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Speaker 1: So you literally can just follow the instructions on the screen.

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Speaker 1: So I like, did it, type in the thing, pull

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Speaker 1: the thing, push the buttons, and then I finish up. Yeah,

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Speaker 1: I squeeze the handle, I pull it out of the

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Speaker 1: gas tank, and I turn and I goes.

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Speaker 2: So now we know I can do your job, but

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Speaker 2: you can't do mine.

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Speaker 3: Hey, welcome to Hollywood Handbook, an insider's guy to kicking

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Speaker 3: button dropping names in the red carpet lines, back hallways

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Speaker 3: of this industry we call show biz. I'm Hayes Davenport.

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Speaker 3: I'm here with Sean Clements. Hi, Sean, what up?

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Speaker 4: What up?

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Speaker 2: We're just a little bit frazzled today because.

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Speaker 3: Sometimes you hold things to be true in your life, yes,

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Speaker 3: and you end up getting some information that challenges those beliefs,

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Speaker 3: and then you're forced to Hayes is a good front.

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Speaker 5: Basically being kind to us, because ultimately we're eating a

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Speaker 5: big fat pile of crow, and the crow is inside

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Speaker 5: humble pie, and we're munching the two things together.

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Speaker 3: In our In our careers, Sean and I have always

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Speaker 3: been very tough on review critics, the critics, the people

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Speaker 3: who do watch movies and they watch TV shows, and

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Speaker 3: they listen to songs and they say.

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Speaker 5: Whether or not the songs are good or bad, and

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Speaker 5: a bunch of them are just failed fucking artists anyway, Yes.

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Speaker 3: Because they don't know they've never done a good movie

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Speaker 3: or a good song or.

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Speaker 5: Then they're telling you if your song's good or your

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Speaker 5: movie's good. Now, they've been very kind to us, Sure,

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Speaker 5: they always liked our things, but is that even fair?

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Speaker 5: Because sometimes we have friends who've made something and they

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Speaker 5: don't like.

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Speaker 3: That, and it's it's sort of like, like, what's a sport?

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Speaker 2: Oh?

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Speaker 5: I don't want to say soccer because there's an argument

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Speaker 5: over what that sport should be called, right because some

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Speaker 5: people call it football.

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Speaker 2: Some people call football and thought soccer. That would be

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Speaker 2: a confusing So you know what a big sport is?

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Speaker 5: I don't want to say rugby because I don't know

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Speaker 5: the rules to that one.

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Speaker 3: Yeah, like just a major sport that I'm not like.

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Speaker 3: I'm just gonna use it as an example, and not

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Speaker 3: like like a like a not like a triathlon because

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Speaker 3: that's more manys in it, and probably not like an

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Speaker 3: individual sport, and not like an Olympics one. Okay, well

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Speaker 3: you could you know, it could be one that is

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Speaker 3: in the Olympics. Well, how about basketball.

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Speaker 2: That's a great example.

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Speaker 3: Uh you watch a basketball game and like you see

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Speaker 3: the guy uh with like shoot and if it doesn't work,

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Speaker 3: you say, well, why didn't he just do it? But

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Speaker 3: it's like, unless you have actually been out there shooting,

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Speaker 3: you don't know whether that was maybe.

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Speaker 2: Like a good idea, yeah, r if.

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Speaker 5: He didn't want to just do it, or for some

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Speaker 5: reason his teammate would have been embarrassed or something like that.

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Speaker 2: You don't know. You don't know.

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Speaker 5: And that's what the critics are doing. And that's why

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Speaker 5: Hayes and I would never be basketball critics, and we

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Speaker 5: only make movies and we don't think it's fair to

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Speaker 5: be doing.

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Speaker 2: Critics stuff on the stuff you don't do at all.

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Speaker 3: And that brings us to what happened this week, which

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Speaker 3: is we were reading some critics stuff about this new

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Speaker 3: show Fargo.

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Speaker 5: And laughing and scoffing at it and being this is

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Speaker 5: all going to be a joke later for us.

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Speaker 3: But then all these critics really love the show, and

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Speaker 3: we sit down watching Fargo together, getting ready to just

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Speaker 3: light it up, because that can sometimes actually be the

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Speaker 3: most fun thing watching a show that sucks so bad,

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Speaker 3: but it's actually really funny.

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Speaker 5: Oh god, it's almost better than seeing something really good

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Speaker 5: to see something really bad with one of your funny friends.

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Speaker 2: Funny friends like.

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Speaker 5: Me and Hayes, and sometimes you sort of I like

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Speaker 5: to mistery science theater it where I'm doing maybe some

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Speaker 5: funny quips or saying what the guy's thinking, and then

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Speaker 5: Hayes chime in and he's doing a voice for someone

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Speaker 5: else and pointing out how dumb it is.

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Speaker 3: And so we sit down to watch the show, and

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Speaker 3: an hour and a half later, we haven't said a word, and.

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Speaker 5: I don't think I said anything for another three or

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Speaker 5: four hours.

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Speaker 2: Because we are thinking about the good show.

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Speaker 5: I was literally in a zombified state just from the

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Speaker 5: goodness of the show, and so egg was on our face.

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Speaker 5: We're eating the crow humble pie, and we have to

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Speaker 5: invent a new segment now, and this is the first time,

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Speaker 5: because we have so many segments that we've done over

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Speaker 5: and over again, and this is actually a one time,

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Speaker 5: first time segment. Hopefully we want to do it again.

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Speaker 5: It's called critically as shamed, and the reason it's called

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Speaker 5: that is because we're ashamed at the criticism we've levied

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Speaker 5: against these critics. They made us ashamed, and it is

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Speaker 5: also about critical stuff in terms of they were right

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Speaker 5: and that's what ashamed us, and we criticize them.

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Speaker 3: So we're ashamed of were ashamed. We're ashamed so bad.

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Speaker 3: It's we're in critical condition. And in a way, yes,

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Speaker 3: in a way, weren't.

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Speaker 5: We by criticizing the critics doing exactly what we said

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Speaker 5: they shouldn't do because we've never been critics. No, the

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Speaker 5: same way they've never been a basketball man, or the

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Speaker 5: same way they've never done a movies. The thing we've

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Speaker 5: never done a critic.

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Speaker 2: Well, no, that's different, but.

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Speaker 5: Well it is different, and it's very different. And we

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Speaker 5: learned that. Now we use a show.

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Speaker 3: We want to talk about the show and we agree

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Speaker 3: that it was so good, like all the critics and

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Speaker 3: everybody is saying.

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Speaker 2: They got it right. We had not seen the movie

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Speaker 2: at the time of watching the show. When we first

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Speaker 2: saw the show, we hadn't seen it, but it really

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Speaker 2: made me want to watch the movie. I said, well,

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Speaker 2: let me go check out the movie.

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Speaker 3: So we went back and watched the first movie and

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Speaker 3: it was like, it's not even like the same thing.

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Speaker 5: At all, well, I see where there's elements that are

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Speaker 5: the same, but it's not as good.

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Speaker 3: It's not as good. And this is what all the

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Speaker 3: reviewers are saying. This show, the Fargo TV show, has

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Speaker 3: carved out a completely new space.

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Speaker 2: It's its own thing.

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Speaker 3: It's its own thing. But the difference is it's like

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Speaker 3: the movie, but more of it explained more loudly.

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Speaker 5: If the movie was explaining itself as you're watching the movie.

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Speaker 2: I one example I like to give is the movie.

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Speaker 5: Is sort of sliding the information under the door, and

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Speaker 5: maybe you notice it, and maybe you don't.

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Speaker 2: The show.

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Speaker 5: Pounds on the door as hard as it can, rings

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Speaker 5: the bell twenty times, makes you sign for a package

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Speaker 5: that it gives you, then watches you open the package.

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Speaker 5: Inside the package is a letter explaining the contents of

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Speaker 5: the package, and the contents is pretty self explanatory to

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Speaker 5: begin with. It's maybe just like a big rock.

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Speaker 2: And then the guy tells you what the package.

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Speaker 5: The guy who made you sign for it goes like

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Speaker 5: that's what he has hung out and he reads a

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Speaker 5: letter to you with kind of.

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Speaker 2: His eyebrows raised a little bit as you're reopening.

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Speaker 5: Yeah, as you're opening the package, I can't wait for

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Speaker 5: you to see what's in there.

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Speaker 2: It's a rock and you're gonna really love it.

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Speaker 5: It's big, it's round, and it's gray, and I can't

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Speaker 5: wait for you to actually see it.

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Speaker 2: Read the letter. Read the letter.

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Speaker 5: The letter says, this rock is made out of rock

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Speaker 5: and stone. It's gray and big and round. And then

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Speaker 5: you hold the rock in your hand.

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Speaker 3: Let's give an example. It's important in the world of

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Speaker 3: the show that you know that the that the guy,

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Speaker 3: the main guy, Lester, has a rich brother who he's

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Speaker 3: sort of overshadowed by in his life. It's his younger brother,

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Speaker 3: and he feels like he hasn't lived up to his

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Speaker 3: younger brothers.

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Speaker 2: Now humiliating to have lesson money.

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Speaker 3: You take someone, don't even get me started. Yes, this

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Speaker 3: is how they show you that the brother is rich.

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Speaker 3: This is the brother talking about a trip he just

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Speaker 3: went on.

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Speaker 2: Put the whole team down to loose.

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Speaker 6: Tuesday, he spread at the Marriott.

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Speaker 5: Oh, I always wanted to stee here.

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Speaker 6: Yeah, it's real sweet, king sized bed.

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Speaker 2: You have the leg you name it. The boss took

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Speaker 2: me out for dinner, says Big as a Catchersmith. It's

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Speaker 2: a jazz We're going places in this world, even Marie

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Speaker 2: at a corner office, you're that less corner office.

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Speaker 3: So you hear that? And I don't know if you

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Speaker 3: know it, but the brother went on a business trip.

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Speaker 3: He got to sleep in a king size bed. There

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Speaker 3: was a big spread at the Marriotte, and you know

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Speaker 3: it's good because the other lady always wanted to stay there.

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Speaker 3: Then the boss took about to dinner. They ate a

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Speaker 3: big steak. It was as big as a catcher's mitt.

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Speaker 5: And I don't know if you noticed this, Hayes, but

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Speaker 5: did you notice that it's just the two of them

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Speaker 5: at dinner? So you know he's the boss's favorite friends.

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Speaker 5: And he gave him a raise and a and he said,

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Speaker 5: did you notice the part where he said that he

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Speaker 5: was going places in this world?

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Speaker 2: Yeah?

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Speaker 5: And did you notice that when he says corner office,

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Speaker 5: the lady goes, did you hear that a corner office?

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Speaker 5: Because I didn't hear it the first time.

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Speaker 3: And that's what's so good about this show is I'm.

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Speaker 5: Not gonna have to listen to every single thing someone says.

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Speaker 5: They're saying it again again.

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Speaker 3: Yes, And this is also after a scene that we

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Speaker 3: don't really have time for at the very beginning, where

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Speaker 3: Lester's wife talks to Lester about how successful Chaz is.

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Speaker 5: The whole first scene is just about all the same

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Speaker 5: information we're hearing, only we heard about it with him

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Speaker 5: not in the room. Now we get the treat of

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Speaker 5: hearing about it with him in the room from him.

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Speaker 2: Yes, let's go back to the fact that this guy's

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Speaker 2: a piece of shit.

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Speaker 3: How do you know that you know that his brother's rich,

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Speaker 3: but how do you know that people are mean to

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Speaker 3: him and that he doesn't like his life and stuff?

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Speaker 5: Well, in a thing we were talking in a show

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Speaker 5: that some critics actually did, like Breaking Bad. Yes, you

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Speaker 5: might find out that this guy is unhappy with his

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Speaker 5: life by like seeing his boss at the car wash

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Speaker 5: say like, hey, you're gonna have to pick up another shift.

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Speaker 2: And that's it. That's it.

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Speaker 3: Maybe that's good that he has to pick up another shift.

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Speaker 3: Doesn't he making more money that way?

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Speaker 5: Yeah, it's like that's all the information you get in

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Speaker 5: this show.

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Speaker 3: There's this great scene very early on where Lester the

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Speaker 3: shitty guy runs into a guy that he knew in

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Speaker 3: high school in the street. It's a guy who was

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Speaker 3: his high school bully. The guy talks about how he

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Speaker 3: put him in an oil barrel and rolled him down

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Speaker 3: a hill into the highway, and also that also, in

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Speaker 3: addition to that, his wife gave him a hand job

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Speaker 3: where they were in high school.

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Speaker 5: Yeah, this guy, you know, the shitty guy Lester, is

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Speaker 5: married to a woman who apparently jerked another man off and.

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Speaker 3: They talk about that in the street also, and that's

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Speaker 3: that doesn't seem like quite enough.

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Speaker 2: So then the guy says, this never knew.

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Speaker 4: What she's sun you really, oh well.

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Speaker 2: I mean helped me out.

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Speaker 4: Is it your stupid pencil dick or your little rat face?

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Speaker 3: So it seems like in the beginning, when this conversation

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Speaker 3: is happening, you're like, are these guys friends or do

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Speaker 3: they not like each other?

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Speaker 2: Like he put him at a barrel and rolled him

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Speaker 2: down a hill? Is that like a game?

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Speaker 3: Like I need more information, Like the guy's wife gave

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Speaker 3: the other guy a hand job when they were in

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Speaker 3: high school?

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Speaker 2: Like what does that mean? Help me kind of put

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Speaker 2: this all together?

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Speaker 5: Rolled him down a hill, says rat face says pencil dick.

