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Speaker 1: All right, this is the I M Rapp Reports Stereo podcast,

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Speaker 1: coming live and direct from the magnificent, the glorious studios

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Speaker 1: of the tune In Radio out in Los Angeles, California.

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Speaker 1: The studio is fantastic. My name is Michael Rappaport. I'm

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Speaker 1: in here with the two thousand and fifteen podcast co

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Speaker 1: host of the Area. His name is Gerald Moody. Yeah.

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Speaker 1: The last name, Uh, it rhymes with duty. Uh. What's

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Speaker 1: really good, Mr Moody. Everything's good at man UM just

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Speaker 1: taken into weather. We had a reduction of humidity, so

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Speaker 1: the Great Breed eighty degree low humidity. I think that's

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Speaker 1: the best time. Yeah. The fall in New York City

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Speaker 1: is is fantastic. Of course, when I was there it

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Speaker 1: had become foliate. It was still swamp ass season as

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Speaker 1: I like to call it. Um. This is a live

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Speaker 1: I Am Rapp Reports Stereo podcast broadcast. This is a

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Speaker 1: live broadcast. This is not a test. This is live.

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Speaker 1: We're taking phone calls. We're talking to the people for

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Speaker 1: the next two hours. You can talk about anything and

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Speaker 1: everything you want. We could talk about housewives, we could

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Speaker 1: talk about movies, sports, we can talk about my nine

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Speaker 1: eleven kneeling comments that have been all over uh, well

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Speaker 1: not all over. I don't want to over over state

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Speaker 1: my um my, my my prowess, but it's been skating

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Speaker 1: around Twitter, um and and and whenever you want to

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Speaker 1: talk about um uh. The show is live. We're taking phocals.

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Speaker 1: I like this, Monetti. I'm excited to talk to the people.

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Speaker 1: I wish we could do this more often. I wish

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Speaker 1: we could like do podcasts, and while we're doing every

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Speaker 1: single podcast, we could take phone calls because I the fans.

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Speaker 1: Let me tell you something about the wrapper pack yo,

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Speaker 1: the fans of this show. I gotta tell you how

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Speaker 1: much I appreciate every single thing. The support, the Twitter support,

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Speaker 1: the the the reviews on iTunes, the puff puff pass

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Speaker 1: mentality of you you love the show, you tell a

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Speaker 1: friend about it, um, the compliments that we get. People

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Speaker 1: come up to me on the street. People come up

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Speaker 1: to me. I was on the plane, I was at

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Speaker 1: the the Jets game. I was a security guy. I

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Speaker 1: can't remember his name. He said to me, Gringo man Dingo.

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Speaker 1: He's their security for the opening day of the Jets.

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Speaker 1: And you know what he says to me, Gringo man Dingo,

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Speaker 1: you made my day. And I said, you know what

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Speaker 1: by you calling me the gringold man Dingo, you you

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Speaker 1: fucking made my day, you know what I mean? Like

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Speaker 1: it made it brought a little smile to my face.

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Speaker 1: You know what I mean. I've gotten called the gringo

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Speaker 1: man Dingo. Uh, I've gotten asked where's ge Moody last

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Speaker 1: name rhymes with duty. Uh, you know, by people in

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Speaker 1: cars passing by. So the fans of the show, all

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Speaker 1: of you guys, you know who you are, Like, we

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Speaker 1: have our hard hard, hardcore fans and we don't need

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Speaker 1: to name all of them because I know I'm ann

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Speaker 1: to forget some. But you know, you know, you know

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Speaker 1: who you are. I see you on there. I appreciate it. Uh.

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Speaker 1: And Mr Martnettie, how do you feel about the fans today? Uh?

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Speaker 1: This day in September of two thousand and sixty where

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Speaker 1: where where's your head at? Yo? The fans are so hardcore,

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Speaker 1: hard body words words can't express how they make us

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Speaker 1: feel like you know, we really they really behind us,

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Speaker 1: and uh we'd like to give them that entertainment. So

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Speaker 1: I love the fans man undoubted leo um. And and

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Speaker 1: you know we're taking calls all night. I am taking

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Speaker 1: calls all night. Uh do we have any calls already? Ship,

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Speaker 1: Let's just get to it because you know people are

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Speaker 1: gonna come in and have things to say, and you

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Speaker 1: know we're gonna treat this like a regular podcast. We're

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Speaker 1: gonna start with the fans. Uh. Let's let's take this

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Speaker 1: first call. We're going live in direct goal. Hello, Hello, Yo, Harbard,

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Speaker 1: what's up? My man? What's going on? Like? I'm good man,

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Speaker 1: how are you doing? My man? Good? I'm going off

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Speaker 1: for a question and a statement. Yes, yes, give it

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Speaker 1: to me, Anthony. Question. When are you hitting the East

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Speaker 1: coast in this World tour? Oh? Good question. Um, we

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Speaker 1: don't know when we're hitting the East coast in this

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Speaker 1: World tour. The World Tour is unpredictable. Um. You know

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Speaker 1: we we want to we want to make it to

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Speaker 1: the East coast. We want to do a whole East

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Speaker 1: coast leg of the World Tour. New York, Philly, New York, Buffalo, Baltimore, Florida,

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Speaker 1: the Carolina's Uh Carolina, Florida, you gotta hit up. They

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Speaker 1: need a lot of help. Yes, Syracuse, the whole thing,

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Speaker 1: you know, Virginia, anywhere that'll have us, you know, and

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Speaker 1: then and then we obviously we need to take the

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Speaker 1: World Tour on the world, you know, around the world.

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Speaker 1: It can't just be in America. Hence the title of

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Speaker 1: the World Tour, right, But you got that? How you been?

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Speaker 1: You saw the first live show between me and Monetti

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Speaker 1: about a year ago. You were there and my correct York. Yeah,

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Speaker 1: I mean you made it. That was the first leg

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Speaker 1: of this actual world tour in Bruce to New York.

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Speaker 1: I mean a lot of people, I say, start your

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Speaker 1: world tour in Paris. Uh No, We're gonna start in Brewster,

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Speaker 1: New York. How about that? That was the perfect spot

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Speaker 1: to do it. Brewster was the number one spot to

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Speaker 1: do it for the first stop of the world tour. Yeah,

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Speaker 1: it's a it's a hotbed of things in brusters, it's

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Speaker 1: a hotbed of the artistic community in the forward thinkers

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Speaker 1: of the world. And most people don't know that. Uh

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Speaker 1: so that it made perfect sense. We're gonna be going

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Speaker 1: you want you come to Vegas October fourteenth. We're gonna

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Speaker 1: be uh doing the live tour October fourteen at the

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Speaker 1: hard Rock Hotel place called Vinyl if not Commenus and

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Speaker 1: Phoenix We're gonna be in Phoenix on October sixteen. Anthony

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Speaker 1: w want you come out there. I'm trying. Do you

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Speaker 1: know anybody who's looking to get hitched, Because I'm trying

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Speaker 1: to become an ordained minister and marry some some some

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Speaker 1: poor suckers on a live show. That would be excellent.

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Speaker 1: I wish me and my web could get remarried. Hey

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Speaker 1: why not? Why not let the green Goo Mandingo remarry

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Speaker 1: you and and push this relationship to two parts unknown. Yeah,

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Speaker 1: And and for my statement, I just want to tell

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Speaker 1: you that in a Wrappa Pack fantasy football league, I am,

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Speaker 1: we are Rapp Report, and I'm not there to make friends. No, um,

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Speaker 1: I'm looking to take people down him down hard. And

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Speaker 1: Chicago rapp A Pack felt that raft this weekend. You

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Speaker 1: gave him that business. I did, and you know, I

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Speaker 1: like the guy, you know, And I didn't mean to

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Speaker 1: do it that way, you know. I mean I found

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Speaker 1: out using a fetal position in the bathroom staring at

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Speaker 1: a Traine. I mean, you know, I I don't like

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Speaker 1: to do that to people. But you know what the

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Speaker 1: Hubert I support. If my mom was if my mom

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Speaker 1: was in a fantasy football team with me, I'd want

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Speaker 1: her begging for mercy. So Chicago Rappa Pack, Yeah, Chicago

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Speaker 1: Rappa Pack is my guy. I love him. But listen,

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Speaker 1: if he takes you down, I'm gonna be looking. I'm

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Speaker 1: gonna be standing over you, Anthon Hubert, and I'm gonna

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Speaker 1: be laughing, Okay, and I don't go, you know, and

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Speaker 1: you gotta take it. I took a beating in Sunday.

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Speaker 1: On Sunday, I won two games, but I took a

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Speaker 1: beating in my stern shlely. So it happens to the best.

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Speaker 1: You're gonna win some you're gonna lose something. And if

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Speaker 1: you're gonna win, you gotta win big, um. And if

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Speaker 1: you're gonna lose, you need to have your face at

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Speaker 1: a toilet bowl somewhere. So yeah, I get it. Yeah, No,

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Speaker 1: I get it. And d J. Moyst is my next

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Speaker 1: opponent and I'm coming for you. Um. It looked pretty good.

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Speaker 1: I was not too happy about my third stringer wide

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Speaker 1: receiver Tyler Lockett, but it's a twelve man league, and uh,

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Speaker 1: things get a little stretched out there, and it's well

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Speaker 1: man league. But I feel good. I have Tom Brady

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Speaker 1: and Levian Bell waiting on my bench to come in

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Speaker 1: so I will be full force by week four and

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Speaker 1: five I would be Now now I am the commissioner.

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Speaker 1: Are you calling to make some sort of deal? You

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Speaker 1: want me to make some moves? Like what what do

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Speaker 1: you need from me? Because I'm taking on I'm taking

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Speaker 1: like money bribes like what do you? What do you?

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Speaker 1: What do you? I'll d m Okay, they'll be a

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Speaker 1: nice little stash for you, all right, you know, all right,

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Speaker 1: let me go work. Let me know. I mean, I'll

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Speaker 1: do it, you know, like I ham and cheese sandwich.

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Speaker 1: I'm not. I'm not. It doesn't have to just necessarily

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Speaker 1: be money, Anthony. So if you want to work something out,

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Speaker 1: you know you know where to find me. You set

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Speaker 1: a new pair of new balance. Yeah, it's just know

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Speaker 1: where it came from. Okay, now you know you now

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Speaker 1: you're talking my language. And man, I appreciate you calling in.

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Speaker 1: You know, we we love the support and and uh

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Speaker 1: you know, and and and and I'll talk to you soon,

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Speaker 1: my man, Hubert yea, thank you, my man. All right,

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Speaker 1: thank you later, yo Jabe. This is the Iron Rapports

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Speaker 1: Stereo podcast. You're live. You're live right there, man, Gringo,

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Speaker 1: man Dingo and Giotti didn't know is gonna be on

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Speaker 1: the phone is great. Um. I just want to give

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Speaker 1: a shout out to the podcast. I love it, you

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Speaker 1: guys who completely changed my life. Man vernacular vocabulet is

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Speaker 1: totally different now. UM. I just want to give a

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Speaker 1: shout out to the rap Pack fan and few league,

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Speaker 1: which I'm man Kevin Green. I kicked your ass last

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Speaker 1: week as Costa. I'm coming to crack that ass this week.

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Speaker 1: No Bruno, and I just also want to give a

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Speaker 1: shout out to Miles Daylyss yes, and Jordan Winner as well.

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Speaker 1: This is fantastic job producing. Uh. And I have to

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Speaker 1: get a shout out to the I am wrapped for

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Speaker 1: Secretary of Defense Mr Morris Yes, and also the man

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Speaker 1: Anthony Hubert as well. I like Yo, you know your stuff.

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Speaker 1: I appreciate that. We appreciate the support. Uh. It means

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Speaker 1: the world to us. UH. And you know, thank you

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Speaker 1: for calling. Man. You've got anything specific you want to

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Speaker 1: ask Mr Mr Moody, whose last name rhymes with duty. Well,

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Speaker 1: I do love to Beach Moody. It's fantastic. Uh. I

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Speaker 1: do have two quick questions. One, when are you coming

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Speaker 1: to Seattle and to um, when is mats As gonna

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Speaker 1: get on the podcast. I've been waiting to hear that

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Speaker 1: that needs to happen. Um. As far as going up

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Speaker 1: to Seattle, Uh, we would love that. Uh. You know,

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Speaker 1: it's all part of the the the never ending I'm

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Speaker 1: rapport Stereo podcast world tour, um and we will definitely

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Speaker 1: we gotta get mass Days. You know, he tours so much. Uh,

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Speaker 1: you know, it's been hard to catch up with him.

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Speaker 1: We definitely want mass Days on the podcast. Uh. You know,

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Speaker 1: Gerald grew up with him in Brown's like to break

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Speaker 1: that down, GMO break Down Master Days and and and

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Speaker 1: you know some of the people in Howard projects during

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Speaker 1: during your your time coming up as a young buck. Yeah, man, Uh,

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Speaker 1: Matthais grew up like in my project. And I had

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Speaker 1: to see him. You know, we played football together whatever,

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Speaker 1: but no one knew that he rapped like he was

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Speaker 1: a rapper. He kept he kept that close to the vest.

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Speaker 1: And then eight seven see him with the symphony, and

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Speaker 1: for for him, the rest is history. So good dude,

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Speaker 1: class class act and what has happened to him? He

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Speaker 1: deserved you know you you mean the first time you

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Speaker 1: found out that mass days. Was was rhyman was when

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Speaker 1: you heard him on the symphony When I turned that

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Speaker 1: in Control album from Mali Wall Volume one, When I

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Speaker 1: turned it over and I saw his DJ I was

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Speaker 1: in his class. We were in the same class together.

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Speaker 1: And then I looked and saw mass eight and I said, oh, ship,

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Speaker 1: that's the vow, that's his name. And that's that's when

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Speaker 1: I've seen it seven. All right, cool man, that's that's

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Speaker 1: a good story story. Yeah. Um, listen, we appreciate the support. Um,

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Speaker 1: you know, and and and you know, thank you so much,

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Speaker 1: and keep listening. Spread the word, and you know we're

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Speaker 1: gonna keep doing We're gonna keep doing the dancing. Cool.

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Speaker 1: I appreciate it, man, I love it. I'm that one

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Speaker 1: guy on Twitter I follow you guys and try to

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Speaker 1: retweet everything and trying to shout you guys out. Man.

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Speaker 1: I love the podcast. Thank you, Thank you, my man,

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Speaker 1: Thank you very much. Thank you. Next, cool, Who do

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Speaker 1: we got Raoul? Yeah, let's up, Mike Raoul. How are

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Speaker 1: you doing, my man? I'm good. I'm just so First

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Speaker 1: of all, I want to say thanks for all the inspiration. Man.

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Speaker 1: I want to talk about something that you touched on

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Speaker 1: last time. Which was people calling you a culture vote

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Speaker 1: your man. The other thing, you put up that picture

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Speaker 1: of you and Pock and that was awesome, man. Uh

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Speaker 1: you know, I was just I say, thanks for an inspiration.

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Speaker 1: And don't listen to the people calling me a culture voter. Man.

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Speaker 1: They just mad that you're real. You know, I appreciate that, man,

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Speaker 1: I appreciate that, you know, I I I uh, you

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Speaker 1: know that that that that little little sentiment doesn't bother

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Speaker 1: me at all because I know what it is, especially

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Speaker 1: you know, in regards to you know, my my myself

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Speaker 1: personally and then and then my work and the kind

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Speaker 1: of work that I've tried to do as an artist

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Speaker 1: and as a director. It speaks for itself, and you

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Speaker 1: know I try to represent and uh you know, uh

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Speaker 1: you know, I just you know, I appreciate that. So

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Speaker 1: so thanks for the support, man, and you you got

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Speaker 1: you got g Monetti on the line to G. Moody's

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Speaker 1: last name rhymes with duty. Right, what you do Moody

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Speaker 1: last name run with duty? Hey, Before I go, Mike,

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Speaker 1: I just want to say one more thing. Then you

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Speaker 1: almost caught me in trouble, man. Uh, I sent you

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Speaker 1: a d M. I and I asked you how I

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Speaker 1: would uh prove these people wrong that called me a dreamer?

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Speaker 1: And can I curse? I'm here or no? Can I

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Speaker 1: tell you what you told me? Did see I wrap

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Speaker 1: ports Stereo podcast? Of course you could curse. I sent

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Speaker 1: you a d M and super happy that you wrote back.

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Speaker 1: Two people called me a dreamer. I told you can

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Speaker 1: please advise me on how to prove them road You

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Speaker 1: told me to tell them to eat picks. Oh yes,

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Speaker 1: I can't let me thinking. I can't take your advice

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Speaker 1: on that mike, because then I'm gonna have no job.

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Speaker 1: Budd ha ha ha ha ha ha. Well listen, man,

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Speaker 1: yo yo, don't let anybody shut down any of your thoughts.

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Speaker 1: And you sound like you're a young dude. Work hard,

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Speaker 1: keep you keep your nose to the ground, stay productive,

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Speaker 1: keep your mind productive, keep your body in shape. And

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Speaker 1: and you know the world's in front of you, man,

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Speaker 1: and you know and and don't appreciate a man And

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Speaker 1: I mean it's sincerely man, and I appreciate the support.

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Speaker 1: And you know, stay in touch with us. You know

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Speaker 1: we're easy to find it easy to be seen on

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Speaker 1: the Iron Rapports podcasting fact check fact check right anybody

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Speaker 1: could fact check, you know what I mean, anybody could.

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Speaker 1: I'm doing this podcast right now. I have there's no

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Speaker 1: computer in front of me. I have nothing in front

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Speaker 1: of me. My hands are waving and flailing in the air.

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Speaker 1: I have no computer in front of me. I I

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Speaker 1: pride myself on making a healthy, good steak every now

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Speaker 1: and then. Okay, everybody, so you got the spell check,

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Speaker 1: Please fuck you. I tried to figure out what the

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Speaker 1: differences between there and the other there th h E

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Speaker 1: r E and th h I th h e I R.

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Speaker 1: I can't figure out. Say, I just put Sometimes I'll

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Speaker 1: just sometimes it's like, you know, whatever I'm feeling at

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Speaker 1: the moment, If I want to do th h E

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Speaker 1: r E, I do that, you know whatever I think.

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Speaker 1: Let the chips for where they're gonna fall. Man, it

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Speaker 1: is awesome. Man, Mike, you're a good guy and I

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Speaker 1: can't believe I'm talking you right now now. Man, I

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Speaker 1: appreciate all the inspiration. Bro. All right, cool man, we'll

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Speaker 1: talk to you. Sumer Man a man movie last name

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Speaker 1: right with duty Man. Have a nice say man, all right, man,

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Speaker 1: you're too row all right yoh Ce Iron Wrap Ports

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Speaker 1: Stereo Podcast who's on the line with us over he

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Speaker 1: oh flex bastard. Now, let me ask you a question,

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Speaker 1: My man, you're doing I'm doing. Let me let me

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Speaker 1: let me ask you a question. You're you're the fan.

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Speaker 1: You're you're one of our biggest, most most active Rabbit fans.

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Speaker 1: And and tell tell the world, tell the tell the

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Speaker 1: podcast committee, the the task at hand. You have been

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Speaker 1: living in an iron rapp Reports Stereo podcast t shirt

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Speaker 1: for how long? Uh? Tell everybody the goal at hand here?

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Speaker 1: All right? Well, uh, as everybody may or may not know,

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Speaker 1: I'm flits based in holding down the I M Rappaport

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Speaker 1: Stereo podcast and I can stall six ten post sixty sites,

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Speaker 1: so the mission is. At first I said, I'm gonna

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Speaker 1: wed the shirt for three d sixty days. And if

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Speaker 1: somebody said, hey, we'll gland your old fact check this

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Speaker 1: three six five in a year, you got five days,

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Speaker 1: you know, on and off I can put a different

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Speaker 1: shirt on many. So anyway, yeah, I'm gonna wear a

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Speaker 1: fucking shirt for a year. And people say what are

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Speaker 1: you doing? You're win the same fucking shot Like, it's

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Speaker 1: not the same fucking shirt. Re send me do different shirts.

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Speaker 1: And then I got the fucking old school ta So

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Speaker 1: don't give me that ship. Bab baby, Are you actually

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Speaker 1: be being straight up? You're rocking the T shirt at

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Speaker 1: least one part of your day for the next day,

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Speaker 1: not at least one part of my day all fucking

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Speaker 1: day long. It's not dirty. It don't fucking stay right,

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Speaker 1: you know? Well yeah, all day long. I either wearing

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Speaker 1: the you know there will be blood. Got the old

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Speaker 1: school fool fucking tea. You know, I like to break

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Speaker 1: out with the Dodger's hat, shout out to miss the moment,

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Speaker 1: you know, big Cam, shout out the big cave in

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Speaker 1: the whole wrapper pack, fucking fantasy League, the whig piece, Duke.

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Speaker 1: I can hold it down. Listen. We're gonna try to

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Speaker 1: get the world record a book. People involved with this,

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Speaker 1: you get it in here. Yeah. I don't want this

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Speaker 1: fucking shirt till I'm dead. Rad I'm repping this ship.

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Speaker 1: I don't know you didn't just stop. This is going

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Speaker 1: a little fan base, right, You got a fucking family

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Speaker 1: of rabid motherfucker's here. They would do anything for you,

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Speaker 1: would just a phone call. Realize that, Michael Rappaport. Well,

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Speaker 1: well listen, my man, I appreciate the love. I appreciate

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Speaker 1: the support. We're gonna send you some more T shirts

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Speaker 1: so you have options and and you know, stay in

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Speaker 1: how how how how the three hundred sixty five days

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Speaker 1: going for you, all right, my man, we'll definitely rap.

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Speaker 1: I got it. I got finally got sucking internet back

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Speaker 1: on my phone now, so I'll be selling more pictures.

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Speaker 1: He g. I love the fucking beach j mody. I

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Speaker 1: love what you do the main alright, and I don't

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Speaker 1: saw my mom give me a beat. I don't want

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Speaker 1: to say that, alright, rap, I love I love you

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Speaker 1: to all right yo. The I m rapp Report podcast

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Speaker 1: we got Morris on the on the line. How's it going, gentlemen? Yo?

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Speaker 1: Yo's what what's happened? And how you guys doing today?

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Speaker 1: I'm doing good man. You know well, we'll get into

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Speaker 1: this now because Morris was there on the front line. Yo, Morris,

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Speaker 1: I saw you. I get an introduction real quick. Yeah,

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Speaker 1: let me let me give you a proper introduction. Let

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Speaker 1: me let me get my cell phone. Go ahead and

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Speaker 1: let me go ahead, go ahead, you do it. This

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Speaker 1: is Mr Morris, A K. Corse the security of Defense. Okay.

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Speaker 1: The pick and stick game is insane. Okay, the podcast

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Speaker 1: by A because I'm about to get you motherfucker's up

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Speaker 1: right now. We Yeah, I like that, Morris. The pick

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Speaker 1: and stick game is insane. More like you're you're, you're,

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Speaker 1: you're your Your dick pick game is apparently insane, like

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Speaker 1: you don't give a funk like you take picture I

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Speaker 1: shoot them out to everybody. I'm care it's that whole

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Speaker 1: wheat low syndrome. I'm giving white women. Oh shit, you

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Speaker 1: know like that? Now are you? Are you doing just

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00:20:11,760 --> 00:20:14,399
Speaker 1: dick picks? Are you in the pick? Because you know

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Speaker 1: in the p I haven't. It's me. Oh it's you know,

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Speaker 1: I respect respect. My ship isn't known to be handsome

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Speaker 1: as tanned as brown. I call it Matthew. It's like

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Speaker 1: Matthew McConaughey. You know it's no doubt, no doubt. You

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Speaker 1: know some more So I want to I want to

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Speaker 1: bring you in on this conversation. We'll start this so

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Speaker 1: So this thing, this this tweet that I sent out,

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Speaker 1: I'll read it because I don't want to assume everybody

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Speaker 1: everybody said it. But I send out a tweet, I'm

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Speaker 1: assuming that most people had heard it. But but I

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Speaker 1: sent out a tweet Friday the ninth. It must have

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Speaker 1: been the ninth um and I said this tweet, uh,

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Speaker 1: and it was exactly this. I'll read a verbatim. Hold

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Speaker 1: on a second. It's anybody that kneels on nine eleven

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Speaker 1: is gonna get yellowed and then dropped from my fantasy

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Speaker 1: football team. Uh, thinking thinking through fellas for real. And

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Speaker 1: and then you know we talked earlier on this show

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Speaker 1: before you are worse about some of the responses to it.

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00:21:14,080 --> 00:21:16,480
Speaker 1: You know, I talked about it on on on episode

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Speaker 1: two oh two. Uh. And then and then the guy

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Speaker 1: from the Root a k A. Black Culture TMZ. That's

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Speaker 1: my opinion. The writer, the writer of that has been

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Speaker 1: invited onto the show. We we haven't been able to

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Speaker 1: He hasn't been avoiding me. We haven't been able to schedule.

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Speaker 1: But he is aware of this live show. But he

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Speaker 1: does have a family, guy, so hopefully he has offered

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Speaker 1: times to me. So he's definitely not avoiding me, but

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Speaker 1: I'm looking forward to doing that. But anyway, there's been

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Speaker 1: a lot. It caused a little mini uproar, and Andre

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Speaker 1: and you you've been on Twitter sort of, you know,

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Speaker 1: getting your your hands in the in the mix and

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Speaker 1: speaking on it. What is your take on Kaepernick kneeling

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00:21:54,200 --> 00:21:56,879
Speaker 1: and and and and the protests in general and specifically

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00:21:56,960 --> 00:21:59,200
Speaker 1: kneeling because the tweet, because I let me just say

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Speaker 1: this one more time. I'm not gonna say it anymore.

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Speaker 1: I've said openly before this tweet. I've said it on

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Speaker 1: on on on the Howard Stern Show, I've said it

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00:22:08,080 --> 00:22:11,200
Speaker 1: on the podcast many many times. I'm totally in support

421
00:22:11,280 --> 00:22:14,880
Speaker 1: of people protesting. Something needs to be done. The violations

422
00:22:14,960 --> 00:22:19,280
Speaker 1: against people of color recently and historically in this country

423
00:22:19,720 --> 00:22:21,719
Speaker 1: has to stop. It has to be looked at, it

424
00:22:21,720 --> 00:22:25,679
Speaker 1: has to be recognized. It's disgusting. Um, it's it's not

425
00:22:25,760 --> 00:22:29,240
Speaker 1: a myth, it's not the boogeyman. It's it's real. Um

426
00:22:29,440 --> 00:22:31,720
Speaker 1: and and and and then, uh, you know, my opinion

427
00:22:31,960 --> 00:22:34,199
Speaker 1: was that as far as on nine eleven, and this

428
00:22:34,280 --> 00:22:37,280
Speaker 1: was in the in the in the anticipation of being

429
00:22:37,320 --> 00:22:39,640
Speaker 1: at the New York Jets game and thinking about are

430
00:22:39,640 --> 00:22:42,440
Speaker 1: people gonna sit down and kneel in front of first

431
00:22:42,480 --> 00:22:45,280
Speaker 1: responders that I assumed would be there for the pregame ritual.

