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Speaker 1: Look man, oh I see you. Why look over there?

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Speaker 1: How is that culture? Yes? Goodness? Last culture resta is calling.

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Speaker 1: Look at my sister beaming in the like, excuse me.

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Speaker 1: I have this little mini clip on panel that's that's

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Speaker 1: your eyes. But you have star quality and when you

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Speaker 1: smile reminds everyone of happiness. I don't know about that.

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Speaker 1: I do. I don't know about that, okay, because I

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Speaker 1: don't know. I feel like maybe this is this is Monday.

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Speaker 1: This is Monday brain. But are you do you have

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Speaker 1: Monday brain? I've got Monday brain. I had a sorry

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Speaker 1: to be a millennial I had I had the Sunday

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Speaker 1: is scary? What happened on Sunday? Nothing? Nothing happened on Sunday.

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Speaker 1: It was just that that that like the anxiety thing

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Speaker 1: of like lying in bed on on Sunday night. Oh no,

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Speaker 1: and I this is so hack. We can't talk about it.

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Speaker 1: I just didn't sleep well last Nay. And so of

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Speaker 1: course today I'm like, I don't know if anything's right.

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Speaker 1: It's because you were partying yesterday party of Stories. I

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Speaker 1: saw you at the Tide thing. I saw you Joel

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Speaker 1: Joel Kim Booster wanted to go for a couple of

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Speaker 1: hours we said yes, Joel. Joel told us to go,

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Speaker 1: and then as we left, he said, um. I was like, well,

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Speaker 1: at least that was safe, and he goes, yeah, but

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Speaker 1: it's like outdoor transmission isn't not a thing? And I

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Speaker 1: was like, then, why did you tell me to go

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Speaker 1: to the damn party? Well, now you have to be

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Speaker 1: quarantined because you have the big film coming up. I

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Speaker 1: have the big film coming up. Yeah I did. I

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Speaker 1: did realize today. I was like, we gotta we gotta

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Speaker 1: perm it up. Yeah, batting down the hatches. I'm coming

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Speaker 1: to New York for an undisclosed reason, and I'm also

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Speaker 1: going to be quarantined. I love that. And I'm just

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Speaker 1: gonna sort of be there for undisclosed reason which is

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Speaker 1: sort of not been announced, and I'll be quarantining myself,

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Speaker 1: but I will see my sister. Are you excited to

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Speaker 1: see me? How much one through ten? It is? The

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Speaker 1: meter is a oh can do you see the meter?

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Speaker 1: I'm showing you the meter right now on the zoom meter.

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Speaker 1: The dial is fucked up. Food bar as they would say,

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Speaker 1: oh my god, shaking our guest, shake your head because

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Speaker 1: of food bar, Because well I'm excited to see you

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Speaker 1: too very much, and excited to come back to New York.

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Speaker 1: I feel like I just got back to l a

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Speaker 1: world wind trip back to New York, and here we go.

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Speaker 1: We're gonna We're gonna be New Yorkers together. Oh my god.

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Speaker 1: You know, I I think New York might be might

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Speaker 1: be over soon. I think New York would be done.

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Speaker 1: Thank you. You have to stay there for so long

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Speaker 1: as a cast member of the big show that takes

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Speaker 1: place there. So how do you feel about being in

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Speaker 1: such a dead fucking city, as per your own words?

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Speaker 1: I don't because I'm telling you, I'm like depressed on

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Speaker 1: a Monday. I think I lolome to being a millennial

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Speaker 1: faga I was speaking of that I got. We have

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Speaker 1: to check in on on on Matt. Current events are

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Speaker 1: happening as we speak, we speak, and fucking Matt Damon's

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Speaker 1: only realized a couple of months ago, in the year

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Speaker 1: of our Lord One. You can't say faggot because he

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Speaker 1: said it at a dinner table as a joke and

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Speaker 1: his daughter was mortified. He said, what do you mean?

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Speaker 1: I said it on and stuck on you And we're

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Speaker 1: and we're supposed to think that that's like an okay

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Speaker 1: reason talking about Stuck on You, like it's like Broke

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Speaker 1: Back Mountain, Like it's a document we have to look

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Speaker 1: back on and say, like, yes, this, this point's true North,

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Speaker 1: Like it's the movie Stuck on You. Just because you

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Speaker 1: said it and the movie stuck on You, it doesn't

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Speaker 1: mean that you can say it now. I think it.

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Speaker 1: The only way it would have been okay for him

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Speaker 1: to bring up stuck on You would have been to

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Speaker 1: say Greg Kenear and I had anal sex. Yeah, I

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Speaker 1: can say it. And I've been like, yes, you can't

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Speaker 1: say it. Had him and Greg Knear when they sort

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Speaker 1: of got their prosthetic off because they famously played and

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Speaker 1: joined twins in the movie. Yes, this is a movie

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Speaker 1: that he held up in high regard, and he did

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Speaker 1: play conjoined twins with Greg Emir. I mean, had they

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Speaker 1: fucked on the movie set, and that's been part of

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Speaker 1: the sort of discussion at the dinner table. Then he

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Speaker 1: could say it all he wants. You have you have

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Speaker 1: Azalea Banks rights. You can say it, Azalia Banks rights.

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Speaker 1: So that's actually a really culture number one. Azalia Banks

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Speaker 1: rights means you well, gosh, I mean, we don't really

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Speaker 1: have to discuss that we would flopped by on a behavior. Well,

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Speaker 1: we hope that Mr Damon, you know, we give him

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Speaker 1: an entrepremental space to learn and grow, and I hope

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Speaker 1: you know in this little I mean, but in that piece,

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Speaker 1: I guess like that the guy who wrote that that

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Speaker 1: profile or whatever it was, opens with you know, he

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Speaker 1: Matt Damon's candor is that he says things that are

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Speaker 1: like he kind of rattles things off as if to

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Speaker 1: you know, make a headline. He's kind of like, sure, no,

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Speaker 1: I no, it's it's it's whatever I mean. But it's

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Speaker 1: just I think we just give him this time now

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Speaker 1: to hopefully I don't want to say learn and grow

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Speaker 1: because they feel like that's just not that those words

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Speaker 1: have been um rendered meaning less maybe since last summer.

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Speaker 1: But we we we wish, we wish him the best. Truly,

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Speaker 1: all he had to do was say nothing or just

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Speaker 1: be like make jokes about Ben Affleck and and j

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Speaker 1: Lo and like things would have been fine. But here's

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Speaker 1: the thing about Matt Damon. He constantly speaks out of turn,

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Speaker 1: like no one asked for him to say this. He

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Speaker 1: kind of just offered it, just like no one at

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Speaker 1: like he remember when he sort of fell for that

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Speaker 1: trick that the reporter was it was like in the

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Speaker 1: midst of me too, and this one reporter was like, okay,

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Speaker 1: so in time I love such a such a time,

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Speaker 1: a whirlwind culture shift, you know, And so remember when

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Speaker 1: he sort of fell for that reporter being like, so

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Speaker 1: in your opinion, what me too is our well what

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Speaker 1: what men should we be? Like let him off and

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Speaker 1: what men should we be? Like? Oh no, what they

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Speaker 1: did was really bad? And he did literally be like, Okay, well,

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Speaker 1: Harvey Weinstein's bad, but like this person is not so bad,

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Speaker 1: but this person is bad. Like he literally like went

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Speaker 1: in like as if we wanted to hear from him.

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Speaker 1: He totally fell for it. So I just think, like,

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Speaker 1: just just don't talk as much, Like you didn't need

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Speaker 1: to say faggot, this is this is something that we

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Speaker 1: all can learn from. We can all just do less.

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Speaker 1: We need new celebrities. I think I've been saying it

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Speaker 1: for years. I think we need new all new celebrities.

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Speaker 1: Sometimes I think about like who we've been talking about

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Speaker 1: for so long, and I'm like, we need a new

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Speaker 1: slate of famous people. I'm done. I I can't talk

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Speaker 1: about these people anymore. Our guest is absolutely raving. I

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Speaker 1: offer up our guests as one of the culture makers

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Speaker 1: new celebrity, new celebrity, literally new face. We have to

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Speaker 1: congratulate the US on getting JFL new faces for stand up. Well,

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Speaker 1: I want to hear all about how it went. I

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Speaker 1: want to hear all about how it went okay, and

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Speaker 1: then and then you must everyone must watch her new

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Speaker 1: visual feast especial if you want to call it that,

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Speaker 1: it's hard to categorize. And that is what our guest

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Speaker 1: does so well. It's called the Sarabac Team. It's on

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Speaker 1: Means TV work, her own streaming service. We love that.

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Speaker 1: Did you hear that Megan McCain dragged Kathy Griffin today?

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Speaker 1: Our producer Megan McCoy dragged I just but did you

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Speaker 1: see the news that she like dragged Kathy Griffin today?

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Speaker 1: Because well, Kathy Griffin she has cancer, and so they

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Speaker 1: brought that up on the view and Megan McCain said,

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Speaker 1: I think it's terrible that she has cancer. One time

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Speaker 1: she made fun of my best friend who's like my brother,

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Speaker 1: Clay Akin, for being gay, and this was like it

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Speaker 1: really hurt him and her best friend well, Clay Akin

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Speaker 1: is Megan McCain's best friend, so she says. So. Then

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Speaker 1: after all that, Clay posted a photo of Cathy Griffin

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Speaker 1: and him on Twitter like hugging, and he was like

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Speaker 1: love Kathy Griffin, nothing but light and support. And one

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Speaker 1: time she even hosted a charity for me, and like,

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Speaker 1: I just thought it was so funny, like two women

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Speaker 1: are fighting over Clay Aiken in this in this year

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Speaker 1: of our Lord. I think I think Heathy Griffin isn't

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Speaker 1: fighting with anyone I should. I think she simply came

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Speaker 1: out and announced that she has lung cancer, and I

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Speaker 1: think all we needed to do with support her. But

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Speaker 1: that's not what our producer Megan McCain did. She said,

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Speaker 1: sad that she has cancer. But I don't like her

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Speaker 1: because one time, twenty years ago, she dragged my friend

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Speaker 1: Clay Aiken for being gay, which is like, hello, fun

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Speaker 1: was her last day when I thought it was supposed

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Speaker 1: to be Friday, but apparently she's back this week. And

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Speaker 1: then Mary Trump came on to promote her new book

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Speaker 1: and Megan McCain sat out the interview, and Mary Trump

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Speaker 1: called her out on are for being a coward and

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Speaker 1: not wanted to do the interview with her. So there

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Speaker 1: was drama today, even in Megan McCain's last week. I

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Speaker 1: think Megan is Megan is part of the people who

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Speaker 1: just need to be replaced celebrity. So you do agree,

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Speaker 1: we all we need all these celebrities. I didn't disagree

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Speaker 1: when you when you mentioned that earlier, you were hesitant. No,

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Speaker 1: not at all. I proposed I yes and did even

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Speaker 1: you can do with comedy the best thing you're gonna

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Speaker 1: do in comedies. It's a real culture. It's really culture

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Speaker 1: number seven, the best thing you can do. Yes, yes,

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Speaker 1: and and when I yes and did you, I said,

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Speaker 1: our guest deserves to be in the new slate, on

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Speaker 1: the new roster. Just such such a fantastic multi talented

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Speaker 1: artist of visual art, genius, practical gore body, horror savant um.

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Speaker 1: Please check out the Saravaccine on means tv UM and

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Speaker 1: JFL new Face, Powerhouse, powerhouse performer and part of the

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Speaker 1: wonderful collective health Trap Nightmare. They just moved from Chicago

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Speaker 1: to l A. We're so happy to have her. Everyone,

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Speaker 1: Please welcome. Say eras O, you're laughing at my ass off,

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Speaker 1: I see you. I didn't see you make a peep.

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Speaker 1: I didn't. I thought you were frowning and judging. I

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Speaker 1: was whooping and hollering, whooping, hollering. It's literally a front

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Speaker 1: runner of the title about literally, do you play basketball? Really? Not?

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Speaker 1: Remember day in my hoof you seem like you could

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Speaker 1: play ball. You seem like you could ball. You really do?

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Speaker 1: Because have six ft one Yeah? Never never. You act

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Speaker 1: like you've never seen the girl. She stands at five

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Speaker 1: ft seven. I'm gonna say, am I am? I correct

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Speaker 1: nice for you to say it is five ft five,

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Speaker 1: but I do find myself more imposing than five ft five.

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Speaker 1: I remember you as like a five nine girl. I'm

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Speaker 1: gonna say, I remember you being a little taller than me,

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Speaker 1: or you know, you made me feel small, which is

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Speaker 1: what every game man wants to feel. And I'm annoying,

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Speaker 1: so my energy shoot upwards. You have a you have

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Speaker 1: a resonant, annoying energy that goes right through your head.

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Speaker 1: I have the same thing. Hello, do you think you

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Speaker 1: you I self identify as annoying. Absolutely, I'm trying. I

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Speaker 1: think we should proclaim the title. Oh that's that's so powerful, Like, oh,

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Speaker 1: I'm like I walk into a room and you're gonna

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Speaker 1: be piste off in ten minutes because I'm here. But

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Speaker 1: you're able to, like you're able to like refract it

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Speaker 1: through like a little prism that you're like you're self

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Speaker 1: aware of, and like it comes up as like, oh,

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Speaker 1: but she's like cool, like she like she can do

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Speaker 1: like she can she can challenge that this voice or whatever.

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Speaker 1: Like I feel like that's like the Sarah squirm, Like,

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Speaker 1: you know what, cool annoying girl. It's honestly so nice

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Speaker 1: of you to say. But then when someone is performing

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Speaker 1: annoying and they're self aware of it, it almost makes

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Speaker 1: you chaotic evil because you know how annoying you're being,

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Speaker 1: and yet nevertheless she persists, you don't you don't use

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Speaker 1: your powers for good, you in fact inflicted on the

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Speaker 1: people watching. I think all three of us can be

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Speaker 1: called empoweringly annoying. We can. It's it's like, I I'm

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Speaker 1: okay with being annoying. What's the what do you all?

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Speaker 1: What do you both think is the most annoying thing

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Speaker 1: about you? If you're to self examine first, I fucking

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Speaker 1: use like awful vocabulary words like sah t, words that

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Speaker 1: no one above the age of seventeen should ever use.

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Speaker 1: That's my disease. I think I'm annoying because I often

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Speaker 1: make things about myself and um feel the need to

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Speaker 1: perform at all times and what would be considered relentlessly

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Speaker 1: um uh, sort of needing to be the center of attention.

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Speaker 1: So that's okay, I've follow up to that. But okay, interesting, Sarah,

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Speaker 1: what about you? I would say that I'm annoying because

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Speaker 1: I need to look like a clown who just hopped

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Speaker 1: right out the clown car all times, all eyes on

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Speaker 1: me in the center of a ring, just like, what's

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Speaker 1: your follow up? My follow up is, Okay, how do

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Speaker 1: you guys feel about this statement? From like like uh,

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Speaker 1: someone who comes in and is like, I don't know,

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Speaker 1: you guys do too many bits. It's like it's hard

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Speaker 1: to hang out around comedy people because it's all the time.

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Speaker 1: I think we've been on I think we've all been

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Speaker 1: on both sides of that though, right, Like we've all

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Speaker 1: been in a rumor like this is too much, I

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Speaker 1: don't like this, and then we've all been on the

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Speaker 1: side of it where it's like we're doing we're engaging

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Speaker 1: in the bit to read, right, Yeah, I think that

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Speaker 1: I've definitely. Like I used to date someone who often

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Speaker 1: was not comfortable around the comedian group of friends because

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Speaker 1: there was a lack of I guess, genuine conversation or

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Speaker 1: like maybe it was kind of taking over and I

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Speaker 1: was just like, yeah, but sometimes sometimes you got to

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Speaker 1: just go for it to entertain yourself. I don't know.

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Speaker 1: I when people are like I, I the one person

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Speaker 1: who was left out of this didn't feel right about it,

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Speaker 1: I'm like, well, then maybe this isn't the space for you,

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Speaker 1: right that. If I feel left out of something, I'll

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Speaker 1: be like, cool, I'm not going to do that again.

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Speaker 1: I don't know. I don't say. I have noticed there

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Speaker 1: are people who run their stage bits on you and conversation.

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Speaker 1: That's awful. I hate that. And you can tell because

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Speaker 1: it's like a little too built out and the references

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Speaker 1: are a little two pointed and they're positive for laughs, Yeah,

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Speaker 1: they're holding a microphone at the restaurant. I think it's

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Speaker 1: fine if someone's doing a bit and then they discover

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Speaker 1: something and then later you see it on stage. But

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Speaker 1: if you've sort of seen it on stage and then

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Speaker 1: it happens to you in real life, that's spooky. That's

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Speaker 1: that's like scary. That's really tough. Ever been at a

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Speaker 1: show and someone's performing and they're like, so I was

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Speaker 1: talking about my friend the other day and then blah

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Speaker 1: blah blah blah x y z And then you're like,

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Speaker 1: I'm the friend from the other day. Oh chilling. Um,

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Speaker 1: that is chilling. You have goose bumps. You're pointing to

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Speaker 1: your damn arm, damn arm, and you guys want to

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Speaker 1: know what goose bumps is in French and I think

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Speaker 1: it's so fucking cool. Oh my god. He's like sort

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Speaker 1: of circling back to the thing he said about himself

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Speaker 1: that is annoying and bravely going there. No, that's a

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Speaker 1: that's a vote. Now I'm talking about like s a

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Speaker 1: T words. This is a French translate. This is another language,

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Speaker 1: so it's totally different. It's not annoying entertainment in France

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Speaker 1: because growing up you would read goose Bumps and then

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Speaker 1: you read the French version in Canada and in Quebec

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Speaker 1: and it would be che the pool. But speaking of Montreal,

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Speaker 1: Sarah tell us all about the wonderful festival just for laughs. Well,

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Speaker 1: your girl Sarah did the festival just for laughs. In

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Speaker 1: Los Angeles in a room full of own the industry people,

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Speaker 1: and after I got on stage, every comedian came up

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Speaker 1: to me and said, it looked like you did fifteen minutes.

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Speaker 1: If there's sort of five, did you go over? In fact,

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Speaker 1: we haven't performed in a while. My biological clock thob

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Speaker 1: I would say, I didn't, dudean, you wouldn't know if

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Speaker 1: you did fifteen, I would wait. Okay, So I did

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Speaker 1: see the light. And for those listening, light sometimes means

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Speaker 1: to what did they did? They tell you explicitly what

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Speaker 1: the light was, so they go, they go this, they go,

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Speaker 1: red light, you got a minute left, flashing red light,

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Speaker 1: it's time to go off. I'm there, I'm having I'm

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Speaker 1: whooping and holler. I'm really so, I'm like, I don't

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Speaker 1: wait for the flesh to happen. Never see the flow.

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Speaker 1: And this is true, you're not gas lighting. No, I

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Speaker 1: saw the light and then they never flash it. Emergency emergency.

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Speaker 1: We you were the police were getting off the same Yeah,

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Speaker 1: you gotta go. Yeah. I didn't get the scolding light,

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Speaker 1: and I almost got the I only got the courtesy light. Yeah,

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00:17:23,320 --> 00:17:27,000
Speaker 1: that's though. I did six and then I get off

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00:17:27,040 --> 00:17:29,679
Speaker 1: and and one of our dear friends, who shall remain nameless,

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00:17:29,680 --> 00:17:33,640
Speaker 1: said something to the effective felt like ten say their names,

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Speaker 1: say their name? What who cares? Who was it? Drag

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Speaker 1: Sydney who has never been on time to anything? Like

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Speaker 1: I'm sorry, no, no really? Also what Sydney has never

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Speaker 1: gone over ys, never run the run the come on?

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Speaker 1: I don't say this. I wish she would have because

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Speaker 1: I like to see her perform. That's what I'm saying.

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Speaker 1: It's like if you run the light. It's like they

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Speaker 1: should be so lucky. You're up there for double the

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Speaker 1: time you're supposed to. You guys are playing me X. Meanwhile,

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Speaker 1: I'm giving you two X, I'm giving you three X.

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Speaker 1: That's saying you're giving an arc mama. And it's so

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Speaker 1: funny because like I was a comedian in Chicago for

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Speaker 1: like three d four thousand, five hundred years. Now I'm

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Speaker 1: forty nine years old. It is true, how it's those

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Speaker 1: things are so important then and then yeah, it's it's funny,

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Speaker 1: isn't it? And now you did it? And now it's

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Speaker 1: like over and it's over and and you know what

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Speaker 1: my and you know what someone said to me, I go,

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00:18:35,200 --> 00:18:38,520
Speaker 1: they go, how is the how was JFL I go, fine,

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Speaker 1: they go, You know what, if you bombed, then the

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Speaker 1: show would have been important. But you crush the house down. YEA.