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Speaker 5: And I actually missed the first time he said pencil dick,

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Speaker 5: but he said pencil dick again, which helped me out.

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Speaker 3: A pencil dick again. And then there's another story about

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Speaker 3: how he would write his own name on his knuckles

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Speaker 3: and sharpie the bully and punched the shitty guy in

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Speaker 3: the face.

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Speaker 2: So that his name was written on his face from

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Speaker 2: the punch. So once you have all this information, you

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Speaker 2: can kind of start to put it together.

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Speaker 4: I start.

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Speaker 2: He also calls him the Nward. He just call him

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Speaker 2: the Nward. First thing that happens very early.

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Speaker 5: That happens right away. And did you notice, Hayes And

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Speaker 5: I don't know if you did that. The guy had

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Speaker 5: two sons who were kind of interesting.

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Speaker 3: Yes, And so they do these brothers who are the

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Speaker 3: sons of the bully, and the way they talk. I

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Speaker 3: don't know if you notice, it's kind of interesting. I

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Speaker 3: have a I didn't notice anything particular. I have a

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Speaker 3: clip that sort of reflects their their dynamic. So the

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Speaker 3: it's just a bunch of examples of the way these

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Speaker 3: two brothers talk to each other.

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Speaker 2: Well you look at that, what is it? Dad? Yeah? Dad?

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Speaker 2: What is it? You don't you don't look black, dad? Yeah, Dad,

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Speaker 2: you don't look black, more like a big pumpkin. Yeah. Yeah.

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Speaker 2: He makes stupid Pumpkin. You went to high school with

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Speaker 2: the black man?

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Speaker 7: Dad?

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Speaker 2: Yeah, Dad? Did you is that him?

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Speaker 3: Dad?

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Speaker 1: Yeah?

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Speaker 2: Dad? Is that him? Yeah?

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Speaker 7: Dad?

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Speaker 2: Al oh Dad, that's embarrassing.

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Speaker 5: Yeah, Dad's super embarrassing.

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Speaker 2: That's a good one, Daddy, Yeah, Dad, real good one.

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Speaker 2: Did you did you catch that?

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Speaker 1: So?

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Speaker 5: Okay, So, now now I don't know if this is

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Speaker 5: what you're talking about. But what something I did notice.

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Speaker 5: I don't know if you notice this, is they talk

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Speaker 5: to their dad a lot.

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Speaker 2: And well, what.

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Speaker 3: I watched it a few times, and on like the

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Speaker 3: third or fourth watch, you realize that when one of

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Speaker 3: the brothers says something, the other brother says the same thing,

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Speaker 3: and it actually happens nine times in that two minute scene.

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Speaker 5: And now, so I did, now that you say it,

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Speaker 5: I did sort of notice that about them, and it

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Speaker 5: pointed me to another thing I love about this show

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Speaker 5: versus the movie.

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Speaker 2: I fell asleep for forty.

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Speaker 5: Five minutes during the movie, and when I woke up,

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Speaker 5: I was so lost. Yes, but I also fell asleep

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Speaker 5: for forty five minutes during the show, and my experience

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Speaker 5: was not negatively impacted. And so a big apology to

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Speaker 5: the critics. We're critically ashamed, right, now because we got

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Speaker 5: it wrong and you guys were right, and I look

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Speaker 5: forward to seeing a lot more of this improvement on

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Speaker 5: the movie, which was not that good.

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Speaker 2: We have a great guess.

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Speaker 3: Jordan Morris is here, you know from the podcast Jordan

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00:15:03,520 --> 00:15:07,480
Speaker 3: jesse Go on the Maximum Fun Network. We like sometimes

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Speaker 3: to bring other podcast entrepreneurs onto the show and sort

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Speaker 3: of talk about the podcast revolution and how to build

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Speaker 3: your own podcast umpire.

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Speaker 2: So we're gonna do that very shortly. On Hollywood Handbook,

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Speaker 2: Hollywood Handbook. Did you notice what they wrote on my

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Speaker 2: starbus code to the ace? That's accurate? I get a's,

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Speaker 2: I get h y S, I get h Z. It's

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Speaker 2: like these fucking greed targets. You know what I get?

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Speaker 2: Go to school? What big dick player?

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Speaker 3: Hey, welcome to Hollywood Handbook and Insiders Guide, Kicking button

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Speaker 3: dropping names in the red carpet lineback hallways of this

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Speaker 3: industry we call showbiz show biz, speaking of which, from

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Speaker 3: the introduction, it has a number of different facets. Now

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Speaker 3: it's like a nice fine diamond where it has a

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Speaker 3: number of sides.

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Speaker 5: For people at home who don't know about diamonds, they're

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Speaker 5: not always probably the ones you guys get are just

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Speaker 5: completely flat because you can't afford a big rock version

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Speaker 5: of it.

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Speaker 2: But if you do get a rock.

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Speaker 5: One, you can actually see there's different sides to it.

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Speaker 5: And you can look at it with a little eyepiece

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Speaker 5: thingy and there's different sides, and then wear Oh god, yes,

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Speaker 5: I love wearing diamonds.

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Speaker 3: One of the sides of the show business diamond is movies.

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Speaker 3: Another one of the sides is TV shows, And increasingly,

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Speaker 3: like a real diamond, you're discovering new sides all the time.

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Speaker 5: I guess to help you picture what I'm talking about

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Speaker 5: with the diamond is if you think about how an

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Speaker 5: mbrella sort of has different sides to it.

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Speaker 2: Yes, right, that is.

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Speaker 5: Like imagine obviously not that big, but imagine the flat

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Speaker 5: diamonds you see shape like an umbrella.

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Speaker 3: And one of the new sides that Sean and I

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Speaker 3: have been exploring of show business is podcasting. Mm you're

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Speaker 3: listening to us do a podcast right now.

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Speaker 5: But we're not the only one, full disclosure, We're not

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Speaker 5: the only podcast.

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Speaker 2: I'm doing it.

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Speaker 3: And so to talk about this, this new form of

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Speaker 3: media and sort of what it is like you're listening

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Speaker 3: to this, but what is it. We have Jordan Morris

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Speaker 3: say something.

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Speaker 4: Hey guys, it's nice to be here.

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Speaker 2: Good, thank you. Perfect.

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Speaker 3: He's the host the co host of the Jordan jesse

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Speaker 3: Go podcast on the Maximum Fun Network.

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Speaker 2: He's been he's been doing it for quite a while.

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Speaker 8: Yeah, I mean I think, you know, depending on which

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Speaker 8: podcast historian you ask, we've been doing it the longest.

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Speaker 4: And that's that's generally. What I like to say is

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Speaker 4: that we you know, we did it first.

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Speaker 2: Sure you know I.

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Speaker 8: Told your guy that's how I kind of wanted you

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Speaker 8: to introduce me. But yeah, he didn't relay that information

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Speaker 8: or something. Yeah, I want to take this again and

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Speaker 8: just introduce me properly.

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Speaker 4: I think I think I've.

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Speaker 5: Got an email from Belenjamin saying what he wanted the

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Speaker 5: intro to be.

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Speaker 2: He sent over.

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Speaker 5: I guess it's a blurb that you wrote up, but

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Speaker 5: it's Yeah, Ladies and jelly spoons, please welcome the bad

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Speaker 5: Ope original podcaster. He's a true gangsta in the tradition

368
00:18:43,320 --> 00:18:48,119
Speaker 5: of iced tea, and he does podcasts and you better

369
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Speaker 5: love it. This guy invented it. He's like friggin' Neil

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Speaker 5: Armstrong meets the friggin' Ramones meets I don't know d W.

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Speaker 2: Griffith and he's here.

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Speaker 8: Thanks and thanks for I'm glad you took note of

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Speaker 8: my inflection notes that I gave.

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Speaker 2: Yeah, good where you wanted me to be searching for

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00:19:13,359 --> 00:19:14,400
Speaker 2: some of it? Yeah yeah.

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Speaker 8: I like how some of the statements came out as questions,

377
00:19:17,920 --> 00:19:19,320
Speaker 8: and that's just kind of that's just kind of a

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Speaker 8: vibe that I like to give off, Like I like

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00:19:21,280 --> 00:19:24,639
Speaker 8: to play with punctuation and sure, you know, form and expectation.

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00:19:24,800 --> 00:19:27,240
Speaker 8: So like that was thank you for kind of bringing

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00:19:27,240 --> 00:19:29,560
Speaker 8: that vibe to my introduction. So you can just cut

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00:19:29,600 --> 00:19:31,400
Speaker 8: that one in, right you can, Yes.

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00:19:31,200 --> 00:19:33,440
Speaker 2: We'll just thank you. We'll cut the original one.

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Speaker 3: I remember when we were on the set of Love

385
00:19:39,640 --> 00:19:43,760
Speaker 3: and Other Drugs and we were talking to.

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00:19:43,840 --> 00:19:45,840
Speaker 5: J It was a closed set that day, I think

387
00:19:45,880 --> 00:19:50,560
Speaker 5: because it was when Hathaway showed her sweater puppies and

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00:19:50,640 --> 00:19:52,280
Speaker 5: I think that we need a close set.

389
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Speaker 8: Are you talking about Jake Jillenhall or Jake Branson, the

390
00:19:56,680 --> 00:19:59,640
Speaker 8: guy who does craft services. I actually was on set

391
00:19:59,640 --> 00:20:02,320
Speaker 8: there and I kind of just see like the stars

392
00:20:02,320 --> 00:20:04,560
Speaker 8: and the crew as equals the same means.

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Speaker 2: Great. Yes, this was Jake Busey almost visiting and he.

394
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Speaker 8: Was telling nice it was so nice of the director

395
00:20:13,560 --> 00:20:15,960
Speaker 8: of Love and Other Drugs to just let people kind

396
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Speaker 8: of meander around.

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Speaker 5: Well, he also directed a few episodes of Shasta McNasty,

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Speaker 5: and I think that is why he wanted that other

399
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Speaker 5: Jake around.

400
00:20:23,400 --> 00:20:27,040
Speaker 3: Yeah, he just wanted that like creative vibe. And Jake

401
00:20:27,119 --> 00:20:29,760
Speaker 3: talked to us that day. He said, there's this new

402
00:20:30,520 --> 00:20:34,639
Speaker 3: thing where like you can download it's sort of like

403
00:20:34,640 --> 00:20:39,000
Speaker 3: a computer radio and you can listen to other people

404
00:20:39,200 --> 00:20:43,080
Speaker 3: have casual conversation. Sure, and it sounded pretty great. And

405
00:20:43,160 --> 00:20:48,080
Speaker 3: he talks about these guys maximum fun, who are who

406
00:20:48,119 --> 00:20:50,719
Speaker 3: are doing this? And that's sort of like when we

407
00:20:50,760 --> 00:20:53,800
Speaker 3: originally checked it out two years ago, and that's kind

408
00:20:53,840 --> 00:20:55,919
Speaker 3: of how we how we got into this. But in

409
00:20:55,960 --> 00:20:58,840
Speaker 3: the early days it wasn't exactly the same as it

410
00:20:58,880 --> 00:20:59,600
Speaker 3: is now it was.

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Speaker 8: Now we're a little like, yeah, I mean, now there's

412
00:21:01,720 --> 00:21:04,399
Speaker 8: like a lot of you know, money being thrown around.

413
00:21:04,720 --> 00:21:07,880
Speaker 8: There's your stamps, dot COM's, your audibles, just kind of

414
00:21:07,920 --> 00:21:10,760
Speaker 8: like you know, making it rain on all these yeah

415
00:21:10,800 --> 00:21:13,880
Speaker 8: and all these great content creators. But you know, when

416
00:21:14,160 --> 00:21:17,000
Speaker 8: when we started, you know, it was more of a

417
00:21:17,040 --> 00:21:20,239
Speaker 8: garage operation. We were kind of like I mean, we

418
00:21:20,240 --> 00:21:22,719
Speaker 8: were kind of like in a virtual CBGB's where we

419
00:21:22,720 --> 00:21:25,840
Speaker 8: were just kind of doing it to do it. You know,

420
00:21:25,880 --> 00:21:28,960
Speaker 8: we just wanted to do it because you know, we

421
00:21:29,040 --> 00:21:31,800
Speaker 8: just wanted to express something in a really raw way.

422
00:21:31,960 --> 00:21:33,879
Speaker 8: And I keep going back to that word raw a

423
00:21:33,880 --> 00:21:36,520
Speaker 8: lot when I think of like everybody comes out up

424
00:21:36,560 --> 00:21:38,240
Speaker 8: to me and asks like why do you do it?

425
00:21:38,359 --> 00:21:41,600
Speaker 4: Like, you know, why do you keep doing this?

426
00:21:41,680 --> 00:21:43,200
Speaker 2: I mean that it's a choice.

427
00:21:43,400 --> 00:21:45,440
Speaker 8: Yeah, I mean, it's just kind of I'm just compelled

428
00:21:45,440 --> 00:21:47,879
Speaker 8: to and like, yeah, I mean I'm cashing those stamps

429
00:21:47,880 --> 00:21:50,640
Speaker 8: dot com checks. It's great, and you know, it's great

430
00:21:50,640 --> 00:21:53,240
Speaker 8: that they love what we do, but also it's I mean,

431
00:21:54,240 --> 00:21:57,040
Speaker 8: I mean I would probably just wither if I couldn't,

432
00:21:57,080 --> 00:21:59,240
Speaker 8: you know, regular.

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00:21:59,320 --> 00:22:01,760
Speaker 3: Days early on when you were just doing ads for

434
00:22:01,920 --> 00:22:03,119
Speaker 3: regular stamps.

