1 00:00:04,000 --> 00:00:06,359 Speaker 1: I'm Buzz's Night, the host of the Taking a Walk podcast, 2 00:00:06,400 --> 00:00:09,959 Speaker 1: and welcome to another episode of This Week in Music 3 00:00:10,039 --> 00:00:14,160 Speaker 1: History for the week of August eleventh through the seventeenth, 4 00:00:14,960 --> 00:00:17,919 Speaker 1: and we go right over to the music history desk 5 00:00:18,800 --> 00:00:21,119 Speaker 1: to the man Harry Jacobs. 6 00:00:21,280 --> 00:00:22,760 Speaker 2: Hello, Harry Buzz. 7 00:00:22,880 --> 00:00:26,960 Speaker 3: Pleasure to be here again, Pleasure to be your researcher, 8 00:00:27,080 --> 00:00:31,960 Speaker 3: to be amused, to be whatever you want to call music, maybn, 9 00:00:32,000 --> 00:00:33,160 Speaker 3: whatever it is music. 10 00:00:34,280 --> 00:00:35,840 Speaker 2: Glad you're here, all right? 11 00:00:36,440 --> 00:00:40,519 Speaker 3: August eleventh, nineteen sixty four. Of course, we can't have 12 00:00:40,520 --> 00:00:44,640 Speaker 3: one of these without, ever without some Beatles story, some 13 00:00:44,760 --> 00:00:49,960 Speaker 3: Beatles information. Beatles released Hard Day's Night the movie in 14 00:00:50,000 --> 00:00:53,159 Speaker 3: the US in sixty four. Did you see this in 15 00:00:53,200 --> 00:00:53,560 Speaker 3: the theater? 16 00:00:56,160 --> 00:00:59,400 Speaker 2: I must have. I must have. 17 00:00:59,680 --> 00:01:03,040 Speaker 1: I've seen it so many times, but I must have 18 00:01:03,160 --> 00:01:04,880 Speaker 1: first seen it in the theaters. 19 00:01:05,319 --> 00:01:07,400 Speaker 3: Yeah, this is back when you were going to the movies, 20 00:01:07,400 --> 00:01:09,160 Speaker 3: because now you refuse to go to the theater. 21 00:01:09,560 --> 00:01:15,360 Speaker 1: Although with spinal Tap in the Fall making its debut 22 00:01:15,760 --> 00:01:19,360 Speaker 1: in the theaters in imax, I might have to break that 23 00:01:20,360 --> 00:01:21,039 Speaker 1: rhythm of mine. 24 00:01:21,400 --> 00:01:22,399 Speaker 3: How fun does that look? 25 00:01:22,760 --> 00:01:23,319 Speaker 2: Looks great? 26 00:01:23,880 --> 00:01:27,080 Speaker 1: Yeah, And by the way, Paul McCartney cameo in there. 27 00:01:27,600 --> 00:01:30,400 Speaker 3: Yeah, there's a couple of cameos in there, but that's yep, 28 00:01:30,720 --> 00:01:34,119 Speaker 3: that'll be a good one McCartney for sure. Nineteen eighty four, 29 00:01:34,200 --> 00:01:38,600 Speaker 3: Ray Parker Junior hit the number one spot with Ghostbusters. 30 00:01:38,760 --> 00:01:39,959 Speaker 3: Who are you Gonna Call? Bus? 31 00:01:40,760 --> 00:01:45,680 Speaker 2: Ghostbusters? What a movie? And look a song. 32 00:01:45,840 --> 00:01:48,800 Speaker 1: I don't know, maybe not my favorite song of all time, 33 00:01:48,840 --> 00:01:51,760 Speaker 1: but in that movie, in the context of that movie, 34 00:01:52,160 --> 00:01:55,600 Speaker 1: in that amazing movie, outstanding. 35 00:01:56,360 --> 00:01:59,360 Speaker 3: I can't hear it without tapping my fingers or tapping 36 00:01:59,360 --> 00:02:02,320 Speaker 3: my feet. Just a great It's just a great tune. 37 00:02:02,400 --> 00:02:06,960 Speaker 3: I know it is. August twelfth, nineteen sixty, the band 38 00:02:06,960 --> 00:02:10,040 Speaker 3: that would end up becoming the Beatles played their final 39 00:02:10,080 --> 00:02:15,480 Speaker 3: show at the Cavern as the Quarrymen. Their last shows 40 00:02:15,520 --> 00:02:18,160 Speaker 3: the Quarryman. They became the Beatles right after that. I 41 00:02:18,200 --> 00:02:21,720 Speaker 3: got to hit the Liverpool sometime. Yeah, I think that 42 00:02:21,760 --> 00:02:24,280 Speaker 3: would be a great trip. There's a lot of history 43 00:02:24,320 --> 00:02:25,080 Speaker 3: to be had there. 