1 00:00:01,800 --> 00:00:04,479 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,559 --> 00:00:07,160 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,520 --> 00:00:13,000 Speaker 3: Welcome to and that's what really miss po calss. 4 00:00:13,080 --> 00:00:16,560 Speaker 1: Today we have Kevin McHale. 5 00:00:16,480 --> 00:00:23,280 Speaker 2: And Jennashkowitz, but more importantly, we have star, superstar, world traveler, 6 00:00:23,280 --> 00:00:25,160 Speaker 2: world famous Chris Olsen. 7 00:00:25,360 --> 00:00:27,000 Speaker 1: He's incredible. 8 00:00:27,560 --> 00:00:32,600 Speaker 3: He's just so nice, so nice, and oh what a 9 00:00:32,720 --> 00:00:36,400 Speaker 3: joy to chat with, so open, so fun. I feel 10 00:00:36,440 --> 00:00:39,920 Speaker 3: like I have like musical theater camaraderie with him. But 11 00:00:40,000 --> 00:00:42,120 Speaker 3: then like he's such a big glee fantee, which is 12 00:00:42,159 --> 00:00:42,560 Speaker 3: so fun. 13 00:00:42,600 --> 00:00:45,240 Speaker 2: He's an og gleek. That's right, That's right, Yeah, he's 14 00:00:45,280 --> 00:00:48,159 Speaker 2: he's this week's gleek of the week. Really, I mean 15 00:00:48,159 --> 00:00:49,040 Speaker 2: he's gleek of the year. 16 00:00:49,320 --> 00:00:49,800 Speaker 4: That's right. 17 00:00:50,760 --> 00:00:51,680 Speaker 1: I know that didn't rhyme. 18 00:00:51,720 --> 00:00:59,200 Speaker 2: But it's a wonderful, lovely long talk with Chris Olsen. 19 00:00:59,320 --> 00:01:02,600 Speaker 2: So strapping and enjoy. Here is the week of the week. 20 00:01:02,760 --> 00:01:09,680 Speaker 1: Chris olsaid, Hi, Chris, let's begin. Where do we start? 21 00:01:09,760 --> 00:01:10,000 Speaker 4: Wait? 22 00:01:10,080 --> 00:01:12,919 Speaker 1: The fact that you and Darren recently was really funny. 23 00:01:13,319 --> 00:01:15,160 Speaker 2: I was jealous. I DMed him and I was like, 24 00:01:15,200 --> 00:01:17,839 Speaker 2: excuse me, well, I bare you. 25 00:01:17,840 --> 00:01:21,200 Speaker 4: You know I have been waiting outside both your homes, 26 00:01:21,319 --> 00:01:23,759 Speaker 4: just knocking on the doors waiting to be let in. 27 00:01:23,959 --> 00:01:26,600 Speaker 4: And then Heather and Darren came to my rescue, so 28 00:01:26,640 --> 00:01:29,679 Speaker 4: I said, okay, I'll hang out with you guys. First. 29 00:01:30,880 --> 00:01:35,880 Speaker 4: They're very nice, so sEH, they are very nice. It's 30 00:01:36,240 --> 00:01:40,080 Speaker 4: it was. It was such a lovely day promoting their pod. 31 00:01:40,560 --> 00:01:42,000 Speaker 4: That's right, look at you. 32 00:01:42,000 --> 00:01:46,680 Speaker 2: You're really just helping out the Glee crew and the pods, which. 33 00:01:46,600 --> 00:01:50,680 Speaker 4: Is so crazy to me because as a young young 34 00:01:50,800 --> 00:01:53,080 Speaker 4: child that was maybe one or two when the show 35 00:01:53,120 --> 00:01:57,520 Speaker 4: came out, it really it was everything to me, but 36 00:01:58,320 --> 00:02:01,120 Speaker 4: the jokes aside, it really was. I was I was 37 00:02:01,160 --> 00:02:03,960 Speaker 4: trying to remember or think about all of the memories 38 00:02:04,040 --> 00:02:06,600 Speaker 4: I have just as a viewer of the show, and 39 00:02:06,640 --> 00:02:11,440 Speaker 4: there truly are so many. Like I remember watching Tina 40 00:02:11,560 --> 00:02:17,480 Speaker 4: sing True Colors, which was your first song, right, correct, yeah, right, 41 00:02:17,800 --> 00:02:19,840 Speaker 4: I know. We were my whole family was in South 42 00:02:19,880 --> 00:02:23,680 Speaker 4: Carolina visiting my grandma, and all she had was this 43 00:02:23,760 --> 00:02:27,280 Speaker 4: tiny little television, Like by tiny, I mean like literally 44 00:02:27,320 --> 00:02:33,000 Speaker 4: maybe like nine inches, like it was small, and we 45 00:02:33,000 --> 00:02:35,720 Speaker 4: we tuned into the episode and I remember you saying 46 00:02:35,760 --> 00:02:37,400 Speaker 4: the song at the end, and it was such a 47 00:02:37,480 --> 00:02:40,160 Speaker 4: huge deal because I was such like an I loved 48 00:02:40,200 --> 00:02:42,280 Speaker 4: an underdog or someone who liked. 49 00:02:42,800 --> 00:02:45,720 Speaker 3: Yeah, you you were someone the character who got ship 50 00:02:45,880 --> 00:02:49,880 Speaker 3: on sure right, yes, the underdone and. 51 00:02:49,800 --> 00:02:52,160 Speaker 4: You had you truly hadn't said like I feel like 52 00:02:52,240 --> 00:02:56,560 Speaker 4: everyone had had a song at that. It's just like 53 00:02:57,400 --> 00:03:02,160 Speaker 4: maybe the actress doesn't sing. I don't know, Oh she 54 00:03:02,200 --> 00:03:04,360 Speaker 4: could sing. She could sing. 55 00:03:05,160 --> 00:03:06,280 Speaker 1: That's funny though. 56 00:03:06,360 --> 00:03:10,320 Speaker 4: We discovered that. And obviously Kevin, when you dance for 57 00:03:10,360 --> 00:03:16,880 Speaker 4: the first time after finally, Yes, that was huge for 58 00:03:17,000 --> 00:03:19,440 Speaker 4: my family as well. I went to an all boys 59 00:03:19,440 --> 00:03:23,440 Speaker 4: school and I would I know, I know, I went 60 00:03:23,480 --> 00:03:25,120 Speaker 4: to an all boys school. It was like a religious 61 00:03:25,160 --> 00:03:28,800 Speaker 4: school as well. But I found a few people and 62 00:03:28,919 --> 00:03:32,480 Speaker 4: I remember, like the first year that Glee was very big, 63 00:03:32,639 --> 00:03:35,440 Speaker 4: I would go and I had Spanish. Every morning I 64 00:03:35,440 --> 00:03:37,320 Speaker 4: would go into my Spanish class and this group of 65 00:03:37,320 --> 00:03:40,760 Speaker 4: four of us would sit in the back and recap 66 00:03:40,840 --> 00:03:42,400 Speaker 4: the episode from the night before. 67 00:03:43,160 --> 00:03:43,560 Speaker 2: Sweet. 68 00:03:44,040 --> 00:03:46,920 Speaker 4: Yes, it was like it was like a little safe space. 69 00:03:47,040 --> 00:03:50,560 Speaker 4: I am surprisingly still the only one who turned out 70 00:03:50,600 --> 00:03:53,360 Speaker 4: gay from all of that, but that is very surprising, 71 00:03:53,880 --> 00:03:56,840 Speaker 4: I know, I know. So we just had some allies 72 00:03:56,880 --> 00:03:57,360 Speaker 4: in the room. 73 00:03:57,640 --> 00:04:01,120 Speaker 2: Yeah, I guess, building community in a religious school. 74 00:04:01,640 --> 00:04:04,240 Speaker 4: Yeah, it was like you had to find your people. 75 00:04:04,440 --> 00:04:07,200 Speaker 4: But I remember it was it was huge. We would 76 00:04:07,200 --> 00:04:10,839 Speaker 4: listen to the songs walking in between classes, but then 77 00:04:11,000 --> 00:04:13,400 Speaker 4: pause them whenever we were walking by a group that like, 78 00:04:13,600 --> 00:04:14,320 Speaker 4: we couldn't be. 79 00:04:16,160 --> 00:04:17,159 Speaker 2: So funny. 80 00:04:17,360 --> 00:04:19,600 Speaker 1: Yeah, you where did you grow up? 81 00:04:19,960 --> 00:04:21,880 Speaker 4: I grew up in the DC area. I grew up 82 00:04:21,880 --> 00:04:25,800 Speaker 4: in Maryland, but I went to my school was in 83 00:04:25,920 --> 00:04:30,200 Speaker 4: d C. Which was which was nice. But it's definitely 84 00:04:30,800 --> 00:04:33,920 Speaker 4: like half of the kids parents are politicians. So it's 85 00:04:34,120 --> 00:04:38,880 Speaker 4: very like during the presidential elections, like we are debating 86 00:04:39,000 --> 00:04:41,640 Speaker 4: in class and people are like, well, my dad is 87 00:04:41,680 --> 00:04:44,160 Speaker 4: working for blah blah blah blah, and you're like, oh. 88 00:04:44,480 --> 00:04:48,240 Speaker 2: Terrifying, But I still have my opinions. 89 00:04:48,040 --> 00:04:50,599 Speaker 4: Right, and like, my dad doesn't believe in gay marriage, 90 00:04:50,640 --> 00:04:53,880 Speaker 4: so neither do I, and it would It was just 91 00:04:53,960 --> 00:04:58,440 Speaker 4: a it was a very intense environment. So we needed, 92 00:04:59,720 --> 00:05:03,000 Speaker 4: you know, a special musical show to get us through 93 00:05:03,360 --> 00:05:07,240 Speaker 4: all of that, to build bridges, you know, to build bridges. 94 00:05:07,680 --> 00:05:09,960 Speaker 4: And if you know they were egally was tackling the 95 00:05:09,960 --> 00:05:12,479 Speaker 4: real issues too, you know they were. 96 00:05:12,360 --> 00:05:14,640 Speaker 2: Right even when nobody asks for. 97 00:05:14,640 --> 00:05:20,479 Speaker 4: It, when nobody asked for it, when sometimes maybe different 98 00:05:20,520 --> 00:05:23,200 Speaker 4: things were being said, maybe it was a very interesting 99 00:05:23,200 --> 00:05:25,960 Speaker 4: way to go about some It's a. 100 00:05:25,960 --> 00:05:27,160 Speaker 1: Very pcy way to put it. 101 00:05:27,400 --> 00:05:33,360 Speaker 4: Yeah, definitely, How do you guys, how do you guys? 102 00:05:33,640 --> 00:05:36,920 Speaker 4: I mean, you've obviously the pod speaks about the show 103 00:05:36,960 --> 00:05:39,360 Speaker 4: in so many ways, but how do you guys in 104 00:05:39,800 --> 00:05:42,000 Speaker 4: your day to day life if someone is bringing it up, 105 00:05:42,040 --> 00:05:44,360 Speaker 4: how do you guys, you know, talk about it? Speak 106 00:05:44,440 --> 00:05:48,400 Speaker 4: back to these people, whether fans or just people who 107 00:05:48,800 --> 00:05:51,000 Speaker 4: have come in contact with the show, like, what is 108 00:05:51,040 --> 00:05:51,760 Speaker 4: the response. 109 00:05:52,720 --> 00:05:55,039 Speaker 2: I do feel like there's been a shift in the 110 00:05:55,080 --> 00:05:59,240 Speaker 2: past couple of years because I feel like during the 111 00:05:59,240 --> 00:06:01,520 Speaker 2: beginning of the pandem when the show sort of became 112 00:06:01,560 --> 00:06:04,360 Speaker 2: like a weird thing on TikTok and people were discovering 113 00:06:04,400 --> 00:06:06,960 Speaker 2: You're like, oh, look how outdated this is. But there's 114 00:06:07,000 --> 00:06:09,680 Speaker 2: now sort of this I feel like a collective understanding, 115 00:06:10,200 --> 00:06:12,960 Speaker 2: like with any show it was of a time, sure, 116 00:06:13,120 --> 00:06:16,480 Speaker 2: and so I do feel like that sort of preface 117 00:06:17,680 --> 00:06:20,800 Speaker 2: is sort of now expected, right, Like we don't really 118 00:06:20,800 --> 00:06:23,200 Speaker 2: have to talk about it in that way, right, Yeah, 119 00:06:23,200 --> 00:06:24,520 Speaker 2: And I feel like that has been a shift in 120 00:06:24,520 --> 00:06:27,840 Speaker 2: the past couple of years where yes, as a community, 121 00:06:28,279 --> 00:06:31,120 Speaker 2: as humans, we understand that some things did not maybe 122 00:06:31,240 --> 00:06:34,440 Speaker 2: age well, but at the time. Now you can sort 123 00:06:34,440 --> 00:06:35,880 Speaker 2: of look back at and be like, well, it was 124 00:06:35,920 --> 00:06:39,000 Speaker 2: great in this way, and it was fun and funny 125 00:06:39,040 --> 00:06:42,080 Speaker 2: in this way because I think for a while I 126 00:06:42,080 --> 00:06:44,800 Speaker 2: was like, yeah, we shouldn't have done that. 127 00:06:46,360 --> 00:06:50,440 Speaker 4: Right, But you all were quite young, just like reading 128 00:06:50,520 --> 00:06:53,320 Speaker 4: these scripts, and it was like, you know, so many 129 00:06:53,360 --> 00:06:57,880 Speaker 4: people's like really big first job that you're like most 130 00:06:57,920 --> 00:07:00,840 Speaker 4: all of us, Yeah, right right, I can't I'm not 131 00:07:00,839 --> 00:07:02,840 Speaker 4: going to say this line, like I just won't do that, 132 00:07:02,920 --> 00:07:05,000 Speaker 4: Like that's it exactly. 133 00:07:05,080 --> 00:07:06,120 Speaker 2: Didn't even cross our minds. 134 00:07:06,160 --> 00:07:08,440 Speaker 3: Were Yeah, we were in the time, right, We're in 135 00:07:08,480 --> 00:07:11,760 Speaker 3: the capsule of the time, and it didn't really phase 136 00:07:11,920 --> 00:07:13,960 Speaker 3: us in some ways. And then obviously it was a 137 00:07:14,000 --> 00:07:16,200 Speaker 3: personal dig or personal. 138 00:07:17,520 --> 00:07:18,480 Speaker 2: That's all we cared about. 