435
00:22:03,160 --> 00:22:06,000
Speaker 8: Sure, we're just encouraging people, like it's a great way

436
00:22:06,040 --> 00:22:07,120
Speaker 8: to mail something.

437
00:22:06,920 --> 00:22:09,080
Speaker 5: And you were going, I always have to go to

438
00:22:09,119 --> 00:22:11,680
Speaker 5: the post office, and I love that now you've changed

439
00:22:11,680 --> 00:22:13,280
Speaker 5: your tune a little bit where you say that you

440
00:22:13,359 --> 00:22:15,640
Speaker 5: never have to go to the post office anymore.

441
00:22:15,760 --> 00:22:19,000
Speaker 8: Yeah, Well, I mean I I like to think of

442
00:22:19,040 --> 00:22:21,360
Speaker 8: myself as an innovator who changes with the times. Yeah,

443
00:22:21,440 --> 00:22:23,960
Speaker 8: before I was just saying like, hey, stick one of

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00:22:23,960 --> 00:22:25,040
Speaker 8: these little squarries on.

445
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Speaker 2: Or they'll send it back for now.

446
00:22:28,760 --> 00:22:33,040
Speaker 4: I just want people to know, yes, stick the squeries.

447
00:22:33,119 --> 00:22:36,400
Speaker 5: And I love that you said they're making it rain

448
00:22:36,480 --> 00:22:39,760
Speaker 5: on these content creators, because that's what.

449
00:22:39,680 --> 00:22:42,639
Speaker 3: It is, isn't it. That's what any conversation really is.

450
00:22:42,680 --> 00:22:46,880
Speaker 3: And that's what the root of con means, like good stuff,

451
00:22:47,400 --> 00:22:50,760
Speaker 3: And so a conversation is a form of content.

452
00:22:50,440 --> 00:22:52,359
Speaker 2: And the good studio is good stuff talking.

453
00:22:52,440 --> 00:22:55,439
Speaker 8: I think if you were to translate the Latin con

454
00:22:55,520 --> 00:22:57,960
Speaker 8: good stuff versation talking.

455
00:22:58,040 --> 00:23:01,000
Speaker 5: So we were talking about content, and I think con

456
00:23:01,920 --> 00:23:04,680
Speaker 5: you know, good stuff. And then tent is that's where

457
00:23:04,720 --> 00:23:07,399
Speaker 5: you live. So it's good stuff you can enjoy.

458
00:23:07,200 --> 00:23:08,680
Speaker 2: Latin in Latin times.

459
00:23:08,760 --> 00:23:10,720
Speaker 5: In Latin times, it's good stuff you can enjoy in

460
00:23:10,760 --> 00:23:14,520
Speaker 5: your home, which is what this is. And you know,

461
00:23:14,680 --> 00:23:17,680
Speaker 5: is there any more pure form of content than two

462
00:23:17,880 --> 00:23:20,680
Speaker 5: uh dudes fucking jerking each other off?

463
00:23:21,280 --> 00:23:24,880
Speaker 2: Two white whites jerking each other off on a fucking microphone? Yeah?

464
00:23:24,880 --> 00:23:25,960
Speaker 4: I mean, and that's what you know.

465
00:23:26,000 --> 00:23:29,199
Speaker 8: When me and my podcast partner Jesse Uh kind of

466
00:23:29,200 --> 00:23:32,280
Speaker 8: invented the genre about seven years ago.

467
00:23:32,640 --> 00:23:34,200
Speaker 4: I mean, we were just having a conversation.

468
00:23:35,080 --> 00:23:37,879
Speaker 8: Yeah, well, you know, I mean I think as you

469
00:23:37,960 --> 00:23:40,960
Speaker 8: guys can feel, and I'm kind of sensing the vibe.

470
00:23:41,440 --> 00:23:44,680
Speaker 8: It's a very like erotic medium, Like it's intimate.

471
00:23:44,840 --> 00:23:47,320
Speaker 2: Close, very highly charged auditory.

472
00:23:47,720 --> 00:23:49,679
Speaker 8: I mean they talk about the ear gland being the

473
00:23:49,680 --> 00:23:50,840
Speaker 8: most erogenous gland.

474
00:23:51,080 --> 00:23:51,800
Speaker 4: I agree with that.

475
00:23:52,000 --> 00:23:52,400
Speaker 2: Mm hmm.

476
00:23:53,720 --> 00:23:55,920
Speaker 5: So yeah, definitely, I have two glands I would put

477
00:23:55,960 --> 00:23:57,800
Speaker 5: before it, but it's top three for sure.

478
00:23:57,960 --> 00:23:58,280
Speaker 7: Sure.

479
00:23:58,320 --> 00:24:01,280
Speaker 8: Well you know, potato, potato, So yeah, I mean we

480
00:24:01,280 --> 00:24:04,359
Speaker 8: were just talking and I'll admit, like there were people

481
00:24:04,400 --> 00:24:07,600
Speaker 8: putting out downloadable audio files before us, but it was

482
00:24:07,720 --> 00:24:12,600
Speaker 8: like really specialized stuff. It was like Buffy fanfic and

483
00:24:12,800 --> 00:24:15,119
Speaker 8: grammar tips, and we were like taking all this in

484
00:24:15,160 --> 00:24:17,919
Speaker 8: and we're like, what's missing, And so we came up

485
00:24:18,000 --> 00:24:22,919
Speaker 8: with the genre improvised Caucasian Conversations Wow. And we just

486
00:24:22,960 --> 00:24:25,399
Speaker 8: really wanted to give people a window into what a

487
00:24:25,480 --> 00:24:28,760
Speaker 8: white friendship is like like. And we just felt like

488
00:24:28,800 --> 00:24:33,120
Speaker 8: people weren't out there getting raw about stuff like TV movies,

489
00:24:33,520 --> 00:24:36,840
Speaker 8: video games. That's important, guy in your neighborhood.

490
00:24:37,320 --> 00:24:41,159
Speaker 3: Because people were having these conversations before, but nobody could

491
00:24:41,200 --> 00:24:42,400
Speaker 3: hear that exactly.

492
00:24:42,440 --> 00:24:45,359
Speaker 8: And people weren't appreciating how raw we could get about

493
00:24:45,400 --> 00:24:48,280
Speaker 8: stuff like this, and how brave and just how like,

494
00:24:48,880 --> 00:24:50,800
Speaker 8: I don't know, we were just putting ourselves out there

495
00:24:50,840 --> 00:24:53,399
Speaker 8: in a way that I don't think anybody.

496
00:24:54,480 --> 00:24:55,879
Speaker 4: Did before or has done.

497
00:24:55,880 --> 00:24:58,040
Speaker 8: Sense if that makes any sense? Does that make sense?

498
00:24:58,119 --> 00:24:58,880
Speaker 8: Does it makes sense?

499
00:24:58,920 --> 00:24:59,280
Speaker 5: What I say?

500
00:24:59,359 --> 00:24:59,840
Speaker 2: It makes sense?

501
00:25:00,080 --> 00:25:00,440
Speaker 7: Makes sense?

502
00:25:00,520 --> 00:25:01,160
Speaker 2: It's making sense?

503
00:25:01,320 --> 00:25:01,560
Speaker 5: Is this.

504
00:25:03,240 --> 00:25:03,560
Speaker 8: Crazy?

505
00:25:04,800 --> 00:25:07,639
Speaker 5: I mean you're crazy in a good way because you

506
00:25:07,800 --> 00:25:10,600
Speaker 5: saw you saw that you have to be you'd have

507
00:25:10,640 --> 00:25:13,880
Speaker 5: to be crazy to be a trailblazer the way you've been.

508
00:25:14,160 --> 00:25:17,080
Speaker 3: And a medium that just truckers were using to send

509
00:25:17,160 --> 00:25:18,200
Speaker 3: files to each other.

510
00:25:20,000 --> 00:25:23,199
Speaker 8: Yeah, I felt like, you know, trucking roots and you

511
00:25:23,240 --> 00:25:26,040
Speaker 8: know at which waffle house can you get a hand job?

512
00:25:26,240 --> 00:25:28,080
Speaker 8: And you know things like this, and we saw that

513
00:25:28,119 --> 00:25:29,520
Speaker 8: potential and we loved that.

514
00:25:29,760 --> 00:25:30,439
Speaker 4: We loved that.

515
00:25:30,640 --> 00:25:32,959
Speaker 8: Can we stand beyond the truck? Yeah, we're not slamming

516
00:25:33,040 --> 00:25:35,920
Speaker 8: those guys. We're totally not slamming those guys. We love them,

517
00:25:35,920 --> 00:25:37,800
Speaker 8: we love what they were doing. But we're just like,

518
00:25:38,880 --> 00:25:39,359
Speaker 8: what else?

519
00:25:39,440 --> 00:25:40,679
Speaker 4: What else? You know?

520
00:25:40,760 --> 00:25:42,800
Speaker 8: Where can we go from here? How can we make

521
00:25:42,880 --> 00:25:43,280
Speaker 8: this better?

522
00:25:43,359 --> 00:25:45,879
Speaker 5: It's like those guys are like BB King or whatever,

523
00:25:46,240 --> 00:25:50,600
Speaker 5: where like they started noodling on guitar and you went like, okay,

524
00:25:50,600 --> 00:25:52,800
Speaker 5: but you guys are like freaking John Mayer where you

525
00:25:52,800 --> 00:25:57,560
Speaker 5: wrote real song. Thanks, yeah, we czy because the BB

526
00:25:57,640 --> 00:26:01,200
Speaker 5: king stuffs unlistenable. Yes, yeah, I mean he's using a

527
00:26:01,240 --> 00:26:04,199
Speaker 5: tool that being what you guys used.

528
00:26:04,760 --> 00:26:06,520
Speaker 8: And yeah, and thank you for bringing up John Mary.

529
00:26:06,520 --> 00:26:09,240
Speaker 8: I mean we've we've always talked about like we wanted

530
00:26:09,280 --> 00:26:14,640
Speaker 8: to do for you know, ninety minutes of bullshitting what he.

531
00:26:14,480 --> 00:26:15,720
Speaker 4: Did for the pop song.

532
00:26:15,920 --> 00:26:16,479
Speaker 2: Mm hmmmm.

533
00:26:16,920 --> 00:26:19,479
Speaker 8: So yeah, I mean thanks to make that's really off

534
00:26:19,560 --> 00:26:20,840
Speaker 8: it that you hear that influence.

535
00:26:21,320 --> 00:26:23,919
Speaker 5: Yeah, it's totally. It's right there on the surface for

536
00:26:24,000 --> 00:26:27,840
Speaker 5: anyone who wants to see it. You were saying before

537
00:26:27,920 --> 00:26:33,280
Speaker 5: you came in that you've seen some AMC TV shows.

538
00:26:33,560 --> 00:26:36,320
Speaker 8: Yeah, I mean again, that's a big thing you know

539
00:26:36,320 --> 00:26:38,679
Speaker 8: that we think is really important in podcasting is to like,

540
00:26:39,359 --> 00:26:41,720
Speaker 8: you know, just like let people know about AMC TV

541
00:26:41,840 --> 00:26:44,399
Speaker 8: shows that no one knows about and no one is

542
00:26:44,480 --> 00:26:48,439
Speaker 8: talking about. Yes, like you have an Oben Breaking Bad.

543
00:26:49,440 --> 00:26:51,879
Speaker 8: It's ended its run, but I don't think anyone's seen it.

544
00:26:51,920 --> 00:26:54,040
Speaker 8: People need to talk more about this, and I think

545
00:26:54,080 --> 00:26:55,600
Speaker 8: that's just an important thing.

546
00:26:55,480 --> 00:26:57,600
Speaker 3: What's nice is I feel like I don't really have

547
00:26:57,680 --> 00:27:01,160
Speaker 3: to see it because I'm listening. Do people talk about

548
00:27:01,200 --> 00:27:03,480
Speaker 3: it on a lot of these great podcasts.

549
00:27:03,600 --> 00:27:05,520
Speaker 4: Yeah, And we just want to give people that option,

550
00:27:05,760 --> 00:27:06,960
Speaker 4: like yes.

551
00:27:06,840 --> 00:27:09,560
Speaker 5: And for me, I'm obviously never going to watch Walking

552
00:27:09,640 --> 00:27:12,439
Speaker 5: Dead because it's too scary and they're sick perverts whoever

553
00:27:12,440 --> 00:27:15,880
Speaker 5: made that show? Yes, but what's not scary and what's

554
00:27:15,920 --> 00:27:20,360
Speaker 5: not perverted is to hear a truly funny comedian, yes,

555
00:27:21,080 --> 00:27:23,800
Speaker 5: say something that happened on the show, but not and

556
00:27:24,000 --> 00:27:27,080
Speaker 5: what they think might happen, Yes, but not feeling like

557
00:27:27,160 --> 00:27:27,600
Speaker 5: they have.

558
00:27:27,560 --> 00:27:29,720
Speaker 2: To be No, they don't have to be on the

559
00:27:29,760 --> 00:27:31,080
Speaker 2: whole time when they're doing it.

560
00:27:31,280 --> 00:27:33,760
Speaker 5: What they what they get to do really is just

561
00:27:33,800 --> 00:27:36,160
Speaker 5: sort of say it right.

562
00:27:36,320 --> 00:27:38,959
Speaker 8: Yeah, And and you know that's a great point and

563
00:27:39,000 --> 00:27:42,119
Speaker 8: I and then I think, you know, this is opening

564
00:27:42,200 --> 00:27:45,080
Speaker 8: up the door to a larger conversation about like what

565
00:27:45,320 --> 00:27:48,959
Speaker 8: is a comedian's podcast? Like we kind of looked at

566
00:27:49,000 --> 00:27:51,280
Speaker 8: that and we're like, what does a comedian always have

567
00:27:51,359 --> 00:27:52,880
Speaker 8: to be funny?

