:23:16,600 --> 00:23:20,119 Speaker 4: the number. I went to my favorite murder, which is 435 00:23:20,160 --> 00:23:25,080 Speaker 4: How I found You several years ago, so Disgrace Plan 436 00:23:25,200 --> 00:23:30,240 Speaker 4: and then Hollywood Land through that great storytelling. I enjoy them. 437 00:23:30,760 --> 00:23:34,320 Speaker 4: I'm way old. I'm in my seventies, so I don't 438 00:23:34,359 --> 00:23:36,919 Speaker 4: know all the bands that you talk about, but I 439 00:23:36,920 --> 00:23:39,320 Speaker 4: looked them up and I checked them out. You know, 440 00:23:39,680 --> 00:23:43,960 Speaker 4: I had different takes, way different tastes. I'm a child 441 00:23:44,040 --> 00:23:48,000 Speaker 4: of the sixties, so a lot of pop anyway, enjoy 442 00:23:48,040 --> 00:23:51,200 Speaker 4: your show. Glad to have you on exactly right now 443 00:23:51,760 --> 00:23:56,720 Speaker 4: and look forward to future stories. Take care soon. 444 00:23:57,040 --> 00:23:58,679 Speaker 2: Thank you, thank you for your message. 445 00:23:58,760 --> 00:24:03,879 Speaker 1: And yeah, we welcome fans of all music, of music 446 00:24:03,880 --> 00:24:06,440 Speaker 1: from every generation. Sue, I want to I want to 447 00:24:06,480 --> 00:24:09,800 Speaker 1: hit on this American life and the storytelling type of 448 00:24:09,840 --> 00:24:13,399 Speaker 1: podcasting that we do here and that they do it 449 00:24:13,440 --> 00:24:16,720 Speaker 1: exactly right and that we all love. And I think 450 00:24:17,000 --> 00:24:21,199 Speaker 1: in a way, this American Life it was teaching us 451 00:24:21,240 --> 00:24:25,080 Speaker 1: all how to tell stories. That podcast was and iraglass 452 00:24:25,200 --> 00:24:27,679 Speaker 1: was before many of us even knew that this is 453 00:24:27,680 --> 00:24:31,240 Speaker 1: what we would end up doing. So it's no surprise 454 00:24:31,320 --> 00:24:33,920 Speaker 1: to me that our listeners, the great listeners like you, 455 00:24:34,119 --> 00:24:37,320 Speaker 1: love this American life. It's it's it's kind of the 456 00:24:37,320 --> 00:24:39,560 Speaker 1: big bang of storytelling podcasting. 457 00:24:39,560 --> 00:24:40,359 Speaker 2: It's fantastic. 458 00:24:40,560 --> 00:24:43,160 Speaker 1: Six one seven nine oh six six six three eight. 459 00:24:43,240 --> 00:24:45,199 Speaker 1: You can call in like Sue and leave a message. 460 00:24:45,240 --> 00:24:47,199 Speaker 2: You can also text. All right, Let's check out this 461 00:24:47,359 --> 00:24:51,639 Speaker 2: text from Miranda in. 462 00:24:51,160 --> 00:24:55,440 Speaker 1: The eight five six, Hey Jake, Miranda from South Jersey here. 463 00:24:55,440 --> 00:24:57,080 Speaker 1: I don't know why people do this, but they do it, 464 00:24:57,119 --> 00:24:58,960 Speaker 1: so I did. I just came across this website. I 465 00:24:58,960 --> 00:25:01,120 Speaker 1: thought you'd appreciate it. Www Dot. 466 00:25:01,160 --> 00:25:03,000 Speaker 2: What should I read? Next dot com. 467 00:25:03,040 --> 00:25:05,080 Speaker 1: I know you're a reader as am I and always 468 00:25:05,119 --> 00:25:09,080 Speaker 1: looking for recommendations, and I found the concept interesting. My 469 00:25:09,160 --> 00:25:12,240 Speaker 1: personal favorite book is The Lake of Dead Languages by 470 00:25:12,320 --> 00:25:15,359 Speaker 1: Carol Goodman. It's a thriller with a wild twist, and 471 00:25:15,400 --> 00:25:18,160 Speaker 1: I think you'd like it. Also, I watched Tiller Russell's 472 00:25:18,200 --> 00:25:20,520 Speaker 1: Waco doc. Hands down one of the best put together 473 00:25:20,560 --> 00:25:23,119 Speaker 1: documentaries I've ever seen in my life. The parts with 474 00:25:23,160 --> 00:25:25,200 Speaker 1: the helicopter footage showing the events and the story of 475 00:25:25,200 --> 00:25:28,119 Speaker 1: the survivors we're describing it is wild. Thank you for 476 00:25:28,160 --> 00:25:31,240 Speaker 1: making the best podcast on the planet, truly, and congratulations 477 00:25:31,280 --> 00:25:32,120 Speaker 1: on the exactly right. 