WEBVTT - Adam Scott Meets World

0:00:17.840 --> 0:00:25.200
<v Speaker 1>So I have COVIDH again, and this time I bit

0:00:25.280 --> 0:00:27.800
<v Speaker 1>the bullet. And that's going to be an apt metaphor.

0:00:27.840 --> 0:00:29.200
<v Speaker 1>When I talked about what I want to talk about

0:00:29.240 --> 0:00:32.879
<v Speaker 1>and I took the packs, Loavid, and I want to

0:00:32.920 --> 0:00:36.160
<v Speaker 1>play a little game show with you both, if that's

0:00:36.159 --> 0:00:38.080
<v Speaker 1>all right, And the game show is going to be,

0:00:39.159 --> 0:00:41.960
<v Speaker 1>what's the weirdest side effect from a medication you've ever had?

0:00:42.120 --> 0:00:46.919
<v Speaker 1>Right or strong? Daniel fish will come on down? So

0:00:47.159 --> 0:00:50.479
<v Speaker 1>on the packs, Loavid. A side effect that everybody has

0:00:50.520 --> 0:00:53.000
<v Speaker 1>talked about, which I've now I'm in day three of

0:00:54.000 --> 0:00:58.760
<v Speaker 1>is it's just constantly like I'm sucking on a giant battery.

0:01:00.080 --> 0:01:02.160
<v Speaker 1>Was what I though, you're gonna say, a giant lemon?

0:01:02.200 --> 0:01:08.600
<v Speaker 1>And I was like I would have been. It's this

0:01:08.840 --> 0:01:14.160
<v Speaker 1>metallity acidity not which again I've been reading about. Apparently

0:01:14.200 --> 0:01:17.160
<v Speaker 1>everyone has it on this stuff, and it's just it's

0:01:17.200 --> 0:01:21.200
<v Speaker 1>never ending, it's all and it's very odd, and I'm

0:01:21.200 --> 0:01:23.800
<v Speaker 1>just curious. Can either of you remember anything you've taken

0:01:24.080 --> 0:01:26.960
<v Speaker 1>that's given you any bizarre side effects? No? I mean

0:01:27.000 --> 0:01:28.800
<v Speaker 1>I feel like we have to tell the story of

0:01:28.920 --> 0:01:33.440
<v Speaker 1>when I was on drugs the first time. It's one

0:01:33.480 --> 0:01:36.039
<v Speaker 1>of my favorite memories from world altogether. It's just you

0:01:36.319 --> 0:01:39.800
<v Speaker 1>leaning up against the locker in the in the school hallway,

0:01:40.000 --> 0:01:43.039
<v Speaker 1>having absolutely no idea what was going on. And I

0:01:43.120 --> 0:01:45.800
<v Speaker 1>was like, I had had a really bad ingrown tone

0:01:45.840 --> 0:01:48.520
<v Speaker 1>nail because I have wide feet and I used to

0:01:48.560 --> 0:01:52.040
<v Speaker 1>cram them into boots and choose that I shouldn't have

0:01:52.040 --> 0:01:54.240
<v Speaker 1>been cramming my feet into and I let this ingrown

0:01:54.280 --> 0:01:58.360
<v Speaker 1>toneenail get incredibly infected and it was awful and painful,

0:01:58.400 --> 0:02:01.840
<v Speaker 1>but I just ignored it because the show must go

0:02:01.880 --> 0:02:06.120
<v Speaker 1>on and on tape night or actually was probably a Wednesday. Well,

0:02:06.160 --> 0:02:09.600
<v Speaker 1>we definitely had an audience because so I went and

0:02:09.680 --> 0:02:11.959
<v Speaker 1>got this toe dealt with, you know, went to some

0:02:12.080 --> 0:02:14.480
<v Speaker 1>surgery basically surgery like they cut you know, they actually

0:02:14.520 --> 0:02:18.040
<v Speaker 1>cut your toe open, and they gave me pain medication,

0:02:18.120 --> 0:02:20.720
<v Speaker 1>which I had never taken anything. I had never taken

0:02:20.720 --> 0:02:23.360
<v Speaker 1>biking in or whatever. And yeah, I remember being in

0:02:23.400 --> 0:02:27.959
<v Speaker 1>the classroom, sitting there and just completely missing my cue

0:02:28.240 --> 0:02:30.760
<v Speaker 1>and going I just remember in front of the oh

0:02:30.760 --> 0:02:33.360
<v Speaker 1>wait that's me, and the audience just lost it and

0:02:33.400 --> 0:02:35.919
<v Speaker 1>we're and you guys were look what is wrong with you?

0:02:36.280 --> 0:02:38.000
<v Speaker 1>I was just so dopey and I wonder if we're

0:02:38.000 --> 0:02:40.320
<v Speaker 1>gonna be able to tell what episode it was because

0:02:40.320 --> 0:02:42.360
<v Speaker 1>I have no recollection. But you remember me by the

0:02:42.400 --> 0:02:45.080
<v Speaker 1>lockers to writer, you and I were standing next to

0:02:45.080 --> 0:02:47.760
<v Speaker 1>each other. You were leaning against the lockers, and it

0:02:47.840 --> 0:02:49.520
<v Speaker 1>was one of those times where like you were supposed

0:02:49.520 --> 0:02:51.320
<v Speaker 1>to say something and you didn't say anything, and I

0:02:51.360 --> 0:02:53.720
<v Speaker 1>was like, you were like, oh, that's me. And then

0:02:53.800 --> 0:02:55.480
<v Speaker 1>in between you looked at me and you were like,

0:02:55.800 --> 0:03:01.360
<v Speaker 1>I'm so out of it, like what's going on? And

0:03:01.400 --> 0:03:07.240
<v Speaker 1>you were like I was like, oh man, I had

0:03:07.280 --> 0:03:09.280
<v Speaker 1>never seen you like that because you were basically straight

0:03:09.320 --> 0:03:14.920
<v Speaker 1>edge anything. I didn't drink or anything drink, so you

0:03:14.960 --> 0:03:17.680
<v Speaker 1>were just like I was like, wow, this is this

0:03:17.760 --> 0:03:23.680
<v Speaker 1>is interesting. Um I can't. Any time I think of

0:03:23.720 --> 0:03:26.840
<v Speaker 1>medication stories, I think of the During the pilot of

0:03:26.840 --> 0:03:30.560
<v Speaker 1>Girl Meets World, I got very sick. It was no surprise.

0:03:30.760 --> 0:03:34.600
<v Speaker 1>I got very sick. And I did not know that

0:03:35.000 --> 0:03:39.520
<v Speaker 1>um musin X was a one pill per twenty four hours.

0:03:40.280 --> 0:03:43.560
<v Speaker 1>Did yeah, yeah, and that's the one I was taking.

0:03:43.800 --> 0:03:46.880
<v Speaker 1>And I thought, I talk about a terrible assumption. I

0:03:46.960 --> 0:03:49.480
<v Speaker 1>assumed it was like advil or something, or maybe I

0:03:49.480 --> 0:03:50.920
<v Speaker 1>don't even know if adills this way but I assumed

0:03:50.920 --> 0:03:54.400
<v Speaker 1>it was one every four hours, and I was very,

0:03:54.560 --> 0:03:56.560
<v Speaker 1>very sick and we had to be shooting and it was,

0:03:56.600 --> 0:03:57.920
<v Speaker 1>you know, one of those days. And so I woke

0:03:58.000 --> 0:04:00.440
<v Speaker 1>up and I took one and it made me feel better.

0:04:00.440 --> 0:04:02.840
<v Speaker 1>I was like, Wow, this is actually working. I feel great.

0:04:02.880 --> 0:04:04.480
<v Speaker 1>And then four hours later I was like, coming, take

0:04:04.480 --> 0:04:06.680
<v Speaker 1>another one, and I took another one. And I did

0:04:06.680 --> 0:04:08.320
<v Speaker 1>that throughout the course of the day. And when I

0:04:08.360 --> 0:04:12.840
<v Speaker 1>tell you, oh, it's like a speed thing. I was racing.

0:04:13.800 --> 0:04:15.960
<v Speaker 1>You needed Michael Jacobs to tell you to slow down.

0:04:16.800 --> 0:04:18.799
<v Speaker 1>It was like going back to being twelve years old

0:04:19.000 --> 0:04:21.159
<v Speaker 1>and being told to someone was like what are you

0:04:21.279 --> 0:04:23.080
<v Speaker 1>What are you taking? And I was like, music next,

0:04:23.279 --> 0:04:24.680
<v Speaker 1>you know, music next. They were like, oh, yeah, one

0:04:24.680 --> 0:04:33.400
<v Speaker 1>every twenty four hours. I was like, I'm that and

0:04:33.440 --> 0:04:38.840
<v Speaker 1>I was thirsty. I was so thirsty. I was like

0:04:39.320 --> 0:04:45.159
<v Speaker 1>my lips were sticking to my teethet he well, welcome

0:04:45.200 --> 0:04:48.039
<v Speaker 1>to Pod Meets World. I'm Daniel Official, I'm right or Strong,

0:04:48.360 --> 0:04:52.000
<v Speaker 1>and I'm Wilfred l So listen. We have had a

0:04:52.000 --> 0:04:56.120
<v Speaker 1>lot of truly incredible guests during our season one, and

0:04:56.600 --> 0:05:00.120
<v Speaker 1>we have had so many incredible guests and I and

0:05:00.279 --> 0:05:02.920
<v Speaker 1>say we are so excited about our guest today. Well,

0:05:03.080 --> 0:05:06.000
<v Speaker 1>half the time, that's a lie. Uh, just kidding, It's

0:05:06.040 --> 0:05:08.240
<v Speaker 1>really never a lie. But this time I'm going to

0:05:08.320 --> 0:05:10.360
<v Speaker 1>have to come up with a better word than exciting,

0:05:10.440 --> 0:05:14.120
<v Speaker 1>because this is like way more than exciting. We've been

0:05:14.320 --> 0:05:17.520
<v Speaker 1>bubbling about this and and talking about this guest, and

0:05:18.560 --> 0:05:21.599
<v Speaker 1>I am just absolutely thrilled to have him. He's arguably

0:05:21.640 --> 0:05:25.000
<v Speaker 1>the most successful actor that wasn't the voice of Kit

0:05:25.080 --> 0:05:29.640
<v Speaker 1>from Night Writer to ever come out of Killed History,

0:05:30.160 --> 0:05:33.279
<v Speaker 1>and from his standout role in Step Brothers to the

0:05:33.320 --> 0:05:37.239
<v Speaker 1>cult classic Party down to my personal favorite Ben Wyatt

0:05:37.320 --> 0:05:40.640
<v Speaker 1>on Parks and rec He is obviously an extremely prolific

0:05:40.640 --> 0:05:43.920
<v Speaker 1>comedic and now a dramatic actor who was just nominated

0:05:43.960 --> 0:05:47.560
<v Speaker 1>for his first Emmy celebrating his work on the brilliant

0:05:47.600 --> 0:05:51.279
<v Speaker 1>show Severance. But today we are only interested in his

0:05:51.400 --> 0:05:55.560
<v Speaker 1>role as Griffin Griff Hawkins on three episodes of Boy

0:05:55.600 --> 0:05:58.440
<v Speaker 1>Meats World, So please help me. Welcome to the show,

0:05:58.960 --> 0:06:05.320
<v Speaker 1>Adam Scott. Yeah, guys, Hello, I haven't seen you in

0:06:05.400 --> 0:06:09.400
<v Speaker 1>a long time. You ever forever? Do you guys even

0:06:09.440 --> 0:06:16.560
<v Speaker 1>remember me? Ye? Around? Course of course we did, of course,

0:06:17.120 --> 0:06:19.159
<v Speaker 1>but you were you were definitely one of the older

0:06:19.200 --> 0:06:22.000
<v Speaker 1>guys though, because you're you're like you know, I mean,

0:06:22.040 --> 0:06:25.040
<v Speaker 1>you were like five years older than Will maybe or whatever.

0:06:25.080 --> 0:06:28.919
<v Speaker 1>But the difference when you're seventeen and twenty three or whatever,

0:06:28.960 --> 0:06:31.479
<v Speaker 1>it was huge. The golf was huge. So yeah, but

0:06:31.520 --> 0:06:33.919
<v Speaker 1>I mean we definitely remember you for sure. Yeah. But

0:06:34.000 --> 0:06:36.039
<v Speaker 1>he started, I mean we were even younger because he

0:06:36.080 --> 0:06:40.000
<v Speaker 1>started in season two O two, so we were fourteen

0:06:40.080 --> 0:06:43.279
<v Speaker 1>years old. Were writer? You were four teen and I

0:06:43.279 --> 0:06:46.120
<v Speaker 1>think you may have been eighteen. Well that's the thing

0:06:46.200 --> 0:06:48.560
<v Speaker 1>that that's so that I've been thinking about the past

0:06:48.600 --> 0:06:52.320
<v Speaker 1>few days is like back then, like now, our age

0:06:52.320 --> 0:06:57.719
<v Speaker 1>difference is not somewhat negligible, like like whatever world grown ups,

0:06:57.880 --> 0:07:01.479
<v Speaker 1>middle aged grown ups. But then I was an adult

0:07:01.560 --> 0:07:04.640
<v Speaker 1>and you guys were like little kids. Will you you were,

0:07:05.080 --> 0:07:09.200
<v Speaker 1>you know, teenager or whatever. But yeah, it's like you

0:07:09.240 --> 0:07:15.120
<v Speaker 1>were like younger than my kids now walking around. Um yah,

0:07:15.400 --> 0:07:18.360
<v Speaker 1>and I was I think I was twenty was it

0:07:18.560 --> 0:07:24.600
<v Speaker 1>nine four? Yeah? Yeah, I was twenty one and twenty

0:07:24.680 --> 0:07:31.280
<v Speaker 1>two around there. You're an adult. So it's so I

0:07:31.320 --> 0:07:35.920
<v Speaker 1>could vote, you could drink very and I could do

0:07:36.040 --> 0:07:40.040
<v Speaker 1>not none of those. We were still going to studio school. Yeah,

0:07:40.120 --> 0:07:41.840
<v Speaker 1>we were like nice to meet. We got to go

0:07:41.880 --> 0:07:44.440
<v Speaker 1>get our three hours. And because that is the thing,

0:07:44.480 --> 0:07:46.559
<v Speaker 1>is that my memories of you are all like seeing

0:07:46.560 --> 0:07:49.400
<v Speaker 1>you in passing or at the rap party, like I have.

0:07:49.560 --> 0:07:52.760
<v Speaker 1>I have a memory of of like everybody dancing together,

0:07:52.800 --> 0:07:54.280
<v Speaker 1>and I have a great picture of us like in

0:07:54.280 --> 0:07:57.320
<v Speaker 1>a conga line or something from a holiday party. And

0:07:57.720 --> 0:07:59.840
<v Speaker 1>that's it, Like that's the only time I really got

0:07:59.840 --> 0:08:02.120
<v Speaker 1>to hang out with you. I remember the one rap

0:08:02.160 --> 0:08:05.960
<v Speaker 1>party I went to was at like a western bar,

0:08:06.120 --> 0:08:08.520
<v Speaker 1>way out in Western You know what, we're not doing

0:08:08.560 --> 0:08:14.280
<v Speaker 1>the congo, We're doing a Western dance. It was called

0:08:14.360 --> 0:08:16.360
<v Speaker 1>Oh my god, I just remember the name of it.

0:08:16.360 --> 0:08:21.240
<v Speaker 1>It was called Denim and Diamonds. It's the place we

0:08:21.280 --> 0:08:24.880
<v Speaker 1>went to. It was called Denim and Diamonds. And I

0:08:24.880 --> 0:08:30.600
<v Speaker 1>can't remember going up to say hi to Michael Jacobs,

0:08:28.400 --> 0:08:33.559
<v Speaker 1>and I think this is the moment he decided I

0:08:33.559 --> 0:08:35.439
<v Speaker 1>wouldn't be coming back, because I came up to say

0:08:35.520 --> 0:08:39.120
<v Speaker 1>hi to him and he was wearing like West Like

0:08:39.200 --> 0:08:42.840
<v Speaker 1>it was a Western bar and everyone's just in regular clothes,

0:08:43.000 --> 0:08:46.559
<v Speaker 1>but he had like cowboy boots and like iron jeans,

0:08:47.120 --> 0:08:50.199
<v Speaker 1>like he looked like he was ready to line dance.

0:08:51.200 --> 0:08:54.800
<v Speaker 1>The ironed jeans were part of the regular uniform. Was ok,

0:08:55.120 --> 0:08:59.360
<v Speaker 1>it was just the cowboy? Was he just scared out

0:08:59.360 --> 0:09:04.160
<v Speaker 1>of me helve in to the club's that's pretty par

0:09:04.320 --> 0:09:06.840
<v Speaker 1>for the course. I mean, I have so many questions

0:09:06.880 --> 0:09:08.880
<v Speaker 1>going to the go. Let's start at the beginning, because

0:09:08.840 --> 0:09:11.000
<v Speaker 1>I was just going to jump right into those kinds

0:09:11.000 --> 0:09:14.800
<v Speaker 1>of stories. But I want to jump into You actually

0:09:14.840 --> 0:09:17.480
<v Speaker 1>started on Boy Meats World as a totally different character.

0:09:17.679 --> 0:09:22.160
<v Speaker 1>You were a guy named Senior and you asked Corey

0:09:22.240 --> 0:09:26.280
<v Speaker 1>to hold your guitar. That's right? And so did you

0:09:26.360 --> 0:09:28.760
<v Speaker 1>audition for that part? Did you have a connection to

0:09:28.800 --> 0:09:31.880
<v Speaker 1>Michael Jacobs? How did you end up as Senior? No,

0:09:32.200 --> 0:09:34.600
<v Speaker 1>I that's like one of I think that might be

0:09:34.760 --> 0:09:40.960
<v Speaker 1>my truly my first job, certainly my first job on TV.

