WEBVTT - The Fifth Hour: "Be Real" Mail Bag

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<v Speaker 1>Kaboom. If you thought four hours a day, minutes a

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<v Speaker 1>week was enough, I think again. He's the last remnants

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<v Speaker 1>of the old Republic, a sole fashion of fairness. He

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<v Speaker 1>treats crackheads in the ghetto cutter the same as the

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<v Speaker 1>rich pill poppers in the penthouse, the Clearinghouse of hot

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<v Speaker 1>takes break free for something special. The Fifth Hour with

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<v Speaker 1>Ben Maller starts right now in the air everywhere. That's right,

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<v Speaker 1>you've stumbled upon the Fifth Hour with Ben Maller and

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<v Speaker 1>Danny g Radio. Because let's face, four hours a night,

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<v Speaker 1>five days a week, clearly on enough bonus coverage here

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<v Speaker 1>on the fifth Hour. Very exciting, I know it's true.

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<v Speaker 1>Calm down, Calm down, and Danny. This is one of

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<v Speaker 1>my favorite shows of the week. It's the mail Bag,

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<v Speaker 1>mail Bag Bag. It's been a beautiful weekend already, Sports

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<v Speaker 1>with Coleman uh Saturday shows a lot of fun, there's

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<v Speaker 1>NFL preseason in action, and then you got the Fifth

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<v Speaker 1>Hour on Sunday for the mail Bag. Mail Bag, mother sucker.

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<v Speaker 1>That's right, it's all you need and the proper way

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<v Speaker 1>to start the mail Bag. There's only one way to

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<v Speaker 1>do it, and we have to strike up the band, Ohio,

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<v Speaker 1>al it's mail bag, alright, good job. I love that

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<v Speaker 1>right to the point that allows us to get to

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<v Speaker 1>the many many, many questions. Right, come back touching, it's

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<v Speaker 1>time for mail call. That is right. This is what

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<v Speaker 1>we call the mail bag. We do it every week.

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<v Speaker 1>If you'd like to contribute, you don't have to wait

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<v Speaker 1>five days to send a question. You can do it

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<v Speaker 1>right now now. We're not gonna read your question right now,

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<v Speaker 1>because we're not actually live right now is a podcast.

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<v Speaker 1>We will read it on the next show, if you know,

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<v Speaker 1>assuming we get it in time and all. But you

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<v Speaker 1>can email at any point. You can email right now,

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<v Speaker 1>five minutes from now, ten minutes from now, tomorrow, the

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<v Speaker 1>next day. But my experiences, if you don't do it

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<v Speaker 1>right now, you're gonna forget to do it. Real fifth

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<v Speaker 1>Hour at gmail dot com. Real fifth Hour at gmail

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<v Speaker 1>dot com. Or you can wait until Monday or Tuesday.

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<v Speaker 1>On the Facebook page which is Ben Maller's show, I'm

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<v Speaker 1>told no teenagers, no one under the age of seventy

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<v Speaker 1>is on Facebook, but I'm still on there to see

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<v Speaker 1>family and whatnot. But Facebook Ben Mallers Show on there.

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<v Speaker 1>You can check it out are we on TikTok? No,

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<v Speaker 1>we're not on TikTok? Are we on h There was

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<v Speaker 1>another one my nieces told me about just take a

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<v Speaker 1>photo of what you're doing at that moment, a snapshot,

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<v Speaker 1>And they're like, all your friends are supposed to take

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<v Speaker 1>a photo of what you're doing at that time. Have

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<v Speaker 1>you ever heard of this? Maybe you listening can help

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<v Speaker 1>us out on that. I just googled new social media discord.

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<v Speaker 1>We know about Twitch, Instagram reels, No, we know about Patreon. Yeah,

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<v Speaker 1>I don't know Twitter, Space. Let me see Spotify, green Room, Caffeine, No,

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<v Speaker 1>super Nova na clubhouse not clubhouse now, I don't know.

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<v Speaker 1>Maybe it's been around for a while and I don't know.

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<v Speaker 1>I just don't remember the name, but it's Yeah. My

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<v Speaker 1>my niece is in high school, so she's much cooler

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<v Speaker 1>than I am, quite far. She's got all the answers

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<v Speaker 1>to lights fine, and she shops at thrift stories. My

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<v Speaker 1>other niece is in college, so she's come on. Al Right,

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<v Speaker 1>the first too cool for you with all those holes

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<v Speaker 1>in their jeans. Damn right? All right, we start with

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<v Speaker 1>this one. Mike from Fullerton rights in and he says, hey, Ben,

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<v Speaker 1>you asked how I became a rabid fan of your show,

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<v Speaker 1>So I will say, oh, this is the big reveal

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<v Speaker 1>from Mike from Fullerton. Uh, he says, I've just been

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<v Speaker 1>an occasional sports radio listener until last summer when I

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<v Speaker 1>was looking for more things to listen to in the background,

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<v Speaker 1>I found a show I liked, but it was not yours,

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<v Speaker 1>he points out. It was Fox Sports Radio alumnus Steve

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<v Speaker 1>Mason and John Ireland Mason and Ireland show. Both of

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<v Speaker 1>them worked at Fox Sports Radio back in the day.

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<v Speaker 1>In fact, John Ireland, before he became the Laker broadcaster,

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<v Speaker 1>did a Saturday morning show with Steven A. Smith at

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<v Speaker 1>Fox Sports Radio. Steven had not done much radio, they

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<v Speaker 1>worked together. I did updates on that show from time

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<v Speaker 1>to time. I do recall trying to touch up Stephen

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<v Speaker 1>as work. He did not appreciate that, but Steve Mason

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<v Speaker 1>also a Fox Sports Radio guy. Anyway, Mike says, I

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<v Speaker 1>mainly podcasted them at night, and I enjoyed it until

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<v Speaker 1>the NBA season started and all their whining and illusions

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<v Speaker 1>over the West Brick Lakers disaster got very annoying, so

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<v Speaker 1>I dropped him. How about that? He got rid of

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<v Speaker 1>Mason in Ireland. They've been on the radio and in in

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<v Speaker 1>l A for like three decades. He says, I put

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<v Speaker 1>Fox Sports Radio on one night because I needed a

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<v Speaker 1>new show, and Yours was on. Brian Finley was filling in,

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<v Speaker 1>and Tennis arguments took over. It was great. Wow. I

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<v Speaker 1>became a fan of the show right away. You can

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<v Speaker 1>either thank or blame Brian Finley for that. I'm gonna

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<v Speaker 1>blame him. Uh And Mike says, I listened for a

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<v Speaker 1>few months without contributing anything until the Rams won the

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<v Speaker 1>Super Bowl. I was pumped up, so I called the

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<v Speaker 1>Instant Advice Line for the first time and started tweeting

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<v Speaker 1>the show that night. The reason I've been tweeting more

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<v Speaker 1>the last few months, he says, is just that I've

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<v Speaker 1>been around longer and I started talking to the other

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<v Speaker 1>super fans of the show. He says also enjoyed bugging

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<v Speaker 1>my friends with clips from the show. He also says,

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<v Speaker 1>if you're wondering how I am able to listen to

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<v Speaker 1>the show every night, it's pretty simple. I'm not very

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<v Speaker 1>outgoing and I work from home. That's like the perfect combination, right,

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<v Speaker 1>introvert work from home, check mate. He says, that's my story.

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<v Speaker 1>Keep up the great work man and YouTube Danny Gee. Well,

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<v Speaker 1>thank you, Mike. I am flattered. And I do like

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<v Speaker 1>Mike's sense of humor. He's got a very sarcastic, dry

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<v Speaker 1>sense of humor, which I enjoy very much. Are we

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<v Speaker 1>going to eat him at the Mallard Meat and Greece?

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<v Speaker 1>He said, he's not very outgoing and he's an introvert,

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<v Speaker 1>so probably not. Now. I I will say these things

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<v Speaker 1>I've done in the past. Usually what happens, and I

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<v Speaker 1>know this because I'm an introvert too, but I I

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<v Speaker 1>usually take some caffeine, so I'm bouncing off the walls

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<v Speaker 1>at these things. Normally there'll be a few fellow introverts

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<v Speaker 1>that will go to these things and sit by themselves,

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<v Speaker 1>kind of in the back act, because that's what we

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<v Speaker 1>do as introverts. Yeah, and so I'll try to as

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<v Speaker 1>much as I can go up and say hello if possible,

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<v Speaker 1>because I have that bond with the introvert, and so

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<v Speaker 1>there's a connection that we have and I understand the

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<v Speaker 1>language or the introvert. So anyway, I thank you Mike

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<v Speaker 1>for that. Keep it going on really quick, Ben, your niece,

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<v Speaker 1>is it be Real. Yes, there it is be Real.

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<v Speaker 1>You ever heard before? Yeah, I found this New York

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<v Speaker 1>Times article. It says this new social app is boring

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<v Speaker 1>in a good way. Once a day, at an unpredictable time,

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<v Speaker 1>be Real notifies its users that they have exactly two

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<v Speaker 1>minutes to post a pair of pictures. The feed is

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<v Speaker 1>mundane but also fun for now at least. Yeah, that's it. Yeah,

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<v Speaker 1>because we were at the beach and Uncle Benny, that's me,

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<v Speaker 1>I'm Uncle Benny. So we I had to be in

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<v Speaker 1>the photo with my niece. You know, she got the

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<v Speaker 1>notification while Yeah, we were hanging out in the the

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<v Speaker 1>beach cabana, which is just a tent, but we were

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<v Speaker 1>hanging out there and she's all, I gotta gotta post this,

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<v Speaker 1>And so we get to the bottom of everything on

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<v Speaker 1>this damn podcast. You want to answers, We gotta answers

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<v Speaker 1>Chris and Marrit Coca to Iowa writes in he says,

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<v Speaker 1>if you could choose where and how you will die,

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<v Speaker 1>what would it be? That's a very morbid question. On

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<v Speaker 1>the beach, watching the sunrise or in a warm bed? Uh?

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<v Speaker 1>Can I take none of the above? I don't know.

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<v Speaker 1>I mean, you know, you don't. You don't know how.

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<v Speaker 1>It's the surprise of life, the mystery of life. You

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<v Speaker 1>don't know how you're gonna die? Um, and do you

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<v Speaker 1>want to die suddenly? I have. It's a weird thing

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<v Speaker 1>because I have both experiences. My mom had breast cancer.

