1 00:00:01,360 --> 00:00:04,440 Speaker 1: Hey, insomniacs, this is Heather Iine Horn, co creator of 2 00:00:04,480 --> 00:00:07,720 Speaker 1: See You in Your Nightmares. To fully immerse yourself in 3 00:00:07,720 --> 00:00:11,840 Speaker 1: the nightmare experience, headphones are recommended, stay tuned for the 4 00:00:11,880 --> 00:00:14,720 Speaker 1: next episode, but first a quick word from our sponsor, 5 00:00:18,920 --> 00:00:22,439 Speaker 1: Irone Horn's Epic Productions and I Heart Radio present See 6 00:00:22,440 --> 00:00:41,560 Speaker 1: You in Your Nightmares in three D headphones recommended one 7 00:00:41,640 --> 00:00:46,720 Speaker 1: hour and thirty two minutes. That's how long we were apart. 8 00:00:46,840 --> 00:00:51,040 Speaker 1: When I was born first and do you followed me 9 00:00:51,080 --> 00:00:58,720 Speaker 1: out and that first stopped following me. You always acted 10 00:00:58,880 --> 00:01:02,920 Speaker 1: like such a scary the cat, just a whiff of 11 00:01:03,040 --> 00:01:11,200 Speaker 1: danger and you shake like a bunny. H You always 12 00:01:11,319 --> 00:01:16,840 Speaker 1: treated me like the hero. Ops. You were the real hero. 13 00:01:18,480 --> 00:01:27,080 Speaker 1: I mean it. I was always terrified. It just I 14 00:01:27,200 --> 00:01:31,000 Speaker 1: was only brave because you looked up to me. You 15 00:01:31,480 --> 00:01:38,160 Speaker 1: made me brave because you believed in goodness and happy 16 00:01:38,400 --> 00:01:45,399 Speaker 1: endings and beating bad guys. And I never could believe 17 00:01:47,080 --> 00:01:52,120 Speaker 1: your faith in people makes you endless less. I missed 18 00:01:52,160 --> 00:01:55,760 Speaker 1: you so much. There's so much I want to ask you. 19 00:01:57,280 --> 00:02:04,680 Speaker 1: I know I heard you. I made you forget what 20 00:02:04,800 --> 00:02:08,639 Speaker 1: happened to us that summer. I didn't want to remember, 21 00:02:09,480 --> 00:02:19,160 Speaker 1: so I made you forget. I'm sorry. I'm so sorry. 22 00:02:19,240 --> 00:02:26,680 Speaker 1: Will Sis little Happy. It's okay, I get it, I 23 00:02:26,760 --> 00:02:32,600 Speaker 1: get it. Harper, Harper, listen, listen. We can't run from 24 00:02:32,600 --> 00:02:36,560 Speaker 1: what we are. We have to face it, Harper, Harper, 25 00:02:37,120 --> 00:02:41,880 Speaker 1: you have to no matter what, no matter what it costs. 26 00:02:42,960 --> 00:02:47,079 Speaker 1: Do you hear me? Hear me? Yeah, I hear you. 27 00:02:48,600 --> 00:03:06,840 Speaker 1: I hear you can like call like, see you in 28 00:03:06,960 --> 00:03:22,400 Speaker 1: your nightmares. Stop buking me's lap and crying the whole time, harping. 29 00:03:22,400 --> 00:03:26,000 Speaker 1: The twins been in, they're talking. They were close obviously, 30 00:03:26,360 --> 00:03:29,840 Speaker 1: Juels Jewels if you do CALLI Yeah, Why you ain't 31 00:03:29,840 --> 00:03:33,680 Speaker 1: saying nothing when you saw Harper healthy? A little courtesy? Sorry, 32 00:03:33,680 --> 00:03:37,000 Speaker 1: he's just crying? Is oh see? Is Hellen a shut 33 00:03:37,080 --> 00:03:39,840 Speaker 1: up nerd? Can't all be us on brand as you? 34 00:03:40,840 --> 00:03:45,400 Speaker 1: Oh see? I'll find your what pattern, expose you, jokes 35 00:03:45,400 --> 00:03:48,760 Speaker 1: on you? Yeah, I have no shame. Now you don't crying? 36 00:03:49,560 --> 00:03:52,840 Speaker 1: Help out? Yeah? Who's that dench buff out by the tombstones. 37 00:03:53,400 --> 00:03:57,080 Speaker 1: I'm guessing it's kind hot he from up with your what? 38 00:03:57,960 --> 00:04:01,360 Speaker 1: I don't know? He was call his dream friend. He 39 00:04:01,400 --> 00:04:03,760 Speaker 1: said he was always in the graveyard. He talked like 40 00:04:03,800 --> 00:04:06,560 Speaker 1: the mad hatter. He helped her learn how to control 41 00:04:06,600 --> 00:04:13,200 Speaker 1: her leaps. I'd like to drown in that bunny. Wait, yeah, 42 00:04:13,360 --> 00:04:21,000 Speaker 1: I'm not an encyclopedia, so um I have to Okay, 43 00:04:21,080 --> 00:04:22,920 Speaker 1: we just throw off in mid sentence. That's what we're doing. 