1 00:00:00,960 --> 00:00:04,920 Speaker 1: Look, maher, oh, I see you my own look over 2 00:00:04,960 --> 00:00:10,200 Speaker 1: there is that culture. Yes, wow, lost cult. 3 00:00:10,600 --> 00:00:16,840 Speaker 2: Ding dung lost culture restas calling, still hungover, still on 4 00:00:16,920 --> 00:00:21,600 Speaker 2: the come down from awards now still Honestly, the awards 5 00:00:21,640 --> 00:00:26,080 Speaker 2: went off without a hitch. They were New York's biggest night, 6 00:00:26,120 --> 00:00:26,759 Speaker 2: wouldn't you say? 7 00:00:26,800 --> 00:00:26,960 Speaker 1: Bo? 8 00:00:27,240 --> 00:00:30,639 Speaker 3: I would say it was truly such an honor to 9 00:00:30,640 --> 00:00:33,680 Speaker 3: be at the cultural epicenter of New York City, where 10 00:00:33,720 --> 00:00:37,520 Speaker 3: some of the most amazing cultural events take place. 11 00:00:38,240 --> 00:00:39,479 Speaker 1: Talking of course about. 12 00:00:39,320 --> 00:00:43,040 Speaker 2: The Big Apple Circus, yes, of course no, but in 13 00:00:43,040 --> 00:00:46,000 Speaker 2: a very real way it was last year I got 14 00:00:46,000 --> 00:00:48,920 Speaker 2: overwhelmed at the end and begun to weep on stage. 15 00:00:48,960 --> 00:00:50,800 Speaker 2: And this year I look over at my sister and 16 00:00:50,880 --> 00:00:56,520 Speaker 2: I saw that steely facade had melted it away, and 17 00:00:56,560 --> 00:00:57,520 Speaker 2: Bowen had. 18 00:00:57,320 --> 00:00:59,560 Speaker 1: Begun to weep. He had begun to weep. 19 00:00:59,280 --> 00:01:01,639 Speaker 3: In a way I know my heart was waking up. 20 00:01:02,480 --> 00:01:05,600 Speaker 3: And all the walls came tumbling down, they really did. 21 00:01:06,760 --> 00:01:10,920 Speaker 2: But wow, all the Katies, readers, publicists and finalists who 22 00:01:11,000 --> 00:01:14,440 Speaker 2: came out, and I will say whether you got in 23 00:01:14,520 --> 00:01:16,800 Speaker 2: and were present at the event or not, and we 24 00:01:16,840 --> 00:01:20,680 Speaker 2: will address this. We just want to say thank you 25 00:01:20,760 --> 00:01:23,880 Speaker 2: so much. I mean the fact that this was just 26 00:01:23,880 --> 00:01:26,039 Speaker 2: a little tiny bit that we decided we'd do on 27 00:01:26,080 --> 00:01:30,720 Speaker 2: the podcast, and then it became this literal event. And 28 00:01:30,760 --> 00:01:33,440 Speaker 2: we'll get into the particulars of what the event entailed, 29 00:01:33,440 --> 00:01:35,720 Speaker 2: because I mean, I'm still so shook by some of 30 00:01:35,760 --> 00:01:39,240 Speaker 2: the stuff that happened, but just the biggest thank you 31 00:01:39,280 --> 00:01:43,720 Speaker 2: and the biggest hug and uh, you know, hopefully contentual 32 00:01:43,959 --> 00:01:47,080 Speaker 2: open kiss on the mouth to all of you, because 33 00:01:47,240 --> 00:01:50,920 Speaker 2: this was this was an unforgettable one for sure. 34 00:01:51,120 --> 00:01:55,560 Speaker 3: Definitely I would say the same. 35 00:01:56,520 --> 00:01:58,760 Speaker 1: And I was just kind. 36 00:01:58,560 --> 00:02:02,200 Speaker 3: Of overcome by the end of the night with how 37 00:02:02,280 --> 00:02:05,200 Speaker 3: lovely it was and hearing a lot of fun stories 38 00:02:05,200 --> 00:02:10,200 Speaker 3: from people about friends they made in line, reunions that happened, 39 00:02:10,240 --> 00:02:14,840 Speaker 3: a lot of solo people meeting up together really really special. 40 00:02:14,919 --> 00:02:15,839 Speaker 1: So thank you so much. 41 00:02:15,960 --> 00:02:18,639 Speaker 3: Yeah, on the subject before we get into like, yeah, 42 00:02:18,760 --> 00:02:22,120 Speaker 3: a little breakdown. If you couldn't get in, We're so sorry. 43 00:02:22,960 --> 00:02:25,240 Speaker 3: It really did. MA can attest to this for me, 44 00:02:25,560 --> 00:02:27,359 Speaker 3: for both of us, But I mean I was really 45 00:02:27,480 --> 00:02:30,360 Speaker 3: really like worked up about it afterwards. At the after thing, 46 00:02:30,400 --> 00:02:32,280 Speaker 3: I was like, oh God, I'm hearing about people who 47 00:02:32,280 --> 00:02:35,040 Speaker 3: couldn't get in, and I feel so bad. But the 48 00:02:35,160 --> 00:02:39,040 Speaker 3: fact is that in the future this will be something 49 00:02:39,040 --> 00:02:42,000 Speaker 3: that truly anyone who wants to see it be a 50 00:02:42,000 --> 00:02:43,840 Speaker 3: part of it can be a part of it. We'll 51 00:02:43,880 --> 00:02:44,760 Speaker 3: leave it at that for now. 52 00:02:45,680 --> 00:02:49,919 Speaker 2: Yeah, we are definitely aware of the fact now and 53 00:02:49,960 --> 00:02:53,440 Speaker 2: not And I will say this is like I guess 54 00:02:53,440 --> 00:02:57,040 Speaker 2: to boil it down the success of an event like this, 55 00:02:57,600 --> 00:03:03,200 Speaker 2: and honestly, honestly, this podcast in general continues to surprise us. 56 00:03:03,240 --> 00:03:07,280 Speaker 2: And so I think that when we say something like, well, 57 00:03:07,320 --> 00:03:10,519 Speaker 2: if you come two hours early to our free event 58 00:03:10,600 --> 00:03:13,960 Speaker 2: in an outdoor space, you're gonna get in, that's because 59 00:03:14,080 --> 00:03:17,959 Speaker 2: we are so new to the fact where that might 60 00:03:18,000 --> 00:03:21,320 Speaker 2: not be the case. And so I think that please 61 00:03:21,440 --> 00:03:25,120 Speaker 2: understand that our intentions in sort of directing you guys 62 00:03:25,200 --> 00:03:27,400 Speaker 2: in the way that we wanted everyone to get into 63 00:03:27,440 --> 00:03:31,880 Speaker 2: the event were only with the intention of being as 64 00:03:31,960 --> 00:03:35,040 Speaker 2: liberal as possible with how much time you needed and 65 00:03:35,440 --> 00:03:38,640 Speaker 2: trying to over prepare you for what kind of weight 66 00:03:38,680 --> 00:03:40,560 Speaker 2: would happen. And then the fact that a couple people 67 00:03:40,600 --> 00:03:42,720 Speaker 2: waited a couple hours and still did not get in, 68 00:03:43,280 --> 00:03:46,240 Speaker 2: I really and like, I don't want this to be 69 00:03:46,280 --> 00:03:48,440 Speaker 2: the narrative about the event, because we did work so 70 00:03:48,480 --> 00:03:50,840 Speaker 2: hard hard on it, and so many people did and 71 00:03:50,880 --> 00:03:54,560 Speaker 2: it was so much fun. But suffice to say, if 72 00:03:54,560 --> 00:03:56,720 Speaker 2: you did go to great length to be there and 73 00:03:56,800 --> 00:03:58,600 Speaker 2: could not enjoy it in the way you wanted to, 74 00:03:59,160 --> 00:04:01,840 Speaker 2: this is something that is certainly towards the top of 75 00:04:01,880 --> 00:04:05,520 Speaker 2: our minds, and we will do things in the future 76 00:04:05,560 --> 00:04:08,080 Speaker 2: to make it up to you, seriously, because we're now 77 00:04:08,360 --> 00:04:12,040 Speaker 2: aware this is probably the last time we can do something. 78 00:04:11,760 --> 00:04:16,360 Speaker 1: Like that in that way. Correct, But we love you down. 79 00:04:16,480 --> 00:04:19,360 Speaker 2: In the words of Tomas Mato left You Down their 80 00:04:19,680 --> 00:04:22,040 Speaker 2: original All I Want for Christmas is You by Mariah 81 00:04:22,040 --> 00:04:22,919 Speaker 2: Carey rap. 82 00:04:22,839 --> 00:04:25,520 Speaker 3: Verse, which was really beautiful, so inspired. I mean, they 83 00:04:25,520 --> 00:04:28,080 Speaker 3: took the time to write a custom verse for this event, 84 00:04:28,760 --> 00:04:33,960 Speaker 3: really referencing all of the listenerships, but especially saying blanketing 85 00:04:35,080 --> 00:04:37,279 Speaker 3: all of you by saying you're all finalists. 86 00:04:38,240 --> 00:04:40,080 Speaker 2: Oh yeah, if you took the time to try to 87 00:04:40,120 --> 00:04:41,880 Speaker 2: make it out last night, you are a finalist. 88 00:04:41,920 --> 00:04:42,600 Speaker 1: You have graduated. 89 00:04:42,680 --> 00:04:44,680 Speaker 2: I understand that a lot of people are saying they 90 00:04:44,720 --> 00:04:48,200 Speaker 2: identify as Katie's readers, publicists, and that there's a little 91 00:04:48,240 --> 00:04:50,720 Speaker 2: bit of shyness when it comes to claiming the title 92 00:04:50,760 --> 00:04:53,479 Speaker 2: of finalist. But if you made your way out there 93 00:04:53,560 --> 00:04:56,080 Speaker 2: and what was for a short time a drizzle. 94 00:04:56,360 --> 00:05:00,119 Speaker 1: Yeah, you're a finalist. You're a finalist. I will say that. 95 00:05:01,240 --> 00:05:03,520 Speaker 3: You know, if you had fomo about this year, no 96 00:05:03,560 --> 00:05:05,359 Speaker 3: matter what your reason was, if you were in town, 97 00:05:05,440 --> 00:05:08,720 Speaker 3: if you couldn't get seating, it's only going to get 98 00:05:08,720 --> 00:05:10,640 Speaker 3: bigger and better from now on in the future. 99 00:05:10,760 --> 00:05:11,120 Speaker 1: Truly. 100 00:05:11,360 --> 00:05:14,800 Speaker 3: Also, I was only comfortable really saying come a couple 101 00:05:14,880 --> 00:05:16,760 Speaker 3: hours before because I'm not going to be the person 102 00:05:16,760 --> 00:05:17,960 Speaker 3: I don't know about you, Matt. I'm not gonna be 103 00:05:17,960 --> 00:05:20,880 Speaker 3: the person who's gonna say come, sit and wait in 104 00:05:20,920 --> 00:05:23,760 Speaker 3: line for longer than the actual show itself. Like that 105 00:05:23,920 --> 00:05:26,240 Speaker 3: is right at that point, Like it's almost no matter 106 00:05:26,279 --> 00:05:29,640 Speaker 3: how great the show is, usually not worth it, right. 107 00:05:30,400 --> 00:05:32,240 Speaker 2: I mean I guess that was not up to us, 108 00:05:32,279 --> 00:05:34,320 Speaker 2: but everyone that came thought it was worth it. And 109 00:05:34,360 --> 00:05:36,520 Speaker 2: the thing is like, we will continue to make it 110 00:05:36,560 --> 00:05:39,279 Speaker 2: worth it going forward. And I also think there's another 111 00:05:39,320 --> 00:05:42,160 Speaker 2: thing of like, you know, when this event is coming together, 112 00:05:42,279 --> 00:05:44,640 Speaker 2: we have the most incredible producer. 113 00:05:45,000 --> 00:05:47,520 Speaker 1: Her name is Lauren Mandel. She's gonna run so basically 114 00:05:47,720 --> 00:05:50,600 Speaker 1: she's gonna run this town. I mean that's for real. 115 00:05:51,040 --> 00:05:53,760 Speaker 2: And we Bowen and I in the week's leading up 116 00:05:53,880 --> 00:05:56,400 Speaker 2: to the event sort of just throw things out there 117 00:05:56,600 --> 00:05:59,080 Speaker 2: that we think would be fun to happen, Like, oh, 118 00:05:59,200 --> 00:06:02,240 Speaker 2: would be fun if you know, the cast of Titany 119 00:06:02,360 --> 00:06:03,080 Speaker 2: came and performed. 120 00:06:03,080 --> 00:06:03,680 Speaker 1: It would be fun. 121 00:06:03,720 --> 00:06:07,080 Speaker 2: If we could get a video from such and such 122 00:06:07,080 --> 00:06:08,560 Speaker 2: and we'll get into it, and like, and if they 123 00:06:08,600 --> 00:06:10,800 Speaker 2: wanted to accept the award and send in a video. 124 00:06:10,920 --> 00:06:13,520 Speaker 2: People that are like objectively kind of busy right now, 125 00:06:13,640 --> 00:06:15,039 Speaker 2: and if they want to take their time out and 126 00:06:15,040 --> 00:06:17,120 Speaker 2: do this, like that would be cool. And then showing 127 00:06:17,200 --> 00:06:21,760 Speaker 2: up and it's all actually happened that we were allowed 128 00:06:21,760 --> 00:06:25,760 Speaker 2: to just be creative. Like Lauren Mandel, I almost don't 129 00:06:25,760 --> 00:06:27,400 Speaker 2: even want to share her name with you, because I 130 00:06:27,440 --> 00:06:29,960 Speaker 2: don't want anyone out there who's creative and like might 131 00:06:30,000 --> 00:06:31,640 Speaker 2: be able to hire her to take her from us. 132 00:06:31,920 --> 00:06:33,560 Speaker 2: But then again, I do want her to have all 133 00:06:33,600 --> 00:06:36,040 Speaker 2: the success in the world, so I will begrudgingly share 134 00:06:36,520 --> 00:06:40,039 Speaker 2: her name and talents with you. But I mean, she 135 00:06:40,279 --> 00:06:44,280 Speaker 2: made the show just an eleven out of ten, and 136 00:06:45,000 --> 00:06:47,880 Speaker 2: we were able to be just so joyous and preparing 137 00:06:47,960 --> 00:06:50,840 Speaker 2: for it. I mean, let's just so we just recap 138 00:06:50,920 --> 00:06:51,440 Speaker 2: from the top. 139 00:06:51,680 --> 00:06:53,760 Speaker 3: Yes, let's becapped from the top, But I just want 140 00:06:53,760 --> 00:06:55,719 Speaker 3: to post in and all the Lauren Mandel shouts and 141 00:06:55,760 --> 00:06:59,039 Speaker 3: shout outs to the rest of the team, Karina Strom, 142 00:06:59,480 --> 00:07:03,799 Speaker 3: Maggie Leel, Randy Silver, We love you Randy so much. 143 00:07:04,279 --> 00:07:08,440 Speaker 3: Charlotte Harrison, who designed the trophies, printed out the cards, 144 00:07:08,880 --> 00:07:12,000 Speaker 3: cut together so many of the designed the graphic treatment. 145 00:07:12,120 --> 00:07:15,480 Speaker 3: Ryan Gainer, her fiance for editing the videos, all the 146 00:07:15,560 --> 00:07:18,520 Speaker 3: videos that you saw, just did an amazing group of people. 147 00:07:18,640 --> 00:07:21,960 Speaker 3: David Davin for music directing, arranging these absolute. 148 00:07:22,080 --> 00:07:25,760 Speaker 2: Band the dancers had this year. That was an whole 149 00:07:25,800 --> 00:07:28,160 Speaker 2: other element that was such a gag. I mean, like 150 00:07:28,240 --> 00:07:30,960 Speaker 2: it was if you came last year, it was like 151 00:07:31,120 --> 00:07:34,560 Speaker 2: last year, like doubled and like we will double that 152 00:07:34,680 --> 00:07:37,360 Speaker 2: we promised you this one. This has now become something 153 00:07:37,400 --> 00:07:40,520 Speaker 2: that we find so much joy in doing. And of 154 00:07:40,520 --> 00:07:43,680 Speaker 2: course all the presenters and winners that we had in 155 00:07:43,760 --> 00:07:45,840 Speaker 2: performers and everyone at Lincoln Center too. 156 00:07:45,880 --> 00:07:47,080 Speaker 1: This was just the coolest. 157 00:07:47,240 --> 00:07:59,280 Speaker 2: Yeah, just to begin from the top. We began with 158 00:07:59,360 --> 00:08:02,280 Speaker 2: a performance, a Record of the Year nominee eighth World 159 00:08:02,320 --> 00:08:06,760 Speaker 2: Wonder And I feel that I was able to look 160 00:08:06,840 --> 00:08:09,360 Speaker 2: back at my like I don't know, thirteen fourteen year 161 00:08:09,400 --> 00:08:12,720 Speaker 2: old self and say, yes, you did perform eighth World 162 00:08:12,760 --> 00:08:14,200 Speaker 2: Wonder to a crowd of thousands. 163 00:08:14,280 --> 00:08:16,600 Speaker 3: You know what I'm saying, You traveled back in time 164 00:08:16,640 --> 00:08:18,000 Speaker 3: in that moment you think. 165 00:08:18,680 --> 00:08:21,160 Speaker 2: I just remember being young and thinking this is one 166 00:08:21,200 --> 00:08:24,160 Speaker 2: of the greatest pop songs of all time and it's 167 00:08:24,440 --> 00:08:27,000 Speaker 2: sort of being played on the radio. And to now 168 00:08:27,160 --> 00:08:29,320 Speaker 2: have it be performed in the same show as Pam 169 00:08:29,400 --> 00:08:33,440 Speaker 2: Padam America's number on the world's number one song, I 170 00:08:33,520 --> 00:08:36,760 Speaker 2: mean a shout out to Kimberly Lock and please Kimberly 171 00:08:36,840 --> 00:08:40,040 Speaker 2: hear us when we say you did that, You did that. 172 00:08:40,120 --> 00:08:43,120 Speaker 3: Kimberly Lock, who is now? I think in her like 173 00:08:43,720 --> 00:08:46,880 Speaker 3: either and I would love for her or anyone who 174 00:08:46,920 --> 00:08:49,400 Speaker 3: knows hers more familiar with her correct me on this. 175 00:08:49,679 --> 00:08:53,320 Speaker 3: I think she's in her like life coach slash influencer era. 176 00:08:53,480 --> 00:08:56,280 Speaker 3: I'm checking out her Instagram, her socials. She's at a 177 00:08:56,320 --> 00:09:00,960 Speaker 3: winery talking to camera, front facing going what's keeping you 178 00:09:01,040 --> 00:09:03,360 Speaker 3: from your success? Or you know that kind of thing, 179 00:09:03,400 --> 00:09:03,880 Speaker 3: And I'm like. 180 00:09:04,160 --> 00:09:05,880 Speaker 1: Ah, she is. It feels right. 