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<v Speaker 1>She was sick for many years, the last probably ten

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<v Speaker 1>years of her life. Most of it she was sick,

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<v Speaker 1>and then my dad was mostly healthy up until like

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<v Speaker 1>just a couple of days before he checked out. And

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<v Speaker 1>so I don't I don't know what's better. I I

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<v Speaker 1>felt like more with my mom. I got to say

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<v Speaker 1>goodbye to her, and we knew the end was coming.

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<v Speaker 1>My dad, I didn't really expect that he was not

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<v Speaker 1>going to make it. So that's a that's a tough

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<v Speaker 1>one to people say die in their sleep. But the

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<v Speaker 1>moment you die, don't you go like ah like that? Yeah,

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<v Speaker 1>I mean I guess if you Yeah, it's hard to

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<v Speaker 1>answer that question. But you would love to be surrounded

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<v Speaker 1>by your loved ones. Yes, And my mom got that,

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<v Speaker 1>which is great because we knew what was going to happen.

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<v Speaker 1>When my dad did not because of we had a

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<v Speaker 1>heart attack, but it was also because of COVID and

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<v Speaker 1>all that stuff. That's unfortunate. Chris also says when you

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<v Speaker 1>get mail delivered, changing the topic from from the mail delivery,

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<v Speaker 1>when you get mail delivered to your house and it

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<v Speaker 1>isn't yours, you a throw it away, be put it

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<v Speaker 1>in the correct mailbox, or see right, return to center

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<v Speaker 1>on it and put it back in your mailbox. Ps

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<v Speaker 1>go raiders. So the answer to that for me, Chris

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<v Speaker 1>is I will I don't throw it away unless let

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<v Speaker 1>me let me check that unless it's like junk mail. Yeah, like,

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<v Speaker 1>well this person, Why am I going to track down

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<v Speaker 1>this person? They're not gonna want this. But assuming it's

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<v Speaker 1>it doesn't look like junk mail, I will try to

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<v Speaker 1>put it in the correct box. But if it's somewhere

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<v Speaker 1>I don't realize where it is and all that, I'll

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<v Speaker 1>just you know, do the return to center thing. But

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<v Speaker 1>I don't throw it away unless it's junk. Yeah, if

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<v Speaker 1>it's somebody you know in your neighborhood and they just

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<v Speaker 1>got a couple of the house or apartment numbers backwards,

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<v Speaker 1>then you walk it down and set it on their doorstep.

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<v Speaker 1>But if you could tell it's junk, you're right, you

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<v Speaker 1>throw that in the trash can. Yeah. The last thing

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<v Speaker 1>you want is a neighbor to bring you junk mail

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<v Speaker 1>and be like yeah, yeah, you didn't get this, but

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<v Speaker 1>here it is. I was like, no, no, no, no, no,

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<v Speaker 1>I don't need that exactly. Thanks for my phone bill.

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<v Speaker 1>I don't want that. It's junk mail. Yeah, I know

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<v Speaker 1>you pay it, Okay, I don't. I don't need that

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<v Speaker 1>at all. All right, what what the heck is wrong

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<v Speaker 1>with you? All right? What is next year? We do? Uh?

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<v Speaker 1>Next one, says dear Menace of night radio and die

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<v Speaker 1>no my Danny g. Oh, this is Neil from the

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<v Speaker 1>real Miami. He says. It has come to my attention

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<v Speaker 1>that you two utes are in a career surrounded by sausages.

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<v Speaker 1>You know what I mean. I've been there. I spent

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<v Speaker 1>five years in the Marines. Fun real, not real, fun.

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<v Speaker 1>Question for you two utes? What other career do you

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<v Speaker 1>or did you dream of? For a taco party? Danny?

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<v Speaker 1>He says, Look at that? Is that the reason Danny

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<v Speaker 1>g got a gig at the school? Wow warm regard

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<v Speaker 1>from the other Sunshine state. Here Neil in Miami. So yeah,

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<v Speaker 1>how do you answer that when I what other career

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<v Speaker 1>would you do like a strip club. DJ. Well, I

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<v Speaker 1>was gonna say, and hopefully when you're thinking about work,

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<v Speaker 1>you're thinking with your big head, because I never thought about, well,

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<v Speaker 1>let me think about this career because there's gonna be

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<v Speaker 1>girls there. That's not how that works. Um. You know,

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<v Speaker 1>I was at FM radio stations, so that had a

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<v Speaker 1>combination of female and male DJs. But obviously he's right

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<v Speaker 1>about sports radio, it's predominantly male. But we don't go

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<v Speaker 1>to work to mac on anybody were we both have

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<v Speaker 1>significant others. First of all, I guess that hasn't stopped

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<v Speaker 1>some other dirt bags, but we're not. Neither of us

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<v Speaker 1>are like that. And No, to answer his question about

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<v Speaker 1>going to a school and working there or teaching at

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<v Speaker 1>a school, my experience with female teachers has not been

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<v Speaker 1>so amazing. I mean, I don't want to stereotype female teachers,

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<v Speaker 1>but uh, they're either granola cruncher's or they're very strict,

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<v Speaker 1>or they're very old or but I but I've never

0:13:18.679 --> 0:13:22.000
<v Speaker 1>gone to a campus thinking about, oh man, what teachers

0:13:22.040 --> 0:13:24.920
<v Speaker 1>are gonna be here. I'm thinking about, oh ship, what's

0:13:24.960 --> 0:13:27.960
<v Speaker 1>my lesson plan for this morning? How many kids are

0:13:27.960 --> 0:13:32.160
<v Speaker 1>going to be in this class. Yeah. Yeah, well he's

0:13:32.200 --> 0:13:35.200
<v Speaker 1>probably thinking like as when you're younger, you know, you

0:13:35.200 --> 0:13:40.360
<v Speaker 1>imagine okay, okay, the hot teacher or something like that.

0:13:40.600 --> 0:13:44.160
<v Speaker 1>Or uh, maybe I've been too serious with work then,

0:13:44.160 --> 0:13:45.760
<v Speaker 1>because I didn't think about that when I was a

0:13:45.840 --> 0:13:51.080
<v Speaker 1>kid either. Yeah. No, I had very old, cremudgeney teachers.

0:13:51.360 --> 0:13:55.760
<v Speaker 1>I did not have anyone mildly attractive who was a

0:13:55.800 --> 0:13:59.040
<v Speaker 1>teacher of mine, as I recall. Maybe I had a

0:13:59.080 --> 0:14:01.760
<v Speaker 1>substitute one time that was kind of cute, but other

0:14:01.840 --> 0:14:04.240
<v Speaker 1>than that, it was and you know, even if she

0:14:04.360 --> 0:14:06.720
<v Speaker 1>was cute, I mean I was. I was the bowling ball,

0:14:06.760 --> 0:14:10.120
<v Speaker 1>I was the beach ball. I mean, no, there's nothing

0:14:10.160 --> 0:14:15.200
<v Speaker 1>going on there at all. I got mail, yea, I

0:14:15.240 --> 0:14:21.800
<v Speaker 1>got mail Ya Berry from Music City, USA. He says,

0:14:21.920 --> 0:14:27.040
<v Speaker 1>yah yama, Man, Benny, yah yama, Benny. I am really

0:14:27.080 --> 0:14:31.760
<v Speaker 1>hoping that today, on this episode The Real Fifth Hour,

0:14:32.360 --> 0:14:34.760
<v Speaker 1>you will give us an update on Benny versus the Penny.

0:14:34.760 --> 0:14:38.920
<v Speaker 1>Come on, man, I also have you mentioned you have

0:14:39.080 --> 0:14:42.640
<v Speaker 1>mentioned rather Barry says, you have mentioned many times that

0:14:42.720 --> 0:14:44.800
<v Speaker 1>you like to bet on the NFL. Do you bet

0:14:44.920 --> 0:14:49.040
<v Speaker 1>on any other sports, either professional or college? I'll hang

0:14:49.120 --> 0:14:53.280
<v Speaker 1>up and listen Hello, l all right, so Barry, the

0:14:53.360 --> 0:14:58.080
<v Speaker 1>first thing is the Benny Versus the Penny thing is

0:14:58.320 --> 0:15:01.520
<v Speaker 1>all over the map. There's a possibility that will be

0:15:01.520 --> 0:15:09.000
<v Speaker 1>on this podcast. There's a chance it'll be on different platform. UM.

0:15:09.040 --> 0:15:12.280
<v Speaker 1>I am talking to a number of people about this,

0:15:13.160 --> 0:15:16.640
<v Speaker 1>and it's a very fluid situation. And I realized the

0:15:16.760 --> 0:15:20.640
<v Speaker 1>NFL season is less than a month away now, and uh,

0:15:20.800 --> 0:15:23.080
<v Speaker 1>I don't have anything locked down. I'm really at the

0:15:23.120 --> 0:15:28.320
<v Speaker 1>mercy of some very powerful people that I am caught

0:15:28.400 --> 0:15:32.600
<v Speaker 1>up as you as you know Danny, in the bureaucracy

0:15:33.000 --> 0:15:36.200
<v Speaker 1>of corporations, and you know, it's just the part of

0:15:36.240 --> 0:15:40.720
<v Speaker 1>the the way this stuff works. So there's also a

0:15:40.800 --> 0:15:43.560
<v Speaker 1>chance that Benny Versus the Penny might start out on

0:15:43.600 --> 0:15:47.920
<v Speaker 1>the podcast, and then at some point, since I own

0:15:48.000 --> 0:15:51.560
<v Speaker 1>that proper, I guess it could move to another platform

0:15:51.720 --> 0:15:56.400
<v Speaker 1>later on. Um. That's also on the table. Uh, And

0:15:56.520 --> 0:15:58.800
<v Speaker 1>so there's different possibilities. I was I was actually playing

0:15:58.800 --> 0:16:00.240
<v Speaker 1>around Dan. I don't know if we should tal about

0:16:00.240 --> 0:16:02.480
<v Speaker 1>this on the podcast, but if you do end up

0:16:02.520 --> 0:16:04.320
<v Speaker 1>being the Penny, at least at the beginning of the year,

0:16:04.720 --> 0:16:06.600
<v Speaker 1>I was thinking maybe there'd be a way we could

0:16:07.600 --> 0:16:11.760
<v Speaker 1>do this on a Twitch Feed recorded because a lot

0:16:11.800 --> 0:16:14.080
<v Speaker 1>of the fans of the show loved the live interaction

0:16:14.200 --> 0:16:16.560
<v Speaker 1>and that's a a big part of it. So I

0:16:16.600 --> 0:16:19.120
<v Speaker 1>thought maybe we could do something on Twitch and then

0:16:19.160 --> 0:16:21.800
<v Speaker 1>recorded off there and use it for the fifth hour

0:16:21.960 --> 0:16:24.760
<v Speaker 1>on the weekends, like, don't do it on a oneever time.

