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Speaker 1: So the guys are like, well, what if it's just

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Speaker 1: monument men the monument men. No, it has to be

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Speaker 1: the monuments men. And you made them keep the the

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Speaker 1: as well. Yes, I said that has to be end

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Speaker 1: and they said, well why, and I was like, I

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Speaker 1: don't know. That's why. It's good. Great move. What ay

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Speaker 1: Welcome to Hollywood Handbook and Insiders Guide to kicking button

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Speaker 1: dropping names in the red carpet lineback hallways of this industry.

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Speaker 1: We call Showbiz What Up? What Up? To all our listeners.

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Speaker 1: This is a podcast where we talk about Hollywood news

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Speaker 1: and we and we help people who are trying to

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Speaker 1: get into the entertainment industry to find jobs and success

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Speaker 1: and then the happiness that we've found from those things.

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Speaker 1: But sometimes we also like to talk about more difficult subjects.

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Speaker 2: Areas that few are brave enough to delve. That's where

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Speaker 2: Hayes and I sometimes get our little oil lanterns and

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Speaker 2: we go down exploring, and we come out with the.

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Speaker 1: Turn our flashlight hats on and.

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Speaker 2: And we get into the mind of some of the unpleasant,

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Speaker 2: mucky stuff that goes on. And and when we do that,

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Speaker 2: it's always brought to you by Wrangler fly button jeans

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Speaker 2: and it's the Wrangler fly Button Gene hot Button issue

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Speaker 2: of the Week.

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Speaker 1: Yes, And just as a side note, Wrangler fly button

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Speaker 1: jean like I actually find them to be much easier

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Speaker 1: to deal with than zipper equipment, especially.

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Speaker 2: Well, what Hayes is getting at is when you are

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Speaker 2: physically constructed in a certain way, it's difficult to deal

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Speaker 2: with a zip fly. It leaves an imprint, kind of

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Speaker 2: a zippery maze down the front of your.

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Speaker 1: Let's say, let's uh, when you are a certain type

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Speaker 1: of man, opening and closing your pants is not a procedure.

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Speaker 1: You want to rush.

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Speaker 2: That's a very smart way to put it. And actually

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Speaker 2: one thing that Wrangler will do is you can have

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Speaker 2: the buttons spread out a little further apart to get

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Speaker 2: more room. And they have the U shaped area, which

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Speaker 2: is very good. So I know, skinny jeans are hip.

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Speaker 2: Not everyone has that option.

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Speaker 1: A V shape can be very pinchy mmm in a

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Speaker 1: certain if it's a wide but anyway, anyway, the hot

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Speaker 1: button we we want to delve today is it's very hot.

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Speaker 1: It's been getting hotter and hotter and picking up steam

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Speaker 1: and heat and this is uh, there's been a controversy

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Speaker 1: going on with Woody Allen, one of our friends. He

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Speaker 1: is a friend of ours, as you know, that doesn't

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Speaker 1: prevent us from discussing him on the.

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Speaker 2: Show, does not color our perspective on this in any way.

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Speaker 2: We look just at the facts. And lest you think

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Speaker 2: he would ask us to defend him on this program,

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Speaker 2: I can tell you right now that he would hate it.

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Speaker 1: Oh, he'd be furious if he knew we were doing

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Speaker 1: this right now.

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Speaker 2: And he'd say to us, and I don't do the

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Speaker 2: best impression, but I do a good one. He'd say

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Speaker 2: to us, I've RiPP and pissed at you.

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Speaker 1: Dudes, because he doesn't want the stain of what's going

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Speaker 1: on with him to bleed onto us, us and our

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Speaker 1: hit podcast.

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Speaker 2: And he has actually asked us to stay out of it,

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Speaker 2: stay out of it whenever he's in any kind of

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Speaker 2: sort of controversy, which seems to unfortunately have happened in

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Speaker 2: the past and it's now happening again.

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Speaker 1: Yes, a lot of people are upset with Woody Allen

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Speaker 1: because they think he's too old to be doing movies anymore.

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Speaker 2: Yes, now we haven't read all of the articles because frankly,

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Speaker 2: we're generally more informed than these articles that come out.

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Speaker 2: But we've seen the headlines and we've skimmed them. In

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Speaker 2: a lot of it. They're talking about his age and

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Speaker 2: other younger ages, and it's not relevant. You should just

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Speaker 2: evaluate movies on the movies that is done.

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Speaker 1: And I think there's a lot to be said for

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Speaker 1: a director getting better as he gets older. Then say

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Speaker 1: they're talking about like like seven or eight year old directors,

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Speaker 1: and sure, something like that. And I think in a

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Speaker 1: lot of cases, a director of Woody Allen's age could

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Speaker 1: actually do a better job than a seven or eight

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Speaker 1: year old one.

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Speaker 2: And I wholeheartedly agree. And I actually think, and I

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Speaker 2: know this isn't a wildly popular opinion, but that some

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Speaker 2: of his movies of the past ten twenty years have

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Speaker 2: been pretty okay movies.

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Speaker 1: Yes, I think that he's actually done some of his

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Speaker 1: best work.

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Speaker 3: Now.

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Speaker 2: Unfortunately, we're not the only acquaintances, friends, people who know

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Speaker 2: him who've gotten involved in this controversy. And that's part

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Speaker 2: of why we're throwing out hat in the ring is

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Speaker 2: we see people smearing Woody Allens' movies.

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Speaker 1: Hm, Mia, you see all this stuff about Mia Hamm

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Speaker 1: is now involved.

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Speaker 2: In People think Mia Ham should direct his movies, but

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Speaker 2: she's not a movie's director, and he actually wrote the

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Speaker 2: movies and that's his ideas, and.

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Speaker 1: That's not taking away from her talent at all. Actually

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Speaker 1: she's very good at what she does, which is play soccer.

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Speaker 1: But to say that she should now be directing wood

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Speaker 1: Allan's movies instead of him, and I guess maybe starring

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Speaker 1: in them too, and not to say that she couldn't

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Speaker 1: she should be doing me as movies. And now I have.

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Speaker 2: Read I think almost a third of this letter that

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Speaker 2: Dylan wrote, yes, and that.

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Speaker 1: Really hurt. Dylan is pretty angry, and maybe understandably so.

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Speaker 1: But it's not his place.

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Speaker 2: To talk movies. It's his place to write songs and

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Speaker 2: to sell Chrysler's.

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Speaker 1: Yes, And that was striking to me as such a

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Speaker 1: big fan of his. And you know, I've always said

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Speaker 1: that I actually think he is a twentieth century poet,

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Speaker 1: which a lot of people think is like sort of

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Speaker 1: a fringe opinion, but I stand by it. I think

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Speaker 1: that actually some of his lyrics are sort of like poetry.

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Speaker 1: I know I feel the same.

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Speaker 2: And I said, I've said, Bobby Zimmerman, you and I

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Speaker 2: go way back, and I have seen your writing grow,

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Speaker 2: and I think it's like poetry.

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Speaker 1: And I've seen him be jealous of Woody a little bit.

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Speaker 1: And is that where this comes from? Does it have

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Speaker 1: anything to do with his movie that he made a

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Speaker 1: few years ago not being very successful? What was the

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Speaker 1: name of that movie? Sam?

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Speaker 2: Oh, I'm not sure?

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Speaker 1: Oh, okay, can you get sure? Right fucking now?

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Speaker 2: I can google it?

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Speaker 1: Well.

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Speaker 2: One great thing about Google these days is you don't

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Speaker 2: have to talk about it to do it. You just

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Speaker 2: fucking type the shit in and then you give us

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Speaker 2: the answer.

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Speaker 1: And Sam, if you're gonna talk, what's a good place

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Speaker 1: to do that in? Where's the place to talk when

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Speaker 1: you're gonna talk? Microphone into the microphone? That's right? But

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Speaker 1: what are you not supposed to do on the show

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Speaker 1: talking to the micro That's right? So put the microphone

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Speaker 1: back where it was. And then when someone asked you

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Speaker 1: a question, to silently look up the thing that you're

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Speaker 1: supposed to look up. I mean you, I am me

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Speaker 1: the thing that I ask for, And then Sean and

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Speaker 1: I can be the host of the show.

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Speaker 3: Right.

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Speaker 1: That feels better over here? Anyway?

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Speaker 2: Who gives a shit about that movie? Dylan's off his rocker,

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Speaker 2: and we've all known that for a little while.

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Speaker 1: It's sad to see an artist like that becoming so crazy.

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Speaker 2: To me, his concerts at this point are less about

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Speaker 2: enjoying the music and more about trying to guess which

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Speaker 2: freaking song he's singing.

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Speaker 1: M I mean, that's what it's come to keep going.