568
00:27:53,200 --> 00:27:53,560
Speaker 2: Yes?

569
00:27:53,760 --> 00:27:56,359
Speaker 4: Why do they have to be telling Joe?

570
00:27:56,400 --> 00:27:58,560
Speaker 8: What do they have to have thought of something in

571
00:27:58,680 --> 00:28:01,240
Speaker 8: advance which they think is funny?

572
00:28:01,480 --> 00:28:01,760
Speaker 2: Yes?

573
00:28:02,240 --> 00:28:07,000
Speaker 5: Yes, that's one of the most frustrating comedy and raw

574
00:28:07,800 --> 00:28:09,359
Speaker 5: like that.

575
00:28:09,359 --> 00:28:11,679
Speaker 8: That's enough, Like it's so hard to be raw and

576
00:28:11,720 --> 00:28:14,639
Speaker 8: real all the time. I mean, I'm exuding a lot

577
00:28:14,680 --> 00:28:16,679
Speaker 8: of energy right now being so raw and real with

578
00:28:16,720 --> 00:28:19,199
Speaker 8: you guys. But like, I mean, think of it, I

579
00:28:19,240 --> 00:28:21,000
Speaker 8: had it fell out of my chair just now. If

580
00:28:21,000 --> 00:28:23,560
Speaker 8: I want it to be funny on top of this.

581
00:28:24,440 --> 00:28:27,040
Speaker 5: It's too much and it wouldn't be authentic. But what's

582
00:28:27,119 --> 00:28:30,119
Speaker 5: authentic I think, and I've heard one comedian actually do

583
00:28:30,160 --> 00:28:34,760
Speaker 5: this is talk about how you're in therapy. Yes, isn't

584
00:28:35,080 --> 00:28:38,280
Speaker 5: that actually better than doing comedy?

585
00:28:38,560 --> 00:28:39,960
Speaker 2: Yes, I mean, I.

586
00:28:39,880 --> 00:28:43,000
Speaker 8: Guess you could have a funny observation about, you know,

587
00:28:43,040 --> 00:28:45,200
Speaker 8: something that happened in therapy or what it means orlah

588
00:28:45,200 --> 00:28:46,040
Speaker 8: blah blah blah blah blah.

589
00:28:46,000 --> 00:28:49,200
Speaker 5: But maybe just say what you realized in therapy about yourself.

590
00:28:49,560 --> 00:28:52,960
Speaker 8: Yeah, people, I mean people will just appreciate the fact

591
00:28:53,000 --> 00:28:56,640
Speaker 8: that they're getting a little glimpse into a pretty sick mind.

592
00:28:58,040 --> 00:29:00,360
Speaker 2: Yeah, I mean in mine, that's a little to twisted.

593
00:29:01,520 --> 00:29:04,680
Speaker 5: Yes, I mean, because they are always saying these freaking

594
00:29:04,720 --> 00:29:08,200
Speaker 5: comedians are cuckoo? What's going on inside those you know,

595
00:29:08,400 --> 00:29:11,800
Speaker 5: melons on top of their necks and they're gonna finally

596
00:29:11,840 --> 00:29:15,720
Speaker 5: find out. Well, it's some you know, half assed self

597
00:29:15,760 --> 00:29:18,760
Speaker 5: help stuff that they sort of read somewhere and then

598
00:29:18,840 --> 00:29:21,080
Speaker 5: thought about and then are repeating on a mic and

599
00:29:21,080 --> 00:29:22,080
Speaker 5: then to another.

600
00:29:21,840 --> 00:29:24,600
Speaker 8: Guy, and and don't let's not forget an enjoyment of

601
00:29:24,640 --> 00:29:25,680
Speaker 8: AMC television.

602
00:29:25,840 --> 00:29:30,080
Speaker 3: Oh god, that's good because it mirrors the way have

603
00:29:30,240 --> 00:29:33,640
Speaker 3: you guys seen the TV edit of Demolition Man?

604
00:29:34,480 --> 00:29:34,840
Speaker 5: Have you?

605
00:29:34,920 --> 00:29:37,880
Speaker 8: Are you guys watching the TV edit of Demolition Man?

606
00:29:37,920 --> 00:29:40,480
Speaker 8: Because this is some more great AMC TV.

607
00:29:41,720 --> 00:29:45,160
Speaker 2: The way the places they choose to cut in the

608
00:29:45,240 --> 00:29:47,920
Speaker 2: Devilition Man are so precise they're surgeons.

609
00:29:48,120 --> 00:29:50,240
Speaker 5: Honestly, I'm telling you, it's like it was built to

610
00:29:50,280 --> 00:29:52,800
Speaker 5: have commercial breaks. It's like they were thinking about the

611
00:29:52,800 --> 00:29:55,080
Speaker 5: commercial breaks when they wrote the fucking original script.

612
00:29:55,440 --> 00:29:59,120
Speaker 8: I'm actually uh In talks to host a Devilition Man

613
00:29:59,160 --> 00:29:59,760
Speaker 8: after show.

614
00:30:00,320 --> 00:30:04,800
Speaker 3: Wow, finally, because the only thing missing still on a

615
00:30:04,800 --> 00:30:07,200
Speaker 3: lot of AMC TV shows is they'll just do the

616
00:30:07,280 --> 00:30:12,320
Speaker 3: show and then they'll leave you wanting to discuss it, sure,

617
00:30:12,320 --> 00:30:15,000
Speaker 3: and then they'll just go on to another play like.

618
00:30:14,960 --> 00:30:16,040
Speaker 2: Liar Liar or something.

619
00:30:16,120 --> 00:30:18,080
Speaker 8: Yeah, you want to discuss I want to sit down

620
00:30:18,200 --> 00:30:20,880
Speaker 8: with like the cast of Demolition Man, but also just

621
00:30:20,920 --> 00:30:24,720
Speaker 8: like some YouTube celebrities and talk about like, I mean,

622
00:30:25,360 --> 00:30:29,240
Speaker 8: what's what's going on here? Where's the where's the demolition?

623
00:30:29,520 --> 00:30:30,680
Speaker 8: And gang gonna go next?

624
00:30:30,680 --> 00:30:30,920
Speaker 7: Sure?

625
00:30:31,480 --> 00:30:34,320
Speaker 4: Now, Jordan, we.

626
00:30:34,440 --> 00:30:37,280
Speaker 5: Have talked a lot about getting ron. Can I ask

627
00:30:37,320 --> 00:30:39,720
Speaker 5: you something a little more personal and you don't have

628
00:30:39,760 --> 00:30:42,000
Speaker 5: to answer, But I think that our audience would appreciate

629
00:30:42,040 --> 00:30:43,520
Speaker 5: if you did when.

630
00:30:43,440 --> 00:30:44,400
Speaker 2: You were younger?

631
00:30:45,880 --> 00:30:48,680
Speaker 5: Were you, and forgive me if I'm way out of bounds,

632
00:30:48,760 --> 00:30:51,520
Speaker 5: but were you maybe a little bit of a nerd?

633
00:30:51,680 --> 00:30:52,480
Speaker 4: Oh boy?

634
00:30:52,520 --> 00:30:53,240
Speaker 2: This question?

635
00:30:53,840 --> 00:30:57,880
Speaker 8: Okay, I see yeah, I mean yeah, I mean it's

636
00:30:58,000 --> 00:30:59,080
Speaker 8: tough for me to talk about.

637
00:30:59,080 --> 00:31:01,960
Speaker 5: And we've already admitted full disclosure. We've already admitted that

638
00:31:02,000 --> 00:31:06,520
Speaker 5: we actually read, have read comics, and have liked comics.

639
00:31:06,640 --> 00:31:07,560
Speaker 2: Okay, And that's.

640
00:31:09,360 --> 00:31:11,480
Speaker 3: Why we can pick this stuff up is because, like,

641
00:31:11,560 --> 00:31:13,960
Speaker 3: as we like like superheroes and stuff, we can maybe

642
00:31:14,000 --> 00:31:16,600
Speaker 3: see a guy who might also like superheroes as well.

643
00:31:16,640 --> 00:31:18,960
Speaker 8: Okay, I mean I'm given off that vibe. I get it,

644
00:31:19,000 --> 00:31:20,960
Speaker 8: I get it. You can tell I'm a total point dexter.

645
00:31:21,520 --> 00:31:21,800
Speaker 7: Wow.

646
00:31:21,880 --> 00:31:24,360
Speaker 4: We smell our eyes, I mean my height.

647
00:31:24,520 --> 00:31:26,320
Speaker 8: I mean, we laugh about it now, But my high

648
00:31:26,360 --> 00:31:28,880
Speaker 8: school days were a living hell.

649
00:31:29,040 --> 00:31:29,280
Speaker 2: Sure.

650
00:31:29,360 --> 00:31:32,240
Speaker 8: I mean, hey, here were some of my good friends,

651
00:31:32,840 --> 00:31:38,400
Speaker 8: Mario Sotic and you know, I loved all that geeky

652
00:31:38,560 --> 00:31:43,600
Speaker 8: stuff like Nintendo's, which as a teenager people weren't really doing,

653
00:31:44,040 --> 00:31:46,480
Speaker 8: you know, because my friends liked Nintendo. Well, they were

654
00:31:46,520 --> 00:31:49,600
Speaker 8: all with a hoop and a stick, just playing active anyway.

655
00:31:49,640 --> 00:31:52,760
Speaker 8: But we're not athletes football and cigarettes. I mean, I

656
00:31:52,760 --> 00:31:54,960
Speaker 8: didn't even know what those things were. I was too

657
00:31:54,960 --> 00:31:59,520
Speaker 8: busy playing Nintendo the Dolphin inside, I know, and like

658
00:31:59,600 --> 00:32:03,280
Speaker 8: watching these nerdy shows like Coach. I mean I would

659
00:32:03,280 --> 00:32:05,240
Speaker 8: just sit there and I would write dabb or fan

660
00:32:05,360 --> 00:32:08,280
Speaker 8: fiction and I wouldn't even have anywhere to put it

661
00:32:08,320 --> 00:32:10,160
Speaker 8: because geo cities didn't exist yet.

662
00:32:10,240 --> 00:32:12,560
Speaker 2: That was my family, you know, I was. It was

663
00:32:12,640 --> 00:32:13,400
Speaker 2: me and Murphy B.

664
00:32:14,160 --> 00:32:17,000
Speaker 5: And she had a different assist in every week. Murphy

665
00:32:17,000 --> 00:32:19,920
Speaker 5: B and Miles silver Bee. That's right, that's what I

666
00:32:19,920 --> 00:32:24,320
Speaker 5: call Miles silver Grandshaw faith Ford a gay Corky Sherwood.

667
00:32:24,400 --> 00:32:30,680
Speaker 2: But Jordan, but Jordan, that's right, baby, Jordan. Jordan, Is

668
00:32:30,680 --> 00:32:32,920
Speaker 2: that why you're so funny? Jordan? Is that why today?

669
00:32:33,000 --> 00:32:36,720
Speaker 3: Does it come from a place where your sensibility was home. Well,

670
00:32:36,840 --> 00:32:38,920
Speaker 3: I mean by maybe not being so popular in high

671
00:32:38,920 --> 00:32:41,200
Speaker 3: school and maybe that adversity is what leads you to

672
00:32:41,200 --> 00:32:42,880
Speaker 3: be so so bad today.

673
00:32:42,680 --> 00:32:45,960
Speaker 2: Here's does it come from place? Paying Like Richard Pryor,

674
00:32:46,120 --> 00:32:46,760
Speaker 2: Here's the truth.

675
00:32:46,800 --> 00:32:49,480
Speaker 8: I mean, I'm glad you brought up Richard Prior because

676
00:32:49,480 --> 00:32:51,280
Speaker 8: I consider him a contemporary.

677
00:32:52,480 --> 00:32:55,280
Speaker 2: I'm glad you brought up Richard Pryor, and I'll see

678
00:32:55,280 --> 00:32:56,840
Speaker 2: that I see a lot of similarities.

679
00:32:56,840 --> 00:32:59,360
Speaker 8: So it's like Richard pryor John Mayer, like, these are

680
00:32:59,400 --> 00:33:01,880
Speaker 8: the guys like that I'm looking to to kind of

681
00:33:01,960 --> 00:33:06,320
Speaker 8: make the gumbo that is my sensibility. Yeah, I mean definitely.

682
00:33:06,440 --> 00:33:08,720
Speaker 8: Like I mean, here's the thing about all comedians. Here's

683
00:33:08,720 --> 00:33:11,800
Speaker 8: the thing about all comedians across the board. They're not

684
00:33:11,920 --> 00:33:16,600
Speaker 8: funny because they like jokes, right, They're funny because they're

685
00:33:16,720 --> 00:33:17,760
Speaker 8: sad clowns.

686
00:33:17,880 --> 00:33:20,880
Speaker 4: Inside. Every comedian is pain. That is across the board.

687
00:33:20,880 --> 00:33:21,680
Speaker 4: That is exclusive.

688
00:33:21,720 --> 00:33:25,200
Speaker 8: We've all had fucked up childhoods. I mean, my childhood

689
00:33:25,240 --> 00:33:28,360
Speaker 8: was so fucked up and miserable. Like I was in

690
00:33:28,440 --> 00:33:31,520
Speaker 8: home watching Coach and like I guess I didn't get

691
00:33:31,560 --> 00:33:33,840
Speaker 8: traditionally like beat up, but people would look at me

692
00:33:33,880 --> 00:33:38,040
Speaker 8: in the hall like this guy's been watching Coach. Yeah,

693
00:33:38,080 --> 00:33:41,120
Speaker 8: we're not going to invite him to our cigarette parties,

694
00:33:41,360 --> 00:33:41,560
Speaker 8: you know.

