WEBVTT - Miranda Inside and Out with Cynthia Nixon... 

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know, are

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<v Speaker 1>you a Charlotte? So when you think about I mean,

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<v Speaker 1>I have so many questions, I don't even know where

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<v Speaker 1>to start.

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<v Speaker 2>But like, if you.

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<v Speaker 1>Think about, can you remember before Miranda and you would

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<v Speaker 1>just go about your life and no one would recognize

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<v Speaker 1>you or people would randomly recognize you from different things.

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<v Speaker 2>What was it like in terms of being in the

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<v Speaker 2>world you mean before our show?

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<v Speaker 3>Yeah, yes, I feel like again because I was in

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<v Speaker 3>this pretty successful movie when I was twelve, right, I

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<v Speaker 3>have no no, no little darlings later Also, I mean

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<v Speaker 3>Oscar Oscar, right, So I always had a certain, very

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<v Speaker 3>manageable number of people got it recognizing. But so it

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<v Speaker 3>was lianforable. It was like a little a little salt. Sure,

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<v Speaker 3>it wasn't like an entire meat loaf. It was like

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<v Speaker 3>a little sauce, right seasoning.

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<v Speaker 2>Yes.

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<v Speaker 3>And then do you remember when the show started to

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<v Speaker 3>air and people started to watch it, more than like

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<v Speaker 3>three quarters of the people that would come up to

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<v Speaker 3>us were black men.

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<v Speaker 2>No remember this? No, it was so I mean fascinating.

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<v Speaker 3>And I don't think it was just me because we've

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<v Speaker 3>all we all used to talk about it.

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<v Speaker 2>It was weld in the very beginning days. Uh huh.

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<v Speaker 3>It was like, surely you're not our demographic, right, what's

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<v Speaker 3>going on?

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<v Speaker 2>What amazing? But it was fantastic. Maybe it was the

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<v Speaker 2>guys who wanted to watch the boxing on HBO, That's

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<v Speaker 2>what it was.

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<v Speaker 3>Oh wow, it was the live sports event, so it

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<v Speaker 3>had a very bail And I don't know.

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<v Speaker 1>So let me ask you this because this is something

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<v Speaker 1>I think about when I watch it, like in terms

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<v Speaker 1>of the sexuality stuff, like the actual sex scenes, you know.

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<v Speaker 1>And I struggled with this myself, which is coming up

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<v Speaker 1>is when I locked myself in the dressing room but

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<v Speaker 1>it hasn't happened yet. Did you think about I mean,

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<v Speaker 1>you were.

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<v Speaker 2>Very Are you fearless and not?

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<v Speaker 1>I'm afraid at all times in the sex scenes to

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<v Speaker 1>the point where I would be like, maybe I need

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<v Speaker 1>to go when Cynthia is filming sex scenes so that

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<v Speaker 1>I can tell Eigenberg do not grab her breast like that.

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<v Speaker 2>You remember this? I was like, why do you grab

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<v Speaker 2>your breast like that? You're like, what are you talking about?

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<v Speaker 2>I'm like, it's not attractive, it's like too hard.

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<v Speaker 1>I eded to tell him that you were like whatever,

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<v Speaker 1>you know, which I love about you, but you know, like,

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<v Speaker 1>did you think about, like, what, what what.

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<v Speaker 2>Are we doing here?

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<v Speaker 1>Is this for the male audience or is this for

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<v Speaker 1>the female audienced? What I'm saying, like, yeah, I guess

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<v Speaker 1>I always.

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<v Speaker 3>I always thought it was kind of I always thought

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<v Speaker 3>that it was for the female audience primarily, but I

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<v Speaker 3>thought it was like it's like maybe this is a

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<v Speaker 3>crazy similar but it's kind of like birth control, right,

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<v Speaker 3>It's like really important for us as women to have

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<v Speaker 3>birth control, right, Like, and the guys are like, you've

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<v Speaker 3>got birth control, this is fantastic.

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<v Speaker 2>We can have sex. You're interested in having sex?

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<v Speaker 3>Right, this is you know, it's kind of like, I mean,

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<v Speaker 3>I feel like it was so empowering and maybe it

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<v Speaker 3>was a little on steroids from the reality for most women,

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<v Speaker 3>but it was happening out there, and so men, you know,

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<v Speaker 3>I think for men it was like a like it

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<v Speaker 3>was not only a wonderful peek into the secret world, right,

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<v Speaker 3>which was fascinating, but it was also like there is

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<v Speaker 3>this very old and it has some truth to it,

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<v Speaker 3>but it's not the entire truth, right, there is some

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<v Speaker 3>sense of like women use sex as a tool to

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<v Speaker 3>get commitment, right, and it's like for men to be

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<v Speaker 3>shown this world and these people, it's like, actually, you

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<v Speaker 3>know what, you also just really like having sex with

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<v Speaker 3>you right, right. It's sort of, I think, a wonderful

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<v Speaker 3>thing for men to learn because they had been told

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<v Speaker 3>the opposite so many times.

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<v Speaker 1>It's true, and I do feel, unfortunately weirdly like that's

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<v Speaker 1>still out there in a strange way.

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<v Speaker 3>Well, and it's not completely untrue. I mean it's yeah,

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<v Speaker 3>I mean that there are you know, I mean, both

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<v Speaker 3>things are true.

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<v Speaker 2>I guess that's true.

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<v Speaker 1>I Mean the thing that's funny to me though, is

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<v Speaker 1>like if you think about then and then you think

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<v Speaker 1>about now, like you know, hook up culture like young right,

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<v Speaker 1>it's very very more advanced, like the dating apps, you know.

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<v Speaker 2>Whatever, even much more so.

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<v Speaker 3>Right. Obviously, I don't know really anything about the hookup

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<v Speaker 3>culture that's happening now right right, And And I guess

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<v Speaker 3>my my thing that seems to me different than our show,

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<v Speaker 3>right is like women can and always have had a

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<v Speaker 3>lot of sex, but I think not one hundred percent

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<v Speaker 3>of the time, but by and large the sex that

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<v Speaker 3>these four women were having.

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<v Speaker 2>Was not was not to try and get men like

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<v Speaker 2>that that's a good point.

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<v Speaker 3>Yeah, And so that's what I worry about the hookup

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<v Speaker 3>culture now. It's like, you think you're very liberated because

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<v Speaker 3>you're having a lot of sex, but are you do

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<v Speaker 3>you want to be?

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<v Speaker 1>Are are you having sex because you want to? Or

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<v Speaker 1>are you having sex to try to get something?

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<v Speaker 3>To try and get like a different version of like

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<v Speaker 3>trying to get a ring. It's like, does he like me?

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<v Speaker 3>Willly really not call me.

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<v Speaker 2>If I don't? My god?

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<v Speaker 1>Yeah? Which is like so Charlotte also with the with

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<v Speaker 1>the off the butt thing, right, Like she because she

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<v Speaker 1>doesn't want to do it, you know, right, she really

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<v Speaker 1>likes that guy, you know, and then and she thinks

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<v Speaker 1>like he's just going to break up with her or

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<v Speaker 1>not marry her or whatever.

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<v Speaker 3>It's like so crazy, but it's both, right, It's interesting.

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<v Speaker 3>It's like she worries he's going to break up with

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<v Speaker 3>her if she doesn't do it, but also she's not

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<v Speaker 3>really at the moment interested in it right as a

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<v Speaker 3>thing in and of itself.

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<v Speaker 2>But also it's like.

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<v Speaker 3>But if I do do this, will he respect me?

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<v Speaker 3>Will he he will never marry me?

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<v Speaker 1>Right? And also because Samantha very smartly in the car

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<v Speaker 1>is like in the cab, she's like you know, and

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<v Speaker 1>you talk about the power dynamics like it's super fascinating.

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<v Speaker 1>I mean we're touching on all of it, you know,

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<v Speaker 1>in such a good way that I do feel like

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<v Speaker 1>is still true, you know, like are you doing it

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<v Speaker 1>because you want.

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<v Speaker 2>To do it?

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<v Speaker 1>But also you need to think about like someone's going

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<v Speaker 1>to give up the power and you might have more power,

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<v Speaker 1>but you might have less power. Like it's super fascinating

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<v Speaker 1>and still I think so interestingly true.

