WEBVTT - More Blood Than You Can Drink

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grimm

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<v Speaker 1>and Mild from Aaron Mankie. Listener discretion advised. Imagine an

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<v Speaker 1>ancient battlefield littered with the carnage of the aftermath of

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<v Speaker 1>a great battle. One side has emerged as victorious, and

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<v Speaker 1>now the slow, arduous task of inventoring the corpses has begun.

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<v Speaker 1>Time for the victors to take stock of what has

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<v Speaker 1>been lost and what has been gained. But there's something

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<v Speaker 1>unusual in this scene. A woman walking among the bodies.

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<v Speaker 1>Judging by the way the survivors defer to her, it's

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<v Speaker 1>pretty obvious that she's their ruler, a warrior queen. In

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<v Speaker 1>her hand, she clutches a bag, a simple wine skin

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<v Speaker 1>made of leathered animal hide. At first glance, you might

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<v Speaker 1>think she's brought libations to toast her army's victory, but

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<v Speaker 1>you would be very wrong. In the bag is a

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<v Speaker 1>severed head, and it's not the head of some random soldier.

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<v Speaker 1>This head belonged to her sworn enemy, who also happened

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<v Speaker 1>to be the most powerful man in that part of

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<v Speaker 1>the world. That head which once devised brilliant strategies and

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<v Speaker 1>conquered dynasties was now reduced to sloshing around in a

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<v Speaker 1>bag filled with the blood of his fellow fallen soldiers.

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<v Speaker 1>If you are a little tired of before he cheats

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<v Speaker 1>as a female rage anthem, I will direct you toward

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<v Speaker 1>another innovator in the field of revenge. This is the

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<v Speaker 1>story of Tamyris, the warrior queen who brought down an

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<v Speaker 1>empire builder, who avenged her son's death, and who made

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<v Speaker 1>sure her enemy got exactly what she promised. It's also

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<v Speaker 1>one of history's most spectacular examples of messing with the

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<v Speaker 1>wrong woman. I'm Danish Schwartz, and this is noble blood.

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<v Speaker 1>The majority of what we know about Tomyris comes from

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<v Speaker 1>the writings of Herodotus, the Greek historian and geographer writing

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<v Speaker 1>in fifth century b c. Herodotus is known as the

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<v Speaker 1>father of history for an approach that combined rigorous documentation

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<v Speaker 1>with cultural context and human observation. One important thing to

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<v Speaker 1>note is that in terms of sources, Herodotus isn't exactly

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<v Speaker 1>pure reviewed. We're dealing with bias and also the possibility

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<v Speaker 1>of outright fabrication, given that we don't know where he

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<v Speaker 1>got his information, and as with many ancient stories, this

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<v Speaker 1>one would not pass the Bechdel test, but it's still

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<v Speaker 1>a hell of a ride. Little is known about Tamyris's husband,

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<v Speaker 1>only he was king of the Masengati, a nomadic warrior

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<v Speaker 1>tribe who lived for centuries around the steps of Central Asia.

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<v Speaker 1>The Masengati rode horses and worshiped the sun, and they

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<v Speaker 1>were notable for their progressive views on women. It makes

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<v Speaker 1>sense that when Tamyris's husband died, she would take over

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<v Speaker 1>the throne and rule the confederation in his place. In

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<v Speaker 1>their world, a warrior queen was just as good as

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<v Speaker 1>a warrior king. But to outside forces, that progress looked

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<v Speaker 1>a lot like opportunity. Cyrus the Second of Persia, or

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<v Speaker 1>Cyrus the Great, as he's generally known, was an immensely

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<v Speaker 1>powerful force in the region and the architect of what

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<v Speaker 1>would become the Persian Empire. He was a clever military

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<v Speaker 1>strategist who won many challenging campaigns, and a voracious conqueror.

