1 00:00:09,160 --> 00:00:16,279 Speaker 1: Advices, hell Leve, Leve, No, and Loo. Welcome to the 2 00:00:16,560 --> 00:00:18,759 Speaker 1: not even NICEA. I'm your host from Shooter and it 3 00:00:18,880 --> 00:00:22,440 Speaker 1: is Thursday Thursday, which means our dear friend Mark Lupo 4 00:00:22,600 --> 00:00:23,919 Speaker 1: joins us. Hey LUPI are you there? 5 00:00:24,320 --> 00:00:25,440 Speaker 2: Loopy lewis here? 6 00:00:26,120 --> 00:00:28,480 Speaker 1: Hey Loopy Lou. How's your week been? What you've been 7 00:00:28,560 --> 00:00:30,240 Speaker 1: up to? What exciting events have you gone to? 8 00:00:30,440 --> 00:00:32,760 Speaker 2: Oh, my gosh, it was It's been pretty good. I've 9 00:00:32,760 --> 00:00:35,680 Speaker 2: been to a few movie screenings and you know, but 10 00:00:35,760 --> 00:00:38,160 Speaker 2: also really busy with work and just trying to manage 11 00:00:38,159 --> 00:00:38,400 Speaker 2: it all. 12 00:00:38,400 --> 00:00:41,080 Speaker 1: As they say, it's a lot, isn't it. Today I 13 00:00:41,200 --> 00:00:43,319 Speaker 1: had a little bit of not anxiety, but I had 14 00:00:43,320 --> 00:00:45,919 Speaker 1: that moment where sometimes I bite off more than I 15 00:00:45,960 --> 00:00:47,800 Speaker 1: can chew, and that's not quite true. I just have 16 00:00:47,840 --> 00:00:50,919 Speaker 1: to chew a little bit faster. Ultimately it all gets done. 17 00:00:50,960 --> 00:00:52,879 Speaker 1: The way to get through it is to be in 18 00:00:52,920 --> 00:00:55,720 Speaker 1: the moment. So I'm not worrying about what I've got 19 00:00:55,760 --> 00:00:58,160 Speaker 1: to do next, or what I've got to do tonight 20 00:00:58,680 --> 00:01:01,840 Speaker 1: or tomorrow. I'm just gonna focus on having a fun 21 00:01:01,960 --> 00:01:05,000 Speaker 1: twenty minutes with you and the Naughty's What time is it, 22 00:01:05,120 --> 00:01:11,160 Speaker 1: my friends? It is tea time, Rebecca Remain didn't have 23 00:01:11,200 --> 00:01:14,039 Speaker 1: any warning that she would be in her exes John 24 00:01:14,160 --> 00:01:19,200 Speaker 1: Stamos's memoir. So Rebecca Remain has yet to react on 25 00:01:19,240 --> 00:01:22,440 Speaker 1: the fact that she's in her ex husband's book John Stemos, 26 00:01:22,720 --> 00:01:25,840 Speaker 1: but her husband, Jerry O'Connell, who I love, he is 27 00:01:25,880 --> 00:01:29,319 Speaker 1: speaking out. So Jerry was on Access Hollywood and Mario Lopez, 28 00:01:29,319 --> 00:01:31,560 Speaker 1: who I love too, asked him, did you and your 29 00:01:31,600 --> 00:01:33,959 Speaker 1: wife have any warning that you're going to be in 30 00:01:33,959 --> 00:01:37,280 Speaker 1: this book? And he said, we found out when everybody 31 00:01:37,360 --> 00:01:41,720 Speaker 1: else did. And then Mario I love a follow up question. 32 00:01:42,200 --> 00:01:45,760 Speaker 1: Mario tried to engage him, saying, was he shocked about 33 00:01:45,800 --> 00:01:49,040 Speaker 1: all this and Jerry? And I'm surprised Jerry did this 34 00:01:49,120 --> 00:01:52,440 Speaker 1: because you don't think of Jerry as the most disciplined person. 35 00:01:52,920 --> 00:01:55,400 Speaker 1: But he said, it's not really my place to say. 36 00:01:55,920 --> 00:02:01,000 Speaker 1: I would rather my wife talk about that. Mariolo responded, 37 00:02:01,520 --> 00:02:04,720 Speaker 1: smart man, A couple of things. Yeah. First of all, 38 00:02:05,520 --> 00:02:09,720 Speaker 1: he didn't John Stamus did not give Rebecca any clue, 39 00:02:09,840 --> 00:02:11,560 Speaker 1: any heads up that she was going to be in 40 00:02:11,600 --> 00:02:13,400 Speaker 1: a book, and not just in a book. He calls 41 00:02:13,440 --> 00:02:17,840 Speaker 1: her the devil. Yeah, And second part of my question, 42 00:02:18,000 --> 00:02:21,000 Speaker 1: Mark is is Jerry doing the right thing by just 43 00:02:21,040 --> 00:02:22,240 Speaker 1: shutting up. What do you think? 44 00:02:23,120 --> 00:02:26,000 Speaker 2: Okay, so the first part of this first part of 45 00:02:26,000 --> 00:02:28,359 Speaker 2: your question, I always thought you had to give people 46 00:02:28,440 --> 00:02:30,520 Speaker 2: the heads up or you know, if you're a journalist 47 00:02:30,639 --> 00:02:33,680 Speaker 2: or you're publishing something about someone, I thought you you know, 48 00:02:33,760 --> 00:02:36,320 Speaker 2: as a courtesy, you give them like a few days response, 49 00:02:36,360 --> 00:02:39,400 Speaker 2: for a twenty four hour window to say something. So 50 00:02:39,480 --> 00:02:41,520 Speaker 2: I was shocked to know that John Simos didn't tell her. 51 00:02:41,760 --> 00:02:43,600 Speaker 2: He says some really serious things. 