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Speaker 1: Hello, everyone, it is your friends here at I saw

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Speaker 1: what you did. It's a bonus episode. Hey Daniel, what's up? So? Yeah,

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Speaker 1: how many have we done? This is like our third

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Speaker 1: or fourth that feels this is our fourth one, our

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Speaker 1: fourth maybe. Yeah. We got an amazing response from the

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Speaker 1: last one, which was the one that was all about

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Speaker 1: you and getting to know you. Everybody now knows that

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Speaker 1: you were chased by a bear, which was really great.

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Speaker 1: The thing that changed in between that episode in this

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Speaker 1: episode is that actually, your book is officially available for

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Speaker 1: pre order. It has a cover. It's like you're you're

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Speaker 1: a little baby girl on the cover. It's so great.

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Speaker 1: Do you want to talk about it a little bit,

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Speaker 1: like when it's coming out?

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Speaker 2: And yeah, my book is called The Ugly Cry. It's

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Speaker 2: a memoir about my life up to age eighteen, and

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Speaker 2: it comes out on June eighth, and it's available for

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Speaker 2: pre order now, which actually helps more than I thought.

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Speaker 2: Like I don't know a lot about the business end

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Speaker 2: of a lot of the things I do for a living,

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Speaker 2: but I do now know that pre ordering helps a ton,

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Speaker 2: and it also helps independent bookstores so they can make

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Speaker 2: a case for kind of like you know, ordering keeping

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Speaker 2: it on the shelves or you know, so definitely if

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Speaker 2: you want to get your orders in early, it's much appreciated,

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Speaker 2: but especially if you order from independent bookstores, it's very appreciated.

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Speaker 2: The impact is like direct and immediate.

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Speaker 1: Yes, I shall find h independent bookstore in this town

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Speaker 1: that I'm this god forsaken town and I'm in.

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Speaker 2: You'd be great if I didn't send you a copy,

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Speaker 2: I'll find it.

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Speaker 1: See. This is okay, this is That's the thing that

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Speaker 1: all of y'all think is going on, which is that

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Speaker 1: I'm gonna too my own horn here for a second.

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Speaker 1: I got a lot of friends that do a lot

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Speaker 1: of great shit. Okay, they're out there publishing books, They're

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Speaker 1: out there releasing albums. They're out there, like you know,

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Speaker 1: I don't know, Like do I have friends that are

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Speaker 1: in the Olympics. I don't know. But anyway, the bottom

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Speaker 1: line is that like everybody's like, oh, she must get

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Speaker 1: comped all this stuff. No, I go out and actually purchase.

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Speaker 1: I make the purchases. I buy the I'm not calling

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Speaker 1: people the less mean and be like, yo, can you

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Speaker 1: get me on the guest list for the show? I'm like, no,

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Speaker 1: just buy a ticket. I'm a grown out the way the.

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Speaker 2: Same way we connect on that level. But I'm I'm like, look,

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Speaker 2: I'm gonna buy one. If you want to send me one,

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Speaker 2: that's fine, but I'm gonna support you. Yes, like it's

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Speaker 2: up to you, but like it's not the expectation of

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Speaker 2: the getting it for free from my friends who are

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Speaker 2: doing cool shit, like let me support your fucking book.

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Speaker 2: Let me buy your shit. And if you want to

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Speaker 2: send me one, great, put a recipe in it. I

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Speaker 2: don't care. Cut out a recipe from a cracker box,

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Speaker 2: jam it in the book and send it to me.

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Speaker 1: That will be my bookmark for your book. It's like

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Speaker 1: a geara Deli chocolate chip cookie recipe that was cut

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Speaker 1: out from the back of a bag that has chocolate

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Speaker 1: smears on it, and I'll just it's weird fucking be

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Speaker 1: like I'm on chapter twelve. What I can't read it

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Speaker 1: because there's chocolate all over it? But at least I

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Speaker 1: clipped a recipe from a bag.

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Speaker 2: Like what's this word? I can't read it because it's

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Speaker 2: smeared with chocolate. I will laminate that for you. I

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Speaker 2: will laminate that chocolate book mark.

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Speaker 1: I will do it well. Speaking of childhood. Yeah, that's

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Speaker 1: a perfect segue to what this episode is going to

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Speaker 1: be about ultimately, which is that Danielle and I were

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Speaker 1: talking about movies. Hey, that's weird, and we were like,

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Speaker 1: wouldn't it be fun to sort of discuss movies that

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Speaker 1: we liked in high school? And uh, you know, just

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Speaker 1: maybe it's just sort of a reference point for the

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Speaker 1: things that we were into when we were in high school,

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Speaker 1: but also just as a way to kind of like

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Speaker 1: put some more movie stuff up on the bonus episode page.

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Speaker 1: And also we don't want to necessarily be as formal

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Speaker 1: as we do on the regular feeds, so it'll just

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Speaker 1: be like a cool hang talking about movies. I think

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Speaker 1: we're picking like five a piece, four piece, five apiece.

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Speaker 1: If that deviates, then don't sue us. But you know, yeah,

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Speaker 1: I just think we.

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Speaker 2: Do because I want to see that that lawsuit in

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Speaker 2: front of a judge, Like they said five and these

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Speaker 2: motherfuckers did eight movies each. I did not carve out

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Speaker 2: that kind of time in the day.

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Speaker 1: I am lititious as fuck right now, and I'm rare

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Speaker 1: to go. So you went to high school in upstate

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Speaker 1: New York. Was there a lot of movie theaters where

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Speaker 1: you were at.

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Speaker 2: We were lucky to be surrounded by other towns, Like

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Speaker 2: it's pretty easy. I know some places where people live

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Speaker 2: it's like very sparse, and it's like, all right, if

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Speaker 2: I live here, the next town isn't till like forty

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Speaker 2: minutes away. So we were surrounded by a bunch of towns.

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Speaker 2: There was a big movie theater in Middletown that was

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Speaker 2: kind of like your mall movie theater with the you know,

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Speaker 2: the apex of the nice seats and the good popcorn.

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Speaker 2: But we also had a bunch of like just dumpy

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Speaker 2: little ones that were just kind of still chuck trucking along,

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Speaker 2: and like there was one in a mini mall or

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Speaker 2: like a strip mall that I always loved in Chester.

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Speaker 2: And we also, I'm very lucky that in Warwick and

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Speaker 2: it's still running, still going. We had a drive in yeah,

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Speaker 2: nice in my town, so it wasn't like we had

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Speaker 2: to travel there to go. We just like went two

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Speaker 2: minutes down the road and there's a drive in movie theater.

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Speaker 2: So there were weirdly movies all around us. And I

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Speaker 2: also had that strange, like a really strange experience where

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Speaker 2: we were we were close to New York. So people

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Speaker 2: would occasionally film in my town because my town is

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Speaker 2: like very old looking, so they would film on Main

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Speaker 2: Street and you know, all kind of shit. But what

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Speaker 2: about you, because you grew up right around Atlanta, Yeah,

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Speaker 2: north side, north Side, So what was it like for

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Speaker 2: movies there?

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Speaker 1: It was kind of the same bag. I mean, it

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Speaker 1: was like a lot of chain, you know. I guess

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Speaker 1: there wasn't really, there was no like Regal. It was

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Speaker 1: I think AMC maybe. But then, and this is the

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Speaker 1: thing that I was ultimately getting to with asking you

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Speaker 1: that question, because did you ever go see first run movies?

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Speaker 1: Like in it?

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Speaker 2: Like?

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Speaker 1: I never went, like maybe once in a while as

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Speaker 1: a treat with my friends. And at the time, a

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Speaker 1: first run movie costs four dollars and twenty five cents,

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Speaker 1: and even then I was like, I can't afford that,

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Speaker 1: Like my parents were like, oh, hell no. So did

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Speaker 1: you go to first run movies a lot? I don't

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Speaker 1: really remember going.

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Speaker 2: I strangely did, And I actually have a bag of

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Speaker 2: ticket stubs that I've saved that I looked through the

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Speaker 2: other day. But I did because I started getting an

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Speaker 2: allowance when I was in sixth grade, so I guess

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Speaker 2: around what is that? Like like a twelve, Like I'd

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Speaker 2: lived with my grandparents for a year and they kept

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Speaker 2: asking me to do shit around the house. And I'm like, yo,

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Speaker 2: nobody else I know does any of this, and if

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Speaker 2: they do, they get an allowance. And my grandmother's like,

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Speaker 2: all right, cool, I see you, and I raise you a.

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Speaker 2: You are going to wash the floors on your fucking

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Speaker 2: hands and knees. You're gonna do dishes, You're gonna take

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Speaker 2: out the garbage. You're gonna wash the drapes.

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Speaker 1: Oh god, that's that's a terrible task. Drapes are so heavy.

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Speaker 2: They're so heavy, And like I would do that for

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Speaker 2: the grand sum of twenty dollars a month. Oh my god,

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Speaker 2: twenty dollars a fucking month. And I remember when I

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Speaker 2: was in seventh grade, I got bumped up to ten

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Speaker 2: dollars a week, and then I got bumped up to

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Speaker 2: twenty dollars, and then I got a job. By the

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Speaker 2: time I was in high school, it was like, oh,

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Speaker 2: I've gotten a couple of raises. But that was because

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Speaker 2: she would not pay for any entertainment, so she wasn't

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Speaker 2: out here paying for CDs, cassettes, movies. She's like, if

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Speaker 2: you want to go to that shit, when your little

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Speaker 2: friends come and take you to the mall and you

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Speaker 2: go to the mall with their parents, you pay for it.

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Speaker 2: She wasn't paying for like jeans, She wasn't paying for

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Speaker 2: anything above and beyond what was like the bare minimum

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Speaker 2: to take care of me, to keep me out of CPS.

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Speaker 2: Like that was her jam. So I did, like, if

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Speaker 2: I went, I pay for it myself.

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Speaker 1: That's great. Yeah. I never I never saw first run movies.

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Speaker 1: And the funny thing is is my parents actually loved

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Speaker 1: to go to the movies, but they only took us

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Speaker 1: to the dollar movie theater because they were extremely cool. Well,

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Speaker 1: you had one girl, We had not only a dollar

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Speaker 1: movie theater, we had a fifty cent movie theater.

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Speaker 2: See if that was even available, that would have been

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Speaker 2: the jam. I'm like, why would I spend more money

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Speaker 2: on this when I couldn't even spending it on something else?

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Speaker 2: That's great.

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Speaker 1: Yeah, there was a place called Blackwell Cinema that was

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Speaker 1: down the street from where I lived. Pretty sure it

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Speaker 1: was a porno theater at one point, as most fifty

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Speaker 1: cent movie theaters usually are. It was like a like

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Speaker 1: a real tiny two theater. It looked like a black

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Speaker 1: box theater that like experimental theater people would hang out at.

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Speaker 1: It was not it was barely a screen, but fifty

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Speaker 1: cents and we went all the time. And but then

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Speaker 1: the point being is that I didn't see movies until

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Speaker 1: months and months and months after they came out, so

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Speaker 1: I was always late to the party. And then yeah,

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Speaker 1: there was a couple of times I went to see

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Speaker 1: like the four dollars and twenty five cent movie, and

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Speaker 1: it was usually a big event, like right, you know,

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Speaker 1: when something that like my entire school was going to

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Speaker 1: go see, then maybe that was the thing, like when

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Speaker 1: I don't I can't even now, I can't even recall

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Speaker 1: a movie that came out that like my entire high

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Speaker 1: school loved. To me, being in high school was all

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Speaker 1: about going to the dollar movie theater, a fifty cent

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Speaker 1: movie theater, and also renting VHS tapes, which is that

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Speaker 1: was it essentially how I saw all these films that

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Speaker 1: we're going to talk about today is that I actually

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Speaker 1: don't think I saw any of them in the movie theater.

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Speaker 1: I saw them all on BHS, So.

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Speaker 2: I think I saw one of these in the movie theater.

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Speaker 2: But VHS for sure. And my grandmother, for some reason,

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Speaker 2: she was she was not shelling out for much, but

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Speaker 2: she always paid for HBO. So a lot of these

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Speaker 2: movies were things that they just played over and over

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Speaker 2: and over again throughout my youth, like truly, and then

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Speaker 2: if you didn't catch it on HBO and you didn't

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Speaker 2: record it onto your own videotape from HBO, then you

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Speaker 2: wouldn't see it again for like years until I came

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Speaker 2: out on it, you know, until it came out and

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Speaker 2: you were able to rent it again.

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Speaker 1: Yeah, Okay, So having said all of this, I'm just curious, like,

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Speaker 1: what's your first film? A film that you loved in

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Speaker 1: high school?

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Speaker 2: This is going to be such an embarrassing episode, but

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Speaker 2: you know what, it's who who I am? It's who

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Speaker 2: I was not even ranking these because they all hold

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Speaker 2: the same amount of importance.

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Speaker 1: Yeah in my brain, say, let's just say that for

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Speaker 1: to begin, like, these are in no particular order. They

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Speaker 1: will not be chronological. They're just kind of like the

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Speaker 1: one we've just chosen five and we're just gonna we're

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Speaker 1: just gonna riff on them.