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Speaker 2: Well, he's playing a song and you go, oh, wait,

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Speaker 2: this is a hit famous song that I recognize only

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Speaker 2: from like one of the lyrics, because the way he's

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Speaker 2: playing it is so freaking cuckoo that you don't actually

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Speaker 2: know it, and the way he's singing it is so

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Speaker 2: freaking caboncos that you don't understand a lot of what

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Speaker 2: the words are. And so that's no reason to try

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Speaker 2: to make Woody Allen not make good movies anymore.

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Speaker 1: Masked and Anonymous, Ah, Yes, we wanted to say a

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Speaker 1: quick bye bye to one of our comedy heroes and

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Speaker 1: someone that we've drawn a lot of inspiration from over

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Speaker 1: the years.

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Speaker 2: Sir Jason Lenno, a true gentleman of the highest degree.

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Speaker 2: And people I think have taken pot shots at our

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Speaker 2: friend Jason because maybe in the past year or two

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Speaker 2: he has his star has faded and maybe his materials

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Speaker 2: not as sharp as it was in twenty ten and

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Speaker 2: in twenty eleven, when.

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Speaker 1: If you'll recall he was on top of the world and.

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Speaker 2: The green room of Jay Leno's show was the hub

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Speaker 2: for all entertainment professionals.

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Speaker 1: Yeah, that was the spot. If you were, like, if

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Speaker 1: you were anybody in the city, you were in that

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Speaker 1: green room. That's where you'd go to drink water and

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Speaker 1: like eat snacks and pretzels and mini pretzels. Just get

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Speaker 1: loaded on snyders of hanover pretzels.

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Speaker 2: And they would be sour dough or they would be

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Speaker 2: the long, twisty kind, the stick kind, I mean everything,

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Speaker 2: and never turned anyone away who as long as they

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Speaker 2: were famous, And I just remember that I would finish up.

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Speaker 2: I think during the whole time that Hayes and I

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Speaker 2: were filming Hope Floats, we would wrap the day, wash

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Speaker 2: our faces, and head straight to the Leno green room,

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Speaker 2: gobble pretzels, be doing jokes and having loughs with Charles Grodin,

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Speaker 2: with Bert Reynolds, with and Mira mm hm. The unnamed

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Speaker 2: comic would be there. He would be there with his

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Speaker 2: bag on his head and cracking us up. Busting us

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Speaker 2: up and Mira Jerry Stiller. That's where they met Kevin Pollock,

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Speaker 2: Kyle Kanane. Literally we could list names forever, but you

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Speaker 2: kind of get the idea.

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Speaker 1: Many driver, Jason Ritter, and it's it's it's tough to

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Speaker 1: remember that time in the good days before it all

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Speaker 1: sort of went wrong, when it sort of got out

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Speaker 1: of control with how much people were eating and drinking

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Speaker 1: in that room, and.

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Speaker 2: Well, especially once it came out that bottled water is

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Speaker 2: bad for the environment.

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Speaker 1: And we had just been we had just been putting

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Speaker 1: this stuff away like it was fine, Like we didn't know,

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Speaker 1: like this is the kind of thing that people forget.

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Speaker 2: People are angry at our generation, but we were innocent

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Speaker 2: in a way. We were just doing what the guy

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Speaker 2: next to us was doing and science hadn't told us yet.

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Speaker 1: And that the little bottles, we thought those were better

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Speaker 1: because you're drinking less water, but they're actually worse because

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Speaker 1: it's taking.

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Speaker 2: Well, you need to drink four to meet your quota.

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Speaker 2: And I would go through thirty little bottles of water

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Speaker 2: just during one of David Brenner's sets.

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Speaker 1: And by the time it came out, they say, well,

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Speaker 1: you have to stop doing this. We've been drinking this

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Speaker 1: water for so long. It's like it's not easy. It's

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Speaker 1: not easy to stop. It's not easy to stop cold turkey.

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Speaker 1: And you wonder, like, is this water like why I'm good?

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Speaker 2: Yeah, you start to wonder because then you go to

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Speaker 2: get on the set of Sweet Home, Alabama the next

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Speaker 2: day and you're behind the camera, you're directing, you're in

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Speaker 2: front of the camera, you're acting, and it feels a

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Speaker 2: little hollow, and you go that I need those little

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Speaker 2: tiny bottles of water to really deliver the artistic goods.

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Speaker 1: And we found that, yes it is. And it wasn't

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Speaker 1: until those little bottles of water took Owen Hart from us,

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Speaker 1: until we lost him to those little bottles, which had

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Speaker 1: made the wire over his wrestling ring very slippery, that

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Speaker 1: that we had to do something about it and get

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Speaker 1: out this stuff.

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Speaker 2: Yeah, And what I'll do sometimes too, is I'll still

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Speaker 2: drink them, but I'll use a straw because Owen's big

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Speaker 2: problem was that he was pouring it so sloppily that

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Speaker 2: it got all over his feet area, and it made

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Speaker 2: his feet slip, and his feets went upside down and

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Speaker 2: he fell. And that really made me take a second

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Speaker 2: look at the water. And I still do use it

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Speaker 2: to get in the zone, but I use it very responsibly.

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Speaker 2: And I and I put a straw through the cap.

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Speaker 2: I have Benjamin drill a hole. I have Belenjamin drill

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Speaker 2: a hole into the cap with a drill, and it's

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Speaker 2: just about the size of the straw.

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Speaker 1: And I put a straw in through that. Thank you

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Speaker 1: Jason for everything. Thank you, Thank you, Jason Leno. We

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Speaker 1: got a great gas today. Adam Devine is here from

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Speaker 1: work of Holwicks Manny from Modern Family. He was in

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Speaker 1: the Pitch Perfect.

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Speaker 2: Adam Divine from Adam Devine's House Party.

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Speaker 1: He's gonna come and talk to us on the show

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Speaker 1: coming right up on Hollywood Handbook piece, Hollywood Handbook.

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Speaker 2: So, hey, what do you call it when Henry Winkler

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Speaker 2: invests this money with the Bernie Maid Office.

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Speaker 1: I don't know what? A palsy?

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Speaker 3: Same?

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Speaker 1: Oh wait? Fuck? Uh? Oh? Well? Hey, what up?

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Speaker 3: What up?

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Speaker 1: Hey? What up? What up? Welcome to Hollywood Handbook and

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Speaker 1: Insider's Guide to kicking button dropping names in the red

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Speaker 1: carpet lineback hallways of this industry we call showbiz.

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Speaker 2: We have a really great guest, really good, really excitedly.

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Speaker 3: I'm excited sid for this guy.

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Speaker 2: Yeah, if you didn't recognize the voice, it's freaking Adam divine.

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Speaker 1: He's on Work of Polics.

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Speaker 2: He's he's doing okay, and he's doing the.

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Speaker 1: I'm not sure that it is well it is.

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Speaker 3: It is Workaholics. It's not Work of Halics. But yeah,

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Speaker 3: it's a funding name. I like Work of Halics. That's

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Speaker 3: that's that's fun. But it's it's definitely Workaholics work.

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Speaker 1: Look for look for both.

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Speaker 2: Yes, that actually works l o Alex Uh yeah, yeah

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Speaker 2: it is that ideally yes, laughing out loud.

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Speaker 1: He uh.

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Speaker 2: You probably also recognize he's Manny Modern Family.

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Speaker 3: Yeah, yes, I am, that is true. The character's name

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Speaker 3: is Andy. I I played the Manny.

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Speaker 1: And you're a little boy.

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Speaker 3: No, I'm not a little boy. I'm I'm my age,

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Speaker 3: you know, so I'm I'm sure are a little shorter,

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Speaker 3: but totally fully.

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Speaker 1: Grown and ed O'Neill is your dad. Tell us about

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Speaker 1: working on that show that's so managed to be so

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Speaker 1: funny and so human.

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Speaker 3: It's a real human touch that they add to it.

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Speaker 1: I feel like I'm watching people.

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Speaker 3: Uh yeah, yeah, I mean you definitely are watching people.

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Speaker 3: Same same thing with Workaholics. You know, it's not animated,

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Speaker 3: sort of yeah, I mean, it's definitely two different shows,

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Speaker 3: but it's cool. It's i mean a lot of people

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Speaker 3: watch Modern Family, and it's it's kind of cool to

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Speaker 3: have moms recognize me and stuff.

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Speaker 2: Yeah, we'll wear among those people that watch it, and

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Speaker 2: we just think it's so funny and.

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Speaker 1: So human human speaking.

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Speaker 2: Of moms, when you were filming Adam Devine's house party,

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Speaker 2: were you just so scared that your parents were gonna

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Speaker 2: come home and catch you? No?

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Speaker 3: I mean no, I mean it was a TV show,

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Speaker 3: so like, and it's fine. And like I said earlier,

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Speaker 3: I'm I'm not a boy. I'm not a little boy.

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Speaker 3: So like, I know that I'm a little short and

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Speaker 3: I have like a baby face, but I am fully grown.

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Speaker 3: I'm I'm a man and it's a TV show, so

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Speaker 3: they I wasn't scared.