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Speaker 1: Saying that it's fine is probably the best fucking outcome. Yeah,

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Speaker 1: that's good job. And if I don't see twenty million

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Speaker 1: in the bank by two years from now, then the

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Speaker 1: festival needs nothing. I can tell you. I went in

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Speaker 1: and it was years before i'd see it was years.

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Speaker 1: Forty years had to pass for I said, my bank

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Speaker 1: account finally reached twenty mill And you're also forty nine

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00:19:21,119 --> 00:19:26,280
Speaker 1: years I'm forty nine. Well, busy, Phillips math, I'm forty nine,

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00:19:27,040 --> 00:19:30,320
Speaker 1: sitting in front of sitting in front of a roth, Go, Sarah,

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00:19:30,320 --> 00:19:32,800
Speaker 1: did you paint all this yourself? The mural? It's gorgeous.

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Speaker 1: I mean I went insane over the pandemic. Well, my

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00:19:36,440 --> 00:19:42,200
Speaker 1: mind did. To our right is a t mural of eyeballs.

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Speaker 1: And that's a door you can't tell. Oh my god,

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Speaker 1: I love that you painted the door. That's hot a

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00:19:48,920 --> 00:19:51,439
Speaker 1: square eyeball. But you've never seen one of those before.

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00:19:53,440 --> 00:19:57,080
Speaker 1: Well maybe in some SpongeBob square pants. Maybe it's some

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00:19:57,320 --> 00:20:00,639
Speaker 1: random universe forever. Yeah, maybe in some rand other universe,

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00:20:00,680 --> 00:20:04,080
Speaker 1: like a cartoon or something in the Lego movie. Certainly

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Speaker 1: never on this plane. You guys, we laughed so hard

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Speaker 1: or being stupid, being the most stupid creatures. Tell us

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Speaker 1: the funniest thing you've ever seen? Serious, Yeah, tell us

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Speaker 1: the one moment you laughed the most like, and then

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00:20:26,280 --> 00:20:28,480
Speaker 1: we'll both we'll all say the funniest thing we literally

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Speaker 1: ever seen. Yeah, Okay, it's really I can't describe it. Okay, wait,

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Speaker 1: matt you're from Long Island. Oh yeah, we have a

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00:20:37,040 --> 00:20:41,040
Speaker 1: lot to talk about schedule over the next hour. Yeah,

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Speaker 1: we'll get there, Sleepy if Mattress company exists. Yeah, I

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Speaker 1: don't know if it's actually it's one of those things

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Speaker 1: where it's like that could be a local thing or

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00:20:53,480 --> 00:20:55,840
Speaker 1: a national thing. I don't know, but it felt it

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00:20:55,920 --> 00:21:00,280
Speaker 1: certainly felt very local. Well, this is when I go, Okay, Hi,

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00:21:00,359 --> 00:21:01,720
Speaker 1: my name is Sarah Nicole. I'm going to open a

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Speaker 1: mattress store. What do I call it? Sleep He's yeah, millions?

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00:21:07,200 --> 00:21:09,840
Speaker 1: That really works. Okay, So, how was this the funniest

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00:21:09,880 --> 00:21:12,600
Speaker 1: thing You've ever seen? When I was like him, and

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00:21:12,640 --> 00:21:16,520
Speaker 1: there was a Sleepy's commercial on the television and there

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Speaker 1: was a kid jumping on his bed so crazy. So hi,

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Speaker 1: Oh my god, that is so funny thinking about a

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Speaker 1: kid jumping on their beds so crazy. Literally, I'm laughing,

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00:21:36,880 --> 00:21:39,440
Speaker 1: what are you talking about? I am the laughing my

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Speaker 1: ass off l m A oh laugh, my fucking ass off,

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00:21:44,000 --> 00:21:46,840
Speaker 1: like boying boying boy And he was like jumping on

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Speaker 1: his sleeping match just crazy. Oh my god, he lost

373
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Speaker 1: his absolute mind? Was he like a kid? He was

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Speaker 1: like a little tiny guy. And then I like, can't

375
00:21:56,560 --> 00:22:02,399
Speaker 1: even okay, Well, the punchline is he's mactress crazy style

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00:22:02,920 --> 00:22:06,880
Speaker 1: and the SATs go boying, boing boying. That's the before

377
00:22:07,160 --> 00:22:18,040
Speaker 1: the sleepy mattress. Oh my god, yeah, sleepy mattress. He's okay.

378
00:22:18,440 --> 00:22:23,040
Speaker 1: That is literally so funny, and we lost because of it.

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00:22:24,040 --> 00:22:29,240
Speaker 1: What happens the sleepy is bad. That's literally one of

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Speaker 1: the funniest things I've ever heard. Alright, So I want

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00:22:33,880 --> 00:22:36,520
Speaker 1: to I want to hear the end of that, but

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00:22:36,800 --> 00:22:43,280
Speaker 1: there can keep going on. The sleepy mattress and the

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00:22:43,359 --> 00:22:46,960
Speaker 1: kids jumping on the bed crazy style. Instantly falls asleep.

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Speaker 1: Minute years later, I was woken awake in the night.

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00:22:55,040 --> 00:22:57,840
Speaker 1: That's three, all right, and I was like, I need

386
00:22:57,840 --> 00:23:01,440
Speaker 1: to find this commercial from my and I found it.

387
00:23:01,880 --> 00:23:06,320
Speaker 1: Oh God, you'll have to polist when this episode so

388
00:23:06,400 --> 00:23:11,840
Speaker 1: everyone can can see is this a cartoon boy or

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Speaker 1: a real boy? And that's the thing, it's a real boy.

390
00:23:16,040 --> 00:23:20,199
Speaker 1: Oh I drinking. Surely in my head I thought it

391
00:23:20,320 --> 00:23:22,199
Speaker 1: had to be a cartoon boy because what you were

392
00:23:22,200 --> 00:23:29,159
Speaker 1: describing was just so funny. You can't go because I'm

393
00:23:29,160 --> 00:23:31,280
Speaker 1: gonna do too too, because I realized I have too

394
00:23:31,359 --> 00:23:35,439
Speaker 1: that it's so tired, it's so tired. Wait, can everyone

395
00:23:35,520 --> 00:23:38,000
Speaker 1: do their once so I can find the exact person,

396
00:23:38,119 --> 00:23:40,240
Speaker 1: last name of the person who said, all right, do

397
00:23:40,280 --> 00:23:42,439
Speaker 1: you want to go first? I have? Well, okay, so

398
00:23:42,560 --> 00:23:46,919
Speaker 1: I had to do this thing, uh for uh where

399
00:23:46,960 --> 00:23:48,960
Speaker 1: I had to I had to find I'd sift through

400
00:23:48,960 --> 00:23:50,879
Speaker 1: old photos and that and what I did before I

401
00:23:50,920 --> 00:23:54,760
Speaker 1: deleted Facebook like five years ago, is just like download

402
00:23:54,760 --> 00:23:56,919
Speaker 1: it all my old photos, saved them on this drive

403
00:23:57,600 --> 00:24:00,920
Speaker 1: and then I looked through my old profile picks and remember,

404
00:24:01,040 --> 00:24:03,359
Speaker 1: like two thousand nine was such a dark period in

405
00:24:03,440 --> 00:24:05,960
Speaker 1: Facebook culture. Do you guys remember this? And it was

406
00:24:06,040 --> 00:24:08,399
Speaker 1: like right around like probably when I discovered Reddit, and

407
00:24:08,480 --> 00:24:12,200
Speaker 1: like it was just like random you know, like random

408
00:24:12,280 --> 00:24:15,119
Speaker 1: mass photos that made you laugh even though like nothing

409
00:24:15,200 --> 00:24:17,960
Speaker 1: was really happening in them. And have you guys seen

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00:24:18,800 --> 00:24:20,960
Speaker 1: the photo of the Llama or the I'll pack it

411
00:24:21,040 --> 00:24:25,320
Speaker 1: with no legs, and and it was just like a lump.

412
00:24:25,640 --> 00:24:28,360
Speaker 1: It's just a worm, like a furry worm. That's it's

413
00:24:28,359 --> 00:24:31,919
Speaker 1: an l and like it's it's And I think that,

414
00:24:32,080 --> 00:24:34,080
Speaker 1: and I looked back that I was like I back

415
00:24:34,160 --> 00:24:37,200
Speaker 1: then thought it was the funniest thing I'd ever seen

416
00:24:37,240 --> 00:24:38,520
Speaker 1: in my life. And now I look at it, I

417
00:24:38,560 --> 00:24:41,000
Speaker 1: feel nothing, and I'm like I was, I was a

418
00:24:41,040 --> 00:24:44,720
Speaker 1: disgusting person in two thousand nine. No, that is so funny.

419
00:24:44,800 --> 00:24:46,880
Speaker 1: The ll pack up. It's only a body and a worm,

420
00:24:46,920 --> 00:24:49,600
Speaker 1: a fuzzy worm. That was literally so funny. It's a

421
00:24:49,680 --> 00:24:56,640
Speaker 1: blest of me that that's my number. Random humor. It's

422
00:24:56,760 --> 00:24:59,959
Speaker 1: random humor, Random humor. Bring back random humor, Matt, what's

423
00:25:00,040 --> 00:25:02,840
Speaker 1: we need to bring back random? Okay? So I I

424
00:25:02,960 --> 00:25:10,000
Speaker 1: have to um, they're sort of like both musical sequences

425
00:25:10,040 --> 00:25:12,760
Speaker 1: in film. So, first of all, my runner up is

426
00:25:12,800 --> 00:25:15,560
Speaker 1: in Muppet Treasure Islands when they're taking the roll call

427
00:25:15,720 --> 00:25:22,000
Speaker 1: and they cut to this one gorgeous woman and she says,

428
00:25:18,200 --> 00:25:28,879
Speaker 1: I she's literally so beautiful playing with gender. Yes, it

429
00:25:28,960 --> 00:25:31,000
Speaker 1: really was so shocking and the head laugh. And in

430
00:25:31,119 --> 00:25:34,840
Speaker 1: that same movie, Um, that's my runner up, and my

431
00:25:34,880 --> 00:25:38,760
Speaker 1: one from muppetres Island is the cabin Fever sequence. You

432
00:25:38,760 --> 00:25:40,720
Speaker 1: ever seen Muppe Treasure Island when they do where you

433
00:25:40,840 --> 00:25:45,040
Speaker 1: got Kevin Fever? Anyway, that I probably watched a million times.

434
00:25:45,520 --> 00:25:51,400
Speaker 1: And also the Dulach song from the song went from that,

435
00:25:51,520 --> 00:25:53,600
Speaker 1: the little like when they opened the box and the

436
00:25:53,920 --> 00:26:02,280
Speaker 1: Dulach song happens. Yes, I know the whole thing perfect that.

437
00:26:02,960 --> 00:26:06,080
Speaker 1: I think I watched that a million. Yeah, and they

438
00:26:06,160 --> 00:26:11,439
Speaker 1: did this play where it's like, um, your shoes up

439
00:26:11,480 --> 00:26:18,920
Speaker 1: your face. Yeah, that was so funny. It is literally

440
00:26:19,200 --> 00:26:23,240
Speaker 1: the fuck up Shrek holds the key. It's actually Ruler

441
00:26:23,280 --> 00:26:32,560
Speaker 1: culture number fifty. Shrek holds to humor, stinky onions. That's right. Yeah,

442
00:26:32,920 --> 00:26:35,639
Speaker 1: there was. There was not a scene in Shrek that

443
00:26:35,760 --> 00:26:45,280
Speaker 1: wasn't so funny. Absolutely, I'm making waffles. Oh please. When

444
00:26:45,280 --> 00:26:50,720
Speaker 1: he said I'm making waffles, I was like, that is hilarity, Sarah,

445
00:26:50,800 --> 00:26:53,240
Speaker 1: what's your second thing? Well, then in the time I

446
00:26:53,359 --> 00:26:55,440
Speaker 1: also thought of I thought of two more things that

447
00:26:55,440 --> 00:27:00,359
Speaker 1: are really funny. I've never both more. I did not

448
00:27:00,560 --> 00:27:02,360
Speaker 1: Bragg I did a show at the Hollywood Improv I've

449
00:27:02,359 --> 00:27:06,880
Speaker 1: ever heard of it last week in a comic known

450
00:27:06,920 --> 00:27:13,960
Speaker 1: as wing Fetterman, he's one shouts out to you, shouts

451
00:27:13,960 --> 00:27:17,119
Speaker 1: out to sucking you, gets on stage and he says,

452
00:27:17,200 --> 00:27:20,760
Speaker 1: you know what comedy? If I can make one person

453
00:27:20,800 --> 00:27:23,639
Speaker 1: in this room laugh, oh, would sucked. They're like forty

454
00:27:23,720 --> 00:27:31,480
Speaker 1: people in there. That's really I would suck. There's like

455
00:27:31,600 --> 00:27:35,000
Speaker 1: forty people, inaire. I love that he would shoot himself,

456
00:27:35,040 --> 00:27:37,240
Speaker 1: and I had to think that that's that's my impression

457
00:27:37,280 --> 00:27:43,520
Speaker 1: of wife delivered it much better. And I've never seen

458
00:27:43,560 --> 00:27:45,480
Speaker 1: the man's comedy, but my impression of him can't be

459
00:27:45,640 --> 00:27:48,600
Speaker 1: right either. And you're gonna see him and you're gonna

460
00:27:48,600 --> 00:27:52,080
Speaker 1: be laughing. I'll be laughing my ass off. And then

461
00:27:52,200 --> 00:27:54,000
Speaker 1: the other joke that I just thought of that this

462
00:27:54,080 --> 00:27:56,679
Speaker 1: is actually the funniest joke of all time from the

463
00:27:56,760 --> 00:28:00,399
Speaker 1: Three Amigos, and they're like, oh, is that that's a

464
00:28:00,440 --> 00:28:02,800
Speaker 1: male plane? And someone else goes, how can you tell?

465
00:28:03,040 --> 00:28:10,120
Speaker 1: Can't you see his little balls? Oh? Man? Really good

466
00:28:10,240 --> 00:28:12,119
Speaker 1: reaction out of you guys. But no, it's okay. You

467
00:28:12,119 --> 00:28:16,120
Speaker 1: have to hear it from the horse's mouth. Bowen, what's

468
00:28:16,119 --> 00:28:20,560
Speaker 1: your second what's your second funniest thing you ever heard? Mine?

469
00:28:20,760 --> 00:28:23,679
Speaker 1: Mine is like, I think it's something from like the

470
00:28:23,720 --> 00:28:26,800
Speaker 1: south Park movie when like like Hussein pulls out his

471
00:28:26,880 --> 00:28:29,679
Speaker 1: dick or something, I don't know, Like that was like

472
00:28:29,720 --> 00:28:32,800
Speaker 1: as a kid, I was like, that's the funniest thing. Absolutely.

473
00:28:33,840 --> 00:28:36,239
Speaker 1: Also remember in Team America World Police when they had

474
00:28:36,240 --> 00:28:38,360
Speaker 1: the really long sex scene and the puppets were like

475
00:28:38,400 --> 00:28:41,000
Speaker 1: fucking Also when that movie started and the puppets started

476
00:28:41,040 --> 00:28:44,720
Speaker 1: to come out, I literally me and my cousin were screaming, laughing,

477
00:28:44,880 --> 00:28:47,520
Speaker 1: rolling on the floor of the fucking sticky theater. It

478
00:28:47,640 --> 00:28:52,160
Speaker 1: was we couldn't believe that was the movie. Wait, um no, okay,

479
00:28:52,240 --> 00:28:53,800
Speaker 1: I have I have I have a third thing. I

480
00:28:53,800 --> 00:28:55,640
Speaker 1: have a third thing. And this because because the Team

481
00:28:55,680 --> 00:28:57,880
Speaker 1: American thing reminded me of this in the Reno nine

482
00:28:57,920 --> 00:28:59,800
Speaker 1: one one Miami and the movie the best movie of

483
00:28:59,880 --> 00:29:04,720
Speaker 1: all time, the best there's there's like a whole scene

484
00:29:04,800 --> 00:29:07,840
Speaker 1: where like Um, Jim Dangling, Treaty White Belt, Um Carry

485
00:29:07,880 --> 00:29:10,920
Speaker 1: Kenny Silver and Thomas London's characters are are in the

486
00:29:10,960 --> 00:29:12,920
Speaker 1: motel about to have sex. They start to look up

487
00:29:12,960 --> 00:29:14,440
Speaker 1: and then it cuts to this, guys, what I'm talking

488
00:29:14,440 --> 00:29:18,360
Speaker 1: about its insane sex between two people with incredible bodies,

489
00:29:18,640 --> 00:29:20,920
Speaker 1: and then and then it pulls out to the wide

490
00:29:20,920 --> 00:29:23,040
Speaker 1: and it's these two other people and the guy says,

491
00:29:23,640 --> 00:29:28,960
Speaker 1: oh my god, someone's filming. I've never seen it, but

492
00:29:28,960 --> 00:29:37,720
Speaker 1: I'm laughing. It's so good across the board. Everyone in

493
00:29:37,760 --> 00:29:40,320
Speaker 1: the movie is so funny. Carry Kenny Silver kills it.

494
00:29:40,360 --> 00:29:45,640
Speaker 1: When you see Nash is unbelievable. There's a rock. The

495
00:29:45,760 --> 00:29:47,640
Speaker 1: rock is in it for like two seconds and then

496
00:29:47,680 --> 00:29:52,239
Speaker 1: explodes like it's so good. Also, Paul Rudd has a

497
00:29:52,240 --> 00:29:57,480
Speaker 1: cameo and it's just it is so pupidus and it's

498
00:29:57,520 --> 00:29:59,520
Speaker 1: so dumb. And I used to I used to like

499
00:29:59,520 --> 00:30:01,320
Speaker 1: watch that get it again and again and think, why

500
00:30:01,320 --> 00:30:03,280
Speaker 1: aren't more people talking about this. We've had to talk

501
00:30:03,320 --> 00:30:05,200
Speaker 1: about it on this pod before. I don't think we've

502
00:30:05,200 --> 00:30:08,520
Speaker 1: really talked about it anyway. It's so funny. I did

503
00:30:08,560 --> 00:30:10,640
Speaker 1: three mat what what do you have a third one?

504
00:30:10,800 --> 00:30:12,360
Speaker 1: Do I have a third one? Oh my god? I

505
00:30:12,400 --> 00:30:15,640
Speaker 1: mean when I saw adult ziem happen, I do. I've

506
00:30:15,680 --> 00:30:18,560
Speaker 1: never felt like that before. I I would describe it

507
00:30:18,600 --> 00:30:21,719
Speaker 1: as beyond euphoric, like it felt like it felt like

508
00:30:22,680 --> 00:30:25,960
Speaker 1: it's something happened to my body where like I've I

509
00:30:26,000 --> 00:30:31,200
Speaker 1: don't know if I'll ever replicate how how much joy

510
00:30:31,400 --> 00:30:36,600
Speaker 1: I got from watching him say Adele does em and

511
00:30:36,600 --> 00:30:39,680
Speaker 1: then the cut to her and I just I've never

512
00:30:39,960 --> 00:30:41,840
Speaker 1: And that was the number one moment in a culture history,

513
00:30:41,880 --> 00:30:45,600
Speaker 1: of course, but it bears repeating because it really was

514
00:30:45,600 --> 00:30:47,760
Speaker 1: was so freaking funny. Sarah has her hand raised that

515
00:30:47,760 --> 00:30:50,160
Speaker 1: I'm calling on you, Yes, Sara in a can I

516
00:30:50,200 --> 00:30:53,720
Speaker 1: pose a counter to that? Yeah, I'm gonna do impression

517
00:30:53,720 --> 00:30:55,840
Speaker 1: of this really important. I mean, if that's going to

518
00:30:55,920 --> 00:30:58,680
Speaker 1: be the number one in culture history, there's gonna be

519
00:30:58,720 --> 00:31:01,600
Speaker 1: a saren iCal number one history. I'm gonna do an

520
00:31:01,600 --> 00:31:03,480
Speaker 1: impression of it, and you guys have to guess what

521
00:31:03,520 --> 00:31:05,880
Speaker 1: it is. And I actually hope you've discussed this onrong

522
00:31:05,880 --> 00:31:09,480
Speaker 1: this podcast, as it is a cultural touchdown. Okay, okay,

523
00:31:10,320 --> 00:31:16,160
Speaker 1: Oh my god, I'm so excited. Yeah, the grape stomping

524
00:31:16,240 --> 00:31:22,240
Speaker 1: lady something. Oh and it sucks because you know she's

525
00:31:22,280 --> 00:31:27,080
Speaker 1: in a lot of pain. But oh no, is that true?

