WEBVTT - Episode 4: Good Cop, Bad Cop

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<v Speaker 1>A quick warning. This story contains adult themes and strong language. Melbourne,

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<v Speaker 1>nineteen ninety five. Evelyn gets a call. Remember by now

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<v Speaker 1>she's running a chain of sixteen brothels. It's a well

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<v Speaker 1>known gangster. He needs her help.

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<v Speaker 2>Well, because you're in a parlor business. He thought that

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<v Speaker 2>she was, you know, a madam and had some way

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<v Speaker 2>of getting things done.

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<v Speaker 1>The gangster asks Evelyn if she knows someone, someone who

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<v Speaker 1>can well get things done, to be specific, to carry

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<v Speaker 1>out a hit, to murder someone, and guess what. It

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<v Speaker 1>turns out Evelyn does know someone. Leave it with me,

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<v Speaker 1>she says, I'll make some calls. So Evelyn goes away,

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<v Speaker 1>and she does indeed make some calls. She sets up

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<v Speaker 1>a meeting, a meeting in a posh hotel. No surprise there.

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<v Speaker 1>The day of the meeting rolls around, Evelyn's in the

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<v Speaker 1>swanky bar with her trademark mullet and bomber jacket sitting

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<v Speaker 1>next to her. Her contact, the hit man in walks.

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<v Speaker 1>The gangster Mitch Brown knows the story. Well, that's not

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<v Speaker 1>his real name, by the way.

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<v Speaker 3>Everyone made the introductions meet Joe Black.

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<v Speaker 1>Evelyn says, that's the hit man.

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<v Speaker 2>She said, well, I don't want to know anything about it.

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<v Speaker 2>Just do it quietly. Lah bla la, And she said

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<v Speaker 2>we'll talk at a lada stage.

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<v Speaker 3>And left them to chet a b at the business

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<v Speaker 3>that was to be done, which was a lot of

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<v Speaker 3>brother killed lives.

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<v Speaker 1>Yeah you heard that right. The gangster wants his own

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<v Speaker 1>brother killed. Turns out they've been feuding over their mother's will.

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<v Speaker 1>Joe Black says, I don't care what it's about. Just

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<v Speaker 1>as long as I get my money, you'll get your money.

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<v Speaker 1>The gangster says, the price is agreed, ten grand blood money. Evelyn,

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<v Speaker 1>the gangster and Joe Black all go their separate ways.

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<v Speaker 1>I wonder if she paid the bar bill.

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<v Speaker 4>Anyway.

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<v Speaker 1>It's the day of the hit. The gangsters waiting in

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<v Speaker 1>a park, waiting for Joe Black to turn up to

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<v Speaker 1>confirm the hit. It's quiet, there's no one around. The

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<v Speaker 1>gangster checks his watch. Anxious, he stands, He paces and

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<v Speaker 1>sits back down. He checks his watch again. Still no sign.

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<v Speaker 1>Then the man turns and sees someone approaching. It's Joe Black.

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<v Speaker 1>Joe Black nods, it's done, he says. Joe Black hands

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<v Speaker 1>over the gangster's brother's driving license and watch evidence that

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<v Speaker 1>the hit has been executed. Just then, a car slowly

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<v Speaker 1>pulls up, and the gangster knows instinctively something's off here.

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<v Speaker 1>All hell breaks loose. A squad of officers jump out

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<v Speaker 1>of the unmarked police car. The criminals are surrounded.

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<v Speaker 3>And really came of such a surprise to him that

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<v Speaker 3>he had a rather nasty accident in these trailsers at

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<v Speaker 3>the time.

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<v Speaker 2>Apparently he pulled him fill. Oh, yes, I know, nasty, nasty, nasty.

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<v Speaker 1>Sorry about that. So the gangster is arrested. But you

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<v Speaker 1>want to know who doesn't get arrested, And this one

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<v Speaker 1>will surprise you. Evelyn Burton. Evelyn is in on the

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<v Speaker 1>whole thing. This is a sting operation for once. Evelyn

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<v Speaker 1>is on the side of the angels, because right after

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<v Speaker 1>she puts the phone down after that first call from

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<v Speaker 1>the gangster, she calls her old mate Mitch Brown, the

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<v Speaker 1>only cop she's ever trusted. Mitch says to her.

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<v Speaker 3>Tell them you've got somebody, and we sit wheels in motion.

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<v Speaker 1>The gangster is nasty and unpredictable. Evelyn dreads to think

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<v Speaker 1>what he might do if she refuses his request, what

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<v Speaker 1>he might do to her, to her girls, or Heaven

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<v Speaker 1>forbid to Lilah. And as for the hit man Joe Black,

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<v Speaker 1>yes he's a cop too. So why do I tell

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<v Speaker 1>you this story? Well for two reasons. One because it

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<v Speaker 1>may surprise you to learn that, yes, Evelyn might be

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<v Speaker 1>a liar and a cheat, a thief, a fraud, a swindler,

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<v Speaker 1>but she does have a line, a line she'd never cross,

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<v Speaker 1>As Lilah puts it, I.

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<v Speaker 2>Don't maybe involved in murders and things.

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<v Speaker 1>And two because I think it's interesting and well, just

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<v Speaker 1>a little bit ironic to know that when her back's

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<v Speaker 1>against the wall, really against the wall, Evelyn, the thief,

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<v Speaker 1>the fraud, the swindler, does what anyone else might do.

