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Speaker 1: So this weekend I am.

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Speaker 2: I am still recovering from we did not just a

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Speaker 2: birthday party.

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Speaker 1: We did a birthday extravaganza. Oh yes, yeah, Indy really

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Speaker 1: gets screwed.

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Speaker 2: You know, his birthday is December twenty eighth, so it's

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Speaker 2: like we always have birthday, you know, we either have

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Speaker 2: to do him in January or early December, or like

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Speaker 2: last year, we just didn't have a birthday party for him.

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Speaker 1: It's just like it just doesn't happen.

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Speaker 3: You know.

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Speaker 1: It's like we asked him, do you want to do something?

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Speaker 1: He just says no.

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Speaker 2: Anyway, so he was very upset that last year we

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Speaker 2: did nothing. So this year my wife took it upon

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Speaker 2: herself to basically yes and everything Indy wanted and cram

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Speaker 2: it all into one weekend.

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Speaker 1: Oh my god.

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Speaker 2: I was merely the assistant chauffeur along for the ride.

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Speaker 2: I was still I had my own birthday gathering on Friday.

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Speaker 1: So I woke up on Saturday morning. I was like,

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Speaker 1: where am I going? What am I doing? But so

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Speaker 1: here's how it started.

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Speaker 2: At ten am, first movie screening of five Nights of

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Speaker 2: Freday's Saturday Morning, Five Nights of Freddy's two A Bunch

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Speaker 2: of his friends meet us at the theater or some come

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Speaker 2: to the house.

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Speaker 1: We drive over there.

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Speaker 2: Then right next to the movie theater is a Benny

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Speaker 2: hannahs Hell. Yes, Benny Hannah lunch with now more kids

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Speaker 2: joined for that.

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Speaker 1: Some kids whose parents didn't want them to see the

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Speaker 1: scary movie they met us for that. So we have

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Speaker 1: two tables of.

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Speaker 2: Bennie Hanna insanitay kids all over. Then we bring them

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Speaker 2: back to our place. Oh no, wait, sorry, I'm forgetting.

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Speaker 2: Right next to Benny Hannah is a place called FunBox,

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Speaker 2: which is giant bouncy castle. Kids have ninety minutes of

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Speaker 2: pure bouncy castle.

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Speaker 4: Run the bouncy castle right after Benny's gone.

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Speaker 5: This is directly after a Benni Hanna.

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Speaker 2: Let them work off the calories man nate, so they

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Speaker 2: ran like then came back to our place and kids

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Speaker 2: are Some kids are leaving for some of these events

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Speaker 2: and coming back for others.

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Speaker 1: They come back to our place. It's getting dark.

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Speaker 2: They play a zombie infection tag game that India has

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Speaker 2: designed where he hands out head lamps and they're running

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Speaker 2: around our yard. And then it's a sleepover. Not everybody

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Speaker 2: sleeps over, but then we have a sleepover of.

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Speaker 1: About six or seven boys all in the living room.

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Speaker 2: Yeah, they finally go to bed at like ten ten thirty,

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Speaker 2: of course, wake up at four four thirty running through

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Speaker 2: the halls.

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Speaker 1: Then after we make them breakfast.

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Speaker 2: Then we go to VR place and we went and

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Speaker 2: did Sandbox VR and played Squid Games and eighty Palooza.

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Speaker 2: I know, yeah exactly, man. And I was worried, like

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Speaker 2: when she had this.

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Speaker 1: Plan, I was like, what are you doing?

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Speaker 2: You know, but my wife is like the ultimate producer, organizer,

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Speaker 2: event planner, And it went perfectly, like it was totally smooth.

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Speaker 2: It was just it was super fun. And like I said,

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Speaker 2: I was just kind of the show for and and assistant.

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Speaker 2: But it was so fun to be around because Indy's.

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Speaker 1: He's turned he's turned turned.

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Speaker 2: Eleven, and so he's at that age where like I'm

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Speaker 2: you know, I'm used to being the parent with a

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Speaker 2: group of kids or like with one of his friends

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Speaker 2: where it's like you're the one kind of in charge,

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Speaker 2: you know, You're like leading the conversation, picking the music,

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Speaker 2: and like that's gone.

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Speaker 1: Like now I'm just like along for.

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Speaker 2: The ride, right, I just get to sit and listen

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Speaker 2: to them talk to each other and like they care

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Speaker 2: so much more what each other.

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Speaker 1: Think than what any adult thinks.

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Speaker 2: And you know, it's like it's already gone, like there,

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Speaker 2: you know, they're entering middle school next year, and so

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Speaker 2: it's just like it's just about their friendship. It's just

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Speaker 2: about the the like the language they speak to each other, and.

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Speaker 1: Like it was so fun. They're just a great group

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Speaker 1: of kids.

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Speaker 2: You know, it's just so cool to be along for

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Speaker 2: the ride and not have any responsibility and to just

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Speaker 2: be a fly on the wall and listen to them talking.

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Speaker 5: And he isn't a smoker in the bunch? Is there?

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Speaker 1: No?

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Speaker 5: No, that was all my friends ten eleven years old.

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Speaker 3: It was we need sneak out and that you know,

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Speaker 3: at the middle of the night in a in a sleepover,

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Speaker 3: you'd be outside smoking cigarettes.

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Speaker 5: I mean, yeah, it's so great that that's not a

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Speaker 5: thing anymore.

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Speaker 4: I know.

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Speaker 2: Wow, God, No, it's definitely it's definitely like pre middle

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Speaker 2: school middle school, you know what I mean, Like they're

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Speaker 2: not talking about girls or guys or and you know,

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Speaker 2: there's like none of that yet.

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Speaker 1: It's just like nothing.

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Speaker 4: They're atlantic.

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Speaker 2: But you know what it is, it's that they now

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Speaker 2: give each other. It's like they've reached the teasing, joking

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Speaker 2: and like jockeying for status position, you know, like they're

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Speaker 2: always but in a fun, playful way, like they all

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Speaker 2: love each other, but there's a lot of like who.

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Speaker 1: Got the front seat? Who do you do?

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Speaker 3: Do it?

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Speaker 2: And like if somebody's three weeks younger that they like

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Speaker 2: lorded over each other. You know, it's like that kind

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Speaker 2: of stuff that's just so funny to hear, and they

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Speaker 2: care so much about it.

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Speaker 1: It was it was just a blast.

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Speaker 2: I was just like, Wow, we've entered a new like

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Speaker 2: and like I said, like, as long as I can

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Speaker 2: be someone involved, I can just be a fly on

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Speaker 2: the wall.

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Speaker 3: Well, you talked about your wife's planning and so this

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Speaker 3: is what happened.

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Speaker 5: So I don't know if you're even aware of this.

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Speaker 3: We we were there at your birthday party for obviously

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Speaker 3: Danielle unfortunately couldn't go, but we we were there reppin'

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Speaker 3: Pod meets World and talking to Alex and alex Is.

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Speaker 3: You know, We're sitting there having you know, just a conversation.

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Speaker 3: I was like, oh, you know, my birthday party this year,

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Speaker 3: I'm actually gonna throw a birthday party where I'm going

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Speaker 3: to do the uh you know, the problem. And she goes,

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Speaker 3: all right, well, let's let's pick a weekend. And I go, no, no, no,

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Speaker 3: it's this is in August. She goes, no, no, no, let's

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Speaker 3: pick a weekend. She pulls out her phone yep, and

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Speaker 3: she shows me her calendar and I'm like, how do

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Speaker 3: you how do you have stuff planned through August? She's like,

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Speaker 3: all right, so this won't work. All right, this weekend?

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Speaker 3: We we should do this weekend.

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Speaker 5: She's like, I'll help you.

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Speaker 3: And I'm like okay, and she goes, well, let me

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Speaker 3: look at your calendar and I open it up. I go,

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Speaker 3: this is all that's on my calendar. And every day

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Speaker 3: at noon it just says take pills. So it just

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Speaker 3: reminds me to take my vitamins. And she's laughing, hysterics world,

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Speaker 3: take pills. Sure from tomorrow on, I have nothing planned

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Speaker 3: and she's got August of twenty twenty six up. We've

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Speaker 3: already picked the weekend because that's what you guys are

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Speaker 3: going to be in town.

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Speaker 1: Okay, so it's on my calendar.

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Speaker 3: Okay, I don't know, like it's like the weekend after

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Speaker 3: my birthday it's like the fifteenth something like that.

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Speaker 4: Okay, let's see I'm going to go to August.

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Speaker 3: So it was I'm like, how do you have this plan?

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Speaker 3: And then she's showing other people at the party. She's like,

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Speaker 3: his whole calendar just says take pills.

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Speaker 6: Yes, my plans for the year stop at June of

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Speaker 6: twenty twenty six.

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Speaker 4: I have nothing for July or August.

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Speaker 3: I don't other than taking pills, which I forgot yesterday,

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Speaker 3: even with the reminder, I don't know what I'm doing

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Speaker 3: on Thursday. So it's crazy. And she said the same thing.

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Speaker 3: She's like, I love to do this, I love the plan.

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Speaker 3: I want to help with the party. I was like, oh, okay,

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Speaker 3: I stay.

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Speaker 1: On my calendar right now, save the day Will's birthday. Yep, okay,

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Speaker 1: sounds good the calendar. I'll probably be doing a lot

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Speaker 1: of work. I'll be cleaning up and organizing.

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Speaker 3: I'll just see the other thing you just you blew through,

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Speaker 3: which is the most important part of the day, is

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Speaker 3: BENI Hannah?

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Speaker 1: Oh so much fun.

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Speaker 3: So a couple things. One, did you get a good

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Speaker 3: man or woman with the with the utensils? Because last

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Speaker 3: time we went we had a kid who just graduated

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Speaker 3: from high school, was like, h I.

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Speaker 5: Am chet, I'll be helping today.

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Speaker 3: He missed the tower. He threw the shrimp in my

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Speaker 3: face instead of in my mouth.

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Speaker 5: It was bad.

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Speaker 2: Oh yeah, no, Well we had you know, we had

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Speaker 2: like the adults table and then like ten to twelve

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Speaker 2: kids at one table together crammed in and that they

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Speaker 2: love our guy was great.

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Speaker 1: He actually had props.

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Speaker 2: He had like a little dinosaur toy dinosaur, so when

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Speaker 2: the volcano came out, he didn't add it. So he

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Speaker 2: added little bells and whizzled. But the kids like freaked

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Speaker 2: out because at one point the guy wrote six seven

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Speaker 2: on in and they were all just like, We're like,

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Speaker 2: oh god, so he knew exactly what to do.

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Speaker 3: I have a fun idea for us. Okay, we got

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Speaker 3: to go to Benny Hannah for lunch and then immediately

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Speaker 3: go to that bouncy house place and see what happens in.

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Speaker 5: Our right from combo meal number two to bouncy house.

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Speaker 6: I went to Disneyland on Saturday and I had a

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Speaker 6: coffee right before going on the roller coaster, and just

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Speaker 6: the coffee before the roller coaster, I.

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Speaker 4: Was like, well, I can't have that mustoch like.

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Speaker 5: No, no, which which roller coaster?

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Speaker 4: The incredit coaster.

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Speaker 1: Coaster? Yeah, it doesn't.

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Speaker 3: Oh.

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Speaker 2: I finally went on it a couple of weeks ago

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Speaker 2: when we were there for the the was it the coast?

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Speaker 1: It's good.

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Speaker 5: It's a good coaster.

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Speaker 1: Oh, it's so fun.

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Speaker 4: It's so fun. Yeah, it's really fun. Yeah.

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Speaker 6: Well, I can't do Benny Hanna at lunch either. I

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Speaker 6: don't want a heavy lunch.

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Speaker 5: Yeah, Benny hunt is pretty heavy.

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Speaker 4: It's heavy, so good. I get the shrimp. What do

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Speaker 4: you guys get?

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Speaker 5: Oh, the chicken and the steak combo.

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Speaker 1: Yeah, you get the steak.

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Speaker 4: I don't.

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Speaker 6: I get the shrimp. I just really like the fried rice.

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Speaker 6: I could do without the protein, to be honest.

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Speaker 1: Wow, I like all the bells and whistles. I like yeah,

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Speaker 1: I like the little like the les.

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Speaker 4: Keep you protein.

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Speaker 3: I have one of those Blackstone grills, and the second

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Speaker 3: day I ever used it that get I took the

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Speaker 3: two spatulas and I put a fake hat on it.

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Speaker 5: I had nothing on the grill, but I was still

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Speaker 5: doing the whole thing.

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Speaker 1: Of course, I like this.

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Speaker 2: We talked about doing this for ever, doing a skit

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Speaker 2: where you're just the worst being the worst.

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Speaker 4: Please let's do it. And then also, will you make

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Speaker 4: us fried rice?

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Speaker 1: Of course I got it.

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Speaker 5: Yeah, you gotta cook it and let it sit for

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Speaker 5: a day or two.

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Speaker 4: But yes, but okay, all right, Welcome to Pod Meets World.

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Speaker 4: I'm Daniel Fishle, I'm right or Strong, and I'm Wilfredell.

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Speaker 6: So here we are, Season seven, Episode two, for Love

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Speaker 6: and Apartments. It originally aired October first, nineteen ninety nine.

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Speaker 4: The synopsis.

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Speaker 6: After Corey and Tapanga and Sean and Angela break up,

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Speaker 6: the boys travel to Pittsburgh to save the Lawrence's marriage,

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Speaker 6: while the girls challenge Eric and Jack to a wrestling

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Speaker 6: match to decide who keeps the apartment. It was directed

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Speaker 6: by David Kendall. It was written by Matthew Nelson. Before

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Speaker 6: we jump into our guest stars, what were your overall thoughts?

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Speaker 1: Well, here's what's crazy. I really enjoyed this episode, even

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Speaker 1: though it went in two directions.

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Speaker 3: I usually like both of the I'm getting out of here.

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Speaker 6: This Pod Meets World has jumped the shark when right

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Speaker 6: are strong?

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Speaker 1: Off with like this?

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Speaker 4: You know what this was part?

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Speaker 1: You know what it is.

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Speaker 2: It just went one hundred percent in the in the

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Speaker 2: two directions that I usually can't stand. And I was like, Okay,

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Speaker 2: we're having a B storyline that is literally makes no sense.

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Speaker 1: It is just about it like a dream. Fine. I

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Speaker 1: had just I was like when that when Mick Foley

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Speaker 1: breaks down the door, I'm like, no, I can't, I

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Speaker 1: can't judge this. I cannot come in.

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Speaker 2: It's a it's a romp okay, and then the A

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Speaker 2: storyline there's not a laugh in it and it's literally

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Speaker 2: character or like, it's just pure melodrama and discussion of

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Speaker 2: weird backstory and experts. I was like fine, and I

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Speaker 2: didn't remember it at all, and I was like, oh,

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Speaker 2: you know what, Ben is so good in this episode.

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Speaker 2: I was like, as much as I don't like what

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Speaker 2: Corey's doing, I don't understand it of it. I don't

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Speaker 2: believe any of it. I was like, you know what,

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Speaker 2: Ben's savage is so good and I felt I was

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Speaker 2: just in and I was like, fine, you know what

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Speaker 2: it's it's a soap opera on one side, like a

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Speaker 2: like a circus on the other, and then a circus

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Speaker 2: of the other. And I was like, I guess this

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Speaker 2: is season seven in a nutshell, Like I guess this

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Speaker 2: is so fine, okay, And I was fine. I was

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Speaker 2: just like, okay, I'm not going to cut pressure on

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Speaker 2: either in one of these situations to be something I

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Speaker 2: wish I could done its own thing.

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Speaker 1: You know, it was a.

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Speaker 5: Terrible, terrible episode of television.

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Speaker 1: Really, you couldn't enjoy even the wrestling just for like, okay.

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Speaker 3: No, because I mean, it was one of those things

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Speaker 3: where I just I didn't I didn't understand anything that

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Speaker 3: was going on. I hated Corey, I hated Tapanga. I'm

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Speaker 3: not a big fan of the parents. I didn't understand

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Speaker 3: the BT story at all. Now they want their apartment back,

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Speaker 3: but they gave it up. So it was like, but

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Speaker 3: and now they had to move into the girl's dorm,

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Speaker 3: Like that's gonna be allowed somehow.

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Speaker 5: Uh. None of this made any sense to me whatsoever.

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Speaker 4: Red dorm?

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Speaker 7: Okay, no, yeah, but why are all the girls stuff

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Speaker 7: still in the rooms still to make jokes about, like,

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Speaker 7: you know, it's a bad.

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Speaker 3: Episode with a twisted gay panic. This is a terrible,

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Speaker 3: terrible episode of television. I didn't understand. I guess one

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Speaker 3: thing I really this this episode really pointed out to

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Speaker 3: me is that as unlikable as.

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Speaker 5: Corey is for a lot of the show, which he

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Speaker 5: really is.

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Speaker 3: The thing that makes him tolerable sometimes is Topanga. So

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Speaker 3: when she's unlikable too, I'm like, I hope these people

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Speaker 3: never speak again. They should not be in a relationship.

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Speaker 3: I hate them both. It's like, I did not like

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Speaker 3: this episode at all. Nobody was their character. I just

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Speaker 3: didn't get it. Matt Lawrence was this else?

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Speaker 4: Yeah?

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Speaker 6: Yeah, I mean, what I'll say about Tapanga is that

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Speaker 6: I think it's very telling, and I know why.

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Speaker 4: They did it this way. I think it's very.

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Speaker 6: Telling though that I really love Tapega. In every scene

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Speaker 6: she's not in with Corey. When she's with the girls,

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Speaker 6: she's not somber and sad. She's painting her toenails and

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Speaker 6: she's angry, and she's well, she's saying, do you have

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Speaker 6: any idea how angry I am? But she's saying it

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Speaker 6: with a smile on her face, and she's kind of

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Speaker 6: having fun with the wrestling stuff.

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Speaker 4: But then every time she's around Corey, she's like, yeah.

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Speaker 3: The second you open the door and there's Topanga, she's

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Speaker 3: like wah, wah, huh.

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Speaker 4: And then she's like, I'm not somber, Yes, you are.

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Speaker 6: Yes, you are, which, by the way, you're allowed to

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Speaker 6: be having a hard time. But it's just interesting that

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Speaker 6: she isn't having a hard time all the time. She's

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Speaker 6: having a hard time Cory around Corey, which again ties

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Speaker 6: into the storyline of she's afraid that love is what's

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Speaker 6: not real, and so friendships is fine because those haven't

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Speaker 6: proven her wrong, I guess.

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Speaker 4: But yeah, but it's also.

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Speaker 3: Just the whole thing of if I'm an adult in

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Speaker 3: a marriage that's going through rough times or breaking up

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Speaker 3: or whatever, and my daughter's nineteen year old boyfriend and

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Speaker 3: best friend come and insert themselves into my relationship, I'd

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Speaker 3: be so unbelievably pissed.

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Speaker 1: It's like, how dare you who I know? Are you

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Speaker 1: I know? To come into my house right now?