181 00:09:06,360 --> 00:09:09,319 Speaker 3: Klo As she was called season two of American Idol. 182 00:09:09,320 --> 00:09:13,120 Speaker 3: Oh yeah, we called her Kalo. She seemed to Gosh 183 00:09:13,160 --> 00:09:14,360 Speaker 3: and you and I were talking about this right, Like 184 00:09:14,400 --> 00:09:16,840 Speaker 3: that was a time in pop culture when, especially an 185 00:09:16,840 --> 00:09:21,320 Speaker 3: American Idol where it was but they wear glasses. They 186 00:09:21,400 --> 00:09:23,640 Speaker 3: have so much talent, but they wear glasses. That was 187 00:09:23,720 --> 00:09:25,840 Speaker 3: Klay ak And and Kimberly Walk in the same season. 188 00:09:26,880 --> 00:09:29,840 Speaker 2: I mean literally, what the theme of that just to 189 00:09:29,880 --> 00:09:32,040 Speaker 2: sort of leave the cultural awards behind for a second 190 00:09:32,040 --> 00:09:34,360 Speaker 2: and to sort of talk about more pertinent things like 191 00:09:34,440 --> 00:09:37,720 Speaker 2: season two of American Idol and its themes. What the 192 00:09:37,720 --> 00:09:40,120 Speaker 2: theme I remember in the beginning of American Idol Season 193 00:09:40,160 --> 00:09:42,920 Speaker 2: two was it was literally should you look like a 194 00:09:42,920 --> 00:09:47,720 Speaker 2: pop star? Or should you sound like an amazing singer? 195 00:09:48,080 --> 00:09:51,199 Speaker 2: And basically what that meant was they had the Frumps 196 00:09:52,040 --> 00:09:57,360 Speaker 2: and they had the like SENI you know, like tank 197 00:09:57,440 --> 00:10:01,760 Speaker 2: top wearing pop star must people, you know what I mean. 198 00:10:02,400 --> 00:10:06,480 Speaker 2: And I remember the whole bit was like Kimberly Lock 199 00:10:06,559 --> 00:10:08,440 Speaker 2: came in and like a high waisted jean and a 200 00:10:08,480 --> 00:10:11,360 Speaker 2: black T shirt and like her glasses and her hair 201 00:10:11,480 --> 00:10:14,520 Speaker 2: up and sang somewhere over the rainbow. And then slowly 202 00:10:15,120 --> 00:10:17,760 Speaker 2: as the season went by, as she, Clay and Ruben 203 00:10:17,800 --> 00:10:20,360 Speaker 2: stayed in the competition and the Frumps began to win. 204 00:10:20,640 --> 00:10:21,800 Speaker 1: They blew out her hair. 205 00:10:21,960 --> 00:10:24,559 Speaker 2: Yeah, they took her glasses off, they put the contacts in. 206 00:10:24,880 --> 00:10:28,280 Speaker 2: They gave Clay Aiken that ridiculous gay red jacket that 207 00:10:28,360 --> 00:10:31,440 Speaker 2: he wore during when he sang Greece. We've talked about this, yes, yea. 208 00:10:31,720 --> 00:10:33,360 Speaker 2: But they started to sex them up. They started to 209 00:10:33,360 --> 00:10:36,880 Speaker 2: give Clay Akon like Ryan Seacrests hair. They gave Reuben 210 00:10:36,920 --> 00:10:38,920 Speaker 2: this thing where he would wear like a different designer 211 00:10:39,000 --> 00:10:41,480 Speaker 2: jersey with his area code on it. Like they sex 212 00:10:41,559 --> 00:10:43,280 Speaker 2: them up a bit. Yeah, and then they were the 213 00:10:43,280 --> 00:10:46,120 Speaker 2: top three. Okay, so kimberly Lock did that. 214 00:10:46,400 --> 00:10:46,840 Speaker 1: They did. 215 00:10:47,040 --> 00:10:50,760 Speaker 3: Yes, absolutely, We sang eighth World Wonder. I mean I 216 00:10:50,880 --> 00:10:53,320 Speaker 3: did travel back in time for a moment too, Like 217 00:10:53,440 --> 00:10:56,360 Speaker 3: just listening to that song in my mom's minivan on 218 00:10:56,440 --> 00:10:59,120 Speaker 3: the way to like piano lessons or something like that 219 00:10:59,280 --> 00:11:02,440 Speaker 3: was a moment. And then gosh we opened the show. 220 00:11:03,280 --> 00:11:07,960 Speaker 3: We took some census work and asked what the breakdown 221 00:11:08,040 --> 00:11:10,440 Speaker 3: was among the Katies' readers, publicists, finalists, and. 222 00:11:10,520 --> 00:11:13,280 Speaker 1: The Katies really did respond. They responded in great numbers. 223 00:11:13,320 --> 00:11:14,920 Speaker 1: It felt like a big Katie crowd. 224 00:11:15,080 --> 00:11:18,800 Speaker 3: Interesting. Interesting. I feel like Steve Cornaki just kind of 225 00:11:18,880 --> 00:11:22,840 Speaker 3: tracking the shifts and the demographics and all that, and 226 00:11:22,880 --> 00:11:25,360 Speaker 3: then oh yeah, we thanked our sponsor. They didn't really 227 00:11:25,400 --> 00:11:27,000 Speaker 3: sponsor the event, but we just did a little nod 228 00:11:27,040 --> 00:11:29,560 Speaker 3: to Matt's famous reading of the Craft Back and Cheese ad. 229 00:11:29,679 --> 00:11:31,920 Speaker 1: Of course, that is a reading we both did. 230 00:11:32,000 --> 00:11:34,720 Speaker 3: Okay, I think I was just there to like give 231 00:11:34,800 --> 00:11:37,559 Speaker 3: some some spice, but you were the meal. 232 00:11:37,679 --> 00:11:38,480 Speaker 1: You know what I'm saying. 233 00:11:38,960 --> 00:11:41,640 Speaker 2: Here's a glimpse behind the curtain when it comes to ads. 234 00:11:41,960 --> 00:11:44,760 Speaker 2: Sometimes an AD will reach out and they'll say things 235 00:11:44,840 --> 00:11:47,400 Speaker 2: like here's the copy, and then they'll say something like 236 00:11:47,800 --> 00:11:52,240 Speaker 2: add some personal experience and so bone and I will 237 00:11:52,320 --> 00:11:55,080 Speaker 2: rotate the copy. And then if you're the unlucky one 238 00:11:55,120 --> 00:11:57,800 Speaker 2: that day, you get to be the one that adds 239 00:11:58,040 --> 00:12:01,240 Speaker 2: quote unquote personal experience with whatever the product is. And 240 00:12:01,280 --> 00:12:03,960 Speaker 2: you may not even have much personal experience. 241 00:12:03,559 --> 00:12:05,760 Speaker 3: And whether or not you do, ninety nine percent of 242 00:12:05,800 --> 00:12:09,000 Speaker 3: the time you just kind of lurched through it and 243 00:12:09,000 --> 00:12:11,960 Speaker 3: you're like, I don't know what to say, But Matt, something, 244 00:12:12,080 --> 00:12:19,679 Speaker 3: talk about what spirit moved you when you recorded that amazing, 245 00:12:19,840 --> 00:12:21,079 Speaker 3: amazing account. 246 00:12:21,440 --> 00:12:23,400 Speaker 2: Well, I think that Kraft Mac and Cheese tried to 247 00:12:23,400 --> 00:12:25,440 Speaker 2: do this thing in sending us the ad where they said, 248 00:12:25,520 --> 00:12:29,160 Speaker 2: let's connect culture and Craft mac and cheese. So the 249 00:12:29,200 --> 00:12:32,760 Speaker 2: line what's the best culture to enjoy while consuming a 250 00:12:32,760 --> 00:12:34,959 Speaker 2: bowl of Kraft mac and cheese? That was written copy 251 00:12:35,480 --> 00:12:38,720 Speaker 2: and you asked me that, and for some reason I 252 00:12:38,800 --> 00:12:40,640 Speaker 2: just said sex and the City. And then I believe 253 00:12:40,679 --> 00:12:44,160 Speaker 2: it was the connection between the insatiable nature of Samantha 254 00:12:44,240 --> 00:12:47,920 Speaker 2: Jones and how hard all the way I can personally get. Yeah, 255 00:12:48,200 --> 00:12:50,960 Speaker 2: I did say all the women. I think that's really 256 00:12:51,360 --> 00:12:54,400 Speaker 2: sort of form met opportunity there. Yeah, And I sort 257 00:12:54,400 --> 00:12:56,600 Speaker 2: of just went with it. I went with a carnal 258 00:12:56,640 --> 00:12:59,480 Speaker 2: desire for Kraft mac and cheese, and that's sort of 259 00:12:59,559 --> 00:13:03,560 Speaker 2: like just a glimpse into how that process came to be, 260 00:13:03,679 --> 00:13:04,200 Speaker 2: you know what I mean. 261 00:13:04,240 --> 00:13:05,960 Speaker 1: And then we just passed the ball back and forth. 262 00:13:06,200 --> 00:13:09,000 Speaker 2: Once you get horny for Kraft mac and cheese, it's 263 00:13:09,000 --> 00:13:11,720 Speaker 2: actually incredibly hard to stop yourself. 264 00:13:11,760 --> 00:13:17,240 Speaker 3: Oh, because also what was happening was the finish line 265 00:13:17,280 --> 00:13:21,480 Speaker 3: was we had to like land on you know, in 266 00:13:21,520 --> 00:13:23,360 Speaker 3: doing a bowl of Craft mac and cheese, is doing 267 00:13:23,400 --> 00:13:25,480 Speaker 3: something for yourself, especially in a world that tells you 268 00:13:25,480 --> 00:13:27,480 Speaker 3: you can't like that was I think that was mostly 269 00:13:27,480 --> 00:13:30,640 Speaker 3: written copy as well. It was so you really built 270 00:13:30,640 --> 00:13:35,599 Speaker 3: the bridge to that idea by throwing sex in the 271 00:13:35,640 --> 00:13:37,719 Speaker 3: city in there, and it all works, and it all 272 00:13:37,760 --> 00:13:39,679 Speaker 3: it feels like a different movement, It feels like a 273 00:13:39,679 --> 00:13:43,440 Speaker 3: different act in the play, the screenplay, all of it. 274 00:13:43,520 --> 00:13:47,040 Speaker 3: And so, gosh, what a huge success that is. And 275 00:13:47,640 --> 00:13:49,160 Speaker 3: you really did that well. 276 00:13:49,360 --> 00:13:51,400 Speaker 2: When I knew that, we were sort of because the 277 00:13:51,440 --> 00:13:54,679 Speaker 2: Cultural Awards, of course, it honors culture that that is 278 00:13:54,920 --> 00:13:57,080 Speaker 2: in all of space and time. You know, we're we're 279 00:13:57,160 --> 00:14:00,360 Speaker 2: talking about best lunch, We're talking about best fish, We're 280 00:14:00,360 --> 00:14:01,280 Speaker 2: talking about. 281 00:14:01,040 --> 00:14:02,600 Speaker 1: You know, so many of these things greater. But also 282 00:14:02,640 --> 00:14:04,760 Speaker 1: you do want to honor the current year. And so 283 00:14:04,840 --> 00:14:07,280 Speaker 1: I felt like we couldn't commemorate this year of Lost 284 00:14:07,320 --> 00:14:11,040 Speaker 1: Coach without nodding to yes, the Kraft Mac and Cheese, 285 00:14:11,040 --> 00:14:15,160 Speaker 1: because I believe that culture is commerce. I do, and 286 00:14:15,360 --> 00:14:19,080 Speaker 1: I knew that if there was something that elevated our 287 00:14:19,120 --> 00:14:21,840 Speaker 1: podcast this year, it was the way that the Kraft 288 00:14:21,840 --> 00:14:24,480 Speaker 1: Mac and Cheese at impacted. That's when I knew we 289 00:14:24,560 --> 00:14:26,440 Speaker 1: had done something here, you know what I mean. We've 290 00:14:26,480 --> 00:14:29,680 Speaker 1: been doing it for gosh gosh. 291 00:14:29,360 --> 00:14:31,360 Speaker 2: Seven plus years at this point, and the only time 292 00:14:31,400 --> 00:14:34,000 Speaker 2: I knew we had really done something here is when 293 00:14:34,080 --> 00:14:39,560 Speaker 2: I saw readers Katie's publicistm finalists really reciting and responding 294 00:14:39,600 --> 00:14:41,440 Speaker 2: to the Kraft mac and cheese at and I just 295 00:14:41,560 --> 00:14:44,240 Speaker 2: knew that their numbers saw a bump. That's when I said, 296 00:14:44,240 --> 00:14:46,240 Speaker 2: I think we're really doing something here with lost Coach. 297 00:14:46,400 --> 00:14:49,840 Speaker 3: And yet I will be honest, we haven't heard a 298 00:14:49,840 --> 00:14:51,240 Speaker 3: peep from Craft. 299 00:14:52,280 --> 00:14:55,280 Speaker 1: It hurts. It hurts, that's all. We'll say. It hurts. 300 00:14:55,280 --> 00:14:57,520 Speaker 1: We would have loved to hear from you, that's all. 301 00:14:57,320 --> 00:14:59,320 Speaker 2: Because you know what, we would have loved to hear 302 00:14:59,360 --> 00:15:01,280 Speaker 2: from you, because guess maybe you would have earned some 303 00:15:01,320 --> 00:15:02,720 Speaker 2: nominations because you know what. 304 00:15:02,560 --> 00:15:05,400 Speaker 1: Oreo Cookies. They were really. 305 00:15:05,040 --> 00:15:08,400 Speaker 2: Grateful for their nominations and they left a huge winner. 306 00:15:08,520 --> 00:15:11,000 Speaker 3: They left a huge winner because they were And I 307 00:15:11,120 --> 00:15:15,600 Speaker 3: hate that we're sort of, you know, perpetuating this notion 308 00:15:15,680 --> 00:15:17,600 Speaker 3: that like the more you engage in campaign with an 309 00:15:17,600 --> 00:15:20,080 Speaker 3: award's body, the more they're rewarded. But you know, that 310 00:15:20,240 --> 00:15:22,680 Speaker 3: is just how the that's just how the world works. 311 00:15:22,720 --> 00:15:26,320 Speaker 3: And Oreo engaged with us and the publicists. 312 00:15:26,720 --> 00:15:29,840 Speaker 2: Yeah, and look, I mean they're called publicists for a reason. 313 00:15:29,880 --> 00:15:32,240 Speaker 2: I mean we say it here, like, first of all, 314 00:15:32,280 --> 00:15:34,480 Speaker 2: let's just say this, just pull the curtain back. 315 00:15:34,600 --> 00:15:38,240 Speaker 1: See the man behind it. This is a business. Okay, 316 00:15:39,320 --> 00:15:43,080 Speaker 1: this is a business we wouldn't have for your consideration. Ads. 317 00:15:43,720 --> 00:15:48,120 Speaker 1: Let me underline that word, ads, if this wasn't a business. Okay, 318 00:15:48,240 --> 00:15:49,800 Speaker 1: you got to pay to play, baby. 319 00:15:49,720 --> 00:15:52,840 Speaker 3: Oh, I mean, look, we're not above pay to play. 320 00:15:53,120 --> 00:15:56,640 Speaker 1: You've known this all along. Secretly, I am very naive, 321 00:15:57,760 --> 00:16:01,600 Speaker 1: and I am learning things about this industry that are 322 00:16:01,640 --> 00:16:04,160 Speaker 1: a little ugly to me. Necessarily sucking cock for the 323 00:16:04,200 --> 00:16:07,440 Speaker 1: Emmy this year. Okay, you're heard it here. First. 324 00:16:07,640 --> 00:16:09,280 Speaker 3: I think that's all I'm doing for the Emmys this 325 00:16:09,440 --> 00:16:12,160 Speaker 3: year because I'm not really getting much play elsewhere. 326 00:16:14,920 --> 00:16:18,840 Speaker 1: In just weeks, we'll know. Yeah, And then we did. 327 00:16:19,120 --> 00:16:23,240 Speaker 3: We reintroduced miss culturistaf of course. Oh yes, Patty Harrison 328 00:16:23,320 --> 00:16:24,840 Speaker 3: came out. We were so glad she was able to 329 00:16:24,960 --> 00:16:28,080 Speaker 3: join us. We made the trophy four ounces lighter this 330 00:16:28,240 --> 00:16:30,960 Speaker 3: year so that she could carry them with more ease. 331 00:16:31,760 --> 00:16:35,200 Speaker 3: And yes, she had no issue carrying the trophies this 332 00:16:35,320 --> 00:16:38,440 Speaker 3: year at all. But she did threaten us with hate speech. 333 00:16:38,480 --> 00:16:40,560 Speaker 3: She said she was starting she was working in a 334 00:16:40,600 --> 00:16:43,880 Speaker 3: nonprofit space with a lot of you know thinkers, and 335 00:16:44,280 --> 00:16:46,480 Speaker 3: in honor of five months, she says that the sort 336 00:16:46,480 --> 00:16:50,440 Speaker 3: of the big mission statement of this of this organization 337 00:16:50,640 --> 00:16:52,120 Speaker 3: is gay hate speech. 338 00:16:52,800 --> 00:16:54,120 Speaker 1: Yeah, to stop gay people. 