0:09:41.440 --> 0:09:44.480
<v Speaker 1>I think. No, I think you had done two other things,

0:09:44.480 --> 0:09:47.440
<v Speaker 1>but maybe your first TV job. Let Daniell tell you

0:09:47.480 --> 0:09:51.040
<v Speaker 1>what you've done with your where you had done? You

0:09:51.080 --> 0:09:56.679
<v Speaker 1>had done dead at twenty one and e R Okay, yes, um, yes,

0:09:56.720 --> 0:10:00.000
<v Speaker 1>Debt twenty one was an MTV pilot. That was my first.

0:10:00.240 --> 0:10:02.120
<v Speaker 1>But but but that was my first job ever, which must

0:10:02.160 --> 0:10:06.360
<v Speaker 1>have been like six months before I got Senior on

0:10:06.880 --> 0:10:10.000
<v Speaker 1>on borne Meed's World. Uh, and Senior was that in

0:10:10.040 --> 0:10:12.560
<v Speaker 1>season two as well? That was like the beginning of

0:10:12.800 --> 0:10:17.160
<v Speaker 1>and then Griff was the end of season two, correct, right, Yes,

0:10:17.320 --> 0:10:20.680
<v Speaker 1>so so Senior. Yes, I auditioned for it because I

0:10:20.720 --> 0:10:23.440
<v Speaker 1>was doing like background work and stuff and then got

0:10:23.880 --> 0:10:26.560
<v Speaker 1>started getting like speaking roles and stuff and and and

0:10:26.640 --> 0:10:29.280
<v Speaker 1>so this was I definitely auditioned for it and then

0:10:29.360 --> 0:10:32.920
<v Speaker 1>came back an auditioned again later. For you did it

0:10:32.960 --> 0:10:35.680
<v Speaker 1>wasn't like you were just upgraded. You had to actually,

0:10:36.080 --> 0:10:39.800
<v Speaker 1>that's right, but you made the jump from background actor

0:10:40.160 --> 0:10:46.960
<v Speaker 1>to actor. Yeah, I mean it only took thirty years.

0:10:48.440 --> 0:10:51.520
<v Speaker 1>So were you you weren't technically a child actor or

0:10:51.520 --> 0:10:55.040
<v Speaker 1>were you a child actor? No. I started when I

0:10:55.080 --> 0:10:58.800
<v Speaker 1>was twenty because I went to acting school and it

0:10:58.880 --> 0:11:01.400
<v Speaker 1>was like a two year program. So I graduated when

0:11:01.400 --> 0:11:03.640
<v Speaker 1>it was twenty and then moved to Hollywood and just

0:11:03.720 --> 0:11:07.439
<v Speaker 1>started like you know, trying to you know, trying to

0:11:07.840 --> 0:11:11.000
<v Speaker 1>you know, I didn't know anyone. So I was doing

0:11:11.040 --> 0:11:13.560
<v Speaker 1>background work and like I had a manager that I

0:11:13.640 --> 0:11:17.319
<v Speaker 1>paid a fee to every month, but she got me auditions.

0:11:17.840 --> 0:11:21.160
<v Speaker 1>So that's where I started getting my jobs, Like like

0:11:21.200 --> 0:11:23.520
<v Speaker 1>Boyan's World is she that's how you know they're reputable.

0:11:23.520 --> 0:11:25.800
<v Speaker 1>By the way, Adam, when when they charge, that's how

0:11:25.800 --> 0:11:27.959
<v Speaker 1>you're in the right place. You know they're worth it.

0:11:28.040 --> 0:11:32.040
<v Speaker 1>When they asked you forty dollars a month, which is

0:11:32.080 --> 0:11:35.800
<v Speaker 1>what it was. It was forty a month. That's kind

0:11:35.800 --> 0:11:42.720
<v Speaker 1>of a bargain. Okay, so you got the role of senior.

0:11:42.960 --> 0:11:47.040
<v Speaker 1>I also want to know, do you remember seeing the band?

0:11:47.120 --> 0:11:48.920
<v Speaker 1>So that was in the episode Band on the Run,

0:11:50.040 --> 0:11:52.920
<v Speaker 1>and I we have not gotten to that part yet

0:11:52.920 --> 0:11:55.960
<v Speaker 1>where we watched that episode. We've just started our rewatch

0:11:56.160 --> 0:12:00.160
<v Speaker 1>of season two, but I have seen the images. It

0:12:00.240 --> 0:12:04.960
<v Speaker 1>is the monkeys, Ricky Dolens was walking around, yes, but

0:12:05.120 --> 0:12:08.360
<v Speaker 1>also the band. It's like where Alan shows like he

0:12:08.440 --> 0:12:10.120
<v Speaker 1>used to have a band, and then the guys all

0:12:10.120 --> 0:12:16.120
<v Speaker 1>come back and they play and there are four guitarists. People,

0:12:19.600 --> 0:12:23.240
<v Speaker 1>you have to have four guitars, like not even like

0:12:23.360 --> 0:12:27.080
<v Speaker 1>Leonard skinnerd had four guitars. They had too and it

0:12:27.160 --> 0:12:28.920
<v Speaker 1>was and they thought it was too many. So yeah,

0:12:29.120 --> 0:12:34.400
<v Speaker 1>Eastern has the image. Oh yeah, there we go. That's

0:12:34.400 --> 0:12:38.040
<v Speaker 1>a very specific sound. So the guy on the roll

0:12:38.120 --> 0:12:40.440
<v Speaker 1>of sound, I forget his name, but the guy on

0:12:40.480 --> 0:12:43.720
<v Speaker 1>the right was the lead guitarist for Cheap Trip Trick, Yes,

0:12:44.559 --> 0:12:50.400
<v Speaker 1>and then Alan and this was somebody to the guy

0:12:50.400 --> 0:12:53.600
<v Speaker 1>on the left was somebody too, Yeah, and I can't

0:12:53.600 --> 0:12:55.959
<v Speaker 1>remember who. I'll figure it out. I had it, I

0:12:56.040 --> 0:13:00.960
<v Speaker 1>did have O'Neill and this he doesn't. But it was

0:13:01.000 --> 0:13:02.679
<v Speaker 1>one of those things where it was like they came

0:13:02.679 --> 0:13:06.079
<v Speaker 1>in and told us who it was, and everybody under

0:13:06.120 --> 0:13:08.800
<v Speaker 1>the age of thirty five was like hunt and everyone

0:13:08.880 --> 0:13:11.480
<v Speaker 1>under the age of thirty five was like, wow, really

0:13:11.559 --> 0:13:15.160
<v Speaker 1>you got that guy. So it was um, yeah, I

0:13:15.200 --> 0:13:17.320
<v Speaker 1>still don't know who who that is. But the Cheap

0:13:17.360 --> 0:13:20.280
<v Speaker 1>Trick guy was very um not to ruin it before

0:13:20.320 --> 0:13:22.679
<v Speaker 1>we get to the rewatch, but very inappropriate in front

0:13:22.679 --> 0:13:25.920
<v Speaker 1>of the audience. That's remember really most about him saying

0:13:25.960 --> 0:13:28.400
<v Speaker 1>things that were just was like, oh, they're nine in

0:13:28.440 --> 0:13:31.199
<v Speaker 1>the audience. You probably shouldn't be saying stuff like that. Yeah,

0:13:31.240 --> 0:13:33.559
<v Speaker 1>and you're not playing Buddha con right now. This is

0:13:33.679 --> 0:13:40.160
<v Speaker 1>like a studio at seven thirty at night on a Thursday. Um.

0:13:40.200 --> 0:13:42.200
<v Speaker 1>So yeah, Oh that's so funny that this was your

0:13:42.240 --> 0:13:44.920
<v Speaker 1>first episode, Adam, was your first time doing a multi

0:13:44.920 --> 0:13:47.400
<v Speaker 1>camera show like in front of a live audience. Totally.

0:13:47.520 --> 0:13:49.680
<v Speaker 1>Not only that, but it was my first time being

0:13:49.760 --> 0:13:54.080
<v Speaker 1>on a real set where it's like built on a stage,

0:13:54.520 --> 0:13:58.559
<v Speaker 1>and so I remember, and when I came back later,

0:13:58.640 --> 0:14:01.080
<v Speaker 1>it was the same thing where I just couldn't believe

0:14:01.120 --> 0:14:05.360
<v Speaker 1>how like perfect everything was and the air was this perfect,

0:14:05.440 --> 0:14:08.360
<v Speaker 1>like crisp cool temperature all the time, and there was

0:14:08.559 --> 0:14:14.360
<v Speaker 1>food everywhere. Everyone was so nice, so and so I

0:14:14.400 --> 0:14:16.800
<v Speaker 1>just you know, had no idea how I'm how I

0:14:16.840 --> 0:14:19.400
<v Speaker 1>was supposed to behave or you know, it was a

0:14:19.480 --> 0:14:24.120
<v Speaker 1>completely alien environment. I was just so nervous and freaked

0:14:24.120 --> 0:14:28.560
<v Speaker 1>out the entire time, but at the same time thought, wow,

0:14:28.680 --> 0:14:32.960
<v Speaker 1>this is really uh like high living, like this is

0:14:33.040 --> 0:14:37.160
<v Speaker 1>all just feels composed and perfect. Um, yeah, it was.

0:14:37.240 --> 0:14:41.200
<v Speaker 1>It was. I remember a lot of it really vividly

0:14:41.360 --> 0:14:45.200
<v Speaker 1>because it was such a brand new, brand new environment.

0:14:45.560 --> 0:14:47.240
<v Speaker 1>I have to know, what did you play on the

0:14:47.520 --> 0:14:51.040
<v Speaker 1>er Oh, I played the same character as I played.

0:14:51.080 --> 0:14:57.680
<v Speaker 1>I played Senior on the guitar, you know, hurt him

0:14:57.720 --> 0:14:59.280
<v Speaker 1>he had to go to the e R. It was

0:14:59.480 --> 0:15:05.680
<v Speaker 1>electric shock. I just played a guy who got into

0:15:05.720 --> 0:15:10.080
<v Speaker 1>a car accident and got like wheeled around. I do

0:15:10.200 --> 0:15:13.160
<v Speaker 1>remember it was a one or it was like a

0:15:13.240 --> 0:15:16.960
<v Speaker 1>long like being wheeled all the way down the hallway

0:15:17.080 --> 0:15:22.520
<v Speaker 1>by Noah Wiley and and uh mingna mingna when uh

0:15:22.560 --> 0:15:24.520
<v Speaker 1>but they were wheeling me down the hallway and there

0:15:24.520 --> 0:15:26.920
<v Speaker 1>was a camera on me, and it was like a

0:15:26.960 --> 0:15:29.960
<v Speaker 1>three minute one of those shots. And I remember at

0:15:29.640 --> 0:15:31.720
<v Speaker 1>one one point we did the whole shot and I

0:15:31.720 --> 0:15:35.440
<v Speaker 1>had forgotten to to put the oxygen thing thing back

0:15:35.440 --> 0:15:38.640
<v Speaker 1>in my nose and and they got super pissed at Man,

0:15:38.760 --> 0:15:42.760
<v Speaker 1>that's like, you've burned so much film that day it

0:15:42.840 --> 0:15:47.360
<v Speaker 1>was on you. So that's yeah, you went from pissing

0:15:47.360 --> 0:15:49.440
<v Speaker 1>off the set of the Yard pissing off Michael Jacobs.

0:15:49.480 --> 0:15:52.920
<v Speaker 1>Apparently you go there you go. Oh man, God, I

0:15:52.920 --> 0:15:56.080
<v Speaker 1>can't even imagine. I can't even because those eight seven,

0:15:56.160 --> 0:15:58.760
<v Speaker 1>eight nine years that we're talking about an age difference.

0:15:59.640 --> 0:16:04.280
<v Speaker 1>When you when you're thirteen fourteen, twelve, thirteen fourteen, it

0:16:04.360 --> 0:16:08.480
<v Speaker 1>must be so so much to carry, um all of

0:16:08.520 --> 0:16:11.960
<v Speaker 1>that pressure, but also all of these grown ups around

0:16:12.080 --> 0:16:15.400
<v Speaker 1>all the time, kind of telling you what you should do,

0:16:15.560 --> 0:16:18.680
<v Speaker 1>how things are supposed to be, and kind of defining

0:16:18.760 --> 0:16:22.280
<v Speaker 1>this world for you, and um, as you go along

0:16:22.360 --> 0:16:25.240
<v Speaker 1>you might kind of start to see things differently. It

0:16:25.360 --> 0:16:28.760
<v Speaker 1>just must be really confusing. I can only imagine yeah,

0:16:28.760 --> 0:16:31.600
<v Speaker 1>it's Uh, it's one of those weird situations where now

0:16:31.640 --> 0:16:34.200
<v Speaker 1>as adults, we realized that like, oh, no one has

0:16:34.240 --> 0:16:36.800
<v Speaker 1>any idea what they're doing. Ever, no one ever knows

0:16:36.840 --> 0:16:39.200
<v Speaker 1>what they're doing, right, We're all just faking it. We're

0:16:39.280 --> 0:16:42.840
<v Speaker 1>all pretending like everybody else knew what they were doing,

0:16:42.920 --> 0:16:46.560
<v Speaker 1>and we just were trying to keep up. And people,

0:16:46.960 --> 0:16:51.360
<v Speaker 1>We've realized everyone thinks we knew everything that was going

0:16:51.400 --> 0:16:54.160
<v Speaker 1>on and that we were being filled in on what

0:16:54.240 --> 0:16:57.400
<v Speaker 1>was happening, and we knew nothing. No one was telling

0:16:57.480 --> 0:17:00.560
<v Speaker 1>us a single thing. And so it was a instantly

0:17:00.920 --> 0:17:04.800
<v Speaker 1>changing environment where we thought, well, thank goodness, these adults

0:17:04.800 --> 0:17:07.200
<v Speaker 1>are in control and know what's going on, and we

0:17:07.280 --> 0:17:09.000
<v Speaker 1>just have to go with the flow. And you also,

0:17:09.080 --> 0:17:12.520
<v Speaker 1>as a kid, especially at fourteen year old, kid wants

0:17:12.600 --> 0:17:15.600
<v Speaker 1>so desperately to be taken as an adult. I'm wanted,

0:17:16.000 --> 0:17:18.480
<v Speaker 1>I'm up here, Please treat me like an adult. And

0:17:18.560 --> 0:17:20.680
<v Speaker 1>you are in a work environment, so people do kind

0:17:20.720 --> 0:17:24.200
<v Speaker 1>of treat you like adults, and and that feels good,

0:17:24.240 --> 0:17:26.080
<v Speaker 1>and you pretend to act like an adult, and then

0:17:26.080 --> 0:17:27.480
<v Speaker 1>when you are an adult and you look back on it,

0:17:27.520 --> 0:17:29.360
<v Speaker 1>you go, what the hell were they doing? Why were

0:17:29.400 --> 0:17:33.080
<v Speaker 1>they treating as like adults. We were an adults. It's

0:17:33.280 --> 0:17:37.960
<v Speaker 1>very strange but so bizarre trapped in the middle. That's

0:17:37.760 --> 0:17:39.600
<v Speaker 1>that's why. One of the things that was interesting, I

0:17:39.600 --> 0:17:42.359
<v Speaker 1>remember when you came back as Griff. So when you

0:17:42.400 --> 0:17:46.280
<v Speaker 1>came back later and um, Harley, the Harley Kinder character

0:17:46.320 --> 0:17:48.600
<v Speaker 1>has gone. They brought Griff back, and then they put

0:17:48.720 --> 0:17:53.080
<v Speaker 1>you with Ethan and Blake. Ethan and Blake to me,

0:17:53.960 --> 0:17:56.760
<v Speaker 1>they were the cool kids in high school and kind

0:17:56.800 --> 0:17:59.120
<v Speaker 1>of never let me forget that they were the cool

0:17:59.160 --> 0:18:03.639
<v Speaker 1>kids in high school. Interesting, so they instantly put you

0:18:03.680 --> 0:18:06.600
<v Speaker 1>in the camp of he's already I don't even know him,

0:18:06.600 --> 0:18:08.560
<v Speaker 1>and he's already too cool for me to hang out with.

0:18:09.160 --> 0:18:12.720
<v Speaker 1>That's so it was when you came you were instantly

0:18:12.760 --> 0:18:14.560
<v Speaker 1>part of the gang. That kind of let me know

0:18:14.640 --> 0:18:17.159
<v Speaker 1>that I wasn't invited to the party. So my god,

0:18:17.520 --> 0:18:20.760
<v Speaker 1>I look back at it, like, um, yeah he was.