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<v Speaker 3>Right right, And I think you know, if you think

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<v Speaker 3>about Samantha, who is like the most empowered, right, the

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<v Speaker 3>most sexually free, but also just the most empowered, yes, right, yes,

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<v Speaker 3>but there are you know you see the pain that

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<v Speaker 3>she had, like particularly when she's dating Richard.

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<v Speaker 2>Yeah, you know you know that that there is even

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<v Speaker 2>for the strongest character. You know, well even in Valley

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<v Speaker 2>of the twenty something guys.

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<v Speaker 1>You know she's with the chef guyd Do you remember

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<v Speaker 1>that he's like lanky, he's got like long, choppy hair,

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<v Speaker 1>and then.

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<v Speaker 2>She'll always be older. Yes? Right? That cut right? That

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<v Speaker 2>cut for me? That cut deep?

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<v Speaker 1>You know, I mean it's so interesting how many small

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<v Speaker 1>moments we have in almost every episode that I'm.

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<v Speaker 3>Like, oh, well, that's and that's the thing that was

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<v Speaker 3>so great about the show, you know, is that because

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<v Speaker 3>again people saying, like, did a feminist show, but you're

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<v Speaker 3>wearing high heels and sexy outfits. Like right, It's like

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<v Speaker 3>one of the great things about the show is that

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<v Speaker 3>all of the characters, not the least of Carrie, you know,

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<v Speaker 3>are all deeply flawed and make bad decisions.

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<v Speaker 2>And so, you know, I love wonder Woman. I've always

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<v Speaker 2>loved wonder Woman.

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<v Speaker 3>Yes, we love that you love, but I have my

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<v Speaker 3>wonderfolan backsack here today. But I know, and I have

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<v Speaker 3>always known, that Wonder Woman is a very two dimensional figure.

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<v Speaker 2>Good point.

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<v Speaker 3>She's perfect, right, she's loving, she's strong, she's you name it,

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<v Speaker 3>she's gotting getting an A plus definitely, and I enjoy her,

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<v Speaker 3>But I understand she has no dimension, and she's really

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<v Speaker 3>not that interesting. Right, And that's the thing about all

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<v Speaker 3>of our both in the writing and in the playing,

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<v Speaker 3>the thing that you were talking about before the contraction.

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<v Speaker 3>You have the headline of who the character is, but

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<v Speaker 3>right below the headline they're all the the contradictions and

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<v Speaker 3>the price to be paid, even like for Charlotte. Charlotte

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<v Speaker 3>is trying so hard to buy into the fairy tale

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<v Speaker 3>of being the perfect girl and doing the right thing

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<v Speaker 3>and winning the gold ribbon.

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<v Speaker 2>Of the of the engagement, ransom husband and the ring right.

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<v Speaker 3>But she, you know, she's constantly having that myth kind

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<v Speaker 3>of eaten away, most definitely, and also when particularly when

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<v Speaker 3>she tries to get married and then doesn't know no, I.

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<v Speaker 2>Work out the pie in the face, you know.

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<v Speaker 1>Michael and I talked a lot about the pie in

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<v Speaker 1>the face and how all of us get our own

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<v Speaker 1>version totally of the pie in the face. We also

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<v Speaker 1>talked about the complexities of the character, because I do

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<v Speaker 1>feel like there's this crazy thing about carry not being likable,

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<v Speaker 1>which is, you know, kind of insane, because I don't

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<v Speaker 1>know why we would still be, you know, like, well.

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<v Speaker 3>But it's why it's so we're so lucky to have

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<v Speaker 3>Sarah Jessica. Yeah, It's like, it's why we're so lucky

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<v Speaker 3>to have you playing Charlotte, because in someone lesser hands,

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<v Speaker 3>she would have been more.

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<v Speaker 1>Two intentions, right, I mean I think so all I

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<v Speaker 1>remember at the time, because, as you know, my life

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<v Speaker 1>is not like Charlotte's life. No, basically at all. There

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<v Speaker 1>are some crossovers, but I was never interested in getting married,

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<v Speaker 1>so like that took a lot of work on my

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<v Speaker 1>part to be like, ah, you know, but I do

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<v Speaker 1>think I mean, they didn't know this, you know, like

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<v Speaker 1>this is kind of the magic. There's a certain element

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<v Speaker 1>of magic and all of our coming together, you know

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<v Speaker 1>that they didn't, you know, like we never read together.

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<v Speaker 1>We never really met, you know.

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<v Speaker 3>There's no chemistry reading, I know, no, nothing, So thank

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<v Speaker 3>god it worked out.

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<v Speaker 2>But we do have these characteristics that are very good

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<v Speaker 2>for our character.

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<v Speaker 1>We've got the characteristics, but then we're also very complex

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<v Speaker 1>people and also very different people coming together from different places,

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<v Speaker 1>which I think contributed in a positive way to what

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<v Speaker 1>was on screen. You you don't need to know that, right,

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<v Speaker 1>You just feel it when you're watching it, right.

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<v Speaker 3>You know what my mother used to say about the show,

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<v Speaker 3>She said, you know what I like about your show,

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<v Speaker 3>and watch it.

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<v Speaker 2>I can tell who everyone is. They don't all look alike.

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<v Speaker 2>I'm not confused, that's true. I don't know what.

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<v Speaker 1>I think she's talking about, how television, because I was

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<v Speaker 1>talking about this a little bit too, like there was

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<v Speaker 1>a homogeny, you know, like a.

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<v Speaker 2>I mean, we're all white obviously, and we're all of

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<v Speaker 2>an age.

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<v Speaker 1>But even that was different, right because we were all

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<v Speaker 1>of an age. There was no other show other than

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<v Speaker 1>the Golden Girls, you know which I mean people. I

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<v Speaker 1>remember going to an interview. I can't remember, Oh, I

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<v Speaker 1>do remember who it was. I shouldn't even say this,

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<v Speaker 1>but I walk out. It's a guy. It's a late

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<v Speaker 1>night thing, and he goes, oh, you know, you guys

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<v Speaker 1>are the new Golden Girls, and I was like mad.

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<v Speaker 1>I was so mad, and I was like, now I'm

0:11:23.320 --> 0:11:25.440
<v Speaker 1>gonna have to go through this whole interview, mad, And

0:11:25.480 --> 0:11:28.560
<v Speaker 1>then he asked me about penis size.

0:11:28.320 --> 0:11:30.840
<v Speaker 2>And I was just like, we're on Earth. Like I

0:11:30.880 --> 0:11:31.640
<v Speaker 2>just remember.

0:11:31.360 --> 0:11:35.640
<v Speaker 1>Getting put through so many bizarre, like embarrassing and complex

0:11:35.679 --> 0:11:36.920
<v Speaker 1>things where you will want to be like, do you

0:11:36.960 --> 0:11:39.640
<v Speaker 1>not know that that's kind of like offensive? Like I

0:11:39.640 --> 0:11:42.480
<v Speaker 1>guess you're trying to be nice, but like, really were

0:11:42.480 --> 0:11:43.280
<v Speaker 1>the Golden Girls?

0:11:43.360 --> 0:11:45.720
<v Speaker 2>Like really like okay, but that there.

0:11:45.640 --> 0:11:47.840
<v Speaker 1>Was just nothing to comparison to. There's just nothing. There

0:11:47.920 --> 0:11:50.600
<v Speaker 1>was just nothing. And because we weren't twenty five, and

0:11:50.640 --> 0:11:53.480
<v Speaker 1>because there were four women, right, even though it wasn't

0:11:53.520 --> 0:11:55.559
<v Speaker 1>clear at the beginning, but it became more and more clear.

0:11:55.960 --> 0:11:57.480
<v Speaker 1>You know that each of us were going to kind

0:11:57.520 --> 0:11:59.360
<v Speaker 1>of get fleshed out and have that and have our

0:11:59.360 --> 0:12:01.880
<v Speaker 1>own lane, right, and she would connect us, you know,

0:12:01.920 --> 0:12:03.920
<v Speaker 1>with the with the voiceover and all that. Oh, let's

0:12:03.960 --> 0:12:06.360
<v Speaker 1>ask you this, what did you think about talking to

0:12:06.400 --> 0:12:06.840
<v Speaker 1>the camera.