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<v Speaker 1>She calls the police from usg Audio Blanchard House and

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<v Speaker 1>exactly right, Media, this is royal swindle. I'm Becky Milligan,

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<v Speaker 1>Episode four, Good Cop, Bad Cop. Two years later, September

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<v Speaker 1>nineteen ninety, Saint Alban's, just north of London, Detective Jim

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<v Speaker 1>Frost is at home, relaxing, playing the piano. He's still

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<v Speaker 1>weighing up whether he should bring Evelyn in for questioning.

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<v Speaker 1>Amazing how a little chaplin can bring some clarity. No,

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<v Speaker 1>he thinks he needs to bide his time for just

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<v Speaker 1>a little while longer. He needs more evidence. Once he's

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<v Speaker 1>broken cover and Evelyn knows he's onto her, there's no

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<v Speaker 1>going back. But with that Tan briefcase, Evelyn's briefcase, it's

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<v Speaker 1>like all of Jim's Christmases and birthdays have come at once.

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<v Speaker 1>It's proving a treasure trove of leads of contracts, of invoices,

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<v Speaker 1>bank statements and business cards, names and numbers. Jim picks

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<v Speaker 1>up the phone and starts dialing.

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<v Speaker 5>We started to speak to people saying, yes, I have

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<v Speaker 5>invested money, I've not had a return. So we began

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<v Speaker 5>to go to see people to obtain witness statements. One

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<v Speaker 5>thing led to another. We got in contact with the Hutchinson's.

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<v Speaker 5>You know, you started getting other names given to you.

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<v Speaker 1>The Hutchinson's. That's Francis Hutchinson who provided the staff for

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<v Speaker 1>the multimillion pound country house Evelyn and Lilah were planning

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<v Speaker 1>to buy. And they pass on more contacts to Jim,

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<v Speaker 1>like Marjorie and Richard Ramsay. Remember Evelyn offered Marjorie that

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<v Speaker 1>job of a lifetime stud manager at Evelyn's show jumping

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<v Speaker 1>stud farm. Jim Frost turns up at Marjorie and Richard's house,

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<v Speaker 1>takes out his little notebook and asks them about their

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<v Speaker 1>encounters with Evelyn. They very quickly become big fans of

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<v Speaker 1>our detective.

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<v Speaker 6>I thought he was a very nice chap and be,

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<v Speaker 6>but also very efficient.

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<v Speaker 2>I thought he would catch them, did you.

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<v Speaker 1>Yes, Marjorie takes a bit of a fancy to.

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<v Speaker 5>Him, gorgeous London.

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<v Speaker 2>Yes.

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<v Speaker 1>Jim's not that used to dealing with the Horsey set,

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<v Speaker 1>and he's thoroughly entertained by the welcome he gets.

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<v Speaker 5>Speaking with that almost fake posh accent. Hello, officer, Do

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<v Speaker 5>come and sit down? And you think? Do you really

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<v Speaker 5>speak like that? All the time. Having said that I

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<v Speaker 5>like them, they were good fun.

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<v Speaker 1>To be with, Marjorie and Richard tell Jim all about

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<v Speaker 1>how Evelyn offered them a cottage on her new estate

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<v Speaker 1>and told them that if they sold their own house,

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<v Speaker 1>they could invest the money in her lucrative prime bank guarantees.

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<v Speaker 1>Also in Evelyn's briefcase two more names. Lucille and her

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<v Speaker 1>husband Larry, the couple who sold their Arab Philly to

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<v Speaker 1>Evelyn for fifteen thousand pounds fifteen thousand pounds that Evelyn

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<v Speaker 1>is very reluctant to pay Jim knocks on their door too,

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<v Speaker 1>and again takes out his little notebook. Lucille and Larry

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<v Speaker 1>tell him all about a confrontation at a local show.

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<v Speaker 5>Evelyn had rolled up at some sort of horse event

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<v Speaker 5>in Sussex in the hired but not paid for Bentley.

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<v Speaker 5>Apparently everyone was sitting in the passion seat with her

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<v Speaker 5>little stumpy legs up on the dashboard of the bentleane.

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<v Speaker 1>Larry is pretty shocked by Evelyn's casual pose.

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<v Speaker 2>That's not just the demeanor you would expect from a

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<v Speaker 2>woman who's got plenty of dosh.

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<v Speaker 1>Well, never mind that, this is a chance to challenge

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<v Speaker 1>Evelyn face get her to pay up.

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<v Speaker 2>I said, I believe you've got some money for us,

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<v Speaker 2>and Evelyn put her hand in her pocket and said, yes, I've.

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<v Speaker 1>Got it here and says to Lucille, I'm sorry it's

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<v Speaker 1>taken so long. Lucille and Larry can't believe it. At

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<v Speaker 1>last they're going to be paid.

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<v Speaker 5>She pulled her hand out of pocket and produced a

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<v Speaker 5>laundry ticket and immediately said, oh fuck, I must have

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<v Speaker 5>left the check at the laundrit.

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<v Speaker 1>So you can keep that, because I'd rather have your

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<v Speaker 1>check for fifteen pounds. Evelyn has fogged them off again.

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<v Speaker 1>Back home at his piano, Jim mulls it all over.