478 00:25:32,200 --> 00:25:37,080 Speaker 2: iHeart team up. That is amazing. Eight five six, Miranda, 479 00:25:37,119 --> 00:25:39,800 Speaker 2: thank you so much. I love this resource. What should 480 00:25:39,840 --> 00:25:41,160 Speaker 2: I read next? It looks cool. 481 00:25:41,160 --> 00:25:43,080 Speaker 1: I can't wait to delve into it a little more fully. 482 00:25:43,640 --> 00:25:46,159 Speaker 1: The Lake of Dead Language is by Carol Goodman, a 483 00:25:46,240 --> 00:25:49,600 Speaker 1: thriller with a wild twist. Right up my alley. This 484 00:25:49,760 --> 00:25:54,600 Speaker 1: sounds awesome, And yes, Tiller's Waco doc on Netflix is 485 00:25:54,760 --> 00:25:56,080 Speaker 1: absolutely incredible. 486 00:25:57,080 --> 00:25:58,920 Speaker 2: It's did you use. 487 00:25:58,840 --> 00:26:01,880 Speaker 1: The word harrowing so we used to describe it that 488 00:26:02,280 --> 00:26:04,720 Speaker 1: that feels accurate If you didn't, That's how that's what 489 00:26:04,760 --> 00:26:07,160 Speaker 1: I'm going to say about that. I'm kind of thinking 490 00:26:07,160 --> 00:26:11,359 Speaker 1: about it now. I'm losing my thought here. Back to 491 00:26:11,560 --> 00:26:15,159 Speaker 1: the text messages. Trip me up there, Miranda, appreciate you. 492 00:26:16,280 --> 00:26:20,400 Speaker 1: Let's check out the four to one two. Hey, Jake, 493 00:26:20,560 --> 00:26:23,359 Speaker 1: this is Heather the Yinser and I kind of have 494 00:26:23,680 --> 00:26:26,879 Speaker 1: a first world problem. I've been off work the last 495 00:26:26,920 --> 00:26:29,240 Speaker 1: several weeks and haven't had a chance to listen to 496 00:26:29,280 --> 00:26:32,600 Speaker 1: see if you read any of my reviews on Spotify. 497 00:26:32,680 --> 00:26:34,679 Speaker 1: I usually listen to all your podcasts going to and 498 00:26:34,680 --> 00:26:36,560 Speaker 1: from work, so that hasn't happened, and I'm about a 499 00:26:36,560 --> 00:26:38,560 Speaker 1: month behind. And now I feel like Mickey Mouse and 500 00:26:38,600 --> 00:26:41,800 Speaker 1: the fucking Fantasia. There's so many episodes to catch up on, 501 00:26:41,960 --> 00:26:44,320 Speaker 1: so much of a good thing. Can you tell me 502 00:26:44,400 --> 00:26:46,840 Speaker 1: if you read any reviews from Heather the y Inser 503 00:26:47,480 --> 00:26:50,600 Speaker 1: or Coropolis peeps, that's my old Spotify name. I'm dying 504 00:26:50,600 --> 00:26:52,480 Speaker 1: to get my hands on a double Elvis T shirt 505 00:26:52,560 --> 00:26:55,800 Speaker 1: or hat. Thanks in advance and rock a rolla. Heather 506 00:26:55,920 --> 00:26:59,160 Speaker 1: appreciate you as always. No, we did not read one 507 00:26:59,160 --> 00:27:02,560 Speaker 1: of your reviews, but you know what, Heather, email me 508 00:27:03,359 --> 00:27:06,280 Speaker 1: or just respond here via text. Your shirt size I'll 509 00:27:06,280 --> 00:27:08,720 Speaker 1: see what we got, and I will just take you 510 00:27:08,760 --> 00:27:10,760 Speaker 1: at your word that you left a review, and I'll 511 00:27:10,760 --> 00:27:14,040 Speaker 1: send you something good. Peoples, what what is this? What? 512 00:27:14,480 --> 00:27:14,680 Speaker 4: Wait? 513 00:27:14,720 --> 00:27:17,200 Speaker 2: What's happening? People are getting stuff in the mail? What's Yeah? 514 00:27:17,280 --> 00:27:21,400 Speaker 1: Well, occasionally you guys leave reviews on Apple podcasts, and 515 00:27:21,920 --> 00:27:26,320 Speaker 1: if I read the review