52 00:02:43,520 --> 00:02:46,480 Speaker 1: Yes he is. Now. The difference is is as journalists, 53 00:02:46,520 --> 00:02:50,200 Speaker 1: when we write something, we have to legally give you 54 00:02:50,240 --> 00:02:55,160 Speaker 1: the chance to respond. However, if it's in the first person, 55 00:02:55,560 --> 00:02:58,000 Speaker 1: then I don't have to do that, so I should 56 00:02:58,040 --> 00:02:59,920 Speaker 1: do what I guess there's some sort of honor in 57 00:03:00,120 --> 00:03:02,640 Speaker 1: doing it. But if I was writing about you, Mark, 58 00:03:03,120 --> 00:03:05,520 Speaker 1: I wouldn't actually have to reach out to you, because 59 00:03:05,560 --> 00:03:09,480 Speaker 1: it would be in the first person. There's no source involved, 60 00:03:09,960 --> 00:03:13,720 Speaker 1: it's one on one. So I think that's the technical distinction. 61 00:03:13,400 --> 00:03:16,799 Speaker 2: There, understood. Well, listen, I think Jerry handled this perfectly. 62 00:03:17,080 --> 00:03:19,519 Speaker 2: You know, he went on the show, he commented, he 63 00:03:19,520 --> 00:03:21,519 Speaker 2: didn't say no comment and make it, you know, even 64 00:03:21,520 --> 00:03:24,160 Speaker 2: more awkward. You know, it's a difficult thing. I'm sure 65 00:03:24,160 --> 00:03:26,920 Speaker 2: it's caused some troubles at home. I'm sure Rebecca wasn't 66 00:03:27,000 --> 00:03:29,240 Speaker 2: thrilled with what John has said about her. And this 67 00:03:29,320 --> 00:03:31,400 Speaker 2: also feels like this was a long time ago, and 68 00:03:31,440 --> 00:03:35,040 Speaker 2: now to reopen this, it's not the best feeling. What 69 00:03:35,040 --> 00:03:35,480 Speaker 2: do you think. 70 00:03:36,400 --> 00:03:38,080 Speaker 1: Well, I have a little bit of a backstory with 71 00:03:38,120 --> 00:03:40,440 Speaker 1: these two. When I was very very young, I was 72 00:03:40,480 --> 00:03:43,680 Speaker 1: an assistant in a PR office that represented both John 73 00:03:43,800 --> 00:03:47,480 Speaker 1: and Rebecca, and I still call her Rebecca remain Stemos 74 00:03:47,480 --> 00:03:50,160 Speaker 1: because that's the name that I knew her by all 75 00:03:50,200 --> 00:03:53,680 Speaker 1: those years. And I once had to cover a few events. 76 00:03:54,200 --> 00:03:57,800 Speaker 1: John was nice, Rebecca wasn't so. And I know and 77 00:03:57,880 --> 00:04:02,520 Speaker 1: I remember it to this day, twenty years ago, maybe longer, 78 00:04:02,560 --> 00:04:04,960 Speaker 1: and I was pretty insecure about being a publicist. I 79 00:04:04,960 --> 00:04:06,720 Speaker 1: was not a publicist. I was an assistant. I was 80 00:04:06,760 --> 00:04:08,840 Speaker 1: trying to learn the craft. I was trying to learn 81 00:04:08,880 --> 00:04:11,160 Speaker 1: how to do this. And I remember going to cover 82 00:04:11,200 --> 00:04:14,200 Speaker 1: a photo shoot that Rebecca was doing and she wasn't 83 00:04:14,240 --> 00:04:17,080 Speaker 1: kind to me, and I do remember it now. Could 84 00:04:17,080 --> 00:04:19,000 Speaker 1: it just be a bad day? We all have them? 85 00:04:19,200 --> 00:04:19,479 Speaker 2: Maybe? 86 00:04:19,720 --> 00:04:24,080 Speaker 1: Maybe so. Even so, even if you're mean to your friend, 87 00:04:24,400 --> 00:04:27,520 Speaker 1: Shooter it's still it still doesn't mean that you are 88 00:04:27,560 --> 00:04:31,760 Speaker 1: the devil. I'm quite surprised that John Stamos went this 89 00:04:31,920 --> 00:04:34,719 Speaker 1: far because he's quite careful too, Like if ever you 90 00:04:34,760 --> 00:04:37,719 Speaker 1: ask him about the Olsen Twins, he shuts down. He 91 00:04:37,839 --> 00:04:41,039 Speaker 1: doesn't go there. Whenever you've interviewed him on a red 92 00:04:41,080 --> 00:04:43,599 Speaker 1: carpet or met him at an event, He's somebody that 93 00:04:43,680 --> 00:04:47,239 Speaker 1: stays on message. So I'm quite surprised that he's going 94 00:04:47,360 --> 00:04:49,559 Speaker 1: this far. I mean, I'm here for it. I'm reading 95 00:04:49,600 --> 00:04:52,719 Speaker 1: the book. It's full, it's full of juicy information. And 96 00:04:52,800 --> 00:04:55,200 Speaker 1: let me point out to it. Rebecca's not the whole book. 97 00:04:55,400 --> 00:04:58,320 Speaker 1: She's a couple of pages, but it's what everybody is 98 00:04:58,400 --> 00:05:01,360 Speaker 1: talking about. Jerry. Have you ever met Jerry O'Connell. 99 00:05:01,560 --> 00:05:04,000 Speaker 2: He is one of the nicest people. I will tell you. 100 00:05:04,200 --> 00:05:06,080 Speaker 2: When I worked at Wendy Williams and he was a 101 00:05:06,120 --> 00:05:07,800 Speaker 2: guest a few times. When I was I sent a 102 00:05:07,839 --> 00:05:09,600 Speaker 2: no doubt a blast and I was moving on from 103 00:05:09,640 --> 00:05:14,320 Speaker 2: the show. He responded and said, you know, best wishes, congratulations, 104 00:05:14,360 --> 00:05:16,279 Speaker 2: like what is a sweet sweetness? 