339 00:16:54,160 --> 00:16:56,560 Speaker 2: She said, she wanted to stop gay behaviors, you know, 340 00:16:56,800 --> 00:16:59,320 Speaker 2: just before I went on stage, so another peek behind 341 00:16:59,360 --> 00:17:01,800 Speaker 2: the curtain. Bow started on stage right and I started 342 00:17:01,880 --> 00:17:03,520 Speaker 2: on stage right, so we could sort of meet in 343 00:17:03,600 --> 00:17:06,600 Speaker 2: the middle for eighth Well Wonder. So we actually weren't 344 00:17:06,640 --> 00:17:10,080 Speaker 2: even speaking before the show. We actually barely even spoke 345 00:17:10,119 --> 00:17:13,040 Speaker 2: before the show. We really only the only first words 346 00:17:13,119 --> 00:17:16,600 Speaker 2: we said to each other were the beginning lyrics of 347 00:17:16,720 --> 00:17:19,359 Speaker 2: eighth World Wonder. You know, we communicated through song. But 348 00:17:19,520 --> 00:17:21,879 Speaker 2: so sort of on stage left, Patty was sort of 349 00:17:21,960 --> 00:17:26,480 Speaker 2: work shopping a phrase for her nonprofit, and she was 350 00:17:26,560 --> 00:17:28,880 Speaker 2: saying things like she's like, I want to make America good, 351 00:17:29,040 --> 00:17:31,480 Speaker 2: like how do we make America good once more? 352 00:17:31,840 --> 00:17:33,040 Speaker 1: And I was like, Patty, I can't. 353 00:17:33,040 --> 00:17:36,120 Speaker 2: You're dancing around something very dangerous here, and I said 354 00:17:36,160 --> 00:17:38,280 Speaker 2: I have to go sing, And then I went out 355 00:17:38,320 --> 00:17:38,840 Speaker 2: and sang with you. 356 00:17:39,000 --> 00:17:39,520 Speaker 1: The whole time. 357 00:17:39,600 --> 00:17:41,280 Speaker 2: I was worried that she would get out on stage 358 00:17:41,280 --> 00:17:43,400 Speaker 2: and start to spew hate speech, and then she did. 359 00:17:43,480 --> 00:17:45,280 Speaker 2: So we sent her off the stage and said, you 360 00:17:45,359 --> 00:17:46,920 Speaker 2: know what, just do what we told you to come 361 00:17:46,920 --> 00:17:48,919 Speaker 2: here to do just hand out the awards. 362 00:17:49,040 --> 00:17:52,399 Speaker 3: The awards, and honestly we're you know, obviously we're modeling 363 00:17:52,440 --> 00:17:55,840 Speaker 3: Miss culture Sta after Miss Golden Globe, and that's usually 364 00:17:55,880 --> 00:17:59,040 Speaker 3: a child of an actor, and that is like, I mean, 365 00:18:00,000 --> 00:18:03,640 Speaker 3: we were just doing nepo babies. We were just parading 366 00:18:03,680 --> 00:18:06,440 Speaker 3: them out like a year after year. By the way 367 00:18:06,480 --> 00:18:07,840 Speaker 3: our iphspa, I. 368 00:18:07,920 --> 00:18:13,040 Speaker 1: Mean that is it had to happen. So what a 369 00:18:13,119 --> 00:18:16,000 Speaker 1: fall from grace truly, truly, truly what a fall. 370 00:18:16,119 --> 00:18:20,880 Speaker 3: But we're trying to sort of subvert this whole weird 371 00:18:20,960 --> 00:18:23,119 Speaker 3: moment we're in with nepotism and how to handle it. 372 00:18:23,280 --> 00:18:26,159 Speaker 3: And we brought in our friend, Patty. She's not related 373 00:18:26,200 --> 00:18:28,000 Speaker 3: to us, but she's our friend, which is a degree 374 00:18:28,080 --> 00:18:31,919 Speaker 3: away from family relation. And it's still I don't think 375 00:18:31,960 --> 00:18:33,720 Speaker 3: I don't think we solved it. I think some harm 376 00:18:33,840 --> 00:18:37,520 Speaker 3: was still done. That being said, we'll get for another chance. Yeah, 377 00:18:38,280 --> 00:18:41,080 Speaker 3: Patty will return as Missulchriesta for as long as she 378 00:18:41,200 --> 00:18:44,000 Speaker 3: wants to. And speaking of awards, we did pass out 379 00:18:44,040 --> 00:18:46,920 Speaker 3: the first award, which was kind of greeting, Yes, kind 380 00:18:47,000 --> 00:18:50,240 Speaker 3: of greeting, was presented by Joe Firestone with help from 381 00:18:50,359 --> 00:18:55,000 Speaker 3: professional actor from Netflix's upcoming Glamorous and the film Fire Island, 382 00:18:55,119 --> 00:18:55,960 Speaker 3: Zane Phillip. 383 00:18:55,760 --> 00:18:57,520 Speaker 1: The Extraordinary Zane Phillips, the. 384 00:18:57,600 --> 00:19:01,120 Speaker 2: Extraordinary talented Zane Phillips joined with the actress and star 385 00:19:01,359 --> 00:19:04,560 Speaker 2: Joe Fireson to present kindest greeting, and he actually acted 386 00:19:04,640 --> 00:19:08,200 Speaker 2: out the greetings, which I think made elevated it. It 387 00:19:08,320 --> 00:19:12,119 Speaker 2: really elevated it, just to see just how kind the 388 00:19:12,200 --> 00:19:15,400 Speaker 2: greeting could feel. And I think that that really made 389 00:19:15,440 --> 00:19:18,240 Speaker 2: it clear well how tight that race was. But the 390 00:19:18,320 --> 00:19:20,920 Speaker 2: winner was, of course bo boneor Boo. 391 00:19:21,480 --> 00:19:23,080 Speaker 3: You know, I had a thought this morning as I 392 00:19:23,200 --> 00:19:24,680 Speaker 3: was for some reason, and this is true, while I 393 00:19:24,760 --> 00:19:27,879 Speaker 3: was taking out the trash, I thought, we have been 394 00:19:27,920 --> 00:19:32,480 Speaker 3: waiting for you, not necessarily kind. It depends on the context, 395 00:19:32,560 --> 00:19:36,159 Speaker 3: because if you're relate to something and someone goes, we 396 00:19:36,280 --> 00:19:39,639 Speaker 3: have been waiting for you, not kind. You know what 397 00:19:39,720 --> 00:19:40,160 Speaker 3: I'm saying. 398 00:19:40,440 --> 00:19:44,240 Speaker 2: You know what, maybe most patronizing greeting a little bit. 399 00:19:44,680 --> 00:19:48,080 Speaker 2: That's that's one where tone comes in big yeah. And 400 00:19:48,200 --> 00:19:50,359 Speaker 2: sometimes tone comes in big and that's actually a real 401 00:19:50,480 --> 00:19:56,120 Speaker 2: culture number eight. Sometimes tone comes in big yeah. Well, 402 00:19:56,320 --> 00:19:59,399 Speaker 2: so Bonjo Boo was the winner. Bojor Buru was the winner. 403 00:20:00,080 --> 00:20:01,640 Speaker 2: Him my love him. 404 00:20:01,680 --> 00:20:04,280 Speaker 3: My love would have won, but I think people are 405 00:20:04,359 --> 00:20:08,280 Speaker 3: a little fatigued with how often it's said, and people 406 00:20:08,400 --> 00:20:11,520 Speaker 3: I think it started to like with that ubiquity. I 407 00:20:11,560 --> 00:20:13,600 Speaker 3: think people are like, it doesn't mean anything. It loses 408 00:20:13,640 --> 00:20:16,520 Speaker 3: it's not kind to hear him my love because I 409 00:20:16,640 --> 00:20:17,520 Speaker 3: just hear it all the time. 410 00:20:18,240 --> 00:20:21,320 Speaker 1: It feels like maybe three years ago a little bit, 411 00:20:21,359 --> 00:20:23,800 Speaker 1: you know what I'm saying, A legacy nominee. 412 00:20:24,480 --> 00:20:28,280 Speaker 3: Yeah, it's okay, Bonjeor boo, I love. I'm really happy 413 00:20:28,320 --> 00:20:31,320 Speaker 3: for Bocher. But then we had a most memorable line 414 00:20:31,320 --> 00:20:35,240 Speaker 3: from a TV show lot, a stiff competition there. 415 00:20:36,000 --> 00:20:38,800 Speaker 2: I mean, this was one of the biggest categories of 416 00:20:38,840 --> 00:20:41,359 Speaker 2: the night just in terms of what way it was 417 00:20:41,400 --> 00:20:45,720 Speaker 2: going to go. And ultimately cook my Meat by Ego 418 00:20:45,800 --> 00:20:48,080 Speaker 2: Wodhem did win, and we did have Zane act all 419 00:20:48,119 --> 00:20:52,040 Speaker 2: these out again. He did an amazing job. He's extraordinary, extraordinary. 420 00:20:52,400 --> 00:20:54,680 Speaker 2: Joe and Zane presented the award to Ego, who was 421 00:20:54,760 --> 00:20:58,280 Speaker 2: there in person to accept, and she said in her 422 00:20:58,320 --> 00:21:00,800 Speaker 2: acceptance speech, and I thought this was so beautiful. She said, 423 00:21:00,880 --> 00:21:03,960 Speaker 2: cook my meat, toss my salad, and eat my ass. 424 00:21:04,359 --> 00:21:05,440 Speaker 2: Thank you so much. 425 00:21:05,800 --> 00:21:07,919 Speaker 3: I mean, if that doesn't go down in history as 426 00:21:07,960 --> 00:21:10,320 Speaker 3: one of the best acceptance speeches. 427 00:21:11,240 --> 00:21:14,200 Speaker 1: She looked fabulous in that pink Oh my god, she 428 00:21:14,720 --> 00:21:15,320 Speaker 1: brought fashion. 429 00:21:15,520 --> 00:21:19,160 Speaker 3: She brought fashion. New dog owner Ago Wodem. I mean, 430 00:21:19,280 --> 00:21:24,400 Speaker 3: this woman has won, is just a winner in every way. Yes, 431 00:21:25,440 --> 00:21:28,880 Speaker 3: she's got a dog, she's got an amazing summer, she's 432 00:21:28,920 --> 00:21:29,440 Speaker 3: got the Lord. 433 00:21:29,520 --> 00:21:31,719 Speaker 2: She's got a dog and an amazing summer. And if 434 00:21:31,760 --> 00:21:34,399 Speaker 2: you have a dog in an amazing summer, you're on 435 00:21:34,520 --> 00:21:34,840 Speaker 2: your way. 436 00:21:34,920 --> 00:21:35,640 Speaker 1: You're on your way. 437 00:21:37,520 --> 00:21:40,679 Speaker 2: We then showed some winners, and we'll tell you right now. 438 00:21:40,960 --> 00:21:44,679 Speaker 2: Biggest gesture did go to Lady Gaga's Harley Quinn. Biggest 439 00:21:44,760 --> 00:21:47,480 Speaker 2: flop was Tanya mcquad from The White Lotus. She went 440 00:21:47,520 --> 00:21:48,480 Speaker 2: home with multiple award. 441 00:21:48,600 --> 00:21:50,480 Speaker 1: Yes, have I been Miss Jester of her name. 442 00:21:51,040 --> 00:21:53,800 Speaker 2: So here's the thing about Jennifer Coolidge. When she's in 443 00:21:53,880 --> 00:21:56,760 Speaker 2: the first season of White Lotus, she goes mac wad 444 00:21:57,760 --> 00:22:01,160 Speaker 2: and then she goes macwah and it's like a moment 445 00:22:01,200 --> 00:22:05,399 Speaker 2: of comedy, right mccoyd, I believe is like how it's spelled. 446 00:22:05,480 --> 00:22:07,280 Speaker 2: I don't think you can go wrong here. I think 447 00:22:07,280 --> 00:22:08,119 Speaker 2: it's part of her flap. 448 00:22:08,520 --> 00:22:08,920 Speaker 1: I did. 449 00:22:09,080 --> 00:22:12,639 Speaker 3: And mcclaw is the French pronunciation of it, and I 450 00:22:12,760 --> 00:22:15,479 Speaker 3: imagine that is it's a moment of comedy, but it's 451 00:22:15,480 --> 00:22:18,040 Speaker 3: a moment of character as well, for you know, Tanya, 452 00:22:18,119 --> 00:22:20,280 Speaker 3: because it's like she cares a lot about where she 453 00:22:20,400 --> 00:22:24,720 Speaker 3: comes from, her stock. And I apologize for mispronouncing her name. 454 00:22:25,320 --> 00:22:29,200 Speaker 3: It's the cardinal rule of awards presentation. Her announcement is 455 00:22:29,240 --> 00:22:31,920 Speaker 3: that people literally show up to rehearse and train and 456 00:22:32,040 --> 00:22:35,000 Speaker 3: practice the names. But anyway, Tanya on If you want 457 00:22:35,040 --> 00:22:39,560 Speaker 3: the full winner's list, Vulture did update their articles and 458 00:22:39,880 --> 00:22:41,760 Speaker 3: the winners are bolded if you want to check that out. 459 00:22:42,160 --> 00:22:44,560 Speaker 2: Yes, I mean just to run through some Biggest Chester 460 00:22:44,680 --> 00:22:47,639 Speaker 2: flop went to Quitara Ravace, biggest Chester flap in the 461 00:22:47,640 --> 00:22:49,560 Speaker 2: Clown Square with the studios who will not give the 462 00:22:49,720 --> 00:22:52,239 Speaker 2: WJF fair deal, which we still don't have. Biggest Night 463 00:22:52,280 --> 00:22:54,200 Speaker 2: of Our Lives went to win a fag chees adele 464 00:22:54,320 --> 00:22:57,680 Speaker 2: Las Vegas. The Melanie Lensky One for most sweetest Person 465 00:22:57,800 --> 00:22:59,479 Speaker 2: went to can't remember her name, but the girl from 466 00:22:59,520 --> 00:23:02,040 Speaker 2: the other night. The Freedom Award for criminal who should 467 00:23:02,040 --> 00:23:03,520 Speaker 2: be free of the girls locked up at the end 468 00:23:03,520 --> 00:23:05,439 Speaker 2: of the Pirates of the Caribbean ride. And these were 469 00:23:05,480 --> 00:23:09,120 Speaker 2: all on Vulture dot Com. I mean, so many winners. 470 00:23:09,320 --> 00:23:10,520 Speaker 2: It just was an amazing evening. 471 00:23:10,600 --> 00:23:11,639 Speaker 1: It was an amazing evening. 472 00:23:12,280 --> 00:23:16,560 Speaker 3: Then we went into Pat Reagan presenting the first record 473 00:23:16,640 --> 00:23:20,880 Speaker 3: that you're nominee on stage. Yes, he so wonderfully set 474 00:23:20,960 --> 00:23:23,560 Speaker 3: up the cast of Titanic performing if you asked Me 475 00:23:23,600 --> 00:23:26,479 Speaker 3: to by Celine Dion. We're talking, of course about Marlon Mindell, 476 00:23:27,440 --> 00:23:30,720 Speaker 3: constantin Zulia and Carrie Saint Louis doing an amazing rendition. 477 00:23:31,000 --> 00:23:33,080 Speaker 1: Yes, I mean they performed if you asked me to. 478 00:23:33,320 --> 00:23:33,959 Speaker 1: It was stunning. 479 00:23:34,040 --> 00:23:36,520 Speaker 2: I think that Pat was right when he said, this 480 00:23:36,640 --> 00:23:38,960 Speaker 2: is maybe Celian Dion's eleventh most No. 481 00:23:39,160 --> 00:23:42,120 Speaker 1: That's high placement. Do you feel I think that can 482 00:23:42,160 --> 00:23:46,880 Speaker 1: your Celian Dion's most known songs? Gosh, my heart will 483 00:23:46,920 --> 00:23:48,120 Speaker 1: go on one. 484 00:23:48,720 --> 00:23:51,879 Speaker 3: Oh my god, this is so hard already. I think 485 00:23:53,000 --> 00:23:55,000 Speaker 3: it's all coming back to me. Now there you go, 486 00:23:55,160 --> 00:23:58,760 Speaker 3: because you loved me, Beauty in the base four? Uh 487 00:24:00,280 --> 00:24:02,040 Speaker 3: tell him, I'll throw that in there. 488 00:24:02,560 --> 00:24:05,560 Speaker 1: You think that's five? I drove out power of love. 489 00:24:05,600 --> 00:24:08,960 Speaker 1: I drove all night, take some chances taking that's eight. 490 00:24:09,200 --> 00:24:11,119 Speaker 3: I mean I think there are like at least five 491 00:24:11,280 --> 00:24:13,359 Speaker 3: more before if you asked me to. You know what 492 00:24:13,400 --> 00:24:16,240 Speaker 3: I'm saying, we're already eight and like if you asked 493 00:24:16,280 --> 00:24:18,879 Speaker 3: me to is not even coming closer here? Let me 494 00:24:18,920 --> 00:24:21,280 Speaker 3: get to eleven, all right, Okay, where does my heart beat? 495 00:24:21,359 --> 00:24:28,200 Speaker 1: Now? Oh god, that's the way. That's the way. It 496 00:24:28,400 --> 00:24:32,760 Speaker 1: is ten, Her initiative Nature boy, okay. And then then 497 00:24:32,760 --> 00:24:35,280 Speaker 1: there's also River Deep, Mountain, Her Mountain High. Of course. 498 00:24:36,080 --> 00:24:37,439 Speaker 1: I mean, you know we're already just. 499 00:24:37,880 --> 00:24:40,240 Speaker 2: You wow, what you know? 500 00:24:40,320 --> 00:24:41,120 Speaker 1: What? So wow? 501 00:24:41,240 --> 00:24:44,639 Speaker 2: Maybe when I wrote that copy up that was that 502 00:24:44,720 --> 00:24:46,840 Speaker 2: was alous. I didn't say you did, honey. I'm just 503 00:24:46,920 --> 00:24:49,240 Speaker 2: saying a note for myself. I should have said maybe 504 00:24:49,320 --> 00:24:51,960 Speaker 2: her eighteenth most known song. And maybe that's a little 505 00:24:52,000 --> 00:24:52,639 Speaker 2: rude if you. 506 00:24:52,680 --> 00:24:54,200 Speaker 1: Asked me to no, but it is. 507 00:24:54,400 --> 00:24:56,400 Speaker 3: It's part of the joke in the copies that Pat 508 00:24:56,520 --> 00:24:59,320 Speaker 3: Reagan is saying these words, and to Pat, it's definitely 509 00:24:59,400 --> 00:25:02,760 Speaker 3: the eighteenth or even the eleventh most popular song. And 510 00:25:03,560 --> 00:25:07,360 Speaker 3: in the show Titaniq, it is so beautifully done. 511 00:25:07,359 --> 00:25:09,960 Speaker 1: It it's amazing. It is like the showcase song. You 512 00:25:10,000 --> 00:25:11,680 Speaker 1: know what I'm saying, mm hmmm mm hmm. 513 00:25:11,880 --> 00:25:13,359 Speaker 2: I also want to say, I want I want to 514 00:25:13,359 --> 00:25:14,879 Speaker 2: get out in front of this and say, if you 515 00:25:14,960 --> 00:25:16,679 Speaker 2: asked me to while a record of the your nominee. 516 00:25:16,800 --> 00:25:18,480 Speaker 2: We said, if you asked me to buy Celindion, I 517 00:25:18,560 --> 00:25:22,680 Speaker 2: am well aware this is originally a Patty LaBelle song. Okay, 518 00:25:23,520 --> 00:25:25,600 Speaker 2: I'm well aware of it. It just feels like it 519 00:25:25,680 --> 00:25:28,760 Speaker 2: had a bigger cultural impact when Celendion sang it. We 520 00:25:28,800 --> 00:25:31,640 Speaker 2: could debate why, and we could get into a really 521 00:25:31,720 --> 00:25:35,359 Speaker 2: academic discussion as to why that happened. I am aware 522 00:25:35,400 --> 00:25:38,720 Speaker 2: of its origins. If you asked me to buy Celendon 523 00:25:38,880 --> 00:25:42,440 Speaker 2: via VI. The Titanique cast was why it was a 524 00:25:42,480 --> 00:25:45,240 Speaker 2: Record of the Year nominee. In fact, peak behind the curtain, 525 00:25:46,119 --> 00:25:49,280 Speaker 2: there may have even been another Celene Dion song that 526 00:25:49,440 --> 00:25:51,280 Speaker 2: was originally a Record of the Year nominee, and. 527 00:25:51,240 --> 00:25:53,120 Speaker 1: We kicked it over to the Titanicque cast and they said, 528 00:25:53,119 --> 00:25:55,440 Speaker 1: can we do this song instead? And then we said yes, 529 00:25:55,520 --> 00:25:57,400 Speaker 1: And that's why it's the Record of the Year nominee. 