1 00:00:01,280 --> 00:00:03,760 Speaker 1: We got that naughtor for your soul and now to 2 00:00:04,000 --> 00:00:07,960 Speaker 1: get into the freakyking you on this show. No, it happens, man. 3 00:00:08,000 --> 00:00:10,120 Speaker 1: I mean I've been in that position or just being 4 00:00:10,160 --> 00:00:13,040 Speaker 1: you know, too nice of a guy or whatever, and 5 00:00:13,039 --> 00:00:19,720 Speaker 1: then that fucking and then that I know what you want? Yeah, yeah, 6 00:00:19,840 --> 00:00:22,639 Speaker 1: Now I remember. The one that really hurt was this 7 00:00:22,760 --> 00:00:25,720 Speaker 1: girl that I was dating, and uh, she would have 8 00:00:25,800 --> 00:00:28,320 Speaker 1: I'm gonna go to girls' night. And I was very young, 9 00:00:28,360 --> 00:00:30,040 Speaker 1: and she was very old. She was older and I 10 00:00:30,080 --> 00:00:32,879 Speaker 1: was young. I was like twenty one maybe fo so 11 00:00:33,159 --> 00:00:35,000 Speaker 1: this is all new to me. She's like late twenties 12 00:00:35,120 --> 00:00:37,239 Speaker 1: or yeah, like twenty eight, had a kid. You know, 13 00:00:37,280 --> 00:00:39,520 Speaker 1: she's a grown up. You know what she's been through life, 14 00:00:39,560 --> 00:00:41,680 Speaker 1: you know what I mean. Yeah, so she was already 15 00:00:41,720 --> 00:00:43,800 Speaker 1: like she didn't really like the settling down either. So 16 00:00:43,840 --> 00:00:46,200 Speaker 1: I was just like and I was very like loyal 17 00:00:46,200 --> 00:00:48,680 Speaker 1: and like nah, you know to carr of you fucking. 18 00:00:49,320 --> 00:00:51,480 Speaker 1: She was the first one that we know we did 19 00:00:51,520 --> 00:00:53,519 Speaker 1: things like that. I was like, oh, ships like some 20 00:00:53,680 --> 00:00:56,000 Speaker 1: grown man shit, you know, like splaying the whole night together. 21 00:00:56,080 --> 00:00:57,960 Speaker 1: Like wait, I never did that. She had her a 22 00:00:57,960 --> 00:01:01,120 Speaker 1: little spot, So I was getting strong fool and like, 23 00:01:01,320 --> 00:01:03,040 Speaker 1: uh so the point is that she had a girl's 24 00:01:03,120 --> 00:01:04,600 Speaker 1: night out and I was just like, yeah, go to 25 00:01:04,640 --> 00:01:06,160 Speaker 1: your thing. I'm trying to be more confident because she 26 00:01:06,160 --> 00:01:08,640 Speaker 1: wants me to be more confident. That's her thing. You're 27 00:01:08,680 --> 00:01:11,040 Speaker 1: just like insecure, like be confident, Like I like a 28 00:01:11,040 --> 00:01:14,080 Speaker 1: confident already She's already sucking with my head, so I'm 29 00:01:14,120 --> 00:01:15,840 Speaker 1: like all right, cool. Yeah yeah. So she's like I'm 30 00:01:15,840 --> 00:01:17,360 Speaker 1: gonna go out with my friends that girls tell me 31 00:01:17,400 --> 00:01:20,080 Speaker 1: that me like like sit up straight, but your your 32 00:01:20,080 --> 00:01:27,520 Speaker 1: shoulders back, like I'm not. I'm not confident. I'm not compient. 33 00:01:29,040 --> 00:01:32,520 Speaker 1: Huh like that. They're like how like forget it, Like 34 00:01:34,280 --> 00:01:36,080 Speaker 1: girls teach you be how to sit Like come on, 35 00:01:38,200 --> 00:01:39,640 Speaker 1: she tried to teach you how to be a manager, 36 00:01:40,080 --> 00:01:44,679 Speaker 1: like like grab you're not or something like never mind, 37 00:01:44,720 --> 00:01:49,480 Speaker 1: forget it, yeah your chest out or something. Dude, I 38 00:01:49,520 --> 00:01:51,559 Speaker 1: had that. So this girl went out with her friends 39 00:01:52,040 --> 00:01:54,920 Speaker 1: and then I it was on Facebook. We don't it 40 00:01:55,040 --> 00:01:57,680 Speaker 1: was when Facebook started like showing you the pin points 41 00:01:57,840 --> 00:02:02,240 Speaker 1: of where you're at, you know, the location. Yeah, you're like, oh, 42 00:02:02,240 --> 00:02:03,640 Speaker 1: I'm right here at this club, I'm right here at 43 00:02:03,680 --> 00:02:05,880 Speaker 1: this So it just started doing that and she said 44 00:02:05,960 --> 00:02:07,800 Speaker 1: she was at the Saddle Ranch. So I'm like, oh word. 45 00:02:08,360 --> 00:02:10,320 Speaker 1: So I started getting secure because I started calling her 46 00:02:10,520 --> 00:02:13,040 Speaker 1: or texting her. She wouldn't reply. She wouldn't reply, and 47 00:02:13,040 --> 00:02:16,800 Speaker 1: I was like, yeah, it's just down the street, like all, 48 00:02:16,800 --> 00:02:18,520 Speaker 1: I gotta go to gold her I'm and I was like, 49 00:02:18,520 --> 00:02:20,679 Speaker 1: what if I just go just to see what she's 50 00:02:20,720 --> 00:02:23,480 Speaker 1: and then come back. There's a little glass She's okay, 51 00:02:23,639 --> 00:02:25,600 Speaker 1: I'm convincing my head phone like yeah, I'm gonna do 52 00:02:25,600 --> 00:02:29,359 Speaker 1: that dry. She's not riding the ball crazy, yeah, exactly 53 00:02:29,639 --> 00:02:32,520 Speaker 1: from Barton or no shirt and everybody got a shirt 54 00:02:32,880 --> 00:02:35,639 Speaker 1: him with the foot so yeah. So I'm like, um, 55 00:02:35,960 --> 00:02:38,880 Speaker 1: so I go to Saddle Ranchway and I'm like, first 56 00:02:38,919 --> 00:02:40,120 Speaker 1: of all, they wouldn't let me in because I have 57 00:02:40,160 --> 00:02:44,600 Speaker 1: the right shoes, Like oh yeah, Jorian pulled some bullshit. 58 00:02:44,680 --> 00:02:46,600 Speaker 1: Sometimes I'll be like, oh, your pants are too bagging, 59 00:02:46,720 --> 00:02:49,119 Speaker 1: My pants fit fine, it's like bro. And then it's 60 00:02:49,160 --> 00:02:51,720 Speaker 1: like it's a bar. Yeah guy, my guy, it's a 61 00:02:51,760 --> 00:02:54,320 Speaker 1: bar relaxed. But we're not even like sucking the skyscraper 62 00:02:54,320 --> 00:02:57,160 Speaker 1: in downtown fool chill out. Yeah. So they so I 63 00:02:57,160 --> 00:02:59,040 Speaker 1: had to go to fucking Ross Way they'll buy some 64 00:02:59,120 --> 00:03:01,600 Speaker 1: dress shoes. It's a little fun. So I went all 65 00:03:01,600 --> 00:03:03,840 Speaker 1: out food. I'm like, I'm telling you right now, I 66 00:03:04,160 --> 00:03:07,000 Speaker 1: was that guy foo. I was twenty one, insecure full. 67 00:03:07,080 --> 00:03:09,639 Speaker 1: I go to ross Way by those shoes. I come 68 00:03:09,680 --> 00:03:12,040 Speaker 1: back and I'm like and sucking the bar. Even the 69 00:03:12,040 --> 00:03:15,120 Speaker 1: bouncer's like, wow you again, all right, yeah cool, might 70 00:03:15,160 --> 00:03:16,960 Speaker 1: as well get in, And I'm like, all right, cool. 71 00:03:17,160 --> 00:03:19,399 Speaker 1: I go in there. Dude, I'm looking for her. I'm 72 00:03:19,440 --> 00:03:23,040 Speaker 1: looking for I can't see nothing. And then I see 73 00:03:23,080 --> 00:03:25,320 Speaker 1: her full. I see her over there at the VIP 74 00:03:25,680 --> 00:03:29,920 Speaker 1: section by the DJ shit, and she's just fucking and 75 00:03:30,000 --> 00:03:33,200 Speaker 1: I'm like, oh my heart, just fuck, that's her dog 76 00:03:33,280 --> 00:03:38,520 Speaker 1: like sweating, like getting it in. She's backs, its fucking 77 00:03:38,560 --> 00:03:41,600 Speaker 1: going in. She's fucking and I get that fucking yeah. 78 00:03:41,680 --> 00:03:45,240 Speaker 1: She's just like I'm gonna get this the fucker wreck ma. 79 00:03:46,760 --> 00:03:48,960 Speaker 1: And even this for the food, was just hanging out 80 00:03:48,960 --> 00:03:53,400 Speaker 1: the dear life, like I got a fucking wall one 81 00:03:53,640 --> 00:03:59,760 Speaker 1: cow boy in rodeo and her how to take it. 82 00:04:00,160 --> 00:04:06,240 Speaker 1: I'm like, it's always like, hey, for you good, I'm good, 83 00:04:06,240 --> 00:04:09,440 Speaker 1: I'm good. Sound good. They're checking out him and shy 84 00:04:09,480 --> 00:04:15,600 Speaker 1: Wold bit right, having left the house in wigs. Dude, 85 00:04:15,680 --> 00:04:19,000 Speaker 1: just backing it and I'm just my heart and I 86 00:04:19,000 --> 00:04:21,839 Speaker 1: don't get asked. I'm watching this and I'm trying to 87 00:04:22,000 --> 00:04:25,560 Speaker 1: walk through. Bro, I'm trying to walk through. And the 88 00:04:25,680 --> 00:04:27,800 Speaker 1: bouncer a little love. I was just like, hey, my man, 89 00:04:27,960 --> 00:04:31,800 Speaker 1: you gotta you can't come through, man, you know rodeo six. 90 00:04:32,160 --> 00:04:33,960 Speaker 1: So so they got the rope and the guy's like, man, 91 00:04:34,000 --> 00:04:41,480 Speaker 1: you got and I was like, dude, my voice is there. Bro. 92 00:04:41,560 --> 00:04:46,240 Speaker 1: I'm like, dude, I can't be My voice is already 93 00:04:46,240 --> 00:04:54,240 Speaker 1: fucking cracking. I'm not even tough doing my fucking girl. Dude, 94 00:04:54,480 --> 00:04:58,200 Speaker 1: I'm there, Dude, that's my girl. It's my fucking girlfriend. 95 00:04:59,160 --> 00:05:04,239 Speaker 1: It's my girlfriend. What oh shit? What she just? The 96 00:05:04,279 --> 00:05:08,200 Speaker 1: bouncer felt bad. He's just like, oh damn, homie, and 97 00:05:08,360 --> 00:05:11,080 Speaker 1: my man, ain't she busy right now? Man? Like you 98 00:05:11,120 --> 00:05:13,479 Speaker 1: know she ain't she busy right now? I don't think she. 99 00:05:13,960 --> 00:05:15,600 Speaker 1: I don't think she you know what I mean, she's busy, man. 100 00:05:15,640 --> 00:05:19,000 Speaker 1: He looked back, solids happening. He felt for you, like 101 00:05:19,080 --> 00:05:21,680 Speaker 1: he didn't want to tell me, just like, yo, she's busy, man. 102 00:05:21,800 --> 00:05:26,080 Speaker 1: She been brand new roses and yeah, brand new fucking 103 00:05:26,120 --> 00:05:28,359 Speaker 1: shiny shoes flues like I'm ignoring the fact that he 104 00:05:28,360 --> 00:05:30,280 Speaker 1: said that. I'm like, no, this is my fucking girlfriend. 105 00:05:30,480 --> 00:05:32,560 Speaker 1: And there's a lethal dude, you know, got no bitches, 106 00:05:32,560 --> 00:05:35,800 Speaker 1: but he's flying, good haircut, you know, and p section. 107 00:05:35,880 --> 00:05:38,479 Speaker 1: He's the only one, yeah, type faith flat dude, you know, 108 00:05:38,520 --> 00:05:40,480 Speaker 1: with a bottle the factors, always got the bottles. And 109 00:05:41,240 --> 00:05:43,240 Speaker 1: he's just like chilling watching the homies grind that's what's 110 00:05:43,240 --> 00:05:48,040 Speaker 1: so fucking grinding hard. He's just chilling. Yeah, And then 111 00:05:48,040 --> 00:05:49,720 Speaker 1: I called, I guess it's attention. I'm just like that, 112 00:05:50,000 --> 00:05:51,640 Speaker 1: and he looked at me, so it was so he 113 00:05:51,760 --> 00:05:53,840 Speaker 1: rolled up like you know what, I'm just leaning in like, hey, 114 00:05:53,880 --> 00:05:56,200 Speaker 1: that's my fucking girlfriend in his face. Was just like 115 00:05:56,240 --> 00:06:02,839 Speaker 1: what damn. So he walks over there and the dog 116 00:06:03,040 --> 00:06:05,960 Speaker 1: its so fun? What what? And he goes like his 117 00:06:06,040 --> 00:06:08,680 Speaker 1: girlfriends right there, his boyfriend right there. He looked so 118 00:06:08,800 --> 00:06:10,920 Speaker 1: what And then the girl, my girl just pops her 119 00:06:10,920 --> 00:06:13,320 Speaker 1: head out, sweating and she's like like what happened? What? 120 00:06:13,720 --> 00:06:17,320 Speaker 1: Oh my god? What the fuck? Like, and I'm like 121 00:06:17,560 --> 00:06:20,080 Speaker 1: she's not even she's not even worried that she's in trouble. 