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Speaker 1: I was in the sort of rump his room with.

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Speaker 2: The Bush's big bean dog the role that beautiful bean

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Speaker 2: footage just bake Bean Dog Dog and uh and Diane

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Speaker 2: first and Berg and we're drawing. We're playing the game

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Speaker 2: where you draw, so you like I would draw a line.

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Speaker 1: We have a filled piece of paper. I would draw

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Speaker 1: a line.

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Speaker 2: Then I fold it and I hand it to you

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Speaker 2: and you do a shape and then you pass it.

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Speaker 1: Squeeze ex squeeze yes. And we've been doing it for.

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Speaker 2: Eight nine hours, and no matter what shape I draw

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Speaker 2: when we unfold the paper, it's Sunderman and and it's happening,

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Speaker 2: and he's getting bigger and bigger and looking like he's

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Speaker 2: coming off the page as.

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Speaker 1: We're doing it, and it's start make me nervous.

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Speaker 2: And I'm turning to the dog and I say, yes, Duke,

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Speaker 2: I'm saying, Duke, are you nervous at all?

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Speaker 1: And he's saying, well, that beautiful be footage, which I

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Speaker 1: think is all he learned.

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Speaker 2: And then I'm turning to Diane and she, I don't understand.

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Speaker 2: This isn't like a I cannot understand.

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Speaker 1: What she says. I hope that's not offensive to say

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Speaker 1: I don't think it is.

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Speaker 2: It's okay, Yeah, I can't understand her, but of course

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Speaker 2: we can't stop either. I just go like, let's never,

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Speaker 2: let's not draw it again. And then suddenly my hands,

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Speaker 2: of their own accord, are starting to draw it. And

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Speaker 2: the paper is getting so large now that, uh, it's

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Speaker 2: actually the entire room. It's like the wall is all

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Speaker 2: slender Man that's coming at me.

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Speaker 1: It's like a big computer paper. Now.

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Speaker 2: Yes, yes, exactly, and in many ways I'm still in

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Speaker 2: that room. But go, so go, So what were you

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Speaker 2: doing the show or are we doing?

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Speaker 3: Yes, you're going to do the show. Yes, this is

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Speaker 3: Hollywood ham Unbook. It's Insider's Guide to Wrapping Names in

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Speaker 3: the Red Carpet Line by college story. We call showbiz

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Speaker 3: three hundred. What do we think when we hear this

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Speaker 3: were our Butler episode? This is Spartacus, this is Butler episode. Yes,

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Speaker 3: we think of those guys and he kicks the guy.

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Speaker 3: But in this case it is the podcast. And we

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Speaker 3: had we did how many?

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Speaker 1: We did? This many? We did? Uh? Gerard Butler's muscles

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Speaker 1: them out of shows of the episodes.

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Speaker 3: And uh, perhaps you read the article uh this week

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Speaker 3: about how difficult it is to do podcasts.

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Speaker 1: Did you read this? Oh am, I supposed to go? Oh? Sorry, No,

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Speaker 1: I didn't know what great if you had been going,

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Speaker 1: but I know I had a lot of great riffs

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Speaker 1: you had ship to get in there. Oh, that would

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Speaker 1: have been so good. I had some first and berg

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Speaker 1: bombs for that, but I didn't know covering your mouth

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Speaker 1: yeah yeah yeah, but I mean I have just gnawing

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Speaker 1: on your fist. Well, you guys know, I mean, I'm

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Speaker 1: sure this is because you invite me, and you guys

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Speaker 1: know that I did an hour special on Bush's Baked Beans. Right, yeah, yeah,

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Speaker 1: good is what it was called. Yeah, so I did.

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Speaker 1: I I was holding back because I assumed you were

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Speaker 1: queuing me up. This is morning radio. Yes, I'm always

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Speaker 1: setting you up. It is burning radio. Great, but it

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Speaker 1: is also podcast, isn't it. Yeah? What is the difference

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Speaker 1: between podcasts and radio? Now? Right? Oh soundboard? Yeah, let

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Speaker 1: me just tell you. I have a deaf parent. Both

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Speaker 1: both my parents are deaf, but one is dead, so

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Speaker 1: he's not deaf anymore. He can hear me in heaven.

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Speaker 1: He can Okay, and that beautiful. It's really nice. Wow,

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Speaker 1: I haven't thought about that. Wow. He even thought about

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Speaker 1: my death mean a while, right, I think so he

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Speaker 1: loves the podcast. What, yes, No, he loves it. He

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Speaker 1: loves hollowly.

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Speaker 2: I can hear podcasts. That's what all deaf people look for.

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Speaker 2: Do a bad Heaven?

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Speaker 1: Yeah, it's harp died and listened to Syria. It's harp music. Finally,

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Speaker 1: they can hear harp music, which is the first thing

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Speaker 1: that you get when you get to heaven. You get

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Speaker 1: that right away, and then second you get there's all

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Speaker 1: these chambers in heaven. Have you guys read Dante's Inferno?

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Speaker 1: I'm Dan Brown? Yeah, Dan Brown, Dante's Inferno. So there's

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Speaker 1: like different layers of heaven and hell and so, uh,

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Speaker 1: there's like an ear wolf station. Oh wow, yeah there's Yeah,

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Speaker 1: there's like there's sort of walking. You open the door

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Speaker 1: and walk and then you can just select and there's

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Speaker 1: and it's current shows or is it all dead shows?

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Speaker 2: Like is it only like Glitter in the Garbage and

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Speaker 2: like hard Nation and stuff like that.

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Speaker 1: Oh do the podcast die in there? Yeah? Yeah?

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Speaker 2: When so like when we stopped doing this show in

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Speaker 2: two weeks, this podcast would be available and that's right,

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Speaker 2: but actually it's not just dead ones, but like, for example,

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Speaker 2: you said Cereal Cereal season one isn't isn't there but

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Speaker 2: season two because it was, yeah, it's up.

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Speaker 1: There, Cereal. That is mortal boy. Yeah, it was a

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Speaker 1: bit of a dip, so unfortunately it's not perfect. Anyway,

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Speaker 1: my dad loves the show, and and what my mother

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Speaker 1: I was going to say, deaf, I don't remember the

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Speaker 1: I don't remember the I do remember where I was

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Speaker 1: going with this, but I'm pulling back. I'm not going

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Speaker 1: to give it to you, even though I remember for

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Speaker 1: sure why I brought that up. He's going to ease

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Speaker 1: it out, Yeah, give us just yea. At some point

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Speaker 1: it'll get teased out. Though. The dog just turned a

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Speaker 1: lamp on with.

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Speaker 3: His head and that's kind of sort of the magic

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Speaker 3: that has been happening on the show for three hundred years.

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Speaker 1: Oh you guys do an episode a year? Yes? Oh wow,

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Speaker 1: that does make sense because I was your guest on

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Speaker 1: the show one year ago, so you haven't done an

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Speaker 1: episode this next one. Oh wow, that's that's so cool.

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Speaker 1: What an honor.

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Speaker 3: And we do want to talk about this, this episode

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Speaker 3: that you did, but I also want to talk about

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Speaker 3: the article. And there was an article about a podcast

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Speaker 3: that came out this week, and they didn't talk to

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Speaker 3: us about it, but it was basically saying this thing

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Speaker 3: that we've been saying for a long time, which is

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Speaker 3: doing a podcast is the hardest thing you can do.

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Speaker 1: Well.

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Speaker 2: The article itself was someone with the unimaginable hubris to

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Speaker 2: believe that they could start a podcast.

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Speaker 1: Oh right. It was a person who was like upset

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Speaker 1: that they didn't start monetizing their brand immediately, right.

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Speaker 2: They did six and didn't get any tractionum, and some

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Speaker 2: people were clowning on them as that right or wrong.

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Speaker 2: But what came out of the discussion of that was

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Speaker 2: the fact that it's actually the hardest thing you could

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Speaker 2: do to make a podcast, and that it fucking sucks,

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Speaker 2: and it is like prison labor basically.

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Speaker 1: You know what else is the physically taxing it? Else?

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Speaker 1: It's being deaf? Now I have deaf parents, and earlier earlier, right,

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Speaker 1: that's I forgot right, one has God's ears and one

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Speaker 1: has bad ears. And the one that has bad ears

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Speaker 1: someone earlier did a riff about what's the difference between

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Speaker 1: radio and podcasts? This is where I was going with,

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Speaker 1: Oh yeah, I'm gonna tell you. I was going with

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Speaker 1: it and it's not worth it. It's not worth me

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Speaker 1: bringing back up.

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Speaker 2: But because I remembered, and this is the real difference

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Speaker 2: between radio and podcast is in the podcast, this will

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Speaker 2: be edited out.

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Speaker 1: Radio, you'd have to live with the whole riff. That's fair. Yeah,

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Speaker 1: I wouldn't. I wouldn't assume you're going to edit this

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Speaker 1: out before you hear the anecdote though, because it's gonna

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Speaker 1: be different podcast, I said soundboards.

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Speaker 3: I got a laugh blast from Jordan's nothing from the

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Speaker 3: rest of the room, showing what deafness is like.

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Speaker 1: Right, Oh, some people are deft to respect parent parent. Yeah,

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Speaker 1: thank you for the OK.

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Speaker 3: And you were gonna do I was gonna say that, Uh,

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Speaker 3: it's uh difficult for me to explain to my mom

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Speaker 3: what a podcast because the radio.

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Speaker 4: Is, because it is because of cultural historical context. But

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Speaker 4: then trying to tease out like the new landscape of

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Speaker 4: media and say that, well it's like radio, but can

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Speaker 4: I tell you something There's it's just hard.

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Speaker 1: My parents are not deaf.

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Speaker 3: No, it's still hard to explain to them about a podcast.

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Speaker 3: It's almost like they don't want to have the conversation

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Speaker 3: at all.

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Speaker 2: Yeah, or that even if they understood what it is,

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Speaker 2: they still wouldn't want it to be the main thing

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Speaker 2: I do.

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Speaker 3: But I think it's because they're worried about us, because,

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Speaker 3: like so many people were saying this week, to do

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Speaker 3: the podcast is to make this great sacrifice, brutal and

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Speaker 3: it takes like all of your life essence to do

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Speaker 3: the podcast.

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Speaker 1: And it is true. You have to go to the

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Speaker 1: place you are talking. He hasn't talk for so long,

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Speaker 1: isn't John Stewart right now advocating for podcasters in front

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Speaker 1: of now that he had solved the nine to elevens,

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Speaker 1: that's the next task. Yes, And he freed Rosewater. Yeah,

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Speaker 1: and now he is a podcaster's rights advocate. There's a

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Speaker 1: whole fund setup for podcasters who were down on their luck,

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Speaker 1: you know. And and I just want to say, actually,

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Speaker 1: thank you to my I mean a buddy of mine,

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Speaker 1: John John, just for doing that. You know, I obviously

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Speaker 1: wasn't your friend, well yeah yeah, your friends of John

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Speaker 1: Yeah yeah, yeah, oh well definitely we did the Daily Show?

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Speaker 1: Do you know that as well? Holy shit? He hosted

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Speaker 1: He hosted the Daily Show, oh right before it really

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Speaker 1: took off with Trevor Noah, before I started cooking with

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Speaker 1: Craig Kilbourne. Oh that's oh wow.

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Speaker 3: Yeah, so we forgot we were going to have our

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Speaker 3: friends like leave voicemails for us that this big episode.

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Speaker 3: You would think that Kevin could also like maybe like

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Speaker 3: Spearhead something like that. Sure paid full time producer to

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Speaker 3: work on a show.

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Speaker 1: How much do you get paid?

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Speaker 5: That I brought three pies and the rule is I

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Speaker 5: get to take home one slice today.

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Speaker 1: That's not the answer to the question. It actually is. Oh,

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Speaker 1: it is okay. Oh you guys have like a podcast

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Speaker 1: language kind of your own thing. Yeah, right, cool.

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Speaker 3: And in this case, the pies are symbolic for the pie,

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Speaker 3: the actual pies that Kevin brought, and the slice is

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Speaker 3: he gets to take them one slice of pie.

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Speaker 1: So it's one Effectively, it's one ninth of whatever hayes

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Speaker 1: that I get.

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Speaker 3: Oh, okay, okay, Usually people cut him into eight slices,

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Speaker 3: but this is a nine slice.

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Speaker 1: It's a contradual thing.

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Speaker 2: So well, yes, and then I guess we divide that

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Speaker 2: by three, right, do you get one slice of each pine?

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Speaker 1: No? Divided by pie guys. No, No, that's great.

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Speaker 2: I mean that actually gets us right into what we

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Speaker 2: wanted to talk about if you could.

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Speaker 3: Get John to leave a voicemail I could have I

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Speaker 3: could call him right now. Yeah, that would be huge,

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Speaker 3: that would be great. Actually, so he's asleep, he's sleeping.

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Speaker 1: It's because it's three hours ahead for where we are,

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Speaker 1: so he's sleep he sleeps in the early afternoon. He

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Speaker 1: gets up so early to fight for people, first responders

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Speaker 1: and podcasters.

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Speaker 3: First, we are in a way first responders because we

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Speaker 3: come out at midnight m hmm. And that is way

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Speaker 3: before a firefighter who, like normally firefighter, wakes up at midnight.

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Speaker 1: Does not happen. No firefighters working. Everybody knows. Nine to five, Yes,

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Speaker 1: you get your house guts on fire. At six, it's

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Speaker 1: like bye, yeah, see are you hopefully it's still on fire?

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Speaker 1: It and nine when I get up. Yeah, if you're

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Speaker 1: if you're in the house, by the way, say hi

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Speaker 1: to my dad. You know, using regular audio, you don't

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Speaker 1: need to sign that. Yeah, say high out loud. Hi.