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Speaker 3: You? And that's how I was sitting there watching this episode.

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Speaker 3: Is like, I hated Corey in this episode.

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Speaker 5: Ben great. He can act.

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Speaker 3: We've always said that Ben can act, and with what

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Speaker 3: he's given, that's awesome.

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Speaker 5: It's one another yet another version of.

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Speaker 3: An unlikable Corey to me, and I just I really

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Speaker 3: disliked this episode.

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Speaker 6: Yeah.

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Speaker 5: The wrestling is the wrestling. It goes. It goes from

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Speaker 5: Dawson's Creek to save by the Bell.

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Speaker 3: And they bl two pieces together exactly, and to me,

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Speaker 3: that was it wasn't fun.

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Speaker 5: It was just really jarring.

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Speaker 1: It was so strange.

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Speaker 2: Dawston's Creek right, like it's a continuation of the Romeo

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Speaker 2: and Juliet episode, you know, where it's like, yeah, Corey

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Speaker 2: is now that if you look at it as like

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Speaker 2: the whole show is from Corey's point of view and

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Speaker 2: trying to understand the world and the universe and trying

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Speaker 2: to he's you know, but unlike that one he does chase,

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Speaker 2: you know, he does learn a lesson.

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Speaker 1: At the end and says, I guess so it's not

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Speaker 1: gonna happen.

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Speaker 5: And of course, and I'm over.

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Speaker 3: I know it's only two episodes in, but I'm over

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Speaker 3: everybody having a scene and then Sean and Angela being

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Speaker 3: tacked on at the end, going Angela coming in, going

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Speaker 3: like I also agree we shouldn't be together, and then

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Speaker 3: walking out and she really so much more, so much more,

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Speaker 3: and at this point Sean should be like, look, I'm

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Speaker 3: let's just be friends. Like I totally get that, and

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Speaker 3: that would be keeping with Shawn's character too. Now Sean

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Speaker 3: is the love sick Puppy all the time. I just

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Speaker 3: I didn't get this episode at all.

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Speaker 8: Well.

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Speaker 4: Guest starring Marcia Cross.

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Speaker 6: She is making her Boy Meets World debut as Rhiann

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Speaker 6: and Lawrence, yet another actor to play my.

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Speaker 1: Mother dine and know why.

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Speaker 3: I'm dining to know why they've recast this couple three times.

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Speaker 4: I'm assuming in Net and Michael were working and could.

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Speaker 3: Why Peter Tork And it was a Net Now it

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Speaker 3: was the first mom, right, so there's only two moms, right.

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Speaker 5: Okay, two moms and three die. I wonder why Peter Tork.

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Speaker 3: Maybe he just when they took the character a completely

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Speaker 3: different banker way than Peter Tork didn't work anymore.

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Speaker 4: Yeah.

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Speaker 9: Yeah.

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Speaker 6: Cross is best known as bree Van DeCamp on the

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Speaker 6: hit ABC series Desperate Housewives, for which she was both

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Speaker 6: Golden Globe and Emmy nominated, and prior to that, she

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Speaker 6: was doctor Kimberly Shaw from nineteen ninety two to nineteen

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Speaker 6: ninety seven on melrose Place. Yeah, I remember. Melrose Place

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Speaker 6: was another one of those shows that I desperately wanted

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Speaker 6: to watch as a child, and by child I mean

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Speaker 6: a full blown teenager, and my mom was like absolutely not,

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Speaker 6: and so I couldn't watch melrose Place along with nine

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Speaker 6: O two one. Oh, but I was aware of it

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Speaker 6: in the zeitgeist, and so I was actually very excited

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Speaker 6: to meet Marsha Cross and for playing my mom.

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Speaker 3: Every Wednesday, Spencer and I would go to Taco Bell,

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Speaker 3: we get a ridiculous amount of food and we would

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Speaker 3: watch melrose Place every Wednesday ritual. Oh it's it's such

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Speaker 3: a soap opera. But you are screaming at the television.

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Speaker 4: Very campy, but you're but you're invested.

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Speaker 3: Yeah, now, and Marsha Cross is a damn good I

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Speaker 3: mean both, Yeah, both these actors are just yeah, incredible.

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Speaker 1: But you didn't have a scene with them, right.

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Speaker 6: No, I don't have a scene with them here, but

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Speaker 6: I was, I was excited. There's other there's another episode

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Speaker 6: where it is. Yeah, I think I'm pretty sure. Yeah,

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Speaker 6: because I remember, I remember that I do get to

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Speaker 6: work with her. Mark Heralic is the newest Jedediah Lawrence

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Speaker 6: third and final. Mark is a movie and TV veteran

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Speaker 6: who began his career with guest spots on shows like Cheers,

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Speaker 6: Wings and Siginfolds.

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Speaker 5: Yep.

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Speaker 6: He played Milos Milos Melosh Milosh, he played Melos and

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Speaker 6: Season eight's The Comeback. He has had a nice career

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Speaker 6: resurgence over the past decade, with hefty rolls on shows

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Speaker 6: like Preacher, The Morning Show, Presumed Innocent, The Leftovers, and

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Speaker 6: Big Bang Theory.

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Speaker 4: He also appeared in.

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Speaker 6: Movies like forty two, Jurassic Park three, and Election, where

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Speaker 6: he gave one of the absolutely grossest line reads of

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Speaker 6: all times.

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Speaker 2: First line in the movie Too, Is it really how

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Speaker 2: they introduce his character?

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Speaker 4: I don't know the line because I haven't seen the movie.

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Speaker 1: So film it was a.

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Speaker 4: Oh God, I don't know.

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Speaker 6: That's what everybody says about Election. I know, I feel

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Speaker 6: like I have to see it.

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Speaker 5: I haven't seen either.

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Speaker 4: And finally we say hello to.

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Speaker 6: Mick Foley as mankind Fully is a professional wrestling legend,

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Speaker 6: first making his name on the hardcore deathmatch circuit and

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Speaker 6: eventually landing, most likely from the top of a steel cage,

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Speaker 6: into the WWE, where he became a household name during

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Speaker 6: the Attitude era. He is a Hall of Famer who

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Speaker 6: read sold under numerous personas Nick Foley, Dudelove, Cactus Jack,

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Speaker 6: and the character he plays on Boy Meets World, and

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Speaker 6: his most popular Mankind.

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Speaker 4: The lure behind Mankind is that he is a.

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00:19:13,000 --> 00:19:19,320
Speaker 6: Tortured soul shaped by abuse, isolation, and institutionalization. He wears

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Speaker 6: a leather mask to hide shame and emotional scars.

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Speaker 4: And he is said to have been raised in.

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Speaker 6: Boiler rooms and endures pain as a coping mechanism. Holy, yeah,

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Speaker 6: there you go. It's a little dark. He also has

444
00:19:33,320 --> 00:19:36,800
Speaker 6: a finishing move where he pulls a dirty sweatsck. He

445
00:19:36,920 --> 00:19:41,640
Speaker 6: calls mister Soco out of his sweatpants and then shoves

446
00:19:41,680 --> 00:19:44,680
Speaker 6: it down his opponent's throat until he passes out.

447
00:19:44,880 --> 00:19:48,479
Speaker 3: I still have mine, mister Soco for me, and then

448
00:19:48,520 --> 00:19:50,199
Speaker 3: signed it. Yep, I still have it somewhere yet. I

449
00:19:50,240 --> 00:19:51,280
Speaker 3: just saw it that ago.

450
00:19:51,920 --> 00:19:54,040
Speaker 6: He is best known for the nineteen ninety eight Hell

451
00:19:54,080 --> 00:19:57,320
Speaker 6: in a Cell match against the Undertaker, where he fell

452
00:19:57,480 --> 00:20:01,760
Speaker 6: through the top of a steel cage plummet fifteen feet

453
00:20:02,280 --> 00:20:06,040
Speaker 6: through the roof onto the canvas, followed by a chair

454
00:20:06,240 --> 00:20:11,360
Speaker 6: that knocked his tooth in two his nose so, oh

455
00:20:11,440 --> 00:20:17,199
Speaker 6: my god, you know, pretty chill stuff. Hilariously, Mick is

456
00:20:17,240 --> 00:20:22,959
Speaker 6: one of the kindest humans in the world, and we

457
00:20:23,000 --> 00:20:26,240
Speaker 6: can announce it now. He will be our guest this

458
00:20:26,600 --> 00:20:32,000
Speaker 6: coming Monday. Do you guys know about Mick Foley's obsession

459
00:20:32,040 --> 00:20:38,520
Speaker 6: with Santa. Yes, Mick has I believe at this point hundreds,

460
00:20:38,520 --> 00:20:40,439
Speaker 6: but I could be wrong. I'll say dozens because I

461
00:20:40,440 --> 00:20:42,600
Speaker 6: believe that to be a fact. But we'll ask him

462
00:20:42,840 --> 00:20:49,280
Speaker 6: of Santa shirts, like true Christmas Santa shirts for a

463
00:20:49,560 --> 00:20:52,680
Speaker 6: select few. I think it's also more than a select few.

464
00:20:52,920 --> 00:20:59,000
Speaker 6: He writes beautiful handwritten Santa letters in the most gorgeous calligraphy.

465
00:20:59,320 --> 00:21:04,040
Speaker 6: It's the color graffy you know Santa to have. And yeah,

466
00:21:04,080 --> 00:21:06,119
Speaker 6: he is very obsessed with Christmas.

467
00:21:06,240 --> 00:21:08,080
Speaker 4: He's cool. It's very cool.

468
00:21:08,480 --> 00:21:12,800
Speaker 6: So on the polar opposite of mankind, we have Mick Foley,

469
00:21:12,840 --> 00:21:21,120
Speaker 6: Mister Christmas.

470
00:21:26,200 --> 00:21:28,280
Speaker 4: So let's jump into our recap.

471
00:21:28,400 --> 00:21:31,080
Speaker 6: We are in Corey and Shawn's dorm, picking up right

472
00:21:31,160 --> 00:21:33,960
Speaker 6: where the season premiere left off. Corey is determined to

473
00:21:34,000 --> 00:21:36,600
Speaker 6: get to Pang his parents back together, but Shawn isn't sold.

474
00:21:36,880 --> 00:21:39,600
Speaker 6: He wholeheartedly believes there's nothing the two of them can't do,

475
00:21:39,800 --> 00:21:42,040
Speaker 6: and he doesn't want to go to Pittsburgh. It's cold

476
00:21:42,040 --> 00:21:44,639
Speaker 6: and flu season and they're still all over the place.

477
00:21:45,119 --> 00:21:47,520
Speaker 6: Corey doesn't see the problem, so Sean reminds him they're

478
00:21:47,560 --> 00:21:51,480
Speaker 6: adults now. They can't just say, hey, Debbie likes you.

479
00:21:52,359 --> 00:21:54,280
Speaker 6: Then to Pang and Angela up here at the doorway

480
00:21:54,320 --> 00:21:57,600
Speaker 6: they've come to grab their stuff for the apartment. Then

481
00:21:57,720 --> 00:22:00,280
Speaker 6: just go to the apartment. Why do you have to stop?

482
00:22:02,280 --> 00:22:08,800
Speaker 1: Because gotta I gotta give Sean a reason to go.

483
00:22:09,400 --> 00:22:12,320
Speaker 3: Yeah, I'm telling you once again that we shouldn't be

484
00:22:12,440 --> 00:22:13,040
Speaker 3: to get.

485
00:22:15,760 --> 00:22:18,800
Speaker 6: Cory asks his ex fiance why she's so somber, and

486
00:22:18,840 --> 00:22:22,919
Speaker 6: she explains she's not somber. The only relationship she believed

487
00:22:22,960 --> 00:22:31,480
Speaker 6: in more than theirs is dead. He demands that she

488
00:22:31,720 --> 00:22:33,680
Speaker 6: turned that frown upside down.

489
00:22:34,160 --> 00:22:38,119
Speaker 1: I mean, his reading on this was so funny, and

490
00:22:38,200 --> 00:22:39,560
Speaker 1: I was like, it's.

491
00:22:39,440 --> 00:22:40,800
Speaker 4: A lot of cake face, which I love.

492
00:22:41,680 --> 00:22:42,840
Speaker 1: But that's what I thought.

493
00:22:42,880 --> 00:22:45,240
Speaker 5: Having not remembered this episode at all, I thought, Oh,

494
00:22:45,359 --> 00:22:45,680
Speaker 5: is this.

495
00:22:45,600 --> 00:22:47,920
Speaker 3: Going to be him trying to like cheer her up

496
00:22:47,920 --> 00:22:48,879
Speaker 3: for the whole episode in a.

497
00:22:48,960 --> 00:22:51,960
Speaker 2: Funny ways like he's a he's like a manically obsessed

498
00:22:51,960 --> 00:22:53,200
Speaker 2: like it's gonna work out?

499
00:22:53,359 --> 00:22:56,760
Speaker 1: Is it that way to excited for that?

500
00:22:56,600 --> 00:22:57,560
Speaker 5: And that didn't happen?

501
00:22:58,240 --> 00:23:01,080
Speaker 4: Also, is that not a way to go?

502
00:23:01,760 --> 00:23:05,000
Speaker 6: Even from the standpoint of Wow, this is someone I

503
00:23:05,040 --> 00:23:06,520
Speaker 6: want to spend the rest of my life.

504
00:23:06,280 --> 00:23:08,639
Speaker 2: With Well, think about from the standpoint of if the

505
00:23:08,760 --> 00:23:12,600
Speaker 2: story impetus is Corey has this whack a doodle idea

506
00:23:12,680 --> 00:23:15,320
Speaker 2: to go get the parents back together, right, like I

507
00:23:15,440 --> 00:23:18,000
Speaker 2: might believe that that sounds like a sitcom plot, then

508
00:23:18,040 --> 00:23:20,399
Speaker 2: you could go make that a farce. We could have

509
00:23:20,480 --> 00:23:23,639
Speaker 2: like a whole like swinging Doors episode with us trying

510
00:23:23,680 --> 00:23:26,600
Speaker 2: to like have them meet cute and get back together,

511
00:23:26,880 --> 00:23:29,840
Speaker 2: and it could have been hysterical and gone just exactly

512
00:23:29,880 --> 00:23:30,520
Speaker 2: the same way, and that.

513
00:23:30,480 --> 00:23:34,439
Speaker 4: It doesn't work out the new girlfriends.

514
00:23:34,320 --> 00:23:36,919
Speaker 2: It's just a it's a complete disaster, but it's fun

515
00:23:37,119 --> 00:23:40,640
Speaker 2: and it's funny. Instead, we get characters walking from one

516
00:23:40,640 --> 00:23:44,840
Speaker 2: side of the room to the other, yes, and then

517
00:23:45,000 --> 00:23:47,760
Speaker 2: talking about Sean and his character and the way we've

518
00:23:47,760 --> 00:23:50,359
Speaker 2: always perceived Sean and the way Sean was always felt

519
00:23:50,359 --> 00:23:53,080
Speaker 2: that he was perceived by the parents that we've never

520
00:23:53,160 --> 00:23:55,800
Speaker 2: met before, who now it suddenly matters that Sean gives

521
00:23:55,840 --> 00:23:56,479
Speaker 2: them a speech.

522
00:23:56,720 --> 00:23:57,880
Speaker 4: What?

523
00:23:58,640 --> 00:24:01,960
Speaker 1: Because none of this is fun to it's all just

524
00:24:02,080 --> 00:24:03,040
Speaker 1: exposition of care.

525
00:24:03,320 --> 00:24:05,159
Speaker 3: And if you didn't want to do that, imagine an

526
00:24:05,160 --> 00:24:09,120
Speaker 3: episode where Corey recruits everybody to get to Panga happy again,

527
00:24:09,240 --> 00:24:11,359
Speaker 3: like how each person would go about it. How would

528
00:24:11,480 --> 00:24:13,879
Speaker 3: Eric try to make to Panga cheer her up, How

529
00:24:13,920 --> 00:24:16,680
Speaker 3: would make Rachel try to make like each person takes

530
00:24:16,680 --> 00:24:18,520
Speaker 3: a swipe at making her laugh again?

531
00:24:19,400 --> 00:24:21,280
Speaker 5: Could have been hysterical to what if.

532
00:24:21,240 --> 00:24:24,359
Speaker 2: Corey just tried to have a vow renewal celebration, like

533
00:24:24,359 --> 00:24:27,879
Speaker 2: he gets a haul, invites everybody for the parents and

534
00:24:28,000 --> 00:24:28,880
Speaker 2: like tries to like.

535
00:24:28,960 --> 00:24:31,800
Speaker 1: Just to prove that could be funny. Yeah, ridiculous, And

536
00:24:31,920 --> 00:24:32,480
Speaker 1: this was not.

537
00:24:32,880 --> 00:24:36,960
Speaker 3: This was really this was the most two shows in

538
00:24:37,040 --> 00:24:40,080
Speaker 3: one we've had so far where it's just drama and

539
00:24:40,440 --> 00:24:42,639
Speaker 3: wacky comedy and just glue them together.

540
00:24:43,400 --> 00:24:44,399
Speaker 5: So yeah, it was jarring.

541
00:24:44,920 --> 00:24:47,280
Speaker 6: So he gives her a cheesy smile to emulate it's

542
00:24:47,320 --> 00:24:50,399
Speaker 6: not working, so Sean intervenes, but Cory gets defensive. He

543
00:24:50,560 --> 00:24:52,879
Speaker 6: knows the four of them should be together, which is

544
00:24:52,880 --> 00:24:55,800
Speaker 6: poorly written, but also maybe a Freudian slimp.

545
00:24:56,760 --> 00:24:58,120
Speaker 4: The four of us should be in.

546
00:24:58,080 --> 00:25:03,000
Speaker 3: A fripple ye affordable a quadpole.

547
00:25:04,760 --> 00:25:07,560
Speaker 6: Corey takes turn, pointing to his friends and insisting I'm

548
00:25:07,600 --> 00:25:09,880
Speaker 6: gonna fix you. I'm gonna fix you, and I'm gonna

549
00:25:09,880 --> 00:25:12,560
Speaker 6: fix you and then I'm gonna take a bath.

550
00:25:14,040 --> 00:25:14,280
Speaker 9: Again.

551
00:25:14,400 --> 00:25:18,080
Speaker 6: Funny reading funny to Penga says goodbye and Corey replies

552
00:25:18,119 --> 00:25:21,760
Speaker 6: with goodbye Mopey to Pega calls him an insensitive jerk,

553
00:25:21,760 --> 00:25:24,760
Speaker 6: and he giddily smiles watching her leave. She's gonna be

554
00:25:25,000 --> 00:25:29,479
Speaker 6: missus insensitive jerk. If they changed the music right now

555
00:25:29,520 --> 00:25:32,000
Speaker 6: and just started making it creepy music, this could be

556
00:25:32,040 --> 00:25:32,760
Speaker 6: a horror film.

