1 00:00:00,760 --> 00:00:18,040 Speaker 1: I am all in you, I am all in with 2 00:00:18,120 --> 00:00:22,680 Speaker 1: Scott Patterson and I Heart Radio podcast everybody, Scott Patterson, 3 00:00:22,760 --> 00:00:24,720 Speaker 1: I am all in podcast, I Heart Radio. I want 4 00:00:24,720 --> 00:00:27,520 Speaker 1: to leven productions. We are going to do our pop 5 00:00:27,560 --> 00:00:31,640 Speaker 1: culture minisod with Tara. Is this is this Tara's second 6 00:00:31,760 --> 00:00:34,720 Speaker 1: or third? I think it's just number two, Oh Tara, 7 00:00:35,320 --> 00:00:40,279 Speaker 1: or maybe number three, number three, three, number three? Can 8 00:00:40,320 --> 00:00:43,879 Speaker 1: I give everybody listening a little bit of a tidbit? 9 00:00:45,320 --> 00:00:47,599 Speaker 1: I don't know if it's a tidbit or just like 10 00:00:49,479 --> 00:00:53,880 Speaker 1: let him in on something that I realized you're gonna 11 00:00:53,920 --> 00:00:56,240 Speaker 1: want to stay tuned until the very end of the episode, 12 00:00:56,520 --> 00:00:59,240 Speaker 1: because when I listen to podcasts, I always bug out, 13 00:00:59,360 --> 00:01:01,400 Speaker 1: like five minute before it's over. I have no idea 14 00:01:01,440 --> 00:01:09,120 Speaker 1: why our best material when we think we're off, I've 15 00:01:09,120 --> 00:01:16,959 Speaker 1: decided that. M hm. So you're welcome everybody. All right, well, 16 00:01:17,000 --> 00:01:19,880 Speaker 1: let's get started with pop culture. So let's start with 17 00:01:20,040 --> 00:01:22,319 Speaker 1: um the name of the episode, which is eight o'clock 18 00:01:22,360 --> 00:01:27,200 Speaker 1: at the Oasis. So um. This is based on the 19 00:01:27,319 --> 00:01:34,080 Speaker 1: song UM Midnight at the Oasis by Marians. And then 20 00:01:34,120 --> 00:01:37,440 Speaker 1: every time when they're in Dwight's house and the clock changes, 21 00:01:37,480 --> 00:01:40,800 Speaker 1: it's like eight o'clock, five o'clock. So I actually was like, 22 00:01:40,840 --> 00:01:43,040 Speaker 1: I've never noticed it before, But I was like, does 23 00:01:43,040 --> 00:01:44,880 Speaker 1: that have to do with a real song? Like watching 24 00:01:44,880 --> 00:01:47,200 Speaker 1: it as a kid? I never thought that it does. 25 00:01:47,520 --> 00:01:49,680 Speaker 1: You know what's funny? I wonder if that clock is real, 26 00:01:50,320 --> 00:01:53,840 Speaker 1: because you know I found the hell Low Kitty alarm clock. Danielle, 27 00:01:54,360 --> 00:01:57,560 Speaker 1: I have one for you. I'll bring it to you 28 00:01:57,640 --> 00:02:00,000 Speaker 1: next time. I said, I thought you were gonna ask 29 00:02:00,080 --> 00:02:05,040 Speaker 1: men scour eBay. Tara wasn't. I don't think Tara was 30 00:02:05,080 --> 00:02:06,720 Speaker 1: working with us yet. But I bought one for me 31 00:02:06,760 --> 00:02:08,920 Speaker 1: and one for you. I should have bought one for Scott. 32 00:02:09,120 --> 00:02:12,160 Speaker 1: That's rude. That's so kind of you think of me. 33 00:02:13,000 --> 00:02:14,799 Speaker 1: This is Scott really needs to put it right next 34 00:02:14,840 --> 00:02:18,119 Speaker 1: to that post. What are you buying? What are you buying, Danielle? 35 00:02:18,480 --> 00:02:20,519 Speaker 1: The one I got for you? Can we get it 36 00:02:20,560 --> 00:02:24,240 Speaker 1: to Scott? That's okay? What are you buying? We got 37 00:02:24,280 --> 00:02:29,200 Speaker 1: you the Hello Kitty? Oh wait, I guess what. Scott 38 00:02:28,919 --> 00:02:36,080 Speaker 1: got the Hello Kitty alarm clock from Loraa Lies. I 39 00:02:36,200 --> 00:02:38,840 Speaker 1: found it on eBay and I got you the alarm clock, 40 00:02:38,880 --> 00:02:40,520 Speaker 1: and we're gonna send it, send it over and can 41 00:02:40,520 --> 00:02:43,720 Speaker 1: it go on that shelf, you know, right like next 42 00:02:43,800 --> 00:02:47,880 Speaker 1: to the poster so everyone can see it. Well, okay, 43 00:02:48,720 --> 00:02:54,200 Speaker 1: I think we made a ring. I'll let you know. Sorry, 44 00:02:53,600 --> 00:02:56,720 Speaker 1: all right, So let's start with I went white asked 45 00:02:56,720 --> 00:02:59,320 Speaker 1: Loral to water his lawn. He says, if I would 46 00:02:59,320 --> 00:03:01,200 Speaker 1: have asked somebody back where I used to live to 47 00:03:01,280 --> 00:03:03,040 Speaker 1: water my lon, I would