0:18:20.840 --> 0:18:22.280
<v Speaker 1>He was too cool for me to even walk up

0:18:22.280 --> 0:18:24.000
<v Speaker 1>to and be like, hey, welcome to the show. So

0:18:24.040 --> 0:18:26.080
<v Speaker 1>it was more like, oh, and then you played such

0:18:26.080 --> 0:18:29.200
<v Speaker 1>a cool character right that it was It was more

0:18:29.280 --> 0:18:30.920
<v Speaker 1>just like I'm gonna go over there and play ping

0:18:30.920 --> 0:18:32.640
<v Speaker 1>pong and you guys kind of do. But yeah, Blake

0:18:32.680 --> 0:18:34.600
<v Speaker 1>and Ethan they were super nice, but they kind of

0:18:34.640 --> 0:18:37.320
<v Speaker 1>just like they actually were really cool, right, Like they

0:18:37.320 --> 0:18:39.880
<v Speaker 1>were hip like even like in real life, were like

0:18:40.520 --> 0:18:42.560
<v Speaker 1>l A hipsters in a lot of ways, like Blake

0:18:42.640 --> 0:18:46.720
<v Speaker 1>was already a musician and yeah, like I remember, yeah,

0:18:46.720 --> 0:18:50.159
<v Speaker 1>they were like I uh friends with DiCaprio, and like,

0:18:50.280 --> 0:18:53.080
<v Speaker 1>I just remember feeling very like, oh, they're like the

0:18:53.200 --> 0:18:55.840
<v Speaker 1>cool l A people that like we're going to grow into,

0:18:55.920 --> 0:18:59.199
<v Speaker 1>which never happened. But I was definitely intimidated by them

0:18:59.240 --> 0:19:01.879
<v Speaker 1>in the exact same way. It is so funny because

0:19:02.119 --> 0:19:05.119
<v Speaker 1>I know that when I kind of came in later

0:19:05.680 --> 0:19:09.600
<v Speaker 1>uh as as Griff, they were the first ones to

0:19:09.680 --> 0:19:12.200
<v Speaker 1>sort of walk up and talk to me. And they

0:19:12.240 --> 0:19:16.159
<v Speaker 1>were like fellow guest stars, so I felt more comfortable

0:19:16.280 --> 0:19:18.320
<v Speaker 1>like talking to them because it was like lower stakes.

0:19:18.359 --> 0:19:23.000
<v Speaker 1>And I do remember being way too nervous to go

0:19:23.080 --> 0:19:27.240
<v Speaker 1>up to you guys and talk to you. And I

0:19:27.280 --> 0:19:31.320
<v Speaker 1>know I know that will and and and I mean

0:19:31.680 --> 0:19:35.440
<v Speaker 1>Ethan and and Blake felt the same. I know that

0:19:35.520 --> 0:19:40.640
<v Speaker 1>they were also like more kind of nervous and watching

0:19:40.680 --> 0:19:44.040
<v Speaker 1>themselves around you guys. I know that I just because

0:19:44.040 --> 0:19:46.040
<v Speaker 1>we were the regulars. We were the show. I mean,

0:19:46.080 --> 0:19:48.760
<v Speaker 1>that's the thing. But from our perspective, it was like

0:19:49.160 --> 0:19:53.880
<v Speaker 1>completely inverted because your kids looking at more adults, so

0:19:53.960 --> 0:19:57.000
<v Speaker 1>it's just they're the cool people, and that the adults

0:19:57.000 --> 0:19:59.000
<v Speaker 1>are looking at the kids like you're the stars of

0:19:59.040 --> 0:20:01.520
<v Speaker 1>the show. And the one thing this pot doing this

0:20:01.600 --> 0:20:03.960
<v Speaker 1>podcast this showed me is it's just like if we

0:20:04.000 --> 0:20:08.760
<v Speaker 1>had all just had conversations back in the day, I

0:20:08.840 --> 0:20:11.879
<v Speaker 1>know it would have been so much better. But I

0:20:11.920 --> 0:20:14.680
<v Speaker 1>also remember, Adam, I remember you coming in and just

0:20:14.880 --> 0:20:18.480
<v Speaker 1>being super funny and super confident. It was part of

0:20:18.720 --> 0:20:20.720
<v Speaker 1>it was part of your character obviously to be this

0:20:20.800 --> 0:20:23.399
<v Speaker 1>sort of like cool guy, like ladies man, whatever, but

0:20:23.480 --> 0:20:26.080
<v Speaker 1>you actually had that air about yourself to like that,

0:20:26.320 --> 0:20:28.480
<v Speaker 1>Like the fact that you were nervous is just mind

0:20:28.520 --> 0:20:31.040
<v Speaker 1>blowing to me because like what I remember, because it

0:20:31.080 --> 0:20:33.120
<v Speaker 1>was it was a bizarre situation because you were sort

0:20:33.119 --> 0:20:36.840
<v Speaker 1>of replacing Harley Danny Dicnolti had left the show, and

0:20:36.880 --> 0:20:38.840
<v Speaker 1>we're gonna have him on the show and we're gonna

0:20:38.840 --> 0:20:40.960
<v Speaker 1>talk about what what he was going through and why

0:20:41.000 --> 0:20:43.360
<v Speaker 1>he left the show. But it was actually somewhat traumatic

0:20:43.400 --> 0:20:46.080
<v Speaker 1>for us as kids, Like he had a he had

0:20:46.119 --> 0:20:48.679
<v Speaker 1>a bad table read that did not go well, and

0:20:48.840 --> 0:20:51.400
<v Speaker 1>we replaced him midweek. Um, it's a crazy And then

0:20:52.359 --> 0:20:56.040
<v Speaker 1>and then so they replaced him midweek with another actor

0:20:56.160 --> 0:20:59.600
<v Speaker 1>playing like Harley. The name him Harley, or they just

0:20:59.640 --> 0:21:01.959
<v Speaker 1>renamed brought him in. I don't think it was one

0:21:01.960 --> 0:21:05.679
<v Speaker 1>of those weird They just oh, we have to we

0:21:05.720 --> 0:21:07.320
<v Speaker 1>have to do the script as it's written, so we'll

0:21:07.320 --> 0:21:08.879
<v Speaker 1>just get a new actor in here. And it was

0:21:08.880 --> 0:21:11.400
<v Speaker 1>a very uncomfortable week. And then a couple of weeks later,

0:21:11.520 --> 0:21:14.399
<v Speaker 1>I guess they had already written scripts with Harley and

0:21:14.440 --> 0:21:18.280
<v Speaker 1>decided to rewrite them by creating a new character, which

0:21:18.320 --> 0:21:20.919
<v Speaker 1>was Griffin. And you came in and you were just

0:21:21.080 --> 0:21:24.280
<v Speaker 1>and so it was as it was all. I didn't

0:21:24.320 --> 0:21:27.399
<v Speaker 1>know any of that. I knew that there was a

0:21:28.160 --> 0:21:32.959
<v Speaker 1>character before me named Harley who was um because they

0:21:33.280 --> 0:21:36.680
<v Speaker 1>mentioned him in my episode where it's like we're gonna

0:21:36.680 --> 0:21:39.880
<v Speaker 1>be your lack. He's just like we were for Harley.

0:21:39.960 --> 0:21:42.360
<v Speaker 1>That's the extent of what I knew. I just figured,

0:21:42.400 --> 0:21:45.359
<v Speaker 1>like this person didn't want to do the show. I

0:21:45.359 --> 0:21:48.359
<v Speaker 1>I had no clue. I had no idea of any

0:21:48.400 --> 0:21:50.720
<v Speaker 1>of this. It's a crazy story that Danny that we

0:21:50.760 --> 0:21:52.560
<v Speaker 1>can't tell it's Danny story. And I know he's gonna

0:21:52.600 --> 0:21:54.920
<v Speaker 1>tell it when he gets here. But um, because then

0:21:54.960 --> 0:21:59.040
<v Speaker 1>you did an episode with Danny that's right where we

0:21:59.160 --> 0:22:02.520
<v Speaker 1>like face off. Yes, I remember, that's where the con

0:22:02.760 --> 0:22:05.320
<v Speaker 1>That's where I saw the confidence, because again, Danny was

0:22:05.400 --> 0:22:10.080
<v Speaker 1>in my head forty two years old. It was the cool,

0:22:10.200 --> 0:22:13.680
<v Speaker 1>amazing guy. And then you instantly walk onto the set

0:22:13.760 --> 0:22:15.840
<v Speaker 1>and the scene was getting into his face and he's

0:22:15.880 --> 0:22:18.320
<v Speaker 1>like's gonna kick your ass and you you'd already thought

0:22:18.320 --> 0:22:20.159
<v Speaker 1>ten steps ahead. You're like, all right, I got I

0:22:20.160 --> 0:22:21.640
<v Speaker 1>can't believe these lines are coming back to me. You're

0:22:23.000 --> 0:22:24.879
<v Speaker 1>I do because you say, you're like, all right, well,

0:22:24.960 --> 0:22:26.199
<v Speaker 1>I know you thought it all the way through. Then

0:22:26.240 --> 0:22:28.040
<v Speaker 1>you're gonna beat me up. You're gonna end up in jail.

0:22:28.119 --> 0:22:30.400
<v Speaker 1>And but and then you see his mind start to work,

0:22:30.440 --> 0:22:32.800
<v Speaker 1>and I remember watching the scene going like, oh, he's

0:22:32.800 --> 0:22:35.119
<v Speaker 1>so confident, Like you just walked on and you owned

0:22:35.119 --> 0:22:38.480
<v Speaker 1>it all and we're still fun. We're like eight episodes

0:22:38.520 --> 0:22:42.679
<v Speaker 1>in now and still fumbling our face. Homember. It was

0:22:42.720 --> 0:22:46.320
<v Speaker 1>by this point, I mean that one was season three, right, yea,

0:22:47.840 --> 0:22:49.760
<v Speaker 1>that was the one episode you did in season three,

0:22:49.760 --> 0:22:52.560
<v Speaker 1>And then we never saw great and so I want

0:22:52.600 --> 0:22:54.919
<v Speaker 1>to ask you about that. Did you what was the

0:22:54.960 --> 0:22:57.480
<v Speaker 1>situation with why you disappeared and then never came back.

0:22:57.480 --> 0:22:59.560
<v Speaker 1>What did they tell you? I don't, I don't know.

0:22:59.560 --> 0:23:02.080
<v Speaker 1>I don't think they ever told me anything. And I

0:23:02.280 --> 0:23:08.879
<v Speaker 1>just as like a h an kind of self hating actor,

0:23:09.040 --> 0:23:12.480
<v Speaker 1>like I just figured, oh, they finally figured out that

0:23:12.560 --> 0:23:17.240
<v Speaker 1>I can't do this and just never asked any questions,

0:23:17.280 --> 0:23:20.080
<v Speaker 1>like I don't blame them, like this is the way

0:23:20.119 --> 0:23:21.800
<v Speaker 1>it should be. And I kind of felt like that

0:23:21.840 --> 0:23:26.560
<v Speaker 1>episode was Harley and Griff facing off and him sort

0:23:26.600 --> 0:23:30.720
<v Speaker 1>of uh dominating and me sort of fading into the background,

0:23:30.800 --> 0:23:34.480
<v Speaker 1>right because didn't he continue on and do do don't?

0:23:36.320 --> 0:23:38.320
<v Speaker 1>By the way, you don't you don't have to say

0:23:38.400 --> 0:23:41.520
<v Speaker 1>self hating, you can just say actor. The other and

0:23:41.600 --> 0:23:45.600
<v Speaker 1>the other part is completely it's completely in there, which

0:23:45.720 --> 0:23:48.920
<v Speaker 1>never goes away. By the way that it doesn't matter

0:23:49.040 --> 0:23:52.679
<v Speaker 1>no matter how many nominations, even if even if one

0:23:52.720 --> 0:23:54.960
<v Speaker 1>of us gets to half of your status at some point,

0:23:55.160 --> 0:23:59.880
<v Speaker 1>that never goes away. It doesn't. Yesterday we were shooting

0:24:00.000 --> 0:24:03.760
<v Speaker 1>and I was the same exact feeling was there. I

0:24:03.840 --> 0:24:06.000
<v Speaker 1>was like, what what what am I doing? Why? Am I?

0:24:06.160 --> 0:24:11.439
<v Speaker 1>Why am I here? You know? Well, the one thing

0:24:11.520 --> 0:24:13.240
<v Speaker 1>Daniel did not mention at the top, which I'm not

0:24:13.280 --> 0:24:14.919
<v Speaker 1>going to gush about, but I thought was one of

0:24:14.960 --> 0:24:18.280
<v Speaker 1>your more underrated performances because I loved the film all

0:24:18.280 --> 0:24:22.480
<v Speaker 1>the way around was Secret Life of Walter Middy. Oh thanks.

0:24:22.520 --> 0:24:25.200
<v Speaker 1>The whole thing was just that I loved that film.

0:24:25.280 --> 0:24:27.720
<v Speaker 1>I loved you and that felt. Yeah. I can, I'm sorry,

0:24:27.760 --> 0:24:29.400
<v Speaker 1>I can gush all day. I'm trying to be cool

0:24:29.400 --> 0:24:30.840
<v Speaker 1>like I was when I was eighteen and I first

0:24:30.840 --> 0:24:34.439
<v Speaker 1>met you. Um No, I love that movie too. I

0:24:34.440 --> 0:24:38.280
<v Speaker 1>I obviously Ben still directed that and he directs a

0:24:38.359 --> 0:24:42.520
<v Speaker 1>lot of Severance as well, and and watching him, uh

0:24:42.960 --> 0:24:46.360
<v Speaker 1>direct Walter Middy and also star in it, and just

0:24:46.520 --> 0:24:50.040
<v Speaker 1>like how he built that world and everything was just

0:24:50.080 --> 0:24:54.080
<v Speaker 1>sort of one of those life changing just sort of

0:24:54.280 --> 0:24:59.399
<v Speaker 1>shifted my idea of um of of making stuff and

0:24:59.440 --> 0:25:02.080
<v Speaker 1>what's a bowl and what you can? I mean, it's beautiful,

0:25:02.119 --> 0:25:05.520
<v Speaker 1>it was really beautiful. That's incredible. Is that what led

0:25:05.560 --> 0:25:07.600
<v Speaker 1>to Severance? Is that it was the connection with Stiller

0:25:07.720 --> 0:25:10.280
<v Speaker 1>from MIDI what brought you into Severance? Or yeah, I

0:25:10.800 --> 0:25:13.959
<v Speaker 1>just met him once at um at a premiere. Uh.

0:25:14.040 --> 0:25:15.800
<v Speaker 1>I forget what movie it was. It was like one

0:25:15.840 --> 0:25:20.200
<v Speaker 1>of the like Apatao World premiers. I wish I could

0:25:20.240 --> 0:25:21.920
<v Speaker 1>remember which one it was, but I just met him

0:25:22.440 --> 0:25:24.159
<v Speaker 1>and he came up and talked to me. I couldn't

0:25:24.160 --> 0:25:27.119
<v Speaker 1>believe I was talking to Ben Stiller and he was

0:25:27.440 --> 0:25:29.760
<v Speaker 1>he liked step Brothers and so he was like talking

0:25:29.760 --> 0:25:33.280
<v Speaker 1>about and then like a year or two later, he

0:25:33.359 --> 0:25:36.440
<v Speaker 1>just asked me to to be in uh In Walter

0:25:36.560 --> 0:25:39.600
<v Speaker 1>Middy and and so that's sort of where where yeah,

0:25:39.640 --> 0:25:42.800
<v Speaker 1>where that connection started. And so I'm sorry, just to

0:25:42.840 --> 0:25:45.919
<v Speaker 1>go back very quickly. You had to audition twice for

0:25:45.960 --> 0:25:53.280
<v Speaker 1>Boy Me Tworld. That's right, were an asked, that's right,

0:25:53.480 --> 0:25:56.680
<v Speaker 1>just making sure I have the crinology correct as we

0:25:56.720 --> 0:26:09.480
<v Speaker 1>moved forward. That's perfect. That makes perfect sense. Okay, So

0:26:09.680 --> 0:26:11.840
<v Speaker 1>I have to talk to you about this one particular

0:26:11.880 --> 0:26:16.400
<v Speaker 1>episode that you were in in season two. You are

0:26:16.520 --> 0:26:20.760
<v Speaker 1>in an episode called Thriller and Phila where you set

0:26:20.840 --> 0:26:25.119
<v Speaker 1>up a wrestling match between Corey and Joey, and that

0:26:25.240 --> 0:26:32.680
<v Speaker 1>involves cameos from Vader, Robert Goulay, Jasmine Belief not according

0:26:32.680 --> 0:26:39.240
<v Speaker 1>to her, she's playing herself, and you made out with her. Yeah,

0:26:40.359 --> 0:26:43.119
<v Speaker 1>this was one of the things where one of the

0:26:43.200 --> 0:26:47.000
<v Speaker 1>situations where I was like, wait, what what do I do?

0:26:47.359 --> 0:26:49.840
<v Speaker 1>I hope we all were that episode. That episode was

0:26:49.960 --> 0:26:53.359
<v Speaker 1>so insane. That was nuts. And writer, didn't you like

0:26:53.480 --> 0:26:57.879
<v Speaker 1>get in the ring and wrestled like that? Dude? I thought,

0:26:57.960 --> 0:27:01.440
<v Speaker 1>I thought, Vader, that's what I thought, Vade Vader where

0:27:01.440 --> 0:27:03.679
<v Speaker 1>he's lifting me up by the neck and throwing me

0:27:03.800 --> 0:27:07.720
<v Speaker 1>off the thing, and god, God, But the joy of

0:27:07.760 --> 0:27:11.760
<v Speaker 1>that to me is apparently I'm glad you remember Yasmine

0:27:11.760 --> 0:27:14.680
<v Speaker 1>Bleith was there too, because in the fact of actually

0:27:14.720 --> 0:27:19.200
<v Speaker 1>taping it and it being on television, she apparently denies

0:27:19.280 --> 0:27:23.639
<v Speaker 1>being on the show. What what we've heard is that

0:27:23.760 --> 0:27:25.840
<v Speaker 1>she's like, I was never on And you want to

0:27:25.840 --> 0:27:29.720
<v Speaker 1>say to her, like, the cameras were there, there's footage.

