1 00:00:00,880 --> 00:00:03,160 Speaker 1: Morocca is here. Hi, Mo, how you doing. 2 00:00:03,279 --> 00:00:07,080 Speaker 2: I'm doing great. I mean, it's justin timber Lake. What's 3 00:00:07,080 --> 00:00:07,840 Speaker 2: gonna happen to him? 4 00:00:08,080 --> 00:00:10,719 Speaker 1: It's a brand new song and it has never been heard. 5 00:00:11,039 --> 00:00:13,760 Speaker 1: A matter of fact, we'll interrupt our time with Morocca 6 00:00:13,800 --> 00:00:16,120 Speaker 1: to play a song that would be exciting. 7 00:00:16,680 --> 00:00:19,280 Speaker 2: That would be exciting, and then when people relive the moment, 8 00:00:19,640 --> 00:00:22,480 Speaker 2: you'll see the tail end of my interview as it 9 00:00:22,520 --> 00:00:25,080 Speaker 2: breaks in. It's going to be an interrupt. 10 00:00:24,720 --> 00:00:26,560 Speaker 1: For the Justin Timberlake release. It's going to be in 11 00:00:26,560 --> 00:00:28,840 Speaker 1: the Broadcast museum before the end of year. 12 00:00:28,880 --> 00:00:31,560 Speaker 2: It will be and people, what was Morocca talking about? 13 00:00:32,080 --> 00:00:34,400 Speaker 2: Or who is that guy before justin Timberlake. 14 00:00:34,640 --> 00:00:36,839 Speaker 1: Well, first and foremost, Morocca is a good friend of 15 00:00:36,880 --> 00:00:38,680 Speaker 1: the show, and we're all We always love when you're 16 00:00:38,680 --> 00:00:41,320 Speaker 1: here because we always feel like you leave this room 17 00:00:41,400 --> 00:00:46,120 Speaker 1: smarter and engaged in the need to learn more about 18 00:00:46,240 --> 00:00:48,839 Speaker 1: everything we talk about. And I think that's a compliment. 19 00:00:49,000 --> 00:00:49,599 Speaker 1: Well it is. 20 00:00:49,640 --> 00:00:52,080 Speaker 2: And did you complete the assignment from my last visit? 21 00:00:52,360 --> 00:00:52,680 Speaker 1: Oh? 22 00:00:54,400 --> 00:00:55,120 Speaker 2: Do you tell me? 23 00:00:58,920 --> 00:00:59,080 Speaker 3: So? 24 00:00:59,360 --> 00:01:01,560 Speaker 1: We have many layers we need to peel off here. 25 00:01:01,640 --> 00:01:06,160 Speaker 1: Let's start with Celebrity Jeopardy two nights ago. We all 26 00:01:06,280 --> 00:01:08,880 Speaker 1: know our money was on Morocco h and we just 27 00:01:08,920 --> 00:01:11,800 Speaker 1: but you know what, sometimes it has it's not only 28 00:01:11,880 --> 00:01:14,280 Speaker 1: knowledge that gets you through to the end and to win. 29 00:01:14,360 --> 00:01:17,080 Speaker 1: It's also timing and what questions you get, what are 30 00:01:17,120 --> 00:01:17,600 Speaker 1: your thoughts? 31 00:01:17,720 --> 00:01:21,120 Speaker 2: Well, it's the buzzer, but it's also knowledge. Because I 32 00:01:21,160 --> 00:01:24,640 Speaker 2: have to say I left that taping, and first of all, 33 00:01:24,680 --> 00:01:27,800 Speaker 2: I just have to say, this was taped a while ago. 34 00:01:28,360 --> 00:01:30,800 Speaker 2: It is miraculous to me in this day and age, 35 00:01:30,840 --> 00:01:32,080 Speaker 2: that the results didn't leak. 36 00:01:32,319 --> 00:01:34,320 Speaker 4: Well they may have a little bit. 37 00:01:34,480 --> 00:01:37,119 Speaker 1: Oh really, you didn't hear what happened? Oh well, yes 38 00:01:37,280 --> 00:01:37,640 Speaker 1: I did. 39 00:01:37,720 --> 00:01:43,640 Speaker 2: I did kimmel, Yes, okay, right, the so that to 40 00:01:43,680 --> 00:01:46,840 Speaker 2: me was kind of astonishing. But I had no clue 41 00:01:46,959 --> 00:01:49,440 Speaker 2: what that final answer was. And I remember as soon 42 00:01:49,440 --> 00:01:51,480 Speaker 2: as the taping end did I thought, I don't have 43 00:01:51,520 --> 00:01:53,800 Speaker 2: to be tortured about this, because if I had had 44 00:01:53,800 --> 00:01:56,800 Speaker 2: an inkling, if I had like two or three different ideas, 45 00:01:56,800 --> 00:01:59,280 Speaker 2: if I thought, oh is it this, or that I 46 00:01:59,320 --> 00:02:00,280 Speaker 2: had no what. 47 00:02:00,320 --> 00:02:02,600 Speaker 1: Was it remind everyone, maybe maybe people who didn't watch, 48 00:02:02,640 --> 00:02:04,520 Speaker 1: what the answer was in the question. 49 00:02:04,600 --> 00:02:09,840 Speaker 2: Yeah, the clue was Many people blame the nineteen twenty 50 00:02:09,960 --> 00:02:13,920 Speaker 2: five novel mystery novel by Mary somebody or other for 51 00:02:14,000 --> 00:02:20,040 Speaker 2: the ForWord phrase based on a servant killing a nurse. 52 00:02:20,360 --> 00:02:22,800 Speaker 2: I think it was something like that. I mean, I 53 00:02:22,960 --> 00:02:25,480 Speaker 2: was just I had no idea. 54 00:02:25,520 --> 00:02:27,399 Speaker 1: All right, well, time out for the room. Who has 55 00:02:27,440 --> 00:02:27,919 Speaker 1: the question? 56 00:02:29,400 --> 00:02:33,680 Speaker 2: I have no what was the category literary cliches? 57 00:02:34,240 --> 00:02:34,560 Speaker 1: To go? 58 00:02:35,520 --> 00:02:35,800 Speaker 3: Okay? 59 00:02:36,200 --> 00:02:40,520 Speaker 4: All right, so thirty seconds there was a foreword phrase 60 00:02:40,800 --> 00:02:44,160 Speaker 4: based on a mystery novel from the night. 