526
00:31:27,440 --> 00:31:30,960
Speaker 1: I think like her like she cracked a rib and

527
00:31:30,960 --> 00:31:34,520
Speaker 1: it like fully impaled her alone. That's why she sounds

528
00:31:34,680 --> 00:31:39,480
Speaker 1: like it's not quite that but she was. She was

529
00:31:39,600 --> 00:31:42,920
Speaker 1: I think she was hospitalized, but she also sucked. She

530
00:31:43,040 --> 00:31:44,920
Speaker 1: was such she was such a little piece of ship.

531
00:31:45,120 --> 00:31:47,920
Speaker 1: And the lead up to that, they were like, stop

532
00:31:48,040 --> 00:31:52,160
Speaker 1: stomping in the grape did she a little stomping? No? No, no? Yeah. Well,

533
00:31:52,200 --> 00:31:53,680
Speaker 1: and then in the lead up there, like they cut

534
00:31:53,680 --> 00:31:56,280
Speaker 1: to her from like the news desk and she's like, Okay,

535
00:31:56,360 --> 00:31:58,680
Speaker 1: we're here at the winery. What are we doing? Like

536
00:31:58,720 --> 00:32:04,080
Speaker 1: she just like was such a fucking, fucking dumbass. I

537
00:32:04,080 --> 00:32:07,080
Speaker 1: don't know. I would also like that mat has his

538
00:32:07,160 --> 00:32:09,680
Speaker 1: hands raised. Yeah. I would like to say another really

539
00:32:09,720 --> 00:32:11,600
Speaker 1: funny thing that happened, which was one of the funniest

540
00:32:11,640 --> 00:32:14,600
Speaker 1: things ever that ever happened, which is Scarlett takes a

541
00:32:14,640 --> 00:32:25,080
Speaker 1: tumble when Scarlett maybe we kiddy to kidther. Yeah there

542
00:32:25,400 --> 00:32:34,480
Speaker 1: were look boom boom boom. Oh no, she she posted

543
00:32:34,520 --> 00:32:36,240
Speaker 1: it. It It was like l O L. She thought it

544
00:32:36,280 --> 00:32:39,440
Speaker 1: was so funny. Scarlett was unlike the grapes something lady,

545
00:32:39,720 --> 00:32:42,840
Speaker 1: not critically injured like she She moved on and got

546
00:32:42,880 --> 00:32:44,960
Speaker 1: the humor of it. But I just couldn't believe that

547
00:32:45,200 --> 00:32:51,000
Speaker 1: someone would set up and record themselves singing so seriously,

548
00:32:51,320 --> 00:32:57,760
Speaker 1: and then the way it fell. Oh my god, Sarah

549
00:32:57,840 --> 00:33:02,520
Speaker 1: Sarah something else, Yeah, she had. I would also like

550
00:33:02,640 --> 00:33:07,600
Speaker 1: to propose another really funny moment that happened in culture. Yes,

551
00:33:14,960 --> 00:33:19,240
Speaker 1: of course, of course you have your hand raised. I

552
00:33:19,360 --> 00:33:23,320
Speaker 1: like to call on you. This is classic, this and

553
00:33:23,360 --> 00:33:26,640
Speaker 1: this is there's nothing more two thousand nine than this mhm.

554
00:33:27,280 --> 00:33:35,080
Speaker 1: Sitting on the toilet. Oh yeah, sitting on the toilet. Yeah,

555
00:33:35,200 --> 00:33:41,000
Speaker 1: honestly that was viable videos like nothing happened and one

556
00:33:41,080 --> 00:33:43,760
Speaker 1: thing happens in them. And now it's like on TikTok

557
00:33:43,840 --> 00:33:47,360
Speaker 1: you get full stories and ship and like it's so

558
00:33:47,480 --> 00:33:51,040
Speaker 1: like rich and like so much. It's so dense. But

559
00:33:51,120 --> 00:33:53,920
Speaker 1: like back in the day, early viral video days like

560
00:33:54,040 --> 00:33:56,760
Speaker 1: double Rambo, we wouldn't shut the funk up about it

561
00:33:56,760 --> 00:34:00,200
Speaker 1: for like two months. No, yeah, we also bowing. I mean,

562
00:34:00,200 --> 00:34:03,280
Speaker 1: you know, what's really still the test of time? You

563
00:34:03,320 --> 00:34:12,000
Speaker 1: know what? I like, the most parts gets done? How

564
00:34:12,239 --> 00:34:17,000
Speaker 1: am I? And this is my counterpoint to the tock

565
00:34:17,080 --> 00:34:22,680
Speaker 1: of it all parts sitting on the turtlet. We're talking

566
00:34:22,719 --> 00:34:30,719
Speaker 1: about moments in time. We're sheer total violence that happens spontaneously.

567
00:34:32,800 --> 00:34:40,120
Speaker 1: We question authenticity with we question We'll never have a

568
00:34:40,200 --> 00:34:43,600
Speaker 1: lemon party again. I think we're past Lemon party or

569
00:34:43,640 --> 00:34:46,839
Speaker 1: like your girls remember like true Girls One Cup, like

570
00:34:46,880 --> 00:34:49,960
Speaker 1: where you were like, I don't think we'll ever have

571
00:34:50,120 --> 00:34:52,880
Speaker 1: like shock moments like that ever Again on the internet.

572
00:34:52,960 --> 00:34:54,640
Speaker 1: I have to say I've never I've never been able

573
00:34:54,680 --> 00:35:04,320
Speaker 1: to get through two girls one cup. Why not king shaming,

574
00:35:04,400 --> 00:35:08,880
Speaker 1: You're king shaming. They're enjoying it. I know they're enjoying it,

575
00:35:08,880 --> 00:35:12,440
Speaker 1: and I celebrate them. I just when I tried to

576
00:35:12,440 --> 00:35:14,799
Speaker 1: watch it, it was like it was okay, no, I

577
00:35:14,840 --> 00:35:17,680
Speaker 1: can't even talk about it as you can see, how

578
00:35:17,680 --> 00:35:23,960
Speaker 1: do you say goose bumps? Again? I know I had

579
00:35:24,000 --> 00:35:26,239
Speaker 1: shelled the pool everywhere when I tried to watch that

580
00:35:26,800 --> 00:35:29,759
Speaker 1: myself is my pronunciation? Good shall the pod? Yeah that's

581
00:35:29,760 --> 00:35:33,759
Speaker 1: really good. You guys are really good, either of you.

582
00:35:34,080 --> 00:35:39,600
Speaker 1: And I'm serious about this grew up? No girl, girl?

583
00:35:40,360 --> 00:35:46,680
Speaker 1: What was that time either of you in earnest and serious? Yeah?

584
00:35:46,760 --> 00:35:53,120
Speaker 1: YouTube searched epic fail. Oh my god. I can tell

585
00:35:53,200 --> 00:35:57,719
Speaker 1: you our college pals and this includes like you know

586
00:35:58,080 --> 00:36:00,040
Speaker 1: probably right, yeah, this is like this is like and

587
00:36:00,120 --> 00:36:03,520
Speaker 1: a Dresden Andrew Farmer, Like are that little coterie of

588
00:36:03,600 --> 00:36:05,560
Speaker 1: people when we were all, like, you know, in school

589
00:36:05,600 --> 00:36:08,280
Speaker 1: together like we would just go to each other's dorms

590
00:36:08,320 --> 00:36:11,400
Speaker 1: or apartments and then like look up epic failed and

591
00:36:11,440 --> 00:36:14,600
Speaker 1: they're still cut they're still cutting them together. It'll be

592
00:36:14,640 --> 00:36:19,560
Speaker 1: like best Epic Fails Q one one, like they're common compilations.

593
00:36:19,760 --> 00:36:22,560
Speaker 1: The compilations are nuts or the their themes like you know,

594
00:36:22,719 --> 00:36:26,839
Speaker 1: sled epic fails, dog water epic fail. You know, like

595
00:36:26,920 --> 00:36:30,720
Speaker 1: all these so many categories, so many verticals of epic fails.

596
00:36:30,800 --> 00:36:34,480
Speaker 1: And I mean it's a whole like sector of the

597
00:36:34,480 --> 00:36:37,160
Speaker 1: Internet that's still thriving as much as we're like, oh,

598
00:36:37,200 --> 00:36:40,000
Speaker 1: epic fails, remember those? So for me it was like

599
00:36:40,080 --> 00:36:43,080
Speaker 1: probably like three years ago as recent. I know that

600
00:36:43,080 --> 00:36:45,000
Speaker 1: that seems recent, but as recent as three years ago.

601
00:36:45,040 --> 00:36:49,200
Speaker 1: What about you? I'm begging both of you on your hands,

602
00:36:49,200 --> 00:36:55,920
Speaker 1: on my hands, and goddamnnews, I am in treating you.

603
00:36:56,880 --> 00:36:58,640
Speaker 1: This is something I did at a low point in

604
00:36:58,680 --> 00:37:02,080
Speaker 1: the pandemics. I don't I'm not too proud to say

605
00:37:02,120 --> 00:37:07,680
Speaker 1: I have and you YouTube fail and no, what did

606
00:37:07,680 --> 00:37:16,480
Speaker 1: you do? Oh no, I'm gonna say estimate the humble estimate,

607
00:37:17,200 --> 00:37:24,120
Speaker 1: three hour minimum, great news anchor film, Oh I love

608
00:37:24,160 --> 00:37:28,120
Speaker 1: news anchor fails. Also, like when they accidentally say like

609
00:37:28,160 --> 00:37:33,200
Speaker 1: fag and they're trying to stay flag and starry flat one.

610
00:37:33,840 --> 00:37:36,560
Speaker 1: The one news anchor Field rued to roll up. All

611
00:37:36,600 --> 00:37:38,759
Speaker 1: we all are an agreement on what that is, right,

612
00:37:38,960 --> 00:37:41,960
Speaker 1: we say it because it's escaping me. And I'll say,

613
00:37:42,040 --> 00:37:43,279
Speaker 1: do you know what I'm about to say? Like the

614
00:37:43,360 --> 00:37:47,879
Speaker 1: ultimately yeah, yeah, yeah, no no, no no, no, it's

615
00:37:49,400 --> 00:37:53,319
Speaker 1: next definitely have the person who climbed the highest mount

616
00:37:53,360 --> 00:37:56,560
Speaker 1: into the world, Mount Everest. But he's gay. Excuse me,

617
00:37:56,680 --> 00:38:14,799
Speaker 1: he's he's but he's gay. No, no, he's blind gay,

618
00:38:15,840 --> 00:38:23,200
Speaker 1: it's really but he's gay. Oh my god. No, No,

619
00:38:23,440 --> 00:38:29,120
Speaker 1: he's blind. I'm sorry, he's blind. Her trying to save it. No,

620
00:38:29,520 --> 00:38:31,719
Speaker 1: so he's blind. So we're here. We'll hear more on

621
00:38:31,800 --> 00:38:34,960
Speaker 1: that later. And didn't she come back? After the break?

622
00:38:35,000 --> 00:38:37,160
Speaker 1: I was like, I'm so sorry. I think I said

623
00:38:37,160 --> 00:38:41,320
Speaker 1: he's gay, but you know he is blind and he's here, Sarah,

624
00:38:41,400 --> 00:38:44,040
Speaker 1: what were you malving? What were you molding? I couldn't

625
00:38:44,040 --> 00:38:46,239
Speaker 1: make it out, make it back to the microphone that

626
00:38:46,400 --> 00:38:50,680
Speaker 1: come back? Come back? Interesting is that you? You know

627
00:38:50,760 --> 00:38:53,880
Speaker 1: you said I I remember the funniest thing that's ever happened,

628
00:38:54,280 --> 00:38:57,560
Speaker 1: miss speaking, and I was miss speaking I was lying

629
00:38:58,239 --> 00:39:02,600
Speaker 1: the the the news anchor with mid speaking, and you said,

630
00:39:02,640 --> 00:39:06,000
Speaker 1: that's the funniest thing. And I'm noticing a pattern with

631
00:39:06,040 --> 00:39:09,720
Speaker 1: me where I always think that the funniest news anchor fails,

632
00:39:10,040 --> 00:39:15,880
Speaker 1: or when there's a medical when they like faith. So

633
00:39:16,120 --> 00:39:26,560
Speaker 1: I was mouthing stroke and she started having I did

634
00:39:26,640 --> 00:39:29,200
Speaker 1: think that was immediately sad, but at the time it

635
00:39:29,280 --> 00:39:33,359
Speaker 1: was like, what the hell happened here? Yeah, so that

636
00:39:33,520 --> 00:39:37,520
Speaker 1: you can deal with that, you brought up sad stroke

637
00:39:37,600 --> 00:39:42,200
Speaker 1: on television and punctured long grape lady who's never the

638
00:39:42,239 --> 00:39:48,719
Speaker 1: same someone people who are bodily This is body horror you.

639
00:39:56,600 --> 00:39:59,719
Speaker 1: This actually is an excellent transition. I'd say, bow yeah.

640
00:39:59,760 --> 00:40:03,320
Speaker 1: I because on every episode of Lost Coach, which is

641
00:40:03,360 --> 00:40:06,080
Speaker 1: an abbreviation for the podcast Last Culture Ristas, which is

642
00:40:06,200 --> 00:40:08,560
Speaker 1: really even more of an abbreviation for Lost Culture Rests

643
00:40:08,600 --> 00:40:10,440
Speaker 1: with Matt Rogers and Bell and Young. The working title

644
00:40:10,480 --> 00:40:14,279
Speaker 1: of this podcast, um, we ask every guess, well, was

645
00:40:14,320 --> 00:40:16,799
Speaker 1: the culture that made you say? Culture was for you?

646
00:40:16,840 --> 00:40:20,160
Speaker 1: Do you understand the question? I really I do to

647
00:40:20,320 --> 00:40:24,479
Speaker 1: a fault too. I have too many things to say

648
00:40:24,480 --> 00:40:29,480
Speaker 1: and I'm saying, well, I'll say this to prepare and

649
00:40:29,520 --> 00:40:32,479
Speaker 1: I say, I'm gonna go on less cultures. I'm gonna

650
00:40:32,480 --> 00:40:36,640
Speaker 1: go on last time. I'm gonna do my goddamn research. Okay,

651
00:40:36,719 --> 00:40:40,239
Speaker 1: I'm gonna listen. In an episode with my dear friend

652
00:40:40,320 --> 00:40:45,719
Speaker 1: and sister, Ruby mccallista, I was thinking about I was

653
00:40:45,760 --> 00:40:47,360
Speaker 1: thinking about that episode the other day because of the

654
00:40:47,400 --> 00:40:52,040
Speaker 1: way she says, that's that kultrina Jack, that's Jack. She

655
00:40:52,160 --> 00:40:55,480
Speaker 1: was saying, I had an l a jack l She

656
00:40:55,480 --> 00:40:59,400
Speaker 1: she that was dark A culture was a highlights. Everyone,

657
00:40:59,440 --> 00:41:02,920
Speaker 1: please listen. Ruby mccollster, one of the most perceptive, funniest

658
00:41:03,280 --> 00:41:08,799
Speaker 1: raw raw talent people. You truly nobody listened to that

659
00:41:08,840 --> 00:41:15,000
Speaker 1: episode considering that fucking bitch said what I wanted to say?

660
00:41:15,280 --> 00:41:21,360
Speaker 1: What did you say? That fucking bitch? My best fucking

661
00:41:21,680 --> 00:41:28,239
Speaker 1: friend said the culture that was most influential to be

662
00:41:29,760 --> 00:41:34,400
Speaker 1: I wonder if that's why we're friends. What three years

663
00:41:34,400 --> 00:41:37,239
Speaker 1: ago when she went on the show, it said that

664
00:41:37,280 --> 00:41:41,280
Speaker 1: the most influential culture to her was Peewee's. Goddamn motherfucking

665
00:41:44,360 --> 00:41:46,239
Speaker 1: this makes so much sense for both of you, and

666
00:41:46,400 --> 00:41:48,759
Speaker 1: especially you. Let's leave her out. Let's leave Ruby out

667
00:41:48,800 --> 00:41:50,560
Speaker 1: of it. Take her out of the narrative for a

668
00:41:50,640 --> 00:41:55,040
Speaker 1: damn second, what did Peewee mean to you? Everything? It

669
00:41:55,200 --> 00:41:58,800
Speaker 1: was like the first thing where I was like, okay, okay,

670
00:41:58,840 --> 00:42:02,680
Speaker 1: this is all right? And by way, has anyone ever

671
00:42:02,760 --> 00:42:08,040
Speaker 1: done it? Since? I don't think so. People try, and

672
00:42:08,239 --> 00:42:12,759
Speaker 1: by the way, humiliatingly they try. They should be ashamed

673
00:42:12,800 --> 00:42:16,360
Speaker 1: for how they try. Do we think that? Like No,

674
00:42:16,640 --> 00:42:19,719
Speaker 1: I was, I can't think of anything. It's just the

675
00:42:19,840 --> 00:42:22,640
Speaker 1: only like thing that's like, okay, this is when I

676
00:42:22,680 --> 00:42:26,480
Speaker 1: go crazy. Okay, you want to hear my crazy? The

677
00:42:26,560 --> 00:42:32,200
Speaker 1: only total works of complete and total arts play house

678
00:42:33,719 --> 00:42:39,239
Speaker 1: with I just just how was it advised? Two nights

679
00:42:39,239 --> 00:42:41,640
Speaker 1: ago at S and l A. Were you there? No?

680
00:42:44,480 --> 00:42:47,840
Speaker 1: Literally it was. It was truly, it was truly wild

681
00:42:47,880 --> 00:42:49,839
Speaker 1: to watch it again because it is a perfect it's

682
00:42:49,840 --> 00:42:53,120
Speaker 1: a perfect movie. You're like, no one's this was the

683
00:42:53,160 --> 00:42:57,840
Speaker 1: first movie ever made, and no one's made a movie since. Interesting,

684
00:42:59,480 --> 00:43:01,719
Speaker 1: it's kind of fascinating. And also I'll say this for

685
00:43:01,760 --> 00:43:03,640
Speaker 1: this movie and then we can return to Peewee. But

686
00:43:03,680 --> 00:43:05,960
Speaker 1: I just want to say the special effects of the

687
00:43:06,000 --> 00:43:11,919
Speaker 1: twister sequence, it's actually really scary and jarring. How real

688
00:43:12,080 --> 00:43:14,640
Speaker 1: it looks like it's very like like obviously they had

689
00:43:14,680 --> 00:43:17,239
Speaker 1: to do practical effects it was night I guess when

690
00:43:17,239 --> 00:43:19,000
Speaker 1: they shot it, and then it was released in thirty nine.

691
00:43:19,040 --> 00:43:22,200
Speaker 1: But like she's truly like fighting against the winds. It's

692
00:43:22,239 --> 00:43:24,399
Speaker 1: so scary with it. When they're all going down into

693
00:43:24,400 --> 00:43:27,239
Speaker 1: the to the to the cellar and they close it

694
00:43:27,239 --> 00:43:30,400
Speaker 1: behind them and she doesn't make it. It looks really

695
00:43:30,400 --> 00:43:33,840
Speaker 1: real and the twister looks great in the background, like

696
00:43:33,880 --> 00:43:36,759
Speaker 1: for the time. It's crazy to say nothing of like

697
00:43:36,800 --> 00:43:38,880
Speaker 1: the rest of the visual treat that is the movie.

