WEBVTT - 24KGoldn

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<v Speaker 1>Hello everyone, and welcome to inside the Studio on iHeart Radio.

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<v Speaker 1>My name is Jordan Runtald, But enough about me. My

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<v Speaker 1>guest this week has the number one song in the

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<v Speaker 1>country at this very moment with Mood, which is topped

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<v Speaker 1>the charts for his eighth week now. His inventive blend

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<v Speaker 1>of hip hop, pop, punk, and alternative rock have not

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<v Speaker 1>only set the streaming services ablaze, but have also made

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<v Speaker 1>him a smash hit on TikTok, where songs like Valentino

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<v Speaker 1>have gone viral. A Bay Area native, he went to

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<v Speaker 1>USC for business until music came calling. Now when you're

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<v Speaker 1>number one, where else can you go? Turns out lots

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<v Speaker 1>of places. He's eager to spread into film fashion and

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<v Speaker 1>recently appeared on the podcast Halloween in Hell. And that's

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<v Speaker 1>when he's not busy working on his first LP, El Dorado.

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<v Speaker 1>I'm so happy to welcome to Carrot Golden, Golden, Thank

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<v Speaker 1>you so much for taking the time. First of all,

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<v Speaker 1>how are you today? You always got to do the

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<v Speaker 1>quarantine check in feeling good, feeling grounded. Yeah, and not

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<v Speaker 1>the worst day in the world. You know, it's a Monday,

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<v Speaker 1>but it's sunny, like you said, oh Man, that's what

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<v Speaker 1>we that's what we like to hear. Well, I should

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<v Speaker 1>hope you're feeling good because at the very moment, your

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<v Speaker 1>song Mood is the number one song in the country.

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<v Speaker 1>How does that feel for you? Man? It feels good.

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<v Speaker 1>I'm glad that people like my music and they want

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<v Speaker 1>to and that they care about what I have to

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<v Speaker 1>share with the world. When did you first learn that

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<v Speaker 1>it was in the top spot? I think about maybe

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<v Speaker 1>like six or seven weeks ago, um, and it was

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<v Speaker 1>just been like kind of mind blowing to me that

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<v Speaker 1>it's been. They're still to this day, like there's been

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<v Speaker 1>a lot of really really good music that's come out

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<v Speaker 1>this year, and this song is like really performed beyond

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<v Speaker 1>all of that, which is just awesome to me. Tell

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<v Speaker 1>me about writing the song. I understand Call of Duty

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<v Speaker 1>was involved, Do I have that right? Big inspiration? College

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<v Speaker 1>Duty was a big inspiration. We're basically just all in

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<v Speaker 1>at Ian's house and um playing Call of Duty, playing

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<v Speaker 1>video games, and Omer starts playing one of um one

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<v Speaker 1>of Ian's guitars, and um, they I just hear this

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<v Speaker 1>like guitar riff, that's that's just so enticing, so intriguing,

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<v Speaker 1>and without even realizing that I start singing, um the

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<v Speaker 1>chorus to mood like I just started making it up

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<v Speaker 1>on the fly and with and Omer hears me seeing,

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<v Speaker 1>He's like, yo, come like lay that down that she

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<v Speaker 1>was hot. So I go and I record my part

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<v Speaker 1>and then boom, it was a whole mood. Did you

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<v Speaker 1>have a feeling that this song was gonna go all

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<v Speaker 1>the way? If anybody ever says that they make a

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<v Speaker 1>song while playing Call of Duty randomly and they predict

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<v Speaker 1>that it's gonna go to number one, don't trust that person.

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<v Speaker 1>They are a liar. There's no way I could have

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<v Speaker 1>known that this is gonna happen. It's gonna be like

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<v Speaker 1>a really weird year to have a number one. I mean,

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<v Speaker 1>not being able to tour, not being able to like

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<v Speaker 1>just see people and see what it looks like to

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<v Speaker 1>have a number one record. How has that been for you? Yeah,

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<v Speaker 1>I only like no half the battle of having the

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<v Speaker 1>number one. Like I've done all the promos and the

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<v Speaker 1>videos and the and and you know a little bit

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<v Speaker 1>of the performing with the live performance stuff. But I

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<v Speaker 1>felt like a lot of the um, a lot of

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<v Speaker 1>this stuff that I was looking forward to that came

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<v Speaker 1>with the number one. That's going to be a little

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<v Speaker 1>bit delayed, But it's a blessing and the curse because

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<v Speaker 1>I think I probably would have been overwhelmed if I

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<v Speaker 1>had to do a tour while all this other stuff

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<v Speaker 1>was going on at the same time. Man, I can

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<v Speaker 1>only imagine. Has it been a relief in some way?

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<v Speaker 1>Its just being able to to stay home and chill

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<v Speaker 1>because you were on the road with Landing Cuban, playing

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<v Speaker 1>Rolling Loud and doing all sorts of stuff. Has it

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<v Speaker 1>been kind of relief just to stay settled for a bit.

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<v Speaker 1>Every day is a little bit different. Some days it's like,

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<v Speaker 1>oh my god, I'm so glad, like I didn't have

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<v Speaker 1>to I'm so glad I just get to go home

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<v Speaker 1>and chill and watch Survivor for three hours. And some

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<v Speaker 1>days it's like what is the purpose of my life?

