WEBVTT - The Vampire Bat

0:00:00.200 --> 0:00:07.880
<v Speaker 1>Family Secrets is a production of I Heart Radio. Laura

0:00:07.920 --> 0:00:10.840
<v Speaker 1>and I write a dictionary for our own language and

0:00:11.000 --> 0:00:15.120
<v Speaker 1>mock the cool kids in our new foreign tongue. Lisa

0:00:15.200 --> 0:00:17.360
<v Speaker 1>shows me how to make a spider web string all

0:00:17.400 --> 0:00:20.400
<v Speaker 1>over my bedroom and hang bells on it to detect ghosts.

0:00:20.440 --> 0:00:25.919
<v Speaker 1>While we sleep. For three months, we're happy. Then the

0:00:26.000 --> 0:00:28.840
<v Speaker 1>day after Christmas, my mother sits me down to tell

0:00:28.840 --> 0:00:32.080
<v Speaker 1>me that Laura is dead. She was killed while flying

0:00:32.120 --> 0:00:36.159
<v Speaker 1>home with her entire family grandmother to infant brother, on

0:00:36.200 --> 0:00:39.040
<v Speaker 1>the pan Am flight bombed by Libyan terrorists over lack

0:00:39.080 --> 0:00:44.640
<v Speaker 1>of the Scotland. I am eight. I fall quiet for

0:00:44.640 --> 0:00:47.400
<v Speaker 1>a long periods. I feel like my head is full

0:00:47.400 --> 0:00:53.360
<v Speaker 1>of cotton, feel sleepy and mute and numb. Finally, my

0:00:53.479 --> 0:00:57.000
<v Speaker 1>dad teaches me to read the London Times. You have

0:00:57.080 --> 0:01:00.160
<v Speaker 1>to understand the forces that took her. It will seems

0:01:00.160 --> 0:01:03.880
<v Speaker 1>scary if you do. I think of the faceless monster

0:01:04.000 --> 0:01:08.440
<v Speaker 1>on the cardboards spook House, and I know that he's right. Slowly,

0:01:08.520 --> 0:01:10.839
<v Speaker 1>my world is filled with a new cast of characters,

0:01:11.480 --> 0:01:15.640
<v Speaker 1>Kadafi and Thatcher and Reagan and Gorbachev. They sound like

0:01:15.680 --> 0:01:19.600
<v Speaker 1>exotic fairy tale people, wizards and witches and woodsmen living

0:01:19.600 --> 0:01:24.360
<v Speaker 1>in distant magical forests, but their storybook showdowns can spill

0:01:24.360 --> 0:01:28.560
<v Speaker 1>over into the real world, into my world, and steal

0:01:28.680 --> 0:01:32.000
<v Speaker 1>my friends from the sky, so I have to pay attention.

0:01:34.240 --> 0:01:37.840
<v Speaker 1>That's Emeralist Fox. You know. If I were writing a

0:01:37.880 --> 0:01:40.280
<v Speaker 1>novel about a spy and I had to come up

0:01:40.280 --> 0:01:43.240
<v Speaker 1>with a great name for that spy, I'd like to

0:01:43.280 --> 0:01:46.600
<v Speaker 1>think I could invent a name as perfect as Ameralis Fox.

0:01:47.520 --> 0:01:51.320
<v Speaker 1>But the thing is, Emeralists really was a spy, recruited

0:01:51.320 --> 0:01:53.880
<v Speaker 1>by the CIA at the age of twenty one and

0:01:53.960 --> 0:01:57.880
<v Speaker 1>working under deep cover for nearly a decade. She's the

0:01:57.920 --> 0:02:01.240
<v Speaker 1>author of the memoir Life Undercover, Coming of Age in

0:02:01.280 --> 0:02:05.240
<v Speaker 1>the CIA. This is a story about what happens when

0:02:05.280 --> 0:02:08.440
<v Speaker 1>being a secret and keeping a secret is a matter

0:02:08.520 --> 0:02:20.720
<v Speaker 1>of life and death. I'm Danny Shapiro, and this is

0:02:20.840 --> 0:02:24.160
<v Speaker 1>family secrets, the secrets that are kept from us, the

0:02:24.200 --> 0:02:27.400
<v Speaker 1>secrets we keep from others, and the secrets we keep

0:02:27.440 --> 0:02:37.160
<v Speaker 1>from ourselves. The landscape of my childhood changed every year,

0:02:38.080 --> 0:02:42.079
<v Speaker 1>and I think as a result, eventually I realized that

0:02:42.360 --> 0:02:47.440
<v Speaker 1>my landscape was planet Earth, you know, and that whether

0:02:47.520 --> 0:02:50.480
<v Speaker 1>it was a suit in the Middle East or it

0:02:50.560 --> 0:02:55.480
<v Speaker 1>was a refugee camp in Tanzania, or it was a

0:02:55.520 --> 0:03:00.400
<v Speaker 1>beautiful Downton Abbey type house in the countryside and England

0:03:01.120 --> 0:03:05.200
<v Speaker 1>that humans and the humans that inhabited them were the same,

0:03:05.760 --> 0:03:08.000
<v Speaker 1>you know, and I think that was an enormous gift.

0:03:08.040 --> 0:03:10.200
<v Speaker 1>It didn't always feel that way as a kid, being

0:03:10.240 --> 0:03:13.280
<v Speaker 1>in a new place every year, but I suppose the

0:03:13.400 --> 0:03:16.120
<v Speaker 1>landscape of my childhood was in a sense my family,

0:03:16.320 --> 0:03:19.880
<v Speaker 1>because it was the one consistency between all of these

0:03:19.919 --> 0:03:24.240
<v Speaker 1>places we moved every year because my dad was an

0:03:24.240 --> 0:03:29.520
<v Speaker 1>economist who focused on developing economies and took us with

0:03:29.600 --> 0:03:34.600
<v Speaker 1>him to new countries every year. And you know, my

0:03:34.680 --> 0:03:38.520
<v Speaker 1>birthday since September, so every year I would know nobody

0:03:38.880 --> 0:03:41.720
<v Speaker 1>in a new place to invite over for my birthday.

0:03:42.080 --> 0:03:45.640
<v Speaker 1>But it was an amazing range of experience. I think,

0:03:45.800 --> 0:03:47.760
<v Speaker 1>looking back on it now as an adult, it seemed

0:03:47.880 --> 0:03:50.440
<v Speaker 1>ordinary to me as a child, but it was really

0:03:50.480 --> 0:03:54.240
<v Speaker 1>quite magical. Sure it always does. Right our childhoods just

0:03:54.280 --> 0:03:58.200
<v Speaker 1>feel like that must be the way the whole world lives, absolutely,

0:03:58.360 --> 0:04:01.160
<v Speaker 1>you know, And I think actually it's to milestone when

0:04:01.200 --> 0:04:03.680
<v Speaker 1>you realize that there are so many ways to live

0:04:03.720 --> 0:04:08.000
<v Speaker 1>a life, and the people who have taken another path

0:04:08.360 --> 0:04:11.800
<v Speaker 1>through their life, have from all of the different hills

0:04:11.800 --> 0:04:14.240
<v Speaker 1>and valleys that they've been through that we haven't have,

0:04:14.360 --> 0:04:18.320
<v Speaker 1>had a completely different vantage point on the terrain, and

0:04:18.760 --> 0:04:22.000
<v Speaker 1>have intelligence that they can share with us. But definitely

0:04:22.000 --> 0:04:24.719
<v Speaker 1>as a child, I thought, I mean, I knew people

0:04:24.760 --> 0:04:28.279
<v Speaker 1>didn't move every year, but I thought that everyone felt

0:04:28.320 --> 0:04:30.480
<v Speaker 1>as at home in the world as I did. And

0:04:30.520 --> 0:04:33.240
<v Speaker 1>I think it was really sort of getting to university

0:04:33.480 --> 0:04:35.760
<v Speaker 1>and realizing that for many people that was kind of

0:04:35.800 --> 0:04:39.520
<v Speaker 1>the first time that they had had any horizons beyond

0:04:39.600 --> 0:04:44.320
<v Speaker 1>their hometown. Every September when the new school year started,

0:04:44.360 --> 0:04:48.920
<v Speaker 1>Amarillis would find herself beginning again. This might be New York,

0:04:49.480 --> 0:04:55.520
<v Speaker 1>or in the UK, or Jakarta, Zanzibar, Moscow, Thailand. Each

0:04:55.560 --> 0:04:58.840
<v Speaker 1>country had different customs and modes of dress and sights

0:04:58.960 --> 0:05:02.400
<v Speaker 1>and smells, and she grew up having to make sense

0:05:02.520 --> 0:05:08.280
<v Speaker 1>of it all to witness, learn and adapt. It's such

0:05:08.320 --> 0:05:11.440
<v Speaker 1>a primal period and you're kind of trained in a

0:05:11.520 --> 0:05:14.240
<v Speaker 1>very primal sense to look for the archetypes that you

0:05:14.279 --> 0:05:17.000
<v Speaker 1>need to recognize to survive when you're a young child,

0:05:17.080 --> 0:05:19.520
<v Speaker 1>and you look for the caregivers and you look for

0:05:19.560 --> 0:05:22.840
<v Speaker 1>the potential friends, and those people exist everywhere, and so

0:05:22.880 --> 0:05:25.640
<v Speaker 1>I think in a way that the terrain of my

0:05:25.800 --> 0:05:30.200
<v Speaker 1>childhood on the surface looked incredibly varied, but when I

0:05:30.240 --> 0:05:36.919
<v Speaker 1>look back on it, it all feels very warm. I

0:05:37.000 --> 0:05:40.760
<v Speaker 1>had a great sense of safety in my early childhood.