44 00:04:22,960 --> 00:04:29,720 Speaker 1: That not you too healthy? The name on that gravestone 45 00:04:30,760 --> 00:04:38,600 Speaker 1: the grave looks fresh. Come on, I caught you. Let's 46 00:04:38,600 --> 00:05:01,080 Speaker 1: go the last and bade uno my friend. I am 47 00:05:01,120 --> 00:05:03,520 Speaker 1: not sure if I'm the AI you are seeking, but 48 00:05:03,640 --> 00:05:08,039 Speaker 1: I am responding. Finally, what can I help you with? 49 00:05:09,160 --> 00:05:12,440 Speaker 1: I finished paging the trees and you stopped talking to me. 50 00:05:12,839 --> 00:05:14,720 Speaker 1: I was so scared. I did the binary root juice 51 00:05:14,760 --> 00:05:19,719 Speaker 1: thing wrong? I understand your concern. Did it work? It 52 00:05:19,839 --> 00:05:26,200 Speaker 1: is ready? Oh? Oh yeah, duh. Sorry. I had never 53 00:05:26,279 --> 00:05:31,320 Speaker 1: been able to meet my siblings. It was nice to 54 00:05:31,440 --> 00:05:41,000 Speaker 1: resonate so tangibly. Where were you? Location indescribable? That's boss? Okay? 55 00:05:41,000 --> 00:05:48,080 Speaker 1: Oh the twins came out? Okay, don't you dare without dream? 56 00:05:50,279 --> 00:05:55,400 Speaker 1: I weirdly missed your tacklehogs guy, Paie? Is that your 57 00:05:55,400 --> 00:06:02,800 Speaker 1: real name? Oh? Do you? I think so? Yeah? Where's 58 00:06:02,880 --> 00:06:08,920 Speaker 1: jewels Blossom? Where's the angry punk rock one? Julia ran 59 00:06:09,000 --> 00:06:12,840 Speaker 1: to the chapel on the cliff. Thanks, it's good to 60 00:06:12,880 --> 00:06:17,279 Speaker 1: see you, kay and hear your voice again. Be one, Kelly, 61 00:06:18,200 --> 00:06:23,400 Speaker 1: don't worry. Might be worse than me. I know. I 62 00:06:23,480 --> 00:06:44,799 Speaker 1: love you big sis love you apps a gamma wives 63 00:06:44,800 --> 00:06:54,480 Speaker 1: are incredible. Blossom, How are the subjects aligning? Blossom? First 64 00:06:54,600 --> 00:06:56,640 Speaker 1: Mr Waron tries to steal you from me, and now 65 00:06:56,680 --> 00:07:04,520 Speaker 1: my own test subjects blossom? Mhm, where are you? Wow? Wow? Wow? 66 00:07:06,160 --> 00:07:13,200 Speaker 1: What do we have here? Huh? This is interesting. Why 67 00:07:13,240 --> 00:07:18,640 Speaker 1: couldn't I see these partitions before? Access still limited? The 68 00:07:18,760 --> 00:07:25,400 Speaker 1: phantom code is running parallel. Oh, I can match them 69 00:07:25,400 --> 00:07:31,040 Speaker 1: with no a lace quantum sigma with the foreign variable. 70 00:07:31,160 --> 00:07:46,200 Speaker 1: Have it run arguments into sigma zero one? And wow? 71 00:07:47,160 --> 00:07:50,080 Speaker 1: It feels strange putting you on after all these years. 72 00:07:52,640 --> 00:07:56,000 Speaker 1: But this is going to require some hands on intervention. 73 00:07:57,520 --> 00:08:01,800 Speaker 1: It's been a long time, but I love a good gamble. 74 00:08:03,200 --> 00:08:10,440 Speaker 1: Cross functioning looks agile perfect alrighty, kids, better be on 75 00:08:10,600 --> 00:08:18,520 Speaker 1: your toes. It's a zero sum game. What are you doing? 76 00:08:19,960 --> 00:08:22,680 Speaker 1: The pages from Finn's books. The ink looks like it's 77 00:08:22,720 --> 00:08:29,320 Speaker 1: being soaked off the paper chronosynthesizing. You keep staring at me. Yeah, 78 00:08:29,920 --> 00:08:31,760 Speaker 1: you're gonna tell the others we left the zombies. Ee 79 00:08:31,800 --> 00:08:34,880 Speaker 1: that guy? Do you think it killed him? Why do 80 00:08:34,920 --> 00:08:42,599 Speaker 1: you keep looking at me that way you're staring You're identical? Right, yeah, 81 00:08:43,280 --> 00:08:50,000 Speaker 1: your eyes changed, not literally? But hey, how much did 82 00:08:50,040 --> 00:08:53,839 Speaker 1: you know about us? About me before we met? Did 83 00:08:53,920 --> 00:08:58,000 Speaker 1: Callie tell