432
00:22:45,720 --> 00:22:47,640
Speaker 1: Um and and and then I sent the tweet out

433
00:22:47,640 --> 00:22:49,560
Speaker 1: and then people anyway, I've talked about my side of it.

434
00:22:49,600 --> 00:22:52,080
Speaker 1: I want to hear other people's opinions. I'll start with you, Morris,

435
00:22:52,119 --> 00:22:53,800
Speaker 1: and then and get you can jump in. Are you

436
00:22:53,800 --> 00:22:58,639
Speaker 1: guys boasted on the line so okay, more so you

437
00:22:58,720 --> 00:23:01,120
Speaker 1: jump into and you know, kicking re speak and then

438
00:23:01,160 --> 00:23:04,680
Speaker 1: also talking about Twitter to Twitter wars. Yeah. But I'm

439
00:23:04,680 --> 00:23:08,560
Speaker 1: gonna say first, the people that are supporting you right now,

440
00:23:08,920 --> 00:23:11,360
Speaker 1: a lot of those people were hating you a month

441
00:23:11,440 --> 00:23:14,600
Speaker 1: ago when you were supporting the people that were against

442
00:23:14,640 --> 00:23:16,639
Speaker 1: the police because of the violence that was going on.

443
00:23:16,680 --> 00:23:19,960
Speaker 1: People don't realize that you were very supportive you and

444
00:23:20,080 --> 00:23:23,200
Speaker 1: g I mean, you heard the pain and the honesty

445
00:23:23,200 --> 00:23:25,959
Speaker 1: and Gee's voice talking about the violence that was going on,

446
00:23:26,040 --> 00:23:28,800
Speaker 1: the shootings that were going on. These people that are

447
00:23:28,800 --> 00:23:32,400
Speaker 1: hating on you now, they don't realize what you've guys

448
00:23:32,480 --> 00:23:38,800
Speaker 1: been preaching on this show. You know, and now you know,

449
00:23:38,920 --> 00:23:41,239
Speaker 1: I support everything. If you're gonna nail nail, you do

450
00:23:41,280 --> 00:23:44,480
Speaker 1: what you protest, I'm not telling nobody. At the same time,

451
00:23:45,040 --> 00:23:48,480
Speaker 1: it frustrated me where I had to jump in and

452
00:23:48,480 --> 00:23:51,200
Speaker 1: it wasn't the same old rapper pack jumping on somebody

453
00:23:51,760 --> 00:23:54,720
Speaker 1: to somebody that I've met and known and doesn't treat

454
00:23:54,720 --> 00:23:57,360
Speaker 1: me as that silly guy that makes tick. I've met

455
00:23:57,400 --> 00:24:03,160
Speaker 1: you many times and you you're You're real, you You're

456
00:24:03,240 --> 00:24:06,080
Speaker 1: you're You're cool with me, You're humble, and that's the

457
00:24:06,119 --> 00:24:08,520
Speaker 1: guy I know, and them to be saying you're racist.

458
00:24:08,520 --> 00:24:11,280
Speaker 1: You're I don't funk with no racist people. I'm a

459
00:24:11,320 --> 00:24:14,880
Speaker 1: brown motherfucker that ain't gonna be around no racist fun

460
00:24:15,040 --> 00:24:18,199
Speaker 1: boys shit. And you ain't that guy. And it frustrates

461
00:24:18,280 --> 00:24:21,480
Speaker 1: me that you just had a opinion as a New

462
00:24:21,560 --> 00:24:25,400
Speaker 1: Yorker that's been through that, as known people, you just said,

463
00:24:25,440 --> 00:24:27,639
Speaker 1: I'm not down with the kneeling for that. You didn't

464
00:24:27,640 --> 00:24:31,440
Speaker 1: tell no one to not kneel, And that's what's frustrating

465
00:24:31,920 --> 00:24:35,120
Speaker 1: how they blew it up to you just saying I'm

466
00:24:35,119 --> 00:24:37,040
Speaker 1: telling black people what to do. I'm telling people how

467
00:24:37,080 --> 00:24:39,399
Speaker 1: to bro. You didn't tell nobody how to protest. You

468
00:24:39,480 --> 00:24:42,959
Speaker 1: just said you weren't fucking with kneeling on that day. Period,

469
00:24:43,040 --> 00:24:45,360
Speaker 1: and then you joked about fantasy football and it got

470
00:24:45,400 --> 00:24:48,920
Speaker 1: blown to ship and it was frustrating. To be honest, Well, yeah,

471
00:24:48,920 --> 00:24:51,399
Speaker 1: I appreciate that. And you know, and and and you

472
00:24:51,440 --> 00:24:54,200
Speaker 1: know it's like you never think I honestly never think

473
00:24:54,240 --> 00:24:57,399
Speaker 1: that that that uh, you know, something's gonna sort of spread.

474
00:24:57,440 --> 00:24:59,600
Speaker 1: And you know, and obviously what I said about the

475
00:24:59,600 --> 00:25:03,320
Speaker 1: the the uh, the the kneeling, I was serious, Um,

476
00:25:03,359 --> 00:25:06,400
Speaker 1: you know, talking about dropping anybody from fantasy football. If

477
00:25:06,400 --> 00:25:08,680
Speaker 1: you even hear the way we talk about fantasy football,

478
00:25:09,359 --> 00:25:13,240
Speaker 1: it's it's not something serious. I yellowing is not something serious.

479
00:25:13,480 --> 00:25:15,879
Speaker 1: The the iloing is is you know, the mundane and

480
00:25:15,880 --> 00:25:18,359
Speaker 1: all that for the people that don't know it. Um again,

481
00:25:18,400 --> 00:25:20,280
Speaker 1: I'd rather like here, you know, me and G talked

482
00:25:20,320 --> 00:25:23,000
Speaker 1: a little bit about it earlier. UM and G. You know,

483
00:25:23,040 --> 00:25:24,600
Speaker 1: I would just like you to kick the ship that

484
00:25:24,680 --> 00:25:26,280
Speaker 1: you said to me in private, you know, keep it

485
00:25:26,359 --> 00:25:28,400
Speaker 1: keeping a hundred and you know you could say all

486
00:25:28,440 --> 00:25:30,119
Speaker 1: your feelings and all that stuff. Try to try to

487
00:25:30,280 --> 00:25:32,840
Speaker 1: you know, you know, you know, go ahead, like you know,

488
00:25:32,880 --> 00:25:34,760
Speaker 1: me and me and Monetti have known each other since

489
00:25:35,000 --> 00:25:37,760
Speaker 1: eighty two. We're you know, we're we're we're like we're

490
00:25:37,800 --> 00:25:40,280
Speaker 1: not even friends, were family, and and uh, you know,

491
00:25:40,320 --> 00:25:42,080
Speaker 1: I want to hear you know, your opinions on it

492
00:25:42,240 --> 00:25:44,520
Speaker 1: after seeing some of that ship and then some people saying,

493
00:25:44,680 --> 00:25:47,240
Speaker 1: you know, and fuck fuck g Moody, he's he's this,

494
00:25:47,359 --> 00:25:50,520
Speaker 1: he's that, You're you're sellout in your uncle Tom because

495
00:25:50,520 --> 00:25:54,040
Speaker 1: you funk with Mike crap. I thought that, And I'm saying,

496
00:25:54,080 --> 00:25:57,920
Speaker 1: like that doesn't need to get I don't dignify those, uh,

497
00:25:58,160 --> 00:26:01,440
Speaker 1: you know with responses because like you said, I've known you,

498
00:26:01,440 --> 00:26:05,240
Speaker 1: You've known needs for thirty years, so we know we

499
00:26:05,320 --> 00:26:08,640
Speaker 1: know what that's about. Now the police ship about the kneeling,

500
00:26:08,720 --> 00:26:12,239
Speaker 1: like I said, you may have worded that wrong, and

501
00:26:12,280 --> 00:26:17,640
Speaker 1: people jumped on that because historically they the largest society,

502
00:26:17,760 --> 00:26:22,199
Speaker 1: has always dictated to us how we should protest, and

503
00:26:22,200 --> 00:26:26,040
Speaker 1: they always invoked Martin Luther King. But Martin Luther King

504
00:26:26,160 --> 00:26:31,000
Speaker 1: got blasted in his head, dreaming, you know, like peaceful guy.

505
00:26:31,320 --> 00:26:36,600
Speaker 1: So people are fed up and Colin Kaepernick is actually

506
00:26:37,320 --> 00:26:41,000
Speaker 1: more patriotic than the people who are burning his jersey.

507
00:26:42,119 --> 00:26:45,560
Speaker 1: Why why do you say that? Because Colin Kaepernick is

508
00:26:45,600 --> 00:26:49,200
Speaker 1: basically holding a mirror to the United States and saying

509
00:26:49,480 --> 00:26:52,639
Speaker 1: you're saying all of this, y're this year that, But

510
00:26:52,760 --> 00:26:56,000
Speaker 1: how do you treat you're a black citizen, how do

511
00:26:56,080 --> 00:26:59,920
Speaker 1: you treat the Latino citizens? Right? How do you treat

512
00:27:00,280 --> 00:27:03,520
Speaker 1: the gays for that matter? Right? So, this is what

513
00:27:03,600 --> 00:27:08,800
Speaker 1: he's doing, and you can't dictate how that man feels

514
00:27:09,240 --> 00:27:11,679
Speaker 1: and how he's going to express itself. You may not

515
00:27:11,760 --> 00:27:14,200
Speaker 1: want him to do it in a game, but he's

516
00:27:14,200 --> 00:27:16,959
Speaker 1: a high profile God, where else would he get so

517
00:27:17,119 --> 00:27:21,679
Speaker 1: much exposure? Right? But I I I hear you. I

518
00:27:21,720 --> 00:27:24,040
Speaker 1: think it's I think it's important and and and I

519
00:27:24,080 --> 00:27:26,280
Speaker 1: think it's a it's a brave stance that that that

520
00:27:26,280 --> 00:27:29,119
Speaker 1: that he's made and and something something has to happen,

521
00:27:29,200 --> 00:27:32,680
Speaker 1: Something has to happen. But keep going, keep keep going on, Eddie.

522
00:27:33,440 --> 00:27:37,160
Speaker 1: And um, I think it's a good thing. I think,

523
00:27:37,240 --> 00:27:40,360
Speaker 1: um yo, there's no more sweeping this under the rug.

524
00:27:40,680 --> 00:27:44,080
Speaker 1: And if we're all patriots, right, we're all Americans, And

525
00:27:44,080 --> 00:27:46,840
Speaker 1: if this, if this was happening to any other ethnicity,

526
00:27:47,200 --> 00:27:50,680
Speaker 1: then everybody should be on board and say, yo, we

527
00:27:50,760 --> 00:27:53,639
Speaker 1: ain't tolerating this from no one. You can't do this

528
00:27:53,680 --> 00:27:55,760
Speaker 1: to the black people, you can't do it to the Irish,

529
00:27:56,000 --> 00:27:58,680
Speaker 1: you can't do it to the Jews, it's everybody. So

530
00:27:58,880 --> 00:28:03,080
Speaker 1: if everybody get on board, this is how you begin

531
00:28:03,480 --> 00:28:06,000
Speaker 1: to solve it. Because when it just looks like it's

532
00:28:06,040 --> 00:28:10,040
Speaker 1: black people, then it's it's to be like, oh, we

533
00:28:10,480 --> 00:28:15,480
Speaker 1: it's their problem. Yes, that's that's how people view it. Now.

534
00:28:15,520 --> 00:28:18,320
Speaker 1: I hear you. You know, in all honesty, you know,

535
00:28:18,400 --> 00:28:20,880
Speaker 1: some of the conversations that I've had with people, including

536
00:28:20,920 --> 00:28:23,240
Speaker 1: with you mod Eddie, and then you know, even even

537
00:28:23,880 --> 00:28:26,399
Speaker 1: offline with with Morris and and in between, you know

538
00:28:26,440 --> 00:28:30,240
Speaker 1: the context of it, I understand why people would be

539
00:28:30,280 --> 00:28:33,439
Speaker 1: angry and and and you know, frustrated, because people are

540
00:28:33,440 --> 00:28:35,800
Speaker 1: angry and frustrated in general. And I think you know

541
00:28:35,840 --> 00:28:37,520
Speaker 1: some of that you know came and and we're talking

542
00:28:37,520 --> 00:28:40,320
Speaker 1: about people. Listen the amount of tweets we're talking about,

543
00:28:40,480 --> 00:28:43,080
Speaker 1: you know, a hundred people uh that that that that

544
00:28:43,160 --> 00:28:46,440
Speaker 1: might have tweeted. You know, it's not even it's not

545
00:28:46,480 --> 00:28:49,880
Speaker 1: even uh you know a conteur of amount of people

546
00:28:50,320 --> 00:28:52,560
Speaker 1: uh in in the big world. But you know when

547
00:28:52,560 --> 00:28:55,080
Speaker 1: you're getting it, and you know, I'm stupid because I'll

548
00:28:55,120 --> 00:28:57,479
Speaker 1: respond and then it sort of adds to it like

549
00:28:58,480 --> 00:29:00,680
Speaker 1: that And that's my that's my old and and you

550
00:29:00,680 --> 00:29:02,920
Speaker 1: know I have to stop, you know, I have to

551
00:29:04,040 --> 00:29:05,880
Speaker 1: because I was I was getting hit in the d

552
00:29:06,080 --> 00:29:09,240
Speaker 1: M guys that I knew personally that were like your

553
00:29:09,240 --> 00:29:12,400
Speaker 1: boy's tripped the way you were responding. But at the

554
00:29:12,440 --> 00:29:15,000
Speaker 1: same time I had to let them know that if

555
00:29:15,000 --> 00:29:18,600
Speaker 1: they came at you right, they get Michael Rappaport. If

556
00:29:18,600 --> 00:29:22,240
Speaker 1: they're gonna come at you just slinging ship, you're gonna

557
00:29:22,240 --> 00:29:24,479
Speaker 1: sling shipped back to him. You're the gringo, Madnu, You're

558
00:29:24,600 --> 00:29:27,960
Speaker 1: You're You're Rappaport, the one that you know, You're put

559
00:29:27,960 --> 00:29:30,600
Speaker 1: your defenses up, going to say the craziest ship, and

560
00:29:30,640 --> 00:29:33,560
Speaker 1: they don't understand. If they come at you right on

561
00:29:33,600 --> 00:29:36,800
Speaker 1: Twitter and want to have a sparkle, actual conversation that

562
00:29:36,960 --> 00:29:40,480
Speaker 1: just needed. Actually you will have that with them off

563
00:29:40,680 --> 00:29:43,760
Speaker 1: or on air, d M, whatever, you get your opinion.

564
00:29:43,960 --> 00:29:46,840
Speaker 1: But if they're just gonna be function and start comparing

565
00:29:46,880 --> 00:29:50,120
Speaker 1: you to your characters and saying, oh, you're Remmy, You're Remmy,

566
00:29:50,320 --> 00:29:54,080
Speaker 1: that's like saying Anthony Hopkins. You know it's fucking Hannibal.

567
00:29:54,160 --> 00:29:56,080
Speaker 1: You know that he eats people just because he does

568
00:29:56,120 --> 00:29:57,760
Speaker 1: that ship. He might eat the fox, but he don't

569
00:29:57,760 --> 00:30:01,160
Speaker 1: eat people. I mean everybody every buddy. Everybody's gonna eat

570
00:30:01,200 --> 00:30:03,920
Speaker 1: the box. Yeah, it's true, It's totally true, you know,

571
00:30:03,960 --> 00:30:06,360
Speaker 1: And and and you know, people a lot of faceless,

572
00:30:06,440 --> 00:30:09,080
Speaker 1: nameless dudes that were kicking that righteous ship. The first

573
00:30:09,120 --> 00:30:11,680
Speaker 1: thing I would ask the faceless nameless dude is where

574
00:30:11,720 --> 00:30:15,080
Speaker 1: the white chicks at? Where? Where do white chicken? Because

575
00:30:15,080 --> 00:30:17,880
Speaker 1: you're so righteous and you're so pro black and and

576
00:30:19,440 --> 00:30:21,520
Speaker 1: the people that I said that to had no response

577
00:30:21,640 --> 00:30:24,080
Speaker 1: because you're kicking all that righteous ship. And then the

578
00:30:24,080 --> 00:30:26,680
Speaker 1: other thing I'd say is what did you do today?

579
00:30:26,720 --> 00:30:29,080
Speaker 1: What did you do last week? You're talking to me

580
00:30:29,480 --> 00:30:32,240
Speaker 1: and you know, and and I shouldn't do this, I

581
00:30:32,240 --> 00:30:34,480
Speaker 1: shouldn't do that. Okay, I shouldn't do this. I shouldn't

582
00:30:34,480 --> 00:30:37,600
Speaker 1: do that. But what did you do? You know? And

583
00:30:37,600 --> 00:30:39,680
Speaker 1: and and you know a lot of people are living

584
00:30:39,800 --> 00:30:44,080
Speaker 1: vicariously through these NFL players as if you know, these

585
00:30:44,080 --> 00:30:46,600
Speaker 1: guys are like they're like stars in the air. There's

586
00:30:46,640 --> 00:30:49,440
Speaker 1: three hundred something NFL players, you know, and you're living

587
00:30:49,560 --> 00:30:51,760
Speaker 1: vicariously through them, you know, And you want them to

588
00:30:51,800 --> 00:30:53,560
Speaker 1: take a knee and you want them to protest, But

589
00:30:53,600 --> 00:30:55,600
Speaker 1: what did you do? You know? When? And what are

590
00:30:55,600 --> 00:30:58,240
Speaker 1: you gonna do? Um? And that's what everybody needs to ask.

591
00:30:58,560 --> 00:31:01,000
Speaker 1: I've had a lot of you know, introspection about it,

592
00:31:01,040 --> 00:31:03,360
Speaker 1: and you know, good conversation about it, and and you know,

593
00:31:03,400 --> 00:31:06,120
Speaker 1: we've said this from the beginning, and and I'll say

594
00:31:06,160 --> 00:31:08,080
Speaker 1: it one more time, is that, you know, one of

595
00:31:08,080 --> 00:31:10,080
Speaker 1: the one of the goals and I don't think we

596
00:31:10,160 --> 00:31:12,360
Speaker 1: had any other goals aside to entertain and make people

597
00:31:12,400 --> 00:31:14,560
Speaker 1: laugh on the iron wrap or stereo podcasts, is to

598
00:31:14,640 --> 00:31:20,200
Speaker 1: have you know, uncomfortable uh conversations where things could get messy,

599
00:31:20,440 --> 00:31:23,280
Speaker 1: you could, you could disagree, it could be a safe

600
00:31:23,280 --> 00:31:25,320
Speaker 1: place to say whatever the funk you want. And and

601
00:31:25,320 --> 00:31:27,440
Speaker 1: the more you can do that because the minute, but

602
00:31:27,480 --> 00:31:29,040
Speaker 1: the thing that bothers me is the minute you say

603
00:31:29,080 --> 00:31:32,000
Speaker 1: something that demons you're a culture vulture. And like I

604
00:31:32,000 --> 00:31:34,200
Speaker 1: said in episode two oh two, you could take all

605
00:31:34,240 --> 00:31:36,600
Speaker 1: that culture vulture ship. And I'm speaking for myself. I'm

606
00:31:36,640 --> 00:31:39,680
Speaker 1: not speaking from Monetti, Morris or anybody. Build you talk

607
00:31:39,760 --> 00:31:42,800
Speaker 1: all that culture vulture ship, I'm not having it. I'm

608
00:31:42,840 --> 00:31:46,880
Speaker 1: not having it from any body. I am not having

609
00:31:46,880 --> 00:31:48,640
Speaker 1: it from anybody Because I asked these dudes, you're a

610
00:31:48,640 --> 00:31:51,280
Speaker 1: culture vulture. You're and they say, oh, well, you're appropriating

611
00:31:51,640 --> 00:31:54,440
Speaker 1: Black culture okay, And then they say, well, it's the

612
00:31:54,480 --> 00:31:57,400
Speaker 1: way you talk the slaying, okay, and if you speak properly,

613
00:31:57,440 --> 00:32:01,920
Speaker 1: what culture are you appropriating? That's my question to anybody

614
00:32:01,920 --> 00:32:04,400
Speaker 1: like that. So you know that being said, Mores, I

615
00:32:04,440 --> 00:32:07,880
Speaker 1: can't tell you how much the support genuinely means to me. Uh.

616
00:32:07,920 --> 00:32:09,720
Speaker 1: You know, you're on the front lines and and you

617
00:32:09,760 --> 00:32:11,240
Speaker 1: know I was gonna ask you, are you making it

618
00:32:11,240 --> 00:32:13,720
Speaker 1: out to Vegas? Uh? What can we do to help

619
00:32:13,800 --> 00:32:15,560
Speaker 1: make it? Make it? Make you come out to Vegas

620
00:32:15,600 --> 00:32:18,360
Speaker 1: because we're gonna be out there and we're gonna chill. Uh,

621
00:32:18,920 --> 00:32:21,120
Speaker 1: And we're trying. I'm trying to become an Ordain minister

622
00:32:21,160 --> 00:32:22,920
Speaker 1: and marry somebody out in Vegas. So will you make

623
00:32:22,960 --> 00:32:26,080
Speaker 1: it out to Vegas? Morris? I got my Stickman shirt

624
00:32:26,120 --> 00:32:28,240
Speaker 1: that I'm not wearing because I'm trying to earn that

625
00:32:28,240 --> 00:32:31,160
Speaker 1: shirt before I put it on. When I have it

626
00:32:31,280 --> 00:32:34,880
Speaker 1: on in Vegas, because I'm gonna be there, I'm gonna

627
00:32:34,880 --> 00:32:37,080
Speaker 1: go down. Well, I'm gonna you know what I mean.

628
00:32:37,120 --> 00:32:41,440
Speaker 1: So I'm gonna be there. It's it's you know, Raplican.

629
00:32:41,560 --> 00:32:43,600
Speaker 1: You know, how can we not be there? Everybody that's

630
00:32:43,600 --> 00:32:46,920
Speaker 1: a fan of the show that's close enough needs to

631
00:32:47,000 --> 00:32:50,160
Speaker 1: be there. You're in Phoenix, come out Sunday night. Oh

632
00:32:50,200 --> 00:32:52,640
Speaker 1: it's gonna be fantastic. That I mean, it's it's gonna

633
00:32:52,680 --> 00:32:55,960
Speaker 1: be live. It's seeing more than one show and you can't.

634
00:32:56,200 --> 00:32:57,840
Speaker 1: You can't miss the trust me. You gotta get your

635
00:32:57,880 --> 00:32:59,920
Speaker 1: tickets if you haven't got it yet. Yeah six six

636
00:33:00,000 --> 00:33:01,920
Speaker 1: reading Roy and got shipped on the Iron Wrap or

637
00:33:02,000 --> 00:33:05,920
Speaker 1: stereo podcast. Well I get off this line though. Can

638
00:33:05,960 --> 00:33:08,880
Speaker 1: I give a big shout out to somebody else that's

639
00:33:08,920 --> 00:33:11,440
Speaker 1: on the front lines And that's my boy from Australia.

640
00:33:12,000 --> 00:33:15,600
Speaker 1: I don't know to do personally. That's like a brother

641
00:33:15,640 --> 00:33:18,320
Speaker 1: to me. But he's also the debot of the fucking

642
00:33:18,320 --> 00:33:21,840
Speaker 1: wrapper pack. When we see him coming our mentions, motherfucker's

643
00:33:21,880 --> 00:33:26,320
Speaker 1: are running because they know he does not fucking play.

644
00:33:26,560 --> 00:33:31,360
Speaker 1: Dude goes in for your wife, your kids, your your sister.

645
00:33:32,040 --> 00:33:34,880
Speaker 1: He's doing everything. I mean, I have to calm him

646
00:33:34,880 --> 00:33:36,840
Speaker 1: down and be let get wrap out of him, Get

647
00:33:36,880 --> 00:33:39,160
Speaker 1: wrap out of him. Mentions. We don't need him part

648
00:33:39,160 --> 00:33:43,520
Speaker 1: of this, We don't need to see this head is

649
00:33:43,560 --> 00:33:47,000
Speaker 1: that guy. He doesn't go out there. Oh, we gotta

650
00:33:47,040 --> 00:33:51,560
Speaker 1: do the tour. We got my mother's fucking passport. I'm

651
00:33:51,600 --> 00:33:53,360
Speaker 1: ready to roll with the tainment. I'm just letting you

652
00:33:53,360 --> 00:33:55,600
Speaker 1: guys know. Hey, hey, I think we can you know what, Morris?

653
00:33:55,640 --> 00:33:57,960
Speaker 1: Can you stay on the line, Yes, sir, all right,

654
00:33:58,000 --> 00:33:59,600
Speaker 1: because we're gonna bring in another call. I don't know

655
00:33:59,600 --> 00:34:01,520
Speaker 1: who it is, but he wants to talk about nine eleven,

656
00:34:01,760 --> 00:34:07,840
Speaker 1: so well, well, the more the merrier. What is his name? Frank? Frank? Frank?

657
00:34:07,960 --> 00:34:11,799
Speaker 1: Is this your name is? Frank? Yeah? Frank? How you doing? Frank?

658
00:34:11,800 --> 00:34:14,520
Speaker 1: This is the Iron Rapports Stereo Podcast. You're on with me?

659
00:34:14,600 --> 00:34:17,960
Speaker 1: Michael Rapport, Gimo, Nettie A K. G. Moody, last name

660
00:34:18,040 --> 00:34:20,760
Speaker 1: rhymes with duty, and Mr Morris from the Iron Rapports

661
00:34:20,760 --> 00:34:24,200
Speaker 1: Stereo Podcast. Clan. What are you going on? Guys? How

662
00:34:24,239 --> 00:34:27,080
Speaker 1: you doing? How's it going? What do you want to

663
00:34:27,080 --> 00:34:30,760
Speaker 1: talk about? We're talking about anything and everything I listen.

664
00:34:30,800 --> 00:34:35,120
Speaker 1: So I'm from New York and from Long Island, and uh,

665
00:34:35,360 --> 00:34:38,000
Speaker 1: I just wanted to talk about that infamous tweet real quick.

666
00:34:38,200 --> 00:34:41,440
Speaker 1: So I don't really have too much of an opinion

667
00:34:41,480 --> 00:34:45,160
Speaker 1: to uh put forth but on the issues and all that.

668
00:34:45,320 --> 00:34:47,480
Speaker 1: But I just think anyone who's giving you ship on

669
00:34:47,480 --> 00:34:51,359
Speaker 1: Twitter about that isn't from New York because if they

670
00:34:51,360 --> 00:34:53,080
Speaker 1: were there that day, I think they understand why I

671
00:34:53,120 --> 00:34:56,279
Speaker 1: don't think people should be taking needs for that day. Yeah, no,

672
00:34:56,440 --> 00:34:59,319
Speaker 1: I I hear you. I hear you, and and you

673
00:34:59,360 --> 00:35:01,600
Speaker 1: know and and and we were talking about it earlier.