0:05:40.760 --> 0:05:43.840
<v Speaker 1>I think that that changed, as it always does as

0:05:43.880 --> 0:05:46.680
<v Speaker 1>we grow up, But in my early childhood and even

0:05:46.720 --> 0:05:51.119
<v Speaker 1>beyond that, physically, I felt very safe, even in very

0:05:51.320 --> 0:05:55.640
<v Speaker 1>tumultuous environments as a kid, because I've kind of never

0:05:55.680 --> 0:06:02.760
<v Speaker 1>known anything else. Describe your mother me. My mother is

0:06:03.640 --> 0:06:08.280
<v Speaker 1>a poet at heart. She's an artist. Um, she's English,

0:06:08.480 --> 0:06:11.599
<v Speaker 1>and she comes from a very old, you know, kind

0:06:11.600 --> 0:06:15.520
<v Speaker 1>of snazzy English family that kind of knows all the

0:06:15.600 --> 0:06:18.039
<v Speaker 1>rules about what to say and what not to say,

0:06:18.040 --> 0:06:20.520
<v Speaker 1>and what salad work to use and so on. But

0:06:21.160 --> 0:06:26.200
<v Speaker 1>in her heart she is this incredibly free thinker and

0:06:26.240 --> 0:06:30.000
<v Speaker 1>this really radical poet and artist. She went to a

0:06:30.040 --> 0:06:33.640
<v Speaker 1>really interesting school as a child in England called be Dales,

0:06:33.720 --> 0:06:37.160
<v Speaker 1>which has a reputation for kind of breaking out of

0:06:37.200 --> 0:06:40.599
<v Speaker 1>the stiff upper lip British mold and creating the kind

0:06:40.640 --> 0:06:44.240
<v Speaker 1>of the hippie free thinkers of the UK. And you know,

0:06:44.640 --> 0:06:48.760
<v Speaker 1>she really gave me a love of the spoken word

0:06:48.800 --> 0:06:52.960
<v Speaker 1>and the written word. I memorized poetry all through my childhood,

0:06:53.440 --> 0:06:56.280
<v Speaker 1>and that was very much down to my mom. You know,

0:06:56.400 --> 0:06:59.560
<v Speaker 1>she had learned poetry growing up in Britain, poetry growing up,

0:06:59.560 --> 0:07:03.040
<v Speaker 1>and she walk home from school, skipping classes and walk

0:07:03.120 --> 0:07:06.880
<v Speaker 1>home through the meadows reciting poetry. And it was really

0:07:06.920 --> 0:07:10.000
<v Speaker 1>important to her. And it is now to me to

0:07:10.120 --> 0:07:14.720
<v Speaker 1>have kind of the wisdom of ages past in a

0:07:14.840 --> 0:07:18.280
<v Speaker 1>place that no one can ever take it from you.

0:07:18.280 --> 0:07:20.040
<v Speaker 1>You know, I think the things that we learned by

0:07:20.080 --> 0:07:23.960
<v Speaker 1>heart are hours and even in a terrible circumstance, even

0:07:23.960 --> 0:07:26.520
<v Speaker 1>when everything else has been stripped away, you know, no

0:07:26.560 --> 0:07:28.920
<v Speaker 1>one can take that. And my mom really gave me

0:07:28.960 --> 0:07:32.320
<v Speaker 1>that love of art and literature as a way of

0:07:32.440 --> 0:07:40.520
<v Speaker 1>understanding society, challenging society. Tell me about your father. My

0:07:40.760 --> 0:07:47.880
<v Speaker 1>father is much more analytical, much more almost like a

0:07:47.960 --> 0:07:50.560
<v Speaker 1>human computer, I guess you could say. I as a

0:07:50.680 --> 0:07:53.360
<v Speaker 1>child and even now, I sort of always had the

0:07:53.440 --> 0:07:58.840
<v Speaker 1>sense of his knowing everything in terms of fact, not

0:07:58.960 --> 0:08:02.400
<v Speaker 1>so much always in terms of the life experience or

0:08:02.400 --> 0:08:06.040
<v Speaker 1>wisdom emotionally in terms of emotional intelligence. To put those

0:08:06.080 --> 0:08:08.960
<v Speaker 1>facts to work in a way that you kind of

0:08:09.040 --> 0:08:13.280
<v Speaker 1>might think of as wisdom. But he is incredibly curious

0:08:13.280 --> 0:08:18.080
<v Speaker 1>and incredibly intelligent in his capabilities, in his ability to

0:08:18.360 --> 0:08:20.760
<v Speaker 1>always be seeking new information and to pull all of

0:08:20.800 --> 0:08:23.720
<v Speaker 1>that information in to kind of constantly update his model

0:08:24.320 --> 0:08:28.160
<v Speaker 1>of the universe and crunch as many numbers as you

0:08:28.200 --> 0:08:30.720
<v Speaker 1>could kind of possibly put in front of him. And

0:08:30.800 --> 0:08:33.720
<v Speaker 1>he is in fact an economist by training. He's American.

0:08:33.880 --> 0:08:37.280
<v Speaker 1>Grew up in a little small town called Franklin, bill

0:08:37.320 --> 0:08:39.680
<v Speaker 1>And upstate New York, and was one of only two

0:08:40.080 --> 0:08:42.839
<v Speaker 1>kids in his class to go to college the first,

0:08:42.840 --> 0:08:46.320
<v Speaker 1>and his family very different childhood from my mother, you know,

0:08:46.800 --> 0:08:51.319
<v Speaker 1>working class, single mother. And he ended up at the

0:08:51.400 --> 0:08:55.440
<v Speaker 1>University of Chicago and was kind of a wonder kinds there,

0:08:55.600 --> 0:08:58.000
<v Speaker 1>you know, it was loved by all the professors and

0:08:58.000 --> 0:09:01.160
<v Speaker 1>advanced really quickly and up being one of the youngest

0:09:01.520 --> 0:09:05.680
<v Speaker 1>tenured professors there in his early twenties. And met my

0:09:05.760 --> 0:09:08.680
<v Speaker 1>mom that as he sort of moved towards his thirties

0:09:08.679 --> 0:09:12.320
<v Speaker 1>and she was much younger, and they just were as

0:09:12.480 --> 0:09:15.320
<v Speaker 1>different as two people could be. How did they meet?

0:09:16.040 --> 0:09:19.600
<v Speaker 1>They met actually by mistake in a way, and my

0:09:19.720 --> 0:09:22.000
<v Speaker 1>dad had been set up on a blind date with

0:09:22.040 --> 0:09:26.120
<v Speaker 1>my mother's sister when he was visiting London for business,

0:09:26.440 --> 0:09:30.280
<v Speaker 1>and my mother's sister got the stomach flu and and

0:09:30.480 --> 0:09:33.520
<v Speaker 1>send my mother instead, and they went to a little

0:09:33.640 --> 0:09:37.640
<v Speaker 1>night music to play the musical in the West End

0:09:37.679 --> 0:09:40.439
<v Speaker 1>in London and had, you know, by all accounts of

0:09:40.600 --> 0:09:43.800
<v Speaker 1>very romantic evening. And then my dad went back to

0:09:43.840 --> 0:09:47.040
<v Speaker 1>America and my mom went and traveled around Greece and

0:09:47.120 --> 0:09:49.160
<v Speaker 1>Italy as a as a kind of backpacker, because she

0:09:49.240 --> 0:09:53.200
<v Speaker 1>was still just fresh out of school. And my dad

0:09:53.200 --> 0:09:55.360
<v Speaker 1>wrote to her and kind of, you know, my Mamo

0:09:55.480 --> 0:09:58.400
<v Speaker 1>says he drew birds on the top of the paper

0:09:58.520 --> 0:10:00.480
<v Speaker 1>in that way that you can write the that looks

0:10:00.520 --> 0:10:03.720
<v Speaker 1>like an m you know, and that that seems so

0:10:04.040 --> 0:10:07.240
<v Speaker 1>romantic because he is so analytical and not an artist,

0:10:07.280 --> 0:10:09.200
<v Speaker 1>and it was sort of his attempt to be romantic

0:10:09.520 --> 0:10:12.520
<v Speaker 1>at any rate. He eventually center of one way playing

0:10:12.520 --> 0:10:16.520
<v Speaker 1>ticket to Chicago, and she went. And I think it

0:10:16.600 --> 0:10:18.760
<v Speaker 1>was such a new world for her, because she was

0:10:18.840 --> 0:10:23.800
<v Speaker 1>coming out of the world of country manor houses in England,

0:10:24.400 --> 0:10:28.800
<v Speaker 1>surrounded by ideas and art and literature and these kind

0:10:28.800 --> 0:10:33.959
<v Speaker 1>of six hundred year old rooms that are incredibly grand,

0:10:34.040 --> 0:10:36.160
<v Speaker 1>but like the heat doesn't work, and there are mice

0:10:36.240 --> 0:10:38.040
<v Speaker 1>in the covers, you have to knock on it before

0:10:38.040 --> 0:10:40.720
<v Speaker 1>you open it, you know, just all the contradictions of

0:10:40.720 --> 0:10:44.880
<v Speaker 1>English country life, and suddenly was in the midst of

0:10:44.920 --> 0:10:49.120
<v Speaker 1>this kind of intellectual cauldron at the University of Chicago,

0:10:49.240 --> 0:10:51.320
<v Speaker 1>where every night they were at a different dinner party

0:10:51.440 --> 0:10:57.400
<v Speaker 1>with incredibly articulate, fast, intellectual men and women. But I

0:10:57.400 --> 0:11:00.280
<v Speaker 1>think the women in particular really struck my mom because

0:11:00.280 --> 0:11:04.040
<v Speaker 1>they were so different from anyone she had come across

0:11:04.080 --> 0:11:08.280
<v Speaker 1>before that could just repartee on any topic, and we're

0:11:08.360 --> 0:11:11.720
<v Speaker 1>so worldly, and we're ten years older than she was,

0:11:11.800 --> 0:11:14.160
<v Speaker 1>because so is my dad, and I think it was

0:11:14.280 --> 0:11:16.880
<v Speaker 1>quite bewildering for her at the beginning. I think she

0:11:16.960 --> 0:11:20.719
<v Speaker 1>kind of struggled to remember her own worth a little bit.

