WEBVTT - Netflix vs Blockbuster

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<v Speaker 1>Get in touch with technology with tech Stuff from how

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<v Speaker 1>stuff Works dot com. Hey there, and welcome to tech Stuff.

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<v Speaker 1>I'm your host, Jonathan Strickland. I'm an executive producer with

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<v Speaker 1>How Stuff Works and I love all things tech. And

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<v Speaker 1>we are now entering part three of our series about Netflix.

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<v Speaker 1>The next episode, we'll kind of combine all the stuff

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<v Speaker 1>that's been going on in ten years with uh, you

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<v Speaker 1>know that kind of thing. That'll be the next episode.

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<v Speaker 1>They'll be sort of where we are today. But this

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<v Speaker 1>episode is all about Netflix is fight for survival when

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<v Speaker 1>it was going up against some pretty big opponents in

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<v Speaker 1>the world of video rental. So in our last two episodes,

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<v Speaker 1>I looked at the founding of Netflix up to the

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<v Speaker 1>departure of one of the co founders, Mark Randolph, the

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<v Speaker 1>guy who actually wanted to build a web site that

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<v Speaker 1>would be the Amazon dot Com of video rental. In

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<v Speaker 1>this episode, I'll look at how the company began to

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<v Speaker 1>usher in the era of digital delivery and fight off competitors.

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<v Speaker 1>So to be fair, first of all, Netflix did not

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<v Speaker 1>invent digital delivery of video. Video on demand experiments had

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<v Speaker 1>begun in the mid nineties a few years before read

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<v Speaker 1>Hastings and Mark Randolph co founded Netflix, so they did

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<v Speaker 1>not invent this technology. Cable television had led the way,

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<v Speaker 1>largely because cable could deliver the bandwidth required to uh

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<v Speaker 1>to send video in the first place. During the nineties,

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<v Speaker 1>many people access the Internet using dial up services, and

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<v Speaker 1>that lacked the bandwidth to deliver real time video, so

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<v Speaker 1>it wasn't the right time to use the Internet to

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<v Speaker 1>deliver video services. Yet. It really wasn't until broadband internet

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<v Speaker 1>slowly began to become a real thing in the early

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<v Speaker 1>two thousands here in the United States that it was

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<v Speaker 1>seen as a viable delivery mechanism for video content at all.

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<v Speaker 1>But more about that in a little bit. In the

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<v Speaker 1>spring of two thousand three, Netflix was a totally different

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<v Speaker 1>company from a talent perspective than what the initial Netflix

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<v Speaker 1>was all about. None of the original team members were

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<v Speaker 1>still at the company. Read Hastings, who had provided the

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<v Speaker 1>seed money for Netflix but who was not initially involved

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<v Speaker 1>in the day to day operations of the company, was

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<v Speaker 1>now running the show, and in March two thousand three,

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<v Speaker 1>the company hit the landmark of one million subscribers that

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<v Speaker 1>had long been seen as the turning point that this

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<v Speaker 1>would be the moment when Netflix would turn into a

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<v Speaker 1>profitable company. Blockbuster, meanwhile, I was trying to get into

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<v Speaker 1>the game late and the end of two thousand three,

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<v Speaker 1>they were looking to launch their own online the DVD

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<v Speaker 1>rental service called Blockbuster on Line. Now. Originally the vision

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<v Speaker 1>for Blockbuster Online was to be an online and in

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<v Speaker 1>store hybrid service, but delays and changes and political shifts

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<v Speaker 1>within Blockbuster ment that when the service finally debuted, it

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<v Speaker 1>was an online rental subscription model, not that different from

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<v Speaker 1>what Netflix was doing, but the nature of Blockbusters business

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<v Speaker 1>with franchise owners opposing the very idea of online options.

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<v Speaker 1>They were afraid that the online stores would cannibalize their

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<v Speaker 1>own stores traffic. They argued to the CEO, John Antiocho,

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<v Speaker 1>that this is a terrible, terrible choice. Don't do this.

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<v Speaker 1>You're going to ruin our businesses. And so Antiocho in

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<v Speaker 1>a way kind of capitulated a bit. He denied the

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<v Speaker 1>online team any chance to leverage blockbusters established assets and relationships.

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<v Speaker 1>So Blockbuster had relationships with movie studios. They were able

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<v Speaker 1>to get really good deals on VHS titles for rental

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<v Speaker 1>through these movie studios. None of that was available to

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<v Speaker 1>the online team. They were not allowed to leverage any

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<v Speaker 1>of the customer data that Blockbuster had gathered over the

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<v Speaker 1>years of being in business, and it really put this

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<v Speaker 1>initiative at a disadvantage. And if you listen to my

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<v Speaker 1>episodes about Blockbuster, you know that this eventually doesn't work

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<v Speaker 1>out so well for the company. But they were Despite

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<v Speaker 1>these disadvantages, the team behind Blockbuster Online was still able

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<v Speaker 1>to create a credible threat to Netflix. As for Netflix,

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<v Speaker 1>it was going through a serious growth phase. By two

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<v Speaker 1>thousand four of the company's share price had risen dramatically,

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<v Speaker 1>quadrupling at one point and going beyond that to to

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<v Speaker 1>quite high from its original opening amount. About three thousand

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<v Speaker 1>new customers were signing up every day, a revenue growth

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<v Speaker 1>was more than one year over year, and Hastings announced

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<v Speaker 1>to investors than the company planned to introduce a movie

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<v Speaker 1>download service at some point in two thousand five, which

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<v Speaker 1>would then mean the company was dipping its toe into

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<v Speaker 1>digital delivery, though in this case we're talking about digital

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<v Speaker 1>delivery and that you would purchase a movie and download

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<v Speaker 1>it to a device, uh, not digital delivery in the

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<v Speaker 1>sense of streaming movies that still was in the future.

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<v Speaker 1>Netflix began to advertise on television in two thousand four,

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<v Speaker 1>and they saw subscription numbers skyrocket. That sounds great, except

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<v Speaker 1>there was one tiny problem, which was that to entice customers,

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<v Speaker 1>new subscriptions would include a free trial for a month,

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<v Speaker 1>so for the first month of a customer would have

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<v Speaker 1>free rentals. And that meant that while you saw customer

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<v Speaker 1>numbers increasing dramatically, the revenues weren't because people were taking

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<v Speaker 1>advantage of that one month of free service. So the

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<v Speaker 1>company actually posted a dramatic quarterly loss in two thousand

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<v Speaker 1>four because so many people had signed up and we're

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<v Speaker 1>using that free month and uh, it's kind of funny

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<v Speaker 1>to think about, but in a way, Netflix was suffering

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<v Speaker 1>such a big loss because they were so successful because

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<v Speaker 1>they had so many new customers signing up. But the

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<v Speaker 1>adoption of the service was helping Netflix more than it

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<v Speaker 1>was hurting it. In the long run, the stock price

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<v Speaker 1>had grown significantly. It led Netflix to split the stock

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<v Speaker 1>in February two thousand four. I've talked about stock splits

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<v Speaker 1>in the past. Typically it's when a company uh decides

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<v Speaker 1>to create new shares, awarding those new shares to people

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<v Speaker 1>who already hold shares in the company, and by increasing

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<v Speaker 1>the number of shares, they reduced the cost per share,

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<v Speaker 1>because you can't magically make a company more valuable this way, right,

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<v Speaker 1>So if you have a hundred thousand shares and they're

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<v Speaker 1>ten dollars a share, and then you decide to double

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<v Speaker 1>the number of shares, you have to half the price

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<v Speaker 1>per share. So you have two hundred thousand shares now,

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<v Speaker 1>but now they're five dollars per share because overall the

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<v Speaker 1>value of the company has to remain the same. The

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<v Speaker 1>value of the company can increase as the market values

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<v Speaker 1>it more, but you can't make it increased just by

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<v Speaker 1>splitting the stock. And the whole point behind splitting stocks

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<v Speaker 1>tends to be the philosophy that by having a lower

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<v Speaker 1>per share price, you increase the liquidity within the market.