674
00:35:02,000 --> 00:35:04,719
Speaker 1: You know, Uh gee you get give to give the

675
00:35:04,760 --> 00:35:06,960
Speaker 1: abbreviated version of Frank to bring him up to speed

676
00:35:07,000 --> 00:35:10,279
Speaker 1: on on what your point of view is. And and Gimonettie,

677
00:35:10,280 --> 00:35:13,520
Speaker 1: we we we we clown around. Say, Gimonettie, you've said

678
00:35:13,560 --> 00:35:15,839
Speaker 1: sometimes you speak for all black people. But but but

679
00:35:16,080 --> 00:35:19,160
Speaker 1: justin speaking for yourself, talk about your opinion on that.

680
00:35:19,880 --> 00:35:23,080
Speaker 1: I think quick, I think I think the non eleven thing,

681
00:35:23,760 --> 00:35:27,759
Speaker 1: uh is separate. So what they're trying to uh to

682
00:35:28,000 --> 00:35:31,080
Speaker 1: uh you know, let the world know or whatever, it's separate.

683
00:35:31,120 --> 00:35:34,320
Speaker 1: It's it's not a thumbing to know that the first

684
00:35:34,360 --> 00:35:38,520
Speaker 1: respondent this thing is going on and it's going to

685
00:35:38,600 --> 00:35:42,560
Speaker 1: continue to go on until you know that's that's that's

686
00:35:42,560 --> 00:35:45,320
Speaker 1: what it's doing, is bringing life. Non eleven is separate.

687
00:35:45,760 --> 00:35:48,799
Speaker 1: But you know, the police brutality and the treatment of

688
00:35:48,880 --> 00:35:53,440
Speaker 1: the citizens of certain citizens is getting out of control,

689
00:35:53,600 --> 00:35:57,440
Speaker 1: and it's historically has been that way. So it's gonna stay,

690
00:35:57,480 --> 00:36:00,239
Speaker 1: they're gonna kneel and it's never in the it's some

691
00:36:00,320 --> 00:36:03,520
Speaker 1: non eleven. Oh, no, one would be as a as

692
00:36:03,640 --> 00:36:06,440
Speaker 1: crass and and and and you know, low class has

693
00:36:06,440 --> 00:36:08,839
Speaker 1: to try to disch this seat people. So I think

694
00:36:08,840 --> 00:36:12,680
Speaker 1: that's what people getting it mixed up. And he's doing this.

695
00:36:13,920 --> 00:36:16,040
Speaker 1: He just this guy got a lot of full He

696
00:36:16,120 --> 00:36:18,920
Speaker 1: pulled away a lot of the ship for this, you know.

697
00:36:19,360 --> 00:36:22,400
Speaker 1: So it's separate from No. Eleven. It's not yo, I'm

698
00:36:22,400 --> 00:36:26,480
Speaker 1: gonna do this and no way, no way, it's not

699
00:36:26,600 --> 00:36:29,840
Speaker 1: that rap. Wrapped up to a guy last night that

700
00:36:30,080 --> 00:36:33,520
Speaker 1: lost his wife and nine eleven and he said, if

701
00:36:33,719 --> 00:36:38,239
Speaker 1: he wouldn't still kneel on on nine eleven because he

702
00:36:38,280 --> 00:36:40,120
Speaker 1: believes in the cause, you know, And that was a

703
00:36:40,160 --> 00:36:44,239
Speaker 1: strong statement that he said, and that was he was

704
00:36:44,360 --> 00:36:46,840
Speaker 1: been through it, you know, and he lost the wife

705
00:36:46,840 --> 00:36:49,720
Speaker 1: and he said, it's a reminder every time nine eleven

706
00:36:49,760 --> 00:36:52,560
Speaker 1: comes about his wife and he has you know, he

707
00:36:52,600 --> 00:36:55,680
Speaker 1: believes in the cause that while they're kneeling and everything,

708
00:36:55,800 --> 00:36:58,560
Speaker 1: and and that was a strong call. Yes, that whole

709
00:36:58,800 --> 00:37:03,160
Speaker 1: conversation you guys had yesterday, Yeah, that was that was

710
00:37:03,200 --> 00:37:05,480
Speaker 1: really good. It was on the in the Paint radio show.

711
00:37:05,520 --> 00:37:07,680
Speaker 1: Those guys were were good and it was funny because

712
00:37:07,680 --> 00:37:10,160
Speaker 1: that was one of the people who uh he said

713
00:37:10,200 --> 00:37:13,080
Speaker 1: fuck you, Mike Rap and then and then I said

714
00:37:13,120 --> 00:37:14,759
Speaker 1: something back to him, and then he said something else,

715
00:37:14,800 --> 00:37:16,960
Speaker 1: and then I said, oh, you got a radio show, Um,

716
00:37:17,320 --> 00:37:18,960
Speaker 1: let me come on. And then I went on. And

717
00:37:19,400 --> 00:37:22,759
Speaker 1: you know, actually the guy, his name is dev that

718
00:37:22,880 --> 00:37:25,440
Speaker 1: was speaking. It was powerful. He he's a black dude.

719
00:37:25,680 --> 00:37:28,759
Speaker 1: He lost his wife on nine eleven. And I said,

720
00:37:28,840 --> 00:37:30,600
Speaker 1: you know, you know, and his point of view is

721
00:37:30,680 --> 00:37:32,759
Speaker 1: his point of view, and there's other people's point If

722
00:37:32,800 --> 00:37:34,799
Speaker 1: that's the that's the thing. Not everybody is going to

723
00:37:34,880 --> 00:37:38,040
Speaker 1: see anything, you know, not everybody's gonna see the Knicks.

724
00:37:38,040 --> 00:37:39,759
Speaker 1: If you're a Knicks fan. Not everybody's gonna see the

725
00:37:39,840 --> 00:37:41,759
Speaker 1: Nicks the same way you you look at this guy.

726
00:37:41,840 --> 00:37:44,320
Speaker 1: Somebody's gonna see the most beautiful sky in the world.

727
00:37:44,440 --> 00:37:46,879
Speaker 1: Somebody could be having the bad day. They don't see it.

728
00:37:47,000 --> 00:37:49,200
Speaker 1: You know, you could be Some people love, you know,

729
00:37:49,280 --> 00:37:52,440
Speaker 1: drinking Snapple peach. Some people be like, that's discussing. I

730
00:37:52,480 --> 00:37:55,359
Speaker 1: only drink Snapple green tea. It's like people don't see,

731
00:37:55,520 --> 00:37:59,320
Speaker 1: think and feel the same way. Um, it's never gonna

732
00:37:59,320 --> 00:38:01,560
Speaker 1: happen that there's a collective. One of the things that

733
00:38:01,640 --> 00:38:04,200
Speaker 1: was bothering me with the Twitter stuff is is one

734
00:38:04,239 --> 00:38:07,239
Speaker 1: person would be saying we WE. I say who who

735
00:38:07,239 --> 00:38:10,080
Speaker 1: are you? Who are you a spokesperson for? There's no week?

736
00:38:11,160 --> 00:38:13,440
Speaker 1: You know, don't try to act like, oh, we collective?

737
00:38:13,480 --> 00:38:16,719
Speaker 1: You speaking for millions and millions of other people on

738
00:38:16,800 --> 00:38:19,919
Speaker 1: this planet because you're you're mad about my tweet. There's

739
00:38:19,960 --> 00:38:23,000
Speaker 1: no we. You can't speak for for anybody but yourself.

740
00:38:23,120 --> 00:38:25,759
Speaker 1: You've got a problem, that's cool, but don't we us.

741
00:38:26,239 --> 00:38:29,080
Speaker 1: I'm not having any of that ship. It's ridiculous, especially

742
00:38:29,120 --> 00:38:33,000
Speaker 1: if you're rude. So so anyway, Frank, I appreciate the court.

743
00:38:33,080 --> 00:38:36,040
Speaker 1: What part of Long Island are you? Are you in

744
00:38:36,120 --> 00:38:39,000
Speaker 1: Nansall County? Gone City? Okay, okay? How long have you

745
00:38:39,000 --> 00:38:43,799
Speaker 1: been listening to the podcast? Almost day one? That's what

746
00:38:43,840 --> 00:38:48,560
Speaker 1: I'm talking about, Frank, That's what I'm talking about. You

747
00:38:48,640 --> 00:38:50,960
Speaker 1: Have you gotten yourself a soft as Signed Reports Stereo

748
00:38:51,000 --> 00:38:54,160
Speaker 1: podcast t shirt? Hell yeah, I got one of the

749
00:38:54,200 --> 00:39:00,839
Speaker 1: first generation, right, you know, I like the fucking guy. Frank.

750
00:39:00,920 --> 00:39:02,920
Speaker 1: All right, listen, Frank, I'm gonna get some other calls.

751
00:39:03,400 --> 00:39:06,040
Speaker 1: I appreciate the support, Frank, and keep listening to the

752
00:39:06,040 --> 00:39:08,680
Speaker 1: show and keep giving your support and keep you know,

753
00:39:08,920 --> 00:39:11,920
Speaker 1: I encourage everybody with with no end goal or agenda

754
00:39:12,120 --> 00:39:14,440
Speaker 1: to keep open minds, keep you know, keep talking to

755
00:39:14,480 --> 00:39:19,880
Speaker 1: people and everybody try to keep you know, moving things forward. However,

756
00:39:20,000 --> 00:39:22,759
Speaker 1: however you can, even if it's it's the tiniest way,

757
00:39:23,040 --> 00:39:25,560
Speaker 1: Uh Morris, you can stay on the line if you want.

758
00:39:25,760 --> 00:39:30,919
Speaker 1: And Frank, I'll talk to you soon. Frank, Thank you. Frank.

759
00:39:32,200 --> 00:39:35,239
Speaker 1: Who do we got now? Okay, we got Oh? This

760
00:39:35,320 --> 00:39:37,760
Speaker 1: is oh ship, this is gonna be a good call. Dev.

761
00:39:38,920 --> 00:39:42,200
Speaker 1: What's going on? Yo? We were just talking about you.

762
00:39:42,280 --> 00:39:45,560
Speaker 1: This is uh, this is uh me, Michael Rappaport and

763
00:39:45,600 --> 00:39:48,359
Speaker 1: I have G. Moody a k a. G. Monetti, who's

764
00:39:48,360 --> 00:39:53,320
Speaker 1: from Brownsville. You guys probably know people in common. Um

765
00:39:52,719 --> 00:40:01,520
Speaker 1: he's a coach and and and Mr Morris, who's who's

766
00:40:01,520 --> 00:40:04,319
Speaker 1: a big fan of supporter and the secretary defense of

767
00:40:04,360 --> 00:40:06,759
Speaker 1: the Iron Rapports Stereo podcast. And he actually heard the

768
00:40:06,800 --> 00:40:10,200
Speaker 1: conversation that we had on in the paint last night.

769
00:40:10,360 --> 00:40:12,359
Speaker 1: Let me just give some context. We were so we

770
00:40:12,360 --> 00:40:14,120
Speaker 1: were just I was actually we were just talking about

771
00:40:14,160 --> 00:40:16,799
Speaker 1: the conversation. You know, the conversation that we had with

772
00:40:16,800 --> 00:40:19,480
Speaker 1: with everybody was was I thought it was great and

773
00:40:19,680 --> 00:40:22,120
Speaker 1: needed and and you know, after I got off the phone,

774
00:40:22,120 --> 00:40:25,200
Speaker 1: you know, I had told my lady about specifically about

775
00:40:25,239 --> 00:40:27,200
Speaker 1: you know what you were saying, because I was moved

776
00:40:27,200 --> 00:40:29,560
Speaker 1: by it. You know, I thought it was powerful. I

777
00:40:29,600 --> 00:40:32,120
Speaker 1: thought it was it kind of it just threw me off,

778
00:40:32,160 --> 00:40:34,080
Speaker 1: Like it was. It was like, you're you know what

779
00:40:34,080 --> 00:40:35,799
Speaker 1: what you've dealt with in your life and your point

780
00:40:35,800 --> 00:40:38,120
Speaker 1: of view want so if you could just break that

781
00:40:38,160 --> 00:40:40,720
Speaker 1: down and then we'll start talking about about about that stuff.

782
00:40:40,719 --> 00:40:44,640
Speaker 1: And I'm glad you called Okay, no problem man. Um,

783
00:40:45,040 --> 00:40:47,480
Speaker 1: Like we were we were discussing the last night, well

784
00:40:47,560 --> 00:40:49,560
Speaker 1: last you know, we were talking about Non eleven. I

785
00:40:49,640 --> 00:40:52,799
Speaker 1: lost my wife in No. Eleven and um, you know Mike, Mike.

786
00:40:52,840 --> 00:40:55,439
Speaker 1: You know, Mike tweeted about how strongly he felt about

787
00:40:55,440 --> 00:40:58,520
Speaker 1: the guys um not not sitting down on during the

788
00:40:58,560 --> 00:41:01,080
Speaker 1: flag and I told him I was like, with with

789
00:41:01,080 --> 00:41:03,680
Speaker 1: with what's going on with our people, I wouldn't care

790
00:41:03,719 --> 00:41:05,719
Speaker 1: if it was not eleven or any day. We we

791
00:41:05,800 --> 00:41:08,480
Speaker 1: gotta be consistent with what we do because of the

792
00:41:08,560 --> 00:41:11,760
Speaker 1: simple fact that it ain't gonna stop because it's not eleven,

793
00:41:11,880 --> 00:41:14,040
Speaker 1: but what's going on with us? And I told him,

794
00:41:14,080 --> 00:41:15,600
Speaker 1: I say, and I lost my wife and I left,

795
00:41:15,600 --> 00:41:18,040
Speaker 1: but I understand the respect fact that you're you're you're

796
00:41:18,040 --> 00:41:20,839
Speaker 1: coming friends. I knew exactly where where Michael's coming for

797
00:41:21,120 --> 00:41:23,560
Speaker 1: because the tragedy that it was, and it was and

798
00:41:23,560 --> 00:41:26,319
Speaker 1: it was just a great conversation, man, you know, you know,

799
00:41:26,400 --> 00:41:28,640
Speaker 1: two people just bobing with each other. And and I

800
00:41:28,680 --> 00:41:30,640
Speaker 1: just gave him this to my my feeling, I only

801
00:41:30,680 --> 00:41:33,239
Speaker 1: can keep it real. What's going on? What's going on

802
00:41:33,280 --> 00:41:35,480
Speaker 1: with the police, neutality and things and with our people. Man,

803
00:41:35,680 --> 00:41:39,680
Speaker 1: it's something that we have to stay consistently on daily,

804
00:41:39,680 --> 00:41:43,600
Speaker 1: regardless what the situation is, whether not eleven or anything.

805
00:41:43,640 --> 00:41:47,319
Speaker 1: We have to continue to um to to to um

806
00:41:47,440 --> 00:41:50,480
Speaker 1: to to keep that fight going. And and can I

807
00:41:50,560 --> 00:41:54,200
Speaker 1: have this thing with us has been going on for

808
00:41:54,239 --> 00:41:59,000
Speaker 1: two hundred years? Yes, sir and O J remember O

809
00:41:59,200 --> 00:42:03,880
Speaker 1: j H documentaries. Didn't you see the police fatality in

810
00:42:04,480 --> 00:42:11,880
Speaker 1: sixty three in Los Angeles, right attacking the black citizens

811
00:42:11,880 --> 00:42:15,200
Speaker 1: of what this is what we're talking about, that's real.

812
00:42:15,480 --> 00:42:20,040
Speaker 1: This is going on for centuries, right, No, it needs

813
00:42:20,040 --> 00:42:25,000
Speaker 1: to be dealt with and enough. Absolutely no, it's disgusting.

814
00:42:25,400 --> 00:42:27,440
Speaker 1: And as I've said before, and I said it last time,

815
00:42:27,440 --> 00:42:28,719
Speaker 1: and I'm sure if it was on the phone with

816
00:42:29,080 --> 00:42:31,480
Speaker 1: when you were on David's like you you you there

817
00:42:31,600 --> 00:42:34,880
Speaker 1: is no footage of of you know, a white Jewish

818
00:42:34,880 --> 00:42:38,200
Speaker 1: guy getting pulled out of his car uh in soho

819
00:42:38,440 --> 00:42:41,440
Speaker 1: and getting his head smashed on the ground. Um and

820
00:42:41,440 --> 00:42:43,200
Speaker 1: and um you know, and and if there is no

821
00:42:43,239 --> 00:42:46,640
Speaker 1: footage of God forbid you know, it's also like you know,

822
00:42:46,640 --> 00:42:49,439
Speaker 1: because we start to get into comparing tragedies like, well,

823
00:42:49,440 --> 00:42:52,160
Speaker 1: this happened, but this happened, and this is worse than that.

824
00:42:52,320 --> 00:42:54,400
Speaker 1: It's not it's not a thumb wrestling contest. It's not

825
00:42:54,440 --> 00:42:58,759
Speaker 1: a pink pung. There's no winner. It's all tragic. There

826
00:42:58,840 --> 00:43:00,759
Speaker 1: is no winner. And you know this, but there's no

827
00:43:00,800 --> 00:43:03,960
Speaker 1: footage of some young you know, Jewish girl playing with

828
00:43:04,480 --> 00:43:07,080
Speaker 1: a BB gun and getting shot by the cops like

829
00:43:07,320 --> 00:43:09,400
Speaker 1: you know, uh to me or Rice. And there's no

830
00:43:09,480 --> 00:43:12,200
Speaker 1: footage of you know, some some you know white guy

831
00:43:12,200 --> 00:43:15,000
Speaker 1: and agent in Beverly Hills, you know, on his phone

832
00:43:15,000 --> 00:43:18,000
Speaker 1: outside the health club getting choked out like Eric Garner

833
00:43:18,320 --> 00:43:20,880
Speaker 1: and and and and this is there's not. It's not

834
00:43:20,920 --> 00:43:24,319
Speaker 1: just coincidence. Um, you know, and and and I'm I'm

835
00:43:24,360 --> 00:43:26,120
Speaker 1: well aware of that, you know. And and and it

836
00:43:26,200 --> 00:43:28,080
Speaker 1: was crazy because you told me Dev that I met

837
00:43:28,120 --> 00:43:32,200
Speaker 1: you at at Shawan Price's Memorial right right right, Yeah,

838
00:43:32,320 --> 00:43:35,040
Speaker 1: I mean we met I don't know people. I pulled

839
00:43:35,120 --> 00:43:36,840
Speaker 1: up in if you remember, I pulled up in the

840
00:43:37,000 --> 00:43:39,560
Speaker 1: uh in the suburban truck and he looked at I

841
00:43:39,640 --> 00:43:40,920
Speaker 1: think you know what's Mike, and you came up with

842
00:43:41,040 --> 00:43:43,080
Speaker 1: hugged each other and we just looked at each other,

843
00:43:43,120 --> 00:43:45,560
Speaker 1: and the kids just started because it was just crazy. Man.

844
00:43:45,560 --> 00:43:48,160
Speaker 1: That was a horrible situation man, you know, losing my

845
00:43:48,200 --> 00:43:50,440
Speaker 1: brother that I mean, me and Sean France, going back

846
00:43:50,480 --> 00:43:52,319
Speaker 1: to high school. Like you know, I don't know if

847
00:43:52,360 --> 00:43:53,920
Speaker 1: you heard the clue to the Stepthe cars while I'm

848
00:43:53,920 --> 00:43:58,840
Speaker 1: gonna I'm gonna read the septhecond guys that yeah, you

849
00:43:58,880 --> 00:44:01,560
Speaker 1: know what I'm saying. And uh so it just going

850
00:44:01,560 --> 00:44:03,320
Speaker 1: back to them, man, you know, that was definitely a loss.

851
00:44:03,360 --> 00:44:05,440
Speaker 1: And when I saw you there, I had to give

852
00:44:05,480 --> 00:44:07,680
Speaker 1: you all the props in the world because I was like, yo,

853
00:44:07,880 --> 00:44:09,920
Speaker 1: here it is. You came in the belly of the beast.

854
00:44:10,320 --> 00:44:12,600
Speaker 1: You know what I'm saying to rep for my dude,

855
00:44:12,760 --> 00:44:14,759
Speaker 1: and that's why you got my props. So when I

856
00:44:14,760 --> 00:44:16,520
Speaker 1: heard dude on the show last I was like, I

857
00:44:16,520 --> 00:44:18,279
Speaker 1: gotta I gotta say what's up. You know what I'm

858
00:44:18,320 --> 00:44:21,000
Speaker 1: saying regardless of what you felt about about the situation,

859
00:44:21,040 --> 00:44:23,000
Speaker 1: because you don't speaking for me, you'll understanding and I

860
00:44:23,239 --> 00:44:24,800
Speaker 1: and I get it. You know what I'm saying. And

861
00:44:25,239 --> 00:44:27,799
Speaker 1: it was just that's what. Yeah, that's where we met at. Yeah, yeah,

862
00:44:27,960 --> 00:44:30,160
Speaker 1: we definitely met. That was that was crazy. That was

863
00:44:30,200 --> 00:44:33,440
Speaker 1: an emotional, emotional days. That was a crazy day. So

864
00:44:33,640 --> 00:44:36,879
Speaker 1: what part of Brooker are you from? Bed? Stop going

865
00:44:36,920 --> 00:44:40,040
Speaker 1: and raised? Okay, cool? Cool? All right, yo, Dev, Man,

866
00:44:40,080 --> 00:44:42,319
Speaker 1: I like you know if I like I said, you

867
00:44:42,320 --> 00:44:45,480
Speaker 1: know you're talking last night and talking today and hearing

868
00:44:45,480 --> 00:44:48,600
Speaker 1: you and the way you articulate yourself. It made an

869
00:44:48,640 --> 00:44:50,520
Speaker 1: impression on me, man, And and you know I would

870
00:44:50,560 --> 00:44:53,520
Speaker 1: love to meet up again. Uh. Dev invited me to

871
00:44:53,560 --> 00:44:55,279
Speaker 1: go to a game. He said he was gonna wear

872
00:44:55,400 --> 00:44:57,640
Speaker 1: David Duke mask and he was gonna get me a

873
00:44:57,680 --> 00:45:05,000
Speaker 1: Malcolm X mask David Duke jacket. And we do about right, man.

874
00:45:05,080 --> 00:45:07,520
Speaker 1: We'll wait till October. We'll go in to full Halloween

875
00:45:07,560 --> 00:45:10,480
Speaker 1: consint and we'll kneel and during the game, and you

876
00:45:10,480 --> 00:45:12,920
Speaker 1: know we'll we'll we'll trip people out so so so

877
00:45:12,960 --> 00:45:16,919
Speaker 1: we'll do that happen. Let's do it, bro. I'm with it, man.

878
00:45:18,840 --> 00:45:21,440
Speaker 1: I appreciate the phone call, and I appreciate your honesty

879
00:45:21,800 --> 00:45:24,160
Speaker 1: and and and and the conversation, my man, and I

880
00:45:24,200 --> 00:45:26,680
Speaker 1: look forward to seeing you. Uh you know again, my friend.

881
00:45:27,280 --> 00:45:29,480
Speaker 1: I like who you got my numbers? Now, any time

882
00:45:29,719 --> 00:45:31,640
Speaker 1: me up when you in New York, get me up, man, alright,

883
00:45:32,320 --> 00:45:34,400
Speaker 1: we get together, all right, all right, man, thank you,

884
00:45:34,400 --> 00:45:36,600
Speaker 1: thank you, thank you riting me on a right pa.

885
00:45:36,719 --> 00:45:43,680
Speaker 1: He's everybody on the set piece. This the I Reports

886
00:45:43,680 --> 00:45:47,000
Speaker 1: Stereo podcast. I'm gonna tell you something. If you want

887
00:45:47,000 --> 00:45:49,400
Speaker 1: to play me in fantasy football, we we we have

888
00:45:49,440 --> 00:45:52,520
Speaker 1: it lined up. So many people came to dance with

889
00:45:52,600 --> 00:45:55,480
Speaker 1: the Dingo in Week one of NFL. If you want

890
00:45:55,520 --> 00:45:59,719
Speaker 1: to play me, go to www dot DraftKings dot com

891
00:45:59,800 --> 00:46:04,400
Speaker 1: for word slash iron rapp report. Draft Kings made us

892
00:46:04,400 --> 00:46:09,120
Speaker 1: our own league. That means no one's gonna get kicked out.

893
00:46:09,360 --> 00:46:12,600
Speaker 1: Nobody's gonna be like I tried to dance with you, dingo. Uh.

894
00:46:12,640 --> 00:46:14,879
Speaker 1: They gave me my money back. Dingo, dude, we could

895
00:46:14,920 --> 00:46:17,960
Speaker 1: go head to head b Bruno, we could do teams.

896
00:46:18,400 --> 00:46:21,440
Speaker 1: We're gonna challenge other podcasts. I want the bar stool,

897
00:46:22,320 --> 00:46:24,760
Speaker 1: the bar stool guys. I want their best fantasy players

898
00:46:24,880 --> 00:46:28,120
Speaker 1: to come in to the monkey cage and we could dance.

899
00:46:28,239 --> 00:46:30,439
Speaker 1: And let me tell you something. Anybody that comes into

900
00:46:30,520 --> 00:46:33,640
Speaker 1: the monkey cage, anybody that comes into the monkey cage

901
00:46:33,680 --> 00:46:37,000
Speaker 1: your fantasy football, you're not coming out the same. Okay,

902
00:46:37,040 --> 00:46:39,399
Speaker 1: even if you win the little piec you is gonna

903
00:46:39,400 --> 00:46:42,480
Speaker 1: be left behind in that cage. So go to www

904
00:46:42,560 --> 00:46:45,719
Speaker 1: dot DraftKings dot com, forward slash iron Wrap Report, use

905
00:46:45,800 --> 00:46:48,279
Speaker 1: the promo cod Wrap Report, and we could dance all

906
00:46:48,280 --> 00:46:50,560
Speaker 1: season long. All right, we're gonna start playing. I don't

907
00:46:50,560 --> 00:46:53,920
Speaker 1: even know Monetti. I don't know anything about baseball. You

908
00:46:53,960 --> 00:46:56,760
Speaker 1: don't know anything about baseball. We're gonna do blind picks

909
00:46:57,280 --> 00:47:00,440
Speaker 1: and we're gonna start cracking asses in fantasy baseball. That

910
00:47:00,560 --> 00:47:03,279
Speaker 1: that's how confident I am about it. Like, Monetti, can

911
00:47:03,280 --> 00:47:10,080
Speaker 1: you name five baseball players right now? Uh t first

912
00:47:10,160 --> 00:47:16,160
Speaker 1: name David Orti? Okay, uh you lounge whatever's to pay it? Okay,

913
00:47:16,200 --> 00:47:18,120
Speaker 1: you don't know you can't pronounce this last name correctly.