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<v Speaker 1>Like I can't be on the road, Like what am

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<v Speaker 1>I doing? Like I feel incomplete? So, you know, it

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<v Speaker 1>just depends what day it is. Well, you're hard at

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<v Speaker 1>work right now and your debut op El Dorado. How's

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<v Speaker 1>it going? Man? This has been some of the best

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<v Speaker 1>music I've ever created in my entire life. I'm just

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<v Speaker 1>thankful that I got good friends, uh and people that

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<v Speaker 1>care about me to hold me down during this quarantine

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<v Speaker 1>and and give me the tools to make the best

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<v Speaker 1>music possible. Your your EP Dropped out of College was

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<v Speaker 1>such a diverse blend of hip hop and pop, an

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<v Speaker 1>alternative and rock. How is your sound evolved for this LP?

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<v Speaker 1>How would you describe it? So? I think with the

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<v Speaker 1>EP Dropped out of College, it was me kind of

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<v Speaker 1>like poking around it a lot of different things, kind

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<v Speaker 1>of just like it was a costco sample run of EPs,

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<v Speaker 1>if you may, you know, trying to just figure out, like, yo,

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<v Speaker 1>can I do this? Pop? Okay? I give you pop?

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<v Speaker 1>Can I do trap? Okay? Do trap? Can I do rock? Okay?

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<v Speaker 1>I can do rock? Do imo rap? Okay? I can

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<v Speaker 1>do that? And just kind of testing out what I

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<v Speaker 1>was really capable of. And and with this, with this

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<v Speaker 1>debut album, El Dorado, I feel like I have a

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<v Speaker 1>better understanding of my capabilities and now I'm like, how

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<v Speaker 1>can I push myself to to the furthest limits of

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<v Speaker 1>all these different sounds and and mix them together to

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<v Speaker 1>create something that is truly unique and truly golden. What

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<v Speaker 1>is your process like do you write melodies first or

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<v Speaker 1>do you work with beats first or how do you

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<v Speaker 1>do it? I'm more often than not a melody first

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<v Speaker 1>type of guy. I feel like melodies drive the whole songs.

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<v Speaker 1>That's where the feeling comes from, you know, the way

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<v Speaker 1>you say something um just as much as what you're

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<v Speaker 1>actually saying. So a lot of times I'll be inspired

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<v Speaker 1>outside of the studio, Like I'll just be walking or

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<v Speaker 1>driving by myself, or like take a bite of some

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<v Speaker 1>really good food and boom, like a melody just pops

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<v Speaker 1>in my head. Like it's it's like it's like a

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<v Speaker 1>lot of you know, like do have a certain set

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<v Speaker 1>of stimulations and environment and people around and things going on,

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<v Speaker 1>and every once in a while it'll just pop out

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<v Speaker 1>of fire melody. So I'll just take that and and

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<v Speaker 1>kind of like as raw inspiration, and then when I

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<v Speaker 1>go in the studio, I refine that raw inspiration into

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<v Speaker 1>something that's more cohesive and has a message and has

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<v Speaker 1>a story to go with it. When your your hooks

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<v Speaker 1>or your hallmarks, he does these massive, massive hooks. What

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<v Speaker 1>is a good hook for you? Is there? Like you

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<v Speaker 1>just know it when you hear it? Is there? Like

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<v Speaker 1>something you specifically look for. I try not to think

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<v Speaker 1>too much, because I feel like thinking is the opposite

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<v Speaker 1>of like being it creating, you know. It's it's so

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<v Speaker 1>easy to get caught in your in your own head

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<v Speaker 1>as an artist. So really it's just I go off

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<v Speaker 1>feeling like, is this catchy? Is this something that I

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<v Speaker 1>don't mind listening to a hundred times over and over again?

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<v Speaker 1>Because if I don't mind listening to it a hundred times,

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<v Speaker 1>everybody else probably will not mind listening to it a

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<v Speaker 1>hundred times either. So just something that that that I

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<v Speaker 1>want to keep saying over and over again, or that

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<v Speaker 1>I don't mind listening to over and over again, it's

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<v Speaker 1>a good strategy. I think. I read that the Beatles,

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<v Speaker 1>whenever they were working on songs to other they didn't

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<v Speaker 1>like to to put it down on cassette tapes because

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<v Speaker 1>they thought, well, if we can't remember it tomorrow, how

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<v Speaker 1>can we expect other people. So that was like they're

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<v Speaker 1>built in quality control. Yeah, just if you don't if

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<v Speaker 1>you can't remember it, Like sometimes I'll remember a song

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<v Speaker 1>lyric or a melody from like a year and a

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<v Speaker 1>half ago, and that would be a sound like, yeah,

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<v Speaker 1>maybe I should go back and work on that, because

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<v Speaker 1>if I remember that all the way, so now it

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<v Speaker 1>might be in some special Other people well too, have

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<v Speaker 1>you been feeling productive in in in quarantine musically? Like

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<v Speaker 1>I know a lot of people either like you know,

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<v Speaker 1>really getting to it every day and doing their thing,

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<v Speaker 1>and other people are just like, all right, I got

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<v Speaker 1>out of bed today. That's We're good that this is this,

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<v Speaker 1>this is the highlight of my day. You're feeling productive

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<v Speaker 1>and good. Yeah, I feel like I've gotten to the

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<v Speaker 1>point where it's like I've worked so far ahead in

