WEBVTT - Episode 313 w/ Pusha T

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<v Speaker 1>And it's drinks, motherfucking podcast. He's electric, very Queen's rapper.

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<v Speaker 1>He's agree is your boy in r He's a Miami

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<v Speaker 1>hippop pioneer d J e f N. Together they drinking

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<v Speaker 1>up with some of the biggest players in the most

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<v Speaker 1>professional unprofessional podcast. And your number one sorts for drunk

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<v Speaker 1>fast drink is New Year's e doesn't It's time for

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<v Speaker 1>drink Chance, drink up? Would it could be hoping? He would?

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<v Speaker 1>It should be? This is your boy and right? What

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<v Speaker 1>up is d J e FN? This Mother's he be

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<v Speaker 1>crazy World Radio Drink Chance, motherfucker. Yea, I'm gonna be honest. Oh,

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<v Speaker 1>when we introducing this next guest, he has he has

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<v Speaker 1>been sipping from the fountain and of youth for about

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<v Speaker 1>twenty something years. He's not aged at all. It's the

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<v Speaker 1>same his bar level. It's has increased and increased and increased.

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<v Speaker 1>It's not to say that he's selling more drugs, but

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<v Speaker 1>the has been. If there's something called rap steroids, I'm

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<v Speaker 1>pretty sure he invented it better and better. With time,

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<v Speaker 1>he's been able to fulfill the dream that I always

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<v Speaker 1>wanted to do. I always wanted to have for Rell

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<v Speaker 1>and Swiss Beats produced the whole album, but he got someone.

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<v Speaker 1>He got Forrell and Kanye, something I never even thought of.

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<v Speaker 1>I mean, this album is really really like fine Wine.

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<v Speaker 1>I mean, he comes from my era. So I wanted

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<v Speaker 1>to critique it. I wanted to find the flaws in it.

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<v Speaker 1>I wanted to be like, well, you ain't do this, this, this,

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<v Speaker 1>or you ain't do that. It's not there. It's not there. People.

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<v Speaker 1>I try to analyze it. I try to analyze the something,

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<v Speaker 1>and it's not there. This album is excellent. So then

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<v Speaker 1>when you hear the the man who represents black excellence, Dad,

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<v Speaker 1>he comes on and trust me, if he ain't getting

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<v Speaker 1>paid here on promotion, we've tried, and he gets on

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<v Speaker 1>there and says, this is the album, this is it.

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<v Speaker 1>We're not playing around out here. This man has been

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<v Speaker 1>able to maintain the level of what is this relevancy

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<v Speaker 1>in different errors without being old. It's crazy. From cash

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<v Speaker 1>Doll to whoever he could work with, to Kendrick he

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<v Speaker 1>could work with and stand the test of time. In

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<v Speaker 1>case you don't know who the I'm talking about, he

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<v Speaker 1>told about the one the motherfucking only push your motherfure.

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<v Speaker 1>I can't lie to you push up. I really did

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<v Speaker 1>look at the album and I wanted to do it,

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<v Speaker 1>not as a friend, I don't want to say as

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<v Speaker 1>a journalist, but yeah, let's say that I wanted to

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<v Speaker 1>look at it with so well I could be like, man,

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<v Speaker 1>he's and it was one of the things I did.

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<v Speaker 1>And then it shut me up. I said, damn, he

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<v Speaker 1>ain't got no radio record. And then the little Uzy

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<v Speaker 1>bird came in and just smapped me. Got the funk

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<v Speaker 1>up North? How do you maintain that? Because this is

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<v Speaker 1>it's hard, bro, and especially getting money. The more money

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<v Speaker 1>we get, the hunger goes away. That's true. So I mean, yeah, man,

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<v Speaker 1>I ain't been hungry a long time. None of you

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<v Speaker 1>made that hunk on that mic level. Man, I'm I've

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<v Speaker 1>made it my business. Two. First of all, I only

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<v Speaker 1>know how to wrap one way. I only know lyric

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<v Speaker 1>driven metaphors, wrap, street wrap. That's it, and that's what

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<v Speaker 1>I'm comfortable with. I know if I step outside of that,

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<v Speaker 1>I'm gonna look like a clown. That's just not That's

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<v Speaker 1>not me. Um, you know, but I only know how

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<v Speaker 1>to do it one way. So I've made it my

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<v Speaker 1>business to make sure lyrically it stays up, you know,

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<v Speaker 1>it can stand up against whatever is popular out there

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<v Speaker 1>as well. Like that's how I attack it. I listen

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<v Speaker 1>to everything that's going on musically. Actually yeah yeah, I

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<v Speaker 1>like her, but but you know, um, I listen to

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<v Speaker 1>all the all the young, all the young, all of

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<v Speaker 1>young music, and and listening to it while I'm writing,

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<v Speaker 1>I'm definitely thinking like, man, how how can these flows?

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<v Speaker 1>How can these bounces? How can the things that I'm saying,

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<v Speaker 1>you know, still relate to them still relate to them?

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<v Speaker 1>And and they get it or they just respected It's

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<v Speaker 1>not you know, it's like the same way. I can't

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<v Speaker 1>do what they do. I'm pretty sure they can't do

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<v Speaker 1>what I do either, But we gotta respect each other's craft.

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<v Speaker 1>And that's how I attack it. Because there was something

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<v Speaker 1>like I've seen the Colorade video on YEA. It was

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<v Speaker 1>something that Charlotte Magne said that really hit me. He said, Um,

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<v Speaker 1>one thing you can never really like praise too much

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<v Speaker 1>is youth because if you're really good, your youth goes

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<v Speaker 1>like don't get don't get the Twitter. You could be

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<v Speaker 1>young forever, like you'll be young forever. But is that

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<v Speaker 1>something that you you pride you probade yourself on is

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<v Speaker 1>because you know the longevity, Like we didn't coming up.

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<v Speaker 1>We didn't realize Damn que Tip. This is you know,

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<v Speaker 1>praising que We didn't realize that they're here fifteen years

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<v Speaker 1>realized and we didn't us how hard that was. If

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<v Speaker 1>that's something that you you you meditated and thought about,

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<v Speaker 1>or is that something that just came out, Well, it's

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<v Speaker 1>been it's been a it's been part of my race.

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<v Speaker 1>I put this, This has been in my plan. This

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<v Speaker 1>has been a part of my race. Um. You know,

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<v Speaker 1>when I think about all the greats that I ever loved,

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<v Speaker 1>everybody who was like popping there, I mean, you know,

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<v Speaker 1>everybody I tried to young, trying to dress like and

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<v Speaker 1>put on clothes like cume my eyebrows and everything I

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<v Speaker 1>was I did right of course, of course, when I

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<v Speaker 1>think about it, they only had three joints, three albums,

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<v Speaker 1>maybe maybe five if you look at the basics between

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<v Speaker 1>Came and Caress and kind of realized like Damn Kine

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<v Speaker 1>only probably had three albums, Like maybe maybe whose fault

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<v Speaker 1>you think that would be? There's as an artist or

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<v Speaker 1>the industry at the time. Now I think it's I

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<v Speaker 1>think it's UM, well, this is this is my theory

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<v Speaker 1>on that. Um. I'm gonna say it's their fault artistically. UM,

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<v Speaker 1>but I'm gonna say this, the error in which they

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<v Speaker 1>came up and was so good. It was the Golden Age,

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<v Speaker 1>the golden error, the greatest music. Still think about it.

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<v Speaker 1>We're still taking fashion cues from them, you know what

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<v Speaker 1>I'm saying. We still it's still all from them. So

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<v Speaker 1>when everything that came after them versus embracing it, I

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<v Speaker 1>feel like they were more like, yeah, but it ain't

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<v Speaker 1>like what we did, you know what I'm saying. It

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<v Speaker 1>ain't like how we was rocking. And I feel like that,

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<v Speaker 1>you know, when you have that that mentality and that

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<v Speaker 1>energy you um, it sort of ages you out and

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<v Speaker 1>and it and it stifles, it stifles the progression of

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<v Speaker 1>what you could be doing. You know what I'm saying.

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<v Speaker 1>I think and in all honesty, I think that, Um,

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<v Speaker 1>I want to say that from from before that era

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<v Speaker 1>or from that era, I want to say Hove is

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<v Speaker 1>probably the only one who did more reaching out or

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<v Speaker 1>or or your rock with whether it was you know,

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<v Speaker 1>internally with the young Philly dudes and on rock, versus

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<v Speaker 1>doing the features with whoever you you know, YouTube are

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<v Speaker 1>maintaining that level of legends, legendary news that younger more

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<v Speaker 1>competing with it, competing with it, doesn't put it. That's

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<v Speaker 1>very hard, Yeah, because when they're calling you a legend

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<v Speaker 1>or they're calling your o G, they're also calling you,

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<v Speaker 1>oh sure, and what's wrong with that? What's wrong with no?

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<v Speaker 1>No? No No no. But when there's nothing wrong with the way,

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<v Speaker 1>but the youth looks at that as a crush. That

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<v Speaker 1>doesn't look at that as as as a shield. They

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<v Speaker 1>don't look at that as a sward. They look at

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<v Speaker 1>it as a handicap almost like like if you look

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<v Speaker 1>at the interview, like with Corn, the way she's dropping

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<v Speaker 1>out how much she can't understand why charlottage and keeps

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<v Speaker 1>bringing up push your ded She's like, well, how old

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<v Speaker 1>is he is? Like like, know, he's forty, and forty

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<v Speaker 1>is like great to if you're twenty years old, and

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<v Speaker 1>I cooration big up up, but yeah I like that

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<v Speaker 1>to um big upray and todging all of them and

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<v Speaker 1>and and and the pops to everybody. But what I'm

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<v Speaker 1>trying to say is forty seems so old to us,

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<v Speaker 1>and now that we're forty it's like, oh, we're still young,

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<v Speaker 1>but they don't get that right. And I think I

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<v Speaker 1>think that, you know, I think that the way that

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<v Speaker 1>my fan base has has grown, I feel like I

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<v Speaker 1>got Day one fans and I also pick up new ones.

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<v Speaker 1>But I feel like that comes from that comes from

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<v Speaker 1>outside of music too, that comes from like the fashion

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<v Speaker 1>aspect or the just or just even sonically, Like you

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<v Speaker 1>know what I'm saying. It's it's you know, like the

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<v Speaker 1>cool kids. The cool kids still love to decipher the

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<v Speaker 1>lyrics and and and and they want to be put

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<v Speaker 1>on too, like oh, what's that branding talking about? Because

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<v Speaker 1>they want to go outside and be like, oh I

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<v Speaker 1>got this, you ain't got this, you ain't on it.

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<v Speaker 1>So as long as you still playing those games, it

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<v Speaker 1>sort of helps. I won't lie to you. I listened

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<v Speaker 1>to the Little Oozy Bird song, and I did not

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<v Speaker 1>know I was a Little Oozy Bird fan. I did

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<v Speaker 1>not know that because I went and I took that.

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<v Speaker 1>I went on and I wanted to to to see

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<v Speaker 1>all these other songs that Little Ouzy Bird is on,

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<v Speaker 1>and it was so many songs that I was familiar.

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<v Speaker 1>I just didn't identify that that was a little Uzy.

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<v Speaker 1>Was he special? It was he special because what people

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<v Speaker 1>don't know is Ouzy, it was he's Philly. He's a rapper.

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<v Speaker 1>Like you know what I'm saying, He didn't just unlocked

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<v Speaker 1>his creativity on some like you know what I'm saying,

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<v Speaker 1>don't play you know what I'm saying, Like slightly had

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<v Speaker 1>a diamond him space. He deserves it. But you know

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<v Speaker 1>and and and you know, so he still he But

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<v Speaker 1>a lot of people don't know is he really has

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<v Speaker 1>the skill set. And when you hear the verse and

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<v Speaker 1>you'd be like, oh no, he got a real skill set.

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<v Speaker 1>We're listening to Neon Guts with him and Farrell, It's like, oh,

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<v Speaker 1>oh hell no, he really rapped. He doing what he

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<v Speaker 1>want to do. How yeah, it's big blue versus not

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<v Speaker 1>look over that. But how crazy? How many great hairs

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<v Speaker 1>that you get trying to get Kanye and Farrell in

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<v Speaker 1>the studio at the same time. Oh I didn't even

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<v Speaker 1>not even once, not even once. I um, you know,

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<v Speaker 1>I really so. How I started the whole process of

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<v Speaker 1>even making the album was like I had like a

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<v Speaker 1>I had a record. I had one record from from

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<v Speaker 1>YEA and that was hearing me clearly right, yeah, So

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<v Speaker 1>I took. I took it was one verse, so I

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<v Speaker 1>took hear me clearly down in Miami. I came down

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<v Speaker 1>here and I was just like, yeah, man, I'm ready

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<v Speaker 1>to start. I said me, and you cooked up something

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<v Speaker 1>the other day and it just got me going. And

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<v Speaker 1>he was like, let me hear it for I was like,

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<v Speaker 1>let me hear it. So I played it and he

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<v Speaker 1>was like he shrugged on me. Yeah, you want to

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<v Speaker 1>hear me clearly right, And he was like, you know,

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<v Speaker 1>like I I love Cocky forever. Listen, listen, but don't

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<v Speaker 1>nobody know that me? Like he like yo, he like, um,

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<v Speaker 1>I mean it's all right, but I mean you like you.

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<v Speaker 1>I mean you wanta be in a mixtape? You wanna

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<v Speaker 1>make a mixtape? How many mixtapes you want to make?

0:13:04.720 --> 0:13:11.000
<v Speaker 1>How many mixtapes you want to make? It? So I

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<v Speaker 1>was like, you know at the time, so I'm like damn,

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<v Speaker 1>like you know and mind you were just talking. He's like, man,

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<v Speaker 1>like you know, for you to go to the next level,

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<v Speaker 1>you gotta become a character out here, like, bro, how

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<v Speaker 1>many Hot six teams? Bro, I'm tired of the Hot

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<v Speaker 1>six team And and Bros, I'm talking about it's punching me.

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<v Speaker 1>Every every word he's saying, it's punching me, punching me right,

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<v Speaker 1>And I'm like, no, it's to my face. And I'm

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<v Speaker 1>like and I'm you know, I'm just thinking. I'm sitting

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<v Speaker 1>them thinking, I'm thinking back. I'm like, man, I used

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<v Speaker 1>to like, you know, you got on like I used

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<v Speaker 1>to get in your huge gs. We used to ride

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<v Speaker 1>the Norfic State, go pick up these same mixtapes you're

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<v Speaker 1>talking about. Ride the whole day. You know, we know

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<v Speaker 1>the whole verse from north the Virginia Beach and back.

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<v Speaker 1>Like it's just like, you know what, I'm just thinking

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<v Speaker 1>to myself like damn, like is we not? Is we

0:14:07.840 --> 0:14:10.480
<v Speaker 1>not where we're at? Like you know? And he was

0:14:11.040 --> 0:14:12.720
<v Speaker 1>then I just got, you know, I just I just listen.

0:14:12.880 --> 0:14:15.280
<v Speaker 1>I just listened and just let him keep going. And

0:14:15.280 --> 0:14:17.960
<v Speaker 1>I realized, man, like he's just at a place where

0:14:19.520 --> 0:14:24.200
<v Speaker 1>that man tries to knock everything out the park everything,

0:14:24.640 --> 0:14:28.360
<v Speaker 1>I don't care what it is. And and I don't

0:14:28.360 --> 0:14:30.840
<v Speaker 1>even think we made music. That's how that's how the

0:14:30.880 --> 0:14:33.640
<v Speaker 1>conversation was so ill to me. I don't think we

0:14:33.680 --> 0:14:37.040
<v Speaker 1>made music that day. I think we just talked it

0:14:37.080 --> 0:14:39.640
<v Speaker 1>out and and I had to like just process it

0:14:39.680 --> 0:14:43.040
<v Speaker 1>and like you know, and you know, we might have

0:14:43.040 --> 0:14:44.720
<v Speaker 1>had just had the rest of the day kicked in,

0:14:44.840 --> 0:14:47.200
<v Speaker 1>whatever the case may be. But I don't I don't

0:14:47.200 --> 0:14:50.000
<v Speaker 1>think we did nothing that day, nothing with the with

0:14:50.040 --> 0:14:53.320
<v Speaker 1>the intentions on coming into like yo, let's let's get busy.

0:14:54.200 --> 0:14:58.960
<v Speaker 1>And you know, I had, um it was it was.

0:14:59.640 --> 0:15:03.440
<v Speaker 1>It was in the pandemic or whatever. So usually every morning,

0:15:03.720 --> 0:15:06.600
<v Speaker 1>every morning, me and him a talk six in the morning,

0:15:06.840 --> 0:15:10.080
<v Speaker 1>you know, six. He's definitely the early guy, early guy. Yeah,

0:15:10.280 --> 0:15:17.560
<v Speaker 1>you're early, so um being I was, I was standing

0:15:17.560 --> 0:15:20.600
<v Speaker 1>at this crib during this time. We would just get up.

0:15:20.760 --> 0:15:22.360
<v Speaker 1>We just get up at six. So I'm like, man,

0:15:22.480 --> 0:15:25.520
<v Speaker 1>you know, we're both up, we're both fresh. He's like, man,

0:15:25.560 --> 0:15:27.920
<v Speaker 1>let's come in when we're fresh, and let's just um,

0:15:27.960 --> 0:15:30.400
<v Speaker 1>you know, let's let's let's just start working. And so

0:15:30.480 --> 0:15:33.720
<v Speaker 1>then that's when the actual process started, like a day later,

0:15:34.080 --> 0:15:36.280
<v Speaker 1>and we're just being the studio working get up early,

0:15:36.640 --> 0:15:40.520
<v Speaker 1>because you're working together since you since y'all was in

0:15:40.600 --> 0:15:45.960
<v Speaker 1>Virginia broke nothing, so not rapping, not rapping, I was,

0:15:46.040 --> 0:15:49.280
<v Speaker 1>We've been working together since we were hanging out. I

0:15:49.360 --> 0:15:52.200
<v Speaker 1>wasn't even rapping. He came to me one day on

0:15:52.320 --> 0:15:55.560
<v Speaker 1>some like he came to me like, Yo, your brother

0:15:55.760 --> 0:15:59.360
<v Speaker 1>is Gene. He'd rapping his dude, I know you were

0:15:59.440 --> 0:16:02.040
<v Speaker 1>kidding me. Got a lot and I'm like, oh, real, Like,

0:16:02.120 --> 0:16:06.000
<v Speaker 1>I was like, no, you can't work with him. He

0:16:06.040 --> 0:16:13.520
<v Speaker 1>worked with Tim, can't. I just wanted like yeah, And

0:16:13.560 --> 0:16:16.200
<v Speaker 1>he was, you know he was at that time. But

0:16:16.680 --> 0:16:18.520
<v Speaker 1>Timberland and my brother they all went to junior high

0:16:18.520 --> 0:16:21.400
<v Speaker 1>school together and Timerland was the DJ for all of

0:16:21.400 --> 0:16:26.120
<v Speaker 1>the everybody who rapped, and he knew my brother from

0:16:26.200 --> 0:16:28.440
<v Speaker 1>being down the beach and rapping amongst all of them

0:16:28.480 --> 0:16:33.000
<v Speaker 1>guys and didn't know that that was my brother. Yeah,

0:16:33.400 --> 0:16:35.200
<v Speaker 1>so um, you know when he found out that, he

0:16:35.200 --> 0:16:38.600
<v Speaker 1>was like, oh man, you know, time goes on Tim,

0:16:38.640 --> 0:16:41.160
<v Speaker 1>Tim you know, got his foot in the career, his

0:16:41.200 --> 0:16:44.720
<v Speaker 1>foot in the door first and went to Jersey left

0:16:44.800 --> 0:16:47.960
<v Speaker 1>Vier went to Jersey Joe to see all of that,

0:16:48.120 --> 0:16:52.520
<v Speaker 1>And that opened the door. Teddy came down. He came down,

0:16:53.120 --> 0:16:56.520
<v Speaker 1>and that opened the door for for my brother and

0:16:56.640 --> 0:17:02.040
<v Speaker 1>Chad to connect well before again well before I was right,

0:17:02.080 --> 0:17:04.520
<v Speaker 1>So the wait, But how much did that conversation you

0:17:04.520 --> 0:17:07.800
<v Speaker 1>guys have set the foundation or momentum for when you

0:17:07.880 --> 0:17:11.919
<v Speaker 1>started working on the music. Um, it was. It was

0:17:12.280 --> 0:17:15.359
<v Speaker 1>totally the foundation. It was everything. It was like once

0:17:15.400 --> 0:17:18.879
<v Speaker 1>he said that one thing, one thing I said about

0:17:19.080 --> 0:17:22.080
<v Speaker 1>even working with him and Yea during this process was

0:17:22.440 --> 0:17:27.159
<v Speaker 1>I was gonna listen, like I was gonna follow direction. Um.

0:17:27.200 --> 0:17:33.359
<v Speaker 1>I came into this game always knowing how much production,

0:17:34.480 --> 0:17:37.720
<v Speaker 1>the marriage between the lyrics and production made, you know

0:17:37.760 --> 0:17:40.119
<v Speaker 1>what I'm saying, made the magic. I never thought I

0:17:40.200 --> 0:17:43.480
<v Speaker 1>wrapped so good that you know, I could just wrap

0:17:43.560 --> 0:17:46.600
<v Speaker 1>over anything. All of my favorites got a very bad

0:17:46.640 --> 0:17:50.040
<v Speaker 1>album somewhere because they think they can just rap over anything,

0:17:50.520 --> 0:17:52.439
<v Speaker 1>you know what I'm saying. And I always peep there,

0:17:54.640 --> 0:17:57.240
<v Speaker 1>you know, and and and I was like okay, and

0:17:57.280 --> 0:18:00.159
<v Speaker 1>I always understood that. I always understood that. And and

0:18:00.760 --> 0:18:03.000
<v Speaker 1>the biggest thing for me was to make this better

0:18:03.040 --> 0:18:05.600
<v Speaker 1>than Daytona. Like I was like, man, how can I

0:18:05.640 --> 0:18:16.080
<v Speaker 1>make uh? But yeah, you know that, My biggest thing

0:18:16.160 --> 0:18:20.119
<v Speaker 1>was to make it better than Daytona. And um but

0:18:20.160 --> 0:18:22.199
<v Speaker 1>I was like, man, I'm gonna I'm gonna have to

0:18:22.280 --> 0:18:25.280
<v Speaker 1>like just listen to them and see. Like I really

0:18:25.280 --> 0:18:27.159
<v Speaker 1>wanted to be produced because I felt like that was

0:18:27.200 --> 0:18:30.760
<v Speaker 1>one thing about Daytona. I just rapped. I just rapped over.

0:18:30.800 --> 0:18:34.239
<v Speaker 1>We was fast tracking it. It was going. I was,

0:18:34.400 --> 0:18:36.480
<v Speaker 1>I was gonna. I stayed in there with you so

0:18:36.520 --> 0:18:39.760
<v Speaker 1>I could get the hardest beats when everybody else would

0:18:39.840 --> 0:18:42.280
<v Speaker 1>leave and whatever. I was like, nah or just so

0:18:42.320 --> 0:18:47.240
<v Speaker 1>he wouldn't steal him for himself. I stayed and I

0:18:47.280 --> 0:18:50.280
<v Speaker 1>took him and I was like, you know after that,

0:18:50.480 --> 0:18:53.360
<v Speaker 1>you know, he was working on five albums at that

0:18:53.440 --> 0:19:00.680
<v Speaker 1>particular time. Music everybody Tiana kids. He was right, which,

0:19:00.680 --> 0:19:02.720
<v Speaker 1>we'll never get another one. We'll never get another one

0:19:02.880 --> 0:19:11.680
<v Speaker 1>per per cutting. So I like me too. So um

0:19:11.720 --> 0:19:14.240
<v Speaker 1>so I was fast tracking and you know, just writing

0:19:14.359 --> 0:19:17.120
<v Speaker 1>boom woman, trying to get it done and I and

0:19:17.160 --> 0:19:21.840
<v Speaker 1>I didn't feel like I was produced. So I said,

0:19:21.840 --> 0:19:24.000
<v Speaker 1>you know what, I know, I know at least that's

0:19:24.080 --> 0:19:29.760
<v Speaker 1>one bar I can check off. Yes, So I was like, man,

0:19:29.800 --> 0:19:31.439
<v Speaker 1>I know that's one bar I could check off if

0:19:31.480 --> 0:19:34.639
<v Speaker 1>I just let them produce me while we got this time.

0:19:34.880 --> 0:19:37.399
<v Speaker 1>Ain't nobody rushing, it's the pandemic, ain't nothing going on.

0:19:38.240 --> 0:19:41.119
<v Speaker 1>So you know, that was the first That was the

0:19:41.160 --> 0:19:43.679
<v Speaker 1>first thing. So I said, man, I'm gonna listen, and

0:19:44.960 --> 0:19:47.600
<v Speaker 1>you know, and Farrell. Farrell made it very clear. He

0:19:47.680 --> 0:19:49.640
<v Speaker 1>was like, listen, man, if we're gonna do this, we're

0:19:49.640 --> 0:19:53.360
<v Speaker 1>gonna we're gonna do flows, We're gonna do cadences. I'm

0:19:53.359 --> 0:19:55.600
<v Speaker 1>gonna make sure that hooks is sticky. I'm gonna make

0:19:55.600 --> 0:19:58.520
<v Speaker 1>sure that the B courses and stick I kind of

0:19:58.520 --> 0:20:02.000
<v Speaker 1>feel like you like resemblance sle Greg everything we need

0:20:02.000 --> 0:20:06.080
<v Speaker 1>to be addressed. Was that done on purpose? Yeah? That

0:20:06.240 --> 0:20:09.520
<v Speaker 1>was the hardest record. That was the hardest record. So

0:20:09.720 --> 0:20:13.480
<v Speaker 1>the record, the record was written right, I executed it

0:20:13.520 --> 0:20:15.960
<v Speaker 1>bom womb, like you know what I'm saying. Farrell, come

0:20:16.000 --> 0:20:19.720
<v Speaker 1>in here it and he's like, man, that ship ain't

0:20:19.520 --> 0:20:26.000
<v Speaker 1>He's like that, you're still rapping meds. You ain't embodying nothing.

0:20:26.040 --> 0:20:28.560
<v Speaker 1>You ain't gonna I'm like, now, mind you. By the

0:20:28.600 --> 0:20:30.480
<v Speaker 1>time I even tell him to come in and listen,

0:20:30.680 --> 0:20:33.399
<v Speaker 1>it's because I'm married. I'm happy, I'm good. I'm like,

0:20:33.960 --> 0:20:38.560
<v Speaker 1>I'm married to what I've been done. You're proud. He

0:20:38.680 --> 0:20:42.200
<v Speaker 1>come and tear a whole man, He tell a whole

0:20:42.840 --> 0:20:46.640
<v Speaker 1>chalkboard off the wall. No, it's not it. You ain't.

0:20:46.680 --> 0:20:48.480
<v Speaker 1>You ain't enough of a character. You ain't enough of

0:20:48.520 --> 0:20:51.439
<v Speaker 1>a character. And by this time, this is when we

0:20:51.480 --> 0:20:54.880
<v Speaker 1>sort of started the exercise of like we will play

0:20:54.880 --> 0:20:59.560
<v Speaker 1>the Joker every day because well, the first we're just

0:20:59.560 --> 0:21:01.640
<v Speaker 1>watching it. He was like, man, you know you're talking

0:21:01.640 --> 0:21:08.880
<v Speaker 1>about characterist and that then he gets into like yeah,

0:21:09.880 --> 0:21:13.880
<v Speaker 1>so we're like yo, were like um, He's like, man,

0:21:13.960 --> 0:21:17.199
<v Speaker 1>you know, uh, you need to um you need to

0:21:17.200 --> 0:21:19.520
<v Speaker 1>be more on character. Man. He's like, man, this is you.

0:21:19.560 --> 0:21:22.000
<v Speaker 1>Look at you. You you laugh just like them You

0:21:21.840 --> 0:21:24.480
<v Speaker 1>you laughing. J ain'ts supposed to laugh at you. You

0:21:24.560 --> 0:21:27.399
<v Speaker 1>got you got doc tendencies about yourself. You just you know,

0:21:27.480 --> 0:21:29.960
<v Speaker 1>you start fatiguing me. So I'm like all right, you

0:21:29.960 --> 0:21:33.439
<v Speaker 1>know whatever. So we're just watching it every day, watching

0:21:33.480 --> 0:21:35.719
<v Speaker 1>every day, and then he started making beats and then

0:21:35.720 --> 0:21:37.960
<v Speaker 1>he would mute it and be like, man, this is

0:21:38.000 --> 0:21:40.159
<v Speaker 1>the ill scene. Look at this ill scene, Like this

0:21:40.280 --> 0:21:43.320
<v Speaker 1>sounds like this, this sounds supposed to go to this

0:21:43.400 --> 0:21:46.200
<v Speaker 1>and you see homeboy running down the steps or doing

0:21:46.240 --> 0:21:52.000
<v Speaker 1>whatever he's doing, you know, doing something, so um, you know,

0:21:52.400 --> 0:21:54.280
<v Speaker 1>with that being the case, he was like, man, I

0:21:54.280 --> 0:21:56.960
<v Speaker 1>don't want I don't want you rapping. I want you

0:21:57.000 --> 0:22:00.200
<v Speaker 1>to you know, like really, embody it, like you know

0:22:00.280 --> 0:22:03.080
<v Speaker 1>that's why that that's why that song sounds. So I'm

0:22:03.119 --> 0:22:06.080
<v Speaker 1>saying all the evil ship I would say, but I'm

0:22:06.119 --> 0:22:09.000
<v Speaker 1>talking a matter of fact. You like Buffalo Shrimp from

0:22:09.000 --> 0:22:11.520
<v Speaker 1>My Hey, Moss Coke deals up stays at the Round

0:22:11.560 --> 0:22:15.119
<v Speaker 1>Mother the Ocean from Hotels was popular, and crack was

0:22:15.200 --> 0:22:18.640
<v Speaker 1>cemented for nomena. I like the presidential was on my own,

0:22:19.119 --> 0:22:22.400
<v Speaker 1>you know that, just like you know, just talking like

0:22:22.960 --> 0:22:26.960
<v Speaker 1>you know. But he made me like bro that took forever.

0:22:27.000 --> 0:22:28.679
<v Speaker 1>I felt like I was an R and B singer

0:22:29.800 --> 0:22:34.000
<v Speaker 1>because he made me like, like, yo, no, you still

0:22:34.119 --> 0:22:37.879
<v Speaker 1>you you know I'm still He's like, nah, I don't not.

0:22:37.960 --> 0:22:39.960
<v Speaker 1>It's not is that a hit to your ego? Like

0:22:40.000 --> 0:22:41.760
<v Speaker 1>how much of your ego takes a hit when he's

0:22:41.760 --> 0:22:43.520
<v Speaker 1>telling you this is my brother. I mean, I don't,

0:22:43.560 --> 0:22:47.000
<v Speaker 1>you know, like my ego, don't my ego don't even

0:22:47.119 --> 0:22:50.200
<v Speaker 1>kick in with him. As far as that goes, it's

0:22:51.000 --> 0:22:54.600
<v Speaker 1>the difference in what we appreciate because it's still at

0:22:54.640 --> 0:22:57.840
<v Speaker 1>the end of the day, a high six teen is

0:22:57.880 --> 0:23:00.800
<v Speaker 1>like a top ten record to me. If any got

0:23:01.000 --> 0:23:04.719
<v Speaker 1>motherfucking twenty four mean bars and I come across it,

0:23:05.280 --> 0:23:10.080
<v Speaker 1>I'm I'm floyed, but I'm gonna know it. I memorize it,

0:23:10.359 --> 0:23:12.199
<v Speaker 1>you know what I'm saying, Like that's something that like,

0:23:13.520 --> 0:23:15.240
<v Speaker 1>that's something that I can hear in the street and

0:23:15.240 --> 0:23:16.919
<v Speaker 1>I can feel in the street and something you know,

0:23:17.119 --> 0:23:19.199
<v Speaker 1>things are gonna talk about it, the bather, shopping, so

0:23:19.240 --> 0:23:21.879
<v Speaker 1>on and sofa like all of that energy is what

0:23:22.080 --> 0:23:27.199
<v Speaker 1>fuels me. And it was just it was bothersome to

0:23:27.359 --> 0:23:30.440
<v Speaker 1>know that that ain't really fuel him like it used

0:23:30.480 --> 0:23:32.960
<v Speaker 1>to feel him like it used to feel us together.

0:23:33.480 --> 0:23:37.480
<v Speaker 1>That was my issue. More so, I believe that's a

0:23:37.480 --> 0:23:43.480
<v Speaker 1>beautiful thing. One thing about the album that you said

0:23:43.680 --> 0:23:46.080
<v Speaker 1>that I did disagree. You said you thought your fans

0:23:46.680 --> 0:23:50.080
<v Speaker 1>wish your fans was more like Jay Cole's right, And

0:23:50.119 --> 0:23:52.800
<v Speaker 1>I think you said because then lying after that because

0:23:52.800 --> 0:23:55.280
<v Speaker 1>the Dope Boys was Dope Boys gotta be the man

0:23:55.359 --> 0:23:58.360
<v Speaker 1>like they know double one times are shortly load. They

0:23:58.400 --> 0:24:01.240
<v Speaker 1>know I'm the man. I'm the man. But I want

0:24:01.280 --> 0:24:03.720
<v Speaker 1>to disagree with you. The reason why let me just

0:24:03.760 --> 0:24:07.520
<v Speaker 1>tell you why. I'm gonna tell you why. I'll tell

0:24:07.520 --> 0:24:10.400
<v Speaker 1>you what I go through because I don't think they

0:24:10.520 --> 0:24:14.600
<v Speaker 1>actually when it comes to whenever when person says push

0:24:14.640 --> 0:24:17.679
<v Speaker 1>you and they say Kendrick and they say Jay and

0:24:17.720 --> 0:24:20.080
<v Speaker 1>they say cold, I don't think they say push your

0:24:20.880 --> 0:24:25.280
<v Speaker 1>is it? But he's dope wrapper cocaine wraps, and Kendrick is.

0:24:25.320 --> 0:24:27.840
<v Speaker 1>I think that you're all in that lyrical and that

0:24:28.000 --> 0:24:31.160
<v Speaker 1>all I don't think. I don't think you're you're, you're, you're, you're,

0:24:31.280 --> 0:24:36.639
<v Speaker 1>You're categorized as a cocaine don't wrapper or cocaine don't wrapper,

0:24:36.880 --> 0:24:39.440
<v Speaker 1>and Kendrick is a backpack dope wrapper and Jay Cole

0:24:39.600 --> 0:24:42.200
<v Speaker 1>is a dread wearing dope wrapper. I don't think it's

0:24:42.240 --> 0:24:46.159
<v Speaker 1>categorized like that. I think it's categorized as lyricism. And

0:24:46.160 --> 0:24:48.960
<v Speaker 1>and in the cage of lyricism, you and J Cole

0:24:49.000 --> 0:24:58.160
<v Speaker 1>as the same fans. And that made me true. I mean,

0:24:58.600 --> 0:25:01.600
<v Speaker 1>we toured together, so we talk together, and and that

0:25:01.600 --> 0:25:07.080
<v Speaker 1>that that line came from just referencing said something like

0:25:07.240 --> 0:25:11.160
<v Speaker 1>Jay lyrically he wish he would be and I kind

0:25:11.160 --> 0:25:14.159
<v Speaker 1>of felt that that was what you was going to

0:25:14.200 --> 0:25:16.840
<v Speaker 1>see see with me. It was like when I was

0:25:16.840 --> 0:25:19.960
<v Speaker 1>saying that, I was just speaking to the fact that man,

0:25:20.520 --> 0:25:22.760
<v Speaker 1>you know, I've been on tour with J Cole and

0:25:22.800 --> 0:25:24.520
<v Speaker 1>when I when I when I was out there and

0:25:24.560 --> 0:25:26.680
<v Speaker 1>I would like I would go out there of course

0:25:26.720 --> 0:25:30.919
<v Speaker 1>do my set, watch his set, um, maybe even go

0:25:31.040 --> 0:25:33.200
<v Speaker 1>to the after party or whatever they you know what

0:25:33.200 --> 0:25:35.679
<v Speaker 1>I'm saying, his crew, whatever the case may be. But

0:25:35.760 --> 0:25:38.040
<v Speaker 1>it was the energy around him was just like it

0:25:38.080 --> 0:25:40.919
<v Speaker 1>was all it was all praise and like man, they

0:25:41.040 --> 0:25:43.560
<v Speaker 1>just happy that. It just felt like a college energy

0:25:43.720 --> 0:25:47.040
<v Speaker 1>and just people are just happy to be around them

0:25:47.359 --> 0:25:51.399
<v Speaker 1>and happy to see him. Um, I forgot shift. What

0:25:51.520 --> 0:25:57.600
<v Speaker 1>year was that? Sure? He on the phone? Um yeah yeah.

0:25:57.680 --> 0:26:04.520
<v Speaker 1>But but but I was liking in it too when

0:26:04.640 --> 0:26:06.920
<v Speaker 1>I go out and like when I do the after

0:26:07.000 --> 0:26:08.760
<v Speaker 1>parties and so on and so forth, it's a it's

0:26:08.760 --> 0:26:11.440
<v Speaker 1>a it kind of gets a dangerous thing and it's

0:26:11.480 --> 0:26:14.080
<v Speaker 1>like you know you you you got those who love

0:26:14.160 --> 0:26:16.480
<v Speaker 1>you on something like yo, yo, I'll rock with what

0:26:16.520 --> 0:26:18.760
<v Speaker 1>you're doing. Then it's always the yeah, you know, I

0:26:18.920 --> 0:26:25.200
<v Speaker 1>killing you know what. It's a different energy, and then

0:26:25.240 --> 0:26:28.640
<v Speaker 1>it turns into you know that, get a little dicey

0:26:29.000 --> 0:26:31.800
<v Speaker 1>and get a little you know, I gotta turn into this,

0:26:31.880 --> 0:26:35.480
<v Speaker 1>And it was just it was just tapping on another

0:26:36.800 --> 0:26:40.000
<v Speaker 1>another instance of call my bluff because even that person

0:26:40.040 --> 0:26:42.120
<v Speaker 1>can get it, Like I'm just like bro, that's where

0:26:42.160 --> 0:26:45.720
<v Speaker 1>my mindset was. But that mindset is like, that's a

0:26:45.840 --> 0:26:49.040
<v Speaker 1>real thing for me in real and real time outside,

0:26:49.200 --> 0:26:53.159
<v Speaker 1>like you run across that energy with what it is

0:26:53.160 --> 0:26:57.960
<v Speaker 1>that I do, whereas what what what what what Jake

0:26:58.000 --> 0:27:00.840
<v Speaker 1>Cole does. It's like, man, it's like it's just a

0:27:00.960 --> 0:27:04.359
<v Speaker 1>different It's it's cool and it's lax, and and his

0:27:04.480 --> 0:27:06.920
<v Speaker 1>fans are just like he'll be riding bikes to the city.

0:27:06.920 --> 0:27:13.240
<v Speaker 1>But you know what I'm saying, he definitely but still

0:27:13.280 --> 0:27:18.080
<v Speaker 1>like Bob Molly is like like the hip hop and

0:27:18.119 --> 0:27:20.000
<v Speaker 1>I love listen, I love my fans. I'm not you know,

0:27:20.000 --> 0:27:23.159
<v Speaker 1>I'm not trying to uh, you know, talk down on

0:27:23.240 --> 0:27:25.320
<v Speaker 1>them at all, but I'm just saying there's a difference

0:27:25.480 --> 0:27:28.440
<v Speaker 1>in Okay, the rest said watch what you say you attracted.

0:27:28.760 --> 0:27:33.600
<v Speaker 1>So that's a lot of coboys going to your joints, listen,

0:27:33.920 --> 0:27:38.919
<v Speaker 1>little down church, you to cheeny the car phones. You know.