44 00:02:25,440 --> 00:02:25,960 Speaker 2: Yeah. 45 00:02:26,520 --> 00:02:29,840 Speaker 3: Nineteen seventy two, Alice Cooper hit number one in the 46 00:02:29,960 --> 00:02:33,800 Speaker 3: UK with Schools Out. This is you know, I remember 47 00:02:33,960 --> 00:02:36,480 Speaker 3: when I was a kid. I remember, you know, listening 48 00:02:36,600 --> 00:02:39,920 Speaker 3: to the top forty year rock radio when I was you know, nine, 49 00:02:40,160 --> 00:02:44,640 Speaker 3: ten years old or whatever and seeing Alice Cooper, you know, 50 00:02:44,720 --> 00:02:48,400 Speaker 3: seeing pictures of him whatever, thinking, man, that's a scary dude, 51 00:02:49,520 --> 00:02:52,160 Speaker 3: Like what is that all about? The I make up 52 00:02:52,200 --> 00:02:56,400 Speaker 3: in the Devil, the you know, frightening and little did 53 00:02:56,400 --> 00:02:56,760 Speaker 3: you know. 54 00:02:58,240 --> 00:03:03,000 Speaker 1: He's one of the nicest, sweetest guys. And this fall 55 00:03:04,080 --> 00:03:07,680 Speaker 1: will be inducted into the Radio Hall of Fame. 56 00:03:08,440 --> 00:03:09,960 Speaker 3: Oh for his radio show. 57 00:03:10,200 --> 00:03:11,040 Speaker 2: Isn't that something? 58 00:03:11,680 --> 00:03:15,959 Speaker 3: Wow, that's a big deal for Alice Cooper. Ye smart, 59 00:03:16,080 --> 00:03:18,119 Speaker 3: articulate golf nut. 60 00:03:18,280 --> 00:03:19,960 Speaker 2: Oh yeah, golf Nut. 61 00:03:21,080 --> 00:03:24,399 Speaker 3: In nineteen ninety four, on August twelfth, Woodstock ninety four 62 00:03:24,560 --> 00:03:28,440 Speaker 3: kicked off in Socrates with nine inch nails, Green Day 63 00:03:29,440 --> 00:03:31,600 Speaker 3: and others. I didn't get to that one. I was 64 00:03:31,600 --> 00:03:33,840 Speaker 3: at the one in ninety nine. Did you go in 65 00:03:33,960 --> 00:03:36,840 Speaker 3: ninety four to socer t I did. I didn't go 66 00:03:36,880 --> 00:03:40,560 Speaker 3: to either. Ninety nine was a mess that I left. 67 00:03:40,760 --> 00:03:44,480 Speaker 3: I left before the fires, but they they burnt that down. 68 00:03:44,800 --> 00:03:45,960 Speaker 2: I was lucky you got out. 69 00:03:46,880 --> 00:03:49,040 Speaker 3: Yeah, I'm really I remember waking up the next day 70 00:03:49,040 --> 00:03:50,880 Speaker 3: in New Jersey because I was going down to see 71 00:03:50,920 --> 00:03:54,040 Speaker 3: Bruce and at the start of that tour, and I 72 00:03:54,080 --> 00:03:57,200 Speaker 3: remember putting the TV on, thinking, oh my god, what 73 00:03:57,320 --> 00:03:59,440 Speaker 3: Stock's on fire? It was all over the news. It 74 00:03:59,480 --> 00:04:05,000 Speaker 3: was crazy. August thirteenth, nineteen sixty five, Jefferson Airplane made 75 00:04:05,000 --> 00:04:08,280 Speaker 3: their live debut at a club called the Matrix Club 76 00:04:09,000 --> 00:04:10,240 Speaker 3: in San Francisco. 77 00:04:11,280 --> 00:04:13,000 Speaker 2: It must have been a scene, I gotta say. 78 00:04:13,200 --> 00:04:13,400 Speaker 3: Yeah. 79 00:04:13,600 --> 00:04:15,160 Speaker 2: The hippies were in full force. 