1 00:00:01,000 --> 00:00:03,600 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,720 --> 00:00:07,440 Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the 3 00:00:07,520 --> 00:00:10,600 Speaker 1: new and final season, on Max. You can also watch 4 00:00:10,640 --> 00:00:14,200 Speaker 1: the video version of the History of Curby Enthusiasm podcast 5 00:00:14,280 --> 00:00:17,439 Speaker 1: on Max and YouTube, as well. Links available in the 6 00:00:17,480 --> 00:00:18,400 Speaker 1: episode description. 7 00:00:26,840 --> 00:00:32,159 Speaker 2: Hi, this is Jeff Garlands and we're cops here in 8 00:00:32,280 --> 00:00:35,040 Speaker 2: Los Angeles and have three open murders. 9 00:00:35,040 --> 00:00:38,000 Speaker 1: Oh could you imagine? Yeah, sure, there's more than three 10 00:00:38,040 --> 00:00:39,840 Speaker 1: open murders are fact. 11 00:00:40,080 --> 00:00:41,760 Speaker 2: What you don't know is we've had a bit of 12 00:00:41,800 --> 00:00:45,000 Speaker 2: a break because I've had COVID and Susie was out 13 00:00:45,040 --> 00:00:49,080 Speaker 2: of town, and now we're getting a groove again and 14 00:00:49,120 --> 00:00:51,080 Speaker 2: we're pretty happy about that. 15 00:00:51,440 --> 00:00:54,360 Speaker 3: Yeah, still in the middle of production season twelve, so. 16 00:00:54,680 --> 00:00:56,880 Speaker 2: Having a ball. By the way, there has been one 17 00:00:56,960 --> 00:01:00,280 Speaker 2: day where I've had less than an amazing time since 18 00:01:00,280 --> 00:01:00,840 Speaker 2: we've been. 19 00:01:00,880 --> 00:01:03,280 Speaker 3: There's been one day. There has hasn't been one day. 20 00:01:03,600 --> 00:01:05,240 Speaker 2: You know what I discovered about myself? 21 00:01:05,400 --> 00:01:08,200 Speaker 3: Tell me, Jeffrey, I am only. 22 00:01:08,080 --> 00:01:13,000 Speaker 2: Really really happy when I'm doing curb. Yeah, I'll stop 23 00:01:13,040 --> 00:01:15,600 Speaker 2: even there. I could say, stand up, but stand up 24 00:01:15,680 --> 00:01:17,280 Speaker 2: you know sometimes. 25 00:01:16,680 --> 00:01:20,160 Speaker 3: You know, stand up is so fraught it can be. 26 00:01:20,440 --> 00:01:23,680 Speaker 2: But that being said, I truly am happy when we're 27 00:01:23,680 --> 00:01:24,240 Speaker 2: doing the show. 28 00:01:24,520 --> 00:01:26,959 Speaker 3: I am too. I think Larry, we all are. 29 00:01:27,120 --> 00:01:29,640 Speaker 2: Yeah, I know, yeah, yeah. 30 00:01:28,640 --> 00:01:31,000 Speaker 1: So I'm happy to do it and having we have 31 00:01:31,040 --> 00:01:33,360 Speaker 1: a great time and we're you know, and all the 32 00:01:33,480 --> 00:01:37,039 Speaker 1: other ancillary people that people that watch the show don't 33 00:01:37,080 --> 00:01:38,640 Speaker 1: see that we're so happy to be with. 34 00:01:38,760 --> 00:01:40,119 Speaker 2: Yeah, everyone's there, pretty happy. 35 00:01:40,200 --> 00:01:44,640 Speaker 3: Yeah. So today is AMCO double A Yeah? 36 00:01:44,720 --> 00:01:49,560 Speaker 2: Seven. By the way, this was actually episode three. Well, 37 00:01:49,640 --> 00:01:50,960 Speaker 2: you know, interesting episode. 38 00:01:51,040 --> 00:01:53,560 Speaker 1: It's interesting because as I was watching it, I was 39 00:01:53,600 --> 00:01:56,000 Speaker 1: thinking you had mentioned that the time before that AMCO 40 00:01:56,160 --> 00:01:58,960 Speaker 1: was out of order. Yes, the last episode we did 41 00:01:59,160 --> 00:02:02,080 Speaker 1: six the yeah, and you had said you felt like 42 00:02:02,200 --> 00:02:05,080 Speaker 1: that was when Kerb came into his own, which I 43 00:02:05,080 --> 00:02:09,640 Speaker 1: think really got hit the groove in our next episode, yes, beloved, 44 00:02:09,680 --> 00:02:13,160 Speaker 1: and which we'll talk about next episode. But this one 45 00:02:13,320 --> 00:02:16,520 Speaker 1: seemed like it was shot before the wire. It seemed 46 00:02:16,520 --> 00:02:19,200 Speaker 1: like it was before it got the groove going for 47 00:02:19,280 --> 00:02:21,640 Speaker 1: how the show was actually going to define for me. 48 00:02:21,880 --> 00:02:22,519 Speaker 3: Yeah, me too. 49 00:02:22,800 --> 00:02:25,600 Speaker 2: You know, watching these episodes, especially in the early seasons, 50 00:02:25,720 --> 00:02:30,040 Speaker 2: I get really sad. Why well, for the most part, 51 00:02:30,120 --> 00:02:33,520 Speaker 2: because of the way I feel and look, you know, 52 00:02:33,600 --> 00:02:35,880 Speaker 2: it looks like I looked like the Michelin man. I've 53 00:02:35,919 --> 00:02:38,480 Speaker 2: recovered from a stroke, which I keep mentioning. 54 00:02:38,280 --> 00:02:39,600 Speaker 3: But then you had just recovered. 55 00:02:40,200 --> 00:02:44,120 Speaker 2: And so I watch it and I feel bad for myself. 56 00:02:44,200 --> 00:02:48,919 Speaker 2: I empathize with myself. I feel sad and interesting. Yeah, 57 00:02:49,240 --> 00:02:51,959 Speaker 2: by the way, what an upstart or whatever you say. 58 00:02:52,240 --> 00:02:55,720 Speaker 1: Well, so we started the episode and you just bought 59 00:02:55,840 --> 00:03:00,800 Speaker 1: a gorgeous fifty seven Chevy. Yes, that car was, yes, 60 00:03:01,200 --> 00:03:04,639 Speaker 1: just absolutely beautiful. And you love old cars? No, yeah, 61 00:03:04,680 --> 00:03:05,280 Speaker 1: you have one. 62 00:03:05,560 --> 00:03:09,680 Speaker 2: Yes, I have a nineteen sixty six Pontiac gto black 63 00:03:09,720 --> 00:03:12,720 Speaker 2: on black convertible. The reason I have that it's a 64 00:03:12,760 --> 00:03:15,919 Speaker 2: car that I love. I love muscle cars, and that's 65 00:03:15,919 --> 00:03:18,080 Speaker 2: the first official muscle car. 66 00:03:18,200 --> 00:03:20,160 Speaker 3: I didn't love this fifty seven show, not at all. 67 00:03:20,160 --> 00:03:22,360 Speaker 2: I have no interest. But I like the color. 68 00:03:22,520 --> 00:03:24,120 Speaker 3: Well, it was beautiful to look at you. 69 00:03:24,440 --> 00:03:27,040 Speaker 2: No, by the way, I'm not saying I disliked it 70 00:03:27,080 --> 00:03:29,680 Speaker 2: and was upset driving it, right, you know, but it 71 00:03:29,760 --> 00:03:30,200 Speaker 2: wasn't my. 72 00:03:30,280 --> 00:03:31,600 Speaker 3: Jam, it wasn't your Okay. 73 00:03:31,760 --> 00:03:33,720 Speaker 1: So we start off the episode and you're getting a 74 00:03:33,760 --> 00:03:36,880 Speaker 1: fifty seven Chevy. Yeah, And then you're walking down the 75 00:03:36,880 --> 00:03:39,360 Speaker 1: street with Larry and he's approached by the homeless guy 76 00:03:39,360 --> 00:03:40,640 Speaker 1: who doesn't like tuna. 77 00:03:40,480 --> 00:03:44,760 Speaker 2: Which, by the way, I actually was in New York 78 00:03:45,440 --> 00:03:49,440 Speaker 2: and I was sitting in front of Lincoln Center having 79 00:03:49,880 --> 00:03:53,000 Speaker 2: my usual oh, I'll eat this tonight and I'll start 80 00:03:53,040 --> 00:03:56,040 Speaker 2: fresh tomorrow diet. And that was happening. 81 00:03:55,960 --> 00:03:57,840 Speaker 3: Often happened to you in my life. 82 00:03:58,240 --> 00:03:58,960 Speaker 2: Hundreds of times. 83 00:03:58,960 --> 00:03:59,400 Speaker 3: I've done that. 84 00:04:00,280 --> 00:04:03,240 Speaker 2: Upon hundreds, I mean, maybe even into the thousands. I'm 85 00:04:03,240 --> 00:04:06,600 Speaker 2: being honest here. Anyhow, I'm sitting on a bench there, 86 00:04:06,720 --> 00:04:08,960 Speaker 2: very relaxing. It was like eleven o'clock at night. 87 00:04:09,000 --> 00:04:12,400 Speaker 3: It was after a gig, the lights are on behind you. 88 00:04:12,600 --> 00:04:16,240 Speaker 2: And I had a box of I believe that night. 89 00:04:16,279 --> 00:04:18,479 Speaker 2: And it's weird that I remember these things. It was 90 00:04:18,560 --> 00:04:23,120 Speaker 2: frosted strawberry, pretty sure. And I also got a milk and, 91 00:04:23,160 --> 00:04:25,719 Speaker 2: by the way, how weird I would get a box 92 00:04:25,720 --> 00:04:28,480 Speaker 2: of pop Tarts and then a gallon. 93 00:04:28,560 --> 00:04:30,880 Speaker 3: Of when we brought milk. 94 00:04:30,839 --> 00:04:34,360 Speaker 2: Or skim milk with it, well, it's you know, it's 95 00:04:34,400 --> 00:04:36,520 Speaker 2: got to be the eighties. I look at New York, 96 00:04:36,720 --> 00:04:40,679 Speaker 2: you know, and I ate the whole box of pop Tarts. 