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<v Speaker 1>It's all important background, for sure, but there's no killer

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<v Speaker 1>evidence just yet, nothing decisive. This case is proving hard

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<v Speaker 1>than he thought. But then a breakthrough Evelyn's briefcase yields

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<v Speaker 1>two new leads, very promising leads to Belfast, two people

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<v Speaker 1>who Jim thinks might actually give him enough evidence to

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<v Speaker 1>bring Evelyn in for questioning. Jim is on his way

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<v Speaker 1>to Belfast in Northern Ireland. He's going to meet two

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<v Speaker 1>businessmen who've invested in Evelyn's famous prime bank guarantees, well

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<v Speaker 1>at least they think they have. They put in nearly

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<v Speaker 1>one hundred thousand pounds that's more than a quarter of

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<v Speaker 1>a million US dollars in today's money. But things don't

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<v Speaker 1>go quite as he's expecting. When he gets to the meeting,

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<v Speaker 1>he immediately senses a bit of a frosty atmosphere, and

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<v Speaker 1>the two businessmen aren't alone. They've brought us solicitor along

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<v Speaker 1>with them.

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<v Speaker 5>People don't normally call their slicters if they're going to

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<v Speaker 5>make a witness statement. They usually call them when they're

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<v Speaker 5>about to be.

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<v Speaker 1>Arrested anyway, Jim gets straight to the point. He explains

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<v Speaker 1>that he's investigating Evelyn Burton. He says that he suspects

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<v Speaker 1>she's an international fraudster posing as an investment banker, and

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<v Speaker 1>he tells the businessman that if he's right, which he

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<v Speaker 1>is pretty sure he is, they've been duped big time. Now,

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<v Speaker 1>Jim expects some reaction. I mean, they've just been told

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<v Speaker 1>they've lost a lot of money, but the businessman saying nothing. Instead,

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<v Speaker 1>their solicitor speaks for them.

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<v Speaker 5>He said, my clients have signed a contract with evan

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<v Speaker 5>In Burton, and in the contract there is a non

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<v Speaker 5>disclosure agreement and if they disclose anything of this deal

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<v Speaker 5>to anyone, and he said, I believe that includes you,

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<v Speaker 5>they will not get their money.

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<v Speaker 1>Smart of Evelyn to use an NDA, always one step ahead.

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<v Speaker 1>Jim is getting frustrated. He tells them that they don't

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<v Speaker 1>seem to understand that Evelyn Burton is not the person

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<v Speaker 1>they think she is. The non disclosure agreement is meaningless,

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<v Speaker 1>but they're having none of it.

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<v Speaker 5>They still believe they might get their money, and their

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<v Speaker 5>initial reaction was not to speak to me.

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<v Speaker 1>But Jim's come prepared. It just so happens that he's

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<v Speaker 1>very recently received a fax from the police in Melbourne

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<v Speaker 1>in Australia, with an extensive list of Evelyn's previous convictions.

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<v Speaker 1>He opens his briefcase, takes out the papers, and I threw.

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<v Speaker 5>Them down the table, and I said, perhaps you ad

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<v Speaker 5>lot to read those, gentlemen.

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<v Speaker 1>The three men on the other side to the table

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<v Speaker 1>sit there in silence.

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<v Speaker 5>They went quite far away through these six or seven

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<v Speaker 5>pages which just listed all Evelyn's convictions and aliases.

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<v Speaker 1>And the horror of it dawns on them. As we

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<v Speaker 1>say in the UK, they've been stitched up like a kipper. Finally,

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<v Speaker 1>the two businessmen agreed to cooperate. Back home at his piano,

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<v Speaker 1>Jim thinks maybe it's time time to invite Miss Burton

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<v Speaker 1>into the station to answer a few questions. Three years earlier, Melbourne, Australia,

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<v Speaker 1>Lila and Evelyn have been happily married for more than

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<v Speaker 1>a decade. Money's not a problem. Evelyn is doing well.

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<v Speaker 1>She's got fingers in a lot of pies. There are

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<v Speaker 1>the brothels, of course, but she's also dabbling in various companies, nightclubs,

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<v Speaker 1>and she also runs a magazine, The Australian lesbian diary.

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<v Speaker 1>The monthly Glossy has all sorts of articles written by

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<v Speaker 1>lesbians for lesbians about lesbians. There's Lolly Lipstick's gossip page,

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<v Speaker 1>an agony aunt, a matchmaking column, and plenty of explicit

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<v Speaker 1>erotic photos. The community are wowed by Lila and Evelyn.

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<v Speaker 4>We were a bit mismerized by them.

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<v Speaker 1>Kimberly O'Sullivan wrote for the magazine.

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<v Speaker 4>And they were very unashamedly lesbians. We loved the idea

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<v Speaker 4>that there were these really successful dip business women who

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<v Speaker 4>had money, who were on our side. It was great.

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<v Speaker 1>There's a column in the magazine called Maggie's Soapbox and

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<v Speaker 1>who's Maggie, Yes, Evelyn. Of course she uses it to

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<v Speaker 1>promote her grand plan, her vision, an empire of lesbian enterprises, clubs, bars,

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<v Speaker 1>racy novels.

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<v Speaker 4>I got to sense that they were business women who

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<v Speaker 4>knew how to make a bag.

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<v Speaker 1>And then there are the lesbian porn movies made by

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<v Speaker 1>her very own production company.

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<v Speaker 4>Philippa Productions, that was named after Lila's Philippa.