0:16:24.760 --> 0:16:28.200
<v Speaker 1>We'll just It's like I remember when Adam Corolla started

0:16:28.240 --> 0:16:30.320
<v Speaker 1>doing his podcast stuff. He just like tweet out, hey,

0:16:30.320 --> 0:16:33.280
<v Speaker 1>we're doing a live show called now ye that, like

0:16:33.360 --> 0:16:36.200
<v Speaker 1>we could do something like that. And then I'm pretty

0:16:36.200 --> 0:16:38.480
<v Speaker 1>sure I don't know about Barry's schedule, but I bet

0:16:38.480 --> 0:16:41.080
<v Speaker 1>you Alf the Adental Pineer would show up no matter when,

0:16:42.240 --> 0:16:45.920
<v Speaker 1>and and Justin and Cincinnati and just Josh and your

0:16:45.960 --> 0:16:58.160
<v Speaker 1>lover Rachel Brohlalla A right of course. So wow, she's

0:16:58.200 --> 0:17:02.520
<v Speaker 1>a wonderfully talented music shouldn't werelucky to have her? All Right,

0:17:02.800 --> 0:17:06.399
<v Speaker 1>come back pay Attuching, It's time for little speak of

0:17:06.440 --> 0:17:09.480
<v Speaker 1>the Devil, and he shall appear. Pierre from far far

0:17:09.560 --> 0:17:12.320
<v Speaker 1>away says, I will not be attending the Mallard meet

0:17:12.400 --> 0:17:16.560
<v Speaker 1>and greet in the o C Huh, how dare him? Pierre?

0:17:16.640 --> 0:17:20.280
<v Speaker 1>If you had started walking but have maybe made it

0:17:20.359 --> 0:17:23.600
<v Speaker 1>to Pennsylvania by the time the thing starts anyway, uh,

0:17:23.600 --> 0:17:25.520
<v Speaker 1>he says, ben I feel the need to clear the air.

0:17:26.240 --> 0:17:31.600
<v Speaker 1>Pierre writes, there's a lot of fake news surrounding me,

0:17:32.359 --> 0:17:38.280
<v Speaker 1>the Muppet militia and the Mallard militia. Here says, first off,

0:17:38.440 --> 0:17:43.600
<v Speaker 1>my burner account was inspired by the feud between Ernie

0:17:44.400 --> 0:17:46.800
<v Speaker 1>and the rest of the Muppet militia. I enjoyed the

0:17:46.800 --> 0:17:50.399
<v Speaker 1>playful attacks and am very sad that Ernie and the

0:17:50.440 --> 0:17:54.280
<v Speaker 1>rest of the Muppet parody accounts are gone. He says.

0:17:54.359 --> 0:17:58.080
<v Speaker 1>I was Switzerland in the skirmish and did not take sense.

0:17:58.080 --> 0:18:00.199
<v Speaker 1>For those of you the new to the show, I

0:18:00.280 --> 0:18:04.840
<v Speaker 1>had this guy, Ernie, the Great Opiner, who lived in

0:18:04.920 --> 0:18:07.640
<v Speaker 1>Michigan and was a super fan of the show and

0:18:07.760 --> 0:18:11.320
<v Speaker 1>contributed a lot of content, and he had Ernie from

0:18:11.320 --> 0:18:15.679
<v Speaker 1>Bergen Ernie as his avatar. And what happened on the

0:18:15.720 --> 0:18:20.720
<v Speaker 1>show was a number of other listeners got jealous that

0:18:20.920 --> 0:18:24.560
<v Speaker 1>this guy was getting all the attention, and they were

0:18:24.680 --> 0:18:28.960
<v Speaker 1>very annoyed, and so they started attacking him by coming

0:18:29.040 --> 0:18:33.920
<v Speaker 1>up with other Muppet accounts. Came out of nowhere, and

0:18:34.200 --> 0:18:36.600
<v Speaker 1>we thought it was funny, and then it just kept

0:18:36.640 --> 0:18:39.080
<v Speaker 1>happening one after another. It wasn't random after a while.

0:18:39.720 --> 0:18:41.320
<v Speaker 1>And I don't know if it was just one person

0:18:41.440 --> 0:18:43.200
<v Speaker 1>or if it was like fifty people, but it seemed

0:18:43.200 --> 0:18:46.959
<v Speaker 1>like a lot of people had Muppet account and so anyway, Ernie,

0:18:47.560 --> 0:18:50.000
<v Speaker 1>it was all fun and games at first, and Ernie

0:18:50.080 --> 0:18:53.480
<v Speaker 1>was cool and all that, and then at some point

0:18:53.640 --> 0:18:58.400
<v Speaker 1>things went terribly wrong. And I'm not really sure what happened,

0:18:59.080 --> 0:19:03.600
<v Speaker 1>but some of these uninvited guests who became Muppet accounts

0:19:04.359 --> 0:19:07.960
<v Speaker 1>said they did something. Ernie claims he changed shifts, but

0:19:08.000 --> 0:19:10.480
<v Speaker 1>I think there's more to it. I think it goes

0:19:10.560 --> 0:19:13.560
<v Speaker 1>deeper than that. Danny, Yeah, I think it had something

0:19:13.600 --> 0:19:18.000
<v Speaker 1>to do with a certain snuffle up against Avatar. Well

0:19:18.000 --> 0:19:21.840
<v Speaker 1>maybe Oscar the Grouch came over and started ship talking

0:19:21.880 --> 0:19:24.280
<v Speaker 1>from his can food and then Ernie gotta you gotta

0:19:24.320 --> 0:19:26.320
<v Speaker 1>have thicker skin than that. Though there's a lot of

0:19:26.560 --> 0:19:30.399
<v Speaker 1>Oscar the Grouches in this world. Yeah. Yeah, and social

0:19:30.440 --> 0:19:32.600
<v Speaker 1>media is a cess pool anyway, We've known that since

0:19:32.640 --> 0:19:36.480
<v Speaker 1>that one. And you know, people do stuff just to

0:19:36.520 --> 0:19:39.879
<v Speaker 1>get attended. Do you see the video that went viral

0:19:39.960 --> 0:19:42.840
<v Speaker 1>this week of the guy that went up to uh,

0:19:42.920 --> 0:19:45.879
<v Speaker 1>this NBA player in the candy shop and he's like

0:19:45.960 --> 0:19:49.159
<v Speaker 1>Russell Westbrook, Russell Westbrook, I love you, Russell Westbrook. And

0:19:49.200 --> 0:19:54.640
<v Speaker 1>it was Ben Simmons. Yeah, yeah, And so I think

0:19:54.640 --> 0:19:56.879
<v Speaker 1>I was just being a dick. And there was the

0:19:56.920 --> 0:19:59.480
<v Speaker 1>other one, Chris Paul. Chris Paul. Yeah, it was the

0:19:59.520 --> 0:20:02.080
<v Speaker 1>same thing. And so you know there's some guys asked

0:20:02.119 --> 0:20:04.240
<v Speaker 1>not you got the wrong NBA player or whatever, but

0:20:04.280 --> 0:20:07.560
<v Speaker 1>it was like just doing it. Get social media cloud. Yeah,

0:20:07.640 --> 0:20:11.840
<v Speaker 1>they're being funny. All right. Back to the message from Pierre,

0:20:12.560 --> 0:20:14.480
<v Speaker 1>he says, as far as me bullying members of the

0:20:14.480 --> 0:20:17.080
<v Speaker 1>Malla misia, that is also fake news. I have been

0:20:17.359 --> 0:20:20.960
<v Speaker 1>very supportive to others new and old, to the Malley Militia.

0:20:21.520 --> 0:20:23.840
<v Speaker 1>As far as my question, this is probably aimed towards

0:20:23.840 --> 0:20:27.399
<v Speaker 1>the great Danny J. Pierre says, as he once sat

0:20:27.440 --> 0:20:31.080
<v Speaker 1>in Roberto's chair as well as Coops. Every day I

0:20:31.160 --> 0:20:33.800
<v Speaker 1>listened too much to the live show and then I

0:20:33.920 --> 0:20:37.600
<v Speaker 1>download and listened all four hours at work. How about this? Yeah,

0:20:38.280 --> 0:20:41.959
<v Speaker 1>dream listenership for us right there? God bless you, Pierre.

0:20:42.760 --> 0:20:46.320
<v Speaker 1>What do you think Pierre does for work? What kind

0:20:46.320 --> 0:20:49.440
<v Speaker 1>of work do you think Pierre listens to the radio? Yeah, yeah,

0:20:49.560 --> 0:20:53.280
<v Speaker 1>you monetize that. I'm a pro radio listener. Yeah, my

0:20:53.480 --> 0:20:57.159
<v Speaker 1>question is why does some audio get dropped from the pod?

0:20:58.119 --> 0:21:01.960
<v Speaker 1>I e. Certain sound effects, music, or even crew members audio.

0:21:02.600 --> 0:21:07.880
<v Speaker 1>Sometimes I'll hear you Ben conversing, but not the other

0:21:08.040 --> 0:21:12.560
<v Speaker 1>crew member. Yeah. Yeah, that doesn't happen a lot, because

0:21:12.560 --> 0:21:17.879
<v Speaker 1>when it does happen, it's a mistake. Usually, Yeah, unless

0:21:17.920 --> 0:21:20.760
<v Speaker 1>it's some copy written material that we know can't be

0:21:20.880 --> 0:21:25.000
<v Speaker 1>included in the podcast. But because of that, sometimes on

0:21:25.040 --> 0:21:28.239
<v Speaker 1>the board we call them pots pot not because we

0:21:28.240 --> 0:21:34.520
<v Speaker 1>smoke them smoke weed. It's an abbreviation. And that's the

0:21:34.640 --> 0:21:36.879
<v Speaker 1>line on the board that you turn up and down.