here on the show and 516 00:27:26,440 --> 00:27:29,120 Speaker 1: you hear your review, you get in touch six one 517 00:27:29,119 --> 00:27:31,479 Speaker 1: seven nine oh six six six three eight via text 518 00:27:31,640 --> 00:27:34,440 Speaker 1: or voicemail and send me your shirt size. Not saying 519 00:27:34,480 --> 00:27:35,639 Speaker 1: you get a shirt. You might get a pin, you 520 00:27:35,680 --> 00:27:38,280 Speaker 1: might get a sticker. Sometimes I send shirts, sometimes I 521 00:27:38,320 --> 00:27:40,399 Speaker 1: send signed books. And the reason I do this is 522 00:27:40,440 --> 00:27:44,680 Speaker 1: because the reviews help power discovery of the show. Super important. 523 00:27:45,160 --> 00:27:48,080 Speaker 1: Lou two four oh seven on Apple Podcasts, great content, 524 00:27:48,240 --> 00:27:50,080 Speaker 1: Enjoy the pod, love the format. 525 00:27:50,200 --> 00:27:52,639 Speaker 2: Hey, Lou, get in touch. We'll get you some merch. 526 00:27:53,000 --> 00:27:54,000 Speaker 2: See how easy that was. 527 00:27:54,320 --> 00:27:56,119 Speaker 1: Just go to Apple Podcasts and leave a review for 528 00:27:56,200 --> 00:27:58,760 Speaker 1: disgrace sand and hold on, hold on. Some of you 529 00:27:58,840 --> 00:28:00,560 Speaker 1: are saying, but wait, I left review and I haven't 530 00:28:00,560 --> 00:28:04,960 Speaker 1: gotten anything in the mill yet. Alison, Marie Spencer and 531 00:28:05,119 --> 00:28:08,720 Speaker 1: Rob McLean, You've got stuff coming your way shortly. Anyone 532 00:28:08,760 --> 00:28:11,480 Speaker 1: else who left a review and heard it read back 533 00:28:11,560 --> 00:28:13,639 Speaker 1: on the pod. Get in touch and we'll get you 534 00:28:13,680 --> 00:28:15,600 Speaker 1: some merch. If you haven't left review, go for it 535 00:28:15,720 --> 00:28:16,640 Speaker 1: and we'll get you some merch. 536 00:28:16,800 --> 00:28:17,200 Speaker 2: All right. 537 00:28:17,400 --> 00:28:19,880 Speaker 1: A two eight text in Hey Jake, this is Arwin 538 00:28:19,920 --> 00:28:22,119 Speaker 1: from the eight to eight two answers for this week 539 00:28:22,160 --> 00:28:25,919 Speaker 1: Crossover Artists answer. Tom Waits is my favorite crossover artists. 540 00:28:25,960 --> 00:28:30,320 Speaker 1: His music and acting they are fantastic. That's two for 541 00:28:30,400 --> 00:28:32,960 Speaker 1: Tom Waits, guys. Arwin goes on to say, when do 542 00:28:33,000 --> 00:28:35,560 Speaker 1: I listen to podcasts? I often listen twice, once when 543 00:28:35,560 --> 00:28:37,680 Speaker 1: I have insomnia and need to listen to True Crying 544 00:28:37,760 --> 00:28:40,160 Speaker 1: to fall asleep, and then I listen again sometime in 545 00:28:40,200 --> 00:28:42,080 Speaker 1: the next few days because I want to hear the 546 00:28:42,160 --> 00:28:47,400 Speaker 1: episode while fully awake. I wonder if anyone else does this, well, Arwen, 547 00:28:47,440 --> 00:28:53,280 Speaker 1: I'll tell you. I oftentimes fall asleep when I'm reviewing 548 00:28:53,320 --> 00:28:57,960 Speaker 1: the mixes of Disgrace Land, and uh then I wake 549 00:28:58,040 --> 00:29:00,600 Speaker 1: up and I finished the review. 550 00:29:00,840 --> 00:29:05,200 Speaker 2: It's the first time admitted that to anyone. Matt there 551 00:29:05,200 --> 00:29:07,000 Speaker 2: you go. Don't take that personally. 552 00:29:07,800 --> 00:29:09,880 Speaker 1: Okay, who else we got here? Let's do a couple 553 00:29:09,880 --> 00:29:13,040 Speaker 1: more of these texts. The nine oh seven rights in Hey, Jay, 554 00:29:13,120 --> 00:29:15,160 Speaker 1: congrats to you and all the team at Double Elvis 555 00:29:15,160 --> 00:29:17,400 Speaker 1: for joining with Exactly Right Media. It was Karen and 556 00:29:17,480 --> 00:29:20,560 Speaker 1: Georgia the guided me to Disgraceland in the first place. 