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Speaker 2: Okay, that's why because I'm because I'm a man too.

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Speaker 2: But I think we've all had that experience. I had

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Speaker 2: it just last weekend, where you're throwing a raging house

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Speaker 2: party and you hear a car pull up and you go, oh.

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Speaker 1: No, that's my dad's home or whatever.

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Speaker 2: And you're afraid that he's going to catch you and

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Speaker 2: really give you a nice whipping.

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Speaker 1: Because he made a big mess. Yeah, because you made

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Speaker 1: a big mess.

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Speaker 3: No, sure, yeah, I get I get that. Yeah, I

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Speaker 3: understand that's sort of just a humanistic instinct and a

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Speaker 3: real thing and also maybe a real thing. But unless

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Speaker 3: you do you live with your dad? Do you live

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Speaker 3: like in your dad's home? Yeah?

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Speaker 2: I mean I have a few homes, but home base

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Speaker 2: is definitely my parents' house.

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Speaker 3: You're paying rent in that situation. Rent, you're paying a

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Speaker 3: ton of.

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Speaker 1: Rent, yes, because I'm doing very well, but a lot

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Speaker 1: of money. That's cool.

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Speaker 2: And I have my own entrance. The basement is decked

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Speaker 2: out black light posters. It's bitching in there.

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Speaker 3: I bet it's cool. I'm not I'm not sick. Yes, sick.

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Speaker 3: I bet it's sick.

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Speaker 2: And dude, you'd like you should fucking come next time

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Speaker 2: I have a house party. But I'm grounded right now.

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Speaker 2: But next time, yeah, Because it's like you had a

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Speaker 2: whole TV crew helping you clean up, but I wasn't

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Speaker 2: able to clean up that fast.

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Speaker 1: Uh, And they broke my mom's tea set.

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Speaker 3: Oh man, that's that's a roal bummer.

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Speaker 1: My sister had brought her when she was on vacation

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Speaker 1: in Japan.

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Speaker 3: Oh shoot, yeah, yeah, that didn't happen on on house party,

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Speaker 3: you know, lucky you Yeah, like, I mean, yeah, it

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Speaker 3: was a set, so it didn't you know. But we

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Speaker 3: did accidentally break this guy's piano.

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Speaker 1: With cheek on that.

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Speaker 3: Uh well we uh think he was really intense about

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Speaker 3: us not touching his piano. We scraped the shit out

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Speaker 3: of it. It was one hundred thousand dollars piano.

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Speaker 1: So you ice skated on it?

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Speaker 3: No, it was scraped? What what? No?

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Speaker 1: Why would we How else would you scrape it?

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Speaker 3: I think somebody like sat on it and had some studs.

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Speaker 1: They fell on their skates.

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Speaker 3: No, no, there's no skate. I don't think that there

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Speaker 3: was a skate. I don't think there was any skates. Actually,

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Speaker 3: I wrote it, so I'm positive I was there every

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Speaker 3: second of every day. Positive there was no skates. So

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Speaker 3: I think somebody sat on it with like a studded

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Speaker 3: butt cheek.

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Speaker 1: A beef stud sat on it. What a beef stud

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Speaker 1: sat on.

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Speaker 3: It a bit? Uh No, A muscular man, oh yeah,

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Speaker 3: a beef stud. No, I don't know. I could have

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Speaker 3: been a chick. I think it was actually a girl

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Speaker 3: that's that sat on itular girl. She wasn't that much

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Speaker 3: I remember her actually, and she wasn't that muscular. She

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Speaker 3: was kind of petite.

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Speaker 1: Yeah mmmmmmm, I love that. M Yeah, yeah, I like

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Speaker 1: that too. Adam.

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Speaker 2: People know you TV actor, writer, host, but you're also a.

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Speaker 1: Stand up comedian man.

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Speaker 2: Yeah, and you were telling us before the show that

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Speaker 2: you're pretty nervous, huh, that you've got a big stand

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Speaker 2: up show coming up.

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Speaker 3: Yeah. Yeah, I'm doing stand up on the new Tonight Show.

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Speaker 3: I'm one of the very first stand ups. I'm basically

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Speaker 3: gonna be the Billy Crystal of the new Tonight Show.

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Speaker 1: You're opening for Jimmy.

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Speaker 3: It's not yeah, it's not an opening situation. I mean

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Speaker 3: it's on the show. He comes out, does his monologue,

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Speaker 3: you know, and then brings out a first guest, and

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Speaker 3: they do, they go to the stand up, and then

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Speaker 3: I'm the stand up. I've done stand up in a

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Speaker 3: long time because I'm working on Workaholics and all this

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Speaker 3: other stuff. So I'm a little no Irvis about. I

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Speaker 3: haven't had a chance to flex my comedy, dick, I think,

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Speaker 3: is what they say.

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00:22:07,359 --> 00:22:09,040
Speaker 1: Yeah, yes, I've heard that term.

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00:22:09,200 --> 00:22:10,880
Speaker 3: Yeah, a lot of people use that term.

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Speaker 2: Yeah, it's a good term. Now, so this is a

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Speaker 2: safe space to sort of workshop some comedy. Hayes and

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Speaker 2: I obviously have seen a lot of it, and we

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00:22:21,040 --> 00:22:23,480
Speaker 2: have been sort of put our thinking caps on to

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Speaker 2: help you out, sure and want to attack some areas

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Speaker 2: because you see the same stuff in stand up.

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Speaker 1: Don't you. Yeah, there are a lot of old seahorses

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Speaker 1: when it comes to stand up comedy.

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Speaker 2: Airline food, oh yeah, seats on the airplane, difference between

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Speaker 2: first class and the pilots.

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Speaker 1: See headphones, headphones.

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Speaker 2: Those are good, but I feel like they're well worn.

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Speaker 2: But what are some areas so shame haven't?

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Speaker 1: Yes?

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Speaker 2: What are some areas that you haven't seen stand up about?

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Speaker 2: And we were thinking that sometimes people of different races

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Speaker 2: are different.

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Speaker 3: That's pretty good, that's a I mean, I feel like

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Speaker 3: a lot of people do jokes about that, and like,

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Speaker 3: since I'm a white guy also, that might not play

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00:23:07,080 --> 00:23:11,000
Speaker 3: because like you know, you're you're in the majority. A

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00:23:11,000 --> 00:23:13,040
Speaker 3: lot of times you can't It's it's just sort of.

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Speaker 1: But being a guy might come off as race being

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Speaker 1: a white guy. What take would you have on what

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00:23:17,640 --> 00:23:19,520
Speaker 1: a Chinese guy might act.

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Speaker 3: Like, I mean, obviously I would like to go, but

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Speaker 3: like you don't. You don't do that because that's racist.

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Speaker 1: The idea.

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Speaker 3: Obviously you go, and I would like to speak in

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Speaker 3: Cantonese or Mandarin in a funny tone. Uh, but you

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Speaker 3: can't do that. And obviously you do like some driving

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00:23:36,440 --> 00:23:38,960
Speaker 3: jokes about how they're not good drivers, but you can't

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Speaker 3: do that because that's racist.

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Speaker 1: So Adam, I'm gonna do them. Adam. The idea that

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Speaker 1: white people can only do white voices and keeping the

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00:23:49,160 --> 00:23:53,119
Speaker 1: black voices separate from the white ones. Sure, it just

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00:23:53,119 --> 00:23:57,399
Speaker 1: feels like it's twenty fourteen. It is twenty fourteen, you know,

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Speaker 1: Well that's what I'm saying. And now the time when

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00:24:02,080 --> 00:24:05,080
Speaker 1: that the laws of separate but equal can change and

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Speaker 1: everyone can use the black voice, and can use the

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Speaker 1: white voice, and the and the Chinese voice. Everyone can

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Speaker 1: use that.

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Speaker 2: And one thing that gets overworked is that is how

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Speaker 2: Chinese people talk sometimes.

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Speaker 3: Yes, yeah, I don't think anyone's really overlooking that. It's

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Speaker 3: just you know, as a Chinese and I'm not speaking

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Speaker 3: the actual work because I don't know Cantonese or Chinese

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00:24:29,040 --> 00:24:33,320
Speaker 3: or any ease. None of these. Yeah, that is kind

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Speaker 3: of what's funny about it, But I don't know if

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Speaker 3: that's what I'm going to do on.

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Speaker 2: Well, we've got a lot of area We've got more areas.

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Speaker 2: What about like a Japanese guy. Oh, okay, that's interesting.

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Speaker 2: Like a samurai.

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Speaker 3: Okay, samurai, like a samurai.

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00:24:51,840 --> 00:24:52,600
Speaker 1: Blush did it?

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00:24:52,760 --> 00:24:54,760
Speaker 3: Yeah, Bush did it. It's time to bring it back.

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00:24:55,320 --> 00:24:56,080
Speaker 1: It's been a while.