139 00:07:18,480 --> 00:07:18,720 Speaker 4: More. 140 00:07:18,760 --> 00:07:22,000 Speaker 2: We didn't really care about the macro Yeah, you know, 141 00:07:22,040 --> 00:07:25,280 Speaker 2: progressive movement that we were sort of shuttling in. 142 00:07:26,760 --> 00:07:29,960 Speaker 4: Right, was it? Like, I mean I know that the 143 00:07:30,040 --> 00:07:32,280 Speaker 4: show went on for a while, but within those like 144 00:07:32,440 --> 00:07:35,240 Speaker 4: especially season one, were you walking in like being like 145 00:07:35,400 --> 00:07:38,080 Speaker 4: this is so much fun, I'm so excited about all 146 00:07:38,120 --> 00:07:42,480 Speaker 4: of this. Yeah, Like, what was there a moment that 147 00:07:42,520 --> 00:07:45,119 Speaker 4: it became slightly stressful? Yes? 148 00:07:45,440 --> 00:07:51,360 Speaker 2: Yes, lots, yeah, yeah, It was absolutely fun, especially when 149 00:07:51,400 --> 00:07:54,640 Speaker 2: you're filming something in the public hasn't seen it yet, right, right, 150 00:07:54,920 --> 00:07:56,920 Speaker 2: And because this was, like you said, most of our 151 00:07:56,960 --> 00:08:00,880 Speaker 2: first experiences doing this, we had built like a really 152 00:08:01,120 --> 00:08:05,840 Speaker 2: it felt like a safe space with the crew, the cast, 153 00:08:06,280 --> 00:08:09,360 Speaker 2: everyone in production. It felt like a really beautiful community 154 00:08:09,360 --> 00:08:13,080 Speaker 2: because you are making this really joyous and absurd thing 155 00:08:13,600 --> 00:08:16,320 Speaker 2: and so everyone sort of bought into that. Yeah, and 156 00:08:16,400 --> 00:08:19,960 Speaker 2: you're just going there performing these songs for your crew members, 157 00:08:20,000 --> 00:08:23,640 Speaker 2: the camera people, the sound people, and we were having 158 00:08:23,760 --> 00:08:25,840 Speaker 2: the time of our lives. Like we're getting paid to 159 00:08:25,920 --> 00:08:29,080 Speaker 2: go act like clowns and paid morning we'd ever been 160 00:08:29,120 --> 00:08:29,760 Speaker 2: paid before. 161 00:08:30,000 --> 00:08:31,960 Speaker 4: Yeah, Like we were on a massive. 162 00:08:31,640 --> 00:08:34,600 Speaker 3: Budget, you know, film in Hollywood or a TV show 163 00:08:34,600 --> 00:08:38,520 Speaker 3: in Hollywood. We were all really broke. But yeah, there 164 00:08:38,600 --> 00:08:42,320 Speaker 3: was a turning point when the show started to hit, 165 00:08:42,679 --> 00:08:46,160 Speaker 3: the songs started to hit the charts, people started to 166 00:08:46,200 --> 00:08:50,080 Speaker 3: get really famous, Like it all hit at once, and 167 00:08:50,120 --> 00:08:54,440 Speaker 3: then you couldn't turn your head without seeing us somewhere, right, 168 00:08:54,480 --> 00:08:57,560 Speaker 3: And I think, you know, it's like Hollywood, they build 169 00:08:57,600 --> 00:08:59,360 Speaker 3: you up and then they wait to like pull you 170 00:08:59,440 --> 00:09:00,000 Speaker 3: back down. 171 00:09:00,240 --> 00:09:00,640 Speaker 4: My god. 172 00:09:00,880 --> 00:09:03,640 Speaker 3: Yeah, and we had, you know, we had now we 173 00:09:03,720 --> 00:09:06,959 Speaker 3: had fans who were writing in and you know, voicing 174 00:09:06,960 --> 00:09:10,240 Speaker 3: their opinion on these characters and on these storylines. So 175 00:09:10,440 --> 00:09:14,840 Speaker 3: we're all very affected by the external forces that are 176 00:09:15,360 --> 00:09:18,120 Speaker 3: making the show what it is in so many ways. 177 00:09:18,640 --> 00:09:21,600 Speaker 3: And so yeah, and then the the stress of like 178 00:09:22,080 --> 00:09:24,240 Speaker 3: writing the show is just the three of them writing 179 00:09:24,280 --> 00:09:26,520 Speaker 3: the show for the first two seasons or three seas, 180 00:09:27,280 --> 00:09:27,840 Speaker 3: four episodes. 181 00:09:27,880 --> 00:09:28,240 Speaker 1: Yeah, and. 182 00:09:29,800 --> 00:09:32,040 Speaker 3: Then like to add the music in, which had never 183 00:09:32,080 --> 00:09:35,400 Speaker 3: been done before. It was so we were so exhausted 184 00:09:36,040 --> 00:09:38,439 Speaker 3: and you don't know how to say no. You can't 185 00:09:38,440 --> 00:09:40,600 Speaker 3: speak up for yourself or you'll just get weird. 186 00:09:40,840 --> 00:09:42,760 Speaker 2: And I think that was on every level too, where 187 00:09:43,040 --> 00:09:46,520 Speaker 2: opportunities and I think you can probably relate to this, Chris, 188 00:09:46,559 --> 00:09:48,720 Speaker 2: like your life the past couple of years, where all 189 00:09:48,720 --> 00:09:52,000 Speaker 2: of a sudden, all these opportunities are throwing themselves at you. 190 00:09:52,760 --> 00:09:55,719 Speaker 2: And I feel like for us when we hadn't none 191 00:09:55,720 --> 00:09:58,680 Speaker 2: of us had worked that much prior to this, like 192 00:09:58,760 --> 00:10:00,240 Speaker 2: how do you say no? And so all of a 193 00:10:00,240 --> 00:10:02,760 Speaker 2: sudden launching this position. And I think that goes to 194 00:10:02,800 --> 00:10:06,320 Speaker 2: the directors, the writers, the creators, and the cast, like 195 00:10:06,440 --> 00:10:09,520 Speaker 2: we just yes, yes to everything. If we have any time, 196 00:10:10,280 --> 00:10:12,560 Speaker 2: we have to do this because who knows how long 197 00:10:12,720 --> 00:10:14,480 Speaker 2: this is going to last. Who knows who's gonna care 198 00:10:14,480 --> 00:10:16,880 Speaker 2: about us in six months? So and I think that 199 00:10:16,920 --> 00:10:20,520 Speaker 2: happens on the show level too, where people care. Oh, 200 00:10:20,520 --> 00:10:22,560 Speaker 2: people are saying this thing, Maybe we'll write that into 201 00:10:22,559 --> 00:10:26,320 Speaker 2: the show and send us everywhere to perform everywhere and 202 00:10:26,320 --> 00:10:27,440 Speaker 2: do it that sort of thing. 203 00:10:27,760 --> 00:10:29,800 Speaker 1: Right, But not about us, more about you. 204 00:10:31,160 --> 00:10:34,240 Speaker 4: I just I'm truly such a fan, so I just 205 00:10:34,280 --> 00:10:36,040 Speaker 4: want to I have all of the questions for you 206 00:10:36,080 --> 00:10:38,720 Speaker 4: guys too. But yeah, I mean off of what you 207 00:10:38,720 --> 00:10:44,000 Speaker 4: were saying as well. I still definitely struggle with saying 208 00:10:44,080 --> 00:10:47,840 Speaker 4: no to so many things because even though I guess 209 00:10:47,920 --> 00:10:50,959 Speaker 4: I've been on like on social media and doing the 210 00:10:51,000 --> 00:10:54,319 Speaker 4: stuff that I've been doing for like three and a 211 00:10:54,360 --> 00:10:59,200 Speaker 4: half years now, it's still but like that in the 212 00:10:59,240 --> 00:11:02,360 Speaker 4: grand scheme of life, if still you have no idea 213 00:11:02,360 --> 00:11:04,440 Speaker 4: how much longer that's going to be after that, you know, 214 00:11:04,600 --> 00:11:07,800 Speaker 4: Like though, I always say yes to things because I'm like, 215 00:11:08,040 --> 00:11:10,600 Speaker 4: ride the wave while you can, and keep it going 216 00:11:10,600 --> 00:11:14,480 Speaker 4: while you can, to the point of even if I 217 00:11:14,480 --> 00:11:19,000 Speaker 4: am literally barely fitting things in, I'm going to make 218 00:11:19,000 --> 00:11:21,920 Speaker 4: it work somehow, because yes, there's going to be a 219 00:11:21,920 --> 00:11:24,960 Speaker 4: lot of stress, and yes, it might be at the 220 00:11:25,000 --> 00:11:28,800 Speaker 4: expense of like exhaustion, but sometimes it feels really good 221 00:11:28,800 --> 00:11:30,920 Speaker 4: to get those things done. And then you reach a 222 00:11:30,920 --> 00:11:32,920 Speaker 4: point where you're like, Okay, now I really need to 223 00:11:33,679 --> 00:11:37,040 Speaker 4: try to take a break, but sleep sleep. But then 224 00:11:37,280 --> 00:11:42,520 Speaker 4: I struggle with giving my like literally structuring a break 225 00:11:42,520 --> 00:11:44,880 Speaker 4: for myself and then being in the break and not 226 00:11:45,000 --> 00:11:45,920 Speaker 4: knowing how to relax. 227 00:11:46,320 --> 00:11:49,800 Speaker 2: Yeah, do you feel guilty? Yes, like I sometimes I 228 00:11:49,800 --> 00:11:52,160 Speaker 2: would get where like if I say no to something 229 00:11:52,320 --> 00:11:54,760 Speaker 2: like riddled with guilt of like oh yes, either the 230 00:11:54,800 --> 00:11:57,800 Speaker 2: experience or financially or if you have a couple of 231 00:11:57,840 --> 00:12:00,240 Speaker 2: days to yourself, like well I could be I know 232 00:12:00,280 --> 00:12:03,080 Speaker 2: all the things it took turning down to have this time. 233 00:12:03,040 --> 00:12:05,560 Speaker 4: Right, No, one hundred percent. I like I went on 234 00:12:05,600 --> 00:12:09,120 Speaker 4: a really long vacation for the month of June and 235 00:12:10,320 --> 00:12:13,160 Speaker 4: the like within the first few weeks of the vacation 236 00:12:13,400 --> 00:12:16,320 Speaker 4: every day that I was on that vacation, and what's 237 00:12:16,480 --> 00:12:19,280 Speaker 4: what's I guess kind of different of my work versus 238 00:12:19,320 --> 00:12:21,280 Speaker 4: like if I were on a show, is I can 239 00:12:21,360 --> 00:12:24,880 Speaker 4: do it all myself. If I want to create something, 240 00:12:25,080 --> 00:12:28,000 Speaker 4: I can just do it right here and it's on 241 00:12:28,040 --> 00:12:30,920 Speaker 4: my phone. So every day on that vacation. I kept thinking, like, 242 00:12:31,440 --> 00:12:35,160 Speaker 4: I need to earn this day of vacation somehow, so 243 00:12:35,280 --> 00:12:37,559 Speaker 4: I better like make a good video or I better 244 00:12:37,600 --> 00:12:39,720 Speaker 4: do this. And then it was like, no, the whole 245 00:12:39,760 --> 00:12:42,320 Speaker 4: point of this was that I have worked a lot, 246 00:12:42,440 --> 00:12:45,080 Speaker 4: so I have earned the vacation, so I rest a 247 00:12:45,080 --> 00:12:48,280 Speaker 4: little bit. But I just kept thinking, no, I need 248 00:12:48,320 --> 00:12:50,440 Speaker 4: to earn it. And then there's the whole thing of 249 00:12:51,120 --> 00:12:53,800 Speaker 4: you know, I've I've worked many other jobs as well, 250 00:12:53,880 --> 00:12:58,560 Speaker 4: so I'm like, it's not why are you telling yourself 251 00:12:58,600 --> 00:13:00,680 Speaker 4: you need a break from like make a video for 252 00:13:00,720 --> 00:13:02,679 Speaker 4: a day or something like that. That's the easiest thing 253 00:13:02,679 --> 00:13:05,600 Speaker 4: you could ever do. And then so you just it's 254 00:13:05,640 --> 00:13:09,280 Speaker 4: this cont cycle of now that I'm doing the thing 255 00:13:09,320 --> 00:13:13,120 Speaker 4: that I really love, it doesn't mean it's not still work. 256 00:13:13,360 --> 00:13:17,400 Speaker 4: But I hear the past version of myself that's like, 257 00:13:18,160 --> 00:13:21,319 Speaker 4: it isn't work. What are you talking about? Get up, 258 00:13:21,400 --> 00:13:23,400 Speaker 4: do the thing, create something. 259 00:13:25,080 --> 00:13:25,959 Speaker 1: It's not that hard. 260 00:13:26,320 --> 00:13:29,480 Speaker 2: Yeah, I mean, but you created the work within it. 261 00:13:29,640 --> 00:13:31,240 Speaker 2: Like if it started out as something that was fun 262 00:13:31,320 --> 00:13:33,440 Speaker 2: and that you love doing, and now it is work 263 00:13:33,520 --> 00:13:38,160 Speaker 2: because you have responsibilities to I'm sure brands and whatever 264 00:13:38,440 --> 00:13:42,000 Speaker 2: whoever is paying you to do the thing sometimes outside 265 00:13:42,000 --> 00:13:44,360 Speaker 2: of like what you're doing yourself, and that is scary 266 00:13:44,400 --> 00:13:48,040 Speaker 2: when you're completely in control of doing whatever you want 267 00:13:48,400 --> 00:13:50,199 Speaker 2: on yourself because there's nobody to put it off on. 268 00:13:50,880 --> 00:13:54,000 Speaker 4: Yes, that's the other thing, like if I you know, 269 00:13:54,280 --> 00:13:57,080 Speaker 4: like with with a show like Lee, you have the 270 00:13:57,520 --> 00:13:59,240 Speaker 4: you're like, yeah, the writers that was. 271 00:14:01,120 --> 00:14:03,280 Speaker 2: We can't. Our schedule says we can't do this because 272 00:14:03,280 --> 00:14:06,200 Speaker 2: we're contractually bound to be here, right, so we can't 273 00:14:06,200 --> 00:14:06,880 Speaker 2: go do those things. 274 00:14:06,960 --> 00:14:11,760 Speaker 4: Yes, it's I mean, and I can I do. It's 275 00:14:11,800 --> 00:14:14,480 Speaker 4: not one hundred percent myself. I obviously have a lovely 276 00:14:14,840 --> 00:14:17,160 Speaker 4: group of people behind me who are who support all 277 00:14:17,200 --> 00:14:20,560 Speaker 4: of these things that I do. But yeah, it is. 278 00:14:20,920 --> 00:14:25,800 Speaker 4: It's it all happens essentially like in my apartment or 279 00:14:25,840 --> 00:14:29,440 Speaker 4: whenever I'm home. And I think that that is another 280 00:14:29,880 --> 00:14:34,080 Speaker 4: just like weird part about it that I've tried that 281 00:14:34,520 --> 00:14:37,440 Speaker 4: when I talk to friends who are on shows, there's 282 00:14:37,520 --> 00:14:40,840 Speaker 4: that slight like disconnect not between us, but between someone 283 00:14:40,840 --> 00:14:43,160 Speaker 4: who's on a show versus someone who's doing social media. 284 00:14:43,320 --> 00:14:46,360 Speaker 4: Is like people are just seeing me on their phone, 285 00:14:46,560 --> 00:14:49,720 Speaker 4: so it feels like I'm like one of their friends. 