61 00:02:44,200 --> 00:02:46,320 Speaker 2: I think they said like nineteen twenty five, the nineteen 62 00:02:46,320 --> 00:02:54,040 Speaker 2: twenties used to describe I think a or in response 63 00:02:54,080 --> 00:02:57,040 Speaker 2: to a servant killing. Oh here it is. Many mystery 64 00:02:57,080 --> 00:02:59,800 Speaker 2: fans blamed the door. Okay, I've really misremembered to this. 65 00:03:00,040 --> 00:03:02,799 Speaker 2: Many mystery fans blame the Door, a nineteen thirty Mary 66 00:03:02,880 --> 00:03:06,760 Speaker 2: Roberts Reinhardt novel in which a servant kills a nurse, 67 00:03:07,160 --> 00:03:10,800 Speaker 2: for this foreword cliche. Honestly, if any of you know 68 00:03:10,840 --> 00:03:11,360 Speaker 2: it's say it. 69 00:03:11,639 --> 00:03:13,680 Speaker 1: Well, so I saw it, so I know I know 70 00:03:13,760 --> 00:03:15,280 Speaker 1: the question. Any of you guys know? 71 00:03:15,560 --> 00:03:19,520 Speaker 2: No, the question was the butt? What is the butler 72 00:03:19,560 --> 00:03:24,240 Speaker 2: did it? But I didn't even have that reaction. I 73 00:03:24,320 --> 00:03:27,079 Speaker 2: was like, oh okay, and I kept thinking the hand 74 00:03:27,160 --> 00:03:29,240 Speaker 2: that rocks the Cradle, and I was like, that's more 75 00:03:29,280 --> 00:03:31,840 Speaker 2: than four words. I had no clue, and all I 76 00:03:31,919 --> 00:03:35,040 Speaker 2: kept thinking is literary cliche. I just wish it were 77 00:03:35,080 --> 00:03:37,360 Speaker 2: seized the day. It's all I was looking. There's three 78 00:03:37,360 --> 00:03:40,760 Speaker 2: words exactly. So I was let me Cake, I don't know. 79 00:03:42,240 --> 00:03:42,360 Speaker 1: Cake. 80 00:03:42,400 --> 00:03:43,960 Speaker 2: A friend of mine wrote and so that they would 81 00:03:43,960 --> 00:03:48,720 Speaker 2: have answered he had it coming okay from the musical Chicago. 82 00:03:49,440 --> 00:03:51,800 Speaker 2: But yeah, And then when I looked back, I realized, Okay, 83 00:03:51,800 --> 00:03:54,240 Speaker 2: I guess servant was because I think when they write 84 00:03:54,240 --> 00:03:57,040 Speaker 2: the clues that there's like one word that you really 85 00:03:57,040 --> 00:04:00,240 Speaker 2: should hone in on and servant. But even then, I'm I'm. 86 00:04:00,120 --> 00:04:02,720 Speaker 1: Not sure the butler did it. Yeah, well anyway, what 87 00:04:02,840 --> 00:04:05,080 Speaker 1: was the butler did it? Hey? So you have questions 88 00:04:05,120 --> 00:04:09,800 Speaker 1: Gandhi about how to play the actual on set game 89 00:04:09,880 --> 00:04:10,640 Speaker 1: of Jeopardy. 90 00:04:10,640 --> 00:04:12,720 Speaker 4: I have a million of these questions. My goal is 91 00:04:12,760 --> 00:04:14,560 Speaker 4: one day to be on Jeopardy. That's all I want 92 00:04:14,600 --> 00:04:17,120 Speaker 4: to do in my life so badly. So one how 93 00:04:17,120 --> 00:04:19,279 Speaker 4: many do they film in a row? How many episodes? 94 00:04:19,800 --> 00:04:22,920 Speaker 2: So in my case, they did cho they did the 95 00:04:23,000 --> 00:04:26,320 Speaker 2: quarterfinal in the semifinal in the same day. Was I mean, 96 00:04:26,360 --> 00:04:30,360 Speaker 2: this is an business schools should send students to study 97 00:04:30,400 --> 00:04:33,200 Speaker 2: how the show operates, telling you it is such a 98 00:04:33,320 --> 00:04:36,720 Speaker 2: smooth operation. I'm not surprised that people stay on staff 99 00:04:36,720 --> 00:04:38,599 Speaker 2: there for twenty thirty years. I mean it's like a 100 00:04:38,640 --> 00:04:41,560 Speaker 2: really it appears to be a really happy place to work, 101 00:04:41,760 --> 00:04:44,080 Speaker 2: very efficiently run, very smooth. But anyway, yeah, so in 102 00:04:44,080 --> 00:04:45,880 Speaker 2: my case it was two, but I think for the 103 00:04:45,920 --> 00:04:49,120 Speaker 2: syndicated the regular Jeopardy, I think he does I don't know. 104 00:04:49,200 --> 00:04:50,760 Speaker 2: I think he might do four and a doubt. 105 00:04:51,000 --> 00:04:51,320 Speaker 1: Wow. 106 00:04:51,560 --> 00:04:54,040 Speaker 4: And how how tricky is the buzzer because you see 107 00:04:54,040 --> 00:04:55,120 Speaker 4: people holding it and they're. 108 00:04:54,960 --> 00:04:59,240 Speaker 2: Like, yeah, so the buzzer. Here's the trick about the buzzer. 109 00:05:00,120 --> 00:05:04,080 Speaker 2: If you buzz into soon, you freeze for a quarter 110 00:05:04,120 --> 00:05:07,240 Speaker 2: of a second, which is actually a long time, And 111 00:05:07,320 --> 00:05:11,000 Speaker 2: so you have to wait until he finishes giving the 112 00:05:11,080 --> 00:05:15,200 Speaker 2: clue and then a light comes on. The problem is, 113 00:05:15,560 --> 00:05:17,280 Speaker 2: it seems to me and I think Lisa Ann and 114 00:05:17,360 --> 00:05:20,040 Speaker 2: Katie who were the other two and Lisa and one, 115 00:05:20,320 --> 00:05:22,479 Speaker 2: I think they probably agree with this. If you wait 116 00:05:22,520 --> 00:05:24,800 Speaker 2: for the light to go on, you're already late. So 117 00:05:24,839 --> 00:05:27,159 Speaker 2: you have to sort of what I was doing was 118 00:05:27,200 --> 00:05:31,080 Speaker 2: reading the clue along with Ken because it's up there obviously, 119 00:05:31,560 --> 00:05:34,560 Speaker 2: and then anticipating sort of the cadence of his voice 120 00:05:35,000 --> 00:05:37,320 Speaker 2: that when that last word is sort of going to 121 00:05:37,560 --> 00:05:39,680 Speaker 2: land and then the light is going to go on. 122 00:05:40,360 --> 00:05:42,240 Speaker 2: So then you're that's what I was doing. I could 123 00:05:42,240 --> 00:05:42,600 Speaker 2: be wrong. 124 00:05:42,800 --> 00:05:43,000 Speaker 1: Now. 125 00:05:43,680 --> 00:05:47,920 Speaker 2: My greatest disappointment, it really is that I think I 126 00:05:47,960 --> 00:05:49,960 Speaker 2: was dressed really well and I think my hair looked 127 00:05:49,960 --> 00:05:53,880 Speaker 2: really great. But I had like that I had like 128 00:05:53,960 --> 00:05:56,000 Speaker 2: that what is it the thing they used to call it, 129 00:05:56,000 --> 00:05:58,680 Speaker 2: like the white guy overbite dancing like that, I. 130 00:05:58,600 --> 00:06:00,720 Speaker 1: Had that it's the white guy over by damn sair. 131 00:06:00,920 --> 00:06:07,039 Speaker 2: Yeah, I had that like I was nerdy and. 132 00:06:08,520 --> 00:06:09,920 Speaker 1: But that is so unattractive. 