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00:24:56,160 --> 00:24:59,160
Speaker 3: Yeah, it's been too long. That's that's really. Since they're

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00:24:59,200 --> 00:25:03,400
Speaker 3: remaking all these old movies, I should just start remaking

439
00:25:03,520 --> 00:25:04,720
Speaker 3: old comedy.

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00:25:04,600 --> 00:25:06,760
Speaker 1: For a reboot of some of the old.

441
00:25:07,040 --> 00:25:10,760
Speaker 3: Old classic comedy bits, I'll just do a lot of

442
00:25:11,160 --> 00:25:16,280
Speaker 3: Jamie Fox. Just remember that when he was in there.

443
00:25:16,200 --> 00:25:18,639
Speaker 1: Saying that's what Jamie Fox, what Jamie.

444
00:25:18,400 --> 00:25:21,840
Speaker 3: Fox sounds like? And see that's racist. It's a it's

445
00:25:21,880 --> 00:25:23,560
Speaker 3: a comedy bit. It's a comedy bit.

446
00:25:23,680 --> 00:25:25,720
Speaker 1: That's what he sounds its kind of thing.

447
00:25:28,920 --> 00:25:33,480
Speaker 3: It's a specific bit. It's a specific bit. Okay, And uh,

448
00:25:34,359 --> 00:25:36,639
Speaker 3: I would like to that would be one that I'd

449
00:25:36,640 --> 00:25:39,520
Speaker 3: like to remake. And that's not what he sounds like

450
00:25:39,520 --> 00:25:43,120
Speaker 3: to me. But if it were you, yeah.

451
00:25:43,400 --> 00:25:46,400
Speaker 2: Then okay, you know to me, I feel like he's

452
00:25:46,400 --> 00:25:48,840
Speaker 2: pretty articulate, but you made.

453
00:25:48,920 --> 00:25:52,560
Speaker 3: Yeah, it's a bit. He's actually very smart. Yeah, I

454
00:25:52,600 --> 00:25:55,640
Speaker 3: couldn't think so, I couldn't agree. I couldn't agree more.

455
00:25:55,760 --> 00:26:00,880
Speaker 3: I think Jamie Fox is a genius. I love the guy. Okay,

456
00:26:01,160 --> 00:26:02,320
Speaker 3: I'm not saying that.

457
00:26:02,400 --> 00:26:06,760
Speaker 1: Do you think he's like the smart like cocoa, the

458
00:26:06,880 --> 00:26:09,840
Speaker 1: gorilla that learned all those words? Because he made that

459
00:26:10,359 --> 00:26:11,480
Speaker 1: made like a jungle voice.

460
00:26:12,040 --> 00:26:17,280
Speaker 3: No, hey, that's you're putting words in my mouth.

461
00:26:18,440 --> 00:26:19,359
Speaker 1: And they weren't really words.

462
00:26:19,359 --> 00:26:22,320
Speaker 3: They were more like, well, it's a jungle and then

463
00:26:22,320 --> 00:26:23,320
Speaker 3: you would go, and then you would go.

464
00:26:23,680 --> 00:26:24,480
Speaker 1: I forgot.

465
00:26:25,040 --> 00:26:28,080
Speaker 3: It's a hilarious bit that he does on one of

466
00:26:28,080 --> 00:26:30,480
Speaker 3: his specials. I don't know. Maybe you guys aren't comedy fans.

467
00:26:30,480 --> 00:26:31,399
Speaker 3: Maybe you don't even know it.

468
00:26:32,240 --> 00:26:34,520
Speaker 2: Well, we are comedy fans, and that's why we wanted

469
00:26:34,560 --> 00:26:37,080
Speaker 2: to talk a little bit about some other areas of

470
00:26:37,119 --> 00:26:38,680
Speaker 2: comedy that maybe you could work on.

471
00:26:38,920 --> 00:26:42,160
Speaker 1: Yes, sure, a lot of success.

472
00:26:42,160 --> 00:26:43,120
Speaker 3: I appreciate the help.

473
00:26:45,000 --> 00:26:49,080
Speaker 1: A lot of the big beef studs of comedy these

474
00:26:49,160 --> 00:26:50,919
Speaker 1: days are doing impressions.

475
00:26:51,800 --> 00:26:56,800
Speaker 2: Mmmmm they are now mm hmmm. What is a big

476
00:26:56,840 --> 00:26:58,399
Speaker 2: good impression you could do.

477
00:26:59,080 --> 00:27:02,400
Speaker 1: Like a major so celebrity who has like a funny voice,

478
00:27:02,400 --> 00:27:04,400
Speaker 1: and you could put him in like a funny.

479
00:27:04,480 --> 00:27:07,040
Speaker 2: Like somewhere that you wouldn't see him. And we're thinking,

480
00:27:07,119 --> 00:27:09,000
Speaker 2: of course, of Javier.

481
00:27:09,640 --> 00:27:14,520
Speaker 1: Avier Javier Bardem. Nobody's cracked it yet and he just

482
00:27:14,560 --> 00:27:15,800
Speaker 1: had a movie. Mm hmm.

483
00:27:16,480 --> 00:27:21,680
Speaker 3: Uh. You know the Javier Bardem is like twin and

484
00:27:21,760 --> 00:27:23,960
Speaker 3: the guy that looks exactly like Javier Barden that was

485
00:27:23,960 --> 00:27:27,560
Speaker 3: in uh uh like Watchman. Do you know who I'm

486
00:27:27,600 --> 00:27:28,160
Speaker 3: talking about?

487
00:27:28,680 --> 00:27:29,720
Speaker 1: That's how Vier Burndam.

488
00:27:29,840 --> 00:27:32,840
Speaker 3: That is not Harvier Burndam, is it? Okay? I was,

489
00:27:32,960 --> 00:27:37,000
Speaker 3: I was at some party and I see who I

490
00:27:37,000 --> 00:27:38,160
Speaker 3: think is Javier Bardam.

491
00:27:38,240 --> 00:27:39,960
Speaker 1: His name is Jeffrey Dean Morgan.

492
00:27:40,080 --> 00:27:43,320
Speaker 3: That's exactly who it is. And he came over and

493
00:27:43,359 --> 00:27:46,040
Speaker 3: he was like, uh, I like work of Holics and

494
00:27:46,080 --> 00:27:48,119
Speaker 3: I'm like, okay, I don't know why that's spreading. Is

495
00:27:48,119 --> 00:27:51,119
Speaker 3: obviously work halics and uh. And then later I was like,

496
00:27:51,160 --> 00:27:53,360
Speaker 3: oh my god, I got drunk and I'm like, Javier

497
00:27:53,400 --> 00:27:56,479
Speaker 3: Bardam is like a fan. So I started screaming across

498
00:27:56,520 --> 00:28:02,200
Speaker 3: the party Havier Javier and uh, I obviously can't even

499
00:28:02,240 --> 00:28:05,040
Speaker 3: pronounce his name, and I'm just screaming it and uh,

500
00:28:05,320 --> 00:28:08,160
Speaker 3: I'm like taking my shirt off and waving it around.

501
00:28:08,240 --> 00:28:12,399
Speaker 3: I'm like, I'm a huge fan and uh so I

502
00:28:12,440 --> 00:28:15,960
Speaker 3: would like to do my impression of Javiard bardem uh

503
00:28:16,080 --> 00:28:19,960
Speaker 3: looking looking at me in this party situation. Mm hmm.

504
00:28:21,440 --> 00:28:22,600
Speaker 1: What's this guy doing?

505
00:28:23,720 --> 00:28:28,240
Speaker 3: What's this guy doing? Over hill? Obviously, obviously I'm not

506
00:28:28,320 --> 00:28:35,040
Speaker 3: hovey all bad, I'm jeff Dean Morgan. Obviously obviously I am.

507
00:28:35,520 --> 00:28:39,520
Speaker 3: I don't understand. Well, now he's taking his shirt off. Friend, Hey,

508
00:28:39,680 --> 00:28:42,360
Speaker 3: now he's taking look at this friend. Oh, look at

509
00:28:42,360 --> 00:28:45,320
Speaker 3: this friend. O. This guy's taking his shirt off. He'll

510
00:28:45,440 --> 00:28:47,560
Speaker 3: wave around his head like a helicopter. He must be

511
00:28:47,560 --> 00:28:51,880
Speaker 3: a beauty Butler fan. Look at this. So that that

512
00:28:52,040 --> 00:28:54,480
Speaker 3: is my javeyard Bard, and I think it's pretty spot on.

513
00:28:54,520 --> 00:28:56,880
Speaker 3: If you've ever heard him talk in uh in real life,

514
00:28:56,920 --> 00:29:00,880
Speaker 3: which I haven't, only Jeffrey Dean Morgan, you know that

515
00:29:00,960 --> 00:29:02,080
Speaker 3: is pretty pretty spot on.

516
00:29:03,440 --> 00:29:03,480
Speaker 2: That.

517
00:29:04,040 --> 00:29:07,240
Speaker 1: Yeah, so that's one minute for sure that we have down. Yeah.

