WEBVTT - Oh, Mother!

0:00:00.240 --> 0:00:05.000
<v Speaker 1>It's two am in San Junipero and you're listening to

0:00:06.200 --> 0:00:18.279
<v Speaker 1>Night Call. Welcome to Nightcall, a podcast to keep you

0:00:18.320 --> 0:00:21.640
<v Speaker 1>company on those strange days and lonely nights. My name

0:00:21.680 --> 0:00:24.640
<v Speaker 1>is Emily Ashida, and I am in New York City

0:00:24.720 --> 0:00:27.320
<v Speaker 1>and with me on the other line in Los Angeles,

0:00:27.360 --> 0:00:32.720
<v Speaker 1>I have Molly Lambert and Tess Lynch and we were

0:00:32.840 --> 0:00:39.320
<v Speaker 1>just moments before hitting record here uh kind of gaping collectively,

0:00:40.000 --> 0:00:45.800
<v Speaker 1>uh bicoastally over the new Genelman a video that just

0:00:45.880 --> 0:00:50.360
<v Speaker 1>came out a few hours ago for for making me

0:00:50.400 --> 0:00:54.200
<v Speaker 1>feel that's the song hence the San Junipero reference that

0:00:54.360 --> 0:00:58.240
<v Speaker 1>is basically a kind of uh, I don't know it's

0:00:58.320 --> 0:01:00.920
<v Speaker 1>it's it's a light tribute, but it's just amazing. It's

0:01:00.920 --> 0:01:05.240
<v Speaker 1>her and Tessa Thompson in a neon colored club with

0:01:05.400 --> 0:01:09.720
<v Speaker 1>like Prince guitars, and it's just fantastic. And I'm really

0:01:09.760 --> 0:01:13.000
<v Speaker 1>glad that there is a new Janelle mone piece of

0:01:13.080 --> 0:01:15.600
<v Speaker 1>music and visual in the world, because it feels like

0:01:15.720 --> 0:01:20.399
<v Speaker 1>it's been way too long. Welcome back, all right, That's

0:01:20.600 --> 0:01:23.120
<v Speaker 1>that's our collective message for Janelle Monet. I guess I

0:01:23.160 --> 0:01:27.520
<v Speaker 1>love Jenelle Money. I actually um, she was my daughter's

0:01:27.720 --> 0:01:31.560
<v Speaker 1>favorite guest on Sesame Street. She did a very high

0:01:31.600 --> 0:01:36.920
<v Speaker 1>impact song about fixing your mistakes, getting it right. I

0:01:36.920 --> 0:01:39.040
<v Speaker 1>don't think I've seen that, but I can imagine her

0:01:39.080 --> 0:01:42.959
<v Speaker 1>being just like a perfect Sesame Street guest. She is

0:01:43.040 --> 0:01:46.480
<v Speaker 1>just like, yeah, she's just got this energy. It's like

0:01:46.520 --> 0:01:49.800
<v Speaker 1>her center of gravity is like right and like the

0:01:49.840 --> 0:01:51.720
<v Speaker 1>middle of her body, so it makes her kind of

0:01:51.760 --> 0:01:54.120
<v Speaker 1>like this, Like I don't know, there's something about her

0:01:54.120 --> 0:01:58.120
<v Speaker 1>that she feels very suited to, Like she's she looks fancy,

0:01:58.320 --> 0:02:04.760
<v Speaker 1>she's got that muppet muppet Yeah. Hey, speaking of music videos, huh,

0:02:05.080 --> 0:02:08.440
<v Speaker 1>I happened to see a really good music video for

0:02:08.720 --> 0:02:12.120
<v Speaker 1>Speedy Ortiz is Lucky eighty eight that I think was

0:02:12.160 --> 0:02:15.520
<v Speaker 1>directed by a friend of ours. Money good, good, anytime, anytime?

0:02:15.639 --> 0:02:18.639
<v Speaker 1>Where where? Did you see the music video on the internet?

0:02:19.200 --> 0:02:23.880
<v Speaker 1>On the internet? WHOA, Oh my god, so Emily spoiler

0:02:23.919 --> 0:02:27.280
<v Speaker 1>alert that you directed and produced or just directed? I

0:02:27.320 --> 0:02:31.840
<v Speaker 1>forgot I directed and produced. It was incredible. Yeah, there's

0:02:31.840 --> 0:02:36.840
<v Speaker 1>a there's a very black mirror, a jokey black mirror

0:02:37.639 --> 0:02:42.720
<v Speaker 1>storyline and some excellent practical effects. And yeah, test and

0:02:42.760 --> 0:02:46.560
<v Speaker 1>I want to know everything about the slime practical Well, first,

0:02:46.600 --> 0:02:49.760
<v Speaker 1>of all who came up with the concept. Um. So

0:02:50.040 --> 0:02:52.160
<v Speaker 1>I kind of got the the gig a little bit

0:02:52.200 --> 0:02:55.520
<v Speaker 1>last minute. Um and I all I knew was that

0:02:55.560 --> 0:02:58.919
<v Speaker 1>they kind of wanted something in the neighborhood of Riverdale

0:02:58.960 --> 0:03:02.000
<v Speaker 1>and black mirror was what I was told, like kind

0:03:02.000 --> 0:03:04.640
<v Speaker 1>of like I I think like the color palette of

0:03:04.680 --> 0:03:07.680
<v Speaker 1>Riverdale were more like and I was like, oh great,

0:03:07.800 --> 0:03:10.639
<v Speaker 1>I that is my address, the section of Riverdale and

0:03:10.680 --> 0:03:13.959
<v Speaker 1>black Hair. I would love to do something. Uh did

0:03:13.960 --> 0:03:17.320
<v Speaker 1>you see that m Gregor Rocky directed a Riverdale No,

0:03:17.560 --> 0:03:20.680
<v Speaker 1>I didn't see that. I have not been um watching

0:03:20.880 --> 0:03:23.040
<v Speaker 1>this season. I feel like it's going to be waiting

0:03:23.080 --> 0:03:26.040
<v Speaker 1>for me someday when I am sick, waiting for you,

0:03:26.200 --> 0:03:31.560
<v Speaker 1>like a milkshake Pops chocolate shop. Um. But yeah, so

0:03:31.680 --> 0:03:34.000
<v Speaker 1>I I kind of tossed around some ideas. I mean,

0:03:34.360 --> 0:03:37.640
<v Speaker 1>I would have loved to do like a high school set.

0:03:38.120 --> 0:03:40.200
<v Speaker 1>The original idea was something that was like set in

0:03:40.320 --> 0:03:42.480
<v Speaker 1>high school, and then it just felt like it was

0:03:42.480 --> 0:03:47.120
<v Speaker 1>going to be too logistically complicated with scenes. You know. Yeah,

0:03:47.920 --> 0:03:49.800
<v Speaker 1>it was funny. I was going back and thinking about

0:03:49.840 --> 0:03:52.000
<v Speaker 1>it and I was like, so I spent this a

0:03:52.080 --> 0:03:55.160
<v Speaker 1>very satisfying summer reading um two out of three of

0:03:55.200 --> 0:04:00.000
<v Speaker 1>the Vallast Trilogy, the Philip K. Dick books and UM.

0:04:00.240 --> 0:04:03.840
<v Speaker 1>The third one is the Three Stigmata of Palmer Eldritch

0:04:04.120 --> 0:04:08.120
<v Speaker 1>and there the idea of it is that UM Colin

0:04:08.200 --> 0:04:10.200
<v Speaker 1>of sam Mars are so bored that they take this

0:04:10.320 --> 0:04:12.520
<v Speaker 1>drug where they basically get to live this alter ego

0:04:12.640 --> 0:04:15.080
<v Speaker 1>life and they can buy these like like they can

0:04:15.080 --> 0:04:20.920
<v Speaker 1>buy objects to have in their drug state. Um. Yeah,

0:04:21.000 --> 0:04:24.200
<v Speaker 1>it's basically like second life, except it's induced by drugs,

0:04:24.240 --> 0:04:27.039
<v Speaker 1>and so everybody like everybody can't wait to get like

0:04:27.080 --> 0:04:30.359
<v Speaker 1>the latest sweater for their for their for their choosy

0:04:30.440 --> 0:04:34.720
<v Speaker 1>experience and or no, it's not choosy, it's candy. Candy

0:04:34.880 --> 0:04:37.960
<v Speaker 1>is the first one, and everybody becomes either um, the

0:04:38.240 --> 0:04:43.320
<v Speaker 1>women become somebody named Perky Pat and uh so that

0:04:43.400 --> 0:04:45.880
<v Speaker 1>was sort of like the persona was like perky Pat

0:04:46.520 --> 0:04:51.800
<v Speaker 1>um for for Sadie but um but yeah, and then

0:04:51.880 --> 0:04:54.839
<v Speaker 1>the slime. I was just like, I think I'd read

0:04:54.920 --> 0:04:59.960
<v Speaker 1>this Um June Edo comic Dissolving class This is all

0:05:00.040 --> 0:05:05.000
<v Speaker 1>in classroom over Christmas, and I was just really um

0:05:05.120 --> 0:05:07.359
<v Speaker 1>and trance with the idea of doing something with slime,

0:05:07.440 --> 0:05:10.000
<v Speaker 1>and luckily slime is the hottest thing right now. That's

0:05:10.000 --> 0:05:11.599
<v Speaker 1>what I was going to say. I thought you would

0:05:11.880 --> 0:05:14.880
<v Speaker 1>ride in the slime wave. No no, no, no, I wasn't.

0:05:14.920 --> 0:05:17.240
<v Speaker 1>And then I realized, oh, yeah, this is like every

0:05:17.279 --> 0:05:19.400
<v Speaker 1>time that kind of pops up maybe on your suggested

0:05:19.520 --> 0:05:23.000
<v Speaker 1>views suggested videos, like hey, would you like to watch

0:05:23.040 --> 0:05:29.159
<v Speaker 1>somebody like yeah, and it's so funny because um, you know,

0:05:29.200 --> 0:05:32.160
<v Speaker 1>I was like trying to find somebody to just manage

0:05:32.200 --> 0:05:35.840
<v Speaker 1>the effects during it, and um, everybody who was kind

0:05:35.839 --> 0:05:38.080
<v Speaker 1>of like working on the video was like, oh, man,

0:05:38.240 --> 0:05:40.440
<v Speaker 1>like you know, if they could work twelve hour days,

0:05:40.480 --> 0:05:42.680
<v Speaker 1>I would just call my cousin or something, because they

0:05:42.720 --> 0:05:45.599
<v Speaker 1>like make these huge that I was going to say

0:05:45.600 --> 0:05:47.560
<v Speaker 1>when you were like, hey, do you know anyone who

0:05:47.600 --> 0:05:50.120
<v Speaker 1>makes slime? And I was like, who doesn't make slime?

0:05:52.600 --> 0:05:56.719
<v Speaker 1>I mean, this is definitely a post election phenomenon, is

0:05:56.760 --> 0:06:00.240
<v Speaker 1>that everybody got really into like manufacturing large quantity days.

0:06:00.680 --> 0:06:02.719
<v Speaker 1>It was like right after fidget Spinners. It was the

0:06:02.760 --> 0:06:07.359
<v Speaker 1>next thing because it's therapeutic. Because I remember in the

0:06:07.480 --> 0:06:10.040
<v Speaker 1>nineties there was slime, there was ghack. I was actually

0:06:10.040 --> 0:06:12.520
<v Speaker 1>just were we were super into slime, but there was

0:06:12.560 --> 0:06:16.320
<v Speaker 1>there was like this whole list of Nickelodeon um different

0:06:16.400 --> 0:06:19.400
<v Speaker 1>kinds of slime and putties and things, and some of

0:06:19.400 --> 0:06:25.320
<v Speaker 1>them have been discontinued, others remain by nobody remember exactly.

0:06:25.360 --> 0:06:27.440
<v Speaker 1>I feel like them making your own is new and

0:06:27.520 --> 0:06:29.640
<v Speaker 1>that's the thing that I like to watch videos of.

0:06:29.720 --> 0:06:32.000
<v Speaker 1>I just like used that to explain to somebody what

0:06:32.120 --> 0:06:35.279
<v Speaker 1>a SMR was. Yeah. I was like, you know, it's

0:06:35.279 --> 0:06:37.720
<v Speaker 1>like when people make those videos of slime where they

0:06:37.800 --> 0:06:40.400
<v Speaker 1>like squished the s. They were like, oh, yeah, yeah,

0:06:40.440 --> 0:06:43.800
<v Speaker 1>I've watched this. Well, there's also a big snail musin

0:06:44.440 --> 0:06:47.159
<v Speaker 1>cosmetics the movement, and I think that that just kind

0:06:47.160 --> 0:06:51.200
<v Speaker 1>of like, yes, slime becomes a part of your daily life.