133 00:06:09,960 --> 00:06:11,960 Speaker 2: And Lisa Anna kit and they also and I was 134 00:06:11,960 --> 00:06:13,080 Speaker 2: like this with my bets. 135 00:06:12,920 --> 00:06:17,560 Speaker 1: Like and it looks lip. Yeah, I was biting my lip. 136 00:06:17,640 --> 00:06:20,279 Speaker 2: And then Katie from you know she's a sports person 137 00:06:20,560 --> 00:06:23,000 Speaker 2: hers she did the thing like behind the back, like 138 00:06:23,040 --> 00:06:28,039 Speaker 2: she was like, what is carbon? And Lisa Anne also 139 00:06:28,120 --> 00:06:30,839 Speaker 2: had it like really cool and chill because some people 140 00:06:30,920 --> 00:06:33,960 Speaker 2: actually go behind and I'm like, I'm afraid I would 141 00:06:34,040 --> 00:06:36,800 Speaker 2: drop the buzzer or would get lost or something, so 142 00:06:36,839 --> 00:06:38,159 Speaker 2: I'm like I need to be looking at it. 143 00:06:38,240 --> 00:06:42,640 Speaker 5: But questions because I was on the weakest link. Back 144 00:06:42,640 --> 00:06:45,159 Speaker 5: in the day, I was voted off from let me 145 00:06:45,200 --> 00:06:49,040 Speaker 5: tell you when the lights come on and it's it's 146 00:06:49,080 --> 00:06:52,720 Speaker 5: hot up there, whenever some kind of like nerve hit 147 00:06:52,839 --> 00:06:55,280 Speaker 5: you where you just freeze and you get like, I 148 00:06:55,320 --> 00:06:57,880 Speaker 5: don't even know how you get the answers out. 149 00:06:57,760 --> 00:07:00,000 Speaker 1: Which it's like being in an airport. Your IQ level 150 00:07:00,120 --> 00:07:00,600 Speaker 1: goes down. 151 00:07:00,800 --> 00:07:04,760 Speaker 2: Well, true, weird things happen mentally, so something's go into 152 00:07:04,760 --> 00:07:10,200 Speaker 2: slow motion. So for instance, when I had a dramatic 153 00:07:10,240 --> 00:07:13,440 Speaker 2: I would say Daily Double towards the end, and I 154 00:07:13,480 --> 00:07:15,720 Speaker 2: could see that it without a lower dollar value, which 155 00:07:15,720 --> 00:07:17,200 Speaker 2: is one of the reasons I was willing to bet 156 00:07:17,200 --> 00:07:18,800 Speaker 2: at all, because I thought, it's not going to be 157 00:07:18,840 --> 00:07:22,520 Speaker 2: that hard a question comparatively, and the answer, I mean, 158 00:07:22,560 --> 00:07:24,360 Speaker 2: I feel like it's been on long enough. I'm not 159 00:07:24,400 --> 00:07:26,080 Speaker 2: spoiling it for people, as I know some people find 160 00:07:26,080 --> 00:07:29,840 Speaker 2: it on Hulu. But the answer was ken Burns. And 161 00:07:30,000 --> 00:07:32,520 Speaker 2: I've watched most of the ken Burns and ken Burns 162 00:07:32,560 --> 00:07:36,560 Speaker 2: is very famous. But when his picture came up, it 163 00:07:36,640 --> 00:07:39,840 Speaker 2: was a video Daily Double. I in that tenth of 164 00:07:39,880 --> 00:07:43,240 Speaker 2: a second I panicked because I went, I know who 165 00:07:43,280 --> 00:07:45,800 Speaker 2: this is and I can't remember, and I can tell 166 00:07:45,800 --> 00:07:49,120 Speaker 2: you all the steps I went through in less than 167 00:07:49,120 --> 00:07:51,840 Speaker 2: a second to come to the answer. It's really interesting, 168 00:07:52,080 --> 00:07:59,640 Speaker 2: So visual cues come on. So when they said Rebel's Bolero, 169 00:08:00,400 --> 00:08:04,040 Speaker 2: it was made most famous under the classical music classical 170 00:08:04,120 --> 00:08:07,920 Speaker 2: musical category, classical music category, it is made most famous 171 00:08:07,960 --> 00:08:12,840 Speaker 2: for this Dudley Moore movie. And I immediately remembered that 172 00:08:12,920 --> 00:08:15,680 Speaker 2: only last year my partner and I had watched Ten. 173 00:08:15,760 --> 00:08:17,400 Speaker 2: I'd never seen the movie ten because when I was 174 00:08:17,400 --> 00:08:18,920 Speaker 2: growing up it was too racy for my. 175 00:08:18,920 --> 00:08:19,760 Speaker 1: Parents wouldn't allow me. 176 00:08:19,840 --> 00:08:24,040 Speaker 2: Oh, Derek, yeah, and because I might otherwise have said Arthur, 177 00:08:24,480 --> 00:08:26,400 Speaker 2: just if they had said, you know, a Dudley Moore movie. 178 00:08:26,600 --> 00:08:31,560 Speaker 2: And but anyway, and maybe maybe they but so things 179 00:08:31,760 --> 00:08:32,360 Speaker 2: like that happen. 180 00:08:32,520 --> 00:08:36,360 Speaker 1: But you're right that you do. You do free down well, 181 00:08:36,400 --> 00:08:38,440 Speaker 1: coming up. I want to play you the sound of 182 00:08:38,600 --> 00:08:45,000 Speaker 1: Danielle on the weeks, all the week saying goodbye. And 183 00:08:45,040 --> 00:08:49,440 Speaker 1: I want I want a total, total fresh perspective on 184 00:08:49,559 --> 00:08:52,199 Speaker 1: what it's like to be backstage at jingle Ball, because 185 00:08:52,240 --> 00:08:54,959 Speaker 1: Morocco was there, and I want to hear what you 186 00:08:55,240 --> 00:08:58,840 Speaker 1: don't tell me now. I want you to tell us 187 00:08:58,840 --> 00:09:00,960 Speaker 1: what we would come back, because I want to what 188 00:09:01,200 --> 00:09:03,240 Speaker 1: you saw, what you felt back there, because it's it's 189 00:09:03,240 --> 00:09:05,080 Speaker 1: an interesting place to be and not many people are 190 00:09:05,080 --> 00:09:05,760 Speaker 1: allowed to be there. 191 00:09:05,840 --> 00:09:07,800 Speaker 2: Well, I'm glad we have a little chime so I 192 00:09:07,840 --> 00:09:10,200 Speaker 2: can figure out how to state this diplomatic. 