122 00:06:20,120 --> 00:06:22,400 Speaker 1: She's just like you're ruining. Let's send me, dude. And 123 00:06:22,440 --> 00:06:25,280 Speaker 1: I'm just like this the fuck, like, I'm just the 124 00:06:25,320 --> 00:06:28,000 Speaker 1: fuck and she just goes, oh my god, like colors 125 00:06:28,000 --> 00:06:30,360 Speaker 1: her face, what the fuck are you doing here? Like 126 00:06:30,400 --> 00:06:33,800 Speaker 1: what the fuck? What are you be getting weird? What 127 00:06:33,839 --> 00:06:35,680 Speaker 1: are you doing here? What the fuck is that like? 128 00:06:36,360 --> 00:06:38,320 Speaker 1: And she's like, oh my god. And then that was 129 00:06:38,360 --> 00:06:40,000 Speaker 1: just like damn, like I don't know what to do 130 00:06:40,160 --> 00:06:42,320 Speaker 1: type of sh So he just puts his hands in 131 00:06:42,360 --> 00:06:48,080 Speaker 1: the air. He's just like, hey man, he's cool, and 132 00:06:48,120 --> 00:06:52,800 Speaker 1: this shit right here. She's like your girl, you know, 133 00:06:52,880 --> 00:06:56,320 Speaker 1: airing himself out with this sir, Like, damn, she's a girl. 134 00:06:56,880 --> 00:06:59,040 Speaker 1: Are you sure? Because she said she was saying, home 135 00:07:01,720 --> 00:07:05,000 Speaker 1: bottle will give me a drinking dying you're doing. So 136 00:07:05,240 --> 00:07:07,200 Speaker 1: I just stood there for just gotta and I took 137 00:07:07,200 --> 00:07:09,400 Speaker 1: her outside. We're like arguing, doing that whole thing, like 138 00:07:09,800 --> 00:07:12,640 Speaker 1: what the fuck, I'm just dancing and oh yeah, she 139 00:07:12,720 --> 00:07:16,160 Speaker 1: is that excuse with the guy dude and back in 140 00:07:16,200 --> 00:07:18,680 Speaker 1: her the bottom all crazy like that. Yeah, and then 141 00:07:18,920 --> 00:07:22,720 Speaker 1: v broke top sections damn fool. So she just literally 142 00:07:22,760 --> 00:07:25,720 Speaker 1: like calmed me down. So, babe, I'm just gonna dance 143 00:07:25,760 --> 00:07:31,280 Speaker 1: with my friends. And I'll see you after, like all right, 144 00:07:31,320 --> 00:07:34,240 Speaker 1: it's just fuck you fucking give me, fucking get me 145 00:07:34,240 --> 00:07:40,800 Speaker 1: all scared, Relax, relax, Okay, I'm gonna see after we're 146 00:07:40,840 --> 00:07:42,600 Speaker 1: done and the fun and I was like all right, 147 00:07:42,640 --> 00:07:44,880 Speaker 1: and she gave me a kiss. He's I'm gonna stop buying. 148 00:07:45,200 --> 00:07:48,520 Speaker 1: It's all right. Cool. I'm at the parking lot, like fun, 149 00:07:48,560 --> 00:07:51,760 Speaker 1: why did that just happen? I'm waiting and then she 150 00:07:51,840 --> 00:07:53,680 Speaker 1: never hits me up. And it was one of those 151 00:07:53,720 --> 00:07:55,440 Speaker 1: like I stayed out till five in the morning, food, 152 00:07:55,560 --> 00:07:59,000 Speaker 1: calling her, calling her, calling her, calling it. I've been 153 00:07:59,040 --> 00:08:01,920 Speaker 1: there though, That's why I'm sympathizing with you. I'm at 154 00:08:02,000 --> 00:08:04,040 Speaker 1: my house and I'm just like, well, the clothes ended, 155 00:08:04,120 --> 00:08:05,960 Speaker 1: but you know, she's probably eating and ship, so it's 156 00:08:06,280 --> 00:08:08,840 Speaker 1: I'm gonna give her hungry. That's where probably where she's at. Yeah, 157 00:08:08,880 --> 00:08:11,720 Speaker 1: I'm giving her some time and dude, nothing calling her 158 00:08:11,800 --> 00:08:14,560 Speaker 1: vest friends woo and nothing, way, nothing. They're putting me 159 00:08:14,600 --> 00:08:17,320 Speaker 1: on like this number has been like you know, just 160 00:08:17,560 --> 00:08:21,200 Speaker 1: all that shit right, like going straight to voicemail. Bro, 161 00:08:21,280 --> 00:08:22,680 Speaker 1: It's like three in the morning, and I'm like I 162 00:08:22,760 --> 00:08:25,000 Speaker 1: haven't slapped. I'm like, fuck, i gotta go to work, fool, 163 00:08:25,120 --> 00:08:27,600 Speaker 1: And I'm still like, yeah, I need to figure this out. 164 00:08:27,720 --> 00:08:31,800 Speaker 1: Nothing way five in the morning, she answers, She's like hallo, 165 00:08:32,400 --> 00:08:36,800 Speaker 1: like like I'm a bother fool, Like I'm like I'm 166 00:08:36,840 --> 00:08:41,080 Speaker 1: bothering her now, you know. It's like helloon confused, like 167 00:08:41,080 --> 00:08:42,960 Speaker 1: why am I calling her at five minute? Like what 168 00:08:43,000 --> 00:08:45,360 Speaker 1: the fun And you know, I've called so many times 169 00:08:45,400 --> 00:08:47,840 Speaker 1: I expect the answer. So when I got the funnels, 170 00:08:47,840 --> 00:08:50,920 Speaker 1: like I couldn't see it. I was so I was 171 00:08:51,000 --> 00:08:57,040 Speaker 1: laid down and when I heard him, um, I'm here 172 00:08:57,080 --> 00:09:00,160 Speaker 1: you are, like, um, paper, are you like okay? Has 173 00:09:00,160 --> 00:09:03,080 Speaker 1: that been like calling you? And it's like, oh yeah, 174 00:09:03,160 --> 00:09:06,800 Speaker 1: I know, dude, what the fuck? Like it's five in 175 00:09:06,840 --> 00:09:09,640 Speaker 1: the morning, are you are you serious right now? And 176 00:09:09,679 --> 00:09:12,600 Speaker 1: I'm like, well, why didn't you answer? Oh my god, 177 00:09:12,600 --> 00:09:15,400 Speaker 1: are you fucking serious right now? Hearing something in the 178 00:09:15,400 --> 00:09:19,160 Speaker 1: back the fuck like they're talking like I gotta work 179 00:09:19,160 --> 00:09:20,640 Speaker 1: in a couple of hours, the baby who is there? 180 00:09:20,760 --> 00:09:22,360 Speaker 1: Like who's in the back. It's like, oh my, it's 181 00:09:22,400 --> 00:09:25,760 Speaker 1: my fucking friends. You're not even home. I'm gonna call 182 00:09:25,840 --> 00:09:30,079 Speaker 1: you back, dude, Like what the I don't like him 183 00:09:30,080 --> 00:09:34,720 Speaker 1: when you're insecure like I don't like this, Like this 184 00:09:34,800 --> 00:09:36,880 Speaker 1: is all my fault, right, it hangs up, and I'm 185 00:09:36,920 --> 00:09:39,400 Speaker 1: just like, did I fuck this up? And I felt 186 00:09:39,400 --> 00:09:41,960 Speaker 1: like I was, like I sucked it up. She had 187 00:09:41,960 --> 00:09:43,480 Speaker 1: just been cool. I should just let her do with 188 00:09:43,480 --> 00:09:48,000 Speaker 1: that guy, should be cool. So I was, I've been 189 00:09:48,040 --> 00:09:50,440 Speaker 1: through all that shit, dude, damn. That's why I trust 190 00:09:50,480 --> 00:09:53,360 Speaker 1: issues on me. I could relate though, So like I trusted, 191 00:09:53,480 --> 00:09:55,600 Speaker 1: I was all sprung on a girl. We were hooking up, 192 00:09:55,600 --> 00:09:57,600 Speaker 1: but like we were like together, but I was awe 193 00:09:57,600 --> 00:09:59,920 Speaker 1: sprung on her, yeah, and uh, you know, she was 194 00:10:00,120 --> 00:10:02,240 Speaker 1: sucking with this other four And then one time she 195 00:10:02,400 --> 00:10:05,000 Speaker 1: like invited me to go with her to this bar 196 00:10:05,440 --> 00:10:09,160 Speaker 1: and she was with her homegirl and then dude is 197 00:10:09,320 --> 00:10:11,920 Speaker 1: there and they're like kind of dancing and she but 198 00:10:11,960 --> 00:10:14,280 Speaker 1: that's you know, I was like doing that sh in denial, 199 00:10:14,920 --> 00:10:17,280 Speaker 1: you know. I'm like that that's nothing, that's nothing, you know, 200 00:10:17,360 --> 00:10:19,439 Speaker 1: And I'm being like a little cool homie. I'm like, oh, yeah, 201 00:10:19,440 --> 00:10:23,719 Speaker 1: it's a good yeah, might might be. And then I'm 202 00:10:23,720 --> 00:10:26,280 Speaker 1: sitting there and then her and her homegirl and she 203 00:10:26,280 --> 00:10:28,280 Speaker 1: straights up, looks at her homegrown, looks at me. She's like, 204 00:10:28,320 --> 00:10:31,440 Speaker 1: I feel bad, like says it out loud, so I 205 00:10:31,440 --> 00:10:33,800 Speaker 1: get hear, but I just acted like, oh no, she's 206 00:10:33,800 --> 00:10:39,640 Speaker 1: talking about something else, like we're like that. Like she 207 00:10:39,640 --> 00:10:41,199 Speaker 1: she was to the point where she felt so bad 208 00:10:41,240 --> 00:10:44,160 Speaker 1: she said it out loud, and I'm still there like, yeah, 209 00:10:44,160 --> 00:10:48,200 Speaker 1: that's all good. This is the worst. It's the worst feeling. 210 00:10:48,600 --> 00:10:53,400 Speaker 1: It's the worst. Yeah. I just like people that are real, 211 00:10:53,640 --> 00:10:56,040 Speaker 1: you know I'm saying. And that's why I hate it 212 00:10:56,080 --> 00:10:58,080 Speaker 1: when people are like, oh yeah, strippers like you said, 213 00:10:58,080 --> 00:11:00,200 Speaker 1: you're in a late like oh no, like politicians and 214 00:11:00,240 --> 00:11:02,680 Speaker 1: all that, they're like or the preachers of the churches. 215 00:11:02,720 --> 00:11:04,640 Speaker 1: They go, no, it's wrong, but they're the ones and 216 00:11:04,679 --> 00:11:08,280 Speaker 1: they hang out exactly girl, and they're right there all 217 00:11:08,400 --> 00:11:10,079 Speaker 1: cast your vote for me. But they're in the back 218 00:11:10,120 --> 00:11:12,760 Speaker 1: room at the strip club getting blue balls there kinser 219 00:11:13,080 --> 00:11:15,400 Speaker 1: and they're going to the to the Dirty or one 220 00:11:15,559 --> 00:11:19,280 Speaker 1: they're they're going. They're going hardcore too. So you witnessed this, 221 00:11:19,360 --> 00:11:21,599 Speaker 1: Oh I know it. Oh yes, I know. It's a 222 00:11:21,679 --> 00:11:24,320 Speaker 1: real thing. That's why when fools are out there like no, 223 00:11:24,480 --> 00:11:27,120 Speaker 1: you need to do the right thing. No, this is 224 00:11:27,160 --> 00:11:29,800 Speaker 1: wrong and being gazed wrong and strippers around like ok, 225 00:11:29,840 --> 00:11:31,400 Speaker 1: out on I got may on you because I know 226 00:11:31,440 --> 00:11:33,360 Speaker 1: you're right there probably with a ball gag in your mouth, 227 00:11:33,400 --> 00:11:36,160 Speaker 1: getting things put up your ass. Huh oh, sorry, don't. 228 00:11:36,160 --> 00:11:38,960 Speaker 1: The ones that screamed the loudest against it are always 229 00:11:38,960 --> 00:11:42,000 Speaker 1: the ones who are doing it in the side, exactly, Girl. 230 00:11:42,440 --> 00:11:44,520 Speaker 1: When people are speaking up about it that much, it's 231 00:11:44,520 --> 00:11:47,600 Speaker 1: like red flag, you know, red flag? What are you waiting? 