530 00:25:57,800 --> 00:26:01,160 Speaker 1: I think you could confirm, well, Titanique had a Record 531 00:26:01,240 --> 00:26:03,400 Speaker 1: of the year kind of year. Does that make sense? 532 00:26:04,000 --> 00:26:06,960 Speaker 1: A one hundred percent? They were topical, They were top 533 00:26:07,000 --> 00:26:07,720 Speaker 1: of mine all year. 534 00:26:07,760 --> 00:26:09,200 Speaker 3: They were top of mine all year, and so we 535 00:26:09,359 --> 00:26:13,399 Speaker 3: really just we gave them their pick and we have 536 00:26:14,080 --> 00:26:17,280 Speaker 3: we have no regrets. You have no regrets as an audience. 537 00:26:17,440 --> 00:26:21,160 Speaker 3: So anyway, then we had Bonnie Milligan Tony Award winner 538 00:26:21,200 --> 00:26:25,040 Speaker 3: Bonnie Milligan via video. She could not join us unfortunately 539 00:26:25,080 --> 00:26:28,400 Speaker 3: because she was performing in the Tony Award winning musical 540 00:26:28,560 --> 00:26:32,880 Speaker 3: for Best Musical, Kimberly Kimbo. She presented the Kimberly Kimbo 541 00:26:32,920 --> 00:26:35,520 Speaker 3: Award for Best Indoor Life Performance to Titanique. 542 00:26:36,040 --> 00:26:36,840 Speaker 1: Beautiful extent. 543 00:26:37,960 --> 00:26:39,840 Speaker 2: It was amazing just to just to be able to 544 00:26:39,960 --> 00:26:43,679 Speaker 2: highlight the gay monoculture that was Titanique this year. 545 00:26:44,000 --> 00:26:47,760 Speaker 1: If you were in New York and gay Titanique was monoculture. 546 00:26:47,960 --> 00:26:50,199 Speaker 3: I have on good authority that there are some prominent 547 00:26:50,240 --> 00:26:52,160 Speaker 3: head of sexuals who love Titany. 548 00:26:52,760 --> 00:26:55,000 Speaker 1: I heard the same thing. Some people that we all 549 00:26:55,119 --> 00:26:59,639 Speaker 1: know love Titany. A space for Titanique. Okay. 550 00:27:00,400 --> 00:27:03,080 Speaker 2: So then we had the host of Exploration Live come out, 551 00:27:03,840 --> 00:27:07,160 Speaker 2: and this was Charlie Barday and Natalie Roder Lightman, who 552 00:27:07,320 --> 00:27:10,360 Speaker 2: really became fan favorites on this podcast after our episode 553 00:27:10,400 --> 00:27:11,720 Speaker 2: with them, and so we knew we had to have 554 00:27:11,840 --> 00:27:13,240 Speaker 2: them to come present. 555 00:27:13,240 --> 00:27:15,239 Speaker 3: Not that they needed us to signal boost them at all, 556 00:27:15,320 --> 00:27:17,159 Speaker 3: but I mean I think people were like, who are 557 00:27:17,240 --> 00:27:19,399 Speaker 3: these two and I think they have a lot of 558 00:27:20,119 --> 00:27:24,760 Speaker 3: lovely fans crossed over into our listenership and vices. 559 00:27:24,880 --> 00:27:27,880 Speaker 2: Absolutely, so we had them on stage to present. These 560 00:27:27,880 --> 00:27:30,639 Speaker 2: were covered awards, Best Gay Guy Normal and Best Gay 561 00:27:30,680 --> 00:27:33,440 Speaker 2: Guy Famous. Best Gig Go Normal was a tie. It 562 00:27:33,600 --> 00:27:37,479 Speaker 2: went to a nurse and a teacher. That was an 563 00:27:37,520 --> 00:27:40,320 Speaker 2: incredible moment. We had a nurse and a teacher who 564 00:27:40,359 --> 00:27:43,200 Speaker 2: looked suspiciously like George Saveras and Sam Taggert up to 565 00:27:43,320 --> 00:27:45,960 Speaker 2: accept the award, and I think they represented all the 566 00:27:46,080 --> 00:27:49,080 Speaker 2: nurses and teachers in the crowd. I'm assuming there were 567 00:27:49,160 --> 00:27:51,600 Speaker 2: many gay nurses and gay teachers in the crowd. I 568 00:27:51,800 --> 00:27:53,880 Speaker 2: just have that instinct that there were. 569 00:27:54,200 --> 00:27:54,440 Speaker 1: Yeah. 570 00:27:55,320 --> 00:27:57,520 Speaker 2: And then they presented the award for Best Gay Guy Famous, 571 00:27:57,560 --> 00:27:59,480 Speaker 2: And I'm sorry, is this is a soft spot for you? 572 00:27:59,760 --> 00:28:02,439 Speaker 1: Now? Is this a rough one? I was not very 573 00:28:02,520 --> 00:28:05,560 Speaker 1: competitive this year in my categories. I really was. He 574 00:28:05,600 --> 00:28:06,920 Speaker 1: didn't think so. No. 575 00:28:07,240 --> 00:28:10,159 Speaker 3: I think I'm like, I think I needed to just 576 00:28:10,280 --> 00:28:13,919 Speaker 3: sort of step away from that whole, you know, process, 577 00:28:14,080 --> 00:28:15,680 Speaker 3: and I think I'm the better for it, you know. 578 00:28:16,960 --> 00:28:18,960 Speaker 2: Well, Best Gay Guy Famous did go to Andy Cohen, 579 00:28:19,000 --> 00:28:21,880 Speaker 2: who was to send in an acceptance speech in which 580 00:28:21,920 --> 00:28:25,040 Speaker 2: he actually he vowed to be even gayer this year. 581 00:28:25,119 --> 00:28:26,760 Speaker 2: He said that we made him want it to be gayer. 582 00:28:27,000 --> 00:28:29,200 Speaker 2: I'm hard pressed to see how Andy Cohen could be 583 00:28:29,240 --> 00:28:30,360 Speaker 2: a gayer person. 584 00:28:30,160 --> 00:28:33,680 Speaker 1: Than then he currently. Actually, we were on Watch What 585 00:28:33,760 --> 00:28:36,600 Speaker 1: Happens Live with him this week he was acting gayer 586 00:28:36,680 --> 00:28:38,400 Speaker 1: than very gay, very gay. 587 00:28:38,960 --> 00:28:41,440 Speaker 3: Some people think of him as like the gay impresario 588 00:28:41,680 --> 00:28:45,400 Speaker 3: of the current pop culture, and it's so redundant, you know, 589 00:28:45,640 --> 00:28:49,880 Speaker 3: gay impresario, and every impresario is gay. Every impresario works 590 00:28:49,920 --> 00:28:52,760 Speaker 3: in pop culture. He is the impresario. He is the 591 00:28:52,960 --> 00:28:54,720 Speaker 3: gay guy famous, the best one. 592 00:28:55,640 --> 00:28:55,840 Speaker 1: Yeah. 593 00:28:56,400 --> 00:28:59,680 Speaker 2: See, every impresario is gay. That's actually a really culture 594 00:28:59,720 --> 00:29:05,360 Speaker 2: number thirty nine. Every every impresario is gay impresario. I 595 00:29:05,400 --> 00:29:07,600 Speaker 2: don't think there's a gayer word. That's the gayest where 596 00:29:07,600 --> 00:29:10,360 Speaker 2: there can be and the gayest thing in person you 597 00:29:10,440 --> 00:29:14,400 Speaker 2: can be. And Andy Cohen is the singular impresario. Congrats 598 00:29:14,440 --> 00:29:18,760 Speaker 2: to him. You are an impresario, Andy Cohen, congratulations, Congratulations 599 00:29:18,840 --> 00:29:19,000 Speaker 2: to you. 600 00:29:19,400 --> 00:29:23,160 Speaker 3: Another winner's package where we went through more categories. Anything 601 00:29:23,240 --> 00:29:25,800 Speaker 3: you want to highlight in this batch. Man, here's the thing. 602 00:29:26,080 --> 00:29:28,520 Speaker 3: Pizza Knight was a huge winner, and I knew there 603 00:29:28,640 --> 00:29:29,600 Speaker 3: was a huge moment. 604 00:29:29,840 --> 00:29:32,520 Speaker 2: Yeah, the movement rather for best Holiday Changing Day, for 605 00:29:32,600 --> 00:29:34,520 Speaker 2: that to be Pizza Knight, for best Dinner to be 606 00:29:34,560 --> 00:29:37,800 Speaker 2: Pizza Knight, And I just I'm really happy for everyone 607 00:29:37,840 --> 00:29:39,800 Speaker 2: out there that was pelling for Pizza Knight because I 608 00:29:39,920 --> 00:29:42,720 Speaker 2: think that there's a stigma around Pizza Knight. Yeah, because 609 00:29:42,760 --> 00:29:45,000 Speaker 2: it can't happen every night, you know what I mean. 610 00:29:45,080 --> 00:29:48,160 Speaker 2: It's like Pizza Night is a treat. Yeah, that's why 611 00:29:48,200 --> 00:29:50,040 Speaker 2: it's a holiday, you know what I mean, That's why 612 00:29:50,080 --> 00:29:51,840 Speaker 2: it's a holiday changing night. So for it to be 613 00:29:51,920 --> 00:29:55,200 Speaker 2: both best dinner and best Holiday changing Date sort of 614 00:29:55,320 --> 00:29:58,080 Speaker 2: makes it feel like, you know what, it tipped to 615 00:29:58,240 --> 00:29:59,400 Speaker 2: celebration for me. 616 00:30:00,080 --> 00:30:01,160 Speaker 1: And I'm just really happy. 617 00:30:01,280 --> 00:30:03,440 Speaker 3: I'm really happy because this is what happens in a 618 00:30:03,560 --> 00:30:07,520 Speaker 3: lot of awards, is that if someone is represented more 619 00:30:07,560 --> 00:30:10,600 Speaker 3: than once in a category, if there are a multiple nominee, 620 00:30:11,640 --> 00:30:14,560 Speaker 3: sometimes that works against them. It's not fun to root 621 00:30:14,680 --> 00:30:19,160 Speaker 3: for them. And I think Pizza Knight never got snagged 622 00:30:19,200 --> 00:30:21,360 Speaker 3: by that. I think Pizza Knight was always fun to 623 00:30:21,480 --> 00:30:21,800 Speaker 3: root for. 624 00:30:22,320 --> 00:30:24,320 Speaker 1: I think, let's just say this, it has not been 625 00:30:24,360 --> 00:30:27,920 Speaker 1: a good week for Doja Cat. She was I mean, 626 00:30:28,080 --> 00:30:31,360 Speaker 1: besides her new single, I think this is. This has 627 00:30:31,400 --> 00:30:33,480 Speaker 1: been a rough one. She lost all her spies. 628 00:30:33,960 --> 00:30:37,080 Speaker 2: She went home empty handed from the lost Coultusa's Culture Awards, 629 00:30:37,120 --> 00:30:40,360 Speaker 2: and she was absolutely dragged to hell by Azilia Banks. 630 00:30:41,160 --> 00:30:43,120 Speaker 3: I did see what Basilia said. I mean, but who 631 00:30:43,200 --> 00:30:45,720 Speaker 3: among us has not been dragged by Azalea? 632 00:30:46,520 --> 00:30:48,240 Speaker 1: I really await my moment. 633 00:30:48,440 --> 00:30:50,760 Speaker 3: Zalia was nominated last year. No, she did insult us. 634 00:30:50,840 --> 00:30:53,920 Speaker 3: She was nominated for worst insult towards us. Fucking fagus. 635 00:30:54,000 --> 00:30:56,160 Speaker 3: Yes to all gay yes, yeah to. 636 00:30:56,240 --> 00:30:56,840 Speaker 1: All gay people. 637 00:30:56,880 --> 00:30:58,600 Speaker 2: So I guess, I guess what I'm saying is like 638 00:30:58,680 --> 00:31:02,080 Speaker 2: to get individually insulted by Azilia Banks, who really is 639 00:31:02,240 --> 00:31:04,360 Speaker 2: I guess a poet Laurie, you know, not to insult 640 00:31:04,400 --> 00:31:07,120 Speaker 2: any of our readers, but the best reader and really 641 00:31:07,240 --> 00:31:11,320 Speaker 2: the poet laureate and like the leading insult comic of 642 00:31:11,440 --> 00:31:14,640 Speaker 2: our generation. To get an individual insult from her, I 643 00:31:14,920 --> 00:31:18,840 Speaker 2: hope Doja can at least find something positive about that, 644 00:31:19,080 --> 00:31:21,320 Speaker 2: because she does go home empty handed from the last 645 00:31:21,360 --> 00:31:25,480 Speaker 2: Culturistas Culture Award. She was blanked and you know, called 646 00:31:25,760 --> 00:31:27,960 Speaker 2: corny by Azilia Banks. But there's a lad at the 647 00:31:28,000 --> 00:31:28,600 Speaker 2: end of the tunnel. 648 00:31:28,720 --> 00:31:31,920 Speaker 3: There's an honor in being insulted by Azalia. I mean, Grint. 649 00:31:32,000 --> 00:31:35,080 Speaker 3: The best thing that happened to Grimes was being told 650 00:31:35,120 --> 00:31:37,280 Speaker 3: that she looked like she smelled like a roll of Nichols. 651 00:31:37,440 --> 00:31:42,040 Speaker 3: I mean that, that's the top for me. You can't 652 00:31:42,080 --> 00:31:44,200 Speaker 3: beat that. You can't beat that in an insult. 653 00:31:45,080 --> 00:31:47,800 Speaker 2: Yeah, I think you're one hundred percent right. Also, everyone's 654 00:31:47,840 --> 00:31:50,600 Speaker 2: saying that Melanie Lynsky did not go home with enough awards. 655 00:31:50,680 --> 00:31:53,560 Speaker 2: She won the Shivroy Award for Best Fake American Accent. Okay, 656 00:31:53,680 --> 00:31:59,520 Speaker 2: she's a last Culturistas Cultural Award winner, period period. 657 00:31:59,800 --> 00:32:02,080 Speaker 3: We're gonna talk about this later, about our Finalist of 658 00:32:02,120 --> 00:32:04,840 Speaker 3: the Year winner, because there was a moment that we 659 00:32:04,960 --> 00:32:05,560 Speaker 3: have to address. 660 00:32:05,560 --> 00:32:06,400 Speaker 1: Okay, let's keep going. 661 00:32:06,440 --> 00:32:10,040 Speaker 3: Oh and then finally, of course, in that package, scariest 662 00:32:10,080 --> 00:32:13,000 Speaker 3: moment in history went to Hereditary. 663 00:32:13,040 --> 00:32:17,000 Speaker 1: Little Diva head come off. Hereditary, Little Diva Head come off. Yeah. 664 00:32:17,080 --> 00:32:20,280 Speaker 1: We had a fun celebratory moment with a cut video 665 00:32:20,360 --> 00:32:23,880 Speaker 1: to heads row roll by Yeah, Yeah, yeahs and we 666 00:32:24,080 --> 00:32:26,360 Speaker 1: all did the macharina, all did the macarena to it 667 00:32:26,640 --> 00:32:29,320 Speaker 1: lovely sort of as a nod to the past of 668 00:32:29,400 --> 00:32:31,640 Speaker 1: the Cultural Awards and also maybe even a nod to 669 00:32:31,720 --> 00:32:34,800 Speaker 1: its future. Maybe we'll see the macarena employed two different 670 00:32:34,920 --> 00:32:37,160 Speaker 1: kinds of songs in the future. It just shows what 671 00:32:37,240 --> 00:32:40,000 Speaker 1: a malleable dance it is. You know, people talk about 672 00:32:40,000 --> 00:32:42,360 Speaker 1: the step touch as being something you can do to 673 00:32:42,440 --> 00:32:43,520 Speaker 1: really any song. Simple. 674 00:32:43,920 --> 00:32:46,240 Speaker 2: People talk about like a body roll being like something 675 00:32:46,240 --> 00:32:48,880 Speaker 2: you can do to really any music mostly R and B. 676 00:32:49,360 --> 00:32:52,200 Speaker 1: Yeah, hip hop. Really you can do anything. Who says 677 00:32:52,240 --> 00:32:54,000 Speaker 1: you can't do the macarena to the song heads. 678 00:32:53,840 --> 00:32:57,120 Speaker 2: Will roll by the yeah yeah yeahs while yeah The 679 00:32:57,160 --> 00:33:00,040 Speaker 2: clip from Hereditary plays like you can do anything. This 680 00:33:00,080 --> 00:33:02,000 Speaker 2: is something I hope people felt at the end of 681 00:33:02,040 --> 00:33:03,800 Speaker 2: the award show that you can do anything? 682 00:33:04,000 --> 00:33:15,120 Speaker 1: Yes, I agree. What was the next award? Matt? Was 683 00:33:15,200 --> 00:33:18,320 Speaker 1: this when the biggest current threat to US winners came out? 684 00:33:18,480 --> 00:33:20,840 Speaker 3: We had announced George and Sam as the biggest current 685 00:33:20,880 --> 00:33:23,720 Speaker 3: threat to US Award winners and so at this point 686 00:33:23,760 --> 00:33:26,560 Speaker 3: we brought them on as winners Tonight. George Savera, Sam Taggert. 687 00:33:26,600 --> 00:33:29,080 Speaker 3: He presented Outstanding Reality Competition Host. 688 00:33:30,120 --> 00:33:33,680 Speaker 2: Yes, this was a hotly contested race, but the winner 689 00:33:34,240 --> 00:33:37,800 Speaker 2: was alan coming for the traders and he was kind 690 00:33:37,960 --> 00:33:41,480 Speaker 2: enough to send in a video from the woods in Scotland. 