193 00:09:10,320 --> 00:09:16,320 Speaker 1: Okay, a push that button right here, button there is. 194 00:09:17,559 --> 00:09:20,560 Speaker 1: I'll tell you what. Let's play the new Justin Timberlake song. 195 00:09:20,760 --> 00:09:23,400 Speaker 2: Oh it's happening now, but I want you to announce it. 196 00:09:23,520 --> 00:09:24,719 Speaker 1: Okay. Have you ever been on the race. Have you 197 00:09:24,720 --> 00:09:27,079 Speaker 1: ever done like a radio show with music? 198 00:09:27,440 --> 00:09:27,599 Speaker 3: You know? 199 00:09:28,000 --> 00:09:31,440 Speaker 2: And I've never done a music breaking news alert? 200 00:09:31,520 --> 00:09:33,440 Speaker 1: Okay, well, well it's not really that. You get to 201 00:09:33,480 --> 00:09:36,360 Speaker 1: intro the song. You only have nine seconds. It's the 202 00:09:36,440 --> 00:09:39,480 Speaker 1: brand new Justin Timberlake song called Selfish. 203 00:09:39,600 --> 00:09:41,679 Speaker 2: Okay, and so I've got nine seconds to do it. 204 00:09:41,840 --> 00:09:44,040 Speaker 1: Are you ready? Sure? 205 00:09:44,080 --> 00:09:48,040 Speaker 2: And I go okay, So here it is, folks, it's happening. 206 00:09:48,080 --> 00:09:51,520 Speaker 2: It's Justin Timberlake. He's being generous, he's being selfless by 207 00:09:51,520 --> 00:09:53,240 Speaker 2: giving us Selfish. 208 00:09:53,280 --> 00:09:56,920 Speaker 1: Oh look at the song that Morocca brought us today, 209 00:09:56,960 --> 00:10:00,520 Speaker 1: the world premiere of Selfish from Justin Timberlake. You really 210 00:10:00,640 --> 00:10:01,640 Speaker 1: you hit it on that entro? 211 00:10:01,880 --> 00:10:02,000 Speaker 3: Oh? 212 00:10:02,040 --> 00:10:05,440 Speaker 2: Well, you know, I anytime I introduced it. Justin Timberlake 213 00:10:05,679 --> 00:10:08,520 Speaker 2: new Release. I want to make sure that it goes 214 00:10:08,720 --> 00:10:09,320 Speaker 2: very smoothly. 215 00:10:09,679 --> 00:10:10,040 Speaker 3: You did. 216 00:10:11,160 --> 00:10:13,120 Speaker 1: That was beautifully done. 217 00:10:12,760 --> 00:10:14,679 Speaker 2: And it would have been for me to talk over 218 00:10:14,800 --> 00:10:19,320 Speaker 2: his intro right. His lyrics would have been well selfish. 219 00:10:18,880 --> 00:10:24,520 Speaker 1: I know exactly, so real quick, Danielle on the weakest link, 220 00:10:24,800 --> 00:10:25,880 Speaker 1: I won't play it if you don't want me to 221 00:10:25,880 --> 00:10:26,160 Speaker 1: play it. 222 00:10:26,160 --> 00:10:28,280 Speaker 5: It's because it's the easiest question in the world that 223 00:10:28,360 --> 00:10:28,840 Speaker 5: I got. 224 00:10:28,640 --> 00:10:31,360 Speaker 1: It Froze in math? How much is two percent of 225 00:10:31,400 --> 00:10:37,319 Speaker 1: one hundred? I'm so bad of math? No too, Jeff. 226 00:10:37,800 --> 00:10:41,199 Speaker 2: The medical condition brady cardia occurs to which human organ 227 00:10:41,960 --> 00:10:42,440 Speaker 2: the heart? 228 00:10:42,679 --> 00:10:43,560 Speaker 1: Correct? Thank you? 229 00:10:43,600 --> 00:10:48,120 Speaker 4: What is the brightest star in our solar system? 230 00:10:49,280 --> 00:10:50,000 Speaker 1: Twinkle Twinkle? 231 00:10:52,679 --> 00:10:55,120 Speaker 4: You should get parts for creativity, daniel Twinkle Twinkle. 232 00:10:55,960 --> 00:10:58,880 Speaker 1: The star is right? Is the Twinkle Twinkle little star? 233 00:10:59,120 --> 00:11:01,680 Speaker 1: It's pretty bright. It is very very bright. 234 00:11:01,800 --> 00:11:02,280 Speaker 3: I like it. 235 00:11:02,360 --> 00:11:05,319 Speaker 2: But you went in there expecting the Breda cardia question. 236 00:11:05,480 --> 00:11:09,600 Speaker 1: Thank you. 237 00:11:09,679 --> 00:11:13,360 Speaker 5: Something. They told us to study New York trivia. They 238 00:11:13,400 --> 00:11:14,800 Speaker 5: said it was going to be an all New York 239 00:11:14,840 --> 00:11:17,280 Speaker 5: trivia show. So I said, okay, So I studied a 240 00:11:17,320 --> 00:11:19,800 Speaker 5: whole bunch of New York trivia. I'm the only one 241 00:11:19,840 --> 00:11:20,520 Speaker 5: that didn't get. 242 00:11:20,400 --> 00:11:21,720 Speaker 2: The New York question. 243 00:11:21,840 --> 00:11:23,360 Speaker 1: We're going to give you a New York Trivia comments. 244 00:11:24,240 --> 00:11:25,560 Speaker 1: By the way, can we go back to that Justin 245 00:11:25,559 --> 00:11:27,800 Speaker 1: Timberlake song? There you go right out of the box. 246 00:11:27,880 --> 00:11:30,040 Speaker 1: Here he is. He's been to a lot of weird 247 00:11:30,480 --> 00:11:34,640 Speaker 1: stories of late dealing with his relationship back in the 248 00:11:34,679 --> 00:11:36,960 Speaker 1: day with Britney Spears and this and that, and he 249 00:11:37,080 --> 00:11:39,360 Speaker 1: sort of disappeared into the into the bushes for a 250 00:11:39,400 --> 00:11:42,520 Speaker 1: few minutes. He comes back out with this album. Care 251 00:11:42,559 --> 00:11:45,320 Speaker 1: to comment? I mean, it's interesting what these artists do. 252 00:11:45,880 --> 00:11:46,880 Speaker 1: And you know, I don't know. 253 00:11:47,120 --> 00:11:49,280 Speaker 4: Well, I love Justin Timberlake and that seems like classic 254 00:11:49,440 --> 00:11:51,320 Speaker 4: Justin Timberlake to me. I don't think there was anything 255 00:11:51,320 --> 00:11:52,559 Speaker 4: like crazy different about it. 256 00:11:52,520 --> 00:11:54,839 Speaker 1: But I like that. Yeah, we like it. And Moe 257 00:11:55,000 --> 00:11:58,400 Speaker 1: Raka announced it. 258 00:11:58,559 --> 00:12:02,920 Speaker 2: He is a crazy talented guy Timberlake and I have 259 00:12:03,440 --> 00:12:06,080 Speaker 2: missed him right because I think he's kind of one 260 00:12:06,160 --> 00:12:09,000 Speaker 2: of the closest in terms of multi talented, like a 261 00:12:09,080 --> 00:12:11,559 Speaker 2: Sammy Davis Junior is kind of crazy. 