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Speaker 1: The volume.

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Speaker 2: No welcome back, top of the top in a great,

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Speaker 2: great mood. Were recording this on a Monday morning, September

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Speaker 2: twenty second. How's everyone doing great? How's everyone smiling faces?

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Speaker 2: Everyone looks radiant.

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Speaker 3: Oh, thank you so much, thank you.

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Speaker 2: Jamaras was doing TikTok dances over the weekend. I know

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Speaker 2: she was coming in here in a great, great move.

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Speaker 4: Oh you're back on TikTok.

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Speaker 2: I mean did she ever leave?

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Speaker 4: No, she left. You can't can't tick without the talk.

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Speaker 4: I mean she makes a tick.

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Speaker 5: She left for a while. She left for a couple

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Speaker 5: of months. She wasn't up there dancing to those songs.

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Speaker 4: She was off the top. I'm not on TikTok like that.

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Speaker 4: She got on TikTok.

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Speaker 5: She wasn't dance, are you she got off the TikTok?

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Speaker 4: No, No, you can't. I'm just happy to see you,

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Speaker 4: that's all.

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Speaker 3: I didn't think you would be happy to see me

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Speaker 3: this week.

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Speaker 4: Why Why wouldn't I be happy to see you?

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Speaker 3: I don't know.

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Speaker 4: I'm always happy to see you.

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Speaker 3: I like when I got make a nigga eat his words?

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Speaker 4: What words would I be in? I'm not the edge

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Speaker 4: of my seat yeah, starving. I just get right to it.

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Speaker 4: What words do I got to eat? I got it?

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Speaker 4: What I need an app people.

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Speaker 6: Something niggas was hating on the Bronx Baddy the bod

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Speaker 6: body got baddy.

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Speaker 4: Niggas was hating me when I was hating last last week.

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Speaker 5: I said I got a feeling the album it's gonna

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Speaker 5: be dope. Did I not say that?

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Speaker 4: I don't.

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Speaker 6: I don't remember them words, but I okay, maybe that's the.

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Speaker 5: Problem on her, that's the problem. You never remember. You

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Speaker 5: never remember that part. But you remember when somebody talking ship.

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Speaker 5: Now remember me saying that, I say, y'all got a

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Speaker 5: feeling that college album is.

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Speaker 4: Gonna be dope.

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Speaker 2: Uh well, I will start by eating some of my words.

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Speaker 2: I was worried that the rollout felt a little rushed,

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Speaker 2: even by Carti's words. The artwork outside it was just like,

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Speaker 2: all right, this feels a little weird, but I do

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Speaker 2: want a flawless fucking rollout. That they did so the

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Speaker 2: rollout was incredible for the time that they had.

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Speaker 4: Oh yeah, the rollout was they smoked it. I mean,

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Speaker 4: so I eat.

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Speaker 2: My words and saying this feels rushed, I don't really know,

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Speaker 2: like is she on the same page as the label.

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Speaker 2: They smoked this entire rollout. So I will start by saying,

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Speaker 2: I eat my words. This was Atlantic CARDI. This was

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Speaker 2: an incredible rollout. You guys did it. Great, great job.

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Speaker 4: Can I shot on what you're saying?

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Speaker 1: Though?

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Speaker 5: Absolutely, it's songs in it that don't up and why

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Speaker 5: don't need to be on this album. Let's just be real,

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Speaker 5: like the album is good, the album is dope without

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Speaker 5: those records.

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Speaker 6: She's already she's already addressed that those are two of

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Speaker 6: her biggest songs and they need somewhere to live.

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Speaker 5: And no, no, no, no, no, we know, Okay, we know

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Speaker 5: what that's about. I'm just saying and listening to the music,

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Speaker 5: I don't I don't care about numbers in the game.

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Speaker 5: I don't care about that part of it. Just listening

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Speaker 5: to the music. I feel like it was enough good

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Speaker 5: songs on this project to where those two didn't even

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Speaker 5: need to be there.

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Speaker 2: Okay, I know you don't care about the numbers, but

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Speaker 2: it is a stat to go platinum within the first hour,

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Speaker 2: which I need to know.

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Speaker 3: It's I don't don't do.

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Speaker 5: That's like averaging the most triple doubles on Halloween. Who

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Speaker 5: cares about that? Who cares about the game on Halloween?

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Speaker 5: Nobody cares about Is the music good? Yes, this Cardi

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Speaker 5: album is good.

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Speaker 3: Oh se you, no, thank you.

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Speaker 6: I do want to address that, because at twelve oh five,

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Speaker 6: the group chat was going off and niggas is being

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Speaker 6: funny in the group chat.

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Speaker 4: I just left.

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Speaker 3: I hate my notification that I don't know.

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Speaker 2: I don't like you doing that because people are actually

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Speaker 2: gonna believe you.

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Speaker 4: Who was being funny?

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Speaker 3: All right?

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Speaker 4: I didn't say wording that.

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Speaker 6: Cut cut it out, cut it out, No, don't.

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Speaker 4: Get it twisted.

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Speaker 5: I started listening at when it came out, and then

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Speaker 5: when she when I heard Cardi say a B C

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Speaker 5: D E f G, these bitches can't fucking me, I

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Speaker 5: turned it off. I didn't go back to the album

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Speaker 5: until Sunday after her ABCD e FG's bitch just can't

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Speaker 5: fucking me.

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Speaker 4: I was like, it was old Twayne.

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Speaker 5: I was like, I'm cool, I'm gonna go back to

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Speaker 5: jail elect for a second. Let me get, you know,

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Speaker 5: my my bars. Once I got my bars, I was

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Speaker 5: like Sunday cleaning. I was like, all right, let me

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Speaker 5: let me hear what Cardi did. She got some joys

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Speaker 5: in the joints on that gonna lie. Cardy got some

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Speaker 5: junction in it. We didn't have to wait seven years,

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Speaker 5: like cart didn't have to make me wait seven years

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Speaker 5: for this.

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Speaker 4: But the music is, the music is dope. I can

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Speaker 4: hear Party's pen.

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Speaker 6: Yo, he can't you gotta throw some he gotta sprinkle

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Speaker 6: some hate.

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Speaker 4: Out of there, like people. It's not it's not hate.

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Speaker 4: I could party eight b up listen.

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Speaker 6: I don't think that. I don't think Party wrote I

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Speaker 6: don't think Party wrote that. I don't think Party wrote that.

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Speaker 6: Wrote some songs, but I don't think Party wrote that.

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Speaker 4: We not doing that. I guarantee you Party roll balls.

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Speaker 4: I can hear the flow.

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Speaker 5: I can hear it like I can almost hear him

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Speaker 5: his sample track. I can almost hear him like laying

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Speaker 5: it down and in her going in.

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Speaker 6: Party Carti Carti put out a video. She since deleted it,

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Speaker 6: but put out a video of her. I don't know

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Speaker 6: whether it was that.

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Speaker 4: What is it pretty and petty? Be it even be

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Speaker 4: a just stay with you.

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Speaker 3: At listen, yo.

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Speaker 6: So I was in bed now mind you, I don't came

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Speaker 6: out at twelve. I went to see Genaro with Alex.

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Speaker 6: I was drunk, toe up, so I walk up around

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Speaker 6: like twelve thirty. I was like, oh shit, I'll mout,

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Speaker 6: put a headphone in, hungover in my bed, laying down,

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Speaker 6: and I'm just like bumping. I'm listening whatever I'm listening,

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Speaker 6: marking off with songs I like. And then I just

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Speaker 6: hear like, n ain't five be a songs? I said,

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Speaker 6: Oh shit, I like, set up in bed and was like,

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Speaker 6: not a hitting be a disc Like we ain't roll

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Speaker 6: that out. We didn't tell nobody that was coming. She

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Speaker 6: just started catching straight.

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Speaker 5: Okay, Like I said, Party is credited for writing on

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Speaker 5: Pretty and Petty.

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Speaker 4: I can hear it, and it's okay.

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Speaker 5: I don't give up. I'm not even here for that.

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Speaker 5: The music is good, but Party got somebody. He got

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Speaker 5: to be a kind of crazy. He talking about being

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Speaker 5: kind of crazy.

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Speaker 4: You can hear it.

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Speaker 5: I can hear the flow to Cadence. I know Party's Cadence.

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Speaker 5: I can hear it, like I know that's not Cardi,

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Speaker 5: that's Party. I'm sure that Cardi not saying she didn't

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Speaker 5: write on it. I'm not saying she.

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Speaker 3: Didn't write I'm like, let's clarify.

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Speaker 5: I'm just saying certain bars. I can hear partisans flow

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Speaker 5: like I can. You can that shit is when you

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Speaker 5: know slitten to certain pins, you know what it is.

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Speaker 6: I hear his flow on the on the chorus. That

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Speaker 6: chorus does give party or ement lie.

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Speaker 2: I'm halfway through the album, just quickly. He's credited on

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Speaker 2: every single song, and I'm halfway.

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Speaker 5: I could hear the pin and it's just it's fine.

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Speaker 5: I don want anyone to think the music is I

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Speaker 5: don't give a like. I don't care about the pin.

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Speaker 5: The delivery was dope. The music is good.

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Speaker 4: It's a good album. That's it.

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Speaker 5: It ain't nothing I think gotting him in the first

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Speaker 5: day week. I don't give a fuck about that. That's

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Speaker 5: industry shit. I don't care about that.

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Speaker 4: Again.

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Speaker 2: I think, yeah, Party would be good at structuring the song.

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Speaker 2: But we've discussed before, like when Carti said shit like

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Speaker 2: I like Balenciaga's the ones that look like socks. That's

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Speaker 2: definitely something Cardi said in the studio, and Party just

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Speaker 2: found a way to put it into a cadence. I'm

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Speaker 2: sure anything she said about Bea that was straight from

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Speaker 2: Cardi's brain and how she felt about Bea.

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Speaker 6: First like all that shit had me crying, laughing, like

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Speaker 6: this is I love a disc that's like a roasting session,

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Speaker 6: Like and I don't have anything, it's bia, but I

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Speaker 6: love it.

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Speaker 3: That's a roasting session.

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Speaker 6: Like how you thirty two wire act me on your face,

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Speaker 6: you dirty ass bitch.

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Speaker 3: Go and change your pillow case.

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Speaker 6: That's part of the write that that's girl ship. Cardi

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Speaker 6: said that change a pillow case. When she said diarrhea

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Speaker 6: be a breath so sneak you could smell it for.

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Speaker 3: Your see here, how was fun?

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Speaker 4: That's so bad that it is funny. It is fair.

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Speaker 5: That's party and that's why be a guy smooke. I

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Speaker 5: think that's card saying that in the studio. Carty said

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Speaker 5: her breath snak, Party said, Diary, that's partisan.

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Speaker 4: It's okay. We're not tripping about none of that. You know,

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Speaker 4: we don't know that to be a fact, y'all. We

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Speaker 4: just don't. Man, you really don't really every song.

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Speaker 2: So I'm not about to take anything away from party cool.

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Speaker 2: But I just think that's how it goes with Cardi.

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Speaker 2: Good album because she's hilarious. Not let's not act like

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Speaker 2: outside of loving hip hop. Her on whatever Instagram or

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Speaker 2: what vine, whatever the fun was going on at that time.

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Speaker 4: It was her being hilarious. No, you don't think that

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Speaker 4: you gotta be a.

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Speaker 2: You don't think Hardy can come up with diary of

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Speaker 2: bea because I definitely think she can. Matter of fact,

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Speaker 2: I can see Cardi doing that before Party doing that.

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Speaker 6: She said, you you a big lap dog, be a

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Speaker 6: be a labordor ship was so fun, Bro, I was

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Speaker 6: in bed and tears like randomly, and then the smoke

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Speaker 6: for JT.

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Speaker 3: The smoke for j T.

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Speaker 6: She said, my nigga might cheat, but I don't fucking

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Speaker 6: in ask with dildos.

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Speaker 3: I mean to know that, but at least I don't.

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Speaker 5: That Cardi wrote that. Party didn't write that. I hope,

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Speaker 5: I hope that's not partisan.

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Speaker 4: I hope he wouldn't have that information, Bro, Party wouldn't

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Speaker 4: have that information on his.

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Speaker 3: Non fictional I was like, Yo, what the fuck?

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Speaker 6: But long story short, that I really really enjoy this

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Speaker 6: album like I enjoy it.

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Speaker 3: That Jennet Jackson Prousian principal sample.

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Speaker 4: That should have been a single.

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Speaker 5: I should not you could have kept that imaginary player

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Speaker 5: joint that the principle should have been.

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Speaker 4: That's the single I'm sure that's going to need the

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Speaker 4: focus and those that.

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Speaker 3: Ship was that's crazy song.

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Speaker 4: We didn't need whole the whole sing. We didn't need that.

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Speaker 2: I didn't need imagine this record.

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Speaker 6: Need that I like and I didn't think I would.

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Speaker 6: I like the Imaginary Players. I like it way more

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Speaker 6: in the flow of the album and that really I

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Speaker 6: like it. I like it in the album.

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Speaker 4: No, I still don't like it.

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Speaker 6: That's fine, but but I do like the album principles.

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Speaker 6: I haven't turned that ship off. Like when I heard it,

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Speaker 6: what's the what's the album? What's the song?

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Speaker 4: Was she?

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Speaker 5: Uh, what's it? Write a whole album? But what's the song?

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Speaker 5: Was she getting that Man of your Word?

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Speaker 3: Oh?

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Speaker 4: She went Party killed?

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Speaker 5: He killed Offset on that too, Like why CARDI tell

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Speaker 5: why CARDI tell Party?

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Speaker 4: All that about all set stop?

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Speaker 5: Like you know, they had like a sitting now they

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Speaker 5: probably have breakfast lunch together and was like, yo, so

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Speaker 5: what's going on?

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Speaker 4: And Party?

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Speaker 5: He just taking he just theenaga for he taking all

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Speaker 5: of that and then he going back to the lab

250
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Speaker 5: and he went and laid those some of those balls down.

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Speaker 6: What I like about man of Man of Your Word

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Speaker 6: is that CARTI took accountability for the part that she

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Speaker 6: may have played. Yeah, I thought that was nice, the dissolution,

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Speaker 6: the dissolution of her marriage. Like, maybe I wasn't the

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Speaker 6: person you needed to be. Maybe I was too focused

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Speaker 6: on my music. I was too focused on this. I'm sorry.

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Speaker 6: I want the best for you. Like I I think

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Speaker 6: that that was very mature of her, Like you can

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Speaker 6: see her growth in the way that she thinks about things.

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Speaker 2: I love that at twenty three, I would love my

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Speaker 2: work more than I did.

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Speaker 4: She I get it.

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Speaker 2: I like the accountability on it. Now, if you're offset,

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Speaker 2: are you mad at at party?

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Speaker 4: Yeah? We got he gotta see me. Nah's at he's

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Speaker 4: at work. He gotta see me. That's not personal. That's

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Speaker 4: my he got to see.

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Speaker 5: You do this.

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Speaker 4: Don't write, don't write, don't see.

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Speaker 5: That would have been the only cause if I'm If

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Speaker 5: I'm offset, I'm going to the to the to the

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Speaker 5: credits on that record, just to see if he's credited

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Speaker 5: for writing on it. He's credited for writing on that,

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Speaker 5: So now he gotta tell me which balls he wrote.

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Speaker 4: Either way, I got an issue. If I'm offset, I

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Speaker 4: got to issue a party.

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Speaker 5: That just that just that's how the game, go you

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Speaker 5: in the car when somebody shooting at me. When I

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Speaker 5: see you and talking going to get the ordering, you

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Speaker 5: think it's not lit.

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Speaker 4: Yeah, but I was hired to be in that. No,

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Speaker 4: I don't give a fuck.

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Speaker 5: If I catch you outside of that car that was

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Speaker 5: in when they shot at me, you gotta be expecting along.

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Speaker 2: For the What if it's not a car, what if

286
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Speaker 2: you were the bus drop I'm not seeing. What if

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Speaker 2: you're just came on your car and you just drive.

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Speaker 6: I'm not seeing him being credited on You don't know

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Speaker 6: his real name as well.

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Speaker 3: I do know his real name. He's not credited on.

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Speaker 4: Here on on on the Okay he's not.

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Speaker 3: No, okay, I just want to Apple Music credits.

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Speaker 4: Yeah yeah, ship card Yeah.

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Speaker 2: So with that whole joint, I do think, as someone

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Speaker 2: that has obviously talked about her having ghostwriters, I do

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Speaker 2: think we're not ghostwriters, credited writers. I do credit writers,

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Speaker 2: not ghost writers. CARDI does.

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Speaker 4: Like I've talked to people that worked with her, she

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Speaker 4: does write like, No, I'm I don't want to absolutely,

300
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Speaker 4: I don't want to do that.

301
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Speaker 2: And this has nothing to do with the past of

302
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Speaker 2: this podcast in her or cleaning anything up, she writes,

303
00:11:47,320 --> 00:11:49,000
Speaker 2: So we need to give her that credit as well.

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Speaker 4: In that regard, she could have wrote this entire thing

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Speaker 4: for the man of my worship.

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Speaker 2: But you would think that because what Party did with

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Speaker 2: the Meg thee Stallion ship, that's his bag, like he

308
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Speaker 2: went fucking nuts on that that would be the person

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Speaker 2: I would call it to be, like, yo, you need

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Speaker 2: to help me write this disrecord to my significant other.

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Speaker 5: Yeah, but I called Bryson won't be good too.

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Speaker 6: I still called Brison, but yeah, long, long story short,

313
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Speaker 6: the album is good. The if I was too, y'all,

314
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Speaker 6: people say I'm biased, so I'll give a critique just

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Speaker 6: so that people know I am not biased. I genuinely

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Speaker 6: like the album. It could have been shorter for me,

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Speaker 6: and if it was going.

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Speaker 5: To be, it's.

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Speaker 6: Not even on the album for a reason.

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Speaker 2: You didn't need Imaginary Player's album released live edition, not.

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Speaker 6: Even like for example. So and I know that it's

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Speaker 6: not I know that it's a meat issue because the

323
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Speaker 6: songs that I don't like, I've seen online people ranting

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Speaker 6: and raving about them. I would have just rather had

325
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Speaker 6: it replaced with the two singles or the two little

326
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Speaker 6: teasers that she put out before the album came out,

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Speaker 6: like like the like what freestyle. But I know some

328
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Speaker 6: of those samples might not have been able to get cleared,

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Speaker 6: so that might not that might be why they're not

330
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Speaker 6: on there. But there's a couple that I just don't need.

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Speaker 6: But she has a wide array of fans that she

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Speaker 6: has to satisfy. I don't need the little record, I

333
00:13:06,480 --> 00:13:10,760
Speaker 6: don't need the what's Spanish Shorty Selina Gomez record? I

334
00:13:10,760 --> 00:13:12,600
Speaker 6: don't need those, But again, she has a fan base

335
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Speaker 6: that those records are for you.

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Speaker 3: Any Bodega Baddy, I fucking love Bodega Batty.

337
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Speaker 4: Bodega Batty, but not pick it up?

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Speaker 6: I love Bodega Batty. You're bugging.

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Speaker 4: I'm bugging. I'm just saying, how do you love Bodega

340
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Speaker 4: Batty but not pick it up?

341
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Speaker 6: Oh my god, that shit gonna go crazy up time.

342
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Speaker 6: I'm an knock all the Hookah calls over with my ass,

343
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Speaker 6: I'm gonna go crazy.

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Speaker 4: Yeah, I just didn't. I mean that might be one

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Speaker 4: of my that might be my favorite on that I

346
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Speaker 4: should favorite song on the whole album.

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Speaker 2: I view this is what's going to make women have

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Speaker 2: fun at parties. That's how I view party that's gonna

349
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Speaker 2: go nuts. That's how I view this with that type

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Speaker 2: of ear. I also kind of want like Tyler's rap album.

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Speaker 3: Yeah, Tyler's getting shut off.

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Speaker 4: You get a little bars off on that ship.

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Speaker 3: Tyler got her bars off.

354
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Speaker 4: I was not expecting that. I was.

355
00:14:00,480 --> 00:14:02,000
Speaker 2: I was hoping it wasn't going to be just the

356
00:14:02,040 --> 00:14:04,320
Speaker 2: typical afrobeats song.

357
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Speaker 4: So you could live with this album, is what you're saying.

358
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Speaker 4: What do you mean live like? Like you're gonna continue

359
00:14:08,520 --> 00:14:10,360
Speaker 4: to play it and listen to it. I don't know.

360
00:14:12,040 --> 00:14:12,400
Speaker 1: I don't know.

361
00:14:12,520 --> 00:14:14,440
Speaker 3: It's okay to say no, you don't listen to female rap.

362
00:14:14,440 --> 00:14:15,920
Speaker 3: You don't. That's not what you listen to on.

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Speaker 6: Your daddy like you know what I'm saying, Like it's

364
00:14:17,720 --> 00:14:18,439
Speaker 6: okay to say.

365
00:14:18,240 --> 00:14:22,520
Speaker 5: No, I'm going he's so scared scared of it? Cardi,

366
00:14:22,640 --> 00:14:26,240
Speaker 5: Nigga bellklist, that's what you're scared of, nigga. You have

367
00:14:26,360 --> 00:14:31,600
Speaker 5: seen my conversations with no direct direct No, I'm not

368
00:14:31,640 --> 00:14:35,120
Speaker 5: scared at all. It's this nigga scared.

369
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Speaker 3: And that's say I don't like you guys.

370
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Speaker 2: Miss anything because now people are gonna think that and

371
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Speaker 2: if you go through every message I've ever had from

372
00:14:41,960 --> 00:14:43,000
Speaker 2: voice note to message.

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Speaker 4: No, I've never known. You don't want to go I

374
00:14:44,440 --> 00:14:45,200
Speaker 4: don't want to go through that.

375
00:14:45,560 --> 00:14:47,800
Speaker 2: Well you crack it up. I think he was there

376
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Speaker 2: for one of them.

377
00:14:48,280 --> 00:14:49,920
Speaker 6: I think Rory does like the album, but he's not

378
00:14:49,960 --> 00:14:51,880
Speaker 6: going to live with it. It's not y'all don't listen

379
00:14:51,960 --> 00:14:52,880
Speaker 6: to female rap on a daily.

380
00:14:53,080 --> 00:14:53,520
Speaker 4: Yeah, I like that.

381
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Speaker 5: I'm not I'm not gonna live with it though, Like

382
00:14:55,200 --> 00:14:56,960
Speaker 5: I'm not gonna play, but I was. I had to

383
00:14:56,960 --> 00:14:58,440
Speaker 5: listen to it. And then she did a good job.

384
00:14:58,480 --> 00:15:00,720
Speaker 5: She definitely, like did a a job with the album.

385
00:15:00,720 --> 00:15:02,520
Speaker 5: I don't think we had to wait seven years for it.

386
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Speaker 5: But then a lot has happened, and she addressed at album.

387
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Speaker 3: And say this is not the album that she made

388
00:15:06,200 --> 00:15:08,720
Speaker 3: seven years ago. There may be no definitely.

389
00:15:08,520 --> 00:15:09,080
Speaker 4: Changed the field.

390
00:15:09,120 --> 00:15:11,760
Speaker 5: She definitely changed a bunch of joints on it, for sure.

391
00:15:11,800 --> 00:15:15,080
Speaker 5: But again, you know, timing is is everything, and she

392
00:15:15,200 --> 00:15:17,920
Speaker 5: went through some things and she made it made for

393
00:15:18,120 --> 00:15:21,600
Speaker 5: you know, good content, It made for good good lyrics

394
00:15:21,600 --> 00:15:23,720
Speaker 5: and things like that. So she did what she had

395
00:15:23,760 --> 00:15:26,000
Speaker 5: to do. I'm not mad at it. Good projects she didn't.

396
00:15:26,040 --> 00:15:28,600
Speaker 5: She didn't disappoint me. I won't say I can't speak

397
00:15:28,600 --> 00:15:30,160
Speaker 5: for anybody else, but she didn't disappoint me with this.

398
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Speaker 2: What do you mean by by live It doesn't necessarily

399
00:15:32,560 --> 00:15:33,760
Speaker 2: have to be a party thing. I'm just I'm just

400
00:15:33,760 --> 00:15:34,840
Speaker 2: curious what that What that means?

401
00:15:34,960 --> 00:15:36,800
Speaker 5: You're not playing Bodega Batty in the crib in the

402
00:15:36,840 --> 00:15:40,600
Speaker 5: car myself? No, I'm not, not, no way. But like

403
00:15:40,760 --> 00:15:41,480
Speaker 5: I'm driving up.

404
00:15:41,440 --> 00:15:43,440
Speaker 2: To a I'm going upstate to a wedding this weekend

405
00:15:43,560 --> 00:15:46,760
Speaker 2: with people. There's gonna be women in the like, I'll

406
00:15:46,800 --> 00:15:50,240
Speaker 2: definitely put this on. I'll put the whole album on.

407
00:15:50,560 --> 00:15:52,280
Speaker 2: If I'm in a car with women. Of course, i

408
00:15:52,280 --> 00:15:56,120
Speaker 2: would me just like chilling, like now you know, office

409
00:15:56,120 --> 00:15:59,560
Speaker 2: in the Holland Tunnel, and I'm.

410
00:15:57,040 --> 00:16:00,000
Speaker 5: Not setting the vibes with the women. So I'm not

411
00:16:00,160 --> 00:16:01,640
Speaker 5: known for this. I'm known for ruining this.

412
00:16:02,040 --> 00:16:08,160
Speaker 3: Yeah, literally literally I had to get for people because.

413
00:16:08,560 --> 00:16:10,480
Speaker 5: We need that principle, Yo, we need that. We need

414
00:16:10,480 --> 00:16:12,480
Speaker 5: that video though, Yeah, like what's up?

415
00:16:12,480 --> 00:16:14,880
Speaker 4: Like why do you give us Imaginating? That's the single?

416
00:16:15,360 --> 00:16:18,480
Speaker 3: But but what they did?

417
00:16:18,560 --> 00:16:21,480
Speaker 4: Why they why they gave us Imaginator? That's the single?

418
00:16:21,680 --> 00:16:25,160
Speaker 6: Well set well, the single that led the album roll out.

419
00:16:25,160 --> 00:16:28,120
Speaker 6: Well let the album release was safe by Kaylani, which

420
00:16:28,160 --> 00:16:30,480
Speaker 6: I do think should have been a single, right, Yeah,

421
00:16:30,920 --> 00:16:32,840
Speaker 6: it's a great love. It's one of the standouts for

422
00:16:32,880 --> 00:16:33,280
Speaker 6: the album.

423
00:16:33,320 --> 00:16:33,760
Speaker 2: The video.

424
00:16:33,840 --> 00:16:36,000
Speaker 6: They were very cute in the video was on her

425
00:16:36,040 --> 00:16:38,320
Speaker 6: acting bag. She got shot and killed. Like it's a

426
00:16:38,400 --> 00:16:41,440
Speaker 6: very interesting and it's a good video. So I would

427
00:16:41,440 --> 00:16:43,440
Speaker 6: say that the standouts for the album for people who.

428
00:16:43,280 --> 00:16:47,360
Speaker 4: Are not I think the video smell like though lavender.

429
00:16:47,400 --> 00:16:49,560
Speaker 5: It's a lot of silk, right, silk, laven gotta be

430
00:16:49,640 --> 00:16:52,200
Speaker 5: lavender when you see silk, absolutely right.

431
00:16:53,200 --> 00:16:54,800
Speaker 4: Yes, I know that set smoke great.

432
00:16:55,120 --> 00:16:56,960
Speaker 2: But I could also see, you know, with the post

433
00:16:57,320 --> 00:16:59,920
Speaker 2: promotion being so important now that they may be trying

434
00:16:59,960 --> 00:17:04,040
Speaker 2: to book Janet for the video. I'm not saying that

435
00:17:04,040 --> 00:17:05,560
Speaker 2: could happen, but I could see like, all right, let's

436
00:17:05,560 --> 00:17:06,080
Speaker 2: go with the kilne.

437
00:17:06,160 --> 00:17:07,760
Speaker 4: When we can shoot the video, it'll go out the

438
00:17:07,760 --> 00:17:08,960
Speaker 4: week of That.

439
00:17:08,800 --> 00:17:11,000
Speaker 2: Buys us some time to try to lock down Janet

440
00:17:11,160 --> 00:17:14,400
Speaker 2: to make this the following single. Yeah, because either way,

441
00:17:14,400 --> 00:17:16,239
Speaker 2: that joint is going to be a focus track for

442
00:17:16,280 --> 00:17:19,240
Speaker 2: the next few weeks. That record is fire. If you

443
00:17:19,240 --> 00:17:22,840
Speaker 2: could get like even Janet as a cameo, yeah, that

444
00:17:23,000 --> 00:17:23,359
Speaker 2: says so.

445
00:17:23,440 --> 00:17:25,040
Speaker 4: Now you need more than a cameo. That's gonna call

446
00:17:25,040 --> 00:17:26,879
Speaker 4: it all you could get in the came cause too

447
00:17:26,920 --> 00:17:27,199
Speaker 4: much to.