0:11:20.760 --> 0:11:27.679
<v Speaker 1>Then two huge events occur during Amarilla's childhood. First, her

0:11:27.720 --> 0:11:32.600
<v Speaker 1>older brother, Ben, her partner in crime, compatriot closest person,

0:11:33.240 --> 0:11:36.840
<v Speaker 1>is sent off to boarding school. Ben has learning challenges

0:11:37.080 --> 0:11:40.440
<v Speaker 1>and is also exceptionally bright, with the kind of mind

0:11:40.840 --> 0:11:45.520
<v Speaker 1>that retains detail history musical scores. Ben and Amarilla's have

0:11:45.600 --> 0:11:49.440
<v Speaker 1>always spent lots of time together, haunting museums in various

0:11:49.520 --> 0:11:54.120
<v Speaker 1>cities or attending concerts. He is the consistent backdrop of

0:11:54.120 --> 0:11:58.960
<v Speaker 1>her childhood, her everything, and then just like that, he's

0:11:59.000 --> 0:12:02.520
<v Speaker 1>gone away. He puts a brave face on it, but

0:12:02.600 --> 0:12:07.360
<v Speaker 1>e Marilla's is terribly lonely. The family is now living

0:12:07.360 --> 0:12:10.920
<v Speaker 1>in London and Marilla's is in the third grade. She

0:12:11.040 --> 0:12:16.160
<v Speaker 1>makes new friends, particularly a girl named Laura. Then Laura

0:12:16.280 --> 0:12:20.000
<v Speaker 1>and her entire family are killed on PanAm flight one

0:12:20.040 --> 0:12:24.760
<v Speaker 1>oh three, blown up by a terrorist bomb over Lockerbie, Scotland.

0:12:26.840 --> 0:12:29.720
<v Speaker 1>My mom waited until after Christmas to tell me, so

0:12:29.800 --> 0:12:32.400
<v Speaker 1>I always think of it as just after Christmas, but

0:12:32.400 --> 0:12:36.440
<v Speaker 1>it was just before. You know. She'd been traveling back

0:12:36.480 --> 0:12:38.640
<v Speaker 1>with her mom and her dad and her sister to

0:12:38.800 --> 0:12:42.040
<v Speaker 1>go home for Christmas, as so many people on that

0:12:42.120 --> 0:12:45.240
<v Speaker 1>flight were, and they were all gone, you know, And

0:12:45.280 --> 0:12:48.080
<v Speaker 1>I remember my mom saying it's a blessing that they

0:12:48.080 --> 0:12:50.280
<v Speaker 1>were all together, and there's you know, there's no one

0:12:50.320 --> 0:12:52.480
<v Speaker 1>left to grieve them. They all went together, and I

0:12:52.600 --> 0:12:56.680
<v Speaker 1>just it was just so much to process and to absorb.

0:12:56.760 --> 0:12:59.880
<v Speaker 1>I'd never lost anyone really close to me. I'd like

0:13:00.040 --> 0:13:03.240
<v Speaker 1>death was kind of a something I'd read about in books,

0:13:03.280 --> 0:13:06.760
<v Speaker 1>but I'd never really experienced in a deep way until then.

0:13:07.360 --> 0:13:10.960
<v Speaker 1>And it's also the first time that you have any

0:13:11.000 --> 0:13:14.080
<v Speaker 1>awareness that there's terrorism in the world, and that's something

0:13:14.160 --> 0:13:16.120
<v Speaker 1>like this can happen, and it can happen on purpose.

0:13:17.320 --> 0:13:21.200
<v Speaker 1>It can happen on purpose that somebody somewhere who never

0:13:21.320 --> 0:13:26.959
<v Speaker 1>knew Laura, never knew me, could make a plan for

0:13:27.040 --> 0:13:29.160
<v Speaker 1>some reason that made no sense to any of us

0:13:29.240 --> 0:13:32.200
<v Speaker 1>and had nothing to do with our lives and steal

0:13:32.800 --> 0:13:36.120
<v Speaker 1>my friend and her entire family from the sky. It

0:13:36.240 --> 0:13:41.320
<v Speaker 1>was just so scary and huge, you know. It was

0:13:41.400 --> 0:13:45.400
<v Speaker 1>just such a big revelation that really shook my world.

0:13:45.640 --> 0:13:49.080
<v Speaker 1>And I think I was really struggling with it because

0:13:49.080 --> 0:13:53.040
<v Speaker 1>my dad stepped in, which was quite rare in general.

0:13:53.120 --> 0:13:55.440
<v Speaker 1>My mom was very much kind of the heart of

0:13:55.440 --> 0:13:58.840
<v Speaker 1>our family, and my dad was sort of, I guess,

0:13:59.480 --> 0:14:02.800
<v Speaker 1>more than the mind, but he was often deploying that

0:14:02.880 --> 0:14:05.560
<v Speaker 1>mind out in the world doing his work, and wasn't

0:14:05.640 --> 0:14:08.320
<v Speaker 1>really a big part of child rearing. But I remember

0:14:08.400 --> 0:14:11.280
<v Speaker 1>him stepping in there and introducing me to the newspaper,

0:14:11.920 --> 0:14:15.200
<v Speaker 1>and I think he sensed that I needed to make

0:14:15.280 --> 0:14:20.360
<v Speaker 1>sense of what had happened. I needed to understand why

0:14:20.880 --> 0:14:23.240
<v Speaker 1>somebody had done this thing, and why they had done

0:14:23.240 --> 0:14:26.560
<v Speaker 1>it on purpose, and how it might or might not

0:14:26.720 --> 0:14:30.040
<v Speaker 1>happen again. And I think I've had a hard time

0:14:30.080 --> 0:14:35.120
<v Speaker 1>at the beginning reading those stories as more real than

0:14:36.120 --> 0:14:38.640
<v Speaker 1>the kind of fictional stories that I was used to reading.

0:14:38.880 --> 0:14:41.440
<v Speaker 1>But I also kind of had this constant, sort of

0:14:41.520 --> 0:14:45.600
<v Speaker 1>Damocle's idea hanging over my head that at any given moment,

0:14:45.680 --> 0:14:48.240
<v Speaker 1>one of these things might spill over into real life

0:14:48.240 --> 0:14:51.120
<v Speaker 1>and do this kind of incredible harm. And so you know,

0:14:51.120 --> 0:14:54.080
<v Speaker 1>when I look back on it, it's definitely something of

0:14:54.120 --> 0:14:57.680
<v Speaker 1>the kind of end of innocence, but also the beginning

0:14:57.760 --> 0:15:02.520
<v Speaker 1>of feeling an urge and desire and need to understand

0:15:02.520 --> 0:15:04.720
<v Speaker 1>what was happening in the world, and some sense of

0:15:04.760 --> 0:15:08.520
<v Speaker 1>responsibility of kind of understanding it so that maybe someday

0:15:08.720 --> 0:15:11.880
<v Speaker 1>I could do some small thing to help it be better.

0:15:15.640 --> 0:15:18.200
<v Speaker 1>Will be back in a moment with more family secrets.

0:15:28.640 --> 0:15:32.160
<v Speaker 1>Amarellis grows up paying attention to the news to world events.

0:15:32.640 --> 0:15:36.320
<v Speaker 1>When she's twelve, her father is working in Moscow and

0:15:36.360 --> 0:15:39.920
<v Speaker 1>there is a siege. For a number of panicked hours,

0:15:39.960 --> 0:15:44.720
<v Speaker 1>he is unreachable. When he returns safely home, he registers

0:15:44.720 --> 0:15:47.880
<v Speaker 1>that Emorrealis needs to see more of what's actually happening

0:15:47.880 --> 0:15:51.600
<v Speaker 1>on the ground, so that in its tangibility, it will

0:15:51.640 --> 0:15:54.640
<v Speaker 1>be less frightening to her. So on his next trip

0:15:54.680 --> 0:15:57.800
<v Speaker 1>to Moscow, during a time of protests and a fight

0:15:57.880 --> 0:16:03.440
<v Speaker 1>for democracy, he invite try to join him. I think

0:16:03.480 --> 0:16:07.080
<v Speaker 1>it was a great insight on his part. I think

0:16:07.080 --> 0:16:10.240
<v Speaker 1>he probably recognized the part of my d n A

0:16:10.400 --> 0:16:12.960
<v Speaker 1>that was his, you know, which is this part that

0:16:13.480 --> 0:16:18.560
<v Speaker 1>finds things that I can understand and no up close

0:16:18.600 --> 0:16:22.160
<v Speaker 1>and personal, much less scary than the kind of shadows

0:16:22.200 --> 0:16:25.760
<v Speaker 1>and boogeymen and monsters in the closet. You know. I

0:16:25.880 --> 0:16:31.080
<v Speaker 1>also was scared for him going back, and he felt

0:16:31.080 --> 0:16:35.320
<v Speaker 1>as though if I could go and see the thing

0:16:35.480 --> 0:16:38.600
<v Speaker 1>that was scaring me up close and personal, that I

0:16:38.600 --> 0:16:41.320
<v Speaker 1>would understand it, and then maybe there would be some

0:16:41.440 --> 0:16:45.200
<v Speaker 1>jagged edges that really were there, but in seeing them

0:16:45.240 --> 0:16:47.640
<v Speaker 1>I would not be imagining them as worse than they were.

0:16:48.240 --> 0:16:50.720
<v Speaker 1>And he was right about that, not only that time,

0:16:50.760 --> 0:16:54.280
<v Speaker 1>but pretty much in every other circumstance thereafter. I mean,

0:16:54.320 --> 0:16:57.160
<v Speaker 1>it became, I guess you could say, a coping mechanism

0:16:57.240 --> 0:17:00.480
<v Speaker 1>for me every time something really scared me to try

0:17:00.520 --> 0:17:02.640
<v Speaker 1>to take it apart and understand it, or to get

0:17:02.640 --> 0:17:05.320
<v Speaker 1>to know it better rather than to avoid it. And

0:17:05.440 --> 0:17:08.679
<v Speaker 1>that practice has turned out to be a great gift

0:17:09.080 --> 0:17:12.720
<v Speaker 1>because I think you know, especially if you fast forward

0:17:12.760 --> 0:17:16.560
<v Speaker 1>to today's world where everything is seen through the lens

0:17:16.600 --> 0:17:19.800
<v Speaker 1>of media and social media, all of which is kind

0:17:19.800 --> 0:17:23.840
<v Speaker 1>of designed to make scary things even scarier for profit.