914
00:47:18,120 --> 00:47:22,879
Speaker 1: Go ahead, that's two. Um, I don't know. I don't know, Okay,

915
00:47:22,920 --> 00:47:25,439
Speaker 1: I I can't. I definitely can't name five. Maybe maybe

916
00:47:25,440 --> 00:47:28,160
Speaker 1: if I started with CC Sabatia, I could squeeze out five.

917
00:47:29,000 --> 00:47:31,040
Speaker 1: But but I'm telling you right now, I'm so confident

918
00:47:31,440 --> 00:47:34,160
Speaker 1: in my in my fantasy prowess across the board, but

919
00:47:34,200 --> 00:47:36,960
Speaker 1: that we're gonna start playing people in fantasy football, in

920
00:47:37,040 --> 00:47:40,200
Speaker 1: fantasy baseball before the season's over. The c Iron rapp

921
00:47:40,239 --> 00:47:48,439
Speaker 1: Or Stereo Podcast will be right back. Welcome to play

922
00:47:48,680 --> 00:47:54,719
Speaker 1: a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

923
00:47:54,760 --> 00:48:07,640
Speaker 1: and more. Play it at play dot it alright, alright,

924
00:48:07,680 --> 00:48:09,920
Speaker 1: the official cop of San Jose. How you doing this?

925
00:48:09,960 --> 00:48:12,480
Speaker 1: The Iron Reports Stereo Podcast. You're all with g Moody

926
00:48:12,800 --> 00:48:15,680
Speaker 1: and Michael Rappaport. What's up? Man? This is crazy? I

927
00:48:15,680 --> 00:48:17,839
Speaker 1: get online with you, man. I am a huge fan.

928
00:48:18,400 --> 00:48:20,560
Speaker 1: I got hooked on the show about a hundred and

929
00:48:20,560 --> 00:48:23,920
Speaker 1: fifteen episodes in and then I just I've been listening

930
00:48:23,960 --> 00:48:25,440
Speaker 1: to I go all the way back and try to

931
00:48:25,480 --> 00:48:28,040
Speaker 1: listen to them all and anytime you don't have a

932
00:48:28,040 --> 00:48:30,360
Speaker 1: new fresh show on, I just bust on one of

933
00:48:30,400 --> 00:48:33,160
Speaker 1: the old shows and listen to it and enjoy it. Damn,

934
00:48:33,280 --> 00:48:35,400
Speaker 1: that's nice, man. That that's good to hear. I've been

935
00:48:35,440 --> 00:48:37,839
Speaker 1: a fan of yours since way back, man, like Dick

936
00:48:37,920 --> 00:48:40,360
Speaker 1: Ritchie Dude like back then, man, and I've always followed

937
00:48:40,400 --> 00:48:43,279
Speaker 1: you and I appreciate uh all all this stuff that

938
00:48:43,320 --> 00:48:45,359
Speaker 1: you put out. And now I'm a new fan of

939
00:48:45,520 --> 00:48:49,040
Speaker 1: uh Mr Moody last name Rymes with duty. Man. I

940
00:48:49,120 --> 00:48:50,920
Speaker 1: like listening to ball to you, man, I love it.

941
00:48:51,880 --> 00:48:55,279
Speaker 1: Thank you so much, man. We appreciate that. We appreciate that.

942
00:48:55,280 --> 00:48:57,399
Speaker 1: That that that's so so good to hear. Man. Uh,

943
00:48:57,840 --> 00:49:00,640
Speaker 1: you appreciate the support. I love that You're you're all

944
00:49:00,680 --> 00:49:03,400
Speaker 1: in and uh you know you what do you what

945
00:49:03,440 --> 00:49:05,040
Speaker 1: do you got for us to say? You got any questions,

946
00:49:05,040 --> 00:49:07,759
Speaker 1: any concerns and anything you want to get off your chest? Man.

947
00:49:07,840 --> 00:49:09,680
Speaker 1: I just I just wanted to thank you guys man

948
00:49:09,760 --> 00:49:11,759
Speaker 1: for for bringing this out there. I've never even heard

949
00:49:11,760 --> 00:49:15,120
Speaker 1: of a podcast until somebody told me about your podcast

950
00:49:15,200 --> 00:49:17,400
Speaker 1: on the Twitter and then I'm like, man, I like

951
00:49:17,520 --> 00:49:19,680
Speaker 1: rapping Michael Rapper part I'm gonna check it out and

952
00:49:19,719 --> 00:49:21,879
Speaker 1: I just got straight up hooked on it. But I'm

953
00:49:22,080 --> 00:49:24,160
Speaker 1: I'm a policeman out here in San Jose, and I

954
00:49:24,200 --> 00:49:27,080
Speaker 1: want to be your official cop man, Like when stuff

955
00:49:27,080 --> 00:49:29,640
Speaker 1: goes down, you call me and say, hey, you know

956
00:49:29,680 --> 00:49:32,359
Speaker 1: what's the policy on this or policy on that? And

957
00:49:32,400 --> 00:49:35,040
Speaker 1: because I've been doing this nineteen years and I just

958
00:49:35,080 --> 00:49:39,359
Speaker 1: wanted to be your guy. You're you're, you're, you're, you're,

959
00:49:39,440 --> 00:49:43,680
Speaker 1: you're in. We'll tell you something real quick to happen. Yesterday, yesterday, man,

960
00:49:43,719 --> 00:49:46,799
Speaker 1: twenty years Tupac passed away, right because I'm a big

961
00:49:46,800 --> 00:49:49,600
Speaker 1: fan of hip hop to man and um, I'm patrolling

962
00:49:49,680 --> 00:49:52,120
Speaker 1: the streets and I heard this girl she's bumping her

963
00:49:52,239 --> 00:49:56,240
Speaker 1: Tupac yesterday right because twenty year anniversary. And I looked

964
00:49:56,239 --> 00:49:59,200
Speaker 1: over and I wanted to acknowledge, like hey, I feel you,

965
00:49:59,200 --> 00:50:02,120
Speaker 1: you know, and did she did? She did? She did?

966
00:50:02,160 --> 00:50:03,799
Speaker 1: Did did she see you? Like what? She must have

967
00:50:03,800 --> 00:50:05,799
Speaker 1: been tripped out that a cop was like you like

968
00:50:05,840 --> 00:50:08,440
Speaker 1: acknowledging that you know? It was sad man. She she

969
00:50:08,480 --> 00:50:10,720
Speaker 1: looked at me with with the hate in her eyebro

970
00:50:11,160 --> 00:50:13,960
Speaker 1: and I just wanted to like say, hey, I hear you,

971
00:50:14,040 --> 00:50:16,640
Speaker 1: I hear you bumped in Tupac. I feel you. I

972
00:50:16,680 --> 00:50:18,640
Speaker 1: know it's twenty years. I'm a fan of hip hop.

973
00:50:19,200 --> 00:50:21,160
Speaker 1: I'm I'm a white I'm a white cops though, man,

974
00:50:21,239 --> 00:50:23,200
Speaker 1: And it's sad because there's a lot of good cops

975
00:50:23,239 --> 00:50:25,799
Speaker 1: out there, and uh, a lot of cops that are

976
00:50:25,800 --> 00:50:28,560
Speaker 1: into the culture, you know. And I saw when the

977
00:50:28,600 --> 00:50:30,720
Speaker 1: people were hating on you, calling you a culture vulture,

978
00:50:30,760 --> 00:50:34,840
Speaker 1: and man, that wasn't right. You You're live dude. You

979
00:50:34,840 --> 00:50:39,400
Speaker 1: know you had like the experience with all them dudes, right, well,

980
00:50:39,400 --> 00:50:41,600
Speaker 1: I appreciate that. Let me let me ask you a question.

981
00:50:42,080 --> 00:50:44,560
Speaker 1: Has has you've been You've been a cop for nineteen years.

982
00:50:44,760 --> 00:50:47,839
Speaker 1: Has has uh the sort of uh, the way you're

983
00:50:47,920 --> 00:50:50,680
Speaker 1: you're you're you're sort of looked at in general, you know,

984
00:50:50,800 --> 00:50:53,359
Speaker 1: change recently? Has it always been that way? You know?

985
00:50:53,560 --> 00:50:55,759
Speaker 1: Talk to me about what it is like, you know,

986
00:50:55,800 --> 00:50:57,200
Speaker 1: to be a cop now and what it was like

987
00:50:57,239 --> 00:51:00,200
Speaker 1: to be a cop nineteen years ago. So check this out. Man.

988
00:51:00,239 --> 00:51:04,560
Speaker 1: I started with the lap D and you know it

989
00:51:04,640 --> 00:51:07,760
Speaker 1: was at the time it was the most hated police

990
00:51:07,800 --> 00:51:11,680
Speaker 1: department in the in the country. But man, I was

991
00:51:11,719 --> 00:51:16,000
Speaker 1: just a young kid just enjoying the job. And uh,

992
00:51:16,080 --> 00:51:20,719
Speaker 1: but now with the social media, um Man, there's just

993
00:51:20,760 --> 00:51:22,680
Speaker 1: a lot of hate out there's a lot of you know,

994
00:51:22,719 --> 00:51:24,960
Speaker 1: like you put on your on your on your site. Man,

995
00:51:25,040 --> 00:51:27,920
Speaker 1: it's the keyboard karate. You know, they sit behind the

996
00:51:28,000 --> 00:51:30,480
Speaker 1: keyboards and they hate on the police. But there's a

997
00:51:30,480 --> 00:51:32,640
Speaker 1: lot of good dudes out there. Man. We don't like

998
00:51:32,719 --> 00:51:35,200
Speaker 1: when there's bad cops. We don't like them bad apples,

999
00:51:35,600 --> 00:51:38,400
Speaker 1: and we don't protect them, man, we do not protect

1000
00:51:38,440 --> 00:51:41,600
Speaker 1: them if they make it bad for the rest of us. Right,

1001
00:51:41,640 --> 00:51:44,120
Speaker 1: are you are you aware of them? Like, you know,

1002
00:51:44,200 --> 00:51:46,560
Speaker 1: without being too specific, you know, are you like, are

1003
00:51:46,560 --> 00:51:48,359
Speaker 1: you aware of guys that you're like, I don't get

1004
00:51:48,360 --> 00:51:51,239
Speaker 1: a good feeling about this guy, right and and like

1005
00:51:51,320 --> 00:51:52,640
Speaker 1: you know what it's like, Man, I don't want to

1006
00:51:52,640 --> 00:51:54,640
Speaker 1: work around that dude. I don't want to be around

1007
00:51:54,640 --> 00:51:57,680
Speaker 1: that guy. But I mean, it's very few, to be

1008
00:51:57,840 --> 00:52:01,040
Speaker 1: completely straight up with you, man, are very few. There's

1009
00:52:01,080 --> 00:52:02,480
Speaker 1: a lot of good news that just want to be

1010
00:52:02,520 --> 00:52:05,480
Speaker 1: out there and do the right thing. But just like yesterday, man,

1011
00:52:05,520 --> 00:52:07,600
Speaker 1: it was sad because I wanted to, like, I wanted

1012
00:52:07,600 --> 00:52:09,960
Speaker 1: to show some acknowledgement to this girl who was bumping

1013
00:52:10,000 --> 00:52:13,160
Speaker 1: POC on the twenty year death of his anniversary. You

1014
00:52:13,160 --> 00:52:15,200
Speaker 1: know what I'm saying, And then she just looked at

1015
00:52:15,239 --> 00:52:17,399
Speaker 1: me with just anger. Like I was looking at her

1016
00:52:17,480 --> 00:52:20,480
Speaker 1: because her music was too loud, not because I felt,

1017
00:52:21,120 --> 00:52:23,040
Speaker 1: you know, the hip hop culture of it, and like

1018
00:52:23,080 --> 00:52:25,200
Speaker 1: I'm a fan of POC. You know what I'm saying.

1019
00:52:25,239 --> 00:52:26,879
Speaker 1: I wanted to look at her. And I was listening

1020
00:52:26,920 --> 00:52:29,400
Speaker 1: to your podcast when when it was going down, I

1021
00:52:29,400 --> 00:52:32,080
Speaker 1: had your podcast playing on my iPhone on the visor.

1022
00:52:32,760 --> 00:52:35,640
Speaker 1: I heard pop bumping. I look over and I look

1023
00:52:35,719 --> 00:52:38,560
Speaker 1: at her to like, hey, what's up? Yeah? Twenty years right,

1024
00:52:39,160 --> 00:52:42,680
Speaker 1: and then uh, it was just just to look in

1025
00:52:42,719 --> 00:52:44,440
Speaker 1: her eye. It was like, you know, she probably had

1026
00:52:44,480 --> 00:52:47,120
Speaker 1: some bad run ins or something. I don't know, Well,

1027
00:52:47,160 --> 00:52:49,520
Speaker 1: it was sad. Well, listen, I want to tell you

1028
00:52:49,520 --> 00:52:52,560
Speaker 1: your first of all, you absolutely you're the official cop

1029
00:52:52,560 --> 00:52:55,520
Speaker 1: of the Iron ra Reports Stereo podcast. Congratulations. I don't

1030
00:52:55,520 --> 00:52:57,439
Speaker 1: know if that means anything to you, but it means

1031
00:52:57,480 --> 00:52:59,560
Speaker 1: a lot to us. Hey, that means the world to

1032
00:52:59,560 --> 00:53:03,399
Speaker 1: be man, because I'm a huge fan. Um. I gave

1033
00:53:03,560 --> 00:53:06,440
Speaker 1: the producer um my my cell phone number to call

1034
00:53:06,520 --> 00:53:08,799
Speaker 1: me back on. This is my homeline. Cool, you got

1035
00:53:08,840 --> 00:53:11,359
Speaker 1: my cell phone number. Um, I'd like to hook you

1036
00:53:11,440 --> 00:53:14,600
Speaker 1: and g Moody up with some San Jose p D hats.

1037
00:53:14,680 --> 00:53:16,680
Speaker 1: I'm in the bomb Squad too, so I could get

1038
00:53:16,719 --> 00:53:19,080
Speaker 1: you guys a couple of bomb Squad hats, a couple

1039
00:53:19,080 --> 00:53:21,040
Speaker 1: of bombs Squad coins. I'd like to get that out

1040
00:53:21,000 --> 00:53:24,080
Speaker 1: to you because I'm a huge fan. Dude. Yeah, we're

1041
00:53:24,080 --> 00:53:26,000
Speaker 1: gonna give it to you. We we got your information.

1042
00:53:26,239 --> 00:53:28,160
Speaker 1: We're gonna give it to you. I want to I

1043
00:53:28,200 --> 00:53:30,520
Speaker 1: want to tell you we appreciate you, know, your your

1044
00:53:30,560 --> 00:53:33,799
Speaker 1: your service and you know you and and protecting and

1045
00:53:33,840 --> 00:53:36,920
Speaker 1: taking care of everybody. Uh and I you know, I

1046
00:53:36,960 --> 00:53:40,480
Speaker 1: wish you you know, safe safe, you know, time doing it,

1047
00:53:40,520 --> 00:53:42,680
Speaker 1: and I don't take it for granted. And I appreciate

1048
00:53:42,719 --> 00:53:45,520
Speaker 1: the support for the podcast, and I appreciate what you do,

1049
00:53:45,760 --> 00:53:47,160
Speaker 1: you know, put them on the line every day to

1050
00:53:47,480 --> 00:53:50,440
Speaker 1: protect you know people. Hey, thank you man. And you

1051
00:53:50,480 --> 00:53:52,879
Speaker 1: know what, I'm new to the whole Twitter thing too,

1052
00:53:52,880 --> 00:53:54,760
Speaker 1: and I put it out on Twitter. I said, hey,

1053
00:53:55,200 --> 00:53:59,080
Speaker 1: I said, man, if you here, you know Mr Moody

1054
00:53:59,280 --> 00:54:02,560
Speaker 1: or you hear my call. Rapp Report mentioned anything, just

1055
00:54:02,600 --> 00:54:04,560
Speaker 1: stop and check it out. They talked about you know,

1056
00:54:04,600 --> 00:54:07,520
Speaker 1: E P M D. You know posit play that stuff,

1057
00:54:07,520 --> 00:54:11,120
Speaker 1: you know, because that's classic stuff. Anything they mentioned, you know, Yeah,

1058
00:54:11,120 --> 00:54:12,800
Speaker 1: we're gonna, we're gonna, we're gonna, we're gonna put that

1059
00:54:12,840 --> 00:54:16,279
Speaker 1: good stuff out so so so I appreciate the call.

1060
00:54:16,760 --> 00:54:19,239
Speaker 1: We'll we'll get that stuff to us and we would

1061
00:54:19,239 --> 00:54:22,160
Speaker 1: love to rock it. We appreciate the support. And you know,

1062
00:54:22,520 --> 00:54:24,560
Speaker 1: you know, keep on doing your thing and and you

1063
00:54:24,560 --> 00:54:26,719
Speaker 1: know we're gonna keep doing our thing and hopefully we'll

1064
00:54:26,719 --> 00:54:29,359
Speaker 1: give you some some some mental breaks when when you're

1065
00:54:29,400 --> 00:54:31,759
Speaker 1: when you're on the job. Absolutely, and you guys have

1066
00:54:31,800 --> 00:54:34,840
Speaker 1: any questions that come up in law enforcement, just you know,

1067
00:54:34,920 --> 00:54:36,640
Speaker 1: they got my number. Man, you hit me up on

1068
00:54:36,640 --> 00:54:38,840
Speaker 1: the cell phone. I'll pick it up any time. All right,

1069
00:54:38,880 --> 00:54:41,359
Speaker 1: cool man, that'd be good. We could have some good conversations.

1070
00:54:41,760 --> 00:54:44,200
Speaker 1: All right. Thanks man, it just made my This made

1071
00:54:44,200 --> 00:54:46,040
Speaker 1: my day man. Thank you guys, thank you, it made

1072
00:54:46,040 --> 00:54:49,040
Speaker 1: our day. Two. Let's the I wrap ports stereo pockets.

1073
00:54:49,040 --> 00:54:54,239
Speaker 1: What's your name, Shane? Say? What's up? What's wrong? Like?

1074
00:54:54,320 --> 00:54:56,920
Speaker 1: I just had a question, Um, I wanted to know

1075
00:54:56,960 --> 00:54:59,600
Speaker 1: what it was like being in a movie. Going from

1076
00:54:59,600 --> 00:55:02,200
Speaker 1: a movie like higher learning working on the single fan

1077
00:55:02,600 --> 00:55:05,520
Speaker 1: and then and then being in such stars started Ensemble

1078
00:55:05,600 --> 00:55:09,360
Speaker 1: Cast with the Neuron, titel And and stallone in to

1079
00:55:09,880 --> 00:55:12,040
Speaker 1: because I'm an aspiring actor from New York, I was

1080
00:55:12,080 --> 00:55:14,560
Speaker 1: learning to have any advice. Well, first of all, my

1081
00:55:14,640 --> 00:55:18,440
Speaker 1: first piece of advice is, if you're gonna do it,

1082
00:55:18,600 --> 00:55:22,040
Speaker 1: do it all in. Um. You know, this business is

1083
00:55:22,040 --> 00:55:24,879
Speaker 1: too it's too competitive and too challenging to just dip

1084
00:55:24,920 --> 00:55:27,160
Speaker 1: your toe in it. It has to be something that

1085
00:55:27,200 --> 00:55:29,600
Speaker 1: you have to do. It can't be a side, a

1086
00:55:29,680 --> 00:55:31,880
Speaker 1: side project, or a side idea. That's my that's my

1087
00:55:31,920 --> 00:55:35,239
Speaker 1: piece of advice in a general broad scope, it's it

1088
00:55:35,280 --> 00:55:37,120
Speaker 1: has less to do with talent and more to do

1089
00:55:37,160 --> 00:55:41,280
Speaker 1: with a mentality of of of of a can't can't

1090
00:55:41,320 --> 00:55:46,359
Speaker 1: look back, can't stop, won't stop, forward thinking mentality. That's

1091
00:55:46,400 --> 00:55:48,560
Speaker 1: that's number one. As far as working on higher learning.

1092
00:55:48,600 --> 00:55:50,560
Speaker 1: That was a great movie. I got to work with

1093
00:55:50,600 --> 00:55:53,200
Speaker 1: people that I grew up watching before I even started acting.

1094
00:55:54,040 --> 00:55:56,360
Speaker 1: I was a fan of Ice Cubes from his music

1095
00:55:56,640 --> 00:55:58,759
Speaker 1: from n w WA. So to be on a set

1096
00:55:58,800 --> 00:56:01,640
Speaker 1: with him and play in a character that was cursing

1097
00:56:01,680 --> 00:56:06,480
Speaker 1: and sane, it was intimidating. Not intimidating a sense of

1098
00:56:06,520 --> 00:56:08,520
Speaker 1: like a fight, but it was intimidating because I'm like,

1099
00:56:08,560 --> 00:56:10,239
Speaker 1: I'm looking at him and I'm like I've looked at

1100
00:56:10,280 --> 00:56:13,560
Speaker 1: this dude like we shot the movie like and then

1101
00:56:13,560 --> 00:56:15,520
Speaker 1: like you know, I'm like I've been watching this dude,

1102
00:56:15,880 --> 00:56:17,879
Speaker 1: you know for like the last six or seven years,

1103
00:56:17,880 --> 00:56:20,600
Speaker 1: Like he like and his voice and the way he

1104
00:56:20,640 --> 00:56:24,040
Speaker 1: looks at so specific and this is coming off Boys

1105
00:56:24,080 --> 00:56:26,239
Speaker 1: in the Hood. So it was such a like you know,

1106
00:56:26,280 --> 00:56:29,040
Speaker 1: I mean he's had like a few like just when

1107
00:56:29,080 --> 00:56:30,840
Speaker 1: you think his career is at another high point, it

1108
00:56:30,880 --> 00:56:33,879
Speaker 1: goes even higher, you know. And it's not a sense

1109
00:56:33,920 --> 00:56:35,960
Speaker 1: of accomplishment like I'm here, I made it and now

1110
00:56:35,960 --> 00:56:38,160
Speaker 1: i gotta keep going and keep doing what I'm doing.

1111
00:56:38,480 --> 00:56:41,160
Speaker 1: Totally totally a sense of accomplishment. And then of course

1112
00:56:41,160 --> 00:56:44,239
Speaker 1: working with the guys in Copland, you know, it was

1113
00:56:44,320 --> 00:56:47,240
Speaker 1: like out of body experience. You know. When I was working,

1114
00:56:47,280 --> 00:56:49,279
Speaker 1: I was working, but like as soon as you know,

1115
00:56:49,360 --> 00:56:51,880
Speaker 1: in between cutting action, you know, I'm there, I'm not

1116
00:56:51,920 --> 00:56:54,040
Speaker 1: thinking about you know, who I'm with him. I'm like

1117
00:56:54,080 --> 00:56:56,560
Speaker 1: focused on the scene. But you know, in between takes

1118
00:56:56,600 --> 00:56:58,840
Speaker 1: and in between you know, setups and all, like I'm like,

1119
00:56:58,920 --> 00:57:02,600
Speaker 1: I just this is was literally floating floating around doing

1120
00:57:02,640 --> 00:57:06,000
Speaker 1: that movie. Literally, So man, I just wanted to say

1121
00:57:06,040 --> 00:57:08,160
Speaker 1: I'm a huge fan of your work. I grew up

1122
00:57:08,200 --> 00:57:11,120
Speaker 1: watching it. You know, it's it's it's a guy. It's

1123
00:57:11,120 --> 00:57:13,160
Speaker 1: guys like you from New York. That makes me wanted

1124
00:57:13,200 --> 00:57:15,359
Speaker 1: to keep grinding and not look back because I've I've

1125
00:57:15,400 --> 00:57:18,200
Speaker 1: overcome some hard troubles in my life and if anyone

1126
00:57:18,240 --> 00:57:20,600
Speaker 1: has has the will to get over it and and

1127
00:57:20,680 --> 00:57:23,120
Speaker 1: like you said, just keep grinding and looking forward like

1128
00:57:23,200 --> 00:57:25,000
Speaker 1: all it and all or nothing. That's that's me. And

1129
00:57:25,520 --> 00:57:27,400
Speaker 1: I really appreciate you taking the time out for the

1130
00:57:27,440 --> 00:57:29,080
Speaker 1: call and giving me out advice and it was great

1131
00:57:29,120 --> 00:57:32,080
Speaker 1: here man. Well, I I appreciate it. Man, I appreciate

1132
00:57:32,120 --> 00:57:34,720
Speaker 1: the support and uh you know, and like I said,

1133
00:57:34,720 --> 00:57:36,480
Speaker 1: the most important thing is to just you know, keep

1134
00:57:36,560 --> 00:57:38,720
Speaker 1: you know, as far as being an artist, keep keep

1135
00:57:38,720 --> 00:57:41,800
Speaker 1: putting good things into your mind, keep you know, uh

1136
00:57:41,840 --> 00:57:45,000
Speaker 1: you know, keep your imagination going, um and and uh

1137
00:57:45,040 --> 00:57:47,040
Speaker 1: you know, and and just trying to absorb as much

1138
00:57:47,080 --> 00:57:49,560
Speaker 1: as you can because at a certain point it's gonna

1139
00:57:49,560 --> 00:57:52,040
Speaker 1: it's gonna sort of purge out of you and and

1140
00:57:52,240 --> 00:57:54,640
Speaker 1: work work for you. So thanks for the support of

1141
00:57:54,680 --> 00:57:57,600
Speaker 1: the show. We're gonna keep it moving and hopefully we'll

1142
00:57:57,600 --> 00:58:00,440
Speaker 1: hear from you. Hear from you again, my friend. Thanks

1143
00:58:00,440 --> 00:58:02,800
Speaker 1: a lotus drops Wilf A great night. All right? Yes,

1144
00:58:03,880 --> 00:58:07,480
Speaker 1: y know, Zach? What's good? Oh? Ship? Hey rap? How

1145
00:58:07,560 --> 00:58:09,680
Speaker 1: you doing? My man? How are you doing? I'm doing good?

1146
00:58:09,800 --> 00:58:11,640
Speaker 1: How you doing? I'm good? I'm good. You're on the

1147
00:58:11,680 --> 00:58:14,240
Speaker 1: phone with Mr Moody and and the greno man didn't

1148
00:58:14,280 --> 00:58:18,000
Speaker 1: go what how you guys got? Hey? Uh, I'm I'm

1149
00:58:18,000 --> 00:58:20,120
Speaker 1: gonna do from Jersey and the hip hop dude just

1150
00:58:20,200 --> 00:58:22,760
Speaker 1: graduated college twenty two So I've been working listen to

1151
00:58:22,840 --> 00:58:26,000
Speaker 1: the podcast, you know, grinding out every day, so it's

1152
00:58:26,040 --> 00:58:29,120
Speaker 1: been great for the commute getting to work. So I

1153
00:58:29,240 --> 00:58:31,600
Speaker 1: know you guys talking about the drag hop and all that,

1154
00:58:31,640 --> 00:58:33,480
Speaker 1: and I'm you know, I'm young. I listened to that

1155
00:58:33,560 --> 00:58:35,920
Speaker 1: ship and all that, so I understand where you guys

1156
00:58:35,960 --> 00:58:38,120
Speaker 1: are coming from. So I want to know who do

1157
00:58:38,200 --> 00:58:40,280
Speaker 1: you guys think with the new age, the new age

1158
00:58:40,320 --> 00:58:42,920
Speaker 1: of hip hop? Who is who's that true hip hop?