97 00:04:40,839 --> 00:04:43,640 Speaker 2: No surprise there at least if you know me. And 98 00:04:43,680 --> 00:04:46,279 Speaker 2: I drank the milk with it. When I was done, 99 00:04:46,400 --> 00:04:49,320 Speaker 2: I had like a half gallon of the gallon of 100 00:04:49,400 --> 00:04:52,080 Speaker 2: milk and there's a homeless dude there, and I thought, oh, 101 00:04:52,120 --> 00:04:55,440 Speaker 2: I'll give it to him a yeah, and I went 102 00:04:55,480 --> 00:04:57,039 Speaker 2: to give it to him. He goes, no, I don't 103 00:04:57,080 --> 00:05:00,920 Speaker 2: drink skim I mean, you know what I mean. 104 00:05:01,040 --> 00:05:05,160 Speaker 1: It's like that experience of trying to be helpful and 105 00:05:05,520 --> 00:05:06,080 Speaker 1: having it. 106 00:05:06,480 --> 00:05:09,760 Speaker 2: Yeah, so that I immediately thought of that, you know, 107 00:05:10,080 --> 00:05:10,960 Speaker 2: I don't need tuna. 108 00:05:11,200 --> 00:05:13,159 Speaker 1: One time, I was walking down the street with my 109 00:05:13,279 --> 00:05:17,040 Speaker 1: husband Jimmy, and there's a woman there crossing the street 110 00:05:17,080 --> 00:05:20,159 Speaker 1: in Upper Manhattan and she's all hunched over and she's 111 00:05:20,160 --> 00:05:22,760 Speaker 1: got a walker thing, but she was like completely her 112 00:05:22,760 --> 00:05:25,120 Speaker 1: face was almost at the ground and she was. 113 00:05:25,040 --> 00:05:25,719 Speaker 3: In bad shape. 114 00:05:25,720 --> 00:05:27,560 Speaker 1: And I walked over to her and I said, can 115 00:05:27,600 --> 00:05:29,520 Speaker 1: I help you across the street and she looked up 116 00:05:29,520 --> 00:05:31,880 Speaker 1: at me mind your own fucking business and. 117 00:05:31,800 --> 00:05:32,760 Speaker 3: Started screaming at me. 118 00:05:32,760 --> 00:05:35,280 Speaker 1: And Jimmy felt like that was such an appropriate thing. 119 00:05:35,920 --> 00:05:39,080 Speaker 2: Or by the way, that's the opening of the Odd Couple. 120 00:05:39,440 --> 00:05:42,800 Speaker 2: That's great. The person trying to help her across the 121 00:05:42,839 --> 00:05:44,320 Speaker 2: street and she's hitting him with the purse. 122 00:05:44,440 --> 00:05:45,240 Speaker 3: I love that opening. 123 00:05:45,920 --> 00:05:48,840 Speaker 1: So the homeless guy doesn't like tuna and you know, 124 00:05:48,920 --> 00:05:51,120 Speaker 1: you know that's going to come back somewhere, and of 125 00:05:51,160 --> 00:05:53,480 Speaker 1: course it does, but we'll get to that. And Larry 126 00:05:53,520 --> 00:05:57,960 Speaker 1: then goes home and Cheryl's friend Julie is there returning 127 00:05:58,080 --> 00:06:03,080 Speaker 1: a tape or DVD vhs of Sour Grapes, which was 128 00:06:03,800 --> 00:06:07,480 Speaker 1: the movie that Larry wrote, did he directed, He wrote 129 00:06:07,480 --> 00:06:12,040 Speaker 1: and directed after he left Seinfeld. Yes, pre Curb, and 130 00:06:12,080 --> 00:06:14,520 Speaker 1: it was you know, it was not the most well 131 00:06:14,560 --> 00:06:15,960 Speaker 1: received movie in the world. 132 00:06:15,839 --> 00:06:19,360 Speaker 2: By the way, No, it wasn't. And that's why Curb 133 00:06:19,480 --> 00:06:22,760 Speaker 2: was so great. Prior to Curb, he got punched in 134 00:06:22,760 --> 00:06:25,120 Speaker 2: the face for Sour Grapes and he got punched in 135 00:06:25,120 --> 00:06:28,680 Speaker 2: the face for the analogy Seinfeld. So this was sort 136 00:06:28,680 --> 00:06:32,520 Speaker 2: of like, you know, an uplifting thing for him to do. 137 00:06:32,480 --> 00:06:34,440 Speaker 1: The ship and it was a very funny scene where 138 00:06:34,480 --> 00:06:36,080 Speaker 1: he says to her, what did you think of it? 139 00:06:36,120 --> 00:06:36,880 Speaker 3: And you just see her. 140 00:06:37,160 --> 00:06:39,440 Speaker 2: The best thing is she said was it was the 141 00:06:39,480 --> 00:06:40,279 Speaker 2: perfect length. 142 00:06:40,520 --> 00:06:44,680 Speaker 3: It was the perfect length. It was fun stuff, fun stuff. 143 00:06:44,800 --> 00:06:48,479 Speaker 2: You know what's amazing about her saying that for something 144 00:06:48,520 --> 00:06:52,680 Speaker 2: that she clearly didn't like. I'm always confused when people 145 00:06:52,760 --> 00:06:57,159 Speaker 2: see my stand up friends, acquaintances and they don't even 146 00:06:57,200 --> 00:07:00,559 Speaker 2: mention it, and so I think I think I did great. 147 00:07:00,960 --> 00:07:03,960 Speaker 2: The audience gave me a lot of energy. Was I 148 00:07:04,080 --> 00:07:06,040 Speaker 2: bad because I don't know what I think? 149 00:07:06,080 --> 00:07:08,280 Speaker 1: This happens to me And I have a particular friend 150 00:07:08,279 --> 00:07:10,120 Speaker 1: who comes to see me in things not just stand 151 00:07:10,160 --> 00:07:12,440 Speaker 1: up this and that, and then never says a word, 152 00:07:12,680 --> 00:07:14,480 Speaker 1: and then I hear later how much she liked it. 153 00:07:14,680 --> 00:07:17,360 Speaker 1: I think people don't understand how much we want to hear, 154 00:07:17,520 --> 00:07:18,760 Speaker 1: not that we want to hear it. 155 00:07:19,280 --> 00:07:21,320 Speaker 2: I'm going to say the word. I'm going to say 156 00:07:21,320 --> 00:07:27,680 Speaker 2: the word need, not a want, it's a needing more. 157 00:07:27,760 --> 00:07:30,520 Speaker 2: You were great. I remember a group of people coming 158 00:07:30,920 --> 00:07:35,840 Speaker 2: backstage and didn't say anything to me, but my opening 159 00:07:35,880 --> 00:07:38,080 Speaker 2: act were effusive with my opening act. 160 00:07:39,120 --> 00:07:40,040 Speaker 3: That's disturbing. 161 00:07:40,280 --> 00:07:44,760 Speaker 2: Yeah, and I really destroyed that night, you know, And look, 162 00:07:44,840 --> 00:07:48,920 Speaker 2: I know I believe me. I'm getting bad. So that's 163 00:07:48,960 --> 00:07:52,080 Speaker 2: always very very confusing, but perfect length. I mean, that 164 00:07:52,280 --> 00:07:55,200 Speaker 2: was all great stuff that she You know, this episode 165 00:07:55,320 --> 00:07:59,040 Speaker 2: is filled with friends of Cheryl's and a couple of 166 00:07:59,200 --> 00:08:00,600 Speaker 2: people from my world. 167 00:08:00,440 --> 00:08:03,320 Speaker 1: Which you can get into literal friends of shes. It 168 00:08:03,440 --> 00:08:05,960 Speaker 1: was it was TV friends of serfs as well. 169 00:08:06,120 --> 00:08:06,800 Speaker 2: What do you mean TV? 170 00:08:07,160 --> 00:08:08,680 Speaker 3: I mean you say on TV. 171 00:08:09,360 --> 00:08:12,960 Speaker 2: So Larry comes up with stuff sometimes that I'm like, 172 00:08:14,480 --> 00:08:17,560 Speaker 2: he just I love that he's open to whimsy. What 173 00:08:17,720 --> 00:08:20,800 Speaker 2: I mean by that is when he starts doing fun 174 00:08:21,000 --> 00:08:25,040 Speaker 2: stuff like like Johnny Carson he keeps doing over there. 175 00:08:25,320 --> 00:08:27,600 Speaker 2: It's like you have to be so open to just 176 00:08:27,640 --> 00:08:28,520 Speaker 2: start doing. 177 00:08:28,360 --> 00:08:31,000 Speaker 3: Stuff like that, which you could could not really do 178 00:08:31,200 --> 00:08:33,000 Speaker 3: on a scripted show. 179 00:08:33,400 --> 00:08:37,559 Speaker 2: God, even when I was on The Goldbergs, I literally 180 00:08:37,720 --> 00:08:41,160 Speaker 2: was at a point where I had to ask permission 181 00:08:41,760 --> 00:08:45,520 Speaker 2: if I wanted to improvise and let them know exactly 182 00:08:45,640 --> 00:08:48,240 Speaker 2: ahead of time what I might be saying. 183 00:08:48,800 --> 00:08:52,559 Speaker 1: I like that. I mean when I did Broad City, 184 00:08:52,880 --> 00:08:55,359 Speaker 1: they were totally open to improv. 185 00:08:56,080 --> 00:08:58,320 Speaker 2: I'm talking about the Goldbergs, who last time I checked, 186 00:08:58,360 --> 00:09:00,240 Speaker 2: Patty Chayevski was not the right. Yeah. 187 00:09:00,320 --> 00:09:01,760 Speaker 3: But I'm just saying it's just different shows. 188 00:09:01,840 --> 00:09:04,960 Speaker 1: Some shows are very free and loose, and some are 189 00:09:05,040 --> 00:09:08,000 Speaker 1: word perfect and sticklers about that kind of a thing. 190 00:09:08,240 --> 00:09:10,600 Speaker 3: I think that they were like that on the Goldbergs. 191 00:09:10,800 --> 00:09:15,839 Speaker 2: Yes, I find that most shows that aren't something I 192 00:09:16,000 --> 00:09:19,600 Speaker 2: dig that I've worked on very tight with the writing. 