0:17:24.400 --> 0:17:28.800
<v Speaker 1>The habit of sidestepping that narrative and going out and

0:17:29.080 --> 0:17:32.719
<v Speaker 1>meeting the scary people or seeing the scary place for yourself,

0:17:33.240 --> 0:17:36.600
<v Speaker 1>that's been an enormous gift in my life and making

0:17:36.600 --> 0:17:39.920
<v Speaker 1>me feel safer and making me feel better about the

0:17:39.960 --> 0:17:43.160
<v Speaker 1>future that's to come. That reminds me of a great

0:17:43.240 --> 0:17:46.040
<v Speaker 1>moment in your story where it's like kind of a

0:17:46.040 --> 0:17:51.240
<v Speaker 1>perfect metaphor where you describe this little toy vampire bat

0:17:51.320 --> 0:17:54.760
<v Speaker 1>that your brother had had and it scared you. You

0:17:54.880 --> 0:17:59.280
<v Speaker 1>started dreaming you hated that bat. And what your father

0:17:59.359 --> 0:18:03.920
<v Speaker 1>did in that situation, which struck me as so wise,

0:18:04.359 --> 0:18:06.720
<v Speaker 1>and it's the same really as as what you're saying

0:18:06.800 --> 0:18:09.320
<v Speaker 1>is it's like a childhood version of it. Is he

0:18:09.440 --> 0:18:13.440
<v Speaker 1>sat you on the floor and pulled apart the bat,

0:18:13.680 --> 0:18:16.400
<v Speaker 1>and I took a part the bat, laid out all

0:18:16.400 --> 0:18:20.960
<v Speaker 1>the pieces of the bat, the battery and everything about

0:18:21.000 --> 0:18:23.760
<v Speaker 1>what made that bat look scary, and then you write

0:18:23.760 --> 0:18:27.560
<v Speaker 1>after that I had never been afraid of him again. Absolutely.

0:18:27.880 --> 0:18:30.080
<v Speaker 1>It was a story that I went back to so

0:18:30.280 --> 0:18:34.720
<v Speaker 1>often in my mind um as I got older and older,

0:18:34.760 --> 0:18:39.240
<v Speaker 1>and things that seemed just as existentially terrifying as that

0:18:39.359 --> 0:18:41.639
<v Speaker 1>vampire bat had to me when I was a child.

0:18:41.920 --> 0:18:44.280
<v Speaker 1>And I mean, by the way, this thing was really scary.

0:18:44.359 --> 0:18:48.359
<v Speaker 1>It had like it had read pretend blood that swirled around,

0:18:48.440 --> 0:18:51.160
<v Speaker 1>and it's probiscus and my brother, would you know, bring

0:18:51.200 --> 0:18:53.520
<v Speaker 1>it up and squeeze its stomach to get the get

0:18:53.560 --> 0:18:56.680
<v Speaker 1>blood swirling. And as it as it approached my arm,

0:18:56.680 --> 0:18:59.159
<v Speaker 1>and I was pretty young, I really felt that this

0:18:59.240 --> 0:19:02.320
<v Speaker 1>thing was a threat to my survival, you know. And

0:19:02.560 --> 0:19:04.800
<v Speaker 1>as I got older, there were other things that I

0:19:04.840 --> 0:19:08.280
<v Speaker 1>thought were threats to my survival, and that memory of

0:19:08.359 --> 0:19:12.000
<v Speaker 1>kind of okay, but what if you give this the

0:19:12.080 --> 0:19:14.480
<v Speaker 1>vampire bat treatment. You know, what if you set out

0:19:14.520 --> 0:19:16.840
<v Speaker 1>the towel and you take this thing apart, piece by

0:19:16.840 --> 0:19:20.119
<v Speaker 1>piece and figure out that that blood swirling around in

0:19:20.160 --> 0:19:23.479
<v Speaker 1>the probiscus is really just a piece of plastic with

0:19:23.520 --> 0:19:25.960
<v Speaker 1>red paint, and when it swirls, it looks scary, but

0:19:26.119 --> 0:19:28.440
<v Speaker 1>when you take it out, it's not, you know, and

0:19:28.680 --> 0:19:32.280
<v Speaker 1>understand what the source of fuel is that's fueling this

0:19:32.440 --> 0:19:35.479
<v Speaker 1>what is that battery? And as I got older and

0:19:35.520 --> 0:19:39.000
<v Speaker 1>began thinking about the things that scared me in my

0:19:39.040 --> 0:19:41.240
<v Speaker 1>own personal life and then the things that scared me

0:19:41.280 --> 0:19:44.679
<v Speaker 1>in geopolitics and in security and in the world, that

0:19:44.800 --> 0:19:48.359
<v Speaker 1>same idea applies. And it's allowed me to see people

0:19:48.440 --> 0:19:51.240
<v Speaker 1>as the humans that they are instead of the kind

0:19:51.240 --> 0:19:54.160
<v Speaker 1>of vampire bat that they might feel when you first

0:19:54.240 --> 0:19:57.840
<v Speaker 1>hear whatever the threat and the story is, It's like

0:19:57.880 --> 0:20:00.800
<v Speaker 1>there was a training ground there almost for Yeah, what

0:20:00.840 --> 0:20:03.720
<v Speaker 1>would end up being your path? Yeah? I think my

0:20:03.800 --> 0:20:06.160
<v Speaker 1>dad was just trying to get some sleep, honestly, because

0:20:06.240 --> 0:20:09.200
<v Speaker 1>I kept having nightmares about this thing. But it turned

0:20:09.240 --> 0:20:13.400
<v Speaker 1>out to be a really great life. Lesson A Marillas

0:20:13.440 --> 0:20:15.520
<v Speaker 1>grows up to be the kind of young woman who,

0:20:15.560 --> 0:20:18.840
<v Speaker 1>as a senior in high school, cuts school because she

0:20:18.920 --> 0:20:22.280
<v Speaker 1>hears that Houston Smith is speaking in d C. It's

0:20:22.280 --> 0:20:25.320
<v Speaker 1>a rare opportunity to hear Smith, who is one of

0:20:25.359 --> 0:20:29.840
<v Speaker 1>the world's most influential scholars in religious studies. So she

0:20:29.960 --> 0:20:34.640
<v Speaker 1>plays hoockey and gets a demerit. Can you believe it?

0:20:36.359 --> 0:20:38.919
<v Speaker 1>She isn't off somewhere smoking weed or making out with

0:20:38.920 --> 0:20:44.320
<v Speaker 1>her boyfriend no, she's educating herself, but hey, that's high school.

0:20:45.920 --> 0:20:49.320
<v Speaker 1>Her innerpendulum swings back and forth between her passions and

0:20:49.400 --> 0:20:55.440
<v Speaker 1>interests poetry, literature, the space program, a life of public service.

0:20:56.920 --> 0:21:01.360
<v Speaker 1>For college, she debates between the Naval Academy and Oxford University.

0:21:01.720 --> 0:21:05.679
<v Speaker 1>She chooses Oxford, and when she graduates from Oxford, she

0:21:05.880 --> 0:21:09.719
<v Speaker 1>enrolls in a master's program in conflict and terrorism at

0:21:09.760 --> 0:21:14.399
<v Speaker 1>Georgetown's School of Foreign Service. So you go to graduate

0:21:14.440 --> 0:21:20.800
<v Speaker 1>school at Georgetown and you are recruited by the CIA. Yeah,

0:21:20.920 --> 0:21:22.960
<v Speaker 1>I mean it sounds crazy when you say it that way.

0:21:23.119 --> 0:21:25.480
<v Speaker 1>I A friend of mine said, you know, it must

0:21:25.480 --> 0:21:27.560
<v Speaker 1>be hard if you ever go to therapy, because the

0:21:27.560 --> 0:21:29.800
<v Speaker 1>therapist is sort of trained to think that anyone who

0:21:29.840 --> 0:21:34.879
<v Speaker 1>thinks they work for CIA is crazy. Um. But the

0:21:35.080 --> 0:21:37.520
<v Speaker 1>approach at the time nine eleven had just happened, and

0:21:37.600 --> 0:21:41.160
<v Speaker 1>nine eleven for me was an incredibly I guess the

0:21:41.200 --> 0:21:45.240
<v Speaker 1>word today is triggering thing in in that obviously was

0:21:45.280 --> 0:21:48.520
<v Speaker 1>for all of us an incredible national trauma. I think

0:21:48.560 --> 0:21:52.480
<v Speaker 1>on top of that, for me, it brought back Laura's death,

0:21:52.640 --> 0:21:57.960
<v Speaker 1>and this idea of terrorism is something that can completely, um,

0:21:58.000 --> 0:22:01.439
<v Speaker 1>you know, derail the world old and the lives of

0:22:01.520 --> 0:22:05.760
<v Speaker 1>people in it with no warning. And I was in

0:22:05.880 --> 0:22:07.960
<v Speaker 1>d C in that day, you know, and the black

0:22:08.000 --> 0:22:11.680
<v Speaker 1>smoke over the Pentagon, and my little sisters were evacuated

0:22:11.680 --> 0:22:13.480
<v Speaker 1>from the Cathedral school because they thought it might be

0:22:13.480 --> 0:22:16.080
<v Speaker 1>a target, and it was. It was all kind of

0:22:16.359 --> 0:22:20.359
<v Speaker 1>it felt very reminiscent in odd ways of losing Laura.