232 00:11:48,080 --> 00:11:49,600 Speaker 1: He probably has a what do you call it? A 233 00:11:49,640 --> 00:11:53,040 Speaker 1: butt plug? Right, there's vibrating as he's saying it. Yeah, 234 00:11:53,160 --> 00:11:57,240 Speaker 1: just oh, you know this and that, and but you know, 235 00:11:57,679 --> 00:11:59,360 Speaker 1: to each us around, but don't try to tell me 236 00:11:59,360 --> 00:12:03,560 Speaker 1: how to live my exactly. So I just want to well, 237 00:12:03,559 --> 00:12:05,199 Speaker 1: first I want to give you props, girl, because I 238 00:12:05,240 --> 00:12:07,120 Speaker 1: know you're retired and all that. But we met when 239 00:12:07,160 --> 00:12:09,720 Speaker 1: you were still you know, getting after doing your thing, 240 00:12:10,160 --> 00:12:12,120 Speaker 1: and I would go in there too, like oh, and 241 00:12:12,160 --> 00:12:14,520 Speaker 1: I have to admit I went. When I started going, 242 00:12:15,000 --> 00:12:17,080 Speaker 1: I was going to support homegirls and this and that, 243 00:12:17,120 --> 00:12:18,800 Speaker 1: but I was like, oh, you know, maybe I could 244 00:12:18,800 --> 00:12:21,320 Speaker 1: give them notes and the rada, you know, like I 245 00:12:21,440 --> 00:12:23,240 Speaker 1: you know, because I like to be confident and do 246 00:12:23,320 --> 00:12:25,840 Speaker 1: my thing and obviously I look good, you know, I know. Yeah, 247 00:12:25,880 --> 00:12:28,679 Speaker 1: I don't want to state the obvious, but I shine daily. 248 00:12:29,160 --> 00:12:31,640 Speaker 1: And so I went into the club like, oh, let 249 00:12:31,640 --> 00:12:34,200 Speaker 1: me see these you know, they're cute little acts whatever. 250 00:12:34,360 --> 00:12:37,560 Speaker 1: But then I saw you take the stage and boom 251 00:12:37,720 --> 00:12:40,080 Speaker 1: you just like wow when you had that hair like that, 252 00:12:40,480 --> 00:12:42,920 Speaker 1: all crazy and you went to the top of the 253 00:12:43,040 --> 00:12:45,880 Speaker 1: bow and put your legs your have strong legs, and 254 00:12:47,320 --> 00:12:49,960 Speaker 1: I was like, I coronaira and I was looking up 255 00:12:50,000 --> 00:12:52,000 Speaker 1: like that, like I was surrendering to your power. In 256 00:12:52,040 --> 00:12:54,360 Speaker 1: that moment, I said, dang, now I'm the one taking 257 00:12:54,400 --> 00:12:57,320 Speaker 1: notes all of us sudden, so I had misjudge and 258 00:12:57,360 --> 00:13:00,439 Speaker 1: for that, you know, I'm I was stake and I 259 00:13:00,520 --> 00:13:02,680 Speaker 1: apologize because I saw that and I was like, wow, 260 00:13:02,760 --> 00:13:05,559 Speaker 1: you know, it gave me energy. I was inspired. I'm 261 00:13:05,600 --> 00:13:08,000 Speaker 1: sure you could still teach me a thing or two. Yeah, 262 00:13:08,000 --> 00:13:09,559 Speaker 1: well I know I can't, but I'm trying to be 263 00:13:09,640 --> 00:13:12,880 Speaker 1: humble right now for this moment um. But yeah, I 264 00:13:12,920 --> 00:13:15,760 Speaker 1: would just amazed, like the strength that you had and 265 00:13:15,800 --> 00:13:17,960 Speaker 1: how the room just came my life, you know, and 266 00:13:18,000 --> 00:13:22,640 Speaker 1: including myself. I thank you for your presence everything. And 267 00:13:22,679 --> 00:13:24,440 Speaker 1: you were strong, you know, and you weren't. You were 268 00:13:24,480 --> 00:13:27,360 Speaker 1: just so nice to everybody, a good energy and like, 269 00:13:27,400 --> 00:13:29,880 Speaker 1: you know, that's what's up. I always kind of viewed 270 00:13:29,920 --> 00:13:34,240 Speaker 1: myself as like a jester dancing for kings and queens. 271 00:13:34,440 --> 00:13:37,480 Speaker 1: You know. I just always want everyone to feel like entertained. 272 00:13:37,520 --> 00:13:39,520 Speaker 1: And I'm like or like, I'm like a dolphin at 273 00:13:39,600 --> 00:13:47,480 Speaker 1: SeaWorld or something. I yeah, yeah, well you're that top dolphin. Yeah, 274 00:13:47,520 --> 00:13:49,720 Speaker 1: and like the dollars are like little fishes people are 275 00:13:49,760 --> 00:13:53,800 Speaker 1: throwing for me. Yeah, yeah, that's what's up. And you 276 00:13:53,840 --> 00:13:57,319 Speaker 1: were doing all the dolphin moves. Yeah like that, except 277 00:13:57,360 --> 00:13:59,319 Speaker 1: you had strong legs, you know, but they're they're like, 278 00:13:59,600 --> 00:14:11,640 Speaker 1: that's like, yeah, exactly, wow mmmmmmmmm. We got that latter 279 00:14:11,760 --> 00:14:14,440 Speaker 1: for your soul and now too the into the Franky 280 00:14:14,480 --> 00:14:18,520 Speaker 1: Giona show. Yeah. So from there we moved to eleven 281 00:14:18,600 --> 00:14:22,240 Speaker 1: hundred Colonial Road. Those were the newer projects, So we 282 00:14:22,280 --> 00:14:26,680 Speaker 1: moved over there and that was yeah, right there on 283 00:14:26,720 --> 00:14:29,320 Speaker 1: Colonial Road. So it was the three of us there. 284 00:14:30,400 --> 00:14:35,520 Speaker 1: And then after that, my mom came home one day 285 00:14:35,600 --> 00:14:38,720 Speaker 1: and it is telling Grandpa, you know, hey, they said 286 00:14:38,800 --> 00:14:43,440 Speaker 1: that for a dollar for a dollar down, because you're 287 00:14:43,480 --> 00:14:46,160 Speaker 1: a veteran, we could buy a nice house over there 288 00:14:46,160 --> 00:14:49,280 Speaker 1: on West Side, they're building these houses and it was 289 00:14:49,320 --> 00:14:53,240 Speaker 1: all fields over there on west side, you know, Strawberry Fields, 290 00:14:53,400 --> 00:14:56,520 Speaker 1: And well they did, they started building these new houses 291 00:14:56,560 --> 00:15:02,680 Speaker 1: over there. And you know, Grandpa, I'm no yeah, you know, uh, 292 00:15:03,680 --> 00:15:07,840 Speaker 1: never never optimistic about anything. You know, they're not going 293 00:15:07,880 --> 00:15:11,000 Speaker 1: to give you a house for a dollar down. She says, yeah, Michael, 294 00:15:11,000 --> 00:15:13,360 Speaker 1: mother win and they're getting a house for a dollar 295 00:15:13,440 --> 00:15:16,520 Speaker 1: down if you were if you're a yeah, yeah, because 296 00:15:16,520 --> 00:15:20,120 Speaker 1: he was a veteran, right right, So yeah, sure enough 297 00:15:20,160 --> 00:15:22,920 Speaker 1: they went over there and for a dollar down they 298 00:15:23,000 --> 00:15:25,600 Speaker 1: got a house on west side. So wet man, we 299 00:15:25,600 --> 00:15:29,440 Speaker 1: were moving on the west side, right right. Yeah, So 300 00:15:29,480 --> 00:15:31,800 Speaker 1: that okay, so that was house okay, but you moved out, 301 00:15:31,880 --> 00:15:33,920 Speaker 1: you moved out there, but you still were shirt in 302 00:15:33,960 --> 00:15:37,440 Speaker 1: one room. But I had a one small bedroom with 303 00:15:37,520 --> 00:15:42,720 Speaker 1: two sisters. Yes, yes, okay. And then so every now 304 00:15:42,760 --> 00:15:44,840 Speaker 1: and then, you guys would get a special tree and 305 00:15:44,880 --> 00:15:46,640 Speaker 1: get to go to the liquor store and get a 306 00:15:46,640 --> 00:15:53,440 Speaker 1: candy yes, and everybody's like, okay, one one. Everybody's like 307 00:15:53,480 --> 00:15:56,640 Speaker 1: one one candy bar. One candy bar. Because the mortgage 308 00:15:56,680 --> 00:16:00,800 Speaker 1: payment was one hundred and eighteen dollars back in that day, 309 00:16:01,080 --> 00:16:03,400 Speaker 1: one hundred and eighteen dollars was a lot of money. 310 00:16:03,840 --> 00:16:07,240 Speaker 1: And they my mom and dad were scraping to make 311 00:16:07,280 --> 00:16:10,000 Speaker 1: one hundred and eighteen dollars a month. Okay, and to 312 00:16:10,160 --> 00:16:13,720 Speaker 1: this day I still remember one hundred and eighteen dollars. 313 00:16:13,840 --> 00:16:17,600 Speaker 1: So yeah, it was scraping, you know. And my dad 314 00:16:17,640 --> 00:16:21,240 Speaker 1: got paid every two weeks. So every two weeks when 315 00:16:21,280 --> 00:16:25,000 Speaker 1: he got paid, we did get a candy bar and 316 00:16:25,240 --> 00:16:32,080 Speaker 1: Anti Linda, oh bike antis for later. We were like savages, 317 00:16:32,560 --> 00:16:38,320 Speaker 1: middle savages when those when we got those candy bars. Okay, 318 00:16:38,400 --> 00:16:42,320 Speaker 1: we went grocery shopping every two weeks to La Perla. 319 00:16:42,640 --> 00:16:45,200 Speaker 1: There was a store called the Perla, and then we 320 00:16:45,280 --> 00:16:47,480 Speaker 1: used to go buy the meats at Santa Cruz Market. 321 00:16:48,480 --> 00:16:51,040 Speaker 1: So we would get home with the candy bar. There 322 00:16:51,160 --> 00:16:54,640 Speaker 1: was chocolate and peanuts flying everywhere. We were like savages 323 00:16:54,800 --> 00:17:00,360 Speaker 1: really really, you know, once every two weeks to the 324 00:17:00,440 --> 00:17:03,320 Speaker 1: candy bars. Okay, what was okay? So did you always 325 00:17:03,360 --> 00:17:05,280 Speaker 1: get the same candy bar? What candy bar you get? 326 00:17:06,080 --> 00:17:08,680 Speaker 1: I would get a Snickers or a page that's a 327 00:17:08,760 --> 00:17:11,920 Speaker 1: good one, or a pay day, so Antie Linda would 328 00:17:11,960 --> 00:17:14,600 Speaker 1: get an almond joy and she would do this shit 329 00:17:15,160 --> 00:17:20,200 Speaker 1: every week. She would do this all of that. Yeah, 330 00:17:20,320 --> 00:17:22,920 Speaker 1: or whenever we would get a candy bar. She would 331 00:17:22,960 --> 00:17:25,679 Speaker 1: do this shit. We would all devour it and she 332 00:17:25,720 --> 00:17:30,040 Speaker 1: would say, I'm gonna safe mind for later. Okay, I'm 333 00:17:30,040 --> 00:17:34,639 Speaker 1: gonna safe just like front of you, but announce I 334 00:17:35,119 --> 00:17:38,919 Speaker 1: have money matter. And then she would announce it and 335 00:17:38,960 --> 00:17:43,880 Speaker 1: then she would go shoot it out. Yeah I'm gonna yeah, yeah. 336 00:17:43,960 --> 00:17:46,520 Speaker 1: And then we had the bed and it had a 337 00:17:46,560 --> 00:17:49,280 Speaker 1: headboard and she would go display it on top of 338 00:17:49,320 --> 00:17:53,520 Speaker 1: the headboard. Oh. So there was this almond Joy and 339 00:17:53,560 --> 00:17:57,280 Speaker 1: it was like light was coming out of the almond Joy, 340 00:17:57,320 --> 00:18:00,600 Speaker 1: like rays of light. We're coming out of being down 341 00:18:00,600 --> 00:18:02,600 Speaker 1: off that head And I would be looking at that 342 00:18:02,720 --> 00:18:06,480 Speaker 1: damn moment Joy because mine was already digested, right, So 343 00:18:06,960 --> 00:18:10,720 Speaker 1: it was like and I thought, one day I'm gonna 344 00:18:10,800 --> 00:18:15,000 Speaker 1: get her. So also, this is premeditated. You're already thinking 345 00:18:15,000 --> 00:18:21,960 Speaker 1: about this ship. Yeah, guilty has charged premeditated. So she 346 00:18:22,280 --> 00:18:25,840 Speaker 1: was also where she righted her bike or some shit. 347 00:18:27,640 --> 00:18:31,159 Speaker 1: Oh my god. And I I got a piece of 348 00:18:31,200 --> 00:18:35,879 Speaker 1: webber bread. I got the into the webber bread, and 349 00:18:35,960 --> 00:18:39,240 Speaker 