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Speaker 2: We're not we're not.

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Speaker 1: Being there's no formality to this at all. I'm not

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Speaker 1: gonna give you a fucking sleeping pill asque history of

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Speaker 1: the fucking production or the director. We're literally just gonna riff.

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Speaker 2: So well, I'm riffing on this one. And the first

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Speaker 2: movie that I loved so much in high school, and

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Speaker 2: I actually I haven't watched it recently. I would be

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Speaker 2: hard pressed to say if it woodor wouldn't hold up

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Speaker 2: is Mad House with John Leriquette and Chris Kirsey Alley.

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Speaker 2: What are you talking about?

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Speaker 1: I am talking about House Guests from.

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Speaker 2: Hell John Rokett, released in nineteen ivy. This movie was

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Speaker 2: the funniest thing to me in the world when it

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Speaker 2: first came out. And it's essentially about this couple who

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Speaker 2: keeps having people move into their house like one by one,

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Speaker 2: and then like truly, all hell breaks loose. There's like

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Speaker 2: a cat who keeps dying and coming back. There's a

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Speaker 2: neighbor kid who's the neighbors end up having to move

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Speaker 2: in in like the weirdest possible way. It is a

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Speaker 2: movie based purely in chaos. But John Larrickett was so

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Speaker 2: funny to me when I was a kid, Like he

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Speaker 2: was on nightcore and like I just thought he was

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Speaker 2: such a funny fucking dude.

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Speaker 1: John Larrickett was a star, and then John.

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Speaker 2: Larricktt I forgot what he was in something recently that

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Speaker 2: I was like, I'm not recent, not like this year,

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Speaker 2: but he was in something within the last couple of

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Speaker 2: years that I was just like, he's pretty good actor too,

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Speaker 2: Like he was just he filled a role in the

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Speaker 2: eighties and nineties, but he's also a pretty good actor,

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Speaker 2: I gotta say, yeah, and very attractive to me.

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Speaker 1: But I was a child, yeah, I mean kind of

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Speaker 1: like a silent killer man like he was like, I mean,

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Speaker 1: of course now they they wring this sponge out until

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Speaker 1: there's no water in it. But like a comedic guy

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Speaker 1: who is kind of sacredly hot. I mean, that's like

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Speaker 1: the best, right, But of course, now that's like every actor.

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Speaker 1: Every hot guy has to be funny. Every funny guy

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Speaker 1: has to be hot. Yeah, John Leer, Kentman and Curst.

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Speaker 1: I mean, I don't even know if we should.

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Speaker 2: I mean, this is pre I guess I should add

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Speaker 2: that this is pre Kirsty ally popping off on like

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Speaker 2: that scientology, like super conservative bent. This is this is

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Speaker 2: pre that. And she was funny because she's a really

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Speaker 2: good funny crier. Yeah, and she like weeps throughout this movie.

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Speaker 1: I remember some of those shops from Look Who's Talking?

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Speaker 1: I remember she cried a lot on that movie. So funny.

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Speaker 2: Have you ever seen Mad House?

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Speaker 1: I've never seen Mad House.

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Speaker 2: I wouldn't even say it's good. It's hilarious and it

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Speaker 2: hit me at a certain point in my life that

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Speaker 2: made me. It endeared itself to me forever. And I

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Speaker 2: watched it like.

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Speaker 1: Ninety times good.

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Speaker 2: I've seen it so many times. It was always on

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Speaker 2: HBO or Showtime. But what is your first movie that

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Speaker 2: you loved in high school?

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Speaker 1: So this is gonna be potentially embarrassing, but I'm just

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Speaker 1: gonna say it. One of the movies that I really

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Speaker 1: enjoyed in high school is this movie called Untamed Heart

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Speaker 1: from ninety He doesn't make sense. I don't make them

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Speaker 1: together when it makes sense speaking of marissas Toby.

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Speaker 2: I'm laughing because I have two Christian Slater movies on

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Speaker 2: my list.

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Speaker 1: Can go for it. I need to explain myself a

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Speaker 1: little bit because the number of times that I've seen

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Speaker 1: this movie is appalling. I've seen Untamed Heart like maybe

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Speaker 1: we're like in we're definitely in the double digits, maybe

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Speaker 1: in like the twenties, like it's I've seen it quite

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Speaker 1: a few times. In fact, I remember Untamed Heart was

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Speaker 1: the last DVD that I ever bought at a Blockbuster Video.

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Speaker 1: Oh my yes, which was it was actually later than

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Speaker 1: you would think. I didn't buy the DVD in high school.

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Speaker 1: I only rented it. In fact, I readed the vhs

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Speaker 1: in high school. I bought the DVD in college.

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Speaker 2: You're like, look, I need this in every format going forward.

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Speaker 1: So stupid. I yeah. I ran down the street I

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Speaker 1: was living. I was actually living on my own at

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Speaker 1: the time in Atlanta, and there was a Blockbuster that

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Speaker 1: was like behind my apartment. And I remember like I

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Speaker 1: for some reason had this like deep yearning to rewatch

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Speaker 1: Untamed Heart because I loved it so much in high school.

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Speaker 1: So I ran down the street, ran to Blackbuster Video.

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Speaker 1: I bought the unopen and DVD wasn't even used. It

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Speaker 1: was brand new, which meant it costs like thirty nine

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Speaker 1: ninety nine or something for standard deaf right. And I

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Speaker 1: remember the guy that checked me out was this like

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Speaker 1: guy that I sort of knew and I thought was

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Speaker 1: like kind of cute but I didn't really know him,

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Speaker 1: and I was just like, yeah, he was just like

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Speaker 1: a nice choice, even.

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Speaker 2: Though back in the day when even Blockbusters, when even

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Speaker 2: Blockbuster employees would throw shade.

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Speaker 1: Basically, if you haven't heard about this movie, it's essentially

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Speaker 1: a movie where Marisa Tomei works at a diner and

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Speaker 1: she meets like the dishwasher of the diner, and it's

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Speaker 1: Christian Slater, and she finds out that he has had

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Speaker 1: heart surgery and he was told as a child that

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Speaker 1: he got a bab boon heart and put in his body.

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Speaker 1: From I swear to god, I don't it was like

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Speaker 1: some kind of Safari African themed thing. It was that

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Speaker 1: was very unclear to me.

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Speaker 2: But also like they never disabused him of that notion.

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Speaker 2: Like he's an adult now with a job and he's

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Speaker 2: still going around telling people like I got a bat

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Speaker 2: boon heart.

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Speaker 1: Yeah, And this is the part where I'm a little unclear. Now.

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Speaker 1: I don't know what his vibe was, to be honest,

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Speaker 1: I don't know if it was that he had some

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Speaker 1: kind of mental illness or something like where he really

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Speaker 1: truly believed it, or he was just kind of made

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Speaker 1: to be this like sensitive guy.

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Speaker 2: I can't totally imagining this scene from this movie. This

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Speaker 2: is this is the plight of straight women for ages

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Speaker 2: like I am just working my goddamn Beth. I'm working

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Speaker 2: my ass off on my feet all fucking day serving food.

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Speaker 2: My crush is on a dishwasher who seems like he

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Speaker 2: could be kind of cool, and then he starts talking

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Speaker 2: to me about a fucking bab boon heart and I

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Speaker 2: just got to run with it.

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Speaker 1: But this movie has fucked me up for the rest

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Speaker 1: of my life. And here's why, because you're made to

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Speaker 1: feel like, oh, Christian Slater is this like little boy.

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Speaker 1: He believes he's got a baboon heart. His heart might

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Speaker 1: fail at any time. He is like on the precipice

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Speaker 1: of like something, and he's the sensitive, wounded, little baby angel,

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Speaker 1: And how could you not want to just take his

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Speaker 1: broken bird wing into your hands and just fix him.

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Speaker 2: I'm gonna throw my hat in the ring here, just again,

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Speaker 2: knowing knowing what's on my own list. I'm gonna throw

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Speaker 2: my hat in the ring here and say that Christian

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Speaker 2: Slater was probably single handedly responsible for fucking us up

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Speaker 2: when it came to tropes for straight men in the nineties,

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Speaker 2: because every movie he made was a different version of like, Nope,

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Speaker 2: not this guy, stay away from him, but they made

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Speaker 2: us love him shit ahead of him. Every single movie

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Speaker 2: of his should have come with a fucking warning, and

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Speaker 2: none of them did.

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Speaker 1: You are absolutely one hundred percent right. Rosie Perez is

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Speaker 1: my favorite part of this movie. Russus, tom and Rose

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Speaker 1: Press are bfafs. They were come the diner together, and Rossie,

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Speaker 1: like Marissa Tomay, tells her like I'm in love and

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Speaker 1: I can't wait to tell you who it is. And

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Speaker 1: Rosa Press is like who, and she's like Adam, and

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Speaker 1: Rosa Prez just goes Adam like.

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Speaker 2: Adam, But you need that friend. You need that friend

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Speaker 2: who's gonna check you and be like, I know you're

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Speaker 2: here all day, every day, and so options are limited

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Speaker 2: and you kind of love who you see, but not

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Speaker 2: this dude.

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Speaker 1: Well, and to be fair, Christian Slater's character Adam technically

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Speaker 1: saves Marissa Tomey from like a murder, rape assaults, which

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Speaker 1: I guess is like, you know, the way that they bond,

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Speaker 1: But then beyond that, you would spend five minutes with

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Speaker 1: him and be like, all right, this guy really truly

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Speaker 1: believes he has a baboo and hart and maybe that's

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Speaker 1: a red flag.

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Speaker 2: Yeah, Like, we're cool to work together. Thanks for saving me.

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Speaker 2: I'm always gonna hold you in a special place in

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Speaker 2: my heart. Let's work together and like be bestiees. We'll

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Speaker 2: go out for a drink whenever. But that's it, man,

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Speaker 2: that's I don't need a trauma bond with your baboon heart.

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Speaker 1: Well, I meanless to say. I thought this was the

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Speaker 1: most romantic movie ever made, including Gone with the Wind,

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Speaker 1: better than Gone with the Wind, better than Romeo plus Juliet,

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Speaker 1: better than you Know, kind of pretty much anything. So

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Speaker 1: I this was my ideal romance as a child, and

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Speaker 1: I must simply ask you what your next your next

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Speaker 1: pick is, I'm.

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Speaker 2: Gonna pivot here to another Christians later, jam. Yes, this

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Speaker 2: was not only my one of my favorite movies in

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Speaker 2: high school, one of my favorite soundtracks. It was like

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Speaker 2: I wanted to start my own radio station. I started

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Speaker 2: doing zines on the back of this pump up the volume.

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Speaker 1: Yes, it's got a pirate radio station. Nobody knows who is.

396
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Speaker 2: I could be that anonymous nerd sitting across from you

397
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Speaker 2: when you turn room that he just looks way there

398
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Speaker 2: was nothing more appealing to me as a human being

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Speaker 2: at that moment in my life. And then the quiet

400
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Speaker 2: unseen person who is actually the coolest person in the school. Yeah,

401
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Speaker 2: that dynamic fucked me up for life because I'm like, oh, like,

402
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Speaker 2: the quiet ones are clearly the best ones.

403
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Speaker 1: Yah, you are absolutely right about this Christian Slider thing.

404
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Speaker 1: I'm like, come on.

405
00:21:16,040 --> 00:21:17,080
Speaker 2: Maybe we need to a theme.

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Speaker 1: Yeah, we're gonna have to do the same girl, Are

407
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Speaker 1: you kidding? We were already talked about him so much

408
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Speaker 1: and we're like, there's a through line here.

409
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Speaker 2: So in this movie, Christian Slater plays this high school

410
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Speaker 2: kid who runs his own pirate radio station from his

411
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Speaker 2: basement and he uses the moniker happy Harry hart On

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Speaker 2: for his like radio name, which is so edgy, and

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Speaker 2: he basically just goes to the mic and kind of

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Speaker 2: like tells all the kids while they're bullshit and like

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Speaker 2: why they suck and why this high school sucks. And

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Speaker 2: I was like, fucking yeah, like in high school, there's

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Speaker 2: nothing better to me than the notion that you can

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Speaker 2: even put people on their back foot like that. Yeah,

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Speaker 2: oh my god, And he falls in love like he's

420
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Speaker 2: got this this girl who kind of into him, and

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Speaker 2: it was so I forget the character's name now. Actually

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Speaker 2: Samantha Mathis though was the actress. Yeah, and she had

423
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Speaker 2: a kind of cool little career for a while. She

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Speaker 2: was in that movie with River Phoenix and right like

425
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Speaker 2: that country movie. But there was just something that was

426
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Speaker 2: so like radical and dynamic to me about this whole concept,

427
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Speaker 2: And I definitely started making scenes on the back of

428
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Speaker 2: seeing this movie.

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Speaker 1: Listen, these kids today, they just don't know like radio

430
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Speaker 1: DJ movies. That was like the way there's so many

431
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Speaker 1: different movies and maybe this will be a theme one

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Speaker 1: day where radio DJs were kind of like the voice

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Speaker 1: of reason, the punk rock voice of reason for like

434
00:22:45,000 --> 00:22:45,920
Speaker 1: entire generation.