105 00:05:16,400 --> 00:05:20,280 Speaker 1: Sweet fuck? I bummed into him by the Hudson Yards 106 00:05:20,680 --> 00:05:23,840 Speaker 1: and he came flying over to me. Hi rub chitty 107 00:05:23,920 --> 00:05:28,680 Speaker 1: chit chat. He's funny, he looks around New York. I 108 00:05:28,720 --> 00:05:32,080 Speaker 1: really like him. I'm quite surprised, though, that he didn't 109 00:05:32,120 --> 00:05:35,360 Speaker 1: say anything, because you want to defend your spouse, your partner. 110 00:05:35,720 --> 00:05:38,680 Speaker 1: If you said something mean about my Bruce in your book, 111 00:05:39,480 --> 00:05:44,240 Speaker 1: I'd be vicious. I'd been nasty, and so it takes restraint. Now. 112 00:05:44,279 --> 00:05:46,320 Speaker 1: I hit the phones and I spoke to some of 113 00:05:46,320 --> 00:05:49,279 Speaker 1: my Rebecca sources, and they said, this is how Rebecca 114 00:05:49,360 --> 00:05:51,719 Speaker 1: wants it. She doesn't want to wish you a statement. 115 00:05:52,040 --> 00:05:54,680 Speaker 1: She's not going to say anything. She feels that if 116 00:05:54,720 --> 00:05:58,040 Speaker 1: she responds, she makes it even bigger. So I'm sure 117 00:05:58,160 --> 00:06:01,200 Speaker 1: she said to Jerry. Remember Rebecca's been doing this a 118 00:06:01,200 --> 00:06:03,640 Speaker 1: long time, Jerry, if you have to do this interview 119 00:06:03,920 --> 00:06:06,640 Speaker 1: with Access Hollywood, I think he's talking about the talk 120 00:06:06,839 --> 00:06:10,520 Speaker 1: or Pictionary. He's game. If you must do the interview, 121 00:06:10,560 --> 00:06:12,440 Speaker 1: you are going to be asked about the book, and 122 00:06:12,480 --> 00:06:15,320 Speaker 1: I'd rather you say nothing. Do you think that happened. 123 00:06:15,360 --> 00:06:17,880 Speaker 1: That's what my sources are telling me happened behind the scenes. 124 00:06:18,000 --> 00:06:19,839 Speaker 2: I mean, that's very common, you know. I will say 125 00:06:19,920 --> 00:06:22,279 Speaker 2: I've been watching interviews that John has been doing, and 126 00:06:22,320 --> 00:06:24,880 Speaker 2: I've been waiting to kind of hear him talk about 127 00:06:24,880 --> 00:06:27,839 Speaker 2: why Rebecca's the devil, Like what actually happened. I know 128 00:06:27,920 --> 00:06:30,520 Speaker 2: he spoke about, you know, seeing her career take off 129 00:06:30,520 --> 00:06:32,880 Speaker 2: and he kind of felt lesser than and that also 130 00:06:33,000 --> 00:06:36,760 Speaker 2: was common in Hollywood. But something must have happened between them. 131 00:06:36,800 --> 00:06:39,599 Speaker 1: Something happened. It's not in the book. Yeah, it's not cliques. 132 00:06:39,600 --> 00:06:42,320 Speaker 1: In the book, it implies that she dumped him, that 133 00:06:42,520 --> 00:06:44,679 Speaker 1: her career took off at a time when his career 134 00:06:44,760 --> 00:06:47,159 Speaker 1: was not doing so well, and she moved on to 135 00:06:47,200 --> 00:06:49,040 Speaker 1: thinking she was going to be a movie star. Maybe 136 00:06:49,720 --> 00:06:51,880 Speaker 1: she made some Marvel movies or she was all dressed 137 00:06:51,880 --> 00:06:54,679 Speaker 1: in blue. I don't know those, but there's a moment 138 00:06:54,720 --> 00:06:56,800 Speaker 1: when she like we thought, by goodness, she could be 139 00:06:56,800 --> 00:07:00,599 Speaker 1: the next Angelina Joelie. That didn't happen either, then, but 140 00:07:00,880 --> 00:07:03,080 Speaker 1: he's implying that she dumped him. It's quite cruel. He 141 00:07:03,200 --> 00:07:06,279 Speaker 1: does say in the book, though, that he's partly to blame. 142 00:07:06,600 --> 00:07:09,120 Speaker 1: It's not all on Rebecca. When a couple breaks up, 143 00:07:09,480 --> 00:07:12,400 Speaker 1: it's definitely both sides. But it is a fascinating story, 144 00:07:12,400 --> 00:07:14,160 Speaker 1: and I want to know what you think about this. 145 00:07:14,360 --> 00:07:19,040 Speaker 1: Rebecca me and didn't have any warning no heads up 146 00:07:19,640 --> 00:07:22,520 Speaker 1: that she would be in John Stamus's memoir. Well, she 147 00:07:22,800 --> 00:07:25,280 Speaker 1: must have thought she was she was married to him. 148 00:07:25,600 --> 00:07:28,480 Speaker 1: If my ex husband, who I don't have, but if 149 00:07:28,480 --> 00:07:30,360 Speaker 1: I did have an ex husband, if they were going 150 00:07:30,440 --> 00:07:32,640 Speaker 1: to write a memoir, I wo had been solved. 