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<v Speaker 1>the future i don't even know what to work on

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<v Speaker 1>anymore because I don't know where I'm gonna be at

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<v Speaker 1>that point. Like, Yo, we have so many great songs

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<v Speaker 1>for the album, so many incredible songs that had to

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<v Speaker 1>be cut from the album. Like, I have no idea

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<v Speaker 1>what the second album is gonna sound like. So now

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<v Speaker 1>I'm just trying to connecting with the fans day inspired

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<v Speaker 1>and and just you know, maintain happiness and satisfaction and

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<v Speaker 1>peace of mind. Your new song Coco's got the Baby

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<v Speaker 1>on it, You've had You've worked with Fettie wap on

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<v Speaker 1>Drop out of College. Who else would you like to

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<v Speaker 1>collaborate with? Like my My Dream, Dream collaboration is drake

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<v Speaker 1>for sure, but you know that will happen when the time.

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<v Speaker 1>When the time comes, I'd say, like, out of my

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<v Speaker 1>my friends and my peers, I want to work with

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<v Speaker 1>Little nos X and kid Leroy the most. Those are

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<v Speaker 1>just two good friends of mine who I really admire

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<v Speaker 1>the music making abilities. So I think a collabor from

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<v Speaker 1>from us would be just extraordinary. Talk a lot about

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<v Speaker 1>Billie Eilish too, Any any updates on on her so um,

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<v Speaker 1>I guess in a previous interview, I said I wanted

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<v Speaker 1>to take her out for sushi, and I was very uh,

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<v Speaker 1>very bluntly informed by her fans that she's actually a

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<v Speaker 1>vegan and she hates sushi. She likes like for sushi. Yeah,

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<v Speaker 1>I don't know. You know, I tried my best, so

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<v Speaker 1>so maybe we might have to pull a little a

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<v Speaker 1>little vegan play of some sorts. I gotta asked me,

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<v Speaker 1>at what point did you know you wanted to make music?

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<v Speaker 1>Was there like a lightning bolt moment for you. I'm

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<v Speaker 1>always fascinated with people who are are able to write

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<v Speaker 1>like that. Did you know from early on that you

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<v Speaker 1>were able to write? I was, I've always been good

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<v Speaker 1>with my words and I've always had a special connection

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<v Speaker 1>with music. But I think to be an artist is

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<v Speaker 1>it takes a lot of confidence, you know, to to

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<v Speaker 1>put yourself out there in a permanent form like this

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<v Speaker 1>is this ain't no snapchat songs like this, ship doesn't

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<v Speaker 1>go away in twenty four hours. This is yo, this

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<v Speaker 1>is me, This is what I have to say, this

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<v Speaker 1>is how I have to say it, and I'm putting

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<v Speaker 1>it in a way that I hope stands the test

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<v Speaker 1>of time. And I didn't get that confidence until I

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<v Speaker 1>was in high school. And when I made my first song,

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<v Speaker 1>it just felt so natural and and so right and

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<v Speaker 1>so purpose full that I was like, you know, if

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<v Speaker 1>I stopped doing this, I think I'm gonna die, Like

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<v Speaker 1>I can't not make music like this just feels too

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<v Speaker 1>good and and too right. So it was somewhere, it was.

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<v Speaker 1>It was really after the first song, I was just

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<v Speaker 1>hooked and I was addicted to making music. What would

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<v Speaker 1>you say to fourteen fifteen year olds out there right

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<v Speaker 1>now who who loved music and are struggling to find

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<v Speaker 1>their voice. Man, keep going, don't get discourage. Nobody's first

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<v Speaker 1>record is a is a number one smash. I had

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<v Speaker 1>plenty of awful trash ass. I don't even want you

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<v Speaker 1>to hear it. Sounded songs before, before mood was even

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<v Speaker 1>a thought in my mind. So don't be too hard

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<v Speaker 1>on yourself and make sure you're still having fun because

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<v Speaker 1>at the end of the day, you know, happiness and

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<v Speaker 1>and and enjoyment, that's what life is about. And if

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<v Speaker 1>you're not having fun, why I torture yourself. You're born

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<v Speaker 1>and raised in the Bay Area. How does that influenced

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<v Speaker 1>you as an artist? I think being from the Bay

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<v Speaker 1>gives you a sense of uh innovation that a lot

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<v Speaker 1>of places don't don't have built in Like we worship

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<v Speaker 1>technology in the Bay Area, Like it is a Silicon Valley,

0:11:09.760 --> 0:11:13.199
<v Speaker 1>very tech driven place. It's tech and culture really and

0:11:13.920 --> 0:11:17.800
<v Speaker 1>that's where the two meet in Bay in San Francisco.

0:11:18.160 --> 0:11:20.640
<v Speaker 1>So just being able to see both sides, Like you know,

0:11:20.720 --> 0:11:23.160
<v Speaker 1>this is where some of the greatest art comes from,

0:11:23.160 --> 0:11:25.280
<v Speaker 1>some of the greatest food comes from, some of the

0:11:25.280 --> 0:11:27.720
<v Speaker 1>most creative minds in the world. Yet you pair it

0:11:27.800 --> 0:11:31.280
<v Speaker 1>with with the innovation of Silicon Valley. How can we

0:11:31.360 --> 0:11:33.280
<v Speaker 1>do things better than we did it before? How can

0:11:33.320 --> 0:11:38.240
<v Speaker 1>we challenge the preconceived notions and and the habits that

0:11:38.280 --> 0:11:41.120
<v Speaker 1>we've fallen into as as people, you know, And when

0:11:41.160 --> 0:11:45.440
<v Speaker 1>you combine that that challenging mindset with creativity, you just

0:11:45.520 --> 0:11:47.880
<v Speaker 1>get how can I be the most creative I can be?