have gotten a much more 48 00:03:03,160 --> 00:03:05,840 Speaker 1: HBO kind of answer. I love it. I didn't understand that. 49 00:03:05,880 --> 00:03:11,280 Speaker 1: What was so like, like, yeah, well, basically HBO is 50 00:03:11,320 --> 00:03:14,040 Speaker 1: known to not censor their language, and um, in the 51 00:03:14,160 --> 00:03:18,079 Speaker 1: nineties they were. HBO used to air erotic programming back 52 00:03:18,120 --> 00:03:25,919 Speaker 1: in the day like skin a Max. Remember Skinnama because 53 00:03:26,800 --> 00:03:28,840 Speaker 1: like Cinemax, but if you stumbled on it at the 54 00:03:28,840 --> 00:03:32,160 Speaker 1: wrong time, you got Skamax was well I don't know 55 00:03:32,160 --> 00:03:33,720 Speaker 1: if that was its given name, but it was just 56 00:03:33,800 --> 00:03:36,600 Speaker 1: kind of like ny got it. And then in two 57 00:03:36,640 --> 00:03:39,600 Speaker 1: thousand eighteen they removed all of that. So can I 58 00:03:39,640 --> 00:03:42,200 Speaker 1: ask you that something. Have you ever been like scanning 59 00:03:42,240 --> 00:03:44,600 Speaker 1: your channels? You know, there's like nine hbos and showtimes 60 00:03:44,640 --> 00:03:47,000 Speaker 1: and you're like scanning and you're like, oh what, and 61 00:03:47,040 --> 00:03:49,640 Speaker 1: then you keep scanning and then you're like reverse reverse 62 00:03:49,840 --> 00:03:52,040 Speaker 1: forward forward am I the only one that's like, did 63 00:03:52,120 --> 00:03:56,320 Speaker 1: I see what I think I saw? Oh my gosh, 64 00:03:56,720 --> 00:03:58,840 Speaker 1: Well we make glimpses into your brain and makes me 65 00:03:59,000 --> 00:04:02,080 Speaker 1: really happy, and then I go, oh my god, forward 66 00:04:02,080 --> 00:04:05,880 Speaker 1: forward ward, it's too much for me. My eyes, my eyes. 67 00:04:06,400 --> 00:04:10,320 Speaker 1: In the words of Phoebe alright, So then let's move 68 00:04:10,320 --> 00:04:12,320 Speaker 1: on to the next one. Lower lies on the phone 69 00:04:12,320 --> 00:04:14,560 Speaker 1: trying to figure out her old high school friends she knew, 70 00:04:14,960 --> 00:04:16,760 Speaker 1: and she goes, good question, Well, I don't know his 71 00:04:16,839 --> 00:04:18,920 Speaker 1: name because I only know I only knew him by 72 00:04:18,920 --> 00:04:22,880 Speaker 1: his nickname Shammo. We called him Shammo. He was kind 73 00:04:22,920 --> 00:04:24,480 Speaker 1: of um, a big guy in high school, but he 74 00:04:24,520 --> 00:04:30,480 Speaker 1: slimmed down quite a bit. So um. Sea World had 75 00:04:30,560 --> 00:04:36,240 Speaker 1: twenty shammous throughout its three Sea World parks Man in 76 00:04:36,240 --> 00:04:40,320 Speaker 1: that movie that was so upsetting, Free WILLI No, No, 77 00:04:40,640 --> 00:04:46,320 Speaker 1: the White White shar that was a documentary about those Yeah, 78 00:04:46,520 --> 00:04:49,680 Speaker 1: I get what it was called. It's something white whitefish. 79 00:04:50,040 --> 00:04:58,320 Speaker 1: I don't think it was white. Scott doesn't care. It 80 00:04:58,400 --> 00:05:01,640 Speaker 1: didn't make me really sad, yeah, because like I think 81 00:05:01,680 --> 00:05:05,720 Speaker 1: now you think about it, like SeaWorld, you know where 82 00:05:05,760 --> 00:05:08,760 Speaker 1: they're like their fins weren't like straight, and they were 83 00:05:08,760 --> 00:05:11,120 Speaker 1: all curved to the side because they were depressed. I like, 84 00:05:11,960 --> 00:05:15,880 Speaker 1: it really made me sad. It's called blackfish blackfish, not 85 00:05:16,000 --> 00:05:24,000 Speaker 1: even close fish soft taco. But I don't want to. 86 00:05:25,480 --> 00:05:29,560 Speaker 1: I know, I know. It was a really informative documentary. 