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<v Speaker 1>Philippa plans to make a trilogy of erotic films, Lusty Afternoon,

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<v Speaker 1>Lusty Evening and Lusty Midnight, but in the end only

0:17:49.000 --> 0:17:54.879
<v Speaker 1>Lusty Afternoon was shot and released. So Evelyn is working hard.

0:17:55.640 --> 0:18:00.320
<v Speaker 1>Lilah too. Now at forty six, she's reinvented her self

0:18:00.800 --> 0:18:01.720
<v Speaker 1>as the one.

0:18:01.520 --> 0:18:04.480
<v Speaker 2>And only Madame Xavieira.

0:18:04.960 --> 0:18:07.240
<v Speaker 1>And her speciality.

0:18:07.160 --> 0:18:09.040
<v Speaker 2>Bondage and disciplined man day.

0:18:09.920 --> 0:18:16.680
<v Speaker 1>Yes, bondage and discipline. Lilah is a dominatrix, and the

0:18:16.720 --> 0:18:20.040
<v Speaker 1>best thing about being a dominatrix.

0:18:19.520 --> 0:18:22.480
<v Speaker 2>There's nice six at all involved in what I do.

0:18:23.200 --> 0:18:27.440
<v Speaker 1>Ever, that's how she likes it. She has her own

0:18:27.520 --> 0:18:30.560
<v Speaker 1>dungeon where she's in complete control.

0:18:31.160 --> 0:18:34.480
<v Speaker 2>In the dungeon, they had to do exactly as I

0:18:34.600 --> 0:18:38.160
<v Speaker 2>told them, otherwise they got into terrible trouble.

0:18:38.480 --> 0:18:42.720
<v Speaker 1>And she has one rule which clients break at their peril.

0:18:43.640 --> 0:18:47.360
<v Speaker 2>Never tad to Madam ever, unless she says you can

0:18:47.400 --> 0:18:47.720
<v Speaker 2>do it.

0:18:54.720 --> 0:19:01.640
<v Speaker 1>Three years later, April nineteen ninety eight, Saint albans Hertfordshire,

0:19:02.160 --> 0:19:06.680
<v Speaker 1>a small cathedral city about twenty five miles north of London.

0:19:07.480 --> 0:19:13.440
<v Speaker 1>Very quaint, very quiet and very English, almost picture perfect

0:19:14.640 --> 0:19:19.879
<v Speaker 1>except for one building, a grey nineteen sixties office block,

0:19:20.320 --> 0:19:25.960
<v Speaker 1>a real eyesaw the police station, where Detective Constable Jim

0:19:26.000 --> 0:19:31.399
<v Speaker 1>Frost is expecting a very special someone.

0:19:32.600 --> 0:19:35.120
<v Speaker 5>The short lady comes in. He grew barely. She over

0:19:35.160 --> 0:19:38.800
<v Speaker 5>the counter who was about five foot tall and five

0:19:38.840 --> 0:19:39.479
<v Speaker 5>foot wide.

0:19:40.359 --> 0:19:47.119
<v Speaker 1>Yes, Evelyn, the Hunter and the hunted face to face

0:19:47.440 --> 0:19:51.720
<v Speaker 1>for the first time. They size each other up, Evelyn

0:19:51.880 --> 0:19:57.639
<v Speaker 1>sporting her bomber jacket and baggy jeans. Jim is genuinely surprised.

0:19:58.320 --> 0:20:01.040
<v Speaker 1>Is this really the woman who's past herself off as

0:20:01.080 --> 0:20:03.480
<v Speaker 1>some kind of financial genius?

0:20:04.280 --> 0:20:07.440
<v Speaker 5>Everything about has screamed, I'm not an international banker.

0:20:07.880 --> 0:20:12.760
<v Speaker 1>He thanks her for coming in voluntarily. She isn't under arrest.

0:20:13.000 --> 0:20:17.680
<v Speaker 1>There's no charge, not yet, at least. Evelyn is unlike

0:20:17.880 --> 0:20:21.240
<v Speaker 1>any fraudster he's ever met, and he's met quite a

0:20:21.280 --> 0:20:26.000
<v Speaker 1>few in his time. Okay, so it's first impressions. But

0:20:26.160 --> 0:20:30.959
<v Speaker 1>Jim's flabbergasted. He just can't understand how anyone.

0:20:30.760 --> 0:20:34.400
<v Speaker 5>Could look at Evidan and think that is an international banker.

0:20:34.720 --> 0:20:36.880
<v Speaker 5>That woman could make me lots of money. I don't

0:20:36.920 --> 0:20:37.240
<v Speaker 5>get it.

0:20:37.760 --> 0:20:40.800
<v Speaker 1>Well, appearances can be deceptive and all that.

0:20:41.040 --> 0:20:41.879
<v Speaker 6>Jim.

0:20:42.359 --> 0:20:47.119
<v Speaker 1>Now, it's a risk bringing Evelyn in for questioning. Of course,

0:20:47.200 --> 0:20:50.639
<v Speaker 1>Jim doesn't expect her to hold her hands up and confess,

0:20:51.359 --> 0:20:54.840
<v Speaker 1>but if he can just get her talking, catch her

0:20:54.880 --> 0:21:01.200
<v Speaker 1>off guard. Maybe she'll let something slip, something important, a detail.