151 00:07:32,760 --> 00:07:35,760 Speaker 3: If they didn't, should be. I mean, can you imagine 152 00:07:35,760 --> 00:07:39,720 Speaker 3: they just raised him? So our question is should John 153 00:07:39,800 --> 00:07:44,600 Speaker 3: Stamos have given Rebecca the heads up? Should he have 154 00:07:44,880 --> 00:07:45,360 Speaker 3: done it? 155 00:07:45,800 --> 00:07:48,840 Speaker 1: Yes? Or no? Go vote on our Twitter page out 156 00:07:48,880 --> 00:07:52,280 Speaker 1: Noisy Noise rob Our facebook page is naughty gossip and 157 00:07:52,400 --> 00:07:56,680 Speaker 1: be sure to check back tomorrow to hear your results. Hey, Loopy, 158 00:07:57,040 --> 00:07:58,480 Speaker 1: are you working on Yes? 159 00:07:58,600 --> 00:08:01,040 Speaker 2: This is really this is a fun story. So Chris Pratt, 160 00:08:01,320 --> 00:08:05,800 Speaker 2: he has sparked the debate online over throwing out childhood trophies. 161 00:08:06,240 --> 00:08:08,680 Speaker 2: I let me explain. So Chris Pratt has posed a 162 00:08:08,800 --> 00:08:11,880 Speaker 2: very valid question to fellow parents. He's asking is it 163 00:08:11,960 --> 00:08:15,080 Speaker 2: wrong to toss out children's childhood trophies? 164 00:08:15,760 --> 00:08:15,960 Speaker 1: Now? 165 00:08:16,040 --> 00:08:18,440 Speaker 2: It's the actress of the social media and he shared 166 00:08:18,480 --> 00:08:20,760 Speaker 2: a series of photos of his wife Catherine gushing over 167 00:08:20,920 --> 00:08:25,400 Speaker 2: childhood trophies and things, and saying that her parents, Arnold 168 00:08:25,400 --> 00:08:28,160 Speaker 2: Schwarzenegger and Maria strip have saved these over the years. 169 00:08:28,360 --> 00:08:31,840 Speaker 2: Oh and one of the things that she's saved for 170 00:08:31,960 --> 00:08:35,679 Speaker 2: her daughter is a trophy which was titled Probable Solving 171 00:08:35,760 --> 00:08:40,200 Speaker 2: Superstar fourth grade year two thousand and it's got Chris think. 172 00:08:40,280 --> 00:08:43,160 Speaker 2: He goes. He's saying, you know, this was really special 173 00:08:43,160 --> 00:08:46,920 Speaker 2: that they've done this for my wife. He's very thoughtful. Now, Rob, 174 00:08:47,800 --> 00:08:50,359 Speaker 2: is your parents have they saved anything from your child? 175 00:08:51,559 --> 00:08:54,200 Speaker 1: Nothing? I don't have anything from yesterday. I don't hold 176 00:08:54,240 --> 00:08:57,440 Speaker 1: onto things. I really don't. I don't hold onto even 177 00:08:57,480 --> 00:08:59,280 Speaker 1: stories about myself. I've been in the press a couple 178 00:08:59,280 --> 00:09:01,040 Speaker 1: of times. I was on the for the New York Observer. 179 00:09:01,160 --> 00:09:03,120 Speaker 1: They did a big profile on me. I don't have it. 180 00:09:03,480 --> 00:09:06,240 Speaker 1: I don't keep hold of stuff, but that's my choice. 181 00:09:06,280 --> 00:09:08,160 Speaker 1: I don't judge other people. But I think what's going 182 00:09:08,200 --> 00:09:11,280 Speaker 1: on here is that it wasn't Catherine that saved these. 183 00:09:11,320 --> 00:09:13,760 Speaker 1: It was Arnold and Maria, And that makes a lot 184 00:09:13,760 --> 00:09:15,640 Speaker 1: of sense. I think my mom and dad have probably 185 00:09:15,679 --> 00:09:18,280 Speaker 1: got more stuff in a shoe box in the attic 186 00:09:18,800 --> 00:09:21,400 Speaker 1: from my childhood than I even know about. I don't 187 00:09:21,440 --> 00:09:25,360 Speaker 1: personally want that stuff, but they might, which is sort 188 00:09:25,440 --> 00:09:27,680 Speaker 1: of sweet, Like if I wanted a picture of myself 189 00:09:27,679 --> 00:09:30,240 Speaker 1: as a baby, I'd have to ask my mom to 190 00:09:30,320 --> 00:09:32,960 Speaker 1: send me one. I don't have baby pictures here in 191 00:09:33,000 --> 00:09:35,240 Speaker 1: the apartment. Maybe that's because when I moved to America, 192 00:09:35,280 --> 00:09:37,760 Speaker 1: I literally arrived with two suitcases and a dream in 193 00:09:37,800 --> 00:09:41,560 Speaker 1: my heart. But I just liked like us in a movie. 194 00:09:42,280 --> 00:09:44,600 Speaker 1: What about you, mom? Do you hold onto stuff? Does 195 00:09:44,880 --> 00:09:46,680 Speaker 1: dorish your mommy hold onto stuff? 196 00:09:47,000 --> 00:09:49,400 Speaker 2: I love when people send me really nice emails. I'll 197 00:09:49,480 --> 00:09:52,720 Speaker 2: keep those or you know, greeting cards. But cute my mom, Doris, 198 00:09:53,840 --> 00:09:56,120 Speaker 2: She's held on to a lot of things. And if 199 00:09:56,120 --> 00:09:58,720 Speaker 2: I come home for a holiday or a weekend, I'll 200 00:09:58,720 --> 00:10:01,160 Speaker 2: come home and in my will be something new, like 201 00:10:01,200 --> 00:10:04,400 Speaker 2: she'll put out a baby outfin or a trophy or whatever, 202 00:10:04,440 --> 00:10:06,439 Speaker 2: and so you know they're thinking about. 