0:06:51.240 --> 0:06:54.200
<v Speaker 1>I think we're just in like the mucous age. I

0:06:54.200 --> 0:06:56.280
<v Speaker 1>think we are. I think I think people are ready

0:06:56.320 --> 0:06:58.440
<v Speaker 1>to get gross. That was kind of my feeling and

0:06:58.520 --> 0:07:01.960
<v Speaker 1>doing it is like I think that there is kind

0:07:01.960 --> 0:07:08.160
<v Speaker 1>of like reactionary to maybe the hyper controlled like global

0:07:08.240 --> 0:07:11.680
<v Speaker 1>Airbnb aesthetic of everything now, which is also what the

0:07:11.800 --> 0:07:14.000
<v Speaker 1>video has in it. It's like people just want to

0:07:14.000 --> 0:07:16.920
<v Speaker 1>see things get covered in slime and goop. But it

0:07:17.000 --> 0:07:19.480
<v Speaker 1>was really nice to watch that happened. It was it's

0:07:19.520 --> 0:07:23.560
<v Speaker 1>also an earworm. It's such a good song. Ya. The

0:07:23.600 --> 0:07:26.560
<v Speaker 1>sushi covered in slime really like did something weird to

0:07:26.600 --> 0:07:33.440
<v Speaker 1>my brain? Good job, thank you. Um. Hopefully I haven't

0:07:33.440 --> 0:07:36.040
<v Speaker 1>a chance to do that in a long form fashion. Yeah,

0:07:36.200 --> 0:07:38.080
<v Speaker 1>I mean I also, I think The Blob is like

0:07:38.080 --> 0:07:40.400
<v Speaker 1>one of the scariest horror movies of all time. It

0:07:40.480 --> 0:07:43.360
<v Speaker 1>totally is. I watched a bunch of The Blob for this,

0:07:43.760 --> 0:07:47.480
<v Speaker 1>I watched obviously rip Oman was a big influence on it.

0:07:47.800 --> 0:07:51.560
<v Speaker 1>Uh And yeah, but the Blob is so scary and

0:07:51.560 --> 0:07:54.760
<v Speaker 1>it's all these practical effects and it's so nasty, and

0:07:54.800 --> 0:07:57.440
<v Speaker 1>it kind of reminds me of a movie that's coming

0:07:57.440 --> 0:07:59.960
<v Speaker 1>out this week that hopefully we'll talk about next week

0:08:00.040 --> 0:08:04.520
<v Speaker 1>that also has some very nasty both practical and digital effects.

0:08:04.560 --> 0:08:08.920
<v Speaker 1>But it's just like grossest anymore slime thoughts, um, I'm wondering.

0:08:09.080 --> 0:08:15.040
<v Speaker 1>I was sitting here musing, wondering whether cosmetic kind of booms,

0:08:15.120 --> 0:08:20.040
<v Speaker 1>like when people are really interested in multi step skin

0:08:20.200 --> 0:08:23.600
<v Speaker 1>rituals and cosmetics, if that correlates at all with people's

0:08:23.640 --> 0:08:26.160
<v Speaker 1>fascination with slime. I do think so, you know why,

0:08:26.200 --> 0:08:30.200
<v Speaker 1>because there's been some really slime like face masks, the

0:08:30.240 --> 0:08:32.360
<v Speaker 1>bubble masks, like the ones with glitter, and then I

0:08:32.360 --> 0:08:35.439
<v Speaker 1>saw a really grotesque one that was like just the

0:08:35.480 --> 0:08:38.600
<v Speaker 1>imagery is grotesque. It's like Doctor Jart like shaking shot

0:08:39.160 --> 0:08:42.760
<v Speaker 1>that Kara Brown was like trying out that seemed it

0:08:42.840 --> 0:08:44.959
<v Speaker 1>seems really fun to do, like whether or not it

0:08:45.040 --> 0:08:48.160
<v Speaker 1>actually does anything to your skin. It's like so weird looking,

0:08:48.600 --> 0:08:50.240
<v Speaker 1>but then I'm always like, what if it got stuck

0:08:50.240 --> 0:08:52.360
<v Speaker 1>on your face? Well, there's there's one I think it's like,

0:08:52.400 --> 0:08:55.880
<v Speaker 1>what the hannock your mask? I obsessively read about this stuff,

0:08:55.920 --> 0:08:57.840
<v Speaker 1>but I don't really use it. But there's one that

0:08:57.960 --> 0:09:01.760
<v Speaker 1>like tightens your face so much that it makes you

0:09:01.800 --> 0:09:04.320
<v Speaker 1>look very old, and then you rinse it off and

0:09:04.360 --> 0:09:06.480
<v Speaker 1>it's like your face is really tight. And then there

0:09:06.480 --> 0:09:09.600
<v Speaker 1>are these bubble clay masks that kind of foam when

0:09:09.640 --> 0:09:12.160
<v Speaker 1>they come in contact with the oils on your skin.

0:09:12.440 --> 0:09:15.360
<v Speaker 1>But I wonder if it's you know, being in contact

0:09:15.400 --> 0:09:19.480
<v Speaker 1>with these kind of gooby gooby goose, uh, if if

0:09:19.520 --> 0:09:23.520
<v Speaker 1>you start kind of like becoming more fascinated with that texture,

0:09:23.559 --> 0:09:27.080
<v Speaker 1>because it's kind of like insinuated in your life. It's

0:09:27.120 --> 0:09:30.960
<v Speaker 1>like we're we're simulating a stress response that like animals,

0:09:31.000 --> 0:09:34.160
<v Speaker 1>like anybody else have, which was this like if you're

0:09:34.160 --> 0:09:37.640
<v Speaker 1>stressed out, you create a gooey layer to protect you

0:09:37.679 --> 0:09:40.200
<v Speaker 1>from the rest of the work. Yes, I feel like

0:09:40.720 --> 0:09:42.560
<v Speaker 1>that is what's going on here. I it's the same

0:09:42.600 --> 0:09:44.920
<v Speaker 1>with like mucus, if you have allergies or something and

0:09:44.960 --> 0:09:47.120
<v Speaker 1>you get mucasy, Like that's the same thing. I feel

0:09:47.160 --> 0:09:50.240
<v Speaker 1>like it's just like a melting time, Like everything's melting,

0:09:51.160 --> 0:09:53.320
<v Speaker 1>The world is melting. Do you think that the goo

0:09:53.480 --> 0:09:57.280
<v Speaker 1>and the Slime is a comment on global warming? Is? Though?

0:09:57.360 --> 0:10:00.120
<v Speaker 1>It totally no, because that is like also the her

0:10:00.160 --> 0:10:02.840
<v Speaker 1>pitch from Sadie. I mean, the song is kind of

0:10:02.880 --> 0:10:05.160
<v Speaker 1>meant to be about this thing of just like being

0:10:05.240 --> 0:10:07.199
<v Speaker 1>so fed up or like, you know, being so fed

0:10:07.280 --> 0:10:09.240
<v Speaker 1>up with how much conflict in like stress and stuff

0:10:09.320 --> 0:10:13.200
<v Speaker 1>is going on. But meanwhile everything is like, you know,

0:10:13.240 --> 0:10:17.480
<v Speaker 1>the world is gonna die a slow heat death, etcetera. Um,

0:10:17.640 --> 0:10:20.520
<v Speaker 1>And yeah, so that was like definitely there from the

0:10:20.520 --> 0:10:25.000
<v Speaker 1>start of the video, was the slime being global warming? Um?

0:10:25.120 --> 0:10:28.240
<v Speaker 1>Speaking of global warming briefly, Martha Stewart has been on

0:10:28.240 --> 0:10:31.280
<v Speaker 1>a polar journey that I feel was directly inspired by

0:10:31.360 --> 0:10:35.360
<v Speaker 1>Night Call. She's at the South Pole and she's been

0:10:35.400 --> 0:10:40.439
<v Speaker 1>posting the most amazing photographs of like ice formations from

0:10:40.480 --> 0:10:45.240
<v Speaker 1>a tiny ten person boat called the Zodiac. Wow, yeah

0:10:45.280 --> 0:10:48.280
<v Speaker 1>that she is. She's a Night Call fan. Yeah, she's

0:10:48.840 --> 0:10:51.320
<v Speaker 1>very she is she a tasky? Is she an avery

0:10:51.440 --> 0:10:55.480
<v Speaker 1>or she might be like a Zodiac? I think she

0:10:55.720 --> 0:11:00.760
<v Speaker 1>is true. I love her goth Instagram. It's so goth.

0:11:01.400 --> 0:11:03.280
<v Speaker 1>It's very like. She posted this picture once of like

0:11:03.320 --> 0:11:06.240
<v Speaker 1>a donkey eating a coyote and everybody was like wow,

0:11:06.440 --> 0:11:11.880
<v Speaker 1>and she was like, it's the brutality. Okay, she's hurd talk.

0:11:16.280 --> 0:11:20.160
<v Speaker 1>Speaking of our other Night Call listeners, I think that

0:11:20.240 --> 0:11:24.720
<v Speaker 1>we have some listener questions that we were going to tackle.

0:11:25.160 --> 0:11:27.400
<v Speaker 1>We'll go like do lie doo, lie doo lie dude.

0:11:27.760 --> 0:11:32.000
<v Speaker 1>So we we received a bunch of really great voicemails

0:11:32.000 --> 0:11:34.720
<v Speaker 1>and emails this week, and it was really hard to

0:11:34.840 --> 0:11:37.959
<v Speaker 1>choose from um the good questions that we got. And

0:11:38.280 --> 0:11:40.000
<v Speaker 1>if you have a call for us, you should give

0:11:40.080 --> 0:11:42.360
<v Speaker 1>us a call at two four oh four six night

0:11:42.640 --> 0:11:46.280
<v Speaker 1>That's right, Emily, or you can always email us at

0:11:46.960 --> 0:11:50.440
<v Speaker 1>Night Call Podcast at gmail dot com. Drop us a line.

0:11:50.880 --> 0:11:53.520
<v Speaker 1>Let's uh have a voicemail, guys, let's kick it off

0:11:54.080 --> 0:11:59.880
<v Speaker 1>a night call. Just Sen Howards, California, fucking dogs, cold

0:12:00.520 --> 0:12:03.160
<v Speaker 1>not so y streets of North Holly. Who was here

0:12:03.160 --> 0:12:07.840
<v Speaker 1>was a question for you? Me and my friends. Linda

0:12:07.960 --> 0:12:11.040
<v Speaker 1>was talking to the huge Harrison Ford fan, big big

0:12:11.080 --> 0:12:14.840
<v Speaker 1>crush on the man, particularly classic Arab Ford. We had

0:12:14.880 --> 0:12:20.480
<v Speaker 1>a good question what year was Harrison Ford the hottest? Like,

0:12:20.559 --> 0:12:23.560
<v Speaker 1>what single year would you just look in the absolute

0:12:23.600 --> 0:12:29.079
<v Speaker 1>best in the hottest role and uh we settled on three.

0:12:29.400 --> 0:12:31.600
<v Speaker 1>That's the year where a simple do was being filmed

0:12:31.640 --> 0:12:34.800
<v Speaker 1>and trangetic gis out if you google Harrison Ford nine

0:12:34.960 --> 0:12:37.600
<v Speaker 1>eight three is a particularly hot image of man these

0:12:37.640 --> 0:12:41.880
<v Speaker 1>sub glasses is just the pub mre. So you know,

0:12:42.000 --> 0:12:43.960
<v Speaker 1>maybe you guys don't think there supports hotton. You know,

0:12:44.720 --> 0:12:46.960
<v Speaker 1>I will double this podcast you do think that, but

0:12:47.080 --> 0:12:51.440
<v Speaker 1>you know, just answer the question the hot we get started.