557
00:25:32,880 --> 00:25:37,040
Speaker 3: Yes, yeah, Cory is.

558
00:25:37,119 --> 00:25:39,320
Speaker 5: Just yeah, I missus MOPy.

559
00:25:39,680 --> 00:25:42,679
Speaker 4: I'm missus woopy. He's gonna be sensitive j.

560
00:25:45,320 --> 00:25:51,240
Speaker 6: Then Angela and Sean finally acknowledge each other. Sean, she

561
00:25:51,359 --> 00:25:53,720
Speaker 6: says she's not ready to be in a relationship right now,

562
00:25:53,760 --> 00:25:56,960
Speaker 6: and Shawn shrugs, that's absolutely fine, but this is you

563
00:25:57,240 --> 00:25:59,560
Speaker 6: and if you walk out that door, I'm gonna forget

564
00:25:59,600 --> 00:26:02,679
Speaker 6: you ever existed, which always works.

565
00:26:02,880 --> 00:26:03,639
Speaker 4: Yeah, that is.

566
00:26:03,840 --> 00:26:06,480
Speaker 3: They're also just you're standing in a line. It's like,

567
00:26:06,520 --> 00:26:09,480
Speaker 3: all right, your scene's done, peel off. Now bring it on,

568
00:26:09,480 --> 00:26:11,200
Speaker 3: all right, Jean, come on up, all right now here.

569
00:26:11,200 --> 00:26:12,840
Speaker 3: You guys have your two lines, all right, peel off.

570
00:26:12,880 --> 00:26:15,600
Speaker 3: It's just so it's not good with that.

571
00:26:15,920 --> 00:26:16,520
Speaker 4: She leaves.

572
00:26:16,680 --> 00:26:18,920
Speaker 6: Sean quickly turns to Corey. I'll do anything to get

573
00:26:18,920 --> 00:26:23,359
Speaker 6: her back, and then they head to Pittsburgh. We are

574
00:26:23,400 --> 00:26:26,000
Speaker 6: at Eric and Jack's new place. We see a massive

575
00:26:26,080 --> 00:26:29,199
Speaker 6: Backstreet Boys poster hovering over a small girly bed that

576
00:26:29,359 --> 00:26:32,840
Speaker 6: Eric and Jack are squatting on. Eric clearly lies, announcing the.

577
00:26:32,880 --> 00:26:34,760
Speaker 4: Space is perfect for us. I like it.

578
00:26:35,280 --> 00:26:38,560
Speaker 6: Jack nods and agrees, and, just as unconvincing of a tone,

579
00:26:38,800 --> 00:26:41,560
Speaker 6: I'm glad we gave up our apartment and Eric proudly

580
00:26:41,600 --> 00:26:45,840
Speaker 6: calls it their bachelor pad and uh, Jack dubs it

581
00:26:45,880 --> 00:26:49,440
Speaker 6: their masculine kingdom. Then Eric notices the presence of a

582
00:26:49,480 --> 00:26:52,840
Speaker 6: boy band and admits, that is one big freaking picture

583
00:26:52,840 --> 00:26:53,720
Speaker 6: of the Backstreet Boys.

584
00:26:53,760 --> 00:26:55,200
Speaker 5: That was my Actually, that was my personal poster.

585
00:26:55,320 --> 00:26:55,800
Speaker 1: That was it.

586
00:26:55,800 --> 00:26:56,440
Speaker 4: I was gonna ask.

587
00:26:56,560 --> 00:26:58,439
Speaker 5: Yeah, it's usually over my bed in my apartment at

588
00:26:58,440 --> 00:26:58,800
Speaker 5: the time.

589
00:26:58,960 --> 00:27:00,919
Speaker 6: This is one of those things, writer, they stole from

590
00:27:01,000 --> 00:27:05,440
Speaker 6: Rider's life. Yeah, yep, yeah, sure, we got it. Yeah,

591
00:27:05,760 --> 00:27:07,200
Speaker 6: that's how we do it.

592
00:27:08,160 --> 00:27:09,440
Speaker 4: This is how we do it.

593
00:27:09,640 --> 00:27:12,679
Speaker 3: This is a Backstreet Boys, so got it.

594
00:27:14,720 --> 00:27:16,760
Speaker 5: I met Howie from the Backstreet Boys. It's like that

595
00:27:16,840 --> 00:27:18,640
Speaker 5: was the joke, because there's a Howe isn't here.

596
00:27:19,359 --> 00:27:20,240
Speaker 4: I'm kidding.

597
00:27:23,359 --> 00:27:24,680
Speaker 5: Writers, like, I have no idea what he's like.

598
00:27:24,680 --> 00:27:25,359
Speaker 4: I don't know what's going on?

599
00:27:25,440 --> 00:27:29,400
Speaker 6: Monteal Jordan Petry boys, what's happening? Who are we talking about?

600
00:27:29,800 --> 00:27:35,840
Speaker 1: Nineties stuff? No chalgia, nostalgia, nineties existence?

601
00:27:36,960 --> 00:27:40,800
Speaker 4: We loved it. Jack defends the group the BSB Rocks.

602
00:27:41,320 --> 00:27:43,880
Speaker 6: Eric gives him a concerned look, and Jack admits he's

603
00:27:43,920 --> 00:27:46,000
Speaker 6: just trying to make the best out of their bad situation.

604
00:27:46,600 --> 00:27:49,480
Speaker 6: Eric just wants his apartment back. This place is for girls.

605
00:27:50,080 --> 00:27:52,240
Speaker 6: Jack finds some nail polish and he shows it to

606
00:27:52,359 --> 00:27:55,320
Speaker 6: Eric and disgust, but Eric sticks out his fingers in excitement.

607
00:27:55,359 --> 00:27:58,919
Speaker 6: Ooh ooh, do me first hands, then befeat. I loved

608
00:27:58,960 --> 00:28:02,040
Speaker 6: that reading it was fun. Jack tells him to calm down,

609
00:28:02,040 --> 00:28:03,800
Speaker 6: and Eric snaps out of it. He just can't spend

610
00:28:03,840 --> 00:28:06,800
Speaker 6: another minute in this place. Jack asks why, even though

611
00:28:06,840 --> 00:28:10,760
Speaker 6: we've already addressed why it's been it's very clear, and

612
00:28:10,960 --> 00:28:14,080
Speaker 6: Eric whispers toward the poster because the Q one's looking

613
00:28:14,119 --> 00:28:17,360
Speaker 6: at me. Jack's face scrunches. You think Howie's the cute one.

614
00:28:17,440 --> 00:28:20,000
Speaker 6: I thought Nick was the cute one. Eric's Oh, let's

615
00:28:20,000 --> 00:28:22,240
Speaker 6: get the hell out of here, and the pals quickly

616
00:28:22,280 --> 00:28:23,320
Speaker 6: slip out of the door.

617
00:28:24,040 --> 00:28:25,440
Speaker 1: We also did they.

618
00:28:25,400 --> 00:28:27,280
Speaker 4: Say we're in the girls apartment. Is that what they said?

619
00:28:27,400 --> 00:28:29,240
Speaker 4: Is it ever even really set up where they are?

620
00:28:29,280 --> 00:28:30,679
Speaker 4: Do we just assume I think.

621
00:28:30,520 --> 00:28:32,560
Speaker 3: We're supposed to just know we've been there before, right,

622
00:28:32,560 --> 00:28:34,959
Speaker 3: But there was no Backstreet Boy is not the one

623
00:28:34,960 --> 00:28:38,560
Speaker 3: where Eric jumps into bed with Yeah to Panga, there

624
00:28:38,680 --> 00:28:40,200
Speaker 3: wasn't a giant No.

625
00:28:40,360 --> 00:28:42,280
Speaker 4: And that's Tapenga's bed by the way.

626
00:28:42,400 --> 00:28:44,920
Speaker 1: So it is so the idea is that they right

627
00:28:44,920 --> 00:28:46,160
Speaker 1: into Topanga and Angela.

628
00:28:46,160 --> 00:28:48,480
Speaker 6: You know what's really funny about that is that Lance

629
00:28:48,560 --> 00:28:49,800
Speaker 6: and I broke up this summer.

630
00:28:49,880 --> 00:28:51,880
Speaker 1: That's what I was asking. I was going to ask you, like,

631
00:28:52,360 --> 00:28:53,960
Speaker 1: what are the chances that it was supposed to be?

632
00:28:54,240 --> 00:28:56,480
Speaker 4: They were like, it's going to be a Backstreet Boys. Yes,

633
00:28:56,960 --> 00:28:58,560
Speaker 4: that is so funny.

634
00:29:00,520 --> 00:29:03,560
Speaker 6: Back yeah, Lance and I were still together, I would

635
00:29:03,600 --> 00:29:05,280
Speaker 6: have been like, oh, it has to be in sin Post.

636
00:29:06,240 --> 00:29:08,960
Speaker 6: Oh that's hilarious. Yeah, I'm gonna tell Lance I was

637
00:29:09,000 --> 00:29:10,000
Speaker 6: throwing him shade.

638
00:29:10,080 --> 00:29:10,760
Speaker 4: He doesn't know.

639
00:29:11,160 --> 00:29:11,920
Speaker 1: You didn't even know.

640
00:29:12,120 --> 00:29:12,680
Speaker 4: No, I didn't know.

641
00:29:13,160 --> 00:29:14,320
Speaker 6: I mean I may have known at the time and

642
00:29:14,400 --> 00:29:18,080
Speaker 6: just forgotten it until now, but who knows. Then we're

643
00:29:18,080 --> 00:29:20,120
Speaker 6: in the student union. Eric and Jack are having coffee

644
00:29:20,120 --> 00:29:22,680
Speaker 6: with Phoenie, talking about their predicament. Eric reveals to the

645
00:29:22,680 --> 00:29:26,360
Speaker 6: professor that they're dealing with big, vicious bullies. Phoene explains

646
00:29:26,400 --> 00:29:28,920
Speaker 6: they have to stand up to them. Jack asks, even

647
00:29:28,960 --> 00:29:32,480
Speaker 6: if they're girl. Eric interrupts, Rilla's even if they're Gorilla's

648
00:29:32,520 --> 00:29:37,240
Speaker 6: banana eating gorillas. Poenie insists that the bullies will back

649
00:29:37,280 --> 00:29:39,840
Speaker 6: down whether they're banana eating gorillas or.

650
00:29:40,200 --> 00:29:42,480
Speaker 4: Three cute little co eds who've made a.

651
00:29:42,400 --> 00:29:46,360
Speaker 6: Mockery of their name. Jack can't believe it, his name's mockery.

652
00:29:47,440 --> 00:29:50,240
Speaker 6: Eric asks Phoeni how he knew, and Phoene says, dude,

653
00:29:50,400 --> 00:29:52,400
Speaker 6: you're the laughing stock of the college.

654
00:29:52,440 --> 00:29:56,240
Speaker 3: Phoene saying dude might be one of my favorite things ever. Though, Dude, dude,

655
00:29:56,320 --> 00:29:58,000
Speaker 3: here's the laughing stock of the college.

656
00:29:58,600 --> 00:30:01,320
Speaker 6: Then it's revealed that the free student in the union

657
00:30:01,400 --> 00:30:05,760
Speaker 6: is staring at them and laughing. This is would never happen.

658
00:30:06,080 --> 00:30:09,880
Speaker 1: Also, why because they let That's what I'm saying.

659
00:30:10,040 --> 00:30:12,240
Speaker 5: Three three girls live in there, because.

660
00:30:11,960 --> 00:30:13,960
Speaker 4: They left their apartment.

661
00:30:13,840 --> 00:30:17,080
Speaker 3: So that they Topanga and Angela can move in, and

662
00:30:17,080 --> 00:30:18,600
Speaker 3: that makes them now a laughing stock.

663
00:30:19,200 --> 00:30:20,320
Speaker 1: I'm gonna tell you what to do.

664
00:30:20,600 --> 00:30:24,800
Speaker 3: Yeah, but they didn't will move out. They voluntarily moved

665
00:30:24,840 --> 00:30:25,720
Speaker 3: out of the apartment.

666
00:30:26,120 --> 00:30:29,880
Speaker 4: Yeah, but we bullied you because we made you feel bad.

667
00:30:31,520 --> 00:30:33,600
Speaker 5: Okay, got it, it's just and.

668
00:30:35,760 --> 00:30:37,960
Speaker 4: With your booty and then made you chase your own

669
00:30:38,000 --> 00:30:39,240
Speaker 4: tail with your like a dog.

670
00:30:39,440 --> 00:30:40,520
Speaker 5: Okay, I got a great.

671
00:30:41,240 --> 00:30:43,320
Speaker 4: I mean, what can you do? There's nothing you can

672
00:30:43,360 --> 00:30:43,920
Speaker 4: do about that.

673
00:30:44,040 --> 00:30:48,440
Speaker 6: I have you have been with an incredible What you

674
00:30:48,640 --> 00:30:48,880
Speaker 6: I mean?

675
00:30:48,920 --> 00:30:52,160
Speaker 3: I literally I have not at all. Like I'm amazed.

676
00:30:52,200 --> 00:30:53,200
Speaker 3: My pants stay up.

677
00:30:53,320 --> 00:30:55,400
Speaker 1: Your back just ends, it does it.

678
00:30:57,600 --> 00:30:57,800
Speaker 6: Does?

679
00:30:57,920 --> 00:31:02,120
Speaker 5: I got nothing. It's great an ironing board.

680
00:31:02,240 --> 00:31:04,200
Speaker 4: You gotta start doing your wa washboard.

681
00:31:04,280 --> 00:31:07,760
Speaker 5: But I had a watchboard butt exactly.

682
00:31:10,440 --> 00:31:14,080
Speaker 4: Eric loves it. Jack. Everyone's laughing at you. He can't

683
00:31:14,080 --> 00:31:15,320
Speaker 4: even control his laughter.

684
00:31:15,520 --> 00:31:18,880
Speaker 6: Eric is hysterical now, pointing out Jack's hair and his shirt,

685
00:31:19,360 --> 00:31:21,560
Speaker 6: grabbing on the peene and eventually.

686
00:31:21,440 --> 00:31:23,240
Speaker 4: Falling out of his chair, which was not scripted?

687
00:31:23,360 --> 00:31:23,560
Speaker 8: Was it?

688
00:31:23,680 --> 00:31:23,720
Speaker 7: No?

689
00:31:23,960 --> 00:31:24,240
Speaker 5: All that?

690
00:31:25,400 --> 00:31:28,040
Speaker 1: And then he laughs the script exactly.

691
00:31:28,480 --> 00:31:31,800
Speaker 6: By the way you saying in the shirt is just

692
00:31:32,200 --> 00:31:34,560
Speaker 6: It reminds me of how you used to tease Matt

693
00:31:34,640 --> 00:31:36,800
Speaker 6: every Thursday night before we would go out and be like,

694
00:31:37,080 --> 00:31:38,280
Speaker 6: all right, everybody ready.

695
00:31:38,160 --> 00:31:38,600
Speaker 4: You're wearing that.

696
00:31:38,640 --> 00:31:39,479
Speaker 1: No, No, it's good, it's good.

697
00:31:40,120 --> 00:31:41,320
Speaker 4: You look good. You look good. I just didn't know

698
00:31:41,320 --> 00:31:44,080
Speaker 4: if you were wearing that. Okay, No, it's.

699
00:31:43,880 --> 00:31:46,800
Speaker 5: Good, it's good. Or one of us would just walk

700
00:31:46,880 --> 00:31:48,440
Speaker 5: up and be like, why didn't you get the tight one?

701
00:31:50,120 --> 00:31:51,720
Speaker 1: Because he just always.

702
00:31:51,440 --> 00:31:53,400
Speaker 4: Had like painted on.

703
00:31:53,600 --> 00:31:55,800
Speaker 3: I guess if I had his body for a day,

704
00:31:56,000 --> 00:31:59,360
Speaker 3: I would be wearing maybe underwear, but other than that,

705
00:31:59,360 --> 00:32:01,640
Speaker 3: i'd just be the grocery store everything, like, hey, how's

706
00:32:01,640 --> 00:32:02,160
Speaker 3: everybody doing?

707
00:32:02,200 --> 00:32:04,280
Speaker 4: Like I'd shown, we'd all just have to adjust to that.

708
00:32:04,320 --> 00:32:05,120
Speaker 4: You'd be just be naked.

709
00:32:05,200 --> 00:32:06,080
Speaker 5: Yeah, absolutely correct.

710
00:32:06,320 --> 00:32:06,520
Speaker 1: Yeah.

711
00:32:07,520 --> 00:32:09,760
Speaker 6: Well, we're now in Pittsburgh, and we know this because

712
00:32:09,760 --> 00:32:12,520
Speaker 6: it says so over a cityscape. We're then in a

713
00:32:12,560 --> 00:32:15,240
Speaker 6: hallway that sure looks like a flipped around version of

714
00:32:15,360 --> 00:32:19,040
Speaker 6: Eric and Jack's apartment building. Corey marches up to Tapanga's

715
00:32:19,080 --> 00:32:22,200
Speaker 6: parents door with determination, but Sean stops him before we

716
00:32:22,360 --> 00:32:25,320
Speaker 6: actually start interfering with these people's lives. Don't you think

717
00:32:25,360 --> 00:32:27,640
Speaker 6: we should find out why they split up? This is

718
00:32:27,640 --> 00:32:29,240
Speaker 6: the conversation that would have happened in the car.

719
00:32:29,600 --> 00:32:31,840
Speaker 5: Yeah, either the three hour bus ride or however long

720
00:32:32,000 --> 00:32:32,400
Speaker 5: was going to be.

721
00:32:33,560 --> 00:32:36,400
Speaker 6: Corey explains it's insignificant and unimportant. He says he's known

722
00:32:36,440 --> 00:32:39,640
Speaker 6: mystery missus Lawrence, their entire lives and they do not

723
00:32:39,840 --> 00:32:40,720
Speaker 6: want to split up.

724
00:32:40,960 --> 00:32:42,760
Speaker 1: He was also set up set up there.

725
00:32:43,360 --> 00:32:45,520
Speaker 2: What if you open the door and he's with a

726
00:32:45,560 --> 00:32:49,239
Speaker 2: woman or he's throwing a party, anything would have been

727
00:32:49,240 --> 00:32:49,960
Speaker 2: funnier than what.

728
00:32:49,920 --> 00:32:53,760
Speaker 1: Actually is behind the door, which is sad. Sad one.

729
00:32:54,640 --> 00:32:57,440
Speaker 6: The bed is right behind the door, and I was like,

730
00:32:58,520 --> 00:33:00,600
Speaker 6: what is this? I was actually thinking he was like,

731
00:33:00,880 --> 00:33:02,800
Speaker 6: I was thinking he was going to be renting a

732
00:33:02,840 --> 00:33:06,800
Speaker 6: living room, like like he was, yes.

733
00:33:06,720 --> 00:33:12,720
Speaker 1: Somebody or did you see the walls? No, no, that's

734
00:33:12,720 --> 00:33:13,240
Speaker 1: a pausitive.