80 00:04:15,680 --> 00:04:19,320 Speaker 3: They were. Is there another band that you can think 81 00:04:19,360 --> 00:04:24,599 Speaker 3: of that went through three different name changes and kept 82 00:04:24,720 --> 00:04:27,600 Speaker 3: part of their name? Right? We got the Jefferson Airplane, 83 00:04:28,279 --> 00:04:31,479 Speaker 3: Jefferson Starship, and then just the Starship. 84 00:04:32,520 --> 00:04:33,720 Speaker 2: Yeah. I can't think of one. 85 00:04:34,640 --> 00:04:39,240 Speaker 1: Yeah, yeah, unique unless Pablo Cruz went through something like that. 86 00:04:39,320 --> 00:04:40,120 Speaker 2: I'm just kidding. 87 00:04:40,600 --> 00:04:42,680 Speaker 3: What you're going to do when she says goodbye, buzz right? 88 00:04:42,839 --> 00:04:43,560 Speaker 3: What you going to do? 89 00:04:43,800 --> 00:04:44,040 Speaker 2: Yeah? 90 00:04:45,400 --> 00:04:47,080 Speaker 3: How about that? For unaided recall? 91 00:04:47,080 --> 00:04:50,800 Speaker 2: Why am I singling out for Pablo Cruz here? That's unfair. 92 00:04:51,200 --> 00:04:52,880 Speaker 3: I don't know. They had a couple of good tunes. 93 00:04:52,920 --> 00:04:54,440 Speaker 3: By the way, I'm waiting for them to come up 94 00:04:54,440 --> 00:04:55,680 Speaker 3: on this today. 95 00:04:55,480 --> 00:04:57,480 Speaker 2: And we'll give them their due. 96 00:04:58,080 --> 00:05:01,799 Speaker 3: Nineteen ninety, Curtis Mayfield was paralyzed after a stage lighting 97 00:05:01,839 --> 00:05:06,400 Speaker 3: equipment a piece of rigging fell on him during the performance. 98 00:05:06,400 --> 00:05:11,880 Speaker 3: This was an awful situation, poor guy. August fourteenth, nineteen 99 00:05:11,920 --> 00:05:16,719 Speaker 3: eighty five, Michael Jackson ended up taking control four days later. 100 00:05:16,839 --> 00:05:19,359 Speaker 3: Last week we talked about him buying the rights for 101 00:05:19,440 --> 00:05:22,240 Speaker 3: the you know in the mid forties, forty seven million 102 00:05:22,240 --> 00:05:24,360 Speaker 3: bucks whatever it was. It took him four days and 103 00:05:24,400 --> 00:05:27,480 Speaker 3: then he took charge of that catalog. 104 00:05:27,279 --> 00:05:28,440 Speaker 2: Moving quick, Michael. 105 00:05:28,520 --> 00:05:33,400 Speaker 3: Can you imagine that though the you know, making the 106 00:05:33,440 --> 00:05:37,200 Speaker 3: purchase and then waking up on that day, gone, we signed, 107 00:05:37,200 --> 00:05:41,359 Speaker 3: We're clothes. I own everything, I own. 108 00:05:41,240 --> 00:05:44,479 Speaker 1: It all, Harry, that's an example of why you have people. 109 00:05:45,880 --> 00:05:50,640 Speaker 3: Where you have people, right, yeah, I think that's a 110 00:05:50,680 --> 00:05:54,760 Speaker 3: pretty good illustration why you have people. In nineteen ninety five, 111 00:05:54,800 --> 00:05:58,240 Speaker 3: the Foo Fighters made their debut in the United Kingdom. 