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<v Speaker 1>People trade more readily, which is seen as or it

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<v Speaker 1>can be seen as a way of measuring company health.

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<v Speaker 1>Uh And you can you can encourage smaller investors to

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<v Speaker 1>invest in your company this way because on a per

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<v Speaker 1>share basis, the price isn't prohibitive. Right If if every

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<v Speaker 1>share costs a hundred and fifty dollars, you're not going

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<v Speaker 1>to get a love small investors, So they split the

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<v Speaker 1>stock into thousand four. Later that same year, Netflix raised

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<v Speaker 1>the fee for having three films out at a time.

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<v Speaker 1>The fee had been nineteen dollars ninety nine cents per month,

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<v Speaker 1>and they raised it to twenty one dollars nine cents

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<v Speaker 1>per month. This initially gave Blockbuster a boost of confidence

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<v Speaker 1>because they had their online service planned which had not

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<v Speaker 1>yet launched, and they had already priced it to be

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<v Speaker 1>the same as Netflix. So now when Netflix new prices,

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<v Speaker 1>the Blockbuster offering would actually be cheaper. This would give

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<v Speaker 1>Blockbuster the chance to undercut Netflix, which was seen as

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<v Speaker 1>a very valuable tool. So the Blockbuster service entered into

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<v Speaker 1>a test phase on July two thousand four, which happened

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<v Speaker 1>to be the same day that Netflix was holding an

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<v Speaker 1>earnings call, and this timing was not coincidental. Blockbuster was

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<v Speaker 1>targeting the earnings call specifically in order to essentially send

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<v Speaker 1>Netflix a message essentially saying watch your back. Netflix stock

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<v Speaker 1>took a sharp dive in price as investors started to

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<v Speaker 1>get nervous because Blockbuster had already proven to be a

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<v Speaker 1>giant in video rentals, and if the company was really

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<v Speaker 1>behind this this service, it could mean that they would

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<v Speaker 1>price Netflix out. Of business. Even if Blockbuster were to

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<v Speaker 1>take a loss in the short term, if they could

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<v Speaker 1>outlast Netflix, if they could sap away enough customers so

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<v Speaker 1>the Netflix isn't making enough money, then they could stand triumphant.

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<v Speaker 1>And then once Netflix is gone, they could increase prices

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<v Speaker 1>or even get rid of the service entirely if they

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<v Speaker 1>wanted to. So this was not a great move, and

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<v Speaker 1>the dive in price meant Netflix lost about sixty percent

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<v Speaker 1>of its market value in a week. Market value is

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<v Speaker 1>that measurement we use when we we take the number

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<v Speaker 1>of outstanding shares in the company and we multiply it

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<v Speaker 1>by the price per share, then you get the market

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<v Speaker 1>value of a company. If it hadn't been for Blockbusters

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<v Speaker 1>other problems which were largely driven by the investor, Carl

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<v Speaker 1>Icon and his attempts to steer the company in a

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<v Speaker 1>particular direction. Specifically, he wanted a Blockbuster to buy up

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<v Speaker 1>a rival, major UH competitor, Hollywood Video. All of those

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<v Speaker 1>machinations going on in the background, we're really taking up

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<v Speaker 1>a lot of of corporate focus, and the senior staff

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<v Speaker 1>over at Blockbuster we're trying to fight off Icon. If

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<v Speaker 1>that had not happened, Blockbuster Online might have posed a

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<v Speaker 1>much larger threat to Netflix, but at the time it

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<v Speaker 1>was probably a scary competitor, but it was small potatoes

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<v Speaker 1>compared to another potential threat that appeared to be on

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<v Speaker 1>the horizon, which was Amazon dot Com, which was rumored

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<v Speaker 1>to be getting ready to launch its own DVD online

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<v Speaker 1>rental service, and that seemed to be the real threat

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<v Speaker 1>because again, Netflix originally was supposed to be the Amazon

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<v Speaker 1>dot Com of renting videos online. If Amazon got into it,

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<v Speaker 1>it would by definition be the Amazon dot Com of

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<v Speaker 1>doing that. So to ward off Amazon, Hastings made the

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<v Speaker 1>decision to cut the subscription price. They had raised it

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<v Speaker 1>not that long ago. They decided, let's cut it too

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<v Speaker 1>as low as we can possibly go without taking too

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<v Speaker 1>big of a hit, and ultimately they cut the price

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<v Speaker 1>by eight percent, down to seventeen dollars cents per month.

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<v Speaker 1>Netflix had been buying properties in the United Kingdom. They

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<v Speaker 1>were anticipating expanding internationally and launching the service over in

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<v Speaker 1>the UK, but Hastings decided that they were going to

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<v Speaker 1>have to put that on hold for a short while

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<v Speaker 1>until late two thousand five at the earliest, because he

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<v Speaker 1>wanted the company's full focus on competing against Amazon. Now,

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<v Speaker 1>that was complicated by the fact that Amazon had already

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<v Speaker 1>launched a net based DVD rental service in the UK.

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<v Speaker 1>They had not launched one US, but they used the

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<v Speaker 1>UK as sort of a testing ground. So Hastings told

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<v Speaker 1>investors that Blockbuster wasn't something to worry about. He said

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<v Speaker 1>that company has doomed itself. They said, if online rental

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<v Speaker 1>is going to continue in its trajectory, it's going to

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<v Speaker 1>increasingly pull business out of brick and mortar stores. That

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<v Speaker 1>you're gonna see fewer and fewer people going to the

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<v Speaker 1>stores to rent movies, and that if Blockbuster is putting

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<v Speaker 1>effort behind this, then they're going to cannibalize their own business.

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<v Speaker 1>They're going to take customers away from those brick and

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<v Speaker 1>mortar stores, and so they're not ultimately going to come

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<v Speaker 1>out ahead. They're gonna shift customers from one model to another.

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<v Speaker 1>But ultimately, since the company itself was built upon the

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<v Speaker 1>foundation of video rental stores, they would be marking themselves

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<v Speaker 1>for their own destruction. And they said that Netflix would

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<v Speaker 1>actually be in a really good position too to weather

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<v Speaker 1>all of that, that it would be strong on the

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<v Speaker 1>other side, whereas Blockbuster would end up taking the ground

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<v Speaker 1>out from underneath itself, but waiting for this to happen

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<v Speaker 1>was really hard. Blockbuster ran an ad during the two

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<v Speaker 1>thousand five Super Bowl, and during that ad they dropped

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<v Speaker 1>the price for their online service for video rental to

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<v Speaker 1>fourteen dollars nine cents per month for a service that

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<v Speaker 1>was very similar and essentially the same thing as Netflix's

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<v Speaker 1>three out subscription base, which was three dollars more expensive

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<v Speaker 1>per month. The CFO of Netflix argued they should hold firm.

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<v Speaker 1>They should not drop their price again, and the reason was,

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<v Speaker 1>he said, Blockbusters bleeding itself out. It is purposefully losing

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<v Speaker 1>money per subscriber on this deal in the hopes that

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<v Speaker 1>they will be able to put us under siege. Not

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<v Speaker 1>the Steven Seagal film, and wait until we're out of money,

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<v Speaker 1>and we should not try and get into a price war.

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<v Speaker 1>That's just going to make it harder for us if

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<v Speaker 1>we do that. By the end of two thousand five,

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<v Speaker 1>Netflix posted a profit in three of the four quarters,

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<v Speaker 1>which was good news. The company launched a download service

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<v Speaker 1>in which customers could purchase a digital copy of a movie.