448
00:17:27,160 --> 00:17:29,680
Speaker 5: Get Miss Jackson to move around for a cameo, I

449
00:17:29,760 --> 00:17:30,959
Speaker 5: might as well get a full You might as well

450
00:17:31,000 --> 00:17:32,000
Speaker 5: get want.

451
00:17:31,920 --> 00:17:33,840
Speaker 4: To rehearse like that, that's a lot to get somebody.

452
00:17:34,040 --> 00:17:37,440
Speaker 4: Janet got a rehearse Miss Jackson, You got Miss Jackson twisted.

453
00:17:37,720 --> 00:17:40,320
Speaker 4: I think anybody would need to rehearse for a major

454
00:17:40,400 --> 00:17:43,000
Speaker 4: video this. I think this Janet Jackson for the I.

455
00:17:42,960 --> 00:17:44,359
Speaker 2: Think that she just showed up to her video.

456
00:17:45,280 --> 00:17:48,920
Speaker 4: Well, it's not her video cameo. She knows the song,

457
00:17:49,800 --> 00:17:53,720
Speaker 4: she's heard it before. Rehearse nothing.

458
00:17:54,119 --> 00:17:56,000
Speaker 6: I think the standouts for the album for people who

459
00:17:56,000 --> 00:17:58,040
Speaker 6: are not Cardi fans and are not going to sit

460
00:17:58,080 --> 00:18:00,600
Speaker 6: through an entire Cardi album. If you want the essence

461
00:18:00,640 --> 00:18:03,960
Speaker 6: of the album, I would listen to safe Man of

462
00:18:04,000 --> 00:18:07,560
Speaker 6: Your Word Principal, the Janus sample, the other Janus sample

463
00:18:07,640 --> 00:18:09,320
Speaker 6: on My Back is good as fuck too.

464
00:18:09,400 --> 00:18:10,359
Speaker 3: That's a slower song.

465
00:18:11,000 --> 00:18:13,440
Speaker 5: The new Bronx anthem better than You featuring cash goa

466
00:18:13,520 --> 00:18:14,639
Speaker 5: Bronx Legends is everywhere.

467
00:18:14,640 --> 00:18:15,720
Speaker 4: I'm just putting that out there for y'all.

468
00:18:15,760 --> 00:18:18,159
Speaker 5: Yeah, I forget about better than Take the a train uptown.

469
00:18:18,160 --> 00:18:19,119
Speaker 5: Come see some of the legends.

470
00:18:19,119 --> 00:18:21,160
Speaker 6: It's all good, pretty and petty, which is the BIA

471
00:18:21,240 --> 00:18:25,399
Speaker 6: disc and uh Time, ear Time should have come out

472
00:18:25,720 --> 00:18:27,840
Speaker 6: in the summer. I'm so sad that we missed that.

473
00:18:27,840 --> 00:18:31,560
Speaker 6: That was a summer record like that. That song goes

474
00:18:31,600 --> 00:18:33,920
Speaker 6: fucking crazy. But yeah, good job, Cardi. I'm so fucking

475
00:18:33,920 --> 00:18:36,359
Speaker 6: proud of you and so happy. Yeah you did a

476
00:18:36,359 --> 00:18:39,400
Speaker 6: great job. You did a great good project.

477
00:18:39,400 --> 00:18:41,520
Speaker 5: Now Cardy, do me a favoring curse Rory out some

478
00:18:41,560 --> 00:18:44,240
Speaker 5: more in the dms, please, just because I love to

479
00:18:44,280 --> 00:18:46,400
Speaker 5: see him panicing when he come in here, when you

480
00:18:46,440 --> 00:18:48,400
Speaker 5: when you think the brims is coming together.

481
00:18:48,440 --> 00:18:50,600
Speaker 2: I hate I'm fine for the podcast to give this

482
00:18:50,640 --> 00:18:52,639
Speaker 2: nar Yeah, that's that's what happened.

483
00:18:55,160 --> 00:18:56,639
Speaker 4: This nigga skined about the least.

484
00:18:57,840 --> 00:19:00,320
Speaker 2: I mean, there's there's there's those could be some famous

485
00:19:00,400 --> 00:19:00,800
Speaker 2: last words.

486
00:19:00,800 --> 00:19:06,800
Speaker 4: That's all I'm saying. Why all right? Try me? What

487
00:19:06,920 --> 00:19:10,600
Speaker 4: am I trying? Okay? I don't got her? Reaches is far.

488
00:19:11,840 --> 00:19:14,919
Speaker 5: Mine's just too we want to see. Look look when

489
00:19:14,960 --> 00:19:16,760
Speaker 5: I'm sitting there with my arms that see more reach.

490
00:19:17,080 --> 00:19:19,600
Speaker 3: Yeah, you out of a bitch ass arms bin.

491
00:19:21,000 --> 00:19:23,880
Speaker 4: Jesus Christ, what the fuck did I do today.

492
00:19:24,560 --> 00:19:32,720
Speaker 2: It everybody shivery day?

493
00:19:33,240 --> 00:19:34,840
Speaker 3: Then Mart lift his leg. Y'all are so.

494
00:19:34,760 --> 00:19:39,480
Speaker 2: Annoying, CARDI would would like it better that way. What Yeah,

495
00:19:40,000 --> 00:19:42,440
Speaker 2: her album review would just be shipped on Roy Day. Yeah,

496
00:19:42,600 --> 00:19:45,600
Speaker 2: so you know I'm here for it. Well, yes, I

497
00:19:45,600 --> 00:19:47,879
Speaker 2: hope everyone lives with it. I hope Janet is in

498
00:19:47,920 --> 00:19:48,320
Speaker 2: the video.

499
00:19:48,960 --> 00:19:51,720
Speaker 5: Yeah, I need that video. I like that record a lot.

500
00:19:51,800 --> 00:19:54,160
Speaker 5: I ain't gonna lie. That's probably my favorite record on album.

501
00:19:54,160 --> 00:19:59,720
Speaker 3: It's definitely my favorite. Yeah. So ja Electronica drop two

502
00:20:00,119 --> 00:20:00,879
Speaker 3: music was dropping?

503
00:20:02,840 --> 00:20:06,119
Speaker 4: Yo, listen, man, how many more? How many more is dropping?

504
00:20:06,160 --> 00:20:08,600
Speaker 4: Though I got out the shower, another one was out.

505
00:20:08,640 --> 00:20:10,280
Speaker 4: I was like, all right, man, four.

506
00:20:10,080 --> 00:20:11,880
Speaker 3: Projects in three days? How many are coming?

507
00:20:11,840 --> 00:20:12,159
Speaker 4: Okay?

508
00:20:12,200 --> 00:20:15,920
Speaker 2: Well it was four and three days. The first one

509
00:20:16,000 --> 00:20:19,320
Speaker 2: was act To, which was out incredible ten years ago,

510
00:20:19,760 --> 00:20:22,000
Speaker 2: was never on DSP. So so for the quote unquote

511
00:20:22,080 --> 00:20:23,640
Speaker 2: roll out, we put out act To the day before.

512
00:20:23,680 --> 00:20:24,200
Speaker 4: That makes sense.

513
00:20:24,640 --> 00:20:28,720
Speaker 2: But we put out three projects in two days, and

514
00:20:28,760 --> 00:20:30,680
Speaker 2: I have not slept since Thursday.

515
00:20:31,200 --> 00:20:31,520
Speaker 4: M hm.

516
00:20:33,359 --> 00:20:35,000
Speaker 2: I mean it's not like I'm giving anything away because

517
00:20:35,000 --> 00:20:37,560
Speaker 2: he said it on the first project, Leaflets, he gave

518
00:20:37,600 --> 00:20:41,520
Speaker 2: hold nineteen albums. Yeah, it's gonna be a long month

519
00:20:41,560 --> 00:20:41,760
Speaker 2: for me.

520
00:20:41,880 --> 00:20:44,440
Speaker 5: Yeah, I'm just happy I had text him. I just

521
00:20:44,440 --> 00:20:47,159
Speaker 5: said thank you, because I know how he works. I

522
00:20:47,200 --> 00:20:52,840
Speaker 5: know that you know, he's very meticulous, very maniacal, you

523
00:20:52,880 --> 00:20:54,639
Speaker 5: know when it comes to his art and his music

524
00:20:55,040 --> 00:20:58,359
Speaker 5: and a lot of things he doesn't put out. But

525
00:20:58,440 --> 00:21:01,000
Speaker 5: I was happy that he actually it happened. You said

526
00:21:01,040 --> 00:21:03,200
Speaker 5: it was gonna happen, but I was actually glad to

527
00:21:03,280 --> 00:21:05,680
Speaker 5: see it actually happen. And we get some new music

528
00:21:05,720 --> 00:21:11,919
Speaker 5: from Jay Electronica. Written Testimony Leaflet's incredible. The other what

529
00:21:12,000 --> 00:21:15,600
Speaker 5: is it written testimony to No? Act two is the

530
00:21:15,600 --> 00:21:17,880
Speaker 5: one that he put out first, right, Yes, Act two

531
00:21:17,960 --> 00:21:22,160
Speaker 5: was from you nobility to turn a written testimony power

532
00:21:22,200 --> 00:21:25,200
Speaker 5: at the rate of my dreams that came out.

533
00:21:25,280 --> 00:21:28,520
Speaker 2: And then the last night written Testimony Mares the Inhabited Planet.

534
00:21:29,920 --> 00:21:31,520
Speaker 4: I mean, a lot of this is gonna be his

535
00:21:31,600 --> 00:21:33,359
Speaker 4: story to tell. I do have.

536
00:21:33,480 --> 00:21:35,760
Speaker 2: I have so much to say right now, but I'm

537
00:21:35,800 --> 00:21:38,000
Speaker 2: gonna chill, Like of all the war stories of the

538
00:21:38,040 --> 00:21:40,480
Speaker 2: last few days. Yeah, but a lot of the stuff

539
00:21:40,480 --> 00:21:43,879
Speaker 2: that we worked on the last few years actually hasn't

540
00:21:43,920 --> 00:21:46,840
Speaker 2: been put out yet. What I will say, the three

541
00:21:46,840 --> 00:21:50,160
Speaker 2: projects that came out outside of like one or two

542
00:21:50,200 --> 00:21:52,880
Speaker 2: records that we just needed to put on DSPs were

543
00:21:52,920 --> 00:21:56,520
Speaker 2: done in the last four days. Yeah, everything was done

544
00:21:56,560 --> 00:21:58,840
Speaker 2: in real time. With the rest of these projects. Yeah,

545
00:21:58,840 --> 00:22:01,320
Speaker 2: you'll get some stuff that we've been working on for

546
00:22:01,359 --> 00:22:05,360
Speaker 2: a couple of years, but all of this was done in.

547
00:22:05,320 --> 00:22:08,320
Speaker 4: The last three days. Yeah, like literally all of it.

548
00:22:08,440 --> 00:22:09,080
Speaker 4: Now you can hear it.

549
00:22:09,720 --> 00:22:12,400
Speaker 2: I was like, it's a hard drive dump and it's like, nah,

550
00:22:13,040 --> 00:22:15,000
Speaker 2: this ship is right now currently.

551
00:22:15,080 --> 00:22:16,719
Speaker 5: But I like it though, Like some of the some

552
00:22:16,760 --> 00:22:19,159
Speaker 5: of the bars, some of the verses. I like the

553
00:22:19,200 --> 00:22:21,680
Speaker 5: fact that you know, he was in the kind of

554
00:22:21,720 --> 00:22:23,879
Speaker 5: mumbling to hisself and then he goes back into his bars,

555
00:22:23,880 --> 00:22:25,560
Speaker 5: like I don't know, like that's been in style for

556
00:22:25,760 --> 00:22:28,080
Speaker 5: a little while, but I like that type of same

557
00:22:28,440 --> 00:22:32,360
Speaker 5: constructing of bars and verses and things like that. Obviously,

558
00:22:32,400 --> 00:22:34,680
Speaker 5: anybody knows JT knows he does things on his own

559
00:22:34,680 --> 00:22:36,280
Speaker 5: accord and when he's ready to.

560
00:22:36,320 --> 00:22:39,280
Speaker 4: I'm sure you know too about that ro just a

561
00:22:39,280 --> 00:22:39,680
Speaker 4: little bit.

562
00:22:39,920 --> 00:22:42,280
Speaker 5: But I was happy to hear the music. It sounds great,

563
00:22:43,119 --> 00:22:46,480
Speaker 5: the message is powerful. Probably the first artist that actually

564
00:22:46,720 --> 00:22:51,280
Speaker 5: announced the call of action on the album, I thought

565
00:22:51,280 --> 00:22:53,320
Speaker 5: that was DJ elect That's.

566
00:22:53,119 --> 00:22:55,439
Speaker 2: That's who he is, and again, why I'm saying these

567
00:22:55,480 --> 00:22:58,600
Speaker 2: things were done in real time. He's reading people's tweets

568
00:22:58,640 --> 00:23:00,919
Speaker 2: of the project that just came out, Yeah, on it

569
00:23:01,000 --> 00:23:03,320
Speaker 2: like while he's recording the next one. So it's it's

570
00:23:04,400 --> 00:23:06,320
Speaker 2: creating like a piece in time.

571
00:23:06,760 --> 00:23:09,879
Speaker 5: It's a very Jay elect way of creating and recording

572
00:23:09,880 --> 00:23:13,199
Speaker 5: and releasing music. Only Jay elect Kid could record and

573
00:23:13,280 --> 00:23:16,320
Speaker 5: release the way he is. I'm just happy to see

574
00:23:16,359 --> 00:23:18,680
Speaker 5: that y'all find y'all actually got it out. Yeah, you

575
00:23:18,720 --> 00:23:21,480
Speaker 5: know that's a task in itself, but to actually get

576
00:23:21,520 --> 00:23:23,760
Speaker 5: it out and get the message out. If you haven't

577
00:23:23,800 --> 00:23:26,320
Speaker 5: listened to any of it, do yourself a favor, please

578
00:23:26,359 --> 00:23:29,080
Speaker 5: listen to all of the albums, all of the projects.

579
00:23:29,520 --> 00:23:33,360
Speaker 5: The message is powerful, the skill set is incredible. If

580
00:23:33,400 --> 00:23:35,040
Speaker 5: you know Jay elect you know that he's always going

581
00:23:35,080 --> 00:23:37,760
Speaker 5: to be one of the greatest mcs that you'll probably

582
00:23:37,840 --> 00:23:38,159
Speaker 5: listen to.

583
00:23:38,240 --> 00:23:39,760
Speaker 4: But the music is actually really.

584
00:23:39,560 --> 00:23:42,160
Speaker 2: Great, And I look forward to coming on this podcast

585
00:23:42,359 --> 00:23:46,080
Speaker 2: once we're done with everything and telling the insane stories

586
00:23:46,080 --> 00:23:47,879
Speaker 2: of putting this together. Yeah, just right now, while we're

587
00:23:47,880 --> 00:23:48,040
Speaker 2: in the.

588
00:23:48,040 --> 00:23:50,359
Speaker 4: Middle of it, it's still happening. It's not the time,

589
00:23:50,520 --> 00:23:52,000
Speaker 4: and it's Jay's story to tell.

590
00:23:52,000 --> 00:23:55,480
Speaker 2: But I sent a photo of that put in the

591
00:23:55,480 --> 00:23:57,879
Speaker 2: recording chat of me and Cruz on an ivy in

592
00:23:57,920 --> 00:23:58,600
Speaker 2: a motel room.

593
00:23:58,920 --> 00:24:00,639
Speaker 4: No, okay, well that was from this weekend.

594
00:24:00,720 --> 00:24:08,440
Speaker 2: Yeah, got to stay hydrated. No sleep, none, no sleep.

595
00:24:08,720 --> 00:24:10,200
Speaker 2: I felt like I was back on life. Matter of fact,

596
00:24:10,240 --> 00:24:13,320
Speaker 2: when I was allegedly pledging Kapa, which means I just

597
00:24:13,840 --> 00:24:16,480
Speaker 2: paid and took a test. I think I slept more

598
00:24:17,119 --> 00:24:19,640
Speaker 2: when I was pledging than I have in the last week.

599
00:24:19,680 --> 00:24:22,320
Speaker 2: But I'm just super happy that this stuff is coming out.

600
00:24:22,440 --> 00:24:24,439
Speaker 2: You know, some of the calls I got over the

601
00:24:24,440 --> 00:24:27,359
Speaker 2: weekend from people that have been with Jay for you know,

602
00:24:27,480 --> 00:24:30,360
Speaker 2: twenty years, and they were like, Yo, the fact that

603
00:24:30,560 --> 00:24:33,000
Speaker 2: you guys as a team were able to just put

604
00:24:33,000 --> 00:24:36,160
Speaker 2: something out says more than anything.

605
00:24:36,359 --> 00:24:37,320
Speaker 4: Now you want to do nineteen.

606
00:24:37,440 --> 00:24:40,800
Speaker 2: So I'm excited. I mean, I also understand too, I

607
00:24:40,840 --> 00:24:42,520
Speaker 2: did have much time to like look at reviews and

608
00:24:42,520 --> 00:24:45,520
Speaker 2: shit like that because everything was happening in the moment.

609
00:24:45,600 --> 00:24:48,119
Speaker 2: But I know it's an acquired taste. But again, the

610
00:24:48,160 --> 00:24:51,399
Speaker 2: message is important. I encourage people to listen to it

611
00:24:51,440 --> 00:24:54,199
Speaker 2: within open ear. If it's not your shit, I get it.

612
00:24:54,440 --> 00:24:57,400
Speaker 2: But I think a lot of people, which I've done too,

613
00:24:57,440 --> 00:25:00,520
Speaker 2: with like and Jay's not a lyrical miracle rapper any means.

614
00:25:00,560 --> 00:25:02,520
Speaker 2: But some people go into like that's not my type.

615
00:25:02,359 --> 00:25:06,119
Speaker 4: Of shit for sure, but not as local murder for

616
00:25:06,200 --> 00:25:06,679
Speaker 4: as people think.

617
00:25:06,760 --> 00:25:11,159
Speaker 2: Yeah, based off I guess the perception of what his

618
00:25:11,320 --> 00:25:11,920
Speaker 2: beliefs are.

619
00:25:12,400 --> 00:25:13,800
Speaker 4: They think the whole album.

620
00:25:13,600 --> 00:25:15,280
Speaker 2: Is just going to be just talk that they're not

621
00:25:15,280 --> 00:25:17,080
Speaker 2: going to understand it. It's not the case, Like, listen

622
00:25:17,080 --> 00:25:18,960
Speaker 2: to it with a open ear. I think you would

623
00:25:19,000 --> 00:25:22,000
Speaker 2: enjoy it. So, I mean, see you guys in a

624
00:25:22,040 --> 00:25:22,600
Speaker 2: couple hours.

625
00:25:22,760 --> 00:25:24,160
Speaker 4: Yeah, another drop on the.

626
00:25:24,080 --> 00:25:30,639
Speaker 3: Way criticism for sure? Did he on the intro?

627
00:25:31,040 --> 00:25:32,480
Speaker 4: Okay, did he on the intro?

628
00:25:32,600 --> 00:25:36,040
Speaker 2: Yes, he was on the intro the first record, Abracadabra

629
00:25:36,680 --> 00:25:38,840
Speaker 2: off Leaflets, which was the first official one outside of

630
00:25:38,880 --> 00:25:41,760
Speaker 2: Act two that we dropped. Yeah, did he starts starts

631
00:25:41,800 --> 00:25:44,440
Speaker 2: the Amazing Conductor produced record.

632
00:25:45,800 --> 00:25:47,560
Speaker 4: I mean, it's not my project.

633
00:25:47,480 --> 00:25:49,840
Speaker 2: Not your project. He's not your call, it's Jay's called.

634
00:25:49,800 --> 00:25:52,879
Speaker 2: At the end of the day, I can tell one story.

635
00:25:52,960 --> 00:25:54,760
Speaker 2: Jay is very aware of how I feel about Puff.

636
00:25:54,920 --> 00:25:57,320
Speaker 2: Puff is very aware about how I feel about Puff

637
00:25:58,040 --> 00:26:01,120
Speaker 2: via FaceTime. That's why I'm laughing. You said I'm scared

638
00:26:01,160 --> 00:26:01,520
Speaker 2: of Cardy.

639
00:26:02,200 --> 00:26:02,480
Speaker 6: I was.

640
00:26:02,560 --> 00:26:04,960
Speaker 2: I was definitely more scared when when I when I

641
00:26:04,960 --> 00:26:08,240
Speaker 2: had to get confronted on that, and this was before

642
00:26:08,320 --> 00:26:11,720
Speaker 2: even the tape had came out, the really unfortunate.

643
00:26:11,359 --> 00:26:14,200
Speaker 4: Tape with with Cassie. You know, I felt like we

644
00:26:14,200 --> 00:26:16,919
Speaker 4: were the only podcast that was on her side.

645
00:26:16,680 --> 00:26:19,639
Speaker 2: And I had a conversation on FaceTime. Huff knows how

646
00:26:19,600 --> 00:26:21,919
Speaker 2: I feel. J knows how I feel. It's Jay's project,

647
00:26:21,960 --> 00:26:24,280
Speaker 2: and that's is what it is. Like my stance was

648
00:26:24,320 --> 00:26:27,119
Speaker 2: made m It's never going to be my call on

649
00:26:27,119 --> 00:26:29,840
Speaker 2: that type of thing. It's him, So you know, I

650
00:26:29,840 --> 00:26:30,440
Speaker 2: can disagree.

651
00:26:30,520 --> 00:26:31,679
Speaker 4: I hit you. We spoke about it.

652
00:26:31,680 --> 00:26:37,679
Speaker 5: I expressed my my uh displeasure, my pov on starting

653
00:26:37,680 --> 00:26:42,159
Speaker 5: the album and and hearing that intro, like, you know,

654
00:26:42,240 --> 00:26:46,919
Speaker 5: but I understand his relationship with Jay, you know, and

655
00:26:46,960 --> 00:26:49,400
Speaker 5: if you know Jay, he's a very as hard as

656
00:26:49,400 --> 00:26:52,000
Speaker 5: big and you know, he just has different beliefs than

657
00:26:52,000 --> 00:26:53,720
Speaker 5: most people and has a different heart.

658
00:26:54,080 --> 00:26:55,720
Speaker 4: So you know, I understand it and respect it. But

659
00:26:55,960 --> 00:26:56,720
Speaker 4: me and Rory spoke.

660
00:26:56,880 --> 00:26:59,280
Speaker 5: I expressed my I won't do it here, but I

661
00:26:59,320 --> 00:27:02,359
Speaker 5: expressed my my POV on that whole thing. You know

662
00:27:02,359 --> 00:27:04,760
Speaker 5: what I'm saying, So yeah, and it doesn't Rory didn't.

663
00:27:04,760 --> 00:27:07,359
Speaker 5: He's not shying away from it. No, not though the

664
00:27:07,359 --> 00:27:08,879
Speaker 5: same type of sentiments when it comes to that.

665
00:27:08,960 --> 00:27:11,520
Speaker 2: But no, but I said my piece on it straight

666
00:27:11,560 --> 00:27:13,160
Speaker 2: straight to the man on the intro.

667
00:27:13,359 --> 00:27:13,560
Speaker 4: Yeah.

668
00:27:13,720 --> 00:27:17,240
Speaker 6: But that's why I said, because I don't want anybody

669
00:27:17,240 --> 00:27:20,320
Speaker 6: to accuse you guys of avoiding.

670
00:27:19,800 --> 00:27:20,800
Speaker 3: That topic.

671
00:27:21,960 --> 00:27:24,399
Speaker 6: Because I know your point of view, but other people

672
00:27:24,480 --> 00:27:27,440
Speaker 6: might not. And that is why I wouldn't let y'all

673
00:27:27,480 --> 00:27:28,000
Speaker 6: skip over it.

674
00:27:28,280 --> 00:27:32,200
Speaker 2: All right, here's my my final thing on it. J

675
00:27:32,359 --> 00:27:34,280
Speaker 2: knows my stance, Puff knows my stance. I have been

676
00:27:34,280 --> 00:27:36,840
Speaker 2: on record on this podcast of my stance that has

677
00:27:36,880 --> 00:27:39,919
Speaker 2: not changed whatsoever. You guys know my stance.

678
00:27:40,200 --> 00:27:43,000
Speaker 4: After that, there's not much more I can control. Yeah,

679
00:27:43,240 --> 00:27:44,160
Speaker 4: that's at that point.

680
00:27:44,160 --> 00:27:46,760
Speaker 2: It's like I told everybody that is important to me

681
00:27:46,800 --> 00:27:48,679
Speaker 2: and knows where I stand on this whole thing. It

682
00:27:48,760 --> 00:27:53,639
Speaker 2: also is not my This was my album and I

683
00:27:53,640 --> 00:27:55,320
Speaker 2: did that. Now you guys can look at me like

684
00:27:55,440 --> 00:27:56,119
Speaker 2: whatever I.

685
00:27:56,119 --> 00:27:59,119
Speaker 4: Thought it'd be different. I thought you. I thought you

686
00:27:59,119 --> 00:27:59,600
Speaker 4: were different.

687
00:28:00,080 --> 00:28:02,639
Speaker 2: Also, again, I'm not here to even knock Jay on it,

688
00:28:03,720 --> 00:28:06,960
Speaker 2: but he has a different perspective on that situation. That's

689
00:28:07,720 --> 00:28:11,560
Speaker 2: further's mind because he lived with them and it doesn't

690
00:28:11,600 --> 00:28:13,159
Speaker 2: excuse my thoughts on it.

691
00:28:13,240 --> 00:28:16,000
Speaker 4: But he has a different perspective, which I respect.

692
00:28:16,000 --> 00:28:20,160
Speaker 2: We have a men can have disagreements, friends can have disagreements. Absolutely,

693
00:28:20,680 --> 00:28:24,560
Speaker 2: I know his perspective. So that also doesn't make it

694
00:28:24,760 --> 00:28:27,439
Speaker 2: right because I have my stance on it. I have

695
00:28:27,480 --> 00:28:32,480
Speaker 2: a bit more understanding on the situation than maybe most Yeah,

696
00:28:32,560 --> 00:28:35,000
Speaker 2: when it comes to Jay and his relationship with Cassie

697
00:28:35,080 --> 00:28:38,600
Speaker 2: and with Puff, but I mean totally understand. I was

698
00:28:38,640 --> 00:28:42,000
Speaker 2: scared that that was going to overshadow like everything, And

699
00:28:42,040 --> 00:28:44,560
Speaker 2: of course, of course I saw a lot of the

700
00:28:44,560 --> 00:28:48,200
Speaker 2: headlines Puff addresses like this whole thing. But I don't

701
00:28:48,200 --> 00:28:50,520
Speaker 2: think it overshadowed all the music, thank god.

702
00:28:50,520 --> 00:28:52,600
Speaker 4: No, no, no, the music is powerful.

703
00:28:52,680 --> 00:28:56,120
Speaker 5: I just I wasn't expecting that when I first started

704
00:28:56,120 --> 00:28:58,280
Speaker 5: listening to the album.

705
00:28:58,320 --> 00:29:00,600
Speaker 4: But I mean maybe sometimes that's that's all. Also the point,

706
00:29:01,000 --> 00:29:03,680
Speaker 4: no that, and and and then again the.

707
00:29:05,160 --> 00:29:08,000
Speaker 5: Situation at hand, the artists that we're talking about, just

708
00:29:08,080 --> 00:29:11,440
Speaker 5: the situation. The dynamic is totally different, so I get

709
00:29:11,440 --> 00:29:13,160
Speaker 5: that part of it. But the music is incredible. The

710
00:29:13,160 --> 00:29:18,440
Speaker 5: message is powerful, you know. I love just an orthodox

711
00:29:18,480 --> 00:29:21,760
Speaker 5: way of dropping it, releasing it. I love everything about

712
00:29:21,760 --> 00:29:24,960
Speaker 5: this everything you know this is Jax's. It's against all rules,

713
00:29:25,000 --> 00:29:28,680
Speaker 5: it's against the norm. It's outside of you know, what

714
00:29:28,840 --> 00:29:33,760
Speaker 5: you probably are guessing or what you think. It's exciting, man,

715
00:29:33,760 --> 00:29:35,600
Speaker 5: it's exciting to see artists do things like this, to

716
00:29:35,600 --> 00:29:37,640
Speaker 5: go against the grain and just do things based on

717
00:29:38,080 --> 00:29:40,600
Speaker 5: how they feel and you know what they're what they're

718
00:29:40,640 --> 00:29:42,200
Speaker 5: going through and things like that. Like I like that

719
00:29:42,240 --> 00:29:43,760
Speaker 5: type of ship, Like that's what I think art is

720
00:29:43,760 --> 00:29:44,280
Speaker 5: supposed to do.