435
00:22:46,440 --> 00:22:50,399
Speaker 2: As an adult, I can see it clearly. As a teenager,

436
00:22:50,440 --> 00:22:53,600
Speaker 2: I didn't know what the feeling was totally, but basically

437
00:22:53,840 --> 00:22:56,520
Speaker 2: it was do I admire that and want to be that?

438
00:22:57,200 --> 00:23:00,160
Speaker 2: Or am I attracted to that sexually? And the thing

439
00:23:00,359 --> 00:23:02,840
Speaker 2: is like, there were not a lot of pathways for

440
00:23:02,920 --> 00:23:06,960
Speaker 2: me envisioning myself in those roles. Personally, I'm like, I

441
00:23:06,960 --> 00:23:09,760
Speaker 2: think I'd be a fucking great underground DJ, but I

442
00:23:09,760 --> 00:23:11,680
Speaker 2: don't know how to do it because everyone I'm seeing

443
00:23:11,720 --> 00:23:15,199
Speaker 2: doing this is a fucking white dude. I don't know

444
00:23:15,320 --> 00:23:18,439
Speaker 2: remember that movie Talk Radio? Oh yeah, so it's like

445
00:23:18,480 --> 00:23:19,200
Speaker 2: shit like that.

446
00:23:19,400 --> 00:23:21,760
Speaker 1: It's so funny to be because it was a big

447
00:23:21,840 --> 00:23:26,119
Speaker 1: like anti establishment, anti authoritarian kind of classic when we

448
00:23:26,119 --> 00:23:26,960
Speaker 1: were growing.

449
00:23:26,720 --> 00:23:29,719
Speaker 2: Up completely and again, like we didn't have a language

450
00:23:29,720 --> 00:23:31,440
Speaker 2: for it at that point, Like I wasn't I didn't

451
00:23:31,440 --> 00:23:34,720
Speaker 2: even know the words anti establishment back then. But it

452
00:23:34,760 --> 00:23:38,320
Speaker 2: was something about it that felt like visceral and like

453
00:23:38,560 --> 00:23:40,840
Speaker 2: punk and cool. And it was like a big budget

454
00:23:40,880 --> 00:23:42,680
Speaker 2: movie with fucking movie stars in it. So it was

455
00:23:42,720 --> 00:23:47,160
Speaker 2: anything but. But at the time it felt very transcendent

456
00:23:47,200 --> 00:23:50,520
Speaker 2: to me. But this was also a movie that had

457
00:23:50,520 --> 00:23:51,359
Speaker 2: a great soundtrack.

458
00:23:51,520 --> 00:23:55,200
Speaker 1: Yes, oh god, it was amazing like that. I remember

459
00:23:55,320 --> 00:23:57,520
Speaker 1: the CD cover like who Was Yesterday?

460
00:23:57,760 --> 00:23:59,560
Speaker 2: It was a movie with the Good Pixies song on

461
00:23:59,560 --> 00:24:01,960
Speaker 2: the soundtrack. Yeah, I was in it. I was in it.

462
00:24:02,000 --> 00:24:05,000
Speaker 2: But what's your next movie? Keeping in mind that might

463
00:24:05,560 --> 00:24:07,760
Speaker 2: I have another Christian Slater one on the list, what's

464
00:24:07,800 --> 00:24:08,440
Speaker 2: your next movie?

465
00:24:08,680 --> 00:24:12,159
Speaker 1: I think I am done with Christian Slater. I think, well,

466
00:24:12,200 --> 00:24:14,439
Speaker 1: my next pick is is another movie that had a

467
00:24:14,480 --> 00:24:16,719
Speaker 1: really great soundtrack. I think people probably remember it more

468
00:24:16,720 --> 00:24:18,680
Speaker 1: for the soundtrack than the movie. But it's this movie

469
00:24:18,680 --> 00:24:21,800
Speaker 1: called Singles from nineteen ninety two. We made the connection.

470
00:24:21,840 --> 00:24:23,720
Speaker 1: And when you make the connection, it's like chemistry takes

471
00:24:23,720 --> 00:24:25,800
Speaker 1: care of itself. I mean, it makes its own decisions.

472
00:24:25,840 --> 00:24:28,240
Speaker 2: You know that is an overlap. We have that both

473
00:24:28,280 --> 00:24:28,680
Speaker 2: on our list.

474
00:24:28,760 --> 00:24:32,320
Speaker 1: Oh we do, so let's talk about it then, Yeah,

475
00:24:32,560 --> 00:24:35,440
Speaker 1: Singles Jesus Christ. I mean it was like basically the

476
00:24:36,160 --> 00:24:40,040
Speaker 1: grunge romantic comedy of our generation.

477
00:24:39,840 --> 00:24:42,200
Speaker 2: And every generation and everyone.

478
00:24:42,240 --> 00:24:44,639
Speaker 1: But you know what, here's the thing about, well, we

479
00:24:44,720 --> 00:24:48,680
Speaker 1: had that reality by its episode. You know, there were

480
00:24:48,760 --> 00:24:52,280
Speaker 1: to me, here's here's how I remember it. But you know,

481
00:24:52,520 --> 00:24:55,800
Speaker 1: like I said, I could be completely fucking wrong to me.

482
00:24:56,080 --> 00:24:58,399
Speaker 1: Singles came out when I when I first was in

483
00:24:58,480 --> 00:25:00,720
Speaker 1: high school, and it was like, for the most part,

484
00:25:00,760 --> 00:25:03,880
Speaker 1: pretty legit because it was like, hey, it's the guy

485
00:25:03,920 --> 00:25:07,719
Speaker 1: who did say anything, and like Eddie Vetters in the movie,

486
00:25:07,920 --> 00:25:09,879
Speaker 1: and like Chris Cornell's in the movie, and it's like

487
00:25:09,960 --> 00:25:12,720
Speaker 1: Matt Dillon. Like it was like, here's like a legit

488
00:25:14,000 --> 00:25:17,720
Speaker 1: sort of like you know, I mean it's still corporate man,

489
00:25:17,880 --> 00:25:21,840
Speaker 1: so like fuck a movie talking about our scene. But

490
00:25:21,960 --> 00:25:24,919
Speaker 1: at least it was like the participation of like you

491
00:25:24,960 --> 00:25:28,080
Speaker 1: know Alice in Chains and Sound Garden made it legit.

492
00:25:28,359 --> 00:25:31,639
Speaker 1: But then when Reality Bikes came along to me, that

493
00:25:31,880 --> 00:25:36,800
Speaker 1: was the phony one. Hey that's my bike sucks, Citizen

494
00:25:36,840 --> 00:25:39,120
Speaker 1: Dick rules. That's all I have to say.

495
00:25:39,280 --> 00:25:42,439
Speaker 2: Let's also be real that there's not a single person

496
00:25:42,520 --> 00:25:45,520
Speaker 2: alive who lived in Seattle at that point who was

497
00:25:45,720 --> 00:25:48,000
Speaker 2: happy about this movie coming out and blowing up their spot.

498
00:25:48,280 --> 00:25:50,040
Speaker 2: Of course, not of course, not like it is the

499
00:25:50,760 --> 00:25:54,760
Speaker 2: surliest place I've ever lived, for sure. But also that

500
00:25:54,840 --> 00:25:56,560
Speaker 2: was part of the draw to me of this movie

501
00:25:56,640 --> 00:25:59,919
Speaker 2: is that I felt like, oh, unlike this kind of

502
00:26:00,160 --> 00:26:04,200
Speaker 2: unnamed Texas thing that was happening in reality bites, This

503
00:26:04,280 --> 00:26:06,280
Speaker 2: seemed to be a movie that used the people that

504
00:26:06,359 --> 00:26:08,199
Speaker 2: lived there and talked about what it was like to

505
00:26:08,280 --> 00:26:10,399
Speaker 2: live there, Like they didn't just ignore where they lived

506
00:26:11,080 --> 00:26:14,080
Speaker 2: as a part of, you know, the scope of the plot,

507
00:26:14,240 --> 00:26:16,359
Speaker 2: like it was very integral to the to the plot.

508
00:26:17,240 --> 00:26:20,280
Speaker 2: I fucking love that movie. The weirdest things stand out

509
00:26:20,280 --> 00:26:22,600
Speaker 2: to me about that film and the one thing that

510
00:26:22,680 --> 00:26:25,159
Speaker 2: I will never forget. And again, this is one of

511
00:26:25,200 --> 00:26:27,560
Speaker 2: those things whereas a teenager, I thought, is this what

512
00:26:27,640 --> 00:26:29,720
Speaker 2: it's going to be like to be an adult? Is

513
00:26:29,720 --> 00:26:33,800
Speaker 2: when Bridget Fonda was making that goddamn disgusting salad, yeah,

514
00:26:33,800 --> 00:26:37,199
Speaker 2: with the wilted brown lettuce. She's just going down the

515
00:26:37,240 --> 00:26:41,760
Speaker 2: line like cutting these disgusting vegetables. And I was like,

516
00:26:41,800 --> 00:26:45,000
Speaker 2: this is this is bleak, but it's adult, it's being

517
00:26:45,040 --> 00:26:46,120
Speaker 2: an adult. Yeah.

518
00:26:46,160 --> 00:26:50,679
Speaker 1: Oh absolutely, I definitely there was such like moments of

519
00:26:50,840 --> 00:26:53,840
Speaker 1: pure sheakness of what I thought adult this was going

520
00:26:53,880 --> 00:26:54,080
Speaker 1: to be.

521
00:26:54,160 --> 00:26:54,240
Speaker 2: Like.

522
00:26:54,560 --> 00:26:56,600
Speaker 1: But I I'm so glad that you picked this too.

523
00:26:56,720 --> 00:26:58,639
Speaker 2: I mean it's like I love this movie.

524
00:26:58,720 --> 00:27:01,399
Speaker 1: I love it too. It's it still actually holds up

525
00:27:01,400 --> 00:27:03,960
Speaker 1: pretty well. I mean there's like little moments of course.

526
00:27:04,000 --> 00:27:07,480
Speaker 1: I mean honestly, like in retrospect, you look at the

527
00:27:07,480 --> 00:27:09,359
Speaker 1: Campbell Scott character and at first I was like, Oh,

528
00:27:09,359 --> 00:27:11,800
Speaker 1: he's so romantic and he's so committed and he's just

529
00:27:11,880 --> 00:27:14,399
Speaker 1: he's like the relationship guy. But then I'm like he

530
00:27:14,440 --> 00:27:16,680
Speaker 1: has a little a couple of creepy moments now, like

531
00:27:16,800 --> 00:27:20,440
Speaker 1: as I go further and further away, and Matt Dylan

532
00:27:20,560 --> 00:27:22,360
Speaker 1: is just sort of like his character is a true

533
00:27:22,400 --> 00:27:24,240
Speaker 1: dumb ass, but you know, I love oh.

534
00:27:24,119 --> 00:27:27,200
Speaker 2: But like an endearing dumb ass like Matt. Matt Dlon's

535
00:27:27,280 --> 00:27:30,800
Speaker 2: character has made me laugh the first time I saw

536
00:27:30,840 --> 00:27:33,600
Speaker 2: the film. As I get older, he makes me laugh

537
00:27:33,640 --> 00:27:37,720
Speaker 2: even harder because I miss those dudes. I feel like dudes.

538
00:27:38,480 --> 00:27:40,399
Speaker 2: I feel like there's not really like that kind of

539
00:27:40,440 --> 00:27:42,960
Speaker 2: guy anymore, at least I don't meet them. Like, there's

540
00:27:43,000 --> 00:27:46,480
Speaker 2: not a guy who's just like kind of a like

541
00:27:46,520 --> 00:27:49,080
Speaker 2: a dumb shit head. He's like the Channing Tatum in

542
00:27:49,200 --> 00:27:52,359
Speaker 2: fucking Step Up, where it's just like I'm your friend,

543
00:27:52,480 --> 00:27:55,320
Speaker 2: I'm your brother's friend. I'm just sort of always around.

544
00:27:55,560 --> 00:27:58,080
Speaker 2: I don't really have much going on, but I'm kind

545
00:27:58,119 --> 00:28:00,960
Speaker 2: of funny and nice and like, you know, I just

546
00:28:01,000 --> 00:28:03,080
Speaker 2: don't know anything. I don't know any better. There's like

547
00:28:03,160 --> 00:28:06,040
Speaker 2: every everyone's very polished nowadays, and I don't meet a

548
00:28:06,040 --> 00:28:08,560
Speaker 2: lot of unpolished people, and I kind of just really

549
00:28:08,560 --> 00:28:09,080
Speaker 2: miss that.

550
00:28:09,359 --> 00:28:11,040
Speaker 1: Yeah, I mean it's so funny because it used to

551
00:28:11,359 --> 00:28:13,720
Speaker 1: like he's the type of guy that like thinks he

552
00:28:13,880 --> 00:28:16,640
Speaker 1: has a lot of self awareness, like almost to a

553
00:28:16,680 --> 00:28:20,480
Speaker 1: Buddhist degree or something like that. He's very spiritual, he

554
00:28:20,520 --> 00:28:23,760
Speaker 1: has spiritual leanings, but he's fucking clueless, like he just

555
00:28:23,760 --> 00:28:27,840
Speaker 1: doesn't know anything that's going on. That is my true

556
00:28:27,920 --> 00:28:30,720
Speaker 1: favorite type of guy, And yeah, you're right, that doesn't

557
00:28:30,760 --> 00:28:34,280
Speaker 1: exist very much anymore, and just yeah, simple and stupid,

558
00:28:34,320 --> 00:28:35,800
Speaker 1: and like simple.