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<v Speaker 1>At least they had that in a limited rollout, and

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<v Speaker 1>in April two thousand five, Hastings set on a conference

0:14:28.280 --> 0:14:32.960
<v Speaker 1>call that Blockbuster had thrown everything they had at him

0:14:33.000 --> 0:14:37.040
<v Speaker 1>except the kitchen sink, and the very next day he

0:14:37.080 --> 0:14:40.360
<v Speaker 1>found an enormous package waiting for him. It was from

0:14:40.400 --> 0:14:46.360
<v Speaker 1>Blockbuster and inside was, of course, a kitchen sink. So

0:14:46.400 --> 0:14:49.400
<v Speaker 1>what would come next? Well, I'll tell you, but first

0:14:49.480 --> 0:14:59.760
<v Speaker 1>let's take a quick break to thank our sponsor. Now,

0:15:00.000 --> 0:15:03.400
<v Speaker 1>on all of Netflix's woes were coming from outside the company,

0:15:03.480 --> 0:15:07.800
<v Speaker 1>They weren't all external threats. One policy that landed Netflix

0:15:07.840 --> 0:15:10.840
<v Speaker 1>into some trouble had to do with its algorithms that

0:15:11.000 --> 0:15:14.440
<v Speaker 1>decided who would get the next available copy of a

0:15:14.480 --> 0:15:18.040
<v Speaker 1>particular DVD. Not. On a previous episode, you heard how

0:15:18.080 --> 0:15:20.480
<v Speaker 1>the algorithm was supposed to work, which is that you

0:15:20.480 --> 0:15:24.200
<v Speaker 1>would create a queue, and you would put the movies

0:15:24.280 --> 0:15:26.520
<v Speaker 1>in order in your queue, in the order you wanted

0:15:26.520 --> 0:15:30.880
<v Speaker 1>to get them, and at least the idea was you

0:15:30.920 --> 0:15:36.800
<v Speaker 1>would get the next available version of that title as

0:15:36.800 --> 0:15:39.640
<v Speaker 1>soon as possible. That the higher ranked the movies were,

0:15:39.640 --> 0:15:41.080
<v Speaker 1>the more likely you were going to get one of

0:15:41.120 --> 0:15:46.080
<v Speaker 1>those titles, assuming there was any availability, And obviously new

0:15:46.120 --> 0:15:50.600
<v Speaker 1>releases would be the hardest to get initially because everybody

0:15:50.640 --> 0:15:53.880
<v Speaker 1>wants to see them. Now, you would think this would

0:15:53.920 --> 0:15:56.360
<v Speaker 1>all be by the order in which users had placed

0:15:56.400 --> 0:16:01.120
<v Speaker 1>a title into their cues, adjusted by the ranking within

0:16:01.160 --> 0:16:04.160
<v Speaker 1>the queues themselves. So in other words, let's say that

0:16:04.320 --> 0:16:06.320
<v Speaker 1>you and I both want to see Big Trouble in

0:16:06.320 --> 0:16:08.720
<v Speaker 1>Little China, because, as we know, it's one of the

0:16:08.760 --> 0:16:11.680
<v Speaker 1>greatest movies ever made. I put it in my queue.

0:16:12.040 --> 0:16:16.280
<v Speaker 1>But in my queue, I put it in the fifteen spot. Uh,

0:16:16.920 --> 0:16:19.280
<v Speaker 1>because I've seen the movie before. I love it, but

0:16:19.520 --> 0:16:21.720
<v Speaker 1>there are other movies I want to see more at

0:16:21.840 --> 0:16:25.000
<v Speaker 1>the at the time, so it's number fifteen in my queue.

0:16:25.360 --> 0:16:28.600
<v Speaker 1>The following day, you add Big Trouble in Little China

0:16:28.640 --> 0:16:30.880
<v Speaker 1>to your queue, but you put it at the number

0:16:30.880 --> 0:16:34.400
<v Speaker 1>one spot. You know, I really want to see this movie. Well,

0:16:34.480 --> 0:16:37.320
<v Speaker 1>based upon what we understood the algorithm to do at

0:16:37.320 --> 0:16:40.720
<v Speaker 1>the time, we would have thought the algorithm would essentially say, well,

0:16:40.800 --> 0:16:43.800
<v Speaker 1>Jonathan added it first, but he's also marked it at

0:16:43.840 --> 0:16:46.720
<v Speaker 1>a lower priority by its place on the queue, So

0:16:46.720 --> 0:16:49.480
<v Speaker 1>I'm gonna send it to the other person. This other

0:16:49.520 --> 0:16:52.520
<v Speaker 1>person who has impeccable taste in movies, They're going to

0:16:52.520 --> 0:16:55.480
<v Speaker 1>get the movie first because they ranked it higher. That's

0:16:55.480 --> 0:16:58.440
<v Speaker 1>how we all understood the algorithm to work. But that's

0:16:58.440 --> 0:17:04.359
<v Speaker 1>not how it actually worked, and Netflix admitted as much.

0:17:04.359 --> 0:17:06.399
<v Speaker 1>They were forced to in the face of a class

0:17:06.440 --> 0:17:11.080
<v Speaker 1>action lawsuit. The company revealed that it would give preferential

0:17:11.080 --> 0:17:15.520
<v Speaker 1>treatment to people who had rented fewer DVDs when there

0:17:15.600 --> 0:17:19.600
<v Speaker 1>was a high demand for certain titles. So why would

0:17:19.600 --> 0:17:23.439
<v Speaker 1>people who aren't renting as many DVDs get their choice

0:17:23.560 --> 0:17:27.160
<v Speaker 1>earlier than people who were loyal customers. Well, the corporate

0:17:27.160 --> 0:17:30.159
<v Speaker 1>logic was that the people who were renting just a

0:17:30.200 --> 0:17:33.680
<v Speaker 1>few DVDs were the most likely to leave the service.

0:17:33.760 --> 0:17:37.560
<v Speaker 1>They were the least anchored to it, and Netflix would

0:17:37.600 --> 0:17:41.440
<v Speaker 1>call those customers birds, and to prevent the birds from

0:17:41.440 --> 0:17:44.320
<v Speaker 1>flying off, they would make sure the birds got what

0:17:44.400 --> 0:17:48.600
<v Speaker 1>they wanted as quickly as possible. But on the flip side,

0:17:49.040 --> 0:17:51.880
<v Speaker 1>that meant the loyal customers, the ones who would rent

0:17:51.960 --> 0:17:55.000
<v Speaker 1>frequently and who were more likely to stick with Netflix,

0:17:55.600 --> 0:17:59.040
<v Speaker 1>they got passed over more frequently. It didn't matter if

0:17:59.119 --> 0:18:01.399
<v Speaker 1>they had assigned the title to a higher spot on

0:18:01.440 --> 0:18:04.720
<v Speaker 1>their queue, or if they had added the title months

0:18:04.760 --> 0:18:09.560
<v Speaker 1>before the birds had done so, and that seemed inherently unfair.

0:18:10.359 --> 0:18:13.560
<v Speaker 1>Netflix would settle that lawsuit and a lot of claimants

0:18:13.600 --> 0:18:17.840
<v Speaker 1>ended up getting free rentals as compensation, so that was something,

0:18:17.880 --> 0:18:21.920
<v Speaker 1>but it was a message that a lot of people

0:18:22.160 --> 0:18:29.280
<v Speaker 1>mark down as saying read Hastings doesn't necessarily take customer

0:18:30.200 --> 0:18:35.520
<v Speaker 1>uh desires into account when he makes decisions, and that

0:18:35.560 --> 0:18:40.040
<v Speaker 1>would be a feeling that would get reinforced multiple times

0:18:40.040 --> 0:18:44.000
<v Speaker 1>over the next several years. Hastings incorporated a feature called

0:18:44.160 --> 0:18:48.159
<v Speaker 1>Friends in the Netflix website experience. This would allow users

0:18:48.200 --> 0:18:51.480
<v Speaker 1>to share their movie que selections with each other if

0:18:51.520 --> 0:18:54.320
<v Speaker 1>they chose to. It's kind of like a social platform.