193 00:09:19,920 --> 00:09:22,520 Speaker 3: Drama more so than comedy, you know, I'm. 194 00:09:22,400 --> 00:09:26,520 Speaker 2: Talking about comedy really, yeah, drama, it's assumed because you 195 00:09:26,720 --> 00:09:29,760 Speaker 2: can't improvise and make a drama better. You know, I 196 00:09:29,880 --> 00:09:33,200 Speaker 2: think in terms of law and order or whatever. It's 197 00:09:33,280 --> 00:09:36,120 Speaker 2: like there's a bank to the bank to the bank. Now, 198 00:09:36,240 --> 00:09:38,319 Speaker 2: comedy you gotta be open to. 199 00:09:38,960 --> 00:09:42,199 Speaker 1: When I used to have a recurring on SVU, and 200 00:09:42,280 --> 00:09:45,439 Speaker 1: I played a defense attorney, and they were very strict 201 00:09:45,760 --> 00:09:50,000 Speaker 1: and it was all courtroom jargon and it was impossible 202 00:09:50,120 --> 00:09:52,559 Speaker 1: to learn because it was it didn't make any sense. 203 00:09:52,679 --> 00:09:55,160 Speaker 2: I never had more problems with my dalog was it 204 00:09:55,320 --> 00:09:56,640 Speaker 2: was SVU the one I was on. 205 00:09:57,120 --> 00:09:59,160 Speaker 3: I think so, I don't remember. I think so. 206 00:09:59,440 --> 00:10:03,520 Speaker 2: Yeah. Anyhow, because your dialogue has nothing to do with 207 00:10:03,679 --> 00:10:05,760 Speaker 2: what the person just said to you. You have to 208 00:10:05,880 --> 00:10:09,480 Speaker 2: just remember your dialogue with no cues and no logic, 209 00:10:09,880 --> 00:10:11,000 Speaker 2: and it was impossible. 210 00:10:11,080 --> 00:10:14,920 Speaker 1: It's very difficult, hurt, especially for us. Yeah, yes, that's 211 00:10:15,000 --> 00:10:18,199 Speaker 1: not you know, some actors you know have no problem 212 00:10:18,280 --> 00:10:20,800 Speaker 1: with it at all and enjoy it. Richard Kind, he 213 00:10:20,920 --> 00:10:21,920 Speaker 1: loves to learn lines. 214 00:10:22,600 --> 00:10:24,680 Speaker 2: Richard Kind. I'm gonna tell you something about Richard Kind 215 00:10:24,760 --> 00:10:27,520 Speaker 2: right now for those of you who don't know him 216 00:10:27,559 --> 00:10:30,280 Speaker 2: by name, and I'll just use our show. He plays 217 00:10:30,720 --> 00:10:34,319 Speaker 2: cousin and cousin Andy on our show. Richard kind is 218 00:10:34,400 --> 00:10:36,200 Speaker 2: a unique human being. 219 00:10:37,000 --> 00:10:38,760 Speaker 3: And Richard can say that again. 220 00:10:38,920 --> 00:10:41,560 Speaker 2: Yeah, you know, when you're shooting a scene, the camera's 221 00:10:41,600 --> 00:10:43,920 Speaker 2: on you and the other person that might be a 222 00:10:44,080 --> 00:10:46,800 Speaker 2: dirty shot means a piece of their shoulders and or 223 00:10:46,800 --> 00:10:50,319 Speaker 2: they're completely off camera. When Richard is off camera and 224 00:10:50,400 --> 00:10:52,280 Speaker 2: he's doing his lines with you, and mind you, the 225 00:10:52,400 --> 00:10:55,280 Speaker 2: coverage is on you. You're the one on camera. He's 226 00:10:55,360 --> 00:10:58,280 Speaker 2: not on camera. If he screws up his lines, he 227 00:10:58,400 --> 00:11:01,640 Speaker 2: wants to start over, which is complete enough. 228 00:11:01,760 --> 00:11:04,680 Speaker 3: It's not it's not necessary and it's not normal. 229 00:11:04,920 --> 00:11:05,839 Speaker 2: All right, So there you go. 230 00:11:07,360 --> 00:11:21,360 Speaker 3: We'll be right back. Stay tuned. Okay, we're back. So 231 00:11:21,760 --> 00:11:25,240 Speaker 3: the friend leaves and Larry's you know, clearly knows that 232 00:11:25,360 --> 00:11:26,079 Speaker 3: she did not like. 233 00:11:26,520 --> 00:11:28,560 Speaker 2: Yes, he talked to Cheryl about that. I just wanted 234 00:11:28,559 --> 00:11:30,520 Speaker 2: to say one thing that I found very interesting there 235 00:11:30,559 --> 00:11:34,360 Speaker 2: that just occurred to me for the first time. To me, Larry, 236 00:11:34,480 --> 00:11:36,880 Speaker 2: except for the little darkness in his hair, he's not 237 00:11:37,000 --> 00:11:41,040 Speaker 2: completely gray. Looks almost identical to what he does now, 238 00:11:41,480 --> 00:11:44,440 Speaker 2: not that he would look suddenly different. Oh you don't agree. 239 00:11:44,800 --> 00:11:49,880 Speaker 2: He's older years old, no, but he still looks Yeah, 240 00:11:50,120 --> 00:11:52,840 Speaker 2: I mean, well, he's vital and Larry looked like an 241 00:11:52,880 --> 00:11:54,839 Speaker 2: old man when he was a young man. Well, yes, 242 00:11:55,000 --> 00:11:55,800 Speaker 2: that's what I'm saying. 243 00:11:55,960 --> 00:11:58,720 Speaker 3: Yeah, now, this is what struck me about this next part. 244 00:11:58,840 --> 00:12:01,360 Speaker 1: Cheryl gets very upset there at dinner party Friday night 245 00:12:01,640 --> 00:12:04,360 Speaker 1: and the caterer canceled, so she feels as though she 246 00:12:04,440 --> 00:12:07,240 Speaker 1: has to cancel the dinner party. Does it never occur 247 00:12:07,360 --> 00:12:10,880 Speaker 1: to these Hollywood people she could cook. It was eight 248 00:12:11,000 --> 00:12:13,640 Speaker 1: people she could have cooked, she could have gotten. 249 00:12:14,040 --> 00:12:17,559 Speaker 2: But come on, that's that's not an exaggeration. That is 250 00:12:18,200 --> 00:12:18,920 Speaker 2: the way it is. 251 00:12:19,600 --> 00:12:25,800 Speaker 1: It would never occur to me to yeah, eight person 252 00:12:25,880 --> 00:12:27,000 Speaker 1: dinner party catered. 253 00:12:27,320 --> 00:12:29,840 Speaker 2: Well, by the way, that's the West Side of Los Angeles, 254 00:12:29,880 --> 00:12:33,280 Speaker 2: I guess. So now that is I've been to numerous 255 00:12:33,800 --> 00:12:37,560 Speaker 2: West Side dinner parties and I don't remember one without 256 00:12:37,640 --> 00:12:38,199 Speaker 2: a caterer. 257 00:12:38,440 --> 00:12:41,040 Speaker 3: Let's explain to our audience who are not from here 258 00:12:41,200 --> 00:12:42,400 Speaker 3: what that means. West side. 259 00:12:42,600 --> 00:12:47,360 Speaker 2: West Side is like Santa Monica, Pacific Palisades, Malibu, west 260 00:12:47,400 --> 00:12:52,000 Speaker 2: of the four or five, but towards the ocean, and 261 00:12:52,320 --> 00:12:55,280 Speaker 2: the people who live over there are genuinely. 262 00:12:55,080 --> 00:12:57,960 Speaker 3: Very wealthy, right, And Larry lives over there. 263 00:12:58,040 --> 00:13:02,280 Speaker 1: Because he's genuinely wealthy, know very well but not everybody 264 00:13:02,520 --> 00:13:04,120 Speaker 1: who lives there is genuinely well. 265 00:13:04,120 --> 00:13:07,880 Speaker 2: Well. People live in apartments, but they are overpriced apartments. 266 00:13:08,200 --> 00:13:11,200 Speaker 2: So I'm just saying everybody there makes a decent living, 267 00:13:11,280 --> 00:13:12,880 Speaker 2: but most people who have houses there. 268 00:13:13,520 --> 00:13:15,800 Speaker 1: But it's a beautiful place to live because it's the 269 00:13:15,880 --> 00:13:20,000 Speaker 1: w Yeah, it's near the Yes where I stay because 270 00:13:20,120 --> 00:13:21,040 Speaker 1: we shoot most things. 271 00:13:21,240 --> 00:13:25,439 Speaker 2: The people they always you know what I think. As 272 00:13:25,520 --> 00:13:28,679 Speaker 2: I've gotten older, I've always thought of myself as like 273 00:13:28,800 --> 00:13:31,720 Speaker 2: sort of a regular Joe. Even though I have an 274 00:13:31,760 --> 00:13:36,400 Speaker 2: extraordinary life. My private life is very ordinary and I've 275 00:13:36,480 --> 00:13:39,920 Speaker 2: worked hard since I had a family. Let's keep it ordinary. 276 00:13:39,960 --> 00:13:42,120 Speaker 2: It's not anything so these dinners. 277 00:13:42,400 --> 00:13:44,439 Speaker 1: See, I'm a New Yorker, as you know, I have 278 00:13:44,559 --> 00:13:47,040 Speaker 1: never moved here. We're in LA right now, yes, and 279 00:13:47,160 --> 00:13:49,440 Speaker 1: I've always lived in New York. I have never been 280 00:13:49,520 --> 00:13:52,120 Speaker 1: to a dinner party in my neighborhood in the city 281 00:13:52,200 --> 00:13:55,439 Speaker 1: wherever that's that amount of people that's catered. 282 00:13:55,840 --> 00:13:57,040 Speaker 3: It's not a fucking wedding. 283 00:13:57,880 --> 00:13:59,880 Speaker 2: With a few exceptions. People in New York are very 284 00:14:00,120 --> 00:14:02,439 Speaker 2: real and people here on the West Side are full 285 00:14:02,440 --> 00:14:04,719 Speaker 2: of shit. So there I said it. If you're a 286 00:14:04,800 --> 00:14:07,240 Speaker 2: West Side or come after me. I don't let me 287 00:14:07,320 --> 00:14:07,719 Speaker 2: ask you this. 288 00:14:08,000 --> 00:14:10,040 Speaker 1: When you were married to Marla and you would have 289 00:14:10,080 --> 00:14:13,160 Speaker 1: a dinner party, was it devo catered? I don't mean 290 00:14:13,360 --> 00:14:16,959 Speaker 1: a big thing like you used to have you, I 291 00:14:16,960 --> 00:14:19,040 Speaker 1: don't mean my knowledge. 