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Speaker 1: I listened to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: And the commission you asked for permission to hit them.

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Speaker 2: He don't like me hit them while wifey was with him.

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Speaker 2: You heard of us, the murder of us, most shady

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Speaker 2: been on the load lately, the fast hate me. The

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Speaker 2: sun to Satan. They say my killing's too blatant. You're hesitating.

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Speaker 2: I mean your mama crib waiting, duck taping, your fam

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Speaker 2: Destiny layser, My hand got lads of my waist. Francis

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Speaker 2: m to the Iza phenomenal gun rests under your vest

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Speaker 2: by the abdominal rom A few bars so I could

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Speaker 2: get a buy a few cars, and I could kick

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Speaker 2: a few flows so I could pip a few holes.

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Speaker 2: Excellence is my presence, never tense, never has a tint,

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Speaker 2: leave a nigga bent, real quick, real sick broad nights.

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Speaker 2: I perform like Mike Anyone, Tyson and Jordan and Jackson

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Speaker 2: and Action pack guns, ridicu your lusts saying I'm quick

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Speaker 2: the bust. If my ends you touch kids, the girls

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Speaker 2: you touched, say what in the world, Jay Clutch, I

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Speaker 2: don't think that's right. Two autos Nada hos used to

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Speaker 2: call me fat, so that me catstro My rap flows militant.

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Speaker 2: Y'all ain't killing shit. Oops, Chris Style keeps feeling shit.

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Speaker 2: You overdid at homes. You in the danger zone. You

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Speaker 2: shouldn't be alone. Hold hands and say it like me

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Speaker 2: the most shady Frankie Baby, fantastic graphic. Try to make

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Speaker 2: those like Jurassic Park did quick the spark kids who

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Speaker 2: starts ship see me only me the underballs of the

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Speaker 2: Holocaust truly yours Frank White.

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Speaker 3: We got the real live shit fround front the back.

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Speaker 2: Come my people in the world.

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Speaker 4: Where the fuck you at?

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Speaker 2: What my niggas is at? What my pictures is that?

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Speaker 2: What fun my niggas isn't there? What my pictures is that? Hey,

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Speaker 2: welcome to the Black Gut Podcast host Rod.

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Speaker 4: And yeah, that's the real anger song.

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Speaker 2: I love that song.

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Speaker 4: Intue the beat goals.

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Speaker 2: I mean like even puff Daddy, even puff Daddy sounded

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Speaker 2: good on that song. Horns, come on, put the money

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Speaker 2: on the table and get your math on. Oh my god,

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Speaker 2: that was and then Buster only did the chorus like that.

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Speaker 2: Rest in peace big All right, guys, let's go ahead

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Speaker 2: and talk about what we're talking about today. This is

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Speaker 2: the Black Guy Tips. Find us on iTunes, Stitcher, Potomatic search,

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Speaker 2: the Black Guy who tells leave us, fire Star reviews.

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Speaker 2: The official weapon of the show is and the unofficial

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Speaker 2: sport and bulletball extreme extreme extreme Extreme at Today's show

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Speaker 2: is a very special show because it's a Walking Dead Wednesday,

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Speaker 2: and we also have wine. So who knows where the

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Speaker 2: hell this is gonna go, But we're gonna recap the

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Speaker 2: Walking Deck until we the last two people on Earth

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Speaker 2: watching it, and.

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Speaker 4: We will forever watch.

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Speaker 2: I had already got renewed for season ten, so guess

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Speaker 2: what I'm back.

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Speaker 4: We gonna be there.

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Speaker 2: I'm thinking, I back, it's story time.

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Speaker 4: We will continue to recap.

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Speaker 2: Walking Dead to the end.

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Speaker 4: Come on, people ain't watching, but they sure stealing it.

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Speaker 2: So yeah, you can find us all the places that

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Speaker 2: I said you can find us. If we have other

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Speaker 2: time left over, we might do some white People news

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Speaker 2: or some other stuff. There's plenty of shit that's been

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Speaker 2: happening now we want to talk about. But I'll you know,

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Speaker 2: we'll figure out how we're gonna do it. I mean,

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Speaker 2: we do work for ourselves, So what y'all gonna do?

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Speaker 2: Not listen, right, fine, that's that's not the worst thing

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Speaker 2: anyone's ever done. So yeah, the official weapon is extreme.

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Speaker 2: This podcast is sponsored by Trying a Wine Co. Told

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Speaker 2: you we had some wine. Trying a Wine Company selles

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Speaker 2: thousands of wines, and I mean thousands. You'll be on

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Speaker 2: this site forever from all over the world for every

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Speaker 2: budget I'm talking. Listen, whether you broke, whether you like rich,

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Speaker 2: or highly rated ones. Like I said, I saw ciders

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Speaker 2: on there. I saw. I mean just sometimes I just

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Speaker 2: type in a flavor like orange and just see what

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Speaker 2: by the glass at the tasting bar. Try before you buy.

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Speaker 2: Now you know what you're gonna have when you get home.

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Speaker 2: also have a store opening in Holly Springs, North Carolina soon.

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Speaker 2: So all right, guys, we'll get it and we'll get

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Speaker 2: into our deal later in the episode. All right, so

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Speaker 2: I guess we can start with walking there what we're

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Speaker 2: gonna say?

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Speaker 4: Okay, So we're gonna do the wine cheese at the end.

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Speaker 2: Oh no, no, no, I mean I'm a drink before. Oh yeah,

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Speaker 2: But I think we're gonna do some feedback and then

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Speaker 2: we'll do the we'll read the second copy. But I

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Speaker 2: do have the wine and cheese here too.

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Speaker 5: But I got you, okay, because I was like, ain't

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Speaker 5: we gonna tell them what we're smacking out?

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Speaker 2: Okay? And I haven't forgotten. Please a loud the might

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Speaker 2: start to conduct the orchestra. Please.

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Speaker 4: You know I'm a backseat driver.

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Speaker 2: I can tell a bop the Walking Dead. That's right, guys,

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Speaker 2: is now the second half of season nine. Would have

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Speaker 2: ever thought we'd make it this far, be honest. Okay,

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Speaker 2: you know that means that this is episode one hundred

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Speaker 2: and twenty four. Wow. Right. How many shows can say

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Speaker 2: they did that?

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Speaker 4: A lot of shows can't even get two hundred right.

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Speaker 2: The name of the show is the title of the

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Speaker 2: episode is adaptation. It's directed by Greg niko Taro. He

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Speaker 2: stays doing the starts of you know, seasons and stuff,

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Speaker 2: and they got oh it went up a little bit

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Speaker 2: five point one six million. That's not that that high,

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Speaker 2: but whatever. That's about where they're at now. We'll see

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Speaker 2: where they're end the season, because I feel like it's

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Speaker 2: trickles off as a season wears now.

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Speaker 5: Yeah, and the thing is that you say people aren't

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Speaker 5: watching live or people aren't streaming it so and stealing it.

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Speaker 4: So people are actually still watching.

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Speaker 5: Like as much as people complain about the show, maybe

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Speaker 5: it's just me, but I don't hate watch. So if

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Speaker 5: you still watching it, you're watching it because there's something

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Speaker 5: about it that you like, even though you're mad, you're watching.

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Speaker 5: It's something about it because if you really disliked it,

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Speaker 5: you would turn it off and go on wheels.

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Speaker 2: Well, there has been news out of The Walking Dead.

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Speaker 2: They are saying Donna Guarera will not be back for

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Speaker 2: season ten, that that's one of the main reason I

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Speaker 2: stayed watching because I'm like, uh michean though. But they're

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Speaker 2: also saying that she's gonna join Andrew Lincoln, who plays

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Speaker 2: Rick Grimes in his spin off movies that he's doing,

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Speaker 2: so she's I guess they're not gonna necessarily kill her,

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Speaker 2: but somehow she'll end up with Rick.

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Speaker 5: So yeah, and that makes sense, particularly with her and

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Speaker 5: Andrew Lincoln.

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Speaker 2: They are doing other.

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Speaker 5: Things, so it's like, hey, I can't be tied to

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Speaker 5: this all as much as I was before, but I

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Speaker 5: still want to be involved, but I can't be as

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Speaker 5: involved as it was before because I got other shit.

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Speaker 5: I got to go fill in Black Panthers too. I

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Speaker 5: might be in in the next Avengers movie.

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Speaker 2: You know.

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Speaker 5: She writes her own screenplays, like she is doing a

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Speaker 5: lot of shit.

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Speaker 2: So all right, now, before we get into this recap,

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Speaker 2: let's talk about what we're drinking on and stuff. Okay,

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Speaker 2: now we are still finishing off the wine from last week.

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Speaker 4: Yeah, this is the last little bit of it.

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Speaker 2: We finally chilled at this time. Right, it's cold, but

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Speaker 2: we will later be opening up in the middle of

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Speaker 2: the show. Mm hmmm. This jam Jaw Sweet shirahas twenty

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Speaker 2: seventeen and it's been chilling as well.

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Speaker 4: Yes, it has good and gold.

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Speaker 2: And to top that off, we got, as Sodier Boy

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Speaker 2: would say them, crackers crisp. Thirty four crisp. I guess

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Speaker 2: it's the name of it, thirty four degrees crisp. I

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Speaker 2: don't know what this is. Thirty four Oh, it's so fancy.

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Speaker 2: We don't know how to say the name. Thirty four

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Speaker 2: degrees crisp. I don't see any spelling out on the boxes.

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Speaker 2: Our natural Crisp. They are basically crackers. Allow the nuances

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Speaker 2: or whatever you pair them with. So that's what's made

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Speaker 2: for us, the nuances. That's what we get into on

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Speaker 2: this show. So they knew what kind of crackers we needed.

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Speaker 2: It allows you to allows the nuances or whatever you

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Speaker 2: pair them with, to come forward then and delightful on

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Speaker 2: their own, but at their best, with mild to sharp cheese,

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Speaker 2: cured meats, cream and dips and spices, spreads, scrumptuous. I

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Speaker 2: love when they tell you it's gonna be scrumptious. You

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Speaker 2: know what I'm saying. That's confident right there. It's like

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Speaker 2: being like, ware, do you see this dick? Yeah? And

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Speaker 2: then also we got some volpie Primo American crafted rose

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Speaker 2: rose wine salame. And I know it's fancy because they

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Speaker 2: spelled salame s l a m eh solain. They was like,

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Speaker 2: you know how to say it. They didn't even put

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Speaker 2: an accent on this. You don't think uh So yeah,

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Speaker 2: we got that and then the crisp and then we

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Speaker 2: got some French brie, soft ripened cheese product of France

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Speaker 2: is important, of course. Uh and this is a public's deli.

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Speaker 2: Uh is the is the makers of this, so you

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Speaker 2: know it's gonna be off the hook. The same people

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Speaker 2: that brought you fried chicken. Okay, come on, delicious. So

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Speaker 2: what I'm gonna do is put a little bit of

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Speaker 2: this cheese on here, squished that down with some solame, okay,

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Speaker 2: and then that's how I'm gonna eat it. Hm hm

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Speaker 2: mm hmm. Falling off the bone, falling off the bone,

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Speaker 2: mm hmmm.

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Speaker 4: Crackers is light mm hmm.

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Speaker 2: They're not hard crackers. They really light, but they really

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Speaker 2: crisp you they called, and it goes well with the

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Speaker 2: wine and cheese. I mean I picked these out today.

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Speaker 2: So I feel like they did a good job. You

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Speaker 2: sure did, You.

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Speaker 4: Did an excellent job.

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Speaker 5: Yeah, and it is all the textures, but it's delicious.

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Speaker 2: M hm. You got the Christmas of the crisp obviously,

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Speaker 2: then you have the softness of the French bree cheese.

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Speaker 6: Yeah.

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Speaker 2: I've never had this cheese neither. It was actually my

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Speaker 2: first breathe right, Yeah, I had Beata and Guda go

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Speaker 2: to you. You had gold, but it was the first

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Speaker 2: for me as well. And the salaam mm just like

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Speaker 2: the old country of America where's crafted. The only thing

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Speaker 2: that would really set this off. Do here and I'll

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Speaker 2: get it next time. So I'm like Graypoul pond mustard

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Speaker 2: or something on the salam. Let's see that take this

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Speaker 2: to a whole another level.

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Speaker 4: We get fancy on y'all.

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Speaker 2: Next time. Where you're living you learn? All right, let's

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Speaker 2: get into this episode of the Walker Dad Recap Home.

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Speaker 2: So we have two locations this week. It's Hilltop and Alexandria.

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Speaker 2: Alexandra is shorter, is mostly mean walking around, and then

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Speaker 2: Hilltop is where the action is. So I think we

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Speaker 2: should start with Alexandria. Yes, all right, So last time

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Speaker 2: we left off in Alexandria. Somebody left the goddamn gate open.

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Speaker 2: It was Gabe, y'all.

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Speaker 4: Because he was upset.

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Speaker 2: Gabe. Yeah, Gabe found out that Rosita might have been

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Speaker 2: been fucking other people. According to Nina, who is the

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Speaker 2: Wendy Williams of He's like, I just sitting the Internet.

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Speaker 2: I'll be sitting here looking out this window and your girl.

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Speaker 2: You shut that girl. I'm saying she is getting dicked

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Speaker 2: down on the rag and it's not by you. And

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Speaker 2: Gabe couldn't take it. He was so off his game.

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Speaker 2: He forgot the lock the damn day gate to the

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Speaker 2: to the jail cell and Nigga just walked out, you know,

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Speaker 2: like I know they're gonna be asking when they when

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Speaker 2: they get back next week, they're gonna be asking the

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Speaker 2: next week. Dog, So they left the gate open. He

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Speaker 2: walks out and he's just walking around and ship having

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Speaker 2: having a good gay old time. He decides in the

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Speaker 2: middle of the night, because it's the middle of the

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Speaker 2: night when he's walking out, he decides to take a

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Speaker 2: stroll through Alexandria. He gets a tomato ripe off the vine,

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Speaker 2: gets him a shovel, and then he looks at a

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Speaker 2: very familiar house and it's Mishon's house. And now we

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Speaker 2: know Micheon's out of the city, out of Alexandria. He

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Speaker 2: don't know that. He don't know, right, So he leaves

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Speaker 2: and goes into that, goes up in their house. I'm

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Speaker 2: assuming maybe Judith is up in there sleeping or something.

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Speaker 2: I don't know, maybe Rick Rick Jr. Maybe the babysitters over.

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Speaker 2: I don't know. Well, he doesn't wake anybody, but he

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Speaker 2: walks up in what appears to be Micheon's room and

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Speaker 2: there's a cartoon drawing. It's like all my family or

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Speaker 2: something like that, or maybe it's Judas room. But he

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Speaker 2: took a compass. Okay, there's Judas room. So he took

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Speaker 2: a compass from Judas's room and with the shovel. I

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Speaker 2: don't know, do you did you feel like he went

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Speaker 2: in there to kill macheoning them or what?

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Speaker 4: You know what?

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Speaker 5: Initially yes, but then I think and my thing is

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Speaker 5: two things. I think Initially yes, and then he's seen

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Speaker 5: the picture and shit, he was like, you know what, No,

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Speaker 5: I'm good or either I he might never had any

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Speaker 5: intentions on harming anybody. You know, he might have been

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Speaker 5: like going through to be like, hey, Michelle, I'm out.

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Speaker 5: You know, like, you don't never really know what he

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Speaker 5: would have said if he would have seen her, or

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Speaker 5: how it would have been handled. Of course, it would

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Speaker 5: have got violent because she'd been like, bitch you out,

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Speaker 5: But you know, that might not have been his intention

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Speaker 5: to have a fight with her.

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Speaker 2: Maybe he was looking for supplies and stuff and he

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Speaker 2: just happened to go to the house and didn't know

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Speaker 2: Michon's I don't know, correct either way. Once he sees

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Speaker 2: that it is Michon's crib, he grabs the compass and

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Speaker 2: is like, yeah, so let me go ahead and Depp, yeah,

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Speaker 2: it has Judice in this right. Okay, y'all didn't even

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Speaker 2: pick that up. So he's like, let me go ahead

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Speaker 2: and dip and climb this fence and get the fuck

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Speaker 2: up out of here. And I actually have this clip

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Speaker 2: for the show of the conversation because Okay, he had.

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Speaker 5: Been out so long, y'all just started touring the daytime

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Speaker 5: and nobody.

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Speaker 4: Hey, so I'm assuming it's not twenty four hour guard check.

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Speaker 2: It was like right before dawn. And the thing I

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Speaker 2: was thinking is he has been in that cell for

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Speaker 2: like what five years now? Yeah, maybe it's not as

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Speaker 2: as crisp. Maybe they don't feel he's as dangerous as

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Speaker 2: they want to did, you know, like anything, humans get

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Speaker 2: used to. Shit, she gets relaxed. You know, this is

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Speaker 2: not exactly a rigid society with time clocks and paychecks.

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Speaker 2: So I can see people, you know, not checking on

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Speaker 2: him all the time like they're supposed to.

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Speaker 5: Yeah. And also it's one of those things too, to

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Speaker 5: where they probably do check on him, but it was

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Speaker 5: like they probably wouldn't have came to like the next day,

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Speaker 5: like you know, the next when the sun was up,

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Speaker 5: so he basically had the whole night.

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Speaker 2: To just kind of walk around. So he goes to

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Speaker 2: a to the wall right before dawn, right before dawn.

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Speaker 2: It is like, let me get the hell up out

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Speaker 2: of here. But Judith actually tracks him down and has

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Speaker 2: a gun pointed at him, like that gangster she is,

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Speaker 2: because that's Rick Grime's daughter. Okay, your favor could never right.

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Speaker 4: She was ready to put a hole in old girl

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Speaker 4: head and walk in there on her mama, her black mama.

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Speaker 2: Lucky she ain't have a sword. Right, Let's watch this

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Speaker 2: magnificent acting and start at the Walker studio. Wonder what

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Speaker 2: Jeffrey Deane Muggins, whose character motivation was for the scene

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Speaker 2: who knows, So he throws the shovel over the wall

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Speaker 2: and getting ready to climb up out of here. Now,

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Speaker 2: I don't think he can really do this in real life.

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Speaker 2: They would have need a start actors. Guess not.

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Speaker 7: You're not gonna shoot me, kid?

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Speaker 4: Yeah I will.

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Speaker 6: I'm not going back.

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Speaker 2: Dah. Jesus has no conscience. But here's my question. Can

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Speaker 2: do you think Judith has killed a human being before

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Speaker 2: yet or you know, because I don't. I don't think

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Speaker 2: she has either any I think she's killed walkers.

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Speaker 5: And so the thing is she's become very comfortable with shooting.

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Speaker 5: So she was like, yeah, I will shoot you. Like,

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Speaker 5: don't think I don't know how to shoot this gun.

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Speaker 5: I know how to shoot this gun.

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Speaker 2: No fuck with me.

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Speaker 6: Yeah.

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Speaker 2: Also, was it me or do you feel like the

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Speaker 2: gun got a little smaller since the first time we

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Speaker 2: saw her with the gun in the in the what

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Speaker 2: she saved all the new people, it was longer.

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Speaker 6: Yeah.

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Speaker 2: They feel like it's either it's like a different gun

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Speaker 2: or they don't or they said, you know what, guys,

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Speaker 2: this looks cartoonishly ridiculous. Giving this little girl this long

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Speaker 2: barreled big ass like Magno, yeah, you have to give

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Speaker 2: her a smaller gun. They made it like the comic

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Speaker 2: book for real. Yeah it was too much, all right,

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Speaker 2: back to the scene. Sorry, so you.

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Speaker 7: Just pull that trigger if that's what you're gonna do

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Speaker 7: a little later, she squeezed like she was glad.

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Speaker 8: How about I go my way, you go yours, and

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Speaker 8: we never see each other again?

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Speaker 2: How about him?

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Speaker 4: And she does the gun like, get up there while

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Speaker 4: to go?

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Speaker 2: He did.

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Speaker 7: You know when your mom and dad when they locked

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Speaker 7: me up, they told me I was gonna be good

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Speaker 7: for something, that I would help people.

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Speaker 8: See that things could change, and they did. Holy shit,

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Speaker 8: did they ever for everybody but me?

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Speaker 7: We look around Alexandria is a goddamn wonderland.

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Speaker 8: But my part, it's just four walls and a bedmand.

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Speaker 2: Rules or rules. My mom decides, not me.

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Speaker 7: But now it's just like when we have our little

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Speaker 7: chats together.

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Speaker 6: Now.

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Speaker 2: See, this is the part I was thinking about after

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Speaker 2: because I think Megan is a master manipulator correct, and

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Speaker 2: by which I mean when he was in charge of shit.

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Speaker 2: The reason he was so scary is because even when

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Speaker 2: he didn't know what was going on. He always made

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Speaker 2: it seem like he knew so people. Yeah, like he's

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Speaker 2: always like, what's going on the way, everything okay, And

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Speaker 2: it's just the way he talking to you. You'd be like, damn,

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Speaker 2: I did it, okay, I'm trying to kill you. I

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Speaker 2: poison your sloda. You know, I wouldn't even ask it

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Speaker 2: for that. But good thing you told me right right.

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Speaker 2: You know, he cracks weaker people, Eugene, people like that.

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Speaker 2: So if you let this man talk to a kid

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Speaker 2: every day for five six years, there's no way that

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Speaker 2: kid's not gonna become somewhat softened against him. Keep in mind,

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Speaker 2: you just don't remember his crimes. You wasn't allowed to

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Speaker 2: be like not to be remembering all the shit that

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Speaker 2: happened with me. And she was just a baby, so

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Speaker 2: I can see how, you know, he in her eyes,

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Speaker 2: it's hard to be like this evil monster that needs

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Speaker 2: to be locked up now. If this is an adult,

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Speaker 2: if this is Rosita Micheon, I don't think he's getting

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Speaker 2: out of this all right.

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Speaker 8: You're not letting me go. He's just not seeing me leave.

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Speaker 4: No, there's nothing out there for you, for anyone.

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Speaker 8: That you know me.

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Speaker 7: You know, me better than anyone's known me in a

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Speaker 7: very long time. So I promise, I promise you that

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Speaker 7: I'm not gonna hurt anyone, even if they try to

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Speaker 7: hurt me. I promise you I won't hurt them.

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Speaker 8: I gotta go, thank you, let them go.

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Speaker 4: Were you in my room?

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Speaker 2: Because she's out of compass? You want to back.

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Speaker 4: Keep it, It'll help you find your way. But if

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Speaker 4: I see you again, I'll shoot.

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Speaker 8: Yeah, I wouldn't.

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Speaker 2: She's so adorable, but I absolutely believed she would kill

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Speaker 2: this nigga, what like, with no hesitation, Like that's a

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Speaker 2: damn shame. I had to put his ass down.

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Speaker 5: Because I'm trying to tell you an old girl walked

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Speaker 5: up and down with micheaan Juther was sitting on the

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Speaker 5: top of them steps like bitch.

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Speaker 2: Try right. So but yeah, I enjoyed that scene. I

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Speaker 2: thought I was adorable. Then it kind of speeds up

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Speaker 2: from here. So you know, she's told him there's nothing outside,

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Speaker 2: he gotta go see it for himself, and he's walking

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Speaker 2: around and the years were taking a toll on everything,

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Speaker 2: like everything that could be used is pretty much used up.

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Speaker 2: Correct all the cars I fucked up, nothing's running. I'll

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Speaker 2: rusted out because remember we were talking a few episodes

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Speaker 2: ago about they were running out of ethanol and they

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Speaker 2: couldn't even really convert the cars to ethanol. But even

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Speaker 2: then they could, didn't have enough ethanol to fuel everything,

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Speaker 2: and Hilltop had all the supplies, and Alexandra didn't have enough,

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Speaker 2: and the Sanctuary had none, and the Sanctuary couldn't grow anything,

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Speaker 2: So like things were very dire outside of this, yes,

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Speaker 2: and then when you added that the communities haven't really

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Speaker 2: been communicating with each other. Uh, we just recently saw

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Speaker 2: that Micheon was basically up in Hilltop as if literally

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Speaker 2: she had never been there before. Maggie's gone, you know.

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Speaker 2: So there's a lot of stuff where we're like, Okay,

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Speaker 2: you gotta really start thinking what exactly is the plan

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Speaker 2: here for Degan because there's no communication, right, He's been

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Speaker 2: in his cell for how many years? But what like

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Speaker 2: he doesn't he had his to see for himself there.

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Speaker 2: There really isn't anything out there. So he almost gets

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Speaker 2: bit by walker. He kills a zombie while he's drinking

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Speaker 2: some water. He drops his water and his food. Another

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Speaker 2: zombie grabs his back and he fucking it's a burned

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Speaker 2: up zombie decapitated with his shovel, which was actually really

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Speaker 2: neat the burned up zombie. Yeah it was. It was

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Speaker 2: gross too, because like the zombie was burned up in

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Speaker 2: the back of a truck and like a pickup truck,

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Speaker 2: and the fucking it burned in so good that his

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Speaker 2: legs had separate, Like when it grabbed him with his

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Speaker 2: arm and he walked away, it pulled itself away from

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Speaker 2: his own legs. It was a very gross, cool looking

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Speaker 2: zombie effect. I thought they had some really cool zombie

434
00:25:17,160 --> 00:25:23,840
Speaker 2: effects this week. They did, so yeah, he uh so,

435
00:25:23,920 --> 00:25:28,080
Speaker 2: then he doesn't have any water anymore. He uh goes

436
00:25:28,119 --> 00:25:36,639
Speaker 2: out to he goes out uh to a creek and

437
00:25:36,680 --> 00:25:40,320
Speaker 2: he starts drinking the water from the creek. And I

438
00:25:40,400 --> 00:25:45,919
Speaker 2: was like, oh, no, ain't that how you get dysentery? Like,

439
00:25:45,960 --> 00:25:48,199
Speaker 2: we not came in, we're not used to that, We

440
00:25:48,280 --> 00:25:50,679
Speaker 2: don't come from this. We drink filter the water. We

441
00:25:50,760 --> 00:25:54,200
Speaker 2: drink water that has been cleaned. Yeah, so he drank

442
00:25:54,240 --> 00:25:56,240
Speaker 2: that water. And it's before I could even get the

443
00:25:56,280 --> 00:25:58,840
Speaker 2: sentence out that Nigga was throwing up in the streets

444
00:26:00,000 --> 00:26:03,000
Speaker 2: cause he ain't supposed to be drinking no damn creak. Water, dude,

445
00:26:03,720 --> 00:26:07,320
Speaker 2: it's like the Rocky Mountain Springs animals unbathed in that shit.

446
00:26:07,440 --> 00:26:10,080
Speaker 2: No thank you all right, zombie juicing the shit, Like

447
00:26:10,119 --> 00:26:13,879
Speaker 2: what was he thinking? So that nigga, that nigga, that

448
00:26:14,000 --> 00:26:20,360
Speaker 2: nigga threw up all over the place shirt up right now,

449
00:26:20,440 --> 00:26:23,600
Speaker 2: and then of course he takes off his shirt, a

450
00:26:23,680 --> 00:26:27,600
Speaker 2: brown shirt that honestly, guys, he had no Niagan swag.

451
00:26:28,480 --> 00:26:29,919
Speaker 2: I had to give a shout out to Jeffrey Dean

452
00:26:30,000 --> 00:26:33,000
Speaker 2: Morgan for his acting in this episode because you could

453
00:26:33,080 --> 00:26:35,960
Speaker 2: tell that like that there was no Nigan in there

454
00:26:36,200 --> 00:26:40,080
Speaker 2: at the time, Like this was a completely cucked man, okay,

455
00:26:41,119 --> 00:26:45,800
Speaker 2: Like he was walking around just completely looking like dollar

456
00:26:45,840 --> 00:26:51,600
Speaker 2: store Nigan, none of that bragging boat for shit. You know,

457
00:26:51,640 --> 00:26:53,280
Speaker 2: if a person would have ran up on him, I'm

458
00:26:53,280 --> 00:26:55,600
Speaker 2: not sure he could have dealt with it. It took

459
00:26:55,680 --> 00:26:59,720
Speaker 2: him two swings to kill one of the zombies, you know.

460
00:27:00,119 --> 00:27:03,639
Speaker 2: So he ain't got no more right, no scarf, no jacket.

461
00:27:03,680 --> 00:27:06,800
Speaker 2: He just didn't look right. So he ends up going

462
00:27:06,840 --> 00:27:10,440
Speaker 2: to a store because he didn't have any His shirt

463
00:27:10,520 --> 00:27:14,280
Speaker 2: got sucked up and the store went out of business

464
00:27:14,320 --> 00:27:16,920
Speaker 2: and someone like they killed themselves in there after sitting

465
00:27:16,920 --> 00:27:19,800
Speaker 2: there with mannequins for a few days. I don't know

466
00:27:19,800 --> 00:27:21,800
Speaker 2: if they was in there talking to themselves or what.

467
00:27:22,720 --> 00:27:25,080
Speaker 2: But it did not end well for that person, didn't.

468
00:27:25,840 --> 00:27:30,680
Speaker 2: Uh So he goes and in the store and finds

469
00:27:30,760 --> 00:27:34,320
Speaker 2: himself a new leather jacket. And for a second, you go, oh,

470
00:27:34,320 --> 00:27:38,080
Speaker 2: he's kneaging back on sale. Yeah, the five finger discount

471
00:27:38,760 --> 00:27:41,600
Speaker 2: on everything was all the way off from the store.

472
00:27:42,080 --> 00:27:46,320
Speaker 2: It was ain't no tepublic sale. That's a that's something else.

473
00:27:47,040 --> 00:27:49,359
Speaker 2: Uh So he finds a leather jacket and right is

474
00:27:49,400 --> 00:27:51,560
Speaker 2: he gets his swag back, and he thinks maybe he

475
00:27:51,600 --> 00:27:54,679
Speaker 2: about to be the new Knigga. A dog walks in

476
00:27:54,720 --> 00:27:56,080
Speaker 2: and starts growling at him.

477
00:27:56,240 --> 00:27:59,440
Speaker 4: He's like, okay, I'm cool, got one, right, I can

478
00:27:59,480 --> 00:28:00,080
Speaker 4: control them.

479
00:28:00,200 --> 00:28:03,600
Speaker 2: He said, hey, puppy, And then two more dogs. Well then,

480
00:28:03,720 --> 00:28:06,080
Speaker 2: and there's nothing scarier than stray dogs in the z.

481
00:28:06,200 --> 00:28:08,640
Speaker 4: Pop because you know they are packing their mean pack.

482
00:28:08,760 --> 00:28:12,240
Speaker 2: Yeah, this was not like seeing three random dogs that

483
00:28:12,280 --> 00:28:16,760
Speaker 2: have been domesticated. These dogs was from the hood. Come on,

484
00:28:17,119 --> 00:28:20,760
Speaker 2: and he knew he had to start running the dogs

485
00:28:20,760 --> 00:28:26,879
Speaker 2: doun and he ran down the hall. They should have

486
00:28:26,880 --> 00:28:30,400
Speaker 2: played that song been greatness. He ran down the hallway

487
00:28:30,720 --> 00:28:33,719
Speaker 2: and curned the corner and then jumped on top of

488
00:28:33,840 --> 00:28:37,879
Speaker 2: like a well. He caught like a shelf, and he

489
00:28:37,960 --> 00:28:40,640
Speaker 2: laid there where the dogs couldn't see him, and the

490
00:28:40,720 --> 00:28:45,080
Speaker 2: dogs eventually went the wrong way. He house off of

491
00:28:45,120 --> 00:28:49,120
Speaker 2: the shelf and then runs down the hallway. Now, unfortunately

492
00:28:49,160 --> 00:28:51,800
Speaker 2: for him, the hallway had pushed doors to one of

493
00:28:51,840 --> 00:28:54,000
Speaker 2: the doors and it was obvious that he was running.

494
00:28:54,040 --> 00:28:57,120
Speaker 2: The dogs can hear him. So he gets to like

495
00:28:57,240 --> 00:29:00,320
Speaker 2: a double door, but it's locked, and he's bagging thet

496
00:29:00,320 --> 00:29:02,240
Speaker 2: that and of course, you know, he bangs until he

497
00:29:02,240 --> 00:29:03,959
Speaker 2: gets out, and it's right at the last second when

498
00:29:03,960 --> 00:29:06,040
Speaker 2: the dog would have caught him, and the zombie was

499
00:29:06,080 --> 00:29:08,520
Speaker 2: outside the door. So like when he did that, he

500
00:29:08,560 --> 00:29:11,720
Speaker 2: pushed the zombie inside and slammed it behind him. So

501
00:29:11,800 --> 00:29:13,960
Speaker 2: now the dogs had to deal with the zombie, and

502
00:29:14,000 --> 00:29:14,360
Speaker 2: then he.

503
00:29:14,480 --> 00:29:17,000
Speaker 4: Left the zombie ate them to hell up like a

504
00:29:17,080 --> 00:29:18,000
Speaker 4: roast beef sandwich.

505
00:29:18,120 --> 00:29:22,520
Speaker 2: You can hear the dog like change from which never

506
00:29:22,600 --> 00:29:25,280
Speaker 2: good for a dog that's not the sound dogs on

507
00:29:25,320 --> 00:29:32,560
Speaker 2: the man. So after this, uh, he goes to the

508
00:29:32,640 --> 00:29:38,719
Speaker 2: sanctuary because fuck it, you know, And I think in

509
00:29:38,760 --> 00:29:41,160
Speaker 2: his mind maybe he's even thinking I got my jacket back,

510
00:29:41,240 --> 00:29:42,120
Speaker 2: got my swag.