691 00:33:41,600 --> 00:33:43,440 Speaker 2: And this was the scary moment in the show I 692 00:33:43,520 --> 00:33:47,520 Speaker 2: felt because he really gave us traders Alan comming he 693 00:33:47,600 --> 00:33:50,360 Speaker 2: was unable to accept in person, but he did send 694 00:33:51,000 --> 00:33:56,160 Speaker 2: wordless twinks gagged and bound to accept the very heavy award, 695 00:33:56,800 --> 00:33:59,480 Speaker 2: and they did such an amazing job that we actually 696 00:34:00,120 --> 00:34:01,440 Speaker 2: kept them for the rest of the show, and we 697 00:34:01,560 --> 00:34:04,240 Speaker 2: just decided, let's just keep employing these twins that Alan sent, 698 00:34:04,360 --> 00:34:07,800 Speaker 2: because I was honestly, quite frankly, was afraid of what 699 00:34:07,880 --> 00:34:09,279 Speaker 2: happened when we sent them back to him. 700 00:34:09,719 --> 00:34:13,360 Speaker 1: I was very afraid. I was very afraid wait for 701 00:34:13,440 --> 00:34:14,400 Speaker 1: Alan or for the twins. 702 00:34:14,840 --> 00:34:17,239 Speaker 2: For the twins, I was like, Okay, let's make sure 703 00:34:17,280 --> 00:34:19,840 Speaker 2: these twins get fed whatever that means. 704 00:34:20,280 --> 00:34:23,359 Speaker 3: I mean, I can't imagine where they would feed from 705 00:34:23,400 --> 00:34:24,959 Speaker 3: because their mouths were taped shut. 706 00:34:25,280 --> 00:34:27,719 Speaker 2: Their mouths were taped, and it sort of felt like 707 00:34:27,719 --> 00:34:30,800 Speaker 2: they were under strict instruction to keep their mouths shut, 708 00:34:31,400 --> 00:34:35,520 Speaker 2: literally with black tape sore. 709 00:34:35,680 --> 00:34:38,480 Speaker 1: Are we just letting this happen? I think Alan can 710 00:34:38,560 --> 00:34:40,360 Speaker 1: get away with anything. I really do. 711 00:34:40,560 --> 00:34:43,799 Speaker 2: I think he's an international treasure and listen, a last 712 00:34:43,800 --> 00:34:45,640 Speaker 2: Culture Racays Cultural Award winner, So. 713 00:34:46,239 --> 00:34:47,000 Speaker 1: Congrats to him. 714 00:34:47,080 --> 00:34:50,040 Speaker 2: He takes home the award for Outstanding Reality competition host 715 00:34:50,719 --> 00:34:53,920 Speaker 2: and then this was a huge moment for us. 716 00:34:54,440 --> 00:34:58,480 Speaker 1: Yes, because George and Sam, who, by the way, they 717 00:34:58,600 --> 00:34:59,360 Speaker 1: vowed to take. 718 00:34:59,320 --> 00:35:01,359 Speaker 3: Us down, were the villains of the night. I think 719 00:35:01,400 --> 00:35:03,040 Speaker 3: they were the villains of the night. I think they 720 00:35:03,200 --> 00:35:04,680 Speaker 3: liked that, and that's okay. 721 00:35:05,160 --> 00:35:07,319 Speaker 1: Yeah, they're sort of dark, you know, the two of them. 722 00:35:07,440 --> 00:35:10,480 Speaker 2: They're sort of like evil, and they really vowed to 723 00:35:10,600 --> 00:35:12,920 Speaker 2: take us down as the biggest current threat to us, 724 00:35:13,000 --> 00:35:15,000 Speaker 2: and that earned booze from the audience. And I don't 725 00:35:15,000 --> 00:35:17,600 Speaker 2: know how they feel about it, but yeah, they should 726 00:35:17,640 --> 00:35:19,040 Speaker 2: think twice before I threaten us again. 727 00:35:19,200 --> 00:35:22,719 Speaker 3: Well, you know, George is giving glasses and Sam is 728 00:35:22,719 --> 00:35:26,120 Speaker 3: giving mustache, and there are some parallels there with us, 729 00:35:26,200 --> 00:35:28,800 Speaker 3: and I feel like people are really they see a 730 00:35:28,880 --> 00:35:31,440 Speaker 3: new way to enjoy glasses and mustache and they go, 731 00:35:32,200 --> 00:35:35,800 Speaker 3: I want to enjoy this. But it's different, but it's familiar. 732 00:35:36,080 --> 00:35:39,279 Speaker 2: What do they make for this, Well, there's basically they 733 00:35:39,320 --> 00:35:43,000 Speaker 2: feel they've reached a maximum, We've reached critical mass. It's 734 00:35:43,040 --> 00:35:45,080 Speaker 2: sort of like the multiverse, which we'll get into later, 735 00:35:45,120 --> 00:35:46,960 Speaker 2: Like they're a multiverse version of us, you know what 736 00:35:47,000 --> 00:35:47,279 Speaker 2: I mean. 737 00:35:47,600 --> 00:35:48,840 Speaker 1: Yeah, I'm gonna get into it. 738 00:35:49,200 --> 00:35:51,680 Speaker 2: But they presented the Award for Most Iconic Building our 739 00:35:51,719 --> 00:35:55,400 Speaker 2: Structure to LaGuardia Airport Now and we accepted on behalf 740 00:35:55,440 --> 00:35:58,360 Speaker 2: of Laguadi Airport Now as its biggest champions. 741 00:35:58,320 --> 00:36:01,400 Speaker 3: I mean, and we just watched a beautiful full super 742 00:36:01,480 --> 00:36:05,960 Speaker 3: cut of the new Delta terminal LaGuardia set to Glamorous 743 00:36:06,040 --> 00:36:06,600 Speaker 3: by Fergie. 744 00:36:07,239 --> 00:36:11,000 Speaker 2: Yes, And I think that made the audience really feel 745 00:36:11,560 --> 00:36:14,480 Speaker 2: like comfortable because at an award show you really are 746 00:36:14,600 --> 00:36:16,520 Speaker 2: on the edge of your seat the whole time because 747 00:36:16,520 --> 00:36:18,680 Speaker 2: you're sort of you know, who's gonna come out, what's 748 00:36:18,719 --> 00:36:20,279 Speaker 2: this performance gonna be, Who's gonna win? 749 00:36:20,960 --> 00:36:21,920 Speaker 1: I did want to give the. 750 00:36:21,960 --> 00:36:24,040 Speaker 2: Audience, and I think you agreed, like a moment where 751 00:36:24,040 --> 00:36:27,439 Speaker 2: they could just sit back, relax and enjoy a clip 752 00:36:27,520 --> 00:36:29,600 Speaker 2: package that made them feel good. And so just to 753 00:36:29,640 --> 00:36:32,520 Speaker 2: see the Delta terminal at the new La Guardia, I 754 00:36:32,600 --> 00:36:35,080 Speaker 2: could see everyone sould just dropping. I could see them 755 00:36:35,120 --> 00:36:37,600 Speaker 2: sort of like you know, rolling their heads to Glamorous 756 00:36:37,600 --> 00:36:41,320 Speaker 2: by Fergie. It felt like, Yes, a good relaxing moment 757 00:36:41,400 --> 00:36:43,839 Speaker 2: about like, you know, almost halfway through the show. 758 00:36:44,200 --> 00:36:47,000 Speaker 1: And isn't it so funny because there really is nothing 759 00:36:47,120 --> 00:36:50,840 Speaker 1: more glamorous than an award show. No, there's not. It 760 00:36:50,960 --> 00:36:52,840 Speaker 1: was a perfect moment, perfect moment. 761 00:36:54,000 --> 00:36:58,080 Speaker 3: Next up, we had another winner's package into our next 762 00:36:58,200 --> 00:37:01,760 Speaker 3: Record of the Year nominee, which is pad Padam. 763 00:37:03,080 --> 00:37:06,839 Speaker 2: So basically we were under the impression and like I said, 764 00:37:06,880 --> 00:37:10,800 Speaker 2: Lauren Mendel, our producer, she makes amazing things happen. And 765 00:37:11,000 --> 00:37:14,359 Speaker 2: we were told that Kylie Minogue was going to come 766 00:37:14,480 --> 00:37:19,640 Speaker 2: perform pad Padam at the last Coultuese's Culture Awards, and. 767 00:37:19,680 --> 00:37:22,480 Speaker 3: We said, but wait, Lauren, isn't she performing at Jones 768 00:37:22,560 --> 00:37:26,319 Speaker 3: Beach with Deborah Hawks And isn't she just coming out 769 00:37:26,360 --> 00:37:28,120 Speaker 3: to do a couple songs and then bouncing? And then 770 00:37:28,160 --> 00:37:31,680 Speaker 3: Lauren goes, yes, exactly, So she's gonna we're sending a chopper. 771 00:37:31,800 --> 00:37:35,239 Speaker 3: We're sending a blade chopper to Jones Beach. We're gonna 772 00:37:35,280 --> 00:37:38,520 Speaker 3: blow sand and everyone's face is there, and then she's 773 00:37:38,560 --> 00:37:42,040 Speaker 3: gonna hop on the copter and then come to Lincoln Center. 774 00:37:42,120 --> 00:37:45,120 Speaker 3: I mean, the top of the David Deffenhall is basically 775 00:37:45,200 --> 00:37:47,040 Speaker 3: a helipad. It's a flat ceiling. 776 00:37:47,600 --> 00:37:50,719 Speaker 1: It made perfect sense to us and felt feasible. Yeah, 777 00:37:50,840 --> 00:37:52,920 Speaker 1: but then I also did I was like I was 778 00:37:52,960 --> 00:37:57,880 Speaker 1: a little I don't know, my spidy spence, my Spidey 779 00:37:57,920 --> 00:38:00,840 Speaker 1: spences were going off when I noticed Patty Harrison was 780 00:38:00,880 --> 00:38:02,759 Speaker 1: sort of missing, so she was misculturist, and all of 781 00:38:02,800 --> 00:38:04,640 Speaker 1: a sudden she wasn't handing out the awards anymore. The 782 00:38:04,680 --> 00:38:06,960 Speaker 1: twins had started handing out the awards. I said, where's Patty, 783 00:38:07,040 --> 00:38:07,640 Speaker 1: where's Patty? 784 00:38:08,040 --> 00:38:10,760 Speaker 2: So the dancers come out in their iconic Kylie Minogue 785 00:38:10,840 --> 00:38:15,600 Speaker 2: put on red and then who's posing as Kylie Minogue? 786 00:38:16,160 --> 00:38:19,759 Speaker 2: It's Patty, it's Patty, and she sang, put on put 787 00:38:19,840 --> 00:38:23,600 Speaker 2: on as Kylie Minogue. Her appendix burst mid song. 788 00:38:23,560 --> 00:38:26,919 Speaker 1: Twice twice, which I don't think Cavan's ever. 789 00:38:27,560 --> 00:38:30,440 Speaker 2: I kind of think once your appendix burst, that's your 790 00:38:30,480 --> 00:38:34,680 Speaker 2: appendix is burst. Yeah, she did sound a lot like Kylie, though, 791 00:38:34,719 --> 00:38:37,400 Speaker 2: I will her appendix burst. 792 00:38:37,520 --> 00:38:41,080 Speaker 3: She revealed that she's been dealing with bed bugs, and 793 00:38:41,160 --> 00:38:43,040 Speaker 3: then she said and then she also was pointing out 794 00:38:43,080 --> 00:38:44,719 Speaker 3: things on the stage. She was I think she was 795 00:38:44,840 --> 00:38:49,640 Speaker 3: really disturbed by someone's insulin needle. 796 00:38:50,440 --> 00:38:53,160 Speaker 1: It was. It was a mess. We're so sorry Kylie 797 00:38:53,280 --> 00:38:53,960 Speaker 1: or sorry Patty. 798 00:38:54,000 --> 00:38:55,600 Speaker 3: I mean, I think I think we stressed Patty out 799 00:38:55,680 --> 00:38:57,920 Speaker 3: because she would have been able to really fool us 800 00:38:57,960 --> 00:38:59,000 Speaker 3: into thinking it was Kylie. 801 00:39:00,440 --> 00:39:03,000 Speaker 1: But I mean it was great to hear put. I mean, 802 00:39:04,120 --> 00:39:07,239 Speaker 1: who's tired of that song? No way, no one, not 803 00:39:07,360 --> 00:39:08,680 Speaker 1: even out figure every day. 804 00:39:09,160 --> 00:39:12,400 Speaker 3: Then we had Aga Wodem come Out Winner, Ago Woldem 805 00:39:12,440 --> 00:39:16,160 Speaker 3: come Ount present the two awards with the word girl 806 00:39:17,080 --> 00:39:20,400 Speaker 3: in the category. This is the Ariana Matos Award for 807 00:39:20,480 --> 00:39:23,640 Speaker 3: Girl You Can Do Betta Hunt, which of course went 808 00:39:23,719 --> 00:39:24,840 Speaker 3: to arion O Mattox. 809 00:39:25,880 --> 00:39:29,719 Speaker 2: Yes, she was kind enough to send in a gorgeous 810 00:39:30,840 --> 00:39:35,040 Speaker 2: video acceptance speech wherein she reminded us that reality TV 811 00:39:35,200 --> 00:39:37,880 Speaker 2: is not trash and I never thought this. Oh and 812 00:39:37,960 --> 00:39:39,400 Speaker 2: if I ever did, I want to go back in 813 00:39:39,600 --> 00:39:42,439 Speaker 2: time in the DeLorean and slap myself in the back 814 00:39:42,520 --> 00:39:42,919 Speaker 2: of the head. 815 00:39:43,120 --> 00:39:43,800 Speaker 1: It's a fool. 816 00:39:44,200 --> 00:39:46,799 Speaker 3: But I think she was talking to people who there 817 00:39:46,840 --> 00:39:49,960 Speaker 3: are still some holdouts, people who think that it's trash, 818 00:39:50,120 --> 00:39:52,759 Speaker 3: and it's like the way scanned of all dominated the 819 00:39:52,800 --> 00:39:58,120 Speaker 3: cultural conversation. Should get rid of any of that feeling 820 00:39:58,320 --> 00:40:01,080 Speaker 3: like that, should put that thought to rat immediately. 821 00:40:01,640 --> 00:40:04,200 Speaker 1: I want to see the Emmy nomination from Randon Bumperles. Okay, 822 00:40:04,280 --> 00:40:06,680 Speaker 1: I'm saying it. Did you see that loud Did you 823 00:40:06,680 --> 00:40:08,560 Speaker 1: see that FYC video that like that that thing they 824 00:40:08,640 --> 00:40:11,239 Speaker 1: put together where they talked about the finale. Oh yeah, 825 00:40:11,320 --> 00:40:13,759 Speaker 1: it's the producers, it's Sina Shee, it's Andy All being 826 00:40:13,880 --> 00:40:17,000 Speaker 1: like just giving you and it was fascinating. No, they're 827 00:40:17,200 --> 00:40:20,279 Speaker 1: they're working for it and they deserve it more than anybody. 828 00:40:22,040 --> 00:40:25,600 Speaker 2: So Ego remained on stage and she presented the Alison 829 00:40:25,680 --> 00:40:29,760 Speaker 2: Williams Cool Girl Award to none other than Ariana Grande, 830 00:40:30,200 --> 00:40:35,040 Speaker 2: who also sent in a video speech and describe, describe 831 00:40:35,080 --> 00:40:35,560 Speaker 2: what what. 832 00:40:35,680 --> 00:40:40,800 Speaker 3: This legend she with this fag did so she basically 833 00:40:41,080 --> 00:40:46,120 Speaker 3: cut together a reenactment to the moment in Mommy Dearest 834 00:40:46,160 --> 00:40:49,600 Speaker 3: in which Joan Crawford played by Fay Dunaway wins the oscar. 835 00:40:49,920 --> 00:40:54,920 Speaker 3: She runs outside with Christina with Mama Sita and you know, 836 00:40:55,040 --> 00:40:59,840 Speaker 3: accepts her award in front of her adoring public. A wonderful, 837 00:41:00,239 --> 00:41:02,719 Speaker 3: a wonderful moment, A deep cut of a moment from 838 00:41:02,719 --> 00:41:06,080 Speaker 3: Mommy Dearist, an underappreciated, under quoted moment for Mommy Dearist. 839 00:41:06,520 --> 00:41:08,759 Speaker 3: And this is what made Aaron Jackson, who was standing 840 00:41:08,800 --> 00:41:10,800 Speaker 3: next to me, turn to me and go, oh, this 841 00:41:10,960 --> 00:41:15,840 Speaker 3: girl is a faggot. Like this girl, Arianna just gets it. 842 00:41:15,920 --> 00:41:17,160 Speaker 1: And that's all. That's what we'll say. 843 00:41:17,239 --> 00:41:19,920 Speaker 3: And We all know what that means, don't we publicists 844 00:41:19,920 --> 00:41:22,680 Speaker 3: and readers and katies and finalists like she is, She's 845 00:41:22,760 --> 00:41:25,880 Speaker 3: one of us, and you can confirm, I can confirm. 846 00:41:26,280 --> 00:41:28,960 Speaker 3: Then we move on to a winner's package, and we 847 00:41:29,120 --> 00:41:31,879 Speaker 3: forgot to mention. In the last winner's package. It ended 848 00:41:31,920 --> 00:41:34,479 Speaker 3: with Kate Blanchette winning the award for the Katelynchett Award 849 00:41:34,520 --> 00:41:38,920 Speaker 3: for Good Acting and the reaction to her face. I mean, 850 00:41:39,000 --> 00:41:41,759 Speaker 3: it was unmistakable. Everyone knew what was happening. It was 851 00:41:41,920 --> 00:41:49,200 Speaker 3: Kate in her home, just elated at the win and 852 00:41:49,400 --> 00:41:52,920 Speaker 3: confetti everywhere. Her kid's throwing confetti from the banisters. You 853 00:41:53,000 --> 00:41:56,680 Speaker 3: can see from the corner of your eye, and this 854 00:41:57,120 --> 00:42:01,799 Speaker 3: is Kate Blanchette, just win us. Because she's saying, I've 855 00:42:01,840 --> 00:42:04,840 Speaker 3: known all along how ridiculous these award shows are, and 856 00:42:04,920 --> 00:42:06,880 Speaker 3: she's had to play the game and do the drag. 857 00:42:07,680 --> 00:42:09,440 Speaker 3: But this is a moment for her to be like, 858 00:42:09,680 --> 00:42:12,560 Speaker 3: let me just give you two seconds of silliness and stupidity, 859 00:42:12,640 --> 00:42:13,239 Speaker 3: and I'm out. 860 00:42:13,400 --> 00:42:15,359 Speaker 1: We did. We will say we did write her copy 861 00:42:15,440 --> 00:42:17,600 Speaker 1: to say. I think she was like, no, let me 862 00:42:17,680 --> 00:42:19,279 Speaker 1: just do my own thing, and we honor that. 863 00:42:20,239 --> 00:42:22,560 Speaker 2: Oh my god, I mean, I wouldn't change a thing. 864 00:42:22,960 --> 00:42:25,000 Speaker 2: The fact that she allowed her home to get messy 865 00:42:25,080 --> 00:42:26,160 Speaker 2: with confetti. 866 00:42:26,280 --> 00:42:27,560 Speaker 1: For us ridiculous. 