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Speaker 1: Don't even wave because he doesn't want that anymore. Yeah,

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Speaker 1: imagine how embarrassing to do sign language. And heaven. I

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Speaker 1: know you're like, buddy, it's cool, I'm I'm in heaven.

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Speaker 1: We here now, Okay, I get to hear you. Okay,

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Speaker 1: I can hear you. It is heaven, all the annoyed

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Speaker 1: deaf people in heaven. So you did the episode a

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Speaker 1: year it's comic Con happening. Yes, we did try to go.

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Speaker 1: We were I guess, not allowed in.

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Speaker 3: I tried to like walk into San Diego and I

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Speaker 3: hit this like invisible force field shield.

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Speaker 1: Yeah, yeah, I was.

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Speaker 2: Actually what's interesting is I didn't I usually think of

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Speaker 2: a forest field, as I would be like sort of

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Speaker 2: pushed back or I would feel some kind of block.

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Speaker 2: What happened was I walked and as I crossed the

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Speaker 2: city line.

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Speaker 1: I was back in my own bedroom. Oh wow, Like

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Speaker 1: I was transported. So it was almost like a wormhole,

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Speaker 1: I guess.

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Speaker 2: But yeah, and I did it three or four times

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Speaker 2: before I finally just gave up and said, hey, let's

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Speaker 2: just go do this.

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Speaker 1: So you wait, explain. I just so I understand you

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Speaker 1: walked to San Diego. But as soon as we crossed

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Speaker 1: the city that I totally ordered. Yeah, yeah, no, the

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Speaker 1: portal makes sense, but it's the the transport method. So

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Speaker 1: you got back in your bedroom, put on a backpack,

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Speaker 1: walked to San Diego. Sitting is the new smoking Okay, yeah, right,

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Speaker 1: sitting is the new smoking. Sitting is the new smoking. Okay,

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Speaker 1: I get that for sure, Basketball courts, the boardroom, uh

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Speaker 1: huh uh huh, everything's changing. Yeah, right, you know what

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Speaker 1: I mean. It's all online. Well, I guess in a way,

256
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Speaker 1: we're all we're all a brand. Whoa right. Yeah, which

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Speaker 1: why I'm voting for christ Gillibrand for the Democratic I'm

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Speaker 1: voting Trump in the general, but in the primaries, I'm

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Speaker 1: voting Gillibrand because that's what I want. That's what I

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Speaker 1: want to see.

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Speaker 3: So it was a year ago that we did this

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Speaker 3: show and it was at Comic Con and it was

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Speaker 3: one of our biggest ones ever. And it's actually the show.

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Speaker 3: So she didn't like to talk about this. This is

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Speaker 3: what got Jordan into podcasting. Yeah, so she You weren't

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Speaker 3: around then.

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Speaker 1: You didn't even know about No, I didn't, Nope, I

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Speaker 1: didn't know anything about podcasting. All you knew about was

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Speaker 1: Conan Funko heads, right, and you went to the show

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Speaker 1: like many other people of the audience, to get a

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Speaker 1: free Conan Funko pops. Funko pops. Yes, Can I tell you,

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Speaker 1: guys a story about the Funko Pop the toys. Please

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Speaker 1: you know that I'm straight up like destitute and that

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Speaker 1: my comedy career is absolutely going nowhere. Right, I didn't

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Speaker 1: it's the show. Yeah, what I've seen is I haven't

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Speaker 1: seen you, right, Yeah, well this is sort of what

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Speaker 1: we wanted to talk about. Is this, Like a lot

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Speaker 1: of it was not you. It wasn't my fault, but

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Speaker 1: it was definitely I was the one that, you know,

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Speaker 1: got the heaviest consequences. There's a lot of haters online

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Speaker 1: and a lot of them I got docked and you

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Speaker 1: guys know the story. But I went from making upwards

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Speaker 1: of twenty twenty eight thousand dollars a year doing comedy

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Speaker 1: doing what I love. Comedy to me is like therapy,

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Speaker 1: you know for me, so interesting, right, it's a church there.

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Speaker 1: To me, it's like the doctor. But yeah, uh huh,

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Speaker 1: and I'm on stage. It's like, I don't know if

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Speaker 1: you guys know this comedy's math for me. Oh that's

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Speaker 1: really fascinating. Yeah, well you guys don't do stand up right, Wow,

290
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Speaker 1: so you don't even know me, you don't even definitely

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Speaker 1: could and I would be good at it right away

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Speaker 1: and it would be easier than what I do. No way, no,

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Speaker 1: no comedy. Stand up comedy is like, I don't even

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Speaker 1: know if you guys know this, but it's the highest

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Speaker 1: form of comedy. It's just you and you and a

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Speaker 1: mic and you strip away and a net. Surely right, No,

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Speaker 1: there's no there's no nets. No, that's the whole part

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Speaker 1: of it is that there isn't a net. It's like

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Speaker 1: doing it's like doing it. I think I actually have

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Speaker 1: seen in net. Well, at least at least you can

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Speaker 1: sort of hide from the truth when you're up there,

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Speaker 1: you can't it. Truth is comedy. Comedy is truth. Like

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Speaker 1: one one axiom of comedy is if you tell the

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Speaker 1: truth about yourself, even if there's no joke connected to it,

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Speaker 1: as long as it's like confessional, it's that's kind of

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Speaker 1: It's funnier actually than a joke, way funnier. Like if

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Speaker 1: I just came up and said, like, my parents are

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Speaker 1: deaf and one is dead. You did say that, yeah,

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Speaker 1: and I was laughing my ass off. The jokes sucks. Shit, yeah, jokes.

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Speaker 1: I would hate to hear a joke.

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Speaker 2: Any kind of craft applied to it is taking me

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Speaker 2: completely out of it. I just actually think you're interesting.

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Speaker 1: But I was the first guy to get real on stage. Whoa, yeah,

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Speaker 1: people don't know that. Yeah. I was like I was

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Speaker 1: the first person to just be like, there was and

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Speaker 1: did the police come? Uh no, Well, I mean there

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Speaker 1: was some plain closed people that I assume might have

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Speaker 1: been cops or whatever, but they kind of like, let

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Speaker 1: they didn't. I didn't.

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Speaker 6: The thing is, they kept reaching. Sort of it felt

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Speaker 6: like it felt time to call it. You know, it

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Speaker 6: felt sketchy, but but yeah, I got real.

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Speaker 1: I had been trying to do my act and it

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Speaker 1: hadn't been working, and then one day I just looked

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Speaker 1: at the audience and I was like, oh, they're me,

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Speaker 1: you know, and so let me show. Yeah. Anyway, so

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Speaker 1: I was making a lot of money doing stand up

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Speaker 1: prior to coming on the show. So then they say

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Speaker 1: that you're eight times you said that the audience was you.

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Speaker 1: You are also on vacation going to the comedy store.

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Speaker 1: Oh yeah, yeah, yeah, also drunk. No, I just got engaged.

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Speaker 1: I live in Iowa City and I just got engaged.

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Speaker 1: And it actually isn't going to work out. But yeah,

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Speaker 1: but that's me in a way, right, right, is it?

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Speaker 1: In a way that's yeah, because it's like, on the

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Speaker 1: other hand, it's like, no, I'm not some bumpkin. I'm like,

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Speaker 1: you know what I mean, I'm a California Jew. It's

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Speaker 1: like I'm an educated person. I'm not like from some

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Speaker 1: other place with some wife or fiance. I'm not in

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Speaker 1: your high talking down in some way, I'm like yeah

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Speaker 1: physically yeah. So in a way, the audience definitely isn't

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Speaker 1: me because like you know, like, yeah, you fucking kidding me.

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Speaker 1: But in another way, in another way, they're totally me. Yeah,

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Speaker 1: And anyway you got so I was living my dreams

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Speaker 1: and I got real living my dreams twenty eight k

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Speaker 1: pre tax twenty eight k. And after the show you

347
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Speaker 1: don't have to declare all that either, right, Yeah, sometimes

348
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Speaker 1: I get paid they're throwing coins on. That happens quite

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Speaker 1: a bit because as I'll mention that I'm a Jew,

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Speaker 1: and then the audience always thinks it's funny to like

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00:18:06,480 --> 00:18:08,320
Speaker 1: toss them up on stage and you're doing a show

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Speaker 1: and the founda of the group yeah yeah, yeah, yeah, yeah,

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Speaker 1: I do. Yeah, I've done it in Rome.

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Speaker 2: So you're still you're effectively getting paid in people's wishes

355
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Speaker 2: as well.

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Speaker 1: That's correct. You steal the coin. You get to take

357
00:18:17,960 --> 00:18:20,720
Speaker 1: that way. Yeah. Yeah, and I've found a monkey pap

358
00:18:21,200 --> 00:18:26,720
Speaker 1: even on stage. Interesting okay, yeah, So so I'm me,

359
00:18:27,080 --> 00:18:30,800
Speaker 1: I'm them, I'm I'm I'm like you, you're them. I'm

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Speaker 1: like the ultimate real I'm like a free speech it's

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Speaker 1: the truth sort of warrior. You're sort of a modern

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Speaker 1: day preacher as well. I mean, comedians are basically priests,

363
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Speaker 1: except comedians don't lie. They don't lie, and the comedy

364
00:18:45,200 --> 00:18:46,920
Speaker 1: club is a revival tant. I mean, I think we've

365
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Speaker 1: all made that analogy, right, yes, And it's like being

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Speaker 1: being a stand up comedian, which you guys don't understand

367
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Speaker 1: in any ways, Like there's something so visceral about it,

368
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Speaker 1: raw and real, you know, like, did you guys see

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00:19:01,119 --> 00:19:04,360
Speaker 1: it's actually punk rock it is. It's the new punk

370
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Speaker 1: punk rock preacher. Voting Trump and being a stand up basically,

371
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Speaker 1: those are kind of the oh yeah, yeah, very much.

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Speaker 1: They should make honestly, and you guys won't take this right,

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Speaker 1: This is my idea. I have to hear it first, Okay,

374
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Speaker 1: I trust you. They should make a TV show about

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Speaker 1: what it's like to be a stand up comedian. I'd

376
00:19:24,920 --> 00:19:27,440
Speaker 1: love to steal that I would love to steal them. No,

377
00:19:27,560 --> 00:19:30,200
Speaker 1: it's like it's like I'm a comedian. I'm trying to

378
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Speaker 1: make it in the big city. Uh huh yeah, And

379
00:19:32,520 --> 00:19:35,239
Speaker 1: how old are you currently and how old are you playing? Uh,

380
00:19:35,359 --> 00:19:39,680
Speaker 1: there's a disparity. So I'm currently my age, but I

381
00:19:39,720 --> 00:19:44,040
Speaker 1: actually I'm going to play much older. Wow, I'm way

382
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Speaker 1: older than I am now just starting starting out, you know,

383
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Speaker 1: like rist divorce, just a boy from.

384
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Speaker 2: Iowa City, three time loser with a mic at a

385
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Speaker 2: big bugget of truth.

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Speaker 3: That's right, that's I'm mna splash it on you? Are

387
00:19:59,720 --> 00:20:01,080
Speaker 3: you and the splash down? This is the name of

388
00:20:01,119 --> 00:20:02,159
Speaker 3: the name of.

389
00:20:02,200 --> 00:20:09,640
Speaker 1: The shows a question. Yeah, well, Comedic Fountain Comedy. So anyway,

390
00:20:09,840 --> 00:20:12,840
Speaker 1: you guys aren't going to do that, right, we might

391
00:20:12,920 --> 00:20:15,680
Speaker 1: do something that is like very different from that. That's great.

392
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Speaker 3: That is like, for example, about a different guy who's

393
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Speaker 3: not you. Okay, I love this, like you're not in it,

394
00:20:22,840 --> 00:20:25,280
Speaker 3: for example, which would be like totally different.

395
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Speaker 1: Because I'm like a white guy, Like you don't think

396
00:20:27,000 --> 00:20:29,920
Speaker 1: that you can make a show about me anymore? No, Well,

397
00:20:30,000 --> 00:20:31,920
Speaker 1: this would be like a white guy who is like

398
00:20:32,240 --> 00:20:36,480
Speaker 1: more muscular. This white guy would be he's been to

399
00:20:36,560 --> 00:20:38,800
Speaker 1: the gym buff comedy. I would say, like, this guy

400
00:20:38,920 --> 00:20:41,879
Speaker 1: is like Tan Tan and buff and he's ripped and

401
00:20:42,000 --> 00:20:42,440
Speaker 1: he's hot.

402
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Speaker 2: You tell the truth, He's gonna have to if he

403
00:20:45,880 --> 00:20:48,200
Speaker 2: wants to get that audience on his side, because he

404
00:20:48,359 --> 00:20:50,320
Speaker 2: is the audience in a way, but he's also buff.

405
00:20:50,359 --> 00:20:52,919
Speaker 1: He's stronger than that. He's stronger. Yeah, so the audience

406
00:20:52,960 --> 00:20:57,440
Speaker 1: in a way is buff. Mm hmm. Oh wow. I

407
00:20:57,480 --> 00:21:00,480
Speaker 1: mean they'd love to hear that. Wow, wow, Wow. This

408
00:21:00,640 --> 00:21:03,840
Speaker 1: is so I'm connecting to something big. Yeah, I was.

409
00:21:04,000 --> 00:21:09,000
Speaker 1: I was thinking about doing that show and also a

410
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Speaker 1: movie too.

411
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Speaker 3: You were already thinking about it before I pitched it, dude.

412
00:21:12,320 --> 00:21:14,160
Speaker 3: He actually mentioned something like us.