0:21:01.960 --> 0:21:09.560
<v Speaker 1>He's decided it's worth the risk. Jim buzzes Evelyn in

0:21:09.920 --> 0:21:14.800
<v Speaker 1>past the front desk and through the station. The station

0:21:15.160 --> 0:21:21.199
<v Speaker 1>is utilitarian, to say the least. Off white walls, linoleum floor,

0:21:21.800 --> 0:21:27.359
<v Speaker 1>The corridors are long and soulless. No cheapness spared, is

0:21:27.400 --> 0:21:35.080
<v Speaker 1>how Jim describes it. It's all rather stifling, but there

0:21:35.160 --> 0:21:38.840
<v Speaker 1>is one touch of class, Just like in every police station.

0:21:39.440 --> 0:21:43.320
<v Speaker 1>A framed photo of Queen Elizabeth has pride of place.

0:21:45.160 --> 0:21:48.239
<v Speaker 1>Maybe Evelyn catches sight of it as Jim leads her

0:21:48.320 --> 0:21:53.920
<v Speaker 1>past the offices and down to the basement floor, and

0:21:54.240 --> 0:21:57.679
<v Speaker 1>maybe she recalls with pride meeting the Queen at the

0:21:57.760 --> 0:22:01.840
<v Speaker 1>Royal Windsor horse Show, how they chatted about the vast

0:22:01.920 --> 0:22:07.520
<v Speaker 1>home Evelyn was going to buy. Well, Saint Alban's police

0:22:07.520 --> 0:22:14.640
<v Speaker 1>station is an awfully long way from all that. Jim

0:22:14.720 --> 0:22:18.120
<v Speaker 1>leads Evelyn down to the dingy basement. Take a right

0:22:18.160 --> 0:22:21.719
<v Speaker 1>turn and you'll arrive at the interview rooms. Take her

0:22:21.800 --> 0:22:26.320
<v Speaker 1>left and you'll find yourself in the cells. But Evelyn's

0:22:26.359 --> 0:22:31.040
<v Speaker 1>not worried about turning left anytime soon, not at all,

0:22:32.000 --> 0:22:35.680
<v Speaker 1>because she has a plan. She's here for one reason,

0:22:36.440 --> 0:22:43.600
<v Speaker 1>and one reason only. She's playing the detective at his

0:22:43.760 --> 0:22:53.080
<v Speaker 1>own game. They enter the interview room. Four white walls,

0:22:53.520 --> 0:22:58.840
<v Speaker 1>one door, no windows, strip lighting runs across the low ceiling.

0:22:59.359 --> 0:23:04.600
<v Speaker 1>It's blind clinical. There's nowhere to hide here, and no

0:23:04.680 --> 0:23:09.320
<v Speaker 1>one can hear you beyond these walls. They're completely sound proof.

0:23:10.119 --> 0:23:12.160
<v Speaker 1>In the middle of the room is a wooden table

0:23:12.280 --> 0:23:16.320
<v Speaker 1>with two plastic chairs on either side, all bolted to

0:23:16.400 --> 0:23:20.720
<v Speaker 1>the floor. An ancient looking tape recorder sits on the table.

0:23:22.960 --> 0:23:27.320
<v Speaker 1>Evelyn and Jim take their seats opposite each other, like

0:23:27.440 --> 0:23:34.199
<v Speaker 1>two chess grandmasters. Jim turns on the tape recorder and

0:23:34.280 --> 0:23:39.240
<v Speaker 1>presses the record button. Evelyn folds her arms and waits

0:23:39.280 --> 0:23:43.240
<v Speaker 1>for the detective to make the first move. Jim goes

0:23:43.320 --> 0:23:46.280
<v Speaker 1>through the drill, just as he has done hundreds of

0:23:46.320 --> 0:23:47.080
<v Speaker 1>times before.

0:23:48.520 --> 0:23:53.200
<v Speaker 5>This interview is being recorded. My name is Detective Constable

0:23:53.240 --> 0:23:57.199
<v Speaker 5>Jim Frost from the Hertford Chick Constabulary Fraud Squad, and

0:23:57.240 --> 0:24:02.600
<v Speaker 5>I'm about to interview you, Miss Evelyn. You are not

0:24:02.640 --> 0:24:05.640
<v Speaker 5>obliged to say anything, but it may harm your defense

0:24:05.800 --> 0:24:08.600
<v Speaker 5>if you do not mention something you later rely on

0:24:08.680 --> 0:24:12.840
<v Speaker 5>in court. Anything you do say can be given in evidence.

0:24:14.040 --> 0:24:14.919
<v Speaker 5>Do you understand?

0:24:16.080 --> 0:24:23.320
<v Speaker 1>Evelyn understands. The game begins. Jim gets straight to the point,

0:24:24.480 --> 0:24:24.800
<v Speaker 1>what do.

0:24:24.840 --> 0:24:25.520
<v Speaker 5>You do with the money?

0:24:26.400 --> 0:24:27.280
<v Speaker 1>No comment?

0:24:28.040 --> 0:24:28.919
<v Speaker 5>Have you invested it?

0:24:29.680 --> 0:24:30.680
<v Speaker 4>No comment?

0:24:31.400 --> 0:24:32.199
<v Speaker 5>What have you done with it?

0:24:33.080 --> 0:24:34.080
<v Speaker 4>No comment.

0:24:35.080 --> 0:24:39.280
<v Speaker 1>It's a poor start, but he perseveres and puts forward

0:24:39.480 --> 0:24:44.960
<v Speaker 1>all the allegations he's gathered so far. No comment, allegations

0:24:44.960 --> 0:24:49.840
<v Speaker 1>of investment fraud, no comment, all those statements from the horse,

0:24:49.880 --> 0:24:53.520
<v Speaker 1>he said, Lucille and Larry, Marjorie and Richard.