0:12:51.440 --> 0:12:57.720
<v Speaker 1>For the background, I'm actually googling. I googled three, Molly,

0:12:57.800 --> 0:13:00.520
<v Speaker 1>did you know I googled Harrison Ford's I MDB and

0:13:00.559 --> 0:13:02.440
<v Speaker 1>I'm looking at all of his credits now to decide

0:13:02.440 --> 0:13:05.520
<v Speaker 1>when he was the hottest. First of all, we obviously

0:13:05.559 --> 0:13:08.880
<v Speaker 1>all think Harrison Forward is hot. Obviously I'm saying, assuming

0:13:08.960 --> 0:13:12.960
<v Speaker 1>everyone else is on board, I think he is hot. Um,

0:13:13.040 --> 0:13:16.160
<v Speaker 1>he is also one of the rare actors that I

0:13:16.200 --> 0:13:19.800
<v Speaker 1>would say has not gotten better with age. I think

0:13:19.800 --> 0:13:22.280
<v Speaker 1>when he is young, he is the hottest. Well, um,

0:13:22.440 --> 0:13:26.560
<v Speaker 1>that's a that's a hot take that most people hotter

0:13:26.720 --> 0:13:29.560
<v Speaker 1>as the age. Were you just saying he is the

0:13:29.679 --> 0:13:32.520
<v Speaker 1>rare is the exception where he was hot or young?

0:13:33.000 --> 0:13:38.319
<v Speaker 1>Or were you saying, okay, okay, most actors I I

0:13:38.440 --> 0:13:43.120
<v Speaker 1>and that I find physically appealing, I like, at least

0:13:43.160 --> 0:13:47.719
<v Speaker 1>equally across all their different aging periods. And that he

0:13:47.840 --> 0:13:49.920
<v Speaker 1>meant you were saying he like leveled off as an

0:13:49.960 --> 0:13:52.680
<v Speaker 1>actor at a certain point, like you plateau in terms

0:13:52.720 --> 0:13:56.480
<v Speaker 1>of talent, which I do kind of maybe think it's true. Yeah,

0:13:56.520 --> 0:13:58.840
<v Speaker 1>I mean not not. It's not a lie. It's not

0:13:58.920 --> 0:14:01.640
<v Speaker 1>a lie. Really quick say that if you do google

0:14:02.240 --> 0:14:06.000
<v Speaker 1>Harrison for three, which now obviously everyone who's listening has

0:14:06.080 --> 0:14:09.640
<v Speaker 1>to google. He he had a really bad beard and

0:14:09.720 --> 0:14:12.800
<v Speaker 1>mustache choice around that time, and it's thrown in with

0:14:12.840 --> 0:14:14.800
<v Speaker 1>the other images and it, honestly, it kind of ruins

0:14:14.880 --> 0:14:17.760
<v Speaker 1>nineteen three for me. It looks, oh, you're you're right,

0:14:17.840 --> 0:14:20.200
<v Speaker 1>you know what I mean Here, I'm gonna say, I'm

0:14:20.240 --> 0:14:24.080
<v Speaker 1>gonna I think is a good choice, because that's like

0:14:24.480 --> 0:14:29.120
<v Speaker 1>you're between Indiana Jones, You're after Star Wars, You're right

0:14:29.200 --> 0:14:33.160
<v Speaker 1>a blade runner um. But I'm gonna go controversial and say,

0:14:34.880 --> 0:14:37.280
<v Speaker 1>is the last time I found Harrison Ford very hot?

0:14:37.560 --> 0:14:41.720
<v Speaker 1>Because that's when working working? Girl, Yeah, he's he is

0:14:42.080 --> 0:14:44.840
<v Speaker 1>very attractive and working and he's an asshole and working.

0:14:45.280 --> 0:14:50.520
<v Speaker 1>He's like a hot yuppie dick. So good. And right

0:14:50.560 --> 0:14:52.880
<v Speaker 1>after that is Last Crusade, and I feel like, already

0:14:52.880 --> 0:14:56.200
<v Speaker 1>by Last Crusade, I'm out again. I'm gonna I'm gonna

0:14:56.200 --> 0:15:01.480
<v Speaker 1>tell you guys that I think Harrison Ford ninety three

0:15:03.600 --> 0:15:08.320
<v Speaker 1>fugitive Harrison Ford. I this is the reason being that

0:15:08.440 --> 0:15:10.720
<v Speaker 1>I feel like he was he was at a point

0:15:10.720 --> 0:15:14.720
<v Speaker 1>in his life in his career where he he was

0:15:14.800 --> 0:15:20.120
<v Speaker 1>so serious and it was like almost like a repellent

0:15:20.360 --> 0:15:23.760
<v Speaker 1>kind of seriousness. He's mean, he's on the run and

0:15:23.800 --> 0:15:26.560
<v Speaker 1>like he was, you know, a victim, and I felt

0:15:26.560 --> 0:15:29.240
<v Speaker 1>like there was more complexity for me and he was

0:15:29.280 --> 0:15:33.640
<v Speaker 1>more accessible to me. And the fugitive. Maybe I prefer

0:15:33.720 --> 0:15:36.760
<v Speaker 1>people who were like who look like they have suffered

0:15:36.800 --> 0:15:40.480
<v Speaker 1>a lot. He didn't kill his wife. He didn't kill

0:15:40.480 --> 0:15:43.360
<v Speaker 1>his wife. Boy, you know, he almost should have at

0:15:43.360 --> 0:15:46.440
<v Speaker 1>that just that movie for the first time. It's a fantastic,

0:15:46.640 --> 0:15:50.400
<v Speaker 1>very good It's a really good movie. The Fugitive. That's

0:15:50.480 --> 0:15:54.120
<v Speaker 1>night College recommendation for the Emily. When do you think

0:15:54.160 --> 0:15:56.880
<v Speaker 1>Harrison Ford try and skirt the question? Emily was the

0:15:56.920 --> 0:16:02.280
<v Speaker 1>most hot? Um? My favorite Harrison forward is Joan Didion's

0:16:02.320 --> 0:16:09.160
<v Speaker 1>carpenter Slider. Uh. Yeah, no, that's that's that's above and

0:16:09.200 --> 0:16:12.920
<v Speaker 1>beyond my my favorite. Uh. Those pictures of him at

0:16:12.960 --> 0:16:17.480
<v Speaker 1>their beach house Inventura are like both idyllic because the

0:16:17.520 --> 0:16:20.160
<v Speaker 1>house looks beautiful and the life just looks incredible, like

0:16:20.240 --> 0:16:22.720
<v Speaker 1>smoking a joint, building at deck, and you're just He's

0:16:22.720 --> 0:16:27.080
<v Speaker 1>wearing these flattel shirts building their fucking deck. It's just

0:16:27.120 --> 0:16:31.560
<v Speaker 1>like kind of stereotypical, like female fantasy, but also just

0:16:31.640 --> 0:16:42.640
<v Speaker 1>so so specific obviously surrounded by succulents and the central coast.

0:16:42.960 --> 0:16:46.120
<v Speaker 1>It's like, I have a deck and like occasionally the

0:16:46.320 --> 0:16:49.240
<v Speaker 1>animal noises coming from under the deck. I'm just like,

0:16:49.280 --> 0:16:51.240
<v Speaker 1>what's the point of a deck. It's like, you you

0:16:51.320 --> 0:16:56.120
<v Speaker 1>build fake ground on a platform above perfectly good ground,

0:16:56.160 --> 0:16:59.200
<v Speaker 1>and you create the space of unknowns. You better watch

0:16:59.200 --> 0:17:04.640
<v Speaker 1>out because Harrison Ford might be Yeah. I think Harrison

0:17:04.720 --> 0:17:08.280
<v Speaker 1>Ford circuit his deck, his deck, habitation to say pot

0:17:08.320 --> 0:17:14.960
<v Speaker 1>smoke like wafting out possibly being like a stone or carpenter,

0:17:15.040 --> 0:17:18.840
<v Speaker 1>and then like meeting you know, every single director in

0:17:18.880 --> 0:17:21.360
<v Speaker 1>the course of your job and becoming Harrison Ford movie

0:17:21.359 --> 0:17:24.439
<v Speaker 1>star feels like like such a I mean, it's like

0:17:24.720 --> 0:17:27.080
<v Speaker 1>kind of I don't know kids media in a way

0:17:27.119 --> 0:17:28.920
<v Speaker 1>that I don't feel like happens anymore. But it's also

0:17:29.000 --> 0:17:32.720
<v Speaker 1>like the ultimate like attractive boy, privileged story. I think

0:17:32.800 --> 0:17:35.880
<v Speaker 1>he's a very good actor because he doesn't seem actorly,

0:17:36.119 --> 0:17:38.520
<v Speaker 1>which is obviously really hard to do. And the person

0:17:38.640 --> 0:17:40.400
<v Speaker 1>I always compare him to him I had because I'm

0:17:40.520 --> 0:17:43.399
<v Speaker 1>a million years old, is Joel McCrae, who was another

0:17:43.560 --> 0:17:45.840
<v Speaker 1>like a guy who grew up in l a and

0:17:45.880 --> 0:17:48.280
<v Speaker 1>just like became an actor, but had worked on a

0:17:48.400 --> 0:17:50.639
<v Speaker 1>ranch where you're like, wow, that seems like they found

0:17:50.640 --> 0:17:52.720
<v Speaker 1>that guy on like a ranch like building a deck,

0:17:52.800 --> 0:17:55.120
<v Speaker 1>and now he's in a movie. But do you think

0:17:55.119 --> 0:17:58.760
<v Speaker 1>Harrison Ford has a sense of humor? I mean I'm concerned.

0:17:58.880 --> 0:18:02.520
<v Speaker 1>I don't know. Fun is maybe not his thing now

0:18:02.520 --> 0:18:05.119
<v Speaker 1>that you mention it. I mean, Leanna Jones has a sin.

0:18:06.080 --> 0:18:08.800
<v Speaker 1>That's the thing. Is he tricks you into thinking he does.

0:18:08.920 --> 0:18:12.719
<v Speaker 1>But I've never seen Harrison for like really cracking. But

0:18:13.040 --> 0:18:15.919
<v Speaker 1>it's possible life something. Now he's in the like the

0:18:16.000 --> 0:18:20.439
<v Speaker 1>take in zone. He's like an angry father. Yeah, but

0:18:20.560 --> 0:18:23.320
<v Speaker 1>maybe that's me. Honestly, maybe I just revealed that that's like,

0:18:23.680 --> 0:18:27.520
<v Speaker 1>you know, the beginning of his angry father phase. Yeah,

0:18:28.440 --> 0:18:30.680
<v Speaker 1>I mean, I wouldn't say it's what I'm like. Emily

0:18:30.760 --> 0:18:35.840
<v Speaker 1>likes him like unmolded clay, like taking like him looking looking,

0:18:36.040 --> 0:18:39.240
<v Speaker 1>you know, fresh and young, a little potential. Hey, guys,

0:18:39.760 --> 0:18:42.720
<v Speaker 1>you know, actually I think my real answer might be

0:18:42.800 --> 0:18:48.440
<v Speaker 1>that I think he's the most hot in American graffiti. Yeah,

0:18:48.640 --> 0:18:52.520
<v Speaker 1>where he's just like kind of that's most unmolded. Yeah,

0:18:52.520 --> 0:18:55.000
<v Speaker 1>he's so that's when you're just like, this guy should

0:18:55.000 --> 0:18:58.960
<v Speaker 1>be the biggest movie star in the world because he's shining.

0:18:59.520 --> 0:19:02.560
<v Speaker 1>He's just so hot. He's like McConaughey and dazed and confused.