0:11:48.040 --> 0:11:50.600
<v Speaker 1>How can I spread my light to the world in

0:11:50.720 --> 0:11:53.040
<v Speaker 1>the greatest way possible? And I feel like that's just

0:11:53.080 --> 0:11:56.920
<v Speaker 1>something that sits deep within invation. It's been so interesting

0:11:56.920 --> 0:12:00.880
<v Speaker 1>to watch TikTok become a bigger platform for launching music.

0:12:00.920 --> 0:12:03.520
<v Speaker 1>I mean, especially your songs like Valentino and Mood. What

0:12:03.559 --> 0:12:05.720
<v Speaker 1>do you think about It's it's it's growing role in

0:12:05.880 --> 0:12:10.240
<v Speaker 1>uh in launching artists. I think TikTok is is popping

0:12:10.280 --> 0:12:13.920
<v Speaker 1>because it just communicates most directly to like what people want,

0:12:14.080 --> 0:12:16.520
<v Speaker 1>you know, Like a lot of a lot of social

0:12:16.520 --> 0:12:20.560
<v Speaker 1>media platforms, they'll leave you feeling like you're less stand

0:12:20.559 --> 0:12:23.120
<v Speaker 1>where I feel like TikTok can leave you feeling like

0:12:23.240 --> 0:12:27.000
<v Speaker 1>you're better off than you were before. Like whatever it

0:12:27.040 --> 0:12:30.520
<v Speaker 1>is you're looking for, the algorithm knows and it helps

0:12:30.559 --> 0:12:34.120
<v Speaker 1>you find that. And I think, you know, like that's

0:12:34.120 --> 0:12:36.199
<v Speaker 1>the best way to spread music because that's where it

0:12:36.240 --> 0:12:39.079
<v Speaker 1>has the most attention. And all I did was figure out, like, yo,

0:12:39.120 --> 0:12:41.760
<v Speaker 1>how can I share myself and share my music in

0:12:41.760 --> 0:12:44.600
<v Speaker 1>the most authentic way on this app, and people respond

0:12:44.720 --> 0:12:47.920
<v Speaker 1>really really well to authenticity on there. And I'm just

0:12:48.040 --> 0:12:51.080
<v Speaker 1>fucking around and having fun making dumb videos like I

0:12:51.120 --> 0:12:53.440
<v Speaker 1>did when I was in middle school on Vine and

0:12:53.480 --> 0:12:57.640
<v Speaker 1>I think like that the genuine enthusiasm um carries through

0:12:57.640 --> 0:12:59.839
<v Speaker 1>in the music and the and the content. So it's

0:12:59.840 --> 0:13:03.800
<v Speaker 1>just like the perfect connection and it's good music. People

0:13:03.800 --> 0:13:05.880
<v Speaker 1>can't help but I want to listen to it. I mean,

0:13:05.880 --> 0:13:09.720
<v Speaker 1>mood has been used a ludicrous number of times in

0:13:09.720 --> 0:13:12.200
<v Speaker 1>in TikTok clips. Have there been anyones you've seen that

0:13:12.520 --> 0:13:16.320
<v Speaker 1>are your favorite? I can't even keep track of it anymore.

0:13:16.360 --> 0:13:18.960
<v Speaker 1>Like I feel like every TikToker and their mama has

0:13:19.320 --> 0:13:22.280
<v Speaker 1>literally and their mama like Pattison Ray's mom probably used

0:13:22.320 --> 0:13:25.200
<v Speaker 1>that ship too, but every TikTok or has been on there.

0:13:25.480 --> 0:13:28.640
<v Speaker 1>I'm just glad that that you know like my music,

0:13:28.840 --> 0:13:30.640
<v Speaker 1>because TikTok is a lot younger than you know on

0:13:30.679 --> 0:13:33.560
<v Speaker 1>Facebook or Instagram or Twitter. Like my music is speaking

0:13:33.600 --> 0:13:36.400
<v Speaker 1>to the people to the next generation, Like my music

0:13:36.440 --> 0:13:39.720
<v Speaker 1>I inspire to uplift and inspire and and the fact

0:13:39.720 --> 0:13:42.400
<v Speaker 1>that it's resonating with those those people that are growing

0:13:42.480 --> 0:13:45.400
<v Speaker 1>up and like have the most pure open mindedness like

0:13:46.080 --> 0:13:47.880
<v Speaker 1>that that that's a sign to me, Like, Yo, I'm

0:13:47.880 --> 0:13:49.600
<v Speaker 1>on the right track. This music is doing what it's

0:13:49.600 --> 0:13:52.120
<v Speaker 1>supposed to do. And you're right. I mean, I'm at

0:13:52.120 --> 0:13:54.360
<v Speaker 1>the age now where TikTok intimidates me. Do you have

0:13:54.360 --> 0:13:56.040
<v Speaker 1>any tips for like if I want to make my

0:13:56.080 --> 0:13:59.560
<v Speaker 1>first TikTok? I think you just gotta go on the

0:13:59.600 --> 0:14:01.960
<v Speaker 1>app and just scroll a little bit, like what you like,

0:14:02.320 --> 0:14:05.160
<v Speaker 1>skip past what you don't, and just understand the culture better.