262 00:12:11,600 --> 00:12:14,000 Speaker 1: How talented he dances. 263 00:12:14,040 --> 00:12:19,000 Speaker 5: He sings this weekend, I can whatever he does sn 264 00:12:19,080 --> 00:12:20,080 Speaker 5: L it's always the best. 265 00:12:20,440 --> 00:12:21,839 Speaker 1: Yeah, And of course he'll spend a lot of time 266 00:12:21,840 --> 00:12:24,040 Speaker 1: with Fallon because they're best friends anyway. So there you go. 267 00:12:24,080 --> 00:12:26,520 Speaker 1: We'll play it again in a few minutes. So jingle 268 00:12:26,559 --> 00:12:31,240 Speaker 1: Ball Madison Square Garden, Uh of course, uh mo of course, 269 00:12:31,320 --> 00:12:35,840 Speaker 1: representing CBS Sunday Morning. They're doing a segment about music 270 00:12:35,920 --> 00:12:38,840 Speaker 1: and whether you is it okay to talk about that? 271 00:12:39,280 --> 00:12:41,559 Speaker 2: Well, I mean, let's see how it goes. 272 00:12:43,400 --> 00:12:43,800 Speaker 1: With you. 273 00:12:44,280 --> 00:12:46,400 Speaker 2: Then we'll see you know what direction the segment goes. 274 00:12:46,400 --> 00:12:51,720 Speaker 1: Okay, we have yeah, exactly, Okay, what can I just say? 275 00:12:51,760 --> 00:12:53,839 Speaker 1: I grew up watching Sunday Morning. See been a Sunday 276 00:12:53,880 --> 00:12:56,840 Speaker 1: Morning since I was. It's my It's the in my opinion, 277 00:12:56,880 --> 00:13:01,600 Speaker 1: best best on television, the best. And the stories are 278 00:13:01,679 --> 00:13:05,679 Speaker 1: just so well written, curated, and the pace of the 279 00:13:05,720 --> 00:13:09,440 Speaker 1: story telling is just perfect. And having Moroca on there 280 00:13:09,440 --> 00:13:11,880 Speaker 1: doing it. I'm going to butter your biscuit is just 281 00:13:11,920 --> 00:13:14,200 Speaker 1: an amazing thing because you really fit that show more 282 00:13:14,200 --> 00:13:17,760 Speaker 1: than great can fit. All right, whatever that means. Okay, 283 00:13:18,240 --> 00:13:22,319 Speaker 1: So I'm like, we may do a story about you 284 00:13:22,440 --> 00:13:26,520 Speaker 1: and your career whatever. I'm like, okay, let's do it. There. 285 00:13:26,800 --> 00:13:29,680 Speaker 1: They bring their cameras to jingle Ball to get the 286 00:13:29,720 --> 00:13:34,560 Speaker 1: ball rolling, so Moraca backstage with you know, crazy jingle 287 00:13:34,600 --> 00:13:38,560 Speaker 1: ball backstage? Are we going on? Like, what's it like 288 00:13:38,640 --> 00:13:41,360 Speaker 1: being back there when you're just observing like you were 289 00:13:41,400 --> 00:13:42,080 Speaker 1: doing well? 290 00:13:42,120 --> 00:13:44,640 Speaker 2: I mean, first and foremost, and this is gonna I 291 00:13:44,679 --> 00:13:47,520 Speaker 2: hope this doesn't for people. It shouldn't. But first of 292 00:13:47,600 --> 00:13:50,440 Speaker 2: what struck me first and foremost is the love for you. 293 00:13:50,600 --> 00:13:54,080 Speaker 2: I'm serious, like and because obviously your position in the 294 00:13:54,120 --> 00:13:57,080 Speaker 2: industry and in this ball, I mean the comfort that 295 00:13:57,120 --> 00:13:59,760 Speaker 2: everyone has with you. So I wanted you to be 296 00:13:59,800 --> 00:14:01,800 Speaker 2: a little bit more of a diva. I have to 297 00:14:01,800 --> 00:14:04,600 Speaker 2: throw your weight around a little bit. You're there to work. 298 00:14:04,920 --> 00:14:06,880 Speaker 2: I mean your dressing room. I mean you should have 299 00:14:06,920 --> 00:14:09,199 Speaker 2: demanded more. I mean this is like you, you should 300 00:14:10,000 --> 00:14:12,360 Speaker 2: you should run for office because with the dressing room 301 00:14:12,400 --> 00:14:14,040 Speaker 2: like that, people would say, well, I know, my tax 302 00:14:14,559 --> 00:14:16,760 Speaker 2: to pay her money is not going to waste. I 303 00:14:16,800 --> 00:14:20,000 Speaker 2: mean about the business, and it's it's you know, and 304 00:14:20,080 --> 00:14:22,560 Speaker 2: it's true you you know. I mean, you were excited 305 00:14:22,560 --> 00:14:26,680 Speaker 2: about share. You were like like boyishly like really excited 306 00:14:26,920 --> 00:14:30,480 Speaker 2: like about sharing. I unfortunately was not there for that 307 00:14:30,800 --> 00:14:34,880 Speaker 2: moment when the share happened, but I did get to 308 00:14:34,920 --> 00:14:38,640 Speaker 2: meet Sabrina carpenter, and I forget how young some of 309 00:14:38,640 --> 00:14:41,160 Speaker 2: these pop stars are. I was like, oh, Elvis, it's 310 00:14:41,640 --> 00:14:49,760 Speaker 2: so wonderful. Is this your granddaughter? Said daughter, I should 311 00:14:49,760 --> 00:14:55,840 Speaker 2: have said daughter, the youth, not your age, not your age, 312 00:14:55,840 --> 00:14:56,520 Speaker 2: my granddaughter. 313 00:14:57,360 --> 00:15:00,880 Speaker 1: But what about overall like being backstay at a garden 314 00:15:00,920 --> 00:15:05,520 Speaker 1: show watching all the moving parts. It's really I'm still fascinated. 315 00:15:05,560 --> 00:15:08,840 Speaker 1: It happens and it works for some reason. Yeah, it is. 316 00:15:09,800 --> 00:15:14,640 Speaker 2: It's amazing that this entire sort of almost factory like 317 00:15:14,760 --> 00:15:18,120 Speaker 2: all the different moving parts can be put in to 318 00:15:18,840 --> 00:15:22,280 Speaker 2: this arena right in a matter of probably a day, 319 00:15:22,320 --> 00:15:23,680 Speaker 2: I don't know, two days. I don't know how long 320 00:15:23,720 --> 00:15:25,040 Speaker 2: they were setting the thing up. How long did they 321 00:15:25,040 --> 00:15:25,840 Speaker 2: take the set this thing. 