698
00:43:39,000 --> 00:43:41,280
Speaker 1: Have you guys seen that whole feature at where Angela

699
00:43:41,320 --> 00:43:44,600
Speaker 1: Landsbury like talks about like all of the crazy ship

700
00:43:44,680 --> 00:43:46,120
Speaker 1: that went down with the Wizard of Oz. I mean,

701
00:43:46,120 --> 00:43:47,480
Speaker 1: I it's been on since I've seen it, but like

702
00:43:47,520 --> 00:43:51,920
Speaker 1: all like the casting craziness with the tin Man and like,

703
00:43:52,160 --> 00:43:56,080
Speaker 1: oh my god, like it's nuts. And then um, but

704
00:43:56,120 --> 00:43:58,160
Speaker 1: then my the thing that I will never forget about,

705
00:43:58,160 --> 00:43:59,719
Speaker 1: which is this is so dumb. But like you know

706
00:43:59,760 --> 00:44:03,760
Speaker 1: the shot of um, the house tumbling down in the landing. Yes,

707
00:44:04,160 --> 00:44:06,759
Speaker 1: that's just like them on like a stage, pointing the

708
00:44:06,760 --> 00:44:08,960
Speaker 1: camera to the floor and then then dropping a little

709
00:44:08,960 --> 00:44:12,640
Speaker 1: house figurine. That's how they didn't talk about the intro

710
00:44:12,880 --> 00:44:18,719
Speaker 1: sequence to Pee Wee's playhouse. That's allures, and like let's

711
00:44:18,719 --> 00:44:20,440
Speaker 1: go back to pee Wee because pee Wee, like it

712
00:44:20,600 --> 00:44:24,000
Speaker 1: totally tracks in your work, like it fully is like

713
00:44:24,160 --> 00:44:28,960
Speaker 1: a new fucked up grotesque version of like of that

714
00:44:29,120 --> 00:44:32,160
Speaker 1: of like I mean like talk about like practical gore

715
00:44:32,239 --> 00:44:34,879
Speaker 1: ship for you, because like that is commitment. That is work.

716
00:44:34,960 --> 00:44:38,120
Speaker 1: That is like manual crafting of art, and you have

717
00:44:38,200 --> 00:44:40,719
Speaker 1: to wear it and you have to like time it

718
00:44:40,760 --> 00:44:44,600
Speaker 1: out and like kind of like I feel like I'm

719
00:44:44,640 --> 00:44:47,879
Speaker 1: everyone please watch Sara Vaccine and all of stairs work.

720
00:44:47,880 --> 00:44:51,040
Speaker 1: It's it's it's but talk about like your relationship with

721
00:44:51,239 --> 00:44:54,799
Speaker 1: making that stuff. I so I haven't learned how to

722
00:44:54,840 --> 00:44:58,000
Speaker 1: make it real until I moved to Los Angeles and

723
00:44:58,160 --> 00:45:00,839
Speaker 1: all my friends are movie magic maker and so like

724
00:45:01,040 --> 00:45:03,240
Speaker 1: I was living in Chicago for like you know whatever

725
00:45:03,280 --> 00:45:06,359
Speaker 1: three thousand years and making being like, oh, I want

726
00:45:06,400 --> 00:45:08,399
Speaker 1: to make an effect where like I make these big

727
00:45:08,440 --> 00:45:13,120
Speaker 1: clay veiny boobs with big Pepperoni pizza nipples, And so

728
00:45:13,200 --> 00:45:15,160
Speaker 1: how do I make the milk like shoot out of

729
00:45:15,200 --> 00:45:18,000
Speaker 1: the nipples. Oh, obviously, what I have to do is

730
00:45:18,040 --> 00:45:20,160
Speaker 1: put a tube through the nipple and fill my mouth

731
00:45:20,239 --> 00:45:22,920
Speaker 1: with milk and then blow milk through the tube and

732
00:45:22,920 --> 00:45:24,439
Speaker 1: so could you know what I mean? I was doing

733
00:45:24,520 --> 00:45:29,600
Speaker 1: like like arts and crafts, like like rubber bands and

734
00:45:29,640 --> 00:45:31,800
Speaker 1: tape kind of practical effects, which is kind of I

735
00:45:31,840 --> 00:45:35,319
Speaker 1: mean that's like you know, crafty, campy whatever, and like

736
00:45:35,360 --> 00:45:37,800
Speaker 1: all in four like I love Pewee and like Wizard

737
00:45:37,840 --> 00:45:40,000
Speaker 1: of Oz because it's all this like very tact dial

738
00:45:40,239 --> 00:45:42,719
Speaker 1: it's like an immersive universe that you can like reach

739
00:45:42,760 --> 00:45:45,759
Speaker 1: out and touch, and it's like, you know, I think,

740
00:45:45,840 --> 00:45:47,759
Speaker 1: like because I make a lot of you know, arts

741
00:45:47,760 --> 00:45:51,800
Speaker 1: and craft the aesthetic, I hate that words. It sounds

742
00:45:51,800 --> 00:45:55,040
Speaker 1: like kind of like cheap, and it also or either

743
00:45:55,239 --> 00:45:58,359
Speaker 1: it's not like I think people are like, oh, you're

744
00:45:58,520 --> 00:46:00,160
Speaker 1: you do d I y stuff so we can hey

745
00:46:00,200 --> 00:46:01,880
Speaker 1: you like no money to do your thing, even though

746
00:46:01,920 --> 00:46:04,920
Speaker 1: it's like you know what I mean. But now I

747
00:46:05,040 --> 00:46:06,960
Speaker 1: moved to I moved to l A and then I

748
00:46:07,080 --> 00:46:10,000
Speaker 1: made Saravaccine with my friends who are like real special

749
00:46:10,000 --> 00:46:12,120
Speaker 1: effects artists. So I'm like learning how to not do

750
00:46:12,200 --> 00:46:14,480
Speaker 1: stuff that's just like milk with tubes and stuff. Like

751
00:46:14,840 --> 00:46:17,920
Speaker 1: my friend Heiress Genius Genius works at the like special

752
00:46:17,920 --> 00:46:21,720
Speaker 1: effects shop that like made all these like practical effects

753
00:46:21,719 --> 00:46:23,520
Speaker 1: horror movies that I love and like it was part

754
00:46:23,560 --> 00:46:26,560
Speaker 1: of a team that made the masks for Slipnot and

755
00:46:26,600 --> 00:46:33,040
Speaker 1: I'm like, so major snowe major. Moving to l A,

756
00:46:33,320 --> 00:46:36,520
Speaker 1: it's fun because you're you're surrounded by people whose job

757
00:46:36,520 --> 00:46:40,560
Speaker 1: it is to professionally make stuff crazy style and everyone

758
00:46:40,680 --> 00:46:44,080
Speaker 1: is like a genius problem solver and an artist and

759
00:46:44,160 --> 00:46:46,640
Speaker 1: like it's just cool. Like you know, in Chicago, if

760
00:46:46,680 --> 00:46:50,520
Speaker 1: I wanted to make a pimple exploding with pus, I

761
00:46:50,600 --> 00:46:52,759
Speaker 1: was like, oh, I don't know anything, like so I

762
00:46:52,800 --> 00:46:56,840
Speaker 1: just filled like a bubble wrap bubble with vasoline and

763
00:46:56,840 --> 00:47:00,480
Speaker 1: then painted it to look like or whatever that sounds.

764
00:47:00,520 --> 00:47:03,200
Speaker 1: That sounds like a solution, though it's definitely a solution.

765
00:47:03,239 --> 00:47:05,319
Speaker 1: And then I moved here and my friends are like, oh,

766
00:47:05,360 --> 00:47:07,040
Speaker 1: this is how you do with like silicon and all

767
00:47:07,040 --> 00:47:09,120
Speaker 1: this cool stuff. And I still don't really know how

768
00:47:09,160 --> 00:47:11,479
Speaker 1: to do anything. But it's just kind of like fun

769
00:47:11,600 --> 00:47:15,279
Speaker 1: to like mess around and stuff. And I think that's

770
00:47:15,280 --> 00:47:21,120
Speaker 1: why I like practical effects, because it's like, I think

771
00:47:21,960 --> 00:47:25,680
Speaker 1: lost so much by foregoing practical effects. I really do.

772
00:47:25,800 --> 00:47:28,520
Speaker 1: I think that, Like, for example, like like when they

773
00:47:28,600 --> 00:47:32,360
Speaker 1: first tried to reboot Star Wars and like the Natalie

774
00:47:32,400 --> 00:47:34,920
Speaker 1: Portman era of Star Wars as as I call them,

775
00:47:34,960 --> 00:47:39,080
Speaker 1: like all the Aliens being c G. I like it

776
00:47:39,160 --> 00:47:43,359
Speaker 1: made it feel just it just took me out. Yeah,

777
00:47:43,400 --> 00:47:45,640
Speaker 1: and then like they got better in the in the

778
00:47:45,680 --> 00:47:49,399
Speaker 1: next reboot, like the Daisy Ridley era. Um, but like

779
00:47:50,239 --> 00:47:52,680
Speaker 1: but you know it's true, like you know, you could

780
00:47:52,760 --> 00:47:55,200
Speaker 1: never get the magic of something like Wizard of Oz

781
00:47:55,320 --> 00:47:57,640
Speaker 1: now because they would overdo it because they love to

782
00:47:57,680 --> 00:47:59,719
Speaker 1: throw money at the problem. In that way, maybe it's

783
00:47:59,719 --> 00:48:02,320
Speaker 1: even easier for them to put things in and post

784
00:48:02,400 --> 00:48:05,520
Speaker 1: like you could never do Jaws now if they tried,

785
00:48:05,600 --> 00:48:08,879
Speaker 1: it would be embarrassing and it wouldn't be scary. And

786
00:48:08,920 --> 00:48:12,040
Speaker 1: with with Wizard of Oz, it's like obviously they were

787
00:48:12,080 --> 00:48:14,239
Speaker 1: playing with like now we're going into color and like

788
00:48:14,280 --> 00:48:15,880
Speaker 1: you know all that stuff. So there's so much to

789
00:48:15,960 --> 00:48:18,840
Speaker 1: play on, especially like VA V, like the world of

790
00:48:18,880 --> 00:48:22,640
Speaker 1: filmmaking up until that point. But it's so interesting to

791
00:48:22,760 --> 00:48:25,280
Speaker 1: think of those as like the things that you respond

792
00:48:25,320 --> 00:48:28,400
Speaker 1: to because you do genuinely work with that stuff. And

793
00:48:28,400 --> 00:48:30,240
Speaker 1: then when you move to l A, you are around

794
00:48:30,280 --> 00:48:32,239
Speaker 1: so many more people that are capable of that. And

795
00:48:32,280 --> 00:48:35,240
Speaker 1: I would imagine bow and like you see, like magic

796
00:48:35,280 --> 00:48:37,880
Speaker 1: get made every week at your job. But I remember

797
00:48:37,920 --> 00:48:40,279
Speaker 1: my first experience with that was like when they put

798
00:48:40,320 --> 00:48:44,799
Speaker 1: Mitra and I an alien makeup for the My friend

799
00:48:44,840 --> 00:48:49,480
Speaker 1: Molina did your makeup and she is incredible, incredible and

800
00:48:49,520 --> 00:48:52,000
Speaker 1: her everyone she works with is amazing. And it was

801
00:48:52,160 --> 00:48:54,880
Speaker 1: really wold because I've obviously been in makeup trails affording,

802
00:48:54,960 --> 00:48:57,080
Speaker 1: but really just to get like on camera makeup done,

803
00:48:57,320 --> 00:49:00,480
Speaker 1: and then these people put us put so many extras

804
00:49:00,480 --> 00:49:04,440
Speaker 1: into full on alien guiche and it was so involved

805
00:49:04,480 --> 00:49:08,040
Speaker 1: and so impressive and we were laughing, dying, laughing, Metro,

806
00:49:08,520 --> 00:49:12,120
Speaker 1: we had the most so funny, you both so funny,

807
00:49:12,320 --> 00:49:15,439
Speaker 1: but it's just like people are capable of such like

808
00:49:15,680 --> 00:49:19,279
Speaker 1: Wizards beyond, and it's fun And it's what Sarahs thing

809
00:49:19,320 --> 00:49:22,080
Speaker 1: is that it's funny. There's something funny about you and

810
00:49:22,200 --> 00:49:27,480
Speaker 1: Metra being in this like silly fucking but real you know,

811
00:49:27,600 --> 00:49:32,399
Speaker 1: alien makeup, and like, I don't know, like you're so right, Sara,

812
00:49:32,400 --> 00:49:34,000
Speaker 1: And that's a little sad that like no one's done

813
00:49:34,000 --> 00:49:37,000
Speaker 1: it like peewee, since on like that scale, I think

814
00:49:37,040 --> 00:49:41,080
Speaker 1: it's really expensive in a way that's like, you know,

815
00:49:42,080 --> 00:49:45,279
Speaker 1: like if you and Metro were gonna be animated aliens

816
00:49:45,360 --> 00:49:48,880
Speaker 1: for that, I think it would have been cheaper, but

817
00:49:48,960 --> 00:49:51,839
Speaker 1: then you lose the magic of like obviously animation is

818
00:49:51,880 --> 00:49:55,360
Speaker 1: like major and it's like three thousand people working together,

819
00:49:56,080 --> 00:49:58,759
Speaker 1: but like you're in a room with like eight people

820
00:49:58,760 --> 00:50:00,640
Speaker 1: who are all up in your face, and it's like

821
00:50:00,840 --> 00:50:06,320
Speaker 1: it's inherently social and like more present. I think why,

822
00:50:06,440 --> 00:50:10,279
Speaker 1: especially now, I think there's a deep desire within me

823
00:50:10,360 --> 00:50:12,680
Speaker 1: to like really hold onto the practical is because like

824
00:50:12,680 --> 00:50:14,560
Speaker 1: we just spent a year and a half in isolation,

825
00:50:14,760 --> 00:50:17,799
Speaker 1: like and I think it's it isn't easier to do

826
00:50:18,560 --> 00:50:27,880
Speaker 1: wait made up right? Sorry? Sorry, sorry, keep you know

827
00:50:27,880 --> 00:50:31,360
Speaker 1: what I mean. Though, It's like, obviously I love animation, major, major,

828
00:50:31,400 --> 00:50:34,040
Speaker 1: but you can kind of do it like a bunch

829
00:50:34,040 --> 00:50:36,279
Speaker 1: of different people at different computers on different sides of

830
00:50:36,320 --> 00:50:38,640
Speaker 1: the planet. Well, when you do it all in post,

831
00:50:38,719 --> 00:50:41,120
Speaker 1: it's like, of course it's appealing because you're able to

832
00:50:41,160 --> 00:50:44,719
Speaker 1: control it up until you know you hit export. But

833
00:50:44,760 --> 00:50:46,799
Speaker 1: it's like you got to make the decision on the

834
00:50:46,920 --> 00:50:49,239
Speaker 1: day if you want to do it all practical, and

835
00:50:49,320 --> 00:50:52,480
Speaker 1: like you and and and doing things practical means that

836
00:50:52,520 --> 00:50:55,520
Speaker 1: you have to have the confidence in what you're doing.

837
00:50:55,680 --> 00:50:58,320
Speaker 1: You've got to know what you're going for like before

838
00:50:59,400 --> 00:51:02,160
Speaker 1: before goes somewhere else to get like you know, cut

839
00:51:02,200 --> 00:51:04,960
Speaker 1: together or whatever the hell totally and it's like first

840
00:51:04,960 --> 00:51:08,480
Speaker 1: Sara vaccine I had to make, um my friend Heiress

841
00:51:08,520 --> 00:51:10,520
Speaker 1: had to make. I'm just like obsessed with them, and

842
00:51:10,760 --> 00:51:13,040
Speaker 1: literally everybody go be obsessed with aarrison and hire them

843
00:51:13,040 --> 00:51:16,600
Speaker 1: to do everything. They had to make like a crazy

844
00:51:16,640 --> 00:51:21,360
Speaker 1: fucked up facial prosthetic, and so I had to get

845
00:51:21,400 --> 00:51:24,400
Speaker 1: life casted, which meant me sitting in a chair for

846
00:51:24,480 --> 00:51:26,719
Speaker 1: three hours while the dunk you and dunk you and

847
00:51:26,760 --> 00:51:30,120
Speaker 1: the goose and the goops and like silicone and plaster

848
00:51:30,160 --> 00:51:32,920
Speaker 1: bandages or whatever, and it's just three hours of like

849
00:51:33,000 --> 00:51:35,600
Speaker 1: complete and total surrender. You're like, I just have to

850
00:51:35,640 --> 00:51:39,319
Speaker 1: trust the people I'm with. It's totally meditative and it's

851
00:51:39,320 --> 00:51:42,280
Speaker 1: like you don't have to like there is this like weird,

852
00:51:42,400 --> 00:51:45,200
Speaker 1: sick element of danger when you are doing practical effects.

853
00:51:45,280 --> 00:51:47,279
Speaker 1: Like the other week, me and Airis had to make

854
00:51:47,280 --> 00:51:50,200
Speaker 1: a head explode and it's like, you know, obviously no

855
00:51:50,280 --> 00:51:54,400
Speaker 1: one's getting hurt, but the little like possibility that maybe

856
00:51:54,400 --> 00:51:57,919
Speaker 1: someone could maybe get hurt, that's fun. Yeah, yeah, yeah,

857
00:51:59,040 --> 00:52:01,560
Speaker 1: it's danger. Who who did you make up? When you

858
00:52:01,600 --> 00:52:04,439
Speaker 1: did Bernie Sanders, when you when you played Bernie, you

859
00:52:04,440 --> 00:52:07,359
Speaker 1: you had one of the best Bernie's that's the same

860
00:52:07,440 --> 00:52:12,160
Speaker 1: girl who did Matt Meetzra's makeup. Oh, Molina Saylina's full

861
00:52:12,239 --> 00:52:20,080
Speaker 1: name because Melina Sterns and like truly truly great. Well

862
00:52:20,120 --> 00:52:23,840
Speaker 1: I think that's prol Ali to Maguela Cutty. Yeah, there was.

863
00:52:24,160 --> 00:52:25,759
Speaker 1: There was like a whole team there and it was

864
00:52:25,800 --> 00:52:29,120
Speaker 1: such a it was such a wild day because like

865
00:52:29,280 --> 00:52:31,480
Speaker 1: it was honestly worth doing. Obviously it was fun to

866
00:52:31,520 --> 00:52:33,480
Speaker 1: be in a Katie Perie video, but just to have

867
00:52:33,560 --> 00:52:36,680
Speaker 1: the experience of being put into makeup like that, Like

868
00:52:36,920 --> 00:52:38,840
Speaker 1: you hear like the stories of like when Jim Carrey

869
00:52:38,920 --> 00:52:41,040
Speaker 1: did The Grinch, you know what I mean, Like that

870
00:52:41,160 --> 00:52:43,680
Speaker 1: he was truly in like six hours of makeup every

871
00:52:43,680 --> 00:52:45,640
Speaker 1: single day, and you kind of take for granted, like

872
00:52:46,120 --> 00:52:49,319
Speaker 1: just how much effort that is and how hard that

873
00:52:49,440 --> 00:52:53,120
Speaker 1: is and to keep it the continuity and to perform

874
00:52:53,200 --> 00:52:55,400
Speaker 1: in that. Also, what it does to you as a

875
00:52:55,440 --> 00:52:58,640
Speaker 1: performer when you are put into makeup like that, you

876
00:52:58,719 --> 00:53:02,879
Speaker 1: really do I'm alive, Like it really changes who you are.

877
00:53:03,440 --> 00:53:07,160
Speaker 1: And she had those fingers like can you imagine, like

878
00:53:07,239 --> 00:53:09,560
Speaker 1: you watch the granch and you're like, okay, best wormers

879
00:53:09,560 --> 00:53:12,799
Speaker 1: of all time. Literally, I'm in agreement. You know what,

880
00:53:12,920 --> 00:53:16,080
Speaker 1: Like you if you got to wear those fingers per day,

881
00:53:16,560 --> 00:53:20,400
Speaker 1: you'd be a different person. Yeah, you'd be You'd be

882
00:53:20,520 --> 00:53:25,360
Speaker 1: justesticulating all over the place, pointy little fingers. And Molina

883
00:53:25,400 --> 00:53:28,839
Speaker 1: did the old Man Bernie makeup. I was like, can

884
00:53:28,880 --> 00:53:30,680
Speaker 1: you give me prosthetics to make me look old? And

885
00:53:30,719 --> 00:53:32,440
Speaker 1: she was like, actually, I want to try this technique

886
00:53:32,440 --> 00:53:34,160
Speaker 1: I've never done before. And I go, I'm obsessed with you.