0:14:05.200 --> 0:14:08.080
<v Speaker 1>Because what makes TikTok different from any other social media

0:14:08.120 --> 0:14:10.920
<v Speaker 1>platform is that there's a genuine sense of community on there,

0:14:10.960 --> 0:14:15.199
<v Speaker 1>like inside jokes and and you know, like just little

0:14:15.240 --> 0:14:19.240
<v Speaker 1>things that exist within that community that don't exist other places.

0:14:19.280 --> 0:14:22.200
<v Speaker 1>So dig into it, don't be scared, don't be shy.

0:14:22.280 --> 0:14:25.360
<v Speaker 1>I put some more, as they would say, speaking of

0:14:25.400 --> 0:14:27.920
<v Speaker 1>new media, among the many, many, many things that you're

0:14:27.960 --> 0:14:30.040
<v Speaker 1>involved with right now, you were part of the Halloween

0:14:30.040 --> 0:14:33.680
<v Speaker 1>in Hell podcast series, Uh, starring you, Machine Gun, Kelly,

0:14:33.720 --> 0:14:35.640
<v Speaker 1>Tommy Lee, all sorts of great people. How did that

0:14:35.680 --> 0:14:40.680
<v Speaker 1>come about? Um? You know, it's just a natural extension

0:14:40.720 --> 0:14:43.880
<v Speaker 1>of storytelling. I feel like podcasts and having to be

0:14:43.920 --> 0:14:47.560
<v Speaker 1>able to combine like more literal storytelling with musical storytelling,

0:14:47.600 --> 0:14:49.920
<v Speaker 1>like for the first time. That was a really dope

0:14:49.920 --> 0:14:51.920
<v Speaker 1>experience to me. And I got to do it with

0:14:52.000 --> 0:14:54.440
<v Speaker 1>my friends, and I got to do it with Jingle Jared,

0:14:54.480 --> 0:14:58.320
<v Speaker 1>who's like a goat a god in this podcast game,

0:14:58.760 --> 0:15:00.560
<v Speaker 1>you know, So it was a it was it was

0:15:00.600 --> 0:15:03.080
<v Speaker 1>something new for me. That was that was building the

0:15:03.160 --> 0:15:05.720
<v Speaker 1>pawn ship that I already liked to do, and I

0:15:05.760 --> 0:15:07.440
<v Speaker 1>got to make good music in the process of it,

0:15:07.520 --> 0:15:09.360
<v Speaker 1>Like me and m g K. That was our first

0:15:09.520 --> 0:15:14.560
<v Speaker 1>uh collive, and I'm really proud of that. I mean,

0:15:14.640 --> 0:15:17.280
<v Speaker 1>he's a legend in his own right. He's one of

0:15:17.280 --> 0:15:21.200
<v Speaker 1>the like he's had something, he's had longevity that is

0:15:21.320 --> 0:15:23.640
<v Speaker 1>very rare in this game, and he's been able to

0:15:23.640 --> 0:15:27.720
<v Speaker 1>transform from a rapper to a rock star and just

0:15:28.280 --> 0:15:31.520
<v Speaker 1>do him whatever that is at the given moment. So

0:15:31.720 --> 0:15:34.480
<v Speaker 1>it was it was dope to to watch him and

0:15:34.600 --> 0:15:37.040
<v Speaker 1>learn from him and have him tell us stories about

0:15:37.400 --> 0:15:41.160
<v Speaker 1>his highest highs and lowest lows and and just knowing

0:15:41.240 --> 0:15:44.960
<v Speaker 1>that like, yo, it's gonna be okay, Like ship ship

0:15:45.040 --> 0:15:47.160
<v Speaker 1>gets funked up in this industry, like this is not

0:15:47.480 --> 0:15:51.040
<v Speaker 1>by any means a smooth ride, but it's it's a

0:15:51.120 --> 0:15:55.280
<v Speaker 1>ride worth uh riding. I guess to to say the least.

0:15:56.720 --> 0:15:59.160
<v Speaker 1>Earlier in your career, you did a lot of commercial acting,

0:15:59.200 --> 0:16:01.800
<v Speaker 1>and you said that you to expand into into film roles.

0:16:01.800 --> 0:16:04.560
<v Speaker 1>What kind of roles would you want to look at? Yeah,

0:16:04.640 --> 0:16:06.520
<v Speaker 1>when I was a kid, it was more like, you know,

0:16:06.640 --> 0:16:09.680
<v Speaker 1>like student number three at the Lunch of Bulls commercial.

0:16:10.240 --> 0:16:13.280
<v Speaker 1>But but now you know, I got my site set

0:16:13.280 --> 0:16:16.560
<v Speaker 1>on on bigger, bigger and better things. I definitely want

0:16:16.560 --> 0:16:20.280
<v Speaker 1>to do TV acting and film acting. We're working on

0:16:20.720 --> 0:16:23.640
<v Speaker 1>like my own scripted show right now for uh, for

0:16:24.240 --> 0:16:26.520
<v Speaker 1>a TV series based on my life and how like

0:16:26.960 --> 0:16:29.440
<v Speaker 1>I dropped out of college and moved in to this

0:16:29.520 --> 0:16:32.200
<v Speaker 1>crazy house in Beverly Hills and my friend and his

0:16:32.320 --> 0:16:35.600
<v Speaker 1>family who who became like his mom is my agent now.