322 00:15:25,680 --> 00:15:28,680 Speaker 1: They're already setting up for next year. Okay, they build set, 323 00:15:28,720 --> 00:15:31,440 Speaker 1: design off, Yeah, you bring it right, yeah, but load 324 00:15:31,560 --> 00:15:33,760 Speaker 1: the load in it was. It was pretty amazing. And 325 00:15:33,760 --> 00:15:36,600 Speaker 1: then where that area we went for the photo ops 326 00:15:36,640 --> 00:15:37,880 Speaker 1: with the fake subway car. 327 00:15:38,040 --> 00:15:40,360 Speaker 2: I mean, there's just all these little things happening. I 328 00:15:40,400 --> 00:15:41,960 Speaker 2: was felt like I was a little bit like in 329 00:15:42,040 --> 00:15:44,680 Speaker 2: Santa's workshop, and you were. 330 00:15:44,160 --> 00:15:46,400 Speaker 1: A little bit And I will tell you, of course, 331 00:15:46,520 --> 00:15:49,560 Speaker 1: MO did a few question and answers sessions with the 332 00:15:49,560 --> 00:15:52,000 Speaker 1: camera with me and I'm a god mo. You know 333 00:15:52,080 --> 00:15:54,040 Speaker 1: how many people are gonna be here tonight and here's Moroka. 334 00:15:54,280 --> 00:15:56,920 Speaker 1: I don't want to know, don't say one word. He's 335 00:15:56,960 --> 00:15:59,400 Speaker 1: one of those interviewers he doesn't want to know any 336 00:15:59,400 --> 00:16:03,440 Speaker 1: answers until asks you for them. Well, so he walked 337 00:16:03,480 --> 00:16:05,120 Speaker 1: to the end of the hallway and ignored me, turned 338 00:16:05,120 --> 00:16:07,240 Speaker 1: his back to me for my twenty minutes. I did. 339 00:16:07,320 --> 00:16:10,320 Speaker 2: I did turn my back to you. It's weird, yes, 340 00:16:10,720 --> 00:16:14,800 Speaker 2: just because we need some drama. No, no, that it's 341 00:16:14,880 --> 00:16:16,840 Speaker 2: not because I want to wait to ask The question 342 00:16:17,160 --> 00:16:21,000 Speaker 2: is I don't want you saying anything of value. 343 00:16:20,880 --> 00:16:23,800 Speaker 1: Off camera me. I never say anything of value anyway, 344 00:16:23,920 --> 00:16:25,120 Speaker 1: so you're safe. 345 00:16:25,240 --> 00:16:27,040 Speaker 2: I just don't want that because if it doesn't happen 346 00:16:27,080 --> 00:16:28,320 Speaker 2: on camera, well, what's the point. 347 00:16:30,080 --> 00:16:30,960 Speaker 5: It's like scary so. 348 00:16:31,120 --> 00:16:33,360 Speaker 1: Lots of remember when dud the Madonna movie, she was 349 00:16:33,400 --> 00:16:36,040 Speaker 1: in her kitchen fighting with Warren Batty and it's just 350 00:16:36,120 --> 00:16:38,600 Speaker 1: as a camera crew coming and he says, well, if 351 00:16:38,600 --> 00:16:41,600 Speaker 1: it doesn't have it on camera, I guess it doesn't happen, does. 352 00:16:41,440 --> 00:16:46,120 Speaker 2: It in I guess so well, because I, well, I 353 00:16:46,160 --> 00:16:47,680 Speaker 2: am the Warren Baty of Sunday morning. 354 00:16:48,600 --> 00:16:53,200 Speaker 1: There you go. Let's talk about mobituaries. The most fascinating 355 00:16:53,840 --> 00:16:59,000 Speaker 1: take I believe on history, looking at people studying them 356 00:16:59,080 --> 00:17:02,960 Speaker 1: and fads and pop culture items that have left us. 357 00:17:04,400 --> 00:17:08,840 Speaker 1: They deserve recognition and a deep dive. And you do 358 00:17:08,920 --> 00:17:10,560 Speaker 1: it beautifully on your podcast. 359 00:17:10,600 --> 00:17:11,080 Speaker 2: Oh thank you. 360 00:17:11,480 --> 00:17:11,680 Speaker 1: Yeah. 361 00:17:11,680 --> 00:17:16,399 Speaker 2: We just finished the fourth season and I'm happy with 362 00:17:16,480 --> 00:17:19,440 Speaker 2: how it went. Our last episode was on Lawanda Page. 363 00:17:19,520 --> 00:17:22,399 Speaker 2: If anyone remembers the show Sanford and Son, which was 364 00:17:22,440 --> 00:17:25,480 Speaker 2: in the seventies on Long Time Ago. But she was hysterical, 365 00:17:25,600 --> 00:17:28,439 Speaker 2: really funny, but she had this whole other life before 366 00:17:28,440 --> 00:17:30,800 Speaker 2: she played aunt Esther, who was sort of the Bible 367 00:17:30,960 --> 00:17:34,720 Speaker 2: toting kind of antagonist of Red Fox's character. She had 368 00:17:34,760 --> 00:17:40,240 Speaker 2: been a really great and really raunchy stand up and 369 00:17:41,920 --> 00:17:44,320 Speaker 2: kind of pioneering. And there were these things called party 370 00:17:44,359 --> 00:17:47,600 Speaker 2: records in the seventies and eighties, primarily in the seventies 371 00:17:47,600 --> 00:17:51,000 Speaker 2: and back in the sixties. A lot of them were 372 00:17:51,240 --> 00:17:55,080 Speaker 2: black comics who did these albums because maybe they weren't 373 00:17:55,119 --> 00:17:58,640 Speaker 2: accepted into major venues, and people would take these albums, 374 00:17:58,720 --> 00:18:02,760 Speaker 2: oftentimes wrapped in brown because they were so x rated 375 00:18:03,840 --> 00:18:08,439 Speaker 2: but so funny. And you can find Lawanda Page's bits 376 00:18:08,480 --> 00:18:11,000 Speaker 2: her comedy bits online and they're really great. 