518
00:29:07,360 --> 00:29:11,920
Speaker 3: Yeah, Well, and Jimmy loves a good impression too.

519
00:29:11,800 --> 00:29:14,600
Speaker 1: So Jimmy love, I think this is really good advice.

520
00:29:15,240 --> 00:29:18,720
Speaker 1: If you can make Jimmy laugh on that show, that's

521
00:29:18,760 --> 00:29:21,720
Speaker 1: when you've made it you know, yeah, if you can

522
00:29:21,800 --> 00:29:23,480
Speaker 1: go on that show and just make him crack his

523
00:29:23,800 --> 00:29:24,680
Speaker 1: whole ship up.

524
00:29:24,920 --> 00:29:29,360
Speaker 3: Well, because he's pretty stone tough laugh.

525
00:29:30,040 --> 00:29:32,960
Speaker 2: I've never seen him really buss up. I've seen him

526
00:29:33,000 --> 00:29:40,000
Speaker 2: smirk and that victory at the attempts like they think

527
00:29:40,040 --> 00:29:40,720
Speaker 2: they can.

528
00:29:40,560 --> 00:29:45,480
Speaker 3: Do the trying it you're yeah, good attempt, nice try Yeah,

529
00:29:45,520 --> 00:29:49,400
Speaker 3: and then I'll drop my hobbyar bar damn slash uh

530
00:29:50,040 --> 00:29:53,400
Speaker 3: was it Jeffrey Dean more more get on him and

531
00:29:53,520 --> 00:29:56,080
Speaker 3: he'll just lose his fucking mind.

532
00:29:56,280 --> 00:29:59,600
Speaker 1: Friend. Let's oh, that's let's helps you sort of.

533
00:29:59,640 --> 00:30:01,800
Speaker 3: You gotta melt right into it. You gotta melt right

534
00:30:01,840 --> 00:30:02,280
Speaker 3: into it.

535
00:30:03,160 --> 00:30:04,560
Speaker 1: How about the crowd work?

536
00:30:05,200 --> 00:30:05,440
Speaker 2: Yeah?

537
00:30:05,520 --> 00:30:07,800
Speaker 1: What about doing some crowd work with Do you ever

538
00:30:07,840 --> 00:30:08,240
Speaker 1: do that?

539
00:30:08,640 --> 00:30:11,240
Speaker 3: I don't do a ton of I don't do no,

540
00:30:11,320 --> 00:30:13,920
Speaker 3: not really. But I mean the thing is is, I

541
00:30:13,920 --> 00:30:16,000
Speaker 3: haven't done stand up in so long I'm willing to

542
00:30:16,040 --> 00:30:20,480
Speaker 3: try anything on national television in front of twenty million

543
00:30:20,480 --> 00:30:23,440
Speaker 3: people like I haven't done it enough, then I might

544
00:30:23,480 --> 00:30:26,160
Speaker 3: as well throw all the old material out. This is

545
00:30:26,200 --> 00:30:29,040
Speaker 3: good for any buddy stand ups out there. This is

546
00:30:29,080 --> 00:30:30,240
Speaker 3: just good advice.

547
00:30:30,360 --> 00:30:32,000
Speaker 1: Scoop Trup, get out your pens.

548
00:30:32,080 --> 00:30:36,680
Speaker 3: So if you've let's say you've done some stand up,

549
00:30:36,800 --> 00:30:39,200
Speaker 3: you have a pretty solid set that you're proud of,

550
00:30:40,840 --> 00:30:43,680
Speaker 3: and you're doing your biggest show to date. Guess what.

551
00:30:43,840 --> 00:30:46,120
Speaker 3: They don't want to hear the tried and true stuff.

552
00:30:46,120 --> 00:30:49,640
Speaker 3: It's gonna feel rehearsed. It's gonna feel like, oh, this

553
00:30:49,760 --> 00:30:53,240
Speaker 3: guy's thought of this, he's put some thought into it.

554
00:30:53,440 --> 00:30:57,760
Speaker 3: Throw it away, improv the giant show.

555
00:30:57,800 --> 00:31:02,160
Speaker 2: Nothing is frustrating than seeing a comedian who's worked out

556
00:31:02,160 --> 00:31:03,400
Speaker 2: the timing of a joke.

557
00:31:05,000 --> 00:31:09,000
Speaker 3: It's polish, Oh yeah, and have like nice segues where

558
00:31:09,000 --> 00:31:12,920
Speaker 3: it doesn't feel like like they're setting up for a

559
00:31:12,920 --> 00:31:14,760
Speaker 3: new joke. They just sort of go right into it.

560
00:31:14,840 --> 00:31:17,360
Speaker 2: Yeah, if it feels conversational, it's sort of like you're

561
00:31:17,400 --> 00:31:18,640
Speaker 2: seeing your friend on stage.

562
00:31:18,640 --> 00:31:23,400
Speaker 3: Guess what this isn't two thousand and freaking nine, No thanks,

563
00:31:23,560 --> 00:31:26,240
Speaker 3: no thanks, Guess what your it is? Two thousand freaking.

564
00:31:26,840 --> 00:31:27,560
Speaker 1: What did we say?

565
00:31:27,680 --> 00:31:31,760
Speaker 3: We said it was a fourteen fourteen, two thousand freaking fourteen.

566
00:31:32,400 --> 00:31:35,480
Speaker 3: We want to hear starts and stops, and we want

567
00:31:35,520 --> 00:31:38,520
Speaker 3: to see you spinning your wheels.

568
00:31:39,600 --> 00:31:40,000
Speaker 1: Danger.

569
00:31:40,040 --> 00:31:47,000
Speaker 2: It's a tightrope walking experiment. Now, speaking of tightrope walking experiments,

570
00:31:47,400 --> 00:31:48,880
Speaker 2: let's talk about crowd work.

571
00:31:49,120 --> 00:31:52,320
Speaker 3: Yeah, we have, of.

572
00:31:52,240 --> 00:31:55,520
Speaker 2: Course Engineer Sam here, and I apologize for that.

573
00:31:55,880 --> 00:31:56,960
Speaker 1: Yeah, how smooth battle.

574
00:31:57,000 --> 00:31:58,920
Speaker 3: It was a little too smooth for my taste. I

575
00:31:58,960 --> 00:32:01,240
Speaker 3: think you might have done this one or twice. Don't

576
00:32:01,480 --> 00:32:01,840
Speaker 3: like it.

577
00:32:02,640 --> 00:32:05,040
Speaker 1: Let's say it quicker. Wek scoop tribe. You can put

578
00:32:05,040 --> 00:32:05,720
Speaker 1: your pens away.

579
00:32:05,880 --> 00:32:08,400
Speaker 2: What a hot, steamy scoop you just got and what

580
00:32:08,520 --> 00:32:11,600
Speaker 2: a really helpful thing. The primary purpose of this show

581
00:32:11,640 --> 00:32:13,920
Speaker 2: is to educate Adham, and we really appreciate that.

582
00:32:14,000 --> 00:32:15,800
Speaker 3: Hey, I'm I'm happy to be here.

583
00:32:15,920 --> 00:32:21,920
Speaker 1: Team come, Team come. We've got engineer Sam here for

584
00:32:22,040 --> 00:32:28,000
Speaker 1: you to just basically light up with some crowd work

585
00:32:28,120 --> 00:32:33,480
Speaker 1: right now. So he's here to ask questions too, and

586
00:32:33,760 --> 00:32:35,560
Speaker 1: you can get his responses and just kind of play

587
00:32:35,560 --> 00:32:38,560
Speaker 1: off those about like what's like shitty and like weird

588
00:32:38,560 --> 00:32:39,000
Speaker 1: about him?

589
00:32:39,240 --> 00:32:46,920
Speaker 3: Okay, look at this guy. Well, I don't know what

590
00:32:47,280 --> 00:32:50,240
Speaker 3: I'm gonna do. Like we said earlier, I can't do

591
00:32:50,320 --> 00:32:52,360
Speaker 3: my normal voice. People will expect that from me.

592
00:32:52,480 --> 00:32:52,840
Speaker 1: Yeah I do.

593
00:32:52,960 --> 00:32:55,560
Speaker 3: Jeffrey dene Morgan slash Hobby or Bartam.

594
00:32:55,640 --> 00:32:57,000
Speaker 1: Yeah, that seems stronger.

595
00:32:57,080 --> 00:33:00,560
Speaker 3: It seems like a stronger choice. It is. It's a

596
00:33:00,600 --> 00:33:01,640
Speaker 3: strong choice.

597
00:33:01,840 --> 00:33:04,360
Speaker 1: And it's a scoop tub. Sorry, I know you just

598
00:33:04,400 --> 00:33:06,880
Speaker 1: put the caps back on. Get your pens back out, take.

599
00:33:06,800 --> 00:33:08,920
Speaker 3: Him back out. You're gonna want to write this down.