0:24:53.840 --> 0:24:54.800
<v Speaker 4>No comment.

0:24:55.880 --> 0:25:02.639
<v Speaker 1>Jim keeps pressing. The tape runs out. He starts another

0:25:03.560 --> 0:25:07.200
<v Speaker 1>an hour and a half later, no comment.

0:25:09.080 --> 0:25:09.760
<v Speaker 5>All the way through.

0:25:12.200 --> 0:25:17.840
<v Speaker 1>Jim doesn't get a thing, and he was never going to,

0:25:18.680 --> 0:25:23.040
<v Speaker 1>because this was all in Evelyn's game plan. She's here

0:25:23.080 --> 0:25:27.359
<v Speaker 1>for one reason, and one reason alone, to find out

0:25:27.640 --> 0:25:32.359
<v Speaker 1>what the police have on her, and now she knows.

0:25:33.680 --> 0:25:34.200
<v Speaker 5>Checkmate.

0:25:37.000 --> 0:25:40.719
<v Speaker 1>Jim tells her she's free to leave. He escorts her

0:25:40.760 --> 0:25:47.720
<v Speaker 1>back out along those long airless corridors, and she emerges

0:25:47.840 --> 0:25:52.440
<v Speaker 1>into the bracing Saint Alban's air leaving one very frustrated

0:25:52.520 --> 0:25:57.680
<v Speaker 1>detective behind her, and Evelyn already knows what she needs

0:25:57.720 --> 0:26:13.320
<v Speaker 1>to do next, because she's been here before three years earlier, Melbourne, Australia.

0:26:13.600 --> 0:26:19.080
<v Speaker 1>As I said before, Evelyn has her fingers in many pies, brothels,

0:26:19.400 --> 0:26:24.280
<v Speaker 1>lesbian magazines, horn movies. But what I didn't go into

0:26:24.560 --> 0:26:32.320
<v Speaker 1>is her investment company, Leveraged Equity Investments International, all very grand.

0:26:32.760 --> 0:26:36.360
<v Speaker 2>They opened up a lovely office in Collins Street.

0:26:36.440 --> 0:26:40.119
<v Speaker 1>In the heart of the swanky business district in Melbourne,

0:26:40.200 --> 0:26:44.399
<v Speaker 1>and it's doing very well. According to newspaper reports at

0:26:44.400 --> 0:26:50.000
<v Speaker 1>the time. Here's Evelyn's business model. Leveraged Equity is a

0:26:50.080 --> 0:26:54.639
<v Speaker 1>loan broker. In other words, it introduces a borrower to

0:26:54.760 --> 0:26:58.679
<v Speaker 1>a lender. If you're the borrower, all you need to

0:26:58.720 --> 0:27:02.560
<v Speaker 1>do is pay Evelyn a modest upfront fee and Evelyn

0:27:02.640 --> 0:27:06.320
<v Speaker 1>will get you your loan. You're laughing all the way

0:27:06.320 --> 0:27:11.360
<v Speaker 1>to the bank. Very simple and very lucrative for Evelyn.

0:27:12.000 --> 0:27:14.600
<v Speaker 2>All I know is that you would usually come home with,

0:27:14.800 --> 0:27:16.840
<v Speaker 2>you know, teen grand for me and just you know,

0:27:16.920 --> 0:27:20.520
<v Speaker 2>here is some money for you. You can imply with it,

0:27:21.040 --> 0:27:22.920
<v Speaker 2>and of course I did.

0:27:23.400 --> 0:27:23.560
<v Speaker 6>Now.

0:27:23.600 --> 0:27:27.040
<v Speaker 1>According to that press coverage from the nineteen nineties, in

0:27:27.119 --> 0:27:32.840
<v Speaker 1>today's money, Leverage Equity promises over six hundred million US

0:27:32.880 --> 0:27:37.639
<v Speaker 1>dollars in loans and collects one point five million dollars

0:27:37.640 --> 0:27:43.760
<v Speaker 1>in fees. Everyone's a winner. The only thing is it's

0:27:43.800 --> 0:27:47.520
<v Speaker 1>reported that out of those six hundred million in promised loans,

0:27:47.920 --> 0:27:53.959
<v Speaker 1>not a single borrower receives a single cent, not one.

0:27:55.640 --> 0:27:58.760
<v Speaker 1>But of course they've all paid out that upfront fee,

0:27:59.200 --> 0:28:03.120
<v Speaker 1>which means the only person really laughing all the way

0:28:03.160 --> 0:28:07.119
<v Speaker 1>to the bank is Evelyn. So do you think this

0:28:07.240 --> 0:28:08.000
<v Speaker 1>company was.

0:28:08.080 --> 0:28:10.639
<v Speaker 2>Sort of it wanted to be legit.

0:28:11.640 --> 0:28:14.639
<v Speaker 1>But it was the sort of swindling.

0:28:15.080 --> 0:28:18.600
<v Speaker 2>Yes, but it wanted to be legit.