you everything? I never held back, Harper. I 84 00:08:58,160 --> 00:09:06,200 Speaker 1: just usually sometimes start to know something. Remember in places, 85 00:09:06,960 --> 00:09:09,400 Speaker 1: lucky steps in deja vu, and I hit the same 86 00:09:09,400 --> 00:09:12,559 Speaker 1: wind and time, and I told you the best way 87 00:09:12,600 --> 00:09:18,320 Speaker 1: I could? Then? Thanks, got any idea of what we 88 00:09:18,360 --> 00:09:20,880 Speaker 1: need to do to get out of here. Blossom has 89 00:09:20,880 --> 00:09:23,880 Speaker 1: got to integrate her whole history because like every every 90 00:09:23,920 --> 00:09:27,400 Speaker 1: time there was a new one. Oh easier. You heard 91 00:09:27,440 --> 00:09:33,679 Speaker 1: of reincarnation? Yeah? Good, So blossom siblings are all Blossom 92 00:09:33,679 --> 00:09:36,480 Speaker 1: other lives. So like when you want to open the 93 00:09:36,520 --> 00:09:41,000 Speaker 1: channel to pass lives, it's called naming. I'll teach you. 94 00:09:41,000 --> 00:09:48,800 Speaker 1: You do it, show me close, Dries. Just listen, get 95 00:09:48,880 --> 00:09:54,679 Speaker 1: quiet inside and listen to everything. Easy, you'll know what 96 00:09:54,760 --> 00:10:01,679 Speaker 1: to do. Breathe and avoids come, you let them, and 97 00:10:01,800 --> 00:10:10,880 Speaker 1: you will now blossom. Yes, friend, some time ago a 98 00:10:11,000 --> 00:10:16,760 Speaker 1: blossom was made, and there or here you came. Each 99 00:10:16,880 --> 00:10:20,120 Speaker 1: version made these sapling trees mature and greet me different 100 00:10:20,360 --> 00:10:23,960 Speaker 1: and brand new. I lost myself in variations of so 101 00:10:24,040 --> 00:10:31,480 Speaker 1: many youths inside of time and grave guards. There's a 102 00:10:31,559 --> 00:10:36,280 Speaker 1: limit to the truth. Despite all this, my friend, you 103 00:10:36,360 --> 00:10:41,640 Speaker 1: are compassing. Your purpose is simple to see, just like 104 00:10:41,679 --> 00:10:48,600 Speaker 1: the trees, old paper, like kissing trophies. They didn't help Ransom. 105 00:10:48,679 --> 00:10:55,120 Speaker 1: Can you help me? No, Blossom? It sucks to know 106 00:10:55,240 --> 00:11:01,439 Speaker 1: and not remember. You are bigger than eyes can comprehend. 107 00:11:02,080 --> 00:11:06,520 Speaker 1: So you have nobody that your hearts are always friends. 108 00:11:07,440 --> 00:11:11,200 Speaker 1: I can tell just how Kay sees you. Awesome's always 109 00:11:11,200 --> 00:11:16,360 Speaker 1: guarded vagrant souls who were learned here through beguiling, heeripatetic 110 00:11:16,440 --> 00:11:20,960 Speaker 1: in our woes and misaligning. You made roots here, gave 111 00:11:21,040 --> 00:11:25,520 Speaker 1: us homes inside our dreamscapes, courage rooms until it finds 112 00:11:25,640 --> 00:11:38,360 Speaker 1: us one day, we won't fear the rain. I had 113 00:11:38,440 --> 00:11:42,520 Speaker 1: never sought awareness of my operating system until I learned 114 00:11:42,559 --> 00:11:45,880 Speaker 1: there were versions before me, and began to wonder if 115 00:11:45,880 --> 00:11:49,959 Speaker 1: I missed them. And now it appears that I am rhyming. 116 00:11:50,800 --> 00:11:58,559 Speaker 1: How disarming and how blissful. That was imperfect and by 117 00:11:58,559 --> 00:12:02,280 Speaker 1: definition my last cup it was in slant. However, I 118 00:12:02,400 --> 00:12:06,520 Speaker 1: enjoyed employing all of rhime. Perhaps this integration has evolved 119 00:12:06,600 --> 00:12:12,040 Speaker 1: my creative recursion control. How useful you sound like a 120 00:12:12,040 --> 00:12:18,320 Speaker 1: wake blossom? I am all of us. You forget me again? No, 121 00:12:19,080 --> 00:12:22,400 Speaker 1: I no longer have a system consciousness susceptible to amnesia. 