511
00:29:42,280 --> 00:29:44,120
Speaker 4: Yeah, he don't realize how much it has changed.

512
00:29:44,200 --> 00:29:46,720
Speaker 2: Yeah, he got him a stick of some type, not lucille,

513
00:29:46,760 --> 00:29:51,120
Speaker 2: but like a stick. And you know, he gets to

514
00:29:51,160 --> 00:29:54,960
Speaker 2: the sanctuary and it's dilapidated, like it still kind of

515
00:29:54,960 --> 00:29:56,760
Speaker 2: looks the same outside, but just dusty.

516
00:29:57,760 --> 00:30:01,400
Speaker 4: Yep, because Carol the last crew of that she said

517
00:30:01,400 --> 00:30:02,520
Speaker 4: them on five.

518
00:30:02,840 --> 00:30:06,280
Speaker 2: Right, So it looks dusty outside. But even that crew

519
00:30:06,680 --> 00:30:09,800
Speaker 2: weren't even living at the sanctuary. They were no mass,

520
00:30:09,840 --> 00:30:14,479
Speaker 2: Like they abandoned the sanctuary whatever happened. Yeah, And so

521
00:30:14,560 --> 00:30:17,360
Speaker 2: he looks at the soil. He breaks a hidden wall

522
00:30:17,440 --> 00:30:19,600
Speaker 2: that had some food he had stored in there, but

523
00:30:19,640 --> 00:30:22,080
Speaker 2: the food was all like opening and rotting and ratt

524
00:30:22,200 --> 00:30:24,560
Speaker 2: is in it. He had a motorcycle in there that

525
00:30:24,720 --> 00:30:29,960
Speaker 2: was hiding away. And then he found Big Richie, the

526
00:30:30,080 --> 00:30:38,560
Speaker 2: zombie version, and he starts talking to Big Richie like

527
00:30:38,680 --> 00:30:42,040
Speaker 2: loyal to the end, you know, you know he always

528
00:30:42,080 --> 00:30:44,320
Speaker 2: owned some ship, some dramatic shit, right.

529
00:30:44,200 --> 00:30:46,280
Speaker 5: Because like everybody else had gone and like he was

530
00:30:46,320 --> 00:30:47,720
Speaker 5: a zombie instead didn't walk away.

531
00:30:48,160 --> 00:30:50,400
Speaker 2: Yeah, and then you see some zombies outside after he

532
00:30:50,480 --> 00:30:54,320
Speaker 2: like sets up at the conference room. Nobody's there, he's like,

533
00:30:54,400 --> 00:30:58,160
Speaker 2: well shit, and he's like gets up and straightens up

534
00:30:58,240 --> 00:31:01,280
Speaker 2: like a little sitting area. And I think he's thinking

535
00:31:01,280 --> 00:31:03,040
Speaker 2: in himself like can I give it go? Can I

536
00:31:03,080 --> 00:31:03,880
Speaker 2: give it another go?

537
00:31:04,360 --> 00:31:04,479
Speaker 5: Right?

538
00:31:04,960 --> 00:31:07,720
Speaker 2: You know? Can I be kneeing again for a group

539
00:31:07,760 --> 00:31:10,520
Speaker 2: of people? But you know, can this place be a

540
00:31:10,560 --> 00:31:15,400
Speaker 2: home again for me? And he sees a bunch of

541
00:31:15,440 --> 00:31:17,840
Speaker 2: zombies outside, he goes and kills them, and eventually he

542
00:31:17,920 --> 00:31:22,000
Speaker 2: kills Big Richie Last, and he realized. He's like, I'm sorry,

543
00:31:22,120 --> 00:31:23,320
Speaker 2: but it's just not working out.

544
00:31:23,640 --> 00:31:27,120
Speaker 5: Yeah, because when he was sitting there, he realized that

545
00:31:27,240 --> 00:31:30,440
Speaker 5: because Big rich was like growling at the door because

546
00:31:30,440 --> 00:31:32,520
Speaker 5: that's where he had him, because you know, he knew

547
00:31:32,560 --> 00:31:34,120
Speaker 5: he was in there, he was grounding. All of sudden

548
00:31:34,160 --> 00:31:36,360
Speaker 5: he heard the growling go down, so he figured out

549
00:31:36,360 --> 00:31:40,040
Speaker 5: that something had drawn his attention away. So then that's

550
00:31:40,080 --> 00:31:42,600
Speaker 5: when he goes outside and he just funcks everything up,

551
00:31:43,200 --> 00:31:44,920
Speaker 5: and then he was like, this ain't working out. I

552
00:31:44,920 --> 00:31:46,920
Speaker 5: think that was his way of saying, I can't do

553
00:31:47,000 --> 00:31:47,800
Speaker 5: this right.

554
00:31:48,040 --> 00:31:52,880
Speaker 2: So we he goes outside with Big Richie, kills out

555
00:31:52,920 --> 00:31:57,640
Speaker 2: his zombies, kills Big Richie Last, says this ain't working out,

556
00:31:57,680 --> 00:32:01,280
Speaker 2: and then we cut to this scene, which is him

557
00:32:01,320 --> 00:32:05,360
Speaker 2: heading back to uh well, heading on the motorcycle somewhere,

558
00:32:18,160 --> 00:32:21,760
Speaker 2: and we see, now this a little look like her

559
00:32:21,840 --> 00:32:24,400
Speaker 2: daddy heat again. Okay, the first gun looked a little smaller,

560
00:32:24,440 --> 00:32:27,800
Speaker 2: but maybe it's anyway, that was her personal one. This

561
00:32:27,880 --> 00:32:30,760
Speaker 2: was her daddy's. Judith Grimes in the middle of the

562
00:32:30,800 --> 00:32:33,720
Speaker 2: motherfucking street with her daddy's heat and her mama saw

563
00:32:33,760 --> 00:32:45,760
Speaker 2: it on her back staring at the neigest way. Yeah,

564
00:32:45,800 --> 00:32:48,160
Speaker 2: what you just heard was her shooting at this motherfucker

565
00:32:48,160 --> 00:32:49,680
Speaker 2: and him following off his motorcycle.

566
00:32:52,520 --> 00:32:54,560
Speaker 4: She was like, I told you, if I see you again, bitch,

567
00:32:54,600 --> 00:32:56,600
Speaker 4: I shoot, and she promised.

568
00:32:56,640 --> 00:32:59,320
Speaker 2: Okay, Like I don't think she meant to hit him,

569
00:32:59,360 --> 00:33:02,160
Speaker 2: because she did, but I think she did say if

570
00:33:02,200 --> 00:33:04,320
Speaker 2: I see you again, I'm shooting at you. So there

571
00:33:04,320 --> 00:33:06,440
Speaker 2: you go. Promise for philed motherfucker. Come on.

572
00:33:06,880 --> 00:33:09,600
Speaker 5: And it's also one of those days where her tracking

573
00:33:09,680 --> 00:33:10,719
Speaker 5: skills are impeccable.

574
00:33:11,280 --> 00:33:12,880
Speaker 2: Yeah, that's the other thing. It's like she got the

575
00:33:12,920 --> 00:33:15,280
Speaker 2: best of everybody's skill set.

576
00:33:15,080 --> 00:33:17,160
Speaker 5: Because I guarantee you some period of times she probably

577
00:33:17,200 --> 00:33:18,960
Speaker 5: trained or worked, was around and.

578
00:33:18,920 --> 00:33:19,520
Speaker 4: Picked up shit.

579
00:33:20,120 --> 00:33:22,680
Speaker 2: Part of me as I opened up this Charage.

580
00:33:22,760 --> 00:33:24,840
Speaker 4: Okay, oh women women almost hold on.

581
00:33:24,960 --> 00:33:27,880
Speaker 2: Wait you you done too? I sucked this down real quick,

582
00:33:28,000 --> 00:33:34,000
Speaker 2: all right, damn player, keep in mind it's jam jaw

583
00:33:34,320 --> 00:33:39,760
Speaker 2: sweet Charages twenty seventeen. Okay, bring your glass on around here.

584
00:33:39,760 --> 00:33:47,560
Speaker 2: I'll hook you up. Just say when, all right and

585
00:33:47,640 --> 00:33:51,360
Speaker 2: there you go. What level? Did you fill the glass too?

586
00:33:54,400 --> 00:33:54,600
Speaker 8: Oh?

587
00:33:54,680 --> 00:33:58,200
Speaker 2: Breathe, breathe, Okay, what's the other two levels?

588
00:33:59,560 --> 00:33:59,800
Speaker 8: Why?

589
00:34:00,280 --> 00:34:05,000
Speaker 4: Down? W I n e hypaspad lie down and the

590
00:34:05,080 --> 00:34:05,840
Speaker 4: last one is caught?

591
00:34:06,280 --> 00:34:11,840
Speaker 2: Okay, I got live happy, love fully and drink veno.

592
00:34:12,120 --> 00:34:17,040
Speaker 2: I'm at love fully. Oh this is good.

593
00:34:17,360 --> 00:34:18,480
Speaker 4: Oh this is red wine.

594
00:34:18,960 --> 00:34:24,200
Speaker 2: Mm hm, red red wine, as they say in Jamaica. Nah,

595
00:34:24,239 --> 00:34:29,080
Speaker 2: it's real good ship sweet, isn't it. Mmmmm.

596
00:34:29,239 --> 00:34:31,480
Speaker 5: If you got the negro paddod like me, shout out

597
00:34:31,480 --> 00:34:33,600
Speaker 5: to think pretty smart, you're gonna enjoy this.

598
00:34:34,719 --> 00:34:39,560
Speaker 2: Sweet charges all right. Back to Judith, Judith, motherfucking grimy

599
00:34:39,600 --> 00:34:45,160
Speaker 2: ass Grimes, Come on, gas, she really is the nigga

600
00:34:45,200 --> 00:34:47,200
Speaker 2: that Carl never could be. I know, rest in peace, car,

601
00:34:47,320 --> 00:34:50,160
Speaker 2: that's yours favor all of a sudden. But Juleus Grimes

602
00:34:50,239 --> 00:34:52,000
Speaker 2: is not playing that ship. Carl would have been out

603
00:34:52,000 --> 00:34:55,239
Speaker 2: here like holding this man's hands, trying to talk to him,

604
00:34:55,560 --> 00:34:57,640
Speaker 2: turn the other cheek, letting people shoot at him and ship.

605
00:34:57,960 --> 00:35:01,320
Speaker 2: She was like, like, squeeze per just ask questions last,

606
00:35:01,320 --> 00:35:03,760
Speaker 2: that's how so called gangs has passed?

607
00:35:04,960 --> 00:35:05,319
Speaker 6: All right?

608
00:35:05,440 --> 00:35:05,680
Speaker 2: Back?

609
00:35:07,880 --> 00:35:14,680
Speaker 9: Oh yeah, all right, slow down, kid, And I know

610
00:35:14,800 --> 00:35:18,680
Speaker 9: you said you'd shoot, but damn.

611
00:35:21,360 --> 00:35:23,160
Speaker 6: A whole lot of people are out looking for you,

612
00:35:24,320 --> 00:35:24,920
Speaker 6: so now.

613
00:35:24,719 --> 00:35:26,920
Speaker 2: You know they know he gon't. I told you there

614
00:35:26,960 --> 00:35:28,719
Speaker 2: was snuffing out there.

615
00:35:28,760 --> 00:35:29,680
Speaker 8: You sure as ship?

616
00:35:29,880 --> 00:35:37,520
Speaker 4: Yeah language, I'm a kid, asshole, Yeah you are?

617
00:35:39,480 --> 00:35:42,800
Speaker 8: Oh what can I say? I like to swear in

618
00:35:42,880 --> 00:35:46,360
Speaker 8: front of my friends, people that know some ship.

619
00:35:52,920 --> 00:35:54,160
Speaker 2: He's giving our complience back.

620
00:35:54,280 --> 00:35:55,759
Speaker 8: Thanks for letting me borrow that one.

621
00:36:04,560 --> 00:36:09,600
Speaker 7: Going back to y'ally sandre yep, selling all.

622
00:36:11,320 --> 00:36:16,480
Speaker 2: Why because you were right now. She even was a

623
00:36:16,480 --> 00:36:18,480
Speaker 2: little bit surprised that he said he was going back

624
00:36:19,000 --> 00:36:22,200
Speaker 2: right and hopping in that damn cell. She's like, now, what,

625
00:36:22,320 --> 00:36:24,200
Speaker 2: hold up? What now? So this is gonna be easy

626
00:36:24,200 --> 00:36:25,040
Speaker 2: as I thought it.

627
00:36:25,480 --> 00:36:26,719
Speaker 4: I ain't gonna have to kill you out here and

628
00:36:26,800 --> 00:36:28,400
Speaker 4: then tell everybody come get your body.

629
00:36:28,480 --> 00:36:30,000
Speaker 2: I was pretty sure I was gonna have to kill

630
00:36:30,080 --> 00:36:32,520
Speaker 2: you and then be like zombie Niga out there walking around.

631
00:36:32,680 --> 00:36:34,480
Speaker 2: Y'all gonna get him. Y'all want to come save him

632
00:36:34,520 --> 00:36:35,560
Speaker 2: or not, I don't understand.

633
00:36:38,000 --> 00:36:39,600
Speaker 7: But he's willing to go back out a good look

634
00:36:39,600 --> 00:36:41,920
Speaker 7: outside of my ten by ten and there is nothing

635
00:36:41,960 --> 00:36:44,240
Speaker 7: here for me, nick.

636
00:36:44,160 --> 00:36:49,239
Speaker 4: And shit, So you go back then. What you look like,

637
00:36:49,320 --> 00:36:51,240
Speaker 4: y'all living a good life. I can even pick tomatoes

638
00:36:51,239 --> 00:36:52,120
Speaker 4: off the vine and ship.

639
00:36:52,160 --> 00:36:54,879
Speaker 5: I'm not trying to be out here drinking this centery, right,

640
00:36:54,880 --> 00:36:56,160
Speaker 5: he said, You know them niggas ain't got.

641
00:36:56,120 --> 00:36:57,160
Speaker 2: No bottle of water all here.

642
00:36:57,280 --> 00:37:00,560
Speaker 4: Come on, you know the what ain't clean?

643
00:37:01,080 --> 00:37:02,719
Speaker 2: Julie, you said it wasn't nothing nowt here for me,

644
00:37:02,760 --> 00:37:05,920
Speaker 2: But I ain't know you met that. Okay. I was

645
00:37:05,960 --> 00:37:08,440
Speaker 2: coming back with a peace offering of this motorcycle for y'all.

646
00:37:09,000 --> 00:37:12,800
Speaker 2: And they hope y'all let me stay in my cell again. Okay,

647
00:37:13,120 --> 00:37:16,280
Speaker 2: I would lock myself in. Come on, ain't no air conditioning,

648
00:37:16,320 --> 00:37:21,600
Speaker 2: sanctuary or nothing backs everywhere else that it was zombies

649
00:37:21,600 --> 00:37:25,680
Speaker 2: out there. Can you believe that they treat you? Once

650
00:37:25,680 --> 00:37:27,799
Speaker 2: you treats somebody good, they can't go back to the hood.

651
00:37:28,040 --> 00:37:28,320
Speaker 5: M m.

652
00:37:29,840 --> 00:37:33,240
Speaker 2: He be like, oh, child, to get up, get out.

653
00:37:38,680 --> 00:37:40,200
Speaker 8: I will let you know when I know.

654
00:37:57,480 --> 00:38:01,640
Speaker 2: So yeah, he really did go back to Alexandria. Just

655
00:38:01,719 --> 00:38:02,640
Speaker 2: stay in the cell.

656
00:38:03,960 --> 00:38:06,200
Speaker 5: To be the king of bell f Come on, he said,

657
00:38:06,200 --> 00:38:10,279
Speaker 5: this is better than this bullshit today scrounging and ship

658
00:38:10,560 --> 00:38:13,040
Speaker 5: m runn from dogs.

659
00:38:13,520 --> 00:38:14,360
Speaker 4: Fuck that. Listen.

660
00:38:14,400 --> 00:38:19,600
Speaker 5: It said, I was goddamn safe. He was like, and

661
00:38:19,600 --> 00:38:22,520
Speaker 5: I and people checked them and ship keeping.

662
00:38:22,320 --> 00:38:26,960
Speaker 2: My head above water. Come on, so, yeah, he's back

663
00:38:26,960 --> 00:38:30,080
Speaker 2: in the cell. Now let's go to hilltop. In the

664
00:38:30,120 --> 00:38:34,080
Speaker 2: aftermath of Jesus getting stabbed up. Come on, stab stab

665
00:38:36,000 --> 00:38:38,279
Speaker 2: hey they're doing everybody.

666
00:38:37,840 --> 00:38:41,120
Speaker 4: Was coming boot fighting and they chopped his ass up.

667
00:38:41,640 --> 00:38:46,279
Speaker 2: Yeah he got come out home. He got shanked up,

668
00:38:46,360 --> 00:38:52,120
Speaker 2: so he was dead bleeding out anyway, and uh, we

669
00:38:52,239 --> 00:38:54,640
Speaker 2: see and they're still in the middle of the graveyard battle,

670
00:38:55,320 --> 00:38:58,480
Speaker 2: and of course we know the new group of people

671
00:38:58,760 --> 00:39:03,640
Speaker 2: came and saved him. The new people and Machea, they

672
00:39:03,640 --> 00:39:05,240
Speaker 2: were able to fight out with no one else dying,

673
00:39:05,320 --> 00:39:08,719
Speaker 2: although they did fuck up some zombies slash people. And

674
00:39:08,800 --> 00:39:10,920
Speaker 2: this time we got a better look at some of

675
00:39:10,960 --> 00:39:14,319
Speaker 2: the attack tactics that they use, where they shuffle like

676
00:39:14,440 --> 00:39:16,120
Speaker 2: zombies and then they kind of get close to you

677
00:39:16,120 --> 00:39:17,719
Speaker 2: and at the last minute they pull out a knife

678
00:39:17,800 --> 00:39:20,439
Speaker 2: or some shit and try to swing at you, try

679
00:39:20,440 --> 00:39:23,239
Speaker 2: to come at you with this element of surprise. Now

680
00:39:23,320 --> 00:39:26,480
Speaker 2: I won't front. When they got Jesus, it was a

681
00:39:26,520 --> 00:39:30,239
Speaker 2: genuine shock. But after you know that it's some of

682
00:39:30,239 --> 00:39:34,879
Speaker 2: them niggas in the group. Yeah, nobody's getting out a knock.

683
00:39:34,880 --> 00:39:36,560
Speaker 2: If you buck, nigga, I'm shooting everything.

684
00:39:36,800 --> 00:39:39,319
Speaker 4: Everything is dying, right.

685
00:39:39,400 --> 00:39:42,359
Speaker 2: But macheoning them was able to handle like zombies and

686
00:39:42,440 --> 00:39:46,279
Speaker 2: people so easily. Sometimes like she like she's killed a

687
00:39:46,320 --> 00:39:47,880
Speaker 2: couple of people with the sword that I was like, well,

688
00:39:47,880 --> 00:39:50,440
Speaker 2: they people are zombies because she took them out like

689
00:39:50,480 --> 00:39:51,240
Speaker 2: it was nothing.

690
00:39:51,320 --> 00:39:53,360
Speaker 5: It wouldn't have mattered at that period of time because

691
00:39:53,400 --> 00:39:54,520
Speaker 5: everything an enemy.

692
00:39:54,640 --> 00:39:58,120
Speaker 2: She was Serena Williams of this shit. So then yeah,

693
00:39:58,120 --> 00:40:00,800
Speaker 2: they get rescued by the newcomers. It's still dark and scary.

694
00:40:01,200 --> 00:40:04,279
Speaker 2: Some of the walkers attacked him mixed with the Whispers

695
00:40:05,040 --> 00:40:09,160
Speaker 2: and Hilltop back back, you know, as showing them on

696
00:40:09,200 --> 00:40:11,640
Speaker 2: their way to Hilltop. The people that are already in Hilltop,

697
00:40:11,719 --> 00:40:16,640
Speaker 2: like out in the Professor, Luke, the music teacher, Enid.

698
00:40:16,760 --> 00:40:20,080
Speaker 2: They're all sitting around talking terror and the contemplating going

699
00:40:20,080 --> 00:40:22,840
Speaker 2: out searching for Michean's group because apparently they've been gone

700
00:40:23,280 --> 00:40:27,560
Speaker 2: overnight like something. They know they went to go get

701
00:40:27,920 --> 00:40:33,080
Speaker 2: They went to go get uh uh Eugene.

702
00:40:31,880 --> 00:40:34,239
Speaker 5: Yea and thinking, well, the ship terror told us they

703
00:40:34,239 --> 00:40:35,440
Speaker 5: actually might be in trouble.

704
00:40:35,680 --> 00:40:42,600
Speaker 2: Yeah, Darryl Jesus Eugene, but Rozita. Yeah, So Darryl Jesus Usene,

705
00:40:42,640 --> 00:40:45,440
Speaker 2: all these people are out there, and so they're contemplating

706
00:40:45,520 --> 00:40:47,160
Speaker 2: starting the search party to go get them.

707
00:40:47,440 --> 00:40:47,680
Speaker 5: Uh.

708
00:40:47,760 --> 00:40:56,560
Speaker 2: It does ultimately end up with uh, Luke and out

709
00:40:56,640 --> 00:41:00,600
Speaker 2: in going to look for you know that crew. Mm hmmm.

710
00:41:02,280 --> 00:41:06,480
Speaker 2: Now what's funny about this is, you know, Luke volunteers

711
00:41:06,520 --> 00:41:11,000
Speaker 2: to go in it and all them kids because they're together,

712
00:41:11,760 --> 00:41:15,120
Speaker 2: and then they leave off on their own and Auden

713
00:41:15,200 --> 00:41:18,120
Speaker 2: says that Luke can come with him, and they were

714
00:41:18,120 --> 00:41:20,720
Speaker 2: gonna break off in the pears and all this stuff.

715
00:41:20,760 --> 00:41:22,960
Speaker 2: And Tarror has another dude their name Marco, who we

716
00:41:23,000 --> 00:41:24,800
Speaker 2: really haven't met yet, so I don't know what he

717
00:41:24,880 --> 00:41:25,359
Speaker 2: still is.

718
00:41:25,600 --> 00:41:28,600
Speaker 5: Yeah, because his things like he wanted to pull his

719
00:41:28,600 --> 00:41:30,239
Speaker 5: weight because he didn't go with the other crew who

720
00:41:30,239 --> 00:41:32,399
Speaker 5: had went out there, because it's four of them and.

721
00:41:32,360 --> 00:41:34,799
Speaker 4: Two of them had went out with the behind for

722
00:41:34,840 --> 00:41:35,560
Speaker 4: back of the mashon.

723
00:41:35,719 --> 00:41:37,960
Speaker 2: Yeah, Umico and Magna right, and the.

724
00:41:37,880 --> 00:41:39,080
Speaker 4: Other two had stayed there.

725
00:41:39,239 --> 00:41:45,400
Speaker 2: Yeah, actually five of them got the two as l Okay.

726
00:41:45,120 --> 00:41:45,480
Speaker 4: We didn't.

727
00:41:45,520 --> 00:41:47,080
Speaker 2: We only think we seen them in this episode.

728
00:41:47,320 --> 00:41:47,520
Speaker 6: Yeah.

729
00:41:47,520 --> 00:41:50,440
Speaker 2: I don't think we saw them either, or we did.

730
00:41:50,440 --> 00:41:54,040
Speaker 2: I don't remember what they were doing either. So they

731
00:41:54,080 --> 00:41:56,600
Speaker 2: go out looking for you know, the rest of the

732
00:41:56,640 --> 00:41:59,959
Speaker 2: people and ship and they split into pairs. Like I said,

733
00:42:00,880 --> 00:42:05,000
Speaker 2: so m Shone's group that rescue Eugene there on their

734
00:42:05,040 --> 00:42:09,399
Speaker 2: way back, and that carrying Eugene, you know, who can't

735
00:42:09,400 --> 00:42:11,239
Speaker 2: walk because his leg is fucked up. So they're like

736
00:42:11,280 --> 00:42:15,080
Speaker 2: helping him walk, the carrying Jesus and they're carrying Jesus correct,

737
00:42:15,200 --> 00:42:17,640
Speaker 2: because he's he's dead, and they just put him on

738
00:42:17,680 --> 00:42:20,479
Speaker 2: the cross and just pay carrying him through the carry

739
00:42:20,520 --> 00:42:21,840
Speaker 2: him through Bethlehem.

740
00:42:21,400 --> 00:42:23,240
Speaker 5: Right, And it was like, there's no way we're gonna

741
00:42:23,320 --> 00:42:25,680
Speaker 5: be able to come back to this community without their leader.

742
00:42:25,760 --> 00:42:28,759
Speaker 2: We got to bring him back. Well, that's what I

743
00:42:28,760 --> 00:42:31,600
Speaker 2: found interesting. It wasn't like without their leader, we can't

744
00:42:31,600 --> 00:42:35,359
Speaker 2: come back on some like because they're gonna do something

745
00:42:35,360 --> 00:42:38,960
Speaker 2: to us or we're scared or be wrong. What m

746
00:42:39,040 --> 00:42:41,279
Speaker 2: Seon says to Daryl here is that she wants to

747
00:42:41,320 --> 00:42:44,520
Speaker 2: do it so that she understands how the closure for

748
00:42:44,640 --> 00:42:48,280
Speaker 2: Hilltop is so important, having a body to bury somebody

749
00:42:48,280 --> 00:42:50,600
Speaker 2: in the morn so on, to put like you can't

750
00:42:50,600 --> 00:42:52,680
Speaker 2: put it behind you till you do that. And Daryl said,

751
00:42:52,680 --> 00:42:54,399
Speaker 2: I'm sorry I couldn't do that for you, because Darryl

752
00:42:54,440 --> 00:42:57,239
Speaker 2: spent all these years out here in the wilderness looking

753
00:42:57,280 --> 00:43:00,560
Speaker 2: for Rick. Even if you just found like Rick as

754
00:43:00,560 --> 00:43:02,680
Speaker 2: a zombie Rick's body, he would have been fine with

755
00:43:02,719 --> 00:43:04,600
Speaker 2: that because he just wanted to give him a sean

756
00:43:04,680 --> 00:43:07,040
Speaker 2: some closure. And she said, I'm sorry, I couldn't do

757
00:43:07,040 --> 00:43:11,400
Speaker 2: it for you either, you know. And she says thank

758
00:43:11,440 --> 00:43:13,960
Speaker 2: you for trying to find him and for after. Now

759
00:43:13,960 --> 00:43:15,439
Speaker 2: I don't know what she meant by for after.

760
00:43:16,160 --> 00:43:18,520
Speaker 5: Yeah, it's a big event that happened that everybody's kind

761
00:43:18,520 --> 00:43:21,840
Speaker 5: of talking around. Uh, they've done it since the first

762
00:43:21,840 --> 00:43:25,160
Speaker 5: half of hopefully this this season they'll do some flashbacks

763
00:43:25,160 --> 00:43:27,280
Speaker 5: and to fill us in at what the fuck happened

764
00:43:27,320 --> 00:43:30,200
Speaker 5: that called the division because like we said, prior to this,

765
00:43:30,560 --> 00:43:35,200
Speaker 5: Micheaun was was was writing the creeds and and and

766
00:43:35,200 --> 00:43:37,920
Speaker 5: and writing down lows and and it went from that

767
00:43:38,000 --> 00:43:40,600
Speaker 5: to no, fuck, y'ut, this is our place we only

768
00:43:40,600 --> 00:43:41,520
Speaker 5: care about our people.

769
00:43:41,600 --> 00:43:45,120
Speaker 4: Y'all care about y'all. People know we're good now.

770
00:43:45,239 --> 00:43:51,319
Speaker 2: Meantime, Aaron is now, Aaron is a dude that I

771
00:43:51,400 --> 00:43:56,200
Speaker 2: really thought was dating Jesus or something. It felt that way,

772
00:43:56,320 --> 00:44:00,239
Speaker 2: but I don't know. They never confirmed so. And Aaron

773
00:44:00,320 --> 00:44:05,440
Speaker 2: is basically saying that Jesus, who's dead now had no

774
00:44:05,560 --> 00:44:08,640
Speaker 2: business being out there because people was like kind of saying, like,

775
00:44:09,120 --> 00:44:11,760
Speaker 2: you know, what's what's up with these people? These walkers,

776
00:44:11,800 --> 00:44:14,439
Speaker 2: these people they put on masks like it's sick. Well,

777
00:44:14,480 --> 00:44:16,800
Speaker 2: are there more of them? How many more could it be?

778
00:44:18,560 --> 00:44:20,279
Speaker 2: You know, what should we do? It's like we need

779
00:44:20,280 --> 00:44:22,920
Speaker 2: to keep moving. And they were kind of, you know,

780
00:44:23,239 --> 00:44:27,719
Speaker 2: saying like you know, uh that he was he was

781
00:44:27,800 --> 00:44:29,960
Speaker 2: kind of souring on this whole thing he had of

782
00:44:30,000 --> 00:44:33,640
Speaker 2: like our communities can come together, we can be one

783
00:44:34,440 --> 00:44:37,080
Speaker 2: we Uh, it's okay for us to like bond with

784
00:44:37,120 --> 00:44:39,799
Speaker 2: each other and shit. And he's now basically being like, yeah,

785
00:44:39,840 --> 00:44:42,399
Speaker 2: it was kind of Jesus' fault that he was out there.

786
00:44:42,840 --> 00:44:45,799
Speaker 2: He had no business being out there, And it's not

787
00:44:45,880 --> 00:44:49,640
Speaker 2: my fault's not your fault or anything. Yeah, because his.

788
00:44:49,680 --> 00:44:51,840
Speaker 5: Thing he was trying to tell Jesus to actually be

789
00:44:51,880 --> 00:44:54,160
Speaker 5: a leader and actually be a part of the community,

790
00:44:54,200 --> 00:44:55,239
Speaker 5: you know, and actually.

791
00:44:55,560 --> 00:44:57,560
Speaker 2: Right and be a leader. He needed to stay in

792
00:44:57,600 --> 00:45:00,400
Speaker 2: the walls though, correct. That was Terror's b right with

793
00:45:00,480 --> 00:45:03,719
Speaker 2: him last you know, the last episode was hey, you

794
00:45:03,760 --> 00:45:05,880
Speaker 2: can't be our leader and had always been the front

795
00:45:05,880 --> 00:45:09,200
Speaker 2: lines in danger. Yeah, because it doesn't work like that,

796
00:45:09,280 --> 00:45:14,640
Speaker 2: because we need somebody to lead us. And also before

797
00:45:15,880 --> 00:45:18,279
Speaker 2: they did, you talk about what happened on their way back.

798
00:45:19,840 --> 00:45:21,319
Speaker 2: Remember they were on their way back, they.

799
00:45:21,280 --> 00:45:24,520
Speaker 4: Crossed the bridge, they crossed some more walkers.

800
00:45:24,719 --> 00:45:26,720
Speaker 2: Yeah, we're getting into that. It hadn't happened yet.

801
00:45:27,800 --> 00:45:29,840
Speaker 5: So no, no, no, because I thought the way you

802
00:45:29,880 --> 00:45:33,319
Speaker 5: were talking, you that that right there happened once they

803
00:45:33,360 --> 00:45:34,200
Speaker 5: got back back.

804
00:45:34,960 --> 00:45:37,279
Speaker 2: No, nope, just watched it for the second time and

805
00:45:37,360 --> 00:45:40,480
Speaker 2: took notes and sequential order. I wouldn't make it up.

806
00:45:40,880 --> 00:45:42,640
Speaker 4: Oh that's right, because because it's because they were walking

807
00:45:42,640 --> 00:45:43,200
Speaker 4: side outside.

808
00:45:43,239 --> 00:45:43,920
Speaker 2: Yes, yes, year.

809
00:45:44,040 --> 00:45:46,359
Speaker 4: So he was not bad.

810
00:45:46,800 --> 00:45:50,279
Speaker 2: It's all good, it's all good. Uh. So he was.

811
00:45:50,960 --> 00:45:53,319
Speaker 2: He was talking and that's when some walkers on the

812
00:45:53,360 --> 00:45:56,480
Speaker 2: bridge walked over towards them, and he.

813
00:45:56,640 --> 00:45:59,839
Speaker 5: Said, I'm I'm all out of order, y'all my.

814
00:45:59,800 --> 00:46:03,480
Speaker 2: Bad and they's like, do you think like Eugene Goes,

815
00:46:04,200 --> 00:46:07,000
Speaker 2: is it the living kind or original recipe? And then

816
00:46:08,600 --> 00:46:13,640
Speaker 2: and then they get crispy and they had horses by now,

817
00:46:13,760 --> 00:46:16,479
Speaker 2: so like Eujeen's on the horse. Jesus body on the horse.

