1 00:00:00,160 --> 00:00:05,359 Speaker 1: The Seventh Daughter contains scenes of realistic violence and graphic sexuality. 2 00:00:05,880 --> 00:00:15,560 Speaker 1: It is intended for mature listeners. Have you come seeking knowledge? 3 00:00:16,760 --> 00:00:20,319 Speaker 1: Do you wish to know the truth? Allow me to 4 00:00:20,360 --> 00:00:25,599 Speaker 1: show you. Close your eyes and follow the sound of 5 00:00:25,640 --> 00:00:32,040 Speaker 1: my voice. Allow it to lead you further into the past. 6 00:00:34,200 --> 00:00:38,040 Speaker 1: When I remove my blindfold, you may look into my eyes. 7 00:00:39,440 --> 00:00:44,120 Speaker 1: Don't just look at them, look through them, and you 8 00:00:44,159 --> 00:00:49,840 Speaker 1: will see what they have seen, and all my secrets 9 00:00:51,479 --> 00:01:01,920 Speaker 1: will be revealed. The Seventh Daughter. H Hello, Roy, come 10 00:01:01,960 --> 00:01:07,280 Speaker 1: in Rose. Fine, no one saw you come in. No, 11 00:01:07,600 --> 00:01:13,800 Speaker 1: I came up through the cellar. Good, have a seat, Roy. Now, 12 00:01:13,840 --> 00:01:16,680 Speaker 1: if we can get another booking, we'll bring you back in. 13 00:01:17,319 --> 00:01:20,520 Speaker 1: But right now we're dark. Oh sure, Rose, I understand. 14 00:01:20,720 --> 00:01:24,720 Speaker 1: In the meantime, I hoped I might engage your services 15 00:01:24,840 --> 00:01:28,240 Speaker 1: in another way. Sure, what do you need a little 16 00:01:28,400 --> 00:01:33,080 Speaker 1: gumshoe work? I'm not exaggerating when I say Pandora's future 17 00:01:33,160 --> 00:01:37,000 Speaker 1: depends on it. Hey, I do anything for the kid. Rose. 18 00:01:37,200 --> 00:01:40,560 Speaker 1: You know that I knew I could count on you. 19 00:01:42,160 --> 00:01:47,280 Speaker 1: So Pandora is doing a cabinet sitting completely cold and blind. 20 00:01:48,000 --> 00:01:51,160 Speaker 1: We've got the illusions covered, but we need to know 21 00:01:51,280 --> 00:01:56,480 Speaker 1: something about the woman who's hosting the seance. Truth secrets 22 00:01:56,960 --> 00:02:01,040 Speaker 1: doesn't need to be dirt, just things no body else knows. 23 00:02:01,680 --> 00:02:04,280 Speaker 1: That'll be a cinch. Who's the mark, that's just it? 24 00:02:05,240 --> 00:02:09,640 Speaker 1: I don't know. They won't tell us. Come on, Rose, 25 00:02:09,880 --> 00:02:13,079 Speaker 1: ain't nobody could donny that they have clues. There's a 26 00:02:13,120 --> 00:02:16,440 Speaker 1: famous doctor in town. He set the whole thing up, 27 00:02:16,840 --> 00:02:20,960 Speaker 1: so he's our connection to the mystery woman. Here. I've 28 00:02:21,040 --> 00:02:28,400 Speaker 1: written down his name, Albert fry Hair, his title sort 29 00:02:28,400 --> 00:02:32,920 Speaker 1: of like a Baron von Shrink, not saying I wish 30 00:02:32,960 --> 00:02:36,160 Speaker 1: I could afford a monica like that. He's in town 31 00:02:36,200 --> 00:02:38,960 Speaker 1: to lecture at the mid Atlantic College of Medicine. So 32 00:02:39,040 --> 00:02:42,920 Speaker 1: I'm thinking this person, this woman is connected to the 33 00:02:42,919 --> 00:02:46,560 Speaker 1: school somehow, probably a donor, because we have reason to 34 00:02:46,600 --> 00:02:51,079 Speaker 1: believe she's wealthy, and if she's interested in spiritists, she 35 00:02:51,200 --> 00:02:56,480 Speaker 1: must have some heartrending secret she can't let go of. 36 00:02:57,600 --> 00:03:00,160 Speaker 1: She's a twenty minute cab ribe from the theater, if 37 00:03:00,160 --> 00:03:03,120 Speaker 1: that helps. That doesn't exactly narrow it down. The sitting 38 00:03:03,160 --> 00:03:05,680 Speaker 1: is a week from now, so we haven't much time. 39 00:03:08,840 --> 00:03:11,840 Speaker 1: If Pandora goes in there and gets it wrong, it'll 40 00:03:11,919 --> 00:03:15,480 Speaker 1: ruin her name. They will publicly humiliate. Maybe you should 41 00:03:15,480 --> 00:03:18,320 Speaker 1: put it off until we can figure out. We can't 42 00:03:18,320 --> 00:03:22,600 Speaker 1: show any reluctance, any sign of weakness. Start with shrink. 