203 00:10:08,000 --> 00:10:10,720 Speaker 1: I think it means more to the parents and to you, 204 00:10:10,840 --> 00:10:15,360 Speaker 1: like I'm very much about tomorrow, not yesterday. And I mean, 205 00:10:15,400 --> 00:10:17,320 Speaker 1: I know what I talk about Jay love a lot, 206 00:10:17,720 --> 00:10:21,600 Speaker 1: but I do. In reality, I don't really think about 207 00:10:21,640 --> 00:10:24,800 Speaker 1: it that much. I'm definitely thinking about I've always been 208 00:10:24,840 --> 00:10:27,200 Speaker 1: that way. I don't linger in the past. Maybe I 209 00:10:27,240 --> 00:10:30,760 Speaker 1: should more because there's so many wonderful memories I have 210 00:10:30,880 --> 00:10:34,320 Speaker 1: stored back there, but no, I'm definitely somebody that thinks 211 00:10:34,400 --> 00:10:39,320 Speaker 1: about tomorrow. Okay, moving along, Travis Kelsey, who I love, 212 00:10:39,920 --> 00:10:43,720 Speaker 1: is reacting to his stats proving that he plays better 213 00:10:43,760 --> 00:10:46,600 Speaker 1: when Taylor Swift attends the game. Now, this is a 214 00:10:46,600 --> 00:10:48,360 Speaker 1: lot of football talking here, So if I'm going to 215 00:10:48,440 --> 00:10:52,200 Speaker 1: sound like a Chad's an artificial intelligence talk and it is, 216 00:10:52,280 --> 00:10:55,480 Speaker 1: still I just don't really understand what I'm saying. So 217 00:10:55,559 --> 00:11:02,080 Speaker 1: whenever Taylor has attended Travis's games, his statistics are much better. 218 00:11:02,840 --> 00:11:07,400 Speaker 1: So his brother pointed out that when t Swift is 219 00:11:07,440 --> 00:11:11,520 Speaker 1: at the game, he averages ninety nine yards. I think 220 00:11:11,600 --> 00:11:15,000 Speaker 1: that's how far he runs with the ball. However, when 221 00:11:15,120 --> 00:11:20,000 Speaker 1: Taylor's not at the game, he only averages forty six 222 00:11:20,040 --> 00:11:23,959 Speaker 1: point five a game. Now, he was joking that even 223 00:11:24,000 --> 00:11:28,240 Speaker 1: his coach has noticed this and he's encouraging him to 224 00:11:28,320 --> 00:11:31,400 Speaker 1: bring Taylor to the game. This could have gone either way, 225 00:11:31,480 --> 00:11:35,679 Speaker 1: because had he lost the games that she attended, the 226 00:11:35,720 --> 00:11:39,000 Speaker 1: fans would say she's a bad luck charm. Had he 227 00:11:39,160 --> 00:11:41,880 Speaker 1: we won the games where she did, now she's a 228 00:11:41,960 --> 00:11:45,480 Speaker 1: good look charm. I don't know about this. Maybe you 229 00:11:45,600 --> 00:11:48,240 Speaker 1: play a little harder if somebody's in the stands that 230 00:11:48,280 --> 00:11:51,600 Speaker 1: you really want to impress. What do you think coincidence 231 00:11:51,679 --> 00:11:53,480 Speaker 1: or is something going on here? Do we work a 232 00:11:53,520 --> 00:11:56,640 Speaker 1: little harder when someone we like is watching. 233 00:11:57,000 --> 00:11:58,640 Speaker 2: I think it's a little bit of both. And I 234 00:11:58,679 --> 00:12:02,000 Speaker 2: think ultimately too, with her being there, it brings it 235 00:12:02,000 --> 00:12:04,280 Speaker 2: brings in this other audience like me and you and 236 00:12:04,480 --> 00:12:08,000 Speaker 2: the natives who don't watch football. You know, now I care. 237 00:12:08,120 --> 00:12:09,719 Speaker 2: Now I'm gonna watch because I want to see a 238 00:12:09,760 --> 00:12:11,400 Speaker 2: tailor is doing. But I don't think I would watch 239 00:12:11,400 --> 00:12:12,319 Speaker 2: the game otherwise. 240 00:12:15,080 --> 00:12:17,400 Speaker 1: I think you write the extra pair of eyes. And 241 00:12:17,520 --> 00:12:20,480 Speaker 1: maybe that energy is infectious, Like sometimes we've all been 242 00:12:20,520 --> 00:12:23,480 Speaker 1: in rooms that are like the electricity is so excited 243 00:12:23,520 --> 00:12:26,520 Speaker 1: it sort of pumps you up. So maybe that's helping. Dude, 244 00:12:26,520 --> 00:12:29,280 Speaker 1: What about you, Mark? Do you perform better if you 245 00:12:29,400 --> 00:12:32,520 Speaker 1: have a friend, somebody, a loved one, a boyfriend watching. 246 00:12:33,520 --> 00:12:36,080 Speaker 2: I get very nervous, like I want to do well, 247 00:12:36,120 --> 00:12:38,960 Speaker 2: and then I get distracted and I get all twisted up. 248 00:12:38,960 --> 00:12:41,240 Speaker 2: So I think I would prefer not to know who's watching, 249 00:12:41,280 --> 00:12:42,120 Speaker 2: who's there. 