0:12:07.800 --> 0:12:10.480
<v Speaker 2>I love the top of the camera. That is why

0:12:10.520 --> 0:12:11.240
<v Speaker 2>we love Cynthia.

0:12:11.240 --> 0:12:13.240
<v Speaker 3>I know I always hated it.

0:12:13.320 --> 0:12:16.160
<v Speaker 2>Yeah, I love it. Why. I don't know.

0:12:16.280 --> 0:12:20.600
<v Speaker 3>I always, whether it's on film or on stage, when

0:12:20.960 --> 0:12:23.480
<v Speaker 3>a character turns and talks to me.

0:12:24.440 --> 0:12:25.640
<v Speaker 2>You love to break the fourth wall.

0:12:25.960 --> 0:12:28.160
<v Speaker 3>I like to do it myself, but I love to

0:12:28.400 --> 0:12:31.000
<v Speaker 3>have it happened to me as an audience. Okay, okay,

0:12:31.040 --> 0:12:34.520
<v Speaker 3>and you know you now you see it's slightly different.

0:12:34.520 --> 0:12:37.520
<v Speaker 3>But you see all those shows like like The Office

0:12:37.559 --> 0:12:42.000
<v Speaker 3>and Modern Family and right where they're constantly like looking

0:12:42.040 --> 0:12:43.480
<v Speaker 3>at the look at the camera.

0:12:43.320 --> 0:12:44.640
<v Speaker 2>Right while they're doing interviews.

0:12:44.720 --> 0:12:47.600
<v Speaker 1>They're doing interview documentary right right right.

0:12:47.679 --> 0:12:50.640
<v Speaker 3>It's a cute little Yeah. I never mind, I never

0:12:50.679 --> 0:12:52.440
<v Speaker 3>mind it. I mean, I know why I enjoy those

0:12:52.559 --> 0:12:55.560
<v Speaker 3>I don't really miss it in our show. I don't

0:12:55.600 --> 0:12:57.040
<v Speaker 3>really miss it once it's.

0:12:56.880 --> 0:12:59.280
<v Speaker 2>Gone, right, No, I don't either. But I but I

0:12:59.280 --> 0:13:02.920
<v Speaker 2>I liked it. I mean, I think it's interesting. I

0:13:02.920 --> 0:13:03.920
<v Speaker 2>think it was hard.

0:13:03.679 --> 0:13:07.120
<v Speaker 1>For Sarah, uh, partly because she's in a massim Yeah,

0:13:07.120 --> 0:13:08.680
<v Speaker 1>and also because of the Mathew thing with it, which

0:13:08.679 --> 0:13:10.640
<v Speaker 1>I didn't even remember, but it makes total sense. But

0:13:11.000 --> 0:13:13.120
<v Speaker 1>like when you watch her, I think it's the pilot

0:13:13.160 --> 0:13:14.160
<v Speaker 1>of the first episode.

0:13:14.240 --> 0:13:16.439
<v Speaker 2>She's in a scene and then the guy gets in

0:13:16.480 --> 0:13:18.240
<v Speaker 2>the cabin. She turns and talks to the camera like

0:13:18.320 --> 0:13:21.080
<v Speaker 2>it's a very heard that I never did. I never

0:13:21.200 --> 0:13:22.520
<v Speaker 2>have to know that, but I would do that.

0:13:22.960 --> 0:13:24.880
<v Speaker 1>I mean, we would just we'd have our scene where

0:13:24.920 --> 0:13:26.439
<v Speaker 1>we were talking to the camera and you're so funny

0:13:26.440 --> 0:13:28.360
<v Speaker 1>in the pilot when you're talking to the camera with

0:13:28.360 --> 0:13:29.120
<v Speaker 1>the chicken.

0:13:28.840 --> 0:13:30.520
<v Speaker 2>With the chicken yeah, oh so you know.

0:13:30.640 --> 0:13:34.040
<v Speaker 3>I think also I think it was her unhappiness and

0:13:34.080 --> 0:13:37.000
<v Speaker 3>maybe other people's unhappiness with that that made it go away.

0:13:37.120 --> 0:13:40.520
<v Speaker 3>But also when we used to do all those like

0:13:41.240 --> 0:13:43.880
<v Speaker 3>Man on the Street, Woman on the Street, Yeah, giving

0:13:43.880 --> 0:13:46.240
<v Speaker 3>their opinion about whatever the subject at hand.

0:13:46.280 --> 0:13:51.800
<v Speaker 2>Way, I feel like they partly cut those because they

0:13:51.800 --> 0:13:55.400
<v Speaker 2>were just time consuming. They were hard to do, they were.

0:13:55.280 --> 0:13:57.320
<v Speaker 3>Hard to do, and you always had to oh, we

0:13:57.360 --> 0:13:59.559
<v Speaker 3>had to cast it and then find a location.

0:14:00.280 --> 0:14:01.560
<v Speaker 2>It's true, right, it's true.

0:14:01.559 --> 0:14:03.320
<v Speaker 1>I mean that's why I love the basketball one because

0:14:03.320 --> 0:14:05.640
<v Speaker 1>they're in one place and it's all these different guys.

0:14:05.480 --> 0:14:07.240
<v Speaker 2>And it's the guys in the episode.

0:14:07.280 --> 0:14:09.600
<v Speaker 3>It's also not some random person that you're never going

0:14:09.679 --> 0:14:11.680
<v Speaker 3>to see again in the episode or anywhere.

0:14:11.679 --> 0:14:12.800
<v Speaker 2>And that's a good point as well.

0:14:12.800 --> 0:14:15.400
<v Speaker 1>Like as a as a you know, convention or whatever

0:14:15.440 --> 0:14:17.679
<v Speaker 1>you would call it, it was clunky in the beginning

0:14:17.679 --> 0:14:19.960
<v Speaker 1>because like you had to find different people to come

0:14:19.960 --> 0:14:21.880
<v Speaker 1>in and say X, Y or Z.

0:14:22.080 --> 0:14:24.080
<v Speaker 3>There is in the pilot. Right, It's like it's a

0:14:24.120 --> 0:14:26.560
<v Speaker 3>way of being introduced to all of us, which exactly,

0:14:26.600 --> 0:14:28.640
<v Speaker 3>which makes perfect sense. But yeah, it was hard to

0:14:28.720 --> 0:14:30.120
<v Speaker 3>keep it going. It was hard to keep it going.

0:14:40.440 --> 0:14:43.680
<v Speaker 3>From our conversations, like two things that occurred to me

0:14:43.720 --> 0:14:46.040
<v Speaker 3>that I wanted to bring up. One was, you know,

0:14:46.240 --> 0:14:48.440
<v Speaker 3>you were talking about the time when they asked us

0:14:48.480 --> 0:14:51.360
<v Speaker 3>what was like the body part that we felt about

0:14:51.440 --> 0:14:54.120
<v Speaker 3>or would like to change or whatever. And you know,

0:14:54.200 --> 0:14:57.320
<v Speaker 3>there were, however many episodes there were before we had

0:14:57.320 --> 0:14:59.600
<v Speaker 3>any female writers. We just had Darren and then we

0:14:59.640 --> 0:15:00.880
<v Speaker 3>had and Michael Patrick.

0:15:01.000 --> 0:15:03.120
<v Speaker 1>I think there was a female writer in La I

0:15:03.160 --> 0:15:06.680
<v Speaker 1>can't remember her name, Terry something, but we never met that, right, right.

0:15:07.120 --> 0:15:10.360
<v Speaker 3>But so what I remember is there was I don't

0:15:10.400 --> 0:15:13.720
<v Speaker 3>remember what episode it is, but it's pretty early where

0:15:13.760 --> 0:15:17.760
<v Speaker 3>were we're talking about blowjobs and who likes them and

0:15:17.800 --> 0:15:20.640
<v Speaker 3>who doesn't like them? Yes, and remember they came and

0:15:20.680 --> 0:15:25.600
<v Speaker 3>interviewed us all no what because they were, you know,

0:15:25.640 --> 0:15:27.560
<v Speaker 3>they were gay men, so they have their own opinions

0:15:27.560 --> 0:15:30.440
<v Speaker 3>about blowjobs, right, and their own relationship to it.