0:21:37.440 --> 0:21:41.520
<v Speaker 1>They're settings above that, each line on the control board,

0:21:42.000 --> 0:21:44.240
<v Speaker 1>and you can either feed it to the live air

0:21:44.280 --> 0:21:46.960
<v Speaker 1>and the podcast, or you could press that button to

0:21:47.119 --> 0:21:50.600
<v Speaker 1>not feed it to the podcast. So, for instance, when

0:21:50.640 --> 0:21:54.280
<v Speaker 1>we play rejoined music, that's not fed to the podcast.

0:21:54.640 --> 0:21:57.919
<v Speaker 1>And sometimes you'll play a sound effect or something like that,

0:21:58.080 --> 0:22:00.840
<v Speaker 1>or you'll accidentally have that button off on a microphone

0:22:01.240 --> 0:22:04.959
<v Speaker 1>up at top and so that's not fed to the podcast.

0:22:05.320 --> 0:22:07.800
<v Speaker 1>We look back later and we see a gap in

0:22:07.800 --> 0:22:10.200
<v Speaker 1>the podcast, We're like, oh, ship, what was supposed to

0:22:10.280 --> 0:22:13.360
<v Speaker 1>be right there? And then I'll say, hey, Roberto, you're

0:22:13.400 --> 0:22:17.320
<v Speaker 1>not feeding X or Y to the podcast and he's like,

0:22:17.320 --> 0:22:19.760
<v Speaker 1>oh ship and he presses the button and gets it

0:22:19.800 --> 0:22:23.680
<v Speaker 1>back to the podcast. So no bumper music. What about

0:22:23.720 --> 0:22:26.520
<v Speaker 1>the Mallard music? We can put that on the podcast. Yeah,

0:22:26.560 --> 0:22:30.280
<v Speaker 1>if a listener sends us something that they personally created,

0:22:30.760 --> 0:22:32.879
<v Speaker 1>we can play that. If it's something that you or

0:22:32.920 --> 0:22:36.080
<v Speaker 1>I personally created, we can play that. But if it's

0:22:36.119 --> 0:22:39.439
<v Speaker 1>something that's copy written, we can't play that music on

0:22:39.480 --> 0:22:43.440
<v Speaker 1>a podcast. Yeah. And the company we work for, I heart,

0:22:44.240 --> 0:22:47.680
<v Speaker 1>they have to write a giant check to the record companies. Right,

0:22:47.880 --> 0:22:50.400
<v Speaker 1>is that it's as cap I think? Is that still

0:22:50.440 --> 0:22:54.960
<v Speaker 1>the outfit that controls the music the money. Every time

0:22:54.960 --> 0:22:58.840
<v Speaker 1>we play anything, we have to send money. And if

0:22:58.840 --> 0:23:02.439
<v Speaker 1>we were only allowed to a certain amount of music,

0:23:02.440 --> 0:23:05.760
<v Speaker 1>not to get two inside radio. But there's lots of

0:23:05.800 --> 0:23:08.960
<v Speaker 1>different rules. For instance, if we were like, hey, let's

0:23:08.960 --> 0:23:12.440
<v Speaker 1>have a Bob Marley Friday, we actually couldn't sit there

0:23:12.440 --> 0:23:15.800
<v Speaker 1>and play Bob Marley three or four times an hour

0:23:15.960 --> 0:23:19.280
<v Speaker 1>for an entire show. And also you're not allowed on

0:23:19.320 --> 0:23:22.399
<v Speaker 1>a network like us. We're not allowed to promote music

0:23:22.480 --> 0:23:25.120
<v Speaker 1>that's coming up because we're not a music station, So

0:23:25.440 --> 0:23:29.119
<v Speaker 1>we are actually not allowed to say oh, coming up next,

0:23:29.280 --> 0:23:33.240
<v Speaker 1>I'm gonna play this song. We can't do that. So

0:23:33.320 --> 0:23:37.800
<v Speaker 1>there's lots of little strange copyright rules. Yeah, and so

0:23:38.040 --> 0:23:41.720
<v Speaker 1>the company rights a giant check, one of those huge checks,

0:23:41.840 --> 0:23:45.479
<v Speaker 1>and then they as cap Well, it's great. Imagine if

0:23:45.480 --> 0:23:47.600
<v Speaker 1>you're a musician and you write a hit song that

0:23:47.640 --> 0:23:50.800
<v Speaker 1>gets a lot of radio play, even like you can

0:23:50.840 --> 0:23:54.000
<v Speaker 1>do it when you're nineteen years old, eighteen, whatever it

0:23:54.080 --> 0:23:56.520
<v Speaker 1>might be, and you're getting you get a little bit

0:23:56.560 --> 0:23:58.800
<v Speaker 1>of money for the rest of your the rest of

0:23:58.840 --> 0:24:01.200
<v Speaker 1>your time. You're getting a litt chet Yeah. It's exactly

0:24:01.240 --> 0:24:04.560
<v Speaker 1>like how Coop still gets small checks from whenever they

0:24:04.600 --> 0:24:07.479
<v Speaker 1>play his movie. How messed up are we though? Is

0:24:07.680 --> 0:24:09.919
<v Speaker 1>that the people in radio? Why didn't they do that

0:24:09.960 --> 0:24:12.919
<v Speaker 1>in radio? Like you play an old radio show, you

0:24:12.960 --> 0:24:15.800
<v Speaker 1>get a little check. I agree with you. Every time

0:24:16.280 --> 0:24:19.160
<v Speaker 1>an old show gets downloaded, you and I get eight cents.

0:24:19.480 --> 0:24:22.960
<v Speaker 1>Come on, let's go, I'll take five cents. I don't

0:24:23.000 --> 0:24:25.919
<v Speaker 1>even need eight cents, you know, I'll take five. It

0:24:25.920 --> 0:24:29.560
<v Speaker 1>all adds up every download, five cents. All right? Moving

0:24:29.640 --> 0:24:34.200
<v Speaker 1>on on the mail back come back at it's signed

0:24:34.240 --> 0:24:40.080
<v Speaker 1>for mail call. Ozzy was from South cross Western Australia.

0:24:40.720 --> 0:24:43.360
<v Speaker 1>The man that got attacked by the kangaroo. He told

0:24:43.440 --> 0:24:46.520
<v Speaker 1>us that story in the previous episode of the show,

0:24:46.560 --> 0:24:48.280
<v Speaker 1>he says, Big Man and Danny G. As I was

0:24:48.320 --> 0:24:51.600
<v Speaker 1>listening to the podcast last week, DANNYG was talking about

0:24:51.720 --> 0:24:55.639
<v Speaker 1>twirling a snake over his head after he ran that

0:24:55.840 --> 0:25:02.200
<v Speaker 1>sucker over, which reminded me about being out in the woods,

0:25:02.280 --> 0:25:06.160
<v Speaker 1>he says, Woodwood with the brother in law on one

0:25:06.200 --> 0:25:10.159
<v Speaker 1>of the one of his paddocks that we were cleaning

0:25:10.240 --> 0:25:15.120
<v Speaker 1>up and Ozzy was goes on to say here that

0:25:15.640 --> 0:25:19.520
<v Speaker 1>he was in a loader and was outside the tip truck.

0:25:20.160 --> 0:25:24.160
<v Speaker 1>He u. He motioned to me a snake was close

0:25:25.240 --> 0:25:28.760
<v Speaker 1>and now he killed that sucker, which is illegal in

0:25:28.840 --> 0:25:32.520
<v Speaker 1>Australia as they are a protected species. You're not, Oh

0:25:32.560 --> 0:25:34.960
<v Speaker 1>how about that, dude? Can't Did you know that? I

0:25:34.960 --> 0:25:39.200
<v Speaker 1>didn't know that. You can't kill us? Man? Uh, he says,

0:25:39.240 --> 0:25:41.800
<v Speaker 1>But cut the story short, I asked him, He says,

0:25:42.040 --> 0:25:45.080
<v Speaker 1>short story. I asked him if it was poisonous and

0:25:45.119 --> 0:25:48.600
<v Speaker 1>he picked up the dead carcass and said yes, as

0:25:48.720 --> 0:25:52.520
<v Speaker 1>the scales on its belly goes a certain way. And

0:25:52.680 --> 0:25:56.720
<v Speaker 1>my reply was high snaky, don't bother me? Can I

0:25:56.800 --> 0:26:01.640
<v Speaker 1>pick your tail up to see if you're poisonous. He says, here,

0:26:02.320 --> 0:26:08.760
<v Speaker 1>so there's azziwas tail from Western Australia. They're protected. But

0:26:08.840 --> 0:26:12.000
<v Speaker 1>what if it's self defense? Well that's a good point.

0:26:12.040 --> 0:26:14.359
<v Speaker 1>If a snake comes after you, if it's poisonous, what

0:26:14.400 --> 0:26:17.119
<v Speaker 1>are you supposed to get bitten and die? Yeah? And

0:26:17.119 --> 0:26:19.520
<v Speaker 1>then do you need to hire a snake lawyer? You

0:26:19.560 --> 0:26:21.960
<v Speaker 1>think you'll ever go to Australia, Danny, think your travels

0:26:21.960 --> 0:26:25.080
<v Speaker 1>will ever take you to Australia. I haven't had the

0:26:25.200 --> 0:26:28.040
<v Speaker 1>chance to go to Europe yet. I think that will

0:26:28.080 --> 0:26:31.080
<v Speaker 1>be next on the tinderonis list for the upcoming years

0:26:31.680 --> 0:26:34.880
<v Speaker 1>ahead of us. So I don't. I don't see Australia.

0:26:35.200 --> 0:26:39.400
<v Speaker 1>I wish, but I don't think so in my lifetime. Yeah,

0:26:39.440 --> 0:26:41.720
<v Speaker 1>I used to do radio in New Zealand. I would

0:26:41.760 --> 0:26:44.200
<v Speaker 1>love to go. I have a couple of friends in

0:26:44.240 --> 0:26:46.240
<v Speaker 1>New Zealand from the radio stuff that I did back

0:26:46.240 --> 0:26:48.320
<v Speaker 1>in the day. I'd love to go to New Zealand.