112 00:05:58,680 --> 00:05:59,440 Speaker 3: Great band. 113 00:06:00,520 --> 00:06:04,480 Speaker 1: Oh yeah, I'm fascinated when you'd see so many instances 114 00:06:04,520 --> 00:06:08,160 Speaker 1: back in history and more recently in music history of 115 00:06:09,120 --> 00:06:13,160 Speaker 1: UK breakouts that occur. You know, they are major things 116 00:06:13,200 --> 00:06:18,440 Speaker 1: that happened first and in the UK. It's an interesting 117 00:06:18,760 --> 00:06:22,320 Speaker 1: and considering the fact that the radio landscape in the 118 00:06:22,400 --> 00:06:25,640 Speaker 1: UK is certainly way different than it was and is 119 00:06:25,839 --> 00:06:31,160 Speaker 1: in the United States, but always ahead of the curve 120 00:06:31,480 --> 00:06:36,200 Speaker 1: on musical independence in the UK for sure. 121 00:06:36,760 --> 00:06:40,320 Speaker 3: Nineteen seventy Stephen Stills was arrested for possession of cocaine 122 00:06:40,520 --> 00:06:44,160 Speaker 3: and a hotel in San Diego. You know, another one 123 00:06:44,200 --> 00:06:48,760 Speaker 3: with a history. Oh yeah, without questions. But he he's 124 00:06:48,800 --> 00:06:52,840 Speaker 3: one of those guys that when you talk to guitar players, 125 00:06:53,160 --> 00:06:56,640 Speaker 3: he's one of those guys that his name always comes up. 126 00:06:57,000 --> 00:07:01,039 Speaker 3: Is really kind of underrated in terms of his skill set, 127 00:07:01,200 --> 00:07:04,119 Speaker 3: but I've always admired him as a player and a singer. 128 00:07:04,160 --> 00:07:06,480 Speaker 3: And you know, love the one You're with is. You know, 129 00:07:06,520 --> 00:07:10,400 Speaker 3: it's one of my favorite songs of all time for sure. 130 00:07:11,120 --> 00:07:15,000 Speaker 3: August fifteenth, nineteen sixty nine, Day one of the Woodstock Festival, 131 00:07:15,040 --> 00:07:19,280 Speaker 3: the original Woodstock with Richie Havens and Joan Baez and 132 00:07:19,760 --> 00:07:24,440 Speaker 3: Sweetwater as well. At that you were probably too young 133 00:07:24,680 --> 00:07:25,200 Speaker 3: for that one. 134 00:07:25,720 --> 00:07:26,239 Speaker 2: Too young. 135 00:07:27,120 --> 00:07:30,360 Speaker 1: I remember it being advertised that it was going to 136 00:07:30,400 --> 00:07:36,160 Speaker 1: be happening reading the Village Voice, and you know, the 137 00:07:36,240 --> 00:07:39,640 Speaker 1: thought crossed my mind, would I once again benefit from 138 00:07:40,000 --> 00:07:43,280 Speaker 1: being a younger brother of older brothers and maybe tag along. 139 00:07:43,440 --> 00:07:45,440 Speaker 1: I'm kind of glad it didn't happen in a way. 140 00:07:45,880 --> 00:07:48,680 Speaker 1: I don't know if he would have made it out. 141 00:07:48,320 --> 00:07:50,360 Speaker 3: It probably would have been a little over How old 142 00:07:50,360 --> 00:07:56,920 Speaker 3: were you in sixty nine? I was the right, ten, right, Okay, 143 00:07:57,560 --> 00:08:03,520 Speaker 3: apparently we have a connection. Nineteen ninety one, Paul Simon 144 00:08:03,560 --> 00:08:08,040 Speaker 3: played the last ten gigs at Central Park, right, a 145 00:08:08,080 --> 00:08:10,320 Speaker 3: little residency over the summer. 146 00:08:10,640 --> 00:08:12,080 Speaker 2: Yeah, those must have been great. 