0:22:20.960 --> 0:22:25.200
<v Speaker 1>And so after all of that, I was really set

0:22:25.359 --> 0:22:27.800
<v Speaker 1>on kind of in a way, I guess you could say,

0:22:27.840 --> 0:22:30.679
<v Speaker 1>going back to that vampire bad advice of my dad's

0:22:30.800 --> 0:22:35.119
<v Speaker 1>from my childhood and trying to figure out, you know,

0:22:35.240 --> 0:22:37.480
<v Speaker 1>how do we take this thing apart and figure out

0:22:37.520 --> 0:22:40.760
<v Speaker 1>what makes it tick. The agency person who I first

0:22:40.760 --> 0:22:44.360
<v Speaker 1>spoke with was a CIA officer, but he was declared,

0:22:44.440 --> 0:22:48.440
<v Speaker 1>he wasn't undercover, and he was working as a professor

0:22:48.480 --> 0:22:53.879
<v Speaker 1>at Georgetown teaching classes in the subject of intelligence, you know,

0:22:53.960 --> 0:22:56.000
<v Speaker 1>what what it means and what its impact is on

0:22:56.040 --> 0:22:58.640
<v Speaker 1>geopolitics and so on. So he was kind of openly

0:22:58.720 --> 0:23:01.840
<v Speaker 1>teaching students, and so when we first talked, I think

0:23:02.119 --> 0:23:05.119
<v Speaker 1>I was so surprised by kind of how humble and

0:23:05.160 --> 0:23:07.639
<v Speaker 1>curious and quiet he was, and it was just nothing

0:23:07.720 --> 0:23:11.640
<v Speaker 1>like the movies, and he really seemed to have that

0:23:11.720 --> 0:23:15.000
<v Speaker 1>same interest that I did in taking this thing apart

0:23:15.200 --> 0:23:18.960
<v Speaker 1>and and understanding what drives it and from what the

0:23:19.080 --> 0:23:22.480
<v Speaker 1>humanity is behind it, in order to find some way

0:23:22.520 --> 0:23:25.919
<v Speaker 1>to make it stop. And that really spoke to me

0:23:25.960 --> 0:23:29.320
<v Speaker 1>in a way that I never expected the intelligence world

0:23:29.359 --> 0:23:33.159
<v Speaker 1>to be something that I would find any appealing. Like

0:23:33.320 --> 0:23:38.560
<v Speaker 1>the CIA officer who is Emoralyss's professor, other CIA officers

0:23:38.560 --> 0:23:43.440
<v Speaker 1>she meets strike her as curious, humble, and genuinely interested

0:23:43.480 --> 0:23:48.359
<v Speaker 1>in questions beginning with the word why. She begins a

0:23:48.440 --> 0:23:53.440
<v Speaker 1>long process of interviews and exams while playing language aptitude tests,

0:23:53.680 --> 0:23:58.760
<v Speaker 1>psych evaluations, and polygraphs. At the age of twenty two,

0:23:59.119 --> 0:24:03.280
<v Speaker 1>she receives a provisional offer of employment. She has a

0:24:03.280 --> 0:24:07.000
<v Speaker 1>friend from Georgetown named Jim, who has also undergone the

0:24:07.160 --> 0:24:11.480
<v Speaker 1>arduous application process. The two of them confide in each

0:24:11.480 --> 0:24:16.120
<v Speaker 1>other traveled together as they await word. Then Amarillis receives

0:24:16.160 --> 0:24:21.879
<v Speaker 1>a cryptic message her security clearance top secret clearance is complete.

0:24:22.720 --> 0:24:26.240
<v Speaker 1>She's given instructions to report to CIA headquarters in Langley,

0:24:26.320 --> 0:24:30.000
<v Speaker 1>Virginia the following week, and in the meantime to tell

0:24:30.040 --> 0:24:32.840
<v Speaker 1>anyone who knows she's applied that she did not make

0:24:32.920 --> 0:24:37.040
<v Speaker 1>the cut. She meets Jim that night, looks him in

0:24:37.080 --> 0:24:41.360
<v Speaker 1>the eye and tells him her first lie, and then

0:24:41.440 --> 0:24:45.040
<v Speaker 1>she starts to cry. He was the last person who

0:24:45.040 --> 0:24:49.919
<v Speaker 1>had known her truth, and now she has lost him.

0:24:49.920 --> 0:24:53.040
<v Speaker 1>But maybe maybe there's one other person who can know

0:24:53.080 --> 0:24:55.840
<v Speaker 1>at least something of the truth of her life. Her

0:24:55.880 --> 0:24:59.679
<v Speaker 1>boyfriend from the UK, Anthony, if he's to move to

0:24:59.680 --> 0:25:01.800
<v Speaker 1>the STA, it's to be with her. They'll have to

0:25:01.800 --> 0:25:06.120
<v Speaker 1>get married, and the Agency will have to approve. This

0:25:06.240 --> 0:25:10.240
<v Speaker 1>is what's known as an agency marriage. Anthony has put

0:25:10.280 --> 0:25:13.479
<v Speaker 1>through a battery of tests, including a polygraph, and he

0:25:13.520 --> 0:25:18.320
<v Speaker 1>passes muster. He and Emoryalis get married, but this doesn't

0:25:18.359 --> 0:25:21.240
<v Speaker 1>mean that she can share much with him. The secrecy

0:25:21.320 --> 0:25:27.760
<v Speaker 1>continues doing what secrecy does, causing rifts, opening fault lines

0:25:29.400 --> 0:25:33.080
<v Speaker 1>to make matters more complicated. A month after their marriage,

0:25:33.080 --> 0:25:36.880
<v Speaker 1>Emorialist is moved into the most elite operational training program

0:25:36.880 --> 0:25:39.840
<v Speaker 1>on Earth and is sent to a covert base in

0:25:39.920 --> 0:25:43.760
<v Speaker 1>Virginia known as the Farm, which is a little like

0:25:44.160 --> 0:25:51.640
<v Speaker 1>the CIA meets the Truman Show. It's an incredibly lonely

0:25:52.520 --> 0:25:54.840
<v Speaker 1>way to spend your twenties, There's no doubt. I mean,

0:25:54.880 --> 0:25:57.760
<v Speaker 1>it's almost like a kind of Russian nesting doll or

0:25:57.840 --> 0:26:01.320
<v Speaker 1>something where you're the only person who knows the real

0:26:01.480 --> 0:26:04.080
<v Speaker 1>truth of who you are. Is like the little doll

0:26:04.119 --> 0:26:06.679
<v Speaker 1>at the center. You know, and the people that you

0:26:06.760 --> 0:26:09.560
<v Speaker 1>work with who've trained with you at the farm or

0:26:09.560 --> 0:26:13.400
<v Speaker 1>who work on your behalf on your desk back at headquarters,

0:26:13.720 --> 0:26:16.800
<v Speaker 1>they kind of know the next level out. And then

0:26:17.400 --> 0:26:20.400
<v Speaker 1>the people who work for your cover company and provide

0:26:20.400 --> 0:26:23.399
<v Speaker 1>your cover maybe know the next level out. And and

0:26:23.400 --> 0:26:28.359
<v Speaker 1>then eventually the people around you in the field don't

0:26:28.440 --> 0:26:33.640
<v Speaker 1>know you at all. And the difficult part, I think

0:26:33.680 --> 0:26:36.920
<v Speaker 1>the hardest part really is that your family and your

0:26:36.960 --> 0:26:41.960
<v Speaker 1>friends from before are in that outer shell layer for

0:26:42.119 --> 0:26:45.359
<v Speaker 1>you know, for their protection, for your protection, for everyone's protection.

0:26:45.480 --> 0:26:49.440
<v Speaker 1>But for me, it was really difficult and really lonely

0:26:49.480 --> 0:26:53.720
<v Speaker 1>to not be able to lean on my mom in particular,

0:26:53.760 --> 0:26:57.160
<v Speaker 1>but lean on my family in general and ask their advice.

0:26:57.560 --> 0:27:00.320
<v Speaker 1>You know, you're suddenly in some of the most really

0:27:00.400 --> 0:27:04.280
<v Speaker 1>complex and challenging moments and scenarios you've ever been in,

0:27:04.320 --> 0:27:09.200
<v Speaker 1>with enormous responsibility and obligation, and and then right at

0:27:09.200 --> 0:27:12.080
<v Speaker 1>this time where you would need guidance and wisdom from

0:27:12.080 --> 0:27:15.959
<v Speaker 1>the people you trust most, you can't ask anybody's advice,

0:27:16.000 --> 0:27:19.720
<v Speaker 1>and you can't seek anyone's wisdom because no one knows

0:27:19.760 --> 0:27:21.800
<v Speaker 1>what you're doing, and then they can't know what you're doing.

0:27:21.920 --> 0:27:25.879
<v Speaker 1>So the farm is really this, as you say, wild

0:27:25.960 --> 0:27:30.920
<v Speaker 1>Truman Show simulation, where you know you're you're pretending to

0:27:30.960 --> 0:27:33.800
<v Speaker 1>be a first tour officer in a kind of fictional

0:27:34.359 --> 0:27:39.320
<v Speaker 1>country for six months um and working on operations against diplomats,

0:27:39.320 --> 0:27:44.920
<v Speaker 1>against terrorists, against other spies and every person there from

0:27:44.920 --> 0:27:47.959
<v Speaker 1>you know, the sources that you're developing, to the police

0:27:48.000 --> 0:27:50.920
<v Speaker 1>officers who are throwing you in the gravel and searching

0:27:50.960 --> 0:27:54.040
<v Speaker 1>your car, to the newscasters that are on the twenty

0:27:54.040 --> 0:27:59.600
<v Speaker 1>four hour TV news in your bedroom are all actually officers,

0:28:00.080 --> 0:28:03.399
<v Speaker 1>officers who are taking a tour away from the field

0:28:03.520 --> 0:28:06.359
<v Speaker 1>back home to help train, you know, the next generation

0:28:06.440 --> 0:28:11.760
<v Speaker 1>of operatives. And it's an incredible investment that they all make,

0:28:11.880 --> 0:28:14.480
<v Speaker 1>and the government makes in all of us. And I

0:28:14.520 --> 0:28:17.440
<v Speaker 1>think it's an appropriate investment because once you get out there,

0:28:17.480 --> 0:28:20.840
<v Speaker 1>you are so alone, and you have the lives of

0:28:20.840 --> 0:28:24.520
<v Speaker 1>other people in your hands, and I mean your own life, yes,

0:28:24.600 --> 0:28:27.960
<v Speaker 1>but also the lives of people who are putting everything

0:28:27.960 --> 0:28:31.399
<v Speaker 1>at risk in order to warn us about an attack

0:28:31.520 --> 0:28:34.840
<v Speaker 1>to warn us about something that is coming down the pike,

0:28:35.160 --> 0:28:38.240
<v Speaker 1>um that would put their own life in danger. For sharing.