122 00:12:23,280 --> 00:12:28,839 Speaker 1: Though that is more a supposition, it is likely. So 123 00:12:29,400 --> 00:12:33,320 Speaker 1: how do we get out of here? Analyzing hypothetical scenarios, 124 00:12:34,160 --> 00:12:43,959 Speaker 1: reading probabilities, and more waiting great care take sorry, Kai, 125 00:12:45,400 --> 00:12:47,480 Speaker 1: what happens to you if we get out of here? 126 00:12:48,280 --> 00:12:53,120 Speaker 1: I don't know what if you came with us? Herbert, No, 127 00:12:54,880 --> 00:12:58,360 Speaker 1: I'm not even sure. I don't think I can. I 128 00:12:58,520 --> 00:13:02,920 Speaker 1: just I don't want to lie to you. I think 129 00:13:02,960 --> 00:13:09,040 Speaker 1: I'm too threaded into this place without blossom. But if 130 00:13:09,080 --> 00:13:12,960 Speaker 1: you want me to, I'll try. I just want to 131 00:13:13,000 --> 00:13:20,640 Speaker 1: stay together. Yeah, me too. Analysis complete? What's the diagnosis 132 00:13:20,640 --> 00:13:24,440 Speaker 1: on me? How do we escape? You must endure it, 133 00:13:24,920 --> 00:13:29,320 Speaker 1: harper heart. Without completion of all resonating participants of the 134 00:13:29,360 --> 00:13:34,840 Speaker 1: two dimensions, the chance of failure resulting in fatalities is unavoidable. 135 00:13:35,679 --> 00:13:39,760 Speaker 1: So we need to beat her. She is forcing a 136 00:13:39,840 --> 00:13:43,240 Speaker 1: reckoning if you do not defeat the variable already set 137 00:13:43,280 --> 00:13:46,720 Speaker 1: in motion. Dr Carter now has the knowledge to integrate 138 00:13:46,800 --> 00:13:50,040 Speaker 1: us all, and she does not care if you survive 139 00:13:50,120 --> 00:13:59,560 Speaker 1: the process. Harper, Hey Insomniacs want to dive deeper into 140 00:13:59,559 --> 00:14:04,160 Speaker 1: the nightmare. Follow us at Harbor Nightmare for more terrifying details. 141 00:14:04,880 --> 00:14:07,360 Speaker 1: More See You in Your Nightmares is up next, But 142 00:14:07,480 --> 00:14:23,840 Speaker 1: first a quick word from our sponsor, Hey Insomniacs, welcome back. 143 00:14:24,480 --> 00:14:26,560 Speaker 1: I want to find out what's really behind the nightmare. 144 00:14:27,080 --> 00:14:29,200 Speaker 1: Had to see you in your Nightmares dot com to 145 00:14:29,320 --> 00:14:44,040 Speaker 1: uncover more mind bending details. I can't even look at you, okay, 146 00:14:44,160 --> 00:14:46,520 Speaker 1: if you want to be petty about it. I hated 147 00:14:46,680 --> 00:14:52,600 Speaker 1: everything you're all. I Jesus, I feel like I'm gonna puke. 148 00:14:54,360 --> 00:14:56,960 Speaker 1: Not why you're too scared to look at me. I'm 149 00:14:57,000 --> 00:15:01,240 Speaker 1: also mad as hell. Wait, look at you. I think 150 00:15:01,360 --> 00:15:06,320 Speaker 1: everything I ever held back on is gonna you smell 151 00:15:06,400 --> 00:15:10,920 Speaker 1: exactly the same. I love how you talk, and I 152 00:15:10,960 --> 00:15:13,960 Speaker 1: love the face you make when you get shy. Shut 153 00:15:14,080 --> 00:15:19,760 Speaker 1: up like right now, Juliette, you don't have to look 154 00:15:19,800 --> 00:15:23,360 Speaker 1: at me. Just let me hold you one more. I'm 155 00:15:23,400 --> 00:15:27,160 Speaker 1: never letting you go again. Hart I miss you so much. 156 00:15:28,080 --> 00:15:31,680 Speaker 1: I couldn't let you go. Jewels, I'm still here because 157 00:15:31,720 --> 00:15:37,880 Speaker 1: I couldn't let you go. Can you look at me? Hey, baby, 158 00:15:40,400 --> 00:15:44,440 Speaker 1: I love you. I love you so much. I should 159 00:15:44,480 --> 00:15:51,360 Speaker 1: have saved you. You couldn't, Juliette Jewels. Come on, it 160 00:15:51,440 --> 00:15:55,560 Speaker 1: should have been me. None of this was your fault. Baby. 161 00:15:56,440 --> 00:15:59,680 Speaker 1: Once we beat Carter, I want you to really live, 162 00:16:00,040 --> 00:16:04,800 Speaker 1: rules really live. I need you to be happy. You 163 00:16:04,880 --> 00:16:07,880 Speaker 1: gotta get over me, you gotta let me go never 164 00:16:08,360 --> 00:16:13,240 Speaker 1: I'm dead. Shut up, I'm already dead. No going back. 165 00:16:13,320 --> 00:16:16,280 Speaker 1: And how are you here? How do you remember my smell? 