867 00:42:27,719 --> 00:42:29,880 Speaker 2: I mean, come on, what more could you want? That 868 00:42:29,960 --> 00:42:33,040 Speaker 2: woman allowed her home to be covered in little pieces 869 00:42:33,080 --> 00:42:36,600 Speaker 2: of paper for us, for us, Thank you. So the 870 00:42:36,680 --> 00:42:39,719 Speaker 2: winners this winner's package again go to Vulture dot com 871 00:42:39,800 --> 00:42:44,399 Speaker 2: and we'll also post the winners. Ended with the song 872 00:42:44,560 --> 00:42:48,600 Speaker 2: Breathe by Faith Hill winning the Santa Award for being unforgettable, 873 00:42:49,160 --> 00:42:52,880 Speaker 2: and that led into what I think, yet again, was 874 00:42:52,920 --> 00:42:55,360 Speaker 2: my favorite moment of the night personally. Last year, my 875 00:42:55,400 --> 00:42:57,719 Speaker 2: favorite moment of the night was performing Driver's License in 876 00:42:57,800 --> 00:43:00,080 Speaker 2: four part Harmony with Josh Sharp and Aaron Jackson and 877 00:43:00,280 --> 00:43:04,320 Speaker 2: my sister Boon and Yang, and we were able to 878 00:43:04,400 --> 00:43:08,600 Speaker 2: perform Record of the Year nominee Breathe in sheets that 879 00:43:08,719 --> 00:43:11,400 Speaker 2: were ordered off Amazon that were a nod to the 880 00:43:11,480 --> 00:43:16,320 Speaker 2: music video the Breathe video by Faith Hill. And I 881 00:43:16,440 --> 00:43:20,879 Speaker 2: have to say I disappeared into the moment you did, 882 00:43:21,200 --> 00:43:24,080 Speaker 2: and I just allowed no, we all did. I just 883 00:43:24,200 --> 00:43:28,640 Speaker 2: allowed myself to enjoy singing Breathe in a satin sheet 884 00:43:29,280 --> 00:43:32,920 Speaker 2: so much so that I absolutely launched a belt in 885 00:43:33,000 --> 00:43:36,680 Speaker 2: harmony too early in the clear when we were not 886 00:43:36,760 --> 00:43:37,480 Speaker 2: supposed to do that. 887 00:43:37,600 --> 00:43:40,160 Speaker 1: And I wouldn't change a thing, Baby, all we need 888 00:43:40,320 --> 00:43:43,840 Speaker 1: is just to be You were caught up in the touch. 889 00:43:44,239 --> 00:43:45,359 Speaker 1: I was caught up in the touch. 890 00:43:45,440 --> 00:43:48,680 Speaker 2: I think I was so because before so peak behind 891 00:43:48,680 --> 00:43:51,120 Speaker 2: the curtain. Wow, a third peak behind the curtain. 892 00:43:51,200 --> 00:43:53,240 Speaker 1: Crazy, this is the whole point of the episode. 893 00:43:53,719 --> 00:43:56,759 Speaker 2: So we're rehearsing this song beforehand, and we're all sort 894 00:43:56,800 --> 00:43:59,360 Speaker 2: of standing sagment on stage singing the song, which is, 895 00:43:59,440 --> 00:44:02,000 Speaker 2: you know, not on common for a first run through. Okay, right, 896 00:44:03,080 --> 00:44:04,640 Speaker 2: and then I send my note is we got to 897 00:44:04,680 --> 00:44:09,279 Speaker 2: do a lyrics pass? Yeah, And then my second notice 898 00:44:09,360 --> 00:44:12,160 Speaker 2: use the fabric, because why are we here if we're 899 00:44:12,200 --> 00:44:14,600 Speaker 2: not going to use the fabric? Then lo and behold. 900 00:44:14,680 --> 00:44:17,080 Speaker 2: During the formance, I'm too into using the fabric, and 901 00:44:17,160 --> 00:44:20,600 Speaker 2: I lost the place in the song and launched a 902 00:44:20,640 --> 00:44:24,360 Speaker 2: belt in harmony too early in the clear, and I 903 00:44:24,480 --> 00:44:27,000 Speaker 2: felt sure I deserved that one. 904 00:44:27,280 --> 00:44:27,880 Speaker 1: No, no, no. 905 00:44:28,680 --> 00:44:31,279 Speaker 3: I think it was a perfect moment because it earmarks 906 00:44:31,320 --> 00:44:35,359 Speaker 3: that whole number for you, and I was right there 907 00:44:35,400 --> 00:44:38,440 Speaker 3: with you. I was very present in that moment. I 908 00:44:38,840 --> 00:44:41,360 Speaker 3: literally remember, just walk out there, feel the wind on 909 00:44:41,440 --> 00:44:41,839 Speaker 3: your face. 910 00:44:42,600 --> 00:44:45,720 Speaker 1: Oh, and that's all you have to do in this moment. 911 00:44:46,480 --> 00:44:49,719 Speaker 3: What an amazing song. That's an amazing song. I mean, 912 00:44:49,800 --> 00:44:52,520 Speaker 3: it's a song that does not need a bridge because 913 00:44:52,520 --> 00:44:54,480 Speaker 3: it doesn't have one, because it doesn't need one. And 914 00:44:55,400 --> 00:44:57,879 Speaker 3: the sheets I thought were a really nice, lovely little 915 00:44:58,000 --> 00:45:00,920 Speaker 3: thing that we decided on last minute because we were 916 00:45:01,080 --> 00:45:04,600 Speaker 3: Matt and I were watching the video on what was it, Thursday, Yeah, 917 00:45:04,760 --> 00:45:07,200 Speaker 3: two days before the awards, and we were like, wow, 918 00:45:07,239 --> 00:45:11,680 Speaker 3: this video a so nineteen ninety nine, so perfect, love 919 00:45:11,760 --> 00:45:13,920 Speaker 3: it timeless in a way, and then we went look 920 00:45:13,960 --> 00:45:19,040 Speaker 3: at Faith Hill freshly fucked on that bed, covered up 921 00:45:19,040 --> 00:45:22,800 Speaker 3: in that sheet, wearing just the sheet, just like centrally 922 00:45:22,920 --> 00:45:24,960 Speaker 3: singing about this love of hers Tim. 923 00:45:25,080 --> 00:45:26,840 Speaker 1: We said one of the sheets. We said, what do 924 00:45:26,960 --> 00:45:29,400 Speaker 1: we think? What are we thinking? What are we thinking? 925 00:45:29,760 --> 00:45:31,799 Speaker 3: Because you know what the video for this kiss, where 926 00:45:31,840 --> 00:45:34,919 Speaker 3: she's on flowers and shit popping out of sunflowers or whatever, 927 00:45:35,480 --> 00:45:38,480 Speaker 3: she's cute, it's good, breathe is I think her best 928 00:45:38,680 --> 00:45:40,680 Speaker 3: acting moment in a music video, and it laid the 929 00:45:40,719 --> 00:45:44,120 Speaker 3: groundwork for eighteen thirty three for her Yellowstone prequel show 930 00:45:44,160 --> 00:45:44,920 Speaker 3: with Tim McGraw. 931 00:45:45,680 --> 00:45:46,399 Speaker 1: That's all I'll say. 932 00:45:47,520 --> 00:45:50,719 Speaker 2: She's apparently a slay she's apparently she's a sleigh on 933 00:45:50,800 --> 00:45:53,239 Speaker 2: one of the biggest television shows in the country, which 934 00:45:53,440 --> 00:45:53,960 Speaker 2: you could. 935 00:45:53,840 --> 00:45:58,160 Speaker 1: Never tell us that. Sorry eighty three, so you were 936 00:45:58,239 --> 00:46:00,839 Speaker 1: fifty years off. I'm sorry, yes, and in a lot 937 00:46:00,880 --> 00:46:05,560 Speaker 1: of respects, I am, yes, old soul, old soul. We 938 00:46:05,640 --> 00:46:07,920 Speaker 1: always say Bowen Yang should have been bored in the seventies. 939 00:46:08,160 --> 00:46:13,600 Speaker 1: Uh wrong decade. But yeah, we said we got to 940 00:46:13,600 --> 00:46:14,200 Speaker 1: get the sheets. 941 00:46:14,600 --> 00:46:17,800 Speaker 2: So happy we did and added a different texture literally, 942 00:46:18,520 --> 00:46:21,399 Speaker 2: and then we closed the song down and they didn't 943 00:46:21,440 --> 00:46:23,040 Speaker 2: know we were doing this, but we kept Josh and 944 00:46:23,120 --> 00:46:25,120 Speaker 2: Aaron on stage and we said, not only are you 945 00:46:25,200 --> 00:46:28,040 Speaker 2: are sisters, but you are inspirations to us. You were 946 00:46:28,120 --> 00:46:30,600 Speaker 2: inspiration to the community, and that's why we award you 947 00:46:30,680 --> 00:46:34,080 Speaker 2: when we honor you with the Diplo Award for LGBTQ. 948 00:46:35,080 --> 00:46:36,239 Speaker 1: And they beat out a lot of people. 949 00:46:36,239 --> 00:46:38,480 Speaker 3: They beat out Rapel's Drag Race All Stars, they beat 950 00:46:38,560 --> 00:46:42,160 Speaker 3: out Poppy Juice. I saw Oscar Nier at Bubble d 951 00:46:42,400 --> 00:46:46,440 Speaker 3: later that night. They were performing at Knockdown Center for 952 00:46:46,560 --> 00:46:50,040 Speaker 3: that Pitchwork party and Oscar Groes did we win? And 953 00:46:50,120 --> 00:46:51,440 Speaker 3: I had to look them in the eyes and say 954 00:46:52,200 --> 00:46:56,000 Speaker 3: you did it, And he said okay, and I said, wow, this, 955 00:46:56,120 --> 00:46:57,560 Speaker 3: You're the first person I've had to look in the 956 00:46:57,600 --> 00:47:00,520 Speaker 3: eye this year and go you did not win the award. 957 00:47:00,640 --> 00:47:03,839 Speaker 1: And he laughed, but so he understood. He said, Josh 958 00:47:03,960 --> 00:47:07,279 Speaker 1: deserves it. Wow Aaron found dead? Aaron? No, of course, 959 00:47:07,320 --> 00:47:09,239 Speaker 1: he said, Josh and Aaron sidas what I know. He said, 960 00:47:09,320 --> 00:47:14,400 Speaker 1: Josh deserves Josh just woud shade No, no, no, I mean, 961 00:47:14,560 --> 00:47:17,759 Speaker 1: let's earnesty zone, honesty zone. I mean Josh and Aaron 962 00:47:17,920 --> 00:47:21,040 Speaker 1: got Earnesty's zone ernest which is not a word earnestness. 963 00:47:21,120 --> 00:47:24,440 Speaker 1: I guess whatever Josh and Aaron are, there is no 964 00:47:24,640 --> 00:47:27,080 Speaker 1: queer comedy community without Josh and Aaron. I know we've 965 00:47:27,080 --> 00:47:29,640 Speaker 1: we've probably said as much in recent years in the past, 966 00:47:30,160 --> 00:47:32,319 Speaker 1: but I will always say this until the rest of time, 967 00:47:32,560 --> 00:47:35,520 Speaker 1: especially right before they come out with their new movie, 968 00:47:35,719 --> 00:47:39,160 Speaker 1: which exciting stuff coming, exciting news coming down. Will let 969 00:47:39,239 --> 00:47:40,359 Speaker 1: them announce it, not us. 970 00:47:41,080 --> 00:47:43,960 Speaker 2: Yes, we actually tried hard to get a trailer for 971 00:47:44,520 --> 00:47:46,600 Speaker 2: the film to be shown to the last CULTU Racist 972 00:47:46,600 --> 00:47:49,439 Speaker 2: Cultural Awards, but it's just the note that was coming 973 00:47:49,520 --> 00:47:51,600 Speaker 2: down was they didn't want grainy footage of the trailer 974 00:47:51,640 --> 00:47:53,680 Speaker 2: out there. They wanted to be presented in all closes. 975 00:47:53,680 --> 00:47:55,759 Speaker 2: This is an eight twenty four film. Okay, it's getting 976 00:47:55,800 --> 00:47:58,839 Speaker 2: a proper rollout. Yeah yeah, people are going to watch 977 00:47:58,880 --> 00:48:00,959 Speaker 2: for the first time on real off of the phone. 978 00:48:01,040 --> 00:48:02,560 Speaker 1: Do you know what I'm saying. As much as I 979 00:48:02,600 --> 00:48:05,120 Speaker 1: wanted this to be a gay cinemacn it just couldn't be. 980 00:48:05,400 --> 00:48:07,759 Speaker 1: It made sense to us. But then, you know, we 981 00:48:07,920 --> 00:48:12,600 Speaker 1: just loved Joshaniaron so much. Just perfect comedians, perfect people. 982 00:48:13,000 --> 00:48:17,120 Speaker 1: I mean, they really still bring in so many new 983 00:48:17,400 --> 00:48:20,160 Speaker 1: faces into the folds, Like I meet so many people 984 00:48:20,520 --> 00:48:24,200 Speaker 1: through them still, and it's just really lovely what they've 985 00:48:24,800 --> 00:48:28,360 Speaker 1: cultivated and anything that we do that resembles that is 986 00:48:28,600 --> 00:48:31,440 Speaker 1: just our way of sort of paying it forward. 987 00:48:32,040 --> 00:48:35,120 Speaker 2: That made them the perfect people to present the award 988 00:48:35,160 --> 00:48:41,120 Speaker 2: for Finalists of the Year exactly. And this was hotly contested. 989 00:48:41,200 --> 00:48:43,919 Speaker 2: I mean, all five of these finalists could have walked 990 00:48:43,920 --> 00:48:46,680 Speaker 2: away with the award, but Darcy Cardin was the winner 991 00:48:46,719 --> 00:48:49,440 Speaker 2: of Finalist of the Year. She took to the stage 992 00:48:49,560 --> 00:48:54,320 Speaker 2: to a standing ovation cute. She joined Josh and Aaron, 993 00:48:54,440 --> 00:48:58,959 Speaker 2: and she accepted the award. She had the crowd, one 994 00:48:59,320 --> 00:49:03,000 Speaker 2: of whom was very upset to see Melanie Lynsky lose. 995 00:49:03,040 --> 00:49:06,600 Speaker 2: They were someone who screamed when Darcy was announced as 996 00:49:06,640 --> 00:49:10,000 Speaker 2: the winner that Melanie Lynsky was robbed, and Darcy took 997 00:49:10,000 --> 00:49:13,480 Speaker 2: to the stage and she acknowledged this. She acknowledged this, 998 00:49:13,640 --> 00:49:16,719 Speaker 2: and she said a highlight of her own life was 999 00:49:16,800 --> 00:49:20,080 Speaker 2: hearing Melanie Lynsky pronounced the name Darcy Cardon. And then 1000 00:49:20,160 --> 00:49:22,600 Speaker 2: she led the crowd in a pronunciation of a key 1001 00:49:22,719 --> 00:49:27,359 Speaker 2: week Darcy Cotton. And that was another cathartic highlight moment 1002 00:49:27,440 --> 00:49:31,200 Speaker 2: of the show. And then she kept off her acceptance 1003 00:49:31,239 --> 00:49:33,840 Speaker 2: speech by reciting I don't think so, honey, going to 1004 00:49:33,960 --> 00:49:37,439 Speaker 2: church on Sundays and Wednesdays with Aaron Jackson and Josh 1005 00:49:37,760 --> 00:49:40,480 Speaker 2: Aaron Jackson, of course, the originator of that and a 1006 00:49:40,719 --> 00:49:43,279 Speaker 2: Lost Culture Recess Cultural Award winner the year prior for 1007 00:49:43,400 --> 00:49:45,719 Speaker 2: best I don't think so honey of all time for that, 1008 00:49:45,840 --> 00:49:48,600 Speaker 2: I don't think so honey. The crowd all did it together, 1009 00:49:48,880 --> 00:49:52,080 Speaker 2: and it was only then that we were able to 1010 00:49:52,160 --> 00:49:54,399 Speaker 2: announce the Muna Award for Hottest Queer. 1011 00:49:54,719 --> 00:49:59,680 Speaker 3: Of course, the nominees were Katie Muna, Naomi Muna, Joe Muna, 1012 00:50:00,480 --> 00:50:02,800 Speaker 3: fans of Muna, and Matt Omer. 1013 00:50:03,520 --> 00:50:07,359 Speaker 2: And remember this was the queerest moment in New York 1014 00:50:07,400 --> 00:50:09,880 Speaker 2: City last night, Even though boy Genius had a concert, 1015 00:50:10,000 --> 00:50:11,799 Speaker 2: and even though just to the east of the city, 1016 00:50:11,880 --> 00:50:14,480 Speaker 2: Kylie Minogan Deborah Coxs were performing at a beach full 1017 00:50:14,520 --> 00:50:15,000 Speaker 2: of gays. 1018 00:50:15,280 --> 00:50:18,959 Speaker 3: Even though Tanasche was slaying with backup dancers at Knockdown Center, 1019 00:50:19,120 --> 00:50:20,480 Speaker 3: one of the gayest venues. 1020 00:50:21,280 --> 00:50:24,560 Speaker 2: Right this was the gayest moment in New York because 1021 00:50:24,640 --> 00:50:26,800 Speaker 2: Darcy Cardon's star of A League of their Own, a 1022 00:50:26,880 --> 00:50:30,959 Speaker 2: gay show, was presenting the MUNA Award for Hottest Queer 1023 00:50:31,200 --> 00:50:35,080 Speaker 2: to fans of MUNA alongside Josh Arp and Aaron Jackson. 1024 00:50:35,560 --> 00:50:40,920 Speaker 2: And accepting the award were Katie, Joe and Naomi from MUNA. 1025 00:50:41,120 --> 00:50:42,400 Speaker 1: That was the fun and littest surprise. 1026 00:50:42,520 --> 00:50:45,520 Speaker 3: We kept that one under wraps for y'all, but of 1027 00:50:45,560 --> 00:50:49,880 Speaker 3: course some people clocked them entering the premises. Lovely, no problem, 1028 00:50:50,560 --> 00:50:52,880 Speaker 3: and they were so nice to join us. They were 1029 00:50:52,960 --> 00:50:55,560 Speaker 3: just at Bonnaroo the day before, I mean, come on, 1030 00:50:55,880 --> 00:50:58,040 Speaker 3: and we were so so so happy that they came. 1031 00:50:58,840 --> 00:51:02,080 Speaker 2: Real chemic having big and Darcy Oh yeah, I mean 1032 00:51:02,239 --> 00:51:06,480 Speaker 2: that kiss that they all shared was Bugini's found dead. 1033 00:51:06,560 --> 00:51:09,439 Speaker 1: Brittany Madonna found dead, and Christina found dead one. 1034 00:51:09,400 --> 00:51:13,320 Speaker 2: Hundred percent, so that went down. Then we had Pat 1035 00:51:13,480 --> 00:51:16,520 Speaker 2: came out one last time to present the Record of 1036 00:51:16,600 --> 00:51:19,600 Speaker 2: the Year nominee All I Want for Christmas is You 1037 00:51:19,760 --> 00:51:22,560 Speaker 2: by Mariah Carry. It was performed by Fire Islands, Nick 1038 00:51:22,600 --> 00:51:26,680 Speaker 2: Adams and Tomas Mattos, who, as we said, tore it up. 1039 00:51:26,880 --> 00:51:29,000 Speaker 2: This was one of the best performances of the night 1040 00:51:29,600 --> 00:51:31,800 Speaker 2: in a night that was already stacked. I mean this, 1041 00:51:32,440 --> 00:51:35,400 Speaker 2: All I Want for Christmas is You. It's here to stay, 1042 00:51:35,880 --> 00:51:36,680 Speaker 2: It's here to stay. 1043 00:51:36,920 --> 00:51:40,520 Speaker 3: And I have to say, there is something about listening 1044 00:51:40,719 --> 00:51:44,240 Speaker 3: to a Christmas song sung live in June that really, 1045 00:51:45,360 --> 00:51:48,520 Speaker 3: it really is a new feeling. It's something I've never 1046 00:51:48,960 --> 00:51:53,359 Speaker 3: quite experienced before, and I did not expect. 