1: I took out the almond Joy and then I crunched 350 00:18:39,359 --> 00:18:43,320 Speaker 1: up the into the bread and I stucked it in 351 00:18:43,440 --> 00:18:48,040 Speaker 1: there and then I glued it back. You glut. Oh sho. 352 00:18:48,240 --> 00:18:51,560 Speaker 1: It looked like you know who still up bread? Yeah, 353 00:18:51,600 --> 00:18:55,359 Speaker 1: it still looked like domond joy and I down that 354 00:18:55,440 --> 00:19:01,640 Speaker 1: on my joy. So she comes back from riding her 355 00:19:01,640 --> 00:19:05,359 Speaker 1: bike and she announces it, I think I'm gonna have 356 00:19:05,480 --> 00:19:09,160 Speaker 1: my arm enjoying now. Yeah, you know, and like fatigue 357 00:19:09,200 --> 00:19:11,879 Speaker 1: from this bike, right, I'm gonna have my arm enjoy 358 00:19:12,000 --> 00:19:14,240 Speaker 1: to perk me up now. And like you go for 359 00:19:14,320 --> 00:19:20,680 Speaker 1: a girl, So she say she opens it up, but 360 00:19:21,240 --> 00:19:25,080 Speaker 1: she's yelling and she goes dar and I, oh shit, 361 00:19:25,280 --> 00:19:34,320 Speaker 1: they ripped you off at the store. Well probably that 362 00:19:37,000 --> 00:19:39,159 Speaker 1: as you as I know you did it. I know 363 00:19:39,320 --> 00:19:41,440 Speaker 1: you did it. She knew right away I did it. 364 00:19:42,080 --> 00:19:46,359 Speaker 1: She wasn't bided at all off. She didn't buy it 365 00:19:46,359 --> 00:19:48,760 Speaker 1: at all. I tore they ripped her off at the store. No, 366 00:19:49,119 --> 00:19:52,640 Speaker 1: didn't buy it. Didn't buy it, but not But yeah, 367 00:19:52,720 --> 00:19:55,360 Speaker 1: no traveling, you know, a sandwich so homey comes cut 368 00:19:55,560 --> 00:19:57,040 Speaker 1: all the time. You could eat half of it. You 369 00:19:57,040 --> 00:19:59,760 Speaker 1: could put it in your backpack, boom you move. And 370 00:20:00,200 --> 00:20:02,080 Speaker 1: but what we one thing we were talking about was, 371 00:20:03,480 --> 00:20:05,199 Speaker 1: you know, because people would be like, well, you know, 372 00:20:05,200 --> 00:20:09,560 Speaker 1: a Mexican love sandwiches. You know, yeah, are good, but 373 00:20:10,000 --> 00:20:11,760 Speaker 1: to me and I think it's something that we agree 374 00:20:11,800 --> 00:20:16,000 Speaker 1: on is you know, people say, oh, it's a Mexican sandwich. 375 00:20:16,000 --> 00:20:18,360 Speaker 1: That's a that's a way to describe to a person 376 00:20:18,400 --> 00:20:20,919 Speaker 1: doesn't know, right. I also thought that was used for 377 00:20:21,640 --> 00:20:23,919 Speaker 1: for another reference, another reference. Yeah, the different type of 378 00:20:23,960 --> 00:20:28,320 Speaker 1: a different type of And there's a difference too between 379 00:20:28,359 --> 00:20:31,760 Speaker 1: that between God and really that's exactly yeah, and all 380 00:20:31,800 --> 00:20:34,800 Speaker 1: the ways. But and then but then there's a difference 381 00:20:34,840 --> 00:20:39,199 Speaker 1: between and a sandwich, right, right, And it's important to 382 00:20:39,200 --> 00:20:41,679 Speaker 1: point these things out. You know, people need to understand this. 383 00:20:41,760 --> 00:20:44,000 Speaker 1: It's about See here's the thing, bro, Like the reason 384 00:20:44,160 --> 00:20:46,040 Speaker 1: I'm so adamant about this idea that a thort is 385 00:20:46,040 --> 00:20:47,600 Speaker 1: different than the sandwich. First of all, shout out to 386 00:20:47,600 --> 00:20:50,760 Speaker 1: all sandwiches. I love sandwiches. Yeah, I was raised on sandwiches. Yeah, 387 00:20:50,760 --> 00:20:52,359 Speaker 1: still make sandwiches to this day. Some of my best 388 00:20:52,359 --> 00:20:54,040 Speaker 1: friends are sandwiches. You know what I'm saying. But what 389 00:20:54,080 --> 00:20:55,800 Speaker 1: I'm trying, what I try to tell people is that 390 00:20:56,840 --> 00:21:00,600 Speaker 1: what I try to tell people though, is that you 391 00:21:00,680 --> 00:21:03,960 Speaker 1: have to consider what a sandwich is, Okay, And I 392 00:21:03,960 --> 00:21:06,680 Speaker 1: always bring this back to the age old debate about 393 00:21:06,680 --> 00:21:09,240 Speaker 1: whether a hot dog is a sandwich or not. Okay, 394 00:21:09,320 --> 00:21:12,280 Speaker 1: let's start there. Yeah, this this has been a debate, 395 00:21:12,320 --> 00:21:15,480 Speaker 1: that's it's come up a lot. Actually, to this day, 396 00:21:15,640 --> 00:21:18,720 Speaker 1: fifty six percent of Americans believe that a hot dog 397 00:21:18,840 --> 00:21:20,840 Speaker 1: is a sandwich. Wall Wait, can we google a fact 398 00:21:20,880 --> 00:21:29,600 Speaker 1: chicken don't work? Fifty six percent of American Yes, that's 399 00:21:29,640 --> 00:21:33,000 Speaker 1: more than half. Now, now here's the thing. You feel 400 00:21:33,000 --> 00:21:34,679 Speaker 1: that way, I feel that way. We both you know, 401 00:21:34,800 --> 00:21:37,840 Speaker 1: reasonable men, you know, like we know what we're what 402 00:21:37,840 --> 00:21:39,440 Speaker 1: we mean when we say that a hot dog is 403 00:21:39,440 --> 00:21:41,320 Speaker 1: not a sandwich. And I agree with you. But here's 404 00:21:41,320 --> 00:21:44,920 Speaker 1: the thing, though, if you don't create that parameter that 405 00:21:45,000 --> 00:21:47,480 Speaker 1: a hot dog is not a sandwich, then you start 406 00:21:47,520 --> 00:21:49,720 Speaker 1: going into the world of oh, well, is a thwarth 407 00:21:49,920 --> 00:21:52,000 Speaker 1: a sandwich? And the reason it's not a sandwich is 408 00:21:52,040 --> 00:21:56,080 Speaker 1: just it's simple. Number one. It's more fulfilling than a sandwich. 409 00:21:56,080 --> 00:21:58,879 Speaker 1: A sandwich is a snack food. A sandwich is Nobody 410 00:21:58,880 --> 00:22:01,280 Speaker 1: eats a thwarth after having sex, and then go back 411 00:22:01,320 --> 00:22:02,920 Speaker 1: to half sex. That's a meal. You just had a 412 00:22:02,960 --> 00:22:05,400 Speaker 1: whole meal. You had gardness, saw that you had pastoria, 413 00:22:05,440 --> 00:22:06,880 Speaker 1: had a bunch of food in there. That's a whole 414 00:22:06,920 --> 00:22:10,199 Speaker 1: meal inside a sandwich. You can knock out ham chin, 415 00:22:10,520 --> 00:22:13,760 Speaker 1: half a peanut, butter and jelly, go back to jam exactly, exactly, 416 00:22:13,760 --> 00:22:16,480 Speaker 1: bro So it's a snack more than it is a meal. 417 00:22:16,480 --> 00:22:18,560 Speaker 1: Athorthi is not a snack. Athorthi is a whole meal. 418 00:22:18,920 --> 00:22:21,919 Speaker 1: Second of all, you gotta look at facts, Okay. The 419 00:22:22,040 --> 00:22:27,840 Speaker 1: USDA has described a sandwich as two slices of bread, 420 00:22:27,920 --> 00:22:30,240 Speaker 1: one on top, one on the bottom, with either fish, 421 00:22:30,400 --> 00:22:34,360 Speaker 1: beef or poultry in the middle of the two pieces, 422 00:22:34,600 --> 00:22:38,520 Speaker 1: the keyword being two. Okay. Athorth in many occasions is 423 00:22:38,560 --> 00:22:41,320 Speaker 1: a piece of bread that slice down the middle, connected 424 00:22:41,359 --> 00:22:44,280 Speaker 1: at the bottom, with all the feelings on the inside. 425 00:22:44,480 --> 00:22:48,359 Speaker 1: Now why is this important to note? Because we have 426 00:22:49,240 --> 00:22:51,800 Speaker 1: we have to we have to create these parameters and 427 00:22:51,920 --> 00:22:55,040 Speaker 1: understand them. Because although you may be thinking yourself already 428 00:22:55,080 --> 00:22:57,800 Speaker 1: that's ridiculous. Come on, that's a sandwich. If you slice 429 00:22:57,840 --> 00:22:59,520 Speaker 1: it down the middle and you just you know, have 430 00:22:59,520 --> 00:23:03,240 Speaker 1: the bottom connected, that's crazy. I can but let me 431 00:23:03,280 --> 00:23:06,280 Speaker 1: ask you this, though, I dare you. I dare you 432 00:23:06,320 --> 00:23:09,240 Speaker 1: to go to Philly and tell people that a cheese 433 00:23:09,280 --> 00:23:13,080 Speaker 1: steak is a sandwich. You're in the world of trouble. 434 00:23:13,560 --> 00:23:17,399 Speaker 1: You're in the world of trouble because with exactly with 435 00:23:17,440 --> 00:23:19,479 Speaker 1: the whiz all that, and and they will never they 436 00:23:19,480 --> 00:23:21,560 Speaker 1: will never bow down to that idea because it's not 437 00:23:21,600 --> 00:23:23,800 Speaker 1: And the thorth and a cheese steak have a lot 438 00:23:23,840 --> 00:23:29,639 Speaker 1: of common they are because cheesteak is not a sandwich. 439 00:23:29,680 --> 00:23:31,760 Speaker 1: And I dare you to say that to somebody from Philadelphia. 440 00:23:31,800 --> 00:23:34,679 Speaker 1: There's there's the thirth time the cheesesteak community. Really they 441 00:23:34,680 --> 00:23:36,560 Speaker 1: have a lot more in common than than we like 442 00:23:36,640 --> 00:23:38,720 Speaker 1: to admit. You know what I'm saying. But we're basically cousins, 443 00:23:39,000 --> 00:23:41,080 Speaker 1: are separated by a border, you know what I'm saying, 444 00:23:41,080 --> 00:23:48,120 Speaker 1: Like Philippa, Philadelphia is not that far from Mexico in spirit, 445 00:23:48,560 --> 00:23:53,480 Speaker 1: and and and and the the the cheese steak is 446 00:23:53,480 --> 00:23:55,919 Speaker 1: where we where we find our common ground. So I 447 00:23:55,960 --> 00:23:57,480 Speaker 1: think we need to note these things. We need to 448 00:23:57,480 --> 00:23:59,520 Speaker 1: point these things out because the thorth that is clearly 449 00:23:59,600 --> 00:24:02,160 Speaker 1: not a sandwich for these reasons that are just laid 450 00:24:02,200 --> 00:24:04,679 Speaker 1: out for you. And if you don't believe me, look, 451 00:24:04,680 --> 00:24:06,720 Speaker 1: if you don't believe me, if it's too convoluted everything 452 00:24:06,720 --> 00:24:09,439 Speaker 1: I just said, just go to Philadelphia and tell somebody 453 00:24:09,440 --> 00:24:11,960 Speaker 1: to give you a Philly cheese steak sandwich and you'll 454 00:24:11,960 --> 00:24:14,440 Speaker 1: get smacked because because they don't play, they don't play 455 00:24:14,440 --> 00:24:16,240 Speaker 1: that they're not gonna allow you to to bring down 456 00:24:16,560 --> 00:24:21,320 Speaker 1: devalue their their their culinary, their foods. Well. And that's 457 00:24:21,320 --> 00:24:25,440 Speaker 1: a great point because there are some takas or restaurants, okay, 458 00:24:25,440 --> 00:24:29,800 Speaker 1: I said, um um. And then they have sandwiches too, exactly, bro, 459 00:24:29,920 --> 00:24:32,320 Speaker 1: you know what I mean, like Ole American menu, like 460 00:24:32,359 --> 00:24:34,199 Speaker 1: will make you a cheeseburger, make you a sandwich. But 461 00:24:34,240 --> 00:24:36,880 Speaker 1: we also have right, you know, we have those restaurants 462 00:24:36,880 --> 00:24:38,600 Speaker 1: here in Lass. And you know what, dog, I'm glad 463 00:24:38,640 --> 00:24:40,119 Speaker 1: that we're in LA and we're talking about this, and 464 00:24:40,160 --> 00:24:43,439 Speaker 1: I'm glad that you just mentioned tackles because there's another 465 00:24:43,480 --> 00:24:45,159 Speaker 1: point to be made here, you know what I'm saying, Like, 466 00:24:45,200 --> 00:24:48,080 Speaker 1: we have another reason why these parameters are important is 467 00:24:48,119 --> 00:24:52,280 Speaker 1: because if we allow people to call it thorta or 468 00:24:52,320 --> 00:24:56,520 Speaker 1: a cheese steak a sandwich when it's clearly a sliced 469 00:24:56,560 --> 00:24:58,919 Speaker 1: piece of bread where it's connected at the bottom and 470 00:24:58,920 --> 00:25:01,280 Speaker 1: folded up at the top. If we allow people to 471 00:25:01,320 --> 00:25:05,639 Speaker 1: call that a sandwich, how long, Frankie, before people know? 472 00:25:06,320 --> 00:25:09,960 Speaker 1: How how long before people call a taco a sandwich? 