286 00:14:49,920 --> 00:14:52,880 Speaker 4: I'm told which which I completely appreciate, and that's what 287 00:14:52,920 --> 00:14:57,680 Speaker 4: I love about it. But there's when when someone's on 288 00:14:57,720 --> 00:15:00,960 Speaker 4: a show, there's so much more structure to it, and 289 00:15:01,000 --> 00:15:03,680 Speaker 4: there's even more structure of how people are receiving you, 290 00:15:04,200 --> 00:15:06,600 Speaker 4: and they're receiving you as a character unless it's a 291 00:15:06,640 --> 00:15:09,640 Speaker 4: reality show. But if it's a reality show, there's receiving 292 00:15:09,680 --> 00:15:14,680 Speaker 4: you in one hour increments once a week, and they 293 00:15:14,720 --> 00:15:16,640 Speaker 4: can't they're not going to change that unless all the 294 00:15:16,680 --> 00:15:20,160 Speaker 4: producers are changing it. So it's it's just a it's 295 00:15:20,280 --> 00:15:22,720 Speaker 4: and it's a relatively new job, so we're all just 296 00:15:22,800 --> 00:15:25,400 Speaker 4: figuring it out as we go. But it is quite 297 00:15:25,400 --> 00:15:29,480 Speaker 4: the anomaly that I think will continue to grow and 298 00:15:29,520 --> 00:15:31,680 Speaker 4: evolve in the ways that all of these things do. 299 00:15:32,000 --> 00:15:33,560 Speaker 2: Yeah, I can't imagine. 300 00:15:33,840 --> 00:15:39,400 Speaker 3: I'm curious, like because it's so I mean, you're choosing 301 00:15:39,440 --> 00:15:43,240 Speaker 3: to give people so much of you, right, like personal you, 302 00:15:43,440 --> 00:15:47,000 Speaker 3: especially for you like an avocate of mental health, and 303 00:15:47,040 --> 00:15:49,560 Speaker 3: then like posting your therapy session. 304 00:15:49,800 --> 00:15:51,360 Speaker 4: Sure, so cool. 305 00:15:51,720 --> 00:15:54,640 Speaker 3: I would never do that because I'm not brave enough. 306 00:15:55,120 --> 00:15:58,440 Speaker 3: But like it's so great and they're they're awesome, but 307 00:15:58,680 --> 00:16:01,800 Speaker 3: like what, well, first, I want to know what your 308 00:16:01,800 --> 00:16:04,080 Speaker 3: therapist thinks about this, and like how you got her 309 00:16:04,160 --> 00:16:07,680 Speaker 3: to like say yes. But then also like do you 310 00:16:08,080 --> 00:16:12,800 Speaker 3: feel like sometimes there's too much you're giving, like you know, 311 00:16:13,000 --> 00:16:15,760 Speaker 3: because you're choosing what to show people, and then they 312 00:16:15,880 --> 00:16:20,320 Speaker 3: feel like sometimes perhaps they deserve it all. 313 00:16:20,680 --> 00:16:25,440 Speaker 4: Yeah, no, way totally. That is a consistent like push 314 00:16:25,480 --> 00:16:27,880 Speaker 4: and pull, because it honestly depends on the day of 315 00:16:27,920 --> 00:16:31,680 Speaker 4: how much I'm willing to share or not willing to share. 316 00:16:31,720 --> 00:16:36,440 Speaker 4: But with the therapy videos I had recorded, like therapy 317 00:16:36,560 --> 00:16:41,160 Speaker 4: back before any of these videos happened, like before I 318 00:16:41,280 --> 00:16:43,240 Speaker 4: posted any of them, because I do think it can 319 00:16:43,280 --> 00:16:45,360 Speaker 4: be it's kind of like a form of journaling in 320 00:16:45,400 --> 00:16:48,760 Speaker 4: a way you can like you you are able to 321 00:16:48,880 --> 00:16:53,640 Speaker 4: reprocess everything that you said and processed in a new 322 00:16:53,720 --> 00:16:59,080 Speaker 4: way afterwards, especially if it's like I have therapy two 323 00:16:59,120 --> 00:17:01,800 Speaker 4: weeks later, or if there's been a break in therapy, 324 00:17:01,840 --> 00:17:04,119 Speaker 4: I'm able to kind of remember what was happening in 325 00:17:04,160 --> 00:17:10,000 Speaker 4: that moment. But the video came as an idea, like 326 00:17:10,119 --> 00:17:12,199 Speaker 4: during one of them, after I'd had kind of like 327 00:17:12,280 --> 00:17:16,919 Speaker 4: a funny session. And I think there's a lot of 328 00:17:16,920 --> 00:17:21,520 Speaker 4: people who think therapy is consistently deep. You're always crying, 329 00:17:21,600 --> 00:17:25,960 Speaker 4: and it's always something that is like near trauma, and 330 00:17:26,200 --> 00:17:29,400 Speaker 4: I'm like, it is. There are probably some people who 331 00:17:29,440 --> 00:17:32,040 Speaker 4: really have to process a lot, and that's a beautiful 332 00:17:32,119 --> 00:17:35,040 Speaker 4: journey for them. But I've been in therapy since I 333 00:17:35,080 --> 00:17:39,159 Speaker 4: was like twelve, so it's been like eleven. I'm not 334 00:17:39,240 --> 00:17:42,400 Speaker 4: twenty three, I'm twenty five. It's been like. 335 00:17:43,840 --> 00:17:44,440 Speaker 2: Matth is hard. 336 00:17:44,520 --> 00:17:48,760 Speaker 4: Yeah, it's been like thirteen years of all of that. Wow, Yeah, 337 00:17:48,760 --> 00:17:52,960 Speaker 4: that's correct. So there are sessions that are just like 338 00:17:53,040 --> 00:17:55,919 Speaker 4: this funny thing happened to me, and let's process that, 339 00:17:56,080 --> 00:18:00,760 Speaker 4: or like here's here's a very lighthearted thing. And I 340 00:18:00,840 --> 00:18:03,520 Speaker 4: still get deep in most of my sessions, but I 341 00:18:03,520 --> 00:18:06,359 Speaker 4: felt like there was a way to show the world 342 00:18:06,440 --> 00:18:09,119 Speaker 4: some of these funny moments. And I don't do it 343 00:18:09,160 --> 00:18:11,719 Speaker 4: every week. There are moments that my therapy sessions are 344 00:18:11,800 --> 00:18:14,760 Speaker 4: very personal and I don't share those. And also, my 345 00:18:14,840 --> 00:18:17,000 Speaker 4: therapy is an hour long and those videos are about 346 00:18:17,000 --> 00:18:21,120 Speaker 4: a minute long, so it's really only these shots snapshots 347 00:18:21,160 --> 00:18:25,360 Speaker 4: of them. But I felt like it could be nice 348 00:18:25,400 --> 00:18:31,760 Speaker 4: to share something and to destigmatize the frightening part of 349 00:18:31,880 --> 00:18:34,000 Speaker 4: therapy that I think people can be scared of. But 350 00:18:34,840 --> 00:18:38,840 Speaker 4: I started on the app just sharing absolutely everything, and 351 00:18:38,960 --> 00:18:40,879 Speaker 4: I was like, in a relationship at the time, and 352 00:18:40,920 --> 00:18:44,560 Speaker 4: I thought, it's so fun to just share, and the 353 00:18:44,600 --> 00:18:46,760 Speaker 4: fact that people are loving it makes me love it. 354 00:18:46,840 --> 00:18:48,480 Speaker 4: And they're loving like our love. 355 00:18:48,520 --> 00:18:52,000 Speaker 2: Positive reinforcement, right, like, oh my god, let me why 356 00:18:52,040 --> 00:18:53,040 Speaker 2: not keep doing this? 357 00:18:53,320 --> 00:18:58,320 Speaker 4: And you truly just it. I think with everyone in 358 00:18:58,800 --> 00:19:00,840 Speaker 4: the field, all of my friends, we're also doing this. 359 00:19:01,040 --> 00:19:03,800 Speaker 4: It's always just a learning experience until you get to 360 00:19:03,840 --> 00:19:07,680 Speaker 4: your limit. So I reached a point, reached a point 361 00:19:07,720 --> 00:19:10,000 Speaker 4: in the relationship where we weren't very happy, but we 362 00:19:10,000 --> 00:19:12,760 Speaker 4: were still trying to share these happy moments because wanted 363 00:19:12,760 --> 00:19:16,040 Speaker 4: the positive reinforcement, and that caused such a strain on 364 00:19:16,359 --> 00:19:19,879 Speaker 4: like me personally, but also the relationship. And then even 365 00:19:19,920 --> 00:19:24,760 Speaker 4: after that, like into me being single, trying to figure 366 00:19:24,760 --> 00:19:28,240 Speaker 4: out how much I want to share and if someone 367 00:19:28,280 --> 00:19:30,960 Speaker 4: says I would rather you not share that story, making 368 00:19:31,040 --> 00:19:35,600 Speaker 4: sure that I'm respecting that as well, and like I 369 00:19:35,600 --> 00:19:39,000 Speaker 4: am in a new relationship for the first time after 370 00:19:39,160 --> 00:19:42,600 Speaker 4: that last relationship and now knowing I'm not going to 371 00:19:42,600 --> 00:19:44,640 Speaker 4: be sharing it in the way that I once did, 372 00:19:44,720 --> 00:19:48,359 Speaker 4: I think is just very It's very comforting to me 373 00:19:48,560 --> 00:19:51,520 Speaker 4: and to the other person who I mean, he's been 374 00:19:51,640 --> 00:19:54,119 Speaker 4: very gracious and being like, I'm following your lead, like 375 00:19:54,160 --> 00:19:58,080 Speaker 4: whatever you want to do, but just knowing that now 376 00:19:58,359 --> 00:20:00,840 Speaker 4: after going through the learning experience of for I'm going 377 00:20:00,840 --> 00:20:04,160 Speaker 4: to keep that part of myself private, but that doesn't 378 00:20:04,240 --> 00:20:07,400 Speaker 4: mean I'm not going to share other things that are 379 00:20:07,560 --> 00:20:10,600 Speaker 4: a part of my life. And of course I think 380 00:20:10,600 --> 00:20:14,560 Speaker 4: it's just it's always just some like personal gauge with yourself, 381 00:20:14,680 --> 00:20:17,120 Speaker 4: because sometimes you can feel like you want to share 382 00:20:17,119 --> 00:20:19,119 Speaker 4: the craziest story of your life, and then other times 383 00:20:19,119 --> 00:20:22,760 Speaker 4: you're like, I'm going to keep it surfaced today and 384 00:20:23,040 --> 00:20:27,679 Speaker 4: just do something like that, which I think. I mean, 385 00:20:27,720 --> 00:20:31,159 Speaker 4: I'm curious to hear your guys perspective too, after like 386 00:20:31,240 --> 00:20:34,600 Speaker 4: being on a show and you're playing a character, but 387 00:20:34,640 --> 00:20:37,679 Speaker 4: then people are suddenly so interested in your personal lives 388 00:20:37,720 --> 00:20:42,119 Speaker 4: as well, Like what is that like to how did 389 00:20:42,160 --> 00:20:44,600 Speaker 4: you decide in those moments of like what you wanted 390 00:20:44,640 --> 00:20:48,359 Speaker 4: to share, especially when like people then wanted to know 391 00:20:48,359 --> 00:20:51,719 Speaker 4: the interpersonal relationships of you and other cast members, and 392 00:20:51,760 --> 00:20:53,760 Speaker 4: it's like, how do we keep the integrity of the 393 00:20:53,760 --> 00:20:56,200 Speaker 4: show without Now I'm rambling, but you guys get you 394 00:20:56,640 --> 00:20:57,600 Speaker 4: understand what I'm saying. 395 00:20:57,880 --> 00:21:00,200 Speaker 2: You were talking about how people really feel like you 396 00:21:00,240 --> 00:21:03,000 Speaker 2: because you're in the palm of their hands all the time. 397 00:21:03,960 --> 00:21:06,000 Speaker 2: It even felt like for us, I think anybody who's 398 00:21:06,040 --> 00:21:08,120 Speaker 2: on a TV show that is on once a week 399 00:21:08,240 --> 00:21:12,359 Speaker 2: or now streaming whatever, we already felt like people thought 400 00:21:12,359 --> 00:21:15,840 Speaker 2: they knew us because we were in their homes every 401 00:21:15,880 --> 00:21:20,040 Speaker 2: single week, twenty two hours a year sort of thing. Yes, 402 00:21:20,400 --> 00:21:24,760 Speaker 2: but yours as a whole. I can't even like we 403 00:21:24,800 --> 00:21:29,400 Speaker 2: met each other last summer, yes, and Ken in France. 404 00:21:32,320 --> 00:21:33,560 Speaker 4: It was just a casual. 405 00:21:34,080 --> 00:21:37,040 Speaker 2: I was telling Jenna, like, I felt like I knew 406 00:21:37,080 --> 00:21:40,000 Speaker 2: you and you just have the most normal conversation. 407 00:21:40,480 --> 00:21:40,720 Speaker 4: Yeah. 408 00:21:40,960 --> 00:21:42,840 Speaker 2: Like I was like, oh, we talked like old trends. 409 00:21:43,640 --> 00:21:45,040 Speaker 2: But I think that happened and I've made a lot 410 00:21:45,040 --> 00:21:47,440 Speaker 2: of great friends off of social media because I do 411 00:21:47,600 --> 00:21:51,320 Speaker 2: think either algorithmically or things you're into, you connect to 412 00:21:51,359 --> 00:21:53,640 Speaker 2: the people who have a lot of shared interests naturally. 413 00:21:54,800 --> 00:21:57,520 Speaker 2: And so I was like, well, that was just one 414 00:21:57,600 --> 00:22:00,440 Speaker 2: I'm just one person. I can't imagine the amount of 415 00:22:00,480 --> 00:22:02,639 Speaker 2: people you interact with on a day to day basis 416 00:22:02,760 --> 00:22:05,800 Speaker 2: or who feel like I did, like, yeah, I can 417 00:22:05,840 --> 00:22:07,919 Speaker 2: talk to him, right, Because I do think there is 418 00:22:07,960 --> 00:22:11,520 Speaker 2: a level for people. I guess that were in our 419 00:22:11,560 --> 00:22:16,240 Speaker 2: position where they know they don't know you. Yes, you 420 00:22:16,320 --> 00:22:17,359 Speaker 2: are playing a character. 421 00:22:17,440 --> 00:22:17,960 Speaker 4: So there are a. 422 00:22:17,880 --> 00:22:22,399 Speaker 2: Couple layers to get through of disconnect right between are 423 00:22:22,480 --> 00:22:24,760 Speaker 2: the real us and the people there may be a 424 00:22:24,800 --> 00:22:26,600 Speaker 2: fan of yeah, but then there's even. 425 00:22:26,440 --> 00:22:30,640 Speaker 3: More curiosity, right because they do spend you know, every Thursday. 