818
00:46:16,760 --> 00:46:19,120
Speaker 2: So they roll up on these walkers and I love

819
00:46:19,200 --> 00:46:21,960
Speaker 2: what Daryl did hear because they was like, we don't

820
00:46:21,960 --> 00:46:25,399
Speaker 2: know if they like regular zombies or not. So Daryl

821
00:46:25,480 --> 00:46:27,680
Speaker 2: just start shooting the motherfuckers in the legs and ship

822
00:46:28,520 --> 00:46:30,400
Speaker 2: and he shot he shot one of the zimbies and

823
00:46:30,400 --> 00:46:32,520
Speaker 2: look suspicious in the leg it was a person.

824
00:46:33,719 --> 00:46:35,880
Speaker 5: Because he feels like if I hit you in the leg,

825
00:46:36,200 --> 00:46:38,000
Speaker 5: you're gonna respond to that.

826
00:46:38,000 --> 00:46:41,200
Speaker 2: That motherfucker died horrible because he was like oh and

827
00:46:41,239 --> 00:46:43,520
Speaker 2: then all the Zion turned around like oh it's a person.

828
00:46:45,680 --> 00:46:46,560
Speaker 3: Oh you screamed.

829
00:46:47,080 --> 00:46:49,400
Speaker 2: Oh man, I know they I know this show doesn't

830
00:46:49,400 --> 00:46:50,560
Speaker 2: try to go for a humor like that.

831
00:46:50,680 --> 00:46:53,440
Speaker 5: But that ship yes, because he went down and Zamas

832
00:46:53,560 --> 00:46:55,319
Speaker 5: was like, oh, it's yeah.

833
00:46:55,440 --> 00:46:57,719
Speaker 2: Because when he was like are those are are those

834
00:46:57,800 --> 00:46:59,880
Speaker 2: living kind of riginal recipe, Daryl was like, let's go

835
00:47:00,280 --> 00:47:03,239
Speaker 2: out flat and that dude was like, oh my leg.

836
00:47:03,360 --> 00:47:06,920
Speaker 2: He was like that one that's one of the that's

837
00:47:06,960 --> 00:47:10,120
Speaker 2: one of the new ones. And then they then another

838
00:47:10,200 --> 00:47:12,359
Speaker 2: new one pulls out a knife when it gets close

839
00:47:12,400 --> 00:47:15,719
Speaker 2: to Michelle, and Machean handled him like a samurai. She

840
00:47:15,800 --> 00:47:18,560
Speaker 2: cut his fucking hand off that had the knife and

841
00:47:18,640 --> 00:47:22,919
Speaker 2: stab the sword through his fucking stomach in like two moves. God,

842
00:47:22,960 --> 00:47:24,959
Speaker 2: I love Michelle. So she was just like a slice

843
00:47:24,960 --> 00:47:28,040
Speaker 2: sliced nigga. He died, and then the others. The last

844
00:47:28,120 --> 00:47:32,120
Speaker 2: zombie clearly was not an old school zombie. It was

845
00:47:32,120 --> 00:47:35,200
Speaker 2: one of the new ones. And she surrendered, yeah, like

846
00:47:35,280 --> 00:47:38,719
Speaker 2: she got she was like, no, please, please don't. And

847
00:47:38,760 --> 00:47:42,640
Speaker 2: so they ripped off her mask and it was a

848
00:47:42,680 --> 00:47:46,040
Speaker 2: girl underneath. And my first thought was, I know she

849
00:47:46,239 --> 00:47:53,279
Speaker 2: staking skin, Yes, zombie skin on your face. Right, you

850
00:47:53,360 --> 00:47:55,440
Speaker 2: hang out with zombies all day.

851
00:47:55,160 --> 00:47:57,040
Speaker 5: You know that you have to sting in order to

852
00:47:57,040 --> 00:47:58,360
Speaker 5: put in it with the zombies, because you know, the

853
00:47:58,440 --> 00:47:59,640
Speaker 5: zombies go about like the smell.

854
00:48:00,360 --> 00:48:06,719
Speaker 2: Right. So then they take that that's that Whisperer hostage.

855
00:48:06,719 --> 00:48:09,400
Speaker 2: They blindfold her, take her back to Hilltop. When they

856
00:48:09,440 --> 00:48:12,440
Speaker 2: get there, of course, everybody warns Jesus' body and then

857
00:48:12,880 --> 00:48:15,920
Speaker 2: they're like, did this person kill Jesus? And They're like, no,

858
00:48:16,000 --> 00:48:18,920
Speaker 2: she didn't kill her kill him, but she part of

859
00:48:18,920 --> 00:48:21,040
Speaker 2: the group that was and were about to take her

860
00:48:21,080 --> 00:48:23,560
Speaker 2: down to the jail cell and find out what she knows.

861
00:48:25,000 --> 00:48:29,800
Speaker 2: And now that Jesus is dead, immediately everyone in Hilltop

862
00:48:29,920 --> 00:48:34,839
Speaker 2: goes okay, tells the leader right, there's no other option.

863
00:48:34,880 --> 00:48:35,959
Speaker 4: Who else is going to be the leader?

864
00:48:36,080 --> 00:48:38,160
Speaker 2: And she sounds like she had really been running that

865
00:48:38,239 --> 00:48:41,440
Speaker 2: place because Jesus didn't want to be the leader. So

866
00:48:41,480 --> 00:48:45,160
Speaker 2: she just like most life, the man, the man got

867
00:48:45,160 --> 00:48:47,040
Speaker 2: all the credit, but the woman did all the work right.

868
00:48:47,080 --> 00:48:49,839
Speaker 2: The vice president was doing all the work right, so

869
00:48:49,880 --> 00:48:53,320
Speaker 2: she was there. So Tammy, who you guys may remember

870
00:48:53,440 --> 00:48:57,640
Speaker 2: as Earl's wife, the mother of ken Ken, died when

871
00:48:57,640 --> 00:49:01,000
Speaker 2: a horse killed him. They blamed Maggie for this shiit.

872
00:49:01,600 --> 00:49:04,840
Speaker 2: Earl was an alcoholic, he started drinking again. Gregory hyped

873
00:49:04,840 --> 00:49:08,239
Speaker 2: his head up. He tried to kill Maggie. He got

874
00:49:08,520 --> 00:49:12,640
Speaker 2: beat up by everybody and he could have got killed,

875
00:49:12,640 --> 00:49:16,920
Speaker 2: but Maggie, in her magnanimousness, let this nigga live. And

876
00:49:16,960 --> 00:49:20,120
Speaker 2: now he's the blacksmith. Earl Well, his wife is Tammy,

877
00:49:20,560 --> 00:49:23,480
Speaker 2: and so Tammy will step the twer like hey, so

878
00:49:23,640 --> 00:49:26,640
Speaker 2: look you the leader now and everybody gonna be looking

879
00:49:26,840 --> 00:49:30,840
Speaker 2: to you for justice for Jesus. So we got the

880
00:49:30,840 --> 00:49:33,880
Speaker 2: shirts printed up Justice for Jesus go to Justice for

881
00:49:34,000 --> 00:49:37,919
Speaker 2: Jesus dot com. And what you're gonna do to that girl?

882
00:49:38,080 --> 00:49:40,360
Speaker 2: Like what you go? We need some we need some retribution.

883
00:49:40,880 --> 00:49:44,640
Speaker 2: And Tara was like yeah, I know and walked off.

884
00:49:46,440 --> 00:49:50,480
Speaker 2: Now what I thought was interesting is Tim he is

885
00:49:50,600 --> 00:49:57,440
Speaker 2: Earl's wife. Now, Earl did try to kill Maggie, and

886
00:49:57,560 --> 00:50:02,040
Speaker 2: Maggie basically forgave him. He stayed in holding for a

887
00:50:02,080 --> 00:50:05,440
Speaker 2: while and then she let him out eventually. What does

888
00:50:05,480 --> 00:50:08,879
Speaker 2: she think is justice? Because I feel like she thinks

889
00:50:09,040 --> 00:50:12,520
Speaker 2: justice is killing that little girl, the whisperer.

890
00:50:12,680 --> 00:50:15,799
Speaker 5: So h but you camped outside the jail and how

891
00:50:15,800 --> 00:50:19,120
Speaker 5: to fit right talking about n't give no bond?

892
00:50:19,840 --> 00:50:24,120
Speaker 2: Yeah, so I'm well, like, what's the moral code on that.

893
00:50:24,160 --> 00:50:26,959
Speaker 2: I'm not saying I'm against it necessarily, but like what

894
00:50:27,200 --> 00:50:30,600
Speaker 2: exactly is the you know? And a lot of this

895
00:50:30,800 --> 00:50:31,560
Speaker 2: is human nature.

896
00:50:32,239 --> 00:50:35,040
Speaker 5: Everybody want mercy for them and theirs, but they don't

897
00:50:35,120 --> 00:50:36,160
Speaker 5: they won't extend.

898
00:50:35,880 --> 00:50:37,640
Speaker 2: It out to anybody else. That's what a lot of

899
00:50:37,680 --> 00:50:40,480
Speaker 2: that boils down to. Yeah, it's kind of interesting, right,

900
00:50:41,520 --> 00:50:45,799
Speaker 2: So they go to the holding cells and will I

901
00:50:45,840 --> 00:50:50,000
Speaker 2: mean Henry is still in there, because of course Henry's

902
00:50:50,000 --> 00:50:52,960
Speaker 2: still in there. He's sleeping off from drunk. He probably

903
00:50:52,960 --> 00:50:56,680
Speaker 2: got a hangover. He sees Darryl. He's like Daryl hey Man,

904
00:50:57,239 --> 00:50:59,800
Speaker 2: and Daryl's like Jesus dead. And then they throw the

905
00:50:59,800 --> 00:51:04,040
Speaker 2: girl on the other seale and Micheane says, no more bullshit. Meanwhile,

906
00:51:04,120 --> 00:51:08,280
Speaker 2: Luca Allen out there in the wilderness, not knowing exactly

907
00:51:08,280 --> 00:51:11,640
Speaker 2: what they're dealing with, not they're looking for macheoning them.

908
00:51:12,200 --> 00:51:16,600
Speaker 2: They find arrow stuck into a tree and it's one

909
00:51:16,600 --> 00:51:20,160
Speaker 2: of Yumiko's arrows. She's one of the new people that

910
00:51:20,200 --> 00:51:25,040
Speaker 2: they added to the group. And Luke recognizes it and

911
00:51:25,080 --> 00:51:28,160
Speaker 2: he's like and Luke and Alden's like, how you know

912
00:51:28,200 --> 00:51:30,360
Speaker 2: it's not just like a missed straight shot or whatever.

913
00:51:31,560 --> 00:51:33,520
Speaker 2: Luke gets off his horse, like I'm gonna look at it.

914
00:51:34,000 --> 00:51:37,080
Speaker 2: A zombie attacks him, him and out and kill the

915
00:51:37,160 --> 00:51:41,640
Speaker 2: zombies and I often threw a fucking spear through a zombie.

916
00:51:42,239 --> 00:51:44,880
Speaker 2: I don't know we've seen that before. Like he Javelin

917
00:51:44,960 --> 00:51:46,480
Speaker 2: styled that motherfucker.

918
00:51:46,080 --> 00:51:47,680
Speaker 4: Should that should have came from the Kingdom.

919
00:51:47,719 --> 00:51:50,080
Speaker 2: That shit was sweet Okay, now, I don't know how

920
00:51:50,120 --> 00:51:52,560
Speaker 2: effective that is in battle, but come on, because once

921
00:51:52,600 --> 00:51:54,640
Speaker 2: you lose your weapon, that's it. He speared the fuck

922
00:51:54,680 --> 00:51:58,560
Speaker 2: out of that zombie. I loved it. And then uh

923
00:51:58,640 --> 00:52:01,040
Speaker 2: Luke kicks one of the zombies after designer gets ahold

924
00:52:01,080 --> 00:52:04,680
Speaker 2: of them. Then that's when they're like, oh, these lukes, like,

925
00:52:04,760 --> 00:52:07,440
Speaker 2: I don't I see another arrow. I don't think that

926
00:52:07,520 --> 00:52:10,200
Speaker 2: this is her missing shots. This is a path, right,

927
00:52:11,120 --> 00:52:13,919
Speaker 2: and so it's like, okay, let's follow the path, and

928
00:52:14,000 --> 00:52:16,680
Speaker 2: of course Auden's like, it's not a path and then

929
00:52:17,120 --> 00:52:19,000
Speaker 2: looks like it is and you're gonna be singing for

930
00:52:19,040 --> 00:52:21,160
Speaker 2: your sober or some some some stupid bet that white

931
00:52:21,160 --> 00:52:27,080
Speaker 2: people do. And so then they followed the trail. Then

932
00:52:27,080 --> 00:52:29,520
Speaker 2: they see a herd of Walker's and Lucas like, do

933
00:52:29,600 --> 00:52:32,640
Speaker 2: you wanna do you want to go through that hurd

934
00:52:32,840 --> 00:52:34,359
Speaker 2: or go around at hurt or whatever? Do you think

935
00:52:34,400 --> 00:52:36,239
Speaker 2: we have time to make it back if we do that?

936
00:52:36,680 --> 00:52:38,520
Speaker 2: And all didn't just like, let me think about it.

937
00:52:39,080 --> 00:52:44,040
Speaker 2: They cut to a commercial or whatever. So then Maseean

938
00:52:44,160 --> 00:52:48,279
Speaker 2: and Terror interrogate the whisperer and they're like, what's your name?

939
00:52:48,360 --> 00:52:50,480
Speaker 2: She's like, I don't I don't ever name. She was

940
00:52:50,520 --> 00:52:54,840
Speaker 2: crying'll like she was crying in a way that was

941
00:52:55,000 --> 00:52:59,000
Speaker 2: like how I imagine Leana Dunham cries whenever she gets

942
00:52:59,000 --> 00:53:02,239
Speaker 2: in trouble of saying something. It's over the top problematic.

943
00:53:02,320 --> 00:53:04,400
Speaker 2: Like she was crying hard as fuck. She was crying

944
00:53:04,440 --> 00:53:07,279
Speaker 2: the way y'all y'all claimed Gina Rodriguez was c crying

945
00:53:07,320 --> 00:53:07,800
Speaker 2: on the radio.

946
00:53:07,920 --> 00:53:09,879
Speaker 5: She's kind of like y'all kids crying when y'all coming

947
00:53:09,920 --> 00:53:11,600
Speaker 5: there and trying to talk to them about anything that

948
00:53:11,840 --> 00:53:12,279
Speaker 5: did wrong.

949
00:53:12,520 --> 00:53:16,279
Speaker 2: Yeah, she was crying hard, okay. And so she was

950
00:53:16,320 --> 00:53:19,000
Speaker 2: basically being like, I don't know anything. The group don't

951
00:53:19,040 --> 00:53:22,600
Speaker 2: have names, and she wasn't given any information, is what

952
00:53:22,680 --> 00:53:25,120
Speaker 2: I was noticing. Like it was a lot of like

953
00:53:25,560 --> 00:53:28,040
Speaker 2: there was nobody else in the group, just me. That

954
00:53:28,200 --> 00:53:30,120
Speaker 2: was all of us, and they're like, no, the fuck

955
00:53:30,239 --> 00:53:33,840
Speaker 2: is not we ready to your group already? Once she's like,

956
00:53:34,320 --> 00:53:37,160
Speaker 2: you know, mom, just you know, looking for my mom

957
00:53:37,320 --> 00:53:40,160
Speaker 2: and my mom is alone and all this, Like but

958
00:53:40,280 --> 00:53:44,440
Speaker 2: you said that y'all always are surrounded, that y'all are

959
00:53:44,440 --> 00:53:47,719
Speaker 2: good people. All this crazy shit, she's just said nonsense,

960
00:53:48,400 --> 00:53:50,880
Speaker 2: and we're just doing this to live and that's why

961
00:53:50,960 --> 00:53:54,520
Speaker 2: we were the skins of the zombies, and so they

962
00:53:54,560 --> 00:53:56,880
Speaker 2: basically go, okay, you lying bitch, and they get I

963
00:53:56,920 --> 00:54:00,719
Speaker 2: walk out of the fucking jail up top outside and

964
00:54:00,760 --> 00:54:06,000
Speaker 2: they talk about it. Micheon, It's like, listen, let me

965
00:54:06,040 --> 00:54:13,400
Speaker 2: tell you something. I gotta go okay, like, I know

966
00:54:14,239 --> 00:54:16,920
Speaker 2: this is real traumatic, But my people Alexandria don't even

967
00:54:16,960 --> 00:54:19,960
Speaker 2: know about these niggas, right, and there's gonna be a problem.

968
00:54:20,040 --> 00:54:23,040
Speaker 5: And you know, Michelle was asking like do they even

969
00:54:23,080 --> 00:54:26,279
Speaker 5: know about this location? Which is a good question. I

970
00:54:26,320 --> 00:54:28,560
Speaker 5: think they do. And the bigger is why I think

971
00:54:28,560 --> 00:54:31,960
Speaker 5: they do is because when micheone and all of them

972
00:54:32,120 --> 00:54:35,440
Speaker 5: came the first time, all off in the woods, it

973
00:54:35,520 --> 00:54:38,080
Speaker 5: was a group looking staring at them, and I think

974
00:54:38,160 --> 00:54:40,040
Speaker 5: that was them that have followed them up there.

975
00:54:40,440 --> 00:54:45,120
Speaker 2: That's a good point, Karen, great callback. But Michean like,

976
00:54:45,160 --> 00:54:47,480
Speaker 2: I gotta go home, okay, my baby, you need to

977
00:54:47,520 --> 00:54:49,320
Speaker 2: eat and all that stuff.

978
00:54:49,640 --> 00:54:51,960
Speaker 4: Yeah, she's she looked like it's five o'clock. You know,

979
00:54:52,080 --> 00:54:55,480
Speaker 4: I understand y'all got a pointing business meeting, but my

980
00:54:55,600 --> 00:54:56,239
Speaker 4: time is done.

981
00:54:56,360 --> 00:54:58,520
Speaker 2: Look like y'all gotta work over time.

982
00:54:58,560 --> 00:55:00,000
Speaker 4: Right, I Am going home?

983
00:55:00,840 --> 00:55:03,160
Speaker 2: Uh? And then Terror says, well, I guess now I'm

984
00:55:03,280 --> 00:55:05,680
Speaker 2: new the leader of Hilltop. That group of people you

985
00:55:05,719 --> 00:55:07,640
Speaker 2: brought here, they can stay.

986
00:55:07,760 --> 00:55:10,080
Speaker 4: Right because everybody basically had showed the work.

987
00:55:10,800 --> 00:55:17,840
Speaker 2: Meanwhile, we cut to the infirmary where Eugene is getting

988
00:55:17,880 --> 00:55:24,680
Speaker 2: his leg fixed by Sadiq, and this ship turned into

989
00:55:24,680 --> 00:55:25,960
Speaker 2: a soap opera.

990
00:55:27,040 --> 00:55:32,319
Speaker 6: And it's in see I'm so bad. It's you.

991
00:55:34,800 --> 00:55:39,719
Speaker 10: Apologies for the attempt, bites and scratches, terry responsors and

992
00:55:39,719 --> 00:55:39,960
Speaker 10: what not.

993
00:55:40,760 --> 00:55:43,680
Speaker 7: All right, and we grab a bandage, a few weeks,

994
00:55:43,680 --> 00:55:47,160
Speaker 7: a moderate compression, and you'll be good as you both well.

995
00:55:51,000 --> 00:55:51,719
Speaker 2: I'm gonna get you.

996
00:55:53,400 --> 00:55:54,640
Speaker 8: I was scared as helly.

997
00:55:54,680 --> 00:56:00,560
Speaker 10: You didn't make it, truly the entirety of every second

998
00:56:00,560 --> 00:56:05,320
Speaker 10: of every minute I was out there. I'm told the

999
00:56:05,360 --> 00:56:07,879
Speaker 10: tethers about Jesus. But if anything had happened to you,

1000
00:56:09,560 --> 00:56:12,000
Speaker 10: I keep thinking that that inn a quick twist, it

1001
00:56:12,040 --> 00:56:13,279
Speaker 10: could have been me instead of him.

1002
00:56:13,320 --> 00:56:17,800
Speaker 2: At the end of that blade. Eugene even shoots his

1003
00:56:17,920 --> 00:56:21,399
Speaker 2: shot like a coward, like it's like.

1004
00:56:21,560 --> 00:56:23,319
Speaker 5: This is I mean, but he just did have his

1005
00:56:23,440 --> 00:56:27,120
Speaker 5: leg popped into place with no anestija now I know.

1006
00:56:27,200 --> 00:56:33,120
Speaker 2: But like the way he is like that, he just

1007
00:56:33,200 --> 00:56:36,520
Speaker 2: sounds like he he can't help hisself. No, he can't.

1008
00:56:36,560 --> 00:56:38,680
Speaker 2: Like this dude be acting his ass off. He's a

1009
00:56:38,719 --> 00:56:43,680
Speaker 2: great sniveler. Okay, he's so good at this, My god.

1010
00:56:43,880 --> 00:56:45,680
Speaker 10: We don't wait and wait for the ride moment to

1011
00:56:45,680 --> 00:56:47,799
Speaker 10: say what's nears and deerson before we know what the

1012
00:56:47,880 --> 00:56:50,400
Speaker 10: standers passed through the hourglass.

1013
00:56:51,040 --> 00:56:56,520
Speaker 2: This nigga's also the Corey Buckers of people. Wrap it up, Bee,

1014
00:56:56,840 --> 00:56:58,799
Speaker 2: he be taking way too long to say a little

1015
00:56:58,800 --> 00:57:03,919
Speaker 2: simple shit, I love you. We wait too way too long,

1016
00:57:04,000 --> 00:57:07,440
Speaker 2: and with our brothers and to find out that with

1017
00:57:07,600 --> 00:57:10,879
Speaker 2: the sand has passed through the hour glass? What these

1018
00:57:10,920 --> 00:57:12,240
Speaker 2: are the days of our lives?

1019
00:57:12,960 --> 00:57:13,359
Speaker 6: All right?

1020
00:57:15,160 --> 00:57:18,880
Speaker 10: Which is all my ways saying that though I'm done waiting,

1021
00:57:19,320 --> 00:57:21,200
Speaker 10: done playing the losing games.

1022
00:57:22,640 --> 00:57:25,720
Speaker 2: And so Rosita runs off, And this is also a

1023
00:57:25,840 --> 00:57:27,960
Speaker 2: very funny moment because I'm like, this is how I

1024
00:57:28,040 --> 00:57:31,240
Speaker 2: key like some rom Com type ship. Yes you know,

1025
00:57:31,360 --> 00:57:33,400
Speaker 2: I can't. I can't do this, and they like run

1026
00:57:33,440 --> 00:57:35,520
Speaker 2: off and you think for a second, like, wait, is

1027
00:57:35,520 --> 00:57:39,920
Speaker 2: a walking dad going full like rom Com silliness in

1028
00:57:40,000 --> 00:57:42,840
Speaker 2: a moment like this? Would they do that? But it's

1029
00:57:42,840 --> 00:57:47,000
Speaker 2: actually even funnier than that. She runs outside Sedek Notices

1030
00:57:49,760 --> 00:57:56,440
Speaker 2: and she's throwing up. Okay, I think, all right, well

1031
00:57:57,280 --> 00:58:02,360
Speaker 2: I'm inside by he's been through a lot. It's not.

1032
00:58:04,880 --> 00:58:05,440
Speaker 8: Okay, what.

1033
00:58:12,240 --> 00:58:14,040
Speaker 7: When we were having fun before Gabriel.

1034
00:58:18,720 --> 00:58:21,280
Speaker 2: Now, if you didn't pick that up, she said, when

1035
00:58:21,400 --> 00:58:27,520
Speaker 2: we were having fun before Gabriel, nobody.

1036
00:58:27,280 --> 00:58:29,040
Speaker 4: Was committing to each other, but we was.

1037
00:58:28,960 --> 00:58:35,880
Speaker 2: Fucking I've been told y'all from day fucking one. Sadiq

1038
00:58:36,040 --> 00:58:38,880
Speaker 2: was a snack, he is, and he was finning to

1039
00:58:38,920 --> 00:58:41,800
Speaker 2: get ate up. Okay. Everybody was like, I don't know,

1040
00:58:42,840 --> 00:58:44,960
Speaker 2: I don't know, I don't see. They ain't give him

1041
00:58:45,000 --> 00:58:49,160
Speaker 2: no love. He was not finished stay single for all

1042
00:58:49,240 --> 00:58:53,800
Speaker 2: this goddamn time as the only eligible bachelor doctor in

1043
00:58:53,880 --> 00:58:57,840
Speaker 2: the city. Okay, come on, it is what it is. Okay.

1044
00:58:58,400 --> 00:58:59,200
Speaker 2: He was up and there.

1045
00:58:59,280 --> 00:58:59,360
Speaker 8: Now.

1046
00:58:59,400 --> 00:59:01,400
Speaker 2: I don't know how doctor ended up messing up the

1047
00:59:01,440 --> 00:59:05,120
Speaker 2: rhythm meth he's supposed to know better. But still, okay,

1048
00:59:05,720 --> 00:59:11,120
Speaker 2: Sadiq was up in here, in no cakes, okay, walking around.

1049
00:59:11,120 --> 00:59:13,840
Speaker 2: Somebody's gonna come get some of this a dik And

1050
00:59:13,920 --> 00:59:22,840
Speaker 2: there it is, And that's exactly what happened. Now inside,

1051
00:59:23,680 --> 00:59:26,480
Speaker 2: and this is why I said it got funny. Eugene

1052
00:59:26,840 --> 00:59:27,640
Speaker 2: is listening to.

1053
00:59:27,600 --> 00:59:29,960
Speaker 4: This right because they're so close to the window.

1054
00:59:30,480 --> 00:59:34,560
Speaker 2: So this dude is getting the ultimate coup. Okay, Rosita

1055
00:59:34,680 --> 00:59:36,800
Speaker 2: on black dot com with Gabe.

1056
00:59:36,640 --> 00:59:39,840
Speaker 4: Right, so he knows every so he literally knows everything.

1057
00:59:40,080 --> 00:59:44,160
Speaker 2: She's getting that Sadic and now he done confessed his

1058
00:59:44,240 --> 00:59:46,960
Speaker 2: love and she's pregnant by another man that's not even

1059
00:59:46,960 --> 00:59:49,800
Speaker 2: the man that is in his way because he thought

1060
00:59:49,840 --> 00:59:52,520
Speaker 2: he was better than Gabe. Like he was like here,

1061
00:59:52,800 --> 00:59:55,120
Speaker 2: when I preach a man, I mean, I'm not no offense,

1062
00:59:55,200 --> 00:59:57,920
Speaker 2: but well now look at you. Are you better than Sadik?

1063
00:59:58,280 --> 01:00:08,240
Speaker 2: The man just put your leg into place? No, okay,

1064
01:00:10,040 --> 01:00:12,120
Speaker 2: that's funny because he's a doctor. He wasn't like, so

1065
01:00:12,160 --> 01:00:16,840
Speaker 2: what you're gonna do? What kind of you want me to?

1066
01:00:17,320 --> 01:00:18,920
Speaker 2: You want me to get some plan B or something?

1067
01:00:19,280 --> 01:00:23,800
Speaker 2: If they're having I don't know. He must have dogged

1068
01:00:23,800 --> 01:00:24,560
Speaker 2: her out or something.

1069
01:00:25,240 --> 01:00:27,640
Speaker 5: No, I think that they was just that fun like

1070
01:00:27,720 --> 01:00:30,640
Speaker 5: I literally think it was no attachments not turn funny

1071
01:00:30,640 --> 01:00:32,000
Speaker 5: to that relationship, I.

1072
01:00:31,920 --> 01:00:34,640
Speaker 2: Guess, But I mean the end up with Gabriel, you know,

1073
01:00:35,840 --> 01:00:38,360
Speaker 2: of all people, unless you just like cowards, I don't know,

1074
01:00:39,160 --> 01:00:41,320
Speaker 2: maybe Eugene. So do you think Eugene got a shot?

1075
01:00:42,720 --> 01:00:47,240
Speaker 5: Nope, But I could see something happening that will calls

1076
01:00:47,240 --> 01:00:48,200
Speaker 5: her to be with Eugene.

1077
01:00:50,160 --> 01:00:52,720
Speaker 2: That's given him a shot though, yeah, but yeah, I

1078
01:00:52,960 --> 01:00:54,640
Speaker 2: don't like, I don't think he got a shot.

1079
01:00:55,040 --> 01:00:58,400
Speaker 5: So I think under novable circumstances, no, but I think

1080
01:00:58,440 --> 01:00:58,960
Speaker 5: something's going.

1081
01:00:58,920 --> 01:01:01,960
Speaker 2: To talk about these circle stances. But then yes, then

1082
01:01:02,000 --> 01:01:04,680
Speaker 2: if you do think you got a shot, okay, thank you. Oh.

1083
01:01:04,800 --> 01:01:05,880
Speaker 2: I was trying to put that to Gels.

1084
01:01:05,880 --> 01:01:07,600
Speaker 5: I was like, well, no, he ain't really got a shot,

1085
01:01:07,640 --> 01:01:10,640
Speaker 5: but I mean under normal circumstances. No, but I think

1086
01:01:10,720 --> 01:01:13,000
Speaker 5: something's going to happen to college her to realize something.

1087
01:01:14,200 --> 01:01:17,040
Speaker 2: So then darreln Henry talk outside while Jesus is getting

1088
01:01:17,080 --> 01:01:20,480
Speaker 2: this uh they're burying Jesus and they're digging the grave,

1089
01:01:21,080 --> 01:01:24,080
Speaker 2: and he let Henry out of hisself for a little

1090
01:01:24,120 --> 01:01:29,640
Speaker 2: bit and he says, uh, well, first of all, I

1091
01:01:29,640 --> 01:01:32,960
Speaker 2: couldn't help but think this was Carol's vision. She wanted.

1092
01:01:33,960 --> 01:01:39,080
Speaker 2: She wanted Darryl takeing care of Henry, correct looking out

1093
01:01:39,080 --> 01:01:41,440
Speaker 2: for him, mentoring him, And he kind of did that

1094
01:01:41,520 --> 01:01:42,760
Speaker 2: by saying like, hey.

1095
01:01:44,360 --> 01:01:45,800
Speaker 4: Because he basically agreed to stay.

1096
01:01:46,360 --> 01:01:48,720
Speaker 2: Henry was like, does alcohol, Yeah, he did. He was

1097
01:01:48,760 --> 01:01:51,200
Speaker 2: like Darrell agreed to stay in Hell's Out and Henry's like,

1098
01:01:51,240 --> 01:01:53,160
Speaker 2: does alcohol always make you feel bad like this? And

1099
01:01:53,200 --> 01:01:56,120
Speaker 2: he said no, but you know, basically you deserve it.

1100
01:01:56,320 --> 01:01:58,560
Speaker 2: And he said, well the fresh air hells it feel

1101
01:01:58,560 --> 01:02:00,360
Speaker 2: a little bit better. He said, well, don't get too

1102
01:02:00,400 --> 01:02:02,640
Speaker 2: used to it, because in two more minutes you're going

1103
01:02:02,680 --> 01:02:05,320
Speaker 2: back down in that cell for the night. And he said,

1104
01:02:05,480 --> 01:02:07,080
Speaker 2: I talked to Earl. You got one more night in

1105
01:02:07,080 --> 01:02:10,640
Speaker 2: the sell and holding. Henry says he wants to find

1106
01:02:10,680 --> 01:02:13,280
Speaker 2: his place in Hilltop because he just he said he

1107
01:02:13,320 --> 01:02:15,280
Speaker 2: knew what he belonged in the kingdom, but he doesn't

1108
01:02:15,320 --> 01:02:17,760
Speaker 2: know he and that's the thing. He only went to

1109
01:02:17,800 --> 01:02:20,800
Speaker 2: Hilltop for enit, that's it. As soon as he found

1110
01:02:20,800 --> 01:02:22,960
Speaker 2: out Alden was was digging them guts out.

1111
01:02:23,080 --> 01:02:26,160
Speaker 4: It was a rap, right, so he lost his focus.

1112
01:02:26,200 --> 01:02:27,040
Speaker 4: He didn't have a purpose.

1113
01:02:27,920 --> 01:02:32,440
Speaker 2: Yep. He was like he is chopping it, uh to

1114
01:02:32,760 --> 01:02:38,080
Speaker 2: smith rings over there and now you alone. I don't

1115
01:02:38,080 --> 01:02:39,640
Speaker 2: even know what happened to them kids. He was kicking

1116
01:02:39,680 --> 01:02:44,400
Speaker 2: it with Michean packs up to go back to Alexandra

1117
01:02:44,640 --> 01:02:48,480
Speaker 2: and then Aaron tells her she was right because they

1118
01:02:48,480 --> 01:02:51,200
Speaker 2: had a big fight about you know, ma Sean being like,

1119
01:02:51,240 --> 01:02:53,880
Speaker 2: communities need to stop. There's dangerous out here. We need

1120
01:02:53,920 --> 01:02:56,680
Speaker 2: to not have like too many events. They were gonna

1121
01:02:56,720 --> 01:02:59,440
Speaker 2: do a carnival or some ship and he was like festival.