0:27:30.840 --> 0:27:34.800
<v Speaker 1>I have the receipts on YouTube exactly. You can you

0:27:34.840 --> 0:27:37.480
<v Speaker 1>can google it. Yeah, but they're they're all in the

0:27:37.520 --> 0:27:39.639
<v Speaker 1>same scene, all those crazy guest stars are in the

0:27:39.720 --> 0:27:41.880
<v Speaker 1>same scene. And so what I remember about that day

0:27:41.960 --> 0:27:44.240
<v Speaker 1>was that we shot it all in like an hour

0:27:44.280 --> 0:27:46.719
<v Speaker 1>and a half, Like it was. Robert was here from

0:27:46.800 --> 0:27:49.239
<v Speaker 1>three pm to four pm, and it was just like

0:27:49.359 --> 0:27:51.679
<v Speaker 1>and I remember sitting around craft Service and it was

0:27:51.720 --> 0:27:54.480
<v Speaker 1>just a circus, like literally a circus, and he's like,

0:27:54.560 --> 0:27:56.560
<v Speaker 1>you're just waiting for the elephants and the lions to

0:27:56.640 --> 0:27:59.000
<v Speaker 1>like go by, and then we're all just like get

0:27:59.080 --> 0:28:01.160
<v Speaker 1>in the ring, do the scene. And you can feel

0:28:01.200 --> 0:28:03.800
<v Speaker 1>that energy when you watch it, because well, we watched

0:28:03.840 --> 0:28:06.440
<v Speaker 1>it for the DVD commentary. It's one of the few

0:28:06.440 --> 0:28:09.359
<v Speaker 1>episodes I remember watching, so we watched it with Michael

0:28:09.440 --> 0:28:12.199
<v Speaker 1>Jacobs on the DVD commentary. We cut it out from

0:28:12.240 --> 0:28:15.240
<v Speaker 1>the DVD because we watched that episode and did commentary

0:28:15.280 --> 0:28:17.000
<v Speaker 1>for it, and at the end of it, Michael was like,

0:28:17.080 --> 0:28:18.879
<v Speaker 1>can we gonna we need a better episode. We're not

0:28:18.880 --> 0:28:21.000
<v Speaker 1>gonna do that commentary because while we were watching it,

0:28:21.040 --> 0:28:25.120
<v Speaker 1>we're all like, what what has happened? Like we could

0:28:25.119 --> 0:28:27.720
<v Speaker 1>see Michael just n rallies like we need a different episode.

0:28:28.000 --> 0:28:32.480
<v Speaker 1>It's not on the commentary he fired. He fired his

0:28:32.520 --> 0:28:36.560
<v Speaker 1>own commentary, Why do you remember about that day? And

0:28:36.600 --> 0:28:38.920
<v Speaker 1>like working with Yasmine and what was that too? Because

0:28:38.960 --> 0:28:40.760
<v Speaker 1>I'm assuming she was just there for that one day,

0:28:40.760 --> 0:28:44.440
<v Speaker 1>so there was really like no rehearsal, No, no, she

0:28:44.600 --> 0:28:47.719
<v Speaker 1>was there for I don't remember. I'm sure she was not.

0:28:47.920 --> 0:28:50.120
<v Speaker 1>I just don't we must have had like a stand

0:28:50.120 --> 0:28:53.480
<v Speaker 1>in come in when we were rehearsing her right as yea,

0:28:54.360 --> 0:28:57.000
<v Speaker 1>But I just remember her being there for like fifteen

0:28:57.040 --> 0:28:59.760
<v Speaker 1>minutes or something. Seemed like she was in and out.

0:29:00.120 --> 0:29:01.920
<v Speaker 1>Had do have you ever need had you ever needed

0:29:01.920 --> 0:29:03.880
<v Speaker 1>to kiss anybody on camera? Was that your first on

0:29:03.920 --> 0:29:11.000
<v Speaker 1>camera kiss? Oh? You heard it here first. I've never

0:29:11.040 --> 0:29:14.760
<v Speaker 1>actually thought of that before. My first on Screaming Kids

0:29:14.800 --> 0:29:18.000
<v Speaker 1>was with Yasmine Leaf. It was it was a huge deal.

0:29:18.320 --> 0:29:21.360
<v Speaker 1>And you know what, this was an early lesson in

0:29:21.440 --> 0:29:23.880
<v Speaker 1>show business for me because I think since it was

0:29:23.960 --> 0:29:28.680
<v Speaker 1>so early on, I always figured if you're doing something

0:29:28.720 --> 0:29:31.840
<v Speaker 1>crazy like that with all of these big famous people

0:29:31.920 --> 0:29:34.680
<v Speaker 1>and you're in the middle of a ring like announcing

0:29:34.760 --> 0:29:39.600
<v Speaker 1>something and on on TV. I remember that that episode

0:29:39.640 --> 0:29:43.800
<v Speaker 1>airing and me being like, I'm on TV with with

0:29:43.880 --> 0:29:47.280
<v Speaker 1>Yasmine Bleef and Robert It was this this huge thing

0:29:47.400 --> 0:29:49.880
<v Speaker 1>at the time, this was such a huge deal. But

0:29:50.040 --> 0:29:54.240
<v Speaker 1>still I'm in a studio apartment and I can't get

0:29:54.400 --> 0:30:00.600
<v Speaker 1>my agent to like and yeah, exactly, like, oh, doesn't

0:30:00.880 --> 0:30:05.040
<v Speaker 1>really matter that much. Well, you still owe your manager

0:30:05.080 --> 0:30:11.840
<v Speaker 1>for that straight together fourty dollars to pay my manager. Um,

0:30:12.080 --> 0:30:15.040
<v Speaker 1>it's you know will before I forget, I do I remember?

0:30:15.080 --> 0:30:18.840
<v Speaker 1>Just so you know, I was how like nervous we

0:30:18.840 --> 0:30:22.840
<v Speaker 1>were to talk to you guys. I remember distinctly talking

0:30:22.880 --> 0:30:28.200
<v Speaker 1>to you about Spider Man. Um uh once. Do you

0:30:28.240 --> 0:30:32.080
<v Speaker 1>remember this? I'm sorry, I don't. Yeah, talk to so

0:30:32.120 --> 0:30:35.080
<v Speaker 1>many nerd I have so many nerd conversations. I'm surprised

0:30:35.120 --> 0:30:39.760
<v Speaker 1>I didn't bond. But like in like I just or five.

0:30:39.800 --> 0:30:42.880
<v Speaker 1>I can't believe I remember a conversation about Spider Man

0:30:43.000 --> 0:30:44.520
<v Speaker 1>with you because I think at the time it was

0:30:44.600 --> 0:30:47.360
<v Speaker 1>rumored that James Cameron was going to make a Spider

0:30:47.360 --> 0:30:51.239
<v Speaker 1>Man movie or something and and uh and and so

0:30:51.400 --> 0:30:55.400
<v Speaker 1>I remember really distinctly. I think I'm assuming because it

0:30:55.520 --> 0:30:57.800
<v Speaker 1>was a big moment to get to like have an

0:30:57.800 --> 0:31:00.920
<v Speaker 1>actual conversation with with one of the stars of the show.

0:31:00.960 --> 0:31:03.880
<v Speaker 1>So anyway, just so you know how we talked about.

0:31:03.920 --> 0:31:05.920
<v Speaker 1>Do you remember what we talked about? I think we

0:31:06.000 --> 0:31:13.080
<v Speaker 1>were talking about how you were perfect to play Spider Man.

0:31:13.680 --> 0:31:20.240
<v Speaker 1>Was that I don't know. It wasn't like like you're

0:31:20.280 --> 0:31:22.120
<v Speaker 1>feeling like it should happen for you were just like,

0:31:22.160 --> 0:31:24.960
<v Speaker 1>oh my god, can you imagine how amazing that would be?

0:31:25.000 --> 0:31:28.880
<v Speaker 1>And feel like I'm perfect for Peter part you know stuff.

0:31:30.240 --> 0:31:34.160
<v Speaker 1>I was letting my nerd flags fly out anyone that

0:31:34.200 --> 0:31:39.120
<v Speaker 1>would listen, and you were perfect for it. In that

0:31:39.320 --> 0:31:43.600
<v Speaker 1>same vein I have heard I've read you have told

0:31:43.600 --> 0:31:45.200
<v Speaker 1>this story before, but I would like for you to.

0:31:45.360 --> 0:31:47.240
<v Speaker 1>I would like to hear you tell it here, because

0:31:48.520 --> 0:31:53.200
<v Speaker 1>it's when I read it the first time. I was like, what,

0:31:54.040 --> 0:31:56.160
<v Speaker 1>can you please tell us the story about the message

0:31:56.160 --> 0:31:58.880
<v Speaker 1>board you stumbled on after you had after you were

0:31:58.920 --> 0:32:00.760
<v Speaker 1>off of boy Meat's World. I don't know about this.

0:32:01.120 --> 0:32:04.120
<v Speaker 1>This was I think this was. It must have been

0:32:04.160 --> 0:32:07.920
<v Speaker 1>after I was on boy Meats World. Um, first of all,

0:32:08.920 --> 0:32:14.680
<v Speaker 1>I have to talk about two different, h awkward interactions

0:32:14.760 --> 0:32:22.120
<v Speaker 1>that I had on on This all kind of goes

0:32:22.200 --> 0:32:26.360
<v Speaker 1>to show just how little I knew about how you're

0:32:26.360 --> 0:32:31.200
<v Speaker 1>supposed to behave and basic human interaction. I felt there

0:32:31.240 --> 0:32:34.840
<v Speaker 1>were the laws of gravity were completely flipped when you're

0:32:34.880 --> 0:32:38.400
<v Speaker 1>in this perfect air conditioned world. I just had no

0:32:38.440 --> 0:32:41.960
<v Speaker 1>idea how to behave. So I remember, you know, Blake

0:32:42.200 --> 0:32:45.240
<v Speaker 1>and Ethan had kind of taken me under their wing

0:32:45.320 --> 0:32:49.120
<v Speaker 1>early on, and and uh, we're kind of they were,

0:32:49.160 --> 0:32:50.640
<v Speaker 1>like you said, they were like the cool guys. And

0:32:50.680 --> 0:32:53.080
<v Speaker 1>so I remember one day I got to work and

0:32:53.120 --> 0:32:57.040
<v Speaker 1>I told Blake and Ethan super dirty joke. I don't

0:32:57.080 --> 0:32:59.920
<v Speaker 1>remember what it was. And I didn't really know many

0:33:00.000 --> 0:33:02.040
<v Speaker 1>people yet, and they were like, oh my god, that's hilarious.

0:33:02.040 --> 0:33:04.320
<v Speaker 1>They were laughing. They're like, you know who would love

0:33:04.680 --> 0:33:11.160
<v Speaker 1>this joke is Tony Quinn. He would think it's just hilarious.

0:33:11.160 --> 0:33:14.600
<v Speaker 1>You have to tell him right now. And I was like, okay,

0:33:14.640 --> 0:33:18.440
<v Speaker 1>cool friend, Oh they set you up. Yeah, And so

0:33:18.480 --> 0:33:22.160
<v Speaker 1>I went over to Tony was the sweetest guy, and

0:33:22.760 --> 0:33:24.920
<v Speaker 1>but I didn't know him, and I told him this.

0:33:25.920 --> 0:33:27.920
<v Speaker 1>I don't even remember what it was. I just remember

0:33:27.960 --> 0:33:34.160
<v Speaker 1>it was like Tony very Christian, very conservative, that's right,

0:33:34.320 --> 0:33:39.479
<v Speaker 1>very clean cut guy, unbeknownst to me, and I just

0:33:39.560 --> 0:33:45.200
<v Speaker 1>remember hitting like the punch line. I remember we were

0:33:45.200 --> 0:33:48.880
<v Speaker 1>standing the the bleachers for the audience were behind him,

0:33:48.920 --> 0:33:51.040
<v Speaker 1>the empty bleachers, because we were like in the middle

0:33:51.080 --> 0:33:54.120
<v Speaker 1>of a day, and I remember him just being stone

0:33:54.120 --> 0:33:56.920
<v Speaker 1>faced looking at me after the joke and just being like, well,

0:33:57.080 --> 0:33:58.840
<v Speaker 1>it sounds like those people need a lot of help.

0:34:00.280 --> 0:34:04.200
<v Speaker 1>Like whatever, the joke was right, and then they walked

0:34:04.240 --> 0:34:08.400
<v Speaker 1>away and I was like, huh and E were like,

0:34:08.600 --> 0:34:14.360
<v Speaker 1>just that was great. God, that is a classic that

0:34:14.440 --> 0:34:18.560
<v Speaker 1>describes their dynamic to a t. That is, I do

0:34:18.719 --> 0:34:20.520
<v Speaker 1>I just see you standing in front of Tony hitting

0:34:20.520 --> 0:34:26.400
<v Speaker 1>the joke going like and they called themselves the aristocrats.

0:34:28.920 --> 0:34:30.640
<v Speaker 1>That's kind of a great prank. Who do you think

0:34:30.640 --> 0:34:35.560
<v Speaker 1>about it? Pretty funny? Yeah, so that was one. The

0:34:35.600 --> 0:34:39.240
<v Speaker 1>other one is something that has been bothering me for

0:34:39.640 --> 0:34:57.600
<v Speaker 1>twenty was it twenty six years now? Jesus Christ? Right? Yeah, okay,

0:34:57.640 --> 0:35:01.400
<v Speaker 1>this is And I don't think I've ever told anyone

0:35:01.440 --> 0:35:04.279
<v Speaker 1>about this except recently since I've known I'm coming on

0:35:04.320 --> 0:35:07.960
<v Speaker 1>the show. I told uh, my friend Zach about and

0:35:07.960 --> 0:35:11.320
<v Speaker 1>I told my family about it. Like I get to

0:35:11.400 --> 0:35:15.040
<v Speaker 1>finally ask writer about this thing. I don't know if

0:35:15.040 --> 0:35:18.839
<v Speaker 1>you remember this, writer, probably not. Okay, it was the

0:35:19.640 --> 0:35:25.600
<v Speaker 1>I am on the edge of my yeah, yeah, literally,

0:35:25.640 --> 0:35:29.920
<v Speaker 1>this has been tugging at me for twenty nine years.

0:35:29.960 --> 0:35:34.080
<v Speaker 1>According to Daniel Um it was the season finale of

0:35:34.160 --> 0:35:37.040
<v Speaker 1>season two. As it turns out, one of my episodes

0:35:37.160 --> 0:35:42.160
<v Speaker 1>was the finale, so we're kind of off to the side.

0:35:42.160 --> 0:35:44.160
<v Speaker 1>I don't remember what There was a scene going on,

0:35:44.200 --> 0:35:46.560
<v Speaker 1>which was the last scene that that would be shot

0:35:46.680 --> 0:35:48.680
<v Speaker 1>for the for the season. We were off to the

0:35:48.719 --> 0:35:52.279
<v Speaker 1>side watching. I was with Blake and Ethan. Writer, you

0:35:52.360 --> 0:35:54.719
<v Speaker 1>were there with a different group of people, but we're

0:35:54.719 --> 0:35:57.080
<v Speaker 1>all sort of standing around. Everyone's kind of gathering around

0:35:57.080 --> 0:35:59.640
<v Speaker 1>knowing that the last scene was about to was about

0:35:59.640 --> 0:36:04.560
<v Speaker 1>to finished, and the scene ends. Again, I'm just like, okay,

0:36:04.600 --> 0:36:07.040
<v Speaker 1>I have no sense of accomplishment here. I'm not really

0:36:07.080 --> 0:36:09.760
<v Speaker 1>a part of this, but I can tell something's about

0:36:09.760 --> 0:36:13.680
<v Speaker 1>to happen. The scene ends, everyone just erupts and starts cheering.

0:36:14.120 --> 0:36:18.160
<v Speaker 1>End of the season. Blake and Ethan high five and hug.

0:36:18.200 --> 0:36:20.080
<v Speaker 1>They come up to me, high five and just cheering.

0:36:20.480 --> 0:36:23.879
<v Speaker 1>And again I'm like, okay, sure, let's this is great.

0:36:24.040 --> 0:36:27.319
<v Speaker 1>Sure um. And then Blake and Ethan go up to

0:36:27.360 --> 0:36:29.840
<v Speaker 1>you writer and they give you high five and hug you.

0:36:29.960 --> 0:36:33.720
<v Speaker 1>And and then after they do that, I'm like, hey, congratulations, buddy,

0:36:33.920 --> 0:36:36.000
<v Speaker 1>and I give you a high five, and I and

0:36:36.040 --> 0:36:38.520
<v Speaker 1>I go in and hug you, and as I do that,

0:36:38.960 --> 0:36:41.759
<v Speaker 1>you push me off and you give me this look

0:36:41.840 --> 0:36:46.319
<v Speaker 1>like wait a second, who the are you? And then

0:36:46.320 --> 0:36:51.120
<v Speaker 1>you run away? Are you serious? Yes? Why would I

0:36:51.160 --> 0:36:54.440
<v Speaker 1>do that? Do you do? You not? Do not at all?

0:36:54.680 --> 0:36:58.960
<v Speaker 1>So glad you don't remember that because to some extent

0:36:59.040 --> 0:37:05.920
<v Speaker 1>that means it wasn't a traumatic experience. But I remember

0:37:06.000 --> 0:37:11.120
<v Speaker 1>just being like, no, I'm sorry, what just happened? What

0:37:11.120 --> 0:37:16.680
<v Speaker 1>did no? No? No, my god, okay no. And it

0:37:16.760 --> 0:37:18.960
<v Speaker 1>actually doesn't sound like me at all because I was

0:37:19.400 --> 0:37:22.960
<v Speaker 1>generally hugger. He's such a hugger, but he was a

0:37:23.000 --> 0:37:26.640
<v Speaker 1>little kid and I was the stranger, grown up getting

0:37:27.120 --> 0:37:30.319
<v Speaker 1>I again had no idea what I was supposed to say.

0:37:30.600 --> 0:37:33.799
<v Speaker 1>It like we were supposed to all be joyous and

0:37:33.840 --> 0:37:39.759
<v Speaker 1>hug each other. Oh god, it was horrifying. No, no recollection.