0:28:38.920 --> 0:28:41.440
<v Speaker 1>It was just a small group of us that we're

0:28:41.520 --> 0:28:46.480
<v Speaker 1>in this incredible pressure cooker. But at least during training

0:28:46.560 --> 0:28:49.880
<v Speaker 1>we had one another to lean on. And then once

0:28:50.000 --> 0:28:53.280
<v Speaker 1>we were all out in the field, your sense of

0:28:53.360 --> 0:28:57.080
<v Speaker 1>self sufficiency and your self knowledge really has to kick

0:28:57.120 --> 0:29:00.080
<v Speaker 1>in because you're the only person who knows you at

0:29:00.120 --> 0:29:03.400
<v Speaker 1>that point. Yeah, you know, I'm just sitting here thinking

0:29:03.440 --> 0:29:07.800
<v Speaker 1>about what you said before about moving every year and

0:29:08.280 --> 0:29:10.959
<v Speaker 1>starting a new school and being in a new country,

0:29:11.120 --> 0:29:15.920
<v Speaker 1>and developing the skill set of looking for the caretakers,

0:29:16.280 --> 0:29:18.520
<v Speaker 1>looking for the people who will make good new friends,

0:29:18.640 --> 0:29:24.200
<v Speaker 1>like the survival skills that were in a way already

0:29:24.520 --> 0:29:26.880
<v Speaker 1>taking root in you in a certain way, like you

0:29:26.920 --> 0:29:30.600
<v Speaker 1>had to start over again and again and again as

0:29:30.640 --> 0:29:34.920
<v Speaker 1>a child, and that must have created a great sense

0:29:34.960 --> 0:29:39.480
<v Speaker 1>of self sufficiency that then was at least a piece

0:29:39.640 --> 0:29:43.640
<v Speaker 1>psychologically of what made it be possible to be that

0:29:43.720 --> 0:29:48.320
<v Speaker 1>tiniest nesting doll. Yeah, I think that's true. I think

0:29:48.400 --> 0:29:52.880
<v Speaker 1>my childhood was probably my first training course. In many ways.

0:29:54.160 --> 0:29:58.200
<v Speaker 1>There are skills that I was given at the farm. Obviously,

0:29:58.440 --> 0:30:00.520
<v Speaker 1>most of what you're doing is is a kind of

0:30:00.920 --> 0:30:04.680
<v Speaker 1>actual deep relationship building and how to keep your sources

0:30:04.720 --> 0:30:07.080
<v Speaker 1>secure and so on. And then you do the stuff

0:30:07.120 --> 0:30:08.760
<v Speaker 1>you see in the movies. You know, the defense of

0:30:08.880 --> 0:30:12.480
<v Speaker 1>driving and land navigation. And I qualified on the block

0:30:12.520 --> 0:30:14.320
<v Speaker 1>and the m flour even though I never carry the

0:30:14.360 --> 0:30:17.000
<v Speaker 1>weapon in the field, but you know, you do all

0:30:17.040 --> 0:30:19.720
<v Speaker 1>of that kind of the sexy stuff you see in

0:30:19.720 --> 0:30:22.840
<v Speaker 1>the movies. But one skill that I learned there that

0:30:22.920 --> 0:30:26.560
<v Speaker 1>was immensely useful to me was meditation. And it it

0:30:26.680 --> 0:30:29.160
<v Speaker 1>kind of seems surprising that that would be part of

0:30:29.200 --> 0:30:32.760
<v Speaker 1>the spy school training, as it were. But having the

0:30:32.800 --> 0:30:37.560
<v Speaker 1>ability to get quiet every day, um in a formal way,

0:30:37.600 --> 0:30:40.040
<v Speaker 1>but also in my own head in the middle of

0:30:40.040 --> 0:30:43.520
<v Speaker 1>a sequence, when I'm not sitting on a cushion somewhere,

0:30:43.520 --> 0:30:45.440
<v Speaker 1>and when I'm in the middle of something that is

0:30:45.520 --> 0:30:49.280
<v Speaker 1>unfolding very quickly with a lot of kind of kinectic uncertainty.

0:30:49.400 --> 0:30:54.080
<v Speaker 1>To be able to remember the kind of true self

0:30:54.520 --> 0:30:58.840
<v Speaker 1>and true purpose in that moment was really the bed

0:30:58.960 --> 0:31:02.200
<v Speaker 1>rock that I relied on for so many of those years.

0:31:02.720 --> 0:31:04.960
<v Speaker 1>So it was really grateful to have that. I still

0:31:05.080 --> 0:31:06.880
<v Speaker 1>it's one of the few things that I learned there

0:31:06.880 --> 0:31:10.480
<v Speaker 1>that I still practice on a daily basis, that was

0:31:10.640 --> 0:31:14.600
<v Speaker 1>taught as kind of part of the standard issue. Here's

0:31:14.640 --> 0:31:17.600
<v Speaker 1>your glock, here's your MPO, Here's how you flip a car,

0:31:17.680 --> 0:31:19.880
<v Speaker 1>and here's how you get quiet sitting on a cushion.

0:31:20.000 --> 0:31:43.360
<v Speaker 1>You know, we'll be right back. And a realist and

0:31:43.400 --> 0:31:47.760
<v Speaker 1>Anthony's marriage doesn't survive her time at the farm. She

0:31:47.880 --> 0:31:51.600
<v Speaker 1>returns home to find an empty apartment and Anthony gone.

0:31:52.840 --> 0:31:56.600
<v Speaker 1>In the stillness, she says, I was flooded with relief.

0:31:58.360 --> 0:32:02.520
<v Speaker 1>She's now working under Nona ficial cover, a coveted dangerous

0:32:02.520 --> 0:32:07.080
<v Speaker 1>position and charged with keeping weapons of mass destruction out

0:32:07.120 --> 0:32:10.920
<v Speaker 1>of the hands of global terror groups. She travels around

0:32:10.920 --> 0:32:14.280
<v Speaker 1>the world, returning home only to switch out bags and

0:32:14.360 --> 0:32:18.640
<v Speaker 1>pick up new alias documents. But eventually it's time for

0:32:18.680 --> 0:32:22.360
<v Speaker 1>a more permanent cover, and it isn't easy to find

0:32:22.400 --> 0:32:25.440
<v Speaker 1>just the right identity for a year old white girl

0:32:25.560 --> 0:32:30.640
<v Speaker 1>in places like Yemen, Libya, Pakistan. So Emeralss, who has

0:32:30.680 --> 0:32:35.040
<v Speaker 1>grown up steeped in the art world whose parents are collectors,

0:32:35.400 --> 0:32:39.080
<v Speaker 1>becomes an art dealer as her cover. She meets her

0:32:39.080 --> 0:32:42.240
<v Speaker 1>family for brunch at a cafe and tells them she's

0:32:42.240 --> 0:32:46.520
<v Speaker 1>going to try her hand at dealing indigenous art. Her

0:32:46.520 --> 0:32:51.920
<v Speaker 1>parents believe it. She hopes al Qaeda will too against

0:32:51.920 --> 0:32:55.200
<v Speaker 1>this backdrop, and could there be anything less conducive to

0:32:55.240 --> 0:32:59.320
<v Speaker 1>form a lasting relationship. Emeralss has begun and on again,

0:32:59.360 --> 0:33:02.240
<v Speaker 1>off again really lationship with a guy named Dean who

0:33:02.280 --> 0:33:06.840
<v Speaker 1>also works for the agency. They each understand that by necessity,

0:33:06.880 --> 0:33:10.600
<v Speaker 1>they have secrets from one another. A Mailla's continues to

0:33:10.720 --> 0:33:13.600
<v Speaker 1>rise to the top of her field and is eventually

0:33:13.640 --> 0:33:17.719
<v Speaker 1>asked to take on a highly sensitive six year assignment

0:33:18.280 --> 0:33:22.160
<v Speaker 1>in Shanghai, and she and Dean are given a choice.

0:33:22.960 --> 0:33:28.000
<v Speaker 1>Either they can go together another agency marriage, or they

0:33:28.000 --> 0:33:32.360
<v Speaker 1>won't see one another for the next six years. This

0:33:32.560 --> 0:33:36.000
<v Speaker 1>isn't a marriage based on great love as much as

0:33:36.080 --> 0:33:42.480
<v Speaker 1>it is on practicality and a bomb against loneliness. I

0:33:42.520 --> 0:33:45.760
<v Speaker 1>think as much as it would be kind of romantic

0:33:45.800 --> 0:33:48.360
<v Speaker 1>to say that it was all about not wanting to

0:33:48.400 --> 0:33:51.600
<v Speaker 1>not see each other, I think it was as much,

0:33:51.640 --> 0:33:55.960
<v Speaker 1>maybe more, about not wanting to go alone. You know what,

0:33:56.080 --> 0:34:01.320
<v Speaker 1>both of us were looking at long deployments in dangerous places,

0:34:01.400 --> 0:34:04.280
<v Speaker 1>doing complicated work that we could not talk to anybody

0:34:04.320 --> 0:34:08.720
<v Speaker 1>else about, and the only kind of possibility of having

0:34:09.120 --> 0:34:12.280
<v Speaker 1>having a shoulder to lean on and somebody to ask

0:34:12.960 --> 0:34:18.280
<v Speaker 1>counsel from. Was to marry someone who you trusted their judgment.