377 00:18:11,040 --> 00:18:13,720 Speaker 1: They really hold up if you watch Sanford and Sun reruns, 378 00:18:13,800 --> 00:18:16,520 Speaker 1: and a lot of people don't. I watched it when 379 00:18:16,520 --> 00:18:19,280 Speaker 1: it was they were new episodes. We Wanda Page was 380 00:18:19,280 --> 00:18:22,600 Speaker 1: great because she would give him help. We've got great 381 00:18:23,160 --> 00:18:25,760 Speaker 1: texts coming through ulf to the parties. I was going 382 00:18:25,800 --> 00:18:27,760 Speaker 1: to be on CBS Sunday Morning. We don't know yet. 383 00:18:28,000 --> 00:18:30,040 Speaker 1: I love CBS Sunday Morning. My mom watches it now 384 00:18:30,040 --> 00:18:33,040 Speaker 1: I watch it Sunday Family Tradition. I love Mo Raka. 385 00:18:33,680 --> 00:18:35,920 Speaker 1: I didn't even hear you say who you were interviewing, 386 00:18:36,000 --> 00:18:39,639 Speaker 1: but I knew his voice. Mo ran over my foot 387 00:18:39,640 --> 00:18:42,159 Speaker 1: at the two thousand RNC and I'm still waiting for 388 00:18:42,160 --> 00:18:46,120 Speaker 1: an apology. What he was a producer for ABC. 389 00:18:46,320 --> 00:18:47,760 Speaker 2: You're a producer for ABC. 390 00:18:47,840 --> 00:18:48,480 Speaker 1: Well, I listen. 391 00:18:48,560 --> 00:18:52,639 Speaker 2: I was a CBS so I was just I was 392 00:18:52,720 --> 00:18:54,840 Speaker 2: just doing the bidding of my corporate masters. 393 00:18:55,119 --> 00:18:58,040 Speaker 1: Love Mo. Listen to all of his podcasts in one sitting. 394 00:18:58,520 --> 00:19:01,040 Speaker 1: Look at that Jane Polly is the goat. There you go. 395 00:19:01,080 --> 00:19:03,280 Speaker 1: I love them. I love Mobituary. Shout out to Mo. 396 00:19:03,600 --> 00:19:05,800 Speaker 1: People loving that you're here and you do have a 397 00:19:05,880 --> 00:19:07,880 Speaker 1: voice that is easily recognizable. 398 00:19:08,080 --> 00:19:11,040 Speaker 2: You know, when I ran for president of student government, 399 00:19:11,320 --> 00:19:14,520 Speaker 2: I'll never forget in high school that one of the 400 00:19:14,920 --> 00:19:19,320 Speaker 2: other candidates said when they were addressing the entire school 401 00:19:19,320 --> 00:19:23,359 Speaker 2: assembly we were doing our campaign speeches. He said, because 402 00:19:23,359 --> 00:19:25,879 Speaker 2: if you were elected president, you would do the morning 403 00:19:25,880 --> 00:19:29,399 Speaker 2: announcements on the PA system and this Cau'll never forget 404 00:19:29,480 --> 00:19:33,840 Speaker 2: Ryan Conoll saying, let's face it, guys, I mean, there's 405 00:19:33,880 --> 00:19:36,160 Speaker 2: just one voice you don't want to have to hear 406 00:19:36,280 --> 00:19:41,040 Speaker 2: every morning. Oh god, I remember, but I remember thinking 407 00:19:41,160 --> 00:19:43,800 Speaker 2: that's really funny, and it's kind of true. I'm not sure, 408 00:19:43,880 --> 00:19:48,200 Speaker 2: you know, it's a little nasal, like good morning, good morning. 409 00:19:48,480 --> 00:19:51,320 Speaker 2: Wait did you win? I didn't win. Yeah, right, well 410 00:19:51,359 --> 00:19:54,400 Speaker 2: the lost. Yeah, you know, they brought me down with that. 411 00:19:54,400 --> 00:19:54,960 Speaker 1: That was my. 412 00:19:56,960 --> 00:19:59,520 Speaker 2: Go it's my terrible New Hampshire primary. 413 00:19:59,600 --> 00:20:00,960 Speaker 1: I was going to we can bring him down that 414 00:20:01,000 --> 00:20:03,919 Speaker 1: easily these days. Hey, I asked this to the room yesterday. 415 00:20:03,920 --> 00:20:06,720 Speaker 1: I'm going to ask you were you Did you ever 416 00:20:06,760 --> 00:20:07,280 Speaker 1: have a teacher? 417 00:20:07,359 --> 00:20:07,520 Speaker 3: Right? 418 00:20:07,600 --> 00:20:09,840 Speaker 1: He talks too much on your report card? Oh yea 419 00:20:09,880 --> 00:20:11,560 Speaker 1: yea yeah, yeah. See I think we all did we 420 00:20:11,560 --> 00:20:13,200 Speaker 1: all have that in common? What do you think that 421 00:20:13,240 --> 00:20:14,920 Speaker 1: commonality is all about what's that connection. 422 00:20:19,640 --> 00:20:21,800 Speaker 2: Well, it doesn't surprise me that we all had that. 423 00:20:23,280 --> 00:20:26,000 Speaker 2: I think it's people who want to perform. Who are 424 00:20:26,400 --> 00:20:28,520 Speaker 2: I mean, listen, I had it so bad that my 425 00:20:28,560 --> 00:20:30,960 Speaker 2: parents were called in, and that was an elementary school. 426 00:20:31,320 --> 00:20:34,719 Speaker 2: And then my father said, even at the time I was, 427 00:20:35,160 --> 00:20:38,400 Speaker 2: I guess, twelve years old, I remember how I recognize 428 00:20:38,440 --> 00:20:42,320 Speaker 2: how odd this was. That the school counselor had finished 429 00:20:42,400 --> 00:20:45,280 Speaker 2: explaining to my parents with me present, why my acting 430 00:20:45,320 --> 00:20:48,760 Speaker 2: out in class was a problem, and my father turned 431 00:20:48,800 --> 00:20:52,560 Speaker 2: to me and he said, you don't want to be 432 00:20:52,680 --> 00:20:54,560 Speaker 2: the class clown. You don't want to be the class 433 00:20:54,600 --> 00:20:57,359 Speaker 2: clown unless you grew up and make a living at it. 434 00:20:57,440 --> 00:20:59,399 Speaker 1: Yeah, but I really. 435 00:20:59,240 --> 00:21:01,680 Speaker 2: Could not believe that my father said that in front 436 00:21:01,720 --> 00:21:02,520 Speaker 2: of the school counselor. 437 00:21:02,600 --> 00:21:04,199 Speaker 1: Well, I know, but that was a beautiful thing. Your 438 00:21:04,240 --> 00:21:08,800 Speaker 1: father said. The question was if your teacher wrote they 439 00:21:08,840 --> 00:21:11,240 Speaker 1: talked too much on your report card, what do you 440 00:21:11,280 --> 00:21:13,719 Speaker 1: now do for a living? Was the question. And though 441 00:21:13,760 --> 00:21:16,159 Speaker 1: the answer is of course texting in it was fascinating 442 00:21:16,359 --> 00:21:18,679 Speaker 1: and of course all the oh wait, hold on, we 443 00:21:18,720 --> 00:21:21,639 Speaker 1: have Marnie, the person you ran over at the RNC break, 444 00:21:21,680 --> 00:21:25,240 Speaker 1: I got breaking news. Hold on, Marnie say hello to 445 00:21:25,320 --> 00:21:27,440 Speaker 1: the foot roller. Morocca. 