735
00:33:13,280 --> 00:33:17,080
Speaker 5: Look again, there's literally blood splattered on the walls.

736
00:33:17,280 --> 00:33:21,600
Speaker 3: No, go back and watch standing in front of it's

737
00:33:21,680 --> 00:33:24,360
Speaker 3: the two shots where he Corey's here and he's here

738
00:33:24,480 --> 00:33:26,120
Speaker 3: and there's a white wall behind him and there's just

739
00:33:26,240 --> 00:33:27,440
Speaker 3: red splatter all over it.

740
00:33:27,760 --> 00:33:31,120
Speaker 5: So he's like, say, literally blood coated the walls.

741
00:33:31,480 --> 00:33:34,120
Speaker 1: So the idea is just that his life sucks.

742
00:33:34,360 --> 00:33:37,240
Speaker 2: Yes, everything about being not being in a partnership is

743
00:33:37,240 --> 00:33:38,520
Speaker 2: the worst thing you could do.

744
00:33:38,400 --> 00:33:43,240
Speaker 4: But he is guys to make it worse.

745
00:33:43,480 --> 00:33:44,640
Speaker 6: And this is the only time I'm in a harp

746
00:33:44,680 --> 00:33:47,040
Speaker 6: on it because it was absolutely mind boggling to me.

747
00:33:47,600 --> 00:33:54,120
Speaker 6: He says, take out and wrinkled shirts. It's not about

748
00:33:54,120 --> 00:33:55,760
Speaker 6: the partnership or the friendship.

749
00:33:56,080 --> 00:33:58,880
Speaker 8: It's that a woman cooks for you.

750
00:33:59,120 --> 00:34:01,320
Speaker 1: It does everything your shirts.

751
00:34:02,080 --> 00:34:05,880
Speaker 8: Is this what you want to be? Wrinkly and unfed?

752
00:34:06,720 --> 00:34:11,520
Speaker 8: You could be fed and have no wrinkles. This is

753
00:34:11,560 --> 00:34:13,320
Speaker 8: the life you choose, which.

754
00:34:13,160 --> 00:34:15,840
Speaker 2: Again could be played for comedy. We were playing that

755
00:34:15,920 --> 00:34:17,880
Speaker 2: for comedy like the poor Guys.

756
00:34:17,480 --> 00:34:21,680
Speaker 3: Just Likeell was just playing it like the Godfather reminded

757
00:34:21,719 --> 00:34:23,200
Speaker 3: me of the day of our bakesale, Like what.

758
00:34:23,200 --> 00:34:26,440
Speaker 1: If it was just like my life is over and

759
00:34:26,440 --> 00:34:26,759
Speaker 1: it's like.

760
00:34:27,000 --> 00:34:29,040
Speaker 2: You got to hold your own shirts. It's not that

761
00:34:29,080 --> 00:34:32,839
Speaker 2: big of a deal. Same with Jack and Eric. It's

762
00:34:32,840 --> 00:34:33,240
Speaker 2: a poster.

763
00:34:33,320 --> 00:34:35,840
Speaker 1: You can take it down, take it down.

764
00:34:36,600 --> 00:34:40,160
Speaker 3: This also doesn't make any sense though, because he left

765
00:34:40,160 --> 00:34:42,440
Speaker 3: her for somebody that he's now in love with.

766
00:34:42,840 --> 00:34:45,400
Speaker 5: What so why is he miserable alone?

767
00:34:45,480 --> 00:34:48,439
Speaker 6: He's because not because she You don't. You don't why

768
00:34:48,480 --> 00:34:50,279
Speaker 6: buy the cow if you can get the milk for free.

769
00:34:50,400 --> 00:35:00,840
Speaker 6: She's not gonna iron his shirts.

770
00:34:57,160 --> 00:35:00,319
Speaker 1: Ring on her finger, then she could be a mom.

771
00:35:00,400 --> 00:35:02,120
Speaker 4: She'll be the moll wife.

772
00:35:02,280 --> 00:35:04,040
Speaker 1: So the poor man do this.

773
00:35:04,080 --> 00:35:06,560
Speaker 3: Poor man's life is just getting laid with a new

774
00:35:06,600 --> 00:35:08,439
Speaker 3: woman eating takeout and sleeping as.

775
00:35:08,360 --> 00:35:12,720
Speaker 5: Late as he wants awful and he's got wrinkled.

776
00:35:13,920 --> 00:35:16,080
Speaker 3: I mean, it's like none of this made any sense

777
00:35:16,120 --> 00:35:19,680
Speaker 3: to me really, And he's a first of all, we've

778
00:35:19,719 --> 00:35:23,680
Speaker 3: pointed this out before. He's a wonderful actor. Both both

779
00:35:23,719 --> 00:35:26,400
Speaker 3: the parents are really really good with what they were given.

780
00:35:26,760 --> 00:35:29,560
Speaker 3: But what they were given is weird.

781
00:35:29,640 --> 00:35:32,640
Speaker 6: Yet Okay, I'm now going to just go through the

782
00:35:32,680 --> 00:35:37,600
Speaker 6: rest of the episode without being I doubt it.

783
00:35:37,200 --> 00:35:38,240
Speaker 1: Without being wol.

784
00:35:40,080 --> 00:35:41,960
Speaker 3: Well, as long as you stop halfway through to Iron

785
00:35:42,040 --> 00:35:43,120
Speaker 3: Gens in Surreans will be fun.

786
00:35:47,280 --> 00:35:50,080
Speaker 6: So Corey says he once caught him grabbing her tushi

787
00:35:50,160 --> 00:35:55,239
Speaker 6: and going auga sign of love. Yes, major major sign

788
00:35:55,280 --> 00:35:59,120
Speaker 6: of love is aga. With that, Corey aggressively knocks on

789
00:35:59,120 --> 00:36:00,879
Speaker 6: the door and Sean still doesn't want to go in there.

790
00:36:00,920 --> 00:36:02,719
Speaker 4: Corey doesn't get it. Do you want to be back

791
00:36:02,719 --> 00:36:03,920
Speaker 4: with Tapangola or not?

792
00:36:04,440 --> 00:36:07,799
Speaker 6: Sean is confused to Pandula, Corey admits he's just trying

793
00:36:07,840 --> 00:36:08,759
Speaker 6: to save time now.

794
00:36:09,040 --> 00:36:11,719
Speaker 1: And this was like before benefer.

795
00:36:14,280 --> 00:36:17,880
Speaker 2: That world, like making Yeah, the name the name combo

796
00:36:17,960 --> 00:36:19,560
Speaker 2: thing was not really a thing until.

797
00:36:19,560 --> 00:36:21,879
Speaker 6: Oh my gosh, we have a photo of the blood wall.

798
00:36:22,680 --> 00:36:25,839
Speaker 6: Really yeah, wrong, can we share it?

799
00:36:26,440 --> 00:36:30,400
Speaker 5: Look over there, it's just splattered blood.

800
00:36:32,200 --> 00:36:35,120
Speaker 3: When there's a closer shot where there's a closer shot

801
00:36:35,160 --> 00:36:38,000
Speaker 3: with with him in the foreground and it just looks

802
00:36:38,000 --> 00:36:40,239
Speaker 3: like blood splatter, it's would that be?

803
00:36:41,800 --> 00:36:44,759
Speaker 6: I mean, who did he murder exactly? Maybe that's why

804
00:36:44,760 --> 00:36:47,399
Speaker 6: we don't see the girlfriend. Maybe he has murdered her.

805
00:36:47,800 --> 00:36:48,759
Speaker 1: She's chopped up in that.

806
00:36:49,080 --> 00:36:51,520
Speaker 5: Yeah, it's actually her wrinkled skin he's wearing.

807
00:36:52,000 --> 00:36:55,440
Speaker 6: Oh my god, Yeah, that's good. He's you know what

808
00:36:55,520 --> 00:36:57,680
Speaker 6: he's he's in with it. He's in on it with Meenie.

809
00:36:57,719 --> 00:37:02,200
Speaker 6: He's bringing over is. Oh my god, that's why he's sad.

810
00:37:03,200 --> 00:37:06,040
Speaker 6: Sean reminds him that Tapega's dad has always hated him.

811
00:37:06,080 --> 00:37:08,280
Speaker 6: He wants throw a rock at his head, and then

812
00:37:08,520 --> 00:37:12,759
Speaker 6: the door opens. It's Tapega's dad, but definitely it's a

813
00:37:12,760 --> 00:37:15,400
Speaker 6: different man. Yeah, but it's then the last two Tapega's

814
00:37:15,440 --> 00:37:18,120
Speaker 6: dads we've seen. He is shocked to see the boys.

815
00:37:18,280 --> 00:37:20,160
Speaker 6: Corey simply states, I'm here to save here.

816
00:37:20,239 --> 00:37:22,200
Speaker 1: Unfortunately, really does reduce attention.

817
00:37:22,560 --> 00:37:25,240
Speaker 2: Of course, like if it was if it was Michael McKeon,

818
00:37:25,239 --> 00:37:27,040
Speaker 2: the guy we had seen him facing all, you know

819
00:37:27,080 --> 00:37:29,440
Speaker 2: that we had it would have some build up in

820
00:37:29,440 --> 00:37:30,160
Speaker 2: some sense.

821
00:37:29,960 --> 00:37:32,520
Speaker 6: Of like we also didn't get at the start of

822
00:37:32,520 --> 00:37:36,800
Speaker 6: the season see last scene on where it could have heightened,

823
00:37:36,800 --> 00:37:39,839
Speaker 6: where we could have seen the them having a fight

824
00:37:39,960 --> 00:37:41,920
Speaker 6: and the tension super high. And then the reason they

825
00:37:42,000 --> 00:37:45,360
Speaker 6: didn't do that, guys, is this right? And so the

826
00:37:45,360 --> 00:37:46,520
Speaker 6: whole thing just feels.

827
00:37:46,200 --> 00:37:49,480
Speaker 5: Like me, yeah, yeah, you figure.

828
00:37:49,520 --> 00:37:54,319
Speaker 3: I don't know anything about the casting process whatsoever, but

829
00:37:54,480 --> 00:37:57,720
Speaker 3: I imagine they had to have known that the parents

830
00:37:57,760 --> 00:37:59,520
Speaker 3: were going to come back in season seven, right, So

831
00:37:59,680 --> 00:38:01,560
Speaker 3: I mean, wouldn't it be something along the lines of

832
00:38:01,880 --> 00:38:04,120
Speaker 3: we want to sign you for multiple episodes or I mean,

833
00:38:04,160 --> 00:38:05,600
Speaker 3: wouldn't you do that right off the bat?

834
00:38:05,840 --> 00:38:09,719
Speaker 6: I mean, yes, it's entirely possible though that their agents

835
00:38:09,880 --> 00:38:12,040
Speaker 6: were like, we will not allow you to do that

836
00:38:12,239 --> 00:38:14,240
Speaker 6: because it's going to be split up over a summer.

837
00:38:14,480 --> 00:38:18,560
Speaker 6: Who knows what you're doing, you know nineteen ninety nine

838
00:38:18,600 --> 00:38:20,880
Speaker 6: has in store for you, And so they say no,

839
00:38:21,280 --> 00:38:24,520
Speaker 6: And then Michael and our writers have to make the

840
00:38:24,560 --> 00:38:28,000
Speaker 6: decision do we want them for even one episode or

841
00:38:28,040 --> 00:38:30,160
Speaker 6: do we want to just go right from the beginning

842
00:38:30,239 --> 00:38:32,480
Speaker 6: and with the a nett o'tool of it all?

843
00:38:32,760 --> 00:38:34,359
Speaker 5: I guess so you just take what you can get.

844
00:38:34,560 --> 00:38:38,080
Speaker 6: Because they wanted Juliette. They want that was that.

845
00:38:39,760 --> 00:38:42,440
Speaker 5: Well, nough. Juliette was the other lady. Juliette was your own, right,

846
00:38:42,680 --> 00:38:43,920
Speaker 5: Yeah that's Olivia Hussey.

847
00:38:44,239 --> 00:38:47,040
Speaker 6: You're right, Olivia husseib they want so that didn't Yeah,

848
00:38:47,040 --> 00:38:48,560
Speaker 6: so I guess they just really wanted the two.

849
00:38:48,719 --> 00:38:50,800
Speaker 4: They just really wanted Michael m Yeah.

850
00:38:51,120 --> 00:38:52,600
Speaker 5: But it's yeah, it is jarring.

851
00:38:52,680 --> 00:38:56,359
Speaker 3: It is jarring to constantly keep replacing an actor I know.

852
00:39:09,040 --> 00:39:09,239
Speaker 5: Well.

853
00:39:09,280 --> 00:39:12,120
Speaker 6: Before inviting the boys inside, mister Lawrence gives Sean a

854
00:39:12,120 --> 00:39:13,080
Speaker 6: look of disapproval.

855
00:39:13,440 --> 00:39:16,400
Speaker 4: Hunter. Mister Lawrence's apartment is a mess.

856
00:39:16,440 --> 00:39:18,239
Speaker 6: His bed is right next to the kitchen, and there

857
00:39:18,239 --> 00:39:23,040
Speaker 6: are clothes everywhere. He calls it a transitional place. Corey,

858
00:39:23,120 --> 00:39:25,920
Speaker 6: not so subtly, calls it a pity, and Sean agrees

859
00:39:26,000 --> 00:39:29,279
Speaker 6: loudly it's a human tragedy. Even He whispers to Corey,

860
00:39:29,280 --> 00:39:30,920
Speaker 6: asking if he took it too far, and Corey shakes

861
00:39:30,920 --> 00:39:33,480
Speaker 6: his head no. Mister Lawrence ses right through it and

862
00:39:33,520 --> 00:39:36,480
Speaker 6: asks Corey why he's really there. Corey demands, I want

863
00:39:36,480 --> 00:39:38,279
Speaker 6: you to leave this place and go back to your

864
00:39:38,320 --> 00:39:42,040
Speaker 6: lovely home. Mister Lawrence appreciates what he's trying to do,

865
00:39:42,120 --> 00:39:44,000
Speaker 6: but promises that he and his wife are better off

866
00:39:44,000 --> 00:39:47,160
Speaker 6: without each other. You'll be shocked to hear, but Corey

867
00:39:47,200 --> 00:39:50,560
Speaker 6: will not stand for it. He insists, I know how

868
00:39:50,640 --> 00:39:53,440
Speaker 6: much you love each other. He leans in, I saw

869
00:39:53,480 --> 00:39:57,560
Speaker 6: you go a luga. Mister Lawrence's eyes widened. You didn't

870
00:39:57,560 --> 00:40:01,160
Speaker 6: see Hong Kong, did you? He quickly tells him he

871
00:40:01,239 --> 00:40:04,279
Speaker 6: did not. Mister Lawrence assures the boys he'll be fine,

872
00:40:04,280 --> 00:40:08,240
Speaker 6: and he thanks them for coming. Corey wonders, so dirty

873
00:40:08,280 --> 00:40:13,719
Speaker 6: dishes and wrinkled shirts is fine? Corey goes on, you

874
00:40:13,840 --> 00:40:16,040
Speaker 6: got ESPN in a six pack?

875
00:40:16,080 --> 00:40:16,279
Speaker 1: Here?

876
00:40:17,120 --> 00:40:18,080
Speaker 5: You got nothing?

877
00:40:19,000 --> 00:40:22,480
Speaker 6: Mister Lawrence is rightfully in disbelief. What gives you the

878
00:40:22,560 --> 00:40:23,879
Speaker 6: right to talk to me like that?

879
00:40:24,000 --> 00:40:24,400
Speaker 1: Thank you?

880
00:40:25,200 --> 00:40:26,040
Speaker 4: Corey answers.

881
00:40:26,440 --> 00:40:26,760
Speaker 1: Love.

882
00:40:27,280 --> 00:40:28,719
Speaker 5: Love gives me the right.

883
00:40:29,080 --> 00:40:32,880
Speaker 6: That I believe in its power and its purpose, and

884
00:40:32,920 --> 00:40:36,960
Speaker 6: that you somehow have forgotten. So I guess that gives

885
00:40:37,000 --> 00:40:41,239
Speaker 6: me the right to remind you. He admits Corey has

886
00:40:41,280 --> 00:40:44,759
Speaker 6: a lot of confidence, but Corey says it's not just

887
00:40:44,920 --> 00:40:49,480
Speaker 6: for him. He and Sean also really miss to Pandela.

888
00:40:50,360 --> 00:40:52,600
Speaker 6: Sean decides to shoot his shot and he asks mister

889
00:40:52,640 --> 00:40:55,120
Speaker 6: Lawrence why he never liked him, and so he reminds

890
00:40:55,120 --> 00:40:56,880
Speaker 6: Sean it's because of the time I went down to

891
00:40:56,920 --> 00:41:00,920
Speaker 6: the basement and caught you making out with Chipanga first understands,

892
00:41:00,920 --> 00:41:03,759
Speaker 6: but then it sings in. He screams, what did you do?

893
00:41:04,880 --> 00:41:07,560
Speaker 6: But Sean is unfazed. Topeka's dad was just kidding.

894
00:41:08,160 --> 00:41:09,760
Speaker 4: It was always.

895
00:41:09,360 --> 00:41:13,520
Speaker 6: Corey in that basement. It's a cool joke. It's a

896
00:41:13,520 --> 00:41:14,440
Speaker 6: fun joke, right.

897
00:41:14,440 --> 00:41:15,120
Speaker 1: I don't get it.

898
00:41:15,200 --> 00:41:19,239
Speaker 2: I mean, like, why would you ever say that time

899
00:41:19,320 --> 00:41:21,680
Speaker 2: I cut you when you never did.

900
00:41:22,040 --> 00:41:24,200
Speaker 3: Why would you also take this as your opportunity when

901
00:41:24,200 --> 00:41:26,760
Speaker 3: everything's going on to find out why this guy didn't

902
00:41:26,800 --> 00:41:27,280
Speaker 3: like Sean.

903
00:41:28,200 --> 00:41:29,600
Speaker 1: I just got to be there, I guess.

904
00:41:29,880 --> 00:41:30,080
Speaker 5: Yeah.

905
00:41:30,360 --> 00:41:32,600
Speaker 2: They end up giving me like a couple of great

906
00:41:32,680 --> 00:41:34,280
Speaker 2: moments with him, and it's.

907
00:41:34,160 --> 00:41:36,160
Speaker 4: Like, why, I actually think this is.

908
00:41:37,719 --> 00:41:42,120
Speaker 6: Matt Nelson or the other writers really trying to explain

909
00:41:43,680 --> 00:41:47,319
Speaker 6: to help make Corey likable, the idea that they want

910
00:41:47,360 --> 00:41:53,720
Speaker 6: to point out my and that Corey's a quote unquote

911
00:41:53,760 --> 00:41:56,000
Speaker 6: the good guy. He was never he was never the

912
00:41:56,040 --> 00:41:58,880
Speaker 6: one trying to make the moves on Tapanga in the basement.