0:37:40.000 --> 0:37:42.080
<v Speaker 1>And like I said, that totally doesn't sound like me

0:37:42.120 --> 0:37:46.480
<v Speaker 1>at all. Something something going on there, honestly, because writer

0:37:46.640 --> 0:37:49.080
<v Speaker 1>is such a hugger and a total stranger. It was

0:37:49.120 --> 0:37:51.279
<v Speaker 1>the end of season two. We obviously worked with you

0:37:51.320 --> 0:37:53.400
<v Speaker 1>for at least four episodes, and because you include Sword

0:37:53.480 --> 0:37:59.200
<v Speaker 1>of Yeah, okay, okay, so that's such again, my god

0:37:59.520 --> 0:38:07.120
<v Speaker 1>nine uh yes. And I remember being surprised when I

0:38:07.160 --> 0:38:11.080
<v Speaker 1>got the call to come be in UH three a

0:38:11.120 --> 0:38:16.680
<v Speaker 1>few months later because because because of that, um, it's

0:38:16.719 --> 0:38:21.160
<v Speaker 1>so it's so funny you read on the message, Okay,

0:38:21.239 --> 0:38:24.839
<v Speaker 1>So then I read uh some message board because this

0:38:24.960 --> 0:38:29.719
<v Speaker 1>was like early days of internet. Obviously it was like right,

0:38:30.239 --> 0:38:32.880
<v Speaker 1>So I there was some message, but I do not

0:38:33.280 --> 0:38:36.680
<v Speaker 1>a o l probably and I remember going on there

0:38:37.960 --> 0:38:42.360
<v Speaker 1>and just being so thirsty for any recognition or anyone

0:38:42.440 --> 0:38:47.000
<v Speaker 1>even uh knowing that I that I was on on

0:38:47.080 --> 0:38:51.279
<v Speaker 1>television and I think I read somewhere they said someone said,

0:38:51.480 --> 0:38:56.920
<v Speaker 1>well I heard that to Panga doesn't like Griff. What

0:38:57.040 --> 0:38:59.160
<v Speaker 1>is that? What the story? I think what you heard

0:38:59.320 --> 0:39:03.560
<v Speaker 1>was that I told someone that no one likes you.

0:39:05.400 --> 0:39:08.360
<v Speaker 1>This is someone that someone wrote on a message board. Well,

0:39:08.760 --> 0:39:11.200
<v Speaker 1>I know someone Danielle like goes to school with. I

0:39:11.200 --> 0:39:14.560
<v Speaker 1>know someone who knows Danielle, and she says that nobody

0:39:14.600 --> 0:39:20.080
<v Speaker 1>likes him. That's what I can guarantee you is not true.

0:39:20.160 --> 0:39:22.799
<v Speaker 1>Because there's there's two ways for one thing, that just

0:39:22.840 --> 0:39:25.439
<v Speaker 1>wasn't true. Nobody didn't like you. That was just not

0:39:25.600 --> 0:39:29.280
<v Speaker 1>That was not the situation. The second reason is because

0:39:29.440 --> 0:39:32.520
<v Speaker 1>I didn't talk about boy Meets World at school Boy

0:39:32.560 --> 0:39:34.680
<v Speaker 1>Meat's World. I mean, if somebody asked me a question,

0:39:34.719 --> 0:39:37.239
<v Speaker 1>I would, But like, it wasn't super cool to be

0:39:37.320 --> 0:39:39.120
<v Speaker 1>gone from school all the time, and I was at

0:39:39.120 --> 0:39:40.600
<v Speaker 1>a new school. I would have been in like seventh

0:39:40.640 --> 0:39:43.080
<v Speaker 1>grade at that time, and so I wasn't at school

0:39:43.120 --> 0:39:45.120
<v Speaker 1>being like, well, we've got this new guy, Adam Scott.

0:39:46.560 --> 0:39:48.799
<v Speaker 1>Nobody really likes him, so I'm not sure what his

0:39:48.880 --> 0:39:51.239
<v Speaker 1>future looks like. Is we move into season two of

0:39:51.239 --> 0:39:53.759
<v Speaker 1>Boy Meets World, Like, I'm not having those conversations as

0:39:53.760 --> 0:39:57.919
<v Speaker 1>a thirteen fourteen year old in junior high. That's not happening. Well, yeah,

0:39:58.000 --> 0:40:00.960
<v Speaker 1>I also have to say that reading that, I was

0:40:01.040 --> 0:40:03.799
<v Speaker 1>just like but also at the same time I was

0:40:04.200 --> 0:40:05.839
<v Speaker 1>there was a little bit of a thrill to it

0:40:05.880 --> 0:40:10.680
<v Speaker 1>because I was being talked about on the internet in

0:40:10.840 --> 0:40:15.680
<v Speaker 1>reference to the show. I was telling everyone, God, we

0:40:15.719 --> 0:40:18.360
<v Speaker 1>didn't like you. But that was just me that I

0:40:18.360 --> 0:40:20.200
<v Speaker 1>didn't write it anywhere that would have been rude, but

0:40:20.239 --> 0:40:24.040
<v Speaker 1>I was telling everyone I could. I still am just

0:40:24.120 --> 0:40:29.279
<v Speaker 1>picturing Rider shoving, you know. I wonder what was going on.

0:40:30.239 --> 0:40:33.279
<v Speaker 1>Maybe you could also have been kind of built up

0:40:33.320 --> 0:40:37.280
<v Speaker 1>and over dramatized over these last you know, twitter nine years.

0:40:37.800 --> 0:40:42.160
<v Speaker 1>Who knows, but I can see it. I remember it

0:40:42.280 --> 0:40:46.800
<v Speaker 1>so badly. It's just so crazy. It's a great story. God,

0:40:47.239 --> 0:40:49.879
<v Speaker 1>that's so funny. How long has it been since you've

0:40:49.880 --> 0:40:51.759
<v Speaker 1>seen one of your Boy Meats World episodes? Would you

0:40:51.760 --> 0:40:57.240
<v Speaker 1>like to watch one right now? Yeah? You know, I

0:40:57.239 --> 0:41:01.600
<v Speaker 1>I've seen clips and stuff on like on Twitter sometime. Um,

0:41:02.440 --> 0:41:05.600
<v Speaker 1>I think I've seen some. I think my daughter found

0:41:05.680 --> 0:41:08.799
<v Speaker 1>like a compilation She's Sport Team now, like when she

0:41:08.880 --> 0:41:12.160
<v Speaker 1>was like twelve, she was like, what's this and played

0:41:12.200 --> 0:41:14.399
<v Speaker 1>it and then started watching the show and getting into

0:41:14.440 --> 0:41:16.640
<v Speaker 1>the show and got into Girl Meets World as well.

0:41:19.000 --> 0:41:21.640
<v Speaker 1>Uh So in the past few years, I've seen like

0:41:21.680 --> 0:41:24.120
<v Speaker 1>clips and stuff, but to sit down and watch an

0:41:24.239 --> 0:41:27.000
<v Speaker 1>entire episode, it's spent a long time. You got to

0:41:27.040 --> 0:41:29.560
<v Speaker 1>do some really great scenes where you played like, for

0:41:29.640 --> 0:41:31.520
<v Speaker 1>lack of a better word, a total jerk to like

0:41:31.640 --> 0:41:34.640
<v Speaker 1>Mr Feenie. Do you remember what are your experiences working

0:41:34.640 --> 0:41:37.480
<v Speaker 1>with Bill Daniels, What do you remember about him? Incredible?

0:41:37.719 --> 0:41:42.360
<v Speaker 1>I He's the graduate, Red's the guy has been in

0:41:42.440 --> 0:41:45.799
<v Speaker 1>so many incredible movies, such a great actor. And he

0:41:45.920 --> 0:41:49.799
<v Speaker 1>was so kind to me because I was, like I said,

0:41:49.800 --> 0:41:51.959
<v Speaker 1>I was really nervous. And there was like that scene

0:41:51.960 --> 0:41:55.600
<v Speaker 1>where I'm in his office and I like, uh, flirt

0:41:55.680 --> 0:41:59.320
<v Speaker 1>with his with his his assistant who comes in. And

0:42:00.719 --> 0:42:03.239
<v Speaker 1>I think that might be the first Griff episode where

0:42:03.239 --> 0:42:04.880
<v Speaker 1>that was because I think it was one of my

0:42:04.960 --> 0:42:09.360
<v Speaker 1>first scenes generally, and I was really nervous and and

0:42:09.360 --> 0:42:12.400
<v Speaker 1>and as we were doing it, um we would do

0:42:12.440 --> 0:42:15.279
<v Speaker 1>a take and all the producers and writers would like

0:42:15.360 --> 0:42:20.080
<v Speaker 1>flock in around me and start giving me notes, changing lines,

0:42:20.120 --> 0:42:23.040
<v Speaker 1>all this stuff. And so I immediately, just as I

0:42:23.080 --> 0:42:25.440
<v Speaker 1>do today, if that happens, it's like, oh what am

0:42:25.440 --> 0:42:29.839
<v Speaker 1>I doing wrong? Okay? And but then I couldn't really

0:42:30.239 --> 0:42:34.960
<v Speaker 1>handle it, and so I started trying to um play

0:42:35.080 --> 0:42:37.440
<v Speaker 1>these notes that they were giving me, and it was

0:42:37.520 --> 0:42:41.280
<v Speaker 1>like all over the place. And I just remember after

0:42:41.320 --> 0:42:43.560
<v Speaker 1>a few times of that habit kept, they kept kind

0:42:43.560 --> 0:42:47.040
<v Speaker 1>of coming in and tweaking what I was doing. Bill

0:42:47.160 --> 0:42:50.759
<v Speaker 1>just leaned into me, just whispered, He's like, don't listen

0:42:50.760 --> 0:42:54.040
<v Speaker 1>to any of them. Just do something like something like that.

0:42:54.120 --> 0:42:57.920
<v Speaker 1>Like he used a curse word, which was super cool,

0:42:57.160 --> 0:43:00.920
<v Speaker 1>so cool, and he was just like, forget what, forget

0:43:00.920 --> 0:43:03.600
<v Speaker 1>it all, forget what they're telling you. That's so great.

0:43:03.840 --> 0:43:07.920
<v Speaker 1>And he would just give you those little nuggets of

0:43:09.120 --> 0:43:11.120
<v Speaker 1>Oh yeah, I'd assume he did that for you guys too.

0:43:11.239 --> 0:43:13.400
<v Speaker 1>He didn't. Absolutely. Now I have a question for you,

0:43:13.440 --> 0:43:18.719
<v Speaker 1>because you're you were so nice back then, by all accounts,

0:43:18.760 --> 0:43:22.680
<v Speaker 1>you're so nice. Now, why do you think you're always

0:43:22.800 --> 0:43:28.040
<v Speaker 1>cast as kind of the dick. I wanted to every

0:43:28.080 --> 0:43:30.200
<v Speaker 1>movie kind of play this guy, which you know, I

0:43:30.200 --> 0:43:32.800
<v Speaker 1>don't know you well, but seems to be just essentially.

0:43:32.800 --> 0:43:36.440
<v Speaker 1>I mean, you are universally beloved. Everyone says you're the

0:43:36.520 --> 0:43:38.960
<v Speaker 1>nicest guy ever. So why like, why do you think

0:43:39.000 --> 0:43:43.680
<v Speaker 1>you're constantly cast as kind of the jerk all the time. Uh,

0:43:43.880 --> 0:43:46.680
<v Speaker 1>that's that's funny. I think that. Um. I think it

0:43:46.840 --> 0:43:52.640
<v Speaker 1>started uh um with step brothers and uh that was

0:43:52.719 --> 0:43:55.960
<v Speaker 1>just a total fluke. Um. I didn't think I had

0:43:56.120 --> 0:43:58.839
<v Speaker 1>any chance of getting the part, so I just sort

0:43:58.880 --> 0:44:01.640
<v Speaker 1>of went in and for it. I think that like

0:44:01.760 --> 0:44:06.520
<v Speaker 1>douche bags and are really funny, like over confident don't

0:44:07.360 --> 0:44:10.920
<v Speaker 1>are really really funny, and I love watching them, like

0:44:11.000 --> 0:44:14.760
<v Speaker 1>in real life. I love seeing someone who's who thinks

0:44:14.760 --> 0:44:20.800
<v Speaker 1>they're amazing and they're I think it's really fun. Um.

0:44:20.840 --> 0:44:23.160
<v Speaker 1>So I don't know. I guess you know, like I

0:44:23.600 --> 0:44:26.640
<v Speaker 1>remember as a kid loving William Atherton and I have

0:44:26.680 --> 0:44:32.680
<v Speaker 1>ghostbusters like wow, he's great, Like who's that guy? Uh?

0:44:32.920 --> 0:44:35.719
<v Speaker 1>So I don't know. I always just a how's it going?

0:44:37.840 --> 0:44:40.320
<v Speaker 1>Keep quoting all that time. My whole life is quote,

0:44:40.360 --> 0:44:43.240
<v Speaker 1>so I always do the I lathered up with Keels

0:44:43.239 --> 0:44:46.399
<v Speaker 1>in the shower by the way, by the way well,

0:44:46.480 --> 0:44:48.759
<v Speaker 1>or those VHS tapes behind you, or those books. No,

0:44:48.880 --> 0:44:51.279
<v Speaker 1>those are books. Okay, those are books. That's the fan

0:44:51.320 --> 0:44:53.760
<v Speaker 1>of that's the one half of the Nerd Fantasy collection.

0:44:53.800 --> 0:44:56.840
<v Speaker 1>On that scene, I wish they were VHS. I have

0:44:56.960 --> 0:45:04.080
<v Speaker 1>VHS's as a writer, and Danielle know I keep everything,

0:45:05.080 --> 0:45:07.239
<v Speaker 1>so yeah, I've got all that stuff. What was it

0:45:08.000 --> 0:45:09.960
<v Speaker 1>on one episode you guys said that they would give

0:45:10.040 --> 0:45:13.920
<v Speaker 1>you vhs is at the end of the season for

0:45:14.000 --> 0:45:22.960
<v Speaker 1>the families with out hundreds of dollars from three and

0:45:23.400 --> 0:45:26.840
<v Speaker 1>we got six or maybe it was even seven VHS

0:45:26.880 --> 0:45:30.800
<v Speaker 1>tapes that held four episodes per tape. That's crazy and

0:45:31.160 --> 0:45:34.719
<v Speaker 1>we paid for them and uh yeah, we again the

0:45:34.760 --> 0:45:38.399
<v Speaker 1>same that when the show ended, called me two weeks

0:45:38.480 --> 0:45:40.719
<v Speaker 1>later to ask where a black pair of socks was.

0:45:40.920 --> 0:45:55.400
<v Speaker 1>Oh my god, yeah that's what we got. Jesus. You

0:45:55.520 --> 0:45:58.440
<v Speaker 1>touched on it a little bit talking about writers descending

0:45:58.480 --> 0:46:01.160
<v Speaker 1>on you probably during a tape night to change things,

0:46:01.200 --> 0:46:05.279
<v Speaker 1>and you know, do you remember the notes sessions? Do

0:46:05.360 --> 0:46:08.359
<v Speaker 1>you remember? God? Yeah, yeah, yeah, yeah yeah. And I

0:46:08.400 --> 0:46:11.160
<v Speaker 1>hadn't remembered that till hearing you guys talk about it,

0:46:11.360 --> 0:46:13.280
<v Speaker 1>and then I was like, oh my god, of course,

0:46:13.360 --> 0:46:16.360
<v Speaker 1>like after a scene, correct me if I'm wrong. This

0:46:16.400 --> 0:46:18.640
<v Speaker 1>is what I remember after like a scene or after

0:46:18.800 --> 0:46:20.320
<v Speaker 1>a run through of an ever run I guess it

0:46:20.320 --> 0:46:23.480
<v Speaker 1>would be we would all go and find a seat

0:46:24.200 --> 0:46:29.200
<v Speaker 1>and Michael and the writers would give notes publicly in

0:46:29.280 --> 0:46:36.520
<v Speaker 1>front of everyone, scene by scene by Oh my god, yeah, yeah,

0:46:36.560 --> 0:46:39.000
<v Speaker 1>we would. We'd sit in the living room set, so

0:46:39.000 --> 0:46:40.960
<v Speaker 1>we'd all find our places on the couch or like

0:46:41.040 --> 0:46:43.600
<v Speaker 1>little side steps or wherever we could squat and sit.

0:46:44.080 --> 0:46:46.960
<v Speaker 1>And then he would sit in a chair facing us solo,

0:46:47.520 --> 0:46:50.920
<v Speaker 1>with the writers behind him, like it was like creating

0:46:50.960 --> 0:46:54.000
<v Speaker 1>an audience behind him. And then he would sit alone

0:46:54.000 --> 0:46:56.799
<v Speaker 1>in a in a director's chair in the center and

0:46:56.880 --> 0:47:00.000
<v Speaker 1>go page by page and shin us and shred us.