721
00:29:44,480 --> 00:29:46,560
Speaker 2: Yeah, And I mean when when we got to the

722
00:29:46,680 --> 00:29:52,080
Speaker 2: DSP world's things got so structured, and I do like

723
00:29:53,040 --> 00:29:55,200
Speaker 2: what our whole team is doing here as far as

724
00:29:55,480 --> 00:29:58,800
Speaker 2: all right, that's done. The mix don't have to be

725
00:29:59,240 --> 00:30:01,880
Speaker 2: to what we think it should be DSP related. This

726
00:30:01,960 --> 00:30:04,480
Speaker 2: is back to blog errshit, I like this. It's going

727
00:30:04,520 --> 00:30:07,520
Speaker 2: out like let's just flood as much as we possibly can.

728
00:30:07,560 --> 00:30:11,080
Speaker 2: Because they took that opportunity away from us. Like how

729
00:30:11,080 --> 00:30:12,720
Speaker 2: we used to love mixtapes, how we used to just

730
00:30:12,760 --> 00:30:17,000
Speaker 2: love Lucy's. All of that is gone. And Jay I

731
00:30:17,000 --> 00:30:21,800
Speaker 2: think is in a unique position being the unicorn and

732
00:30:21,880 --> 00:30:23,840
Speaker 2: the mystique he has that's over here not a lot

733
00:30:23,880 --> 00:30:27,320
Speaker 2: of artists have. And he doesn't give a fuck about

734
00:30:27,360 --> 00:30:31,200
Speaker 2: anyone saying you can't go do this. So he's the

735
00:30:31,240 --> 00:30:33,920
Speaker 2: only one I think that can drop nineteen albums in

736
00:30:34,400 --> 00:30:37,520
Speaker 2: a month of just shit that I like this. Now,

737
00:30:37,560 --> 00:30:39,360
Speaker 2: this could go out, That could have happened in two

738
00:30:39,360 --> 00:30:41,280
Speaker 2: thousand and nine, but not now.

739
00:30:41,400 --> 00:30:42,960
Speaker 4: That's against the grain on everything.

740
00:30:43,200 --> 00:30:47,160
Speaker 2: So him bringing that back to me is from an

741
00:30:47,200 --> 00:30:51,080
Speaker 2: era that I love that that streaming took away. If

742
00:30:51,120 --> 00:30:54,120
Speaker 2: half the shit gets taken down, so be it. We'll

743
00:30:54,160 --> 00:30:56,200
Speaker 2: find another way to put it out. We'll put up

744
00:30:56,200 --> 00:30:58,040
Speaker 2: on SoundCloud. Then it gets taken down, Like we'll just

745
00:30:58,120 --> 00:31:00,440
Speaker 2: keep doing this shit over and over because this was

746
00:31:00,480 --> 00:31:03,320
Speaker 2: the era that all of us like really became adults

747
00:31:03,360 --> 00:31:06,360
Speaker 2: in and Jay became an artist then like that's what

748
00:31:06,440 --> 00:31:08,240
Speaker 2: he knows. He grew up on all the nineties guys

749
00:31:08,280 --> 00:31:09,640
Speaker 2: that were doing albums. But when it was time for

750
00:31:09,720 --> 00:31:11,880
Speaker 2: him to come out, it's like I'm figuring out the internet,

751
00:31:12,640 --> 00:31:15,640
Speaker 2: which was kind of a rebel thing at that time

752
00:31:15,720 --> 00:31:18,160
Speaker 2: of being on the blogs releasing stuff. It was against

753
00:31:18,160 --> 00:31:19,040
Speaker 2: the gring with the industry.

754
00:31:19,320 --> 00:31:19,960
Speaker 4: So let's redo it.

755
00:31:20,040 --> 00:31:22,120
Speaker 2: Let's do it again with streaming, same way we went

756
00:31:22,160 --> 00:31:26,400
Speaker 2: against iTunes, Let's go against streaming on streaming played by

757
00:31:26,400 --> 00:31:28,520
Speaker 2: the rules whatsoever. I was reminded how hard it is

758
00:31:28,560 --> 00:31:31,120
Speaker 2: to really listen to music and connect the music now

759
00:31:31,520 --> 00:31:33,160
Speaker 2: this week because I was trying to listen to all

760
00:31:33,160 --> 00:31:35,320
Speaker 2: of the Jay Drops and as well as you know,

761
00:31:35,360 --> 00:31:38,520
Speaker 2: the Cardio album.

762
00:31:38,720 --> 00:31:42,200
Speaker 5: It's these phones. Man, it's so hard to consume music

763
00:31:42,240 --> 00:31:45,240
Speaker 5: through your phone. Yeah, like, because you do everything on

764
00:31:45,400 --> 00:31:48,040
Speaker 5: if somebody calls you, you know what I mean, it's like,

765
00:31:48,360 --> 00:31:49,840
Speaker 5: take this call. Even if you don't take the call,

766
00:31:49,880 --> 00:31:53,600
Speaker 5: it interrupted the listen. Somebody texts you. Now you're in

767
00:31:53,600 --> 00:31:57,560
Speaker 5: this conversation. It's like everything is like it's hard. It

768
00:31:57,600 --> 00:32:00,760
Speaker 5: was much easier to consume music when the music was

769
00:32:00,800 --> 00:32:02,560
Speaker 5: away from the phone. I saw it on whether it

770
00:32:02,600 --> 00:32:05,200
Speaker 5: was CD, whether it was vinyl or cassette. It was

771
00:32:05,240 --> 00:32:08,480
Speaker 5: just a different attachment, a different connection you had to

772
00:32:08,480 --> 00:32:11,280
Speaker 5: the music because it was just that. Now, when you

773
00:32:11,320 --> 00:32:13,400
Speaker 5: try to listen to music and albums from your phone,

774
00:32:14,360 --> 00:32:17,480
Speaker 5: you get distracted so easily and you forget you was

775
00:32:17,520 --> 00:32:19,640
Speaker 5: even listening to this album because now it's a phone

776
00:32:19,680 --> 00:32:21,640
Speaker 5: call I had to take. Yeah, I'm on the phone

777
00:32:21,640 --> 00:32:24,480
Speaker 5: for forty minutes. I forgot I was listening to the album,

778
00:32:24,560 --> 00:32:26,040
Speaker 5: And now I'm in a whole different I don't even

779
00:32:26,120 --> 00:32:28,280
Speaker 5: know if I'm going back to the album until later

780
00:32:28,320 --> 00:32:30,760
Speaker 5: on or tomorrow. Like it's just a it's very hard

781
00:32:30,760 --> 00:32:32,040
Speaker 5: to consume music through your phone.

782
00:32:32,280 --> 00:32:36,760
Speaker 2: I've even found myself saying out loud to people like, hey,

783
00:32:36,840 --> 00:32:39,080
Speaker 2: let's just put something on Netflix that I will be

784
00:32:39,120 --> 00:32:41,880
Speaker 2: fine in the background, so I'm not gonna follow that's

785
00:32:41,920 --> 00:32:44,520
Speaker 2: simple in a doc like oh wait, what I miss?

786
00:32:44,560 --> 00:32:44,840
Speaker 4: All right?

787
00:32:44,880 --> 00:32:46,920
Speaker 2: Cool, And I'm just backed on my phone, which is

788
00:32:46,960 --> 00:32:49,640
Speaker 2: not a good way to consume anything. I'm like purposely

789
00:32:49,640 --> 00:32:52,719
Speaker 2: trying to find background noise for things while I'm on

790
00:32:52,720 --> 00:32:53,440
Speaker 2: my phone doing shit.

791
00:32:53,520 --> 00:32:55,479
Speaker 5: I put YouTube on the TV and listen to albums

792
00:32:55,520 --> 00:32:58,400
Speaker 5: like yeah, just something that's going to separate it from

793
00:32:58,840 --> 00:33:00,520
Speaker 5: the phone, you know what I'm saying, Like I need

794
00:33:00,560 --> 00:33:02,720
Speaker 5: to have it, Like it's like, okay, nothing is going

795
00:33:02,720 --> 00:33:04,600
Speaker 5: to interrupt this, listen right here, Like it's not.

796
00:33:04,720 --> 00:33:06,880
Speaker 4: The music is not going to stop. I'm listen to

797
00:33:06,880 --> 00:33:07,440
Speaker 4: it all the way through.

798
00:33:07,520 --> 00:33:09,960
Speaker 5: Yeah, it's just a different connection you have with music

799
00:33:10,000 --> 00:33:12,000
Speaker 5: when I think it's for me personally, when it's not

800
00:33:12,120 --> 00:33:12,960
Speaker 5: on my phone.

801
00:33:14,120 --> 00:33:17,560
Speaker 2: Tamara, So it's Jay elect to you like Cardi is

802
00:33:17,600 --> 00:33:19,640
Speaker 2: to us, where like, yeah, well listen to it, but

803
00:33:20,040 --> 00:33:20,320
Speaker 2: we're not.

804
00:33:21,120 --> 00:33:22,720
Speaker 4: Was it made for us? Like we're not in the crib?

805
00:33:22,960 --> 00:33:24,920
Speaker 5: Like the way you feel about Bodega Batties. That's how

806
00:33:24,960 --> 00:33:26,360
Speaker 5: I feel about Who Kill Michael Jackson?

807
00:33:26,680 --> 00:33:29,320
Speaker 3: Yeah, that's the song on the album.

808
00:33:29,400 --> 00:33:31,320
Speaker 5: Yeah, Like I turned up to that like I hear that.

809
00:33:31,400 --> 00:33:33,200
Speaker 5: I just thought, you know what I mean, like it's

810
00:33:33,280 --> 00:33:35,640
Speaker 5: lit Ah. You feel what I'm saying, like you shake,

811
00:33:35,800 --> 00:33:36,160
Speaker 5: you shake?

812
00:33:36,520 --> 00:33:36,960
Speaker 4: I ain't see.

813
00:33:37,000 --> 00:33:39,000
Speaker 5: I didn't say that, but how I feel I'm telling

814
00:33:39,000 --> 00:33:40,560
Speaker 5: you how. Yeah, But I didn't say how you move

815
00:33:40,680 --> 00:33:42,400
Speaker 5: is how I move. I didn't say that. You see,

816
00:33:42,400 --> 00:33:44,200
Speaker 5: our words are important. I never said I was shaking

817
00:33:44,240 --> 00:33:46,040
Speaker 5: as to Who Killed Michael Jackson? And I never said

818
00:33:46,080 --> 00:33:48,680
Speaker 5: that you could. Though it's a hard beat, you could

819
00:33:48,680 --> 00:33:49,320
Speaker 5: do a lot of things.

820
00:33:49,400 --> 00:33:50,400
Speaker 4: I'm just saying, you're not.

821
00:33:50,840 --> 00:33:52,600
Speaker 2: You know what I'm saying. A woman could shake ass

822
00:33:52,680 --> 00:33:55,240
Speaker 2: to that record? Oh yeah, I mean there for it

823
00:33:55,640 --> 00:33:58,400
Speaker 2: could do it. How did you feel about Jay putting

824
00:33:58,680 --> 00:33:59,680
Speaker 2: Quentin Miller on that record?

825
00:34:00,400 --> 00:34:02,280
Speaker 4: I loved it. I did too. I loved it.

826
00:34:02,040 --> 00:34:05,160
Speaker 5: It was it wasn't expected, but I love what Quentin

827
00:34:05,200 --> 00:34:09,319
Speaker 5: did well with his verse, and I was happy to

828
00:34:09,320 --> 00:34:11,759
Speaker 5: see somebody like Jay, you know, open up a verse

829
00:34:11,760 --> 00:34:14,280
Speaker 5: for Quinton because we know, obviously, we know how talented

830
00:34:14,360 --> 00:34:16,440
Speaker 5: Quinton is as a writer and as a rapper, as

831
00:34:16,480 --> 00:34:18,160
Speaker 5: an artist period songwriter.

832
00:34:19,360 --> 00:34:20,200
Speaker 4: So to see him.

833
00:34:20,080 --> 00:34:23,080
Speaker 5: Next to Jay leg and going to Jay's world and

834
00:34:23,160 --> 00:34:26,319
Speaker 5: you know, rap about what he was rapping about, it

835
00:34:26,400 --> 00:34:29,480
Speaker 5: was dope to see that like that was that wasn't

836
00:34:30,000 --> 00:34:32,239
Speaker 5: you know, a feature that I was expecting or even

837
00:34:32,239 --> 00:34:32,760
Speaker 5: thought about.

838
00:34:32,800 --> 00:34:34,360
Speaker 4: But I was when I saw it. I was happy

839
00:34:34,360 --> 00:34:35,759
Speaker 4: that it happened, Yeah for sure.

840
00:34:36,760 --> 00:34:39,680
Speaker 2: And even some of like the tweets that I did

841
00:34:39,680 --> 00:34:42,520
Speaker 2: see that that made me smile. Jay Electronica got me

842
00:34:42,560 --> 00:34:44,960
Speaker 2: research in the Battle of Los Angeles in nineteen forty two.

843
00:34:45,239 --> 00:34:47,360
Speaker 2: Dog tell me why that shit actually happened.

844
00:34:48,320 --> 00:34:49,759
Speaker 5: That's the point of the album. That's the point of

845
00:34:49,760 --> 00:34:53,040
Speaker 5: the music. A lot of things people do conspiracy. Sometimes

846
00:34:53,040 --> 00:34:54,319
Speaker 5: you will look it up. It's like, oh wait, no, no,

847
00:34:54,320 --> 00:34:55,160
Speaker 5: this doesn't really happen.

848
00:34:55,520 --> 00:34:56,240
Speaker 4: This is a fact.

849
00:34:57,239 --> 00:35:00,920
Speaker 2: You're telling me police an army shop fourteenth thousand rounds

850
00:35:01,320 --> 00:35:02,360
Speaker 2: at something in the sky.

851
00:35:02,560 --> 00:35:07,360
Speaker 5: Yeah, yeah, absolutely, And that's just never taught, never taught,

852
00:35:07,520 --> 00:35:10,680
Speaker 5: that's rabbit hole, That's just it just happened. That's why

853
00:35:10,800 --> 00:35:12,799
Speaker 5: an artist like Jay is important. You know what I mean,

854
00:35:12,800 --> 00:35:16,680
Speaker 5: it's it's gonna teach you something. But obviously the flow

855
00:35:16,719 --> 00:35:19,120
Speaker 5: and everything is still he's still gonna out wrap some

856
00:35:19,200 --> 00:35:22,880
Speaker 5: of your ship most of your favorite rappers. But at

857
00:35:22,920 --> 00:35:25,480
Speaker 5: the same time, he's he's dedicated to the message and

858
00:35:25,520 --> 00:35:27,560
Speaker 5: guess what's important about Jay and I appreciate that.

859
00:35:27,640 --> 00:35:30,880
Speaker 2: Yeah, I mean, if for the people that are into

860
00:35:31,000 --> 00:35:33,839
Speaker 2: I'm not saying conspiracy stuff or just just easter eggs

861
00:35:33,880 --> 00:35:37,920
Speaker 2: and certain parts of records. Research every single title that

862
00:35:38,040 --> 00:35:41,160
Speaker 2: is on these projects. If you see, most of the

863
00:35:41,200 --> 00:35:42,880
Speaker 2: time the title has nothing to do with the record.

864
00:35:42,920 --> 00:35:46,040
Speaker 2: It's something that he is encouraging you to go research yourself,

865
00:35:46,200 --> 00:35:48,080
Speaker 2: and it's not a conspiracy.

866
00:35:47,600 --> 00:35:50,600
Speaker 5: Candice Stones tell us more like I was like, okay,

867
00:35:50,719 --> 00:35:53,560
Speaker 5: like that's what he had with it, and I bet

868
00:35:53,680 --> 00:35:56,000
Speaker 5: Jay tell us more Candas, let's hear it.

869
00:35:56,719 --> 00:35:57,840
Speaker 4: Yeah, I liked it.

870
00:35:57,880 --> 00:35:59,480
Speaker 5: I got you know, once I saw the titles, I

871
00:35:59,560 --> 00:36:01,319
Speaker 5: was like, okay, yeah, I know what Jay doing.

872
00:36:01,520 --> 00:36:03,399
Speaker 2: No, there was even stuff that I had to when

873
00:36:03,440 --> 00:36:06,160
Speaker 2: I was typing out, you know, the track list, when

874
00:36:06,160 --> 00:36:08,200
Speaker 2: he was coming up with the ideas for it. Some

875
00:36:08,239 --> 00:36:10,000
Speaker 2: of it because you know, him and I talk every day,

876
00:36:10,200 --> 00:36:11,920
Speaker 2: so I get a lot of this information for the

877
00:36:12,000 --> 00:36:14,480
Speaker 2: last four years. There was stuff I even had the

878
00:36:14,520 --> 00:36:17,759
Speaker 2: research and I was like, oh shit, I had no

879
00:36:17,880 --> 00:36:21,440
Speaker 2: idea about the uh the Japan Airline sixteen twenty eight

880
00:36:21,520 --> 00:36:22,960
Speaker 2: that just research is.

881
00:36:22,880 --> 00:36:25,000
Speaker 4: One of my favorite songs too. Yeah, she was crazy.

882
00:36:25,000 --> 00:36:25,719
Speaker 4: That record is hard.

883
00:36:27,040 --> 00:36:29,440
Speaker 2: If you look into what blood LaBelle is like, that

884
00:36:29,480 --> 00:36:31,319
Speaker 2: shit is crazy. That's probably one of my favorite verses

885
00:36:31,320 --> 00:36:33,440
Speaker 2: he's ever done. There's just a lot of shit on here,

886
00:36:33,480 --> 00:36:37,640
Speaker 2: and I'm exhausted, proud, happy, and cannot wait for more

887
00:36:37,680 --> 00:36:39,560
Speaker 2: of the music to come out because this is I

888
00:36:39,560 --> 00:36:42,120
Speaker 2: don't know, just a once in a lifetime type of

889
00:36:42,440 --> 00:36:44,759
Speaker 2: thing that we get to experience this for this month.

890
00:36:45,200 --> 00:36:47,879
Speaker 5: We salute to y'all. Salute to the team. Saluted Jay. Yeah,

891
00:36:47,880 --> 00:36:49,279
Speaker 5: you go getting it done, getting it out.

892
00:36:49,360 --> 00:36:52,440
Speaker 4: You gotta come to HQ, and you gotta know what

893
00:36:52,440 --> 00:36:54,200
Speaker 4: it smell like. Mentally, I got yeah.

894
00:36:54,280 --> 00:36:56,279
Speaker 5: Mentally, I gotta, you know what say, I gotta I

895
00:36:56,280 --> 00:36:57,840
Speaker 5: gotta prepare for that, you know what I'm saying.

896
00:36:58,239 --> 00:37:01,640
Speaker 2: Uhbviously won't say where we're at or what type of

897
00:37:01,640 --> 00:37:04,040
Speaker 2: place it is, but it's not a place you would

898
00:37:04,040 --> 00:37:08,120
Speaker 2: expect anyone to be at. And I'm walking out and

899
00:37:08,160 --> 00:37:11,759
Speaker 2: somebody was like, Rory, what the fuck are you doing here?

900
00:37:12,320 --> 00:37:14,360
Speaker 4: And then I could see his mind start to take me.

901
00:37:14,360 --> 00:37:18,640
Speaker 2: He said, wait, I thought I just saw Jay Electronica.

902
00:37:19,719 --> 00:37:23,760
Speaker 4: What are you doing here? Hookers hookers, nothing but hookers,

903
00:37:23,880 --> 00:37:25,280
Speaker 4: hookers and music hookers.

904
00:37:28,440 --> 00:37:31,440
Speaker 2: But yeah, other than that, that was really my weekend.

905
00:37:32,000 --> 00:37:33,280
Speaker 4: It was intense.

906
00:37:34,239 --> 00:37:37,120
Speaker 2: Shout out to Cruise, shout out, Shout out to Kia,

907
00:37:37,160 --> 00:37:38,080
Speaker 2: shout out to my mom.

908
00:37:38,600 --> 00:37:40,200
Speaker 4: I've been an absent father for a week.

909
00:37:40,360 --> 00:37:45,240
Speaker 2: Ye yeah, for sure. I was running home trying to like, hey, Amara,

910
00:37:45,320 --> 00:37:48,560
Speaker 2: and then she started getting used to which like made

911
00:37:48,600 --> 00:37:49,680
Speaker 2: me feel even worse.

912
00:37:49,440 --> 00:37:51,000
Speaker 4: Like by daddy, like fuck.

913
00:37:53,400 --> 00:37:56,200
Speaker 2: But you know, I brought her by because we had

914
00:37:56,239 --> 00:37:58,480
Speaker 2: a couple of different spots outside of where we're recording,

915
00:37:58,520 --> 00:38:00,040
Speaker 2: and I brought her by for a second.

916
00:37:59,760 --> 00:38:02,960
Speaker 4: Just so she could see the chaos. But it's not a.

917
00:38:02,960 --> 00:38:07,279
Speaker 3: Place for Chandler, not a place for children, not a.

918
00:38:07,280 --> 00:38:12,600
Speaker 4: Place for adults, not for any function.

919
00:38:13,239 --> 00:38:16,239
Speaker 2: Guarantee you, out of the four spots that we have

920
00:38:16,400 --> 00:38:19,560
Speaker 2: in here, three out of four of the murder definitely happened,

921
00:38:20,120 --> 00:38:22,680
Speaker 2: like without question. If you started to like do the

922
00:38:22,719 --> 00:38:25,960
Speaker 2: black light shit, you're you're definitely finding DNA and blood,

923
00:38:26,440 --> 00:38:27,239
Speaker 2: like without a question.

924
00:38:27,719 --> 00:38:30,480
Speaker 5: But yeah, sorry, though the message got the message has

925
00:38:30,520 --> 00:38:32,799
Speaker 5: to be released, that's all. It don't matter where it's from,

926
00:38:32,840 --> 00:38:33,359
Speaker 5: just get it out.

927
00:38:33,600 --> 00:38:33,839
Speaker 4: Yeah.

928
00:38:33,960 --> 00:38:39,000
Speaker 5: Shout out to Jay Electronica Maul.

929
00:38:39,080 --> 00:38:41,560
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930
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931
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932
00:38:46,680 --> 00:38:47,279
Speaker 4: just a little bit.

933
00:38:47,400 --> 00:38:48,759
Speaker 2: But I mean, if you want a phone plan and

934
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935
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936
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937
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938
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939
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940
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941
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988
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Speaker 2: Outside of abandoning Amara, I did actually find some time

989
00:41:09,800 --> 00:41:14,680
Speaker 2: to watch the bootleg version of the Kanye documentary somebody

990
00:41:14,760 --> 00:41:16,480
Speaker 2: put up on YouTube. They filmed it like in the

991
00:41:16,480 --> 00:41:18,799
Speaker 2: theater and the quality was good enough to watch.

992
00:41:18,840 --> 00:41:20,120
Speaker 4: Wait, dis was released in theaters.

993
00:41:20,200 --> 00:41:21,960
Speaker 3: Yeah, I didn't know that.

994
00:41:21,960 --> 00:41:25,000
Speaker 2: That's the headline I saw and with the bootleg I saw, Yeah,

995
00:41:25,000 --> 00:41:28,480
Speaker 2: I can look it up. I don't think it's like

996
00:41:28,480 --> 00:41:33,480
Speaker 2: at the a MC in Times Square, but yeah, and

997
00:41:33,520 --> 00:41:35,800
Speaker 2: the version I saw was somebody in the theater filming

998
00:41:35,840 --> 00:41:39,800
Speaker 2: it like the old like the old Canal Street DVD

999
00:41:39,880 --> 00:41:40,560
Speaker 2: tape type of thing.

1000
00:41:43,719 --> 00:41:44,840
Speaker 4: I didn't know that. I was just in the.

1001
00:41:46,440 --> 00:41:47,880
Speaker 5: Actually, I might go see it now now that I

1002
00:41:47,960 --> 00:41:49,240
Speaker 5: know it's in theaters, I might give me an excuse

1003
00:41:49,280 --> 00:41:49,920
Speaker 5: to go to the movies.

1004
00:41:53,560 --> 00:41:56,480
Speaker 2: It's I mean, I guess it's what you think it is.

1005
00:41:57,560 --> 00:42:00,840
Speaker 2: I don't think there was anything on there that gave

1006
00:42:00,920 --> 00:42:04,560
Speaker 2: me a surprise to Kanye, because you know, we've seen

1007
00:42:04,600 --> 00:42:09,319
Speaker 2: so many clips and different sides of his personality and

1008
00:42:09,360 --> 00:42:11,360
Speaker 2: I don't really know if it gave too much context

1009
00:42:11,440 --> 00:42:14,640
Speaker 2: to it. But it did show Kanye in his own

1010
00:42:14,680 --> 00:42:16,400
Speaker 2: element more than we've ever seen.

1011
00:42:17,360 --> 00:42:19,640
Speaker 4: Even more than the Genius documentary.

1012
00:42:20,120 --> 00:42:23,520
Speaker 2: The Genius Documentary showed us Kanye West in the beginning

1013
00:42:23,560 --> 00:42:25,520
Speaker 2: of his career, his own environment.

1014
00:42:25,560 --> 00:42:30,320
Speaker 4: This is this is post meltdown quote unquote.

1015
00:42:30,080 --> 00:42:35,359
Speaker 2: Yeah, this is Kardashian era type. This, this is calabasas

1016
00:42:35,440 --> 00:42:40,440
Speaker 2: Ya into Wyoming Ya. Okay, in the same type of

1017
00:42:40,440 --> 00:42:44,440
Speaker 2: context you're seeing him in his own environment in a very,

1018
00:42:44,520 --> 00:42:46,400
Speaker 2: very genuine way, because sometimes you'd be like, oka, is

1019
00:42:46,480 --> 00:42:51,680
Speaker 2: Kanye doing this for paparazzi? Like even I love when

1020
00:42:51,719 --> 00:42:53,879
Speaker 2: Cameron was like, Kanye's not crazy, I just saw him.

1021
00:42:53,960 --> 00:42:54,399
Speaker 4: He's fun.

1022
00:42:54,840 --> 00:42:56,520
Speaker 2: I walked in there at the most saying human being,

1023
00:42:56,560 --> 00:42:59,560
Speaker 2: like he's fucking with show. This showed it in a

1024
00:42:59,600 --> 00:43:03,160
Speaker 2: different like. I'm not saying it gave context. I don't

1025
00:43:03,160 --> 00:43:05,600
Speaker 2: even know if Kanye is fully behind this entire thing,

1026
00:43:06,560 --> 00:43:09,000
Speaker 2: but I guess I will applaud him by saying he

1027
00:43:09,080 --> 00:43:13,200
Speaker 2: didn't shy away or try to make himself look any

1028
00:43:13,239 --> 00:43:18,440
Speaker 2: better or add context to things. But it's it's Kanye

1029
00:43:18,440 --> 00:43:22,160
Speaker 2: West in a very Paul's raw form.

1030
00:43:22,239 --> 00:43:23,560
Speaker 4: I really enjoyed the doc.

1031
00:43:24,239 --> 00:43:26,360
Speaker 2: There's a difference between enjoying the dock and then enjoying

1032
00:43:26,360 --> 00:43:28,600
Speaker 2: the person that's the lead of the dock, right, because

1033
00:43:28,600 --> 00:43:31,200
Speaker 2: there's a lot of moments where you know he is

1034
00:43:31,200 --> 00:43:33,640
Speaker 2: a very destructive not only to himself but to the

1035
00:43:33,680 --> 00:43:39,040
Speaker 2: people around him. And I know we joke about what

1036
00:43:39,080 --> 00:43:40,480
Speaker 2: I had said about game and this and that, but

1037
00:43:41,280 --> 00:43:46,000
Speaker 2: Kanye has been diagnosed before. We don't know what's accurate

1038
00:43:46,000 --> 00:43:48,319
Speaker 2: and what's not. You you see that side of him

1039
00:43:48,480 --> 00:43:48,879
Speaker 2: for sure.

1040
00:43:49,040 --> 00:43:51,799
Speaker 4: So wait, he's not a part of this documentary at all?

1041
00:43:52,320 --> 00:43:55,320
Speaker 5: Should should we even be supporting this because I'm be

1042
00:43:55,360 --> 00:43:56,799
Speaker 5: ready to go to the theater and watch it, like

1043
00:43:57,040 --> 00:44:02,239
Speaker 5: but I mean, I was.

1044
00:44:00,239 --> 00:44:02,359
Speaker 2: Was I mean, was he fully behind that as well?

1045
00:44:02,480 --> 00:44:05,520
Speaker 2: Because I remember, you know, Kanye would never go back

1046
00:44:05,520 --> 00:44:08,240
Speaker 2: on his word. I remember him saying something.

1047
00:44:08,120 --> 00:44:10,719
Speaker 4: Like bad about Cooty and them about that.

1048
00:44:11,160 --> 00:44:12,600
Speaker 2: Even though he's in the dock saying, you know, I

1049
00:44:12,640 --> 00:44:14,200
Speaker 2: got my man here. There's been with me for twenty

1050
00:44:14,280 --> 00:44:15,920
Speaker 2: years and we want to sell this doc But I

1051
00:44:15,960 --> 00:44:18,719
Speaker 2: remember Kanye being upset when that came out.

1052
00:44:19,000 --> 00:44:22,760
Speaker 4: So I don't know, okay, judging off.