887
00:53:34,160 --> 00:53:36,080
Speaker 1: I'd let you do anything you want to take my body,

888
00:53:36,080 --> 00:53:39,200
Speaker 1: it's yours. She did this weird thing where she put

889
00:53:39,200 --> 00:53:42,120
Speaker 1: all this like strange glue on my face that made

890
00:53:42,200 --> 00:53:46,879
Speaker 1: my skin like stick to itself so that it produced

891
00:53:47,160 --> 00:53:56,359
Speaker 1: natural looking wrinkles without like additive prosthesis. Oh my god. Yes,

892
00:53:56,440 --> 00:54:00,960
Speaker 1: it was very disturbing because it was my skin behaving

893
00:54:01,080 --> 00:54:08,560
Speaker 1: as if I were years old. Cool. Um wait, I

894
00:54:08,560 --> 00:54:10,400
Speaker 1: had another thing to ask you. Oh my god, you guys,

895
00:54:10,800 --> 00:54:12,160
Speaker 1: you guys, have you have you have either of you

896
00:54:12,160 --> 00:54:14,400
Speaker 1: ever watched that reality competition show. It kind of got

897
00:54:14,440 --> 00:54:16,880
Speaker 1: like buried. I think it's still on. It's called Face Off,

898
00:54:17,719 --> 00:54:20,960
Speaker 1: and it's like practical, it's practice, it's effects makeup people

899
00:54:21,840 --> 00:54:24,080
Speaker 1: all like it's and all like having to compete and

900
00:54:24,080 --> 00:54:26,640
Speaker 1: like come up with all the challenges are insane and

901
00:54:26,800 --> 00:54:31,040
Speaker 1: themed and it's like these people are wizards and witches

902
00:54:31,239 --> 00:54:38,240
Speaker 1: and like just magicians. It's crazy crazy. I have never

903
00:54:38,560 --> 00:54:43,880
Speaker 1: seen that show, but one of my friends was on it, Joe,

904
00:54:44,800 --> 00:54:48,560
Speaker 1: and it's funny. Like anytime. I'm like, oh, like I

905
00:54:48,600 --> 00:54:51,880
Speaker 1: had to paint a backdrop on like paper. Actually, for

906
00:54:51,920 --> 00:54:54,320
Speaker 1: Sara Vaccine, I had to paint these big hands painted

907
00:54:54,320 --> 00:54:56,960
Speaker 1: back backdrops that were like ten ft by ten ft,

908
00:54:57,400 --> 00:54:59,280
Speaker 1: And after I paid to them, I was like, shoot,

909
00:54:59,280 --> 00:55:01,160
Speaker 1: I gotta roll these have to transport them to the

910
00:55:01,239 --> 00:55:04,520
Speaker 1: filming location. But like, how do I roll up a

911
00:55:04,560 --> 00:55:07,680
Speaker 1: big piece of paper with like han hour's worth of

912
00:55:07,719 --> 00:55:10,440
Speaker 1: paint on it? You know what I mean, without wrinkling it?

913
00:55:10,800 --> 00:55:13,640
Speaker 1: Call it Joe, who's on face off? He goes get this.

914
00:55:14,480 --> 00:55:17,840
Speaker 1: I worked at a warehouse where we had to hand

915
00:55:18,000 --> 00:55:25,360
Speaker 1: roll ancient silks, so I know the rolling technique, you

916
00:55:25,400 --> 00:55:28,799
Speaker 1: know what I mean. It's like, well, ship, I don't know.

917
00:55:30,480 --> 00:55:34,719
Speaker 1: It's great and there's people, you know what I mean.

918
00:55:33,960 --> 00:55:41,719
Speaker 1: I'll have sex with Joe if he knows how to

919
00:55:41,800 --> 00:55:46,680
Speaker 1: roll ancient silks. Fuck, like he knows how to roll

920
00:55:46,719 --> 00:55:49,239
Speaker 1: ancient silks like that, and and and that's like one

921
00:55:49,280 --> 00:55:50,920
Speaker 1: of those things like if you know how to do it,

922
00:55:50,960 --> 00:55:53,879
Speaker 1: like I will have sex with you. It's like when

923
00:55:53,880 --> 00:55:56,000
Speaker 1: someone can play piano and sing, like, I will have

924
00:55:56,040 --> 00:55:57,960
Speaker 1: sex with you. It's like one of the can roll silks,

925
00:55:58,000 --> 00:56:00,160
Speaker 1: like I will have sexually. I will have sex with you.

926
00:56:00,280 --> 00:56:01,640
Speaker 1: Do you have one of those things where it's like

927
00:56:01,680 --> 00:56:04,839
Speaker 1: if someone can do one thing, you'll suck them. Okay. Um.

928
00:56:05,560 --> 00:56:09,880
Speaker 1: The physicians assistant in my doctor's office is moving to Miami. Um.

929
00:56:09,920 --> 00:56:13,279
Speaker 1: And he is just this adorable, adorable guy and he's

930
00:56:13,320 --> 00:56:16,360
Speaker 1: gotten like really jacked in the pandemic. It's so weird.

931
00:56:17,000 --> 00:56:19,080
Speaker 1: But you know, he's like so sweet and like I'm

932
00:56:19,120 --> 00:56:22,239
Speaker 1: not like that like creepy with him. And I've never

933
00:56:22,320 --> 00:56:27,800
Speaker 1: I've never whatever I sound. He doesn't, he doesn't, He

934
00:56:28,080 --> 00:56:31,160
Speaker 1: has no idea he has, he has, he has, he

935
00:56:31,160 --> 00:56:34,160
Speaker 1: knows nothing about me, and but he it was it

936
00:56:34,239 --> 00:56:35,759
Speaker 1: was my last check up with him last week, and

937
00:56:35,760 --> 00:56:38,120
Speaker 1: he gave me like a quick little exam and just

938
00:56:38,160 --> 00:56:40,560
Speaker 1: like massaged my abdomen while I was lying down. I

939
00:56:40,640 --> 00:56:43,520
Speaker 1: was like see like you know medicine, you know how

940
00:56:43,560 --> 00:56:46,200
Speaker 1: to touch me like this is this, I'll have sex

941
00:56:46,280 --> 00:56:50,719
Speaker 1: with you. I would suck any doctor, yeah, or dentists

942
00:56:51,160 --> 00:56:57,040
Speaker 1: or dentist. No, they're sick, they're sick. Maybe I take

943
00:56:57,080 --> 00:57:00,120
Speaker 1: it back, Maybe I wouldn't suck any dentists. And I

944
00:57:00,160 --> 00:57:02,759
Speaker 1: am king shaming you. No, it's not even that. It's

945
00:57:02,760 --> 00:57:04,279
Speaker 1: not even about there. It's not even about it as

946
00:57:04,320 --> 00:57:07,160
Speaker 1: a kink. I'm just saying, like, you know, maybe not

947
00:57:07,280 --> 00:57:09,520
Speaker 1: any dentists, maybe not any dentists there. What are your

948
00:57:09,520 --> 00:57:11,279
Speaker 1: what are you what are your thinking? I think I'm

949
00:57:11,280 --> 00:57:16,880
Speaker 1: just gonna definitely so. No, No, I said doctor, Like

950
00:57:16,960 --> 00:57:22,440
Speaker 1: that's not the most fucking don't fucking ship. No, It's

951
00:57:22,480 --> 00:57:25,080
Speaker 1: like I'm watching old episodes of Housewives of Beverly Hills

952
00:57:25,120 --> 00:57:28,680
Speaker 1: and like Adrian Malouf's husband, Paul Maluke, I'm so horny

953
00:57:28,760 --> 00:57:31,640
Speaker 1: for him, and it's like only because he's a surgeon. Okay,

954
00:57:31,680 --> 00:57:33,560
Speaker 1: I'm rewatching one and two. Can I tell you this ship?

955
00:57:34,240 --> 00:57:37,760
Speaker 1: I'm doing it literally the same thing right now. Is

956
00:57:37,800 --> 00:57:43,040
Speaker 1: your reason sick and fucked up? What's your reason? You

957
00:57:43,120 --> 00:57:48,800
Speaker 1: can cut this? No? No, I want to get to

958
00:57:49,000 --> 00:58:00,520
Speaker 1: the window in which I want to see before Taylor's husband. Yes,

959
00:58:00,680 --> 00:58:03,800
Speaker 1: I want to see the in between, and I want

960
00:58:03,840 --> 00:58:06,200
Speaker 1: to see the post. I mean, look, there is a

961
00:58:06,240 --> 00:58:10,360
Speaker 1: morbid curiosity that is the fact that that we find

962
00:58:10,360 --> 00:58:13,400
Speaker 1: out everything about that stuff. And I will say now

963
00:58:13,440 --> 00:58:16,040
Speaker 1: watching seasons one and two again, I'm like almost at

964
00:58:16,040 --> 00:58:19,320
Speaker 1: the end of two two revelations one, I think Taylor

965
00:58:19,360 --> 00:58:21,840
Speaker 1: is the saddest person to ever be on reality television.

966
00:58:21,880 --> 00:58:24,680
Speaker 1: And I also think it's almost like a living document

967
00:58:24,840 --> 00:58:27,880
Speaker 1: of this is why I like Beverly Hills. It's because

968
00:58:27,920 --> 00:58:29,960
Speaker 1: it's sort of about the cracks in the China, you

969
00:58:29,960 --> 00:58:32,440
Speaker 1: know what I mean. And I really think it's an

970
00:58:32,440 --> 00:58:36,640
Speaker 1: interesting tension between them trying to have drama on TV

971
00:58:36,840 --> 00:58:39,040
Speaker 1: and then when this real thing creeps in, like the

972
00:58:39,280 --> 00:58:43,480
Speaker 1: entire franchise changes. Number two, I think justice for Camille Grammar,

973
00:58:44,000 --> 00:58:47,360
Speaker 1: Justice for Camille Grammar. Camille Grammar was ahead of her time.

974
00:58:47,960 --> 00:58:50,680
Speaker 1: And I think, and now we said it save Taylor

975
00:58:50,760 --> 00:58:54,720
Speaker 1: Armstrong's life and I'm not kidding, yeah yeah, And the

976
00:58:54,880 --> 00:59:00,240
Speaker 1: morally corrupt fayre The morally corrupt fayres Nick was a

977
00:59:00,280 --> 00:59:03,000
Speaker 1: moment in time. And also it's just I also love

978
00:59:03,160 --> 00:59:05,280
Speaker 1: l v P. I never thought I would and Kyle.

979
00:59:05,320 --> 00:59:07,760
Speaker 1: I'm seeing a very interesting shade to Kyle that I

980
00:59:07,840 --> 00:59:10,720
Speaker 1: never really remembered or new before, which is that she

981
00:59:10,800 --> 00:59:13,880
Speaker 1: used to be well in seasons one and two, she's like,

982
00:59:14,400 --> 00:59:19,160
Speaker 1: she's sort of showing a bitchier, more queen be like,

983
00:59:19,360 --> 00:59:21,960
Speaker 1: I'm like a funny, mean girl side than she ever

984
00:59:22,000 --> 00:59:25,480
Speaker 1: shows now because she's sort of she's like sweet and

985
00:59:25,520 --> 00:59:27,640
Speaker 1: hapless and like things happened to her. She's always crying.

986
00:59:28,240 --> 00:59:31,400
Speaker 1: There is like a harrowing scene which is Kim and

987
00:59:31,480 --> 00:59:35,600
Speaker 1: Kyle Richards ganging up on Brandy Glandville at a game night,

988
00:59:35,640 --> 00:59:40,680
Speaker 1: and it's so crazy to watch them do this, and

989
00:59:40,680 --> 00:59:43,080
Speaker 1: it's like, am I on Brandy's side right now? And

990
00:59:43,120 --> 00:59:46,360
Speaker 1: obviously Brandy goes completely chaotic evil and she corrupts him

991
00:59:46,400 --> 00:59:49,360
Speaker 1: and it becomes crazy. But you know, it was not

992
00:59:49,480 --> 00:59:52,600
Speaker 1: cut and dry, like Camille and Brandy are like the

993
00:59:52,680 --> 00:59:56,080
Speaker 1: evil like bitch goddesses of this franchise. Looking back, I'm like,

994
00:59:56,120 --> 00:59:58,919
Speaker 1: you know, Kyle and Kim like could give as much

995
00:59:58,920 --> 01:00:01,520
Speaker 1: as they got, are as good as they got. I

996
01:00:01,720 --> 01:00:07,920
Speaker 1: started rewatching one and two because I am noticing myself

997
01:00:08,240 --> 01:00:14,120
Speaker 1: mourning the world before mourning the loss of the world

998
01:00:14,160 --> 01:00:20,680
Speaker 1: before social media, when people were outrageous and didn't feel Okay,

999
01:00:20,720 --> 01:00:24,920
Speaker 1: this is gonna get me yeah totally. And time and

1000
01:00:25,000 --> 01:00:28,080
Speaker 1: tech kills everything. Time and tech kills everything. Because Kyle

1001
01:00:28,200 --> 01:00:33,320
Speaker 1: Richards now is it feels accountable to this audience, where

1002
01:00:34,240 --> 01:00:37,960
Speaker 1: she didn't when she was like vehemently defending her sister

1003
01:00:38,120 --> 01:00:41,760
Speaker 1: seasons one and two and like had little awareness of

1004
01:00:41,800 --> 01:00:45,520
Speaker 1: the public or like how popular she would be on Instagram.

1005
01:00:45,640 --> 01:00:49,440
Speaker 1: And now Kyle Richards is like basically nothing. Yeah, I

1006
01:00:49,480 --> 01:00:53,360
Speaker 1: said it. I still stand Kyle and still do see

1007
01:00:53,400 --> 01:00:56,040
Speaker 1: her when I look in the mirror. Um, but that's

1008
01:00:56,080 --> 01:00:58,840
Speaker 1: my across the bear, your Renna. What are you talking about?

1009
01:00:58,920 --> 01:01:01,520
Speaker 1: I'm Renna and entered into everyone else. But when I

1010
01:01:01,560 --> 01:01:04,480
Speaker 1: look in the mirror, I see Kyle, and so does Lisa.

1011
01:01:04,720 --> 01:01:07,200
Speaker 1: When Lisa looks in the Renna, she's When Lisa Wrena

1012
01:01:07,200 --> 01:01:09,400
Speaker 1: looks in the mirror, she sees Kyle too. And that's

1013
01:01:09,400 --> 01:01:11,440
Speaker 1: sort of important when you're Lisa Arenda, because if you

1014
01:01:11,480 --> 01:01:13,560
Speaker 1: looked in the mirror and saw yourself as Lisa Arenna,

1015
01:01:13,840 --> 01:01:16,840
Speaker 1: you wouldn't act like Lisa Arenna. But when you look

1016
01:01:16,840 --> 01:01:19,960
Speaker 1: in the mirror and see Kyle Richards, you feel you.

1017
01:01:20,960 --> 01:01:22,960
Speaker 1: There's like a lack of self awareness. And then you

1018
01:01:23,000 --> 01:01:24,800
Speaker 1: go out and you're Renna. And I say this as

1019
01:01:24,800 --> 01:01:28,120
Speaker 1: someone who loves Renna, and I love Renna, and everyone's

1020
01:01:28,120 --> 01:01:32,760
Speaker 1: piste off at Renna and I go risk have some respect,

1021
01:01:33,200 --> 01:01:37,280
Speaker 1: respect and respect. And I'll say this, Kyle can stick

1022
01:01:37,320 --> 01:01:42,320
Speaker 1: around because she brought us Kathy Yea, and she can

1023
01:01:42,400 --> 01:01:44,600
Speaker 1: stick around if we get a little bit of the

1024
01:01:44,720 --> 01:01:49,320
Speaker 1: Mauriceo real estate fraud. Here's the deal, is there real

1025
01:01:49,440 --> 01:01:59,160
Speaker 1: estate fraud? Yeah? Bitch where I'm I'm demented, I'm criminal. Same.

1026
01:02:00,040 --> 01:02:01,800
Speaker 1: I just went on bitch Sessed last weekend. It was

1027
01:02:01,800 --> 01:02:05,280
Speaker 1: the highlight of my entire life. Wait, Sarah, have you

1028
01:02:05,280 --> 01:02:08,800
Speaker 1: always been Bravo Bravo head? I'm just addicted to the

1029
01:02:08,840 --> 01:02:14,320
Speaker 1: Real Housewives of Beverly Hills, New York and Potomic and

1030
01:02:14,360 --> 01:02:17,280
Speaker 1: I can't watch the other Bravo shows because I can't.

1031
01:02:17,360 --> 01:02:21,560
Speaker 1: I don't care about the youth. Want the SMR experience,

1032
01:02:21,600 --> 01:02:28,960
Speaker 1: a full face of makeup. I want the near the

1033
01:02:29,040 --> 01:02:36,640
Speaker 1: grotesqueness of like these women are fast approaching physical and

1034
01:02:36,720 --> 01:02:39,840
Speaker 1: a mental demise. But it's the cracks in the china

1035
01:02:39,920 --> 01:02:43,200
Speaker 1: that you're saying, and you don't get that with, um,

1036
01:02:43,280 --> 01:02:49,280
Speaker 1: what's it? I try getting into it, I'm like, I don't.

1037
01:02:49,400 --> 01:02:51,400
Speaker 1: This is it's a little tragic because these are all

1038
01:02:51,440 --> 01:02:53,720
Speaker 1: like you know, servers and like people who are like

1039
01:02:53,760 --> 01:02:56,800
Speaker 1: are kind of struggling in some additional way to like

1040
01:02:56,800 --> 01:03:00,360
Speaker 1: their personal problems. Totally, I could watch if it was

1041
01:03:00,400 --> 01:03:04,360
Speaker 1: a lot of Lisa, but I do like you should watch.

1042
01:03:04,400 --> 01:03:07,080
Speaker 1: You watch like you would love Salt Like sorry, I'm

1043
01:03:07,120 --> 01:03:09,960
Speaker 1: so sorry. Of course I saw salt like I'm so sorry.

1044
01:03:10,640 --> 01:03:12,760
Speaker 1: Of course, of course salt Lake is salt Lake is.

1045
01:03:12,840 --> 01:03:15,440
Speaker 1: I would say those are like the core for and

1046
01:03:15,480 --> 01:03:17,480
Speaker 1: I hate to leave Atlanta out of it, but Atlanta

1047
01:03:17,640 --> 01:03:20,439
Speaker 1: is just too hit or miss. Like Atlanta, the good

1048
01:03:20,480 --> 01:03:26,400
Speaker 1: seasons are truly unreal, like they're they're so fucking good.

1049
01:03:26,600 --> 01:03:29,520
Speaker 1: But there's there's bad seasons that just like truly you

1050
01:03:29,520 --> 01:03:32,240
Speaker 1: watch an entire year and nothing happens. And I know

1051
01:03:32,320 --> 01:03:37,080
Speaker 1: that's controversial, but Potomac, Beverly Hills, and New York. If

1052
01:03:37,120 --> 01:03:39,880
Speaker 1: I had to say my top five favorite housewives, I

1053
01:03:39,920 --> 01:03:43,120
Speaker 1: think they would all come from those franchises. And then's

1054
01:03:43,240 --> 01:03:46,080
Speaker 1: the controversial opinion, but I think that's because the top

1055
01:03:46,320 --> 01:03:50,320
Speaker 1: like those are all camp cities and Atlanta can't be

1056
01:03:50,360 --> 01:03:53,720
Speaker 1: camped because they're all so funny and so self aware

1057
01:03:54,120 --> 01:03:59,000
Speaker 1: mostly mostly like they're just being like Candy is just

1058
01:03:59,040 --> 01:04:04,760
Speaker 1: like cool, you know's what's up? Yeah, yeah, yeah, yeah yeah.

1059
01:04:04,880 --> 01:04:09,400
Speaker 1: They're not Potomac. They kind of are. They know how

1060
01:04:09,440 --> 01:04:14,120
Speaker 1: funny they are, they know what they're they're they're supposed

1061
01:04:14,200 --> 01:04:19,280
Speaker 1: to do, and yet there's like such a grounded charm

1062
01:04:19,320 --> 01:04:22,560
Speaker 1: to the fact that like they're just like, yeah, like, oh,

1063
01:04:22,560 --> 01:04:24,480
Speaker 1: I'm moving out of the town house or I don't know,

1064
01:04:24,560 --> 01:04:27,600
Speaker 1: like it's just like it's it's relatable. It's not like

1065
01:04:27,920 --> 01:04:32,480
Speaker 1: a grotesque picture of like class bullshit. Then, like as

1066
01:04:32,560 --> 01:04:34,040
Speaker 1: much as the other ones are, and I'm just like, oh,

1067
01:04:34,080 --> 01:04:35,560
Speaker 1: I just like these women and I would hang out

1068
01:04:35,560 --> 01:04:37,160
Speaker 1: with any of them. I've said this a million times.