1159
00:58:43,040 --> 00:58:44,600
Speaker 1: Like how you guys talk about because you know, I

1160
00:58:44,680 --> 00:58:47,080
Speaker 1: got three older brothers that they talked about, you know,

1161
00:58:47,160 --> 00:58:49,160
Speaker 1: all the old hip hop. I want to know who

1162
00:58:49,200 --> 00:58:52,440
Speaker 1: do you guys finding a new class? Like the the

1163
00:58:52,520 --> 00:58:54,480
Speaker 1: new class? Who is that real hip hop that you

1164
00:58:54,560 --> 00:58:57,000
Speaker 1: think it carried it towards for the future. Well, well,

1165
00:58:57,080 --> 00:58:59,280
Speaker 1: I'll say I'll start it off first. I think, obviously

1166
00:58:59,400 --> 00:59:03,280
Speaker 1: Kendrick Are I think the ASAP Mob dudes you know,

1167
00:59:03,400 --> 00:59:06,840
Speaker 1: have something special. Um, you know, I think that, you know,

1168
00:59:07,080 --> 00:59:09,680
Speaker 1: I think Kanye is sort of passed it because he's older. Now,

1169
00:59:09,920 --> 00:59:14,480
Speaker 1: he's a veteran, now he's a he's a second anymore. Yeah, exactly. Um,

1170
00:59:14,840 --> 00:59:17,439
Speaker 1: so I think, you know, he's exciting. I think Joey

1171
00:59:17,520 --> 00:59:21,640
Speaker 1: Badass is good. Um. Who else I'm forgetting people? Um

1172
00:59:22,480 --> 00:59:27,120
Speaker 1: said again, Yeah, he's good, he's talented. I like his songs.

1173
00:59:27,200 --> 00:59:31,200
Speaker 1: He's a good songwriter. He's conscious, you know, he's versatile. Um,

1174
00:59:31,360 --> 00:59:33,240
Speaker 1: you know, there there's there's good guys. You know that,

1175
00:59:33,360 --> 00:59:35,400
Speaker 1: there's definitely good guys. You know. We we try to

1176
00:59:35,520 --> 00:59:37,360
Speaker 1: keep it balanced in terms of you know, you know,

1177
00:59:37,480 --> 00:59:41,520
Speaker 1: being critical. Uh and also and also um giving props

1178
00:59:41,560 --> 00:59:43,480
Speaker 1: to the dudes that deserve it. What about you, Mr

1179
00:59:43,760 --> 00:59:47,160
Speaker 1: Mr Monetti? Yeah, pretty much echo what you you said. Man,

1180
00:59:47,240 --> 00:59:51,160
Speaker 1: you're you know, pretty much the same. Uh. Joel Ortiz

1181
00:59:51,360 --> 00:59:55,560
Speaker 1: is another that's dope. He's dope pretty much pretty much

1182
00:59:55,600 --> 00:59:58,000
Speaker 1: whatever you said. Yeah, Yeah, I think we're we're we're

1183
00:59:58,040 --> 01:00:01,040
Speaker 1: we're we're a good good agree and we've had you know,

1184
01:00:01,520 --> 01:00:05,439
Speaker 1: musical Uh, we've shared music and excitement for music. That's

1185
01:00:05,520 --> 01:00:08,560
Speaker 1: that's one of the ways that Mr. Mr Monetti and myself,

1186
01:00:08,760 --> 01:00:10,880
Speaker 1: uh you know, we we we you know, we we

1187
01:00:11,040 --> 01:00:12,840
Speaker 1: we shared that in common in a D two when

1188
01:00:12,920 --> 01:00:15,240
Speaker 1: hip hop, you know, it was something that it was

1189
01:00:15,360 --> 01:00:19,440
Speaker 1: so new and so sort of uh you know, evolving

1190
01:00:19,760 --> 01:00:22,160
Speaker 1: moment to moment, day to day. Uh, you know, when

1191
01:00:22,320 --> 01:00:24,640
Speaker 1: you know, we would I remember specifically, you know, like

1192
01:00:24,960 --> 01:00:27,480
Speaker 1: sharing little beat tapes that we we we record off

1193
01:00:27,480 --> 01:00:29,680
Speaker 1: A ninety eight point seven and one or seven point

1194
01:00:29,760 --> 01:00:32,760
Speaker 1: five and even w k tu uh Disco ninety two

1195
01:00:32,880 --> 01:00:35,080
Speaker 1: was still rocking back there, and they had their little

1196
01:00:35,240 --> 01:00:37,760
Speaker 1: their little rap shows. So whenever you whenever you got it,

1197
01:00:37,840 --> 01:00:40,320
Speaker 1: it was it was precious. Um. So it's a different

1198
01:00:40,400 --> 01:00:43,320
Speaker 1: time and and let's say it was better or or worse,

1199
01:00:43,640 --> 01:00:46,480
Speaker 1: you know, uh, it was different, and you know, you know,

1200
01:00:46,560 --> 01:00:49,080
Speaker 1: all things change and evolving, and hopefully the music will

1201
01:00:49,120 --> 01:00:51,800
Speaker 1: continue to improve and grow and not get you know,

1202
01:00:51,960 --> 01:00:54,640
Speaker 1: bogged down by by you know, the the the instant

1203
01:00:54,680 --> 01:00:57,840
Speaker 1: instant uh, the instant access to to you know, putting

1204
01:00:57,920 --> 01:00:59,480
Speaker 1: music out there. I think one of the big things.

1205
01:00:59,520 --> 01:01:01,520
Speaker 1: That's law say that, you know, when a person had

1206
01:01:01,560 --> 01:01:04,080
Speaker 1: a chance to put out a single back in the days.

1207
01:01:04,400 --> 01:01:06,600
Speaker 1: I say back in the days, because it's not just

1208
01:01:06,800 --> 01:01:09,920
Speaker 1: one collective. It's not one day. It's not one day.

1209
01:01:10,400 --> 01:01:12,520
Speaker 1: You know, people say back in the day, Well what day?

1210
01:01:12,920 --> 01:01:15,840
Speaker 1: I say days as a whole. That's just that's just

1211
01:01:16,160 --> 01:01:18,919
Speaker 1: something I say. Um. Um, But you know, like back

1212
01:01:18,960 --> 01:01:21,760
Speaker 1: in the days on the Boulevard of Linden, like tribal

1213
01:01:21,960 --> 01:01:27,680
Speaker 1: quest back in the days. I'm young, but I have

1214
01:01:28,040 --> 01:01:29,800
Speaker 1: no doubt, no doubt. You guys are like a timecast

1215
01:01:29,840 --> 01:01:32,800
Speaker 1: before me. So I get to relate absolutely and try

1216
01:01:32,840 --> 01:01:35,640
Speaker 1: to keep back absolutely so so anyway, so hopefully the

1217
01:01:35,720 --> 01:01:38,720
Speaker 1: music will will continue to be balanced. That's just the

1218
01:01:38,800 --> 01:01:41,000
Speaker 1: thing that I hope. I hope that it's balanced. Um

1219
01:01:41,200 --> 01:01:43,240
Speaker 1: And and uh, you know if if you know, I

1220
01:01:43,400 --> 01:01:48,040
Speaker 1: was thinking about this. Tupac and Biggie Smalls are still

1221
01:01:48,160 --> 01:01:52,280
Speaker 1: revered right now. They're still respected and revered. But for

1222
01:01:52,440 --> 01:01:55,240
Speaker 1: some reason, the guys before them, a lot of them,

1223
01:01:55,680 --> 01:01:58,000
Speaker 1: they don't They're not treated with the same respect. But

1224
01:01:58,080 --> 01:02:00,640
Speaker 1: if you listen to a Tupac and Biggie their music,

1225
01:02:00,720 --> 01:02:02,720
Speaker 1: their sentiment are the same guys that are you you

1226
01:02:02,800 --> 01:02:05,480
Speaker 1: sort of brush under the rug. You like Tupac and

1227
01:02:05,560 --> 01:02:09,240
Speaker 1: Biggie are from that first tier of hip hop, that

1228
01:02:09,440 --> 01:02:12,880
Speaker 1: first generation. Like they're the same they got they would

1229
01:02:12,920 --> 01:02:15,680
Speaker 1: have been around the same ages of me and Mr Monett.

1230
01:02:15,680 --> 01:02:18,120
Speaker 1: They're a little bit younger than us. Um. But but

1231
01:02:18,320 --> 01:02:20,360
Speaker 1: but you know, like Biggie, he came up on the

1232
01:02:20,440 --> 01:02:23,160
Speaker 1: same the same era, the same the same mix tapes,

1233
01:02:23,240 --> 01:02:25,920
Speaker 1: you know that you know, Piece torn g Kick Capri, uh,

1234
01:02:26,120 --> 01:02:28,160
Speaker 1: you know, and all that stuff and the heat and

1235
01:02:28,200 --> 01:02:30,320
Speaker 1: he knew what it was. But for some reason, because

1236
01:02:30,400 --> 01:02:33,760
Speaker 1: these guys passed, they're still revered. They're so revered, their

1237
01:02:33,800 --> 01:02:36,800
Speaker 1: their martyrs. But but Rock Kim and Big Daddy Kane

1238
01:02:37,080 --> 01:02:40,080
Speaker 1: are like, you know, they're not treated like the stars

1239
01:02:40,760 --> 01:02:42,880
Speaker 1: that they are. They should be treated like uh, you know,

1240
01:02:43,000 --> 01:02:47,120
Speaker 1: Mick Jagger, Peter Frampton and and the classic rock dudes.

1241
01:02:47,280 --> 01:02:49,800
Speaker 1: But in hip hop, for some reason, uh, they're just

1242
01:02:49,920 --> 01:02:52,240
Speaker 1: sort of like, you know, they're like forgotten about. Like, oh, yeah,

1243
01:02:52,240 --> 01:02:56,240
Speaker 1: there's there's those guys Cool Moldi. Oh, there's there's there's that. Now.

1244
01:02:56,280 --> 01:02:58,760
Speaker 1: You should be excited when Cool Moldi walks in a room.

1245
01:02:59,800 --> 01:03:02,480
Speaker 1: You should be your heart your heart should be you know,

1246
01:03:02,640 --> 01:03:06,160
Speaker 1: should race faster when when you see Caress One. It

1247
01:03:06,160 --> 01:03:09,120
Speaker 1: shouldn't just be you're seeing some Oh yeah, that's that guy.

1248
01:03:09,520 --> 01:03:11,480
Speaker 1: Now you should be as excited as you are to

1249
01:03:11,600 --> 01:03:15,280
Speaker 1: see uh, you know, Paul McCartney. So in my opinion,

1250
01:03:15,560 --> 01:03:18,800
Speaker 1: in my opinion, so it's down to like Miles Davis

1251
01:03:18,880 --> 01:03:23,440
Speaker 1: and Coltrane in hip hop genre exactly. So anyway, I

1252
01:03:23,440 --> 01:03:26,000
Speaker 1: appreciate relating to my age. I know when when you

1253
01:03:26,120 --> 01:03:28,400
Speaker 1: hear it like the Big Eat Big Eat Pot. They

1254
01:03:28,440 --> 01:03:31,320
Speaker 1: got some songs that the girls can buy food and

1255
01:03:31,400 --> 01:03:34,560
Speaker 1: their party songs that are popular. I know, like people

1256
01:03:34,560 --> 01:03:37,080
Speaker 1: will be playing that and they don't know tribe or

1257
01:03:37,120 --> 01:03:39,440
Speaker 1: anything like that from to like listen to this. A

1258
01:03:39,520 --> 01:03:42,480
Speaker 1: lot of my roommates like listen this. Um. I have

1259
01:03:42,600 --> 01:03:46,360
Speaker 1: one thing for you guys. Um. I have a little verse.

1260
01:03:46,720 --> 01:03:50,000
Speaker 1: It's a it's a I Am wrapped fo theme verse.

1261
01:03:50,080 --> 01:03:52,200
Speaker 1: I don't know you want me to go acapella? I

1262
01:03:52,280 --> 01:03:54,439
Speaker 1: do like six by Moody Beats. We could we could

1263
01:03:54,480 --> 01:03:56,560
Speaker 1: lay that up with it. But if you want, I

1264
01:03:56,600 --> 01:03:58,360
Speaker 1: can sit some bars for you and see where we're

1265
01:03:58,360 --> 01:04:01,720
Speaker 1: at the hip hop hop scott hip hop. Oh yeah, no,

1266
01:04:01,840 --> 01:04:04,480
Speaker 1: spit spit right now. Let's let's hear it. Let's hear it.

1267
01:04:04,480 --> 01:04:06,120
Speaker 1: I would beat box show you, but I think it would.

1268
01:04:06,200 --> 01:04:10,120
Speaker 1: It would throw anybody off. Hard body karate. I called

1269
01:04:10,160 --> 01:04:12,240
Speaker 1: the body. You staying up on the ice like the

1270
01:04:12,320 --> 01:04:15,360
Speaker 1: boy was playing hockey. Come from sucking, silly dupe. You

1271
01:04:15,440 --> 01:04:18,280
Speaker 1: know how sucks for Rocky Rappaport and gm on Neettie Blue,

1272
01:04:18,360 --> 01:04:20,640
Speaker 1: you cannot copy. I want to staying there Gundy and

1273
01:04:20,920 --> 01:04:23,800
Speaker 1: cooling in the tropic, playing over water with a stripper

1274
01:04:23,840 --> 01:04:25,920
Speaker 1: and the cockpit. They're gonna be got to we you

1275
01:04:26,000 --> 01:04:28,680
Speaker 1: know I'm finished socket for team a while. You're freaking off, yo,

1276
01:04:28,760 --> 01:04:32,040
Speaker 1: you need to stop it. On the Great Sky, Bobby

1277
01:04:32,080 --> 01:04:34,200
Speaker 1: and Whitney. You know, fat checking believe it or not,

1278
01:04:34,360 --> 01:04:36,360
Speaker 1: like it's rittley. I come up on the spot with

1279
01:04:36,520 --> 01:04:38,880
Speaker 1: the cream cheese a lot. You can't be looking for

1280
01:04:39,000 --> 01:04:41,200
Speaker 1: the keys. But I got the lock when I pull

1281
01:04:41,320 --> 01:04:43,320
Speaker 1: up on the lock. Yeah you know I got a lot.

1282
01:04:43,920 --> 01:04:47,640
Speaker 1: I am wrestle for the show. Never stop. I like that.

1283
01:04:48,400 --> 01:04:52,520
Speaker 1: I like that. That was nice. Yeah, yo, I treated it.

1284
01:04:52,640 --> 01:04:55,040
Speaker 1: I didn't over stick. But yo, yo Moody, you gotta

1285
01:04:55,080 --> 01:04:57,800
Speaker 1: loose the smonger so I can actually do. They cussed

1286
01:04:57,800 --> 01:04:59,800
Speaker 1: off before I tendance to six teams. I saw I

1287
01:04:59,920 --> 01:05:02,720
Speaker 1: was telling Monetti, d Yo, what what what? What? What

1288
01:05:02,800 --> 01:05:04,520
Speaker 1: do we gotta do? Let it go for Let these

1289
01:05:04,560 --> 01:05:06,680
Speaker 1: guys rock you You sent me the beats. I'm like,

1290
01:05:06,760 --> 01:05:09,360
Speaker 1: I'm just starting to get my head movement. This is,

1291
01:05:09,440 --> 01:05:11,600
Speaker 1: I mean crazy. I just wrapped them like wrappingport and

1292
01:05:11,640 --> 01:05:16,560
Speaker 1: Gene Movie Monetti like this. I mean, well, we appreciate,

1293
01:05:17,000 --> 01:05:20,360
Speaker 1: we appreciate the support. We're gonna encourage Monetti to to

1294
01:05:20,520 --> 01:05:23,160
Speaker 1: to let the beat rock for at least at least

1295
01:05:23,200 --> 01:05:26,880
Speaker 1: two more minutes. And uh, you know, let's let you know,

1296
01:05:27,040 --> 01:05:28,880
Speaker 1: keep with us. We're gonna keep giving you the fire

1297
01:05:29,200 --> 01:05:30,840
Speaker 1: and thank you for the support. We're gonna take some

1298
01:05:30,920 --> 01:05:34,160
Speaker 1: of the calls now. Yeah, I appreciate it, but hey,

1299
01:05:34,320 --> 01:05:36,400
Speaker 1: keep bringing the heat. I got all my boys saying

1300
01:05:36,520 --> 01:05:40,760
Speaker 1: who money and all that, So keep the lingo coming.

1301
01:05:41,800 --> 01:05:44,160
Speaker 1: We're gonna keep on saying. People were like, yeah, why

1302
01:05:44,160 --> 01:05:46,000
Speaker 1: are you calling me money? Like why are you doing that?

1303
01:05:47,240 --> 01:05:49,760
Speaker 1: You don't know? And it's all right. Keep spreading the word, man,

1304
01:05:50,840 --> 01:05:59,560
Speaker 1: Hey real. Welcome to Play, a new podcast network featuring

1305
01:05:59,680 --> 01:06:04,160
Speaker 1: radio and TV personalities talking business, sports, tech, entertainment, and more.

1306
01:06:04,480 --> 01:06:15,320
Speaker 1: Play it at play dot in all Right, Aaron and

1307
01:06:15,400 --> 01:06:18,000
Speaker 1: Vancouver to see Iron Rapports stereo podcast. You're on the

1308
01:06:18,040 --> 01:06:21,800
Speaker 1: air with Me, the Gringo, Man Dingo and G Moody. Uh.

1309
01:06:22,000 --> 01:06:24,400
Speaker 1: If you haven't figured out his last name, uh, it

1310
01:06:24,520 --> 01:06:28,920
Speaker 1: rhymes with duty. Rhymes with duty. What's up, fellas? How

1311
01:06:28,960 --> 01:06:32,560
Speaker 1: you doing well? Up? Just trying to live? Man? Just

1312
01:06:32,680 --> 01:06:34,360
Speaker 1: I just want to I just want to say, uh,

1313
01:06:35,000 --> 01:06:36,880
Speaker 1: you guys a big shout out. Really appreciate the show.

1314
01:06:36,960 --> 01:06:39,000
Speaker 1: It's it's been a life changer. Man. You guys bring

1315
01:06:39,040 --> 01:06:41,280
Speaker 1: a smile to my face. And I also love when

1316
01:06:41,320 --> 01:06:43,320
Speaker 1: you guys get real and a lot of the opinions

1317
01:06:43,360 --> 01:06:44,720
Speaker 1: and stuff. And I'd love to hear what you guys

1318
01:06:44,760 --> 01:06:47,120
Speaker 1: have to say. G Moody, You're like, I don't even

1319
01:06:47,160 --> 01:06:49,040
Speaker 1: know man, You're You're slick as hell. It's dope, just

1320
01:06:49,080 --> 01:06:50,840
Speaker 1: soap to hear. Man. And I just I know you

1321
01:06:50,880 --> 01:06:53,520
Speaker 1: guys got lots of callers and everything, but rapp Report,

1322
01:06:53,560 --> 01:06:56,440
Speaker 1: I just have one question for you. H A big

1323
01:06:56,520 --> 01:07:00,120
Speaker 1: fan of the Beats Rhymes and Life documentary. Um, and

1324
01:07:00,200 --> 01:07:02,200
Speaker 1: I was actually at that show. I believe your last

1325
01:07:02,520 --> 01:07:07,040
Speaker 1: you filmed it at the Gorge the Rock the Bells concert. Yeah,

1326
01:07:07,080 --> 01:07:08,960
Speaker 1: and I was there and I just woundered. I was

1327
01:07:09,160 --> 01:07:12,360
Speaker 1: uh yeah, I was there. Man, I saw most deaf

1328
01:07:12,560 --> 01:07:17,160
Speaker 1: n right, they were all there, cool kids ship far side.

1329
01:07:17,680 --> 01:07:19,600
Speaker 1: It was a good shilings. I just wanted to know, man,

1330
01:07:19,800 --> 01:07:21,760
Speaker 1: what was going through your mind when you guys were

1331
01:07:21,800 --> 01:07:24,240
Speaker 1: filming and then that huge argument broke out? Like, I

1332
01:07:24,360 --> 01:07:27,080
Speaker 1: just I'm assuming those are some of your heroes also

1333
01:07:27,280 --> 01:07:29,760
Speaker 1: people that you just grew up. Like, I'm sure it

1334
01:07:29,840 --> 01:07:31,360
Speaker 1: was crazy just to even get in and do that

1335
01:07:31,480 --> 01:07:33,560
Speaker 1: film in that documentary, But like, what was going through

1336
01:07:33,600 --> 01:07:35,919
Speaker 1: your head when you just see like this huge beef

1337
01:07:35,960 --> 01:07:39,280
Speaker 1: happening with maybe one of your favorite groups of all time. Um, well,

1338
01:07:39,360 --> 01:07:41,400
Speaker 1: first of all, I appreciate that. A second one, I

1339
01:07:41,520 --> 01:07:44,560
Speaker 1: don't want to say it wasn't huge, It was very emotional.

1340
01:07:45,040 --> 01:07:46,960
Speaker 1: Um and and what what what was going through my

1341
01:07:47,040 --> 01:07:48,720
Speaker 1: mind is is it is it hurt me because I

1342
01:07:48,760 --> 01:07:50,080
Speaker 1: could relate. You know, at the end of the day,

1343
01:07:50,120 --> 01:07:52,280
Speaker 1: it's like they're a tribe called Quest. But but the

1344
01:07:52,360 --> 01:07:54,920
Speaker 1: end of the day, uh, you know, they're they're a

1345
01:07:55,040 --> 01:07:58,400
Speaker 1: family obviously, you know, with the passing of of of

1346
01:07:58,520 --> 01:08:02,600
Speaker 1: the Great Five dog uh you know, uh, the Tropical

1347
01:08:02,760 --> 01:08:05,760
Speaker 1: Quest Uh, the music will just have to live on. Um.

1348
01:08:06,200 --> 01:08:08,480
Speaker 1: But but you know, I had a lot of feelings.

1349
01:08:08,520 --> 01:08:11,000
Speaker 1: I had a lot of feelings. UM. You know, making

1350
01:08:11,040 --> 01:08:13,680
Speaker 1: that movie was a pleasure, it was an honor. UM,

1351
01:08:13,760 --> 01:08:16,519
Speaker 1: it was a challenge. UM. I I am so glad

1352
01:08:16,600 --> 01:08:18,600
Speaker 1: that that that we were able to do it, and

1353
01:08:18,720 --> 01:08:22,040
Speaker 1: that that it's there for the people. Um and and

1354
01:08:22,280 --> 01:08:25,440
Speaker 1: and uh, you know, making a film, making a documentary

1355
01:08:25,880 --> 01:08:27,840
Speaker 1: is a hard thing, especially when you're making it about

1356
01:08:27,840 --> 01:08:30,800
Speaker 1: people that you really really love and respect. But you know,

1357
01:08:30,960 --> 01:08:33,240
Speaker 1: you have to tell a story that might make people

1358
01:08:33,240 --> 01:08:35,840
Speaker 1: a little uncomfortable. UM. But you know, we did it.

1359
01:08:35,960 --> 01:08:38,880
Speaker 1: At the end of the day, I think everybody for

1360
01:08:38,960 --> 01:08:41,479
Speaker 1: the most parts in agreements that they appreciate it and

1361
01:08:41,600 --> 01:08:43,640
Speaker 1: and and love the film. I get compliments on it

1362
01:08:43,720 --> 01:08:46,400
Speaker 1: all the time. And uh, you know, they're they're they're

1363
01:08:46,880 --> 01:08:51,720
Speaker 1: very important, very important of uh, part of the lad

1364
01:08:51,840 --> 01:08:55,400
Speaker 1: of music outside of hip hop, part of music in

1365
01:08:55,479 --> 01:08:58,000
Speaker 1: the in the UH they're just as important as anybody

1366
01:08:58,040 --> 01:09:01,120
Speaker 1: else in the last you know, thirty forty years of music.

1367
01:09:01,360 --> 01:09:04,559
Speaker 1: They're they're classic American music, and that music will live forever.

1368
01:09:04,920 --> 01:09:07,720
Speaker 1: That that music, by a tropical quest will will live

1369
01:09:07,760 --> 01:09:10,080
Speaker 1: on forever. Because it will never go out of style.

1370
01:09:10,439 --> 01:09:14,520
Speaker 1: It's you know, the majority of it, uh is perfection.

1371
01:09:15,120 --> 01:09:16,880
Speaker 1: Um so, so it was it was a great, a

1372
01:09:16,960 --> 01:09:20,680
Speaker 1: great honor to make that film. Man. I really appreciate you,

1373
01:09:20,880 --> 01:09:23,840
Speaker 1: uh producing film. That film is just it's an epic. Man.

1374
01:09:23,920 --> 01:09:26,200
Speaker 1: I've watched it a dozen times and it's really really good.

1375
01:09:26,320 --> 01:09:28,600
Speaker 1: Ge Moody, Yo, where you guys get rid of me?

1376
01:09:29,439 --> 01:09:32,560
Speaker 1: You versus Rappaport. You guys never talked about this on

1377
01:09:32,600 --> 01:09:36,640
Speaker 1: the podcast. One on one game to five? Facts three dribbles, possession,

1378
01:09:36,840 --> 01:09:40,400
Speaker 1: you get ball first? Give me the score you're talking

1379
01:09:40,400 --> 01:09:43,720
Speaker 1: about now? Yeah, right now out in your hating not

1380
01:09:43,720 --> 01:09:47,679
Speaker 1: on the prime. How many points is the game? Five? Everything?

1381
01:09:47,760 --> 01:09:50,160
Speaker 1: By everything's one? Can't it beat the three? Because I

1382
01:09:50,200 --> 01:09:52,479
Speaker 1: think five? I don't, Gee, you think we can five.