0:19:02.560 --> 0:19:04.760
<v Speaker 1>He's just like maybe that's just my fantasy for someone

0:19:04.800 --> 0:19:07.760
<v Speaker 1>hot to pull up in a car. Well, thank you,

0:19:07.840 --> 0:19:10.720
<v Speaker 1>thank you caller for this question, which is inspired I

0:19:10.720 --> 0:19:16.080
<v Speaker 1>feel like the liveliest hornyest debate so far on Nightcall

0:19:16.200 --> 0:19:18.639
<v Speaker 1>for only a few episodes, and I'm not saying that

0:19:18.680 --> 0:19:20.840
<v Speaker 1>it is. It is the high water market. It's all

0:19:20.880 --> 0:19:22.760
<v Speaker 1>downhill from here. I'm just saying that, thank you for

0:19:22.800 --> 0:19:27.600
<v Speaker 1>bringing us to this level, because it's great. Today's episode

0:19:27.640 --> 0:19:30.520
<v Speaker 1>is sponsored by Hello Fresh. Hello Fresh is a meal

0:19:30.560 --> 0:19:34.240
<v Speaker 1>delivery service that shops, plans, and delivers your favorite step

0:19:34.240 --> 0:19:36.800
<v Speaker 1>by step recipes and pre measured ingredients so you can

0:19:36.840 --> 0:19:40.080
<v Speaker 1>just cook, eat, and enjoy. We've all tried Hello Fresh

0:19:40.119 --> 0:19:42.520
<v Speaker 1>here at nightcall. My favorite thing about it was not

0:19:42.600 --> 0:19:45.840
<v Speaker 1>having to plan dinner, because when I get in that

0:19:45.880 --> 0:19:48.760
<v Speaker 1>dinner slump where I just cannot figure out what to do,

0:19:49.119 --> 0:19:51.640
<v Speaker 1>it ends up being like hours and hours, and then

0:19:51.640 --> 0:19:54.560
<v Speaker 1>I just end up either eating just bread or getting

0:19:54.600 --> 0:19:57.200
<v Speaker 1>take out that I didn't really want. So with Hello Fresh,

0:19:57.240 --> 0:19:59.399
<v Speaker 1>you get to try new recipes that aren't already in

0:19:59.440 --> 0:20:01.960
<v Speaker 1>your repertoire. Are It's nothing that you're sick of stuff

0:20:01.960 --> 0:20:05.280
<v Speaker 1>you haven't tried. Everything's delivered to your door in recyclable

0:20:05.280 --> 0:20:08.679
<v Speaker 1>and insulated packaging. The recipes only take about thirty minutes,

0:20:08.680 --> 0:20:10.560
<v Speaker 1>so you won't spend forever in the kitchen, and you

0:20:10.560 --> 0:20:14.679
<v Speaker 1>can choose between three plans, Classic, Veggie or Family. I

0:20:14.800 --> 0:20:18.000
<v Speaker 1>ordered the Veggie Box because I'm pretty sad about how

0:20:18.080 --> 0:20:20.359
<v Speaker 1>much meat I eat, and I also have no idea

0:20:20.400 --> 0:20:23.359
<v Speaker 1>how to cook vegetarian meals, so I needed some help.

0:20:23.720 --> 0:20:26.400
<v Speaker 1>I made or a catty pasta with mushrooms and asparagus,

0:20:26.440 --> 0:20:28.560
<v Speaker 1>and it was the jam. It was easy, filling, and

0:20:28.680 --> 0:20:30.880
<v Speaker 1>something I probably wouldn't have thought to make on my own.

0:20:31.200 --> 0:20:32.760
<v Speaker 1>If you'd like to give it a try and receive

0:20:32.880 --> 0:20:35.720
<v Speaker 1>thirty dollars off your first week of Hello Fresh, Visit

0:20:35.760 --> 0:20:40.320
<v Speaker 1>Hello Fresh dot com and enter promo code call thirty Again.

0:20:40.560 --> 0:20:43.959
<v Speaker 1>That's Hello Fresh dot com with promo code call thirty

0:20:44.080 --> 0:20:50.920
<v Speaker 1>for thirty dollars off your first week of Hello Fresh.

0:20:51.359 --> 0:20:54.000
<v Speaker 1>Um you, guys, can I can I request that we

0:20:54.040 --> 0:20:58.000
<v Speaker 1>talk about the film Mother, even though it's not timely? Oh? Boy,

0:20:58.080 --> 0:21:00.960
<v Speaker 1>can you? Because here's so, I've been wanting to see

0:21:01.040 --> 0:21:02.840
<v Speaker 1>Mother for a really long time. I wanted to watch

0:21:02.840 --> 0:21:05.439
<v Speaker 1>it at home because that's how I prefer to watch

0:21:05.720 --> 0:21:10.159
<v Speaker 1>my Aronofsky movies. And um, I couldn't see it for

0:21:10.200 --> 0:21:15.440
<v Speaker 1>a really long time because I cut my eyeball and right,

0:21:15.960 --> 0:21:18.520
<v Speaker 1>and then tell us more about how you cut your eyeball.

0:21:18.640 --> 0:21:20.840
<v Speaker 1>You don't want to know. I do want to know. So,

0:21:21.560 --> 0:21:24.400
<v Speaker 1>like years ago, my son was a toddler, and he

0:21:24.480 --> 0:21:28.239
<v Speaker 1>was gesticulating, he was telling a story, and one of

0:21:28.320 --> 0:21:30.800
<v Speaker 1>his bad parents hadn't cut his fingernails in a bit,

0:21:31.200 --> 0:21:35.960
<v Speaker 1>and he accidentally sliced my eyeball and huh and then

0:21:36.000 --> 0:21:38.560
<v Speaker 1>but then it healed. I got a contact lens vantage.

0:21:38.920 --> 0:21:43.280
<v Speaker 1>But then, um, I scratched my eye like you know,

0:21:43.359 --> 0:21:46.320
<v Speaker 1>just with you know, like itched my eye and it

0:21:46.960 --> 0:21:49.520
<v Speaker 1>really hurt, and I thought like I must have some

0:21:49.600 --> 0:21:52.160
<v Speaker 1>sand in my eye or something. And eventually, like long

0:21:52.200 --> 0:21:56.200
<v Speaker 1>story short, there had always been some kind of roughness

0:21:56.240 --> 0:21:59.919
<v Speaker 1>left over from the first injury, and then it like reopened.

0:22:00.440 --> 0:22:02.840
<v Speaker 1>I'm so sorry if you're eating something right now, or

0:22:02.920 --> 0:22:06.399
<v Speaker 1>even if you're just having a body or yeah, it's terrible.

0:22:06.440 --> 0:22:08.879
<v Speaker 1>It was a terrible experience. It's a good body horror

0:22:08.960 --> 0:22:11.440
<v Speaker 1>lead until that's the thing is. I was like, all

0:22:11.480 --> 0:22:13.840
<v Speaker 1>I wanna do is watch Mother, because I know it's

0:22:13.840 --> 0:22:17.400
<v Speaker 1>gonna it's just gonna be this like Carnival of body horror.

0:22:17.480 --> 0:22:20.760
<v Speaker 1>But I can't. And the way that they try to

0:22:20.800 --> 0:22:23.760
<v Speaker 1>speed up healing with your eye is they put a

0:22:23.840 --> 0:22:27.040
<v Speaker 1>plus cental bandage on it, so it's like a slice

0:22:27.040 --> 0:22:31.560
<v Speaker 1>of freeze dried like placenta, amniotic cells, I don't know,

0:22:31.680 --> 0:22:34.080
<v Speaker 1>and then makes the contact they put that on and

0:22:34.119 --> 0:22:36.720
<v Speaker 1>then they put the contact lens on top to try

0:22:36.720 --> 0:22:40.280
<v Speaker 1>to facilitate healing. But whether it was the the idea

0:22:40.400 --> 0:22:42.919
<v Speaker 1>of this or there was something in it that my

0:22:43.000 --> 0:22:45.159
<v Speaker 1>eye didn't like, it was like I got home and

0:22:45.160 --> 0:22:48.160
<v Speaker 1>I thought I'll be fine, and almost ten minutes after

0:22:48.200 --> 0:22:50.600
<v Speaker 1>I got home, I had to be rushed back to

0:22:50.640 --> 0:22:52.639
<v Speaker 1>the eye doctor and they had it was just a nightmare.

0:22:52.680 --> 0:22:55.280
<v Speaker 1>They had to give me like valium there like your

0:22:55.320 --> 0:22:59.960
<v Speaker 1>body rejected. It rejected the placenta, it rejected the place.

0:23:00.080 --> 0:23:02.199
<v Speaker 1>Say so it was the plot of Mother, but I

0:23:02.200 --> 0:23:05.800
<v Speaker 1>couldn't see mother, like given birth a couple of times.

0:23:05.800 --> 0:23:11.760
<v Speaker 1>So you've like I am my mother exclamation out. So

0:23:12.040 --> 0:23:14.199
<v Speaker 1>I would think the placenta on the I would just

0:23:14.200 --> 0:23:17.040
<v Speaker 1>be after that, just like like nothing. I just like

0:23:17.200 --> 0:23:20.720
<v Speaker 1>that you like high on your list. Once you're I

0:23:20.920 --> 0:23:23.760
<v Speaker 1>accepted the placenta and you could see again in your vision,

0:23:23.880 --> 0:23:27.160
<v Speaker 1>wasn't at risk? You were like time to watch mother.

0:23:27.320 --> 0:23:31.880
<v Speaker 1>This is what these things were a mother? Yeah, Um,

0:23:31.960 --> 0:23:35.040
<v Speaker 1>what did you guys think of mother? Um? I loved

0:23:35.040 --> 0:23:39.399
<v Speaker 1>how much Molly hated Mother before she hadn't seen it. Um,

0:23:39.440 --> 0:23:43.720
<v Speaker 1>she was like really out there, like vocally anti Mother

0:23:43.840 --> 0:23:45.640
<v Speaker 1>and then she saw and she was like, I love Mother.

0:23:47.200 --> 0:23:50.720
<v Speaker 1>Everyone should know by now that my thing is vocally

0:23:50.760 --> 0:23:53.600
<v Speaker 1>taking a position and then completely changing my mind and

0:23:53.720 --> 0:23:56.000
<v Speaker 1>being really annoying. If you're like, well, you didn't just

0:23:56.119 --> 0:23:58.520
<v Speaker 1>change your mind, you just hadn't seen the movie. I

0:23:58.600 --> 0:24:01.200
<v Speaker 1>was just like, this sounds bad because it's an allegory

0:24:01.280 --> 0:24:04.800
<v Speaker 1>and I hate allegories. Oh my god, I hated this movie.

0:24:04.800 --> 0:24:08.600
<v Speaker 1>I why, I can't believe that it's even worth arguing about,

0:24:08.680 --> 0:24:11.680
<v Speaker 1>Like it's just it's something. I was just shocked to

0:24:11.720 --> 0:24:14.240
<v Speaker 1>how many people thought that there was something, like even

0:24:14.240 --> 0:24:15.880
<v Speaker 1>people who were like, it's not good, but it's fun

0:24:15.920 --> 0:24:17.680
<v Speaker 1>to talk about. No, it's not fun to talk about.

0:24:17.760 --> 0:24:21.480
<v Speaker 1>It's just like a college kid stab at at fucking

0:24:21.520 --> 0:24:25.040
<v Speaker 1>like profundity about like it's the Bible but it's also

0:24:25.160 --> 0:24:28.560
<v Speaker 1>Mother Okay. But like I say, you don't take any

0:24:28.600 --> 0:24:31.639
<v Speaker 1>of the allegory at its face value as being about

0:24:31.640 --> 0:24:35.400
<v Speaker 1>Mother Earth because it's obviously just about Darren Aronofsky dating

0:24:35.440 --> 0:24:39.439
<v Speaker 1>Dennifer Lawrence. That was my preferred read. And on that note,

0:24:39.600 --> 0:24:42.400
<v Speaker 1>it was like really interesting, Yeah it was. I mean,

0:24:43.280 --> 0:24:46.840
<v Speaker 1>he was like, okay, it's kind of about global warming.

0:24:47.000 --> 0:24:49.200
<v Speaker 1>At one point, I think he spoke with Indie Buyer

0:24:49.240 --> 0:24:53.280
<v Speaker 1>and answer he literally, I was at the premiere of

0:24:53.359 --> 0:24:57.200
<v Speaker 1>it in New York City, humble brag at Radio City Musical.

0:24:57.240 --> 0:24:58.760
<v Speaker 1>But it's not a humble brag because I didn't have

0:24:58.800 --> 0:25:03.560
<v Speaker 1>a good time. And uh oh there's like another fun

0:25:03.600 --> 0:25:05.800
<v Speaker 1>anecdote from this event. But before it started, he came

0:25:05.840 --> 0:25:08.600
<v Speaker 1>out and introduced the film You should never have Darren

0:25:08.760 --> 0:25:13.720
<v Speaker 1>Aronofsky introduced his own film because he will ruin um.

0:25:13.760 --> 0:25:15.840
<v Speaker 1>And he was like, you know, I just want to

0:25:15.840 --> 0:25:19.480
<v Speaker 1>say that this movie is about all mothers, but it's

0:25:19.480 --> 0:25:23.360
<v Speaker 1>also about our mother. And then like dropped the mic

0:25:23.400 --> 0:25:25.880
<v Speaker 1>and walked off, and I was like, is this also

0:25:25.960 --> 0:25:28.720
<v Speaker 1>where he handed out like that weird prayer the prayer

0:25:28.840 --> 0:25:32.840
<v Speaker 1>card by the prayer Yeah, is it? Rebecca soln like

0:25:33.560 --> 0:25:36.639
<v Speaker 1>and yeah, I'm only had on handing out a prayer

0:25:36.640 --> 0:25:39.159
<v Speaker 1>card at all. It's not the content of the prayer card.