0:15:30.560 --> 0:15:31.200
<v Speaker 1>Oh my god.

0:15:31.360 --> 0:15:34.800
<v Speaker 2>But they really they were really kind of a little sheepish.

0:15:34.960 --> 0:15:37.160
<v Speaker 3>But they felt like when you say they, do you

0:15:37.160 --> 0:15:40.200
<v Speaker 3>mean Darren and Michael, Darren and Michael, I remember Michael

0:15:40.360 --> 0:15:43.080
<v Speaker 3>specific Okay, okay, maybe.

0:15:42.800 --> 0:15:45.280
<v Speaker 2>They might have come. I think they might have come together.

0:15:45.640 --> 0:15:45.960
<v Speaker 1>Wow.

0:15:46.120 --> 0:15:50.280
<v Speaker 3>Now, And they wanted to know, like, I mean, the

0:15:50.320 --> 0:15:52.040
<v Speaker 3>baseline question is.

0:15:52.720 --> 0:15:54.280
<v Speaker 2>Women enjoy blowjobs?

0:15:55.240 --> 0:15:57.920
<v Speaker 3>Is it just something you just do to you know,

0:15:58.040 --> 0:16:01.360
<v Speaker 3>get along, you know whatever. So they went and then

0:16:01.360 --> 0:16:04.960
<v Speaker 3>they put different things that people upset or whatever, not

0:16:04.960 --> 0:16:07.280
<v Speaker 3>necessarily in the the person who had said it, but

0:16:07.800 --> 0:16:10.640
<v Speaker 3>right because they were like, remember this, because I think

0:16:10.760 --> 0:16:13.560
<v Speaker 3>every once in a while before we had female writers

0:16:15.080 --> 0:16:18.600
<v Speaker 3>that were in New York, you know, it was like, really,

0:16:18.640 --> 0:16:22.640
<v Speaker 3>should we have women here. We really should ask them

0:16:22.720 --> 0:16:24.640
<v Speaker 3>because we actually don't know.

0:16:24.800 --> 0:16:26.280
<v Speaker 2>I'm so glad that they did.

0:16:26.560 --> 0:16:29.480
<v Speaker 1>On my flight yesterday, I was losing my voice, so

0:16:29.600 --> 0:16:31.280
<v Speaker 1>I was really trying to be on vocal rest because

0:16:31.320 --> 0:16:32.040
<v Speaker 1>I really wanted to have a.

0:16:32.080 --> 0:16:32.680
<v Speaker 2>Voice to talk to you.

0:16:32.760 --> 0:16:37.880
<v Speaker 1>Today, I'm watching Blue's you're watching what Blue?

0:16:38.040 --> 0:16:38.720
<v Speaker 2>Do you know? Blue?

0:16:39.000 --> 0:16:41.960
<v Speaker 1>Your kids are too old? Blue is in Australian cartoon.

0:16:42.040 --> 0:16:44.760
<v Speaker 2>Do you mean like Blues Clues. It's new.

0:16:44.840 --> 0:16:49.000
<v Speaker 1>It's really really good, Cynthia. Oh yeah, bluis dogs their dogs.

0:16:49.080 --> 0:16:52.480
<v Speaker 2>Well like Blues Clues. No, it's not like Clues.

0:16:52.640 --> 0:16:55.760
<v Speaker 1>It is a thing. It's a phenomenon. My kids are

0:16:55.960 --> 0:16:58.320
<v Speaker 1>fully obsessed. We've seen them all. But okay, it's the

0:16:58.320 --> 0:16:59.800
<v Speaker 1>type thing where I want to rewatch it.

0:17:00.080 --> 0:17:04.000
<v Speaker 3>Wow. Yeah, it used to be for us, Yes, in

0:17:04.040 --> 0:17:06.320
<v Speaker 3>the early days, Yes, early SpongeBob.

0:17:06.359 --> 0:17:08.920
<v Speaker 2>There's nothing better. I think it's true.

0:17:08.880 --> 0:17:11.760
<v Speaker 3>SpongeBob had It was the one thing that our whole family,

0:17:11.800 --> 0:17:14.199
<v Speaker 3>with all of our children at very different ages, we

0:17:14.240 --> 0:17:15.200
<v Speaker 3>would all watch it.

0:17:15.200 --> 0:17:17.200
<v Speaker 2>It's a little lighter than SpongeBob.

0:17:17.520 --> 0:17:21.000
<v Speaker 1>SpongeBob has kind of a verse of humor underneath. This

0:17:21.160 --> 0:17:23.879
<v Speaker 1>is more like somehow they're writing for the parents and

0:17:23.920 --> 0:17:24.399
<v Speaker 1>the kids.

0:17:25.400 --> 0:17:26.120
<v Speaker 2>It's really good.

0:17:26.400 --> 0:17:28.960
<v Speaker 1>So I'm watching that because I'm watching something like a

0:17:28.960 --> 0:17:32.760
<v Speaker 1>feel good thing, that's my feel good thing. And it's dark,

0:17:32.840 --> 0:17:35.840
<v Speaker 1>you know, when everyone's sleeping around me, and these two

0:17:35.960 --> 0:17:39.640
<v Speaker 1>adorable young flight attendants come up to me and kneel down,

0:17:39.680 --> 0:17:42.480
<v Speaker 1>and I'm like, you know, because I'm in the middle

0:17:42.480 --> 0:17:45.399
<v Speaker 1>of the Blue's right, So I pause the bluies, I'm

0:17:45.440 --> 0:17:47.000
<v Speaker 1>like yes, and they give.

0:17:46.880 --> 0:17:49.080
<v Speaker 2>Me this note and then they skit her off and

0:17:49.160 --> 0:17:50.000
<v Speaker 2>the note.

0:17:50.040 --> 0:17:51.679
<v Speaker 1>Is so sweet and I meant to bring it, but

0:17:51.760 --> 0:17:55.639
<v Speaker 1>it basically says, we just want to thank you because

0:17:55.680 --> 0:18:02.639
<v Speaker 1>we were raised for better or worse on sex, and.

0:18:01.080 --> 0:18:04.639
<v Speaker 2>And I was like, it's so gives me chills.

0:18:04.640 --> 0:18:07.720
<v Speaker 1>It's like an incredible and bizarre thing to think about.

0:18:08.160 --> 0:18:10.080
<v Speaker 3>Well, I write, I think we talked a little bit

0:18:10.080 --> 0:18:14.200
<v Speaker 3>about you know, boyfriend's girlfriends, husband's wives together watching it

0:18:14.480 --> 0:18:17.800
<v Speaker 3>being kind of a springboard for talking about sex. And

0:18:17.840 --> 0:18:20.240
<v Speaker 3>I think a lot of mothers and daughters too, and

0:18:21.040 --> 0:18:23.879
<v Speaker 3>again a great springboard.

0:18:23.320 --> 0:18:27.480
<v Speaker 1>For like absolutely and who I mean, it just boggles

0:18:27.520 --> 0:18:30.160
<v Speaker 1>my mind to think about the origins of us, right,

0:18:30.240 --> 0:18:34.320
<v Speaker 1>and I mean, thank god, we I think all had

0:18:34.359 --> 0:18:39.919
<v Speaker 1>a sense of the wonderfulness, the power or whatever it was,

0:18:40.240 --> 0:18:42.239
<v Speaker 1>and we were hoping that everyone else would also get it,

0:18:42.400 --> 0:18:45.800
<v Speaker 1>you know what I'm saying, Like, and clearly HBO, thank God,

0:18:45.880 --> 0:18:48.520
<v Speaker 1>did and let us, you know, have the space to

0:18:49.400 --> 0:18:52.479
<v Speaker 1>grow and continue. And then the reviewers you know, didn't

0:18:52.520 --> 0:18:54.760
<v Speaker 1>really which was also really interesting, but we kind of

0:18:54.760 --> 0:18:57.919
<v Speaker 1>also expected that, right, Like I remember being very worried

0:18:57.960 --> 0:19:01.600
<v Speaker 1>before that first really the first season. Yeah, yeah, I

0:19:01.640 --> 0:19:03.120
<v Speaker 1>remember me and Sir Jesca like.