43 00:03:23,080 --> 00:03:28,800 Speaker 1: Do whatever you need to do. Get us something. I'll try. 44 00:03:28,919 --> 00:03:33,800 Speaker 1: Oh you're the delivery man, right, I expect you to 45 00:03:34,000 --> 00:03:41,600 Speaker 1: deliver here. Take this. It's two weeks payment. Consider it 46 00:03:41,640 --> 00:03:45,320 Speaker 1: an advance against any information you can scrape up. Wow, Rose, 47 00:03:45,400 --> 00:03:49,680 Speaker 1: that that's mighty generous. All right, Roy, I don't mind 48 00:03:49,720 --> 00:03:53,040 Speaker 1: putting my money on a horse like you, a sure thing, 49 00:03:53,600 --> 00:03:58,280 Speaker 1: short odds with a big payoff. Thanks Rose. Don't mention 50 00:03:58,320 --> 00:04:03,720 Speaker 1: it now that business is concluded, take a load off. 51 00:04:03,920 --> 00:04:08,440 Speaker 1: I was just about to smoke a bindle. If you'd 52 00:04:08,440 --> 00:04:13,440 Speaker 1: care to join me, I shouldn't. I just managed to 53 00:04:13,440 --> 00:04:18,359 Speaker 1: get off the stuff and Dora. Pandora's here, yes, ma'am. 54 00:04:18,520 --> 00:04:24,560 Speaker 1: Prepare my pipe enough for myself and our guest. You 55 00:04:24,640 --> 00:04:27,800 Speaker 1: don't have to smoke if you don't want to. You 56 00:04:27,880 --> 00:04:38,159 Speaker 1: can always just snuggle up close to us and breathe. 57 00:04:42,760 --> 00:04:48,440 Speaker 1: Pandora has become quite adept. Look at her soft white hands, 58 00:04:49,880 --> 00:04:55,599 Speaker 1: how gently they tease the little brown pearl perfectly round, 59 00:04:56,440 --> 00:05:02,400 Speaker 1: ready to hatch our little green friend here lie on 60 00:05:02,480 --> 00:05:06,640 Speaker 1: your side, you will have the first breath of paradise. 61 00:05:07,720 --> 00:05:12,440 Speaker 1: Let the lamp warm the pearl, hum. Put the bamboo 62 00:05:12,480 --> 00:05:19,800 Speaker 1: against your lips, moisten the whole with your tongue. That's it. Now, 63 00:05:21,000 --> 00:05:27,440 Speaker 1: breathe it in. Allow the dragon to crawl through the 64 00:05:27,560 --> 00:05:34,080 Speaker 1: pipe into your mouth. M Let its tongue slither down 65 00:05:34,160 --> 00:05:40,400 Speaker 1: your throat. Feel its claws pricking the inside of your lungs. 66 00:05:41,960 --> 00:05:50,600 Speaker 1: You feel it, roy, I'm sure you do, warming your 67 00:05:50,640 --> 00:05:57,800 Speaker 1: blood with its breadth, every drop that flows through your veins. 68 00:06:01,800 --> 00:06:09,560 Speaker 1: Did you see her hands? What's that, roy Her hands? Oh? Yes, 69 00:06:10,760 --> 00:06:17,880 Speaker 1: she has lovely hands. Pandora. Stroke the pearl like I 70 00:06:17,960 --> 00:06:22,599 Speaker 1: taught you, so it can feel the flame. Hats it 71 00:06:25,200 --> 00:06:29,840 Speaker 1: and I'll take the pipe. Now. I think you've had 72 00:06:30,000 --> 00:06:35,680 Speaker 1: enough for the dragon to properly spread its wings. You've 73 00:06:35,680 --> 00:06:40,960 Speaker 1: got a job to do. I want to stay. It's 74 00:06:41,080 --> 00:06:47,040 Speaker 1: too late, roy Already I see you rising up, your body, 75 00:06:47,279 --> 00:06:51,719 Speaker 1: leaving the straw matt. Your head is no longer resting 76 00:06:51,839 --> 00:06:58,120 Speaker 1: on the silk pillow. You are levitating above us, moving 77 00:06:58,480 --> 00:07:09,000 Speaker 1: out through the walls, lifted skyward on dragons wings, sinking 78 00:07:09,080 --> 00:07:14,120 Speaker 1: down to the street, crawling along the ground like a 79 00:07:14,240 --> 00:07:20,440 Speaker 1: winter fog, a vapor permeating everything, spreading like a virus 80 00:07:21,880 --> 00:07:25,920 Speaker 1: from one person to the next, until you reach the 81 00:07:26,080 --> 00:07:32,840 Speaker 1: sidewalk outside the Medical College, and you lie there, silent 82 00:07:33,040 --> 00:07:37,400 Speaker 1: as a shadow, waiting until a door or window is 83 00:07:37,440 --> 00:07:44,920 Speaker 1: opened just enough to quietly steal inside and tip toe 84 