426 00:22:30,640 --> 00:22:32,800 Speaker 3: They were in their living room and their pajamas with 427 00:22:32,840 --> 00:22:34,960 Speaker 3: their you know, cat and their ice cream and like 428 00:22:35,080 --> 00:22:38,760 Speaker 3: watching us, feeling like they know us. And then they 429 00:22:38,760 --> 00:22:40,600 Speaker 3: see you on the street and they call you Tina 430 00:22:40,720 --> 00:22:42,720 Speaker 3: and already and they're like, oh my god, you can walk. 431 00:22:42,760 --> 00:22:47,440 Speaker 3: And so there's this like exciting mystery about it. We 432 00:22:47,440 --> 00:22:50,720 Speaker 3: were on the show when Twitter. We were in the 433 00:22:50,720 --> 00:22:53,520 Speaker 3: recording studio when we learned about Twitter, and so we 434 00:22:53,600 --> 00:22:57,159 Speaker 3: all signed up, and so we were pre Instagram. Like 435 00:22:57,200 --> 00:22:59,400 Speaker 3: I remember my first Instagram. I think I was shooting 436 00:22:59,400 --> 00:23:04,200 Speaker 3: a snack and I posted like the lunch the lunch tray. Wow, 437 00:23:04,280 --> 00:23:05,840 Speaker 3: And so you're like, what is this thing? 438 00:23:05,960 --> 00:23:09,480 Speaker 2: And these filters. I remember being like pach and I 439 00:23:09,480 --> 00:23:11,639 Speaker 2: guess I'll take a picture of the table. 440 00:23:11,560 --> 00:23:16,040 Speaker 3: Salmon, right right. But I think because of that and 441 00:23:16,080 --> 00:23:19,040 Speaker 3: they don't know who you are exactly, social media was 442 00:23:19,080 --> 00:23:22,239 Speaker 3: a way in for them to learn about you, and 443 00:23:22,320 --> 00:23:24,880 Speaker 3: in some ways it felt like a gift. In some 444 00:23:24,920 --> 00:23:28,040 Speaker 3: ways it felt like a complete flaw on the system, 445 00:23:28,119 --> 00:23:31,239 Speaker 3: because the gift is like, I can share what I 446 00:23:31,280 --> 00:23:34,159 Speaker 3: want with you, I can connect with my fans, I 447 00:23:34,160 --> 00:23:37,240 Speaker 3: can learn more about them and who's who's watching and 448 00:23:37,280 --> 00:23:39,879 Speaker 3: who's listening and who's a fan of me personally. But 449 00:23:39,920 --> 00:23:44,000 Speaker 3: then then, like what I was asking you, it feels 450 00:23:44,000 --> 00:23:47,720 Speaker 3: like sometimes they feel like they they deserve it all, 451 00:23:47,920 --> 00:23:51,960 Speaker 3: Like there's no boundary whatsoever when we are choosing what 452 00:23:52,119 --> 00:23:54,320 Speaker 3: to share and what not to. Like, my husband is 453 00:23:54,400 --> 00:23:57,680 Speaker 3: not he's not an actor. He is you know, you know, 454 00:23:57,680 --> 00:24:00,800 Speaker 3: affiliation with the entertainment industry. He doesn't like social media. 455 00:24:00,880 --> 00:24:03,520 Speaker 3: He doesn't go on it, so I'm nervous post him 456 00:24:03,600 --> 00:24:06,520 Speaker 3: and he wants approval and he wants to see things 457 00:24:06,560 --> 00:24:08,879 Speaker 3: before they go up because that's not his thing. This 458 00:24:09,000 --> 00:24:11,240 Speaker 3: is in his world right, And then we chose to 459 00:24:11,280 --> 00:24:14,440 Speaker 3: not post my daughter's face for safety reasons. I just said, 460 00:24:14,600 --> 00:24:17,199 Speaker 3: I'm not I'm not doing that, And so there is 461 00:24:17,240 --> 00:24:19,840 Speaker 3: this like push and pull. But because of the mystery, 462 00:24:20,119 --> 00:24:23,240 Speaker 3: it's like people want to know more and they want 463 00:24:23,280 --> 00:24:26,200 Speaker 3: more because they don't know you exactly. They don't they 464 00:24:26,280 --> 00:24:27,120 Speaker 3: know the character. 465 00:24:27,600 --> 00:24:31,760 Speaker 4: Yeah, I will say, like it is very I do 466 00:24:31,840 --> 00:24:35,879 Speaker 4: feel like there's people feel extremely comfortable coming up to 467 00:24:35,920 --> 00:24:38,040 Speaker 4: me in public, which is great, and I think, I 468 00:24:38,080 --> 00:24:40,840 Speaker 4: mean that's can be a lovely time. Obviously, there are 469 00:24:40,880 --> 00:24:44,399 Speaker 4: sometimes when I'm like having a day and I'm like okay, 470 00:24:44,880 --> 00:24:48,000 Speaker 4: all right, where like I gotta I gotta like bring 471 00:24:48,040 --> 00:24:50,240 Speaker 4: it up. And it's it's because it's almost like I 472 00:24:51,119 --> 00:24:53,320 Speaker 4: have to play a character of myself in some ways, 473 00:24:53,359 --> 00:24:56,280 Speaker 4: because when I'm making videos, I have a lot of energy. 474 00:24:56,359 --> 00:24:59,240 Speaker 4: Those are my like I'm I'm ready, I'm performing in 475 00:24:59,480 --> 00:25:03,760 Speaker 4: this video. You know, Like there's many most of the 476 00:25:03,840 --> 00:25:06,119 Speaker 4: time I'm lower energy than I am in the videos, 477 00:25:06,160 --> 00:25:08,679 Speaker 4: and I think tons of people really understand that. But 478 00:25:10,280 --> 00:25:13,320 Speaker 4: there are moments, there are definitely moments when people feel 479 00:25:13,400 --> 00:25:15,840 Speaker 4: very comfortable and it can get to a place of 480 00:25:17,440 --> 00:25:20,440 Speaker 4: it's that parasocial relationship that's talked about a lot these days, 481 00:25:20,440 --> 00:25:23,760 Speaker 4: where someone is sharing something that like I wasn't ready 482 00:25:23,800 --> 00:25:27,359 Speaker 4: to take on for them, but I you know, but 483 00:25:27,400 --> 00:25:29,760 Speaker 4: I'm also gonna do my best to hold the space 484 00:25:29,800 --> 00:25:31,720 Speaker 4: because I'm not going to make someone feel bad for 485 00:25:31,800 --> 00:25:37,000 Speaker 4: sharing that something like really affected them in a good 486 00:25:37,160 --> 00:25:43,040 Speaker 4: or bad way, but like those same people sometimes will 487 00:25:43,040 --> 00:25:46,480 Speaker 4: tell me a story about like because if I'm friends 488 00:25:46,520 --> 00:25:48,720 Speaker 4: with a musician, they'll be like, oh, I saw that person, 489 00:25:48,880 --> 00:25:50,640 Speaker 4: but I was too scared to go up to them, 490 00:25:50,960 --> 00:25:52,560 Speaker 4: or I saw that actor, but I was too scared 491 00:25:52,560 --> 00:25:54,159 Speaker 4: to go up to them. I don't think people are 492 00:25:54,160 --> 00:25:56,560 Speaker 4: really too scared to come up to me because they 493 00:25:56,600 --> 00:25:59,040 Speaker 4: feel like they know me. But if they saw and 494 00:25:59,119 --> 00:26:01,639 Speaker 4: I am not comparing myself in like fame level standing 495 00:26:01,680 --> 00:26:04,400 Speaker 4: of these people, but if they saw like a Tom 496 00:26:04,480 --> 00:26:07,359 Speaker 4: Cruise or like a Meryl Streep out there, they're not 497 00:26:07,400 --> 00:26:10,680 Speaker 4: going to run up because it's like, oh that is 498 00:26:10,760 --> 00:26:13,719 Speaker 4: not like they don't even have social media. You know 499 00:26:13,880 --> 00:26:17,960 Speaker 4: that there are characters to them and these people love them, 500 00:26:18,080 --> 00:26:20,879 Speaker 4: but they don't know how they speak or talk or 501 00:26:21,000 --> 00:26:23,200 Speaker 4: like kind of go about things in their daily life. 502 00:26:23,240 --> 00:26:24,800 Speaker 4: So I feel like there's a little bit more of 503 00:26:24,840 --> 00:26:29,960 Speaker 4: a barrier, which I think is is that there's no 504 00:26:30,040 --> 00:26:31,560 Speaker 4: like wrong way to go about it, and I would 505 00:26:31,640 --> 00:26:34,879 Speaker 4: love to I think maybe have that barrier at some point, 506 00:26:34,920 --> 00:26:37,920 Speaker 4: but also I still very much enjoy the way that 507 00:26:38,000 --> 00:26:40,720 Speaker 4: I have gone about it as well. Yeah, I think 508 00:26:40,720 --> 00:26:44,920 Speaker 4: it's just now with the social media becoming such a thing. 509 00:26:45,520 --> 00:26:48,200 Speaker 4: Those walls have been stripped down a lot because people 510 00:26:48,240 --> 00:26:51,359 Speaker 4: are sharing so much about their everyday. 511 00:26:50,840 --> 00:26:53,560 Speaker 2: Lives, right, and it takes a special type of personality, 512 00:26:53,600 --> 00:26:56,760 Speaker 2: I think, to have that perspective that you have where 513 00:26:56,760 --> 00:26:59,840 Speaker 2: I think you could throw people really terribly, but also 514 00:27:00,720 --> 00:27:03,480 Speaker 2: you know, to recognize like, oh, this is with success, 515 00:27:03,760 --> 00:27:05,920 Speaker 2: this has happened. Sure, I mean, and sometimes you're gonna 516 00:27:05,920 --> 00:27:07,359 Speaker 2: have bad days. I'm not gonna be in the mood, 517 00:27:07,359 --> 00:27:08,760 Speaker 2: but right, you know. 518 00:27:08,920 --> 00:27:11,359 Speaker 4: I have to remind myself that though most days, like 519 00:27:11,680 --> 00:27:16,080 Speaker 4: there are days or if if I start feeling uncomfortable 520 00:27:16,080 --> 00:27:19,159 Speaker 4: because I can like feel someone taking pictures in public 521 00:27:19,240 --> 00:27:22,119 Speaker 4: or something like that, which is like yes, people should 522 00:27:22,160 --> 00:27:24,480 Speaker 4: ask people to take a photo. Or if I'm walking 523 00:27:24,520 --> 00:27:27,960 Speaker 4: through somewhere and I feel whispers and people talking about me, 524 00:27:28,040 --> 00:27:30,679 Speaker 4: it's like I literally have to remind myself like, no 525 00:27:30,720 --> 00:27:33,600 Speaker 4: one is trying to no one is out to get you. 526 00:27:33,960 --> 00:27:39,040 Speaker 4: Like that too, Yeah, like they're excited. These people are excited. 527 00:27:39,280 --> 00:27:41,800 Speaker 4: But I think it probably goes back to if I 528 00:27:41,840 --> 00:27:43,639 Speaker 4: want to like therapize it, it goes back to like 529 00:27:43,760 --> 00:27:47,000 Speaker 4: childhood and maybe me like walking through the halls and 530 00:27:47,000 --> 00:27:49,560 Speaker 4: feeling like I hear bullies talking about me. I'm like, 531 00:27:49,840 --> 00:27:53,679 Speaker 4: any whispers about me must be bad. But now we 532 00:27:53,800 --> 00:27:55,960 Speaker 4: have to like reframe those somehow. 533 00:27:56,280 --> 00:27:56,960 Speaker 1: Yeah. 534 00:27:57,080 --> 00:28:00,240 Speaker 4: Yeah, if you figure out how can you just think 535 00:28:00,280 --> 00:28:03,359 Speaker 4: it's just constant reminders? Yeah, it's true. 536 00:28:03,520 --> 00:28:15,359 Speaker 1: It's so true. You went to Bosting in servatory. 537 00:28:15,680 --> 00:28:19,320 Speaker 4: Oh I did, I did it. Yes, I am a 538 00:28:19,440 --> 00:28:24,000 Speaker 4: musical theater student. I am a theater kid. As a singer, 539 00:28:24,520 --> 00:28:28,240 Speaker 4: I do occasionally sing yes on social media as well. 540 00:28:29,119 --> 00:28:32,200 Speaker 3: But you singing bathtubs, it's one of my favorite videos. 541 00:28:32,480 --> 00:28:34,719 Speaker 3: You guys sound great. I also have to know how 542 00:28:34,760 --> 00:28:37,439 Speaker 3: many times you guys, how many times you guys tried 543 00:28:37,440 --> 00:28:40,200 Speaker 3: that one, because you looked I know that feeling when 544 00:28:40,240 --> 00:28:42,400 Speaker 3: you get it at the end and you're so excited. 545 00:28:42,480 --> 00:28:43,280 Speaker 1: I knew that's great. 546 00:28:43,440 --> 00:28:46,640 Speaker 4: It's definitely a lot. Yeah. Yeah, yeah, we're singing, we're 547 00:28:46,880 --> 00:28:49,240 Speaker 4: it's you got to get it perfect, you know. 548 00:28:50,680 --> 00:28:51,040 Speaker 1: Like that. 549 00:28:51,200 --> 00:28:54,360 Speaker 4: So yeah, but I've been I've been a theater kid 550 00:28:54,400 --> 00:28:58,800 Speaker 4: for like my whole life, a big of it, like 551 00:28:58,880 --> 00:29:01,840 Speaker 4: I have. I half live in New York, so every 552 00:29:01,840 --> 00:29:05,640 Speaker 4: time I'm there, I'm seeing shows. Often. I went to 553 00:29:05,720 --> 00:29:08,240 Speaker 4: a boarding school. I was gonna say, you saw Alex 554 00:29:08,360 --> 00:29:13,160 Speaker 4: now I sure did. Oh, I sure did. And have 555 00:29:13,320 --> 00:29:18,320 Speaker 4: you guys seen Alex yet? Yes? Oh my god, it's 556 00:29:18,360 --> 00:29:24,120 Speaker 4: like stupid independently owned. It's just it's just insane. And 557 00:29:24,160 --> 00:29:28,600 Speaker 4: to be able to do that eight times a week and. 558 00:29:28,800 --> 00:29:30,960 Speaker 2: Also be like I can't and then comes out to 559 00:29:30,960 --> 00:29:35,880 Speaker 2: the stage and then does that exact thing. No, are 560 00:29:35,880 --> 00:29:37,960 Speaker 2: you's a boarding Yeah? I interrupted you. 561 00:29:38,000 --> 00:29:40,400 Speaker 4: No, no, no, But I saw Alex but yes, I 562 00:29:40,440 --> 00:29:46,040 Speaker 4: went to boarding school for musical theater as well. Speaking 563 00:29:46,040 --> 00:29:48,000 Speaker 4: of Alex, I was also a fan of the Glee 564 00:29:48,040 --> 00:29:51,720 Speaker 4: Project back in the day, like Lee was. I, Oh, 565 00:29:52,080 --> 00:29:54,600 Speaker 4: I had just made for you, I had merch. I 566 00:29:54,640 --> 00:29:58,360 Speaker 4: went to the tour, Yeah I did. Did you go 567 00:29:58,480 --> 00:30:03,600 Speaker 4: to the DC show? I I think so. Yeah, that 568 00:30:03,680 --> 00:30:06,680 Speaker 4: was a fun one. I didn't know what tone. 569 00:30:07,520 --> 00:30:09,160 Speaker 2: No, I don't know if I can't remember that one. 570 00:30:10,600 --> 00:30:15,400 Speaker 3: Kevin's impressibly good at remembering the tour in particular, like 571 00:30:15,520 --> 00:30:17,280 Speaker 3: the shows and the cities and what the show. 572 00:30:17,280 --> 00:30:20,320 Speaker 2: I don't know what one city, I can't remember the show. 573 00:30:20,520 --> 00:30:25,920 Speaker 2: I don't remember the show. And no offense to Philadelphia, 574 00:30:25,960 --> 00:30:27,120 Speaker 2: I have no memory. 