695
00:33:41,960 --> 00:33:42,600
Speaker 4: And that hurt.

696
00:33:42,800 --> 00:33:45,600
Speaker 5: And this is why I have so little sympathy for criminals,

697
00:33:46,200 --> 00:33:50,640
Speaker 5: because of course, of course, any one of us could

698
00:33:50,640 --> 00:33:52,840
Speaker 5: have gone that route. We could have taken that pain

699
00:33:53,200 --> 00:33:57,120
Speaker 5: and turned it into just being arson or doing you know,

700
00:33:57,640 --> 00:33:59,160
Speaker 5: murder in the I mean, I'm a store.

701
00:33:59,320 --> 00:34:02,800
Speaker 8: I've can think about being art and then I'm like,

702
00:34:02,840 --> 00:34:04,520
Speaker 8: you know, and that would have handled that, And that

703
00:34:04,560 --> 00:34:06,680
Speaker 8: would have been to be comedy and to be comedy

704
00:34:06,720 --> 00:34:07,000
Speaker 8: and to.

705
00:34:06,960 --> 00:34:09,319
Speaker 5: Be comedy, and that would have been so easy to

706
00:34:09,480 --> 00:34:12,239
Speaker 5: just get a can of gasoline and just go to

707
00:34:12,280 --> 00:34:13,920
Speaker 5: the cigarette party in oops.

708
00:34:14,200 --> 00:34:15,840
Speaker 2: And instead what we.

709
00:34:15,760 --> 00:34:18,720
Speaker 5: Did is sorry, jocks, Oh we did is we made

710
00:34:18,760 --> 00:34:19,840
Speaker 5: something for the world.

711
00:34:20,320 --> 00:34:22,560
Speaker 3: I don't know if this was the case with you guys,

712
00:34:22,600 --> 00:34:23,719
Speaker 3: And I will say it.

713
00:34:23,760 --> 00:34:26,839
Speaker 2: My parents used to fight. They used to all the time,

714
00:34:26,840 --> 00:34:29,359
Speaker 2: and I remember hearing them fight.

715
00:34:29,440 --> 00:34:31,880
Speaker 3: Well, yes, it makes you want to lash out and

716
00:34:31,920 --> 00:34:35,279
Speaker 3: do something that's that's kind of against society. But you

717
00:34:35,280 --> 00:34:37,799
Speaker 3: can do that in a constructive way or in a

718
00:34:37,840 --> 00:34:38,960
Speaker 3: negative way like burning.

719
00:34:39,200 --> 00:34:41,399
Speaker 5: I wish, I wish my parents would have fought, because

720
00:34:41,400 --> 00:34:45,680
Speaker 5: my dad was too busy. Oh Sean, fuck man, he

721
00:34:45,960 --> 00:34:48,760
Speaker 5: barely even was around. He's a stranger to me because

722
00:34:48,800 --> 00:34:49,800
Speaker 5: he was so busy.

723
00:34:49,960 --> 00:34:54,719
Speaker 8: Sean anyway, but you're using that, You're channeling it, you know,

724
00:34:54,840 --> 00:34:55,719
Speaker 8: and that's what like.

725
00:34:55,840 --> 00:34:57,920
Speaker 5: Well, but is it why I have to stay so busy,

726
00:34:57,960 --> 00:34:58,879
Speaker 5: always making all that.

727
00:34:58,960 --> 00:35:01,520
Speaker 2: You know, watch on you, you make time for your guys.

728
00:35:01,760 --> 00:35:02,799
Speaker 2: You know you're not him.

729
00:35:03,640 --> 00:35:06,160
Speaker 5: I do all I do, block out every other Saturday

730
00:35:06,160 --> 00:35:08,839
Speaker 5: and with my little guys when weather and if Stephie's late,

731
00:35:09,360 --> 00:35:11,320
Speaker 5: I give her hell because I'm going.

732
00:35:12,600 --> 00:35:14,400
Speaker 2: You know, this is my time with them.

733
00:35:14,480 --> 00:35:17,520
Speaker 4: And you know, I don't want to be like him.

734
00:35:17,560 --> 00:35:18,680
Speaker 4: Have you thought about maybe?

735
00:35:18,719 --> 00:35:20,600
Speaker 5: Like and when I say him, I'm pointing at a

736
00:35:20,600 --> 00:35:22,000
Speaker 5: big statue of Paul Bunyan.

737
00:35:22,080 --> 00:35:24,400
Speaker 3: And I also want to clarify. I also want to

738
00:35:24,400 --> 00:35:28,480
Speaker 3: clarify for people you are still married. Oh yeah, well,

739
00:35:28,560 --> 00:35:30,200
Speaker 3: you guys have like a joint custody thing.

740
00:35:30,400 --> 00:35:32,760
Speaker 5: Well, she doesn't want to live in my basement apartment

741
00:35:32,800 --> 00:35:34,000
Speaker 5: in my dad's house.

742
00:35:34,880 --> 00:35:37,800
Speaker 4: Because she wants to live in a tennis mansion somewhere. Yeah,

743
00:35:37,880 --> 00:35:38,399
Speaker 4: And I.

744
00:35:38,360 --> 00:35:41,440
Speaker 5: Just feel like I'm not gonna live in your tennis

745
00:35:41,480 --> 00:35:45,040
Speaker 5: mansion year round. When I've got this sweet set up

746
00:35:45,120 --> 00:35:48,719
Speaker 5: down here. I've got two different kinds of futons. I've

747
00:35:48,719 --> 00:35:52,879
Speaker 5: got black light posters fucking to beat the band. And

748
00:35:54,120 --> 00:36:01,399
Speaker 5: one thing she doesn't realize about my dad is he

749
00:36:01,440 --> 00:36:03,799
Speaker 5: would be pissed if he knew I was sneaking out

750
00:36:03,840 --> 00:36:07,600
Speaker 5: to see her. Right, he's busy, but he's not so busy.

751
00:36:07,680 --> 00:36:08,440
Speaker 5: He's not blind.

752
00:36:09,560 --> 00:36:11,520
Speaker 4: He doesn't approve of a man sneaking out of the

753
00:36:11,560 --> 00:36:12,480
Speaker 4: house to see his wife.

754
00:36:13,440 --> 00:36:14,080
Speaker 2: He's pretty.

755
00:36:14,160 --> 00:36:18,279
Speaker 8: He's like a conservative, so he has Bible thumping conservatives.

756
00:36:18,760 --> 00:36:21,560
Speaker 5: Yeah, and I don't even know if it's the Bible,

757
00:36:21,600 --> 00:36:23,239
Speaker 5: but he definitely has a big book in his hand,

758
00:36:23,239 --> 00:36:24,520
Speaker 5: and he's definitely pissed.

759
00:36:25,960 --> 00:36:31,080
Speaker 3: Jordan, we want to do something with you that's a

760
00:36:31,080 --> 00:36:34,160
Speaker 3: little different from what a traditional podcast might.

761
00:36:34,239 --> 00:36:35,920
Speaker 2: We are innovators as well.

762
00:36:35,640 --> 00:36:39,359
Speaker 8: Sure, I mean innovators who are just coasting off our wake.

763
00:36:39,360 --> 00:36:41,759
Speaker 2: But yeah, yeah, sure, yeah we've said that.

764
00:36:43,160 --> 00:36:44,880
Speaker 8: Do you say that in every episode? Just make let

765
00:36:45,040 --> 00:36:46,680
Speaker 8: him know that you've been coasting off my.

766
00:36:46,680 --> 00:36:50,800
Speaker 2: Wake and well yeah, and Jesse's.

767
00:36:51,440 --> 00:36:53,480
Speaker 4: Less so, sure, yeah, less so, but yeah, yeah.

768
00:36:53,320 --> 00:36:54,839
Speaker 2: Sure, yeah.

769
00:36:55,440 --> 00:36:59,200
Speaker 3: This is a thing where we've solicited questions from our

770
00:36:59,560 --> 00:37:04,080
Speaker 3: listening audience. And we asked that we ask those questions

771
00:37:04,120 --> 00:37:07,879
Speaker 3: from our audience to you on the podcast. And then

772
00:37:07,960 --> 00:37:10,000
Speaker 3: comes a challenge of coming up with a day for

773
00:37:10,080 --> 00:37:10,600
Speaker 3: the segment.

774
00:37:11,920 --> 00:37:14,400
Speaker 5: Now we think we've got one that works, but we

775
00:37:14,480 --> 00:37:16,760
Speaker 5: don't totally know how to explain.

776
00:37:16,760 --> 00:37:18,759
Speaker 3: We're drawing from a lot of different places as we

777
00:37:18,800 --> 00:37:21,399
Speaker 3: come up with this name. Right, we're getting questions from

778
00:37:21,400 --> 00:37:23,160
Speaker 3: a group of people who are not on the show,

779
00:37:23,200 --> 00:37:26,840
Speaker 3: but they're fans of the show. One is led potentially

780
00:37:26,880 --> 00:37:30,160
Speaker 3: to the area of the peanut Gallery people who are

781
00:37:30,200 --> 00:37:31,319
Speaker 3: submitting questions right.

782
00:37:31,400 --> 00:37:32,280
Speaker 4: A little on the nose?

783
00:37:32,480 --> 00:37:34,600
Speaker 2: Is there a way you agree, Jordans?

784
00:37:36,800 --> 00:37:38,560
Speaker 4: Can you change just one of those words?

785
00:37:38,760 --> 00:37:43,040
Speaker 2: And we looked into changing galleries word yes? Which word yes? Yes?

786
00:37:43,080 --> 00:37:43,839
Speaker 2: Should we call them.

787
00:37:43,760 --> 00:37:47,359
Speaker 5: The Peanut Gang the Peanut Area? Child Sheltz suit us

788
00:37:47,360 --> 00:37:49,959
Speaker 5: for doing that. We did that on our old radio show.

789
00:37:50,040 --> 00:37:52,280
Speaker 3: Then the question arises, would it be a good idea

790
00:37:52,400 --> 00:37:57,160
Speaker 3: to merge the worlds of question asking and movies and

791
00:37:57,239 --> 00:38:01,799
Speaker 3: so on? One is led to the word peanuts are

792
00:38:01,800 --> 00:38:04,759
Speaker 3: a food? Is there a movie food that would be

793
00:38:04,880 --> 00:38:07,400
Speaker 3: useful to put in the name of the segment?

794
00:38:07,560 --> 00:38:10,840
Speaker 5: Don't say chicken sausage. I know they've got those chicken

795
00:38:10,920 --> 00:38:13,719
Speaker 5: Jalapanio sausages with the mango relish as some of the

796
00:38:13,719 --> 00:38:16,480
Speaker 5: theaters you go to. But that's not what we mean.

797
00:38:16,600 --> 00:38:18,920
Speaker 3: They serve pizza a lot of movie theaters as well.

798
00:38:18,960 --> 00:38:22,800
Speaker 3: It's not necessarily a food that is identified with movies.

799
00:38:22,920 --> 00:38:25,759
Speaker 4: What about the salt packet gallery? Like, you know how

800
00:38:25,800 --> 00:38:27,040
Speaker 4: they have those salt packets.

801
00:38:26,719 --> 00:38:28,920
Speaker 2: For the butt. Sometimes they have a big shaker, don't they.

802
00:38:29,080 --> 00:38:29,520
Speaker 2: That's true.

803
00:38:29,719 --> 00:38:30,480
Speaker 4: Yeah, you don't want something.

804
00:38:30,920 --> 00:38:32,520
Speaker 5: So if you say packet and somebody's been to one

805
00:38:32,520 --> 00:38:34,760
Speaker 5: with a big shaker and you say, wait a second, salt,

806
00:38:35,040 --> 00:38:35,920
Speaker 5: what are we doing with this?

807
00:38:37,440 --> 00:38:40,960
Speaker 4: You said the salt packet for what? For the popcorn?

808
00:38:44,000 --> 00:38:45,239
Speaker 4: You are diet right?

809
00:38:47,520 --> 00:38:51,160
Speaker 5: You're so, that's by far the so much closer than

810
00:38:51,200 --> 00:38:54,000
Speaker 5: anyone's gotten. But it's not the diet right Gallery.

811
00:38:54,080 --> 00:38:55,520
Speaker 2: It's called the popcorn Gallery.

812
00:38:55,760 --> 00:38:57,719
Speaker 3: And this week the theme of the questions is that

813
00:38:57,719 --> 00:39:00,920
Speaker 3: everyone asking questions has to be named Andrew or Andy

814
00:39:01,000 --> 00:39:03,560
Speaker 3: some variation on. It's a variation on that. We didn't

815
00:39:03,560 --> 00:39:05,400
Speaker 3: announce it, but people came through anyway.

816
00:39:05,560 --> 00:39:09,080
Speaker 2: Yes, okay, so.

817
00:39:08,000 --> 00:39:10,640
Speaker 3: The first question we reach into the bag and we

818
00:39:10,719 --> 00:39:13,319
Speaker 3: pull it out.

819
00:39:16,480 --> 00:39:19,959
Speaker 2: Wash this down with some diet right thanks Mark.

820
00:39:20,360 --> 00:39:23,560
Speaker 3: This one's fort of Andy Smith. Jordan Morris, you were

821
00:39:23,600 --> 00:39:26,480
Speaker 3: in the movie All About Steve. Follow up question, do

822
00:39:26,520 --> 00:39:28,480
Speaker 3: you like Jesse Thorn more or less now that he

823
00:39:28,560 --> 00:39:29,720
Speaker 3: has a beard and children?