413
00:21:14,119 --> 00:21:16,199
Speaker 1: Than me before I got here. Yeah, because you were

414
00:21:16,280 --> 00:21:18,600
Speaker 1: kind of late. I was, you were a little late,

415
00:21:18,680 --> 00:21:19,640
Speaker 1: and so we were thinking.

416
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Speaker 6: We got to talk about something. You came up with

417
00:21:22,080 --> 00:21:24,240
Speaker 6: this in the half hour late that I was like,

418
00:21:24,560 --> 00:21:25,640
Speaker 6: what do you want to just say?

419
00:21:25,720 --> 00:21:27,560
Speaker 1: Here? You're just like what do we wish? Was on TV?

420
00:21:27,800 --> 00:21:30,160
Speaker 1: So if I had come here on time, this still

421
00:21:30,160 --> 00:21:33,000
Speaker 1: would be kind of totally my intellectual property.

422
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Speaker 3: It's I mean, like with the butterfly effect and stuff,

423
00:21:36,480 --> 00:21:40,399
Speaker 3: it's like impossible to predict these things like what what what?

424
00:21:40,880 --> 00:21:44,760
Speaker 1: What? Actually what happens? But we actually don't. We want

425
00:21:44,800 --> 00:21:47,479
Speaker 1: to do something else with this show. Okay, with this episode, Oh,

426
00:21:47,520 --> 00:21:50,360
Speaker 1: then have this conversation. Yes, okay, great, don't. We don't

427
00:21:50,359 --> 00:21:52,080
Speaker 1: want this stuff to the table.

428
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Speaker 2: It's interesting maybe the first time somebody a guest has

429
00:21:55,760 --> 00:21:58,240
Speaker 2: come in with something and it's.

430
00:21:58,080 --> 00:22:01,560
Speaker 1: Actually pretty good. I hate that it's happening, but it doesn't.

431
00:22:02,280 --> 00:22:03,240
Speaker 1: It's not in the formnute.

432
00:22:03,440 --> 00:22:07,399
Speaker 2: Okay, especially for a special like big Landmark episode, for

433
00:22:07,560 --> 00:22:10,440
Speaker 2: us to just do something totally different, that's more in

434
00:22:10,520 --> 00:22:13,240
Speaker 2: the vein of I think what people want yes to.

435
00:22:13,840 --> 00:22:15,400
Speaker 1: It's a three hundred, it's a big one.

436
00:22:15,520 --> 00:22:19,200
Speaker 3: We should be like letting people in to this show,

437
00:22:19,640 --> 00:22:22,399
Speaker 3: like making it accessible. And so what we're gonna do

438
00:22:22,680 --> 00:22:24,360
Speaker 3: is talk about a show that we did a year

439
00:22:24,440 --> 00:22:28,560
Speaker 3: ago that most people have not heard, but some people have.

440
00:22:29,040 --> 00:22:31,480
Speaker 1: Did you listen to that episode? I did? Yeah, I

441
00:22:31,600 --> 00:22:34,840
Speaker 1: listened to it. Mm hmm. Do what you want me

442
00:22:34,920 --> 00:22:38,240
Speaker 1: to comment on it? Well, let's listen like what we thought.

443
00:22:38,240 --> 00:22:40,000
Speaker 1: We'd go back through it and we do.

444
00:22:43,200 --> 00:22:45,680
Speaker 3: Commentary and actually get your side of it, because, like

445
00:22:45,760 --> 00:22:48,240
Speaker 3: you're saying, you have been taking a lot of heat

446
00:22:48,320 --> 00:22:52,720
Speaker 3: for this, which I think mostly is not fair. The

447
00:22:52,840 --> 00:22:55,200
Speaker 3: last time I saw you, well, yeah, I mean news

448
00:22:55,520 --> 00:22:57,920
Speaker 3: you were there, like you did do you did say

449
00:22:57,960 --> 00:22:58,399
Speaker 3: that stuff?

450
00:22:58,560 --> 00:22:59,080
Speaker 1: Right? Yeah?

451
00:23:00,119 --> 00:23:01,880
Speaker 2: The last time I saw you was at a professional

452
00:23:01,960 --> 00:23:04,280
Speaker 2: engagement and you were making I mean we were making

453
00:23:04,320 --> 00:23:06,240
Speaker 2: twenty eight g's but you were making I think nine

454
00:23:06,320 --> 00:23:08,359
Speaker 2: hundred dollars and we were doing punch up on the

455
00:23:08,440 --> 00:23:09,080
Speaker 2: film Stubor.

456
00:23:09,200 --> 00:23:12,639
Speaker 1: And do you know how that ended up? I saw it,

457
00:23:13,040 --> 00:23:15,159
Speaker 1: did you? I saw Stupor at the premiere? No less,

458
00:23:16,000 --> 00:23:21,440
Speaker 1: Oh wow, Bautista. Was the Sean stuff get in? Any

459
00:23:21,480 --> 00:23:23,840
Speaker 1: of my stuff? I don't know if any of my

460
00:23:24,200 --> 00:23:26,639
Speaker 1: or your stuff got in if I'm being If I'm

461
00:23:26,680 --> 00:23:27,480
Speaker 1: being honest.

462
00:23:27,359 --> 00:23:29,720
Speaker 3: Sean has told me multiple times about a joke that

463
00:23:29,880 --> 00:23:31,640
Speaker 3: he pitched in the Stupid Project.

464
00:23:31,800 --> 00:23:34,400
Speaker 2: Wait, well, I mean it was partially Dom's pitching. I said,

465
00:23:34,560 --> 00:23:36,720
Speaker 2: there's no way it's ever going to get in. It

466
00:23:36,880 --> 00:23:39,280
Speaker 2: was just a funny run that really the room went on.

467
00:23:39,440 --> 00:23:41,920
Speaker 2: But I think Humps the one that said that. It

468
00:23:42,119 --> 00:23:44,840
Speaker 2: was when they're going through the crowd, turning everyone around,

469
00:23:45,080 --> 00:23:46,680
Speaker 2: you know what I'm talking about there looking.

470
00:23:46,520 --> 00:23:47,639
Speaker 1: For the criminal at the opening.

471
00:23:47,800 --> 00:23:51,320
Speaker 3: I remember then, So he was like this guy's turning

472
00:23:51,359 --> 00:23:54,359
Speaker 3: people around, turn him around.

473
00:23:55,000 --> 00:23:57,960
Speaker 1: And people started turning him around. Then people start turning around,

474
00:23:58,000 --> 00:24:02,520
Speaker 1: and so he can't get to the criminal happen. Yeah,

475
00:24:03,320 --> 00:24:07,320
Speaker 1: it did. That is in the movie. Yeah, what do

476
00:24:07,400 --> 00:24:09,280
Speaker 1: you want from me here? No, if the joke didn't

477
00:24:09,320 --> 00:24:13,399
Speaker 1: make it, okay, I killed it. No you killed No,

478
00:24:13,520 --> 00:24:15,480
Speaker 1: but it wasn't it was not in But you were

479
00:24:15,560 --> 00:24:18,040
Speaker 1: very funny in that room though. Hey man, you're always

480
00:24:18,119 --> 00:24:18,920
Speaker 1: funny in the room.

481
00:24:19,040 --> 00:24:19,200
Speaker 7: Man.

482
00:24:22,480 --> 00:24:24,119
Speaker 3: So we're gonna go through. We're going to listen to

483
00:24:24,240 --> 00:24:26,080
Speaker 3: this thing that for us, actually, I mean, and this

484
00:24:26,160 --> 00:24:27,639
Speaker 3: is what I think is not fair about it. The

485
00:24:27,720 --> 00:24:33,600
Speaker 3: episode for us has been such a launchpad to doing

486
00:24:33,680 --> 00:24:36,920
Speaker 3: all these like like like for example, like way more

487
00:24:36,960 --> 00:24:38,000
Speaker 3: punch up rooms than just that.

488
00:24:38,200 --> 00:24:40,240
Speaker 1: I don't know how many is that right? From the

489
00:24:40,480 --> 00:24:41,240
Speaker 1: from the episode?

490
00:24:42,040 --> 00:24:44,080
Speaker 3: From this Yeah, I mean I think so that's what

491
00:24:44,200 --> 00:24:47,119
Speaker 3: people tell us is like this has been so huge

492
00:24:47,200 --> 00:24:51,480
Speaker 3: for us, and and for it to be so devastating

493
00:24:51,680 --> 00:24:54,320
Speaker 3: for your career. I just think we, you know, we

494
00:24:54,359 --> 00:24:57,359
Speaker 3: should dispel some of the myths about what actually went on.

495
00:24:58,119 --> 00:25:01,359
Speaker 1: I will say true story, because as you know, I

496
00:25:01,480 --> 00:25:03,280
Speaker 1: like to get real. Someone did come up to me

497
00:25:03,359 --> 00:25:07,440
Speaker 1: after a gig on the road and said, Hollywood Handbook

498
00:25:07,800 --> 00:25:11,760
Speaker 1: comic con episode among the community. I guess you guys

499
00:25:11,800 --> 00:25:15,840
Speaker 1: have a community. Oh, it's like it's a legendary episode.

500
00:25:16,600 --> 00:25:19,560
Speaker 3: Wow, Okay, that's not a He didn't say what the

501
00:25:19,600 --> 00:25:21,520
Speaker 3: community was your community.

502
00:25:21,680 --> 00:25:26,399
Speaker 2: He might have said on the commune, there's there's you

503
00:25:26,480 --> 00:25:31,679
Speaker 2: guys have started about seven. Well, there's about seven dudes

504
00:25:32,320 --> 00:25:34,840
Speaker 2: who are all married to each other who live on

505
00:25:35,000 --> 00:25:36,440
Speaker 2: like a Hollywood Handbook.

506
00:25:36,119 --> 00:25:40,760
Speaker 3: Farmutiful and it's state like mandated. Oh, the state is

507
00:25:40,840 --> 00:25:45,240
Speaker 3: involved with the commune in that they have forced these.

508
00:25:45,240 --> 00:25:48,119
Speaker 1: Men to live on this.

509
00:25:48,880 --> 00:25:51,040
Speaker 2: It's like a field trip to a comedy show like

510
00:25:51,119 --> 00:25:55,919
Speaker 2: that was monitored, Like there was not a probation officer,

511
00:25:55,960 --> 00:25:59,840
Speaker 2: but it was a probation officer witnessing that you were safe.

512
00:26:00,280 --> 00:26:02,320
Speaker 1: They had to say that though, like that wasn't the sense.

513
00:26:02,480 --> 00:26:03,760
Speaker 1: I think they like it in a way.

514
00:26:04,000 --> 00:26:06,160
Speaker 2: It's one of the only things they have access to there.

515
00:26:06,840 --> 00:26:10,000
Speaker 2: They're obviously not allowed to just roam the web freely,

516
00:26:10,280 --> 00:26:10,879
Speaker 2: so and.

517
00:26:10,920 --> 00:26:13,760
Speaker 3: They weren't allowed to laugh, which actually explains a lot

518
00:26:13,800 --> 00:26:16,760
Speaker 3: of what you hear on the thing, on the podcast

519
00:26:16,880 --> 00:26:17,840
Speaker 3: or at that show that night.

520
00:26:18,760 --> 00:26:22,200
Speaker 1: Well, that actually became a podcast. Oh wow, God, you

521
00:26:22,240 --> 00:26:27,119
Speaker 1: guys are good. It's hard work. It's dude, don't get

522
00:26:27,200 --> 00:26:31,880
Speaker 1: me started. Man, what do you do? Like, obviously we're

523
00:26:31,880 --> 00:26:34,040
Speaker 1: talking about all this career stuff, but like, what are

524
00:26:34,080 --> 00:26:36,760
Speaker 1: you into? Forget all the show bized stuff and.

525
00:26:36,800 --> 00:26:38,840
Speaker 3: This is working on So this is like the three

526
00:26:38,920 --> 00:26:42,800
Speaker 3: hundredth episode. Episodes three to five hundred are gonna be

527
00:26:43,760 --> 00:26:47,840
Speaker 3: just like getting into people, not what they do professionally,

528
00:26:48,240 --> 00:26:51,199
Speaker 3: but just what are you into? What do you like.

529
00:26:52,920 --> 00:26:53,280
Speaker 1: Into?

530
00:26:53,760 --> 00:26:59,000
Speaker 8: It's it's it's like, what's your hobbies? It's really not

531
00:26:59,440 --> 00:27:03,000
Speaker 8: get all thet off that people like you for and

532
00:27:03,119 --> 00:27:07,359
Speaker 8: would want to hear about. Do you read any books

533
00:27:07,440 --> 00:27:09,320
Speaker 8: or anything? Big hobbies that you know?

534
00:27:09,520 --> 00:27:12,359
Speaker 3: It's actually, honestly not an easy question to answer because

535
00:27:12,359 --> 00:27:13,800
Speaker 3: I've been so lost in like.

536
00:27:15,119 --> 00:27:18,639
Speaker 1: The question for my career. What's are you watching? Like

537
00:27:19,200 --> 00:27:26,040
Speaker 1: streaming or terrestrial? Yes, I guess I like like the

538
00:27:26,240 --> 00:27:32,640
Speaker 1: James Spader vehicle. Yes, Blacklist. I really like Blacklist. I'm

539
00:27:32,640 --> 00:27:37,720
Speaker 1: a criminal. Oh my god, yeah, that's his character, Black Blackerson. Yeah.

540
00:27:38,040 --> 00:27:41,240
Speaker 1: Oh and he's got a whole list of the whole

541
00:27:41,280 --> 00:27:41,879
Speaker 1: list of people.

542
00:27:42,000 --> 00:27:43,840
Speaker 2: So I like that a lot, And that's what that

543
00:27:44,040 --> 00:27:46,359
Speaker 2: list is still going, huh God, that list was so

544
00:27:46,480 --> 00:27:47,520
Speaker 2: much longer than I thought.