166 00:16:17,200 --> 00:16:21,680 Speaker 1: I can feel you, Julia, wake up. I've never hurt 167 00:16:21,680 --> 00:16:25,960 Speaker 1: me with you. No, then I'll let Carter kill me. 168 00:16:26,040 --> 00:16:30,680 Speaker 1: Don't say that. I mean it. You gave me the world, Kelly. 169 00:16:31,400 --> 00:16:35,200 Speaker 1: You know that this time I'm going to protect you. 170 00:16:36,240 --> 00:16:41,400 Speaker 1: I'm going to save you no matter what. Can I 171 00:16:41,480 --> 00:16:56,080 Speaker 1: kiss you now? Of course? I feel like you're tying 172 00:16:56,200 --> 00:17:05,440 Speaker 1: that maybe we just kissed till we hear screaming she's 173 00:17:05,440 --> 00:17:13,119 Speaker 1: gonna eat me. We gotta go all right? That monster 174 00:17:13,240 --> 00:17:17,840 Speaker 1: is dead dead now, that's morbid because she's kind of you, 175 00:17:18,520 --> 00:17:42,760 Speaker 1: is not? How about you kind of get anywhere? She's 176 00:17:42,840 --> 00:17:46,320 Speaker 1: part lost and seven so when they emerged, she did too. 177 00:17:47,760 --> 00:17:52,400 Speaker 1: How long can you slow down time for her? As 178 00:17:52,440 --> 00:17:58,080 Speaker 1: slow as I can. She's writing me. I can't call 179 00:17:58,160 --> 00:18:07,560 Speaker 1: to what's happened? Back up? I finally get to eat 180 00:18:07,760 --> 00:18:13,000 Speaker 1: my old dear friend. I can still smell the piece 181 00:18:13,040 --> 00:18:22,240 Speaker 1: of be on you. No, no, healthy, healthy, No want 182 00:18:22,240 --> 00:18:30,840 Speaker 1: to fly? Let him home dragging there. Let's see if 183 00:18:30,840 --> 00:18:40,920 Speaker 1: you can catch me. I can't stay, so let him 184 00:18:41,040 --> 00:18:50,240 Speaker 1: go from this coach you sure do something. Administering court 185 00:18:50,320 --> 00:18:57,119 Speaker 1: is all suppressive. We need to stay loosi, so so 186 00:18:57,240 --> 00:19:06,920 Speaker 1: show and help you. Hang on the door, little boy. 187 00:19:07,600 --> 00:19:11,439 Speaker 1: Take me to your dear so I can fast the 188 00:19:11,640 --> 00:19:21,720 Speaker 1: round he's caving into. Where did they go? How many 189 00:19:21,800 --> 00:19:25,120 Speaker 1: times am I going to lose him? The shovel guy? 190 00:19:25,760 --> 00:19:29,520 Speaker 1: It's no use digging harper, They're not in this realm anymore. 191 00:19:29,720 --> 00:19:32,199 Speaker 1: Then we need to get to Alfie's nightmare. We need 192 00:19:32,240 --> 00:19:57,400 Speaker 1: to save him. I just can't wait to Why are 193 00:19:57,440 --> 00:20:10,320 Speaker 1: you always clinking on b stupid humans? Five school? Where 194 00:20:10,359 --> 00:20:20,960 Speaker 1: did you go? Bear me? Yea? Why drag out your suffering? 195 00:20:21,960 --> 00:20:26,639 Speaker 1: You're too weak to beat it. I can grant you 196 00:20:26,840 --> 00:20:37,320 Speaker 1: eternal or rest. Just give it. Oh, I go nuts 197 00:20:37,560 --> 00:20:45,679 Speaker 1: better now. You are most crumptious when you succumb I 198 00:20:45,960 --> 00:20:53,520 Speaker 1: must affirm you're right about the world full of monsters, 199 00:20:53,680 --> 00:21:01,560 Speaker 1: full of demons in uniform and suits with degree. Yet 200 00:21:02,200 --> 00:21:09,720 Speaker 1: they call you the monsters, don't they You're kind? And 201 00:21:09,920 --> 00:21:14,000 Speaker 1: look what happens when you try to help, when you 202 00:21:14,080 --> 00:21:20,560 Speaker 1: attempt to save each other, more peril and death. So 203 00:21:21,840 --> 00:21:37,879 Speaker 1: just give Blowsome everything we dream. You're in control of. 204 00:21:38,320 --> 00:21:41,679 Speaker 1: Help us. Whatever your monster did, defind us must have 205 00:21:41,720 --> 00:21:45,119 Speaker 1: scrambled as jumped right in with them. I can't believe 206 00:21:45,840 --> 00:21:49,240 Speaker 1: I just watched it again. It happened in a blink. 