1053
00:44:22,600 --> 00:44:24,680
Speaker 2: What happened with Genius, but I don't know if Kanye

1054
00:44:24,760 --> 00:44:26,840
Speaker 2: pulled out, pause, pulled out of this entire thing. Because

1055
00:44:27,000 --> 00:44:28,560
Speaker 2: the director, I think it was Yes Jules that was

1056
00:44:28,560 --> 00:44:31,320
Speaker 2: saying that he has been around following Kanye forever. I

1057
00:44:31,320 --> 00:44:34,080
Speaker 2: don't know if this was something he took upon himself

1058
00:44:34,360 --> 00:44:38,360
Speaker 2: after he stopped working with Kanye, the same way you

1059
00:44:38,400 --> 00:44:41,200
Speaker 2: know Creative Control did. But I don't know.

1060
00:44:41,280 --> 00:44:42,760
Speaker 4: It's a lot.

1061
00:44:42,920 --> 00:44:47,360
Speaker 2: Where the genius one has redemption and like a real

1062
00:44:48,120 --> 00:44:53,359
Speaker 2: human aspect of it, This one has chaos. It makes

1063
00:44:53,360 --> 00:44:58,480
Speaker 2: you uncomfortable, it's a little bit scary. It gives you

1064
00:44:58,520 --> 00:45:00,560
Speaker 2: a lot of empathy for people that are around him,

1065
00:45:01,560 --> 00:45:04,319
Speaker 2: and in some degrees empathy for him as well. I'm

1066
00:45:04,360 --> 00:45:07,520
Speaker 2: not saying he's a terrible person, but he is very

1067
00:45:07,560 --> 00:45:10,480
Speaker 2: much destructive on purpose.

1068
00:45:10,520 --> 00:45:12,000
Speaker 4: It feels like like he's.

1069
00:45:11,920 --> 00:45:13,759
Speaker 2: Very lucid in what he's doing. I don't think he's

1070
00:45:13,800 --> 00:45:16,640
Speaker 2: having complete freakouts and meltdowns where he doesn't know what

1071
00:45:16,680 --> 00:45:19,680
Speaker 2: he's doing. I think he organized very very lucid in

1072
00:45:19,719 --> 00:45:23,400
Speaker 2: what he's doing. But yeah, it's a it's a lot.

1073
00:45:23,680 --> 00:45:26,160
Speaker 2: But then again, I mean, yeah, Kanye screaming at Chris Jenner,

1074
00:45:28,560 --> 00:45:30,440
Speaker 2: I don't like co sign how he did all that.

1075
00:45:30,560 --> 00:45:36,200
Speaker 2: But if you have a real American family, if they

1076
00:45:36,200 --> 00:45:39,600
Speaker 2: put a camera in your fucking house, would it be

1077
00:45:39,680 --> 00:45:40,200
Speaker 2: much different.

1078
00:45:41,280 --> 00:45:43,479
Speaker 4: Yeah, I saw that clip of him as wrong.

1079
00:45:43,520 --> 00:45:45,200
Speaker 5: It's just a clip, so you kind of look at

1080
00:45:45,239 --> 00:45:47,520
Speaker 5: it like right, Well I looked at it like I

1081
00:45:47,560 --> 00:45:50,640
Speaker 5: need more context. What was this conversation? Why is Kanye

1082
00:45:50,680 --> 00:45:54,840
Speaker 5: screaming at Chris Jenner like this? But yeah, that's the

1083
00:45:54,920 --> 00:45:57,720
Speaker 5: end I saw obviously to Michael Jay clip at SNL

1084
00:45:57,960 --> 00:46:00,600
Speaker 5: when Kanye Kanye had hosted an at that time.

1085
00:46:00,520 --> 00:46:02,160
Speaker 2: Right, Yeah, that was the time when he said they

1086
00:46:02,239 --> 00:46:05,080
Speaker 2: bullied me for the red hat in that entire thing. Yeah,

1087
00:46:05,640 --> 00:46:08,439
Speaker 2: but I mean I respected what Michael Ja was saying

1088
00:46:08,480 --> 00:46:12,799
Speaker 2: at that time. Mm hmm, because there's only one black

1089
00:46:12,800 --> 00:46:14,759
Speaker 2: comedian when you're going on your rant. He was like,

1090
00:46:14,760 --> 00:46:18,480
Speaker 2: you wasn't talking about Leslie, like, like who he was

1091
00:46:18,520 --> 00:46:21,640
Speaker 2: talking about me? Like, I think he had every right

1092
00:46:21,760 --> 00:46:22,399
Speaker 2: to do what he did.

1093
00:46:23,280 --> 00:46:27,120
Speaker 5: No, absolutely, absolutely, And if you feel like somebody disrespected

1094
00:46:27,120 --> 00:46:30,640
Speaker 5: you and obviously didn't have the opportunity to defend yourself

1095
00:46:30,760 --> 00:46:33,759
Speaker 5: or something like that, then especially if you feel like

1096
00:46:34,080 --> 00:46:37,080
Speaker 5: you had a like a relationship with the person, yeah,

1097
00:46:37,440 --> 00:46:39,279
Speaker 5: you'd be like, yo, like, you know, I didn't see

1098
00:46:39,280 --> 00:46:42,200
Speaker 5: anything wrong with Michael Jay. I'm not gonna say I

1099
00:46:42,200 --> 00:46:46,399
Speaker 5: don't like the word press because pressman. Yeah, like, don't

1100
00:46:46,719 --> 00:46:49,080
Speaker 5: don't have a conversation there was, Yeah, it's a conversation.

1101
00:46:49,200 --> 00:46:52,600
Speaker 5: Michael Ja didn't press Kanye West. He had a conversation.

1102
00:46:52,680 --> 00:46:55,160
Speaker 5: He approached him about something he said and that he

1103
00:46:55,200 --> 00:46:57,880
Speaker 5: didn't like. It's not a we don't have to say press.

1104
00:46:58,000 --> 00:46:58,080
Speaker 2: You know.

1105
00:46:58,120 --> 00:47:00,680
Speaker 5: It's not like he threatened to put hands on Kanye

1106
00:47:01,160 --> 00:47:03,839
Speaker 5: if he said it again like that suppressed, Like, YO,

1107
00:47:03,880 --> 00:47:06,160
Speaker 5: say keep my name out your fucking my dad's suppressed.

1108
00:47:06,440 --> 00:47:08,480
Speaker 5: But Michael Chay was just like, Yo, that's fucked up, man,

1109
00:47:08,520 --> 00:47:10,520
Speaker 5: Like I love you, Like why would you, you know,

1110
00:47:10,760 --> 00:47:12,800
Speaker 5: put me out there like that or say that about

1111
00:47:12,920 --> 00:47:16,120
Speaker 5: you know me? And you know it's like I can't

1112
00:47:16,160 --> 00:47:17,840
Speaker 5: even do nothing about it. I gotta kind of just

1113
00:47:17,840 --> 00:47:20,200
Speaker 5: eat that, like that's fucked up. So I understand as

1114
00:47:20,239 --> 00:47:22,200
Speaker 5: a man, that's just man shit. As a man, you know,

1115
00:47:22,239 --> 00:47:24,400
Speaker 5: he's approachmy that he knows he has a relationship with

1116
00:47:25,160 --> 00:47:27,319
Speaker 5: that he thought was cool with him, and you know,

1117
00:47:27,440 --> 00:47:29,200
Speaker 5: just expressed that he didn't like something he said.

1118
00:47:29,239 --> 00:47:30,600
Speaker 4: But I didn't see anything wrong with that.

1119
00:47:30,760 --> 00:47:33,759
Speaker 2: This was the very frustrating well, actually not gonna say that,

1120
00:47:33,760 --> 00:47:35,799
Speaker 2: because there's been a lot of frustrating Kanye West earth.

1121
00:47:36,400 --> 00:47:38,480
Speaker 2: This one was especially frustrating because this was around the

1122
00:47:38,520 --> 00:47:41,120
Speaker 2: time when he started with the MAGA stuff and he

1123
00:47:41,280 --> 00:47:44,319
Speaker 2: was all about having dialogue, and then when someone like

1124
00:47:44,440 --> 00:47:47,480
Speaker 2: Van Lathan would try to have dialogue with him, or

1125
00:47:47,520 --> 00:47:50,919
Speaker 2: somebody like Michael cha would try to have dialogue with him,

1126
00:47:51,200 --> 00:47:53,520
Speaker 2: everything he said before that, he would just go, but

1127
00:47:53,600 --> 00:47:57,279
Speaker 2: I love you, no, no, no, I'm replying to everything you

1128
00:47:57,440 --> 00:47:59,400
Speaker 2: just said in a very.

1129
00:47:59,520 --> 00:48:00,600
Speaker 4: Color I love you too.

1130
00:48:00,640 --> 00:48:02,480
Speaker 2: This doesn't take the level of yeah, but what you

1131
00:48:02,560 --> 00:48:04,200
Speaker 2: just said was crazy, I'm replying to it.

1132
00:48:04,280 --> 00:48:04,840
Speaker 4: Yeah.

1133
00:48:04,960 --> 00:48:06,839
Speaker 2: You keep saying you want to have dialogue, that's our

1134
00:48:06,880 --> 00:48:09,680
Speaker 2: fucking problem. And then anytime I retort any point, you

1135
00:48:09,719 --> 00:48:12,319
Speaker 2: have to say, you like, but I love you, It's like,

1136
00:48:12,560 --> 00:48:14,960
Speaker 2: all right, so you're just being a hypocrite on this

1137
00:48:15,000 --> 00:48:16,560
Speaker 2: dialogue thing that you want to keep having. No, you

1138
00:48:16,560 --> 00:48:20,160
Speaker 2: want to spew out insane headlines that you've read from

1139
00:48:20,200 --> 00:48:22,440
Speaker 2: some of your Republican friends. And then when somebody is

1140
00:48:22,480 --> 00:48:24,040
Speaker 2: just like, what would you mean by that? I don't

1141
00:48:24,040 --> 00:48:26,200
Speaker 2: think it works that way, you go, wait, but I

1142
00:48:26,239 --> 00:48:28,919
Speaker 2: love you. Yeah, yeah, fhair, what are we doing here?

1143
00:48:29,080 --> 00:48:31,319
Speaker 2: Like you can't even have a conversation with somebody like that.

1144
00:48:31,400 --> 00:48:35,799
Speaker 6: And some people are also very bad at having conversation

1145
00:48:36,000 --> 00:48:39,040
Speaker 6: that they deem confrontational, Like you ever had a conversation

1146
00:48:39,120 --> 00:48:40,960
Speaker 6: with somebody who you could only have a deep conversation

1147
00:48:41,040 --> 00:48:43,480
Speaker 6: with through text, because if you're talking to them, their

1148
00:48:43,520 --> 00:48:46,319
Speaker 6: response time like in text, it's almost like they're either

1149
00:48:46,360 --> 00:48:48,680
Speaker 6: nervous or they're not quick enough on your feet, Like

1150
00:48:50,040 --> 00:48:51,720
Speaker 6: it gives you don't know how to defend your points

1151
00:48:51,760 --> 00:48:52,279
Speaker 6: without time.

1152
00:48:52,360 --> 00:48:55,799
Speaker 5: I think people have people that have a hard time

1153
00:48:55,920 --> 00:49:02,600
Speaker 5: having conversations that can be deemed confrontational. I think it's

1154
00:49:02,600 --> 00:49:04,560
Speaker 5: most times because they know either they're wrong or they're lying.

1155
00:49:06,080 --> 00:49:06,839
Speaker 4: Yeah, I can see that.

1156
00:49:06,800 --> 00:49:08,840
Speaker 5: Like if you have a problem with having a conversation

1157
00:49:08,920 --> 00:49:11,880
Speaker 5: about something that you know, may come across as kind

1158
00:49:11,880 --> 00:49:14,040
Speaker 5: of like you're confronting an issue, because that's all it is.

1159
00:49:14,080 --> 00:49:16,840
Speaker 5: When they say confrontational, it's just I'm just confronting the

1160
00:49:16,880 --> 00:49:19,400
Speaker 5: issue at hand. People that have a hard time with

1161
00:49:19,520 --> 00:49:22,680
Speaker 5: that is they're either lyon or you know, they they

1162
00:49:22,719 --> 00:49:23,200
Speaker 5: know they were.

1163
00:49:23,120 --> 00:49:24,600
Speaker 4: Wrong and can't admit that they're wrong.

1164
00:49:25,239 --> 00:49:27,680
Speaker 5: Yeah, and I can see that being Kanye a lot, Like,

1165
00:49:28,280 --> 00:49:29,840
Speaker 5: you know, he knows he was in the moment. He

1166
00:49:29,840 --> 00:49:34,279
Speaker 5: probably doesn't mean any harm. But then it's Michael cha

1167
00:49:34,480 --> 00:49:37,440
Speaker 5: is saying it. He's hearing it back like, yeah, that

1168
00:49:37,520 --> 00:49:39,279
Speaker 5: might have been unnecessary, Like I didn't have to put

1169
00:49:39,280 --> 00:49:41,160
Speaker 5: that out there like that, but I do love you,

1170
00:49:41,200 --> 00:49:43,919
Speaker 5: And it's like I get that part, but you still

1171
00:49:44,080 --> 00:49:45,799
Speaker 5: this was live television.

1172
00:49:45,320 --> 00:49:49,080
Speaker 2: Like I work here, Yeah, like you said some crazy

1173
00:49:49,080 --> 00:49:50,600
Speaker 2: shit and it's just like, bro, now I got to

1174
00:49:50,600 --> 00:49:53,160
Speaker 2: deal with that, you leave this studio and don't have

1175
00:49:53,200 --> 00:49:53,879
Speaker 2: to ever come back.

1176
00:49:53,960 --> 00:49:56,600
Speaker 5: I have to be back here, like just in a

1177
00:49:56,640 --> 00:49:58,560
Speaker 5: few days, like these people have to see me again.

1178
00:49:58,600 --> 00:50:02,000
Speaker 2: But that was the first Kanye era where I felt

1179
00:50:02,000 --> 00:50:06,120
Speaker 2: like he jumped out the window without fully understanding or

1180
00:50:06,160 --> 00:50:09,440
Speaker 2: believing what he said. Like if you go to any interviews,

1181
00:50:09,440 --> 00:50:11,880
Speaker 2: whether he was zaying low and he's talking about polaroids

1182
00:50:11,880 --> 00:50:14,840
Speaker 2: and cameras and Lady Gaga and his music and the industry,

1183
00:50:15,440 --> 00:50:19,680
Speaker 2: Kanye will have crazy dialogue arguments with anyone. His Breakfast

1184
00:50:19,719 --> 00:50:22,640
Speaker 2: Club interview. Everything he said at that point is really

1185
00:50:22,840 --> 00:50:24,680
Speaker 2: what happened for the next ten years when they were

1186
00:50:24,680 --> 00:50:25,280
Speaker 2: trying to debate.

1187
00:50:25,200 --> 00:50:26,920
Speaker 4: Him on it. When he knows what he's talking about,

1188
00:50:27,160 --> 00:50:27,919
Speaker 4: Kanye is great.

1189
00:50:28,080 --> 00:50:29,960
Speaker 2: This was the first time when he linked up with

1190
00:50:30,080 --> 00:50:32,880
Speaker 2: like Candace, and Nick point says, I'm not saying he

1191
00:50:32,920 --> 00:50:36,480
Speaker 2: didn't believe what Candace was saying. He was just not

1192
00:50:36,680 --> 00:50:39,760
Speaker 2: well researched on anything. So the only thing he had

1193
00:50:40,440 --> 00:50:43,800
Speaker 2: was what Candace said as a talking head at one point,

1194
00:50:43,960 --> 00:50:46,120
Speaker 2: So when he would get someone to say something back,

1195
00:50:46,400 --> 00:50:48,080
Speaker 2: he wouldn't have a retort because he did he didn't

1196
00:50:48,080 --> 00:50:52,080
Speaker 2: research it. That's why you get that TMZ shit. When

1197
00:50:52,160 --> 00:50:54,759
Speaker 2: Van says that, and he's just like, yo, I love you, bro,

1198
00:50:54,840 --> 00:50:57,000
Speaker 2: let me give you a hug. And Candace keeps stepping

1199
00:50:57,000 --> 00:50:59,520
Speaker 2: in to answer the questions because Kanye was not well

1200
00:50:59,520 --> 00:51:02,200
Speaker 2: read or verse on any of those points, right, they

1201
00:51:02,200 --> 00:51:04,799
Speaker 2: were just controversial. So he said that that's, to me,

1202
00:51:04,880 --> 00:51:07,919
Speaker 2: is where the Kanye really went left. And it wasn't

1203
00:51:07,960 --> 00:51:09,719
Speaker 2: because it was a Republican thing. It was because he

1204
00:51:09,719 --> 00:51:12,000
Speaker 2: didn't know what the fuck he was talking about. Every

1205
00:51:12,000 --> 00:51:13,799
Speaker 2: time before that, whether you agreed with him or not,

1206
00:51:14,080 --> 00:51:15,080
Speaker 2: he knew what he was talking about.

1207
00:51:15,120 --> 00:51:16,680
Speaker 4: He was passionate. He actually believed that shit.

1208
00:51:17,440 --> 00:51:19,480
Speaker 2: This time he's saying shit on SNL and has no

1209
00:51:19,560 --> 00:51:21,160
Speaker 2: idea what he's talking about, and Michael Jay is like,

1210
00:51:21,200 --> 00:51:23,440
Speaker 2: I'm trying to have a conversation. Kanye can't have a

1211
00:51:23,440 --> 00:51:24,920
Speaker 2: conversation on that because he doesn't know what the fuck

1212
00:51:24,920 --> 00:51:27,640
Speaker 2: he's talking about. Later on, he did start to research

1213
00:51:27,680 --> 00:51:30,440
Speaker 2: that shit more like form a real opinion, But at

1214
00:51:30,440 --> 00:51:33,560
Speaker 2: this time he was hoping Cannics would step in and

1215
00:51:33,640 --> 00:51:36,839
Speaker 2: just yeah, what she said, Yeah, you just are doing

1216
00:51:36,840 --> 00:51:38,000
Speaker 2: this because it's controversial.

1217
00:51:39,000 --> 00:51:41,520
Speaker 5: Well, I don't know how I feel about supporting this now,

1218
00:51:41,560 --> 00:51:44,160
Speaker 5: going to the movies and paying to see it if

1219
00:51:44,200 --> 00:51:44,600
Speaker 5: you don't.

1220
00:51:44,480 --> 00:51:45,080
Speaker 3: Know he's involved.

1221
00:51:45,120 --> 00:51:47,719
Speaker 6: I thought niggas weren't supporting Kanye Wes anymore. I thought

1222
00:51:47,760 --> 00:51:48,960
Speaker 6: that that was like the thing like.

1223
00:51:49,040 --> 00:51:51,239
Speaker 5: Nah, you're bugging. I'm still waiting from my Hitler one. Dude,

1224
00:51:52,080 --> 00:51:55,239
Speaker 5: I paid twenty five dollars from joints. Fall is his

1225
00:51:55,280 --> 00:51:55,960
Speaker 5: first day of fall.

1226
00:51:56,000 --> 00:51:59,000
Speaker 4: What's up? I need my boots? What do you want

1227
00:51:59,040 --> 00:52:00,359
Speaker 4: to go to the theaters in the boo ye? I want

1228
00:52:00,360 --> 00:52:01,840
Speaker 4: to go to my thing to go to see the

1229
00:52:01,880 --> 00:52:04,759
Speaker 4: doc with the Hitler ones on it. What's up with you?

1230
00:52:04,800 --> 00:52:06,960
Speaker 4: Send me my shit? Yeah?

1231
00:52:06,960 --> 00:52:10,360
Speaker 5: But I'm not gonna say I don't support Kanye because

1232
00:52:10,400 --> 00:52:12,719
Speaker 5: he's an artist and obviously he releases things. We're gonna

1233
00:52:12,760 --> 00:52:15,080
Speaker 5: check it out. We're gonna see what he he has to,

1234
00:52:15,160 --> 00:52:18,160
Speaker 5: you know, say, or what he's given us. So I

1235
00:52:18,160 --> 00:52:19,799
Speaker 5: guess that's supporting them. I'm just saying, if this is

1236
00:52:19,800 --> 00:52:22,560
Speaker 5: a doc that he didn't want to say, he didn't

1237
00:52:22,600 --> 00:52:24,480
Speaker 5: want this to come out, he didn't, he doesn't. I

1238
00:52:24,520 --> 00:52:26,120
Speaker 5: don't know how I feel about paying to go to

1239
00:52:26,120 --> 00:52:27,000
Speaker 5: the theater to see it.

1240
00:52:27,280 --> 00:52:30,040
Speaker 6: See I feel like that would be in that that's

1241
00:52:30,160 --> 00:52:33,440
Speaker 6: you like being supportive of Kanye, Like, if Kanye was

1242
00:52:33,480 --> 00:52:37,400
Speaker 6: a good person, then I would maybe consider not spending

1243
00:52:37,400 --> 00:52:41,359
Speaker 6: my money for someone else to you know, get money

1244
00:52:41,400 --> 00:52:43,800
Speaker 6: off his back, like not.

1245
00:52:43,080 --> 00:52:45,839
Speaker 3: Not supporting that Kanye's a good person. But now.

1246
00:52:47,719 --> 00:52:49,759
Speaker 6: I don't know him personally, So let me say that

1247
00:52:49,800 --> 00:52:52,280
Speaker 6: from what I've seen, what I've been presented, the information

1248
00:52:52,360 --> 00:52:55,560
Speaker 6: that I have, no and I so I don't care

1249
00:52:55,600 --> 00:52:59,040
Speaker 6: about somebody like exploiting him, and I'm if it's entertaining

1250
00:52:59,040 --> 00:53:00,719
Speaker 6: to me, I'll go see it, like that's just me,

1251
00:53:00,800 --> 00:53:03,400
Speaker 6: be honest, he doesn't. I've seen him hop on the

1252
00:53:03,440 --> 00:53:06,880
Speaker 6: backs of other people's tragedy just because he knew that

1253
00:53:06,920 --> 00:53:09,200
Speaker 6: people were going to disagree about certain things and try

1254
00:53:09,200 --> 00:53:11,520
Speaker 6: to make money off it and be exploitive of it.

1255
00:53:11,600 --> 00:53:12,279
Speaker 3: So I don't care.

1256
00:53:12,520 --> 00:53:13,759
Speaker 4: Honestly, I respect that.

1257
00:53:14,000 --> 00:53:18,480
Speaker 2: Yeah, I mean, judging by what Wikipedia as as far

1258
00:53:18,480 --> 00:53:25,160
Speaker 2: as producers, director, this is just starring Kanye West. Yeah,

1259
00:53:25,200 --> 00:53:27,759
Speaker 2: directed by Nico, Produced by Nico, A bunch of other

1260
00:53:27,840 --> 00:53:29,960
Speaker 2: names added by Nico.

1261
00:53:30,120 --> 00:53:30,400
Speaker 4: Yeah this.

1262
00:53:32,000 --> 00:53:35,040
Speaker 5: Yeah, Kanye's not happy with this. I want to see

1263
00:53:35,040 --> 00:53:36,880
Speaker 5: those text messages he cursing somebody.

1264
00:53:36,960 --> 00:53:39,800
Speaker 2: But I mean that's see, that's where you get in

1265
00:53:39,880 --> 00:53:43,560
Speaker 2: trouble when you're an artist that just has someone following

1266
00:53:43,600 --> 00:53:47,399
Speaker 2: you around with a camera, because.

1267
00:53:47,520 --> 00:53:50,120
Speaker 4: We saw it with would like choke, no joke.

1268
00:53:51,120 --> 00:53:53,719
Speaker 2: If you have someone, you need to hire them every

1269
00:53:53,760 --> 00:53:56,359
Speaker 2: time they follow you once If you pay them, that's

1270
00:53:56,400 --> 00:53:56,880
Speaker 2: your footage.

1271
00:53:56,920 --> 00:53:59,120
Speaker 4: Now I'm paying you to film me. I own that.

1272
00:53:59,200 --> 00:54:01,479
Speaker 4: This is your fee too. If they're just walking around

1273
00:54:01,480 --> 00:54:02,759
Speaker 4: with the camera, now they own that shit. You don't

1274
00:54:02,760 --> 00:54:05,319
Speaker 4: think Kanye was saying them, Oh, I don't know, but.

1275
00:54:05,400 --> 00:54:08,920
Speaker 2: I if he had, if he could easily put this

1276
00:54:09,000 --> 00:54:10,839
Speaker 2: out this way, I.

1277
00:54:10,760 --> 00:54:12,919
Speaker 4: Can't see there was a place that there was payment

1278
00:54:13,040 --> 00:54:13,560
Speaker 4: or paperwork.

1279
00:54:16,680 --> 00:54:20,840
Speaker 5: Kanye had to be paying him three thousand hours of footage.

1280
00:54:22,400 --> 00:54:24,120
Speaker 5: Kanye had to be for you to have three thousand

1281
00:54:24,200 --> 00:54:27,600
Speaker 5: hours of footage or somebody I would guess that that artist.

1282
00:54:27,680 --> 00:54:29,279
Speaker 2: Then there needs to be a clear contract that I'm

1283
00:54:29,280 --> 00:54:31,399
Speaker 2: paying you and that I own whatever you.

1284
00:54:31,280 --> 00:54:35,160
Speaker 6: Shoot, or just buy the camera, right, it's not even

1285
00:54:35,160 --> 00:54:36,799
Speaker 6: about the camera. And you would buy the camera the

1286
00:54:36,800 --> 00:54:38,840
Speaker 6: memory card with me though, Yeah.

1287
00:54:38,680 --> 00:54:40,520
Speaker 5: Yeah, But if I own the camera and all of

1288
00:54:40,560 --> 00:54:44,640
Speaker 5: the shit with it, that's my shit. No true, yeah, true,

1289
00:54:44,680 --> 00:54:46,040
Speaker 5: But a lot of times you can't just take that

1290
00:54:46,040 --> 00:54:49,520
Speaker 5: footage from shit that I I got that's mine, Like

1291
00:54:49,560 --> 00:54:50,920
Speaker 5: you know what I'm saying, You can't just take that

1292
00:54:50,960 --> 00:54:53,560
Speaker 5: footage and because you recorded it. I owned the camera,

1293
00:54:53,640 --> 00:54:55,799
Speaker 5: owned a hard driver, own all of that shit, Like,

1294
00:54:56,040 --> 00:54:56,799
Speaker 5: you can't just take that.

1295
00:54:56,840 --> 00:54:58,280
Speaker 4: So I don't know. This is again.

1296
00:54:58,600 --> 00:55:01,720
Speaker 5: I'm pretty sure Kanye is on somebody's email or fucking

1297
00:55:01,760 --> 00:55:03,040
Speaker 5: text message is going crazy.

1298
00:55:04,200 --> 00:55:06,960
Speaker 2: I mean we got we got Kanye doc and Jay

1299
00:55:06,960 --> 00:55:10,360
Speaker 2: elect both on September nineteenth. I saw TikTok saying that

1300
00:55:10,400 --> 00:55:12,560
Speaker 2: Tuesday the rapture was coming. I mean, get your get

1301
00:55:12,600 --> 00:55:15,480
Speaker 2: your affairs in order, man, TikTok Kanye West is a

1302
00:55:15,480 --> 00:55:18,600
Speaker 2: whole documentary out. Jay ag is dropping albums at the end.

1303
00:55:18,480 --> 00:55:21,080
Speaker 4: Is near well called JA. He would know true. You

1304
00:55:21,120 --> 00:55:22,920
Speaker 4: know what, Tom? You know what Tom? The ships get

1305
00:55:22,920 --> 00:55:23,440
Speaker 4: here man.

1306
00:55:23,520 --> 00:55:25,560
Speaker 2: Last time, last time he dropped the album, COVID happened.

1307
00:55:25,320 --> 00:55:25,680
Speaker 4: The next time.

1308
00:55:25,719 --> 00:55:29,600
Speaker 5: Yeah, exactly exactly. So it's right on par, It's right

1309
00:55:29,640 --> 00:55:31,360
Speaker 5: on par. Let's see what fucking.

1310
00:55:31,200 --> 00:55:33,520
Speaker 4: World tragedy is coming Tuesday?

1311
00:55:34,320 --> 00:55:37,120
Speaker 2: Did you see that TikTok run the mayor specifically, because

1312
00:55:37,160 --> 00:55:39,640
Speaker 2: you're on there a lot that the rapture is coming

1313
00:55:40,000 --> 00:55:43,239
Speaker 2: ship as we know, as you're listening to as you're hearing.

1314
00:55:43,280 --> 00:55:44,640
Speaker 2: As a matter of fact, you may not have listened

1315
00:55:44,640 --> 00:55:46,000
Speaker 2: to this because you're in heaven.

1316
00:55:45,840 --> 00:55:47,200
Speaker 4: Unless they're playing us on the ship.

1317
00:55:47,600 --> 00:55:50,120
Speaker 6: I think I've heard something about Christian Christian talk was

1318
00:55:50,160 --> 00:55:52,680
Speaker 6: saying that the rapture is coming on Tuesday, right.