87 00:05:29,600 --> 00:05:31,480 Speaker 1: And if you don't have time for that, there's always 88 00:05:31,760 --> 00:05:35,880 Speaker 1: turtles eating lettuce. Correct, always turtles eating lettuce. If you 89 00:05:35,920 --> 00:05:40,360 Speaker 1: want a happier thing to watch, there's always Wizard of Oz. 90 00:05:40,400 --> 00:05:44,480 Speaker 1: Because we got another Oz reference in this. Dwight says, 91 00:05:44,560 --> 00:05:46,480 Speaker 1: first of all, thank you for this very kind favorite 92 00:05:46,480 --> 00:05:48,440 Speaker 1: you're doing for me. I still can't believe that any 93 00:05:48,440 --> 00:05:51,200 Speaker 1: one person would be so kind to someone they just met. 94 00:05:51,480 --> 00:05:54,800 Speaker 1: Lorl says, apparently Dwight's last home was Oz, and not 95 00:05:54,920 --> 00:05:59,720 Speaker 1: in the Wizard of Oz and not like another HBO Crystalony, 96 00:06:00,520 --> 00:06:04,960 Speaker 1: but like based on like Wizard of Oz. Yeah, so 97 00:06:05,080 --> 00:06:07,640 Speaker 1: Sloney was on that right, the lawn order guy. I 98 00:06:07,640 --> 00:06:09,359 Speaker 1: think he was on off. I think that's where he 99 00:06:09,360 --> 00:06:13,920 Speaker 1: went when he left Stabler. I heard you should though. 100 00:06:14,160 --> 00:06:17,320 Speaker 1: I heard it's really good, like very adult, but very good. 101 00:06:17,320 --> 00:06:22,279 Speaker 1: It's on my lunch. It's supposedly really good, and oh 102 00:06:22,320 --> 00:06:25,679 Speaker 1: my god, you know when I think, look Scott Covery ears, 103 00:06:26,839 --> 00:06:30,720 Speaker 1: I think that is the show that Luke Perry from 104 00:06:30,800 --> 00:06:37,320 Speaker 1: nine o two one. Oh you see us, old John Hamm. 105 00:06:37,800 --> 00:06:42,240 Speaker 1: I'm gonna check that, are you sure ahead? I ab 106 00:06:42,240 --> 00:06:44,440 Speaker 1: how you just went through my pop culture for me 107 00:06:44,480 --> 00:06:46,640 Speaker 1: because you've mentioned Oz and the Wizard of Oz, so 108 00:06:46,680 --> 00:06:49,479 Speaker 1: we can just you mentioned Luke Perry or no, he 109 00:06:49,640 --> 00:06:54,479 Speaker 1: was not in my list. No, but guess what, I 110 00:06:54,480 --> 00:06:59,520 Speaker 1: don't even want to say it you you adult listening, 111 00:06:59,560 --> 00:07:01,320 Speaker 1: You decide for yourselves if you want to look it 112 00:07:01,400 --> 00:07:04,360 Speaker 1: up or not. So we'll move on to the next one. Um, 113 00:07:04,400 --> 00:07:07,480 Speaker 1: Dwight's leaving a key for Laurel, and Rory says, don't 114 00:07:07,480 --> 00:07:09,320 Speaker 1: you at least want to see what's what his house 115 00:07:09,360 --> 00:07:11,800 Speaker 1: looks like? Lorelie says, if we walk in there and 116 00:07:11,840 --> 00:07:14,920 Speaker 1: his dead mother is sitting in a rocking chair, not 117 00:07:15,040 --> 00:07:18,960 Speaker 1: a bit surprised. So Lorel is referring to the film 118 00:07:19,040 --> 00:07:24,280 Speaker 1: Psycho by Alfred Hitchcosh was um. The original movie was 119 00:07:24,320 --> 00:07:27,520 Speaker 1: adapted from a book by Robert Blotch, and Blotch's book 120 00:07:27,560 --> 00:07:30,880 Speaker 1: was inspired by the real life Butcher of plain Field 121 00:07:31,200 --> 00:07:35,840 Speaker 1: at Gean and so Blotch was motivated to write Psycho 122 00:07:35,880 --> 00:07:39,800 Speaker 1: when hearing about the arrest, which happened fifty miles of 123 00:07:39,840 --> 00:07:43,920 Speaker 1: blotches home in Wisconsin. Oh, Scott, did you enjoy Psycho? 124 00:07:45,080 --> 00:07:50,360 Speaker 1: Remarkable performance from Anthony Perkins. I mean just remarkable. He 125 00:07:50,520 --> 00:07:54,000 Speaker 1: was he was the he was coming off Broadway, big refuse. 126 00:07:54,200 --> 00:07:57,200 Speaker 1: He was the hot new actor. You know, Hollywood used 127 00:07:57,240 --> 00:07:59,360 Speaker 1: to get a lot of their actors from Broadway, and 128 00:07:59,360 --> 00:08:01,720 Speaker 1: they still do. But you know, it was a big deal, 129 00:08:01,760 --> 00:08:04,000 Speaker 1: and he was a big deal and young and super 130 00:08:04,000 --> 00:08:06,480 Speaker 1: talented and a little bit off. I didn't see the 131 00:08:06,480 --> 00:08:08,840 Speaker 1: twist coming. I think I saw it older. You know, 132 00:08:08,840 --> 00:08:11,600 Speaker 1: it's weird. I think I saw the Vince Vaughan Psycho first. Oh, 133 00:08:11,680 --> 00:08:15,560 Speaker 1: you can't watch that. It was it was like a 134 00:08:15,600 --> 00:08:18,560 Speaker 1: scene for scene remake. It was weird. But that's how 135 00:08:18,600 --> 00:08:22,920 Speaker 1: I I didn't know of the twist until they try 136 00:08:23,000 --> 00:08:28,000 Speaker 1: to remake these things. But Bates Motel is a great shows. 