292 00:14:19,480 --> 00:14:22,880 Speaker 2: No, I don't recall. Ever, Marla was a great cook, 293 00:14:23,040 --> 00:14:26,640 Speaker 2: and as far as I can remember, she always always cooked. Yeah. 294 00:14:26,960 --> 00:14:29,520 Speaker 3: So anyway, that just struck me that Cheryl not Cheryl. 295 00:14:30,040 --> 00:14:33,320 Speaker 2: Cheryl is a great cook. I hate saying was. Carla 296 00:14:33,520 --> 00:14:36,800 Speaker 2: continues to cook delightfully. I'll be in her house on 297 00:14:37,040 --> 00:14:40,800 Speaker 2: Sunday night next Sunday night for Hanukkah, and I know 298 00:14:41,000 --> 00:14:43,240 Speaker 2: she's going to make the lakas and all that stuff. 299 00:14:43,560 --> 00:14:45,920 Speaker 2: And for you non Jews listening, I'm not going to 300 00:14:45,960 --> 00:14:49,280 Speaker 2: apologize for being a Jew. Should stop it, no, because 301 00:14:49,280 --> 00:14:50,680 Speaker 2: I'm doing a lot of Jewish references. 302 00:14:51,680 --> 00:14:54,600 Speaker 3: So who doesn't love a lotka? By the way, I 303 00:14:54,760 --> 00:14:56,320 Speaker 3: might not cook it sower. 304 00:14:56,200 --> 00:14:57,600 Speaker 2: Cream, Loca person or an apple. 305 00:14:58,400 --> 00:15:02,320 Speaker 1: I'm an apple sauce, okay, we silver lives yeah, now lacks. 306 00:15:02,360 --> 00:15:04,480 Speaker 1: For example, I might not cook. I might go to 307 00:15:04,600 --> 00:15:05,560 Speaker 1: zay Bars and get them. 308 00:15:05,640 --> 00:15:08,600 Speaker 2: Oh. By the way, telling something from zay Bars does 309 00:15:08,680 --> 00:15:11,400 Speaker 2: not mean you're catering now, okay, all right. 310 00:15:11,560 --> 00:15:15,960 Speaker 3: Okay, So Hanka, Hanka, you know what that reminds me of. 311 00:15:16,240 --> 00:15:20,640 Speaker 3: We'll get to it many many seasons later. No, the 312 00:15:20,920 --> 00:15:23,600 Speaker 3: scene where you're dropping me off at the airport. 313 00:15:23,760 --> 00:15:25,600 Speaker 2: Oh yeah, yeah, I'm singing to myself. 314 00:15:25,680 --> 00:15:27,920 Speaker 3: Oh yeah, that's season nine or ten. 315 00:15:29,040 --> 00:15:29,280 Speaker 2: Got it? 316 00:15:29,320 --> 00:15:29,680 Speaker 3: Where's to go? 317 00:15:30,040 --> 00:15:33,440 Speaker 1: Okay, So Larry says that Jeff has a neighbor who's 318 00:15:33,440 --> 00:15:37,280 Speaker 1: a caterer and she's fantastic. So Cheryl is delusional and 319 00:15:37,360 --> 00:15:39,560 Speaker 1: she thinks that her friend really liked the movie. They 320 00:15:39,640 --> 00:15:41,680 Speaker 1: go back to that and Larry. 321 00:15:41,480 --> 00:15:42,560 Speaker 3: Is like, no, she didn't. 322 00:15:42,920 --> 00:15:44,760 Speaker 2: Yeah, well she clearly didn't. 323 00:15:45,000 --> 00:15:47,160 Speaker 3: And then Larry says to her, what is this compulsion 324 00:15:47,240 --> 00:15:49,320 Speaker 3: to have people over your house and serve them food 325 00:15:49,800 --> 00:15:52,400 Speaker 3: and talk to that fine gathering? 326 00:15:53,640 --> 00:15:57,400 Speaker 2: By the way, It's something that a lot of listeners 327 00:15:57,480 --> 00:16:00,760 Speaker 2: and myself wonder the same thing. You know what, I love. 328 00:16:00,880 --> 00:16:04,040 Speaker 3: I enjoy serving people's food and talking about I'm over entertaining. 329 00:16:04,120 --> 00:16:06,600 Speaker 2: If I'm over at your place and there's not a 330 00:16:06,640 --> 00:16:09,080 Speaker 2: lot of other other people, I'd be happy. But when 331 00:16:09,080 --> 00:16:10,640 Speaker 2: there's other people, I'm not too thrilled. 332 00:16:10,760 --> 00:16:12,200 Speaker 3: But what if it's just a small This was a 333 00:16:12,280 --> 00:16:13,440 Speaker 3: small dinner party. 334 00:16:13,480 --> 00:16:15,200 Speaker 2: I'm good with it. I'm good with a dinner party. 335 00:16:15,280 --> 00:16:16,480 Speaker 2: I'm not good with a party. 336 00:16:16,560 --> 00:16:18,520 Speaker 3: A party party me neither. I hate a party party, 337 00:16:18,720 --> 00:16:20,600 Speaker 3: but where you can converse. 338 00:16:21,400 --> 00:16:24,520 Speaker 2: I like that. This week the movie that I did, Babylon, 339 00:16:24,880 --> 00:16:27,400 Speaker 2: the Damie Giselle movie with Brad Pitt and Margot Robbie, 340 00:16:28,040 --> 00:16:33,320 Speaker 2: they're having the premiere on this coming Thursday. I ain't going. 341 00:16:33,600 --> 00:16:34,560 Speaker 3: No premiere is are horrible. 342 00:16:34,640 --> 00:16:36,200 Speaker 2: Well, no, I don't want to walk the red carpet. 343 00:16:36,520 --> 00:16:38,000 Speaker 2: I don't want to be around a lot of people. 344 00:16:38,320 --> 00:16:40,080 Speaker 2: And by the way, it's a big bowl of small 345 00:16:40,160 --> 00:16:41,160 Speaker 2: talk with stars. 346 00:16:41,560 --> 00:16:44,360 Speaker 3: But nonetheless, well you're at a point, Jeff, but you 347 00:16:44,360 --> 00:16:45,000 Speaker 3: don't need to do that. 348 00:16:45,080 --> 00:16:47,360 Speaker 1: There was a point where where I remember where I 349 00:16:47,400 --> 00:16:50,720 Speaker 1: always had to go to everything for either my career 350 00:16:51,240 --> 00:16:51,760 Speaker 1: or to me to go. 351 00:16:52,120 --> 00:16:53,760 Speaker 2: Let me ask you a quick question, and we are 352 00:16:53,840 --> 00:16:55,120 Speaker 2: really deviated from the show. 353 00:16:55,160 --> 00:16:56,560 Speaker 3: You can aviate as much as we wought. 354 00:16:56,960 --> 00:16:59,320 Speaker 2: Any of those times that you went to the red 355 00:16:59,440 --> 00:17:02,280 Speaker 2: carpet and you did the thing that your publicist whoever 356 00:17:02,520 --> 00:17:05,560 Speaker 2: manager told you how to do. Did it change your career? 357 00:17:06,160 --> 00:17:06,879 Speaker 3: Not one iota. 358 00:17:07,080 --> 00:17:09,520 Speaker 2: I know that's the joke, and I even had it 359 00:17:09,560 --> 00:17:12,240 Speaker 2: after my brain should I do this for, you know, 360 00:17:12,359 --> 00:17:14,720 Speaker 2: supporting I'm supporting the film, you know, but. 361 00:17:14,760 --> 00:17:16,480 Speaker 3: You would come to a curb premiere. 362 00:17:16,800 --> 00:17:18,439 Speaker 2: Yeah, because that's a little more private. 363 00:17:18,560 --> 00:17:19,560 Speaker 3: Yeah, it's also yours. 364 00:17:20,000 --> 00:17:23,760 Speaker 2: Yeah, Algie, Babylon is mine. I secretly wrote it and 365 00:17:24,000 --> 00:17:26,480 Speaker 2: I'm playing Brad. Have you seen it? No, I'm not. 366 00:17:26,800 --> 00:17:30,159 Speaker 2: It looks good, it looks very interesting, you know. 367 00:17:30,880 --> 00:17:32,920 Speaker 1: But yeah, I remember when I used to feel the 368 00:17:33,040 --> 00:17:36,200 Speaker 1: compulsion to go out right, you know, and part of 369 00:17:36,240 --> 00:17:37,359 Speaker 1: it was to meet a guide too. 370 00:17:37,600 --> 00:17:39,040 Speaker 3: Oh yeah, you never knew, you know. 371 00:17:39,119 --> 00:17:42,359 Speaker 1: It was always Louis Veranda, who is our friend who 372 00:17:42,480 --> 00:17:44,720 Speaker 1: used to run Catch Rising store in Caroline's used to 373 00:17:44,760 --> 00:17:48,280 Speaker 1: say to me, Essie, you got away you sign meaning 374 00:17:48,359 --> 00:17:50,040 Speaker 1: you sign saying I'm available. 375 00:17:50,240 --> 00:17:52,280 Speaker 2: Oh but I think when you walk in the room, 376 00:17:53,119 --> 00:17:55,160 Speaker 2: I think the best sign you could wear is I'm 377 00:17:55,240 --> 00:17:56,080 Speaker 2: not available. 378 00:17:56,480 --> 00:17:59,560 Speaker 1: Well, whatever, it's irrelevant. It's a moot point at this 379 00:17:59,680 --> 00:18:01,280 Speaker 1: point because I'm an old married woman. 