1319
00:55:52,719 --> 00:55:55,240
Speaker 4: Yeah, creating talk. Yeah, Okay.

1320
00:55:55,640 --> 00:55:58,640
Speaker 2: There was there was Christians selling their cars, which I

1321
00:55:58,640 --> 00:56:01,680
Speaker 2: didn't fully understand if the rap like you could just

1322
00:56:01,719 --> 00:56:04,759
Speaker 2: hold your car for a debt, like do you have

1323
00:56:04,800 --> 00:56:06,919
Speaker 2: plans that you sell it? And then for the next

1324
00:56:06,920 --> 00:56:11,920
Speaker 2: three hours like I'm gonna I'm like, if the raptors go,

1325
00:56:12,080 --> 00:56:13,719
Speaker 2: why do you even care? Why are you filling your

1326
00:56:13,920 --> 00:56:14,640
Speaker 2: cupboards with food?

1327
00:56:14,760 --> 00:56:15,000
Speaker 6: Oh?

1328
00:56:15,080 --> 00:56:16,760
Speaker 4: My god? They had.

1329
00:56:18,280 --> 00:56:20,319
Speaker 2: Some I think were fake, but there were real ones

1330
00:56:20,360 --> 00:56:22,839
Speaker 2: that weren't making fun of the rapture Tuesday, that were

1331
00:56:22,840 --> 00:56:25,960
Speaker 2: giving instructions on what to do once once you were

1332
00:56:26,040 --> 00:56:28,279
Speaker 2: gathered by the light. They were like, if you're scared

1333
00:56:28,280 --> 00:56:30,560
Speaker 2: of heights, don't look down at any point. Do not

1334
00:56:30,560 --> 00:56:33,640
Speaker 2: try to grab around you in the rapture because you

1335
00:56:33,640 --> 00:56:36,280
Speaker 2: don't want to put your hand outside of like whatever

1336
00:56:36,320 --> 00:56:38,319
Speaker 2: the beam of light that brings you up in. They

1337
00:56:38,320 --> 00:56:40,920
Speaker 2: were like, don't try to do any flips. But to me,

1338
00:56:40,960 --> 00:56:42,960
Speaker 2: if I if I start going up this way, which

1339
00:56:42,960 --> 00:56:45,680
Speaker 2: I'm probably not, probably go down, I would try.

1340
00:56:45,560 --> 00:56:48,239
Speaker 4: To do like a few flips. That'd be kind of fun.

1341
00:56:48,640 --> 00:56:54,440
Speaker 5: If somebody told you that, Okay, is it insensitive? Let

1342
00:56:54,480 --> 00:56:56,399
Speaker 5: me know, let me come on, baby, d chill, Why

1343
00:56:56,400 --> 00:56:58,440
Speaker 5: are you I'm trying to have a real conversation with you.

1344
00:56:58,520 --> 00:57:02,080
Speaker 4: No, you not that I am listen. Is it insensitive?

1345
00:57:03,600 --> 00:57:08,759
Speaker 5: If somebody is telling you that they're they're contemplating suicide, right,

1346
00:57:09,040 --> 00:57:11,239
Speaker 5: but they tell you like, yo, I gotta save up,

1347
00:57:11,640 --> 00:57:13,560
Speaker 5: I gotta pay my rent, and I gotta buy the gun.

1348
00:57:14,440 --> 00:57:15,879
Speaker 5: And I'm sitting there looking at them like.

1349
00:57:15,880 --> 00:57:18,640
Speaker 3: Now, that's probably why they want to kill themselfs Look

1350
00:57:18,680 --> 00:57:20,000
Speaker 3: what they gotta do. That's hard work.

1351
00:57:21,760 --> 00:57:23,440
Speaker 4: First of all. I'm not trying to be the sens

1352
00:57:23,480 --> 00:57:23,840
Speaker 4: of either.

1353
00:57:24,040 --> 00:57:26,280
Speaker 2: But well, I'm not paying my rent.

1354
00:57:26,280 --> 00:57:29,080
Speaker 4: If I'm killing myself, welcome to the party, baby, That's

1355
00:57:29,120 --> 00:57:32,400
Speaker 4: all I'm trying to So somebody's telling you, looking at

1356
00:57:32,440 --> 00:57:35,600
Speaker 4: them like what, like what are you even talking about?

1357
00:57:35,640 --> 00:57:37,680
Speaker 6: Like you got to pay you not saving up to

1358
00:57:37,680 --> 00:57:39,520
Speaker 6: buy the gun? Like I'm going to the field a gun.

1359
00:57:39,560 --> 00:57:43,120
Speaker 2: That's what's funny to me, Like you got to kill yourself,

1360
00:57:43,800 --> 00:57:48,640
Speaker 2: like putting your head down, buckling down, focusing, getting your

1361
00:57:48,680 --> 00:57:54,800
Speaker 2: responsibility together yourself Like that's like you're not like I

1362
00:57:54,840 --> 00:57:57,080
Speaker 2: really I want my kid to go to private school.

1363
00:57:57,120 --> 00:57:59,040
Speaker 2: I just got focus lock in the next two years.

1364
00:57:59,120 --> 00:58:01,160
Speaker 2: I'm just doing this, but like to do that to

1365
00:58:01,280 --> 00:58:03,000
Speaker 2: get like they.

1366
00:58:02,920 --> 00:58:04,800
Speaker 6: Would have said, like, I'm paying my mortgage off so

1367
00:58:04,840 --> 00:58:05,920
Speaker 6: my family got somewhere to live.

1368
00:58:05,960 --> 00:58:07,600
Speaker 3: That makes sense, but like paying right.

1369
00:58:07,800 --> 00:58:10,840
Speaker 2: Yo, if I'm so, it's not insensitive if I look

1370
00:58:10,840 --> 00:58:11,560
Speaker 2: at them like yo.

1371
00:58:11,480 --> 00:58:13,760
Speaker 4: What yes? All right? If you want to kill yourself.

1372
00:58:16,680 --> 00:58:19,400
Speaker 2: Uh, if you feel like you're going to pass away soon,

1373
00:58:19,600 --> 00:58:22,200
Speaker 2: go to a loan shark, get some money, buy what

1374
00:58:22,280 --> 00:58:22,600
Speaker 2: you want?

1375
00:58:22,720 --> 00:58:23,400
Speaker 4: So many and then.

1376
00:58:24,600 --> 00:58:26,840
Speaker 3: Where was where does one find a loan shark?

1377
00:58:26,880 --> 00:58:31,920
Speaker 6: Asking form, but like hypothetically, like if you need a

1378
00:58:31,960 --> 00:58:33,000
Speaker 6: loan shark, like, where would you go?

1379
00:58:33,000 --> 00:58:34,040
Speaker 3: Because I could never find him?

1380
00:58:34,480 --> 00:58:34,600
Speaker 6: Uh?

1381
00:58:34,880 --> 00:58:39,080
Speaker 4: Do you know where people gamble? Okay, that would be

1382
00:58:39,120 --> 00:58:39,720
Speaker 4: a good start.

1383
00:58:40,200 --> 00:58:43,000
Speaker 2: If you know somebody that's heavily in the gambling, they

1384
00:58:43,000 --> 00:58:45,680
Speaker 2: may be your six degrees of separation to get to

1385
00:58:45,760 --> 00:58:48,800
Speaker 2: a possible They know a guy because they've needed him before.

1386
00:58:50,640 --> 00:58:52,200
Speaker 4: Yeah, they know a guy. They know a guy. They

1387
00:58:52,240 --> 00:58:53,400
Speaker 4: know a guy. I know a guy.

1388
00:58:53,920 --> 00:58:56,840
Speaker 2: They know a god and oh a god and the

1389
00:58:56,880 --> 00:58:59,919
Speaker 2: gods looking for them, but he's probably a terrible refer.

1390
00:59:00,320 --> 00:59:02,400
Speaker 4: Yeah, like if he co signs you, I know the

1391
00:59:02,440 --> 00:59:03,120
Speaker 4: loan shark and be.

1392
00:59:03,080 --> 00:59:05,400
Speaker 5: Like yeah, yeah, like he might not give you nothing,

1393
00:59:05,440 --> 00:59:08,160
Speaker 5: but yeah, all right, why you need a loan shark.

1394
00:59:09,000 --> 00:59:09,760
Speaker 4: I'll be a loan shock.

1395
00:59:09,840 --> 00:59:10,960
Speaker 3: So what makes them the shark?

1396
00:59:11,200 --> 00:59:11,280
Speaker 2: Like?

1397
00:59:11,320 --> 00:59:11,919
Speaker 3: What's the shark?

1398
00:59:11,960 --> 00:59:13,520
Speaker 4: You don't want to find out.

1399
00:59:15,440 --> 00:59:15,600
Speaker 6: Though?

1400
00:59:15,600 --> 00:59:19,600
Speaker 2: With loan sharking, Like, obviously loan sharking is not always

1401
00:59:19,640 --> 00:59:21,600
Speaker 2: for gambling, but it is a major part of it.

1402
00:59:21,800 --> 00:59:24,760
Speaker 2: Now that gambling is a legal insert ad because we

1403
00:59:24,800 --> 00:59:29,160
Speaker 2: love hard rock. Now that gambling is legal and weed

1404
00:59:29,280 --> 00:59:32,720
Speaker 2: is legal, wouldn't loan sharkings start to follow?

1405
00:59:32,760 --> 00:59:33,200
Speaker 4: Logically?

1406
00:59:33,280 --> 00:59:35,760
Speaker 2: Obviously it's what the banks do, so we would never

1407
00:59:35,880 --> 00:59:40,880
Speaker 2: be legal. But how the fuck is gambling legal now

1408
00:59:40,960 --> 00:59:42,080
Speaker 2: and loan.

1409
00:59:41,920 --> 00:59:45,280
Speaker 4: Sharking because they can't pay taxes on it.

1410
00:59:46,640 --> 00:59:48,320
Speaker 2: I can't do a loan and pay some taxes on it.

1411
00:59:48,640 --> 00:59:51,840
Speaker 2: I'll cut in JP Morgan, you can get half my fig.

1412
00:59:51,720 --> 00:59:52,120
Speaker 4: I don't know.

1413
00:59:52,600 --> 00:59:54,360
Speaker 5: No, it's a loan shock if I'm lending you money

1414
00:59:54,400 --> 00:59:55,840
Speaker 5: and you got to obviously got They just do that

1415
00:59:55,960 --> 00:59:56,840
Speaker 5: with interest on it.

1416
00:59:56,880 --> 00:59:58,480
Speaker 2: They do it at a better rate than the banks,

1417
00:59:58,920 --> 01:00:01,320
Speaker 2: and you don't need to get the whole background, of course.

1418
01:00:01,360 --> 01:00:04,520
Speaker 2: But I know why it's illegal. But I'm saying I

1419
01:00:04,600 --> 01:00:06,080
Speaker 2: understood why gambling was illegal.

1420
01:00:06,440 --> 01:00:10,840
Speaker 4: I understood, I text because a hard rock is.

1421
01:00:10,840 --> 01:00:16,680
Speaker 5: Amazing, exactly exactly, all right, well, shit, tax my big

1422
01:00:17,360 --> 01:00:18,360
Speaker 5: But no, there's also.

1423
01:00:18,120 --> 01:00:20,440
Speaker 6: Stuff that comes with loan sharking, right that would not

1424
01:00:20,520 --> 01:00:22,800
Speaker 6: be legal in any way, shape or form. Like that's

1425
01:00:22,800 --> 01:00:24,919
Speaker 6: the part of the like I can run from Chase

1426
01:00:24,960 --> 01:00:28,120
Speaker 6: Morgan like I can run for life, right, you can't.

1427
01:00:28,760 --> 01:00:30,600
Speaker 3: Yeah, I can't hide, but the loan show.

1428
01:00:30,440 --> 01:00:31,800
Speaker 4: You can run, but you can't hide.

1429
01:00:33,080 --> 01:00:37,280
Speaker 2: Nah if I owe, If I owe my mortgage to

1430
01:00:37,400 --> 01:00:41,120
Speaker 2: a bank and they're doing a foreclosure, I'd rather take

1431
01:00:41,120 --> 01:00:42,600
Speaker 2: an ass whooping and buy me another week.

1432
01:00:43,400 --> 01:00:47,600
Speaker 4: For sure, Absolutely I would too. Definitely.

1433
01:00:47,640 --> 01:00:49,640
Speaker 2: If that'll buy me another week, you send a message

1434
01:00:50,120 --> 01:00:52,120
Speaker 2: break my legs, I will wheelchair my ass to go

1435
01:00:52,160 --> 01:00:55,320
Speaker 2: get your money, like JV. Morgan will take my life away.

1436
01:00:55,360 --> 01:00:57,920
Speaker 2: I'll never be able to get another loan. My credit

1437
01:00:57,960 --> 01:01:00,240
Speaker 2: will be fucked. I can't even get a bank count.

1438
01:01:00,320 --> 01:01:03,000
Speaker 2: Like you definitely want to bet that's killing.

1439
01:01:02,760 --> 01:01:05,240
Speaker 4: Somebody while they're alive. When the bank takes that's a

1440
01:01:05,280 --> 01:01:07,920
Speaker 4: slow death, right, Yeah, just beat me up. I got you.

1441
01:01:07,960 --> 01:01:10,640
Speaker 4: I just need two more weeks. Yeah you can every morning.

1442
01:01:12,800 --> 01:01:15,600
Speaker 4: That's my payment. I'm gonna get you your money. Don't

1443
01:01:15,640 --> 01:01:18,240
Speaker 4: ruin my life. Punch me in my face every more.

1444
01:01:21,680 --> 01:01:23,200
Speaker 2: Yeah, come on, come on, just get over. I gotta

1445
01:01:23,240 --> 01:01:26,280
Speaker 2: catch the train. I'm on my way to work. This

1446
01:01:26,400 --> 01:01:29,640
Speaker 2: eye is about to shut. Could you at least to

1447
01:01:29,680 --> 01:01:31,360
Speaker 2: get your money? I need at least one eye open.

1448
01:01:32,480 --> 01:01:35,000
Speaker 2: I can't get your money if I can't see, sir. Yeah,

1449
01:01:35,680 --> 01:01:38,240
Speaker 2: leave me one eye. But nah, I mean, I hope

1450
01:01:38,480 --> 01:01:40,800
Speaker 2: knock on what I never have to go to a

1451
01:01:40,840 --> 01:01:43,400
Speaker 2: loan shark because that's you fucking yourself over.

1452
01:01:43,840 --> 01:01:46,480
Speaker 6: What's the form of torture you guys are most afraid of?

1453
01:01:46,520 --> 01:01:49,200
Speaker 6: Like when you like are afraid of getting torture? Like,

1454
01:01:49,240 --> 01:01:51,400
Speaker 6: what's the form of torture you're most afraid of? Like

1455
01:01:51,400 --> 01:01:53,320
Speaker 6: I'm afraid of getting punched in my nose and of

1456
01:01:53,360 --> 01:01:54,880
Speaker 6: happing my fingernails ripped out.

1457
01:01:55,480 --> 01:01:58,320
Speaker 4: Oh yeah, afraid again punching your nose.

1458
01:01:58,160 --> 01:02:00,320
Speaker 6: And my nose. I've been punched in my face. I've

1459
01:02:00,320 --> 01:02:01,760
Speaker 6: been punched in my nose. That's why I know to

1460
01:02:01,760 --> 01:02:04,520
Speaker 6: be afraid of it. Getting punched directly square dead in

1461
01:02:04,600 --> 01:02:06,560
Speaker 6: your nose that ship is that?

1462
01:02:06,800 --> 01:02:08,480
Speaker 4: I mean, it hurts. I'm not afraid. I wouldn't say

1463
01:02:08,480 --> 01:02:09,120
Speaker 4: I'm afraid of it.

1464
01:02:09,200 --> 01:02:11,120
Speaker 3: That's not that's one of my biggest fears.

1465
01:02:12,880 --> 01:02:14,800
Speaker 6: You ain't like you ain't really got punched in your

1466
01:02:14,840 --> 01:02:16,880
Speaker 6: nose well enough for you to understand that.

1467
01:02:16,800 --> 01:02:20,040
Speaker 4: Pain when you get I thought my ship was broke.

1468
01:02:20,120 --> 01:02:21,560
Speaker 4: I definitely got pointed that ship.

1469
01:02:22,240 --> 01:02:23,959
Speaker 3: Nah, I'm cool, I'm cool.

1470
01:02:23,960 --> 01:02:26,320
Speaker 4: It's that weird smell too, you know, I smell when

1471
01:02:26,320 --> 01:02:27,040
Speaker 4: you get punched in the nose.

1472
01:02:27,080 --> 01:02:28,560
Speaker 3: It's like you could smell everything I want.

1473
01:02:29,760 --> 01:02:33,439
Speaker 4: You smell your baby shoo shoes. It's like a smell.

1474
01:02:33,440 --> 01:02:35,800
Speaker 2: I can't even explain. I've never smelled a smell similar

1475
01:02:35,800 --> 01:02:36,080
Speaker 2: to that.

1476
01:02:36,880 --> 01:02:38,800
Speaker 5: You start smelling everything you ever smelled in your life,

1477
01:02:38,800 --> 01:02:40,840
Speaker 5: and you think that's the last time you're gonna smell something.

1478
01:02:41,240 --> 01:02:43,560
Speaker 4: You should go numb right after that. Fingernails.

1479
01:02:43,560 --> 01:02:45,040
Speaker 2: I never thought about that, but that would make my

1480
01:02:45,360 --> 01:02:49,200
Speaker 2: getting my fingernails. Getting your teeth pulled that, oh god,

1481
01:02:49,280 --> 01:02:52,960
Speaker 2: that would I would give it up. What information you need?

1482
01:02:55,120 --> 01:02:59,280
Speaker 5: I don't know about your teeth pulled. It's crazy nails

1483
01:02:59,280 --> 01:03:01,800
Speaker 5: pulled out. It's probably worse. Then they call it a h.

1484
01:03:03,400 --> 01:03:05,840
Speaker 3: They call it like a some type of manicare what

1485
01:03:05,920 --> 01:03:06,400
Speaker 3: is it called.

1486
01:03:06,440 --> 01:03:09,240
Speaker 4: The Mexican manicure or Russian manic No, not a Russian.

1487
01:03:09,240 --> 01:03:11,480
Speaker 4: It's like a uh. They probably don't do it Mexican

1488
01:03:11,480 --> 01:03:17,320
Speaker 4: and Columbia, Columbia, anywhere anywhere with the cartel they call that.

1489
01:03:17,360 --> 01:03:20,240
Speaker 2: What's the movie with Jamie Fox where he's the prosecutor.

1490
01:03:21,400 --> 01:03:25,280
Speaker 4: It's a great, great movie. There's a guy that his family.

1491
01:03:25,600 --> 01:03:29,280
Speaker 2: Two guys rob his family and kill his daughter and wife,

1492
01:03:29,720 --> 01:03:33,000
Speaker 2: and he like happens to be like law abiding citizens.

1493
01:03:33,440 --> 01:03:33,600
Speaker 4: Yo.

1494
01:03:34,120 --> 01:03:37,040
Speaker 2: He these two guys picked the wrong family to try

1495
01:03:37,040 --> 01:03:39,280
Speaker 2: to rob. This guy like works for the CIA and

1496
01:03:39,320 --> 01:03:42,880
Speaker 2: put together all these intricate ways to kill people and

1497
01:03:42,920 --> 01:03:46,240
Speaker 2: the torture people. These two dumb asses picked that house,

1498
01:03:46,400 --> 01:03:49,840
Speaker 2: killed his wife and daughter. He puts a plan together

1499
01:03:49,840 --> 01:03:52,400
Speaker 2: for like ten years. Because Jamie Fox, as a prosecutor,

1500
01:03:52,760 --> 01:03:54,440
Speaker 2: does a plea deal with one of the guys and

1501
01:03:54,480 --> 01:03:58,880
Speaker 2: he gets out. Yeah, So he takes a puffer fish

1502
01:03:59,240 --> 01:04:01,480
Speaker 2: and puts it on the inside of a gun with

1503
01:04:01,560 --> 01:04:01,920
Speaker 2: a handle.

1504
01:04:01,960 --> 01:04:04,520
Speaker 4: So when he pulled the trigger, the puffer fish poison

1505
01:04:04,600 --> 01:04:05,320
Speaker 4: comes out.

1506
01:04:05,400 --> 01:04:07,560
Speaker 2: So the guy that killed his wife and daughter pulls

1507
01:04:07,600 --> 01:04:10,280
Speaker 2: the trigger and he gets into this numb whatever puffer

1508
01:04:10,320 --> 01:04:13,360
Speaker 2: fish do, like it paralyzes you, but you can feel everything.

1509
01:04:14,040 --> 01:04:18,000
Speaker 2: He then cuts the eyelids off of this guy, puts

1510
01:04:18,040 --> 01:04:20,480
Speaker 2: him in one of those like surgical things with a

1511
01:04:20,520 --> 01:04:24,320
Speaker 2: mirror on top, so he has to watch himself. He

1512
01:04:24,400 --> 01:04:27,320
Speaker 2: goes from like limb to limb and just tears him

1513
01:04:27,320 --> 01:04:30,520
Speaker 2: apart and then keeps giving him adrenaline and cocaine so

1514
01:04:30,600 --> 01:04:32,520
Speaker 2: he stays up and can't pass out.

1515
01:04:32,680 --> 01:04:35,280
Speaker 4: So this guy watched himself just beat the tears.

1516
01:04:35,280 --> 01:04:39,520
Speaker 5: Well, that's a well thought out, like Christ, not a

1517
01:04:39,600 --> 01:04:43,600
Speaker 5: crazy shit is when they video of them dumping the

1518
01:04:43,720 --> 01:04:47,200
Speaker 5: dude in the water in the ocean that stole that

1519
01:04:47,280 --> 01:04:50,440
Speaker 5: ran off with the the work from the cartel and

1520
01:04:50,520 --> 01:04:52,760
Speaker 5: they caught him.

1521
01:04:51,880 --> 01:04:53,560
Speaker 4: That was crazy. I like them.

1522
01:04:54,160 --> 01:04:57,320
Speaker 5: Imagine like you getting there, they're preparing to dump you

1523
01:04:57,360 --> 01:05:00,920
Speaker 5: into the ocean, and he just laying in handcuffed and

1524
01:05:00,960 --> 01:05:02,960
Speaker 5: you know it, They're about to throw me over with

1525
01:05:03,080 --> 01:05:07,000
Speaker 5: this big ass cement block attached to my feet, like

1526
01:05:07,000 --> 01:05:10,160
Speaker 5: and I'm gonna just like drown. That's not like you

1527
01:05:10,600 --> 01:05:12,439
Speaker 5: literally like he was way too calm for me, because

1528
01:05:12,440 --> 01:05:14,160
Speaker 5: I would have been I'm taking a few of you

1529
01:05:14,280 --> 01:05:14,880
Speaker 5: niggas with me.

1530
01:05:16,680 --> 01:05:18,840
Speaker 4: He's just laying there like, yo, I'm holding on you,

1531
01:05:20,520 --> 01:05:21,040
Speaker 4: not like.

1532
01:05:21,000 --> 01:05:23,600
Speaker 5: I'm taking somebody's coming overboard with me, like y'all gonna

1533
01:05:23,600 --> 01:05:25,160
Speaker 5: have to shoot me before I'm.

1534
01:05:24,720 --> 01:05:26,760
Speaker 4: Getting this death grip on somebody. And it's like, yo,

1535
01:05:26,920 --> 01:05:27,720
Speaker 4: kill me. I'm not.

1536
01:05:27,760 --> 01:05:30,600
Speaker 5: You're not throwing me overboard while I'm alive, and I'm

1537
01:05:30,640 --> 01:05:32,520
Speaker 5: just like just waiting to pass out and drown like

1538
01:05:32,560 --> 01:05:35,120
Speaker 5: that was watching. That was crazy. That was one of

1539
01:05:35,160 --> 01:05:38,320
Speaker 5: the craziest like torture things I think I've seen, well

1540
01:05:38,320 --> 01:05:40,320
Speaker 5: I've heard obviously not from a real, real source.

1541
01:05:40,720 --> 01:05:43,920
Speaker 2: Drowning is the most peaceful way to die though, because eventually,

1542
01:05:43,960 --> 01:05:46,520
Speaker 2: after the you know, the chaos of you trying to

1543
01:05:46,560 --> 01:05:50,160
Speaker 2: find air, your your brain loses oxygen and you're not dead,

1544
01:05:50,480 --> 01:05:53,360
Speaker 2: but you go into a zen state where where it

1545
01:05:53,480 --> 01:05:55,400
Speaker 2: is a very common way to go out.

1546
01:05:55,560 --> 01:05:58,160
Speaker 4: But like all the struggle stops at one point.

1547
01:05:57,760 --> 01:06:00,000
Speaker 3: You're gonna have like a good like minute of hell, though,

1548
01:06:00,200 --> 01:06:02,040
Speaker 3: like a good minute.

1549
01:06:01,720 --> 01:06:05,720
Speaker 2: Of hell, honestly, shit, even the weakest human body probably

1550
01:06:05,760 --> 01:06:08,520
Speaker 2: more than a minute, to be quite honest, Your body

1551
01:06:08,560 --> 01:06:11,920
Speaker 2: is gonna fight no matter who you are. And yeah,

1552
01:06:11,920 --> 01:06:14,400
Speaker 2: that's probably what you We couldn't hold our breath for

1553
01:06:14,400 --> 01:06:16,280
Speaker 2: a minute if we tried now, But if we had

1554
01:06:16,280 --> 01:06:17,680
Speaker 2: no choice, our body could do it.

1555
01:06:17,840 --> 01:06:19,760
Speaker 4: You can't hold your breath for a minute. Maybe I could.

1556
01:06:19,920 --> 01:06:20,880
Speaker 4: I haven't tried to do like.

1557
01:06:21,160 --> 01:06:22,880
Speaker 5: I got like twenty seconds in me. I'll smoke too,

1558
01:06:22,920 --> 01:06:25,320
Speaker 5: my Hookah, twenty seconds. You can only hold your breath

1559
01:06:25,360 --> 01:06:30,800
Speaker 5: for twenty seconds. Yeah, how y'all gotta work on y'all lungs.

1560
01:06:30,800 --> 01:06:30,960
Speaker 4: Man.

1561
01:06:31,000 --> 01:06:34,920
Speaker 5: Twenty seconds is crazy. That's not even a commercial. You

1562
01:06:34,960 --> 01:06:36,680
Speaker 5: can't hold your breath more than twenty seconds.

1563
01:06:36,720 --> 01:06:38,640
Speaker 6: All right, We're gonna keep hot, and I'm gonna let

1564
01:06:38,680 --> 01:06:40,160
Speaker 6: y'all talk, and I'm gonna try to hold my breath

1565
01:06:40,200 --> 01:06:41,400
Speaker 6: and we're gonna see how long I ago.

1566
01:06:41,640 --> 01:06:44,680
Speaker 2: But p's just uh when we say go putting the

1567
01:06:44,720 --> 01:06:47,440
Speaker 2: lower third a clock count.

1568
01:06:48,360 --> 01:06:49,840
Speaker 4: Nah, I would shut the marath for me. Over there,

1569
01:06:49,840 --> 01:06:52,480
Speaker 4: sneak breathing. Peach has the headphones on.

1570
01:06:52,520 --> 01:06:55,640
Speaker 2: He can he can hear put pause, put up your mouth,

1571
01:06:56,320 --> 01:06:57,160
Speaker 2: nostrils slaring up.

1572
01:06:57,400 --> 01:06:59,120
Speaker 3: Let me know when we're starting breath through?

1573
01:06:59,120 --> 01:07:00,880
Speaker 4: He is you're ready even.

1574
01:07:02,240 --> 01:07:04,680
Speaker 6: I'm gonna I'm gonna start at sixty six thirty, which

1575
01:07:04,720 --> 01:07:06,479
Speaker 6: because we have that clock in front of it.

1576
01:07:07,240 --> 01:07:09,520
Speaker 4: I'm not believing with the virus, I'm really not gonna doing.

1577
01:07:09,600 --> 01:07:11,520
Speaker 4: He'll be able to hear in the mic if she breathes.

1578
01:07:11,400 --> 01:07:13,960
Speaker 3: He oh yeah, peach, well yeah, peach everything.

1579
01:07:14,080 --> 01:07:15,240
Speaker 4: No, the marage got them a little.

1580
01:07:15,040 --> 01:07:16,560
Speaker 3: Note jock here, y'all gotta keep potting.

1581
01:07:16,720 --> 01:07:18,000
Speaker 2: So now we're definitely going to It's not gonna be

1582
01:07:18,080 --> 01:07:19,240
Speaker 2: silent for the ten seconds.

1583
01:07:19,840 --> 01:07:23,240
Speaker 4: I'm gonna be looking at you, just talking yo. Just

1584
01:07:23,400 --> 01:07:24,760
Speaker 4: she didn't even take a breath before she.