913
00:41:59,320 --> 00:42:02,439
Speaker 6: So Topanga's dad was always worried about the wrong guy,

914
00:42:02,960 --> 00:42:05,600
Speaker 6: the guy he should have been quote unquote worried about

915
00:42:05,920 --> 00:42:08,640
Speaker 6: is the good guy, the guy who was down there

916
00:42:08,640 --> 00:42:11,239
Speaker 6: in the basement, And I think it's supposed to make

917
00:42:11,320 --> 00:42:15,759
Speaker 6: him like appealing, like that's that was a nice guy.

918
00:42:16,160 --> 00:42:19,279
Speaker 2: Yeah, and also make the whole like I'm gonna get

919
00:42:19,320 --> 00:42:23,600
Speaker 2: the girl based on something more. It's love, It's love

920
00:42:23,960 --> 00:42:25,920
Speaker 2: innocence and like real connection.

921
00:42:26,400 --> 00:42:30,240
Speaker 6: Yes, yes, Corey nudges Sean, boasting he spent many happy

922
00:42:30,320 --> 00:42:34,600
Speaker 6: years in that basement but didn't get nothing. Sean isn't satisfied.

923
00:42:34,640 --> 00:42:36,680
Speaker 6: He wants to know why mister Lawrence never liked him,

924
00:42:36,800 --> 00:42:40,439
Speaker 6: So Topanga's dad finally admits that he figured it would

925
00:42:40,520 --> 00:42:43,319
Speaker 6: be Sean in the basement, so he was scared of him.

926
00:42:43,880 --> 00:42:45,960
Speaker 6: He starts to laugh, realizing he should have been scared

927
00:42:45,960 --> 00:42:49,400
Speaker 6: of Corey instead. Sean laughs with him, what an absurd thought,

928
00:42:49,480 --> 00:42:52,400
Speaker 6: being scared of Corey. Corey glares at them and disgusted.

929
00:42:52,880 --> 00:42:55,319
Speaker 6: Mister Laurence admits he was wrong about Sean. He's a

930
00:42:55,320 --> 00:42:57,879
Speaker 6: good kid, and so maybe he's wrong about a lot

931
00:42:57,920 --> 00:43:00,799
Speaker 6: of things. Corey reiterates he wants him to see his

932
00:43:00,840 --> 00:43:04,200
Speaker 6: wife again, but he insists he can't. Corey continues to

933
00:43:04,239 --> 00:43:08,840
Speaker 6: needle him until finally mister Lawrence shouts, she kicked me out,

934
00:43:09,640 --> 00:43:13,320
Speaker 6: and then we quick cut to Rhianna and Lawrence's house again,

935
00:43:13,680 --> 00:43:16,319
Speaker 6: not the same mom we saw last season, and she

936
00:43:16,480 --> 00:43:19,279
Speaker 6: breaks the news to Corey and Sean, her and Jedediah

937
00:43:19,320 --> 00:43:19,960
Speaker 6: are done.

938
00:43:20,160 --> 00:43:21,799
Speaker 5: And you could tell she's a hit because of the

939
00:43:21,840 --> 00:43:22,640
Speaker 5: one long thing.

940
00:43:22,719 --> 00:43:27,440
Speaker 2: She's going well all the production design and she's watering

941
00:43:27,480 --> 00:43:29,400
Speaker 2: a lot of flowers.

942
00:43:28,719 --> 00:43:31,600
Speaker 6: Lots of flowers, lots of plants, and her hair is

943
00:43:31,680 --> 00:43:33,560
Speaker 6: curly like Tana's early hair.

944
00:43:33,560 --> 00:43:34,680
Speaker 5: Correct she's a dryad.

945
00:43:35,400 --> 00:43:38,719
Speaker 6: So yeah, and yet Corey is still unable to accept it.

946
00:43:38,920 --> 00:43:41,440
Speaker 6: She explains he's young and doesn't so I.

947
00:43:41,480 --> 00:43:44,080
Speaker 2: Kept thinking maybe in the recapit this should make more

948
00:43:44,120 --> 00:43:47,280
Speaker 2: sense to me that he So he doesn't.

949
00:43:47,960 --> 00:43:50,680
Speaker 1: Does he lies to her? At the end of this scene,

950
00:43:50,800 --> 00:43:51,960
Speaker 1: does he lie to the dad?

951
00:43:52,080 --> 00:43:54,360
Speaker 4: We don't see it, but he did. We don't see it,

952
00:43:54,400 --> 00:43:55,239
Speaker 4: but he says.

953
00:43:55,000 --> 00:43:59,600
Speaker 2: He says, she wants to see you, Drew, Yeah, but

954
00:43:59,680 --> 00:44:03,480
Speaker 2: not seeing it. It would set up this scene if

955
00:44:03,480 --> 00:44:06,279
Speaker 2: he's like, she really wants to see you and he

956
00:44:06,280 --> 00:44:08,279
Speaker 2: says really, and he goes, yeah, I've already talked to her.

957
00:44:08,520 --> 00:44:10,520
Speaker 1: Optical flip. She's like, I don't want to see him.

958
00:44:10,840 --> 00:44:11,600
Speaker 1: Then it's a scene.

959
00:44:11,680 --> 00:44:13,920
Speaker 2: Then it's like, oh, now Corey screwed it himself and

960
00:44:13,960 --> 00:44:15,600
Speaker 2: now he's got to get her and he can't.

961
00:44:15,800 --> 00:44:18,239
Speaker 1: But instead, because you never see him, we're like, what is.

962
00:44:18,200 --> 00:44:18,920
Speaker 5: The what is he?

963
00:44:19,040 --> 00:44:20,680
Speaker 1: What is the plan here? And it didn't make any

964
00:44:20,760 --> 00:44:22,080
Speaker 1: sense until they.

965
00:44:22,680 --> 00:44:25,320
Speaker 3: But it still doesn't make any sense because she says

966
00:44:25,360 --> 00:44:26,960
Speaker 3: he kicked she kicked me out.

967
00:44:27,840 --> 00:44:30,760
Speaker 1: But next thing would be why in love with another woman?

968
00:44:31,239 --> 00:44:34,480
Speaker 3: So why he wanted to stay there but he would leave?

969
00:44:35,520 --> 00:44:39,240
Speaker 1: None of this makes and what does he hope exactly?

970
00:44:39,280 --> 00:44:40,960
Speaker 1: What is he hoping to accomplished by being there?

971
00:44:41,000 --> 00:44:44,919
Speaker 3: He's not saying I done, I screwed up it forgiveness.

972
00:44:44,960 --> 00:44:46,640
Speaker 4: He actually says it, I just hope that you can

973
00:44:46,680 --> 00:44:47,080
Speaker 4: forgive me.

974
00:44:47,120 --> 00:44:49,760
Speaker 6: And she's like, oh, that's what you're looking for because

975
00:44:49,760 --> 00:44:53,080
Speaker 6: it's convenient for you, And she's like, me, kick him out.

976
00:44:53,120 --> 00:44:55,480
Speaker 3: He left because he fell in love with another woman.

977
00:44:55,560 --> 00:44:57,239
Speaker 3: Why so he wants to be in love with another

978
00:44:57,280 --> 00:44:58,719
Speaker 3: woman but still living with his wife.

979
00:44:58,760 --> 00:44:59,520
Speaker 4: Well that's what happened.

980
00:44:59,560 --> 00:45:01,520
Speaker 6: She caught him cheating and then she had to throw

981
00:45:01,600 --> 00:45:03,520
Speaker 6: him out because he had been having an affair.

982
00:45:03,800 --> 00:45:05,440
Speaker 3: God, none of this makes any sense, But he's in

983
00:45:05,480 --> 00:45:07,960
Speaker 3: love with the other woman. No, I mean it's it's

984
00:45:07,960 --> 00:45:09,279
Speaker 3: not like he had a one night stand at a

985
00:45:09,280 --> 00:45:11,000
Speaker 3: bar and is like begging for forgiveness and wants to

986
00:45:11,040 --> 00:45:11,480
Speaker 3: get back.

987
00:45:11,320 --> 00:45:12,440
Speaker 4: Without why a relationship.

988
00:45:12,480 --> 00:45:14,479
Speaker 3: He's in a relationship with somebody else that he's fallen

989
00:45:14,480 --> 00:45:16,120
Speaker 3: in love with, so now he's just coming back.

990
00:45:16,960 --> 00:45:18,120
Speaker 1: She's in love with the other woman?

991
00:45:18,200 --> 00:45:20,319
Speaker 3: She does. She says she's the woman that he's in

992
00:45:20,360 --> 00:45:23,040
Speaker 3: love with now, and so it's like, none of that

993
00:45:23,080 --> 00:45:25,440
Speaker 3: makes any none of it makes any sense to me.

994
00:45:25,480 --> 00:45:27,640
Speaker 3: The writing is very weird in this episode.

995
00:45:28,200 --> 00:45:30,720
Speaker 6: So she says he's young and doesn't understand what happens

996
00:45:30,760 --> 00:45:33,960
Speaker 6: when people fall out of love. Corey insists they're just

997
00:45:34,120 --> 00:45:36,360
Speaker 6: angry at each other, like his parents get, but the

998
00:45:36,360 --> 00:45:38,759
Speaker 6: difference is they remember how much they love each other

999
00:45:38,800 --> 00:45:41,640
Speaker 6: and then everything's okay again. Rhannon reminds him that they

1000
00:45:41,680 --> 00:45:45,000
Speaker 6: are different people in a different situation. Corey asks her,

1001
00:45:45,120 --> 00:45:47,400
Speaker 6: do you realize that your daughter doesn't believe in love anymore?

1002
00:45:47,400 --> 00:45:50,760
Speaker 6: Because she thinks you don't. She brings him closer. Corey,

1003
00:45:50,880 --> 00:45:53,640
Speaker 6: if you into Panga really love each other, you'll be fine.

1004
00:45:54,040 --> 00:45:57,160
Speaker 6: Corey insists, I want you to be fine. Okay, will

1005
00:45:57,160 --> 00:46:00,360
Speaker 6: you see your husband please? Rannon stands firm and jects

1006
00:46:00,360 --> 00:46:02,680
Speaker 6: the offer. Corey pushes and asks her the same question

1007
00:46:02,800 --> 00:46:05,279
Speaker 6: two more times, completely ignoring her.

1008
00:46:05,400 --> 00:46:05,480
Speaker 3: No.

1009
00:46:06,320 --> 00:46:08,759
Speaker 6: Sean lets her know if you think he's backing down,

1010
00:46:08,800 --> 00:46:12,040
Speaker 6: he's not backing down. Corey explains, he'll come over here

1011
00:46:12,080 --> 00:46:14,080
Speaker 6: and everything will be good again. Don't you want everything

1012
00:46:14,120 --> 00:46:16,239
Speaker 6: to be good again? Of course she does, but it's

1013
00:46:16,280 --> 00:46:18,440
Speaker 6: not as easy as that. Corey tells her it is

1014
00:46:18,520 --> 00:46:20,719
Speaker 6: because he knows how much they love each other. She

1015
00:46:20,840 --> 00:46:23,279
Speaker 6: asks why Corey's doing this, and he shrugs. I guess

1016
00:46:23,320 --> 00:46:25,200
Speaker 6: I'm paying you back for the two thousand peanut butter

1017
00:46:25,200 --> 00:46:28,560
Speaker 6: and jelly sandwiches you made me. Rannon smiles. He really

1018
00:46:28,600 --> 00:46:30,960
Speaker 6: wants to see me. You're not just saying that because

1019
00:46:30,960 --> 00:46:33,680
Speaker 6: you think it's right. Corey glances at Sean, who now

1020
00:46:33,680 --> 00:46:37,120
Speaker 6: looks uneasy. Corey tells her, I would never do that.

1021
00:46:38,280 --> 00:46:40,680
Speaker 3: Okay, what I have to ask again to just trying

1022
00:46:40,719 --> 00:46:44,200
Speaker 3: to figure out the logistics. What is he hoping is

1023
00:46:44,239 --> 00:46:46,400
Speaker 3: going to happen? She doesn't want to see him because

1024
00:46:46,440 --> 00:46:47,720
Speaker 3: he cheated, and he doesn't.

1025
00:46:49,040 --> 00:46:51,600
Speaker 6: Somebody else though, Yeah, let's remove the cheating and let's

1026
00:46:51,600 --> 00:46:53,400
Speaker 6: remove the in love because he does not know.

1027
00:46:53,480 --> 00:46:53,800
Speaker 1: Okay.

1028
00:46:53,880 --> 00:46:56,040
Speaker 3: No, I'm saying, just for forget Corey, remove the Corey

1029
00:46:56,120 --> 00:47:00,640
Speaker 3: from the situation, just the parents. Why I would both

1030
00:47:00,680 --> 00:47:02,360
Speaker 3: of them want to see each other again?

1031
00:47:02,520 --> 00:47:03,400
Speaker 4: Okay, I'll tell you.

1032
00:47:03,840 --> 00:47:08,400
Speaker 6: He wants things to not He basically wants to feel forgiven.

1033
00:47:10,600 --> 00:47:13,560
Speaker 6: She doesn't hate him, okay, and she I think now

1034
00:47:13,560 --> 00:47:17,160
Speaker 6: that she's hearing he wants to see her, and he's saying, please,

1035
00:47:17,200 --> 00:47:19,959
Speaker 6: I promise everything's going to be fine. I think she's

1036
00:47:20,040 --> 00:47:23,759
Speaker 6: maybe thinking he's not with Marie anymore. He's not with

1037
00:47:23,840 --> 00:47:27,880
Speaker 6: the woman he's coming back to say I'm so sorry?

1038
00:47:28,080 --> 00:47:30,880
Speaker 6: Will you take me back? And even though it doesn't

1039
00:47:30,880 --> 00:47:34,080
Speaker 6: seem like she really is open to that, I think

1040
00:47:34,600 --> 00:47:36,799
Speaker 6: just even hearing that would be a nice feeling when

1041
00:47:37,280 --> 00:47:38,040
Speaker 6: you've been cheated on.

1042
00:47:38,200 --> 00:47:40,600
Speaker 3: So I think she doesn't say that to him. When

1043
00:47:40,600 --> 00:47:42,120
Speaker 3: he comes back, though, she doesn't say are you still

1044
00:47:42,160 --> 00:47:42,480
Speaker 3: with her?

1045
00:47:42,719 --> 00:47:45,399
Speaker 6: No, because he says I'm asking for forgiveness, and she goes, oh,

1046
00:47:45,400 --> 00:47:46,520
Speaker 6: that's why you want to see me.

1047
00:47:47,120 --> 00:47:48,480
Speaker 5: Okay. It's very muddled.

1048
00:47:48,719 --> 00:47:51,480
Speaker 2: Well, the prob you just why don't you finish the

1049
00:47:51,480 --> 00:47:54,000
Speaker 2: previous scene? Because if you and the reason you can't

1050
00:47:54,000 --> 00:47:55,840
Speaker 2: finish the previous scene. Is that then you can't have

1051
00:47:56,000 --> 00:47:58,680
Speaker 2: this scene because the reality is either Corey has to

1052
00:47:58,719 --> 00:48:02,000
Speaker 2: lie and say, oh no, she wants you back, let's go,

1053
00:48:02,280 --> 00:48:05,040
Speaker 2: and then he has to agree, okay, I want to

1054
00:48:05,080 --> 00:48:07,560
Speaker 2: go back to try, which couldn't happen because he would say,

1055
00:48:07,560 --> 00:48:09,440
Speaker 2: oh no, I'm seeing this other woman. I don't actually

1056
00:48:09,440 --> 00:48:11,440
Speaker 2: want her back, Corey. I just wanted to forget. But

1057
00:48:11,520 --> 00:48:13,239
Speaker 2: we can't spell that out, so we have to cut

1058
00:48:13,280 --> 00:48:16,000
Speaker 2: that scene off and pretend it never happened, even though

1059
00:48:16,000 --> 00:48:17,480
Speaker 2: that's supposedly what happened.

1060
00:48:17,560 --> 00:48:19,879
Speaker 6: I mean, you could have finished the other scene by

1061
00:48:19,880 --> 00:48:22,319
Speaker 6: saying she wants to see you, and for him to say,

1062
00:48:22,520 --> 00:48:24,000
Speaker 6: the last time I saw her, she told me she

1063
00:48:24,120 --> 00:48:27,680
Speaker 6: was and never wanted to see my ugly face again,

1064
00:48:28,280 --> 00:48:30,480
Speaker 6: and and then well, she says she wants to see you,

1065
00:48:30,520 --> 00:48:33,960
Speaker 6: and he could think, like, hmm, maybe she's willing to

1066
00:48:34,000 --> 00:48:37,080
Speaker 6: forgive me now, but like again, you'd have to spell

1067
00:48:37,080 --> 00:48:38,000
Speaker 6: that out right.

1068
00:48:38,280 --> 00:48:40,799
Speaker 2: But then we also, I'm not going to get back

1069
00:48:40,800 --> 00:48:43,320
Speaker 2: together with her, Corey, because I've got this other woman.

1070
00:48:44,080 --> 00:48:46,319
Speaker 1: So I'll go talk to her if she wants to talk.

1071
00:48:46,400 --> 00:48:48,200
Speaker 1: But but but we can't say any of.

1072
00:48:48,200 --> 00:48:51,040
Speaker 3: That, because there's no and even if he's with the

1073
00:48:51,200 --> 00:48:56,759
Speaker 3: other woman, he's still living the horrible, sad, awful bachelor life.

1074
00:48:56,920 --> 00:48:58,880
Speaker 1: Like they had to set it up so different.

1075
00:48:59,480 --> 00:49:02,240
Speaker 3: They had to make behime a caricature of the sad

1076
00:49:02,320 --> 00:49:06,160
Speaker 3: man missing his wife. So then it's a surprise when

1077
00:49:06,200 --> 00:49:09,040
Speaker 3: you find out he's actually dating someone else, which then

1078
00:49:09,080 --> 00:49:11,400
Speaker 3: makes the first scene pointless.

1079
00:49:11,640 --> 00:49:14,160
Speaker 1: Yes, yes, correct, okay.

1080
00:49:14,239 --> 00:49:15,640
Speaker 5: But we have a wrestler.

1081
00:49:17,560 --> 00:49:19,440
Speaker 4: Then we're in the girl's apartment.

1082
00:49:19,680 --> 00:49:22,040
Speaker 6: Eric and Jack's arms are crossed and they look upset.

1083
00:49:22,440 --> 00:49:24,839
Speaker 6: Eric demands, we want our apartment back, and we want

1084
00:49:24,840 --> 00:49:27,560
Speaker 6: it now. Jack ads, you're bullies, and I've never backed

1085
00:49:27,560 --> 00:49:30,000
Speaker 6: down from a bully. The camera flips to the girls,

1086
00:49:30,000 --> 00:49:33,000
Speaker 6: who are on the couch, barely paying attention, giving themselves pedicures.