0:25:39.760 --> 0:25:42.160
<v Speaker 1>It's the pairing of a prayer card with a movie,

0:25:42.480 --> 0:25:45.280
<v Speaker 1>Like you have to separate the art from the artist. Guys.

0:25:46.359 --> 0:25:50.240
<v Speaker 1>Uh now, you know, I feel like this is a

0:25:50.320 --> 0:25:53.520
<v Speaker 1>topic we will continue to explore throughout this podcast. Is

0:25:54.080 --> 0:25:57.439
<v Speaker 1>people you might not like making things you like sometimes

0:25:58.160 --> 0:26:00.960
<v Speaker 1>I kind of thought, I was like, my first impression

0:26:01.000 --> 0:26:03.639
<v Speaker 1>of Mother was I was like, Oh, it's about capitalism,

0:26:03.880 --> 0:26:05.960
<v Speaker 1>which I guess is how I come at everything that

0:26:06.000 --> 0:26:09.240
<v Speaker 1>seems like dense at this point, because I'm like, when

0:26:09.240 --> 0:26:11.320
<v Speaker 1>I read the corrections, I was like, I love this book.

0:26:11.320 --> 0:26:13.600
<v Speaker 1>It's about birth order. And then I was like, wait,

0:26:14.040 --> 0:26:18.320
<v Speaker 1>it's about capitalism, So now I just assume every day.

0:26:20.520 --> 0:26:23.719
<v Speaker 1>But I was like, oh, see, she married this idealist

0:26:23.800 --> 0:26:26.919
<v Speaker 1>who's an artist, but now that she's pregnant and a homeowner,

0:26:27.080 --> 0:26:29.679
<v Speaker 1>she's kind of a nimby and she doesn't want him

0:26:29.760 --> 0:26:32.240
<v Speaker 1>to invite in the new ideas because all of a

0:26:32.280 --> 0:26:35.520
<v Speaker 1>sudden they threatened her safety. And then she's having to

0:26:35.600 --> 0:26:38.800
<v Speaker 1>deal with her own decay and the house is decay,

0:26:38.880 --> 0:26:41.560
<v Speaker 1>the inevitable decay. And I got really into that. And

0:26:41.560 --> 0:26:44.280
<v Speaker 1>then I was like, oh, it's about global warming, but

0:26:44.320 --> 0:26:46.200
<v Speaker 1>I'm not going to let it take that away from

0:26:46.200 --> 0:26:49.000
<v Speaker 1>me because I still believe I'm right. Like it's like

0:26:49.000 --> 0:26:51.000
<v Speaker 1>one of those movies where I don't feel guilty at all,

0:26:51.040 --> 0:26:53.399
<v Speaker 1>just being like, it's about whatever I think it's about.

0:26:53.520 --> 0:26:57.359
<v Speaker 1>Because I thought Jennifer Lawrence was really good and it

0:26:57.400 --> 0:27:00.520
<v Speaker 1>was like a good parable of like on Views and Hollywood,

0:27:00.760 --> 0:27:05.960
<v Speaker 1>and I I also really like Black Swan. I love

0:27:05.960 --> 0:27:08.080
<v Speaker 1>Black Swan. See, this is the thing. I'm not anti.

0:27:08.400 --> 0:27:11.400
<v Speaker 1>You are more anti Aeronofsky than I am. I thought

0:27:11.480 --> 0:27:15.080
<v Speaker 1>Jennifer Lawrence gave a better performance in Mother than Natalie

0:27:15.119 --> 0:27:18.560
<v Speaker 1>Portman did in Black One. Personally, I don't know. I

0:27:18.560 --> 0:27:21.320
<v Speaker 1>thought she was good. I was I just had to

0:27:21.320 --> 0:27:23.600
<v Speaker 1>be freaked out and scream and then get like the

0:27:23.640 --> 0:27:27.439
<v Speaker 1>ship beat out of her at the end, which was painting.

0:27:27.560 --> 0:27:29.159
<v Speaker 1>She did a lot of paint. She just wanted to

0:27:29.200 --> 0:27:33.840
<v Speaker 1>paint and brace the sink. Also, it was just like

0:27:33.920 --> 0:27:37.000
<v Speaker 1>it was hilarious. It was the best part of the

0:27:37.040 --> 0:27:39.280
<v Speaker 1>movie for me is when all of these terrible house

0:27:39.280 --> 0:27:41.560
<v Speaker 1>guests keep coming through and she's in a room and

0:27:41.600 --> 0:27:45.719
<v Speaker 1>this older gentleman comes by and like tries to come

0:27:45.760 --> 0:27:47.160
<v Speaker 1>into the room, and she's like, what are you doing.

0:27:47.240 --> 0:27:50.399
<v Speaker 1>He's like, sorry, I was just exploring, And I just

0:27:50.480 --> 0:27:52.720
<v Speaker 1>laughed so hard for some reason, and I was like,

0:27:52.760 --> 0:27:54.919
<v Speaker 1>that's this is such a slice of life. Is a

0:27:55.000 --> 0:27:58.160
<v Speaker 1>cinema veritae because it's like, can you imagine how horrible

0:27:58.240 --> 0:28:00.520
<v Speaker 1>that would be if someone just key me into your

0:28:00.520 --> 0:28:03.359
<v Speaker 1>house and came into your bedroom and they're just exploring.

0:28:03.520 --> 0:28:06.160
<v Speaker 1>That was like obviously trying to be very Rosemary's Baby,

0:28:06.440 --> 0:28:09.280
<v Speaker 1>just like all the weirdos are taking over in your space.

0:28:09.800 --> 0:28:12.200
<v Speaker 1>The most recent time for me that that Mother came

0:28:12.280 --> 0:28:14.720
<v Speaker 1>up was a friend of mine works in film production,

0:28:14.760 --> 0:28:16.639
<v Speaker 1>and she was on some shoot and they were she

0:28:16.720 --> 0:28:18.720
<v Speaker 1>was in a production van and like having a really

0:28:18.760 --> 0:28:20.720
<v Speaker 1>bad time because she was I think the only woman

0:28:20.760 --> 0:28:22.680
<v Speaker 1>on the production and was just stuck in this van,

0:28:23.040 --> 0:28:27.040
<v Speaker 1>and she decided to check out a lighthearted comedy called Mother. No, No,

0:28:27.119 --> 0:28:29.120
<v Speaker 1>it's just that all the guys in the van. Well,

0:28:29.160 --> 0:28:31.320
<v Speaker 1>first she had to overhear like a whole thing about

0:28:31.359 --> 0:28:34.560
<v Speaker 1>how like do women really want to be cinematographers? Though,

0:28:34.920 --> 0:28:39.120
<v Speaker 1>like this whole discust, like dumb, sexist like discussion between

0:28:39.120 --> 0:28:42.400
<v Speaker 1>a bunch of like white film bros. And then uh,

0:28:42.560 --> 0:28:45.840
<v Speaker 1>and then it got to how Mother was the best

0:28:45.880 --> 0:28:50.040
<v Speaker 1>movie of seventeen and it was better than Moonlight, and

0:28:51.440 --> 0:28:54.880
<v Speaker 1>I was like, hold that against Tess and I liking Mother. Yeah,

0:28:55.040 --> 0:28:57.400
<v Speaker 1>I know, I'm just saying that like that this is

0:28:57.480 --> 0:28:59.080
<v Speaker 1>I was just like, get out of the car. This

0:28:59.120 --> 0:29:01.680
<v Speaker 1>is in the same space working I like a lot

0:29:01.760 --> 0:29:04.000
<v Speaker 1>of things that like film bros like and like, they

0:29:04.040 --> 0:29:06.280
<v Speaker 1>can still be wrong and I can still like them,

0:29:06.320 --> 0:29:09.880
<v Speaker 1>you know totally. I'm just saying, like the fight club, Yeah, my,

0:29:10.560 --> 0:29:15.960
<v Speaker 1>you know what fight clubs about is a capitalist. My

0:29:16.080 --> 0:29:19.120
<v Speaker 1>husband did not like Mother, and he insisted didn't know

0:29:19.200 --> 0:29:21.320
<v Speaker 1>he didn't like Mother. Really yeah, I think he had

0:29:21.400 --> 0:29:24.280
<v Speaker 1>high expectations in mine were low. But he he then

0:29:24.360 --> 0:29:27.960
<v Speaker 1>made us watch the episode of twin Peaks. Got a light.

0:29:28.080 --> 0:29:32.280
<v Speaker 1>I think, um, episode eight, it's it's so scary eight

0:29:32.360 --> 0:29:34.160
<v Speaker 1>or three, it's the one with a lot of nuclear

0:29:34.560 --> 0:29:37.600
<v Speaker 1>it's the black and white one. Yeah, And and he

0:29:37.760 --> 0:29:40.520
<v Speaker 1>was like, see this is Mother but better. And I

0:29:40.600 --> 0:29:46.360
<v Speaker 1>was like, oh me, it's not at all. It's not

0:29:46.440 --> 0:29:49.000
<v Speaker 1>at all like Mother but better. I mean, I think people,

0:29:49.040 --> 0:29:52.160
<v Speaker 1>I think the end of Mother is like a silly mess. Again,

0:29:52.280 --> 0:29:54.720
<v Speaker 1>like I did have low expectations for it that I

0:29:54.760 --> 0:29:58.160
<v Speaker 1>was just sort of like laughing and enjoying funny. It's

0:29:58.160 --> 0:30:00.960
<v Speaker 1>supposed to be funny. The end when there's like people

0:30:01.080 --> 0:30:03.880
<v Speaker 1>chanting like cc POE or something, I was like, you

0:30:03.920 --> 0:30:06.120
<v Speaker 1>don't know what you think this is about, which is

0:30:06.120 --> 0:30:08.240
<v Speaker 1>why you're just going to tell everyone's about global warming?

0:30:08.560 --> 0:30:12.040
<v Speaker 1>Like I I really appreciate their being movies like Mother,

0:30:12.120 --> 0:30:15.360
<v Speaker 1>because I'm like, this kind of failed, but I really

0:30:15.440 --> 0:30:18.680
<v Speaker 1>enjoyed it. And I also it made me think like, well,

0:30:18.720 --> 0:30:22.040
<v Speaker 1>I just want every filmmaker to make their kind of

0:30:22.120 --> 0:30:25.360
<v Speaker 1>Mother where they just kind of lose their train of thought,

0:30:25.400 --> 0:30:27.200
<v Speaker 1>but there they have to keep finishing it and keep

0:30:27.240 --> 0:30:30.000
<v Speaker 1>going and it makes it weirder. Yeah, that's the only

0:30:30.080 --> 0:30:31.920
<v Speaker 1>aspect of Mother that I like is that it was

0:30:31.960 --> 0:30:35.040
<v Speaker 1>a paramount release, which is like, like, somebody let him

0:30:35.120 --> 0:30:38.880
<v Speaker 1>make this. It's like a big budget, silly like trying

0:30:38.880 --> 0:30:40.720
<v Speaker 1>to make a Bergman movie. Well, it's like he's trying

0:30:40.720 --> 0:30:42.720
<v Speaker 1>to make a large bound tree or a movie. This

0:30:42.760 --> 0:30:45.480
<v Speaker 1>is the thing. Mother is not that extraordinary for how

0:30:45.520 --> 0:30:47.760
<v Speaker 1>weird it is, Like there's tons of weird shit out there.

0:30:47.800 --> 0:30:50.600
<v Speaker 1>It's just interesting because it's a paramount. It was a

0:30:50.720 --> 0:30:54.840
<v Speaker 1>large scale, like awards season released by a major studio.