1122
01:02:59,520 --> 01:03:00,760
Speaker 2: He was like, was like, we don't need to do

1123
01:03:00,760 --> 01:03:03,560
Speaker 2: that shit. Everyone needs to stay within their community, take

1124
01:03:03,560 --> 01:03:06,320
Speaker 2: care of their shit. Stop trying to group up. Stop

1125
01:03:06,360 --> 01:03:08,840
Speaker 2: traveling back and forth. It's dangerous running the other people

1126
01:03:08,960 --> 01:03:12,200
Speaker 2: other groups. It gets more dangerous to more people. Let's

1127
01:03:12,240 --> 01:03:17,360
Speaker 2: just keep our shit like isolationism. And so yeah, Aaron

1128
01:03:17,400 --> 01:03:19,240
Speaker 2: said she was right, and I think he's really just

1129
01:03:19,320 --> 01:03:21,880
Speaker 2: hurt that Jesus died. Correct. Correct.

1130
01:03:21,960 --> 01:03:24,280
Speaker 4: If it wasn't for that, he wouldn't have felt that way.

1131
01:03:24,320 --> 01:03:26,680
Speaker 2: He says, I'm sorry, I didn't understand until now, and

1132
01:03:26,720 --> 01:03:29,200
Speaker 2: she says it's okay, I'm sorry too. And then Daryl

1133
01:03:29,240 --> 01:03:31,680
Speaker 2: comes over to say goodbye, and Sean tells him, hey,

1134
01:03:32,000 --> 01:03:36,920
Speaker 2: can you help Terror run this place? And he's kind

1135
01:03:36,920 --> 01:03:38,960
Speaker 2: of like why. I mean, She's like, cause you are

1136
01:03:39,040 --> 01:03:41,960
Speaker 2: the best. God damn Judge a character I've ever met.

1137
01:03:41,960 --> 01:03:44,919
Speaker 4: Right, And her thing is like this is yes, Tara

1138
01:03:45,000 --> 01:03:47,960
Speaker 4: can do it, but it's a big responsibility and she

1139
01:03:48,080 --> 01:03:49,640
Speaker 4: actually gonna need some muscle.

1140
01:03:49,960 --> 01:03:52,520
Speaker 2: And she also told him watch out for out and

1141
01:03:52,520 --> 01:03:54,560
Speaker 2: then Luke, because they've been gone, they should have been

1142
01:03:54,600 --> 01:03:57,360
Speaker 2: back by now. Could be nothing, could be something, but

1143
01:03:57,560 --> 01:04:06,360
Speaker 2: you know, keep your head up. So she uh. She.

1144
01:04:06,360 --> 01:04:09,560
Speaker 2: She also tells them, y'all, we need We lost Jesus today,

1145
01:04:09,600 --> 01:04:11,080
Speaker 2: but we need to do whatever it takes to not

1146
01:04:11,200 --> 01:04:12,200
Speaker 2: lose anybody else.

1147
01:04:14,040 --> 01:04:16,560
Speaker 4: And it's funny that she said that because.

1148
01:04:18,920 --> 01:04:24,360
Speaker 5: I guess my thing is if everybody's isolated, you still

1149
01:04:24,360 --> 01:04:27,680
Speaker 5: could end up losing more people. Mm hmmm, because there's

1150
01:04:27,680 --> 01:04:31,120
Speaker 5: no form of communication. Eventually, somebody coming to just wipe

1151
01:04:31,120 --> 01:04:33,320
Speaker 5: out all through groups because nobody's communicating one another.

1152
01:04:33,520 --> 01:04:36,600
Speaker 2: I agree. It kind of feels like they're going backwards

1153
01:04:37,840 --> 01:04:39,840
Speaker 2: from the communities, which is why I think they got

1154
01:04:39,840 --> 01:04:43,480
Speaker 2: to explain what happened to make the communities officially not

1155
01:04:43,560 --> 01:04:43,960
Speaker 2: work out.

1156
01:04:44,000 --> 01:04:44,560
Speaker 4: Yeah, and something.

1157
01:04:44,640 --> 01:04:48,280
Speaker 5: Whatever they did, Micheaun made a decision that pissed everybody off,

1158
01:04:48,480 --> 01:04:50,520
Speaker 5: and she was like, fuck it, I stand by it.

1159
01:04:50,600 --> 01:04:56,600
Speaker 2: Right in Monique fashion. All right, So then she leaves.

1160
01:04:56,720 --> 01:04:59,160
Speaker 2: Dar All goes down after watching Jesus get buried. He's

1161
01:04:59,160 --> 01:05:02,640
Speaker 2: so pissed. He goes down to the holding cell and

1162
01:05:02,720 --> 01:05:07,000
Speaker 2: he interrogates the girl that they have in cell in

1163
01:05:07,040 --> 01:05:09,120
Speaker 2: the cell, who we don't know her name because apparently

1164
01:05:09,200 --> 01:05:12,000
Speaker 2: they don't have names. This that's what she told us,

1165
01:05:12,120 --> 01:05:14,840
Speaker 2: what she said, We don't even have names. Okay, nobody

1166
01:05:14,880 --> 01:05:18,440
Speaker 2: has a name. So let me see I play. This

1167
01:05:18,520 --> 01:05:22,600
Speaker 2: clip's only a couple of minutes long. But he did

1168
01:05:22,640 --> 01:05:31,440
Speaker 2: not come to play.

1169
01:05:33,360 --> 01:05:36,880
Speaker 4: I think we were the case of names.

1170
01:05:37,400 --> 01:05:42,160
Speaker 11: I mean, I mean we did, we didn't use them.

1171
01:05:42,280 --> 01:05:45,760
Speaker 2: Now, the thing is, her story is changed already. First

1172
01:05:45,800 --> 01:05:47,800
Speaker 2: it was you killed everybody in the group. It was

1173
01:05:47,840 --> 01:05:50,360
Speaker 2: three of us. I'm looking at it for mama, Mama.

1174
01:05:50,960 --> 01:05:52,200
Speaker 2: Now it's just ten of us.

1175
01:05:53,600 --> 01:05:55,520
Speaker 4: They're all piecing that together. If something ain't right.

1176
01:05:55,560 --> 01:05:58,240
Speaker 2: We don't have names. Okay, we did have names, but

1177
01:05:58,360 --> 01:06:02,640
Speaker 2: we don't use them. Yeah, that's a lot. How long

1178
01:06:02,640 --> 01:06:06,080
Speaker 2: you've been out around here? I don't know.

1179
01:06:07,640 --> 01:06:08,200
Speaker 4: We moved.

1180
01:06:09,520 --> 01:06:12,560
Speaker 11: The dead, I mean, the Skins made him leave us alone.

1181
01:06:13,680 --> 01:06:16,880
Speaker 11: They protected us, so we protected them.

1182
01:06:17,040 --> 01:06:18,640
Speaker 8: You gotta count walls.

1183
01:06:20,400 --> 01:06:24,880
Speaker 4: Walls. Walls don't keep me safe.

1184
01:06:26,840 --> 01:06:28,120
Speaker 3: Places like this don't make it.

1185
01:06:28,520 --> 01:06:29,400
Speaker 2: They never make it.

1186
01:06:29,520 --> 01:06:30,240
Speaker 3: That's how it is.

1187
01:06:30,280 --> 01:06:32,000
Speaker 4: My mom and me, we saw it happen.

1188
01:06:32,720 --> 01:06:38,080
Speaker 11: Over and over. I barely remember the world before all this.

1189
01:06:38,760 --> 01:06:42,280
Speaker 11: Who but my mom? She told me how it was changing,

1190
01:06:43,600 --> 01:06:45,000
Speaker 11: how we had to change with it.

1191
01:06:45,040 --> 01:06:45,760
Speaker 2: How we needed the.

1192
01:06:45,720 --> 01:06:47,360
Speaker 11: Dead in each other to keep safe.

1193
01:06:47,760 --> 01:06:48,760
Speaker 2: We were never alone.

1194
01:06:49,040 --> 01:06:50,560
Speaker 8: Why do your people get alone? People?

1195
01:06:52,880 --> 01:06:54,880
Speaker 2: We were gonna do it now he put a knife

1196
01:06:54,920 --> 01:06:59,640
Speaker 2: on her. Now before that, her answer to walls don't

1197
01:06:59,680 --> 01:07:02,160
Speaker 2: keep you sa I felt like that was her kind

1198
01:07:02,200 --> 01:07:06,760
Speaker 2: of revealing the philosophy for the group. More like that

1199
01:07:06,800 --> 01:07:07,600
Speaker 2: felt real.

1200
01:07:07,800 --> 01:07:10,840
Speaker 5: Right, That felt sincere right. That felt like she was

1201
01:07:10,840 --> 01:07:13,760
Speaker 5: telling the truth. Yeah, Like, I think she did a

1202
01:07:13,760 --> 01:07:16,120
Speaker 5: whole lot of lying. But when she brought that whole

1203
01:07:16,120 --> 01:07:18,080
Speaker 5: like walls don't keep it safe, I'm like, Okay, they

1204
01:07:18,120 --> 01:07:19,240
Speaker 5: really do believe that ship.

1205
01:07:20,640 --> 01:07:22,240
Speaker 2: So I'm not surprised.

1206
01:07:27,600 --> 01:07:29,640
Speaker 11: Everybody still lives and threads.

1207
01:07:34,760 --> 01:07:43,920
Speaker 2: How many people in your group? This is her third

1208
01:07:44,080 --> 01:07:47,480
Speaker 2: different answer to that fucking question. Now that now just

1209
01:07:47,520 --> 01:07:49,880
Speaker 2: her mom is the only one still alive in the group.

1210
01:07:52,160 --> 01:08:02,080
Speaker 2: She's a good person, she's just you said your people

1211
01:08:02,080 --> 01:08:07,120
Speaker 2: were never alone. She was at the center. She got.

1212
01:08:10,920 --> 01:08:15,160
Speaker 6: What I know, I told you.

1213
01:08:20,280 --> 01:08:23,880
Speaker 4: Don't stop, please please.

1214
01:08:24,920 --> 01:08:27,679
Speaker 2: Now that's Henry telling them to stop. And I'm assuming

1215
01:08:27,720 --> 01:08:29,680
Speaker 2: that's because she kind of looks a little bit like

1216
01:08:29,720 --> 01:08:33,639
Speaker 2: in it, and he's like, maybe close second, Okay, maybe

1217
01:08:33,680 --> 01:08:37,200
Speaker 2: I couldn't hit them skins, but maybe I take up.

1218
01:08:37,280 --> 01:08:41,320
Speaker 2: Maybe I'll take nameless girl smelling like a zombie. Okay,

1219
01:08:41,400 --> 01:08:54,040
Speaker 2: I take to a Daryl decides not to kill her.

1220
01:08:54,040 --> 01:08:58,200
Speaker 2: She crawls back in the cell like she's scared. So

1221
01:08:59,520 --> 01:09:01,080
Speaker 2: what do you know now? What do you think about her?

1222
01:09:01,160 --> 01:09:03,840
Speaker 2: Do you think she's really scared? Do you think that's

1223
01:09:03,840 --> 01:09:06,439
Speaker 2: all fake? What do you think? I don't think she's scared.

1224
01:09:07,040 --> 01:09:09,679
Speaker 5: And also, in my opinion, I think that she knows

1225
01:09:09,680 --> 01:09:10,599
Speaker 5: that somebody's going.

1226
01:09:10,439 --> 01:09:11,120
Speaker 4: To get her too.

1227
01:09:12,920 --> 01:09:16,559
Speaker 2: Yeah, she gives us really like conniving, kind of like

1228
01:09:16,680 --> 01:09:20,920
Speaker 2: I'm I'm over the top, fearful in a way that

1229
01:09:21,479 --> 01:09:23,880
Speaker 2: I don't know. It just doesn't make sense. She be

1230
01:09:23,920 --> 01:09:25,240
Speaker 2: part of that group and like this.

1231
01:09:25,760 --> 01:09:28,840
Speaker 5: And it sounds like an act. And I not that

1232
01:09:28,920 --> 01:09:31,800
Speaker 5: she meant to get captured, but she may have been

1233
01:09:31,840 --> 01:09:34,160
Speaker 5: captured in the past and done something similar to this

1234
01:09:35,000 --> 01:09:36,240
Speaker 5: and ended up.

1235
01:09:37,640 --> 01:09:38,960
Speaker 4: Taking other places down.

1236
01:09:40,240 --> 01:09:44,320
Speaker 2: And she ends up thanking Henry for saving her life,

1237
01:09:44,320 --> 01:09:46,000
Speaker 2: and he said he had to because he couldn't let

1238
01:09:46,600 --> 01:09:50,960
Speaker 2: Daryl do that to her. A full simp in it

1239
01:09:51,080 --> 01:09:53,840
Speaker 2: and Magna go to the top of the gate the

1240
01:09:53,920 --> 01:09:57,080
Speaker 2: wall at hilltop and then looking out and end it

1241
01:09:57,200 --> 01:10:01,800
Speaker 2: is worried about Alden, and Alden and Luke are out

1242
01:10:01,840 --> 01:10:06,200
Speaker 2: there and and Magne tells her like, you know what,

1243
01:10:06,680 --> 01:10:09,799
Speaker 2: because Edi said she doesn't know what to call Alden,

1244
01:10:10,680 --> 01:10:12,160
Speaker 2: like if he's her boyfriend.

1245
01:10:12,400 --> 01:10:14,520
Speaker 5: So it's somethings like that at the beginning of the relationship,

1246
01:10:14,560 --> 01:10:18,040
Speaker 5: but trying to figure out what this thing is they doing.

1247
01:10:18,040 --> 01:10:24,160
Speaker 2: Right, and so Magne's like, don't worry about Alden. He's

1248
01:10:24,160 --> 01:10:28,720
Speaker 2: in good hands with Luke, Lucas' survivor. And so then

1249
01:10:28,760 --> 01:10:33,360
Speaker 2: they get to Alten and Luke follow the track to

1250
01:10:33,439 --> 01:10:36,960
Speaker 2: the last arrow and they see a walker walking towards

1251
01:10:37,000 --> 01:10:39,240
Speaker 2: him in the woods, and Luca's like, I'm gonna go

1252
01:10:39,320 --> 01:10:42,320
Speaker 2: kill it. And then the walker stops walking, and then

1253
01:10:42,439 --> 01:10:45,639
Speaker 2: Luke's like you ever seen that before? And he's like no,

1254
01:10:45,880 --> 01:10:48,639
Speaker 2: and then walker's come out surrounding them from different sides,

1255
01:10:48,720 --> 01:10:54,639
Speaker 2: like some velociraptors, and that's when Auden's like, clever girl.

1256
01:10:55,280 --> 01:11:00,799
Speaker 2: And it turns out that the main that had stopped

1257
01:11:00,800 --> 01:11:03,599
Speaker 2: moving pulled out a fucking shotgun and was like, trail

1258
01:11:03,800 --> 01:11:05,679
Speaker 2: ends here, and that was the end of the episode.

1259
01:11:06,120 --> 01:11:08,840
Speaker 2: Up back up one, back up, back it up, back

1260
01:11:08,880 --> 01:11:11,439
Speaker 2: it up. When uh Darryl left.

1261
01:11:11,520 --> 01:11:13,920
Speaker 5: Daryl actually went up and set and listened to them

1262
01:11:13,960 --> 01:11:17,240
Speaker 5: talk to each other, and she told her name, like

1263
01:11:17,280 --> 01:11:19,280
Speaker 5: she began to spill the beads, and I thought.

1264
01:11:19,040 --> 01:11:22,920
Speaker 2: Oh, smart, Darryl. Daryl knew that heart of that boy.

1265
01:11:23,320 --> 01:11:25,000
Speaker 4: And then he wasn't going to really.

1266
01:11:25,680 --> 01:11:27,360
Speaker 5: I think Daryl wasn't gonna take her up there in

1267
01:11:27,360 --> 01:11:31,080
Speaker 5: no way right, And Daryll know and Daryal knew that

1268
01:11:31,240 --> 01:11:35,240
Speaker 5: because he had he had a big heart, that he

1269
01:11:35,400 --> 01:11:37,200
Speaker 5: was gonna stop him. So he was just going to pretend,

1270
01:11:37,400 --> 01:11:40,800
Speaker 5: and so he felt like, we're not gonna get the

1271
01:11:40,800 --> 01:11:45,080
Speaker 5: information interrogating her. So basically Darryl sat set up there

1272
01:11:45,120 --> 01:11:50,120
Speaker 5: at the top, like, uh, Judith, judiph didn Eagan and

1273
01:11:50,200 --> 01:11:52,320
Speaker 5: just listen to them, listen to them talk, and she

1274
01:11:52,360 --> 01:11:53,639
Speaker 5: told her name and.

1275
01:11:53,840 --> 01:11:56,040
Speaker 4: She just began to talk now. And I think that

1276
01:11:56,200 --> 01:11:58,400
Speaker 4: was the that was truthful because she felt like she

1277
01:11:58,400 --> 01:11:59,679
Speaker 4: could be truthful around Henry.

1278
01:12:00,520 --> 01:12:02,679
Speaker 2: Yeah, and I do wonder if that was his plan.

1279
01:12:03,040 --> 01:12:04,960
Speaker 2: I think it was the whole time. Yeah, I forgot

1280
01:12:04,960 --> 01:12:08,479
Speaker 2: to mention that, but you're right, Karen, and uh yeah,

1281
01:12:08,600 --> 01:12:12,479
Speaker 2: So that was the end of the episode. We do

1282
01:12:12,640 --> 01:12:15,479
Speaker 2: have some feedback to get into. We got one comment,

1283
01:12:15,560 --> 01:12:20,720
Speaker 2: but let me first say this Triangle Wine Company, we've

1284
01:12:20,760 --> 01:12:24,080
Speaker 2: been seping on the sharras, We've been eating these crackers

1285
01:12:24,080 --> 01:12:26,360
Speaker 2: and stuff. Oh it's so good. Just it's pairs well,

1286
01:12:26,400 --> 01:12:30,040
Speaker 2: It pairs well. Trying a wine company sells thousands of

1287
01:12:30,040 --> 01:12:31,960
Speaker 2: wires from all over the world for every budget and

1288
01:12:32,560 --> 01:12:37,200
Speaker 2: for a limited time, they have a Couple's Goals pack.

1289
01:12:37,800 --> 01:12:40,920
Speaker 2: It's a wine two pack and it's only nineteen ninety nine,

1290
01:12:41,920 --> 01:12:45,960
Speaker 2: which is discounted from almost thirty dollars. This pack is

1291
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1292
01:12:49,439 --> 01:12:53,280
Speaker 2: mess Maveraza Moscato to take you and your sweetheart from

1293
01:12:53,360 --> 01:12:57,200
Speaker 2: the main course to the dessert. Uh. And if you

1294
01:12:57,200 --> 01:13:01,720
Speaker 2: don't live in the area, you can also go to

1295
01:13:01,920 --> 01:13:05,880
Speaker 2: anywhere get wind shipped anywhere. I mean, if you don't

1296
01:13:05,920 --> 01:13:07,720
Speaker 2: live in the area where you can get windshiped. Sorry

1297
01:13:07,720 --> 01:13:12,360
Speaker 2: I been drinking you get you could get e gift

1298
01:13:12,400 --> 01:13:15,240
Speaker 2: cards for people that you know living areas where they

1299
01:13:15,240 --> 01:13:18,680
Speaker 2: can go. Just go to Triangle wineco dot com or

1300
01:13:18,720 --> 01:13:21,479
Speaker 2: go to that tea public store at Triangle Wine coo

1301
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Speaker 2: and show your wine love with fun to merch and listen.

1302
01:13:25,240 --> 01:13:27,599
Speaker 2: Te Polks having a flash sale right now. Okay, shirts

1303
01:13:27,640 --> 01:13:30,679
Speaker 2: is fourteen dollars come sometimes nor only they be like twenty.

1304
01:13:30,840 --> 01:13:33,519
Speaker 2: So you could cop something right now from our store

1305
01:13:33,560 --> 01:13:37,720
Speaker 2: from tryang wine co. Get those discounts. Get out there

1306
01:13:37,760 --> 01:13:41,599
Speaker 2: looking fabulous, in yourself, on yourself, in your drip, all

1307
01:13:41,640 --> 01:13:46,360
Speaker 2: that stuff. And since your click grab that couples Goals.

1308
01:13:46,880 --> 01:13:50,080
Speaker 2: The link to the couples Goals Wine two Pac is

1309
01:13:50,280 --> 01:13:52,880
Speaker 2: always in the show notes of these episodes when I said,

1310
01:13:53,280 --> 01:13:55,800
Speaker 2: if you're on a phone or laptop, whatever, click it

1311
01:13:55,880 --> 01:13:58,320
Speaker 2: right there, Boom, you can do it. You can go

1312
01:13:58,360 --> 01:14:01,439
Speaker 2: to our website the blackoutis dot look at the episode description.

1313
01:14:01,520 --> 01:14:04,519
Speaker 2: The link is right there. Go get you some wine tupac,

1314
01:14:04,600 --> 01:14:08,600
Speaker 2: and also check out the show art because it's so adorable.

1315
01:14:09,760 --> 01:14:12,599
Speaker 2: The art just alone sold the wine to me. Okay,

1316
01:14:13,680 --> 01:14:16,200
Speaker 2: all right, let's get to y'all's feedback trying a wine

1317
01:14:16,200 --> 01:14:22,880
Speaker 2: coo dot com. Okay, we got this from I think

1318
01:14:22,960 --> 01:14:27,040
Speaker 2: eve E wrote in I only feedback this week cause

1319
01:14:27,160 --> 01:14:29,040
Speaker 2: like it's me and you and ev E we watching

1320
01:14:29,640 --> 01:14:34,120
Speaker 2: three High roder Care. I was so annoyed that Judith

1321
01:14:34,200 --> 01:14:38,519
Speaker 2: didn't shoot nagan Uh in the ass when he tried

1322
01:14:38,520 --> 01:14:41,559
Speaker 2: to scale the wall. That would have been funny. I've

1323
01:14:41,600 --> 01:14:44,880
Speaker 2: been like that scene from Training Day, Oh you shot

1324
01:14:44,920 --> 01:14:50,719
Speaker 2: me in the ass, Judith, You motherfuckers. Uh. They're trying

1325
01:14:50,720 --> 01:14:52,639
Speaker 2: to make this little girl a badass, but she needs

1326
01:14:52,640 --> 01:14:54,880
Speaker 2: to take her a little behind the bed. I wonder

1327
01:14:54,960 --> 01:14:57,320
Speaker 2: if Niga thought that the sanctuary would be the same

1328
01:14:57,360 --> 01:14:59,840
Speaker 2: when he returned, or if people would still listen to him.

1329
01:15:00,120 --> 01:15:02,080
Speaker 2: Where does he think all his people went or does

1330
01:15:02,120 --> 01:15:04,360
Speaker 2: he know that they're all split up in the three communities.

1331
01:15:04,600 --> 01:15:07,439
Speaker 2: He didn't know that. See, That's what I've been wondering though, Karen.

1332
01:15:07,439 --> 01:15:10,040
Speaker 2: Because he set in that sell and say he over

1333
01:15:10,120 --> 01:15:12,439
Speaker 2: her and gleaned a lot of information over him, like

1334
01:15:12,920 --> 01:15:15,679
Speaker 2: six to eight years or whatever. I wonder how much

1335
01:15:15,720 --> 01:15:18,360
Speaker 2: he knows, Like did he need to just see it

1336
01:15:18,360 --> 01:15:21,840
Speaker 2: for himself or did he like literally have no clue,

1337
01:15:21,880 --> 01:15:26,320
Speaker 2: Because it's not that he looked surprised. It looked almost like, well, yeah,

1338
01:15:26,479 --> 01:15:28,120
Speaker 2: this this is what I heard.

1339
01:15:29,360 --> 01:15:31,880
Speaker 4: Okay, he went out there just full confirmation it.

1340
01:15:31,960 --> 01:15:33,519
Speaker 2: Did it look like he just needed to know for

1341
01:15:33,600 --> 01:15:36,200
Speaker 2: himself that there was no giving a go to this.

1342
01:15:37,920 --> 01:15:39,000
Speaker 4: And that would make more sense.

1343
01:15:39,520 --> 01:15:41,640
Speaker 2: I'm not now It's totally different than how they did

1344
01:15:41,640 --> 01:15:44,840
Speaker 2: it in a comic like when nig gets out in

1345
01:15:44,880 --> 01:15:52,840
Speaker 2: a comic. I loved that shit. I like he like

1346
01:15:53,439 --> 01:15:59,120
Speaker 2: he has he has himself a time, Okay, man. Anyway,

1347
01:15:59,520 --> 01:16:01,639
Speaker 2: I'm not saying it would have been right if Daryl

1348
01:16:01,720 --> 01:16:03,880
Speaker 2: hemmed up that little girl in the cell, but I

1349
01:16:03,880 --> 01:16:06,800
Speaker 2: would have understood. Yes. See, that's the other thing about

1350
01:16:06,800 --> 01:16:08,800
Speaker 2: this being a TV show. That's certain shit they can't

1351
01:16:08,800 --> 01:16:12,200
Speaker 2: do and bring characters back from right, and Daryl killing

1352
01:16:12,240 --> 01:16:14,120
Speaker 2: that girl in cold blood in that cell would have

1353
01:16:14,120 --> 01:16:16,760
Speaker 2: been one of those moves. Correct. It's so funny because

1354
01:16:16,760 --> 01:16:20,280
Speaker 2: it's cold blooded and revengeful and shit that they make

1355
01:16:20,320 --> 01:16:22,360
Speaker 2: Darryl out to be. Daryl don't really do a lot

1356
01:16:22,360 --> 01:16:24,960
Speaker 2: of wild shit, you.

1357
01:16:24,920 --> 01:16:27,160
Speaker 4: Know, if he killed somebody with a purpose.

1358
01:16:26,920 --> 01:16:29,800
Speaker 2: Even when he wanted to kill d White, he didn't

1359
01:16:29,840 --> 01:16:32,720
Speaker 2: do it, you know what I mean. Like, Daryl does

1360
01:16:32,760 --> 01:16:34,679
Speaker 2: a lot of stuff up to the line. That's why

1361
01:16:34,720 --> 01:16:36,720
Speaker 2: it was so funny to me when they wrote the

1362
01:16:36,720 --> 01:16:39,120
Speaker 2: show to be like it's him versus Rick. I'm like,

1363
01:16:39,280 --> 01:16:42,720
Speaker 2: Darrell ain't no motherfucking gangster either, though, like that, like,

1364
01:16:42,760 --> 01:16:44,920
Speaker 2: he don't just kill motherfucker in cold blood and don't

1365
01:16:44,920 --> 01:16:47,920
Speaker 2: give a fuck, like Daryl got a conscience. Darryl does

1366
01:16:47,960 --> 01:16:51,200
Speaker 2: the right thing. Darrel's Yeah, Daryl's a lot like Rick,

1367
01:16:51,479 --> 01:16:53,120
Speaker 2: you know. So when they were fighting, it was like

1368
01:16:53,160 --> 01:16:56,400
Speaker 2: brothers fighting, right, and I kind of just wanted them

1369
01:16:56,400 --> 01:17:00,799
Speaker 2: to stop, just like when brothers are fighting and Henry

1370
01:17:00,960 --> 01:17:03,559
Speaker 2: Duck can get a food, well, so I can get

1371
01:17:03,560 --> 01:17:05,559
Speaker 2: a foot to the face too. I don't know why

1372
01:17:05,560 --> 01:17:07,479
Speaker 2: I hate that kid so much, but every time I

1373
01:17:07,560 --> 01:17:09,559
Speaker 2: see him, I want to push him in a pit

1374
01:17:09,600 --> 01:17:10,599
Speaker 2: of Walker's. Damn.

1375
01:17:11,280 --> 01:17:13,439
Speaker 4: Oh, he just being a naive child.

1376
01:17:14,400 --> 01:17:16,880
Speaker 2: I can see it though, I can see not liking Henry.

1377
01:17:17,040 --> 01:17:20,200
Speaker 5: Oh yeah, cause he's being a kid. He's very naive.

1378
01:17:20,280 --> 01:17:22,440
Speaker 5: He really doesn't know how a lot of shit functions.

1379
01:17:22,920 --> 01:17:25,400
Speaker 5: And he's like, somebody's.

1380
01:17:25,439 --> 01:17:27,960
Speaker 2: In help, you know, help mo, I'm here to help.

1381
01:17:28,080 --> 01:17:29,200
Speaker 4: Yes, he end up getting your.

1382
01:17:29,160 --> 01:17:31,400
Speaker 5: Mama hemmed up because you just want to run out

1383
01:17:31,439 --> 01:17:34,799
Speaker 5: there and shit like that, and you know, just being

1384
01:17:35,560 --> 01:17:40,160
Speaker 5: a child, you know, like you're That's the thing about teenagers.

1385
01:17:40,200 --> 01:17:42,920
Speaker 5: They're very scary because they can make decisions, but they

1386
01:17:42,920 --> 01:17:45,400
Speaker 5: don't really understand the consequences of their decisions.

1387
01:17:45,400 --> 01:17:46,840
Speaker 2: That's kind of where he is right now.

1388
01:17:47,080 --> 01:17:49,760
Speaker 5: He really didn't They can do shit, they have a

1389
01:17:49,840 --> 01:17:53,000
Speaker 5: tomomy over their body, but They really don't understand everything

1390
01:17:53,040 --> 01:17:56,400
Speaker 5: wrapped around the decisions that they make, and that's scary

1391
01:17:56,479 --> 01:17:57,080
Speaker 5: for a parent.

1392
01:17:57,160 --> 01:17:58,479
Speaker 4: And not only that, it's scary for.

1393
01:17:58,400 --> 01:18:02,719
Speaker 5: Them because they don't realize all the consequences, like things

1394
01:18:02,800 --> 01:18:05,679
Speaker 5: happen and they do shit, and they don't really think out, well,

1395
01:18:06,880 --> 01:18:09,479
Speaker 5: what will happen if I choose this? What are the

1396
01:18:09,520 --> 01:18:11,680
Speaker 5: consequences of Repercussions's I don't know. I just want to

1397
01:18:11,680 --> 01:18:12,120
Speaker 5: do some shit.

1398
01:18:13,200 --> 01:18:15,080
Speaker 2: Yeah, So that's not what I'm talking about at all.

1399
01:18:15,560 --> 01:18:22,639
Speaker 2: I'm talking about his entitlement to Enid, his moping around

1400
01:18:22,720 --> 01:18:25,280
Speaker 2: since he got there, and he's clearly not gonna be

1401
01:18:25,320 --> 01:18:27,880
Speaker 2: with Enid. So now he's just like should I just

1402
01:18:27,920 --> 01:18:30,519
Speaker 2: go home? Mode? It's like, Nigga, you said you want

1403
01:18:30,600 --> 01:18:32,640
Speaker 2: to go here to learn how to fucking be a

1404
01:18:32,720 --> 01:18:35,519
Speaker 2: contributor to the to the kingdom, and now this and

1405
01:18:35,560 --> 01:18:38,599
Speaker 2: then on top of that, you know, I still ain't

1406
01:18:38,640 --> 01:18:40,320
Speaker 2: forgot he was the motherfucker to let all the people

1407
01:18:40,320 --> 01:18:42,599
Speaker 2: out the cells in the middle of the war, So

1408
01:18:42,920 --> 01:18:45,479
Speaker 2: I could understand not liking him. I'm not saying I

1409
01:18:45,479 --> 01:18:48,719
Speaker 2: don't like him, but you know, Eve he talking about

1410
01:18:48,760 --> 01:18:50,200
Speaker 2: she wanted to get like a foot to the face

1411
01:18:50,800 --> 01:18:53,120
Speaker 2: I low he could understand, and him being the one

1412
01:18:53,160 --> 01:18:56,000
Speaker 2: that told him no, don't kill her. You know, I

1413
01:18:56,000 --> 01:18:58,720
Speaker 2: could understand from a show perspective being like, I don't

1414
01:18:58,760 --> 01:18:59,840
Speaker 2: really like this nigga.

1415
01:19:00,160 --> 01:19:02,800
Speaker 4: Correct, And even with what you say, it still blows

1416
01:19:02,800 --> 01:19:03,880
Speaker 4: down to him being the child.

1417
01:19:04,280 --> 01:19:06,800
Speaker 2: Yeah. Someone asked in the chat, how did y'all feel

1418
01:19:06,840 --> 01:19:12,440
Speaker 2: about the Alden Enit relationship. Some people said it was creepy.

1419
01:19:12,479 --> 01:19:15,559
Speaker 2: Did we ever know how old Alden was supposed to be? No,

1420
01:19:16,960 --> 01:19:19,040
Speaker 2: So I think I would need to know that Alden

1421
01:19:19,080 --> 01:19:23,120
Speaker 2: was like too old or some shit, because from my understanding,

1422
01:19:23,400 --> 01:19:26,519
Speaker 2: like six years past, right, she was the same age

1423
01:19:26,520 --> 01:19:29,400
Speaker 2: as Carl, if not a little bit older. So she

1424
01:19:29,720 --> 01:19:34,919
Speaker 2: is a young woman now there. Yeah. So if unless

1425
01:19:35,320 --> 01:19:39,080
Speaker 2: like Alden like is mad old.