0:18:54.359 --> 0:18:56.960
<v Speaker 1>They could say, all right, well, my friend Susie is

0:18:57.000 --> 0:18:59.240
<v Speaker 1>also using Netflix, so I'm going to share my cue

0:18:59.240 --> 0:19:02.240
<v Speaker 1>with Susie. Not not to share it across where Susie

0:19:02.280 --> 0:19:04.320
<v Speaker 1>is going to get my movies, but that Susie can

0:19:04.320 --> 0:19:08.639
<v Speaker 1>see which movies I am looking forward to watching. Netflix

0:19:08.680 --> 0:19:12.640
<v Speaker 1>could not do that automatically because there are federal privacy

0:19:12.720 --> 0:19:16.440
<v Speaker 1>laws in the United States that had previously established. Video

0:19:16.480 --> 0:19:20.120
<v Speaker 1>stores were not allowed to publish what a customer had

0:19:20.160 --> 0:19:25.160
<v Speaker 1>rented their rental history. That would be a violation of privacy. However,

0:19:25.560 --> 0:19:29.800
<v Speaker 1>Netflix could create the opportunity for users to opt in

0:19:30.040 --> 0:19:33.679
<v Speaker 1>and choose to share the information Netflix just couldn't do

0:19:33.720 --> 0:19:38.840
<v Speaker 1>it automatically on its own. Another thing that the developers

0:19:38.840 --> 0:19:42.879
<v Speaker 1>over at Netflix introduced was a concept called Profiles that

0:19:42.920 --> 0:19:46.840
<v Speaker 1>would allow a single user account to create separate profiles

0:19:47.160 --> 0:19:50.560
<v Speaker 1>within a household. So let's say that you know, it's

0:19:50.560 --> 0:19:54.440
<v Speaker 1>it's a couple of spouses, some kids. Everyone could get

0:19:54.440 --> 0:19:57.879
<v Speaker 1>their own profile with their own cues. That way, if

0:19:57.920 --> 0:20:01.400
<v Speaker 1>one person favored action movies, someone else likes rom coms,

0:20:01.440 --> 0:20:05.280
<v Speaker 1>someone else is really into, you know, deep thinking science fiction,

0:20:05.520 --> 0:20:08.640
<v Speaker 1>they could each maintain their separate cues and they could

0:20:08.640 --> 0:20:11.879
<v Speaker 1>get separate suggestions for films they might want to rent

0:20:12.119 --> 0:20:15.679
<v Speaker 1>based upon their individual preferences and not have it just

0:20:15.960 --> 0:20:19.880
<v Speaker 1>all filter into one big, messy que. Read Hastings actually

0:20:19.880 --> 0:20:22.440
<v Speaker 1>did not like this feature at all. He did not

0:20:22.560 --> 0:20:25.080
<v Speaker 1>want to implement it. He felt that it was going

0:20:25.160 --> 0:20:28.520
<v Speaker 1>to make it harder to program changes because it added

0:20:28.760 --> 0:20:32.479
<v Speaker 1>unnecessary complications. He just viewed this as being very messy,

0:20:32.600 --> 0:20:36.800
<v Speaker 1>very human, not very efficient. But customers were actually calling

0:20:36.840 --> 0:20:40.040
<v Speaker 1>for this feature, and as it turned out, both Profiles

0:20:40.040 --> 0:20:43.639
<v Speaker 1>and Friends features would set off some more warning flags

0:20:43.680 --> 0:20:47.480
<v Speaker 1>that would reinforce this idea that read Hastings did not

0:20:47.640 --> 0:20:53.720
<v Speaker 1>necessarily consider. Customer wants and needs and desires to be

0:20:53.880 --> 0:20:56.879
<v Speaker 1>very high among the priority lists of things that the

0:20:56.920 --> 0:20:59.840
<v Speaker 1>company needed to focus on. Back on the block but

0:21:00.000 --> 0:21:04.560
<v Speaker 1>sster warfront. Netflix won a victory when Walmart decided, after

0:21:04.640 --> 0:21:09.000
<v Speaker 1>a failed attempt to get uh the online DV rent

0:21:09.040 --> 0:21:11.920
<v Speaker 1>toll business going, that it was going to pull out

0:21:11.920 --> 0:21:14.600
<v Speaker 1>of that business entirely. Walmart said, you know, we tried.

0:21:14.880 --> 0:21:17.080
<v Speaker 1>This isn't working for us. It doesn't fall into our

0:21:17.080 --> 0:21:23.440
<v Speaker 1>business plan. And the the agreement between Walmart and Netflix

0:21:23.480 --> 0:21:30.200
<v Speaker 1>was that Walmart would instead direct customers to Netflix and

0:21:30.320 --> 0:21:34.440
<v Speaker 1>even have a deal where people who had been customers

0:21:34.480 --> 0:21:39.480
<v Speaker 1>of Walmart's online DVD rental business could become members over

0:21:39.520 --> 0:21:43.119
<v Speaker 1>at Netflix for a reduced membership fee for a year.

0:21:43.800 --> 0:21:47.280
<v Speaker 1>So that was a big deal in that this competitor

0:21:47.320 --> 0:21:49.879
<v Speaker 1>and not not only was getting out of the market, they

0:21:49.920 --> 0:21:54.560
<v Speaker 1>were handing over their customers to Netflix. Blockbuster did not

0:21:54.720 --> 0:21:58.280
<v Speaker 1>like that. They also ended up having to raise prices

0:21:58.320 --> 0:22:01.840
<v Speaker 1>to seventeen dollars nine for the three DVD at a

0:22:01.880 --> 0:22:05.240
<v Speaker 1>time service. They had been at fourt but now they

0:22:05.240 --> 0:22:08.119
<v Speaker 1>brought it up in line with Netflix, just as people

0:22:08.160 --> 0:22:10.639
<v Speaker 1>and Netflix had predicted. They said, well, Blockbuster was going

0:22:10.680 --> 0:22:12.760
<v Speaker 1>to have to do this because they were losing so

0:22:12.840 --> 0:22:15.919
<v Speaker 1>much money on a per subscription basis that it was

0:22:15.960 --> 0:22:20.440
<v Speaker 1>not something that could be supported indefinitely. Even better news

0:22:20.480 --> 0:22:24.439
<v Speaker 1>for Netflix, it looked like Amazon was actually not going

0:22:24.520 --> 0:22:27.280
<v Speaker 1>to get into the DVD rental space in the United

0:22:27.280 --> 0:22:30.080
<v Speaker 1>States at all. So at the end of two thousand five,

0:22:30.160 --> 0:22:32.560
<v Speaker 1>Netflix had a market value of about one and a

0:22:32.560 --> 0:22:37.600
<v Speaker 1>half billion dollars. It also had eliminated its debt, and

0:22:37.640 --> 0:22:41.320
<v Speaker 1>it had four point two million subscribers. Blockbuster, on the

0:22:41.359 --> 0:22:44.280
<v Speaker 1>other hand, was more than a billion dollars in debt

0:22:44.840 --> 0:22:48.240
<v Speaker 1>and had a market value of six four million dollars.

0:22:48.280 --> 0:22:52.960
<v Speaker 1>So the fortunes had changed dramatically for both companies. But Blockbuster,

0:22:53.359 --> 0:22:58.080
<v Speaker 1>though knocked down, wasn't out. It was still fighting, and

0:22:58.680 --> 0:23:02.720
<v Speaker 1>there was another trick up Blockbusters giant sleeve that would

0:23:02.720 --> 0:23:05.640
<v Speaker 1>cause Netflix more grief. Just a little later in two

0:23:05.640 --> 0:23:08.480
<v Speaker 1>thousand six, the world was looking at the Internet as

0:23:08.520 --> 0:23:12.320
<v Speaker 1>a possible delivery mechanism for long form video. So YouTube

0:23:12.400 --> 0:23:15.200
<v Speaker 1>had launched in two thousand five that was already becoming

0:23:15.200 --> 0:23:19.159
<v Speaker 1>a popular place for short form user generated video. But

0:23:19.280 --> 0:23:22.320
<v Speaker 1>as for the studio backed stuff, that was a different story.