137 00:08:28,520 --> 00:08:31,600 Speaker 1: There's really if there's a concept for a TV show, 138 00:08:31,680 --> 00:08:35,199 Speaker 1: sure right then it can be fun. But also because 139 00:08:35,280 --> 00:08:39,480 Speaker 1: Freddie Heimore is like an actual genius, an actual genius 140 00:08:40,679 --> 00:08:44,320 Speaker 1: as an actor. He's so amazing because he's so good 141 00:08:44,360 --> 00:08:47,400 Speaker 1: in that playing Norman Bates, and then he's on the 142 00:08:47,400 --> 00:08:50,880 Speaker 1: Good Doctor and he's so amazing in that and they 143 00:08:50,920 --> 00:08:56,199 Speaker 1: are nothing the same worth watching. Another fun fact from 144 00:08:56,240 --> 00:08:58,000 Speaker 1: Psycho is, in order to replicate the sound of the 145 00:08:58,080 --> 00:09:00,839 Speaker 1: knife entering the human flesh, they jo knife into a 146 00:09:00,920 --> 00:09:07,520 Speaker 1: melan and um, instead of using fake blood, they used chocolate. 147 00:09:07,559 --> 00:09:12,839 Speaker 1: Sarah oh as a black and white film. Oh that's right, 148 00:09:15,120 --> 00:09:21,240 Speaker 1: the original Psycho, the classic Hitchcock films, not the trash remake. 149 00:09:22,360 --> 00:09:32,160 Speaker 1: So sometimes I'm so dumb. It's like, amazing. Our next 150 00:09:32,160 --> 00:09:36,000 Speaker 1: one we've talked about many times, but David Bowie was 151 00:09:36,200 --> 00:09:39,080 Speaker 1: um a reference that came up many times the concert 152 00:09:39,120 --> 00:09:42,440 Speaker 1: that I think she should have taken the free ticket. Damn. 153 00:09:46,840 --> 00:09:50,079 Speaker 1: So the guys are locks who cares go enjoy the show. 154 00:09:50,880 --> 00:09:52,640 Speaker 1: You don't even have to talk to him, like you 155 00:09:52,679 --> 00:09:55,280 Speaker 1: can just watch Bowie and then like grab a drink 156 00:09:55,320 --> 00:09:59,719 Speaker 1: and leave. She's just not a rocker, man, I mean, 157 00:10:00,240 --> 00:10:05,680 Speaker 1: come on, I saw Bowie and seven god, I saw 158 00:10:05,760 --> 00:10:09,560 Speaker 1: him at the time. I saw him at the Tower 159 00:10:09,640 --> 00:10:16,079 Speaker 1: Theater in Philadelphia. I think, in wow, remember last week's 160 00:10:22,120 --> 00:10:26,040 Speaker 1: oh God, turn all right? So the next one is 161 00:10:26,280 --> 00:10:29,000 Speaker 1: when they're lor lyon Royer in Dwite's house and lorel 162 00:10:29,000 --> 00:10:31,720 Speaker 1: I says, remember he owns twister. There's a great visual 163 00:10:31,720 --> 00:10:34,680 Speaker 1: awaiting you. Roy says, got it. Hey, how come we 164 00:10:34,760 --> 00:10:37,320 Speaker 1: don't have a tiki bar? Loreal I says, well, we 165 00:10:37,360 --> 00:10:41,400 Speaker 1: are not too wild and crazy guys. Tara, he says, 166 00:10:41,440 --> 00:10:44,120 Speaker 1: you like pina coladas and Lola, I says, and getting 167 00:10:44,160 --> 00:10:47,600 Speaker 1: lost in the rain. So I guess, Scott, I guess 168 00:10:47,640 --> 00:10:53,800 Speaker 1: there's been this controversy that young people don't get why 169 00:10:54,040 --> 00:10:58,560 Speaker 1: Steve Martin's King Tut is funny. It was all the 170 00:10:58,720 --> 00:11:02,880 Speaker 1: hub I think on the TikTok, but because they don't 171 00:11:02,960 --> 00:11:05,600 Speaker 1: understand like you and I do that at the time, 172 00:11:05,720 --> 00:11:10,080 Speaker 1: King Tut was like that traveling exc they were touring 173 00:11:10,200 --> 00:11:13,000 Speaker 1: with the actual Golden Oh when it was like you 174 00:11:13,040 --> 00:11:15,280 Speaker 1: had to get two tickets and it was like impossible 175 00:11:15,280 --> 00:11:21,960 Speaker 1: to get tickets. Yeah. So the reference is from Rupert 176 00:11:21,960 --> 00:11:26,360 Speaker 1: Homes song Escape and it was released in nineteen. Yeah, 177 00:11:26,480 --> 00:11:33,280 Speaker 1: well you're talking about too wild and crazy guys check 178 00:11:33,400 --> 00:11:38,480 Speaker 1: brothers because the one you said flew right. But I 179 00:11:38,559 --> 00:11:40,240 Speaker 1: don't know that one. Oh my god, That's why I 180 00:11:40,240 --> 00:11:43,800 Speaker 1: said good catch wild, and so did you. So you're 181 00:11:43,840 --> 00:11:45,800 Speaker 1: just sitting there listen to me talk about Steve Martin 182 00:11:45,880 --> 00:11:50,560 Speaker 1: going I'm just nodding my head. Okay, I love, I 183 00:11:50,600 --> 00:11:53,280 Speaker 1: just didn't know. Can you imagine how much fun Steve 184 00:11:53,360 --> 00:11:56,520 Speaker 1: Martin and Dan Acrod had doing those skits? How did 185 00:11:56,520 --> 00:11:59,360 Speaker 1: they not break up laughing when they were talking? It 186 00:11:59,400 --> 00:12:03,280 Speaker 1: was a huge SNL skit do wild and crazy guys, 187 00:12:03,320 --> 00:12:05,320 Speaker 1: And this is what was so crazy about Steve Martin. 