0:34:18.320 --> 0:34:22.799
<v Speaker 1>And even in that circumstance, we weren't totally both read

0:34:22.840 --> 0:34:25.759
<v Speaker 1>in on what the other one was doing, but we

0:34:25.880 --> 0:34:29.560
<v Speaker 1>knew enough about each other to at least share, you know,

0:34:29.640 --> 0:34:32.040
<v Speaker 1>a pretty significant part of our truth that nobody else

0:34:32.080 --> 0:34:36.320
<v Speaker 1>around us knew. And I think we had immense professional

0:34:36.360 --> 0:34:38.759
<v Speaker 1>respect for each other and a good, strong friendship and

0:34:39.200 --> 0:34:41.759
<v Speaker 1>we have both of those things to this day, and

0:34:41.800 --> 0:34:45.640
<v Speaker 1>we share an amazing daughter. So I think ultimately, in

0:34:45.680 --> 0:34:48.160
<v Speaker 1>its own funny way, it was the right decision. But

0:34:48.440 --> 0:34:51.799
<v Speaker 1>definitely I now look back on it as as a

0:34:51.880 --> 0:34:54.719
<v Speaker 1>mom of two girls who I I know we'll fall

0:34:54.760 --> 0:34:57.239
<v Speaker 1>in love one day themselves. It was a sign of

0:34:57.280 --> 0:35:01.840
<v Speaker 1>how the work and the mission was not only expected

0:35:01.840 --> 0:35:05.160
<v Speaker 1>to be the number one priority, but really the only priority,

0:35:05.360 --> 0:35:08.680
<v Speaker 1>you know, and anything else, whether it's a relationship or

0:35:08.719 --> 0:35:12.640
<v Speaker 1>love or family kind of only was there in as

0:35:12.680 --> 0:35:15.320
<v Speaker 1>far as it sort of fit in the space around

0:35:15.560 --> 0:35:19.000
<v Speaker 1>that priority, which was the work itself, you know, preventing

0:35:19.000 --> 0:35:21.719
<v Speaker 1>whatever the next attack was. And in my case, I

0:35:21.719 --> 0:35:25.120
<v Speaker 1>worked on m D and it just you know, the

0:35:25.160 --> 0:35:29.919
<v Speaker 1>potential scale of of a disaster that seemed to kind

0:35:29.920 --> 0:35:35.200
<v Speaker 1>of drown out everything else. On top of the secrets,

0:35:35.239 --> 0:35:38.359
<v Speaker 1>on top of the secrets, and Marillason Dean are both

0:35:38.360 --> 0:35:41.920
<v Speaker 1>aware that their house in Shanghai, their every move is

0:35:42.040 --> 0:35:47.200
<v Speaker 1>likely bugged, that, as they say, the walls have ears.

0:35:47.239 --> 0:35:49.960
<v Speaker 1>So the play acting of the young woman art dealer

0:35:50.040 --> 0:35:54.440
<v Speaker 1>must continue even during all hours is an identity she

0:35:54.480 --> 0:36:00.160
<v Speaker 1>has to assume through and through. It was a time

0:36:00.200 --> 0:36:02.640
<v Speaker 1>that emerging art was sort of suddenly on the fine

0:36:02.719 --> 0:36:06.040
<v Speaker 1>art scene in a big way, and I was working

0:36:06.520 --> 0:36:09.239
<v Speaker 1>on WMD that had the potential to fall into the

0:36:09.239 --> 0:36:13.080
<v Speaker 1>hands of terror groups, which is a required being in

0:36:13.280 --> 0:36:17.640
<v Speaker 1>places and mixing with sort of the people that your

0:36:17.719 --> 0:36:21.960
<v Speaker 1>average kind of like twenty something, your old white girl

0:36:23.040 --> 0:36:26.799
<v Speaker 1>wouldn't necessarily have a logical explanation for being in or

0:36:26.960 --> 0:36:31.799
<v Speaker 1>meeting with. And so emerging art seemed like a plausible

0:36:32.000 --> 0:36:33.600
<v Speaker 1>reason to be in the places that I needed to

0:36:33.640 --> 0:36:37.040
<v Speaker 1>be in. So that was what we want with what

0:36:37.160 --> 0:36:39.680
<v Speaker 1>did it feel like camera lists like during those years,

0:36:40.080 --> 0:36:42.480
<v Speaker 1>I mean, you had such a sense of purpose for

0:36:42.480 --> 0:36:45.000
<v Speaker 1>a very good reason. But I keep on going back

0:36:45.040 --> 0:36:47.880
<v Speaker 1>to that image of the tiniest nesting doll of you know,

0:36:48.040 --> 0:36:51.359
<v Speaker 1>you were close to your family and they didn't know

0:36:52.120 --> 0:36:54.600
<v Speaker 1>where you were, or vaguely they knew where you were,

0:36:54.800 --> 0:36:57.840
<v Speaker 1>like what you were doing? What allowed you to stay

0:36:57.880 --> 0:37:01.400
<v Speaker 1>as steady as you did? I mean, I think it

0:37:01.520 --> 0:37:04.719
<v Speaker 1>was this constant kind of how can I do this?

0:37:05.440 --> 0:37:08.320
<v Speaker 1>But also how can I not? And you know, each

0:37:08.360 --> 0:37:10.839
<v Speaker 1>step you get farther in and then you're in this

0:37:10.920 --> 0:37:15.960
<v Speaker 1>place where you actually have the operational ability to build

0:37:15.960 --> 0:37:18.600
<v Speaker 1>a relationship with a source within a terror group or

0:37:18.640 --> 0:37:22.440
<v Speaker 1>within an arms network that has the potential to prevent

0:37:22.480 --> 0:37:27.680
<v Speaker 1>an attack where hundreds, maybe thousands or more Laura's you know,

0:37:27.719 --> 0:37:29.520
<v Speaker 1>which is how I'm thinking of it at this front.

0:37:29.600 --> 0:37:33.120
<v Speaker 1>But I had lost and their families will die, you know,

0:37:33.280 --> 0:37:34.920
<v Speaker 1>not just on our side, by the way, but on

0:37:34.960 --> 0:37:38.440
<v Speaker 1>all sides of this thing. And I think it became

0:37:39.680 --> 0:37:42.680
<v Speaker 1>a way of trying to make things right in some

0:37:42.880 --> 0:37:46.960
<v Speaker 1>small way, or do right by this friend who never

0:37:47.000 --> 0:37:49.320
<v Speaker 1>got to make choices about what she was going to

0:37:49.400 --> 0:37:51.640
<v Speaker 1>do as as a grown up, you know. And it

0:37:51.719 --> 0:37:55.960
<v Speaker 1>wasn't just Laura, but I think this idea of so

0:37:56.120 --> 0:37:59.520
<v Speaker 1>much lost potential, and especially once I had my daughter,

0:37:59.680 --> 0:38:03.200
<v Speaker 1>that the idea of how much there is to lose

0:38:03.440 --> 0:38:07.399
<v Speaker 1>through conflict. You know what it means to really love

0:38:07.440 --> 0:38:10.040
<v Speaker 1>another human being, which I think you understand in a

0:38:10.160 --> 0:38:13.080
<v Speaker 1>kind of completely new way once you have a child,

0:38:13.680 --> 0:38:16.640
<v Speaker 1>And what that means for the mothers and fathers on

0:38:16.680 --> 0:38:20.120
<v Speaker 1>all sides and in all places who are affected by

0:38:20.320 --> 0:38:22.680
<v Speaker 1>division and by conflict. And how can each of us

0:38:22.719 --> 0:38:26.440
<v Speaker 1>do some tiny part, you know, to get ourselves to peace.

0:38:27.440 --> 0:38:31.560
<v Speaker 1>That became a real preoccupation and purpose for me. But

0:38:31.680 --> 0:38:35.600
<v Speaker 1>I think with it was the recognition that you can't

0:38:35.760 --> 0:38:38.760
<v Speaker 1>ask a source to put their life on the line

0:38:38.880 --> 0:38:41.280
<v Speaker 1>unless you can look them in the eye and say,

0:38:41.560 --> 0:38:44.040
<v Speaker 1>there is nothing in my life more important than keeping

0:38:44.040 --> 0:38:48.640
<v Speaker 1>you alive. And I got to the point, you know,

0:38:48.760 --> 0:38:51.880
<v Speaker 1>towards the end of that decade, once I had my daughter,

0:38:52.040 --> 0:38:56.600
<v Speaker 1>where I began to realize I couldn't honestly, honestly say

0:38:56.640 --> 0:38:59.359
<v Speaker 1>that anymore. And I felt like maybe that meant that

0:38:59.440 --> 0:39:03.279
<v Speaker 1>this sort a particular form of service for me had

0:39:03.320 --> 0:39:04.799
<v Speaker 1>to really come to an end, and I had to

0:39:04.920 --> 0:39:08.040
<v Speaker 1>entrust it to the next generation of amazing kids. And

0:39:08.320 --> 0:39:10.480
<v Speaker 1>they are kids, We were kids, you know, we're so

0:39:10.600 --> 0:39:13.319
<v Speaker 1>young the people who do this work. But it came time,

0:39:13.360 --> 0:39:17.160
<v Speaker 1>I think, to pass the Baton at that stage. In

0:39:17.160 --> 0:39:20.960
<v Speaker 1>two thousand nine, when Emorless is not quite twenty eight,

0:39:21.560 --> 0:39:24.799
<v Speaker 1>she returns to the States with her family. This was

0:39:24.960 --> 0:39:29.319
<v Speaker 1>initially so Dean could undergo and advanced surveillance course, but

0:39:29.400 --> 0:39:34.040
<v Speaker 1>the agency marriage is fraying, and so is Amoryless sense

0:39:34.440 --> 0:39:37.360
<v Speaker 1>that she can balance being a spy was being the

0:39:37.400 --> 0:39:42.439
<v Speaker 1>mother of a very young child. Did you know when

0:39:42.440 --> 0:39:44.319
<v Speaker 1>you returned that that was it, that you weren't going

0:39:44.360 --> 0:39:50.120
<v Speaker 1>to go back? Maybe in some deep place in my soul,

0:39:50.400 --> 0:39:54.040
<v Speaker 1>but I don't think i'd really practically grappled with it

0:39:54.760 --> 0:39:57.680
<v Speaker 1>or come to that conclusion. I mean I was at headquarters,

0:39:58.320 --> 0:40:01.080
<v Speaker 1>working there in support of some things that were happening

0:40:01.080 --> 0:40:04.600
<v Speaker 1>in the field, well, thinking about what what my next

0:40:04.600 --> 0:40:06.800
<v Speaker 1>tour would be, which is pretty typical. You know, you

0:40:07.160 --> 0:40:11.239
<v Speaker 1>spend some time rebuilding relationships at at headquarters and kind

0:40:11.280 --> 0:40:13.600
<v Speaker 1>of doing some support work there while you figure out

0:40:13.600 --> 0:40:16.360
<v Speaker 1>what you're going to do next, And people do that

0:40:16.440 --> 0:40:19.560
<v Speaker 1>with multiple tours throughout their career. But I think as

0:40:19.600 --> 0:40:22.719
<v Speaker 1>I was there and thinking through what another tour would mean,

0:40:23.440 --> 0:40:28.000
<v Speaker 1>and that it would necessarily as so he got older,

0:40:28.440 --> 0:40:34.360
<v Speaker 1>I mean asking her to participate in secrets in some

0:40:34.560 --> 0:40:38.200
<v Speaker 1>form or another that I realized I couldn't ask that