824
00:39:31,920 --> 00:39:35,080
Speaker 8: Yeah, I mean thanks, I'm glad he brought up my

825
00:39:35,320 --> 00:39:38,880
Speaker 8: star turn in All About Steve a little cult classic.

826
00:39:39,480 --> 00:39:42,560
Speaker 8: Maybe didn't do Boffo bo but you know, I think

827
00:39:42,600 --> 00:39:44,560
Speaker 8: it is one of those movies like you know, the

828
00:39:44,600 --> 00:39:47,040
Speaker 8: Big Lebowski or It's a wonderful life that has like

829
00:39:47,200 --> 00:39:52,200
Speaker 8: become appreciated and like loved and revered since it's been

830
00:39:52,400 --> 00:39:55,200
Speaker 8: you know, on cable and you know, DVD and on

831
00:39:55,280 --> 00:40:02,640
Speaker 8: demand and Blu Ray and mobile phones, PlayStation next Box. Yeah,

832
00:40:02,680 --> 00:40:04,719
Speaker 8: it's like big on the PlayStation Vita, Like people are

833
00:40:04,719 --> 00:40:06,320
Speaker 8: always downloading All About Steve.

834
00:40:06,080 --> 00:40:09,320
Speaker 3: Google Play those ads they have now All about Steve

835
00:40:09,360 --> 00:40:09,959
Speaker 3: Your Heart out?

836
00:40:10,120 --> 00:40:12,959
Speaker 8: Yeah, yeah, sure absolutely. I mean it's a big, big

837
00:40:12,960 --> 00:40:14,200
Speaker 8: selling point for Google Play.

838
00:40:14,440 --> 00:40:18,279
Speaker 5: Yeah. And isn't it isn't the Hulu original series dead

839
00:40:18,280 --> 00:40:19,760
Speaker 5: Beat based on All About Steve?

840
00:40:19,920 --> 00:40:21,560
Speaker 8: Yeah, I mean it's it's like kind of a Marvel

841
00:40:21,560 --> 00:40:25,680
Speaker 8: Agents of Shield to the Cinematic Universe created All About

842
00:40:25,680 --> 00:40:29,799
Speaker 8: Steve TV companion. Uh, you know, I might be making

843
00:40:29,840 --> 00:40:33,040
Speaker 8: a little cameo and dead beat. Not not gonna say

844
00:40:33,080 --> 00:40:34,120
Speaker 8: which episode, but.

845
00:40:34,280 --> 00:40:36,960
Speaker 3: I m are your famous line from the movie do

846
00:40:36,960 --> 00:40:37,719
Speaker 3: you want to do it now?

847
00:40:38,239 --> 00:40:38,560
Speaker 2: Okay?

848
00:40:38,600 --> 00:40:41,040
Speaker 8: I mean I will be saying this glue is making

849
00:40:41,080 --> 00:40:44,560
Speaker 8: me high, which was an actual line that I said

850
00:40:44,560 --> 00:40:45,080
Speaker 8: it all about.

851
00:40:45,160 --> 00:40:49,640
Speaker 4: I know, so yeah, I'm you know, my famous glue.

852
00:40:49,440 --> 00:40:51,839
Speaker 2: Is making me high. Character might make it appear who

853
00:40:51,840 --> 00:40:53,720
Speaker 2: are you eating the glue?

854
00:40:54,040 --> 00:40:56,000
Speaker 4: Well, I don't want to give too much away.

855
00:40:56,680 --> 00:40:59,200
Speaker 2: Or had you glued yourself to a really high shelf?

856
00:40:59,520 --> 00:41:02,480
Speaker 4: That's the premise this glue made me.

857
00:41:03,200 --> 00:41:05,200
Speaker 8: I guess my climbing had made me high, and the

858
00:41:05,200 --> 00:41:06,800
Speaker 8: glue is just keeping me high.

859
00:41:06,880 --> 00:41:09,239
Speaker 5: So you know, but you just like you, maybe you

860
00:41:09,280 --> 00:41:11,319
Speaker 5: put glue on your hands and you human fly your

861
00:41:11,320 --> 00:41:12,719
Speaker 5: way up the show and.

862
00:41:12,640 --> 00:41:15,120
Speaker 3: The hair is so thin up there, you don't really know,

863
00:41:15,280 --> 00:41:17,000
Speaker 3: get a little bit exactly right.

864
00:41:17,640 --> 00:41:19,880
Speaker 8: Uh yeah, So I mean, just thank you for to

865
00:41:19,960 --> 00:41:23,000
Speaker 8: this uh, to this fan for like mentioning that I

866
00:41:23,040 --> 00:41:25,880
Speaker 8: have my hands and a lot of different kinds of content.

867
00:41:26,800 --> 00:41:29,080
Speaker 4: I'm also bring my own micro.

868
00:41:28,920 --> 00:41:31,839
Speaker 8: Bruise these days, so oh my god. Yeah, like that's

869
00:41:31,840 --> 00:41:32,720
Speaker 8: a kind of content.

870
00:41:32,960 --> 00:41:35,120
Speaker 2: What cool, great hobby.

871
00:41:35,320 --> 00:41:37,080
Speaker 8: Oh it's so fun and I just love to talk

872
00:41:37,120 --> 00:41:40,400
Speaker 8: about it. It's interesting for everyone to hear about that process.

873
00:41:40,440 --> 00:41:42,960
Speaker 5: Tell me some of the bruise you're working on right now,

874
00:41:43,400 --> 00:41:47,399
Speaker 5: wops levels and whatever else you can say, just working on.

875
00:41:47,360 --> 00:41:49,680
Speaker 4: A real hoppy ipa. It's wow.

876
00:41:49,840 --> 00:41:56,759
Speaker 9: I love hoppy ipa. I like the really bad bitter stuff. Sure,

877
00:41:56,800 --> 00:41:59,800
Speaker 9: I mean it is gross, it is. It's just a

878
00:42:00,080 --> 00:42:01,080
Speaker 9: challenging drink.

879
00:42:02,000 --> 00:42:03,960
Speaker 8: I like to think of it like kind of like

880
00:42:04,040 --> 00:42:06,280
Speaker 8: if it was a film, it would be when Shin Andolou,

881
00:42:06,719 --> 00:42:07,920
Speaker 8: because it's challenging.

882
00:42:08,000 --> 00:42:11,799
Speaker 4: It challenges your notions of like, yeah, you would.

883
00:42:12,400 --> 00:42:14,720
Speaker 5: I want to feel like I'm trying to win against

884
00:42:14,719 --> 00:42:15,440
Speaker 5: the drink.

885
00:42:15,280 --> 00:42:18,920
Speaker 3: By finishing it. They're used to drinking piss yellow beer.

886
00:42:20,000 --> 00:42:21,040
Speaker 3: I like black beer.

887
00:42:21,880 --> 00:42:22,520
Speaker 4: Swines.

888
00:42:22,680 --> 00:42:25,880
Speaker 5: I hate the swines who don't eat drink the good beers.

889
00:42:26,200 --> 00:42:27,719
Speaker 2: And you said you don't want to talk about Jesse,

890
00:42:27,800 --> 00:42:28,600
Speaker 2: so we can just move on.

891
00:42:28,840 --> 00:42:30,480
Speaker 8: Yeah, I mean, like I kind of want this to

892
00:42:30,520 --> 00:42:34,080
Speaker 8: be about me, like my stuff I total.

893
00:42:34,400 --> 00:42:36,520
Speaker 3: And we mentioned that to these guys, but they still Yeah,

894
00:42:36,560 --> 00:42:38,879
Speaker 3: I mean this nice question.

895
00:42:38,920 --> 00:42:41,200
Speaker 2: Does that come up for you a lot? Yeah?

896
00:42:41,239 --> 00:42:45,480
Speaker 8: I mean sure, I mean I've got I've got my fans,

897
00:42:45,640 --> 00:42:48,000
Speaker 8: and he's got his fans, and he does his thing

898
00:42:48,080 --> 00:42:50,440
Speaker 8: and I do my thing. I think just what's important

899
00:42:50,480 --> 00:42:55,480
Speaker 8: is that, like I was really instrumental in creating improvised

900
00:42:55,480 --> 00:42:56,800
Speaker 8: Caucasian conversations.

901
00:42:57,000 --> 00:42:59,359
Speaker 2: But you need someone to talk to.

902
00:42:59,520 --> 00:43:03,239
Speaker 8: Right, You need another Caucasian there to improvise a conversation with.

903
00:43:03,400 --> 00:43:05,440
Speaker 8: So I think that's like a big part of his contribution.

904
00:43:05,680 --> 00:43:10,440
Speaker 2: Sure, here's a question from Andrew and let's find it.

905
00:43:16,080 --> 00:43:17,680
Speaker 2: I'm going to kill myself tomorrow.

906
00:43:18,200 --> 00:43:20,120
Speaker 4: Is that from Austin Powers that drop?

907
00:43:21,520 --> 00:43:26,000
Speaker 5: No, my friend Mark from high schools originally recorded all

908
00:43:26,040 --> 00:43:28,800
Speaker 5: these drops, and yes, I think he had been watching

909
00:43:28,840 --> 00:43:30,280
Speaker 5: a lot of AP at the time.

910
00:43:31,120 --> 00:43:34,799
Speaker 8: Good Flick not as good as the sequels, No I liked.

911
00:43:34,840 --> 00:43:36,719
Speaker 8: I mean, I think they went out on top, like

912
00:43:36,800 --> 00:43:38,080
Speaker 8: they stopped with their best one.

913
00:43:38,120 --> 00:43:41,600
Speaker 3: What they didn't do, what they didn't think to do

914
00:43:41,680 --> 00:43:45,320
Speaker 3: In the first one was a scene where Ozzy Osbourne

915
00:43:45,320 --> 00:43:47,520
Speaker 3: and his family see something.

916
00:43:47,960 --> 00:43:51,799
Speaker 2: I think it looks like it did or draggers. Yet

917
00:43:51,840 --> 00:43:53,919
Speaker 2: it looks good.

918
00:43:53,920 --> 00:43:56,239
Speaker 3: But then you can't say dick in a movie, so

919
00:43:56,320 --> 00:44:00,799
Speaker 3: you cut to someone else saying you.

920
00:44:00,800 --> 00:44:04,680
Speaker 5: Cut to Elizabeth Taylor turning to Richard Burton and going, Dick,

921
00:44:04,800 --> 00:44:07,239
Speaker 5: you want to get married again? And then yeah, and

922
00:44:07,320 --> 00:44:08,840
Speaker 5: that way we were able to get it all in.

923
00:44:08,960 --> 00:44:11,640
Speaker 3: But that's how they got around in like two thousand

924
00:44:11,640 --> 00:44:14,880
Speaker 3: and four, like the codes that were kind of not

925
00:44:14,920 --> 00:44:19,080
Speaker 3: being able to say things like Dick Andrew asks mister Morse.

926
00:44:19,320 --> 00:44:21,680
Speaker 3: When Jesse Thorn does that thing where he invites strangers

927
00:44:21,680 --> 00:44:23,560
Speaker 3: to go on a boat vacation with him, do you

928
00:44:23,600 --> 00:44:25,160
Speaker 3: get a free ticket or do you have to pay

929
00:44:25,200 --> 00:44:27,640
Speaker 3: full price or is it like a partial discount situation?

930
00:44:28,280 --> 00:44:29,919
Speaker 3: Now I'm sorry again about this.

931
00:44:30,000 --> 00:44:33,319
Speaker 8: Yeah, if we can do a better job of screening these,

932
00:44:33,480 --> 00:44:37,680
Speaker 8: it was it was the people named Andrew or Andy.

933
00:44:37,800 --> 00:44:40,520
Speaker 3: For some reason, there was a lot of overlap between

934
00:44:40,560 --> 00:44:43,400
Speaker 3: them and people who wanted to ask questions about Jesse Thorn.

935
00:44:43,680 --> 00:44:46,279
Speaker 8: Yeah, okay, that's fine. Yeah, I mean, you know, he's

936
00:44:46,320 --> 00:44:49,000
Speaker 8: got his thing where like he does like you know,

937
00:44:49,080 --> 00:44:51,359
Speaker 8: getaways and stuff like that, and I'm kind of like

938
00:44:51,400 --> 00:44:56,040
Speaker 8: working on my own version of that where it's just

939
00:44:56,120 --> 00:44:59,400
Speaker 8: like a trip to Fresno for like comedy fans, like

940
00:44:59,640 --> 00:45:02,160
Speaker 8: fans who want to get like real and raw and Fresno.

941
00:45:02,920 --> 00:45:04,759
Speaker 8: And yeah, i mean we're just like we're booking some

942
00:45:04,880 --> 00:45:08,600
Speaker 8: rooms at the Fresno Airport, Marriott and we're just gonna

943
00:45:08,600 --> 00:45:10,759
Speaker 8: have a little weekend and just like get real and

944
00:45:10,840 --> 00:45:11,840
Speaker 8: raw and see what happens.

945
00:45:11,880 --> 00:45:14,400
Speaker 2: What a great place to listen to people talk about movies.

946
00:45:14,600 --> 00:45:15,160
Speaker 4: I think it.

947
00:45:15,239 --> 00:45:17,160
Speaker 8: Yeah, I think it's gonna be a great venue for us.

948
00:45:18,040 --> 00:45:19,600
Speaker 8: And you know they have a they have one of

949
00:45:19,600 --> 00:45:22,600
Speaker 8: the last remaining blockbusters. So we're just gonna go there

950
00:45:22,640 --> 00:45:24,440
Speaker 8: and the like enjoy some physical media, you know.