0:26:48.359 --> 0:26:50.399
<v Speaker 1>But I feel like if you go to New Zealand,

0:26:50.440 --> 0:26:52.400
<v Speaker 1>you kind of got to go to Australia too, don't

0:26:52.440 --> 0:26:54.480
<v Speaker 1>you there They're they're not that far. It's a couple

0:26:54.520 --> 0:26:58.280
<v Speaker 1>hour flight. But they're close to each other, so you

0:26:58.320 --> 0:27:01.320
<v Speaker 1>gotta do it, don't you think? All right, we'll keep

0:27:01.320 --> 0:27:05.520
<v Speaker 1>it going. It is the mail bag here, and let's

0:27:05.560 --> 0:27:09.159
<v Speaker 1>see any meaning Manti, Yes, we do have, man, we

0:27:09.200 --> 0:27:13.600
<v Speaker 1>have a lot of mail. Kevin in Kansas rights and

0:27:13.680 --> 0:27:17.240
<v Speaker 1>he says, dear Ben and Danny g I have discovered

0:27:17.280 --> 0:27:22.240
<v Speaker 1>a common word that nobody can say with any authority.

0:27:23.000 --> 0:27:26.919
<v Speaker 1>The word is latte. Can either of you say the

0:27:27.000 --> 0:27:31.720
<v Speaker 1>word with any kind of toughness behind? Kevin says, I,

0:27:31.720 --> 0:27:35.359
<v Speaker 1>I don't think even Chuck Norris or John Wayne could

0:27:35.359 --> 0:27:41.680
<v Speaker 1>say latte without losing their credibility as real men. Any thoughts, yo, Man,

0:27:41.720 --> 0:27:44.639
<v Speaker 1>I put some poison in that motherfucking latte. There, you

0:27:44.680 --> 0:27:47.600
<v Speaker 1>guys here, there, you go right there. And he's got

0:27:47.640 --> 0:27:50.040
<v Speaker 1>the pipes, Kevin, he could do it. I can't do it.

0:27:50.400 --> 0:27:57.040
<v Speaker 1>I say latte, Latte, Latte, latte. There are some words

0:27:57.080 --> 0:28:00.560
<v Speaker 1>like that, but there's other words I don't. I I

0:28:00.760 --> 0:28:04.720
<v Speaker 1>butcher like free throws. I I I say foul shots.

0:28:04.720 --> 0:28:07.600
<v Speaker 1>I usually say foul shots. A lot of broadcasters have

0:28:07.760 --> 0:28:17.840
<v Speaker 1>problems saying Russell Westbrook. They'll say Russell rest Brook, Russell Russell. Yeah, Well,

0:28:17.880 --> 0:28:22.000
<v Speaker 1>I like when it's football and basketball season and I'm

0:28:22.040 --> 0:28:25.919
<v Speaker 1>talking about Russell Wilson and then about Russell Westbrook, and

0:28:26.640 --> 0:28:31.440
<v Speaker 1>that inevitably I will confuse the my Russell's. I'll mix

0:28:31.560 --> 0:28:35.239
<v Speaker 1>up my Russell's bad job by me. I do not

0:28:35.280 --> 0:28:37.600
<v Speaker 1>believe there's any antidote to that. I think I might

0:28:37.640 --> 0:28:41.560
<v Speaker 1>need to take some penicillin, all right. Next up on

0:28:42.040 --> 0:28:43.920
<v Speaker 1>the mail back, thank you Kevin. Kevin has been a

0:28:43.960 --> 0:28:47.320
<v Speaker 1>great mail bag contributors. He's there for us pretty much

0:28:47.360 --> 0:28:51.120
<v Speaker 1>every week, and and good questions from Kevin, So thank

0:28:51.160 --> 0:28:56.720
<v Speaker 1>you for that and keep it moving here alright. Next

0:28:56.840 --> 0:29:01.640
<v Speaker 1>up is Greg from West St. Paul, Minnesota. He says,

0:29:01.680 --> 0:29:04.720
<v Speaker 1>Ben and Danny, g when you were kids in grade school,

0:29:05.280 --> 0:29:08.680
<v Speaker 1>what was your favorite subject? In your least favorite? So

0:29:08.720 --> 0:29:12.520
<v Speaker 1>the least favorite is easy, that's math. I hated math

0:29:13.600 --> 0:29:19.960
<v Speaker 1>my my favorite except when grade school. I loved speech class,

0:29:20.000 --> 0:29:23.239
<v Speaker 1>but that was in high school. Like grade school. I'm

0:29:23.280 --> 0:29:25.400
<v Speaker 1>trying to remember. Like I liked history a little bit,

0:29:26.240 --> 0:29:30.880
<v Speaker 1>like learning American history. I thought that was cool. I'm

0:29:30.880 --> 0:29:33.760
<v Speaker 1>telling what else there was. I was not a good student,

0:29:33.760 --> 0:29:36.960
<v Speaker 1>so there wasn't a lot that I loved in school.

0:29:37.000 --> 0:29:40.120
<v Speaker 1>What about you, Danny? Anything you love, you hate? Greg

0:29:40.160 --> 0:29:44.680
<v Speaker 1>wants to know He's dying to know. In West St. Paul. Yeah,

0:29:44.720 --> 0:29:48.880
<v Speaker 1>by far, my favorite was Miss Martinez, my third grade teacher,

0:29:49.680 --> 0:29:52.720
<v Speaker 1>And once a week she would put a really cool

0:29:52.760 --> 0:29:55.720
<v Speaker 1>poster up on the board in front of the room

0:29:56.520 --> 0:29:59.920
<v Speaker 1>and she would say, Okay, here's the assignment. You all

0:30:00.080 --> 0:30:02.880
<v Speaker 1>take out a blank sheet of paper. See what's going

0:30:02.960 --> 0:30:05.280
<v Speaker 1>on in the poster. And it would usually be like

0:30:05.400 --> 0:30:09.120
<v Speaker 1>a Transformers poster or a Winnie the Pooh poster or

0:30:09.160 --> 0:30:12.959
<v Speaker 1>something like that, and whatever the scene was, she'd say,

0:30:13.040 --> 0:30:16.280
<v Speaker 1>how did they get to that point right there? What

0:30:16.560 --> 0:30:19.960
<v Speaker 1>led up to this scene? You need to write that

0:30:20.640 --> 0:30:23.040
<v Speaker 1>and the best ones I'm gonna read out loud to

0:30:23.080 --> 0:30:26.000
<v Speaker 1>the class. The best one out of all of them

0:30:26.280 --> 0:30:30.520
<v Speaker 1>wins that poster and a prize pack. And so it's

0:30:30.560 --> 0:30:33.120
<v Speaker 1>kind of cool, right. So I loved creative writing even

0:30:33.160 --> 0:30:36.160
<v Speaker 1>back then. So what I did. I look at this

0:30:36.200 --> 0:30:39.760
<v Speaker 1>Winnie the Pooh poster and I incorporated all of the

0:30:39.840 --> 0:30:43.240
<v Speaker 1>kids in class, the class clown, the girl everyone had

0:30:43.240 --> 0:30:46.840
<v Speaker 1>a crush on. I inserted them into the funny story

0:30:47.560 --> 0:30:50.560
<v Speaker 1>and then got to that point of the poster. So

0:30:50.640 --> 0:30:54.280
<v Speaker 1>she reads my paper and the classes busting up laughing

0:30:54.800 --> 0:30:57.560
<v Speaker 1>because I was writing jokes about all the kids in

0:30:57.600 --> 0:31:01.080
<v Speaker 1>the class, and I remember winning the poster and the

0:31:01.120 --> 0:31:05.400
<v Speaker 1>prize pack. But the problem been after that, everybody started

0:31:05.440 --> 0:31:09.920
<v Speaker 1>copying that idea. So whatever posters she would put up,

0:31:10.720 --> 0:31:13.480
<v Speaker 1>all the kids had knockoff versions of what I did

0:31:14.200 --> 0:31:18.000
<v Speaker 1>to start the school year. Oh yeah, so I had

0:31:18.040 --> 0:31:21.600
<v Speaker 1>to fight with the copycatters after that. Um, But still

0:31:21.680 --> 0:31:23.160
<v Speaker 1>it was a great way to start the year. I

0:31:23.160 --> 0:31:27.080
<v Speaker 1>loved any writing. Whenever the teachers had anything going on

0:31:27.200 --> 0:31:30.040
<v Speaker 1>like that, I paid close attention. And then when it

0:31:30.120 --> 0:31:32.640
<v Speaker 1>was math time, I was like, can I go outside

0:31:32.640 --> 0:31:37.920
<v Speaker 1>for some extra recess? Not interested in the numbers? Oh

0:31:37.960 --> 0:31:41.160
<v Speaker 1>for sure, for sure, I I recall. I wish I

0:31:41.160 --> 0:31:43.880
<v Speaker 1>could track down some of my old elementary school teachers.

0:31:44.240 --> 0:31:47.960
<v Speaker 1>They would laugh their ass off at how much time

0:31:48.040 --> 0:31:51.320
<v Speaker 1>I spend putting notes together for the show and different

0:31:52.000 --> 0:31:55.040
<v Speaker 1>bullshit that I do as an adult. They would because

0:31:55.080 --> 0:31:57.760
<v Speaker 1>I was such a disheveled child, right, and you know,

0:31:57.760 --> 0:32:00.640
<v Speaker 1>a typical loner dude, you know, in overt and all

0:32:00.640 --> 0:32:03.560
<v Speaker 1>that stuff. But if they could see me now, if

0:32:03.600 --> 0:32:05.480
<v Speaker 1>only they could see me now and say and they

0:32:05.720 --> 0:32:08.360
<v Speaker 1>laugh and say, yeah, you should have paid more attention

0:32:09.120 --> 0:32:11.600
<v Speaker 1>you know. It's funny because a lot of broadcasters look

0:32:11.680 --> 0:32:15.400
<v Speaker 1>back at being told to shut up in class. You

0:32:15.480 --> 0:32:19.400
<v Speaker 1>talk way too much. You're never gonna come out to anything. Yeah,

0:32:19.520 --> 0:32:22.640
<v Speaker 1>oh sure, and we goofed right now. I was, you know, spitballs.

0:32:23.040 --> 0:32:25.000
<v Speaker 1>I've told the story before. I had a buddy of

0:32:25.000 --> 0:32:29.760
<v Speaker 1>mine who had never seen a naked woman, and they

0:32:29.760 --> 0:32:35.680
<v Speaker 1>had National Geographic magazine, and he could not stop looking,

0:32:35.960 --> 0:32:38.320
<v Speaker 1>and of course was passing it around. And I was like, Oh,

0:32:38.320 --> 0:32:40.440
<v Speaker 1>this is the most amazing thing he'd ever seen in

0:32:40.480 --> 0:32:46.720
<v Speaker 1>his life. I got mail. Yeah, I got mail. The

0:32:46.760 --> 0:32:50.800
<v Speaker 1>next one from Walt. He says, three hundred sixty four

0:32:50.840 --> 0:32:55.320
<v Speaker 1>miles east of the four oh five. So what is

0:32:55.320 --> 0:32:57.480
<v Speaker 1>that in the Phoenix area? Am I right on that?