0:16:35.920 --> 0:16:37.800
<v Speaker 1>But I was just like a rapper moving in with

0:16:37.840 --> 0:16:41.840
<v Speaker 1>this like very nice Hollywood Jewish family. Like the contrast,

0:16:41.880 --> 0:16:44.920
<v Speaker 1>said I, and like, yeah, real fresh Prince of Beverly

0:16:45.000 --> 0:16:48.160
<v Speaker 1>Hills type ship. So that's something I'm working on. Yeah,

0:16:48.160 --> 0:16:49.600
<v Speaker 1>I was gonna ask you, what was it like moving

0:16:49.600 --> 0:16:52.840
<v Speaker 1>from the Bay Area to Los Angeles, the whole Northern California,

0:16:52.880 --> 0:16:56.360
<v Speaker 1>southern California things. Was it a real different vibe. Yeah,

0:16:56.360 --> 0:16:59.560
<v Speaker 1>everybody thinks Callie is all the same, but no, California

0:16:59.800 --> 0:17:02.360
<v Speaker 1>is very different. There's a lot of different bubbles. Like

0:17:02.600 --> 0:17:05.199
<v Speaker 1>in the Bay, first of all, it's cold as fucking

0:17:05.200 --> 0:17:08.119
<v Speaker 1>it's hoggy every day. In l A it's hot as

0:17:08.160 --> 0:17:10.879
<v Speaker 1>fun and it's smoggy every day. So it's like, you know,

0:17:11.000 --> 0:17:13.840
<v Speaker 1>it's kind of the same, but it's different. People are

0:17:13.600 --> 0:17:16.560
<v Speaker 1>are all like pretty nice, but I feel like in

0:17:16.640 --> 0:17:20.719
<v Speaker 1>the Bay, like their their niceness is more authentic, And

0:17:20.720 --> 0:17:23.280
<v Speaker 1>in l A someone could be like smiling your face

0:17:23.640 --> 0:17:25.640
<v Speaker 1>and then stab you in the back without you even

0:17:25.680 --> 0:17:28.879
<v Speaker 1>expecting it. So just getting used to to the differences

0:17:28.880 --> 0:17:31.960
<v Speaker 1>in people and an environment out here from up there.

0:17:32.280 --> 0:17:35.360
<v Speaker 1>I hope you haven't experienced that yet. Hey, it's part

0:17:35.359 --> 0:17:37.680
<v Speaker 1>of the game, man. I'm just taking these as as

0:17:37.760 --> 0:17:40.879
<v Speaker 1>life lessons and and I still got a smile on

0:17:40.920 --> 0:17:42.639
<v Speaker 1>my face, you know, because that's all that matters that

0:17:53.320 --> 0:17:56.040
<v Speaker 1>I have to say. You are a a style icon

0:17:56.200 --> 0:17:57.879
<v Speaker 1>for any of you listening right now who don't know

0:17:58.440 --> 0:18:00.720
<v Speaker 1>style icon in the making. Do you feel like your

0:18:00.720 --> 0:18:03.639
<v Speaker 1>style has changed it all since you moved down from

0:18:04.040 --> 0:18:08.760
<v Speaker 1>from San Francisco. Yeah, but probably less with me moving

0:18:08.800 --> 0:18:11.000
<v Speaker 1>and me getting more money to buy the clothes I

0:18:11.000 --> 0:18:15.760
<v Speaker 1>actually want. It's a very good point, but yeah, I'll

0:18:15.840 --> 0:18:18.880
<v Speaker 1>definitely take that title of style icon. Like there's been

0:18:18.920 --> 0:18:21.800
<v Speaker 1>so many things that like I would wear or like

0:18:21.880 --> 0:18:25.399
<v Speaker 1>wearing my clothes a certain way, and and motherfucker's will

0:18:25.480 --> 0:18:27.359
<v Speaker 1>roast or they'll be like, man, I don't get it.

0:18:27.400 --> 0:18:29.280
<v Speaker 1>Why is he? Why is he got the bell bottom

0:18:29.359 --> 0:18:32.679
<v Speaker 1>pants on? And then boom a year flashes forward and

0:18:32.720 --> 0:18:35.720
<v Speaker 1>now everybody's wearing bell bottom pants and I'm just sitting

0:18:35.720 --> 0:18:38.520
<v Speaker 1>there on my arms crossed, Like, man, I told y'all,

0:18:38.600 --> 0:18:41.600
<v Speaker 1>I told you all this is gonna happen. What is

0:18:41.680 --> 0:18:45.320
<v Speaker 1>your your favorite piece, either jewelry or sneakers. I know

0:18:45.400 --> 0:18:48.240
<v Speaker 1>you're a big sneaker head. What is your your absolute

0:18:48.280 --> 0:18:51.720
<v Speaker 1>like prize in your possession. Oh that's such a hard

0:18:51.800 --> 0:18:56.120
<v Speaker 1>question because every piece got its own its own skin

0:18:56.160 --> 0:18:58.840
<v Speaker 1>in the game. You know, every pie's got its own story.