446 00:21:28,560 --> 00:21:29,400 Speaker 3: Hi'm Morocca. 447 00:21:29,960 --> 00:21:30,760 Speaker 1: Hi Marnie. 448 00:21:30,760 --> 00:21:32,520 Speaker 2: I'm just before we get into this, I just want 449 00:21:32,560 --> 00:21:35,200 Speaker 2: to make sure has the statute of limitations passed, because 450 00:21:35,240 --> 00:21:36,960 Speaker 2: otherwise they're going to have to have a lawyer call out. 451 00:21:38,240 --> 00:21:42,520 Speaker 3: Yeah what twenty four years? Twenty four years I waited 452 00:21:42,520 --> 00:21:45,720 Speaker 3: for this moment. I'm getting it. It's all good. The 453 00:21:45,760 --> 00:21:48,679 Speaker 3: foot is okay. I've gone on to do great things. 454 00:21:48,720 --> 00:21:50,600 Speaker 1: Well, he has not apologized. He hasn't. 455 00:21:50,920 --> 00:21:52,879 Speaker 2: Well, I've been The only thing is Oh, that's true. 456 00:21:53,000 --> 00:21:54,600 Speaker 2: I do want to apologize. I just want to make 457 00:21:54,640 --> 00:21:57,560 Speaker 2: sure that doesn't make me culpable. Are you how are 458 00:21:57,600 --> 00:22:00,639 Speaker 2: you feeling now? Did you have any neuroma any kind 459 00:22:00,680 --> 00:22:03,200 Speaker 2: of what's going on with your foot right now? 460 00:22:03,560 --> 00:22:07,320 Speaker 3: The pinky toe is a little crooked, But other than that, 461 00:22:07,440 --> 00:22:08,240 Speaker 3: we're okay. 462 00:22:08,520 --> 00:22:11,720 Speaker 2: And I was there either for Comedy Central, Yeah, I 463 00:22:11,800 --> 00:22:13,960 Speaker 2: must have been there for Comedy Central, not for CNN. 464 00:22:14,080 --> 00:22:17,560 Speaker 1: Yeah. So right, And did I run over? It? 465 00:22:17,600 --> 00:22:19,880 Speaker 2: Was I in a golf course a cart? 466 00:22:19,960 --> 00:22:20,960 Speaker 1: Or was I was? 467 00:22:21,440 --> 00:22:23,800 Speaker 3: You were in a golf cart and you looked like 468 00:22:23,880 --> 00:22:28,400 Speaker 3: a little kid that was just getting like the first toy. 469 00:22:28,520 --> 00:22:34,800 Speaker 3: He's ever gotten going crazy through through Philadelphia. 470 00:22:35,600 --> 00:22:38,080 Speaker 2: And I do remember this because I remember that in 471 00:22:38,119 --> 00:22:43,080 Speaker 2: that campaign it was Bush Cheney. This was the Republican Convention, 472 00:22:43,560 --> 00:22:46,200 Speaker 2: and everyone kept talking about how Cheney had. This is 473 00:22:46,240 --> 00:22:48,960 Speaker 2: when the word gravy toss kept coming into the conversation. 474 00:22:49,040 --> 00:22:50,919 Speaker 2: They said, oh, he has gravy toss. And I remember 475 00:22:51,440 --> 00:22:54,239 Speaker 2: chasing after him in a golf court saying is it 476 00:22:54,920 --> 00:22:57,200 Speaker 2: is it a meat based or a cream based gravy 477 00:22:57,280 --> 00:22:58,840 Speaker 2: toss that you got? 478 00:22:59,200 --> 00:22:59,520 Speaker 3: Oh? Mo? 479 00:23:00,040 --> 00:23:04,480 Speaker 1: And I bet that's when I ran over your foot. Yeah, 480 00:23:04,680 --> 00:23:06,600 Speaker 1: thank you. You ran off the road on that one. 481 00:23:07,600 --> 00:23:09,680 Speaker 1: I don't hear an apology, but I guess we're all money. 482 00:23:09,720 --> 00:23:13,320 Speaker 2: I mean my condolences on your pinky toe, but I 483 00:23:13,359 --> 00:23:15,760 Speaker 2: also think that it's could be interesting you have, like 484 00:23:16,040 --> 00:23:18,080 Speaker 2: you know how Ellen Barkin has kind of a crooked 485 00:23:18,080 --> 00:23:19,080 Speaker 2: smile and it's sexy. 486 00:23:19,200 --> 00:23:19,520 Speaker 1: Marnie. 487 00:23:19,560 --> 00:23:22,440 Speaker 2: I think your a skew pinky toe is kind of hot. 488 00:23:25,920 --> 00:23:26,480 Speaker 1: He does. 489 00:23:28,000 --> 00:23:28,359 Speaker 2: Community. 490 00:23:28,440 --> 00:23:30,199 Speaker 1: That's all about that. It's true. This is better than 491 00:23:30,200 --> 00:23:33,080 Speaker 1: an apology, Marnie, Thank you so much. And there you go. Hey, 492 00:23:33,200 --> 00:23:36,000 Speaker 1: speaking of what are your feelings about John Stewart coming 493 00:23:36,040 --> 00:23:38,080 Speaker 1: back a day a week on the on the show, 494 00:23:38,240 --> 00:23:38,920 Speaker 1: The Daily Show. 495 00:23:39,359 --> 00:23:43,159 Speaker 2: I am totally fascinated by it. I think he's great, 496 00:23:43,440 --> 00:23:46,840 Speaker 2: and so I think and I think it's especially great 497 00:23:47,080 --> 00:23:49,200 Speaker 2: that he's also going to be executive producing, which he 498 00:23:49,280 --> 00:23:51,800 Speaker 2: did the first time around. He co executive pducer and 499 00:23:51,800 --> 00:23:56,040 Speaker 2: then executive produced. But as good as he is on camera, 500 00:23:56,240 --> 00:23:58,840 Speaker 2: he's also a real vision guy, and so I think 501 00:23:58,920 --> 00:24:02,720 Speaker 2: he'll take the show and make sure that it's that 502 00:24:02,840 --> 00:24:03,520 Speaker 2: fits the moment. 503 00:24:04,280 --> 00:24:04,320 Speaker 3: Mo. 504 00:24:04,520 --> 00:24:06,160 Speaker 1: We love it when you're here, and it's never enough 505 00:24:06,160 --> 00:24:07,040 Speaker 1: time spent with you. 506 00:24:07,359 --> 00:24:12,080 Speaker 2: Thankful and and everyone. We will announce a date gets 507 00:24:12,080 --> 00:24:13,960 Speaker 2: it for Elvis on CBS Sunday Morning. 508 00:24:15,359 --> 00:24:17,199 Speaker 1: The interview. What if the interview just falls flat and 509 00:24:17,240 --> 00:24:19,600 Speaker 1: it's just crap and there's nothing to use fix it 510 00:24:19,640 --> 00:24:23,400 Speaker 1: and post We love Moroca