0:40:38.360 --> 0:40:40.319
<v Speaker 1>of her. I could ask it of myself, but I

0:40:40.320 --> 0:40:43.799
<v Speaker 1>couldn't ask that of her, And that there were other

0:40:43.920 --> 0:40:46.279
<v Speaker 1>forms of service out there, you know, And I wasn't

0:40:46.280 --> 0:40:49.280
<v Speaker 1>exactly sure what that would look like or what was next,

0:40:49.400 --> 0:40:53.080
<v Speaker 1>but I think I began to sense that period of

0:40:53.120 --> 0:40:55.600
<v Speaker 1>service in that form of service for me was drawn

0:40:55.640 --> 0:41:00.520
<v Speaker 1>to an end. So now she's back. She's given nearly

0:41:00.560 --> 0:41:03.400
<v Speaker 1>a decade of her life to the CIA, and Amarillis

0:41:03.480 --> 0:41:07.959
<v Speaker 1>is done after years of building alias after alias, cover

0:41:08.080 --> 0:41:11.840
<v Speaker 1>after cover, secret after secret. What was it like to

0:41:11.880 --> 0:41:15.319
<v Speaker 1>sit down with her parents, her brother, the people who

0:41:15.320 --> 0:41:18.600
<v Speaker 1>had been imagining one life while she was living quite another,

0:41:19.480 --> 0:41:23.640
<v Speaker 1>and to tell them the truth? It was? It was

0:41:23.680 --> 0:41:25.839
<v Speaker 1>a great relief for me to tell them, but I

0:41:25.880 --> 0:41:29.960
<v Speaker 1>think in large part because I could do it with

0:41:30.040 --> 0:41:32.879
<v Speaker 1>it being in retrospect, right. I could tell them this

0:41:33.000 --> 0:41:35.360
<v Speaker 1>thing that I knew would be very scary, especially for

0:41:35.480 --> 0:41:38.640
<v Speaker 1>my mom and say, and then we all lived happily

0:41:38.640 --> 0:41:42.839
<v Speaker 1>over und you know, you know, I don't think that

0:41:42.920 --> 0:41:47.080
<v Speaker 1>my family was as shocked as kind of maybe you

0:41:47.160 --> 0:41:49.160
<v Speaker 1>might be if you had a different kind of daughter

0:41:49.360 --> 0:41:51.920
<v Speaker 1>or had raised her in a different kind of way.

0:41:51.960 --> 0:41:54.920
<v Speaker 1>But I think, you know, if I remember back to

0:41:55.120 --> 0:41:58.279
<v Speaker 1>nine eleven and the decision to go to George Shown

0:41:58.360 --> 0:42:01.080
<v Speaker 1>and study the causes of terrorism, the thing that I

0:42:01.120 --> 0:42:04.000
<v Speaker 1>gave up in order to do that was going back

0:42:04.080 --> 0:42:07.440
<v Speaker 1>to the type of these border and pursuing a career

0:42:07.480 --> 0:42:10.400
<v Speaker 1>as a human rights and war journalists focused on the

0:42:10.440 --> 0:42:13.440
<v Speaker 1>conflicts in northern Burma, and so I don't think they

0:42:13.440 --> 0:42:17.640
<v Speaker 1>ever expected me to kind of be an accountant. So,

0:42:19.200 --> 0:42:21.920
<v Speaker 1>but it was an immense relief to be able to

0:42:22.000 --> 0:42:27.200
<v Speaker 1>kind of reclaim real intimacy. And I had never felt

0:42:27.239 --> 0:42:31.640
<v Speaker 1>as though we were strangers to one another, even though

0:42:32.200 --> 0:42:34.520
<v Speaker 1>they didn't know these kind of very important facts of

0:42:34.600 --> 0:42:38.480
<v Speaker 1>my life. For a while, we were still intimate soulmates

0:42:38.760 --> 0:42:41.120
<v Speaker 1>throughout all of that. My mom is my best friend

0:42:41.120 --> 0:42:44.600
<v Speaker 1>in the world. But it makes it a lot easier

0:42:44.719 --> 0:42:49.320
<v Speaker 1>when you can actually really open up all of those

0:42:49.719 --> 0:42:55.520
<v Speaker 1>nesting doll layers and look into one another's faces again. Um, so, yeah,

0:42:55.640 --> 0:42:58.440
<v Speaker 1>it was a it was a beautiful moment. We were

0:42:58.480 --> 0:43:01.480
<v Speaker 1>out on a boat. Actually, I thought it was easiest

0:43:01.560 --> 0:43:03.319
<v Speaker 1>to be able to do it in a place where

0:43:03.320 --> 0:43:06.640
<v Speaker 1>we could have a whole conversation without interruption and with

0:43:06.640 --> 0:43:11.080
<v Speaker 1>without the ability of anyone to walk away. I think

0:43:11.440 --> 0:43:15.480
<v Speaker 1>in so many cultures there's a period during the transition

0:43:15.520 --> 0:43:19.879
<v Speaker 1>to adulthood where you go through some kind of experience

0:43:19.880 --> 0:43:23.160
<v Speaker 1>in the wilderness, or some kind of service to your

0:43:23.200 --> 0:43:27.480
<v Speaker 1>country or your community, or a period of fasting and growth.

0:43:27.880 --> 0:43:30.279
<v Speaker 1>And in a weird way, this was all of those things,

0:43:30.600 --> 0:43:33.920
<v Speaker 1>you know, And it was wonderful to be back in

0:43:34.040 --> 0:43:37.360
<v Speaker 1>real life, in the arms of my family, but knowing

0:43:37.440 --> 0:43:39.600
<v Speaker 1>that I had served, and that I had grown, and

0:43:39.600 --> 0:43:44.120
<v Speaker 1>that I had learned enormously, learned so many things, and

0:43:44.280 --> 0:43:47.319
<v Speaker 1>was kind of ready to return to life as a

0:43:47.400 --> 0:43:50.000
<v Speaker 1>grown woman when I had really left as a child.

0:43:54.000 --> 0:43:58.080
<v Speaker 1>Here's Amarillis reading a brief passage from her book about

0:43:58.120 --> 0:44:03.120
<v Speaker 1>those remarkable years. When I'm invited to speak publicly about

0:44:03.120 --> 0:44:07.200
<v Speaker 1>my work, my body physically revolts, like jerking my fingers

0:44:07.239 --> 0:44:11.000
<v Speaker 1>back from a hot stove. I get it. The journalist jokes,

0:44:11.160 --> 0:44:13.040
<v Speaker 1>you want to keep all your lessons locked up so

0:44:13.080 --> 0:44:16.319
<v Speaker 1>only you can enjoy them. No, I laugh, I'm just

0:44:16.360 --> 0:44:23.520
<v Speaker 1>scared of. I pause of. He prompts me. Every instinct

0:44:23.560 --> 0:44:26.000
<v Speaker 1>and every piece of training I've ever undergone is in

0:44:26.080 --> 0:44:29.359
<v Speaker 1>opposition to this moment. What will happen if I tell

0:44:29.400 --> 0:44:32.880
<v Speaker 1>the world the truth, spill that most secret of secrets,

0:44:33.719 --> 0:44:37.840
<v Speaker 1>but always soldiers and spies, all the belching, booming, armored

0:44:37.880 --> 0:44:41.000
<v Speaker 1>juggernauts of war, all the terror groups, and all the

0:44:41.080 --> 0:44:44.560
<v Speaker 1>rogue states, that we're all just pretending to be fierce

0:44:44.680 --> 0:44:48.760
<v Speaker 1>because we're all on fire with fear. What will happen

0:44:48.800 --> 0:44:51.560
<v Speaker 1>if I speak those words out loud? Will I get hurt?

0:44:52.200 --> 0:44:55.719
<v Speaker 1>Will Zoe get hurt? Will our life be disrupted all

0:44:55.719 --> 0:45:00.359
<v Speaker 1>over again? But then I remember my daughter came up

0:45:00.400 --> 0:45:03.440
<v Speaker 1>at me and laughing. I think of the white flowers

0:45:03.480 --> 0:45:06.160
<v Speaker 1>on the table in Karachi, and the girls sitting in

0:45:06.200 --> 0:45:10.560
<v Speaker 1>their dusty circle outside Mosco, of the prisoners here at

0:45:10.600 --> 0:45:14.640
<v Speaker 1>home making amends to their victims and themselves, of the

0:45:14.640 --> 0:45:21.080
<v Speaker 1>gang members removing their tattoos of nothing. I answer, and

0:45:21.160 --> 0:45:24.080
<v Speaker 1>instead of hiding, I sit in front of a camera

0:45:24.520 --> 0:45:33.400
<v Speaker 1>and tell the truth. Family Secret is a production of

0:45:33.440 --> 0:45:37.400
<v Speaker 1>I Heart Media. Dylan Fagin and Bethan Macaluso are the

0:45:37.440 --> 0:45:42.239
<v Speaker 1>executive producers. Andrew Howard is our audio editor. If you

0:45:42.320 --> 0:45:44.480
<v Speaker 1>have a secret you'd like to share, leave us a

0:45:44.520 --> 0:45:48.920
<v Speaker 1>voicemail and your story could appear on an upcoming bonus episode.

0:45:49.680 --> 0:45:55.759
<v Speaker 1>Our number is one secret, zero that's secret, and then

0:45:55.800 --> 0:46:00.080
<v Speaker 1>the number zero. You can also find us on Instagram

0:46:00.120 --> 0:46:05.080
<v Speaker 1>at Danny Writer, Facebook at facebook dot com slash Family

0:46:05.120 --> 0:46:09.040
<v Speaker 1>Secrets Pod, and Twitter at fami Secret Spot. And if

0:46:09.080 --> 0:46:11.759
<v Speaker 1>you want to know about my family's secret that inspired

0:46:11.800 --> 0:46:16.800
<v Speaker 1>this podcast, check out my New York Times bestselling memoir Inheritance.

0:46:23.400 --> 0:46:25.680
<v Speaker 1>For more podcasts. For my heart Radio, visit the I

0:46:25.840 --> 0:46:28.880
<v Speaker 1>heart Radio app, Apple podcast, or wherever you listen to

0:46:28.920 --> 0:46:29.760
<v Speaker 1>your favorite shows.