600
00:33:09,240 --> 00:33:09,800
Speaker 1: Excuse me?

601
00:33:10,200 --> 00:33:12,560
Speaker 3: Uh look at this Look at this guy right Hell,

602
00:33:12,600 --> 00:33:14,360
Speaker 3: hey friend, oles, look at this guy right hill?

603
00:33:14,360 --> 00:33:15,040
Speaker 1: What is that?

604
00:33:15,240 --> 00:33:15,360
Speaker 2: Uh?

605
00:33:16,440 --> 00:33:20,480
Speaker 3: Hood is sweatshirt? Purply? What do you well? What kind

606
00:33:20,480 --> 00:33:21,560
Speaker 3: of hooded sweat? Where'd you get that?

607
00:33:21,600 --> 00:33:21,760
Speaker 1: Hood?

608
00:33:21,800 --> 00:33:22,280
Speaker 3: Of sweatshop?

609
00:33:22,280 --> 00:33:24,280
Speaker 1: From American apparel?

610
00:33:24,840 --> 00:33:31,280
Speaker 3: American apparel more like a more like a Canadian apparel,

611
00:33:31,320 --> 00:33:34,320
Speaker 3: because you look like you're not from this country. And

612
00:33:34,360 --> 00:33:37,320
Speaker 3: that's a slam. And that's a slam because people from

613
00:33:37,440 --> 00:33:40,560
Speaker 3: America they don't like, they don't like to be told

614
00:33:40,560 --> 00:33:44,240
Speaker 3: they're not from here, or they're dressed like they're from Canada.

615
00:33:44,600 --> 00:33:46,600
Speaker 3: So that is a heat rock of a slam that

616
00:33:46,640 --> 00:33:50,960
Speaker 3: I just freaking threw at the Earth. Earth left a crater,

617
00:33:51,520 --> 00:33:55,560
Speaker 3: a huge smoldering crater with that heat rock. Oh friendle

618
00:33:55,800 --> 00:33:59,600
Speaker 3: oh well you got a oh well you got a

619
00:33:59,640 --> 00:34:00,760
Speaker 3: pinky ring out seat?

620
00:34:01,160 --> 00:34:01,680
Speaker 1: Uh is that?

621
00:34:02,200 --> 00:34:04,479
Speaker 3: Are you a a villain?

622
00:34:05,160 --> 00:34:05,920
Speaker 1: No, it's my dad.

623
00:34:07,200 --> 00:34:08,360
Speaker 3: Uh was your dad?

624
00:34:08,560 --> 00:34:08,880
Speaker 2: Uh?

625
00:34:09,160 --> 00:34:11,080
Speaker 3: Was he a villain?

626
00:34:12,120 --> 00:34:12,200
Speaker 2: No?

627
00:34:12,280 --> 00:34:16,040
Speaker 3: He just passed away recently and left it oh uh

628
00:34:16,120 --> 00:34:25,480
Speaker 3: did he? Uh? Uh?

629
00:34:26,080 --> 00:34:26,960
Speaker 1: Friend?

630
00:34:29,239 --> 00:34:31,920
Speaker 3: Uh, what's your what's with your your hair all swooshed

631
00:34:32,400 --> 00:34:34,920
Speaker 3: to to the the side over there like that, it's all,

632
00:34:35,120 --> 00:34:38,480
Speaker 3: it's all whoosh, it's uh. You're looking looking like a

633
00:34:39,000 --> 00:34:40,280
Speaker 3: like you're the son of a villain.

634
00:34:42,960 --> 00:34:45,760
Speaker 1: I think you just got smushed down in the motorcycle helmet.

635
00:34:46,360 --> 00:34:47,239
Speaker 1: I'm done with you.

636
00:34:47,600 --> 00:34:51,080
Speaker 3: And see that's what you do. You shut him down.

637
00:34:51,200 --> 00:34:55,680
Speaker 3: You're in control of the situation. Meanwhile, Jimmy's over there freaking.

638
00:34:55,760 --> 00:34:58,239
Speaker 3: He got up out of his seat, laid on the

639
00:34:58,280 --> 00:35:01,680
Speaker 3: couch and his freaking murking so hard. And you're ready

640
00:35:01,680 --> 00:35:05,879
Speaker 3: to see you're ready to see him laugh. He's not yet.

641
00:35:06,280 --> 00:35:09,239
Speaker 3: He's kicking his feet in the air, but just bicycles. Yeah,

642
00:35:09,280 --> 00:35:12,080
Speaker 3: he's doing bicycle kicks in the air, laying on his

643
00:35:12,160 --> 00:35:16,400
Speaker 3: back on the couch, freakinge. Reese Witherspoon is freaking petting

644
00:35:16,480 --> 00:35:19,320
Speaker 3: his mane going calm down, jim Mute's gonna be okay.

645
00:35:19,600 --> 00:35:22,799
Speaker 3: He's not laughing yet. He's not laughing yet until I

646
00:35:22,920 --> 00:35:25,239
Speaker 3: until I call this guy a villain one last time.

647
00:35:25,440 --> 00:35:27,560
Speaker 3: As I'm ending my set, and I'm like, oh, thank

648
00:35:27,600 --> 00:35:30,520
Speaker 3: you everybody for coming out here tonight. It's a thank

649
00:35:30,520 --> 00:35:32,920
Speaker 3: you Jimmy for bringing me out. And uh, let's give

650
00:35:32,960 --> 00:35:35,640
Speaker 3: it up with a villain and then I just back

651
00:35:35,680 --> 00:35:38,479
Speaker 3: away from the mic. He loses it. I'm feeling pretty

652
00:35:38,520 --> 00:35:39,640
Speaker 3: good about this set right now.

653
00:35:39,760 --> 00:35:40,960
Speaker 1: Yeah, that's it.

654
00:35:41,120 --> 00:35:44,160
Speaker 2: That seems really good and it's nice and the villain

655
00:35:44,200 --> 00:35:45,200
Speaker 2: feels okay too.

656
00:35:45,520 --> 00:35:47,360
Speaker 3: And you go up with a villain. A lot of

657
00:35:47,400 --> 00:35:49,520
Speaker 3: people want to go like villain and you go down

658
00:35:49,560 --> 00:35:53,399
Speaker 3: with it. I find when you're throwing heat rocks. Yeah,

659
00:35:53,440 --> 00:35:56,040
Speaker 3: when you're throwing a heat rock. Yeah, it's good to

660
00:35:56,080 --> 00:35:58,839
Speaker 3: go up on the word that you say. I mean,

661
00:35:58,920 --> 00:36:00,840
Speaker 3: it doesn't need to be villain, and it could be anything,

662
00:36:00,920 --> 00:36:03,560
Speaker 3: could be like look at this guy over here, oh,

663
00:36:03,680 --> 00:36:08,200
Speaker 3: looking like he eats sandwiches. You go up on the

664
00:36:08,200 --> 00:36:10,920
Speaker 3: sandwiches gets.

665
00:36:10,000 --> 00:36:12,520
Speaker 1: People like, yeah, that took me somewhere.

666
00:36:12,600 --> 00:36:15,000
Speaker 3: And uh, Scoop troop, go ahead and put the cast

667
00:36:15,040 --> 00:36:16,319
Speaker 3: back on. I think we're done with that one.

668
00:36:16,400 --> 00:36:18,799
Speaker 2: Maybe leave it over your ear, Scoop troop that pen

669
00:36:19,000 --> 00:36:21,200
Speaker 2: just in case you need to grab it quickly, Like.

670
00:36:21,160 --> 00:36:24,560
Speaker 1: For example, if we were to reach into the popcorn gallery,

671
00:36:24,840 --> 00:36:27,319
Speaker 1: which I think we should do right now, Yeah, and

672
00:36:27,960 --> 00:36:28,360
Speaker 1: should we.

673
00:36:28,400 --> 00:36:32,399
Speaker 2: Quickly just have Sam apologize to Adam. He was being

674
00:36:32,480 --> 00:36:34,440
Speaker 2: kind of difficult during that crowd work section.

675
00:36:34,560 --> 00:36:39,040
Speaker 1: I guess we could do that now. Sure, well, first,

676
00:36:39,080 --> 00:36:41,680
Speaker 1: apologize for trying to talk without your microphone. I'm sorry,

677
00:36:41,719 --> 00:36:43,279
Speaker 1: this is not a good use of time on the show.

678
00:36:43,440 --> 00:36:45,400
Speaker 1: I apologize. I wasn't trying to be rude or anything.

679
00:36:45,440 --> 00:36:50,640
Speaker 1: I was just trying to answer them accurately. Fuck you, Sam,

680
00:36:51,360 --> 00:36:51,920
Speaker 1: that's better.