575 00:30:27,160 --> 00:30:31,000 Speaker 4: Oh yeah, I remember Phill Yeah. The tour was pretty 576 00:30:31,040 --> 00:30:35,200 Speaker 4: life changing as well. I just remember, like Stan, I mean, 577 00:30:35,400 --> 00:30:39,800 Speaker 4: the entire thing was just like my whole childhood live 578 00:30:40,080 --> 00:30:43,760 Speaker 4: and then. But I do remember specifically like when Amber 579 00:30:43,880 --> 00:30:47,600 Speaker 4: singing ain't no way, oh my god, it was. I 580 00:30:47,680 --> 00:30:50,959 Speaker 4: just I hadn't had a spiritual experience like that before, 581 00:30:51,480 --> 00:30:55,480 Speaker 4: and I had it. I had it nice, we had 582 00:30:55,480 --> 00:30:56,600 Speaker 4: it every night. It was. 583 00:30:58,120 --> 00:31:02,200 Speaker 2: You made a TikTok about how Glee was setting unrealistic 584 00:31:02,240 --> 00:31:06,239 Speaker 2: expectations of like talent in high school, and I have 585 00:31:06,320 --> 00:31:08,920 Speaker 2: to say I'd never really thought about it from the people, 586 00:31:09,000 --> 00:31:11,400 Speaker 2: the perspective of people walking down the hallway and then 587 00:31:11,480 --> 00:31:14,560 Speaker 2: hearing someone like Amber singing. 588 00:31:15,400 --> 00:31:17,360 Speaker 4: I mean all of you guys though, and with like 589 00:31:17,440 --> 00:31:21,520 Speaker 4: a full band as well, Like it was the arrangements 590 00:31:21,640 --> 00:31:24,960 Speaker 4: just magically coming together. Obviously it was a TV show 591 00:31:25,000 --> 00:31:29,400 Speaker 4: elevated reality. But if that happened in any school, it 592 00:31:29,440 --> 00:31:34,240 Speaker 4: would be national news every day, no one. I mean, 593 00:31:34,880 --> 00:31:38,920 Speaker 4: it just would be absolute insanity because in most schools 594 00:31:39,040 --> 00:31:42,360 Speaker 4: you have like one or two people who are like 595 00:31:42,440 --> 00:31:45,960 Speaker 4: a star and they're but even then they're singing with 596 00:31:46,000 --> 00:31:51,880 Speaker 4: a piano and bad acoustics, Like it's not Gregs. Yeah, 597 00:31:52,000 --> 00:31:56,160 Speaker 4: that little rectangle classroom, y'all had had the best acoustics 598 00:31:56,200 --> 00:31:57,960 Speaker 4: in the world. Somehow it was. 599 00:31:58,600 --> 00:32:03,479 Speaker 1: I mean there was real budget. 600 00:32:02,120 --> 00:32:05,080 Speaker 4: Zero budget, and the shows that you got, I mean, 601 00:32:05,360 --> 00:32:08,440 Speaker 4: like Rocky Horror was so insane. 602 00:32:08,840 --> 00:32:10,720 Speaker 2: Can't afford to get a bus for already to get 603 00:32:10,720 --> 00:32:13,800 Speaker 2: to Nationals, but we can build an entire set with 604 00:32:13,840 --> 00:32:15,240 Speaker 2: two stories with an elevator. 605 00:32:15,800 --> 00:32:17,560 Speaker 1: I will say though I did go. 606 00:32:17,600 --> 00:32:20,200 Speaker 3: I went to a Catholic high school on Long Island, 607 00:32:20,640 --> 00:32:22,760 Speaker 3: but it was performing arts and people went to the 608 00:32:22,760 --> 00:32:25,720 Speaker 3: Catholic school even though they weren't like because of the 609 00:32:25,800 --> 00:32:29,280 Speaker 3: musical theater program. So we had like people coming out 610 00:32:29,280 --> 00:32:31,160 Speaker 3: of there. We have Rockets coming out of there. We've 611 00:32:31,200 --> 00:32:34,240 Speaker 3: got multiple Broadway people coming out of there that I 612 00:32:34,320 --> 00:32:36,480 Speaker 3: feel like my school was the closest to Glee that. 613 00:32:36,440 --> 00:32:39,080 Speaker 4: You were going to get probably and you were on 614 00:32:39,360 --> 00:32:41,680 Speaker 4: Broadway as a child, right, Yeah. 615 00:32:41,680 --> 00:32:43,520 Speaker 3: So I did The King and I when I was nine, 616 00:32:43,680 --> 00:32:46,920 Speaker 3: and then I was like, I'm gonna make it and 617 00:32:47,000 --> 00:32:48,600 Speaker 3: do it, do this as an adult. And then I 618 00:32:48,680 --> 00:32:50,400 Speaker 3: Bookspring Awakening, so I got to do that with the 619 00:32:50,400 --> 00:32:53,840 Speaker 3: original Broadway cast for a while, and then and then 620 00:32:53,880 --> 00:32:56,080 Speaker 3: I got to do Waitress after Glee. So I've gotten 621 00:32:56,120 --> 00:32:59,240 Speaker 3: to do like a show within every decade. 622 00:33:00,360 --> 00:33:05,360 Speaker 4: Did you enjoy like a comparative Broadway versus a TV show. 623 00:33:05,920 --> 00:33:08,440 Speaker 4: I know they're so different, Yeah. 624 00:33:08,200 --> 00:33:10,600 Speaker 1: I know, but it was a dream to be able 625 00:33:10,640 --> 00:33:12,240 Speaker 1: to sing and perform on TV. 626 00:33:12,480 --> 00:33:14,280 Speaker 3: That was like because I went to mary Mount Manhattan, 627 00:33:14,520 --> 00:33:17,400 Speaker 3: like college, I did a BA in theater minor musical theater, 628 00:33:17,960 --> 00:33:19,440 Speaker 3: and like for me, I was going to be on 629 00:33:19,480 --> 00:33:20,520 Speaker 3: Broadway for the rest of my life. 630 00:33:20,560 --> 00:33:21,200 Speaker 2: That was my goal. 631 00:33:21,280 --> 00:33:23,040 Speaker 1: I was going to be some foster and that was it. 632 00:33:23,600 --> 00:33:27,120 Speaker 3: But I think to be able to do both was 633 00:33:27,160 --> 00:33:31,360 Speaker 3: amazing because TV has the money and the schedule and 634 00:33:31,440 --> 00:33:35,400 Speaker 3: like the the you know, the refutation, yes, and Broadway 635 00:33:35,840 --> 00:33:37,840 Speaker 3: like you can always go back for a few months 636 00:33:37,840 --> 00:33:40,720 Speaker 3: and do it right, and so because it's so grueling 637 00:33:40,840 --> 00:33:42,280 Speaker 3: and then we're going to get Kevin to do it 638 00:33:42,320 --> 00:33:45,400 Speaker 3: at some point. But it's so grueling and it's so 639 00:33:45,480 --> 00:33:50,280 Speaker 3: strange and different and the yes you must and the 640 00:33:50,480 --> 00:33:54,120 Speaker 3: instant gratification that you get from an audience and energy, 641 00:33:54,520 --> 00:33:56,920 Speaker 3: like I picked that over TV any day. 642 00:33:56,880 --> 00:34:00,200 Speaker 4: Sure, But I totally understand that, like when you get 643 00:34:00,000 --> 00:34:04,480 Speaker 4: a degree in theater, you're not getting it to be 644 00:34:04,640 --> 00:34:07,480 Speaker 4: like and no, I'm gonna make bank like and now 645 00:34:07,600 --> 00:34:10,080 Speaker 4: I'm ready, like love it. Yeah, you do it because 646 00:34:10,120 --> 00:34:13,120 Speaker 4: you love it because the end goal for most of 647 00:34:13,200 --> 00:34:18,080 Speaker 4: us is like get on Broadway and make the Broadway minimum, 648 00:34:18,120 --> 00:34:21,240 Speaker 4: which is very hard to live on in New York. 649 00:34:21,400 --> 00:34:25,080 Speaker 4: Like it's possible. Yeah, it's like, it's not like we're 650 00:34:25,080 --> 00:34:27,839 Speaker 4: going to I mean, I think when you're little and 651 00:34:27,880 --> 00:34:29,640 Speaker 4: you have that dream, you're like, I'm going to be 652 00:34:29,719 --> 00:34:31,720 Speaker 4: a star, I'm gonna be famous all of this stuff. 653 00:34:31,719 --> 00:34:34,440 Speaker 4: But then when you find out the reality, you're like, Okay, 654 00:34:34,840 --> 00:34:38,600 Speaker 4: as long as I can somehow work professionally, I will 655 00:34:38,640 --> 00:34:39,160 Speaker 4: be happy. 656 00:34:39,480 --> 00:34:41,360 Speaker 1: And yes, it's so true. 657 00:34:41,440 --> 00:34:43,320 Speaker 4: I was ready to, like, I mean, there was a 658 00:34:43,360 --> 00:34:46,960 Speaker 4: point even with Broadway too. There the amount of competition 659 00:34:47,239 --> 00:34:49,600 Speaker 4: that you have of to even get in the door 660 00:34:50,120 --> 00:34:53,440 Speaker 4: is so insane, and I think there there have been 661 00:34:53,520 --> 00:34:56,160 Speaker 4: so many times I've been so ready to just give 662 00:34:56,239 --> 00:34:58,880 Speaker 4: up on entertainment in general because it is such a 663 00:34:58,880 --> 00:35:03,520 Speaker 4: hard door to get through. And if social media hadn't 664 00:35:03,560 --> 00:35:05,360 Speaker 4: happened in the way that it did for me, I 665 00:35:05,360 --> 00:35:07,120 Speaker 4: think I probably it probably would have been a very 666 00:35:07,120 --> 00:35:10,160 Speaker 4: different life because it is so easy to get that 667 00:35:10,440 --> 00:35:14,600 Speaker 4: just kicked out of you if you're not given the opportunity. 668 00:35:14,600 --> 00:35:17,120 Speaker 4: And that's the tough thing about acting in theater and 669 00:35:17,160 --> 00:35:19,759 Speaker 4: all of that stuff is someone has to give you 670 00:35:19,800 --> 00:35:24,520 Speaker 4: permission to do what you want, whereas with so many 671 00:35:24,520 --> 00:35:27,120 Speaker 4: other things, obviously you're getting hired. But like you can 672 00:35:27,200 --> 00:35:29,960 Speaker 4: work your way up in a corporate ladder, right, you 673 00:35:30,000 --> 00:35:32,439 Speaker 4: can work your way up doing anything Broadway. You could 674 00:35:32,480 --> 00:35:34,840 Speaker 4: be taking classes, you could be doing all of the stuff, 675 00:35:34,880 --> 00:35:37,200 Speaker 4: and you just might not get hired because you don't 676 00:35:37,200 --> 00:35:39,400 Speaker 4: know the right person or you don't know all of 677 00:35:39,440 --> 00:35:42,800 Speaker 4: that stuff. And I think it's just such an interesting 678 00:35:43,400 --> 00:35:48,400 Speaker 4: industry that like mainstream isn't really clued in on, but 679 00:35:49,120 --> 00:35:52,880 Speaker 4: the entertainment we all know how insane it is for 680 00:35:52,960 --> 00:35:55,360 Speaker 4: someone to just like make their debut or to be 681 00:35:55,560 --> 00:36:00,600 Speaker 4: like backs left, like the stage left in the back, 682 00:36:00,760 --> 00:36:03,560 Speaker 4: but they're like doing the thing. I mean, it's it's 683 00:36:03,600 --> 00:36:04,720 Speaker 4: yeah yeah. 684 00:36:04,760 --> 00:36:06,279 Speaker 3: And then you have like the lifers who like go 685 00:36:06,360 --> 00:36:08,960 Speaker 3: into Lion King and Aladdin and stay forever. They're like, 686 00:36:09,000 --> 00:36:11,200 Speaker 3: I'm on my tenth here, and you're like, girl, get it. 687 00:36:11,920 --> 00:36:13,759 Speaker 2: People have been in Chicago for like twenty years. 688 00:36:13,800 --> 00:36:15,719 Speaker 1: Oh yeah, they're gonna die on that stage now. 689 00:36:16,239 --> 00:36:21,000 Speaker 3: Yeah right, I'm curious, Like because you went to a conservatory. 690 00:36:21,480 --> 00:36:25,120 Speaker 3: They're so intense, so intense, and then like was the 691 00:36:25,120 --> 00:36:27,960 Speaker 3: goal Broadway? Like was the goal to be famous? Like 692 00:36:27,960 --> 00:36:29,960 Speaker 3: what was the goal for you? And then to become 693 00:36:30,520 --> 00:36:34,720 Speaker 3: so huge on social media? What was that like pivot 694 00:36:34,800 --> 00:36:37,120 Speaker 3: for you to go like, okay, this is my life now. 695 00:36:37,400 --> 00:36:40,360 Speaker 4: It was really strange. I think yes, initially the goal 696 00:36:40,520 --> 00:36:43,440 Speaker 4: was like be on Broadway or it really was just 697 00:36:44,000 --> 00:36:46,480 Speaker 4: be able to maybe make a living as a performer 698 00:36:46,600 --> 00:36:48,960 Speaker 4: in some way. I was also while I was there, 699 00:36:49,000 --> 00:36:51,040 Speaker 4: I was like training to be a group fitness trainer 700 00:36:51,080 --> 00:36:52,920 Speaker 4: because I was like, that's going to be my job 701 00:36:53,200 --> 00:36:56,239 Speaker 4: as a fallback job. Yeah, I was like I got 702 00:36:56,239 --> 00:36:58,160 Speaker 4: to do something too. I mean, there are so many 703 00:36:58,200 --> 00:37:02,720 Speaker 4: people who like work in and obviously are this food 704 00:37:02,760 --> 00:37:05,000 Speaker 4: industry or like fitness or something like that. So I 705 00:37:05,040 --> 00:37:08,600 Speaker 4: was like, Okay, I'll try doing that. But it was 706 00:37:08,880 --> 00:37:12,279 Speaker 4: halfway through my junior year that the pandemic happened, and 707 00:37:12,360 --> 00:37:16,440 Speaker 4: so I was then we were pivoting to online musical 708 00:37:16,480 --> 00:37:21,200 Speaker 4: theater classes. So I was in a room like smaller 709 00:37:21,239 --> 00:37:25,360 Speaker 4: than this one I'm in right now, like with a chair, 710 00:37:25,640 --> 00:37:28,680 Speaker 4: trying to do ballet like the chair was my bar, 711 00:37:29,080 --> 00:37:33,120 Speaker 4: or like doing a monologue like and I mean it's like, 712 00:37:33,160 --> 00:37:34,759 Speaker 4: I guess it's kind of like a self tape but 713 00:37:34,840 --> 00:37:38,200 Speaker 4: like singing a song but to like all of my 714 00:37:38,239 --> 00:37:42,600 Speaker 4: classmates on Zoom, and it's just, oh, it is not 715 00:37:42,880 --> 00:37:47,920 Speaker 4: It felt all of my creativity in school had left me. 716 