380 00:18:01,560 --> 00:18:02,119 Speaker 3: Yes, okay. 381 00:18:02,440 --> 00:18:06,480 Speaker 1: So so Larry is talking all about he can't have 382 00:18:06,560 --> 00:18:08,840 Speaker 1: a good time and Cheryl does not understand why can't 383 00:18:08,880 --> 00:18:10,200 Speaker 1: you lighten up and have a good time at the 384 00:18:10,240 --> 00:18:12,960 Speaker 1: dinner party, and he's absolutely sure he's not gonna have 385 00:18:12,960 --> 00:18:15,600 Speaker 1: a good time at the dinner party. It's all Cheryl's friends, 386 00:18:16,320 --> 00:18:19,640 Speaker 1: and he's absolutely correct. And they make a bet, which 387 00:18:19,760 --> 00:18:22,000 Speaker 1: is that if he doesn't have a good time, he 388 00:18:22,160 --> 00:18:25,000 Speaker 1: gets a blowjob in the car. Why do men love 389 00:18:25,040 --> 00:18:26,000 Speaker 1: a blowjob in the car? 390 00:18:26,200 --> 00:18:28,840 Speaker 2: I was just about to say, is there anything more 391 00:18:29,119 --> 00:18:32,199 Speaker 2: upsetting or unsafe than a blowjob in a car? 392 00:18:32,520 --> 00:18:32,840 Speaker 3: Totally? 393 00:18:33,480 --> 00:18:35,399 Speaker 2: We have an episode with blowjob in the Yes, you 394 00:18:35,480 --> 00:18:38,159 Speaker 2: and I, but we were parked, I know, but nonetheless 395 00:18:38,240 --> 00:18:41,280 Speaker 2: even parked, Actually no, we weren't parked. 396 00:18:41,440 --> 00:18:42,680 Speaker 3: We got into an accident. 397 00:18:42,840 --> 00:18:46,480 Speaker 2: Yeah, but nonetheless, I'm always a big fan of a couch, 398 00:18:47,119 --> 00:18:49,720 Speaker 2: a bed. I mean, there's many more places. What is 399 00:18:49,760 --> 00:18:50,760 Speaker 2: it with the car? I don't know. 400 00:18:51,080 --> 00:18:53,320 Speaker 1: Well, I think it's I think it's the illicit, and 401 00:18:53,440 --> 00:18:55,560 Speaker 1: I think it's the You know how, there was that 402 00:18:55,760 --> 00:18:57,920 Speaker 1: episode and everything I always wanted to know about sex. 403 00:18:58,000 --> 00:19:01,040 Speaker 1: Remember where they were like doing it in every elevators 404 00:19:01,080 --> 00:19:04,280 Speaker 1: and in department stores and and there's something about that. 405 00:19:04,720 --> 00:19:05,760 Speaker 3: It's errata size. 406 00:19:05,880 --> 00:19:10,440 Speaker 2: Now a good bet would be Larry said, who doesn't 407 00:19:10,600 --> 00:19:12,720 Speaker 2: if I'm not born? But you have to blow me 408 00:19:12,800 --> 00:19:15,560 Speaker 2: in Times Square? That I would find interesting. That's a 409 00:19:15,640 --> 00:19:16,080 Speaker 2: good dare. 410 00:19:16,280 --> 00:19:17,520 Speaker 3: Yeah, but that's never gonna happen. 411 00:19:18,160 --> 00:19:21,320 Speaker 1: Car might I'm just telling you I have had many 412 00:19:21,440 --> 00:19:24,400 Speaker 1: boyfriends in my life who have wanted blowjobs in the car. 413 00:19:24,640 --> 00:19:24,880 Speaker 2: Wow. 414 00:19:25,200 --> 00:19:28,480 Speaker 3: So I'm asking you, as a man, what is then blowjob? 415 00:19:28,720 --> 00:19:30,480 Speaker 2: Well, I don't have I don't see the pack. 416 00:19:30,520 --> 00:19:32,960 Speaker 3: Okay, fine, all right, then we'll move on for that. 417 00:19:33,160 --> 00:19:33,440 Speaker 2: Okay. 418 00:19:33,760 --> 00:19:36,760 Speaker 1: And then they're in your office and you're talking about 419 00:19:37,280 --> 00:19:39,200 Speaker 1: Swanson Turkey dinners, which. 420 00:19:39,119 --> 00:19:42,119 Speaker 2: By the way, remember those. I remember those? Now you 421 00:19:42,119 --> 00:19:44,200 Speaker 2: still also had ones with like a clown on it. 422 00:19:44,280 --> 00:19:46,400 Speaker 2: I remember when I was a kid. I love TV 423 00:19:46,520 --> 00:19:48,840 Speaker 2: dinners when I was a kid, kim me too, love them. 424 00:19:49,200 --> 00:19:50,200 Speaker 3: Was your mother a good cook? 425 00:19:50,800 --> 00:19:52,720 Speaker 2: Yeah she was, but she loved cooking chicken. 426 00:19:53,160 --> 00:19:55,720 Speaker 3: Ye, a lot of chicken. My mother was not a 427 00:19:55,760 --> 00:19:56,240 Speaker 3: good cook. 428 00:19:56,640 --> 00:19:59,040 Speaker 1: So on the nights when my father wasn't home, that's 429 00:19:59,119 --> 00:20:02,040 Speaker 1: when we would have TV dinners or get pizza and 430 00:20:02,200 --> 00:20:05,119 Speaker 1: that was heaven or chicken pot pie, which I loved 431 00:20:05,400 --> 00:20:07,119 Speaker 1: the bird's eye, you. 432 00:20:07,119 --> 00:20:08,480 Speaker 2: Know, and I used to do. I used to love 433 00:20:08,680 --> 00:20:12,280 Speaker 2: just saying pot pie. Actually just stop in the middle 434 00:20:12,280 --> 00:20:14,400 Speaker 2: of my standup, look at the ass and go pot pie. 435 00:20:14,960 --> 00:20:17,120 Speaker 2: And they go, why is he saying pot pie over 436 00:20:17,240 --> 00:20:19,280 Speaker 2: and over. No, I just like the way it sounds. 437 00:20:19,600 --> 00:20:22,760 Speaker 2: A couple of remembrances I have of that scene. A 438 00:20:23,359 --> 00:20:26,200 Speaker 2: how fucking funny it was that I get serious, have 439 00:20:26,320 --> 00:20:27,920 Speaker 2: to sit on the couch, or that, which was that 440 00:20:28,040 --> 00:20:29,840 Speaker 2: a character completely out of character? 441 00:20:29,880 --> 00:20:31,040 Speaker 3: Things were not gelled yet. 442 00:20:31,080 --> 00:20:33,720 Speaker 2: No, No, I would never do that. We would both 443 00:20:33,800 --> 00:20:37,800 Speaker 2: laugh about that. Yeah. That and also I remember more 444 00:20:37,840 --> 00:20:40,080 Speaker 2: than any other scene I ever did on Curb, and 445 00:20:40,160 --> 00:20:42,600 Speaker 2: that was episode three. Like I said that I had 446 00:20:43,080 --> 00:20:47,639 Speaker 2: brain fog and I had trouble enunciating. You know, it 447 00:20:47,800 --> 00:20:49,240 Speaker 2: was really difficult. 448 00:20:49,440 --> 00:20:50,200 Speaker 3: Why do you think that is? 449 00:20:50,320 --> 00:20:51,320 Speaker 2: Well because I had a stroke. 450 00:20:51,800 --> 00:20:55,480 Speaker 3: Oh so yeah, you know, yeah, So how long ago 451 00:20:55,560 --> 00:20:57,240 Speaker 3: had you had the stroke? When you started shooting? 452 00:20:57,480 --> 00:20:58,080 Speaker 2: Six weeks? 453 00:20:58,520 --> 00:21:01,960 Speaker 3: So you had the stroke after the pilot, after the hour. 454 00:21:02,240 --> 00:21:03,760 Speaker 2: Before the first episode. Huh. 455 00:21:04,160 --> 00:21:04,200 Speaker 1: So. 456 00:21:05,080 --> 00:21:08,600 Speaker 2: I also look at that scene amongst many scenes that season, 457 00:21:08,640 --> 00:21:12,560 Speaker 2: but that scene in particular as the way I got 458 00:21:12,800 --> 00:21:16,960 Speaker 2: my mojo back, got my voice back, got my mind back, 459 00:21:17,280 --> 00:21:19,720 Speaker 2: like I was forced to. It was better than any 460 00:21:19,880 --> 00:21:22,800 Speaker 2: sort of systicial therapy or yeah, physical therapy. 461 00:21:22,960 --> 00:21:24,560 Speaker 1: But let me just we didn't say what it was. 462 00:21:24,640 --> 00:21:27,600 Speaker 1: You say to Larry, I'm hurt there's something I want 463 00:21:27,640 --> 00:21:29,399 Speaker 1: to talk about. You get up, you walk over to 464 00:21:29,480 --> 00:21:31,000 Speaker 1: the couch and sit next to him. 465 00:21:31,080 --> 00:21:33,399 Speaker 2: And you say, you never congratulate me in my new car. 466 00:21:33,680 --> 00:21:36,000 Speaker 3: And I have written down here so at a character. 467 00:21:36,480 --> 00:21:38,720 Speaker 2: Yeah, I know, it's really because it was. 468 00:21:38,960 --> 00:21:42,520 Speaker 1: And it's interesting how doing this first season. It's interesting 469 00:21:42,640 --> 00:21:46,120 Speaker 1: to see how things jelled and developed over the course. 470 00:21:45,920 --> 00:21:50,240 Speaker 2: Of because that scenario would be something Larry and I 471 00:21:50,320 --> 00:21:54,199 Speaker 2: would laugh at about someone else. I would never give him. 472 00:21:54,440 --> 00:21:55,920 Speaker 3: You believe he was hurt that I didn't go to 473 00:21:55,960 --> 00:21:58,440 Speaker 3: his car, you know that kind of a thing. So 474 00:21:58,560 --> 00:22:00,280 Speaker 3: then you're in the car. You say, the car is fun, 475 00:22:00,320 --> 00:22:03,040 Speaker 3: come on, drive it. The car is fun, and put 476 00:22:03,080 --> 00:22:03,680 Speaker 3: the radio on. 477 00:22:04,240 --> 00:22:07,359 Speaker 2: Well wait, well hold on. So I'm watching with Sari, 478 00:22:07,480 --> 00:22:10,880 Speaker 2: who was a film editor. Yeah, and she goes, oh, 479 00:22:11,040 --> 00:22:14,200 Speaker 2: that green screen is terrible. As the scene goes on, 480 00:22:14,359 --> 00:22:19,200 Speaker 2: and I say, said that studio city, that's real, she goes, 481 00:22:19,280 --> 00:22:20,480 Speaker 2: it looks like bad greens. 