1585
01:07:24,760 --> 01:07:28,040
Speaker 5: Is that was that's gonna be suld have went yeah,

1586
01:07:28,160 --> 01:07:29,640
Speaker 5: something that's less than twenty seconds.

1587
01:07:29,760 --> 01:07:30,320
Speaker 4: Yeah, I don't know.

1588
01:07:30,240 --> 01:07:33,840
Speaker 2: Where we're at either way. Anything that has to do

1589
01:07:33,920 --> 01:07:35,280
Speaker 2: with fire I'm terrified of.

1590
01:07:35,520 --> 01:07:39,840
Speaker 4: Yeah, she queeth and breathing through up. You can't make

1591
01:07:39,840 --> 01:07:40,200
Speaker 4: a laugh.

1592
01:07:43,040 --> 01:07:47,280
Speaker 2: She definitely Have you ever heard a girl uh with

1593
01:07:47,560 --> 01:07:49,120
Speaker 2: free girls talk about the when they suck it date

1594
01:07:49,160 --> 01:07:50,080
Speaker 2: they breathe through their ears.

1595
01:07:50,200 --> 01:07:54,520
Speaker 4: I love those types, he said. I love those They

1596
01:07:54,520 --> 01:07:56,280
Speaker 4: tweeted it like that. I follow them.

1597
01:07:58,160 --> 01:08:02,200
Speaker 2: Look at this renegade. As soon as I see them.

1598
01:08:02,080 --> 01:08:03,680
Speaker 5: Tweet like shit like that, I'm like, let me follow

1599
01:08:03,720 --> 01:08:06,200
Speaker 5: her because she's giving out some scriptures.

1600
01:08:06,520 --> 01:08:09,760
Speaker 2: Absolutely, I honestly feel like Damarus is definitely breathed.

1601
01:08:09,880 --> 01:08:11,000
Speaker 4: She breathed through her nose.

1602
01:08:11,040 --> 01:08:12,280
Speaker 2: You know. You know the kids when you do the

1603
01:08:12,440 --> 01:08:13,800
Speaker 2: when you're in the pool when you were younger and

1604
01:08:13,840 --> 01:08:15,560
Speaker 2: went underwater, and then one kid would like pop his

1605
01:08:15,600 --> 01:08:17,280
Speaker 2: head up and wait to spree and then come back there.

1606
01:08:17,400 --> 01:08:19,840
Speaker 4: Yeah, that's what she's doing, right. Yeah, what was that?

1607
01:08:20,600 --> 01:08:23,639
Speaker 4: Fifty four seconds? Oh yeah, see, oh that's not bad. Yeah,

1608
01:08:23,720 --> 01:08:25,600
Speaker 4: fifty four seconds ain't bad. Baby. Did you get to

1609
01:08:25,600 --> 01:08:26,240
Speaker 4: hang with a cartel?

1610
01:08:26,280 --> 01:08:26,599
Speaker 3: And I don't.

1611
01:08:26,640 --> 01:08:28,840
Speaker 6: I haven't even practiced for real. So and if more

1612
01:08:29,120 --> 01:08:31,320
Speaker 6: wasn't making me laugh, I probably could have got another

1613
01:08:31,360 --> 01:08:33,280
Speaker 6: thirty seconds then, but mal was really about to make

1614
01:08:33,320 --> 01:08:33,759
Speaker 6: me laugh.

1615
01:08:34,400 --> 01:08:36,479
Speaker 5: I helped my breath so long one down was passed out.

1616
01:08:37,720 --> 01:08:39,640
Speaker 5: You know, you could just start breathing nah like was

1617
01:08:39,720 --> 01:08:41,720
Speaker 5: it was like it was like a bet. It was

1618
01:08:41,760 --> 01:08:43,719
Speaker 5: like two hundred dollars. So I was like, all right,

1619
01:08:44,600 --> 01:08:46,320
Speaker 5: I started getting lightheaded. I said, man, fuck that two

1620
01:08:46,360 --> 01:08:48,080
Speaker 5: hundred ills. My home boy held his breath almost like

1621
01:08:48,120 --> 01:08:51,719
Speaker 5: two minutes. Some crazy shit. I think that's crazy holding

1622
01:08:51,720 --> 01:08:52,639
Speaker 5: your breath for two minutes.

1623
01:08:54,160 --> 01:08:54,600
Speaker 3: I could do it.

1624
01:08:54,600 --> 01:08:56,479
Speaker 4: I think I could do it though, two minutes no way.

1625
01:08:57,240 --> 01:08:59,400
Speaker 2: Also, just like blocking oxygen to your brain. I don't

1626
01:08:59,400 --> 01:09:00,719
Speaker 2: know if that's like the strategy.

1627
01:09:00,960 --> 01:09:03,479
Speaker 5: Not too many ain't gonna do nothing to you. I

1628
01:09:03,520 --> 01:09:06,720
Speaker 5: don't know, man, well you you kind of already.

1629
01:09:09,200 --> 01:09:09,360
Speaker 6: Could.

1630
01:09:09,439 --> 01:09:12,040
Speaker 2: Usually like that's how people end up as vegetables because

1631
01:09:12,040 --> 01:09:12,840
Speaker 2: they blocked.

1632
01:09:15,479 --> 01:09:17,920
Speaker 4: Vegetable. No, of course not. But I'm just saying that's

1633
01:09:18,280 --> 01:09:19,120
Speaker 4: a bad thing too.

1634
01:09:19,680 --> 01:09:23,280
Speaker 2: Yeah block oxeah. Who's the writer of Too Fast, Too Furious?

1635
01:09:23,320 --> 01:09:25,040
Speaker 2: Because they have a sick mind. One of the scariest

1636
01:09:25,040 --> 01:09:27,800
Speaker 2: tortures I've ever seen was when they lay that guy

1637
01:09:27,840 --> 01:09:31,400
Speaker 2: down in the club and uh put a rat on

1638
01:09:31,439 --> 01:09:33,920
Speaker 2: his stomach and then cover the rat and then start

1639
01:09:33,960 --> 01:09:36,960
Speaker 2: putting a fire on whatever's covering it, because the theory

1640
01:09:37,080 --> 01:09:38,799
Speaker 2: was that the rat can only.

1641
01:09:38,560 --> 01:09:40,200
Speaker 4: Go down his way through your stomach.

1642
01:09:43,640 --> 01:09:45,920
Speaker 2: Johnson, John Single, he was a director. Did you write

1643
01:09:45,920 --> 01:09:49,160
Speaker 2: that John Singleton did Too Fast, Too Furious?

1644
01:09:49,600 --> 01:09:58,000
Speaker 4: That's crazy. I never knew that. Yeah. Yeah, y'all are sick.

1645
01:09:58,560 --> 01:09:59,920
Speaker 4: I want to know the inspiration for that.

1646
01:10:00,439 --> 01:10:02,240
Speaker 5: There's another Fast and Furies coming out right?

1647
01:10:03,840 --> 01:10:07,400
Speaker 4: Yeah? Yeah, y'all y'all acting like this shit ain't gonna

1648
01:10:07,479 --> 01:10:07,840
Speaker 4: keep going.

1649
01:10:08,520 --> 01:10:11,200
Speaker 6: No, I knew they had a they had a contract

1650
01:10:11,200 --> 01:10:11,599
Speaker 6: for ten.

1651
01:10:11,680 --> 01:10:12,599
Speaker 3: Which one is coming out?

1652
01:10:12,640 --> 01:10:16,320
Speaker 4: Is it ten? Or is it na? We passed ten? Baby, Yeah,

1653
01:10:16,360 --> 01:10:17,960
Speaker 4: we passed ten. I think this is past ten.

1654
01:10:18,600 --> 01:10:22,360
Speaker 6: It's like eleven, right because they said it, They said

1655
01:10:22,360 --> 01:10:24,120
Speaker 6: a number eight niggas was going to space or something,

1656
01:10:24,120 --> 01:10:24,920
Speaker 6: and I just I.

1657
01:10:27,840 --> 01:10:33,599
Speaker 4: Eleven. You didn't believe Ludacris could go to space. Eleven

1658
01:10:33,680 --> 01:10:34,160
Speaker 4: is nuts?

1659
01:10:36,280 --> 01:10:43,640
Speaker 2: Damn joy rule, Yeah, damn job.

1660
01:10:45,520 --> 01:10:47,040
Speaker 6: That's how I feel when I was when I seeing

1661
01:10:47,040 --> 01:10:51,719
Speaker 6: that Terrence Howard Fumble fucking being like Iron Man's best friend.

1662
01:10:51,800 --> 01:10:53,200
Speaker 3: Like it's like, god, damn y'all.

1663
01:10:53,400 --> 01:10:54,680
Speaker 4: Oh, I don't even know about that.

1664
01:10:55,120 --> 01:10:56,519
Speaker 6: He was in the first one, and then I guess

1665
01:10:56,560 --> 01:10:58,040
Speaker 6: they weren't trying to pay him enough.

1666
01:10:58,280 --> 01:11:00,679
Speaker 4: So how was in the first one iron Man?

1667
01:11:01,439 --> 01:11:02,040
Speaker 3: He was roady?

1668
01:11:03,600 --> 01:11:07,000
Speaker 4: Damn Yeah. How long ago the first Iron Man come out?

1669
01:11:07,120 --> 01:11:09,960
Speaker 4: I had no idea, like fucking twenty years ago? Yeah

1670
01:11:09,960 --> 01:11:11,320
Speaker 4: that was long. That was a while ago.

1671
01:11:11,520 --> 01:11:15,440
Speaker 2: Yeah, So how are they going to do this without

1672
01:11:15,800 --> 01:11:16,400
Speaker 2: Paul Walker?

1673
01:11:16,720 --> 01:11:19,120
Speaker 4: How many of they done without Paul? Like three without

1674
01:11:19,160 --> 01:11:19,839
Speaker 4: Paul Walker?

1675
01:11:20,400 --> 01:11:24,200
Speaker 2: Like they like Jamar said, I clocked out a while ago.

1676
01:11:24,439 --> 01:11:26,519
Speaker 4: No, they had like three yeah, they probably got like

1677
01:11:26,560 --> 01:11:27,360
Speaker 4: three without I.

1678
01:11:27,360 --> 01:11:28,840
Speaker 2: Watched the one that they had to finish it with.

1679
01:11:28,920 --> 01:11:31,320
Speaker 2: His brother says, like a that was seven. So seven

1680
01:11:31,439 --> 01:11:33,760
Speaker 2: was the last one I saw as whis Khalifa was

1681
01:11:33,840 --> 01:11:34,760
Speaker 2: closing the movie out.

1682
01:11:35,320 --> 01:11:37,680
Speaker 4: Yeah, as I was crying during the credits. I was

1683
01:11:38,040 --> 01:11:38,960
Speaker 4: twenty fifteen.

1684
01:11:39,080 --> 01:11:41,360
Speaker 3: Oh I booth fucking who Yeah, I was sixteen. Yeah,

1685
01:11:41,680 --> 01:11:45,280
Speaker 3: the top of twenty sixteen had to be twenty fifteen. Yeah.

1686
01:11:45,840 --> 01:11:47,240
Speaker 5: Yeah, because I went to the theater and saw that.

1687
01:11:48,560 --> 01:11:51,080
Speaker 5: I remember because it was a theater with the seats move,

1688
01:11:51,160 --> 01:11:52,080
Speaker 5: and I said, never again.

1689
01:11:53,160 --> 01:11:55,960
Speaker 4: I didn't need all that. Watching the movie. It's fucking

1690
01:11:56,040 --> 01:11:57,040
Speaker 4: nauseous and shit.

1691
01:11:56,880 --> 01:11:58,000
Speaker 3: I've never been to one of those.

1692
01:11:58,280 --> 01:12:00,400
Speaker 4: Don't ever go to none of those. Really, that ship

1693
01:12:00,479 --> 01:12:02,200
Speaker 4: was terrible. Wait so you felt like you was in

1694
01:12:02,320 --> 01:12:02,559
Speaker 4: the car.

1695
01:12:02,880 --> 01:12:06,040
Speaker 5: Yeah, it starts moving, it starts vibrating this ship. I'm

1696
01:12:06,040 --> 01:12:07,720
Speaker 5: trying to eat my pop. I'm like, nah, this ship.

1697
01:12:09,439 --> 01:12:11,200
Speaker 5: And then you're looking around in the other seats like

1698
01:12:11,240 --> 01:12:12,800
Speaker 5: it ain't no regular seats to it, Like, I just

1699
01:12:12,880 --> 01:12:13,719
Speaker 5: want to watch the movie.

1700
01:12:14,640 --> 01:12:15,679
Speaker 3: The mall tip around.

1701
01:12:15,840 --> 01:12:19,200
Speaker 5: I didn't know, but we didn't know, Like, you know,

1702
01:12:19,240 --> 01:12:21,080
Speaker 5: they start saying in the I max three d all

1703
01:12:21,120 --> 01:12:23,040
Speaker 5: this other ship. I'm like, man, what time the movie starts.

1704
01:12:23,040 --> 01:12:24,360
Speaker 5: I'm old school nigga, y know what time of the

1705
01:12:24,360 --> 01:12:28,880
Speaker 5: movie starts. I'm not looking at imax all this other ship. Well,

1706
01:12:28,920 --> 01:12:31,719
Speaker 5: we sit down, but I'm just thinking it's the base

1707
01:12:31,960 --> 01:12:35,719
Speaker 5: at first, because the chair is vibrating. So I'm like, damn,

1708
01:12:35,880 --> 01:12:38,960
Speaker 5: like this sounds just some crazy yo. When this ship

1709
01:12:39,000 --> 01:12:41,160
Speaker 5: started leaning the chair and I was like, oh no, no,

1710
01:12:42,439 --> 01:12:43,400
Speaker 5: I'm not We're not doing it.

1711
01:12:43,600 --> 01:12:45,960
Speaker 3: I'm crying. I would have died to have been a fly.

1712
01:12:46,240 --> 01:12:48,600
Speaker 4: We can't. We can't do that with all rocking around like.

1713
01:12:48,640 --> 01:12:52,200
Speaker 2: He damaris, is it an if you're on a date?

1714
01:12:52,360 --> 01:12:54,600
Speaker 2: To fast and furious? With the moving chairs and that

1715
01:12:54,640 --> 01:12:56,160
Speaker 2: shit just joked him a little too much.

1716
01:12:57,080 --> 01:13:00,360
Speaker 4: Yeah, I'm like, I am you can't moving chair. I

1717
01:13:00,439 --> 01:13:01,920
Speaker 4: didn't know. First of all, I didn't know this shit

1718
01:13:02,080 --> 01:13:03,760
Speaker 4: was moving. How about that? Like I just thought the

1719
01:13:03,840 --> 01:13:06,400
Speaker 4: recline was the Just give me a chair that reclines

1720
01:13:06,439 --> 01:13:07,479
Speaker 4: in the theater. I'm cool with that.

1721
01:13:08,000 --> 01:13:09,680
Speaker 5: All this other shit they got going on this and

1722
01:13:09,760 --> 01:13:11,760
Speaker 5: then they got one now that somebody was telling me

1723
01:13:11,840 --> 01:13:15,439
Speaker 5: where this shit like spray's water or I was like, nada,

1724
01:13:15,560 --> 01:13:17,439
Speaker 5: We're not doing all of that. You're not taking me.

1725
01:13:17,520 --> 01:13:20,759
Speaker 5: This ain't fucking Disney World, bro. I'm in the middle Manhattan.

1726
01:13:20,760 --> 01:13:22,920
Speaker 5: A movie did, bro, Like, don't spray me? Where's this

1727
01:13:23,000 --> 01:13:23,760
Speaker 5: water coming from?

1728
01:13:24,280 --> 01:13:27,479
Speaker 4: First of all, let's start there. Where is this? Where's

1729
01:13:27,560 --> 01:13:28,880
Speaker 4: this line of water coming from?

1730
01:13:28,960 --> 01:13:29,000
Speaker 1: Like?

1731
01:13:29,080 --> 01:13:29,600
Speaker 3: What is this?

1732
01:13:30,000 --> 01:13:31,880
Speaker 4: Don't spray me with no water? No movie did at all.

1733
01:13:32,200 --> 01:13:32,519
Speaker 4: I told you.

1734
01:13:32,600 --> 01:13:35,120
Speaker 2: I took Almara to Lego Land and they had like

1735
01:13:35,240 --> 01:13:37,400
Speaker 2: one portion of it, had like one of those quick

1736
01:13:37,479 --> 01:13:40,120
Speaker 2: movie things and they did the water spray and you're

1737
01:13:40,160 --> 01:13:41,479
Speaker 2: supposed to do to ten minutes.

1738
01:13:41,840 --> 01:13:42,800
Speaker 4: Then the next group goes.

1739
01:13:42,920 --> 01:13:45,479
Speaker 2: Amara was screaming when I was trying to take her

1740
01:13:45,479 --> 01:13:47,200
Speaker 2: out because she just wanted to be under the water

1741
01:13:47,320 --> 01:13:49,559
Speaker 2: miss thing for the next forty five minutes. I hate

1742
01:13:49,840 --> 01:13:52,840
Speaker 2: everything that kids yes in the dungle land. How would

1743
01:13:52,840 --> 01:13:54,920
Speaker 2: you not realize that kids like fucking missed.

1744
01:13:55,080 --> 01:13:57,439
Speaker 5: Yeah, kids love that shit anything with they where they

1745
01:13:57,439 --> 01:13:59,800
Speaker 5: can just get filthy dirty that they're not.

1746
01:14:00,000 --> 01:14:02,120
Speaker 4: They're not going to leave the like I live by.

1747
01:14:02,160 --> 01:14:03,599
Speaker 5: I used to live by Lego Land, and I see

1748
01:14:03,680 --> 01:14:05,880
Speaker 5: kids outside, I'm like I looked at parents like y'all

1749
01:14:05,920 --> 01:14:09,479
Speaker 5: are in trouble because it's like great when they see it. Yeah,

1750
01:14:10,080 --> 01:14:12,080
Speaker 5: you have to leave though at some point, like getting

1751
01:14:12,120 --> 01:14:15,200
Speaker 5: the kid to walk out of there. All you hear

1752
01:14:15,240 --> 01:14:17,720
Speaker 5: is screaming. I'm like, why would you even take a

1753
01:14:17,760 --> 01:14:19,799
Speaker 5: kid to Lego Land? That's like torture for yourself.

1754
01:14:19,880 --> 01:14:24,320
Speaker 4: I saw can you pull up their kid to have fun? Instagram?

1755
01:14:25,120 --> 01:14:27,240
Speaker 2: I was looking at justice ig story and he went

1756
01:14:27,320 --> 01:14:28,840
Speaker 2: to the Sphere to see Wizard of Oz.

1757
01:14:29,880 --> 01:14:31,840
Speaker 4: This looked like the greatest thing of all time to me.

1758
01:14:32,160 --> 01:14:33,800
Speaker 4: The Sphere in Vegas. Yeah, I saw. I saw a

1759
01:14:33,840 --> 01:14:39,000
Speaker 4: clip of this last week. Nah, this looks nuts. I

1760
01:14:39,040 --> 01:14:41,719
Speaker 4: would definitely go just to see that. In the Oculus

1761
01:14:41,760 --> 01:14:44,000
Speaker 4: Wizard of Oz, you could like get taken into the tornado.

1762
01:14:44,360 --> 01:14:45,920
Speaker 3: Yeah, nah, twister.

1763
01:14:47,160 --> 01:14:49,080
Speaker 5: And I think it's the same thing here that defects

1764
01:14:49,280 --> 01:14:53,560
Speaker 5: inside the spist fog, fog wind, things like that.

1765
01:14:53,720 --> 01:14:55,720
Speaker 4: That's fire. Justine said they were throwing leaves at them,

1766
01:14:56,400 --> 01:14:56,960
Speaker 4: leaves in there.

1767
01:14:57,520 --> 01:14:59,240
Speaker 1: Yeah, just.

1768
01:15:02,160 --> 01:15:05,280
Speaker 4: I like stuff. This looks incredible. I would love to

1769
01:15:05,320 --> 01:15:05,600
Speaker 4: go to this.

1770
01:15:05,680 --> 01:15:07,080
Speaker 2: I mean, I definitely want to go to a concert

1771
01:15:07,320 --> 01:15:10,680
Speaker 2: there with the Sphere, but watching a movie like this.

1772
01:15:10,800 --> 01:15:11,679
Speaker 4: That would be so cool.

1773
01:15:12,000 --> 01:15:13,800
Speaker 6: He probably paid two hundred dollars to watch a movie

1774
01:15:13,800 --> 01:15:14,920
Speaker 6: he's seen five hundred times.

1775
01:15:15,040 --> 01:15:15,640
Speaker 2: Yeah, but not like this.

1776
01:15:16,200 --> 01:15:18,400
Speaker 4: You ain't see it like that, though, Yeah, you ain't.

1777
01:15:18,640 --> 01:15:20,439
Speaker 4: You can smell Dorothy in there. You can smell it

1778
01:15:21,200 --> 01:15:23,000
Speaker 4: when you open the door. You're actually in Kansas. You're

1779
01:15:23,000 --> 01:15:26,200
Speaker 4: not in Vegas anymore. You leave. Imagine that, Imagine they

1780
01:15:26,200 --> 01:15:29,760
Speaker 4: did something like that. You're going to when you walk out.

1781
01:15:31,360 --> 01:15:33,559
Speaker 2: Elana Bazels if someone's gonna figure that shit out.

1782
01:15:34,120 --> 01:15:37,400
Speaker 6: Yo, nah' seeing a Harry Potter movie and this would

1783
01:15:37,439 --> 01:15:37,880
Speaker 6: be crazy.

1784
01:15:38,040 --> 01:15:40,720
Speaker 3: That's something I would pay the million dollars for.

1785
01:15:41,040 --> 01:15:41,880
Speaker 4: No, give me a.

1786
01:15:43,600 --> 01:15:43,680
Speaker 1: Uh.

1787
01:15:43,880 --> 01:15:49,680
Speaker 5: When we first saw Pinky Pinky, No, it ain't even

1788
01:15:49,680 --> 01:15:51,200
Speaker 5: a horny thing. I would just in this fear, I

1789
01:15:51,240 --> 01:15:53,800
Speaker 5: want to see Pinky in this sphere. We're like by

1790
01:15:53,840 --> 01:15:56,680
Speaker 5: yourself with a bunch of people, by myself. Okay, I

1791
01:15:56,720 --> 01:15:58,599
Speaker 5: was gonna say, like, like need a need with people

1792
01:15:58,600 --> 01:16:01,560
Speaker 5: while watching that, Like just imagine that you're in a

1793
01:16:01,640 --> 01:16:05,280
Speaker 5: room and just like, sack, See why get this sack?

1794
01:16:06,600 --> 01:16:09,479
Speaker 4: That's not even a thing. It's not even I'm sure

1795
01:16:09,479 --> 01:16:10,760
Speaker 4: it's a thing. It ain't my thing, but I'm sure

1796
01:16:10,880 --> 01:16:12,639
Speaker 4: somethings be out there. Sack the sack. I ain't doing

1797
01:16:12,720 --> 01:16:17,800
Speaker 4: that lounging sacked to sack, Sack the sack.

1798
01:16:19,200 --> 01:16:24,320
Speaker 2: Yet this episode is sponsored by row Maul. The fall

1799
01:16:24,520 --> 01:16:26,600
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1800
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1810
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Speaker 4: All right, let's get into the voicemails you've got mail

1825
01:17:38,680 --> 01:17:43,800
Speaker 4: These are sponsored by boost mobile dot com. What's up, y'all?

1826
01:17:44,280 --> 01:17:46,200
Speaker 4: I got a question for the whole crew.

1827
01:17:47,640 --> 01:17:52,040
Speaker 1: How do y'all get over a breakup when it comes

1828
01:17:52,160 --> 01:17:58,120
Speaker 1: especially like sooner than you anticipated and you don't understand

1829
01:17:58,240 --> 01:17:59,880
Speaker 1: for real, like how you even got that?

1830
01:18:00,000 --> 01:18:05,360
Speaker 4: There? My girls has broke up with me. I'm going

1831
01:18:05,439 --> 01:18:07,840
Speaker 4: through it. I've been going through it for a few weeks.

1832
01:18:07,880 --> 01:18:08,400
Speaker 4: I can't lie.

1833
01:18:09,560 --> 01:18:09,680
Speaker 1: Uh.

1834
01:18:10,920 --> 01:18:14,479
Speaker 4: Yeah, she sent me a letter. Read it? Yeah, a letter?

1835
01:18:15,439 --> 01:18:20,439
Speaker 1: It is that from what she said, So yeah, curious

1836
01:18:20,439 --> 01:18:22,799
Speaker 1: to hear y'all guys, thoughts like how y'all get over breakups?

1837
01:18:22,840 --> 01:18:26,479
Speaker 1: How y'all deal with it? Do y'all like meet up

1838
01:18:27,640 --> 01:18:30,800
Speaker 1: to talk again, like on that closure thing? Or nah,

1839
01:18:31,680 --> 01:18:35,800
Speaker 1: just send a text like how do y'all proceed? But yeah,

1840
01:18:36,479 --> 01:18:39,439
Speaker 1: appreciate y'all and yeah, looking to here from what y'all.

1841
01:18:39,280 --> 01:18:40,640
Speaker 3: Say, how are you trying to get over it?

1842
01:18:40,640 --> 01:18:42,000
Speaker 6: If you're talking about if we should meet up or

1843
01:18:42,040 --> 01:18:43,519
Speaker 6: send a text, Nigga, you ain't trying to get over

1844
01:18:43,600 --> 01:18:45,000
Speaker 6: You're trying to get your bitch back.

1845
01:18:45,760 --> 01:18:49,560
Speaker 2: She sent a letter, she thinks nail mail word like,

1846
01:18:49,800 --> 01:18:51,360
Speaker 2: I'm not trying to link up with you. Like if

1847
01:18:51,400 --> 01:18:54,439
Speaker 2: I write out a letter and mail it to you, yeah,

1848
01:18:56,000 --> 01:18:57,200
Speaker 2: I had to block you everything.

1849
01:18:57,280 --> 01:18:59,200
Speaker 5: Yeah, that's closure right there. She took that time to

1850
01:18:59,280 --> 01:19:02,760
Speaker 5: write a letter. Yeah, that's that's closure. Family and what

1851
01:19:02,800 --> 01:19:03,639
Speaker 5: you're meeting up about?

1852
01:19:04,120 --> 01:19:05,880
Speaker 4: Or does the letter give you hope? Like, damn, she

1853
01:19:06,000 --> 01:19:06,800
Speaker 4: took all that time.

1854
01:19:07,479 --> 01:19:09,720
Speaker 5: She should do that now you gets it. That's a

1855
01:19:09,800 --> 01:19:12,280
Speaker 5: sick type of dude right there? I think like that, Nah,

1856
01:19:12,360 --> 01:19:14,280
Speaker 5: she still want me. She took time to write this letter,

1857
01:19:14,360 --> 01:19:17,639
Speaker 5: like she ain't over it, Sam, She's done. That woman

1858
01:19:17,760 --> 01:19:20,559
Speaker 5: is done. She don't even want to talk. She don't

1859
01:19:20,600 --> 01:19:22,439
Speaker 5: want to text. She don't even want to give you

1860
01:19:22,439 --> 01:19:25,320
Speaker 5: a chance to respond in real time. Like writing a

1861
01:19:25,400 --> 01:19:27,880
Speaker 5: letter and then walking to the mailbox and sending it off.

1862
01:19:28,479 --> 01:19:31,360
Speaker 5: Did she seal it with that's a different type of

1863
01:19:31,479 --> 01:19:32,240
Speaker 5: like she spraying it.

1864
01:19:34,080 --> 01:19:36,280
Speaker 3: It smelled like her perfume, Like what like you know

1865
01:19:36,320 --> 01:19:37,680
Speaker 3: what I'm saying. I'm trying to I'm trying to see

1866
01:19:37,720 --> 01:19:38,160
Speaker 3: the vibe.

1867
01:19:39,880 --> 01:19:42,840
Speaker 2: And she went bought a stamp stamps not cheap, no

1868
01:19:42,920 --> 01:19:44,240
Speaker 2: more either, that's the stamp.

1869
01:19:44,000 --> 01:19:46,760
Speaker 5: Of a relationship. Like, Yo, it is over as soon

1870
01:19:46,800 --> 01:19:49,320
Speaker 5: as this shit gets to you if you reading this

1871
01:19:49,520 --> 01:19:54,040
Speaker 5: is too late, this conversation, this, this is it. Like,

1872
01:19:54,400 --> 01:19:56,000
Speaker 5: can y'all give the people broke up in the World

1873
01:19:56,040 --> 01:20:00,920
Speaker 5: War two? People broke up after Vietnam. You're kidding me

1874
01:20:01,000 --> 01:20:01,400
Speaker 5: a letter?

1875
01:20:02,120 --> 01:20:02,280
Speaker 2: Nah?

1876
01:20:02,479 --> 01:20:03,920
Speaker 4: Dog, it's over.