0:23:22.440 --> 0:23:26.520
<v Speaker 1>For one thing, the landscape was really messy from an

0:23:26.520 --> 0:23:31.280
<v Speaker 1>industry perspective, most movie and television studios were part of

0:23:31.400 --> 0:23:36.600
<v Speaker 1>larger conglomerates, and those conglomerates also included distribution channels like

0:23:36.760 --> 0:23:42.000
<v Speaker 1>cable networks or other cable distributors and Internet service providers

0:23:42.040 --> 0:23:44.879
<v Speaker 1>were starting to buy up media companies to or get

0:23:45.040 --> 0:23:48.400
<v Speaker 1>acquired by those same sort of conglomerates, and this thing

0:23:48.480 --> 0:23:53.080
<v Speaker 1>made things really messy. You add lines of distribution content

0:23:53.200 --> 0:23:56.000
<v Speaker 1>all getting bubbled up with each other, and an independent

0:23:56.000 --> 0:24:01.280
<v Speaker 1>company like Netflix was put kind of outside of all that. Meanwhile,

0:24:01.320 --> 0:24:06.240
<v Speaker 1>you had entrenched entities like HBO or Showtime, these premium

0:24:06.359 --> 0:24:09.679
<v Speaker 1>channels that would pay enormous amounts of money to studios

0:24:09.840 --> 0:24:13.520
<v Speaker 1>in order to get exclusive cable rights to different properties,

0:24:13.760 --> 0:24:16.720
<v Speaker 1>so there were very few incentives in place on that

0:24:16.840 --> 0:24:20.199
<v Speaker 1>side to change things up now. Originally the plan for

0:24:20.240 --> 0:24:23.960
<v Speaker 1>Netflix was to roll out a wider download service like

0:24:24.000 --> 0:24:26.639
<v Speaker 1>the one it had tested in two thousand five, but

0:24:26.760 --> 0:24:30.280
<v Speaker 1>the company scrapped those plans, so instead there was a

0:24:30.280 --> 0:24:33.439
<v Speaker 1>more bold idea in the works. It would involve a

0:24:33.520 --> 0:24:37.960
<v Speaker 1>media player that would be uh that would run on

0:24:38.480 --> 0:24:42.679
<v Speaker 1>a computer device, maybe a computer, desktop, laptop, maybe a

0:24:42.720 --> 0:24:46.720
<v Speaker 1>portable device, and it would be allowed to play streaming

0:24:46.920 --> 0:24:50.639
<v Speaker 1>video content, so instead of downloading something, you would stream

0:24:50.640 --> 0:24:53.280
<v Speaker 1>it from a server. This was in contrast to a

0:24:53.320 --> 0:24:56.720
<v Speaker 1>strategy that a company like Disney was trying to employ.

0:24:56.760 --> 0:25:00.560
<v Speaker 1>Disney had introduced a proprietary set top box and a

0:25:00.640 --> 0:25:04.600
<v Speaker 1>download service called movie Beam. Hastings felt that it made

0:25:04.600 --> 0:25:08.280
<v Speaker 1>more sense to create a lightweight media player that could

0:25:08.280 --> 0:25:13.119
<v Speaker 1>be installed on numerous types of hardware owned by other companies.

0:25:13.320 --> 0:25:16.760
<v Speaker 1>So hardware manufactured by different companies and sold by different

0:25:16.760 --> 0:25:21.199
<v Speaker 1>companies could also include this media player as part of

0:25:21.200 --> 0:25:26.000
<v Speaker 1>the installation rather than producing their own hardware, and that

0:25:26.000 --> 0:25:29.960
<v Speaker 1>would bring price down for development and more importantly, for adoption.

0:25:30.240 --> 0:25:33.000
<v Speaker 1>You wouldn't have to have, you know, a brand new

0:25:33.040 --> 0:25:36.320
<v Speaker 1>set top box sold by Netflix for a couple hundred bucks.

0:25:36.760 --> 0:25:39.440
<v Speaker 1>This was super important because it was clear Netflix was

0:25:39.480 --> 0:25:42.119
<v Speaker 1>going to have to spend a lot of money to

0:25:42.200 --> 0:25:45.919
<v Speaker 1>get into this digital distribution world, because it was going

0:25:45.960 --> 0:25:48.680
<v Speaker 1>to cost a huge amount to get the rights to

0:25:48.960 --> 0:25:53.280
<v Speaker 1>serve up streaming media from the various content creators. Netflix

0:25:53.359 --> 0:25:56.600
<v Speaker 1>wasn't creating its own content yet in those days, so

0:25:56.600 --> 0:25:58.760
<v Speaker 1>it was gonna have to pay licensing fees to all

0:25:58.840 --> 0:26:01.600
<v Speaker 1>the different creators out there. That were making the stuff

0:26:01.600 --> 0:26:04.600
<v Speaker 1>that people wanted to see. The licensing fees were going

0:26:04.640 --> 0:26:07.720
<v Speaker 1>to be an incredible expense, so there had to be

0:26:07.760 --> 0:26:10.359
<v Speaker 1>a way to convince a large number of people to

0:26:10.600 --> 0:26:14.280
<v Speaker 1>enroll in the service to offset these huge costs that

0:26:14.320 --> 0:26:16.680
<v Speaker 1>the company was going to encounter as it built out

0:26:16.720 --> 0:26:21.639
<v Speaker 1>a streaming inventory of TV shows and movies. Meanwhile, Netflix

0:26:21.640 --> 0:26:26.080
<v Speaker 1>and Blockbuster Online traded lawsuits with each other. Netflix alleged

0:26:26.119 --> 0:26:30.719
<v Speaker 1>that Blockbuster Online was infringing upon trademarks, and Blockbuster Online

0:26:30.720 --> 0:26:34.080
<v Speaker 1>said Netflix was suing them in order to try and

0:26:34.119 --> 0:26:37.280
<v Speaker 1>force a competitor out of an industry and create an

0:26:37.280 --> 0:26:42.400
<v Speaker 1>effective monopoly. Eventually, the company settled both lawsuits, and one

0:26:42.400 --> 0:26:45.479
<v Speaker 1>of the terms of the settlement allegedly because this has

0:26:45.520 --> 0:26:49.280
<v Speaker 1>never been publicly acknowledged, but as far as I can tell, UH,

0:26:49.440 --> 0:26:52.280
<v Speaker 1>one of the terms was that read Hastings would no

0:26:52.480 --> 0:26:56.600
<v Speaker 1>longer be allowed to tell his story that Netflix was

0:26:56.640 --> 0:27:01.160
<v Speaker 1>the creation that was inspired by a late fee from Blockbuster,

0:27:01.440 --> 0:27:04.080
<v Speaker 1>and it was around this time that if read Hastings

0:27:04.080 --> 0:27:08.199
<v Speaker 1>did tell that story, the identity of the video store

0:27:08.280 --> 0:27:11.320
<v Speaker 1>in question would no longer be a Blockbuster, but rather

0:27:11.560 --> 0:27:15.080
<v Speaker 1>a mom and pop video rental store in California that

0:27:15.160 --> 0:27:18.880
<v Speaker 1>had long since gone out of business. So uh, this

0:27:19.000 --> 0:27:25.200
<v Speaker 1>was another indication that that story of Netflix's origin was apocryphal.

0:27:25.600 --> 0:27:28.280
<v Speaker 1>Now I have a bit more to say about what

0:27:28.359 --> 0:27:32.640
<v Speaker 1>Netflix and Blockbuster did toward the end of the first

0:27:32.680 --> 0:27:35.520
<v Speaker 1>decade of two thousand, but first let's take a quick

0:27:35.560 --> 0:27:46.760
<v Speaker 1>break to thank our sponsor. In two thousand seven, on January,

0:27:47.600 --> 0:27:51.800
<v Speaker 1>Netflix announced it would launch a streaming video service online,

0:27:52.200 --> 0:27:55.720
<v Speaker 1>and the initial library was limited to one thousand titles.