559
00:28:35,480 --> 00:28:38,880
Speaker 2: And stupid, but not like malicious, like a non malicious,

560
00:28:38,880 --> 00:28:40,000
Speaker 2: simple stupid dude.

561
00:28:40,320 --> 00:28:42,600
Speaker 1: Yeah, I think, Yeah, he didn't really. I mean, he's

562
00:28:42,680 --> 00:28:45,440
Speaker 1: just dumb and he didn't know what she wanted and

563
00:28:45,520 --> 00:28:48,160
Speaker 1: didn't know how to ask, you know. But it's so

564
00:28:48,640 --> 00:28:53,600
Speaker 1: such a time capsule soundtrack is incredible. I just love

565
00:28:53,680 --> 00:28:55,800
Speaker 1: this movie and I'm so glad that you picked it too.

566
00:28:56,000 --> 00:28:57,400
Speaker 1: I think he probably would, but you.

567
00:28:57,440 --> 00:29:03,440
Speaker 2: Know, Alice in Chains would on this soundtrack so good,

568
00:29:03,840 --> 00:29:06,880
Speaker 2: and I think if I remember correctly, it was the

569
00:29:06,920 --> 00:29:09,520
Speaker 2: first song on side two of the cassette, which I

570
00:29:09,600 --> 00:29:12,160
Speaker 2: always appreciated because I didn't have to rewind back too far,

571
00:29:12,280 --> 00:29:13,760
Speaker 2: like I could always just go back and listen to

572
00:29:13,800 --> 00:29:16,160
Speaker 2: it again without having too much fuss.

573
00:29:17,480 --> 00:29:21,440
Speaker 1: Song one classic. So now you get to pick one.

574
00:29:21,640 --> 00:29:23,920
Speaker 2: I am going to take us kind of in an

575
00:29:23,920 --> 00:29:27,040
Speaker 2: opposite direction, but this also explains I think a lot

576
00:29:27,120 --> 00:29:33,880
Speaker 2: about me. My next favorite movie from high school is

577
00:29:34,320 --> 00:29:35,440
Speaker 2: The Abyss.

578
00:29:35,800 --> 00:29:42,480
Speaker 1: Okay ooh la la you Can't Leave Me Alone.

579
00:29:43,920 --> 00:29:48,920
Speaker 2: Anything, And it's like an underwater sci fi movie with

580
00:29:49,200 --> 00:29:52,760
Speaker 2: Ed Harris and Mary Elizabeth Masher Antonio and the end

581
00:29:52,760 --> 00:29:54,880
Speaker 2: makes me cry and I don't want to ruin it,

582
00:29:55,360 --> 00:29:58,800
Speaker 2: but it was the first time that I just wept

583
00:29:59,000 --> 00:30:02,320
Speaker 2: at like a sign see movie and it just I

584
00:30:02,320 --> 00:30:04,880
Speaker 2: don't know, there's like aliens involved, there's some shit going on.

585
00:30:04,920 --> 00:30:06,160
Speaker 2: I don't want to ruin it for you in case

586
00:30:06,200 --> 00:30:08,600
Speaker 2: you want to watch it, but the end made me

587
00:30:08,840 --> 00:30:09,560
Speaker 2: actually cry.

588
00:30:10,080 --> 00:30:11,320
Speaker 1: Oh my god.

589
00:30:11,640 --> 00:30:12,920
Speaker 2: Yeah, I love that.

590
00:30:13,000 --> 00:30:16,480
Speaker 1: I love it when a science fiction horror horror movie

591
00:30:16,880 --> 00:30:19,760
Speaker 1: makes people emotional. That's like one of my favorite things ever.

592
00:30:19,920 --> 00:30:21,640
Speaker 2: It made me so emotional, and I don't know what

593
00:30:22,160 --> 00:30:24,240
Speaker 2: it is, but I think they're just just the notion

594
00:30:24,520 --> 00:30:27,880
Speaker 2: of when you're like a kid who's struggling, just the

595
00:30:27,920 --> 00:30:32,720
Speaker 2: notion that something outside of your own universe, be it literal, figurative,

596
00:30:32,760 --> 00:30:36,440
Speaker 2: whatever could save you is just a very emotional place

597
00:30:36,480 --> 00:30:39,080
Speaker 2: to be. And I think that's, you know, in retrospect,

598
00:30:39,120 --> 00:30:40,880
Speaker 2: I think that's why that movie was like hit me

599
00:30:41,360 --> 00:30:43,520
Speaker 2: in such an emotional way. But it's also just a

600
00:30:43,520 --> 00:30:45,840
Speaker 2: good ass, underwater sci fi alien chase movie.

601
00:30:46,240 --> 00:30:49,800
Speaker 1: Yeah, who's the lead in that again?

602
00:30:49,840 --> 00:30:55,880
Speaker 2: Now I'm completely Harris ed Harris ed, motherfucking Harris and

603
00:30:56,600 --> 00:30:59,800
Speaker 2: just that like he's always had that sort of like soulful,

604
00:31:00,040 --> 00:31:02,840
Speaker 2: inkly face, and he's like, I don't think I have

605
00:31:03,080 --> 00:31:06,320
Speaker 2: never known him in film to have a full head

606
00:31:06,320 --> 00:31:07,720
Speaker 2: of hair, so he's always had kind of like a

607
00:31:07,800 --> 00:31:12,320
Speaker 2: dad vibe. But there's just something so gentle and approachable

608
00:31:12,320 --> 00:31:15,120
Speaker 2: about him, and he gets like such emotion. I've rewatched

609
00:31:15,120 --> 00:31:18,920
Speaker 2: The Hours recently and was just like blown away by

610
00:31:19,000 --> 00:31:22,360
Speaker 2: his performance and just like, you know, I've seen that

611
00:31:22,400 --> 00:31:25,400
Speaker 2: movie so many times, but every time his character hits

612
00:31:25,440 --> 00:31:28,760
Speaker 2: me differently every single time. But yeah, this movie was great.

613
00:31:28,920 --> 00:31:31,400
Speaker 2: It was great. It was on HBO all the time,

614
00:31:32,920 --> 00:31:35,920
Speaker 2: and I would catch it at any point and just

615
00:31:35,960 --> 00:31:37,640
Speaker 2: watch it to the end. It's such a good movie.

616
00:31:37,840 --> 00:31:40,120
Speaker 1: I'm glad you picked it. I haven't. I actually haven't

617
00:31:40,120 --> 00:31:43,000
Speaker 1: seen it, but I remember. I just remember when it

618
00:31:43,040 --> 00:31:45,480
Speaker 1: came out, and I remember that people talked about it

619
00:31:45,520 --> 00:31:45,800
Speaker 1: a lot.

620
00:31:45,960 --> 00:31:49,360
Speaker 2: So, yeah, you're gonna watch Mad House and the Abyss

621
00:31:49,400 --> 00:31:50,920
Speaker 2: in one night, and then you're gonna call me and

622
00:31:50,920 --> 00:31:52,400
Speaker 2: be like, I never want to talk to you again.

623
00:31:53,920 --> 00:31:56,720
Speaker 2: This podcast is done. I'm never talking to you again now.

624
00:31:56,840 --> 00:31:59,120
Speaker 1: I mean, it's funny because you always talk about how

625
00:31:59,320 --> 00:32:01,360
Speaker 1: you can't stump me. You stunned me a lot You've

626
00:32:01,360 --> 00:32:05,200
Speaker 1: stuck me at least twice on this episode, so uh,

627
00:32:05,400 --> 00:32:07,480
Speaker 1: and I love it. I absolutely love it.

628
00:32:07,680 --> 00:32:09,840
Speaker 2: Yeah, well, I'm gonna watch it again because I you know,

629
00:32:09,880 --> 00:32:13,320
Speaker 2: I haven't watched it recently, but I'm I'm gonna watch

630
00:32:13,360 --> 00:32:15,120
Speaker 2: it again. And sometimes, you know what happens is I'll

631
00:32:15,120 --> 00:32:16,360
Speaker 2: watch I don't know if this happens to you, but

632
00:32:16,360 --> 00:32:18,480
Speaker 2: like I'll watch a movie that used to be very

633
00:32:18,520 --> 00:32:20,160
Speaker 2: meaningful to me in some way, or that I liked

634
00:32:20,160 --> 00:32:22,960
Speaker 2: it a lot when I was younger, and I'll just

635
00:32:23,200 --> 00:32:25,160
Speaker 2: instead of renting it, I just buy it because I

636
00:32:25,240 --> 00:32:27,200
Speaker 2: just kind of know that I'm gonna watch it again.

637
00:32:27,400 --> 00:32:28,720
Speaker 1: That's what I did with on Tame Hart.

638
00:32:28,840 --> 00:32:33,440
Speaker 2: I know you're like, oh do I know? Yeah, I know,

639
00:32:33,800 --> 00:32:39,440
Speaker 2: I ran a blockbuster by a DVD. I know, what's

640
00:32:39,480 --> 00:32:42,640
Speaker 2: your next film? And the lineage of movies we loved

641
00:32:42,640 --> 00:32:43,640
Speaker 2: in high school.

642
00:32:43,560 --> 00:32:46,600
Speaker 1: Well this I wish gentle Ed Harris would have been

643
00:32:46,680 --> 00:32:50,200
Speaker 1: in this next movie, because this is one of the

644
00:32:50,200 --> 00:32:52,400
Speaker 1: ones that I'm telling you right now that like at

645
00:32:52,400 --> 00:32:56,840
Speaker 1: the time, I was so fucking all in on It's

646
00:32:56,960 --> 00:32:59,320
Speaker 1: Reservoir Dogs from nineteen ninety two.

647
00:33:00,160 --> 00:33:02,960
Speaker 2: We pick our own colors, no way, no way, try

648
00:33:03,040 --> 00:33:06,200
Speaker 2: it once it doesn't work. You get full guys oh

649
00:33:06,360 --> 00:33:08,440
Speaker 2: fighting nobody who's going to be missed the black but.

650
00:33:08,360 --> 00:33:10,520
Speaker 1: They don't know each other, so nobody wants to back down.

651
00:33:11,680 --> 00:33:12,360
Speaker 2: No way I.

652
00:33:12,480 --> 00:33:18,160
Speaker 1: Pick I Wow. I liked this movie too much when

653
00:33:18,160 --> 00:33:20,320
Speaker 1: I was in high school. Then of course I saw

654
00:33:20,360 --> 00:33:24,240
Speaker 1: it and was like, oh man, this is fucking crazy.

655
00:33:24,280 --> 00:33:26,400
Speaker 1: This is like some shit I've never seen before, like

656
00:33:27,200 --> 00:33:30,160
Speaker 1: what's up with everyone calling each other by colors?

657
00:33:30,200 --> 00:33:33,840
Speaker 2: And it's like, Oh, it's mind blowing shit when you

658
00:33:33,880 --> 00:33:34,520
Speaker 2: first see it.

659
00:33:34,840 --> 00:33:38,200
Speaker 1: And at the time, I don't know if people know this.

660
00:33:38,320 --> 00:33:40,200
Speaker 1: I don't know how old people are out there, But

661
00:33:40,320 --> 00:33:43,960
Speaker 1: like Tarantino when when Resorodocs, but especially when pulp fiction

662
00:33:44,120 --> 00:33:49,719
Speaker 1: came out, he was an unblemished figure, like he like

663
00:33:49,920 --> 00:33:52,360
Speaker 1: turned everybody on their ass when he when he first

664
00:33:52,360 --> 00:33:55,000
Speaker 1: came out, and pulp fiction was out when I was

665
00:33:55,000 --> 00:33:59,160
Speaker 1: in high school too, and every that was the one

666
00:33:59,200 --> 00:34:02,720
Speaker 1: that every buddy went crazy for and myself included. But

667
00:34:02,760 --> 00:34:05,600
Speaker 1: then like then, after pulp Fiction, everybody went to see

668
00:34:05,680 --> 00:34:08,759
Speaker 1: Reservoir Dogs, and that's why I was like, whoa, this

669
00:34:08,840 --> 00:34:11,520
Speaker 1: is some I didn't know. I thought maybe I was

670
00:34:11,560 --> 00:34:14,000
Speaker 1: watching like the moon Landing I didn't know what I

671
00:34:14,080 --> 00:34:16,360
Speaker 1: was watching, but I thought it was like a revolution.