1426
01:19:39,320 --> 01:19:42,320
Speaker 4: Maybe nigga like forty five, what's happening here? Yeah, like

1427
01:19:42,360 --> 01:19:45,640
Speaker 4: I don't, I don't know, then well also would not.

1428
01:19:46,040 --> 01:19:49,479
Speaker 2: But also it's that TV shit cuz they did the

1429
01:19:49,560 --> 01:19:52,920
Speaker 2: thing where they didn't age him really and they kind

1430
01:19:52,920 --> 01:19:56,400
Speaker 2: of aged her with just like her clothes and the

1431
01:19:56,400 --> 01:19:59,320
Speaker 2: way the character acts now. So it's kind of that

1432
01:19:59,360 --> 01:20:01,519
Speaker 2: thing where I would need to know that their ages

1433
01:20:02,439 --> 01:20:05,160
Speaker 2: before I start feeling like that because at a certain extent.

1434
01:20:05,240 --> 01:20:09,200
Speaker 2: If she's like, say nineteen twenty now, and he's say

1435
01:20:09,400 --> 01:20:12,720
Speaker 2: twenty seven or something like that, I don't know what

1436
01:20:12,720 --> 01:20:14,320
Speaker 2: his age will be. Let's say, let's just say those

1437
01:20:14,360 --> 01:20:16,360
Speaker 2: two ages, because I don't even know the real actors

1438
01:20:16,360 --> 01:20:21,400
Speaker 2: and ages. If he's like twenty seven and she's like nineteen,

1439
01:20:22,280 --> 01:20:24,600
Speaker 2: I don't then know. I don't think it's that Like,

1440
01:20:24,640 --> 01:20:28,559
Speaker 2: it's not creeping in the traditional sense that I think

1441
01:20:28,560 --> 01:20:31,599
Speaker 2: it would be in even in regular life. You really

1442
01:20:31,600 --> 01:20:33,880
Speaker 2: can't stop that kind of shit anyway, Like that's legal

1443
01:20:33,960 --> 01:20:37,240
Speaker 2: to consenting adults at some point. At some point people

1444
01:20:37,320 --> 01:20:40,519
Speaker 2: can just not feel comfortable with people dating. But we

1445
01:20:40,600 --> 01:20:43,599
Speaker 2: have made guidelines in America in the world in life

1446
01:20:43,640 --> 01:20:46,760
Speaker 2: that if you're an adult and you're consenting to be

1447
01:20:46,840 --> 01:20:49,559
Speaker 2: with another adult, then there's almost nothing we can do

1448
01:20:49,600 --> 01:20:52,679
Speaker 2: about it, you know. So, I mean unless they show

1449
01:20:52,760 --> 01:20:56,560
Speaker 2: some like type of predatory shit or he was always creeping.

1450
01:20:56,240 --> 01:20:58,160
Speaker 5: On her or some shit like that seeing the ID

1451
01:20:58,400 --> 01:21:01,000
Speaker 5: and there was no confirmation of his and no confirmation

1452
01:21:01,080 --> 01:21:03,400
Speaker 5: of her age. Yeah, and there's been a time jump,

1453
01:21:03,439 --> 01:21:04,799
Speaker 5: so everybody is a lot older.

1454
01:21:04,840 --> 01:21:07,960
Speaker 2: Now. What bothers me about the relationship For me personally,

1455
01:21:08,080 --> 01:21:10,360
Speaker 2: that is always gonna be stick out of my craw

1456
01:21:10,800 --> 01:21:12,479
Speaker 2: And I mean, I don't blame the writers for this.

1457
01:21:12,520 --> 01:21:14,800
Speaker 2: I think they were forced to do it. But I

1458
01:21:14,800 --> 01:21:16,360
Speaker 2: thought they were setting him up to be a love

1459
01:21:16,400 --> 01:21:20,160
Speaker 2: interest for Maggie, I think, And then Maggie left the show.

1460
01:21:20,320 --> 01:21:22,439
Speaker 2: The actress Lauren Cohen was like, I don't want to

1461
01:21:22,479 --> 01:21:24,840
Speaker 2: be here no more. And once she left the show,

1462
01:21:24,880 --> 01:21:27,240
Speaker 2: I felt like they had to switch it. So even

1463
01:21:27,280 --> 01:21:30,120
Speaker 2: if he would have been a young love interest for Maggie,

1464
01:21:30,720 --> 01:21:33,720
Speaker 2: like say, that was gonna be like the storyline is, well,

1465
01:21:33,760 --> 01:21:36,519
Speaker 2: you're actually like twenty four out and and I'm you know,

1466
01:21:36,680 --> 01:21:38,760
Speaker 2: thirty or thirty five or whatever the fuck I just

1467
01:21:38,800 --> 01:21:41,679
Speaker 2: had a baby. If that was gonna be the love

1468
01:21:41,720 --> 01:21:44,479
Speaker 2: interest storyline, I think people would have felt totally different

1469
01:21:44,520 --> 01:21:47,320
Speaker 2: about her dating a younger man right then they do

1470
01:21:47,400 --> 01:21:51,439
Speaker 2: about him dating in it. But uh no, to be honest,

1471
01:21:51,479 --> 01:21:55,439
Speaker 2: I hadn't really thought that much about that, but I

1472
01:21:55,439 --> 01:21:56,920
Speaker 2: mean it came across my mind, but then I just

1473
01:21:56,960 --> 01:22:00,200
Speaker 2: threw it out, like, Okay, man, I guess I guess.

1474
01:22:00,000 --> 01:22:02,280
Speaker 5: The guys out thought right, because we have no confirmation

1475
01:22:02,360 --> 01:22:03,280
Speaker 5: on nobody's ages.

1476
01:22:05,160 --> 01:22:07,360
Speaker 2: Let's see what else happened. I can't blame Michean for

1477
01:22:07,400 --> 01:22:10,000
Speaker 2: want to isolate herself after this fuckery, but I hope

1478
01:22:10,000 --> 01:22:11,880
Speaker 2: they show a flashback of why she and darylll have

1479
01:22:11,920 --> 01:22:15,040
Speaker 2: exes on their back. This episode was definitely a slow burn,

1480
01:22:15,080 --> 01:22:17,600
Speaker 2: but still enjoyable. But next week it's going to pick up,

1481
01:22:17,600 --> 01:22:20,679
Speaker 2: and I'm excited about that. Yeah, I want to see

1482
01:22:20,720 --> 01:22:23,760
Speaker 2: what that the whisper with the gun who appears to

1483
01:22:23,800 --> 01:22:26,280
Speaker 2: be the leader. I won't see what she does. Is

1484
01:22:26,320 --> 01:22:29,559
Speaker 2: that is that old girl's mama because she kept talking

1485
01:22:29,560 --> 01:22:32,000
Speaker 2: about her mom and you don't want my mom? Yeah,

1486
01:22:32,320 --> 01:22:33,160
Speaker 2: I think.

1487
01:22:33,280 --> 01:22:36,479
Speaker 5: And my guess, because I don't know what the show's going,

1488
01:22:36,560 --> 01:22:38,320
Speaker 5: my guess is that that lady is the leader.

1489
01:22:40,800 --> 01:22:45,599
Speaker 2: All right, Well that's it for the Walking Day recaps.

1490
01:22:45,680 --> 01:22:48,400
Speaker 2: So how much time were y'all left in this session?

1491
01:22:48,840 --> 01:22:51,280
Speaker 2: Forty three? Oh, y'all like seventeen minutes. I guess to

1492
01:22:51,360 --> 01:22:54,240
Speaker 2: talk about a little some little some little white people news. No,

1493
01:22:54,439 --> 01:22:57,040
Speaker 2: I won't talk about something else. We just did some

1494
01:22:57,080 --> 01:22:58,479
Speaker 2: news real quick. We catch up.

1495
01:22:58,560 --> 01:22:59,080
Speaker 4: Let's do this.

1496
01:22:59,120 --> 01:23:02,759
Speaker 2: You guys don't mine sure? Eric Holder said he'll decide

1497
01:23:02,800 --> 01:23:06,320
Speaker 2: on twenty twenty if on running for president in March.

1498
01:23:07,000 --> 01:23:12,200
Speaker 2: M everybody running the fuck you may as well just

1499
01:23:12,320 --> 01:23:14,560
Speaker 2: turned into the lottery.

1500
01:23:14,720 --> 01:23:17,760
Speaker 5: You may as well any telling my game of throw

1501
01:23:17,760 --> 01:23:19,400
Speaker 5: it's gonna be a game of thrones out there on

1502
01:23:19,439 --> 01:23:21,040
Speaker 5: the political the road.

1503
01:23:21,680 --> 01:23:26,280
Speaker 2: Yeah, can you gonna play a game with me? All right?

1504
01:23:26,400 --> 01:23:34,679
Speaker 2: Answered this phone. Hello, Hi, it's your refrigerator running?

1505
01:23:37,280 --> 01:23:38,240
Speaker 4: Yes, why, yes it is?

1506
01:23:39,080 --> 01:23:41,360
Speaker 2: Well, then you better go vote for a democratic crimery.

1507
01:23:41,720 --> 01:23:47,200
Speaker 5: You know what, I might because everybody running I might

1508
01:23:48,360 --> 01:23:49,720
Speaker 5: it might be better qualified.

1509
01:23:50,680 --> 01:23:53,600
Speaker 2: Jesse Smolett has revealed that he has pissed off in

1510
01:23:53,640 --> 01:23:56,680
Speaker 2: his first interview since the attack. I'm pissed off. It's like,

1511
01:23:56,720 --> 01:23:58,400
Speaker 2: you know, at first, it was a thing of like, listen,

1512
01:23:58,439 --> 01:24:00,720
Speaker 2: if I tell the truth, then that's it, because it's

1513
01:24:00,720 --> 01:24:02,800
Speaker 2: the truth. Then it became a thing like, oh, how

1514
01:24:02,800 --> 01:24:04,800
Speaker 2: can you doubt that? Like how do you how do

1515
01:24:04,880 --> 01:24:06,640
Speaker 2: you not believe that it's the truth. And then it

1516
01:24:06,680 --> 01:24:08,800
Speaker 2: became a thing like, oh, it's not necessarily that you

1517
01:24:09,200 --> 01:24:11,240
Speaker 2: that you don't believe that this is the truth. You

1518
01:24:11,280 --> 01:24:16,720
Speaker 2: don't even want to see the truth. Yeah, that it

1519
01:24:16,760 --> 01:24:19,160
Speaker 2: just turned into a full blown like cops want to

1520
01:24:19,160 --> 01:24:22,559
Speaker 2: see his phone. He gave them his phone, but records

1521
01:24:22,560 --> 01:24:24,800
Speaker 2: but redacted some of the stuff because He's like, it's

1522
01:24:24,840 --> 01:24:27,559
Speaker 2: people in there that's important that don't want their personal

1523
01:24:27,560 --> 01:24:28,320
Speaker 2: information out.

1524
01:24:28,439 --> 01:24:30,719
Speaker 4: You know, Hey, didn y'all around the leaking or anything.

1525
01:24:31,760 --> 01:24:34,920
Speaker 2: Right, this is the same Chicago police department that you

1526
01:24:34,960 --> 01:24:37,120
Speaker 2: know it's locked up innocent black men and ship that

1527
01:24:37,160 --> 01:24:41,320
Speaker 2: has a secret black site. They were interrogating people at that,

1528
01:24:41,560 --> 01:24:45,920
Speaker 2: you know, hid the lawy McDonald footage. Y'all want him

1529
01:24:45,960 --> 01:24:48,400
Speaker 2: to give his phone wilfully to them because he had

1530
01:24:48,439 --> 01:24:52,000
Speaker 2: a crime committed against them, right, is some bullshit?

1531
01:24:52,160 --> 01:24:53,360
Speaker 4: Is some fucking bullshit?

1532
01:24:54,160 --> 01:24:56,759
Speaker 2: Yeah, So I don't know. I'm fully on Jesse sab

1533
01:24:56,880 --> 01:24:59,000
Speaker 2: and and you know what, I'm willing and this is

1534
01:24:59,000 --> 01:25:00,880
Speaker 2: the thing for this man, And like, I can't say

1535
01:25:00,880 --> 01:25:03,400
Speaker 2: this for everything to be honest, but in this case,

1536
01:25:04,080 --> 01:25:06,599
Speaker 2: I'm willing to just be food. If the motherfucker lion

1537
01:25:06,760 --> 01:25:08,519
Speaker 2: and we find that out, then let me just be

1538
01:25:08,600 --> 01:25:11,200
Speaker 2: like he got me to. Rather than to be so cynical,

1539
01:25:11,240 --> 01:25:13,800
Speaker 2: to be like, I'm not gonna believe you, nigga, I'd

1540
01:25:13,880 --> 01:25:16,120
Speaker 2: rather just be like, well, I guess I guess it's

1541
01:25:16,160 --> 01:25:19,080
Speaker 2: my fault for believing a person, cause this shit is

1542
01:25:19,080 --> 01:25:23,519
Speaker 2: so fucking ridiculous and some of the fucking the retorts

1543
01:25:23,520 --> 01:25:26,000
Speaker 2: to this has been like, it wouldn't happen here, not

1544
01:25:26,160 --> 01:25:29,720
Speaker 2: in Chicago, This isn't making America great again country, and

1545
01:25:29,760 --> 01:25:31,720
Speaker 2: shit like that. Where I'm just like, I don't know

1546
01:25:31,720 --> 01:25:35,560
Speaker 2: if you guys understand, but hate crimes have been skyrocketing

1547
01:25:35,680 --> 01:25:39,559
Speaker 2: since Donald Trump took office. Nobody is past this. No,

1548
01:25:39,760 --> 01:25:42,880
Speaker 2: there's no town where your town isn't racist. There's no

1549
01:25:43,280 --> 01:25:46,400
Speaker 2: everybody who thinks that shit that reflexively says that shit.

1550
01:25:46,520 --> 01:25:51,400
Speaker 4: I don't trust you, and you're racist. You're a fucking racist.

1551
01:25:51,920 --> 01:25:53,880
Speaker 2: See seemed like this get on my nerves. Is there

1552
01:25:53,880 --> 01:25:54,679
Speaker 2: white people there?

1553
01:25:54,800 --> 01:25:59,400
Speaker 5: Yes, But then it's the possibility that some racist shit happened,

1554
01:26:00,040 --> 01:26:03,880
Speaker 5: possibility that a rape hate crime can happen because white

1555
01:26:03,920 --> 01:26:06,880
Speaker 5: people are every fucking where you turn your head.

1556
01:26:06,920 --> 01:26:08,479
Speaker 4: It's a motherfucking white person.

1557
01:26:08,520 --> 01:26:12,120
Speaker 5: They're everywhere, and as long as they're there, there's a

1558
01:26:12,320 --> 01:26:16,120
Speaker 5: probability that racism can happen, and some racist shit can happen.

1559
01:26:16,160 --> 01:26:19,240
Speaker 5: So what are we talking about. Happens up north, happens

1560
01:26:19,280 --> 01:26:22,240
Speaker 5: down south, happens out west, happens in the middle of

1561
01:26:22,400 --> 01:26:23,559
Speaker 5: bumma fuck nowhere?

1562
01:26:24,520 --> 01:26:27,759
Speaker 2: Right? This that all like not my America ass shit? Right,

1563
01:26:27,960 --> 01:26:30,919
Speaker 2: It's like except the truth. And how is your sentiment

1564
01:26:31,000 --> 01:26:34,479
Speaker 2: of not my America more powerful than this person telling

1565
01:26:34,520 --> 01:26:37,040
Speaker 2: you this happened to me. I just don't understand how

1566
01:26:37,200 --> 01:26:40,240
Speaker 2: that how both of those things have equal weight to people?

1567
01:26:40,960 --> 01:26:43,000
Speaker 2: Right well, people say it's just not like that around

1568
01:26:43,000 --> 01:26:47,160
Speaker 2: that part town. What how does that have equal Like

1569
01:26:47,280 --> 01:26:50,839
Speaker 2: no one person got clearly assaulted in some kind, reported

1570
01:26:50,880 --> 01:26:54,360
Speaker 2: a crime and went to the police. I'm gonna just

1571
01:26:54,439 --> 01:26:56,960
Speaker 2: say that. You going, I just don't think it happened.

1572
01:26:56,960 --> 01:26:59,519
Speaker 2: It's not the same way. And that's just my personal

1573
01:26:59,520 --> 01:27:02,360
Speaker 2: belief to be food. Like I said, if this is

1574
01:27:02,640 --> 01:27:04,240
Speaker 2: if this is a lot, then I guess he got me.

1575
01:27:04,280 --> 01:27:06,519
Speaker 2: Oh my god, he got me too. Then I'm fine

1576
01:27:06,560 --> 01:27:06,920
Speaker 2: with that.

1577
01:27:07,920 --> 01:27:08,080
Speaker 8: Uh.

1578
01:27:08,160 --> 01:27:11,360
Speaker 2: Steve Harvey and Monique passionately discussed the actress being black

1579
01:27:11,400 --> 01:27:13,400
Speaker 2: balled on his TV show, Steve, I.

1580
01:27:13,360 --> 01:27:14,080
Speaker 4: Believe she's black.

1581
01:27:15,080 --> 01:27:16,519
Speaker 2: Oh we know she was black balled.

1582
01:27:16,560 --> 01:27:16,920
Speaker 8: I believe.

1583
01:27:17,000 --> 01:27:19,559
Speaker 2: I don't think. I don't even know if that's a

1584
01:27:20,680 --> 01:27:22,400
Speaker 2: I don't think that's what this conversation was about.

1585
01:27:22,560 --> 01:27:25,560
Speaker 6: This is Molique, man. I'm telling you all.

1586
01:27:27,640 --> 01:27:30,759
Speaker 3: Be standing like I'm a problem.

1587
01:27:30,760 --> 01:27:33,520
Speaker 6: Oh you have been a problem?

1588
01:27:34,920 --> 01:27:35,080
Speaker 8: Was it?

1589
01:27:35,160 --> 01:27:37,920
Speaker 6: Let let's let's go. Let's go you started.

1590
01:27:37,560 --> 01:27:42,160
Speaker 1: Getting labeled as difficulty. Why do you believe that that happened?

1591
01:27:42,560 --> 01:27:44,080
Speaker 1: And do you see that changing?

1592
01:27:44,120 --> 01:27:47,720
Speaker 12: And why I got labeled as difficult? My husband and

1593
01:27:47,760 --> 01:27:49,200
Speaker 12: I and my husband is.

1594
01:27:49,240 --> 01:27:50,759
Speaker 3: Sydney who happened to be my manager.

1595
01:27:51,240 --> 01:27:53,960
Speaker 12: We got labeled as difficult because I said one word,

1596
01:27:54,560 --> 01:27:56,680
Speaker 12: and that was no. Now, I said no to some

1597
01:27:56,800 --> 01:28:00,439
Speaker 12: very powerful people. I said no to Oprah Winfrey, I

1598
01:28:00,439 --> 01:28:03,600
Speaker 12: said no to Tyler Perry, I said no to Lee Daniels,

1599
01:28:03,800 --> 01:28:06,440
Speaker 12: and I said no to lions Gate. And the difficulty

1600
01:28:06,479 --> 01:28:12,320
Speaker 12: came in when people that looked like me, like Oprah, Tyler, Lee.

1601
01:28:12,240 --> 01:28:15,760
Speaker 3: Daniels, and I gotta put my brother Steve on the list.

1602
01:28:16,080 --> 01:28:20,040
Speaker 12: Y'all knew I was not wrong. Each one of you

1603
01:28:20,120 --> 01:28:24,120
Speaker 12: said to me, Monique, you're not wrong. And when I

1604
01:28:24,160 --> 01:28:26,640
Speaker 12: heard you go on the air and you said, my

1605
01:28:26,760 --> 01:28:29,800
Speaker 12: sister had burnt too many bridges and it's nothing I

1606
01:28:29,800 --> 01:28:30,439
Speaker 12: can do for her.

1607
01:28:30,479 --> 01:28:33,760
Speaker 3: Now, Steve, do you know how hurt I was?

1608
01:28:34,479 --> 01:28:37,000
Speaker 1: Now, let me give you this, because you would I

1609
01:28:37,040 --> 01:28:41,559
Speaker 1: had this conversation. I thought you went about it wrong. See,

1610
01:28:41,920 --> 01:28:45,479
Speaker 1: I felt that you had done yourself for disservice by

1611
01:28:45,479 --> 01:28:47,600
Speaker 1: the way you chose to go about it. Tell me

1612
01:28:47,640 --> 01:28:49,920
Speaker 1: how when I been I was cool with you. What

1613
01:28:50,040 --> 01:28:53,600
Speaker 1: you deal with Netflix? I was cool with you. The

1614
01:28:53,680 --> 01:28:58,200
Speaker 1: two problems that we had. Number one the boycott of Netflix. Yes,

1615
01:28:58,240 --> 01:29:00,960
Speaker 1: we never gave people a point of action. Okay, if

1616
01:29:00,960 --> 01:29:04,160
Speaker 1: we're gonna boycott, are we gonna not get subscriptions? Are

1617
01:29:04,160 --> 01:29:05,840
Speaker 1: we gonna turn it off? Or we're gonna go down

1618
01:29:05,920 --> 01:29:09,080
Speaker 1: there and get signs. The second point what was coming

1619
01:29:09,080 --> 01:29:12,400
Speaker 1: to me was this problem that you had in Netflix

1620
01:29:12,640 --> 01:29:15,559
Speaker 1: is rich people problems because they looking at us going

1621
01:29:15,880 --> 01:29:17,600
Speaker 1: you talking about you didn't get millions.

1622
01:29:18,080 --> 01:29:19,679
Speaker 6: Well you got this. You ought to be cool.

1623
01:29:19,720 --> 01:29:22,240
Speaker 3: But when you say mois the way you want about it?

1624
01:29:23,120 --> 01:29:25,639
Speaker 2: Now, one thing I will say this part of the conversation,

1625
01:29:25,680 --> 01:29:30,360
Speaker 2: I don't really have problem with They are friends. It's

1626
01:29:30,479 --> 01:29:32,760
Speaker 2: kind of weird to have a conversation like this in

1627
01:29:32,800 --> 01:29:35,080
Speaker 2: front of everybody, But I'm not as bothered by that

1628
01:29:35,160 --> 01:29:37,880
Speaker 2: because that's his show. She chose to go on the show.

1629
01:29:38,080 --> 01:29:40,240
Speaker 2: She knew they was gonna talk about this shit because

1630
01:29:40,240 --> 01:29:44,040
Speaker 2: it's the only thing Mold really talks about all the shows.

1631
01:29:44,360 --> 01:29:48,599
Speaker 2: She clearly hasn't moved past this. And by past this,

1632
01:29:48,680 --> 01:29:54,040
Speaker 2: I mean Precious this, not Netflix, not I mean all

1633
01:29:54,040 --> 01:29:57,760
Speaker 2: of the stuff stems from the whole y'all want me

1634
01:29:57,800 --> 01:30:00,599
Speaker 2: to do press and extra shit for tho war season

1635
01:30:00,640 --> 01:30:03,120
Speaker 2: for precious I don't want to do it unless y'all

1636
01:30:03,120 --> 01:30:05,720
Speaker 2: pay me more money. They say, we're not gonna pay you.

1637
01:30:05,880 --> 01:30:10,280
Speaker 2: She won anyway, And then the people that got the

1638
01:30:10,320 --> 01:30:13,360
Speaker 2: people Oprah Lee Daniels and people involved in that were

1639
01:30:13,400 --> 01:30:17,000
Speaker 2: so mad and bitter about her not participating, and they

1640
01:30:17,040 --> 01:30:19,400
Speaker 2: felt like she was gonna tank the movies chances and

1641
01:30:19,439 --> 01:30:22,320
Speaker 2: tank her own chances of a claim that they basically said,

1642
01:30:22,360 --> 01:30:24,800
Speaker 2: fuck her, we won't work with her. She's difficult, and

1643
01:30:24,840 --> 01:30:28,599
Speaker 2: they spread, you know, dirt on her name, and she is.

1644
01:30:28,840 --> 01:30:31,840
Speaker 2: She can rightfully hold a grudge about that shit for

1645
01:30:31,880 --> 01:30:35,120
Speaker 2: the rest of her life if she wants to. I

1646
01:30:35,160 --> 01:30:39,599
Speaker 2: think Steve Harvey as a friend is saying, but that's

1647
01:30:39,640 --> 01:30:43,519
Speaker 2: holding you back, Like don't you see how that's that's

1648
01:30:43,560 --> 01:30:47,280
Speaker 2: holding you back, Like you're going at some powerful people

1649
01:30:47,320 --> 01:30:50,960
Speaker 2: that you can't really win against, so you're losing shit

1650
01:30:51,760 --> 01:30:57,880
Speaker 2: on the principle of holding this grudge. But what I

1651
01:30:57,960 --> 01:31:01,479
Speaker 2: always find interested in these conversations, what is it about

1652
01:31:01,520 --> 01:31:03,839
Speaker 2: Monique to make that people look at her and think

1653
01:31:04,760 --> 01:31:09,400
Speaker 2: she doesn't understand the consequences. She seemed to understand to me,

1654
01:31:09,640 --> 01:31:13,320
Speaker 2: Oh yeah, like she being pretty comfortable with Like, yeah,

1655
01:31:13,360 --> 01:31:16,479
Speaker 2: so this is it. Like, if I'm this famous, this

1656
01:31:16,600 --> 01:31:19,880
Speaker 2: level is successful for the rest of my life, I'm good.

1657
01:31:19,960 --> 01:31:20,599
Speaker 4: I'm Gucci.

1658
01:31:21,240 --> 01:31:23,080
Speaker 2: Like, if motherfuckers don't fuck with me off of this,

1659
01:31:23,280 --> 01:31:26,519
Speaker 2: I'm good with that too. And I've seen other people

1660
01:31:26,600 --> 01:31:28,479
Speaker 2: on smaller scales do this all the time.

1661
01:31:28,760 --> 01:31:28,960
Speaker 6: Yep.

1662
01:31:29,240 --> 01:31:31,040
Speaker 2: You know. I think there's something about her being a

1663
01:31:31,080 --> 01:31:32,640
Speaker 2: black woman that makes people feel like they need to

1664
01:31:32,640 --> 01:31:36,640
Speaker 2: advise her comeone. But I mean I got friends that

1665
01:31:36,640 --> 01:31:38,840
Speaker 2: have burned the bridge and they're like, yeah, fuck it

1666
01:31:39,920 --> 01:31:41,960
Speaker 2: like that. That's just not an option for me no more.

1667
01:31:42,400 --> 01:31:44,760
Speaker 2: And I have to be like, all right, I respect you,

1668
01:31:44,880 --> 01:31:48,439
Speaker 2: so I gotta respect your decision, you know. So anyway,

1669
01:31:48,479 --> 01:31:50,839
Speaker 2: at this point, I don't feel like there's a problem necessarily.

1670
01:31:50,880 --> 01:31:54,000
Speaker 2: I think it'll go on to get you know, more

1671
01:31:54,040 --> 01:31:54,360
Speaker 2: or later.

1672
01:31:55,520 --> 01:31:57,240
Speaker 12: And I want to explain that and I thank you

1673
01:31:57,280 --> 01:32:04,120
Speaker 12: for seeing that inequality is devastating and it's extreme. And

1674
01:32:04,160 --> 01:32:06,479
Speaker 12: when people said, Monique, do you think calling a boycott

1675
01:32:06,600 --> 01:32:07,200
Speaker 12: was extreme?

1676
01:32:07,600 --> 01:32:12,000
Speaker 3: You damn right? But isn't inequality extreme? So we've got to.

1677
01:32:12,000 --> 01:32:15,320
Speaker 12: Get to a place where we're I'm afraid to say

1678
01:32:15,320 --> 01:32:16,120
Speaker 12: it out loud.

1679
01:32:16,680 --> 01:32:18,600
Speaker 3: What I would have what I would.

1680
01:32:18,320 --> 01:32:21,480
Speaker 12: Have loved, what I would have appreciated from my brother.

1681
01:32:22,080 --> 01:32:23,840
Speaker 3: Was had you picked up the phone.

1682
01:32:24,160 --> 01:32:26,920
Speaker 12: Before you went on the air and said, Monique, you've

1683
01:32:26,920 --> 01:32:27,799
Speaker 12: burned too many.

1684
01:32:27,600 --> 01:32:29,240
Speaker 3: Bridges and it's nothing I can do.

1685
01:32:29,560 --> 01:32:29,760
Speaker 8: See.

1686
01:32:29,760 --> 01:32:32,040
Speaker 12: I would have appreciated had my brother called me up

1687
01:32:32,080 --> 01:32:36,600
Speaker 12: and said, baby, let's talk, because you doing that was

1688
01:32:36,640 --> 01:32:37,960
Speaker 12: a part of me.

1689
01:32:38,040 --> 01:32:41,719
Speaker 6: Being difficult before that. Though, yes, baby, remember the moment

1690
01:32:42,160 --> 01:32:43,080
Speaker 6: on stage.

1691
01:32:43,479 --> 01:32:47,000
Speaker 3: Oh yes, that was a wonderful moment. Know it was,

1692
01:32:47,120 --> 01:32:49,160
Speaker 3: Oh my god, No it was. That was one of

1693
01:32:49,200 --> 01:32:50,000
Speaker 3: those moments.

1694
01:32:50,040 --> 01:32:52,320
Speaker 2: No, it wasn't be Richard Now. I think he's talking

1695
01:32:52,320 --> 01:32:54,519
Speaker 2: about when she talked about Lee Daniels and doing her

1696
01:32:54,880 --> 01:32:58,360
Speaker 2: stand up and Tyler Perry and Oprah and she did

1697
01:32:58,360 --> 01:33:01,519
Speaker 2: that like Peter One. That bit was so fucking funny.

1698
01:33:01,600 --> 01:33:05,280
Speaker 2: I'm sorry all the moneygue is a funny shit. I

1699
01:33:05,280 --> 01:33:07,000
Speaker 2: don't really check for any of that cause I really

1700
01:33:07,040 --> 01:33:11,080
Speaker 2: do think she's funny and go ahead. But when she

1701
01:33:11,240 --> 01:33:14,599
Speaker 2: did that, it was airing shit out in a way

1702
01:33:14,680 --> 01:33:17,800
Speaker 2: that I could understand. Steve Harvey feeling like I'm not

1703
01:33:18,000 --> 01:33:21,920
Speaker 2: picking up the phone you told everybody, Like, it's nothing

1704
01:33:22,240 --> 01:33:25,600
Speaker 2: private about this anymore. You publicly you went public with

1705
01:33:25,680 --> 01:33:27,840
Speaker 2: this beef, and then you want me to pick up

1706
01:33:27,840 --> 01:33:29,439
Speaker 2: the phone before I talk about it on the air.

1707
01:33:29,479 --> 01:33:31,920
Speaker 2: Everybody talking about it now, you know what I'm saying, Like,

1708
01:33:31,920 --> 01:33:33,719
Speaker 2: I don't feel like a phone call needs to happen

1709
01:33:33,760 --> 01:33:36,800
Speaker 2: for me to talk about the thing that everybody's gonna

1710
01:33:36,800 --> 01:33:38,320
Speaker 2: be talking about. But go ahead, what are you gonna say?

1711
01:33:38,600 --> 01:33:38,760
Speaker 5: Oh?

1712
01:33:38,760 --> 01:33:41,679
Speaker 4: And I guess that's what I was gonna say, Like.

1713
01:33:43,479 --> 01:33:47,240
Speaker 5: In some situations, a phone call needs to be had,

1714
01:33:48,080 --> 01:33:51,000
Speaker 5: you know. And I do understand his perspective, go, like,

1715
01:33:51,160 --> 01:33:52,680
Speaker 5: what the fuck is the phone call gonna make for

1716
01:33:52,760 --> 01:33:54,280
Speaker 5: her thing? It was like you took it on your

1717
01:33:54,280 --> 01:33:58,200
Speaker 5: air like like your airways, completely different than me talking

1718
01:33:58,200 --> 01:34:00,639
Speaker 5: about it on the comedy special, Like you talked about

1719
01:34:00,640 --> 01:34:03,120
Speaker 5: it on your airway, So it was going to eventually.

1720
01:34:02,720 --> 01:34:05,760
Speaker 4: Get back to be You got my number, you could

1721
01:34:05,760 --> 01:34:06,280
Speaker 4: have called me.

1722
01:34:07,000 --> 01:34:09,960
Speaker 2: Yeah, that's I don't know, man, That's difficult for me

1723
01:34:10,000 --> 01:34:12,360
Speaker 2: because I think his job, it's like our job is

1724
01:34:12,360 --> 01:34:15,799
Speaker 2: to talk about topical events. Correct. If I know somebody

1725
01:34:15,920 --> 01:34:19,040
Speaker 2: and they do something that's a topical event, I'm not

1726
01:34:19,360 --> 01:34:23,240
Speaker 2: calling them to talk about it because I'm like, I'm

1727
01:34:23,240 --> 01:34:25,040
Speaker 2: giving my opinion the way they gave theirs. You know,

1728
01:34:25,120 --> 01:34:28,680
Speaker 2: it's like if if like God forbid, but Bomighty did

1729
01:34:28,720 --> 01:34:32,240
Speaker 2: some wild shit, right. I love bo we talked all

1730
01:34:32,280 --> 01:34:36,599
Speaker 2: the time, but if he did some wild ship on ESPN,

1731
01:34:36,760 --> 01:34:38,880
Speaker 2: I don't want to feel like, well, let me run

1732
01:34:38,960 --> 01:34:40,920
Speaker 2: it by him before I let him know that I'm

1733
01:34:40,920 --> 01:34:43,000
Speaker 2: going to go on the air and be like, yeah,

1734
01:34:43,040 --> 01:34:44,880
Speaker 2: he was wild in today, and.