188 00:12:05,960 --> 00:12:11,480 Speaker 1: My parents and our other friends, like old parents would 189 00:12:11,520 --> 00:12:16,040 Speaker 1: get out the record Steve Martin's record because it was 190 00:12:16,080 --> 00:12:19,200 Speaker 1: like the seventies and put it on the record player 191 00:12:19,280 --> 00:12:21,880 Speaker 1: and they would listen to like King Tut and too 192 00:12:21,880 --> 00:12:24,319 Speaker 1: well and crazy guys. It was like, I don't know 193 00:12:24,360 --> 00:12:27,440 Speaker 1: if it was like a Steve Martin stand up record. 194 00:12:27,480 --> 00:12:30,240 Speaker 1: I don't Yeah, no, he was a huge stand up comedian. 195 00:12:30,600 --> 00:12:35,600 Speaker 1: That's how he started. So that reference is to the 196 00:12:35,800 --> 00:12:38,600 Speaker 1: SNL skit. And they had these weird I don't know 197 00:12:38,640 --> 00:12:40,800 Speaker 1: what would you call those. They weren't like, they weren't like, 198 00:12:41,280 --> 00:12:44,440 Speaker 1: weren't they wearing goofy hats and they were too wild 199 00:12:44,600 --> 00:12:48,680 Speaker 1: and crazy. They were wearing a newsboy caps, big floppy 200 00:12:48,679 --> 00:12:51,880 Speaker 1: newsboy caps, and they had their shirt buttoned down to 201 00:12:51,920 --> 00:12:54,760 Speaker 1: their navels, unbuttoned down to their navels with the tight 202 00:12:54,920 --> 00:12:59,199 Speaker 1: checkered parts and the platform shoes. Oh my god, sports, 203 00:12:59,200 --> 00:13:01,200 Speaker 1: she just lives. They're listening to me talk about king 204 00:13:01,240 --> 00:13:04,680 Speaker 1: tup like I guess this has I mean, well, I 205 00:13:04,679 --> 00:13:07,680 Speaker 1: thought my facts were good for the Really, if you 206 00:13:07,760 --> 00:13:15,880 Speaker 1: like Keen the next one, see for the old people listening, 207 00:13:16,000 --> 00:13:21,520 Speaker 1: We got you if you were born you know sometime 208 00:13:21,600 --> 00:13:29,400 Speaker 1: before we got Yeah. I'll just wrap up this. Did 209 00:13:29,400 --> 00:13:31,400 Speaker 1: you know what the original lyrics were? By the way, Amy, 210 00:13:31,800 --> 00:13:34,840 Speaker 1: no tell me if you like Humphrey Bogart and getting 211 00:13:34,880 --> 00:13:38,000 Speaker 1: Caught in the rain, Oh you know I love that 212 00:13:38,080 --> 00:13:42,880 Speaker 1: song is because the twist ending. The twist ending is 213 00:13:42,920 --> 00:13:49,160 Speaker 1: that he's on like writing a dating letter in this paper. 214 00:13:49,800 --> 00:13:54,680 Speaker 1: If you like Penia Coladas, the person that answers the 215 00:13:54,760 --> 00:13:58,080 Speaker 1: ad is his girl, and she can't really be mad 216 00:13:58,160 --> 00:14:00,480 Speaker 1: at him, and he can't be mad at her because 217 00:14:00,520 --> 00:14:04,320 Speaker 1: they both were in the singles pages whatever, So I 218 00:14:04,320 --> 00:14:10,240 Speaker 1: think it all worked out. What yeah, women. He wrote 219 00:14:10,280 --> 00:14:12,040 Speaker 1: this song from the perspective of a guy who was 220 00:14:12,080 --> 00:14:15,160 Speaker 1: already annual relationships, thick of his lady. He's sick of 221 00:14:15,160 --> 00:14:19,040 Speaker 1: his ladys, yeah, and he's kind of she's kind of dull. 222 00:14:19,160 --> 00:14:21,080 Speaker 1: I forget. The lyrics are all in there, So he 223 00:14:21,120 --> 00:14:24,440 Speaker 1: writes this ad, if you like pina coladas and getting 224 00:14:24,440 --> 00:14:26,880 Speaker 1: caught in the rain, and I can't remember the rest 225 00:14:26,920 --> 00:14:29,800 Speaker 1: of you like Paena colonas and getting caught in the 226 00:14:29,880 --> 00:14:33,000 Speaker 1: rain and the sound of the ocean and the taste 227 00:14:33,000 --> 00:14:38,280 Speaker 1: of champagne. So then the response letter is if you're 228 00:14:38,320 --> 00:14:40,960 Speaker 1: an alcoholic who likes to stumble around naked and get 229 00:14:40,960 --> 00:14:43,520 Speaker 1: caught in rainstorms all the time and get arrested. Process 230 00:14:43,520 --> 00:14:47,800 Speaker 1: that to his ad