672
00:34:16,719 --> 00:34:19,680
Speaker 2: And also, like I remember Reservoir Dogs was that movie too,

673
00:34:20,080 --> 00:34:23,400
Speaker 2: where even more so than Pulp Fiction, which I saw first,

674
00:34:24,160 --> 00:34:28,239
Speaker 2: like everyone else in the country, I couldn't believe that,

675
00:34:28,480 --> 00:34:31,839
Speaker 2: like the caliber of acting, Like he got some incredible

676
00:34:31,840 --> 00:34:35,279
Speaker 2: actors that I recognized and knew, but it was like

677
00:34:35,280 --> 00:34:38,320
Speaker 2: like Tim Roth and fucking Michael Madsen and I'm like whoa,

678
00:34:38,480 --> 00:34:40,760
Speaker 2: Like who is this guy who can write these movies?

679
00:34:40,840 --> 00:34:42,920
Speaker 2: And like this seems like a movie that like an

680
00:34:42,960 --> 00:34:45,200
Speaker 2: indie guy would make. But he got such an amazing

681
00:34:45,239 --> 00:34:47,640
Speaker 2: cast that I couldn't understand how any of that worked.

682
00:34:47,760 --> 00:34:49,920
Speaker 1: I'll just tell you right now, Like when when mister

683
00:34:50,000 --> 00:34:53,040
Speaker 1: Blonde came on the scene, everybody was like wiping their

684
00:34:53,080 --> 00:34:55,560
Speaker 1: eyeballs clear to make sure that they were seeing a

685
00:34:55,600 --> 00:34:58,759
Speaker 1: Greek god. You know, they were basically like everybody I

686
00:34:58,840 --> 00:35:01,360
Speaker 1: knew thought he was so hot, like and I myself included.

687
00:35:01,440 --> 00:35:03,720
Speaker 1: And the funny thing is when I did watch Reservoir

688
00:35:03,760 --> 00:35:06,320
Speaker 1: Dogs a couple months ago, I was like, damn, Michael

689
00:35:06,360 --> 00:35:12,319
Speaker 1: Madson could get it. Like but if you watch this,

690
00:35:12,480 --> 00:35:14,879
Speaker 1: if you watch Reservoir Dogs, and especially if you watch

691
00:35:14,960 --> 00:35:19,799
Speaker 1: Thelman Louise, You'll be like, where is Michael Madson in

692
00:35:19,880 --> 00:35:23,359
Speaker 1: the late eighties early nineties? I want to fucking fuck

693
00:35:23,400 --> 00:35:30,319
Speaker 1: with him, like damn. I mean, couldn't be hotter if

694
00:35:30,320 --> 00:35:34,120
Speaker 1: he tried. But let me just tell you right now,

695
00:35:34,520 --> 00:35:37,000
Speaker 1: who I had my eyes on when I saw Reservoir

696
00:35:37,080 --> 00:35:41,120
Speaker 1: Dogs was Tim Roth. Yes, send me down a spiral

697
00:35:41,280 --> 00:35:44,759
Speaker 1: of Tim Roth obsession that lasted.

698
00:35:44,719 --> 00:35:49,000
Speaker 2: Years, years, years, year years I saw him. I went

699
00:35:49,040 --> 00:35:51,319
Speaker 2: to skip school, went to New York City. One day.

700
00:35:51,920 --> 00:35:54,880
Speaker 2: I went to the village specifically to go to Todd

701
00:35:54,920 --> 00:35:55,760
Speaker 2: Oldham's store.

702
00:35:56,520 --> 00:35:56,880
Speaker 1: Mmmm.

703
00:35:57,120 --> 00:36:00,600
Speaker 2: I wanted to buy something. He is my favorite designer.

704
00:36:00,840 --> 00:36:03,440
Speaker 2: I could not afford a goddamn thing. I ended up

705
00:36:03,440 --> 00:36:07,080
Speaker 2: buying a white tank top that costs like thirty five dollars, yeah,

706
00:36:08,440 --> 00:36:10,640
Speaker 2: which at that time was like one hundred dollars. But

707
00:36:10,680 --> 00:36:13,280
Speaker 2: I bought this white tank top. But as I'm leaving

708
00:36:13,280 --> 00:36:18,560
Speaker 2: the store, Tim Roth walking out a Jean fluvog, I

709
00:36:18,680 --> 00:36:21,319
Speaker 2: legitimately followed him, like I could. I didn't plan it.

710
00:36:21,480 --> 00:36:23,640
Speaker 2: I didn't. I wasn't trying to be a creep. I

711
00:36:23,680 --> 00:36:25,880
Speaker 2: could not help it. Like my body, it was just

712
00:36:25,880 --> 00:36:28,840
Speaker 2: like here we go, bitch. I couldn't help it. I

713
00:36:28,880 --> 00:36:32,239
Speaker 2: followed him around the village for like thirty minutes, just

714
00:36:32,280 --> 00:36:34,480
Speaker 2: walking around store shopping, just buying boots.

715
00:36:34,920 --> 00:36:39,040
Speaker 1: Oh, I couldn't. I could not stand how much I

716
00:36:39,160 --> 00:36:42,120
Speaker 1: liked him after I saw Rondo's like listen if you

717
00:36:42,200 --> 00:36:44,239
Speaker 1: if I would have seen him in person, it was

718
00:36:44,239 --> 00:36:47,879
Speaker 1: like the Jonathan Knight thing slash Harry Styles thing. If

719
00:36:47,920 --> 00:36:50,279
Speaker 1: I if I could imagine myself in the same town

720
00:36:50,320 --> 00:36:52,800
Speaker 1: as Tim Roth, like ever when I was that age,

721
00:36:52,840 --> 00:36:56,279
Speaker 1: I would have dropped fucking dead from.

722
00:36:56,239 --> 00:36:58,799
Speaker 2: I feel almost dropped dead because I'm like and he

723
00:36:58,920 --> 00:37:02,520
Speaker 2: was British and like cool and funny, like I'm overseeing

724
00:37:02,560 --> 00:37:04,719
Speaker 2: four rooms and being like, oh my god, he's funny too.

725
00:37:04,800 --> 00:37:07,799
Speaker 2: Like it was just he was really top actor for

726
00:37:07,920 --> 00:37:10,600
Speaker 2: me for a very long time. And I don't know

727
00:37:10,640 --> 00:37:12,560
Speaker 2: if you've seen tin Star, if think it's a show

728
00:37:12,600 --> 00:37:16,320
Speaker 2: on Amazon, he's a good actor. Like he's still pretty good, guys.

729
00:37:16,600 --> 00:37:19,080
Speaker 1: I'll just tell you a quick story about my job.

730
00:37:20,000 --> 00:37:22,480
Speaker 1: He was at the Tcnfilm Festival like a couple of

731
00:37:22,560 --> 00:37:28,360
Speaker 1: years ago, and I had to walk out of the

732
00:37:28,400 --> 00:37:31,200
Speaker 1: green room when he walked in because I was like, oh,

733
00:37:31,200 --> 00:37:35,480
Speaker 1: I'm gonna be so embarrassing right now because it's like

734
00:37:35,560 --> 00:37:37,239
Speaker 1: I don't want to talk to him, but if I

735
00:37:37,320 --> 00:37:40,600
Speaker 1: did talk to him, I would just like fall down

736
00:37:40,680 --> 00:37:43,279
Speaker 1: and just be like I was like in love with you.

737
00:37:43,360 --> 00:37:45,000
Speaker 1: I used to dreams about you.

738
00:37:45,520 --> 00:37:47,960
Speaker 2: See that to me seems like a horrible position to

739
00:37:48,000 --> 00:37:51,880
Speaker 2: be in, where you have to be professional around someone

740
00:37:51,920 --> 00:37:54,560
Speaker 2: that's giving you those teenage feelings that I could not

741
00:37:54,640 --> 00:37:55,080
Speaker 2: handle that.

742
00:37:55,360 --> 00:37:58,319
Speaker 1: There are moments where that happens, like not just at

743
00:37:58,440 --> 00:38:00,880
Speaker 1: my job, but sort of living in LA I'm just like,

744
00:38:01,000 --> 00:38:04,040
Speaker 1: I don't know what. I'm like, what is happening right now?

745
00:38:04,040 --> 00:38:06,720
Speaker 2: I know you're just like at Ralph's buying frozen pizza.

746
00:38:06,760 --> 00:38:08,759
Speaker 2: Did I ever tell you? I everyone tell you that

747
00:38:08,800 --> 00:38:10,160
Speaker 2: story When I first moved here.

748
00:38:10,560 --> 00:38:11,320
Speaker 1: Huh?

749
00:38:11,520 --> 00:38:14,160
Speaker 2: First moved here, I was staying. I was working for

750
00:38:14,200 --> 00:38:15,920
Speaker 2: a show. They put me up at a hotel in

751
00:38:15,960 --> 00:38:18,239
Speaker 2: Studio City near the near where I was working at

752
00:38:18,239 --> 00:38:22,880
Speaker 2: CBS or on that lot, a CBS lot, and I

753
00:38:22,920 --> 00:38:25,760
Speaker 2: could walk across the street to Ralph's to get food.

754
00:38:26,000 --> 00:38:27,560
Speaker 2: And I went and I walked in one day and

755
00:38:27,560 --> 00:38:29,600
Speaker 2: I saw this like kind of cool old green car

756
00:38:29,680 --> 00:38:32,399
Speaker 2: and the parking lot. As I was going in, I'm like, oh,

757
00:38:32,560 --> 00:38:35,000
Speaker 2: that's you know, I guess in California you can have

758
00:38:35,000 --> 00:38:37,080
Speaker 2: those kinds of cars, like the weather doesn't fuck with them.

759
00:38:37,960 --> 00:38:40,919
Speaker 2: Went shopped around, got my stuff, got in line. As

760
00:38:40,960 --> 00:38:45,080
Speaker 2: I'm unloading my shit onto the belt, someone behind me

761
00:38:46,360 --> 00:38:51,000
Speaker 2: just plopping down one after the other, frozen pizzas, just

762
00:38:51,000 --> 00:38:54,200
Speaker 2: one after the other, like those those like Mama Celeste frozen.

763
00:38:53,960 --> 00:38:56,440
Speaker 1: Pizza, like ten for ten, yeah, yeah, ten for.

764
00:38:56,440 --> 00:38:58,480
Speaker 2: Ten, like pizza for one, that kind of thing. Just

765
00:38:58,480 --> 00:39:00,640
Speaker 2: PLoP them down, plopping them down, plopping, And I'm just

766
00:39:00,680 --> 00:39:03,680
Speaker 2: in the zone. I'm just buying my little food shit.

767
00:39:04,680 --> 00:39:08,000
Speaker 2: I pay, give lady my card kind of turn and

768
00:39:08,040 --> 00:39:10,560
Speaker 2: look just you know, waiting for my pin to go through.

769
00:39:11,239 --> 00:39:17,640
Speaker 2: And it's Jay Leno. And I was like, I'm sorry

770
00:39:18,880 --> 00:39:20,879
Speaker 2: because now I know that car out there is his,

771
00:39:21,320 --> 00:39:23,799
Speaker 2: and he's just buying like I'm not even exaggerating, like

772
00:39:23,880 --> 00:39:27,040
Speaker 2: twenty five Celeste frozen pizza for it was the saddest

773
00:39:27,040 --> 00:39:27,960
Speaker 2: thing I've ever seen.

774
00:39:30,040 --> 00:39:34,160
Speaker 1: Let me guess he brought those shitty ass pizzas into

775
00:39:34,200 --> 00:39:39,719
Speaker 1: this like perfectly restored nineteen fifties Thunderbird that probably costs

776
00:39:39,760 --> 00:39:41,320
Speaker 1: like one hundred and ten thousand dollars.

777
00:39:41,520 --> 00:39:45,520
Speaker 2: That is could not be more exactly exactly on point.

778
00:39:45,800 --> 00:39:49,840
Speaker 2: The car was pristine, pristine, and he's wearing like his

779
00:39:49,920 --> 00:39:54,719
Speaker 2: Canadian tuxedo, buying like twenty five fucking frozen pizzas for one,

780
00:39:55,280 --> 00:39:57,600
Speaker 2: And I'm like, I don't understand this life, but it

781
00:39:57,719 --> 00:39:59,759
Speaker 2: instantly read to me as sad, and I don't know,

782
00:39:59,760 --> 00:40:01,640
Speaker 2: maybe he's living it up. He's like, look, I can

783
00:40:01,680 --> 00:40:04,120
Speaker 2: buy a fucking whatever car I want. I can spend

784
00:40:04,160 --> 00:40:06,960
Speaker 2: four hundred thousand dollars on a car and still eat

785
00:40:06,960 --> 00:40:09,440
Speaker 2: pizza all day and be whoever, Like he could be

786
00:40:09,480 --> 00:40:11,600
Speaker 2: living his life. I don't know. It read to me

787
00:40:11,719 --> 00:40:13,920
Speaker 2: is very deeply troubling.

788
00:40:13,680 --> 00:40:18,520
Speaker 1: Mama Celeste all day, every day. That does not surprise

789
00:40:18,560 --> 00:40:21,200
Speaker 1: me at all. But also that is such a fucking

790
00:40:21,280 --> 00:40:23,800
Speaker 1: welcome to La. That's such a hot story.