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<v Speaker 1>Expansion at all costs was his primary objective. We can

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<v Speaker 1>also probably imagine that he was a man who didn't

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<v Speaker 1>like being told no. After all, he overthrew his own

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<v Speaker 1>grandfather to claim his throne. When Cyrus set his sights

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<v Speaker 1>on the Masengetti, he saw opportunity. The tribe lived on

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<v Speaker 1>the other side of the Eraxis River, and conquering their

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<v Speaker 1>territory would set up the Persian Empire for even more expansion.

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<v Speaker 1>The barbarian horsepeople with a female leader seemed like an

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<v Speaker 1>easy target. Considering the campaigns he'd won in the past,

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<v Speaker 1>Cyrus had no reason to doubt his success would only continue.

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<v Speaker 1>He hadn't anticipated that the widowed warrior queen would turn

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<v Speaker 1>out to be the most formidable opponent he had ever faced,

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<v Speaker 1>the opponent who would lead to his ultimate death. But

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<v Speaker 1>as I said to Cyrus, this whole thing seemed like

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<v Speaker 1>a lay. Besides, he was single, Tomyris was single. They

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<v Speaker 1>would get married, and Cyrus would get control of the Masingetti.

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<v Speaker 1>It's an easy, non hostile takeover. But Tomiris saw through

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<v Speaker 1>his plan and turned down his offer of marriage. And

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<v Speaker 1>that's when things really started to head south. If you

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<v Speaker 1>think men today don't like being rejected, imagine how well

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<v Speaker 1>it went over with someone who collected empires like Pokemon cards.

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<v Speaker 1>Cyrus would later be praised for a ruling style that

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<v Speaker 1>actually employed a fair amount of autonomy among his subjects,

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<v Speaker 1>but when it came to Tomyris, he wouldn't take no

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<v Speaker 1>foreign answer. If he couldn't conquer the Masengetti by marriage

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<v Speaker 1>the easy way, he would have to do it the

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<v Speaker 1>old fashioned way. Sources differ on whether or not Cyrus

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<v Speaker 1>actually declared war on the Massingetti, but whether or not

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<v Speaker 1>he made it official. When his army began building a

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<v Speaker 1>bridge that would carry his men across the Araxis into

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<v Speaker 1>Massngati territory, there was no question of his intentions. Tomyris

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<v Speaker 1>sent word to him advising him to call off his attack,

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<v Speaker 1>basically employing the you do you and I'll do me approach.

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<v Speaker 1>But of course Cyrus was not content to let her

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<v Speaker 1>be the one that got away. Instead, he decided to

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<v Speaker 1>enter the territory and enter what we might call today

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<v Speaker 1>the f around and find out stage. After dismissing Tomyris's warning,

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<v Speaker 1>Cyrus went to the root of many modern day toxic

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<v Speaker 1>men who blame not getting what they want on women

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<v Speaker 1>quote not liking nice guys. Although a brief note, Cyrus

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<v Speaker 1>was never a nice guy. But if Tomyris wouldn't give

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<v Speaker 1>him her kingdom as a wedding gift, he would just

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<v Speaker 1>have to take it. By force. Cyrus was advised by

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<v Speaker 1>others not to cross the Araxis and put his arm

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<v Speaker 1>me in foreign territory. Instead, he was counseled to let

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<v Speaker 1>the Messengetti come to him, giving him the home advantage.

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<v Speaker 1>That was sound reasoning, but he quickly discarded it. At

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<v Speaker 1>the time. Cyrus's most trusted advice came from an unusual source, Criesus,

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<v Speaker 1>the former king of Lydia of richer than Creesus fame.

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<v Speaker 1>Cresus actually became Cyrus's subject after the Persians conquered Lydia

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<v Speaker 1>several years earlier. Despite defeating Creesus in battle, Cyrus leaned

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<v Speaker 1>on him for advice and appreciated the man's aggressively old

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<v Speaker 1>school stance on things like women in power. He wasn't

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<v Speaker 1>a fan. Crisus urged Cyrus to bring the fight to

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<v Speaker 1>to Myrius. Whether he was still stinging from the rejection

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<v Speaker 1>of his marriage proposal or just itching for a good fight.