0:32:57.560 --> 0:33:01.880
<v Speaker 1>Somewhere in Arizona. I've think Phoenix is like three seventy

0:33:01.960 --> 0:33:05.160
<v Speaker 1>five from l A. I think, but I don't know.

0:33:05.360 --> 0:33:07.200
<v Speaker 1>I haven't driven there in a long time. I used

0:33:07.240 --> 0:33:09.920
<v Speaker 1>to go to spring training in Arizona back in the day.

0:33:10.920 --> 0:33:14.320
<v Speaker 1>Walt says, you mentioned that your father was an amateur

0:33:14.400 --> 0:33:16.800
<v Speaker 1>radio operator. Yes, he was. My father was a prolific

0:33:17.600 --> 0:33:21.880
<v Speaker 1>amateur radio operator, and he was convinced until his last

0:33:22.000 --> 0:33:24.760
<v Speaker 1>day on the planet because I know I talked to

0:33:24.880 --> 0:33:26.840
<v Speaker 1>him a few hours before he passed away. We didn't

0:33:26.840 --> 0:33:28.320
<v Speaker 1>realize he was gonna pass away from heart of that.

0:33:28.760 --> 0:33:32.400
<v Speaker 1>But my dad was convinced that there would be a

0:33:32.400 --> 0:33:37.040
<v Speaker 1>bigger earthquake in l A and Ham radio Ham operators

0:33:37.080 --> 0:33:40.680
<v Speaker 1>were gonna save the day. And he taught actually Ham

0:33:40.800 --> 0:33:43.120
<v Speaker 1>radio at some of the local colleges near where he lived.

0:33:43.520 --> 0:33:45.480
<v Speaker 1>So he was all in, and he was fully invested

0:33:45.480 --> 0:33:49.360
<v Speaker 1>in amateur radio. Uh and Walt says, did you ever

0:33:49.480 --> 0:33:52.400
<v Speaker 1>think about taking the FCC test to get a license

0:33:53.160 --> 0:33:55.120
<v Speaker 1>and then get his old call sign? I did not.

0:33:55.360 --> 0:33:57.240
<v Speaker 1>I did not realize that I was even an option

0:33:57.240 --> 0:34:00.800
<v Speaker 1>to get his old call signed. I don't think you can. Yeah,

0:34:00.800 --> 0:34:03.360
<v Speaker 1>I don't know how that works. But my my father,

0:34:03.680 --> 0:34:06.720
<v Speaker 1>he tried. God bless arrest his soul. Also, my dad

0:34:06.800 --> 0:34:08.480
<v Speaker 1>tried to get me to become a Ham radio guy.

0:34:08.480 --> 0:34:10.839
<v Speaker 1>And I was into it, like the talking part of it.

0:34:11.320 --> 0:34:14.359
<v Speaker 1>But up until not that long ago, you had to

0:34:14.400 --> 0:34:17.880
<v Speaker 1>know Morse code, and I I, for the life of me,

0:34:17.920 --> 0:34:21.640
<v Speaker 1>I could not figure out Morse fucking code. And I tried.

0:34:22.040 --> 0:34:24.360
<v Speaker 1>My dad got me all these books. He tried. My

0:34:24.440 --> 0:34:26.200
<v Speaker 1>dad was very good with numbers. He was a math

0:34:26.320 --> 0:34:28.000
<v Speaker 1>major at U C l A. So he was very

0:34:28.000 --> 0:34:31.640
<v Speaker 1>good with math. But I was I was completely lost.

0:34:31.960 --> 0:34:34.960
<v Speaker 1>If it had just been the speaking part, I couldn't nailed.

0:34:35.719 --> 0:34:39.640
<v Speaker 1>That was probably the toughest test I took in all

0:34:39.680 --> 0:34:44.120
<v Speaker 1>of high school. The electronics teacher, Mr Haskins, he would

0:34:44.160 --> 0:34:47.000
<v Speaker 1>set it all up. He was all official. He wasn't

0:34:47.280 --> 0:34:52.120
<v Speaker 1>an advanced technician for Ham radio, and he would set

0:34:52.160 --> 0:34:54.719
<v Speaker 1>up the test and he was super serious about it.

0:34:55.040 --> 0:34:58.000
<v Speaker 1>And I remember Ben falling behind a couple of steps

0:34:58.040 --> 0:35:01.560
<v Speaker 1>listening to that damn Morse code. And once you get behind,

0:35:01.640 --> 0:35:05.960
<v Speaker 1>you're screwed. You're screwed because it leaves you in the dust. Um.

0:35:06.000 --> 0:35:09.080
<v Speaker 1>So it took me three tries, and on my third

0:35:09.080 --> 0:35:12.200
<v Speaker 1>and final try passed it to get a technician's license.

0:35:12.840 --> 0:35:16.319
<v Speaker 1>The final attempt. Yeah, that's press er when you know

0:35:16.440 --> 0:35:19.880
<v Speaker 1>you don't even get another chance. Yeah. And my my

0:35:20.000 --> 0:35:23.520
<v Speaker 1>dad he also there was a Ham radio magazine, if

0:35:23.560 --> 0:35:26.920
<v Speaker 1>if anyway is listening q s R. I think it

0:35:27.000 --> 0:35:31.640
<v Speaker 1>was called I think he had every single addition of

0:35:31.719 --> 0:35:34.640
<v Speaker 1>that of that magazine. He was just he was a

0:35:34.719 --> 0:35:38.000
<v Speaker 1>huge fan of that magazine. So I know we have

0:35:38.080 --> 0:35:40.879
<v Speaker 1>a few Ham radio people that are fans I think

0:35:40.920 --> 0:35:44.160
<v Speaker 1>are our buddy Terry in England is a Ham radio

0:35:44.239 --> 0:35:50.320
<v Speaker 1>operator also, So what became of your dad's Ham radio equipment. Well, yeah,

0:35:50.520 --> 0:35:52.880
<v Speaker 1>obviously I'm not a Ham guy, so we we actually

0:35:52.960 --> 0:35:55.160
<v Speaker 1>we were able to give it to He was part

0:35:55.160 --> 0:35:59.960
<v Speaker 1>of a local community club. You know. They they're an

0:36:00.000 --> 0:36:02.800
<v Speaker 1>emergency response team if there's a disaster in the city

0:36:03.160 --> 0:36:05.880
<v Speaker 1>he was living in, and so we were able to

0:36:06.200 --> 0:36:09.280
<v Speaker 1>donate that to the people who are in the Ham clubs,

0:36:09.280 --> 0:36:12.239
<v Speaker 1>so they were able to use his equipment. And you know,

0:36:12.280 --> 0:36:15.840
<v Speaker 1>he had he had tons and tons of of really

0:36:15.960 --> 0:36:18.800
<v Speaker 1>old stuff. He didn't have a lot of new stuff.

0:36:18.840 --> 0:36:21.520
<v Speaker 1>My dad liked the old stuff. And I used to

0:36:21.560 --> 0:36:24.520
<v Speaker 1>bust my dad's balls because he he was so into

0:36:24.560 --> 0:36:26.919
<v Speaker 1>Morse code because that's what he learned as a kid,

0:36:27.960 --> 0:36:31.120
<v Speaker 1>and he'd get on the Ham radio bands at night

0:36:31.360 --> 0:36:34.640
<v Speaker 1>and he'd be very frustrated there weren't a lot of

0:36:34.640 --> 0:36:37.600
<v Speaker 1>people doing the Morse code. But and I was like, well,

0:36:37.760 --> 0:36:40.200
<v Speaker 1>just do the vocal stuff because there's more people doing that.

0:36:40.239 --> 0:36:42.680
<v Speaker 1>But he he loved the Morse code and that's what

0:36:42.719 --> 0:36:44.920
<v Speaker 1>he wanted to do. And he got frustrated because a

0:36:44.960 --> 0:36:47.680
<v Speaker 1>lot of the time, Uh, there wouldn't There wouldn't be

0:36:47.719 --> 0:36:50.160
<v Speaker 1>people on there doing the Morse code. So, by the

0:36:50.200 --> 0:36:55.040
<v Speaker 1>way I googled the amateur radio magazine q ST, QST

0:36:56.120 --> 0:36:59.200
<v Speaker 1>knew he was a cue all right, Johnny writes in

0:36:59.480 --> 0:37:02.960
<v Speaker 1>from fishing Texas waters. I guess that's what he's doing

0:37:03.040 --> 0:37:06.879
<v Speaker 1>right now. He's fishing the waters of Texas. Uh, he says,

0:37:06.880 --> 0:37:09.920
<v Speaker 1>how is it that FSR does not recognize you as

0:37:09.960 --> 0:37:14.879
<v Speaker 1>the most influential people in the world. There you go, Uh,

0:37:14.960 --> 0:37:17.160
<v Speaker 1>why is that, Danny? G Why didn't we not get

0:37:17.200 --> 0:37:22.040
<v Speaker 1>recognized as the most influential people in the world because

0:37:22.040 --> 0:37:24.480
<v Speaker 1>we're the most interesting people in the world. So we

0:37:24.520 --> 0:37:28.400
<v Speaker 1>can't hold two title belts at the same time. Yes,

0:37:28.600 --> 0:37:30.840
<v Speaker 1>and as much as they want to overpay us, Danny,

0:37:30.880 --> 0:37:35.160
<v Speaker 1>we both we want to keep our blue collar outlook

0:37:35.239 --> 0:37:39.960
<v Speaker 1>we do. We don't want to become white collar. It

0:37:40.000 --> 0:37:43.520
<v Speaker 1>would ruin the whole bit that we have. It's much

0:37:43.560 --> 0:37:47.120
<v Speaker 1>better to carry the rock thirty five times in a game,

0:37:47.680 --> 0:37:50.640
<v Speaker 1>to ground and pound and help the team win the division.