545
00:27:48,080 --> 00:27:51,320
Speaker 1: Yeah, I like Blacklist, I like I like uh, I

546
00:27:51,480 --> 00:27:57,160
Speaker 1: like movies. Yeah, do you guys? Oh my god, yes, yeah,

547
00:27:57,280 --> 00:28:01,040
Speaker 1: like I saw movies. I have a I have a daughter.

548
00:28:01,640 --> 00:28:05,640
Speaker 1: Oh wow, that I have not seen. Yeah, that's she's

549
00:28:06,160 --> 00:28:08,400
Speaker 1: she's The bad news is she's on the Blacklist.

550
00:28:08,480 --> 00:28:12,320
Speaker 3: She's on James what knows Spader's play.

551
00:28:12,960 --> 00:28:16,240
Speaker 1: That's which is not easy for us. Not easy. Wow.

552
00:28:16,560 --> 00:28:17,720
Speaker 1: We don't want to burn all this.

553
00:28:17,920 --> 00:28:18,080
Speaker 8: Now.

554
00:28:18,200 --> 00:28:22,040
Speaker 1: Let's listen to the old episode and then we'll talk.

555
00:28:23,720 --> 00:28:28,000
Speaker 3: Are you playing it? Yeah, it's playing right now. Okay,

556
00:28:28,119 --> 00:28:30,800
Speaker 3: keep playing the song. Keep We have so much to do.

557
00:28:31,359 --> 00:28:33,920
Speaker 1: This is the beginning. This is too early. Do you

558
00:28:34,040 --> 00:28:41,320
Speaker 1: not select clips or anything? Did you select any like timestamp? No? Did?

559
00:28:41,440 --> 00:28:42,960
Speaker 1: What did I ask you to last week?

560
00:28:43,160 --> 00:28:43,200
Speaker 2: No?

561
00:28:43,600 --> 00:28:50,080
Speaker 1: Yes I did. I thought it was like, yes I did.

562
00:28:50,280 --> 00:28:52,760
Speaker 1: So this we talked about. He may have heard.

563
00:28:53,520 --> 00:28:57,920
Speaker 3: I can understand you saying, make some selections for next

564
00:28:58,000 --> 00:29:01,240
Speaker 3: week for him to hear, like selections of pie.

565
00:29:02,760 --> 00:29:05,600
Speaker 2: Okay, select three piles because we said we're gonna have

566
00:29:05,720 --> 00:29:09,960
Speaker 2: Mosha come in. We will do commentary on the commentary episode,

567
00:29:10,120 --> 00:29:12,600
Speaker 2: and his is like mostly we should be playing the

568
00:29:12,840 --> 00:29:17,760
Speaker 2: live show and getting his input like on like his

569
00:29:17,880 --> 00:29:20,720
Speaker 2: experience on stage and everything. But I said, let's pick

570
00:29:20,800 --> 00:29:23,000
Speaker 2: like one or two spots where we're talking to to

571
00:29:23,120 --> 00:29:24,600
Speaker 2: get his input on our input.

572
00:29:24,760 --> 00:29:28,200
Speaker 1: And to be fair, what you heard was bring three pies. Yes,

573
00:29:28,720 --> 00:29:32,720
Speaker 1: so that's fair. Just buy three pies from Gelson's. That's

574
00:29:32,760 --> 00:29:35,720
Speaker 1: what you heard. Food for us food. Yeah, this is

575
00:29:35,800 --> 00:29:41,800
Speaker 1: that a Gelson's show. So let's just find the beginning

576
00:29:41,880 --> 00:29:42,920
Speaker 1: of that.

577
00:29:43,120 --> 00:29:45,440
Speaker 3: You will so if you as you're flipping around in

578
00:29:45,520 --> 00:29:48,600
Speaker 3: the episode, the sound will suddenly get very bad. And

579
00:29:48,800 --> 00:29:50,840
Speaker 3: then that is the part that we want to actually

580
00:29:50,920 --> 00:29:51,280
Speaker 3: listen to.

581
00:29:52,760 --> 00:29:56,640
Speaker 1: Reverence times. Let's pleasure thing.

582
00:29:56,720 --> 00:30:00,520
Speaker 3: I say, kiss the kiss the Okay, so it's way

583
00:30:00,640 --> 00:30:05,720
Speaker 3: before this, so you kiss the queen I remember being

584
00:30:05,800 --> 00:30:06,600
Speaker 3: like a later part.

585
00:30:09,040 --> 00:30:13,760
Speaker 1: Okay, there my favorite and you experienced times. Let's get

586
00:30:13,800 --> 00:30:18,640
Speaker 1: into the show knowing full well Buddy Man has been

587
00:30:18,640 --> 00:30:23,440
Speaker 1: played exclusively by women. It's a little before we got before.

588
00:30:23,560 --> 00:30:33,120
Speaker 1: That's really close Buddy and pleasure face. Sorry, sorry to me,

589
00:30:33,200 --> 00:30:38,280
Speaker 1: you know, uh, it was all the rea. You guys

590
00:30:38,320 --> 00:30:47,840
Speaker 1: are popular podcast exclusively by It's a wide spectrum. But

591
00:30:47,960 --> 00:30:52,280
Speaker 1: I would say no, Helen of Troy.

592
00:30:52,680 --> 00:30:54,800
Speaker 3: Okay, so we're back to the kiss the Queen bent.

593
00:30:55,280 --> 00:30:58,760
Speaker 3: We've rediscovered that. Well, now instead of the laptop, we're

594
00:30:58,960 --> 00:30:59,920
Speaker 3: going to the throne.

595
00:31:00,080 --> 00:31:04,200
Speaker 1: It's a little easier on the phone. What level are

596
00:31:04,240 --> 00:31:07,280
Speaker 1: you really unhappy and uncomfortable right now?

597
00:31:07,800 --> 00:31:08,040
Speaker 6: For you?

598
00:31:09,080 --> 00:31:14,000
Speaker 1: Wouldn't it be better to comedy that? That's a comedy reference.

599
00:31:14,640 --> 00:31:19,120
Speaker 1: That's spinal Oh wow, he's been telling me about this movie.

600
00:31:19,760 --> 00:31:22,480
Speaker 1: You haven't seen spinal Tech. No, but n I feel

601
00:31:22,520 --> 00:31:27,440
Speaker 1: like it's really good. Do you know what a documentary is? Okay? Okay,

602
00:31:28,000 --> 00:31:30,000
Speaker 1: you know what one of those is a documentary? Okay,

603
00:31:30,280 --> 00:31:32,920
Speaker 1: So this is like a subgenre. It's called a it's

604
00:31:32,920 --> 00:31:36,760
Speaker 1: a mockumentary. Oh so it's like almost sending up the

605
00:31:36,880 --> 00:31:43,080
Speaker 1: genre of documentary. Okay, he has been Honestly, you'd be surprised.

606
00:31:43,120 --> 00:31:45,560
Speaker 1: It's funny. He has called it a mock you rock

607
00:31:45,640 --> 00:31:48,360
Speaker 1: you Shock You documentary. Wait, why wouldn't you call it

608
00:31:48,400 --> 00:31:52,320
Speaker 1: a mock you shock you rock youmentary? And just flipping

609
00:31:52,400 --> 00:31:55,320
Speaker 1: those two said, he calls it a mock you, shock

610
00:31:55,400 --> 00:31:59,600
Speaker 1: you rock You documentary. Part of the shock you Rock

611
00:31:59,640 --> 00:32:01,440
Speaker 1: You doumentary, part of the whole game is that you

612
00:32:01,520 --> 00:32:04,080
Speaker 1: get rid of the dock part. And because those words

613
00:32:04,200 --> 00:32:08,960
Speaker 1: rhyme with doc, you substitute them in so it's an easier, fun,

614
00:32:09,160 --> 00:32:11,640
Speaker 1: more fun way would be rock you shock, would shock

615
00:32:11,720 --> 00:32:13,360
Speaker 1: you drop you?

616
00:32:14,040 --> 00:32:16,440
Speaker 2: Well, he said, Well, what Kevin initially said to me

617
00:32:16,640 --> 00:32:19,640
Speaker 2: was it's a mock documentary that rocks and.

618
00:32:21,320 --> 00:32:24,800
Speaker 1: Microphone away. It's a mock documentary that rocks and shocks

619
00:32:25,120 --> 00:32:28,960
Speaker 1: your world. Yes, that was what he told me, and

620
00:32:29,240 --> 00:32:33,520
Speaker 1: actually that sounded kind of good, right, So the director,

621
00:32:34,000 --> 00:32:39,080
Speaker 1: Christopher Gethard uh uh he he did, went ahead and

622
00:32:39,160 --> 00:32:43,600
Speaker 1: combined those words. So it's the So it's the rock

623
00:32:43,680 --> 00:32:45,640
Speaker 1: you Shock you documentary that a rock your world. He

624
00:32:45,800 --> 00:32:50,080
Speaker 1: just went boop, got rid of doc. It's a mockumentary, okay,

625
00:32:50,200 --> 00:32:52,080
Speaker 1: And then you could keep going it's a rock you

626
00:32:52,640 --> 00:32:57,640
Speaker 1: mockumentary that sounds like to do that to me sounds

627
00:32:57,680 --> 00:33:03,680
Speaker 1: like career suicide. How's it going over there?

628
00:33:03,840 --> 00:33:06,000
Speaker 3: And I hate seeing you have such a bad time?

629
00:33:06,480 --> 00:33:09,920
Speaker 3: I obviously played We're so close. We got to go

630
00:33:10,040 --> 00:33:10,800
Speaker 3: back a little more.

631
00:33:10,960 --> 00:33:13,360
Speaker 1: We're going back to the very beginning. It's going back

632
00:33:13,440 --> 00:33:15,880
Speaker 1: too much. But I will say on the positive is

633
00:33:15,960 --> 00:33:19,320
Speaker 1: I'm feeling less guilty about being late by the second

634
00:33:19,560 --> 00:33:22,360
Speaker 1: member Oh yeah, a lot of Like I felt really bad.

635
00:33:23,160 --> 00:33:24,680
Speaker 1: I feel like I'm regaining late.

636
00:33:25,280 --> 00:33:26,920
Speaker 3: It does seem like it would have been a good

637
00:33:27,000 --> 00:33:31,600
Speaker 3: time to de find some clip right the forty minutes

638
00:33:31,960 --> 00:33:36,280
Speaker 3: that hour we were figuring out this movie show thing about.

639
00:33:38,240 --> 00:33:40,600
Speaker 1: Kevin Let's stup? Can do you want to talk about it? Like?

640
00:33:40,760 --> 00:33:45,960
Speaker 2: So you knew that the idea was to do commentary

641
00:33:46,080 --> 00:33:48,080
Speaker 2: on it, like even just for you as the person

642
00:33:48,120 --> 00:33:50,200
Speaker 2: who was going to be pressing play. Did you think

643
00:33:50,280 --> 00:33:54,160
Speaker 2: we would just listen to the entire episode? No way, Right,

644
00:33:54,400 --> 00:33:55,960
Speaker 2: it's like one of our longer episodes.

645
00:33:56,080 --> 00:33:58,880
Speaker 5: It is an hour and twenty minutes. Making the commentary

646
00:33:59,080 --> 00:34:02,920
Speaker 5: probably this episode like closer to two hours.

647
00:34:03,280 --> 00:34:05,080
Speaker 1: And uh, and there's no way we were going to

648
00:34:05,160 --> 00:34:07,640
Speaker 1: do that. I have a heart out, and Hayes did

649
00:34:07,760 --> 00:34:10,160
Speaker 1: have a heart out. Yeah.

650
00:34:10,200 --> 00:34:12,960
Speaker 5: I thought we would listen to the top and then

651
00:34:13,160 --> 00:34:15,640
Speaker 5: just kind of like see how we felt from there.

652
00:34:15,840 --> 00:34:20,799
Speaker 1: And just randomly and then search around for other stuff. Uh. Yeah,

653
00:34:21,640 --> 00:34:23,719
Speaker 1: So I'm kind of a curse to this show. Huh.

654
00:34:25,960 --> 00:34:28,840
Speaker 3: Somebody is so the people, the things that people have

655
00:34:28,960 --> 00:34:31,520
Speaker 3: been saying, I am starting to wonder if they were

656
00:34:31,680 --> 00:34:33,880
Speaker 3: right and it was about me being a curse or not.

657
00:34:34,040 --> 00:34:36,520
Speaker 1: I mean, you're here. You were here then, right, and

658
00:34:36,640 --> 00:34:37,439
Speaker 1: you're here now.

659
00:34:38,120 --> 00:34:41,080
Speaker 3: Well I was there then I'm here now. Okay, that

660
00:34:41,239 --> 00:34:44,560
Speaker 3: was in San Diego. That's interesting. Yeah, something to think about.

661
00:34:45,120 --> 00:34:48,080
Speaker 1: And are you allowed back into San Diego? I walked

662
00:34:48,160 --> 00:34:52,200
Speaker 1: straight into San Diego last night for the IMDb pro party.

663
00:34:52,960 --> 00:34:57,920
Speaker 1: Oh yeah, everyone on IMDb was there. Well yeah, well

664
00:34:57,960 --> 00:34:59,400
Speaker 1: your star meter had to be at a certain a

665
00:34:59,480 --> 00:35:04,160
Speaker 1: certain level. Oh what's yours. I'm well it's lower now

666
00:35:04,960 --> 00:35:06,799
Speaker 1: than it was a year ago, obviously, but it's four

667
00:35:06,880 --> 00:35:10,320
Speaker 1: hundred wow, yeah, four hundred stars.

668
00:35:10,600 --> 00:35:17,160
Speaker 5: Okay, I think I found the beginning.