1877
01:20:04,600 --> 01:20:06,880
Speaker 2: No, But all right, you're saying he's sick if he

1878
01:20:06,920 --> 01:20:10,040
Speaker 2: thinks maybe that brings hope. I think she's sick. If

1879
01:20:10,080 --> 01:20:12,200
Speaker 2: you really over it, just block him and just move

1880
01:20:12,240 --> 01:20:13,680
Speaker 2: the fuck on. The fact that you wrote a letter

1881
01:20:13,720 --> 01:20:14,719
Speaker 2: to me makes her look.

1882
01:20:14,600 --> 01:20:16,360
Speaker 6: Like she's a little sick of No, she wants to

1883
01:20:16,400 --> 01:20:19,280
Speaker 6: give him, like the reasons why a lot of people write.

1884
01:20:19,320 --> 01:20:20,640
Speaker 6: I know when I used to write letters, it was

1885
01:20:20,720 --> 01:20:22,240
Speaker 6: because I don't want to be interrupted.

1886
01:20:22,560 --> 01:20:23,360
Speaker 3: I don't want him.

1887
01:20:24,360 --> 01:20:27,439
Speaker 5: Yeah, I'm say she wanted to just get her ship off.

1888
01:20:27,840 --> 01:20:30,639
Speaker 5: Read it, sit with it, look at it again, read

1889
01:20:30,720 --> 01:20:33,719
Speaker 5: it again, like but just don't contact me, Like she's

1890
01:20:33,960 --> 01:20:37,040
Speaker 5: shorty is done in my eyes, like, I don't know,

1891
01:20:37,120 --> 01:20:38,479
Speaker 5: he might be that, he might be the guy. And

1892
01:20:38,520 --> 01:20:40,240
Speaker 5: then he called us next month and be like, Yo,

1893
01:20:40,400 --> 01:20:42,840
Speaker 5: she came back. You know that just means she just

1894
01:20:43,080 --> 01:20:44,519
Speaker 5: wanted to go on vacation for a week with the

1895
01:20:44,520 --> 01:20:45,040
Speaker 5: other nigga.

1896
01:20:45,320 --> 01:20:46,920
Speaker 4: That was it. What do you what do you do

1897
01:20:47,080 --> 01:20:47,599
Speaker 4: with the letter?

1898
01:20:48,960 --> 01:20:49,080
Speaker 2: Ah?

1899
01:20:49,160 --> 01:20:50,200
Speaker 4: You do like Phil Jackson?

1900
01:20:51,000 --> 01:20:53,200
Speaker 5: No, like pat Riley made d wadem do you put

1901
01:20:53,200 --> 01:20:55,160
Speaker 5: it in a barrel at the end of the season

1902
01:20:55,200 --> 01:20:55,720
Speaker 5: and you burn it?

1903
01:20:57,479 --> 01:21:00,880
Speaker 2: Take it out one letter in a barrel by yourself.

1904
01:21:03,120 --> 01:21:06,040
Speaker 3: You gotta watch that ship burn.

1905
01:21:06,120 --> 01:21:12,120
Speaker 4: So one letter, like.

1906
01:21:12,160 --> 01:21:14,559
Speaker 2: Mail these days is just not really like a crazy

1907
01:21:14,640 --> 01:21:17,400
Speaker 2: thing like that? Like what once you after you read

1908
01:21:17,600 --> 01:21:19,880
Speaker 2: read it in your kitchen, What is your next move?

1909
01:21:20,360 --> 01:21:21,640
Speaker 4: I'm burn get that ship out there.

1910
01:21:21,880 --> 01:21:23,439
Speaker 2: I'm gonna take a magnet put on my fridge.

1911
01:21:23,920 --> 01:21:25,320
Speaker 4: You want to look at it every day? You want

1912
01:21:25,320 --> 01:21:26,400
Speaker 4: to until she come back?

1913
01:21:26,520 --> 01:21:28,200
Speaker 3: That is critill she come back?

1914
01:21:28,640 --> 01:21:30,200
Speaker 4: Yeah, nah, it's over. Wait.

1915
01:21:30,280 --> 01:21:33,439
Speaker 2: But that puts you in a weird predicament because all right,

1916
01:21:33,439 --> 01:21:36,120
Speaker 2: if a girl sends you the long breakup text message,

1917
01:21:37,320 --> 01:21:39,360
Speaker 2: either way, if you're like, she's really over it, You're

1918
01:21:39,360 --> 01:21:41,160
Speaker 2: still gonna have a response. I think any human being

1919
01:21:41,400 --> 01:21:42,439
Speaker 2: would have a reply to.

1920
01:21:42,479 --> 01:21:46,160
Speaker 4: A text message, Yeah yeah, But to a letter with

1921
01:21:46,320 --> 01:21:50,120
Speaker 4: another letter you call? Or nah? You bugging write another

1922
01:21:50,200 --> 01:21:50,680
Speaker 4: letter back?

1923
01:21:50,840 --> 01:21:54,600
Speaker 5: Is crazy because that's almost like you can't, like, you

1924
01:21:54,760 --> 01:21:57,440
Speaker 5: can't write another letter in a mail off of Centateau.

1925
01:21:57,360 --> 01:22:00,840
Speaker 2: And how you like are you during a breakup? You

1926
01:22:00,960 --> 01:22:03,720
Speaker 2: can't write a letter, put it in the mailbox and

1927
01:22:03,800 --> 01:22:07,519
Speaker 2: then think yourself and another thing. And not only that,

1928
01:22:07,520 --> 01:22:09,760
Speaker 2: I gotta write a whole nother But if no letter

1929
01:22:09,840 --> 01:22:11,280
Speaker 2: come back, would you send another little accent?

1930
01:22:11,320 --> 01:22:11,760
Speaker 4: If she got it?

1931
01:22:11,840 --> 01:22:14,000
Speaker 5: Like you look at the last letter. Now we're playing

1932
01:22:14,040 --> 01:22:16,800
Speaker 5: a mail game. I gotta trust the mailman. Nah, dog nah,

1933
01:22:17,360 --> 01:22:19,640
Speaker 5: it's over. A girl mail you a letter saying it

1934
01:22:19,720 --> 01:22:19,960
Speaker 5: is over?

1935
01:22:20,080 --> 01:22:20,639
Speaker 4: It is over?

1936
01:22:20,800 --> 01:22:22,559
Speaker 3: Like don't you want you to fight for me back?

1937
01:22:23,000 --> 01:22:26,400
Speaker 4: Maybe that's what y'all do? Stop the crazy shit.

1938
01:22:26,920 --> 01:22:28,880
Speaker 5: You're gonna mail me a letter and then if I

1939
01:22:28,960 --> 01:22:31,200
Speaker 5: don't mail you one back, you're gonna be mad because

1940
01:22:31,200 --> 01:22:31,920
Speaker 5: I ain't fight for you.

1941
01:22:33,960 --> 01:22:36,960
Speaker 3: I'm not. I didn't. I didn't. You're right, you got it.

1942
01:22:37,640 --> 01:22:40,719
Speaker 4: That's not crazy? Like why why even play that game?

1943
01:22:40,800 --> 01:22:43,479
Speaker 4: Like why not just call me and say what you're about?

1944
01:22:43,520 --> 01:22:45,200
Speaker 6: To mail me like no, because I don't want I

1945
01:22:45,240 --> 01:22:46,840
Speaker 6: don't want you to like That's like I said, I

1946
01:22:46,880 --> 01:22:49,200
Speaker 6: don't want you to interrupt me or try to gaslight

1947
01:22:49,280 --> 01:22:50,400
Speaker 6: me and manipulate me.

1948
01:22:50,439 --> 01:22:50,599
Speaker 4: Nope.

1949
01:22:50,600 --> 01:22:51,240
Speaker 3: I took my time.

1950
01:22:51,560 --> 01:22:53,400
Speaker 6: I wrote all this shit out, I thought about it.

1951
01:22:53,479 --> 01:22:55,760
Speaker 6: I'm sending it to you. I'm spraying it with this

1952
01:22:55,960 --> 01:22:59,200
Speaker 6: ys L. Respond or don't respond or show up at

1953
01:22:59,240 --> 01:22:59,599
Speaker 6: my house.

1954
01:22:59,680 --> 01:23:01,439
Speaker 4: You're gonna say your return addresses on there.

1955
01:23:03,240 --> 01:23:04,360
Speaker 2: I'm just gonna get in the car.

1956
01:23:05,760 --> 01:23:07,439
Speaker 4: Women, I think you would know where your girl lived.

1957
01:23:10,000 --> 01:23:11,880
Speaker 2: Women would be sick enough though, to send that letter,

1958
01:23:12,080 --> 01:23:14,840
Speaker 2: like right before a three day weekend national.

1959
01:23:14,640 --> 01:23:17,720
Speaker 4: Holiday where all post offices are closed for like four days.

1960
01:23:17,840 --> 01:23:19,759
Speaker 5: I just told you they going. She going on vacation

1961
01:23:19,880 --> 01:23:23,120
Speaker 5: with the other Guy's a holiday. She needs her time,

1962
01:23:23,160 --> 01:23:24,600
Speaker 5: She don't want her phone ringing, She don't want to

1963
01:23:24,600 --> 01:23:27,679
Speaker 5: be interrupted. But then when she come back and situation

1964
01:23:27,760 --> 01:23:30,240
Speaker 5: physical out with the other dude. Here, she come with

1965
01:23:30,360 --> 01:23:30,880
Speaker 5: another level.

1966
01:23:30,960 --> 01:23:33,240
Speaker 6: You don't start out if you want to go on

1967
01:23:33,400 --> 01:23:35,920
Speaker 6: vacation with another nigga. We all well, people all know

1968
01:23:35,960 --> 01:23:37,760
Speaker 6: what to do. You call, you start an argument about

1969
01:23:37,760 --> 01:23:39,880
Speaker 6: some dumb shit. You an't doing enough for me I'm

1970
01:23:39,920 --> 01:23:41,800
Speaker 6: tired of this. I feel neglected, this, this, this, this,

1971
01:23:41,920 --> 01:23:44,200
Speaker 6: and that I'm not happy, like the fuck is going on?

1972
01:23:44,320 --> 01:23:46,200
Speaker 6: Like I just need Then Nigga gets so mad he

1973
01:23:46,240 --> 01:23:49,080
Speaker 6: says some shit that he can't take back. Boom, I

1974
01:23:49,160 --> 01:23:51,200
Speaker 6: need some space from you, like I apparently you're not

1975
01:23:51,240 --> 01:23:53,320
Speaker 6: in a good place, Like I can't have a discussion

1976
01:23:53,360 --> 01:23:54,760
Speaker 6: with you. If this is where you're gonna be, You

1977
01:23:54,800 --> 01:23:56,679
Speaker 6: hang up the phone, You go on vacation with other nigga.

1978
01:23:57,120 --> 01:23:59,200
Speaker 6: Y'all took space. Then by the time it's time, like

1979
01:23:59,479 --> 01:24:01,200
Speaker 6: he's ready for you to be over the argument, you

1980
01:24:01,240 --> 01:24:03,800
Speaker 6: could come back, but you don't do a letter.

1981
01:24:04,000 --> 01:24:05,240
Speaker 3: A letter is too well thought out.

1982
01:24:05,320 --> 01:24:09,120
Speaker 5: Imagine imagine, imagine going through that with a girl. She's

1983
01:24:09,120 --> 01:24:12,479
Speaker 5: going to a vacation another dude, and then her thinking

1984
01:24:12,600 --> 01:24:14,880
Speaker 5: that she's going to come back from that vacation, and

1985
01:24:14,960 --> 01:24:16,280
Speaker 5: then you still be there waiting.

1986
01:24:16,080 --> 01:24:18,000
Speaker 3: For you don't know I'm on vacation, she's you don't

1987
01:24:18,040 --> 01:24:18,719
Speaker 3: know she's on vacation.

1988
01:24:18,960 --> 01:24:21,720
Speaker 4: What if she sent a postcard from the location, Well, that.

1989
01:24:21,680 --> 01:24:23,840
Speaker 6: Would be a dummy, and she just wanted to hurt you.

1990
01:24:24,000 --> 01:24:25,080
Speaker 6: She didn't want to get over us.

1991
01:24:25,280 --> 01:24:27,120
Speaker 4: A letter would hurt me regard. You send me a letter.

1992
01:24:27,439 --> 01:24:33,920
Speaker 4: I'm hurt. You already succeeded in sending a letter from

1993
01:24:33,960 --> 01:24:37,360
Speaker 4: the vacation from the island is wild. Yo. I'm in

1994
01:24:37,479 --> 01:24:41,120
Speaker 4: Turks and I'm just thinking about all the times I

1995
01:24:41,280 --> 01:24:41,599
Speaker 4: was hurt.

1996
01:24:42,760 --> 01:24:45,479
Speaker 2: But not even with a message, like when Andy Dufrain

1997
01:24:45,600 --> 01:24:48,559
Speaker 2: sent a postcard from where he was at the border.

1998
01:24:48,760 --> 01:24:53,360
Speaker 4: No message, like she just sent it. No, it's just

1999
01:24:53,439 --> 01:24:56,040
Speaker 4: a postcard, she said it postcards from where she at.

2000
01:24:56,439 --> 01:25:01,559
Speaker 4: That's wild. Oh, that's I don't know what's That's how

2001
01:25:01,560 --> 01:25:03,120
Speaker 4: you end up on first forty eight. Don't do it.

2002
01:25:03,720 --> 01:25:04,120
Speaker 4: Don't do it.

2003
01:25:05,160 --> 01:25:06,800
Speaker 2: If I was with a girl on vacation, she was

2004
01:25:06,840 --> 01:25:08,559
Speaker 2: doing that ship, I was like, we could take separate flights.

2005
01:25:08,640 --> 01:25:11,599
Speaker 3: Can him get over her? Lock in? And first of all,

2006
01:25:11,640 --> 01:25:17,960
Speaker 3: it's locking. Now it's the great locking bro.

2007
01:25:18,320 --> 01:25:20,719
Speaker 4: You can't laugh because that's what you tell people. Break

2008
01:25:21,360 --> 01:25:25,320
Speaker 4: you got one day said you're locking.

2009
01:25:26,680 --> 01:25:27,920
Speaker 3: Lock in with what yo?

2010
01:25:28,160 --> 01:25:30,759
Speaker 6: Get out of your grind, getting the gym, start working,

2011
01:25:31,000 --> 01:25:39,040
Speaker 6: start You know what I'm saying to a baddie, telling.

2012
01:25:38,840 --> 01:25:39,559
Speaker 4: The nigga the milk.

2013
01:25:41,880 --> 01:25:44,080
Speaker 2: I promise you the same chicken, rice and broccoli in

2014
01:25:44,160 --> 01:25:48,040
Speaker 2: the same say no taste, but he can't smell. You're

2015
01:25:48,040 --> 01:25:50,240
Speaker 2: not hungry, you don't want to eat. You telling this

2016
01:25:50,320 --> 01:25:54,200
Speaker 2: nigga the milk, and Tom's act like maybe he does

2017
01:25:54,280 --> 01:25:55,479
Speaker 2: have a job. Maybe you go up the gym.

2018
01:25:56,479 --> 01:25:58,120
Speaker 4: She's trying to make you trying.

2019
01:25:57,880 --> 01:26:00,800
Speaker 6: To get over No mill prep g always go harder,

2020
01:26:00,840 --> 01:26:03,679
Speaker 6: bro like, lock in, there's something. I guarantee there's something

2021
01:26:03,720 --> 01:26:06,160
Speaker 6: you have been neglecting, because there's something we're all neglecting

2022
01:26:06,240 --> 01:26:11,000
Speaker 6: in life. And now that you have open energy mentally, emotionally, physically,

2023
01:26:11,240 --> 01:26:12,360
Speaker 6: because she's not there anymore.

2024
01:26:12,400 --> 01:26:12,720
Speaker 4: She left.

2025
01:26:12,760 --> 01:26:15,000
Speaker 6: Y'all ass take that, all of that and put it

2026
01:26:15,080 --> 01:26:17,280
Speaker 6: into something that you should have been doing anyway, Man.

2027
01:26:17,320 --> 01:26:19,400
Speaker 4: Go become a postman in her zip code.

2028
01:26:20,120 --> 01:26:21,000
Speaker 2: She she like, let it.

2029
01:26:21,040 --> 01:26:22,600
Speaker 4: That's what wored, That's what Ory would do.

2030
01:26:22,720 --> 01:26:23,120
Speaker 3: White ship.

2031
01:26:23,200 --> 01:26:32,240
Speaker 4: Yeah, that's become a postman in the zip code. What's

2032
01:26:32,280 --> 01:26:35,280
Speaker 4: his name? I forgot his name, man, y'all lock in man.

2033
01:26:37,120 --> 01:26:38,040
Speaker 3: He from him.

2034
01:26:38,600 --> 01:26:42,519
Speaker 4: Oh we got to hear it. What's good, y'all, I'm

2035
01:26:42,520 --> 01:26:43,320
Speaker 4: a postman now.

2036
01:26:43,360 --> 01:26:46,800
Speaker 1: Is a continuation a part two. I called last week

2037
01:26:47,920 --> 01:26:49,479
Speaker 1: oh my girl broke up me and saying I.

2038
01:26:49,560 --> 01:26:58,240
Speaker 4: Was going through it. I'm still going through it. How

2039
01:26:58,320 --> 01:26:58,959
Speaker 4: he said.

2040
01:27:02,600 --> 01:27:05,360
Speaker 2: All right, I was going through it.

2041
01:27:05,920 --> 01:27:10,000
Speaker 4: I'm still going through it with Homie. I respect that

2042
01:27:10,439 --> 01:27:13,559
Speaker 4: that takes a different look. He's so vulnerable with niggas.

2043
01:27:13,600 --> 01:27:16,400
Speaker 4: He don't know. He's like, Yo, I'm still going through it.

2044
01:27:18,520 --> 01:27:21,760
Speaker 4: He need wait for the last week I was going

2045
01:27:21,800 --> 01:27:31,040
Speaker 4: through you know what I'm saying, like, oh my bad job.

2046
01:27:31,080 --> 01:27:31,840
Speaker 4: Start that from the team.

2047
01:27:33,000 --> 01:27:36,599
Speaker 1: Okay, y'all, I guess this is a continuation of part two.

2048
01:27:37,280 --> 01:27:40,439
Speaker 1: I called last week, oh my girl broke up me

2049
01:27:40,560 --> 01:27:42,960
Speaker 1: saying I was going through it. I'm still going through it,

2050
01:27:44,000 --> 01:27:49,120
Speaker 1: but I guess. In addition, my question is, how would

2051
01:27:49,160 --> 01:27:54,320
Speaker 1: y'all approach a quote unquote closure conversation? Because we're gonna

2052
01:27:54,360 --> 01:27:56,720
Speaker 1: have one of those, But like she already made her

2053
01:27:56,760 --> 01:28:00,160
Speaker 1: mind up, so like, I don't really no like out

2054
01:28:00,160 --> 01:28:03,920
Speaker 1: of approach this, but I'm gonna be there, So I mean,

2055
01:28:03,960 --> 01:28:07,400
Speaker 1: if y'all seen this before I got there, it'd be

2056
01:28:07,439 --> 01:28:08,439
Speaker 1: great to hear what y'all think.

2057
01:28:08,640 --> 01:28:12,559
Speaker 4: But yeah, that's where I'm at. Wait, I feel really bad.

2058
01:28:13,040 --> 01:28:16,919
Speaker 5: Wait, because he said, how do you have a closure conversation?

2059
01:28:18,360 --> 01:28:20,040
Speaker 5: Because I'm gonna be there?

2060
01:28:20,080 --> 01:28:20,680
Speaker 4: What does that mean?

2061
01:28:20,760 --> 01:28:23,240
Speaker 5: Like he going he's showing up regardless, like it sounds

2062
01:28:23,240 --> 01:28:24,120
Speaker 5: like it's going either way.

2063
01:28:24,160 --> 01:28:25,960
Speaker 6: He wanted to go like, oh, he said that they're

2064
01:28:25,960 --> 01:28:27,200
Speaker 6: gonna have one, but he said, it sounds like she

2065
01:28:27,280 --> 01:28:28,240
Speaker 6: already made her mind up.

2066
01:28:29,439 --> 01:28:32,200
Speaker 4: Oh so she agreed to have I'm curious how that came.

2067
01:28:33,040 --> 01:28:34,439
Speaker 3: Like did he he asked for one?

2068
01:28:34,439 --> 01:28:35,200
Speaker 4: He definitely asked for it.

2069
01:28:35,680 --> 01:28:35,920
Speaker 2: Damn.

2070
01:28:36,080 --> 01:28:39,040
Speaker 4: So he so he already had that? Yeah, because this

2071
01:28:39,120 --> 01:28:39,840
Speaker 4: was a couple of days ago.

2072
01:28:39,880 --> 01:28:43,479
Speaker 2: He left this right, that's enough time for another lesson today.

2073
01:28:44,080 --> 01:28:47,479
Speaker 4: Oh so he probably going right now? Yeah, as worth recording.

2074
01:28:47,680 --> 01:28:52,800
Speaker 7: Damn, you can't hit him right now and see if

2075
01:28:52,840 --> 01:28:58,680
Speaker 7: he was right now, See if he could do face time, Email.

2076
01:28:58,479 --> 01:29:00,240
Speaker 5: Him right now, see if he can face time much

2077
01:29:00,280 --> 01:29:03,920
Speaker 5: from the closure conversation, Yeah, I want to I want

2078
01:29:04,000 --> 01:29:04,519
Speaker 5: I want to talk.

2079
01:29:04,520 --> 01:29:06,240
Speaker 4: I want to talk to him and see how he doing? Man,

2080
01:29:06,320 --> 01:29:08,320
Speaker 4: Like how did they go in the meantime?

2081
01:29:08,400 --> 01:29:08,559
Speaker 2: Though?

2082
01:29:08,760 --> 01:29:11,719
Speaker 4: Like when have you ever seen a closure conversation?

2083
01:29:12,200 --> 01:29:13,360
Speaker 2: Like do good for anybody?

2084
01:29:14,040 --> 01:29:16,240
Speaker 5: And what he walked to the closure conversation? You know

2085
01:29:16,320 --> 01:29:20,400
Speaker 5: that Nigga put on his he bought a whole new leg.

2086
01:29:20,560 --> 01:29:21,720
Speaker 5: He bought a whole new fit.

2087
01:29:21,800 --> 01:29:23,600
Speaker 2: But then you look crazy if you don't look how

2088
01:29:23,640 --> 01:29:25,320
Speaker 2: you always look. Now It's like what you don't.

2089
01:29:25,080 --> 01:29:27,320
Speaker 6: Even look how you always look. You gotta look down.

2090
01:29:27,479 --> 01:29:30,400
Speaker 6: You gotta look bad like you gotta have ourself stained.

2091
01:29:30,200 --> 01:29:34,439
Speaker 4: Sweat to make your ego feel better. Is crazy. You

2092
01:29:34,520 --> 01:29:35,479
Speaker 4: gotta look like you real.

2093
01:29:36,520 --> 01:29:39,080
Speaker 5: Go get a haircut, nigga puts some ship on the

2094
01:29:39,280 --> 01:29:40,400
Speaker 5: you know, I mean, can don't let her see you

2095
01:29:40,479 --> 01:29:41,760
Speaker 5: doing bad na.

2096
01:29:41,840 --> 01:29:45,320
Speaker 3: Get a haircut, for sure, get a haircut, haircut.

2097
01:29:45,400 --> 01:29:48,479
Speaker 4: It gotta be you just got it this morning.

2098
01:29:48,720 --> 01:29:49,960
Speaker 3: Y'all don't know manipulation.

2099
01:29:50,600 --> 01:29:52,720
Speaker 5: No, you don't know manipulation. He got to go in

2100
01:29:52,800 --> 01:29:56,120
Speaker 5: there looking like it's business as usual, Like I'm all right,

2101
01:29:56,120 --> 01:29:58,920
Speaker 5: I'm out, psychay, depending can we get.

2102
01:29:58,840 --> 01:30:00,559
Speaker 4: This conversation because I got the he didn't.

2103
01:30:00,320 --> 01:30:01,800
Speaker 6: Say why they broke up, because if they broke up,

2104
01:30:01,800 --> 01:30:04,000
Speaker 6: because he'd be cheating. Don't coming no fresh here.

2105
01:30:04,120 --> 01:30:05,040
Speaker 4: Yeah, I'm going now.

2106
01:30:05,160 --> 01:30:07,920
Speaker 6: I'm just reminded of that every time you got that haircut,

2107
01:30:07,960 --> 01:30:08,960
Speaker 6: you went and left the house.

2108
01:30:08,800 --> 01:30:10,479
Speaker 3: And fucked on me, So like, don't do that.

2109
01:30:10,680 --> 01:30:11,960
Speaker 5: So now what you think I'm about to do after

2110
01:30:12,000 --> 01:30:14,760
Speaker 5: we finish this conversation, either you coming with me or

2111
01:30:14,760 --> 01:30:18,680
Speaker 5: I'm going somewhere else so or that's life, or you

2112
01:30:18,720 --> 01:30:20,519
Speaker 5: gotta be like coming with me, you coming home with me,

2113
01:30:21,479 --> 01:30:23,120
Speaker 5: or we're gonna leave. Here is done and I'm going

2114
01:30:23,160 --> 01:30:23,920
Speaker 5: about my business.

2115
01:30:24,000 --> 01:30:25,400
Speaker 3: That sounds like an ultimatum.

2116
01:30:25,760 --> 01:30:29,679
Speaker 5: It is an ultimatum. It's a closing conversation. We're closing them.

2117
01:30:29,920 --> 01:30:30,160
Speaker 6: This is it.

2118
01:30:30,320 --> 01:30:31,240
Speaker 4: This is the last.

2119
01:30:31,040 --> 01:30:34,760
Speaker 5: Conversation we're gonna have. What are we doing leaving with me?

2120
01:30:35,640 --> 01:30:37,000
Speaker 5: Or am I going about my business?

2121
01:30:38,360 --> 01:30:40,840
Speaker 2: I left it here clearly he asked for it. But

2122
01:30:40,920 --> 01:30:43,320
Speaker 2: I feel like you just gotta show up as your

2123
01:30:43,360 --> 01:30:46,400
Speaker 2: best show up late. Text like Dan is completely.

2124
01:30:46,080 --> 01:30:46,639
Speaker 4: Slipped my mind.

2125
01:30:47,600 --> 01:30:48,880
Speaker 2: I got something that was going on, but I stop

2126
01:30:48,960 --> 01:30:51,680
Speaker 2: buying real quick, like yo, all right, so this shit

2127
01:30:51,800 --> 01:30:53,360
Speaker 2: is over right. I got her up because she's witing

2128
01:30:53,360 --> 01:30:56,760
Speaker 2: in the car and then leave just for your own

2129
01:30:57,120 --> 01:30:59,240
Speaker 2: Because what is a closer conversation that's ever worked?

2130
01:31:00,040 --> 01:31:00,360
Speaker 4: Yeah, you know.

2131
01:31:00,560 --> 01:31:02,479
Speaker 2: Sometimes unless you're trying to fuck one more time and

2132
01:31:02,560 --> 01:31:04,800
Speaker 2: be like it's done. Like we tried this, it didn't

2133
01:31:04,840 --> 01:31:06,960
Speaker 2: work out. But if somebody was really hurt and was

2134
01:31:07,000 --> 01:31:09,120
Speaker 2: like we're done, what is the point of a closure?

2135
01:31:09,320 --> 01:31:10,120
Speaker 2: What are we closing?

2136
01:31:10,400 --> 01:31:12,519
Speaker 4: We don't words. We said that where you're gonna find closure.

2137
01:31:12,680 --> 01:31:14,280
Speaker 5: We don't know why they broke up or why they're

2138
01:31:14,280 --> 01:31:15,880
Speaker 5: going through whatever they're going through, So we don't know

2139
01:31:15,960 --> 01:31:18,400
Speaker 5: the context. Like the marriage said, if he cheated, then

2140
01:31:18,760 --> 01:31:20,519
Speaker 5: I can understand why he wants a close the conversation.

2141
01:31:20,560 --> 01:31:23,280
Speaker 5: He probably went that last opportunity to be like, yo,

2142
01:31:23,400 --> 01:31:24,840
Speaker 5: I was fucked up, I was you know whatever.

2143
01:31:24,960 --> 01:31:25,200
Speaker 4: Whatever.

2144
01:31:25,520 --> 01:31:29,280
Speaker 6: Maybe he neglected her, there's something he did something because

2145
01:31:29,280 --> 01:31:30,240
Speaker 6: he trying to get his bitch back.

2146
01:31:30,320 --> 01:31:33,000
Speaker 2: But I'm saying that the way he's saw he wants

2147
01:31:33,200 --> 01:31:34,919
Speaker 2: he wants his girl back to some conversations.