473 00:25:10,359 --> 00:25:12,560 Speaker 1: And let me tell you something. As long as I'm breathing, 474 00:25:13,000 --> 00:25:15,840 Speaker 1: I will never allow that. No, I will never allow that. 475 00:25:15,400 --> 00:25:18,160 Speaker 1: But that's crazy. It'll be a cold day in hell 476 00:25:18,960 --> 00:25:21,520 Speaker 1: before I let somebody even play with the idea that 477 00:25:21,520 --> 00:25:23,600 Speaker 1: a taco is a sandwich. You know. But I know 478 00:25:23,680 --> 00:25:25,080 Speaker 1: right now you're saying there's something like, oh, that's crazy, 479 00:25:25,119 --> 00:25:27,000 Speaker 1: fool like, nobody would ever say that. Give it time. 480 00:25:27,359 --> 00:25:30,200 Speaker 1: It's time. It's like when people like when as soon 481 00:25:30,240 --> 00:25:32,960 Speaker 1: as lettuce goes into a breedle, that's that's a wrap, right, 482 00:25:33,600 --> 00:25:36,000 Speaker 1: It's a rap, literally a figurative. Yeah, exactly, I'm not 483 00:25:36,000 --> 00:25:39,639 Speaker 1: eating that shit. I'm not. I don't soggy lettuce right 484 00:25:39,840 --> 00:25:41,800 Speaker 1: right right. I mean, if I'm hungry, and that's how 485 00:25:41,840 --> 00:25:44,720 Speaker 1: you do, you're super real, okay whatever. But but and 486 00:25:45,320 --> 00:25:47,080 Speaker 1: I've had had some reals that do a good job 487 00:25:47,080 --> 00:25:50,119 Speaker 1: of someonow separating the letter. But it's like, to me, 488 00:25:50,200 --> 00:25:52,359 Speaker 1: that's just as that's a lot of that's a lot 489 00:25:52,359 --> 00:25:53,960 Speaker 1: of work, you know, It's it's like, what are you doing? 490 00:25:54,080 --> 00:25:55,800 Speaker 1: And so so look at the end of the day, 491 00:25:55,800 --> 00:25:57,400 Speaker 1: we're like, I love sandwiches, you know what I'm saying, 492 00:25:57,400 --> 00:25:59,320 Speaker 1: But I love thworth thousand. I think they're two different things, 493 00:25:59,320 --> 00:26:01,720 Speaker 1: and we should respect that because look, we don't have 494 00:26:01,760 --> 00:26:03,439 Speaker 1: to we don't have to combine. Not everything has to 495 00:26:03,480 --> 00:26:06,000 Speaker 1: be like this hodgepodge. If everything is the same, oh 496 00:26:06,080 --> 00:26:07,880 Speaker 1: it's the same. No, just give each one of those 497 00:26:07,920 --> 00:26:10,840 Speaker 1: two items. It's respect. A sandwich is one thing. A 498 00:26:10,920 --> 00:26:15,880 Speaker 1: thort that's another thing. Steakieak is filichi steak with exactly 499 00:26:18,240 --> 00:26:26,520 Speaker 1: sandwich is man I have one and and and and 500 00:26:26,520 --> 00:26:28,800 Speaker 1: they you know, they usually put the reefright beans they 501 00:26:29,000 --> 00:26:32,600 Speaker 1: you know, paste that one and it's constructed different than 502 00:26:32,640 --> 00:26:35,120 Speaker 1: a sandwich. Yeah, yeah, totally different. Sandwich is just made 503 00:26:35,160 --> 00:26:37,120 Speaker 1: the slapping on blah blah blah. You're slaping on, you're 504 00:26:37,119 --> 00:26:39,040 Speaker 1: making nice and tall or sometimes you even put a 505 00:26:39,119 --> 00:26:41,119 Speaker 1: third piece of bread in the sandwich. You would never 506 00:26:41,200 --> 00:26:44,720 Speaker 1: do that. That's not that's not even that's not an 507 00:26:44,760 --> 00:26:46,879 Speaker 1: option really because you're doing that. It's a role because 508 00:26:47,040 --> 00:26:49,880 Speaker 1: exactly exactly, so we gotta, you know, we gotta point 509 00:26:49,920 --> 00:26:51,320 Speaker 1: these things out. And you know, I'm just glad that 510 00:26:51,440 --> 00:26:53,240 Speaker 1: you gave me an opportunity to point these things out 511 00:26:53,280 --> 00:26:56,360 Speaker 1: because I worry about the future sometimes and I don't 512 00:26:56,400 --> 00:26:58,800 Speaker 1: want the kids to become that's scary. You mentioning somebody 513 00:26:58,880 --> 00:27:01,160 Speaker 1: calling a tackle a sand could you imagine that fall? 514 00:27:02,240 --> 00:27:04,840 Speaker 1: He's still all the California would would burn down if 515 00:27:04,880 --> 00:27:08,199 Speaker 1: they if they just insisted on calling a taco a sandwich. 516 00:27:08,480 --> 00:27:10,119 Speaker 1: And I'm just I'm just saying, yeah, I felt it 517 00:27:10,200 --> 00:27:13,719 Speaker 1: looked like a little sickness in my stomach, thinking right right, 518 00:27:13,920 --> 00:27:15,840 Speaker 1: that's probably from the from that sandwich that we have 519 00:27:15,920 --> 00:27:18,920 Speaker 1: this morning left over that I'm saying, the sandwich is 520 00:27:18,960 --> 00:27:22,159 Speaker 1: coming close. He so, no, I know, like, you know, 521 00:27:22,240 --> 00:27:24,440 Speaker 1: obviously we're both into low riders and stuff like that, 522 00:27:25,320 --> 00:27:29,040 Speaker 1: and um, you know, you know we've always that's always 523 00:27:29,040 --> 00:27:31,680 Speaker 1: been around us or whatever. But you you're into buying 524 00:27:31,760 --> 00:27:34,439 Speaker 1: low riders, Homie, you ain't and meho and your son man, 525 00:27:34,960 --> 00:27:37,240 Speaker 1: which is you know, that's pretty freedom and because he 526 00:27:37,280 --> 00:27:39,200 Speaker 1: could be into a lot of other things, you know 527 00:27:39,240 --> 00:27:42,000 Speaker 1: what I'm saying, But he's into two low lows and 528 00:27:42,080 --> 00:27:44,200 Speaker 1: I appreciate that. Home. What's the last low rider that 529 00:27:44,280 --> 00:27:48,400 Speaker 1: you purchased? Um, right now, we purchased uh sixty fourth 530 00:27:48,480 --> 00:27:53,280 Speaker 1: Supersport and then paula ump that's in the process right 531 00:27:53,359 --> 00:27:57,040 Speaker 1: now of of getting painted. And uh, my son, uh, 532 00:27:57,160 --> 00:28:01,600 Speaker 1: he's got a fifty nine out cominos of of getting 533 00:28:01,680 --> 00:28:04,639 Speaker 1: restored to Uh, he's doing a whole complete frame off. 534 00:28:04,840 --> 00:28:07,960 Speaker 1: But like you said, I'm I'm proud that that that 535 00:28:08,240 --> 00:28:12,520 Speaker 1: uh he's involved and the hobby he chose is uh 536 00:28:13,000 --> 00:28:17,200 Speaker 1: restoring classic cars and being into cars because like we 537 00:28:17,320 --> 00:28:19,560 Speaker 1: all know, at that age, you know, twenty two, twenty 538 00:28:19,600 --> 00:28:22,040 Speaker 1: three years old, you know that they can be doing 539 00:28:22,400 --> 00:28:25,359 Speaker 1: so many other negative things and and and I'll help them, 540 00:28:25,560 --> 00:28:28,000 Speaker 1: you know, to the fullest, you know whatever, I'll do 541 00:28:28,080 --> 00:28:31,000 Speaker 1: whatever it takes to to to make sure that he 542 00:28:31,080 --> 00:28:33,320 Speaker 1: reaches that goal of competing you know what he wants 543 00:28:33,359 --> 00:28:35,440 Speaker 1: to you know, and he's strong minded that he wants 544 00:28:35,480 --> 00:28:38,320 Speaker 1: to do what he wants to do and finish that car. 545 00:28:38,480 --> 00:28:40,360 Speaker 1: And he's going to man, he's going to it, and 546 00:28:40,440 --> 00:28:41,920 Speaker 1: I'll be there, you know, I mean you know the 547 00:28:41,960 --> 00:28:45,040 Speaker 1: whole road. Yeah, that's what saw on me, keeping him 548 00:28:45,080 --> 00:28:47,720 Speaker 1: on that that positive path. You know, that's a yeah, 549 00:28:48,240 --> 00:28:49,920 Speaker 1: it's a trip like all, he's all into it like 550 00:28:50,000 --> 00:28:51,760 Speaker 1: that or you guys, you guys are going ching in 551 00:28:51,800 --> 00:28:53,840 Speaker 1: the middle of the night to go take the trailer 552 00:28:53,920 --> 00:28:55,720 Speaker 1: to go pick up a ride. That's the way it is. 553 00:28:55,800 --> 00:28:58,040 Speaker 1: Many Homi. What was it? It was like a Tuesday night, 554 00:28:58,120 --> 00:29:00,080 Speaker 1: Monday night, or you drove out there. I was, and 555 00:29:00,200 --> 00:29:02,040 Speaker 1: we went all the way to Fontana to go pick 556 00:29:02,120 --> 00:29:04,040 Speaker 1: up a round flood that we buy that can in 557 00:29:04,120 --> 00:29:05,480 Speaker 1: the late in the night. That's the way it is, 558 00:29:05,920 --> 00:29:08,600 Speaker 1: because you don't heybody also get it. That's saying, you know, 559 00:29:08,800 --> 00:29:11,440 Speaker 1: you snooze, you lose. You know. Also, yeah, I've heard 560 00:29:11,480 --> 00:29:14,160 Speaker 1: that before. It you snooze, you lose, and you don't 561 00:29:14,240 --> 00:29:16,160 Speaker 1: go over there when it's happening. Man, in the morning, 562 00:29:16,160 --> 00:29:17,880 Speaker 1: it might not be there. Nah nah, because you're lad 563 00:29:18,000 --> 00:29:20,080 Speaker 1: you snooze, you lose with means like if you take 564 00:29:20,080 --> 00:29:22,120 Speaker 1: a little nap, you might miss out on. Now what 565 00:29:22,200 --> 00:29:23,800 Speaker 1: you're trying to get out. I don't know about taking 566 00:29:23,840 --> 00:29:25,640 Speaker 1: a nap on you know what I'm talking about. Man, 567 00:29:25,880 --> 00:29:27,880 Speaker 1: Could you don't praise an issue like that. I'm saying, 568 00:29:27,920 --> 00:29:29,720 Speaker 1: just you don't want you gotta go and do it 569 00:29:29,840 --> 00:29:32,960 Speaker 1: that Okay, I don't mean, but that's what it means. 570 00:29:33,200 --> 00:29:35,200 Speaker 1: Because there's there's a snooze button on the alarm clock. 