669
00:35:16,880 --> 00:35:20,000
Speaker 1: And talk about that, and it was the energy in

670
00:35:20,040 --> 00:35:23,719
Speaker 1: the room was such a big Okay, here we go,

671
00:35:24,000 --> 00:35:36,680
Speaker 1: this is the beginning. We're starting. So I was with.

672
00:35:38,200 --> 00:35:46,319
Speaker 7: Arlie Quinn yeah, and Amy Tam yes, and we were

673
00:35:48,280 --> 00:35:54,400
Speaker 7: okay that's hard, oh yeah, much harder.

674
00:35:54,760 --> 00:35:54,960
Speaker 3: Yeah.

675
00:35:55,200 --> 00:35:55,799
Speaker 2: And so.

676
00:35:57,320 --> 00:36:00,640
Speaker 1: It's only you're only going by shape. Yeah you know that. Yeah.

677
00:36:01,280 --> 00:36:09,320
Speaker 1: And at a certain point I just decide, let's not

678
00:36:09,520 --> 00:36:14,120
Speaker 1: do this anymore. Just quit. Yeah, well just quit. Yeah, right,

679
00:36:14,200 --> 00:36:15,840
Speaker 1: let's just move on and do the show. Let's just

680
00:36:15,880 --> 00:36:18,479
Speaker 1: do the show, the show. Hey, welcome to Hollywood. Okay,

681
00:36:18,560 --> 00:36:22,920
Speaker 1: pose it. So what is going on for you in

682
00:36:23,080 --> 00:36:27,279
Speaker 1: this moment when I'm watching you guys do that intro? Yes?

683
00:36:27,880 --> 00:36:30,600
Speaker 1: Where are you like set the scene? Like, what are

684
00:36:30,680 --> 00:36:34,040
Speaker 1: you seeing? What are you hearing? What is going through

685
00:36:34,080 --> 00:36:34,560
Speaker 1: your head?

686
00:36:34,719 --> 00:36:34,879
Speaker 3: Well?

687
00:36:35,120 --> 00:36:37,239
Speaker 1: For me, it's so refreshing to hear. I just got

688
00:36:37,360 --> 00:36:40,360
Speaker 1: to say, having done the Duke Bush's Big Bean story

689
00:36:40,440 --> 00:36:42,640
Speaker 1: today and being like this one's not that good, but

690
00:36:42,760 --> 00:36:44,719
Speaker 1: then to hear what a bad one really sounds like

691
00:36:45,400 --> 00:36:48,440
Speaker 1: for me? It's pre show. Yeah, so I'm obviously in

692
00:36:48,480 --> 00:36:52,200
Speaker 1: the green room like shadow boxing, you know, I'm getting

693
00:36:52,200 --> 00:36:55,160
Speaker 1: ready to go on stage. There's nothing up there for me,

694
00:36:55,280 --> 00:36:58,719
Speaker 1: but you know the energy of the crowd. Did you

695
00:36:58,760 --> 00:37:01,319
Speaker 1: have to abuse like Creed? What's a poop?

696
00:37:01,440 --> 00:37:01,480
Speaker 4: No?

697
00:37:01,760 --> 00:37:06,680
Speaker 2: That's not do you now you're we can talk about

698
00:37:06,719 --> 00:37:11,799
Speaker 2: this a little bit. You are a sharpened blade when

699
00:37:11,840 --> 00:37:16,720
Speaker 2: you take the stage, absolutely, and you slice through the audience.

700
00:37:17,680 --> 00:37:22,040
Speaker 1: I slice and dice like and my styles are nice, right,

701
00:37:22,440 --> 00:37:24,680
Speaker 1: So that's my motto. And I don't know if my

702
00:37:24,800 --> 00:37:28,319
Speaker 1: Creed you probably don't even realize you're doing this that right?

703
00:37:29,120 --> 00:37:31,240
Speaker 1: What did Okay?

704
00:37:31,560 --> 00:37:34,920
Speaker 2: I this is what I suspected when you get in

705
00:37:35,000 --> 00:37:37,839
Speaker 2: the zone and I sort of summoned stage motion and yeah,

706
00:37:38,160 --> 00:37:42,120
Speaker 2: saying this, you said you slice and dice, and then

707
00:37:42,160 --> 00:37:44,080
Speaker 2: you mentioned that your styles are nice.

708
00:37:44,480 --> 00:37:47,719
Speaker 1: Oh my god, and it actually connects. You're so to

709
00:37:48,000 --> 00:37:50,320
Speaker 1: the words and then a third one. It's like, hearing

710
00:37:50,440 --> 00:37:52,920
Speaker 1: you say it back to me, I'm like, wow, that

711
00:37:53,080 --> 00:37:55,680
Speaker 1: rhymes and that sounds like the best sort of most.

712
00:37:55,600 --> 00:37:58,239
Speaker 3: Sophisticated rap I've ever heard. Yeah, but saying it, it

713
00:37:58,440 --> 00:38:00,279
Speaker 3: just came out like better. And can say I love

714
00:38:00,320 --> 00:38:02,680
Speaker 3: that your dad is hearing this. Of course you know

715
00:38:03,120 --> 00:38:05,759
Speaker 3: he's actually able to. He's hearing the recording. He's not

716
00:38:05,840 --> 00:38:07,440
Speaker 3: hearing the episode you release.

717
00:38:07,520 --> 00:38:10,600
Speaker 1: He hears as we He has like early access and

718
00:38:10,680 --> 00:38:13,680
Speaker 1: that should shows be like a premium tier thing. No,

719
00:38:13,800 --> 00:38:17,880
Speaker 1: they have a Patreon actually is running in heaven. Wow.

720
00:38:18,120 --> 00:38:20,239
Speaker 3: Yeah, well we should probably be thinking, I don't you

721
00:38:20,280 --> 00:38:21,840
Speaker 3: should be making your dad pay for this stuff?

722
00:38:21,920 --> 00:38:25,359
Speaker 1: Like it's that he was deaf his whole life. Think

723
00:38:25,400 --> 00:38:28,239
Speaker 1: about it. Okay, I didn't see anything for that. So

724
00:38:28,320 --> 00:38:31,440
Speaker 1: when you guys were on stage, wait, do what do

725
00:38:31,520 --> 00:38:33,920
Speaker 1: you want for me? How did I feel about how

726
00:38:34,000 --> 00:38:36,719
Speaker 1: you guys were doing? Yeah, you're watching this happen. What

727
00:38:36,840 --> 00:38:39,320
Speaker 1: are you thinking you're gonna walk into basically, well, I

728
00:38:39,400 --> 00:38:41,919
Speaker 1: knew I knew the show. Obviously, it's a huge show,

729
00:38:41,960 --> 00:38:44,560
Speaker 1: Oh my god. And I mean I knew that you

730
00:38:44,719 --> 00:38:49,200
Speaker 1: guys felt nervous about what was about to happen. You

731
00:38:49,360 --> 00:38:51,880
Speaker 1: guys mentioned it in the green room, and I was like,

732
00:38:52,520 --> 00:38:55,319
Speaker 1: you know, I'm jabbing. Well, yeah, you're like getting really

733
00:38:55,360 --> 00:38:56,240
Speaker 1: close to my face.

734
00:38:56,360 --> 00:38:59,680
Speaker 2: You're doing these fifteen punch combinations that are like whizzing

735
00:38:59,719 --> 00:39:00,560
Speaker 2: pounds my ear.

736
00:39:00,800 --> 00:39:03,479
Speaker 1: So you say we're nervous. I assume obviously it's because

737
00:39:03,480 --> 00:39:06,359
Speaker 1: I'm of the the moves I'm doing almost punching me. Yeah,

738
00:39:06,400 --> 00:39:09,080
Speaker 1: And I'm like, you guys, remember, I was like, you know,

739
00:39:09,200 --> 00:39:12,440
Speaker 1: don't worry. The only the only only people I knock

740
00:39:12,520 --> 00:39:16,440
Speaker 1: out is the audience. You remember, I remember waiting yourself

741
00:39:16,680 --> 00:39:19,319
Speaker 1: and you were so impressed with it is myself, you're

742
00:39:19,320 --> 00:39:22,640
Speaker 1: not yourself in a weird way. Yeah, but you guys,

743
00:39:22,680 --> 00:39:24,520
Speaker 1: I do remember, we're nervous because you didn't know if

744
00:39:24,560 --> 00:39:27,800
Speaker 1: anybody knew who you were in the audience. Is that

745
00:39:28,280 --> 00:39:30,640
Speaker 1: that's fair? And then you took the stage to tell's

746
00:39:30,640 --> 00:39:34,200
Speaker 1: so funny? I don't remember feeling that. Yeah, you guys

747
00:39:34,280 --> 00:39:36,320
Speaker 1: took to the stage to tell a you know, a

748
00:39:36,440 --> 00:39:42,000
Speaker 1: sort of whimsical game. Yeah, and you're It seemed to

749
00:39:42,120 --> 00:39:44,920
Speaker 1: me that you felt that your fears were confirmed in

750
00:39:45,000 --> 00:39:48,319
Speaker 1: that moment. Ah, that was I thinking that.

751
00:39:51,480 --> 00:39:54,960
Speaker 2: It's interesting because you know, when you're really listening and

752
00:39:55,120 --> 00:39:58,719
Speaker 2: again listening now and listening at the time, I realized

753
00:39:58,760 --> 00:40:02,479
Speaker 2: that in telling that whimsical story, as you so kindly

754
00:40:02,560 --> 00:40:05,960
Speaker 2: described it, I am sort of pausing for laughter without

755
00:40:06,040 --> 00:40:09,239
Speaker 2: having said any kind of joke, and then in the

756
00:40:09,360 --> 00:40:15,560
Speaker 2: vacuum created by the lack of laughter, I'm mad at them.

757
00:40:18,239 --> 00:40:22,359
Speaker 2: I guess I think it's impolite, but if I put

758
00:40:22,440 --> 00:40:25,640
Speaker 2: myself in their shoes, totally fair.

759
00:40:26,160 --> 00:40:28,239
Speaker 3: I'm listening to this on better headphones than I have

760
00:40:28,320 --> 00:40:30,680
Speaker 3: in the past, and there's, uh, there's one moment where

761
00:40:30,760 --> 00:40:35,360
Speaker 3: someone like scoots their chair. Really it's one of the

762
00:40:35,520 --> 00:40:38,200
Speaker 3: loudest chair scoots I've ever heard.

763
00:40:38,560 --> 00:40:40,560
Speaker 1: Well, can I do you have another clip? Do you

764
00:40:40,640 --> 00:40:43,240
Speaker 1: want to play? I didn't mean to take over hosting

765
00:40:43,320 --> 00:40:44,680
Speaker 1: the show, but I was off the hook.

766
00:40:44,719 --> 00:40:48,040
Speaker 2: And we'll explain a little bit about ourselves, about our deal.

767
00:40:48,480 --> 00:40:53,640
Speaker 1: Uh, Sean and I this is Sean. I'm Sean. We

768
00:40:54,560 --> 00:40:57,040
Speaker 1: have done Hollywood.

769
00:40:57,440 --> 00:41:01,759
Speaker 3: Huh. Basically, the whole pretty much all of it, the

770
00:41:01,840 --> 00:41:05,719
Speaker 3: whole we Uh what would we be best known for

771
00:41:06,000 --> 00:41:09,480
Speaker 3: for like a comic con crowd? Well, for me, I

772
00:41:09,680 --> 00:41:13,680
Speaker 3: obviously played the original in the original series.

773
00:41:13,960 --> 00:41:15,000
Speaker 1: Uh, Missus Batman.

774
00:41:19,920 --> 00:41:24,399
Speaker 3: Jordan's if only you had been there, I guess you were,

775
00:41:24,600 --> 00:41:27,560
Speaker 3: But if you understood what was happening then in a

776
00:41:27,640 --> 00:41:29,359
Speaker 3: way that you have figured.

777
00:41:29,120 --> 00:41:31,480
Speaker 1: Out since, yes, I would have been laughing in the

778
00:41:31,520 --> 00:41:35,200
Speaker 1: whole episode. Yes, it was laugh curiosity. That was Jordan's

779
00:41:35,320 --> 00:41:40,120
Speaker 1: in the studio, miss Batman, not Missus Batman.

780
00:41:40,520 --> 00:41:42,120
Speaker 3: There was a laugh on us saying we had done

781
00:41:43,400 --> 00:41:48,319
Speaker 3: the least jokey thing that we were saying. I feel

782
00:41:48,360 --> 00:41:52,279
Speaker 3: bad motion because you sort of fed me that. I

783
00:41:52,400 --> 00:41:55,480
Speaker 3: did give you that concept in the green room to

784
00:41:55,600 --> 00:41:58,000
Speaker 3: make me less nervous, and it did work because I'm like,

785
00:41:58,080 --> 00:41:59,760
Speaker 3: oh good, I'm sitting on missus.

786
00:42:00,360 --> 00:42:01,600
Speaker 1: I said, I do remember that.

787
00:42:01,719 --> 00:42:01,920
Speaker 2: I was.

788
00:42:02,080 --> 00:42:03,880
Speaker 1: I was punching, and I said, you know what always

789
00:42:03,920 --> 00:42:06,879
Speaker 1: works with these yahoos, right, yeah, these are like comic dorks,

790
00:42:07,800 --> 00:42:10,080
Speaker 1: Missus bad. And I did like a long act out

791
00:42:10,120 --> 00:42:12,560
Speaker 1: of like the way that dorks act, you know, it's

792
00:42:12,600 --> 00:42:15,640
Speaker 1: all like that, yeah, you know. And I was like

793
00:42:15,719 --> 00:42:17,839
Speaker 1: pushing my glasses up and I said, all you gotta

794
00:42:17,880 --> 00:42:20,560
Speaker 1: do take a popular franchise from a comic book film

795
00:42:20,840 --> 00:42:23,279
Speaker 1: and then make it about the spouse of that hero,

796
00:42:24,360 --> 00:42:27,400
Speaker 1: which has literally always worked for me. And so what

797
00:42:27,520 --> 00:42:31,600
Speaker 1: do you think it was? Delivery delivery? Definitely delivery delivery.