0:27:38.920 --> 0:27:41.400
<v Speaker 1>I'm like, that is that what happens to you? Yeah,

0:27:41.640 --> 0:27:44.760
<v Speaker 1>but that it's not that, it's just you know, you know,

0:27:44.960 --> 0:27:52.480
<v Speaker 1>you know before like you know well, and I'm saying

0:27:52.520 --> 0:27:56.720
<v Speaker 1>I think is sonically like lyricism sonically, it's it's all

0:27:56.760 --> 0:27:59.400
<v Speaker 1>on the same. For sure. You're saying it's the content

0:27:59.480 --> 0:28:03.480
<v Speaker 1>is attracting different energy, like the specific content that you're addressing,

0:28:03.600 --> 0:28:09.919
<v Speaker 1>not totally you are right, yeah, but um, it's like

0:28:10.480 --> 0:28:13.000
<v Speaker 1>I think they repeat this question to you all the time,

0:28:13.520 --> 0:28:15.840
<v Speaker 1>this question to jay Z all the time. They repeat

0:28:15.880 --> 0:28:18.440
<v Speaker 1>this questions the Jada kiss all the time, and it's like,

0:28:18.720 --> 0:28:22.679
<v Speaker 1>as much as you've grown, it's still that you know,

0:28:22.720 --> 0:28:25.040
<v Speaker 1>this is where I come from type of you know,

0:28:25.160 --> 0:28:30.439
<v Speaker 1>hustle rap. It's it's the cocaine references. And you know,

0:28:32.000 --> 0:28:34.359
<v Speaker 1>how is that throughout these years, like is this is

0:28:34.359 --> 0:28:38.040
<v Speaker 1>this this question always gonna come up or they understand

0:28:38.080 --> 0:28:42.000
<v Speaker 1>that it's a reference. Man, I don't mind the question

0:28:42.000 --> 0:28:44.000
<v Speaker 1>because I don't mind answering it. You know what I'm saying.

0:28:44.040 --> 0:28:47.040
<v Speaker 1>It's like I've been saying as of late, I'm trying

0:28:47.080 --> 0:28:51.000
<v Speaker 1>to be the Martin Scorsese of of street rap, you

0:28:51.040 --> 0:28:53.320
<v Speaker 1>know what I'm saying, Like I want out, Like y'all

0:28:53.320 --> 0:28:55.640
<v Speaker 1>don't ask Martin Scorsese to make Going with the Wind,

0:28:55.720 --> 0:28:57.640
<v Speaker 1>you know, you want him to make a gang conflict

0:28:57.760 --> 0:29:00.760
<v Speaker 1>with guns, mob killers, boom, and we all run to

0:29:00.800 --> 0:29:03.440
<v Speaker 1>the movie every time, we all doing whatever we're doing

0:29:03.520 --> 0:29:05.240
<v Speaker 1>to see it, talking about it and loving it. For

0:29:05.280 --> 0:29:09.880
<v Speaker 1>a lifetime. That's what happens. So it's like, you know,

0:29:09.960 --> 0:29:12.440
<v Speaker 1>for me, I look at myself like that, you know

0:29:12.480 --> 0:29:16.200
<v Speaker 1>what I'm saying, And it's like, man, this is like, bro,

0:29:16.320 --> 0:29:20.040
<v Speaker 1>this this is wrap that I know. I mean, how

0:29:20.120 --> 0:29:22.920
<v Speaker 1>I look at rap, man, Rap started in the street.

0:29:23.280 --> 0:29:26.360
<v Speaker 1>It started in It started from poverty and started it

0:29:26.400 --> 0:29:30.960
<v Speaker 1>started from despair. It started from just coming outside talking

0:29:31.000 --> 0:29:36.080
<v Speaker 1>about your environment, bro. Like, I don't understand why it's

0:29:36.080 --> 0:29:39.000
<v Speaker 1>an issue. I don't even understand why people talk about like,

0:29:39.440 --> 0:29:41.520
<v Speaker 1>you know what I'm saying, what what my content is

0:29:42.000 --> 0:29:45.160
<v Speaker 1>versus what somebody else content is. It's like, no, we

0:29:45.240 --> 0:29:48.000
<v Speaker 1>want to like this is and and at this point

0:29:48.000 --> 0:29:51.880
<v Speaker 1>I've been in this twenty years, Like I'm like, man,

0:29:51.920 --> 0:29:54.360
<v Speaker 1>I'm here to entertain a certain sector of people. I'm

0:29:54.400 --> 0:29:57.160
<v Speaker 1>not going out to like I'm not reaching out trying

0:29:57.200 --> 0:29:59.120
<v Speaker 1>to get new people and so on and so forth,

0:29:59.200 --> 0:30:02.920
<v Speaker 1>like and and I don't believe that it's just if

0:30:02.920 --> 0:30:07.520
<v Speaker 1>you're surface level listeners all cocaine service level. And I

0:30:07.520 --> 0:30:09.960
<v Speaker 1>don't think I'll write for surface level listeners. I write

0:30:10.000 --> 0:30:13.680
<v Speaker 1>for people who'll be like you overwind that back people

0:30:13.680 --> 0:30:20.000
<v Speaker 1>to say, I'll be winding a couple of times. Yes,

0:30:20.560 --> 0:30:31.040
<v Speaker 1>So let's le let's talk about the album. I want

0:30:31.040 --> 0:30:33.760
<v Speaker 1>to break down song from song at some point, but

0:30:33.800 --> 0:30:37.640
<v Speaker 1>before we get deep straight into the album. Yeah, I

0:30:37.720 --> 0:30:41.000
<v Speaker 1>want to ask something. Well, I've heard you on the

0:30:41.000 --> 0:30:47.360
<v Speaker 1>Breakfast Club answer this. Um. Also, I believe I'm not

0:30:47.400 --> 0:30:49.080
<v Speaker 1>sure if you did ebro and them. You did ebro

0:30:49.160 --> 0:30:51.520
<v Speaker 1>on them right yesterday. Okay, I don't know if I've

0:30:51.520 --> 0:30:53.720
<v Speaker 1>seen it yet. Okay, but I've seen a couple of

0:30:53.840 --> 0:30:59.960
<v Speaker 1>interviews where this Jack Harlow song, Yeah, it's brought up. Yeah,

0:31:00.000 --> 0:31:02.840
<v Speaker 1>I'm gonna be honest, push what's up? Because you like

0:31:02.960 --> 0:31:08.440
<v Speaker 1>you like the only Donalds like this man has no

0:31:08.560 --> 0:31:16.800
<v Speaker 1>other losses anywhird? This man is the Michael Elvis. Okay,

0:31:17.120 --> 0:31:20.280
<v Speaker 1>I don't even know if that's a person. You made

0:31:20.280 --> 0:31:24.000
<v Speaker 1>that one, you know, I made it that this man

0:31:25.080 --> 0:31:30.080
<v Speaker 1>and he says revenge is it's not even a coachable

0:31:31.520 --> 0:31:36.240
<v Speaker 1>even though this verse could be old right, revenge. I

0:31:36.240 --> 0:31:38.080
<v Speaker 1>gotta get him back for that whatever he's I'm you know,

0:31:38.120 --> 0:31:43.040
<v Speaker 1>I paraphrasing on Jack all Dry the body trying to

0:31:43.080 --> 0:31:46.680
<v Speaker 1>kill Jack, and it sounded like he was trying to

0:31:46.760 --> 0:31:50.440
<v Speaker 1>kill Jack coming for you. Yeah, what does push your

0:31:50.440 --> 0:31:54.600
<v Speaker 1>teeth say, even though it's old, it might be old. No, no, listen,

0:31:54.880 --> 0:32:04.160
<v Speaker 1>I don't. I mean, bro, like okay, it's it's sounds

0:32:04.280 --> 0:32:07.320
<v Speaker 1>when I say old. It sounded old old to me,

0:32:07.440 --> 0:32:10.360
<v Speaker 1>like just the flows, the raps, like it just wasn't

0:32:11.120 --> 0:32:15.720
<v Speaker 1>it wasn't what it is that I think four years

0:32:15.840 --> 0:32:24.200
<v Speaker 1>later after what I did, that's not that wasn't like that.

0:32:24.240 --> 0:32:27.240
<v Speaker 1>I mean like that didn't even phase me. But you

0:32:27.320 --> 0:32:29.600
<v Speaker 1>don't think because of the even though, like you said,

0:32:29.640 --> 0:32:32.160
<v Speaker 1>it sounds old, but the content of it was, Like

0:32:32.400 --> 0:32:35.080
<v Speaker 1>I ain't forgetting it. I'm coming from I don't care.

0:32:35.280 --> 0:32:37.880
<v Speaker 1>I don't care what they forget, Like I don't care,

0:32:38.440 --> 0:32:40.480
<v Speaker 1>like bro, like for real, like I'm just I mean

0:32:40.560 --> 0:32:44.160
<v Speaker 1>just being totally totally honest. I don't give a fuck.

0:32:45.240 --> 0:32:48.040
<v Speaker 1>And I think they know it, like they know it.

0:32:48.520 --> 0:32:51.280
<v Speaker 1>All parties know it. Yeah, you know it. He know.

0:32:52.560 --> 0:32:56.520
<v Speaker 1>Like I'm not playing with anybody. I'm not because you

0:32:56.560 --> 0:32:59.640
<v Speaker 1>did not show up with the concert. No, no, we

0:32:59.760 --> 0:33:03.840
<v Speaker 1>know he asked me to because because you know what,

0:33:04.040 --> 0:33:07.080
<v Speaker 1>because and it's not it was it was it's simply

0:33:07.120 --> 0:33:12.360
<v Speaker 1>because like it's at this point, none of it is

0:33:12.360 --> 0:33:15.760
<v Speaker 1>a game to me, like none of it and I'm

0:33:15.800 --> 0:33:21.400
<v Speaker 1>like I'm doing my best to just you know, let

0:33:21.440 --> 0:33:25.360
<v Speaker 1>bygones be bygones. I'm chilling. I'm good. I mean, look like,

0:33:26.200 --> 0:33:32.520
<v Speaker 1>listen to me, listen to my album Untouchable. You know

0:33:32.560 --> 0:33:37.920
<v Speaker 1>what I'm saying. But you know, man, you know I

0:33:38.000 --> 0:33:40.240
<v Speaker 1>look at all of that is um and all of

0:33:40.240 --> 0:33:46.720
<v Speaker 1>that energy as still showing the effects of what it

0:33:46.800 --> 0:33:51.920
<v Speaker 1>is that I've done, real, real, for real, because because

0:33:51.960 --> 0:33:54.760
<v Speaker 1>really I don't, I don't even think about it. I don't.

0:33:54.880 --> 0:33:57.800
<v Speaker 1>And there's no bars on this album. I was looking

0:33:57.800 --> 0:34:01.320
<v Speaker 1>for that too. I was looking for this. My momm

0:34:01.440 --> 0:34:07.440
<v Speaker 1>is flawless without it, right, that's crazy. Anybody else would

0:34:07.480 --> 0:34:10.359
<v Speaker 1>have jumped on and not not me because I ain't

0:34:10.360 --> 0:34:22.720
<v Speaker 1>really playing like I'm really not. So everybody understands that's it. Okay,

0:34:23.880 --> 0:34:27.040
<v Speaker 1>So let me ask has Jake Prince ever weeks out

0:34:27.080 --> 0:34:29.560
<v Speaker 1>to you? Like how I spoke to j Prince numerous times? Man,

0:34:29.800 --> 0:34:33.680
<v Speaker 1>so so not about him? Okay, don't know, nobody talk

0:34:33.760 --> 0:34:36.719
<v Speaker 1>to me about him him? Because I also heard you

0:34:36.800 --> 0:34:39.120
<v Speaker 1>say you don't want to record with UM. I don't

0:34:38.960 --> 0:34:41.680
<v Speaker 1>want to be I'm gonna be honest, I don't want it.

0:34:41.920 --> 0:34:44.600
<v Speaker 1>Let's just not even I don't I want to record.

0:34:44.880 --> 0:34:47.840
<v Speaker 1>I don't. I don't. I don't want it. I'm cool.

0:34:48.719 --> 0:34:55.760
<v Speaker 1>I'm cool without it. You don't want none, none, no, photo,

0:34:56.200 --> 0:35:02.919
<v Speaker 1>I'm cool. Photo want to say, No, you don't play

0:35:02.960 --> 0:35:06.799
<v Speaker 1>hockey with him, Canada, none of it. I'm cool like

0:35:07.000 --> 0:35:10.160
<v Speaker 1>I ain't playing. I'm gonna just go ahead and do

0:35:10.239 --> 0:35:13.240
<v Speaker 1>what I do. Put y'all that peace. I'm at peace.

0:35:14.360 --> 0:35:18.680
<v Speaker 1>So if right now you're hosting Saturday Night Live, that

0:35:18.760 --> 0:35:23.280
<v Speaker 1>was a wrong choice you hosted. You can't host that.

0:35:23.440 --> 0:35:26.239
<v Speaker 1>I've been saying, I don't know how that came out of.

0:35:30.760 --> 0:35:35.120
<v Speaker 1>You want this part of the club, right, they say,

0:35:35.280 --> 0:35:38.200
<v Speaker 1>there's one of the artists walking in here. They wanted

0:35:38.440 --> 0:35:40.440
<v Speaker 1>the other side of the club, right right next to

0:35:40.480 --> 0:35:44.319
<v Speaker 1>there they come. You see who it is. It's push

0:35:44.360 --> 0:35:48.480
<v Speaker 1>to leaven. No, but you're not. I'm never not stilling

0:35:48.520 --> 0:35:50.680
<v Speaker 1>in your hands. No, I don't want to listen. I

0:35:50.760 --> 0:35:54.640
<v Speaker 1>want nothing. I want I don't if as a person

0:35:54.880 --> 0:35:57.160
<v Speaker 1>who let's just let's just look at the face value. Yeah,

0:35:57.680 --> 0:36:01.080
<v Speaker 1>let's say everyone who actually said that, you guys sparred

0:36:01.160 --> 0:36:03.360
<v Speaker 1>right that you guys want to add it. Everybody says

0:36:04.040 --> 0:36:06.920
<v Speaker 1>you want right, most most of people who are lyrical

0:36:07.000 --> 0:36:11.879
<v Speaker 1>content especially after his meek male Thebacco. Most people say

0:36:11.920 --> 0:36:14.640
<v Speaker 1>that you want, so then why are you not willing

0:36:14.719 --> 0:36:17.640
<v Speaker 1>to say? You know what it was? I felt attacked

0:36:19.200 --> 0:36:21.640
<v Speaker 1>because things that I don't speak on and things that

0:36:21.719 --> 0:36:27.960
<v Speaker 1>I won't speak on have happened since right that I'm

0:36:28.480 --> 0:36:30.800
<v Speaker 1>I just ain't wanna speak on it, but I ain't playing,

0:36:32.520 --> 0:36:38.480
<v Speaker 1>so for me, it ain't even about you know. I

0:36:38.520 --> 0:36:40.799
<v Speaker 1>feel like if it was just a rap thing and

0:36:40.840 --> 0:36:43.320
<v Speaker 1>it was what it was, you know that was cool.

0:36:43.840 --> 0:36:46.360
<v Speaker 1>You think that they went too far when they mentioned

0:36:46.400 --> 0:36:49.959
<v Speaker 1>your lady name or where was it the point where

0:36:49.960 --> 0:36:53.200
<v Speaker 1>it was like this is it? Like? Oh no? You know?

0:36:53.600 --> 0:36:57.960
<v Speaker 1>I mean I don't. I don't really talk about it,

0:36:58.000 --> 0:36:59.680
<v Speaker 1>but I'm just saying, like, you know, I feel like,

0:37:00.320 --> 0:37:06.480
<v Speaker 1>you know there were um, you know, I've been to

0:37:06.520 --> 0:37:08.880
<v Speaker 1>Canada before. I can't I'm banned from Canada because I'm

0:37:09.160 --> 0:37:11.200
<v Speaker 1>I'm banned from Canada, Like I can't get back. I

0:37:11.200 --> 0:37:13.319
<v Speaker 1>can't get back over there, right really, yeah, I ain't

0:37:13.320 --> 0:37:18.000
<v Speaker 1>allowed to be go back over That's why. But because

0:37:18.280 --> 0:37:20.920
<v Speaker 1>what I think is when where they think that you

0:37:21.080 --> 0:37:24.640
<v Speaker 1>went too far? I don't care. I don't care they're

0:37:24.920 --> 0:37:27.520
<v Speaker 1>too far. I don't play like that. That's how you

0:37:27.520 --> 0:37:29.880
<v Speaker 1>don't play with me, right right right, that's why you

0:37:29.880 --> 0:37:32.399
<v Speaker 1>don't play with me. There is no too far. It's

0:37:32.440 --> 0:37:39.200
<v Speaker 1>not anything alone. It leaves me be, leave me be

0:37:39.200 --> 0:37:41.680
<v Speaker 1>because there's no too far. That's how it goes. But

0:37:42.400 --> 0:37:44.480
<v Speaker 1>that's the thing. No, no, no, they won't play. That's

0:37:44.520 --> 0:37:48.520
<v Speaker 1>the thing you felt like you went to I never

0:37:48.600 --> 0:37:51.759
<v Speaker 1>go to far. There's too far. There's no too far.

0:37:52.600 --> 0:37:56.919
<v Speaker 1>Absolutely promise you. Did you ever feel like I never

0:37:56.960 --> 0:37:59.160
<v Speaker 1>felt nothing. And anybody who ever told me that I

0:37:59.320 --> 0:38:05.640
<v Speaker 1>was I went too far. I never spoke to me like, okay,

0:38:05.680 --> 0:38:08.640
<v Speaker 1>because let's be visited. Let's just be visited. How everyone

0:38:08.840 --> 0:38:10.960
<v Speaker 1>thinks this started was it started from the M to

0:38:11.000 --> 0:38:13.520
<v Speaker 1>me too, I don't know. I don't even know at

0:38:13.560 --> 0:38:15.400
<v Speaker 1>this point. No, no, for for real, for me, and

0:38:15.480 --> 0:38:18.360
<v Speaker 1>this that's what me from the outside of looking at

0:38:18.440 --> 0:38:21.080
<v Speaker 1>that's an insider, that's an outside of it. Though. For me,

0:38:21.360 --> 0:38:23.560
<v Speaker 1>when you go all the way back to all of that,

0:38:23.800 --> 0:38:28.080
<v Speaker 1>I remember just a very dark time for me just musically, um,

0:38:28.120 --> 0:38:31.080
<v Speaker 1>not having you know, being and uh what you call it,

0:38:31.200 --> 0:38:36.200
<v Speaker 1>um like a label drama or whatever and um and

0:38:37.360 --> 0:38:39.480
<v Speaker 1>I remember I mean when you go back and mr

0:38:39.520 --> 0:38:41.560
<v Speaker 1>me too, you're talking about the Wayne thing, and that's

0:38:41.560 --> 0:38:44.480
<v Speaker 1>what it was. It trickle down. But yeah, because I

0:38:44.520 --> 0:38:47.480
<v Speaker 1>mean there was like some Vibe issue where he was,

0:38:47.560 --> 0:38:50.399
<v Speaker 1>you know, we was, you know, we're just I think

0:38:50.400 --> 0:38:55.200
<v Speaker 1>we're just done. Um what's up on? What happened to

0:38:55.239 --> 0:38:59.000
<v Speaker 1>that boy or something? You know, maybe a little bit yeah,

0:38:59.160 --> 0:39:02.560
<v Speaker 1>burning on later on down the line, people were telling

0:39:02.600 --> 0:39:06.719
<v Speaker 1>Wayne he was, you know, trying to talk dope like

0:39:06.760 --> 0:39:10.560
<v Speaker 1>the clips or drugs and and and he wore babe

0:39:10.600 --> 0:39:13.840
<v Speaker 1>like the clips. I never said that, you know what

0:39:13.880 --> 0:39:17.480
<v Speaker 1>I'm saying. And I think just at this particular time,

0:39:18.080 --> 0:39:20.080
<v Speaker 1>it was a rough time for us because we was

0:39:20.080 --> 0:39:22.000
<v Speaker 1>going through label drama whatever you remember that, like the

0:39:22.040 --> 0:39:27.360
<v Speaker 1>four year hiatus and and so then there was a

0:39:29.200 --> 0:39:32.200
<v Speaker 1>there was a Vibe article where he you know, just

0:39:32.239 --> 0:39:34.480
<v Speaker 1>spoke to that. But he just spoke about us in

0:39:34.520 --> 0:39:39.360
<v Speaker 1>a very um yeah, like a down you know, like

0:39:39.440 --> 0:39:42.160
<v Speaker 1>down talking. And I'm like, damn, we already going through

0:39:42.200 --> 0:39:44.959
<v Speaker 1>were going through and you know, you're not even bright

0:39:45.080 --> 0:39:47.080
<v Speaker 1>enough for smart enough at the you know, at the time,

0:39:47.160 --> 0:39:48.640
<v Speaker 1>like I ain't. I ain't got no problem with Wayne.

0:39:48.680 --> 0:39:50.640
<v Speaker 1>I mean, just so we clear, I ain't. You know.

0:39:51.440 --> 0:39:53.920
<v Speaker 1>It's so Wayne is that same artist at that club.

0:39:54.000 --> 0:40:00.520
<v Speaker 1>You're gonna gonna you might not necessarily, but I it's cool,

0:40:00.560 --> 0:40:02.880
<v Speaker 1>like it, it's cool, but it's no problem. But I

0:40:02.920 --> 0:40:06.120
<v Speaker 1>just you know, you never know, you just know how

0:40:06.239 --> 0:40:12.399
<v Speaker 1>it is. But you know. So that's what for me

0:40:12.960 --> 0:40:18.160
<v Speaker 1>back then, what you know what started? Um, I feel

0:40:18.200 --> 0:40:21.520
<v Speaker 1>like everything else was just you know, as of late,

0:40:22.480 --> 0:40:29.200
<v Speaker 1>it was a lot of like just the Kanye drama

0:40:29.760 --> 0:40:33.239
<v Speaker 1>because next to it, depending in me, would have been

0:40:33.239 --> 0:40:35.400
<v Speaker 1>like what you doing this concert for? Was the name

0:40:35.400 --> 0:40:37.960
<v Speaker 1>of the concert? I don't remember, Yeah, but like what

0:40:38.400 --> 0:40:40.760
<v Speaker 1>you doing this concert for? We went to ball depending

0:40:41.440 --> 0:40:44.680
<v Speaker 1>but you know, at the same time, you gotta I reckon.

0:40:44.800 --> 0:40:48.680
<v Speaker 1>I know how to compartmentalize everything. That's that's my gift.

0:40:51.040 --> 0:40:53.480
<v Speaker 1>J got together. It was needed for hip hop. Do

0:40:53.520 --> 0:40:56.279
<v Speaker 1>you think that? No, I don't even think they make

0:40:56.320 --> 0:40:58.920
<v Speaker 1>good music together. That's the wildest part. Like, ain't even

0:40:58.960 --> 0:41:05.600
<v Speaker 1>like a hot record? Name it glow what? What glowing up? When?

0:41:05.840 --> 0:41:12.040
<v Speaker 1>Come on? Why? I gotta google it? Come on? So

0:41:12.120 --> 0:41:14.759
<v Speaker 1>it's not like for real for me, just them doing

0:41:14.840 --> 0:41:16.640
<v Speaker 1>what they did, I felt like that was good for

0:41:16.680 --> 0:41:20.279
<v Speaker 1>them because it was hard. Listen. I thought Kanye looked amazing.

0:41:22.760 --> 0:41:26.400
<v Speaker 1>One like he looked. I mean because the Scotty just

0:41:26.440 --> 0:41:31.080
<v Speaker 1>showed you know, our artist with the E you know

0:41:31.120 --> 0:41:36.400
<v Speaker 1>what I'm saying, like next level? What what that? Whatever?

0:41:36.680 --> 0:41:42.560
<v Speaker 1>Is that like? But with that being said, like you know,

0:41:42.800 --> 0:41:46.040
<v Speaker 1>I don't damn, I forgot where I was at. You

0:41:46.080 --> 0:41:48.399
<v Speaker 1>said you thought Kanye looked good, but oh yeah, I thought,

0:41:48.400 --> 0:41:49.840
<v Speaker 1>you know, I think that was good for them, Like

0:41:49.880 --> 0:41:52.520
<v Speaker 1>I think that was yeah, Like I you know, and

0:41:52.560 --> 0:41:54.920
<v Speaker 1>I don't you know, I don't ever put no type

0:41:54.920 --> 0:41:58.040
<v Speaker 1>of pressures nowhere. I don't you know, I'll stay out

0:41:58.040 --> 0:42:03.439
<v Speaker 1>of the situation because they playing, they're playing, they play

0:42:03.440 --> 0:42:06.880
<v Speaker 1>an industry game. I think Kanye said he's on a

0:42:07.480 --> 0:42:10.880
<v Speaker 1>professional level and that's and that's cool and that's great

0:42:10.920 --> 0:42:13.000
<v Speaker 1>and that's like you know, I feel like I feel

0:42:13.040 --> 0:42:15.560
<v Speaker 1>like that's gonna work for for them and what it

0:42:15.640 --> 0:42:19.719
<v Speaker 1>is that they do what you no, I'm cool. I'm

0:42:19.760 --> 0:42:23.239
<v Speaker 1>just I'm just over here, bro. I know exactly what

0:42:23.360 --> 0:42:25.160
<v Speaker 1>my lane is. I know exactly what I'm doing. I

0:42:25.200 --> 0:42:27.319
<v Speaker 1>know exactly who I want to be with, who I

0:42:27.320 --> 0:42:30.520
<v Speaker 1>want to make records with. I know what I'm not doing.

0:42:30.600 --> 0:42:34.880
<v Speaker 1>I know what damages my brand what doesn't. And there's

0:42:35.120 --> 0:42:39.120
<v Speaker 1>absolutely no value in that for me because immediately when

0:42:39.120 --> 0:42:42.200
<v Speaker 1>we heard that can wrist on uh and then hold

0:42:42.239 --> 0:42:46.239
<v Speaker 1>set a blue bird money. They go again, Oh no,

0:42:46.320 --> 0:42:48.840
<v Speaker 1>I didn't want that. No no no, no, no no

0:42:48.920 --> 0:42:51.239
<v Speaker 1>no no no no no no no no no no

0:42:50.920 --> 0:42:54.920
<v Speaker 1>no no no no I blue bird money. Y'all talking

0:42:54.920 --> 0:42:58.640
<v Speaker 1>Twitter feed feed bird you know bird food is you

0:42:58.680 --> 0:43:02.960
<v Speaker 1>know they called the feed. But but you got me,

0:43:03.640 --> 0:43:06.440
<v Speaker 1>That's what I'm just saying like that. But that was

0:43:05.640 --> 0:43:08.480
<v Speaker 1>the first Yeah, but it was just I knew that

0:43:08.560 --> 0:43:11.560
<v Speaker 1>was but I just knew it was not understanding. I

0:43:11.640 --> 0:43:21.000
<v Speaker 1>was into all the gossip. Noo, he's the other fans

0:43:21.160 --> 0:43:24.520
<v Speaker 1>at frequency that really brought into it until what's my

0:43:24.640 --> 0:43:28.319
<v Speaker 1>man name, young g Yeah, actually went on. It was

0:43:28.360 --> 0:43:33.640
<v Speaker 1>like guys, I mean that's when I knew. That's when

0:43:33.680 --> 0:43:36.120
<v Speaker 1>I knew it was like it probably got too loud

0:43:36.160 --> 0:43:38.560
<v Speaker 1>when I saw Guru say something, cause I'm like, I've

0:43:38.560 --> 0:43:41.080
<v Speaker 1>seen it, but I'm like, whatever, ain't that's gonna blow over.

0:43:41.680 --> 0:43:45.719
<v Speaker 1>But it wasn't real because it's kind of like, just

0:43:45.760 --> 0:43:47.920
<v Speaker 1>think about the people that you have beef with and

0:43:47.960 --> 0:43:52.759
<v Speaker 1>you survived Little Way Birdman and Drake and you have

0:43:53.000 --> 0:44:09.239
<v Speaker 1>no like scars. For me, it's none, none, but it's

0:44:09.239 --> 0:44:14.960
<v Speaker 1>all up. It's all up. There's no with me. I

0:44:15.000 --> 0:44:17.160
<v Speaker 1>have no issues man, And you're bad from Canada. I

0:44:17.160 --> 0:44:18.759
<v Speaker 1>thought you was just saying that. Oh no, no, no,

0:44:18.800 --> 0:44:21.600
<v Speaker 1>I'm serious and this is this I did you know?

0:44:22.360 --> 0:44:24.279
<v Speaker 1>How did you know he was bad? My my, my

0:44:24.320 --> 0:44:30.120
<v Speaker 1>manage over here told me what happened. Well, I mean,

0:44:30.360 --> 0:44:34.359
<v Speaker 1>I'm not gonna get into that, but down Trump asked

0:44:34.400 --> 0:44:42.920
<v Speaker 1>him do nothing because Trump, and um, yeah, what what

0:44:44.080 --> 0:44:45.560
<v Speaker 1>you said? Trump? You're talking about you can put it

0:44:45.600 --> 0:44:49.200
<v Speaker 1>in here. What are you talking about? So you said,

0:44:49.400 --> 0:44:53.000
<v Speaker 1>let's just be clear. You're saying you went to what

0:44:53.200 --> 0:44:59.279
<v Speaker 1>is called customs. They you turn down, turn out, I

0:44:59.480 --> 0:45:01.800
<v Speaker 1>can turn out of the border. Oh so you filled

0:45:01.840 --> 0:45:11.000
<v Speaker 1>out for your visa and they yes, what did you

0:45:11.040 --> 0:45:13.560
<v Speaker 1>do in cant I didn't do nothing. I went to

0:45:13.640 --> 0:45:16.600
<v Speaker 1>my show. You know it was rolling people at this

0:45:16.640 --> 0:45:19.800
<v Speaker 1>show perform that song. I performed. No, I didn't. I

0:45:19.840 --> 0:45:26.200
<v Speaker 1>didn't even get and I got on and I got

0:45:26.239 --> 0:45:29.000
<v Speaker 1>on my way. You know, it was cool. That's playing

0:45:29.000 --> 0:45:30.560
<v Speaker 1>a different game. You get a nicke a bath from

0:45:30.600 --> 0:45:35.399
<v Speaker 1>the country. That's a little next level. That's a little

0:45:35.400 --> 0:45:39.000
<v Speaker 1>bit that's a little different. On this listen, that's a

0:45:39.000 --> 0:45:41.120
<v Speaker 1>little different. I ain't gonna I could do it. I

0:45:41.120 --> 0:45:44.400
<v Speaker 1>would do it too, though, you would definitely do that.

0:45:44.640 --> 0:45:49.560
<v Speaker 1>Definitely sold off show, Jesus. So in no world, we're

0:45:49.560 --> 0:45:53.960
<v Speaker 1>never gonna squash this. Hopefully in one world. No, I don't.

0:45:54.120 --> 0:45:56.719
<v Speaker 1>There's nothing for me to squash. I've done it all,

0:45:57.200 --> 0:46:00.440
<v Speaker 1>it's done. I'm done. Yeah, I'm finished. I'm cool. Yes,

0:46:00.560 --> 0:46:03.319
<v Speaker 1>that's nothing for me to do. That's a beautiful thing, man,

0:46:03.320 --> 0:46:21.400
<v Speaker 1>because gratulate that's positive. Really you guys the flowers, hey, man, uh,

0:46:21.520 --> 0:46:23.200
<v Speaker 1>we don't know if you know. Our show was about

0:46:23.239 --> 0:46:27.480
<v Speaker 1>giving people they flower and we one million percent want

0:46:27.480 --> 0:46:29.799
<v Speaker 1>to give you your flowers to your face. How great

0:46:29.840 --> 0:46:32.560
<v Speaker 1>you are, how you standing up the time. Man, I've

0:46:32.640 --> 0:46:35.040
<v Speaker 1>seen how you came and for you to still be

0:46:35.160 --> 0:46:37.799
<v Speaker 1>at the level of relevancy, for people to still for

0:46:37.840 --> 0:46:39.920
<v Speaker 1>you to make an album the way you may and

0:46:39.960 --> 0:46:42.120
<v Speaker 1>not like I said, because I'm your friend, because I'm

0:46:42.320 --> 0:46:45.720
<v Speaker 1>I feel like a family member. Especially we all under

0:46:45.160 --> 0:46:48.640
<v Speaker 1>the thing Snoop said, Well, he said, we're all under

0:46:48.680 --> 0:46:51.200
<v Speaker 1>the dray tree, and we're all under the neptune tree,

0:46:51.760 --> 0:46:54.960
<v Speaker 1>under the rape away leave a Bark or even the

0:46:55.040 --> 0:46:57.319
<v Speaker 1>fucking route. We're all part of the tree. And so

0:46:57.360 --> 0:46:58.960
<v Speaker 1>I can't tell you how much I'm proud of you.

0:46:59.239 --> 0:47:01.240
<v Speaker 1>I can't tell you how much I'm proud of your brother.

0:47:01.400 --> 0:47:03.279
<v Speaker 1>Every time I see you, every time i've seen him

0:47:03.280 --> 0:47:05.520
<v Speaker 1>for the last couple of years, I've been always drunk

0:47:05.719 --> 0:47:07.960
<v Speaker 1>and he's always prayed over me. It's been the weirdest.

0:47:08.880 --> 0:47:15.840
<v Speaker 1>That's right. The apoint he's come in here, he'd be

0:47:15.880 --> 0:47:21.719
<v Speaker 1>crowding you right now. We're in the middle, and I

0:47:21.719 --> 0:47:24.120
<v Speaker 1>just want to tell y'all, yo, man's for standards as

0:47:24.160 --> 0:47:25.719
<v Speaker 1>of time. The way you have and the way you

0:47:25.760 --> 0:47:29.040
<v Speaker 1>are still enjoying this game is still being a bar lord.

0:47:29.080 --> 0:47:31.440
<v Speaker 1>And I can't even find a whack ball. I've been

0:47:31.440 --> 0:47:33.839
<v Speaker 1>looking like Dean slip here. He didn't slip it and

0:47:33.880 --> 0:47:37.279
<v Speaker 1>you haven't. And I just want to say that is abnormal.

0:47:37.360 --> 0:47:39.919
<v Speaker 1>That is not a normal thing. And slute you, my brother,

0:47:40.120 --> 0:47:51.839
<v Speaker 1>Thank you. We want to yes, yes literally literally gave

0:47:51.880 --> 0:47:55.759
<v Speaker 1>yourself fly, So man, that is crazy. Before we're gonna

0:47:55.760 --> 0:47:57.279
<v Speaker 1>create time and slip, I just want to go through

0:47:57.320 --> 0:48:05.719
<v Speaker 1>this playlist all Stewart, go to go hit number one

0:48:07.320 --> 0:48:13.160
<v Speaker 1>before me. It's in your group chat fun black it ristone.

0:48:13.320 --> 0:48:22.759
<v Speaker 1>Uh Well, Brambleton Okay, yeah, that's one. Yeah, okay, let's

0:48:22.760 --> 0:48:27.280
<v Speaker 1>talk about that sets off the album? Yeah. Um, well, first,

0:48:27.440 --> 0:48:32.759
<v Speaker 1>you know, Brambleton Um set off the album. You know,

0:48:32.840 --> 0:48:38.359
<v Speaker 1>strategically I put that there because Big started Life after

0:48:38.440 --> 0:48:41.399
<v Speaker 1>Death with his story and I always felt like, man,

0:48:41.520 --> 0:48:43.520
<v Speaker 1>you know, I've never first of all, I never do

0:48:43.640 --> 0:48:47.480
<v Speaker 1>many stories. And then I was like, man, I actually

0:48:47.520 --> 0:48:50.359
<v Speaker 1>got one, and I felt like it was strong enough

0:48:50.400 --> 0:48:54.239
<v Speaker 1>to just just set the tone. You know what I'm saying. Um,

0:48:54.400 --> 0:48:58.120
<v Speaker 1>Brambleton Avenue is as a place in um Norfolk, Virginia.

0:48:59.239 --> 0:49:02.640
<v Speaker 1>UM youth coming up. My mom worked on it, you

0:49:02.680 --> 0:49:04.399
<v Speaker 1>know what I'm saying. You could you know, I could

0:49:04.400 --> 0:49:07.120
<v Speaker 1>go see her young you know, young kid going to

0:49:07.160 --> 0:49:09.280
<v Speaker 1>see her. I can see sweepe w across the street

0:49:09.640 --> 0:49:13.000
<v Speaker 1>in a project called Young's Park, and you know, just outside,

0:49:13.200 --> 0:49:19.480
<v Speaker 1>you know, being great, whatever the case may be. Um,

0:49:19.520 --> 0:49:24.960
<v Speaker 1>you know, Uh, the song itself, the song itself was

0:49:25.880 --> 0:49:30.880
<v Speaker 1>just for me, just describing a relationship, you know, describing

0:49:30.880 --> 0:49:35.280
<v Speaker 1>a relationship I had in the street. My former manager.

0:49:35.680 --> 0:49:38.759
<v Speaker 1>He was on Glad not too long ago. Oh is

0:49:38.760 --> 0:49:42.040
<v Speaker 1>that the same person that you made the snitch? Uh?

0:49:42.880 --> 0:49:45.839
<v Speaker 1>You know, I feel like the Snitch record. I feel

0:49:45.880 --> 0:49:54.600
<v Speaker 1>like the Snitch record was like an amy, but it

0:49:54.680 --> 0:49:56.799
<v Speaker 1>was just like a lot. I feel like the Snitch acronym.

0:49:56.840 --> 0:49:59.759
<v Speaker 1>I mean, the Snitch record itself was just like a

0:50:00.000 --> 0:50:01.920
<v Speaker 1>All the just instances and ship that was going on

0:50:02.560 --> 0:50:07.840
<v Speaker 1>this record, particularly right here, was like yo, Like after

0:50:07.840 --> 0:50:10.120
<v Speaker 1>seeing after seeing the interview, I was like, damn, Like

0:50:10.880 --> 0:50:14.239
<v Speaker 1>that's you know you described you described he was on

0:50:14.640 --> 0:50:17.120
<v Speaker 1>TV talking about what because she was on Glad TV

0:50:18.160 --> 0:50:20.839
<v Speaker 1>and he spoke about how like he said, um, I

0:50:20.840 --> 0:50:26.839
<v Speaker 1>believe one of the quotes was of everything was about him,

0:50:26.880 --> 0:50:35.080
<v Speaker 1>like you know, the raps were about him and uh

0:50:35.200 --> 0:50:38.560
<v Speaker 1>and what else was it? It was? It was just

0:50:38.600 --> 0:50:40.960
<v Speaker 1>a couple of different things that I was like, damn, man,

0:50:41.040 --> 0:50:47.440
<v Speaker 1>Like you know, I never I never I would see

0:50:47.480 --> 0:50:51.480
<v Speaker 1>somebody that I've been you know, so you know, down

0:50:51.520 --> 0:50:53.920
<v Speaker 1>with or whatever entrenched in like all types of ship,

0:50:54.239 --> 0:50:58.279
<v Speaker 1>never down talk or try to downplay me like I

0:50:58.320 --> 0:51:01.279
<v Speaker 1>never I would not like wherever we're stand right now,

0:51:01.800 --> 0:51:04.440
<v Speaker 1>I would never do it. I've never done it, you

0:51:04.440 --> 0:51:08.799
<v Speaker 1>know what I'm saying. And I just didn't, you know,

0:51:08.880 --> 0:51:10.759
<v Speaker 1>so I took the time that I was just you know,

0:51:10.800 --> 0:51:13.120
<v Speaker 1>I was telling for all about the whole situation or whatever.

0:51:13.840 --> 0:51:15.920
<v Speaker 1>He was like, man, that's the song right there. He's like,

0:51:15.960 --> 0:51:19.279
<v Speaker 1>that's a song. And you know, I was like, you know,

0:51:19.480 --> 0:51:22.880
<v Speaker 1>I just wanted to give like a real context to

0:51:24.360 --> 0:51:27.200
<v Speaker 1>what my view of our relationship and what it was.