0:27:56.320 --> 0:27:59.280
<v Speaker 1>So whenever you get on Netflix then you say there's

0:27:59.320 --> 0:28:02.240
<v Speaker 1>nothing to watch. Just imagine back when it was only

0:28:02.280 --> 0:28:05.320
<v Speaker 1>a thousand titles total. So why would you launch a

0:28:05.400 --> 0:28:08.679
<v Speaker 1>service with so few titles in the first place. The

0:28:08.720 --> 0:28:12.960
<v Speaker 1>general consensus was that Netflix's hand was sort of forced

0:28:13.040 --> 0:28:15.919
<v Speaker 1>because it was still trying to fight off Blockbuster, and

0:28:15.960 --> 0:28:20.080
<v Speaker 1>Blockbuster had launched a service called Total Access that ended

0:28:20.160 --> 0:28:26.040
<v Speaker 1>up being incredibly popular and was rapidly siphoning away customers

0:28:26.040 --> 0:28:28.359
<v Speaker 1>who would have signed up to Netflix and instead they

0:28:28.400 --> 0:28:31.200
<v Speaker 1>were signing up with Blockbuster. Now here's the funny thing.

0:28:31.520 --> 0:28:37.000
<v Speaker 1>Total Access was a hybrid DVD rental service, and it

0:28:37.040 --> 0:28:41.960
<v Speaker 1>was what Blockbuster Online was intended to be years earlier.

0:28:42.000 --> 0:28:45.000
<v Speaker 1>It was supposed to be this combination of online and

0:28:45.040 --> 0:28:48.760
<v Speaker 1>brick and mortar stores. UH. It was supposed to leverage

0:28:49.000 --> 0:28:55.560
<v Speaker 1>the strengths of Blockbuster along with this new online delivery

0:28:55.600 --> 0:28:59.400
<v Speaker 1>model and UH or at least online rental model, I

0:28:59.400 --> 0:29:03.120
<v Speaker 1>should say, because the the delivery was still in DVD format.

0:29:03.480 --> 0:29:05.880
<v Speaker 1>So here's how it was going to work. In fact,

0:29:05.960 --> 0:29:08.360
<v Speaker 1>here's how it did work. If you signed up for

0:29:08.400 --> 0:29:12.560
<v Speaker 1>the service, then you could create a queue very similar

0:29:12.600 --> 0:29:16.040
<v Speaker 1>to what you would do on Netflix of different movies

0:29:16.080 --> 0:29:19.320
<v Speaker 1>you wanted to watch, and based upon the level that

0:29:19.400 --> 0:29:22.120
<v Speaker 1>you had subscribed to, you would get a number of

0:29:22.240 --> 0:29:25.600
<v Speaker 1>DVDs from that queue sent to you. After you watched it,

0:29:25.760 --> 0:29:28.280
<v Speaker 1>you could do one of two things. You could PLoP

0:29:28.600 --> 0:29:32.000
<v Speaker 1>the the viewed DVD back into an envelope and mail

0:29:32.040 --> 0:29:34.920
<v Speaker 1>it back to Blockbuster, whereupon, once it was processed, they

0:29:34.920 --> 0:29:37.480
<v Speaker 1>would send you the next one on your list. Or

0:29:37.920 --> 0:29:41.560
<v Speaker 1>you could actually take that DVD and return it to

0:29:41.640 --> 0:29:44.200
<v Speaker 1>a Blockbuster store. And if you return it to a

0:29:44.240 --> 0:29:47.960
<v Speaker 1>Blockbuster store, that DVD would also act as if it

0:29:47.960 --> 0:29:52.040
<v Speaker 1>were a free rental coupon. You could immediately rent any

0:29:52.080 --> 0:29:56.800
<v Speaker 1>movie in that Blockbuster store for free, and meanwhile, the

0:29:56.800 --> 0:30:01.320
<v Speaker 1>Blockbuster store would scan in your return, which would immediately

0:30:01.960 --> 0:30:06.000
<v Speaker 1>indicate to the distribution center to send you the next

0:30:06.080 --> 0:30:08.800
<v Speaker 1>movie on your queue. So not only were you getting

0:30:08.800 --> 0:30:11.080
<v Speaker 1>a free rental that didn't have to be on your

0:30:11.120 --> 0:30:13.600
<v Speaker 1>queue at all, the next movie under queue, at least

0:30:13.640 --> 0:30:16.520
<v Speaker 1>the next available movie on your queue, would then get

0:30:16.520 --> 0:30:21.240
<v Speaker 1>sent to you. So this was a very attractive proposition.

0:30:21.360 --> 0:30:24.400
<v Speaker 1>It was something that Netflix could not offer because they

0:30:24.400 --> 0:30:28.400
<v Speaker 1>didn't have those brick and mortar stores and Blockbuster had that.

0:30:28.640 --> 0:30:32.600
<v Speaker 1>You know, that was an established, entrenched model for Blockbuster.

0:30:33.240 --> 0:30:36.920
<v Speaker 1>So this was an opportunity for Blockbuster to really put

0:30:36.960 --> 0:30:40.520
<v Speaker 1>the hurt on Netflix. Their service attracted more than two

0:30:40.560 --> 0:30:44.479
<v Speaker 1>million customers in just a few short months, uh and

0:30:44.640 --> 0:30:49.000
<v Speaker 1>it really posed another big threat to Netflix. Now, the

0:30:49.080 --> 0:30:53.200
<v Speaker 1>problem for Blockbuster was that the way they were pricing

0:30:53.200 --> 0:30:57.280
<v Speaker 1>this model was unsustainable. They could not do it indefinitely.

0:30:57.600 --> 0:31:03.120
<v Speaker 1>They were losing money on every transaction, especially since these

0:31:03.320 --> 0:31:08.160
<v Speaker 1>returned disks to the Blockbuster stores were resulting in free

0:31:08.200 --> 0:31:11.600
<v Speaker 1>rentals that took away the opportunity for the business to

0:31:11.680 --> 0:31:15.480
<v Speaker 1>rent that to someone else, so there was lost revenue.

0:31:15.960 --> 0:31:18.960
<v Speaker 1>It was seen as valuable in the sense that Blockbuster

0:31:19.080 --> 0:31:22.040
<v Speaker 1>was trying to catch up and overtake Netflix. But there

0:31:22.120 --> 0:31:24.680
<v Speaker 1>was no way it could keep doing this forever. So

0:31:24.760 --> 0:31:28.040
<v Speaker 1>the question was could Netflix stick around long enough to

0:31:28.800 --> 0:31:33.200
<v Speaker 1>outlast Blockbusters attempt to run them out of business. John

0:31:33.240 --> 0:31:35.920
<v Speaker 1>Antiocho would not get the chance to find out this answer.

0:31:35.960 --> 0:31:38.960
<v Speaker 1>He was the CEO of Blockbuster at that time, but

0:31:39.120 --> 0:31:43.200
<v Speaker 1>he had a really big fight with Carl Icon, who

0:31:43.280 --> 0:31:49.760
<v Speaker 1>owned a significant percentage of Blockbuster and controlled the vote

0:31:49.960 --> 0:31:53.760
<v Speaker 1>of a lot of shareholders in Blockbuster and had a

0:31:53.840 --> 0:31:57.880
<v Speaker 1>lot of power as a result. So Antiocho would resign

0:31:58.080 --> 0:32:03.720
<v Speaker 1>as CEO. Uh This was largely after a dispute he

0:32:03.800 --> 0:32:08.360
<v Speaker 1>had with the board of directors based on his bonuses

0:32:08.440 --> 0:32:12.240
<v Speaker 1>that he had earned that year he was those bonuses

0:32:12.240 --> 0:32:15.480
<v Speaker 1>were cut in half despite an agreement that had been

0:32:16.480 --> 0:32:19.960
<v Speaker 1>arrived at earlier in the year. So he leaves and

0:32:20.000 --> 0:32:23.080
<v Speaker 1>the news incoming CEO was a guy named James Keys.