1047 00:51:53,120 --> 00:51:55,920 Speaker 1: To love it so much. It was a get up 1048 00:51:56,040 --> 00:51:57,200 Speaker 1: on your feet moment. 1049 00:51:57,920 --> 00:52:02,240 Speaker 2: I mean, the vocals were together, it was giving Broadway choreol, 1050 00:52:02,320 --> 00:52:04,600 Speaker 2: it was given chemistry. We were saying, Nick and Thomas, 1051 00:52:04,640 --> 00:52:07,560 Speaker 2: take it on the road or take it to the bedroom, honey, 1052 00:52:08,120 --> 00:52:09,120 Speaker 2: either way, We're happy. 1053 00:52:09,960 --> 00:52:11,799 Speaker 1: Either way. I'm happy to think about it. Either way, 1054 00:52:11,840 --> 00:52:14,800 Speaker 1: I have I have a boner. Either way. I'm erect. 1055 00:52:15,000 --> 00:52:16,359 Speaker 1: I'm erect. Yeah. 1056 00:52:16,680 --> 00:52:19,920 Speaker 3: Then we had a lovely moment where we rolled a 1057 00:52:20,080 --> 00:52:24,560 Speaker 3: beautifully edited package where we had you guys send in 1058 00:52:24,800 --> 00:52:27,360 Speaker 3: videos of your moments that made you say cultures for you. 1059 00:52:27,440 --> 00:52:28,960 Speaker 3: We always want to know and the thing is that, 1060 00:52:29,080 --> 00:52:31,600 Speaker 3: like you know, we can't. I just always want to 1061 00:52:31,640 --> 00:52:33,719 Speaker 3: individually pull people on, like what their moment is like. 1062 00:52:33,760 --> 00:52:35,600 Speaker 3: And we always hear from people, Oh, I know exactly 1063 00:52:35,640 --> 00:52:38,239 Speaker 3: what my answer would be, and this was a platform 1064 00:52:38,320 --> 00:52:41,720 Speaker 3: for that. So many lovely answers, a lot of common answers, 1065 00:52:41,760 --> 00:52:43,640 Speaker 3: a lot of spice girls answers. 1066 00:52:43,360 --> 00:52:44,680 Speaker 1: A lot of spice girls. 1067 00:52:44,840 --> 00:52:47,280 Speaker 3: I think the beautiful poetic way to close that package 1068 00:52:47,320 --> 00:52:50,840 Speaker 3: that was someone mentioning Marion Courtyard's Oscar speech being a 1069 00:52:50,920 --> 00:52:53,840 Speaker 3: moment and you know, nice little way to ease us 1070 00:52:53,880 --> 00:52:56,759 Speaker 3: back into the awards proceedings of the night, which were 1071 00:52:56,840 --> 00:53:00,920 Speaker 3: capped off by Sarah Sherman and Celestium coming out to present. 1072 00:53:00,880 --> 00:53:03,879 Speaker 1: Not nominated that evening, not nominated that evening, the only 1073 00:53:03,920 --> 00:53:05,360 Speaker 1: presenter to them next. 1074 00:53:05,280 --> 00:53:09,160 Speaker 2: Year, the only unnominated presenters. But you know, good luck 1075 00:53:09,239 --> 00:53:13,520 Speaker 2: to Sarah and Celeste both next year. Hopefully, hopefully they. 1076 00:53:13,480 --> 00:53:17,960 Speaker 3: Were presenting for Album of the Year. We're hugely contested category. 1077 00:53:19,080 --> 00:53:23,240 Speaker 3: You of course had Renaissance Midnights Prism by Katy Perry 1078 00:53:24,320 --> 00:53:25,759 Speaker 3: Chapel Ron's album when it comes out. 1079 00:53:25,760 --> 00:53:26,680 Speaker 1: And then what was the fifth one. 1080 00:53:27,040 --> 00:53:30,880 Speaker 2: It was the twenty twenty two original probably recording of 1081 00:53:30,960 --> 00:53:33,960 Speaker 2: Into the ward Woods. Yes, yes, and Chapel Roan did 1082 00:53:34,040 --> 00:53:35,719 Speaker 2: take it home for an album that we have not 1083 00:53:35,880 --> 00:53:36,880 Speaker 2: even heard yet. 1084 00:53:37,080 --> 00:53:38,959 Speaker 1: Yeah, which is huge, which is huge. 1085 00:53:39,160 --> 00:53:40,719 Speaker 3: And then Chapel was nice enough to send in a 1086 00:53:40,800 --> 00:53:45,719 Speaker 3: video acceptance from London International International. She said, I'm so 1087 00:53:45,800 --> 00:53:48,200 Speaker 3: honored to win this award considering that my album isn't 1088 00:53:48,200 --> 00:53:51,839 Speaker 3: even out yet. Clay and really really Good, really Good 1089 00:53:52,320 --> 00:53:55,000 Speaker 3: didn't really care about the fact that the album wasn't out, 1090 00:53:55,120 --> 00:53:55,960 Speaker 3: just went I'll take it. 1091 00:53:56,760 --> 00:53:57,000 Speaker 1: Yeah. 1092 00:53:57,200 --> 00:54:01,000 Speaker 2: Finalist behavior, and that's confidence. That's finalist behavior, that's confidence. 1093 00:54:01,120 --> 00:54:02,960 Speaker 2: She of course was a Finalist of the Year nominee. 1094 00:54:03,040 --> 00:54:05,600 Speaker 2: You watch this space for next year. I mean, we've 1095 00:54:05,680 --> 00:54:08,120 Speaker 2: all got our eyes on Chapel. The album comes out 1096 00:54:08,160 --> 00:54:11,200 Speaker 2: in September, and listen to red Wine, super and Nova. 1097 00:54:11,239 --> 00:54:15,759 Speaker 3: Oh excellent, perfect pop song. And then we have a 1098 00:54:16,040 --> 00:54:18,120 Speaker 3: Record of the Year, the biggest award of the night. 1099 00:54:19,680 --> 00:54:22,320 Speaker 3: Oh wow, I get emotional watching them. I'll get announced 1100 00:54:22,320 --> 00:54:24,399 Speaker 3: at the same time. I go, we really have seen 1101 00:54:24,440 --> 00:54:26,160 Speaker 3: all these songs be performed tonight, haven't we. 1102 00:54:26,360 --> 00:54:29,680 Speaker 2: We really did watch and I think that Sarah and 1103 00:54:29,800 --> 00:54:33,720 Speaker 2: Celeste were so right when they said that not every 1104 00:54:33,840 --> 00:54:37,400 Speaker 2: song matters this year, and the pieces of musical art 1105 00:54:37,440 --> 00:54:39,839 Speaker 2: that we had seen that night were examples of music 1106 00:54:39,920 --> 00:54:43,200 Speaker 2: that we need now more than ever. And when the 1107 00:54:43,320 --> 00:54:46,239 Speaker 2: winner was announced and it was Pa Paam, all I 1108 00:54:46,320 --> 00:54:48,439 Speaker 2: could say was Puda. 1109 00:54:48,800 --> 00:54:52,359 Speaker 3: And we were so honored to present it ourselves to Kylie, who, 1110 00:54:52,400 --> 00:54:55,880 Speaker 3: of course was Patty who said in her trademark Australian 1111 00:54:56,000 --> 00:54:59,239 Speaker 3: accent that all her life she had been told that 1112 00:54:59,239 --> 00:55:00,200 Speaker 3: she would never want to or. 1113 00:55:00,440 --> 00:55:02,640 Speaker 1: Something to that effect, and look at her. Yeah, she's 1114 00:55:02,640 --> 00:55:03,320 Speaker 1: an award winner. 1115 00:55:03,680 --> 00:55:06,080 Speaker 2: So proud of Kylie, so proud of the entire queer 1116 00:55:06,160 --> 00:55:09,520 Speaker 2: community for lifting up that song. There were no guarantees 1117 00:55:09,600 --> 00:55:11,719 Speaker 2: thirty days ago when it was released that it would 1118 00:55:11,800 --> 00:55:12,680 Speaker 2: run Record of the Year. 1119 00:55:12,760 --> 00:55:14,759 Speaker 1: Okay, there were no guarantees. 1120 00:55:15,000 --> 00:55:17,640 Speaker 3: And I'm going to say something and I'm not calling 1121 00:55:17,680 --> 00:55:20,840 Speaker 3: anyone out, but I remember she announced this single, she 1122 00:55:20,920 --> 00:55:24,319 Speaker 3: announced the album being called Tension, And then there are 1123 00:55:24,320 --> 00:55:26,080 Speaker 3: a couple of gays where like, god, do you see 1124 00:55:26,120 --> 00:55:29,319 Speaker 3: the new Kylie album announcement? It looks awful, and I'm like, oh, 1125 00:55:29,360 --> 00:55:32,279 Speaker 3: you don't know what you're saying. Clearly not a Kylie fan, 1126 00:55:32,400 --> 00:55:35,359 Speaker 3: And I'm like, just do wait. But I even did 1127 00:55:35,440 --> 00:55:38,000 Speaker 3: not say that from a place of like anticipating that 1128 00:55:38,040 --> 00:55:39,799 Speaker 3: put On put On, the lead single off this album 1129 00:55:39,840 --> 00:55:41,759 Speaker 3: would be a global phenomenon. 1130 00:55:42,120 --> 00:55:43,680 Speaker 1: Let's just say something right now. There's something in the 1131 00:55:43,719 --> 00:55:47,520 Speaker 1: air right now. Kylie's album is called Tension. Kelly's album 1132 00:55:47,640 --> 00:55:51,600 Speaker 1: is called Chemistry. We need a third science. We need 1133 00:55:51,880 --> 00:55:55,080 Speaker 1: we need a third science. Yeah, we need bio. 1134 00:55:55,560 --> 00:56:00,919 Speaker 3: Bio, we need Andrew Chronology. We need a pop Gurley 1135 00:56:01,000 --> 00:56:02,920 Speaker 3: to come out with an album called Endo Chronology. 1136 00:56:03,760 --> 00:56:06,440 Speaker 1: Yes, period. Who is it going to be? Charlie? We 1137 00:56:06,520 --> 00:56:09,680 Speaker 1: put it to you, Charlie, it is going to be Charlie. No, no, no, no, no, no. 1138 00:56:09,920 --> 00:56:12,480 Speaker 1: End of chronology, Like who could it be? Interesting? It 1139 00:56:12,520 --> 00:56:14,879 Speaker 1: could be anyone. We put it to you. We put 1140 00:56:14,920 --> 00:56:16,279 Speaker 1: it to you. Let us know which. 1141 00:56:16,320 --> 00:56:18,120 Speaker 2: And we asked the readers, the katies and publicis as 1142 00:56:18,120 --> 00:56:21,520 Speaker 2: the finalists, make the album mark which pop girley do 1143 00:56:21,600 --> 00:56:23,719 Speaker 2: you want to see with an album called Endo Chronology? 1144 00:56:24,000 --> 00:56:28,600 Speaker 2: Pitch it to us by creating the album art. The 1145 00:56:28,640 --> 00:56:31,160 Speaker 2: Record of the Year was then performed by the entire 1146 00:56:31,320 --> 00:56:32,920 Speaker 2: cast of the show, and we. 1147 00:56:34,440 --> 00:56:40,760 Speaker 1: Tearfully, joyously celebrated everyone that had come, and we closed 1148 00:56:40,800 --> 00:56:43,280 Speaker 1: the night at two different places. 1149 00:56:43,360 --> 00:56:45,719 Speaker 2: Really, Bowen, I guess you went to Bubble Tea. I 1150 00:56:45,920 --> 00:56:50,719 Speaker 2: ended up at Flaming Saddles where Jody Benson, the original 1151 00:56:50,880 --> 00:56:54,319 Speaker 2: area was there celebrating her daughter's birthday. And I went 1152 00:56:54,440 --> 00:56:56,239 Speaker 2: up to her, and I was so drunk at this point, 1153 00:56:56,280 --> 00:56:59,239 Speaker 2: and I said these words. I said this, it is 1154 00:56:59,280 --> 00:57:01,960 Speaker 2: an honor to even be around you. You gave us 1155 00:57:02,040 --> 00:57:03,200 Speaker 2: a gift forever. 1156 00:57:03,640 --> 00:57:06,400 Speaker 1: And then how did she receive that? She said, thank you, 1157 00:57:06,560 --> 00:57:10,400 Speaker 1: it's my daughter's birthday. I said, yes, it is. I 1158 00:57:10,560 --> 00:57:11,680 Speaker 1: just wanted to come say hello. 1159 00:57:11,880 --> 00:57:14,759 Speaker 3: I mean, I take your daughter, to take your daughter 1160 00:57:14,800 --> 00:57:17,440 Speaker 3: to Flaming Saddles at what it must have been one 1161 00:57:17,520 --> 00:57:19,000 Speaker 3: a in the morning. 1162 00:57:19,480 --> 00:57:22,960 Speaker 1: Jody, I always thought, Jody legend. Here's my thing. 1163 00:57:23,760 --> 00:57:27,480 Speaker 3: I had mischaracterized Jody in my head. I went Tody Benson, like, 1164 00:57:27,680 --> 00:57:32,160 Speaker 3: daughters start doing like fun. Christian music wasn't crazy for 1165 00:57:32,280 --> 00:57:35,560 Speaker 3: you on Broadway? Of course was Ariel. 1166 00:57:36,040 --> 00:57:37,920 Speaker 1: I was like, I think she's I think she's a 1167 00:57:37,920 --> 00:57:42,000 Speaker 1: wholesome girl. I think she's wholesome, maybe even like socially 1168 00:57:42,160 --> 00:57:46,640 Speaker 1: politically conservative in whatever way, Like, no problem for this 1169 00:57:46,840 --> 00:57:49,240 Speaker 1: woman to bring her daughter and her daughter's friends out 1170 00:57:49,280 --> 00:57:51,640 Speaker 1: to flaming saddles at two am on a Saturday night. 1171 00:57:51,960 --> 00:57:55,040 Speaker 1: It was two thirty in the morning and there were 1172 00:57:55,200 --> 00:57:56,240 Speaker 1: no signs of stopping. 1173 00:57:56,480 --> 00:58:00,600 Speaker 2: Let's just say this, like, Jody Benson outlives at Rogers 1174 00:58:00,680 --> 00:58:02,040 Speaker 2: in terms of being out. 1175 00:58:02,520 --> 00:58:06,000 Speaker 3: Oh, me in Hell's kitchen and me period, all of us. 1176 00:58:06,400 --> 00:58:10,280 Speaker 3: Jody Benson, my God, and this moment for her, I mean, 1177 00:58:11,680 --> 00:58:14,320 Speaker 3: the Little Mermaid. I still have not seen the live action. 1178 00:58:14,520 --> 00:58:17,920 Speaker 3: I feel like this is the thing with all these 1179 00:58:17,960 --> 00:58:20,800 Speaker 3: live action remix is that like across the board, it's 1180 00:58:20,840 --> 00:58:23,400 Speaker 3: like you can't touch the original. And Jody, I think, 1181 00:58:23,600 --> 00:58:25,959 Speaker 3: can now come on. What's the rest of her life going. 1182 00:58:26,760 --> 00:58:29,880 Speaker 3: Nothing will beat the thing that I helped me. I'm 1183 00:58:29,880 --> 00:58:31,640 Speaker 3: sure she doesn't feel this way really, but I'm like, 1184 00:58:32,240 --> 00:58:34,080 Speaker 3: I know, I bet she does. That's kind of what 1185 00:58:34,160 --> 00:58:35,600 Speaker 3: I was saying to her. I was like, you know what, 1186 00:58:35,800 --> 00:58:38,760 Speaker 3: it's an honoratavy around you. You gave us a gift forever. 1187 00:58:39,080 --> 00:58:41,479 Speaker 3: And I meant every single word I said, one thousand percent. 1188 00:58:42,240 --> 00:58:45,840 Speaker 3: That is a song that makes you go I can't 1189 00:58:45,840 --> 00:58:51,760 Speaker 3: think of anything better. I mean, Howard Ashmann and I 1190 00:58:51,800 --> 00:58:55,600 Speaker 3: don't think so, honey Disney for really fucking sanitizing that documentary, 1191 00:58:56,120 --> 00:58:59,200 Speaker 3: because I needed to know about this man and the 1192 00:58:59,280 --> 00:59:01,840 Speaker 3: way he moved through the world as like a fucking 1193 00:59:02,480 --> 00:59:06,920 Speaker 3: gay radical like I fuck okay, Like yeah, let me 1194 00:59:07,200 --> 00:59:09,720 Speaker 3: like be a gay man who is not just some 1195 00:59:10,040 --> 00:59:13,640 Speaker 3: like wholesome little pencil pusher. You know, where's the biopic? 1196 00:59:13,680 --> 00:59:16,360 Speaker 3: Where's the biopech where is the Ben Platt biopic? 1197 00:59:16,520 --> 00:59:18,400 Speaker 1: We're getting it. That's what I want to see. I 1198 00:59:18,480 --> 00:59:18,960 Speaker 1: want to see it. 1199 00:59:19,120 --> 00:59:22,560 Speaker 2: Movement start the movement. Who plays Allan Oh? I don't 1200 00:59:22,600 --> 00:59:25,640 Speaker 2: know Jonah Hill, Jonahill. I always want to involved jo Hill. 1201 00:59:25,640 --> 00:59:27,800 Speaker 1: I always want to involve John We love Jonah I. 1202 00:59:28,560 --> 00:59:31,160 Speaker 1: I have to say that was the last Countures Cultural Awards. 