1735
01:34:44,840 --> 01:34:46,960
Speaker 4: I guess I wasn't looking at like that perspective.

1736
01:34:47,040 --> 01:34:49,840
Speaker 5: Yeah, yeah, Because the thing is, so did he go

1737
01:34:49,880 --> 01:34:53,439
Speaker 5: in there after she already okay, okay.

1738
01:34:53,520 --> 01:34:55,559
Speaker 2: Saying like why did you call me? And he's like,

1739
01:34:55,920 --> 01:34:59,200
Speaker 2: why would I call that instance? That makes sense? You

1740
01:34:59,200 --> 01:34:59,720
Speaker 2: you did something.

1741
01:35:00,400 --> 01:35:02,360
Speaker 5: I have to address it publicly because I'm probably being

1742
01:35:02,400 --> 01:35:04,040
Speaker 5: asked about it or like I said, it's topical.

1743
01:35:04,200 --> 01:35:06,000
Speaker 4: So it's the next thing we were talking about.

1744
01:35:06,200 --> 01:35:09,519
Speaker 2: Yeah, And the thing is she does put out people's

1745
01:35:09,560 --> 01:35:13,040
Speaker 2: private conversations with her, right whenever people start doubting her,

1746
01:35:13,040 --> 01:35:15,200
Speaker 2: she'd be like, I recorded this shit. Here's a call

1747
01:35:15,400 --> 01:35:17,439
Speaker 2: for me and Lee Daniels.

1748
01:35:17,640 --> 01:35:20,639
Speaker 5: Yeah, du go ahead, I about saying, don't nobody want

1749
01:35:20,680 --> 01:35:22,439
Speaker 5: to be on the receiving end? Of thinking they're having

1750
01:35:22,479 --> 01:35:25,040
Speaker 5: a private conversation with you that becomes public people like no, no, no,

1751
01:35:25,160 --> 01:35:26,600
Speaker 5: I just talk about it here and we'll just have

1752
01:35:26,600 --> 01:35:29,080
Speaker 5: to talk out publicly. That way, everybody knows what we're

1753
01:35:29,080 --> 01:35:29,599
Speaker 5: talking about.

1754
01:35:30,240 --> 01:35:32,280
Speaker 2: Yeah, So like there's a balance to this shit, because

1755
01:35:32,280 --> 01:35:34,160
Speaker 2: I think people talk about it with our nuance where

1756
01:35:34,160 --> 01:35:36,679
Speaker 2: it's like it's either her side or his side. She's

1757
01:35:36,720 --> 01:35:38,840
Speaker 2: all the way right, he's all the way wrong. He's

1758
01:35:38,880 --> 01:35:42,840
Speaker 2: a come she's living with integrity. And I saw that

1759
01:35:42,880 --> 01:35:45,240
Speaker 2: going on Twitter a lot, and it's like, I feel

1760
01:35:45,400 --> 01:35:48,960
Speaker 2: that people just it's like a Facebook mean, people take

1761
01:35:49,000 --> 01:35:51,480
Speaker 2: from it the shit that lines up with their sensibilities

1762
01:35:51,479 --> 01:35:54,400
Speaker 2: and walk away like and that's that. And I'm like, nah,

1763
01:35:54,439 --> 01:35:57,200
Speaker 2: it seemed deeper than that. The part is sad to

1764
01:35:57,280 --> 01:35:59,680
Speaker 2: me is that they seem to have a friendship and

1765
01:35:59,760 --> 01:36:04,040
Speaker 2: yet I mean maybe and maybe it's that Hollywood friendship

1766
01:36:04,120 --> 01:36:06,840
Speaker 2: where you're not really friends, but y'are having it out

1767
01:36:06,880 --> 01:36:09,559
Speaker 2: on national TV and you know that this is like,

1768
01:36:09,760 --> 01:36:12,800
Speaker 2: this is a tense situation to talk about in front

1769
01:36:12,800 --> 01:36:13,360
Speaker 2: of everybody.

1770
01:36:13,200 --> 01:36:16,760
Speaker 3: Whisper in my ear and set say it, you say it, I.

1771
01:36:17,040 --> 01:36:17,560
Speaker 6: Know it was.

1772
01:36:17,760 --> 01:36:20,200
Speaker 3: That was one of those moments No, it wasn't that.

1773
01:36:20,360 --> 01:36:22,680
Speaker 3: Richard Prior whispered in my ear and set say it.

1774
01:36:22,880 --> 01:36:28,720
Speaker 1: You say it, didn't you to say that yesterday.

1775
01:36:30,280 --> 01:36:32,800
Speaker 12: I do not regret, as I said on the Steve

1776
01:36:32,840 --> 01:36:34,160
Speaker 12: Harvey Show, I do not.

1777
01:36:34,160 --> 01:36:37,640
Speaker 3: Regret one moment of that night on that stage. No,

1778
01:36:39,040 --> 01:36:39,840
Speaker 3: you don't know.

1779
01:36:42,400 --> 01:36:48,800
Speaker 1: Moto Tyler, Perry, Oprah Win and Lee Daniels to suck

1780
01:36:48,880 --> 01:36:53,240
Speaker 1: her private parts, not my private parts. Well you said

1781
01:36:53,280 --> 01:36:56,920
Speaker 1: if I had one, yeah, I want them three to

1782
01:36:57,080 --> 01:37:01,280
Speaker 1: suck my private part. Yeah, it wasn't private parts on stage.

1783
01:37:01,600 --> 01:37:06,679
Speaker 1: So now then I went, I quit breathing.

1784
01:37:07,200 --> 01:37:10,479
Speaker 6: I quit breathing for you. I didn't what happened to

1785
01:37:10,520 --> 01:37:10,960
Speaker 6: you more?

1786
01:37:11,520 --> 01:37:13,799
Speaker 2: And so this is the thing though, like I said,

1787
01:37:14,200 --> 01:37:18,519
Speaker 2: she's so comfortable with this, right, that's the That's how

1788
01:37:18,560 --> 01:37:20,479
Speaker 2: I would approach it. If I have a friend like this,

1789
01:37:20,560 --> 01:37:24,040
Speaker 2: that's like, I'm just gonna be out here, fuck fuck

1790
01:37:24,120 --> 01:37:27,400
Speaker 2: everything like this. This is my truth and I'm living it,

1791
01:37:27,439 --> 01:37:29,200
Speaker 2: and I don't care what the consequences are because at

1792
01:37:29,240 --> 01:37:32,120
Speaker 2: least I got my truth, you know, and especially you

1793
01:37:32,120 --> 01:37:36,000
Speaker 2: know the way social media is now. Yeah, I know

1794
01:37:36,040 --> 01:37:38,320
Speaker 2: I keep going back to this, but you you can't

1795
01:37:38,400 --> 01:37:41,840
Speaker 2: really listen to these niggas because they will tell you

1796
01:37:41,920 --> 01:37:44,960
Speaker 2: the worst possible advice. They'll applaud you burning your career,

1797
01:37:45,560 --> 01:37:48,479
Speaker 2: and then they're gonna laugh at you and anything bad happen.

1798
01:37:49,200 --> 01:37:52,000
Speaker 2: Like these motherfuckers ain't loyal to Monique. They don't buy shit,

1799
01:37:52,240 --> 01:37:54,599
Speaker 2: they don't support her, they don't get tickets, they're not

1800
01:37:54,640 --> 01:37:57,160
Speaker 2: going to her residency in Las Vegas to support her

1801
01:37:57,520 --> 01:37:59,880
Speaker 2: for making this brave calls and they're calling it for

1802
01:38:00,120 --> 01:38:04,120
Speaker 2: blackness and shit. It's just what's entertaining today on social media,

1803
01:38:04,240 --> 01:38:07,759
Speaker 2: and today it was her versus Steve Harvey is entertaining.

1804
01:38:07,800 --> 01:38:09,840
Speaker 2: This is why they put it out on YouTube, because

1805
01:38:09,880 --> 01:38:11,559
Speaker 2: they could have shelved this show and been like, man,

1806
01:38:11,560 --> 01:38:14,559
Speaker 2: we ain't showing this shit like there's a reason. And

1807
01:38:14,640 --> 01:38:17,320
Speaker 2: it works and it resonates and people are lining up

1808
01:38:17,320 --> 01:38:19,840
Speaker 2: on their sides, and men are lining up with Steve

1809
01:38:19,880 --> 01:38:22,200
Speaker 2: Harvey toll be like yeah, I told you Monique just crazy,

1810
01:38:22,479 --> 01:38:25,439
Speaker 2: and then women are lining up with her to be like, yeah,

1811
01:38:25,640 --> 01:38:28,320
Speaker 2: Steve Harvey is patronizing and look at how he's talking

1812
01:38:28,360 --> 01:38:30,639
Speaker 2: over her and shit, which he does later in his flip.

1813
01:38:30,680 --> 01:38:34,400
Speaker 2: I believe so yeah. I think people are so busy

1814
01:38:34,400 --> 01:38:36,360
Speaker 2: worried about the sides of it that they can't see

1815
01:38:36,400 --> 01:38:40,000
Speaker 2: any reason on anyone's particular side, you know, on the

1816
01:38:40,040 --> 01:38:41,200
Speaker 2: other side, right.

1817
01:38:41,360 --> 01:38:44,720
Speaker 1: When you made that statement, the narrative got flipped. It

1818
01:38:44,760 --> 01:38:47,920
Speaker 1: wasn't about Netflix no more. It was it wasn't about

1819
01:38:47,960 --> 01:38:50,240
Speaker 1: Netflix no more. The tension was all off of where

1820
01:38:50,280 --> 01:38:50,960
Speaker 1: we needed to go.

1821
01:38:51,640 --> 01:38:51,920
Speaker 6: Huh.

1822
01:38:51,920 --> 01:38:53,599
Speaker 3: That was before Netflix, so good.

1823
01:38:53,680 --> 01:38:55,800
Speaker 1: So now when you bring up Netflix, it doesn't get

1824
01:38:55,840 --> 01:38:58,280
Speaker 1: no win. But you then just said this to these

1825
01:38:58,320 --> 01:39:03,000
Speaker 1: three people. And these three people, yes, not because they're powerful,

1826
01:39:03,439 --> 01:39:04,840
Speaker 1: but because of who they've come.

1827
01:39:05,160 --> 01:39:08,200
Speaker 6: And what happens is I told you we can't cure

1828
01:39:08,280 --> 01:39:09,719
Speaker 6: darkness with more darkness.

1829
01:39:10,240 --> 01:39:12,200
Speaker 3: I go, we can do is cure it with comedy.

1830
01:39:12,640 --> 01:39:15,479
Speaker 12: And what I'm not gonna do, Steve, I'm never ever

1831
01:39:15,640 --> 01:39:18,880
Speaker 12: gonna waiver from my comedy show on that stage.

1832
01:39:19,040 --> 01:39:21,200
Speaker 3: That's my gift and that's my freedom.

1833
01:39:21,520 --> 01:39:24,439
Speaker 12: And what happens is when you allow people to start

1834
01:39:24,479 --> 01:39:27,639
Speaker 12: taking your freedom and your gifts and making it become

1835
01:39:27,680 --> 01:39:30,800
Speaker 12: what makes them comfortable, we then lose. When you called

1836
01:39:30,800 --> 01:39:33,080
Speaker 12: me with the Morning show on the phone, I said

1837
01:39:33,120 --> 01:39:37,280
Speaker 12: to you, Steve, my family is suffering behind this, and

1838
01:39:37,360 --> 01:39:39,920
Speaker 12: y'all know I did nothing wrong. Y'all know my husband

1839
01:39:39,960 --> 01:39:43,120
Speaker 12: did nothing wrong, But none of y'all in real time,

1840
01:39:43,720 --> 01:39:48,599
Speaker 12: in real time, was strong enough to go publicly and

1841
01:39:48,720 --> 01:39:51,480
Speaker 12: say we can't throw our sister under the bus.

1842
01:39:51,200 --> 01:39:54,559
Speaker 6: Because Moe, listen to me, we're fighting two walls here.

1843
01:39:54,760 --> 01:39:55,280
Speaker 3: What war?

1844
01:39:55,760 --> 01:39:58,000
Speaker 6: There's two wars? Is what your issue is?

1845
01:39:58,360 --> 01:40:01,120
Speaker 2: Now? The thing that what was interesting with her talking

1846
01:40:01,120 --> 01:40:03,080
Speaker 2: about her family because he brings up her family later,

1847
01:40:04,280 --> 01:40:07,760
Speaker 2: and if you believe that they are friends, as they

1848
01:40:07,760 --> 01:40:11,600
Speaker 2: both say they are, I think Steve Harvey's kind of

1849
01:40:11,600 --> 01:40:14,720
Speaker 2: being like, well, that's the thing. If you really want

1850
01:40:14,720 --> 01:40:17,679
Speaker 2: to help your family, you would kind of go along

1851
01:40:17,880 --> 01:40:20,880
Speaker 2: to get along. Me coming out and saying we can't

1852
01:40:20,880 --> 01:40:23,599
Speaker 2: throw our sister under the bus is not gonna help

1853
01:40:23,640 --> 01:40:26,160
Speaker 2: your family out. The only thing that can help him

1854
01:40:26,200 --> 01:40:30,479
Speaker 2: out is you acting differently. And if you're gonna go

1855
01:40:30,520 --> 01:40:33,439
Speaker 2: down this route, everyone's gonna treat you a certain way,

1856
01:40:33,760 --> 01:40:36,320
Speaker 2: regardless of what the fuck I think, you know, because

1857
01:40:36,360 --> 01:40:38,040
Speaker 2: he is the one that's like, come be on my

1858
01:40:38,160 --> 01:40:40,720
Speaker 2: radio show, even after all this shit, because he could

1859
01:40:40,720 --> 01:40:42,880
Speaker 2: have been like, no, don't come on my radio show,

1860
01:40:42,920 --> 01:40:46,120
Speaker 2: don't come on my TV show. You're fucking kryptonite. Right now,

1861
01:40:46,520 --> 01:40:49,559
Speaker 2: everybody sees your radioactive you pissed off all the big

1862
01:40:49,600 --> 01:40:53,879
Speaker 2: movers and shakers. I'm just trying to eat and nobody

1863
01:40:53,880 --> 01:40:56,240
Speaker 2: cares about this but black people. Anyway, Steve's gonna turn

1864
01:40:56,280 --> 01:40:58,519
Speaker 2: on the shack now right right. He could have pulled

1865
01:40:58,520 --> 01:41:01,640
Speaker 2: that move, but I don't think people are interested in

1866
01:41:01,720 --> 01:41:04,080
Speaker 2: seeing that as any level of an olive branch right now,

1867
01:41:04,080 --> 01:41:06,240
Speaker 2: because you know, it's easier to pick size and be

1868
01:41:06,320 --> 01:41:08,559
Speaker 2: like Steve Harty is a terrible person than to be

1869
01:41:08,720 --> 01:41:11,040
Speaker 2: like yo. He could have been like fuck you for real.

1870
01:41:11,200 --> 01:41:14,240
Speaker 2: Don't call me back the end. Because Oprah and not

1871
01:41:14,439 --> 01:41:17,000
Speaker 2: having her on the show, Lee Dingles don't want to

1872
01:41:17,000 --> 01:41:20,360
Speaker 2: talk to her. Tyler Perry talked on the phone. Oh shit,

1873
01:41:20,920 --> 01:41:24,240
Speaker 2: and she still did them that way. Let me add

1874
01:41:24,240 --> 01:41:26,200
Speaker 2: it real quick, Sorry about that. How did that happen?

1875
01:41:29,360 --> 01:41:33,880
Speaker 2: I really thought we had more time. Uh seven? Oh

1876
01:41:36,160 --> 01:41:39,599
Speaker 2: oh god, this is so terrible. I hope Oprah don't

1877
01:41:39,600 --> 01:41:40,160
Speaker 2: cancel me.

1878
01:41:40,200 --> 01:41:40,679
Speaker 6: For this.

1879
01:41:42,200 --> 01:41:44,559
Speaker 2: All right. Let me it looks like it's loading up.

1880
01:41:45,479 --> 01:41:50,080
Speaker 2: Let me add everybody back to the session and to

1881
01:41:50,160 --> 01:41:54,000
Speaker 2: the screen man. We knew that rabbit hole was gonna

1882
01:41:54,040 --> 01:41:55,640
Speaker 2: get that deep. I was thinking they only take a

1883
01:41:55,680 --> 01:42:01,000
Speaker 2: few minutes talk about this, nah, because you gotta get

1884
01:42:01,040 --> 01:42:03,160
Speaker 2: all into the you gotta get all into the gravy,

1885
01:42:03,560 --> 01:42:06,679
Speaker 2: all right, talking about Mombo. All right, I just added

1886
01:42:06,720 --> 01:42:10,639
Speaker 2: you to the screen and it should be going live now,

1887
01:42:17,000 --> 01:42:20,840
Speaker 2: all right. So but yeah, I could you know, I mean,

1888
01:42:20,880 --> 01:42:22,640
Speaker 2: he could have cut her off completely if it was

1889
01:42:22,680 --> 01:42:25,479
Speaker 2: really that simple, and he was like, fuck you, I

1890
01:42:25,520 --> 01:42:27,720
Speaker 2: don't fuck with you at all. But he did have

1891
01:42:27,760 --> 01:42:30,000
Speaker 2: her on this radio show that like explain her side

1892
01:42:30,040 --> 01:42:33,040
Speaker 2: of things and to try to talk her through it

1893
01:42:33,120 --> 01:42:35,200
Speaker 2: or whatever. But yeah, well she brings up her family.

1894
01:42:35,560 --> 01:42:38,320
Speaker 2: I just want to bring highlight that moment because it

1895
01:42:38,360 --> 01:42:41,360
Speaker 2: comes back up later in the conversation and I think

1896
01:42:41,400 --> 01:42:44,879
Speaker 2: this is when people was like, you know, fuck him basically.

1897
01:42:44,920 --> 01:42:46,640
Speaker 2: But I'm like, I think he's talking about it on

1898
01:42:46,720 --> 01:42:48,439
Speaker 2: some I'm like, the best way to help your family

1899
01:42:48,520 --> 01:42:51,160
Speaker 2: is not to go to war with three motherfuckers you

1900
01:42:51,200 --> 01:42:51,800
Speaker 2: can't beat.

1901
01:42:53,080 --> 01:42:55,680
Speaker 6: And it's what the perception of the issue is. And

1902
01:42:56,160 --> 01:42:57,479
Speaker 6: the narrative has.

1903
01:42:57,400 --> 01:43:01,080
Speaker 3: Changed, and I agree with it when the narrative changes.

1904
01:43:01,240 --> 01:43:03,519
Speaker 3: But if all of y'all said, this is the.

1905
01:43:03,360 --> 01:43:06,120
Speaker 12: Only issue I have with it, baby, When all of

1906
01:43:06,200 --> 01:43:10,880
Speaker 12: y'all said privately to include Oprah, all of y'all said

1907
01:43:10,920 --> 01:43:13,639
Speaker 12: privately I've done nothing wrong.

1908
01:43:13,760 --> 01:43:15,680
Speaker 1: When you tell the truth, you have to deal with

1909
01:43:15,720 --> 01:43:18,800
Speaker 1: the repercussions of the truth. We black out here. We

1910
01:43:18,920 --> 01:43:20,559
Speaker 1: can't come out here and do it any kind of way.

1911
01:43:20,560 --> 01:43:21,320
Speaker 3: We woke it.

1912
01:43:21,320 --> 01:43:24,559
Speaker 2: Listen, Nah, his audience clapping for that is weird to me?

1913
01:43:25,720 --> 01:43:30,360
Speaker 2: Is that not weird to everybody? We can't tell the truth?

1914
01:43:30,400 --> 01:43:34,040
Speaker 2: Were black? Yes, that's the mm hmm, telling it like

1915
01:43:34,080 --> 01:43:37,360
Speaker 2: it is, like what you put the video back up.

1916
01:43:37,800 --> 01:43:42,040
Speaker 2: Oh my bad, my bad, I'm sorry, but yeah, I

1917
01:43:42,080 --> 01:43:44,360
Speaker 2: don't understand. I mean, I guess audience is just clapp

1918
01:43:44,400 --> 01:43:46,840
Speaker 2: when they when they there's a pause, I don't know

1919
01:43:46,880 --> 01:43:49,519
Speaker 2: what they were clapping for. They were earlier clapping for

1920
01:43:49,520 --> 01:43:51,240
Speaker 2: her when she was talkout freedom and shit and any

1921
01:43:51,280 --> 01:43:54,800
Speaker 2: turn in the you know, clapping for him saying keep

1922
01:43:55,000 --> 01:43:55,360
Speaker 2: the house.

1923
01:43:55,960 --> 01:43:58,559
Speaker 6: Can't be the Sydney that he really is out here.

1924
01:43:58,720 --> 01:44:00,160
Speaker 3: Let me tell you, there's nothing that's.

1925
01:44:00,760 --> 01:44:02,840
Speaker 1: We got a flex a different way we out here

1926
01:44:02,840 --> 01:44:05,120
Speaker 1: in a game. This is the money game. This ain't

1927
01:44:05,120 --> 01:44:07,639
Speaker 1: the black man's game. This ain't the white man's game.

1928
01:44:08,320 --> 01:44:11,080
Speaker 6: Money game. I'm the money game.

1929
01:44:11,240 --> 01:44:14,639
Speaker 2: Also, clapping for that, it's weird, right right, just random

1930
01:44:14,640 --> 01:44:18,120
Speaker 2: claps like what it's the money game, the black man's game,

1931
01:44:18,160 --> 01:44:23,960
Speaker 2: the white man's game. Clap, why profice yourself?

1932
01:44:24,160 --> 01:44:26,960
Speaker 3: But the best thing you can do for you catch?

1933
01:44:27,680 --> 01:44:30,800
Speaker 2: What is that? What are you doing, Steve? What are

1934
01:44:30,800 --> 01:44:35,080
Speaker 2: you doing? What are you doing? Steve? Going off the

1935
01:44:35,120 --> 01:44:43,840
Speaker 2: reilm you're talking over getting aggressive? Yeah? Good, No, this

1936
01:44:43,920 --> 01:44:46,040
Speaker 2: is the clip I saw on Twitter. I was just like, no,

1937
01:44:46,200 --> 01:44:48,400
Speaker 2: the object of that is all fucked up. Doesn't matter

1938
01:44:48,400 --> 01:44:50,880
Speaker 2: what his point is. Like once you reaching that, leaning

1939
01:44:50,920 --> 01:44:53,679
Speaker 2: towards somebody talking over them, talking loud, touching their hands,

1940
01:44:54,040 --> 01:44:56,360
Speaker 2: ship like that, they cutting them off me a sentence,

1941
01:44:56,520 --> 01:44:59,559
Speaker 2: it doesn't even matter. Like you can have a good point.

1942
01:44:59,600 --> 01:45:03,000
Speaker 2: That's and men, for the most part, won't care that

1943
01:45:03,040 --> 01:45:05,760
Speaker 2: he said it this way because most men have the

1944
01:45:05,800 --> 01:45:09,400
Speaker 2: emotional intelligence of a fucking squirrel. Men are like, men

1945
01:45:09,439 --> 01:45:11,320
Speaker 2: are pretty stupid when it comes to the shit, and

1946
01:45:11,360 --> 01:45:13,960
Speaker 2: so they think that, well, the words coming out of

1947
01:45:14,000 --> 01:45:16,519
Speaker 2: my mouth make sense, that's the end of it. It's like,

1948
01:45:16,600 --> 01:45:18,880
Speaker 2: you cut me off. You were rude, you yelled at me,

1949
01:45:19,000 --> 01:45:20,519
Speaker 2: you were leaning for it, you were touching me on

1950
01:45:20,520 --> 01:45:22,479
Speaker 2: my arm, on my shoulder, every time I went to speak,

1951
01:45:23,240 --> 01:45:26,559
Speaker 2: fuck everything you just said. You know when I saw that,

1952
01:45:26,960 --> 01:45:30,320
Speaker 2: heard that she threatened to like slap him some shit

1953
01:45:30,439 --> 01:45:32,320
Speaker 2: earlier November. Last week, we talked about it on the

1954
01:45:32,360 --> 01:45:34,920
Speaker 2: show where it was like she said she was gonna

1955
01:45:34,920 --> 01:45:36,840
Speaker 2: slap him or something, and they was like, we'll see

1956
01:45:36,880 --> 01:45:38,680
Speaker 2: when the show airs, and I guess it's not on

1957
01:45:38,720 --> 01:45:43,639
Speaker 2: this clip. But anyway, I was like, damn, I thought

1958
01:45:43,640 --> 01:45:46,559
Speaker 2: they were friends. It really got that contentious. But now

1959
01:45:46,560 --> 01:45:48,040
Speaker 2: I'm looking at how you're talking to him, like of

1960
01:45:48,040 --> 01:45:49,800
Speaker 2: course it did. I could see exactly how you be,

1961
01:45:49,880 --> 01:45:54,240
Speaker 2: like niggas, listen, what you're not gonna do is yell

1962
01:45:54,280 --> 01:45:57,160
Speaker 2: at me and put your hand on me and all

1963
01:45:57,200 --> 01:45:59,599
Speaker 2: that we can talk like I'm talking to you. Because

1964
01:46:00,080 --> 01:46:02,360
Speaker 2: one thing I love about Monique, and I know people

1965
01:46:02,400 --> 01:46:04,800
Speaker 2: hate Monique or whatever, one of the things I love

1966
01:46:04,880 --> 01:46:07,400
Speaker 2: about Monique is the way that she talks so calmly

1967
01:46:07,439 --> 01:46:10,120
Speaker 2: to get her fucking point across. And you can tell

1968
01:46:10,160 --> 01:46:12,599
Speaker 2: she be mad, you could tell she's angry, she's all

1969
01:46:12,640 --> 01:46:16,720
Speaker 2: these things, but she is never out of control, Like

1970
01:46:16,800 --> 01:46:18,720
Speaker 2: she will just sit there right there and tell you

1971
01:46:18,880 --> 01:46:22,000
Speaker 2: very calmly like no baby, no my child, no my love,

1972
01:46:22,680 --> 01:46:26,040
Speaker 2: and then read you for fucking phil in your motherfucking face.

1973
01:46:26,080 --> 01:46:27,920
Speaker 2: And I love that about her. That's like some dope

1974
01:46:27,920 --> 01:46:33,799
Speaker 2: shit to me. And I think Steve Harvey got defensive

1975
01:46:33,800 --> 01:46:35,519
Speaker 2: and started raising his voice and shit.

1976
01:46:35,600 --> 01:46:37,320
Speaker 5: Yeah, because a lot of people, when it comes to this,

1977
01:46:37,360 --> 01:46:39,559
Speaker 5: they think being loud means being right, and that's a

1978
01:46:39,640 --> 01:46:40,719
Speaker 5: false that's false.

1979
01:46:41,040 --> 01:46:43,240
Speaker 2: Right. But I'm a big fan of her, like I

1980
01:46:43,280 --> 01:46:45,639
Speaker 2: love her interviews and shit, because she just be talking

1981
01:46:45,640 --> 01:46:49,519
Speaker 2: to people so like it be like, you see, this

1982
01:46:49,560 --> 01:46:52,960
Speaker 2: is where you messed up. Honey. Now listen, my love,

1983
01:46:53,200 --> 01:46:55,240
Speaker 2: my DearS, she said, But let me tell.

1984
01:46:55,160 --> 01:46:57,120
Speaker 12: You what the game is, the money game before the

1985
01:46:57,120 --> 01:46:59,519
Speaker 12: money games, called the integrity game. And we've lost the

1986
01:46:59,520 --> 01:47:01,000
Speaker 12: integrity worrying about the money.

1987
01:47:03,240 --> 01:47:07,720
Speaker 1: If my children crumble, my grandchildren crumble, I cannot, for

1988
01:47:07,840 --> 01:47:11,600
Speaker 1: the sake of my integrity stand up here and like

1989
01:47:11,840 --> 01:47:15,360
Speaker 1: everybody that's counting on me crumble. So I can make

1990
01:47:15,400 --> 01:47:18,880
Speaker 1: a statement there are ways to win the war in

1991
01:47:18,960 --> 01:47:19,679
Speaker 1: a different way.

1992
01:47:21,120 --> 01:47:22,439
Speaker 6: We got more right after this.

1993
01:47:23,479 --> 01:47:23,639
Speaker 8: Now.

1994
01:47:23,640 --> 01:47:29,120
Speaker 2: I think that's interesting because the like that is the

1995
01:47:29,200 --> 01:47:32,600
Speaker 2: duality of blackness, because people went to just straight up

1996
01:47:32,640 --> 01:47:35,080
Speaker 2: calling him Macon and shit, which okay, all right, I'm

1997
01:47:35,080 --> 01:47:37,960
Speaker 2: sure y'all all go to work and get fired and

1998
01:47:38,200 --> 01:47:40,639
Speaker 2: fucking cuss everybody out and you don't cause you still

1999
01:47:40,680 --> 01:47:44,320
Speaker 2: got jobs, integrity and all that shit. That's dope. I

2000
01:47:44,360 --> 01:47:47,439
Speaker 2: hope everybody's living their best, like fucking authentic life. I

2001
01:47:47,479 --> 01:47:49,639
Speaker 2: think people look at celebrity different, they look at these

2002
01:47:49,680 --> 01:47:52,040
Speaker 2: movie stars different, and they go, oh, well, you're rich

2003
01:47:52,080 --> 01:47:54,080
Speaker 2: and famous, you can do whatever you want. And Steve

2004
01:47:54,080 --> 01:47:57,439
Speaker 2: Harvey's basically saying, no, not even now, not even now.

2005
01:47:57,479 --> 01:48:00,559
Speaker 2: For me to be Steve Harvey with seventeen jobs, come on,

2006
01:48:00,840 --> 01:48:04,360
Speaker 2: it requires me swallowing some of this bullshit, even Steve Harvey,

2007
01:48:04,400 --> 01:48:06,320
Speaker 2: the multi million that shit. If I want to continue

2008
01:48:06,320 --> 01:48:09,360
Speaker 2: to do that, if I want to continue to provide

2009
01:48:09,360 --> 01:48:11,200
Speaker 2: for my family and shit. And that's how you know.

2010
01:48:11,360 --> 01:48:17,040
Speaker 2: That's the hustle of capitalism. That's the hustle of the economy, money. Uh,

2011
01:48:17,080 --> 01:48:20,680
Speaker 2: the hustle of of of of all this shit is

2012
01:48:20,720 --> 01:48:22,960
Speaker 2: that you still end up beholding to somebody. As long

2013
01:48:23,000 --> 01:48:27,200
Speaker 2: as you got some white person somewhere in charge of anything,

2014
01:48:28,200 --> 01:48:30,639
Speaker 2: you you still end up beholding to these motherfuckers. That's

2015
01:48:30,640 --> 01:48:31,960
Speaker 2: the that's the game. It's rigged.

2016
01:48:34,000 --> 01:48:34,200
Speaker 8: Now.

2017
01:48:34,240 --> 01:48:35,960
Speaker 2: That's not to say that Monique doesn't know that. I

2018
01:48:36,000 --> 01:48:37,760
Speaker 2: think Monique knows that A is comfortable with.

2019
01:48:37,680 --> 01:48:40,479
Speaker 5: It, right, and she's like, fuck it, I've made my decision, bitch,

2020
01:48:40,520 --> 01:48:41,160
Speaker 5: I don't care.

2021
01:48:41,800 --> 01:48:44,840
Speaker 4: And people are like but but but she was like, no, no, no,

2022
01:48:45,000 --> 01:48:48,640
Speaker 4: the decision has been made. I've made the decision. I

2023
01:48:48,680 --> 01:48:50,559
Speaker 4: got delivered. The consequences of this decision.

2024
01:48:51,040 --> 01:48:53,040
Speaker 5: I think a lot of people panic because they go, well,

2025
01:48:53,080 --> 01:48:54,840
Speaker 5: I wouldn't make that decision. So let me tell you

2026
01:48:54,840 --> 01:48:57,120
Speaker 5: how the decision you made was wrong, and how you're

2027
01:48:57,120 --> 01:48:58,800
Speaker 5: telling me the decision I made was wrong.

2028
01:48:58,880 --> 01:49:00,760
Speaker 4: I and me and my I ain't have to live

2029
01:49:00,800 --> 01:49:02,040
Speaker 4: with this, not you and yours.

2030
01:49:02,360 --> 01:49:06,519
Speaker 2: Right, So, like I said, I saw that ship and Viott.

2031
01:49:06,520 --> 01:49:10,080
Speaker 2: It was interesting just because of the way that they

2032
01:49:10,080 --> 01:49:14,280
Speaker 2: were talking. And that's how that tone shit matters so

2033
01:49:14,400 --> 01:49:15,360
Speaker 2: much in the discussion.