1087
00:49:33,560 --> 00:49:36,960
Speaker 6: Angela and Rachel sarcastically praise the strong men, and Tapega

1088
00:49:37,040 --> 00:49:40,480
Speaker 6: suggests that they settle things right here, right now. The

1089
00:49:40,520 --> 00:49:43,120
Speaker 6: girls can just kick their squirrely butts.

1090
00:49:44,480 --> 00:49:47,560
Speaker 4: Again. Nothing based in nothing based in reality or anything

1091
00:49:47,560 --> 00:49:48,040
Speaker 4: that would.

1092
00:49:47,840 --> 00:49:50,239
Speaker 3: Happen, especially at this point of my life. I'm like

1093
00:49:50,239 --> 00:49:53,480
Speaker 3: two ten here taking the three of you rout.

1094
00:49:53,640 --> 00:49:57,400
Speaker 6: By the way you look, you are so handsome, I

1095
00:49:57,440 --> 00:49:59,280
Speaker 6: really through this whole episode, I was like, I cannot

1096
00:49:59,280 --> 00:50:02,240
Speaker 6: believe Will is talking so badly about himself.

1097
00:50:02,280 --> 00:50:04,920
Speaker 4: You look fantastic.

1098
00:50:04,040 --> 00:50:07,359
Speaker 6: In this episode, you very much. Tapega asks them through

1099
00:50:07,400 --> 00:50:09,400
Speaker 6: gritted teeth. Do you have any idea what's going on

1100
00:50:09,480 --> 00:50:11,320
Speaker 6: in my life right now? Do you have any idea

1101
00:50:11,320 --> 00:50:14,000
Speaker 6: how much anger I have inside of me? Jack guesses

1102
00:50:14,400 --> 00:50:18,600
Speaker 6: a lot. She suggests a steel cage match tag team

1103
00:50:18,840 --> 00:50:22,960
Speaker 6: whoever lives gets the apartment. Eric lets out an exaggerated

1104
00:50:23,000 --> 00:50:24,919
Speaker 6: laugh to these girly girls.

1105
00:50:24,640 --> 00:50:26,799
Speaker 4: Really want to mess with such manly men.

1106
00:50:27,440 --> 00:50:30,480
Speaker 6: Jack flexes his big biceps and Eric encourages him to

1107
00:50:30,560 --> 00:50:33,160
Speaker 6: do the thing as the audience hoots and hollers at

1108
00:50:33,160 --> 00:50:37,560
Speaker 6: his muscles. Angela asks if Tapanga is sure about this,

1109
00:50:38,080 --> 00:50:41,359
Speaker 6: and she yells and then crushes a.

1110
00:50:41,280 --> 00:50:43,000
Speaker 4: Soda can into her forehead.

1111
00:50:43,400 --> 00:50:45,040
Speaker 5: This is I do too.

1112
00:50:45,080 --> 00:50:48,160
Speaker 3: This is a funny, beast fun super fun scene. This

1113
00:50:48,200 --> 00:50:50,319
Speaker 3: is why this whole thing was super fun to show.

1114
00:50:50,560 --> 00:50:52,640
Speaker 1: You guys are wearing your head smashed into By.

1115
00:50:52,640 --> 00:50:57,360
Speaker 6: The way, it's still hers as that even that fake can.

1116
00:50:57,800 --> 00:51:01,680
Speaker 5: Oh still oh yeah, like the bottom is still yeah.

1117
00:51:01,719 --> 00:51:03,120
Speaker 4: It's still a can.

1118
00:51:03,320 --> 00:51:05,440
Speaker 5: Like it's yeah, totally.

1119
00:51:05,920 --> 00:51:08,960
Speaker 4: I remember being like oh too.

1120
00:51:09,120 --> 00:51:11,600
Speaker 8: Yeah.

1121
00:51:11,680 --> 00:51:15,320
Speaker 6: In response, Eric grabs a soda can and shouts gibberish

1122
00:51:15,360 --> 00:51:17,000
Speaker 6: before slamming it into his forehead.

1123
00:51:17,040 --> 00:51:19,640
Speaker 5: That actually is not gibberish.

1124
00:51:19,680 --> 00:51:22,680
Speaker 3: The first thing I say is and that is a

1125
00:51:22,840 --> 00:51:28,560
Speaker 3: direct takeoff from Samurai Delicatessen, which John Belushi did in

1126
00:51:28,600 --> 00:51:32,759
Speaker 3: the seventies during Satura Night Live. What so that was,

1127
00:51:34,400 --> 00:51:38,759
Speaker 3: I'm quote, straight up quoting John Belushi's Samurai character from

1128
00:51:38,840 --> 00:51:42,040
Speaker 3: the nineteen seventies essay So Funny.

1129
00:51:43,080 --> 00:51:46,240
Speaker 6: Instead of looking tough, Eric dramatically falls to the floor

1130
00:51:46,280 --> 00:51:49,399
Speaker 6: in pain. Jack points out, it's supposed to be an

1131
00:51:49,440 --> 00:51:50,440
Speaker 6: empty can.

1132
00:51:50,719 --> 00:51:50,959
Speaker 4: Eric.

1133
00:51:51,239 --> 00:51:54,879
Speaker 2: So I feel like this is this the beginning of

1134
00:51:54,920 --> 00:51:57,120
Speaker 2: the like topanga Eric stuff?

1135
00:51:57,920 --> 00:52:00,719
Speaker 1: Yes, this is really fun. I was like, we do

1136
00:52:00,800 --> 00:52:01,880
Speaker 1: this for the rest of the season.

1137
00:52:01,920 --> 00:52:03,760
Speaker 2: Don't be like the wed in and the sneak attack

1138
00:52:03,840 --> 00:52:06,800
Speaker 2: and all you guys, your characters have never been against

1139
00:52:06,800 --> 00:52:09,759
Speaker 2: each other, really, and this is a great dynamic. I mean,

1140
00:52:10,040 --> 00:52:12,240
Speaker 2: I guess the thing is you put Eric against any

1141
00:52:12,280 --> 00:52:14,799
Speaker 2: straight person you know. But like, the panga is a

1142
00:52:14,840 --> 00:52:18,000
Speaker 2: great foil for Eric's She's.

1143
00:52:17,600 --> 00:52:21,920
Speaker 3: So much smarter right that everything he tries, she's always three,

1144
00:52:22,000 --> 00:52:23,959
Speaker 3: three or four steps ahead, which is which is great

1145
00:52:23,960 --> 00:52:26,000
Speaker 3: and that and it culminates in the war episode or

1146
00:52:26,000 --> 00:52:29,399
Speaker 3: not the works of the sneak attack episode, that whole thing.

1147
00:52:29,440 --> 00:52:31,520
Speaker 3: So this is where it starts, and this is when

1148
00:52:31,680 --> 00:52:33,880
Speaker 3: Eric says she beat me up Jack late in the

1149
00:52:33,920 --> 00:52:36,359
Speaker 3: later episode, and then I think we cut to this

1150
00:52:36,440 --> 00:52:38,279
Speaker 3: of her like punching me in the stomach over and

1151
00:52:38,320 --> 00:52:40,880
Speaker 3: over again, which is the impetus for getting into all

1152
00:52:40,880 --> 00:52:41,720
Speaker 3: the costumes and everything.

1153
00:52:41,719 --> 00:52:44,520
Speaker 5: But I remember, just shooting this was a ton of fun.

1154
00:52:44,920 --> 00:52:47,200
Speaker 3: Yeah, because you and I did you remember we like

1155
00:52:47,200 --> 00:52:48,799
Speaker 3: work out the beats where it's like grab me by

1156
00:52:48,800 --> 00:52:50,080
Speaker 3: the hair and You're like okay, and then I'll.

1157
00:52:49,960 --> 00:52:52,399
Speaker 4: Grab this and we we are. We do a good

1158
00:52:52,480 --> 00:52:55,360
Speaker 4: job of it, I know, yeah.

1159
00:52:55,560 --> 00:52:57,799
Speaker 2: And it's like just the right amount of cartoony that

1160
00:52:57,920 --> 00:53:00,799
Speaker 2: like it's totally fine that ever, but he's beating each

1161
00:53:00,840 --> 00:53:01,840
Speaker 2: other up so absurdly.

1162
00:53:01,840 --> 00:53:04,840
Speaker 3: It is ridiculous and absurd and it came out of nowhere.

1163
00:53:04,840 --> 00:53:06,800
Speaker 3: And I wish the whole episode is like this, because

1164
00:53:06,840 --> 00:53:08,800
Speaker 3: this was at least fun. It just made no sense

1165
00:53:08,800 --> 00:53:12,680
Speaker 3: connected with everything else. But I just I distinctly remember

1166
00:53:12,800 --> 00:53:14,920
Speaker 3: having so much fun with you this week.

1167
00:53:15,320 --> 00:53:16,839
Speaker 5: Same just working the whole thing out.

1168
00:53:17,120 --> 00:53:19,839
Speaker 6: I know, I remember the same thing. But I had

1169
00:53:19,880 --> 00:53:21,120
Speaker 6: broken my elbow this week.

1170
00:53:21,560 --> 00:53:22,760
Speaker 1: It's right serious.

1171
00:53:23,000 --> 00:53:25,759
Speaker 6: Yes, I have a broken left elbow, but it wasn't

1172
00:53:25,760 --> 00:53:27,600
Speaker 6: the kind of broken that needed a cast. It was

1173
00:53:27,680 --> 00:53:29,839
Speaker 6: just like I had loose bone fragments floating around in there.

1174
00:53:30,160 --> 00:53:33,239
Speaker 6: But I had I had gotten Ana this summer. So

1175
00:53:33,280 --> 00:53:34,799
Speaker 6: this summer when I moved out of my pair, I

1176
00:53:34,800 --> 00:53:37,040
Speaker 6: had moved out. I was living on my own in

1177
00:53:37,120 --> 00:53:41,360
Speaker 6: Manhattan Beach, and I had just adopted Anna, my little

1178
00:53:41,440 --> 00:53:43,320
Speaker 6: Maltese dogs do.

1179
00:53:44,280 --> 00:53:50,520
Speaker 1: I carried her coffee bean. You always get splendid blend.

1180
00:53:53,840 --> 00:54:03,880
Speaker 6: Yeah, any cigarette Sea Forgot version is such a This

1181
00:54:04,000 --> 00:54:05,720
Speaker 6: is such an era for Danielle.

1182
00:54:08,360 --> 00:54:08,760
Speaker 4: Yeah.

1183
00:54:08,800 --> 00:54:12,560
Speaker 6: And so I had these great neighbors, Uncle Jack and

1184
00:54:12,560 --> 00:54:16,680
Speaker 6: Anti Pam. I called them and they they were on

1185
00:54:16,760 --> 00:54:19,640
Speaker 6: the other side of this like six or seven foot

1186
00:54:19,680 --> 00:54:23,080
Speaker 6: brick wall, and I was like.

1187
00:54:23,040 --> 00:54:25,120
Speaker 4: I got this cute little dog.

1188
00:54:25,040 --> 00:54:28,359
Speaker 6: And I was like talking to them about Anna and I.

1189
00:54:28,560 --> 00:54:30,920
Speaker 6: In order to not have to be talking through the

1190
00:54:30,920 --> 00:54:33,319
Speaker 6: brick wall, I jumped up on the brick wall. And

1191
00:54:33,400 --> 00:54:37,280
Speaker 6: so the way it worked was there was a brick wall,

1192
00:54:37,440 --> 00:54:39,319
Speaker 6: and then on the at the end of the brick wall,

1193
00:54:39,400 --> 00:54:41,360
Speaker 6: there was a little swing gate that you could go

1194
00:54:41,400 --> 00:54:43,560
Speaker 6: out to the to the back, you know, like a

1195
00:54:43,600 --> 00:54:47,600
Speaker 6: park and whatever else. So I stepped on that fence

1196
00:54:47,880 --> 00:54:51,279
Speaker 6: to get up onto the brick wall. Because of the

1197
00:54:51,320 --> 00:54:54,480
Speaker 6: direction I was heading, the gate was unlocked and I

1198
00:54:54,480 --> 00:54:57,000
Speaker 6: did not realize it. So because of the way I

1199
00:54:57,040 --> 00:54:59,680
Speaker 6: was going up, it closed the gate like you know,

1200
00:54:59,719 --> 00:55:02,720
Speaker 6: you'd pull it towards you. But then coming down putting

1201
00:55:02,719 --> 00:55:06,080
Speaker 6: my foot on it and getting off the wall, it

1202
00:55:06,280 --> 00:55:09,080
Speaker 6: swung out from under me and I just fell onto

1203
00:55:09,080 --> 00:55:09,640
Speaker 6: my elbow.

1204
00:55:09,800 --> 00:55:10,680
Speaker 1: Oh.

1205
00:55:10,719 --> 00:55:14,279
Speaker 6: My roommate at the time was inside and like upstairs,

1206
00:55:14,560 --> 00:55:16,040
Speaker 6: didn't didn't see anything happened.

1207
00:55:16,320 --> 00:55:19,040
Speaker 4: Uncle Jack and Auntie Pam saw me like fall and

1208
00:55:19,080 --> 00:55:20,560
Speaker 4: then went are you okay?

1209
00:55:21,200 --> 00:55:25,120
Speaker 6: I had the wind completely knocked out of me, and

1210
00:55:25,200 --> 00:55:27,520
Speaker 6: I was in so much pain I physically could not

1211
00:55:27,719 --> 00:55:31,840
Speaker 6: even speak. And then I'm like laying on the floor

1212
00:55:31,920 --> 00:55:33,920
Speaker 6: and Uncle Jack and aatee to Pam go inside cause I' like, goh,

1213
00:55:33,920 --> 00:55:35,200
Speaker 6: she must be fine, she's not even out here.

1214
00:55:35,360 --> 00:55:36,400
Speaker 4: So they go inside.

1215
00:55:36,520 --> 00:55:38,880
Speaker 6: I see Danielle, my roommate, walk down the stairs and

1216
00:55:38,880 --> 00:55:40,400
Speaker 6: go into the kitchen, and I'm going I'm trying to

1217
00:55:40,400 --> 00:55:42,560
Speaker 6: go Danielle.

1218
00:55:44,600 --> 00:55:46,279
Speaker 4: Yeah, and she's like mic craving something.

1219
00:55:46,360 --> 00:55:48,560
Speaker 6: I see her look out into the backyard, like where

1220
00:55:48,680 --> 00:55:52,240
Speaker 6: Danielle goes take something out of the microwave, walks back upstairs. Anyway,

1221
00:55:52,520 --> 00:55:54,239
Speaker 6: after a few minutes, I obviously catch my breath and

1222
00:55:54,280 --> 00:55:56,680
Speaker 6: I'm like, okay, I'm gonna get up. And I decide

1223
00:55:56,920 --> 00:56:00,160
Speaker 6: I'm fine, it's just gonna be sore. There's nothing wrong.

1224
00:56:00,840 --> 00:56:03,400
Speaker 6: It's gonna be totally fine, and I just go about

1225
00:56:03,520 --> 00:56:05,160
Speaker 6: my day and I go and I meet up with

1226
00:56:05,200 --> 00:56:07,839
Speaker 6: my friend Sarah at a coffee at the coffeehouse, and

1227
00:56:08,120 --> 00:56:10,080
Speaker 6: we are talking and I'm telling her like, man, it

1228
00:56:10,080 --> 00:56:11,960
Speaker 6: really hurts. And at this point I'm starting to not

1229
00:56:12,000 --> 00:56:14,440
Speaker 6: be able to move my fingers. Oh gosh, and she

1230
00:56:14,520 --> 00:56:17,680
Speaker 6: goes dang, and I also cannot even remotely straighten my arm.

1231
00:56:17,880 --> 00:56:20,120
Speaker 6: She's like, I'm not letting you just say this is fine.

1232
00:56:20,200 --> 00:56:22,600
Speaker 6: I'm taking you right now to Cedar SINAI. Five and

1233
00:56:22,640 --> 00:56:25,520
Speaker 6: a half hours later, sitting in the emergency room waiting room,

1234
00:56:25,840 --> 00:56:28,319
Speaker 6: I get an X ray. They go, we don't know

1235
00:56:28,320 --> 00:56:29,840
Speaker 6: when the radioloist is going to look at it. You

1236
00:56:29,880 --> 00:56:31,959
Speaker 6: can just go ahead and go home. I go home.

1237
00:56:32,040 --> 00:56:33,839
Speaker 6: The next morning, I have to be in Burbank from

1238
00:56:33,840 --> 00:56:36,600
Speaker 6: Manhattan beach. So I get up super early, go to Burbank,

1239
00:56:36,960 --> 00:56:40,160
Speaker 6: work all day doing this stuff, the wrestling, during the

1240
00:56:40,160 --> 00:56:44,799
Speaker 6: wrestling stuff, go home. I get home and there's a

1241
00:56:44,840 --> 00:56:48,200
Speaker 6: message on my machine. Hi, this is Cter Siin. I

1242
00:56:48,200 --> 00:56:50,400
Speaker 6: wanted to let you know. Can you please call us back.

1243
00:56:50,440 --> 00:56:52,600
Speaker 6: The radiol just has read your report. Need you to

1244
00:56:52,600 --> 00:56:54,800
Speaker 6: call us back. Oh, I'm forgetting a very important detail.

1245
00:56:54,840 --> 00:56:57,000
Speaker 6: When I left the hospital, they said, we don't know

1246
00:56:57,000 --> 00:56:59,040
Speaker 6: when they're going to read it. In the meantime, here's

1247
00:56:59,080 --> 00:57:01,799
Speaker 6: a sling. Just put your arm in a sling and

1248
00:57:01,840 --> 00:57:03,760
Speaker 6: try not to move it much. And it was like great,

1249
00:57:03,960 --> 00:57:06,279
Speaker 6: So I do that all day. I get home they're like,

1250
00:57:06,360 --> 00:57:08,799
Speaker 6: please call us. The radiologist has read your report and

1251
00:57:08,840 --> 00:57:10,520
Speaker 6: we need to talk to you. I call them back

1252
00:57:10,520 --> 00:57:12,640
Speaker 6: and they're like, your elbow is broken. We need you

1253
00:57:12,719 --> 00:57:14,440
Speaker 6: to take it out of the sling and start moving

1254
00:57:14,440 --> 00:57:16,440
Speaker 6: it immediately. If you keep it in the sling, it's

1255
00:57:16,440 --> 00:57:20,080
Speaker 6: gonna freeze in that position. At this point, at this point,

1256
00:57:20,160 --> 00:57:22,880
Speaker 6: I cannot move any of my fingers and my arm

1257
00:57:23,080 --> 00:57:26,240
Speaker 6: is locked in a ninety degree position, and I'm like

1258
00:57:26,600 --> 00:57:29,160
Speaker 6: it really really hurts to move it, and they're like, great,

1259
00:57:29,240 --> 00:57:31,360
Speaker 6: we are going to call you a prescription for pain pills.

1260
00:57:31,680 --> 00:57:32,520
Speaker 1: Just take the pain.