951
00:45:25,120 --> 00:45:28,840
Speaker 3: The the Live podcast this is a little tangent.

952
00:45:29,000 --> 00:45:32,440
Speaker 8: Sure, Uh, how has that We're in the tangent business,

953
00:45:32,440 --> 00:45:32,919
Speaker 8: am I right?

954
00:45:33,000 --> 00:45:41,359
Speaker 7: Podcasts goes Yes, the Live podcast talk about how that

955
00:45:41,960 --> 00:45:46,760
Speaker 7: has innovated, being able to not just listen to someone

956
00:45:47,200 --> 00:45:51,720
Speaker 7: talk about therapy and and and and movies and people

957
00:45:51,880 --> 00:45:54,880
Speaker 7: they know that you don't know, but to actually see

958
00:45:54,920 --> 00:45:55,960
Speaker 7: them do it.

959
00:45:56,320 --> 00:45:56,520
Speaker 4: Yeah.

960
00:45:56,560 --> 00:45:58,239
Speaker 8: I mean I think that, like the Live show has

961
00:45:58,280 --> 00:46:01,400
Speaker 8: just become a really important era and the podcasters quiver.

962
00:46:01,480 --> 00:46:05,279
Speaker 8: It's like, sure, when you're listening, you know in your earbuds,

963
00:46:05,440 --> 00:46:08,520
Speaker 8: your you know, off a strone job where you know

964
00:46:08,600 --> 00:46:11,960
Speaker 8: you're wasting away in that cubicle and you know you're

965
00:46:12,000 --> 00:46:15,359
Speaker 8: listening to us like just kind of like spin out

966
00:46:15,360 --> 00:46:19,120
Speaker 8: on whatever, like Twisted tangent we're on. Yeah, I mean,

967
00:46:19,239 --> 00:46:23,520
Speaker 8: like sure you can appreciate like the pauses and the

968
00:46:23,560 --> 00:46:27,719
Speaker 8: stories that don't get finished, and you know, and the yeah,

969
00:46:27,800 --> 00:46:31,160
Speaker 8: you're right, the weird conversations where the audience hasn't given

970
00:46:31,200 --> 00:46:35,960
Speaker 8: out enough information. But when you see that live, it's just.

971
00:46:36,160 --> 00:46:37,960
Speaker 4: It's got a different texture.

972
00:46:37,640 --> 00:46:41,040
Speaker 5: You know, And isn't it nicer to listen to with

973
00:46:41,440 --> 00:46:45,040
Speaker 5: you know that it's not edited it anyway? So you're

974
00:46:45,080 --> 00:46:48,600
Speaker 5: getting the good stuff. Yeah, and people are kind of

975
00:46:48,600 --> 00:46:51,080
Speaker 5: reacting to stuff you didn't see.

976
00:46:51,280 --> 00:46:53,680
Speaker 8: Yeah, and you like and you like, you know, you

977
00:46:53,719 --> 00:46:56,120
Speaker 8: feel that and you use that energy, Like I take

978
00:46:56,160 --> 00:46:58,120
Speaker 8: that energy and then I just use it to like,

979
00:46:58,920 --> 00:47:00,759
Speaker 8: you know, just like let people know that Game of

980
00:47:00,800 --> 00:47:02,160
Speaker 8: Thrones is great this season.

981
00:47:02,239 --> 00:47:03,720
Speaker 4: No spoilers, but it is great.

982
00:47:03,760 --> 00:47:04,920
Speaker 2: Are you do HBO shows?

983
00:47:05,239 --> 00:47:08,040
Speaker 8: Yeah, I mean we're branching out into talking about HBO shows,

984
00:47:08,320 --> 00:47:09,800
Speaker 8: the AC shows in the beginning.

985
00:47:09,920 --> 00:47:10,960
Speaker 2: That could be big.

986
00:47:11,520 --> 00:47:14,239
Speaker 5: Now, Jordan, I'm gonna go ahead and put myself in

987
00:47:14,280 --> 00:47:15,920
Speaker 5: the popcorn gallery for a second.

988
00:47:15,960 --> 00:47:17,759
Speaker 2: Sure, Oh that it was such a big tangent. I

989
00:47:17,800 --> 00:47:20,320
Speaker 2: forgot where where we were in the popcorn game because

990
00:47:20,360 --> 00:47:21,240
Speaker 2: I have a question.

991
00:47:21,440 --> 00:47:25,920
Speaker 5: Yeah, you've mentioned a few times, twisted tangents and stuff

992
00:47:25,920 --> 00:47:28,960
Speaker 5: like that. Do you ever get scared of just how

993
00:47:29,200 --> 00:47:32,200
Speaker 5: fucked up your mind is and all these crazy connections

994
00:47:32,200 --> 00:47:35,840
Speaker 5: you make when you're just talking and just really going

995
00:47:35,920 --> 00:47:40,080
Speaker 5: down the sort of Byzantine labyrinth that is your sinnet.

996
00:47:39,800 --> 00:47:42,720
Speaker 3: If you go too far, and what if the string

997
00:47:42,880 --> 00:47:47,240
Speaker 3: that you leave behind to find your way out is lost?

998
00:47:47,400 --> 00:47:50,000
Speaker 8: Sure, I mean that's it's absolutely a concern, you know.

999
00:47:50,080 --> 00:47:52,279
Speaker 8: And that's just like it's the tightrope we walk every

1000
00:47:52,360 --> 00:47:57,719
Speaker 8: day as podcasters, Like this conversation about what was your

1001
00:47:57,719 --> 00:48:01,680
Speaker 8: favorite cartoon in the Disney Afternoon, Like it starts in

1002
00:48:01,760 --> 00:48:05,120
Speaker 8: this place and it's already a little bit like whoa.

1003
00:48:07,800 --> 00:48:09,760
Speaker 4: Tailspin Rescue?

1004
00:48:09,880 --> 00:48:12,560
Speaker 8: I mean, see you can already feel things getting a

1005
00:48:13,400 --> 00:48:14,080
Speaker 8: totally nuts.

1006
00:48:14,160 --> 00:48:17,040
Speaker 5: And yeah, I mean that's that's the risk, you know

1007
00:48:17,080 --> 00:48:17,400
Speaker 5: what I mean.

1008
00:48:17,440 --> 00:48:21,080
Speaker 8: It's like Kudini that you could not do today because

1009
00:48:21,080 --> 00:48:24,640
Speaker 8: they were so crazy. It was just so like today,

1010
00:48:24,800 --> 00:48:26,560
Speaker 8: what were the people smoking who came up?

1011
00:48:26,640 --> 00:48:30,719
Speaker 3: Yes, exactly, But that informs the sensibility of people like

1012
00:48:30,800 --> 00:48:35,120
Speaker 3: us today who grew up with this really crazy original common.

1013
00:48:34,840 --> 00:48:37,359
Speaker 5: And that's why and that's why are our minds are

1014
00:48:37,400 --> 00:48:41,279
Speaker 5: such you know, dark caverns and and we're a bit

1015
00:48:41,440 --> 00:48:45,359
Speaker 5: like spilunkers, you know, and it's it's a rush for me,

1016
00:48:45,440 --> 00:48:46,440
Speaker 5: it's how I get off.

1017
00:48:46,840 --> 00:48:48,400
Speaker 2: But there's a lot of danger.

1018
00:48:48,920 --> 00:48:51,480
Speaker 8: I mean, I think a lot about like Houdini and

1019
00:48:51,480 --> 00:48:54,960
Speaker 8: like Chris Angel and guys like that, because like they

1020
00:48:55,040 --> 00:48:57,880
Speaker 8: never know if they're coming back, you know, like once

1021
00:48:57,880 --> 00:48:59,040
Speaker 8: they're you know.

1022
00:48:59,040 --> 00:49:01,200
Speaker 5: In the box, once they're getting turn them up inside

1023
00:49:01,239 --> 00:49:03,920
Speaker 5: by strong man, Yeah, will they ever be right side up?

1024
00:49:04,040 --> 00:49:06,000
Speaker 8: And yeah, I mean I guess I think that every

1025
00:49:06,040 --> 00:49:09,880
Speaker 8: time I have an improvised Caucasian conversation is like this

1026
00:49:09,920 --> 00:49:12,439
Speaker 8: could be my last. Like I know, probably won't die,

1027
00:49:12,480 --> 00:49:15,280
Speaker 8: but I could just go into such a dark, deep,

1028
00:49:15,800 --> 00:49:20,399
Speaker 8: labyrinthian twisted place that I mean, I might not make

1029
00:49:20,440 --> 00:49:20,719
Speaker 8: it out.

1030
00:49:20,760 --> 00:49:23,399
Speaker 4: I might have to, like you know, be taken away.

1031
00:49:23,600 --> 00:49:25,759
Speaker 5: Minotaur is at the center, you know, and when you

1032
00:49:25,920 --> 00:49:28,279
Speaker 5: do in that labyrinth, there's a minotaur in there.

1033
00:49:28,320 --> 00:49:29,960
Speaker 2: And if I don't like question.

1034
00:49:30,000 --> 00:49:30,640
Speaker 4: I love it.

1035
00:49:30,719 --> 00:49:33,640
Speaker 8: I just love content and I love, you know, just

1036
00:49:33,680 --> 00:49:35,120
Speaker 8: getting real with my fans.

1037
00:49:35,160 --> 00:49:37,160
Speaker 4: So like I think I owe them that much.

1038
00:49:37,239 --> 00:49:37,440
Speaker 5: You know.

1039
00:49:38,680 --> 00:49:40,920
Speaker 2: The minotaur has a bull's head and that makes him

1040
00:49:41,000 --> 00:49:45,680
Speaker 2: extra scary, very scary. Imagine I saw one Chris Angel

1041
00:49:45,719 --> 00:49:49,360
Speaker 2: episode of Mind Freak, you know, where he gets locked

1042
00:49:49,400 --> 00:49:51,840
Speaker 2: in a prison sal and he's naked and there's a

1043
00:49:51,880 --> 00:49:53,919
Speaker 2: bunch of there's a bunch of.

1044
00:49:53,800 --> 00:49:59,759
Speaker 5: Women outside, and he's got only a certain amount of time,

1045
00:49:59,800 --> 00:50:02,160
Speaker 5: like two hours to get on the prison cell where

1046
00:50:02,200 --> 00:50:04,040
Speaker 5: his clothes are on the other side.

1047
00:50:04,040 --> 00:50:06,120
Speaker 2: And if he doesn't, then the women are all going

1048
00:50:06,160 --> 00:50:07,200
Speaker 2: to see him, and.

1049
00:50:07,120 --> 00:50:09,480
Speaker 5: They want in boy, oh man, do they want in

1050
00:50:09,560 --> 00:50:11,640
Speaker 5: bat And there's a lot of enerviews with the women going,

1051
00:50:11,760 --> 00:50:13,920
Speaker 5: I mean getting to see Chris Angel the mind Freak

1052
00:50:14,200 --> 00:50:17,440
Speaker 5: without any clothes on, and they're so excited, and his

1053
00:50:17,560 --> 00:50:20,239
Speaker 5: bodyguards and his handlers are going like, I mean, of

1054
00:50:20,280 --> 00:50:21,719
Speaker 5: course these women want to get in.

1055
00:50:21,800 --> 00:50:23,719
Speaker 2: I mean imagine like them getting to.

1056
00:50:23,719 --> 00:50:26,040
Speaker 5: See a sneak peek at Chris Angel and see his

1057
00:50:26,360 --> 00:50:27,680
Speaker 5: whole fucking wiener.

1058
00:50:31,400 --> 00:50:35,879
Speaker 8: But anyway, it's the danger that like Chriss Angel could

1059
00:50:35,920 --> 00:50:36,879
Speaker 8: get blown to death.

1060
00:50:37,840 --> 00:50:40,680
Speaker 5: I think he's worried about that, and maybe he had

1061
00:50:40,760 --> 00:50:43,760
Speaker 5: just gotten into a relationship that was getting serious. But anyway,

1062
00:50:44,040 --> 00:50:46,200
Speaker 5: he hit a key somewhere in the cell, you know,

1063
00:50:46,560 --> 00:50:49,560
Speaker 5: and so right as the time's sticking down, he does

1064
00:50:49,600 --> 00:50:53,040
Speaker 5: manage to unlock it. But that's sort of what we're doing.

1065
00:50:54,440 --> 00:50:56,239
Speaker 5: We're almost getting exposed all the.

1066
00:50:56,200 --> 00:50:58,480
Speaker 2: Time, almost seeing our mind.

1067
00:50:59,040 --> 00:51:03,560
Speaker 8: Yeah, yes, here it is like, here are my opinions

1068
00:51:03,640 --> 00:51:04,439
Speaker 8: about And if.

1069
00:51:04,360 --> 00:51:07,320
Speaker 5: You're built like me or Chris Angel or Jordan or Hayes,

1070
00:51:07,400 --> 00:51:09,200
Speaker 5: you know it's a pretty significant risk.

1071
00:51:09,320 --> 00:51:14,719
Speaker 3: Sure, we had another question from Andy Nice. We're not

1072
00:51:14,760 --> 00:51:17,560
Speaker 3: gonna do it, but I'll just ask the question. Just

1073
00:51:17,600 --> 00:51:19,120
Speaker 3: find it in the bag and I'll just read it.

1074
00:51:19,239 --> 00:51:20,560
Speaker 3: But we won't do it because we don't have time.

1075
00:51:31,680 --> 00:51:35,520
Speaker 5: Oh my god, there was a dragon underneath the bag.