0:47:00.239 --> 0:47:02.919
<v Speaker 1>You just tell us what we were doing wrong? Yeah,

0:47:03.040 --> 0:47:05.800
<v Speaker 1>every every week, twice a week, that normal, Adam, Have

0:47:05.880 --> 0:47:07.880
<v Speaker 1>you not had that on other projects? It seems like

0:47:08.200 --> 0:47:11.839
<v Speaker 1>they didn't do that on there, you know, you know,

0:47:12.120 --> 0:47:15.840
<v Speaker 1>you see that here and there. But you come to realize,

0:47:16.080 --> 0:47:21.600
<v Speaker 1>like I'm sure you guys have, particularly with kids, that's

0:47:21.640 --> 0:47:24.279
<v Speaker 1>not how you're going to, like, you know, get the

0:47:24.280 --> 0:47:26.960
<v Speaker 1>best out of them, right, I'm sure it was terrifying

0:47:27.080 --> 0:47:30.360
<v Speaker 1>for you guys. It was horrifying. It was there was

0:47:30.400 --> 0:47:33.640
<v Speaker 1>a sense like when when writer just described it, and

0:47:33.719 --> 0:47:37.520
<v Speaker 1>I had a visceral memory of the feeling of all

0:47:37.560 --> 0:47:39.600
<v Speaker 1>of us being huddled together on the couch and wherever

0:47:39.640 --> 0:47:41.879
<v Speaker 1>you could, and they're really being a sense of we're

0:47:41.880 --> 0:47:45.680
<v Speaker 1>all in this together, Like yeah, where for guest casts

0:47:45.760 --> 0:47:48.560
<v Speaker 1>that would be not the feeling. Often, like I remember

0:47:48.600 --> 0:47:54.080
<v Speaker 1>watching guest casts fall apart because invariably we you know,

0:47:54.080 --> 0:47:55.600
<v Speaker 1>there would be a run through. We'd all get a

0:47:55.640 --> 0:47:57.920
<v Speaker 1>pass because it went well for us, but because somebody

0:47:57.960 --> 0:48:00.239
<v Speaker 1>came in and you know, did their best, but it

0:48:00.239 --> 0:48:03.520
<v Speaker 1>didn't land where Michael wanted it that person. You know,

0:48:03.560 --> 0:48:06.960
<v Speaker 1>I remember having to have conversations post notes with guest

0:48:06.960 --> 0:48:09.640
<v Speaker 1>cast all the time, like having to be like, it's okay,

0:48:09.640 --> 0:48:12.040
<v Speaker 1>this is totally normal, it's not don't take it personally,

0:48:12.080 --> 0:48:14.239
<v Speaker 1>do it up, because they would just be like, what

0:48:14.280 --> 0:48:16.440
<v Speaker 1>did I do? What? You know? How did I You know?

0:48:16.520 --> 0:48:19.000
<v Speaker 1>It was so I can imagine from your position, Adam,

0:48:19.040 --> 0:48:21.160
<v Speaker 1>like it's even more intimidating than it was for us,

0:48:21.239 --> 0:48:24.480
<v Speaker 1>you know, like, yeah, and you're sitting You're not sitting

0:48:24.600 --> 0:48:26.960
<v Speaker 1>on the couch on the on the living room set,

0:48:27.000 --> 0:48:32.520
<v Speaker 1>you're like on the outskirts, like, yeah, exactly, No, there

0:48:32.560 --> 0:48:34.400
<v Speaker 1>was there was a sense of we're all in this together,

0:48:34.680 --> 0:48:38.799
<v Speaker 1>much like the passengers of the Titanic, right, Um, so

0:48:38.960 --> 0:48:40.839
<v Speaker 1>it was I mean we did we had that. Those

0:48:40.880 --> 0:48:43.080
<v Speaker 1>were and I think you're right, we got used to them,

0:48:43.239 --> 0:48:46.000
<v Speaker 1>and then you get jaded. You know, you're now at

0:48:46.040 --> 0:48:48.160
<v Speaker 1>twenty or twenty one. By the time I was the

0:48:48.160 --> 0:48:50.920
<v Speaker 1>show was ending, it was like, I'm old hat at this,

0:48:51.040 --> 0:48:53.600
<v Speaker 1>and then you start to forget that there's guest cast

0:48:53.680 --> 0:48:56.279
<v Speaker 1>there that are going through this horrible nous. You know,

0:48:56.480 --> 0:48:58.600
<v Speaker 1>I think it's more than than it's old had it's

0:48:58.600 --> 0:49:02.520
<v Speaker 1>Stockholm syndrome. We act actually start to be like this

0:49:02.800 --> 0:49:05.480
<v Speaker 1>looking forward to it, like looking forward to note session

0:49:05.520 --> 0:49:08.719
<v Speaker 1>where we wouldn't get notes and being like, it's an accomplishment.

0:49:09.040 --> 0:49:14.200
<v Speaker 1>I made it through this week. Yeah not yes. That

0:49:14.239 --> 0:49:17.359
<v Speaker 1>became That became the addictions, Like, you know, he did

0:49:17.400 --> 0:49:21.480
<v Speaker 1>something great. I was going to ask did he throw complement?

0:49:23.520 --> 0:49:25.839
<v Speaker 1>Occasionally he would praise it would be and when he did,

0:49:25.920 --> 0:49:27.680
<v Speaker 1>it was like, oh my god, can you believe what

0:49:27.760 --> 0:49:30.200
<v Speaker 1>I just heard. That's the coolest thing in the world. Yeah,

0:49:30.239 --> 0:49:32.640
<v Speaker 1>it was a little it was a little more. I

0:49:32.680 --> 0:49:37.320
<v Speaker 1>do remember for the first time experiencing that multicam rhythm

0:49:37.400 --> 0:49:40.840
<v Speaker 1>that you have to get and how and not knowing

0:49:40.880 --> 0:49:42.680
<v Speaker 1>the language of it at all, and not knowing how

0:49:42.719 --> 0:49:46.080
<v Speaker 1>to hit those things. But that's where I sort of

0:49:46.120 --> 0:49:49.000
<v Speaker 1>started to learn that the music of how to get

0:49:49.000 --> 0:49:52.520
<v Speaker 1>a laugh in a multicam, it's a real skill and

0:49:52.520 --> 0:49:56.520
<v Speaker 1>a real like talent of its own, where you say

0:49:56.560 --> 0:49:59.600
<v Speaker 1>a line a certain way and the audience just doesn't

0:49:59.640 --> 0:50:03.080
<v Speaker 1>react act then you just hit a particular word and boom,

0:50:03.120 --> 0:50:07.359
<v Speaker 1>they're there. That was terrifying to me too and kind

0:50:07.360 --> 0:50:11.640
<v Speaker 1>of put me off from multi not that I would

0:50:12.080 --> 0:50:17.239
<v Speaker 1>had any opportunity to be in multicamps even if I

0:50:17.280 --> 0:50:21.120
<v Speaker 1>wanted to, but it made me frightened of them for

0:50:21.120 --> 0:50:24.719
<v Speaker 1>for years. Was the kind of high wire act of

0:50:24.760 --> 0:50:29.800
<v Speaker 1>trying to and knowing that, uh, they're all watching and

0:50:29.960 --> 0:50:32.080
<v Speaker 1>they'll take your line away if you don't hit it

0:50:32.200 --> 0:50:35.600
<v Speaker 1>right and stuff. That's something that you guys lived for

0:50:35.680 --> 0:50:38.400
<v Speaker 1>years and years. But I kind of felt a little

0:50:38.400 --> 0:50:44.160
<v Speaker 1>bit being there. I am I love that. I love that.

0:50:44.160 --> 0:50:45.960
<v Speaker 1>That was my That was my favorite part was reading

0:50:45.960 --> 0:50:48.360
<v Speaker 1>the audience, like reading the acause you know. It's the

0:50:48.640 --> 0:50:50.120
<v Speaker 1>way you just said it is is so true. I

0:50:50.160 --> 0:50:55.239
<v Speaker 1>always equate especially Sitcomb to music and when you hit

0:50:55.400 --> 0:50:58.520
<v Speaker 1>that perfect beat and that tuning fork rings, it is

0:50:58.760 --> 0:51:02.040
<v Speaker 1>it is like the dopamine in your brain. It really is.

0:51:02.239 --> 0:51:06.440
<v Speaker 1>It really is. I know it more from theater than

0:51:06.680 --> 0:51:10.680
<v Speaker 1>from from from multi camps because I think the only

0:51:10.760 --> 0:51:14.000
<v Speaker 1>multi camp I've ever done is Boy Meets World? Is

0:51:14.040 --> 0:51:16.200
<v Speaker 1>it really You've never you never did even an episode

0:51:16.200 --> 0:51:18.279
<v Speaker 1>of anything else. I did an episode of a show

0:51:18.280 --> 0:51:21.280
<v Speaker 1>called The Closer Tom Selleck Show, but the scene was

0:51:21.280 --> 0:51:23.400
<v Speaker 1>was cut out and it was just like one scene.

0:51:23.840 --> 0:51:27.560
<v Speaker 1>So Boy Meets World was was it? Um? But but

0:51:27.960 --> 0:51:31.440
<v Speaker 1>you're right that when you have the audience um with you,

0:51:31.520 --> 0:51:35.480
<v Speaker 1>it really is a rush kind of like well we've

0:51:35.480 --> 0:51:36.960
<v Speaker 1>talked about on this show, like you know, when the

0:51:37.000 --> 0:51:40.400
<v Speaker 1>audience does, they're like oh's and oz and the last

0:51:40.600 --> 0:51:42.600
<v Speaker 1>It's almost like you're in a conversation with them, right,

0:51:42.600 --> 0:51:44.839
<v Speaker 1>It's like they're a scene partner. And that's so much

0:51:44.880 --> 0:51:47.480
<v Speaker 1>part of multi camp is this like you're riding this

0:51:47.560 --> 0:51:49.759
<v Speaker 1>wave and then enticing them and then going you know,

0:51:49.760 --> 0:51:51.800
<v Speaker 1>it's like this it's like a call and response almost,

0:51:51.800 --> 0:51:54.520
<v Speaker 1>It's it's weird, and it definitely is. It's a musicality.

0:51:54.560 --> 0:51:57.279
<v Speaker 1>It's almost like a jazz performance or something. It's a

0:51:57.360 --> 0:51:59.680
<v Speaker 1>very bizarre it's a very bizarre form, you know. And

0:51:59.680 --> 0:52:02.560
<v Speaker 1>I think I think that's why it's kind of aged poorly,

0:52:03.120 --> 0:52:05.240
<v Speaker 1>is that, you know, kids don't grow up with it anymore,

0:52:05.280 --> 0:52:07.919
<v Speaker 1>so they don't necessary their brain doesn't automatically go into

0:52:07.960 --> 0:52:10.400
<v Speaker 1>it the way that like I think we've you know,

0:52:10.560 --> 0:52:12.960
<v Speaker 1>at the seventies and eighties, children like it was so

0:52:13.040 --> 0:52:15.719
<v Speaker 1>natural to us it made sense. Now it feels kind

0:52:15.719 --> 0:52:18.240
<v Speaker 1>of archaic, right. I think that there's like an oddity

0:52:18.280 --> 0:52:21.080
<v Speaker 1>to the form, which is odd. It's weird form. It

0:52:21.200 --> 0:52:24.160
<v Speaker 1>is weird. It's it's all kind of rooted in uh

0:52:24.200 --> 0:52:27.399
<v Speaker 1>in vaudeville and all of the you know, that's where

0:52:27.440 --> 0:52:30.360
<v Speaker 1>it that's you know, like you watch like I remember

0:52:30.719 --> 0:52:33.480
<v Speaker 1>growing up in my grandma would watch Lawrence Welk Do

0:52:33.520 --> 0:52:36.600
<v Speaker 1>you guys yea and kind of growing up with that

0:52:36.680 --> 0:52:39.480
<v Speaker 1>and looking back on those variety shows, those were all

0:52:39.640 --> 0:52:44.360
<v Speaker 1>from just a time before television kind of leaking into television,

0:52:44.360 --> 0:52:47.560
<v Speaker 1>and multicams are part of that. I really miss seeing

0:52:47.719 --> 0:52:51.920
<v Speaker 1>great multicams. I think they're really fun and when done correctly.

0:52:52.120 --> 0:52:55.279
<v Speaker 1>There's it's it's really great and as a job it's

0:52:55.320 --> 0:52:57.520
<v Speaker 1>kind of perfect because it's the best schedule for an

0:52:57.520 --> 0:53:01.400
<v Speaker 1>actor is amazing. But also the sort of um, the

0:53:01.600 --> 0:53:04.560
<v Speaker 1>sort of old fashioned nature of rehearsing all week for

0:53:04.600 --> 0:53:09.600
<v Speaker 1>the big show on and there's that energy with it,

0:53:09.640 --> 0:53:11.080
<v Speaker 1>and you do you go back and you watch those

0:53:11.120 --> 0:53:13.240
<v Speaker 1>Norman Lear kind of shows, the all in the families

0:53:13.239 --> 0:53:15.520
<v Speaker 1>things like that, it's a play. It's a play every

0:53:15.560 --> 0:53:19.359
<v Speaker 1>week that just gets beamed into people's homes and man,

0:53:19.400 --> 0:53:22.719
<v Speaker 1>that needs to come back. It totally tricked me too

0:53:22.760 --> 0:53:26.160
<v Speaker 1>into thinking that acting was easy. Uh, the certain parts

0:53:26.160 --> 0:53:28.280
<v Speaker 1>of acting were easy, Like I remember doing single camera

0:53:28.320 --> 0:53:30.520
<v Speaker 1>for the first time, like when I did an episode

0:53:30.520 --> 0:53:32.000
<v Speaker 1>of The Practice and being like, I have to be

0:53:32.040 --> 0:53:34.680
<v Speaker 1>there at five am. What are you talking about? Like

0:53:34.880 --> 0:53:36.759
<v Speaker 1>you know, I was used to like you just get

0:53:36.800 --> 0:53:39.000
<v Speaker 1>your script. You'd barely have to memorize it because then

0:53:39.000 --> 0:53:41.000
<v Speaker 1>you just show up at ten and you walk in.

0:53:41.080 --> 0:53:43.720
<v Speaker 1>You all get to rehearse. And but no, like single

0:53:43.760 --> 0:53:45.800
<v Speaker 1>camera or you know, it's the life of an actor

0:53:45.880 --> 0:53:48.080
<v Speaker 1>is pretty rough. You have your trailer, you barely get

0:53:48.120 --> 0:53:50.279
<v Speaker 1>to talk to people before you shoot, and it's like

0:53:50.320 --> 0:53:52.279
<v Speaker 1>you know, it's a it's a very different animal. And

0:53:52.280 --> 0:53:54.680
<v Speaker 1>I remember, you know, hitting that wall in my twenties

0:53:54.680 --> 0:53:56.200
<v Speaker 1>and being like, do I even want to do this

0:53:56.560 --> 0:53:59.440
<v Speaker 1>because you know, I had just been completely convinced that

0:53:59.760 --> 0:54:01.880
<v Speaker 1>my camera was acting, and it's like, no, no no, no,

0:54:02.040 --> 0:54:06.280
<v Speaker 1>it's a very specific form of acting that's you know, rare. Yeah,

0:54:06.440 --> 0:54:10.880
<v Speaker 1>it definitely is. It definitely is acting. The skill to

0:54:11.000 --> 0:54:14.880
<v Speaker 1>it that I was never able to to sort of

0:54:15.080 --> 0:54:18.400
<v Speaker 1>pinpoint for myself the skill of it that you guys

0:54:18.480 --> 0:54:21.120
<v Speaker 1>were able to do it a really young age. Which

0:54:21.120 --> 0:54:25.800
<v Speaker 1>is even more impressive is having that intention and the

0:54:26.360 --> 0:54:30.640
<v Speaker 1>emotion and all of that in the kind of in

0:54:30.760 --> 0:54:34.880
<v Speaker 1>the the the multi camps. Getting to inject all of

0:54:34.920 --> 0:54:39.560
<v Speaker 1>that into that form is really hard to cut yourself

0:54:39.600 --> 0:54:44.399
<v Speaker 1>some slack. You were only given three episodes. We are

0:54:44.440 --> 0:54:47.479
<v Speaker 1>watching ourselves over the course of many episodes going still

0:54:47.560 --> 0:54:52.200
<v Speaker 1>haven't found it. I haven't found it yet. It's a

0:54:52.280 --> 0:54:54.640
<v Speaker 1>very bizarre form. Is it ever something that you'd want

0:54:54.640 --> 0:54:56.960
<v Speaker 1>to come back and do again? Or is it like no,

0:54:57.040 --> 0:54:59.759
<v Speaker 1>I don't and I'm done with that. No, I I

0:54:59.800 --> 0:55:02.160
<v Speaker 1>think it would be really fun. I was going to

0:55:02.239 --> 0:55:09.120
<v Speaker 1>say I rewatched the first three or four seasons of Cheers,

0:55:09.239 --> 0:55:12.920
<v Speaker 1>So it's it really is perfect because I read that

0:55:13.040 --> 0:55:16.360
<v Speaker 1>Jim Burrow's biography, the autobiography they put out, which is

0:55:16.400 --> 0:55:20.200
<v Speaker 1>really fun, and went back and rewatched Cheers and a

0:55:20.239 --> 0:55:23.800
<v Speaker 1>Bunch of Friends as well, and it really is nothing

0:55:24.320 --> 0:55:28.120
<v Speaker 1>better and more entertaining uh as as an audience member

0:55:28.160 --> 0:55:31.680
<v Speaker 1>than watching those great, great shows. And how fun it

0:55:31.719 --> 0:55:37.600
<v Speaker 1>looked and Cheers particularly, I mean it's essentially one room,

0:55:37.640 --> 0:55:40.319
<v Speaker 1>the amount hundreds of stories going in and out of there.

0:55:40.320 --> 0:55:43.040
<v Speaker 1>It's just a play and have so much fun. And

0:55:43.040 --> 0:55:46.200
<v Speaker 1>the acting Ted Dance and Shelley Long on that Like

0:55:47.160 --> 0:55:50.320
<v Speaker 1>as far as TV acting goes, or acting in general,

0:55:50.400 --> 0:55:53.120
<v Speaker 1>it's it really doesn't get better than that. That's pretty

0:55:53.160 --> 0:55:58.120
<v Speaker 1>close to the perfect television pilot for me, ever been

0:55:58.160 --> 0:56:01.760
<v Speaker 1>done before. And it has the best joke, in my opinion,

0:56:01.960 --> 0:56:05.839
<v Speaker 1>in the history of which is they're sitting there and

0:56:05.880 --> 0:56:08.319
<v Speaker 1>the phone rings and Coach picks it up and goes,

0:56:09.560 --> 0:56:14.480
<v Speaker 1>Ernie cheers, hang on, Ernie pantuso, that's you Coach speaking.