0:37:51.280 --> 0:37:54.520
<v Speaker 1>We're not the prissy prima donna quarterback who doesn't want

0:37:54.560 --> 0:37:58.680
<v Speaker 1>to get sacked. Yeah, there's some people that order an omelet,

0:37:59.120 --> 0:38:01.480
<v Speaker 1>but there's other pool that have to break the eggs

0:38:01.520 --> 0:38:05.719
<v Speaker 1>to make them, and that's what we do, right, I think,

0:38:05.760 --> 0:38:08.600
<v Speaker 1>I don't know if you believe any of that. That

0:38:08.760 --> 0:38:13.719
<v Speaker 1>is a load of bull puck. Alright, Croy in Minnesota,

0:38:13.800 --> 0:38:15.920
<v Speaker 1>Right so, and he says, what is the best firing

0:38:16.040 --> 0:38:20.600
<v Speaker 1>story you've had? You are a co worker? Well, that's

0:38:21.239 --> 0:38:23.680
<v Speaker 1>that's appropriate because we had our Buddy Sports with coleman

0:38:23.800 --> 0:38:28.160
<v Speaker 1>on who was let go I lost. I've told the

0:38:28.200 --> 0:38:29.640
<v Speaker 1>story a few times over the years. I haven't told

0:38:29.680 --> 0:38:33.719
<v Speaker 1>him a while. I was hosting Dodger Talk and I

0:38:33.840 --> 0:38:38.759
<v Speaker 1>lost the gig at a pay phone on outside a

0:38:38.800 --> 0:38:42.480
<v Speaker 1>cat walk from the press box at County Stadium in Milwaukee.

0:38:43.000 --> 0:38:45.200
<v Speaker 1>It's the end of a road trip the Dodgers where

0:38:45.400 --> 0:38:50.160
<v Speaker 1>they went to Chicago Milwaukee, and I got a call

0:38:50.400 --> 0:38:54.360
<v Speaker 1>from the programming guy saying, hey, you gotta, you know,

0:38:54.400 --> 0:38:56.040
<v Speaker 1>give me a buzz when you get back to l A.

0:38:56.560 --> 0:38:58.000
<v Speaker 1>And of course I was like, I want to find

0:38:58.000 --> 0:39:01.319
<v Speaker 1>out right now what's going on. And the guy's like, hey,

0:39:01.400 --> 0:39:05.120
<v Speaker 1>we decided to make a change. And there's this other guy.

0:39:05.200 --> 0:39:07.960
<v Speaker 1>He's a bigger name, and uh, he's going to replace

0:39:08.040 --> 0:39:14.160
<v Speaker 1>you starting tomorrow. And I was like what And Uh, yeah,

0:39:14.160 --> 0:39:17.600
<v Speaker 1>so I lost. I lost the gig there that I

0:39:17.640 --> 0:39:21.359
<v Speaker 1>got replaced though by a legend in l a television Oh,

0:39:21.480 --> 0:39:27.520
<v Speaker 1>David vasse No uh Silver Tips stew the great student

0:39:27.560 --> 0:39:32.600
<v Speaker 1>aahan Oh, a long time television personality was in movies.

0:39:33.320 --> 0:39:35.440
<v Speaker 1>Why did Stu need that gig at the time? He

0:39:35.480 --> 0:39:38.040
<v Speaker 1>didn't need the gig, but he was. He was actually

0:39:38.080 --> 0:39:40.239
<v Speaker 1>retired and he loved the Dodgers, and so he thought

0:39:40.239 --> 0:39:42.160
<v Speaker 1>it would be a fun gig to travel around and

0:39:43.280 --> 0:39:45.480
<v Speaker 1>come on, Stu, he should have let a young Benny

0:39:45.719 --> 0:39:48.720
<v Speaker 1>continue that job. I often wonder what would have happened

0:39:48.760 --> 0:39:51.120
<v Speaker 1>if I had continued that job, Like, how would my

0:39:51.200 --> 0:39:53.200
<v Speaker 1>life have turned out? If I would I still be

0:39:53.239 --> 0:39:55.840
<v Speaker 1>doing that job. You might be sitting in the booth

0:39:55.840 --> 0:39:59.200
<v Speaker 1>decks to Charlie Steiner. I gotta tell you, though, Dan Danny,

0:39:59.200 --> 0:40:01.759
<v Speaker 1>it was not the easiest thing, because even though I

0:40:01.800 --> 0:40:05.680
<v Speaker 1>love the Dodgers, when they played like shit, I wanted

0:40:05.719 --> 0:40:07.719
<v Speaker 1>to say, hey, they they You know that guy's a

0:40:07.760 --> 0:40:10.000
<v Speaker 1>bomber and you can't really do that in that job.

0:40:10.080 --> 0:40:12.919
<v Speaker 1>You have to be a houseman. It's you can't give

0:40:13.360 --> 0:40:16.719
<v Speaker 1>anytime you say there was a day I did that job.

0:40:16.760 --> 0:40:19.719
<v Speaker 1>The Dodgers. It was like a Sunday I think they

0:40:19.719 --> 0:40:22.239
<v Speaker 1>were playing the Montreal Expos how long ago that was,

0:40:22.600 --> 0:40:24.560
<v Speaker 1>and they had a terrible They made like six errors

0:40:24.560 --> 0:40:25.960
<v Speaker 1>in the game or something like that, and I was

0:40:26.000 --> 0:40:30.040
<v Speaker 1>like ripping the defense, and some somebody got offended that

0:40:30.080 --> 0:40:32.400
<v Speaker 1>I was being too critical. I was like, what am

0:40:32.400 --> 0:40:34.799
<v Speaker 1>I supposed to say? You have like six errors in

0:40:34.840 --> 0:40:37.680
<v Speaker 1>a game. What do you want me to do? Praise

0:40:37.760 --> 0:40:42.759
<v Speaker 1>you for your gold glove defense? Hm. But anyway, any

0:40:42.800 --> 0:40:46.160
<v Speaker 1>firing stories you want to share with Croy. So when

0:40:46.160 --> 0:40:48.960
<v Speaker 1>I was programming a hip hop radio station here in

0:40:49.000 --> 0:40:53.719
<v Speaker 1>southern California, I actually inherited a staff, which, as you know,

0:40:53.840 --> 0:40:57.440
<v Speaker 1>that's hard because at the time the station sucked pretty bad.

0:40:57.480 --> 0:41:01.440
<v Speaker 1>They were in seventh place. There's that weird transition period

0:41:01.800 --> 0:41:04.560
<v Speaker 1>where you got to figure out who you're gonna keep,

0:41:05.000 --> 0:41:08.040
<v Speaker 1>who you're gonna acts. Uh, And it's the hardest with

0:41:08.120 --> 0:41:11.440
<v Speaker 1>the weekend staff, because that's hard to fill those jobs. Anyways,

0:41:11.840 --> 0:41:14.080
<v Speaker 1>I'm looking at this weekend staff. I need to fill

0:41:14.120 --> 0:41:17.480
<v Speaker 1>out the roster. There was this one guy named Timothy James,

0:41:18.160 --> 0:41:22.000
<v Speaker 1>fake radio name and a fake voice. Ben He'd be like, oh, yeah,

0:41:22.320 --> 0:41:27.040
<v Speaker 1>it's Saturday. Yeah, oh yeah. He was horrible what he

0:41:27.080 --> 0:41:30.080
<v Speaker 1>did the early Saturday shift in an early Sunday shift,

0:41:30.160 --> 0:41:32.640
<v Speaker 1>and I thought, well, let me just leave him alone.

0:41:33.280 --> 0:41:36.560
<v Speaker 1>Except he was an asshole in the hallways. He created

0:41:36.640 --> 0:41:39.680
<v Speaker 1>lots of drama with the staff. So I kept talking

0:41:39.719 --> 0:41:41.560
<v Speaker 1>to my general manager like, can I just get rid

0:41:41.600 --> 0:41:44.200
<v Speaker 1>of this guy please? He's just a troublemaker and he's

0:41:44.280 --> 0:41:46.840
<v Speaker 1>bad on the air. And my GM was like, wow,

0:41:47.040 --> 0:41:49.160
<v Speaker 1>you know, just bear with it. Just just you're gonna

0:41:49.200 --> 0:41:51.839
<v Speaker 1>have to, you know, control the guy. And I'm like

0:41:51.880 --> 0:41:55.080
<v Speaker 1>all right. So every weekend was something new. Every weekend

0:41:55.120 --> 0:41:58.080
<v Speaker 1>was a new problem with this guy Ben. So finally

0:41:58.360 --> 0:42:00.920
<v Speaker 1>I I wake up one Saturday, a I turn on.

0:42:01.080 --> 0:42:03.879
<v Speaker 1>You know, when you program the station, a big part

0:42:03.880 --> 0:42:06.560
<v Speaker 1>of your life is listening to your damn radio station.

0:42:07.200 --> 0:42:09.799
<v Speaker 1>If you're not there, you are because you're listening in

0:42:09.840 --> 0:42:12.600
<v Speaker 1>your car, on your phone at your house. To make

0:42:12.640 --> 0:42:15.160
<v Speaker 1>sure everything is going smooth. In the old days, you

0:42:15.200 --> 0:42:19.080
<v Speaker 1>had to listen line. Before all the apps where you

0:42:19.080 --> 0:42:21.480
<v Speaker 1>could listen anywhere you want, it is yes number to

0:42:21.560 --> 0:42:24.239
<v Speaker 1>call up to listen in on the station. Yeah, it

0:42:24.320 --> 0:42:27.600
<v Speaker 1>was my responsibility. My general manager said, you have a

0:42:27.600 --> 0:42:31.920
<v Speaker 1>big contract, because you have big responsibilities. Then it bugged

0:42:31.920 --> 0:42:34.719
<v Speaker 1>the ship out of my girlfriend at the time. So

0:42:34.800 --> 0:42:38.000
<v Speaker 1>I wake up early on Saturday morning and I tuned

0:42:38.120 --> 0:42:42.439
<v Speaker 1>my station in and there's dead air. What the what's

0:42:42.480 --> 0:42:45.560
<v Speaker 1>going on? And then like a song comes on, but

0:42:45.600 --> 0:42:49.799
<v Speaker 1>there was no imaging nothing before the song. All right, well,

0:42:49.840 --> 0:42:53.960
<v Speaker 1>maybe Timothy is just tired starting off his shift. And

0:42:54.000 --> 0:42:56.560
<v Speaker 1>then the next song ends, Ben, and there's more dead air,

0:42:57.120 --> 0:42:59.920
<v Speaker 1>and I'm like, what the funk man? So I call

0:43:00.000 --> 0:43:01.960
<v Speaker 1>of a hot line. At this point, I'm like, all right,

0:43:02.440 --> 0:43:04.880
<v Speaker 1>two incidents of dead air. I need to call and

0:43:04.920 --> 0:43:08.400
<v Speaker 1>see if this is this guy hung over. Nobody answers

0:43:08.440 --> 0:43:12.040
<v Speaker 1>the hotline the red phone in the studio with the

0:43:12.040 --> 0:43:15.400
<v Speaker 1>blinky flashy light that means those ships the boss is calling.