0:51:27.280 --> 0:51:31.279
<v Speaker 1>Then you know what, I'm like, just what our relationship was,

0:51:31.600 --> 0:51:35.960
<v Speaker 1>what it was in the streets, and and I wanted

0:51:36.000 --> 0:51:39.920
<v Speaker 1>to make that record because I feel like it was

0:51:40.000 --> 0:51:44.000
<v Speaker 1>a it was it speaks to loyalty, like it speaks

0:51:44.000 --> 0:51:50.239
<v Speaker 1>to loyalty and being loyal and and and understanding the

0:51:50.360 --> 0:51:54.720
<v Speaker 1>idea of team like back then, and and and and

0:51:55.480 --> 0:51:57.839
<v Speaker 1>you know, just when all the street ship was going on,

0:52:00.040 --> 0:52:02.239
<v Speaker 1>and I always looked at it as a team, all

0:52:02.280 --> 0:52:05.680
<v Speaker 1>of us was a team. Now you may have this much,

0:52:06.040 --> 0:52:09.439
<v Speaker 1>I could have this much, They could have this much,

0:52:10.120 --> 0:52:14.319
<v Speaker 1>but all of it and everybody was working to for

0:52:14.360 --> 0:52:18.239
<v Speaker 1>the betterment of everybody, and everybody had a role. That

0:52:18.360 --> 0:52:20.759
<v Speaker 1>was the thing. Never looked at, you know, never been envious. Never,

0:52:20.920 --> 0:52:23.400
<v Speaker 1>That's just my whole ship. I ain't never been envious.

0:52:23.480 --> 0:52:28.440
<v Speaker 1>And nobody musically, none of that. That's just not me. Um.

0:52:28.480 --> 0:52:31.920
<v Speaker 1>I always know how important my role is to whatever

0:52:32.600 --> 0:52:36.279
<v Speaker 1>situation it is, Like, you know, even being a good music.

0:52:36.320 --> 0:52:38.960
<v Speaker 1>I don't sell the most records. I ain't never been

0:52:39.000 --> 0:52:40.400
<v Speaker 1>you know, I don't sell the most record more than

0:52:40.440 --> 0:52:44.359
<v Speaker 1>anybody else who's been over there whatever. Always Still you know,

0:52:44.719 --> 0:52:49.600
<v Speaker 1>I'm me, like, I know what I bring to the table, um,

0:52:49.640 --> 0:52:52.560
<v Speaker 1>and you know, I just that song was just for

0:52:52.560 --> 0:52:56.759
<v Speaker 1>for for the guys who honestly are in these positions

0:52:56.760 --> 0:52:59.120
<v Speaker 1>and in these roles and are doing anything and you

0:52:59.200 --> 0:53:02.239
<v Speaker 1>think that you you know, you think that, y'all. You

0:53:02.280 --> 0:53:05.319
<v Speaker 1>know you're you're you're focused, and you're determined on what

0:53:05.360 --> 0:53:08.080
<v Speaker 1>it is that you're doing. You're getting your money, your

0:53:08.080 --> 0:53:12.200
<v Speaker 1>man getting his money, bla blah, and you're thinking his

0:53:12.280 --> 0:53:16.399
<v Speaker 1>teamwork and and and in their mind they call it.

0:53:16.640 --> 0:53:20.400
<v Speaker 1>You know, you're working for them. And you know, ultimately,

0:53:20.880 --> 0:53:22.839
<v Speaker 1>as soon as the roles change or whatever the case

0:53:22.880 --> 0:53:26.439
<v Speaker 1>may be, you see who gets to you see people

0:53:26.480 --> 0:53:33.400
<v Speaker 1>true colors. Unfortunately, Yeah, yeah, heavy song, heavy song. I

0:53:33.440 --> 0:53:37.279
<v Speaker 1>didn't know that. Listening to that just ain't gonna my

0:53:37.400 --> 0:53:42.359
<v Speaker 1>head now because again I wasn't listening to it for that.

0:53:42.800 --> 0:53:46.040
<v Speaker 1>I was listening to it. Yeah, I was just listening

0:53:46.040 --> 0:53:50.000
<v Speaker 1>to totally. I'm just looking at the art and I'm like,

0:53:50.080 --> 0:53:51.759
<v Speaker 1>it's no way that Scott can still be this good.

0:53:52.280 --> 0:53:54.600
<v Speaker 1>Like I like, I'm sorry I was down because I

0:53:54.600 --> 0:53:56.640
<v Speaker 1>wasn't downing you'd like to doubt you, but I was like,

0:53:56.680 --> 0:54:01.160
<v Speaker 1>it's no way because it's just a level of success.

0:54:02.239 --> 0:54:05.520
<v Speaker 1>But you know, we we are the error that is

0:54:05.560 --> 0:54:09.160
<v Speaker 1>going to be able to take We're we're we are

0:54:09.160 --> 0:54:10.920
<v Speaker 1>the error that is going to be able to see

0:54:10.960 --> 0:54:15.799
<v Speaker 1>if hip hop can be progressive as it ages. Like

0:54:15.880 --> 0:54:17.560
<v Speaker 1>you know what I'm saying, like this is the time

0:54:17.600 --> 0:54:21.600
<v Speaker 1>where it figures itself, act, go to real distance, you know,

0:54:21.640 --> 0:54:26.560
<v Speaker 1>get on our YouTube, rolling stones whatever. I think like

0:54:26.600 --> 0:54:29.080
<v Speaker 1>the four four fourth album kind of helped that. I

0:54:29.120 --> 0:54:31.680
<v Speaker 1>don't know, yeah, but but that even still that was

0:54:31.800 --> 0:54:36.759
<v Speaker 1>the hope is one that he's before our error. He's

0:54:36.800 --> 0:54:40.480
<v Speaker 1>wonder for us. Yeah, so you need to like, and

0:54:40.520 --> 0:54:42.239
<v Speaker 1>I'm talking about for the genre to look like it

0:54:42.320 --> 0:54:46.040
<v Speaker 1>can do. What to do? He dispeccially and he called

0:54:46.080 --> 0:54:49.879
<v Speaker 1>on early. But we are the class that is gonna

0:54:49.880 --> 0:54:54.759
<v Speaker 1>be myself ya you know everybody, you know, everybody within

0:54:54.920 --> 0:54:57.839
<v Speaker 1>this time frame, it's gonna be the one to show

0:54:58.520 --> 0:55:02.640
<v Speaker 1>how far this ship can go a real so so

0:55:03.440 --> 0:55:05.040
<v Speaker 1>so it's not I don't think it's that crazy like

0:55:05.200 --> 0:55:08.600
<v Speaker 1>you know, being you know, still competing, like because we

0:55:08.920 --> 0:55:12.560
<v Speaker 1>were still competitive, like you said, we're still young, we

0:55:12.680 --> 0:55:15.640
<v Speaker 1>are like and when that comes the spirit of competition

0:55:16.080 --> 0:55:19.800
<v Speaker 1>and creativity has no age limits, right sure, And however

0:55:19.880 --> 0:55:23.120
<v Speaker 1>you tap into it if it's being competitive, some people

0:55:23.160 --> 0:55:25.600
<v Speaker 1>do it differently, you know, just to tap into that creativity.

0:55:25.960 --> 0:55:29.200
<v Speaker 1>For sure. I saw number two. Let the smokers shot

0:55:29.360 --> 0:55:31.680
<v Speaker 1>the coop. Let the smoker shot the coops. Man. That

0:55:31.840 --> 0:55:33.960
<v Speaker 1>was that was me asking for real to give me

0:55:34.160 --> 0:55:40.759
<v Speaker 1>his best best glaciers of ice type beat he could

0:55:41.120 --> 0:55:44.440
<v Speaker 1>he could ever make. Um, you know? That was that

0:55:44.640 --> 0:55:50.839
<v Speaker 1>was that Actually that that record actually came from Hit

0:55:50.920 --> 0:55:53.719
<v Speaker 1>Factory again at six in the morning. But we was

0:55:53.800 --> 0:55:57.680
<v Speaker 1>at hit Factory because you know at Miami, Miami Hit Factory,

0:55:57.719 --> 0:56:01.040
<v Speaker 1>and we were like, um, you know, we have been

0:56:01.080 --> 0:56:02.400
<v Speaker 1>working out the house for a little while and I

0:56:02.480 --> 0:56:04.759
<v Speaker 1>felt like he just wanted a different changes scenery, like

0:56:04.920 --> 0:56:07.680
<v Speaker 1>you know, sort of exhausted the energy there and we

0:56:07.760 --> 0:56:10.279
<v Speaker 1>started going to Hit Factory earlier. Baby, don't working out

0:56:10.320 --> 0:56:19.960
<v Speaker 1>hit Factory to I ain't seen nobody that is not

0:56:20.120 --> 0:56:26.040
<v Speaker 1>even being funny actually, but you know, but just you know,

0:56:26.600 --> 0:56:30.880
<v Speaker 1>just just working um again. And it was it was

0:56:31.040 --> 0:56:34.400
<v Speaker 1>you know, it was a it was a thing for me,

0:56:34.640 --> 0:56:37.600
<v Speaker 1>you know, being being an actual being, an actual student.

0:56:38.480 --> 0:56:41.960
<v Speaker 1>Um with the flow, you know what I'm saying, Like no,

0:56:42.239 --> 0:56:44.640
<v Speaker 1>you can't you know, right and right and right and

0:56:44.719 --> 0:56:47.880
<v Speaker 1>and like ah no, I ain't know where the cadence at,

0:56:47.920 --> 0:56:52.080
<v Speaker 1>where the bounce you know what I'm saying. And then yeah,

0:56:52.160 --> 0:56:55.439
<v Speaker 1>like you know it might be an initial initial four

0:56:55.520 --> 0:56:57.239
<v Speaker 1>bars here like yeah, but it ain't no bounce there

0:56:57.840 --> 0:57:00.279
<v Speaker 1>and ain't sticky to the ain't sticky to the track?

0:57:00.480 --> 0:57:03.040
<v Speaker 1>Is it just y'all two in the studio together? Probably yeah,

0:57:03.280 --> 0:57:05.279
<v Speaker 1>this day, this particularly, I don't know if Chat made

0:57:05.320 --> 0:57:13.080
<v Speaker 1>it yet. I don't know if Chat he he did,

0:57:13.120 --> 0:57:14.880
<v Speaker 1>he did. I think he did a little co producing

0:57:14.920 --> 0:57:21.280
<v Speaker 1>on some stuff too as well. Okay, um dreaming dreaming,

0:57:21.680 --> 0:57:27.600
<v Speaker 1>dreaming of the past, dreaming in the past. Um man,

0:57:27.680 --> 0:57:32.080
<v Speaker 1>I actually stole that one because, um, let's talk about

0:57:32.080 --> 0:57:35.920
<v Speaker 1>the theft. Yeah, because because you know, a lot of

0:57:36.000 --> 0:57:40.600
<v Speaker 1>times me and you work on album simultaneously. So he

0:57:40.720 --> 0:57:43.440
<v Speaker 1>got a folder, I got a folder. You know. Hell

0:57:43.680 --> 0:57:45.640
<v Speaker 1>he picked all the beats and be like okay, that's

0:57:45.640 --> 0:57:49.520
<v Speaker 1>your folder, that's my folder. And from other producers. Um,

0:57:49.880 --> 0:57:52.160
<v Speaker 1>some his and yeah, and just you know, just a

0:57:52.280 --> 0:57:56.520
<v Speaker 1>hard driver that he has of just joints and he'll

0:57:56.640 --> 0:57:59.200
<v Speaker 1>he'll he'll pick stuff that he thinks is a good

0:57:59.320 --> 0:58:03.680
<v Speaker 1>enough skeleton and for me to rhyme to. He he accidentally,

0:58:03.720 --> 0:58:07.040
<v Speaker 1>I think, played hit that beat and I was like, oh,

0:58:07.360 --> 0:58:09.840
<v Speaker 1>that's crazy, like let me let me get that, and

0:58:09.920 --> 0:58:11.600
<v Speaker 1>he's like, no, I love it. You know it's mine,

0:58:11.680 --> 0:58:13.840
<v Speaker 1>this is and that, and I kept asking for it.

0:58:14.240 --> 0:58:18.760
<v Speaker 1>So ultimately he um, I noticed he still hadn't wrote

0:58:18.800 --> 0:58:20.880
<v Speaker 1>the song yet, and I was like, damn, man, you

0:58:20.960 --> 0:58:23.640
<v Speaker 1>don't like the song. Let me get the song. And

0:58:24.400 --> 0:58:26.720
<v Speaker 1>he finally let me get it, and I was just like, listen,

0:58:26.760 --> 0:58:28.800
<v Speaker 1>why don't you why don't you just put like, you know,

0:58:28.880 --> 0:58:30.480
<v Speaker 1>eight bars on the end of it or you know

0:58:30.480 --> 0:58:32.480
<v Speaker 1>what I'm saying. Like that way I could lock in

0:58:32.600 --> 0:58:34.920
<v Speaker 1>the song. If he knew he was on it, then

0:58:35.160 --> 0:58:38.080
<v Speaker 1>then I could get it. So that's that's what we did,

0:58:39.040 --> 0:58:42.080
<v Speaker 1>and then it became your yea. I first recorded it

0:58:42.200 --> 0:58:44.640
<v Speaker 1>with the attentions going on no no, no, I didn't

0:58:44.640 --> 0:58:47.200
<v Speaker 1>even know. I like once I once I got it,

0:58:47.440 --> 0:58:49.000
<v Speaker 1>Once I got it and put the verses on it.

0:58:49.560 --> 0:58:51.400
<v Speaker 1>He Um he heard it was like man, I can't

0:58:51.440 --> 0:58:53.959
<v Speaker 1>be on that. And I was like, no, you can't.

0:58:54.000 --> 0:58:56.520
<v Speaker 1>Like what's up, just get yours off? And I gave

0:58:56.560 --> 0:59:01.040
<v Speaker 1>him the comparison of Big Big coming in for like

0:59:01.240 --> 0:59:05.920
<v Speaker 1>three bars on Little Kim Queen Bitch, and I was like,

0:59:06.200 --> 0:59:08.440
<v Speaker 1>I was like, bro, everything you do don't gotta be

0:59:08.520 --> 0:59:11.280
<v Speaker 1>heavy lifting. You already produced to be Why you gotta

0:59:11.360 --> 0:59:16.960
<v Speaker 1>have it? Ain't all that like. And I feel like

0:59:17.040 --> 0:59:19.560
<v Speaker 1>that's why the record wasn't written in the first place.

0:59:19.600 --> 0:59:21.160
<v Speaker 1>It was you know, it was heavy. You know, you

0:59:21.240 --> 0:59:23.760
<v Speaker 1>gotta go in on that joint. He probably taking his

0:59:23.880 --> 0:59:26.240
<v Speaker 1>time whatever. I'm like, broa give it to me. Get

0:59:26.280 --> 0:59:30.480
<v Speaker 1>yours off. You can get yours off in four bars

0:59:32.720 --> 0:59:34.840
<v Speaker 1>now before we go, because I want to go right

0:59:34.880 --> 0:59:38.080
<v Speaker 1>back into the album. But before we get into that.

0:59:38.800 --> 0:59:41.760
<v Speaker 1>Who was you at when you see ye say Shaw

0:59:41.960 --> 0:59:48.400
<v Speaker 1>was the worst thing he's up? Side down? Was? I

0:59:48.480 --> 0:59:50.720
<v Speaker 1>think I was at the crib? Yeah, I think at

0:59:50.760 --> 1:00:00.920
<v Speaker 1>the crib um. Yeah. I mean, but I mean, you know,

1:00:01.440 --> 1:00:04.800
<v Speaker 1>you know, I feel like, um, they'll be having they'll

1:00:04.800 --> 1:00:08.640
<v Speaker 1>be having a little they their issues, bro, Like you know,

1:00:09.760 --> 1:00:12.400
<v Speaker 1>you know, listen, man, you can have issues with you man,

1:00:12.800 --> 1:00:15.960
<v Speaker 1>people people. You know, he he's a different different back

1:00:15.960 --> 1:00:18.080
<v Speaker 1>and forth, you know what I'm saying. So they was

1:00:18.120 --> 1:00:20.920
<v Speaker 1>having their issues and I guess he felt, you know,

1:00:21.040 --> 1:00:22.479
<v Speaker 1>they need to get it off. And we don't see

1:00:22.560 --> 1:00:26.280
<v Speaker 1>him that often, you know, doing like you you got

1:00:26.800 --> 1:00:37.320
<v Speaker 1>you got the interview hit me to but yeah, you know,

1:00:37.520 --> 1:00:40.680
<v Speaker 1>um and I feel like, um, you know, he probably

1:00:40.760 --> 1:00:43.200
<v Speaker 1>was just getting whatever whatever he felt off his chest.

1:00:43.360 --> 1:00:46.080
<v Speaker 1>But they they they be having a little back and

1:00:46.160 --> 1:00:48.600
<v Speaker 1>force as well. And then it was it wasn't a

1:00:48.680 --> 1:00:52.720
<v Speaker 1>call did you got for Big Sean after that direct or? No? Um,

1:00:52.920 --> 1:00:55.680
<v Speaker 1>then you got to see him back on drink big No. No,

1:00:55.800 --> 1:00:57.560
<v Speaker 1>I didn't get no call. I didn't. I don't think

1:00:57.600 --> 1:01:02.440
<v Speaker 1>I got a call. Um, Damn I did. I know

1:01:02.560 --> 1:01:04.160
<v Speaker 1>I did, I didn't. I mean I didn't discuss it.

1:01:04.160 --> 1:01:07.000
<v Speaker 1>I wouldn't discuss it, man, Like that's that's their ship. Man.

1:01:07.200 --> 1:01:10.040
<v Speaker 1>You know why I say that because other than you

1:01:10.320 --> 1:01:14.360
<v Speaker 1>be what you know over y'all, I feel like you're

1:01:14.400 --> 1:01:20.440
<v Speaker 1>the most level minded. I'm for sure the most level mind. Like,

1:01:20.600 --> 1:01:25.240
<v Speaker 1>let's just be sure the most the other guy, I'm

1:01:25.720 --> 1:01:29.959
<v Speaker 1>very much everyone, I'm fair level level minded. I don't

1:01:30.440 --> 1:01:39.040
<v Speaker 1>you know, I don't meddle stay I'm never gonna be

1:01:39.120 --> 1:01:42.000
<v Speaker 1>on another record, said Cutty, please just clear this strong.

1:01:43.120 --> 1:01:46.000
<v Speaker 1>Please cut I know, I know, I know you because Cutty,

1:01:46.120 --> 1:01:51.960
<v Speaker 1>you know, Cutty's like Cutty my brother. Like Cutty's like, man,

1:01:53.360 --> 1:01:56.440
<v Speaker 1>he really gonna stand on what it is that he

1:01:56.680 --> 1:01:58.480
<v Speaker 1>you know what I'm saying, whatever, whatever it is that

1:01:58.560 --> 1:02:00.600
<v Speaker 1>he had an issue with, he gonna staying on that.

1:02:01.440 --> 1:02:04.280
<v Speaker 1>So man, you don't even know, like he was the

1:02:04.440 --> 1:02:08.280
<v Speaker 1>last person cleared on the album, Like you know what

1:02:08.320 --> 1:02:09.800
<v Speaker 1>I'm saying, Like, so you know, you're getting down to

1:02:09.880 --> 1:02:14.560
<v Speaker 1>the wire, You're getting like because he was holding right

1:02:15.200 --> 1:02:16.680
<v Speaker 1>like you know, I'm in the studio. I'm in the

1:02:16.680 --> 1:02:19.440
<v Speaker 1>studio doing like radio drops and he called me and

1:02:19.480 --> 1:02:24.040
<v Speaker 1>I'm like, bro, please, I know, I know, but just

1:02:24.400 --> 1:02:26.680
<v Speaker 1>you know, why why did you know? Because the label

1:02:26.680 --> 1:02:30.120
<v Speaker 1>I told you that he was Yeah, so I you know,

1:02:30.200 --> 1:02:32.560
<v Speaker 1>I heard. I heard. After a while, like when I'm

1:02:32.640 --> 1:02:34.000
<v Speaker 1>you know, I'm just wondering, like, you know, what's the

1:02:34.240 --> 1:02:36.000
<v Speaker 1>you know, what's the progress with the album as far

1:02:36.080 --> 1:02:38.160
<v Speaker 1>as turning it in and handed in because the music

1:02:38.200 --> 1:02:40.479
<v Speaker 1>have been done. So I'm like I'm trying to figure

1:02:40.480 --> 1:02:42.280
<v Speaker 1>out what's the days gonna be, you know, just and

1:02:42.360 --> 1:02:44.880
<v Speaker 1>I can't get these answers and nobody's saying nothing for

1:02:45.000 --> 1:02:47.800
<v Speaker 1>a long time. Everybody just being now, you know, we're

1:02:47.800 --> 1:02:49.600
<v Speaker 1>just getting it together. And then it finally got to

1:02:49.640 --> 1:02:53.240
<v Speaker 1>come out there it was cutting, and I was like, damn.

1:02:53.680 --> 1:02:57.200
<v Speaker 1>So he ended up calling me and you know, just

1:02:57.440 --> 1:03:01.080
<v Speaker 1>just telling me like you know, um, just telling me

1:03:01.160 --> 1:03:03.120
<v Speaker 1>how he felt and telling me he was he's gonna

1:03:03.160 --> 1:03:05.680
<v Speaker 1>clear it and you know, it's never nothing about me,

1:03:05.880 --> 1:03:08.920
<v Speaker 1>and you know, but he was like, yo, this this

1:03:09.080 --> 1:03:11.640
<v Speaker 1>the last one with me. I heard you had hired

1:03:11.680 --> 1:03:14.160
<v Speaker 1>a video director and everything. I hired a video director.

1:03:14.160 --> 1:03:16.840
<v Speaker 1>I've seen the video director the other night. Seeing him

1:03:16.880 --> 1:03:20.040
<v Speaker 1>the other night, told me, uh, you know, told me

1:03:20.160 --> 1:03:22.320
<v Speaker 1>how they got had the treatment together me me, and

1:03:22.440 --> 1:03:26.640
<v Speaker 1>you picked this predicted particular dude, you know, and he

1:03:26.720 --> 1:03:29.320
<v Speaker 1>was like no, no, no, he was like you know,

1:03:29.440 --> 1:03:31.760
<v Speaker 1>and everything just blew up. I was like, yeah, and

1:03:31.880 --> 1:03:33.840
<v Speaker 1>I don't know if we're ever gonna do it. So

1:03:33.960 --> 1:03:36.520
<v Speaker 1>you got to hear the information prior to it being public.

1:03:36.800 --> 1:03:40.960
<v Speaker 1>What's that that that? Yeah? Last? Ye? So he actually

1:03:41.040 --> 1:03:44.280
<v Speaker 1>called you and then send the tweet out that like

1:03:44.360 --> 1:03:49.880
<v Speaker 1>I never I know, man, that's the you know, cutting

1:03:49.960 --> 1:03:53.320
<v Speaker 1>fans is rabid, like they are rabbid as soon as

1:03:53.360 --> 1:03:55.919
<v Speaker 1>he does something, say something and go crazy. I'm gonna

1:03:55.920 --> 1:03:59.760
<v Speaker 1>tell you. I'm gonna tell you all. Uh, I'm gonna

1:03:59.800 --> 1:04:01.360
<v Speaker 1>tell you, um something that Cutty differ for me that

1:04:01.480 --> 1:04:03.920
<v Speaker 1>a lot of people don't know. I was just like

1:04:04.040 --> 1:04:08.440
<v Speaker 1>in this weird space, right, and um, I think I was.

1:04:08.600 --> 1:04:12.240
<v Speaker 1>I was on tour with the group called Mastercraft, remember that,

1:04:12.680 --> 1:04:17.280
<v Speaker 1>remember recorded that joining at our studio Mastercraft, and they

1:04:17.320 --> 1:04:20.400
<v Speaker 1>were like a Canadian like d M Man and they

1:04:20.520 --> 1:04:24.400
<v Speaker 1>wanted me to do it. So I was in this

1:04:24.640 --> 1:04:27.160
<v Speaker 1>like weird world and I would just go and just

1:04:27.440 --> 1:04:32.120
<v Speaker 1>did tonight show like a whole bunch of these what work.

1:04:32.480 --> 1:04:34.640
<v Speaker 1>It was like a little crazy year of my life, right.

1:04:35.040 --> 1:04:37.320
<v Speaker 1>But I wasn't going to like hip hop clubs and

1:04:37.400 --> 1:04:39.800
<v Speaker 1>I wasn't definitely wasn't going to like real world hip

1:04:39.840 --> 1:04:43.600
<v Speaker 1>hop clubs and cut I think I forget how cutting

1:04:43.600 --> 1:04:45.200
<v Speaker 1>out in contact with me or how we even spoke

1:04:45.520 --> 1:04:47.240
<v Speaker 1>and he said you'll come to my show tonight, and

1:04:47.280 --> 1:04:49.280
<v Speaker 1>I was like, I was like for what, Like in

1:04:49.360 --> 1:04:50.960
<v Speaker 1>my mind I said for what, I didn't think what

1:04:51.080 --> 1:04:54.800
<v Speaker 1>to them, but I was like, how I identified with

1:04:54.920 --> 1:04:58.080
<v Speaker 1>your audience. I'm this guy that's over here doing this

1:04:58.160 --> 1:05:01.080
<v Speaker 1>different type of music at this point, like where did

1:05:01.120 --> 1:05:04.840
<v Speaker 1>this correlate? And he brought me out and then he

1:05:04.960 --> 1:05:06.840
<v Speaker 1>had me do all these neptune records. I don't know

1:05:06.840 --> 1:05:09.240
<v Speaker 1>if you remember that. And he was like, well is

1:05:09.320 --> 1:05:13.400
<v Speaker 1>God in our world? And you brought God? So your

1:05:13.520 --> 1:05:15.800
<v Speaker 1>God in our world? And I had never thought up

1:05:16.120 --> 1:05:21.080
<v Speaker 1>like that in this Hi the crownd with me doing

1:05:22.200 --> 1:05:26.720
<v Speaker 1>like courting fucking purgatory and hip hop purgatory and that

1:05:26.840 --> 1:05:29.760
<v Speaker 1>this hits the crowd that for real and kind of

1:05:29.880 --> 1:05:34.440
<v Speaker 1>like made this whole audience and I can still be

1:05:34.520 --> 1:05:37.560
<v Speaker 1>who I am, and and and and Kid Cutty was

1:05:37.600 --> 1:05:39.520
<v Speaker 1>the first person to show me that your brother, you

1:05:39.680 --> 1:05:42.240
<v Speaker 1>your God in this audience because we we we looked

1:05:42.280 --> 1:05:44.960
<v Speaker 1>at the audience like we're those people were bonzoes ourselves.

1:05:45.160 --> 1:05:47.240
<v Speaker 1>He was like all those guys, you know, they were

1:05:47.280 --> 1:05:51.120
<v Speaker 1>backpacks and you know they do cocaine in the bathroom.

1:05:51.200 --> 1:05:55.920
<v Speaker 1>Is different, differ different, you know, you know, but not

1:05:56.040 --> 1:06:04.040
<v Speaker 1>realize audience is okay, okay, the record Neck and Wrist

1:06:04.120 --> 1:06:08.080
<v Speaker 1>don't live now. First off, let's just be clear. You're

1:06:08.200 --> 1:06:12.880
<v Speaker 1>using drug dealers anonymous. Yeah, you're using this So this

1:06:13.120 --> 1:06:23.600
<v Speaker 1>is favorite dose. Yeah, it's not favorite, right, Yeah, hey, man,

1:06:23.680 --> 1:06:29.280
<v Speaker 1>here's my ship. This is his favorite number two. They

1:06:29.400 --> 1:06:32.360
<v Speaker 1>just don't get a little favorites from the guard. Man.

1:06:33.400 --> 1:06:38.080
<v Speaker 1>It's the man as y'all making the record. You're saying,

1:06:38.400 --> 1:06:41.000
<v Speaker 1>we're calling the guard as you're making the record or you.

1:06:41.600 --> 1:06:43.800
<v Speaker 1>As soon as I lay diverse. As soon as I

1:06:43.880 --> 1:06:47.200
<v Speaker 1>lay diverse, the hook is there. I was like listening

1:06:47.240 --> 1:06:49.880
<v Speaker 1>for Mattes so he has a space. A matter of fact, though,

1:06:49.880 --> 1:06:54.320
<v Speaker 1>it was like the bridge everything, and I was like,

1:06:54.480 --> 1:06:59.560
<v Speaker 1>just leave him open space. And man, I just emailed

1:06:59.600 --> 1:07:03.160
<v Speaker 1>it to him. See me personally, the name of the

1:07:03.240 --> 1:07:06.600
<v Speaker 1>record would have scared me to send it to him,

1:07:08.040 --> 1:07:18.560
<v Speaker 1>because you know, neck and Risk don't lie. Yeah, I've

1:07:19.160 --> 1:07:22.480
<v Speaker 1>when I had drinks with him one time he had

1:07:22.560 --> 1:07:27.520
<v Speaker 1>on just the light three point five not a stone

1:07:27.560 --> 1:07:31.800
<v Speaker 1>inside it was it was believe it's a paddock um

1:07:32.560 --> 1:07:35.440
<v Speaker 1>uh factory. Though they called it the poplo Escobar or

1:07:35.480 --> 1:07:39.680
<v Speaker 1>something like this. I didn't even want to ask point

1:07:39.800 --> 1:07:45.000
<v Speaker 1>five day. That was the that was the That's the

1:07:45.040 --> 1:07:47.680
<v Speaker 1>only reason I call him though, honestly, I mean about

1:07:47.760 --> 1:07:50.040
<v Speaker 1>music when it comes to music. When it comes to music,

1:07:50.600 --> 1:07:52.920
<v Speaker 1>because I wrote a second verse for it, it just

1:07:53.080 --> 1:07:57.440
<v Speaker 1>didn't hit like I wanted it to hit so um

1:07:58.440 --> 1:08:00.080
<v Speaker 1>and I only reached like I said, I own. They

1:08:00.120 --> 1:08:03.800
<v Speaker 1>reach out to him musically when I feel like the

1:08:03.960 --> 1:08:06.960
<v Speaker 1>song needs an uptick, like to take it to the

1:08:07.040 --> 1:08:11.480
<v Speaker 1>next level. And we got Jupiter, yeah for sure. And

1:08:11.560 --> 1:08:13.920
<v Speaker 1>I mean neck and wrisk don't lie. I knew. I

1:08:14.120 --> 1:08:17.360
<v Speaker 1>know that he's gonna say twelve things that I can't say.

1:08:18.200 --> 1:08:20.360
<v Speaker 1>You know what I'm saying, Like I could. There's other

1:08:20.600 --> 1:08:23.840
<v Speaker 1>artists who could have been on it, but they're not

1:08:24.000 --> 1:08:32.040
<v Speaker 1>gonna They're not gonna say too much. Yeah, yeah, we

1:08:32.120 --> 1:08:36.920
<v Speaker 1>got different sobs to like I was done. I was done,

1:08:37.280 --> 1:08:43.560
<v Speaker 1>like I needed all. I was done. But yeah, so

1:08:43.640 --> 1:08:45.519
<v Speaker 1>I just reach out to him. I reach out to him,

1:08:45.920 --> 1:08:47.800
<v Speaker 1>you know when I feel about Spade for you just

1:08:47.840 --> 1:08:50.240
<v Speaker 1>in case, you know, to celebrate your album. You know

1:08:50.280 --> 1:08:58.000
<v Speaker 1>what I mean? Yeah, you know, yeah, you know. I

1:08:58.400 --> 1:09:00.400
<v Speaker 1>reach out when I when I feel like he can

1:09:00.439 --> 1:09:02.840
<v Speaker 1>add something to the add something to the song that

1:09:03.439 --> 1:09:05.800
<v Speaker 1>I just can't do. And and it was dope because

1:09:05.840 --> 1:09:08.040
<v Speaker 1>you've got the guys got the premiere on our Heart

1:09:08.479 --> 1:09:12.320
<v Speaker 1>every hour on the hour. So the person didn't like y'all,

1:09:12.360 --> 1:09:14.880
<v Speaker 1>they got, they got to not like your more because

1:09:15.040 --> 1:09:19.080
<v Speaker 1>every hour on. I mean explain that to an artist,

1:09:19.800 --> 1:09:22.000
<v Speaker 1>you gonna be right back into the album. But is

1:09:22.080 --> 1:09:23.960
<v Speaker 1>that like a plus when you could be able to

1:09:24.040 --> 1:09:26.240
<v Speaker 1>just go straight out of the gate and get it

1:09:26.479 --> 1:09:30.120
<v Speaker 1>on on on the radio because of you know, who

1:09:30.200 --> 1:09:32.360
<v Speaker 1>you are and the person you have on it. Yeah,

1:09:32.520 --> 1:09:36.400
<v Speaker 1>I mean, you know, I think that. Um. I think that. Um.

1:09:38.240 --> 1:09:40.479
<v Speaker 1>You know, when when you can when you can get

1:09:40.520 --> 1:09:45.599
<v Speaker 1>a record on radio and and people and it gets

1:09:45.680 --> 1:09:50.519
<v Speaker 1>that head start, that jump start. Um, you usually do

1:09:50.720 --> 1:09:53.600
<v Speaker 1>that in trying to make sure that that record is

1:09:53.600 --> 1:09:57.240
<v Speaker 1>gonna go like really you know, try to chart some

1:09:57.360 --> 1:09:59.040
<v Speaker 1>on and so forth, and you still feel that radio

1:09:59.080 --> 1:10:01.840
<v Speaker 1>has that impact day. Yeah, I think so. I think so.

1:10:02.040 --> 1:10:06.760
<v Speaker 1>I think I think um, I think radio is very important. Um.

1:10:07.040 --> 1:10:09.360
<v Speaker 1>I think for what it is that we do, man,

1:10:09.400 --> 1:10:12.920
<v Speaker 1>we need to check off every box what I'm saying, Yeah,

1:10:13.360 --> 1:10:18.479
<v Speaker 1>for sure, for sure, like we need to check off

1:10:18.560 --> 1:10:24.000
<v Speaker 1>every box. And that was that was something that like

1:10:24.360 --> 1:10:28.479
<v Speaker 1>just out of respect of who it was on the song.

1:10:28.560 --> 1:10:31.360
<v Speaker 1>I'm like, I'm really fighting like nah, at the end

1:10:31.360 --> 1:10:33.760
<v Speaker 1>of the day, I want people to get a song

1:10:33.840 --> 1:10:36.600
<v Speaker 1>it needs that look, I mean, the profile of the

1:10:36.720 --> 1:10:39.080
<v Speaker 1>of the artist on it, the features, you know, him

1:10:39.160 --> 1:10:41.920
<v Speaker 1>and Forelis is too high for not to get that. Look,

1:10:42.479 --> 1:10:45.080
<v Speaker 1>I don't necessarily make radio records, you know what I'm saying.

1:10:45.160 --> 1:10:47.960
<v Speaker 1>But then the video, it's gonna be like a headache

1:10:48.960 --> 1:10:50.719
<v Speaker 1>the video. We we we're not gonna do a video,

1:10:52.280 --> 1:10:55.479
<v Speaker 1>you know what's crazy video? You know what's crazy which

1:10:55.520 --> 1:10:58.320
<v Speaker 1>people would appreciate if you was to do a video

1:10:58.360 --> 1:11:02.400
<v Speaker 1>where you're not even in there. Oh no, we we

1:11:02.640 --> 1:11:05.080
<v Speaker 1>we will do something like that. But I'm saying, I'm

1:11:05.200 --> 1:11:08.120
<v Speaker 1>you know, for people thinking we're gonna shoot like hovers

1:11:08.200 --> 1:11:12.200
<v Speaker 1>coming to sit on a set video, It's not happening.

1:11:12.880 --> 1:11:17.519
<v Speaker 1>It's not happening. Yeah, which I mean me, I would

1:11:17.520 --> 1:11:19.560
<v Speaker 1>have shot it in his house, you know, just so

1:11:19.680 --> 1:11:26.720
<v Speaker 1>he didn't have to. But nah, but you know, end

1:11:26.760 --> 1:11:28.439
<v Speaker 1>of the day, man, I think that I think that

1:11:28.560 --> 1:11:30.960
<v Speaker 1>record had the impact and it and it talked to

1:11:31.040 --> 1:11:35.599
<v Speaker 1>our core, my core and his core. I think they're

1:11:35.600 --> 1:11:38.200
<v Speaker 1>the same. Yeah. Yeah, so let's move on to the

1:11:38.320 --> 1:11:41.560
<v Speaker 1>next record just so you remember, Yeah, just so you

1:11:41.680 --> 1:11:44.880
<v Speaker 1>remember who you're dealing with. That's uh, that's the rap

1:11:44.960 --> 1:11:48.599
<v Speaker 1>moment on the album to me, like the heavy rat moment,

1:11:49.160 --> 1:11:54.040
<v Speaker 1>uh stripped down beat and you know, it's one of

1:11:54.120 --> 1:11:56.800
<v Speaker 1>my favorite records, but it stayed in more of that

1:11:57.000 --> 1:12:03.880
<v Speaker 1>mixtape lane. You know, M just barring out, barring out.

1:12:03.960 --> 1:12:06.000
<v Speaker 1>I don't even know how how many how many lines

1:12:06.040 --> 1:12:11.960
<v Speaker 1>it is, but it's a lot. Okay, let's go to

1:12:12.040 --> 1:12:17.160
<v Speaker 1>the next record, Diet Coke, Diet Coke. Here's the question

1:12:17.240 --> 1:12:20.479
<v Speaker 1>I asked about this. What did y'all call Joey Crack?

1:12:21.120 --> 1:12:25.920
<v Speaker 1>And before this, no, we just sampled him. He got

1:12:26.000 --> 1:12:30.400
<v Speaker 1>to hear it with us, like, um, like damn, you

1:12:30.479 --> 1:12:37.599
<v Speaker 1>know what somebody might have told him, Okay maybe yeah,

1:12:37.960 --> 1:12:40.439
<v Speaker 1>but we dropped as a single, so you gotta clear it.

1:12:41.360 --> 1:12:44.599
<v Speaker 1>So yeah, so probably in the clearance process he he knew,

1:12:44.680 --> 1:12:47.360
<v Speaker 1>but yeah, but yeah, the record was done and he

1:12:47.479 --> 1:12:50.160
<v Speaker 1>was like, nah, you gotta put Joe Crack. In fact,

1:12:50.240 --> 1:12:53.280
<v Speaker 1>Joe on the front of that though Yesterday's prey. Yeah yeah,

1:12:53.400 --> 1:12:56.479
<v Speaker 1>he was like, I gotta start like that. That's that's

1:12:56.560 --> 1:13:01.240
<v Speaker 1>to me, is is Jay's biggest um you know his

1:13:01.479 --> 1:13:05.920
<v Speaker 1>um Yeah, that's where his genius comes from. His instincts.

1:13:06.680 --> 1:13:08.400
<v Speaker 1>Like it's fast, Like you know what I'm saying, Like

1:13:08.760 --> 1:13:11.960
<v Speaker 1>when when whenever he's in the moment and his musically

1:13:12.040 --> 1:13:15.960
<v Speaker 1>and his instincts kick in, You're definitely gonna get a

1:13:16.160 --> 1:13:18.800
<v Speaker 1>gem out of like what it is that that he's

1:13:18.840 --> 1:13:21.080
<v Speaker 1>trying to make or create for you for him who

1:13:21.120 --> 1:13:22.880
<v Speaker 1>said black and white video and he's gonna dance like

1:13:23.200 --> 1:13:25.519
<v Speaker 1>that's the whole, the whole thing. He saw the whole

1:13:25.680 --> 1:13:31.920
<v Speaker 1>He saw the listen to listen, change my outfit. I

1:13:31.960 --> 1:13:33.360
<v Speaker 1>didn't have on the leather he wanted me to have

1:13:33.479 --> 1:13:35.439
<v Speaker 1>on the leather I had on like some type of veg. Nah,

1:13:35.600 --> 1:13:39.240
<v Speaker 1>you need the leather to Craig mac big pocket. You

1:13:39.320 --> 1:13:43.280
<v Speaker 1>know you got to have it. But but yeah, like

1:13:43.439 --> 1:13:46.360
<v Speaker 1>he um, he saw the whole vision for that. And

1:13:47.360 --> 1:13:49.680
<v Speaker 1>once the record was done, the video was shot the

1:13:49.760 --> 1:13:54.599
<v Speaker 1>next day. So he was like, no, y'all get in here,

1:13:54.640 --> 1:13:56.160
<v Speaker 1>y'all go, you to find a space, go do it.