571 00:29:35,440 --> 00:29:37,400 Speaker 1: But still like just you don't need this goal when 572 00:29:37,440 --> 00:29:39,240 Speaker 1: you do it, that's it. No, But hey, when you 573 00:29:39,320 --> 00:29:42,560 Speaker 1: push that snooze but you don't technical like that you 574 00:29:42,920 --> 00:29:45,560 Speaker 1: people understand me bo that Saint's been around for a 575 00:29:45,640 --> 00:29:49,880 Speaker 1: long time. But I'm just clarifying it. Okay, can we 576 00:29:49,960 --> 00:29:51,960 Speaker 1: just say, because I'm thinking the snooze button on the alarm, 577 00:29:52,040 --> 00:29:54,440 Speaker 1: that means okay, maybe it's not a nap, it's extending 578 00:29:54,520 --> 00:29:56,800 Speaker 1: your your sleep a little bit more. Eight the snooze 579 00:29:57,080 --> 00:30:00,280 Speaker 1: So they're saying, if you push that that button and 580 00:30:00,440 --> 00:30:04,520 Speaker 1: you snooze, then you might lose whatever like you have 581 00:30:04,640 --> 00:30:07,480 Speaker 1: planned in that morning, right there, Spencer, Spencer my inte it. 582 00:30:07,560 --> 00:30:09,560 Speaker 1: But you know, so you're getting a little scratching the 583 00:30:09,600 --> 00:30:11,600 Speaker 1: surface of what me and my Prettima go through. I mean, 584 00:30:11,720 --> 00:30:17,320 Speaker 1: you know it's this everyday stuff. Rre Yeah. So bottom 585 00:30:17,400 --> 00:30:19,520 Speaker 1: line eight, if you snooze, you lose. If you snooze, 586 00:30:19,560 --> 00:30:23,400 Speaker 1: you lose. So that's what's up. So hey, some other 587 00:30:23,480 --> 00:30:29,120 Speaker 1: sayings they are like like uh uh, like rid on 588 00:30:29,160 --> 00:30:33,960 Speaker 1: me this, say, you know you know that one on me? 589 00:30:34,280 --> 00:30:36,200 Speaker 1: Ridd on me this, Yeah, but what do you mean 590 00:30:36,320 --> 00:30:39,240 Speaker 1: riddle me this? It's first for what you know, like 591 00:30:39,840 --> 00:30:43,719 Speaker 1: like hey, like remember that I not the Santa fe 592 00:30:43,760 --> 00:30:47,360 Speaker 1: spring swap me. And then you're like you're telling me that, 593 00:30:47,720 --> 00:30:49,360 Speaker 1: and then you're like, hey, do you get a number 594 00:30:49,400 --> 00:30:51,680 Speaker 1: and I'll be like, what, riddle me this? It's only 595 00:30:52,560 --> 00:30:56,080 Speaker 1: you know, it's crazy. It's a trip on Yeah, it's 596 00:30:56,080 --> 00:30:59,320 Speaker 1: a trip. I'm like, hey, why don't you like onions 597 00:30:59,320 --> 00:31:01,640 Speaker 1: on me? I don't know, I just never. I've never 598 00:31:01,760 --> 00:31:04,040 Speaker 1: liked them ever since youngster, never liked them. I don't know. 599 00:31:04,200 --> 00:31:09,240 Speaker 1: Maybe it's just stuck, the taste, the crunchiness in them. 600 00:31:09,640 --> 00:31:11,280 Speaker 1: I don't know if from they don't always have to 601 00:31:11,280 --> 00:31:15,960 Speaker 1: be crunch you know. Ask me, and I'm telling you, 602 00:31:16,120 --> 00:31:18,000 Speaker 1: can I finish my story there? Or do you want 603 00:31:18,040 --> 00:31:21,400 Speaker 1: to just go out and keep talking on top of meal? Yeah? 604 00:31:21,440 --> 00:31:23,440 Speaker 1: I mean go ahead. So I mean that's the reason 605 00:31:23,480 --> 00:31:25,480 Speaker 1: why ever since I was a kid, and it just stuck. 606 00:31:25,560 --> 00:31:27,480 Speaker 1: It stuck, and I don't like some boy house. I 607 00:31:27,520 --> 00:31:32,680 Speaker 1: don't like onions, okay, homie, all right, um it was 608 00:31:32,760 --> 00:31:35,160 Speaker 1: your favorite kind of comedia. Okay, Like if we were like, hey, 609 00:31:36,000 --> 00:31:38,000 Speaker 1: you can have one meal for today, like what would 610 00:31:38,000 --> 00:31:47,000 Speaker 1: it be a party something? Some chicken and okay, have 611 00:31:47,080 --> 00:31:50,160 Speaker 1: too much because it starts sucking with my stomach own okay, yeah, 612 00:31:50,160 --> 00:31:52,840 Speaker 1: and I have too much cheese too much? Yeah, because 613 00:31:52,880 --> 00:31:54,720 Speaker 1: you know, you get all dramatic only when you have 614 00:31:54,920 --> 00:31:57,440 Speaker 1: your stomach issues? How you do? That's why I tell 615 00:31:57,480 --> 00:32:00,200 Speaker 1: you not too much, guestle, because I know sometimes at 616 00:32:00,240 --> 00:32:04,040 Speaker 1: the airport or U or riddle me there, say on 617 00:32:04,120 --> 00:32:06,680 Speaker 1: the on the aircraft and when you had to remember 618 00:32:06,760 --> 00:32:08,360 Speaker 1: that timing and you blew it up on me and 619 00:32:08,400 --> 00:32:10,520 Speaker 1: back of the plane, and I was all embarrassing everybody, 620 00:32:10,520 --> 00:32:13,400 Speaker 1: like Dan Creeper's cousin, and he had made a little 621 00:32:13,440 --> 00:32:15,880 Speaker 1: situation in the plane and we started like we started 622 00:32:15,920 --> 00:32:17,440 Speaker 1: like an hour or forty five minutes left on me. 623 00:32:17,480 --> 00:32:20,120 Speaker 1: I think we're going to Denver or something. But nobody 624 00:32:20,160 --> 00:32:21,840 Speaker 1: want to tell you nothing because they're like who did it? 625 00:32:21,920 --> 00:32:23,760 Speaker 1: And they see you big, big old walk oric they 626 00:32:23,800 --> 00:32:26,240 Speaker 1: they're like, oh, don't see nothing. The wife is telling 627 00:32:26,280 --> 00:32:28,560 Speaker 1: the husband, hey, telling him like how did why you 628 00:32:28,640 --> 00:32:32,080 Speaker 1: disrespect our airspace like that? And then about those like 629 00:32:32,080 --> 00:32:33,400 Speaker 1: I'm gonna say something to turn around and saw you 630 00:32:33,480 --> 00:32:36,280 Speaker 1: the on He's like, oh, hey, no, baby, I think 631 00:32:36,280 --> 00:32:38,800 Speaker 1: because he ate too much castle and you know, and 632 00:32:38,920 --> 00:32:42,360 Speaker 1: he doesn't like onions like that, and so she goes, hey, 633 00:32:42,480 --> 00:32:44,120 Speaker 1: you never stand up for me and this and that. 634 00:32:44,640 --> 00:32:46,600 Speaker 1: But then you're just standing there looking at him like that, 635 00:32:47,000 --> 00:32:48,880 Speaker 1: like waiting for him to trip, but you weren't even 636 00:32:48,920 --> 00:32:51,040 Speaker 1: tripping home because you foul relaxed because you had released 637 00:32:51,040 --> 00:32:53,720 Speaker 1: all that tension. So you're just like this was ain't 638 00:32:53,760 --> 00:32:55,560 Speaker 1: gonna trip on me. And I feel good right now 639 00:32:55,760 --> 00:32:58,560 Speaker 1: and I don't care about this hint that has no 640 00:32:58,760 --> 00:33:00,440 Speaker 1: matter where you're at. I mean, what you're gonna do? 641 00:33:00,600 --> 00:33:02,320 Speaker 1: What are you gonna do? Pretty more? Yeah, you're right, 642 00:33:02,800 --> 00:33:04,720 Speaker 1: I was riding with you. I say it smelled right now, 643 00:33:04,800 --> 00:33:07,640 Speaker 1: but yeah, I mean it's gonna go away. Mad, rather 644 00:33:07,720 --> 00:33:10,000 Speaker 1: do that then, you know, say say it? What was you? 645 00:33:10,160 --> 00:33:12,360 Speaker 1: For example, and you shit in your pants right then 646 00:33:12,480 --> 00:33:14,840 Speaker 1: the plane and now if you're on the rest of 647 00:33:14,880 --> 00:33:17,960 Speaker 1: the flight, we're gonna have to smell them the whole way. Yeah, 648 00:33:17,960 --> 00:33:19,960 Speaker 1: I mean, you know, at least the other way. It's 649 00:33:20,000 --> 00:33:22,240 Speaker 1: just for a little bit, you know. Yeah, yeah, I 650 00:33:22,280 --> 00:33:25,160 Speaker 1: mean it eventually like dissipators or whatever they say. But 651 00:33:25,200 --> 00:33:29,800 Speaker 1: if you're sipators, if you're all, that's not gonna go 652 00:33:29,880 --> 00:33:31,840 Speaker 1: away now. I mean it stays right there. I'm gonna 653 00:33:31,840 --> 00:33:34,080 Speaker 1: go away, but there's no showers right there or nothing. Yeah, 654 00:33:34,080 --> 00:33:36,320 Speaker 1: and all the ant they're gonna straight on move away 655 00:33:36,360 --> 00:33:40,480 Speaker 1: from you. Yeah, because you're all yeah, at least it 656 00:33:40,600 --> 00:33:42,680 Speaker 1: was there. It made sense that you did it there 657 00:33:42,760 --> 00:33:45,280 Speaker 1: because like all the bathroom and then they're like it 658 00:33:45,360 --> 00:33:46,920 Speaker 1: made sense too, like why is this so strong? But 659 00:33:47,280 --> 00:33:49,240 Speaker 1: look at this battol right here, that's what That's what 660 00:33:49,400 --> 00:33:52,280 Speaker 1: that fucking Toledo's for. Right to use it, right, yeah, homie, 661 00:33:52,440 --> 00:33:54,440 Speaker 1: But I'm just saying it wasn't an event. He like 662 00:33:54,560 --> 00:33:56,959 Speaker 1: it has smelled, but good thing that had. People at 663 00:33:57,040 --> 00:33:59,640 Speaker 1: mascot are still they're like, oh, they're like and then 664 00:33:59,760 --> 00:34:01,120 Speaker 1: you know, or even the wife. I thought you didn't 665 00:34:01,120 --> 00:34:02,840 Speaker 1: care about COVID. It's not the COVID, it's this, you know, 666 00:34:03,040 --> 00:34:04,800 Speaker 1: the fumes right now. I thought we were going to 667 00:34:04,920 --> 00:34:07,680 Speaker 1: keep that, you know, under the rug. But you know 668 00:34:07,720 --> 00:34:09,120 Speaker 1: what I mean, you bring it up in an interview 669 00:34:09,280 --> 00:34:11,600 Speaker 1: like I mean, is that is that the way it's 670 00:34:11,640 --> 00:34:14,279 Speaker 1: gonna be or what I'm gonna because we got into 671 00:34:14,320 --> 00:34:16,359 Speaker 1: the discussion, you would put it out there like, hey, 672 00:34:16,480 --> 00:34:22,560 Speaker 1: myself on my stomach too, you know you know what 673 00:34:22,719 --> 00:34:26,360 Speaker 1: I got. You know, I didn't egg spends out on me. 674 00:34:26,400 --> 00:34:28,480 Speaker 1: I didn't pretty much come on, I didn't mean to. 675 00:34:28,719 --> 00:34:30,200 Speaker 1: I don't mind it because like I said, it's just 676 00:34:30,320 --> 00:34:33,000 Speaker 1: a people do it all the time, every day. Yeah, 677 00:34:33,080 --> 00:34:35,560 Speaker 1: that's what I'm saying. But that was a that one't 678 00:34:35,600 --> 00:34:37,720 Speaker 1: had a lot of it had a lot of issues 679 00:34:38,000 --> 00:34:39,719 Speaker 1: or just it had a lot going on there. I 680 00:34:39,920 --> 00:34:42,320 Speaker 1: was personally happy that you got that out of you 681 00:34:42,400 --> 00:34:44,840 Speaker 1: on me because it was like, dang that it's a 682 00:34:44,920 --> 00:34:47,960 Speaker 1: trip that that was inside of a human fucking prolonging 683 00:34:48,000 --> 00:34:56,800 Speaker 1: this ship too long on me, fucking up creeper. We 684 00:34:56,960 --> 00:34:59,600 Speaker 1: got that laughter for your soul and now too then 685 00:34:59,760 --> 00:35:04,879 Speaker 1: the breaking on this show. We need a vacation or something. Yeah, 686 00:35:07,400 --> 00:35:10,200 Speaker 1: and which what's the country club that you've been going to? 687 00:35:10,280 --> 00:35:13,799 Speaker 1: Because I think we need to switch the public tennis courts. Yeah, 688 00:35:13,840 --> 00:35:17,160 Speaker 1: but they are like they're at a country club. I 689 00:35:17,200 --> 00:35:20,880 Speaker 1: could see how you think they had that, pope. Hm. 690 00:35:22,320 --> 00:35:24,239 Speaker 1: So when we went to dinner, remember we went to 691 00:35:24,320 --> 00:35:28,360 Speaker 1: dinner the other night. Of course it's delicious. We remember 692 00:35:28,440 --> 00:35:31,920 Speaker 1: you were like, oh, because I was still working, and 693 00:35:32,040 --> 00:35:34,000 Speaker 1: you were like, oh, I need to stop at home 694 00:35:34,080 --> 00:35:37,360 Speaker 1: to get ready. And what did you do? I just 695 00:35:37,400 --> 00:35:39,480 Speaker 1: want to stop at home, take a shower and get dressed, 696 00:35:40,560 --> 00:35:42,960 Speaker 1: get some nice clothes on, get a nice shower, in 697 00:35:44,200 --> 00:35:46,600 Speaker 1: a nice shower. Even did a quick stretch watch YouTube. 