1069
01:04:37,360 --> 01:04:40,400
Speaker 1: But you're like Giselle like knows that she's being funny,

1070
01:04:40,440 --> 01:04:42,680
Speaker 1: but she lives in the fucking woods in a house

1071
01:04:42,720 --> 01:04:45,920
Speaker 1: it looks like a ship. She looks awful, and she

1072
01:04:46,080 --> 01:04:50,320
Speaker 1: dresses horrible. Also, did you know that none of them really,

1073
01:04:50,400 --> 01:04:52,720
Speaker 1: only like one and a half of them even live

1074
01:04:52,760 --> 01:04:55,840
Speaker 1: in Potomac and they all live truly two hours away

1075
01:04:55,880 --> 01:04:59,000
Speaker 1: from each other. Potomac is not like a real like place. No,

1076
01:04:59,160 --> 01:05:02,160
Speaker 1: it's like a desert needed like location. It's never lands.

1077
01:05:02,320 --> 01:05:06,440
Speaker 1: It's high Rule, but it's as rural culture. Number A

1078
01:05:06,560 --> 01:05:16,040
Speaker 1: hundred and three Potomac. And Karen is giving rule Endorf.

1079
01:05:17,000 --> 01:05:21,040
Speaker 1: She's giving gan Endorf in a major way beyond human.

1080
01:05:21,360 --> 01:05:25,240
Speaker 1: She's She's I love her. She's in my top five,

1081
01:05:25,360 --> 01:05:26,840
Speaker 1: She's in my All Stars cast. If I had to

1082
01:05:26,880 --> 01:05:29,880
Speaker 1: put one together, I'd say her, Yes, I do stand Candice,

1083
01:05:30,400 --> 01:05:35,680
Speaker 1: Rinna Kyle, and then I would say maybe lou or Son.

1084
01:05:37,200 --> 01:05:40,160
Speaker 1: I don't know enough. I'm kind of still a dilatant

1085
01:05:40,160 --> 01:05:42,160
Speaker 1: to house. I'm not going to put on my own ranking.

1086
01:05:42,200 --> 01:05:43,960
Speaker 1: I'm gonna stain from them. You have to have stain,

1087
01:05:44,440 --> 01:05:47,600
Speaker 1: you must have stained. I do have a question free

1088
01:05:47,680 --> 01:05:50,360
Speaker 1: going because here I am. I'm going, I'm going on

1089
01:05:50,440 --> 01:05:53,680
Speaker 1: lost culture. I gotta do my research. Okay, okay, And

1090
01:05:53,760 --> 01:05:57,760
Speaker 1: I'm and I'm and I'm listening, but I'm laughing, mind you,

1091
01:05:58,520 --> 01:06:02,200
Speaker 1: I hope genuinely the goal and and and bone goes,

1092
01:06:02,240 --> 01:06:07,880
Speaker 1: Bone goes this. No, Ramona Bone knows no Ramona Rama.

1093
01:06:08,160 --> 01:06:10,280
Speaker 1: And this is when I put in my card and

1094
01:06:10,320 --> 01:06:13,160
Speaker 1: I pose, and I posed something. I'm gonna pose an

1095
01:06:13,160 --> 01:06:19,360
Speaker 1: interesting hypothesis. You we think that the presence of Ramona

1096
01:06:19,600 --> 01:06:29,120
Speaker 1: Singer continues the discourse on the show of how Glass

1097
01:06:29,440 --> 01:06:32,440
Speaker 1: is Poison. That's interesting, that's you know what I mean,

1098
01:06:32,880 --> 01:06:36,560
Speaker 1: because we're getting Leah, we're getting Ebony, we're getting cool

1099
01:06:36,640 --> 01:06:41,160
Speaker 1: girls that are a little bit erasing the narrative that

1100
01:06:41,200 --> 01:06:43,920
Speaker 1: I think Andy when he was sewing, when he was

1101
01:06:45,760 --> 01:06:50,120
Speaker 1: the fabric and yeah, yeah, and he wants to tell

1102
01:06:50,160 --> 01:06:53,200
Speaker 1: it no, and he wants to tell a story that

1103
01:06:53,400 --> 01:06:57,200
Speaker 1: rich people can be really bad and we like to

1104
01:06:57,240 --> 01:07:00,400
Speaker 1: watch their lives fall apart before our very eyes. Time.

1105
01:07:00,760 --> 01:07:02,960
Speaker 1: I don't know where Andy's First of all, can I

1106
01:07:03,000 --> 01:07:08,000
Speaker 1: just say something about all the fucking like the like

1107
01:07:08,200 --> 01:07:11,360
Speaker 1: I think it was like the US Sun like flop,

1108
01:07:11,480 --> 01:07:13,480
Speaker 1: You're not You're not even the British Sun, like you

1109
01:07:13,560 --> 01:07:15,400
Speaker 1: have no power. And yet they still like I got

1110
01:07:15,520 --> 01:07:19,160
Speaker 1: under my skins because they're reporting that I'm saying that

1111
01:07:19,240 --> 01:07:23,920
Speaker 1: Andy Cohen himself banned me from watch What Happens Like Supremacies,

1112
01:07:24,240 --> 01:07:26,920
Speaker 1: when all I said on the podcast with Cecily a

1113
01:07:26,960 --> 01:07:29,480
Speaker 1: couple of weeks ago was I'm pretty sure I'm not

1114
01:07:29,520 --> 01:07:32,320
Speaker 1: allowed back because I think that because they cut out

1115
01:07:32,360 --> 01:07:35,960
Speaker 1: this thing where I said the Ramona's supremacist. I did

1116
01:07:35,960 --> 01:07:38,680
Speaker 1: not personally make it about a thing where Andy Cohen

1117
01:07:38,800 --> 01:07:43,040
Speaker 1: like doesn't like me. No, that's not even true. You're

1118
01:07:43,080 --> 01:07:48,000
Speaker 1: being hyperbolic. I mean, yes, I I stand Andy Cohen

1119
01:07:48,080 --> 01:07:51,040
Speaker 1: to the tops of mountains and back to the plains

1120
01:07:51,080 --> 01:07:54,840
Speaker 1: and the valleys. That man is a genius on the

1121
01:07:54,880 --> 01:07:56,480
Speaker 1: topic of remote and so I just want to clear

1122
01:07:56,520 --> 01:07:59,760
Speaker 1: that up. And and and I love Andy so much

1123
01:07:59,800 --> 01:08:03,160
Speaker 1: on the on the topic of Ramona. That is so interesting, Sarah,

1124
01:08:03,200 --> 01:08:04,880
Speaker 1: I don't quite know how to answer that. But my

1125
01:08:05,040 --> 01:08:07,840
Speaker 1: thing with Andy maybe or not Andy, but Bravo is like,

1126
01:08:07,880 --> 01:08:10,200
Speaker 1: I don't know how much there I don't know what

1127
01:08:10,240 --> 01:08:12,120
Speaker 1: the balance is between them wanting to protect some of

1128
01:08:12,120 --> 01:08:15,160
Speaker 1: these women, like let's say Erica Jane, or how much

1129
01:08:15,240 --> 01:08:19,000
Speaker 1: they want to like expose how these women are unraveling,

1130
01:08:19,000 --> 01:08:21,640
Speaker 1: and how corrupt they are, and how wealth corrupts you

1131
01:08:21,680 --> 01:08:25,040
Speaker 1: and how all these things are like noxious and poisonous

1132
01:08:25,080 --> 01:08:28,920
Speaker 1: and corrosive. I don't know. I think I think I

1133
01:08:28,960 --> 01:08:31,120
Speaker 1: think it's just holding up some sort of like or

1134
01:08:31,160 --> 01:08:33,280
Speaker 1: shack tests and then we all interpret it for ourselves.

1135
01:08:33,640 --> 01:08:37,160
Speaker 1: But as but with Ramona, it's like, I'm so sick

1136
01:08:37,200 --> 01:08:39,240
Speaker 1: of it because we it's just kind of like a

1137
01:08:39,360 --> 01:08:41,400
Speaker 1: more an uglier version of the same thing that's built

1138
01:08:41,439 --> 01:08:43,519
Speaker 1: up over years. And I'm just like, I don't really

1139
01:08:43,840 --> 01:08:45,720
Speaker 1: Now she gets on my TV and I get like,

1140
01:08:46,439 --> 01:08:49,719
Speaker 1: I crawl under my skin and I'm like, actually anchor

1141
01:08:49,760 --> 01:08:52,040
Speaker 1: and I want to like throw, I get violent and

1142
01:08:52,080 --> 01:08:55,080
Speaker 1: it's scary. I'm not like that anyway. That's because I

1143
01:08:55,120 --> 01:08:57,760
Speaker 1: think the reason why the ratings are so low is

1144
01:08:57,800 --> 01:09:01,040
Speaker 1: not because of ebony. And then and it's insane. It's

1145
01:09:01,040 --> 01:09:03,519
Speaker 1: insane for people to say that I think the ratings

1146
01:09:03,520 --> 01:09:09,519
Speaker 1: are low because we we're it's becoming sort of Now

1147
01:09:09,560 --> 01:09:11,360
Speaker 1: that you bring in these like cool, smart women that

1148
01:09:11,400 --> 01:09:16,800
Speaker 1: are younger and they confront Ramona, it's actually stops the

1149
01:09:16,880 --> 01:09:19,840
Speaker 1: dramatic narrative and you because because Ramona is a person

1150
01:09:19,880 --> 01:09:24,400
Speaker 1: who cannot have that discussion because it's embarrassing and if

1151
01:09:24,400 --> 01:09:27,240
Speaker 1: she were to actually say what she thinks, what she

1152
01:09:27,360 --> 01:09:32,120
Speaker 1: refuses to do, she would come off as insensitive, racist,

1153
01:09:32,400 --> 01:09:36,240
Speaker 1: classist at all. And so that's why she's refusing to

1154
01:09:36,960 --> 01:09:39,080
Speaker 1: talk about it at the reunion, why the reunion keeps

1155
01:09:39,080 --> 01:09:42,880
Speaker 1: getting pushed, it's why there like this season, the filming

1156
01:09:42,920 --> 01:09:46,200
Speaker 1: for the next season is postponed, quote unquote indefinitely. It's

1157
01:09:46,240 --> 01:09:49,240
Speaker 1: because we're actually at a turning point. Because when you

1158
01:09:49,360 --> 01:09:52,720
Speaker 1: hire someone like Leah and Ebony and you throw them

1159
01:09:52,760 --> 01:09:55,760
Speaker 1: into the cast and they, by nature of being who

1160
01:09:55,800 --> 01:09:59,200
Speaker 1: they are, chiefly Ebony, like, we have to talk about

1161
01:09:59,200 --> 01:10:01,000
Speaker 1: this because it's part of the fabric of who I am.

1162
01:10:01,040 --> 01:10:02,639
Speaker 1: And if I'm going to be friends with these women

1163
01:10:02,640 --> 01:10:05,000
Speaker 1: in a real way and have your show happen, I

1164
01:10:05,120 --> 01:10:06,840
Speaker 1: have to make sure we're on the same page because

1165
01:10:06,840 --> 01:10:09,280
Speaker 1: I won't be a part of someone who stands with

1166
01:10:09,320 --> 01:10:13,520
Speaker 1: white supremacy. And you have someone who refuses to engage

1167
01:10:13,560 --> 01:10:17,720
Speaker 1: in that conversation because they probably are consciously or unconsciously

1168
01:10:17,720 --> 01:10:20,559
Speaker 1: aligned with white supremacy, then you don't have a show.

1169
01:10:20,920 --> 01:10:23,840
Speaker 1: And the viewers aren't stupid, we can see that. So

1170
01:10:24,400 --> 01:10:26,559
Speaker 1: if that's going to be the narratives that's playing out

1171
01:10:26,840 --> 01:10:29,320
Speaker 1: and two people don't come to the table to have

1172
01:10:29,439 --> 01:10:32,320
Speaker 1: conflict over that, and we can't have what you need

1173
01:10:32,360 --> 01:10:35,120
Speaker 1: on that show with this conflict and resolution, then you

1174
01:10:35,160 --> 01:10:38,040
Speaker 1: don't have a show. So you either stick with Ramona

1175
01:10:38,200 --> 01:10:42,519
Speaker 1: and her cohorts or you move on. And that's actually

1176
01:10:42,560 --> 01:10:45,919
Speaker 1: where unwittingly, I think the show has found itself because

1177
01:10:46,680 --> 01:10:49,080
Speaker 1: you are not going to gain viewers with this current cast.

1178
01:10:49,439 --> 01:10:51,920
Speaker 1: You have to make a choice because Ramona is not

1179
01:10:51,960 --> 01:10:54,679
Speaker 1: playing ball, and if a cast member is not playing ball,

1180
01:10:55,000 --> 01:10:57,000
Speaker 1: then probably they should be the ones to go. Because

1181
01:10:57,040 --> 01:10:58,720
Speaker 1: I do believe we can have a fun show with

1182
01:10:58,720 --> 01:11:02,360
Speaker 1: Ebony and Leah and even Sonia and Lou. But because

1183
01:11:02,400 --> 01:11:04,840
Speaker 1: I believe that Sonya and Lou will come to the

1184
01:11:04,880 --> 01:11:06,840
Speaker 1: table and have the conversation, you know what I mean,

1185
01:11:06,880 --> 01:11:09,960
Speaker 1: Like lu showed up at the election party. We don't

1186
01:11:10,000 --> 01:11:12,439
Speaker 1: know her voting history, you know what I mean, Like,

1187
01:11:12,479 --> 01:11:15,519
Speaker 1: I'm sure it's checkered, but she's coming to the table

1188
01:11:15,560 --> 01:11:18,960
Speaker 1: to have the conversations. She's willing to engage. Ramona is not.

1189
01:11:19,240 --> 01:11:21,880
Speaker 1: And I think there's an interesting parallel. Dare I do

1190
01:11:22,120 --> 01:11:29,679
Speaker 1: Dare I do this? With great and Nary? Nary with

1191
01:11:29,720 --> 01:11:32,759
Speaker 1: grapes not like grapes. Stopping Lady is fun to watch.

1192
01:11:35,200 --> 01:11:38,960
Speaker 1: Oh my god, I love this. There is something really

1193
01:11:39,080 --> 01:11:43,160
Speaker 1: hard to watch about Ramona this season, being so violently

1194
01:11:43,280 --> 01:11:47,760
Speaker 1: racist that it's like I can enjoy watching Taylor Armstrong's

1195
01:11:47,840 --> 01:11:51,639
Speaker 1: life fall apart, fall from the bone like a good

1196
01:11:51,680 --> 01:11:57,760
Speaker 1: brisket right out of the pot. But there's young and young,

1197
01:11:58,479 --> 01:12:01,640
Speaker 1: but it's like it's not fun. Like watching Ramote of

1198
01:12:01,640 --> 01:12:03,600
Speaker 1: this season is like, okay, we got to see the

1199
01:12:03,640 --> 01:12:06,599
Speaker 1: grape stopping lady get hurt, and this is like watching

1200
01:12:06,640 --> 01:12:10,000
Speaker 1: her go to the hospital and get reconstructive lung surgery

1201
01:12:10,200 --> 01:12:12,720
Speaker 1: and like you know what I mean, It's like, and

1202
01:12:12,840 --> 01:12:17,880
Speaker 1: that's the Queen. Thank you for the complex. Sorry, oh

1203
01:12:18,240 --> 01:12:23,519
Speaker 1: that's my And that's my because you've got me. I

1204
01:12:23,560 --> 01:12:27,200
Speaker 1: agree now because I go back, because I'm revisiting old seasons.

1205
01:12:27,320 --> 01:12:31,439
Speaker 1: I go back to you know, um Lunn finding out

1206
01:12:31,439 --> 01:12:35,160
Speaker 1: that Tom cheated and they had the picture and and

1207
01:12:35,200 --> 01:12:36,920
Speaker 1: I'm going to add this to the list of things

1208
01:12:36,920 --> 01:12:40,680
Speaker 1: that made me laugh harder in my entire life. I

1209
01:12:40,760 --> 01:12:45,000
Speaker 1: don't know if anyone remembers this finey little moment. Luanna

1210
01:12:45,040 --> 01:12:50,000
Speaker 1: is shown the evidence three Lucy and the evidence. Bethany

1211
01:12:50,120 --> 01:12:53,879
Speaker 1: shows the photo to Ramona of Tom making out sucking

1212
01:12:54,000 --> 01:13:00,880
Speaker 1: face at the Regent or wherever Thentown other region down

1213
01:13:01,280 --> 01:13:05,479
Speaker 1: l a wonderful photo of Tom sucking face at the

1214
01:13:05,560 --> 01:13:11,400
Speaker 1: lyric hiper In and like they're like, oh, really, should

1215
01:13:11,400 --> 01:13:14,400
Speaker 1: we tellou? And should we tell aun? Luan Bethany and

1216
01:13:14,560 --> 01:13:22,920
Speaker 1: she's a picture and Ramona goes she's a body, scream,

1217
01:13:23,560 --> 01:13:25,560
Speaker 1: runs out of the room, goes to the bathroom and

1218
01:13:25,600 --> 01:13:31,759
Speaker 1: looks at herself. Yeah yeah, I mean she's certainly done

1219
01:13:31,960 --> 01:13:35,519
Speaker 1: iconic things like here's the thing, Like, you can't say

1220
01:13:35,640 --> 01:13:41,719
Speaker 1: that Ramona hasn't given television just now. It's not tenable

1221
01:13:41,760 --> 01:13:47,000
Speaker 1: because she's unwilling to complete what would you have to do do,

1222
01:13:47,160 --> 01:13:50,040
Speaker 1: which is conflict resolution on that show. I think they

1223
01:13:50,080 --> 01:13:52,519
Speaker 1: all are told that the show is about conflict and

1224
01:13:52,560 --> 01:13:55,920
Speaker 1: then resolution, and the conflict can get very intense, but

1225
01:13:56,040 --> 01:13:58,800
Speaker 1: we'll work towards an intense resolution. And that's not going

1226
01:13:58,840 --> 01:14:01,080
Speaker 1: to happen if she won't fucking sit at the reunion

1227
01:14:01,080 --> 01:14:03,439
Speaker 1: because she's scared to be called a racist, Like it's

1228
01:14:03,479 --> 01:14:06,519
Speaker 1: like crazy, Yeah, it's like there has to be the

1229
01:14:06,560 --> 01:14:09,600
Speaker 1: crazy person of the straight person in anything. It's like,

1230
01:14:11,240 --> 01:14:14,000
Speaker 1: you look like a Nazi's wife, you have to say

1231
01:14:14,040 --> 01:14:17,679
Speaker 1: you're not. And so Ramona looks like the Nazis wife

1232
01:14:17,840 --> 01:14:20,360
Speaker 1: and votes like a Nazis wife. So we have to

1233
01:14:20,400 --> 01:14:22,840
Speaker 1: deal with that because now we have people on the

1234
01:14:22,880 --> 01:14:28,759
Speaker 1: cast who aren't darn't wucking with it. Fully in agreement.

1235
01:14:28,800 --> 01:14:31,880
Speaker 1: Now I'm full agreement. I totally agree. Can't there's no

1236
01:14:31,960 --> 01:14:34,160
Speaker 1: forward motion with her. Well, this is this is always

1237
01:14:34,200 --> 01:14:36,240
Speaker 1: what happens on House, but it's like a more recent

1238
01:14:36,280 --> 01:14:39,680
Speaker 1: example is like or not a more recent example, but

1239
01:14:39,720 --> 01:14:42,920
Speaker 1: like a recent example is Monique and Candace, and it's

1240
01:14:42,960 --> 01:14:47,840
Speaker 1: like there's no resolution there because there's just no resolution

1241
01:14:47,880 --> 01:14:49,960
Speaker 1: in there there and so then Moniqu ends up leaving.

1242
01:14:50,000 --> 01:14:55,320
Speaker 1: It's like, there there has to be some developmental cycle

1243
01:14:55,400 --> 01:14:58,559
Speaker 1: that happens with these fights, and when when there isn't that,

1244
01:14:58,640 --> 01:15:02,439
Speaker 1: then like some things gotta get Yeah. Um, I just

1245
01:15:02,680 --> 01:15:04,839
Speaker 1: I love that this has become sort of a Bravo

1246
01:15:04,920 --> 01:15:07,760
Speaker 1: podcast and well, okay, I just want to say that

1247
01:15:07,840 --> 01:15:09,840
Speaker 1: it's it's only because we are I think we're in

1248
01:15:09,840 --> 01:15:12,040
Speaker 1: a golden age. And I also think I was gonna

1249
01:15:12,040 --> 01:15:13,559
Speaker 1: say that we are wearing a great time for Bravo.