0:19:04.040 --> 0:19:05.359
<v Speaker 2>What are we going to say? What are they going

0:19:05.440 --> 0:19:05.680
<v Speaker 2>to think?

0:19:05.720 --> 0:19:08.000
<v Speaker 1>And remember how we did, like anyone wanted to talk

0:19:08.040 --> 0:19:09.600
<v Speaker 1>to us, We talked to them like we were like

0:19:09.680 --> 0:19:11.960
<v Speaker 1>we are, We're going to get out there and work

0:19:12.000 --> 0:19:14.000
<v Speaker 1>hard so that this is a success, you know, And

0:19:14.040 --> 0:19:15.080
<v Speaker 1>we did obviously.

0:19:15.200 --> 0:19:18.000
<v Speaker 2>I mean, never have people worked harder I don't think

0:19:18.280 --> 0:19:20.480
<v Speaker 2>for a TV show, you know what I mean. But

0:19:20.640 --> 0:19:22.679
<v Speaker 2>it was bigger, It was big. It felt bigger.

0:19:22.800 --> 0:19:24.800
<v Speaker 1>I feel like it felt bigger in a way because

0:19:24.800 --> 0:19:27.159
<v Speaker 1>there wasn't anything like it, right, you know, like it

0:19:27.280 --> 0:19:29.560
<v Speaker 1>felt like we were part of something that was bigger.

0:19:29.600 --> 0:19:33.159
<v Speaker 3>And because we were on HBO two things, we didn't

0:19:33.200 --> 0:19:38.840
<v Speaker 3>have sponsors looking over our shoulder, right and saying you

0:19:38.880 --> 0:19:41.440
<v Speaker 3>can't say that you can't talk about that. You're right, yeah,

0:19:41.840 --> 0:19:46.040
<v Speaker 3>and we and because it was HBO, a different version,

0:19:46.160 --> 0:19:48.960
<v Speaker 3>but a subset of that was like it's a place

0:19:49.000 --> 0:19:52.680
<v Speaker 3>where they would just let people with vision do their

0:19:52.760 --> 0:19:53.919
<v Speaker 3>thing and not in.

0:19:54.560 --> 0:19:57.879
<v Speaker 1>Right, there was like very few notes, just two that

0:19:57.960 --> 0:19:59.560
<v Speaker 1>I know of, and one had to do with your

0:19:59.560 --> 0:20:03.320
<v Speaker 1>storyline where you and Sir Jessica Carrie, you and Carrie.

0:20:03.400 --> 0:20:06.359
<v Speaker 2>Sorry, I really mix this up. Sometimes it's bad. Okay,

0:20:06.359 --> 0:20:06.800
<v Speaker 2>it's bad.

0:20:07.359 --> 0:20:09.440
<v Speaker 1>You and Carrie have some guy that you fight over.

0:20:09.520 --> 0:20:11.840
<v Speaker 1>Do you remember this. It's not in the first season.

0:20:11.880 --> 0:20:14.800
<v Speaker 1>I think it's second or third. And Carolyn Streuss was like, no,

0:20:15.200 --> 0:20:17.040
<v Speaker 1>they will never be arguing over a guy.

0:20:17.440 --> 0:20:20.880
<v Speaker 3>Oh, it's not the guy from the when the guy

0:20:20.880 --> 0:20:23.840
<v Speaker 3>I'm on the on the date with dies, right, it's

0:20:23.840 --> 0:20:25.680
<v Speaker 3>not that it's not fren of me is a friend

0:20:25.680 --> 0:20:25.879
<v Speaker 3>of me?

0:20:26.040 --> 0:20:27.560
<v Speaker 2>It could be fren of me. It's because I think

0:20:27.560 --> 0:20:28.760
<v Speaker 2>it changed.

0:20:28.560 --> 0:20:33.119
<v Speaker 3>Right from the my friend Alana's husband Dominic from right, yes,

0:20:33.160 --> 0:20:38.080
<v Speaker 3>and so right. I think the makes sense was she

0:20:38.200 --> 0:20:40.240
<v Speaker 3>comes with me to the funeral of the guy that

0:20:40.280 --> 0:20:41.560
<v Speaker 3>I was supposed to go on the date with, and

0:20:41.600 --> 0:20:44.480
<v Speaker 3>I call and yell at his mother and then she's.

0:20:44.320 --> 0:20:45.520
<v Speaker 2>Like he died, right.

0:20:45.920 --> 0:20:49.240
<v Speaker 3>And then it's somebody that Sarah Jessica has dated or

0:20:49.280 --> 0:20:52.359
<v Speaker 3>slept with in right, and she tries to warn me

0:20:52.400 --> 0:20:54.280
<v Speaker 3>off him, and I was like, I like him right ever,

0:20:55.040 --> 0:20:56.640
<v Speaker 3>so that must be right, because.

0:20:56.640 --> 0:20:59.000
<v Speaker 1>At one version there was like an argument between you

0:20:59.080 --> 0:21:01.720
<v Speaker 1>guys about it, like a like a like she still

0:21:01.800 --> 0:21:04.679
<v Speaker 1>liked him or something where we go out cool yeah,

0:21:04.920 --> 0:21:07.399
<v Speaker 1>and Carolyn Strauss was like, no, they're never going to

0:21:07.480 --> 0:21:09.880
<v Speaker 1>be doing that, right, you know. And then the only

0:21:09.880 --> 0:21:11.800
<v Speaker 1>other note that I ever personally got, well, actually I

0:21:11.800 --> 0:21:15.000
<v Speaker 1>had to reshoot the scene with the guy, the up

0:21:15.000 --> 0:21:17.240
<v Speaker 1>the butt guy because Darren told me that I was

0:21:17.240 --> 0:21:20.400
<v Speaker 1>too upset because you know, my thing in the beginning

0:21:20.520 --> 0:21:22.720
<v Speaker 1>with the guy on the bed mm hmmm, my thing

0:21:22.720 --> 0:21:24.040
<v Speaker 1>in the beginning, with my two flats.

0:21:24.080 --> 0:21:25.800
<v Speaker 2>You know, I only had two flats. I don't know

0:21:25.800 --> 0:21:27.639
<v Speaker 2>what Miranda had. I think I had nothing.

0:21:29.520 --> 0:21:31.760
<v Speaker 3>I think I had nothing until I bought the Darkment

0:21:31.960 --> 0:21:33.200
<v Speaker 3>and then I had a whole apartment.

0:21:33.280 --> 0:21:35.080
<v Speaker 2>Amazing, amazing.

0:21:35.160 --> 0:21:38.200
<v Speaker 1>Yeah, you're you're quite out in the world, which I love.

0:21:38.359 --> 0:21:40.840
<v Speaker 1>You know, you're walking, you're talking, you're with Skipper, you're

0:21:40.880 --> 0:21:41.320
<v Speaker 1>with Carrie.

0:21:41.640 --> 0:21:43.440
<v Speaker 2>We have to talk about you and Carrie. Yeah, we're

0:21:43.480 --> 0:21:44.880
<v Speaker 2>talking about you and Carry. Yeah.

0:21:44.920 --> 0:21:48.359
<v Speaker 1>When you think about your relationship, the Miranda Carry relationship,

0:21:49.600 --> 0:21:52.000
<v Speaker 1>I feel like and in ways that I never really

0:21:52.040 --> 0:21:54.240
<v Speaker 1>clocked because of course I'm over there, just trying to

0:21:54.240 --> 0:21:56.879
<v Speaker 1>do my best at Charlotte right right, not thinking objectively

0:21:56.880 --> 0:22:00.400
<v Speaker 1>about everybody, but like it's such a through line and your.

0:22:00.320 --> 0:22:03.040
<v Speaker 2>Walk and talks. Now, I remember when we're when we're on.

0:22:03.119 --> 0:22:05.360
<v Speaker 1>And just like that, I'm always like, darn it, they

0:22:05.400 --> 0:22:07.920
<v Speaker 1>have another walk and talk and I'm not in it.

0:22:08.240 --> 0:22:10.240
<v Speaker 2>Like I'm always so sad, you know what i mean.

0:22:10.480 --> 0:22:12.200
<v Speaker 1>But when I look back at the history of it,

0:22:12.480 --> 0:22:13.800
<v Speaker 1>I'm like, of course they do.