791
00:40:23,840 --> 00:40:27,000
Speaker 2: I love it. It's unreal. And that's where the stories

792
00:40:27,040 --> 00:40:28,719
Speaker 2: are now in La, where I'm like, all right, it's

793
00:40:28,719 --> 00:40:31,319
Speaker 2: no longer like hey, there's Kevin Klein or whatever. It's

794
00:40:31,320 --> 00:40:34,680
Speaker 2: just like, oh my god, Like why is John Larrickett

795
00:40:35,719 --> 00:40:39,360
Speaker 2: at CVS buy in like fucking skin Tag oil? Like

796
00:40:39,400 --> 00:40:41,920
Speaker 2: I don't want to know this shit about anybody.

797
00:40:43,640 --> 00:40:45,319
Speaker 1: Well shit, I hope when I come back to La

798
00:40:45,480 --> 00:40:50,520
Speaker 1: tim Roth, said them Poornos store, right, He's still got it.

799
00:40:50,560 --> 00:40:53,759
Speaker 1: He's so hot. By the way, I won't won't a

800
00:40:53,800 --> 00:40:57,320
Speaker 1: lot anyway, your turn. You have to stop talking about.

801
00:40:57,120 --> 00:41:00,920
Speaker 2: Tim Raw never ever around media, I'm talking about Tim Roth.

802
00:41:01,000 --> 00:41:04,280
Speaker 2: But I'm gonna bring it home with my final Christian

803
00:41:04,280 --> 00:41:10,319
Speaker 2: Slater movie, a movie that I can quote forwards and backwards.

804
00:41:10,560 --> 00:41:12,160
Speaker 2: I've watched it so often.

805
00:41:12,719 --> 00:41:21,800
Speaker 1: It's Heathers, Heather Chandler, Heather macnamara, Heather Duke, Veronica Sawyer.

806
00:41:22,000 --> 00:41:25,160
Speaker 2: Heathers nineteen eighty eight. So it came out when I

807
00:41:25,239 --> 00:41:27,880
Speaker 2: was in middle school, but I watched it all throughout

808
00:41:27,960 --> 00:41:33,960
Speaker 2: high school, all throughout high school, and just any film,

809
00:41:33,960 --> 00:41:35,959
Speaker 2: and we might have talked about this already, but any

810
00:41:36,080 --> 00:41:40,560
Speaker 2: film that to me kind of exemplified the bullshit I

811
00:41:40,560 --> 00:41:42,400
Speaker 2: had to deal with every day was always going to

812
00:41:42,400 --> 00:41:44,840
Speaker 2: be at top of my list, including one where you

813
00:41:45,040 --> 00:41:47,560
Speaker 2: actually kill the popular people.

814
00:41:47,920 --> 00:41:54,280
Speaker 3: Yeah, blow up the fucking school like that was, of course,

815
00:41:54,719 --> 00:41:57,960
Speaker 3: but again another complicated Christian Slater character who was a

816
00:41:57,960 --> 00:41:59,879
Speaker 3: total murderous dick bag.

817
00:42:00,320 --> 00:42:04,319
Speaker 2: Yes, could not have been more like the bastion of

818
00:42:04,440 --> 00:42:05,120
Speaker 2: romance to me.

819
00:42:05,600 --> 00:42:09,319
Speaker 1: Yeah, it's like he was again that like he was

820
00:42:09,360 --> 00:42:11,680
Speaker 1: like goth. He was kind of he had that slight

821
00:42:11,800 --> 00:42:17,400
Speaker 1: goth kind of attitude, wore the trench coat, I mean hello,

822
00:42:17,960 --> 00:42:20,520
Speaker 1: And it was the perfect pivot for one own a

823
00:42:20,560 --> 00:42:23,600
Speaker 1: writer's character because she was like obviously like hanging out

824
00:42:23,640 --> 00:42:27,719
Speaker 1: with these like rich bitches. They were like totally mean

825
00:42:27,840 --> 00:42:30,399
Speaker 1: and shitty. And then it's like, hey, do you want

826
00:42:30,400 --> 00:42:34,359
Speaker 1: to like escape this entire narrative that we all want

827
00:42:34,400 --> 00:42:37,759
Speaker 1: to escape with you because people like this suck ass. Well,

828
00:42:37,840 --> 00:42:42,920
Speaker 1: here you go, this charismatic, sarcastic trench coat wearing, black

829
00:42:42,920 --> 00:42:43,479
Speaker 1: haired guy.

830
00:42:44,200 --> 00:42:48,799
Speaker 2: Go just run run run to him, and just ugh god,

831
00:42:48,840 --> 00:42:50,920
Speaker 2: I just I even loved how they conceived of the

832
00:42:50,960 --> 00:42:54,320
Speaker 2: popularity though, like you know, we each have our own color,

833
00:42:54,520 --> 00:42:57,600
Speaker 2: like we red is my color, and like you know,

834
00:42:57,680 --> 00:43:00,400
Speaker 2: like she had in Dougherty grabbing that scrunchy being like

835
00:43:00,440 --> 00:43:03,040
Speaker 2: this is mine now, and just like all it just

836
00:43:03,120 --> 00:43:05,680
Speaker 2: I don't know, nothing spoke to me in a deeper

837
00:43:05,680 --> 00:43:08,640
Speaker 2: way than Heathers. I've seen it so many times I

838
00:43:08,640 --> 00:43:11,640
Speaker 2: can vividly still see the VHS tape. It was one

839
00:43:11,640 --> 00:43:16,520
Speaker 2: of those yellowish orangish Kodak tapes with the black diagonal

840
00:43:16,560 --> 00:43:20,280
Speaker 2: stripe and I wrote heathers on it in big, bold

841
00:43:20,400 --> 00:43:24,160
Speaker 2: ass big pen, and then underneath it in a marker,

842
00:43:24,239 --> 00:43:29,160
Speaker 2: I wrote, do not tape over or I will kill you.

843
00:43:29,480 --> 00:43:31,879
Speaker 1: Aha. You had to do it that way, or else

844
00:43:32,120 --> 00:43:35,239
Speaker 1: somebody would get the wrong tape and start tape in

845
00:43:35,320 --> 00:43:36,239
Speaker 1: general hospital.

846
00:43:36,360 --> 00:43:38,080
Speaker 2: Oh yeah, my grandma want to use it for fucking

847
00:43:38,160 --> 00:43:40,200
Speaker 2: days of our lives. It would have been like, excuse me,

848
00:43:40,560 --> 00:43:43,120
Speaker 2: this is not on HBO anymore. This is my only

849
00:43:43,200 --> 00:43:46,200
Speaker 2: chance to have this. I would ham with that movie.

850
00:43:46,239 --> 00:43:48,080
Speaker 2: I loved it. I loved it.

851
00:43:48,600 --> 00:43:51,799
Speaker 1: Yeah, I've seen it so many times. And the one

852
00:43:51,880 --> 00:43:54,200
Speaker 1: thing that will never go away in my mind every

853
00:43:54,239 --> 00:43:56,120
Speaker 1: time I think about that movie is like, who the

854
00:43:56,239 --> 00:43:57,720
Speaker 1: fuck loves corn nuts?

855
00:43:57,880 --> 00:44:00,840
Speaker 2: Ew? Thank you plane?

856
00:44:01,719 --> 00:44:05,680
Speaker 1: You cor nuts are disgusting? Am I the only person

857
00:44:05,719 --> 00:44:09,120
Speaker 1: that believes that? I didn't think I was, But no,

858
00:44:09,360 --> 00:44:13,239
Speaker 1: who gets barbecue cornnuts makes me sick? And this is

859
00:44:13,320 --> 00:44:16,000
Speaker 1: like I'm a Southerner who eats boiled peanuts from a

860
00:44:16,000 --> 00:44:19,120
Speaker 1: fucking gas station. I think barbecue cornuts makes me want

861
00:44:19,120 --> 00:44:19,799
Speaker 1: to vomit.

862
00:44:19,640 --> 00:44:21,200
Speaker 2: For me, those are the kinds of things that like

863
00:44:21,640 --> 00:44:24,640
Speaker 2: they hang in the gas station that no one ever buys,

864
00:44:24,680 --> 00:44:28,000
Speaker 2: so they're there forever like dusty bags of corn nuts

865
00:44:28,200 --> 00:44:31,120
Speaker 2: is on point because no one's ever buying them.

866
00:44:31,640 --> 00:44:33,919
Speaker 1: Listen, I'm quite serious. If I ever had a bag

867
00:44:33,960 --> 00:44:36,759
Speaker 1: of cordnuts by you know, somebody forced me, Like if

868
00:44:36,760 --> 00:44:39,200
Speaker 1: I was in a Guantanamo situation and I was forced

869
00:44:39,239 --> 00:44:42,160
Speaker 1: to eat barbecue cordnuts, I would quite literally grab my

870
00:44:42,280 --> 00:44:46,080
Speaker 1: neck and go cornuts and crash through a glass table

871
00:44:46,160 --> 00:44:50,480
Speaker 1: because they're disgusting. Now we're gonna get one hundred thousand

872
00:44:50,520 --> 00:44:52,560
Speaker 1: people being like, but cornuts are delicious.

873
00:44:52,800 --> 00:44:54,319
Speaker 2: No, if you smash them up and put them on

874
00:44:54,400 --> 00:44:58,680
Speaker 2: Nillow ice cream, no, the best. No, God, we're gonna

875
00:44:58,719 --> 00:45:00,239
Speaker 2: get it. We're gonna get it. You know, we're going

876
00:45:00,320 --> 00:45:01,680
Speaker 2: to get that. Put him in your yogurt.

877
00:45:01,680 --> 00:45:05,080
Speaker 1: And I'm like, uh, if you mentioned a snack on

878
00:45:05,120 --> 00:45:09,360
Speaker 1: a podcast, you're getting fucking twenty thousand messages to the contrary.

879
00:45:09,840 --> 00:45:12,640
Speaker 1: So I'm ready for it. I said it. I don't

880
00:45:12,680 --> 00:45:13,200
Speaker 1: regret it.

881
00:45:13,760 --> 00:45:15,000
Speaker 2: You got one more movie, though.

882
00:45:14,920 --> 00:45:16,759
Speaker 1: I got one more movie, and I'm going out with

883
00:45:18,239 --> 00:45:23,560
Speaker 1: this is so fucking embarrassing. It's it's embarrassing and just

884
00:45:23,640 --> 00:45:27,200
Speaker 1: the right way. So like towards the end of high school,

885
00:45:28,000 --> 00:45:29,960
Speaker 1: I used to hang out with a lot of guys.

886
00:45:30,440 --> 00:45:33,120
Speaker 1: A lot of them were nerdy, and a lot of

887
00:45:33,160 --> 00:45:38,160
Speaker 1: them loved this movie called seven.

888
00:45:37,040 --> 00:45:39,040
Speaker 2: Answer Let me you want to come take a look

889
00:45:39,080 --> 00:45:43,840
Speaker 2: at Tested No One Touches Anything. It's law rat five,

890
00:45:44,400 --> 00:45:45,760
Speaker 2: Lust and Ending.

891
00:45:46,000 --> 00:45:49,280
Speaker 1: Seven that came out in nineteen ninety five, starring Brad

892
00:45:49,320 --> 00:45:52,680
Speaker 1: Pitt and Morgan Freeman, directed by David Fincher. We've talked

893
00:45:52,680 --> 00:45:58,080
Speaker 1: about in the podcast before how to even talk about this,

894
00:45:58,120 --> 00:46:01,320
Speaker 1: because first of all, this movie of Me is fucking

895
00:46:01,520 --> 00:46:04,919
Speaker 1: scary as shit. Like I was, like, I can't even

896
00:46:04,960 --> 00:46:08,399
Speaker 1: say at the time that I watched it with like jubilants,

897
00:46:08,480 --> 00:46:12,200
Speaker 1: because I was basically anytime that my friends played it,

898
00:46:12,320 --> 00:46:15,640
Speaker 1: I was just kind of rubbernecking, but also just sort

899
00:46:15,640 --> 00:46:17,880
Speaker 1: of like knew what was gonna happen, that it was

900
00:46:17,920 --> 00:46:20,200
Speaker 1: gonna freak me the fuck out, which is the guy

901
00:46:20,600 --> 00:46:24,360
Speaker 1: in the bed with all of the air fresheners like disgusting.

902
00:46:24,640 --> 00:46:29,280
Speaker 2: I saw that movie with my mom, oh god, senior

903
00:46:29,280 --> 00:46:32,520
Speaker 2: in high school. She had come through to like, you know,

904
00:46:32,560 --> 00:46:35,000
Speaker 2: we tried to reconcile or something, and she was around,

905
00:46:35,040 --> 00:46:36,960
Speaker 2: she'd moved back to the area. We went and saw

906
00:46:37,000 --> 00:46:41,919
Speaker 2: this movie and when that part comes up with the

907
00:46:42,080 --> 00:46:45,360
Speaker 2: knife belt or like the knife dildo or whatever.

908
00:46:45,560 --> 00:46:47,520
Speaker 1: Yes, Oh my god.

909
00:46:47,600 --> 00:46:50,680
Speaker 2: I wanted to crawl out of my skin and slip

910
00:46:50,719 --> 00:46:53,879
Speaker 2: into a puddle of ooze like form of ooze and

911
00:46:53,960 --> 00:46:57,000
Speaker 2: just like like sludge out of the theater. Like I

912
00:46:57,000 --> 00:46:58,840
Speaker 2: could not believe I was watching this. It scared the

913
00:46:58,840 --> 00:47:00,640
Speaker 2: shit out of me. And I'm sitting next to my

914
00:47:00,760 --> 00:47:02,520
Speaker 2: mom happening.