00:37:48,000 --> 00:37:51,360 Speaker 4: I was like, Okay, this feels horrible. It just feels 717 00:37:51,400 --> 00:37:55,520 Speaker 4: like work and not not work that I'm like interested 718 00:37:55,560 --> 00:37:57,799 Speaker 4: in doing right now, especially like doing a scene with 719 00:37:57,800 --> 00:37:58,960 Speaker 4: someone through zoom. 720 00:37:59,120 --> 00:37:59,800 Speaker 1: Oh God. 721 00:38:01,560 --> 00:38:05,359 Speaker 4: So I downloaded TikTok halfway through, because not halfway through 722 00:38:05,560 --> 00:38:09,319 Speaker 4: in April, so like a month after the world kind 723 00:38:09,320 --> 00:38:10,959 Speaker 4: of shut down, and was like, let me just see 724 00:38:10,960 --> 00:38:13,680 Speaker 4: what's going on on here, and. 725 00:38:13,800 --> 00:38:14,680 Speaker 2: There's nothing else to do. 726 00:38:14,760 --> 00:38:16,600 Speaker 4: There was nothing else to do. And then I found 727 00:38:16,640 --> 00:38:18,480 Speaker 4: it was a way I could be creative and have 728 00:38:18,520 --> 00:38:21,600 Speaker 4: a little bit of creative outlet. And then I like 729 00:38:21,800 --> 00:38:24,399 Speaker 4: summer happened and I kept making videos over the summer, 730 00:38:24,440 --> 00:38:26,200 Speaker 4: and at the very end of the summer, right before 731 00:38:26,239 --> 00:38:28,719 Speaker 4: the start of my senior year, I started gaining a 732 00:38:28,719 --> 00:38:31,720 Speaker 4: following and I was like, Okay, maybe there's something here 733 00:38:31,760 --> 00:38:36,880 Speaker 4: that I can do to finish out school. It's probably 734 00:38:36,880 --> 00:38:38,879 Speaker 4: not gonna it's not gonna last forever, but we'll see 735 00:38:38,880 --> 00:38:40,719 Speaker 4: what we do, and then it just kept kind of 736 00:38:41,080 --> 00:38:44,640 Speaker 4: growing in different ways and I kept finding new ways 737 00:38:44,680 --> 00:38:46,719 Speaker 4: to have fun and be creative on there. And so 738 00:38:48,080 --> 00:38:54,640 Speaker 4: that also, I think like reinvigorated my love for performing arts, 739 00:38:54,800 --> 00:38:57,279 Speaker 4: and it made me realize that I could do it, 740 00:38:57,520 --> 00:39:00,319 Speaker 4: because I think there I had, I was so close 741 00:39:00,400 --> 00:39:04,640 Speaker 4: to giving up on all of it because auditioning I 742 00:39:05,000 --> 00:39:07,880 Speaker 4: had just done, I think a month before the pandemic. 743 00:39:07,880 --> 00:39:10,960 Speaker 4: I had just taken a megabus at twelve am from 744 00:39:11,040 --> 00:39:17,680 Speaker 4: Boston to New York for the Hairspray Tour open call dark, yeah, 745 00:39:17,800 --> 00:39:20,640 Speaker 4: very dark. I was in line in front of Pearl 746 00:39:20,640 --> 00:39:26,200 Speaker 4: Studios at four am. My audition ended up happening at 747 00:39:26,239 --> 00:39:30,719 Speaker 4: three pm, so I had been there for eleven hours 748 00:39:30,880 --> 00:39:33,560 Speaker 4: and then had to immediately get on a train back 749 00:39:33,560 --> 00:39:36,759 Speaker 4: to Boston to do rehearsal for the Drowsy Chaperone that night, 750 00:39:37,200 --> 00:39:40,680 Speaker 4: where I was in the ensemble. So it was it 751 00:39:40,719 --> 00:39:44,399 Speaker 4: was it's like you grind it, Yeah, it's grind. There's 752 00:39:44,520 --> 00:39:49,080 Speaker 4: like grind. No, there's almost no gratification from it until 753 00:39:49,120 --> 00:39:52,319 Speaker 4: like the very end. It is such delayed gratification, which 754 00:39:52,320 --> 00:39:55,120 Speaker 4: I think is really wonderful to work work for for 755 00:39:55,160 --> 00:39:57,239 Speaker 4: a lot of things in your life, but there was 756 00:39:57,280 --> 00:40:01,160 Speaker 4: like near no gratification. Ended up making it pretty far 757 00:40:01,239 --> 00:40:04,399 Speaker 4: in those hairspray rounds and then everything shut down and 758 00:40:05,120 --> 00:40:08,400 Speaker 4: the Hairspray Tour didn't even They did end up emailing 759 00:40:08,440 --> 00:40:10,640 Speaker 4: me like two years ago being like, would you still 760 00:40:10,640 --> 00:40:12,279 Speaker 4: be interested? And I was like, I don't know if 761 00:40:12,280 --> 00:40:14,680 Speaker 4: I can do that. 762 00:40:15,120 --> 00:40:19,319 Speaker 2: I'm crawling back to me. I'm actually busy. 763 00:40:19,680 --> 00:40:24,040 Speaker 4: Oh I'm so busy right now. But wow, there I had. 764 00:40:24,160 --> 00:40:26,719 Speaker 4: I was. I was very close to giving up on 765 00:40:26,800 --> 00:40:29,680 Speaker 4: all of it. And I think getting a platform and 766 00:40:29,719 --> 00:40:34,160 Speaker 4: getting that positive reinforcement, especially on videos where I started singing, 767 00:40:34,360 --> 00:40:37,480 Speaker 4: or videos where I was like talking about, you know, 768 00:40:37,560 --> 00:40:40,799 Speaker 4: my past and performing, made me realize like, yeah, that's 769 00:40:40,840 --> 00:40:44,640 Speaker 4: definitely something I want to do and want to experience 770 00:40:44,680 --> 00:40:46,800 Speaker 4: at some point in my life. And it feels closer 771 00:40:48,480 --> 00:40:52,600 Speaker 4: than it was when I was just in school doing nothing, sure, 772 00:40:53,320 --> 00:40:55,880 Speaker 4: because but it can be hard when you're in a 773 00:40:56,440 --> 00:41:00,520 Speaker 4: conservatory or in a program where there are so many 774 00:41:00,560 --> 00:41:04,120 Speaker 4: talented people and there aren't just so talented people in 775 00:41:04,160 --> 00:41:07,799 Speaker 4: your program. There are talented people around the whole world. Yeah, 776 00:41:07,960 --> 00:41:12,160 Speaker 4: and there's almost always someone who can do what you're doing. 777 00:41:12,320 --> 00:41:15,400 Speaker 4: Do a little bit better or a lot better, And 778 00:41:15,880 --> 00:41:18,200 Speaker 4: it's so easy to talk yourself out of it, right 779 00:41:18,280 --> 00:41:20,640 Speaker 4: you're like, oh, well, there are three million people here 780 00:41:20,640 --> 00:41:21,480 Speaker 4: that are way better than me. 781 00:41:21,520 --> 00:41:22,440 Speaker 2: Why am I even doing this? 782 00:41:22,680 --> 00:41:26,279 Speaker 4: Right exactly? And that doesn't mean that, you know, for 783 00:41:26,480 --> 00:41:28,560 Speaker 4: people who are listening, that doesn't mean that that means 784 00:41:28,560 --> 00:41:31,080 Speaker 4: you give up, because if they're doing it better, you 785 00:41:31,080 --> 00:41:33,400 Speaker 4: can do it differently, or you can offer a completely 786 00:41:33,440 --> 00:41:34,719 Speaker 4: different perspective on it. 787 00:41:34,640 --> 00:41:37,000 Speaker 2: But find your own way in like you're like, now 788 00:41:37,000 --> 00:41:39,560 Speaker 2: you said, it feels closer, like you are founding a 789 00:41:39,560 --> 00:41:40,959 Speaker 2: different way to approach. 790 00:41:40,640 --> 00:41:43,360 Speaker 4: It right right, Like it's you know, it can be 791 00:41:43,400 --> 00:41:45,480 Speaker 4: hard for all of us who are not connected in 792 00:41:45,520 --> 00:41:49,160 Speaker 4: the industry already from like birth, And I know it 793 00:41:49,160 --> 00:41:51,560 Speaker 4: can be a little discouraging when there are so many 794 00:41:51,600 --> 00:41:54,760 Speaker 4: people who you see, especially with social media. So many 795 00:41:54,880 --> 00:41:57,279 Speaker 4: of these people who are successful on social media are 796 00:41:57,400 --> 00:42:02,360 Speaker 4: so young, and I can't imagine and being like a 797 00:42:02,480 --> 00:42:06,080 Speaker 4: sixteen year old or like even younger and seeing someone 798 00:42:06,160 --> 00:42:09,960 Speaker 4: else my age making millions of dollars moving to LA 799 00:42:10,080 --> 00:42:13,880 Speaker 4: and being like that is what my life should be like, 800 00:42:13,960 --> 00:42:16,640 Speaker 4: because it's not. And I'm honestly so glad that my 801 00:42:16,680 --> 00:42:19,640 Speaker 4: life wasn't like that at sixteen, and that most of 802 00:42:19,680 --> 00:42:22,160 Speaker 4: the stuff happened at twenty two, which is still young. 803 00:42:22,320 --> 00:42:26,080 Speaker 4: But I think just having that's a big difference of 804 00:42:26,480 --> 00:42:29,239 Speaker 4: all of that. How old were you both when the 805 00:42:29,280 --> 00:42:32,320 Speaker 4: show started twenty three? 806 00:42:32,520 --> 00:42:35,680 Speaker 3: I was twenty three, twenty or twenty, yeah, twenty and 807 00:42:35,680 --> 00:42:40,240 Speaker 3: twenty three. Rispolfer was eighteen nineteen, eighteen, yeah, eighteen. 808 00:42:40,440 --> 00:42:44,759 Speaker 4: I mean, yeah, that's all of those ages are so 809 00:42:45,120 --> 00:42:49,480 Speaker 4: young to be like thrust into that. 810 00:42:50,000 --> 00:42:50,520 Speaker 1: Yeah. 811 00:42:50,680 --> 00:42:53,040 Speaker 2: I do think like because it was an ensemble, we 812 00:42:53,040 --> 00:42:55,239 Speaker 2: were all young, there was a lot of shared experience 813 00:42:55,360 --> 00:42:59,040 Speaker 2: and like protectiveness, So I do think, yeah, we had 814 00:42:59,080 --> 00:43:03,040 Speaker 2: that that benefit of relying on each other and that 815 00:43:03,239 --> 00:43:05,960 Speaker 2: shared like, oh, we're all going through this together, right, 816 00:43:06,040 --> 00:43:06,479 Speaker 2: And we had. 817 00:43:06,360 --> 00:43:08,719 Speaker 3: A boss again like you said, like we had you know, 818 00:43:08,760 --> 00:43:12,040 Speaker 3: the studio to answer to. There were executives and you know, 819 00:43:12,120 --> 00:43:14,840 Speaker 3: producers who were all there to kind of guide the 820 00:43:14,840 --> 00:43:17,880 Speaker 3: way for you versus like, you know, people like you 821 00:43:18,080 --> 00:43:22,360 Speaker 3: who are hitting it like overnight, gaining this huge following 822 00:43:22,360 --> 00:43:23,080 Speaker 3: and then going. 823 00:43:22,920 --> 00:43:23,960 Speaker 1: Like would I do with this? 824 00:43:24,239 --> 00:43:26,880 Speaker 2: Because now you're running like a business. Yeah, like you're 825 00:43:26,920 --> 00:43:30,560 Speaker 2: running your brand, which is like you weren't taught how. 826 00:43:30,400 --> 00:43:34,080 Speaker 4: To do that. No, And it's a learning literally. 827 00:43:33,800 --> 00:43:36,520 Speaker 2: Going to school for you know, performing arts three and 828 00:43:36,520 --> 00:43:38,880 Speaker 2: a half years ago and then yes, all of a 829 00:43:38,920 --> 00:43:40,359 Speaker 2: sudden and no one. 830 00:43:40,920 --> 00:43:43,640 Speaker 4: I mean it's impossible to like learn the business of 831 00:43:43,760 --> 00:43:47,200 Speaker 4: any of these things without being in it. Like I mean, 832 00:43:47,480 --> 00:43:50,040 Speaker 4: even when you make mistakes, because you're learning as you go, right, 833 00:43:50,560 --> 00:43:53,680 Speaker 4: like down to the mundane things about like doing your 834 00:43:53,760 --> 00:43:56,959 Speaker 4: taxes as like a performer is like am I going 835 00:43:56,960 --> 00:43:58,759 Speaker 4: to go to jail because I'm not doing any of 836 00:43:58,800 --> 00:44:04,440 Speaker 4: this like correct? But yeah, I like running the brand 837 00:44:04,440 --> 00:44:07,799 Speaker 4: of me, running my coffee brand, flight fuel, Like there 838 00:44:07,800 --> 00:44:13,280 Speaker 4: are so many even just the business of like figuring 839 00:44:13,320 --> 00:44:17,120 Speaker 4: out how I'm going to next like create the next 840 00:44:17,320 --> 00:44:20,399 Speaker 4: video or work with the next person that I want 841 00:44:20,400 --> 00:44:23,640 Speaker 4: to work with. I think, Yeah, it's a lot of 842 00:44:24,080 --> 00:44:26,439 Speaker 4: figuring it out myself. Being able to ask for help, 843 00:44:26,560 --> 00:44:31,560 Speaker 4: I think is a really important thing, and but giving 844 00:44:31,560 --> 00:44:33,719 Speaker 4: myself so much grace along the way that like if 845 00:44:33,760 --> 00:44:38,080 Speaker 4: I'm not doing something perfect or if I could improve 846 00:44:38,120 --> 00:44:41,279 Speaker 4: on something, just knowing that like that is okay that 847 00:44:41,320 --> 00:44:43,440 Speaker 4: I didn't do it right the first time. Neither of 848 00:44:43,480 --> 00:44:48,439 Speaker 4: my parents are in the industry, like a lot of 849 00:44:48,480 --> 00:44:51,600 Speaker 4: my friends, my age aren't doing the exact same thing 850 00:44:51,640 --> 00:44:56,040 Speaker 4: that I'm doing. So I'm really like just taking it 851 00:44:56,120 --> 00:44:58,600 Speaker 4: day by day and learning along the way, but allowing 852 00:44:58,640 --> 00:45:02,799 Speaker 4: myself to give give grace when it's not the perfect thing. 853 00:45:02,880 --> 00:45:15,680 Speaker 3: Well, you're doing damn good, So thank you. Okay, So 854 00:45:15,760 --> 00:45:18,000 Speaker 3: let's let's just talk about Glee for a second, because 855 00:45:18,080 --> 00:45:24,040 Speaker 3: I want to know about your some of like your favorites, like, 856 00:45:24,840 --> 00:45:26,760 Speaker 3: tell me about so much. 857 00:45:28,320 --> 00:45:31,200 Speaker 2: Well you For example, you said you go to the 858 00:45:31,239 --> 00:45:33,360 Speaker 2: gym and listen to Glee songs. 