798
00:42:32,200 --> 00:42:35,320
Speaker 1: And listening back even I am going wow when Mosha

799
00:42:35,440 --> 00:42:37,200
Speaker 1: did this, it was so fucking funny.

800
00:42:37,239 --> 00:42:39,399
Speaker 2: In the green room, I'm pissing myself in the green

801
00:42:39,520 --> 00:42:41,279
Speaker 2: room because I was looking for a new set of

802
00:42:41,400 --> 00:42:43,879
Speaker 2: freaking chinos after that you did that bit.

803
00:42:44,080 --> 00:42:48,640
Speaker 1: There are certain voice patterns to to let the audience

804
00:42:48,760 --> 00:42:51,319
Speaker 1: know that was a joke and is it? Yeah?

805
00:42:51,680 --> 00:42:54,080
Speaker 2: Is one of the voice patterns that they like, a

806
00:42:54,200 --> 00:42:57,360
Speaker 2: sort of quavering, weasily neediness.

807
00:42:58,080 --> 00:43:01,040
Speaker 3: That's because I want to know who someone who is

808
00:43:01,440 --> 00:43:04,360
Speaker 3: scared of their own fear excess.

809
00:43:05,400 --> 00:43:09,200
Speaker 1: That is a technique in what we call alternative comedy.

810
00:43:09,360 --> 00:43:13,160
Speaker 1: Ah right, alternative comedy.

811
00:43:13,200 --> 00:43:15,480
Speaker 3: A lot of people say to say, it's almost a

812
00:43:15,800 --> 00:43:17,560
Speaker 3: alternative two comedy.

813
00:43:17,760 --> 00:43:20,920
Speaker 1: I'm a club guy, you know that's me, So I

814
00:43:21,280 --> 00:43:24,400
Speaker 1: tell jokes. So I would have said, you might remember

815
00:43:24,560 --> 00:43:29,600
Speaker 1: me from the popular movie franchise Missus Batman and that

816
00:43:29,840 --> 00:43:34,880
Speaker 1: up tick that Batman, my fucking brutal Batman.

817
00:43:35,440 --> 00:43:38,360
Speaker 3: Then the audience is like man, end of joke of

818
00:43:38,400 --> 00:43:41,040
Speaker 3: the joke, and then they're just you're like squatting or

819
00:43:41,200 --> 00:43:46,080
Speaker 3: like yes, yes, doing a squad or up the stool, yeah,

820
00:43:46,200 --> 00:43:46,960
Speaker 3: missus Batman.

821
00:43:47,320 --> 00:43:50,480
Speaker 1: Oh oh, Bruce Wayne. Oh you know what I mean.

822
00:43:50,520 --> 00:43:52,960
Speaker 1: I'll start like it's Bruce Wayne or something like that.

823
00:43:53,080 --> 00:43:55,439
Speaker 3: I'm like, oh, Albert, did you get me a spot

824
00:43:55,600 --> 00:43:58,839
Speaker 3: o t you know, kind of a thing Albert, isn't

825
00:43:58,880 --> 00:43:59,719
Speaker 3: that that's the name of.

826
00:43:59,719 --> 00:44:03,759
Speaker 1: The Albert Albert? Yeah, yeah, albrid Yeah, So that's what

827
00:44:03,800 --> 00:44:06,640
Speaker 1: I would have done. But it's so funny, it's different,

828
00:44:06,760 --> 00:44:09,839
Speaker 1: you know, Yeah that I think it'll work.

829
00:44:10,120 --> 00:44:12,239
Speaker 2: Yeah, when you were doing that in the green room, man,

830
00:44:12,520 --> 00:44:18,640
Speaker 2: I was like checking my chinos for for yeah, and

831
00:44:18,800 --> 00:44:25,040
Speaker 2: also yeah, also blasting off o pp and from Batman.

832
00:44:25,160 --> 00:44:32,160
Speaker 3: Kind of oh no, ship, Okay, let's hear another part.

833
00:44:32,640 --> 00:44:35,399
Speaker 1: We were thinking people might not know who we are.

834
00:44:36,000 --> 00:44:37,879
Speaker 2: Let's do almost what we did in the very first

835
00:44:37,920 --> 00:44:39,200
Speaker 2: episode of our podcast.

836
00:44:39,640 --> 00:44:43,920
Speaker 1: This is do these kind of very next moment Well.

837
00:44:45,360 --> 00:44:50,239
Speaker 2: Quick, you know, I wonder if we want to like

838
00:44:50,400 --> 00:44:53,359
Speaker 2: even get to like Mosha or something that would be great.

839
00:44:54,440 --> 00:44:57,520
Speaker 2: So I'll just talk again about part of what's going on,

840
00:44:57,760 --> 00:45:00,279
Speaker 2: is like Kevin left the god up in left the

841
00:45:00,360 --> 00:45:01,840
Speaker 2: room for a while a.

842
00:45:01,840 --> 00:45:02,879
Speaker 1: Substantial period of time.

843
00:45:03,000 --> 00:45:06,239
Speaker 2: Yeah, I got into the other the other part of

844
00:45:06,280 --> 00:45:08,680
Speaker 2: the studio, and I thought maybe that was so he

845
00:45:08,840 --> 00:45:12,600
Speaker 2: could like find specific moments.

846
00:45:13,760 --> 00:45:17,680
Speaker 1: Not and not be sitting right next to us. I think,

847
00:45:19,239 --> 00:45:22,680
Speaker 1: just not being in the room anymore. It did seem, though,

848
00:45:22,719 --> 00:45:25,080
Speaker 1: to your credit, like he was like, all right, let's

849
00:45:25,120 --> 00:45:27,279
Speaker 1: go play that first clip, and then was like, all right,

850
00:45:27,320 --> 00:45:29,200
Speaker 1: clip number two. But it was the moment after clip

851
00:45:29,280 --> 00:45:31,680
Speaker 1: number one, it was like situation handled.

852
00:45:31,760 --> 00:45:33,839
Speaker 2: Yeah, and then I thought like, and now he's going

853
00:45:33,920 --> 00:45:36,719
Speaker 2: to play like a relevant clip, but it just was

854
00:45:36,840 --> 00:45:39,200
Speaker 2: playing this from the exact moment we stopped.

855
00:45:40,440 --> 00:45:42,920
Speaker 3: I do want to hear when Mosha first shows up,

856
00:45:42,960 --> 00:45:45,880
Speaker 3: because that was sort of like a crossroads for you

857
00:45:46,480 --> 00:45:48,680
Speaker 3: for my career from the back of like things you

858
00:45:48,800 --> 00:45:52,600
Speaker 3: could have done instead in that moment of instead.

859
00:45:52,200 --> 00:45:53,440
Speaker 1: Of a peerod got stage.

860
00:45:53,960 --> 00:45:57,000
Speaker 3: No, You're right, I mean, yeah, there was you could

861
00:45:57,000 --> 00:46:00,160
Speaker 3: look at like the floor plan of the studio and

862
00:46:00,280 --> 00:46:04,279
Speaker 3: like there were like other routes you could have taken. Well, yeah,

863
00:46:04,360 --> 00:46:07,400
Speaker 3: and I'll never forget it because there was actually a

864
00:46:07,520 --> 00:46:10,719
Speaker 3: passenger fifty seven cast reunion panel happening at the same

865
00:46:10,800 --> 00:46:13,359
Speaker 3: time that I obviously really wanted to go to. Yeah,

866
00:46:13,680 --> 00:46:16,279
Speaker 3: and I was like, oh no, you know these are

867
00:46:16,320 --> 00:46:19,080
Speaker 3: good guys. You know this is like this is a

868
00:46:19,120 --> 00:46:21,040
Speaker 3: popular podcast. The whole crowd is going to know who

869
00:46:21,080 --> 00:46:24,480
Speaker 3: they are. I'm not gonna So I did think about that.

870
00:46:25,360 --> 00:46:28,080
Speaker 3: And you still have questions that you didn't get to ask.

871
00:46:28,280 --> 00:46:30,279
Speaker 3: That's right at the panel. Who's passenger fifty A?

872
00:46:30,400 --> 00:46:32,440
Speaker 1: Yeah? Like what is this? Is this a movie?

873
00:46:32,640 --> 00:46:32,680
Speaker 8: What?

874
00:46:32,800 --> 00:46:34,960
Speaker 1: Yeah? What was what was prison? Like Wesley like a

875
00:46:35,040 --> 00:46:38,719
Speaker 1: lot of different snipes, also like it's oh so it

876
00:46:38,880 --> 00:46:40,719
Speaker 1: is a movie? Passenger fifty seven years?

877
00:46:41,160 --> 00:46:41,560
Speaker 8: It was?

878
00:46:42,560 --> 00:46:44,560
Speaker 1: Right? It was? It was not anymore?

879
00:46:44,719 --> 00:46:48,520
Speaker 2: Yeah, stop because the passenger that's interesting? Did they used

880
00:46:48,560 --> 00:46:50,960
Speaker 2: to every pastor had their own number? Because what I

881
00:46:51,040 --> 00:46:53,120
Speaker 2: think is like it's an aisle like it would be

882
00:46:53,320 --> 00:46:55,239
Speaker 2: now like passenger thirteen A.

883
00:46:56,200 --> 00:46:58,800
Speaker 3: Right, but this was a very big plane but with

884
00:46:58,920 --> 00:47:03,239
Speaker 3: only one chair per row. Okay, so it's very very long.

885
00:47:04,400 --> 00:47:07,279
Speaker 2: Who were cast members like two through six that you

886
00:47:07,440 --> 00:47:09,120
Speaker 2: wanted to see at the cast reunion?

887
00:47:09,760 --> 00:47:15,760
Speaker 1: What is this Doug Love's movies? He's fucking the table?

888
00:47:17,520 --> 00:47:24,840
Speaker 1: What we what were here? We had one?

889
00:47:25,719 --> 00:47:31,680
Speaker 2: Yeah, apparency well translucency and yeah, and letting people inside

890
00:47:31,800 --> 00:47:33,440
Speaker 2: the show business process.

891
00:47:33,600 --> 00:47:35,440
Speaker 1: And so what we want to do is kind of

892
00:47:35,480 --> 00:47:37,880
Speaker 1: as a treat. We're gonna bring up our friend who

893
00:47:37,960 --> 00:47:40,760
Speaker 1: writes with us, uh, and we are all.

894
00:47:40,719 --> 00:47:43,680
Speaker 3: Going to break the story on stage, all right, So

895
00:47:43,800 --> 00:47:46,760
Speaker 3: let's bring out our friend Moshi Pat.

896
00:47:49,760 --> 00:47:51,360
Speaker 1: Now this was a fun area for me.

897
00:47:51,520 --> 00:47:53,759
Speaker 3: Now, if you want to know what I was thinking

898
00:47:53,840 --> 00:47:55,960
Speaker 3: at this moment, I do remember what I was thinking

899
00:47:56,160 --> 00:47:59,520
Speaker 3: at this moment, particularly remember this one clearly, which is

900
00:47:59,719 --> 00:48:01,120
Speaker 3: that's not how you pronounce my name.

901
00:48:02,040 --> 00:48:04,319
Speaker 1: Yeah, But then I thought it must have been a game.

902
00:48:04,880 --> 00:48:07,640
Speaker 1: It's the kind of thing we would do as a joke, right,

903
00:48:07,760 --> 00:48:13,560
Speaker 1: But but I don't you said it correctly? Yeah, So

904
00:48:13,920 --> 00:48:16,320
Speaker 1: that I had met you before, that's what made.

905
00:48:16,239 --> 00:48:19,640
Speaker 3: Me doubt that it was a joke, because you immediately

906
00:48:19,680 --> 00:48:22,680
Speaker 3: stepped in in this way that I can I've seen before,

907
00:48:22,680 --> 00:48:24,200
Speaker 3: which is to try to fix the error.

908
00:48:24,360 --> 00:48:26,279
Speaker 1: But that but what that may have been? So I

909
00:48:26,400 --> 00:48:30,680
Speaker 1: betrayed Hayes in a way. But what about what about

910
00:48:30,960 --> 00:48:34,160
Speaker 1: you knew? Yeah? What about after that?

911
00:48:34,239 --> 00:48:36,759
Speaker 3: When I said Moshe though that was well, that was

912
00:48:36,880 --> 00:48:38,640
Speaker 3: nice because that's my stage name, is.

913
00:48:38,640 --> 00:48:41,400
Speaker 1: It weird that people are now calling you Moshi. Well

914
00:48:41,440 --> 00:48:43,239
Speaker 1: that's been a big problem why it's been hard to

915
00:48:43,280 --> 00:48:45,000
Speaker 1: make a living yet, because people don't know who I

916
00:48:45,080 --> 00:48:48,239
Speaker 1: am anymore. They I say my name and they say who,

917
00:48:48,719 --> 00:48:50,560
Speaker 1: and and then I'll say Moshi. They go, oh, Hollywood

918
00:48:50,560 --> 00:48:55,040
Speaker 1: Hamburg episode two hundred and ninety nine. Yeah, right, yeah,

919
00:48:55,239 --> 00:48:57,480
Speaker 1: that's right. So that there was a branding issue that

920
00:48:57,560 --> 00:49:00,759
Speaker 1: definitely happened. I did. I was thinking about your name

921
00:49:00,760 --> 00:49:02,840
Speaker 1: a little bit today and.