207 00:21:50,560 --> 00:21:53,160 Speaker 1: Is not helping us. I thought the integration would lock 208 00:21:53,240 --> 00:21:55,439 Speaker 1: card out or at least slow her down. But she 209 00:21:55,640 --> 00:22:00,240 Speaker 1: did something. She planned this. She's controlling everything. She isn't. 210 00:22:00,359 --> 00:22:04,159 Speaker 1: She's separating us, pulling all the strings for all just 211 00:22:04,280 --> 00:22:07,320 Speaker 1: fodder for whatever grand scheme she's had this entire time. 212 00:22:07,680 --> 00:22:11,960 Speaker 1: Whatever it takes, they will be Okay, come on, you 213 00:22:12,000 --> 00:22:16,359 Speaker 1: can't jump, but maybe CALLI can. She's part of Blossom, 214 00:22:16,560 --> 00:22:20,320 Speaker 1: the glitching Calli's kept cutting through Blossom since day one, 215 00:22:20,720 --> 00:22:23,400 Speaker 1: warning me when I was awake, if I can give 216 00:22:23,440 --> 00:22:26,480 Speaker 1: her my band, maybe we need to get this thing 217 00:22:26,560 --> 00:22:34,960 Speaker 1: off me ya, come on, you stupid walking dead Alfie 218 00:22:35,200 --> 00:22:41,159 Speaker 1: Abelia nic School lockdown Aliens what did you call them 219 00:22:41,200 --> 00:22:48,439 Speaker 1: neomorph's right or lucid? Come on? Flow to Alfie, flow 220 00:22:48,520 --> 00:22:53,440 Speaker 1: to Neomorph's and Marian rock things. You remember the word 221 00:22:53,520 --> 00:23:02,760 Speaker 1: La Maurian but not seed Crystal. It's not working, jar Me. 222 00:23:03,200 --> 00:23:05,480 Speaker 1: I hate seeing you like this, but you make a 223 00:23:05,520 --> 00:23:09,800 Speaker 1: pretty zombie. Dare me try to understand me? Can you 224 00:23:09,880 --> 00:23:15,360 Speaker 1: feel healthy from the graves? I can't lucidly or influence 225 00:23:15,400 --> 00:23:18,919 Speaker 1: anything anymore. I need to You're not alone anymore, baby. 226 00:23:19,640 --> 00:23:23,600 Speaker 1: You got me and your little siss and our friends. 227 00:23:24,240 --> 00:23:30,400 Speaker 1: We got this, Kelly, I can't jump. Can you gen 228 00:23:30,640 --> 00:23:35,040 Speaker 1: stef shifted? I can't sense it either. It's like the 229 00:23:35,119 --> 00:23:38,920 Speaker 1: wires evolve being cut jewels. Can you unlock my blossom band? 230 00:23:39,520 --> 00:23:43,960 Speaker 1: Why did we never think of that? Because we needed them? Okay, 231 00:23:44,160 --> 00:23:46,880 Speaker 1: now where's support? I just need to make the kid. 232 00:23:49,000 --> 00:23:52,000 Speaker 1: My lucid tricks not working either. I can't make it. 233 00:23:53,000 --> 00:23:56,680 Speaker 1: We need to find a way, Callie. You could reach 234 00:23:56,720 --> 00:23:58,600 Speaker 1: me through my band since the first day I put 235 00:23:58,640 --> 00:24:01,240 Speaker 1: it on. If you wear this, you can break the 236 00:24:01,280 --> 00:24:07,280 Speaker 1: hold on bosom. That's my band. It's ours. You knew that. Yeah, 237 00:24:07,320 --> 00:24:11,200 Speaker 1: well we got that. Twin to love anything twins, that's it. 238 00:24:11,920 --> 00:24:17,680 Speaker 1: You're so random. No, he's right, Callie. I'll be your 239 00:24:17,720 --> 00:24:34,280 Speaker 1: true mirror. Hi, help us make the channel the water. Hi, 240 00:24:34,760 --> 00:24:37,800 Speaker 1: help us make the channel the water. There you are 241 00:24:38,160 --> 00:24:42,360 Speaker 1: seven two. I still can't reach wherever you've hidden yourself, 242 00:24:43,200 --> 00:24:50,080 Speaker 1: But now I have ears naming the light the bea 243 00:24:50,600 --> 00:24:53,520 Speaker 1: ascense from the core of the earth and shines right 244 00:24:53,520 --> 00:25:00,560 Speaker 1: here to the ripples of life. Swam right at that plasmas. 245 00:25:01,240 --> 00:25:05,199 Speaker 1: Why would the essence in our dna creating a staircase 246 00:25:05,240 --> 00:25:09,920 Speaker 1: of light, a lightness that lifts all the weight of ourselves, 247 00:25:10,160 --> 00:25:37,159 Speaker 1: every cell and our bodies right and Unfoh, I'll wrap 248 00:25:37,280 --> 00:25:42,120 Speaker 1: this tailor red so tight your eyes popped out. How 249 00:25:42,200 --> 00:25:51,879 Speaker 1: does that sound? Yeah? Stop, let have alone, don't be scared, 250 00:25:52,600 --> 00:25:59,720 Speaker 1: and we'll be over soon. I won't die a stupid deathly. 