859 00:45:33,400 --> 00:45:37,799 Speaker 4: I will, so I think, so do you have right? Well? 860 00:45:37,840 --> 00:45:40,640 Speaker 4: And I think you maybe it responded to my story 861 00:45:40,719 --> 00:45:44,480 Speaker 4: last year about because Glee cast was my number five 862 00:45:44,640 --> 00:45:48,239 Speaker 4: for in my Spotify wrapped of Artists. I was like, 863 00:45:48,280 --> 00:45:53,319 Speaker 4: what are you doing? But it really depends on it 864 00:45:53,400 --> 00:45:57,160 Speaker 4: depends on my like mood. I brought up Rocky Corps 865 00:45:57,200 --> 00:46:01,839 Speaker 4: because I do listen to the Rocky ho or Hma. 866 00:46:02,040 --> 00:46:07,080 Speaker 4: What is the title of that album? Yeah, oh yeah, yeah, 867 00:46:07,200 --> 00:46:10,279 Speaker 4: so that is the one I listened to the live 868 00:46:10,360 --> 00:46:13,600 Speaker 4: album often. Total Eclipse of the Heart is one of 869 00:46:13,640 --> 00:46:21,439 Speaker 4: my favorites. It's just oh the Christmas albums, Oh my God, 870 00:46:23,200 --> 00:46:26,640 Speaker 4: like I and I really did. I'm a cliche and 871 00:46:26,680 --> 00:46:30,600 Speaker 4: I'll own it. Like I learned so many classics and 872 00:46:30,680 --> 00:46:34,279 Speaker 4: so much music from the show Glee, Like there were 873 00:46:34,320 --> 00:46:37,439 Speaker 4: so many songs that I did not know, so many 874 00:46:37,560 --> 00:46:44,920 Speaker 4: Journey songs specifically I did not know before like tuning 875 00:46:44,960 --> 00:46:49,680 Speaker 4: into the show. But I love that obviously the Britney 876 00:46:49,680 --> 00:46:54,879 Speaker 4: Spears songs. I remember, I would do a I would 877 00:46:54,960 --> 00:46:58,680 Speaker 4: just perform a dance to Toxic the Glee version for 878 00:46:58,800 --> 00:47:01,920 Speaker 4: like my friends at any time. I think that's how 879 00:47:01,960 --> 00:47:02,759 Speaker 4: most people you. 880 00:47:02,760 --> 00:47:04,440 Speaker 2: Were popular, is what you're saying. 881 00:47:04,880 --> 00:47:08,200 Speaker 4: What sure? Yeah, yeah, I think like most people work 882 00:47:08,360 --> 00:47:11,640 Speaker 4: for you. It didn't. I in retrospect, I think maybe 883 00:47:11,680 --> 00:47:13,719 Speaker 4: people were making maybe making a little fun of me 884 00:47:13,920 --> 00:47:18,759 Speaker 4: during that, But I I think I that's probably how 885 00:47:18,760 --> 00:47:23,160 Speaker 4: most people found out I was gay. Also Bad Romance 886 00:47:23,239 --> 00:47:28,719 Speaker 4: the Glee version, and Naya Rivera does a growl like 887 00:47:28,800 --> 00:47:33,400 Speaker 4: I mean she at anytime she's saying, it's just absolutely incredible. 888 00:47:33,400 --> 00:47:38,040 Speaker 4: But it is River Deep, Mountain High. I mean I 889 00:47:38,320 --> 00:47:40,800 Speaker 4: just like, yeah, it's it's almost like all of the 890 00:47:40,920 --> 00:47:43,640 Speaker 4: all of the memories fled back. There are so many. 891 00:47:44,360 --> 00:47:47,000 Speaker 1: Yeah, but okay, okay, okay. 892 00:47:47,120 --> 00:47:49,480 Speaker 4: You asked like a specific question, and did I. 893 00:47:49,600 --> 00:47:52,960 Speaker 3: Give you Jim your Jim Glee playlist my gym? Do 894 00:47:53,000 --> 00:47:56,160 Speaker 3: you have like a playlist for Glee for the gym? 895 00:47:56,480 --> 00:47:59,440 Speaker 4: There there's not a specific playlist because I will go 896 00:47:59,520 --> 00:48:01,839 Speaker 4: through the als and I know there are certain ones 897 00:48:01,840 --> 00:48:06,000 Speaker 4: that I really like. The music Volume four, Volume three 898 00:48:06,120 --> 00:48:08,239 Speaker 4: obviously has a lot of those ones that I was 899 00:48:08,280 --> 00:48:11,160 Speaker 4: hitting on the power of Madonna. Yeah, it does a 900 00:48:11,200 --> 00:48:11,799 Speaker 4: lot for me. 901 00:48:12,760 --> 00:48:13,480 Speaker 2: You're in there. 902 00:48:13,320 --> 00:48:16,440 Speaker 4: Deep, this is I'm no, no, no, no, it is. 903 00:48:17,840 --> 00:48:20,480 Speaker 2: It's love that in twenty twenty two, Glee cast was 904 00:48:20,560 --> 00:48:23,120 Speaker 2: number five on his Spotify and it's. 905 00:48:22,960 --> 00:48:26,120 Speaker 4: It's it's funny because like I don't pop, they're bops 906 00:48:26,120 --> 00:48:29,120 Speaker 4: and I don't really realize I'm listening to it as 907 00:48:29,200 --> 00:48:32,520 Speaker 4: much as I am, but I sure am. 908 00:48:32,800 --> 00:48:33,120 Speaker 1: Yeah. 909 00:48:33,239 --> 00:48:35,000 Speaker 2: I think it's always fun for us because we don't 910 00:48:35,040 --> 00:48:38,720 Speaker 2: know we have songs that we're fans of right amongst 911 00:48:38,760 --> 00:48:41,919 Speaker 2: the Glee songs, and like hearing about experiences people going 912 00:48:41,920 --> 00:48:44,720 Speaker 2: to the tour or what songs they like are really 913 00:48:44,880 --> 00:48:49,239 Speaker 2: interesting because we can't have that perspective, of course, what 914 00:48:49,360 --> 00:48:51,200 Speaker 2: people actually like out there in the wild. 915 00:48:51,400 --> 00:48:55,440 Speaker 4: Yes, I mean the Proud Mary also was one that 916 00:48:56,440 --> 00:48:58,640 Speaker 4: you guys are all in wheelchairs during that number. 917 00:48:58,920 --> 00:49:02,200 Speaker 2: Yeah, I recently saw this article, by the way, that 918 00:49:02,239 --> 00:49:05,400 Speaker 2: someone had been an article of like the eleven worst number. 919 00:49:05,760 --> 00:49:07,799 Speaker 1: No, do you see crowd? Mary was in that. 920 00:49:08,080 --> 00:49:11,160 Speaker 2: Well, it wasn't about this, they said the version was good. 921 00:49:11,280 --> 00:49:13,680 Speaker 2: It was the context of us all being wheelchairs. 922 00:49:14,920 --> 00:49:15,160 Speaker 4: Sure. 923 00:49:15,680 --> 00:49:19,479 Speaker 3: Sure, But of all the things that that Glee did, 924 00:49:19,640 --> 00:49:24,080 Speaker 3: I think that's the least offensive because we were we 925 00:49:24,080 --> 00:49:29,960 Speaker 3: were rallying around already for support versus a billion other 926 00:49:29,960 --> 00:49:34,440 Speaker 3: things we're doing. Speaking of that unhinged storylines, like, were 927 00:49:34,480 --> 00:49:38,480 Speaker 3: there any of your favorite or your your least favorite? 928 00:49:38,520 --> 00:49:40,720 Speaker 1: Like unhinged storylines? 929 00:49:41,400 --> 00:49:44,239 Speaker 4: Oh, I mean this isn't This wasn't one of my 930 00:49:44,320 --> 00:49:46,480 Speaker 4: least favorites. But I do remember almost crying when the 931 00:49:46,520 --> 00:49:51,200 Speaker 4: moment happened when Mercedes has an eating disorder and starts 932 00:49:51,200 --> 00:49:57,960 Speaker 4: seeing people as food in the cafeteria and then Quinn 933 00:49:58,080 --> 00:50:01,400 Speaker 4: has a conversation with her about what it was like 934 00:50:01,520 --> 00:50:06,200 Speaker 4: eating for two. I remember playing it back for my 935 00:50:06,440 --> 00:50:12,000 Speaker 4: mother because I thought it was so impactful. Yeah, I 936 00:50:12,160 --> 00:50:14,799 Speaker 4: was like, mom, this is beautiful. 937 00:50:15,320 --> 00:50:16,800 Speaker 2: The show's changing lives. 938 00:50:17,040 --> 00:50:20,200 Speaker 4: It was like, Quinn is I mean, this is like, 939 00:50:20,480 --> 00:50:22,960 Speaker 4: oh gods, God bless. 940 00:50:22,960 --> 00:50:24,640 Speaker 1: It was a really good scene, though, I have to 941 00:50:24,680 --> 00:50:25,720 Speaker 1: say it was beautiful. 942 00:50:25,719 --> 00:50:27,040 Speaker 4: I mean, there were a lot of moments in the 943 00:50:27,080 --> 00:50:30,120 Speaker 4: show that even if the storyline was a little questionable, 944 00:50:30,320 --> 00:50:34,840 Speaker 4: like they were hitting an overall positive message, you could. 945 00:50:34,680 --> 00:50:35,640 Speaker 2: See where they were coming from. 946 00:50:35,640 --> 00:50:39,200 Speaker 4: I could totally see where they were going. But I remember, yeah, 947 00:50:39,400 --> 00:50:42,279 Speaker 4: during that like specific scene, like Amber is sitting in 948 00:50:42,320 --> 00:50:45,480 Speaker 4: the nurse's office and Quinn is like when you're eating 949 00:50:45,520 --> 00:50:50,160 Speaker 4: for two it's and I was just like, that is 950 00:50:50,840 --> 00:50:56,520 Speaker 4: my little teenage life was changed. And I also just 951 00:50:56,600 --> 00:51:00,279 Speaker 4: met Diana for the first time, also in France, and 952 00:51:00,400 --> 00:51:02,800 Speaker 4: I am obsessed with her in so many ways. 953 00:51:03,440 --> 00:51:05,320 Speaker 2: She just she's like rainbows. 954 00:51:06,840 --> 00:51:11,080 Speaker 4: She was also like so unbelievably she's just like her. 955 00:51:11,280 --> 00:51:14,880 Speaker 4: Her vibrations are so I guess you would call that vibes, 956 00:51:14,920 --> 00:51:18,640 Speaker 4: but she's just You're You're immediately like chill, You're calm. 957 00:51:18,719 --> 00:51:21,880 Speaker 4: I'm like, oh my god, like I need your aura 958 00:51:22,120 --> 00:51:23,400 Speaker 4: around it always. 959 00:51:24,520 --> 00:51:26,400 Speaker 3: But she'll just like break down into like a dance 960 00:51:26,440 --> 00:51:29,000 Speaker 3: in the middle of like anywhere, and You're like, yeah. 961 00:51:28,840 --> 00:51:30,600 Speaker 4: I'm obsessed, and I'm obsessed with that. 962 00:51:31,320 --> 00:51:32,040 Speaker 1: Yeah. 963 00:51:32,080 --> 00:51:36,920 Speaker 4: So that was definitely a storyline that I felt stuck 964 00:51:36,960 --> 00:51:37,160 Speaker 4: with you. 965 00:51:37,239 --> 00:51:39,200 Speaker 1: I felt my favorite seems to shoot. 966 00:51:39,440 --> 00:51:43,560 Speaker 3: We like getting in those costumes, like stop laughing. It 967 00:51:43,640 --> 00:51:45,719 Speaker 3: was really one of our favorites, right, Like it will 968 00:51:45,719 --> 00:51:46,640 Speaker 3: go down in history. 969 00:51:46,800 --> 00:51:51,279 Speaker 4: I also just the whole production of Glease. I think 970 00:51:51,320 --> 00:51:58,080 Speaker 4: it was impactful. It will always always hit for me. 971 00:51:58,239 --> 00:52:00,200 Speaker 1: That one's farther in my memory, but we're going to 972 00:52:00,280 --> 00:52:01,240 Speaker 1: get there at some point. 973 00:52:01,320 --> 00:52:04,560 Speaker 2: Yeah, for sure, for sure, I think because I wasn't 974 00:52:04,600 --> 00:52:08,759 Speaker 2: in it. Again, don't have really any recollection. Yeah, if 975 00:52:08,800 --> 00:52:11,640 Speaker 2: I wasn't immediately involved, the memory is not good. 976 00:52:11,760 --> 00:52:17,240 Speaker 4: Oh yeah. And just the entire scene of like vocal 977 00:52:17,280 --> 00:52:21,239 Speaker 4: adrenaline doing Bohemian rhap City during the birth, I think 978 00:52:21,360 --> 00:52:24,840 Speaker 4: is maybe one of the best shot scenes in television history. 979 00:52:24,960 --> 00:52:25,280 Speaker 1: Agreed. 980 00:52:26,080 --> 00:52:28,880 Speaker 2: I it's so absurd that it worked somehow. 981 00:52:28,719 --> 00:52:32,399 Speaker 4: Oh my, I mean, like Quinn's screaming and while it's 982 00:52:32,440 --> 00:52:36,439 Speaker 4: all it's just like the musicality of giving birth, while 983 00:52:36,520 --> 00:52:40,680 Speaker 4: also the performance is happening at the same time. No, no, no, no, no, 984 00:52:40,840 --> 00:52:43,760 Speaker 4: Like it's oh my god. Yeah, I was changed. 985 00:52:44,480 --> 00:52:46,200 Speaker 2: They don't make TV like that anymore, do they. 986 00:52:46,280 --> 00:52:50,160 Speaker 4: They don't. They never did before. Right, that was the 987 00:52:50,200 --> 00:52:51,280 Speaker 4: only time it ever happened. 988 00:52:51,719 --> 00:52:55,399 Speaker 2: If there was a reboot of Glee and you were 989 00:52:55,440 --> 00:52:57,640 Speaker 2: on it. What would you want to sing? 990 00:52:58,680 --> 00:53:01,840 Speaker 1: Oh, go queshtym, it's big. 991 00:53:02,080 --> 00:53:05,040 Speaker 2: Oh my gosh, I personally hate getting this question, so 992 00:53:05,120 --> 00:53:05,520 Speaker 2: good luck. 993 00:53:05,760 --> 00:53:09,560 Speaker 4: Yeah, that is that is really tough. 994 00:53:09,640 --> 00:53:15,200 Speaker 3: Like what okay, so Tina, I give you an example, Tina, 995 00:53:15,600 --> 00:53:20,480 Speaker 3: we decided would be doing like Lavender Haze or Mastermind. 996 00:53:20,640 --> 00:53:24,160 Speaker 4: Oh oh yeah. 997 00:53:23,840 --> 00:53:24,840 Speaker 1: So you can pick a tailor. 998 00:53:25,640 --> 00:53:28,000 Speaker 4: It would it would definitely be a too. I don't 999 00:53:28,000 --> 00:53:31,759 Speaker 4: feel I would be too scared to do a Beyonce one. 1000 00:53:33,040 --> 00:53:35,360 Speaker 4: I feel like I could just never do it. Justice. 