00:07:44,960 --> 00:07:52,800 Speaker 1: through the hallways, searching, searching, starting at the College of Medicine, 85 00:07:53,680 --> 00:08:05,880 Speaker 1: lurking in the holes, crawling over the transoms, searching, watching. Yes, 86 00:08:09,480 --> 00:08:11,800 Speaker 1: excuse me, I have a message to deliver the Baron 87 00:08:11,920 --> 00:08:15,560 Speaker 1: von Shrink. He's in a lecture right now. Leave it 88 00:08:15,640 --> 00:08:17,320 Speaker 1: with me. I'll see that it gets a no. No, no, 89 00:08:17,920 --> 00:08:20,960 Speaker 1: I have strict orders to deliver it personally. Which way 90 00:08:21,000 --> 00:08:23,800 Speaker 1: is the lecture hall? You can't go in the lecture. 91 00:08:23,840 --> 00:08:28,720 Speaker 1: It's fine, It's fine. I'll just wait outside third floor, 92 00:08:29,040 --> 00:08:43,160 Speaker 1: south end of the hall. Thanks plans today, city, I 93 00:08:43,320 --> 00:08:47,360 Speaker 1: leave Tuesday peak. I am rather excited to have scheduled 94 00:08:47,440 --> 00:08:51,280 Speaker 1: a cabinet city at the young medium here in the city, 95 00:08:51,520 --> 00:08:56,800 Speaker 1: who is apparently quiet gifted not only with materializations but 96 00:08:57,320 --> 00:09:04,960 Speaker 1: psychic pummunications. Is Davenport of the American Society for Psychical Research, 97 00:09:05,320 --> 00:09:09,680 Speaker 1: has graciously offered to host us as should be quite 98 00:09:09,679 --> 00:09:14,880 Speaker 1: a demonstration indeed, but I hope that if my lecture 99 00:09:14,880 --> 00:09:19,560 Speaker 1: was well received, to be able to form a professional 100 00:09:19,640 --> 00:09:48,800 Speaker 1: association with admitted lat the County of Patters Davenport, Davenport, Davenport, Davenport, Alan, Avery, 101 00:09:49,120 --> 00:10:02,720 Speaker 1: Charles Charless, Clarence Ferman, George, Mrs Harold Davenport, Mrs Harold Davenport, 102 00:10:03,200 --> 00:10:14,679 Speaker 1: Mrs Harold Davenport, Mrs Harold Davenport, socialite, philanthropist, Widow Harris, 103 00:10:16,240 --> 00:10:24,199 Speaker 1: Mrs Harold Davenport, Mrs Harold Davenport, forty three brock Avenue. 104 00:10:28,679 --> 00:10:36,960 Speaker 1: When I have observed she has a staff of eight groundskeeper, butler, maid, chauffeur, 105 00:10:37,800 --> 00:10:43,559 Speaker 1: cook and cook's assistant stable hand, two housekeepers and a 106 00:10:43,679 --> 00:10:56,000 Speaker 1: girl companion. Say, fella, you work for miss Davenport, don't you? 107 00:10:56,600 --> 00:10:58,760 Speaker 1: What if I do? I could use a swell set 108 00:10:58,840 --> 00:11:01,120 Speaker 1: up like that does a guy getting good with the 109 00:11:01,200 --> 00:11:05,960 Speaker 1: lady upstairs? What's it worth do you? Fella? This is 110 00:11:06,000 --> 00:11:09,600 Speaker 1: your lucky day. I am the delivery man. I can 111 00:11:09,640 --> 00:11:13,640 Speaker 1: get you whatever you want. Girls straight to your door, 112 00:11:14,160 --> 00:11:17,800 Speaker 1: rum fresh off the boat, diamonds. You got a girl, 113 00:11:19,000 --> 00:11:20,520 Speaker 1: Bet she love you a little better if you put 114 00:11:20,520 --> 00:11:23,600 Speaker 1: a fox stole over her shoulders. Tell me what you want, 115 00:11:23,880 --> 00:11:29,480 Speaker 1: and I will deliver. That's the problem. I want to 116 00:11:29,520 --> 00:11:35,640 Speaker 1: cancel a delivery if you follow enlightening. I want to 117 00:11:35,720 --> 00:11:39,040 Speaker 1: halt delivery of a package due to arrive in uh 118 00:11:39,480 --> 00:11:42,760 Speaker 1: just shy a nine months. If you want to stop 119 00:11:42,840 --> 00:11:46,080 Speaker 1: that bundle from arriving, I can see that it gets 120 00:11:46,200 --> 00:11:51,040 Speaker 1: uh rerouted. Not me personally, minds you, but a woman 121 00:11:51,120 --> 00:11:56,160 Speaker 1: I know, educated, real experienced. What's it worth to you? 122 00:11:56,240 --> 00:12:00,240 Speaker 1: Fella always worth the world to me? Money I ain't 123 00:12:00,280 --> 00:12:02,719 Speaker 1: God sorry to hear that, but happy to report that 124 00:12:02,840 --> 00:12:05,960 Speaker 1: cash isn't the only currency I accept. I am a 125 00:12:06,040 --> 00:12:09,520 Speaker 1: buyer and seller of useful information. And like I said, 126 00:12:09,920 --> 00:12:12,240 Speaker 1: I'm looking to get in good with your boss. Then 127 00:12:12,240 --> 00:12:14,040 Speaker 1: the girl you want to speak to was my girl, 128 00:12:14,200 --> 00:12:17,439 Speaker 1: all of them, you know, like that, the one who's 129 00:12:17,440 --> 00:12:21,320 Speaker 1: addresses on the package. The girl works for Mrs Davenport. 