147 00:08:12,480 --> 00:08:17,080 Speaker 3: Oh yeah, yea. Poor Paul is two things to say, 148 00:08:17,400 --> 00:08:20,559 Speaker 3: losing his hearing, so he's having a really tough time plan. 149 00:08:22,000 --> 00:08:25,400 Speaker 3: I just saw a clip over the weekend. I don't 150 00:08:25,440 --> 00:08:28,200 Speaker 3: know how old this was, but it's funny that he 151 00:08:28,240 --> 00:08:31,600 Speaker 3: came up now of him doing a show, kind of 152 00:08:31,600 --> 00:08:35,520 Speaker 3: a low key show somewhere fairly recently, and someone in 153 00:08:35,559 --> 00:08:39,560 Speaker 3: the audience screams out Coda Chrome and he said, I 154 00:08:39,640 --> 00:08:41,520 Speaker 3: you know, we haven't played that song in twenty years, 155 00:08:42,920 --> 00:08:46,800 Speaker 3: and you know, oh, come on play it. Crowd collapse 156 00:08:46,840 --> 00:08:49,000 Speaker 3: and he said, not unless you have twenty dollars. I'm 157 00:08:49,000 --> 00:08:52,240 Speaker 3: not playing that song. Not playing, And sure enough, the 158 00:08:52,280 --> 00:08:54,480 Speaker 3: guy pulls out A twenty and Paul Simon puts his 159 00:08:54,520 --> 00:08:57,600 Speaker 3: guitar down and walks out. The guy brings it up 160 00:08:57,600 --> 00:08:59,640 Speaker 3: to the front row, Paul examines it. Stuff's it in 161 00:08:59,679 --> 00:09:05,200 Speaker 3: this popucket brings brings himself back to his his post 162 00:09:05,400 --> 00:09:07,320 Speaker 3: and sits and plays Code Chrome for the guy. 163 00:09:08,120 --> 00:09:09,000 Speaker 2: That's pretty cool. 164 00:09:09,320 --> 00:09:11,079 Speaker 3: It's like a it's like a bar tip jar. 165 00:09:11,440 --> 00:09:13,679 Speaker 2: Did you see the I think it was Hulu the 166 00:09:13,960 --> 00:09:15,000 Speaker 2: Paul Simon. 167 00:09:16,520 --> 00:09:19,319 Speaker 3: Two parter, No, I have not seen that. 168 00:09:19,440 --> 00:09:21,240 Speaker 2: Yeah, it's terrific. I think it's Hulu. 169 00:09:21,320 --> 00:09:24,959 Speaker 1: I always get the the you know, the platform along, 170 00:09:25,120 --> 00:09:27,840 Speaker 1: So don't don't count on me for sure, but I 171 00:09:27,880 --> 00:09:29,120 Speaker 1: do believe it was Hulu. 172 00:09:29,480 --> 00:09:32,360 Speaker 3: What's a relationship like? Since you saw, what's a relationship like? 173 00:09:32,400 --> 00:09:36,000 Speaker 3: If I may who sidebar between he and Art? I 174 00:09:36,080 --> 00:09:39,400 Speaker 3: know that that they had their tough times? Are they 175 00:09:39,640 --> 00:09:41,319 Speaker 3: friendly and respectful to each. 176 00:09:41,120 --> 00:09:44,600 Speaker 2: Other recently reconciliation? Yep? Yeah, yep? 177 00:09:44,960 --> 00:09:48,360 Speaker 3: So what what was it? Was? It just the you 178 00:09:48,400 --> 00:09:50,760 Speaker 3: know the fact that they are a two person band 179 00:09:50,800 --> 00:09:53,280 Speaker 3: and they probably were just both nudges and drove each 180 00:09:53,280 --> 00:09:54,439 Speaker 3: other crazy. That's it? 181 00:09:54,880 --> 00:09:57,240 Speaker 2: Yeah, what else was going to happen eventually? 182 00:09:57,320 --> 00:09:59,319 Speaker 3: Right? Plus you look at arts hair and you go, 183 00:09:59,679 --> 00:10:04,319 Speaker 3: come on, I got to look at this. August sixteenth, 184 00:10:04,440 --> 00:10:08,240 Speaker 3: nineteen seventy seven. Another one. Remember where you were when 185 00:10:08,880 --> 00:10:11,600 Speaker 3: Elvis Presley died at Grace Lane. It was just forty 186 00:10:11,679 --> 00:10:14,679 Speaker 3: two years old when he died. Where were you? 187 00:10:15,160 --> 00:10:18,320 Speaker 1: I was in Texas visiting my brother who had lived there, 188 00:10:18,400 --> 00:10:20,720 Speaker 1: just for a few years outside of Houston, YEP. 189 00:10:22,400 --> 00:10:26,320 Speaker 3: I was at summer camp and I remember that