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<v Speaker 1>Cyrus took Criesus's advice and decided to attack the Mesengeti

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<v Speaker 1>on their own turf. Cyrus invaded, but after crossing the river,

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<v Speaker 1>they were quickly defeated by Tomyris's army. The Persian army retreated,

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<v Speaker 1>and Creesus helped Cyrus formulate a new plan, one that

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<v Speaker 1>wouldn't rely on physical domination at all. Like other local

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<v Speaker 1>tribes at the time, the Mesengeti were milk drinkers. Their

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<v Speaker 1>intoxicants of choice were cannabis and fermented mare's milk. They

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<v Speaker 1>had no experience with and therefore no tolerance for wine.

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<v Speaker 1>That inspired a diabolically clever maneuver that would be the

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<v Speaker 1>beginning of the end for Cyrus. According to Herodotus's account,

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<v Speaker 1>Cyrus had a large banquet set up under Persian tents.

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<v Speaker 1>It was a sumptuous feast with plenty of strong wine.

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<v Speaker 1>Then Cyrus and his men withdrew, leaving the banquet intact,

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<v Speaker 1>with theation that surely the Persian army had quickly retreated

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<v Speaker 1>and left all of their goodies behind. With that the

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<v Speaker 1>trap was set, The Masengeti army, led by Tomyris's son,

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<v Speaker 1>came upon the tents and discovered what appeared to be

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<v Speaker 1>an abandoned feast. Naturally, the warriors dug in and helped

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<v Speaker 1>themselves to everything they found. The wine flowed freely, and

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<v Speaker 1>the warriors soon discovered that they had no tolerance for

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<v Speaker 1>this stuff. The entire contingent quickly fell into a drunken stupor.

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<v Speaker 1>Little did they know that they had walked right into

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<v Speaker 1>Cyrus's trap. As soon as the Masengeti were incapacitated, the

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<v Speaker 1>Persian army descended. The previously fearsome warriors became sitting ducks,

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<v Speaker 1>and they were quickly slaughtered by the invading army. It

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<v Speaker 1>was a brilliant plan that exploited the differences in their

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<v Speaker 1>cultures and allowed for an easy victory for Cyrus. Tomyris's

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<v Speaker 1>son was taken alive, but he wouldn't remain that way

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<v Speaker 1>for long. Once the young prince was able to sober

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<v Speaker 1>up and realize what had happened to his fellow soldiers,

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<v Speaker 1>the magnitude of the situation was clear. As it set

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<v Speaker 1>in that he had led his men directly to their

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<v Speaker 1>own slaughter, the shame became unbearable. Unable to picture a

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<v Speaker 1>world where he could go back and face his mother,

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<v Speaker 1>he took his own life. Other sources have Cyrus killing

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<v Speaker 1>Tomyris's son himself, but anyway you look at it, the

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<v Speaker 1>blame for the young man's death rested squarely on Cyrus. Naturally,

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<v Speaker 1>when Tomyris found out what happened, her rage was all consuming.

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<v Speaker 1>She sent Cyrus a barn burner of a message that

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<v Speaker 1>was the tonal opposite of her polite first morning. This

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<v Speaker 1>one was glutton for blood. Your weapon was red wine,

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<v Speaker 1>which you Persians drinks until you are so crazy that

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<v Speaker 1>shameful words float on the liquor's fumes. This was the

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<v Speaker 1>poison you used to destroy my army and my son.

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<v Speaker 1>Leave my land now, or I swear by the sun,

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<v Speaker 1>I will give you more blood than you can drink.