is I like pina coladas and 231 00:14:47,840 --> 00:14:49,600 Speaker 1: getting caught in the rain. I need to meet you 232 00:14:49,680 --> 00:14:55,000 Speaker 1: at somewhere somewhere. So he goes and it's his old 233 00:14:55,080 --> 00:15:00,280 Speaker 1: lovely lady that shows up. It was my own lovely lady. 234 00:15:00,720 --> 00:15:05,000 Speaker 1: That's so cheesy. That's so cheesy because he needed it. 235 00:15:05,040 --> 00:15:08,000 Speaker 1: He needed to really tie it up at the end. 236 00:15:07,640 --> 00:15:11,560 Speaker 1: And what I'm saying is they couldn't be mad at 237 00:15:11,560 --> 00:15:14,200 Speaker 1: each other because she can't be mad like you put 238 00:15:14,200 --> 00:15:16,880 Speaker 1: out a single 'sad, and he can't be mad because 239 00:15:16,920 --> 00:15:19,800 Speaker 1: she answered it. And they I think they just trusted, like, oh, 240 00:15:19,880 --> 00:15:23,280 Speaker 1: it's fate, We're good. It's very happy ending. Yeah, they're 241 00:15:23,320 --> 00:15:27,760 Speaker 1: going to be putting ads out under as now. These 242 00:15:27,840 --> 00:15:32,080 Speaker 1: days they would be on you know, Tinder going through it. 243 00:15:32,240 --> 00:15:35,280 Speaker 1: But if you like, is that what you were going 244 00:15:35,320 --> 00:15:36,880 Speaker 1: to say to her? Go ahead and no, like m 245 00:15:36,920 --> 00:15:40,520 Speaker 1: free Bulgard and getting gone in the rain, I'm sorry 246 00:15:40,560 --> 00:15:42,200 Speaker 1: to everyone. You have more on this pop culture that 247 00:15:42,280 --> 00:15:49,880 Speaker 1: I don't think. Ye, all right, so let's move to 248 00:15:50,000 --> 00:15:52,880 Speaker 1: a very random part where lorealized trying to convince Rory 249 00:15:52,960 --> 00:15:56,880 Speaker 1: to do cardio salsa with her, which we were talking about. 250 00:15:56,960 --> 00:16:00,600 Speaker 1: She doesn't work out. I guess now she's trying so random. 251 00:16:00,880 --> 00:16:03,960 Speaker 1: So lorel I says, salsa with me. Pretend I'm Antonio Benderis. 252 00:16:04,040 --> 00:16:05,960 Speaker 1: Rory says, if you were standing in the back of 253 00:16:06,040 --> 00:16:10,280 Speaker 1: Vorio Banderis Antonio Banderis, I couldn't pretend that you were 254 00:16:10,320 --> 00:16:15,320 Speaker 1: Antonio Banderis. So he's an actor and he played a 255 00:16:15,400 --> 00:16:17,880 Speaker 1: dance instructor in the two thousand six film Take the Lead, 256 00:16:17,920 --> 00:16:23,880 Speaker 1: which happened after this episode aired. Yeah, and put some 257 00:16:23,920 --> 00:16:26,760 Speaker 1: boots before this or after this. Puss in Boots was 258 00:16:26,880 --> 00:16:29,320 Speaker 1: later on after I think, yeah, because this is two 259 00:16:29,320 --> 00:16:34,880 Speaker 1: thousand two. Yeah, Wow, what did you know Antonio Benderis 260 00:16:34,920 --> 00:16:40,480 Speaker 1: from at this time? Was he married to Melanie Griffith yet? Yeah? 261 00:16:40,640 --> 00:16:42,960 Speaker 1: I think I think they were hanging out in Aspen 262 00:16:43,520 --> 00:16:46,440 Speaker 1: Come On, get Me Well. While performing in theater, Benders 263 00:16:46,520 --> 00:16:50,320 Speaker 1: caught the attention of a Spanish director, who cast the 264 00:16:50,360 --> 00:16:54,280 Speaker 1: young actor in two in the movie debut of Labyrinth 265 00:16:54,360 --> 00:16:57,200 Speaker 1: of Passion. He also was excellent in Philadelphia. I can't 266 00:16:57,240 --> 00:17:01,840 Speaker 1: remember what year that man. That was. That's an aazing movie. Yeah, 267 00:17:01,960 --> 00:17:05,240 Speaker 1: and um he began acting in Hollywood films and he 268 00:17:05,280 --> 00:17:07,440 Speaker 1: only knew a handful of English wards at the time, 269 00:17:07,480 --> 00:17:12,440 Speaker 1: and he learned all his lines phonetically. Yeah, he'd already 270 00:17:12,480 --> 00:17:16,560 Speaker 1: been in Philadelphia, which was amazing. He was great in those, 271 00:17:16,720 --> 00:17:22,480 Speaker 1: uh Robert Rodriguez films. Oh, yes, yeah, he was really 272 00:17:22,480 --> 00:17:28,119 Speaker 1: great in those films. I like Anthonio he's a. He's a. 273 00:17:28,240 --> 00:17:30,879 Speaker 1: He's a. I think he's a better actor than he 274 00:17:30,920 --> 00:17:33,679 Speaker 1: ever I mean, he showed how good an actor he is. 275 00:17:33,760 --> 00:17:36,480 Speaker 1: But