482 00:22:22,400 --> 00:22:24,440 Speaker 3: Wait a minute, tell people what green screen is. 483 00:22:24,720 --> 00:22:27,840 Speaker 2: Green screen is there's a green screen behind you that 484 00:22:27,960 --> 00:22:32,080 Speaker 2: they can superimpose the street where you're driving anything. They 485 00:22:32,119 --> 00:22:34,960 Speaker 2: can put you in a forest, they can put anything behind. 486 00:22:34,760 --> 00:22:37,600 Speaker 3: It, which which is used all the time. 487 00:22:38,040 --> 00:22:42,520 Speaker 2: But they have come so far with the driving green 488 00:22:42,600 --> 00:22:45,160 Speaker 2: screen stuff that it looks pretty gosh. 489 00:22:45,440 --> 00:22:47,960 Speaker 1: I mean frequently when you do a driving scene, you're 490 00:22:48,000 --> 00:22:50,360 Speaker 1: just sitting, you know, in a thing, and the green 491 00:22:50,440 --> 00:22:52,919 Speaker 1: screens behind you and you're not moving even the car. 492 00:22:53,119 --> 00:22:54,840 Speaker 2: And they bounce it up and down. 493 00:22:55,480 --> 00:22:58,920 Speaker 1: Yeah, it's the magic. So you say, put on the 494 00:22:59,040 --> 00:23:02,320 Speaker 1: radio and the Amco commercial comes on. So those commercials 495 00:23:02,320 --> 00:23:02,600 Speaker 1: still on? 496 00:23:02,680 --> 00:23:05,120 Speaker 3: I don't think so, I wouldn't. Are they still want 497 00:23:05,160 --> 00:23:06,639 Speaker 3: anybody in the room? They are. 498 00:23:06,800 --> 00:23:09,640 Speaker 2: And by the way, when I hear that beep beep, 499 00:23:09,680 --> 00:23:13,080 Speaker 2: and I've heard it on the commercials, I thought, yeah. 500 00:23:13,119 --> 00:23:13,920 Speaker 3: It's dangerous. 501 00:23:14,080 --> 00:23:17,720 Speaker 1: Yeah, so Larry thinks it's a real honk and he 502 00:23:18,280 --> 00:23:19,879 Speaker 1: starts a fight with the guy behind him. 503 00:23:20,280 --> 00:23:22,200 Speaker 2: Stop over, okay, what are you doing? 504 00:23:23,200 --> 00:23:25,680 Speaker 1: And the guy gets pissed off, rear ends the car, 505 00:23:26,600 --> 00:23:29,560 Speaker 1: get the fight. Yeah, but nobody got the license plate. 506 00:23:29,760 --> 00:23:31,320 Speaker 2: And then we drive and we can and there's a 507 00:23:31,400 --> 00:23:32,280 Speaker 2: noise and you could. 508 00:23:32,160 --> 00:23:35,320 Speaker 1: See it's severely damaged. Would that really happen? It seemed 509 00:23:35,359 --> 00:23:36,359 Speaker 1: like he tapped it gently. 510 00:23:36,560 --> 00:23:39,280 Speaker 2: Well, by the way, in all reality, a car like that, 511 00:23:40,160 --> 00:23:43,239 Speaker 2: the other car would be damaged, you know. Nineteen car 512 00:23:43,400 --> 00:23:46,480 Speaker 2: was tank that they all were those those bumpers. I 513 00:23:46,560 --> 00:23:50,160 Speaker 2: remember my father in law. He used to say, don't 514 00:23:50,200 --> 00:23:52,720 Speaker 2: get a Japanese car because it's not the same metal 515 00:23:53,440 --> 00:23:58,040 Speaker 2: the American. Yeah, we completely believed that we'll. 516 00:23:57,920 --> 00:24:11,440 Speaker 3: Be right back, stay tuned, and we're back. 517 00:24:11,920 --> 00:24:15,520 Speaker 1: So now we're at the dinner party, and clearly it's 518 00:24:15,600 --> 00:24:16,359 Speaker 1: fucking brutal. 519 00:24:16,520 --> 00:24:17,280 Speaker 3: It's so boring. 520 00:24:17,400 --> 00:24:21,640 Speaker 2: All of those people except for one, all are Cheryl's friends. 521 00:24:21,840 --> 00:24:24,679 Speaker 2: Like in real life, yeah, they're all groundlings people, okay, but. 522 00:24:24,960 --> 00:24:27,720 Speaker 1: They well they were good improvisers, yes, But in the 523 00:24:27,920 --> 00:24:34,280 Speaker 1: TV show they're all Cheryl's friends, yes, and they're all 524 00:24:34,600 --> 00:24:37,240 Speaker 1: really fucking boring in the show, not in real life. 525 00:24:37,240 --> 00:24:41,119 Speaker 1: There's eight people and one is Alison and Kevin and 526 00:24:41,240 --> 00:24:44,000 Speaker 1: they're moving to Covino maybe it's downy, and then the 527 00:24:44,040 --> 00:24:46,920 Speaker 1: others going on a cruise and put a fucking. 528 00:24:46,760 --> 00:24:47,680 Speaker 3: Gun to my head. 529 00:24:48,080 --> 00:24:50,879 Speaker 1: If I was sitting there listening to this production of 530 00:24:50,960 --> 00:24:52,879 Speaker 1: Annie gets you gun, by the way, that's what. 531 00:24:52,960 --> 00:24:55,840 Speaker 2: It was like for me at like school events with 532 00:24:55,960 --> 00:24:58,440 Speaker 2: the other parents. I understand I wanted to die. 533 00:24:58,680 --> 00:25:02,399 Speaker 1: I understand, and Larry clearly wants to die. And I 534 00:25:02,520 --> 00:25:04,680 Speaker 1: love the way it was done. And it was so clearly. 535 00:25:05,080 --> 00:25:07,359 Speaker 1: I mean, the lovely people you could see, but they 536 00:25:07,520 --> 00:25:08,800 Speaker 1: just you know, don't tell. 537 00:25:08,920 --> 00:25:11,240 Speaker 2: By the way, there was some great stuff cut from 538 00:25:11,320 --> 00:25:14,240 Speaker 2: that scene. Yeah, I remember one of the guys. It 539 00:25:14,320 --> 00:25:16,640 Speaker 2: was a groundling guy, very funny. I think his first 540 00:25:16,720 --> 00:25:19,359 Speaker 2: name was Kevin, I still is. I'm sure he had 541 00:25:19,400 --> 00:25:21,840 Speaker 2: this one scene where he's telling Larry about all the 542 00:25:22,000 --> 00:25:25,840 Speaker 2: things that he's writing whatever. Larry says, well, do you 543 00:25:25,960 --> 00:25:27,639 Speaker 2: have it like you want to submit it? And the 544 00:25:27,680 --> 00:25:30,359 Speaker 2: guy goes, no, it's in sharge in my trunk. The 545 00:25:30,440 --> 00:25:33,800 Speaker 2: guy tells me, but he used the word shards that 546 00:25:33,920 --> 00:25:35,080 Speaker 2: it was cut up in his trunk. 547 00:25:35,280 --> 00:25:39,040 Speaker 3: Anyhow, it's a pleasure to improvise with good improvisers. 548 00:25:39,119 --> 00:25:40,879 Speaker 2: Oh, it's the best. And that's what I'm going to 549 00:25:40,920 --> 00:25:42,120 Speaker 2: talk about in this episode. 550 00:25:42,200 --> 00:25:44,520 Speaker 3: Yeah, well, let's talk about Mike Duffy. 551 00:25:45,000 --> 00:25:48,840 Speaker 1: Now, Mike Duffy introduces himself, you know, asking Larry if 552 00:25:48,840 --> 00:25:51,880 Speaker 1: he gets paid every time a Seinfeld airs. Turns out 553 00:25:52,040 --> 00:25:55,320 Speaker 1: he's an Amco dealer, and dinner is served and he 554 00:25:55,440 --> 00:25:57,879 Speaker 1: pushes ahead and takes Larry's seat at the head of 555 00:25:57,960 --> 00:25:58,639 Speaker 1: the table. 556 00:25:58,680 --> 00:26:00,840 Speaker 2: And the way he does it is so natural and 557 00:26:01,720 --> 00:26:04,399 Speaker 2: speech talk about who he is, Well, that's what I 558 00:26:04,480 --> 00:26:07,760 Speaker 2: want to talk. One of my biggest influences, but I 559 00:26:07,800 --> 00:26:10,160 Speaker 2: say biggest, I'm talking about two or three biggest influences 560 00:26:10,200 --> 00:26:14,479 Speaker 2: in my career is Mike Haggerty. Mike Harriedy played Mike Duffy. 561 00:26:14,880 --> 00:26:17,120 Speaker 2: I learned from him by watching him at Second City, 562 00:26:17,440 --> 00:26:19,840 Speaker 2: by working with him at Second City, working with him 563 00:26:19,840 --> 00:26:23,359 Speaker 2: outside of Second City, being friends with him. He knew 564 00:26:23,400 --> 00:26:26,200 Speaker 2: how to use the economy. Like he would come into 565 00:26:26,240 --> 00:26:29,000 Speaker 2: a scene at Second City and everyone's blah blah blah 566 00:26:29,040 --> 00:26:31,400 Speaker 2: blah blah. He'd come in, say less than a half 567 00:26:31,520 --> 00:26:35,439 Speaker 2: dozen words, get a gigantic laugh, help the scene move forward, 568 00:26:35,800 --> 00:26:39,240 Speaker 2: and leave. Yeah, and he did that repeatedly. He's the 569 00:26:39,400 --> 00:26:44,600 Speaker 2: king for me as improvisers. Less is more, you know, 570 00:26:44,760 --> 00:26:47,560 Speaker 2: doing less is all you need to do. And he 571 00:26:48,800 --> 00:26:50,720 Speaker 2: was a master, and he showed him. 572 00:26:50,720 --> 00:26:52,480 Speaker 3: When is he no longer with us? 573 00:26:52,640 --> 00:26:56,880 Speaker 2: Mike died about six months ago. Oh really, okay, which 574 00:26:56,960 --> 00:26:59,600 Speaker 2: is heartbreaking to me and others. And you knew him 575 00:26:59,640 --> 00:27:02,560 Speaker 2: from Yeah, Second City. He was a gentleman. I remember 576 00:27:02,640 --> 00:27:07,400 Speaker 2: one time, the Bulls are in the playoffs, Michael Jordan's playing. 