250 00:12:42,920 --> 00:12:46,040 Speaker 1: Well, that's so interesting. I have a little trick when 251 00:12:46,080 --> 00:12:48,360 Speaker 1: I do a TV show that I'm a bit nervous 252 00:12:48,360 --> 00:12:49,800 Speaker 1: to do and to be honest, there isn't that many 253 00:12:49,840 --> 00:12:51,839 Speaker 1: because I've done so many of them at this point, 254 00:12:51,880 --> 00:12:53,920 Speaker 1: there's nothing. Maybe if I sat down with Oprah, i 255 00:12:54,000 --> 00:12:55,640 Speaker 1: might be a little bit nervous, but I'm not going 256 00:12:55,679 --> 00:12:57,800 Speaker 1: on a talk show with the Today Show, a morning show. 257 00:12:58,000 --> 00:12:59,840 Speaker 1: That doesn't make me nervous. But early on in my 258 00:13:00,600 --> 00:13:02,720 Speaker 1: I got a piece of advice from a very famous 259 00:13:02,760 --> 00:13:04,840 Speaker 1: person and they said, when you look in the camera 260 00:13:05,280 --> 00:13:08,840 Speaker 1: and it's a big black hole, picture someone you love. 261 00:13:09,160 --> 00:13:11,800 Speaker 1: And I used to think about my mom or my granny, 262 00:13:12,160 --> 00:13:14,880 Speaker 1: which is somebody who wanted me to succeed, and I 263 00:13:14,920 --> 00:13:17,600 Speaker 1: pretended I was talking to them. So instead of talking 264 00:13:17,760 --> 00:13:20,000 Speaker 1: into like do this on zoom. Next time you're on 265 00:13:20,080 --> 00:13:23,480 Speaker 1: zoom and you're staring into that camera on your computer, 266 00:13:24,000 --> 00:13:26,520 Speaker 1: have a mental picture of a person that you want 267 00:13:26,559 --> 00:13:28,760 Speaker 1: to talk to, the person you want to have a 268 00:13:28,840 --> 00:13:31,680 Speaker 1: drink with. Sometimes I think of Miss d'es. I've thought 269 00:13:31,679 --> 00:13:33,480 Speaker 1: of you, Mark, I think of friends. I think I 270 00:13:33,520 --> 00:13:36,160 Speaker 1: always put myself in a place where I'm surrounded by 271 00:13:36,160 --> 00:13:39,000 Speaker 1: people who I don't want to impress, but I know 272 00:13:39,080 --> 00:13:43,079 Speaker 1: have got my back. I think that's the key here. Okay, 273 00:13:43,120 --> 00:13:47,360 Speaker 1: moving along Britney Spears is saying that she was hurt 274 00:13:47,640 --> 00:13:49,320 Speaker 1: by Ryan Seacrest. 275 00:13:50,840 --> 00:13:53,920 Speaker 2: So, Britney Spears' memoir is setting the record straight from 276 00:13:53,920 --> 00:13:57,720 Speaker 2: the pop stars perspective, and she's taking names, including Ryan Seacrest, 277 00:13:58,080 --> 00:14:01,280 Speaker 2: who wants to question whether she was fit mother. This 278 00:14:01,400 --> 00:14:04,320 Speaker 2: kind of surprises me. So the singer called an then 279 00:14:04,360 --> 00:14:07,400 Speaker 2: basive interview by the American Idol host while promoting her 280 00:14:07,559 --> 00:14:09,480 Speaker 2: Blackout album in two thousand and seven, and she said 281 00:14:09,520 --> 00:14:12,360 Speaker 2: that that was the year she infamously she shaved her 282 00:14:12,400 --> 00:14:15,600 Speaker 2: head and attacked the paparazzi's car, following this one from 283 00:14:15,640 --> 00:14:18,480 Speaker 2: her husband Kevin Feederline the previous year. In the book, 284 00:14:18,520 --> 00:14:20,920 Speaker 2: she said, quote the only press I did for Blackout 285 00:14:21,040 --> 00:14:23,720 Speaker 2: was a live radio interview with Ryan Seacrest when it 286 00:14:23,760 --> 00:14:26,480 Speaker 2: came out in October two thousand and seven, she said. 287 00:14:26,520 --> 00:14:28,960 Speaker 2: In the interview, which was supposed to be only about 288 00:14:28,960 --> 00:14:32,960 Speaker 2: the record, Ryan asked questions like, how do you respond 289 00:14:32,960 --> 00:14:35,680 Speaker 2: to those who criticized you as a mom, and do 290 00:14:35,720 --> 00:14:40,280 Speaker 2: you feel like you're doing everything you can for your kids? No, Brittany, 291 00:14:40,400 --> 00:14:42,720 Speaker 2: she noted that she felt the only thing people wanted 292 00:14:42,720 --> 00:14:45,200 Speaker 2: to talk about was whether or not she was a 293 00:14:45,320 --> 00:14:46,240 Speaker 2: fit mother. 