0:22:14.240 --> 0:22:19.560
<v Speaker 2>It's like a It's like a touchstone our whole entire being. Right,

0:22:19.880 --> 0:22:22.120
<v Speaker 2>Do you feel that way? I do.

0:22:22.680 --> 0:22:27.120
<v Speaker 3>I feel like I'm not sure I understand it. I

0:22:27.240 --> 0:22:31.199
<v Speaker 3>feel like, you know, I feel like both Charlotte and

0:22:31.280 --> 0:22:37.080
<v Speaker 3>Samantha have a thing that Miranda doesn't have, which is

0:22:37.080 --> 0:22:41.200
<v Speaker 3>they have a little bit of like, I'm not gonna.

0:22:40.920 --> 0:22:43.720
<v Speaker 2>Mess in your world. That's true.

0:22:43.800 --> 0:22:47.919
<v Speaker 3>Yea. I see you doing something. I don't agree with it,

0:22:48.000 --> 0:22:51.440
<v Speaker 3>I don't approve of it, I don't whatever, but I'm

0:22:51.560 --> 0:22:56.359
<v Speaker 3>gonna respect it. I'm just not gonna mess with it, right,

0:22:56.359 --> 0:22:58.719
<v Speaker 3>I don't want to have a fight with you, right,

0:22:58.800 --> 0:22:59.439
<v Speaker 3>want to whatever?

0:22:59.640 --> 0:23:05.680
<v Speaker 2>Right, Moranda, Right, Miranda, Right?

0:23:05.760 --> 0:23:10.879
<v Speaker 3>And I think maybe it's because Miranda sort of came

0:23:11.320 --> 0:23:18.600
<v Speaker 3>later to this idea of like a partner children, like

0:23:18.760 --> 0:23:24.000
<v Speaker 3>a kind of an interior self, you know. So I

0:23:24.040 --> 0:23:28.960
<v Speaker 3>think for a long time Carrie was that person for her.

0:23:29.240 --> 0:23:30.840
<v Speaker 2>Yeah, that was like her.

0:23:31.760 --> 0:23:36.000
<v Speaker 3>Right, and so she she fights with her the way

0:23:36.040 --> 0:23:37.920
<v Speaker 3>you would fight with a spouse.

0:23:38.000 --> 0:23:39.840
<v Speaker 2>So true, right, is so true?

0:23:40.320 --> 0:23:45.320
<v Speaker 3>Like Miranda doesn't feel like there is a politeness boundary.

0:23:45.040 --> 0:23:46.159
<v Speaker 2>No, she doesn't.

0:23:46.200 --> 0:23:49.080
<v Speaker 1>And I think that's what Carrie likes and needs, right,

0:23:49.320 --> 0:23:51.359
<v Speaker 1>you know, from the carry standpoint, Like here's someone who's

0:23:51.359 --> 0:23:52.800
<v Speaker 1>actually going to tell me what she thinks.

0:23:53.040 --> 0:23:55.359
<v Speaker 2>Right, She's not going to tiptoe, She's going to go

0:23:55.480 --> 0:23:58.240
<v Speaker 2>right in there. Right. Not that she listens to you,

0:23:58.880 --> 0:24:00.760
<v Speaker 2>but you know, it's really interesting.

0:24:00.840 --> 0:24:01.119
<v Speaker 1>But I know.

0:24:01.400 --> 0:24:05.000
<v Speaker 3>So it's like the thing when Miranda disapproves of something

0:24:05.119 --> 0:24:09.480
<v Speaker 3>or someone, it's very hard for Carrie to sort of

0:24:09.520 --> 0:24:14.399
<v Speaker 3>like wuyet that head in her voice, yeah, because she thinks,

0:24:14.480 --> 0:24:16.400
<v Speaker 3>oh maybe she's.

0:24:16.080 --> 0:24:18.000
<v Speaker 2>Yeah definitely, which is what's so great.

0:24:18.119 --> 0:24:23.760
<v Speaker 1>It's such a great and interesting dynamic that I rewatching it.

0:24:23.880 --> 0:24:26.000
<v Speaker 1>I'm really much more aware of it than I used

0:24:26.000 --> 0:24:28.960
<v Speaker 1>to be in terms of, like, so many important things

0:24:29.000 --> 0:24:32.440
<v Speaker 1>happen on your guys' walking talks, right, you know that effect.

0:24:32.480 --> 0:24:34.760
<v Speaker 1>I mean, maybe there's listen to, maybe they're not listened to,

0:24:34.840 --> 0:24:37.639
<v Speaker 1>but like you're like thinking out loud and processing together

0:24:37.720 --> 0:24:40.280
<v Speaker 1>in a way, and you know you're very different. You

0:24:40.440 --> 0:24:44.320
<v Speaker 1>meet kind of in the middle in an interesting, interesting way,

0:24:44.520 --> 0:24:47.600
<v Speaker 1>you know, like in terms of like kind of intellectually

0:24:47.600 --> 0:24:48.720
<v Speaker 1>but also emotionally.

0:24:49.240 --> 0:24:52.080
<v Speaker 2>There's an exchange that I really love.

0:24:52.520 --> 0:24:55.359
<v Speaker 1>Yeah, And it's partly because you are so different and

0:24:55.400 --> 0:24:56.680
<v Speaker 1>you have a different point of view.

0:24:56.960 --> 0:25:02.000
<v Speaker 3>Yeah, but you're equals, yeah.

0:25:00.720 --> 0:25:04.760
<v Speaker 1>Which is so great in so many ways. Where Charlotte's like,

0:25:04.800 --> 0:25:08.720
<v Speaker 1>it's my hair, do you shine? At least that's how

0:25:08.720 --> 0:25:11.399
<v Speaker 1>she begins, you know what I mean, But you guys

0:25:11.480 --> 0:25:14.240
<v Speaker 1>right away, right away, I feel like it's very much

0:25:16.840 --> 0:25:20.920
<v Speaker 1>equals kind of who respect each other. She I feel

0:25:20.920 --> 0:25:23.679
<v Speaker 1>like she needs your opinion. She needs it. You know,

0:25:23.720 --> 0:25:26.480
<v Speaker 1>She's not going to necessarily show you that, right, but

0:25:26.600 --> 0:25:29.479
<v Speaker 1>she's like, oh, you know, she's very in her like

0:25:29.600 --> 0:25:33.760
<v Speaker 1>way like oh you know this, and you're like, really.

0:25:34.720 --> 0:25:38.399
<v Speaker 3>I think, right, I mean, I do feel like, you know,

0:25:38.480 --> 0:25:41.280
<v Speaker 3>I always I'm very into the Greek gods and school

0:25:41.359 --> 0:25:45.280
<v Speaker 3>or whatever I know, and so it's so obvious. It's like, right,

0:25:45.920 --> 0:25:50.760
<v Speaker 3>Aantha's Aphrodite, yes, and your Hara right, the goddess of marriage, right, yes,

0:25:51.080 --> 0:25:53.560
<v Speaker 3>And I'm Artemis right, and then carrieus, I don't know

0:25:53.560 --> 0:25:59.280
<v Speaker 3>who's but but but I mean I think that that's

0:25:59.320 --> 0:26:03.440
<v Speaker 3>a thing about Miranda is like she's very like that's

0:26:03.440 --> 0:26:06.200
<v Speaker 3>the thing about Artemis. Like she has her whole little

0:26:06.440 --> 0:26:10.160
<v Speaker 3>tribe of women and their hunters and they they're they're

0:26:10.200 --> 0:26:12.479
<v Speaker 3>they're not Amazons, but they're kind of like Amazons, and

0:26:12.560 --> 0:26:15.920
<v Speaker 3>like men are like second tier, you know what I mean.

0:26:16.119 --> 0:26:21.520
<v Speaker 3>And so it's like our relationship is primary, and it's

0:26:21.600 --> 0:26:24.479
<v Speaker 3>why Miranda can like get in there, I mean with

0:26:24.560 --> 0:26:27.520
<v Speaker 3>you guys too. Like Miranda like you know, provokes you

0:26:27.720 --> 0:26:31.800
<v Speaker 3>and you know all the pinaco. I would just keep walking.