130 00:12:21,440 --> 00:12:23,559 Speaker 1: She dresses her in the morning and puts her to 131 00:12:23,640 --> 00:12:26,080 Speaker 1: bed at night. She and the old girl, and just 132 00:12:26,120 --> 00:12:29,160 Speaker 1: sort of like that. Gee, this olive sounds like a 133 00:12:29,200 --> 00:12:32,240 Speaker 1: swell kid. Well, don't get me wrong, I just want 134 00:12:32,240 --> 00:12:35,120 Speaker 1: to do right by all. One day she's gonna have 135 00:12:35,240 --> 00:12:37,880 Speaker 1: my name. I'm just you know, I'm not there yet, 136 00:12:37,920 --> 00:12:43,680 Speaker 1: not this soon. Listen, pal, what's the doctor removes the pit, 137 00:12:44,520 --> 00:12:47,200 Speaker 1: You'll be free to start a family whenever you're ready. 138 00:12:48,320 --> 00:12:52,000 Speaker 1: So how far along is the little lady? Not enough 139 00:12:52,000 --> 00:12:54,280 Speaker 1: of Miss daven Boy to get wise. But if the 140 00:12:54,320 --> 00:12:56,520 Speaker 1: old lady does find out, show ship all of off 141 00:12:56,600 --> 00:13:00,160 Speaker 1: to some homeful way with girls, the nit booties and mittens. 142 00:13:00,200 --> 00:13:03,960 Speaker 1: So you've discussed this with the girl. Yeah, she's not 143 00:13:04,080 --> 00:13:06,320 Speaker 1: happy about it, but she knows it's the only thing 144 00:13:06,400 --> 00:13:09,360 Speaker 1: we could do right now. So when is Olive's next 145 00:13:09,360 --> 00:13:13,240 Speaker 1: Liberty Sunday? Shall I send a car to pick her up? Here? 146 00:13:13,559 --> 00:13:16,000 Speaker 1: I'm a chauffeur, I'll drive it. I can borrow Mr 147 00:13:16,040 --> 00:13:19,920 Speaker 1: Davenports to day Sundays in my day off to Ah. 148 00:13:20,000 --> 00:13:23,280 Speaker 1: I'm getting the picture now. I'll give you an address. 149 00:13:23,559 --> 00:13:27,320 Speaker 1: You memorize it, but you don't write it down. Madam 150 00:13:27,520 --> 00:13:32,840 Speaker 1: Francis Howard, she's a specialist, but you can't hang out 151 00:13:32,840 --> 00:13:36,520 Speaker 1: a shingle for obvious reasons. You'll bring her over at 152 00:13:36,600 --> 00:13:39,120 Speaker 1: nine thirty Sunday morning. You'll walk her up to a 153 00:13:39,200 --> 00:13:42,560 Speaker 1: flat on the fifth floor. You'll greet the doctor. Then 154 00:13:42,559 --> 00:13:44,800 Speaker 1: you go back to your car and wait. You don't 155 00:13:44,800 --> 00:13:49,720 Speaker 1: pay her anything. You'll just say hello, doctor, delivery man 156 00:13:49,840 --> 00:13:55,840 Speaker 1: sent me here to return a package. Got that? Hello doctor, Hello, 157 00:13:56,800 --> 00:14:02,440 Speaker 1: Madame Francis. Yes, this is my gal. All of the 158 00:14:03,559 --> 00:14:06,920 Speaker 1: sent me here. Delivery man sent me here to cancel 159 00:14:06,960 --> 00:14:14,240 Speaker 1: a package. Olive. Such a pretty name, such a beautiful girl. 160 00:14:15,280 --> 00:14:19,400 Speaker 1: Please come in. Do you mind if I think it'd 161 00:14:19,400 --> 00:14:23,760 Speaker 1: be better if you wait downstairs? Come back in an 162 00:14:23,760 --> 00:14:40,240 Speaker 1: hour if you'll say so, Drew, I say so. Lie 163 00:14:40,240 --> 00:14:46,160 Speaker 1: down here, be as comfortable as you can. Is this 164 00:14:46,400 --> 00:14:52,720 Speaker 1: the first time you've been in this situation? Yes? M hm, 165 00:14:53,200 --> 00:14:57,280 Speaker 1: trust me, it's nothing to be frightened of. I'm going 166 00:14:57,360 --> 00:15:03,640 Speaker 1: to give you something to help you relax. What is it? Laudanum? Nonsense, 167 00:15:04,440 --> 00:15:08,760 Speaker 1: it's no different from ether. Most doctors use one or 168 00:15:08,800 --> 00:15:13,560 Speaker 1: the other. I prefer laudanum, and this is my own formulation. 