1250
01:15:13,600 --> 01:15:16,800
Speaker 1: Sorry sorry, sorry, No, we we literally are. And I

1251
01:15:16,840 --> 01:15:20,320
Speaker 1: also think it is interesting culturally what's happening on that

1252
01:15:20,400 --> 01:15:24,400
Speaker 1: particular franchise to me, because it's like when the ratings

1253
01:15:24,439 --> 01:15:27,920
Speaker 1: go down and people talk about the reasons why it's

1254
01:15:28,000 --> 01:15:31,439
Speaker 1: getting to be the mainstream narrative for the quote unquote

1255
01:15:31,479 --> 01:15:34,360
Speaker 1: reason why is fucked up to me again worth examining

1256
01:15:34,600 --> 01:15:38,679
Speaker 1: because it's insane to put that responsibility on the black

1257
01:15:38,720 --> 01:15:42,000
Speaker 1: woman's shoulders when all she's saying is I will not

1258
01:15:42,120 --> 01:15:46,040
Speaker 1: align with white supremacy, and that's fucked up. And don't

1259
01:15:46,040 --> 01:15:48,880
Speaker 1: tell me like, well, you know, the Bravo audience actually

1260
01:15:48,880 --> 01:15:50,639
Speaker 1: doesn't want to see hard topics. They want to see

1261
01:15:50,640 --> 01:15:54,759
Speaker 1: shoes when the back of the whole franchise is built

1262
01:15:54,800 --> 01:15:58,280
Speaker 1: on tailor fucking armstrong. So you tell me that we

1263
01:15:58,280 --> 01:16:03,599
Speaker 1: don't want to see dark shit. We've with alcoholism, suicide, death,

1264
01:16:04,080 --> 01:16:06,640
Speaker 1: like we've dealt with some dark shit on these franchises.

1265
01:16:06,680 --> 01:16:10,799
Speaker 1: In fact, that darkness that exists right under the wealth

1266
01:16:11,040 --> 01:16:14,280
Speaker 1: is what people like about it. Yes they like the vacations.

1267
01:16:14,400 --> 01:16:16,320
Speaker 1: Yes they like to see them get silly and stupid,

1268
01:16:16,360 --> 01:16:18,960
Speaker 1: and we like to see the fights. But don't say

1269
01:16:19,040 --> 01:16:20,920
Speaker 1: it's not about we don't want to see tough stuff

1270
01:16:21,000 --> 01:16:26,439
Speaker 1: or have hard conversations, because that's not it. Literally, Yeah,

1271
01:16:27,040 --> 01:16:31,080
Speaker 1: people are blaming Ebony. Yeah, the the rakes are weighed down,

1272
01:16:31,120 --> 01:16:35,400
Speaker 1: and people are saying it's because Ebony keeps being preachy

1273
01:16:35,439 --> 01:16:39,080
Speaker 1: and teachy about race and is stopping the fun, which

1274
01:16:39,120 --> 01:16:51,519
Speaker 1: is like silly. So with this cultural discussion, we sort

1275
01:16:51,520 --> 01:16:55,000
Speaker 1: of transition into I don't think so, honey, which bone?

1276
01:16:55,040 --> 01:16:56,479
Speaker 1: What would you say about it? If you had to

1277
01:16:56,520 --> 01:16:59,200
Speaker 1: say something about it? I don't think so, honey, is

1278
01:16:59,560 --> 01:17:05,400
Speaker 1: our or allotted time to really individually go off on

1279
01:17:05,479 --> 01:17:09,160
Speaker 1: something in culture and Sarah has done it before. Sarah's

1280
01:17:09,200 --> 01:17:11,559
Speaker 1: thrived in the space. You and I have done an

1281
01:17:11,600 --> 01:17:14,920
Speaker 1: okay job from time to time. You've you've had a

1282
01:17:14,920 --> 01:17:17,000
Speaker 1: recent string of hits. I will say, I feel like

1283
01:17:17,000 --> 01:17:19,120
Speaker 1: I'm I'm in a renaissance of mine. I don't think so.

1284
01:17:19,240 --> 01:17:21,840
Speaker 1: I love it. I love it. I'm very happy for you.

1285
01:17:22,040 --> 01:17:24,600
Speaker 1: I hope today is no exception. I think this is

1286
01:17:24,600 --> 01:17:28,680
Speaker 1: a gorgeous be part harmony. I'm the low frequency when

1287
01:17:29,760 --> 01:17:32,120
Speaker 1: Matt is like really like finding like the mid and

1288
01:17:32,160 --> 01:17:34,360
Speaker 1: the and the high and the trouble, and then Sarah

1289
01:17:34,439 --> 01:17:36,960
Speaker 1: is just is going to be the lead VOCs falsetto

1290
01:17:37,760 --> 01:17:40,479
Speaker 1: And I'm worried and I'm worried going into this part.

1291
01:17:41,080 --> 01:17:45,160
Speaker 1: Don't worry, don't don't worry. You've done it before. Okay, Matt, first,

1292
01:17:45,680 --> 01:17:48,040
Speaker 1: I'm ready, I can go first. This is Matt Rodgers.

1293
01:17:48,080 --> 01:17:50,120
Speaker 1: I don't think so many as time starts now, I

1294
01:17:50,160 --> 01:17:53,000
Speaker 1: don't think so, honey. The ass eating on white Lotus.

1295
01:17:54,320 --> 01:17:56,360
Speaker 1: So let me just say, as a disclaimer, this is

1296
01:17:56,400 --> 01:17:58,960
Speaker 1: my favorite show of the moment, but that's not how

1297
01:17:59,000 --> 01:18:01,960
Speaker 1: you eat ask babe. And I know Murray Bartlett knows

1298
01:18:01,960 --> 01:18:04,639
Speaker 1: how to eat ass, and I know Lucas Gauge knows

1299
01:18:04,640 --> 01:18:06,880
Speaker 1: how to get his ass eight, So why is he

1300
01:18:06,960 --> 01:18:10,720
Speaker 1: standing up straight like a board like if? If we're

1301
01:18:10,720 --> 01:18:13,280
Speaker 1: gonna do ass eating on White Lotus, we need some

1302
01:18:13,560 --> 01:18:16,640
Speaker 1: back arched. Okay, Mike White, I know you're in a

1303
01:18:16,680 --> 01:18:19,280
Speaker 1: relationship with a man, so you've been there, You've done that.

1304
01:18:19,800 --> 01:18:22,920
Speaker 1: We're gonna need to see nose in hole and don't

1305
01:18:22,920 --> 01:18:25,479
Speaker 1: tell me it can't be done because girls did it.

1306
01:18:25,600 --> 01:18:28,240
Speaker 1: I hate to say girls did it on HBO when

1307
01:18:28,240 --> 01:18:32,840
Speaker 1: we saw a nose fully going into Allison Williams is ass.

1308
01:18:32,880 --> 01:18:36,080
Speaker 1: So we've seen it done. I love that we're depicting

1309
01:18:36,080 --> 01:18:38,760
Speaker 1: ass eating. I love dramatically what this means for the

1310
01:18:38,800 --> 01:18:41,920
Speaker 1: show going forward. But if we're gonna do it, let's

1311
01:18:41,920 --> 01:18:44,320
Speaker 1: do it. Let's not nibble the top of an ass.

1312
01:18:44,400 --> 01:18:46,320
Speaker 1: I don't think he was working his way down. I

1313
01:18:46,360 --> 01:18:48,519
Speaker 1: don't think so, honey. I think we've got skittish on

1314
01:18:48,560 --> 01:18:51,160
Speaker 1: the staging and we're gonna need to see better, do better.

1315
01:18:51,320 --> 01:18:54,080
Speaker 1: I don't think so, honey, And that's one minute. I

1316
01:18:54,200 --> 01:18:57,679
Speaker 1: love that love that we saw Lucas Gauge's ass. Love

1317
01:18:57,960 --> 01:19:00,519
Speaker 1: love that we sort of get that love seeing Murray

1318
01:19:00,520 --> 01:19:03,559
Speaker 1: Bartlett nude. These are gorgeous men. But if we're gonna

1319
01:19:03,640 --> 01:19:07,800
Speaker 1: do it, let's do it. Okay, if we're gonna do it,

1320
01:19:08,200 --> 01:19:12,519
Speaker 1: let's do it. Representation matters. And if we allow this

1321
01:19:12,600 --> 01:19:14,519
Speaker 1: ass eating to happen, what's gonna happen with the kids

1322
01:19:14,560 --> 01:19:16,479
Speaker 1: that watch White Lotus. They're not gonna know how to

1323
01:19:16,520 --> 01:19:21,440
Speaker 1: eat ass. We need proper ass eating representation on our screens.

1324
01:19:21,640 --> 01:19:24,639
Speaker 1: It's important. It's important. They're not going to know where

1325
01:19:24,640 --> 01:19:28,320
Speaker 1: else to find acid eating, exemplary acid eating. Like what

1326
01:19:28,360 --> 01:19:30,439
Speaker 1: are they going to have to watch girls to see

1327
01:19:30,479 --> 01:19:32,680
Speaker 1: how to eat ass? It's like, no, they should be

1328
01:19:32,720 --> 01:19:35,160
Speaker 1: able to be They should see these two gay men

1329
01:19:35,240 --> 01:19:39,040
Speaker 1: on White Lotus with give me ass eating, and I

1330
01:19:39,080 --> 01:19:41,160
Speaker 1: know these men know how to get their asses eight

1331
01:19:41,240 --> 01:19:44,360
Speaker 1: and eat as. I don't think you should assume that

1332
01:19:44,439 --> 01:19:49,400
Speaker 1: Murray Lucas or Mike White and his partner do it. Well, Well,

1333
01:19:49,400 --> 01:19:51,479
Speaker 1: that's what It doesn't matter what you what do you think?

1334
01:19:51,840 --> 01:19:53,800
Speaker 1: It's I'm not one of these people. I'm just saying

1335
01:19:53,880 --> 01:19:56,120
Speaker 1: some gay men don't I know, I guess I know

1336
01:19:56,160 --> 01:19:58,120
Speaker 1: a few gay men who just don't do it. Well,

1337
01:19:58,160 --> 01:19:59,960
Speaker 1: then well, then if you're gonna do it, if you're

1338
01:20:00,000 --> 01:20:02,719
Speaker 1: gonna depicted in film and television, you should do research

1339
01:20:02,920 --> 01:20:05,360
Speaker 1: and there should be someone on set who's done it before,

1340
01:20:05,720 --> 01:20:08,599
Speaker 1: like a doctor is on set for surgery scenes, and

1341
01:20:08,640 --> 01:20:11,280
Speaker 1: they should say, actually, this is how you do it, gentlemen,

1342
01:20:11,680 --> 01:20:15,280
Speaker 1: and you fucking you make it. And there was other

1343
01:20:15,320 --> 01:20:17,280
Speaker 1: ways to stage that so that we could have gotten

1344
01:20:17,320 --> 01:20:20,840
Speaker 1: a more realistic ass eating How did you watch this, Sarah? Yes?

1345
01:20:20,920 --> 01:20:24,320
Speaker 1: And then I go maybe the wait, what's his name,

1346
01:20:24,360 --> 01:20:29,400
Speaker 1: Lucas Gauge, Yes, Lucas Gage. Maybe. Lucas Gauge's character motivation

1347
01:20:29,960 --> 01:20:32,400
Speaker 1: was like, I'm standing up straight, I'm scared, I'm scared,

1348
01:20:32,400 --> 01:20:34,320
Speaker 1: I'm nervous. He didn't look scared to me. And then

1349
01:20:34,320 --> 01:20:38,280
Speaker 1: you're just taking a lot of drugs spoiler alert. So meanwhile,

1350
01:20:38,320 --> 01:20:40,240
Speaker 1: if I'm never taking drugs, if I'm ever going to

1351
01:20:40,320 --> 01:20:43,439
Speaker 1: get my essays sober, I'm I'm sucking hold up to

1352
01:20:43,479 --> 01:20:47,400
Speaker 1: the sky bent, get bent. Meanwhile, if you're on all

1353
01:20:47,439 --> 01:20:50,760
Speaker 1: those pills and all those drugs. You're again be in

1354
01:20:50,880 --> 01:20:58,640
Speaker 1: position mama daddy a coin. He straight up like a

1355
01:20:58,720 --> 01:21:02,800
Speaker 1: board and I was like, and we cut to Murray

1356
01:21:02,800 --> 01:21:05,599
Speaker 1: Burland and he's like nibbling the top of the butt.

1357
01:21:05,840 --> 01:21:10,559
Speaker 1: I'm like, that just tickles m Honey, Honey, Mama Daddy

1358
01:21:10,960 --> 01:21:15,920
Speaker 1: love the show, can't. I don't think I love the show. Can't.

1359
01:21:16,000 --> 01:21:17,760
Speaker 1: We haven't talked about it a lot. Maybe we'll talk

1360
01:21:17,760 --> 01:21:19,160
Speaker 1: about it more when it wraps up and we have.

1361
01:21:19,200 --> 01:21:20,920
Speaker 1: We're actually having a guest on in a couple of months.

1362
01:21:20,960 --> 01:21:25,400
Speaker 1: That's a part of the show. Very exciting little but um,

1363
01:21:25,439 --> 01:21:27,840
Speaker 1: I love the show. Um. Just when this happened at

1364
01:21:27,840 --> 01:21:31,240
Speaker 1: the end, I was like, girl, come on now with

1365
01:21:31,400 --> 01:21:35,200
Speaker 1: this ass eating I don't know about all that. And

1366
01:21:35,240 --> 01:21:36,760
Speaker 1: I had to say, I don't think so, honey, because

1367
01:21:36,760 --> 01:21:41,400
Speaker 1: I'm out here for the kids. So now we moved to,

1368
01:21:41,800 --> 01:21:47,759
Speaker 1: uh my phone died, so maybe this is Bowen Yang's

1369
01:21:47,840 --> 01:21:52,840
Speaker 1: on the fly. I don't think so all right, and

1370
01:21:52,920 --> 01:21:56,680
Speaker 1: its time starts now, I don't think so, honey. To

1371
01:21:56,760 --> 01:21:58,519
Speaker 1: baby making do a leap. I have to post a

1372
01:21:58,560 --> 01:22:01,600
Speaker 1: fucking apology on Instagram and saying this is not the

1373
01:22:01,680 --> 01:22:05,400
Speaker 1: person I recognized. I'm actually pretty positive to do a

1374
01:22:05,479 --> 01:22:08,000
Speaker 1: leap a spot of the homophobia from a mile away,

1375
01:22:08,040 --> 01:22:09,840
Speaker 1: but was like, I'm gonna throw this guy a bone.

1376
01:22:10,720 --> 01:22:13,519
Speaker 1: The baby like had like a five. The baby is

1377
01:22:13,560 --> 01:22:16,880
Speaker 1: actually so gay, it's crazy. His whole identity, his whole

1378
01:22:16,880 --> 01:22:19,240
Speaker 1: first album was like, I'm a pop star. Like his

1379
01:22:19,280 --> 01:22:21,280
Speaker 1: whole of the motif in that album was I'm a

1380
01:22:21,320 --> 01:22:24,280
Speaker 1: pop star. I'm a pop star. You are not obsessed

1381
01:22:24,320 --> 01:22:29,000
Speaker 1: with the terminology of star if you're not a faggot,

1382
01:22:29,040 --> 01:22:32,920
Speaker 1: as Matt Damon says, okay, so like I don't think so, honey,

1383
01:22:32,960 --> 01:22:36,320
Speaker 1: Like all this homophobia creeping back up in the ground

1384
01:22:36,320 --> 01:22:40,040
Speaker 1: swell in a way that is so like old and like,

1385
01:22:40,120 --> 01:22:45,080
Speaker 1: I don't it's not even interesting. Homophobia makes the homophobia interesting.

1386
01:22:45,320 --> 01:22:48,840
Speaker 1: And the baby making poor Sweet Duo while she's on

1387
01:22:48,880 --> 01:22:51,920
Speaker 1: a yacht somewhere half to post that apology or having

1388
01:22:52,120 --> 01:22:54,000
Speaker 1: a publicist post the apology. I don't know who. I'm

1389
01:22:54,000 --> 01:22:57,320
Speaker 1: sure Duo wrote it herself, is just awful. I hate

1390
01:22:57,320 --> 01:22:59,519
Speaker 1: that he put her through that. And that's one minute.

1391
01:23:00,439 --> 01:23:04,040
Speaker 1: The baby is definitely done. I I was watching the

1392
01:23:04,080 --> 01:23:08,200
Speaker 1: Instagram story and I I literally like, it's that thing.

1393
01:23:08,280 --> 01:23:10,759
Speaker 1: It's that Matt Damon thing. Of like just stop talking,

1394
01:23:10,840 --> 01:23:13,040
Speaker 1: because he started talking and he was like, I had

1395
01:23:13,120 --> 01:23:14,720
Speaker 1: I have so many gay fans, and I love my

1396
01:23:14,720 --> 01:23:16,680
Speaker 1: gay fans. He could have just shut up right there,

1397
01:23:16,680 --> 01:23:18,840
Speaker 1: but he had to keep talking. And then he said

1398
01:23:18,840 --> 01:23:23,360
Speaker 1: that insane thing about people. He said, I have lots

1399
01:23:23,360 --> 01:23:25,280
Speaker 1: of gay fans. I have straight fans, gay fans. It's

1400
01:23:25,320 --> 01:23:27,840
Speaker 1: just that my gay fans don't have AIDS. Are not

1401
01:23:28,120 --> 01:23:33,120
Speaker 1: filthy and aren't aren't like discussing some like he he

1402
01:23:33,240 --> 01:23:38,120
Speaker 1: basically like, isn't aware that just because you have AIDS

1403
01:23:38,600 --> 01:23:42,040
Speaker 1: doesn't mean you're like a disgusting don't It's not even

1404
01:23:42,080 --> 01:23:46,719
Speaker 1: worth really talking. It's really he he's obviously ignorant about

1405
01:23:46,840 --> 01:23:49,240
Speaker 1: what it means to be living with HIV and AIDS.

1406
01:23:49,360 --> 01:23:53,640
Speaker 1: Like he clearly did need some education on that, but

1407
01:23:53,680 --> 01:23:56,240
Speaker 1: it was so beyond and that's so needed to happen

1408
01:23:56,800 --> 01:23:59,760
Speaker 1: behind the scenes, because what he ended up saying to

1409
01:23:59,840 --> 01:24:04,160
Speaker 1: his like nearly twenty million fans was like this truly

1410
01:24:04,479 --> 01:24:08,760
Speaker 1: crazy misinformation that was so cruel and so homophobic and

1411
01:24:08,880 --> 01:24:12,599
Speaker 1: so ugly and dark that it was like, WHOA, this

1412
01:24:12,680 --> 01:24:17,519
Speaker 1: person really doesn't get to the point where then do

1413
01:24:17,640 --> 01:24:19,880
Speaker 1: what did have to make a statement because it's like,

1414
01:24:19,960 --> 01:24:22,800
Speaker 1: I mean, you have to talk about this. Yeah, right,

1415
01:24:23,080 --> 01:24:29,120
Speaker 1: that doesn't get it right now? No, not at all anyway. Um,

1416
01:24:29,160 --> 01:24:31,800
Speaker 1: I think it's type of Sarah sportms. I don't think so. Okay,

1417
01:24:31,920 --> 01:24:36,040
Speaker 1: here's the thing, here's the thing. So I have to

1418
01:24:36,360 --> 01:24:42,960
Speaker 1: baking in the oven. Okay. One freshets of the moment okay,

1419
01:24:43,400 --> 01:24:46,760
Speaker 1: and anomber one if that a left field, and it

1420
01:24:46,840 --> 01:24:49,160
Speaker 1: would seem a little dusty, but I think I could

1421
01:24:49,240 --> 01:24:52,400
Speaker 1: dust it off and make it brand new. I'm what

1422
01:24:52,560 --> 01:24:54,600
Speaker 1: I'm hearing is that you want to dust off the

1423
01:24:54,720 --> 01:24:57,600
Speaker 1: dust to one. It's a new revelation. I want to

1424
01:24:57,640 --> 01:25:00,720
Speaker 1: defend it before I before I go off. Okay, I'm

1425
01:25:00,720 --> 01:25:03,880
Speaker 1: gonna defend it. It's gonna see it's a new revelation

1426
01:25:04,120 --> 01:25:08,120
Speaker 1: and it's gonna seem irrelevant, but when you really think

1427
01:25:08,200 --> 01:25:10,280
Speaker 1: about it, it's going to be more relevant than Oh

1428
01:25:10,400 --> 01:25:12,760
Speaker 1: this is my favorite. Oh I love this. I think

1429
01:25:13,040 --> 01:25:15,080
Speaker 1: I think that that seems to be the one that

1430
01:25:15,200 --> 01:25:18,560
Speaker 1: the energy is around. Okay, this is Sarah squirms. I

1431
01:25:18,600 --> 01:25:21,920
Speaker 1: don't think so, honey. She's dusting off her mets, her

1432
01:25:22,000 --> 01:25:26,479
Speaker 1: dusting mets. Her time starts now. I don't think so. Honey,

1433
01:25:27,560 --> 01:25:35,759
Speaker 1: people who think that Donald Jason her it is bad.