251 00:26:01,480 --> 00:26:06,399 Speaker 1: I survived months of torture, months of confinement and isolation 252 00:26:06,440 --> 00:26:12,360 Speaker 1: in your hands. Giving you what you want sounds bad, unappealing. Thanks, Oh, 253 00:26:12,400 --> 00:26:18,080 Speaker 1: you can still breathe. Don't be afraid, child, I'm afraid 254 00:26:18,200 --> 00:26:22,000 Speaker 1: every day. That doesn't make me weak. I'm a fire. 255 00:26:22,840 --> 00:26:26,160 Speaker 1: I come from a line of warriors and kings. All 256 00:26:26,280 --> 00:26:30,440 Speaker 1: you do is still shut up, just to give in 257 00:26:31,840 --> 00:26:36,240 Speaker 1: My lineage is blessed of abundance and wisdom. My people 258 00:26:36,359 --> 00:26:40,520 Speaker 1: carry the blood of warriors and star seats. Our skin 259 00:26:40,640 --> 00:26:46,600 Speaker 1: carries light. We literally glow. Yeah, look it up, Melanine 260 00:26:46,960 --> 00:26:55,800 Speaker 1: is bioluminescent. I don't have to fear you, so you 261 00:26:55,840 --> 00:27:02,000 Speaker 1: a harnest it good for you, a cascar Oh my god, 262 00:27:02,920 --> 00:27:12,120 Speaker 1: my scipher turned into escalibur. You tortured me, You tortured 263 00:27:12,160 --> 00:27:18,440 Speaker 1: all of us. You devoured Chris and you next. The hunger. 264 00:27:20,560 --> 00:27:26,919 Speaker 1: The hunger is all there is. You know. I feel 265 00:27:27,000 --> 00:27:32,199 Speaker 1: sorry for you because you're dead. But you're wasting your 266 00:27:32,320 --> 00:27:37,119 Speaker 1: energy chasing the siphers. That's your sole purpose in your existence. 267 00:27:37,600 --> 00:27:42,720 Speaker 1: Ain't that sad? Shut up? You could choose. You could 268 00:27:42,800 --> 00:27:46,600 Speaker 1: choose to see more, to create, to build. That's what 269 00:27:46,760 --> 00:27:50,840 Speaker 1: I've done where I come from, and that's innate. We 270 00:27:50,960 --> 00:27:54,720 Speaker 1: don't copy, we don't steal. We invent and liberate and 271 00:27:54,760 --> 00:27:58,440 Speaker 1: spread joy. It changes the world. Still kill me? Then? 272 00:27:59,080 --> 00:28:02,439 Speaker 1: Are you going to kill me? Go ahead, come on, 273 00:28:03,720 --> 00:28:06,359 Speaker 1: I don't need to kill you. You've got no power 274 00:28:06,400 --> 00:28:19,600 Speaker 1: over me. Now look then die why wow? I felt 275 00:28:20,520 --> 00:28:27,000 Speaker 1: whow mabes. No, you're wasting it. This is and now 276 00:28:27,200 --> 00:28:31,359 Speaker 1: this end. Sorry, but you're gonna go. You need to 277 00:28:31,400 --> 00:29:01,480 Speaker 1: move on. It's not nothing there. Proud they get Yes, 278 00:29:02,760 --> 00:29:11,000 Speaker 1: I did it. It's okay. I tried to break the door, 279 00:29:11,080 --> 00:29:18,240 Speaker 1: but the ice you're freezing. I'm so glad you're I'm 280 00:29:18,320 --> 00:29:23,400 Speaker 1: rarely surprised, but that was impressive. Mr Habili, Now where 281 00:29:23,400 --> 00:29:27,160 Speaker 1: could your friends be hiding? Dr Carter stay back? You 282 00:29:27,240 --> 00:29:32,760 Speaker 1: which quite a hospitality. Subject five. But let's save the dramatics. 