1076
00:51:38,080 --> 00:51:44,360
Speaker 2: I'm gonna eat by a fucking dragon. This question is

1077
00:51:44,360 --> 00:51:45,240
Speaker 2: from Andy Nice.

1078
00:51:45,760 --> 00:51:47,799
Speaker 3: Jordan, this isn't really a question, but could you please

1079
00:51:47,840 --> 00:51:50,160
Speaker 3: show off your acting chops and do all your best

1080
00:51:50,200 --> 00:51:52,680
Speaker 3: accents and impressions and then make Hayes and Sean.

1081
00:51:52,480 --> 00:51:55,120
Speaker 2: Do some too. Please? Thank you. That sounds like it

1082
00:51:55,160 --> 00:51:56,520
Speaker 2: could have been pretty fun.

1083
00:51:56,560 --> 00:51:58,359
Speaker 4: That would have been fun. It would have been real fun.

1084
00:51:58,560 --> 00:51:59,799
Speaker 2: I would like to see.

1085
00:52:00,280 --> 00:52:02,839
Speaker 3: Yeah, the implication that you know, our guests could make

1086
00:52:02,920 --> 00:52:05,719
Speaker 3: us do like we love you, we really think you're great,

1087
00:52:05,760 --> 00:52:07,120
Speaker 3: but that you would come on here and make us

1088
00:52:07,160 --> 00:52:08,759
Speaker 3: do something that we don't want to do, like we're

1089
00:52:09,239 --> 00:52:11,480
Speaker 3: we control the edit afterwards. Even so we could just

1090
00:52:11,480 --> 00:52:13,759
Speaker 3: take that out if we if we didn't want even if.

1091
00:52:13,680 --> 00:52:15,759
Speaker 2: You got us to do it in the room, which

1092
00:52:15,760 --> 00:52:17,000
Speaker 2: you can't no offense.

1093
00:52:17,200 --> 00:52:19,239
Speaker 8: I think what I mean, I think I mean, I

1094
00:52:19,239 --> 00:52:21,280
Speaker 8: guess I could go come at this one of two ways,

1095
00:52:21,320 --> 00:52:23,439
Speaker 8: like I could try and make you guys do it here,

1096
00:52:23,760 --> 00:52:25,800
Speaker 8: or I mean I can do it on my show

1097
00:52:25,840 --> 00:52:27,560
Speaker 8: and then like a couple of years down the road,

1098
00:52:27,640 --> 00:52:29,319
Speaker 8: you guys will be doing it on your show, just

1099
00:52:29,360 --> 00:52:32,319
Speaker 8: because like I feel like the community takes cues from us,

1100
00:52:33,000 --> 00:52:35,160
Speaker 8: and like they hear what we're doing, and then you know,

1101
00:52:35,280 --> 00:52:39,400
Speaker 8: they're you know, their little brains kind of like eventually

1102
00:52:39,440 --> 00:52:40,480
Speaker 8: are able to wrap.

1103
00:52:40,239 --> 00:52:42,680
Speaker 2: Once we figure out the technology. It's a little.

1104
00:52:42,480 --> 00:52:45,320
Speaker 4: Like like a big idea like funny voices.

1105
00:52:45,080 --> 00:52:46,040
Speaker 2: Not to nerd out.

1106
00:52:46,239 --> 00:52:49,400
Speaker 5: But it's a little like, remember, hey, get to comic on,

1107
00:52:49,800 --> 00:52:52,440
Speaker 5: You're gonna nerd out? You can you can say that

1108
00:52:52,480 --> 00:52:55,160
Speaker 5: because I know you're it's our word for each other.

1109
00:52:55,320 --> 00:52:58,200
Speaker 2: Yeah, now are n word. But it's a little bit

1110
00:52:58,400 --> 00:53:02,640
Speaker 2: like how when Coach had the.

1111
00:53:02,680 --> 00:53:05,640
Speaker 5: Story where he and his wife were trying to get

1112
00:53:05,680 --> 00:53:09,239
Speaker 5: pregnant and then you know, a year later, Murphy Brown

1113
00:53:09,280 --> 00:53:10,520
Speaker 5: maybe wants a baby too.

1114
00:53:11,200 --> 00:53:13,800
Speaker 4: What I think people took a lot of cues from coach.

1115
00:53:13,960 --> 00:53:16,600
Speaker 3: Hmmm, what a great thing. This is just just that weekend,

1116
00:53:17,360 --> 00:53:20,600
Speaker 3: just talk openly, just be among our own, you know. Yes,

1117
00:53:20,680 --> 00:53:22,600
Speaker 3: it really is nice and.

1118
00:53:22,280 --> 00:53:23,839
Speaker 2: And it must make to be together.

1119
00:53:23,800 --> 00:53:26,600
Speaker 5: Must make listeners feel a little more comfortable with who.

1120
00:53:26,520 --> 00:53:29,560
Speaker 2: They are, which is important too, they.

1121
00:53:29,440 --> 00:53:30,960
Speaker 8: Like, yeah, I mean, if there's just one kid out

1122
00:53:30,960 --> 00:53:33,680
Speaker 8: there who decides, you know, that he doesn't want to

1123
00:53:33,680 --> 00:53:37,000
Speaker 8: be Urson and then he'd rather be podcast or comedy

1124
00:53:37,120 --> 00:53:38,840
Speaker 8: or just want to be content, you know, just be

1125
00:53:38,920 --> 00:53:41,760
Speaker 8: any kind of content, whether it's you know, micro brews

1126
00:53:41,880 --> 00:53:47,040
Speaker 8: or tap us or episodes or you know, like mobile phones.

1127
00:53:48,080 --> 00:53:51,600
Speaker 3: To wander around imagine what it must be like. And

1128
00:53:51,800 --> 00:53:54,240
Speaker 3: we're so far removed from this it's hard to remember,

1129
00:53:54,280 --> 00:53:56,640
Speaker 3: but to just walk through the world thinking, am I

1130
00:53:56,719 --> 00:53:58,480
Speaker 3: the only person who likes video games?

1131
00:53:59,040 --> 00:53:59,200
Speaker 5: Is it?

1132
00:53:59,400 --> 00:53:59,480
Speaker 8: Is?

1133
00:53:59,480 --> 00:53:59,760
Speaker 2: It?

1134
00:54:00,160 --> 00:54:02,319
Speaker 4: Feel like you are? You feel like you are?

1135
00:54:03,000 --> 00:54:04,680
Speaker 2: I can really feel that way.

1136
00:54:04,560 --> 00:54:07,200
Speaker 8: Once, like, just like some brave guys are able to

1137
00:54:07,200 --> 00:54:09,759
Speaker 8: get out there and say like, hey, you know.

1138
00:54:09,920 --> 00:54:14,799
Speaker 3: Yes, brave guys who have made or have I remember, yes,

1139
00:54:15,000 --> 00:54:16,439
Speaker 3: who have proved that you.

1140
00:54:16,400 --> 00:54:19,000
Speaker 2: Can like video games and also be successful.

1141
00:54:19,120 --> 00:54:21,439
Speaker 5: Yes, and we have the right to, of course tell

1142
00:54:21,480 --> 00:54:24,200
Speaker 5: people what it is cool to like now that used

1143
00:54:24,239 --> 00:54:28,799
Speaker 5: to be uncool. Yes, because we sort of have been

1144
00:54:28,960 --> 00:54:32,000
Speaker 5: ordained as guys who are so great, and so there's

1145
00:54:32,040 --> 00:54:34,000
Speaker 5: a financial case if I'm to that as well, if

1146
00:54:34,000 --> 00:54:37,160
Speaker 5: I'm yes, we have fucking shit tons of dough. But

1147
00:54:37,320 --> 00:54:40,480
Speaker 5: if I'm saying it's a whole lot of doseve baby,

1148
00:54:40,640 --> 00:54:44,120
Speaker 5: if I'm saying something maybe that I realize in therapy

1149
00:54:44,239 --> 00:54:47,160
Speaker 5: or something, maybe that is a pretty trite and obvious

1150
00:54:47,200 --> 00:54:50,840
Speaker 5: observation because it's been said many times by other people.

1151
00:54:50,840 --> 00:54:54,080
Speaker 5: It's like, right, other people didn't get said by me

1152
00:54:54,320 --> 00:54:56,920
Speaker 5: or by Hayes or by Jordan, the people who are

1153
00:54:56,960 --> 00:54:59,600
Speaker 5: actually important because you kind of enjoyed something we did

1154
00:54:59,600 --> 00:55:02,520
Speaker 5: comt Yes, what would it sound like if we said that,

1155
00:55:02,640 --> 00:55:04,040
Speaker 5: you know what I did that web videos?

1156
00:55:04,040 --> 00:55:07,239
Speaker 8: I like to feel a real kinship with the electronic

1157
00:55:07,360 --> 00:55:11,440
Speaker 8: mashup artist girl talk, because like he's making something new

1158
00:55:11,440 --> 00:55:13,600
Speaker 8: out of other stuff. And yeah, I guess I didn't like.

1159
00:55:13,640 --> 00:55:16,920
Speaker 8: I didn't invent Mortal Kombat too. I didn't invent the

1160
00:55:17,000 --> 00:55:24,160
Speaker 8: idea of leaning in fatality. Member, Oh man, you remembered that,

1161
00:55:24,280 --> 00:55:27,160
Speaker 8: and I like you now because that's also something I remember.

1162
00:55:27,920 --> 00:55:31,000
Speaker 3: Jordan, Thank you so much for being so honest and

1163
00:55:31,080 --> 00:55:35,600
Speaker 3: so raw with us today. We would like to ask

1164
00:55:35,680 --> 00:55:40,080
Speaker 3: our listeners to rate us on iTunes and to and

1165
00:55:40,120 --> 00:55:42,640
Speaker 3: to like us on the forums if you liked what

1166
00:55:42,719 --> 00:55:47,080
Speaker 3: you heard today and if it made you feel special

1167
00:55:47,239 --> 00:55:51,120
Speaker 3: and like you have good friends. We would also like

1168
00:55:51,160 --> 00:55:54,680
Speaker 3: you to buy the pro version of our of our podcast,

1169
00:55:55,160 --> 00:55:59,000
Speaker 3: which is where you get real, real good information and

1170
00:55:59,719 --> 00:56:01,120
Speaker 3: other nice things as.

1171
00:56:00,920 --> 00:56:05,560
Speaker 5: A reward to Andrew who did buy the pro version. Yes,

1172
00:56:06,320 --> 00:56:11,440
Speaker 5: Jordan is going to relay the uh plot of one of.

1173
00:56:11,400 --> 00:56:12,720
Speaker 2: His favorite episodes of Coach.

1174
00:56:12,840 --> 00:56:15,480
Speaker 5: He's going to talk about what Dabber did and some

1175
00:56:15,560 --> 00:56:16,800
Speaker 5: of the other things that happened.

1176
00:56:17,400 --> 00:56:19,719
Speaker 8: Okay, so yeah, I mean I think, oh god, I

1177
00:56:19,719 --> 00:56:21,640
Speaker 8: mean which episode of Coach to pick? I mean, there's

1178
00:56:21,680 --> 00:56:23,600
Speaker 8: just so many to you, you know. Do you do

1179
00:56:23,680 --> 00:56:26,400
Speaker 8: the single coach days? Do you do the married coach days?

1180
00:56:26,560 --> 00:56:28,839
Speaker 8: I mean, I think I want to go with like

1181
00:56:29,239 --> 00:56:35,239
Speaker 8: season five, episode eleven, Dahber's Big Day. And this was

1182
00:56:35,320 --> 00:56:39,440
Speaker 8: really like a great Dabber episode because Dobber met a

1183
00:56:39,480 --> 00:56:44,479
Speaker 8: woman who thought he was a contractor, but Doabber thought

1184
00:56:44,520 --> 00:56:47,040
Speaker 8: she was hitting on him, and he goes to coach

1185
00:56:47,320 --> 00:56:50,279
Speaker 8: and he realizes this and he wants to fix her

1186
00:56:50,320 --> 00:56:53,400
Speaker 8: deck anyways, and he has to have a crash course

1187
00:56:53,640 --> 00:56:57,239
Speaker 8: in handymanning from the c Man And it's just great

1188
00:56:57,239 --> 00:57:00,360
Speaker 8: because like Doahber, you know, like he's not good with

1189
00:57:00,440 --> 00:57:05,080
Speaker 8: his hands, and he's a sweet guy, so you're rooting

1190
00:57:05,080 --> 00:57:06,719
Speaker 8: for him. You want him to finish this deck and

1191
00:57:06,719 --> 00:57:12,080
Speaker 8: eventually fuck this woman played by a pre friends Courtney Cox.

1192
00:57:13,239 --> 00:57:14,799
Speaker 8: It was a little bit of a made de simber thing,

1193
00:57:14,840 --> 00:57:18,640
Speaker 8: and I think it made some people uncomfortable that Jerry

1194
00:57:18,720 --> 00:57:21,360
Speaker 8: Van Dyke was trying to fuck a nineteen year old

1195
00:57:21,400 --> 00:57:21,920
Speaker 8: Courtney Cox.

1196
00:57:22,240 --> 00:57:26,400
Speaker 2: Van Dyke's not Dauber. Bye.

1197
00:57:30,400 --> 00:57:33,400
Speaker 6: This has been an Earwolf Media production executive producers Jeff

1198
00:57:33,440 --> 00:57:45,760
Speaker 6: Ulrick and Scott Ackerman. For more information, visit Earwolf dot com.

1199
00:57:41,160 --> 00:57:51,800
Speaker 2: Ear Wolf Radio, Boom dot com. The Worlf Dead