1001 00:53:36,040 --> 00:53:37,759 Speaker 2: That's how I feel, too, even though I would want 1002 00:53:37,800 --> 00:53:39,880 Speaker 2: to do that, but I couldn't touch it. 1003 00:53:39,880 --> 00:53:42,680 Speaker 4: Right right, Like maybe like I would do some poppy 1004 00:53:42,719 --> 00:53:49,800 Speaker 4: moment like blank Space or entirety of Harry Styles last time. Yeah, 1005 00:53:49,880 --> 00:53:52,560 Speaker 4: I could also like I would probably do like a 1006 00:53:52,600 --> 00:53:55,680 Speaker 4: one direction song. I would want to do a group 1007 00:53:55,800 --> 00:53:58,160 Speaker 4: number though, because I feel like my favorite things to 1008 00:53:58,239 --> 00:54:03,640 Speaker 4: watch were You're Guys's group numbers because they were just 1009 00:54:03,719 --> 00:54:07,760 Speaker 4: so so yeah right right, Like, let me do something 1010 00:54:07,840 --> 00:54:10,640 Speaker 4: like that where it's like a heartwarming moment. But I 1011 00:54:10,680 --> 00:54:12,840 Speaker 4: would also just want to, like I don't know, serve 1012 00:54:12,920 --> 00:54:17,160 Speaker 4: and do something really fierce, like like wearing the costumes 1013 00:54:17,160 --> 00:54:19,480 Speaker 4: that you guys did during Bad Romance, like give me 1014 00:54:19,520 --> 00:54:20,200 Speaker 4: something like that. 1015 00:54:20,880 --> 00:54:23,960 Speaker 1: Yeah, yeah, yeah, yeah, that was an intense. 1016 00:54:24,200 --> 00:54:26,040 Speaker 3: We met the fan, by the way, I like a 1017 00:54:26,080 --> 00:54:29,480 Speaker 3: really big fan recently who bought like a ton of 1018 00:54:29,520 --> 00:54:33,719 Speaker 3: auction items from the show and he. 1019 00:54:33,800 --> 00:54:36,879 Speaker 1: Was like, I have your bubble costume and he has 1020 00:54:36,920 --> 00:54:39,880 Speaker 1: my polish. Oh my god, I think his name is Steve. 1021 00:54:40,320 --> 00:54:42,800 Speaker 4: The bubble costume. I mean that was like one of 1022 00:54:42,840 --> 00:54:45,480 Speaker 4: the best as well, Like it was what a costume 1023 00:54:45,560 --> 00:54:45,839 Speaker 4: to wear. 1024 00:54:45,920 --> 00:54:47,120 Speaker 1: It was a lot, but it was great. 1025 00:54:47,360 --> 00:54:49,560 Speaker 4: Yeah. At the end of the day, you guys were 1026 00:54:49,800 --> 00:54:52,600 Speaker 4: I mean I would assume so you guys were singing 1027 00:54:52,680 --> 00:54:57,440 Speaker 4: all of your backing vocals as well. No, no, no, okay. 1028 00:54:57,640 --> 00:55:01,000 Speaker 3: We would do the occasional background if you were doing 1029 00:55:01,040 --> 00:55:02,840 Speaker 3: a lead vocal. So if you go to the recording 1030 00:55:02,920 --> 00:55:06,520 Speaker 3: studio and you know, like Bad Romance, I went and 1031 00:55:06,560 --> 00:55:08,880 Speaker 3: record it, and then like they would have me do 1032 00:55:09,360 --> 00:55:12,799 Speaker 3: backgrounds on the court, like they would kind of push 1033 00:55:12,880 --> 00:55:16,879 Speaker 3: to the top. But no, like somebody to love, none 1034 00:55:16,920 --> 00:55:18,440 Speaker 3: of our background vocals. 1035 00:55:18,040 --> 00:55:18,879 Speaker 2: Also, none of us are. 1036 00:55:18,920 --> 00:55:23,600 Speaker 3: We had an amazing team that Tim Davis, who was 1037 00:55:23,719 --> 00:55:28,160 Speaker 3: like our music extraordinary. He would go and he would 1038 00:55:28,160 --> 00:55:31,480 Speaker 3: do sessions with his like set background of vocalists and 1039 00:55:31,600 --> 00:55:33,560 Speaker 3: they were unbelievable. 1040 00:55:33,640 --> 00:55:37,160 Speaker 2: And the singers so yeah, they could learn it, they 1041 00:55:37,200 --> 00:55:38,560 Speaker 2: could hear it once. They would teach them all these 1042 00:55:38,560 --> 00:55:40,839 Speaker 2: crazy harmonies and just do it where if we were 1043 00:55:40,880 --> 00:55:43,480 Speaker 2: doing it, and we did sometimes more for a season, 1044 00:55:43,920 --> 00:55:46,480 Speaker 2: we did do more backgrounds, but then with the schedule 1045 00:55:46,520 --> 00:55:48,520 Speaker 2: there was not time because we went to the studio 1046 00:55:48,560 --> 00:55:50,400 Speaker 2: and record a full song in like forty five minutes 1047 00:55:50,440 --> 00:55:50,960 Speaker 2: the leads. 1048 00:55:51,440 --> 00:55:53,239 Speaker 4: Yeah. I mean you guys must have been in the 1049 00:55:53,280 --> 00:55:58,879 Speaker 4: studio like almost daily for some of these things. Yeah. 1050 00:55:58,960 --> 00:56:02,160 Speaker 2: Yeah, but became such a sort of a conveyor belt 1051 00:56:02,320 --> 00:56:05,920 Speaker 2: situation where you were the hop in do your thing, 1052 00:56:06,000 --> 00:56:09,359 Speaker 2: yeah wow, and you had those studio singers also each 1053 00:56:09,400 --> 00:56:12,880 Speaker 2: of us have each of them played us. Yeah, so 1054 00:56:12,880 --> 00:56:14,719 Speaker 2: then they would do our demo vocals. So then we 1055 00:56:14,760 --> 00:56:16,640 Speaker 2: also learned each other's voices in that way, so then 1056 00:56:16,640 --> 00:56:20,320 Speaker 2: we could go in and lay down our leads quicker 1057 00:56:20,360 --> 00:56:23,360 Speaker 2: because one week if we had time learned it beforehand. 1058 00:56:23,440 --> 00:56:25,880 Speaker 2: But also they usually sing it in a style that 1059 00:56:26,440 --> 00:56:27,040 Speaker 2: our voices. 1060 00:56:27,160 --> 00:56:29,239 Speaker 4: Yeah. So would there be times here going into the 1061 00:56:29,280 --> 00:56:31,640 Speaker 4: studio like not really knowing the song and you're like, well, 1062 00:56:31,640 --> 00:56:35,520 Speaker 4: I've got to turn this out right now? Oh yeah? Wow? Yeah? 1063 00:56:35,920 --> 00:56:40,000 Speaker 1: There as played again, played again, played again. 1064 00:56:41,000 --> 00:56:43,799 Speaker 2: Which ruins us for any if you're doing music post gally, 1065 00:56:44,680 --> 00:56:49,480 Speaker 2: Like my expectation now is so I'm like, okay, a 1066 00:56:49,520 --> 00:56:50,080 Speaker 2: full song. 1067 00:56:53,360 --> 00:56:55,640 Speaker 1: I'm singing this all the way through. 1068 00:56:55,600 --> 00:56:58,000 Speaker 2: Right, We're doing word by word please. 1069 00:56:59,360 --> 00:57:01,319 Speaker 3: There was one song that we didn't get approved, like 1070 00:57:01,360 --> 00:57:03,600 Speaker 3: the artist didn't approve it, and we fully recorded the 1071 00:57:03,600 --> 00:57:06,440 Speaker 3: whole thing and it's great, but it it was a 1072 00:57:06,440 --> 00:57:08,600 Speaker 3: different producer than our normal producers. He's like, do you 1073 00:57:08,640 --> 00:57:10,040 Speaker 3: want to sing the whole thing like all the way 1074 00:57:10,080 --> 00:57:13,640 Speaker 3: through once? And I was like, just like, unheard of 1075 00:57:14,239 --> 00:57:16,760 Speaker 3: what's great? Love the way you lie that. 1076 00:57:17,040 --> 00:57:18,080 Speaker 4: All the way through? Yes? 1077 00:57:19,120 --> 00:57:21,400 Speaker 1: Oh some of it. 1078 00:57:21,520 --> 00:57:26,280 Speaker 4: Some of it approved because take a Bow is an 1079 00:57:26,320 --> 00:57:27,920 Speaker 4: episode two or something. 1080 00:57:29,280 --> 00:57:33,160 Speaker 3: So we think eminem or just the actual version of it. 1081 00:57:33,240 --> 00:57:36,560 Speaker 3: I think they had final approval heard or like no, 1082 00:57:36,720 --> 00:57:39,840 Speaker 3: thank you. But it ended up being that was shake 1083 00:57:39,880 --> 00:57:42,280 Speaker 3: it out, not check it out, shake wa check it 1084 00:57:42,280 --> 00:57:43,040 Speaker 3: out or check it off? 1085 00:57:43,320 --> 00:57:44,840 Speaker 1: Chake it out? 1086 00:57:45,080 --> 00:57:47,800 Speaker 4: Oh okay, yeah yeah, so it ended. 1087 00:57:47,720 --> 00:57:50,040 Speaker 1: Up being working out because I love that song. 1088 00:57:50,160 --> 00:57:54,120 Speaker 3: But yeah, that happened very It wasn't very often that 1089 00:57:54,200 --> 00:57:56,800 Speaker 3: like things didn't get put in, Kevin, did you have 1090 00:57:56,840 --> 00:57:58,880 Speaker 3: any numbers that, like you recorded that didn't make it 1091 00:57:59,000 --> 00:57:59,640 Speaker 3: end like I did? 1092 00:57:59,680 --> 00:58:00,920 Speaker 1: Tell him didn't make it in? 1093 00:58:01,600 --> 00:58:04,080 Speaker 2: I did one I did, And I'm actually going to 1094 00:58:04,160 --> 00:58:07,240 Speaker 2: text Adam after this to ask if they have it 1095 00:58:07,240 --> 00:58:09,520 Speaker 2: because I wanted to hear it. It was a mashup. 1096 00:58:09,560 --> 00:58:11,560 Speaker 2: It was I think it was Lady Gaga an Usher, 1097 00:58:12,240 --> 00:58:14,960 Speaker 2: I think it was. It was like pure pop orgasm. 1098 00:58:15,400 --> 00:58:20,040 Speaker 2: Oh pause, DJ got us fall in love again, and 1099 00:58:20,080 --> 00:58:21,080 Speaker 2: I think just dance. 1100 00:58:21,960 --> 00:58:24,640 Speaker 1: I remember that. Okay, Yes, I. 1101 00:58:24,600 --> 00:58:26,360 Speaker 2: Need to find it. I've talked about it before, but 1102 00:58:26,400 --> 00:58:28,360 Speaker 2: I really need to find it. Somebody has to have 1103 00:58:28,400 --> 00:58:28,920 Speaker 2: it somewhere that. 1104 00:58:30,120 --> 00:58:32,960 Speaker 4: We're done on that show. We're also just next level 1105 00:58:33,160 --> 00:58:38,080 Speaker 4: like someone like you, someone like I mean, that's that's 1106 00:58:38,200 --> 00:58:42,680 Speaker 4: number one, right, It's just incredible. You know. 1107 00:58:42,720 --> 00:58:47,040 Speaker 2: What I do love is talking to people now so 1108 00:58:47,080 --> 00:58:50,440 Speaker 2: many years removed and what songs are sort of like 1109 00:58:50,720 --> 00:58:54,120 Speaker 2: living in the world still of what everybody universally understands 1110 00:58:54,120 --> 00:58:57,520 Speaker 2: if like rumor has it, someone like you, somebody like you. 1111 00:58:57,880 --> 00:58:59,920 Speaker 4: Someone like you, someone like you, someone like you. 1112 00:59:01,000 --> 00:59:02,480 Speaker 2: We all loved it, we knew it was great, but 1113 00:59:02,560 --> 00:59:06,520 Speaker 2: I feel like now we all understand how good it 1114 00:59:06,800 --> 00:59:08,840 Speaker 2: really is, right, because I think we were turning out 1115 00:59:08,920 --> 00:59:11,400 Speaker 2: songs every week, that it was this onslaught of new 1116 00:59:11,480 --> 00:59:15,000 Speaker 2: music all the time, right, and now like the cream 1117 00:59:15,000 --> 00:59:15,840 Speaker 2: has risen to the. 1118 00:59:15,720 --> 00:59:21,640 Speaker 4: Top of which songs were like Run, Joey Run, Oh 1119 00:59:23,320 --> 00:59:24,680 Speaker 4: my gosh. 1120 00:59:24,960 --> 00:59:27,560 Speaker 3: People love it, I will say, like the Gleeks fandom 1121 00:59:27,960 --> 00:59:32,040 Speaker 3: like loves it for some culty reason and I don't. 1122 00:59:32,200 --> 00:59:34,880 Speaker 1: I don't get it. Kevin gets it more than I do. 1123 00:59:35,040 --> 00:59:39,880 Speaker 4: But I just think it's camp. It's camp. It is camp. 1124 00:59:39,880 --> 00:59:41,640 Speaker 2: At the end of it is like I feel like 1125 00:59:41,760 --> 00:59:44,000 Speaker 2: it is the perfect example of what Glee is. 1126 00:59:44,320 --> 00:59:49,280 Speaker 3: No, that's not right, because it's insane insane, but it's 1127 00:59:49,360 --> 00:59:52,640 Speaker 3: more insane than normal Glee. Like there's a better. 1128 00:59:55,400 --> 00:59:59,080 Speaker 2: Is there a better version? I don't know. I think I'm. 1129 00:59:58,920 --> 01:00:02,760 Speaker 4: Going to be honest. I never listened to the original 1130 01:00:02,880 --> 01:00:04,880 Speaker 4: version of that song, and or do you need to? 1131 01:00:05,240 --> 01:00:09,120 Speaker 4: I haven't heard it the Glee version of it. Only 1132 01:00:09,160 --> 01:00:14,120 Speaker 4: ever heard that. Yeah, I mean walking on Sunshine and 1133 01:00:14,160 --> 01:00:18,120 Speaker 4: Halo Too is pretty insane. That's kind of just a 1134 01:00:18,400 --> 01:00:20,480 Speaker 4: wild number that happens. 1135 01:00:20,840 --> 01:00:23,920 Speaker 1: Absolutely crazy. Yeah, fun but fun. 1136 01:00:24,120 --> 01:00:27,880 Speaker 2: Chris, you have been overly generous with your time with this, I. 1137 01:00:27,920 --> 01:00:29,440 Speaker 1: Know we're not going to keep you on this. 1138 01:00:29,440 --> 01:00:32,800 Speaker 4: This is so much the fastest hour of my life. Yeah, 1139 01:00:32,840 --> 01:00:36,640 Speaker 4: I can't believe. Thank you so much, Thank you talking 1140 01:00:36,640 --> 01:00:40,040 Speaker 4: about everything. Yes, I could go on. We'll have to 1141 01:00:40,080 --> 01:00:40,640 Speaker 4: do this again. 1142 01:00:40,760 --> 01:00:45,280 Speaker 1: Thank you, Chris. It was so nice having you much sitting. 1143 01:00:45,080 --> 01:00:49,000 Speaker 2: Out and so we can rub it in Heather endurance faces. 1144 01:00:49,120 --> 01:00:52,000 Speaker 4: Oh yeah, we gotta do we gotta throw it back 1145 01:00:52,040 --> 01:00:54,840 Speaker 4: that way. Great, you're the best. 1146 01:00:55,400 --> 01:00:56,120 Speaker 1: Thanks Chris. 1147 01:00:56,760 --> 01:00:59,960 Speaker 2: Thanks for listening and follow us on Instagram at end 1148 01:01:00,080 --> 01:01:02,000 Speaker 2: that's what you really miss pod and make sure to 1149 01:01:02,000 --> 01:01:04,439 Speaker 2: write us a review and leave us five stars. See 1150 01:01:04,440 --> 01:01:04,960 Speaker 2: you next time.