0:30:55.080 --> 0:30:58.040
<v Speaker 1>That is interesting and weird. It doesn't happen all the

0:30:58.040 --> 0:31:00.520
<v Speaker 1>time because it was about like a weird the director

0:31:00.560 --> 0:31:03.320
<v Speaker 1>actress relationship and how fucked up it is. But he

0:31:03.400 --> 0:31:06.920
<v Speaker 1>also tried to deny that. I think that's because it's

0:31:06.920 --> 0:31:10.880
<v Speaker 1>what it was about. Reading He would want to the

0:31:10.920 --> 0:31:14.240
<v Speaker 1>whole thing was so worshipful of Jennifer Lawrence, and she

0:31:15.120 --> 0:31:18.000
<v Speaker 1>she glows and the way that the camera follows her,

0:31:18.080 --> 0:31:20.760
<v Speaker 1>it's like she's floating a lot of the time. And

0:31:20.800 --> 0:31:23.680
<v Speaker 1>it was just I thought that was interesting because like

0:31:23.840 --> 0:31:27.959
<v Speaker 1>he does kind of put her through these like humiliations

0:31:27.960 --> 0:31:30.640
<v Speaker 1>and tortures, and it reminds, you know, he has a

0:31:30.680 --> 0:31:34.640
<v Speaker 1>pensiant for doing that with especially actresses, but also as actors,

0:31:34.760 --> 0:31:38.520
<v Speaker 1>and so it seemed like a very self aware commentary

0:31:38.600 --> 0:31:41.400
<v Speaker 1>on like how he loves them and he respects them

0:31:41.400 --> 0:31:44.480
<v Speaker 1>and he like distorts it about like dating like male

0:31:44.680 --> 0:31:48.000
<v Speaker 1>artists who are like also insecure that they're like and

0:31:48.040 --> 0:31:50.960
<v Speaker 1>he I think Javier Barden's character is written to be

0:31:51.160 --> 0:31:54.440
<v Speaker 1>so silly. I mean, like that was the poems, the

0:31:54.480 --> 0:31:57.040
<v Speaker 1>poems he'd recite. But again I was like, I know

0:31:57.160 --> 0:32:00.400
<v Speaker 1>real poets and they are just as justice us about

0:32:00.400 --> 0:32:02.840
<v Speaker 1>what they do, like you giving a speech at a

0:32:02.880 --> 0:32:05.640
<v Speaker 1>dinner like a funeral for someone you didn't really know,

0:32:05.960 --> 0:32:11.560
<v Speaker 1>and just it's a that was a real scom So yeah,

0:32:09.240 --> 0:32:14.000
<v Speaker 1>it was. This episode of Nightcall is brought to you

0:32:14.040 --> 0:32:17.640
<v Speaker 1>by Audible, the leading provider of premium spoken audio content

0:32:17.680 --> 0:32:20.200
<v Speaker 1>and entertainment and Audible is great because you can switch

0:32:20.240 --> 0:32:23.680
<v Speaker 1>between devices without losing your place, get a credit every

0:32:23.680 --> 0:32:26.640
<v Speaker 1>month good for any audio book in their store, and

0:32:26.720 --> 0:32:28.760
<v Speaker 1>the books are yours to keep, so you always have

0:32:28.840 --> 0:32:32.960
<v Speaker 1>access to your favorites. Today, Audible is offering our listeners

0:32:32.960 --> 0:32:35.880
<v Speaker 1>a free audio book with a thirty day trial membership.

0:32:36.000 --> 0:32:39.200
<v Speaker 1>So just go to audible dot com slash call and

0:32:39.240 --> 0:32:43.320
<v Speaker 1>browse the unmatched selection of audio programs, download a free

0:32:43.320 --> 0:32:46.720
<v Speaker 1>title and start listening. It's that easy. Go to audible

0:32:46.760 --> 0:32:50.080
<v Speaker 1>dot com, forward slash call or text c A L

0:32:50.360 --> 0:32:53.800
<v Speaker 1>L to five zero zero five zero zero to get started.

0:32:54.160 --> 0:32:57.960
<v Speaker 1>That is call to five zero zero five zero zero

0:32:58.960 --> 0:33:02.000
<v Speaker 1>audible content and includes a huge selection of audio books,

0:33:02.000 --> 0:33:05.480
<v Speaker 1>original audio shows, news, comedy, and more from the leading

0:33:05.480 --> 0:33:10.960
<v Speaker 1>audiobook publishers, broadcasters, entertainers, magazine and newspaper publishers, and business

0:33:10.960 --> 0:33:17.400
<v Speaker 1>information providers. Yes, I personally recommend pairing George Saunders or H. G.

0:33:17.560 --> 0:33:22.120
<v Speaker 1>Wells with Tetris because it is the best experience ever. UM,

0:33:22.160 --> 0:33:24.360
<v Speaker 1>but you also wouldn't be wrong if you wanted to

0:33:24.400 --> 0:33:27.200
<v Speaker 1>listen to Sarah Bowels Lafayette and the Somewhat United States

0:33:27.200 --> 0:33:31.000
<v Speaker 1>in the car. It has special guests, UM. John Slattery,

0:33:31.120 --> 0:33:34.320
<v Speaker 1>Nick Offerman, Bobby Cannavally and a ton of others. Uh,

0:33:34.440 --> 0:33:36.960
<v Speaker 1>they have they do have like a really huge selection,

0:33:37.040 --> 0:33:40.120
<v Speaker 1>and it's pretty it's pretty awesome if you're playing video

0:33:40.160 --> 0:33:44.880
<v Speaker 1>games that you can mute. So I highly recommend those things.

0:33:49.200 --> 0:33:51.520
<v Speaker 1>I think that we should devote a minute to Fraser.

0:33:51.600 --> 0:33:54.000
<v Speaker 1>But this week we're going to have a different kind

0:33:54.000 --> 0:33:57.600
<v Speaker 1>of Fraser minute. That's right, we're gonna talk about Fraser.

0:33:58.360 --> 0:34:01.280
<v Speaker 1>The Fraser minute. It's the Brendan. I think it's still Fraser.

0:34:02.000 --> 0:34:04.480
<v Speaker 1>That's I was struggling with this. Yeahh I think it

0:34:04.600 --> 0:34:07.760
<v Speaker 1>is still Fraser. There was a really great profile of

0:34:08.320 --> 0:34:11.680
<v Speaker 1>Brendan Fraser and where he's been. Uh that was in

0:34:11.800 --> 0:34:14.239
<v Speaker 1>g Q. Who Zach Barron wrote it, right, Yeah, I

0:34:14.239 --> 0:34:17.080
<v Speaker 1>think Zach Barron wrote it. Um. It was a very

0:34:17.239 --> 0:34:20.880
<v Speaker 1>well written profile, I thought, because it it's packed a

0:34:20.880 --> 0:34:24.799
<v Speaker 1>lot of suspense in and um. Among the kind of

0:34:24.840 --> 0:34:30.080
<v Speaker 1>revelations was that Brendan Fraser kind of stepped back from

0:34:30.120 --> 0:34:33.320
<v Speaker 1>the spotlight after an incident at the two thousand three

0:34:33.520 --> 0:34:37.320
<v Speaker 1>Hollywood Foreign Press Association. Oh, the head of the Hollywood

0:34:37.360 --> 0:34:41.799
<v Speaker 1>Foreign Press Association grouped Brendan Fraser at a party. He

0:34:41.960 --> 0:34:44.279
<v Speaker 1>like grabbed his ass and then like put his whole

0:34:44.320 --> 0:34:46.200
<v Speaker 1>hand in kind of yeah, I think that he the

0:34:46.239 --> 0:34:48.279
<v Speaker 1>guy admitted to it in a book and he says

0:34:48.320 --> 0:34:50.960
<v Speaker 1>he squeezed his ass and then Brendan Fraser was like, no,

0:34:51.080 --> 0:34:54.600
<v Speaker 1>that's not what, like he grabbed my taint. Yeah uh,

0:34:54.640 --> 0:34:57.440
<v Speaker 1>and then the guy has has denied it since then. Um,

0:34:57.640 --> 0:34:59.720
<v Speaker 1>Brendan Fraser was just like, oh, yeah, it really sucked

0:34:59.719 --> 0:35:02.279
<v Speaker 1>me up up. And he just talked about how like

0:35:02.320 --> 0:35:05.319
<v Speaker 1>throughout his career he like made movies. The reason he

0:35:05.320 --> 0:35:07.279
<v Speaker 1>did so much physical comedy was because he was like

0:35:07.320 --> 0:35:10.239
<v Speaker 1>a masochist and wanted to like put his body through

0:35:10.239 --> 0:35:13.600
<v Speaker 1>the ringer in all these ways. And then he like

0:35:13.680 --> 0:35:15.440
<v Speaker 1>fucked his body up real bad. And he said he

0:35:15.640 --> 0:35:18.279
<v Speaker 1>put himself back together with like band aids and ice

0:35:18.320 --> 0:35:21.560
<v Speaker 1>packs all the time when he was filming movies. Fucked

0:35:21.640 --> 0:35:25.040
<v Speaker 1>him up, The Mummy, The Mummy. He just kept doing

0:35:25.040 --> 0:35:28.000
<v Speaker 1>movies with like more and more stunts and more stuff

0:35:28.040 --> 0:35:30.200
<v Speaker 1>that involved like and then he said, like the climax

0:35:30.239 --> 0:35:32.680
<v Speaker 1>was he was in this like bad Looney Tunes movie

0:35:32.960 --> 0:35:36.000
<v Speaker 1>where he had to punch himself in the face playing

0:35:36.120 --> 0:35:38.880
<v Speaker 1>and he was playing his stunt double. It was really

0:35:38.960 --> 0:35:44.279
<v Speaker 1>it was a confusing the end of Postmodernist. Definitely that movie. Yeah,

0:35:44.320 --> 0:35:46.560
<v Speaker 1>it was like he was playing himself and he had

0:35:46.600 --> 0:35:48.480
<v Speaker 1>to like punch himself in the face, and he was

0:35:48.520 --> 0:35:51.239
<v Speaker 1>just saying how he really wanted to get it right,

0:35:51.280 --> 0:35:53.239
<v Speaker 1>and then he punched himself in the face really hard

0:35:53.239 --> 0:35:55.960
<v Speaker 1>and was like what am I doing? Um? And now

0:35:56.000 --> 0:35:59.480
<v Speaker 1>he lives with like some horses. Yeah, he brought home

0:35:59.520 --> 0:36:02.880
<v Speaker 1>a horse from a shoot from Mexico, I think, and

0:36:03.000 --> 0:36:05.319
<v Speaker 1>brought home the horse because he felt like he made

0:36:05.360 --> 0:36:09.480
<v Speaker 1>this instant connection with the horse. He compares himself to

0:36:09.520 --> 0:36:12.480
<v Speaker 1>the horse from Animal Farm. That's it's a very sad

0:36:12.520 --> 0:36:14.640
<v Speaker 1>interview all at all, but he's like, yeah, you know

0:36:14.680 --> 0:36:17.080
<v Speaker 1>the horse and Animal Farm. That's like the proletariat that

0:36:17.200 --> 0:36:19.120
<v Speaker 1>just works and works and works. And then it's like

0:36:19.640 --> 0:36:22.799
<v Speaker 1>body breaks down and it realizes it's like, shouldn't have

0:36:22.800 --> 0:36:24.440
<v Speaker 1>done all the stuff it was told to do? Like

0:36:24.480 --> 0:36:27.720
<v Speaker 1>that's me and this horse that I rescued. He's always

0:36:27.719 --> 0:36:32.120
<v Speaker 1>been so interesting because acting teachers, in my experience, having

0:36:32.360 --> 0:36:36.000
<v Speaker 1>having taken some acting lessons that didn't work out very well,

0:36:36.040 --> 0:36:39.720
<v Speaker 1>but they often cite him as one of their favorite actors,

0:36:39.719 --> 0:36:42.920
<v Speaker 1>which always seemed kind of weird because you're like the Mummy.

0:36:44.760 --> 0:36:47.000
<v Speaker 1>It's a good comedity. He's great. He was in Dogs.

0:36:47.080 --> 0:36:49.319
<v Speaker 1>I didn't realize that his first role was in dog Fight.

0:36:49.600 --> 0:36:51.680
<v Speaker 1>Since this article has come out, I feel like everybody's

0:36:51.680 --> 0:36:53.920
<v Speaker 1>been like, oh, like Brendan Fraser, I have like nice

0:36:54.000 --> 0:36:58.560
<v Speaker 1>memories of Incino man, you know, he's very likable. And

0:36:58.600 --> 0:37:00.799
<v Speaker 1>again I feel like Chris Pratt, Everyone's like, oh, Chris

0:37:00.800 --> 0:37:04.040
<v Speaker 1>Pratt is like people trying to make another Brendan Fraser slash,

0:37:04.120 --> 0:37:06.120
<v Speaker 1>make a make a new Harrison Ford, and it just

0:37:06.280 --> 0:37:10.840
<v Speaker 1>doesn't work because it's like superficially the same things, but like, no,

0:37:11.880 --> 0:37:16.839
<v Speaker 1>whatever that unknown quality is that still still came off

0:37:16.880 --> 0:37:19.080
<v Speaker 1>as a movie star though. And I think that the

0:37:19.160 --> 0:37:22.040
<v Speaker 1>Chris Pratt thing is that there's he's he I always

0:37:22.080 --> 0:37:24.279
<v Speaker 1>think of as the male equivalent of Jennifer Lawrence, where

0:37:24.320 --> 0:37:26.080
<v Speaker 1>it's like this could be you, except he's like a

0:37:26.120 --> 0:37:28.920
<v Speaker 1>little more attractive. That still seems like something Jennifer Lawrence

0:37:29.640 --> 0:37:32.680
<v Speaker 1>could be. Jennifer Lawrence seems like funny and cool. Then

0:37:32.760 --> 0:37:34.799
<v Speaker 1>Chris Pratt to me seems like somebody I would like

0:37:34.920 --> 0:37:36.920
<v Speaker 1>not like at all and realize it. But I think

0:37:36.920 --> 0:37:40.279
<v Speaker 1>the people who are meant to like be his demographic.