summer 190 00:10:26,400 --> 00:10:29,200 Speaker 3: the Son of Sam stuff was happening in New York, 191 00:10:30,080 --> 00:10:32,080 Speaker 3: and I remember my parents sending me. I don't know 192 00:10:32,080 --> 00:10:36,120 Speaker 3: why this explains my fascination with true crime, but my 193 00:10:36,160 --> 00:10:38,520 Speaker 3: parents were sending me like the New York Daily News 194 00:10:38,600 --> 00:10:40,760 Speaker 3: or the Post to camp. Like my mother would bake 195 00:10:40,800 --> 00:10:42,880 Speaker 3: some cookies and my father would send the Son of 196 00:10:42,920 --> 00:10:46,680 Speaker 3: Sam stuff. And I remember after he died, like the 197 00:10:46,760 --> 00:10:49,240 Speaker 3: week later, I was still in camp, and my father 198 00:10:49,360 --> 00:10:51,920 Speaker 3: sent me a copy of the New York Post with 199 00:10:52,160 --> 00:10:54,840 Speaker 3: Elvis in his you know, in his casket or something 200 00:10:55,640 --> 00:10:59,320 Speaker 3: and crazy, but that's where I was, eleven years old 201 00:10:59,320 --> 00:11:00,000 Speaker 3: in summer camp. 202 00:11:00,400 --> 00:11:04,720 Speaker 1: Was your father sending you the full paper or was 203 00:11:04,760 --> 00:11:08,440 Speaker 1: he like my father did, sending clippings to you. 204 00:11:09,600 --> 00:11:15,000 Speaker 3: I think I got the full newspaper on some of 205 00:11:15,000 --> 00:11:18,240 Speaker 3: that Son of Sam stuff. But you know, I think 206 00:11:18,280 --> 00:11:20,920 Speaker 3: on it now and I think my father sent me 207 00:11:20,960 --> 00:11:23,320 Speaker 3: a you know, story of the serial killer. The guy's 208 00:11:23,360 --> 00:11:27,040 Speaker 3: talking to hearing this guy's dog talking to himself? Was 209 00:11:27,040 --> 00:11:29,640 Speaker 3: that the right thing? But listen, it created the true 210 00:11:29,640 --> 00:11:33,360 Speaker 3: crime nut in me, and well, you know, we'll be 211 00:11:33,400 --> 00:11:35,520 Speaker 3: able to share my true crime, my fondness for true 212 00:11:35,520 --> 00:11:36,760 Speaker 3: crime at some point with. 213 00:11:36,880 --> 00:11:39,000 Speaker 2: The world soon butz oh yes, sir. 214 00:11:39,840 --> 00:11:44,080 Speaker 3: In nineteen sixty two, Ringo Star officially joined the Beatles. 215 00:11:44,200 --> 00:11:48,200 Speaker 3: You remember who he replaced? Who the Beatles first drummer was? 216 00:11:49,520 --> 00:11:49,840 Speaker 3: That was? 217 00:11:50,000 --> 00:11:52,920 Speaker 2: That was Pete Best, Pete Best, Yep. 218 00:11:52,880 --> 00:11:56,600 Speaker 3: Peep Best. Nineteen eighty, The Stones reached number one with 219 00:11:56,720 --> 00:12:00,160 Speaker 3: Emotional Rescue. Here's one we haven't really talked about in 220 00:12:00,200 --> 00:12:02,920 Speaker 3: the you know, however long we've been doing this, nothing's 221 00:12:02,960 --> 00:12:06,280 Speaker 3: come up for emotional rescue. Great album, great song. 222 00:12:06,440 --> 00:12:08,520 Speaker 2: Yeah right, I think it's pretty It's a pretty good 223 00:12:08,559 --> 00:12:09,199 Speaker 2: one for sure. 224 00:12:09,600 --> 00:12:12,800 Speaker 3: You know. It was in that period after Miss You 225 00:12:12,960 --> 00:12:16,760 Speaker 3: right some Girls with seventy eight, so you know, they 226 00:12:16,800 --> 00:12:20,040 Speaker 3: go from what's kind of a disco song to a 227 00:12:20,400 --> 00:12:25,680 Speaker 3: really quirky Stones un Stones like song. Yea with emotional rescue. 