1:13:56.880 --> 1:14:02.120
<v Speaker 1>And I don't know eight nine was on set. This

1:14:02.280 --> 1:14:12.559
<v Speaker 1>is definitely m budget. Yeah your face, yeah, just now, okay,

1:14:12.640 --> 1:14:17.160
<v Speaker 1>hold on, where were you want to ask this one?

1:14:17.600 --> 1:14:21.320
<v Speaker 1>Rock and roll? Rock and roll heard it's a perfect day,

1:14:21.880 --> 1:14:24.960
<v Speaker 1>perfect day. Everybody was there, smoked up. I just do

1:14:25.120 --> 1:14:28.320
<v Speaker 1>that out there, ain't I don't know that pot. Everyone

1:14:28.479 --> 1:14:32.599
<v Speaker 1>was cutty, justself robbed in the studio. Ja, it's already,

1:14:32.680 --> 1:14:37.760
<v Speaker 1>this is already down. This is a perfect day, perfect record. Yeah, um,

1:14:38.560 --> 1:14:42.400
<v Speaker 1>you know, um, just really good day. Um. Yeah. Yeah.

1:14:42.439 --> 1:14:45.880
<v Speaker 1>He just was like he got on the NPC and

1:14:45.920 --> 1:14:51.800
<v Speaker 1>start chopping the Beyonce one plus one sample and you know,

1:14:51.960 --> 1:14:54.720
<v Speaker 1>like you said, Cutty came through. Um, the only thing

1:14:54.800 --> 1:14:59.840
<v Speaker 1>he couldn't find. Yeah, but the only thing you couldn't

1:14:59.840 --> 1:15:05.040
<v Speaker 1>find on that day, um was the drums. And so

1:15:05.280 --> 1:15:07.519
<v Speaker 1>you know it takes me a second just to write anyway.

1:15:07.640 --> 1:15:12.559
<v Speaker 1>So um, you know, by the time he was like, Yo,

1:15:12.680 --> 1:15:14.880
<v Speaker 1>sending this to Farrell, let him put his drums on it.

1:15:15.640 --> 1:15:17.639
<v Speaker 1>So that's the only record they worked on collaborating. That's

1:15:17.640 --> 1:15:19.320
<v Speaker 1>the only record it was because of that, because he

1:15:19.360 --> 1:15:21.240
<v Speaker 1>couldn't figure out the drums. Yeah, I mean, he just

1:15:21.520 --> 1:15:24.559
<v Speaker 1>he just didn't have like I remember just going through

1:15:24.720 --> 1:15:27.040
<v Speaker 1>drums and none of it was hitting to his liking.

1:15:27.120 --> 1:15:28.840
<v Speaker 1>None of it was hitting to his liking. And he

1:15:28.960 --> 1:15:30.840
<v Speaker 1>was like, Yo, send this to send this to p like,

1:15:31.240 --> 1:15:33.280
<v Speaker 1>tell him put his drums on it. Because had he

1:15:33.360 --> 1:15:35.519
<v Speaker 1>not figured had he figured out the drums, it might

1:15:35.600 --> 1:15:39.479
<v Speaker 1>have been a collaborative record, right right, It wasn't you know,

1:15:39.560 --> 1:15:42.080
<v Speaker 1>it wasn't supposed to be Like he he'd be in

1:15:42.120 --> 1:15:44.640
<v Speaker 1>the moment lack of a better term for back then,

1:15:44.680 --> 1:15:47.000
<v Speaker 1>it was supposed to be like a side B side, right,

1:15:47.400 --> 1:15:50.800
<v Speaker 1>was it? That's supposed to be to be Okay, for sure,

1:15:51.479 --> 1:15:54.960
<v Speaker 1>that's good for this this next record. I feel like,

1:15:56.240 --> 1:15:58.200
<v Speaker 1>and let's be so we're not getting the kid cutting

1:15:58.240 --> 1:16:00.680
<v Speaker 1>and Kanye video, and if we do get it, it's

1:16:00.720 --> 1:16:03.000
<v Speaker 1>could be in separate rooms because that can still I

1:16:03.000 --> 1:16:05.760
<v Speaker 1>would like, I mean, listen to performing really well, so

1:16:05.800 --> 1:16:07.519
<v Speaker 1>I think we should. I mean I talked to I

1:16:07.600 --> 1:16:09.920
<v Speaker 1>talked to Cutty yesterday and just was like telling them

1:16:09.960 --> 1:16:12.920
<v Speaker 1>how how crazy this song is doing. He's like, no,

1:16:13.160 --> 1:16:15.040
<v Speaker 1>you know, I know I love that record. This isn't

1:16:15.040 --> 1:16:22.800
<v Speaker 1>that so master to this time? You know what? Yeah? Yeah,

1:16:22.920 --> 1:16:25.200
<v Speaker 1>I think I think I think should do it. They

1:16:25.200 --> 1:16:27.080
<v Speaker 1>don't have to be in the same we've we've done it,

1:16:27.240 --> 1:16:30.840
<v Speaker 1>We've done this. They don't gotta be yeah cool, let's

1:16:30.840 --> 1:16:32.599
<v Speaker 1>go to the next one. For some reason, I feel

1:16:32.600 --> 1:16:33.760
<v Speaker 1>like this is one of your top three or the

1:16:33.840 --> 1:16:39.680
<v Speaker 1>album Call my Bluff, Yeah, call my bluff, Just call

1:16:39.760 --> 1:16:44.160
<v Speaker 1>my bluff for sure is top three for me. Um

1:16:45.760 --> 1:16:49.000
<v Speaker 1>simply because it was it was work, it was real work,

1:16:49.800 --> 1:16:53.639
<v Speaker 1>and again it was like you know again me taking

1:16:53.680 --> 1:16:57.200
<v Speaker 1>direction and like you know, really hopping in the character

1:16:57.320 --> 1:17:01.800
<v Speaker 1>and really just trying to execute, um, execute what it

1:17:01.960 --> 1:17:05.519
<v Speaker 1>is that P wanted me to, you know what what

1:17:05.680 --> 1:17:10.800
<v Speaker 1>he feels is gonna level me up musically. Um man.

1:17:11.600 --> 1:17:16.760
<v Speaker 1>You know, the the whole idea of the record um

1:17:17.760 --> 1:17:20.519
<v Speaker 1>came from. I thought I was gonna have an issue

1:17:20.560 --> 1:17:25.639
<v Speaker 1>with somebody, right, and I was telling, I was telling

1:17:25.680 --> 1:17:29.080
<v Speaker 1>for real about it, and my man had called me,

1:17:29.240 --> 1:17:31.840
<v Speaker 1>was like, oh, you know, you know I heard it

1:17:31.920 --> 1:17:34.320
<v Speaker 1>about you know it might be something blas blah blah.

1:17:34.360 --> 1:17:36.479
<v Speaker 1>He was like, well, you know, his girl be trying

1:17:36.520 --> 1:17:39.680
<v Speaker 1>to fuck me all the time. And he was like

1:17:40.400 --> 1:17:42.360
<v Speaker 1>he was like yeah, she'd be in my DMO room.

1:17:42.520 --> 1:17:44.280
<v Speaker 1>Like he was like yeah all the time. He said,

1:17:44.320 --> 1:17:46.400
<v Speaker 1>So I'm a sucker, he's I'm a taper. He said,

1:17:46.439 --> 1:17:48.080
<v Speaker 1>we don't have fun with it. We can't have fun,

1:17:48.240 --> 1:17:50.679
<v Speaker 1>like we canna have fun with this whole ship because

1:17:50.680 --> 1:17:56.600
<v Speaker 1>he was kill him right. And then he was like

1:17:56.720 --> 1:17:58.759
<v Speaker 1>and you know, and and and if you go crazy,

1:17:59.600 --> 1:18:02.479
<v Speaker 1>but if if you get crazy or whatever. He sent

1:18:02.600 --> 1:18:06.080
<v Speaker 1>me to addresses. He was like, you know, it can

1:18:06.160 --> 1:18:09.679
<v Speaker 1>go ever I thought about it. I'm thinking to myself,

1:18:09.800 --> 1:18:13.479
<v Speaker 1>like I'm not even on it, like like I'm not,

1:18:13.840 --> 1:18:16.000
<v Speaker 1>I ain't even tripping like that. But I knew it myself, like, yo,

1:18:16.040 --> 1:18:18.200
<v Speaker 1>if I even entertain this. I was excited about it

1:18:18.240 --> 1:18:20.400
<v Speaker 1>the first and then I was like, if I entertained it,

1:18:20.439 --> 1:18:22.200
<v Speaker 1>this is a false that I can't really turn off

1:18:22.640 --> 1:18:28.240
<v Speaker 1>because he's not gonna play at all. So um, needless

1:18:28.280 --> 1:18:30.120
<v Speaker 1>to say, I told I was telling pe about it,

1:18:30.160 --> 1:18:33.280
<v Speaker 1>and that's where the the nonchalant and I can get

1:18:33.320 --> 1:18:35.080
<v Speaker 1>it done. I can't have that, can have it happened

1:18:35.120 --> 1:18:41.120
<v Speaker 1>that joker energy, nonchalant. You know what I'm saying, it's

1:18:41.160 --> 1:18:44.760
<v Speaker 1>it's my way. If I really wanted to be my way. Um,

1:18:45.160 --> 1:18:49.360
<v Speaker 1>attitude comes from in the joint. I wouldn't have thought that. Yeah,

1:18:50.479 --> 1:18:53.439
<v Speaker 1>I mean that's just the real backstory, all right. So

1:18:53.560 --> 1:18:56.840
<v Speaker 1>scrap it off, scrape it off the tail, scrape it

1:18:56.840 --> 1:18:58.960
<v Speaker 1>off the top. I just man, the record was the

1:18:59.080 --> 1:19:01.800
<v Speaker 1>track of so was was fun. That's that's your radio

1:19:01.840 --> 1:19:03.840
<v Speaker 1>record to me, you think so to me, to me,

1:19:04.000 --> 1:19:07.160
<v Speaker 1>that's what I want to see you in, motherfucking and Grilla,

1:19:07.880 --> 1:19:16.040
<v Speaker 1>Oh mangoes on the y'all chair, you know, yeah, yeah, yeah, yeah,

1:19:18.400 --> 1:19:21.600
<v Speaker 1>you know what I'm saying. Yeah, yeah, I think that.

1:19:22.280 --> 1:19:26.400
<v Speaker 1>I think I think that that's it. I mean, you know,

1:19:26.640 --> 1:19:30.360
<v Speaker 1>I think it's fired. I mean, listen, it's performing crazy.

1:19:30.800 --> 1:19:34.160
<v Speaker 1>You know what I'm saying. Um, I feel like I

1:19:34.200 --> 1:19:37.120
<v Speaker 1>feel like Oozy is the king of the youth for real.

1:19:37.560 --> 1:19:40.559
<v Speaker 1>I feel like Don Tolliver is um when it comes

1:19:40.600 --> 1:19:43.479
<v Speaker 1>to the melodies. I can't go on my Explore page

1:19:43.520 --> 1:19:47.920
<v Speaker 1>and ain't a girl putting on makeup to Don Tolliver's music. Wow, fire,

1:19:48.360 --> 1:19:51.679
<v Speaker 1>you know what I'm saying. He just he he's talking

1:19:51.760 --> 1:19:55.519
<v Speaker 1>at that frequency that people rocking with girls are rocking with,

1:19:55.680 --> 1:19:58.160
<v Speaker 1>so you you you could be right. I'm just you know,

1:19:59.640 --> 1:20:01.160
<v Speaker 1>you gotta see how do these joints? You know how

1:20:01.240 --> 1:20:08.640
<v Speaker 1>it turns out? Oh? Hear me clearly? Yeah, hear me clearly. Man,

1:20:08.720 --> 1:20:11.519
<v Speaker 1>you know it's crazy. This is this is real talk.

1:20:13.640 --> 1:20:18.240
<v Speaker 1>I don't think anybody here knows this. I probably started

1:20:18.280 --> 1:20:23.600
<v Speaker 1>working with for a reale. I ain't the seven that

1:20:23.720 --> 1:20:26.559
<v Speaker 1>had to be because it dropped the Remember back then,

1:20:26.600 --> 1:20:29.559
<v Speaker 1>we had to record a year in evance right as

1:20:29.680 --> 1:20:32.439
<v Speaker 1>much as I've ever been around, for as much as

1:20:32.760 --> 1:20:34.639
<v Speaker 1>it gave me one of the first pair of babes,

1:20:35.000 --> 1:20:37.439
<v Speaker 1>and I worried and everyone laughed at me because they

1:20:37.479 --> 1:20:41.240
<v Speaker 1>said those look like freak up towns right to never

1:20:41.600 --> 1:20:45.040
<v Speaker 1>one time, and it's all of these years, has Nego

1:20:45.240 --> 1:20:52.400
<v Speaker 1>ever said Hi to me? Wow, God, we've been the same,

1:20:53.600 --> 1:21:00.120
<v Speaker 1>we've been. I've never once He's never like said him.

1:21:02.200 --> 1:21:04.920
<v Speaker 1>I might be just as guilty. Yeah, Like I don't

1:21:05.040 --> 1:21:06.800
<v Speaker 1>you know, I might be just as guilty because I've

1:21:07.160 --> 1:21:09.719
<v Speaker 1>never probably never said hi back because I never felt

1:21:09.800 --> 1:21:12.720
<v Speaker 1>like I never felt like his energy permitted me to

1:21:12.880 --> 1:21:17.439
<v Speaker 1>say hi. So all these years, all these I've never said.

1:21:17.760 --> 1:21:19.800
<v Speaker 1>Me and Nigo have never spoke. I don't even know

1:21:19.840 --> 1:21:28.360
<v Speaker 1>if you can speak English this, I've never seen him speak. Yeah,

1:21:30.760 --> 1:21:32.280
<v Speaker 1>I don't know. I mean, you know, I can't even

1:21:32.320 --> 1:21:33.960
<v Speaker 1>really speak to that. But I you know, I know

1:21:34.160 --> 1:21:37.720
<v Speaker 1>that just with him, it's it's a respect thing and

1:21:37.880 --> 1:21:41.400
<v Speaker 1>like just you know, respecting people's space and just it's

1:21:41.439 --> 1:21:44.640
<v Speaker 1>just what they what they do over there anyway. So

1:21:46.439 --> 1:21:49.400
<v Speaker 1>I mean, he's familiar, like we've met him. We've met

1:21:49.520 --> 1:21:51.680
<v Speaker 1>him because of the music. Ye I heard the job

1:21:51.760 --> 1:21:54.280
<v Speaker 1>mat him because of the jury, right, because because well

1:21:54.320 --> 1:21:56.519
<v Speaker 1>he was a fan of the music and then found

1:21:56.560 --> 1:22:01.719
<v Speaker 1>out that he was getting his jury done from from Jacob.

1:22:01.800 --> 1:22:05.080
<v Speaker 1>So he would come and get everything he got in

1:22:05.920 --> 1:22:10.519
<v Speaker 1>three colors with all the best diamonds every time. And

1:22:10.640 --> 1:22:12.879
<v Speaker 1>that's you know that, that's who really made that connection

1:22:13.120 --> 1:22:16.599
<v Speaker 1>as far as Nigo goes. So let's get that record. Yeah,

1:22:17.040 --> 1:22:21.360
<v Speaker 1>break down that record. Oh man, hear me clearly, um um,

1:22:21.520 --> 1:22:25.200
<v Speaker 1>one of the first records that I did, and you know,

1:22:25.600 --> 1:22:30.200
<v Speaker 1>the beat just had a real um. It just spoke

1:22:30.240 --> 1:22:32.320
<v Speaker 1>to me, and it spoke to the hot sixteen in me,

1:22:33.200 --> 1:22:39.679
<v Speaker 1>you know, and you know, just recently, my biggest regret

1:22:39.880 --> 1:22:42.280
<v Speaker 1>from this album is Nas not being on this record,

1:22:42.600 --> 1:22:46.599
<v Speaker 1>because I um, I did that that the one verse

1:22:46.680 --> 1:22:48.759
<v Speaker 1>that I had on it, I sent it to Nas

1:22:49.520 --> 1:22:52.640
<v Speaker 1>ages ago, ages ago. As soon as I got I

1:22:52.720 --> 1:22:54.680
<v Speaker 1>was like, no, I want NOAs on this because I

1:22:54.800 --> 1:22:58.360
<v Speaker 1>felt like, um, I know, I just felt like you

1:22:58.360 --> 1:23:01.479
<v Speaker 1>would have killed it right, So they got quiet. I

1:23:01.520 --> 1:23:03.719
<v Speaker 1>didn't hear from him for a long time or whatever,

1:23:04.000 --> 1:23:06.280
<v Speaker 1>but I gave it to him so long ago that

1:23:06.320 --> 1:23:09.200
<v Speaker 1>I felt like, you know, you know, I gave him time.

1:23:10.040 --> 1:23:14.720
<v Speaker 1>So I ran into him at Coake Man, the Korean steakhouse.

1:23:15.479 --> 1:23:19.639
<v Speaker 1>But what is it? Quite? Cet? Yeah? Yeah, quit quite?

1:23:21.600 --> 1:23:30.120
<v Speaker 1>I don't know, Yeah, no, don't. Let's all right, So

1:23:31.000 --> 1:23:33.519
<v Speaker 1>so man, I ran into him. Man, He's like, Yo,

1:23:33.680 --> 1:23:39.000
<v Speaker 1>what's up in New York? In New York? Man, yeah

1:23:39.080 --> 1:23:44.280
<v Speaker 1>he um Man. He brought out thousands of dollars worth

1:23:44.320 --> 1:23:49.080
<v Speaker 1>for wagu and and and sent it over to the table,

1:23:49.360 --> 1:23:51.559
<v Speaker 1>came over. We just talked about. I was like, Man,

1:23:51.640 --> 1:23:53.479
<v Speaker 1>you know, I still want you on this record, I said, Man,

1:23:53.479 --> 1:23:55.360
<v Speaker 1>I want you to be I said, I'm gonna put

1:23:55.400 --> 1:23:58.439
<v Speaker 1>this record out because by this time Paris Fashion weekn happen.

1:23:58.920 --> 1:24:01.439
<v Speaker 1>They got the snippet it, it got all the hits

1:24:01.520 --> 1:24:04.080
<v Speaker 1>or whatever, and I was like, but I want you

1:24:04.240 --> 1:24:06.519
<v Speaker 1>to still be the last verse because I don't be

1:24:06.600 --> 1:24:10.120
<v Speaker 1>the surprise on my album, like you know, because I'm

1:24:10.160 --> 1:24:15.680
<v Speaker 1>putting the song on my album for sure what I

1:24:15.760 --> 1:24:19.960
<v Speaker 1>was going for, know what I was doing, right, So

1:24:22.000 --> 1:24:25.599
<v Speaker 1>so yeah, it just didn't happen. Man, it did not happen. Man,

1:24:25.720 --> 1:24:30.760
<v Speaker 1>biggest regret, biggest regret of the album. Okay, moving on

1:24:31.720 --> 1:24:35.720
<v Speaker 1>Open Air, Yeah, Open Air. I feel like open There

1:24:36.040 --> 1:24:41.160
<v Speaker 1>was an answer to one of those records, and it

1:24:41.320 --> 1:24:43.600
<v Speaker 1>was either an answer to Dreaming of the Past or

1:24:43.680 --> 1:24:47.479
<v Speaker 1>was an answer to um to hear me clearly that

1:24:47.640 --> 1:24:49.599
<v Speaker 1>was for real trying to get in his dark bag

1:24:51.280 --> 1:24:53.760
<v Speaker 1>and um just you know, just trying to really just

1:24:54.479 --> 1:24:57.800
<v Speaker 1>like man, you couldn't have all the hard records. You

1:24:57.880 --> 1:25:02.360
<v Speaker 1>gotta show he could do it too. Okay, now the

1:25:02.520 --> 1:25:06.960
<v Speaker 1>last one, the best one. You know what was crazy?

1:25:07.840 --> 1:25:12.559
<v Speaker 1>Um When I first listened to it, I didn't look

1:25:12.640 --> 1:25:16.120
<v Speaker 1>at the features on purpose. I wanted to just appreciate

1:25:16.200 --> 1:25:19.840
<v Speaker 1>the music about. What I didn't want to do was

1:25:20.200 --> 1:25:23.320
<v Speaker 1>to listen to it in order that you made sometimes

1:25:23.360 --> 1:25:26.439
<v Speaker 1>they shuffle, so that what I kept doing was after

1:25:26.520 --> 1:25:29.439
<v Speaker 1>I was playing it, I went back to the original

1:25:29.520 --> 1:25:32.280
<v Speaker 1>playlist to make sure that it was it was correct,

1:25:34.200 --> 1:25:37.680
<v Speaker 1>and you and your brother sounds so good together. I

1:25:37.800 --> 1:25:40.680
<v Speaker 1>couldn't know. I couldn't really see where you started. And

1:25:40.800 --> 1:25:43.760
<v Speaker 1>he finished that while so I sat back and saying

1:25:43.800 --> 1:25:46.519
<v Speaker 1>oh Ship. Like like I said, I didn't look at it.

1:25:46.760 --> 1:25:48.800
<v Speaker 1>I didn't know what he was doing that, and it

1:25:48.920 --> 1:25:52.920
<v Speaker 1>just reminded me like, oh Ship. The young version of

1:25:52.960 --> 1:25:55.439
<v Speaker 1>the clips I remember, you know, I remember the grinding

1:25:55.560 --> 1:25:57.720
<v Speaker 1>video me me, me driving out there and me going

1:25:57.800 --> 1:26:00.439
<v Speaker 1>to your hood and seeing like wow, but Jennie is

1:26:00.560 --> 1:26:03.680
<v Speaker 1>really fucking the lood like like and it just but

1:26:04.200 --> 1:26:06.040
<v Speaker 1>how hard I know you got a little brother card.

1:26:06.320 --> 1:26:10.000
<v Speaker 1>I've been watching your interviews. But but still this album

1:26:10.160 --> 1:26:12.559
<v Speaker 1>doesn't really represent what he represents. What I mean by

1:26:12.640 --> 1:26:14.760
<v Speaker 1>that is, you know, he's a man of God. He's

1:26:14.760 --> 1:26:16.840
<v Speaker 1>a man Like this wasn't like a Mace move, not

1:26:17.040 --> 1:26:20.160
<v Speaker 1>taking a shot at Mace, but like this was like

1:26:20.520 --> 1:26:24.240
<v Speaker 1>he really doving, Like follow him on Instagram. He has

1:26:24.520 --> 1:26:27.200
<v Speaker 1>people that he preaches to. This is a real full

1:26:27.240 --> 1:26:29.400
<v Speaker 1>fleshed thing. So how do you convince him? Like I said,

1:26:29.479 --> 1:26:30.960
<v Speaker 1>you know, you got a little brother car but other

1:26:31.080 --> 1:26:34.000
<v Speaker 1>than that, because it's like I know you're gonna say, well, well,

1:26:34.560 --> 1:26:37.479
<v Speaker 1>well you got this other content on the here, So

1:26:37.560 --> 1:26:40.040
<v Speaker 1>how do you convince him to do that? Um? You know,

1:26:40.160 --> 1:26:42.760
<v Speaker 1>it wasn't It wasn't really convincing. I think my I

1:26:42.840 --> 1:26:46.880
<v Speaker 1>think my brother is really he's really self aware. Like

1:26:47.040 --> 1:26:50.360
<v Speaker 1>he knows. My brother knows he's like the realist. He

1:26:50.520 --> 1:26:52.160
<v Speaker 1>knows he's the realist. So he can put him in

1:26:52.280 --> 1:26:58.120
<v Speaker 1>any uh any situation and he just gonna beat him,

1:26:58.240 --> 1:27:01.320
<v Speaker 1>do him. He don't, you know, he doesn't necessarily think

1:27:01.360 --> 1:27:05.639
<v Speaker 1>that because he's on a record that has whatever type

1:27:05.680 --> 1:27:07.720
<v Speaker 1>of content that you know, if if you let him

1:27:07.760 --> 1:27:11.160
<v Speaker 1>tell it, he getting his message across his points from Yeah,

1:27:11.920 --> 1:27:14.360
<v Speaker 1>you know, and it's competitive for him to he like, man,

1:27:14.439 --> 1:27:17.320
<v Speaker 1>I'm I'm still dope, Like I'm dope, and I can

1:27:17.360 --> 1:27:19.080
<v Speaker 1>be dope saying this, and I can be better than

1:27:19.120 --> 1:27:24.400
<v Speaker 1>you saying it, like you know, that's it. So you

1:27:24.520 --> 1:27:29.240
<v Speaker 1>know that that that record, Um, I think that record.

1:27:29.360 --> 1:27:37.160
<v Speaker 1>Let everybody know that the possibility of doing Eclipse record

1:27:38.000 --> 1:27:41.120
<v Speaker 1>would make a lot of people happy. And and you know,

1:27:41.360 --> 1:27:48.559
<v Speaker 1>just just I don't know, I think that, like I mean,

1:27:48.680 --> 1:27:50.960
<v Speaker 1>it's it just be up to him. It's just up

1:27:51.000 --> 1:27:52.960
<v Speaker 1>to him, like it ain't. It ain't even mean. So

1:27:53.040 --> 1:27:58.439
<v Speaker 1>there's no more conversations from that record making it a reality.

1:27:59.000 --> 1:28:01.120
<v Speaker 1>Funny funny thing is he hit me the other day like, oh,

1:28:01.200 --> 1:28:03.840
<v Speaker 1>I see what they're saying. He hit me, hit me

1:28:03.880 --> 1:28:05.280
<v Speaker 1>the other day. He's like, I see what they're saying.

1:28:05.320 --> 1:28:07.679
<v Speaker 1>Ain't He was like, yo, I want you to change

1:28:08.920 --> 1:28:13.120
<v Speaker 1>on the credits. Make sure it says malice not no malice. Wow, yeah,

1:28:13.240 --> 1:28:17.280
<v Speaker 1>because I did. I did say no malice. It does. Yeah, No,

1:28:17.960 --> 1:28:21.840
<v Speaker 1>it's malice. It says malice. Hold on, it says malice. Yeah,

1:28:27.360 --> 1:28:32.920
<v Speaker 1>what is this? Did I see? I pray no malice?

1:28:33.400 --> 1:28:37.040
<v Speaker 1>But what is this though? Like that's oh yeah, no, no,

1:28:37.360 --> 1:28:41.680
<v Speaker 1>no on the actual look you no no, but I'm

1:28:41.720 --> 1:28:55.800
<v Speaker 1>on another you got because come up schools cocaine. They

1:28:55.880 --> 1:29:03.280
<v Speaker 1>list to cocaine. Google's love You. Yeah, we would be crazy.

1:29:03.320 --> 1:29:05.720
<v Speaker 1>Though you guys pulled off an album together. You can

1:29:06.160 --> 1:29:09.720
<v Speaker 1>that duality can exist. It would be so crazy if

1:29:09.760 --> 1:29:12.479
<v Speaker 1>you work together too long. This is what I remember.

1:29:12.560 --> 1:29:15.000
<v Speaker 1>I remember do from my Hoodie passed away, so I

1:29:15.040 --> 1:29:17.840
<v Speaker 1>don't want to um, but um he was. He told me.

1:29:17.880 --> 1:29:20.639
<v Speaker 1>He was like, yo, I want to get on right.

1:29:20.880 --> 1:29:22.360
<v Speaker 1>He was like, so I want to. I want to

1:29:22.400 --> 1:29:26.400
<v Speaker 1>diss you. And I was like, diss me? What sisters

1:29:26.439 --> 1:29:28.519
<v Speaker 1>that man? He was like no, because you're the biggest artist.

1:29:28.560 --> 1:29:30.679
<v Speaker 1>So if I diss you, I'll get attention. So I said,

1:29:30.680 --> 1:29:32.439
<v Speaker 1>all right, cue, you know what we're doing. Let's let's

1:29:32.640 --> 1:29:34.720
<v Speaker 1>let's do it on the same record. You dissed me.

1:29:34.760 --> 1:29:36.599
<v Speaker 1>But I'm gonna be able to go. But I'm gonna sorry.

1:29:36.600 --> 1:29:38.920
<v Speaker 1>I really raped. And it made me think about that

1:29:39.000 --> 1:29:42.720
<v Speaker 1>because it was too opposite opinions. And I was like,

1:29:43.040 --> 1:29:45.160
<v Speaker 1>but he never got to do it. He passed away.

1:29:45.640 --> 1:29:47.800
<v Speaker 1>But I think of that when I think of you

1:29:47.920 --> 1:29:50.600
<v Speaker 1>and your brother, like you're not changing nothing, nothing, and

1:29:50.720 --> 1:29:53.680
<v Speaker 1>they're not changing, and if the opposite of opinion, but

1:29:53.760 --> 1:29:57.439
<v Speaker 1>it's it's where you guys, you know, correlating when you

1:29:57.479 --> 1:30:00.960
<v Speaker 1>guys go down the same train. You know, even in

1:30:01.080 --> 1:30:05.919
<v Speaker 1>my solo, in my solo career, I still know the difference.

1:30:06.160 --> 1:30:09.000
<v Speaker 1>I still know what I'm missing. Like that's the one

1:30:09.080 --> 1:30:13.840
<v Speaker 1>thing I have not been able to really pinpoint for,

1:30:14.040 --> 1:30:16.400
<v Speaker 1>like you know, to to to to sort of give

1:30:16.479 --> 1:30:21.320
<v Speaker 1>to the fans. I know, like the fact of me

1:30:21.520 --> 1:30:25.080
<v Speaker 1>being solo and not being able to really channel and

1:30:25.160 --> 1:30:27.640
<v Speaker 1>tap in. I know what the fan is missing when

1:30:27.680 --> 1:30:29.640
<v Speaker 1>they just hear me and don't hear him. You know

1:30:29.640 --> 1:30:34.040
<v Speaker 1>what I'm saying, I really really do, And you know

1:30:34.160 --> 1:30:36.320
<v Speaker 1>it's something. It's something I used to you know, I

1:30:36.439 --> 1:30:41.000
<v Speaker 1>really used to try really hard to do. But still

1:30:41.120 --> 1:30:45.240
<v Speaker 1>to this day, Um, I still don't. I don't hit

1:30:45.280 --> 1:30:47.559
<v Speaker 1>the vein. I don't hit the vein properly when they

1:30:47.600 --> 1:30:50.519
<v Speaker 1>come to that. He was wrapping before you, my brother

1:30:50.600 --> 1:30:54.799
<v Speaker 1>five years older than me. He's been rapping being everything.

1:30:55.280 --> 1:30:58.040
<v Speaker 1>Do we have a church? No, we need to. We

1:30:58.080 --> 1:30:59.880
<v Speaker 1>need to. We need to hip hop, need to build

1:31:00.360 --> 1:31:05.559
<v Speaker 1>Oh a church, yeah, malice church, he'd kill it. Yeah,

1:31:05.960 --> 1:31:10.679
<v Speaker 1>we need to. We need because UM, Like there's certain

1:31:10.680 --> 1:31:14.040
<v Speaker 1>people who I want to pray all me. Uh be

1:31:14.160 --> 1:31:20.519
<v Speaker 1>like Rev run DMX. Yeah, bro, like you know what

1:31:20.520 --> 1:31:22.720
<v Speaker 1>I'm saying, pray for me, like if I was a thing,

1:31:22.760 --> 1:31:24.519
<v Speaker 1>because I believe in him. Like you know what I'm saying,

1:31:24.520 --> 1:31:26.120
<v Speaker 1>I believe I wanted to do a song with my

1:31:26.240 --> 1:31:29.720
<v Speaker 1>brother that had been crazy, that had been crazy. You're

1:31:29.800 --> 1:31:34.280
<v Speaker 1>a relationship with X correct? Okay, Yeah that was that

1:31:34.400 --> 1:31:36.000
<v Speaker 1>was That was a big hold. So we're gonna move

1:31:36.040 --> 1:31:39.160
<v Speaker 1>on right now. By the way, congratulations once again to

1:31:39.439 --> 1:31:43.679
<v Speaker 1>for the album, gratulations for making a masterpiece. I'm gonna

1:31:43.680 --> 1:31:46.200
<v Speaker 1>go ahead and say it's a classic. Thank you. Gonna

1:31:46.240 --> 1:31:51.519
<v Speaker 1>wait for the team you know how everyone else. It's

1:31:51.640 --> 1:31:56.120
<v Speaker 1>definitely a classic. And I'm very glad that you didn't

1:31:56.200 --> 1:31:59.360
<v Speaker 1>let Kanye slack. You didn't let for Real slack because

1:31:59.680 --> 1:32:02.160
<v Speaker 1>he's a both very rich people. Before we on the

1:32:02.200 --> 1:32:05.920
<v Speaker 1>Creek time with slide. Yeah you do that. Okay, Yeah,

1:32:06.240 --> 1:32:08.680
<v Speaker 1>this is the watch question. You probably don't even care.

1:32:08.880 --> 1:32:11.719
<v Speaker 1>I probably don't even care. Who got the best watch

1:32:11.840 --> 1:32:20.679
<v Speaker 1>game in the game, for real, for real, for real, Okay,

1:32:20.720 --> 1:32:30.400
<v Speaker 1>I'm talking about everybody. I mean, man, it might be

1:32:32.520 --> 1:32:35.160
<v Speaker 1>who we have the most expensive watches, a most expensive

1:32:35.920 --> 1:32:43.439
<v Speaker 1>right right, Okay, but no, man, I mean he is

1:32:43.680 --> 1:32:45.720
<v Speaker 1>he strong, he is corect Let me just tell you

1:32:45.760 --> 1:32:48.320
<v Speaker 1>some he was weird Richard Milly's when I thought I

1:32:48.400 --> 1:32:54.439
<v Speaker 1>was That's what I'm getting. I'm talking about. Let me

1:32:54.560 --> 1:32:59.000
<v Speaker 1>talking about first world. We talk about first you gotta really,

1:33:00.240 --> 1:33:03.280
<v Speaker 1>it ain't a lot that he ain't first that. Yeah,

1:33:03.439 --> 1:33:10.240
<v Speaker 1>so it's it's I mean, war Burgers out here disrespectful.

1:33:10.280 --> 1:33:15.160
<v Speaker 1>Who was that Mark Warburg Yeah yeah, yeah, yeah, he's

1:33:15.160 --> 1:33:20.000
<v Speaker 1>discussed out here foot and ship too. Yeah. But yeah,

1:33:20.840 --> 1:33:23.080
<v Speaker 1>we all got a six million dollar joint from the

1:33:23.120 --> 1:33:27.240
<v Speaker 1>Moon with the with the with the Moon dusting or something.

1:33:27.320 --> 1:33:29.680
<v Speaker 1>And I was going to you know, you know, like

1:33:30.040 --> 1:33:31.880
<v Speaker 1>we came up together. You can't even say that with

1:33:31.960 --> 1:33:37.240
<v Speaker 1>that watch, like I was gonna take that. Lord, listen,

1:33:37.360 --> 1:33:39.360
<v Speaker 1>he got all the what I mean, and you know

1:33:39.520 --> 1:33:43.439
<v Speaker 1>he only doing the yeah, the one he got a

1:33:43.560 --> 1:33:49.280
<v Speaker 1>new Richard Millie with the Cuban link band from Richard Miller. Yeah, yeah, yeah,

1:33:51.880 --> 1:33:59.880
<v Speaker 1>excuse me, he calls him richild Yeah, Richard to bed rest,

1:34:01.680 --> 1:34:05.880
<v Speaker 1>saying for real, top one jay Z most expensive. Yeah,

1:34:06.040 --> 1:34:17.719
<v Speaker 1>I mean, oh, listen, I ain't gonna lie Jabe Albert.

1:34:18.120 --> 1:34:21.519
<v Speaker 1>I said his name correct his time here. Oh yeah,

1:34:21.560 --> 1:34:23.960
<v Speaker 1>you know he's he's he's heavy too. I'm just saying

1:34:24.000 --> 1:34:26.439
<v Speaker 1>that like when when I'm when I'm considering that, you

1:34:26.479 --> 1:34:28.720
<v Speaker 1>know the game I'm talking about, like, man, when you

1:34:29.920 --> 1:34:31.800
<v Speaker 1>I feel like Farrell put a lot of people on

1:34:32.800 --> 1:34:36.280
<v Speaker 1>to things. You know what I'm saying. We're talking about

1:34:36.320 --> 1:34:38.519
<v Speaker 1>the watches right now, but even that, I feel like

1:34:38.600 --> 1:34:42.600
<v Speaker 1>he put people on. Um, you know, it'll be a

1:34:42.640 --> 1:34:44.960
<v Speaker 1>back and forth. I mean, bro, look how far hip

1:34:45.000 --> 1:34:47.560
<v Speaker 1>hop is coming. Everybody's a billionaire every day, so it

1:34:47.640 --> 1:34:51.599
<v Speaker 1>can be a new a new most expensive watch every day.

1:34:51.880 --> 1:34:55.240
<v Speaker 1>But I'm talking about you know, when you look at

1:34:55.360 --> 1:34:58.960
<v Speaker 1>who is like, okay, people following culturally like what he did,

1:34:59.080 --> 1:35:01.840
<v Speaker 1>whatever the case may be, I feel like, yeah, like

1:35:02.000 --> 1:35:05.519
<v Speaker 1>he's he's like one of those, definitely one of the ones.

1:35:06.000 --> 1:35:14.519
<v Speaker 1>Yeah him, Drake is outside too. I don't know, I'm

1:35:14.560 --> 1:35:17.439
<v Speaker 1>not I don't follow you. I just wanted to see

1:35:17.479 --> 1:35:21.960
<v Speaker 1>your face is spression. I'm sorry. He's pretty ill too.

1:35:22.400 --> 1:35:24.880
<v Speaker 1>Um yeah, but you said for in your book for

1:35:25.160 --> 1:35:27.960
<v Speaker 1>number one watch guy. Yeah, Okay, we're gonna play a

1:35:28.040 --> 1:35:31.679
<v Speaker 1>game right now. It's called quick Time with Slim. Sure,

1:35:31.760 --> 1:35:34.280
<v Speaker 1>you're familiar with it, let's do it. We're gonna get

1:35:34.280 --> 1:35:38.000
<v Speaker 1>you a post choice once or other if you um.

1:35:39.760 --> 1:35:42.120
<v Speaker 1>If you pick both, you take a shot for it.

1:35:42.560 --> 1:35:44.160
<v Speaker 1>If you're not drinking, we can have somebody come in

1:35:44.240 --> 1:35:46.080
<v Speaker 1>and dream. We got Mr Lead come in and drink

1:35:46.160 --> 1:35:47.880
<v Speaker 1>for you if you're not drinking. Because he's been on

1:35:47.960 --> 1:35:50.320
<v Speaker 1>your album. I can tell you I did cocaine deals together.

1:35:51.680 --> 1:35:57.000
<v Speaker 1>I'm just doing out the Dominicans. Definitely get cocaine Virginia.

1:35:57.040 --> 1:36:01.519
<v Speaker 1>It's definitely cocaine. I just know I remember did. But

1:36:01.920 --> 1:36:04.320
<v Speaker 1>if you want you to do that, because I heard

1:36:04.320 --> 1:36:06.200
<v Speaker 1>you drink, you drink deadly or you drink the black

1:36:06.280 --> 1:36:12.360
<v Speaker 1>man we drinking? You got someone drinking? Man, you got

1:36:12.400 --> 1:36:14.840
<v Speaker 1>someone drinking from you. No, I know I have nobody

1:36:14.920 --> 1:36:18.080
<v Speaker 1>drinking from me because one more day after Dan, I'm trying,

1:36:18.120 --> 1:36:20.280
<v Speaker 1>you know what I'm trying. I'm only make them one day.