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<v Speaker 1>Of course, Cyrus did not retreat, and the warrior queen

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<v Speaker 1>made good on her threat. What followed was an epically

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<v Speaker 1>destructive fight between the Persians and the Masengeti, so brutal

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<v Speaker 1>that it was described by Herodotus as the fiercest battle

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<v Speaker 1>among barbarians in the ancient world. Fighting began at long

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<v Speaker 1>range with bows and arrows. Then things got up close

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<v Speaker 1>and personal with spear and dagger work that put on

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<v Speaker 1>vivid display the full force of the Masengeti fighting prowess.

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<v Speaker 1>The Masengeti didn't just defeat Cyrus's forces, they destroyed them.

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<v Speaker 1>When the battle and end, and did Cyrus the Great

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<v Speaker 1>himself lay dead on the battlefield, but Tomyrius wasn't finished.

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<v Speaker 1>The warrior queen had one final move to make, and

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<v Speaker 1>this one was grotesquely literal. She searched among the fallen

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<v Speaker 1>Persian soldiers until she found Cyrus's corpse. She ordered his

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<v Speaker 1>head to be chopped off. Then she dropped Cyrus's head

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<v Speaker 1>into a wine skin full of blood that had been

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<v Speaker 1>collected from his men. As she did this, she cried,

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<v Speaker 1>drink your fill of blood. Was dunking the dead king's

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<v Speaker 1>head in his own soldier's blood overkill? Some might say, yes,

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<v Speaker 1>but the wrath of a grieving mother is not a

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<v Speaker 1>thing to underestimate. Cyrus the Great, who had built an

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<v Speaker 1>empire through conquest and clever strategy, met his end at

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<v Speaker 1>the hands of a woman he had underestimated. Tomyris proved

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<v Speaker 1>that to defying her warnings carried severe consequences, and that

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<v Speaker 1>men didn't have a monopoly on rage. I think we

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<v Speaker 1>can all agree that, in modern terms, carrying your enemy's

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<v Speaker 1>decapitated head around in a wine bag full of his

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<v Speaker 1>own soldier's blood is about as f around and find

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<v Speaker 1>out as you can get. Little is known about Tomyris's

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<v Speaker 1>life following her victory over Cyrus, but her actions in

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<v Speaker 1>that battle were enough to gain her a good amount

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<v Speaker 1>of notoriety. Throughout the centuries, Tomyris became part of a

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<v Speaker 1>popular artistic theme of celebrating powerful female figures who triumphed

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<v Speaker 1>over men. Women like Tomyris, or like Judith over Holophernes.

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<v Speaker 1>Tomiris was especially popular during the Renaissance, when European artists

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<v Speaker 1>and writers couldn't get enough of her story. They were,

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<v Speaker 1>of course, especially fond of depicting the final gruesome moment

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<v Speaker 1>with Cyrus's head and the blood filled wine skin. One

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<v Speaker 1>particularly notable work was a fresco by the Renaissance painter

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<v Speaker 1>Andrea del Castagno, which was discovered in Florence in eighteen

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<v Speaker 1>forty seven. Among the nine larger than life figures portrayed,

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<v Speaker 1>Tomyris stands proudly alongside literary giants like Dante and Petrart.

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<v Speaker 1>The partially worn inscription beneath her feet celebrated two of

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<v Speaker 1>her key achievements, avenging her son and deliberating her people.

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<v Speaker 1>We can assume that showboding with her enemy's decapitated head

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<v Speaker 1>was a third unspoken highlight. But Tomyris was not just

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<v Speaker 1>a Renaissance fascination. Ancient writers couldn't get enough of her

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<v Speaker 1>story either. She represented something unique, a woman who defeated

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<v Speaker 1>the most powerful man of her time in battle. She

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<v Speaker 1>was both a grieving mother seeking vengeance and a fierce

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<v Speaker 1>warrior queen protecting her people. That duality made for an

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<v Speaker 1>iconic figure whose legacy would stand the test of time. Today,

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<v Speaker 1>Tamyris lives on across Central Asia. She's claimed as a