915
00:47:02,600 --> 00:47:06,240
Speaker 1: Yeah, this okay, this movie was sort of like I had.

916
00:47:06,520 --> 00:47:07,920
Speaker 1: You know, when I was in high school. I was

917
00:47:07,960 --> 00:47:09,839
Speaker 1: into kind of punk rock and kind of hung out

918
00:47:09,880 --> 00:47:11,920
Speaker 1: with like, you know, the weird kids or whatever. And

919
00:47:12,600 --> 00:47:15,520
Speaker 1: let me just tell you, we weren't cool when you

920
00:47:15,560 --> 00:47:18,160
Speaker 1: think about like all the alternative kids. No, no, we

921
00:47:18,160 --> 00:47:21,600
Speaker 1: were like there was a level of the way that

922
00:47:21,640 --> 00:47:24,759
Speaker 1: the cast system played out in my high school was

923
00:47:24,760 --> 00:47:28,479
Speaker 1: that you had like rich people. Then you had rich

924
00:47:28,520 --> 00:47:32,359
Speaker 1: people who somehow figured out that the Pixies existed and

925
00:47:32,920 --> 00:47:37,279
Speaker 1: liked alternative music. And then you had kind of their

926
00:47:37,320 --> 00:47:40,040
Speaker 1: friends who were the skaters. They were kind they weren't

927
00:47:40,120 --> 00:47:43,680
Speaker 1: really rich, but they were just kind of like but

928
00:47:43,760 --> 00:47:46,960
Speaker 1: they were attractive, so they were in like an upper level.

929
00:47:47,239 --> 00:47:50,560
Speaker 1: Then you had me and my people, who were like

930
00:47:51,200 --> 00:47:53,480
Speaker 1: we were definitely not theater people. But we knew them

931
00:47:53,520 --> 00:47:55,000
Speaker 1: and we fucked with them a little bit. But we

932
00:47:55,000 --> 00:47:59,520
Speaker 1: were like the goths, the punk rock kids, the skaters

933
00:47:59,560 --> 00:48:02,279
Speaker 1: that could cut it in the upper skater level. So

934
00:48:02,320 --> 00:48:05,439
Speaker 1: they were like Hoffers basically, like skaters that were too

935
00:48:05,480 --> 00:48:08,920
Speaker 1: scary to be in gen pop. They were like fucking

936
00:48:09,760 --> 00:48:15,320
Speaker 1: sniffing glue and pretty much like it was a freakish assortment.

937
00:48:15,320 --> 00:48:19,120
Speaker 1: And that's who I knew. And so at the time,

938
00:48:19,640 --> 00:48:22,400
Speaker 1: like av club kids, Like that's kind of how I

939
00:48:22,480 --> 00:48:25,200
Speaker 1: was actually in an avy type of program. I was

940
00:48:25,239 --> 00:48:27,360
Speaker 1: like in video production when I was in high school.

941
00:48:27,520 --> 00:48:29,600
Speaker 1: And so there was like a group of us. It

942
00:48:29,680 --> 00:48:31,719
Speaker 1: was me and like one other girl than like ten

943
00:48:31,800 --> 00:48:35,080
Speaker 1: thousand guys, and we were all the biggest nerds ever.

944
00:48:35,920 --> 00:48:39,439
Speaker 1: And we all somehow watched Seven together at my friend

945
00:48:39,480 --> 00:48:44,440
Speaker 1: John's house, and it became this like total like we

946
00:48:44,480 --> 00:48:50,279
Speaker 1: should start a secret society in our high school that's

947
00:48:50,320 --> 00:48:54,320
Speaker 1: gonna basically be this like club that hates all the

948
00:48:54,440 --> 00:48:58,759
Speaker 1: rich popular people, and we're gonna base the mythology of

949
00:48:58,800 --> 00:49:02,799
Speaker 1: it on the movie Seven. So it was called I

950
00:49:02,800 --> 00:49:05,719
Speaker 1: think they called it the Seven Deadly Monkeys, And I

951
00:49:05,760 --> 00:49:07,359
Speaker 1: don't really know where that monkeys come from.

952
00:49:07,400 --> 00:49:09,879
Speaker 2: It's just because the movie twelve Monkeys had just.

953
00:49:09,840 --> 00:49:14,160
Speaker 1: Coming Monkeys came out. Oh my god, that's so fucking

954
00:49:14,200 --> 00:49:17,000
Speaker 1: funny that you said that. So it was like a

955
00:49:17,120 --> 00:49:21,400
Speaker 1: confluence of like stupid high school people shit, and so

956
00:49:21,440 --> 00:49:25,800
Speaker 1: we created this like secret club where all the members

957
00:49:25,840 --> 00:49:29,759
Speaker 1: of the club were named after the seven Deadly Sins.

958
00:49:29,800 --> 00:49:32,280
Speaker 1: So embarrassing, yes.

959
00:49:32,200 --> 00:49:34,000
Speaker 2: And what was the purpose of this club? Just to

960
00:49:34,040 --> 00:49:36,200
Speaker 2: talk shit about popular people or the like.

961
00:49:36,600 --> 00:49:38,919
Speaker 1: It was a way for us to like write notes

962
00:49:38,960 --> 00:49:41,080
Speaker 1: to each other. And it was like, you know how

963
00:49:41,200 --> 00:49:43,360
Speaker 1: like stupid kids are where they're just like I'm in

964
00:49:43,400 --> 00:49:47,360
Speaker 1: a secret club and we're called the the Heathers or

965
00:49:47,400 --> 00:49:49,840
Speaker 1: the you know whatever, and when we write notice to

966
00:49:49,880 --> 00:49:52,880
Speaker 1: each other, it's just gonna be like kind of like

967
00:49:53,040 --> 00:49:56,719
Speaker 1: world building, mythology building, but we have literally no idea

968
00:49:56,760 --> 00:49:59,279
Speaker 1: what we're talking about. And it was a lot of

969
00:49:59,320 --> 00:50:01,879
Speaker 1: it was that we were just like we hated high

970
00:50:01,920 --> 00:50:04,640
Speaker 1: school and we hated getting bullied by people, and we

971
00:50:04,680 --> 00:50:07,839
Speaker 1: just needed a place to congregate. And I think at

972
00:50:07,840 --> 00:50:11,719
Speaker 1: one point somebody took it seriously and they thought we

973
00:50:11,719 --> 00:50:13,560
Speaker 1: were like a gang that wanted to blow up the

974
00:50:13,560 --> 00:50:16,719
Speaker 1: school or something. And I'm like, you're barking up the

975
00:50:16,760 --> 00:50:21,680
Speaker 1: wrong tree. These are stoner idiots who love a David

976
00:50:21,680 --> 00:50:25,759
Speaker 1: Fincher movie. This is there's no deep state plot here.

977
00:50:25,800 --> 00:50:28,520
Speaker 1: And that's how embarrassing this movie is because every time

978
00:50:28,520 --> 00:50:30,000
Speaker 1: I see it now, I'm like, oh God, remember when

979
00:50:30,000 --> 00:50:33,080
Speaker 1: I was in the Seven Deadly Monkeys and fuck.

980
00:50:32,880 --> 00:50:36,719
Speaker 2: Man, you have to tell me which one you were?

981
00:50:37,000 --> 00:50:38,399
Speaker 2: What Dadleson were you?

982
00:50:38,600 --> 00:50:39,600
Speaker 1: I think I was Anger?

983
00:50:40,040 --> 00:50:41,160
Speaker 2: Incredible?

984
00:50:41,600 --> 00:50:43,640
Speaker 1: Yeah I should have you know, obviously should have been

985
00:50:43,760 --> 00:50:46,120
Speaker 1: sloth or gluttony, but was definitely anger.

986
00:50:46,280 --> 00:50:49,080
Speaker 2: Did you write notes that were like too anger, love

987
00:50:49,239 --> 00:50:54,040
Speaker 2: sloth or like was it like I hate this school?

988
00:50:54,400 --> 00:50:55,839
Speaker 2: And they were like.

989
00:50:56,560 --> 00:51:01,000
Speaker 1: Pride, listen me, Sloth and I outside of Taco Bell

990
00:51:01,360 --> 00:51:05,239
Speaker 1: next period. Lust will be there too. We need to talk.

991
00:51:07,000 --> 00:51:11,359
Speaker 2: We're going to Taco Bell. Me, Pride and Lust are

992
00:51:11,360 --> 00:51:12,279
Speaker 2: going to Taco Bell.

993
00:51:12,480 --> 00:51:16,480
Speaker 1: This was the early days of Microsoft Word in Microsoft Office.

994
00:51:17,080 --> 00:51:19,640
Speaker 1: I think we typed out some stuff and used like

995
00:51:19,680 --> 00:51:23,880
Speaker 1: a really stupid Microsoft flont I gotta find it. I

996
00:51:23,920 --> 00:51:26,279
Speaker 1: gotta find it. I think it's in California, So maybe

997
00:51:26,320 --> 00:51:29,840
Speaker 1: I'll get you to drive to my storage space and

998
00:51:30,040 --> 00:51:31,319
Speaker 1: go fucking find it.

999
00:51:32,239 --> 00:51:35,080
Speaker 2: I would do that would spend four days of my

1000
00:51:35,120 --> 00:51:39,520
Speaker 2: life doing that. Need me. I spent a solid week

1001
00:51:39,560 --> 00:51:42,480
Speaker 2: of my life looking for this week Microsoft.

1002
00:51:43,760 --> 00:51:45,799
Speaker 1: Yeah it was. I mean there was a lot of

1003
00:51:45,800 --> 00:51:51,360
Speaker 1: clip art of daggers and dragons and thank you. Yeah.

1004
00:51:51,480 --> 00:51:54,120
Speaker 2: I want to interview every single one of the Seven

1005
00:51:54,160 --> 00:51:57,640
Speaker 2: Deadly Monkeys. We need to have them on the show.

1006
00:51:58,320 --> 00:52:00,000
Speaker 2: I want you all talking to David Finch.

1007
00:52:00,040 --> 00:52:04,680
Speaker 1: Sure be like, look, listen, I can probably I haven't

1008
00:52:04,719 --> 00:52:08,279
Speaker 1: talked to them in a really really long time, like

1009
00:52:08,560 --> 00:52:12,399
Speaker 1: twenty years maybe, but I'm almost certain that one of them,

1010
00:52:12,520 --> 00:52:16,200
Speaker 1: at least one of them is probably like a cryptocurrency king.

1011
00:52:16,520 --> 00:52:21,000
Speaker 1: Like it's gonna be that, like someone's out there with

1012
00:52:21,239 --> 00:52:25,240
Speaker 1: like sitting on like seven million in bitcoin or something

1013
00:52:25,320 --> 00:52:26,800
Speaker 1: like this, like that level.

1014
00:52:27,200 --> 00:52:30,480
Speaker 2: How many of the Seven Deadly Monkeys bought Game Stop.

1015
00:52:32,239 --> 00:52:35,640
Speaker 1: All of them but me and I didn't because I

1016
00:52:35,719 --> 00:52:42,360
Speaker 1: just didn't know how to buy stocks. I I really

1017
00:52:42,400 --> 00:52:44,560
Speaker 1: want to edit all of that out, but I'm.

1018
00:52:46,960 --> 00:52:50,160
Speaker 2: You can't. It's too good. Oh my god, we have

1019
00:52:50,200 --> 00:52:54,440
Speaker 2: to call this episode seven Deadly Monkey. It is too good.

1020
00:52:56,680 --> 00:53:00,239
Speaker 1: Good. It's so bad and embarrassing. But I had to

1021
00:53:00,239 --> 00:53:04,719
Speaker 1: say it is because of this stupid movie, which I

1022
00:53:04,760 --> 00:53:07,839
Speaker 1: haven't actually seen it a long time, but man, uh

1023
00:53:08,120 --> 00:53:10,760
Speaker 1: it really hit me when I was in high school.

1024
00:53:10,840 --> 00:53:11,480
Speaker 1: So there you go.

1025
00:53:11,600 --> 00:53:14,759
Speaker 2: Oh this is like there's no better way to end it.

1026
00:53:16,880 --> 00:53:19,440
Speaker 2: I feel like this is a topic we can revisit anytime.

1027
00:53:19,560 --> 00:53:21,880
Speaker 2: But we got a couple of good themes out of this. Yes,

1028
00:53:21,960 --> 00:53:25,520
Speaker 2: we've definitely got Like I mean, look, people are always

1029
00:53:25,640 --> 00:53:28,040
Speaker 2: asking us, like for a hashtag or what they can

1030
00:53:28,080 --> 00:53:31,359
Speaker 2: call themselves. If if people who listen to our show

1031
00:53:31,400 --> 00:53:36,680
Speaker 2: call themselves the Seven Deadly Monkeys, I would never need

1032
00:53:36,719 --> 00:53:40,080
Speaker 2: anything else in my life to happen. That's good. I

1033
00:53:40,080 --> 00:53:42,840
Speaker 2: would be the end of everything good.