1:36:20.800 --> 1:36:29.719
<v Speaker 1>The one day. But you drink me. Okay, you personal sunny,

1:36:29.720 --> 1:36:32.000
<v Speaker 1>come in. I don't like being too sober and ship.

1:36:32.040 --> 1:36:34.000
<v Speaker 1>It's like you don't like to put on the headband

1:36:34.080 --> 1:36:38.559
<v Speaker 1>for this. Okay, this one off top, can you get him?

1:36:38.960 --> 1:36:42.800
<v Speaker 1>I'm a cup this one off top, get give sunny. Um. Now,

1:36:42.960 --> 1:36:48.280
<v Speaker 1>I'm gonna tell you off top, I'm picking somebody every time,

1:36:48.360 --> 1:36:50.200
<v Speaker 1>so it don't matter. So we're not so we're not

1:36:50.320 --> 1:36:53.920
<v Speaker 1>drinking what you're saying. I'm thinking somebody every time kills.

1:36:53.960 --> 1:36:56.800
<v Speaker 1>It was day they didn't they picked somebody ever, but

1:36:57.240 --> 1:37:03.320
<v Speaker 1>it was crazy but it wasn't. And I'll tell you,

1:37:03.400 --> 1:37:05.280
<v Speaker 1>I'll tell you. I'm gonna tell you. I'm gonna tell you.

1:37:06.360 --> 1:37:08.320
<v Speaker 1>I'm gonna tell you one. I don't know if I'm

1:37:08.479 --> 1:37:13.160
<v Speaker 1>I'm gonna tell you. One time you called me he

1:37:13.240 --> 1:37:18.519
<v Speaker 1>was disappointed and you no, no, for real, I'm gonna

1:37:18.520 --> 1:37:21.280
<v Speaker 1>tell you. In fact, it was a six o'clock in

1:37:21.320 --> 1:37:25.760
<v Speaker 1>the morning call. I remember where I was at, and

1:37:25.920 --> 1:37:27.920
<v Speaker 1>you you taught me something. You talked, you didn't you

1:37:27.960 --> 1:37:29.360
<v Speaker 1>didn't know this. I don't know if you know this,

1:37:29.920 --> 1:37:32.519
<v Speaker 1>but you taught me something. This is when we first

1:37:32.560 --> 1:37:37.680
<v Speaker 1>came up with I don't want right no no no

1:37:37.800 --> 1:37:39.320
<v Speaker 1>no no no no no, no, no no no. I

1:37:39.360 --> 1:37:41.320
<v Speaker 1>didn't want you to the quick time with slid. I

1:37:41.360 --> 1:37:43.920
<v Speaker 1>had wished you didn't air you know when you had

1:37:43.960 --> 1:37:46.840
<v Speaker 1>to go back and forth. So I remember you called it.

1:37:46.960 --> 1:37:49.639
<v Speaker 1>You said, I'm in the middle of making this album.

1:37:50.200 --> 1:37:51.720
<v Speaker 1>And we almost damn there in the middle of the

1:37:51.800 --> 1:37:54.320
<v Speaker 1>wall with this guy. And he had to be literally

1:37:54.360 --> 1:37:56.439
<v Speaker 1>correct because I believe the ass of quick time and

1:37:56.479 --> 1:37:59.880
<v Speaker 1>slide was pushed or drake and for real said he

1:38:00.080 --> 1:38:02.200
<v Speaker 1>drank for he drank for it. And it was like

1:38:02.520 --> 1:38:05.200
<v Speaker 1>he's being politically correct. And it was the first time

1:38:05.240 --> 1:38:08.479
<v Speaker 1>I ever like like you, even like not mad. But

1:38:08.640 --> 1:38:11.600
<v Speaker 1>he was disappointed, like wait in a minute, hopeful this

1:38:11.760 --> 1:38:15.800
<v Speaker 1>motherfucker making my help. He couldn't pick me. I never

1:38:15.920 --> 1:38:28.160
<v Speaker 1>see me most Yeah, is that because because I there's

1:38:28.160 --> 1:38:31.599
<v Speaker 1>a cold of the streets right where you're my man.

1:38:32.680 --> 1:38:37.400
<v Speaker 1>I'm with you right or wrong, But I also tell

1:38:37.479 --> 1:38:41.599
<v Speaker 1>you when you're wrong. Oh yeah, I do that. Why

1:38:41.680 --> 1:38:43.800
<v Speaker 1>did you feel like not betrayed? I don't want that.

1:38:43.960 --> 1:38:48.320
<v Speaker 1>That's a wrong answer. Why didn't you think for all answered?

1:38:48.760 --> 1:38:57.280
<v Speaker 1>He didn't answer that question correct because there is no

1:38:58.000 --> 1:39:03.559
<v Speaker 1>wrong when they comes to me and p R, it's

1:39:03.640 --> 1:39:08.760
<v Speaker 1>just you're right. I don't care, and that's just what

1:39:08.920 --> 1:39:12.439
<v Speaker 1>it is like, That's just what it is like, even

1:39:12.520 --> 1:39:16.479
<v Speaker 1>when you're wrong. He could be the wrongest person in

1:39:16.600 --> 1:39:23.599
<v Speaker 1>this room right now. He's right there and you're wrong.

1:39:26.280 --> 1:39:31.200
<v Speaker 1>But that's how I go. Yeah, like that's just what

1:39:31.360 --> 1:39:35.840
<v Speaker 1>it is. But I will say this though, like you,

1:39:36.040 --> 1:39:38.200
<v Speaker 1>he's sitting in front of you, you know what I'm saying,

1:39:38.240 --> 1:39:41.599
<v Speaker 1>and like and he got he you know, he's sitting

1:39:41.600 --> 1:39:45.880
<v Speaker 1>in front of you, and you're the same, you know

1:39:45.880 --> 1:39:49.120
<v Speaker 1>what I'm saying. Like I'm thinking, I expect for real

1:39:49.200 --> 1:39:52.400
<v Speaker 1>to be politically correct. Until you gave me that point

1:39:52.439 --> 1:39:53.800
<v Speaker 1>of view. Was like, yo, I'm in the middle of

1:39:53.920 --> 1:39:58.000
<v Speaker 1>making the album. Now he's producing it. I don't need

1:39:58.280 --> 1:40:02.640
<v Speaker 1>that type of I wanted him to say, you know me, like,

1:40:02.760 --> 1:40:06.160
<v Speaker 1>you know what I'm saying, And I didn't look at

1:40:06.240 --> 1:40:11.160
<v Speaker 1>I didn't look at every single you know, you know

1:40:11.640 --> 1:40:14.160
<v Speaker 1>on the chess board with the pond moves a little

1:40:14.160 --> 1:40:17.400
<v Speaker 1>bit and no one really just picks it up that

1:40:17.520 --> 1:40:19.840
<v Speaker 1>that that little move at the pond makes matters to

1:40:20.320 --> 1:40:32.400
<v Speaker 1>later on. Every move matters, yes, speaking every move, that's

1:40:32.439 --> 1:40:40.519
<v Speaker 1>what people do know. Every move matters, Every move matters. Yeah,

1:40:40.840 --> 1:40:47.160
<v Speaker 1>every move matters, Every move matters. Yes, right, okay, yeah,

1:40:47.640 --> 1:40:50.559
<v Speaker 1>we're getting into quick time slie. And by the way,

1:40:50.800 --> 1:40:53.519
<v Speaker 1>so you know your friend Mr Lee right this to

1:40:53.800 --> 1:40:57.640
<v Speaker 1>to to crash people up, so he definitely probably did

1:40:57.720 --> 1:41:02.080
<v Speaker 1>this for you. Alright, cool, you ready that this is

1:41:02.160 --> 1:41:10.800
<v Speaker 1>either artist whichever way you want, the puff man should child.

1:41:11.680 --> 1:41:14.920
<v Speaker 1>That's right, he's making an album and ship. Yeah yeah,

1:41:14.960 --> 1:41:16.639
<v Speaker 1>he didn't even let me hear it because he said

1:41:16.680 --> 1:41:25.120
<v Speaker 1>to blow it up. Um um, Kanye or for real,

1:41:29.240 --> 1:41:42.800
<v Speaker 1>for real, I'm stuck, okay, Jada Kiss or fabulous Jada

1:41:45.160 --> 1:41:59.639
<v Speaker 1>Swiss Beasts or Timberland Swiss. I'm not gonna ask why.

1:42:00.479 --> 1:42:03.839
<v Speaker 1>Oh I mean you know, I'm just you know, Swiss

1:42:03.880 --> 1:42:07.439
<v Speaker 1>made money cash holes. I'm done money cash, hold money,

1:42:07.520 --> 1:42:22.080
<v Speaker 1>cash premre p rock shit your shot? No, um, Primo

1:42:22.200 --> 1:42:30.479
<v Speaker 1>made dwait Premo. Okay, ain't you taking a shot to

1:42:30.760 --> 1:42:42.280
<v Speaker 1>change a big sean to change that? The best verse

1:42:42.320 --> 1:42:48.200
<v Speaker 1>on Mercy? Okay, that's how's verds go? How's good pirds go?

1:42:49.160 --> 1:42:52.920
<v Speaker 1>How's no already? Remember? Come on, come on to change

1:42:53.040 --> 1:42:59.720
<v Speaker 1>the best verse on Mercy? Remember a little bit? All right?

1:43:00.160 --> 1:43:09.559
<v Speaker 1>K arrests or rock him fuck man? Shot. No, I'm

1:43:09.560 --> 1:43:13.200
<v Speaker 1>not taking a shot. I'm a pick I'm a peak one.

1:43:13.280 --> 1:43:16.400
<v Speaker 1>But but you have to take a shot out of

1:43:16.479 --> 1:43:22.639
<v Speaker 1>that taking a shot. Who do you think both both?

1:43:25.280 --> 1:43:34.639
<v Speaker 1>I would man, that's that's tough. Um. Both were game

1:43:34.720 --> 1:43:44.040
<v Speaker 1>changers at that time. Yeah, so both I don't know, man,

1:43:44.080 --> 1:43:50.200
<v Speaker 1>because I still see I like, right this very second, no, no,

1:43:50.439 --> 1:43:55.080
<v Speaker 1>because right this very second, I feel like I feel

1:43:55.120 --> 1:43:58.640
<v Speaker 1>like CA arrests still could sit in front of me

1:43:58.840 --> 1:44:02.719
<v Speaker 1>and rhyme is old me and everybody at this table

1:44:03.479 --> 1:44:12.880
<v Speaker 1>right now, you know what I'm saying. Yeah, Like, but

1:44:13.240 --> 1:44:16.639
<v Speaker 1>rock Him, rock Him definitely had more of an impact

1:44:16.720 --> 1:44:19.840
<v Speaker 1>on me, just culturally, Like I feel like, you know,

1:44:20.439 --> 1:44:22.920
<v Speaker 1>I didn't ever noticed rock Him. Don't even curse, right,

1:44:23.439 --> 1:44:26.920
<v Speaker 1>that's crazy, just crazy. I don't I muna say both

1:44:27.000 --> 1:44:33.519
<v Speaker 1>forget it, okay, okay, but I ain't scared to say

1:44:33.560 --> 1:44:41.599
<v Speaker 1>either one okay, yeah, O d B or bisin Markey,

1:44:42.200 --> 1:44:47.040
<v Speaker 1>bisin Mokey pretty pretty much they was in the same

1:44:47.080 --> 1:44:49.320
<v Speaker 1>category too, right, Like, if it wasn't like a B,

1:44:49.840 --> 1:44:54.200
<v Speaker 1>probably wouldn't be an OLDB. Like comedy I love yeah, Yeah,

1:44:54.479 --> 1:44:58.320
<v Speaker 1>I definitely love it on Have you been approached to

1:44:58.360 --> 1:45:04.400
<v Speaker 1>do versus O? No? I don't think so, right, you

1:45:04.479 --> 1:45:13.080
<v Speaker 1>know some of you interested in not really now, not

1:45:13.280 --> 1:45:20.840
<v Speaker 1>right now. I'm still like I'm still competing right now

1:45:21.600 --> 1:45:25.280
<v Speaker 1>in the right right now, and I'm still like trying

1:45:25.320 --> 1:45:29.439
<v Speaker 1>to like I don't even want to go. I'm working

1:45:29.439 --> 1:45:34.080
<v Speaker 1>on the next album now, like right this second, at

1:45:34.120 --> 1:45:36.720
<v Speaker 1>the third and fourth for whatever days I'm supposed to

1:45:36.760 --> 1:45:43.200
<v Speaker 1>be in the studio. I actually canceled studio today. So nah,

1:45:43.800 --> 1:45:48.639
<v Speaker 1>I'm like trying to We're gonna see, we're gonna see

1:45:48.640 --> 1:45:54.120
<v Speaker 1>how far this really really go. And I ain't trying

1:45:54.160 --> 1:46:00.519
<v Speaker 1>to reminisce about nothing. That's why. Okay, so you ain't. Yeah,

1:46:00.840 --> 1:46:05.000
<v Speaker 1>you're saying basically you're not you're not interested in versus

1:46:05.080 --> 1:46:08.479
<v Speaker 1>right now. No, No, even if the bag is hefty,

1:46:09.240 --> 1:46:15.400
<v Speaker 1>I mean the bag stupid who but but like, no,

1:46:15.640 --> 1:46:18.160
<v Speaker 1>versus is something I like. It's something I like and

1:46:18.240 --> 1:46:20.280
<v Speaker 1>something I like to watching, something that I'm into. So

1:46:20.680 --> 1:46:23.000
<v Speaker 1>bag wise, I wasn't even thinking. I'm like, I'm thinking,

1:46:23.000 --> 1:46:25.920
<v Speaker 1>you just asked me on something like you know, you

1:46:26.000 --> 1:46:28.080
<v Speaker 1>know it kind of it's kind of like, um, I

1:46:28.120 --> 1:46:31.599
<v Speaker 1>don't know, you know obviously you know. But DJ Cassidy

1:46:32.080 --> 1:46:34.160
<v Speaker 1>he has this thing called Past Past the Mike what

1:46:34.600 --> 1:46:37.200
<v Speaker 1>I lovely she's been asking you to ask me to

1:46:37.280 --> 1:46:41.120
<v Speaker 1>do it, but but he names it nineties rappers, and

1:46:41.200 --> 1:46:43.439
<v Speaker 1>it's like, I don't want to be there, bro, I'm

1:46:43.479 --> 1:46:47.439
<v Speaker 1>a two hip hop media motherfucking mogul. I don't want

1:46:47.479 --> 1:46:51.160
<v Speaker 1>to be label the fucking nineties rapper. I mean, no,

1:46:51.479 --> 1:46:58.160
<v Speaker 1>it's just it. You ain't doing that. You just yeah,

1:46:58.160 --> 1:47:00.680
<v Speaker 1>I like that. I don't want to remember. I don't

1:47:00.880 --> 1:47:04.439
<v Speaker 1>remember that. Basically what what me and you were saying

1:47:04.720 --> 1:47:07.719
<v Speaker 1>the same dialect in a different way and a different vernacular.

1:47:08.080 --> 1:47:11.639
<v Speaker 1>But because you don't like, you don't want, you still

1:47:11.680 --> 1:47:15.640
<v Speaker 1>perform grinding? I do. I will still perform grinding. I

1:47:15.680 --> 1:47:19.479
<v Speaker 1>don't perform much else though. Okay, you know I um,

1:47:20.560 --> 1:47:23.560
<v Speaker 1>I still performed grinding, right because I went to a

1:47:23.640 --> 1:47:26.599
<v Speaker 1>camera show and he didn't perform horsting carriage. I was mad.

1:47:28.000 --> 1:47:30.280
<v Speaker 1>I was upset. I wanted horse in carriage and three

1:47:30.400 --> 1:47:34.840
<v Speaker 1>five seven, Oh yeah, yeah you would, Yeah you would,

1:47:35.200 --> 1:47:37.960
<v Speaker 1>I would. I wanted. I wanted that. I never told

1:47:38.040 --> 1:47:44.400
<v Speaker 1>him that probably um okay, boom you ready. Boys in

1:47:44.479 --> 1:47:53.920
<v Speaker 1>the hood of mister society, Um, boys in the hood? Okay,

1:47:55.600 --> 1:48:01.280
<v Speaker 1>boys in the hood. That's um though, that's right. As

1:48:01.320 --> 1:48:09.960
<v Speaker 1>a society is Lorenz Tate and boys first asat Rocky

1:48:10.080 --> 1:48:15.439
<v Speaker 1>or Travis Scott asad Rocky that very fast, sir, I

1:48:15.520 --> 1:48:19.040
<v Speaker 1>mean black them both, but Rocky because a lot of

1:48:19.080 --> 1:48:22.080
<v Speaker 1>people say that Rocky is like the originator. Oh I

1:48:22.120 --> 1:48:24.320
<v Speaker 1>don't even compare to to I just you know, Rocky's

1:48:24.400 --> 1:48:29.600
<v Speaker 1>taste level is just a one like super high. I

1:48:29.720 --> 1:48:33.040
<v Speaker 1>think Travis makes dope records. I think there's something, um

1:48:33.880 --> 1:48:43.519
<v Speaker 1>it's really classic about Rocky that I yes, we Rocky too. Yeah, hey,

1:48:43.560 --> 1:48:45.080
<v Speaker 1>you got the next one? No, I don't have pulled

1:48:45.120 --> 1:48:50.680
<v Speaker 1>up when you up? Did you tell me it's I

1:48:50.840 --> 1:48:52.920
<v Speaker 1>got to type in my code because because people be

1:48:53.000 --> 1:48:54.960
<v Speaker 1>telling me my cod be switching by every week, they

1:48:55.080 --> 1:49:01.280
<v Speaker 1>like your cold? This is once before? How the fun

1:49:01.360 --> 1:49:02.840
<v Speaker 1>do they see this ship on the end of that?

1:49:03.280 --> 1:49:06.719
<v Speaker 1>So yeah, so you know, stop doing that. Hey, I've learned,

1:49:07.600 --> 1:49:14.400
<v Speaker 1>uh saw how the Prince or Rome fest mm hmm.

1:49:25.479 --> 1:49:28.080
<v Speaker 1>They've both been a part of history, and let'na say both. Okay,

1:49:29.040 --> 1:49:32.160
<v Speaker 1>we respect that. We gotta take the shot. Buddy take

1:49:32.200 --> 1:49:35.720
<v Speaker 1>the shot. I'm follow sleep him, Brophtory. They both they've

1:49:35.760 --> 1:49:39.680
<v Speaker 1>both been done some very very incredible things and been

1:49:39.680 --> 1:49:43.760
<v Speaker 1>a part of a lot of like legacy ship Like

1:49:44.160 --> 1:49:48.559
<v Speaker 1>I can't even front on them either one. Okay, ready, yep,

1:49:48.840 --> 1:49:55.000
<v Speaker 1>Big or Big Part Big Pun? The reason why are

1:49:55.040 --> 1:49:59.360
<v Speaker 1>you Big Pun? Big Pun made twins? It's crazy? Ain't

1:49:59.400 --> 1:50:02.640
<v Speaker 1>nobody doing in the middle A little first to the

1:50:02.680 --> 1:50:04.960
<v Speaker 1>specific track that he's thinking in his mind at that moment.

1:50:05.760 --> 1:50:13.040
<v Speaker 1>I love the fan version of I can just see.

1:50:13.360 --> 1:50:15.679
<v Speaker 1>It's just like a totally different thing to you. Okay,

1:50:17.320 --> 1:50:22.479
<v Speaker 1>Pablo escotball or l Chopol. Mr Lee wants to know.

1:50:23.360 --> 1:50:35.519
<v Speaker 1>Definitely Mr. Least he would put Mr leave. But Pablo Escobar,

1:50:38.160 --> 1:50:45.360
<v Speaker 1>Pablo Esco, he was first. Nah, it's not because he

1:50:45.479 --> 1:50:51.960
<v Speaker 1>was first, but um does zoo? I mean Chopper might

1:50:52.000 --> 1:50:53.720
<v Speaker 1>have gone further, you know, you know what because I

1:50:53.800 --> 1:50:58.720
<v Speaker 1>get you know what it is. I get um, I get.

1:50:59.120 --> 1:51:02.519
<v Speaker 1>I get family vibes out of Pablo, like I got

1:51:02.640 --> 1:51:05.080
<v Speaker 1>to see you know, when you hear about it, when

1:51:05.120 --> 1:51:07.800
<v Speaker 1>you when they talk about them, you see like oh man,

1:51:07.880 --> 1:51:10.200
<v Speaker 1>he loved his kids and things like that. You know

1:51:10.200 --> 1:51:11.680
<v Speaker 1>what I'm saying, You don't. You don't. I don't know

1:51:12.280 --> 1:51:17.759
<v Speaker 1>that type of ventel with Chap. Yeah, I don't know tasketball, horses,

1:51:17.800 --> 1:51:23.000
<v Speaker 1>cocaine and everything like information, Which is what I'm saying

1:51:23.040 --> 1:51:27.120
<v Speaker 1>is it's a real thing. Like I feel like people

1:51:27.160 --> 1:51:29.840
<v Speaker 1>to hear about the you know, then they'll think, you know,

1:51:29.960 --> 1:51:32.759
<v Speaker 1>just like some type of tyrant. But it was dope

1:51:32.800 --> 1:51:35.880
<v Speaker 1>to to get some of that insight that like he was,

1:51:36.360 --> 1:51:39.439
<v Speaker 1>he was kind of like a family man, and and

1:51:39.560 --> 1:51:42.519
<v Speaker 1>that and that, uh, that picture the icon it's an

1:51:42.640 --> 1:51:45.240
<v Speaker 1>iconic picture him and his child in front of the

1:51:45.280 --> 1:51:52.320
<v Speaker 1>White House tourists. Bro, how can you know who doesn't

1:51:52.320 --> 1:51:53.960
<v Speaker 1>have that? I got that picture with my pops too.

1:51:54.720 --> 1:52:09.360
<v Speaker 1>The same exact one was like, Okay, Missy or eve Missy, Missy?

1:52:09.439 --> 1:52:14.479
<v Speaker 1>What's the only? Mr Mean? Stop Missy over everybody? How

1:52:14.479 --> 1:52:18.000
<v Speaker 1>about that? You think Missy could be a bust of

1:52:18.080 --> 1:52:25.800
<v Speaker 1>rhymes and Missy Missy untouchable, bust the rhymes though verse,

1:52:25.920 --> 1:52:28.639
<v Speaker 1>I'm going I'm going with Missy. I'm Missy from Virginia.

1:52:29.280 --> 1:52:33.160
<v Speaker 1>Is your only? Mr? Mean? I'm going with Missy. I'm

1:52:33.240 --> 1:52:40.639
<v Speaker 1>the mighty, influencing, incredible, go god level Missy. She's gonna

1:52:40.680 --> 1:52:43.200
<v Speaker 1>come up with rain drop. Listen, let's play video for video.

1:52:43.400 --> 1:52:49.920
<v Speaker 1>What's up? What's up? Up? What I got back? Listen?

1:52:53.160 --> 1:52:55.000
<v Speaker 1>I mean, I'm standing on it. I'm gonna stay I'm

1:52:55.000 --> 1:52:59.759
<v Speaker 1>gonna staying on Missy wind losing drawers whatever, but incredible

1:52:59.800 --> 1:53:02.320
<v Speaker 1>world since they and they gotta do by visual too,

1:53:02.400 --> 1:53:08.120
<v Speaker 1>because they have you can't just do you know? Yeah, Yeah,

1:53:09.280 --> 1:53:14.680
<v Speaker 1>I love that. I love that. Mrs motherfucker yeah, we

1:53:14.760 --> 1:53:23.000
<v Speaker 1>need you. They got Diddy or Stephen Victor, but they

1:53:23.040 --> 1:53:24.840
<v Speaker 1>don't know you like I know you. So I'm taking

1:53:24.880 --> 1:53:30.360
<v Speaker 1>Diddy out of there, and I'm putting Bob Walker or

1:53:30.439 --> 1:53:49.800
<v Speaker 1>Stephen Victor. Man. Man, No, I ain't drinking. I'm not, man,

1:53:50.160 --> 1:53:55.120
<v Speaker 1>I'm not you know, um Man, you know I love

1:53:55.200 --> 1:53:57.679
<v Speaker 1>them both. We're going on vacation, all of us together,

1:53:57.880 --> 1:54:00.720
<v Speaker 1>just recently. I mean just you know, coming up soon.

1:54:01.880 --> 1:54:08.120
<v Speaker 1>But man, Stephen Victor, man, dog, we're going. We're going.

1:54:08.200 --> 1:54:12.720
<v Speaker 1>We'll lose a draw. We're gonna listen down together the

1:54:12.840 --> 1:54:17.280
<v Speaker 1>worst times to the best times. That's what it is, y'all.

1:54:17.320 --> 1:54:20.240
<v Speaker 1>Billboard Magazine and gloves on for sure. And I mean

1:54:20.320 --> 1:54:22.800
<v Speaker 1>you know and and and and Rob. Rob didn't manage

1:54:22.800 --> 1:54:27.599
<v Speaker 1>me at one time, but you know, uh Pharrell at

1:54:27.800 --> 1:54:33.000
<v Speaker 1>Farrell and Chad that was there. That was there, Stephen Victor,

1:54:33.400 --> 1:54:36.360
<v Speaker 1>Rob and he managed all of us, you know what

1:54:36.400 --> 1:54:39.680
<v Speaker 1>I'm saying. And it was and he was the one

1:54:39.760 --> 1:54:43.480
<v Speaker 1>to them. Stephen is the one to me. So I'm

1:54:43.560 --> 1:54:52.360
<v Speaker 1>going Stephen, okay, but you know, you know right, let's go, yeah,

1:54:52.440 --> 1:54:58.400
<v Speaker 1>drink to that drink as Stephen Victor, that's was here,

1:54:58.640 --> 1:55:02.640
<v Speaker 1>he was here with Sean Yep, Yeah, definitely. I want

1:55:02.680 --> 1:55:04.440
<v Speaker 1>to go to believes for no reason, I swear to God,

1:55:04.480 --> 1:55:07.360
<v Speaker 1>I'm gonna, yeah, I was gonna put a flight to beliefs.

1:55:08.360 --> 1:55:10.720
<v Speaker 1>I don't know this is a sub but for no reason.

1:55:11.160 --> 1:55:13.760
<v Speaker 1>But I looked at my fucking Instagram and it's like

1:55:13.880 --> 1:55:15.760
<v Speaker 1>beliefs pot. I was like, I'm gonna just go. I'm

1:55:15.760 --> 1:55:18.040
<v Speaker 1>gonna figure out the sign is there later, like you

1:55:18.040 --> 1:55:20.520
<v Speaker 1>know what I'm saying. I was just gonn. I don't know.

1:55:20.720 --> 1:55:22.560
<v Speaker 1>I just felt like just going, like I said, And

1:55:22.640 --> 1:55:25.040
<v Speaker 1>then my friend hit me season Antigua. I was like,

1:55:25.160 --> 1:55:27.120
<v Speaker 1>you know what, one of these things, I'm gonna go

1:55:27.160 --> 1:55:29.400
<v Speaker 1>for one day and just just go, just like fly

1:55:29.600 --> 1:55:32.240
<v Speaker 1>in six am and then fly back out. Remember, do

1:55:32.320 --> 1:55:36.800
<v Speaker 1>some dumb ship like that. I'll tell you, Uh, Jake

1:55:36.840 --> 1:55:43.040
<v Speaker 1>Cole or Kendrick Um j Cole or Kendrick. I'm going

1:55:43.160 --> 1:55:51.240
<v Speaker 1>with Kendrake. I've been going with Kendrake. Wow, okay, nineties

1:55:51.360 --> 1:55:59.360
<v Speaker 1>verse two thousand's nineties verse two thousands. Just give me

1:55:59.440 --> 1:56:04.280
<v Speaker 1>two thousands, take a two thousands, Just tell him no, no, no,

1:56:04.560 --> 1:56:08.560
<v Speaker 1>what it is two thousand. Yeah, you're saying all the

1:56:08.680 --> 1:56:14.400
<v Speaker 1>nineties versus a Musically John, like the nineties you got

1:56:14.520 --> 1:56:23.040
<v Speaker 1>you got criss Cross jump right now. We oh, we

1:56:23.120 --> 1:56:27.000
<v Speaker 1>got WoT we got uh, we got great kin, we

1:56:27.080 --> 1:56:32.320
<v Speaker 1>got mob d fuck. Oh yeah, you know it's nineties.

1:56:32.360 --> 1:56:34.760
<v Speaker 1>But clips. We have clips in the two thousands. We

1:56:34.800 --> 1:56:37.240
<v Speaker 1>got clips in two thousands, and we got trapper Divegez

1:56:37.320 --> 1:56:39.520
<v Speaker 1>in the two thousand. You know, that's the fucking grail

1:56:40.120 --> 1:56:43.440
<v Speaker 1>some of the great But you got reasonable doubt nineties six,

1:56:43.480 --> 1:56:48.920
<v Speaker 1>I'm done. It's ninety about eighties verse nineties based on

1:56:49.000 --> 1:56:55.760
<v Speaker 1>what you've been saying to mom, d ruined my life? Prodigy?

1:56:55.840 --> 1:57:09.760
<v Speaker 1>Did get Richard died trying? Or Port of Miami? Get

1:57:09.840 --> 1:57:12.920
<v Speaker 1>Richard died trying? Or Port of Miami both the first

1:57:13.320 --> 1:57:21.000
<v Speaker 1>both Rick Cross and get rich trying. Yeah, Biggie or

1:57:21.120 --> 1:57:34.400
<v Speaker 1>jay Z, take a shot something the fucking coming Nah,

1:57:34.880 --> 1:57:42.080
<v Speaker 1>Like you can't answer it, man, you can't answer it.

1:57:42.480 --> 1:57:44.520
<v Speaker 1>Take a shot. Okay, No, But I don't like that.

1:57:44.680 --> 1:57:47.360
<v Speaker 1>I really do. I really do. You might think I'm

1:57:47.400 --> 1:57:58.240
<v Speaker 1>a whole or something person. I actually it's just it's

1:57:58.280 --> 1:58:00.560
<v Speaker 1>just like it's just like the bar said on your

1:58:00.880 --> 1:58:04.080
<v Speaker 1>he said, if Big was alive in this position, if

1:58:05.000 --> 1:58:15.280
<v Speaker 1>would have survived, would have got the right, col okay,

1:58:18.120 --> 1:58:20.200
<v Speaker 1>this one, I don't know where you can go with this?

1:58:20.640 --> 1:58:22.640
<v Speaker 1>Was that because I don't know if we ever ever.

1:58:22.880 --> 1:58:24.040
<v Speaker 1>I know you met one of them, I don't know

1:58:24.040 --> 1:58:29.680
<v Speaker 1>if you met the other one. Tupaca d MX, Tupaca,

1:58:29.800 --> 1:58:37.520
<v Speaker 1>DM Max. I'm gonna go with d M Max bro right, Um,

1:58:40.280 --> 1:58:43.000
<v Speaker 1>you know I ain't. I didn't see Poc. Yeah, I

1:58:43.040 --> 1:58:44.720
<v Speaker 1>didn't get the I didn't you know what I'm saying.

1:58:44.720 --> 1:58:47.640
<v Speaker 1>I didn't see him. I mean his of course music impactful,

1:58:48.000 --> 1:58:49.600
<v Speaker 1>so on and so forth. But I went to the

1:58:49.640 --> 1:58:54.440
<v Speaker 1>concert where they cried like this. Yeah. I went to

1:58:54.600 --> 1:58:58.920
<v Speaker 1>Rough Riday and uh cash money, cash money and Rough Riday.

1:58:59.040 --> 1:59:11.800
<v Speaker 1>Yeah yeah yeah, And um, you know, you know that's

1:59:11.800 --> 1:59:14.000
<v Speaker 1>something that this funked up with me because of music.

1:59:14.280 --> 1:59:17.120
<v Speaker 1>I don't. I don't remember dating ship good like nothing,

1:59:17.160 --> 1:59:20.280
<v Speaker 1>I remember nothing. I can't. I can't my time, my

1:59:20.400 --> 1:59:34.440
<v Speaker 1>time friends that it's got vitamins. But um, but also

1:59:35.240 --> 1:59:42.600
<v Speaker 1>also I muna say that, um, you know, exchanged music

1:59:42.720 --> 1:59:48.000
<v Speaker 1>and what was music like crazily to me? Like like

1:59:48.200 --> 1:59:50.640
<v Speaker 1>I mean, you know, I love big everything going on,

1:59:50.840 --> 1:59:52.720
<v Speaker 1>bad boy boom boom and then he come with the

1:59:52.880 --> 1:59:56.800
<v Speaker 1>dog calling no shirt blacking, you know, what I'm saying,

1:59:56.840 --> 2:00:00.720
<v Speaker 1>it was like then he came and he rob Um,

2:00:01.280 --> 2:00:03.800
<v Speaker 1>he did two songs, did two albums, and nine months

2:00:05.200 --> 2:00:12.840
<v Speaker 1>um he started Hell's Hellt's and then Flesh in My Flesh.

2:00:12.920 --> 2:00:18.120
<v Speaker 1>Yeah I'm slipping right yeah yeah, like bro yeah just

2:00:18.200 --> 2:00:21.320
<v Speaker 1>for me just in the impact was something visible and

2:00:21.400 --> 2:00:24.520
<v Speaker 1>had a record a ciscar at the same time. No,

2:00:24.800 --> 2:00:30.840
<v Speaker 1>and and what's that the Alia joint? Yeah, like it's

2:00:30.880 --> 2:00:38.400
<v Speaker 1>too much no hype man? Yeah yeah, performer. Now this

2:00:38.560 --> 2:00:40.400
<v Speaker 1>next one, I don't know where you're gonna go because

2:00:40.400 --> 2:00:43.800
<v Speaker 1>I think this is definitely a doublet for you, major

2:00:43.920 --> 2:00:50.520
<v Speaker 1>or independent because when you owning your masters right now,

2:00:50.640 --> 2:00:53.760
<v Speaker 1>you're a major independent right No, yeah, but but um,

2:00:56.760 --> 2:00:58.480
<v Speaker 1>I don't have a problem with I don't have a

2:00:58.560 --> 2:01:02.520
<v Speaker 1>problem with the label a label as a partner. I

2:01:02.640 --> 2:01:05.480
<v Speaker 1>don't get that check. Yeah, like I'm not. I'm not.

2:01:05.640 --> 2:01:09.400
<v Speaker 1>And especially if you don't got the arms too to

2:01:09.840 --> 2:01:13.080
<v Speaker 1>facilitate everything you need to be as an independent, you know.

2:01:13.960 --> 2:01:16.880
<v Speaker 1>And I'm speaking. I'm speaking on this because I'm from

2:01:16.920 --> 2:01:22.880
<v Speaker 1>a place where independence never happened, you know what I'm saying.

2:01:22.960 --> 2:01:26.800
<v Speaker 1>Like I'm from Virginia. We never had the infrastructure to

2:01:26.880 --> 2:01:31.560
<v Speaker 1>make some independent common Wealth. Right, but we never just

2:01:31.640 --> 2:01:36.400
<v Speaker 1>had the infrastructure to like but you've never experienced independent

2:01:36.520 --> 2:01:40.360
<v Speaker 1>stuff really Yeah? Well well no, I mean you know

2:01:40.400 --> 2:01:42.360
<v Speaker 1>what I'm saying. I look, Tony Draper was my manager.

2:01:44.120 --> 2:01:49.080
<v Speaker 1>You know. Yeah, that's independent. But some of the some

2:01:49.160 --> 2:01:52.200
<v Speaker 1>of the perks of amajors, like you said, you were

2:01:52.280 --> 2:01:54.000
<v Speaker 1>out there, got the hard work out a jay Z

2:01:54.200 --> 2:01:57.280
<v Speaker 1>feature probably probably wouldn't be able to get the video,

2:01:57.320 --> 2:01:59.680
<v Speaker 1>but you got this and the perks will being an

2:01:59.680 --> 2:02:04.000
<v Speaker 1>amazing people have it played or fifty seven markets per

2:02:04.240 --> 2:02:07.120
<v Speaker 1>hour just you gotta be an estimated at least fifty

2:02:07.160 --> 2:02:09.880
<v Speaker 1>seven million people have heard neck and Rest because of

2:02:10.000 --> 2:02:13.600
<v Speaker 1>the purse of a major. Yeah, it's given take Remember

2:02:13.680 --> 2:02:17.360
<v Speaker 1>it's o versus versus the machine, and it's both. There's

2:02:17.360 --> 2:02:19.960
<v Speaker 1>no wronger, right, yeah, there's no there's no wronger. Right.

2:02:20.040 --> 2:02:27.800
<v Speaker 1>And I'm gonna tell you this. Um, I don't know, man, Yeah,

2:02:27.840 --> 2:02:30.640
<v Speaker 1>I don't know. I don't know. I mean, so we're

2:02:30.680 --> 2:02:37.880
<v Speaker 1>taking a shot. I don't take a shot, Okay, now

2:02:37.960 --> 2:02:39.520
<v Speaker 1>this is I'm not mad at either one though. To

2:02:39.560 --> 2:02:40.880
<v Speaker 1>be honest with you, if you if you got the

2:02:41.000 --> 2:02:44.600
<v Speaker 1>arms to be independent, then it's go. You should. But

2:02:44.720 --> 2:02:49.200
<v Speaker 1>if you don't. It's a successful on a major for

2:02:49.440 --> 2:03:01.760
<v Speaker 1>for sure. For sure, kick cut a comment, kick cutting

2:03:03.120 --> 2:03:22.800
<v Speaker 1>Conway or Bitty the Butcher. Shit, m taking a shot?

2:03:22.840 --> 2:03:38.560
<v Speaker 1>All right? Cool, I'm not taking them shots. Damn. I'm

2:03:38.600 --> 2:03:43.840
<v Speaker 1>gonna go with Conway. I'm gonna go with Conway. Right.

2:03:44.600 --> 2:03:46.400
<v Speaker 1>I don't know why they keep putting these two together,

2:03:46.520 --> 2:03:48.480
<v Speaker 1>but they did it with their albums, but now we're

2:03:48.480 --> 2:03:51.880
<v Speaker 1>gonna do it for them individually. Rick Ross a fat

2:03:51.960 --> 2:04:03.080
<v Speaker 1>Joe Um Rick Ross yeh, Teddy Riley, go ahead, baby face,

2:04:03.440 --> 2:04:13.600
<v Speaker 1>Teddy Riley? Care what happened? A funk? What happened? It's

2:04:13.720 --> 2:04:27.040
<v Speaker 1>t go ahead. He's definitely gonna his last name don

2:04:27.160 --> 2:04:33.600
<v Speaker 1>to Oliver, don Toliver Oliver or little Boosie Burke. God

2:04:36.120 --> 2:04:46.880
<v Speaker 1>nah nah um yeah, I'm gonna take a shot. Okay,

2:04:47.160 --> 2:04:50.680
<v Speaker 1>now we're gonna take a shot, all right. Uh. New

2:04:50.800 --> 2:04:57.960
<v Speaker 1>Jack City, original Gangster New Jack City. A lot of

2:04:57.960 --> 2:05:03.520
<v Speaker 1>people have been saying New Jack City, okay, d C

2:05:04.400 --> 2:05:07.920
<v Speaker 1>or l A d C or l A d C

2:05:09.040 --> 2:05:15.840
<v Speaker 1>d C or Miami d C d C or Denver

2:05:19.520 --> 2:05:28.800
<v Speaker 1>d C. No, No, no, listen, you know you know

2:05:28.920 --> 2:05:31.080
<v Speaker 1>actually where I'm from. I'm three hours away from these

2:05:31.320 --> 2:05:33.480
<v Speaker 1>well now I got a house up there now, and like,

2:05:35.800 --> 2:05:41.200
<v Speaker 1>but I just, man, I'm just very mid Atlantic, East

2:05:41.320 --> 2:05:48.160
<v Speaker 1>Coast level. That's where I'm the most comfortable with everything. Like,

2:05:48.760 --> 2:05:52.120
<v Speaker 1>you know, I haven't I haven't taken a flight since

2:05:52.160 --> 2:05:55.840
<v Speaker 1>I was living in Maryland in that area. I haven't

2:05:55.920 --> 2:05:59.280
<v Speaker 1>taken a flight to New York. I never took a flight.