169 00:15:14,600 --> 00:15:19,720 Speaker 1: I find that it provides pleasant dreams. It will, to 170 00:15:19,840 --> 00:15:23,720 Speaker 1: be sure, it will allow you to have a nice 171 00:15:23,800 --> 00:15:35,040 Speaker 1: rest while I perform my work. Here one spoonful M 172 00:15:35,720 --> 00:15:45,440 Speaker 1: and then another to sweeten the dream. M fine, Now 173 00:15:45,760 --> 00:15:53,600 Speaker 1: I'll lie you back, sweetheart. I will need you to 174 00:15:53,680 --> 00:15:57,400 Speaker 1: keep talking while I do this. I need to know 175 00:15:57,480 --> 00:16:00,120 Speaker 1: that you are awakened, that your mind is alert and 176 00:16:00,160 --> 00:16:03,760 Speaker 1: that you're feeling no pain. Yes, ma'am, that's a girl. 177 00:16:04,960 --> 00:16:12,040 Speaker 1: One day you will have a baby, just not today. Yes, yes, 178 00:16:12,280 --> 00:16:18,400 Speaker 1: and I'll be very careful so that you are unchanged 179 00:16:18,440 --> 00:16:26,040 Speaker 1: by this experience. I want to have a child. I do, 180 00:16:27,960 --> 00:16:33,360 Speaker 1: and I think Drew will be wonderful father. But but 181 00:16:35,280 --> 00:16:40,160 Speaker 1: we can't. We don't have the money. And my employer 182 00:16:41,920 --> 00:16:47,600 Speaker 1: I wouldn't understand. Mm hmmm, her ladyship, I would have 183 00:16:47,640 --> 00:16:50,520 Speaker 1: to quit my job. Your boyfriend does not make enough 184 00:16:50,520 --> 00:16:56,520 Speaker 1: money for the two of you know, maybe I don't 185 00:16:56,520 --> 00:17:01,040 Speaker 1: think so take a deep breath. Take a deep breath, 186 00:17:02,360 --> 00:17:13,920 Speaker 1: hold it. That's it good. Mm hmm. I thought about 187 00:17:13,960 --> 00:17:20,399 Speaker 1: having the baby, giving it up to the orphanage. Mrs Davenport. 188 00:17:21,359 --> 00:17:25,520 Speaker 1: That's what she would have had me do. Keep talking. 189 00:17:26,800 --> 00:17:32,200 Speaker 1: The cook's helper was having a baby. Mrs Davenport had 190 00:17:32,200 --> 00:17:36,000 Speaker 1: everything set for her, but may went back to the 191 00:17:36,040 --> 00:17:41,320 Speaker 1: country to have the baby instead. There are ways to 192 00:17:41,400 --> 00:17:45,359 Speaker 1: avoid this situation, you know. I hear the club women 193 00:17:46,320 --> 00:17:51,520 Speaker 1: Mrs Davenport's friends talk about birth control at their meetings. 194 00:17:52,280 --> 00:17:55,119 Speaker 1: What kind of meetings, she said, pick shot in the 195 00:17:55,160 --> 00:18:03,280 Speaker 1: reform movement? Oh yes, what is she reforming the vote, temperance, 196 00:18:04,920 --> 00:18:08,760 Speaker 1: clean milk for the poor, fresh air for the orphans, 197 00:18:08,760 --> 00:18:12,000 Speaker 1: something new every week. I hear it when I serve 198 00:18:12,080 --> 00:18:15,680 Speaker 1: them tea. After they had a meeting to talk about 199 00:18:15,680 --> 00:18:22,040 Speaker 1: birth control, I asked Mrs Davenport if I could have 200 00:18:22,119 --> 00:18:25,960 Speaker 1: one of the pamphlets they had given her. She wouldn't. 201 00:18:27,080 --> 00:18:31,919 Speaker 1: She said birth control is for the criminal class, the 202 00:18:32,040 --> 00:18:36,840 Speaker 1: negroes and the emigrants, that healthy people should have babies. 203 00:18:38,359 --> 00:18:45,040 Speaker 1: Deep breath, Where does this come from? Is she a 204 00:18:45,080 --> 00:18:54,560 Speaker 1: deeply religious person? Breathe? She goes to church? She goes 205 00:18:54,640 --> 00:19:00,199 Speaker 1: to church. Does she have a husband, this lady, no, 206 00:19:00,600 --> 00:19:05,720 Speaker 1: he died years ago. Tell me more about her, Mrs Davenport. 