1383
01:09:52,800 --> 01:09:55,920
Speaker 1: I can't go to five. So so let's play the

1384
01:09:56,000 --> 01:09:59,000
Speaker 1: game to three. I'm gonna have to go with myself

1385
01:09:59,040 --> 01:10:02,280
Speaker 1: because you know, I just feel like in one on

1386
01:10:02,439 --> 01:10:04,640
Speaker 1: one even like, let me tell you something, this is

1387
01:10:04,720 --> 01:10:08,639
Speaker 1: no bullshit. G Moody was as good as anybody else

1388
01:10:09,360 --> 01:10:12,160
Speaker 1: in New York City at the time. Now, I'm not

1389
01:10:12,240 --> 01:10:15,080
Speaker 1: saying he was as great, but he can play with

1390
01:10:15,200 --> 01:10:17,280
Speaker 1: the best of them. That's real talk. I wasn't on

1391
01:10:17,479 --> 01:10:20,120
Speaker 1: his level in terms of the competition. But gee, I

1392
01:10:20,240 --> 01:10:22,080
Speaker 1: think I think you'll say this. You were never like

1393
01:10:22,240 --> 01:10:24,559
Speaker 1: a good like when when guys would play actual one

1394
01:10:24,600 --> 01:10:28,040
Speaker 1: on one that wasn't something you were like particularly great at. Right, Yeah,

1395
01:10:28,080 --> 01:10:32,479
Speaker 1: I wasn't because you were. You were better like you know,

1396
01:10:32,600 --> 01:10:34,600
Speaker 1: a five on five guy, you know, and you know

1397
01:10:34,720 --> 01:10:36,479
Speaker 1: I was, and I think you know, being a left

1398
01:10:36,520 --> 01:10:39,360
Speaker 1: handed guy, it's always hard to beat somebody in one

1399
01:10:39,439 --> 01:10:42,120
Speaker 1: on one because it's just an awkward thing. So I'm

1400
01:10:42,120 --> 01:10:44,519
Speaker 1: gonna right now game of three just like I would

1401
01:10:44,560 --> 01:10:47,479
Speaker 1: in in the nineties, even though Monetti was clearly better

1402
01:10:47,520 --> 01:10:49,000
Speaker 1: than me and I felt like I could beat at

1403
01:10:49,000 --> 01:10:51,200
Speaker 1: me one on one. Then I'm gonna say me, my crap,

1404
01:10:51,240 --> 01:10:54,880
Speaker 1: I'm gonna crack that ass Moody games three. Yeah, I'll

1405
01:10:54,920 --> 01:10:57,120
Speaker 1: keep it to you, man, because that's not my that's

1406
01:10:57,160 --> 01:10:59,360
Speaker 1: not my scene. Yeah. And and and as bad a

1407
01:10:59,439 --> 01:11:01,600
Speaker 1: shape as I am in right now, I know that

1408
01:11:01,680 --> 01:11:07,960
Speaker 1: I'm in better shape than GMT. Yes, yes, huh Moody Moody,

1409
01:11:08,000 --> 01:11:11,160
Speaker 1: are you doing any hot yoga? Oh? Hell no? Okay,

1410
01:11:11,520 --> 01:11:13,680
Speaker 1: all right, well listen, thank you you guys. Going, man,

1411
01:11:13,720 --> 01:11:15,600
Speaker 1: I really appreciate taking the call. Much love to the

1412
01:11:15,640 --> 01:11:18,120
Speaker 1: wrap pack. I followed the whole group chat on Twitter.

1413
01:11:18,240 --> 01:11:20,240
Speaker 1: Those guys and girls are hilarious. Man, thanks you for

1414
01:11:20,400 --> 01:11:22,800
Speaker 1: junior thing and uh shut out from Vancouver. Make it

1415
01:11:22,880 --> 01:11:24,800
Speaker 1: up here one day. We would love that. We would

1416
01:11:24,800 --> 01:11:26,599
Speaker 1: love that. That would be a great place to start

1417
01:11:26,680 --> 01:11:28,680
Speaker 1: the world tour to to to make it actually you

1418
01:11:28,720 --> 01:11:31,720
Speaker 1: know other places in the world. Um, so thank you

1419
01:11:31,800 --> 01:11:37,360
Speaker 1: my friend. Yeah, thank you. Um shiloh yo. What's happening?

1420
01:11:37,520 --> 01:11:40,440
Speaker 1: What's the good word? Fellows? The good word is fantastic.

1421
01:11:40,520 --> 01:11:44,120
Speaker 1: How you doing good? Just calling you guys from Santa Cruz, California.

1422
01:11:44,120 --> 01:11:46,160
Speaker 1: I just wanted to say thank you for your podcast.

1423
01:11:46,200 --> 01:11:49,800
Speaker 1: It's doing great. Uh, everything about it. A little fact

1424
01:11:49,840 --> 01:11:51,439
Speaker 1: that you know. I see you guys up on Instagram.

1425
01:11:51,520 --> 01:11:53,840
Speaker 1: Send you a picture or something like an hour later

1426
01:11:53,920 --> 01:11:55,960
Speaker 1: you guys respond. It's cool. How you guys reach out

1427
01:11:55,960 --> 01:11:59,400
Speaker 1: to your fans. I appreciate it. Well, well you we

1428
01:11:59,560 --> 01:12:02,240
Speaker 1: we are shape that you appreciate it. You might want

1429
01:12:02,240 --> 01:12:04,160
Speaker 1: to think about feeling bad for us because the fact

1430
01:12:04,200 --> 01:12:06,000
Speaker 1: that we have so much time on our hands that

1431
01:12:06,080 --> 01:12:08,360
Speaker 1: we could reach out to every single fan that hits

1432
01:12:08,439 --> 01:12:10,720
Speaker 1: us is it says a little bit about us. It

1433
01:12:10,840 --> 01:12:12,960
Speaker 1: works for you guys, but it's a sad reality for

1434
01:12:13,160 --> 01:12:15,719
Speaker 1: for me and Gimo Nettie, but we appreciate the support.

1435
01:12:15,880 --> 01:12:18,439
Speaker 1: Now you're in Santa Cruz, let me ask you a question.

1436
01:12:19,000 --> 01:12:23,000
Speaker 1: Is the weed culture in Santa Cruz like heightened compared

1437
01:12:23,040 --> 01:12:26,320
Speaker 1: to even even even like other parts of California because

1438
01:12:26,320 --> 01:12:28,639
Speaker 1: you always hear about the weed in Santa Cruz before

1439
01:12:28,720 --> 01:12:31,439
Speaker 1: it was legalized. Well, what is it like up there? Now?

1440
01:12:32,000 --> 01:12:34,080
Speaker 1: I'm not gonna, I'm not gonna. You know, you don't

1441
01:12:34,080 --> 01:12:36,320
Speaker 1: have to say whether or not you've partaken it, But

1442
01:12:36,439 --> 01:12:38,720
Speaker 1: what is it the weed culture like as far as

1443
01:12:38,760 --> 01:12:41,240
Speaker 1: Santa Cruz, Like, do you grow up knowing about weed?

1444
01:12:41,360 --> 01:12:44,040
Speaker 1: Like like you learned about Barney and then like, can't

1445
01:12:44,240 --> 01:12:48,800
Speaker 1: the difference between Sativa and Indica? Well, I grew up

1446
01:12:48,840 --> 01:12:51,280
Speaker 1: in El Segunda in Los Angeles where Red Fox said,

1447
01:12:51,280 --> 01:12:53,519
Speaker 1: where the sewer meets the sea. But I've lived up

1448
01:12:53,560 --> 01:12:55,880
Speaker 1: here for seven years, and uh, you know what it's.

1449
01:12:55,960 --> 01:12:58,040
Speaker 1: It's it's laid back. It's more it's more, probably more

1450
01:12:58,120 --> 01:13:00,160
Speaker 1: laid back than La. You could walk around down to down,

1451
01:13:00,200 --> 01:13:02,679
Speaker 1: You'll you'll take whiffs, you'll smell someone smoking a joint.

1452
01:13:02,880 --> 01:13:04,760
Speaker 1: The cops aren't gonna stop you. They have better ship

1453
01:13:04,880 --> 01:13:06,800
Speaker 1: to do. I mean they should be doing better ship,

1454
01:13:06,920 --> 01:13:09,840
Speaker 1: but realistically, you don't. No one, No one gives a ship.

1455
01:13:10,080 --> 01:13:12,559
Speaker 1: You have friends all over that are you know, growing

1456
01:13:12,560 --> 01:13:15,800
Speaker 1: in mountains or whatever. But overall it's really laid back,

1457
01:13:16,000 --> 01:13:18,960
Speaker 1: you know, and uh, it's just not enforced up here,

1458
01:13:19,080 --> 01:13:20,719
Speaker 1: you know. I mean, obviously you have a certain amount

1459
01:13:20,880 --> 01:13:23,360
Speaker 1: someone's gonna get in trouble, but you know, walking around

1460
01:13:23,400 --> 01:13:26,320
Speaker 1: puffing on something. No, you're not getting stopped, right, That's

1461
01:13:26,360 --> 01:13:30,320
Speaker 1: like that's like drinking. That's like drinking a snaffle up there.

1462
01:13:33,160 --> 01:13:35,040
Speaker 1: I got a quick question though. You know, this world tour,

1463
01:13:35,040 --> 01:13:36,599
Speaker 1: I know you guys want to come to Santa Cruz,

1464
01:13:36,680 --> 01:13:38,760
Speaker 1: but is San Francisco anyone on the list at all?

1465
01:13:39,360 --> 01:13:42,000
Speaker 1: Y'all listen, we're we're we're not objecting to Santa Cruz,

1466
01:13:42,040 --> 01:13:48,400
Speaker 1: San Francisco, El Segundo, any place or absolutely so. So

1467
01:13:48,520 --> 01:13:51,439
Speaker 1: we we would love to come to San Francisco, uh uh,

1468
01:13:51,600 --> 01:13:54,719
Speaker 1: you know, or any anywhere else we were We're taking

1469
01:13:54,760 --> 01:13:58,000
Speaker 1: the tour everywhere where where we're wanted. Yeah, yeah, you're

1470
01:13:58,040 --> 01:13:59,960
Speaker 1: well wanted up here. Man. We'd love to see up here.

1471
01:14:00,000 --> 01:14:01,720
Speaker 1: I'd love to see in Santa Cruz would be great,

1472
01:14:01,760 --> 01:14:03,720
Speaker 1: but no, no problem driving that our half up to

1473
01:14:03,840 --> 01:14:06,400
Speaker 1: the city. They Moody about those Moody beats. I heard

1474
01:14:06,400 --> 01:14:09,360
Speaker 1: a call or say earlier about extending them out. I've

1475
01:14:09,360 --> 01:14:11,000
Speaker 1: been playing him at my house and I love him.

1476
01:14:11,040 --> 01:14:13,439
Speaker 1: I downloaded that app just for your music, and uh,

1477
01:14:13,479 --> 01:14:15,240
Speaker 1: I actually put it on at a barbecue our house

1478
01:14:15,280 --> 01:14:17,320
Speaker 1: the other day, not knowing that they were thirty seconds

1479
01:14:17,400 --> 01:14:20,280
Speaker 1: long and two songs into us. People were looking at

1480
01:14:20,360 --> 01:14:22,120
Speaker 1: us like, wait, what the hell are you playing here? There?

1481
01:14:22,200 --> 01:14:24,920
Speaker 1: You're starting to get into it, but you put it on.

1482
01:14:25,240 --> 01:14:26,960
Speaker 1: I got you to be great. We really love that.

1483
01:14:27,880 --> 01:14:30,559
Speaker 1: Every every person has said that. You're the second person

1484
01:14:30,640 --> 01:14:32,920
Speaker 1: that said that tonight. So now Moody's gonna let the

1485
01:14:32,920 --> 01:14:35,400
Speaker 1: beats go for at least two minutes. I think two

1486
01:14:35,479 --> 01:14:37,840
Speaker 1: minutes is a good amount of time, or ninety seconds.

1487
01:14:37,840 --> 01:14:40,519
Speaker 1: It should be between ninety seconds and two minutes. Mr Moody, Yes,

1488
01:14:40,800 --> 01:14:43,320
Speaker 1: I got you. I got one one last question. Hey,

1489
01:14:43,360 --> 01:14:45,960
Speaker 1: I just wanna the record of the day, hip hop,

1490
01:14:46,120 --> 01:14:48,280
Speaker 1: jazz or funk. Something I should be picking up tonight.

1491
01:14:49,439 --> 01:14:52,680
Speaker 1: You got to give him something of the jazz hit

1492
01:14:52,720 --> 01:14:58,280
Speaker 1: what you got that Diamond D Stunts, blunts and hip

1493
01:14:58,320 --> 01:15:03,280
Speaker 1: hop Dimond perfect D and it's psychotic neurotic. That that's

1494
01:15:03,280 --> 01:15:04,640
Speaker 1: a that's a great I'll give you. I'll give you

1495
01:15:04,720 --> 01:15:08,080
Speaker 1: a record that I was listening to earlier today, Eric Dolphy.

1496
01:15:08,920 --> 01:15:11,840
Speaker 1: It's it's it's it's a little bit avant garde, but

1497
01:15:12,000 --> 01:15:15,720
Speaker 1: not to avant garde, but it's definitely. I wouldn't say

1498
01:15:15,760 --> 01:15:19,040
Speaker 1: it's easy listening jazz, but Eric Dolphy out there. I

1499
01:15:19,520 --> 01:15:22,800
Speaker 1: love that record, and I love I love everything about him. Um.

1500
01:15:23,120 --> 01:15:26,479
Speaker 1: I find his music to be thought provoking. So I

1501
01:15:26,520 --> 01:15:29,280
Speaker 1: would say, Eric Dolvey, if you're getting out there, you

1502
01:15:29,320 --> 01:15:31,280
Speaker 1: should get out to lunch because they're signing if they're

1503
01:15:31,280 --> 01:15:34,280
Speaker 1: sort of like companion pieces. So Eric Dolphy out there

1504
01:15:34,520 --> 01:15:37,679
Speaker 1: and out to lunch. So those are my two jazz

1505
01:15:37,760 --> 01:15:41,400
Speaker 1: records of the day from the Iron Rapports Stereo podcast.

1506
01:15:42,120 --> 01:15:44,320
Speaker 1: Hey alright, guys, thank you very much. I appreciate it.

1507
01:15:44,360 --> 01:15:46,080
Speaker 1: Look forward to hopefully seen you in my town or

1508
01:15:46,120 --> 01:15:49,040
Speaker 1: somewhere nearby soon. Man, thank you, thank you all right.

1509
01:15:49,120 --> 01:15:53,760
Speaker 1: Bro yo yo yo, Mellie mel what's good? He agent rap?

1510
01:15:53,800 --> 01:15:56,240
Speaker 1: What's going on? Man? Everything's good? Everything's good. How are

1511
01:15:56,240 --> 01:15:58,840
Speaker 1: you doing? Good? Good man? What's going on? Ji Moody

1512
01:15:58,960 --> 01:16:02,040
Speaker 1: was good? We think good bro, It's up, Hey man,

1513
01:16:02,240 --> 01:16:03,880
Speaker 1: if you I hope you guys don't mind masking. I

1514
01:16:04,040 --> 01:16:05,800
Speaker 1: don't know what direction of the podcast was going in,

1515
01:16:05,920 --> 01:16:07,360
Speaker 1: but I just want to ask in a general question

1516
01:16:07,439 --> 01:16:10,479
Speaker 1: for you guys, or Mike could answer this, Hey man,

1517
01:16:10,520 --> 01:16:12,960
Speaker 1: if a comedy center were to give you con say, hey,

1518
01:16:13,000 --> 01:16:14,360
Speaker 1: maybe we want to have you on the show and

1519
01:16:14,720 --> 01:16:18,240
Speaker 1: roast someone, a celebrity or any anyone important, who would

1520
01:16:18,240 --> 01:16:20,320
Speaker 1: you roast and why? And as a two part to

1521
01:16:20,400 --> 01:16:23,160
Speaker 1: this question, and if PARTI sent comedy center wanted to

1522
01:16:23,960 --> 01:16:27,200
Speaker 1: invite you to get roasted, who would you have as

1523
01:16:27,240 --> 01:16:29,360
Speaker 1: your host? And who would you have as your five

1524
01:16:29,760 --> 01:16:33,719
Speaker 1: um guests to roast you us question? That's a good question,

1525
01:16:33,920 --> 01:16:36,360
Speaker 1: um man, I don't know. I mean, I think Bieber

1526
01:16:36,439 --> 01:16:38,680
Speaker 1: would have been easy pickings. You know who would be

1527
01:16:38,760 --> 01:16:41,000
Speaker 1: good to get roasted? You know who would be good?

1528
01:16:41,040 --> 01:16:45,479
Speaker 1: It would be good for him Kanye, if Kanye, If Kanye,

1529
01:16:45,640 --> 01:16:47,720
Speaker 1: If Kanye was like, all right, I'm I'm gonna do it.

1530
01:16:48,160 --> 01:16:50,519
Speaker 1: It's sort of like you know shows. I mean, it's

1531
01:16:50,560 --> 01:16:52,639
Speaker 1: a hot it's it's a it's a hot seat because

1532
01:16:52,680 --> 01:16:56,040
Speaker 1: when they did deeper, they destroyed him. But you know,

1533
01:16:56,360 --> 01:16:59,120
Speaker 1: if Kanye wanted to, like to really sort of show

1534
01:16:59,200 --> 01:17:01,240
Speaker 1: that he doesn't take them self seriously, and it's a

1535
01:17:01,320 --> 01:17:03,719
Speaker 1: brave thing to do because Bieber doing it, he didn't

1536
01:17:03,760 --> 01:17:06,680
Speaker 1: need to do that. Um, Kanye would be someone that

1537
01:17:06,760 --> 01:17:08,599
Speaker 1: I would love to roast. I think it would be good.

1538
01:17:08,840 --> 01:17:10,840
Speaker 1: And as far as me getting roasted, you gotta have

1539
01:17:10,960 --> 01:17:13,640
Speaker 1: Jeffrey Ross because he's the best in the business. I

1540
01:17:13,760 --> 01:17:16,559
Speaker 1: think that. Um, Kevin Hart, you know, he he's gonna

1541
01:17:16,560 --> 01:17:20,519
Speaker 1: shoot firecrackers at you. Um. You know who else would

1542
01:17:20,560 --> 01:17:23,559
Speaker 1: be good? You know? Um, there's always good That one guy,

1543
01:17:23,640 --> 01:17:26,800
Speaker 1: Pete Davidson from Satenite Live. He's emerged as a great

1544
01:17:26,880 --> 01:17:31,160
Speaker 1: young uh, a great young roaster. Um who else is good? Man?

1545
01:17:31,439 --> 01:17:32,840
Speaker 1: That's That's the three I can think of off the

1546
01:17:32,880 --> 01:17:34,360
Speaker 1: top of my head. But I'm forgetting. But you know,

1547
01:17:34,439 --> 01:17:37,120
Speaker 1: the thing is funny because when they get random people

1548
01:17:37,200 --> 01:17:40,120
Speaker 1: to roast, you, like when Martha Stewart you know obviously

1549
01:17:40,280 --> 01:17:43,040
Speaker 1: was written, but she was good when she roasted Bieber.

1550
01:17:43,400 --> 01:17:46,000
Speaker 1: So there's all sorts of people you know that that

1551
01:17:46,280 --> 01:17:48,240
Speaker 1: that you know, whoever, who I'm sure if if I

1552
01:17:48,320 --> 01:17:49,759
Speaker 1: ever did it, if I ever got to a position

1553
01:17:49,800 --> 01:17:52,080
Speaker 1: where I was, you know, needed to be roaster, if

1554
01:17:52,120 --> 01:17:54,360
Speaker 1: I was famous enough where anybody wanted to roast me.

1555
01:17:54,800 --> 01:17:56,519
Speaker 1: Ship man, I have to take like you know, some

1556
01:17:56,640 --> 01:17:59,120
Speaker 1: Ada van or something, because that that would be that

1557
01:17:59,160 --> 01:18:01,599
Speaker 1: would be tough. That's a that's a hard pill to stay.

1558
01:18:01,800 --> 01:18:04,240
Speaker 1: I think they'd start with my nose and it would

1559
01:18:04,280 --> 01:18:06,599
Speaker 1: just be. It would just be. It would be tough,

1560
01:18:06,640 --> 01:18:08,280
Speaker 1: but it would be fun. And you know it's it's

1561
01:18:08,280 --> 01:18:10,479
Speaker 1: all in good fun. You know what you're getting yourself into.

1562
01:18:10,600 --> 01:18:13,760
Speaker 1: So that's a good question. Mel Um. I like your

1563
01:18:13,840 --> 01:18:16,800
Speaker 1: name Melvin because I like Melvin Gordon. He's the starting

1564
01:18:16,880 --> 01:18:19,439
Speaker 1: running back for the Wrap Reports the like a k A.

1565
01:18:19,600 --> 01:18:22,840
Speaker 1: That thing's big, a k A. Make it stop, make

1566
01:18:22,920 --> 01:18:26,320
Speaker 1: it stop. So thanks for calling in, Melvin. Appreciate you guys.

1567
01:18:26,360 --> 01:18:30,439
Speaker 1: Thank you, Matt and Eugene Oregon. This is the world.

1568
01:18:30,520 --> 01:18:32,800
Speaker 1: This is why we're a worldwide phenomenon. Matt, what's up?

1569
01:18:33,760 --> 01:18:37,200
Speaker 1: How's it going man? How you feeling? Matt? Good good man?

1570
01:18:37,280 --> 01:18:39,360
Speaker 1: I just had to I just want to say I

1571
01:18:39,520 --> 01:18:43,479
Speaker 1: love you and Moody podcast man, and I love when

1572
01:18:43,520 --> 01:18:46,680
Speaker 1: you A guest star on All the sporting shows like

1573
01:18:46,800 --> 01:18:49,439
Speaker 1: First Take on the Herd and all those Thank you man,

1574
01:18:50,840 --> 01:18:53,479
Speaker 1: Uh no, really quick though, I just wanted to get

1575
01:18:53,520 --> 01:18:58,519
Speaker 1: your opinions about Lebron. Now, you know, I know how

1576
01:18:58,560 --> 01:19:02,320
Speaker 1: everybody's been talking about Kevin Durant went to Golden State

1577
01:19:02,400 --> 01:19:04,880
Speaker 1: and everybody kind of hates that because they're creating super teams.

1578
01:19:05,000 --> 01:19:07,680
Speaker 1: I'm all about that. I hate super team. But I

1579
01:19:07,760 --> 01:19:11,439
Speaker 1: feel like just because Lebron won, they forgot that he

1580
01:19:11,640 --> 01:19:15,200
Speaker 1: left Miami because things weren't so cool, you know, once

1581
01:19:15,280 --> 01:19:18,080
Speaker 1: you left. Yeah, yeah, I agree, I agree. Uh what

1582
01:19:18,360 --> 01:19:20,080
Speaker 1: do you have a specific question about it or just

1583
01:19:20,160 --> 01:19:22,360
Speaker 1: that just that general? Yeah? I just mean, like, like,

1584
01:19:22,840 --> 01:19:26,280
Speaker 1: do you think everyone's just forgotten? I mean I think

1585
01:19:26,320 --> 01:19:29,160
Speaker 1: that Lebron one, like they just don't even talk about

1586
01:19:29,200 --> 01:19:31,679
Speaker 1: it anymore. Like, well, I think that because they won,

1587
01:19:32,280 --> 01:19:34,280
Speaker 1: it's sort of it's sort of over because he he

1588
01:19:34,520 --> 01:19:37,479
Speaker 1: he left, He left Miami with a purpose. He had

1589
01:19:37,479 --> 01:19:40,400
Speaker 1: a specific idea that he wanted to end a goal

1590
01:19:40,880 --> 01:19:43,840
Speaker 1: and you know, even though it drove me nuts day one,

1591
01:19:43,960 --> 01:19:46,960
Speaker 1: and he was the best player in that series, uh,

1592
01:19:47,400 --> 01:19:49,400
Speaker 1: you know, and and Golden State they blew it. And

1593
01:19:49,439 --> 01:19:53,200
Speaker 1: I'm sure it's been a tough pill to swallow all summer. Um.

1594
01:19:53,360 --> 01:19:56,360
Speaker 1: You know, I I could break Lebron's balls all the time,

1595
01:19:56,439 --> 01:19:59,080
Speaker 1: but it really can't say nothing now because he he

1596
01:19:59,200 --> 01:20:01,280
Speaker 1: shut it down, and he shut it down at the

1597
01:20:01,320 --> 01:20:05,320
Speaker 1: most important time, at the biggest moment of of of

1598
01:20:05,560 --> 01:20:09,519
Speaker 1: the game seven. So you know, you gotta you gotta

1599
01:20:09,520 --> 01:20:11,840
Speaker 1: accepted I I gotta accept it. And and you know,

1600
01:20:11,880 --> 01:20:13,800
Speaker 1: and if you if you're a Lebron hater, you can't

1601
01:20:13,840 --> 01:20:17,120
Speaker 1: be a blind hater. Yo, He's he's sick. So I

1602
01:20:17,200 --> 01:20:20,559
Speaker 1: was gonna say, I'm I am I'm a hater for sure,

1603
01:20:20,960 --> 01:20:24,840
Speaker 1: but I understand he's amazing. He's ridiculous. He's ridiculous. I'll

1604
01:20:24,840 --> 01:20:31,000
Speaker 1: be with that being said, though, Like Kyrie, Yeah, I mean, listen,

1605
01:20:31,040 --> 01:20:33,320
Speaker 1: it's it's not one on one, it's it's basketball. It's

1606
01:20:33,360 --> 01:20:35,880
Speaker 1: a team sport. And he's he'll he'll be the first

1607
01:20:35,920 --> 01:20:38,040
Speaker 1: one to say it. It's like, you know, you're not

1608
01:20:38,080 --> 01:20:40,400
Speaker 1: gonna win it. Nobody won a championship by themselves, so

1609
01:20:41,000 --> 01:20:44,800
Speaker 1: you know, it's, uh, he did good. I'm looking forward

1610
01:20:44,800 --> 01:20:48,680
Speaker 1: to the NBA season and uh, you know it's uh,

1611
01:20:49,320 --> 01:20:51,599
Speaker 1: it's gonna be funny. Right now, I can't even focus

1612
01:20:51,680 --> 01:20:53,320
Speaker 1: too much on any because I'm so wrapped up in

1613
01:20:53,360 --> 01:20:56,679
Speaker 1: the NFL and fantasy that it's hard to even think straight.

1614
01:20:57,800 --> 01:21:01,000
Speaker 1: Oh for sure. Well the last question, uh, did you

1615
01:21:01,120 --> 01:21:04,240
Speaker 1: pick anybody up on the waiver wire? I picked up

1616
01:21:04,600 --> 01:21:07,640
Speaker 1: I picked up in in one league. I picked I

1617
01:21:07,800 --> 01:21:11,160
Speaker 1: I had to. I I dropped. I dropped Kenny Stills

1618
01:21:11,280 --> 01:21:14,320
Speaker 1: because when you when you miss a pass as wide

1619
01:21:14,360 --> 01:21:16,240
Speaker 1: open as he is, and you're sitting on my bench,

1620
01:21:16,720 --> 01:21:19,839
Speaker 1: you're no longer on rapp reports light. So I dropped

1621
01:21:20,280 --> 01:21:23,160
Speaker 1: Kenny Stills because I have zach Ertz and I needed

1622
01:21:23,280 --> 01:21:25,280
Speaker 1: a tight end. So I was able to get Eric Ebroun,

1623
01:21:25,360 --> 01:21:27,920
Speaker 1: and I feel really good about that. And then I

1624
01:21:28,000 --> 01:21:30,120
Speaker 1: don't think I made any other teams. And that's why

1625
01:21:30,200 --> 01:21:33,200
Speaker 1: I said I won the draft. See in week two,

1626
01:21:33,560 --> 01:21:36,679
Speaker 1: if you're scratching your head and making trades and making drops,

1627
01:21:36,880 --> 01:21:39,280
Speaker 1: that proves he didn't lead the draft and the stern league.