1203 00:59:31,320 --> 00:59:35,280 Speaker 2: They were an absolute barn burner, and we hope that 1204 00:59:35,360 --> 00:59:38,360 Speaker 2: if you were not able to live them in person, 1205 00:59:38,680 --> 00:59:43,040 Speaker 2: that this recap helped you live them in podcast form. 1206 00:59:43,360 --> 00:59:45,840 Speaker 3: Yes, I mean what we did, and I said this 1207 00:59:46,280 --> 00:59:50,080 Speaker 3: via tweet. I will apologize personally because I did say 1208 00:59:50,120 --> 00:59:51,560 Speaker 3: the words you will be fine if you you know, 1209 00:59:51,640 --> 00:59:55,160 Speaker 3: come a couple hours before I over promised on the 1210 00:59:55,800 --> 00:59:57,960 Speaker 3: likelihood of getting a seat. But what we can promise 1211 00:59:58,040 --> 00:59:59,919 Speaker 3: now is that it will only be bigger and better 1212 01:00:00,280 --> 01:00:03,120 Speaker 3: in the future, something that everyone can be involved and 1213 01:00:03,200 --> 01:00:06,160 Speaker 3: everyone can engage with. And that's on promise, and that's 1214 01:00:06,200 --> 01:00:08,200 Speaker 3: on promise. And we love you so much. Thank you 1215 01:00:08,320 --> 01:00:12,400 Speaker 3: for coming, thank you for celebrating with us, and our 1216 01:00:12,440 --> 01:00:15,360 Speaker 3: wards season is over. Publicists, you can put your hats away. Yeah, 1217 01:00:15,520 --> 01:00:27,640 Speaker 3: just rest ress. Let us do some work right now. 1218 01:00:27,760 --> 01:00:29,120 Speaker 1: As we do. I don't think so honey. 1219 01:00:29,600 --> 01:00:31,400 Speaker 2: This is our sixty second segment that we do on 1220 01:00:31,440 --> 01:00:34,000 Speaker 2: every single episode of this podcast, where we rant and 1221 01:00:34,120 --> 01:00:36,120 Speaker 2: rave against something in pop culture. I'm gonna leave the 1222 01:00:36,200 --> 01:00:39,080 Speaker 2: award space, I'm gonna leave the lccas behind. I'm gonna 1223 01:00:39,120 --> 01:00:42,120 Speaker 2: do something else. I read a news item on the 1224 01:00:42,280 --> 01:00:45,400 Speaker 2: Business this morning, and I feel it's time to say something. 1225 01:00:45,560 --> 01:00:47,680 Speaker 1: Okay, this is Matt Rogers. I don't think so honey. 1226 01:00:47,680 --> 01:00:50,720 Speaker 1: As time starts now, I don't think so honey. The multiverse, 1227 01:00:50,880 --> 01:00:53,240 Speaker 1: it's a wrap stop it. We did it. 1228 01:00:53,640 --> 01:00:56,520 Speaker 2: I don't think so honey that you can do it better. 1229 01:00:56,960 --> 01:00:58,720 Speaker 2: The Flash didn't do as well as they thought it 1230 01:00:58,800 --> 01:01:01,600 Speaker 2: was going to do, spite them really trying to like 1231 01:01:01,960 --> 01:01:04,000 Speaker 2: cram it down our throats that the EZRA Miller of 1232 01:01:04,040 --> 01:01:06,600 Speaker 2: it all was gonna be worth it, that like, at 1233 01:01:06,640 --> 01:01:08,040 Speaker 2: the end of the day, we will really wanted to 1234 01:01:08,080 --> 01:01:09,840 Speaker 2: see them do this, that the movie was actually quote 1235 01:01:09,920 --> 01:01:13,240 Speaker 2: unquote good. No, you guys, I'm sorry. All of these 1236 01:01:13,360 --> 01:01:18,120 Speaker 2: movies feel the same. They really really really do. And 1237 01:01:18,240 --> 01:01:21,720 Speaker 2: I think that you look no further than the receipts 1238 01:01:22,240 --> 01:01:25,720 Speaker 2: as to why people aren't going to these anymore superhero movies. 1239 01:01:25,800 --> 01:01:29,160 Speaker 2: We have reached critical mass, We are at saturation. We 1240 01:01:29,280 --> 01:01:31,920 Speaker 2: need either a five year break or a total total 1241 01:01:32,040 --> 01:01:36,200 Speaker 2: reboot fucking films. Will we get them? No, because you 1242 01:01:36,360 --> 01:01:38,600 Speaker 2: don't fucking get it. If you run a studio, you 1243 01:01:38,800 --> 01:01:43,120 Speaker 2: clearly do not fucking get it. And it's just gonna 1244 01:01:43,160 --> 01:01:45,680 Speaker 2: keep being diminishing returns until you, I guess, at some 1245 01:01:45,760 --> 01:01:48,439 Speaker 2: point get fired or do I don't think so, honey. 1246 01:01:48,560 --> 01:01:51,920 Speaker 2: The multiverse, it was done with fucking everything ever, all 1247 01:01:51,920 --> 01:01:52,240 Speaker 2: at once. 1248 01:01:52,320 --> 01:01:53,240 Speaker 1: Now it's over, and. 1249 01:01:53,360 --> 01:01:56,960 Speaker 3: That's one minute. It really was done with everything everywhere. 1250 01:01:56,960 --> 01:01:59,160 Speaker 3: Because I have a good authority that like the Marvel 1251 01:01:59,200 --> 01:02:02,360 Speaker 3: folks from the week that that movie came out in 1252 01:02:02,400 --> 01:02:04,720 Speaker 3: the week that like people were just sort of responding 1253 01:02:04,760 --> 01:02:06,640 Speaker 3: to it. It was just like the Marvel folks were scared. 1254 01:02:07,040 --> 01:02:09,120 Speaker 1: That's all. I mean, that's all. It's just like they 1255 01:02:09,160 --> 01:02:13,560 Speaker 1: were shook. And also it's like when you finally can 1256 01:02:13,640 --> 01:02:16,640 Speaker 1: wrap your head around the multiverse, which is difficult to 1257 01:02:16,720 --> 01:02:20,960 Speaker 1: do because it's confusing, especially when, like you know, these 1258 01:02:21,040 --> 01:02:24,560 Speaker 1: movies aren't necessarily known for their clarity. Sometimes I'll be 1259 01:02:24,640 --> 01:02:26,560 Speaker 1: watching I'll be a little Stone watching one of these 1260 01:02:26,560 --> 01:02:28,280 Speaker 1: Marvel movies, and I'll be like, wait, what the fuck 1261 01:02:28,400 --> 01:02:31,480 Speaker 1: is happening? What's this Stone? I don't think what exactly 1262 01:02:31,640 --> 01:02:33,560 Speaker 1: is going on? I don't think so, honey. Having to 1263 01:02:33,720 --> 01:02:38,320 Speaker 1: fucking read a Wikipedia article or like a fucking screen 1264 01:02:38,480 --> 01:02:42,200 Speaker 1: Rant article before or after you go into the movie, 1265 01:02:42,720 --> 01:02:45,040 Speaker 1: like ant Man two, it's like I should be able 1266 01:02:45,080 --> 01:02:47,360 Speaker 1: to go to ant Man two and leave clean, you 1267 01:02:47,440 --> 01:02:49,960 Speaker 1: know what I mean. I just want to leave clean. 1268 01:02:50,000 --> 01:02:52,040 Speaker 1: I want to leave these movies clean. Meanwhile, it's like 1269 01:02:52,640 --> 01:02:56,200 Speaker 1: then you do understand what happened, and then in understanding it, 1270 01:02:56,440 --> 01:03:00,280 Speaker 1: you realize, oh, so there's like not really stinks. These 1271 01:03:00,280 --> 01:03:03,920 Speaker 1: people are all alive in other multiverses, and therefore they 1272 01:03:03,960 --> 01:03:05,880 Speaker 1: can just kind of like whatever. Like Zoey Sldana I 1273 01:03:05,880 --> 01:03:08,120 Speaker 1: think has died like seventeen times in Guardians on the 1274 01:03:08,120 --> 01:03:10,360 Speaker 1: got again. I'm making that up, but like if it 1275 01:03:10,440 --> 01:03:13,040 Speaker 1: were true, you could believe it because they would do that. 1276 01:03:13,600 --> 01:03:15,960 Speaker 1: Was she in the recent one? I mean yeah, but 1277 01:03:16,120 --> 01:03:18,760 Speaker 1: she didn't remember shit because she was the other zowais 1278 01:03:18,800 --> 01:03:23,440 Speaker 1: sold on. It's just stupid, right rights, it's getting stupid. 1279 01:03:24,400 --> 01:03:27,840 Speaker 2: And I liked the Marvel movies before the Multiverse. I 1280 01:03:28,000 --> 01:03:30,200 Speaker 2: loved Endgame. I loved all of that. It's just like, 1281 01:03:30,680 --> 01:03:33,960 Speaker 2: can we just go back to fucking basics? And now 1282 01:03:34,000 --> 01:03:36,120 Speaker 2: the DC of it all, like the flash bombing, because 1283 01:03:36,160 --> 01:03:38,560 Speaker 2: they completely went in on the Multiverse, which I also 1284 01:03:38,600 --> 01:03:41,320 Speaker 2: can't believe because didn't Marvel just do that? Doesn't it 1285 01:03:41,440 --> 01:03:45,919 Speaker 2: look inherently like you're copying them? I just the whole 1286 01:03:46,040 --> 01:03:49,360 Speaker 2: thing is like, it's the snake eating its own tail, 1287 01:03:49,520 --> 01:03:51,959 Speaker 2: choking on the hotel, shitting it out, eating it again, 1288 01:03:52,160 --> 01:03:55,840 Speaker 2: multiverse snake. Yeah yeah, And I'm just like, let's just stop, Like, 1289 01:03:56,080 --> 01:03:59,880 Speaker 2: make it about tortured super villain in a world where 1290 01:04:00,200 --> 01:04:03,600 Speaker 2: they have their little conflicts about their identity, you know, 1291 01:04:03,960 --> 01:04:07,320 Speaker 2: and then there's an evil person, you know, there's an entity, yeah, 1292 01:04:07,320 --> 01:04:09,880 Speaker 2: and make it about that. Fucking with great power comes 1293 01:04:09,920 --> 01:04:10,880 Speaker 2: great responsibility. 1294 01:04:11,200 --> 01:04:14,760 Speaker 1: Take it back, Take it back. I don't disagree. Thank 1295 01:04:14,840 --> 01:04:18,280 Speaker 1: you for that. We gotta shut it down. We gotta okay, 1296 01:04:18,280 --> 01:04:19,479 Speaker 1: when do you have an I don't think so, honey, 1297 01:04:19,560 --> 01:04:20,560 Speaker 1: to do I do this one. 1298 01:04:20,560 --> 01:04:22,320 Speaker 3: I'm gonna bring it back to the sccas, but not 1299 01:04:22,440 --> 01:04:24,320 Speaker 3: about the actual awards themselves. 1300 01:04:25,040 --> 01:04:26,480 Speaker 1: All right, here we go. This is Bowen Yanks. I 1301 01:04:26,520 --> 01:04:28,280 Speaker 1: don't think so, honey. As time starts now, I don't 1302 01:04:28,280 --> 01:04:30,320 Speaker 1: think so, honey. Lightning delays. 1303 01:04:30,760 --> 01:04:33,720 Speaker 3: We were shaking in our boots the day of because 1304 01:04:33,800 --> 01:04:38,840 Speaker 3: there was lightning eight miles away in fucking probably central 1305 01:04:38,880 --> 01:04:42,520 Speaker 3: to South Jersey, Okay, And we had to clear the 1306 01:04:42,600 --> 01:04:44,960 Speaker 3: stage and sit in a room for like what felt 1307 01:04:45,080 --> 01:04:48,440 Speaker 3: like three hours, just because there was lightning in like 1308 01:04:48,600 --> 01:04:52,960 Speaker 3: fucking Morris Town. It's like, it has nothing to agree 1309 01:04:53,000 --> 01:04:56,080 Speaker 3: with us, paramus, it has nothing to do with us. 1310 01:04:56,280 --> 01:04:58,680 Speaker 1: Why are you making thirty seconds? Why are you taking 1311 01:04:58,720 --> 01:05:00,560 Speaker 1: this away from us when it has has nothing to 1312 01:05:00,640 --> 01:05:02,480 Speaker 1: do with us. We had planned for this. We were like, 1313 01:05:02,600 --> 01:05:04,120 Speaker 1: it might rain, but it'll be during the day and 1314 01:05:04,160 --> 01:05:06,240 Speaker 1: then we should be in the clear by like two pm. No, 1315 01:05:06,440 --> 01:05:08,680 Speaker 1: it was like four pm. We had to fucking sit 1316 01:05:08,760 --> 01:05:08,920 Speaker 1: in a. 1317 01:05:08,960 --> 01:05:12,040 Speaker 3: Basement fifteen seconds. It did not ruin the day thank god. 1318 01:05:12,080 --> 01:05:15,720 Speaker 3: And Lauren Mandel once again kept it so so so calm, 1319 01:05:16,680 --> 01:05:19,480 Speaker 3: managed our emotions alongside the logistics of it all seconds. 1320 01:05:19,560 --> 01:05:22,000 Speaker 3: But just the concept of a lightning delay for something 1321 01:05:22,040 --> 01:05:25,320 Speaker 3: that happens that far away ridiculous. And that's one minute, 1322 01:05:25,320 --> 01:05:27,600 Speaker 3: and a lighting delay took away Gaga's last night on 1323 01:05:27,600 --> 01:05:30,440 Speaker 3: the chromatica balts for took away her Miami show. She 1324 01:05:30,600 --> 01:05:33,360 Speaker 3: could not do her last show of this era that 1325 01:05:33,520 --> 01:05:36,080 Speaker 3: she fucking got blue balled out of. And then it 1326 01:05:36,360 --> 01:05:39,520 Speaker 3: ends with another moment where she gets robbed of satisfaction, 1327 01:05:39,640 --> 01:05:40,280 Speaker 3: of fulfillment. 1328 01:05:40,680 --> 01:05:41,920 Speaker 1: It's awful. I hate it. 1329 01:05:43,040 --> 01:05:46,080 Speaker 2: The lightning delay is, of course here for our safety, 1330 01:05:46,280 --> 01:05:52,360 Speaker 2: but I feel interest much. Sometimes it's within eight miles ridiculous. 1331 01:05:52,760 --> 01:05:54,960 Speaker 2: I said, get the mediaorologists on the phone, get let 1332 01:05:55,000 --> 01:05:57,200 Speaker 2: me talk to media, get me the doctor radar on 1333 01:05:57,280 --> 01:05:57,920 Speaker 2: the phone. 1334 01:05:58,240 --> 01:05:59,520 Speaker 1: Media urologists. 1335 01:05:59,720 --> 01:06:02,000 Speaker 2: Miss as a media rologist, I want to speak to 1336 01:06:02,080 --> 01:06:05,000 Speaker 2: her because I had to say within eight miles, and 1337 01:06:05,080 --> 01:06:08,120 Speaker 2: then get this reader's publicist, Katie's finalists that were actually 1338 01:06:08,160 --> 01:06:08,640 Speaker 2: at the show. 1339 01:06:09,200 --> 01:06:12,160 Speaker 1: Had there been lightning within eight miles and you all 1340 01:06:12,200 --> 01:06:14,720 Speaker 1: had been seated, you would have had to go home. 1341 01:06:15,080 --> 01:06:17,440 Speaker 1: We would have canceled the show. This show would have 1342 01:06:17,480 --> 01:06:18,920 Speaker 1: had to be canceled. I said, we got to move 1343 01:06:18,960 --> 01:06:23,320 Speaker 1: this inside. We have to sidestep the lightning of it 1344 01:06:23,400 --> 01:06:26,040 Speaker 1: and all. We can't chance that. We even had to 1345 01:06:26,080 --> 01:06:28,520 Speaker 1: get started about five minutes later because there was a 1346 01:06:28,640 --> 01:06:31,320 Speaker 1: rain delay, which we would never have known about because 1347 01:06:31,360 --> 01:06:35,200 Speaker 1: it wasn't raining, literally not raining. It was gas lighting 1348 01:06:35,360 --> 01:06:38,600 Speaker 1: to the mass. The weather was gaslighting us all day. 1349 01:06:39,040 --> 01:06:40,840 Speaker 1: We'd be looking at the weather app, which has not 1350 01:06:41,000 --> 01:06:44,080 Speaker 1: gotten better over time, and it says sunny conditions the 1351 01:06:44,120 --> 01:06:46,760 Speaker 1: rest of the day. Forty five minutes later, duck and 1352 01:06:46,880 --> 01:06:50,080 Speaker 1: cover at seven pm on eighty percent chance of thunderstorms. 1353 01:06:50,160 --> 01:06:52,040 Speaker 1: It's like, this is why. 1354 01:06:53,200 --> 01:06:55,960 Speaker 2: Biggest current threat to us included a nominee that was 1355 01:06:56,040 --> 01:06:58,360 Speaker 2: the fickle nature of the weather in June and New 1356 01:06:58,440 --> 01:06:58,840 Speaker 2: York City. 1357 01:06:59,240 --> 01:07:01,520 Speaker 1: And I did. I didn't know I was tempting fate. 1358 01:07:01,920 --> 01:07:05,680 Speaker 1: You were when I catched that one as a nominee. Yeah. Yeah. 1359 01:07:05,920 --> 01:07:07,920 Speaker 2: And I had to sit there in the basement with 1360 01:07:08,040 --> 01:07:11,400 Speaker 2: you while Lauren was like trying to be like, Okay, 1361 01:07:11,520 --> 01:07:13,320 Speaker 2: so what do you guys think about this? 1362 01:07:13,480 --> 01:07:15,000 Speaker 1: This? This this? I had to be like, did I 1363 01:07:16,360 --> 01:07:19,560 Speaker 1: do this? No, I'm gonna know you did I'm not 1364 01:07:19,600 --> 01:07:20,720 Speaker 1: gonna let that be the narrative. 1365 01:07:20,960 --> 01:07:23,840 Speaker 3: We had In Eighth World Wonder, we cut the line 1366 01:07:23,880 --> 01:07:26,080 Speaker 3: your loves like a summer rain watching my Dad's away, 1367 01:07:26,160 --> 01:07:28,520 Speaker 3: and I thought, if we would have kept it when it. 1368 01:07:28,600 --> 01:07:31,640 Speaker 2: Happened seven Days and seven Nights of thun Thunder, I 1369 01:07:31,680 --> 01:07:34,480 Speaker 2: would have been really prescient. 1370 01:07:35,040 --> 01:07:36,040 Speaker 1: Pertinent and prescient. 1371 01:07:36,360 --> 01:07:40,200 Speaker 3: Anyway, went off without a hitch. We're so happy you came. 1372 01:07:40,800 --> 01:07:42,440 Speaker 3: We're so sorry if you couldn't, but we will make 1373 01:07:42,480 --> 01:07:44,800 Speaker 3: it up to you in the future, we promise, And 1374 01:07:45,480 --> 01:07:47,240 Speaker 3: we end every episode with the song Matt. 1375 01:07:49,080 --> 01:07:51,000 Speaker 1: Seven Days and seven. 1376 01:07:50,880 --> 01:07:57,040 Speaker 3: Nights of Thunder, Long Days and seven Nights of Sunder. 1377 01:07:59,400 --> 01:08:04,240 Speaker 1: Press from listen to listen to Wonder, I wonder I 1378 01:08:04,400 --> 01:08:14,600 Speaker 1: can really lack the legends. Bye bye, mm hmm