207 00:19:06,560 --> 00:19:11,440 Speaker 1: Why we have to talk about something? And the Laudanum 208 00:19:11,480 --> 00:19:15,800 Speaker 1: works better when you're speaking, and I need to know 209 00:19:16,200 --> 00:19:19,480 Speaker 1: you are awake. I don't want to think about her, 210 00:19:20,680 --> 00:19:26,240 Speaker 1: about him, about the way things are. I'd rather think 211 00:19:26,280 --> 00:19:28,840 Speaker 1: about the way I want things to be. Tell me 212 00:19:28,880 --> 00:19:32,520 Speaker 1: about the woman. It is the fair you must pay 213 00:19:32,640 --> 00:19:36,080 Speaker 1: to get on the ferry, and once the boat leaves 214 00:19:36,080 --> 00:19:40,600 Speaker 1: the shore, you will have the most wonderful dreams, and 215 00:19:40,760 --> 00:19:44,480 Speaker 1: this Davenport woman will be in none of them. Yes, 216 00:19:46,000 --> 00:19:49,720 Speaker 1: and you will walk in this land of promise, this 217 00:19:49,880 --> 00:19:54,639 Speaker 1: land where happiness is still possible, where a man's word 218 00:19:54,920 --> 00:19:58,800 Speaker 1: is never broken, where a woman can follow the path 219 00:19:58,880 --> 00:20:05,280 Speaker 1: of her own juices. She's a widow. Her husband made 220 00:20:05,359 --> 00:20:09,160 Speaker 1: his fortune and copper mining enough for her to live 221 00:20:09,240 --> 00:20:15,280 Speaker 1: on forever. They had a child, but it died before 222 00:20:15,280 --> 00:20:23,119 Speaker 1: its second birthday. It was a girl. This happened before 223 00:20:23,200 --> 00:20:28,560 Speaker 1: I was in her service. She never talks about her husband. 224 00:20:29,560 --> 00:20:32,679 Speaker 1: She's a photo. If I decide I want to walk 225 00:20:32,720 --> 00:20:38,359 Speaker 1: on the path Withdrew, then I will. Ye will stop drinking, 226 00:20:39,400 --> 00:20:43,680 Speaker 1: or her stop wasting his money on dices first love, 227 00:20:43,880 --> 00:20:47,560 Speaker 1: and become the kind of man he could be if 228 00:20:47,600 --> 00:20:53,240 Speaker 1: he would just allow himself the chance an artist. And 229 00:20:53,320 --> 00:20:56,960 Speaker 1: if he doesn't, then but her parents refused, I could 230 00:20:57,040 --> 00:21:05,480 Speaker 1: choose another path with another man, itself, unkind man, a 231 00:21:05,600 --> 00:21:09,200 Speaker 1: man who is true to his word, who will love 232 00:21:09,280 --> 00:21:13,119 Speaker 1: me in spite of everything and help me forget the 233 00:21:13,160 --> 00:21:17,080 Speaker 1: difficult years of my youth. Yes, he'll let me speak 234 00:21:17,200 --> 00:21:24,240 Speaker 1: my mind. He'll want me to speak my mind. He'll 235 00:21:24,240 --> 00:21:27,400 Speaker 1: want to hear the things I have to say. He'll 236 00:21:27,400 --> 00:21:33,520 Speaker 1: be interested in me, and I will reward his love 237 00:21:33,600 --> 00:21:44,800 Speaker 1: with faithfulness, loyalty and children, healthy children. I will surround 238 00:21:44,920 --> 00:21:48,560 Speaker 1: him with their bright smiles and blonde hair and soft 239 00:21:48,680 --> 00:21:56,960 Speaker 1: voices and love. Feeling me arms of a child around 240 00:21:57,000 --> 00:22:01,280 Speaker 1: my neck. I don't want to give it up. I 241 00:22:02,080 --> 00:22:06,240 Speaker 1: want my baby olive. I don't want to lose my child. 242 00:22:07,960 --> 00:22:12,040 Speaker 1: I want to stop and let my baby live. We're 243 00:22:12,080 --> 00:22:16,439 Speaker 1: all finished. I need you to come back to us, 244 00:22:19,920 --> 00:22:26,879 Speaker 1: Come back where follow the trail of smoke. No back 245 00:22:26,920 --> 00:22:36,520 Speaker 1: here to my room and there so dark, filthy. You 246 00:22:36,600 --> 00:22:40,440 Speaker 1: can't stay in your dreams forever. You have to come 247 00:22:40,440 --> 00:22:46,440 Speaker 1: back to our world. But I I don't want to 248 00:22:46,480 --> 00:22:57,000 Speaker 1: live in that world. You must, please, please, if you'll 249 00:22:57,080 --> 00:23:02,680 Speaker 1: let me stay and let me dream, just another hour, 250 00:23:04,320 --> 00:23:08,639 Speaker 1: just a few more minutes. Feel yourself slipping back into 251 00:23:08,720 --> 00:23:11,760 Speaker 1: your own skin, your own But I don't want to 252 00:23:11,800 --> 00:23:16,720 Speaker 1: be here. I'm sick of being me. Let me be 253 00:23:16,800 --> 00:23:21,240 Speaker 1: the woman I wish I could be. You did it once, 254 00:23:22,440 --> 00:23:29,160 Speaker 1: I felt so true. You can do it again. Only 255 00:23:29,200 --> 00:23:32,600 Speaker 1: make it less longer, make it last for I'm sorry. 