0:37:40.360 --> 0:37:43.440
<v Speaker 1>Do you think he's I also feel like in Jurassic World,

0:37:44.000 --> 0:37:46.799
<v Speaker 1>which you know, I liked him, and Guardians the Galaxy fine,

0:37:46.960 --> 0:37:48.919
<v Speaker 1>like I got when they were first being like he's

0:37:48.960 --> 0:37:52.360
<v Speaker 1>Harrison Ford. I was like, okay, fine, But in Jurassic World,

0:37:52.480 --> 0:37:54.600
<v Speaker 1>the way they try to make him Harrison Ford is

0:37:54.640 --> 0:37:56.560
<v Speaker 1>just by having him be a dick the whole time,

0:37:56.640 --> 0:38:01.400
<v Speaker 1>and it sucks. Han Solo is like charming, and I

0:38:01.400 --> 0:38:03.560
<v Speaker 1>don't know, like why is it different when he doesn't.

0:38:03.600 --> 0:38:06.400
<v Speaker 1>It just is that Also, like the guy who wrote

0:38:06.440 --> 0:38:08.440
<v Speaker 1>that movie is just like one of the biggest hacks

0:38:09.200 --> 0:38:11.640
<v Speaker 1>the whole like working today, and he keeps getting these

0:38:11.680 --> 0:38:13.520
<v Speaker 1>huge jobs and I totally forget his name and what

0:38:13.600 --> 0:38:16.120
<v Speaker 1>his next thing is. But I think, yeah, did you

0:38:16.120 --> 0:38:20.160
<v Speaker 1>see Passengers? No? I didn't see Passengers. Maybe we should

0:38:20.160 --> 0:38:24.840
<v Speaker 1>all watch pass I mean that's the thing like that

0:38:25.000 --> 0:38:27.080
<v Speaker 1>that that proves the point is that like they're the

0:38:27.080 --> 0:38:29.200
<v Speaker 1>equivalent of each other. And when they're in the same movie,

0:38:29.239 --> 0:38:31.880
<v Speaker 1>it just like cancels. They cancel each other out, and

0:38:31.920 --> 0:38:36.600
<v Speaker 1>it's like, y that nobody contradict Yeah totally, Hey we

0:38:36.600 --> 0:38:39.759
<v Speaker 1>should take another night call. Yeah, let's take another night call. Yes,

0:38:39.840 --> 0:38:43.880
<v Speaker 1>it looks like we have an email from we'll call

0:38:43.960 --> 0:38:48.919
<v Speaker 1>him Joe. UM, and it says I am needing some help.

0:38:49.000 --> 0:38:51.680
<v Speaker 1>My wife hates me and I need some attention. What

0:38:51.760 --> 0:38:53.719
<v Speaker 1>do I need to do? She's into things that I

0:38:53.719 --> 0:38:59.960
<v Speaker 1>haven't experienced before, and I have ruined our marriage. Help. Um. Wow,

0:39:00.480 --> 0:39:03.560
<v Speaker 1>that's a real night call. Yeah, that is that is

0:39:03.600 --> 0:39:08.960
<v Speaker 1>a night call. An email form for sure. Um, I

0:39:09.360 --> 0:39:12.759
<v Speaker 1>would like some more detail about the things that she

0:39:12.960 --> 0:39:16.719
<v Speaker 1>is into that he hasn't experienced. But I feel like,

0:39:17.000 --> 0:39:20.399
<v Speaker 1>no matter what it is, I don't know. I feel

0:39:20.400 --> 0:39:22.000
<v Speaker 1>like that that's an easy kind of thing to get

0:39:22.080 --> 0:39:23.680
<v Speaker 1>hung up on, and I know that I have kind

0:39:23.680 --> 0:39:26.560
<v Speaker 1>of experienced that kind of stuff before in relationships where

0:39:26.560 --> 0:39:31.880
<v Speaker 1>it's like the difference of experience, especially like experience that

0:39:31.960 --> 0:39:34.160
<v Speaker 1>gets weighted a lot, like you know, drugs or sex

0:39:34.239 --> 0:39:37.160
<v Speaker 1>or something like that gets like like becomes very big

0:39:37.320 --> 0:39:41.120
<v Speaker 1>in in the other person's mind. Sometimes Joe should talk

0:39:41.160 --> 0:39:45.120
<v Speaker 1>to his wife. Yeah, yeah, it's funny that Joe. I mean,

0:39:45.160 --> 0:39:47.200
<v Speaker 1>I think you have to break it down his wife. Okay,

0:39:47.280 --> 0:39:51.880
<v Speaker 1>his wife hates him. He needs some attention. What do

0:39:52.080 --> 0:39:55.520
<v Speaker 1>I need to do? She's into things that I haven't

0:39:55.560 --> 0:39:58.600
<v Speaker 1>experienced before, and I've ruined our marriage. So these are

0:39:58.600 --> 0:40:02.319
<v Speaker 1>two very separate. So what what's an experience gap that's

0:40:02.320 --> 0:40:05.480
<v Speaker 1>easy to close? Right? If the issue is like my

0:40:05.520 --> 0:40:08.000
<v Speaker 1>wife's done all the payote and I haven't done enough.

0:40:08.040 --> 0:40:09.879
<v Speaker 1>I like that you go to drugs, I'm assuming he's

0:40:09.920 --> 0:40:12.960
<v Speaker 1>talking about sex. Is it just easier to talk like

0:40:13.040 --> 0:40:16.200
<v Speaker 1>what if the experiences are like she wants to make

0:40:16.200 --> 0:40:18.960
<v Speaker 1>out with women and that's like something he can't but

0:40:19.040 --> 0:40:21.480
<v Speaker 1>he's made out with women. But yeah, I think we

0:40:21.560 --> 0:40:24.759
<v Speaker 1>just think to take this as like an abstract like

0:40:25.000 --> 0:40:29.600
<v Speaker 1>difference in experience. I'm assuming that she she's been around

0:40:29.640 --> 0:40:32.920
<v Speaker 1>the block or something and something whatever block that maybe

0:40:33.000 --> 0:40:35.000
<v Speaker 1>she has been around it more. If she's been around

0:40:35.000 --> 0:40:37.359
<v Speaker 1>the block and she ended up with you, Joe, though,

0:40:37.760 --> 0:40:41.239
<v Speaker 1>that means that, yeah, she doesn't miss the block. That

0:40:41.320 --> 0:40:44.440
<v Speaker 1>was aformed choice exactly. I don't ignore that, And I

0:40:44.480 --> 0:40:46.759
<v Speaker 1>mean and and don't open by saying that she hates you,

0:40:46.840 --> 0:40:50.279
<v Speaker 1>because that feels like you're you. Then that's a very

0:40:50.320 --> 0:40:54.880
<v Speaker 1>self defeating projecting. Yeah, maybe you haven't ruined things if

0:40:54.880 --> 0:40:58.800
<v Speaker 1>she's still your wife. Yeah, if you need attention and

0:40:59.280 --> 0:41:02.960
<v Speaker 1>you feel as though there's an experience gap probably you

0:41:03.040 --> 0:41:05.440
<v Speaker 1>need to prepare yourself for one of you know, for

0:41:05.480 --> 0:41:09.799
<v Speaker 1>two different outcomes, one being that you should try a

0:41:09.840 --> 0:41:15.759
<v Speaker 1>new experience together, right that she's never experienced. Don't laugh, Mother,

0:41:15.840 --> 0:41:18.799
<v Speaker 1>I'm sorry. I was just maybe they should watch mother

0:41:18.840 --> 0:41:21.359
<v Speaker 1>to well. Honestly, I mean you, I think you think

0:41:21.360 --> 0:41:23.920
<v Speaker 1>of something that neither of you has ever done, and

0:41:24.000 --> 0:41:27.279
<v Speaker 1>you try it together with the knowledge that you're at

0:41:27.280 --> 0:41:30.160
<v Speaker 1>a very rough place in your relationship, and that will

0:41:30.200 --> 0:41:32.799
<v Speaker 1>either bring you together or drive you apart. And it

0:41:32.880 --> 0:41:36.319
<v Speaker 1>could be perceived differently by the two of you. So

0:41:37.640 --> 0:41:41.600
<v Speaker 1>it doesn't have to be drugs, but they could you

0:41:41.760 --> 0:41:44.480
<v Speaker 1>could um, but yeah, you could want to say I

0:41:44.560 --> 0:41:48.799
<v Speaker 1>couldn't hurt. How did you know? No, it could hurt.

0:41:48.880 --> 0:41:51.840
<v Speaker 1>That's it's not true. You should and definitely not be

0:41:51.880 --> 0:41:55.439
<v Speaker 1>a skydiving or if what about like going to where

0:41:55.440 --> 0:42:00.400
<v Speaker 1>have you not been? Portugal? Maybe be like, we're going

0:42:00.480 --> 0:42:03.000
<v Speaker 1>to try and save our marriage. We've never been a Portugal.

0:42:04.440 --> 0:42:07.759
<v Speaker 1>We're gonna do peyote in Portugal and adopt a porcupine.

0:42:07.800 --> 0:42:10.200
<v Speaker 1>We're gonna do all the peas that we've never done.

0:42:10.680 --> 0:42:12.400
<v Speaker 1>And then if it doesn't work out, you know that

0:42:12.440 --> 0:42:17.480
<v Speaker 1>you try it. I do recommend going someplace different together. Yeah,

0:42:17.640 --> 0:42:19.480
<v Speaker 1>it's good to get out and be in a new

0:42:19.560 --> 0:42:22.840
<v Speaker 1>environment with your partner. I would say do something that

0:42:22.920 --> 0:42:25.960
<v Speaker 1>requires at least logistics possible, because that is a recipe

0:42:26.120 --> 0:42:28.520
<v Speaker 1>to be screaming on each other, especially if you're you're

0:42:28.560 --> 0:42:31.839
<v Speaker 1>in a kind of raw and tender place. Um, don't

0:42:31.840 --> 0:42:35.160
<v Speaker 1>go camping in other words, Um, and don't like try

0:42:35.200 --> 0:42:37.040
<v Speaker 1>to go to a city and like do something we

0:42:37.200 --> 0:42:39.200
<v Speaker 1>have to do all this stuff and everything, Like, do

0:42:39.320 --> 0:42:42.879
<v Speaker 1>something kind of simple and low key but still unfamiliar

0:42:43.000 --> 0:42:47.240
<v Speaker 1>and not a stay cation get out. Yeah, but also,

0:42:47.320 --> 0:42:49.879
<v Speaker 1>you can't ruin a marriage. You can only you can

0:42:49.920 --> 0:42:53.520
<v Speaker 1>make bad decisions that show you things about yourself and

0:42:53.680 --> 0:42:57.080
<v Speaker 1>your partner that mean that maybe it's no longer your

0:42:57.120 --> 0:42:59.000
<v Speaker 1>time to be together. But I don't think you should

0:42:59.000 --> 0:43:01.040
<v Speaker 1>take the blame on yourself. You've ruined the marriage, like

0:43:01.280 --> 0:43:04.879
<v Speaker 1>you made choices authentic to who you were probably and

0:43:05.040 --> 0:43:08.040
<v Speaker 1>your wife is having an emotional response that's authentic to

0:43:08.080 --> 0:43:10.400
<v Speaker 1>who she is. So now you just have to figure

0:43:10.400 --> 0:43:13.520
<v Speaker 1>out if it's an external problem or if it's you know,

0:43:13.840 --> 0:43:17.080
<v Speaker 1>an internal problem. But regardless, Joe, you're gonna be okay.

0:43:17.080 --> 0:43:21.000
<v Speaker 1>We got your back. Joe. Yeah, we're your friends here. Good.

0:43:21.440 --> 0:43:23.919
<v Speaker 1>It was nice of you to reach out. Yeah, thank

0:43:23.920 --> 0:43:27.920
<v Speaker 1>you for being vulnerable. Should we have another um night email?