577 00:27:07,440 --> 00:27:10,199 Speaker 2: We're sitting in the upper rafters of the Chicago Stadium 578 00:27:10,200 --> 00:27:12,760 Speaker 2: and me with my add and there wasn't like a 579 00:27:12,880 --> 00:27:16,200 Speaker 2: cell phone situation then. But I brought the newspaper with me, 580 00:27:16,720 --> 00:27:19,480 Speaker 2: and while I'm watching the game, I'm reading the newspaper 581 00:27:19,840 --> 00:27:22,960 Speaker 2: and I remember him screaming at me, put the paper down. 582 00:27:23,240 --> 00:27:26,040 Speaker 2: Watch Jordan, what the fuck are you doing? I remember 583 00:27:26,119 --> 00:27:27,600 Speaker 2: they was so few, But yeah, I used to do 584 00:27:27,720 --> 00:27:30,520 Speaker 2: like ten things at once when I was younger. But Mike, 585 00:27:30,960 --> 00:27:34,560 Speaker 2: oh boy, I mean, one of the masters of that craft. 586 00:27:34,800 --> 00:27:37,360 Speaker 2: And by the way, I can honestly say a big 587 00:27:37,520 --> 00:27:42,800 Speaker 2: influence on putting Kirby your enthusiasm together, and in terms 588 00:27:42,840 --> 00:27:45,240 Speaker 2: of what I knew about him from you, yeah, yeah. 589 00:27:45,520 --> 00:27:49,720 Speaker 2: And if anyone out there enjoys my acting and notices 590 00:27:49,800 --> 00:27:52,159 Speaker 2: there are scenes where I don't say anything, or I 591 00:27:52,280 --> 00:27:55,440 Speaker 2: only say a few things one place in one place. 592 00:27:55,520 --> 00:27:58,360 Speaker 2: Only that comes from is Mike Haggerty. That's the influence 593 00:27:58,400 --> 00:27:58,840 Speaker 2: he had. 594 00:27:58,760 --> 00:28:00,439 Speaker 3: On me and Lars. 595 00:28:00,640 --> 00:28:02,800 Speaker 2: Then when he sits down to the head of the table, 596 00:28:03,280 --> 00:28:07,400 Speaker 2: it's such a natural move. The comedy is not forced. 597 00:28:07,760 --> 00:28:08,960 Speaker 2: And when he goes into the. 598 00:28:09,080 --> 00:28:13,360 Speaker 3: Prayer first, everybody dig in. Yeah, he completely takes over. 599 00:28:13,800 --> 00:28:16,040 Speaker 2: He's having fun. He's like, yeah, you hear everybody dig in, 600 00:28:16,160 --> 00:28:18,520 Speaker 2: but he's not being mean about it. He's sort of 601 00:28:18,720 --> 00:28:20,200 Speaker 2: enjoying the nonsense of it. 602 00:28:20,600 --> 00:28:23,720 Speaker 3: And then he says grace, Yeah, which also. 603 00:28:23,760 --> 00:28:26,440 Speaker 2: Is so natural the way he does it. That was 604 00:28:26,520 --> 00:28:28,760 Speaker 2: the thing that struck me as I'm watching Hi'm Like Boy. 605 00:28:28,880 --> 00:28:32,720 Speaker 2: That dude is as natural and smooth an improviser that 606 00:28:32,840 --> 00:28:35,720 Speaker 2: I've ever seen. But one of the Mike is Mike 607 00:28:35,760 --> 00:28:39,000 Speaker 2: Aggerty aimed to please like his friends. He was telling 608 00:28:39,040 --> 00:28:41,120 Speaker 2: me he was doing this movie with Michael Keaton where 609 00:28:41,120 --> 00:28:43,320 Speaker 2: Michael Keaton's a police officer and he was playing a 610 00:28:43,360 --> 00:28:46,640 Speaker 2: police officer and he's playing like a video game in 611 00:28:46,720 --> 00:28:48,720 Speaker 2: a bar. And I said to him, he's going to 612 00:28:48,720 --> 00:28:51,080 Speaker 2: be gunplay. Oh yeah, Jeff, they'll be There'll be a 613 00:28:51,280 --> 00:28:54,480 Speaker 2: lot of gunplay. And then he knew I wanted to 614 00:28:54,480 --> 00:28:57,920 Speaker 2: hear him say gunplay. That tickled me all night long. 615 00:28:58,120 --> 00:29:01,360 Speaker 2: Anytime he could throw gunplay into something he was saying. 616 00:29:01,760 --> 00:29:04,320 Speaker 2: I just was so fucking grateful to our listeners who 617 00:29:04,320 --> 00:29:06,520 Speaker 2: are like, what's so funny about gunplay? No, I get 618 00:29:06,560 --> 00:29:09,200 Speaker 2: hooked on things in my mind. I've got so many 619 00:29:09,280 --> 00:29:09,840 Speaker 2: mental issues. 620 00:29:10,040 --> 00:29:14,640 Speaker 1: Why So he says grace, and then he and Larry 621 00:29:14,680 --> 00:29:17,880 Speaker 1: start making boring dinner conversation, which I quite enjoyed. Watching 622 00:29:18,320 --> 00:29:20,480 Speaker 1: Friends was a good show. You know, it's all about 623 00:29:20,760 --> 00:29:23,240 Speaker 1: what comedians call civilians right. 624 00:29:24,240 --> 00:29:26,960 Speaker 2: Well, by the way, let's even not call them civilians. 625 00:29:27,440 --> 00:29:30,600 Speaker 2: We're Carney folk. Yes, that's the best way to look 626 00:29:30,640 --> 00:29:33,600 Speaker 2: at it. We're the people who are running the ferris 627 00:29:33,680 --> 00:29:38,280 Speaker 2: wheel missing a finger. We're Carney folks. It's not people's problems, 628 00:29:38,320 --> 00:29:40,600 Speaker 2: it's our problem. And they're doing the best. 629 00:29:40,640 --> 00:29:41,960 Speaker 3: They do the best they can. 630 00:29:42,280 --> 00:29:44,320 Speaker 2: It's us that are screwed. 631 00:29:44,000 --> 00:29:45,080 Speaker 3: Up and Larry. 632 00:29:45,160 --> 00:29:48,120 Speaker 1: Then then they leave and Larry, you know, makes the 633 00:29:48,280 --> 00:29:50,600 Speaker 1: shit off with him about the Amco. I'm gonna call 634 00:29:50,680 --> 00:29:53,520 Speaker 1: you and out great everything. You'll fix the car because 635 00:29:53,600 --> 00:29:56,280 Speaker 1: he fucked up your car. And he says to Cheryl, 636 00:29:56,440 --> 00:29:59,280 Speaker 1: you know that he really enjoyed the Young Republicans Club. 637 00:29:59,520 --> 00:30:02,560 Speaker 1: Next time, I want some Jews there. And Cheryl lost 638 00:30:02,640 --> 00:30:02,960 Speaker 1: the bet. 639 00:30:03,320 --> 00:30:03,520 Speaker 2: Yeah. 640 00:30:04,200 --> 00:30:07,400 Speaker 1: So the next morning, after he decides he doesn't like 641 00:30:07,480 --> 00:30:10,520 Speaker 1: the Colgate, there's a phone message from Mike Duffy that 642 00:30:10,600 --> 00:30:13,240 Speaker 1: he feels a little weird about something from the night before. 643 00:30:13,600 --> 00:30:16,000 Speaker 3: By the way, I noticed, Cheryl looked so adorable. 644 00:30:16,360 --> 00:30:17,880 Speaker 2: Oh she was so cute. 645 00:30:18,520 --> 00:30:19,720 Speaker 3: Yeah, she was so young and. 646 00:30:21,720 --> 00:30:24,760 Speaker 2: Just gorgeous, yes, and so like vibrant. 647 00:30:24,920 --> 00:30:26,360 Speaker 3: Yeah, vibrant. That was a good word. 648 00:30:26,640 --> 00:30:28,800 Speaker 1: And Cheryl thinks that the thing he felt weird about 649 00:30:28,960 --> 00:30:31,160 Speaker 1: was that she mentioned that Larry doesn't like anybody to 650 00:30:31,200 --> 00:30:34,480 Speaker 1: stay at there Martha's Vineyard, right guesthouse, and he said, 651 00:30:34,560 --> 00:30:37,200 Speaker 1: I mean, if it's between him fixing Jeff's car or 652 00:30:37,360 --> 00:30:39,200 Speaker 1: him staying at our guest house, Jeff's. 653 00:30:38,880 --> 00:30:39,880 Speaker 3: Out, Ah, exactly. 654 00:30:40,080 --> 00:30:40,280 Speaker 2: Yeah. 655 00:30:40,920 --> 00:30:43,640 Speaker 1: And he goes to get an apple turnover and from 656 00:30:43,720 --> 00:30:48,080 Speaker 1: last night and there's no leftovers. The caterer left no leftovers. 657 00:30:48,480 --> 00:30:50,960 Speaker 3: What the fuck is that? So Larry is going to 658 00:30:51,000 --> 00:30:52,160 Speaker 3: go to her house to go peppy. 659 00:30:52,200 --> 00:30:55,600 Speaker 2: By the way, I have never seen that or heard 660 00:30:55,640 --> 00:30:57,520 Speaker 2: of that, And I just thought, you know what, as 661 00:30:57,600 --> 00:30:59,280 Speaker 2: most things in the show, that has to have happened 662 00:30:59,320 --> 00:31:00,000 Speaker 2: to Larry. 663 00:31:00,080 --> 00:31:02,040 Speaker 3: Probably I've never heard of that either. Yeah, but the 664 00:31:02,120 --> 00:31:04,080 Speaker 3: caterer always be paid for the premis. 665 00:31:04,160 --> 00:31:04,920 Speaker 2: It's a great prier. 666 00:31:05,000 --> 00:31:06,280 Speaker 3: Yeah, you leave the leftovers. 667 00:31:06,760 --> 00:31:09,080 Speaker 1: So he goes to the caterer's house and the caterer says, 668 00:31:09,160 --> 00:31:11,600 Speaker 1: I'm not sure that everything survived the trip here for. 669 00:31:12,560 --> 00:31:15,240 Speaker 2: By the way, that was deb Thaker, also a second 670 00:31:15,280 --> 00:31:20,080 Speaker 2: City person Toronto Second City. An excellent improviser, and she's 671 00:31:20,160 --> 00:31:21,000 Speaker 2: layser role. 672 00:31:21,000 --> 00:31:22,000 Speaker 3: With a plum beautifully. 