1628
01:21:39,320 --> 01:21:41,400
Speaker 1: I I tried to make a couple of pickups, but

1629
01:21:41,439 --> 01:21:43,240
Speaker 1: I didn't think twice about It's like, okay, if I

1630
01:21:43,240 --> 01:21:45,800
Speaker 1: could get this guy good. If not, I'm gonna sleep

1631
01:21:45,880 --> 01:21:48,400
Speaker 1: like a baby anyway on a Casper mattress. So you know,

1632
01:21:48,479 --> 01:21:51,000
Speaker 1: it is what it is. But but thanks for calling in,

1633
01:21:51,160 --> 01:21:53,960
Speaker 1: and you know, we appreciate the support, and uh, you know,

1634
01:21:54,080 --> 01:21:56,400
Speaker 1: and keep keep listening to the show and spread the word,

1635
01:21:56,479 --> 01:21:59,200
Speaker 1: my friend, Yeah, I appreciate it. Man. Tell Moody to

1636
01:21:59,280 --> 01:22:04,879
Speaker 1: keep his beats going, Moody to eat guyhead, Moody Bro. Jessica,

1637
01:22:05,080 --> 01:22:07,720
Speaker 1: how are you to see Iron Rapport stereo pockets? Thank god?

1638
01:22:07,800 --> 01:22:12,640
Speaker 1: Because it's been sausage soup in here? What up? What up?

1639
01:22:14,120 --> 01:22:17,000
Speaker 1: We're glad you called, Jessica because you know, as much

1640
01:22:17,040 --> 01:22:20,240
Speaker 1: as I love talking to the rabbit wrapper pack Jesus

1641
01:22:20,360 --> 01:22:24,360
Speaker 1: Christ man, and we'll talk about sausage soup, talk about

1642
01:22:24,360 --> 01:22:26,960
Speaker 1: a Dick buffet. It's been going down in here. So

1643
01:22:27,120 --> 01:22:30,040
Speaker 1: so how you doing, Jessica. Good. We gotta get the

1644
01:22:30,120 --> 01:22:33,120
Speaker 1: ladies up in here. Please please send them more away,

1645
01:22:33,160 --> 01:22:34,800
Speaker 1: you know, just just to break it up a little bit.

1646
01:22:34,920 --> 01:22:39,719
Speaker 1: Jesus christ I'm calling from your your hood, Upper east Side?

1647
01:22:40,000 --> 01:22:41,880
Speaker 1: Are you really cool where you're You're in the ear

1648
01:22:41,960 --> 01:22:45,240
Speaker 1: on the Upper east Side? Now? Yeah? Okay, okay, So

1649
01:22:45,400 --> 01:22:47,880
Speaker 1: so how did you find out? How did you find

1650
01:22:47,920 --> 01:22:51,800
Speaker 1: out about the Iron Rapport podcast. I've been listening. I've

1651
01:22:51,840 --> 01:22:54,519
Speaker 1: been listening for a long time now. I found out

1652
01:22:54,720 --> 01:22:58,040
Speaker 1: from watch What Happened? Why I you on? And I

1653
01:22:58,240 --> 01:23:00,559
Speaker 1: loved what you were saying. I was like, have to listen,

1654
01:23:00,760 --> 01:23:02,599
Speaker 1: I have to listen to this podcast. And I've been

1655
01:23:02,640 --> 01:23:05,599
Speaker 1: hooked for I don't know how many it was definitely

1656
01:23:05,720 --> 01:23:08,120
Speaker 1: over a year. Well, I appreciate that. I appreciate Are

1657
01:23:08,120 --> 01:23:13,000
Speaker 1: you excited about the real uh the rohny uh? Part

1658
01:23:13,120 --> 01:23:16,880
Speaker 1: three of the finale coming up tonight? Oh yeah, oh yeah.

1659
01:23:16,920 --> 01:23:18,720
Speaker 1: I want to keep them buck wild ship going on.

1660
01:23:19,880 --> 01:23:24,240
Speaker 1: So where are you on the Upper east Side? I'm

1661
01:23:24,320 --> 01:23:28,599
Speaker 1: in the upper sixties. I don't want to say exactly. Okay, okay, okay, cool.

1662
01:23:28,840 --> 01:23:30,680
Speaker 1: We got to keep the confident. Yeah, yeah, we don't

1663
01:23:30,680 --> 01:23:34,960
Speaker 1: want any lunatics. Well, listen, I appreciate you, Collen. We're gonna,

1664
01:23:35,040 --> 01:23:38,120
Speaker 1: we're gonna get ready to step off from this podcast

1665
01:23:38,520 --> 01:23:40,840
Speaker 1: and I actually need to go home and get ready

1666
01:23:40,880 --> 01:23:44,320
Speaker 1: for the reunion part three. I appreciate the support and

1667
01:23:44,400 --> 01:23:47,040
Speaker 1: thank you for calling in. Yeah, I love you guy,

1668
01:23:47,479 --> 01:23:51,880
Speaker 1: I love you too. All right, listen, anybody that wants

1669
01:23:51,920 --> 01:23:55,320
Speaker 1: a soft ass Iron Rapports stereo podcast t shirt go

1670
01:23:55,439 --> 01:23:58,040
Speaker 1: to district Lines dot com forward Slash I am wrapp

1671
01:23:58,080 --> 01:24:01,600
Speaker 1: report the promo code get you ten percent off on

1672
01:24:01,720 --> 01:24:05,160
Speaker 1: any T shirt. We have the full iverson hard body Karate.

1673
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Speaker 1: We have the smash Mouth Fantasy Football t shirts. We

1674
01:24:09,080 --> 01:24:11,960
Speaker 1: have the classic Gimo Nettie T shirt. Who doesn't want

1675
01:24:12,000 --> 01:24:16,000
Speaker 1: to walk around with Gimo Nettie's face on a T shirt?

1676
01:24:16,080 --> 01:24:18,320
Speaker 1: We have the Black History Month of Green, the Black

1677
01:24:18,560 --> 01:24:21,320
Speaker 1: and the Red. Uh we we we we we have

1678
01:24:21,479 --> 01:24:24,360
Speaker 1: make podcasts great again and they're all soft. Okay, go

1679
01:24:24,439 --> 01:24:27,160
Speaker 1: to district lines dot com forward slash. I am wrapp

1680
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Speaker 1: Report dot com off. Okay, all the T shirts and

1681
01:24:30,880 --> 01:24:35,280
Speaker 1: now twenty bucks and I'm I always I always have

1682
01:24:35,479 --> 01:24:37,880
Speaker 1: a soft dest Iron Report Stereo Podcast T shirt on

1683
01:24:38,320 --> 01:24:40,720
Speaker 1: because we have the Raging Bulls T shirt. I wore

1684
01:24:40,800 --> 01:24:43,800
Speaker 1: that today on Live TV. I wore the Raging Bulls

1685
01:24:43,920 --> 01:24:47,680
Speaker 1: T shirt today on live TV. Okay, so, uh, you

1686
01:24:47,760 --> 01:24:50,000
Speaker 1: know what, Gimo Nettie, what kind of soft dests I

1687
01:24:50,000 --> 01:24:51,960
Speaker 1: Am Report Stereo Podcast T shirt? You have? No? We

1688
01:24:52,000 --> 01:24:55,360
Speaker 1: have Stickman T shirts. Yeah, I had my stick Man on.

1689
01:24:55,560 --> 01:24:58,639
Speaker 1: I just tweeted my shirt. I'm blocking it man. When

1690
01:24:58,680 --> 01:25:00,880
Speaker 1: you're when you're walking around the Bronx and a stick

1691
01:25:00,960 --> 01:25:04,000
Speaker 1: Man T shirt, do you feel a certain a certain

1692
01:25:04,000 --> 01:25:07,080
Speaker 1: amount of uh I don't know a confidence about you,

1693
01:25:07,200 --> 01:25:09,000
Speaker 1: like is there a certain gate, a certain sway in

1694
01:25:09,080 --> 01:25:13,280
Speaker 1: your walk? Yes, becauselet's see the people passing me looking

1695
01:25:13,479 --> 01:25:17,759
Speaker 1: at the shirt, wondering what that means, like really gazing

1696
01:25:17,840 --> 01:25:21,160
Speaker 1: at the shirts. So it's drawing people in. And I

1697
01:25:21,360 --> 01:25:25,479
Speaker 1: dared someone to that. I mean, what is a sick man? Okay? Okay?

1698
01:25:25,960 --> 01:25:28,120
Speaker 1: And obviously you had your clothes on because you you

1699
01:25:28,240 --> 01:25:30,240
Speaker 1: didn't say you were at the gun Hill Road train station.

1700
01:25:30,360 --> 01:25:32,600
Speaker 1: So you you you actually wore the T shirt to

1701
01:25:32,760 --> 01:25:36,920
Speaker 1: the train station and then you disrobe at the train No, no, no,

1702
01:25:37,040 --> 01:25:40,080
Speaker 1: I didn't. I didn't do that. You didn't, but I

1703
01:25:40,120 --> 01:25:42,479
Speaker 1: didn't do that today? Okay? Cool? Yeah, listen, you know

1704
01:25:42,520 --> 01:25:44,080
Speaker 1: you gotta take days off. Do you have any other

1705
01:25:44,120 --> 01:25:46,479
Speaker 1: who we got the next phone call? Yo, Yeah, this

1706
01:25:46,640 --> 01:25:52,720
Speaker 1: is Charlie. I'm calling in from Spokane h Knzaggy University. Uh.

1707
01:25:52,840 --> 01:25:54,439
Speaker 1: I just want to tell you I fought with you guys,

1708
01:25:54,520 --> 01:25:58,640
Speaker 1: hard body karate. I've been listening ever since, uh you

1709
01:25:58,960 --> 01:26:01,400
Speaker 1: wrap you came in on Bill Simmons podcast. You came

1710
01:26:01,439 --> 01:26:04,920
Speaker 1: in hot, uh and I looked your ass up right away,

1711
01:26:05,160 --> 01:26:06,920
Speaker 1: and I've been I've been working with you guys ever

1712
01:26:07,000 --> 01:26:11,280
Speaker 1: since yes, UM, I just want to call uh. Me

1713
01:26:11,320 --> 01:26:13,000
Speaker 1: and my buddies were listening to pod the other day

1714
01:26:13,160 --> 01:26:15,439
Speaker 1: and I was introducing you to them, and they were

1715
01:26:15,760 --> 01:26:18,720
Speaker 1: very intrigued by the term stick man, and I was

1716
01:26:18,760 --> 01:26:21,160
Speaker 1: trying to I was doing my best to explain to

1717
01:26:21,200 --> 01:26:23,479
Speaker 1: them what a stick man is. And we were playing

1718
01:26:23,520 --> 01:26:25,280
Speaker 1: some two K we were playing, you know, you know,

1719
01:26:25,600 --> 01:26:28,920
Speaker 1: watching the NBA, and I was just wanting to ask

1720
01:26:28,960 --> 01:26:30,360
Speaker 1: you if you could give I don't want to put

1721
01:26:30,400 --> 01:26:32,679
Speaker 1: you on the spot, if you could give a starting

1722
01:26:32,760 --> 01:26:36,840
Speaker 1: five for stickman because we were talking and I was

1723
01:26:36,880 --> 01:26:38,880
Speaker 1: talking ship with some of my boys and I was

1724
01:26:38,960 --> 01:26:41,320
Speaker 1: sticking up for Dr J. And they were talking about

1725
01:26:41,360 --> 01:26:43,800
Speaker 1: Will Chamberlain, and I just wanted to know, you know,

1726
01:26:43,920 --> 01:26:45,560
Speaker 1: if you if you had a top five, if you

1727
01:26:45,680 --> 01:26:50,200
Speaker 1: had you know, a starting five. Very very valid, very

1728
01:26:50,320 --> 01:26:53,800
Speaker 1: very good question. UM. I'll say this, Uh, Dr J

1729
01:26:54,280 --> 01:27:00,639
Speaker 1: is is a very underrated Coxman. Uh stickman. Obviously Wilt

1730
01:27:00,720 --> 01:27:04,920
Speaker 1: Chamberlain when he I think he over exaggerated the twenty

1731
01:27:05,080 --> 01:27:08,200
Speaker 1: thousand women he said he was with, because mathematically they

1732
01:27:08,240 --> 01:27:10,479
Speaker 1: said that was impossible even for some of some of

1733
01:27:10,520 --> 01:27:14,120
Speaker 1: the great Coxman. Um, so let's go with basketball players.

1734
01:27:14,120 --> 01:27:16,320
Speaker 1: I'll try to give my top five basketball players. Um,

1735
01:27:16,680 --> 01:27:21,120
Speaker 1: I will say this, okay, Uh, the great Doctor j Yes. Uh,

1736
01:27:21,240 --> 01:27:24,639
Speaker 1: he's gonna be the small forward. Um uh. Then we're

1737
01:27:24,640 --> 01:27:27,880
Speaker 1: gonna have Dominique Wilkins. We're gonna have him at the

1738
01:27:27,960 --> 01:27:31,760
Speaker 1: at the two guard although he's a small forward. Uh yeah,

1739
01:27:31,800 --> 01:27:34,400
Speaker 1: he's got he's got a shift positions because Doc is

1740
01:27:34,960 --> 01:27:38,880
Speaker 1: always going to be first, you know, to play the three. Obviously,

1741
01:27:38,920 --> 01:27:43,519
Speaker 1: we're gonna put Wilt as a center. Um, we need

1742
01:27:43,600 --> 01:27:47,160
Speaker 1: a point guard now. Um, I was thinking Maddick Johnson

1743
01:27:47,280 --> 01:27:51,559
Speaker 1: because you know, before he got HIV obviously down Yes,

1744
01:27:51,720 --> 01:27:54,320
Speaker 1: good good points. So so I would say Magic Johnson

1745
01:27:54,439 --> 01:27:57,640
Speaker 1: for sure. And then and and then there who were

1746
01:27:57,720 --> 01:27:59,679
Speaker 1: some of the guys in the NBA now, because there's

1747
01:27:59,760 --> 01:28:03,479
Speaker 1: great Coxman, great young stickman in the NBA. Now in

1748
01:28:03,560 --> 01:28:08,439
Speaker 1: the nineties you had great, great, fantastic Coxman. So I'm

1749
01:28:08,479 --> 01:28:10,200
Speaker 1: trying to think of who that fifth man would be.

1750
01:28:10,840 --> 01:28:13,360
Speaker 1: Who has and we were we were talking about it

1751
01:28:13,360 --> 01:28:15,040
Speaker 1: a lot too. And something we were talking about when

1752
01:28:15,080 --> 01:28:16,400
Speaker 1: you look at a lot of the great guys in

1753
01:28:16,439 --> 01:28:18,280
Speaker 1: the NBA now, I mean, you know, Kobe has retired,

1754
01:28:18,439 --> 01:28:21,559
Speaker 1: he got married early, Lebron got married early, got kids

1755
01:28:21,560 --> 01:28:25,120
Speaker 1: who are like ten, you know, ship he's like thirty,

1756
01:28:25,400 --> 01:28:27,720
Speaker 1: you know something like I don't fact check, but um

1757
01:28:28,360 --> 01:28:31,479
Speaker 1: would you were looking at the Great right now? You know.

1758
01:28:31,960 --> 01:28:35,160
Speaker 1: I think part of it is the Great doing it

1759
01:28:35,320 --> 01:28:38,439
Speaker 1: under the radar. Absolutely, I have to say I got

1760
01:28:38,520 --> 01:28:41,600
Speaker 1: the answer, and this is a great power forward for

1761
01:28:41,680 --> 01:28:45,960
Speaker 1: this team. Um Sean Kemp, Um, Who's the great one?

1762
01:28:46,280 --> 01:28:48,760
Speaker 1: Sean Kemp? Who? Who? Who was the reason why I

1763
01:28:48,840 --> 01:28:52,400
Speaker 1: got a vasectomy? Okay, I'll give you a quick story.

1764
01:28:52,520 --> 01:28:54,720
Speaker 1: I was when I was single. I was with a

1765
01:28:54,840 --> 01:28:59,680
Speaker 1: young lady in Chicago, beautiful, young girl, Spanish, fantastic. We

1766
01:28:59,760 --> 01:29:04,360
Speaker 1: were uh intimate, and while we were intimate, for some reason,

1767
01:29:05,680 --> 01:29:08,479
Speaker 1: while the intimacy was was was actually going on. This

1768
01:29:08,600 --> 01:29:12,679
Speaker 1: is a true fucking story. Sean Kemp popped into my mind.

1769
01:29:13,000 --> 01:29:15,439
Speaker 1: Now I love this guy. I know Sean Kemp since

1770
01:29:15,479 --> 01:29:19,360
Speaker 1: I'm about sixteen years old. Sweet dude. I think his

1771
01:29:19,520 --> 01:29:21,640
Speaker 1: career was cut short because I just think he was

1772
01:29:21,720 --> 01:29:24,559
Speaker 1: just never fully focused and it came so easy to him.

1773
01:29:24,600 --> 01:29:27,200
Speaker 1: And I think that, you know, one of the things

1774
01:29:27,240 --> 01:29:30,120
Speaker 1: that derailed his career was I don't know the exact number,

1775
01:29:30,160 --> 01:29:31,360
Speaker 1: so I don't want to throw him under the bus.

1776
01:29:31,479 --> 01:29:34,479
Speaker 1: But but he he laid it down. He laid it down.

1777
01:29:34,680 --> 01:29:37,240
Speaker 1: He's got multiple children and this is a good dude.

1778
01:29:37,280 --> 01:29:38,960
Speaker 1: So I'm not trying to throw my man under the bus.

1779
01:29:39,160 --> 01:29:42,360
Speaker 1: But he's the power forward for the starting five Coxman

1780
01:29:42,720 --> 01:29:45,000
Speaker 1: on the All NBA team. Gerald, do you do you

1781
01:29:45,040 --> 01:29:46,960
Speaker 1: have anyone to add Am? I missing anybody that you

1782
01:29:47,040 --> 01:29:51,479
Speaker 1: could think of? No, you, Uh, that's it man. What

1783
01:29:51,600 --> 01:29:54,640
Speaker 1: about the actors Leo? Did you mentioned Leo? Well, we

1784
01:29:54,760 --> 01:29:57,640
Speaker 1: we've talked about him. He's sort of separated himself from

1785
01:29:57,680 --> 01:30:01,160
Speaker 1: the pack. He's like sort of the Lance Armstrong of Coxman.

1786
01:30:01,680 --> 01:30:05,400
Speaker 1: When Lance Armstrong was was winning, uh, the Tour de Frau,

1787
01:30:05,880 --> 01:30:07,960
Speaker 1: I called fraud because I know how to speak French.

1788
01:30:08,280 --> 01:30:10,439
Speaker 1: When he was winning the Tour de Frau and just

1789
01:30:10,680 --> 01:30:13,600
Speaker 1: you know, dominating the competition, whether he was on that

1790
01:30:13,760 --> 01:30:17,640
Speaker 1: that that that we uh that powerhouse or not. Um,

1791
01:30:18,160 --> 01:30:20,360
Speaker 1: you know, he he sort of separates the So obviously

1792
01:30:20,479 --> 01:30:22,439
Speaker 1: Leo would be the number one guy. But but I

1793
01:30:23,040 --> 01:30:25,719
Speaker 1: just want to celebrate the NBA, some of the NBA Coxman,

1794
01:30:25,800 --> 01:30:27,519
Speaker 1: and I think we did a good job of it

1795
01:30:27,640 --> 01:30:30,200
Speaker 1: now just now. And I appreciate the care, I appreciate

1796
01:30:30,280 --> 01:30:32,840
Speaker 1: the insight and I appreciate you help helping us put

1797
01:30:32,880 --> 01:30:38,240
Speaker 1: together this great team. Another great stickman. He another guy

1798
01:30:38,280 --> 01:30:40,840
Speaker 1: I've known since I was a kid, funny guy. We

1799
01:30:40,880 --> 01:30:42,680
Speaker 1: could have him on the podcast. He'd actually be a

1800
01:30:42,760 --> 01:30:46,559
Speaker 1: great guest because he'd have great FUNX stories. John Sally

1801
01:30:47,400 --> 01:30:51,559
Speaker 1: John Sally of the Detroit Pistons and Bad Boys, Brooklyn

1802
01:30:51,640 --> 01:30:55,400
Speaker 1: Bread born and raised. He's a great Coxman under the

1803
01:30:55,479 --> 01:30:59,000
Speaker 1: Rainmond Coxman Um still active, but he would tell great

1804
01:30:59,040 --> 01:31:01,080
Speaker 1: stories about being an be a pro with the Bad

1805
01:31:01,160 --> 01:31:03,360
Speaker 1: Boys in in the eighties and nineties. So thank you

1806
01:31:03,439 --> 01:31:05,439
Speaker 1: for the call. We're gonna keep it moving, um, and

1807
01:31:05,520 --> 01:31:09,200
Speaker 1: I appreciate the support. Tina in l A. How are you, darling,

1808
01:31:10,640 --> 01:31:13,880
Speaker 1: daring great? How are you? I'm good, I'm good. What's

1809
01:31:13,920 --> 01:31:18,160
Speaker 1: going on? I just came from running down Griffith's Park

1810
01:31:18,200 --> 01:31:20,519
Speaker 1: sub verbatory, I'm out here in the streets that you

1811
01:31:20,600 --> 01:31:24,040
Speaker 1: can hear that the cars hasp to me by Okay, okay, okay.

1812
01:31:24,080 --> 01:31:28,360
Speaker 1: How's it going out there? It's great because whether it's great.

1813
01:31:28,640 --> 01:31:31,280
Speaker 1: But what I wanted to say, I originally called because

1814
01:31:31,320 --> 01:31:33,360
Speaker 1: I was going to support you guys on You're no

1815
01:31:33,520 --> 01:31:36,800
Speaker 1: good judges, um, but then I heard you and the

1816
01:31:36,880 --> 01:31:40,240
Speaker 1: naz call are talking about uh in the An players

1817
01:31:40,760 --> 01:31:42,880
Speaker 1: and I actually wanted to switch if I couldn't say

1818
01:31:42,960 --> 01:31:45,759
Speaker 1: something about that. I don't understand why do these players

1819
01:31:45,840 --> 01:31:48,519
Speaker 1: get married young? Why don't they just play the field

1820
01:31:48,640 --> 01:31:51,880
Speaker 1: and stick it? I mean, I I don't understand. What

1821
01:31:52,000 --> 01:31:55,519
Speaker 1: do you think about that? General, very very very valid question.

1822
01:31:55,560 --> 01:31:58,439
Speaker 1: I'll let Moody take the lead on that. Mr Moody,

1823
01:31:58,520 --> 01:32:01,920
Speaker 1: go ahead. I I don't know. I don't know if

1824
01:32:02,040 --> 01:32:05,519
Speaker 1: they should take Derek Jeter's lead. And it would be

1825
01:32:05,680 --> 01:32:09,280
Speaker 1: why just to stay single and have a good time

1826
01:32:09,640 --> 01:32:13,559
Speaker 1: and then when your career, Yeah, then you jumped the broom.

1827
01:32:14,439 --> 01:32:16,719
Speaker 1: I think in general, I'll speak, I'll speak in general

1828
01:32:16,840 --> 01:32:20,160
Speaker 1: for men. You you. In general, I think men want

1829
01:32:20,200 --> 01:32:22,240
Speaker 1: to do the right thing. I think when you're so

1830
01:32:22,479 --> 01:32:25,080
Speaker 1: young and you have so many things coming at you,

1831
01:32:25,720 --> 01:32:28,120
Speaker 1: um and and and and and so many different people

1832
01:32:28,200 --> 01:32:31,200
Speaker 1: coming at you, and women are literally and and I

1833
01:32:31,280 --> 01:32:34,240
Speaker 1: don't say this in any disrespectful way, but when you're

1834
01:32:34,280 --> 01:32:37,439
Speaker 1: when you're famous, if you're a professional athlete, athlete, women

1835
01:32:37,479 --> 01:32:40,120
Speaker 1: are disposable to you. They're literally like you could pick

1836
01:32:40,200 --> 01:32:43,080
Speaker 1: them up. So so it's hard. So you could be

1837
01:32:43,160 --> 01:32:45,599
Speaker 1: married and wanted to do the right thing. And then there's, uh,

1838
01:32:45,920 --> 01:32:48,160
Speaker 1: you know, you're, you're, you're, you're. You're in a hotel

1839
01:32:48,240 --> 01:32:51,439
Speaker 1: in Utah, you're there for a game against the jazz

1840
01:32:51,920 --> 01:32:54,840
Speaker 1: Um you you're you're wandering the hallways, or maybe you

1841
01:32:54,880 --> 01:32:56,880
Speaker 1: wanted to go downstairs to the bar to get the water,

1842
01:32:57,479 --> 01:33:01,320
Speaker 1: and there's a young a nice young piece, you know, Stephane,

1843
01:33:01,520 --> 01:33:04,439
Speaker 1: you and you know what you're gonna do. It's this

1844
01:33:04,680 --> 01:33:08,040
Speaker 1: is see I like, listen, sweetheart, this is a great

1845
01:33:08,080 --> 01:33:11,120
Speaker 1: call because usually it's just guys saying this, and women

1846
01:33:11,160 --> 01:33:12,720
Speaker 1: don't want to acknowledge it, and they want to call

1847
01:33:12,800 --> 01:33:16,759
Speaker 1: guys scumbags. But I appreciate cleanse that's bullshit. That's bullshit

1848
01:33:16,880 --> 01:33:19,400
Speaker 1: because otherwise, how these guys sticking it to these chicks

1849
01:33:19,640 --> 01:33:22,280
Speaker 1: unless they got some chicks hanging out at the at

1850
01:33:22,280 --> 01:33:23,800
Speaker 1: the end of the game, at the end of the show,

1851
01:33:24,280 --> 01:33:26,599
Speaker 1: you know, talking about, hey, with your kids hanging out.