557 00:29:20,920 --> 00:29:23,240 Speaker 1: How exciting to see what happens with my two favorite 558 00:29:23,240 --> 00:29:25,800 Speaker 1: podcasts joined forces. Keep doing what you do in Lisa 559 00:29:25,840 --> 00:29:28,200 Speaker 1: from the nine oh seven, Lisa, appreciate the support. 560 00:29:28,440 --> 00:29:28,840 Speaker 2: Thank you. 561 00:29:28,920 --> 00:29:31,640 Speaker 1: We are psyched on our partnership with Exactly Right and 562 00:29:31,640 --> 00:29:34,800 Speaker 1: with Karen and Georgia from my favorite murder Ato three 563 00:29:34,840 --> 00:29:37,760 Speaker 1: texts in Hey, fucking phenomenal Patti Smith episode. The way 564 00:29:37,760 --> 00:29:39,920 Speaker 1: you told her story was just as badass as she 565 00:29:40,200 --> 00:29:42,920 Speaker 1: is rock on. Thank you eight oh three. That was 566 00:29:43,000 --> 00:29:45,320 Speaker 1: nice of you to say. Three two three Rights and 567 00:29:45,480 --> 00:29:47,600 Speaker 1: Jake Jeff from the three two three The bar has 568 00:29:47,640 --> 00:29:50,400 Speaker 1: been raised with the Patti Smith episode. You guys knocked 569 00:29:50,400 --> 00:29:52,200 Speaker 1: it out of the park. You mentioned Jim Carroll a 570 00:29:52,200 --> 00:29:55,120 Speaker 1: few times. Hopefully you have an episode brewing on Jim. 571 00:29:55,320 --> 00:29:57,280 Speaker 1: He's put out some great punk records and not to 572 00:29:57,320 --> 00:30:01,479 Speaker 1: mention his book then the film Basketball Diaries. Yes, definitely 573 00:30:01,480 --> 00:30:04,080 Speaker 1: have a Jim Carroll episode in the works, or at 574 00:30:04,160 --> 00:30:05,600 Speaker 1: least on a list that'll be coming. 575 00:30:06,440 --> 00:30:08,240 Speaker 2: Thanks Jeff, appreciate you guys. 576 00:30:08,640 --> 00:30:11,760 Speaker 1: You knowwhere else is coming me and your emails and 577 00:30:11,800 --> 00:30:14,560 Speaker 1: some recommendations on the other side of this break. 578 00:30:29,000 --> 00:30:30,960 Speaker 2: All right, guys, we are back, and I've sort of made. 579 00:30:30,880 --> 00:30:33,920 Speaker 1: A pledge in the last few weeks to do more recommendations, 580 00:30:33,960 --> 00:30:38,320 Speaker 1: both here in the after Party music recommendations, we'll do 581 00:30:38,400 --> 00:30:41,600 Speaker 1: some film and TV rex as well, but also with 582 00:30:41,720 --> 00:30:45,440 Speaker 1: zath Over in his rap party episode in the Hollywood 583 00:30:45,480 --> 00:30:48,480 Speaker 1: Land Feed. And we got into a really interesting discussion 584 00:30:48,520 --> 00:30:52,560 Speaker 1: this week on great theme songs from films, which is 585 00:30:52,600 --> 00:30:53,880 Speaker 1: a harder question. 586 00:30:53,600 --> 00:30:55,320 Speaker 2: To answer than you might think. 587 00:30:55,360 --> 00:30:58,520 Speaker 1: Excuse me, Matt, give the people a little bit of 588 00:30:58,560 --> 00:30:59,800 Speaker 1: a taste of that conversation. 589 00:31:01,000 --> 00:31:02,920 Speaker 6: So let me jump on my picks here. My first 590 00:31:02,920 --> 00:31:05,400 Speaker 6: one is I'm going to go the route that you 591 00:31:05,600 --> 00:31:08,080 Speaker 6: try to avoid I think a little bit here, and 592 00:31:08,120 --> 00:31:11,160 Speaker 6: I'm going to choose the song Weird Science by Oingo Boingo. 593 00:31:11,280 --> 00:31:14,320 Speaker 2: That's a great one actually from John Hughes. I would listen. 594 00:31:14,440 --> 00:31:17,120 Speaker 2: I would listen to that on purpose. I would this. 595 00:31:17,280 --> 00:31:18,920 Speaker 6: I mean it comes so it's on that it was 596 00:31:18,960 --> 00:31:21,480 Speaker 6: written for that movie, the John Hughes movie, but it's 597 00:31:21,520 --> 00:31:24,560 Speaker 6: also on Oingo Boingco's Dead Man's Party, which I fucking 598 00:31:24,600 --> 00:31:25,680 Speaker 6: love that album. That's God. 599 00:31:25,680 --> 00:31:26,560 Speaker 2: I don't know that record. 