1034
00:53:44,040 --> 00:53:46,319
Speaker 1: I'm sure like this is this is never gonna happen,

1035
00:53:46,360 --> 00:53:50,880
Speaker 1: but it'll be that moment like where one of the

1036
00:53:51,040 --> 00:53:53,839
Speaker 1: Seven Deadly Monkeys who's now like a father of four

1037
00:53:54,680 --> 00:53:58,640
Speaker 1: and works at like Deloit and Touche, Yeah, Deloy and

1038
00:53:58,760 --> 00:54:04,720
Speaker 1: Hushe or a handa dealership, is scrolling Instagram and sees

1039
00:54:04,760 --> 00:54:07,239
Speaker 1: a hashtag that says seven Deadly Monkeys and it just

1040
00:54:07,280 --> 00:54:11,040
Speaker 1: literally sits up in bed. And just like I thought

1041
00:54:11,080 --> 00:54:16,359
Speaker 1: that secret would have gone to the grave. We had

1042
00:54:16,360 --> 00:54:18,520
Speaker 1: a deep pact that no one would ever speak of

1043
00:54:18,560 --> 00:54:23,480
Speaker 1: the Seven Deadly Monkeys. There's been a breach there's been

1044
00:54:23,520 --> 00:54:23,960
Speaker 1: a breach.

1045
00:54:26,239 --> 00:54:28,400
Speaker 2: Four of the Seven Deadly Monkeys would sue for the

1046
00:54:28,520 --> 00:54:32,959
Speaker 2: name exactly right, would be like, I'm sorry, we didn't

1047
00:54:33,000 --> 00:54:34,920
Speaker 2: realize when you put this out in the world as

1048
00:54:34,920 --> 00:54:36,320
Speaker 2: a title of your show that we were going to

1049
00:54:36,400 --> 00:54:37,440
Speaker 2: be in litigation for this.

1050
00:54:42,200 --> 00:54:46,439
Speaker 1: I I feel like sometimes like I'm like, I don't

1051
00:54:46,480 --> 00:54:48,680
Speaker 1: give enough of myself on this podcast. Sometimes I don't

1052
00:54:48,719 --> 00:54:52,960
Speaker 1: really talk a ton about things from my past in

1053
00:54:53,000 --> 00:54:55,360
Speaker 1: this way that I'm like, maybe that's a there's a

1054
00:54:55,400 --> 00:54:56,160
Speaker 1: good reason.

1055
00:54:56,920 --> 00:55:00,000
Speaker 2: But also I wish you fucking would because I'm gonna

1056
00:55:00,000 --> 00:55:00,960
Speaker 2: I started ragging this.

1057
00:55:00,920 --> 00:55:01,680
Speaker 1: Shit out of you.

1058
00:55:02,080 --> 00:55:05,360
Speaker 2: I never in my life would have on my own

1059
00:55:05,800 --> 00:55:11,440
Speaker 2: thought to ask were you in any weird goth secret

1060
00:55:11,520 --> 00:55:12,840
Speaker 2: gangs in high school?

1061
00:55:15,800 --> 00:55:19,279
Speaker 1: Now we're based on the movie seven I listen.

1062
00:55:19,360 --> 00:55:21,080
Speaker 2: If this is the kind of shit that comes out

1063
00:55:21,120 --> 00:55:23,480
Speaker 2: of you revealing more about your life, you need to

1064
00:55:24,280 --> 00:55:29,080
Speaker 2: use this podcast as the jumping off point for every

1065
00:55:29,120 --> 00:55:32,640
Speaker 2: story you've ever had. You have the most amazing stories.

1066
00:55:33,080 --> 00:55:36,040
Speaker 1: Well, I am certain that even April, my best friend

1067
00:55:36,040 --> 00:55:37,560
Speaker 1: who went high school, doesn't even know about this.

1068
00:55:37,640 --> 00:55:42,799
Speaker 4: I literally have never talked about this before. Now you're

1069
00:55:42,840 --> 00:55:45,080
Speaker 4: gonna try to cut it and we are not cutting

1070
00:55:45,080 --> 00:55:49,640
Speaker 4: the ship. Oh God, the word is out. We are

1071
00:55:49,680 --> 00:55:54,440
Speaker 4: seven deadly bunkies. That is every listener to our show.

1072
00:55:54,600 --> 00:55:57,879
Speaker 4: We want the hashtag roland God, I.

1073
00:55:57,880 --> 00:56:00,120
Speaker 1: Want to die.

1074
00:56:00,200 --> 00:56:00,680
Speaker 2: I love it.

1075
00:56:01,200 --> 00:56:08,120
Speaker 1: Oh God, well listen on that note. AM so happy

1076
00:56:08,200 --> 00:56:10,840
Speaker 1: that we took this trip down memory lane. I'm so

1077
00:56:10,960 --> 00:56:13,040
Speaker 1: happy to be doing this podcast with you, to be

1078
00:56:13,120 --> 00:56:17,359
Speaker 1: laughing about our shit from like high school and this

1079
00:56:17,440 --> 00:56:18,560
Speaker 1: is awesome. I'm so glad.

1080
00:56:18,560 --> 00:56:22,279
Speaker 2: It is the funniest and the best time always, and

1081
00:56:22,360 --> 00:56:24,399
Speaker 2: I'm so I'm so glad we got through that time

1082
00:56:24,440 --> 00:56:27,200
Speaker 2: in our life and all the years after, because look,

1083
00:56:27,880 --> 00:56:30,040
Speaker 2: you start with seven deadly monkeys, it takes you like

1084
00:56:30,040 --> 00:56:35,279
Speaker 2: twenty years to recover from being that person, like that

1085
00:56:35,400 --> 00:56:38,359
Speaker 2: is an ingrained part of your personality. And I say

1086
00:56:38,400 --> 00:56:42,920
Speaker 2: that as someone who like imprinted like a duck on

1087
00:56:43,040 --> 00:56:45,520
Speaker 2: fucking madhouse and pump up the volume, like it takes

1088
00:56:45,560 --> 00:56:48,879
Speaker 2: you a while to get that shit out of your system.

1089
00:56:49,040 --> 00:56:50,840
Speaker 2: So I'm glad we got through it and could be

1090
00:56:50,920 --> 00:56:54,240
Speaker 2: here in this moment and be cool and rad.

1091
00:56:55,120 --> 00:56:58,520
Speaker 1: Thank you for holding space for my seven Deadly Monkeys admission.

1092
00:56:58,560 --> 00:57:01,960
Speaker 3: I really appreciate it that I cannot believe that.

1093
00:57:01,960 --> 00:57:05,440
Speaker 2: You held on the Seven Deadly Monkeys for this long,

1094
00:57:05,920 --> 00:57:08,640
Speaker 2: but I'm also glad that you did. I don't believe it,

1095
00:57:08,920 --> 00:57:10,279
Speaker 2: but I'm so glad that you did.

1096
00:57:10,760 --> 00:57:14,400
Speaker 1: Having said any of that, if you have, I actually

1097
00:57:14,400 --> 00:57:17,200
Speaker 1: would be curious to know about your high school favorites.

1098
00:57:17,240 --> 00:57:19,200
Speaker 1: If you, I'm sure daniell is too. If you want

1099
00:57:19,200 --> 00:57:21,880
Speaker 1: to email us, I saw what you did pot at

1100
00:57:21,880 --> 00:57:22,840
Speaker 1: gmail dot com.

1101
00:57:23,160 --> 00:57:25,520
Speaker 2: Yeah, you can hit us up on Instagram and Twitter

1102
00:57:25,600 --> 00:57:28,000
Speaker 2: at I saw pod and let us know what you

1103
00:57:28,000 --> 00:57:30,360
Speaker 2: were into in high school and if you had any

1104
00:57:30,440 --> 00:57:35,439
Speaker 2: gangs or clubs or anything close. I mean, no one's

1105
00:57:35,440 --> 00:57:37,200
Speaker 2: gonna top seven Deadly Monkeys.

1106
00:57:37,280 --> 00:57:40,120
Speaker 1: Here's here's what I'm proposing right now. If you have

1107
00:57:40,480 --> 00:57:43,200
Speaker 1: a picture of yourself as a goth teenager that was

1108
00:57:43,240 --> 00:57:47,520
Speaker 1: in a goth gang, hashtag that shit with seven Deadly Monkeys.

1109
00:57:48,200 --> 00:57:50,640
Speaker 1: I want to see it right now.

1110
00:57:51,440 --> 00:57:57,600
Speaker 2: Tag your weird high school club photos, tag your high

1111
00:57:57,640 --> 00:58:01,000
Speaker 2: school gang. I want the seven Deadly Monkey's hashtag to

1112
00:58:01,040 --> 00:58:06,720
Speaker 2: be fucking pumpin' reveal all. Even if it's just you

1113
00:58:06,760 --> 00:58:10,520
Speaker 2: and one other person, don't care. Get it in there.

1114
00:58:10,560 --> 00:58:11,880
Speaker 2: You could have been a gang of one.

1115
00:58:12,000 --> 00:58:14,160
Speaker 1: Get it in there and listen. I don't want to

1116
00:58:14,160 --> 00:58:17,280
Speaker 1: see anybody if you were a Heather, If you were

1117
00:58:17,280 --> 00:58:20,960
Speaker 1: a Heather and you you know, had amazing hair and

1118
00:58:21,040 --> 00:58:27,640
Speaker 1: skin in high school, and we're a hotti boomblatti, I

1119
00:58:27,680 --> 00:58:29,960
Speaker 1: would love to see your gang, but not with the

1120
00:58:30,000 --> 00:58:34,000
Speaker 1: seven Monkey sashtag. This is truly for the losers only

1121
00:58:34,680 --> 00:58:39,200
Speaker 1: the losers dance, bring it, that's what I want to see.

1122
00:58:39,480 --> 00:58:43,880
Speaker 2: This is the den of iniquity for high school days.

1123
00:58:44,920 --> 00:58:48,680
Speaker 2: Oh my god, well show us your Seven Deadly Monkeys crew.

1124
00:58:48,720 --> 00:58:51,840
Speaker 2: I cannot wait. I want to release this now today.

1125
00:58:52,880 --> 00:58:55,920
Speaker 1: Thank you to everybody who has subscribed to us on

1126
00:58:55,960 --> 00:58:58,920
Speaker 1: Stage Premium. We really appreciate it. It helps Danielle and

1127
00:58:58,960 --> 00:59:03,240
Speaker 1: I and the show so much. It's great. And any

1128
00:59:03,240 --> 00:59:04,400
Speaker 1: final words.

1129
00:59:04,560 --> 00:59:09,040
Speaker 2: I mean, if you know John Lara Kitt Senior, tell

1130
00:59:09,080 --> 00:59:12,040
Speaker 2: them to hit me up, hit this up of you

1131
00:59:11,720 --> 00:59:14,200
Speaker 2: if if you were part of the Seven Deadly Monkeys

1132
00:59:14,240 --> 00:59:16,720
Speaker 2: of your own and also tell us the name of

1133
00:59:16,760 --> 00:59:19,880
Speaker 2: your group, and uh, you know, we're probably gonna cut

1134
00:59:19,880 --> 00:59:22,160
Speaker 2: all of this. We're gonna end with Millie being a professional,

1135
00:59:22,200 --> 00:59:26,080
Speaker 2: awesome radio person that said of me being like, hit

1136
00:59:26,120 --> 00:59:27,120
Speaker 2: me up, John larak.

1137
00:59:26,920 --> 00:59:31,080
Speaker 1: Kitt, No, I want John Layer k had to come

1138
00:59:31,120 --> 00:59:33,520
Speaker 1: on and talk about Jurassic Park. So let's keep it in.

1139
00:59:33,840 --> 00:59:35,480
Speaker 1: Oh my gosh, I'm that name.

1140
00:59:36,760 --> 00:59:38,800
Speaker 2: You're the best. Thank you for bearing with me.

1141
00:59:38,960 --> 00:59:40,680
Speaker 1: We'll see you soon. Thanks again.

1142
00:59:41,080 --> 00:59:49,080
Speaker 2: Thanks everyone, This has been an exactly right production. Our

1143
00:59:49,120 --> 00:59:52,440
Speaker 2: producer is Laura Elizabeth Brown. Our engineer is Analie Nelson.

1144
00:59:52,640 --> 00:59:55,760
Speaker 2: Our social media assistant is Tarren Maza. Our theme songs

1145
00:59:55,800 --> 00:59:59,600
Speaker 2: by Tom Bryfogel, artwork by Garrett Ross. Our executive producers

1146
00:59:59,600 --> 01:00:02,400
Speaker 2: are George It's Hard Stark, Karen Coilgareth and Danielle Kramer.

1147
01:00:02,680 --> 01:00:05,720
Speaker 2: You can follow us on Instagram and Twitter at I sawpod,

1148
01:00:05,960 --> 01:00:09,080
Speaker 2: and as always, please listen, subscribe, and leave us a

1149
01:00:09,120 --> 01:00:12,360
Speaker 2: review on Apple podcast, Stitcher, or wherever you listen