0:18:58.880 --> 0:19:03.080
<v Speaker 1>But I would say just as far as like, uh,

0:19:03.280 --> 0:19:09.600
<v Speaker 1>sentimental value, probably probably just like my parent John Elliott

0:19:09.640 --> 0:19:13.000
<v Speaker 1>air Force ones, Like it's such a plane shoe, right,

0:19:13.160 --> 0:19:15.680
<v Speaker 1>but it's something that you can wear with everything. It's

0:19:15.680 --> 0:19:18.760
<v Speaker 1>something that like I've had some of my greatest memories

0:19:18.800 --> 0:19:22.720
<v Speaker 1>and you know, and some of my most comfortable shoes.

0:19:22.760 --> 0:19:25.439
<v Speaker 1>So just something that's that's stable. You know, it's not

0:19:25.520 --> 0:19:28.040
<v Speaker 1>the craziest piece in the collection, but it's the one

0:19:28.080 --> 0:19:30.399
<v Speaker 1>that we go way back and I know these these

0:19:30.440 --> 0:19:33.160
<v Speaker 1>shoes are gonna hold me down forever. What is your

0:19:33.160 --> 0:19:37.640
<v Speaker 1>craziest piece in the collection? Craziest pieces? I mean, well,

0:19:38.000 --> 0:19:41.520
<v Speaker 1>it could be the custom St Laurent Bell bottoms I

0:19:41.560 --> 0:19:43.560
<v Speaker 1>wore in the A m As that they had to

0:19:43.600 --> 0:19:46.760
<v Speaker 1>cut two pairs of sequence two thousand dollars Sat Laurent

0:19:46.840 --> 0:19:49.760
<v Speaker 1>pants to make. Or it could be the Kanye West

0:19:49.800 --> 0:19:53.240
<v Speaker 1>Louis Vuitton Jaspers that I've been I in since I

0:19:53.320 --> 0:19:56.480
<v Speaker 1>was like fourteen years old, or or is it the

0:19:56.840 --> 0:20:00.320
<v Speaker 1>custom twenty four Carrott necklace that I designed my self

0:20:00.320 --> 0:20:03.840
<v Speaker 1>and watch the whole process go to represent El Dorado.

0:20:04.000 --> 0:20:06.320
<v Speaker 1>I don't know. It's up to It's up to the people.

0:20:06.359 --> 0:20:09.000
<v Speaker 1>At this point, I got too many crazy pieces. What

0:20:09.160 --> 0:20:12.399
<v Speaker 1>is your your go to quarantine outfit? I feel like

0:20:12.400 --> 0:20:15.199
<v Speaker 1>everyone now has kind of changed his style because you know,

0:20:15.200 --> 0:20:17.960
<v Speaker 1>it can't go out as much. True, It's like, yo,

0:20:18.080 --> 0:20:20.440
<v Speaker 1>y'all can see me in sweatpants, like you can't see

0:20:20.560 --> 0:20:22.760
<v Speaker 1>you can't see the bottom half in these zoom calls.

0:20:23.080 --> 0:20:25.159
<v Speaker 1>I could have been wearing the same sweatpants like the

0:20:25.240 --> 0:20:28.760
<v Speaker 1>last four days. You wouldn't even know. But um, yeah,

0:20:28.760 --> 0:20:31.120
<v Speaker 1>I just try and keep it casual, keep it cozy, like,

0:20:31.520 --> 0:20:35.879
<v Speaker 1>not not too cozy where where where I just lose

0:20:35.920 --> 0:20:38.879
<v Speaker 1>all sense of my swag, but cozy enough that I

0:20:38.920 --> 0:20:42.000
<v Speaker 1>don't have to, like, you know, put get dressed for

0:20:42.000 --> 0:20:45.119
<v Speaker 1>an hour and make sure everything is perfectly aligned in

0:20:45.160 --> 0:20:48.640
<v Speaker 1>the mirror lest you feel like it, unless I feel

0:20:48.640 --> 0:20:51.080
<v Speaker 1>like sometimes it's nice to get dressed up. It makes

0:20:51.119 --> 0:20:55.280
<v Speaker 1>me feel like back in the days, you know, simpler times. Yeah,

0:20:56.200 --> 0:20:58.439
<v Speaker 1>what have you been doing too to keep yourself you know,

0:20:58.560 --> 0:21:01.480
<v Speaker 1>grounded in in a good mood? I guests for throughout

0:21:01.520 --> 0:21:06.200
<v Speaker 1>all this, I think I've just been trying to maintain perspective,

0:21:06.240 --> 0:21:08.960
<v Speaker 1>you know, and reminding myself, like because I've gotten so

0:21:09.160 --> 0:21:12.600
<v Speaker 1>used to being in this pandemic mode and I've experienced

0:21:12.600 --> 0:21:16.360
<v Speaker 1>so much sense success in this pandemic mode. Sometimes I'll

0:21:16.359 --> 0:21:18.800
<v Speaker 1>just have like days and I'd be like, yo, like

0:21:19.600 --> 0:21:22.160
<v Speaker 1>we're in a fucking pandemic, Like I gotta remember that,

0:21:22.240 --> 0:21:25.760
<v Speaker 1>and that, like yo, everything is cool now, but there's

0:21:25.800 --> 0:21:28.520
<v Speaker 1>so much to look forward to in the next coming

0:21:28.600 --> 0:21:32.080
<v Speaker 1>months in terms of performing and and and just seeing

0:21:32.119 --> 0:21:35.000
<v Speaker 1>the world and like going like I want to go

0:21:35.080 --> 0:21:38.399
<v Speaker 1>a tving so bad, I want to go bowling so bad.