600 00:31:27,080 --> 00:31:29,320 Speaker 6: Oh you don't know what has dead Man's Party, which 601 00:31:29,360 --> 00:31:32,880 Speaker 6: is awesome. Just Another Day is on that stay. It's incredible, 602 00:31:33,000 --> 00:31:33,680 Speaker 6: It's incredible. 603 00:31:33,720 --> 00:31:35,600 Speaker 2: You need that in life, all right? All right? 604 00:31:35,680 --> 00:31:37,240 Speaker 6: I think I don't think it was their last I 605 00:31:37,280 --> 00:31:39,640 Speaker 6: think it was like midway through. But for those who 606 00:31:39,640 --> 00:31:44,240 Speaker 6: don't know, Oingo Boingo is Danny Elfman's band from the eighties. 607 00:31:44,280 --> 00:31:47,000 Speaker 6: This like strange. How would you define them? They're like 608 00:31:47,040 --> 00:31:48,720 Speaker 6: an art pop kind of bands. 609 00:31:48,480 --> 00:31:51,560 Speaker 1: Exactly like in the world of Talking Heads, but weirder 610 00:31:51,600 --> 00:31:54,520 Speaker 1: and more more kind of dance oriented and just. 611 00:31:54,560 --> 00:31:55,840 Speaker 6: Even more so than Talking Heads. 612 00:31:56,000 --> 00:31:59,360 Speaker 1: Yeah, and weird Science is fantastic. I'm so pissed. I 613 00:31:59,400 --> 00:32:01,840 Speaker 1: didn't think of that. That movie is so so. 614 00:32:02,000 --> 00:32:04,720 Speaker 2: Huge in my in my formative years that I bombed. 615 00:32:04,720 --> 00:32:05,400 Speaker 4: I didn't think of that. 616 00:32:05,480 --> 00:32:07,760 Speaker 6: I picked up this really cool box set recently called 617 00:32:08,040 --> 00:32:10,520 Speaker 6: Life Moves Pretty Fast. It's like five records and it's 618 00:32:10,800 --> 00:32:13,280 Speaker 6: all the songs from John Hughes movies. So it's like 619 00:32:13,880 --> 00:32:18,520 Speaker 6: Ferris Bueller, Breakfast Club sixteen, everything wow, and including like 620 00:32:18,560 --> 00:32:21,400 Speaker 6: they famously never released an official soundtrack for Ferris Bueller, 621 00:32:21,440 --> 00:32:23,680 Speaker 6: which has a bunch of cool shit on it. So anyways, 622 00:32:24,280 --> 00:32:26,520 Speaker 6: shout out to that. All right, My next song here 623 00:32:26,840 --> 00:32:32,600 Speaker 6: is that thing you do, the theme to the nineteen 624 00:32:32,640 --> 00:32:37,400 Speaker 6: ninety six Tom Hanks film about the fictional band The Wonders. 625 00:32:37,520 --> 00:32:41,560 Speaker 6: This was written, of course by Adams slashing air. Debatable, 626 00:32:41,960 --> 00:32:47,360 Speaker 6: fountains of Wayne, Oh yeah, debatable, oh shit. All right, 627 00:32:47,400 --> 00:32:50,200 Speaker 6: So Mike Viola the great, one of the great voices 628 00:32:50,200 --> 00:32:52,880 Speaker 6: of all time. In my opinion, my humble opinion, Mike 629 00:32:52,960 --> 00:32:54,120 Speaker 6: Viola sings this song. 630 00:32:54,360 --> 00:32:56,400 Speaker 1: And had something it had something to do with the writing, 631 00:32:56,480 --> 00:32:59,360 Speaker 1: but it was incredit wasn't credited. 632 00:32:59,480 --> 00:33:01,479 Speaker 6: Totally, and there's some moments that totally feel like Mike 633 00:33:01,560 --> 00:33:02,120 Speaker 6: moments that. 634 00:33:02,760 --> 00:33:05,640 Speaker 1: Yeah, that songs great and thank you for reminding me 635 00:33:05,720 --> 00:33:07,520 Speaker 1: that I need to show my kids that movie, so 636 00:33:07,640 --> 00:33:11,560 Speaker 1: damn good. All right, guys, you're gonna want to hear 637 00:33:11,600 --> 00:33:14,320 Speaker 1: that convo with Zeth and I. It's some great theme 638 00:33:14,440 --> 00:33:17,640 