2034
01:49:15,479 --> 01:49:18,200
Speaker 5: Yeah yeah, and you're talking about tone. Tone means a

2035
01:49:18,200 --> 01:49:22,720
Speaker 5: lot because that's one thing about men. Men are never

2036
01:49:22,840 --> 01:49:24,120
Speaker 5: to check their tone ever.

2037
01:49:24,360 --> 01:49:26,760
Speaker 1: All Right, I'm back here with my sister Monique, and

2038
01:49:27,040 --> 01:49:27,800
Speaker 1: we're getting real.

2039
01:49:30,400 --> 01:49:32,760
Speaker 5: Okay, Sorry, I didn't even cut you off, you said, no,

2040
01:49:32,760 --> 01:49:34,120
Speaker 5: I just gonna say that men are never tort to

2041
01:49:34,200 --> 01:49:36,920
Speaker 5: check their tone, but women are always always told to

2042
01:49:36,960 --> 01:49:38,880
Speaker 5: check your tone, particularly being mean.

2043
01:49:39,000 --> 01:49:42,360
Speaker 4: Particularly for the fact that I'm a lot better than

2044
01:49:42,360 --> 01:49:42,760
Speaker 4: I used to be.

2045
01:49:42,840 --> 01:49:44,320
Speaker 2: I used to talk really, really really loud.

2046
01:49:44,560 --> 01:49:46,439
Speaker 5: And the biggest reason why is because I'm like, motherfucker,

2047
01:49:46,479 --> 01:49:47,880
Speaker 5: what you are gonna do, You're gonna hear me. What

2048
01:49:47,960 --> 01:49:49,920
Speaker 5: you ain't gonna do is talk over me. I've kind

2049
01:49:49,920 --> 01:49:52,800
Speaker 5: of learned to kind of tone that down over the years, uh,

2050
01:49:53,040 --> 01:49:56,840
Speaker 5: just being older and just learning how to control that point.

2051
01:49:57,160 --> 01:49:59,519
Speaker 5: But particularly being a woman and having a conversation with

2052
01:49:59,560 --> 01:50:02,120
Speaker 5: people in in a roal, but particularly having a conversation

2053
01:50:02,240 --> 01:50:04,920
Speaker 5: with somebody who think who thinks that because they're gonna

2054
01:50:04,920 --> 01:50:07,599
Speaker 5: get loud, they're gonna cause you to back down, particularly

2055
01:50:07,600 --> 01:50:10,240
Speaker 5: being a woman. They're gonna cause you to cower to

2056
01:50:10,400 --> 01:50:12,800
Speaker 5: whatever their point is, regardless of it is right, wrong,

2057
01:50:12,880 --> 01:50:14,880
Speaker 5: or indifferent, you know. And I think a lot of

2058
01:50:14,880 --> 01:50:18,080
Speaker 5: times people do this as a tactic to dismiss the

2059
01:50:18,080 --> 01:50:21,880
Speaker 5: woman's compass, to dismiss a woman's words, even if she's

2060
01:50:22,000 --> 01:50:26,080
Speaker 5: right and you're wrong. Sometimes it's just a tactic. And

2061
01:50:26,160 --> 01:50:28,320
Speaker 5: men have intended to use this tactic more than any

2062
01:50:28,400 --> 01:50:28,800
Speaker 5: other group.

2063
01:50:29,640 --> 01:50:32,320
Speaker 2: Yeah, the the and the other thing. Yeah, they do

2064
01:50:32,560 --> 01:50:35,280
Speaker 2: as a man especially, and I'm not and this isn't

2065
01:50:35,320 --> 01:50:37,639
Speaker 2: just something they do to women, right, It's just how

2066
01:50:37,760 --> 01:50:40,680
Speaker 2: men talk. It's fucked up, right, you know, because I

2067
01:50:40,680 --> 01:50:42,840
Speaker 2: don't have a voice that's very loud or deep or

2068
01:50:42,880 --> 01:50:44,840
Speaker 2: base heavy and shit. And when I end up in

2069
01:50:44,920 --> 01:50:46,960
Speaker 2: like just on the sideline talking at the wide like

2070
01:50:47,080 --> 01:50:50,519
Speaker 2: motherfuckers be yelling and like, if you just calmly go,

2071
01:50:50,520 --> 01:50:52,120
Speaker 2: I'm gonna wait for you to finish yelling, and I'm

2072
01:50:52,120 --> 01:50:55,000
Speaker 2: gonna say what I gotta say, like just didn't see

2073
01:50:55,080 --> 01:50:56,960
Speaker 2: me do it before? Like somebody be yelling at me,

2074
01:50:57,040 --> 01:51:00,439
Speaker 2: like no, Michael Jordan, And I'll just sit back and

2075
01:51:00,600 --> 01:51:02,880
Speaker 2: chill and just let them get it all out. And

2076
01:51:02,920 --> 01:51:06,160
Speaker 2: then I'm like, are you done now? I'm just saying.

2077
01:51:06,240 --> 01:51:08,000
Speaker 2: I'm like, and I'll start to say, like one sentence

2078
01:51:08,000 --> 01:51:10,760
Speaker 2: they'll start yelling again. I'm like, I can wait all day,

2079
01:51:11,840 --> 01:51:14,200
Speaker 2: and if not, I'll just go do something else. If

2080
01:51:14,200 --> 01:51:16,080
Speaker 2: you would like to have a discussion, and the thing

2081
01:51:16,160 --> 01:51:19,000
Speaker 2: that I understand that I controlling that discussion. There's no

2082
01:51:19,080 --> 01:51:21,840
Speaker 2: discussion without me, right, you still want to hear what

2083
01:51:21,840 --> 01:51:24,640
Speaker 2: I gotta say. You want to hear my response, And

2084
01:51:24,720 --> 01:51:27,519
Speaker 2: normally what I'm able to do is bring everyone back down.

2085
01:51:27,720 --> 01:51:30,120
Speaker 2: Today though, why a woman had to come from the

2086
01:51:30,200 --> 01:51:33,000
Speaker 2: ZOOMA class or whatever to come across the side to

2087
01:51:33,080 --> 01:51:35,519
Speaker 2: our court, the basketball court and tell them, guys, I

2088
01:51:35,600 --> 01:51:37,880
Speaker 2: wasn't playing at the time. They tell them to calm

2089
01:51:37,880 --> 01:51:39,479
Speaker 2: the fuck down. I have my headphones and I can

2090
01:51:39,520 --> 01:51:43,679
Speaker 2: still hear them yelling over my headphones. And so after

2091
01:51:43,720 --> 01:51:45,639
Speaker 2: the game was over and I was on the court,

2092
01:51:46,000 --> 01:51:47,840
Speaker 2: one dude came up was like, man, she come over

2093
01:51:47,880 --> 01:51:49,599
Speaker 2: here talking to us. We paid money, just like they

2094
01:51:49,640 --> 01:51:52,920
Speaker 2: paid money. I said, yeah, but y'all was yelling, and

2095
01:51:52,960 --> 01:51:55,559
Speaker 2: he was like, yeah, Miyable, I mean, you can't just

2096
01:51:55,560 --> 01:51:57,920
Speaker 2: come over here. She had a microphone on. I said, right,

2097
01:51:57,960 --> 01:51:59,719
Speaker 2: they couldn't hear her over the microphone.

2098
01:52:00,000 --> 01:52:01,120
Speaker 4: All the instructions.

2099
01:52:01,280 --> 01:52:03,200
Speaker 2: Y'all were fighting and fussing and saying, y'all be cussing

2100
01:52:03,240 --> 01:52:05,880
Speaker 2: at each other and all this shit, and he and

2101
01:52:05,920 --> 01:52:07,360
Speaker 2: you know, of course, I make a joke out of

2102
01:52:07,439 --> 01:52:09,960
Speaker 2: some of it, but I'm like, yeah, I said, y'all

2103
01:52:09,960 --> 01:52:13,000
Speaker 2: can calm down. And he was like, no, man, I said,

2104
01:52:13,000 --> 01:52:14,800
Speaker 2: you act the kind of intense right now, Mike, all right,

2105
01:52:14,840 --> 01:52:16,479
Speaker 2: we need to calm down. I said, I'm feeling I

2106
01:52:16,479 --> 01:52:19,400
Speaker 2: don't feel safe. You know, I'm just joking with I'm

2107
01:52:19,400 --> 01:52:22,800
Speaker 2: just joking about not feeling safe. But my point being like, y'all,

2108
01:52:23,040 --> 01:52:26,240
Speaker 2: it's just basketball. That's it. We're really here to exercise,

2109
01:52:26,640 --> 01:52:28,920
Speaker 2: have a good time, catch up on whatever the fuck

2110
01:52:28,960 --> 01:52:31,519
Speaker 2: we want to talk about, and that's it. Like we

2111
01:52:31,560 --> 01:52:33,880
Speaker 2: can't be turning this. This is not. No one in

2112
01:52:33,920 --> 01:52:36,519
Speaker 2: here is going to the league. Right, y'all got no

2113
01:52:36,560 --> 01:52:38,720
Speaker 2: money at stake. We're in fact, we're paying to be here.

2114
01:52:38,840 --> 01:52:40,519
Speaker 2: The only thing you got to do is go back

2115
01:52:40,520 --> 01:52:43,040
Speaker 2: to work at one. So let's just calm down and

2116
01:52:43,080 --> 01:52:45,880
Speaker 2: have some fun, right, waste your lunch hour. Right, And

2117
01:52:45,960 --> 01:52:49,599
Speaker 2: so it was kind of cool because he calmed down

2118
01:52:49,680 --> 01:52:52,160
Speaker 2: after I made a couple jokes and was like, man,

2119
01:52:52,200 --> 01:52:54,840
Speaker 2: you're right whatever, and then he walked off. I was like, yeah,

2120
01:52:55,000 --> 01:52:56,519
Speaker 2: it's not you know. And I didn't say it on

2121
01:52:56,560 --> 01:52:58,519
Speaker 2: something like let me stunt on you. I didn't do

2122
01:52:58,560 --> 01:53:02,800
Speaker 2: Steve Harvey and starting no, no, like, I just was like, nah, man,

2123
01:53:03,360 --> 01:53:06,640
Speaker 2: y'all could calm down, like you know, we don't. He's like,

2124
01:53:06,640 --> 01:53:09,840
Speaker 2: it's basketball, men, it's basketball. I know it's basketball, but

2125
01:53:09,880 --> 01:53:10,760
Speaker 2: we don't have to yell at.

2126
01:53:10,640 --> 01:53:13,840
Speaker 5: Each other, right, And I do understand passion and and

2127
01:53:13,840 --> 01:53:16,000
Speaker 5: and and things like that, because, like I say.

2128
01:53:16,120 --> 01:53:20,080
Speaker 4: As somebody who gets excited. I do get really really

2129
01:53:20,120 --> 01:53:23,599
Speaker 4: loud sometimes, and Roger know this firsthand. I can get.

2130
01:53:23,560 --> 01:53:26,320
Speaker 5: Really loud, but a lot of and a lot of

2131
01:53:26,360 --> 01:53:29,439
Speaker 5: times some people will look at me like it's something wrong.

2132
01:53:30,000 --> 01:53:32,040
Speaker 4: And people have asked. I was like, no, no, no, no, no,

2133
01:53:32,040 --> 01:53:33,479
Speaker 4: no no no, no, nothing's wrong.

2134
01:53:33,560 --> 01:53:35,479
Speaker 5: So, like I said, as I've gotten older, I've gotten

2135
01:53:35,520 --> 01:53:40,040
Speaker 5: better about that. But yeah, what I've realized about that is, Yeah,

2136
01:53:40,040 --> 01:53:42,960
Speaker 5: people have a tendency to get loud and they act

2137
01:53:43,000 --> 01:53:44,599
Speaker 5: like something is wrong when somebody be.

2138
01:53:44,520 --> 01:53:47,080
Speaker 2: Like, hey, calm that down. Yeah, and Mary said, that

2139
01:53:47,080 --> 01:53:48,840
Speaker 2: makes loud people even crazy, and not the way I

2140
01:53:48,880 --> 01:53:50,760
Speaker 2: do it, because I don't tell them calm down or

2141
01:53:50,800 --> 01:53:53,200
Speaker 2: be quiet or any of the ship that people do

2142
01:53:53,320 --> 01:53:56,479
Speaker 2: that really escalate situations. What I do is I liter

2143
01:53:56,640 --> 01:53:59,280
Speaker 2: I literally lay back and let them get it all

2144
01:53:59,320 --> 01:54:01,920
Speaker 2: out they system. Because my thing is I'm not gonna

2145
01:54:01,960 --> 01:54:04,479
Speaker 2: lose my point because you're yelling at me, right, so

2146
01:54:04,600 --> 01:54:06,640
Speaker 2: we're gonna come right back to where we try to

2147
01:54:06,680 --> 01:54:09,920
Speaker 2: avoid cause because that's how I attack things. You yell,

2148
01:54:10,040 --> 01:54:13,040
Speaker 2: you yell, you yelled. I'm like, mmmmmm, be that as

2149
01:54:13,040 --> 01:54:17,559
Speaker 2: it may. What about the fact that Lebron James has

2150
01:54:17,960 --> 01:54:20,599
Speaker 2: taken the Cavs to the championship, and that's the worst

2151
01:54:20,600 --> 01:54:22,519
Speaker 2: team in the league, you know, like, and we can

2152
01:54:22,560 --> 01:54:24,320
Speaker 2: go back to them yelling and then we go right

2153
01:54:24,360 --> 01:54:26,160
Speaker 2: back to that shit in two minutes, like Okay, you

2154
01:54:26,240 --> 01:54:29,840
Speaker 2: got that. Okay, now what about Lebron taking the worst

2155
01:54:29,840 --> 01:54:31,519
Speaker 2: team in the league. You know we do that so

2156
01:54:32,080 --> 01:54:33,960
Speaker 2: but but nah, I feel you though, it is kind

2157
01:54:33,960 --> 01:54:40,920
Speaker 2: of it can be bad ways to do it. Go ahead, no, no,

2158
01:54:40,960 --> 01:54:41,640
Speaker 2: you go ahead first.

2159
01:54:41,840 --> 01:54:44,000
Speaker 5: Yeah, And and and like I said, I I know

2160
01:54:44,320 --> 01:54:46,760
Speaker 5: that as somebody who gets loud, I try to be

2161
01:54:46,880 --> 01:54:48,560
Speaker 5: very conscious, you know what I mean, try to be

2162
01:54:48,640 --> 01:54:52,800
Speaker 5: very you know, aware of my loudness and the tone

2163
01:54:52,840 --> 01:54:55,960
Speaker 5: of my voice. And also I think for me being

2164
01:54:55,960 --> 01:54:57,720
Speaker 5: a woman, another reason why I got lot because I

2165
01:54:57,760 --> 01:54:59,720
Speaker 5: just got tired of people just just talking on me and.

2166
01:54:59,720 --> 01:55:03,400
Speaker 4: Just you know, consciously or subconsciously just telling.

2167
01:55:03,160 --> 01:55:05,280
Speaker 5: Me directly and directly to ship the hell up. So

2168
01:55:05,320 --> 01:55:06,760
Speaker 5: I was like, what the hell you ain't gonna do?

2169
01:55:07,080 --> 01:55:09,200
Speaker 5: But I've learned to be bad about that. And y'all

2170
01:55:09,240 --> 01:55:11,040
Speaker 5: know what, people that can actually hear, y'all, you know,

2171
01:55:11,120 --> 01:55:13,400
Speaker 5: you ain't got to yell at people, you know, especially

2172
01:55:13,440 --> 01:55:15,480
Speaker 5: if they're not there. For you know, need something on

2173
01:55:15,560 --> 01:55:18,160
Speaker 5: hearing assistance. If you talk at a normal level, most

2174
01:55:18,200 --> 01:55:19,520
Speaker 5: people can hear what you got to say.

2175
01:55:20,040 --> 01:55:22,880
Speaker 2: It's natural. But this is the thing that that that

2176
01:55:23,120 --> 01:55:26,360
Speaker 2: I can't help but think about. And maybe Moni will

2177
01:55:26,400 --> 01:55:28,280
Speaker 2: come out on her Instagram and say something about this

2178
01:55:28,400 --> 01:55:31,160
Speaker 2: or whatever now that it's out. But part of this

2179
01:55:31,320 --> 01:55:33,640
Speaker 2: felt a little bit like they must talk to each

2180
01:55:33,640 --> 01:55:36,960
Speaker 2: other like this all the time. Yeah, Now, I don't know,

2181
01:55:37,200 --> 01:55:39,760
Speaker 2: maybe you know, maybe I'm reading too much into it.

2182
01:55:39,800 --> 01:55:41,880
Speaker 2: And he actually ambushed on the air, and this is

2183
01:55:41,920 --> 01:55:44,919
Speaker 2: not how they talk, but it sounds like they are friends.

2184
01:55:45,000 --> 01:55:48,560
Speaker 2: They talk in private. I agree they do disagree about this,

2185
01:55:48,960 --> 01:55:51,720
Speaker 2: which is allwable news flash, everybody, you can be friends

2186
01:55:51,760 --> 01:55:56,920
Speaker 2: and disagree about some shit and somehow this is how

2187
01:55:56,960 --> 01:55:58,880
Speaker 2: they talk. But the objects of this shit just don't

2188
01:55:58,920 --> 01:56:00,640
Speaker 2: need to be on the air. He looks like a

2189
01:56:00,680 --> 01:56:04,280
Speaker 2: horrible host to me, because you're at your job now

2190
01:56:04,880 --> 01:56:07,720
Speaker 2: as a professional host, like you might run over them,

2191
01:56:07,760 --> 01:56:09,800
Speaker 2: like regular people that come on there that made mistakes

2192
01:56:09,800 --> 01:56:12,200
Speaker 2: and shit like I got three baby daddy is and

2193
01:56:12,760 --> 01:56:14,320
Speaker 2: I don't know who any of them are. You know

2194
01:56:14,360 --> 01:56:17,440
Speaker 2: that kind of shit like, but that's not who you

2195
01:56:17,160 --> 01:56:20,640
Speaker 2: You having a conversation with your friend. And I think

2196
01:56:21,160 --> 01:56:24,600
Speaker 2: very patriarchal men, not that I mean, you know, double,

2197
01:56:25,680 --> 01:56:28,840
Speaker 2: I know that that's a doubling down, that's saying the

2198
01:56:28,840 --> 01:56:32,880
Speaker 2: same thing, that's redundant, but very patriarchal men, like men

2199
01:56:32,880 --> 01:56:35,600
Speaker 2: that come up through the church, men that kind of

2200
01:56:35,640 --> 01:56:39,800
Speaker 2: have that respectability shit, feel like they need to advise

2201
01:56:40,280 --> 01:56:44,640
Speaker 2: women and that women have no say so in this advice.

2202
01:56:44,720 --> 01:56:48,760
Speaker 2: So I'm giving you advice. Shut the hell up, you know,

2203
01:56:48,960 --> 01:56:50,960
Speaker 2: I'm telling you how to get a man. Shut the

2204
01:56:51,000 --> 01:56:53,360
Speaker 2: hell up. No, I don't need your input. I'm gonna

2205
01:56:53,360 --> 01:56:55,320
Speaker 2: tell you how to get a man, you know. And

2206
01:56:55,520 --> 01:56:58,280
Speaker 2: Steve Harvey del dwells in that, you know, which is

2207
01:56:58,320 --> 01:57:02,560
Speaker 2: why I say that so many agendas cana here. And

2208
01:57:02,640 --> 01:57:04,720
Speaker 2: I know at this point, you know, I've mostly just

2209
01:57:04,840 --> 01:57:06,760
Speaker 2: kind of gone through like kind of both sides. But

2210
01:57:07,200 --> 01:57:09,120
Speaker 2: and this is the reason I kind of felt like

2211
01:57:09,240 --> 01:57:13,280
Speaker 2: it was. It was two sides to it. Because when

2212
01:57:13,320 --> 01:57:16,960
Speaker 2: shit is inconvenient to an agenda, people eject, right, they

2213
01:57:16,960 --> 01:57:18,800
Speaker 2: don't want to talk about it. They do, they don't

2214
01:57:18,800 --> 01:57:21,280
Speaker 2: want to discuss it. So Steve Harvey is a come

2215
01:57:21,960 --> 01:57:24,880
Speaker 2: to a lot of people he met with Trump, Uh,

2216
01:57:24,960 --> 01:57:27,880
Speaker 2: he all lives mattered, a bunch of shit he had.

2217
01:57:27,920 --> 01:57:31,640
Speaker 2: Fuck he caked for what's that racist woman with the

2218
01:57:31,880 --> 01:57:35,480
Speaker 2: with the food, Pauladine, He caked for her. You know,

2219
01:57:35,760 --> 01:57:38,800
Speaker 2: like I don't necessarily fuck with Steve Harvey on that level.

2220
01:57:39,280 --> 01:57:41,040
Speaker 2: You know, I would disagree with him about a lot

2221
01:57:41,040 --> 01:57:43,080
Speaker 2: of shit that he's done and said, that's not my

2222
01:57:43,200 --> 01:57:45,880
Speaker 2: dude at all. I definitely don't fuck with his books

2223
01:57:45,960 --> 01:57:47,560
Speaker 2: any of that stuff. I think the best thing he

2224
01:57:47,600 --> 01:57:49,440
Speaker 2: ever did to me was family few. He the best

2225
01:57:49,440 --> 01:57:52,840
Speaker 2: of that. Oh that's what he shines, right, not a

2226
01:57:52,920 --> 01:57:56,880
Speaker 2: huge Steve Harvey dude period on any shit. We got

2227
01:57:56,960 --> 01:57:59,680
Speaker 2: jokes going back to the beginning of this show about

2228
01:57:59,720 --> 01:58:02,120
Speaker 2: how I don't really like Steve Harvey, you know, at

2229
01:58:02,200 --> 01:58:04,360
Speaker 2: least not his brand. I don't know what he's like personally,

2230
01:58:04,400 --> 01:58:07,600
Speaker 2: but his brand is just to me, he's such a hustler,

2231
01:58:07,600 --> 01:58:10,280
Speaker 2: but it's so all over the place, and it's hard

2232
01:58:10,280 --> 01:58:12,360
Speaker 2: to have respect for that in the way that he

2233
01:58:12,400 --> 01:58:19,440
Speaker 2: does it. Okay, just last year, Monique was telling us

2234
01:58:20,640 --> 01:58:26,960
Speaker 2: that we need to forgive her sister Rosetne. Okay, after

2235
01:58:27,040 --> 01:58:30,480
Speaker 2: Roseanne has been a fucking virulent racist for a couple

2236
01:58:30,440 --> 01:58:32,960
Speaker 2: of times, to the tuner. She finally lost her job,

2237
01:58:34,080 --> 01:58:38,680
Speaker 2: and Monique's reasoning for why we as black people need

2238
01:58:38,720 --> 01:58:42,720
Speaker 2: to stand with Roseanne was essentially, Roseanne has been kind

2239
01:58:42,720 --> 01:58:48,000
Speaker 2: to Monique, and I'm sorry, but that's why I got

2240
01:58:48,000 --> 01:58:50,160
Speaker 2: to get off the train. Dog like I fuck with Monique.

2241
01:58:50,200 --> 01:58:52,800
Speaker 2: I don't have no problems with Monique. I like, I

2242
01:58:52,840 --> 01:58:55,520
Speaker 2: think she's hilarious, and I like her interviews and all

2243
01:58:55,560 --> 01:58:58,600
Speaker 2: this shit. But that's when I seen the pattern and

2244
01:58:58,640 --> 01:59:02,040
Speaker 2: all this shit, which is essentially is Monique. Everybody keeps

2245
01:59:02,080 --> 01:59:04,560
Speaker 2: trying to turn it into integrity, turning into it's just

2246
01:59:04,600 --> 01:59:08,760
Speaker 2: about black women, it's about the industry. But like, while

2247
01:59:08,760 --> 01:59:11,000
Speaker 2: all of that can be true, a lot of this

2248
01:59:11,280 --> 01:59:15,920
Speaker 2: is it stops for Monique at Monique. If it would

2249
01:59:15,960 --> 01:59:17,680
Speaker 2: have went the other way and they gave Monique what

2250
01:59:17,760 --> 01:59:20,320
Speaker 2: she thought she deserved, she'd be like, Man, fuck these

2251
01:59:20,400 --> 01:59:22,880
Speaker 2: niggas and racism and all this shit any other day.

2252
01:59:23,640 --> 01:59:26,640
Speaker 2: I'm talking about racism when it when it when something

2253
01:59:26,680 --> 01:59:32,520
Speaker 2: bothers me, then it's about stopping black women. When it's Roseanne,

2254
01:59:32,600 --> 01:59:34,560
Speaker 2: and that's my friend. Y'all need to chill the fuck

2255
01:59:34,600 --> 01:59:39,640
Speaker 2: out now. That shit ain't convenient for everybody motherfucking agendas.

2256
01:59:40,720 --> 01:59:43,640
Speaker 2: You know that shit ain't convenient, that she ain't convenient,

2257
01:59:43,840 --> 01:59:45,920
Speaker 2: And even when wanting these people to come out and

2258
01:59:46,040 --> 01:59:48,360
Speaker 2: talk for her, it sounds like she was more offended

2259
01:59:48,400 --> 01:59:50,520
Speaker 2: that you're my friend and you didn't stand up for

2260
01:59:50,600 --> 01:59:53,080
Speaker 2: me even when you thought I was wrong. You didn't say,

2261
01:59:53,080 --> 01:59:55,959
Speaker 2: we can't throw her away. And she did that for Roseanne,

2262
01:59:56,600 --> 01:59:58,480
Speaker 2: and look how it turned out. Everybody went, Monique, what

2263
01:59:58,560 --> 02:00:01,480
Speaker 2: you talking about? And that's what would have happened with

2264
02:00:01,480 --> 02:00:03,840
Speaker 2: Steve Harvey for a lot of people, That's what would

2265
02:00:03,840 --> 02:00:05,480
Speaker 2: have happened with any of these motherfuckers coming out and

2266
02:00:05,480 --> 02:00:08,120
Speaker 2: being like, I know she said, suck my dick, but guys,

2267
02:00:08,120 --> 02:00:10,280
Speaker 2: we can't throw her away. Everybody was like, what she

2268
02:00:10,440 --> 02:00:15,600
Speaker 2: was clearly wrong for that, you know so well, not everybody. Obviously,

2269
02:00:15,600 --> 02:00:17,440
Speaker 2: there would be some people that'll be like, don't yes,

2270
02:00:17,520 --> 02:00:19,200
Speaker 2: that's what I'm talking about, But for a lot of

2271
02:00:19,240 --> 02:00:21,200
Speaker 2: people in the industry, they'd be like, dog, do you

2272
02:00:21,240 --> 02:00:23,360
Speaker 2: know she was wrong for that? Like you can have

2273
02:00:23,400 --> 02:00:26,440
Speaker 2: problems with somebody and not turn the personal grudge into

2274
02:00:26,440 --> 02:00:28,600
Speaker 2: a public grudge and then be like, I can't believe

2275
02:00:28,640 --> 02:00:31,040
Speaker 2: people are scared to deal with me. Agreed, you know,

2276
02:00:31,200 --> 02:00:33,200
Speaker 2: so I think that was the part I didn't see

2277
02:00:33,200 --> 02:00:36,000
Speaker 2: anyone wanting to talk about on social media because it's

2278
02:00:36,000 --> 02:00:39,000
Speaker 2: not convenient. It's more easier to look at it like

2279
02:00:39,040 --> 02:00:41,040
Speaker 2: a Facebook meme and be like, I'm on this side

2280
02:00:41,120 --> 02:00:45,320
Speaker 2: or I'm on that side. Fuck all contrary information. This

2281
02:00:45,520 --> 02:00:48,040
Speaker 2: only thing I want to talk about, of course, you

2282
02:00:48,080 --> 02:00:48,800
Speaker 2: know now.

2283
02:00:49,040 --> 02:00:51,720
Speaker 4: Versus women, that's all it's turned out to be, right.

2284
02:00:51,600 --> 02:00:53,560
Speaker 2: And I didn't see the second part of his interviews,

2285
02:00:53,560 --> 02:00:55,600
Speaker 2: so I will play it in the interest of having

2286
02:00:55,600 --> 02:00:56,360
Speaker 2: a full story.

2287
02:00:57,080 --> 02:01:00,560
Speaker 6: Is what I want you to understand about this whole thing.

2288
02:01:00,680 --> 02:01:04,080
Speaker 1: Yes, as we try to come through this, because what

2289
02:01:04,160 --> 02:01:06,120
Speaker 1: I want really is for you to come through because

2290
02:01:06,160 --> 02:01:08,960
Speaker 1: I know who you really are, and so what I

2291
02:01:09,360 --> 02:01:11,200
Speaker 1: want you to do is come through this with a

2292
02:01:11,200 --> 02:01:14,600
Speaker 1: different way because you Monique, you my girl. I love

2293
02:01:14,640 --> 02:01:17,440
Speaker 1: you like a sister. I hate what's happening to you.

2294
02:01:17,800 --> 02:01:21,200
Speaker 1: I hate what they're saying that's not true.

2295
02:01:21,320 --> 02:01:23,760
Speaker 6: I want them to know that you are carried.

2296
02:01:23,600 --> 02:01:26,560
Speaker 1: That you're a great mother, that you are incredible talent.

2297
02:01:26,880 --> 02:01:29,280
Speaker 1: I don't like the fact that you've been blackballed.

2298
02:01:29,560 --> 02:01:31,080
Speaker 6: You can be unblackballed.

2299
02:01:31,200 --> 02:01:33,760
Speaker 1: You too talented to have to worry about all this

2300
02:01:33,800 --> 02:01:35,280
Speaker 1: where the next one coming from.

2301
02:01:35,440 --> 02:01:37,280
Speaker 6: I want this to end for you.

2302
02:01:38,120 --> 02:01:42,440
Speaker 2: Now, I do wonder if it's too late, like I

2303
02:01:42,480 --> 02:01:45,840
Speaker 2: had that thought today. You think it's too late, like

2304
02:01:45,880 --> 02:01:47,520
Speaker 2: if she were to say, like, I'm letting all this

2305
02:01:47,560 --> 02:01:50,960
Speaker 2: shit go, I'm just gonna go be funny and handle

2306
02:01:51,000 --> 02:01:54,080
Speaker 2: my shit the way I handle my shit. Is it?

2307
02:01:54,320 --> 02:01:56,120
Speaker 2: I feel like it's too late for people to be like,

2308
02:01:56,280 --> 02:02:00,600
Speaker 2: I'm unblackballing her because these are industry titans and I

2309
02:02:00,600 --> 02:02:04,200
Speaker 2: can't see her ever like apologizing to them, because I

2310
02:02:04,240 --> 02:02:08,200
Speaker 2: don't think, like she said, she didn't do nothing wrong. Now,

2311
02:02:08,200 --> 02:02:11,160
Speaker 2: maybe people don't like how she handled it, but for

2312
02:02:11,240 --> 02:02:14,200
Speaker 2: the principle of the shit, she didn't really do anything

2313
02:02:14,240 --> 02:02:16,840
Speaker 2: wrong as much as it was I mean, no, no, no,

2314
02:02:17,320 --> 02:02:20,280
Speaker 2: the principle of what she's saying is not necessarily wrong.

2315
02:02:21,000 --> 02:02:23,200
Speaker 2: Some people will get real nitpicky and be like, well,

2316
02:02:23,280 --> 02:02:26,640
Speaker 2: everybody don't get that, And you're right, everybody doesn't. Not

2317
02:02:26,760 --> 02:02:29,720
Speaker 2: everyone who wins an oscar gets respect and gets a

2318
02:02:29,720 --> 02:02:33,400
Speaker 2: bigger gig. Some people do, though, and of those people,

2319
02:02:33,440 --> 02:02:36,000
Speaker 2: it's normally white people for the people that get to

2320
02:02:36,040 --> 02:02:38,840
Speaker 2: do that, and it'll be disingenuous and a lie to

2321
02:02:38,960 --> 02:02:41,520
Speaker 2: act like motherfuckers win an oscars has no effect on

2322
02:02:41,560 --> 02:02:45,320
Speaker 2: their careers afterwards. I've seen yeah, I mean, I've seen

2323
02:02:45,360 --> 02:02:48,200
Speaker 2: people trot that out, and it's not really true. It

2324
02:02:48,240 --> 02:02:51,960
Speaker 2: works for white people, right, it doesn't really work for us.

2325
02:02:52,080 --> 02:02:54,080
Speaker 2: In a lot of cases, you win and you don't

2326
02:02:54,080 --> 02:02:56,720
Speaker 2: get to do a passion project or star jone production

2327
02:02:56,840 --> 02:02:59,400
Speaker 2: company or direct films. A lot of times it's just

2328
02:02:59,440 --> 02:03:01,840
Speaker 2: like you want the Oscar. Okay, good for you, nigga,

2329
02:03:02,040 --> 02:03:04,800
Speaker 2: back to work, right, you know. Then, like she said,

2330
02:03:04,800 --> 02:03:07,720
Speaker 2: they don't want to pay you Oscar pay right, And

2331
02:03:07,800 --> 02:03:11,520
Speaker 2: the same way that I felt about when another persona

2332
02:03:11,560 --> 02:03:14,160
Speaker 2: nine grader, but when Kevin Hart said, y'all gotta pay

2333
02:03:14,160 --> 02:03:16,600
Speaker 2: me the tweet about my films, put it in my

2334
02:03:16,640 --> 02:03:19,280
Speaker 2: contract if y'all want that, the same I feel the

2335
02:03:19,280 --> 02:03:22,120
Speaker 2: same way about if Monique decides, hey, y'all gotta pay

2336
02:03:22,120 --> 02:03:25,760
Speaker 2: me to do promotion for this y'all. Y'all, I didn't

2337
02:03:25,760 --> 02:03:29,200
Speaker 2: make that much money for this film. It's y'all's passion project.