1261
00:57:32,440 --> 00:57:35,040
Speaker 6: Pills and move it. And it was like, and this

1262
00:57:35,080 --> 00:57:37,760
Speaker 6: is the week we were doing wrestling. Oh god, wow,

1263
00:57:37,800 --> 00:57:39,280
Speaker 6: So I will always remember.

1264
00:57:39,400 --> 00:57:41,480
Speaker 1: I wish I would have targeted that elbow.

1265
00:57:44,440 --> 00:57:57,720
Speaker 9: Oh my gosh.

1266
00:57:57,760 --> 00:58:00,000
Speaker 6: What do you guys remember about working with Mick Foley?

1267
00:58:00,080 --> 00:58:02,240
Speaker 6: We've now worked with two wrestling legends.

1268
00:58:02,680 --> 00:58:03,480
Speaker 1: I actually didn't.

1269
00:58:03,520 --> 00:58:05,400
Speaker 2: I mean I remember meeting him, but you know, I

1270
00:58:05,440 --> 00:58:07,480
Speaker 2: didn't have any scenes with them, So I really only

1271
00:58:07,480 --> 00:58:10,680
Speaker 2: got to know Mick during conventions like recently, like in

1272
00:58:10,720 --> 00:58:13,360
Speaker 2: the last five ten years, Like I've really got to

1273
00:58:13,400 --> 00:58:13,720
Speaker 2: know him.

1274
00:58:13,760 --> 00:58:15,000
Speaker 1: It's just the nicest guy.

1275
00:58:15,120 --> 00:58:15,640
Speaker 5: He's awesome.

1276
00:58:15,840 --> 00:58:19,480
Speaker 3: He's awesome and loved like sharing his knowledge and we'll

1277
00:58:19,480 --> 00:58:21,200
Speaker 3: throw you over this thing, and we'll grab this and

1278
00:58:21,240 --> 00:58:22,080
Speaker 3: I'm going to throw you through that.

1279
00:58:22,160 --> 00:58:24,640
Speaker 5: It was was great, incredibly great.

1280
00:58:25,480 --> 00:58:27,960
Speaker 6: Then the bell dings and the match begins. Rachel steps

1281
00:58:28,000 --> 00:58:30,840
Speaker 6: onto Eric's back, making her way toward Jack. She throws

1282
00:58:30,840 --> 00:58:32,880
Speaker 6: a punch and he catches it. He can't fight her.

1283
00:58:32,960 --> 00:58:34,160
Speaker 4: She's too sweet.

1284
00:58:34,640 --> 00:58:38,520
Speaker 6: Rachel is touched, and mankind agrees that is sweet. Rachel

1285
00:58:38,640 --> 00:58:41,400
Speaker 6: uses this distraction to jump onto Jack's back and continuously

1286
00:58:41,440 --> 00:58:45,880
Speaker 6: smash his place into a platter of fresh sandwiches, like you're.

1287
00:58:45,760 --> 00:58:46,280
Speaker 5: Supposed to have.

1288
00:58:46,760 --> 00:58:49,800
Speaker 3: You guys are doing your nails, so beforehand you stopped

1289
00:58:49,800 --> 00:58:52,520
Speaker 3: and made they were sandwich.

1290
00:58:52,160 --> 00:58:54,400
Speaker 1: Iron shirts, made sandwiches, and then we're doing their nails.

1291
00:58:55,080 --> 00:58:58,800
Speaker 3: That's what women do with giant tubba popcorn, not in

1292
00:58:58,840 --> 00:59:01,400
Speaker 3: front of you, but on the tape next to your

1293
00:59:01,480 --> 00:59:03,160
Speaker 3: sandwich homemade sandwich platter.

1294
00:59:03,360 --> 00:59:08,800
Speaker 6: Yes, yes, Also could they not have even made a

1295
00:59:08,880 --> 00:59:11,440
Speaker 6: joke about the fact that he just appeared out of nowhere?

1296
00:59:11,520 --> 00:59:16,320
Speaker 6: Something no one even acknowledges who and why and nothing

1297
00:59:16,360 --> 00:59:19,200
Speaker 6: like even just one like should we be scared?

1298
00:59:19,440 --> 00:59:19,760
Speaker 4: Nothing?

1299
00:59:20,000 --> 00:59:20,600
Speaker 1: Just yell right?

1300
00:59:21,400 --> 00:59:23,440
Speaker 2: I Also like, why didn't they set this up in

1301
00:59:23,440 --> 00:59:28,640
Speaker 2: some capacity, like someone makes a wrestling reference like earlier on.

1302
00:59:29,040 --> 00:59:30,680
Speaker 2: It's like it's so absurd.

1303
00:59:30,360 --> 00:59:31,520
Speaker 4: But yeah whatever, okay.

1304
00:59:31,560 --> 00:59:31,840
Speaker 5: Yeah.

1305
00:59:32,000 --> 00:59:35,440
Speaker 6: In the process, Rachel breaks a nail, so she tags

1306
00:59:35,440 --> 00:59:39,040
Speaker 6: in Angela with mankind, announcing a legal tag. Angela runs

1307
00:59:39,080 --> 00:59:41,760
Speaker 6: up to Jack and asks if he's okay. Jack insists

1308
00:59:41,760 --> 00:59:43,920
Speaker 6: he's fine, so she grabs him and slams his head

1309
00:59:43,960 --> 00:59:48,240
Speaker 6: into the table, directly into a bowl of popcorn. Angela

1310
00:59:48,280 --> 00:59:51,080
Speaker 6: then trades places with Tapanga as Jack tries his hardest

1311
00:59:51,080 --> 00:59:54,320
Speaker 6: to tag in Eric, but he's refusing. A frustrated Mankind

1312
00:59:54,640 --> 00:59:56,640
Speaker 6: grabs both of the boys and brings them back into

1313
00:59:56,680 --> 00:59:59,960
Speaker 6: the cage. Get in there and wrestle, show some dignity.

1314
01:00:00,440 --> 01:00:02,800
Speaker 6: The boys cower and fear as all three girls approach

1315
01:00:02,880 --> 01:00:05,560
Speaker 6: with vengeance. Eric admits he doesn't know where to grab

1316
01:00:05,600 --> 01:00:09,000
Speaker 6: because all he sees are girly parts. Mankind reminds him

1317
01:00:09,040 --> 01:00:12,040
Speaker 6: not to touch those Jack points out there's three of them.

1318
01:00:12,080 --> 01:00:14,920
Speaker 6: This isn't fair. Mankind says, The only thing that's not

1319
01:00:15,000 --> 01:00:17,840
Speaker 6: fair is this. Then he gives Eric another knee of

1320
01:00:17,840 --> 01:00:20,000
Speaker 6: the gut and throws him through the wooden stairban a

1321
01:00:20,040 --> 01:00:24,520
Speaker 6: start breaking it into pieces. Yeah, Will, what was this like?

1322
01:00:24,640 --> 01:00:25,320
Speaker 1: It was awesome?

1323
01:00:25,480 --> 01:00:28,320
Speaker 5: I mean this is like this was always my favorite stuff.

1324
01:00:28,640 --> 01:00:30,280
Speaker 3: Hey, we're gonna throw you over this, We're gonna tuck

1325
01:00:30,320 --> 01:00:31,840
Speaker 3: you in this, We're gonna put you in this costume

1326
01:00:31,920 --> 01:00:35,400
Speaker 3: like this. This was I just lived in this, this section.

1327
01:00:35,400 --> 01:00:38,680
Speaker 3: This is my wheelhouse. So Mankind throwing me through the

1328
01:00:38,680 --> 01:00:40,080
Speaker 3: thing and then throwing me over the table.

1329
01:00:40,120 --> 01:00:42,160
Speaker 1: God love it, so father, Remember loving this kind of

1330
01:00:42,160 --> 01:00:44,080
Speaker 1: stuff too? Yeah, I have to do it as much,

1331
01:00:44,160 --> 01:00:50,160
Speaker 1: but like now I would hate it yeah, yeah, just

1332
01:00:50,200 --> 01:00:50,640
Speaker 1: too old.

1333
01:00:50,720 --> 01:00:52,360
Speaker 3: Now, yeah, I know, I am, I am too, but

1334
01:00:52,440 --> 01:00:54,760
Speaker 3: it was at the time, Oh god, it was, Yeah,

1335
01:00:54,760 --> 01:00:55,240
Speaker 3: it was fun.

1336
01:00:56,160 --> 01:00:58,560
Speaker 6: Jack is now feeling confident and tells the girls to

1337
01:00:58,600 --> 01:00:59,400
Speaker 6: bring it on.

1338
01:00:59,760 --> 01:01:01,080
Speaker 4: Eric screams from the stairs.

1339
01:01:01,360 --> 01:01:05,080
Speaker 6: This apartment is ours to Pega runs over and repeatedly

1340
01:01:05,120 --> 01:01:07,960
Speaker 6: punches Eric in the stomach, then throws him over the

1341
01:01:08,040 --> 01:01:11,920
Speaker 6: kitchen island. Angela and Rachel attack Jack by grabbing his nose,

1342
01:01:11,960 --> 01:01:14,600
Speaker 6: and to Panga pulls Eric across the room by his hair.

1343
01:01:15,360 --> 01:01:17,920
Speaker 6: They trade off as to Panga spears Jack into the

1344
01:01:17,960 --> 01:01:20,920
Speaker 6: couch and Rachel now slams Eric's head into the floor.

1345
01:01:21,320 --> 01:01:26,000
Speaker 6: Mankind rings the bell. The girls are victorious. They celebrate,

1346
01:01:26,080 --> 01:01:29,400
Speaker 6: and the inmates in the audience love what they have seen.

1347
01:01:29,560 --> 01:01:33,440
Speaker 3: Now this becomes so absurd that as Rachel Maitland jumps

1348
01:01:33,480 --> 01:01:35,960
Speaker 3: up to celebrate, the camera pulls back off the set

1349
01:01:37,120 --> 01:01:39,320
Speaker 3: so you can see like a light in the left

1350
01:01:39,440 --> 01:01:40,920
Speaker 3: and the painting on.

1351
01:01:40,880 --> 01:01:42,760
Speaker 5: The floor in the right where the line ends.

1352
01:01:43,000 --> 01:01:45,600
Speaker 3: It's like at this point they're like, ah, it's fine,

1353
01:01:45,600 --> 01:01:46,440
Speaker 3: don't worry about heirs.

1354
01:01:46,600 --> 01:01:48,880
Speaker 5: So it so it's like, oh, and the door's back

1355
01:01:48,960 --> 01:01:49,280
Speaker 5: the door.

1356
01:01:49,280 --> 01:01:51,720
Speaker 3: He kicks off the hinges, Oh my gosh, is just

1357
01:01:51,840 --> 01:01:54,400
Speaker 3: right back perfectly up into the thing. Yeah, this was

1358
01:01:54,880 --> 01:01:57,640
Speaker 3: with blood splatter wall moving off the set again. This

1359
01:01:58,080 --> 01:02:02,920
Speaker 3: was a strange episode and no lobsters anywhere. Somebody one

1360
01:02:03,280 --> 01:02:06,680
Speaker 3: says somebody RK caught her and was like or she's like,

1361
01:02:06,840 --> 01:02:10,280
Speaker 3: I'm again, I'm yeah, i'micros over here. So yeah, yeah,

1362
01:02:10,280 --> 01:02:12,160
Speaker 3: so I can't unless she's hiding them way better.

1363
01:02:12,160 --> 01:02:14,280
Speaker 5: They're no longer on the set.

1364
01:02:14,640 --> 01:02:17,320
Speaker 6: Well, the girls have won the apartment. We're back at

1365
01:02:17,360 --> 01:02:19,680
Speaker 6: Ryannon's house. Corey and Sean watch on as Rhann and

1366
01:02:19,720 --> 01:02:23,200
Speaker 6: opens the front door for Jedediah. She smiles and says hello.

1367
01:02:23,480 --> 01:02:27,480
Speaker 6: He nervously responds with what's up. Corey immediately judges him.

1368
01:02:27,920 --> 01:02:30,560
Speaker 6: Rhannon invites him in and asks how she's been. She's

1369
01:02:30,600 --> 01:02:33,720
Speaker 6: been okay, she guesses, and Corey scoffs. Nobody in the

1370
01:02:33,760 --> 01:02:37,680
Speaker 6: world knows how to do anything right. Jedediah says hi

1371
01:02:37,840 --> 01:02:41,440
Speaker 6: to Sean jokingly asks who's in the basement. Sean raises

1372
01:02:41,480 --> 01:02:45,040
Speaker 6: his arms, not me, not me. Jedediah greets Corey next,

1373
01:02:45,080 --> 01:02:46,880
Speaker 6: and Corey just signals for him to talk to his

1374
01:02:46,920 --> 01:02:50,760
Speaker 6: wife instead. Ryannon breaks the ice by explaining, Corey told

1375
01:02:50,760 --> 01:02:53,600
Speaker 6: me that you wanted to see me. Jedediah is confused.

1376
01:02:54,040 --> 01:02:58,120
Speaker 6: He did he told me the same thing. Corey defends himself. Well,

1377
01:02:58,160 --> 01:03:01,720
Speaker 6: it's just important that you're here together, right, Jedediah sighs

1378
01:03:01,760 --> 01:03:04,480
Speaker 6: and admits we should be able to be together no

1379
01:03:04,560 --> 01:03:08,040
Speaker 6: matter what went on between us. Rhiannon asks if that's so.

1380
01:03:08,560 --> 01:03:10,640
Speaker 6: Corey pulls Sean to get a better view. He's excited

1381
01:03:10,640 --> 01:03:13,280
Speaker 6: they're talking. Jedediah tells Rann and I just want you

1382
01:03:13,320 --> 01:03:15,400
Speaker 6: to know that I would never trade the years we had.

1383
01:03:15,800 --> 01:03:18,560
Speaker 6: Corey whispers to Sean, that is so beautiful. That's right

1384
01:03:18,600 --> 01:03:20,560
Speaker 6: from the soul. You didn't think we'd be able to

1385
01:03:20,600 --> 01:03:23,919
Speaker 6: pull this off, did you? Jedediah continues, And in time,

1386
01:03:23,960 --> 01:03:25,280
Speaker 6: I hope that you can find it in your heart

1387
01:03:25,320 --> 01:03:29,160
Speaker 6: to forgive me. Corey pumps his fists forgiveness. Forgiveness is

1388
01:03:29,200 --> 01:03:33,160
Speaker 6: everything that Sean wonders, forgive him for what? Corey doesn't care.

1389
01:03:34,120 --> 01:03:36,320
Speaker 6: Rhannon scoffs, is that what you came here to say?

1390
01:03:36,400 --> 01:03:38,920
Speaker 6: That you want me to forgive you? He explains, I

1391
01:03:38,920 --> 01:03:41,720
Speaker 6: don't want you to hate me anymore. Her voice gets shaky.

1392
01:03:42,000 --> 01:03:45,040
Speaker 6: I don't hate you. I She stops herself and then

1393
01:03:45,080 --> 01:03:48,160
Speaker 6: decides to say because of our life together and the

1394
01:03:48,200 --> 01:03:52,960
Speaker 6: beautiful child that we've made. Corey whispers to Banka that Sean,

1395
01:03:53,080 --> 01:03:55,320
Speaker 6: in case he was confused, we just make no mention

1396
01:03:55,360 --> 01:03:56,160
Speaker 6: of Tapanga's sister.

1397
01:03:57,160 --> 01:03:59,240
Speaker 5: No, nope, she's gone. Ever happened?

1398
01:04:00,120 --> 01:04:02,520
Speaker 6: Rhiannon continues, I will try as hard as I can

1399
01:04:02,640 --> 01:04:05,200
Speaker 6: to forgive you. Sean and Corey are in utter shock.

1400
01:04:05,480 --> 01:04:08,040
Speaker 6: Corey thinks he actually did it, but then rhiann and

1401
01:04:08,120 --> 01:04:11,920
Speaker 6: drops the bomb and I hope you find happiness with Marie.

1402
01:04:13,160 --> 01:04:18,040
Speaker 6: Knock Marie? What the boys are devastated? Corey asks who's Marie?

1403
01:04:18,520 --> 01:04:21,960
Speaker 6: Rhiannon reveals that's the woman Jedediah loves. Now, Corey looks

1404
01:04:21,960 --> 01:04:24,160
Speaker 6: at him with disgust. How could you do that?

1405
01:04:25,400 --> 01:04:28,520
Speaker 4: Hmmm? How could he? Corey judge Mcjudgerson.

1406
01:04:28,680 --> 01:04:30,040
Speaker 5: Yeah, maybe he was just skiing.

1407
01:04:30,480 --> 01:04:31,600
Speaker 4: Yeah, he hurt his foot.

1408
01:04:31,920 --> 01:04:33,040
Speaker 1: Yeah.

1409
01:04:33,160 --> 01:04:39,760
Speaker 6: Jediah apologizes. Jedediah apologist to Corey, He's sorry. Corey wonders

1410
01:04:39,760 --> 01:04:42,520
Speaker 6: how he could love anyone other than this woman? What's

1411
01:04:42,560 --> 01:04:46,280
Speaker 6: wrong with this woman? Rhannon opens the door and Jedediah leaves.

1412
01:04:46,600 --> 01:04:49,320
Speaker 6: Now alone, she urges Corey to stop these things happen.

1413
01:04:49,760 --> 01:04:52,120
Speaker 6: She tries to walk away, but he demands answers, love

1414
01:04:52,200 --> 01:04:55,520
Speaker 6: can't just die. She tells him it can, and it did.

1415
01:04:56,080 --> 01:04:57,840
Speaker 6: She's sorry he had to find out like this and

1416
01:04:57,880 --> 01:05:00,280
Speaker 6: begs him not to tell Tapanga. She doesn't want her

1417
01:05:00,280 --> 01:05:04,919
Speaker 6: to hate her father. Corey's in shock. Sean asks him, Corey,

1418
01:05:05,200 --> 01:05:08,360
Speaker 6: what if we don't know anything? Corey is speechless at

1419
01:05:08,360 --> 01:05:12,160
Speaker 6: the thought, and then we are in Phoenie's classroom. Corey

1420
01:05:12,200 --> 01:05:14,960
Speaker 6: and Sean walk in, noticing Topanga and Angela already in

1421
01:05:15,000 --> 01:05:17,760
Speaker 6: their seats. Sean says he'll just follow his best friend's

1422
01:05:17,840 --> 01:05:20,280
Speaker 6: lead and nervously asks what they're going to do. Corey

1423
01:05:20,320 --> 01:05:22,160
Speaker 6: makes a bee line to the girls, and Tapega asks

1424
01:05:22,160 --> 01:05:24,720
Speaker 6: how their weekend went. Sean nervously answers.

1425
01:05:24,440 --> 01:05:28,280
Speaker 4: Boring kind eventful. We stayed in Phillylo col We stayed

1426
01:05:28,320 --> 01:05:29,760
Speaker 4: in town, so funny.