256 00:23:32,640 --> 00:23:36,040 Speaker 1: I'll live, truly I am, but we all have to. 257 00:23:36,359 --> 00:23:43,920 Speaker 1: Please don't bring me back, Mrs Howard. I can't live 258 00:23:44,040 --> 00:23:47,520 Speaker 1: this life much longer. It's not as bad as all 259 00:23:47,600 --> 00:23:53,320 Speaker 1: that things will let me die now while I'm happy, 260 00:23:57,119 --> 00:24:00,840 Speaker 1: things will be better when you return, better than they 261 00:24:00,840 --> 00:24:06,320 Speaker 1: were before. I promise you can't promise me that I 262 00:24:06,440 --> 00:24:10,159 Speaker 1: can come back. I will prove it to you. But 263 00:24:14,680 --> 00:24:20,520 Speaker 1: it was so warm there. The light was golden, and 264 00:24:20,640 --> 00:24:26,000 Speaker 1: my skin never felt warmer than when the sun the 265 00:24:26,119 --> 00:24:33,520 Speaker 1: sun was shining on me. There. He was standing in 266 00:24:33,600 --> 00:24:37,840 Speaker 1: a pond, at the edge of a pond in the sun. 267 00:24:40,119 --> 00:24:45,479 Speaker 1: And I saw someone I know I haven't seen for years, 268 00:24:47,640 --> 00:24:54,600 Speaker 1: and I was talking to her. She was holding something 269 00:24:56,920 --> 00:25:03,840 Speaker 1: and it was and you sit up for me, trying 270 00:25:03,920 --> 00:25:12,080 Speaker 1: to remember now what was her name? She was holding 271 00:25:12,119 --> 00:25:16,800 Speaker 1: something and it was so important that day. What time 272 00:25:16,880 --> 00:25:25,679 Speaker 1: is it? Quarter past ten in the morning. But I was, oh, 273 00:25:25,720 --> 00:25:30,359 Speaker 1: wait for so long that can't be stand up and 274 00:25:30,440 --> 00:25:34,480 Speaker 1: let's see if you're feeling well enough to walk. Your 275 00:25:34,520 --> 00:25:39,480 Speaker 1: boyfriend Drew, isn't it. He's waiting for you. I asked 276 00:25:39,560 --> 00:25:43,200 Speaker 1: him to come back for you. Drew is still here. Yes, 277 00:25:43,440 --> 00:25:49,400 Speaker 1: he waited like the gentleman. He is beneath his course exterior. Yes, 278 00:25:50,600 --> 00:25:55,919 Speaker 1: you can come in now. I wish you every happiness 279 00:25:56,520 --> 00:26:03,680 Speaker 1: as you start your life. Anew, thank you, thank you, madam. 280 00:26:03,760 --> 00:26:08,919 Speaker 1: Howard is Is she okay, She's fine, healthy as can be. 281 00:26:10,040 --> 00:26:12,879 Speaker 1: Take her directly home and see that she goes to 282 00:26:12,920 --> 00:26:16,119 Speaker 1: bed and stays in bed until morning. And tomorrow she 283 00:26:16,119 --> 00:26:22,040 Speaker 1: should stay off her feet as much as possible. Sure thing, doctor, goodbye, 284 00:26:22,040 --> 00:26:37,680 Speaker 1: my child? Good bye? Were you watching, Pearl? I think 285 00:26:37,720 --> 00:26:40,040 Speaker 1: I'm going to be sick? Were you watching as I 286 00:26:40,160 --> 00:26:44,840 Speaker 1: told you to? So you understand why I did what 287 00:26:45,000 --> 00:26:48,320 Speaker 1: I did. It is important that you learn about such things, 288 00:26:48,560 --> 00:26:51,600 Speaker 1: whether it serves as a warning to you, something to 289 00:26:51,680 --> 00:26:55,520 Speaker 1: avoid at all costs, or something you could do if 290 00:26:55,560 --> 00:27:01,560 Speaker 1: you had to to survive. You killed that woman's baby. 291 00:27:02,119 --> 00:27:04,280 Speaker 1: You may be a child, but there are things you 292 00:27:04,320 --> 00:27:09,160 Speaker 1: need to learn, painful and difficult things. Sacrifices a mother 293 00:27:09,240 --> 00:27:12,040 Speaker 1: must make for the sake of herself and her child. 