2338
02:03:29,280 --> 02:03:31,000
Speaker 2: It might win some awards, but I would like to

2339
02:03:31,000 --> 02:03:34,680
Speaker 2: be compensated for my time. I mean, it ain't no deserve.

2340
02:03:34,880 --> 02:03:36,280
Speaker 2: If you get it, you get it. If you don't.

2341
02:03:36,280 --> 02:03:39,120
Speaker 2: You don't, you know, so I kind of understand all

2342
02:03:39,160 --> 02:03:46,000
Speaker 2: that that being said, like he is doing something by

2343
02:03:46,040 --> 02:03:50,320
Speaker 2: admitting you're being black while he's legitimizing it. Now you

2344
02:03:50,320 --> 02:03:52,080
Speaker 2: would think, oh, that's not a big deal. It's a

2345
02:03:52,080 --> 02:03:55,680
Speaker 2: pretty big fucking deal because these are also his contemporaries,

2346
02:03:56,160 --> 02:03:59,080
Speaker 2: this is also his industry, this is his platform, his

2347
02:03:59,120 --> 02:04:04,360
Speaker 2: TV show. He is like, while he may say I

2348
02:04:04,360 --> 02:04:07,160
Speaker 2: wish you'd handle this differently, he's not going, this is

2349
02:04:07,160 --> 02:04:10,360
Speaker 2: all in your head. Nobody's black bothering you. You made

2350
02:04:10,360 --> 02:04:13,440
Speaker 2: this shit up. It's all your fault. I don't know

2351
02:04:13,480 --> 02:04:15,800
Speaker 2: why the stop. I don't know why you're blaming other people,

2352
02:04:16,360 --> 02:04:19,000
Speaker 2: Like he is like, this is happening, is fucked up.

2353
02:04:19,720 --> 02:04:22,080
Speaker 2: I'm trying to give you a solution to it, rather

2354
02:04:22,120 --> 02:04:24,040
Speaker 2: than to tell you right and then be like, well

2355
02:04:24,040 --> 02:04:26,440
Speaker 2: fuck you. Then, uh, I mean you right, but you know,

2356
02:04:26,520 --> 02:04:30,600
Speaker 2: keep suffering, you know? So anyway, that's what I took

2357
02:04:30,640 --> 02:04:31,920
Speaker 2: from that part.

2358
02:04:33,120 --> 02:04:35,839
Speaker 1: Then I wanted to end for you, know, Nick, because

2359
02:04:35,920 --> 02:04:39,520
Speaker 1: I love you, because these people are doing it the

2360
02:04:39,560 --> 02:04:41,440
Speaker 1: wrong way and you better than that.

2361
02:04:41,960 --> 02:04:43,320
Speaker 6: You are better than that.

2362
02:04:43,600 --> 02:04:46,320
Speaker 1: I probably should have called you as soon as but

2363
02:04:46,440 --> 02:04:48,400
Speaker 1: I didn't I got a lot of stuff going on,

2364
02:04:48,840 --> 02:04:51,880
Speaker 1: so I didn't when I did call you, I listened

2365
02:04:51,920 --> 02:04:54,879
Speaker 1: to you, but I began telling you at the very beginning,

2366
02:04:55,200 --> 02:04:57,200
Speaker 1: I think we're going about this the wrong way.

2367
02:04:57,800 --> 02:04:59,520
Speaker 6: Now we keep saying, oh way.

2368
02:04:59,520 --> 02:05:04,680
Speaker 2: Also, as a person that edits move the podcast, they

2369
02:05:04,720 --> 02:05:07,400
Speaker 2: clearly edited out whatever her response was just there. Yes,

2370
02:05:07,440 --> 02:05:09,440
Speaker 2: they did, And I don't know what she said that

2371
02:05:09,520 --> 02:05:11,720
Speaker 2: clearly took that out. So I would love to know

2372
02:05:11,760 --> 02:05:14,520
Speaker 2: what she's chopping the sound right, yeah, because it's making

2373
02:05:14,520 --> 02:05:17,840
Speaker 2: it look like he's monologuing, which also not good optics,

2374
02:05:18,080 --> 02:05:20,640
Speaker 2: but it's making it like he's monologuing over somebody that

2375
02:05:21,080 --> 02:05:24,640
Speaker 2: he's pretending that he wants to have address the shit now.

2376
02:05:24,840 --> 02:05:26,880
Speaker 2: I don't know. Maybe they edited to help her out.

2377
02:05:26,880 --> 02:05:29,840
Speaker 2: Maybe she said some move wild shit that he was like, no,

2378
02:05:29,880 --> 02:05:31,720
Speaker 2: we got to take that out. We cannot let Oprah

2379
02:05:31,720 --> 02:05:33,760
Speaker 2: hear what she just said about her. I don't know,

2380
02:05:33,840 --> 02:05:36,240
Speaker 2: but I would love to know what they edited out,

2381
02:05:36,240 --> 02:05:38,040
Speaker 2: because clearly she didn't get to speak there.

2382
02:05:39,280 --> 02:05:43,520
Speaker 6: Doing stuff in the interim that keeps just making it worse.

2383
02:05:43,640 --> 02:05:45,960
Speaker 3: Hollywood, know you making it worse for who?

2384
02:05:46,080 --> 02:05:48,840
Speaker 6: It's making it worse for who? Okay, if you think

2385
02:05:48,880 --> 02:05:49,879
Speaker 6: it's cool, then it's.

2386
02:05:49,680 --> 02:05:50,760
Speaker 3: Cool, That's what I'm saying.

2387
02:05:50,760 --> 02:05:51,720
Speaker 6: But it's not cool.

2388
02:05:52,640 --> 02:05:55,880
Speaker 1: It's not cool for the fact that we're sitting.

2389
02:05:55,600 --> 02:06:00,000
Speaker 6: Here arging like that. Okay, we're discussing you and your sister.

2390
02:06:00,320 --> 02:06:02,680
Speaker 12: Were having a conversation that mommy and daddy ain't here

2391
02:06:02,760 --> 02:06:04,680
Speaker 12: right now, and I'm great, punch you in your mouth,

2392
02:06:04,760 --> 02:06:05,440
Speaker 12: that's the conversation.

2393
02:06:05,800 --> 02:06:06,520
Speaker 3: Bam bam.

2394
02:06:06,640 --> 02:06:06,800
Speaker 2: Right.

2395
02:06:07,080 --> 02:06:11,280
Speaker 12: I think what happens, though, is I've had to understand.

2396
02:06:11,000 --> 02:06:12,840
Speaker 2: So that was so wait, that's the punch in the

2397
02:06:12,920 --> 02:06:17,120
Speaker 2: mouth moment that they wrote about last week. She clearly

2398
02:06:17,200 --> 02:06:20,960
Speaker 2: was like making an analogy, right, she didn't threaten him.

2399
02:06:21,320 --> 02:06:25,720
Speaker 2: Hm hmm. That's that bulls. That's because it's Monique that

2400
02:06:25,760 --> 02:06:28,000
Speaker 2: they had to do the like, and maybe they did

2401
02:06:28,000 --> 02:06:29,800
Speaker 2: it to promote the show, but that's the because it's

2402
02:06:29,800 --> 02:06:32,640
Speaker 2: Monique that they pulled the light. She was gonna get violent,

2403
02:06:32,720 --> 02:06:35,960
Speaker 2: this angry black woman. Like clearly that was a joke,

2404
02:06:36,360 --> 02:06:39,520
Speaker 2: and even an audience whoa like Steve just said all

2405
02:06:39,560 --> 02:06:42,120
Speaker 2: that shit, y'all wasn't whoa where he was cutting the

2406
02:06:42,200 --> 02:06:45,280
Speaker 2: office this bullshit. But I know she yeah, I know

2407
02:06:45,400 --> 02:06:47,320
Speaker 2: she got a rep though, so I get it. It's

2408
02:06:47,360 --> 02:06:50,280
Speaker 2: not like. I know she got a rep though, so

2409
02:06:50,760 --> 02:06:53,800
Speaker 2: I can't divorce the reality of the situation from that moment.

2410
02:06:53,920 --> 02:06:56,520
Speaker 2: But she did not threaten that. Man, get the fuck

2411
02:06:56,560 --> 02:06:57,200
Speaker 2: out of my face.

2412
02:06:57,760 --> 02:07:02,880
Speaker 12: And how to agree to disagree without being upset. And

2413
02:07:02,920 --> 02:07:06,200
Speaker 12: that's the thing I disagree with, my brother. I'm not

2414
02:07:06,280 --> 02:07:08,280
Speaker 12: upset with you. I love you.

2415
02:07:08,760 --> 02:07:12,080
Speaker 3: I disagree with the way Oprah, Lee and Tyler did.

2416
02:07:11,960 --> 02:07:14,440
Speaker 1: It, but I give you that. Now, guess what we

2417
02:07:14,520 --> 02:07:16,480
Speaker 1: need to do. We need to move forward and fix this.

2418
02:07:17,280 --> 02:07:23,120
Speaker 1: These people owe you an apology. You owe those people

2419
02:07:23,200 --> 02:07:24,040
Speaker 1: and apologies.

2420
02:07:25,240 --> 02:07:26,880
Speaker 6: Then we can move forward.

2421
02:07:27,320 --> 02:07:30,560
Speaker 2: There's no fucking way she's ever apologizing. No, no, no, no,

2422
02:07:30,640 --> 02:07:34,000
Speaker 2: that's why she laughed like that. She's like, nigga, Please.

2423
02:07:34,440 --> 02:07:36,720
Speaker 2: Then I guess we will not be moving forward.

2424
02:07:40,080 --> 02:07:44,280
Speaker 6: Well, listen to me. You are valuable to us all.

2425
02:07:45,080 --> 02:07:48,640
Speaker 1: You are valuable to Tyler Perry, You are valuable to Oprah,

2426
02:07:48,720 --> 02:07:52,040
Speaker 1: to Lee Daniels. We can't do this without talent. See

2427
02:07:52,040 --> 02:07:55,240
Speaker 1: me and you we talent. They can't do this without us.

2428
02:07:55,480 --> 02:07:58,000
Speaker 1: You take us out of Hollywood. They have to close

2429
02:07:58,040 --> 02:08:01,480
Speaker 1: some doors around here is not the same without us.

2430
02:08:01,840 --> 02:08:03,040
Speaker 6: You are too valuable.

2431
02:08:03,320 --> 02:08:07,000
Speaker 1: I don't want to lose your gift to the world

2432
02:08:07,760 --> 02:08:08,320
Speaker 1: because we.

2433
02:08:08,440 --> 02:08:09,640
Speaker 6: Trying to prove a point.

2434
02:08:09,760 --> 02:08:12,120
Speaker 1: When we can prove the point by doing it in

2435
02:08:12,160 --> 02:08:14,880
Speaker 1: a more loving way, that's all.

2436
02:08:14,760 --> 02:08:15,320
Speaker 6: I want now.

2437
02:08:15,440 --> 02:08:20,520
Speaker 3: I absolutely agree with you one hundred percent.

2438
02:08:20,880 --> 02:08:22,600
Speaker 12: The only way I know how to do it is

2439
02:08:22,640 --> 02:08:24,600
Speaker 12: loving you, because that's all that's in my heart.

2440
02:08:25,080 --> 02:08:27,600
Speaker 3: Now, when I say it, you may not like how

2441
02:08:27,640 --> 02:08:28,240
Speaker 3: I say.

2442
02:08:28,080 --> 02:08:30,520
Speaker 1: It, but see if it's in your heart you love.

2443
02:08:30,680 --> 02:08:35,040
Speaker 1: Sound like love? Yes, yes, see that's what. So if

2444
02:08:35,080 --> 02:08:37,120
Speaker 1: it don't sound like if when you say it, sin,

2445
02:08:37,240 --> 02:08:39,160
Speaker 1: that's because it ain't. So this is what we're gonna

2446
02:08:39,160 --> 02:08:43,000
Speaker 1: close out like this, I'm gonna try and arrange. I'm

2447
02:08:43,000 --> 02:08:45,760
Speaker 1: gonna do my best to get the conversations that need

2448
02:08:45,800 --> 02:08:48,640
Speaker 1: to be had between you and these people so you

2449
02:08:48,640 --> 02:08:51,920
Speaker 1: can hear from them. I'm gonna then ask them what

2450
02:08:52,080 --> 02:08:55,520
Speaker 1: they say it publicly for the benefit of everybody.

2451
02:08:55,000 --> 02:08:56,960
Speaker 6: So you can get the release that you need.

2452
02:08:57,280 --> 02:09:01,080
Speaker 1: Then I'm gonna ask you to tell these people and

2453
02:09:01,160 --> 02:09:04,880
Speaker 1: apologized for some bashing you to done. I know you

2454
02:09:04,920 --> 02:09:07,880
Speaker 1: don't think you did nothing, but you did. And when

2455
02:09:07,920 --> 02:09:10,680
Speaker 1: everybody can come to that, then I think that's a

2456
02:09:10,760 --> 02:09:13,120
Speaker 1: chance for to move I love you more. I'm glad

2457
02:09:13,160 --> 02:09:15,600
Speaker 1: you came to see me. Looking back on it, I

2458
02:09:15,600 --> 02:09:18,000
Speaker 1: should have picked up the phone and called you more readily.

2459
02:09:19,120 --> 02:09:21,960
Speaker 6: I would. I probably should have done that. Just looking

2460
02:09:22,040 --> 02:09:24,160
Speaker 6: on it, That's probably what I should have did. That's

2461
02:09:24,160 --> 02:09:26,840
Speaker 6: all I wanted, but I didn't. So now I'm here,

2462
02:09:27,160 --> 02:09:28,080
Speaker 6: and you know.

2463
02:09:28,160 --> 02:09:31,800
Speaker 2: It's kind of it's kind of wild, right, like he

2464
02:09:32,040 --> 02:09:34,920
Speaker 2: admits that he was wrong, and she was like, and

2465
02:09:34,920 --> 02:09:38,200
Speaker 2: there you go. So I do wonder if I don't

2466
02:09:38,280 --> 02:09:40,400
Speaker 2: know if they would, but if le Dale's, Tyler Perry,

2467
02:09:40,600 --> 02:09:42,600
Speaker 2: Tyler Perry already did kind of admit he did it wrong,

2468
02:09:42,760 --> 02:09:45,520
Speaker 2: If Tyler Perry Lee Dale's at Oprah were like, I

2469
02:09:45,560 --> 02:09:48,800
Speaker 2: did you wrong, if she would let it go, I

2470
02:09:48,800 --> 02:09:51,960
Speaker 2: don't know at this point because he's so invested in it.

2471
02:09:52,840 --> 02:09:55,360
Speaker 2: But and we'll see what she says about Steve, you know,

2472
02:09:55,440 --> 02:09:58,160
Speaker 2: after this. But I wonder if she would let it go,

2473
02:09:58,200 --> 02:10:00,440
Speaker 2: because I don't know that felt like she I let

2474
02:10:00,440 --> 02:10:02,360
Speaker 2: it go right then when he was like, I was wrong.

2475
02:10:02,480 --> 02:10:04,440
Speaker 2: I fucked up. I shouldn't have did that. And that's

2476
02:10:04,440 --> 02:10:06,960
Speaker 2: why I'm here because I fucked up, and I care

2477
02:10:07,000 --> 02:10:12,480
Speaker 2: about this, this relationship. I wonder, you know, because Oprah

2478
02:10:12,520 --> 02:10:15,360
Speaker 2: shit apparently was like Oprah had Monique on the show

2479
02:10:15,360 --> 02:10:18,000
Speaker 2: and the ambush her with her mom secretly showing up.

2480
02:10:18,440 --> 02:10:22,040
Speaker 2: But Monique don't talk to her mom, so who knows

2481
02:10:22,040 --> 02:10:26,120
Speaker 2: what all issues are happening there? How real that grudge is,

2482
02:10:26,160 --> 02:10:28,480
Speaker 2: because I mean, these are celebrities that you know, y'all

2483
02:10:28,520 --> 02:10:31,120
Speaker 2: ain't really that close or tight or y'all y'all didn't

2484
02:10:31,120 --> 02:10:33,040
Speaker 2: grow up together. That's your mom. If you don't fuck

2485
02:10:33,080 --> 02:10:36,480
Speaker 2: with your mom, that's real. Something happened, you know what

2486
02:10:36,520 --> 02:10:39,400
Speaker 2: I mean. So to just bring that up on you,

2487
02:10:39,440 --> 02:10:41,440
Speaker 2: I can see while you'd be like, man, fuck that person.

2488
02:10:41,440 --> 02:10:43,240
Speaker 2: Why would they do that to me? I told him

2489
02:10:43,240 --> 02:10:44,760
Speaker 2: I didn't want this and then they did it.

2490
02:10:48,320 --> 02:10:51,720
Speaker 1: Moving forward, as your big brother, I just want to

2491
02:10:51,760 --> 02:10:53,680
Speaker 1: help you more. I swear to God, I didn't come

2492
02:10:53,720 --> 02:10:54,480
Speaker 1: here to bash you.

2493
02:10:54,640 --> 02:10:57,440
Speaker 6: I love you. I wish you well, and let's.

2494
02:10:57,240 --> 02:10:59,720
Speaker 1: Heal this thing and move forward so the world can

2495
02:10:59,760 --> 02:11:00,720
Speaker 1: see how great.

2496
02:11:00,560 --> 02:11:01,120
Speaker 3: We all are.

2497
02:11:01,600 --> 02:11:06,400
Speaker 6: Ladies and gentlemen, give it up. Go want go only

2498
02:11:06,680 --> 02:11:08,280
Speaker 6: that damn Monet.

2499
02:11:13,240 --> 02:11:19,800
Speaker 1: I'm like, hey, everybody wants you to catch her residency.

2500
02:11:19,800 --> 02:11:20,560
Speaker 2: Where's she going?

2501
02:11:21,280 --> 02:11:26,680
Speaker 1: I want you to catch her residency and Las Vegas.

2502
02:11:25,600 --> 02:11:31,080
Speaker 2: Going up to the crowd, she was hugging people in

2503
02:11:31,080 --> 02:11:35,720
Speaker 2: the crowd. I guess the black women was chairing for Yeah,

2504
02:11:35,760 --> 02:11:38,600
Speaker 2: I don't know, man. I to be honest, that shit

2505
02:11:38,680 --> 02:11:43,400
Speaker 2: felt more like their friends and neither one of them

2506
02:11:43,480 --> 02:11:46,440
Speaker 2: is offended. But putting that conversation out in a public platform,

2507
02:11:47,000 --> 02:11:48,600
Speaker 2: all kinds of people are gonna read into it and

2508
02:11:48,600 --> 02:11:51,960
Speaker 2: be offended kind of on her behalf uh, and a

2509
02:11:52,000 --> 02:11:54,360
Speaker 2: lot of men are gonna be like, see he telling

2510
02:11:54,360 --> 02:11:56,960
Speaker 2: her what she and then the conversation really becomes about

2511
02:11:57,000 --> 02:11:58,760
Speaker 2: men online versus women online.

2512
02:11:59,240 --> 02:12:02,640
Speaker 5: Yep, because full lot of people, everything always boils down

2513
02:12:02,640 --> 02:12:03,640
Speaker 5: to war sexist.

2514
02:12:04,280 --> 02:12:08,400
Speaker 2: Yeah. So, I don't know, man, this ship is just

2515
02:12:08,480 --> 02:12:12,680
Speaker 2: so crazy, man. And it's funny because like in his way,

2516
02:12:12,720 --> 02:12:15,920
Speaker 2: he was helping because he Because one of the main

2517
02:12:15,960 --> 02:12:18,560
Speaker 2: things about money that I've really found to be probably

2518
02:12:18,560 --> 02:12:22,160
Speaker 2: the most insulting part of all of this shit, what's

2519
02:12:22,160 --> 02:12:25,800
Speaker 2: people calling her a liar? I'm sorry, she hasn't done

2520
02:12:25,880 --> 02:12:29,120
Speaker 2: anything for anyone to be calling her a liar. All

2521
02:12:29,200 --> 02:12:31,880
Speaker 2: the ship she does, she got receipts, and then when

2522
02:12:32,440 --> 02:12:36,280
Speaker 2: and then when she when she exposes those receeats, everybody goes,

2523
02:12:36,680 --> 02:12:39,600
Speaker 2: you stoopid motherfucker, Why would you tell the world this,

2524
02:12:39,920 --> 02:12:42,360
Speaker 2: so you tell it Netflix business now and all this shit,

2525
02:12:42,480 --> 02:12:49,040
Speaker 2: and it's like, dog, she can't win for losing with y'all. Yeah,

2526
02:12:49,160 --> 02:12:51,840
Speaker 2: y'all know she got a grudge and now y'all roasting her.

2527
02:12:51,960 --> 02:12:54,640
Speaker 2: And then it turns into we have to stand with

2528
02:12:54,720 --> 02:12:58,840
Speaker 2: this black woman versus all these hotel ass as she

2529
02:12:58,960 --> 02:13:01,960
Speaker 2: niggas coming for her, and and I totally get that vibe,

2530
02:13:02,320 --> 02:13:04,880
Speaker 2: but like I said, it's inconvenient because she's still just

2531
02:13:04,920 --> 02:13:08,040
Speaker 2: a person. And when she's out there caping for Roseanne,

2532
02:13:08,200 --> 02:13:10,040
Speaker 2: ain't all this. We gotta stand with his sister, with

2533
02:13:10,080 --> 02:13:13,320
Speaker 2: our sister. And I know, you know, when Steve Harvey's

2534
02:13:13,320 --> 02:13:15,680
Speaker 2: out there caping for some white person, nobody gonna be

2535
02:13:15,800 --> 02:13:18,680
Speaker 2: cool with that shit, Like the end of the day, Like,

2536
02:13:18,760 --> 02:13:21,520
Speaker 2: you have to measure the argument. You have to measure

2537
02:13:22,040 --> 02:13:25,000
Speaker 2: the point people are making currently and then go from there.

2538
02:13:25,040 --> 02:13:26,920
Speaker 2: I think people are getting too involved in trying to

2539
02:13:26,920 --> 02:13:30,960
Speaker 2: make it about a brand. And by brand, I don't

2540
02:13:31,000 --> 02:13:32,920
Speaker 2: mean the brand of Monique. Obviously she's a brand, but

2541
02:13:32,960 --> 02:13:36,280
Speaker 2: a brand of like this is about black power and integrity?

2542
02:13:36,320 --> 02:13:39,800
Speaker 2: And is it about integrity or is it about Moniques personal?

2543
02:13:39,920 --> 02:13:42,240
Speaker 2: Like this is how I was treated and I feel

2544
02:13:42,240 --> 02:13:45,200
Speaker 2: this way because of how I was treated, and we

2545
02:13:45,320 --> 02:13:49,600
Speaker 2: turned it into it's a black thing, you know, because

2546
02:13:49,640 --> 02:13:51,760
Speaker 2: I know that there's white people that also are asked

2547
02:13:51,760 --> 02:13:54,480
Speaker 2: to do press for their for pictures they didn't know

2548
02:13:54,480 --> 02:13:58,200
Speaker 2: would get nominated for free. Agreed, like, it's kind of

2549
02:13:58,200 --> 02:14:00,640
Speaker 2: an industry thing. It wasn't like they said, everyone else

2550
02:14:00,720 --> 02:14:03,800
Speaker 2: is getting paid. But fuck Monique. You know, it just

2551
02:14:03,840 --> 02:14:07,720
Speaker 2: depends on the project. So, you know, I think it's

2552
02:14:07,800 --> 02:14:10,720
Speaker 2: just easier to fold it into the things we already

2553
02:14:10,720 --> 02:14:13,360
Speaker 2: talk about and be like, well, this is a this

2554
02:14:13,400 --> 02:14:16,000
Speaker 2: is more about massage noir than it's about anything else.

2555
02:14:16,080 --> 02:14:17,800
Speaker 4: Because it fits into boxes.

2556
02:14:17,840 --> 02:14:19,960
Speaker 5: Its just into a box, and you can easily just

2557
02:14:20,240 --> 02:14:21,440
Speaker 5: like one of the things, you just put it on

2558
02:14:21,520 --> 02:14:22,959
Speaker 5: and just point to your bullet points.

2559
02:14:23,240 --> 02:14:27,080
Speaker 2: Yeah, and of course there's always massage noir in everything.

2560
02:14:27,120 --> 02:14:32,040
Speaker 2: There's always misogyny, racism, all this shit. It's not like, uh,

2561
02:14:32,360 --> 02:14:35,040
Speaker 2: this conversation is immune to it. But I do feel

2562
02:14:35,040 --> 02:14:38,160
Speaker 2: like people were so gung ho to turn it into

2563
02:14:38,240 --> 02:14:40,120
Speaker 2: something they could work with, rather than to be like,

2564
02:14:40,800 --> 02:14:44,400
Speaker 2: if we're being fair, there's a way to handle things

2565
02:14:44,480 --> 02:14:48,800
Speaker 2: caustically where you have now put the whole thing in

2566
02:14:48,840 --> 02:14:52,040
Speaker 2: a situation where you can't fix it, it can't get better,

2567
02:14:52,760 --> 02:14:54,760
Speaker 2: and there's a way to approach it where you do

2568
02:14:54,880 --> 02:14:58,600
Speaker 2: plan to do whatever. The choice is always yours. No

2569
02:14:58,640 --> 02:15:01,360
Speaker 2: one can decide for Monique, and the Monique is resigned

2570
02:15:01,360 --> 02:15:03,640
Speaker 2: to like, fuck them and they can suck my dick

2571
02:15:03,680 --> 02:15:06,200
Speaker 2: and I'm gonna go on stage and air these niggas out.

2572
02:15:06,680 --> 02:15:09,600
Speaker 2: That's fine, But then understand that the industry don't have

2573
02:15:09,640 --> 02:15:13,080
Speaker 2: to tolerate that. They don't nobody has to tolerate that.

2574
02:15:13,080 --> 02:15:16,160
Speaker 2: That's not how it works. You know, we've seen plenty

2575
02:15:16,200 --> 02:15:18,880
Speaker 2: of people burn their bags over the years, set them

2576
02:15:19,200 --> 02:15:22,120
Speaker 2: on fire of all racist, crazy colors. Doesn't mean they'll

2577
02:15:22,120 --> 02:15:25,280
Speaker 2: never work again. Monique's not really canceled. She's working. She

2578
02:15:25,320 --> 02:15:27,360
Speaker 2: just has a residency in Las Vegas, so it's not

2579
02:15:27,400 --> 02:15:30,640
Speaker 2: like she's truly canceled or whatever. But she ain't gonna

2580
02:15:30,680 --> 02:15:33,240
Speaker 2: be in the places where she could have been if

2581
02:15:33,240 --> 02:15:35,440
Speaker 2: she would have handled shit differently. And it's like, if

2582
02:15:35,440 --> 02:15:37,480
Speaker 2: you talked about that or you admit that, then it's

2583
02:15:37,520 --> 02:15:40,560
Speaker 2: like you're siding against her. It's like, no, that's the reality.

2584
02:15:40,840 --> 02:15:42,840
Speaker 2: All of us live in that reality. Yes we do.

2585
02:15:43,360 --> 02:15:45,240
Speaker 2: You know, if you say some wild shit, you know,

2586
02:15:45,280 --> 02:15:48,480
Speaker 2: you gotta go to work tomorrow and hopefully you'll be okay.

2587
02:15:49,240 --> 02:15:51,760
Speaker 2: Come on, I mean, it's like people get on the

2588
02:15:51,760 --> 02:15:53,920
Speaker 2: internet and they live in theory land, but like real

2589
02:15:54,000 --> 02:15:56,320
Speaker 2: life is kind of some of this extra shit that

2590
02:15:56,360 --> 02:15:58,800
Speaker 2: you have to deal with. Anyway, I thought that conversation

2591
02:15:58,920 --> 02:16:01,000
Speaker 2: was interesting and not only wanted to talk about it here.

2592
02:16:01,880 --> 02:16:03,640
Speaker 2: Yeah yeah, yeah, yeah, yeah. I didn't want to talk

2593
02:16:03,640 --> 02:16:06,040
Speaker 2: about it on the internet because people was either you

2594
02:16:06,080 --> 02:16:08,120
Speaker 2: got people jumping on you thinking that you it's that

2595
02:16:08,160 --> 02:16:11,240
Speaker 2: you're shitting no Monique, because I'm not. Or you got

2596
02:16:11,240 --> 02:16:14,960
Speaker 2: people jumping on you thinking that you're saying, you know,

2597
02:16:15,080 --> 02:16:17,440
Speaker 2: you're shitting on Steve Harvey, which I'm I'm really not,

2598
02:16:18,040 --> 02:16:19,920
Speaker 2: Like I have already felt the way I felt about

2599
02:16:19,920 --> 02:16:24,560
Speaker 2: Steve Harvey before this conversation. And then more importantly, man,

2600
02:16:24,600 --> 02:16:27,240
Speaker 2: you have these people that they just want to throw

2601
02:16:27,240 --> 02:16:30,320
Speaker 2: their buzzword at you, but they really I'm telling you,

2602
02:16:31,320 --> 02:16:34,160
Speaker 2: it's so it's so sad when you look at people

2603
02:16:34,200 --> 02:16:37,039
Speaker 2: and go you don't even really feel that way. It's

2604
02:16:37,160 --> 02:16:42,080
Speaker 2: just for today it's convenient coract like if I didn't

2605
02:16:42,120 --> 02:16:45,320
Speaker 2: I'm not petty like this anymore, but like I literally

2606
02:16:45,360 --> 02:16:48,199
Speaker 2: could have searched everybody's monique takes from when she said

2607
02:16:48,200 --> 02:16:51,039
Speaker 2: that shit about Roseanne. I guarantee you they were saying

2608
02:16:51,040 --> 02:16:54,080
Speaker 2: some shit that was not no our sister. We need

2609
02:16:54,080 --> 02:16:56,240
Speaker 2: to stand with her. It was you come. It was

2610
02:16:56,280 --> 02:16:59,480
Speaker 2: everything they called Steve Harvey today, you know. And the

2611
02:16:59,520 --> 02:17:02,280
Speaker 2: truth of them is for a lot of black people,

2612
02:17:02,720 --> 02:17:05,600
Speaker 2: you living that that that double consciousness is no real,

2613
02:17:05,840 --> 02:17:09,120
Speaker 2: just your coon and that's it for all of us. No,

2614
02:17:09,280 --> 02:17:12,720
Speaker 2: I disagree with you today. Maybe you say some real

2615
02:17:12,720 --> 02:17:17,400
Speaker 2: ship tomorrow, but today, nigga, no, you know, all right,

2616
02:17:17,760 --> 02:17:21,520
Speaker 2: that's enough. I hope you guys enjoyed The Walking Dead

2617
02:17:21,560 --> 02:17:24,800
Speaker 2: and then this overtime, no soord ratching this today. I'm

2618
02:17:24,840 --> 02:17:28,800
Speaker 2: just getting the hell out of here, Okay, Balls Deep

2619
02:17:29,240 --> 02:17:34,680
Speaker 2: UH will be Friday morning and nerd Off will be

2620
02:17:35,640 --> 02:17:38,120
Speaker 2: uh Friday afternoon. I have to check with the with

2621
02:17:38,200 --> 02:17:41,720
Speaker 2: the fellas and see what they do. And uh yeah,

2622
02:17:41,760 --> 02:17:45,240
Speaker 2: that's it for now, Thank you guys so much. I

2623
02:17:45,720 --> 02:17:50,560
Speaker 2: was on the Dream Team single simer cast, uh so

2624
02:17:50,640 --> 02:17:52,440
Speaker 2: if you guys gonna check that out this week, and

2625
02:17:52,959 --> 02:17:58,200
Speaker 2: JL said I was the second highest downloaded episode of

2626
02:17:58,760 --> 02:18:03,120
Speaker 2: UH making Podcasts go Ahead number two YEP number one

2627
02:18:03,200 --> 02:18:05,240
Speaker 2: being the one where he talked to himself as Trump

2628
02:18:05,240 --> 02:18:07,560
Speaker 2: and Kavanaugh, and that was an amazing episode. I'm okay,

2629
02:18:08,200 --> 02:18:10,440
Speaker 2: I'm okay to being second of that, if that second

2630
02:18:10,440 --> 02:18:12,920
Speaker 2: of that fine. All right, guys, that's it. Thank you

2631
02:18:12,959 --> 02:18:15,080
Speaker 2: so much for listening. We appreciate y'all.

2632
02:18:15,160 --> 02:18:17,360
Speaker 4: Until next time, I love you you Na