has he ever won an Oscar or has he 276 00:17:36,520 --> 00:17:39,679 Speaker 1: ever been in a film? We question because he was 277 00:17:39,840 --> 00:17:41,800 Speaker 1: he was in a A Zoro. He was Zoro. He 278 00:17:41,880 --> 00:17:45,320 Speaker 1: was great in that film. He was really great in 279 00:17:45,320 --> 00:17:49,399 Speaker 1: that film. He's a. He's really good. It's not arguing 280 00:17:49,800 --> 00:17:51,720 Speaker 1: he's really good. Oh he's going to be in the 281 00:17:51,760 --> 00:17:57,520 Speaker 1: New Indiana Jones. Oh, let it go. So next one 282 00:17:57,720 --> 00:18:01,240 Speaker 1: is Um White, Dwight's ex wife, fleeting a message which 283 00:18:01,240 --> 00:18:05,439 Speaker 1: now we know is Alex Borstein thinks the scott um 284 00:18:05,560 --> 00:18:08,880 Speaker 1: but Doris says, I should call Aaron Brockovich to bring 285 00:18:08,920 --> 00:18:12,880 Speaker 1: a lawsuit against your parents, you steaming lump of toxic waste. 286 00:18:13,760 --> 00:18:17,080 Speaker 1: So Aaron Brockovich is a legal clerk activist who was 287 00:18:17,240 --> 00:18:20,720 Speaker 1: instrumental in building a case against Pacific Gas and Electric 288 00:18:20,760 --> 00:18:25,560 Speaker 1: Company involving groundwater contamination in a town in California, with 289 00:18:25,600 --> 00:18:28,920 Speaker 1: the help of Attorney Master, which, by the way, did 290 00:18:28,920 --> 00:18:32,840 Speaker 1: you guys notice like how much is Dwight watering his lawn? 291 00:18:33,240 --> 00:18:35,960 Speaker 1: Like how much water is he wasting? It's new grass 292 00:18:36,160 --> 00:18:38,960 Speaker 1: and like he said that it needs to take root 293 00:18:39,040 --> 00:18:44,280 Speaker 1: and that needs extra water. While during that initial process, yeah, 294 00:18:44,680 --> 00:18:48,080 Speaker 1: I was like, we're going to drought. Do you have lawn? 295 00:18:48,160 --> 00:18:51,680 Speaker 1: I do? Do I have a little lawn deal? Have? Yeah? 296 00:18:51,880 --> 00:18:57,560 Speaker 1: Front end, back, you and side. Yeah, it's the lawns anymore. 297 00:18:58,320 --> 00:19:00,720 Speaker 1: I know. That's what I'm very nervous about. And I 298 00:19:00,840 --> 00:19:03,760 Speaker 1: you know, I was went to a friend's apartment complex 299 00:19:03,800 --> 00:19:06,720 Speaker 1: the other day. It was like fake grass everywhere that green. Yeah, 300 00:19:06,760 --> 00:19:09,119 Speaker 1: but I don't people love that. I don't like it. 301 00:19:09,200 --> 00:19:11,920 Speaker 1: I don't like it either. Yeah, it's funky to walk 302 00:19:11,960 --> 00:19:15,320 Speaker 1: on too. I love I love lawn. Yeah, gotta have 303 00:19:15,359 --> 00:19:18,720 Speaker 1: a lot of larm. Oh god, but we're gonna be 304 00:19:18,720 --> 00:19:21,320 Speaker 1: in trouble. We're gonna be in trouble. Yeah we are. 305 00:19:22,720 --> 00:19:26,320 Speaker 1: So this one is actually our last one. Um, not 306 00:19:26,440 --> 00:19:29,239 Speaker 1: that many, yeah, but the last. The last one is 307 00:19:29,359 --> 00:19:32,840 Speaker 1: when Rory and Jess are drenched um at the sprinklers 308 00:19:32,840 --> 00:19:35,360 Speaker 1: and Jess says, whoa whoa slow down. Rory says, get 309 00:19:35,359 --> 00:19:37,680 Speaker 1: out of my way. Jess says, I like the new look. 310 00:19:37,680 --> 00:19:42,920 Speaker 1: It's very blue. CRUSH's so good. Do you even know 311 00:19:42,960 --> 00:19:46,760 Speaker 1: what that is? Of course it's a it's a surf movie. Yeah, 312 00:19:47,200 --> 00:19:51,080 Speaker 1: Kate Bosworth was kind of like what made Kate Bosworth famous? 313 00:19:51,080 --> 00:19:57,000 Speaker 1: And I think Rosario Dawson, no, Michelle Rodriguez Rodriguez, yeah forgive. 