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<v Speaker 1>national heroine by multiple countries, including Azerbaijan, Uzbekistan, Kazakhstan, and

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<v Speaker 1>regions of Western Turkey. In those areas, the name Tomyris

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<v Speaker 1>remained popular among young girls, a badass namesake and testament

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<v Speaker 1>to her influence. Kazakhstan even issued coins bearing her image,

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<v Speaker 1>cementing her place in modern cultural memory. As with many

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<v Speaker 1>ancient historical figures, separating fact from legend in Tamyris's story

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<v Speaker 1>can be challenging, but perhaps the exact details matter less

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<v Speaker 1>in this case than what her story represents. She was

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<v Speaker 1>a powerful woman who refused to be conquered either by

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<v Speaker 1>marriage or by force, who protected her people's sovereignty at

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<v Speaker 1>all costs, and who proved that when push comes to shove,

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<v Speaker 1>women can act just as unhinged and violent as men can.

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<v Speaker 1>That's the legend of Tomyris. But keep listening after a

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<v Speaker 1>brief sponsor break, to hear a little bit about how

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<v Speaker 1>a new discovery shed light on her story. In twenty ten,

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<v Speaker 1>an archaeological discovery in northern Kazakhstan sparked new interest in

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<v Speaker 1>Tomyris's story. Researchers uncovered what they called the Golden Warrior Tomb,

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<v Speaker 1>dating back to somewhere between the seventh and fourth centuries BC.

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<v Speaker 1>The burial site was a treasure trove containing a body

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<v Speaker 1>adorned in gold and surrounded by more than one hundred

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<v Speaker 1>precious objects, including one ornate tiger griffin figure, bronze arrowheads,

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<v Speaker 1>and decorated sword belts. Initially, experts identified the skeleton as

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<v Speaker 1>belonging to a middle aged man, but subsequent analysis has

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<v Speaker 1>left the question of gender open. Some have speculated that

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<v Speaker 1>this could be the tomb of Tomyris herself, although that

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<v Speaker 1>remains purely conjecture. What's particularly interesting is that this discovery

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<v Speaker 1>isn't isolated. A similar Saca grave found in twenty thirteen

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<v Speaker 1>contained the remains of a tall woman wearing a golden

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<v Speaker 1>pointed hat and elaborate jewelry, proving that powerful women were

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<v Speaker 1>indeed honored with magnificent burials in this region and era.

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<v Speaker 1>Whether or not one of those tombs belonged to Tomyris,

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<v Speaker 1>it's undeniable that the power of her story lives on.

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<v Speaker 1>The warrior Queen of the Masngeti exists in a space

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<v Speaker 1>between history and legend, fact and interpretation. But what remains

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<v Speaker 1>across centuries and culture is how irresistible that story is.

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<v Speaker 1>What's not to love about a story of resistance, revenge, and,

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<v Speaker 1>let's face it, the ultimate accessory. Here's a free idea

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<v Speaker 1>for any fashion designers out there. A Tomiras handbag head

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<v Speaker 1>not included. Noble Blood is a production of iHeartRadio and

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<v Speaker 1>Grim and Mild from Aaron Manky. Noble Blood is hosted

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<v Speaker 1>by me Dana Schwartz, with additional writing and research by

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<v Speaker 1>Hannah Johnston, Hannahswick, Courtney Sender, Amy Hit and Julia Melaney.

0:18:42.680 --> 0:18:46.320
<v Speaker 1>The show is edited and produced by Jesse Funk, with

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<v Speaker 1>supervising producer rima il Kaali and executive producers Aaron Mankey,

0:18:52.320 --> 0:18:56.840
<v Speaker 1>Trevor Young, and Matt Frederick. For more podcasts from iHeartRadio,

0:18:57.080 --> 0:19:01.400
<v Speaker 1>visit the iHeartRadio, app, Apple podcasts, or wherever you listen

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<v Speaker 1>to your favorite shows.