681
00:36:52,400 --> 00:36:55,279
Speaker 2: Now let's reach into the Popcorn Gallery, Adam. This is

682
00:36:55,320 --> 00:36:58,839
Speaker 2: a segment we do on the show where unfortunately, some

683
00:36:58,880 --> 00:37:01,840
Speaker 2: people who live in a bunch of the shitty states

684
00:37:01,840 --> 00:37:07,320
Speaker 2: of the country, places like Wisconsin or Idaho or some bullshit,

685
00:37:07,719 --> 00:37:10,480
Speaker 2: don't have access to all the famous friendos that we

686
00:37:10,560 --> 00:37:15,160
Speaker 2: have and they can't ask them questions, and so we

687
00:37:15,600 --> 00:37:21,040
Speaker 2: let them ask through us. And peanut gallery is an expression.

688
00:37:21,800 --> 00:37:25,840
Speaker 2: But we all do movies. When you go to the movies,

689
00:37:25,920 --> 00:37:27,319
Speaker 2: what do you like to eat?

690
00:37:27,480 --> 00:37:30,320
Speaker 1: Sometimes sometimes red barns.

691
00:37:30,760 --> 00:37:34,560
Speaker 2: Okay, that's right, yep. But at the same time, popcorn.

692
00:37:35,000 --> 00:37:37,400
Speaker 2: The name of the segment's popcorn Gallery. So we're thinking

693
00:37:37,480 --> 00:37:44,480
Speaker 2: more along the lines of a being like a fluffy Yes, yes, yeah,

694
00:37:44,640 --> 00:37:46,000
Speaker 2: those are fluffy to me.

695
00:37:46,520 --> 00:37:50,560
Speaker 3: They're much oh oh oh oh oh oh oh, those

696
00:37:50,600 --> 00:37:54,200
Speaker 3: little uh like DIBs, I think they're called the little.

697
00:37:54,200 --> 00:37:56,400
Speaker 1: Those are all in the candy area and this is

698
00:37:56,400 --> 00:37:58,560
Speaker 1: a different the kind of food. It's behind them. It's

699
00:37:58,600 --> 00:37:59,640
Speaker 1: in a big machine.

700
00:37:59,719 --> 00:38:05,440
Speaker 2: And uh but yeah, okay.

701
00:38:05,239 --> 00:38:08,239
Speaker 1: So let's reach into the DIBs gallery. Ah, you've got

702
00:38:08,320 --> 00:38:11,719
Speaker 1: me doing it. Now, let's reach into the bo Let's

703
00:38:11,760 --> 00:38:14,400
Speaker 1: reach into a popcorn bag and pull out a question

704
00:38:20,560 --> 00:38:26,360
Speaker 1: whole mouth. This question is from Octor, Doctorpus, and he

705
00:38:26,440 --> 00:38:28,880
Speaker 1: asks Adam, what's your pain threshold?

706
00:38:30,640 --> 00:38:33,920
Speaker 3: Uh, it's like a it's like an out of one

707
00:38:33,960 --> 00:38:37,960
Speaker 3: hundred or out of ten. Are numerical or is it?

708
00:38:38,280 --> 00:38:39,799
Speaker 1: Let's do that out of ten, but you can use

709
00:38:39,840 --> 00:38:40,760
Speaker 1: decimal points.

710
00:38:40,880 --> 00:38:45,360
Speaker 3: Okay, it's like an eight point three. I would say, okay, yeah, yeah, yeah,

711
00:38:45,400 --> 00:38:53,360
Speaker 3: I'm really but I'm really really really strong, and so sometimes,

712
00:38:54,040 --> 00:38:56,960
Speaker 3: uh like it takes a lot to get through the

713
00:38:57,040 --> 00:38:59,640
Speaker 3: muscles because my muscles don't feel pain to the actual

714
00:39:00,760 --> 00:39:01,880
Speaker 3: parts that will hurt me.

715
00:39:02,040 --> 00:39:04,600
Speaker 1: Pain reception, pain recep. For like, if a nail is

716
00:39:04,719 --> 00:39:06,640
Speaker 1: piercing you, you wouldn't even feel.

717
00:39:06,719 --> 00:39:09,280
Speaker 3: I wouldn't fit until it gets through the seven inches

718
00:39:09,400 --> 00:39:10,320
Speaker 3: of lats.

719
00:39:10,560 --> 00:39:13,000
Speaker 1: Well, one time saw you lean against a stove of

720
00:39:13,000 --> 00:39:15,280
Speaker 1: a hot stove. Yeah, a full minute and a half.

721
00:39:15,520 --> 00:39:17,600
Speaker 3: Yeah, I couldn't feel it, couldn't feel it, so.

722
00:39:17,760 --> 00:39:18,799
Speaker 1: You end up smelling it.

723
00:39:19,000 --> 00:39:22,040
Speaker 3: Yeah, and that's a point three. Imagine my buddy Chad,

724
00:39:22,520 --> 00:39:25,320
Speaker 3: he's like a nine point four. Oh yeah, my buddy

725
00:39:25,360 --> 00:39:28,799
Speaker 3: Chad is so he just like doesn't even feel pain.

726
00:39:31,520 --> 00:39:37,239
Speaker 1: We have to have Chad on some time. Chad to him. Yeah,

727
00:39:37,320 --> 00:39:39,600
Speaker 1: here's a question. If we reach into the popcorn bag

728
00:39:39,600 --> 00:39:44,680
Speaker 1: one more time and we pull it out, I reached

729
00:39:44,719 --> 00:39:46,880
Speaker 1: right through the bottom all the popcorn. Don't get it

730
00:39:46,960 --> 00:39:51,400
Speaker 1: out one piece left. This question is from Doctor Balls,

731
00:39:51,680 --> 00:39:54,120
Speaker 1: and Doctor Balls asks Adam, where do you get all

732
00:39:54,160 --> 00:39:55,480
Speaker 1: those wonderful toys?

733
00:39:56,480 --> 00:39:56,800
Speaker 2: Uh?

734
00:39:56,800 --> 00:40:01,000
Speaker 3: All the toy I usually I go of stores for him.

735
00:40:01,120 --> 00:40:03,080
Speaker 3: A lot of times I'll go on Amazon Prime and

736
00:40:03,120 --> 00:40:06,120
Speaker 3: I'll just like a drone will just come and just

737
00:40:06,239 --> 00:40:07,840
Speaker 3: drop it off, and I'm like, I want to steal

738
00:40:07,880 --> 00:40:10,680
Speaker 3: that drone. I'm gonna steal this drone. And then I

739
00:40:10,680 --> 00:40:15,160
Speaker 3: don't because I'm not a thief. So lesson learned for

740
00:40:15,239 --> 00:40:18,640
Speaker 3: all the people that don't live in states with drones

741
00:40:18,719 --> 00:40:22,200
Speaker 3: quite yet a lot of the browner states, when you're

742
00:40:22,239 --> 00:40:24,840
Speaker 3: flying and they look it's so brown, and you're like,

743
00:40:24,840 --> 00:40:28,040
Speaker 3: what's down there? People that live there might not know

744
00:40:28,120 --> 00:40:31,759
Speaker 3: about the drones, but here in California, I'm looking out

745
00:40:31,800 --> 00:40:34,359
Speaker 3: the window right now, it's just drone city. Baby, It's

746
00:40:34,440 --> 00:40:38,760
Speaker 3: really exciting time. It's like minority report in this bitch.

747
00:40:39,120 --> 00:40:41,759
Speaker 1: That's how you get downtown. Yeah, the fastest way to

748
00:40:41,800 --> 00:40:42,400
Speaker 1: get downtown.

749
00:40:42,440 --> 00:40:45,920
Speaker 3: Now you hire four drones just to pick up pick

750
00:40:46,000 --> 00:40:49,000
Speaker 3: up each limb, and they just haul your ass to

751
00:40:49,040 --> 00:40:54,680
Speaker 3: Staple Center so you can see a freaking lebron James

752
00:40:54,719 --> 00:40:59,719
Speaker 3: and and freaking Laurence Fishburn go at it head to

753
00:40:59,760 --> 00:41:00,840
Speaker 3: head in a battle.

754
00:41:02,200 --> 00:41:03,600
Speaker 1: They boxed at the Grammy.

755
00:41:03,680 --> 00:41:06,719
Speaker 3: The Grammy slash sps. No, it's a combined thing.

756
00:41:07,080 --> 00:41:12,359
Speaker 1: Now they did him both. All right, let's look back

757
00:41:12,360 --> 00:41:13,840
Speaker 1: on the popcorn bag, and I think there might be

758
00:41:13,880 --> 00:41:23,880
Speaker 1: one more question in there. Okay, this is a question

759
00:41:23,960 --> 00:41:28,640
Speaker 1: from our listener Chanson, and he asks Adam fuck Mary.

760
00:41:28,480 --> 00:41:34,799
Speaker 3: Kill uh fuck totally speak on that. I'm I I

761
00:41:34,800 --> 00:41:36,799
Speaker 3: don't want to get married quite yet. I think I'm

762
00:41:36,840 --> 00:41:40,520
Speaker 3: a little young to get married a little boy. I'm

763
00:41:40,560 --> 00:41:42,879
Speaker 3: not a little boy. We established that I am. I'm

764
00:41:42,920 --> 00:41:46,800
Speaker 3: a man who likes to fuck, and so I'm into that.