0:32:23.400 --> 0:32:26.160
<v Speaker 1>I talked all about this in the Blockbuster episodes, but

0:32:26.320 --> 0:32:29.120
<v Speaker 1>Keys wanted to refocus on the brick and mortar stores

0:32:29.200 --> 0:32:33.120
<v Speaker 1>and he saw the online stuff as being unnecessary and distracting,

0:32:33.640 --> 0:32:38.480
<v Speaker 1>and it was a huge blow to Blockbusters strategy that

0:32:38.720 --> 0:32:41.320
<v Speaker 1>was actually working, at least in the sense that it

0:32:41.440 --> 0:32:45.960
<v Speaker 1>was having a big impact on Netflix's business, so pretty much,

0:32:46.200 --> 0:32:50.960
<v Speaker 1>Keys is a rival at Blockbuster, spelled the eventual doom

0:32:51.120 --> 0:32:55.400
<v Speaker 1>of Blockbuster Online, and ultimately you could argue the company

0:32:55.440 --> 0:32:59.120
<v Speaker 1>as a whole. So when Hastings announced that they were

0:32:59.120 --> 0:33:02.000
<v Speaker 1>going to do this inner streaming service, some people were

0:33:02.000 --> 0:33:05.840
<v Speaker 1>skeptical that it would ever succeed because there are people

0:33:05.840 --> 0:33:07.840
<v Speaker 1>who are saying, who the heck wants to watch a

0:33:07.920 --> 0:33:10.280
<v Speaker 1>movie on a small screen? Who wants to watch a

0:33:10.320 --> 0:33:14.000
<v Speaker 1>movie on their laptop or on a desktop or on

0:33:14.080 --> 0:33:17.040
<v Speaker 1>a portable device when they have a big screen television

0:33:17.120 --> 0:33:20.320
<v Speaker 1>and home theater sound system. Because the prevailing wisdom at

0:33:20.320 --> 0:33:23.640
<v Speaker 1>the time was that the quality of the experience mattered

0:33:23.680 --> 0:33:27.400
<v Speaker 1>more than the convenience. But we've seen time and time

0:33:27.400 --> 0:33:30.360
<v Speaker 1>again that convenience matters a whole lot. I mean, the

0:33:30.480 --> 0:33:36.800
<v Speaker 1>MP three compression format proves convenience matters a lot because

0:33:36.800 --> 0:33:40.720
<v Speaker 1>a lot of people are willing to listen to formats

0:33:40.720 --> 0:33:44.040
<v Speaker 1>that are lossy, that where you literally lose information you

0:33:44.080 --> 0:33:48.360
<v Speaker 1>don't have the full sound file represented there, and they're

0:33:48.360 --> 0:33:51.120
<v Speaker 1>willing to do it because the convenience of the form

0:33:51.200 --> 0:33:57.080
<v Speaker 1>factor was more than it seemed to compensate for the

0:33:57.720 --> 0:34:01.520
<v Speaker 1>decline in quality the streaming form at would essentially prove

0:34:01.640 --> 0:34:04.000
<v Speaker 1>the same sort of thing, but for video. And one

0:34:04.040 --> 0:34:06.920
<v Speaker 1>thing that would really help Netflix in the long term

0:34:07.040 --> 0:34:10.520
<v Speaker 1>would also debut later in two thousand seven. That would

0:34:10.520 --> 0:34:15.200
<v Speaker 1>be Apple's iPhone. Now, the iPhone did not initially support video,

0:34:15.320 --> 0:34:18.799
<v Speaker 1>it did not natively support Netflix when it launched, but

0:34:18.920 --> 0:34:22.359
<v Speaker 1>it would create a new market for consumers, a new

0:34:22.480 --> 0:34:26.399
<v Speaker 1>category in the industry, which would be the consumer smartphone.

0:34:26.640 --> 0:34:29.600
<v Speaker 1>There were smartphones before the iPhone, but they were largely

0:34:29.640 --> 0:34:33.320
<v Speaker 1>the domain of business executives. But the iPhone made smartphones

0:34:33.360 --> 0:34:37.000
<v Speaker 1>more consumer friendly and attractive, and the form factor would

0:34:37.040 --> 0:34:40.319
<v Speaker 1>set the stage for mobile viewing of content. And it

0:34:40.320 --> 0:34:43.360
<v Speaker 1>would take some time before the iPhone would support video,

0:34:43.560 --> 0:34:47.640
<v Speaker 1>and more time for a Netflix app to be available,

0:34:48.320 --> 0:34:52.080
<v Speaker 1>but even more time for cellular technology to actually support

0:34:52.120 --> 0:34:55.240
<v Speaker 1>streaming video to a mobile device. But this was setting

0:34:55.239 --> 0:34:58.480
<v Speaker 1>the groundwork, and there's no doubt that the smartphone in

0:34:58.520 --> 0:35:02.560
<v Speaker 1>general helps submit streaming videos place. Two thousand and eight

0:35:02.960 --> 0:35:06.880
<v Speaker 1>was a great year for Netflix because Blockbuster Online was

0:35:07.000 --> 0:35:10.040
<v Speaker 1>essentially a non factor. Now they no longer really had

0:35:10.120 --> 0:35:15.480
<v Speaker 1>a competitor, at least in the online space. Um Blockbuster

0:35:15.640 --> 0:35:20.960
<v Speaker 1>had abandoned the total access service Keys had had argued

0:35:21.000 --> 0:35:24.360
<v Speaker 1>for that customers who had opted for Blockbuster over Netflix,

0:35:24.400 --> 0:35:28.239
<v Speaker 1>now we're coming back over to Netflix because Blockbuster no

0:35:28.320 --> 0:35:32.520
<v Speaker 1>longer had a product there. Netflix's instant streaming service was

0:35:32.600 --> 0:35:37.520
<v Speaker 1>gaining in popularity faster than even Hastings had anticipated. And

0:35:37.719 --> 0:35:42.319
<v Speaker 1>Hasting saw online video is belonging to three categories. You

0:35:42.320 --> 0:35:46.680
<v Speaker 1>would have the download category, where you purchase a piece

0:35:46.719 --> 0:35:49.360
<v Speaker 1>of content and you get to download it to a device,

0:35:49.680 --> 0:35:52.799
<v Speaker 1>and he said, Apple owns that space. We are not

0:35:53.080 --> 0:35:55.800
<v Speaker 1>going to be able to compete with Apple. That's their domain.

0:35:56.239 --> 0:35:59.560
<v Speaker 1>Then you had free user generated content which you would

0:35:59.560 --> 0:36:03.239
<v Speaker 1>watch in streaming format, and YouTube was clearly the destination

0:36:03.239 --> 0:36:04.960
<v Speaker 1>for that. So Netflix was not going to own that

0:36:05.080 --> 0:36:08.399
<v Speaker 1>space either. But Netflix could be the home of the

0:36:08.480 --> 0:36:11.840
<v Speaker 1>third branch of online video, which was a subscription based

0:36:11.960 --> 0:36:16.839
<v Speaker 1>service providing streaming premium content. And it was also two

0:36:16.840 --> 0:36:20.000
<v Speaker 1>thousand and eight when Netflix began a strategy that would

0:36:20.080 --> 0:36:23.800
<v Speaker 1>end up being incredibly successful. The company signed an agreement

0:36:23.880 --> 0:36:26.760
<v Speaker 1>with l G which was creating a set top box

0:36:27.120 --> 0:36:30.839
<v Speaker 1>with some smart TV capabilities. So the agreement meant that

0:36:30.920 --> 0:36:35.920
<v Speaker 1>Netflix is streaming software that video Player would get installed

0:36:36.080 --> 0:36:39.000
<v Speaker 1>directly onto the set top box. So it became a

0:36:39.120 --> 0:36:43.560
<v Speaker 1>native application on this hardware device, and it allowed customers

0:36:43.600 --> 0:36:47.200
<v Speaker 1>to watch their streaming content directly on their television sets

0:36:47.480 --> 0:36:50.240
<v Speaker 1>without having to hook up a PC to the entertainment system,

0:36:50.400 --> 0:36:52.400
<v Speaker 1>which was a barrier for a lot of people. For

0:36:52.440 --> 0:36:54.359
<v Speaker 1>a lot of people, the idea of trying to hook

0:36:54.440 --> 0:36:58.680
<v Speaker 1>up a computer to a television was intimidating. It didn't

0:36:58.680 --> 0:37:02.600
<v Speaker 1>seem as intuitive as setting up a cable box or VCR,

0:37:02.640 --> 0:37:05.400
<v Speaker 1>a DVD player some other set top bucks that was

0:37:05.440 --> 0:37:08.680
<v Speaker 1>made specifically for that purpose, and this marked the beginning

0:37:09.040 --> 0:37:11.759
<v Speaker 1>of a movement for Netflix to try and make sure

0:37:11.800 --> 0:37:15.239
<v Speaker 1>that it's video player was as was available on as

0:37:15.280 --> 0:37:19.200
<v Speaker 1>many different platforms as was possible. The idea was go

0:37:19.440 --> 0:37:23.399
<v Speaker 1>to where the people are, and the Roku box, which

0:37:23.400 --> 0:37:26.839
<v Speaker 1>followed later in that year was another big example. In fact,

0:37:27.160 --> 0:37:30.880
<v Speaker 1>Roku had started off as a fledgling company within Netflix itself.