0:43:15.600 --> 0:43:19.399
<v Speaker 1>No one answers it the bat phone. And now I'm

0:43:19.480 --> 0:43:22.720
<v Speaker 1>like really pissed, Like okay, so we sound like ship

0:43:22.800 --> 0:43:25.880
<v Speaker 1>on the air right now, and nobody's answering the bat phone.

0:43:26.360 --> 0:43:30.040
<v Speaker 1>So another song gets played and then imaging comes on,

0:43:30.400 --> 0:43:33.960
<v Speaker 1>but it's train wrecking with a song. So Ben, I

0:43:34.000 --> 0:43:38.040
<v Speaker 1>throw my clothes on, I speed down to the radio station.

0:43:38.800 --> 0:43:41.680
<v Speaker 1>I stomp into the studio and I expect, you know,

0:43:41.800 --> 0:43:43.680
<v Speaker 1>I don't know what I'm gonna see, but I'm thinking

0:43:44.040 --> 0:43:47.120
<v Speaker 1>Timothy James is gonna be laid out, you know, on

0:43:47.160 --> 0:43:49.880
<v Speaker 1>the floor, drunk or something like that. I don't know

0:43:49.920 --> 0:43:53.680
<v Speaker 1>what to think. There was no Timothy James. It was

0:43:53.760 --> 0:43:58.320
<v Speaker 1>a bright eyed intern, a scared look on his face,

0:43:58.800 --> 0:44:02.279
<v Speaker 1>and I'm like, where the fuck is Timothy at I

0:44:02.320 --> 0:44:04.520
<v Speaker 1>don't know. He just asked me to cover for him

0:44:04.560 --> 0:44:12.800
<v Speaker 1>for an hour. This is Ashole Benefit fIF fifty radio station.

0:44:13.719 --> 0:44:16.759
<v Speaker 1>This guy had an intern cover for him for an hour.

0:44:17.360 --> 0:44:19.560
<v Speaker 1>So I stay there and I like where did he go?

0:44:19.719 --> 0:44:22.040
<v Speaker 1>And he's like, I'm not sure. He didn't tell me.

0:44:22.160 --> 0:44:24.880
<v Speaker 1>He just asked me to cover the control board for

0:44:25.000 --> 0:44:27.520
<v Speaker 1>an hour. And I'm like, you don't know how to

0:44:27.600 --> 0:44:30.440
<v Speaker 1>do the control board. Nobody trained you on this. And

0:44:30.520 --> 0:44:32.239
<v Speaker 1>he's like, oh, I'm just trying to figure it out.

0:44:32.280 --> 0:44:34.680
<v Speaker 1>He showed me really quick, and I'm sorry if it

0:44:34.760 --> 0:44:36.320
<v Speaker 1>sounds bad on the air, and I'm like, get the

0:44:36.400 --> 0:44:39.640
<v Speaker 1>funk out of here right now. So I send the

0:44:39.719 --> 0:44:43.760
<v Speaker 1>intern home, I get my headphones out of my programming office,

0:44:44.320 --> 0:44:45.840
<v Speaker 1>and I jump on the air and I do the

0:44:45.920 --> 0:44:52.200
<v Speaker 1>next break live, introduced the next song. He's driving back

0:44:52.280 --> 0:44:57.320
<v Speaker 1>to the studios. Yeah, he hears the program director on

0:44:57.440 --> 0:45:01.520
<v Speaker 1>the air ben he walked in. Forty five minutes later.

0:45:02.280 --> 0:45:06.000
<v Speaker 1>He had an interview somewhere for like a daytime job

0:45:06.120 --> 0:45:09.080
<v Speaker 1>Monday through Friday. He tried to have this guy cover

0:45:09.440 --> 0:45:15.080
<v Speaker 1>while he went to the job interview. Yeah, I said,

0:45:15.160 --> 0:45:17.680
<v Speaker 1>get your ship and get out of here. He was

0:45:17.719 --> 0:45:20.160
<v Speaker 1>trying to argue with me, and I was like bye bye,

0:45:21.160 --> 0:45:24.120
<v Speaker 1>and yeah, that was the best firing we ever had there.

0:45:24.680 --> 0:45:27.160
<v Speaker 1>I've never heard of anything like that in raiding. We've

0:45:27.200 --> 0:45:30.799
<v Speaker 1>heard a lot of crazy stories. No, that's that's quite

0:45:30.920 --> 0:45:33.600
<v Speaker 1>the quite all right. Well, that's a perfect way to

0:45:33.680 --> 0:45:36.000
<v Speaker 1>put the bow on this. And so for John in

0:45:36.120 --> 0:45:40.960
<v Speaker 1>Northern Colorado, Luna, Mike, Steve, all you guys, I'm sorry,

0:45:41.000 --> 0:45:44.120
<v Speaker 1>we just ran out of time here, but we will

0:45:44.680 --> 0:45:46.320
<v Speaker 1>next week. We'll have a new mailback, so if you

0:45:46.320 --> 0:45:49.160
<v Speaker 1>want to submit your question for next week, John in

0:45:49.280 --> 0:45:51.840
<v Speaker 1>Colorado and all you other guys there, and Gal, I

0:45:51.840 --> 0:45:54.440
<v Speaker 1>don't see any gals. I lied. There's no women. Uh.

0:45:54.680 --> 0:45:57.000
<v Speaker 1>And what happened to Helen and stew by the way,

0:45:57.080 --> 0:45:59.560
<v Speaker 1>they they vanished. I hope they're okay. Helen and Stu.

0:45:59.719 --> 0:46:03.439
<v Speaker 1>They they told this tale. They said they were gonna

0:46:03.480 --> 0:46:06.400
<v Speaker 1>pay off the Great Tale and then they vanished. I

0:46:06.480 --> 0:46:08.840
<v Speaker 1>only we've heard from them in like a month. So

0:46:09.000 --> 0:46:13.680
<v Speaker 1>hopefully Helen and stew and Palmetto Bay, Florida there are Okay, Danny,

0:46:13.760 --> 0:46:16.080
<v Speaker 1>what do you have coming up? You're also you're gonna

0:46:16.080 --> 0:46:19.840
<v Speaker 1>be on the radio show, The Librado Show tomorrow. And

0:46:19.960 --> 0:46:25.760
<v Speaker 1>don't forget. The Mallard meet and greet is this week.

0:46:26.440 --> 0:46:29.080
<v Speaker 1>Hopefully Danny can make it. We'll find out. I will

0:46:29.120 --> 0:46:31.400
<v Speaker 1>will obviously talk about it on the overnight show, but

0:46:31.800 --> 0:46:36.080
<v Speaker 1>that'll be this Friday in southern California. Uh. Contact Eddie

0:46:36.120 --> 0:46:39.080
<v Speaker 1>Garcia Eddie on Fox at gmail dot com if you're

0:46:39.120 --> 0:46:43.120
<v Speaker 1>interested in attending in La Maratta. I believe it is

0:46:43.200 --> 0:46:45.600
<v Speaker 1>La Maratta there. But Danny, what are you got going on? Yeah,

0:46:45.680 --> 0:46:47.960
<v Speaker 1>it's gonna be a fun week besides the meet and

0:46:48.000 --> 0:46:50.759
<v Speaker 1>great you're right Monday into Tuesday. I get to fill

0:46:50.800 --> 0:46:56.960
<v Speaker 1>in for Coop today. This afternoon, I'm gonna be having

0:46:57.000 --> 0:46:59.759
<v Speaker 1>fun with Covino and Rich and then the show, right

0:46:59.840 --> 0:47:04.560
<v Speaker 1>but for yours Arnie Spaniard with Chris Plank Blaker Feds.

0:47:05.120 --> 0:47:08.840
<v Speaker 1>And then it'll be Mallard time. Yeah, alright, well, listen,

0:47:08.920 --> 0:47:11.400
<v Speaker 1>we'll have we'll have a great time this week, and

0:47:12.360 --> 0:47:13.759
<v Speaker 1>who knows, you never know. It's gonna on the place.

0:47:13.760 --> 0:47:15.560
<v Speaker 1>If you want to recommend a guest. That's some people

0:47:15.680 --> 0:47:19.080
<v Speaker 1>emailing me different names for future guests. Now that we

0:47:19.200 --> 0:47:23.160
<v Speaker 1>got Musburger Danny, I know. I think the world is

0:47:23.200 --> 0:47:26.120
<v Speaker 1>our oyster. I think we can get anybody there. Set

0:47:26.200 --> 0:47:28.719
<v Speaker 1>the bar high. I got some emails out to your

0:47:28.760 --> 0:47:31.680
<v Speaker 1>boy George Norri. I would love to talk to George Nory,

0:47:31.719 --> 0:47:33.640
<v Speaker 1>that would I would love to hear you and him

0:47:33.680 --> 0:47:36.400
<v Speaker 1>having a conversation. So I'm efforting that at the moment,

0:47:37.000 --> 0:47:38.520
<v Speaker 1>all right, So we'll see what happens with that. But

0:47:38.640 --> 0:47:41.200
<v Speaker 1>have a great week, great rest of the day, obviously today,

0:47:41.239 --> 0:47:44.480
<v Speaker 1>and I'll be back in the radio studio, the terrestrial

0:47:44.600 --> 0:47:49.360
<v Speaker 1>radio studio, the brick and mortar studio, literally and figuratively

0:47:49.440 --> 0:47:52.960
<v Speaker 1>there tonight, eleven pm in the west, three A. What

0:47:53.120 --> 0:47:55.239
<v Speaker 1>is that to two am? I keep my math. They

0:47:55.239 --> 0:47:57.440
<v Speaker 1>said there would be no math two am in the east,

0:47:57.760 --> 0:47:59.520
<v Speaker 1>in the middle of the night there on a Monday.

0:48:00.080 --> 0:48:04.479
<v Speaker 1>And we'll catch you then later. Skater gotta murder, gotta

0:48:04.520 --> 0:48:04.560
<v Speaker 1>go