673 00:31:22,360 --> 00:31:25,400 Speaker 1: Yeah, where's the chicken? She says, I gave it to 674 00:31:25,480 --> 00:31:28,160 Speaker 1: a homeless shelter, and you know it's all bullshit, you know. 675 00:31:28,280 --> 00:31:30,400 Speaker 1: And then we find out the truth that she dropped 676 00:31:30,440 --> 00:31:31,760 Speaker 1: the food off at Jeff's house. 677 00:31:31,960 --> 00:31:35,600 Speaker 3: Right, so Larry goes to Jeff's house. Jeff's eating the chicken. 678 00:31:36,080 --> 00:31:38,720 Speaker 2: I mentioned this in episode's past, I don't know which one. 679 00:31:39,040 --> 00:31:40,960 Speaker 2: When I get caught. I have a thing I do 680 00:31:41,160 --> 00:31:44,200 Speaker 2: and I wasn't conscious of it till I watched episodes. 681 00:31:44,680 --> 00:31:46,000 Speaker 2: So you walk in, you catch me go. 682 00:31:46,160 --> 00:31:51,000 Speaker 3: Hey, hey, always yeah, you never notice that, No. 683 00:31:51,280 --> 00:31:55,440 Speaker 2: Not until By the way, when I'm improvising on the show. 684 00:31:55,680 --> 00:31:58,800 Speaker 2: I'm never going to a toolbox. What do you mean 685 00:31:58,840 --> 00:32:01,440 Speaker 2: by that? In other words, I don't have my catchphrases. 686 00:32:01,520 --> 00:32:02,880 Speaker 2: I don't have my stuff. 687 00:32:04,080 --> 00:32:04,720 Speaker 3: You must do it. 688 00:32:04,920 --> 00:32:08,120 Speaker 2: Harry actually ruined something for me once, and I've become 689 00:32:08,240 --> 00:32:10,600 Speaker 2: conscious of it and I resent it. And that is 690 00:32:11,200 --> 00:32:14,480 Speaker 2: the shoulder shrug that I do on the show, like 691 00:32:14,560 --> 00:32:15,560 Speaker 2: when something's. 692 00:32:15,280 --> 00:32:17,480 Speaker 3: Wrong and you don't know what to say. 693 00:32:17,800 --> 00:32:19,600 Speaker 2: And he pointed that out to me, and I never 694 00:32:19,760 --> 00:32:22,040 Speaker 2: noticed it, so now not as much. 695 00:32:21,960 --> 00:32:23,600 Speaker 3: When I do it pointed out to you in a 696 00:32:23,640 --> 00:32:24,280 Speaker 3: negative way. 697 00:32:24,560 --> 00:32:26,400 Speaker 2: No, but I don't want to be aware of it. 698 00:32:26,480 --> 00:32:27,720 Speaker 3: All right, we'll get it out of your head. 699 00:32:28,640 --> 00:32:32,400 Speaker 1: So so Larry says, you take ten percent of my salary. 700 00:32:32,480 --> 00:32:35,720 Speaker 1: Now you take tempercent of my food. Blah blah. And 701 00:32:36,160 --> 00:32:39,760 Speaker 1: then you move on to discussing Mike Duffy. You go 702 00:32:39,840 --> 00:32:42,080 Speaker 1: to see Mike Duffy. Larry's in the office with Mike, 703 00:32:42,120 --> 00:32:43,200 Speaker 1: and he apologizes. 704 00:32:43,240 --> 00:32:44,680 Speaker 2: Wait wait, wait, wait, hold on one second. 705 00:32:44,760 --> 00:32:45,640 Speaker 3: Did I skip something? 706 00:32:45,840 --> 00:32:48,760 Speaker 2: Yes, what I wrote down my rash cleared up. 707 00:32:48,880 --> 00:32:50,760 Speaker 3: Yes, I wrote that down too, rash cleared up. But 708 00:32:50,800 --> 00:32:51,520 Speaker 3: I don't know what it was. 709 00:32:51,640 --> 00:32:53,560 Speaker 2: I don't know what it is either. I don't have 710 00:32:53,680 --> 00:32:57,600 Speaker 2: a fucking clue. Well, let's do a little mystery thing here. Now. 711 00:32:57,880 --> 00:32:59,880 Speaker 2: It's got to be a line that Larry said he 712 00:33:00,120 --> 00:33:02,640 Speaker 2: went to the Amco. No, he went to the caterer. 713 00:33:03,040 --> 00:33:04,760 Speaker 2: I'm just because this is around when it. 714 00:33:04,840 --> 00:33:06,920 Speaker 3: Is, No, because I have I have it. After that, 715 00:33:07,040 --> 00:33:09,360 Speaker 3: after he came to your house, I don't know. I 716 00:33:09,400 --> 00:33:11,160 Speaker 3: don't know that. 717 00:33:12,240 --> 00:33:13,320 Speaker 2: We don't even know what the fuck me. 718 00:33:13,520 --> 00:33:14,840 Speaker 3: I haven't here, all right. 719 00:33:14,840 --> 00:33:17,920 Speaker 1: And then Larry's in the office with Mike, and Mike says, 720 00:33:17,960 --> 00:33:19,360 Speaker 1: you know, I feel a little weird about something, and 721 00:33:19,440 --> 00:33:22,720 Speaker 1: Larry jumps in with the Martha's Vineyard thing, where what 722 00:33:22,960 --> 00:33:25,000 Speaker 1: Mike was feeling weird about was that he took the 723 00:33:25,080 --> 00:33:27,480 Speaker 1: head of the table and took Larry's chair. But then 724 00:33:27,920 --> 00:33:30,920 Speaker 1: becomes a whole argument about the Martha's Vineyard. I don't 725 00:33:30,920 --> 00:33:32,280 Speaker 1: need your house and I don't need you and I 726 00:33:32,320 --> 00:33:33,120 Speaker 1: don't know bubble. 727 00:33:32,880 --> 00:33:34,840 Speaker 2: By the way, I'm just going to point out a 728 00:33:35,000 --> 00:33:41,240 Speaker 2: nuance of how Mike Haggerty made it smooth. So Larry 729 00:33:41,360 --> 00:33:43,960 Speaker 2: sang his Martha Vineyard thing and Mike goes, no, no, no, 730 00:33:44,080 --> 00:33:45,600 Speaker 2: I was just talking about sitting at the head of 731 00:33:45,640 --> 00:33:48,960 Speaker 2: the table, and Larry starts going into his thing, and 732 00:33:49,160 --> 00:33:52,920 Speaker 2: Mike very quietly goes, but Martha's Vineyard. 733 00:33:52,760 --> 00:33:53,240 Speaker 3: Yeah, I know. 734 00:33:53,400 --> 00:33:55,760 Speaker 2: And then so when it came to him he said 735 00:33:55,840 --> 00:33:58,600 Speaker 2: himself makes sense. Yeah, yeah, it was beautiful. I mean, 736 00:33:59,040 --> 00:33:59,960 Speaker 2: I'm just such a big. 737 00:34:00,000 --> 00:34:01,760 Speaker 1: And I love how he ended it. I think we're 738 00:34:01,800 --> 00:34:05,080 Speaker 1: done here. Yeah, So you and Larry are driving the Chevy. 739 00:34:05,200 --> 00:34:08,960 Speaker 1: Still sounds bad, and then Larry has the catering trays 740 00:34:09,239 --> 00:34:12,200 Speaker 1: and he meets the homeless guy again, right, and gives 741 00:34:12,239 --> 00:34:13,680 Speaker 1: him the chicken Laurent. 742 00:34:13,760 --> 00:34:16,360 Speaker 2: Right, all of it, et cetera, and the guy takes it. 743 00:34:16,719 --> 00:34:17,840 Speaker 3: And then that's it. 744 00:34:18,000 --> 00:34:20,040 Speaker 1: Then Cheryl and Larry are driving home for the restaurant 745 00:34:20,080 --> 00:34:22,160 Speaker 1: and somebody lost the bet and we know what's happening 746 00:34:22,200 --> 00:34:23,200 Speaker 1: next and we don't have to see it. 747 00:34:23,400 --> 00:34:25,960 Speaker 2: Wait does it end on that, Yes, it does. 748 00:34:26,200 --> 00:34:28,360 Speaker 1: It ends on them in the car she undoes her 749 00:34:28,440 --> 00:34:32,320 Speaker 1: seat belt and a blowjob is to follow that we 750 00:34:32,400 --> 00:34:35,520 Speaker 1: don't see right by the way, God, I don't want 751 00:34:35,520 --> 00:34:35,920 Speaker 1: to see it. 752 00:34:36,239 --> 00:34:37,720 Speaker 2: Him getting a blowjob from Cheryl. 753 00:34:37,840 --> 00:34:39,880 Speaker 3: Now, I don't even want to picture it. 754 00:34:40,320 --> 00:34:42,640 Speaker 2: I have no desire to anyone I know to see 755 00:34:42,680 --> 00:34:43,279 Speaker 2: them have set. 756 00:34:43,280 --> 00:34:46,359 Speaker 3: And that was double amco Uh All right? 757 00:34:46,480 --> 00:34:48,279 Speaker 2: Well, did I tell you that I love you and 758 00:34:48,320 --> 00:34:48,920 Speaker 2: I adore you? 759 00:34:49,680 --> 00:34:50,160 Speaker 3: Not today? 760 00:34:50,360 --> 00:34:52,040 Speaker 2: All right? Well I'm telling you right now I love 761 00:34:52,120 --> 00:34:52,640 Speaker 2: you and adore you. 762 00:34:52,840 --> 00:34:54,920 Speaker 3: We'll see you next time, everybody. 763 00:34:54,520 --> 00:34:57,279 Speaker 2: And thank you for if you listen the whole way through. 764 00:34:57,800 --> 00:34:58,800 Speaker 2: I think that's amazing. 765 00:34:59,080 --> 00:35:00,520 Speaker 3: And here's to my Caggarty. 766 00:35:00,840 --> 00:35:02,880 Speaker 2: Yes to Mike Cagarty, all right, thank you. 767 00:35:07,040 --> 00:35:10,360 Speaker 3: The history of parpent Enthusiasm is the production of iHeart Radio. 768 00:35:10,480 --> 00:35:12,640 Speaker 3: From more podcasts from iHeart Radio 769 00:35:12,920 --> 00:35:16,239 Speaker 1: Visit the iHeart Radio app, Apple podcast, or wherever you 770 00:35:16,400 --> 00:35:17,600 Speaker 1: listen to your favorite shows.