698 00:35:46,719 --> 00:35:51,239 Speaker 1: Video and stretched out a little bitter than I took 699 00:35:51,280 --> 00:35:52,880 Speaker 1: a shot out? What that kettle bolt out on? It 700 00:35:53,040 --> 00:35:56,600 Speaker 1: was a different girl? Well, I guess she was a 701 00:35:56,920 --> 00:36:03,560 Speaker 1: yeah holding on. Wow, you're being real, Lucy Gusy with 702 00:36:03,640 --> 00:36:11,440 Speaker 1: your behavior. Real Lucy Gucy just all let me watch, Like, 703 00:36:11,880 --> 00:36:14,840 Speaker 1: why wouldn't Why wouldn't you watch another man teach you 704 00:36:14,920 --> 00:36:20,200 Speaker 1: how to stretch? When you have a man's body is 705 00:36:20,239 --> 00:36:22,960 Speaker 1: a stretch different, that's a female body, why would you 706 00:36:23,040 --> 00:36:26,400 Speaker 1: want to age? You can teach me right right, you 707 00:36:26,440 --> 00:36:31,840 Speaker 1: don't have so you need different stretches, So why would you? 708 00:36:32,200 --> 00:36:35,520 Speaker 1: It just doesn't seem like logical to me? You know, Yeah, 709 00:36:36,040 --> 00:36:37,880 Speaker 1: I have a man's body. I need to watch a 710 00:36:38,000 --> 00:36:42,279 Speaker 1: man show me how to stretch. That's totally fair. I 711 00:36:42,360 --> 00:36:46,320 Speaker 1: will definitely adjust that correct that. I don't know, I 712 00:36:46,440 --> 00:36:48,080 Speaker 1: do feel you know what I mean? It just seems weird. 713 00:36:48,200 --> 00:36:51,200 Speaker 1: It doesn't it weird as a lot of this is feeling, 714 00:36:52,080 --> 00:36:53,520 Speaker 1: as I said, a lot of like it did. It 715 00:36:53,560 --> 00:36:56,600 Speaker 1: didn't feel right. And I do have this fear, sort 716 00:36:56,640 --> 00:36:59,120 Speaker 1: of like fear when I say it, like I know 717 00:36:59,200 --> 00:37:02,440 Speaker 1: what's wrong? You know, Yeah, it's weird. It's good that 718 00:37:02,520 --> 00:37:05,040 Speaker 1: you're conscious of it. But now you need to act 719 00:37:05,120 --> 00:37:07,640 Speaker 1: as such, you know what I mean, you need to 720 00:37:08,239 --> 00:37:10,239 Speaker 1: like ay, and wow, that is weird. Why would I 721 00:37:10,880 --> 00:37:13,120 Speaker 1: when I watch a woman teach me how to stretch 722 00:37:13,200 --> 00:37:15,399 Speaker 1: a woman's body when I have a man's body. Yeah, 723 00:37:15,880 --> 00:37:18,480 Speaker 1: you know, like what are your intentions? And now that 724 00:37:18,680 --> 00:37:21,239 Speaker 1: I'm just gonna really come lucy goosey with it. But 725 00:37:21,960 --> 00:37:24,440 Speaker 1: even that, what you just say is like kind of 726 00:37:25,200 --> 00:37:26,960 Speaker 1: do what you say and say what you do or 727 00:37:27,040 --> 00:37:30,319 Speaker 1: what did you just say? No? No, no, no, yeah, 728 00:37:30,640 --> 00:37:34,440 Speaker 1: just you know, walked walk pretty much just you know, 729 00:37:35,520 --> 00:37:38,680 Speaker 1: patty kick around like oh no, because I don't know 730 00:37:38,719 --> 00:37:42,040 Speaker 1: what I was thinking. It's exactly what this present. Be 731 00:37:42,160 --> 00:37:47,239 Speaker 1: president and knowing what you're doing be president over and 732 00:37:47,400 --> 00:37:51,120 Speaker 1: over and over and over and over, yeah, over and over. Yeah, 733 00:37:51,520 --> 00:37:56,640 Speaker 1: let's listening to this Ted talk this professor lady or 734 00:37:57,280 --> 00:38:01,120 Speaker 1: yeah it's a lady. I guess I was pretty much 735 00:38:01,120 --> 00:38:03,239 Speaker 1: saying the exact same thing you said. It better for sure, 736 00:38:03,920 --> 00:38:05,440 Speaker 1: and I'm not gonna listen to her anymore, you know, 737 00:38:07,760 --> 00:38:16,280 Speaker 1: So that talk, Dang, this is this is very concerned 738 00:38:17,160 --> 00:38:19,040 Speaker 1: said no, don't touch me right now. Don't touch me 739 00:38:19,200 --> 00:38:24,000 Speaker 1: right now, because I don't get you're going oh, watching 740 00:38:24,040 --> 00:38:27,040 Speaker 1: the kettle bout cout she's doing the kettle bout now, 741 00:38:27,160 --> 00:38:29,880 Speaker 1: watching this other coutron not teach me how to stretch? Now, 742 00:38:30,080 --> 00:38:32,400 Speaker 1: watching a Ted Talks with another count on, It's like, 743 00:38:33,000 --> 00:38:35,240 Speaker 1: am I not enough woman for you? Now? You're seeking 744 00:38:35,280 --> 00:38:39,239 Speaker 1: other videos and other little side things like you know, 745 00:38:39,760 --> 00:38:42,080 Speaker 1: I'm not enough woman for You've always been enough woman 746 00:38:42,160 --> 00:38:44,200 Speaker 1: for me and not even close. You will you will 747 00:38:44,320 --> 00:38:48,360 Speaker 1: always be enough by far full? And what did this 748 00:38:48,520 --> 00:38:52,520 Speaker 1: Ted Talks woman have to say? Like just talking about 749 00:38:52,560 --> 00:38:56,080 Speaker 1: integrity and you know, if you're gonna do something, if 750 00:38:56,080 --> 00:38:58,120 Speaker 1: you're gonna say something, then you should do it, you know. 751 00:38:58,920 --> 00:39:02,879 Speaker 1: But I think I was getting manipulated, and I think 752 00:39:02,920 --> 00:39:05,920 Speaker 1: that I've just been over all a little bit lucy late. 753 00:39:06,000 --> 00:39:07,919 Speaker 1: And it's actually good that we're having this conversation because 754 00:39:07,920 --> 00:39:10,920 Speaker 1: I can roll it. It exposes, yeah, oh, it exposes. 755 00:39:10,960 --> 00:39:13,640 Speaker 1: It's exposing a lot. I know it's over and over. 756 00:39:13,920 --> 00:39:18,080 Speaker 1: I know it's gonna happen. You're gonna smash me. Yeah, wow, 757 00:39:18,200 --> 00:39:20,680 Speaker 1: I would like to smash if that's how you want 758 00:39:20,719 --> 00:39:23,759 Speaker 1: to call it. You know. I like to get down 759 00:39:23,800 --> 00:39:26,000 Speaker 1: with my man, and I would like to think that 760 00:39:26,040 --> 00:39:28,680 Speaker 1: I gave him enough woman, so that if we have 761 00:39:28,800 --> 00:39:32,880 Speaker 1: sexual experiences, that he's not waking up to watching a 762 00:39:33,000 --> 00:39:36,040 Speaker 1: cattle behind a or a kettle about woman, or a 763 00:39:36,120 --> 00:39:40,960 Speaker 1: cattle about flucy or you know, any of that, any 764 00:39:41,000 --> 00:39:43,600 Speaker 1: of that, and then that not only that, but later 765 00:39:43,680 --> 00:39:46,080 Speaker 1: in the day you're watching another woman teach you how 766 00:39:46,120 --> 00:39:49,319 Speaker 1: to stretch. It just comes up only recommended page. Oh, 767 00:39:49,360 --> 00:39:51,360 Speaker 1: I'm sure it does because it knows your search history 768 00:39:51,400 --> 00:39:54,239 Speaker 1: cover on and you're constantly searching for other women to 769 00:39:54,400 --> 00:39:56,360 Speaker 1: instruct you to do different things like if I'm not 770 00:39:56,560 --> 00:39:59,600 Speaker 1: enough woman and I just don't get it. You know, 771 00:39:59,719 --> 00:40:02,920 Speaker 1: it's weird. It's like anybody that looked at that and 772 00:40:03,120 --> 00:40:07,080 Speaker 1: be like, oh, and you're just you're like exposing yourself 773 00:40:07,239 --> 00:40:11,040 Speaker 1: little by little, you know, You're just like you're putting 774 00:40:11,080 --> 00:40:15,759 Speaker 1: yourself on blast right now, you know. Yeah, And you're like, oh, 775 00:40:15,840 --> 00:40:18,000 Speaker 1: because they came up on recommending my search tree, you 776 00:40:18,040 --> 00:40:20,279 Speaker 1: know what that tells me. I'm not stupid. You know, 777 00:40:20,400 --> 00:40:23,759 Speaker 1: I'm not stupid. I know how the Internet's and all 778 00:40:23,800 --> 00:40:29,200 Speaker 1: that work, the algorithms that, yeah, I know because it 779 00:40:29,360 --> 00:40:32,719 Speaker 1: had recommended, you think that's an out for you. You think, oh, 780 00:40:32,800 --> 00:40:34,839 Speaker 1: it's not his faulty recommend it. Why do you think 781 00:40:34,880 --> 00:40:38,320 Speaker 1: it's recommending it to you. It's the computers, that's the Internet, 782 00:40:38,600 --> 00:40:41,359 Speaker 1: they know, And why does it think that you want 783 00:40:41,440 --> 00:40:44,080 Speaker 1: that I'm not enough woman for you? You are. I'm 784 00:40:44,160 --> 00:40:47,839 Speaker 1: so much woman for me, not too much, but enough. 785 00:40:49,640 --> 00:40:51,719 Speaker 1: And it's hard to live, like like when I see 786 00:40:51,760 --> 00:40:55,920 Speaker 1: highs or other girls women, they're like, you know, like 787 00:40:56,400 --> 00:40:59,520 Speaker 1: to live like that. Like everywhere they go they're going 788 00:40:59,560 --> 00:41:03,399 Speaker 1: to write orkin Salve, they going, I, oh, I'm looking 789 00:41:03,480 --> 00:41:05,440 Speaker 1: for a man. I need a man. Or you can 790 00:41:05,520 --> 00:41:07,640 Speaker 1: just see it, you know, see it and feel it. 791 00:41:07,760 --> 00:41:10,280 Speaker 1: They try to even oh, he's the manager of writing, 792 00:41:10,760 --> 00:41:13,480 Speaker 1: it's good enough for me, and try to let's he 793 00:41:13,600 --> 00:41:15,320 Speaker 1: about it, and he's like, damn, he's just trying to 794 00:41:15,360 --> 00:41:17,239 Speaker 1: get through his work day. You know. He already has 795 00:41:17,320 --> 00:41:21,680 Speaker 1: a girl, you know. But there's just I'm just saying. 796 00:41:21,719 --> 00:41:25,560 Speaker 1: They're always praying like that, like they're looking for for praying. 797 00:41:25,600 --> 00:41:28,399 Speaker 1: They're they're nasty, they're nasty, little horse. They're out there, 798 00:41:29,160 --> 00:41:31,960 Speaker 1: you know, yeah, and and you're right there at the 799 00:41:32,080 --> 00:41:34,880 Speaker 1: tennis courts, and so you can see why it bothers 800 00:41:34,920 --> 00:41:37,040 Speaker 1: me when you say, wow, JC, if they do a 801 00:41:37,120 --> 00:41:40,319 Speaker 1: good movie, a good back can Rikin Salved. I'm gonna 802 00:41:40,400 --> 00:41:43,360 Speaker 1: compliment them because in your head you're looking at the 803 00:41:43,480 --> 00:41:48,879 Speaker 1: sport of it. Ye criticism, but they're looking at eye. 804 00:41:49,200 --> 00:41:53,719 Speaker 1: He likes my technique and you know, a little eye 805 00:41:54,239 --> 00:41:57,120 Speaker 1: tingle leak and Salved I see, you know, un they're 806 00:41:57,160 --> 00:42:00,279 Speaker 1: their little horse skirts or little tennis skirts that. Yeah, 807 00:42:00,280 --> 00:42:02,640 Speaker 1: I have it short because that's the length for tennis. No, 808 00:42:02,760 --> 00:42:05,480 Speaker 1: it's because you're trying to, you know, get your aromas 809 00:42:05,520 --> 00:42:07,920 Speaker 1: out there and be a little hore that you are, 810 00:42:08,320 --> 00:42:11,000 Speaker 1: you know, and it's you just concern to me that 811 00:42:11,120 --> 00:42:13,239 Speaker 1: you're in that environment when you teach tennis. You know, 812 00:42:13,440 --> 00:42:16,080 Speaker 1: I'm going to be much more responsible with my compliments. 