Speaker 1: song recommendations over in the hollywood Land Rap Party, make 639 00:33:17,640 --> 00:33:20,360 Speaker 1: sure you're subscribe to hollywood Land and Apple podcasts, the 640 00:33:20,400 --> 00:33:23,600 Speaker 1: iHeartRadio app or wherever you get your podcasts. We're releasing 641 00:33:23,760 --> 00:33:26,760 Speaker 1: content over there. It's it's you know, it's music guys 642 00:33:26,880 --> 00:33:30,800 Speaker 1: talking about movies and true crime in Hollywood History, and 643 00:33:30,880 --> 00:33:34,120 Speaker 1: hollywood Land is helm by my partner in true crime, 644 00:33:34,280 --> 00:33:37,840 Speaker 1: Zeth Lundy. We got three episodes hitting every week over there, 645 00:33:38,480 --> 00:33:41,160 Speaker 1: and there's always a music connection to everything that we 646 00:33:41,200 --> 00:33:45,560 Speaker 1: talk about. To further fuel or as the manifestation I 647 00:33:45,600 --> 00:33:49,120 Speaker 1: should say, of the fuel that is our music in 648 00:33:49,240 --> 00:33:54,080 Speaker 1: movie fascination, Zeth and I have another podcast, a video 649 00:33:54,120 --> 00:33:57,800 Speaker 1: podcast exclusively video called This Film Should be Played Loud, 650 00:33:58,080 --> 00:34:02,680 Speaker 1: which looks at the greatest scores in soundtracks from music history. 651 00:34:03,280 --> 00:34:04,880 Speaker 1: The last one was on The Big Lebowski. The next 652 00:34:04,880 --> 00:34:07,280 Speaker 1: one is on High Fidelity. Go to disgrace lampod dot 653 00:34:07,320 --> 00:34:09,560 Speaker 1: com to sign up to become an all Access member 654 00:34:10,000 --> 00:34:12,359 Speaker 1: so that you can watch this Film Should Be Played Loud. 655 00:34:12,400 --> 00:34:16,080 Speaker 1: But hollywood Land is available to everybody. Subscribe to Hollywood 656 00:34:16,120 --> 00:34:19,520 Speaker 1: Land on Apple Podcasts, the Iheartradiot wherever you get your podcasts. 657 00:34:19,520 --> 00:34:23,400 Speaker 1: All right, guys, let's play new song, old song. Speaking 658 00:34:23,440 --> 00:34:26,560 Speaker 1: of recommendations, the new song of the week recommendation. The 659 00:34:26,600 --> 00:34:29,400 Speaker 1: new song that I am recommending for old heads like 660 00:34:29,520 --> 00:34:34,239 Speaker 1: me is end of Beginning by Joe. That's DJO and 661 00:34:34,440 --> 00:34:37,120 Speaker 1: I'm not gonna Lie. I hated this song the first 662 00:34:37,160 --> 00:34:40,160 Speaker 1: time I heard it, but my kids wore me down. 663 00:34:40,440 --> 00:34:41,879 Speaker 2: They love it now. 664 00:34:41,880 --> 00:34:44,320 Speaker 1: My kids also love Harry Nilsen and Fugazi and Weird 665 00:34:44,320 --> 00:34:46,840 Speaker 1: Al and Mister Fantasy, so they got pretty great taste. 666 00:34:47,239 --> 00:34:52,040 Speaker 1: Joe the artist is also Steve from Stranger Things, the 667 00:34:52,080 --> 00:34:55,560 Speaker 1: actor Joe Keery. So this this recommendation makes perfect sense 668 00:34:55,880 --> 00:34:58,680 Speaker 1: for this week because of our Grace Jones episode. We're 669 00:34:58,719 --> 00:35:01,920 Speaker 1: talking about actors and who made the transition from acting 670 00:35:02,280 --> 00:35:08,280 Speaker 1: to music and vice versa. So Joe Djo end of beginning. 