2:05:59.440 --> 2:06:02.200
<v Speaker 1>And I would all ways get on the train and

2:06:02.400 --> 2:06:05.520
<v Speaker 1>just uh you know, take the train from DC to

2:06:05.600 --> 2:06:09.240
<v Speaker 1>New York just to like see the different like just

2:06:09.360 --> 2:06:11.720
<v Speaker 1>the different areas I was going through, and and and

2:06:11.840 --> 2:06:14.680
<v Speaker 1>so on and so forth. And it's like I really

2:06:14.800 --> 2:06:18.680
<v Speaker 1>got to identify who I'm talking to, that East Coast

2:06:18.800 --> 2:06:22.200
<v Speaker 1>level of sophistication. You know what I'm saying that I

2:06:22.400 --> 2:06:25.760
<v Speaker 1>know exactly where my raps is going at. Anybody else

2:06:25.920 --> 2:06:28.760
<v Speaker 1>is cool, but who gravitates to it? But I know

2:06:28.920 --> 2:06:37.080
<v Speaker 1>exactly that d C, Baltimore, uh, Philly, Maryland, you know it? Atlantic? Yeah? Yeah,

2:06:38.200 --> 2:06:41.520
<v Speaker 1>oh yeah, yeah, yeah, I mean state too, right, No

2:06:42.920 --> 2:06:46.720
<v Speaker 1>state is when you get there US. It's not DMV,

2:06:46.920 --> 2:06:49.880
<v Speaker 1>no DMV. But but d m V. D m V

2:06:50.120 --> 2:06:54.400
<v Speaker 1>has never uh d m V has never included uh

2:06:54.920 --> 2:06:58.080
<v Speaker 1>where I'm from. DNA Beach seven five seven area code

2:06:58.600 --> 2:07:02.440
<v Speaker 1>that Hampton and never we were our own things. We are,

2:07:02.720 --> 2:07:05.080
<v Speaker 1>We've been our own thing. Richmond be the own thing.

2:07:05.160 --> 2:07:09.760
<v Speaker 1>And then d m V was DC Maryland and Northern Virginia. Okay,

2:07:10.320 --> 2:07:13.720
<v Speaker 1>so um, let's be clear. Virginia is the East Coast. Yes,

2:07:14.400 --> 2:07:18.440
<v Speaker 1>I mean it was in the South. This is a

2:07:18.480 --> 2:07:21.440
<v Speaker 1>big debate. Well, no, no, it is. Technically it is.

2:07:21.880 --> 2:07:25.600
<v Speaker 1>It was the capital of the Confederacy. No for but no,

2:07:25.760 --> 2:07:30.400
<v Speaker 1>I don't think that's what he meant that technically the South.

2:07:31.280 --> 2:07:34.480
<v Speaker 1>But in the music sense, in a music sense, the

2:07:34.680 --> 2:07:40.560
<v Speaker 1>dirty South never adopted Virginia, and d C no, no,

2:07:40.640 --> 2:07:46.640
<v Speaker 1>no no adopted Virginia. Well, New York, the New York

2:07:46.760 --> 2:07:50.080
<v Speaker 1>adopted Virginia during the late eighties. You don't think Teddy

2:07:50.120 --> 2:07:53.600
<v Speaker 1>really turned into Virginia. I feel like he into that's

2:07:53.640 --> 2:07:57.640
<v Speaker 1>what we're saying. I don't think he zoom zoom zoom

2:07:57.720 --> 2:08:06.440
<v Speaker 1>in the room. Poom yeah jove into pop phone. I

2:08:06.600 --> 2:08:09.920
<v Speaker 1>do remember that video, don't saying to get I got

2:08:10.000 --> 2:08:14.400
<v Speaker 1>almost guaranteed. I jerked video. That's two much of Amazon.

2:08:14.680 --> 2:08:23.080
<v Speaker 1>You needn't drink that Wow Soper nor out no one Sofa.

2:08:23.360 --> 2:08:28.280
<v Speaker 1>That's all the year before. What do you mean that's

2:08:28.280 --> 2:08:32.120
<v Speaker 1>a clessant record. That's a clus That's what mean. It's

2:08:32.120 --> 2:08:33.920
<v Speaker 1>like Dwick almost in a sense, you know, like a

2:08:33.960 --> 2:08:37.480
<v Speaker 1>summer record that's never forever, YoY came before do it. No,

2:08:37.640 --> 2:08:41.080
<v Speaker 1>I'm just saying it's a classic summer record. Yes, it

2:08:41.200 --> 2:08:42.640
<v Speaker 1>made me want to like I always wanted to have

2:08:42.760 --> 2:08:47.600
<v Speaker 1>a video like that. I never got one girl. He

2:08:47.760 --> 2:08:56.080
<v Speaker 1>got chill him full of dudes, I drink off. He's

2:08:56.240 --> 2:09:04.240
<v Speaker 1>crazy and he's sober. The motherfucker. I don't want you.

2:09:06.360 --> 2:09:18.440
<v Speaker 1>That was podcast radio um podcast almatic or ready to

2:09:18.520 --> 2:09:34.440
<v Speaker 1>Die Illmatic or ready to die Almatic, styles Pe or

2:09:34.600 --> 2:09:42.480
<v Speaker 1>cameraon styles P camera styles Pe. Oh you say you

2:09:42.560 --> 2:09:50.640
<v Speaker 1>was answering styles Pe might be in my top five

2:09:51.080 --> 2:09:58.560
<v Speaker 1>to three dogs just of like consistency, hard lyricism. Um

2:09:59.200 --> 2:10:05.240
<v Speaker 1>even gets a little conscious, Yeah, but scary conscious, you know,

2:10:06.120 --> 2:10:10.000
<v Speaker 1>I don't know, scolding conscious, Like he's in my top

2:10:10.240 --> 2:10:13.440
<v Speaker 1>he's like he's been and been there for a long

2:10:14.320 --> 2:10:25.320
<v Speaker 1>long time. Ray Kwan or ghost face Ray Kwan of

2:10:25.360 --> 2:10:30.320
<v Speaker 1>course his hats because he is the Purple tape. Purple

2:10:30.400 --> 2:10:32.920
<v Speaker 1>tape change niggers Like, yeah, now let me tell you something.

2:10:33.040 --> 2:10:36.160
<v Speaker 1>If the Purple Tape would have said ghost face features

2:10:37.960 --> 2:10:41.320
<v Speaker 1>because yeah, but I said break feature and ghost face,

2:10:41.360 --> 2:10:48.680
<v Speaker 1>So I gotta go with Cypress Hills or Onyx Cypress

2:10:48.720 --> 2:11:01.480
<v Speaker 1>Hill used to Cypress Hills Cyper's Hill Still n WA

2:11:01.960 --> 2:11:13.120
<v Speaker 1>or Wu Tank Plan Um moutane Clan deep or MP

2:11:13.680 --> 2:11:18.680
<v Speaker 1>mob mob Deep over everybody, Mob Deep over clips Mob

2:11:18.760 --> 2:11:30.640
<v Speaker 1>Deep mob Deep. Loyalty or respect loyalty? Why you don't

2:11:30.640 --> 2:11:35.200
<v Speaker 1>guta respect me? You don't got too? It's cool, I don't.

2:11:35.240 --> 2:11:37.480
<v Speaker 1>I respect you and I respect me. But if you're loyal,

2:11:37.600 --> 2:11:39.800
<v Speaker 1>that means you're that close to me. That means we're

2:11:39.800 --> 2:11:42.880
<v Speaker 1>in a close you know, in close dealings. And I

2:11:43.160 --> 2:11:46.680
<v Speaker 1>and I put that over everything like we should be

2:11:47.240 --> 2:11:51.840
<v Speaker 1>everybody should be. Um, loyalty should be on top of

2:11:51.960 --> 2:11:54.760
<v Speaker 1>everybody's list. Who you who you deal with, who you

2:11:54.880 --> 2:12:06.720
<v Speaker 1>rock with? Yeah, figure we always say, um, you always

2:12:06.720 --> 2:12:10.360
<v Speaker 1>say that's probably the only trick question on here because

2:12:10.640 --> 2:12:14.480
<v Speaker 1>UM and I get how people depreciate the two. UM,

2:12:15.040 --> 2:12:17.760
<v Speaker 1>but I feel like, really, loyalty and respect, like it's

2:12:17.800 --> 2:12:19.720
<v Speaker 1>just it's just like a hand and hand type of thing.

2:12:20.360 --> 2:12:24.000
<v Speaker 1>But not in this generation now. But from where we

2:12:24.320 --> 2:12:25.800
<v Speaker 1>come from. When I say where I come from, I

2:12:25.840 --> 2:12:28.800
<v Speaker 1>don't mean my hood. I mean the generation generation, you

2:12:28.840 --> 2:12:31.839
<v Speaker 1>know what I mean? Um damn that motherfucker Live Residents

2:12:32.760 --> 2:12:34.800
<v Speaker 1>smacking a ship out of me. Right now. We got

2:12:34.880 --> 2:12:38.560
<v Speaker 1>some bigger boys. God damn it, that's it. That's it

2:12:38.720 --> 2:12:43.560
<v Speaker 1>is hitting me crazy right in the building. You get

2:12:43.680 --> 2:12:47.760
<v Speaker 1>paid by the movie. But so moving forward and this

2:12:48.160 --> 2:12:51.280
<v Speaker 1>generation now, I can see how they don't coexist. But um,

2:12:51.640 --> 2:12:54.320
<v Speaker 1>back then, if you had loyalty, you have respect. Back then,

2:12:54.360 --> 2:12:58.000
<v Speaker 1>if you have respect, you had loyalty. I mean, I

2:12:58.280 --> 2:13:00.360
<v Speaker 1>think I'm looking at it just in this sense of

2:13:02.280 --> 2:13:05.800
<v Speaker 1>you know how I how I view the two words,

2:13:06.000 --> 2:13:10.400
<v Speaker 1>like I don't care if somebody respects me. You know

2:13:10.400 --> 2:13:11.880
<v Speaker 1>what I'm saying, I don't, you don't. You don't gotta

2:13:11.920 --> 2:13:13.960
<v Speaker 1>respect me. You got to know me and I respect me.

2:13:14.000 --> 2:13:19.280
<v Speaker 1>It's whatever. Loyalty is something that is. You know, you

2:13:19.400 --> 2:13:22.840
<v Speaker 1>get that opportunity to even experience loyalty by being close

2:13:22.920 --> 2:13:25.960
<v Speaker 1>to somebody, you know what I'm saying, Like you you,

2:13:27.480 --> 2:13:29.640
<v Speaker 1>if you're not close somebody, you don't even expect loyalty.

2:13:30.080 --> 2:13:32.240
<v Speaker 1>So you can only look at that word in one

2:13:32.600 --> 2:13:34.600
<v Speaker 1>you know, in in a in a sense of being,

2:13:35.720 --> 2:13:39.400
<v Speaker 1>But would in loyalty automatically bring respect with itself, because

2:13:39.440 --> 2:13:43.720
<v Speaker 1>the minute someone disengages from being loyal, they're disrespecting you

2:13:43.800 --> 2:13:47.640
<v Speaker 1>at the same time. That's why. That's that's why I

2:13:47.720 --> 2:13:52.800
<v Speaker 1>was like, I guess, I mean you mean true, you know,

2:13:52.960 --> 2:13:56.000
<v Speaker 1>but I think, you know, I think you can separate

2:13:56.160 --> 2:14:00.560
<v Speaker 1>both of them because again I can see this man

2:14:00.720 --> 2:14:03.320
<v Speaker 1>right here. I don't gotta respect that man or nothing.

2:14:03.480 --> 2:14:05.720
<v Speaker 1>You don't gotta respect me, you know what I'm saying.

2:14:05.840 --> 2:14:08.040
<v Speaker 1>Loyalty ain't even an option. We don't even know each other,

2:14:08.880 --> 2:14:10.760
<v Speaker 1>you know what I'm saying. So when you start talking

2:14:10.760 --> 2:14:15.000
<v Speaker 1>about loyalty, you're really talking about you're already putting a

2:14:15.080 --> 2:14:18.120
<v Speaker 1>relationship there. And when you when you mentioned loyalty, not

2:14:18.320 --> 2:14:21.760
<v Speaker 1>necessarily with respect, because the enemy could respect you and

2:14:21.840 --> 2:14:24.600
<v Speaker 1>that'd be loyal to you. That's why I think is

2:14:24.600 --> 2:14:27.400
<v Speaker 1>where it disengages, Like like someone from a distance in

2:14:27.440 --> 2:14:29.200
<v Speaker 1>the streets could be like, I'm gonna respect them and

2:14:29.200 --> 2:14:31.920
<v Speaker 1>I'm gonna move accordingly to how I respect that they

2:14:32.040 --> 2:14:34.840
<v Speaker 1>might move, but I'm not loyal to that person. Yeah,

2:14:35.600 --> 2:14:40.400
<v Speaker 1>it's it's it's separate though. Man, life is crazy. Man

2:14:40.520 --> 2:14:43.640
<v Speaker 1>life is crazy. Life is crazy. No, look at this, Yeah,

2:14:43.680 --> 2:14:45.720
<v Speaker 1>that's about to say, man like not only did you

2:14:45.760 --> 2:14:49.280
<v Speaker 1>think you still be here, like with the level of

2:14:49.400 --> 2:14:51.640
<v Speaker 1>love that you receive, you know what I'm saying, Like

2:14:51.960 --> 2:14:54.720
<v Speaker 1>you have like like I go back to the Coil

2:14:54.880 --> 2:14:59.120
<v Speaker 1>Ray interview because it was just, um, is a fire

2:14:59.200 --> 2:15:03.680
<v Speaker 1>cracker that that's that's the home. But what it was

2:15:03.840 --> 2:15:07.800
<v Speaker 1>was to see Charlemagne like and have his like you know,

2:15:07.960 --> 2:15:11.320
<v Speaker 1>he's the top of his game. He's sitting there and

2:15:11.440 --> 2:15:14.280
<v Speaker 1>it's like there's people like that that won't let what

2:15:14.480 --> 2:15:17.720
<v Speaker 1>you do die at all. Yeah, no, for sure, And

2:15:19.440 --> 2:15:26.680
<v Speaker 1>you know it's it's Um, I think that it's good

2:15:26.760 --> 2:15:32.760
<v Speaker 1>to have champions like like Charlotte Maagne out there and yeah,

2:15:33.000 --> 2:15:39.640
<v Speaker 1>of course Vangela everybody. UM, but you know, you gotta

2:15:39.840 --> 2:15:42.520
<v Speaker 1>you gotta make it. You gotta make it easy for

2:15:42.640 --> 2:15:45.440
<v Speaker 1>them to champion you two. You gotta make that ship.

2:15:45.560 --> 2:15:49.640
<v Speaker 1>You gotta be culturally relevant. You gotta be active and

2:15:50.120 --> 2:15:53.880
<v Speaker 1>actively competing and you know, you know, being able to

2:15:53.960 --> 2:15:56.200
<v Speaker 1>put up your album one for one with any of them.

2:15:56.360 --> 2:15:58.480
<v Speaker 1>And I feel like that's something that I need to

2:15:58.560 --> 2:16:00.960
<v Speaker 1>do more. Like I you know, I've been on some

2:16:02.920 --> 2:16:06.320
<v Speaker 1>I've been on some you know, drop every two three

2:16:06.480 --> 2:16:08.840
<v Speaker 1>years type of ship. This was even longer due to

2:16:08.880 --> 2:16:12.200
<v Speaker 1>the pandemic or whatever. But um, I think I think

2:16:12.880 --> 2:16:15.640
<v Speaker 1>just being more respectful to my fan And if I'm

2:16:15.680 --> 2:16:19.080
<v Speaker 1>really trying to get my language out there and and

2:16:19.280 --> 2:16:21.680
<v Speaker 1>show that I'm being competitive, I'm gonna have to drop

2:16:21.760 --> 2:16:26.760
<v Speaker 1>more frequently too. What's ther president of death? Dam? How

2:16:26.800 --> 2:16:31.000
<v Speaker 1>has it been working with Tungi Dope? Like you know

2:16:31.480 --> 2:16:35.280
<v Speaker 1>young energy? Um, he knows what you're talking about. And

2:16:35.400 --> 2:16:37.720
<v Speaker 1>and Tungji used to wrap. He's gonna kill me for this.

2:16:40.920 --> 2:16:43.200
<v Speaker 1>I don't, I don't, but but I sucked him up.

2:16:43.240 --> 2:16:44.960
<v Speaker 1>I told him right, I told him, I know you

2:16:45.040 --> 2:16:46.959
<v Speaker 1>used to wrap two So because I brought him into

2:16:47.000 --> 2:16:48.680
<v Speaker 1>listen to my album first, and I was like, before

2:16:48.879 --> 2:16:51.360
<v Speaker 1>we even go here, I know you're rappers, so that's

2:16:51.400 --> 2:16:58.879
<v Speaker 1>why you're here. Tell me he um African? Um, what's

2:16:58.879 --> 2:17:03.920
<v Speaker 1>the ship? Um? No, no, no, bumba, what's that? What

2:17:04.040 --> 2:17:13.880
<v Speaker 1>the are you talking? Uh? Afro beats? Yeah, but no

2:17:14.000 --> 2:17:26.520
<v Speaker 1>he wraps like a rapper, like African like raps. Yeah

2:17:26.800 --> 2:17:30.800
<v Speaker 1>he sure, And um that was that was they had

2:17:30.800 --> 2:17:33.520
<v Speaker 1>a lot to do with. Um. I was letting I

2:17:33.600 --> 2:17:35.320
<v Speaker 1>was letting him hear the album. But that was part

2:17:35.400 --> 2:17:38.160
<v Speaker 1>of the rollout specifically. That's why I asked you how

2:17:38.200 --> 2:17:42.320
<v Speaker 1>long you got to live with the record because we

2:17:43.200 --> 2:17:46.560
<v Speaker 1>wanted I feel like, man, people don't even rate in

2:17:46.680 --> 2:17:49.800
<v Speaker 1>critique records no more so we had we had the

2:17:49.879 --> 2:17:52.840
<v Speaker 1>record sent out to everybody earlier and we experienced the leak.

2:17:52.920 --> 2:17:55.360
<v Speaker 1>Actually in the virgion I had didn't have drug Dealers

2:17:55.400 --> 2:17:57.600
<v Speaker 1>anonymous on it. The one that I bought don't have

2:17:57.720 --> 2:18:01.039
<v Speaker 1>drunk anonymous on It's not on it. Yeah, yeah I didn't.

2:18:01.120 --> 2:18:02.960
<v Speaker 1>But the one when you google it, it is on

2:18:03.120 --> 2:18:11.200
<v Speaker 1>that bro. Stop No, you know it's crazy. No, no,

2:18:12.280 --> 2:18:15.360
<v Speaker 1>go to title man on the playlist that you sent us.

2:18:16.560 --> 2:18:23.840
<v Speaker 1>They got it, yes, yeah, yes, they got it actually

2:18:23.959 --> 2:18:26.920
<v Speaker 1>under the album yeah, come on, no or push the

2:18:27.000 --> 2:18:30.400
<v Speaker 1>Tea Blue dist track towards Arby's. You started Arby's Ship

2:18:30.440 --> 2:18:34.800
<v Speaker 1>because because McDonald's jerk you back in the day. Man,

2:18:35.360 --> 2:18:40.200
<v Speaker 1>that's really really good. I'm really proud of that. Armies. Yeah,

2:18:40.320 --> 2:18:44.200
<v Speaker 1>I'm proud of the campaign. Right go, Steve Stout got

2:18:44.240 --> 2:18:49.480
<v Speaker 1>your jerked back. They didn't get a jerk man, but

2:18:50.280 --> 2:18:52.879
<v Speaker 1>not shouting Stout though, because he you know he um.

2:18:53.760 --> 2:18:56.080
<v Speaker 1>He brought me and my brother in on the I'm

2:18:56.160 --> 2:19:01.680
<v Speaker 1>loving the campaign. Yeah. We talked about two and from

2:19:01.760 --> 2:19:04.480
<v Speaker 1>those raps came the catchphrase I'm loving it and you

2:19:04.760 --> 2:19:07.520
<v Speaker 1>you did not know about residuals back there? Hell don't

2:19:07.520 --> 2:19:10.160
<v Speaker 1>know that ship with the check was looking crazy that

2:19:10.400 --> 2:19:12.280
<v Speaker 1>bro I wasn't thinking about it, and I'm thinking ship,

2:19:12.400 --> 2:19:14.600
<v Speaker 1>Oh yeah, you know, a little two months joint about

2:19:14.600 --> 2:19:18.000
<v Speaker 1>the same time it's over. That should lasted twenty years,

2:19:20.080 --> 2:19:25.560
<v Speaker 1>might still be forever? Know for sure? Are we stepped

2:19:25.600 --> 2:19:28.119
<v Speaker 1>you and said let's get a cracking h We'll see

2:19:28.320 --> 2:19:30.520
<v Speaker 1>ary they said, let's go to the wall, let's get

2:19:31.240 --> 2:19:38.360
<v Speaker 1>double like that. If any of that happened, I'm telling

2:19:38.400 --> 2:19:42.160
<v Speaker 1>you what happened before. What really happened was I've been

2:19:42.200 --> 2:19:44.240
<v Speaker 1>speaking and I've been telling people that that was like

2:19:44.360 --> 2:19:48.000
<v Speaker 1>my um my biggest regret. You know, people ask you, like, da,

2:19:48.120 --> 2:19:51.920
<v Speaker 1>what's your biggest regret musically? So that's um. So I

2:19:52.280 --> 2:19:54.840
<v Speaker 1>told him about the McDonald's thing and I and then

2:19:54.920 --> 2:19:58.280
<v Speaker 1>I proceeded to tell them that. But after that, though,

2:19:58.320 --> 2:20:00.360
<v Speaker 1>I see, I've been in business with Arby's for minute

2:20:00.360 --> 2:20:03.720
<v Speaker 1>because me and scrill X did a record together called

2:20:03.760 --> 2:20:07.520
<v Speaker 1>Burial and that we got to meet at the end

2:20:07.560 --> 2:20:11.200
<v Speaker 1>of the Arby's commercial with the last hard That's that

2:20:11.360 --> 2:20:17.080
<v Speaker 1>our own record. So yeah, so out here doing right

2:20:17.959 --> 2:20:21.120
<v Speaker 1>so so and that's why because you were speaking about earlier.

2:20:21.120 --> 2:20:22.320
<v Speaker 1>He was like, man, I was doing his E d

2:20:22.520 --> 2:20:24.600
<v Speaker 1>M stuff, and I was like, bro, that was the

2:20:24.720 --> 2:20:29.320
<v Speaker 1>path that I got. No, he was on point, but

2:20:30.680 --> 2:20:34.000
<v Speaker 1>he was on point. He was on point with that.

2:20:34.120 --> 2:20:36.400
<v Speaker 1>He jump off the E d M. The E d

2:20:36.640 --> 2:20:41.680
<v Speaker 1>M is very commercial friendly and once um my manager

2:20:42.560 --> 2:20:46.600
<v Speaker 1>really Stephen was really like pushing that. No, just pushing,

2:20:46.760 --> 2:20:48.520
<v Speaker 1>just doing a lot of E d M stuff, like yo,

2:20:48.720 --> 2:20:50.880
<v Speaker 1>just do it like it's it's cool whatever, it's it's

2:20:50.920 --> 2:20:54.640
<v Speaker 1>commercial leaning. And so to get me to do it,

2:20:55.120 --> 2:20:58.600
<v Speaker 1>he would always ask for a super crazy amount of

2:20:58.680 --> 2:21:03.560
<v Speaker 1>the song like like yo, give me whatever publishing and

2:21:04.080 --> 2:21:06.360
<v Speaker 1>I ended up doing the Screll X one and it

2:21:06.480 --> 2:21:12.640
<v Speaker 1>ended up getting picked up. So yeah, so I didn't

2:21:12.640 --> 2:21:17.680
<v Speaker 1>say nothing. He just owns that piece of that record.

2:21:17.920 --> 2:21:21.920
<v Speaker 1>Who got the Meets is on yes, exactly. So um,

2:21:23.000 --> 2:21:26.200
<v Speaker 1>with that, with that being the case, um, they reached

2:21:26.200 --> 2:21:27.720
<v Speaker 1>out to me. It was like, man, we we heard

2:21:27.720 --> 2:21:32.160
<v Speaker 1>about what you said during the you know, doing me harmy.

2:21:33.200 --> 2:21:43.400
<v Speaker 1>Yeah They're like yeah, we've been I'm always gies, but

2:21:44.760 --> 2:21:46.240
<v Speaker 1>you know it was like yeo, we heard about that

2:21:46.600 --> 2:21:48.440
<v Speaker 1>but we got this fish sandwich that we bring in

2:21:48.440 --> 2:21:51.320
<v Speaker 1>the market. Let's, you know, let's do something they want

2:21:51.360 --> 2:21:56.960
<v Speaker 1>to bang against. Yeah, Wendy's right, McDonald's Okay, Yeah, And

2:21:57.720 --> 2:21:59.680
<v Speaker 1>it just made sense. It just made sense, you know,

2:22:00.080 --> 2:22:03.959
<v Speaker 1>be for McDonald's, sense, beef for McDonald's and just everything

2:22:04.000 --> 2:22:06.520
<v Speaker 1>I was going through, just beefwise period. They were like,

2:22:07.640 --> 2:22:10.800
<v Speaker 1>that makes sense. So that's why it's like really important

2:22:10.840 --> 2:22:13.920
<v Speaker 1>to get the right people at these corporations because you

2:22:14.040 --> 2:22:17.200
<v Speaker 1>know what's going on. Culture. Whoever the guy is at

2:22:17.320 --> 2:22:21.800
<v Speaker 1>Arby's does deserve a raise. I think he got. He

2:22:21.840 --> 2:22:24.000
<v Speaker 1>could have got. Let's be clear that a lot of

2:22:24.080 --> 2:22:26.800
<v Speaker 1>these executives now are of an age and a generation

2:22:26.879 --> 2:22:28.600
<v Speaker 1>that grew up on hip hop that probably get it.

2:22:28.680 --> 2:22:30.680
<v Speaker 1>But he could have because anybody could wrap now, he

2:22:30.680 --> 2:22:32.879
<v Speaker 1>could have got a straight faced you know what I'm

2:22:32.920 --> 2:22:36.920
<v Speaker 1>saying to do. Arby's got beef with y D's and

2:22:37.000 --> 2:22:39.600
<v Speaker 1>they wouldn't have to say. But they got a credible lyricist,

2:22:40.000 --> 2:22:43.280
<v Speaker 1>and you really got D R B Gang And I

2:22:43.320 --> 2:22:46.600
<v Speaker 1>ain't got it yet. Get at least the piece. Yeah, no,

2:22:46.840 --> 2:23:01.040
<v Speaker 1>for sure, get the piece. Give me give me a ticket, yeah,

2:23:01.879 --> 2:23:06.480
<v Speaker 1>to come down. But so Marvey steps to you and

2:23:06.520 --> 2:23:08.440
<v Speaker 1>they said listen. Yeah. It was like, yo, let's let

2:23:08.560 --> 2:23:12.080
<v Speaker 1>let's do this. You seven drop by on me? Yes,

2:23:12.440 --> 2:23:21.360
<v Speaker 1>for sure, everybody get everybody getting it, and man, it

2:23:22.080 --> 2:23:24.400
<v Speaker 1>really it really paid off. It really paid off. I

2:23:24.480 --> 2:23:27.800
<v Speaker 1>think it got um. It really tuned everybody from our

2:23:27.879 --> 2:23:31.160
<v Speaker 1>culture totally into Rby's even more. I mean I don't

2:23:31.200 --> 2:23:32.920
<v Speaker 1>I don't know if they really were before, but just

2:23:33.080 --> 2:23:35.840
<v Speaker 1>to see the analytics and the numbers, you know that

2:23:35.920 --> 2:23:38.480
<v Speaker 1>it was crazy. Something like Bloomberg talking about it and

2:23:39.959 --> 2:23:47.720
<v Speaker 1>everybody because you Ronald McDonald's come back, Nah, I ain't buying.

2:23:48.879 --> 2:23:54.760
<v Speaker 1>I'm not buying an it's crazy MS gag game. He's like,

2:23:54.840 --> 2:24:00.560
<v Speaker 1>what's I was like, they made this? This is this

2:24:00.720 --> 2:24:06.880
<v Speaker 1>is by far one of the funniest hip hop uh

2:24:07.600 --> 2:24:11.680
<v Speaker 1>commercial like battle it is because like I said, they

2:24:11.680 --> 2:24:14.800
<v Speaker 1>could have got astray faced. Yeah, and a guy from

2:24:14.879 --> 2:24:18.800
<v Speaker 1>the hood that is you know, got superbars, you know,

2:24:18.959 --> 2:24:22.600
<v Speaker 1>supertality where they got you and then and then and

2:24:22.680 --> 2:24:24.960
<v Speaker 1>then it's actually make that was a tweeting back like

2:24:25.400 --> 2:24:32.080
<v Speaker 1>and it's a story. The story though, Drake, the story

2:24:32.200 --> 2:24:36.240
<v Speaker 1>that's sundered off the Arby's gang. Now that's just means

2:24:36.280 --> 2:24:42.560
<v Speaker 1>out of question. You eat the roast beef? Yeah for sure. No,

2:24:43.240 --> 2:24:45.880
<v Speaker 1>I don't really know too many people, I promise you.

2:24:46.920 --> 2:24:52.920
<v Speaker 1>I'm Allby's games as pretty clean though. Man can order

2:24:53.040 --> 2:24:56.440
<v Speaker 1>right now? What's the number seven? I don't do that.

2:24:56.520 --> 2:24:58.560
<v Speaker 1>I do what I did? I do? I do from shading?

2:24:59.000 --> 2:25:01.480
<v Speaker 1>Uh No, on one, I put the sesame seed on it,

2:25:02.160 --> 2:25:06.440
<v Speaker 1>shredded lettuce, tomato, arby sauce, curly fry, sweet tea. Let's go.

2:25:10.879 --> 2:25:13.800
<v Speaker 1>So just I don't eat beef. Did I got chicken?

2:25:16.879 --> 2:25:19.120
<v Speaker 1>I'm getting the fish shamwich. You sold me on the

2:25:19.120 --> 2:25:21.119
<v Speaker 1>fish Sam. Yes, you told me that the other niggas

2:25:21.200 --> 2:25:26.160
<v Speaker 1>is not the niggas right right right? They not with you.

2:25:28.520 --> 2:25:35.840
<v Speaker 1>We're gonna get some armies. We got a pop the

2:25:36.160 --> 2:25:43.400
<v Speaker 1>armies wanted to dry. But did you cliche type of questions?

2:25:44.200 --> 2:25:46.080
<v Speaker 1>But did you ever think that hip hop with tickets

2:25:46.480 --> 2:25:51.119
<v Speaker 1>like joking around? That's why I do it. That's why

2:25:51.160 --> 2:25:57.280
<v Speaker 1>I do it, like like I really, I really, um man,

2:25:57.360 --> 2:26:00.280
<v Speaker 1>you know, we're from the time where like yo, my

2:26:00.480 --> 2:26:03.120
<v Speaker 1>first my first Grammy nomination, I had to go like

2:26:03.280 --> 2:26:07.520
<v Speaker 1>the day before when it was like tele like I'm

2:26:07.560 --> 2:26:11.039
<v Speaker 1>televised and you had your own little like stupid ceremony.

2:26:11.320 --> 2:26:13.720
<v Speaker 1>They were smart. Yeah, like they won't. Chris rock Shield

2:26:13.879 --> 2:26:24.080
<v Speaker 1>came out that it was ahead of the time show.

2:26:29.200 --> 2:26:31.000
<v Speaker 1>I told you I ain't coming. She's gonna be real

2:26:31.280 --> 2:26:37.360
<v Speaker 1>bill Board Awards he hosted and executive producing. When I

2:26:37.400 --> 2:26:40.920
<v Speaker 1>don't know, Coden, I'm going, I'm going here, gonna have

2:26:41.000 --> 2:26:49.320
<v Speaker 1>to security on that. You're gonna nig up. Ain't smacking tripping,

2:26:49.360 --> 2:26:53.920
<v Speaker 1>And I'm telling you that he want the smack. That's

2:26:53.920 --> 2:26:57.280
<v Speaker 1>a fact. I'm gonna be front row because if not

2:26:57.959 --> 2:27:02.879
<v Speaker 1>just a bill Board a ward, but he's he's yea

2:27:03.440 --> 2:27:16.080
<v Speaker 1>yea drink anymore. He's also execut producing it, so like

2:27:16.400 --> 2:27:21.240
<v Speaker 1>he's executive producer because of remember was executive produced and

2:27:21.280 --> 2:27:27.680
<v Speaker 1>produced by Will Farrell. And right, excuse me, how about

2:27:29.480 --> 2:27:32.000
<v Speaker 1>whatever did he do? He gonna kill, he gonna kill,

2:27:32.120 --> 2:27:35.480
<v Speaker 1>he gonna dances, training and ship and the shows you

2:27:35.560 --> 2:27:40.280
<v Speaker 1>gotta get to The show was done. Nobody playing with him. No, No,

2:27:40.400 --> 2:27:42.959
<v Speaker 1>I'm talking, mom, he's hosting the Billboard Award. But we're

2:27:43.000 --> 2:27:44.959
<v Speaker 1>talking about the producer that you were talking about, Will

2:27:45.000 --> 2:27:48.039
<v Speaker 1>pat Yeah he killed the show was dope, he killed it? Yeah, yeah,

2:27:48.120 --> 2:27:50.120
<v Speaker 1>he killed it. You you're interested in the Oscars and

2:27:50.120 --> 2:27:53.520
<v Speaker 1>ship like that and Oscars. Yeah, I don't. I don't

2:27:53.560 --> 2:27:56.280
<v Speaker 1>never watch that show. I'm gonna watching next year. Just

2:27:56.320 --> 2:27:59.680
<v Speaker 1>want to see is gonna get it flicked? Yeah, sounds

2:28:00.800 --> 2:28:04.760
<v Speaker 1>I never watched you Are you Award? Your God? Yeah? Yeah?

2:28:05.959 --> 2:28:08.879
<v Speaker 1>My team breaks and ship? Uh you know, I mean

2:28:09.040 --> 2:28:11.800
<v Speaker 1>anything that you know they gotta do with music and

2:28:11.920 --> 2:28:15.000
<v Speaker 1>especially if I'm involved, and yeah, I'm tuned in, I listen.

2:28:15.040 --> 2:28:18.240
<v Speaker 1>I want everything that comes along with it, you know

2:28:18.240 --> 2:28:20.080
<v Speaker 1>what I'm saying, everything that comes along with the game.

2:28:20.600 --> 2:28:25.160
<v Speaker 1>For sure. That was I was super proud of of

2:28:25.440 --> 2:28:31.800
<v Speaker 1>Daytona being nominated. Yeah, super proud of that. Like, um,

2:28:32.320 --> 2:28:36.000
<v Speaker 1>it was good man. It was just like you just

2:28:36.120 --> 2:28:39.039
<v Speaker 1>think about me. I remember vividly being at the rock

2:28:39.160 --> 2:28:42.280
<v Speaker 1>Nation brunch with Nipsey and it's like high five and

2:28:42.360 --> 2:28:49.320
<v Speaker 1>and laughing like you WoT my white House ship to right? Yeah? Yeah,

2:28:49.360 --> 2:28:53.040
<v Speaker 1>but just um, you know, just being being at the

2:28:53.160 --> 2:28:57.640
<v Speaker 1>rock Nation brunch man and we like giggling, laughing, high

2:28:57.720 --> 2:28:59.879
<v Speaker 1>five and like yo we got we grabam me now,

2:29:00.000 --> 2:29:03.160
<v Speaker 1>and they were in the same category like didn't fucked up?

2:29:03.360 --> 2:29:07.200
<v Speaker 1>This is crazy, you know, and just just being really happy.

2:29:07.280 --> 2:29:09.840
<v Speaker 1>I remember like discussing with him just about being really

2:29:09.959 --> 2:29:15.200
<v Speaker 1>happy about the category itself. I felt like they got it, yeah,

2:29:15.280 --> 2:29:18.840
<v Speaker 1>really like he I felt like they really got it right. Um,

2:29:19.320 --> 2:29:23.720
<v Speaker 1>Cardi b ended up winning that year and m and

2:29:23.800 --> 2:29:25.560
<v Speaker 1>I still like, you know, I get it. Was it

2:29:25.640 --> 2:29:28.080
<v Speaker 1>was Cardi, it was myself, It was Nipsy, was mcmiller,

2:29:28.160 --> 2:29:32.360
<v Speaker 1>was Travis Scott. I felt like they got all all fastests,

2:29:32.400 --> 2:29:34.800
<v Speaker 1>all across the board, and you know, at the end

2:29:34.800 --> 2:29:36.120
<v Speaker 1>of the day when it comes to the vote and

2:29:36.160 --> 2:29:38.240
<v Speaker 1>it's just who they pick or whatever and who they

2:29:38.320 --> 2:29:41.800
<v Speaker 1>think performs the best. But you know, it was something

2:29:41.879 --> 2:29:43.880
<v Speaker 1>that I don't think any of us could be mad at.

2:29:44.560 --> 2:29:49.560
<v Speaker 1>You know what I'm saying. Yeah, yeah, the right, Yeah, no, listen,

2:29:49.680 --> 2:29:54.440
<v Speaker 1>the Cardi one, she deserved that. But you know, having

2:29:54.720 --> 2:29:57.920
<v Speaker 1>what it is that I do in hip hop, my content,

2:29:58.000 --> 2:29:59.600
<v Speaker 1>the ship. I talked about the ship. Where this ship

2:29:59.720 --> 2:30:05.480
<v Speaker 1>is from, next to that, next to Mac, next to Travis,

2:30:06.120 --> 2:30:10.040
<v Speaker 1>nip like it was bro I couldn't ask for nothing better.

2:30:10.240 --> 2:30:12.560
<v Speaker 1>And to put it in perspectives, I'm not wrong. The

2:30:12.640 --> 2:30:16.879
<v Speaker 1>Grammys before combined R and B and rap. Yes, sir, yes, sir,

2:30:17.080 --> 2:30:20.360
<v Speaker 1>like that was crazy, Yes, sir. You remember listen they

2:30:20.400 --> 2:30:23.800
<v Speaker 1>start a whole committee. Remember they like, there's a whole

2:30:23.840 --> 2:30:25.840
<v Speaker 1>committee if they do one vote, and then they then

2:30:25.879 --> 2:30:28.560
<v Speaker 1>they bringing their committee folks and be like, let's edit

2:30:28.640 --> 2:30:30.879
<v Speaker 1>this up a little bit, you know, those who are

2:30:31.000 --> 2:30:35.840
<v Speaker 1>part of the the board. You know what I'm saying, Man,

2:30:35.920 --> 2:30:37.960
<v Speaker 1>I missed the days of can you used to interrupt? You?

2:30:40.879 --> 2:30:43.760
<v Speaker 1>Leave you alone? Ye let let you chill? He chilling

2:30:43.879 --> 2:30:55.879
<v Speaker 1>right now, chilling, chill. I told him stay you at piece.

2:30:55.959 --> 2:31:02.879
<v Speaker 1>You listen, He's listening, peaceful, calm, we giggling, laughing. Give

2:31:03.600 --> 2:31:08.000
<v Speaker 1>he designed my merch. I'm like, you know, it's you know,

2:31:08.040 --> 2:31:10.280
<v Speaker 1>it's crazy. It was one day and I can't I

2:31:10.360 --> 2:31:13.160
<v Speaker 1>can't reveal anything me and him spoke about. But it

2:31:13.400 --> 2:31:16.440
<v Speaker 1>was crazy that he had called me one day and

2:31:16.520 --> 2:31:20.920
<v Speaker 1>one of my friends called me with the same exact problem.