294 00:27:12,280 --> 00:27:15,280 Speaker 1: You kill it to avoid it, having a childhood with 295 00:27:15,400 --> 00:27:18,960 Speaker 1: no future, to avoid, a kind of motherhood that is 296 00:27:19,040 --> 00:27:22,439 Speaker 1: death itself. You cannot understand. But she did it for 297 00:27:22,480 --> 00:27:26,520 Speaker 1: the sake of her child. Not this woman, but the 298 00:27:26,640 --> 00:27:30,840 Speaker 1: child to come, the second daughter, maybe the third, or 299 00:27:30,920 --> 00:27:35,439 Speaker 1: the seventh. I wish to God your mother were alive. 300 00:27:36,480 --> 00:27:41,200 Speaker 1: If you knew your mother, you would understand sacrifice valued 301 00:27:41,240 --> 00:27:45,040 Speaker 1: her child's life more than her own. Sometimes I think 302 00:27:45,080 --> 00:27:48,320 Speaker 1: she was a fool to do such a thing, but 303 00:27:48,440 --> 00:27:57,320 Speaker 1: it's what she wanted. Prepare my pipe. I'm tired. I'm 304 00:27:57,400 --> 00:28:00,800 Speaker 1: going to sleep. Fine, fix my pie, and then get 305 00:28:00,840 --> 00:28:10,480 Speaker 1: in bed. Pearl, Could you prepare the pipe yourself? Prepare 306 00:28:10,520 --> 00:28:15,359 Speaker 1: it myself? Not one night, after all, I've been doing 307 00:28:15,840 --> 00:28:21,360 Speaker 1: just this once. That's fine. You don't have to prepare 308 00:28:21,359 --> 00:28:28,160 Speaker 1: the pipe. I don't no go to bed. You won't 309 00:28:28,160 --> 00:28:31,600 Speaker 1: prepare my pipe tonight, and I won't prepare it either, 310 00:28:32,840 --> 00:28:38,040 Speaker 1: and no spoonful of YINCHI yes, it will be a 311 00:28:38,120 --> 00:28:40,840 Speaker 1: valuable lesson for you to see what happens to me 312 00:28:41,680 --> 00:28:45,480 Speaker 1: if I don't have the pipe. I'll tell you now, 313 00:28:46,280 --> 00:28:50,440 Speaker 1: neither of us will sleep tonight. By sunrise, you'll be 314 00:28:50,440 --> 00:28:54,000 Speaker 1: begging me to taste the dragon's breath, but I won't 315 00:28:54,440 --> 00:28:58,080 Speaker 1: because you need to see how strong my will is 316 00:28:58,720 --> 00:29:10,880 Speaker 1: and what a monster become. If denied the pipe, you 317 00:29:10,920 --> 00:29:14,760 Speaker 1: could quit if you wanted to. We could see a doctor. 318 00:29:14,800 --> 00:29:18,200 Speaker 1: I'm sure there. Why would I want to quit? Deny myself? 319 00:29:18,280 --> 00:29:20,840 Speaker 1: One of the only pleasures to be had in this 320 00:29:21,000 --> 00:29:32,719 Speaker 1: foul and rotten world here, breeze world, devoid of meaning, 321 00:29:34,040 --> 00:29:39,400 Speaker 1: permeated with filth, lacking justice. We don't count for much 322 00:29:39,440 --> 00:29:42,160 Speaker 1: in this world, but we will put one thing right. 323 00:29:47,800 --> 00:29:50,360 Speaker 1: There's still time for you to do some reading before 324 00:29:50,400 --> 00:29:55,600 Speaker 1: you sleep, Madame Blavatsky. I think a hint of Eastern 325 00:29:55,680 --> 00:29:58,680 Speaker 1: religion would serve as a little more bait for the hook. 326 00:30:00,040 --> 00:30:04,000 Speaker 1: M hm. We just need to coax the baron to 327 00:30:04,120 --> 00:30:10,800 Speaker 1: come a little closer and have a taste and want 328 00:30:10,880 --> 00:30:22,520 Speaker 1: it's in his throat. We pull just firmly enough, Pearl, Pearl, 329 00:30:37,720 --> 00:30:42,400 Speaker 1: I must now replace my blind hold. As my vision 330 00:30:42,480 --> 00:30:49,800 Speaker 1: begins to fade, your own senses will gradually return, Return 331 00:30:49,960 --> 00:30:54,600 Speaker 1: to the warmth and the light of your own reality. 332 00:30:58,240 --> 00:31:01,400 Speaker 1: The Seventh Daughter is a pro auction of I Heart Radio, 333 00:31:02,240 --> 00:31:06,680 Speaker 1: written and directed by Brett Wood, recorded and mixed by 334 00:31:06,760 --> 00:31:12,160 Speaker 1: Rob Gal, featuring Minca Wilkes as Rose and Elizabeth Hunter 335 00:31:12,440 --> 00:31:21,960 Speaker 1: as Pearl. There you may now open your eyes