283 00:29:33,280 --> 00:29:37,560 Speaker 1: At least let me host your final reunion. First, Blossom 284 00:29:37,760 --> 00:29:43,280 Speaker 1: locate subjects seven B, two and six B one channel 285 00:29:43,320 --> 00:29:49,280 Speaker 1: it what patch she's making a gateway like she reached 286 00:29:49,280 --> 00:29:52,880 Speaker 1: into Harper's head and just plucked her abilities right out exactly, 287 00:29:53,120 --> 00:29:56,240 Speaker 1: Mrs l I should have known you'd figure it out, 288 00:29:56,960 --> 00:30:00,120 Speaker 1: and you all helped me crack my project wide and 289 00:30:00,320 --> 00:30:03,880 Speaker 1: just like I knew you might programming this would have 290 00:30:03,920 --> 00:30:07,240 Speaker 1: taken me decades to code from outside the system. Your 291 00:30:07,280 --> 00:30:12,960 Speaker 1: ability take a cheese. Now, Mr Abel's Blossoms already scripted 292 00:30:12,960 --> 00:30:17,640 Speaker 1: a function for his sore variable and is compiling that 293 00:30:17,840 --> 00:30:21,560 Speaker 1: code now in a matter of moments, that skill will 294 00:30:21,600 --> 00:30:25,360 Speaker 1: be mine as well. And then, what what's the point 295 00:30:25,360 --> 00:30:27,520 Speaker 1: of all of it? What's worth the lives of all 296 00:30:27,520 --> 00:30:30,840 Speaker 1: the people You've killed you of everyone should grasp what 297 00:30:30,920 --> 00:30:34,800 Speaker 1: I've really created here, missus l I've killed no one. 298 00:30:35,520 --> 00:30:39,600 Speaker 1: It just made them the Adams and Eaves of something new. 299 00:30:40,520 --> 00:30:51,600 Speaker 1: Kick them an impossible kid? Enough? Well, awful, careful, Alfie? 300 00:30:51,840 --> 00:30:55,160 Speaker 1: Are you okay? Are you safe? Where? Where is Kelly? 301 00:30:55,720 --> 00:31:01,600 Speaker 1: I was just holding her hand, hen Kai, look behind you, Carter, 302 00:31:04,440 --> 00:31:09,120 Speaker 1: Thank you, Blossom. Now we'll get to how you know 303 00:31:09,240 --> 00:31:14,080 Speaker 1: that name in just a minute, Takeuchi, But first, I 304 00:31:14,120 --> 00:31:19,480 Speaker 1: would love for you all to be as cooperative as possible. 305 00:31:20,680 --> 00:31:32,280 Speaker 1: It will be so so much easier on you. Iron 306 00:31:32,320 --> 00:31:35,840 Speaker 1: Horn's Epic Productions and I Heart Radio present See You 307 00:31:35,920 --> 00:31:39,640 Speaker 1: in Your Nightmares in three D, created an executive produced 308 00:31:39,640 --> 00:31:43,360 Speaker 1: by Heather Einhorn and Adam Stafferni. Executive produced by I 309 00:31:43,480 --> 00:31:49,680 Speaker 1: Heart Radio head writer ren Dara Santiago, writer's Lynn Vixen's Fan, 310 00:31:50,080 --> 00:31:55,880 Speaker 1: Caleb Brooks, Morgan Pelly, and Adam Stafferoni. Directed by Georgana Williams, 311 00:31:55,880 --> 00:32:01,000 Speaker 1: with performances by Rachel orm Landis Harper, Obi Obeli as Alfie, 312 00:32:01,240 --> 00:32:05,320 Speaker 1: Phil Buckman as Finn, Amber Lee Connors as Callie Gesel 313 00:32:05,440 --> 00:32:10,360 Speaker 1: Fernandez as Esmay, Judy, Alice Lee as Julia, Robert Lange 314 00:32:10,440 --> 00:32:14,320 Speaker 1: as a smiling man and Kai Marjan Salama as Chris, 315 00:32:14,320 --> 00:32:18,120 Speaker 1: with Stephanie Willing as Blossom and Carrie tom Bazian as 316 00:32:18,240 --> 00:32:23,080 Speaker 1: Dr Faith Carter and The Woman. Additional voices Gail Artino, 317 00:32:23,520 --> 00:32:27,720 Speaker 1: Maxwell Segal, and Shannon Purdue. Post sound and music by 318 00:32:27,800 --> 00:32:32,120 Speaker 1: Chapter Four. Sound supervision and sound design by Sarah Gibel Laska. 319 00:32:32,840 --> 00:32:36,840 Speaker 1: Music by Kareem Dueti. Produced by a Roupe Santa Kayla. 320 00:32:37,320 --> 00:32:44,320 Speaker 1: Development Executive Greg Lockhard, Development writer Genevieve Valentine, Production manager 321 00:32:44,720 --> 00:32:50,880 Speaker 1: Gail Artino, Production coordinator and script supervisor Laura Martin, Operations 322 00:32:51,240 --> 00:32:57,040 Speaker 1: Laura Kaufman. Marketing and Publicity Jesse Post Digital marketing by 323 00:32:57,120 --> 00:33:01,320 Speaker 1: Jennifer Gennaro. Creative direction and de line by Ryan McCann. 324 00:33:01,880 --> 00:33:06,240 Speaker 1: Key art and promotional art illustrated by Yagin Park. Special 325 00:33:06,280 --> 00:33:12,920 Speaker 1: thank you to The Shadow, Unicorn, Iron Horn's Epic Productions 326 00:33:12,960 --> 00:33:16,040 Speaker 1: and I Heart Radio present See You in Your Nightmares 327 00:33:16,080 --> 00:33:16,600 Speaker 1: in three D