228 00:12:25,760 --> 00:12:29,120 Speaker 1: Oh yeah, but a great tune, great title too. 229 00:12:29,679 --> 00:12:30,640 Speaker 2: I didn't think about it. 230 00:12:30,679 --> 00:12:36,240 Speaker 3: Absolutely absolutely. August sixteenth, in nineteen ninety one, Nirvana shot 231 00:12:36,240 --> 00:12:39,640 Speaker 3: the music video for Smells Like teen Spirit. What a 232 00:12:39,679 --> 00:12:43,800 Speaker 3: song that was? Oh yeah, and our last item for 233 00:12:43,880 --> 00:12:48,040 Speaker 3: the for the week ending August seventeenth. The Doors in 234 00:12:48,160 --> 00:12:51,160 Speaker 3: nineteen sixty eight played their final live performance with Jim 235 00:12:51,240 --> 00:12:55,400 Speaker 3: Morrison the Hollywood Bowl, and of course they would go 236 00:12:55,480 --> 00:12:58,920 Speaker 3: on to play more shows with you know, other singers, 237 00:12:59,040 --> 00:13:02,160 Speaker 3: and I think Scott's app was one of them who 238 00:13:02,240 --> 00:13:04,880 Speaker 3: did a great like Love Me two Times if you remember. 239 00:13:05,000 --> 00:13:07,040 Speaker 3: And there have been other people that have played and 240 00:13:07,120 --> 00:13:09,680 Speaker 3: did play with the remaining members over the years, but 241 00:13:10,120 --> 00:13:13,520 Speaker 3: this was the last Jim Morrison doors performance at the 242 00:13:13,559 --> 00:13:14,480 Speaker 3: Hollywood Bowl. 243 00:13:14,760 --> 00:13:17,720 Speaker 1: At least for now that we know, because if he comes, 244 00:13:18,240 --> 00:13:22,439 Speaker 1: you know, out of the retirement up there in Syracuse, 245 00:13:22,520 --> 00:13:25,680 Speaker 1: New York, where he apparently lives, maybe you never know. 246 00:13:26,480 --> 00:13:30,480 Speaker 3: You keep running the Jim Morrison still a live story. 247 00:13:30,520 --> 00:13:32,360 Speaker 3: People are going to start listening to. You're an authority 248 00:13:32,360 --> 00:13:34,440 Speaker 3: in music. At this point. You're getting you get a 249 00:13:34,480 --> 00:13:37,800 Speaker 3: million downloads a month on all your various podcasts, each 250 00:13:37,840 --> 00:13:40,880 Speaker 3: of them a million a month per podcast, and you're 251 00:13:40,880 --> 00:13:44,280 Speaker 3: telling people Jim Morrison's living behind the Dinosaur Barbecue and Syracuse. 252 00:13:44,760 --> 00:13:46,079 Speaker 3: I think you're starting a rumor here. 253 00:13:46,320 --> 00:13:48,000 Speaker 2: Yeah, you know, I really don't mean that. 254 00:13:48,040 --> 00:13:49,920 Speaker 3: Where's your journalistic responsibility? 255 00:13:49,960 --> 00:13:52,800 Speaker 2: Buzz calls somehow I left it at the door. 256 00:13:53,320 --> 00:13:56,040 Speaker 3: There you go, that's it, Buzz August seventeenth, the week 257 00:13:56,160 --> 00:13:58,400 Speaker 3: ending This week in music history. 258 00:13:58,480 --> 00:14:02,240 Speaker 1: A robust week in music history. Thank you Harry Jacobs 259 00:14:02,320 --> 00:14:04,640 Speaker 1: for a look at it, and thanks to all of 260 00:14:04,679 --> 00:14:07,080 Speaker 1: you for checking out the Taking a Walk podcast. We 261 00:14:07,120 --> 00:14:11,480 Speaker 1: are available at Apple Podcasts, Spotify, iHeart, or wherever you 262 00:14:11,520 --> 00:14:12,599 Speaker 1: get your podcasts.