294 00:14:47,800 --> 00:14:49,520 Speaker 1: I get it, I mean celebrities want to talk about 295 00:14:49,520 --> 00:14:51,920 Speaker 1: their work. I do get it. But if you've shaved 296 00:14:51,960 --> 00:14:54,800 Speaker 1: your head and you've attacked a paparazzi, that's what they're 297 00:14:54,800 --> 00:14:56,760 Speaker 1: going to ask you about. So I have some sympathy 298 00:14:57,040 --> 00:14:59,520 Speaker 1: for Ryan here. What I don't like is implying somebody 299 00:14:59,600 --> 00:15:03,400 Speaker 1: to a bad mom. And some of these interviews, particularly 300 00:15:03,440 --> 00:15:06,680 Speaker 1: from many years ago, decades ago, they don't hold up now. 301 00:15:06,840 --> 00:15:10,320 Speaker 1: Diane Sawyer famously asked Brittany some questions. I loved Diane Sawyer, 302 00:15:10,360 --> 00:15:12,920 Speaker 1: and now we would not ask those questions now. Even 303 00:15:12,960 --> 00:15:15,080 Speaker 1: Andy Cohen has changed over ten years. Things that he 304 00:15:15,120 --> 00:15:17,800 Speaker 1: would ask ten years ago he's not asking now. So 305 00:15:17,840 --> 00:15:20,240 Speaker 1: I think it was a product of its time. Ryan's 306 00:15:20,240 --> 00:15:22,120 Speaker 1: a good guy, He's not a mean guy, and I 307 00:15:22,160 --> 00:15:24,840 Speaker 1: think that he felt like he had to ask this stuff. 308 00:15:24,840 --> 00:15:28,480 Speaker 1: Although implying somebody is a bad mom that is never 309 00:15:28,640 --> 00:15:30,680 Speaker 1: a good idea. Okay, we're going to take a quick 310 00:15:30,720 --> 00:15:34,240 Speaker 1: break and we will be right back. Welcome back to 311 00:15:34,320 --> 00:15:36,480 Speaker 1: the Naughty but Night Show. I'm Rob Shooter with ideaf 312 00:15:36,480 --> 00:15:40,240 Speaker 1: I'm not Lupo. Hailey Pulitigett to the pools. Yes day 313 00:15:40,280 --> 00:15:44,040 Speaker 1: we talked about Britney Spears's memoir again and we called 314 00:15:44,080 --> 00:15:47,840 Speaker 1: it a sickening tale of survival. I've read it, Mark, 315 00:15:48,080 --> 00:15:50,920 Speaker 1: and what I came away with is not the little details. 316 00:15:50,920 --> 00:15:53,760 Speaker 1: Don't get me wrong. I love I love a celebrity story, 317 00:15:54,160 --> 00:15:58,280 Speaker 1: but I came away feeling different about Britney. It's so 318 00:15:58,680 --> 00:16:02,120 Speaker 1: easy to dismiss her as crazy, someone that's got mental 319 00:16:02,160 --> 00:16:05,440 Speaker 1: health issues, and when you read the memoir, no, she 320 00:16:05,640 --> 00:16:09,200 Speaker 1: wasn't crazy. What was happening to her was crazy, but 321 00:16:09,240 --> 00:16:13,120 Speaker 1: she wasn't crazy at Allso our question is, do you 322 00:16:13,120 --> 00:16:16,760 Speaker 1: think this book might change the way you feel about Britney. 323 00:16:16,920 --> 00:16:20,400 Speaker 1: Let's have a look. Sixty nine percent said yes, you 324 00:16:20,640 --> 00:16:24,320 Speaker 1: might change the way you feel, which really is the 325 00:16:24,680 --> 00:16:28,000 Speaker 1: is the most amazing thing a memoir could do. Don't 326 00:16:28,040 --> 00:16:30,440 Speaker 1: forget to vote on today's Paul go out to page 327 00:16:30,440 --> 00:16:32,920 Speaker 1: at Naughty Nice Rob her facebook page Norty Gods Him 328 00:16:32,960 --> 00:16:35,600 Speaker 1: Ambi Show has a check back to morrow to hear 329 00:16:35,720 --> 00:16:41,440 Speaker 1: your results are Now it's done for nicest on the day. 330 00:16:41,880 --> 00:16:49,360 Speaker 2: Oh it's Meg Ryan Now next back. She's revealing why 331 00:16:49,400 --> 00:16:52,880 Speaker 2: she took a giant break from Hollywood. So as her 332 00:16:52,880 --> 00:16:55,440 Speaker 2: fame grew sorted, her determination to step away from the 333 00:16:55,480 --> 00:16:58,400 Speaker 2: spotlight make said quote, I took a giant break because 334 00:16:58,440 --> 00:17:00,240 Speaker 2: I felt like there was just so many other part 335 00:17:00,320 --> 00:17:02,520 Speaker 2: of my experience as a human being that I wanted 336 00:17:02,520 --> 00:17:05,720 Speaker 2: to develop. It's nice to think of it as a 337 00:17:05,840 --> 00:17:08,359 Speaker 2: job and not a lifestyle, and that is a great 338 00:17:08,400 --> 00:17:12,600 Speaker 2: way of navigating it for me. What do you think, Oh. 339 00:17:12,520 --> 00:17:14,760 Speaker 1: I think this is really not I missed Redmember. She 340 00:17:14,880 --> 00:17:18,680 Speaker 1: did some great move here sleepless in Seattle. You've got male. 341 00:17:18,840 --> 00:17:21,440 Speaker 1: I really missed her. She was everyone. I love a 342 00:17:21,520 --> 00:17:23,640 Speaker 1: romantic comedy. They don't make many of them many more 343 00:17:23,680 --> 00:17:25,920 Speaker 1: so I'm glad that she's back. I hope she's successful, 344 00:17:25,920 --> 00:17:28,120 Speaker 1: and I think she's right. It's a job, not a lifestyle. 