0:28:18.760 --> 0:28:23.399
<v Speaker 1>A legit swindle. Year Now, none of this has escaped

0:28:23.400 --> 0:28:27.560
<v Speaker 1>the attention of the authorities. They're on to Evelyn. But

0:28:27.720 --> 0:28:31.560
<v Speaker 1>get this. She tells them that the information she needs

0:28:31.880 --> 0:28:37.439
<v Speaker 1>is in a briefcase, a briefcase that she's lost. What

0:28:37.640 --> 0:28:42.400
<v Speaker 1>is it about Evelyn and her briefcases? Anyway, The Australian

0:28:42.520 --> 0:28:46.200
<v Speaker 1>Securities Commission have asked her to appear before them in

0:28:46.280 --> 0:28:50.880
<v Speaker 1>a week's time, and it turns out Evelyn's feeling the

0:28:50.960 --> 0:28:56.960
<v Speaker 1>heat on all sides. Remember that gangster's hit job from

0:28:57.040 --> 0:29:01.000
<v Speaker 1>the start of the show. Well, she's asked to appear

0:29:01.120 --> 0:29:05.840
<v Speaker 1>as a witness in his criminal trial. That's the last

0:29:05.920 --> 0:29:12.240
<v Speaker 1>thing she needs, all things considered, it's fair to say

0:29:12.280 --> 0:29:16.920
<v Speaker 1>that life down Under is getting pretty uncomfortable for our duo.

0:29:18.080 --> 0:29:25.320
<v Speaker 1>Evelyn realizes she and Lilah have only one option to

0:29:25.560 --> 0:29:30.800
<v Speaker 1>skip town, leaving the police investigating a reported eight million

0:29:30.880 --> 0:29:35.280
<v Speaker 1>Australian dollars in fraud and unpaid bills. That's more than

0:29:35.440 --> 0:29:37.880
<v Speaker 1>twelve million US dollars today.

0:29:38.800 --> 0:29:40.680
<v Speaker 2>We just went off to New York and we stayed

0:29:40.680 --> 0:29:44.280
<v Speaker 2>at the Hilton for a little while, and the plan

0:29:44.640 --> 0:29:48.800
<v Speaker 2>was to find a flat to rent in New York.

0:29:48.840 --> 0:29:50.800
<v Speaker 2>But it was a very difficult situation.

0:29:51.600 --> 0:29:56.000
<v Speaker 1>Evelyn reassures Lilah that her American associates will get them

0:29:56.040 --> 0:29:59.000
<v Speaker 1>out of this mess, but it doesn't quite go to plan.

0:30:00.000 --> 0:30:05.440
<v Speaker 1>Astralian authorities are tracking her. They've contacted US Immigration and

0:30:05.560 --> 0:30:09.760
<v Speaker 1>before long the police come knocking.

0:30:10.440 --> 0:30:10.600
<v Speaker 6>Well.

0:30:10.600 --> 0:30:12.080
<v Speaker 2>They said we want to speak to Evelyn, and they

0:30:12.160 --> 0:30:14.640
<v Speaker 2>spoke to Weaverly and took her away. And I said,

0:30:14.640 --> 0:30:17.520
<v Speaker 2>what are you being arrested for? She said, I I

0:30:17.520 --> 0:30:20.080
<v Speaker 2>don't know. She said, haven't got a clue.

0:30:20.600 --> 0:30:24.040
<v Speaker 1>And a few hours later she calls Lilah and let's

0:30:24.120 --> 0:30:26.400
<v Speaker 1>just say she's no longer at the Hilton.

0:30:26.920 --> 0:30:30.000
<v Speaker 2>They chained her up the way they chained up the

0:30:30.120 --> 0:30:32.840
<v Speaker 2>prisoners over there, you know, with the lead cuffs and

0:30:32.880 --> 0:30:35.520
<v Speaker 2>the whole thing. Really yeah, did you see her laughing?

0:30:36.120 --> 0:30:39.720
<v Speaker 2>She told me all about it, and I said, but

0:30:39.880 --> 0:30:43.800
<v Speaker 2>that's the way they usually drag, you know, murderers off

0:30:43.840 --> 0:30:47.640
<v Speaker 2>and child molestors and god knows what else. She said, Well,

0:30:47.640 --> 0:30:49.800
<v Speaker 2>I'll be home about five or six o'clock to night.

0:30:50.040 --> 0:30:52.720
<v Speaker 2>Oh okay, no trouble, no, not at all.

0:30:53.360 --> 0:30:53.560
<v Speaker 6>Now.

0:30:53.720 --> 0:30:56.600
<v Speaker 1>To be fair, the trail goes a bit cold here.

0:30:57.200 --> 0:31:00.720
<v Speaker 1>Lilah's memory is pretty hazy, and we don't know why

0:31:00.760 --> 0:31:04.680
<v Speaker 1>the US authorities let Evelyn go. We did ask them,

0:31:04.720 --> 0:31:08.000
<v Speaker 1>but they had no record. But they did let her go.

0:31:08.680 --> 0:31:11.800
<v Speaker 1>And as soon as she's home, Evelyn tells Lilah to

0:31:12.040 --> 0:31:17.280
<v Speaker 1>pack her bags. With their impeccable sense of timing, they

0:31:17.320 --> 0:31:25.240
<v Speaker 1>do it all over again their disappearing act, this time

0:31:25.360 --> 0:31:31.000
<v Speaker 1>on a train to Canada and a flight to London

0:31:31.520 --> 0:31:35.000
<v Speaker 1>to sweet talk their way into the Horsey Set and

0:31:35.240 --> 0:31:41.120
<v Speaker 1>carry out their most audacious, most daring, most risky swindle yet.