1434
01:25:37,960 --> 01:25:43,920
Speaker 1: I think it's a cool style. Like he went out

1435
01:25:43,960 --> 01:25:46,680
Speaker 1: of sitting, out of mind as you should be. Can

1436
01:25:46,720 --> 01:25:48,960
Speaker 1: you seeing him pop up on the internet. Well, I'm

1437
01:25:49,000 --> 01:25:53,080
Speaker 1: looking at I'm going it's this cool style. It's a

1438
01:25:53,120 --> 01:25:59,200
Speaker 1: cool shape. All you have to separate they are from

1439
01:25:59,240 --> 01:26:11,000
Speaker 1: the artist. First we had Rachel Don't the hairstyle not

1440
01:26:11,200 --> 01:26:15,200
Speaker 1: that funny. Grace Jones invented a haircut that was a

1441
01:26:15,360 --> 01:26:20,439
Speaker 1: million years ago, and that did a hairstyle that was

1442
01:26:20,479 --> 01:26:25,360
Speaker 1: a million years ago. Donald Jason, Well that's a brand

1443
01:26:30,080 --> 01:26:35,080
Speaker 1: nine seconds. That's defense from Donald Trump's hairstyle as and

1444
01:26:35,160 --> 01:26:37,960
Speaker 1: I don't think so, honey. The first new hairsty since

1445
01:26:38,040 --> 01:26:42,880
Speaker 1: Grace is Jones. He's you're saying, Donald Jason Trump, which

1446
01:26:42,880 --> 01:26:46,120
Speaker 1: I don't think is right, is as brand new as

1447
01:26:46,240 --> 01:26:50,800
Speaker 1: Grace Jones. That he's a style like probably he was

1448
01:26:50,920 --> 01:26:55,360
Speaker 1: so out of sight, out of mind, you know him

1449
01:26:55,520 --> 01:26:59,679
Speaker 1: with the new This makes this makes so much sense.

1450
01:26:59,760 --> 01:27:03,840
Speaker 1: Act like no, I let let me say something. Aesthetics

1451
01:27:03,920 --> 01:27:07,040
Speaker 1: are so important and the whole reason why a lot

1452
01:27:07,160 --> 01:27:10,679
Speaker 1: of a lot of trump Ship took off was because

1453
01:27:10,760 --> 01:27:15,000
Speaker 1: the aesthetic was not good. But it was strong and

1454
01:27:15,520 --> 01:27:19,040
Speaker 1: full understood it, and everyone should watch the ContraPoints video

1455
01:27:19,080 --> 01:27:21,080
Speaker 1: where she where you know, um nat only one talks

1456
01:27:21,080 --> 01:27:24,040
Speaker 1: about aesthetics is in terms of she talks about them

1457
01:27:24,040 --> 01:27:26,120
Speaker 1: in terms of gender, but also in terms of like fascism,

1458
01:27:26,200 --> 01:27:30,120
Speaker 1: but like aesthetics rule everything, and like that's why it's

1459
01:27:30,120 --> 01:27:32,240
Speaker 1: like it's okay for people to be shallow a little

1460
01:27:32,240 --> 01:27:33,760
Speaker 1: bit when it comes to like the way they look,

1461
01:27:33,800 --> 01:27:38,160
Speaker 1: because you are taken seriously, if you're visually compelling whatever, Okay, anyway,

1462
01:27:38,400 --> 01:27:41,799
Speaker 1: it really looks big and strong because his hair is golden.

1463
01:27:42,160 --> 01:27:45,599
Speaker 1: If I'm if I'm someone who's never what like, I'm

1464
01:27:45,680 --> 01:27:47,880
Speaker 1: sure that Sarah, there's someone out there who's like, I

1465
01:27:48,120 --> 01:27:50,600
Speaker 1: like his hair cut, the cut of his jib and

1466
01:27:50,720 --> 01:27:53,240
Speaker 1: the cut of his hair, and I like his hair.

1467
01:27:53,400 --> 01:27:55,920
Speaker 1: I like I like how it's a blade out and

1468
01:27:56,160 --> 01:27:59,760
Speaker 1: I love it. And it's a strong aesthetic. It's distinct

1469
01:28:00,600 --> 01:28:03,680
Speaker 1: and already that's that's that's a huge victory for the

1470
01:28:03,760 --> 01:28:07,040
Speaker 1: person that is, you know, holding that style. I mean,

1471
01:28:07,080 --> 01:28:09,519
Speaker 1: because you're asking questions about them, and if you know,

1472
01:28:09,680 --> 01:28:12,440
Speaker 1: you that bitch when you cause all this conversation. Unfortunately,

1473
01:28:12,560 --> 01:28:17,560
Speaker 1: my say that who said that Fyance s said that

1474
01:28:18,320 --> 01:28:19,800
Speaker 1: by the way, Tina Knowles is going to be on

1475
01:28:19,880 --> 01:28:22,680
Speaker 1: drag Race this week judging the snatch game. Well, the

1476
01:28:22,720 --> 01:28:25,040
Speaker 1: season has made little sense, so I say why not?

1477
01:28:25,240 --> 01:28:27,679
Speaker 1: I say it's a pyle on. Can we say something?

1478
01:28:28,080 --> 01:28:30,160
Speaker 1: Can we say something? We love drag Race, we love,

1479
01:28:30,280 --> 01:28:34,000
Speaker 1: we love everyone involved in the show. Jan did the

1480
01:28:34,120 --> 01:28:36,439
Speaker 1: same exact thing on that show that Rose did, and

1481
01:28:36,680 --> 01:28:38,280
Speaker 1: somehow Rose made it all the way to the top four,

1482
01:28:38,320 --> 01:28:42,600
Speaker 1: which we love. But for Janny by psychologically abused in

1483
01:28:42,640 --> 01:28:45,040
Speaker 1: the way she was makes no sense to me. Where

1484
01:28:45,080 --> 01:28:47,040
Speaker 1: they're like, there's no soul there. What are you talking about?

1485
01:28:47,080 --> 01:28:50,439
Speaker 1: We should have Jan on next week to to give

1486
01:28:50,439 --> 01:28:52,439
Speaker 1: a tell all. I would love to have Joan on

1487
01:28:52,560 --> 01:28:54,439
Speaker 1: to talk to Jan. We love Jan, We stand Jan

1488
01:28:54,520 --> 01:28:56,439
Speaker 1: in this house, Sarah, do you watch raising her hand?

1489
01:28:58,080 --> 01:29:01,760
Speaker 1: Syr Syrtical, theyr Nical. I put in a request, Yes,

1490
01:29:02,479 --> 01:29:04,960
Speaker 1: you know who I want to be hearing on this podcast,

1491
01:29:06,680 --> 01:29:15,439
Speaker 1: the Misham you show the culture ristas that might be

1492
01:29:15,520 --> 01:29:20,439
Speaker 1: interesting in topical talk about topical Iman now that's a

1493
01:29:20,560 --> 01:29:25,000
Speaker 1: flex in August point, that's a flex, right, But the

1494
01:29:25,120 --> 01:29:28,840
Speaker 1: Tamisha Human drama, we will, we will, that's not over

1495
01:29:29,479 --> 01:29:32,720
Speaker 1: there's anymore. She should be back. She even didn't she

1496
01:29:32,840 --> 01:29:34,760
Speaker 1: leave being like I'll see you want all stars? Like

1497
01:29:35,040 --> 01:29:37,960
Speaker 1: didn't she? Or that was Tina, But I think Tamisha

1498
01:29:38,640 --> 01:29:42,360
Speaker 1: should come back to Misha is a very compelling character

1499
01:29:42,479 --> 01:29:44,519
Speaker 1: in that in that world, and of course we'll see

1500
01:29:44,560 --> 01:29:47,560
Speaker 1: more of her. It's not over. And yes, Sarah, we

1501
01:29:47,640 --> 01:29:49,839
Speaker 1: will do our best to get to Misham. On the podcast,

1502
01:29:50,160 --> 01:29:56,320
Speaker 1: She's coming through you. Wow, I'm sitting here and I'm like,

1503
01:29:56,439 --> 01:30:00,080
Speaker 1: sort of love this. This was this was a is

1504
01:30:00,120 --> 01:30:02,320
Speaker 1: an episode and what I loved about it that we

1505
01:30:02,400 --> 01:30:05,360
Speaker 1: got to touch on the Wizard of Us, which do

1506
01:30:05,439 --> 01:30:07,519
Speaker 1: you know? So so I don't know if you know this, Sarah,

1507
01:30:07,560 --> 01:30:10,000
Speaker 1: but right now we're doing we're we're sort of gearing

1508
01:30:10,080 --> 01:30:12,160
Speaker 1: up for the Cultural Awards, and so all the readers

1509
01:30:12,240 --> 01:30:16,479
Speaker 1: are campaigning for UM all the cultural awards, and one

1510
01:30:16,520 --> 01:30:20,120
Speaker 1: of the cultural awards is UM Worst Insult towards Us.

1511
01:30:21,320 --> 01:30:24,799
Speaker 1: And one time on the podcast, on the podcast reviews,

1512
01:30:25,400 --> 01:30:29,800
Speaker 1: someone said, these what these gays are so basic, they

1513
01:30:29,840 --> 01:30:32,639
Speaker 1: don't know anything. They just talked about the same stupid ship.

1514
01:30:33,000 --> 01:30:35,120
Speaker 1: And I bet neither of them have ever even seen

1515
01:30:35,160 --> 01:30:38,240
Speaker 1: the Wizard of Oz, which is the while which is

1516
01:30:38,360 --> 01:30:41,439
Speaker 1: one of the weirdest, craziest things anyone's ever said, and

1517
01:30:41,560 --> 01:30:44,000
Speaker 1: it is a front runner for worst insult towards us.

1518
01:30:44,720 --> 01:30:47,759
Speaker 1: It's so weird to say someone, I bet you haven't

1519
01:30:47,800 --> 01:30:49,960
Speaker 1: even seen The Wizard of Oz. I think it was

1520
01:30:49,960 --> 01:30:53,080
Speaker 1: supposed to drag us for our cultural literacy like that

1521
01:30:53,200 --> 01:30:55,920
Speaker 1: we know where it's like, Oh, it's so fundamental, it's

1522
01:30:55,960 --> 01:30:59,960
Speaker 1: such a fundamental text. But I'm like, babe, of course

1523
01:31:00,200 --> 01:31:03,360
Speaker 1: we've seen it. We've seen the Wizard of Oz. I mean,

1524
01:31:03,439 --> 01:31:07,280
Speaker 1: you guys, can't be too literal. Get on here. I mean, hello,

1525
01:31:07,400 --> 01:31:09,679
Speaker 1: I talked about Wizard of Oz. What am I six?

1526
01:31:10,360 --> 01:31:12,240
Speaker 1: You know what I mean? But you know what, though,

1527
01:31:12,880 --> 01:31:15,200
Speaker 1: I will say that the power of that film, and

1528
01:31:15,240 --> 01:31:20,400
Speaker 1: also I will say this, Judy Garland is so effortless,

1529
01:31:20,960 --> 01:31:25,040
Speaker 1: like what a fucking like performance that is just so good.

1530
01:31:25,040 --> 01:31:27,599
Speaker 1: And the whole like you talk about Judy, Judy, Judy,

1531
01:31:27,680 --> 01:31:30,280
Speaker 1: and but the whole cast is amazing. Margaret Hamilton's slaying

1532
01:31:30,800 --> 01:31:38,240
Speaker 1: like the Lollipop guilds down the fun Where about that?

1533
01:31:42,400 --> 01:31:46,760
Speaker 1: I'm shaking my fucking ass at the club. Two three

1534
01:31:46,840 --> 01:31:50,920
Speaker 1: drinks follow the Yellow Brick Road. Mama, I'm a whole up,

1535
01:31:52,800 --> 01:31:56,960
Speaker 1: Lucas Gauge. You could never We always been holding a

1536
01:31:57,040 --> 01:32:03,840
Speaker 1: brush entire time. It's powerful. This is my little dusting

1537
01:32:03,880 --> 01:32:06,080
Speaker 1: brush for my keyboard. When there was like little crumbs

1538
01:32:06,120 --> 01:32:07,519
Speaker 1: and chip in that and oh, I thought it was

1539
01:32:10,320 --> 01:32:12,559
Speaker 1: it's his. Well, he's gonna do that thing like they

1540
01:32:12,640 --> 01:32:14,920
Speaker 1: do on the Dragons tutorials, which is he's gonna go

1541
01:32:17,080 --> 01:32:23,839
Speaker 1: to this well. It makes me laugh every time, Sarah Swarm,

1542
01:32:23,960 --> 01:32:26,400
Speaker 1: what the fun? This was so much fun? This was

1543
01:32:26,520 --> 01:32:29,280
Speaker 1: so can I even say I had so much fun

1544
01:32:29,720 --> 01:32:34,080
Speaker 1: that I got swept away sweating profusely. Didn't even say

1545
01:32:34,240 --> 01:32:36,600
Speaker 1: the culture I was going to say, because I was

1546
01:32:36,720 --> 01:32:40,200
Speaker 1: literally so in the moment, say the house wizard. Now

1547
01:32:40,720 --> 01:32:52,360
Speaker 1: you said, you're say it, Edward scissor hands. Oh quickly, quickly,

1548
01:32:52,520 --> 01:32:59,439
Speaker 1: you have five minutes. Okay, I think so, honey, My

1549
01:32:59,720 --> 01:33:04,640
Speaker 1: thought and starts four minutes fifty nine seconds. There's a

1550
01:33:04,760 --> 01:33:09,400
Speaker 1: lot we can hold Tim Burton responsible for buttons and stitches,

1551
01:33:09,560 --> 01:33:14,280
Speaker 1: aesthetic culture, Core, line Core, Frank and Wyney. There's a

1552
01:33:14,400 --> 01:33:17,160
Speaker 1: lot we can be added Tim Burton box strolls as

1553
01:33:18,880 --> 01:33:23,120
Speaker 1: stitches for mouth button ries. But what did he give

1554
01:33:23,280 --> 01:33:30,000
Speaker 1: us here? Hi Gothic Horror romance, that was a fashion movie,

1555
01:33:30,439 --> 01:33:33,720
Speaker 1: that was a horror movie. That was a movie about isolation,

1556
01:33:34,040 --> 01:33:37,599
Speaker 1: and that was a movie about s e X. Yeah,

1557
01:33:37,800 --> 01:33:40,479
Speaker 1: and it was also a Diane Waste vehicle, Diane we

1558
01:33:40,760 --> 01:33:46,120
Speaker 1: selling a von door to door. Mm hmm. That's a

1559
01:33:46,240 --> 01:33:51,200
Speaker 1: huge movie. Iconic Winona, iconic Winona. And unfortunately, like Johnny

1560
01:33:51,240 --> 01:33:54,120
Speaker 1: Depp delivered, we got to separate the hair from the

1561
01:33:54,320 --> 01:33:57,720
Speaker 1: from the trump. We gotta separate the art from the artists. Okay,

1562
01:33:57,920 --> 01:34:00,960
Speaker 1: I think though it's controversial, weather or not, Johnny Depp

1563
01:34:01,120 --> 01:34:03,200
Speaker 1: is controversial. I think that it kind of came out

1564
01:34:03,280 --> 01:34:05,360
Speaker 1: that maybe that situation was not all it seemed to be.

1565
01:34:05,800 --> 01:34:07,439
Speaker 1: Then I take it back. But but you know what,

1566
01:34:07,600 --> 01:34:11,320
Speaker 1: that's part of the cultural conversation. And thank you Sarah

1567
01:34:11,400 --> 01:34:13,240
Speaker 1: for bringing us to this point. Thank you for touching

1568
01:34:13,320 --> 01:34:15,479
Speaker 1: on Edward saysor Hen's in this way. Where can people

1569
01:34:15,520 --> 01:34:17,040
Speaker 1: find you and what do you want them to watch?

1570
01:34:17,360 --> 01:34:19,080
Speaker 1: I'm going to find me at at Sara Square. And

1571
01:34:19,160 --> 01:34:20,720
Speaker 1: when we go to at Sera Squam, they're going to

1572
01:34:20,760 --> 01:34:24,120
Speaker 1: find a link. Okay, it's gonna take them to a

1573
01:34:24,200 --> 01:34:27,800
Speaker 1: website that they've probably never been to before. What that

1574
01:34:27,960 --> 01:34:32,679
Speaker 1: website means that TV and as Bowen so perfectly put

1575
01:34:32,760 --> 01:34:37,880
Speaker 1: it before, it's a worker room social cooperative website. I'm

1576
01:34:38,040 --> 01:34:41,040
Speaker 1: rock hard, rock hard, and you know what, it's hard

1577
01:34:41,080 --> 01:34:42,760
Speaker 1: to get people to go to a website they've never

1578
01:34:42,800 --> 01:34:46,720
Speaker 1: heard of to watch a thirteen minute video. It's a

1579
01:34:46,800 --> 01:34:51,000
Speaker 1: great side. I love the SA is amazing, watched Sara

1580
01:34:51,080 --> 01:34:54,679
Speaker 1: Vaccine Amy CD And I'm not all my shows because

1581
01:34:54,720 --> 01:34:57,760
Speaker 1: guess what, I'm looking at the ticket sales. They are

1582
01:34:57,880 --> 01:35:01,840
Speaker 1: not flying like hotcakes. I bet after this they fly

1583
01:35:01,960 --> 01:35:05,600
Speaker 1: like hotcakes. They're gon and shout out. Guess what. My

1584
01:35:05,920 --> 01:35:11,320
Speaker 1: little cousin loves this podcast. This is This is like

1585
01:35:11,400 --> 01:35:13,880
Speaker 1: the millionth time I've heard of a little cousin liking

1586
01:35:14,040 --> 01:35:18,800
Speaker 1: how old at least? Okay, so I heard of like

1587
01:35:18,880 --> 01:35:21,000
Speaker 1: a fifteen year old little cousin listens to this. I'm like,

1588
01:35:21,439 --> 01:35:26,000
Speaker 1: that's fascinating. Careful now, careful, now, careful. I hope they

1589
01:35:26,080 --> 01:35:27,760
Speaker 1: like my I don't think so, honey about eating ass

1590
01:35:29,640 --> 01:35:34,599
Speaker 1: is the sweet spot perfect Sarah's squirm and you gotta

1591
01:35:34,640 --> 01:35:38,719
Speaker 1: follow hell Trap Nightmare. What what a huge, huge, huge,

1592
01:35:38,800 --> 01:35:44,599
Speaker 1: huge force. We love them, Chicago, U Sarah, We love Yeah.

1593
01:35:44,680 --> 01:35:50,519
Speaker 1: This is fucking this was a blast. We were in Holland.

1594
01:35:50,520 --> 01:35:53,760
Speaker 1: We were hooping in Hollerand, And we do end every

1595
01:35:53,800 --> 01:35:56,160
Speaker 1: episode with a song, but none more classic than the

1596
01:35:56,200 --> 01:36:03,840
Speaker 1: one we're about to sing right now. So oh Therain

1597
01:36:04,400 --> 01:36:18,439
Speaker 1: ball dear Land. I've never sung solo in my life.

1598
01:36:21,160 --> 01:36:25,120
Speaker 1: Hello Blah, one of the most beautiful songs of all times.

1599
01:36:25,240 --> 01:36:29,040
Speaker 1: Hear more of that. Watches by