813 00:42:18,080 --> 00:42:19,960 Speaker 1: Thank you for saying that, Thank you for seeing that. 814 00:42:20,320 --> 00:42:23,280 Speaker 1: Just be aware that you're looking at it from athletic 815 00:42:23,440 --> 00:42:26,399 Speaker 1: point of view. They're looking at it from they're trying 816 00:42:26,440 --> 00:42:29,400 Speaker 1: to get your polo, you know. And two. But you 817 00:42:29,480 --> 00:42:32,320 Speaker 1: don't need that because obviously I take care of that 818 00:42:32,440 --> 00:42:34,120 Speaker 1: with you know, and I edge you, and I get 819 00:42:34,160 --> 00:42:36,000 Speaker 1: you a week and your legs all shaking like that, 820 00:42:36,800 --> 00:42:40,759 Speaker 1: and another twenty five to thirty seven minutes and then 821 00:42:40,840 --> 00:42:43,960 Speaker 1: I let you bust. Come on, and how long are 822 00:42:44,000 --> 00:42:46,399 Speaker 1: you satisfied after I do that to you at least 823 00:42:46,440 --> 00:42:52,759 Speaker 1: fifteen minutes, especially, Yeah, fifteen minutes. Come on, Jay, see 824 00:42:52,760 --> 00:42:55,520 Speaker 1: if I'm around you, I mean you can't be right 825 00:42:55,560 --> 00:42:58,279 Speaker 1: back on and I get refilled up real quick. That's right, 826 00:42:58,760 --> 00:43:07,120 Speaker 1: that's right, Nip, that's right. You're clone right now. I am. 827 00:43:07,800 --> 00:43:10,160 Speaker 1: I'm thinking about putting on those nipple tasks later if 828 00:43:10,200 --> 00:43:17,840 Speaker 1: you behave and stop seeing them things I'm getting on. 829 00:43:18,320 --> 00:43:21,719 Speaker 1: When you dressed like a little horror the house, that's 830 00:43:21,840 --> 00:43:24,360 Speaker 1: for us. That's some more private thing. You got a 831 00:43:24,400 --> 00:43:26,640 Speaker 1: little too excited right now. Now you're letting our brida 832 00:43:26,920 --> 00:43:30,760 Speaker 1: forgot you don't count your those names outside of the bedroom. 833 00:43:30,840 --> 00:43:34,320 Speaker 1: I don't. Okay, understand that's our little secret thing. Understood. Okay, 834 00:43:35,719 --> 00:43:40,120 Speaker 1: you got that. I understand because hey, I'm excited thinking 835 00:43:40,160 --> 00:43:42,719 Speaker 1: about those things. But we have our private time for 836 00:43:42,840 --> 00:43:45,920 Speaker 1: that bedroom. He loo this which is in the public. 837 00:43:46,000 --> 00:43:48,480 Speaker 1: There's cameras, and you know, I get a rational one. 838 00:43:48,520 --> 00:43:51,960 Speaker 1: I get corny. I know you don't believe me. I 839 00:43:52,040 --> 00:43:57,560 Speaker 1: know you do, so it's Heartrek gets going. Yeah, you're 840 00:43:57,560 --> 00:44:00,200 Speaker 1: a little too excited today. Might need to be tight 841 00:44:00,320 --> 00:44:05,680 Speaker 1: up leader, you know, like to be punished. Have you 842 00:44:05,760 --> 00:44:07,520 Speaker 1: seen the avatars I was gonna see if you want 843 00:44:07,520 --> 00:44:09,600 Speaker 1: to go see it, Okay, you want to see it 844 00:44:09,680 --> 00:44:11,640 Speaker 1: in three D? Or said I want to see three 845 00:44:11,680 --> 00:44:15,840 Speaker 1: D big time. Okay, three hours scout On. I know 846 00:44:16,120 --> 00:44:21,040 Speaker 1: I'll be able to stay awake. Okay, maybe all a 847 00:44:21,160 --> 00:44:23,839 Speaker 1: little bit touched me on a little when they get 848 00:44:24,000 --> 00:44:28,719 Speaker 1: you know, because damn what just the filmma, you know, 849 00:44:28,840 --> 00:44:33,719 Speaker 1: they're like bigger and they're blue and and when they 850 00:44:34,280 --> 00:44:38,120 Speaker 1: boom boom. Well the new one's supposed to have some 851 00:44:38,200 --> 00:44:44,439 Speaker 1: of those scenes in it. They're all ram crazy. Yeah, 852 00:44:44,480 --> 00:44:46,000 Speaker 1: I just you know what I mean, just to see 853 00:44:46,040 --> 00:44:49,120 Speaker 1: a big alien scout on like that, and with this 854 00:44:49,239 --> 00:44:52,080 Speaker 1: I ain't not just bomb it's crazy because they have 855 00:44:52,239 --> 00:44:55,120 Speaker 1: tail scout on, you know that little avatars or that 856 00:44:55,200 --> 00:44:57,239 Speaker 1: big they're bigger. What if it? What happens to the 857 00:44:57,320 --> 00:45:01,040 Speaker 1: tail when they're exciting? That's the thing. Well that's what 858 00:45:01,160 --> 00:45:03,960 Speaker 1: I'm curious about. Oh my god, what can that? You know? 859 00:45:04,000 --> 00:45:05,879 Speaker 1: Where does that tail? Goal? Should we see you tonight? 860 00:45:06,000 --> 00:45:11,240 Speaker 1: Because obviously okay that the men they have the polos obviously, 861 00:45:11,719 --> 00:45:14,440 Speaker 1: and the alien polos proby more, who knows what the 862 00:45:14,520 --> 00:45:19,960 Speaker 1: head looks like? Supercharged supercharger alien juices or ken salmon. 863 00:45:21,040 --> 00:45:23,080 Speaker 1: But I imagine you have that tail with them, yen, 864 00:45:23,880 --> 00:45:29,200 Speaker 1: so you know, think different options. I could swing the 865 00:45:29,239 --> 00:45:32,239 Speaker 1: tail around and do something else with it, maybe to 866 00:45:32,360 --> 00:45:37,600 Speaker 1: play with your koolo while woo sitting the very back. 867 00:45:38,440 --> 00:45:41,759 Speaker 1: Let's go tonight night going on. Yes, we get a 868 00:45:41,800 --> 00:45:45,360 Speaker 1: big popcorn, you get a big soda. See now I 869 00:45:45,440 --> 00:45:47,400 Speaker 1: see where it's coming from. You read the book about 870 00:45:47,440 --> 00:45:50,880 Speaker 1: the get gos there some of them are blue and slimy. 871 00:45:51,320 --> 00:45:55,800 Speaker 1: Now to the avatars, Yeah, which or they can be 872 00:45:55,880 --> 00:46:00,279 Speaker 1: slim me two? Three are I'll be able to stay 873 00:46:00,280 --> 00:46:03,400 Speaker 1: away for the whole thing. Edge me to the finish line. Yeah. Well, 874 00:46:03,440 --> 00:46:04,920 Speaker 1: if we get one of those, we can get the 875 00:46:05,000 --> 00:46:08,520 Speaker 1: reclimbing seeds with the three D glasses came. Maybe you're follower. 876 00:46:08,640 --> 00:46:11,359 Speaker 1: Look three D eyes jumping at me stuff like nah, 877 00:46:11,480 --> 00:46:14,440 Speaker 1: there's there might be kids, you know, it's PG thirteen. 878 00:46:14,520 --> 00:46:20,200 Speaker 1: I think, m But we'll bring up blanket. We'll be 879 00:46:20,320 --> 00:46:23,279 Speaker 1: that couple. I love the bringing a blanket into the 880 00:46:23,400 --> 00:46:26,960 Speaker 1: theater and you can wear your little tennis head man 881 00:46:28,760 --> 00:46:31,920 Speaker 1: where the stretches right there outside before we go into 882 00:46:31,960 --> 00:46:33,880 Speaker 1: the movie, Like, I meet a Look, he's wearing a 883 00:46:33,880 --> 00:46:36,200 Speaker 1: sad man. They're doing stretches. They have a blanket. Oh, 884 00:46:36,280 --> 00:46:39,480 Speaker 1: I can do cat stretches on the stairs. See love 885 00:46:39,560 --> 00:46:41,960 Speaker 1: that there you go. I love when you think like 886 00:46:42,080 --> 00:46:44,520 Speaker 1: see now you're looking smart. Now this is the side 887 00:46:44,520 --> 00:46:48,000 Speaker 1: Okay that I like. Okay, you know I can somebody's 888 00:46:48,040 --> 00:46:52,799 Speaker 1: our happiness in those situations. I think that's I can 889 00:46:52,880 --> 00:46:55,080 Speaker 1: totally keep doing that. I can. Now I want to 890 00:46:55,200 --> 00:46:58,400 Speaker 1: dress you whamp like a little like an avatars. We 891 00:46:58,560 --> 00:47:02,120 Speaker 1: get a little tail. Are you gonna paint me? Yeah? 892 00:47:03,960 --> 00:47:06,440 Speaker 1: We have We have the part from party City. We 893 00:47:06,520 --> 00:47:10,839 Speaker 1: have that blue blue paint remember from my gender pure party, 894 00:47:10,960 --> 00:47:15,480 Speaker 1: from my from mya's gender reval party. They thought I 895 00:47:15,560 --> 00:47:17,920 Speaker 1: was gonna be a boy, but then last minute it 896 00:47:18,120 --> 00:47:19,560 Speaker 1: was a girl. So we have a lot of blue 897 00:47:19,600 --> 00:47:23,000 Speaker 1: paint left. Oh so we can't paint you like that 898 00:47:23,400 --> 00:47:28,200 Speaker 1: pin tail, give me a lot. Can't paint your boto 899 00:47:30,840 --> 00:47:34,279 Speaker 1: just like you can see it a different color and 900 00:47:34,440 --> 00:47:36,440 Speaker 1: three D. It's always three D. Don't give me a 901 00:47:36,520 --> 00:47:40,359 Speaker 1: wrong baby, you know, because I you know your little 902 00:47:40,480 --> 00:47:45,479 Speaker 1: pint Pete sampriss moves that you do. I okay, since 903 00:47:45,560 --> 00:47:47,600 Speaker 1: you say you said the little names, I let you 904 00:47:47,680 --> 00:47:49,040 Speaker 1: call me in the bedroom. I can say what you 905 00:47:49,160 --> 00:47:52,520 Speaker 1: do when you have when he has this, when he 906 00:47:52,600 --> 00:47:56,080 Speaker 1: has a spot like that, he does it like when 907 00:47:56,120 --> 00:47:58,880 Speaker 1: he has a spot when it's like you red. He 908 00:47:59,080 --> 00:48:02,000 Speaker 1: pretends that he's in that tennis class hit he knows 909 00:48:02,040 --> 00:48:04,239 Speaker 1: a little and I'm leaning in the baddies. Why can't 910 00:48:04,280 --> 00:48:07,600 Speaker 1: round the room because I piece time, Prissy says, I 911 00:48:07,760 --> 00:48:11,520 Speaker 1: love he goes one thing like that. Oh he goes in. 912 00:48:11,600 --> 00:48:13,360 Speaker 1: It's like, who man, you told me to do it? 913 00:48:13,480 --> 00:48:15,520 Speaker 1: I mean say, cut here, gout on, you know, jump 914 00:48:15,600 --> 00:48:21,440 Speaker 1: into that bad Oh. That for tuning into another episode 915 00:48:21,440 --> 00:48:23,759 Speaker 1: of The Frankie in your next show and send it 916 00:48:23,800 --> 00:48:26,920 Speaker 1: by Will Ferrell's Big Funny Players Network. Shout out to 917 00:48:26,960 --> 00:48:30,600 Speaker 1: the Homies, Hans Olivia, Nick the Homie, hearn Dog here 918 00:48:30,640 --> 00:48:35,160 Speaker 1: in the Studio, James Fritz, Kevin Kamia, Bobby DJ Buzz, 919 00:48:35,440 --> 00:48:38,640 Speaker 1: the legendary soul assassins by me guy, you know how 920 00:48:38,719 --> 00:48:40,759 Speaker 1: we do Homie. Thank you for giving it as an 921 00:48:40,800 --> 00:48:43,439 Speaker 1: opportunity of the get Down and if you get a chance, 922 00:48:43,480 --> 00:48:45,680 Speaker 1: told me it's going and rank your reviews the podcast 923 00:48:46,160 --> 00:48:48,520 Speaker 1: or continue living your life. We'll see you on the 924 00:48:48,640 --> 00:48:51,839 Speaker 1: next episode of The Frankie. Your next show. That's what's 925 00:48:51,880 --> 00:48:52,680 Speaker 1: soft break there.