2:31:22.120 --> 2:31:24.240
<v Speaker 1>And it was like one of my niggers got ten

2:31:24.360 --> 2:31:28.240
<v Speaker 1>billions and one of my dudes probably even had ten

2:31:28.320 --> 2:31:35.720
<v Speaker 1>dollars and they had the same exact problem. And that

2:31:35.800 --> 2:31:37.959
<v Speaker 1>ship changed my life. I remember where I was at,

2:31:38.080 --> 2:31:42.920
<v Speaker 1>was downstairs on the beach, and I just got one

2:31:42.959 --> 2:31:45.879
<v Speaker 1>call for one dude and I got another call for another.

2:31:46.080 --> 2:31:48.920
<v Speaker 1>It was salmon tasey right back and it was like

2:31:49.080 --> 2:31:50.959
<v Speaker 1>they had the same exact for um, That's what let

2:31:51.000 --> 2:31:55.160
<v Speaker 1>me know that money probably doesn't really make you happy.

2:31:55.840 --> 2:31:59.080
<v Speaker 1>It gives you, it puts you on that street. But

2:31:59.200 --> 2:32:01.160
<v Speaker 1>in order for you to be happy or not, you

2:32:01.240 --> 2:32:04.480
<v Speaker 1>gotta walk through that. No, money makes me happy. Yeah,

2:32:04.680 --> 2:32:10.440
<v Speaker 1>money does make me happy. But what I'm saying, when

2:32:10.480 --> 2:32:12.720
<v Speaker 1>I got out the car, right, what I do? What

2:32:12.840 --> 2:32:14.600
<v Speaker 1>did I do when I got out the car? As

2:32:14.640 --> 2:32:16.760
<v Speaker 1>soon as I got off the car, Okay, we got

2:32:16.840 --> 2:32:27.959
<v Speaker 1>you walked o right to your camera. Yes, money makes

2:32:27.959 --> 2:32:31.280
<v Speaker 1>me happy too, But I'm saying overall, you have to

2:32:31.360 --> 2:32:35.640
<v Speaker 1>have something else that do you agree with for sure? No,

2:32:36.200 --> 2:32:39.800
<v Speaker 1>for sure you have to Yeah, yeah, but but I

2:32:39.959 --> 2:32:46.160
<v Speaker 1>think that I think that um, money makes things better

2:32:47.160 --> 2:32:49.880
<v Speaker 1>for sure. I mean you know, being happy, Like, being

2:32:49.959 --> 2:32:53.560
<v Speaker 1>happy is something that you gotta like that starts within.

2:32:54.000 --> 2:32:57.880
<v Speaker 1>You have a smoke, bad bad week before. Na's horrible. Na,

2:32:58.160 --> 2:33:00.200
<v Speaker 1>you don't never want to be broke. No, it's a

2:33:00.240 --> 2:33:04.760
<v Speaker 1>horrible thing. You start being mad at everyone because you're smoking,

2:33:04.840 --> 2:33:09.400
<v Speaker 1>harsh no smoking set I smoke. I smoked on vacation,

2:33:09.520 --> 2:33:12.680
<v Speaker 1>every blue everything, And then yeah you want smoke, smoke

2:33:12.760 --> 2:33:21.280
<v Speaker 1>chap joint. I'm cool, right, now I'm drinking drinking. One

2:33:21.280 --> 2:33:25.560
<v Speaker 1>of the things that I noticed is you were very

2:33:25.680 --> 2:33:28.800
<v Speaker 1>famous in the industry for having a whole line of

2:33:29.000 --> 2:33:34.200
<v Speaker 1>Cardi Air bracelets, bust Down, Cartier bust down. That's not

2:33:34.400 --> 2:33:40.879
<v Speaker 1>my thing. Watches, watches, let's smoke down. You know, I've

2:33:40.920 --> 2:33:43.160
<v Speaker 1>treated it. I got rid of my card as soon

2:33:43.200 --> 2:33:50.600
<v Speaker 1>as I get the get rid of the riggor came

2:33:50.640 --> 2:33:52.760
<v Speaker 1>out soreggor came out of hate my jewel. I said, listen,

2:33:52.760 --> 2:33:57.520
<v Speaker 1>like I get rid of this. Yeah, do you under

2:33:57.560 --> 2:33:59.440
<v Speaker 1>do you understand what you don't if you're a real

2:33:59.760 --> 2:34:04.400
<v Speaker 1>watch people, Yeah, the real watch people, you can just watch.

2:34:05.040 --> 2:34:08.760
<v Speaker 1>I can sit on myself. I Watchler, I have been.

2:34:09.240 --> 2:34:13.840
<v Speaker 1>I haven't been to watch Lover. I'm know I'm kind

2:34:13.879 --> 2:34:17.959
<v Speaker 1>of sore, but I'm not. I don't have the ship

2:34:18.080 --> 2:34:20.880
<v Speaker 1>that looked like nothing, that's six hundred thousand. I don't have,

2:34:21.920 --> 2:34:27.080
<v Speaker 1>you know what I mean, like, I know what they

2:34:27.160 --> 2:34:33.640
<v Speaker 1>look like. But but for people that don't know that's

2:34:33.640 --> 2:34:38.160
<v Speaker 1>a normal watch guy, Cartier bust downs are not good.

2:34:39.040 --> 2:34:43.360
<v Speaker 1>They're just not my thing. They're just not my thing.

2:34:44.800 --> 2:34:47.960
<v Speaker 1>That's it. I mean, you know, it teaches own, but

2:34:48.080 --> 2:34:52.080
<v Speaker 1>they're just not my thing. I like I like, I

2:34:52.160 --> 2:34:58.480
<v Speaker 1>love to bracelet. How about the regular Cardier watches without

2:34:58.760 --> 2:35:02.200
<v Speaker 1>bust out. I I think they look nice playing Judy's

2:35:02.280 --> 2:35:05.560
<v Speaker 1>I think they look nice. Yeah, they're nice. Yeah. Okay,

2:35:06.040 --> 2:35:09.040
<v Speaker 1>that is a Batman you have on? Yes, that is

2:35:09.120 --> 2:35:14.600
<v Speaker 1>a Submariner GM g MT Batman. The man is out

2:35:14.640 --> 2:35:18.640
<v Speaker 1>here exclusive, y'all. The band is out. Don't look it,

2:35:19.320 --> 2:35:21.600
<v Speaker 1>don't look. That's the that's the funk you watch. You

2:35:21.640 --> 2:35:23.640
<v Speaker 1>know what I'm saying, Like you know when you just

2:35:23.760 --> 2:35:26.400
<v Speaker 1>outside because you know it looked normal and ship, but

2:35:26.440 --> 2:35:31.400
<v Speaker 1>you can't find that through the retailer's crazy. So I'm

2:35:31.440 --> 2:35:34.080
<v Speaker 1>doing that. We're trying to do a watch show, win

2:35:35.760 --> 2:35:39.000
<v Speaker 1>wine and watches and watch what is? Because you lamed

2:35:39.040 --> 2:35:43.560
<v Speaker 1>your album Daytona. Yeah, what is your favorite Daytona? Uh?

2:35:43.760 --> 2:35:48.800
<v Speaker 1>The Green Anniversary, Green Face Anniversary of Gold, all Gold.

2:35:48.879 --> 2:35:51.800
<v Speaker 1>I bought that for my wife here and I paid

2:35:51.840 --> 2:35:54.240
<v Speaker 1>and I and I and I and I and I say,

2:35:54.800 --> 2:35:58.640
<v Speaker 1>what it for your wife? A different type of money.

2:36:00.440 --> 2:36:05.640
<v Speaker 1>But the favorite Daytona is the all Gold Green Face Anniversary.

2:36:05.840 --> 2:36:09.879
<v Speaker 1>Very very hard, very very very It's like forms flex show.

2:36:10.200 --> 2:36:11.960
<v Speaker 1>Harder to get a ticket. It was, it was, it

2:36:12.160 --> 2:36:18.480
<v Speaker 1>was I paid over then I never never paid overfore watch. Yeah,

2:36:18.600 --> 2:36:21.240
<v Speaker 1>I never in my life paid overfore watch. So you

2:36:21.320 --> 2:36:26.040
<v Speaker 1>got direct to Rolex yeah, director director Rolex Germany, direct

2:36:26.560 --> 2:36:30.039
<v Speaker 1>to Rolex Um. Not even to Rolex, but to an

2:36:30.080 --> 2:36:32.520
<v Speaker 1>authorized dealer here who's been down with them for like

2:36:32.760 --> 2:36:35.840
<v Speaker 1>thirty years. So that's where I by all my watches

2:36:35.879 --> 2:36:40.240
<v Speaker 1>from Germany and Miami, Germany. The family was in Atlanta.

2:36:40.480 --> 2:36:43.440
<v Speaker 1>They were in Atlanta and they have another store in

2:36:43.720 --> 2:36:48.600
<v Speaker 1>l Alynndale, Lindale, and you get so you found there

2:36:48.720 --> 2:36:54.280
<v Speaker 1>was I've always been retail, retail, retail until the green

2:36:54.400 --> 2:36:57.279
<v Speaker 1>face and now wife, you wanted that, that was your suggestion,

2:36:57.879 --> 2:37:01.400
<v Speaker 1>that was what I think she should have. Ye she's boys, yea,

2:37:01.800 --> 2:37:05.200
<v Speaker 1>she only wear Man watches. Don't seen the white lady

2:37:05.240 --> 2:37:07.400
<v Speaker 1>do that to us? Watch the other day the white

2:37:07.480 --> 2:37:12.880
<v Speaker 1>Lady came in Mkodo and and I was like, excuse me,

2:37:12.959 --> 2:37:15.960
<v Speaker 1>I had that, excuse me what is that? And she

2:37:16.080 --> 2:37:19.879
<v Speaker 1>was like, oh, this is the Mad's presidentiary. I was like, yeah, yeah, yeah,

2:37:20.160 --> 2:37:25.760
<v Speaker 1>that is some Yeah, that is some fly ship. So

2:37:26.000 --> 2:37:30.960
<v Speaker 1>but yeah, but now I uh, I believe I paid

2:37:33.120 --> 2:37:38.680
<v Speaker 1>just twenty over and now today it's like over yeah, yeah,

2:37:39.000 --> 2:37:42.640
<v Speaker 1>it's it's it's yeah, when your name because I uh,

2:37:42.879 --> 2:37:45.840
<v Speaker 1>you know, patting you on your back when you name

2:37:45.920 --> 2:37:49.600
<v Speaker 1>the album Daytona, it's it's crazy. Since then, it seems

2:37:49.600 --> 2:37:53.000
<v Speaker 1>like watches appreciate it before. No, a little bit, A

2:37:53.000 --> 2:37:55.160
<v Speaker 1>little bit before no, no, no, look a little bit

2:37:55.200 --> 2:37:58.200
<v Speaker 1>after that. I think that's what I'm saying. Yeah, you

2:37:58.320 --> 2:38:01.120
<v Speaker 1>think you I don't know, it's me. I would have credit.

2:38:03.760 --> 2:38:09.320
<v Speaker 1>You ain't seen two up. But it's true. But Daytona, Yeah,

2:38:09.440 --> 2:38:13.160
<v Speaker 1>Daytona was was was just about having the luxury of time.

2:38:13.440 --> 2:38:15.200
<v Speaker 1>Did you know that Daytona at that time when you

2:38:15.320 --> 2:38:18.320
<v Speaker 1>named it, that the most expensive rolex there is is

2:38:18.360 --> 2:38:22.920
<v Speaker 1>a Daytona. I don't think. I don't know if I knew.

2:38:23.040 --> 2:38:26.039
<v Speaker 1>Is that the one that um the rainbow? It's two

2:38:26.080 --> 2:38:30.400
<v Speaker 1>of them. Oh, it's one of the most expensive one factory, Yes,

2:38:31.080 --> 2:38:34.760
<v Speaker 1>from factory Okay, yes, that one, and I believe it's

2:38:35.200 --> 2:38:38.000
<v Speaker 1>Nicolas Cage has one. That's what I was getting. That

2:38:38.959 --> 2:38:40.400
<v Speaker 1>was That's what I thought you was. I mean, I

2:38:40.480 --> 2:38:43.080
<v Speaker 1>thought you were going back to the somebody got an

2:38:43.120 --> 2:38:46.760
<v Speaker 1>original life, he got some stupid Yeah, yeah, he got

2:38:46.959 --> 2:38:50.560
<v Speaker 1>don't even look like a real wife. It's like you

2:38:50.640 --> 2:38:54.160
<v Speaker 1>just know it's going to sixty seconds. He got got

2:38:55.640 --> 2:38:57.520
<v Speaker 1>I think him and I think it's is the guy

2:38:57.600 --> 2:39:00.280
<v Speaker 1>John Mayor too, maybe John Mays a John he's a

2:39:00.360 --> 2:39:03.560
<v Speaker 1>Rolette just gave him for saying nigga, because you remember

2:39:03.640 --> 2:39:08.000
<v Speaker 1>he said nigga back in the days. Yes, help me, Yeah,

2:39:08.400 --> 2:39:10.360
<v Speaker 1>he said. He was in the Vibe magazine. He said,

2:39:11.920 --> 2:39:17.960
<v Speaker 1>and come on, I mean, let's go, let's just let's

2:39:17.959 --> 2:39:24.760
<v Speaker 1>just go. Yeah, he's a big watch guy. Is a

2:39:24.800 --> 2:39:29.920
<v Speaker 1>big watch guy. Okay, yeah, yeah, me and Sharon have

2:39:30.120 --> 2:39:34.600
<v Speaker 1>the same chocolate face Daytona chocolate with the leather band. Yeah.

2:39:34.680 --> 2:39:37.320
<v Speaker 1>We um he was working with chocolate with the leather band.

2:39:37.760 --> 2:39:40.760
<v Speaker 1>Oh you sophisticated, you got suits. I got a couple,

2:39:41.800 --> 2:39:49.840
<v Speaker 1>you got right, he um um. He was down here

2:39:49.879 --> 2:39:52.640
<v Speaker 1>working with p one time, and that's when we discovered that. Yeah,

2:39:53.160 --> 2:39:57.280
<v Speaker 1>and he had the orange at the time. I forget,

2:39:58.000 --> 2:40:01.760
<v Speaker 1>wasn't that. I think it's orange or Bergny's somewhere. Yeah,

2:40:02.520 --> 2:40:11.440
<v Speaker 1>we got we got to get you a wife. I'm sorry,

2:40:11.720 --> 2:40:15.520
<v Speaker 1>Where do you think lyricism is going in hip hop?

2:40:16.080 --> 2:40:20.600
<v Speaker 1>Because it felt that in the nineties, right like coming

2:40:20.640 --> 2:40:23.080
<v Speaker 1>out of the late eighties. We talked about the era

2:40:23.200 --> 2:40:25.800
<v Speaker 1>and then go into the nineties, you could get it.

2:40:25.879 --> 2:40:27.959
<v Speaker 1>You could have got a deal off of a clue

2:40:28.040 --> 2:40:33.560
<v Speaker 1>mixtape kicking a crazy six team right sounding that you

2:40:33.640 --> 2:40:35.640
<v Speaker 1>could have kicked these lyrics and you didn't even know

2:40:35.720 --> 2:40:37.680
<v Speaker 1>half of these words. You were saying what they meant,

2:40:38.000 --> 2:40:41.720
<v Speaker 1>right as long as it sounded good. And then we

2:40:41.879 --> 2:40:46.040
<v Speaker 1>departed from that heavy Where do you think the future

2:40:46.080 --> 2:40:50.120
<v Speaker 1>of lyricism is in hip hop right now? UM? I

2:40:50.240 --> 2:40:57.440
<v Speaker 1>think that as long as there's somebody, um who has

2:40:57.720 --> 2:41:01.920
<v Speaker 1>the who has the passion, who has the passion for

2:41:02.520 --> 2:41:06.119
<v Speaker 1>for finding that lyric driven hip hop, you know, whether

2:41:06.160 --> 2:41:10.039
<v Speaker 1>they be in these labels or whether they're a fan. UM,

2:41:10.080 --> 2:41:12.440
<v Speaker 1>I think lyricism is gonna be here forever. I don't think.

2:41:12.720 --> 2:41:15.880
<v Speaker 1>I don't think the fundamentals of hip hop die like.

2:41:16.200 --> 2:41:22.320
<v Speaker 1>I think that that is what UM. That is always

2:41:22.360 --> 2:41:27.360
<v Speaker 1>gonna be the cornerstone, cornerstone and driving force of anybody

2:41:27.560 --> 2:41:33.360
<v Speaker 1>who we say is nice out here? So and there's all.

2:41:33.480 --> 2:41:36.480
<v Speaker 1>And when you think about it, think about everybody, you know,

2:41:36.560 --> 2:41:38.800
<v Speaker 1>all the biggest in the game. You know what I'm saying,

2:41:39.160 --> 2:41:42.000
<v Speaker 1>They all are you know, respective for their pen or

2:41:42.040 --> 2:41:45.280
<v Speaker 1>respective for their lyricism. You know, you have all other

2:41:45.720 --> 2:41:49.480
<v Speaker 1>type of subgenres of hip hop. Um, you know, more

2:41:49.640 --> 2:41:52.920
<v Speaker 1>viaby more whatever. But at the base of it all,

2:41:53.440 --> 2:41:55.080
<v Speaker 1>even you know, look at future and look at what

2:41:55.160 --> 2:41:58.320
<v Speaker 1>future does when you when you but when you hear

2:41:58.400 --> 2:42:00.640
<v Speaker 1>him and you decipher what he's saying, and even he

2:42:00.840 --> 2:42:03.760
<v Speaker 1>has a title of being like the illest toxic motherfucker

2:42:04.080 --> 2:42:06.440
<v Speaker 1>because you you know, because people can hear and understand

2:42:06.480 --> 2:42:08.880
<v Speaker 1>and relate to what he's talking about. That too is

2:42:09.000 --> 2:42:13.360
<v Speaker 1>like because I'm from Miami, and to me, Trick was

2:42:13.440 --> 2:42:16.080
<v Speaker 1>like the jay Z of Miami. If you from Miami,

2:42:16.160 --> 2:42:19.920
<v Speaker 1>you understand what he's talking. He's talking about for sure,

2:42:20.080 --> 2:42:23.520
<v Speaker 1>Hella lyrical for sure. But UM, let me actually, because um,

2:42:24.640 --> 2:42:26.960
<v Speaker 1>I've heard you bring up future to automatically made me

2:42:27.040 --> 2:42:29.800
<v Speaker 1>think of designer, right, let me me think of that

2:42:29.920 --> 2:42:32.840
<v Speaker 1>you were the president at the time. And um, he's

2:42:32.879 --> 2:42:36.680
<v Speaker 1>been trying to get at us um quite some time,

2:42:37.280 --> 2:42:39.440
<v Speaker 1>and I haven't been able to speak to him direct.

2:42:39.440 --> 2:42:43.920
<v Speaker 1>I don't think you have neither right designer independent, but um,

2:42:45.000 --> 2:42:48.280
<v Speaker 1>and his claim is, you know, Kanye, you got my publishing.

2:42:49.040 --> 2:42:52.240
<v Speaker 1>Good Music has the rights to me. He doesn't get

2:42:53.080 --> 2:42:56.160
<v Speaker 1>any publisher and he doesn't get any royalties. He doesn't

2:42:56.200 --> 2:43:01.040
<v Speaker 1>get any anything like that. But yet I believe when

2:43:01.640 --> 2:43:05.640
<v Speaker 1>the signing did happen, it was a big upfront check. Right.

2:43:06.600 --> 2:43:09.320
<v Speaker 1>Where are you stand on positions like that? I mean

2:43:09.480 --> 2:43:12.800
<v Speaker 1>I feel like I feel like, well, I know, Designer

2:43:12.840 --> 2:43:16.120
<v Speaker 1>made a lot of money, made tons of money, and

2:43:16.200 --> 2:43:20.199
<v Speaker 1>it's a difference from front money. Um. I mean, however

2:43:20.280 --> 2:43:22.280
<v Speaker 1>you want to look at it, he made, he made.

2:43:22.480 --> 2:43:26.280
<v Speaker 1>He came in the game and made tons of money.

2:43:27.280 --> 2:43:33.120
<v Speaker 1>No line, Um, you know I'm not on his you know,

2:43:33.680 --> 2:43:37.400
<v Speaker 1>in his management or anything like that. So yeah, so

2:43:37.680 --> 2:43:39.959
<v Speaker 1>I mean I don't know, Um, I don't know how

2:43:40.240 --> 2:43:45.160
<v Speaker 1>even his deal in structure. I know, I know he

2:43:45.959 --> 2:43:48.120
<v Speaker 1>you know, I'm sure it was negotiated by his lawyer

2:43:48.240 --> 2:43:53.240
<v Speaker 1>for sure. And however that turned out. You know, he

2:43:53.520 --> 2:44:00.120
<v Speaker 1>was he he approved it, whatever it was, you know

2:44:00.160 --> 2:44:03.480
<v Speaker 1>what I'm saying. And ship when you think about it,

2:44:03.480 --> 2:44:06.040
<v Speaker 1>I mean, you know, Designer was hot man like super hot,

2:44:06.560 --> 2:44:11.040
<v Speaker 1>came into the game, you uh made, made your song

2:44:11.320 --> 2:44:16.680
<v Speaker 1>one of his biggest records on Pablo, Um gave you

2:44:16.720 --> 2:44:18.880
<v Speaker 1>a hell of a springboard, hell of a you know,

2:44:19.360 --> 2:44:25.120
<v Speaker 1>hell of a trampoline to jump off. And yeah, I

2:44:25.200 --> 2:44:27.480
<v Speaker 1>mean I don't know, like I don't hear like you see,

2:44:27.520 --> 2:44:32.080
<v Speaker 1>I don't hear the side of like designer being disgrunted.

2:44:33.000 --> 2:44:37.760
<v Speaker 1>I don't hear. UM's it's a case because whoever he's calling,

2:44:37.920 --> 2:44:41.040
<v Speaker 1>that's their point as saying, Yo, listen. He wants to

2:44:41.080 --> 2:44:44.360
<v Speaker 1>say like how he didn't he doesn't receive royalties and

2:44:44.640 --> 2:44:47.880
<v Speaker 1>um uh, he doesn't own his publishing or whatever. And

2:44:48.000 --> 2:44:50.600
<v Speaker 1>it's it's something that you know, when I got in

2:44:50.640 --> 2:44:52.800
<v Speaker 1>the game, I sold my publish and I didn't know, Uh,

2:44:53.000 --> 2:44:55.000
<v Speaker 1>you didn't know you sold it. I didn't know. I

2:44:55.080 --> 2:44:57.280
<v Speaker 1>got it back the next very next hour, very next

2:44:57.560 --> 2:45:00.880
<v Speaker 1>you sold it, though, but you know I know I knew.

2:45:00.920 --> 2:45:06.440
<v Speaker 1>I knew it afterwards after Um, whose fault is that? No?

2:45:06.560 --> 2:45:08.880
<v Speaker 1>That was depletely my fault. Okay, it was clearly my

2:45:08.959 --> 2:45:11.600
<v Speaker 1>fun You were hella young, You were like what, I'm seventeen,

2:45:11.920 --> 2:45:16.760
<v Speaker 1>I was seventeen eight. Maybe not your fault because council. Yeah,

2:45:17.440 --> 2:45:22.360
<v Speaker 1>but but but you know, having uh you know, having

2:45:22.560 --> 2:45:26.520
<v Speaker 1>having having lawyers and and and being in tune with

2:45:26.640 --> 2:45:29.440
<v Speaker 1>your lawyer and your team being in tune with your lawyer,

2:45:29.560 --> 2:45:32.000
<v Speaker 1>that that definitely does fall on you because you've got

2:45:32.120 --> 2:45:36.720
<v Speaker 1>artists right now too, right Uh, money on Um no, no, y'all,

2:45:36.800 --> 2:45:39.480
<v Speaker 1>y'all just my man. Okay, okay, y'ah my man, y'a y'all,

2:45:39.560 --> 2:45:42.680
<v Speaker 1>y'all getting too much money to be my honest already.

2:45:44.600 --> 2:45:51.920
<v Speaker 1>So to speak about your speak about I don't know

2:45:52.000 --> 2:45:57.720
<v Speaker 1>what we told about that, but yeah, yeah, I have

2:45:58.160 --> 2:46:01.720
<v Speaker 1>a record label that I'm that I'm building, not good music, yeah,

2:46:03.800 --> 2:46:09.400
<v Speaker 1>Airway Music Group, Um it is, um it's it's basically

2:46:09.560 --> 2:46:14.400
<v Speaker 1>me building the infrastructure for people from the Virginia area

2:46:15.040 --> 2:46:19.199
<v Speaker 1>to be noticed. Like the one thing that I always

2:46:19.240 --> 2:46:21.400
<v Speaker 1>say is that when you think about all of us

2:46:21.600 --> 2:46:24.760
<v Speaker 1>who came into the game Tennessee for real, clips whatever,

2:46:26.480 --> 2:46:31.360
<v Speaker 1>being not producers, whoever, Right, Um, we all had to

2:46:31.480 --> 2:46:36.039
<v Speaker 1>leave and go get hot, skills, goog whatever. We all

2:46:36.160 --> 2:46:38.520
<v Speaker 1>had to leave and go get hot I mean you

2:46:38.560 --> 2:46:40.560
<v Speaker 1>know we had to leave and go ask for deals

2:46:42.680 --> 2:46:45.280
<v Speaker 1>at that time, right, Well, yeah, for every region it

2:46:45.440 --> 2:46:48.400
<v Speaker 1>wasn't outside of New York, outside of New York, and

2:46:56.440 --> 2:47:01.000
<v Speaker 1>it was where the industry was. So so would that

2:47:01.080 --> 2:47:04.920
<v Speaker 1>be in the case, and again we were adopted by

2:47:05.360 --> 2:47:08.760
<v Speaker 1>that New York circuit. Virginia was. We never took the

2:47:08.879 --> 2:47:11.920
<v Speaker 1>time that Houston did to build out there's or Memphis did,

2:47:12.040 --> 2:47:16.240
<v Speaker 1>or in Atlanta did or Bay Area? It right, they

2:47:16.360 --> 2:47:20.039
<v Speaker 1>did that, so you know, come around fast forward. That's

2:47:20.080 --> 2:47:23.880
<v Speaker 1>why when you look at what's hot, what's going on,

2:47:24.040 --> 2:47:26.680
<v Speaker 1>what's bubbling under, what's got the most streams, so on

2:47:26.760 --> 2:47:29.640
<v Speaker 1>and so forth, that's not signed yet, you can see

2:47:29.680 --> 2:47:33.680
<v Speaker 1>it in all those different places because those places, you know,

2:47:34.120 --> 2:47:38.520
<v Speaker 1>taught the people how to even be fans of their neighbor.

2:47:39.240 --> 2:47:42.080
<v Speaker 1>We never, we never were talked that. So that's that's

2:47:42.080 --> 2:47:45.879
<v Speaker 1>the whole goal. And Airway Music a Airwave Airway music group.

2:47:46.000 --> 2:47:51.040
<v Speaker 1>Um uh shouting R and B songstress. Um, oh yeah

2:47:51.120 --> 2:47:57.640
<v Speaker 1>she was at we we met her revolt. Yeah she's

2:47:57.720 --> 2:48:06.400
<v Speaker 1>she's so no we she's dope at right. Yeah. So

2:48:07.320 --> 2:48:10.840
<v Speaker 1>um you know, uh Leado, why not do something good? Bro,

2:48:12.320 --> 2:48:18.280
<v Speaker 1>I've been drinking, but yeah, why not douce Leado shout

2:48:18.360 --> 2:48:23.320
<v Speaker 1>ling Um. You know. Also not signed, not signed to

2:48:23.320 --> 2:48:26.640
<v Speaker 1>the Airwave, but I manage him with my man dre

2:48:27.520 --> 2:48:30.560
<v Speaker 1>Um is young Chris. He's like really viral right now.

2:48:30.680 --> 2:48:34.160
<v Speaker 1>He's on the little Techer tour. They signed in Colombia.

2:48:34.800 --> 2:48:36.600
<v Speaker 1>But um, so it's a it's a few, it's a

2:48:36.680 --> 2:48:39.400
<v Speaker 1>few uh people out of out of v a right

2:48:39.440 --> 2:48:42.119
<v Speaker 1>now making noise and more that aren't that aren't affiliated

2:48:42.160 --> 2:48:45.160
<v Speaker 1>with me. But the whole goal for airwave is to

2:48:45.240 --> 2:48:47.720
<v Speaker 1>create that infrastructure so that it can be more to

2:48:47.800 --> 2:48:50.320
<v Speaker 1>come through and signed me or don't sign me, whatever

2:48:50.360 --> 2:48:53.680
<v Speaker 1>the case may be. At least at least they will

2:48:54.080 --> 2:48:58.120
<v Speaker 1>garner that fanfare that will get them national attention eventually.

2:48:58.680 --> 2:49:06.240
<v Speaker 1>That's the goal that still um Barreto was one of

2:49:06.280 --> 2:49:08.920
<v Speaker 1>the greatest producers of all time, without a doubt, no

2:49:09.400 --> 2:49:14.400
<v Speaker 1>nothing to talk about. Yes, why do you think that?

2:49:14.800 --> 2:49:18.920
<v Speaker 1>He kind of because I always say that, you know,

2:49:19.080 --> 2:49:23.200
<v Speaker 1>I always say that because, um, how my career was.

2:49:23.480 --> 2:49:26.320
<v Speaker 1>I was the man. I was the man in New York,

2:49:26.400 --> 2:49:28.680
<v Speaker 1>and at the time, being a man in New York

2:49:28.760 --> 2:49:30.680
<v Speaker 1>did mean you was the man all over the place.

2:49:31.200 --> 2:49:32.840
<v Speaker 1>But it didn't mean all over the place was going

2:49:32.879 --> 2:49:37.520
<v Speaker 1>to accept you. And that beat that for well. He

2:49:37.640 --> 2:49:41.480
<v Speaker 1>was smart enough to say I'm gonna leave super Thug

2:49:41.520 --> 2:49:44.920
<v Speaker 1>because he could swipt those drums and made it sound

2:49:44.959 --> 2:49:48.359
<v Speaker 1>like Premo drums, made it sound like Lawn's Professor drums,

2:49:48.840 --> 2:49:51.360
<v Speaker 1>made it sound like having drums would have never did

2:49:51.440 --> 2:49:54.880
<v Speaker 1>that though, I'll tell you why. But and this was

2:49:55.040 --> 2:49:58.039
<v Speaker 1>the first time where people really got to hear East

2:49:58.120 --> 2:50:02.000
<v Speaker 1>Coast do rhyme on what is considered almost a south

2:50:02.120 --> 2:50:07.640
<v Speaker 1>beat and I wouldn't say quite south, but almost. And

2:50:08.360 --> 2:50:11.720
<v Speaker 1>I've seen the effect I've seen. I've seen me be

2:50:11.760 --> 2:50:14.959
<v Speaker 1>in the studio with with with like you said, all

2:50:15.000 --> 2:50:17.680
<v Speaker 1>this time, He'll hear a story, He'll make a beat

2:50:17.800 --> 2:50:21.080
<v Speaker 1>around the story, He'll make around the story. I've seen

2:50:21.160 --> 2:50:24.840
<v Speaker 1>him create magic out of nowhere. How can every time

2:50:24.920 --> 2:50:27.360
<v Speaker 1>I say this around him he bows his head and

2:50:27.480 --> 2:50:30.240
<v Speaker 1>he gets humble? Is that is that because he really

2:50:30.440 --> 2:50:36.600
<v Speaker 1>he really hated. I hated. I hate it. I absolutely

2:50:36.760 --> 2:50:39.920
<v Speaker 1>hated that. He doesn't want to be coy about it. Yes,

2:50:40.320 --> 2:50:44.320
<v Speaker 1>I want him to be hip hop about it. Yeah, yeah,

2:50:44.480 --> 2:50:45.920
<v Speaker 1>that's what I'm like. You know what I'm saying, Like

2:50:46.360 --> 2:50:49.040
<v Speaker 1>you know, I hate it, like I absolutely hate it.

2:50:49.120 --> 2:50:54.040
<v Speaker 1>He knows I hate it. I hated like bad, like

2:50:54.360 --> 2:50:57.760
<v Speaker 1>you know, it's it's like it's tough, it's like you know,

2:50:59.320 --> 2:51:00.920
<v Speaker 1>you know. And maybe that works with some of the

2:51:01.040 --> 2:51:03.960
<v Speaker 1>music that he does. But like when we on what

2:51:04.080 --> 2:51:09.920
<v Speaker 1>we're on, I need you to be big chains, big

2:51:10.040 --> 2:51:15.520
<v Speaker 1>cars crashing ferraris. Like I remember where I would come

2:51:15.560 --> 2:51:18.280
<v Speaker 1>to the studio playing with Swiss Beat Joint and he'll

2:51:18.360 --> 2:51:24.760
<v Speaker 1>just look at me like, all right, bro, listen the whole,

2:51:24.959 --> 2:51:28.400
<v Speaker 1>the whole, the whole, that whole, early two thousand things

2:51:28.480 --> 2:51:33.960
<v Speaker 1>was all about competition. Ryandon was specifically made to try

2:51:34.120 --> 2:51:41.480
<v Speaker 1>to do something that could eclipse the Benjamin's disrupted. That

2:51:42.040 --> 2:51:45.920
<v Speaker 1>was the goal. That was the goal. Um, when you

2:51:46.040 --> 2:51:50.000
<v Speaker 1>talk about Primo and and and people like that, who

2:51:50.080 --> 2:51:55.200
<v Speaker 1>are his you know he's you know, he's there right right,

2:51:56.080 --> 2:51:59.920
<v Speaker 1>but still going into the studio, it was like, Okay,

2:52:00.160 --> 2:52:04.040
<v Speaker 1>what can I do to outdo that? He's the reason, right,

2:52:04.120 --> 2:52:07.279
<v Speaker 1>here's the reason now that I when I listen to beats,

2:52:07.600 --> 2:52:10.400
<v Speaker 1>they got to be something unorthodox. It doesn't like I

2:52:10.480 --> 2:52:13.120
<v Speaker 1>don't like just muddy, hard beats. I don't. I don't

2:52:13.160 --> 2:52:15.400
<v Speaker 1>like that. That's not because I know now that beats

2:52:15.440 --> 2:52:18.440
<v Speaker 1>can be bright and have like beasts can be hard,

2:52:18.520 --> 2:52:22.080
<v Speaker 1>and it can be super thug level of chaos starting

2:52:22.160 --> 2:52:26.160
<v Speaker 1>fights and all that be right, don't gotta be muddy

2:52:26.240 --> 2:52:28.119
<v Speaker 1>and trudgy. And you know what I'm saying, you would

2:52:28.120 --> 2:52:31.840
<v Speaker 1>have never thought for the first time in the studio,

2:52:31.879 --> 2:52:34.920
<v Speaker 1>I'm assuming you know it's crazy. When we first placed

2:52:35.080 --> 2:52:38.320
<v Speaker 1>with program directors and you know, mixture people, they said

2:52:38.320 --> 2:52:40.640
<v Speaker 1>the record was too dark. Yep. So that's the reason

2:52:40.720 --> 2:52:42.760
<v Speaker 1>why we if you noticed, we never made a dark

2:52:43.400 --> 2:52:46.120
<v Speaker 1>scene in the video, we made it all bright because

2:52:46.800 --> 2:52:48.840
<v Speaker 1>and they said it was too dark because you know why,

2:52:48.920 --> 2:52:51.440
<v Speaker 1>I never heard that it was crazy. It's this is crazy.

2:52:51.920 --> 2:52:56.560
<v Speaker 1>And Rod Walker definitely knows this. My reputation as a

2:52:56.640 --> 2:52:59.120
<v Speaker 1>street dude was so bad at the time, and they

2:52:59.160 --> 2:53:01.560
<v Speaker 1>didn't hear about the NEP tunes. They didn't. They didn't.

2:53:02.200 --> 2:53:04.160
<v Speaker 1>They didn't realize that this is the same dude that

2:53:04.160 --> 2:53:06.200
<v Speaker 1>I was doing the Mace records, that was doing the

2:53:06.280 --> 2:53:12.560
<v Speaker 1>Pump records. They do it. We t u yes the

2:53:12.600 --> 2:53:14.200
<v Speaker 1>way it used to be like one of the best.

2:53:14.360 --> 2:53:18.440
<v Speaker 1>And they thought they were gamesters. So they're like, we

2:53:18.520 --> 2:53:20.520
<v Speaker 1>can't be happy you guys with these Neptune guys. But

2:53:20.600 --> 2:53:22.520
<v Speaker 1>until I put them in the video and they was like, oh,

2:53:22.800 --> 2:53:27.240
<v Speaker 1>these guys are not gamesters at all at all, which works,

2:53:27.400 --> 2:53:29.560
<v Speaker 1>you know what I'm saying. But I go back to

2:53:29.680 --> 2:53:32.640
<v Speaker 1>say that, like, you know, I was a kid, you know,

2:53:32.800 --> 2:53:35.080
<v Speaker 1>doing that. I was a kid watching y'all make grinding.

2:53:35.360 --> 2:53:38.840
<v Speaker 1>I was a kid watching these beautiful albums in these

2:53:38.840 --> 2:53:41.600
<v Speaker 1>beautiful records coming together. And when I come back and

2:53:41.680 --> 2:53:44.160
<v Speaker 1>I think about it, I was like, this dude, if

2:53:44.520 --> 2:53:48.120
<v Speaker 1>not the he is one of the best producers of

2:53:48.160 --> 2:53:52.440
<v Speaker 1>more times for sure. He took me from a sound

2:53:52.879 --> 2:53:55.920
<v Speaker 1>that was clearly just for New York like like like

2:53:56.200 --> 2:53:59.760
<v Speaker 1>to this day, I'm nothing Miami for fifteen years to

2:54:00.160 --> 2:54:03.760
<v Speaker 1>open up my mouth, but from New York I can't.

2:54:05.120 --> 2:54:08.959
<v Speaker 1>I can't, right, But he was able to take my boys,

2:54:09.080 --> 2:54:11.800
<v Speaker 1>keep me in New York, but make me international. That

2:54:11.959 --> 2:54:18.480
<v Speaker 1>was I was amazing. Can I ask you for for

2:54:19.560 --> 2:54:22.360
<v Speaker 1>for pure ignorance? Because the Neptunes is the Neptune, the

2:54:22.400 --> 2:54:26.280
<v Speaker 1>last Chad and Pharrell? Yeah, what's Chat's rolling that? Because

2:54:26.320 --> 2:54:29.080
<v Speaker 1>because you know, when you're referring to Super Thug to me,

2:54:29.200 --> 2:54:33.320
<v Speaker 1>that's the Neptune, but you're referring to Farrell alone. What's

2:54:33.440 --> 2:54:37.320
<v Speaker 1>Chat's rolling in in the production? Um? Well, I've worked

2:54:37.360 --> 2:54:40.440
<v Speaker 1>with them through many eras, so you know, when I

2:54:40.520 --> 2:54:45.400
<v Speaker 1>initially was working with the Neptunes, Um, let's say for

2:54:45.760 --> 2:54:48.959
<v Speaker 1>the album that never came out or for Lord Willing,

2:54:49.440 --> 2:54:53.360
<v Speaker 1>it was more of Uh, Chad would do the keys

2:54:53.400 --> 2:54:57.240
<v Speaker 1>and the chords, and he would play um and add

2:54:57.520 --> 2:54:59.960
<v Speaker 1>you know those type of like keyboards signs. He was

2:55:00.040 --> 2:55:04.000
<v Speaker 1>just Scott Storch of that situation. Yeah, I guess. I

2:55:04.160 --> 2:55:07.240
<v Speaker 1>don't know. I don't want to. Yeah, I guess because

2:55:07.280 --> 2:55:11.200
<v Speaker 1>he's famous for playing, so yeah, playing, Yeah, that's what

2:55:11.600 --> 2:55:13.480
<v Speaker 1>that's what he did. It was it was that, it

2:55:13.600 --> 2:55:15.600
<v Speaker 1>was the it was the playing, and it was the sounds,

2:55:15.720 --> 2:55:19.440
<v Speaker 1>like you know, finding those unorthodox sounds that would go

2:55:19.560 --> 2:55:23.400
<v Speaker 1>into the Neptune sound. You know, it was funny. Sorry

2:55:23.440 --> 2:55:26.240
<v Speaker 1>to cut you off. I always thought it was all

2:55:26.440 --> 2:55:29.560
<v Speaker 1>both of them, like at one point um when like

2:55:29.720 --> 2:55:31.480
<v Speaker 1>we're all we're just coming around and it wouldn't be

2:55:31.560 --> 2:55:33.840
<v Speaker 1>a child. I would always feel jerk, like what's going on?