1427
01:05:30,080 --> 01:05:33,240
Speaker 6: Corey calmly admits, we went to Pittsburgh. Sean pipes up,

1428
01:05:33,280 --> 01:05:37,040
Speaker 6: oh yeah. Tapega asks why they'd go to Pittsburgh, and

1429
01:05:37,080 --> 01:05:37,960
Speaker 6: Sean lies.

1430
01:05:37,800 --> 01:05:43,040
Speaker 4: Sel we needed to find some s girdersurders, girders, girders.

1431
01:05:43,440 --> 01:05:45,960
Speaker 6: Corey continues to be honest. We went to talk to

1432
01:05:46,000 --> 01:05:50,280
Speaker 6: your parents. Sean nods his head, oh yeah, to Panga

1433
01:05:50,400 --> 01:05:52,680
Speaker 6: can't believe they would do that without talking to her first.

1434
01:05:52,920 --> 01:05:54,560
Speaker 6: Sean tries to tell her it wasn't a big deal,

1435
01:05:54,560 --> 01:05:57,600
Speaker 6: but Tapega knows better. She asks Corey, did you try

1436
01:05:57,600 --> 01:05:58,960
Speaker 6: to go down there to fix everything?

1437
01:05:59,120 --> 01:06:00,400
Speaker 4: Is that what you did? So superman?

1438
01:06:00,880 --> 01:06:03,080
Speaker 6: Sean gets in the middle, telling her to knock it off.

1439
01:06:03,680 --> 01:06:06,320
Speaker 6: Corey traveled one hundred miles on a Greyhound bus to

1440
01:06:06,320 --> 01:06:08,480
Speaker 6: find your parents and try to put them back together

1441
01:06:08,720 --> 01:06:09,200
Speaker 6: for you.

1442
01:06:10,840 --> 01:06:12,720
Speaker 5: He also has a car. Why are they in a bus?

1443
01:06:12,920 --> 01:06:13,360
Speaker 4: I don't know.

1444
01:06:14,160 --> 01:06:17,800
Speaker 6: He claims Corey was brilliant, and Tapanga is curious.

1445
01:06:18,160 --> 01:06:20,280
Speaker 1: Was he he was? Was brilliant?

1446
01:06:20,600 --> 01:06:22,680
Speaker 5: Was he was pushy and shouldn't have been there in

1447
01:06:22,720 --> 01:06:23,240
Speaker 5: the first place?

1448
01:06:23,280 --> 01:06:24,760
Speaker 1: And also Sean was right.

1449
01:06:24,840 --> 01:06:27,480
Speaker 4: Sean was right in the previous episode. These are adults.

1450
01:06:27,480 --> 01:06:28,520
Speaker 4: What if we were in their lives?

1451
01:06:28,600 --> 01:06:29,840
Speaker 1: Let's not do this people.

1452
01:06:30,800 --> 01:06:33,320
Speaker 6: Sean says, Corey made some really great moves and then

1453
01:06:33,400 --> 01:06:36,640
Speaker 6: quote some of Corey's Please he tells your parents, yea,

1454
01:06:36,720 --> 01:06:40,360
Speaker 6: he forced him into a room, forced him into a room.

1455
01:06:42,760 --> 01:06:45,320
Speaker 6: He judged everybody for their life, everybody for the way

1456
01:06:45,320 --> 01:06:45,800
Speaker 6: they talked.

1457
01:06:46,080 --> 01:06:47,400
Speaker 4: They were both upset at the end of it.

1458
01:06:47,440 --> 01:06:49,920
Speaker 2: And then we came home and we have to keep

1459
01:06:49,920 --> 01:06:51,959
Speaker 2: a secret from you because you can't find out about

1460
01:06:51,960 --> 01:06:52,880
Speaker 2: your dad having an affair.

1461
01:06:55,000 --> 01:06:58,400
Speaker 6: He's great, Sean says, Corey made some really great moves.

1462
01:06:58,400 --> 01:07:01,520
Speaker 6: Then he quotes some of Corey's Please Corey, you were good.

1463
01:07:01,840 --> 01:07:04,160
Speaker 6: Then he walks away. Topega looks at Corey.

1464
01:07:04,440 --> 01:07:04,920
Speaker 4: Were you?

1465
01:07:05,360 --> 01:07:08,560
Speaker 6: He responds, I wanted to be. She asks what that means,

1466
01:07:08,560 --> 01:07:11,160
Speaker 6: and he admits I failed horribly. I don't think your

1467
01:07:11,200 --> 01:07:13,720
Speaker 6: parents are going to get back together. Tapanga agrees and

1468
01:07:13,760 --> 01:07:17,040
Speaker 6: talks very quietly. I don't either. I just don't understand

1469
01:07:17,040 --> 01:07:19,320
Speaker 6: what could have happened between them. They were so in love.

1470
01:07:19,880 --> 01:07:21,680
Speaker 6: She asks Corey if he has any idea what could

1471
01:07:21,680 --> 01:07:25,080
Speaker 6: have happened to them, and he explains, no, Sometimes things

1472
01:07:25,160 --> 01:07:25,600
Speaker 6: just happen.

1473
01:07:26,160 --> 01:07:26,800
Speaker 4: But you were right.

1474
01:07:27,080 --> 01:07:32,080
Speaker 6: Everything I believed was wrong. Sometimes love just dies. Tapanga

1475
01:07:32,120 --> 01:07:34,080
Speaker 6: is on the verge of tears and abruptly turns away

1476
01:07:34,080 --> 01:07:36,920
Speaker 6: from him. Just then Feeni enters and everyone takes their seats.

1477
01:07:37,240 --> 01:07:41,400
Speaker 6: Sean asks Corey, now what, and Corey admits, now it's over.

1478
01:07:42,080 --> 01:07:44,160
Speaker 6: Phoeni instrucks the class to open their books to page

1479
01:07:44,200 --> 01:07:46,880
Speaker 6: forty eight, But Sean isn't done with Corey. Don't say that.

1480
01:07:47,320 --> 01:07:51,320
Speaker 6: You've never said that before. Corey sighs, Yeah, well I

1481
01:07:51,880 --> 01:07:54,880
Speaker 6: never believed it before either. Phoene turns their attention to

1482
01:07:54,920 --> 01:07:59,080
Speaker 6: the Cold War, and we get a shot off from.

1483
01:07:58,920 --> 01:08:01,280
Speaker 5: A high school text look that they're learning in college

1484
01:08:01,320 --> 01:08:01,920
Speaker 5: for some reason.

1485
01:08:02,200 --> 01:08:06,640
Speaker 6: Ye, Angela and Seawn are also sitting directly beside each other,

1486
01:08:06,960 --> 01:08:11,600
Speaker 6: also at a stalemate, much like the US and Russia.

1487
01:08:11,040 --> 01:08:14,320
Speaker 4: During the Cold War. Oh is that.

1488
01:08:14,280 --> 01:08:14,800
Speaker 1: What you thought?

1489
01:08:14,960 --> 01:08:15,400
Speaker 9: You can see?

1490
01:08:15,480 --> 01:08:15,800
Speaker 1: Yes?

1491
01:08:16,240 --> 01:08:23,280
Speaker 5: I thought everyone just wasn't warm, right, Yes? Oh that

1492
01:08:23,360 --> 01:08:23,800
Speaker 5: makes sense.

1493
01:08:23,880 --> 01:08:25,480
Speaker 1: Okay, great episode.

1494
01:08:25,680 --> 01:08:31,840
Speaker 5: The former really insightful. I've changed my mind.

1495
01:08:32,760 --> 01:08:35,120
Speaker 6: The former couples glances at each other, and the girls

1496
01:08:35,160 --> 01:08:38,160
Speaker 6: eventually look away, but the boys don't, and we have

1497
01:08:38,240 --> 01:08:41,000
Speaker 6: our tag back in Eric and Jack's gurly Backstreet Boys room.

1498
01:08:41,320 --> 01:08:43,000
Speaker 6: Eric's yelling at Jack, who's holding up a book of

1499
01:08:43,000 --> 01:08:45,880
Speaker 6: wallpaper samples. They can't have flowers in their new room.

1500
01:08:45,920 --> 01:08:48,479
Speaker 6: They need to pick something that says they're men. Jack

1501
01:08:48,520 --> 01:08:51,639
Speaker 6: suggests a new swatch Teddy Bears. Eric perks up, Yeah, yeah,

1502
01:08:51,640 --> 01:08:55,000
Speaker 6: Teddy Bears. He turns around and asks, what do you think, mankind?

1503
01:08:55,400 --> 01:08:57,759
Speaker 6: We reveal the wrestler is lying in the bed, cuddled

1504
01:08:57,840 --> 01:08:59,920
Speaker 6: up with a Hello, Kitty, plushy. I think the first

1505
01:09:00,000 --> 01:09:01,559
Speaker 6: thing you've got to do is take down that poster

1506
01:09:01,640 --> 01:09:04,120
Speaker 6: because the cute guys staring at me. Eric and Jack

1507
01:09:04,120 --> 01:09:06,719
Speaker 6: are a little disturbed as Mankind creeps up to the poster.

1508
01:09:07,240 --> 01:09:08,640
Speaker 4: I hate being stared at.

1509
01:09:09,360 --> 01:09:11,519
Speaker 6: Eric immediately looks down at the floor to avoid his wrath,

1510
01:09:11,560 --> 01:09:14,000
Speaker 6: but Jack continues to look. Oh no, I can't stop

1511
01:09:14,000 --> 01:09:16,680
Speaker 6: looking at him. After all, he's got leather straps on

1512
01:09:16,720 --> 01:09:19,840
Speaker 6: his face. Mankind reaches into his sweatpants and warns Jack,

1513
01:09:20,000 --> 01:09:23,160
Speaker 6: I think it's time you met mister Sacho. The crowd

1514
01:09:23,280 --> 01:09:25,679
Speaker 6: cheers as he pulls out a long, white athletic sock

1515
01:09:25,720 --> 01:09:28,120
Speaker 6: from his waistband. Jack doesn't seem too scared at first,

1516
01:09:28,160 --> 01:09:30,080
Speaker 6: but Mankind then puts the sock over his arm and

1517
01:09:30,120 --> 01:09:32,880
Speaker 6: stuffs it in Jack's mouth, choking and pushing him down

1518
01:09:32,920 --> 01:09:35,840
Speaker 6: onto the bed. Eric pulls Mankind off of his friend

1519
01:09:35,880 --> 01:09:38,280
Speaker 6: and calls him a bully, and so is mister Sacho.

1520
01:09:38,800 --> 01:09:40,559
Speaker 6: Eric is determined to stand up to him, just like

1521
01:09:40,600 --> 01:09:43,040
Speaker 6: Phoene told him to, and then they'll back down because

1522
01:09:43,040 --> 01:09:46,400
Speaker 6: they are bullies by definition. Mankind politely asks if Eric

1523
01:09:46,400 --> 01:09:48,599
Speaker 6: would like to fly through the air or go through

1524
01:09:48,640 --> 01:09:50,760
Speaker 6: the wall. Eric thinks about it for a moment and

1525
01:09:50,760 --> 01:09:54,360
Speaker 6: then decides air please. Mankind casually lifts him up over

1526
01:09:54,360 --> 01:10:00,720
Speaker 6: his head and we freeze, And that is our episode.

1527
01:10:02,800 --> 01:10:03,559
Speaker 4: The cap.

1528
01:10:03,720 --> 01:10:06,720
Speaker 7: Change your opinion at all, anyone, Yeah, I guess a

1529
01:10:06,720 --> 01:10:10,519
Speaker 7: little bit, Okay, I mean, yeah, you know, I just

1530
01:10:10,760 --> 01:10:11,080
Speaker 7: I was.

1531
01:10:11,479 --> 01:10:14,840
Speaker 1: I like the performances, you know, like, yeah, it's great.

1532
01:10:15,120 --> 01:10:18,519
Speaker 2: Yeah, but Ben doing drama, this was some of the

1533
01:10:18,560 --> 01:10:22,840
Speaker 2: best Corey drama I've seen because he doesn't he does

1534
01:10:22,960 --> 01:10:26,040
Speaker 2: he doesn't do angry as much, you know, when he's

1535
01:10:26,080 --> 01:10:29,480
Speaker 2: self righteous and he's doing but it's it's not angry Corey,

1536
01:10:29,720 --> 01:10:32,920
Speaker 2: and it's sad and and yeah, I thought, you.

1537
01:10:32,840 --> 01:10:35,120
Speaker 1: Know, the Sean Corey stuff was was fine.

1538
01:10:35,240 --> 01:10:38,880
Speaker 2: So I just I guess I overlooked the lack of story.

1539
01:10:39,200 --> 01:10:41,360
Speaker 6: You are right that the performances are all great, because

1540
01:10:41,400 --> 01:10:44,639
Speaker 6: even though I don't love what they gave them, the.

1541
01:10:46,120 --> 01:10:47,240
Speaker 4: Like, everyone's so good.

1542
01:10:48,080 --> 01:10:51,160
Speaker 6: So it's hard to like hate it because there's nothing

1543
01:10:51,280 --> 01:10:53,360
Speaker 6: really bad.

1544
01:10:53,240 --> 01:10:55,400
Speaker 4: To point to. It's just kind of like, does any

1545
01:10:55,439 --> 01:10:56,479
Speaker 4: of this really make sense?

1546
01:10:57,520 --> 01:11:02,800
Speaker 3: It's just too absolute extra memes taped together. It's absurd

1547
01:11:02,960 --> 01:11:07,080
Speaker 3: comedy put with absolute melodrama and then scotch tape together

1548
01:11:07,320 --> 01:11:13,000
Speaker 3: and maybe it worked In the last episode, I thought,

1549
01:11:13,040 --> 01:11:15,720
Speaker 3: whereas this one again, I just I also personally and

1550
01:11:15,880 --> 01:11:19,799
Speaker 3: the performance was wonderful. I hated Corey in this episode absolutely,

1551
01:11:20,080 --> 01:11:23,320
Speaker 3: where it was like, mind your business, you are a child?

1552
01:11:23,400 --> 01:11:26,080
Speaker 3: What the hell are you doing? In this married cut,

1553
01:11:26,120 --> 01:11:27,680
Speaker 3: like I just know what tells.

1554
01:11:27,479 --> 01:11:31,000
Speaker 6: Him that no one ever says like you you are

1555
01:11:31,200 --> 01:11:32,360
Speaker 6: so out of line.

1556
01:11:32,479 --> 01:11:36,600
Speaker 1: Yeah, yeah, it's a Phoeney Cory moment would have been nice.

1557
01:11:36,560 --> 01:11:39,920
Speaker 3: Or an Alan Corey moment where he goes home.

1558
01:11:40,280 --> 01:11:40,920
Speaker 1: Yeah, and the.

1559
01:11:42,400 --> 01:11:45,519
Speaker 3: Episode right, I mean him saying I'm going to Pittsburgh

1560
01:11:45,560 --> 01:11:48,080
Speaker 3: to save it and Alan going no, you're not.

1561
01:11:48,400 --> 01:11:49,160
Speaker 1: How dare you?

1562
01:11:49,280 --> 01:11:51,639
Speaker 3: Like? That would have been a powerful thing as opposed

1563
01:11:51,640 --> 01:11:54,000
Speaker 3: to me just watching this or just making kid.

1564
01:11:54,200 --> 01:11:57,760
Speaker 2: Yeah, if his plan is so ridiculous, over the top,

1565
01:11:57,960 --> 01:11:59,840
Speaker 2: you can't help but think it's kind of funny. You know,

1566
01:12:00,439 --> 01:12:03,839
Speaker 2: it's going so far and Corey just you know, messes

1567
01:12:03,840 --> 01:12:06,479
Speaker 2: everything up in a hysterical way because he's obsessed.

1568
01:12:06,680 --> 01:12:07,840
Speaker 1: That would have been funny.

1569
01:12:07,600 --> 01:12:09,320
Speaker 3: And it could have been you know, it starts with

1570
01:12:09,320 --> 01:12:10,840
Speaker 3: a chart and it's tim and it's like pointing at

1571
01:12:10,880 --> 01:12:12,919
Speaker 3: something and Sean's like, where are we getting a helicopter?

1572
01:12:13,000 --> 01:12:15,400
Speaker 3: We'll figure it out, you know, like stuff like stuff like.

1573
01:12:15,320 --> 01:12:18,000
Speaker 1: That scheme, make it a big yan funny scheme.

1574
01:12:18,280 --> 01:12:20,760
Speaker 5: But okay, so one one and one so far for

1575
01:12:20,880 --> 01:12:22,040
Speaker 5: me for season seven.

1576
01:12:22,120 --> 01:12:23,759
Speaker 1: So still hopeful, Still hopeful.

1577
01:12:24,280 --> 01:12:24,439
Speaker 2: Well.

1578
01:12:24,439 --> 01:12:27,960
Speaker 6: Our next episode is season seven, episode three, Angela's Men,

1579
01:12:28,040 --> 01:12:32,360
Speaker 6: which originally aired October eighth, nineteen ninety nine. Thank you

1580
01:12:32,439 --> 01:12:34,519
Speaker 6: all for joining us for this episode of Pod Meets World.

1581
01:12:34,560 --> 01:12:36,599
Speaker 6: As always, you can follow us on Instagram pod Meets

1582
01:12:36,600 --> 01:12:38,800
Speaker 6: World Show. You can send us your emails pod Meets

1583
01:12:38,800 --> 01:12:42,360
Speaker 6: World Show at gmail dot com and we've got merch.

1584
01:12:43,040 --> 01:12:45,880
Speaker 1: You are my merchie.

1585
01:12:46,920 --> 01:12:51,799
Speaker 6: Merch pod Meets Worldshow dot com will send us out.

1586
01:12:52,120 --> 01:12:53,799
Speaker 5: We love you all, pod dismissed.

1587
01:12:54,920 --> 01:12:57,519
Speaker 3: Pod Meets World is n iHeart podcast produced and hosted

1588
01:12:57,520 --> 01:12:59,920
Speaker 3: by Danielle Fischel, Wilfredell and Ryder Strong.

1589
01:13:00,320 --> 01:13:02,759
Speaker 5: Executive producers Jensen Carp and Amy Sugarman.

1590
01:13:03,040 --> 01:13:06,559
Speaker 3: Executive in charge of production, Danielle Romo, producer and editor,

1591
01:13:06,640 --> 01:13:08,960
Speaker 3: Tara sudbachsch producer, Maddy.

1592
01:13:08,760 --> 01:13:11,639
Speaker 1: Moore, engineer and Boy Meets World superfan Easton Allen.

1593
01:13:11,840 --> 01:13:14,040
Speaker 3: Our theme song is by Kyle Morton of Typhoon, and

1594
01:13:14,080 --> 01:13:16,519
Speaker 3: you can follow us on Instagram at Podmets World Show

1595
01:13:16,760 --> 01:13:21,360
Speaker 3: or email us at Podmets Worldshow at gmail dot com