0:56:15.640 --> 0:56:19.360
<v Speaker 1>It's just it's so fast, and it's just him, and

0:56:19.440 --> 0:56:23.239
<v Speaker 1>it's perfect and and it's it's it's a perfect joke.

0:56:23.480 --> 0:56:27.560
<v Speaker 1>But also it's the pilot, so they're trying to establish

0:56:27.600 --> 0:56:29.680
<v Speaker 1>these characters in a hurry, and they got that guy

0:56:29.680 --> 0:56:33.960
<v Speaker 1>in one line exactly who the sweet old guy is for.

0:56:34.400 --> 0:56:37.640
<v Speaker 1>You know, as long as you say, it's also so difficult,

0:56:37.680 --> 0:56:39.800
<v Speaker 1>as we found to bring this back to Boyman's world,

0:56:39.840 --> 0:56:42.759
<v Speaker 1>and you did this seamlessly as well. It's difficult to

0:56:42.880 --> 0:56:46.320
<v Speaker 1>lose characters and then have to bring in new characters.

0:56:46.800 --> 0:56:49.160
<v Speaker 1>And that's something that Cheers did as well. Shelley Long

0:56:49.200 --> 0:56:52.040
<v Speaker 1>takes off. They bring in Christiality, who just passed Um

0:56:52.719 --> 0:56:55.520
<v Speaker 1>Coach passed away in real life. They bring in Woody.

0:56:55.719 --> 0:56:57.720
<v Speaker 1>These are these are people, this is these are characters

0:56:57.719 --> 0:57:00.960
<v Speaker 1>that shouldn't work. You've you've got you've established a cast,

0:57:01.000 --> 0:57:03.800
<v Speaker 1>you've established a show, you've established a rhythm. You can't

0:57:03.800 --> 0:57:05.960
<v Speaker 1>bring in you can't get rid of Frank Burns and

0:57:06.000 --> 0:57:08.200
<v Speaker 1>bring in Winchester and still have it work on match.

0:57:08.760 --> 0:57:12.480
<v Speaker 1>That's impossible. We can't lose Harley and bring in somebody

0:57:12.560 --> 0:57:14.960
<v Speaker 1>named Griffin. It's still gonna work. And it's like, wait,

0:57:15.200 --> 0:57:18.280
<v Speaker 1>it works. The acting is there and the writing is there,

0:57:18.840 --> 0:57:21.160
<v Speaker 1>then the audience will buy it because it works. And

0:57:21.240 --> 0:57:24.760
<v Speaker 1>that's why they easily that the reason that the initial

0:57:25.080 --> 0:57:27.480
<v Speaker 1>actor did not work when they just tried to have

0:57:27.520 --> 0:57:31.480
<v Speaker 1>a different Harley is because Harley was already established. You

0:57:31.520 --> 0:57:33.560
<v Speaker 1>can't just bring in someone else, throw the leather jacket

0:57:33.560 --> 0:57:36.160
<v Speaker 1>on him and go, now you're that character. But they

0:57:36.240 --> 0:57:39.400
<v Speaker 1>bring in Griff and it's like, we're gonna make him cool,

0:57:39.440 --> 0:57:43.960
<v Speaker 1>but an entirely different way. It's a different it's a

0:57:44.040 --> 0:57:47.240
<v Speaker 1>confident cool. It's uh, i'm are, I'm you know, it's

0:57:47.280 --> 0:57:50.920
<v Speaker 1>the Fonzie kind of cool instead of like the kind

0:57:50.920 --> 0:57:54.600
<v Speaker 1>of cool, tough guy kind of cool. So I also

0:57:54.600 --> 0:57:56.439
<v Speaker 1>think it's interesting, just going back to what you said

0:57:56.440 --> 0:57:59.520
<v Speaker 1>of I wonder how it would have affected your performance

0:58:00.320 --> 0:58:04.280
<v Speaker 1>knowing if you knew the story behind kind of Danny

0:58:04.400 --> 0:58:08.800
<v Speaker 1>leaving and there was a backstory there, and probably not

0:58:08.960 --> 0:58:11.680
<v Speaker 1>knowing it made it easier to just come in and

0:58:12.040 --> 0:58:14.360
<v Speaker 1>I'm just going to do the character. Oh I'm sure.

0:58:14.360 --> 0:58:16.840
<v Speaker 1>I'm sure. If I knew there was this kind of

0:58:17.000 --> 0:58:21.800
<v Speaker 1>beloved guy that had had this rough sort of exit

0:58:22.280 --> 0:58:25.680
<v Speaker 1>and everyone felt uneasy about it, it would have made

0:58:25.680 --> 0:58:32.280
<v Speaker 1>it ten times harder. Thankfully I didn't know. I do

0:58:32.440 --> 0:58:34.800
<v Speaker 1>remember my first costume fitting, and again it's like the

0:58:34.840 --> 0:58:38.320
<v Speaker 1>first real costume fitting i'd had. I remember it was.

0:58:38.680 --> 0:58:41.000
<v Speaker 1>I was standing there trying on outfits for Michael and

0:58:41.080 --> 0:58:44.920
<v Speaker 1>like four other producers, and I kept coming in with

0:58:44.960 --> 0:58:47.760
<v Speaker 1>different outfits and they just it was like a flash

0:58:47.840 --> 0:58:53.480
<v Speaker 1>dance when she's flipboards. And I remember one person I

0:58:53.520 --> 0:58:56.720
<v Speaker 1>don't remember her name. I remember she looked at me

0:58:56.760 --> 0:58:59.720
<v Speaker 1>and just said, I don't know, it's sort of Johnny

0:58:59.760 --> 0:59:03.280
<v Speaker 1>Depp four years ago. And just thinking that was like

0:59:03.360 --> 0:59:06.800
<v Speaker 1>such a show biz thing to say, like, Wow, they

0:59:06.840 --> 0:59:09.640
<v Speaker 1>really say stuff like that in show business. So exciting,

0:59:09.800 --> 0:59:14.080
<v Speaker 1>My god, oh my gosh. So you got your first

0:59:14.080 --> 0:59:17.040
<v Speaker 1>Emmy nomination this year for your role as Mark on

0:59:17.120 --> 0:59:22.880
<v Speaker 1>Several Congratulations, I mean congratulations And what what is doing

0:59:23.000 --> 0:59:27.440
<v Speaker 1>severance like? And is it better than kissing yasmine bleef? Well,

0:59:27.480 --> 0:59:32.840
<v Speaker 1>nothing is better than kissing Um. Yeah, it's really it's

0:59:32.960 --> 0:59:36.240
<v Speaker 1>it's it's a it's a it's a great, uh, really

0:59:36.320 --> 0:59:39.160
<v Speaker 1>fun show to put together, really challenging. We're in the

0:59:39.160 --> 0:59:43.720
<v Speaker 1>middle of shooting right now. Um and I just I

0:59:44.120 --> 0:59:47.720
<v Speaker 1>love it. I love uh the world. You know. Something

0:59:47.760 --> 0:59:51.240
<v Speaker 1>that's that's really fun coming back to the show is

0:59:51.320 --> 0:59:54.440
<v Speaker 1>when season one it was all about sort of world

0:59:54.480 --> 0:59:59.120
<v Speaker 1>building and and finding the tone of of of of

0:59:59.160 --> 1:00:03.240
<v Speaker 1>the loom and and everything we're doing and not knowing

1:00:04.000 --> 1:00:07.480
<v Speaker 1>uh what it was gonna look or feel like. Um,

1:00:07.600 --> 1:00:12.320
<v Speaker 1>And now having set that tone and coming back to it, um,

1:00:12.360 --> 1:00:15.160
<v Speaker 1>not having to worry about that part of it, um,

1:00:15.320 --> 1:00:18.600
<v Speaker 1>and just getting to dive right in is is really fun.

1:00:18.800 --> 1:00:20.480
<v Speaker 1>It's like you all have the same TV show in

1:00:20.480 --> 1:00:25.160
<v Speaker 1>your head. That's right, that's right, yeah yeah um uh.

1:00:25.200 --> 1:00:30.680
<v Speaker 1>And the group of actors is unbelievable obviously. Uh. And

1:00:30.680 --> 1:00:33.400
<v Speaker 1>and getting to see them every day and work with them,

1:00:33.480 --> 1:00:36.320
<v Speaker 1>it's just so much fun. Is there one you prefer

1:00:36.560 --> 1:00:38.360
<v Speaker 1>over the other? I mean, like, you know, doing a film,

1:00:38.400 --> 1:00:40.120
<v Speaker 1>it's kind of your with people for a finite amount

1:00:40.160 --> 1:00:41.560
<v Speaker 1>of time and you get to do something great and

1:00:41.560 --> 1:00:44.000
<v Speaker 1>walk away. But with television you get to kind of

1:00:44.280 --> 1:00:46.479
<v Speaker 1>build the camaraderie as a cast, you get to really

1:00:46.520 --> 1:00:48.480
<v Speaker 1>grow as a character. Is there one that you prefer

1:00:48.520 --> 1:00:53.120
<v Speaker 1>over the other? I really like uh making TV shows.

1:00:53.160 --> 1:00:56.000
<v Speaker 1>I mean they're sort of one and the same now

1:00:56.080 --> 1:00:58.360
<v Speaker 1>more and more. But the thing about making a TV

1:00:58.480 --> 1:01:01.240
<v Speaker 1>show for me that I like growing up in the

1:01:01.280 --> 1:01:05.880
<v Speaker 1>eighties and being a eighties movie goer, that's kind of

1:01:05.920 --> 1:01:10.720
<v Speaker 1>where I sort of learned and what I like. Um,

1:01:10.760 --> 1:01:14.200
<v Speaker 1>I loved sequels growing up in the eighties, and like,

1:01:14.240 --> 1:01:17.440
<v Speaker 1>Temple of Doom is my favorite movie, right, and I

1:01:17.440 --> 1:01:20.600
<v Speaker 1>remember like Police Academy to going to see it on

1:01:20.640 --> 1:01:22.959
<v Speaker 1>my birthday with all my friends and stuff. So coming

1:01:23.000 --> 1:01:25.360
<v Speaker 1>back for another season of the show to me just

1:01:25.400 --> 1:01:29.120
<v Speaker 1>feels like we're making a sequel. Um. And so there's

1:01:29.160 --> 1:01:31.960
<v Speaker 1>like this really kind of fun like getting every getting

1:01:31.960 --> 1:01:35.800
<v Speaker 1>the band back together feeling, and I just love um

1:01:35.800 --> 1:01:38.360
<v Speaker 1>getting getting to see everybody again and catch up with

1:01:38.400 --> 1:01:41.720
<v Speaker 1>each other's catching up with each other's lives and uh

1:01:41.800 --> 1:01:45.440
<v Speaker 1>and finding new angles on on the you know, the story,

1:01:45.600 --> 1:01:48.360
<v Speaker 1>the big story and the characters and everything. It's really

1:01:48.720 --> 1:01:51.360
<v Speaker 1>really fun. That's cool. You know what with all the

1:01:51.440 --> 1:01:53.400
<v Speaker 1>unpacking and everything we've talked about in the episode, the

1:01:53.400 --> 1:01:56.040
<v Speaker 1>thing we're going to get the most emails about Temple

1:01:56.120 --> 1:01:59.640
<v Speaker 1>of Doom is his favorite. You know. Here's the thing.

1:01:59.680 --> 1:02:03.680
<v Speaker 1>So my son, whose name is Indie, Yeah, Temple of

1:02:03.760 --> 1:02:07.280
<v Speaker 1>Doom is his favorite. Yeah. I'm like, you know, and

1:02:07.480 --> 1:02:08.960
<v Speaker 1>it's the one he wants to watch. He wants to

1:02:08.960 --> 1:02:10.720
<v Speaker 1>go back to it more than and I'm like, this

1:02:10.880 --> 1:02:13.040
<v Speaker 1>is the crazy one. But then I remember as a

1:02:13.120 --> 1:02:15.640
<v Speaker 1>kid it was my favorite too. It's and when you

1:02:15.680 --> 1:02:18.600
<v Speaker 1>watch it, you're like, there's like five movies before the

1:02:18.600 --> 1:02:21.439
<v Speaker 1>movie even starts. It's like there's a musical number, there's

1:02:21.480 --> 1:02:24.720
<v Speaker 1>there's plain flight, there's a rafting number. It's like, oh

1:02:24.800 --> 1:02:27.360
<v Speaker 1>my god, and you're like, there's like five five sequences

1:02:27.360 --> 1:02:30.160
<v Speaker 1>before the story even so it's amazing. It's but it's

1:02:30.200 --> 1:02:32.960
<v Speaker 1>totally it's just all over the place. Yeah, yeah, but

1:02:33.080 --> 1:02:37.160
<v Speaker 1>ah my god, it's the best. It was like, oh

1:02:37.200 --> 1:02:41.080
<v Speaker 1>my god, what is happening. They've made a movie specifically

1:02:41.280 --> 1:02:44.160
<v Speaker 1>for me? And I just went back over and over

1:02:44.240 --> 1:02:46.080
<v Speaker 1>and over again. And the other night we were at

1:02:46.080 --> 1:02:49.600
<v Speaker 1>the Gotham Awards in New York and I learned afterwards

1:02:50.080 --> 1:02:53.160
<v Speaker 1>that that key Hugh Kwon, who played Short Round, was

1:02:53.160 --> 1:02:55.560
<v Speaker 1>sitting in the in the table near us to night.

1:02:55.640 --> 1:02:57.720
<v Speaker 1>I didn't know. I would have gone and said hello,

1:02:57.760 --> 1:03:00.400
<v Speaker 1>because he you know, Short Round toys every thing to

1:03:00.520 --> 1:03:03.760
<v Speaker 1>me as a kid. It's really nice. He's we did,

1:03:03.840 --> 1:03:05.720
<v Speaker 1>he's at some of the conventions we do, and he's

1:03:05.720 --> 1:03:08.920
<v Speaker 1>a very sweet and everything everywhere all at once, and

1:03:09.320 --> 1:03:12.160
<v Speaker 1>it was incredible. It's one of the most astounding performances.

1:03:12.160 --> 1:03:15.360
<v Speaker 1>You're like, we're this person should have been working every

1:03:15.440 --> 1:03:19.000
<v Speaker 1>day for the last thirty years, and he's so you

1:03:19.040 --> 1:03:20.840
<v Speaker 1>just can't take your eyes off from the entire movie.

1:03:20.840 --> 1:03:26.040
<v Speaker 1>He's so good, he's amazing. Well marks the return of

1:03:26.120 --> 1:03:29.880
<v Speaker 1>Party Down. So what can you reveal to fans for

1:03:29.960 --> 1:03:32.720
<v Speaker 1>what they can expect from the gang? Yeah, it comes

1:03:32.760 --> 1:03:38.320
<v Speaker 1>out somewhat soon. Uh, yeah, it's it's It was really

1:03:38.320 --> 1:03:40.280
<v Speaker 1>fun because it was like thirteen years later and we're

1:03:40.320 --> 1:03:43.360
<v Speaker 1>all uh together again. I mean, I think by now

1:03:43.400 --> 1:03:47.320
<v Speaker 1>it's almost like a almost a cliche because there's so

1:03:47.360 --> 1:03:51.360
<v Speaker 1>many reboots and stuff, but it really is strange getting

1:03:51.360 --> 1:03:53.640
<v Speaker 1>everyone back together and it just kind of feeling the same,

1:03:54.600 --> 1:03:59.120
<v Speaker 1>which is it was just a blast. And uh, you know,

1:03:59.200 --> 1:04:01.919
<v Speaker 1>I think everyone I love it. It's it's very much

1:04:02.040 --> 1:04:05.440
<v Speaker 1>Party Down. It's very much the same show, which is

1:04:05.480 --> 1:04:09.040
<v Speaker 1>what what we're hoping for, and uh, and it was

1:04:09.360 --> 1:04:10.640
<v Speaker 1>it was a blast. I hope we get to do

1:04:10.720 --> 1:04:14.240
<v Speaker 1>more at some point. Well, I have to ask you,

1:04:14.280 --> 1:04:15.960
<v Speaker 1>would you like this to be the very last time

1:04:15.960 --> 1:04:18.440
<v Speaker 1>you're asked about Boy Meets World. I feel like you've

1:04:18.480 --> 1:04:20.800
<v Speaker 1>had such an illustrious career and yet you're always the

1:04:20.800 --> 1:04:23.840
<v Speaker 1>face of that clickbait article you won't believe who guessed

1:04:23.880 --> 1:04:28.760
<v Speaker 1>it is true. There's a clear picture. Oh it's always him.

1:04:28.840 --> 1:04:31.800
<v Speaker 1>You won't believe the stars that we're on boy Meat's

1:04:31.840 --> 1:04:36.680
<v Speaker 1>World and it's Adam's face. A lot of people carry

1:04:36.760 --> 1:04:41.080
<v Speaker 1>Russell to world. She was my jasmine belief Adam. That's right,

1:04:41.160 --> 1:04:45.760
<v Speaker 1>that's right, Yeah, that's right. Um and uh, there were

1:04:45.920 --> 1:04:50.040
<v Speaker 1>a lot of people, I think Linda Carlin, yeah, yeah, yeah,

1:04:50.160 --> 1:04:53.120
<v Speaker 1>we had a great we had we had great guest guests. Yeah. No.