2:55:34.120 --> 2:55:37.000
<v Speaker 1>Like I never knew that they can co exist without

2:55:37.040 --> 2:55:41.040
<v Speaker 1>each other because I mean, you know, for Pharrell, at

2:55:41.120 --> 2:55:44.960
<v Speaker 1>the time, Pharrell wasn't playing, and then he started playing,

2:55:45.640 --> 2:55:50.440
<v Speaker 1>and then and things like that. So now you get

2:55:50.520 --> 2:55:54.720
<v Speaker 1>into hell hath no Fury and that's all for Rell,

2:55:56.160 --> 2:56:02.160
<v Speaker 1>you know, and I mean, you know, mostly for real.

2:56:02.200 --> 2:56:04.000
<v Speaker 1>I mean I'm trying to think back, and I don't

2:56:04.040 --> 2:56:06.760
<v Speaker 1>want to like say anything that's wrong or whatever, but

2:56:08.160 --> 2:56:11.560
<v Speaker 1>hell half No Fury was very top to bottom p

2:56:12.480 --> 2:56:20.080
<v Speaker 1>r um um you know. Uh, since then, it has

2:56:20.240 --> 2:56:24.160
<v Speaker 1>definitely been a lot of p Then maybe there's some

2:56:24.320 --> 2:56:30.080
<v Speaker 1>post production co production and definitely mixing Um on the

2:56:30.160 --> 2:56:37.959
<v Speaker 1>engineering side of the final product with chad Um. But um,

2:56:39.200 --> 2:56:41.760
<v Speaker 1>you know, it just depends on the project. I just

2:56:41.800 --> 2:56:44.560
<v Speaker 1>think it's important when we talk about that era that

2:56:44.680 --> 2:56:46.720
<v Speaker 1>it was both of them. Oh yeah, I mean you're

2:56:46.720 --> 2:56:49.720
<v Speaker 1>talking about Yeah, you're talking about what I'm saying is

2:56:49.760 --> 2:56:52.800
<v Speaker 1>the neptune. And then when when breaks off, it's clearly

2:56:53.000 --> 2:56:56.360
<v Speaker 1>it's it's Pas going in. Yeah, he's doing both. I

2:56:56.360 --> 2:56:59.880
<v Speaker 1>feel comfortable with by itself. Yeah, but but it's always

2:57:00.120 --> 2:57:02.760
<v Speaker 1>like it's always like um, and I don't want to

2:57:02.760 --> 2:57:05.800
<v Speaker 1>say it, like this was always like seeing like Santa

2:57:05.800 --> 2:57:10.320
<v Speaker 1>Claus and the Elves, or Santa Claus and his wife

2:57:10.640 --> 2:57:13.320
<v Speaker 1>at Santa Claus, you know, like if you just see

2:57:13.360 --> 2:57:16.480
<v Speaker 1>Santa close by myself, it's not Christmas. It's like I

2:57:16.640 --> 2:57:19.080
<v Speaker 1>want to see like the bag. The bag is a

2:57:19.200 --> 2:57:22.640
<v Speaker 1>character too, And when I see both of them, for

2:57:22.760 --> 2:57:25.000
<v Speaker 1>lack of a better term, I see Santa Clause, I

2:57:25.080 --> 2:57:28.160
<v Speaker 1>see the Elves, I see the bags, the clocks, I

2:57:28.200 --> 2:57:31.880
<v Speaker 1>see the sling. Like you know what I'm saying, Like me,

2:57:32.160 --> 2:57:36.720
<v Speaker 1>like I'm always that. That was my first international new hit,

2:57:37.760 --> 2:57:40.480
<v Speaker 1>and I was proud to and I remember, for what else, saying,

2:57:40.520 --> 2:57:42.160
<v Speaker 1>no one listens to me. So that's what I remember.

2:57:42.400 --> 2:57:43.840
<v Speaker 1>He's like, no one shots me out. That's why I

2:57:43.879 --> 2:57:45.960
<v Speaker 1>wanted to put that in the n E. P t U.

2:57:46.200 --> 2:57:49.560
<v Speaker 1>And he has to be like one of the best.

2:57:49.920 --> 2:57:54.560
<v Speaker 1>And I just seen the fuation and you know that

2:57:54.760 --> 2:57:59.760
<v Speaker 1>was that was you was their group, and it was like,

2:58:00.120 --> 2:58:01.920
<v Speaker 1>that's what I'm saying. That's why I keep bringing up grinding.

2:58:01.959 --> 2:58:04.960
<v Speaker 1>It's because for us, like I said, and I said

2:58:04.959 --> 2:58:07.200
<v Speaker 1>it earlier for us to even go out there and

2:58:07.280 --> 2:58:10.320
<v Speaker 1>see that this is a different world. We just thought, Okay,

2:58:10.360 --> 2:58:13.520
<v Speaker 1>there's Virginia, but zoom zoom and the boom boom this

2:58:13.600 --> 2:58:17.080
<v Speaker 1>girl's running around with and they're like, oh, these niggas

2:58:17.080 --> 2:58:23.600
<v Speaker 1>is selling crack. Oh, this is why I think it

2:58:23.720 --> 2:58:31.800
<v Speaker 1>so crazy. We too holy everywhere. And then even even

2:58:31.920 --> 2:58:34.360
<v Speaker 1>even because he was coming from Newport Beach and we're

2:58:34.400 --> 2:58:36.600
<v Speaker 1>just saying, okay, Newport Beach was like, all right, they

2:58:36.680 --> 2:58:39.800
<v Speaker 1>gotta be something nice about that, and oh oh no

2:58:39.959 --> 2:58:48.039
<v Speaker 1>Virginia Beach. Oh yeah, yeah, yeah, yeah from something terrible literally, yeah,

2:58:48.200 --> 2:58:51.880
<v Speaker 1>but he's from something very terrible. But like you know,

2:58:52.440 --> 2:58:56.920
<v Speaker 1>back yeah, it was bags of money, pit bulls rolling

2:58:56.959 --> 2:59:00.880
<v Speaker 1>around the apartments type shit in his neighborhoods terrible, like

2:59:01.320 --> 2:59:04.960
<v Speaker 1>listen for him to be who he is, like he

2:59:05.280 --> 2:59:08.640
<v Speaker 1>made he made a definite choice to say I'm gonna

2:59:08.760 --> 2:59:14.720
<v Speaker 1>be this guy, not that guy because he's from the gutter. Yeah,

2:59:14.959 --> 2:59:16.440
<v Speaker 1>I've said it so bad. I don't even want to

2:59:16.480 --> 2:59:18.160
<v Speaker 1>say that. What calling I mean, I love the name

2:59:18.240 --> 2:59:21.600
<v Speaker 1>of beautiful people from there, but bro, yeah he's from it.

2:59:22.320 --> 2:59:25.920
<v Speaker 1>Um really, remember I'm wolcome Toby. Yeah he's probably, but

2:59:26.000 --> 2:59:27.160
<v Speaker 1>he does not want to be a part of it

2:59:27.280 --> 2:59:30.680
<v Speaker 1>at all. And he made a record for me, and

2:59:30.720 --> 2:59:34.720
<v Speaker 1>it's like thinking, stets up. I don't know if you

2:59:34.760 --> 2:59:37.720
<v Speaker 1>remember this record. It's all the um it's one of

2:59:37.720 --> 2:59:41.320
<v Speaker 1>the clones out okay, And he's just talking about gang banking.

2:59:41.879 --> 2:59:46.160
<v Speaker 1>Remember what we're talking about, gag like like sts up?

2:59:48.720 --> 2:59:50.840
<v Speaker 1>Remember walking looked at me and it was like, this

2:59:50.959 --> 2:59:56.280
<v Speaker 1>is your fault gang banging. He doesn't want to talk

2:59:56.320 --> 2:59:57.960
<v Speaker 1>one gang kid, He doesn't want to talk about no

2:59:58.160 --> 3:00:01.080
<v Speaker 1>tough godship until you walk into I remember, I was

3:00:01.160 --> 3:00:03.640
<v Speaker 1>just it would be so funny, man, you know, he

3:00:04.120 --> 3:00:10.720
<v Speaker 1>he morphs into you know, whoever he's around. That's that's

3:00:10.840 --> 3:00:13.920
<v Speaker 1>that's like Robley one of his best you know attributes.

3:00:14.000 --> 3:00:16.640
<v Speaker 1>That's why when you say you tell a story or whatever,

3:00:16.680 --> 3:00:19.920
<v Speaker 1>the kid like you know, super Thug is rambunctionous because

3:00:19.920 --> 3:00:22.199
<v Speaker 1>that's how he sees you exactly. You know what I'm saying.

3:00:22.560 --> 3:00:24.840
<v Speaker 1>At that time, that wouldn't be a good producer because

3:00:26.000 --> 3:00:30.280
<v Speaker 1>a specific artist. Yeah, I always say, uh. The first

3:00:30.360 --> 3:00:34.720
<v Speaker 1>time I was produced produced, for the first time I

3:00:34.840 --> 3:00:40.520
<v Speaker 1>was really produced was Clark Kent. After of course that

3:00:40.600 --> 3:00:45.240
<v Speaker 1>was produced produced. I've seen Clark records. Yeah yeah, yeah, yeah, yeah,

3:00:45.920 --> 3:00:49.440
<v Speaker 1>asked him, who do I need to I talked to

3:00:49.600 --> 3:00:54.600
<v Speaker 1>Clark Kent. Yes, forgot it. That's that's crazy. I never

3:00:54.680 --> 3:00:58.640
<v Speaker 1>knew you. Clark was the first person to actually because

3:00:58.840 --> 3:01:00.560
<v Speaker 1>I knew how to rhyme, I knew the today I

3:01:00.600 --> 3:01:02.520
<v Speaker 1>would I would, I would come into the studio with

3:01:02.600 --> 3:01:05.480
<v Speaker 1>twenty four bars and thirty six bars and like, this

3:01:05.600 --> 3:01:09.120
<v Speaker 1>doesn't make sense in the world. You have to structure

3:01:09.160 --> 3:01:11.640
<v Speaker 1>this ship. So Clark was the first person to produce me.

3:01:12.160 --> 3:01:15.120
<v Speaker 1>Then the first person to produced me but without giving

3:01:15.160 --> 3:01:18.640
<v Speaker 1>me the was track masters. The first person would be like, yo,

3:01:18.720 --> 3:01:22.160
<v Speaker 1>look here's how the intro to sound his desk, his

3:01:22.360 --> 3:01:24.200
<v Speaker 1>dad all you gotta do is do your part here

3:01:24.280 --> 3:01:28.080
<v Speaker 1>and that's it. That was like he gave me the

3:01:28.280 --> 3:01:33.120
<v Speaker 1>keys to the fucking car. He gave me the vanilla

3:01:33.600 --> 3:01:39.840
<v Speaker 1>tree to smell good. He came out. You know what

3:01:39.879 --> 3:01:47.160
<v Speaker 1>I'm talking about the at the voice wagon jether. You

3:01:47.160 --> 3:01:48.400
<v Speaker 1>know what I'm saying. All I had to do was

3:01:48.520 --> 3:01:51.640
<v Speaker 1>just go in and just rhyme and then like you

3:01:51.720 --> 3:01:58.680
<v Speaker 1>know what I mean, God noise boy. Before we get

3:01:58.840 --> 3:02:00.400
<v Speaker 1>out of here, I want to speak about this y'all ofting,

3:02:00.440 --> 3:02:03.360
<v Speaker 1>but I want to say something real quiz I've been

3:02:03.400 --> 3:02:06.840
<v Speaker 1>on this dirty day, you know, uh, non drinking thing

3:02:07.000 --> 3:02:10.280
<v Speaker 1>me shout out to thank you. I appreciate that, but

3:02:10.360 --> 3:02:13.600
<v Speaker 1>it was because a couple of things. One thing is

3:02:13.840 --> 3:02:16.600
<v Speaker 1>I'm never gonna ever, ever, ever, ever, ever drink before

3:02:16.600 --> 3:02:20.480
<v Speaker 1>an episode. Again, I've already had that rule. I've already

3:02:20.560 --> 3:02:22.800
<v Speaker 1>was supposed to do that. I can't blame being drinking

3:02:23.320 --> 3:02:26.880
<v Speaker 1>on like, uh a problem with a professional drinker. The

3:02:26.959 --> 3:02:31.480
<v Speaker 1>problem is sometimes I take or I use information, Like

3:02:31.560 --> 3:02:33.400
<v Speaker 1>when I looked at the information and I look I

3:02:33.440 --> 3:02:36.720
<v Speaker 1>actually cringed and I looked at the episode where I

3:02:36.760 --> 3:02:40.920
<v Speaker 1>spoke about um, I've made it sound like eminemic gave

3:02:41.560 --> 3:02:47.520
<v Speaker 1>automated like yoo, it's either you're gonna uh have fifty

3:02:47.560 --> 3:02:50.840
<v Speaker 1>perform or I'm not gonna show up. And that was

3:02:50.920 --> 3:02:52.960
<v Speaker 1>not it. What it was was I was being drunk.

3:02:53.000 --> 3:02:55.240
<v Speaker 1>I was trying to like hype up the episode, and

3:02:55.400 --> 3:02:57.640
<v Speaker 1>I was using words and I'm using it so I

3:02:57.720 --> 3:03:04.440
<v Speaker 1>was trying to be relation converstion. That's crazy. My articulation

3:03:04.640 --> 3:03:07.360
<v Speaker 1>was not articulation. So when I look back at it,

3:03:07.440 --> 3:03:14.400
<v Speaker 1>there's no one called me. When I looked at it,

3:03:14.480 --> 3:03:15.880
<v Speaker 1>I was like, that's not what I am, That's not

3:03:16.000 --> 3:03:19.920
<v Speaker 1>what this show was about, and no way shape for

3:03:20.040 --> 3:03:22.480
<v Speaker 1>my past. Was then that I heard it was an

3:03:22.520 --> 3:03:25.440
<v Speaker 1>alter the native that uh think that? And then and

3:03:25.520 --> 3:03:27.520
<v Speaker 1>me looking at fifty and how fifty you could look

3:03:27.520 --> 3:03:30.480
<v Speaker 1>at it too, I'm looking like, okay, you know, as

3:03:30.520 --> 3:03:32.080
<v Speaker 1>much as fifty has done in his life, for me

3:03:32.200 --> 3:03:35.240
<v Speaker 1>to say that, I understand how he could have took

3:03:35.280 --> 3:03:37.320
<v Speaker 1>that the wrong way. I gotta stand how Jacob took

3:03:37.360 --> 3:03:38.720
<v Speaker 1>that the wrong way. I can understand how I am

3:03:38.760 --> 3:03:42.120
<v Speaker 1>going took that. Even me using the ference the white boy,

3:03:42.400 --> 3:03:44.040
<v Speaker 1>I just didn't like that. I looked at it and

3:03:44.120 --> 3:03:46.280
<v Speaker 1>I crin. You know, some of my closest friends are

3:03:46.360 --> 3:03:48.720
<v Speaker 1>right and I just didn't like the way I said it.

3:03:49.040 --> 3:03:52.280
<v Speaker 1>So for anybody who saw this footage, and you can

3:03:52.400 --> 3:03:55.039
<v Speaker 1>clearly see I'm slappy, but that's not that's not the excuse.

3:03:55.120 --> 3:03:57.760
<v Speaker 1>I do this for a living. So this was my fault.

3:03:58.320 --> 3:04:00.160
<v Speaker 1>I'm clearly was in the wrong. I clearly the way

3:04:00.200 --> 3:04:02.920
<v Speaker 1>I worded things, and clearly saying certain certain things that

3:04:02.959 --> 3:04:05.320
<v Speaker 1>I might be mining set period. I would like to

3:04:05.440 --> 3:04:07.720
<v Speaker 1>you know, you're talking about the Snoop episode. A Snoop episode,

3:04:07.840 --> 3:04:11.720
<v Speaker 1>you should say you did drink before the episode hopefull

3:04:12.240 --> 3:04:14.600
<v Speaker 1>all the way to the West coast y. And that's so.

3:04:15.000 --> 3:04:17.400
<v Speaker 1>And there's only two episodes in this whole time that

3:04:17.520 --> 3:04:20.160
<v Speaker 1>I've looked at and I've cringed, and I'm gonna tell

3:04:20.160 --> 3:04:21.760
<v Speaker 1>you the other episode. You know, don't look at them.

3:04:21.800 --> 3:04:23.440
<v Speaker 1>I don't look at none of these episodes. I gotta

3:04:24.680 --> 3:04:28.280
<v Speaker 1>beat nuts. That's not a beat Nuts episode. Beat Nuts

3:04:28.320 --> 3:04:30.920
<v Speaker 1>deserves to come back. Nuts to drink. They need a

3:04:31.000 --> 3:04:33.480
<v Speaker 1>real drink chance because that and I try to stop

3:04:33.520 --> 3:04:35.400
<v Speaker 1>that drink chance and you're drunk as won't let me

3:04:35.440 --> 3:04:42.400
<v Speaker 1>stop it. Damn now, everyone everyone on everyone else want

3:04:42.440 --> 3:04:50.040
<v Speaker 1>to say, no, you bull I don't take something anything. Yeah, said,

3:04:50.520 --> 3:04:53.360
<v Speaker 1>so you know again and again that you know I'm

3:04:53.440 --> 3:04:56.240
<v Speaker 1>I'm dealing with real, big names and real so there

3:04:56.280 --> 3:05:01.199
<v Speaker 1>were so many you know, uh, you know, different opinion.

3:05:01.280 --> 3:05:04.000
<v Speaker 1>Don't pick yourself up. I just want to straighten now.

3:05:04.200 --> 3:05:05.920
<v Speaker 1>I just want to straighten now. Now, let's just let's

3:05:05.959 --> 3:05:09.720
<v Speaker 1>be clear. I want to get this one story straight. Now.

3:05:10.240 --> 3:05:12.920
<v Speaker 1>Justin timber Lake might be mad at me for this, okay, don't.

3:05:13.280 --> 3:05:17.000
<v Speaker 1>This is another one of those times Parrell came on here,

3:05:17.280 --> 3:05:19.840
<v Speaker 1>sat on the same chier you got, and Parrell said

3:05:19.879 --> 3:05:22.760
<v Speaker 1>he stopped He had stopped working with Justin timber Lake

3:05:22.959 --> 3:05:25.200
<v Speaker 1>because at the time just Timberlake was on job. You

3:05:25.280 --> 3:05:29.520
<v Speaker 1>guys have beef a job, and respectfully, he didn't want

3:05:29.560 --> 3:05:35.320
<v Speaker 1>to continue that relationship. I dropped it for episode. Two

3:05:35.400 --> 3:05:39.000
<v Speaker 1>weeks later, I've seen Justin Timberlake in Carbones to the

3:05:39.040 --> 3:05:42.520
<v Speaker 1>Timberlake comes up to me. He taps me on whether

3:05:42.520 --> 3:05:46.760
<v Speaker 1>I believe it's my shoulder or or might have been.

3:05:46.840 --> 3:05:48.600
<v Speaker 1>He might give me a little over. He gave me

3:05:48.640 --> 3:05:51.880
<v Speaker 1>any times you might, he said. He said that that

3:05:52.720 --> 3:05:56.760
<v Speaker 1>that story is not exactly true. So I go, okay,

3:05:57.480 --> 3:06:00.920
<v Speaker 1>and I come on here and I'll say exactly what

3:06:01.000 --> 3:06:03.720
<v Speaker 1>he says to me, the story is not exactly true.

3:06:03.840 --> 3:06:08.400
<v Speaker 1>And then because great he was to say that. So

3:06:08.600 --> 3:06:13.040
<v Speaker 1>I want to hear from you. Yeah, because you guys

3:06:13.120 --> 3:06:19.680
<v Speaker 1>had a great relationship, uh, to my Pharrell, Justine, everybody, everybody.

3:06:19.760 --> 3:06:22.440
<v Speaker 1>And then this, this discrepancy happens with Job. What was

3:06:22.480 --> 3:06:24.840
<v Speaker 1>your stance on that? Yes, as far as as far

3:06:24.920 --> 3:06:29.119
<v Speaker 1>as I knew, Um, as far as I knew, Pharrell

3:06:30.480 --> 3:06:34.600
<v Speaker 1>the Neptunes did not work on that album and Justin

3:06:34.680 --> 3:06:39.760
<v Speaker 1>had to go work with Tim on that. Yes, because um,

3:06:41.160 --> 3:06:43.440
<v Speaker 1>because Job would not let the clips out of their deal.

3:06:44.240 --> 3:06:46.280
<v Speaker 1>I don't know any other story. I mean I wouldn't

3:06:46.280 --> 3:06:50.880
<v Speaker 1>even what possibly would be the story. I mean, what

3:06:51.520 --> 3:06:54.640
<v Speaker 1>what what? What? What? What? What? Was untrue? But oh,

3:06:54.680 --> 3:06:56.640
<v Speaker 1>I don't know. I never got you never explained. I

3:06:56.720 --> 3:07:00.200
<v Speaker 1>thought you could know it was true. But it's true

3:07:00.240 --> 3:07:02.280
<v Speaker 1>that Pharrell did not want to work on the album

3:07:02.360 --> 3:07:04.880
<v Speaker 1>because of well yeah, I mean no, no, it was like, no,

3:07:06.400 --> 3:07:10.000
<v Speaker 1>Pharrell wanted to work on the album. He did not

3:07:10.240 --> 3:07:12.160
<v Speaker 1>work on it. He chose not to work on the

3:07:12.240 --> 3:07:15.320
<v Speaker 1>album because you know, he felt like Job was holding

3:07:15.400 --> 3:07:18.400
<v Speaker 1>us hostage and he felt like he had done a

3:07:18.560 --> 3:07:23.560
<v Speaker 1>lot for He's done a lot for job. Yeah, for

3:07:23.879 --> 3:07:28.200
<v Speaker 1>for them not to you know, give him what he

3:07:28.320 --> 3:07:31.480
<v Speaker 1>felt was his group back. I mean, that's your theoretical question.

3:07:32.200 --> 3:07:34.880
<v Speaker 1>He has his bills, You have your bills. What happened

3:07:34.879 --> 3:07:37.240
<v Speaker 1>if Farrell would have done that? And I would have

3:07:37.320 --> 3:07:40.760
<v Speaker 1>done what if Crime River was Farrell but production as

3:07:40.760 --> 3:07:43.360
<v Speaker 1>opposed to Diminlin production, and you guys was in what

3:07:43.959 --> 3:07:46.520
<v Speaker 1>we call purgatory somewhat. Would you would have took it

3:07:46.560 --> 3:07:49.360
<v Speaker 1>personal with Forrell? Or you would have because you didn't

3:07:49.400 --> 3:07:52.640
<v Speaker 1>take it personal? No, no, you know what and I didn't.

3:07:53.600 --> 3:07:56.640
<v Speaker 1>That was it wasn't even like it was a thing. No,

3:07:56.800 --> 3:07:58.680
<v Speaker 1>I know, I wouldn't have taken a personal number one,

3:07:59.280 --> 3:08:04.600
<v Speaker 1>but that was that was that was for real on

3:08:06.600 --> 3:08:10.400
<v Speaker 1>Yeah that lord, So so you know you want to

3:08:10.440 --> 3:08:13.680
<v Speaker 1>so you understand why I'd be like, you know, I

3:08:13.800 --> 3:08:17.160
<v Speaker 1>can look twice when when it don't feel like that,

3:08:17.600 --> 3:08:19.800
<v Speaker 1>but like, yeah, you know what I'm saying. So like

3:08:19.959 --> 3:08:23.080
<v Speaker 1>because he's been consistent for sure, like he listened, he

3:08:23.240 --> 3:08:25.520
<v Speaker 1>really he stood on that too, and that would have

3:08:25.600 --> 3:08:28.120
<v Speaker 1>been a big record for I feel like everything the

3:08:28.200 --> 3:08:31.920
<v Speaker 1>Neptunes did was big for everybody who was affiliated, meaning us,

3:08:32.240 --> 3:08:34.520
<v Speaker 1>And let's just keep it real. That's probably turned out

3:08:34.600 --> 3:08:40.080
<v Speaker 1>millions of dollars to stand by, I'm just calculated on

3:08:40.200 --> 3:08:42.320
<v Speaker 1>tow of millions of dollars. I don't feel for No,

3:08:42.840 --> 3:08:44.800
<v Speaker 1>I don't feel because they lost a couple of bucks.

3:08:45.080 --> 3:08:48.119
<v Speaker 1>You don't feel for millions and millions. He got tweeny.

3:08:48.240 --> 3:08:57.000
<v Speaker 1>But I was just sitting here and what I'm saying right, well,

3:08:57.080 --> 3:09:01.600
<v Speaker 1>he did that again. He did it again. Something hell

3:09:01.800 --> 3:09:04.680
<v Speaker 1>you with Justin? Um y'all worked it out after no, no, no, no,

3:09:04.840 --> 3:09:07.960
<v Speaker 1>we there There was never no issue like it was

3:09:08.240 --> 3:09:13.080
<v Speaker 1>literally I didn't I don't even think Pharrell and Justin

3:09:13.200 --> 3:09:17.320
<v Speaker 1>had an issue. It was just it was label ship

3:09:17.440 --> 3:09:20.760
<v Speaker 1>was the head of the label and Pharrell, but I

3:09:20.800 --> 3:09:23.160
<v Speaker 1>didn't think it was a thing. And then then listen

3:09:23.200 --> 3:09:27.240
<v Speaker 1>and even since then, even since then, that was that

3:09:27.360 --> 3:09:29.120
<v Speaker 1>was Verry White at the time. Since then, it's like

3:09:29.240 --> 3:09:33.160
<v Speaker 1>all it's all cool, like it's all up honestly, Like

3:09:33.680 --> 3:09:36.760
<v Speaker 1>I see Barry. I talked to Barry. Everything is fine.

3:09:37.840 --> 3:09:40.440
<v Speaker 1>And it was business too, like you know, like the

3:09:40.480 --> 3:09:42.680
<v Speaker 1>same way I can see and speak about lawyers and

3:09:42.760 --> 3:09:45.760
<v Speaker 1>contract everybody. I gotta you know, I eat that too

3:09:46.480 --> 3:09:52.440
<v Speaker 1>for sure. For sure. Who go against who neptunes to

3:09:52.480 --> 3:10:01.160
<v Speaker 1>go against and versus oh, everybody, they go against everybody, Yeah, everybody.

3:10:03.879 --> 3:10:07.400
<v Speaker 1>I think I think they're gonna he's gonna win against Scott.

3:10:08.640 --> 3:10:12.560
<v Speaker 1>They're gonna win against Scott. No, they're gonna win against Scott,

3:10:13.600 --> 3:10:19.360
<v Speaker 1>he says the only person. Neptunes versus Vetrol woman. No,

3:10:20.680 --> 3:10:22.280
<v Speaker 1>I don't think you can. I mean, I think, I

3:10:23.240 --> 3:10:25.520
<v Speaker 1>mean I would if I'm if we're gonna talk with Neptunes,

3:10:25.560 --> 3:10:28.920
<v Speaker 1>I'm gonna just stay with Legacy, you know what I'm saying.

3:10:29.040 --> 3:10:34.720
<v Speaker 1>Like timber Damn, right, I think Neptunes and Timberland would

3:10:34.720 --> 3:10:38.160
<v Speaker 1>be awesome. That's gonna be fire. I think so too,

3:10:38.480 --> 3:10:44.000
<v Speaker 1>that'd be fire. Yeah, okay, well listen, I'm gonna tell you.

3:10:44.360 --> 3:10:47.640
<v Speaker 1>I mean, and this, of course it doesn't matter, but um,

3:10:48.800 --> 3:10:52.680
<v Speaker 1>it don't matter. But there was one time I believe

3:10:53.480 --> 3:10:57.680
<v Speaker 1>the Neptunes on fort of the charts and Timberland on

3:10:59.280 --> 3:11:02.440
<v Speaker 1>the other for they you know, something close within that

3:11:02.760 --> 3:11:07.720
<v Speaker 1>range exactly. So I mean, I don't know if I

3:11:07.800 --> 3:11:09.320
<v Speaker 1>don't know if they win, I mean, I don't know

3:11:09.360 --> 3:11:14.000
<v Speaker 1>who would necessarily win, because it's not all about hits.

3:11:14.200 --> 3:11:17.400
<v Speaker 1>If you notice that, it ain't about it's about cultural moments.

3:11:18.280 --> 3:11:21.120
<v Speaker 1>So um, you know, I think that'd be good. I

3:11:21.160 --> 3:11:27.200
<v Speaker 1>mean it'd be good Timberland against that'd be great. But

3:11:27.280 --> 3:11:30.080
<v Speaker 1>I think they can go against any then. I don't

3:11:30.120 --> 3:11:39.080
<v Speaker 1>believe they're getting blown out by nobody. Blown out. No, no, no, no,

3:11:39.200 --> 3:11:42.160
<v Speaker 1>They're not getting blown out by nobody. It's gonna be

3:11:42.200 --> 3:11:43.600
<v Speaker 1>a fight. It's gonna be a fight with all of

3:11:43.640 --> 3:11:48.480
<v Speaker 1>the best you want to name whoever. Yeah, yeah, I

3:11:48.480 --> 3:11:50.080
<v Speaker 1>don't think. I don't think there's a lot of people.

3:11:51.080 --> 3:11:54.440
<v Speaker 1>Hell no, not you made the Prix. Sorry I heard

3:11:54.480 --> 3:12:00.280
<v Speaker 1>this speak of ice cream is great? Um ship. I

3:12:00.320 --> 3:12:02.480
<v Speaker 1>mean Jamaine Hill too, though, Like it's like he got

3:12:02.560 --> 3:12:08.920
<v Speaker 1>a lot he catalog, But I don't know if the catalog.

3:12:09.320 --> 3:12:12.480
<v Speaker 1>You know again, it's hits. It's hiss, hiss his not

3:12:12.640 --> 3:12:15.720
<v Speaker 1>all them ships be cultural. You know what I'm saying.

3:12:16.920 --> 3:12:19.160
<v Speaker 1>You've seen that ship like you've seen it. You've seen

3:12:19.480 --> 3:12:25.760
<v Speaker 1>Kiss mix tape you down beat you down like you

3:12:25.879 --> 3:12:29.400
<v Speaker 1>know that ain't billboard nothing, don't talk no charts millions.

3:12:30.080 --> 3:12:32.560
<v Speaker 1>You could have put any million selling record against Kiss

3:12:32.600 --> 3:12:35.480
<v Speaker 1>whenever you wanted to. When he did, who shot your freestyle?

3:12:36.320 --> 3:12:40.800
<v Speaker 1>Call case closed? Curtains is over? So you know, if

3:12:40.879 --> 3:12:43.240
<v Speaker 1>if you gotta look at you gotta look at versus

3:12:43.440 --> 3:12:48.040
<v Speaker 1>really like that, Like versus is way more cultural than

3:12:48.120 --> 3:12:51.840
<v Speaker 1>it is hits. To me, your battle to cay on versus,

3:12:52.400 --> 3:13:00.320
<v Speaker 1>who would I want? I'm not doing it. Let's just

3:13:00.840 --> 3:13:09.560
<v Speaker 1>just what I did about Kanye shut and I heard

3:13:09.600 --> 3:13:20.680
<v Speaker 1>that's crazy too, crazy live stepping there. He's still mad

3:13:20.720 --> 3:13:23.040
<v Speaker 1>at that Kanye. So he's stepping in all the way up.

3:13:24.240 --> 3:13:28.520
<v Speaker 1>Every verse tis right now. I'm just telling you it's

3:13:28.640 --> 3:13:33.720
<v Speaker 1>a million percent. He's gonna make sure you, like I

3:13:33.879 --> 3:13:38.720
<v Speaker 1>respect that, YO, push your man. Let me just say something, man,

3:13:38.800 --> 3:13:42.840
<v Speaker 1>you're definitely a legend. Thank you a person. I appreciate

3:13:42.920 --> 3:13:46.920
<v Speaker 1>your person. Um, you know, you're a real person. You're

3:13:46.920 --> 3:13:51.120
<v Speaker 1>a good person. But besides all that, um, that's a

3:13:51.440 --> 3:13:55.280
<v Speaker 1>personal level. But you are one of the last of

3:13:55.400 --> 3:13:58.240
<v Speaker 1>a dying breed, one of the last people that I know.

3:13:58.320 --> 3:14:00.760
<v Speaker 1>You said that it doesn't matter about the beat, but

3:14:01.000 --> 3:14:05.400
<v Speaker 1>it's it's for people like you and like nas. It's

3:14:05.440 --> 3:14:08.880
<v Speaker 1>like it's always like sixties sevent of your lyrics first,

3:14:09.400 --> 3:14:12.640
<v Speaker 1>because your lyrics, it's just it's just something that where

3:14:12.760 --> 3:14:14.880
<v Speaker 1>we want to hear what you're gonna say first, then

3:14:15.000 --> 3:14:17.120
<v Speaker 1>we say, okay to be this dope too. You know

3:14:17.160 --> 3:14:19.320
<v Speaker 1>what I'm saying, and for you to you know what

3:14:19.360 --> 3:14:23.440
<v Speaker 1>I mean, because they called they they call that dinosaurs

3:14:24.080 --> 3:14:26.320
<v Speaker 1>they called and for us to be but I'd say,

3:14:26.400 --> 3:14:33.080
<v Speaker 1>you're inspiring a new breed, to be honest. They want

3:14:33.120 --> 3:14:37.400
<v Speaker 1>to say, you know, yeah, but bro, that's that, that

3:14:37.680 --> 3:14:41.000
<v Speaker 1>is the that is the foundation of this ship. This,

3:14:41.800 --> 3:14:46.480
<v Speaker 1>this takes, this takes a skill set. Then can't nobody

3:14:46.600 --> 3:14:49.280
<v Speaker 1>take that from me. I don't care how young, how old,

3:14:49.600 --> 3:14:54.680
<v Speaker 1>I'm smoking everything until I'm tied, when I stopped competing

3:14:54.720 --> 3:14:57.800
<v Speaker 1>and I've done, I'm cool. I ain't gonna just exist

3:14:57.879 --> 3:15:01.800
<v Speaker 1>in this ship either. You know what I'm saying. But nah, bro, yeah,

3:15:01.840 --> 3:15:03.440
<v Speaker 1>so so let me just keep you with your flowers.

3:15:03.520 --> 3:15:05.400
<v Speaker 1>So I don't letting you know, man, we're proud of you.

3:15:05.480 --> 3:15:08.400
<v Speaker 1>On this side of generation are people the people that

3:15:08.600 --> 3:15:11.920
<v Speaker 1>really respect real hip hop, really respect you know, the

3:15:12.080 --> 3:15:15.640
<v Speaker 1>content and and and I think about his twelve records

3:15:16.879 --> 3:15:20.200
<v Speaker 1>these albums is ninety records right now now by me,

3:15:21.320 --> 3:15:26.600
<v Speaker 1>you just all classic albums were ten twelve, I think

3:15:26.640 --> 3:15:30.680
<v Speaker 1>it was eight or something like that. Not like so

3:15:31.840 --> 3:15:34.440
<v Speaker 1>you even did it that right? Like short and sweet,

3:15:34.480 --> 3:15:38.480
<v Speaker 1>look straight, look, everything is is dope. We respect you

3:15:38.600 --> 3:15:41.199
<v Speaker 1>we appreciate you. We want to thank you to your phrase,

3:15:41.240 --> 3:15:43.200
<v Speaker 1>to give your flowers to your face, you know what

3:15:43.280 --> 3:15:45.720
<v Speaker 1>I mean. And we got a number love for you

3:15:48.879 --> 3:15:50.840
<v Speaker 1>before we get about here. Anything you want to say,

3:15:50.920 --> 3:15:54.720
<v Speaker 1>anything you got coming on and um you know, just

3:15:54.920 --> 3:15:59.119
<v Speaker 1>everybody go get that album is almost dry. I appreciate

3:15:59.240 --> 3:16:03.880
<v Speaker 1>all the loving sport, um man, it's almost dry. Tour

3:16:04.120 --> 3:16:07.160
<v Speaker 1>starting May twenty nine. Come check me out all over

3:16:07.240 --> 3:16:12.360
<v Speaker 1>the country, um man, all the festivals. I'm gonna be there,

3:16:13.280 --> 3:16:17.560
<v Speaker 1>coming to a city near you. Street hip hop list forever,

3:16:18.160 --> 3:16:25.680
<v Speaker 1>sniff goddam. I listen to ask questions, how do you

3:16:25.720 --> 3:16:27.200
<v Speaker 1>get on the bliss of YAO list? I want to

3:16:27.200 --> 3:16:39.080
<v Speaker 1>be on the because listen, listen on just they just

3:16:39.879 --> 3:16:42.240
<v Speaker 1>just invited me to the show and say they're gonna

3:16:42.360 --> 3:16:45.039
<v Speaker 1>dress me and all that. So if we're the same size,

3:16:45.080 --> 3:16:56.800
<v Speaker 1>I'm gonna throw you a little just today, like I'm

3:16:56.879 --> 3:17:00.080
<v Speaker 1>trying to keep up. I'm like, I ain't biging in me.

3:17:00.680 --> 3:17:02.920
<v Speaker 1>Oh my god, mysing, but I need I need to

3:17:02.959 --> 3:17:09.039
<v Speaker 1>put your tash yes phars because it's be crazy likes.

3:17:09.080 --> 3:17:13.760
<v Speaker 1>Listen all here listen. I'm like it's the number of

3:17:14.040 --> 3:17:16.000
<v Speaker 1>podcast you know that girl and let me see it.

3:17:16.959 --> 3:17:21.440
<v Speaker 1>Talk camera, talking cameras. Let me just tell you something. No, no, no,

3:17:21.480 --> 3:17:23.360
<v Speaker 1>I want this camera. I want to I don't let

3:17:23.400 --> 3:17:26.720
<v Speaker 1>me as a side. Let me tell you something. Are

3:17:26.720 --> 3:17:30.160
<v Speaker 1>you seeing your friends and family um list? It's full

3:17:30.200 --> 3:17:33.160
<v Speaker 1>of franks. You don't want Frank's and you're fully your

3:17:33.200 --> 3:17:35.480
<v Speaker 1>friends and family list. This is a good guy over here.

3:17:36.600 --> 3:17:38.360
<v Speaker 1>I'm a great guy. I need the easy, I need

3:17:38.440 --> 3:17:41.560
<v Speaker 1>to put your DS, I need to to stand Smith's

3:17:42.680 --> 3:17:46.320
<v Speaker 1>and I need um um, the phararelse, Holy mode, guacamole.

3:17:51.240 --> 3:17:59.560
<v Speaker 1>Thank you, thanks for joining us for another episode to

3:17:59.640 --> 3:18:02.160
<v Speaker 1>Drink Hands hosted by yours truly, d J e f

3:18:02.360 --> 3:18:04.440
<v Speaker 1>N and n O r E. Please make sure to

3:18:04.480 --> 3:18:07.039
<v Speaker 1>follow us on all our socials. Let's add Drink Champs

3:18:07.040 --> 3:18:11.119
<v Speaker 1>across all platforms at the Real Noriegan, I g at

3:18:11.200 --> 3:18:14.280
<v Speaker 1>Noriega on Twitter, mine is at Who's Crazy on I

3:18:14.440 --> 3:18:17.360
<v Speaker 1>g at d J e f N on Twitter, and

3:18:17.480 --> 3:18:19.879
<v Speaker 1>most importantly, stay up to date with the latest releases,

3:18:20.280 --> 3:18:23.440
<v Speaker 1>news and merged by going to drink Champs dot com.

3:18:30.280 --> 3:18:33.359
<v Speaker 1>For more podcasts from my Heart Radio, visit the iHeart

3:18:33.440 --> 3:18:36.920
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

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<v Speaker 1>favorite shows.