0:37:30.920 --> 0:37:33.279
<v Speaker 1>It was incubated by Read Hastings and then a guy

0:37:33.360 --> 0:37:36.640
<v Speaker 1>named Anthony Wood, and the original Roku was a small

0:37:36.680 --> 0:37:39.080
<v Speaker 1>set top box that was easy to set up and

0:37:39.080 --> 0:37:42.400
<v Speaker 1>would give customers access to more than ten thousand movie titles,

0:37:42.680 --> 0:37:46.600
<v Speaker 1>mostly through Netflix, and all it required to access those

0:37:46.640 --> 0:37:50.640
<v Speaker 1>would be a Netflix subscription, so it was very intuitive

0:37:50.640 --> 0:37:52.279
<v Speaker 1>to use, it was easy to set up, it was

0:37:53.320 --> 0:37:56.080
<v Speaker 1>so it was reasonably priced, and it was a very

0:37:56.160 --> 0:38:01.319
<v Speaker 1>popular uh uh electronic divi ice in two thousand eight,

0:38:01.360 --> 0:38:05.120
<v Speaker 1>and so much so that they sold out frequently and

0:38:05.160 --> 0:38:07.920
<v Speaker 1>would have to you know, restock and go through another

0:38:07.960 --> 0:38:11.839
<v Speaker 1>manufacturing run several times in order to meet demand. That

0:38:11.920 --> 0:38:14.520
<v Speaker 1>was followed by Netflix being included as a service you

0:38:14.560 --> 0:38:18.799
<v Speaker 1>could access through Microsoft's Xbox three sixt console that was

0:38:18.840 --> 0:38:22.040
<v Speaker 1>announced at E three and two thousand eight, So again

0:38:22.080 --> 0:38:24.560
<v Speaker 1>it was about get in front of people where the

0:38:24.560 --> 0:38:28.520
<v Speaker 1>people are. Those deals open up more opportunities with hardware manufacturers,

0:38:28.840 --> 0:38:32.920
<v Speaker 1>from Blu ray players to smart TV companies, to laptops

0:38:32.920 --> 0:38:35.440
<v Speaker 1>to mobile devices. So from two thousand eight to two

0:38:35.480 --> 0:38:40.000
<v Speaker 1>thousand eleven, Netflix would end up being incorporated directly into

0:38:40.080 --> 0:38:45.200
<v Speaker 1>two hundred different Internet enabled devices, so it really was everywhere.

0:38:45.960 --> 0:38:49.000
<v Speaker 1>In two thousand eight, Hastings decided to get rid of

0:38:49.040 --> 0:38:53.680
<v Speaker 1>that profile's feature that he had resisted a few years earlier,

0:38:54.120 --> 0:38:58.440
<v Speaker 1>and there was considerable backlash among Netflix users at that announcement,

0:38:58.760 --> 0:39:02.440
<v Speaker 1>so in a rare remove, Netflix would actually reverse course

0:39:02.719 --> 0:39:05.760
<v Speaker 1>and reinstate the feature about a week and a half

0:39:05.800 --> 0:39:08.760
<v Speaker 1>after they took it out, at least for the time being.

0:39:09.120 --> 0:39:11.919
<v Speaker 1>They would remove it again a couple of years later.

0:39:12.440 --> 0:39:15.160
<v Speaker 1>As two thousand eight came to a close. The United

0:39:15.200 --> 0:39:20.399
<v Speaker 1>States was entering a recession, but that actually helped Netflix.

0:39:20.760 --> 0:39:23.360
<v Speaker 1>So how could that be? While people were turning to

0:39:23.440 --> 0:39:28.840
<v Speaker 1>Netflix as a source of affordable entertainment compared to going

0:39:28.840 --> 0:39:31.400
<v Speaker 1>out to the movies or going to an expensive restaurant.

0:39:31.640 --> 0:39:33.600
<v Speaker 1>You could stay in and you could watch Netflix, you

0:39:33.600 --> 0:39:36.120
<v Speaker 1>could order a pizza. The fact that you could get

0:39:36.160 --> 0:39:40.160
<v Speaker 1>Netflix on so many different devices with the streaming service,

0:39:40.239 --> 0:39:43.640
<v Speaker 1>coupled with the fact that you could still rent DVDs

0:39:43.920 --> 0:39:47.719
<v Speaker 1>through their online service gets sent through the mail. All

0:39:47.760 --> 0:39:50.400
<v Speaker 1>of that was still around two and meant that Netflix

0:39:50.480 --> 0:39:54.120
<v Speaker 1>was in a pretty strong position despite the recession. So

0:39:54.200 --> 0:39:57.600
<v Speaker 1>the battle with Blockbuster was pretty much over. By mid

0:39:57.600 --> 0:40:01.360
<v Speaker 1>two thousand eight. They were already removed rumors that Blockbuster

0:40:01.480 --> 0:40:03.920
<v Speaker 1>was going to have to declare bankruptcy. That would not

0:40:04.080 --> 0:40:09.160
<v Speaker 1>happen until but at that point, Netflix had sort of

0:40:09.239 --> 0:40:13.600
<v Speaker 1>changed it's it's crosshairs. They no longer consider Blockbuster to

0:40:13.640 --> 0:40:18.080
<v Speaker 1>be their big threat. Now their biggest competitor, according to Hastings,

0:40:18.280 --> 0:40:20.799
<v Speaker 1>was red Box, which, of course was founded by a

0:40:20.840 --> 0:40:27.959
<v Speaker 1>former Netflix executive, and they also we're running into more

0:40:28.000 --> 0:40:31.640
<v Speaker 1>problems between movie studios and television studios. A lot of

0:40:31.640 --> 0:40:37.400
<v Speaker 1>those companies resented Netflix's dominant position in online delivery, and

0:40:37.480 --> 0:40:42.120
<v Speaker 1>before long, new digital services would soon arise to challenge

0:40:42.160 --> 0:40:46.480
<v Speaker 1>Netflix in that arena, and Netflix itself would also make

0:40:46.680 --> 0:40:50.880
<v Speaker 1>some pretty notable mistakes in the next couple of years,

0:40:50.920 --> 0:40:54.000
<v Speaker 1>some of which would end up being the basis for

0:40:54.200 --> 0:40:59.440
<v Speaker 1>some some extensive jokes at Netflix's expense. So in our

0:40:59.480 --> 0:41:02.520
<v Speaker 1>next episod, we'll look at how Netflix transitioned to focus

0:41:02.600 --> 0:41:07.520
<v Speaker 1>primarily on streaming and and the DVD became a less

0:41:07.600 --> 0:41:10.959
<v Speaker 1>important part of its business, and how a little move

0:41:11.040 --> 0:41:15.360
<v Speaker 1>called quickxter blew up and read Hastings face. That wraps

0:41:15.480 --> 0:41:18.160
<v Speaker 1>up this episode. However, if any of you out there

0:41:18.200 --> 0:41:20.799
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0:41:20.800 --> 0:41:23.120
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0:41:23.200 --> 0:41:25.680
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0:41:25.840 --> 0:41:28.480
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0:41:28.520 --> 0:41:30.880
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0:41:31.080 --> 0:41:35.120
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0:41:35.160 --> 0:41:37.520
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