1852
01:33:26,720 --> 01:33:28,800
Speaker 1: Come on, now, let's let's be real about it. But

1853
01:33:28,920 --> 01:33:31,599
Speaker 1: that's why it's such a question to me why these

1854
01:33:31,720 --> 01:33:34,880
Speaker 1: dudes still get married. And I'll say this though, I

1855
01:33:35,040 --> 01:33:39,960
Speaker 1: do know some Dallas Cowboys players, even retired Dallas Cowboys

1856
01:33:40,040 --> 01:33:44,439
Speaker 1: players who is prominent, and I befriended, befriended, not nothing,

1857
01:33:44,680 --> 01:33:48,240
Speaker 1: you know, sleazy a true friends. And he's actually beginning

1858
01:33:48,880 --> 01:33:52,160
Speaker 1: to mentor some of these new cats, you know at

1859
01:33:52,200 --> 01:33:55,839
Speaker 1: the combines, that football combines, because you know, these tengmen

1860
01:33:55,960 --> 01:33:59,000
Speaker 1: need that, they need to hear the horror stories, whether

1861
01:33:59,040 --> 01:34:02,360
Speaker 1: it's about chicks um getting these kids, they need to

1862
01:34:02,439 --> 01:34:05,600
Speaker 1: sew that ship up. These chicks out here, they are

1863
01:34:05,680 --> 01:34:08,439
Speaker 1: not playing. They're looking for a free ticket. Not all

1864
01:34:08,520 --> 01:34:11,920
Speaker 1: of them, obviously. I'm just saying. We see the shows,

1865
01:34:12,080 --> 01:34:14,479
Speaker 1: you know, the basketball wise and all the other stuff

1866
01:34:14,520 --> 01:34:17,439
Speaker 1: that you want to watch. You see it. Everybody knows it.

1867
01:34:17,640 --> 01:34:20,000
Speaker 1: Why are these dudes still getting married? Why don't they

1868
01:34:20,000 --> 01:34:22,599
Speaker 1: see the writing on the wall and just take note.

1869
01:34:22,960 --> 01:34:25,960
Speaker 1: It really bothers me that to do this. I think

1870
01:34:26,040 --> 01:34:28,200
Speaker 1: that they don't know. I mean, I think for young

1871
01:34:28,280 --> 01:34:30,640
Speaker 1: people in general, you don't know, you know, and it

1872
01:34:30,720 --> 01:34:35,200
Speaker 1: takes experience it sometimes, it takes the mistakes after me made.

1873
01:34:35,240 --> 01:34:37,280
Speaker 1: Some guys make it through. Some guys are ready for it.

1874
01:34:37,320 --> 01:34:41,400
Speaker 1: But I think the majority, especially you know, for specifically athletes,

1875
01:34:41,400 --> 01:34:46,240
Speaker 1: specifically athletes, you're getting it nice, nice young snapper thrown

1876
01:34:46,320 --> 01:34:48,280
Speaker 1: at you, and you don't know what, you don't know

1877
01:34:48,360 --> 01:34:50,320
Speaker 1: what to do it. You want to taste it? You

1878
01:34:50,560 --> 01:34:52,400
Speaker 1: you want to, you want to, you want to as

1879
01:34:52,439 --> 01:34:55,360
Speaker 1: you should, right, Yeah, you keep them moving. That's why

1880
01:34:55,400 --> 01:34:58,000
Speaker 1: you don't get married exactly how you are able to

1881
01:34:58,240 --> 01:35:00,200
Speaker 1: rack it up? If you if you get married, you're

1882
01:35:00,560 --> 01:35:03,720
Speaker 1: you know, you're you're hurting everyone because ultimately, if you

1883
01:35:03,800 --> 01:35:06,479
Speaker 1: get married and you still have people being thrown at you,

1884
01:35:07,160 --> 01:35:09,960
Speaker 1: you know, and you're being tempted, you're hurting you know,

1885
01:35:10,080 --> 01:35:12,519
Speaker 1: your wife, you were hurting the children. If there are

1886
01:35:12,600 --> 01:35:15,760
Speaker 1: children involved, everybody gets hurt. Why do you can go

1887
01:35:15,920 --> 01:35:18,960
Speaker 1: through that when you can just simply have But I

1888
01:35:19,160 --> 01:35:21,600
Speaker 1: don't get it. I love that you you called and

1889
01:35:21,640 --> 01:35:24,040
Speaker 1: did this because it's always just the guys talking. I

1890
01:35:24,080 --> 01:35:26,640
Speaker 1: would love to have you back on the podcast. Um

1891
01:35:26,800 --> 01:35:29,920
Speaker 1: we we We appreciate the loving of the support. Um

1892
01:35:30,080 --> 01:35:32,800
Speaker 1: you know, we're getting ready to wrap this this one up.

1893
01:35:33,120 --> 01:35:35,000
Speaker 1: And and thank you so much for the phone call.

1894
01:35:35,080 --> 01:35:37,400
Speaker 1: This was a great phone call. And and uh you know,

1895
01:35:37,520 --> 01:35:40,000
Speaker 1: like we said, we said, it's been sausage soup up

1896
01:35:40,040 --> 01:35:43,599
Speaker 1: in here. Okay to hear nice friendly, a friendly female

1897
01:35:43,680 --> 01:35:45,720
Speaker 1: voice with with great insight has been good. So so

1898
01:35:45,880 --> 01:35:48,080
Speaker 1: thank you so much for calling and and and spread

1899
01:35:48,120 --> 01:35:50,640
Speaker 1: the gospel of the Iron Wrap or Stereo podcast. I

1900
01:35:50,720 --> 01:35:52,960
Speaker 1: got my T shirt on right now. Everybody I shook

1901
01:35:53,040 --> 01:35:55,800
Speaker 1: the Park observatory was looking at me. Fuck yeah, I'm

1902
01:35:55,840 --> 01:36:00,439
Speaker 1: resenting so much, Thank you so much. All right, sweetheart

1903
01:36:01,560 --> 01:36:04,880
Speaker 1: Richard in Portland's what's up? My man? How are you doing?

1904
01:36:04,920 --> 01:36:07,479
Speaker 1: My friend? When I left work earlier, it's like, get

1905
01:36:07,560 --> 01:36:10,280
Speaker 1: on the live all right, man, you're live? Are You're

1906
01:36:10,280 --> 01:36:12,800
Speaker 1: live with the Gringo man Dingo and Gimo Nettie the

1907
01:36:12,840 --> 01:36:17,679
Speaker 1: two thousand and Siste up? Gerald, I'm I've been down

1908
01:36:17,760 --> 01:36:20,280
Speaker 1: since the day one, about a year ago. I want

1909
01:36:20,280 --> 01:36:24,439
Speaker 1: a shirt doing the Alfacino Light of the Week. I

1910
01:36:24,560 --> 01:36:27,679
Speaker 1: just want to say the show is great. The love

1911
01:36:27,800 --> 01:36:31,040
Speaker 1: between you and Gerald is genuine. I got homies, I've

1912
01:36:31,080 --> 01:36:33,200
Speaker 1: been friends and I grew up in Phoenix. I got

1913
01:36:33,280 --> 01:36:35,439
Speaker 1: friends I've been friends with for like thirty five years.

1914
01:36:35,960 --> 01:36:38,120
Speaker 1: And it's the same ship when we when we kick

1915
01:36:38,160 --> 01:36:40,559
Speaker 1: it and talk shit, it's like, are you and Gerald

1916
01:36:40,920 --> 01:36:45,960
Speaker 1: kick it? And I? It's genuine. Here's podcast is fucking great. Also,

1917
01:36:46,080 --> 01:36:48,639
Speaker 1: I gotta say I had a son nine months ago.

1918
01:36:48,840 --> 01:36:54,000
Speaker 1: His name is Maceio. No bullshit. Yeah, and I don't

1919
01:36:54,000 --> 01:36:57,200
Speaker 1: want to say that you were like the catalyst to that,

1920
01:36:57,640 --> 01:37:00,400
Speaker 1: but you know, in the spirit of no fact checking,

1921
01:37:00,600 --> 01:37:03,040
Speaker 1: you might have been the catalyst. And my son's name

1922
01:37:03,120 --> 01:37:06,320
Speaker 1: being ma Seo, well, well that means a lot, you know.

1923
01:37:06,439 --> 01:37:08,840
Speaker 1: I I just have good taste, and it proves you

1924
01:37:08,960 --> 01:37:11,040
Speaker 1: have good taste. You know. The name may Seal for

1925
01:37:11,160 --> 01:37:14,639
Speaker 1: me was was, you know, a dedication to Machel Parker

1926
01:37:14,960 --> 01:37:17,120
Speaker 1: and the may Seal from Daylight Soul. I've always loved

1927
01:37:17,160 --> 01:37:20,120
Speaker 1: that name, and uh, you know, it's you. You'll you'll

1928
01:37:20,160 --> 01:37:22,800
Speaker 1: find that that your son is special and unique and

1929
01:37:22,920 --> 01:37:24,800
Speaker 1: and and you never get tired of saying it. It's

1930
01:37:24,840 --> 01:37:27,840
Speaker 1: just a great name and and uh, you know, it

1931
01:37:28,000 --> 01:37:29,960
Speaker 1: rolls off the tongue. So I was one of the

1932
01:37:30,040 --> 01:37:32,599
Speaker 1: best decisions I made as a parent so far, named

1933
01:37:32,840 --> 01:37:36,760
Speaker 1: naming my one son Macheo. And I agree. And I've

1934
01:37:36,760 --> 01:37:39,679
Speaker 1: been a DJ for twenty one years. I'm thirty nine,

1935
01:37:39,720 --> 01:37:41,920
Speaker 1: so I'm raised and that good ship if op era

1936
01:37:42,520 --> 01:37:45,160
Speaker 1: not that bullshit now. I mean, I love what you

1937
01:37:45,240 --> 01:37:47,360
Speaker 1: guys talking about. I'm kind of kind of pissed that

1938
01:37:47,840 --> 01:37:49,720
Speaker 1: you're can be in Phoenix on the sixteenth because that's

1939
01:37:49,760 --> 01:37:52,720
Speaker 1: my hometown. Um, because I'm gonna be there in the

1940
01:37:52,760 --> 01:37:55,599
Speaker 1: twenty eight for my twenty year high school reunion. I'm

1941
01:37:55,680 --> 01:37:57,840
Speaker 1: kind of kind of bum my missing that. But I

1942
01:37:57,960 --> 01:37:59,920
Speaker 1: do got a question, though, I got a couple of questions.

1943
01:38:00,080 --> 01:38:01,800
Speaker 1: Give it to us, Give us to us. When in

1944
01:38:01,880 --> 01:38:04,960
Speaker 1: the nineties, what the funk were you guys doing chilling

1945
01:38:05,000 --> 01:38:09,320
Speaker 1: and Phoenix in the nineties and Gerald, and I'm like,

1946
01:38:09,720 --> 01:38:11,760
Speaker 1: what is the draw? Going in the desert in the

1947
01:38:11,880 --> 01:38:16,560
Speaker 1: nineties was wild? Gee, but break it down explaining what

1948
01:38:16,720 --> 01:38:18,519
Speaker 1: what what what what? You were out there? And then

1949
01:38:18,560 --> 01:38:19,920
Speaker 1: I just came out there to rock with you, so

1950
01:38:20,080 --> 01:38:22,320
Speaker 1: so you'll break it. Doway. I went to school in

1951
01:38:22,840 --> 01:38:26,000
Speaker 1: Yuma and and Mike was in l A. So Mike

1952
01:38:26,040 --> 01:38:28,880
Speaker 1: would come on a weekend and he would we would

1953
01:38:29,000 --> 01:38:32,120
Speaker 1: chilling Huma and then drop to l A. So we

1954
01:38:32,200 --> 01:38:36,320
Speaker 1: were doing that like eight and just doing out man

1955
01:38:36,600 --> 01:38:39,960
Speaker 1: Arizona school man as though. And I saw Generald went

1956
01:38:40,000 --> 01:38:43,559
Speaker 1: to Miss White's kitchen. That's a stafe on Phoenix. Phoenix. Yeah,

1957
01:38:43,600 --> 01:38:45,960
Speaker 1: I love Phoenix. We're gonna be out there, you know,

1958
01:38:46,240 --> 01:38:48,040
Speaker 1: and we're looking forward to being with the people. We

1959
01:38:48,160 --> 01:38:51,840
Speaker 1: appreciate the respect and the support and uh, you know,

1960
01:38:52,040 --> 01:38:54,000
Speaker 1: and and and you know, stay in touch with us, man.

1961
01:38:54,040 --> 01:38:56,080
Speaker 1: We're easy to find. I'm trying to get you guys

1962
01:38:56,120 --> 01:38:59,160
Speaker 1: out here to Portland that happen. We're ready to go.

1963
01:38:59,439 --> 01:39:01,719
Speaker 1: We're ready to go. I'm trying to make that happen.

1964
01:39:01,720 --> 01:39:03,120
Speaker 1: I'm trying to line it up. I'm trying to get

1965
01:39:03,160 --> 01:39:05,640
Speaker 1: you guys in the north to Seattle and my man

1966
01:39:05,800 --> 01:39:08,800
Speaker 1: Nate swinging waffle Spot. So I'm trying to like look

1967
01:39:08,840 --> 01:39:11,519
Speaker 1: all that ship up for you guys. Hopefully in the

1968
01:39:11,600 --> 01:39:13,840
Speaker 1: next year we can make that happen. All right, once again,

1969
01:39:14,400 --> 01:39:16,640
Speaker 1: I appreciate it. Thanks for taking the time. Thank you,

1970
01:39:16,720 --> 01:39:19,439
Speaker 1: my man, Thank you, my man. We'll talk to you soon. Eric,

1971
01:39:19,560 --> 01:39:22,360
Speaker 1: what's really good? This is Eric. Hey. I just wanted

1972
01:39:22,400 --> 01:39:24,880
Speaker 1: to say, first off, Google man Dingo listen to you

1973
01:39:24,920 --> 01:39:28,760
Speaker 1: every day, Moody your Beats of the Bomb. Wanted to

1974
01:39:28,800 --> 01:39:31,720
Speaker 1: give a shout out to your tip called Quest documentary.

1975
01:39:32,280 --> 01:39:35,000
Speaker 1: You guys did a big thing about five dog Rest

1976
01:39:35,080 --> 01:39:38,080
Speaker 1: in Peace, about how he's diabetic and I'm also diabetics

1977
01:39:38,120 --> 01:39:41,880
Speaker 1: and eight months old, youngest on the East Toast for

1978
01:39:42,040 --> 01:39:44,599
Speaker 1: seven years to some little prick out at seven months old,

1979
01:39:44,680 --> 01:39:47,560
Speaker 1: and I really just wanted to appreciate that because no

1980
01:39:47,640 --> 01:39:51,400
Speaker 1: one's really bring a diabetes to the forefront really at all? Yeah,

1981
01:39:51,479 --> 01:39:55,519
Speaker 1: I agree. You know, obviously the great Fife Dog passing

1982
01:39:55,680 --> 01:40:00,160
Speaker 1: the funky diabetic, the original funky diabetic. You know, you

1983
01:40:00,240 --> 01:40:03,360
Speaker 1: know it was it got him. You know, he fought,

1984
01:40:03,400 --> 01:40:05,160
Speaker 1: he fought hard for a long time and I think

1985
01:40:05,240 --> 01:40:08,040
Speaker 1: that you know, um, you know, I know he started

1986
01:40:08,040 --> 01:40:09,720
Speaker 1: to pay more attention to try to bring it to

1987
01:40:09,800 --> 01:40:12,400
Speaker 1: the forefront, but he continued to be to be, you know,

1988
01:40:12,520 --> 01:40:14,800
Speaker 1: deal with it. He was. He was struggling, you know,

1989
01:40:14,880 --> 01:40:18,240
Speaker 1: health wise. So, um, you know it's sad. How's your

1990
01:40:18,280 --> 01:40:21,320
Speaker 1: health now? Oh that's really good. Yeah, I'm on the

1991
01:40:21,400 --> 01:40:24,760
Speaker 1: inflam pump. I'm a runner. Also run half marathons and

1992
01:40:24,840 --> 01:40:27,920
Speaker 1: I don't let it stop me at all. Well, good, good, good,

1993
01:40:28,040 --> 01:40:30,519
Speaker 1: good good. Um, So you run half marathons like I

1994
01:40:30,680 --> 01:40:34,320
Speaker 1: was that twelve and a half miles thirteen point one shit,

1995
01:40:35,720 --> 01:40:38,160
Speaker 1: I got a little backpack and everything I carried by

1996
01:40:38,240 --> 01:40:42,320
Speaker 1: meter inflam pump, good packs, all that junk. How long

1997
01:40:42,360 --> 01:40:45,680
Speaker 1: does it take you? What's your best? Thirteen point one miles? Uh,

1998
01:40:45,960 --> 01:40:48,840
Speaker 1: one hour and forty five minutes. Wow, that's impressive man.

1999
01:40:49,240 --> 01:40:53,200
Speaker 1: Well listen, it's about thirty minute miles I I appreciate

2000
01:40:53,280 --> 01:40:55,840
Speaker 1: I appreciate the call man that that, and I wish

2001
01:40:55,880 --> 01:40:58,320
Speaker 1: you'd luck. I'm glad you're taking care of yourself and

2002
01:40:58,640 --> 01:41:01,320
Speaker 1: uh you know, like like said man, uh you know,

2003
01:41:01,479 --> 01:41:05,400
Speaker 1: keep doing your thing, stay healthy, and we we're gonna

2004
01:41:05,479 --> 01:41:07,960
Speaker 1: keep rocking the Iron Wrap Coors Stereo Podcast for you,

2005
01:41:08,520 --> 01:41:10,479
Speaker 1: and uh, you know, God bless you man, and God

2006
01:41:10,520 --> 01:41:13,599
Speaker 1: bless the great Fife dog. Hey, thank you very much. Guy.

2007
01:41:13,680 --> 01:41:16,479
Speaker 1: I love what you do. Thank you, thank you. All right, bro,

2008
01:41:17,400 --> 01:41:19,639
Speaker 1: all right, all right, listen, this is this has been

2009
01:41:20,040 --> 01:41:23,599
Speaker 1: another fantastic Iron Wrap Coors Stereo podcast. We're gonna take

2010
01:41:23,640 --> 01:41:26,840
Speaker 1: one more coal and then we're gonna wrap it up.

2011
01:41:27,479 --> 01:41:30,280
Speaker 1: We're gonna talk to my man Victor right now. Victor,

2012
01:41:30,360 --> 01:41:34,720
Speaker 1: what's what's really hood? What's good? What's going on? Man?

2013
01:41:34,920 --> 01:41:39,559
Speaker 1: How are you doing? Victor? Where are you from Lanting, Michigan? Okay, okay,

2014
01:41:39,640 --> 01:41:43,040
Speaker 1: how is it out there? It's good, man, it's cool

2015
01:41:43,120 --> 01:41:46,120
Speaker 1: and off. You know, he made it. He's gone. Yeah,

2016
01:41:46,160 --> 01:41:49,760
Speaker 1: it's doing good. Okay, okay, um okay. So, so you've

2017
01:41:49,760 --> 01:41:52,280
Speaker 1: got any questions for the Gringo Man Dingo or the

2018
01:41:52,320 --> 01:41:56,240
Speaker 1: two thousand and fifteen podcast Colds of the Year yes,

2019
01:41:56,400 --> 01:41:58,280
Speaker 1: I do. I got a question for both of you.

2020
01:41:59,479 --> 01:42:01,320
Speaker 1: We know who of the hall of fame as you

2021
01:42:01,400 --> 01:42:06,479
Speaker 1: know with Leo and Jeter and you know, And I

2022
01:42:06,760 --> 01:42:10,680
Speaker 1: was just wondering who's the better stick man? You or

2023
01:42:10,760 --> 01:42:19,400
Speaker 1: g Moody. Yeah, I have to say myself. Um, although

2024
01:42:19,520 --> 01:42:23,320
Speaker 1: Gerald's great, you know, Gerald's not now I'm talking about me.

2025
01:42:23,439 --> 01:42:26,160
Speaker 1: When I was younger, I wouldn't consider Gerald as a

2026
01:42:26,320 --> 01:42:29,160
Speaker 1: as a pussy hound. And if you don't have that

2027
01:42:29,320 --> 01:42:33,720
Speaker 1: pussy hound, Gene, you can't be a great stickman. He

2028
01:42:33,880 --> 01:42:36,479
Speaker 1: had a great run. We're both older now, we're we're

2029
01:42:36,600 --> 01:42:38,040
Speaker 1: you know, we're we're We're not We're not that the

2030
01:42:38,120 --> 01:42:41,000
Speaker 1: man we used to be. I'm gonna I'm gonna happy, happy, happy,

2031
01:42:41,320 --> 01:42:44,479
Speaker 1: fulfilling relationship. So I'm talking about Mike my younger days.

2032
01:42:44,760 --> 01:42:47,760
Speaker 1: So so you know, having having the the the the

2033
01:42:47,880 --> 01:42:50,200
Speaker 1: fame that I've had, uh, you know, it changes thing.

2034
01:42:50,439 --> 01:42:52,200
Speaker 1: But but neither one of us have been you know,

2035
01:42:52,400 --> 01:42:54,760
Speaker 1: have have really we've never been those guys that have

2036
01:42:54,960 --> 01:42:57,600
Speaker 1: really tried to like put that much work in. You know,

2037
01:42:57,720 --> 01:43:00,920
Speaker 1: everybody likes to, you know, find a nice, nice young

2038
01:43:01,000 --> 01:43:04,360
Speaker 1: piece of something. Uh when you're younger. But but but

2039
01:43:04,520 --> 01:43:07,960
Speaker 1: you know like a true stickman, A true Coxman, Okay,

2040
01:43:08,080 --> 01:43:10,840
Speaker 1: a true Coxman is gonna is gonna put that extra

2041
01:43:10,920 --> 01:43:13,519
Speaker 1: work in, that extra effort. And it's it's not something

2042
01:43:13,600 --> 01:43:16,120
Speaker 1: you could think about. It's not something you can develop,

2043
01:43:16,160 --> 01:43:19,920
Speaker 1: It's something you're born with. Okay, Yeah, absolutely, So I

2044
01:43:20,000 --> 01:43:22,600
Speaker 1: would not consider myself a great Coxman. But but but

2045
01:43:22,840 --> 01:43:25,280
Speaker 1: if if we were saying what it was, we'd probably

2046
01:43:25,320 --> 01:43:27,960
Speaker 1: say me, but not by much, not by much. But

2047
01:43:28,640 --> 01:43:31,160
Speaker 1: and I say this, we instead of saying no Bruno

2048
01:43:31,240 --> 01:43:33,400
Speaker 1: at the end of this, I'm gonna say no brutal

2049
01:43:33,680 --> 01:43:37,080
Speaker 1: before I say this, I have an eye. Uh and

2050
01:43:37,280 --> 01:43:38,800
Speaker 1: and and you know I have an eye and a

2051
01:43:38,880 --> 01:43:42,400
Speaker 1: certain respect for great Coxman. And I'll end it. I'll

2052
01:43:42,560 --> 01:43:45,599
Speaker 1: end that sentiment with no Bruno. I appreciate the call.

2053
01:43:46,240 --> 01:43:49,960
Speaker 1: Fantastic question. Uh, you know it was very you know,

2054
01:43:50,000 --> 01:43:51,479
Speaker 1: I had to be We had to dig deep for

2055
01:43:51,520 --> 01:43:54,800
Speaker 1: the answer. Um, we're we're gonna end this podcast now,

2056
01:43:54,920 --> 01:43:57,160
Speaker 1: my man. I appreciate the support and keep giving us

2057
01:43:57,160 --> 01:43:59,920
Speaker 1: the level. We're gonna keep giving it back. Yeah, you

2058
01:44:00,040 --> 01:44:10,280
Speaker 1: have to do it, man, We love it. Welcome to Play,

2059
01:44:10,560 --> 01:44:15,439
Speaker 1: a new podcast network featuring radio and TV personalities talking business, sports,

2060
01:44:15,560 --> 01:44:18,800
Speaker 1: tech entertainment and more. Play it at play dot it

2061
01:44:24,479 --> 01:44:31,559
Speaker 1: all right, see Rappor Stereo podcast. Mon Eddie, Yo, how

2062
01:44:31,640 --> 01:44:33,479
Speaker 1: you feeling? I think this has been a great episode.

2063
01:44:33,560 --> 01:44:37,880
Speaker 1: That was some great conversation. Um funny uh and and

2064
01:44:38,160 --> 01:44:41,840
Speaker 1: talking to the fans is great, always always great talking

2065
01:44:41,920 --> 01:44:44,719
Speaker 1: to them. I love the passion and it's just gonna

2066
01:44:44,760 --> 01:44:49,800
Speaker 1: add more love to the fire. More funny ship coming man.

2067
01:44:50,520 --> 01:44:53,720
Speaker 1: I love it. Um, I do too, I do too.

2068
01:44:54,120 --> 01:44:57,880
Speaker 1: So again the World Tour the fourteen If you want

2069
01:44:57,920 --> 01:45:01,120
Speaker 1: to dance with the dingo draft King dot com forward slash,

2070
01:45:01,200 --> 01:45:06,160
Speaker 1: I wrap report, Uh Gene Moody. Uh you the people

2071
01:45:06,240 --> 01:45:08,920
Speaker 1: told you you can't put the beats on for fifteen seconds.

2072
01:45:09,120 --> 01:45:11,800
Speaker 1: That that's like giving somebody a taste of a fantastic

2073
01:45:11,880 --> 01:45:14,080
Speaker 1: for let mignon and then uh, you know, sticking a

2074
01:45:14,120 --> 01:45:16,240
Speaker 1: piece of fucking bologna in their mouth. It's not fair.

2075
01:45:16,720 --> 01:45:19,000
Speaker 1: Why do you want to do that? Don't do that anymore?

2076
01:45:19,080 --> 01:45:23,200
Speaker 1: Please please? All right, it's gonna be seconds now, all right,

2077
01:45:23,280 --> 01:45:27,280
Speaker 1: cool cool um. Anyway, we're signing off for another great

2078
01:45:27,320 --> 01:45:29,479
Speaker 1: episode of the Iron Rapport Stereo Podcast. I want to

2079
01:45:29,600 --> 01:45:33,519
Speaker 1: think my people at tune in my man, Jeremiah for

2080
01:45:33,680 --> 01:45:37,120
Speaker 1: for for man in the ship uh, and all the

2081
01:45:37,160 --> 01:45:39,400
Speaker 1: people for for letting us in here giving us the

2082
01:45:39,439 --> 01:45:44,080
Speaker 1: best sound system possible. Jordan Winter, Miles Davis, the podcast

2083
01:45:44,479 --> 01:45:49,280
Speaker 1: producer extraordinaires. We're out. You're listening to some moody beats

2084
01:45:49,680 --> 01:45:51,800
Speaker 1: under this right now. These are actual moody beats, and

2085
01:45:51,840 --> 01:45:55,160
Speaker 1: we're gonna rock this for about two minutes. Miles. When

2086
01:45:55,160 --> 01:45:56,960
Speaker 1: you're doing it, when when you're mixing it, just turn

2087
01:45:57,040 --> 01:45:58,200
Speaker 1: it up just a little bit more. I don't want

2088
01:45:58,200 --> 01:46:00,320
Speaker 1: to blast the one's ear, but we want to make it,

2089
01:46:00,400 --> 01:46:02,160
Speaker 1: make it, make it talk you for them. Let's see

2090
01:46:02,160 --> 01:46:03,720
Speaker 1: how reports stereo podcast and we're out.