765
00:41:47,120 --> 00:41:51,440
Speaker 3: I like, I'm really into that. Uh So that's what

766
00:41:51,520 --> 00:41:56,400
Speaker 3: I'm about. And like killing, I don't want I you know,

767
00:41:56,480 --> 00:41:59,200
Speaker 3: I I've only done that a few times. It's not

768
00:41:59,440 --> 00:42:06,160
Speaker 3: for me, you know. I mean sometimes, uh, animals have

769
00:42:06,239 --> 00:42:11,359
Speaker 3: to die, you know, sometimes animals have to die. But like,

770
00:42:12,160 --> 00:42:14,839
Speaker 3: and that's not what I'm about.

771
00:42:15,000 --> 00:42:16,319
Speaker 1: They said something bad to you?

772
00:42:17,200 --> 00:42:19,760
Speaker 3: Yeah, yeah, yeah, I mean sometimes you're like you're walking

773
00:42:19,760 --> 00:42:21,400
Speaker 3: down the street and you see a pigeon and he

774
00:42:21,480 --> 00:42:25,840
Speaker 3: turns around and he says some derogatory comments about my shoes,

775
00:42:26,239 --> 00:42:28,319
Speaker 3: and I'm like, I will, I will fucking stomp you

776
00:42:28,360 --> 00:42:30,200
Speaker 3: into the earth, pigeon.

777
00:42:30,360 --> 00:42:32,200
Speaker 1: So that he insulted.

778
00:42:32,239 --> 00:42:37,480
Speaker 2: Are actually get them very Oh that seems justified.

779
00:42:37,640 --> 00:42:40,600
Speaker 3: Yeah, good show as well, if you should check it out.

780
00:42:41,560 --> 00:42:43,839
Speaker 1: And we're sorry for using to our listeners. We're sorry

781
00:42:43,880 --> 00:42:45,879
Speaker 1: for using so many chances in questions over the last

782
00:42:45,920 --> 00:42:47,880
Speaker 1: few weeks. We don't like it either. Gving a lot

783
00:42:47,880 --> 00:42:49,160
Speaker 1: of money for the show, but we don't like it

784
00:42:49,160 --> 00:42:49,719
Speaker 1: anymore than you.

785
00:42:50,280 --> 00:42:56,560
Speaker 2: No plugs. Yeah, thank you so much for coming. Is

786
00:42:56,560 --> 00:42:58,719
Speaker 2: there anything you want to plug or talk about that

787
00:42:58,800 --> 00:43:01,480
Speaker 2: you have coming up that our listeners should be aware of?

788
00:43:01,760 --> 00:43:02,320
Speaker 1: Uh?

789
00:43:02,719 --> 00:43:06,880
Speaker 3: Yeah, actually I'm doing a it's really cool. It's a

790
00:43:08,120 --> 00:43:12,839
Speaker 3: it's a show on Animal Planet, believe it or not,

791
00:43:13,440 --> 00:43:16,719
Speaker 3: and uh, I believe it. It's produced by the late

792
00:43:16,760 --> 00:43:20,360
Speaker 3: Great Philip Seymour Hoffman. So R I P R I P.

793
00:43:21,400 --> 00:43:22,399
Speaker 3: We called him hoff Dog.

794
00:43:22,719 --> 00:43:25,520
Speaker 1: We're really close all the animal stuff, the animals, yea.

795
00:43:25,840 --> 00:43:28,520
Speaker 3: A lot of the animals. Uh and uh it's starring

796
00:43:28,600 --> 00:43:33,240
Speaker 3: me and my dad and we're uh uh bass Fisherman.

797
00:43:33,680 --> 00:43:38,280
Speaker 3: And it's called my dad is a is a giant

798
00:43:38,600 --> 00:43:41,919
Speaker 3: black man. My dad is a giant black man. No,

799
00:43:42,040 --> 00:43:45,480
Speaker 3: he is actually my dad. I'm I'm half African American.

800
00:43:45,640 --> 00:43:49,399
Speaker 3: It no, it was. It's called sorry, I'm sorry, it's

801
00:43:49,400 --> 00:43:53,120
Speaker 3: called uh, let me see that bass. So it's a

802
00:43:53,160 --> 00:43:55,960
Speaker 3: funny play on words where you're you you think it's

803
00:43:56,200 --> 00:44:01,520
Speaker 3: ass and uh he wears my dad wears a giant

804
00:44:01,520 --> 00:44:04,839
Speaker 3: purple suit. It's fun. It's a real fun and it's

805
00:44:04,880 --> 00:44:08,560
Speaker 3: like it's fun because it's not racist. It's like we're

806
00:44:08,560 --> 00:44:09,800
Speaker 3: all there for a good time.

807
00:44:11,320 --> 00:44:13,080
Speaker 1: That's so important these days.

808
00:44:12,960 --> 00:44:15,200
Speaker 3: Is not being racist and being there to have a

809
00:44:15,200 --> 00:44:15,680
Speaker 3: good time.

810
00:44:15,840 --> 00:44:16,080
Speaker 1: Yeah.

811
00:44:16,280 --> 00:44:18,080
Speaker 3: Yeah, I hope.

812
00:44:17,960 --> 00:44:20,040
Speaker 1: They find the guy that did that to Philip Zymour Hoffmann.

813
00:44:20,480 --> 00:44:20,839
Speaker 3: So too.

814
00:44:21,920 --> 00:44:27,440
Speaker 1: I was hoping that we could bank one of our

815
00:44:27,480 --> 00:44:29,839
Speaker 1: donors who bought the pro version this week.

816
00:44:29,920 --> 00:44:31,920
Speaker 2: Yes, that's right, we have one of our donors. He

817
00:44:32,000 --> 00:44:32,960
Speaker 2: bought the pro version.

818
00:44:34,120 --> 00:44:37,480
Speaker 1: Dan Klemkowski is his name. He gave a very generous

819
00:44:37,520 --> 00:44:40,600
Speaker 1: donation to the pro version. I thought it would be

820
00:44:40,680 --> 00:44:44,920
Speaker 1: fun for maybe for the Proversion prize this week, for

821
00:44:45,600 --> 00:44:52,600
Speaker 1: Adam to do some crowd work based on Dan Klemkoski's address.

822
00:44:54,120 --> 00:44:59,760
Speaker 3: This is a sixty one to eighty Carvel Avenue, Carvel Carvell. Okay,

823
00:45:00,600 --> 00:45:05,480
Speaker 3: oh oh, look at look.

824
00:45:05,360 --> 00:45:06,480
Speaker 1: At his name right here?

825
00:45:06,800 --> 00:45:10,239
Speaker 3: Is this even a name, Dan Clym Kyleski. That doesn't

826
00:45:10,280 --> 00:45:11,040
Speaker 3: even seem what are you?

827
00:45:11,160 --> 00:45:11,279
Speaker 1: Uh?

828
00:45:12,640 --> 00:45:17,319
Speaker 3: A villain? Thank you, thank you so much.

829
00:45:17,360 --> 00:45:20,239
Speaker 1: Thank you guys, and for being on the show. And

830
00:45:20,560 --> 00:45:23,760
Speaker 1: thanks for everyone for rating us on iTunes and talking

831
00:45:23,760 --> 00:45:26,680
Speaker 1: to us on the forums and liking the Facebook page

832
00:45:26,719 --> 00:45:31,120
Speaker 1: and all everything about it. Yeah, and and for buying

833
00:45:31,160 --> 00:45:34,279
Speaker 1: the pro version every week. And thanks to engineer Sam.

834
00:45:34,280 --> 00:45:35,719
Speaker 1: If you can stick around after this and we'll just

835
00:45:35,800 --> 00:45:39,440
Speaker 1: keep we'll continue the conversation that we were having earlier,

836
00:45:39,520 --> 00:45:43,480
Speaker 1: and we'll figure some things out for for a future week.

837
00:45:43,560 --> 00:45:45,239
Speaker 2: Really get to the bottom of this. If there's going

838
00:45:45,280 --> 00:45:47,040
Speaker 2: to be any future weeks, and how that would have

839
00:45:47,120 --> 00:45:47,640
Speaker 2: to look.

840
00:45:48,200 --> 00:45:53,320
Speaker 3: Well sound right. Bye, bye, guys.

841
00:46:01,160 --> 00:46:04,160
Speaker 4: This has been an Earwolf Media production Executive producers Jeff

842
00:46:04,200 --> 00:46:16,680
Speaker 4: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

843
00:46:11,920 --> 00:46:14,680
Speaker 3: Ear Warf Radio, Boom dot

844
00:46:14,719 --> 00:46:22,640
Speaker 1: Com, The Worf Dead