314 00:19:57,160 --> 00:19:58,679 Speaker 1: And the movie came out in two thousands two, so 315 00:19:58,680 --> 00:20:02,840 Speaker 1: it's very relevant to one this episode aired. Um and 316 00:20:02,880 --> 00:20:05,800 Speaker 1: by the way, Kate Osworth was briefly knocked unconscious while 317 00:20:05,840 --> 00:20:08,880 Speaker 1: filming one of the surfing scene lessons and I love 318 00:20:08,960 --> 00:20:12,600 Speaker 1: the guy that plays the boyfriend guy was Alaric from 319 00:20:12,680 --> 00:20:19,920 Speaker 1: Vampire Diaries. Or oh my god, maybe, oh god, it's 320 00:20:20,080 --> 00:20:23,359 Speaker 1: my I could get things blurred. But it either was 321 00:20:23,400 --> 00:20:25,480 Speaker 1: a Laurik from Vampire Diaries or the guy that was 322 00:20:25,520 --> 00:20:29,240 Speaker 1: in Chasing Liberty with Katie Holmes Matthew Davis. A lark, 323 00:20:29,680 --> 00:20:35,639 Speaker 1: No it wasn't. He was also legally blonde. Yep, I 324 00:20:35,680 --> 00:20:39,480 Speaker 1: think it's a lark. Did you watch Vampire dis I did, 325 00:20:39,560 --> 00:20:43,560 Speaker 1: but I'm blanking. We're here for the c W. Scott 326 00:20:43,720 --> 00:20:49,320 Speaker 1: was a big fan of Vampire Dire. I never saw it. Sorry, 327 00:20:51,680 --> 00:20:55,520 Speaker 1: I don't watch TV. I do? Do you really not? 328 00:20:55,960 --> 00:21:00,320 Speaker 1: I don't watch shows movies. You like movies. I prefer vies, 329 00:21:00,440 --> 00:21:04,080 Speaker 1: but documentaries are kind of my thing. Yeah, I don't. 330 00:21:04,119 --> 00:21:08,000 Speaker 1: I don't watch television. Is Bad Vegan a documentary or 331 00:21:08,040 --> 00:21:12,080 Speaker 1: is it like a show? Neither, But it's got all 332 00:21:12,240 --> 00:21:16,639 Speaker 1: the buzz, all the buzzs Tara. Yes, I'm going to 333 00:21:16,680 --> 00:21:19,399 Speaker 1: give you. Good job, Scott, thank you? You can you 334 00:21:19,400 --> 00:21:21,480 Speaker 1: give Tar a little review in her third up. I 335 00:21:21,560 --> 00:21:23,960 Speaker 1: think she's sitting out of the park man because I 336 00:21:24,000 --> 00:21:27,640 Speaker 1: actually listen. I listened to h the first one, which 337 00:21:27,720 --> 00:21:31,159 Speaker 1: just dropped right, and it's like, you know, you have 338 00:21:31,200 --> 00:21:34,960 Speaker 1: a very soothing voice. You have a very pleasant. You know, 339 00:21:35,000 --> 00:21:38,439 Speaker 1: your voice has real personality without having you don't have 340 00:21:38,480 --> 00:21:40,359 Speaker 1: to push it in anything. You know, you're very present. 341 00:21:40,440 --> 00:21:43,399 Speaker 1: So it's it's you have a good voice for thank you, 342 00:21:43,440 --> 00:21:46,199 Speaker 1: because I hate hearing my own voice, right, I know, 343 00:21:46,359 --> 00:21:49,760 Speaker 1: isn't that strange? How Yeah, but it's it's perfect for 344 00:21:49,800 --> 00:21:53,520 Speaker 1: what we're doing. It's really it's really working at it. 345 00:21:53,560 --> 00:21:56,840 Speaker 1: I and I really enjoy listening to these episodes. It's 346 00:21:56,880 --> 00:21:58,720 Speaker 1: one of the reasons that I'm I'm not talking as 347 00:21:58,800 --> 00:22:00,520 Speaker 1: much because I want to listen to you, not that 348 00:22:01,280 --> 00:22:04,920 Speaker 1: you know. Yeah, no, I appreciate that. I hope I'm 349 00:22:04,920 --> 00:22:07,040 Speaker 1: doing okay. I feel like I'm like great, I'm like, 350 00:22:07,040 --> 00:22:09,160 Speaker 1: oh God, is it like time to talk now? Now 351 00:22:09,200 --> 00:22:17,920 Speaker 1: it's just listen, man, It's just it's a casual well 352 00:22:18,000 --> 00:22:23,040 Speaker 1: check brothers. Let's see you guys next week. Okay, thanks, 353 00:22:23,119 --> 00:22:25,480 Speaker 1: thanks guys. Well we got great John, We'll see you 354 00:22:25,520 --> 00:22:27,560 Speaker 1: next week. You know, hey, you know, I'm glad I 355 00:22:27,560 --> 00:22:33,000 Speaker 1: showed up for this. See that's why Amy said, listen 356 00:22:33,000 --> 00:22:35,359 Speaker 1: to the last bit of the show that I'm telling 357 00:22:35,359 --> 00:22:37,720 Speaker 1: you guys. Anyone that bugs out five minutes earlier, this 358 00:22:37,880 --> 00:22:42,680 Speaker 1: is the gold. The gold. See, everybody stay safe, all 359 00:22:42,720 --> 00:23:15,280 Speaker 1: the best, Love you everybody one, Hey, everybody, and don't forget. 360 00:23:15,359 --> 00:23:19,440 Speaker 1: Follow us on Instagram at I Am all In podcast 361 00:23:19,520 --> 00:23:24,440 Speaker 1: and email us at Gilmore at I heart radio dot com. 362 00:23:24,440 --> 00:23:25,960 Speaker 1: Oh you gil More fans. If you're looking for the 363 00:23:26,040 --> 00:23:28,160 Speaker 1: best cup of coffee in the world, go to my 364 00:23:28,560 --> 00:23:31,680 Speaker 1: website for my company, scott EP dot com, s C 365 00:23:31,840 --> 00:23:34,320 Speaker 1: O T T y P dot com, scott ep dot 366 00:23:34,320 --> 00:23:44,680 Speaker 1: com Grade one Specialty Coffee. Yeah.