671 00:35:08,320 --> 00:35:11,880 Speaker 1: That is my new song recommendation for this week. The 672 00:35:12,080 --> 00:35:15,000 Speaker 1: old song that I'm recommending this week. Okay, the old 673 00:35:15,080 --> 00:35:20,160 Speaker 1: song is misunderstanding by Phil Collins for a couple reasons. One, 674 00:35:20,320 --> 00:35:22,680 Speaker 1: it was just announced that Phil Collins is going into 675 00:35:22,960 --> 00:35:24,600 Speaker 1: the Rock and Roll Hall of Fame this year. Two, 676 00:35:25,000 --> 00:35:27,399 Speaker 1: as lame as I thought Phil was as a kid, 677 00:35:27,480 --> 00:35:30,120 Speaker 1: I have late in life on set Phil Collins appreciation 678 00:35:30,200 --> 00:35:33,840 Speaker 1: disease and I love this damn song. I've probably listened 679 00:35:33,840 --> 00:35:35,799 Speaker 1: to this song more than any other single song in 680 00:35:35,840 --> 00:35:38,520 Speaker 1: the past twelve months, and that's saying something. Now listen, 681 00:35:38,520 --> 00:35:41,400 Speaker 1: I get it. Phil Collins is lame. Phil Collins is 682 00:35:41,520 --> 00:35:43,440 Speaker 1: shit that your math teacher listened to when he couldn't 683 00:35:43,440 --> 00:35:46,360 Speaker 1: find his lame ass. Jimmy Buffett CED's Phil Collins is 684 00:35:46,360 --> 00:35:48,319 Speaker 1: the dude who looks like your uncle Rick. If your 685 00:35:48,400 --> 00:35:50,520 Speaker 1: uncle Rick was even lamer than he already is. Phil 686 00:35:50,560 --> 00:35:52,839 Speaker 1: Collins was in Genesis, and the only thing lamer than 687 00:35:52,840 --> 00:35:56,200 Speaker 1: Genesis is Phil Collins. According to your twelve year old 688 00:35:56,280 --> 00:35:59,320 Speaker 1: MTV watching eyes, Phil Collins is even lamer than Peter Gabriel. 689 00:35:59,480 --> 00:36:01,640 Speaker 1: And that is no easy thing to do. But here's 690 00:36:01,760 --> 00:36:04,880 Speaker 1: the thing. What I'm saying, all these years later is 691 00:36:04,880 --> 00:36:08,200 Speaker 1: that Phil Collins is the shit, and this old song 692 00:36:08,320 --> 00:36:11,560 Speaker 1: needs to be listened to. With new years, new shit 693 00:36:11,840 --> 00:36:15,000 Speaker 1: has come to light. Dude, misunderstanding by Phil Collins, Give 694 00:36:15,040 --> 00:36:17,839 Speaker 1: it a spin. After end of beginning by Joe, got 695 00:36:17,880 --> 00:36:19,360 Speaker 1: a new song you want to recommend to me and 696 00:36:19,400 --> 00:36:21,960 Speaker 1: your fellow discos, how about an old song? Six one 697 00:36:22,040 --> 00:36:24,880 Speaker 1: seven nine oh six six six three eight, All right, listen, 698 00:36:25,280 --> 00:36:27,640 Speaker 1: Speaking of the Hall of Fame, the rock and roll 699 00:36:27,680 --> 00:36:31,000 Speaker 1: Hall of Fame, Zeth and I made some predictions and boy, 700 00:36:31,040 --> 00:36:35,080 Speaker 1: oh boy, it was a thing. And we get into 701 00:36:35,120 --> 00:36:37,600 Speaker 1: that in the exclusive section of this year after Party 702 00:36:37,640 --> 00:36:39,799 Speaker 1: coming up, go to disgrace slampod dot com to sign 703 00:36:39,840 --> 00:36:41,879 Speaker 1: up to become an all Access member. All right, guys, 704 00:36:42,000 --> 00:36:58,160 Speaker 1: we will be back right after this break. All right, guys, 705 00:36:58,200 --> 00:36:58,839 Speaker 1: we are back. 706 00:36:58,920 --> 00:36:59,240 Speaker 2: Listen. 707 00:36:59,400 --> 00:37:03,759 Speaker 1: We mentioned so many artists in this episode of the 708 00:37:03,800 --> 00:37:09,040 Speaker 1: After Party. A lot of them are featured in Disgraceland 709 00:37:09,080 --> 00:37:12,120 Speaker 1: episodes from the past in our archive. We're gonna pick 710 00:37:12,120 --> 00:37:15,760 Speaker 1: out a couple here, Jeff Buckley, Madonna, George Michael. Okay, 711 00:37:15,760 --> 00:37:18,879 Speaker 1: we have episodes on all three of those artists, and 712 00:37:19,040 --> 00:37:22,920 Speaker 1: Matt will have the episode information in the show notes 713 00:37:23,239 --> 00:37:26,840 Speaker 1: of this after Party. Help you navigate through our archive 714 00:37:26,960 --> 00:37:29,960 Speaker 1: to find those stories. If you got questions on other 715 00:37:30,000 --> 00:37:32,839 Speaker 1: stories other artists that we've covered, hit me out. I'll 716 00:37:32,840 --> 00:37:35,520 Speaker 1: point you in the right direction. All right, let's recap 717 00:37:35,719 --> 00:37:38,240 Speaker 1: Number one this week, our new episode on Grace Jones 718 00:37:38,280 --> 00:37:40,520 Speaker 1: is available for you right now. Number two, our rewind 719 00:37:40,520 --> 00:37:42,560 Speaker 1: episode is on the Beastie Boys, and that's coming up 720 00:37:42,600 --> 00:37:43,880 Speaker 1: for you guys this Sunday. 