2148
01:31:35,160 --> 01:31:39,600
Speaker 5: Yeah, but sometimes you know, gods, just not that he

2149
01:31:39,720 --> 01:31:44,320
Speaker 5: did something, like you know, he not that he did

2150
01:31:44,360 --> 01:31:47,840
Speaker 5: something wrong. Maybe he wasn't doing something and she's like,

2151
01:31:48,520 --> 01:31:51,160
Speaker 5: you know, feeling like, oh, he's not really present in

2152
01:31:51,240 --> 01:31:55,120
Speaker 5: our relationship. Yeah, maybe he's working too much. So not

2153
01:31:55,320 --> 01:31:58,519
Speaker 5: that he did something wrong. It may be his fault

2154
01:31:58,520 --> 01:32:02,760
Speaker 5: wider relationship kind of fake That's what I meant. Yes,

2155
01:32:02,880 --> 01:32:05,760
Speaker 5: But if that's the case, then I can understand the

2156
01:32:05,760 --> 01:32:07,960
Speaker 5: closure conversation because you want to express that like yo, listen,

2157
01:32:08,080 --> 01:32:10,240
Speaker 5: like you know, it's just work and things like that,

2158
01:32:10,360 --> 01:32:12,400
Speaker 5: but I want to make this work as well, so

2159
01:32:12,560 --> 01:32:14,560
Speaker 5: you know, I can understand that. But if it's you

2160
01:32:14,680 --> 01:32:19,600
Speaker 5: know she's just over it. Then sometimes you gotta just

2161
01:32:19,800 --> 01:32:20,800
Speaker 5: just just bite that bullet.

2162
01:32:20,840 --> 01:32:22,000
Speaker 4: Man, she's just over it.

2163
01:32:22,240 --> 01:32:24,360
Speaker 6: Go okay, go into the closure conversation with this, Go

2164
01:32:24,479 --> 01:32:27,320
Speaker 6: into the closer conversation thinking that it's already over. Fight

2165
01:32:27,439 --> 01:32:31,000
Speaker 6: for your relationship, but prepare yourself mentally that it's already over,

2166
01:32:31,720 --> 01:32:34,000
Speaker 6: and try to get first of all, get all of

2167
01:32:34,040 --> 01:32:36,840
Speaker 6: your points that you want to make. Get them like

2168
01:32:36,960 --> 01:32:38,719
Speaker 6: on a piece of paper, in your notes or something,

2169
01:32:38,760 --> 01:32:40,479
Speaker 6: and go over them. Because when you're emotional and you're

2170
01:32:40,520 --> 01:32:43,000
Speaker 6: in an emotionally charged that conversation.

2171
01:32:42,760 --> 01:32:46,320
Speaker 4: Station with your girl with notes is like and another thing.

2172
01:32:50,200 --> 01:32:51,400
Speaker 4: Find we do pre.

2173
01:32:51,360 --> 01:32:55,960
Speaker 3: Production, Like we might not look at the but we

2174
01:32:56,160 --> 01:32:57,519
Speaker 3: know what we want to talk about when.

2175
01:32:57,439 --> 01:32:59,920
Speaker 2: We're going into this bitch like an agenda from chat GiB.

2176
01:33:01,320 --> 01:33:04,920
Speaker 6: Yeah, because you get upset because when you're emotional and

2177
01:33:04,960 --> 01:33:08,240
Speaker 6: you're an emotional state, when somebody's saying something to you, like,

2178
01:33:08,400 --> 01:33:11,280
Speaker 6: you're not thinking straight, like so already. That's why I

2179
01:33:11,360 --> 01:33:13,720
Speaker 6: practice my arguments in the shower, so I know I

2180
01:33:13,920 --> 01:33:14,719
Speaker 6: already rehearsed.

2181
01:33:15,000 --> 01:33:19,160
Speaker 4: When you say, are beyond crazy, You're like on another level.

2182
01:33:19,280 --> 01:33:21,080
Speaker 6: No, But it's because I want to know what the

2183
01:33:21,160 --> 01:33:23,599
Speaker 6: fuck I'm gonna say when you try you, I want

2184
01:33:23,640 --> 01:33:24,519
Speaker 6: you to catch me off guard.

2185
01:33:24,600 --> 01:33:28,120
Speaker 5: All right, So when you having these conversations about how

2186
01:33:28,160 --> 01:33:29,880
Speaker 5: do you think the conversation go out you in the shower?

2187
01:33:31,080 --> 01:33:32,400
Speaker 4: Do you respond to yourself?

2188
01:33:32,520 --> 01:33:37,280
Speaker 3: Yeah? But oh you're crazy, like you're really like whatever, Mom,

2189
01:33:37,360 --> 01:33:38,160
Speaker 3: I don't think that's this.

2190
01:33:38,160 --> 01:33:40,639
Speaker 2: Is why you can't because I have one chat GBT

2191
01:33:40,760 --> 01:33:42,920
Speaker 2: of how to get you your bitch back, and they said,

2192
01:33:43,040 --> 01:33:44,759
Speaker 2: do you want me to help you draft an actual

2193
01:33:44,800 --> 01:33:47,880
Speaker 2: message to her and balance apology, accountability and leaving the

2194
01:33:47,960 --> 01:33:51,400
Speaker 2: door open. Some of us are getting messages from chat

2195
01:33:51,439 --> 01:33:52,720
Speaker 2: GBT and not the people were talking to.

2196
01:33:52,800 --> 01:33:55,800
Speaker 4: That's that's sick. That's a fact I already know.

2197
01:33:56,439 --> 01:33:59,360
Speaker 2: But I mean, I feel like there is no point

2198
01:34:00,040 --> 01:34:03,720
Speaker 2: closure to me? Is what that young lady did. She

2199
01:34:03,840 --> 01:34:07,439
Speaker 2: sent a letter this field, that's closure. You going to

2200
01:34:07,520 --> 01:34:10,160
Speaker 2: this is pointless closure for you would be sending a

2201
01:34:10,240 --> 01:34:11,599
Speaker 2: letter back of all the ship you want to get

2202
01:34:11,640 --> 01:34:14,080
Speaker 2: off your chest. Hey, I take cantabity here, wishes could

2203
01:34:14,080 --> 01:34:15,760
Speaker 2: have worked better here, and sending a letter back. She

2204
01:34:15,880 --> 01:34:18,640
Speaker 2: set the precedent. If she's over the shit, what is

2205
01:34:18,680 --> 01:34:20,560
Speaker 2: a closure conversation gonna No?

2206
01:34:20,680 --> 01:34:22,599
Speaker 5: I think it's a too what the marriage said too though,

2207
01:34:22,720 --> 01:34:27,120
Speaker 5: Like sometimes that's the closure and you know it is

2208
01:34:27,160 --> 01:34:27,519
Speaker 5: what it is.

2209
01:34:27,600 --> 01:34:30,400
Speaker 4: Just leave it at that. Send that girl in block in.

2210
01:34:30,520 --> 01:34:31,360
Speaker 4: Focus on yourself.

2211
01:34:31,439 --> 01:34:35,320
Speaker 2: Man, If you want to have closure, closure comes from within,

2212
01:34:35,439 --> 01:34:36,280
Speaker 2: not from the other person.

2213
01:34:36,680 --> 01:34:40,439
Speaker 4: She already set set the tone. Here's a letter. Write

2214
01:34:40,479 --> 01:34:41,960
Speaker 4: a letter back with all the shit that you want

2215
01:34:42,000 --> 01:34:45,120
Speaker 4: to get off and move on. I wouldn't even do that.

2216
01:34:45,320 --> 01:34:46,080
Speaker 3: You don't want to move on.

2217
01:34:46,240 --> 01:34:47,680
Speaker 2: I'm saying you don't even He could just move the

2218
01:34:47,720 --> 01:34:50,800
Speaker 2: fuck on, like he doesn't need to either. But I'm

2219
01:34:50,800 --> 01:34:52,799
Speaker 2: saying that's the only No one's going to a closure

2220
01:34:52,840 --> 01:34:56,240
Speaker 2: conversation to get closure. They're going to get their their

2221
01:34:56,280 --> 01:34:59,160
Speaker 2: bitch back. So let's call it what it is. He's

2222
01:34:59,200 --> 01:35:01,120
Speaker 2: not going to a closure conversation. She already had a

2223
01:35:01,120 --> 01:35:05,680
Speaker 2: closure conversation. You need to word that shit correctly, sir,

2224
01:35:05,760 --> 01:35:08,000
Speaker 2: if you listen, you're trying to get your back. If listen, sir,

2225
01:35:08,200 --> 01:35:08,880
Speaker 2: which I get it.

2226
01:35:08,920 --> 01:35:11,120
Speaker 6: I respect if you if you like that in the bedroom,

2227
01:35:11,520 --> 01:35:13,720
Speaker 6: use what you got to get what you want. Use

2228
01:35:13,800 --> 01:35:15,280
Speaker 6: that to manipulate, That's all I'm saying.

2229
01:35:15,400 --> 01:35:17,040
Speaker 4: So he just pulls dick out when he walks.

2230
01:35:16,800 --> 01:35:18,920
Speaker 3: In right, I don't pull your dick out. You don't

2231
01:35:19,000 --> 01:35:20,240
Speaker 3: pull it out, but you.

2232
01:35:20,400 --> 01:35:22,840
Speaker 4: Know like you gotta. You got to him a letter.

2233
01:35:23,160 --> 01:35:25,880
Speaker 6: That's fine. That means she care, she really loved him.

2234
01:35:25,960 --> 01:35:27,559
Speaker 6: You don't send no letter to no nigga, you ain't

2235
01:35:27,560 --> 01:35:28,040
Speaker 6: really love.

2236
01:35:28,600 --> 01:35:30,679
Speaker 2: So because she sends a letter made it very clear

2237
01:35:30,720 --> 01:35:32,840
Speaker 2: that she is completely over it. He should try to

2238
01:35:32,880 --> 01:35:36,320
Speaker 2: sleep with her, and that will no continue a healthy relationship.

2239
01:35:36,400 --> 01:35:38,920
Speaker 3: I don't. I don't think she's not completely over him.

2240
01:35:39,320 --> 01:35:42,639
Speaker 6: That like, between the letter and the and the allowing

2241
01:35:42,720 --> 01:35:45,280
Speaker 6: for a closure conversation, she's not completely open over You.

2242
01:35:45,320 --> 01:35:48,559
Speaker 2: Can be she's a situation and still care for somebody

2243
01:35:48,640 --> 01:35:50,160
Speaker 2: that takes time to get over somebody.

2244
01:35:50,160 --> 01:35:51,160
Speaker 3: That's fine, but you didn't.

2245
01:35:51,160 --> 01:35:53,320
Speaker 6: You're not sending no letter in a lot all on

2246
01:35:53,439 --> 01:35:56,559
Speaker 6: top of the letter, having a closure conversation with someone

2247
01:35:56,640 --> 01:35:59,080
Speaker 6: you're not open to still having some type of something

2248
01:35:59,160 --> 01:35:59,680
Speaker 6: with that's not.

2249
01:36:00,280 --> 01:36:02,920
Speaker 4: I got so many questions for Homie, like, I got

2250
01:36:03,120 --> 01:36:04,320
Speaker 4: so many things I want to know.

2251
01:36:04,360 --> 01:36:04,920
Speaker 3: I want to know why.

2252
01:36:05,560 --> 01:36:08,320
Speaker 2: I think her opening the door to meet and have

2253
01:36:08,360 --> 01:36:10,400
Speaker 2: a closure conversation means there's some hope, But I don't

2254
01:36:10,400 --> 01:36:12,280
Speaker 2: think he should hold on to that hope. Hope is dangerous,

2255
01:36:12,840 --> 01:36:14,560
Speaker 2: all right, so it might be a kind person and

2256
01:36:14,640 --> 01:36:15,720
Speaker 2: is like, all right, what do you need to say?

2257
01:36:15,760 --> 01:36:17,720
Speaker 2: Because this is done, Hopefully you can leave me the

2258
01:36:17,760 --> 01:36:18,200
Speaker 2: fuck alone.

2259
01:36:19,680 --> 01:36:22,800
Speaker 5: If he does respond, Can we want to take a

2260
01:36:23,000 --> 01:36:26,439
Speaker 5: take a pot on why she she ended things? You

2261
01:36:26,479 --> 01:36:29,639
Speaker 5: think it was helpful to his fault, Like you think

2262
01:36:29,680 --> 01:36:32,160
Speaker 5: she just like completely old when she met somebody new

2263
01:36:32,200 --> 01:36:32,640
Speaker 5: and that was it.

2264
01:36:33,320 --> 01:36:35,360
Speaker 2: I don't think that being a bad boy not everything

2265
01:36:35,400 --> 01:36:37,120
Speaker 2: has to do with somebody meeting somebody new.

2266
01:36:37,200 --> 01:36:37,679
Speaker 4: I'm not saying.

2267
01:36:37,720 --> 01:36:40,800
Speaker 2: I'm just saying in this situation, I feel like he

2268
01:36:41,200 --> 01:36:47,040
Speaker 2: wasn't very present in this relationship, and she stuck with

2269
01:36:47,160 --> 01:36:50,200
Speaker 2: him for a while, like she she fought and he

2270
01:36:50,520 --> 01:36:54,559
Speaker 2: continued with the same patterns and she finally just got

2271
01:36:54,600 --> 01:36:54,920
Speaker 2: that up.

2272
01:36:55,280 --> 01:36:55,880
Speaker 4: I feel like.

2273
01:36:58,080 --> 01:37:03,600
Speaker 5: She was with somebody before him. He's the rebound, and

2274
01:37:04,400 --> 01:37:06,680
Speaker 5: I feel like she wants it to work out with

2275
01:37:06,720 --> 01:37:08,599
Speaker 5: the other guy because that's what she still really loves,

2276
01:37:08,760 --> 01:37:10,120
Speaker 5: so that she just kind of called the quits.

2277
01:37:10,160 --> 01:37:13,880
Speaker 4: Does the rebound get a letter though, No, Yeah, the

2278
01:37:13,960 --> 01:37:14,760
Speaker 4: rebound gets a letter.

2279
01:37:14,880 --> 01:37:15,200
Speaker 2: The letter.

2280
01:37:15,360 --> 01:37:17,240
Speaker 3: Yeah, the rebound does not getting a letter.

2281
01:37:17,520 --> 01:37:20,599
Speaker 2: I've been a rebound and I got the age I'm

2282
01:37:20,640 --> 01:37:21,760
Speaker 2: trying to work out he got a letter?

2283
01:37:23,200 --> 01:37:26,040
Speaker 4: Yea, will y'all be getting letters? Oh no, I've never done.

2284
01:37:27,560 --> 01:37:33,360
Speaker 4: Oh about high school? High school? Yeah, that's because letters

2285
01:37:33,400 --> 01:37:34,919
Speaker 4: were the only thing available, Josh.

2286
01:37:35,280 --> 01:37:36,920
Speaker 3: I couldn't have no minutes left.

2287
01:37:37,000 --> 01:37:42,719
Speaker 4: He's about passing notes in class. Josh is fucking crazy.

2288
01:37:44,160 --> 01:37:47,280
Speaker 4: He said in high school? What Yeah, okay, I've gotten

2289
01:37:47,320 --> 01:37:48,880
Speaker 4: a note in high school. So that was the last

2290
01:37:48,920 --> 01:37:51,679
Speaker 4: time I got a letter? Was high school? High school?

2291
01:37:51,680 --> 01:37:52,200
Speaker 4: Oh my god?

2292
01:37:52,280 --> 01:37:52,439
Speaker 2: Yeah.

2293
01:37:52,479 --> 01:37:53,680
Speaker 4: But I'm thinking it was something like that.

2294
01:37:54,320 --> 01:37:56,360
Speaker 5: I think that she, you know, she had something before

2295
01:37:56,400 --> 01:37:59,920
Speaker 5: she met him, and she kind of wants to, you know,

2296
01:38:00,400 --> 01:38:02,439
Speaker 5: see if she could work that up. I think that's

2297
01:38:02,479 --> 01:38:05,080
Speaker 5: what it is, because he sound like he's completely caught

2298
01:38:05,160 --> 01:38:08,920
Speaker 5: off guard, heartbroken, Like he don't he seemed like things

2299
01:38:08,960 --> 01:38:10,280
Speaker 5: were okay, and it just kind.

2300
01:38:10,200 --> 01:38:12,040
Speaker 4: Of just like he thought they were okay, but he

2301
01:38:12,120 --> 01:38:14,040
Speaker 4: wasn't really present. He was in the same pattern.

2302
01:38:14,200 --> 01:38:16,559
Speaker 5: See, yoh, she was cool not he thought it was okay,

2303
01:38:16,640 --> 01:38:18,120
Speaker 5: but she didn't want to tell him what it really

2304
01:38:18,320 --> 01:38:22,160
Speaker 5: was because she was still had feelings for do before.

2305
01:38:22,200 --> 01:38:23,800
Speaker 5: And then he kind of came back. He probably just

2306
01:38:23,920 --> 01:38:26,840
Speaker 5: came home, did a little a little bit or something.

2307
01:38:27,640 --> 01:38:29,760
Speaker 5: I'm just saying, we're throwing, we're just thinking anything at

2308
01:38:29,800 --> 01:38:31,400
Speaker 5: this We don't know, so we I'm just thinking of

2309
01:38:31,520 --> 01:38:32,200
Speaker 5: with anything.

2310
01:38:32,280 --> 01:38:36,800
Speaker 4: But from his tone, he don't sound like he did something.

2311
01:38:36,840 --> 01:38:40,920
Speaker 4: He sounds like he's like like, yo, man, like I'm

2312
01:38:40,960 --> 01:38:41,720
Speaker 4: still fucked up.

2313
01:38:41,760 --> 01:38:43,680
Speaker 5: Like he sounded like this shit like pulled the rug

2314
01:38:43,720 --> 01:38:45,680
Speaker 5: from up on him, like he wasn't expecting it to

2315
01:38:45,760 --> 01:38:46,120
Speaker 5: be over.

2316
01:38:46,360 --> 01:38:48,360
Speaker 4: So that's what I'm saying. It got to be something

2317
01:38:48,439 --> 01:38:51,200
Speaker 4: on her end. O. Well, I.

2318
01:38:52,760 --> 01:38:57,240
Speaker 6: Sir, going into the closure conversation, locking, locking, know what

2319
01:38:57,360 --> 01:38:59,960
Speaker 6: you want to know, what you want to say, shut up,

2320
01:39:00,000 --> 01:39:02,559
Speaker 6: fuck know what you want to say, and let us

2321
01:39:02,640 --> 01:39:03,599
Speaker 6: let us know how it goes.

2322
01:39:03,680 --> 01:39:05,439
Speaker 3: More than I'm laughing at you. I know what it's like.

2323
01:39:05,560 --> 01:39:07,320
Speaker 3: I know what it's like sleeping with a broken heart. Yo,

2324
01:39:07,360 --> 01:39:08,680
Speaker 3: I know, I know what that ship feels like.

2325
01:39:08,880 --> 01:39:11,960
Speaker 2: So I just feel like he's not prepared for baby

2326
01:39:12,000 --> 01:39:14,160
Speaker 2: d I know what it's like sleeping with a broken heart.

2327
01:39:14,200 --> 01:39:15,719
Speaker 4: I love that song, finished that poem.

2328
01:39:15,520 --> 01:39:18,559
Speaker 5: Baby, I know what it's like sleeping with a broken heart.

2329
01:39:18,600 --> 01:39:22,400
Speaker 5: I thought it was heartburn. I thought it was the foster.

2330
01:39:24,080 --> 01:39:24,120
Speaker 6: Ma.

2331
01:39:24,760 --> 01:39:25,559
Speaker 4: I I'm sorry man.

2332
01:39:25,920 --> 01:39:27,560
Speaker 5: Hopefully we speak to this dude, though, because I do

2333
01:39:27,640 --> 01:39:29,519
Speaker 5: want to I do want to hear why they why

2334
01:39:29,520 --> 01:39:30,600
Speaker 5: it ended, why they broke up.

2335
01:39:30,760 --> 01:39:32,639
Speaker 2: I'm not saying he owes us a lot of explanation,

2336
01:39:32,720 --> 01:39:34,400
Speaker 2: but I don't think he's prepped because he didn't give

2337
01:39:34,439 --> 01:39:34,720
Speaker 2: us much.

2338
01:39:34,800 --> 01:39:37,040
Speaker 4: All he said was no, I'm still I'm still fucking now.

2339
01:39:37,080 --> 01:39:39,920
Speaker 5: He can't even think I know that, he can't think.

2340
01:39:40,000 --> 01:39:44,600
Speaker 5: He ain't washed his ass in there, sheet's thinking he

2341
01:39:44,800 --> 01:39:45,439
Speaker 5: just fucked up.

2342
01:39:45,520 --> 01:39:47,560
Speaker 3: Tears and sweat, tears, sweat.

2343
01:39:49,200 --> 01:39:53,679
Speaker 4: He just fucked up. Yeah, on it, it's just ship everywhere.

2344
01:39:53,960 --> 01:39:56,000
Speaker 4: He has to to the marriage's point.

2345
01:39:56,000 --> 01:39:57,320
Speaker 2: It has to come with an agenda, though, because if

2346
01:39:57,360 --> 01:39:59,400
Speaker 2: you walk in just a fucking mope and like you

2347
01:39:59,520 --> 01:40:01,920
Speaker 2: got nothing to say, just like what's the problem, She's

2348
01:40:01,960 --> 01:40:03,920
Speaker 2: gonna look at you even worse, she's gonna look at

2349
01:40:03,960 --> 01:40:06,360
Speaker 2: you like like an annoyance, Like all right, you want to.

2350
01:40:06,320 --> 01:40:07,280
Speaker 4: Close your conversation for what?

2351
01:40:07,680 --> 01:40:07,720
Speaker 2: What?

2352
01:40:07,880 --> 01:40:08,080
Speaker 3: Come on?

2353
01:40:08,200 --> 01:40:08,599
Speaker 4: Say something?

2354
01:40:09,479 --> 01:40:09,639
Speaker 5: Nah?

2355
01:40:09,720 --> 01:40:10,879
Speaker 4: That energy is crazy.

2356
01:40:11,600 --> 01:40:13,599
Speaker 5: No, that tell him you wanted to close your conversation

2357
01:40:13,720 --> 01:40:13,920
Speaker 5: for what?

2358
01:40:14,439 --> 01:40:15,000
Speaker 4: Say something?

2359
01:40:15,160 --> 01:40:18,080
Speaker 2: You don't think people do closure conversation ship just to

2360
01:40:18,280 --> 01:40:19,599
Speaker 2: be next to that person for a second.

2361
01:40:19,920 --> 01:40:21,960
Speaker 4: Yeah, for sure. But I'm saying for for him to

2362
01:40:22,000 --> 01:40:23,720
Speaker 4: walk into the German like, Yo, so what you wanted

2363
01:40:23,760 --> 01:40:26,680
Speaker 4: to talk about? Like, hurry up? If you come, I

2364
01:40:26,920 --> 01:40:27,479
Speaker 4: get in my back.

2365
01:40:27,560 --> 01:40:29,479
Speaker 5: Yeah yeah, at that point it's like your whole up

2366
01:40:30,160 --> 01:40:33,439
Speaker 5: hold you like, you ain't even that cute like you

2367
01:40:33,520 --> 01:40:34,840
Speaker 5: get it to that at that point.

2368
01:40:35,720 --> 01:40:37,760
Speaker 4: Honestly, you ain't even that cute like. And first of all,

2369
01:40:37,760 --> 01:40:40,200
Speaker 4: your hand running is trash. Yeah, you can't even have to.

2370
01:40:40,200 --> 01:40:42,320
Speaker 5: Let you gotta start breaking her down at the table,

2371
01:40:42,360 --> 01:40:44,760
Speaker 5: like shoes is trash. I've been meaning to tell you

2372
01:40:44,840 --> 01:40:45,799
Speaker 5: to throw those out.

2373
01:40:48,320 --> 01:40:51,160
Speaker 4: A liberty stamp. Really get out of here like that.

2374
01:40:51,240 --> 01:40:52,639
Speaker 6: You gotta all right, So if you want to take

2375
01:40:52,680 --> 01:40:55,639
Speaker 6: moll advice walking in flies for fresh haircut, you gotta

2376
01:40:55,680 --> 01:40:57,439
Speaker 6: walk in like I don't know what you want. But

2377
01:40:57,560 --> 01:40:59,320
Speaker 6: we're not broken up, bro, We're not broken up. Whatever

2378
01:40:59,320 --> 01:41:00,840
Speaker 6: we're going through, we work it out, but we're not

2379
01:41:00,880 --> 01:41:01,280
Speaker 6: breaking up.

2380
01:41:01,320 --> 01:41:02,840
Speaker 4: And put on here everything that you said.

2381
01:41:02,840 --> 01:41:05,040
Speaker 6: And I'm sorry that I've neglected to address those issues

2382
01:41:05,080 --> 01:41:06,479
Speaker 6: before to the point where it got this bad. But

2383
01:41:06,680 --> 01:41:08,040
Speaker 6: we're not breaking up, bro, So you can hang that

2384
01:41:08,080 --> 01:41:09,479
Speaker 6: shit up. So where do we move on from here?

2385
01:41:09,560 --> 01:41:11,400
Speaker 6: That's what he should say. Yeah, Nah, then the cops

2386
01:41:11,520 --> 01:41:12,000
Speaker 6: is coming.

2387
01:41:12,680 --> 01:41:13,600
Speaker 4: Now, but what if he walks in.

2388
01:41:13,720 --> 01:41:15,200
Speaker 2: He went to the post office first and got a

2389
01:41:15,280 --> 01:41:17,679
Speaker 2: return to sender stamp on her letter.

2390
01:41:17,640 --> 01:41:20,760
Speaker 4: And showed up with it, but he didn't even read it. Yeah,

2391
01:41:20,920 --> 01:41:23,479
Speaker 4: return the center. I would do that. I would.

2392
01:41:24,160 --> 01:41:25,560
Speaker 5: I didn't even read your listen, I don't know what.

2393
01:41:25,720 --> 01:41:27,479
Speaker 5: I don't know what this was supposed to be. But

2394
01:41:28,080 --> 01:41:28,680
Speaker 5: I didn't read that.

2395
01:41:29,240 --> 01:41:31,120
Speaker 2: Given homie at the post office five dollars, so you

2396
01:41:31,160 --> 01:41:32,639
Speaker 2: could use the return to send a stamp.

2397
01:41:33,560 --> 01:41:35,280
Speaker 4: I didn't read that. But yeah, I do want to

2398
01:41:35,320 --> 01:41:37,120
Speaker 4: talk to him, Josh, send him an email and hopefully

2399
01:41:37,160 --> 01:41:41,519
Speaker 4: we could. He made closure conbo right now. Yeah he

2400
01:41:41,640 --> 01:41:44,680
Speaker 4: might be. Yeah, he closed one day.

2401
01:41:44,680 --> 01:41:45,599
Speaker 2: It's kind of crazy though.

2402
01:41:46,479 --> 01:41:47,439
Speaker 4: Yeah, yeah he might be.

2403
01:41:47,840 --> 01:41:49,920
Speaker 5: And he might not even be the because she probably worked,

2404
01:41:50,320 --> 01:41:52,840
Speaker 5: so it's gonna be an afterwork thing. They probably both

2405
01:41:52,880 --> 01:41:53,960
Speaker 5: at work. Stomach bubbling.

2406
01:41:54,000 --> 01:41:55,720
Speaker 6: When you gotta have that type of conversation where you

2407
01:41:55,840 --> 01:41:58,320
Speaker 6: get or if somebody text you we need to talk

2408
01:41:58,600 --> 01:41:59,439
Speaker 6: and you at work.

2409
01:42:00,000 --> 01:42:03,280
Speaker 5: We're talking right now. Yeah, all this work, we're talking

2410
01:42:03,400 --> 01:42:04,920
Speaker 5: right now. Matter of fact, I'm the off I'm done.

2411
01:42:05,240 --> 01:42:06,000
Speaker 3: I've definitely gotten know.

2412
01:42:06,080 --> 01:42:08,240
Speaker 6: We need to talk like text while we were recorded,

2413
01:42:08,280 --> 01:42:10,000
Speaker 6: and my ass, my stomach was in my ass the

2414
01:42:10,040 --> 01:42:10,400
Speaker 6: whole time.

2415
01:42:10,560 --> 01:42:11,479
Speaker 4: What you did, baby.

2416
01:42:13,120 --> 01:42:18,559
Speaker 3: Man? Wrap this sh up? What you did, it don't matter,

2417
01:42:18,640 --> 01:42:21,840
Speaker 3: It don't matter, don't matter. Niggas ain't leave. It don't matter.

2418
01:42:22,640 --> 01:42:27,880
Speaker 4: Niggas ain't leave. Baby did right there. Memories don't live

2419
01:42:27,920 --> 01:42:30,960
Speaker 4: like people, do you know. I just I just wanted

2420
01:42:30,960 --> 01:42:33,240
Speaker 4: to read the marriage group chat one time. I'm probably

2421
01:42:33,439 --> 01:42:35,360
Speaker 4: terrified one time about the party.

2422
01:42:35,479 --> 01:42:38,320
Speaker 3: Shout out the Cardi B shout out to jail Electronica.

2423
01:42:37,920 --> 01:42:43,920
Speaker 4: Like look big safe, be blessed. I'm that nigga. He's

2424
01:42:44,000 --> 01:42:44,840
Speaker 4: just piece