0:26:31.840 --> 0:26:34.480
<v Speaker 3>Oh no, Carrie says that, right, I would just keep walking.

0:26:35.359 --> 0:26:38.320
<v Speaker 2>Yeah. But also like my choice is my choice? Yes, yes,

0:26:38.400 --> 0:26:40.280
<v Speaker 2>I choose my choice. I choose my choice. I choose

0:26:40.280 --> 0:26:40.600
<v Speaker 2>my choice.

0:26:40.640 --> 0:26:52.919
<v Speaker 1>See I don't remember them, right, but she does. I

0:26:52.960 --> 0:26:56.000
<v Speaker 1>can't really remember Miranda in the book so much. Like

0:26:56.080 --> 0:26:58.080
<v Speaker 1>I do feel also like as much as I think

0:26:58.080 --> 0:27:00.119
<v Speaker 1>about Charlotte not being fleshed out in the book, I

0:27:00.119 --> 0:27:02.000
<v Speaker 1>don't really think anyone was that fleshed out in the

0:27:02.000 --> 0:27:02.640
<v Speaker 1>book in a way.

0:27:02.840 --> 0:27:04.639
<v Speaker 3>Yeah. I mean I read the book and I liked

0:27:04.640 --> 0:27:06.720
<v Speaker 3>the book, but I don't remember it hardly at all,

0:27:06.800 --> 0:27:07.320
<v Speaker 3>Like I think.

0:27:07.160 --> 0:27:09.560
<v Speaker 2>We kind of just I remember it was hard to

0:27:09.720 --> 0:27:11.960
<v Speaker 2>like the people. It was hard to like. It was

0:27:11.960 --> 0:27:13.720
<v Speaker 2>he really hard to like the people.

0:27:13.760 --> 0:27:16.240
<v Speaker 1>Michael and I talked about this like it was you know,

0:27:16.359 --> 0:27:19.320
<v Speaker 1>I do think that Candace was you know, kind of

0:27:19.359 --> 0:27:22.399
<v Speaker 1>reporting the things she was hearing were going on in

0:27:22.440 --> 0:27:26.840
<v Speaker 1>this kind of certain group of people, like the Finance bros.

0:27:26.960 --> 0:27:29.040
<v Speaker 1>And the you know, it was a dark, as Michael

0:27:29.080 --> 0:27:30.720
<v Speaker 1>put it, a dark kind.

0:27:30.560 --> 0:27:32.600
<v Speaker 3>Of a and the men had a lot of power

0:27:32.600 --> 0:27:34.479
<v Speaker 3>and money, a lot of power in money, and there

0:27:34.520 --> 0:27:36.520
<v Speaker 3>was kind of this and the women were wanting to

0:27:36.560 --> 0:27:37.840
<v Speaker 3>be like just wanting to be.

0:27:39.280 --> 0:27:41.439
<v Speaker 1>So Michael talks about when he came in that he

0:27:41.440 --> 0:27:43.800
<v Speaker 1>didn't really know that world. You know that Darren knew

0:27:43.800 --> 0:27:46.760
<v Speaker 1>it and Candace knew it obviously, but Darren knew it

0:27:46.880 --> 0:27:49.240
<v Speaker 1>and was bringing that Like when I watched the Modelizer,

0:27:49.440 --> 0:27:51.680
<v Speaker 1>I had totally forgotten about that sex tape thing.

0:27:52.119 --> 0:27:54.760
<v Speaker 2>I was like, what on earth right now?

0:27:54.960 --> 0:27:57.879
<v Speaker 1>I'm one hundred percent sure that that really happened in

0:27:57.960 --> 0:28:01.680
<v Speaker 1>Candace was just reporting it, but like the fact that

0:28:01.760 --> 0:28:04.320
<v Speaker 1>carry has to sit there and be like, oh.

0:28:04.040 --> 0:28:06.640
<v Speaker 2>Oh, do you have a light? Like it's so crazy.

0:28:06.840 --> 0:28:09.120
<v Speaker 1>But then later she does go to Samantha and say like, oh,

0:28:09.160 --> 0:28:10.520
<v Speaker 1>you know, you might not want to go over there,

0:28:10.680 --> 0:28:14.159
<v Speaker 1>you know, in Samantha's like I will, which you know,

0:28:14.720 --> 0:28:19.520
<v Speaker 1>the same I remember about the book is that there

0:28:19.520 --> 0:28:21.400
<v Speaker 1>are all these people.

0:28:23.200 --> 0:28:26.399
<v Speaker 2>And they're all alienated.

0:28:27.320 --> 0:28:31.280
<v Speaker 3>Yeah, the men and women are definitely alienated from each other.

0:28:31.320 --> 0:28:34.920
<v Speaker 3>They're working across purposes, they're not showing their hand. They're

0:28:34.960 --> 0:28:39.440
<v Speaker 3>trying to win, but they're not not win through let

0:28:39.440 --> 0:28:42.080
<v Speaker 3>me tell you what I want to hear what you want,

0:28:42.240 --> 0:28:45.960
<v Speaker 3>you know, And that there's no sense that I remember

0:28:45.960 --> 0:28:50.080
<v Speaker 3>in the book of the women being allied together, right,

0:28:50.680 --> 0:28:52.760
<v Speaker 3>and so I think that that's the b I mean,

0:28:53.000 --> 0:28:55.160
<v Speaker 3>and the and the Pilot, which I love the Pilot,

0:28:55.200 --> 0:28:58.120
<v Speaker 3>but the Pilot captures much more of that sense of

0:28:58.280 --> 0:29:00.800
<v Speaker 3>like we're all ships that pass in the night and

0:29:00.880 --> 0:29:02.680
<v Speaker 3>we can't help each other, and we're.

0:29:02.560 --> 0:29:04.840
<v Speaker 2>All kind of doom, it's true.

0:29:04.720 --> 0:29:08.800
<v Speaker 3>Right, But that that's the big switch that makes the

0:29:08.840 --> 0:29:12.840
<v Speaker 3>show the show is like we're having we're all on

0:29:12.880 --> 0:29:19.560
<v Speaker 3>our separate journeys and they're often disappointing or worse, you know,

0:29:19.800 --> 0:29:24.520
<v Speaker 3>harrowing in some way, but but we the thing that

0:29:24.560 --> 0:29:26.840
<v Speaker 3>we are not in doubt of is our love for

0:29:26.880 --> 0:29:28.840
<v Speaker 3>each other and our commitment to each other and the

0:29:28.920 --> 0:29:31.320
<v Speaker 3>factor right, and they were always going to be there

0:29:31.320 --> 0:29:34.400
<v Speaker 3>for each other, and that as opposed to men with

0:29:34.800 --> 0:29:36.320
<v Speaker 3>whom you might feel like you have to play a

0:29:36.360 --> 0:29:40.160
<v Speaker 3>game that with Between the women, we tell each other

0:29:40.200 --> 0:29:41.040
<v Speaker 3>what we think.

0:29:41.040 --> 0:29:44.560
<v Speaker 2>Right, which is so so great.

0:29:45.000 --> 0:29:48.040
<v Speaker 1>I feel like that's almost possibly the ending, though I

0:29:48.080 --> 0:29:50.920
<v Speaker 1>really hate to end, because I could touch you forever

0:29:51.200 --> 0:29:53.560
<v Speaker 1>and it's so much fun, and I'd love to hear

0:29:53.600 --> 0:29:55.920
<v Speaker 1>the other like, because even though we were all went

0:29:55.960 --> 0:29:59.560
<v Speaker 1>through it, everyone has slightly different of the coming to it, Yeah,

0:29:59.640 --> 0:30:02.000
<v Speaker 1>memory and coming to it and how you thought about

0:30:02.040 --> 0:30:03.680
<v Speaker 1>it and what you think now when you look back,

0:30:03.760 --> 0:30:06.800
<v Speaker 1>Like it's super fascinating and we're obviously so incredibly lucky

0:30:06.840 --> 0:30:08.440
<v Speaker 1>to be part of it and part of something that

0:30:08.480 --> 0:30:10.680
<v Speaker 1>has been able to last this long. And I feel

0:30:10.680 --> 0:30:12.440
<v Speaker 1>like the reason it's been able to last as long,

0:30:12.480 --> 0:30:16.880
<v Speaker 1>and it's different carnations is the storytelling, you know, and

0:30:16.920 --> 0:30:20.080
<v Speaker 1>the relatability, and they kind of the core you know,

0:30:22.120 --> 0:30:27.160
<v Speaker 1>discovery or like search for answers and you know, like

0:30:27.280 --> 0:30:29.520
<v Speaker 1>Michael has his own viewpoint as you know about you know,

0:30:29.560 --> 0:30:32.840
<v Speaker 1>what our themes are or whatever. Right, I just love

0:30:32.840 --> 0:30:34.280
<v Speaker 1>to talk about it because every time I talk to

0:30:34.320 --> 0:30:36.160
<v Speaker 1>any of us, I learn more about it, right, And

0:30:36.200 --> 0:30:39.719
<v Speaker 1>I feel like people people obviously relate to it in

0:30:39.800 --> 0:30:41.600
<v Speaker 1>different ways for that very reason.