0:31:43.920 --> 0:31:48.720
<v Speaker 1>But fast forward a year and Detective Jim Frost is

0:31:48.880 --> 0:31:54.640
<v Speaker 1>hot on their heels, and now he's called their trusty butler,

0:31:55.000 --> 0:32:00.440
<v Speaker 1>Lars in for interview at Saint Alban's police station. Lars

0:32:00.560 --> 0:32:04.920
<v Speaker 1>is let down those same soulless corridors, past the portrait

0:32:04.960 --> 0:32:09.760
<v Speaker 1>of her majesty and into the same airless interview room

0:32:10.080 --> 0:32:14.760
<v Speaker 1>Jim led Evelyn into. The tape is switched on and

0:32:14.800 --> 0:32:19.640
<v Speaker 1>the questioning starts, but Lars is tight lipped.

0:32:20.640 --> 0:32:24.200
<v Speaker 6>I only told him the sort of day to day routine.

0:32:25.000 --> 0:32:28.880
<v Speaker 6>I didn't tell him anything about the bad things.

0:32:29.480 --> 0:32:30.640
<v Speaker 1>The bad things being what.

0:32:31.960 --> 0:32:36.760
<v Speaker 6>The bad things being that they were fraudsters. They conned

0:32:36.920 --> 0:32:40.120
<v Speaker 6>people out of money that I did not say a

0:32:40.160 --> 0:32:40.680
<v Speaker 6>word about.

0:32:41.840 --> 0:32:49.680
<v Speaker 1>So in a way, you were complicit in it.

0:32:46.880 --> 0:32:48.040
<v Speaker 6>Could be seen that way.

0:32:48.160 --> 0:32:57.360
<v Speaker 1>Yes, Lars is no snitch, loyal to a tea. So

0:32:58.280 --> 0:33:03.120
<v Speaker 1>Evelyn knows Jim's very, very busy gathering evidence. She senses

0:33:03.200 --> 0:33:07.280
<v Speaker 1>he's a smart cookie, and she knows if she stays put,

0:33:07.480 --> 0:33:12.160
<v Speaker 1>sooner or later he'll arrest her. The good times are over,

0:33:13.520 --> 0:33:19.400
<v Speaker 1>she knows it's time to split. Yes, that impeccable timing again.

0:33:20.360 --> 0:33:25.000
<v Speaker 1>So you know exactly what's coming now, don't you. The

0:33:25.200 --> 0:33:30.280
<v Speaker 1>safehouse is a hive of activity. Evelyn is barking orders

0:33:30.280 --> 0:33:37.040
<v Speaker 1>at their butler, Lars. Burn everything, every document, Everything must

0:33:37.040 --> 0:33:41.440
<v Speaker 1>be packed away, Leave nothing all.

0:33:41.360 --> 0:33:49.080
<v Speaker 6>The purchases Lilah had made, clothes, trinkets, everything, packed everything.

0:33:50.040 --> 0:33:55.160
<v Speaker 1>Lilah watches the frenzied activity around her. She's stuck with

0:33:55.200 --> 0:33:59.160
<v Speaker 1>Evelyn through thick and thin, but this time her patience

0:33:59.240 --> 0:33:59.960
<v Speaker 1>is running.

0:33:59.720 --> 0:34:04.560
<v Speaker 2>Out as it. Honestly, Evlon, I'm so stick and tired

0:34:04.840 --> 0:34:08.440
<v Speaker 2>and filling up suitcases and boxes and yeah, when is

0:34:08.480 --> 0:34:09.640
<v Speaker 2>it going you? Inn?

0:34:10.920 --> 0:34:17.759
<v Speaker 1>The car is packed and Lars takes the wheel. Evelyn's

0:34:18.000 --> 0:34:23.919
<v Speaker 1>prepared for this moment. She has an escape plan. They're

0:34:23.960 --> 0:34:28.200
<v Speaker 1>heading for the coast. Then they'll take the ferry across

0:34:28.200 --> 0:34:33.680
<v Speaker 1>the English Channel to Holland, where Evelyn is expecting a

0:34:33.800 --> 0:34:40.399
<v Speaker 1>very large money transfer. We're talking millions, and then the

0:34:40.480 --> 0:34:47.640
<v Speaker 1>world is their oyster, unless Detective Jim Frost can catch

0:34:47.680 --> 0:35:00.920
<v Speaker 1>them first. You've been listening to Royal Swindle at Blanchard

0:35:00.920 --> 0:35:06.319
<v Speaker 1>House production for USG Audio in partnership with Exactly Right Media,

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<v Speaker 1>Hosted by me Becky Milligan. It's written and produced by

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<v Speaker 1>me Becky Milligan and Sarah Jones. Original music is by

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<v Speaker 1>Daniel Lloyd Evans, Louis Nagmanell and Toby Mattimon. Sound design

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<v Speaker 1>and mixed engineering is by Vulcan Kisseltog, Toby Mattimoon, and

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<v Speaker 1>Daniel Lloyd Evans. Story development by Duncan Barber. The managing

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<v Speaker 1>producer is a Meeka Schortino Nolan. Production support from Josh

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<v Speaker 1>la Longi at USG Audio. The creative director at Blanchard

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<v Speaker 1>House is Rosy Pye. The executive producer and Head of

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<v Speaker 1>Content at Blanchard House is Lawrence Grisell. Our executive producer

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<v Speaker 1>from USG Audio is Josh Block