1:04:53.400 --> 1:04:55.800
<v Speaker 1>I I love being asked about it. I think it's

1:04:55.840 --> 1:04:57.960
<v Speaker 1>a it's a grim really proud to be on the show,

1:04:58.000 --> 1:05:01.240
<v Speaker 1>and it meants, you know, it's a huge Obviously, I

1:05:01.360 --> 1:05:05.040
<v Speaker 1>remember everything and that was a huge learning experience and

1:05:05.680 --> 1:05:10.439
<v Speaker 1>so so valuable. And watching my daughter watch it when

1:05:10.480 --> 1:05:13.400
<v Speaker 1>she was a bit younger is I think it's a

1:05:13.440 --> 1:05:16.280
<v Speaker 1>great show. I love being asked about it, and and

1:05:16.640 --> 1:05:19.440
<v Speaker 1>I've loved listening to you guys talk about it and

1:05:20.000 --> 1:05:23.720
<v Speaker 1>remember it and kind of deal with being grown ups

1:05:23.720 --> 1:05:26.439
<v Speaker 1>looking back. And it's been fascinating listening to you. Well,

1:05:26.480 --> 1:05:28.800
<v Speaker 1>thank you so much, and thank you for taking time

1:05:28.800 --> 1:05:30.880
<v Speaker 1>out of your very busy schedule. I know, like you said,

1:05:30.880 --> 1:05:33.240
<v Speaker 1>you were in the middle of filming Severance, and I

1:05:33.360 --> 1:05:34.920
<v Speaker 1>so I the fact that you have made time for

1:05:35.000 --> 1:05:39.200
<v Speaker 1>us means a great deal to us, and so appreciative

1:05:39.200 --> 1:05:41.840
<v Speaker 1>of you being here. Um, I would just I would

1:05:41.880 --> 1:05:43.959
<v Speaker 1>just like to say, as you leave, do not hug. Writer.

1:05:44.240 --> 1:05:45.840
<v Speaker 1>I was gonna say, I can't wait to give you

1:05:45.920 --> 1:05:49.080
<v Speaker 1>a giant hug next time I see you, next time

1:05:49.080 --> 1:05:53.280
<v Speaker 1>we see each other. I'm just gonna it's been great talking.

1:05:53.360 --> 1:05:56.200
<v Speaker 1>I'm it sounds so ridiculous, but I'm so happy every

1:05:56.200 --> 1:05:58.720
<v Speaker 1>time you pop on screen. I really thanks man. It

1:05:58.880 --> 1:06:01.720
<v Speaker 1>makes me so happy to see all your success and

1:06:02.040 --> 1:06:04.080
<v Speaker 1>it just couldn't happen to a nicer person. It really

1:06:04.080 --> 1:06:07.440
<v Speaker 1>couldn't appreciate that. Thanks a lot, well continued success with

1:06:07.480 --> 1:06:11.080
<v Speaker 1>the podcast. I'll be listening. Thank you, so good to

1:06:11.120 --> 1:06:19.680
<v Speaker 1>see you. Take care bye. Hi Christie, Hey, well, I

1:06:19.760 --> 1:06:23.280
<v Speaker 1>have some unbelievable news. Oh there's a Kim Possible Rounstoppable

1:06:23.280 --> 1:06:25.919
<v Speaker 1>reunion in the works. No, no, no, that would be great,

1:06:25.960 --> 1:06:28.200
<v Speaker 1>But no, I have other big news. We just launched

1:06:28.200 --> 1:06:30.960
<v Speaker 1>the super Awesome contest to become the next big voice actor.

1:06:31.240 --> 1:06:33.080
<v Speaker 1>That's right, we want to give an amateur voice actor

1:06:33.120 --> 1:06:35.800
<v Speaker 1>an opportunity to win a one year contract with my

1:06:35.920 --> 1:06:38.760
<v Speaker 1>voice over agency c S. D They are amazing. I've

1:06:38.800 --> 1:06:40.760
<v Speaker 1>been with them for over twenty years and that's not all.

1:06:40.800 --> 1:06:43.120
<v Speaker 1>A trip to l A to meet Will and myself

1:06:43.480 --> 1:06:45.880
<v Speaker 1>and some amazing prizes as well. Yeah. So, how do

1:06:45.920 --> 1:06:47.920
<v Speaker 1>people enter the super awesome contest to become the next

1:06:47.960 --> 1:06:50.520
<v Speaker 1>big Voice actor Christie? Send a two minute or less

1:06:50.640 --> 1:06:54.520
<v Speaker 1>video or audio file showcasing your best voices. Okay, well

1:06:54.560 --> 1:06:57.200
<v Speaker 1>it's time do your announcer voice for the rest? Oh yes,

1:06:58.080 --> 1:07:00.840
<v Speaker 1>no purchase necessary. Submit your entry it I Hear Voices

1:07:00.840 --> 1:07:03.000
<v Speaker 1>that I Heart radio dot com between January nine and

1:07:03.000 --> 1:07:05.880
<v Speaker 1>February nine. Entries will be judged. The contest is open

1:07:05.920 --> 1:07:07.880
<v Speaker 1>to legal residents of the United States who are eighteen

1:07:07.880 --> 1:07:09.840
<v Speaker 1>and older. Official rules can be found by going to

1:07:09.840 --> 1:07:13.280
<v Speaker 1>our Instagram page and I Hear Voices podcasts for complete details,

1:07:13.840 --> 1:07:16.200
<v Speaker 1>listen to I Hear Voices on the I Heart Radio

1:07:16.240 --> 1:07:24.680
<v Speaker 1>app or wherever you listen to podcasts. Wow, what a

1:07:24.920 --> 1:07:31.160
<v Speaker 1>dick that guy I met you writer to leave that story.

1:07:31.240 --> 1:07:35.560
<v Speaker 1>That's so bizarre, so not well, it's not it's so

1:07:35.680 --> 1:07:37.720
<v Speaker 1>not me. But I have no idea there must have.

1:07:37.800 --> 1:07:40.320
<v Speaker 1>I mean, either he's just you know, he was just

1:07:40.480 --> 1:07:42.880
<v Speaker 1>in an insecure moment and like I gave him a look.

1:07:43.080 --> 1:07:45.600
<v Speaker 1>I might have been joking, but that doesn't really sound

1:07:45.640 --> 1:07:48.400
<v Speaker 1>like me, Like, I don't know what happened, Like you're

1:07:48.440 --> 1:07:53.440
<v Speaker 1>a hugger exactly, And I feel like in a situation

1:07:53.480 --> 1:07:55.960
<v Speaker 1>like that, I would have just been running around hugging everybody,

1:07:56.000 --> 1:07:59.480
<v Speaker 1>because that's just what I did. Um, So it must

1:07:59.520 --> 1:08:02.600
<v Speaker 1>have been like a weird misinterpretation of something like maybe

1:08:02.600 --> 1:08:04.920
<v Speaker 1>I heard something, maybe somebody called to me away and

1:08:04.920 --> 1:08:07.080
<v Speaker 1>I ran off. And he just was like in this

1:08:07.120 --> 1:08:12.920
<v Speaker 1>weird moment of like, oh okay, yeah that sucks, it's

1:08:12.920 --> 1:08:15.120
<v Speaker 1>so funny. Yeah, like I said, I had read that.

1:08:15.200 --> 1:08:18.040
<v Speaker 1>I had read that article once that was like somebody

1:08:18.080 --> 1:08:19.760
<v Speaker 1>asked him about boy Meat's world, and I was all

1:08:19.800 --> 1:08:21.280
<v Speaker 1>excited to see what he had to say, and he

1:08:21.360 --> 1:08:24.280
<v Speaker 1>was like, well, yeah it was. I felt really uncomfortable there.

1:08:24.320 --> 1:08:27.400
<v Speaker 1>I don't think anybody liked me. Why why did you

1:08:27.400 --> 1:08:28.680
<v Speaker 1>Why did you feel that way? And he was like, well,

1:08:28.720 --> 1:08:31.080
<v Speaker 1>I read once on a message board that Danielle told

1:08:31.080 --> 1:08:33.559
<v Speaker 1>somebody that that nobody liked him, and I was like,

1:08:34.000 --> 1:08:38.000
<v Speaker 1>it's not true. I wanted to correct it so badly, man.

1:08:38.040 --> 1:08:39.880
<v Speaker 1>And this is the thing about actors, right, It's like

1:08:39.920 --> 1:08:44.680
<v Speaker 1>this this incredible confidence, right, this ability to be in

1:08:44.760 --> 1:08:46.640
<v Speaker 1>your control of your body and your voice and to

1:08:46.680 --> 1:08:50.960
<v Speaker 1>be able to present confidence and then just this crippling insecurity. Right,

1:08:51.000 --> 1:08:53.640
<v Speaker 1>It's like it's and you you always carry both with

1:08:53.680 --> 1:08:56.040
<v Speaker 1>you because you know, and I heard it explained once

1:08:56.040 --> 1:08:58.960
<v Speaker 1>that it's because actors had to make a leap. At

1:08:59.000 --> 1:09:01.000
<v Speaker 1>one point they were watching a TV show or watching

1:09:01.000 --> 1:09:03.200
<v Speaker 1>a movie or watching a play and they looked at

1:09:03.200 --> 1:09:06.400
<v Speaker 1>somebody up there and said I could do that, and

1:09:06.560 --> 1:09:08.120
<v Speaker 1>they had to make that leap, right, And that's a

1:09:08.200 --> 1:09:10.400
<v Speaker 1>leap of faith, Like you don't you don't actually know

1:09:10.479 --> 1:09:12.280
<v Speaker 1>every A lot of people try that and they don't

1:09:12.280 --> 1:09:14.960
<v Speaker 1>get jobs or you know, they want to be that

1:09:15.000 --> 1:09:17.559
<v Speaker 1>person and they can't actually do Like you just can't

1:09:17.560 --> 1:09:19.400
<v Speaker 1>act or you can't you don't have the thing whatever

1:09:19.439 --> 1:09:22.240
<v Speaker 1>it is, And so all of us have to have

1:09:22.439 --> 1:09:26.400
<v Speaker 1>made that leap, are constantly wondering is everybody fooling me?

1:09:26.520 --> 1:09:28.880
<v Speaker 1>Or is this actually at this? You never and it's

1:09:28.880 --> 1:09:31.679
<v Speaker 1>so amazing that never goes away. It just never goes away,

1:09:31.680 --> 1:09:33.280
<v Speaker 1>because then it's the next role. Like even if you

1:09:33.320 --> 1:09:35.920
<v Speaker 1>get super confident, as you know, one TV show or

1:09:35.960 --> 1:09:38.439
<v Speaker 1>one job, the next one could just go away as

1:09:38.479 --> 1:09:40.559
<v Speaker 1>just as easily. Well, it's because that's also the nature

1:09:40.600 --> 1:09:43.000
<v Speaker 1>of our business. The nature of our business is Yeah,

1:09:43.000 --> 1:09:47.160
<v Speaker 1>I mean I you tell everybody that you don't understand

1:09:47.200 --> 1:09:48.720
<v Speaker 1>what it's like to be on something like a Boy

1:09:48.720 --> 1:09:51.439
<v Speaker 1>Meets World like show for seven years where Thursday night

1:09:52.000 --> 1:09:55.560
<v Speaker 1>you're awesome, and you wake up Friday morning and it's done,

1:09:55.680 --> 1:09:58.320
<v Speaker 1>and that's it, it's over. You're hey, you you know

1:09:58.320 --> 1:10:00.920
<v Speaker 1>how you're so awesome yesterday when you got start again

1:10:01.040 --> 1:10:02.920
<v Speaker 1>trying to find the jobs and hitting the pavement and

1:10:02.960 --> 1:10:05.200
<v Speaker 1>doing everything the whole way. But you're right, it is

1:10:05.240 --> 1:10:07.280
<v Speaker 1>a leap of faith, much like the leap of faith

1:10:07.360 --> 1:10:09.639
<v Speaker 1>that Indiana Jones has to take. And clearly the best

1:10:09.720 --> 1:10:14.400
<v Speaker 1>of those films the last pisade Um. So yes, that's

1:10:14.600 --> 1:10:16.559
<v Speaker 1>that's what we're gonna be begetting is the Temple of

1:10:16.640 --> 1:10:19.760
<v Speaker 1>June glad. He also remembered Yasmine Bleaf because I thought

1:10:19.800 --> 1:10:22.280
<v Speaker 1>maybe all of us had some sort of collective maps,

1:10:23.160 --> 1:10:25.720
<v Speaker 1>and you know where she where. It's like, maybe she

1:10:25.920 --> 1:10:28.280
<v Speaker 1>wasn't on the show. Was she in a bathing suit

1:10:28.360 --> 1:10:30.600
<v Speaker 1>on our show? Like was she was in a like

1:10:30.640 --> 1:10:34.280
<v Speaker 1>a big sparkly sequin dress. She spoke to his like

1:10:34.479 --> 1:10:38.040
<v Speaker 1>ringside date. I thought she was like the ring girl

1:10:38.200 --> 1:10:41.840
<v Speaker 1>or something like. Okay, and then and then Robert Gulay

1:10:41.880 --> 1:10:46.360
<v Speaker 1>gets up, it's just the sings right bonkers cast. That's

1:10:46.360 --> 1:10:49.320
<v Speaker 1>gonna be an episode. We should probably dedicate two episodes

1:10:49.360 --> 1:10:53.080
<v Speaker 1>that are pod to just that episode, because we're not

1:10:53.160 --> 1:10:55.200
<v Speaker 1>far away from it. We're gonna get to it really soon.

1:10:55.280 --> 1:10:57.880
<v Speaker 1>So okay, it is in second season? Really we already? Yeah?

1:10:57.880 --> 1:11:00.519
<v Speaker 1>Oh yeah. I just remember watching when we did the

1:11:00.560 --> 1:11:02.960
<v Speaker 1>DVD commentary, and there's like an entire scene where I

1:11:03.000 --> 1:11:05.240
<v Speaker 1>am clearly just not even aware that I'm on camera.

1:11:05.280 --> 1:11:08.080
<v Speaker 1>I'm just sitting there like zoning out, watching the scene

1:11:08.160 --> 1:11:10.519
<v Speaker 1>unfold in the ring And I remember looking at myself going,

1:11:11.120 --> 1:11:14.879
<v Speaker 1>I am so I am just overwhere I'm not present.

1:11:15.000 --> 1:11:17.200
<v Speaker 1>I am like sitting there going, what is happening to

1:11:17.280 --> 1:11:19.519
<v Speaker 1>our TV show? You can see it on my face?

1:11:19.640 --> 1:11:22.400
<v Speaker 1>Oh that's uh yeah. And we'll get into the whole

1:11:22.439 --> 1:11:25.960
<v Speaker 1>thing with Vader. Just what a man he was. He

1:11:26.080 --> 1:11:27.720
<v Speaker 1>was such a good guy. Anyway, we'll get it all that.

1:11:27.760 --> 1:11:32.400
<v Speaker 1>What what the with the success? Though? I meant this

1:11:32.439 --> 1:11:34.320
<v Speaker 1>when I said this, that could not have happened to

1:11:34.320 --> 1:11:38.280
<v Speaker 1>a better person than Adams and he's earned everything he's

1:11:38.320 --> 1:11:42.439
<v Speaker 1>gotten and has just been so magnanimous with everything he does,

1:11:42.680 --> 1:11:45.400
<v Speaker 1>and it's just it does. He makes me smile. Every

1:11:45.439 --> 1:11:47.920
<v Speaker 1>time I see him in something. It makes me happy,

1:11:48.040 --> 1:11:50.160
<v Speaker 1>and I'm just I'm so happy for him. I really am.

1:11:50.360 --> 1:11:52.640
<v Speaker 1>He's the greatest. Well, I'm really I'm I was so

1:11:52.680 --> 1:11:54.439
<v Speaker 1>excited when he agreed to do the show and he's

1:11:54.479 --> 1:11:57.479
<v Speaker 1>been listening. Isn't that cool? That's awesome. It's cool. That's

1:11:57.479 --> 1:11:59.880
<v Speaker 1>pretty cool. Well, anyway, thank you guys for joining us

1:11:59.880 --> 1:12:02.439
<v Speaker 1>for this episode of Pod Meets World. As always, you

1:12:02.439 --> 1:12:05.760
<v Speaker 1>can follow us on Instagram pod Meets World Show. You

1:12:05.800 --> 1:12:07.720
<v Speaker 1>can send us your emails pod meets World Show at

1:12:07.760 --> 1:12:10.480
<v Speaker 1>gmail dot com, tell us all about Temple of Doom,

1:12:10.560 --> 1:12:15.840
<v Speaker 1>and as always, we have Merchu pod meets World show

1:12:15.880 --> 1:12:18.439
<v Speaker 1>dot com. Thank you guys for joining us and we'll

1:12:18.439 --> 1:12:22.160
<v Speaker 1>see you next time. We love you all, pod dismissed.

1:12:23.880 --> 1:12:26.479
<v Speaker 1>Pod Meets World is an iHeart podcast produced and hosted

1:12:26.520 --> 1:12:30.479
<v Speaker 1>by Daniel Fishel Wilfernell and Wryder Strong. Executive producers Jensen

1:12:30.560 --> 1:12:34.080
<v Speaker 1>Carp and Amy Sugarman. Executive in charge of production, Danielle Romo,

1:12:34.360 --> 1:12:38.639
<v Speaker 1>Producer and editor Tara suit Box producer, Jackie Rodriguez, engineer

1:12:38.720 --> 1:12:41.439
<v Speaker 1>and Boy Meets World super fan Easton Allen. Our theme

1:12:41.520 --> 1:12:44.200
<v Speaker 1>song is by Kyle Morton of Typhoon. You can follow

1:12:44.320 --> 1:12:47.080
<v Speaker 1>us on Instagram at pod Meats World Show or send

1:12:47.160 --> 1:12:49.799
<v Speaker 1>us an email at pod Meats World Show at gmail

1:12:49.920 --> 1:12:51.439
<v Speaker 1>dot com.