0:21:38.480 --> 0:21:40.560
<v Speaker 1>Like all these things I took for granted in the

0:21:40.560 --> 0:21:43.119
<v Speaker 1>past are gonna be are gonna be available again, And

0:21:43.160 --> 0:21:47.159
<v Speaker 1>I just can't wait for those those uh that reopening

0:21:47.200 --> 0:21:52.520
<v Speaker 1>that that that are roaring twenties or staying hopeful for that.

0:21:52.520 --> 0:21:54.199
<v Speaker 1>That's what I'm I keep thinking of, like those the

0:21:54.200 --> 0:21:56.280
<v Speaker 1>footage from like when World War Two was over, Like

0:21:56.320 --> 0:21:59.719
<v Speaker 1>in Times Square, Everyone's just like in there, like like hugging,

0:21:59.760 --> 0:22:01.399
<v Speaker 1>And that's what I keep thinking of when this is

0:22:01.400 --> 0:22:04.240
<v Speaker 1>all over, hopefully. I'm telling you we're about to be

0:22:04.320 --> 0:22:06.640
<v Speaker 1>on a sick one after this ship is over. Man,

0:22:07.119 --> 0:22:10.480
<v Speaker 1>it's about to be mayhem in the best way possible.

0:22:10.560 --> 0:22:13.320
<v Speaker 1>Everybody got all this pent up energy. They've been in

0:22:13.320 --> 0:22:17.200
<v Speaker 1>the house. They they ain't touch a woman for six months.

0:22:17.280 --> 0:22:20.080
<v Speaker 1>You know, it's about to be madness in the streets.

0:22:21.240 --> 0:22:24.000
<v Speaker 1>If if you could snap your fingers and have it

0:22:24.080 --> 0:22:26.600
<v Speaker 1>all go away right now and have everything be back

0:22:26.640 --> 0:22:29.000
<v Speaker 1>to you know, normal, whatever your definition or normal is

0:22:29.040 --> 0:22:31.119
<v Speaker 1>what would be the first thing you would do, place,

0:22:31.160 --> 0:22:34.160
<v Speaker 1>you would go, person, you would hug meal, you'd have out.

0:22:35.359 --> 0:22:37.520
<v Speaker 1>To be honest, I wouldn't want to I wouldn't want

0:22:37.560 --> 0:22:39.320
<v Speaker 1>to go I wouldn't want to go back in time.

0:22:39.440 --> 0:22:42.160
<v Speaker 1>I feel like I've learned so much through this quarantine,

0:22:42.560 --> 0:22:45.320
<v Speaker 1>and I've grown a lot as just a person, as

0:22:45.359 --> 0:22:49.840
<v Speaker 1>an artist. I'm really thankful for all these experiences and memories.

0:22:50.080 --> 0:22:52.560
<v Speaker 1>And I know that when it goes back, like I'm

0:22:52.600 --> 0:22:55.720
<v Speaker 1>gonna be there at Saddle Ranch, you know, going crazy

0:22:55.800 --> 0:22:57.919
<v Speaker 1>like how it used to be your I'll be in

0:22:58.000 --> 0:23:01.080
<v Speaker 1>Miami or Europe or some thing and just look back

0:23:01.119 --> 0:23:04.439
<v Speaker 1>and be like, Yo, this year made me who I

0:23:04.480 --> 0:23:07.280
<v Speaker 1>am at this moment. Well, in the future, I'll be

0:23:07.320 --> 0:23:10.520
<v Speaker 1>able to say that now. I'm yeah, we're in a

0:23:10.600 --> 0:23:13.280
<v Speaker 1>time loop right now, but forget about it. I'm just

0:23:13.320 --> 0:23:15.920
<v Speaker 1>looking forward to that. Can't come soon enough. Oh Man

0:23:15.960 --> 0:23:18.760
<v Speaker 1>gold Golden, thank you so much for your time today.

0:23:18.800 --> 0:23:21.520
<v Speaker 1>It's such a pleasure. Hey, thanks for letting me, you know,

0:23:21.640 --> 0:23:24.800
<v Speaker 1>keep it real, keep it funky fresh on here anytime,

0:23:24.840 --> 0:23:28.600
<v Speaker 1>come on back. I appreciate you, guys, piece, Thank you

0:23:28.720 --> 0:23:33.200
<v Speaker 1>so much. You have a wonderful Holica Hey, Masa tov Yes,

0:23:33.480 --> 0:23:44.920
<v Speaker 1>thank you to Pieca. We hope you enjoyed this episode

0:23:44.920 --> 0:23:47.399
<v Speaker 1>of Inside the Studio, a production of I Heart Radio.

0:23:47.920 --> 0:23:51.280
<v Speaker 1>For more episodes of Inside the Studio or other fantastic shows,

0:23:51.480 --> 0:23:54.119
<v Speaker 1>check out the I Heart Radio app, Apple Podcasts, or

0:23:54.119 --> 0:24:04.480
<v Speaker 1>where be you listen to your favorite podcasts