345 00:17:28,240 --> 00:17:31,000 Speaker 1: We know too many celebrities who think being a celebrity, 346 00:17:31,040 --> 00:17:34,919 Speaker 1: particularly the housewives, they think it's like a lifestyle. It's not. 347 00:17:35,000 --> 00:17:38,560 Speaker 1: It's a job. It is not a lifestyle unless you 348 00:17:38,680 --> 00:17:41,399 Speaker 1: want it to be. Welcome back, Meg, and now I 349 00:17:41,440 --> 00:17:44,080 Speaker 1: noticed the day naughty, naughty, naughty Derek Huff from Down 350 00:17:44,119 --> 00:17:46,760 Speaker 1: Smuth the Stars once thought his friendship with Jennifer Lopez 351 00:17:46,800 --> 00:17:50,800 Speaker 1: was over because of one dan smiss step. So several 352 00:17:50,880 --> 00:17:53,840 Speaker 1: years ago he was dipping j Lo and he accidentally 353 00:17:53,880 --> 00:17:56,159 Speaker 1: stepped on her hair, and when he pulled her back up, 354 00:17:56,200 --> 00:17:58,879 Speaker 1: her hair didn't come with her. Now. At the time, 355 00:17:59,000 --> 00:18:01,400 Speaker 1: he was like, it's a I'm never gonna work again. 356 00:18:01,520 --> 00:18:03,959 Speaker 1: Our friendship is over. The reason this is naughty is 357 00:18:03,960 --> 00:18:06,639 Speaker 1: we all make mistakes, and it's actually really insulting to 358 00:18:06,720 --> 00:18:09,200 Speaker 1: imply the jailer would stop being your friend. I'm sure 359 00:18:09,240 --> 00:18:11,280 Speaker 1: she wasn't happy you stepped on her hair, but you 360 00:18:11,280 --> 00:18:13,880 Speaker 1: don't have to fall out over this stuff. I've had 361 00:18:13,920 --> 00:18:16,520 Speaker 1: friends do things to me much worse than stepping on 362 00:18:16,600 --> 00:18:20,280 Speaker 1: my face my hair, I have, but you forgive them 363 00:18:20,400 --> 00:18:22,600 Speaker 1: to a certain extent. You have to figure out the 364 00:18:22,640 --> 00:18:26,159 Speaker 1: good the bad and see where you land in this 365 00:18:26,480 --> 00:18:29,560 Speaker 1: one little instant like that, Mark, it wouldn't end our friendship. 366 00:18:29,560 --> 00:18:31,240 Speaker 1: Where are you on this? Are you're quite strict with 367 00:18:31,280 --> 00:18:32,600 Speaker 1: this or do you hold onto people? 368 00:18:32,800 --> 00:18:35,960 Speaker 2: Oh? I forget easily. I mean, but if someone said 369 00:18:36,000 --> 00:18:37,720 Speaker 2: to my hair, I would not be happy here. 370 00:18:39,680 --> 00:18:42,320 Speaker 1: I would not be happy, Derek, don't do it again. 371 00:18:43,240 --> 00:18:45,560 Speaker 1: I would not end the friendship. Okay, let's end with 372 00:18:45,560 --> 00:18:47,520 Speaker 1: a moment of rab You gonna rub rub a robber 373 00:18:47,800 --> 00:18:52,720 Speaker 1: when you mistreat somebody, watch karma make you need that 374 00:18:53,000 --> 00:18:57,119 Speaker 1: person that you mistreated. Be mindful of the way you 375 00:18:57,359 --> 00:19:01,399 Speaker 1: treat other people. I have been cruel to people in 376 00:19:01,480 --> 00:19:04,480 Speaker 1: my life, and I really regret it. Not only do 377 00:19:04,600 --> 00:19:06,920 Speaker 1: I regret it because it's the wrong thing to do, 378 00:19:07,560 --> 00:19:10,879 Speaker 1: it's also a stupid thing to do because people don't 379 00:19:11,000 --> 00:19:13,960 Speaker 1: go away, They just get new jobs. And some of 380 00:19:14,080 --> 00:19:18,880 Speaker 1: them have ended up in fabulous jobs that I could 381 00:19:19,080 --> 00:19:22,720 Speaker 1: now be sitting next to them enjoying, and I never 382 00:19:22,840 --> 00:19:27,920 Speaker 1: will because I didn't treat them right. Treat people right. 383 00:19:28,240 --> 00:19:32,040 Speaker 1: Not only because it is the right thing to do, Mark, 384 00:19:32,440 --> 00:19:35,280 Speaker 1: it's also the smart thing to do. Hey, that is 385 00:19:35,400 --> 00:19:38,240 Speaker 1: it for today. Thank you so much for treating Mark 386 00:19:38,320 --> 00:19:41,400 Speaker 1: and myself right. On The Naughty but Nice with Rob 387 00:19:41,520 --> 00:19:44,600 Speaker 1: and Loopy Show, a production of iHeart Radio. Don't forget 388 00:19:44,640 --> 00:19:47,760 Speaker 1: to subscribe on the iHeartRadio ap Apple podcasts wherever you listen, 389 00:19:47,880 --> 00:19:49,480 Speaker 1: leave us a review if you can. And I'm the 390 00:19:49,640 --> 00:19:52,920 Speaker 1: guest star on my friend Elvis Durand's podcast. If you 391 00:19:52,920 --> 00:19:55,760 Speaker 1: want to listen to twenty minutes of my gossiping about 392 00:19:55,760 --> 00:19:59,479 Speaker 1: my life growing up. Who I Am behind the celebrity gossip? 393 00:19:59,600 --> 00:20:03,400 Speaker 1: Check out Elvis d RAN's podcast and I am there 394 00:20:03,640 --> 00:20:07,760 Speaker 1: all week. Okay, everybody, let's sign off. Remember let me 395 00:20:07,880 --> 00:20:11,120 Speaker 1: hear your singing along. If you're going to be naughty, 396 00:20:11,880 --> 00:20:18,760 Speaker 1: you've got to be nice, take care of everybody. It's 397 00:20:18,880 --> 00:20:20,679 Speaker 1: not even nice with bro