922
00:49:04,880 --> 00:49:08,160
Speaker 2: That when we recorded this episode and even you agree

923
00:49:08,239 --> 00:49:11,560
Speaker 2: to do this this next one with us, that it

924
00:49:11,680 --> 00:49:13,720
Speaker 2: was so kind and that you were such a sweetie.

925
00:49:13,880 --> 00:49:17,920
Speaker 2: And then I was singing sweet ee mosha to the

926
00:49:18,000 --> 00:49:21,080
Speaker 2: tune of Sweet Emotion by Aerosmith, just to myself around

927
00:49:21,120 --> 00:49:21,640
Speaker 2: the office.

928
00:49:21,880 --> 00:49:22,960
Speaker 1: Oh that's you ever do.

929
00:49:23,080 --> 00:49:25,800
Speaker 3: That about my own name or just sing other people's

930
00:49:25,880 --> 00:49:31,600
Speaker 3: names into the Sweet Emotions sho as you would sing

931
00:49:31,640 --> 00:49:34,759
Speaker 3: sweet emosh, sweet e mo shee.

932
00:49:35,840 --> 00:49:39,800
Speaker 1: Yeah, it's a different tune. Yeah, I like that. Moshe

933
00:49:40,080 --> 00:49:44,200
Speaker 1: is cool with a little accent. That's better. Well, that's better.

934
00:49:44,880 --> 00:49:48,840
Speaker 1: No offense, no, none taken. It's it's not important to me.

935
00:49:48,880 --> 00:49:53,200
Speaker 1: It's only my identity. But uh, I do cashier, I

936
00:49:53,280 --> 00:49:57,239
Speaker 1: will I would, I guess change my name? Yeah to that.

937
00:49:57,760 --> 00:50:00,320
Speaker 1: It's just one little line. This is a little just

938
00:50:00,480 --> 00:50:03,239
Speaker 1: a little, this little mark. It just feels like it

939
00:50:03,560 --> 00:50:06,600
Speaker 1: changes who I am. I go from like, but don't

940
00:50:06,600 --> 00:50:10,759
Speaker 1: you want to do that as who you are working out? Well?

941
00:50:11,840 --> 00:50:13,719
Speaker 3: Led to me is the pitch? Well, I love the

942
00:50:13,800 --> 00:50:20,040
Speaker 3: audience and I am the audience. Oh again, back in

943
00:50:20,239 --> 00:50:20,920
Speaker 3: back in business.

944
00:50:21,040 --> 00:50:24,520
Speaker 1: I'm just saying, I'll think about it. Do we have

945
00:50:24,600 --> 00:50:25,120
Speaker 1: a new part?

946
00:50:25,160 --> 00:50:26,680
Speaker 3: I don't know how much we can say. We've written

947
00:50:26,719 --> 00:50:29,520
Speaker 3: all these fucking movies. Yeah, we've written every single one.

948
00:50:30,000 --> 00:50:32,440
Speaker 1: I mean, I won't say that you created the character

949
00:50:32,480 --> 00:50:34,840
Speaker 1: Spider Man, but I won't not say that you didn't.

950
00:50:34,920 --> 00:50:37,239
Speaker 3: Well, just from the way I was jumping around right

951
00:50:38,120 --> 00:50:44,640
Speaker 3: after that, I'm the I'm like a bell curve.

952
00:50:45,200 --> 00:50:48,960
Speaker 1: You destroy this episode. I mean, you know you want

953
00:50:49,000 --> 00:50:51,000
Speaker 1: my real thoughts on this episode. I was gonna wait

954
00:50:51,040 --> 00:50:53,120
Speaker 1: till the end, but I'm not. Are we gonna We're

955
00:50:53,160 --> 00:50:56,799
Speaker 1: probably pretty close? Okay? Well, I honestly and now now

956
00:50:57,000 --> 00:51:00,279
Speaker 1: this is sincere I as a as a stand up

957
00:51:00,280 --> 00:51:03,800
Speaker 1: comedian in the highest form of comedy, I thought it

958
00:51:03,920 --> 00:51:07,520
Speaker 1: was a sort of a master class in watching an

959
00:51:07,600 --> 00:51:13,800
Speaker 1: audience not know what was happening, and then get swept

960
00:51:13,920 --> 00:51:18,080
Speaker 1: up into the psychic current of what they were witnessing.

961
00:51:18,320 --> 00:51:21,360
Speaker 1: Like they were yes confused at the beginning because they

962
00:51:21,440 --> 00:51:24,640
Speaker 1: had no context for what they were watching. By the

963
00:51:24,920 --> 00:51:26,880
Speaker 1: end of the thing, and I take, I mean, I

964
00:51:27,239 --> 00:51:29,040
Speaker 1: had a good time, but you guys were very funny too.

965
00:51:29,440 --> 00:51:32,239
Speaker 1: By the end of the thing, they were hysteric. I

966
00:51:32,400 --> 00:51:34,759
Speaker 1: felt it was a huge I that felt it was

967
00:51:34,800 --> 00:51:36,920
Speaker 1: a bigger success than a show that where they everybody

968
00:51:36,960 --> 00:51:39,200
Speaker 1: knew you and was laughing the whole time at your jokes.

969
00:51:39,480 --> 00:51:43,920
Speaker 1: It was a group of cold strangers going, oh, this

970
00:51:44,160 --> 00:51:47,720
Speaker 1: bizarre thing that we're witnessing is like magical and happening

971
00:51:47,840 --> 00:51:53,800
Speaker 1: before us. I was very impressed me too. I do

972
00:51:54,040 --> 00:51:56,800
Speaker 1: remember exactly what I've been saying, and I was curious

973
00:51:56,880 --> 00:51:57,719
Speaker 1: to hear this that you.

974
00:51:58,640 --> 00:52:00,960
Speaker 2: We were like, hey, sorry, that was such a disaster,

975
00:52:01,239 --> 00:52:04,359
Speaker 2: and you immediately were like, I thought it went pretty well.

976
00:52:05,080 --> 00:52:08,320
Speaker 1: I did. I really did, because I've had that, but

977
00:52:08,440 --> 00:52:10,839
Speaker 1: I hadn't heard this explanation of it, because of course

978
00:52:10,880 --> 00:52:13,000
Speaker 1: I went like, what are these stand up shows sound like?

979
00:52:13,360 --> 00:52:18,839
Speaker 1: But well, no, as a stand up sometimes it's very

980
00:52:19,320 --> 00:52:21,040
Speaker 1: when you kill in front of a hot crowd where

981
00:52:21,040 --> 00:52:22,960
Speaker 1: everybody's killing. That's one of the That's a great feeling

982
00:52:23,000 --> 00:52:27,239
Speaker 1: because you're just like, I killed. Your ego has been satisfied.

983
00:52:27,640 --> 00:52:30,720
Speaker 1: But when you find a way to wrestle a terrible

984
00:52:30,800 --> 00:52:34,680
Speaker 1: audience into your sort of frequency of comedy and by

985
00:52:34,719 --> 00:52:37,320
Speaker 1: the end you've gotten them, getting.

986
00:52:37,080 --> 00:52:40,640
Speaker 2: A lukewarm reaction from an ice cold audience is more satisfying.

987
00:52:40,719 --> 00:52:42,880
Speaker 1: You just feel like more of a master. You feel like, Oh,

988
00:52:42,960 --> 00:52:45,640
Speaker 1: I did the impossible, rather than I did what everybody

989
00:52:45,680 --> 00:52:47,319
Speaker 1: else did tonight. I did the imp and that's how

990
00:52:47,360 --> 00:52:49,680
Speaker 1: that felt. And by the way, I'll never forget when

991
00:52:49,719 --> 00:52:53,520
Speaker 1: I pulled that last card. Oh yeah, that was a

992
00:52:53,560 --> 00:52:56,799
Speaker 1: great feeling. That was cool. That would be a good

993
00:52:56,880 --> 00:53:00,600
Speaker 1: clip to have. But I just there's absolutely no moments

994
00:53:00,719 --> 00:53:00,920
Speaker 1: like that.

995
00:53:01,320 --> 00:53:04,399
Speaker 2: Yeah, isolated moments from the show that we would almost

996
00:53:04,480 --> 00:53:10,600
Speaker 2: certainly reference. When did we plan When did we first

997
00:53:10,680 --> 00:53:13,480
Speaker 2: plan on doing this? Like getting moshow? Like, how long

998
00:53:13,560 --> 00:53:14,279
Speaker 2: has he been booked for?

999
00:53:15,239 --> 00:53:18,319
Speaker 1: I will say it's been a while. It's been yeah,

1000
00:53:18,360 --> 00:53:24,480
Speaker 1: a couple of weeks. It's been longer than that. Sorry,

1001
00:53:25,440 --> 00:53:28,000
Speaker 1: I guess s feel really bad. You feel bad, I

1002
00:53:28,120 --> 00:53:32,600
Speaker 1: feel bad. I would you say I'm the two like

1003
00:53:33,280 --> 00:53:38,200
Speaker 1: I'm a disaster, most unsuccessful like concept executions we've ever done. Yeah,

1004
00:53:38,280 --> 00:53:39,920
Speaker 1: that's kind of like, how how am I supposed to

1005
00:53:39,920 --> 00:53:40,520
Speaker 1: not even close?

1006
00:53:41,239 --> 00:53:43,920
Speaker 2: Way too much credit the fact that the last one

1007
00:53:44,040 --> 00:53:47,200
Speaker 2: was live, Kevin, Please don't feel that bad. If you

1008
00:53:47,360 --> 00:53:51,000
Speaker 2: had done this perfect that we directly asked you to do,

1009
00:53:51,320 --> 00:53:54,920
Speaker 2: it would not be Hollywood Handbook. It wouldn't it wouldn't

1010
00:53:54,960 --> 00:53:58,200
Speaker 2: be our show. If we in a clean way just

1011
00:53:58,280 --> 00:54:02,920
Speaker 2: like played like selected clips that were the right leg

1012
00:54:03,040 --> 00:54:04,920
Speaker 2: that then we commented on what is that?

1013
00:54:05,360 --> 00:54:08,719
Speaker 1: Well, the different show? What are we reacting to? To

1014
00:54:08,920 --> 00:54:11,840
Speaker 1: his credit, To his credit, when I got the booking email,

1015
00:54:12,160 --> 00:54:14,279
Speaker 1: it did sort of lay out what we were going

1016
00:54:14,320 --> 00:54:18,239
Speaker 1: to do today, and it did specifically say you're going

1017
00:54:18,320 --> 00:54:21,000
Speaker 1: to be forty minutes late. You've got a nice cushion,

1018
00:54:21,600 --> 00:54:24,239
Speaker 1: right and Kevin, and then we're going to do some

1019
00:54:24,320 --> 00:54:26,960
Speaker 1: commentary on the episode you did. But the kind of

1020
00:54:27,160 --> 00:54:31,320
Speaker 1: meta joke is, we're going to play about three clips

1021
00:54:31,360 --> 00:54:34,160
Speaker 1: from the very very very beginning where you haven't been introduced.

1022
00:54:35,239 --> 00:54:37,920
Speaker 1: We'll do one joke from you, and then we'll kind.

1023
00:54:37,760 --> 00:54:41,600
Speaker 3: Of give up and we'll hear me like scrolling through

1024
00:54:41,680 --> 00:54:45,240
Speaker 3: the episode Yeah, to find it like that'll be on Mike, Kevin.

1025
00:54:45,320 --> 00:54:48,520
Speaker 1: That's really nice. Yeah, I thought that's what we were doing. Kevin,

1026
00:54:48,560 --> 00:54:50,920
Speaker 1: you understand the show better than I do. I mean

1027
00:54:51,000 --> 00:54:51,880
Speaker 1: that's what I'm learning.

1028
00:54:53,600 --> 00:54:55,360
Speaker 5: Yes, thank you, thank you everyone.

1029
00:54:59,680 --> 00:55:00,600
Speaker 1: So I I expected this.

1030
00:55:00,840 --> 00:55:03,120
Speaker 3: When do you think that since we had such a

1031
00:55:03,200 --> 00:55:06,239
Speaker 3: build during the show last year, that they would bring us.

1032
00:55:06,280 --> 00:55:10,800
Speaker 1: Back this year and we'd be starting at where we

1033
00:55:11,120 --> 00:55:14,040
Speaker 1: ended last year. The same audience would be there ready

1034
00:55:14,080 --> 00:55:16,520
Speaker 1: for by like year six of doing it. I think

1035
00:55:16,560 --> 00:55:21,800
Speaker 1: we'd be getting genuine last Yeah, but they didn't. We

1036
00:55:21,880 --> 00:55:25,440
Speaker 1: didn't hear anything about it. No, that was strange, right,

1037
00:55:25,560 --> 00:55:28,200
Speaker 1: that's so weird. I wonder if I don't have my email.

1038
00:55:28,320 --> 00:55:30,680
Speaker 1: I got an idea for you guys, something to you.