0:43:29.440 --> 0:43:32.840
<v Speaker 1>So this one comes from Amanda. Hi'all found your podcast

0:43:32.920 --> 0:43:35.200
<v Speaker 1>from Astonishing Legends today and I thought i'd pitch you

0:43:35.200 --> 0:43:38.320
<v Speaker 1>guys a question. Last week, during a late night of knitting,

0:43:38.640 --> 0:43:41.760
<v Speaker 1>listening to a post apocalyptic audio book, and drinking wine,

0:43:42.040 --> 0:43:48.200
<v Speaker 1>I found myself Yeah, I found myself googling appropriate level

0:43:48.200 --> 0:43:52.000
<v Speaker 1>of apocalyptic paranoia and pulling out reference books to cuddle with.

0:43:52.320 --> 0:43:55.640
<v Speaker 1>Google was unable to provide a satisfactory answer. Neither was

0:43:55.680 --> 0:44:01.960
<v Speaker 1>the wine. Any insights, Thanks, Amanda. Um, I love this question. Yeah,

0:44:02.040 --> 0:44:05.440
<v Speaker 1>I feel like it really Uh is also maybe directed

0:44:05.440 --> 0:44:10.440
<v Speaker 1>to Tess, who is my most post apocalyptic strategy googling friend.

0:44:10.560 --> 0:44:17.080
<v Speaker 1>Probably Well, I am a mother. You know all of

0:44:17.160 --> 0:44:19.680
<v Speaker 1>us are scared about the apocalypse, right, guys. Yeah, but

0:44:19.719 --> 0:44:21.480
<v Speaker 1>I feel like, again, you're the great smith, you like

0:44:21.560 --> 0:44:24.799
<v Speaker 1>do the most research until like, what's the actual plan? Well,

0:44:24.840 --> 0:44:27.120
<v Speaker 1>I was just saying I've noticed there's like a strong

0:44:27.200 --> 0:44:32.000
<v Speaker 1>uptick and leftist preppers. Hmmm. Um. And I watched the

0:44:32.080 --> 0:44:34.360
<v Speaker 1>documentary Ones about people who live in their r vs

0:44:34.400 --> 0:44:37.000
<v Speaker 1>and they all like clarified that they were like hippies,

0:44:37.040 --> 0:44:40.280
<v Speaker 1>not preppers. But I think now we're getting more of both.

0:44:41.600 --> 0:44:45.840
<v Speaker 1>Can I briefly just say that I misinterpreted this question

0:44:45.880 --> 0:44:50.560
<v Speaker 1>initially to basically be asking our opinion on wine pairings

0:44:50.680 --> 0:44:56.560
<v Speaker 1>for apocalypsic anxiety that such an I have one too well.

0:44:56.640 --> 0:44:58.520
<v Speaker 1>I would also like to preface by saying that this

0:44:58.600 --> 0:45:00.719
<v Speaker 1>came up recently. I was at sun Dance and there's

0:45:00.760 --> 0:45:04.160
<v Speaker 1>a movie, UM, directed by Reading Mrano. She did like

0:45:04.200 --> 0:45:07.799
<v Speaker 1>the first three episodes I think of Handmade's Tale, but

0:45:07.960 --> 0:45:12.200
<v Speaker 1>this movie is called uh oh God, I think We're

0:45:12.239 --> 0:45:15.920
<v Speaker 1>Alone now and Um. One of the aspects of it

0:45:16.000 --> 0:45:19.440
<v Speaker 1>which I did like is that it kind of posits

0:45:19.520 --> 0:45:22.040
<v Speaker 1>that the wine would be one thing that would be

0:45:22.080 --> 0:45:25.000
<v Speaker 1>great about the apocalypse because it doesn't go bad. If

0:45:25.000 --> 0:45:28.520
<v Speaker 1>you're one of the last survivors of the apocalypse and

0:45:28.560 --> 0:45:31.839
<v Speaker 1>you're just wandering around like all the wine is at

0:45:31.840 --> 0:45:35.239
<v Speaker 1>your disposal and it's it's totally fine and fine enough

0:45:35.280 --> 0:45:41.439
<v Speaker 1>at last. Emily, what's your wine recommendation for the apocalypse?

0:45:41.800 --> 0:45:44.080
<v Speaker 1>I mean, I think that you have to go for red.

0:45:44.360 --> 0:45:48.360
<v Speaker 1>I would say I would say something earthy, because like

0:45:48.480 --> 0:45:53.799
<v Speaker 1>something silty and earthy. Uh. I had this wine once

0:45:53.840 --> 0:45:56.439
<v Speaker 1>in Montreal that I feel like and I wish I could.

0:45:56.480 --> 0:45:58.040
<v Speaker 1>I took a picture of it, and I would bring

0:45:58.080 --> 0:46:00.839
<v Speaker 1>it up if I had been more prepared, but I

0:46:00.880 --> 0:46:03.959
<v Speaker 1>feel like it was. It was definitely a French wine

0:46:04.000 --> 0:46:07.359
<v Speaker 1>and it was it was really gritty in a way

0:46:07.400 --> 0:46:10.840
<v Speaker 1>that I felt like, this feels like to taste like dirt. Yeah,

0:46:10.880 --> 0:46:13.680
<v Speaker 1>it literally did taste like dirt and it was great. Uh.

0:46:13.719 --> 0:46:18.480
<v Speaker 1>And it tasted like my glass like an open grave. Yeah. Yeah,

0:46:18.719 --> 0:46:21.960
<v Speaker 1>test what's your apocalypse one? I have? The high end

0:46:22.040 --> 0:46:26.960
<v Speaker 1>recommendation is a good Alborno, because I really like Alberino's

0:46:27.040 --> 0:46:30.360
<v Speaker 1>when I'm like dealing with with ship. This is very Fraser.

0:46:31.000 --> 0:46:33.400
<v Speaker 1>It's so Fraser, it's the Fraser minute that goes on.

0:46:33.719 --> 0:46:37.000
<v Speaker 1>But I have to recommend this cheap one because part

0:46:37.040 --> 0:46:40.360
<v Speaker 1>of the deal with weathering the apocalypse is that you

0:46:40.440 --> 0:46:44.280
<v Speaker 1>don't know how long you'll be stuck inside or wherever

0:46:44.320 --> 0:46:46.040
<v Speaker 1>you are. So if you happen to be in the

0:46:46.120 --> 0:46:49.279
<v Speaker 1>room with the wine and a wine corkscrew, then you

0:46:49.320 --> 0:46:52.480
<v Speaker 1>would want like a lot of it. And so this

0:46:52.480 --> 0:46:55.640
<v Speaker 1>one's like six dollars at Trader Joe's and it's the

0:46:55.800 --> 0:47:00.239
<v Speaker 1>Schloss v. Brick Rose sect. And I'm telling you guys,

0:47:00.440 --> 0:47:02.839
<v Speaker 1>because it's it's not the kind of wine that you

0:47:02.920 --> 0:47:06.080
<v Speaker 1>like sit with and enjoy too much. It's the kind

0:47:06.080 --> 0:47:08.520
<v Speaker 1>of wine that you could if you needed to drink

0:47:08.560 --> 0:47:11.560
<v Speaker 1>in a panic of just like hugging it, like just

0:47:11.680 --> 0:47:14.319
<v Speaker 1>get it down. But it's bubbly, so it's also not

0:47:14.400 --> 0:47:19.120
<v Speaker 1>just like a depressing, a stringent thing, little fruity, pretty dry.

0:47:19.120 --> 0:47:21.640
<v Speaker 1>At the same time, I feel like if I drank

0:47:21.640 --> 0:47:24.040
<v Speaker 1>a magnum of bubbly wine really fast, I would throw

0:47:24.120 --> 0:47:27.640
<v Speaker 1>up so fast because the worst thing that could possibly

0:47:27.680 --> 0:47:30.320
<v Speaker 1>happen has already happened, and so you would be almost

0:47:30.360 --> 0:47:34.319
<v Speaker 1>anxiety less about your body probably, you know what I mean.

0:47:34.680 --> 0:47:37.560
<v Speaker 1>It reminds me of the episode of bow Jack where

0:47:37.680 --> 0:47:42.719
<v Speaker 1>there's an earthquake and yeah, the apocalypse, basically the apocalypse. Yeah,

0:47:42.840 --> 0:47:46.000
<v Speaker 1>Jessica Veal's there, Yeah, and uh and they're stuck in

0:47:46.040 --> 0:47:48.360
<v Speaker 1>there basically trapped in the house with just like a

0:47:48.480 --> 0:47:51.040
<v Speaker 1>room full of champagne. Yeah. That was a great episode

0:47:51.040 --> 0:47:52.920
<v Speaker 1>that had nothing to do with the rest of the season.

0:47:53.120 --> 0:47:55.680
<v Speaker 1>We have great season. Yeah, I mean, it served a

0:47:55.719 --> 0:47:58.520
<v Speaker 1>plot function, but it was also just like as a standalone.

0:47:58.520 --> 0:48:02.480
<v Speaker 1>I think about that episode all the time. Yeah, made

0:48:02.480 --> 0:48:04.480
<v Speaker 1>me like Jessica biel a lot. I have to say

0:48:04.480 --> 0:48:07.560
<v Speaker 1>that I was in a in a conversation with some

0:48:07.640 --> 0:48:09.960
<v Speaker 1>friends of mine the other day about what you would

0:48:10.000 --> 0:48:13.760
<v Speaker 1>do in a nuclear in the event of a nuclear catastrophe,

0:48:14.040 --> 0:48:17.640
<v Speaker 1>and I had read online that you you want to

0:48:17.719 --> 0:48:21.680
<v Speaker 1>go inside and shower but not scrub with a mild soap,

0:48:22.000 --> 0:48:25.839
<v Speaker 1>and then go underground with as much cement above you

0:48:25.920 --> 0:48:29.680
<v Speaker 1>as so, like a subterranean parking lot would probably be ideal,

0:48:30.000 --> 0:48:32.160
<v Speaker 1>and then you have to wait for like forty eight hours.

0:48:32.640 --> 0:48:34.640
<v Speaker 1>I think that's so funny though, because I'm like, when

0:48:34.640 --> 0:48:37.400
<v Speaker 1>you say subterranean parking lot, my first thought is like,

0:48:37.440 --> 0:48:39.919
<v Speaker 1>but then, what if there's an earthquake right exactly, which

0:48:39.960 --> 0:48:43.680
<v Speaker 1>there inevitably probably would be, but it would be retrofitted.

0:48:43.800 --> 0:48:45.799
<v Speaker 1>But but then my neighbor was like, no, you get

0:48:45.800 --> 0:48:48.440
<v Speaker 1>on a dirt bike right after it happens and you

0:48:48.560 --> 0:48:51.600
<v Speaker 1>go to Reno. And I was like, but you wouldn't know.

0:48:52.040 --> 0:48:54.560
<v Speaker 1>You could be driving like right into the mushroom cloud

0:48:54.560 --> 0:48:56.279
<v Speaker 1>on a dirt bike. Maybe he thinks that because of

0:48:56.280 --> 0:48:58.319
<v Speaker 1>the stand, because in the stand it was from this

0:48:58.480 --> 0:49:01.799
<v Speaker 1>everybody goes a lot to feel trash can man or

0:49:01.800 --> 0:49:04.400
<v Speaker 1>whatever isn't okay. Well, we're all gonna meet at the

0:49:04.400 --> 0:49:07.880
<v Speaker 1>Atomic Museum in Las Vegas. But when the event happens,

0:49:08.200 --> 0:49:10.400
<v Speaker 1>and then we'll just re we'll redo it like San

0:49:10.520 --> 0:49:13.440
<v Speaker 1>Junipero and mel Monet will be our new president. We'll

0:49:13.480 --> 0:49:16.640
<v Speaker 1>hang out in the historic bunker they have there and

0:49:16.680 --> 0:49:20.160
<v Speaker 1>we'll drink all of the pink wine. I'm very excited

0:49:20.200 --> 0:49:23.520
<v Speaker 1>guys about Nightcall. Yeah, please leave us some night calls

0:49:23.760 --> 0:49:28.680
<v Speaker 1>at one six night or email us at Night Call

0:49:28.800 --> 0:49:32.600
<v Speaker 1>Podcast at gmail dot com and remember to subscribe and

0:49:32.680 --> 0:49:36.840
<v Speaker 1>leave us a rating and a review on iTunes podcast.

0:49:36.920 --> 0:49:39.680
<v Speaker 1>And you can also follow us on Twitter at Nightcall

0:49:39.800 --> 0:50:00.160
<v Speaker 1>Pod and Instagram at Nightcall Podcast