721 00:37:44,080 --> 00:37:44,560 Speaker 2: Number three. 722 00:37:44,640 --> 00:37:47,520 Speaker 1: Next week's new episode, we are getting Sexy with depeche Mode. 723 00:37:47,719 --> 00:37:48,879 Speaker 2: Four Zeth is going to. 724 00:37:48,800 --> 00:37:51,440 Speaker 1: Give you those Hollywood and true crime vibes in Hollywood Land, 725 00:37:51,480 --> 00:37:53,640 Speaker 1: So make sure that you are subscribed to the Hollywood 726 00:37:53,719 --> 00:37:57,080 Speaker 1: Land podcast. I'm also giving you my music reres over 727 00:37:57,120 --> 00:37:59,520 Speaker 1: in the Hollywood Land Rap Party that's happening every week. 728 00:37:59,600 --> 00:38:03,359 Speaker 1: Number five. Currently, this film should be played loud. Our 729 00:38:03,440 --> 00:38:06,839 Speaker 1: new video podcast with our new episode on Big Lebowski 730 00:38:07,120 --> 00:38:08,840 Speaker 1: is available for you to check out. You gotta be 731 00:38:08,880 --> 00:38:11,440 Speaker 1: an All Access member for that. Our next episode is 732 00:38:11,440 --> 00:38:13,919 Speaker 1: gonna be on High Fidelity. Number six six, one, seven 733 00:38:14,000 --> 00:38:16,399 Speaker 1: nine or six six six three eight. Your voice keeps 734 00:38:16,480 --> 00:38:18,400 Speaker 1: us digging into the dark corners of music history. So 735 00:38:18,480 --> 00:38:21,160 Speaker 1: keep calling, keep texting with your answers to the question 736 00:38:21,200 --> 00:38:22,520 Speaker 1: of the week, or with whatever else you want to 737 00:38:22,520 --> 00:38:22,879 Speaker 1: talk about. 738 00:38:22,960 --> 00:38:25,560 Speaker 2: Number seven. Don't forget discos. This isn't just content. 739 00:38:25,880 --> 00:38:29,479 Speaker 1: It's a community, a community of the obsessed. No one 740 00:38:29,520 --> 00:38:33,160 Speaker 1: cares about music, books, records and the crime and grime 741 00:38:33,200 --> 00:38:34,040 Speaker 1: that ties them all. 742 00:38:33,880 --> 00:38:36,760 Speaker 2: Together like you do. And well that's a disgrace. 743 00:38:36,840 --> 00:38:41,000 Speaker 1: Back on April eighth, nineteen eighty nine, the iconic Grace 744 00:38:41,120 --> 00:38:45,120 Speaker 1: Jones was arrested in Kingston, Jamaica. The Clampdown Baby. Here's 745 00:38:45,120 --> 00:38:47,799 Speaker 1: what America was listening to on that day. According to 746 00:38:47,840 --> 00:38:53,040 Speaker 1: the Billboard Charts, number one the Look Rock set last 747 00:38:53,080 --> 00:38:58,800 Speaker 1: week three peak position one weeks on Chart nine, number 748 00:38:58,800 --> 00:39:05,680 Speaker 1: two Flame the Bengals last week one, peak position one 749 00:39:05,840 --> 00:39:09,439 Speaker 1: weeks on charts, ten weeks on number three Peak Girl 750 00:39:09,800 --> 00:39:14,239 Speaker 1: you Know It's True last week and number two, peak 751 00:39:14,320 --> 00:39:18,160 Speaker 1: position of two weeks on chart, fourteen weeks on the 752 00:39:18,520 --> 00:39:23,040 Speaker 1: number four She Drives Me Crazy Fine Young Cannibals last 753 00:39:23,040 --> 00:39:29,440 Speaker 1: week six, peak position four weeks on Chart eleven, number five, 754 00:39:30,120 --> 00:39:34,680 Speaker 1: Like About Madonna last week Physic 755 00:39:43,800 --> 00:39:47,040 Speaker 2: Quit talking and start mixing it.