1039
00:55:30,960 --> 00:55:35,319
Speaker 1: Hey man, No way, okay, go ahead, do it. Well,

1040
00:55:35,360 --> 00:55:37,680
Speaker 1: it's just it's we'll cut this. But it's a show

1041
00:55:37,800 --> 00:55:41,320
Speaker 1: about an old kind of stuck in his ways, racist

1042
00:55:41,400 --> 00:55:45,279
Speaker 1: guy who's dealing with a changing world. Ye. And it's

1043
00:55:45,520 --> 00:55:49,000
Speaker 1: like an older guy kind of working at the factory. Okay, No,

1044
00:55:49,080 --> 00:55:52,080
Speaker 1: but this is a real pitch ready you Because when

1045
00:55:52,120 --> 00:55:54,279
Speaker 1: I listened to the episode back, I listened to every

1046
00:55:54,280 --> 00:55:56,960
Speaker 1: podcast episode I'm on, just you know, because it's just like,

1047
00:55:57,120 --> 00:55:59,279
Speaker 1: obviously I want to hear a master at work. Yeah,

1048
00:55:59,560 --> 00:56:02,160
Speaker 1: but I was a little surprised that you guys did

1049
00:56:02,239 --> 00:56:05,640
Speaker 1: the meta commentary, and I was it was very funny

1050
00:56:05,680 --> 00:56:08,360
Speaker 1: what you did, but I was disappointed because I was

1051
00:56:08,440 --> 00:56:13,960
Speaker 1: so enamored of the magical the pure version of going

1052
00:56:14,040 --> 00:56:17,160
Speaker 1: from like huh to ha, and we cut all your

1053
00:56:17,200 --> 00:56:22,440
Speaker 1: good stuff. That's right. That bothered me from wow. So

1054
00:56:22,680 --> 00:56:26,240
Speaker 1: maybe you should release it's just a pitch. Maybe release

1055
00:56:26,840 --> 00:56:31,279
Speaker 1: the unedited audio of that episode as an extra, like

1056
00:56:31,440 --> 00:56:33,759
Speaker 1: as an extra in the feed, like we'll release.

1057
00:56:33,680 --> 00:56:36,160
Speaker 2: This episode as our three hundred episode of an episode,

1058
00:56:36,560 --> 00:56:39,560
Speaker 2: you know, three hundred A is the.

1059
00:56:39,680 --> 00:56:46,000
Speaker 1: Uncut, it's just the no commentary. Yeah, the studio cut really.

1060
00:56:46,120 --> 00:56:49,120
Speaker 3: Right, the director's edition, And maybe that's only on premium.

1061
00:56:50,040 --> 00:56:52,080
Speaker 3: That should be it should be harder to get.

1062
00:56:51,960 --> 00:56:54,120
Speaker 1: To definitely because you don't want a lot of people

1063
00:56:54,160 --> 00:56:54,520
Speaker 1: to hear it.

1064
00:56:55,560 --> 00:56:58,640
Speaker 2: Yes, but but yes that could be released on premium

1065
00:56:58,719 --> 00:57:00,239
Speaker 2: as like a pro version or thing.

1066
00:57:00,360 --> 00:57:03,880
Speaker 1: That's a good idea more guests should like. He pitches about,

1067
00:57:04,000 --> 00:57:06,640
Speaker 1: like the guy, how we could do the show is

1068
00:57:06,920 --> 00:57:10,120
Speaker 1: this is why I love being in a punch right turn?

1069
00:57:10,239 --> 00:57:12,720
Speaker 1: And then turn him around, turn him around, turn him around.

1070
00:57:12,800 --> 00:57:13,839
Speaker 1: You know, put that in there.

1071
00:57:13,880 --> 00:57:18,240
Speaker 2: Somehow it made me like available it was a Simpsons joke.

1072
00:57:18,320 --> 00:57:19,920
Speaker 2: I mean it would never be in a movie, but

1073
00:57:20,160 --> 00:57:21,240
Speaker 2: it was very funny to me.

1074
00:57:21,760 --> 00:57:24,640
Speaker 1: I saw the movie and I don't. I don't. I

1075
00:57:24,760 --> 00:57:27,040
Speaker 1: never had the feeling of oh I oh, I said that.

1076
00:57:27,240 --> 00:57:29,520
Speaker 2: I never got There was not any non bits that

1077
00:57:29,600 --> 00:57:32,680
Speaker 2: you remembered. Mike kum Mail didn't say to you, oh,

1078
00:57:32,760 --> 00:57:35,920
Speaker 2: we used this thing. He didn't, okay, because I had

1079
00:57:36,120 --> 00:57:39,560
Speaker 2: one joke that got like you said, the area of

1080
00:57:39,640 --> 00:57:42,680
Speaker 2: a joke not in Stubor, which I haven't seen yet,

1081
00:57:43,480 --> 00:57:47,440
Speaker 2: but like a really I went on a whole run

1082
00:57:47,520 --> 00:57:49,960
Speaker 2: that I think they used like one tenth of as

1083
00:57:50,080 --> 00:57:51,200
Speaker 2: like a reference in.

1084
00:57:52,800 --> 00:57:53,320
Speaker 1: Big Sick.

1085
00:57:53,480 --> 00:57:55,320
Speaker 2: And then every time I saw him for like a year,

1086
00:57:55,320 --> 00:57:57,520
Speaker 2: he'd be like, hey, that thing you pitched and I

1087
00:57:57,640 --> 00:57:59,400
Speaker 2: was like, whoa, this is so nice.

1088
00:58:00,160 --> 00:58:02,600
Speaker 1: He's isolated this one thing that he assays.

1089
00:58:03,120 --> 00:58:05,600
Speaker 2: So it's it feels like if he didn't do that,

1090
00:58:06,160 --> 00:58:08,000
Speaker 2: then they probably didn't use any Oh if he didn't,

1091
00:58:08,400 --> 00:58:11,960
Speaker 2: If he did, you say like, hey, that thing went

1092
00:58:12,080 --> 00:58:14,840
Speaker 2: really well, Like we tested the screening the other day,

1093
00:58:14,920 --> 00:58:17,200
Speaker 2: and that one thing you said was the best part,

1094
00:58:17,280 --> 00:58:18,240
Speaker 2: which you know it wasn't.

1095
00:58:18,280 --> 00:58:20,320
Speaker 1: But it's like I have found that when I do

1096
00:58:20,480 --> 00:58:24,720
Speaker 1: punch up in action comedies, ah, that most of the

1097
00:58:24,800 --> 00:58:27,960
Speaker 1: time the jokes don't get there because the like what

1098
00:58:28,120 --> 00:58:30,000
Speaker 1: happens when they film the movie is they just go

1099
00:58:30,200 --> 00:58:34,440
Speaker 1: more action, more action, more action. So I think that's well,

1100
00:58:34,480 --> 00:58:35,160
Speaker 1: they go they go.

1101
00:58:35,960 --> 00:58:38,680
Speaker 2: We filmed all this like them stopping down to make

1102
00:58:38,760 --> 00:58:42,200
Speaker 2: little quips during the action, and it's so fucking stupid.

1103
00:58:42,240 --> 00:58:45,480
Speaker 2: It completely removes the stakes because like they're like running

1104
00:58:45,520 --> 00:58:47,120
Speaker 2: and there's like a gunshot over them, and then we

1105
00:58:47,280 --> 00:58:52,600
Speaker 2: have this like funny, little piffy like snide run that

1106
00:58:53,680 --> 00:58:57,320
Speaker 2: Mosha and Sean were riffing in the room, and it doesn't.

1107
00:58:57,040 --> 00:58:57,480
Speaker 1: Work at all.

1108
00:58:57,680 --> 00:58:59,880
Speaker 3: Did I stay till the end of the credits to

1109
00:59:00,040 --> 00:59:02,360
Speaker 3: see if we got special thanks the premiere?

1110
00:59:03,040 --> 00:59:06,400
Speaker 1: I tried, but I was made fun of. The credits

1111
00:59:06,440 --> 00:59:08,600
Speaker 1: were too long. Yeah, I was being made fun of

1112
00:59:08,800 --> 00:59:12,120
Speaker 1: and I felt embarrassed, so I left. Yeah, my daughter

1113
00:59:12,280 --> 00:59:14,520
Speaker 1: was there and that was the last day I saw her, actually,

1114
00:59:14,520 --> 00:59:19,360
Speaker 1: because she got taken out by James Spader. No no, oh,

1115
00:59:19,640 --> 00:59:21,439
Speaker 1: they finally got to her on the list.

1116
00:59:21,680 --> 00:59:26,480
Speaker 3: Well, I wasn't invited to any of these things. Mosha,

1117
00:59:27,080 --> 00:59:31,600
Speaker 3: what are you doing to try and fix all this?

1118
00:59:32,120 --> 00:59:36,880
Speaker 3: I fix the records that episode. Yeah, well I'm doing

1119
00:59:36,880 --> 00:59:41,120
Speaker 3: the hardest thing there is to do. Actually, I just

1120
00:59:42,000 --> 00:59:42,440
Speaker 3: launched it.

1121
00:59:42,800 --> 00:59:45,840
Speaker 1: Should you do podcast? Well? I just launched a podcast.

1122
00:59:46,160 --> 00:59:49,640
Speaker 1: Oh I'm sorry. Yeah, I know it's and I can

1123
00:59:49,800 --> 00:59:52,960
Speaker 1: see it in your Your face is very drawn. I'm

1124
00:59:53,000 --> 00:59:55,280
Speaker 1: gaunt for sure. I mean the beautiful part is I

1125
00:59:55,360 --> 00:59:58,240
Speaker 1: do it with my wife, Natasha Lazio, and so we

1126
00:59:58,320 --> 01:00:01,240
Speaker 1: get to like sort of suffer together or whatever. Since

1127
01:00:01,360 --> 01:00:04,880
Speaker 1: our daughter was taken out by Spader. It's like it

1128
01:00:05,080 --> 01:00:08,480
Speaker 1: is our baby. And it's called The Endless Honeymoon Podcast,

1129
01:00:08,960 --> 01:00:11,840
Speaker 1: and we give relationship advice, live relationship advice, you know,

1130
01:00:11,920 --> 01:00:13,960
Speaker 1: a lah A Llah doctor Drew kind of a thing.

1131
01:00:14,120 --> 01:00:15,960
Speaker 1: But we also make fun of people and then we

1132
01:00:16,040 --> 01:00:18,400
Speaker 1: hear people's deep dark secrets on our Secrets hotline.

1133
01:00:18,520 --> 01:00:23,240
Speaker 3: So wow, yeah you do podcast? Yeah, I do a podcast.

1134
01:00:23,280 --> 01:00:26,200
Speaker 3: It's not been easy, but it's been fun. And oh wait,

1135
01:00:26,240 --> 01:00:27,600
Speaker 3: can I can I read be hot?

1136
01:00:28,240 --> 01:00:30,120
Speaker 1: Can I can? I can I give your your.

1137
01:00:30,080 --> 01:00:33,600
Speaker 3: Listeners for them to secret just play a whole episode

1138
01:00:33,640 --> 01:00:36,680
Speaker 3: off your front. Honestly, would you guys stick around clips

1139
01:00:36,880 --> 01:00:38,560
Speaker 3: his thing. It would be very funny if you had

1140
01:00:38,680 --> 01:00:41,560
Speaker 3: selected clips for mine. But listen two one three two

1141
01:00:41,640 --> 01:00:44,760
Speaker 3: two two eight six zero eight. You can leave your deepest,

1142
01:00:44,840 --> 01:00:46,880
Speaker 3: darkest secret and we'll play it. Get it off your chest.

1143
01:00:47,000 --> 01:00:48,680
Speaker 3: Or you can call and we'll call you and give

1144
01:00:48,720 --> 01:00:50,760
Speaker 3: you relationship advice. You can make an appointment for a

1145
01:00:50,920 --> 01:00:54,920
Speaker 3: for a therapeutic roast session. Oh wow, So yeah, I'm

1146
01:00:54,960 --> 01:00:55,520
Speaker 3: a podcaster.

1147
01:00:55,680 --> 01:00:58,720
Speaker 1: Now have you ever have guests on there? Yeah? We

1148
01:00:58,800 --> 01:01:01,280
Speaker 1: have guests on there. You guys want to come on? Nope?

1149
01:01:01,360 --> 01:01:01,680
Speaker 6: Not me?

1150
01:01:01,960 --> 01:01:05,240
Speaker 1: But how why did you ask? Why ask about guests?

1151
01:01:05,320 --> 01:01:10,840
Speaker 1: I mean, okay, yeah, I love all right. It doesn't

1152
01:01:10,840 --> 01:01:13,360
Speaker 1: feel like you guys do, but I would. I would. Yeah,

1153
01:01:13,920 --> 01:01:16,880
Speaker 1: I'm going to ask. We'll see what happens. Okay, and

1154
01:01:16,920 --> 01:01:18,840
Speaker 1: we'll see if our producer can kind of step to

1155
01:01:18,920 --> 01:01:21,480
Speaker 1: the plate with a little bit more savvy and gusto.

1156
01:01:22,040 --> 01:01:25,040
Speaker 1: U is it independent podcast? You know it's on something

1157
01:01:25,080 --> 01:01:30,280
Speaker 1: called Cloud ten. Yeah. Yeah, that's the Superstore. That's the

1158
01:01:30,360 --> 01:01:34,400
Speaker 1: Superstore people work. That's right, isn't it. Yeah? Well, they

1159
01:01:34,400 --> 01:01:36,240
Speaker 1: actually launched a podcast.

1160
01:01:35,840 --> 01:01:40,040
Speaker 3: Network the Store from Superstore, from Superstar, Superman, super super Meta.

1161
01:01:40,360 --> 01:01:43,320
Speaker 1: So you're in there with Yeah mad Men and Yeah

1162
01:01:43,360 --> 01:01:46,640
Speaker 1: Americ fre Yeah America from the guys from mad Men,

1163
01:01:47,640 --> 01:01:53,520
Speaker 1: Mark mcginney, Nico Santos or Nash and Yeah. Just a

1164
01:01:53,600 --> 01:01:55,440
Speaker 1: lot of great a lot of great people on the

1165
01:01:55,520 --> 01:01:59,880
Speaker 1: podcast every week. And you know what, podcasting from my money,

1166
01:02:00,480 --> 01:02:07,320
Speaker 1: easiest money I've ever made in my life. Bye Hollywood, Hamburg,