0:30:41.720 --> 0:30:46.760
<v Speaker 3>I mean that when I watched the show having you know,

0:30:46.840 --> 0:30:49.880
<v Speaker 3>when I watched an episode having seen it however many

0:30:49.960 --> 0:30:52.680
<v Speaker 3>times before, the thing that.

0:30:52.640 --> 0:30:54.800
<v Speaker 2>Always strikes me is how.

0:30:58.200 --> 0:31:05.000
<v Speaker 3>How concentrated its about, how there's no wasted there's no

0:31:05.280 --> 0:31:08.800
<v Speaker 3>treading water, right, that it's so compack.

0:31:09.480 --> 0:31:10.680
<v Speaker 2>And I think it's one.

0:31:10.520 --> 0:31:13.680
<v Speaker 3>Of the reasons people do like to watch them again

0:31:13.720 --> 0:31:18.640
<v Speaker 3>and again and again is there's every there's there's multiple

0:31:18.680 --> 0:31:21.880
<v Speaker 3>things going on every moment, and it's so beautifully like

0:31:22.400 --> 0:31:27.160
<v Speaker 3>woven together. It's so the themes and the lines, and

0:31:27.200 --> 0:31:30.880
<v Speaker 3>that it's like a perfect you know, or a gami

0:31:31.000 --> 0:31:36.040
<v Speaker 3>or something you know, like and so of course it's

0:31:36.400 --> 0:31:41.160
<v Speaker 3>it's it's funny and it's shocking, and it's beautiful to

0:31:41.280 --> 0:31:45.360
<v Speaker 3>look at, both in terms of us and the clothes

0:31:45.560 --> 0:31:50.520
<v Speaker 3>and the cinematography and the city. But it's really that

0:31:50.600 --> 0:31:55.120
<v Speaker 3>it's it's dense. And I was it's funny because I

0:31:55.200 --> 0:31:57.600
<v Speaker 3>was listening to a book on tape on my way

0:31:57.640 --> 0:32:01.360
<v Speaker 3>over here of a of a of Nora Efron's first book,

0:32:01.400 --> 0:32:05.960
<v Speaker 3>and she was talking in great detail about how she

0:32:06.120 --> 0:32:08.959
<v Speaker 3>came to be a writer from the world of journalism

0:32:09.000 --> 0:32:12.400
<v Speaker 3>and specifically from the world of the Post, which she

0:32:12.440 --> 0:32:15.720
<v Speaker 3>said is a terrible newspaper. And also everything is really

0:32:15.760 --> 0:32:20.120
<v Speaker 3>really short, and she said it was a great training

0:32:20.840 --> 0:32:25.240
<v Speaker 3>because I wasn't writing multiple pages.

0:32:25.960 --> 0:32:28.880
<v Speaker 2>And I think, I don't know what there is about

0:32:29.000 --> 0:32:31.400
<v Speaker 2>Darren and Michael that, you know.

0:32:31.480 --> 0:32:34.280
<v Speaker 3>Maybe it was that the show was twenty three minutes

0:32:34.360 --> 0:32:35.760
<v Speaker 3>or twenty seven minutes round whatever.

0:32:35.920 --> 0:32:39.360
<v Speaker 1>That's where Michael had come from, right, like true sitcom,

0:32:39.520 --> 0:32:40.560
<v Speaker 1>right timing.

0:32:40.560 --> 0:32:41.680
<v Speaker 2>But that you have.

0:32:43.320 --> 0:32:47.040
<v Speaker 3>Maybe if you had one main character, you could tread

0:32:47.080 --> 0:32:49.800
<v Speaker 3>water a little bit more, but you have four, right,

0:32:50.080 --> 0:32:53.320
<v Speaker 3>and to try and get four. And we always know

0:32:54.080 --> 0:32:55.960
<v Speaker 3>this is an episode in which I'm heavy, this is

0:32:56.000 --> 0:32:58.120
<v Speaker 3>an episode in which I'm light, right, you know, this

0:32:58.240 --> 0:33:01.040
<v Speaker 3>is this is my episode this is not my episodes.

0:33:01.440 --> 0:33:04.600
<v Speaker 3>But regardless, even if it's not your episode, you do

0:33:04.680 --> 0:33:06.080
<v Speaker 3>have a storyline.

0:33:05.560 --> 0:33:07.840
<v Speaker 2>Right, and you're there, and you're there, you're present, and

0:33:08.000 --> 0:33:11.320
<v Speaker 2>so to be able to boil.

0:33:11.040 --> 0:33:15.760
<v Speaker 3>It down and make it be so economical, I think

0:33:16.000 --> 0:33:19.360
<v Speaker 3>is like everything has to do three things.

0:33:19.440 --> 0:33:21.720
<v Speaker 1>Yeah, and that that's a really valid point. And I

0:33:21.720 --> 0:33:24.360
<v Speaker 1>think also why it stands up, you know, I mean

0:33:24.400 --> 0:33:27.040
<v Speaker 1>like not every tiny detail will stand up, and some

0:33:27.080 --> 0:33:30.320
<v Speaker 1>of it's nostalgic and some of that that's cringey, right, yeah,

0:33:30.360 --> 0:33:35.480
<v Speaker 1>but it's still fascinating and that's, you know, an accomplishment. Now,

0:33:35.560 --> 0:33:37.440
<v Speaker 1>I want to say something else, since you're here and

0:33:37.520 --> 0:33:40.320
<v Speaker 1>since we're on my podcast, and I can, I just

0:33:40.360 --> 0:33:43.560
<v Speaker 1>want to say that I've said this in different settings.

0:33:44.920 --> 0:33:48.560
<v Speaker 1>Meeting you and having you be with me through this

0:33:48.640 --> 0:33:53.719
<v Speaker 1>whole thing and be my protector has been such a gift.

0:33:54.560 --> 0:33:55.600
<v Speaker 2>You are such a gift.

0:33:55.920 --> 0:34:01.360
<v Speaker 3>You have been my protector in at least.

0:34:00.360 --> 0:34:03.040
<v Speaker 1>So for You're sweet and I'm so happy to have

0:34:03.040 --> 0:34:06.240
<v Speaker 1>gone through this with you and to continue to continue.

0:34:06.320 --> 0:34:10.480
<v Speaker 2>I cherish you. Love, You're my baby, Thank you for coming.

0:34:11.239 --> 0:34:14.399
<v Speaker 2>We know you're not a Charlotte. I'm really we don't

0:34:14.440 --> 0:34:17.279
<v Speaker 2>want you to be. Really, it's cool. Really, it's cool.

0:34:17.320 --> 0:34:18.960
<v Speaker 1>I don't want people to feel like they have to

0:34:19.000 --> 0:34:19.680
<v Speaker 1>be a Charlotte.

0:34:19.680 --> 0:34:23.160
<v Speaker 2>No, it's just a jumping off. It's a jumping off.

0:34:23.080 --> 0:34:26.239
<v Speaker 1>Question in case I don't know the person right right,

0:34:26.320 --> 0:34:29.759
<v Speaker 1>but I know you. Thank you, Cynthia, thank you christ

0:34:31.200 --> 0:34:34.279
<v Speaker 1>I wish, I wish that I know Christmas got Thomas